Title: The History of Don Quixote, Volume 1, Part 16
Author: Cervantes Saavedra, Miguel de, 1547-1616
Language: English
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*** Start of this LibraryBlog Digital Book "The History of Don Quixote, Volume 1, Part 16" ***


                            DON QUIXOTE

                     by Miguel de Cervantes

                    Translated by John Ormsby


                            Volume I.

                             Part 16.



CHAPTER XLVII.

OF THE STRANGE MANNER IN WHICH DON QUIXOTE OF LA MANCHA WAS CARRIED AWAY
ENCHANTED, TOGETHER WITH OTHER REMARKABLE INCIDENTS


When Don Quixote saw himself caged and hoisted on the cart in this way,
he said, "Many grave histories of knights-errant have I read; but never
yet have I read, seen, or heard of their carrying off enchanted
knights-errant in this fashion, or at the slow pace that these lazy,
sluggish animals promise; for they always take them away through the air
with marvellous swiftness, enveloped in a dark thick cloud, or on a
chariot of fire, or it may be on some hippogriff or other beast of the
kind; but to carry me off like this on an ox-cart! By God, it puzzles me!
But perhaps the chivalry and enchantments of our day take a different
course from that of those in days gone by; and it may be, too, that as I
am a new knight in the world, and the first to revive the already
forgotten calling of knight-adventurers, they may have newly invented
other kinds of enchantments and other modes of carrying off the
enchanted. What thinkest thou of the matter, Sancho my son?"

"I don't know what to think," answered Sancho, "not being as well read as
your worship in errant writings; but for all that I venture to say and
swear that these apparitions that are about us are not quite catholic."

"Catholic!" said Don Quixote. "Father of me! how can they be Catholic
when they are all devils that have taken fantastic shapes to come and do
this, and bring me to this condition? And if thou wouldst prove it, touch
them, and feel them, and thou wilt find they have only bodies of air, and
no consistency except in appearance."

"By God, master," returned Sancho, "I have touched them already; and that
devil, that goes about there so busily, has firm flesh, and another
property very different from what I have heard say devils have, for by
all accounts they all smell of brimstone and other bad smells; but this
one smells of amber half a league off." Sancho was here speaking of Don
Fernando, who, like a gentleman of his rank, was very likely perfumed as
Sancho said.

"Marvel not at that, Sancho my friend," said Don Quixote; "for let me
tell thee devils are crafty; and even if they do carry odours about with
them, they themselves have no smell, because they are spirits; or, if
they have any smell, they cannot smell of anything sweet, but of
something foul and fetid; and the reason is that as they carry hell with
them wherever they go, and can get no ease whatever from their torments,
and as a sweet smell is a thing that gives pleasure and enjoyment, it is
impossible that they can smell sweet; if, then, this devil thou speakest
of seems to thee to smell of amber, either thou art deceiving thyself, or
he wants to deceive thee by making thee fancy he is not a devil."

Such was the conversation that passed between master and man; and Don
Fernando and Cardenio, apprehensive of Sancho's making a complete
discovery of their scheme, towards which he had already gone some way,
resolved to hasten their departure, and calling the landlord aside, they
directed him to saddle Rocinante and put the pack-saddle on Sancho's ass,
which he did with great alacrity. In the meantime the curate had made an
arrangement with the officers that they should bear them company as far
as his village, he paying them so much a day. Cardenio hung the buckler
on one side of the bow of Rocinante's saddle and the basin on the other,
and by signs commanded Sancho to mount his ass and take Rocinante's
bridle, and at each side of the cart he placed two officers with their
muskets; but before the cart was put in motion, out came the landlady and
her daughter and Maritornes to bid Don Quixote farewell, pretending to
weep with grief at his misfortune; and to them Don Quixote said:

"Weep not, good ladies, for all these mishaps are the lot of those who
follow the profession I profess; and if these reverses did not befall me
I should not esteem myself a famous knight-errant; for such things never
happen to knights of little renown and fame, because nobody in the world
thinks about them; to valiant knights they do, for these are envied for
their virtue and valour by many princes and other knights who compass the
destruction of the worthy by base means. Nevertheless, virtue is of
herself so mighty, that, in spite of all the magic that Zoroaster its
first inventor knew, she will come victorious out of every trial, and
shed her light upon the earth as the sun does upon the heavens. Forgive
me, fair ladies, if, through inadvertence, I have in aught offended you;
for intentionally and wittingly I have never done so to any; and pray to
God that he deliver me from this captivity to which some malevolent
enchanter has consigned me; and should I find myself released therefrom,
the favours that ye have bestowed upon me in this castle shall be held in
memory by me, that I may acknowledge, recognise, and requite them as they
deserve."

While this was passing between the ladies of the castle and Don Quixote,
the curate and the barber bade farewell to Don Fernando and his
companions, to the captain, his brother, and the ladies, now all made
happy, and in particular to Dorothea and Luscinda. They all embraced one
another, and promised to let each other know how things went with them,
and Don Fernando directed the curate where to write to him, to tell him
what became of Don Quixote, assuring him that there was nothing that
could give him more pleasure than to hear of it, and that he too, on his
part, would send him word of everything he thought he would like to know,
about his marriage, Zoraida's baptism, Don Luis's affair, and Luscinda's
return to her home. The curate promised to comply with his request
carefully, and they embraced once more, and renewed their promises.

