Title: The Mirror of Literature, Amusement, and Instruction - Volume 13, No. 366, April 18, 1829
Author: Various
Language: English
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THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

VOL. XIII, No. 366.] SATURDAY, APRIL 18, 1829. [PRICE 2d.


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HARROW SCHOOL.

[Illustration: HARROW SCHOOL.]

  To lofty HARROW now.--THOMSON.


Harrow-on-the-hill was a place of some consideration, even before the
foundation of the scholastic establishment which now forms its principal
boast. The Archbishops of Canterbury had an occasional residence here, in
the centuries briefly succeeding the Norman Conquest; and they obtained
for the inhabitants a weekly market, long since fallen into disuse.

The _Free Grammar School_ of Harrow, which now ranks amongst the eight
great schools of England,[1] like most foundations of a similar nature,
proceeded from a small beginning. In the 14th year of Elizabeth, John
Lyon, a wealthy yeoman, of Preston, in this parish, procured letters
patent, and special license from the crown, for the foundation of the
school, to which for many years, he only contributed the sum of 30 marks
annually; but in the year 1590, he developed his full intentions,
provided for their observance, and drew up a code of regulations for the
foundation. Among these provisions the following are curiously
characteristic of the times:--The founder expresses his intention to
build "meete and convenient Roomes for the said Schoole Mr and Usher to
inhabite and dwell in; as also a large and convenient Schoole House, with
a chimney in it. And, alsoe, a cellar under the said Roomes and Schoole
House, to lay in wood and coales;" the master's salary he fixes at £26.
13s. 4d. per annum, besides £3. 6s. 8d. on the 1st of May,
towards his provision of fuel; the usher's at £13. 6s. 8d. with £3.
6s. 8d. for fuel. The founder declares his desire that the School
shall consist of a "meete and convenient number of schollers, as well of
poor, to be taught freely," (which privilege he confines to the children
of the inhabitants of Harrow;) "as of others, to be received for ye
further profitt and commoditie of the schoole-master." The regulations
provide for the government of the school with curious minuteness, and
describe the number of forms; the books and exercises allotted to
each; the mode of correction; the hours of attendance; and the vacations
and play days. They extend even to the amusements of the scholars, which
are confined to "driving a top, tossing a hand-ball, running and
shooting." For the purpose of this latter exercise, all parents are
required to furnish their children with "bowstrings shafts, and
bresters." In consequence of this regulation it was usual to hold an
annual exhibition of Archery, on August 4, when the scholars contended
for a silver arrow.[2] Within the last fifty years this custom has been
abolished and in its room has been substituted the delivery of annual
orations before the assembled Governors.

    [1] The eight principal public schools of the kingdom are
        considered to be those of Winchester; Westminster; Eton; Harrow;
        the Charter House; Merchant Tailor's; St. Paul's; and Rugby.

    [2] We have often seen an etching of this exhibition.

Such was the establishment of this celebrated seminary; and in the humble
character of a parochial Free School it long remained, unknown except in
its own immediate neighbourhood. The buildings appertaining to the School
are not of an ornamental character. The original School-house represented
in our engraving, has undergone no external alteration except the
necessary repairs. It is a building of red brick having on the top a
lion, the rebus of the founder's name. In the original arrangement of the
interior, the lower portions only were used as school-rooms; the middle
floor formed the residence of the master and usher, then the only
teachers; whilst the upper story consisted of writing schools. The whole
of the building is now appropriated to the exercises of the school, the
pupils studying their lessons at the houses of their tutors, and
assembling here for the purpose of examination.

Harrow is consecrated ground; and we could easily select a long list of
illustrious men educated within its walls. The first classical mention of
Harrow as a school, is by William Baxter the learned author of the
Glossary, and editor of several of the classics, who was educated here.
Dr. Bennet, Bishop of Cloyne; Sir William Jones; Dr. Parr, who was born
at Harrow; Rt. Hon. R.B. Sheridan; Mr. Perceval, and Lord Byron--shine
forth in this list. Earl Spencer; the Marquess of Hastings; the Earl of
Aberdeen; and Mr. Peel were likewise educated here.

The greatest number of scholars who have been at any one time at Harrow,
was in the year 1804, when the number of students amounted to 353. The
present master is the Rev. Dr. Butler.

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DR. JOHNSON'S RESIDENCE, IN BOLT COURT.

_(For the Mirror)_


It perhaps is not generally known, that the residence of the great
"leviathan of literature," situate in Bolt-court, Fleet-street, was
consumed by the fire which destroyed Messrs. Bensley's premises a few
years ago; and that there are now no ostensible traces of the doctor's
city retreat, save the site. The only vestige of the house is a piece of
grotesquely carved wood, which ornamented the centre of the doorway, and
which is now in possession of a gentleman in the neighbourhood. Part of
the new printing-office, belonging to Messrs. Mills and Co., occupies a
portion of the site, and the remainder forms a receptacle for coals. As
if learning loved to linger amidst the forsaken haunts of departed
genius, the place is still the scene of those efforts in propagating
knowledge, without which it would be a sealed book. When looking upon the
scene which has been consecrated by the presence and labours, the joys
and sorrows, of such a man, how interesting are our reflections, marred
as they may be by mournful impressions of "the mutability of human
affairs." We feel a romantic regret that the genius of Johnson could not
bestow an imperishability upon the spot; and preserve it from the
casualties and decay of fire, and storm, and time. Here the unfortunate
Savage has held his intellectual "_noctes_" and enlivened the old
moralist with his mad philosophy. It was from this mansion that "the
Bastard" roused the doctor on the memorable night (or morn) when they set
out on one of those frolicsome perambulations, which genius, in its
weakness and misgivings, sometimes indulges, and which was worthy of the
days of modern Corinthianism. We can imagine the sleepy, solemn face of
Johnson, the meagre phiz of Savage, and the more rotund features of
Boswell, around the board, and the doctor's beloved tea-kettle singing
its harmonious and solacing solo on the blazing "ingle." Inspecting more
minutely the features of the visionary picture, we might behold the
oracle of learning when about to deliver his opinion, perhaps, on the
artificial fire of Gray, or the feeling and simplicity of Goldsmith: his
opening eyes and unclosing lips; the "harsh thunder" of his
articulation, and the horrisonous stamp of his ample foot, impress us
with the same reverence which was felt by his literary visitants. It was
here, doubtless, where the Herculean task of compiling his dictionary was
achieved; the monotony of which was relieved by writing the periodical
papers of his Guardian, and the more flowery composition of poetry and
biography. But he is gone, and though the mist of years may obscure his
personal history, and vicissitudes annihilate his household memorials,
yet his morality and piety, his unparalleled labour and patient
endurance, but chief of all, his brilliant and versatile genius, will
perish but with the annals of humanity. His fame

  "From sire to son shall speed; from clime to clime,
  Outstripping death upon the wings of time!"

** H.

       *       *       *       *       *


COMMON RIGHTS.

_(To the Editor of the Mirror.)_


As the columns of your MIRROR are a treasury of instruction, perhaps it
may not be thought amiss, or unworthy its pages, to record the advances
of science in the land we live in. I have long since heard of our
American brethren possessing the wonderful art of "launching" as the term
is, their habitations; but I was not aware that my friends on this side
the water had arrived at such a height on the hill of invention, until a
few weeks back, when travelling in the western part of Dorsetshire,
through the small village of _Pulham_, in that county; a neat,
comfortable-looking cottage was pointed out for my observation, and which
I was assured by many creditable persons, who had witnessed the
performance, was, in the year 1826, chimneys, windows, and altogether,
removed, without sustaining any injury, the distance of nearly two miles.
The power employed was that of ten horses. The spot where it was intended
originally to stand, was pointed out to me, being a piece of waste land
called _Lydlinch Common_. I inquired what motive could have induced the
proprietor to coach it off in such a novel manner, and the following
account I received "under the rose."

The brother of the person whose ingenuity has thus exerted itself,
possessed a small property bordering on the aforesaid common. But to
understand my story, you must know that the peasantry of the west of
England, imbibe a notion, whether erroneous or not, I am not learned
enough to say, that if a person builds on waste lands, and is permitted
to proceed uninterrupted by the Lord of the Manor, or any other person,
until he has roofed and occupied it, or as they express it "made a smoke
in it" that the builder has an indisputable right to it. Now the man
willing to act on this principle, set his wits to work and constructed a
house on his brother's property beforementioned, on a movable foundation,
such as I am unable to describe; and when completed, he, in the course of
one night launched it over the hedge fairly into the common, and the next
morning found him busily employed in making the smoke that was, according
to village laws, to establish him in his newly acquired habitation; and
no doubt he would have continued quietly in the same place to this day,
had not a neighbouring 'squire took it into his head to teach this
commentator on the law, another version of its intricacies, and finally
caused him to set his house a-going once more, which it did in the manner
aforesaid, to a bit of land to which he had a more legal right, and where
it now stands.

