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Title: Time's Laughingstocks, and Other Verses
Author: Hardy, Thomas
Language: English
As this book started as an ASCII text book there are no pictures available.


*** Start of this LibraryBlog Digital Book "Time's Laughingstocks, and Other Verses" ***


Transcribed from the 1919 Macmillan and Co. edition by David Price, email
ccx074@pglaf.org



                                  TIME’S
                              LAUGHINGSTOCKS
                             AND OTHER VERSES


                                * * * * *

                                    BY
                               THOMAS HARDY

                                * * * * *

                                * * * * *

                                * * * * *

                        MACMILLAN AND CO., LIMITED
                       ST. MARTIN’S STREET, LONDON
                                   1928

                                * * * * *

                                COPYRIGHT

                           _First Edition_ 1909
                             _Reprinted_ 1910
                          _Second Edition_ 1915
                             _Reprinted_ 1919
                          _Pocket Edition_ 1919
                       _Reprinted_ 1923, 1924, 1928

                                * * * * *

                         PRINTED IN GREAT BRITAIN
                   BY R. & R. CLARK, LIMITED, EDINBURGH

                                * * * * *



PREFACE


IN collecting the following poems I have to thank the editors and
proprietors of the periodicals in which certain of them have appeared for
permission to reclaim them.

Now that the miscellany is brought together, some lack of concord in
pieces written at widely severed dates, and in contrasting moods and
circumstances, will be obvious enough.  This I cannot help, but the sense
of disconnection, particularly in respect of those lyrics penned in the
first person, will be immaterial when it is borne in mind that they are
to be regarded, in the main, as dramatic monologues by different
characters.

As a whole they will, I hope, take the reader forward, even if not far,
rather than backward.  I should add that some lines in the early-dated
poems have been rewritten, though they have been left substantially
unchanged.

                                                                     T. H.

_September_ 1909.



CONTENTS

TIME’S LAUGHINGSTOCKS—                                 PAGE
                  The Revisitation                        3
                  A Trampwoman’s Tragedy                 11
                  The Two Rosalinds                      17
                  A Sunday Morning Tragedy               21
                  The House of Hospitalities             27
                  Bereft                                 28
                  John and Jane                          30
                  The Curate’s Kindness                  31
                  The Flirt’s Tragedy                    34
                  The Rejected Member’s Wife             40
                  The Farm-Woman’s Winter                42
                  Autumn in King’s Hintock Park          43
                  Shut out that Moon                     45
                  Reminiscences of a Dancing Man         47
                  The Dead Man Walking                   49
MORE LOVE LYRICS—
                  1967                                   53
                  Her Definition                         54
                  The Division                           55
                  On the Departure Platform              56
                  In a Cathedral City                    58
                  “I say I’ll seek Her”                  59
                  Her Father                             60
                  At Waking                              61
                  Four Footprints                        63
                  In the Vaulted Way                     65
                  In the Mind’s Eye                      66
                  The End of the Episode                 67
                  The Sigh                               68
                  “In the Night She Came”                70
                  The Conformers                         72
                  The Dawn after the Dance               74
                  The Sun on the Letter                  76
                  The Night of the Dance                 77
                  Misconception                          78
                  The Voice of the Thorn                 80
                  From Her in the Country                82
                  Her Confession                         83
                  To an Impersonator of Rosalind         84
                  To an Actress                          85
                  The Minute before Meeting              86
                  He abjures Love                        87
A SET OF COUNTRY SONGS—
                  Let me Enjoy                           91
                  At Casterbridge Fair:
                        I.  The Ballad-Singer            93
                       II.  Former Beauties              94
                      III.  After the Club Dance         95
                       IV.  The Market-Girl              95
                        V.  The Inquiry                  96
                       VI.  A Wife Waits                 97
                      VII.  After the Fair               98
                  The Dark-eyed Gentleman               100
                  To Carrey Clavel                      102
                  The Orphaned Old Maid                 103
                  The Spring Call                       104
                  Julie-Jane                            106
                  News for Her Mother                   108
                  The Fiddler                           110
                  The Husband’s View                    111
                  Rose-Ann                              113
                  The Homecoming                        115
PIECES OCCASIONAL AND VARIOUS—
                  A Church Romance                      121
                  The Rash Bride                        122
                  The Dead Quire                        128
                  The Christening                       135
                  A Dream Question                      137
                  By the Barrows                        139
                  A Wife and Another                    140
                  The Roman Road                        144
                  The Vampirine Fair                    145
                  The Reminder                          150
                  The Rambler                           151
                  Night in the Old Home                 152
                  After the Last Breath                 154
                  In Childbed                           156
                  The Pine Planters                     158
                  The Dear                              161
                  One We Knew                           163
                  She Hears the Storm                   166
                  A Wet Night                           167
                  Before Life and After                 168
                  New Year’s Eve                        169
                  God’s Education                       171
                  To Sincerity                          172
                  Panthera                              173
                  The Unborn                            184
                  The Man He Killed                     186
                  Geographical Knowledge                187
                  One Ralph Blossom Soliloquizes        189
                  The Noble Lady’s Tale                 191
                  Unrealized                            201
                  Wagtail and Baby                      203
                  Aberdeen: 1905                        204
                  George Meredith, 1828–1909            205
                  Yell’ham-wood’s Story                 207
                  A Young Man’s Epigram on              208
                  Existence

TIME’S LAUGHINGSTOCKS


THE REVISITATION


      AS I lay awake at night-time
   In an ancient country barrack known to ancient cannoneers,
   And recalled the hopes that heralded each seeming brave and bright
   time
      Of my primal purple years,

      Much it haunted me that, nigh there,
   I had borne my bitterest loss—when One who went, came not again;
   In a joyless hour of discord, in a joyless-hued July there—
      A July just such as then.

      And as thus I brooded longer,
   With my faint eyes on the feeble square of wan-lit window frame,
   A quick conviction sprung within me, grew, and grew yet stronger,
      That the month-night was the same,

      Too, as that which saw her leave me
   On the rugged ridge of Waterstone, the peewits plaining round;
   And a lapsing twenty years had ruled that—as it were to grieve me—
      I should near the once-loved ground.

      Though but now a war-worn stranger
   Chance had quartered here, I rose up and descended to the yard.
   All was soundless, save the troopers’ horses tossing at the manger,
      And the sentry keeping guard.

      Through the gateway I betook me
   Down the High Street and beyond the lamps, across the battered bridge,
   Till the country darkness clasped me and the friendly shine forsook
   me,
      And I bore towards the Ridge,

      With a dim unowned emotion
   Saying softly: “Small my reason, now at midnight, to be here . . .
   Yet a sleepless swain of fifty with a brief romantic notion
      May retrace a track so dear.”

      Thus I walked with thoughts half-uttered
   Up the lane I knew so well, the grey, gaunt, lonely Lane of Slyre;
   And at whiles behind me, far at sea, a sullen thunder muttered
      As I mounted high and higher.

      Till, the upper roadway quitting,
   I adventured on the open drouthy downland thinly grassed,
   While the spry white scuts of conies flashed before me, earthward
   flitting,
      And an arid wind went past.

      Round about me bulged the barrows
   As before, in antique silence—immemorial funeral piles—
   Where the sleek herds trampled daily the remains of flint-tipt arrows
      Mid the thyme and chamomiles;

      And the Sarsen stone there, dateless,
   On whose breast we had sat and told the zephyrs many a tender vow,
   Held the heat of yester sun, as sank thereon one fated mateless
      From those far fond hours till now.

      Maybe flustered by my presence
   Rose the peewits, just as all those years back, wailing soft and loud,
   And revealing their pale pinions like a fitful phosphorescence
      Up against the cope of cloud,

      Where their dolesome exclamations
   Seemed the voicings of the self-same throats I had heard when life was
   green,
   Though since that day uncounted frail forgotten generations
      Of their kind had flecked the scene.—

      And so, living long and longer
   In a past that lived no more, my eyes discerned there, suddenly,
   That a figure broke the skyline—first in vague contour, then stronger,
      And was crossing near to me.

      Some long-missed familiar gesture,
   Something wonted, struck me in the figure’s pause to list and heed,
   Till I fancied from its handling of its loosely wrapping vesture
      That it might be She indeed.

      ’Twas not reasonless: below there
   In the vale, had been her home; the nook might hold her even yet,
   And the downlands were her father’s fief; she still might come and go
   there;—
      So I rose, and said, “Agnette!”

      With a little leap, half-frightened,
   She withdrew some steps; then letting intuition smother fear
   In a place so long-accustomed, and as one whom thought enlightened,
      She replied: “What—_that_ voice?—here!”

      “Yes, Agnette!—And did the occasion
   Of our marching hither make you think I _might_ walk where we two—”
   “O, I often come,” she murmured with a moment’s coy evasion,
      “(’Tis not far),—and—think of you.”

      Then I took her hand, and led her
   To the ancient people’s stone whereon I had sat.  There now sat we;
   And together talked, until the first reluctant shyness fled her,
      And she spoke confidingly.

      “It is _just_ as ere we parted!”
   Said she, brimming high with joy.—“And when, then, came you here, and
   why?”
   “—Dear, I could not sleep for thinking of our trystings when
   twin-hearted.”
      She responded, “Nor could I.

      “There are few things I would rather
   Than be wandering at this spirit-hour—lone-lived, my kindred dead—
   On this wold of well-known feature I inherit from my father:
      Night or day, I have no dread . . .

      “O I wonder, wonder whether
   Any heartstring bore a signal-thrill between us twain or no?—
   Some such influence can, at times, they say, draw severed souls
   together.”
      I said, “Dear, we’ll dream it so.”

      Each one’s hand the other’s grasping,
   And a mutual forgiveness won, we sank to silent thought,
   A large content in us that seemed our rended lives reclasping,
      And contracting years to nought.

      Till I, maybe overweary
   From the lateness, and a wayfaring so full of strain and stress
   For one no longer buoyant, to a peak so steep and eery,
      Sank to slow unconsciousness . . .

      How long I slept I knew not,
   But the brief warm summer night had slid when, to my swift surprise,
   A red upedging sun, of glory chambered mortals view not,
      Was blazing on my eyes,

      From the Milton Woods to Dole-Hill
   All the spacious landscape lighting, and around about my feet
   Flinging tall thin tapering shadows from the meanest mound and
   mole-hill,
      And on trails the ewes had beat.

      She was sitting still beside me,
   Dozing likewise; and I turned to her, to take her hanging hand;
   When, the more regarding, that which like a spectre shook and tried me
      In her image then I scanned;

      That which Time’s transforming chisel
   Had been tooling night and day for twenty years, and tooled too well,
   In its rendering of crease where curve was, where was raven, grizzle—
      Pits, where peonies once did dwell.

      She had wakened, and perceiving
   (I surmise) my sigh and shock, my quite involuntary dismay,
   Up she started, and—her wasted figure all throughout it heaving—
      Said, “Ah, yes: I am _thus_ by day!

      “Can you really wince and wonder
   That the sunlight should reveal you such a thing of skin and bone,
   As if unaware a Death’s-head must of need lie not far under
      Flesh whose years out-count your own?

      “Yes: that movement was a warning
   Of the worth of man’s devotion!—Yes, Sir, I am _old_,” said she,
   “And the thing which should increase love turns it quickly into
   scorning—
      And your new-won heart from me!”

      Then she went, ere I could call her,
   With the too proud temper ruling that had parted us before,
   And I saw her form descend the slopes, and smaller grow and smaller,
      Till I caught its course no more . . .

      True; I might have dogged her downward;
   —But it _may_ be (though I know not) that this trick on us of Time
   Disconcerted and confused me.—Soon I bent my footsteps townward,
      Like to one who had watched a crime.

      Well I knew my native weakness,
   Well I know it still.  I cherished her reproach like physic-wine,
   For I saw in that emaciate shape of bitterness and bleakness
      A nobler soul than mine.

      Did I not return, then, ever?—
   Did we meet again?—mend all?—Alas, what greyhead perseveres!—
   Soon I got the Route elsewhither.—Since that hour I have seen her
   never:
      Love is lame at fifty years.



A TRAMPWOMAN’S TRAGEDY
(182–)


                                    I

   FROM Wynyard’s Gap the livelong day,
         The livelong day,
   We beat afoot the northward way
      We had travelled times before.
   The sun-blaze burning on our backs,
   Our shoulders sticking to our packs,
   By fosseway, fields, and turnpike tracks
      We skirted sad Sedge-Moor.

                                    II

   Full twenty miles we jaunted on,
         We jaunted on,—
   My fancy-man, and jeering John,
      And Mother Lee, and I.
   And, as the sun drew down to west,
   We climbed the toilsome Poldon crest,
   And saw, of landskip sights the best,
      The inn that beamed thereby.

                                   III

   For months we had padded side by side,
         Ay, side by side
   Through the Great Forest, Blackmoor wide,
      And where the Parret ran.
   We’d faced the gusts on Mendip ridge,
   Had crossed the Yeo unhelped by bridge,
   Been stung by every Marshwood midge,
      I and my fancy-man.

                                    IV

   Lone inns we loved, my man and I,
         My man and I;
   “King’s Stag,” “Windwhistle” high and dry,
      “The Horse” on Hintock Green,
   The cosy house at Wynyard’s Gap,
   “The Hut” renowned on Bredy Knap,
   And many another wayside tap
      Where folk might sit unseen.

                                    V

   Now as we trudged—O deadly day,
         O deadly day!—
   I teased my fancy-man in play
      And wanton idleness.
   I walked alongside jeering John,
   I laid his hand my waist upon;
   I would not bend my glances on
      My lover’s dark distress.

                                    VI

   Thus Poldon top at last we won,
         At last we won,
   And gained the inn at sink of sun
      Far-famed as “Marshal’s Elm.”
   Beneath us figured tor and lea,
   From Mendip to the western sea—
   I doubt if finer sight there be
      Within this royal realm.

                                   VII

   Inside the settle all a-row—
         All four a-row
   We sat, I next to John, to show
      That he had wooed and won.
   And then he took me on his knee,
   And swore it was his turn to be
   My favoured mate, and Mother Lee
      Passed to my former one.

                                   VIII

   Then in a voice I had never heard,
         I had never heard,
   My only Love to me: “One word,
      My lady, if you please!
   Whose is the child you are like to bear?—
   _His_?  After all my months o’ care?”
   God knows ’twas not!  But, O despair!
      I nodded—still to tease.

                                    IX

   Then up he sprung, and with his knife—
         And with his knife
   He let out jeering Johnny’s life,
      Yes; there, at set of sun.
   The slant ray through the window nigh
   Gilded John’s blood and glazing eye,
   Ere scarcely Mother Lee and I
      Knew that the deed was done.

                                    X

   The taverns tell the gloomy tale,
         The gloomy tale,
   How that at Ivel-chester jail
      My Love, my sweetheart swung;
   Though stained till now by no misdeed
   Save one horse ta’en in time o’ need;
   (Blue Jimmy stole right many a steed
      Ere his last fling he flung.)

                                    XI

   Thereaft I walked the world alone,
         Alone, alone!
   On his death-day I gave my groan
      And dropt his dead-born child.
   ’Twas nigh the jail, beneath a tree,
   None tending me; for Mother Lee
   Had died at Glaston, leaving me
      Unfriended on the wild.

                                   XII

   And in the night as I lay weak,
         As I lay weak,
   The leaves a-falling on my cheek,
      The red moon low declined—
   The ghost of him I’d die to kiss
   Rose up and said: “Ah, tell me this!
   Was the child mine, or was it his?
      Speak, that I rest may find!”