The landlord approached the curate and handed him some papers, saying he
had discovered them in the lining of the valise in which the novel of
"The Ill-advised Curiosity" had been found, and that he might take them
all away with him as their owner had not since returned; for, as he could
not read, he did not want them himself. The curate thanked him, and
opening them he saw at the beginning of the manuscript the words, "Novel
of Rinconete and Cortadillo," by which he perceived that it was a novel,
and as that of "The Ill-advised Curiosity" had been good he concluded
this would be so too, as they were both probably by the same author; so
he kept it, intending to read it when he had an opportunity. He then
mounted and his friend the barber did the same, both masked, so as not to
be recognised by Don Quixote, and set out following in the rear of the
cart. The order of march was this: first went the cart with the owner
leading it; at each side of it marched the officers of the Brotherhood,
as has been said, with their muskets; then followed Sancho Panza on his
ass, leading Rocinante by the bridle; and behind all came the curate and
the barber on their mighty mules, with faces covered, as aforesaid, and a
grave and serious air, measuring their pace to suit the slow steps of the
oxen. Don Quixote was seated in the cage, with his hands tied and his
feet stretched out, leaning against the bars as silent and as patient as
if he were a stone statue and not a man of flesh. Thus slowly and
silently they made, it might be, two leagues, until they reached a valley
which the carter thought a convenient place for resting and feeding his
oxen, and he said so to the curate, but the barber was of opinion that
they ought to push on a little farther, as at the other side of a hill
which appeared close by he knew there was a valley that had more grass
and much better than the one where they proposed to halt; and his advice
was taken and they continued their journey.

Just at that moment the curate, looking back, saw coming on behind them
six or seven mounted men, well found and equipped, who soon overtook
them, for they were travelling, not at the sluggish, deliberate pace of
oxen, but like men who rode canons' mules, and in haste to take their
noontide rest as soon as possible at the inn which was in sight not a
league off. The quick travellers came up with the slow, and courteous
salutations were exchanged; and one of the new comers, who was, in fact,
a canon of Toledo and master of the others who accompanied him, observing
the regular order of the procession, the cart, the officers, Sancho,
Rocinante, the curate and the barber, and above all Don Quixote caged and
confined, could not help asking what was the meaning of carrying the man
in that fashion; though, from the badges of the officers, he already
concluded that he must be some desperate highwayman or other malefactor
whose punishment fell within the jurisdiction of the Holy Brotherhood.
One of the officers to whom he had put the question, replied, "Let the
gentleman himself tell you the meaning of his going this way, senor, for
we do not know."

Don Quixote overheard the conversation and said, "Haply, gentlemen, you
are versed and learned in matters of errant chivalry? Because if you are
I will tell you my misfortunes; if not, there is no good in my giving
myself the trouble of relating them;" but here the curate and the barber,
seeing that the travellers were engaged in conversation with Don Quixote,
came forward, in order to answer in such a way as to save their stratagem
from being discovered.

The canon, replying to Don Quixote, said, "In truth, brother, I know more
about books of chivalry than I do about Villalpando's elements of logic;
so if that be all, you may safely tell me what you please."

"In God's name, then, senor," replied Don Quixote; "if that be so, I
would have you know that I am held enchanted in this cage by the envy and
fraud of wicked enchanters; for virtue is more persecuted by the wicked
than loved by the good. I am a knight-errant, and not one of those whose
names Fame has never thought of immortalising in her record, but of those
who, in defiance and in spite of envy itself, and all the magicians that
Persia, or Brahmans that India, or Gymnosophists that Ethiopia ever
produced, will place their names in the temple of immortality, to serve
as examples and patterns for ages to come, whereby knights-errant may see
the footsteps in which they must tread if they would attain the summit
and crowning point of honour in arms."

"What Senor Don Quixote of La Mancha says," observed the curate, "is the
truth; for he goes enchanted in this cart, not from any fault or sins of
his, but because of the malevolence of those to whom virtue is odious and
valour hateful. This, senor, is the Knight of the Rueful Countenance, if
you have ever heard him named, whose valiant achievements and mighty
deeds shall be written on lasting brass and imperishable marble,
notwithstanding all the efforts of envy to obscure them and malice to
hide them."

When the canon heard both the prisoner and the man who was at liberty
talk in such a strain he was ready to cross himself in his astonishment,
and could not make out what had befallen him; and all his attendants were
in the same state of amazement.

At this point Sancho Panza, who had drawn near to hear the conversation,
said, in order to make everything plain, "Well, sirs, you may like or
dislike what I am going to say, but the fact of the matter is, my master,
Don Quixote, is just as much enchanted as my mother. He is in his full
senses, he eats and he drinks, and he has his calls like other men and as
he had yesterday, before they caged him. And if that's the case, what do
they mean by wanting me to believe that he is enchanted? For I have heard
many a one say that enchanted people neither eat, nor sleep, nor talk;
and my master, if you don't stop him, will talk more than thirty
lawyers." Then turning to the curate he exclaimed, "Ah, senor curate,
senor curate! do you think I don't know you? Do you think I don't guess
and see the drift of these new enchantments? Well then, I can tell you I
know you, for all your face is covered, and I can tell you I am up to
you, however you may hide your tricks. After all, where envy reigns
virtue cannot live, and where there is niggardliness there can be no
liberality. Ill betide the devil! if it had not been for your worship my
master would be married to the Princess Micomicona this minute, and I
should be a count at least; for no less was to be expected, as well from
the goodness of my master, him of the Rueful Countenance, as from the
greatness of my services. But I see now how true it is what they say in
these parts, that the wheel of fortune turns faster than a mill-wheel,
and that those who were up yesterday are down to-day. I am sorry for my
wife and children, for when they might fairly and reasonably expect to
see their father return to them a governor or viceroy of some island or
kingdom, they will see him come back a horse-boy. I have said all this,
senor curate, only to urge your paternity to lay to your conscience your
ill-treatment of my master; and have a care that God does not call you to
account in another life for making a prisoner of him in this way, and
charge against you all the succours and good deeds that my lord Don
Quixote leaves undone while he is shut up.