Wonderful as this relation may seem, its truth may be relied on, and any
reader of the MIRROR, travelling, or having friends in that part of the
country, may easily ascertain the truth of my statement. The house at
present stands near the highway leading from Sturminster to Sherborne,
about five or six miles from the former, and six or seven from the
latter.

RURIS.

_Blandford, April 9, 1829._

       *       *       *       *       *


ORIGIN OF SIGNS.--CAT AND THE FIDDLE.

_(To the Editor of the Mirror.)_


No part of the history of civilized nations is involved in such deep
obscurity as the origin and progress of their names. I do not mean their
names of men and women, the etymology of which are easy; for any stupid
fellow can see with half an eye that Xisuthrus and Noah are one and the
same person; and that Thoth can only be Hermes; nor is there any
discernable difference between Pelagius and Morgan; _tout celà va sans se
dire_, but when we come to account for the names of places or of signs,
then indeed are we lost in a vast field of metaphysical disquisition and
conjectural criticism. The _Spectator_, your worthy predecessor, threw
much light upon the science, but still he left it in its infancy. To be
sure, he traced the Bull and Mouth to the Boulogne Mouth, but I don't
remember that he made many other discoveries in this _terrâ incognitâ_.
However, he hinted that the roots of most of these old saws were to be
found in the French language, or rather in the jargon spoken by the
would-be-fine people, in imitation of the court, and by them called
French. Neither the _Spectator_, however, nor any of his periodical
imitators have ever found out why a certain headland, bare as the
back of my hand, should be dignified with the appellation of Beechey
Head; unless indeed, according to the Eton grammar, our ancestors used
the rule of _lucus a non lucendo_. The reason, however, is to be found in
the French language, and Beechey Head is the present guide of the old
_beau chef_, whereby this point was once known. The _Spectator_ also, if
I remember right, declared the old sign of the _Cat and the Fiddle_ to be
quite beyond his comprehension. In truth, no two objects in the world
have less to do with each other than a cat and a violin, and the only
explanation ever given of this wonderful union, appears to be, that once
upon a time, a gentleman kept a house with the sign of a Cat, and a lady
one, with the sign of a Fiddle, or _vice versâ_. That these two persons
fell in love, married, and set up an Inn, which to commemorate their
early loves, they called the Cat and the Fiddle. Such reasoning is
exceedingly poetical, and also (mind, _also_, not _therefore_)
exceedingly nonsensical. No, Sir, the Cat and the Fiddle is of greater
antiquity. Did you ever read the History of Rome? Of Rome! yes, of Rome.
Thence comes the Cat and the Fiddle, in somewhat a roundabout way
perhaps, but so it is:

  Vixtrix causa Diis placuit, sed victa Catoni.

Cato was faithful to the sacred cause of liberty, and disdained to
survive it; and now for the fiddle. In the days of good Queen Bess, when
those who had borne the iron yoke of Mary, ventured forth and gloried in
that freedom of conscience which had lately been denied them, a jolly
innkeeper having lately cast off the shackles of the old religion,
likened himself to the old Roman, and wrote over his door _l'Hostelle du
Caton fidelle_. The hostelle and its sign lasted longer than the worthy
gentleman, and having gone shockingly to decay, was many years after
re-established. But alas! the numerous French words once mixed with our
language had vanished, barbarized, and ground down into a heterogeneous
mass of sounds; and _le Caton fidelle_ was no longer known to his best
friends when resuscitated under the anomalous title of the Cat and
Fiddle!!

XX.

       *       *       *       *       *


THE BLIND GIRL.

_(For the Mirror.)_


  As fair a thing as e'er was form'd of clay.

BYRON.

  Sweet wanderer--we have known her long!
    And often on our ear,
  Has gush'd the cadence of her song,
    As if some stream were near.
  Her path was through our tranquil dell,
  When breezes kiss'd the curfew bell.

  We gaz'd upon the golden hair,
    That o'er her white brow shone,
  And beauty's tinge had cluster'd there,
    A grace unlike its own.
  We call'd it beautiful--that brow!
  But rayless were the eyes below.

  Those pale dim eyes, we would have given
    Our flowers to see them glow--
  They slept, as sleeps the summer heaven,
    When the sun waxeth low:
  And soft her glossy lashes were,
  As stars within the crystal air.

  Oh, call her not a phantom form,
    Of deep sepulchral spells;
  Her maiden lips with life are warm,
    And thought within her dwells--
  Thought, holy as the light that lies
  In the rapt martyr's lifted eyes.

  Her home--'tis far away from her,
    Its quiet porch is lone,
  And the sunny wind no more shall stir
    Its streamlet's silver tone.
  The zephyrs there, their incense wreathe,
  But, o'er her hair they shall not breathe.

  Her sire reposeth in the wave,
    Beneath an Indian sky;
  The violets fringe her mother's grave,
    And there, her sisters lie!
  And we will waft to heaven our prayers,
  When her pure dust is mix'd with theirs.

  _Deal_.      REGINALD AUGUSTINE.

       *       *       *       *       *


WINE.

_(For the Mirror.)_


Sir,--I am induced to send you the following, in consequence of reading
an article upon _wine_ in No. 352, page 45 of your interesting work.

The article appears to have been written with a view of inducing a more
frequent use of that wholesome and invigorating beverage by adducing a
host of respectable names of antiquity. But I am somewhat inclined to
believe, that notwithstanding the classic lore and learned style in which
the article appears, that many there are, whose adverse temper, and whom
the present "march of intellect" has so far rendered callous to
_authoritative_ conviction, that they still remain sceptics of the
extraordinary good qualities and virtues, which the ancients believed
this beverage to contain; only because they have thought fit to adhere to
the common adage, that no opinion ought to be received upon men's
authority, without a sufficient reason assigned for its correctness. It
is with this view of the subject then, that I venture to make the few
following observations. In the first place, we will briefly consider the
nature and chemical properties of wines, and then their tendency
and action upon the constitution.

The characteristic ingredient of all wines is alcohol, the proportion and
quality of which, and the state and combination in which it exists,
constitute the essential properties of the numerous kinds of wines. The
colour of the red wines is produced from the husk of the grape, they
being used during fermentation; on the contrary, the colourless wines are
those where the husk of the grape is not used during the process of
fermentation. The colouring matter produced from the husks is highly
astringent, consequently the red and white wines are very different in
their qualities, and very different in their effect on the stomach.

All wines contain more or less acid; for British wines are considered
less salubrious than those of foreign, from their having an excess of
malic acid, which our fruits contain. The foreign wines are reckoned
superior in quality, in consequence of their containing an excess of
tartaric acid, their fruit containing a greater portion of this acid than
does ours. Wines during fermentation, if improperly managed, will produce
_acetic acid_, which will greatly deteriorate their quality.

Various have been the opinions of eminent men on the effects of wine upon
the constitution. It would be needless to enter into a detailed account
of all those who have written for or against its utility; the following,
from a modern eminent writer _against_ the use of wines will suffice, and
serve to show that the opponents to wine-drinking have at least some
reason on their side. Mr. Beddoes, states, in his "Hygeia," vol. ii, p.
35, that an ingenious surgeon tried the following experiment:--He gave
two of his children for a week alternately after dinner, to the one a
full glass of sherry, and to the other a large China orange; the effects
that followed were sufficient to prove the _injurious tendency_ of vinous
liquors. In the one the pulse was quickened, the heat increased; whilst
the other had every appearance that indicated high health; the same
effect followed when the experiment was reversed. This certainly is a
formidable objection, but let us before drawing a final conclusion,
examine the opposite arguments.

Wines, and, indeed, all fermented liquors have an antiseptic quality.
They act in direct opposition to putrefaction, and in proportion to the
quantity of alcohol which they contain, so will be their value and
beneficial tendency. Now the circulating fluids of our system have a
continual tendency to putrefaction; and the food we take, both animal
and vegetable, tends to produce this effect; if, therefore, something of
an antiseptic nature, or of a nature in direct opposition to this
principle be not received, the fluids would ultimately become a mass of
corruption, with the extinction of life. If we meet with an individual
whose habits are abstemious, as regards the drinking of wines or
fermented liquors, we generally discover him to have a great predilection
for that valuable commodity _salt_, which article being in its nature
antiseptic, answers the same purpose as wine. Therefore, the labouring
man, whose narrow circumstances prohibit him from the advantage of a
daily use of wine, by taking with his food a sufficient quantity of salt,
and his apportioned quantity of malt liquor, retains his vigour and
strength of body equally with those whose more ample means render them
capable of acquiring the necessary quantity of wine daily. Doctor Barry
mentions an experiment made on a soldier, who was hired to live entirely
for some days on wild fowl,[3] with water only to drink; he received in
the beginning his reward and diet with great cheerfulness, but this was
soon succeeded by nausea, thirst, and disposition to putrid dysentery,
which was with some difficulty prevented from making further progress, by
the physician who made the experiment. Again, he remarks, "I knew a
person who, by the advice of his physician abstained for some years
entirely from _salt_, drank chiefly _water_, and used freely an animal
diet, and by that means acquired a violent scurvy; he was, after some
time, relieved by a strict regimen of diet and medicine, and as he
afterwards used salt and vegetables with animal food, and drank wine more
freely, never had a return of the disorder." It is therefore evident,
that a _moderate_ use of wine tends to promote health, and keeps off the
numerous train of disorders, to which the constitution of man is subject,
thereby lessening the evils incidental to human nature. We can then
exclaim with Virgil of wine,

  "Deus ille malis hominum mitescere discat."

