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Title: Punch, or the London Charivari, Volume 1, September 12, 1841
Author: Various
Language: English
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Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

*** Start of this Doctrine Publishing Corporation Digital Book "Punch, or the London Charivari, Volume 1, September 12, 1841" ***

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PUNCH, OR THE LONDON CHARIVARI.

VOL. 1.



FOR THE WEEK ENDING SEPTEMBER 12, 1841.

       *       *       *       *       *


THE HEIR OF APPLEBITE.

CHAPTER III.

[Illustration: A]"After the ceremony, the happy pair set off for
Brighton."

There is something peculiarly pleasing in the above paragraph. The
imagination instantly conjures up an elegant yellow-bodied chariot, lined
with pearl drab, and a sandwich basket. In one corner sits a fair and
blushing creature partially arrayed in the garments of a bride, their
spotless character diversified with some few articles of a darker hue,
resembling, in fact, the liquid matrimony of port and sherry; her delicate
hands have been denuded of their gloves, exhibiting to the world the
glittering emblem of her endless hopes. In the other, a smiling piece of
four-and-twenty humanity is reclining, gazing upon the beautiful treasure,
which has that morning cost him about six pounds five shillings, in the
shape of licence and fees. He too has deprived himself of the sunniest
portions of his wardrobe, and has softened the glare of his white ducks,
and the gloss of his blue coat, by the application of a drab waistcoat.
But why indulge in speculative dreams when we have realities to detail!

Agamemnon Collumpsion Applebite and his beauteous Juliana Theresa (late
Waddledot), for three days, experienced that--

  "Love is heaven, and heaven is love."

His imaginary dinner-party became a reality, and the delicate attentions
which he paid to his invisible guest rendered his Juliana Theresa's
life--as she exquisitely expressed it--

  "A something without a name, but to which nothing was wanting."

But even honey will cloy; and that sweetest of all moons, the Apian one,
would sometimes be better for a change. Juliana passed the greater portion
of the day on the sofa, in the companionship of that aromatic author, Sir
Edward; or sauntered (listlessly hanging on Collumpsion's arm) up and down
the Steine, or the no less diversified Chain-pier. Agamemnon felt that at
home at least he ought to be happy, and, therefore, he hung his legs over
the balcony and whistled or warbled (he had a remarkably fine D) Moore's
ballad of--

  "Believe me, if all those endearing young charms;"

or took the silver out of the left-hand pocket of his trousers, and placed
it in the right-hand receptacle of the same garment. Nevertheless, he was
continually detecting himself yawning or dozing, as though "the idol of
his existence" was a chimera, and not Mrs. Applebite.

The time at length arrived for their return to town, and, to judge from
the pleasure depicted in the countenances of the happy pair, the
contemplated intrusion of the world on their family circle was anything
but disagreeable. Old John, under the able generalship of Mrs. Waddledot,
had made every requisite preparation for their reception. Enamelled cards,
superscribed with the names of Mr. and Mrs. Applebite, and united together
with a silver cord tied in a true lover's knot, had been duly enclosed in
an envelope of lace-work, secured with a silver dove, flying away with a
square piece of silver toast. In company with a very unsatisfactory bit of
exceedingly rich cake, this glossy missive was despatched to the whole of
the Applebite and Waddledot connexion, only excepting the eighteen
daughters who Mrs. Waddledot had reason to believe would not return her
visit.

The meeting of the young wife and the wife's mother was touching in the
extreme. They rushed into each other's arms, and indulged in plentiful
showers of "nature's dew."

"Welcome! welcome _home_, my dear Juliana!" exclaimed the doting mother.
"It's the first time, Mr. A., that she ever left me since she was 16, for
so long a period. I have had all the beds aired, and all the chairs
uncovered. She'll be a treasure to you, Mr. A., for a more tractable
creature was never vaccinated;" and here the mother overcame the orator,
and she wept again.

"My dear mother," said Agamemnon, "I have already had many reasons to be
grateful for my happy fortune. Don't you think she is browner than when we
left town?"

"Much, much!" sobbed the mother; "but the change is for the better."

"I'm glad you think so, for Aggy is of the same opinion," lisped the
beautiful ex-Waddledot. "Tell ma' the pretty metaphor you indulged in
yesterday, Aggy."

"Why, I merely remarked," replied Collumpsion, blushing, "that I was
pleased to see the horticultural beauties of her cheek superseded by such
an exquisite marine painting. It's nothing of itself, but Juley's foolish
fondness called it witty."

The arrival of the single sister of Mrs. Applebite, occasioned another
rush of bodies and several gushes of tears; then titterings succeeded, and
then a simultaneous burst of laughter, and a rapid exit. Agamemnon looked
round that room which he had furnished in his bachelorhood. A thousand old
associations sprung up in his mind, and a vague feeling of anticipated
evil for a moment oppressed him. The _bijouterie_ seemed to reproach him
with unkindness for having placed a mistress over them, and the easy chair
heaved as though with suppressed emotion, at the thought that its
luxurious proportions had lost their charms. Collumpsion held a mental
toss-up whether he repented of the change in his condition; and, as
faithful historians, we are compelled to state that it was only the
entrance, at that particular moment, of Juliana, that induced him to
cry--woman.

On the following day the knocker of No. 24 disturbed all the other
numerals in Pleasant-terrace; and Mr. and Mrs. A. bowed and curtsied until
they were tired, in acknowledgment of their friends' "wishes of joy," and,
as one unlucky old gentleman expressed himself, "many happy returns of the
day."

It was a matter of surprise to many of the said friends, that so great an
alteration as was perceptible in the happy pair, should have occurred in
such a very short space of time.

"I used to think Mr. Applebite a very nice young man," said _Miss_--mind,
Miss Scragbury--"but, dear me, how he's altered."

"And Mrs. Applebite used to be a pretty girl," rejoined her brother
Julius; "but now (Juliana had refused him three times)--but now she's as
ill-looking as her mother."

"I'd no idea this house was so small," said Mrs. Scragmore. "I'm afraid
the Waddledots haven't made so great a catch, after all. I hope poor Juley
will be happy, for I nursed her when a baby, but I never saw such an ugly
pattern for a stair-carpet in my born days;" and with these favourable
impressions of their dear friends the Applebites, the Scragmores descended
the steps of No. 24, Pleasant-terrace, and then ascended those of No. 5436
hackney-coach.

About ten months after their union, Collumpsion was observed to have a
more jaunty step and smiling countenance, which--as his matrimonial
felicity had been so frequently pronounced perfect--puzzled his friends
amazingly. Indeed, some were led to conjecture, that his love for Juliana
Theresa was not of the positive character that he asserted it to be; for
when any inquiries were made after her health, his answer had invariably
been, of late, "Why, Mrs. A.--is--not very well;" and a smile would play
about his mouth, as though he had a delightful vision of a widower-hood.
The mystery was at length solved, by the exhibition of sundry articles of
a Lilliputian wardrobe, followed by an announcement in the _Morning Post_,
under the head of

    "BIRTHS.--Yesterday morning, the lady of Agamemnon Collumpsion
    Applebite, Esq., of a son and heir."

Pleasant-terrace was _strawed_ from one end to the other; the knocker of
24 was encased in white kid, a doctor's boy was observed to call three
times a-day, and a pot-boy twice as often.

Collumpsion was in a seventh heaven of wedded bliss. He shook hands with
everybody--thanked everybody--invited everybody when Mrs. A. should be
better, and noted down in his pocket-book what everybody prescribed as
infallible remedies for the measles, hooping-cough, small-pox, and rashes
(both nettle and tooth)--listened for hours to the praises of vaccination
and Indian-rubber rings--pronounced Goding's porter a real blessing to
mothers, and inquired the price of boys' suits and rocking-horses!

In this state of paternal felicity we must leave him till our next.

       *       *       *       *       *


TO CAPITALISTS.

It is rumoured that Macready is desirous of disposing of his "manners"
previous to becoming manager, when he will have no further occasion for
them. They are in excellent condition, having been very little used, and
would be a desirable purchase for any one expecting to move within the
sphere of his management.

       *       *       *       *       *


REASON'S NE PLUS ULTRA.

  A point impossible for mind to reach--
  To find _the meaning_ of a royal speech.

       *       *       *       *       *


AN APPROPRIATE NAME.

The late Queen of the Sandwich Islands, and the first convert to
Christianity in that country, was called _Keopalani_, which means--"_the
dropping of the clouds from Heaven_."

EPIGRAM ON THE ABOVE.

  This name's the best that could be given,
    As will by proof be quickly seen;
  For, "dropping from the clouds of Heaven,"
    She was, of course, the _raining_ Queen.

       *       *       *       *       *


CAUTION TO SPORTSMEN.

Our gallant friend Sibthorp backed himself on the 1st of September to bag
a hundred leverets in the course of the day. He lost, of course; and upon
being questioned as to his reason for making so preposterous a bet, he
confessed that he had been induced to do so by the specious promise of an
advertisement, in which somebody professed to have discovered "_a powder
for the removal of superfluous hairs_."

       *       *       *       *       *


OUT OF SEASON.


A LYRIC, BY THE LAST MAN--IN TOWN.

  Chaos returns! no soul's in town!
    And darkness reigns where lamps once brightened;
  Shutters are closed, and blinds drawn down--
    Untrodden door-steps go unwhitened!
  The echoes of some straggler's boots
    Alone are on the pavement ringing
  While 'prentice boys, who smoke cheroots,
    Stand critics to some broom-girl's singing.

  I went to call on Madame Sims,
    In a dark street, not far from Drury;
  An Irish crone half-oped the door.
    Whose head might represent a fury.
  "At home, sir?" "No! (_whisper_)--but I'll presume
    To tell the truth, or know the _raison_.
  She dines--tays--lives--in the back room,
    Bekase 'tis not the London _saison_."

  From thence I went to Lady Bloom's,
    Where, after sundry rings and knocking,
  A yawning, liveried lad appear'd,
    His squalid face his gay clothes mocking
  I asked him, in a faltering tone--
    The house was closed--I guess'd the reason--
  "Is Lady B.'s grand-aunt, then, gone?"--
    "To Ramsgate, sir!--until next season!"

  I sauntered on to Harry Gray's,
    The _ennui_ of my heart to lighten;
  His landlady, with, smirk and smile,
    Said, "he had just run down to Brighton."
  When home I turned my steps, at last,
    A tailor--whom to kick were treason--
  Pressed for his bill;--I hurried past,
    Politely saying--CALL NEXT SEASON!

       *       *       *       *       *


THE GENTLEMAN'S OWN BOOK.