"Trim those lamps there!" exclaimed the barber at this; "so you are of
the same fraternity as your master, too, Sancho? By God, I begin to see
that you will have to keep him company in the cage, and be enchanted like
him for having caught some of his humour and chivalry. It was an evil
hour when you let yourself be got with child by his promises, and that
island you long so much for found its way into your head."

"I am not with child by anyone," returned Sancho, "nor am I a man to let
myself be got with child, if it was by the King himself. Though I am poor
I am an old Christian, and I owe nothing to nobody, and if I long for an
island, other people long for worse. Each of us is the son of his own
works; and being a man I may come to be pope, not to say governor of an
island, especially as my master may win so many that he will not know
whom to give them to. Mind how you talk, master barber; for shaving is
not everything, and there is some difference between Peter and Peter. I
say this because we all know one another, and it will not do to throw
false dice with me; and as to the enchantment of my master, God knows the
truth; leave it as it is; it only makes it worse to stir it."

The barber did not care to answer Sancho lest by his plain speaking he
should disclose what the curate and he himself were trying so hard to
conceal; and under the same apprehension the curate had asked the canon
to ride on a little in advance, so that he might tell him the mystery of
this man in the cage, and other things that would amuse him. The canon
agreed, and going on ahead with his servants, listened with attention to
the account of the character, life, madness, and ways of Don Quixote,
given him by the curate, who described to him briefly the beginning and
origin of his craze, and told him the whole story of his adventures up to
his being confined in the cage, together with the plan they had of taking
him home to try if by any means they could discover a cure for his
madness. The canon and his servants were surprised anew when they heard
Don Quixote's strange story, and when it was finished he said, "To tell
the truth, senor curate, I for my part consider what they call books of
chivalry to be mischievous to the State; and though, led by idle and
false taste, I have read the beginnings of almost all that have been
printed, I never could manage to read any one of them from beginning to
end; for it seems to me they are all more or less the same thing; and one
has nothing more in it than another; this no more than that. And in my
opinion this sort of writing and composition is of the same species as
the fables they call the Milesian, nonsensical tales that aim solely at
giving amusement and not instruction, exactly the opposite of the
apologue fables which amuse and instruct at the same time. And though it
may be the chief object of such books to amuse, I do not know how they
can succeed, when they are so full of such monstrous nonsense. For the
enjoyment the mind feels must come from the beauty and harmony which it
perceives or contemplates in the things that the eye or the imagination
brings before it; and nothing that has any ugliness or disproportion
about it can give any pleasure. What beauty, then, or what proportion of
the parts to the whole, or of the whole to the parts, can there be in a
book or fable where a lad of sixteen cuts down a giant as tall as a tower
and makes two halves of him as if he was an almond cake? And when they
want to give us a picture of a battle, after having told us that there
are a million of combatants on the side of the enemy, let the hero of the
book be opposed to them, and we have perforce to believe, whether we like
it or not, that the said knight wins the victory by the single might of
his strong arm. And then, what shall we say of the facility with which a
born queen or empress will give herself over into the arms of some
unknown wandering knight? What mind, that is not wholly barbarous and
uncultured, can find pleasure in reading of how a great tower full of
knights sails away across the sea like a ship with a fair wind, and will
be to-night in Lombardy and to-morrow morning in the land of Prester John
of the Indies, or some other that Ptolemy never described nor Marco Polo
saw? And if, in answer to this, I am told that the authors of books of
the kind write them as fiction, and therefore are not bound to regard
niceties of truth, I would reply that fiction is all the better the more
it looks like truth, and gives the more pleasure the more probability and
possibility there is about it. Plots in fiction should be wedded to the
understanding of the reader, and be constructed in such a way that,
reconciling impossibilities, smoothing over difficulties, keeping the
mind on the alert, they may surprise, interest, divert, and entertain, so
that wonder and delight joined may keep pace one with the other; all
which he will fail to effect who shuns verisimilitude and truth to
nature, wherein lies the perfection of writing. I have never yet seen any
book of chivalry that puts together a connected plot complete in all its
numbers, so that the middle agrees with the beginning, and the end with
the beginning and middle; on the contrary, they construct them with such
a multitude of members that it seems as though they meant to produce a
chimera or monster rather than a well-proportioned figure. And besides
all this they are harsh in their style, incredible in their achievements,
licentious in their amours, uncouth in their courtly speeches, prolix in
their battles, silly in their arguments, absurd in their travels, and, in
short, wanting in everything like intelligent art; for which reason they
deserve to be banished from the Christian commonwealth as a worthless
breed."