S.S.T.

    [3] It must be recollected that wild fowl in consequence of
        their living on animal diet, give more readily a putrid
        disposition to the fluids.

       *       *       *       *       *



THE SKETCH-BOOK.

       *       *       *       *       *



MY FIRST LOVE.

_(For the Mirror.)_


She was amiable, accomplished, fascinating, beautiful; yet her's were
beauties which description cannot heighten; fascinations which
language were vain to embellish. There was soul in her deep hazel eye as
its flashes broke through their long, dark, encircling fringe; her jetty
locks waved harmoniously, contrasting with the virgin snow of the
forehead they wreathed in glossy luxuriance, the unclouded smile played
on her lip like the zephyr over a bed of gossamer, or a sunbeam on the
cheek of Aurora.

Scarce eleven summers had passed over my head when I first saw Annette.
She was by about three years my elder. Young, though I was, I was not
insensible; she rivetted my gaze, I felt an emotion I could not
comprehend--cannot describe--as it were love in the germ just beginning
to expand, waiting but for the genial warmth of a few summer suns to
nourish and bring it to maturity. We parted, still her image pursued me,
the recollection was sweet, and I loved to cherish it.

Four years had elapsed; we again met. My soul thrilled with delight in
beholding, in contemplating, her perfections! How was that delight
increased when I saw her countenance shed its loveliest smiles, her eye
pour its heavenliest beams--on _me_--happy presumption--I loved. _We_
loved; but words spoke not our love. No, each read it in the burning
glances that were reciprocated--in the spirit-breathing sighs that would
ever and anon steal forth--spite of suppression. Let me shorten the tale
of rapture. She was mine; Annette was mine--mine undividedly. SHE IS MINE
NO LONGER. Ask not the cause. I was infuriated, befooled, infatuated; my
own "hands threw the pearl away;" my own lips gave, sealed the sentence,
that robbed me for ever, ay, for ever, of a heart--a treasure, it had
been heaven to possess. SHE IS MINE NO LONGER--yet a pleasure it is, a
melancholy pleasure, how I love it, to recall those moments of refined,
of voluptuous enjoyment, my sole remaining happiness, that they _were_,
my bitterest pang, that they _are not_--moments, when amid the busy
circle--scarce could the eagle glance of surrounding observation control
the bursting emotions of the soul, or, oh, more blest--moments of
solitude--where those motions broke forth, unobserved, unrestrained. SHE
IS MINE NO LONGER. Yet Annette sleeps not in the sombre grave. A blast,
not of death, but more dire, hath scattered those hopes, too
unsubstantially fond to be realized: a chill not of the grave, but more
piercing, hath nipped those blossoms of happiness, too ethereally
delicate for earth. Still Annette lives, beautiful as ever, enchanting
as ever, lives, but for another. Stay, let me recall that word, I wrong
her; it must not, cannot be; her _heart_ is not, never shall be his; with
mine it hath lost its _one_ resting place, and like the dove, seeks not
another. Cruel fate, but I have ceased to repine--ceased to regret.

IOTA.

       *       *       *       *       *



Select Biography.

       *       *       *       *       *


MEMOIR OF BOLIVAR.

_(Concluded from page 213.)_


Early in 1818, the supreme chief, after concentrating his forces, marched
rapidly to Calabozo, and arrived before Morillo was aware that he had
quitted Angostura. The Spanish general effected his retreat to Aragua.
The supreme chief came up with him at La Usirrael, but could make but a
slight impression on the enemy, on account of the strength of his
position. Another rencontre occurred at Sombrero. Morillo retired to
Valencia; and Bolivar took possession of the valleys of Aragua. Thence he
detached a strong division to take San Fernando de Apure, in order to
complete the conquest of the Llanos. Upon this the Spaniards advanced.
The two armies met at Semen. Morillo was wounded, and the royalist army
put to flight. The pursuit being indiscreetly conducted by the patriots,
and a fresh royalist division arriving to support Morillo, the fortune of
the day was changed. Each party was alternately defeated, and both
rallied their dispersed corps to reengage at Ortiz.

The division which succeeded in capturing San Fernando had an indecisive
affair at Cojedes. Others of the same character took place at El Rincon
del Toro, and other places. At the close of this campaign, the Spaniards
held Aragua, and the patriots San Fernando. Thus the former possessed the
most fertile provinces of Venezuela, and all New Granada; while the
latter were reduced to the Llanos and Guayana. Arms were sent to General
Santander, who was endeavouring to raise a division in Casanare.

In 1819, the various corps united in San Fernando, where the supreme
chief devoted his labours to the regulation of civil affairs. He invited
the provinces to send deputies to Angostura, to form a general congress,
and then delegated his powers to a council of government to act in his
absence.

With four or five thousand men, the supreme chief opened the campaign
against Morillo, who had six or seven thousand. Twelve hundred British
troops arrived at Margarita from England. They had been
engaged in London by Colonel English, and were equipped and sent out by
Messrs. Herring and Richardson; besides these, eight hundred others also
arrived at Angostura. The latter were engaged by Captain Elsom, and sent
out by Messrs. Hurry, Powles, and Hurry; the greater part were disbanded
soldiers from the British army, reduced on the return of the troops from
France.[4] These volunteers were equipped in the most efficient manner.
With these expeditions large supplies of spare arms were sent to assist
the cause of independence. Bolivar, in his speech to congress, thus
expresses himself on this subject:--

    [4] Colonel Macirone also sent out above two thousand men, who
        were employed in the capture of Porto Bello and Rio de la Hacha.
        This caused a very favourable diversion for Bolivar in Venezuela,
        as it distracted the attention of the royalists, and but for the
        pusillanimous conduct of Macgregor, who commanded the expedition,
        might have proved of lasting advantage.

"For these important advantages we are indebted to the unbounded
liberality of some generous foreigners, who, hearing the groans of
suffering humanity, and seeing the cause of freedom, reason, and justice
ready to sink, would not remain quiet, but flew to our succour with their
munificent aid and protection, and furnished the republic with every
thing needful to cause their philanthropical principles to flourish.
Those friends of mankind are the guardian geniuses of America, and to
them we owe a debt of eternal gratitude, as well as a religious
fulfilment of the several obligations contracted with them."

Bolivar, leaving the army in command of General Paez, repaired to
Angostura. As Morillo advanced, Paez, agreeable to orders, retired
towards the Orinoco, detaching a few guerillas to harass the Spaniards in
the rear.

General Urdaneta was appointed to command the recently arrived British
legion in Margarita, which was to act on the side of Caracas, in order to
draw off the attention of Morillo from the Llanos.

On the 15th of February, 1819, congress was installed at Angostura. The
supreme chief pronounced an eloquent discourse, and resigned his
authority. Congress immediately, and unanimously, elected him president
of the republic.

Early in March, the president rejoined the army, which was very much
reduced by sickness. On the 27th, he defeated the vanguard of the
Spaniards. Adopting a desultory system of warfare, he obliged them to
recross the Apure, having lost half their original numbers.

While Morillo remained in winter quarters, the president traversed the
vast plains of the Apure and Casanare, which are rendered almost
impassable by inundations from the month of May to the end of August. In
Casanare, the president formed a junction with the division of Santander,
two thousand strong. Santander had, from the commencement of the
revolution, dedicated himself with enthusiastic constancy to the cause of
his country. He now expelled the Spaniards from their formidable position
of Paya, and opened the way for the president to cross the terrific
Andes, in effecting which, nearly a fourth of his army perished from the
effects of cold and excessive fatigue.