                                   XIII

   O doubt not but I told him then,
         I told him then,
   That I had kept me from all men
      Since we joined lips and swore.
   Whereat he smiled, and thinned away
   As the wind stirred to call up day . . .
   —’Tis past!  And here alone I stray
      Haunting the Western Moor.

NOTES.—“Windwhistle” (Stanza iv.).  The highness and dryness of
Windwhistle Inn was impressed upon the writer two or three years ago,
when, after climbing on a hot afternoon to the beautiful spot near which
it stands and entering the inn for tea, he was informed by the landlady
that none could be had, unless he would fetch water from a valley half a
mile off, the house containing not a drop, owing to its situation.
However, a tantalizing row of full barrels behind her back testified to a
wetness of a certain sort, which was not at that time desired.

“Marshal’s Elm” (Stanza vi.) so picturesquely situated, is no longer an
inn, though the house, or part of it, still remains.  It used to exhibit
a fine old swinging sign.

“Blue Jimmy” (Stanza x.) was a notorious horse-stealer of Wessex in those
days, who appropriated more than a hundred horses before he was caught,
among others one belonging to a neighbour of the writer’s grandfather.
He was hanged at the now demolished Ivel-chester or Ilchester jail above
mentioned—that building formerly of so many sinister associations in the
minds of the local peasantry, and the continual haunt of fever, which at
last led to its condemnation.  Its site is now an innocent-looking green
meadow.

_April_ 1902.



THE TWO ROSALINDS


                                    I

      THE dubious daylight ended,
   And I walked the Town alone, unminding whither bound and why,
   As from each gaunt street and gaping square a mist of light ascended
      And dispersed upon the sky.

                                    II

      Files of evanescent faces
   Passed each other without heeding, in their travail, teen, or joy,
   Some in void unvisioned listlessness inwrought with pallid traces
      Of keen penury’s annoy.

                                   III

      Nebulous flames in crystal cages
   Leered as if with discontent at city movement, murk, and grime,
   And as waiting some procession of great ghosts from bygone ages
      To exalt the ignoble time.

                                    IV

      In a colonnade high-lighted,
   By a thoroughfare where stern utilitarian traffic dinned,
   On a red and white emblazonment of players and parts, I sighted
      The name of “Rosalind,”

                                    V

      And her famous mates of “Arden,”
   Who observed no stricter customs than “the seasons’ difference” bade,
   Who lived with running brooks for books in Nature’s wildwood garden,
      And called idleness their trade . . .

                                    VI

      Now the poster stirred an ember
   Still remaining from my ardours of some forty years before,
   When the selfsame portal on an eve it thrilled me to remember
      A like announcement bore;

                                   VII

      And expectantly I had entered,
   And had first beheld in human mould a Rosalind woo and plead,
   On whose transcendent figuring my speedy soul had centred
      As it had been she indeed . . .

                                   VIII

      So; all other plans discarding,
   I resolved on entrance, bent on seeing what I once had seen,
   And approached the gangway of my earlier knowledge, disregarding
      The tract of time between.

                                    IX

      “The words, sir?” cried a creature
   Hovering mid the shine and shade as ’twixt the live world and the
   tomb;
   But the well-known numbers needed not for me a text or teacher
      To revive and re-illume.

                                    X

      Then the play . . . But how unfitted
   Was _this_ Rosalind!—a mammet quite to me, in memories nurst,
   And with chilling disappointment soon I sought the street I had
   quitted,
      To re-ponder on the first.

                                    XI

      The hag still hawked,—I met her
   Just without the colonnade.  “So you don’t like her, sir?” said she.
   “Ah—_I_ was once that Rosalind!—I acted her—none better—
      Yes—in eighteen sixty-three.

                                   XII

      “Thus I won Orlando to me
   In my then triumphant days when I had charm and maidenhood,
   Now some forty years ago.—I used to say, _Come woo me_, _woo me_!”
      And she struck the attitude.

                                   XIII

      It was when I had gone there nightly;
   And the voice—though raucous now—was yet the old one.—Clear as noon
   My Rosalind was here . . . Thereon the band withinside lightly
      Beat up a merry tune.



A SUNDAY MORNING TRAGEDY
(_circa_ 186–)


   I BORE a daughter flower-fair,
   In Pydel Vale, alas for me;
   I joyed to mother one so rare,
   But dead and gone I now would be.

   Men looked and loved her as she grew,
   And she was won, alas for me;
   She told me nothing, but I knew,
   And saw that sorrow was to be.

   I knew that one had made her thrall,
   A thrall to him, alas for me;
   And then, at last, she told me all,
   And wondered what her end would be.

   She owned that she had loved too well,
   Had loved too well, unhappy she,
   And bore a secret time would tell,
   Though in her shroud she’d sooner be.

   I plodded to her sweetheart’s door
   In Pydel Vale, alas for me:
   I pleaded with him, pleaded sore,
   To save her from her misery.

   He frowned, and swore he could not wed,
   Seven times he swore it could not be;
   “Poverty’s worse than shame,” he said,
   Till all my hope went out of me.

   “I’ve packed my traps to sail the main”—
   Roughly he spake, alas did he—
   “Wessex beholds me not again,
   ’Tis worse than any jail would be!”

   —There was a shepherd whom I knew,
   A subtle man, alas for me:
   I sought him all the pastures through,
   Though better I had ceased to be.

   I traced him by his lantern light,
   And gave him hint, alas for me,
   Of how she found her in the plight
   That is so scorned in Christendie.

   “Is there an herb . . . ?” I asked.  “Or none?”
   Yes, thus I asked him desperately.
   “—There is,” he said; “a certain one . . . ”
   Would he had sworn that none knew he!

   “To-morrow I will walk your way,”
   He hinted low, alas for me.—
   Fieldwards I gazed throughout next day;
   Now fields I never more would see!

   The sunset-shine, as curfew strook,
   As curfew strook beyond the lea,
   Lit his white smock and gleaming crook,
   While slowly he drew near to me.

   He pulled from underneath his smock
   The herb I sought, my curse to be—
   “At times I use it in my flock,”
   He said, and hope waxed strong in me.

   “’Tis meant to balk ill-motherings”—
   (Ill-motherings!  Why should they be?)—
   “If not, would God have sent such things?”
   So spoke the shepherd unto me.

   That night I watched the poppling brew,
   With bended back and hand on knee:
   I stirred it till the dawnlight grew,
   And the wind whiffled wailfully.

   “This scandal shall be slain,” said I,
   “That lours upon her innocency:
   I’ll give all whispering tongues the lie;”—
   But worse than whispers was to be.

   “Here’s physic for untimely fruit,”
   I said to her, alas for me,
   Early that morn in fond salute;
   And in my grave I now would be.

   —Next Sunday came, with sweet church chimes
   In Pydel Vale, alas for me:
   I went into her room betimes;
   No more may such a Sunday be!

   “Mother, instead of rescue nigh,”
   She faintly breathed, alas for me,
   “I feel as I were like to die,
   And underground soon, soon should be.”

   From church that noon the people walked
   In twos and threes, alas for me,
   Showed their new raiment—smiled and talked,
   Though sackcloth-clad I longed to be.

   Came to my door her lover’s friends,
   And cheerly cried, alas for me,
   “Right glad are we he makes amends,
   For never a sweeter bride can be.”

   My mouth dried, as ’twere scorched within,
   Dried at their words, alas for me:
   More and more neighbours crowded in,
   (O why should mothers ever be!)

   “Ha-ha!  Such well-kept news!” laughed they,
   Yes—so they laughed, alas for me.
   “Whose banns were called in church to-day?”—
   Christ, how I wished my soul could flee!

   “Where is she?  O the stealthy miss,”
   Still bantered they, alas for me,
   “To keep a wedding close as this . . .”
   Ay, Fortune worked thus wantonly!

   “But you are pale—you did not know?”
   They archly asked, alas for me,
   I stammered, “Yes—some days-ago,”
   While coffined clay I wished to be.

   “’Twas done to please her, we surmise?”
   (They spoke quite lightly in their glee)
   “Done by him as a fond surprise?”
   I thought their words would madden me.

   Her lover entered.  “Where’s my bird?—
   My bird—my flower—my picotee?
   First time of asking, soon the third!”
   Ah, in my grave I well may be.

   To me he whispered: “Since your call—”
   So spoke he then, alas for me—
   “I’ve felt for her, and righted all.”
   —I think of it to agony.

   “She’s faint to-day—tired—nothing more—”
   Thus did I lie, alas for me . . .
   I called her at her chamber door
   As one who scarce had strength to be.

   No voice replied.  I went within—
   O women! scourged the worst are we . . .
   I shrieked.  The others hastened in
   And saw the stroke there dealt on me.

   There she lay—silent, breathless, dead,
   Stone dead she lay—wronged, sinless she!—
   Ghost-white the cheeks once rosy-red:
   Death had took her.  Death took not me.

   I kissed her colding face and hair,
   I kissed her corpse—the bride to be!—
   My punishment I cannot bear,
   But pray God _not_ to pity me.

_January_ 1904.



THE HOUSE OF HOSPITALITIES


   HERE we broached the Christmas barrel,
      Pushed up the charred log-ends;
   Here we sang the Christmas carol,
         And called in friends.

   Time has tired me since we met here
      When the folk now dead were young,
   Since the viands were outset here
         And quaint songs sung.

   And the worm has bored the viol
      That used to lead the tune,
   Rust eaten out the dial
         That struck night’s noon.

   Now no Christmas brings in neighbours,
      And the New Year comes unlit;
   Where we sang the mole now labours,
         And spiders knit.

   Yet at midnight if here walking,
      When the moon sheets wall and tree,
   I see forms of old time talking,
         Who smile on me.



BEREFT


      IN the black winter morning
   No light will be struck near my eyes
   While the clock in the stairway is warning
   For five, when he used to rise.
         Leave the door unbarred,
         The clock unwound,
         Make my lone bed hard—
         Would ’twere underground!

      When the summer dawns clearly,
   And the appletree-tops seem alight,
   Who will undraw the curtain and cheerly
   Call out that the morning is bright?

      When I tarry at market
   No form will cross Durnover Lea
   In the gathering darkness, to hark at
   Grey’s Bridge for the pit-pat o’ me.

      When the supper crock’s steaming,
   And the time is the time of his tread,
   I shall sit by the fire and wait dreaming
   In a silence as of the dead.
         Leave the door unbarred,
         The clock unwound,
         Make my lone bed hard—
         Would ’twere underground!

1901.



JOHN AND JANE


                                    I

   HE sees the world as a boisterous place
   Where all things bear a laughing face,
   And humorous scenes go hourly on,
      Does John.

                                    II

   They find the world a pleasant place
   Where all is ecstasy and grace,
   Where a light has risen that cannot wane,
      Do John and Jane.

                                   III

   They see as a palace their cottage-place,
   Containing a pearl of the human race,
   A hero, maybe, hereafter styled,
      Do John and Jane with a baby-child.

                                    IV

   They rate the world as a gruesome place,
   Where fair looks fade to a skull’s grimace,—
   As a pilgrimage they would fain get done—
      Do John and Jane with their worthless son.



THE CURATE’S KINDNESS
A WORKHOUSE IRONY


                                    I

   I THOUGHT they’d be strangers aroun’ me,
      But she’s to be there!
   Let me jump out o’ waggon and go back and drown me
   At Pummery or Ten-Hatches Weir.

                                    II

   I thought: “Well, I’ve come to the Union—
      The workhouse at last—
   After honest hard work all the week, and Communion
   O’ Zundays, these fifty years past.

                                   III

   “’Tis hard; but,” I thought, “never mind it:
      There’s gain in the end:
   And when I get used to the place I shall find it
      A home, and may find there a friend.

                                    IV

   “Life there will be better than t’other.
      For peace is assured.
   _The men in one wing and their wives in another_
      Is strictly the rule of the Board.”

                                    V

   Just then one young Pa’son arriving
      Steps up out of breath
   To the side o’ the waggon wherein we were driving
      To Union; and calls out and saith:

                                    VI

   “Old folks, that harsh order is altered,
      Be not sick of heart!
   The Guardians they poohed and they pished and they paltered
      When urged not to keep you apart.

                                   VII

   “‘It is wrong,’ I maintained, ‘to divide them,
      Near forty years wed.’
   ‘Very well, sir.  We promise, then, they shall abide them
      In one wing together,’ they said.”

                                   VIII

   Then I sank—knew ’twas quite a foredone thing
      That misery should be
   To the end! . . . To get freed of her there was the one thing
      Had made the change welcome to me.

                                    IX

   To go there was ending but badly;
      ’Twas shame and ’twas pain;
   “But anyhow,” thought I, “thereby I shall gladly
      Get free of this forty years’ chain.”

                                    X

   I thought they’d be strangers aroun’ me,
      But she’s to be there!
   Let me jump out o’ waggon and go back and drown me
      At Pummery or Ten-Hatches Weir.



THE FLIRT’S TRAGEDY
(17–)


   HERE alone by the logs in my chamber,
      Deserted, decrepit—
   Spent flames limning ghosts on the wainscot
      Of friends I once knew—

   My drama and hers begins weirdly
      Its dumb re-enactment,
   Each scene, sigh, and circumstance passing
      In spectral review.

   —Wealth was mine beyond wish when I met her—
      The pride of the lowland—
   Embowered in Tintinhull Valley
      By laurel and yew;

   And love lit my soul, notwithstanding
      My features’ ill favour,
   Too obvious beside her perfections
      Of line and of hue.

   But it pleased her to play on my passion,
      And whet me to pleadings
   That won from her mirthful negations
      And scornings undue.

   Then I fled her disdains and derisions
      To cities of pleasure,
   And made me the crony of idlers
      In every purlieu.

   Of those who lent ear to my story,
      A needy Adonis
   Gave hint how to grizzle her garden
      From roses to rue,

   Could his price but be paid for so purging
      My scorner of scornings:
   Thus tempted, the lust to avenge me
      Germed inly and grew.

   I clothed him in sumptuous apparel,
      Consigned to him coursers,
   Meet equipage, liveried attendants
      In full retinue.

   So dowered, with letters of credit
      He wayfared to England,
   And spied out the manor she goddessed,
      And handy thereto,

   Set to hire him a tenantless mansion
      As coign-stone of vantage
   For testing what gross adulation
      Of beauty could do.

   He laboured through mornings and evens,
      On new moons and sabbaths,
   By wiles to enmesh her attention
      In park, path, and pew;

   And having afar played upon her,
      Advanced his lines nearer,
   And boldly outleaping conventions,
      Bent briskly to woo.

   His gay godlike face, his rare seeming
      Anon worked to win her,
   And later, at noontides and night-tides
      They held rendezvous.

   His tarriance full spent, he departed
      And met me in Venice,
   And lines from her told that my jilter
      Was stooping to sue.

   Not long could be further concealment,
      She pled to him humbly:
   “By our love and our sin, O protect me;
      I fly unto you!”

   A mighty remorse overgat me,
      I heard her low anguish,
   And there in the gloom of the _calle_
      My steel ran him through.

   A swift push engulphed his hot carrion
      Within the canal there—
   That still street of waters dividing
      The city in two.

   —I wandered awhile all unable
      To smother my torment,
   My brain racked by yells as from Tophet
      Of Satan’s whole crew.

   A month of unrest brought me hovering
      At home in her precincts,
   To whose hiding-hole local story
      Afforded a clue.

   Exposed, and expelled by her people,
      Afar off in London
   I found her alone, in a sombre
      And soul-stifling mew.