The curate listened to him attentively and felt that he was a man of
sound understanding, and that there was good reason in what he said; so
he told him that, being of the same opinion himself, and bearing a grudge
to books of chivalry, he had burned all Don Quixote's, which were many;
and gave him an account of the scrutiny he had made of them, and of those
he had condemned to the flames and those he had spared, with which the
canon was not a little amused, adding that though he had said so much in
condemnation of these books, still he found one good thing in them, and
that was the opportunity they afforded to a gifted intellect for
displaying itself; for they presented a wide and spacious field over
which the pen might range freely, describing shipwrecks, tempests,
combats, battles, portraying a valiant captain with all the
qualifications requisite to make one, showing him sagacious in foreseeing
the wiles of the enemy, eloquent in speech to encourage or restrain his
soldiers, ripe in counsel, rapid in resolve, as bold in biding his time
as in pressing the attack; now picturing some sad tragic incident, now
some joyful and unexpected event; here a beauteous lady, virtuous, wise,
and modest; there a Christian knight, brave and gentle; here a lawless,
barbarous braggart; there a courteous prince, gallant and gracious;
setting forth the devotion and loyalty of vassals, the greatness and
generosity of nobles. "Or again," said he, "the author may show himself
to be an astronomer, or a skilled cosmographer, or musician, or one
versed in affairs of state, and sometimes he will have a chance of coming
forward as a magician if he likes. He can set forth the craftiness of
Ulysses, the piety of AEneas, the valour of Achilles, the misfortunes of
Hector, the treachery of Sinon, the friendship of Euryalus, the
generosity of Alexander, the boldness of Caesar, the clemency and truth
of Trajan, the fidelity of Zopyrus, the wisdom of Cato, and in short all
the faculties that serve to make an illustrious man perfect, now uniting
them in one individual, again distributing them among many; and if this
be done with charm of style and ingenious invention, aiming at the truth
as much as possible, he will assuredly weave a web of bright and varied
threads that, when finished, will display such perfection and beauty that
it will attain the worthiest object any writing can seek, which, as I
said before, is to give instruction and pleasure combined; for the
unrestricted range of these books enables the author to show his powers,
epic, lyric, tragic, or comic, and all the moods the sweet and winning
arts of poesy and oratory are capable of; for the epic may be written in
prose just as well as in verse."



CHAPTER XLVIII.

IN WHICH THE CANON PURSUES THE SUBJECT OF THE BOOKS OF CHIVALRY, WITH
OTHER MATTERS WORTHY OF HIS WIT


"It is as you say, senor canon," said the curate; "and for that reason
those who have hitherto written books of the sort deserve all the more
censure for writing without paying any attention to good taste or the
rules of art, by which they might guide themselves and become as famous
in prose as the two princes of Greek and Latin poetry are in verse."

"I myself, at any rate," said the canon, "was once tempted to write a
book of chivalry in which all the points I have mentioned were to be
observed; and if I must own the truth I have more than a hundred sheets
written; and to try if it came up to my own opinion of it, I showed them
to persons who were fond of this kind of reading, to learned and
intelligent men as well as to ignorant people who cared for nothing but
the pleasure of listening to nonsense, and from all I obtained flattering
approval; nevertheless I proceeded no farther with it, as well because it
seemed to me an occupation inconsistent with my profession, as because I
perceived that the fools are more numerous than the wise; and, though it
is better to be praised by the wise few than applauded by the foolish
many, I have no mind to submit myself to the stupid judgment of the silly
public, to whom the reading of such books falls for the most part.

"But what most of all made me hold my hand and even abandon all idea of
finishing it was an argument I put to myself taken from the plays that
are acted now-a-days, which was in this wise: if those that are now in
vogue, as well those that are pure invention as those founded on history,
are, all or most of them, downright nonsense and things that have neither
head nor tail, and yet the public listens to them with delight, and
regards and cries them up as perfection when they are so far from it; and
if the authors who write them, and the players who act them, say that
this is what they must be, for the public wants this and will have
nothing else; and that those that go by rule and work out a plot
according to the laws of art will only find some half-dozen intelligent
people to understand them, while all the rest remain blind to the merit
of their composition; and that for themselves it is better to get bread
from the many than praise from the few; then my book will fare the same
way, after I have burnt off my eyebrows in trying to observe the
principles I have spoken of, and I shall be 'the tailor of the corner.'
And though I have sometimes endeavoured to convince actors that they are
mistaken in this notion they have adopted, and that they would attract
more people, and get more credit, by producing plays in accordance with
the rules of art, than by absurd ones, they are so thoroughly wedded to
their own opinion that no argument or evidence can wean them from it.

"I remember saying one day to one of these obstinate fellows, 'Tell me,
do you not recollect that a few years ago, there were three tragedies
acted in Spain, written by a famous poet of these kingdoms, which were
such that they filled all who heard them with admiration, delight, and
interest, the ignorant as well as the wise, the masses as well as the
higher orders, and brought in more money to the performers, these three
alone, than thirty of the best that have been since produced?'

"'No doubt,' replied the actor in question, 'you mean the "Isabella," the
"Phyllis," and the "Alexandra."'

"'Those are the ones I mean,' said I; 'and see if they did not observe
the principles of art, and if, by observing them, they failed to show
their superiority and please all the world; so that the fault does not
lie with the public that insists upon nonsense, but with those who don't
know how to produce something else. "The Ingratitude Revenged" was not
nonsense, nor was there any in "The Numantia," nor any to be found in
"The Merchant Lover," nor yet in "The Friendly Fair Foe," nor in some
others that have been written by certain gifted poets, to their own fame
and renown, and to the profit of those that brought them out;' some
further remarks I added to these, with which, I think, I left him rather
dumbfoundered, but not so satisfied or convinced that I could disabuse
him of his error."