We concluded our last article with a brief dissertation on the cut of the
trousers; we will now proceed to the consideration of coats.

  "The hour must come when such things must be made."

For this quotation we are indebted to

[Illustration: THE POET'S PAGE.]

There are three kinds of coats--the body, the surtout, and the great.

The body-coat is again divided into classes, according to their
application, viz.--the drawing-room, the ride, and the field.

The cut of the dress-coat is of paramount importance, that being the
garment which decorates the gentleman at a time when he is naturally
ambitious of going the entire D'Orsay. There is great nicety required in
cutting this article of dress, so that it may at one and the same moment
display the figure and waistcoat of the wearer to the utmost advantage.
None but a John o'Groat's goth would allow it to be imagined that the
buttons and button-holes of this _robe_ were ever intended to be anything
but opposite neighbours, for a contrary conviction would imply the absence
of a cloak in the hall or a cab at the door. We do not intend to give a
Schneiderian dissertation upon garments; we merely wish to trace outlines;
but to those who are anxious for a more intimate acquaintance with the
intricacies and mysteries of the delightful and civilising art of cutting,
we can only say, _Vide_ Stultz.[1]

    [1] Should any gentleman avail himself of this hint, we should feel
        obliged if he would mention the source from whence it was
        derived, having a small account standing in that quarter, for
        tailors have gratitude.

The riding-coat is the connecting link between the DRESS and the rest of
the great family of coats, as _one_ button, and one only of this garment,
may be allowed to be applied to his apparent use.

It is so cut, that the waistcoat pockets may be easy of access. Any
gentleman who has attended races or other sporting meetings must have
found the convenience of this arrangement; for where the course is well
managed, as at Epsom, Ascot, Hampton, &c., by the judicious regulations of
the stewards, the fingers are generally employed in the distribution of
those miniature argentine medallions of her Majesty so particularly
admired by ostlers, correct card-vendors, E.O. table-keepers, Mr. Jerry,
and the toll-takers on the road and the course. The original idea of these
coats was accidentally given by John Day, who was describing, on Nugee's
cutting-board, the exact curvature of Tattenham Corner.

The shooting-jacket should be designed after a dovecot or a chest of
drawers; and the great art in rendering this garment perfect, is to make
the coat entirely of pockets, that part which covers the shoulders being
only excepted, from the difficulty of carrying even a cigar-case in that
peculiar situation.

The surtout (not regulation) admits of very little design. It can only be
varied by the length of the skirts, which may be either as long as a
fireman's, or as short as Duvernay's petticoats. This coat is, in fact, a
cross between the dress and the driving, and may, perhaps, be described as
a Benjamin junior.

Of the Benjamin senior, there are several kinds--the Taglioni, the Pea,
the Monkey, the Box, _et sui generis_.

The three first are all of the coal-sackian cut, being, in fact, elegant
elongated pillow-cases, with two diminutive bolsters, which are to be
filled with arms instead of feathers. They are singularly adapted for
concealing the fall in the back, and displaying to the greatest advantage
those unassuming castors designated "Jerrys," which have so successfully
rivalled those silky impostors known to the world as

[Illustration: THIS (S)TILE--FOUR-AND-NINE.]

The box-coat has, of late years, been denuded of its layers of capes, and
is now cut for the sole purpose, apparently, of supporting perpendicular
rows of wooden platters or mother-of-pearl counters, each of which would
be nearly large enough for the top of a lady's work-table.
Mackintosh-coats have, in some measure, superseded the box-coat; but, like
carters' smock-frocks, they are all the creations of speculative minds,
having the great advantage of keeping out the water, whilst they assist
you in becoming saturated with perspiration. We strongly suspect their
acquaintance with India-rubber; they seem to us to be a preparation of
English rheumatism, having rather more of the catarrh than caoutchouc in
their composition. Everybody knows the affinity of India-rubber to
black-lead; but when made into a Mackintosh, you may substitute the _lum_
for the _plum_bago.

We never see a fellow in a seal-skin cap, and one of these waterproof
pudding-bags, but we fancy he would make an excellent model for

[Illustration: THE FIGURE-HEAD OF A CONVICT SHIP.]

The ornaments and pathology will next command our attention.

       *       *       *       *       *


A friend insulted us the other day with the following:--"Billy Black
supposes Sam Rogers wears a tightly-laced boddice. Why is it like one of
Milton's heroes?" Seeing we gave it up, he replied--"Because
Sam's-on-agony-stays."--(Samson _Agonistes_.)

       *       *       *       *       *


THE GOLDEN-SQUARE REVOLUTION.

[BY EXPRESS.]

This morning, at an early hour, we were thrown into the greatest
consternation by a column of boys, who poured in upon us from the northern
entrance, and, taking up their-station near the pump, we expected the
worst.

_8 o'clock._--The worst has not yet happened. An inhabitant has entered
the square-garden, and planted himself at the back of the statue; but
everything is in STATUE QUO.

_5 minutes past 8._--The boys are still there. The square-keeper is
nowhere to be found.

_10 minutes past 8._--The insurgents have, some of them, mounted on the
fire-escape. The square-keeper has been seen. He is sneaking round the
corner, and resolutely refuses to come nearer.

_1/4 past 8._--A deputation has waited on the square-keeper. It is
expected that he will resign.

_20 minutes past 8._--The square-keeper refuses to resign.

_22 minutes past 8._--The square-keeper has resigned.

_25 minutes past 8._--The boys have gone home.

_1/2 past 8._--The square-keeper has been restored, and is showing great
courage and activity. It is not thought necessary to place him under arms;
but he is under the engine, which can he brought into play at a moment's
notice. His activity is surprising, and his resolution quite undaunted.

_9 o'clock._--All is perfectly quiet, and the letters are being delivered
by the general post-man as usual. The inhabitants appear to be going to
their business, as if nothing had happened. The square-keeper, with the
whole of his staff (a constable's staff), may be seen walking quietly up
and down. The revolution is at an end; and, thanks to the fire-engine, our
old constitution is still preserved to us.

       *       *       *       *       *


RECOLLECTIONS OF A TRIP IN MR HAMPTON'S BALLOON.

IN A LETTER FROM A WOULD-BE PASSENGER.

My dear Friend.--You are aware how long I have been longing to go up in a
balloon, and that I should certainly have some time ago ascended with Mr.
Green, had not his terms been not simply a _cut_ above me, but several
gashes beyond my power to comply with them. In a word, I did not go up
with the Nassau, because I could not come down with the dust, and though I
always had "Green in my eye," I was not quite so soft as to pay twenty
pounds in hard cash for the fun of going, on

[Illustration: A DARK (K)NIGHT,]

nobody knows where, and coming down Heaven knows how, in a field belonging
to the Lord knows who, and being detained for goodness knows what, for
damage.

Not being inclined, therefore, for a nice and expensive voyage with Mr.
Green, I made a cheap and nasty arrangement with Mr. Hampton, the
gentleman who courageously offers to descend in a parachute--a thing very
like a parasol--and who, as he never mounts much above the height of
ordinary palings, might keep his word without the smallest risk of any
personal inconvenience.

It was arranged and publicly announced that the balloon, carrying its
owner and myself, should start from the Tea-gardens of the _Mitre and
Mustard Pot_, at six o'clock in the evening; and the public were to be
admitted at one, to see the process of inflation, it being shrewdly
calculated by the proprietor, that, as the balloon got full, the stomachs
of the lookers on would be getting empty, and that the refreshments would
go off while the tedious work of filling a silken bag with gas was going
on, so that the appetites and the curiosity of the public would be at the
same time satisfied.

The process of inflation seemed to have but little effect on the balloon,
and it was not until about five o'clock that the important discovery was
made, that the gas introduced at the bottom had been escaping through a
hole in the top, and that the Equitable Company was laying it on
excessively thick through the windpipes of the assembled company.

Six o'clock arrived, and, according to contract, the supply of gas was cut
off, when the balloon, that had hitherto worn such an appearance as just
to give a hope that it might in time be full, began to present an aspect
which induced a general fear that it must very shortly be empty. The
audience began to be impatient for the promised ascent, and while the
aeronaut was running about in all directions looking for the hole, and
wondering how he should stop it up, I was requested by the proprietor of
the gardens to step into the car, just to check the growing impatience of
the audience. I was received with that unanimous shout of cheering and
laughter with which a British audience always welcomes any one who appears
to have got into an awkward predicament, and I sat for a few minutes,
quietly expecting to be buried in the silk of the balloon, which was
beginning to collapse with the greatest rapidity. The spectators becoming
impatient for the promised ascent, and seeing that it could not be
achieved, determined, as enlightened British audiences invariably do, that
if it was not to be done, it should at all events be attempted. In vain
did Mr. Hampton come forward to apologise for the trifling accident; he
was met by yells, hoots, hisses, and orange-peel, and the benches were
just about to be torn up, when he declared, that under any circumstances,
he was determined to go up--an arrangement in which I was refusing to
coincide--when, just as he had got into the car, all means of getting out
were withdrawn from under us--the ropes were cut, and the ascent commenced
in earnest.

The majestic machine rose slowly to the height of about eight feet, amid
the most enthusiastic cheers, when it rolled over among some trees, amid
the most frantic laughter. Mr. Hampton, with singular presence of mind,
threw out every ounce of ballast, which caused the balloon to ascend a few
feet higher, when a tremendous gust of easterly wind took us triumphantly
out of the gardens, the palings of which we cleared with considerable
nicety. The scene at this moment was magnificent; the silken monster, in a
state of flabbiness, rolling and fluttering above, while below us were
thousands of spectators, absolutely shrieking with merriment. Another gust
of wind carried us rapidly forward, and, bringing us exactly in a level
with a coach-stand, we literally swept, with the bottom of our car, every
driver from off his box, and, of course, the enthusiasm of a British
audience almost reached its climax. We now encountered the gable-end of a
station-house, and the balloon being by this time thoroughly collapsed,
our aerial trip was brought to an abrupt conclusion. I know nothing more
of what occurred, having been carried on a shutter, in a state of

[Illustration: SUSPENDED ANIMATION,]

to my own lodging, while my companion was left to fight it out with the
mob, who were so anxious to possess themselves of some _memento_ of the
occasion, that the balloon was torn to ribbons, and a fragment of it
carried away by almost every one of the vast multitude which had assembled
to honour him with their patronage.

I have the honour to be, yours, &c.
A. SPOONEY.

       *       *       *       *       *


FEARFUL STATE OF LONDON!