On the 11th of July, the president attacked the royal army at Gamarra.
After a long engagement, the Spanish general Barrero retired, and did not
again offer battle, except in positions almost inaccessible. Bonza was
invested by the patriots for some days in sight of both armies. The
president, by a flank movement, brought the Spaniards to action on the
25th of July, at Bargas. The Spaniards, though superior in numbers, and
advantageously posted, gave way, and the president obtained a complete
victory. His inferior forces, however, and the nature of the country, did
not allow him to make the most of this glorious success; but he obtained
a thousand recruits, and marched to interpose between the defeated
Barrero and the viceroy Samano, who, with all the disposable force south
of Bogotá, was about to support Barrero. The result of the president's
daring and masterly movement was the battle of Boyaca, fought on the 7th
of August, and which has been called the _birth of Colombia_. In this
battle, the English troops, under the command of Major Mackintosh,
greatly distinguished themselves. The gallant major was promoted by the
liberator on the field. In three days afterwards the president entered
Bogotá in triumph, and, within a short period, eleven provinces of New
Granada announced their adhesion to the cause of independence.

Bolivar repaired to Angostura, where he once more resigned his authority
to the representatives of the people, and laid on their floor the
trophies of the last campaign. On the 25th of December, 1819, congress,
at the suggestion of the president, decreed that thenceforth Venezuela
and New Granada should form one republic, under the denomination of
COLOMBIA. At the same time it conferred upon Bolivar the title of
LIBERATOR OF COLOMBIA, and re-elected him president of the republic.

In March, 1820, he arrived at Bogotá, and occupied himself until August
in the organization of the army cantoned at various points between
Cucuta and San Fernando de Apure.

The Spanish revolution, which originated in the Isla de Leon, inspired
the South Americans with new hopes. These were raised still higher by the
solicitude of Morillo to negotiate an armistice; but Bolivar, refusing to
treat upon any other basis than that of independence, marched to the
department of the Magdalena, reviewed the besieging force before
Carthagena, and reinforced the division of the south, destined to act
against Popayan and Quito. The president drove the Spaniards from the
provinces of Merida and Truxillo, and established his winter headquarters
at the latter town. On the 26th of November, the president concluded an
armistice of six months with Morillo, who engaged that, on the renewal of
hostilities, the war should be carried on, conformably to the practice of
civilized nations.

In the beginning of the year 1821, the liberator went to Bogotá, to
attend to the affairs of the south; when hearing of the arrival at
Caracas of Spanish commissioners to treat for peace, he returned to
Truxillo; but no terms were then agreed upon. In the meanwhile, the
province of Maracaybo shook off the Spanish yoke. Morillo having departed
for Europe, General La Torre, a brave and very superior man, succeeded to
the command of the royal army, and made strong remonstrances against the
movement in the province of Maracaybo, which he deemed an infraction of
the armistice, and hostilities in consequence recommenced. The liberator
concentrated his forces in Varinas; he detached a division to the coast
under General Urdaneta, and another to the east, under General Bermudez,
to divide the attention of the enemy, and marched himself against
Caracas. On the 24th of June, the liberator attacked and defeated the
Spaniards, who had taken up a strong position at Carabobo. The numbers on
both sides were nearly equal. This battle decided the fate of Colombia.
The victorious liberator entered Caracas on the 29th. On the 2nd of July,
La Guayra also surrendered to him.

Leaving a besieging division before Puerto Cabello, the liberator went to
Cucuta, where he resigned once more the office of president of the
republic, which, in admiration of his disinterestedness, instantly
re-elected him.

When the province of Guayaquil declared itself independent, it solicited
the assistance of Bolivar against the Spaniards in Quito. A small
division was accordingly sent there.

The liberator, having signed the constitution sanctioned by congress,
obtained leave to direct the war in the south. In January, 1822, he put
himself at the head of the army in Popayan, and sent a reinforcement to
General Sucre in Guayaquil.

In the month of March, the liberator moved against the province of Pasto,
the inhabitants of which country are surpassed in bravery by no people in
the world, but who adhered with blind attachment to the ancient regime.
The liberator, having overcome the obstacles presented by nature in the
valleys of Patia, and the formidable river Guanabamba, arrived in front
of Bombona. The _Pastusos_ (inhabitants of the province of Pasto) had
here taken up a strong position, supported by the Spanish troops. They
were vigorously attacked; but every charge made in front was repulsed. It
was not until the rifle battalion, commanded by the able Colonel Sands,
outflanked the _Pastusos_, that victory declared for Bolivar; but his
army had suffered so severely, that, instead of immediately following up
the fugitives through a hostile country, it fell back a short distance.

Whilst these operations were going on, Sucre liberated the provinces of
Loja and Cuenca, and, on the 24th of May, gained the victory of
Pinchincha, which gave independence to Quito. In the same year Carthagena
and Cumaná, surrendered to the liberating forces in Venezuela.

The liberator entered Quito on the 16th of June. His attention was soon
attracted to the discontents which had arisen at Guayaquil, where the
Colombians had become unpopular. His excellency proceeded to that town,
and, under his auspices, the provisional government annexed the province
to Colombia.

One of the results of the interview which took place between the
protector of Peru and the liberator of Colombia was the sending of an
auxiliary force of two thousand Colombians to Lima; but the junta, which
proceeded to the protectorate, ordered the Colombian troops to return to
Guayaquil. The president Riva Aguero, who succeeded to the junta, applied
for an auxiliary Colombian division of six thousand men, and invited
Bolivar to take the command of all the military forces in Peru. The
Colombian troops were sent to Lima. General Bolivar obtained leave from
the congress at Bogotá to go to Peru--the grand scene of his subsequent
triumphs.

The person of Bolivar is thin, and somewhat below the middle size. He
dresses in good taste, and has an easy military walk. He is a very bold
rider, and capable of undergoing great fatigue. His manners are good, and
his address unaffected, but not very prepossessing. It is said that, in
his youth, he was rather handsome. His complexion is sallow; his hair,
originally very black, is now mixed with gray. His eyes are dark and
penetrating, but generally downcast, or turned askance, when he speaks;
his nose is well formed, his forehead high and broad, the lower part of
the face is sharp; the expression of the countenance is careworn,
lowering, and sometimes rather fierce. His temper, spoiled by adulation,
is fiery and capricious. His opinions of men and things are variable. He
is rather prone to personal abuse, but makes ample amends to those who
will put up with it. Towards such his resentments are not lasting. He is
a passionate admirer of the fair sex, but jealous to excess. He is fond
of waltzing, and is a very quick, but not a very graceful dancer. His
mind is of the most active description. When not more stirringly
employed, he is always reading, dictating letters, &c., or conversing.
His voice is loud and harsh, but he speaks eloquently on most subjects.
His reading has been principally confined to French authors; hence the
Gallic idioms so common in his productions. He is an _impressive_ writer,
but his style is vitiated by an affectation of grandeur. Speaking so well
as he does, it is not wonderful that he should be more fond of hearing
himself talk than of listening to others, and apt to engross conversation
in the society he receives. He entertains numerously, and no one has more
skilful cooks, or gives better dinners; but he is himself so very
abstemious, in both eating and drinking, that he seldom takes his place
at his own table until the repast is nearly over, having probably dined
in private upon a plain dish or two. He is fond of giving toasts, which
he always prefaces in the most eloquent and appropriate manner; and his
enthusiasm is so great, that he frequently mounts his chair, or the
table, to propose them. Although the cigar is almost universally used in
South America, Bolivar never smokes, nor does he permit smoking in his
presence. He is never without proper officers in waiting, and keeps up a
considerable degree of etiquette. Disinterested in the extreme with
regard to pecuniary affairs, he is insatiably covetous of fame. Bolivar
invariably speaks of England, of her institutions, and of her great men,
in terms of admiration. He often dwells with great warmth upon the
constancy, fidelity, and sterling merit of the English officers who have
served in the cause of independence, under every varying event of the
war. A further proof of his predilection towards England is that he has
always had upon his personal staff a number of British subjects.

--_Memoirs of General Miller_.

       *       *       *       *       *



Fine Arts.

       *       *       *       *       *



EXHIBITIONS AT THE BAZAAR,

_Oxford Street_.

THE BRITISH DIORAMA.


On Saturday, the 11th, there was a private view of four new pictures, by
Stanfield and Roberts, at this very interesting lounge. They consist of

1. _The City of York, with the Minster on fire_--a picturesque view of
the cathedral, with a mimic display of the conflagration, the accuracy of
which will make the property-man of the Opera tremble.

2. _The Temple of Apollinopolis, in Egypt_, a magnificent picture of
Egyptian architecture--"noble in decay." The splendid leaved capitals of
the pillars reminded us of the following, which we had that morning read
in the _Journal of a Naturalist_:--"No portion of creation," says the
author, "has been resorted to by mankind with more success for the
ornament and decoration of their labours, than the vegetable world. The
rites, emblems, and mysteries of religion; national achievements,
eccentric marks, and the capricious visions of fancy, have all been
wrought by the hand of the sculptor, on the temple, the altar, or the
tomb; but plants, their foliage, flowers, or fruits, as the most
graceful, varied, and pleasing objects that meet our view, have been more
universally the object of design, and have supplied the most beautiful,
and perhaps the earliest, embellishments of art. The pomegranate, the
almond, and flowers, were selected even in the wilderness, and by divine
appointment, to give form to the sacred utensils; the rewards of merit,
the wreath of the victor, were arboraceous; in later periods, the
acanthus, the ivy, the lotus, the vine, the palm, and the oak, flourished
under the chisel, or beneath the loom of the artist; and in modern days,
the vegetable world affords the almost exclusive decorations of ingenuity
and art."