"You have touched upon a subject, senor canon," observed the curate here,
"that has awakened an old enmity I have against the plays in vogue at the
present day, quite as strong as that which I bear to the books of
chivalry; for while the drama, according to Tully, should be the mirror
of human life, the model of manners, and the image of the truth, those
which are presented now-a-days are mirrors of nonsense, models of folly,
and images of lewdness. For what greater nonsense can there be in
connection with what we are now discussing than for an infant to appear
in swaddling clothes in the first scene of the first act, and in the
second a grown-up bearded man? Or what greater absurdity can there be
than putting before us an old man as a swashbuckler, a young man as a
poltroon, a lackey using fine language, a page giving sage advice, a king
plying as a porter, a princess who is a kitchen-maid? And then what shall
I say of their attention to the time in which the action they represent
may or can take place, save that I have seen a play where the first act
began in Europe, the second in Asia, the third finished in Africa, and no
doubt, had it been in four acts, the fourth would have ended in America,
and so it would have been laid in all four quarters of the globe? And if
truth to life is the main thing the drama should keep in view, how is it
possible for any average understanding to be satisfied when the action is
supposed to pass in the time of King Pepin or Charlemagne, and the
principal personage in it they represent to be the Emperor Heraclius who
entered Jerusalem with the cross and won the Holy Sepulchre, like Godfrey
of Bouillon, there being years innumerable between the one and the other?
or, if the play is based on fiction and historical facts are introduced,
or bits of what occurred to different people and at different times mixed
up with it, all, not only without any semblance of probability, but with
obvious errors that from every point of view are inexcusable? And the
worst of it is, there are ignorant people who say that this is
perfection, and that anything beyond this is affected refinement. And
then if we turn to sacred dramas--what miracles they invent in them! What
apocryphal, ill-devised incidents, attributing to one saint the miracles
of another! And even in secular plays they venture to introduce miracles
without any reason or object except that they think some such miracle, or
transformation as they call it, will come in well to astonish stupid
people and draw them to the play. All this tends to the prejudice of the
truth and the corruption of history, nay more, to the reproach of the
wits of Spain; for foreigners who scrupulously observe the laws of the
drama look upon us as barbarous and ignorant, when they see the absurdity
and nonsense of the plays we produce. Nor will it be a sufficient excuse
to say that the chief object well-ordered governments have in view when
they permit plays to be performed in public is to entertain the people
with some harmless amusement occasionally, and keep it from those evil
humours which idleness is apt to engender; and that, as this may be
attained by any sort of play, good or bad, there is no need to lay down
laws, or bind those who write or act them to make them as they ought to
be made, since, as I say, the object sought for may be secured by any
sort. To this I would reply that the same end would be, beyond all
comparison, better attained by means of good plays than by those that are
not so; for after listening to an artistic and properly constructed play,
the hearer will come away enlivened by the jests, instructed by the
serious parts, full of admiration at the incidents, his wits sharpened by
the arguments, warned by the tricks, all the wiser for the examples,
inflamed against vice, and in love with virtue; for in all these ways a
good play will stimulate the mind of the hearer be he ever so boorish or
dull; and of all impossibilities the greatest is that a play endowed with
all these qualities will not entertain, satisfy, and please much more
than one wanting in them, like the greater number of those which are
commonly acted now-a-days. Nor are the poets who write them to be blamed
for this; for some there are among them who are perfectly well aware of
their faults, and know what they ought to do; but as plays have become a
salable commodity, they say, and with truth, that the actors will not buy
them unless they are after this fashion; and so the poet tries to adapt
himself to the requirements of the actor who is to pay him for his work.
And that this is the truth may be seen by the countless plays that a most
fertile wit of these kingdoms has written, with so much brilliancy, so
much grace and gaiety, such polished versification, such choice language,
such profound reflections, and in a word, so rich in eloquence and
elevation of style, that he has filled the world with his fame; and yet,
in consequence of his desire to suit the taste of the actors, they have
not all, as some of them have, come as near perfection as they ought.
Others write plays with such heedlessness that, after they have been
acted, the actors have to fly and abscond, afraid of being punished, as
they often have been, for having acted something offensive to some king
or other, or insulting to some noble family. All which evils, and many
more that I say nothing of, would be removed if there were some
intelligent and sensible person at the capital to examine all plays
before they were acted, not only those produced in the capital itself,
but all that were intended to be acted in Spain; without whose approval,
seal, and signature, no local magistracy should allow any play to be
acted. In that case actors would take care to send their plays to the
capital, and could act them in safety, and those who write them would be
more careful and take more pains with their work, standing in awe of
having to submit it to the strict examination of one who understood the
matter; and so good plays would be produced and the objects they aim at
happily attained; as well the amusement of the people, as the credit of
the wits of Spain, the interest and safety of the actors, and the saving
of trouble in inflicting punishment on them. And if the same or some
other person were authorised to examine the newly written books of
chivalry, no doubt some would appear with all the perfections you have
described, enriching our language with the gracious and precious treasure
of eloquence, and driving the old books into obscurity before the light
of the new ones that would come out for the harmless entertainment, not
merely of the idle but of the very busiest; for the bow cannot be always
bent, nor can weak human nature exist without some lawful amusement."

The canon and the curate had proceeded thus far with their conversation,
when the barber, coming forward, joined them, and said to the curate,
"This is the spot, senor licentiate, that I said was a good one for fresh
and plentiful pasture for the oxen, while we take our noontide rest."

"And so it seems," returned the curate, and he told the canon what he
proposed to do, on which he too made up his mind to halt with them,
attracted by the aspect of the fair valley that lay before their eyes;
and to enjoy it as well as the conversation of the curate, to whom he had
begun to take a fancy, and also to learn more particulars about the
doings of Don Quixote, he desired some of his servants to go on to the
inn, which was not far distant, and fetch from it what eatables there
might be for the whole party, as he meant to rest for the afternoon where
he was; to which one of his servants replied that the sumpter mule, which
by this time ought to have reached the inn, carried provisions enough to
make it unnecessary to get anything from the inn except barley.

"In that case," said the canon, "take all the beasts there, and bring the
sumpter mule back."