A country gentleman informs us that he was horror-stricken at the sight of
an apparently organised band, wearing fustian coats, decorated with
curious brass badges, bearing exceedingly high numbers, who perched
themselves behind the Paddington omnibuses, and, in the most barefaced and
treasonable manner, urged the surrounding populace to open acts of daring
violence, and wholesale arson, by shouting out, at the top of their
voices, "O burn, the City, and the Bank."

       *       *       *       *       *


"WHO ARE TO BE THE LORDS IN WAITING."

  "We have lordlings in dozens," the Tories exclaim,
    "To fill every place from the throng;
  Although the cursed Whigs, be it told to our shame,
    Kept us _poor lords in waiting_ too long."

       *       *       *       *       *


LOOKING ON THE BLACK SIDE OF THINGS.

The Honourable Sambo Sutton begs us to state, that he is not the
Honourable ---- Sutton who is announced as the Secretary for the Home
Department. He might have been induced to have stepped into Lord
Cottenham's shoes, on his

[Illustration: RESIGNING THE SEALS.]

       *       *       *       *       *


AWFUL CASE OF SMASHING!--FRIGHTFUL NEGLIGENCE OF THE POLICE

Feargus O'Connor _passed his word_ last week at the London Tavern.

       *       *       *       *       *


NEW SWIMMING APPARATUS.

At the late collision between the _Beacon_ brig and the _Topaz_ steamer,
one of the passengers, anticipating the sinking of both vessels, and being
strongly embued with the great principle of self-preservation, immediately
secured himself the assistance of _the anchor_! Did he conceive "Hope" to
have been unsexed, or that that attribute originally existed as a
"floating boy?"

       *       *       *       *       *


SYNCRETIC LITERATURE.

    "The Loves of Giles Scroggins and Molly Brown:" an Epic Poem.
    London: CATNACH.


The great essentials necessary for the true conformation of the sublimest
effort of poetic genius, the construction of an "Epic Poem," are
numerically three; viz., a beginning, a middle, and an end. The incipient
characters necessary to the beginning, ripening in the middle, and, like
the drinkers of small beer and October leaves, falling in the end.

The poem being thus divided into its several stages, the judgment of the
writer should emulate that of the experienced Jehu, who so proportions
his work, that all and several of his required teams do their own share
and no more--fifteen miles (or lengths) to a first canto, and five to a
second, is as far from right as such a distribution of mile-stones would
be to the overworked prads. The great fault of modern poetasters arises
from their extreme love of spinning out an infinite deal of nothing. Now,
as "brevity is the soul of wit," their productions can be looked upon as
little else than phantasmagorial skeletons, ridiculous from their extreme
extenuation, and in appearance more peculiarly empty, from the
circumstance of their owing their existence to false lights. This fault
does not exist with all the master spirits, and, though "many a flower is
born to blush unseen," we now proceed to rescue from obscurity the
brightest gem of unfamed literature.

Wisdom is said to be found in the mouths of babes and sucklings. So is the
epic poem of Giles Scroggins. Is wisdom Scroggins, or is Scroggins wisdom?
We can prove either position, but we are cramped for space, and therefore
leave the question open. Now for our author and his first line--

  "Giles Scroggins courted Molly Brown."

Beautiful condensation! Is or is not _this_ rushing at once in _medias
res_? It is; there's no paltry subterfuge about it--no unnecessary wearing
out of "the waning moon they met by"--"the stars that gazed upon their
joy"--"the whispering gales that breathed in zephyr's softest
sighs"--their "lover's perjuries to the distracted trees they wouldn't
allow to go to sleep." In short, "there's no nonsense"--there's a broad
assertion of a thrilling fact--

  "Giles Scroggins courted Molly Brown."

So might a thousand folks; therefore (the reader may say) how does this
establish the individuality of Giles Scroggins, or give an insight to the
character of the chosen hero of the poem? Mark the next line, and your
doubts must vanish. He courted her; but why? Ay, why? for the best of all
possible reasons--condensed in the smallest of all possible space, and yet
establishing his perfect taste, unequalled judgment, and peculiarly-heroic
self-esteem--he courted her because she was

  "The fairest maid in all the town."

Magnificent climax! overwhelming reason! Could volumes written, printed,
or stereotyped, say more? Certainly not; the condensation of "Aurora's
blushes," "the Graces' attributes," "Venus's perfections," and "Love's
sweet votaries," all, all is more than spoken in the emphatic words--

  "The fairest maid in all the town."

Nothing can go beyond this; it proves her beauty and her disinterestedness.
The _fairest_ maid might have chosen, nay, commanded, even a city
dignitary. Does the so? No; Giles Scroggins, famous only in name, loves
her, and--beautiful poetic contrivance!--we are left to imagine he does
"not love unloved." Why should she reciprocate? inquires the reader. Are
not truth and generosity the princely paragons of manly virtue, greater,
because unostentatious? and these perfect attributes are part and parcel
of great Giles. He makes no speeches--soils no satin paper--vows no
vows--no, he is above such humbug. His motto is evidently deeds, not
words. And what does he do? Send a flimsy epistle, which his fair reader
pays the vile postage for? Not he; he

  "_Gave_ a ring with _posy_ true!"

Think of this. Not only does he "give a ring," but he annihilates the
suppositionary fiction in which poets are supposed to revel, and the
ring's accompaniment, though the child of a creative brain--the burning
emanation from some Apollo-stricken votary of "the lying nine," imbued
with all his stern morality, is strictly "true." This startling fact is
not left wrapped in mystery. The veriest sceptic cannot, in imagination,
grave a fancied double meaning on that richest gift. No--the motto
follows, and seems to say--Now, as the champion of Giles Scroggins, hurl I
this gauntlet down; let him that dare, uplift it! Here I am--

  "If you _loves_ I, as I _loves_ you!"

Pray mark the syncretic force of the above line. Giles, in expressing his
affection, felt the singular too small, and the vast plural quick supplied
the void--_Loves_ must be more than love.

  "If you loves I, as I loves you,
  No knife shall cut our loves in two!"

This is really sublime! "No knife!" Can anything exceed the assertion?
Nothing but the rejoinder--a rejoinder in which the talented author not
only stands proudly forward as a poet, but patriotically proves the _amor
propriæ_, which has induced him to study the staple manufactures of his
beloved country! What but a diligent investigation of the _cut_lerian
process could have prompted the illustration of practical knowledge of the
Birmingham and Sheffield artificers contained in the following exquisitely
explanatory line. But--pray mark the _but_--

  "But _scissors_ cut as well as knives!"

Sublime announcement! startling information! leading us, by degrees, to
the highest of all earthly contemplations, exalting us to fate and her
peculiar shears, and preparing us for the exquisitely poetical sequel
contained in the following line:--

  "And so un_sart_ain's all our lives."

Can anything exceed this? The uncertainty of life evidently superinduced
the conviction of all other uncertainties, and the sublime poet bears out
the intenseness of his impressions by the uncertainty of his spelling!
Now, reader, mark the next line, and its context:--

  "The very night they were to wed!"

Fancy this: the full blossoming of all their budding joys, anticipations,
death, and hope's accomplishment, the crowning hour of their youth's great
bliss, "_the very night they were to wed_," is, with _extra syncretic_
skill, chosen as the awful one in which

  "Fate's scissors cut Giles Scroggins' thread!"

Now, reader, do you see the subtle use of practical knowledge? Are you
convinced of the impotent prescription from _knives_ only? Can you not
perceive in "_Fate's scissors_" a parallel for the unthought-of host "that
bore the mighty wood of Dunsinane against the blood-stained murderer of
the pious Duncan?" Does not the fatal truth rush, like an unseen draught
into rheumatic crannies, slick through your soul's perception? Are you not
prepared for this--_to be resumed in our next_?

       *       *       *       *       *


THE NEW ADMINISTRATION.

FROM OUR OWN COURT CIRCULAR.

Lord Lyndhurst is to have the seals; but it is not yet decided who is to
be entrusted with the wafer-stamps. Gold-stick has not been appointed, and
there are so many of the Conservatives whose qualities peculiarly fit them
for the office of _stick_, that the choice will be exceedingly
embarrassing.

Though the Duke of Wellington does not take office, an extra chair has
been ordered, to allow of his having a seat in the Cabinet. And though
Lord Melbourne is no longer minister, he is still to be indulged with a
lounge on the sofa.

If the Duke of Beaufort is to be Master of the Horse, it is probable that
a new office will be made, to allow Colonel Sibthorp to take office as
Comptroller of the Donkeys: and it is said that Horace Twiss is to join
the administration as Clerk of the Kitchen.

It was remarked, that after Sir Robert Peel had kissed hands, the Queen
called for soap and water, for the purpose of washing them.

The Duchess of Buccleugh having refused the office of Mistress of the
Robes, it will not be necessary to make the contemplated new appointment
of Keeper of the Flannel Petticoats.

The Grooms of the Bedchamber are, for the future, to be styled Postilions
of the Dressing-room; because, as the Sovereign is a lady, instead of a
gentleman, it is thought that the latter title, for the officers alluded
to, will be more in accordance with propriety. For the same excellent
reason, it is expected that the Knights of the Bath will henceforth be
designated the Chevaliers of the Foot-pan.

Prince Albert's household is to be entirely re-modelled, and one or two
new offices are to be added, the want of which has hitherto occasioned his
Royal Highness much inconvenience. Of these, we are only authorised in
alluding, at present, to Tooth-brush in Ordinary, and Shaving-pot in
Waiting. There is no foundation for the report that there is to be a Lord
High Clothes-brush, or Privy Boot-jack.

       *       *       *       *       *


A VOICE FROM THE AREA.

The following letter has been addressed to us by a certain party, who, as
our readers will perceive, has been one of the sufferers by the late
_clearance_ made in a fashionable establishment at the West-end:--

DEAR PUNCH.--As you may not be awair of the mallancoly change wich as
okkurred to the pore sarvunts here, I hassen to let you no--that every
sole on us as lost our plaices, and are turnd owt--wich is a dredful
klamity, seeing as we was all very comfittible and appy as we was. I must
say, in gustis to our Missus, that she was very fond of us, and wouldn't
have parted with one of us if she had her will: but she's only a O in her
own howse, and is never aloud to do as she licks. We got warning reglar
enuff, but we still thort that somethink might turn up in our fever.
However, when the day cum that we was to go, it fell upon us like a
thunderboat. You can't imagine the kunfewshion we was all threw
into--every body packing up their little afares, and rummidging about for
any trifele that wasn't worth leaving behind. The sarvunts as is cum in
upon us is a nice sett; they have been a long wile trying after our
places, and at last they have suckseeded in underminding us; but it's my
oppinion they'll never be able to get through the work of the house;--all
they cares for is the vails and purkussites. I forgot to menshun that they
hadn't the decency to wait till we was off the peremasses, wich I bleave
is the _etticat_ in sich cases, but rushed in on last Friday, and tuck
possession of all our plaices before we had left the concirn. I leave you
to judge by this what a hurry they was to get in. There's one comfurt,
however, that is--we've left things in sich a mess in the howse, that I
don't think they'll ever be able to set them to rites again. This is all
at present from your afflickted friend,

JOHN THE FOOTMAN.