   Still burning to make reparation
      I pleaded to wive her,
   And father her child, and thus faintly
      My mischief undo.

   She yielded, and spells of calm weather
      Succeeded the tempest;
   And one sprung of him stood as scion
      Of my bone and thew . . .

   But Time unveils sorrows and secrets,
      And so it befell now:
   By inches the curtain was twitched at,
      And slowly undrew.

   As we lay, she and I, in the night-time,
      We heard the boy moaning:
   “O misery mine!  My false father
      Has murdered my true!”

   She gasped: yea, she heard; understood it.
      Next day the child fled us;
   And nevermore sighted was even
      A print of his shoe.

   Thenceforward she shunned me, and languished;
      Till one day the park-pool
   Embraced her fair form, and extinguished
      Her eyes’ living blue.

   —So; ask not what blast may account for
      This aspect of pallor,
   These bones that just prison within them
      Life’s poor residue;

   But pass by, and leave unregarded
      A Cain to his suffering,
   For vengeance too dark on the woman
      Whose lover he slew.



THE REJECTED MEMBER’S WIFE


   WE shall see her no more
      On the balcony,
   Smiling, while hurt, at the roar
      As of surging sea
   From the stormy sturdy band
      Who have doomed her lord’s cause,
   Though she waves her little hand
      As it were applause.

   Here will be candidates yet,
      And candidates’ wives,
   Fervid with zeal to set
      Their ideals on our lives:
   Here will come market-men
      On the market-days,
   Here will clash now and then
      More such party assays.

   And the balcony will fill
      When such times are renewed,
   And the throng in the street will thrill
      With to-day’s mettled mood;
   But she will no more stand
      In the sunshine there,
   With that wave of her white-gloved hand,
      And that chestnut hair.

_January_ 1906.



THE FARM-WOMAN’S WINTER


                                    I

   If seasons all were summers,
      And leaves would never fall,
   And hopping casement-comers
      Were foodless not at all,
   And fragile folk might be here
      That white winds bid depart;
   Then one I used to see here
      Would warm my wasted heart!

                                    II

   One frail, who, bravely tilling
      Long hours in gripping gusts,
   Was mastered by their chilling,
      And now his ploughshare rusts.
   So savage winter catches
      The breath of limber things,
   And what I love he snatches,
      And what I love not, brings.



AUTUMN IN KING’S
HINTOCK PARK


   HERE by the baring bough
      Raking up leaves,
   Often I ponder how
      Springtime deceives,—
   I, an old woman now,
      Raking up leaves.

   Here in the avenue
      Raking up leaves,
   Lords’ ladies pass in view,
      Until one heaves
   Sighs at life’s russet hue,
      Raking up leaves!

   Just as my shape you see
      Raking up leaves,
   I saw, when fresh and free,
      Those memory weaves
   Into grey ghosts by me,
      Raking up leaves.

   Yet, Dear, though one may sigh,
      Raking up leaves,
   New leaves will dance on high—
      Earth never grieves!—
   Will not, when missed am I
      Raking up leaves.

1901.



SHUT OUT THAT MOON


   CLOSE up the casement, draw the blind,
      Shut out that stealing moon,
   She wears too much the guise she wore
      Before our lutes were strewn
   With years-deep dust, and names we read
      On a white stone were hewn.

   Step not out on the dew-dashed lawn
      To view the Lady’s Chair,
   Immense Orion’s glittering form,
      The Less and Greater Bear:
   Stay in; to such sights we were drawn
      When faded ones were fair.

   Brush not the bough for midnight scents
      That come forth lingeringly,
   And wake the same sweet sentiments
      They breathed to you and me
   When living seemed a laugh, and love
      All it was said to be.

   Within the common lamp-lit room
      Prison my eyes and thought;
   Let dingy details crudely loom,
      Mechanic speech be wrought:
   Too fragrant was Life’s early bloom,
      Too tart the fruit it brought!

1904.



REMINISCENCES OF A DANCING MAN


                                    I

   WHO now remembers Almack’s balls—
      Willis’s sometime named—
   In those two smooth-floored upper halls
      For faded ones so famed?
   Where as we trod to trilling sound
   The fancied phantoms stood around,
      Or joined us in the maze,
   Of the powdered Dears from Georgian years,
   Whose dust lay in sightless sealed-up biers,
      The fairest of former days.

                                    II

   Who now remembers gay Cremorne,
      And all its jaunty jills,
   And those wild whirling figures born
      Of Jullien’s grand quadrilles?
   With hats on head and morning coats
   There footed to his prancing notes
      Our partner-girls and we;
   And the gas-jets winked, and the lustres clinked,
   And the platform throbbed as with arms enlinked
      We moved to the minstrelsy.

                                   III

   Who now recalls those crowded rooms
      Of old yclept “The Argyle,”
   Where to the deep Drum-polka’s booms
      We hopped in standard style?
   Whither have danced those damsels now!
   Is Death the partner who doth moue
      Their wormy chaps and bare?
   Do their spectres spin like sparks within
   The smoky halls of the Prince of Sin
      To a thunderous Jullien air?



THE DEAD MAN WALKING


   THEY hail me as one living,
      But don’t they know
   That I have died of late years,
      Untombed although?

   I am but a shape that stands here,
      A pulseless mould,
   A pale past picture, screening
      Ashes gone cold.

   Not at a minute’s warning,
      Not in a loud hour,
   For me ceased Time’s enchantments
      In hall and bower.

   There was no tragic transit,
      No catch of breath,
   When silent seasons inched me
      On to this death . . .

   —A Troubadour-youth I rambled
      With Life for lyre,
   The beats of being raging
      In me like fire.

   But when I practised eyeing
      The goal of men,
   It iced me, and I perished
      A little then.

   When passed my friend, my kinsfolk
      Through the Last Door,
   And left me standing bleakly,
      I died yet more;

   And when my Love’s heart kindled
      In hate of me,
   Wherefore I knew not, died I
      One more degree.

   And if when I died fully
      I cannot say,
   And changed into the corpse-thing
      I am to-day;

   Yet is it that, though whiling
      The time somehow
   In walking, talking, smiling,
      I live not now.



MORE LOVE LYRICS


1967


   IN five-score summers!  All new eyes,
   New minds, new modes, new fools, new wise;
   New woes to weep, new joys to prize;

   With nothing left of me and you
   In that live century’s vivid view
   Beyond a pinch of dust or two;

   A century which, if not sublime,
   Will show, I doubt not, at its prime,
   A scope above this blinkered time.

   —Yet what to me how far above?
   For I would only ask thereof
   That thy worm should be my worm, Love!

16 WESTBOURNE PARK VILLAS, 1867.



HER DEFINITION


   I LINGERED through the night to break of day,
   Nor once did sleep extend a wing to me,
   Intently busied with a vast array
   Of epithets that should outfigure thee.

   Full-featured terms—all fitless—hastened by,
   And this sole speech remained: “That maiden mine!”—
   Debarred from due description then did I
   Perceive the indefinite phrase could yet define.

   As common chests encasing wares of price
   Are borne with tenderness through halls of state,
   For what they cover, so the poor device
   Of homely wording I could tolerate,
   Knowing its unadornment held as freight
   The sweetest image outside Paradise.

W. P. V.,
Summer: 1866.



THE DIVISION


   RAIN on the windows, creaking doors,
      With blasts that besom the green,
   And I am here, and you are there,
      And a hundred miles between!

   O were it but the weather, Dear,
      O were it but the miles
   That summed up all our severance,
      There might be room for smiles.

   But that thwart thing betwixt us twain,
      Which nothing cleaves or clears,
   Is more than distance, Dear, or rain,
      And longer than the years!

1893.



ON THE DEPARTURE PLATFORM


   WE kissed at the barrier; and passing through
   She left me, and moment by moment got
   Smaller and smaller, until to my view
      She was but a spot;

   A wee white spot of muslin fluff
   That down the diminishing platform bore
   Through hustling crowds of gentle and rough
      To the carriage door.

   Under the lamplight’s fitful glowers,
   Behind dark groups from far and near,
   Whose interests were apart from ours,
      She would disappear,

   Then show again, till I ceased to see
   That flexible form, that nebulous white;
   And she who was more than my life to me
      Had vanished quite . . .

   We have penned new plans since that fair fond day,
   And in season she will appear again—
   Perhaps in the same soft white array—
      But never as then!

   —“And why, young man, must eternally fly
   A joy you’ll repeat, if you love her well?”
   —O friend, nought happens twice thus; why,
      I cannot tell!



IN A CATHEDRAL CITY


   THESE people have not heard your name;
   No loungers in this placid place
   Have helped to bruit your beauty’s fame.

   The grey Cathedral, towards whose face
   Bend eyes untold, has met not yours;
   Your shade has never swept its base,

   Your form has never darked its doors,
   Nor have your faultless feet once thrown
   A pensive pit-pat on its floors.

   Along the street to maids well known
   Blithe lovers hum their tender airs,
   But in your praise voice not a tone.

   —Since nought bespeaks you here, or bears,
   As I, your imprint through and through,
   Here might I rest, till my heart shares
   The spot’s unconsciousness of you!

SALISBURY.



“I SAY I’LL SEEK HER”


   I SAY, “I’ll seek her side
      Ere hindrance interposes;”
      But eve in midnight closes,
   And here I still abide.

   When darkness wears I see
      Her sad eyes in a vision;
      They ask, “What indecision
   Detains you, Love, from me?—

   “The creaking hinge is oiled,
      I have unbarred the backway,
      But you tread not the trackway;
   And shall the thing be spoiled?

   “Far cockcrows echo shrill,
      The shadows are abating,
      And I am waiting, waiting;
   But O, you tarry still!”



HER FATHER


   I MET her, as we had privily planned,
   Where passing feet beat busily:
   She whispered: “Father is at hand!
      He wished to walk with me.”

   His presence as he joined us there
   Banished our words of warmth away;
   We felt, with cloudings of despair,
      What Love must lose that day.

   Her crimson lips remained unkissed,
   Our fingers kept no tender hold,
   His lack of feeling made the tryst
      Embarrassed, stiff, and cold.

   A cynic ghost then rose and said,
   “But is his love for her so small
   That, nigh to yours, it may be read
      As of no worth at all?

   “You love her for her pink and white;
   But what when their fresh splendours close?
   His love will last her in despite
      Of Time, and wrack, and foes.”

WEYMOUTH.



AT WAKING


      WHEN night was lifting,
   And dawn had crept under its shade,
      Amid cold clouds drifting
   Dead-white as a corpse outlaid,
         With a sudden scare
         I seemed to behold
         My Love in bare
         Hard lines unfold.

      Yea, in a moment,
   An insight that would not die
      Killed her old endowment
   Of charm that had capped all nigh,
         Which vanished to none
         Like the gilt of a cloud,
         And showed her but one
         Of the common crowd.

      She seemed but a sample
   Of earth’s poor average kind,
      Lit up by no ample
   Enrichments of mien or mind.
         I covered my eyes
         As to cover the thought,
         And unrecognize
         What the morn had taught.

      O vision appalling
   When the one believed-in thing
      Is seen falling, falling,
   With all to which hope can cling.
         Off: it is not true;
         For it cannot be
         That the prize I drew
         Is a blank to me!

WEYMOUTH, 1869.



FOUR FOOTPRINTS


   HERE are the tracks upon the sand
   Where stood last evening she and I—
   Pressed heart to heart and hand to hand;
   The morning sun has baked them dry.

   I kissed her wet face—wet with rain,
   For arid grief had burnt up tears,
   While reached us as in sleeping pain
   The distant gurgling of the weirs.

   “I have married him—yes; feel that ring;
   ’Tis a week ago that he put it on . . .
   A dutiful daughter does this thing,
   And resignation succeeds anon!

   “But that I body and soul was yours
   Ere he’d possession, he’ll never know.
   He’s a confident man.  ‘The husband scores,’
   He says, ‘in the long run’ . . . Now, Dear, go!”

   I went.  And to-day I pass the spot;
   It is only a smart the more to endure;
   And she whom I held is as though she were not,
   For they have resumed their honeymoon tour.



IN THE VAULTED WAY


   IN the vaulted way, where the passage turned
   To the shadowy corner that none could see,
   You paused for our parting,—plaintively;
   Though overnight had come words that burned
   My fond frail happiness out of me.

   And then I kissed you,—despite my thought
   That our spell must end when reflection came
   On what you had deemed me, whose one long aim
   Had been to serve you; that what I sought
   Lay not in a heart that could breathe such blame.

   But yet I kissed you; whereon you again
   As of old kissed me.  Why, why was it so?
   Do you cleave to me after that light-tongued blow?
   If you scorned me at eventide, how love then?
   The thing is dark, Dear.  I do not know.



IN THE MIND’S EYE


   THAT was once her casement,
      And the taper nigh,
   Shining from within there,
      Beckoned, “Here am I!”

   Now, as then, I see her
      Moving at the pane;
   Ah; ’tis but her phantom
      Borne within my brain!—

   Foremost in my vision
      Everywhere goes she;
   Change dissolves the landscapes,
      She abides with me.

   Shape so sweet and shy, Dear,
      Who can say thee nay?
   Never once do I, Dear,
      Wish thy ghost away.



THE END OF THE EPISODE


      INDULGE no more may we
   In this sweet-bitter pastime:
   The love-light shines the last time
      Between you, Dear, and me.

      There shall remain no trace
   Of what so closely tied us,
   And blank as ere love eyed us
      Will be our meeting-place.

      The flowers and thymy air,
   Will they now miss our coming?
   The dumbles thin their humming
      To find we haunt not there?

      Though fervent was our vow,
   Though ruddily ran our pleasure,
   Bliss has fulfilled its measure,
      And sees its sentence now.

      Ache deep; but make no moans:
   Smile out; but stilly suffer:
   The paths of love are rougher
      Than thoroughfares of stones.



THE SIGH


   LITTLE head against my shoulder,
   Shy at first, then somewhat bolder,
      And up-eyed;
   Till she, with a timid quaver,
   Yielded to the kiss I gave her;
      But, she sighed.

   That there mingled with her feeling
   Some sad thought she was concealing
      It implied.
   —Not that she had ceased to love me,
   None on earth she set above me;
      But she sighed.

   She could not disguise a passion,
   Dread, or doubt, in weakest fashion
      If she tried:
   Nothing seemed to hold us sundered,
   Hearts were victors; so I wondered
      Why she sighed.

   Afterwards I knew her throughly,
   And she loved me staunchly, truly,
      Till she died;
   But she never made confession
   Why, at that first sweet concession,
      She had sighed.

   It was in our May, remember;
   And though now I near November,
      And abide
   Till my appointed change, unfretting,
   Sometimes I sit half regretting
      That she sighed.



“IN THE NIGHT SHE CAME”


   I TOLD her when I left one day
   That whatsoever weight of care
   Might strain our love, Time’s mere assault
      Would work no changes there.
   And in the night she came to me,
      Toothless, and wan, and old,
   With leaden concaves round her eyes,
      And wrinkles manifold.

   I tremblingly exclaimed to her,
   “O wherefore do you ghost me thus!
   I have said that dull defacing Time
      Will bring no dreads to us.”
   “And is that true of _you_?” she cried
      In voice of troubled tune.
   I faltered: “Well . . . I did not think
      You would test me quite so soon!”

   She vanished with a curious smile,
   Which told me, plainlier than by word,
   That my staunch pledge could scarce beguile
      The fear she had averred.
   Her doubts then wrought their shape in me,
      And when next day I paid
   My due caress, we seemed to be
      Divided by some shade.