While this was going on, Sancho, perceiving that he could speak to his
master without having the curate and the barber, of whom he had his
suspicions, present all the time, approached the cage in which Don
Quixote was placed, and said, "Senor, to ease my conscience I want to
tell you the state of the case as to your enchantment, and that is that
these two here, with their faces covered, are the curate of our village
and the barber; and I suspect they have hit upon this plan of carrying
you off in this fashion, out of pure envy because your worship surpasses
them in doing famous deeds; and if this be the truth it follows that you
are not enchanted, but hoodwinked and made a fool of. And to prove this I
want to ask you one thing; and if you answer me as I believe you will
answer, you will be able to lay your finger on the trick, and you will
see that you are not enchanted but gone wrong in your wits."

"Ask what thou wilt, Sancho my son," returned Don Quixote, "for I will
satisfy thee and answer all thou requirest. As to what thou sayest, that
these who accompany us yonder are the curate and the barber, our
neighbours and acquaintances, it is very possible that they may seem to
be those same persons; but that they are so in reality and in fact,
believe it not on any account; what thou art to believe and think is
that, if they look like them, as thou sayest, it must be that those who
have enchanted me have taken this shape and likeness; for it is easy for
enchanters to take any form they please, and they may have taken those of
our friends in order to make thee think as thou dost, and lead thee into
a labyrinth of fancies from which thou wilt find no escape though thou
hadst the cord of Theseus; and they may also have done it to make me
uncertain in my mind, and unable to conjecture whence this evil comes to
me; for if on the one hand thou dost tell me that the barber and curate
of our village are here in company with us, and on the other I find
myself shut up in a cage, and know in my heart that no power on earth
that was not supernatural would have been able to shut me in, what
wouldst thou have me say or think, but that my enchantment is of a sort
that transcends all I have ever read of in all the histories that deal
with knights-errant that have been enchanted? So thou mayest set thy mind
at rest as to the idea that they are what thou sayest, for they are as
much so as I am a Turk. But touching thy desire to ask me something, say
on, and I will answer thee, though thou shouldst ask questions from this
till to-morrow morning."

"May Our Lady be good to me!" said Sancho, lifting up his voice; "and is
it possible that your worship is so thick of skull and so short of brains
that you cannot see that what I say is the simple truth, and that malice
has more to do with your imprisonment and misfortune than enchantment?
But as it is so, I will prove plainly to you that you are not enchanted.
Now tell me, so may God deliver you from this affliction, and so may you
find yourself when you least expect it in the arms of my lady Dulcinea-"

"Leave off conjuring me," said Don Quixote, "and ask what thou wouldst
know; I have already told thee I will answer with all possible
precision."

"That is what I want," said Sancho; "and what I would know, and have you
tell me, without adding or leaving out anything, but telling the whole
truth as one expects it to be told, and as it is told, by all who profess
arms, as your worship professes them, under the title of knights-errant-"

"I tell thee I will not lie in any particular," said Don Quixote; "finish
thy question; for in truth thou weariest me with all these asseverations,
requirements, and precautions, Sancho."

"Well, I rely on the goodness and truth of my master," said Sancho; "and
so, because it bears upon what we are talking about, I would ask,
speaking with all reverence, whether since your worship has been shut up
and, as you think, enchanted in this cage, you have felt any desire or
inclination to go anywhere, as the saying is?"

"I do not understand 'going anywhere,'" said Don Quixote; "explain
thyself more clearly, Sancho, if thou wouldst have me give an answer to
the point."

"Is it possible," said Sancho, "that your worship does not understand
'going anywhere'? Why, the schoolboys know that from the time they were
babes. Well then, you must know I mean have you had any desire to do what
cannot be avoided?"

"Ah! now I understand thee, Sancho," said Don Quixote; "yes, often, and
even this minute; get me out of this strait, or all will not go right."



CHAPTER XLIX.

WHICH TREATS OF THE SHREWD CONVERSATION WHICH SANCHO PANZA HELD WITH HIS
MASTER DON QUIXOTE


"Aha, I have caught you," said Sancho; "this is what in my heart and soul
I was longing to know. Come now, senor, can you deny what is commonly
said around us, when a person is out of humour, 'I don't know what ails
so-and-so, that he neither eats, nor drinks, nor sleeps, nor gives a
proper answer to any question; one would think he was enchanted'? From
which it is to be gathered that those who do not eat, or drink, or sleep,
or do any of the natural acts I am speaking of-that such persons are
enchanted; but not those that have the desire your worship has, and drink
when drink is given them, and eat when there is anything to eat, and
answer every question that is asked them."

"What thou sayest is true, Sancho," replied Don Quixote; "but I have
already told thee there are many sorts of enchantments, and it may be
that in the course of time they have been changed one for another, and
that now it may be the way with enchanted people to do all that I do,
though they did not do so before; so it is vain to argue or draw
inferences against the usage of the time. I know and feel that I am
enchanted, and that is enough to ease my conscience; for it would weigh
heavily on it if I thought that I was not enchanted, and that in a
faint-hearted and cowardly way I allowed myself to lie in this cage,
defrauding multitudes of the succour I might afford to those in need and
distress, who at this very moment may be in sore want of my aid and
protection."

"Still for all that," replied Sancho, "I say that, for your greater and
fuller satisfaction, it would be well if your worship were to try to get
out of this prison (and I promise to do all in my power to help, and even
to take you out of it), and see if you could once more mount your good
Rocinante, who seems to be enchanted too, he is so melancholy and
dejected; and then we might try our chance in looking for adventures
again; and if we have no luck there will be time enough to go back to the
cage; in which, on the faith of a good and loyal squire, I promise to
shut myself up along with your worship, if so be you are so unfortunate,
or I so stupid, as not to be able to carry out my plan."