       *       *       *       *       *


"I declare I never knew a _flatter_ companion than yourself," said Tom of
Finsbury, the other evening, to the lion of Lambeth. "Thank you, Tom,"
replied the latter; "but all the world knows that you're a _flatter-er_."
Tom, in nautical phrase, swore, if he ever came athwart his _Hawes_, that
he would return the compliment with interest.

       *       *       *       *       *


MY FRIEND TOM.

  --"Here, methinks,
  Truth wants no ornament."--ROGERS.

We have the happiness to know a gentleman of the name of Tom, who
officiates in the capacity of ostler. We have enjoyed a long acquaintance
with him--we mean an acquaintance a long way off--i.e. from the window of
our dormitory, which overlooks A--s--n's stables. We believe we are the
first of our family, for some years, who has not kept a horse; and we
derive a melancholy gratification in gazing for hours, from our lonely
height, at the zoological possessions of more favoured mortals.

"The horse is a noble animal," as a gentleman once wittily observed, when
he found himself, for the first time in his life, in a position to make
love; and we beg leave to repeat the remark--"the horse is a noble
animal," whether we consider him in his usefulness or in his beauty;
whether caparisoned in the _chamfrein_ and _demi-peake_ of the chivalry of
olden times, or scarcely fettered and surmounted by the snaffle and
hog-skin of the present; whether he excites our envy when bounding over
the sandy deserts of Arabia, or awakens our sympathies when drawing sand
from Hampstead and the parts adjacent; whether we see him as romance
pictures him, foaming in the lists, or bearing, "through flood and field,"
the brave, the beautiful, and the benighted; or, as we know him in
reality, the companion of our pleasures, the slave of our necessities, the
dislocator of our necks, or one of the performers at our funeral;
whether--but we are not drawing a "bill in Chancery."

With such impressions in favour of the horse, we have ever felt a deep
anxiety about those to whom his conduct and comfort are confided.

    The breeder--we envy.
    The breaker--we pity.
    The owner--we esteem.
    The groom--we respect.
        AND
    The ostler--we pay.

Do not suppose that we wish to cast a slur upon the latter personage, but
it is too much to require that he who keeps a caravansera should look upon
every wayfarer as a brother. It is thus with the ostler: _his_ feelings
are never allowed to twine

  "Around one object, till he feels his heart
  Of its sweet being form a deathless part."

No--to rub them down, give them a quartern and three pen'orth, and not too
much water, are all that he has to connect him with the offspring of
Childers, Eclipse, or Pot-8-o's; ergo, we pay him.

My friend Tom is a fine specimen of the genus. He is about fifteen hands
high, rising thirty, herring-bowelled, small head, large ears, close mane,
broad chest, and legs à la parentheses ( ). His dress is a long
brown-holland jacket, covering the protuberance known in Bavaria by the
name of _pudo_, and in England by that of _bustle_. His breeches are of
cord about an inch in width, and of such capacious dimensions, that a
truss of hay, or a quarter of oats, might be stowed away in them with
perfect convenience: not that we mean to insinuate they are ever thus
employed, for when we have seen them, they have been in a collapsed state,
hanging (like the skin of an elephant) in graceful festoons about the
mid-person of the wearer. These necessaries are confined at the knee by a
transverse row of pearl buttons crossing the _genu patella_. The _pars
pendula_ is about twelve inches wide, and supplies, during conversation or
rumination, a resting-place for the thumbs or little fingers. His legs are
encased either in white ribbed cotton stockings, or that peculiar kind of
gaiter 'yclept _kicksies_. His feet know only one pattern shoe, the
_ancle-jack_ (or _highlow_ as it is sometimes called), resplendent with
"Day and Martin," or the no less brilliant "Warren." Genius of propriety,
we have described his tail before that index of the mind, that idol of
phrenologists, his pimple!--we beg pardon, we mean his head. Round, and
rosy as a pippin, it stands alone in its native loveliness, on the heap of
clothes beneath.

Tom is not a low man; he has not a particle of costermongerism in his
composition, though his discourse savours of that peculiar slang that
might be considered rather objectionable in the _salons_ of the _élite_.

The bell which he has the honour to answer hangs at the gate of a west-end
livery-stables, and his consequence is proportionate. To none under the
degree of a groom does he condescend a nod of recognition--with a second
coachman he drinks porter--and purl (a compound of beer and blue ruin)
with the more respectable individual who occupies the hammer-cloth on
court-days. Tom estimates a man according to his horse, and his civility
is regulated according to his estimation. He pockets a gratuity with as
much ease as a state pensioner; but if some unhappy wight should, in the
plenitude of his ignorance, proffer a sixpence, Tom buttons his pockets
with a smile, and politely "begs to leave it till it becomes more."

With an old meerschaum and a pint of tolerable sherry, we seat ourselves
at our window, and hold many an imaginative conversation with our friend
Tom. Sometimes we are blest with more than ideality; but that is only when
he unbends and becomes jocular and noisy, or chooses a snug corner
opposite our window to enjoy his _otium_--confound that phrase!--we would
say his indolence and swagger--

  "A pound to a hay-seed agin' the bay."

Hallo! that's Tom! Yes--there he comes laughing out of "Box 4," with three
others--all _first_ coachmen. One is making some very significant motions
to the potboy at the "Ram and Radish," and, lo! Ganymede appears with a
foaming tankard of ale. Tom has taken his seat on an inverted pail, and
the others are grouped easily, if not classically, around him.

One is resting his head between the prongs of a stable-fork; another is
spread out like the Colossus of Rhodes; whilst a gentleman in a blue
uniform has thrown himself into an attitude à la Cribb, with the facetious
intention of "letting daylight into the _wittling_ department" of the
pot-boy of the "Ram and Radish."

Tom has blown the froth from the tankard, and (as he elegantly designates
it) "bit his name in the pot." A second has "looked at the maker's name;"
and another has taken one of those positive draughts which evince a
settled conviction that it is a last chance.

Our friend has thrust his hands into the deepest depths of his
breeches-pocket, and cocking one eye at the afore-named blue uniform,
asks--

"_Will_ you back the bay?"

The inquiry has been made in such a do-if-you-dare tone, that to hesitate
would evince a cowardice unworthy of the first coachman to the first peer
in Belgrave-square, and a leg of mutton and trimmings are duly entered in
a greasy pocket-book, as dependent upon the result of the Derby.

"The son of Tros, fair Ganymede," is again called into requisition, and
the party are getting, as Tom says, "As happy as Harry Stockracy."

"I've often heerd that chap mentioned," remarks the blue uniform, "but I
never seed no one as know'd him."

"No more did I," replies Tom, "though he must be a fellow such as us, up
to everything."

All the coachmen cough, strike an attitude, and look wise.

"Now here comes a sort of chap I despises," remarks Tom, pointing to a
steady-looking man, without encumbrance, who had just entered the yard,
evidently a coachman to a pious family; "see him handle a _hoss_.
Smear--smear--like bees-waxing a table. Nothing varminty about
him--nothing of this sort of thing (spreading himself out to the gaze of
his admiring auditory), but I suppose he's useful with slow cattle, and
that's a consolation to us as can't abear them." And with this negative
compliment Tom has broken up his _conversazione_.

I once knew a country ostler--by name Peter Staggs--he was a lower species
of the same genus--a sort of compound of my friend Tom and a waggoner--the
_delf_ of the profession. He was a character in his way; he knew the exact
moment of every coach's transit on his line of road, and the birth,
parentage, and education of every cab, hack, and draught-horse in the
neighbourhood. He had heard of a mane-comb, but had never seen one; he
considered a shilling for a "feed" perfectly apocryphal, as he had never
received one. He kept a rough terrier-dog, that would kill anything in the
country, and exhibited three rows of putrified rats, nailed at the back of
the stable, as evidences of the prowess of his dog. He swore long country
oaths, for which he will be unaccountable, as not even an angel could
transcribe them. In short, he was a little "varminty," but very little.

We will conclude this "lytle historie" with the epitaph of poor Peter
Staggs, which we copied from a rail in Swaffham churchyard.

    "EPITAPH ON PETER STAGGS.

  Poor Peter Staggs now rests beneath this rail,
  Who loved his joke, his pipe, and mug of ale;
  For twenty years he did the duties well,
  Of ostler, boots, and waiter at the 'Bell.'
  But Death stepp'd in, and order'd Peter Staggs
  To feed his worms, and leave the farmers' nags.
  The church clock struck one--alas! 'twas Peter's knell,
  Who sigh'd, 'I'm coming--that's the ostler's bell!'"

Peace to his manes!

       *       *       *       *       *


A HINT FOR POLITICIANS.

"If you won't turn, _I_ will," as the mill-wheel said to the stream.

       *       *       *       *       *


"Why did not Wellington take a post in the new Cabinet?" asked Dicky Sheil
of O'Connell.--"_Bathershin!_" replied the _head_ of the _tail_, "the Duke
is too old a soldier to lean on a rotten _stick_."

       *       *       *       *       *


Lord Morpeth intends proceeding to Canada immediately. The object of his
journey is purely scientific; he wishes to ascertain if the _Fall of
Niagara_ be really greater than the _fall of the Whigs_.

       *       *       *       *       *


A PRO AND CON.

"When is Peel not Peel?"--"When he's _candi(e)d_."

       *       *       *       *       *


GALVANISM OUTDONE.

We have heard of the very dead being endowed, by galvanic action, with the
temporary powers of life, and on such occasions the extreme force of the
apparatus has ever received the highest praise. The Syncretic march of
mind rectifies the above error--with them, weakness is strength. Fancy the
alliterative littleness of a "Stephens" and a "Selby," as the tools from
which the drama must receive its glorious resuscitation!

       *       *       *       *       *


NEWS FOR THE SYNCRETICS.

_(Extracted from the "Stranger's Guide to London.")_

Bedlam, the celebrated receptacle for lunatics, is situated in St.
George's-fields, _within five minutes' walk of the King's Bench_. There is
also another noble establishment in the neighbourhood of Finsbury-square,
where the unhappy victims of extraordinary delusions are treated with the
care and consideration their several hallucinations require.

