Title: Conjure Wife
Author: Leiber, Fritz
Language: English
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                             CONJURE WIFE

                         By Fritz Leiber, Jr.

                         Illustrated by Kramer

           [Transcriber's Note: This etext was produced from
                      Unknown Worlds April 1943.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]



                                  I.


"I keep wondering if she knows about Us," said the woman with black
button eyes. She played the queen of spades.

The queen of hearts trumped the queen of spades. "You can put your mind
at rest," said the silver-haired woman sweetly, gathering in the trick.
"She doesn't. Tansy Saylor plays a lone hand. Like most women, she
thinks she's the Only One. Co-operation such as ours is rare."

"But I'm afraid of her. Oh, I know she hasn't upset the Balance, and
uses only Protective Procedures. But she isn't our kind. Neither is her
husband. They don't belong."

The silver-haired woman nodded primly, peering through her thick
glasses at the dummy with the empty chair behind it. "I agree. The
Saylors are a disgrace to the Hempnell faculty. Modern. No sense of the
traditional decencies."

"Yes, and she wants to make him president of Hempnell. She wants him to
dictate to our husbands. She wants to condescend to us."

"This talk gets nowhere," broke in the stout, red-haired woman gruffly.
"The point is that her Protective Procedures are effective--many things
would have happened to the Saylors during the last ten years if they
weren't. And she hasn't made the mistake of upsetting the Balance. So
what can we three do about it?"

"Oh, the Balance!" said the woman with black button eyes, throwing down
her last two cards. "Sometimes I think we ought to upset it ourselves."
She evaded the shocked glance of the silver-haired woman. "We've our
Sounds, and our Pictures, and our Numbers, and our Cards. We could
finish the Saylors in a whiff. There's such a neat trick with cards
I've just learned. Here, let me show you--" She slipped a dozen shiny
paste-board oblongs out of her purse. They had the conventional backs,
but their faces bore representations of a cryptic sort.

"Stop that!" The silver-haired woman stretched out fluttering hands.

"Put them away!" ordered the stout woman harshly. She glanced at the
door. "Quickly!"

But the eyes of the little man who ambled in were not inquisitive.
With white beard and amiable smile, he looked almost benign, in an
absent-minded sort of way.

"I don't suppose you played much bridge while I was gone," he observed
with mild joviality.

The silver-haired woman's laughter trilled sweetly. "It's his little
joke. He always pretends that all women are fearful gossips. Well, at
least I made the contract, dear. Four hearts."

His eyes twinkled. "Very commendable." He settled himself in the empty
chair. "Still I imagine the three of you managed to find time for some
very dark and devious plotting--" He chuckled innocently.

       *       *       *       *       *

Norman Saylor, professor of ethnology at Hempnell College, was not the
sort of man to go snooping around in his wife's dressing room. That was
partly the reason why he did it. He was sure nothing could touch the
security of the relationship between him and Tansy.

The house was very quiet. Spring sunshine and balmy air were sluicing
gently through the bedroom windows. It wasn't five minutes since he
had put in the final staccato burst of typing on his "Negro Recruit"
brochure for the War Office. It looked as if for once they would have a
lazy evening to themselves.

Totem, the cat, rose from her sun-warmed spot on the neatly piled
silk quilt and indulged in a titanic, disruptive-looking yawn, neatly
folded her white paws under her black waistcoat, and stared solemnly
at Norman. Norman copied her yawn, and felt a partial unkinking of the
twelve-work-hours-a-day tension that had traced lines on his chunky
face and smudged shadows under his clear, yellow-brown eyes. Such
moments as this did not come often these days, but when they did come,
they sure felt good.

The door of Tansy's dressing room stood invitingly open. It was a tiny
room, just a big closet, with no windows. But it was more than a rack
of dresses and a creamy dressing table. It was Tansy. On the neat side,
but not fussy. A slight pleasant disorder. Very sane--he wondered why
that particular word came to his mind, but it hit the spot. A faint
perfume conjured up amiable memories.

He studied the photographs on either side of the mirror. One of Tansy
and himself in modified Indian costume, from three summers back when he
had been studying the Yumas. They both looked rather solemn. Another,
slightly faded, of an uproarious Negro baptizing in midriver. That
was from when he had held the Hazelton Fellowship and been gathering
material for his "Social Patterns of the Southern Negro" and his later
"Feminine Element in Superstition." Tansy had done more work than two
secretaries that busy year when he was hammering out a reputation.

There was an ample array of cosmetics--Tansy had been the first of the
Hempnell faculty wives to use lipstick and lacquer her nails; there had
been covert criticism and talk of "setting the students a bad example,"
but she had stuck it out. Flanked by cold-cream jars was a photograph
of himself, with a little pile of small change, dimes and quarters, in
front of it.

Idly he slid out a drawer, scanned the pile of stocking rolls, pushed
it in, pulled at another, which jammed, so he had to give it a sharp
tug. A large cardboard box toward the back caught his eyes. He edged up
the cover and took out one of the tiny glass-stoppered bottles. What
sort of cosmetic would this be? Too dark for face powder. More like a
geologist's soil specimen. An ingredient for a mud pack?