"I am content to do as thou sayest, brother Sancho," said Don Quixote,
"and when thou seest an opportunity for effecting my release I will obey
thee absolutely; but thou wilt see, Sancho, how mistaken thou art in thy
conception of my misfortune."

The knight-errant and the ill-errant squire kept up their conversation
till they reached the place where the curate, the canon, and the barber,
who had already dismounted, were waiting for them. The carter at once
unyoked the oxen and left them to roam at large about the pleasant green
spot, the freshness of which seemed to invite, not enchanted people like
Don Quixote, but wide-awake, sensible folk like his squire, who begged
the curate to allow his master to leave the cage for a little; for if
they did not let him out, the prison might not be as clean as the
propriety of such a gentleman as his master required. The curate
understood him, and said he would very gladly comply with his request,
only that he feared his master, finding himself at liberty, would take to
his old courses and make off where nobody could ever find him again.

"I will answer for his not running away," said Sancho.

"And I also," said the canon, "especially if he gives me his word as a
knight not to leave us without our consent."

Don Quixote, who was listening to all this, said, "I give it;-moreover
one who is enchanted as I am cannot do as he likes with himself; for he
who had enchanted him could prevent his moving from one place for three
ages, and if he attempted to escape would bring him back flying."--And
that being so, they might as well release him, particularly as it would
be to the advantage of all; for, if they did not let him out, he
protested he would be unable to avoid offending their nostrils unless
they kept their distance.

The canon took his hand, tied together as they both were, and on his word
and promise they unbound him, and rejoiced beyond measure he was to find
himself out of the cage. The first thing he did was to stretch himself
all over, and then he went to where Rocinante was standing and giving him
a couple of slaps on the haunches said, "I still trust in God and in his
blessed mother, O flower and mirror of steeds, that we shall soon see
ourselves, both of us, as we wish to be, thou with thy master on thy
back, and I mounted upon thee, following the calling for which God sent
me into the world." And so saying, accompanied by Sancho, he withdrew to
a retired spot, from which he came back much relieved and more eager than
ever to put his squire's scheme into execution.

The canon gazed at him, wondering at the extraordinary nature of his
madness, and that in all his remarks and replies he should show such
excellent sense, and only lose his stirrups, as has been already said,
when the subject of chivalry was broached. And so, moved by compassion,
he said to him, as they all sat on the green grass awaiting the arrival
of the provisions:

"Is it possible, gentle sir, that the nauseous and idle reading of books
of chivalry can have had such an effect on your worship as to upset your
reason so that you fancy yourself enchanted, and the like, all as far
from the truth as falsehood itself is? How can there be any human
understanding that can persuade itself there ever was all that infinity
of Amadises in the world, or all that multitude of famous knights, all
those emperors of Trebizond, all those Felixmartes of Hircania, all those
palfreys, and damsels-errant, and serpents, and monsters, and giants, and
marvellous adventures, and enchantments of every kind, and battles, and
prodigious encounters, splendid costumes, love-sick princesses, squires
made counts, droll dwarfs, love letters, billings and cooings,
swashbuckler women, and, in a word, all that nonsense the books of
chivalry contain? For myself, I can only say that when I read them, so
long as I do not stop to think that they are all lies and frivolity, they
give me a certain amount of pleasure; but when I come to consider what
they are, I fling the very best of them at the wall, and would fling it
into the fire if there were one at hand, as richly deserving such
punishment as cheats and impostors out of the range of ordinary
toleration, and as founders of new sects and modes of life, and teachers
that lead the ignorant public to believe and accept as truth all the
folly they contain. And such is their audacity, they even dare to
unsettle the wits of gentlemen of birth and intelligence, as is shown
plainly by the way they have served your worship, when they have brought
you to such a pass that you have to be shut up in a cage and carried on
an ox-cart as one would carry a lion or a tiger from place to place to
make money by showing it. Come, Senor Don Quixote, have some compassion
for yourself, return to the bosom of common sense, and make use of the
liberal share of it that heaven has been pleased to bestow upon you,
employing your abundant gifts of mind in some other reading that may
serve to benefit your conscience and add to your honour. And if, still
led away by your natural bent, you desire to read books of achievements
and of chivalry, read the Book of Judges in the Holy Scriptures, for
there you will find grand reality, and deeds as true as they are heroic.
Lusitania had a Viriatus, Rome a Caesar, Carthage a Hannibal, Greece an
Alexander, Castile a Count Fernan Gonzalez, Valencia a Cid, Andalusia a
Gonzalo Fernandez, Estremadura a Diego Garcia de Paredes, Jerez a Garci
Perez de Vargas, Toledo a Garcilaso, Seville a Don Manuel de Leon, to
read of whose valiant deeds will entertain and instruct the loftiest
minds and fill them with delight and wonder. Here, Senor Don Quixote,
will be reading worthy of your sound understanding; from which you will
rise learned in history, in love with virtue, strengthened in goodness,
improved in manners, brave without rashness, prudent without cowardice;
and all to the honour of God, your own advantage and the glory of La
Mancha, whence, I am informed, your worship derives your birth."

Don Quixote listened with the greatest attention to the canon's words,
and when he found he had finished, after regarding him for some time, he
replied to him:

"It appears to me, gentle sir, that your worship's discourse is intended
to persuade me that there never were any knights-errant in the world, and
that all the books of chivalry are false, lying, mischievous and useless
to the State, and that I have done wrong in reading them, and worse in
believing them, and still worse in imitating them, when I undertook to
follow the arduous calling of knight-errantry which they set forth; for
you deny that there ever were Amadises of Gaul or of Greece, or any other
of the knights of whom the books are full."