3. _Entrance to the Village of Virex, in Italy_--a pleasing picture of
what may be termed _an architectural village_; for some of the dwellings
almost approach to palaces, and others have a conventual character, which
harmonizes with the sublime beauties of nature which rise around them.

4. _Interior of St. Saveur, in Normandy._ As an architectural picture we
are not disposed to rate this so highly as the two preceding.

The alternations of light and shade are admirably managed in all of them,
among which a flood of light streaming through one of the cathedral
windows will be much admired. The size of each picture is 70 feet by
50--and the four may be seen for _one shilling!_

Below stairs, the fine group from Reubens's Descent from the Cross, and
Albert Durer's Carvings of the Life of the Virgin Mary, still continue
open.

Another exhibition, _Trepado, or Cut-Paper Work_, to use a vulgar phrase,
"cut out" all the work of the kind we have ever seen. We have a sister
very ingenious in these matters; but her productions, compared with the
cuttings of the Oxford-street Bazaar, are as John Nash with Michael
Angelo. These cuttings are in imitation of Line Engraving, comprising
sixteen pictures, cut with scissars, among which are the Lord's
Supper--Conversion of St. Paul--The Battle of Alexander--A Portrait of
his Majesty George IV., &c. They are almost the counterfeit presentment
of pencil-drawings, such as Varley and Brookman and Langdon could not
excel. Yet these are cut with scissars! A greater exercise of patience,
to say the least of it, we scarcely know. Every one who wishes to cut a
figure in the world ought to learn this art; and certain fair cutters may
by this means spread even stronger meshes than these paper nets. We mean
to see them again, although we have too many _cuttings_ to make for the
gratification of our readers to allow us to enter into the _Trepado_
study _con amore_--and so with this recommendation, we _cut_ the subject.
We, however, expect to meet scores of our Easter friends in the Bazaar;
and there is no similar establishment in London where so much may be seen
for so little money.

The Bazaar has lately been extended for a suite of rooms for the
exhibition of Household Furniture, for sale. There are already several
handsome specimens--many of them fit for the splendid palaces building in
the Regent's Park. If the reader be one of those who "meditate on
muffineers and plan pokers," he will enjoy this part of the Bazaar. In
all the Parisian bazaars, there is an abundance of _meubles_ and you get
accommodated with a newspaper and a chair, as the Street-publishers say,
"for the small charge of one penny:" might it not be so here, or is an
Englishman obliged to read and drink (not think) at the same time?

The counters of the Bazaar are abundantly stocked with _bijouterie_ and
nic-nacs, the _Nouveautes de Paris_ and Spitalfields--Canton in China,
and Leatherlane in Holborn--toy-carts for children, and fleecy hosiery
for old folks--puffs and pastry, and the last new song--inkstands,
taper-lights, pen-wipers, perfumed sealing-wax, French hair-paper,
curling-wheels--and all the fair ammunition of love and madness. If you
leave your purse at home, or, what is worse, if you have left your money,
you know not where, remember Bishop Berkley, and console yourself with
the reflection that all these things were made for your enjoyment, and
that all around are striving to please you. This will be no trifling
source of pleasure--it will fill your head and fill your heart with
joy--leave the _pockets_ to grosser minds.

       *       *       *       *       *


SOCIETY OF BRITISH ARTISTS, SUFFOLK-STREET, PALL-MALL, EAST.

_By a Correspondent_.


The sixth exhibition of this society is now open to the public, and the
display of talent fully equals, or, perhaps, excels, that of former
seasons. The society, since its commencement, has realized twelve
thousand pounds from the sale of the works of British artists, who, thus
stimulated by the disposal of their performances, have exerted their
utmost ability in contributing specimens of their art to the present
exhibition. We can, however, only notice a few of those artists who have
been particularly successful; our limits not allowing us to extend
justice to _all_.

The most splendid painting in the gallery is No. 7, _The Departure of the
Israelites out of Egypt_, by Mr. Roberts. In the performance of this
work, the painter has evidently endeavoured to imitate Martin's
compositions. The picture, viewed at a little distance, is certainly
grand and imposing; on a near inspection, however, we look in vain for
the exquisite finish, and the characteristic expression so universally
admired in Mr. Martin's works. We advise Mr. Roberts, if he pursues this
class of painting, to unite finish with his bold effects--for attention
in this respect will prove the _denouement_ of his pictures. No. 188,
_Erle Stoke Park, the seat of G. Watson Taylor, Esq. M.P._ by Mr.
Stanfield, is a very delightful picture, being remarkably chaste and
clear in the colouring. No. 404, _Mattock High Tor_, by Mr. Hotland, and
No. 440, _A Party crossing the Alps_, by Mr. Egerton, are works of high
merit; as are the performances of Messrs. Wilson, Blake, Glover,[5]
Knight, Nasmyth, Farrier, Gill, Novice, Stevens, Turner, Holmes, and
Pidding.

    [5] _Apropos_, three are twenty-three pictures by this gentleman
        in the gallery.

The engravings and sculpture are likewise very creditable to the
institution this season. Mr. Quilly has executed an excellent print from
Stanfield's fine picture, _The Wreckers_, which was exhibited last year
at the British Institution.

Among the busts in the sculpture-room we notice those of Lord Eldon, Sir
F. Burdett, Sir H. Davy, the late Lord Bishop of Salisbury, &c.

G.W.N.

       *       *       *       *       *



SPIRIT OF THE PUBLIC JOURNALS.

       *       *       *       *       *


(_Concluded from, page 254_.)


"_N'importe!_" exclaimed Stubbs, gaily; "there are more admirers, in this
world, of the ridiculous than of the true, that let me tell you. But I
must to my studies, for the night approaches. Next Monday--and this is
Thursday--and I am by no means _au fait_ yet in my part. So good
morning--let me see you soon again--and meanwhile adieu! adieu! remember
me!"

Mr. M'Crab departed; and Mr. Henry Augustus Constantine Stubbs prepared
to go through the soliloquy of "To be--or not to be," before a mirror
which reflected the whole of his person.

Monday came, and oh! with what a flutter of delight Mr. Stubbs cast his
eyes upon that part of the paper, where the play for the evening was
announced, and where he read, "_This evening will be acted the tragedy of
Hamlet: the part of Hamlet by a gentleman, his first appearance on any
stage._"

       *       *       *       *       *

His carriage was at the door--and he told the coachman to drive down ----
street, that he might see in passing along, whether the crowd at the pit
and gallery doors, would obstruct his progress. It was not quite so large
as to stretch across the carriage road; but he was sure there were some
hundreds, though so early, and he thought they must have heard who the
"gentleman" was, that was then rolling by. He would not be positive, too;
but he could almost swear he heard an huzza, as he passed along. There
were above a dozen persons collected round the stage door; and he plainly
perceived that _they_ drew back with respectful admiration, as the new
Hamlet stepped out of his carriage.

He hastened to his dressing-room, where he found his friend, the manager,
Mr. Peaess, who shook him by the hand, as he informed him that they had
an excellent box-book. Stubbs smiled graciously; and the manager left him
with his dresser, to attire himself in his "customary suit of solemn
black." Mr. Stubbs had kept his intention of stuffing the character a
profound secret, fearful lest any technical objections should be made by
Mr. Peaess, and desirous also of making the first impression in the
green-room. When he entered it, therefore, in the likeness of a chubby
undertaker, ready for a funeral, rather than in that of the "unmatched
form and feature of blown youth"--in short, the very type and image of
poor Tokely in _Peter Pastoral_,--his eyes and ears were on the alert to
catch the look of surprise, and buzz of admiration, which he very
naturally anticipated. He was a little daunted by a suppressed titter
which ran round the room; but he was utterly confounded when his best and
dearest friend, Mr. Peaess himself, coming up to him exclaimed,--"Why,
zounds! Mr. Stubbs, what have you been doing? By ----, the audience will
never stand this."

"Stand what?" replied Henry Augustus Constantine Stubbs.

"What!" echoed the manager; "why this pot-belly, and those cherub
cheeks."

"Pooh! pooh!" replied Stubbs, "it's Shakspeare's, and I can prove it."

"You may pooh! pooh! as much as you like, Mr. Stubbs," rejoined the
manager; "but, by ----, you've made a mere apple-dumpling of yourself."