       *       *       *       *       *


PEEL "REGULARLY CALLED IN."

At length, PEEL is called in "in a regular way." Being assured of his
quarterly fee, the state physician may now, in the magnanimity of his
soul, prescribe new life for moribund John Bull. Whether he has resolved
within himself to emulate the generous dealing of kindred professors--of
those sanative philosophers, whose benevolence, stamped in modest
handbills, "crieth out in the street," exclaiming "No cure no pay,"--we
know not; certain we are, that such is not the old Tory practice. On the
contrary, the healing, with Tory doctors, has ever been in an inverse
ratio to the reward. Like the faculty at large, the Tories have flourished
on the sickness of the patient. They have, with _Falstaff_, "turned
diseases to commodity;" their only concern being to keep out the
undertaker. Whilst there's life, there's profit,--is the philosophy of the
Tory College; hence, poor Mr. Bull, though shrunk, attenuated,--with a
blister on his head, and cataplasms at his soles,--has been kept just
alive enough to pay. And then his patience under Tory treatment--the
obedience of his swallow! "Admirable, excellent!" cried a certain doctor
(we will not swear that his name was not PEEL), when his patient pointed
to a dozen empty phials. "Taken them all, eh? Delightful! My dear sir, you
are _worthy_ to be ill." JOHN BULL having again called in the Tories, is
"worthy to be ill;" and very ill he will be.

The tenacity of life displayed by BULL is paralleled by a case quoted by
LE VAILLANT. That naturalist speaks of a turtle that continued to live
after its brain was taken from its skull, and the cavity stuffed _with
cotton_. Is not England, with spinning-jenny PEEL at the head of its
affairs, in this precise predicament? England may live; but inactive,
torpid; unfitted for all healthful exertion,--deprived of its grandest
functions--paralyzed in its noblest strength. We have a Tory Cabinet, but
where is the _brain_ of statesmanship?

Now, however, there are no Tories. Oh, no! Sir ROBERT PEEL is a
Conservative--LYNDHURST is a Conservative--all are Conservative. Toryism
has sloughed its old skin, and rejoices in a new coat of many colours; but
the sting remains--the venom is the same; the reptile that would have
struck to the heart the freedom of Europe, elaborates the self-same
poison, is endowed with the same subtilty, the same grovelling, tortuous
action. It still creeps upon its belly, and wriggles to its purpose. When
adders shall become eels, then will we believe that Conservatives cannot
be Tories.

When folks change their names--unless by the gracious permission of the
_Gazette_--they rarely do so to avoid the fame of brilliant deeds. It is
not the act of an over-sensitive modesty that induces _Peter Wiggins_ to
dub himself _John Smith_. Be certain of it, _Peter_ has not saved half a
boarding-school from the tremendous fire that entirely destroyed "Ringworm
House"--_Peter_ has not dived into the Thames, and rescued some
respectable attorney from a death hitherto deemed by his friends
impossible to him. It is from no such heroism that _Peter Wiggins_ is
compelled to take refuge in _John Smith_ from the oppressive admiration of
the world about him. Certainly not. Depend upon it, _Peter_ has been
signalised in the _Hue and Cry_, as one endowed with a love for the silver
spoons of other men--as an individual who, abusing the hospitality of his
lodgings, has conveyed away and sold the best goose feathers of his
landlady. What then, with his name ripe enough to drop from the tree of
life, remains to _Wiggins_, but to subside into _Smith_? What hope was
there for the well-known swindler, the posted pickpocket, the
callous-hearted, slug-brained _Tory_? None: he was hooted, pelted at; all
men stopped the nose at his approach. He was voted a nuisance, and turned
forth into the world, with all his vices, like ulcers, upon him. Well,
_Tory_ adopts the inevitable policy of _Wiggins_; he changes his name! He
comes forth, curled and sweetened, and with a smile upon his mealy face,
and placing his felon hand above the _vacuum_ on the left side of his
bosom--declares, whilst the tears he weeps would make a crocodile
blush--that he is by no means the _Tory_ his wicked, heartless enemies
would call him. Certainly not. His name is--_Conservative!_ There was,
once, to be sure, a _Tory_--in existence;

  "But he is dead, and nailed in his chest!"

He is a creature extinct, gone with the wolves annihilated by the Saxon
monarch. There may be the skeleton of the animal in some rare collections
in the kingdom; but for the living creature, you shall as soon find a
phoenix building in the trees of Windsor Park, as a _Tory_ kissing hands
in Windsor Castle!

The lie is but gulped as a truth, and _Conservative_ is taken into
service. Once more, he is the _factotum_ to JOHN BULL. But when the knave
shall have worn out his second name--when he shall again be turned
away--look to your feather-beds, oh, JOHN! and foolish, credulous,
leathern-eared Mr. BULL--be sure and count your spoons!

Can it be supposed that the loss of office, that the ten years' hunger for
the loaves and fishes endured by the Tory party, has disciplined them into
a wiser humanity? Can it be believed that they have arrived at a more
comprehensive grasp of intellect--that they are ennobled by a loftier
consideration of the social rights of man--that they are gifted with a
more stirring sympathy for the wants that, in the present iniquitous
system of society, reduce him to little less than pining idiotcy, or
madden him to what the statutes call crime, and what judges, sleek as
their ermine, preach upon as rebellion to the government--the government
that, in fact, having stung starvation into treason, takes to itself the
loftiest praise for refusing the hangman--a task--for appeasing _Justice_
with simple transportation?

Already the Tories have declared themselves. In the flush of anticipated
success, PEEL at the Tamworth election denounced the French Revolution
that escorted Charles the Tenth--with his foolish head still upon his
shoulders--out of France, as the "triumph of might over right." It was the
right--the divine right of Charles--(the sacred _ampoule_, yet dropping
with the heavenly oil brought by the mystic dove for Clovis, had bestowed
the privilege)--to gag the mouth of man; to scourge a nation with decrees,
begot by bigot tyranny upon folly--to reduce a people into uncomplaining
slavery. Such was his right: and the burst of indignation, the
irresistible assertion of the native dignity of man, that shivered the
throne of Charles like glass, was a felonious might--a rebellious,
treasonous potency--the very wickedness of strength. Such is the opinion
of Conservative PEEL! Such the old Tory faith of the child of Toryism!

Since the Tamworth speech--since the scourging of Sir ROBERT by the French
press--PEEL has essayed a small philanthropic oration. He has endeavoured
to paint--and certainly in the most delicate water-colours--the horrors of
war. The premier makes his speech to the nations with the palm-branch in
his hand--with the olive around his brow. He has applied arithmetic to
war, and finds it expensive. He would therefore induce France to disarm,
that by reductions at home he may not be compelled to risk what would
certainly jerk him out of the premiership--the imposition of new taxes. He
may then keep his Corn Laws--he may then securely enjoy his sliding scale.
Such are the hopes that dictate the intimation to disarm. It is sweet to
prevent war; and, oh! far sweeter still to keep out the Wigs!

The Duke of WELLINGTON, who is to be the moral force of the Tory Cabinet,
is a great soldier; and by the very greatness of his martial fame, has
been enabled to carry certain political questions which, proposed by a
lesser genius, had been scouted by the party otherwise irresistibly
compelled to admit them. (Imagine, for instance, the Marquis of
Londonderry handling Catholic Emancipation.) Nevertheless, should "The
follies of the Wise"--a chronicle much wanted--be ever collected for the
world, his Grace of Wellington will certainly shine as a conspicuous
contributor. In the name of famine, what could have induced his Grace to
insult the misery at this moment, eating the hearts of thousands of
Englishmen? For, within these few days, the Victor of Waterloo expressed
his conviction that England was the only country in which "_the poor man,
if only sober and industrious_, WAS QUITE CERTAIN _of acquiring a
competency!_" And it is this man, imbued with this opinion, who is to be
hailed as the presiding wisdom--the great moral strength--the healing
humanity of the Tory Cabinet. If rags and starvation put up their prayer
to the present Ministry, what must be the answer delivered by the Duke of
Wellington? "YE ARE DRUNKEN AND LAZY!"

If on the night of the 24th of August--the memorable night on which this
heartless insult was thrown in the idle teeth of famishing thousands--the
ghosts of the victims of the Corn Laws,--the spectres of the wretches who
had been ground out of life by the infamy of Tory taxation, could have
been permitted to lift the bed-curtains of Apsley-House,--his Grace the
Duke of Wellington would have been scared by even a greater majority than
ultimately awaits his fellowship in the present Cabinet. Still we can only
visit upon the Duke the censure of ignorance. "He knows not what he says."
If it be his belief that England suffers only because she is drunken and
idle, he knows no more of England than the Icelander in his sledge: if, on
the other hand, he used the libel as a party warfare, he is still one of
the "old set,"--and his "crowning carnage, Waterloo," with all its
greatness, is but a poor set-off against the more lasting iniquities which
he would visit upon his fellow-men. Anyhow, he cannot--he must not--escape
from his opinion; we will nail him to it, as we would nail a weasel to a
barn-door; "_if Englishmen want competence, they must be drunken--they
must be idle_." Gentlemen Tories, shuffle the cards as you will, the Duke
of Wellington either lacks principle or brains.

Next week we will speak of the Whigs; of the good they have done--of the
good they have, with an instinct towards aristocracy--most foolishly, most
traitorously, missed.

Q.

       *       *       *       *       *


PUNCH'S PENCILLINGS--No. IX.

[Illustration: THE ROYAL RED RIDING HOOD, AND THE MINISTERIAL WOLF.]

       *       *       *       *       *


ROYAL NURSERY EDUCATION REPORT--NO. 3.

WHO KILLED COCK RUSSELL?

A NEW VERSION OF THE CELEBRATED NURSERY TALE, WRITTEN EXPRESSLY FOR THE
PRINCESS ROYAL.

  Who Kill'd Cock Russell?
    I, said Bob Peel,
    The political eel,
  I kill'd Cock Russell.

  Who saw him die?
    We, said the nation,
    At each polling station,
  We saw him die.

  Who caught his place?
    I, for I _can_ lie,
    Said turn-about _Stan_ley,
  I caught his place.

  Who'll make his shroud?
    We, cried the poor
    From each Union door,
  We'll make his shroud.

  Who'll dig his grave?
    Cried the corn-laws, The fool
    Has long been our tool,
  We'll dig his grave.

  Who'll be the parson?
    I, London's bishop,
    A sermon will dish up,
  I'll be the parson.