THE CONFORMERS


      YES; we’ll wed, my little fay,
      And you shall write you mine,
   And in a villa chastely gray
      We’ll house, and sleep, and dine.
      But those night-screened, divine,
      Stolen trysts of heretofore,
   We of choice ecstasies and fine
         Shall know no more.

      The formal faced cohue
      Will then no more upbraid
   With smiting smiles and whisperings two
      Who have thrown less loves in shade.
      We shall no more evade
      The searching light of the sun,
   Our game of passion will be played,
         Our dreaming done.

      We shall not go in stealth
      To rendezvous unknown,
   But friends will ask me of your health,
      And you about my own.
      When we abide alone,
      No leapings each to each,
   But syllables in frigid tone
         Of household speech.

      When down to dust we glide
      Men will not say askance,
   As now: “How all the country side
      Rings with their mad romance!”
      But as they graveward glance
      Remark: “In them we lose
   A worthy pair, who helped advance
         Sound parish views.”



THE DAWN AFTER THE DANCE


   HERE is your parents’ dwelling with its curtained windows telling
   Of no thought of us within it or of our arrival here;
   Their slumbers have been normal after one day more of formal
   Matrimonial commonplace and household life’s mechanic gear.

   I would be candid willingly, but dawn draws on so chillingly
   As to render further cheerlessness intolerable now,
   So I will not stand endeavouring to declare a day for severing,
   But will clasp you just as always—just the olden love avow.

   Through serene and surly weather we have walked the ways together,
   And this long night’s dance this year’s end eve now finishes the
   spell;
   Yet we dreamt us but beginning a sweet sempiternal spinning
   Of a cord we have spun to breaking—too intemperately, too well.

   Yes; last night we danced I know, Dear, as we did that year ago, Dear,
   When a new strange bond between our days was formed, and felt, and
   heard;
   Would that dancing were the worst thing from the latest to the first
   thing
   That the faded year can charge us with; but what avails a word!

   That which makes man’s love the lighter and the woman’s burn no
   brighter
   Came to pass with us inevitably while slipped the shortening year . .
   .
   And there stands your father’s dwelling with its blind bleak windows
   telling
   That the vows of man and maid are frail as filmy gossamere.

WEYMOUTH, 1869.



THE SUN ON THE LETTER


   I DREW the letter out, while gleamed
   The sloping sun from under a roof
   Of cloud whose verge rose visibly.

   The burning ball flung rays that seemed
   Stretched like a warp without a woof
   Across the levels of the lea

   To where I stood, and where they beamed
   As brightly on the page of proof
   That she had shown her false to me

   As if it had shown her true—had teemed
   With passionate thought for my behoof
   Expressed with their own ardency!



THE NIGHT OF THE DANCE


   THE cold moon hangs to the sky by its horn,
      And centres its gaze on me;
   The stars, like eyes in reverie,
   Their westering as for a while forborne,
      Quiz downward curiously.

   Old Robert draws the backbrand in,
      The green logs steam and spit;
   The half-awakened sparrows flit
   From the riddled thatch; and owls begin
      To whoo from the gable-slit.

   Yes; far and nigh things seem to know
      Sweet scenes are impending here;
   That all is prepared; that the hour is near
   For welcomes, fellowships, and flow
      Of sally, song, and cheer;

   That spigots are pulled and viols strung;
      That soon will arise the sound
   Of measures trod to tunes renowned;
   That She will return in Love’s low tongue
      My vows as we wheel around.



MISCONCEPTION


   I BUSIED myself to find a sure
         Snug hermitage
   That should preserve my Love secure
         From the world’s rage;
   Where no unseemly saturnals,
      Or strident traffic-roars,
   Or hum of intervolved cabals
      Should echo at her doors.

   I laboured that the diurnal spin
         Of vanities
   Should not contrive to suck her in
         By dark degrees,
   And cunningly operate to blur
      Sweet teachings I had begun;
   And then I went full-heart to her
      To expound the glad deeds done.

   She looked at me, and said thereto
         With a pitying smile,
   “And _this_ is what has busied you
         So long a while?
   O poor exhausted one, I see
      You have worn you old and thin
   For naught!  Those moils you fear for me
      I find most pleasure in!”



THE VOICE OF THE THORN


                                    I

   WHEN the thorn on the down
   Quivers naked and cold,
   And the mid-aged and old
   Pace the path there to town,
   In these words dry and drear
   It seems to them sighing:
   “O winter is trying
   To sojourners here!”

                                    II

   When it stands fully tressed
   On a hot summer day,
   And the ewes there astray
   Find its shade a sweet rest,
   By the breath of the breeze
   It inquires of each farer:
   “Who would not be sharer
   Of shadow with these?”

                                   III

   But by day or by night,
   And in winter or summer,
   Should I be the comer
   Along that lone height,
   In its voicing to me
   Only one speech is spoken:
   “Here once was nigh broken
   A heart, and by thee.”



FROM HER IN THE COUNTRY


   I THOUGHT and thought of thy crass clanging town
   To folly, till convinced such dreams were ill,
   I held my heart in bond, and tethered down
   Fancy to where I was, by force of will.

   I said: How beautiful are these flowers, this wood,
   One little bud is far more sweet to me
   Than all man’s urban shows; and then I stood
   Urging new zest for bird, and bush, and tree;

   And strove to feel my nature brought it forth
   Of instinct, or no rural maid was I;
   But it was vain; for I could not see worth
   Enough around to charm a midge or fly,

   And mused again on city din and sin,
   Longing to madness I might move therein!

16 W. P. V., 1866.



HER CONFESSION


   AS some bland soul, to whom a debtor says
   “I’ll now repay the amount I owe to you,”
   In inward gladness feigns forgetfulness
   That such a payment ever was his due

   (His long thought notwithstanding), so did I
   At our last meeting waive your proffered kiss
   With quick divergent talk of scenery nigh,
   By such suspension to enhance my bliss.

   And as his looks in consternation fall
   When, gathering that the debt is lightly deemed,
   The debtor makes as not to pay at all,
   So faltered I, when your intention seemed

   Converted by my false uneagerness
   To putting off for ever the caress.

W. P. V., 1865–67.



TO AN IMPERSONATOR OF ROSALIND


   DID he who drew her in the years ago—
   Till now conceived creator of her grace—
   With telescopic sight high natures know,
   Discern remote in Time’s untravelled space

   Your soft sweet mien, your gestures, as do we,
   And with a copyist’s hand but set them down,
   Glowing yet more to dream our ecstasy
   When his Original should be forthshown?

   For, kindled by that animated eye,
   Whereto all fairnesses about thee brim,
   And by thy tender tones, what wight can fly
   The wild conviction welling up in him

   That he at length beholds woo, parley, plead,
   The “very, very Rosalind” indeed!

8 ADELPHI TERRACE, 21_st_ _April_ 1867.



TO AN ACTRESS


   I READ your name when you were strange to me,
   Where it stood blazoned bold with many more;
   I passed it vacantly, and did not see
   Any great glory in the shape it wore.

   O cruelty, the insight barred me then!
   Why did I not possess me with its sound,
   And in its cadence catch and catch again
   Your nature’s essence floating therearound?

   Could _that_ man be this I, unknowing you,
   When now the knowing you is all of me,
   And the old world of then is now a new,
   And purpose no more what it used to be—
   A thing of formal journeywork, but due
   To springs that then were sealed up utterly?

1867.



THE MINUTE BEFORE MEETING


   THE grey gaunt days dividing us in twain
   Seemed hopeless hills my strength must faint to climb,
   But they are gone; and now I would detain
   The few clock-beats that part us; rein back Time,

   And live in close expectance never closed
   In change for far expectance closed at last,
   So harshly has expectance been imposed
   On my long need while these slow blank months passed.

   And knowing that what is now about to be
   Will all _have been_ in O, so short a space!
   I read beyond it my despondency
   When more dividing months shall take its place,
   Thereby denying to this hour of grace
   A full-up measure of felicity.

1871.



HE ABJURES LOVE


   AT last I put off love,
      For twice ten years
   The daysman of my thought,
      And hope, and doing;
   Being ashamed thereof,
      And faint of fears
   And desolations, wrought
   In his pursuing,

   Since first in youthtime those
      Disquietings
   That heart-enslavement brings
      To hale and hoary,
   Became my housefellows,
      And, fool and blind,
   I turned from kith and kind
      To give him glory.

   I was as children be
      Who have no care;
   I did not shrink or sigh,
      I did not sicken;
   But lo, Love beckoned me,
      And I was bare,
   And poor, and starved, and dry,
      And fever-stricken.

   Too many times ablaze
      With fatuous fires,
   Enkindled by his wiles
      To new embraces,
   Did I, by wilful ways
      And baseless ires,
   Return the anxious smiles
      Of friendly faces.

   No more will now rate I
      The common rare,
   The midnight drizzle dew,
      The gray hour golden,
   The wind a yearning cry,
      The faulty fair,
   Things dreamt, of comelier hue
      Than things beholden! . . .

   —I speak as one who plumbs
      Life’s dim profound,
   One who at length can sound
      Clear views and certain.
   But—after love what comes?
      A scene that lours,
   A few sad vacant hours,
      And then, the Curtain.

1883.



A SET OF COUNTRY SONGS


LET ME ENJOY


                               (MINOR KEY)

                                    I

   LET me enjoy the earth no less
   Because the all-enacting Might
   That fashioned forth its loveliness
   Had other aims than my delight.

                                    II

   About my path there flits a Fair,
   Who throws me not a word or sign;
   I’ll charm me with her ignoring air,
   And laud the lips not meant for mine.

                                   III

   From manuscripts of moving song
   Inspired by scenes and dreams unknown
   I’ll pour out raptures that belong
   To others, as they were my own.

                                    IV

   And some day hence, towards Paradise,
   And all its blest—if such should be—
   I will lift glad, afar-off eyes,
   Though it contain no place for me.



AT CASTERBRIDGE FAIR


I
The Ballad-Singer


   SING, Ballad-singer, raise a hearty tune;
   Make me forget that there was ever a one
   I walked with in the meek light of the moon
      When the day’s work was done.

   Rhyme, Ballad-rhymer, start a country song;
   Make me forget that she whom I loved well
   Swore she would love me dearly, love me long,
      Then—what I cannot tell!

   Sing, Ballad-singer, from your little book;
   Make me forget those heart-breaks, achings, fears;
   Make me forget her name, her sweet sweet look—
      Make me forget her tears.


II
Former Beauties


   THESE market-dames, mid-aged, with lips thin-drawn,
      And tissues sere,
   Are they the ones we loved in years agone,
      And courted here?

   Are these the muslined pink young things to whom
      We vowed and swore
   In nooks on summer Sundays by the Froom,
      Or Budmouth shore?

   Do they remember those gay tunes we trod
      Clasped on the green;
   Aye; trod till moonlight set on the beaten sod
      A satin sheen?

   They must forget, forget!  They cannot know
      What once they were,
   Or memory would transfigure them, and show
      Them always fair.


III
AFTER THE CLUB-DANCE


   BLACK’ON frowns east on Maidon,
      And westward to the sea,
   But on neither is his frown laden
      With scorn, as his frown on me!

   At dawn my heart grew heavy,
      I could not sip the wine,
   I left the jocund bevy
      And that young man o’ mine.

   The roadside elms pass by me,—
      Why do I sink with shame
   When the birds a-perch there eye me?
      They, too, have done the same!


IV
THE MARKET-GIRL


   NOBODY took any notice of her as she stood on the causey kerb,
   All eager to sell her honey and apples and bunches of garden herb;
   And if she had offered to give her wares and herself with them too
   that day,
   I doubt if a soul would have cared to take a bargain so choice away.

   But chancing to trace her sunburnt grace that morning as I passed
   nigh,
   I went and I said “Poor maidy dear!—and will none of the people buy?”
   And so it began; and soon we knew what the end of it all must be,
   And I found that though no others had bid, a prize had been won by me.


V
THE INQUIRY


   AND are ye one of Hermitage—
   Of Hermitage, by Ivel Road,
   And do ye know, in Hermitage
   A thatch-roofed house where sengreens grow?
   And does John Waywood live there still—
   He of the name that there abode
   When father hurdled on the hill
      Some fifteen years ago?

   Does he now speak o’ Patty Beech,
   The Patty Beech he used to—see,
   Or ask at all if Patty Beech
   Is known or heard of out this way?
   —Ask ever if she’s living yet,
   And where her present home may be,
   And how she bears life’s fag and fret
      After so long a day?

   In years agone at Hermitage
   This faded face was counted fair,
   None fairer; and at Hermitage
   We swore to wed when he should thrive.
   But never a chance had he or I,
   And waiting made his wish outwear,
   And Time, that dooms man’s love to die,
      Preserves a maid’s alive.


VI
A WIFE WAITS


   WILL’S at the dance in the Club-room below,
      Where the tall liquor-cups foam;
   I on the pavement up here by the Bow,
      Wait, wait, to steady him home.

   Will and his partner are treading a tune,
      Loving companions they be;
   Willy, before we were married in June,
      Said he loved no one but me;

   Said he would let his old pleasures all go
      Ever to live with his Dear.
   Will’s at the dance in the Club-room below,
      Shivering I wait for him here.

NOTE.—“The Bow” (line 3).  The old name for the curved corner by the
cross-streets in the middle of Casterbridge.


VII
AFTER THE FAIR


   THE singers are gone from the Cornmarket-place
         With their broadsheets of rhymes,
   The street rings no longer in treble and bass
         With their skits on the times,
   And the Cross, lately thronged, is a dim naked space
      That but echoes the stammering chimes.

   From Clock-corner steps, as each quarter ding-dongs,
         Away the folk roam
   By the “Hart” and Grey’s Bridge into byways and “drongs,”
         Or across the ridged loam;
   The younger ones shrilling the lately heard songs,
      The old saying, “Would we were home.”

   The shy-seeming maiden so mute in the fair
         Now rattles and talks,
   And that one who looked the most swaggering there
         Grows sad as she walks,
   And she who seemed eaten by cankering care
      In statuesque sturdiness stalks.

   And midnight clears High Street of all but the ghosts
         Of its buried burghees,
   From the latest far back to those old Roman hosts
         Whose remains one yet sees,
   Who loved, laughed, and fought, hailed their friends, drank their
   toasts
      At their meeting-times here, just as these!

1902.

NOTE.—“The Chimes” (line 6) will be listened for in vain here at midnight
now, having been abolished some years ago.



THE DARK-EYED GENTLEMAN


                                    I

   I PITCHED my day’s leazings in Crimmercrock Lane,
   To tie up my garter and jog on again,
   When a dear dark-eyed gentleman passed there and said,
   In a way that made all o’ me colour rose-red,
      “What do I see—
      O pretty knee!”
   And he came and he tied up my garter for me.

                                    II

   ’Twixt sunset and moonrise it was, I can mind:
   Ah, ’tis easy to lose what we nevermore find!—
   Of the dear stranger’s home, of his name, I knew nought,
   But I soon knew his nature and all that it brought.
      Then bitterly
      Sobbed I that he
   Should ever have tied up my garter for me!

                                   III

   Yet now I’ve beside me a fine lissom lad,
   And my slip’s nigh forgot, and my days are not sad;
   My own dearest joy is he, comrade, and friend,
   He it is who safe-guards me, on him I depend;
      No sorrow brings he,
      And thankful I be
   That his daddy once tied up my garter for me!

NOTE.—“Leazings” (line 1).—Bundle of gleaned corn.



TO CARREY CLAVEL


   YOU turn your back, you turn your back,
      And never your face to me,
   Alone you take your homeward track,
      And scorn my company.