"Do you think so," exclaimed Stubbs, glancing in one of the
mirrors--"Well; I do assure you it is Shakspeare, and I'll prove it. But
what shall I do?" and he looked imploringly round upon the broad,
grinning countenances of the other performers.

"Do?" ejaculated Mr. Peaess; "you can do nothing now--the curtain has
been up these ten minutes; Horatio and Marcellus are coming off, and you
must go on."

At this moment the ghost of Hamlet's father entered the room, but before
he had time to look upon his son, the call-boy's summons was heard for
the King, Queen, Hamlet, Polonius, Laertes, &c., to be ready, and forth
sallied poor Mr. Henry Augustus Constantine Stubbs, to prove, if he
could, to the audience, that his rotundity was perfectly Shakspearian.

The awful flourish of drum and trumpet was sounded;--their majesties of
Denmark, attended by their train of courtiers, walked on. There is a
pause! All eyes are bent in eager gaze to catch the first glimpse of the
new Hamlet--all hands are ready to applaud. He appears--boxes, pit, and
gallery, join in the generous welcome of the unknown candidate. He
revives--hastens to the foot-lights--bows--another round of
applause--bows again--and again--and then falls back, to let the business
of the scene proceed. He looks round, meanwhile, with the swelling
consciousness that he is that moment "the observed of all observers," and
tries to rally his agitated spirits; but just as he is beginning to do
so, his wandering eye rests upon the ill-omened face of M'Crab, seated in
the front-row of the stage-box, who is gazing at him with a grotesque
smile, which awakens an overwhelming recollection of his own prediction,
that he "would be horribly laughed at, if he did make Hamlet a fat little
fellow," as well as a bewildering reminiscence of the manager's, that,
"by ----, the audience would not stand it."

It was soon evident they would not, or rather that they could not stand
it. But it was not alone his new reading in what regarded the person of
Hamlet, that excited astonishment. Mr. Stubbs had so many other new
readings, that before he got to the end of his first speech, beginning
with, "Seems, madam! nay, it is," they were satisfied of what was to
follow. When, however, Mr. Stubbs stood alone upon the stage, in the full
perfection of his figure, and concentrated upon himself the undivided
attention of the house--when he gathered up his face into an
indescribable aspect of woe--but, above all, when, placing his two hands
upon his little round belly, he exclaimed, while looking sorrowfully at
it,

  "Oh, that this too, too solid flesh would melt,
      (Pat, went the right hand,)
  Thaw, and resolve itself into a dew,"
      (Pat, went the left hand,)

the effect was irresistible. One roar of laughter shook the theatre, from
the back row of the shilling gallery to the first row of the pit, mingled
with cries of _bravo! bravo! go on, my little fellow--you shall have fair
play--silence--bravo! silence!_--Stubbs, meanwhile, looked as if he were
really wondering what they were all laughing at; and when at length
silence was partially restored, he continued his soliloquy. His delivery
of the lines,

  "Fye on't oh fye! 'tis an unweeded garden
  That grown to seed: things rank and gross in nature," &c.

was one of his new readings--for holding up his finger, and looking
towards the audience with a severe expression of countenance, it appeared
as though he were chiding their ill manners in laughing at him, when he
said, "Fye on't--oh, fye!"

He was allowed to proceed, however, with such interruptions only as his
own original conceptions of the part provoked from time to time; or when
any thing he had to say was obviously susceptible of an application to
himself. Thus, for example, in the scene with Horatio and Marcellus,
after his interview with the ghost:--

  _"Ham_.           And now, good friends,
  As you are friends, scholars, and soldiers,
  Give me one poor request.

  _Hor_. What is it, my lord? We will.

  _Ham. Never make known what you have seen to-night."_

"Let him, if he likes," exclaimed a voice from the pit--"he'll never see
such a sight again."--Then, in his instructions to the players, his
delivery of them was accompanied by something like the following running
commentary:

"Speak the speech, I pray you, as I pronounced it to you, (_that is
impossible!_) trippingly on the tongue: but if you mouth it, as many of
our players do, (_laughter_,) I had as lief the town-crier spoke my
lines. * * * Oh, it offends me to the soul, to hear a robustious,
periwig-pated fellow (_like yourself_) tear a passion to tatters, &c.--I
would have such a fellow whipped (_give it him, he deserves it_) for
o'erdoing Termagant. * * * Oh, there be players that I have seen play,
(_no, we see him,_) and heard others praise, and that highly, (_oh! oh!
oh!_) not to speak it profanely, that, having neither the accent of
Christians, (_ha! ha! ha!_) nor the gait of Christian, Pagan, nor man,
have so strutted (_bravo! little 'un!_) and bellowed, (_hit him again!_)
that I have thought some of nature's journeymen had made men, (_who made
you?_) and not made them well, (_no, you are a bad fit_,) they imitated
humanity so abominably." (_Roars of laughter_.)

It was thus Mr. Henry Augustus Constantine Stubbs enacted Hamlet; and it
was not till the end of the fourth act that he suffered a single
observation to escape him, which indicated he thought any thing was
amiss. Then, indeed, while sitting in the green-room, and as if the idea
had just struck him, he said to Mr. Peaess, "Do you know, I begin to
think I have some enemies in the house, for when, in the scene with
Ophelia, I said, 'What should such fellows as I do crawling between earth
and heaven?' somebody called out, loud enough for me to hear him, 'Ay!
what, indeed?' It's very odd. Did you notice it, ma'am?" he continued
addressing the lady who performed Ophelia. "I can't say I did," replied
the lady, biting her lips most unmercifully, to preserve her gravity of
countenance.

This was the only remark made by the inimitable Mr. Stubbs during the
whole evening, and he went through the fifth act with unabated
self-confidence. His dying scene was honoured with thunders of applause,
and loud cries of _encore_. Stubbs raised his head, and looking at
Horatio, who was bending over him, inquired, "Do you think they mean it?"

"Lie still, for God's sake!" exclaimed Horatio, and the curtain slowly
descended amid deafening roars of laughter, and shouts of hurrah! hurrah!

The next morning, at breakfast, Stubbs found all the daily papers on his
table, pursuant to his directions. He took up one, and read, in large
letters--"THEATRE. FIRST AND LAST APPEARANCE OF MR. HENRY AUGUSTUS
CONSTANTINE STUBBS IN HAMLET."

He read no more. The paper dropped from his hands; and Mr. Stubbs
remained nothing but a GENTLEMAN all the rest of his life--_Blackwood's
Mag_.

       *       *       *       *       *


LINES WRITTEN AT WARWICK CASTLE.[6]

BY CHARLES BADHAM, M.D. F.R.S.

_Professor of Medicine in the University of Glasgow_.


  I.

  I leave thee, Warwick, and thy precincts grey,
    Amidst a thousand winters still the same,
  Ere tempests rend thy last sad leaves away,
    And from thy bowers the native rock reclaim;
  Crisp dews now glitter on the joyless field,
    The gun's red disk now sheds no parting rays,
  And through thy trophied hall the burnished shield
    Disperses wide the swiftly mounting blaze.

  II.

  Thy pious paladins from Jordan's shore,
    And all thy steel-clad barons are at rest;
  Thy turrets sound to warder's tread no more;
    Beneath their brow the dove hath hung her nest;
  High on thy beams the harmless falchion shines;
    No stormy trumpet wakes thy deep repose;
  Past are the days that, on the serried lines
    Around thy walls, saw the portcullis close.

  III.

  The bitter feud was quell'd, the culverin
    No longer flash'd, us blighting mischief round,
  But many an age was on those ivies green,
    Ere Taste's calm eye had scann'd the gifted ground;
  Bade the fair path o'er glade or woodland stray,
    Bade Avon's swans through new Rialtos glide,
  Forced through the rock its deeply channell'd way,
    And threw, to Arts of peace, the portals wide.

  IV.

  But most to Her, whose light and daring hand
    Can swiftly follow Fancy's wildest dream!
  All times and nations in whose presence stand,
    All that creation owns, her boundless theme!
  And with her came the maid of Attic stole,
    Untaught of dazzling schools the gauds to prize,
  Who breathes in purest forms her calm control,
    Heroic strength, and grace that never dies!


  V.

  Ye that have linger'd o'er each form divine,
    Beneath the vault of Rome's unsullied sky,
  Or where Bologna's cloister'd walls enshrine
    Her martyr Saint--her mystic Rosary--
  Of Arragon the hapless daughter view!
    Scan, for ye may, that fine enamel near!
  Such Catherine was, thus Leonardo drew--
    Discern ye not the "Jove of painters" here?


  VI.

  Discern ye not the mighty master's power
    In yon devoted Saint's uplifted eye?
  That clouds the brow and bids already lour
    O'er the First Charles the shades of sorrows nigh?
  That now on furrow'd front of Rembrandt gleams,
    Now breathes the rose of life and beauty there,
  In the soft eye of Henrietta dreams,
  And fills with fire the glance of Gondomar?