"It is all exactly as you state it," said the canon; to which Don Quixote
returned, "You also went on to say that books of this kind had done me
much harm, inasmuch as they had upset my senses, and shut me up in a
cage, and that it would be better for me to reform and change my studies,
and read other truer books which would afford more pleasure and
instruction."

"Just so," said the canon.

"Well then," returned Don Quixote, "to my mind it is you who are the one
that is out of his wits and enchanted, as you have ventured to utter such
blasphemies against a thing so universally acknowledged and accepted as
true that whoever denies it, as you do, deserves the same punishment
which you say you inflict on the books that irritate you when you read
them. For to try to persuade anybody that Amadis, and all the other
knights-adventurers with whom the books are filled, never existed, would
be like trying to persuade him that the sun does not yield light, or ice
cold, or earth nourishment. What wit in the world can persuade another
that the story of the Princess Floripes and Guy of Burgundy is not true,
or that of Fierabras and the bridge of Mantible, which happened in the
time of Charlemagne? For by all that is good it is as true as that it is
daylight now; and if it be a lie, it must be a lie too that there was a
Hector, or Achilles, or Trojan war, or Twelve Peers of France, or Arthur
of England, who still lives changed into a raven, and is unceasingly
looked for in his kingdom. One might just as well try to make out that
the history of Guarino Mezquino, or of the quest of the Holy Grail, is
false, or that the loves of Tristram and the Queen Yseult are apocryphal,
as well as those of Guinevere and Lancelot, when there are persons who
can almost remember having seen the Dame Quintanona, who was the best
cupbearer in Great Britain. And so true is this, that I recollect a
grandmother of mine on the father's side, whenever she saw any dame in a
venerable hood, used to say to me, 'Grandson, that one is like Dame
Quintanona,' from which I conclude that she must have known her, or at
least had managed to see some portrait of her. Then who can deny that the
story of Pierres and the fair Magalona is true, when even to this day may
be seen in the king's armoury the pin with which the valiant Pierres
guided the wooden horse he rode through the air, and it is a trifle
bigger than the pole of a cart? And alongside of the pin is Babieca's
saddle, and at Roncesvalles there is Roland's horn, as large as a large
beam; whence we may infer that there were Twelve Peers, and a Pierres,
and a Cid, and other knights like them, of the sort people commonly call
adventurers. Or perhaps I shall be told, too, that there was no such
knight-errant as the valiant Lusitanian Juan de Merlo, who went to
Burgundy and in the city of Arras fought with the famous lord of Charny,
Mosen Pierres by name, and afterwards in the city of Basle with Mosen
Enrique de Remesten, coming out of both encounters covered with fame and
honour; or adventures and challenges achieved and delivered, also in
Burgundy, by the valiant Spaniards Pedro Barba and Gutierre Quixada (of
whose family I come in the direct male line), when they vanquished the
sons of the Count of San Polo. I shall be told, too, that Don Fernando de
Guevara did not go in quest of adventures to Germany, where he engaged in
combat with Micer George, a knight of the house of the Duke of Austria. I
shall be told that the jousts of Suero de Quinones, him of the 'Paso,'
and the emprise of Mosen Luis de Falces against the Castilian knight, Don
Gonzalo de Guzman, were mere mockeries; as well as many other
achievements of Christian knights of these and foreign realms, which are
so authentic and true, that, I repeat, he who denies them must be totally
wanting in reason and good sense."

The canon was amazed to hear the medley of truth and fiction Don Quixote
uttered, and to see how well acquainted he was with everything relating
or belonging to the achievements of his knight-errantry; so he said in
reply:

"I cannot deny, Senor Don Quixote, that there is some truth in what you
say, especially as regards the Spanish knights-errant; and I am willing
to grant too that the Twelve Peers of France existed, but I am not
disposed to believe that they did all the things that the Archbishop
Turpin relates of them. For the truth of the matter is they were knights
chosen by the kings of France, and called 'Peers' because they were all
equal in worth, rank and prowess (at least if they were not they ought to
have been), and it was a kind of religious order like those of Santiago
and Calatrava in the present day, in which it is assumed that those who
take it are valiant knights of distinction and good birth; and just as we
say now a Knight of St. John, or of Alcantara, they used to say then a
Knight of the Twelve Peers, because twelve equals were chosen for that
military order. That there was a Cid, as well as a Bernardo del Carpio,
there can be no doubt; but that they did the deeds people say they did, I
hold to be very doubtful. In that other matter of the pin of Count
Pierres that you speak of, and say is near Babieca's saddle in the
Armoury, I confess my sin; for I am either so stupid or so short-sighted,
that, though I have seen the saddle, I have never been able to see the
pin, in spite of it being as big as your worship says it is."

"For all that it is there, without any manner of doubt," said Don
Quixote; "and more by token they say it is inclosed in a sheath of
cowhide to keep it from rusting."

"All that may be," replied the canon; "but, by the orders I have
received, I do not remember seeing it. However, granting it is there,
that is no reason why I am bound to believe the stories of all those
Amadises and of all that multitude of knights they tell us about, nor is
it reasonable that a man like your worship, so worthy, and with so many
good qualities, and endowed with such a good understanding, should allow
himself to be persuaded that such wild crazy things as are written in
those absurd books of chivalry are really true."





*** End of this LibraryBlog Digital Book "The History of Don Quixote, Volume 1, Part 16" ***

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