  Who'll be the clerk?
    Sibthorp, for a lark,
    If you'll all keep it dark,
  He'll be the clerk.

  Who'll carry him to his grave?
    The Chartists, with pleasure,
    Will wait on his leisure,
  They'll carry him to his grave.

  Who'll carry the link?
    Said Wakley, in a minute,
    I _must_ be in it,
  I'll carry the link.

  Who'll be chief mourners?
    We, shouted dozens
    Of out-of-place cousins,
  We'll be chief mourners.

  Who'll bear the pall?
    As they loudly bewail,
    Both O'Connell and tail,
  They'll bear the pall.

  Who'll go before?
    I, said old Cupid,
    I'll still head the stupid,
  I'll go before.

  Who'll sing a psalm?
    I, Colonel Perceval,
    (Oh, Peel, be merciful!)
  I'll sing a psalm.

  Who'll throw in the dirt?
    I, said the _Times_,
    In lampoons and rhymes,
  I'll throw in the dirt.

  Who'll toll the bell?
    I, said John Bull,
    With pleasure I'll pull,--
  I'll toll the bell.

  All the Whigs in the world
    Fell a sighing and sobbing,
  When wicked Bob Peel
    Put an end to their jobbing.

       *       *       *       *       *


TRANSACTIONS AND YEARLY REPORT OF THE HOOKHAM-CUM-SNIVEY LITERARY,
SCIENTIFIC, AND MECHANICS' INSTITUTION.

    Collected and elaborated expressly for "PUNCH," by Tiddledy Winks,
    Esq., Hon. Sec., and Editor of the _Peckham Evening Post_ and
    _Camberwell-Green Advertiser_.


Previously to placing the results of my unwearied application before the
public, I think it will be both interesting and appropriate to trace, in a
few words, the origin of this admirable society, by whose indefatigable
exertions the air-pump has become necessary to the domestic economy of
every peasant's cottage; and the Budelight and beer-shops, optics and
out-door relief, and Daguerrotypes and dirt, have become subjects with
which they are equally familiar.

About the close of last year, a few scientific labourers were in the habit
of meeting at a "Jerry" in their neighbourhood, for the purpose of
discussing such matters as the comprehensive and plainly-written reports
of the British Association, as furnished by the _Athenæum_, offered to
their notice, in any way connected with philosophy or the _belles
lettres_. The numbers increasing, it was proposed that they should meet
weekly at one another's cottages, and there deliver a lecture on any
scientific subject; and the preliminary matters being arranged, the first
discourse was given "On the Advantage of an Air-gun over a Fowling-piece,
in bringing Pheasants down without making a noise." This was so eminently
successful, that the following discourses were delivered in quick
succession:--

    On the Toxicological Powers of Coculus Indicus in Stupifying Fish.
    On the Combustion of Park-palings and loose Gate-posts.
    On the tendency of Out-of-door Spray-piles to Spontaneous
        Evaporation, during dark nights.
    On the Comparative Inflammatory properties of Lucifer Matches,
        Phosphorus Bottles, Tinder-boxes, and Congreves, as well
        as Incandescens Short Pipes, applied to Hay in particular
        and Ricks in general.
    On the value of Cheap Literature, and Intrinsic Worth (by
        weight) of the various Publications of the Society for the
        Confusion of Useless Knowledge.

The lectures were all admirably illustrated, and the society appeared to
be in a prosperous state. At length the government selected two or three
of its most active members, and despatched them on a voyage of discovery
to a distant part of the globe. The institution now drooped for a while,
until some friends of education firmly impressed with the importance of
their undertaking, once more revived its former greatness, at the same
time entirely reorganizing its arrangements.  Subscriptions were
collected, sufficient to erect a handsome turf edifice, with a massy
thatched roof, upon Timber Common; a committee was appointed to manage the
scientific department, at a liberal salary, including the room to sit in,
turf, and rushlights, with the addition, on committee nights, of a pint of
intermediate beer, a pipe, and a screw, to each member. Gentlemen fond of
hearing their own voices were invited to give gratuitous discourses from
sister institutions: a museum and library were added to the building
already mentioned, and an annual meeting of _illuminati_ was agreed upon.

Amongst the papers contributed to be read at the evening meetings of the
society, perhaps the most interesting was that communicated by Mr.
Octavius Spiff, being a startling and probing investigation as to whether
Sir Isaac Newton had his hat on when the apple tumbled on his head, what
sort of an apple it most probably was, and whether it actually fell from
the tree upon him, or, being found too hard and sour to eat, had been
pitched over his garden wall by the hand of an irritated little boy. I
ought also to make mention of Mr. Plummycram's "Narrative of an Ascent to
the summit of Highgate-hill," with Mr. Mulltour's "Handbook for Travellers
from the Bank to Lisson-grove," and "A Summer's-day on Kennington-common."
Mr. Tinhunt has also announced an attractive work, to be called "Hackney:
its Manufactures, Economy, and Political Resources."

It is the intention of the society, should its funds increase, to take a
high place next year in the scientific transactions of the country. Led by
the spirit of enterprise now so universally prevalent, arrangements are
pending with Mr. Purdy, to fit up two punts for the Shepperton expedition,
which will set out in the course of the ensuing summer. The subject for
the Prize Essay for the Victoria Penny Coronation Medal this year is, "The
possibility of totally obliterating the black stamp on the post-office
Queen's heads, so as to render them serviceable a second time;" and, in
imitation of the learned investigations of sister institutions, the Copper
Jinks Medal will also be given to the author of the best essay upon "The
existing analogy between the mental subdivision of invisible agencies and
circulating decompositions."--(_To be continued._)

       *       *       *       *       *


INAUGURATION OF THE IMAGE OF SHAKSPERE.

AT THE SURREY THEATRE.

  "Be still, my mighty soul! These ribs of mine
  Are all too fragile for thy narrow cage.
  By heaven! I will unlock my bosom's door.
  And blow thee forth upon the boundless tide
  Of thought's creation, where thy eagle wing
  May soar from this dull terrene mass away,
  To yonder empyrean vault--like rocket (sky)--
  To mingle with thy cognate essences
  Of Love and Immortality, until
  Thou burstest with thine own intensity,
  And scatterest into millions of bright stars,
  Each _one_ a part of that refulgent whole
  Which once was ME."

Thus spoke, or thought--for, in a metaphysical point of view, it does not
much matter whether the passage above quoted was uttered, or only
conceived--by the sublime philosopher and author of the tragedy of
"Martinuzzi," now being nightly played at the English Opera House, with
unbounded success, to overflowing audiences[2]. These were the aspirations
of his gigantic mind, as he sat, on last Monday morning, like a simple
mortal, in a striped-cotton dressing-gown and drab slippers, over a cup of
weak coffee. (We love to be minute on great subjects.) The door opened,
and a female figure--not the Tragic muse--but Sally, the maid of-all-work,
entered, holding in a corner of her dingy apron, between her delicate
finger and thumb, a piece of not too snowy paper, folded into an exact
parallelogram.

    [2] Has this paragraph been paid for as an
        advertisement?--PRINTER'S DEVIL.--Undoubtedly.--ED.

"A letter for you, sir," said the maid of-all-work, dropping a reverential
curtsey.

George Stephens, Esq. took the despatch in his inspired fingers, broke the
seal, and read as follows:--

_Surrey Theatre._

SIR,--I have seen your tragedy of "Martinuzzi," and pronounce it
magnificent! I have had, for some time, an idea in my head (how it came
there I don't know), to produce, after the Boulogne affair, a grand
Inauguration of the Statue of Shakspere, on the stage of the Surrey, but
not having an image of him amongst our properties, I could not put my plan
into execution. Now, sir, as it appears that you are the exact ditto of
the bard, I shouldn't mind making an arrangement with you to undertake the
character of _our friend Billy_ on the occasion. I shall do the liberal in
the way of terms, and get up the gag properly, with laurels and other
greens, of which I have a large stock on hand; so that with your
popularity the thing will be sure to draw. If you consent to come, I'll
post you in six-feet letters against every dead wall in town.

Yours,
WILLIS JONES.

When the author of the "magnificent poem" had finished reading the letter
he appeared deeply moved, and the maid of-all-work saw three plump tears
roll down his manly cheek, and rest upon his shirt collar. "I expected
nothing less," said he, stroking his chin with a mysterious air. "The
manager of the Surrey, at least, understands me--_he_ appreciates the
immensity of my genius. I _will_ accept his offer, and show the
world--great Shakspere's rival in myself."

Having thus spoken, the immortal dramatist wiped his hands on the tail of
his dressing-gown, and performed a _pas seul_ "as the act directs," after
which he dressed himself, and emerged into the open air.

The sun was shining brilliantly, and Phoebus remarked, with evident
pleasure, that his brother had bestowed considerable pains in adorning his
person. His boots shone with unparalleled splendour, and his waistcoat--

       *       *       *       *       *

    [We omit the remainder of the inventory of the great poet's
    wardrobe, and proceed at once to the ceremony of the Inauguration
    at the Surrey Theatre.]

Never on any former occasion had public curiosity over the water been so
strongly excited. Long before the doors of the theatre were opened,
several passengers in the street were observed to pause before the
building, and regard it with looks of profound awe. At half-past six, two
young sweeps and a sand-boy were seen waiting anxiously at the gallery
entrance, determined to secure front seats at any personal sacrifice. At
seven precisely the doors were opened, and a tremendous rush of four
persons was made to the pit; the boxes had been previously occupied by the
"Dramatic Council" and the "Syncretic Society." The silence which pervaded
the house, until the musicians began to tune their violins in the
orchestra, was thrilling; and during the performance of the overture,
expectation stood on tip-toe, awaiting the great event of the night.

At length the curtain slowly rose, and we discovered the author of
"Martinuzzi" elevated on a pedestal formed of the cask used by the
celebrated German tub-runner (a delicate compliment, by the way, to the
genius of the poet). On this appropriate foundation stood the great man,
with his august head enveloped in a capacious bread-bag. At a given
signal, a vast quantity of crackers were let off, the envious bag was
withdrawn, and the illustrious dramatist was revealed to the enraptured
spectators, in the statuesque resemblance of his elder, but not more
celebrated brother, WILLIAM SHAKSPERE. At this moment the plaudits were
vigorously enthusiastic. Thrice did the flattered statue bow its head, and
once it laid its hand upon its grateful bosom, in acknowledgment of the
honour that was paid it. As soon as the applause had partially subsided,
the manager, in the character of _Midas_, surrounded by the nine Muses,
advanced to the foot of the pedestal, and, to use the language of the
reporters of public dinners, "in a neat and appropriate speech," deposed a
laurel crown upon the brows of Shakspere's effigy. Thereupon loud cheers
rent the air, and the statue, deeply affected, extended its right hand
gracefully towards the audience. In a moment the thunders of applause sank
into hushed and listening awe, while the author of the "magnificent poem"
addressed the house as follows:--

"My friends,--You at length behold me in the position to which my immense
talents have raised me, in despite of 'those laws which press so fatally
on dramatic genius,' and blight the budding hopes of aspiring authors."