   What will you do when Charley’s seen
      Dewbeating down this way?
   —You’ll turn your back as now, you mean?
      Nay, Carrey Clavel, nay!

   You’ll see none’s looking; put your lip
      Up like a tulip, so;
   And he will coll you, bend, and sip:
      Yes, Carrey, yes; I know!



THE ORPHANED OLD MAID


   I WANTED to marry, but father said, “No—
   ’Tis weakness in women to give themselves so;
   If you care for your freedom you’ll listen to me,
   Make a spouse in your pocket, and let the men be.”

   I spake on’t again and again: father cried,
   “Why—if you go husbanding, where shall I bide?
   For never a home’s for me elsewhere than here!”
   And I yielded; for father had ever been dear.

   But now father’s gone, and I feel growing old,
   And I’m lonely and poor in this house on the wold,
   And my sweetheart that was found a partner elsewhere,
   And nobody flings me a thought or a care.



THE SPRING CALL


   DOWN Wessex way, when spring’s a-shine,
      The blackbird’s “pret-ty de-urr!”
   In Wessex accents marked as mine
      Is heard afar and near.

   He flutes it strong, as if in song
      No R’s of feebler tone
   Than his appear in “pretty dear,”
      Have blackbirds ever known.

   Yet they pipe “prattie deerh!” I glean,
      Beneath a Scottish sky,
   And “pehty de-aw!” amid the treen
      Of Middlesex or nigh.

   While some folk say—perhaps in play—
      Who know the Irish isle,
   ’Tis “purrity dare!” in treeland there
      When songsters would beguile.

   Well: I’ll say what the listening birds
      Say, hearing “pret-ty de-urr!”—
   However strangers sound such words,
      That’s how we sound them here.

   Yes, in this clime at pairing time,
      As soon as eyes can see her
   At dawn of day, the proper way
      To call is “pret-ty de-urr!”



JULIE-JANE


      SING; how ’a would sing!
      How ’a would raise the tune
   When we rode in the waggon from harvesting
         By the light o’ the moon!

      Dance; how ’a would dance!
      If a fiddlestring did but sound
   She would hold out her coats, give a slanting glance,
         And go round and round.

      Laugh; how ’a would laugh!
      Her peony lips would part
   As if none such a place for a lover to quaff
         At the deeps of a heart.

      Julie, O girl of joy,
      Soon, soon that lover he came.
   Ah, yes; and gave thee a baby-boy,
         But never his name . . .

      —Tolling for her, as you guess;
      And the baby too . . . ’Tis well.
   You knew her in maidhood likewise?—Yes,
         That’s her burial bell.

      “I suppose,” with a laugh, she said,
      “I should blush that I’m not a wife;
   But how can it matter, so soon to be dead,
         What one does in life!”

      When we sat making the mourning
      By her death-bed side, said she,
   “Dears, how can you keep from your lovers, adorning
         In honour of me!”

      Bubbling and brightsome eyed!
      But now—O never again.
   She chose her bearers before she died
         From her fancy-men.

NOTE.—It is, or was, a common custom in Wessex, and probably other
country places, to prepare the mourning beside the death-bed, the dying
person sometimes assisting, who also selects his or her bearers on such
occasions.

“Coats” (line 7).—Old name for petticoats.



NEWS FOR HER MOTHER


                                    I

      ONE mile more is
      Where your door is
         Mother mine!—
      Harvest’s coming,
      Mills are strumming,
         Apples fine,
   And the cider made to-year will be as wine.

                                    II

      Yet, not viewing
      What’s a-doing
         Here around
      Is it thrills me,
      And so fills me
         That I bound
   Like a ball or leaf or lamb along the ground.

                                   III

      Tremble not now
      At your lot now,
         Silly soul!
      Hosts have sped them
      Quick to wed them,
         Great and small,
   Since the first two sighing half-hearts made a whole.

                                    IV

      Yet I wonder,
      Will it sunder
         Her from me?
      Will she guess that
      I said “Yes,”—that
         His I’d be,
   Ere I thought she might not see him as I see!

                                    V

      Old brown gable,
      Granary, stable,
         Here you are!
      O my mother,
      Can another
         Ever bar
   Mine from thy heart, make thy nearness seem afar?



THE FIDDLER


   THE fiddler knows what’s brewing
      To the lilt of his lyric wiles:
   The fiddler knows what rueing
      Will come of this night’s smiles!

   He sees couples join them for dancing,
      And afterwards joining for life,
   He sees them pay high for their prancing
      By a welter of wedded strife.

   He twangs: “Music hails from the devil,
      Though vaunted to come from heaven,
   For it makes people do at a revel
      What multiplies sins by seven.

   “There’s many a heart now mangled,
      And waiting its time to go,
   Whose tendrils were first entangled
      By my sweet viol and bow!”



THE HUSBAND’S VIEW


   “CAN anything avail
   Beldame, for my hid grief?—
   Listen: I’ll tell the tale,
   It may bring faint relief!—

   “I came where I was not known,
   In hope to flee my sin;
   And walking forth alone
   A young man said, ‘Good e’en.’

   “In gentle voice and true
   He asked to marry me;
   ‘You only—only you
   Fulfil my dream!’ said he.

   “We married o’ Monday morn,
   In the month of hay and flowers;
   My cares were nigh forsworn,
   And perfect love was ours.

   “But ere the days are long
   Untimely fruit will show;
   My Love keeps up his song,
   Undreaming it is so.

   “And I awake in the night,
   And think of months gone by,
   And of that cause of flight
   Hidden from my Love’s eye.

   “Discovery borders near,
   And then! . . . But something stirred?—
   My husband—he is here!
   Heaven—has he overheard?”—

   “Yes; I have heard, sweet Nan;
   I have known it all the time.
   I am not a particular man;
   Misfortunes are no crime:

   “And what with our serious need
   Of sons for soldiering,
   That accident, indeed,
   To maids, is a useful thing!”



ROSE-ANN


   WHY didn’t you say you was promised, Rose-Ann?
      Why didn’t you name it to me,
   Ere ever you tempted me hither, Rose-Ann,
      So often, so wearifully?

   O why did you let me be near ’ee, Rose-Ann,
      Talking things about wedlock so free,
   And never by nod or by whisper, Rose-Ann,
      Give a hint that it wasn’t to be?

   Down home I was raising a flock of stock ewes,
      Cocks and hens, and wee chickens by scores,
   And lavendered linen all ready to use,
      A-dreaming that they would be yours.

   Mother said: “She’s a sport-making maiden, my son”;
      And a pretty sharp quarrel had we;
   O why do you prove by this wrong you have done
      That I saw not what mother could see?

   Never once did you say you was promised, Rose-Ann,
      Never once did I dream it to be;
   And it cuts to the heart to be treated, Rose-Ann,
      As you in your scorning treat me!



THE HOMECOMING


   _GRUFFLY growled the wind on Toller downland broad and bare_,
   _And lonesome was the house_, _and dark_; _and few came there_.

   “Now don’t ye rub your eyes so red; we’re home and have no cares;
   Here’s a skimmer-cake for supper, peckled onions, and some pears;
   I’ve got a little keg o’ summat strong, too, under stairs:
   —What, slight your husband’s victuals?  Other brides can tackle
   theirs!”

   _The wind of winter mooed and mouthed their chimney like a horn_,
   _And round the house and past the house ’twas leafless and lorn_.

   “But my dear and tender poppet, then, how came ye to agree
   In Ivel church this morning?  Sure, there-right you married me!”
   —“Hoo-hoo!—I don’t know—I forgot how strange and far ’twould be,
   An’ I wish I was at home again with dear daddee!”

   _Gruffly growled the wind on Toller downland broad and bare_,
   _And lonesome was the house and dark_; _and few came there_.

   “I didn’t think such furniture as this was all you’d own,
   And great black beams for ceiling, and a floor o’ wretched stone,
   And nasty pewter platters, horrid forks of steel and bone,
   And a monstrous crock in chimney.  ’Twas to me quite unbeknown!”

   _Rattle rattle went the door_; _down flapped a cloud of smoke_,
   _As shifting north the wicked wind assayed a smarter stroke_.

   “Now sit ye by the fire, poppet; put yourself at ease:
   And keep your little thumb out of your mouth, dear, please!
   And I’ll sing to ’ee a pretty song of lovely flowers and bees,
   And happy lovers taking walks within a grove o’ trees.”

   _Gruffly growled the wind on Toller Down_, _so bleak and bare_,
   _And lonesome was the house_, _and dark_; _and few came there_.

   “Now, don’t ye gnaw your handkercher; ’twill hurt your little tongue,
   And if you do feel spitish, ’tis because ye are over young;
   But you’ll be getting older, like us all, ere very long,
   And you’ll see me as I am—a man who never did ’ee wrong.”

   _Straight from Whit’sheet Hill to Benvill Lane the blusters pass_,
   _Hitting hedges_, _milestones_, _handposts_, _trees_, _and tufts of
   grass_.

   “Well, had I only known, my dear, that this was how you’d be,
   I’d have married her of riper years that was so fond of me.
   But since I can’t, I’ve half a mind to run away to sea,
   And leave ’ee to go barefoot to your d—d daddee!”

   _Up one wall and down the other—past each window-pane—_
   _Prance the gusts_, _and then away down Crimmercrock’s long lane_.

   “I—I—don’t know what to say to’t, since your wife I’ve vowed to be;
   And as ’tis done, I s’pose here I must bide—poor me!
   Aye—as you are ki-ki-kind, I’ll try to live along with ’ee,
   Although I’d fain have stayed at home with dear daddee!”

   _Gruffly growled the wind on Toller Down_, _so bleak and bare_,
   _And lonesome was the house and dark_; _and few came there_.

   “That’s right, my Heart!  And though on haunted Toller Down we be,
   And the wind swears things in chimley, we’ll to supper merrily!
   So don’t ye tap your shoe so pettish-like; but smile at me,
   And ye’ll soon forget to sock and sigh for dear daddee!”

_December_ 1901.



PIECES OCCASIONAL AND VARIOUS


A CHURCH ROMANCE
(MELLSTOCK _circa_ 1835)


   SHE turned in the high pew, until her sight
   Swept the west gallery, and caught its row
   Of music-men with viol, book, and bow
   Against the sinking sad tower-window light.

   She turned again; and in her pride’s despite
   One strenuous viol’s inspirer seemed to throw
   A message from his string to her below,
   Which said: “I claim thee as my own forthright!”

   Thus their hearts’ bond began, in due time signed.
   And long years thence, when Age had scared Romance,
   At some old attitude of his or glance
   That gallery-scene would break upon her mind,
   With him as minstrel, ardent, young, and trim,
   Bowing “New Sabbath” or “Mount Ephraim.”



THE RASH BRIDE
AN EXPERIENCE OF THE MELLSTOCK QUIRE


                                    I

   WE Christmas-carolled down the Vale, and up the Vale, and round the
   Vale,
   We played and sang that night as we were yearly wont to do—
   A carol in a minor key, a carol in the major D,
   Then at each house: “Good wishes: many Christmas joys to you!”

                                    II

   Next, to the widow’s John and I and all the rest drew on.  And I
   Discerned that John could hardly hold the tongue of him for joy.
   The widow was a sweet young thing whom John was bent on marrying,
   And quiring at her casement seemed romantic to the boy.

                                   III

   “She’ll make reply, I trust,” said he, “to our salute?  She must!”
   said he,
   “And then I will accost her gently—much to her surprise!—
   For knowing not I am with you here, when I speak up and call her dear
   A tenderness will fill her voice, a bashfulness her eyes.

                                    IV

   So, by her window-square we stood; ay, with our lanterns there we
   stood,
   And he along with us,—not singing, waiting for a sign;
   And when we’d quired her carols three a light was lit and out looked
   she,
   A shawl about her bedgown, and her colour red as wine.

                                    V

   And sweetly then she bowed her thanks, and smiled, and spoke aloud her
   thanks;
   When lo, behind her back there, in the room, a man appeared.
   I knew him—one from Woolcomb way—Giles Swetman—honest as the day,
   But eager, hasty; and I felt that some strange trouble neared.

                                    VI

   “How comes he there? . . . Suppose,” said we, “she’s wed of late!  Who
   knows?” said we.
   —“She married yester-morning—only mother yet has known
   The secret o’t!” shrilled one small boy.  “But now I’ve told, let’s
   wish ’em joy!”
   A heavy fall aroused us: John had gone down like a stone.

                                   VII

   We rushed to him and caught him round, and lifted him, and brought him
   round,
   When, hearing something wrong had happened, oped the window she:
   “Has one of you fallen ill?” she asked, “by these night labours
   overtasked?”
   None answered.  That she’d done poor John a cruel turn felt we.

                                   VIII

   Till up spoke Michael: “Fie, young dame!  You’ve broke your promise,
   sly young dame,
   By forming this new tie, young dame, and jilting John so true,
   Who trudged to-night to sing to ’ee because he thought he’d bring to
   ’ee
   Good wishes as your coming spouse.  May ye such trifling rue!”

                                    IX

   Her man had said no word at all; but being behind had heard it all,
   And now cried: “Neighbours, on my soul I knew not ’twas like this!”
   And then to her: “If I had known you’d had in tow not me alone,
   No wife should you have been of mine.  It is a dear bought bliss!”

                                    X

   She changed death-white, and heaved a cry: we’d never heard so grieved
   a cry
   As came from her at this from him: heart-broken quite seemed she;
   And suddenly, as we looked on, she turned, and rushed; and she was
   gone,
   Whither, her husband, following after, knew not; nor knew we.

                                    XI

   We searched till dawn about the house; within the house, without the
   house,
   We searched among the laurel boughs that grew beneath the wall,
   And then among the crocks and things, and stores for winter
   junketings,
   In linhay, loft, and dairy; but we found her not at all.

                                   XII

   Then John rushed in: “O friends,” he said, “hear this, this, this!”
   and bends his head:
   “I’ve—searched round by the—_well_, and find the cover open wide!
   I am fearful that—I can’t say what . . . Bring lanterns, and some
   cords to knot.”
   We did so, and we went and stood the deep dark hole beside.

                                   XIII

   And then they, ropes in hand, and I—ay, John, and all the band, and I
   Let down a lantern to the depths—some hundred feet and more;
   It glimmered like a fog-dimmed star; and there, beside its light,
   afar,
   White drapery floated, and we knew the meaning that it bore.

                                   XIV

   The rest is naught . . . We buried her o’ Sunday.  Neighbours carried
   her;
   And Swetman—he who’d married her—now miserablest of men,
   Walked mourning first; and then walked John; just quivering, but
   composed anon;
   And we the quire formed round the grave, as was the custom then.

                                    XV

   Our old bass player, as I recall—his white hair blown—but why recall!—
   His viol upstrapped, bent figure—doomed to follow her full soon—
   Stood bowing, pale and tremulous; and next to him the rest of us . . .
   We sang the Ninetieth Psalm to her—set to Saint Stephen’s tune.



THE DEAD QUIRE


                                    I

   BESIDE the Mead of Memories,
   Where Church-way mounts to Moaning Hill,
   The sad man sighed his phantasies:
      He seems to sigh them still.

                                    II

   “’Twas the Birth-tide Eve, and the hamleteers
   Made merry with ancient Mellstock zest,
   But the Mellstock quire of former years
      Had entered into rest.

                                   III

   “Old Dewy lay by the gaunt yew tree,
   And Reuben and Michael a pace behind,
   And Bowman with his family
      By the wall that the ivies bind.