  VII.

  Here to Salvator's solemn pencil true,
    Huge oaks swing rudely in the mountain blast;
  Here grave Poussin on gloomy canvass threw
    The lights that steal from clouds of tempest past;
  And see! from Canaletti's glassy wave,
    Like Eastern mosques, patrician Venice rise;
  Or marble moles that rippling waters lave,
    Where Claude's warm sunsets tinge Italian skies!


  VIII.

  Nor let the critic frown such themes arraign,
    Here sleep the mellow lyre's enchanting keys;
  Here the wrought table's darkly polish'd plain,
    Proffers light lore to much-enduring ease;
  Enamelled clocks here strike the silver bell;
    Here Persia spreads the web of many dies;
  Around, on silken couch, soft cushions swell,
    That Stambol's viziers proud might not despise.


  IX.

  The golden lamp here sheds its pearly light,
    Within the cedar'd panels, dusky pale;
  No mirror'd walls the wandering glance invite,
    No gauzy curtains drop the misty veil.
  And there the vista leads of lessening doors,
    And there the summer sunset's golden gleam
  Along the line of darkling portrait pours,
    And warms the polish'd oak or ponderous beam.


  X.

  Hark! from the depths beneath that proud saloon
    The water's moan comes fitful and subdued,
  Where in mild glory yon triumphant moon
    Smiles on the arch that nobly spans the flood--
  And here have kings and hoary statesmen gazed,
    When spring with garlands deck'd the vale below,
  Or when the waning year had lightly razed
    The banks where Avon's lingering fountains flow.


  XI.

  And did no minstrel greet the courtly throng?
    Did no fair flower of English loveliness
  On timid lute sustain some artless song,
    Her meek brow bound with smooth unbraided tress?
  For Music knew not yet the stately guise,
    Content with simplest notes to touch the soul,
  Not from her choirs as when loud anthems rise,
    Or when she bids orchestral thunders roll!


  XII.

  Here too the deep and fervent orison
    Hath matron whisper'd for her absent lord,
  Peril'd in civil wars, that shook the throne,
    When every hand in England, clench'd the sword:--
  And here, as tales and chronicles agree,
    If tales and chronicles be deem'd sincere,
  Fair Warwick's heiress smiled at many a plea
    Of puissant Thane, or Norman cavalier.


  XIII.

  Or dost thou sigh for theme of classic lore
    Midst arms and moats, and battlements and towers?
  Behold the Vase! that, erst on Anio's shore,
    Hath found a splendid home in Warwick's bowers:
  To British meads ere yet the Saxon came,
    The pomp of senates swept its pedestal,
  And kings of many an Oriental name
    Have seen its shadow, and are perish'd all!


  XIV.

  Haply it stood on that illustrious ground
    Where circling columns once, in sculptur'd pride,
  With fine volute or wreath'd acanthus crown'd,
    Rear'd some light roof by Anio's plunging tide;
  There, in the brightness of the votive fane
    To rural or to vintage gods addrest,
  Those vine clad symbols of Pan's peaceful reign
    Amidst dark pines their sacred seats possess'd.


  XV.

  Or, did it break with soft and silvery shower
    The silence of some marble solitude,
  Where Adrian, at the fire fly's glittering hour,
    Of rumour'd worlds to come the doubts review'd?
  Go mark his tomb!--in that sepulchral mole
    Scowls the fell bandit:--from its towering height
  Old Tiber's flood reflects the girandole,
    Midst bells, and shouts, and rockets' arrowy flight!


  XVI.

  Warwick, farewell! Long may thy fortunes stand,
    And sires of sires hold rule within thy walls,
  Thy streaming banners to the breeze expand,
    And the heart's griefs pass lightly o'er thy halls!
  May happier bards, on Avon's sedgy shore,
    Sustain on nobler lyre thy poet's vow,
  And all thy future lords (what can they more?)
    Wear the green laurels of thy fame, as now!

    [6] These lines will form a beautiful pendant to the picturesque
        Engraving of WARWICK CASTLE, in No. 357 of the MIRROR--as well as
        to the very interesting antiquarian description by our esteemed
        correspondent _L.L._

NOTES.

One of the towers of Warwick Castle is complimented with the name of
Guy's Tower; certain ponderous armour and utensils preserved in the lodge
are also attributed to Guy; nobody, in short, thinks of Guy without
Warwick, or of Warwick without Guy; "Arms and the Man" ought to have been
emblazoned on the castle banner; and why should I hesitate to say, that
one of the most amiable of children perpetuates the heroic name within
its walls? Had this renowned adventurer been ambitious of patriarchal
honours, his descendants might have extended the ancestral renown, and
have furnished many a ballad of those good old times; but when the Saxon
Ulysses had returned from his pilgrimage to Jerusalem, and made an end of
Colbrand and the Dun Cow, his fancy was to take alms in disguise from his
own fair lady, at his own castle gate, and then retire (_tous les goúts
sont respectables_) to a certain hole or cave called Guy's Cliff, where
he amused himself (in the intervals of rheumatism) for the rest of his
natural life in counting his beads and ruminating on his sins, which, as
he was a great traveller and a hero, might have been considerable.


STANZA III.

The following interesting passage is copied from a book of ordinary
occurrence, in which it is cited without stating the authority. It is
more than doubtful if any other nobleman in the kingdom, at that time or
since, has projected or executed so much on his own property as the late
Earl of Warwick:--

"I purchased a magnificent collection of pictures by Vandyke, Rubens, &c.
The marbles are not equalled, perhaps, in the kingdom. I made a noble
approach to the castle through a solid rock, built a porter's lodge, and
founded a library full of books, some valuable and scarce, all well
chosen. I made an armoury, and built walls round the court and pleasure
gardens. I built a noble green-house, and filled it with beautiful
plants. I placed in it a vase, considered the finest remain of Grecian
art, for its size and beauty. I made a noble lake, from 3 to 600 feet
broad, and a mile long. I planted trees, now worth 100,000l., besides
100 acres of ash. I built a stone bridge of 105 feet in span, every stone
from 2,000 to 3,800 lbs in weight. The weight of the first tier on the
centre was estimated at 1,000 tons. I gave the bridge to the town with no
toll on it. I will not enumerate a great many other things done by me.
Let Warwick Castle speak for itself."

STANZA X.

There is a _feeling of respect_ inspired by ancient buildings of
importance. Such a castle as Warwick, which has lodged a succession of
generations of the most opposite characters--at one time the "dulcis et
quieti animi vir, et qui, cougruo suis moribus studio, vitam egit et
clausit;" at another by the assassin of Piers de Gaveston, the king's
favourite, "whose head he cut off upon Blacklow Hill, and gave the friars
preachers the charge of his body, inasmuch as he had called the said earl
the Black Dog of Arderne"--is not to be approached as one visits a
handsome stone house of Palladian architecture!--such a house we know can
never have been the scene either of council or conspiracy; within such
walls there can never have been "latens odium inter regem et proceres, et
præsecipuè inter comitem de Warwick et adhærentes ejusdem."

As to the river and its swans. I have learned from the bard to whom it
has been long since consecrated, (although he may not have had the right
of fishing in it when alive,) that "discretion is the better part of
valour."

If I were to describe the walks, I should only say that they were
contrived, as all walks ought to be, to let in the sun or to shut him out
by turns. Here you rejoice in the fulness of his meridian strength, and
here in the shadows of various depth and intensity, which a well disposed
and happily contrasted sylvan population knows how to effect. The
senatorial oak, the spreading sycamore, the beautiful plane, (which I
never see without recollecting the channel of the Asopus and the woody
sides of Oeta,) the aristocratic pine running up in solitary stateliness
till it equal the castle turrets--all these, and many more, are admirably
intermingled and contrasted, in plantations which establish, as every
thing in and about the castle does, the consummate taste of the late
earl, although it must be admitted he had the finest subjects to work
upon, from the happy disposition of the ground. I shall never forget the
first time I walked over them; a pheasant occasionally shifting his
quarters at my intrusion, and making his noisy way through an ether so
clear, so pure, so motionless, that the broad leaves subsided, rather
than fell to the ground, without the least disturbance; the tall grey
chimneys just breathing their smoke upon the blue element, which they
scarcely stained; every green thing was beginning to wear the colour of
decay, and many a tint of yellow, deepening into orange, made me sensible
that "there be tongues in trees," if not "good in every thing." But
Montaigne says nothing is useless, _not even inutility itself_.

STANZA XIII.

This superb work of antiquity must indeed be seen, to be sufficiently
estimated: the great failure of that branch of the fine arts which is
employed to represent all the rest, is in the inadequate idea of size
which it must necessarily give where the objects to be represented are
large.