This commencement softened the hearts of his auditors, who clapped their
handkerchiefs to their noses.

"The world," continued the statue, "may regard me with envy; but I despise
the world, particularly the critics who have dared to laugh at me.
(Groans.) The object of my ambition is attained--I am now the equal and
representative of Shakspere--detraction cannot wither the laurels that
shadow my brows--_Finis coronat opus!_--I have done. To-morrow I retire
into private life; but though fortune has made me great, she has not made
me proud, and I shall be always happy to shake hands with a friend when I
meet him."

At the conclusion of this pathetic address, loud cheers, mingled with
tears and sighs, arose from the audience, one-half of whom sunk into the
arms of the other half, and were borne out of the house in a fainting
state; and thus terminated this imposing ceremony, which will be long
remembered with delight by every lover of

[Illustration: THE HIGHER WALK OF THE DRAMA.]

       *       *       *       *       *


A CARD.

TO THE COMMITTEE OF THE DRAMATIC AUTHORS, ENGLISH OPERA HOUSE.

Mr. Levy, of Holywell-street, perceiving that his neighbour JACOB
FAITHFUL'S farce, entitled "The Cloak and Bonnet," has not given general
satisfaction, begs respectfully to offer to the notice of the committee,
his large and carefully-assorted stock of second-hand wearing apparel,
from which he will undertake to supply any number of dramas that may be
required, at a moment's notice.

Mr. L. has at present on hand the following dramatic pieces, which he can
strongly recommend to the public:--

1. "The Dressing Gown and Slippers."--A fashionable comedy, suited for a
genteel neighbourhood.

2. "The Breeches and Gaiters."--A domestic drama. A misfit at the Adelphi.

3. "The Wig and Wig-box."--A broad farce, made to fit little Keeley or
anybody else.

4. "The Smock-frock and Highlows."--A tragedy in humble life, with a
terrific _dénouement_.

*** The above will be found to be manufactured out of the best materials,
and well worthy the attention of those gentlemen who have so nobly come
forward to rescue the stage from its present degraded position.

       *       *       *       *       *


THE MONEY MARKET.

The scarcity of money is frightful. As much as a hundred per cent., to be
paid in advance, has been asked upon bills; but we have not yet heard of
any one having given it. There was an immense run for gold, but no one got
any, and the whole of the transactions of the day were done in copper. An
influential party created some sensation by coming into the market late in
the afternoon, just before the close of business, with half-a-crown; but
it was found, on inquiry, to be a bad one. It is expected that if the
dearth of money continues another week, buttons must be resorted to. A
party, whose transactions are known to be large, succeeded in settling his
account with the Bulls, by means of postage-stamps; an arrangement of
which the Bears will probably take advantage.

A large capitalist in the course of the day attempted to change the
direction things had taken, by throwing an immense quantity of paper into
the market; but as no one seemed disposed to have anything to do with it,
it blew over.

The parties to the Dutch Loan are much irritated at being asked to take
their dividends in butter; but, after the insane attempt to get rid of the
Spanish arrears by cigars, which, it is well known, ended in smoke, we do
not think the Dutch project will be proceeded with.

       *       *       *       *       *


THEATRICAL INTELLIGENCE.

BY THE REPORTER OF THE "OBSERVER."

The "mysterious and melodramatic silence" which Mr. C. Mathews promised to
observe as to his intentions in regard to the present season, has at
length been broken. On Monday last, September the sixth, Covent Garden
Theatre opened to admit a most brilliant audience. Amongst the _company_
we noticed Madame Vestris, Mr. Oxberry, Mr. Harley, Miss Rainsforth, and
several other _distingué artistes_. It would seem, from the substitution
of Mr. Oxberry for Mr. Keeley, that the former gentleman is engaged to
take the place of the latter. Whispers are afloat that, in consequence,
one of the most important scenes in the play is to be omitted. Though of
little interest to the audience, it was of the highest importance to the
gentleman whose task it has hitherto been to perform the parts of Quince,
Bottom, and Flute.

We, who are conversant with all the mysteries of the _flats'_ side of the
_green_ curtain, beg to assure our readers, that the Punch scene hath
taken _wing_, and that the dressing-room of the above-named characters
will no longer be redolent of the fumes of compounded bowls. We may here
remark that, had our hint of last season been attended to, the Punch would
have still been continued:--Mr. Harley would not consent to have the flies
picked out of the sugar. Rumour is busy with the suggestion that for this
reason, and this only, Keeley seceded from the establishment.

[Illustration]

We think it exceedingly unwise in the management not to have secured the
services of Madame Corsiret for the millinery department. Mr. Wilson still
supplies the wigs. We have not as yet been able to ascertain to whom the
swords have been consigned. Mr. Emden's assistant superintends the
blue-fire and thunder, but it has not transpired who works the traps.

With such powerful auxiliaries, we can promise Mr. C. Mathews a prosperous
season.

       *       *       *       *       *


THE AMENDE HONORABLE.

  Quoth Will, "On that young servant-maid
    My heart its life-string stakes."
  "Quite safe!" cries Dick, "don't be afraid--
    She pays for all she breaks."

       *       *       *       *       *


PROVIDING FOR EVIL DAYS.

The _iniquities_ of the Tories having become proverbial, the House of
Lords, with that consideration for the welfare of the country, and care
for the morals of the people, which have ever characterised the compeers
of the Lord Coventry, have brought in a bill for the creation of _two_
_Vice_-Chancellors. Brougham foolishly proposed an amendment, considering
one to be sufficient, but found himself in a _singular_ minority when the
House

[Illustration: DIVIDED ON THE MOTION.]

       *       *       *       *       *


In the Egyptian room of the British Museum is a statue of the deity IBIS,
between two mummies. This attracted the attention of Sibthorp, as he
lounged through the room the other day with a companion. "Why," said his
friend, "is that statue placed between the other two?" "To preserve it to
be sure," replied the keenly-witted Sib. "You know the old saying teaches
us, '_In medio tutissimus Ibis._'"

       *       *       *       *       *


PUNCH'S THEATRE.

THE LIFE AND DEATH OF JAMES DAWSON.

[Illustration: M]Mercy on us, what a code of morality--what a
conglomeration of plots (political, social, and domestic)--what an
exemplar of vice punished and virtue rewarded--is the "Newgate Calendar!"
and Newgate itself! what tales might it not relate, if its stones could
speak, had its fetters the gift of tongues!

But these need not be so gifted: the proprietor of the Victoria Theatre
supplies the deficiency: the dramatic edition of Old-Bailey experience he
is bringing out on each successive Monday, will soon be complete; and when
it is, juvenile Jack Sheppards and incipient Turpins may complete their
education at the moderate charge of sixpence per week. The
"intellectualization of the people" must not be neglected: the gallery of
the Victoria invites to its instructive benches the young, whose wicked
parents have neglected their education--the ignorant, who know nothing of
the science of highway robbery, or the more delicate operations of picking
pockets. National education is the sole aim of the sole lessee--money is
no object; but errand-boys and apprentices _must_ take their Monday
night's lessons, even if they rob the till. By this means an endless chain
of subjects will be woven, of which the Victoria itself supplies the
links; the "Newgate Calendar" will never be exhausted, and the cause of
morality and melodrama continue to run a triumphant career!

The leaf of the "Newgate Calendar" torn out last Monday for the
delectation and instruction of the Victoria audience, was the "Life and
Death of James Dawson," a gentleman rebel, who was very properly hanged in
1746.

The arrangement of incidents in this piece was evidently an appeal to the
ingenuity of the audience--our own penetration failed, however, in
unravelling the plot. There was a drunken, gaming, dissipated student of
St. John's, Cambridge--a friend in a slouched hat and an immense pair of
jack-boots, and a lady who delicately invites her lover (the hero) "to a
private interview and a cold collation." There is something about a
five-hundred-pound note and a gambling-table--a heavy throw of the dice,
and a heavier speech on the vices of gaming, by a likeness of the portrait
of Dr. Dilworth that adorns the spelling-books. The hero rushes off in a
state of distraction, and is followed by the jack-boots in pursuit; the
enormous strides of which leave the pursued but little chance, though he
has got a good start.

At another time two gentlemen appear in kilts, who pass their time in a
long dialogue, the purport of which we were unable to catch, for they were
conversing in stage-Scotch. A man then comes forward bearing a clever
resemblance to the figure-head of a snuff-shop, and after a few words with
about a dozen companions, the entire body proceed to fight a battle; which
is immediately done behind the scenes, by four pistols, a crash, and the
double-drummer, whose combined efforts present us with a representation
of--as the bills kindly inform us--the "Battle of Culloden!" The hero is
taken prisoner; but the villain is shot, and his jack-boots are cut off in
their prime.

James Dawson is not despatched so quickly; he takes a great deal of
dying,--the whole of the third act being occupied by that inevitable
operation. Newgate--a "stock" scene at this theatre--an execution, a lady
in black and a state of derangement, a muffled drum, and a "view of
Kennington Common," terminate the life of "James Dawson," who, we had the
consolation to observe, from the apathy of the audience, will not be put
to the trouble of dying for more than half-a-dozen nights longer.

Before the "Syncretic Society" publishes its next octavo on the state of
the Drama, it should send a deputation to the Victoria. There they will
observe the written and acted drama in the lowest stage it is possible for
even their imaginations to conceive. Even "Martinuzzi" will bear
comparison with the "Life and Death of James Dawson."


THE BOARDING SCHOOL.

At the "Boarding School" established by Mr. Bernard in the Haymarket
Theatre, young ladies are instructed in flirting and romping, together
with the use of the eyes, at the extremely moderate charges of five and
three shillings per lesson; those being the prices of admission to the
upper and lower departments of Mr. Webster's academy, which is hired for
the occasion by that accomplished professor of punmanship Bayle Bernard.
The course of instruction was, on the opening of the seminary, as
follows:--

The lovely pupils were first seen returning from their morning walk in
double file, hearts beating and ribbons flying; for they encountered at
the door of the school three yeomanry officers. The military being very
civil, the eldest of the girls discharged a volley of glances; and nothing
could exceed the skill and precision with which the ladies performed their
eye-practice, the effects of which were destructive enough to set the
yeomanry in a complete flame; and being thus primed and loaded for closer
engagements with their charming adversaries, they go off.