                                    IV

   “The singers had followed one by one,
   Treble, and tenor, and thorough-bass;
   And the worm that wasteth had begun
      To mine their mouldering place.

                                    V

   “For two-score years, ere Christ-day light,
   Mellstock had throbbed to strains from these;
   But now there echoed on the night
      No Christmas harmonies.

                                    VI

   “Three meadows off, at a dormered inn,
   The youth had gathered in high carouse,
   And, ranged on settles, some therein
      Had drunk them to a drowse.

                                   VII

   “Loud, lively, reckless, some had grown,
   Each dandling on his jigging knee
   Eliza, Dolly, Nance, or Joan—
      Livers in levity.

                                   VIII

   “The taper flames and hearthfire shine
   Grew smoke-hazed to a lurid light,
   And songs on subjects not divine
      Were warbled forth that night.

                                    IX

   “Yet many were sons and grandsons here
   Of those who, on such eves gone by,
   At that still hour had throated clear
      Their anthems to the sky.

                                    X

   “The clock belled midnight; and ere long
   One shouted, ‘Now ’tis Christmas morn;
   Here’s to our women old and young,
      And to John Barleycorn!’

                                    XI

   “They drink the toast and shout again:
   The pewter-ware rings back the boom,
   And for a breath-while follows then
      A silence in the room.

                                   XII

   “When nigh without, as in old days,
   The ancient quire of voice and string
   Seemed singing words of prayer and praise
      As they had used to sing:

                                   XIII

   “‘While shepherds watch’d their flocks by night,’—
   Thus swells the long familiar sound
   In many a quaint symphonic flight—
      To, ‘Glory shone around.’

                                   XIV

   “The sons defined their fathers’ tones,
   The widow his whom she had wed,
   And others in the minor moans
      The viols of the dead.

                                    XV

   “Something supernal has the sound
   As verse by verse the strain proceeds,
   And stilly staring on the ground
      Each roysterer holds and heeds.

                                   XVI

   “Towards its chorded closing bar
   Plaintively, thinly, waned the hymn,
   Yet lingered, like the notes afar
      Of banded seraphim.

                                   XVII

   “With brows abashed, and reverent tread,
   The hearkeners sought the tavern door:
   But nothing, save wan moonlight, spread
      The empty highway o’er.

                                  XVIII

   “While on their hearing fixed and tense
   The aerial music seemed to sink,
   As it were gently moving thence
      Along the river brink.

                                   XIX

   “Then did the Quick pursue the Dead
   By crystal Froom that crinkles there;
   And still the viewless quire ahead
      Voiced the old holy air.

                                    XX

   “By Bank-walk wicket, brightly bleached,
   It passed, and ’twixt the hedges twain,
   Dogged by the living; till it reached
      The bottom of Church Lane.

                                   XXI

   “There, at the turning, it was heard
   Drawing to where the churchyard lay:
   But when they followed thitherward
      It smalled, and died away.

                                   XXII

   “Each headstone of the quire, each mound,
   Confronted them beneath the moon;
   But no more floated therearound
      That ancient Birth-night tune.

                                  XXIII

   “There Dewy lay by the gaunt yew tree,
   There Reuben and Michael, a pace behind,
   And Bowman with his family
      By the wall that the ivies bind . . .

                                   XXIV

   “As from a dream each sobered son
   Awoke, and musing reached his door:
   ’Twas said that of them all, not one
      Sat in a tavern more.”

                                   XXV

   —The sad man ceased; and ceased to heed
   His listener, and crossed the leaze
   From Moaning Hill towards the mead—
      The Mead of Memories.

1897.



THE CHRISTENING


   WHOSE child is this they bring
      Into the aisle?—
   At so superb a thing
   The congregation smile
   And turn their heads awhile.

   Its eyes are blue and bright,
      Its cheeks like rose;
   Its simple robes unite
   Whitest of calicoes
   With lawn, and satin bows.

   A pride in the human race
      At this paragon
   Of mortals, lights each face
   While the old rite goes on;
   But ah, they are shocked anon.

   What girl is she who peeps
      From the gallery stair,
   Smiles palely, redly weeps,
   With feverish furtive air
   As though not fitly there?

   “I am the baby’s mother;
      This gem of the race
   The decent fain would smother,
   And for my deep disgrace
   I am bidden to leave the place.”

   “Where is the baby’s father?”—
      “In the woods afar.
   He says there is none he’d rather
   Meet under moon or star
   Than me, of all that are.

   “To clasp me in lovelike weather,
      Wish fixing when,
   He says: To be together
   At will, just now and then,
   Makes him the blest of men;

   “But chained and doomed for life
      To slovening
   As vulgar man and wife,
   He says, is another thing:
   Yea: sweet Love’s sepulchring!”

1904.



A DREAM QUESTION


    “It shall be dark unto you, that ye shall not divine.”

                                                             MICAH iii. 6.

   I ASKED the Lord: “Sire, is this true
   Which hosts of theologians hold,
   That when we creatures censure you
   For shaping griefs and ails untold
   (Deeming them punishments undue)
   You rage, as Moses wrote of old?

   When we exclaim: ‘Beneficent
   He is not, for he orders pain,
   Or, if so, not omnipotent:
   To a mere child the thing is plain!’
   Those who profess to represent
   You, cry out: ‘Impious and profane!’”

   He: “Save me from my friends, who deem
   That I care what my creatures say!
   Mouth as you list: sneer, rail, blaspheme,
   O manikin, the livelong day,
   Not one grief-groan or pleasure-gleam
   Will you increase or take away.

   “Why things are thus, whoso derides,
   May well remain my secret still . . .
   A fourth dimension, say the guides,
   To matter is conceivable.
   Think some such mystery resides
   Within the ethic of my will.”



BY THE BARROWS


   NOT far from Mellstock—so tradition saith—
   Where barrows, bulging as they bosoms were
   Of Multimammia stretched supinely there,
   Catch night and noon the tempest’s wanton breath,

   A battle, desperate doubtless unto death,
   Was one time fought.  The outlook, lone and bare,
   The towering hawk and passing raven share,
   And all the upland round is called “The He’th.”

   Here once a woman, in our modern age,
   Fought singlehandedly to shield a child—
   One not her own—from a man’s senseless rage.
   And to my mind no patriots’ bones there piled
   So consecrate the silence as her deed
   Of stoic and devoted self-unheed.



A WIFE AND ANOTHER


      “WAR ends, and he’s returning
         Early; yea,
      The evening next to-morrow’s!”—
         —This I say
   To her, whom I suspiciously survey,

      Holding my husband’s letter
         To her view.—
      She glanced at it but lightly,
         And I knew
   That one from him that day had reached her too.

      There was no time for scruple;
         Secretly
      I filched her missive, conned it,
         Learnt that he
   Would lodge with her ere he came home to me.

      To reach the port before her,
         And, unscanned,
      There wait to intercept them
         Soon I planned:
   That, in her stead, _I_ might before him stand.

      So purposed, so effected;
         At the inn
      Assigned, I found her hidden:—
         O that sin
   Should bear what she bore when I entered in!

      Her heavy lids grew laden
         With despairs,
      Her lips made soundless movements
         Unawares,
   While I peered at the chamber hired as theirs.

      And as beside its doorway,
         Deadly hued,
      One inside, one withoutside
         We two stood,
   He came—my husband—as she knew he would.

      No pleasurable triumph
         Was that sight!
      The ghastly disappointment
         Broke them quite.
   What love was theirs, to move them with such might!

      “Madam, forgive me!” said she,
         Sorrow bent,
      “A child—I soon shall bear him . . .
         Yes—I meant
   To tell you—that he won me ere he went.”

      Then, as it were, within me
         Something snapped,
      As if my soul had largened:
         Conscience-capped,
   I saw myself the snarer—them the trapped.

      “My hate dies, and I promise,
         Grace-beguiled,”
      I said, “to care for you, be
         Reconciled;
   And cherish, and take interest in the child.”

      Without more words I pressed him
         Through the door
      Within which she stood, powerless
         To say more,
   And closed it on them, and downstairward bore.

      “He joins his wife—my sister,”
         I, below,
      Remarked in going—lightly—
         Even as though
   All had come right, and we had arranged it so . . .

      As I, my road retracing,
         Left them free,
      The night alone embracing
         Childless me,
   I held I had not stirred God wrothfully.



THE ROMAN ROAD


   THE Roman Road runs straight and bare
   As the pale parting-line in hair
   Across the heath.  And thoughtful men
   Contrast its days of Now and Then,
   And delve, and measure, and compare;

   Visioning on the vacant air
   Helmed legionaries, who proudly rear
   The Eagle, as they pace again
      The Roman Road.

   But no tall brass-helmed legionnaire
   Haunts it for me.  Uprises there
   A mother’s form upon my ken,
   Guiding my infant steps, as when
   We walked that ancient thoroughfare,
      The Roman Road.



THE VAMPIRINE FAIR


   GILBERT had sailed to India’s shore,
      And I was all alone:
   My lord came in at my open door
      And said, “O fairest one!”

   He leant upon the slant bureau,
      And sighed, “I am sick for thee!”
   “My lord,” said I, “pray speak not so,
      Since wedded wife I be.”

   Leaning upon the slant bureau,
      Bitter his next words came:
   “So much I know; and likewise know
      My love burns on the same!

   “But since you thrust my love away,
      And since it knows no cure,
   I must live out as best I may
      The ache that I endure.”

   When Michaelmas browned the nether Coomb,
      And Wingreen Hill above,
   And made the hollyhocks rags of bloom,
      My lord grew ill of love.

   My lord grew ill with love for me;
      Gilbert was far from port;
   And—so it was—that time did see
      Me housed at Manor Court.

   About the bowers of Manor Court
      The primrose pushed its head
   When, on a day at last, report
      Arrived of him I had wed.

   “Gilbert, my lord, is homeward bound,
      His sloop is drawing near,
   What shall I do when I am found
      Not in his house but here?”

   “O I will heal the injuries
      I’ve done to him and thee.
   I’ll give him means to live at ease
      Afar from Shastonb’ry.”

   When Gilbert came we both took thought:
      “Since comfort and good cheer,”
   Said he, “So readily are bought,
      He’s welcome to thee, Dear.”

   So when my lord flung liberally
      His gold in Gilbert’s hands,
   I coaxed and got my brothers three
      Made stewards of his lands.

   And then I coaxed him to install
      My other kith and kin,
   With aim to benefit them all
      Before his love ran thin.

   And next I craved to be possessed
      Of plate and jewels rare.
   He groaned: “You give me, Love, no rest,
      Take all the law will spare!”

   And so in course of years my wealth
      Became a goodly hoard,
   My steward brethren, too, by stealth
      Had each a fortune stored.

   Thereafter in the gloom he’d walk,
      And by and by began
   To say aloud in absent talk,
      “I am a ruined man!—

   “I hardly could have thought,” he said,
      “When first I looked on thee,
   That one so soft, so rosy red,
      Could thus have beggared me!”

   Seeing his fair estates in pawn,
      And him in such decline,
   I knew that his domain had gone
      To lift up me and mine.

   Next month upon a Sunday morn
      A gunshot sounded nigh:
   By his own hand my lordly born
      Had doomed himself to die.

   “Live, my dear lord, and much of thine
      Shall be restored to thee!”
   He smiled, and said ’twixt word and sign,
      “Alas—that cannot be!”

   And while I searched his cabinet
      For letters, keys, or will,
   ’Twas touching that his gaze was set
      With love upon me still.

   And when I burnt each document
      Before his dying eyes,
   ’Twas sweet that he did not resent
      My fear of compromise.

   The steeple-cock gleamed golden when
      I watched his spirit go:
   And I became repentant then
      That I had wrecked him so.

   Three weeks at least had come and gone,
      With many a saddened word,
   Before I wrote to Gilbert on
      The stroke that so had stirred.

   And having worn a mournful gown,
      I joined, in decent while,
   My husband at a dashing town
      To live in dashing style.

   Yet though I now enjoy my fling,
      And dine and dance and drive,
   I’d give my prettiest emerald ring
      To see my lord alive.

   And when the meet on hunting-days
      Is near his churchyard home,
   I leave my bantering beaux to place
      A flower upon his tomb;

   And sometimes say: “Perhaps too late
      The saints in Heaven deplore
   That tender time when, moved by Fate,
      He darked my cottage door.”



THE REMINDER


   WHILE I watch the Christmas blaze
   Paint the room with ruddy rays,
   Something makes my vision glide
   To the frosty scene outside.

   There, to reach a rotting berry,
   Toils a thrush,—constrained to very
   Dregs of food by sharp distress,
   Taking such with thankfulness.

   Why, O starving bird, when I
   One day’s joy would justify,
   And put misery out of view,
   Do you make me notice you!



THE RAMBLER


   I DO not see the hills around,
   Nor mark the tints the copses wear;
   I do not note the grassy ground
   And constellated daisies there.

   I hear not the contralto note
   Of cuckoos hid on either hand,
   The whirr that shakes the nighthawk’s throat
   When eve’s brown awning hoods the land.

   Some say each songster, tree, and mead—
   All eloquent of love divine—
   Receives their constant careful heed:
   Such keen appraisement is not mine.

   The tones around me that I hear,
   The aspects, meanings, shapes I see,
   Are those far back ones missed when near,
   And now perceived too late by me!



NIGHT IN THE OLD HOME


   When the wasting embers redden the chimney-breast,
   And Life’s bare pathway looms like a desert track to me,
   And from hall and parlour the living have gone to their rest,
   My perished people who housed them here come back to me.

   They come and seat them around in their mouldy places,
   Now and then bending towards me a glance of wistfulness,
   A strange upbraiding smile upon all their faces,
   And in the bearing of each a passive tristfulness.

   “Do you uphold me, lingering and languishing here,
   A pale late plant of your once strong stock?” I say to them;
   “A thinker of crooked thoughts upon Life in the sere,
   And on That which consigns men to night after showing the day to
   them?”

   “—O let be the Wherefore!  We fevered our years not thus:
   Take of Life what it grants, without question!” they answer me
   seemingly.
   “Enjoy, suffer, wait: spread the table here freely like us,
   And, satisfied, placid, unfretting, watch Time away beamingly!”



AFTER THE LAST BREATH
(J. H. 1813–1904)


   THERE’S no more to be done, or feared, or hoped;
   None now need watch, speak low, and list, and tire;
   No irksome crease outsmoothed, no pillow sloped
      Does she require.

   Blankly we gaze.  We are free to go or stay;
   Our morrow’s anxious plans have missed their aim;
   Whether we leave to-night or wait till day
      Counts as the same.

   The lettered vessels of medicaments
   Seem asking wherefore we have set them here;
   Each palliative its silly face presents
      As useless gear.

   And yet we feel that something savours well;
   We note a numb relief withheld before;
   Our well-beloved is prisoner in the cell
      Of Time no more.

   We see by littles now the deft achievement
   Whereby she has escaped the Wrongers all,
   In view of which our momentary bereavement
      Outshapes but small.

1904.



IN CHILDBED


      IN the middle of the night
   Mother’s spirit came and spoke to me,
      Looking weariful and white—
   As ’twere untimely news she broke to me.

      “O my daughter, joyed are you
   To own the weetless child you mother there;
      ‘Men may search the wide world through,’
   You think, ‘nor find so fair another there!’

      “Dear, this midnight time unwombs
   Thousands just as rare and beautiful;
      Thousands whom High Heaven foredooms
   To be as bright, as good, as dutiful.

      “Source of ecstatic hopes and fears
   And innocent maternal vanity,
      Your fond exploit but shapes for tears
   New thoroughfares in sad humanity.