The marble vases now extant are, of course, comparatively few in number,
and this is, perhaps, excepting the Medicean, the finest of them all. The
best representations of it are those in Piranesi, three in number. One
great, and conspicuous beauty of this vase consists in the elegantly
formed handles, and in the artful insertion of the extreme branches of
the vine-stems which compose them, into its margin, where they throw off
a rich embroidery of leaves and fruit. A lion's skin, with the head and
claws attached, form a sort of drapery, and the introduction of the
thyrsus, the lituus, and three bacchanalian masks on each side, complete
the embellishments. The capacity of this vase is 103 gallons, its
diameter 9 feet, its pedestal of course modern. It was discovered in
1770, in the draining of a mephitic lake within the enclosure of the
Villa Adriana, called Laga di Pantanello. Lord Warwick had reason to be
proud of his vase, which had this peculiarity, that, whereas almost every
other object of art in the kingdom has been catalogued and sold over and
over again, this vase passed (after a sufficiently long parenthesis of
time) _immediately from the gardens of Adrian to his own!_

_Blackwood's Magazine._

       *       *       *       *       *



Manners & Customs of all Nations.

       *       *       *       *       *



HEAVING.

_(For the Mirror.)_


They have a ludicrous custom in Staffordshire, at Easter, which they call
heaving. The males claim Easter Monday, and the females Tuesday, and on
this day a group of the latter assemble, and every male they meet with
they seize, and one of them salutes him with a kiss, after which they all
lay hold of him and heave him up as high as they can, for this they
require some donation, which, if refused, they will seize his hat,
handkerchief, or any thing they can lay hold of. This lasts till twelve
o'clock. Sometimes old women collect together, and then woe be to the
person who does not present them with a trifle, and thus stop their
proceedings; for if not, their snuffy beaks might come in contact with
their prisoners' lips. They often collect 10 or 12s. and spend it in
carousing at night.

W.H.

       *       *       *       *       *


CONVICTS IN NEW SOUTH WALES.


The regular hours of work are from sun-rise to sun-set; but so few
settlers get up to see that this time is kept, that a much shorter period
is generally employed in labour. The expense of maintaining a convict is
rather a difficult calculation: where there are many men, they are, of
course, supported at much less per man than where there are but few, from
being able to buy slop clothes, tea, and the other necessaries, at
wholesale prices, of the importing merchant. The waste, also, made by the
convicts in their meat, &c. is a serious consideration: the head and
entrails of animals slaughtered for their use, and which an English
labourer would be glad of, are thrown away as only fit for the dogs;
nothing but the body and legs are deemed sufficiently good for these
dainty characters. Taking all expenses into consideration, I think that
from 25l. to 30l. per man may be estimated as the annual
cost--_Widowson's Present State of Van Dieman's Land_.

       *       *       *       *       *


THROWING STONES AT THE DEVIL.


On arriving at Wady Muna, each nation encamped upon the spot which custom
has assigned to it, at every returning Hadj. After disposing of the
baggage, the hadjys hastened to the ceremony of throwing stones at the
devil. It is said that, when Abraham or Ibrahim returned from the
pilgrimage to Arafat, and arrived at Wady Muna, the devil Eblys presented
himself before him at the entrance of the valley, to obstruct his
passage; when the angel Gabriel, who accompanied the patriarch, advised
him to throw stones at him, which he did, and after pelting him seven
times, Eblys retired. When Abraham reached the middle of the valley, he
again appeared before him, and, for the last time, at its western
extremity, and was both times repulsed by the same number of stones.
According to Azraky, the Pagan Arabs, in commemoration of this tradition,
used to cast stones in this valley as they returned from the pilgrimage;
and setup seven idols at Muna, of which there was one in each of the
three spots where the devil appeared, at each of which they cast three
stones. Mohammed, who made this ceremony one of the chief duties of the
hadjys, increased the number of stones to seven. At the entrance of the
valley, towards Mezdelfe, stands a rude stone pillar, or rather altar,
between six or seven feet high, in the midst of the street, against which
the first seven stones are thrown, as the place where the devil made his
first stand: towards the middle of the valley is a similar pillar, and at
its western end a wall of stones, which is made to serve the same
purpose. The hadjys crowded in rapid succession round the first pillar,
called "Djamrat el Awla;" and every one threw seven small stones
successively upon it; they then passed to the second and third spots
(called "Djamrat el Owsat," and "Djamrat el Sofaly," or "el Akaba," or
"el Aksa,") where the same ceremony was repeated. In throwing the stones,
they are to exclaim, "In the name of God; God is great (we do this) to
secure ourselves from the devil and his troops." The stones used for
this purpose are to be of the size of a horse-bean, or thereabouts; and
the pilgrims are advised to collect them in the plain of Mezdelfe, but
they may likewise take them from Muna; and many people, contrary to the
law, collect those that have already been thrown.--_Burckhardt's
Travels_.

       *       *       *       *       *



THE GATHERER.

  A snapper up of unconsidered trifles.

SHAKSPEARE.

       *       *       *       *       *


THE COACHMAN.


The moment he has got his seat and made his start, you are struck at once
with the perfect mastership of his art. The hand just over his left
thigh, the arm without constraint, steady, and with a holding command
that keeps his horses like clock-work; yet to a superficial observer
quite with loose reins; so firm and compact he is, that you seldom
observe any shifting, only to take a shorter purchase for a run down
hill; his right hand and whip are beautifully in unison; the crop, if not
in a direct line with the box, over the near wheel, raised gracefully up
as it were to reward the near side horse; the thong--the thong after
three twists, which appears in his hand to have been placed by the maker
never to be altered or improved ...... and if the off-side horse becomes
slack, to see the turn of his arm to reduce a twist, or to reverse, if
necessary, is exquisite: after being _placed under the rib_, or upon the
shoulder point, up comes the arm, and with it the thong returns to the
elegant position upon the crop! I say elegant! the stick, highly polished
yew--rather light--not too taper--yet elastic; a thong in clean order,
pliable. All done without effort--merely a turn of the wrist!

       *       *       *       *       *

At twelve o'clock at noon, on the day before Easter, the resurrection
service begins at the Quirinal Chapel at Rome; when a curtain is drawn
back, which conceals a picture of our Lord: bells ring, drums are beaten,
guns are fired, and joy succeeds to mourning.

       *       *       *       *       *

ACROSTIC ON "THE MIRROR."

  MIRROR! methinks your name indeed is true
  In every other point, except that you,
  Resplendent with the wisdom of mankind,
  Reflect not to the _sight_, but to the _mind_.
  Oh! may success then to your pains accrue,
  Rewarding all your merit with its due.

D.

       *       *       *       *       *

LOVE.

  Love reigns the lord of every mortal heart;
  He wounds the beggar, wounds the king,
  And is the fairest, falsest thing,
  That e'er excited joy, or bade a bosom smart.
  Light as the wind, rough as the wave,
  He's both a tyrant and a slave;
  A fire that freezes, and a frost that's hot,
  A bitter sweet, a luscious sour,
  Wretched is he who knows his pow'r,
  But far more wretched still is he who knows it not.

       *       *       *       *       *

TRUTH, A FABLE.

At the gates of Sorbonne, Truth one day showed her face. The syndic met
her. "What," said he, "do you want?" "Alas! hospitality." "Your name?"
"My name is Truth." "Flee," said he, in anger, "flee, or I seek vengeance
on your profaneness." "You chase me away," answered Truth; "but I live in
hope to have my turn, being the spoiled child of Time, and gaining every
thing by the means of my father."

       *       *       *       *       *

The initial letters of the Latin names of the kings of Bonaparte's family
form the Latin word _Nihil_, (nothing;) and this used to be called the
genealogical acrostic:

  L udovicus.
  I osephus.
  H ieronymus.
  I oachim.
  N apoleo.

T.B.

       *       *       *       *       *

THE SUBTERFUGE.

  "I vow, my dear Strephon," said Chloe one day,
    While Damon lay hid in the bower,
  "Yon sun that now gazes shall see a kiss given
    To no one but thee from this hour."

  Now Strephon is gone--and with mournful eye
    Poor Damon upbraided the fair.
  "Hush! blockhead," said Chloe, "the sun's now on high,
    But d'ye think it will always be there?"

       *       *       *       *       *

Lately published, with a Frontispiece, and thirty other Engravings, price
5s.

THE ARCANA OF SCIENCE, AND ANNUAL REGISTER OF THE USEFUL ARTS, FOR 1829.

"This is a valuable register of the progress of science and arts during
the past year. Engravings and a low price qualify it for extensive
utility."--_Literary Gazette, March_ 21.

"An agreeable and useful little volume."--_Athenæum, Feb_. 18.

       *       *       *       *       *

Printed and Published by J. LIMBIRD, 143, Strand, (near Somerset House,)
London; sold by ERNEST FLEISCHER, 626, New Market, Leipsic; and by all
Newsmen and Booksellers.





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