The scholars then proceed to their duties in the interior of the academy,
and we find them busily engaged in the study of "The Complete Loveletter
Writer." It is wonderful the progress they make even in one lesson; the
basis of it being a _billet_ each has received from the red-coats. The
exercises they have to write are answers to the notes, and were found, on
examination, to contain not a single error; thus proving the astonishing
efficacy of the Bernardian system of "Belles' Lettres."

Meanwhile the captain, by despatching his subalterns on special duty,
leaves himself a clear field, and sets a good copy in strategetics, by
disguising himself as a fruit-woman, and getting into the play-ground, for
the better distribution of apples and glances, lollipops and kisses,
hard-bake and squeezes of the hand. The stratagem succeeds admirably; the
enemy is fast giving way, under the steady fire of shells (Spanish-nut)
and kisses, thrown with great precision amongst their ranks, when the
lieutenant and cornet of the troop cause a diversion by an open attack
upon the fortress; and having made a practicable breach (in their
manners), enter without the usual formulary of summoning the governess.
She, however, appears, surrounded by her staff, consisting of a teacher
and a page, and the engagement becomes general. In the end, the yeomanry
are routed with great loss--their hearts being made prisoners by the
senior students of this "Royal Military Academy."

The yeomanry, not in the least dispirited by this reverse, plan a fresh
attack, and hearing that reinforcements are _en route_, in the persons of
the drawing, dancing, and writing masters of the "Boarding School," cut
off their march, and obtain a second entrance into the enemy's camp, under
false colours; which their accomplishments enable them to do, for the
captain is a good penman, the lieutenant dances and plays the fiddle, and
the cornet draws to admiration, especially--"at a month." Under such
instructors the young ladies make great progress, the governess being
absent to see after the imaginary daughter of a fictitious Earl of
Aldgate. On her return, however, she finds her pupils in a state of great
insubordination, and suspecting the teachers to be incendiaries, calls in
a major of yeomanry (who, unlike the rest of his troop, is an ally of the
lady), to put them out. The invaders, however, retreat by the window, but
soon return by the door in their uniform, to assist their major in
quelling the fears of the minors, and to complete the course of
instruction pursued at the Haymarket "Boarding School."

Mr. J. Webster, as _Captain Harcourt_, played as well as he could: and so
did Mr. Webster as _Lieutenant Varley_, which was very well indeed, for
_he_ cannot perform anything badly, were he to try. An Irish cornet, in
the mouth of Mr. F. Vining, was bereft of his proper brogue; but this loss
was the less felt, as Mr. Gough personated the English Major with the
_rale_ Tipperary tongue. _Mrs. Grosdenap_ was a perfect governess in the
hands of Mrs. Clifford, and the hoydens she presided over exhibited true
specimens of a finishing school, especially Miss P. Horton;--that careful
and pleasing _artiste_, who stamps character upon everything she does, and
individuality upon everything she says. In short, all the parts in the
"Boarding School" are so well acted, that one cannot help regretting when
it breaks up for the evening. The circulars issued by its proprietors
announce that it will be open every night, from ten till eleven, up to the
Christmas holidays.

As a subject, this is a perfectly fair, nay, moral one; despite some silly
opinions that have stated to the contrary. Satire, when based upon truth,
is the highest province of the stage, which enables us to laugh away folly
and wickedness, when they cannot be banished by direct exposure. Ladies'
boarding-schools form, in the mass, a gross and fearful evil, to which the
Haymarket author has cleverly awakened attention. Why they are an evil,
might be easily proved, but a theatrical critique in PUNCH is not
precisely the place for a discussion on female education.

       *       *       *       *       *


ENJOYMENT.

The "Council of the Dramatic Authors' Theatre" enticed us from home on
Monday last, by promising what as yet they have been unable to
perform--"Enjoyment." As usual, they obtained our company under false
pretences: for if any "enjoyment" were afforded by their new farce, the
actors had it all to themselves.

It is astonishing how vain some authors are of their knowledge of any
particular subject. Brewster monopolises that of the polarization of light
and kaleidoscopes--poor Davy surfeited us with choke damps and the safety
lantern--the author of "Enjoyment" is great on the subject of cook-shops;
the whole production being, in fact, a dramatic lecture on the "slap-bang"
system. _Mr. Bang_, the principal character, is the master of an
eating-house, to which establishment all the other persons in the piece
belong, and all are made to display the author's practical knowledge of
the internal economy of a cook-shop. Endless are the jokes about
sausages--roast and boiled beef are cut, and come to again, for a great
variety of facetiæ--in short, the entire stock of fun is cooked up from
the bill of fare. The master gives his instructions to his "cutter" about
"working up the stale gravy" with the utmost precision, and the "sarver
out" undergoes a course of instruction highly edifying to inexperienced
waiters.

This burletta helps to develop the plan which it is the intention of the
"council" to follow up in their agonising efforts to resuscitate the
expiring drama. They, it is clear, mean to make the stage a vehicle for
instruction.

Miss Martineau wrote a novel called "Berkeley the Banker," to teach
political economy--the "council" have produced "Enjoyment" as an
eating-house keepers' manual, complete in one act. This mode of
dramatising the various guides to "trade" and to "service" is, however, to
our taste, more edifying than amusing; for much of the author's learning
is thrown away upon the mass of audiences, who are only waiters between
the acts. They cannot appreciate the nice distinctions between "buttocks
and rounds," neither does everybody perceive the wit of _Joey's_ elegant
toast, "Cheap beef and two-pence for the waiter!" This kind of
erudition--like that expended upon Chinese literature and the arrow-headed
hieroglyphics of Asia Minor--is confined to too small a class of the
public for extensive popularity, though it may be highly amusing to the
table-d'hôte and ham-and-beef interest.

The chief beauty of the plot is its extreme simplicity; a half-dozen words
will describe it:--_Mr. Bang_ goes out for a day's "Enjoyment," and is
disappointed! This is the head and front of the farceur's offending--no
more. Any person eminently gifted with patience, and anxious to give it a
fair trial, cannot have a better opportunity of testing it than by
spending a couple of hours in seeing that single incident drag its slow
length along, and witnessing a new comedian, named Bass, roll his heavy
breadth about in hard-working attempts to be droll. As a specimen of
manual labour in comedy, we never saw the acting of this _débutant_
equalled.

We are happy to find that, determined to give "living _English_ dramatists
a clear stage and fair play," the "Council" are bringing forward a series
of stale translations from the _French_ in rapid succession. The "Married
Rake," and "Perfection,"--one by an author no longer "living," both loans
from the _Magasin Théâtral_--have already appeared.

       *       *       *       *       *


FINE ARTS.

SUFFOLK-STREET GALLERY.--ART-UNION.

The members of this institution have, with their usual liberality, given
the use of their Galleries for the exhibition of the pictures selected by
the prize-holders of the Art-Union of London of the present year. The
works chosen are 133 in number; and as they are the representatives of
"charming variety," it is naturally to be expected that, in most
instances, the selection does not proclaim that perfect knowledge of the
material from which the 133 jewel-hunters have had each an opportunity of
choosing; nevertheless, it is a blessed reflection, and a proof of the
philanthropic adaptation of society to societies' means--a beneficent
dovetailing--an union of sympathies--that to every one painter who is
disabled from darting suddenly into the excellencies of his profession,
there are, at least, one thousand "connoisseurs" having an equal degree of
free-hearted ignorance in the matter, willing to extend a ready hand to
his weakly efforts, and without whose generosity he could never place
himself within the observation and patronage of the better informed in
art. As this lottery was formed to give an interest, indiscriminately, to
the mass who compose it, the setting apart so large a sum as £300 for a
prize is, in our humble opinion, anything but well judged.

The painter of a picture worth so high a sum needs not the assistance
which the lottery affords; and although it may be urged, that some one
possessing sufficient taste, but insufficient means to indulge that taste,
might, perchance, obtain the high prize, it is evident that such bald
reasoning is adduced only to support individual interest. The principle
is, consequently, inimical to those upon which the Art-Union of London was
founded; and, farther, it is most undeniable, that more general good, and
consequent satisfaction, would arise both to the painter and the public
(i.e. that portion of the public whose subscriptions form the support of
the undertaking), had the large prize been divided into two, four, or even
six other, and by no means inconsiderable ones. We are fully aware of the
benefits that have been conferred and received, and that must still
continue to be so, from this praiseworthy undertaking. As an observer of
these things, we cannot withhold expressing our opinions upon any part of
the system which, in honest thought, appears imperfect, or not so happily
directed as it might be. But should PUNCH become prosy, his audience will
vanish.

To prevent those visitors to this exhibition, who do not profess an
intimacy with the objects herein collected for their amusement, from being
misled by the supposititious circumstance of the highest prize having
commanded the best picture, we beg to point to their attention the
following peculiarities (by no means recommendatory) in the work selected
by the most fortunate of the _jewel-hunters_; it is catalogued "The
Sleeping Beauty," by D. Maclise, R.A., and assuredly painted with the most
independent disdain for either law or reason. Never has been seen so
signal a failure in attempting to obtain repose by the introduction of so
many sleeping figures. The appointment of parts to form the general whole,
the first and last aim of every other painter, D. Maclise, R.A., has most
gallantly disregarded. If there be effect, it certainly is not in the
right place, or rather there is no concentration of effect; it possesses
the glare of a coloured print, and that too of a meretricious
sort--incidents there are, but no plot--less effect upon the animate than
the inanimate. The toilet-table takes precedence of the lady--the couch
before the sleeper--the shadow, in fact, before the substance; and as it
is a sure mark of a vulgar mind to dwell upon the trifles, and lose the
substantial--to scan the dress, and neglect the wearer, so we opine the
capabilities of D. Maclise, R.A., are brought into requisition to
accommodate such beholders. He has, moreover, carefully avoided any
approximation to the vulgarity of flesh and blood, in his representations
of humanity; and has, therefore, ingeniously sought the delicacy of
Dresden china for his models. To conclude our notice, we beg to suggest
the addition of a torch and a rosin-box, which, with the assistance of Mr.
Yates, or the Wizard of the North, would render it perfect (whereas,
without these delusive adjuncts, it is not recognisable in its puppet-show
propensities) as a first-rate imitation of the last scene in a pantomime.

       *       *       *       *       *





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