      “Yet as you dream, so dreamt I
   When Life stretched forth its morning ray to me;
      Other views for by and by!” . . .
   Such strange things did mother say to me.



THE PINE PLANTERS
(MARTY SOUTH’S REVERIE)


                                    I

   WE work here together
      In blast and breeze;
   He fills the earth in,
      I hold the trees.

   He does not notice
      That what I do
   Keeps me from moving
      And chills me through.

   He has seen one fairer
      I feel by his eye,
   Which skims me as though
      I were not by.

   And since she passed here
      He scarce has known
   But that the woodland
      Holds him alone.

   I have worked here with him
      Since morning shine,
   He busy with his thoughts
      And I with mine.

   I have helped him so many,
      So many days,
   But never win any
      Small word of praise!

   Shall I not sigh to him
      That I work on
   Glad to be nigh to him
      Though hope is gone?

   Nay, though he never
      Knew love like mine,
   I’ll bear it ever
      And make no sign!

                                    II

   From the bundle at hand here
      I take each tree,
   And set it to stand, here
      Always to be;
   When, in a second,
      As if from fear
   Of Life unreckoned
      Beginning here,
   It starts a sighing
      Through day and night,
   Though while there lying
      ’Twas voiceless quite.

   It will sigh in the morning,
      Will sigh at noon,
   At the winter’s warning,
      In wafts of June;
   Grieving that never
      Kind Fate decreed
   It should for ever
      Remain a seed,
   And shun the welter
      Of things without,
   Unneeding shelter
      From storm and drought.

   Thus, all unknowing
      For whom or what
   We set it growing
      In this bleak spot,
   It still will grieve here
      Throughout its time,
   Unable to leave here,
      Or change its clime;
   Or tell the story
      Of us to-day
   When, halt and hoary,
      We pass away.



THE DEAR


   I PLODDED to Fairmile Hill-top, where
      A maiden one fain would guard
   From every hazard and every care
      Advanced on the roadside sward.

   I wondered how succeeding suns
      Would shape her wayfarings,
   And wished some Power might take such ones
      Under Its warding wings.

   The busy breeze came up the hill
      And smartened her cheek to red,
   And frizzled her hair to a haze.  With a will
      “Good-morning, my Dear!” I said.

   She glanced from me to the far-off gray,
      And, with proud severity,
   “Good-morning to you—though I may say
      I am not _your_ Dear,” quoth she:

   “For I am the Dear of one not here—
      One far from his native land!”—
   And she passed me by; and I did not try
      To make her understand.

1901



ONE WE KNEW
(M. H.  1772–1857)


   SHE told how they used to form for the country dances—
      “The Triumph,” “The New-rigged Ship”—
   To the light of the guttering wax in the panelled manses,
      And in cots to the blink of a dip.

   She spoke of the wild “poussetting” and “allemanding”
      On carpet, on oak, and on sod;
   And the two long rows of ladies and gentlemen standing,
      And the figures the couples trod.

   She showed us the spot where the maypole was yearly planted,
      And where the bandsmen stood
   While breeched and kerchiefed partners whirled, and panted
      To choose each other for good.

   She told of that far-back day when they learnt astounded
      Of the death of the King of France:
   Of the Terror; and then of Bonaparte’s unbounded
      Ambition and arrogance.

   Of how his threats woke warlike preparations
      Along the southern strand,
   And how each night brought tremors and trepidations
      Lest morning should see him land.

   She said she had often heard the gibbet creaking
      As it swayed in the lightning flash,
   Had caught from the neighbouring town a small child’s shrieking
      At the cart-tail under the lash . . .

   With cap-framed face and long gaze into the embers—
      We seated around her knees—
   She would dwell on such dead themes, not as one who remembers,
      But rather as one who sees.

   She seemed one left behind of a band gone distant
      So far that no tongue could hail:
   Past things retold were to her as things existent,
      Things present but as a tale.

_May_ 20, 1902.



SHE HEARS THE STORM


   THERE was a time in former years—
      While my roof-tree was his—
   When I should have been distressed by fears
      At such a night as this!

   I should have murmured anxiously,
      “The pricking rain strikes cold;
   His road is bare of hedge or tree,
      And he is getting old.”

   But now the fitful chimney-roar,
      The drone of Thorncombe trees,
   The Froom in flood upon the moor,
      The mud of Mellstock Leaze,

   The candle slanting sooty wick’d,
      The thuds upon the thatch,
   The eaves-drops on the window flicked,
      The clacking garden-hatch,

   And what they mean to wayfarers,
      I scarcely heed or mind;
   He has won that storm-tight roof of hers
      Which Earth grants all her kind.



A WET NIGHT


   I PACE along, the rain-shafts riddling me,
   Mile after mile out by the moorland way,
   And up the hill, and through the ewe-leaze gray
   Into the lane, and round the corner tree;

   Where, as my clothing clams me, mire-bestarred,
   And the enfeebled light dies out of day,
   Leaving the liquid shades to reign, I say,
   “This is a hardship to be calendared!”

   Yet sires of mine now perished and forgot,
   When worse beset, ere roads were shapen here,
   And night and storm were foes indeed to fear,
   Times numberless have trudged across this spot
   In sturdy muteness on their strenuous lot,
   And taking all such toils as trifles mere.



BEFORE LIFE AND AFTER


      A TIME there was—as one may guess
   And as, indeed, earth’s testimonies tell—
      Before the birth of consciousness,
         When all went well.

      None suffered sickness, love, or loss,
   None knew regret, starved hope, or heart-burnings;
      None cared whatever crash or cross
         Brought wrack to things.

      If something ceased, no tongue bewailed,
   If something winced and waned, no heart was wrung;
      If brightness dimmed, and dark prevailed,
         No sense was stung.

      But the disease of feeling germed,
   And primal rightness took the tinct of wrong;
      Ere nescience shall be reaffirmed
         How long, how long?



NEW YEAR’S EVE


   “I HAVE finished another year,” said God,
      “In grey, green, white, and brown;
   I have strewn the leaf upon the sod,
   Sealed up the worm within the clod,
      And let the last sun down.”

   “And what’s the good of it?” I said.
      “What reasons made you call
   From formless void this earth we tread,
   When nine-and-ninety can be read
      Why nought should be at all?

   “Yea, Sire; why shaped you us, ‘who in
      This tabernacle groan’—
   If ever a joy be found herein,
   Such joy no man had wished to win
      If he had never known!”

   Then he: “My labours—logicless—
      You may explain; not I:
   Sense-sealed I have wrought, without a guess
   That I evolved a Consciousness
      To ask for reasons why.

   “Strange that ephemeral creatures who
      By my own ordering are,
   Should see the shortness of my view,
   Use ethic tests I never knew,
      Or made provision for!”

   He sank to raptness as of yore,
      And opening New Year’s Day
   Wove it by rote as theretofore,
   And went on working evermore
      In his unweeting way.

1906.



GOD’S EDUCATION


   I SAW him steal the light away
      That haunted in her eye:
   It went so gently none could say
   More than that it was there one day
      And missing by-and-by.

   I watched her longer, and he stole
      Her lily tincts and rose;
   All her young sprightliness of soul
   Next fell beneath his cold control,
      And disappeared like those.

   I asked: “Why do you serve her so?
      Do you, for some glad day,
   Hoard these her sweets—?”  He said, “O no,
   They charm not me; I bid Time throw
      Them carelessly away.”

   Said I: “We call that cruelty—
      We, your poor mortal kind.”
   He mused.  “The thought is new to me.
   Forsooth, though I men’s master be,
      Theirs is the teaching mind!”



TO SINCERITY


   O SWEET sincerity!—
   Where modern methods be
   What scope for thine and thee?

   Life may be sad past saying,
   Its greens for ever graying,
   Its faiths to dust decaying;

   And youth may have foreknown it,
   And riper seasons shown it,
   But custom cries: “Disown it:

   “Say ye rejoice, though grieving,
   Believe, while unbelieving,
   Behold, without perceiving!”

   —Yet, would men look at true things,
   And unilluded view things,
   And count to bear undue things,

   The real might mend the seeming,
   Facts better their foredeeming,
   And Life its disesteeming.

_February_ 1899.



PANTHERA


(For other forms of this legend—first met with in the second century—see
Origen contra Celsum; the Talmud; Sepher Toldoth Jeschu; quoted fragments
of lost Apocryphal gospels; Strauss, Haeckel; etc.)

   YEA, as I sit here, crutched, and cricked, and bent,
   I think of Panthera, who underwent
   Much from insidious aches in his decline;
   But his aches were not radical like mine;
   They were the twinges of old wounds—the feel
   Of the hand he had lost, shorn by barbarian steel,
   Which came back, so he said, at a change in the air,
   Fingers and all, as if it still were there.
   My pains are otherwise: upclosing cramps
   And stiffened tendons from this country’s damps,
   Where Panthera was never commandant.—
   The Fates sent him by way of the Levant.
      He had been blithe in his young manhood’s time,
   And as centurion carried well his prime.
   In Ethiop, Araby, climes fair and fell,
   He had seen service and had borne him well.
   Nought shook him then: he was serene as brave;
   Yet later knew some shocks, and would grow grave
   When pondering them; shocks less of corporal kind
   Than phantom-like, that disarranged his mind;
   And it was in the way of warning me
   (By much his junior) against levity
   That he recounted them; and one in chief
   Panthera loved to set in bold relief.

      This was a tragedy of his Eastern days,
   Personal in touch—though I have sometimes thought
   That touch a possible delusion—wrought
   Of half-conviction carried to a craze—
   His mind at last being stressed by ails and age:—
   Yet his good faith thereon I well could wage.

      I had said it long had been a wish with me
   That I might leave a scion—some small tree
   As channel for my sap, if not my name—
   Ay, offspring even of no legitimate claim,
   In whose advance I secretly could joy.
   Thereat he warned.
         “Cancel such wishes, boy!
   A son may be a comfort or a curse,
   A seer, a doer, a coward, a fool; yea, worse—
   A criminal . . . That I could testify!”
   “Panthera has no guilty son!” cried I
   All unbelieving.  “Friend, you do not know,”
   He darkly dropt: “True, I’ve none now to show,
   For _the law took him_.  Ay, in sooth, Jove shaped it so!”

      “This noon is not unlike,” he again began,
   “The noon these pricking memories print on me—
   Yea, that day, when the sun grew copper-red,
   And I served in Judæa . . . ’Twas a date
   Of rest for arms.  The _Pax Romana_ ruled,
   To the chagrin of frontier legionaries!
   Palestine was annexed—though sullen yet,—
   I, being in age some two-score years and ten
   And having the garrison in Jerusalem
   Part in my hands as acting officer
   Under the Governor.  A tedious time
   I found it, of routine, amid a folk
   Restless, contentless, and irascible.—
   Quelling some riot, sentrying court and hall,
   Sending men forth on public meeting-days
   To maintain order, were my duties there.

      “Then came a morn in spring, and the cheerful sun
   Whitened the city and the hills around,
   And every mountain-road that clambered them,
   Tincturing the greyness of the olives warm,
   And the rank cacti round the valley’s sides.
   The day was one whereon death-penalties
   Were put in force, and here and there were set
   The soldiery for order, as I said,
   Since one of the condemned had raised some heat,
   And crowds surged passionately to see him slain.
   I, mounted on a Cappadocian horse,
   With some half-company of auxiliaries,
   Had captained the procession through the streets
   When it came streaming from the judgment-hall
   After the verdicts of the Governor.
   It drew to the great gate of the northern way
   That bears towards Damascus; and to a knoll
   Upon the common, just beyond the walls—
   Whence could be swept a wide horizon round
   Over the housetops to the remotest heights.
   Here was the public execution-ground
   For city crimes, called then and doubtless now
   Golgotha, Kranion, or Calvaria.

      “The usual dooms were duly meted out;
   Some three or four were stript, transfixed, and nailed,
   And no great stir occurred.  A day of wont
   It was to me, so far, and would have slid
   Clean from my memory at its squalid close
   But for an incident that followed these.

      “Among the tag-rag rabble of either sex
   That hung around the wretches as they writhed,
   Till thrust back by our spears, one held my eye—
   A weeping woman, whose strained countenance,
   Sharpened against a looming livid cloud,
   Was mocked by the crude rays of afternoon—
   The mother of one of those who suffered there
   I had heard her called when spoken roughly to
   By my ranged men for pressing forward so.
   It stole upon me hers was a face I knew;
   Yet when, or how, I had known it, for a while
   Eluded me.  And then at once it came.

      “Some thirty years or more before that noon
   I was sub-captain of a company
   Drawn from the legion of Calabria,
   That marched up from Judæa north to Tyre.
   We had pierced the old flat country of Jezreel,
   The great Esdraelon Plain and fighting-floor
   Of Jew with Canaanite, and with the host
   Of Pharaoh-Necho, king of Egypt, met
   While crossing there to strike the Assyrian pride.
   We left behind Gilboa; passed by Nain;
   Till bulging Tabor rose, embossed to the top
   With arbute, terabinth, and locust growths.

      “Encumbering me were sundry sick, so fallen
   Through drinking from a swamp beside the way;
   But we pressed on, till, bearing over a ridge,
   We dipt into a world of pleasantness—
   A vale, the fairest I had gazed upon—
   Which lapped a village on its furthest slopes
   Called Nazareth, brimmed round by uplands nigh.
   In the midst thereof a fountain bubbled, where,
   Lime-dry from marching, our glad halt we made
   To rest our sick ones, and refresh us all.

      “Here a day onward, towards the eventide,
   Our men were piping to a Pyrrhic dance
   Trod by their comrades, when the young women came
   To fill their pitchers, as their custom was.
   I proffered help to one—a slim girl, coy
   Even as a fawn, meek, and as innocent.
   Her long blue gown, the string of silver coins
   That hung down by her banded beautiful hair,
   Symboled in full immaculate modesty.

      “Well, I was young, and hot, and readily stirred
   To quick desire.  ’Twas tedious timing out
   The convalescence of the soldiery;
   And I beguiled the long and empty days
   By blissful yieldance to her sweet allure,
   Who had no arts, but what out-arted all,
   The tremulous tender charm of trustfulness.
   We met, and met, and under the winking stars
   That passed which peoples earth—true union, yea,
   To the pure eye of her simplicity.

      “Meanwhile the sick found health; and we pricked on.
   I made her no rash promise of return,
   As some do use; I was sincere in that;
   I said we sundered never to meet again—
   And yet I spoke untruth unknowingly!—
   For meet again we did.  Now, guess you aught?
   The weeping mother on Calvaria
   Was she I had known—albeit that time and tears
   Had wasted rudely her once flowerlike form,
   And her soft eyes, now swollen with sorrowing.

      “Though I betrayed some qualms, she marked me not;
   And I was scarce of mood to comrade her
   And close the silence of so wide a time
   To claim a malefactor as my son—
   (For so I guessed him).  And inquiry made
   Brought rumour how at Nazareth long before
   An old man wedded her for pity’s sake
   On finding she had grown pregnant, none knew how,
   Cared for her child, and loved her till he died.

      “Well; there it ended; save that then I learnt
   That he—the man whose ardent blood was mine—
   Had waked sedition long among the Jews,
   And hurled insulting parlance at their god,
   Whose temple bulked upon the adjoining hill,
   Vowing that he would raze it, that himself
   Was god as great as he whom they adored,
   And by descent, moreover, was their king;
   With sundry other incitements to misrule.

      “The impalements done, and done the soldiers’ game
   Of raffling for the clothes, a legionary,
   Longinus, pierced the young man with his lance
   At signs from me, moved by his agonies
   Through naysaying the drug they had offered him.
   It brought the end.  And when he had breathed his last
   The woman went.  I saw her never again . . .
   Now glares my moody meaning on you, friend?—
   That when you talk of offspring as sheer joy
   So trustingly, you blink contingencies.
   Fors Fortuna!  He who goes fathering
   Gives frightful hostages to hazardry!”

      Thus Panthera’s tale.  ’Twas one he seldom told,
   But yet it got abroad.  He would unfold,
   At other times, a story of less gloom,
   Though his was not a heart where jests had room.
   He would regret discovery of the truth
   Was made too late to influence to ruth
   The Procurator who had condemned his son—
   Or rather him so deemed.  For there was none
   To prove that Panthera erred not: and indeed,
   When vagueness of identity I would plead,
   Panther himself would sometimes own as much—
   Yet lothly.  But, assuming fact was such,
   That the said woman did not recognize
   Her lover’s face, is matter for surprise.
   However, there’s his tale, fantasy or otherwise.

      Thereafter shone not men of Panthera’s kind:
   The indolent heads at home were ill-inclined
   To press campaigning that would hoist the star
   Of their lieutenants valorous afar.
   Jealousies kept him irked abroad, controlled
   And stinted by an Empire no more bold.
   Yet in some actions southward he had share—
   In Mauretania and Numidia; there
   With eagle eye, and sword and steed and spur,
   Quelling uprisings promptly.  Some small stir
   In Parthia next engaged him, until maimed,
   As I have said; and cynic Time proclaimed
   His noble spirit broken.  What a waste
   Of such a Roman!—one in youth-time graced
   With indescribable charm, so I have heard,
   Yea, magnetism impossible to word
   When faltering as I saw him.  What a fame,
   O Son of Saturn, had adorned his name,
   Might the Three so have urged Thee!—Hour by hour
   His own disorders hampered Panthera’s power
   To brood upon the fate of those he had known,
   Even of that one he always called his own—
   Either in morbid dream or memory . . .
   He died at no great age, untroublously,
   An exit rare for ardent soldiers such as he.



THE UNBORN


   I ROSE at night, and visited
      The Cave of the Unborn:
   And crowding shapes surrounded me
   For tidings of the life to be,
   Who long had prayed the silent Head
      To haste its advent morn.

   Their eyes were lit with artless trust,
      Hope thrilled their every tone;
   “A scene the loveliest, is it not?
   A pure delight, a beauty-spot
   Where all is gentle, true and just,
      And darkness is unknown?”

   My heart was anguished for their sake,
      I could not frame a word;
   And they descried my sunken face,
   And seemed to read therein, and trace
   The news that pity would not break,
      Nor truth leave unaverred.

   And as I silently retired
      I turned and watched them still,
   And they came helter-skelter out,
   Driven forward like a rabble rout
   Into the world they had so desired
      By the all-immanent Will.

1905.



THE MAN HE KILLED


      “HAD he and I but met
      By some old ancient inn,
   We should have sat us down to wet
      Right many a nipperkin!

      “But ranged as infantry,
      And staring face to face,
   I shot at him as he at me,
      And killed him in his place.

      “I shot him dead because—
      Because he was my foe,
   Just so: my foe of course he was;
      That’s clear enough; although

      “He thought he’d ’list, perhaps,
      Off-hand like—just as I—
   Was out of work—had sold his traps—
      No other reason why.

      “Yes; quaint and curious war is!
      You shoot a fellow down
   You’d treat if met where any bar is,
      Or help to half-a-crown.”

1902.



GEOGRAPHICAL KNOWLEDGE
(A MEMORY OF CHRISTIANA C—)


   WHERE Blackmoor was, the road that led
      To Bath, she could not show,
   Nor point the sky that overspread
      Towns ten miles off or so.

   But that Calcutta stood this way,
      Cape Horn there figured fell,
   That here was Boston, here Bombay,
      She could declare full well.

   Less known to her the track athwart
      Froom Mead or Yell’ham Wood
   Than how to make some Austral port
      In seas of surly mood.

   She saw the glint of Guinea’s shore
      Behind the plum-tree nigh,
   Heard old unruly Biscay’s roar
      In the weir’s purl hard by . . .

   “My son’s a sailor, and he knows
      All seas and many lands,
   And when he’s home he points and shows
      Each country where it stands.

   “He’s now just there—by Gib’s high rock—
      And when he gets, you see,
   To Portsmouth here, behind the clock,
      Then he’ll come back to me!”



ONE RALPH BLOSSOM SOLILOQUIZES


(“It being deposed that vij women who were mayds before he knew them have
been brought upon the towne [rates?] by the fornicacions of one Ralph
Blossom, Mr Major inquired why he should not contribute xiv pence weekly
toward their mayntenance.  But it being shewn that the sayd R. B. was
dying of a purple feaver, no order was made.”—_Budmouth Borough Minutes_:
16–.)

   WHEN I am in hell or some such place,
   A-groaning over my sorry case,
   What will those seven women say to me
   Who, when I coaxed them, answered “Aye” to me?

   “I did not understand your sign!”
   Will be the words of Caroline;
   While Jane will cry, “If I’d had proof of you,
   I should have learnt to hold aloof of you!”

   “I won’t reproach: it was to be!”
   Will dryly murmur Cicely;
   And Rosa: “I feel no hostility,
   For I must own I lent facility.”

   Lizzy says: “Sharp was my regret,
   And sometimes it is now!  But yet
   I joy that, though it brought notoriousness,
   I knew Love once and all its gloriousness!”

   Says Patience: “Why are we apart?
   Small harm did you, my poor Sweet Heart!
   A manchild born, now tall and beautiful,
   Was worth the ache of days undutiful.”

   And Anne cries: “O the time was fair,
   So wherefore should you burn down there?
   There is a deed under the sun, my Love,
   And that was ours.  What’s done is done, my Love.
   These trumpets here in Heaven are dumb to me
   With you away.  Dear, come, O come to me!”



THE NOBLE LADY’S TALE
(_circa_ 1790)


                                    I

      “WE moved with pensive paces,
         I and he,
      And bent our faded faces
         Wistfully,
   For something troubled him, and troubled me.

      “The lanthorn feebly lightened
         Our grey hall,
      Where ancient brands had brightened
         Hearth and wall,
   And shapes long vanished whither vanish all.

      “‘O why, Love, nightly, daily,’
         I had said,
      ‘Dost sigh, and smile so palely,
         As if shed
   Were all Life’s blossoms, all its dear things dead?’

      “‘Since silence sets thee grieving,’
         He replied,
      ‘And I abhor deceiving
         One so tried,
   Why, Love, I’ll speak, ere time us twain divide.’

      “He held me, I remember,
         Just as when
      Our life was June—(September
         It was then);
   And we walked on, until he spoke again.

      “‘Susie, an Irish mummer,
         Loud-acclaimed
      Through the gay London summer,
         Was I; named
   A master in my art, who would be famed.

      “‘But lo, there beamed before me
         Lady Su;
      God’s altar-vow she swore me
         When none knew,
   And for her sake I bade the sock adieu.

      “‘My Lord your father’s pardon
         Thus I won:
      He let his heart unharden
         Towards his son,
   And honourably condoned what we had done;

      “‘But said—recall you, dearest?—
         _As for Su_,
      _I’d see her—ay_, _though nearest_
         _Me unto_—
   _Sooner entombed than in a stage purlieu_!

      “‘Just so.—And here he housed us,
         In this nook,
      Where Love like balm has drowsed us:
         Robin, rook,
   Our chief familiars, next to string and book.

      “‘Our days here, peace-enshrouded,
         Followed strange
      The old stage-joyance, crowded,
         Rich in range;
   But never did my soul desire a change,

      “‘Till now, when far uncertain
         Lips of yore
      Call, call me to the curtain,
         There once more,
   But _once_, to tread the boards I trod before.

      “‘A night—the last and single
         Ere I die—
      To face the lights, to mingle
         As did I
   Once in the game, and rivet every eye!’

      “Such was his wish.  He feared it,
         Feared it though
      Rare memories endeared it.
         I, also,
   Feared it still more; its outcome who could know?

      “‘Alas, my Love,’ said I then,
         ‘Since it be
      A wish so mastering, why, then,
         E’en go ye!—
   Despite your pledge to father and to me . . . ’

      “’Twas fixed; no more was spoken
         Thereupon;
      Our silences were broken
         Only on
   The petty items of his needs were gone.

      “Farewell he bade me, pleading
         That it meant
      So little, thus conceding
         To his bent;
   And then, as one constrained to go, he went.

      “Thwart thoughts I let deride me,
         As, ’twere vain
      To hope him back beside me
         Ever again:
   Could one plunge make a waxing passion wane?

      “I thought, ‘Some wild stage-woman,
         Honour-wrecked . . . ’
      But no: it was inhuman
         To suspect;
   Though little cheer could my lone heart affect!

                                    II

      “Yet came it, to my gladness,
         That, as vowed,
      He did return.—But sadness
         Swiftly cowed
   The job with which my greeting was endowed.

      “Some woe was there.  Estrangement
         Marked his mind.
      Each welcome-warm arrangement
         I had designed
   Touched him no more than deeds of careless kind.

      “‘I—_failed_!’ escaped him glumly.
         ‘—I went on
      In my old part.  But dumbly—
         Memory gone—
   Advancing, I sank sick; my vision drawn

      “‘To something drear, distressing
         As the knell
      Of all hopes worth possessing!’ . . .
         —What befell
   Seemed linked with me, but how I could not tell.

      “Hours passed; till I implored him,
         As he knew
      How faith and frankness toward him
         Ruled me through,
   To say what ill I had done, and could undo.

      “‘_Faith—frankness_.  Ah!  Heaven save such!’
         Murmured he,
      ‘They are wedded wealth!  _I_ gave such
         Liberally,
   But you, Dear, not.  For you suspected me.’

      “I was about beseeching
         In hurt haste
      More meaning, when he, reaching
         To my waist,
   Led me to pace the hall as once we paced.

      “‘I never meant to draw you
         To own all,’
      Declared he.  ‘But—I _saw_ you—
         By the wall,
   Half-hid.  And that was why I failed withal!’

      “‘Where? when?’ said I—‘Why, nigh me,
         At the play
      That night.  That you should spy me,
         Doubt my fay,
   And follow, furtive, took my heart away!’

      “That I had never been there,
         But had gone
      To my locked room—unseen there,
         Curtains drawn,
   Long days abiding—told I, wonder-wan.

      “‘Nay, ’twas your form and vesture,
         Cloak and gown,
      Your hooded features—gesture
         Half in frown,
   That faced me, pale,’ he urged, ‘that night in town.

      “‘And when, outside, I handed
         To her chair
      (As courtesy demanded
         Of me there)
   The leading lady, you peeped from the stair.

      “Straight pleaded I: ‘Forsooth, Love,
         Had I gone,
      I must have been in truth, Love,
         Mad to don
   Such well-known raiment.’  But he still went on

      “That he was not mistaken
         Nor misled.—
      I felt like one forsaken,
         Wished me dead,
   That he could think thus of the wife he had wed!

      “His going seemed to waste him
         Like a curse,
      To wreck what once had graced him;
         And, averse
   To my approach, he mused, and moped, and worse.

      “Till, what no words effected
         Thought achieved:
      _It was my wraith_—projected,
         He conceived,
   Thither, by my tense brain at home aggrieved.

      “Thereon his credence centred
         Till he died;
      And, no more tempted, entered
         Sanctified,
   The little vault with room for one beside.”

                                   III

      Thus far the lady’s story.—
         Now she, too,
      Reclines within that hoary
         Last dark mew
   In Mellstock Quire with him she loved so true.

      A yellowing marble, placed there
         Tablet-wise,
      And two joined hearts enchased there
         Meet the eyes;
   And reading their twin names we moralize:

      Did she, we wonder, follow
         Jealously?
      And were those protests hollow?—
         Or saw he
   Some semblant dame?  Or can wraiths really be?

      Were it she went, her honour,
         All may hold,
      Pressed truth at last upon her
         Till she told—
   (Him only—others as these lines unfold.)

      Riddle death-sealed for ever,
         Let it rest! . . .
      One’s heart could blame her never
         If one guessed
   That go she did.  She knew her actor best.



UNREALIZED


   DOWN comes the winter rain—
      Spoils my hat and bow—
   Runs into the poll of me;
      But mother won’t know.

   We’ve been out and caught a cold,
      Knee-deep in snow;
   Such a lucky thing it is
      That mother won’t know!

   Rosy lost herself last night—
      Couldn’t tell where to go.
   Yes—it rather frightened her,
      But mother didn’t know.

   Somebody made Willy drunk
      At the Christmas show:
   O ’twas fun!  It’s well for him
      That mother won’t know!

   Howsoever wild we are,
      Late at school or slow,
   Mother won’t be cross with us,
      Mother won’t know.

   How we cried the day she died!
      Neighbours whispering low . . .
   But we now do what we will—
      Mother won’t know.



WAGTAIL AND BABY


   A BABY watched a ford, whereto
      A wagtail came for drinking;
   A blaring bull went wading through,
      The wagtail showed no shrinking.

   A stallion splashed his way across,
      The birdie nearly sinking;
   He gave his plumes a twitch and toss,
      And held his own unblinking.

   Next saw the baby round the spot
      A mongrel slowly slinking;
   The wagtail gazed, but faltered not
      In dip and sip and prinking.

   A perfect gentleman then neared;
      The wagtail, in a winking,
   With terror rose and disappeared;
      The baby fell a-thinking.



ABERDEEN
(April: 1905)


    “And wisdom and knowledge shall be the stability of thy
    times.”—Isaiah xxxiii. 6.

   I LOOKED and thought, “All is too gray and cold
   To wake my place-enthusiasms of old!”
   Till a voice passed: “Behind that granite mien
   Lurks the imposing beauty of a Queen.”
   I looked anew; and saw the radiant form
   Of Her who soothes in stress, who steers in storm,
   On the grave influence of whose eyes sublime
   Men count for the stability of the time.



GEORGE MEREDITH
1828–1909


   FORTY years back, when much had place
   That since has perished out of mind,
   I heard that voice and saw that face.

   He spoke as one afoot will wind
   A morning horn ere men awake;
   His note was trenchant, turning kind.

   He was of those whose wit can shake
   And riddle to the very core
   The counterfeits that Time will break . . .

   Of late, when we two met once more,
   The luminous countenance and rare
   Shone just as forty years before.

   So that, when now all tongues declare
   His shape unseen by his green hill,
   I scarce believe he sits not there.

   No matter.  Further and further still
   Through the world’s vaporous vitiate air
   His words wing on—as live words will.

_May_ 1909.



YELL’HAM-WOOD’S STORY


   COOMB-FIRTREES say that Life is a moan,
      And Clyffe-hill Clump says “Yea!”
   But Yell’ham says a thing of its own:
         It’s not “Gray, gray
         Is Life alway!”
         That Yell’ham says,
      Nor that Life is for ends unknown.

   It says that Life would signify
      A thwarted purposing:
   That we come to live, and are called to die,
         Yes, that’s the thing
         In fall, in spring,
         That Yell’ham says:—
      “Life offers—to deny!”

1902.



A YOUNG MAN’S EPIGRAM ON EXISTENCE


   A senseless school, where we must give
   Our lives that we may learn to live!
   A dolt is he who memorizes
   Lessons that leave no time for prizes.

16 W. P. V., 1866.

                                * * * * *

    _Printed in Great Britain by_ R. & R. CLARK, LIMITED, _Edinburgh_





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