The dry, dark-brown granules shifted smoothly, like sand in an
hourglass, as he rotated the glass cylinder. The label appeared, in
Tansy's clear script. "Julia Trock, Roseland." A cosmetician? Was
Roseland a part of the name, or a place? And why should the idea that
it might be a place seem distasteful? His hand knocked aside the
cardboard cover as he reached for a second bottle, identical with the
first, except that the contents had a somewhat reddish tinge, and the
label read, "Philip Lassiter, Hill." A third, contents same color
as the first: "J. P. Thorndyke, Roseland." Then a handful, quickly
snatched up, of three: "Emelyn Scatterday, Roseland." "Mortimer Pope,
Hill." "The Rev. Bufort Ames, Roseland."

The silence in the house grew thunderous; even the sunlight seemed to
sizzle and fry, as his mind rose to a sudden pitch of concentration on
the puzzle. "Roseland and Hill, Roseland and Hill, Roseland and Hill,"
like a nursery rhyme somehow turned nasty, making the glass cylinders
repugnant to his fingers. "Roseland Hill--"

Abruptly the answer came.

The two local cemeteries.

Graveyard dirt.

Soil specimens all right. Graveyard dirt from particular graves. A
chief ingredient of Negro conjure magic.

       *       *       *       *       *

With a soft thud Totem landed on the table and began to sniff
inquisitively at the bottles, but sprang away as Norman plunged his
hand into the drawer. He felt smaller boxes behind the big one, yanked
suddenly at the whole drawer, so it fell to the floor. In one of the
boxes were bent, rusty, worn bits of iron--horseshoe nails. In the
other were calling-card envelopes, filled with snippings of hair, each
labeled like the bottles, but some of these names he knew. And in
one--fingernail clippings.

In the third drawer he drew blank. But the fourth yielded a varied
harvest. Packets of small dried leaves and powdered vegetable
matter--so that was what came from Tansy's herb garden along with
kitchen seasonings? Vervain, vinmoin, devil's snuff. Bits of lodestone,
iron filings clinging to them. Goose quills which spilled quicksilver
when he shook them. Small squares of flannel, the sort that Negro
conjure doctors employed for their "tricken-bags" or "hands." A box of
old silver coins and silver filings--strong protective magic; giving
significance to the coins, all silver, in front of his photograph.

But Tansy was so sane--so healthily contemptuous of palmistry,
astrology, numerology and all the other superstitious fads. A
hard-headed New Englander. So well versed, from her work with him, in
the psychological background of superstition and primitive magic. And
yet--

He found himself thumbing through a dog-eared copy of his own
"Parallelisms in Superstition and Neurosis." It looked like the one he
had lost around the house--was it eight years ago? Beside a formula for
conjuration was a marginal notation in Tansy's script: "Doesn't work.
Substitute copper filings for brass. Try in dark of moon instead of
full."

"Norman--"

Tansy was standing in the doorway, her hand stopped in the moment of
drawing off the little half hat of deep-rose felt that matched her trim
dress.

Never before had he had such a feeling that a human face was only an
arbitrary arrangement of curved surfaces and colors. The tapering
chin--an ellipsoid. The full lips--a complex arrangement of cycloids
and other curves. The eyes--white spheres inscribed with gray-green
circles centered with black. Without familiarity or significance. And
yet, in the same instant he felt that it was desperately important that
he spy out a significance. For a faint distortion of those angles and
curves--a distortion so subtle as to be almost indiscernible--might
signify ... yes, why not say it?... insanity.

The ghost of a smile curved Tansy's lips, and familiarity flooded back
into her face.

"So you've found out," she sighed. And although it seemed incredible,
he thought she sighed with relief.

For a moment he stood there confused, like a district attorney caught
arranging evidence. Then he began his cross-examination.

"It all started so foolishly," she was saying soon. "Just before you
came to Hempnell. I felt it was tremendously important that you get
the appointment and just to relieve my nerves--no other reason--I did
silly things. Put mild curses on the two other applicants, to confuse
their thoughts during the interviews. I got the curses from your notes.
I surrounded you with a web of protective magic, charmed the sociology
faculty to make them regard you favorably.

"Well, you got the job, and I forgot all about my stupid private joke.

"Then, when your first book was at the publishers--you remember, Norm,
in 1930--I tried again. We were so sure it would be rejected. I was
planning to tell you all about my idiotic conjures as soon as it came
back, so at least we'd have a laugh. But it was accepted. And I didn't
tell you.

"Then in 1931, when you had pneumonia. I didn't want to, because it was
too serious this time, but you got worse and I couldn't help myself.
And you got well.

"That was the real beginning. Not that I was certain--I've never been
certain--but I didn't dare take chances. Careers hang on such little
strings, and Hempnell can be so vindictive. You know.

"But I wasn't superstitious. No, I wasn't! At least, I didn't have what
you'd call the superstitious feeling. In a twisted logical way, I was
trying to be empirical. I judged everything by results, step by step.

"And of course, when I say empirical, I don't mean experimental. I
didn't dare to omit any charms as a test, because I was too afraid of
something going wrong. You can't be experimental about someone you
love, any more than a sane sociologist would induce fascism in his own
country just to study the consequences."

He listened, his mind working like a telephone exchange during an
emergency, catching a thousand hidden connections in trivial memories
of his life and Tansy's. Whenever she paused, he had a question to
hammer at her.

"Those mirror decorations on your dresses, and belts, and
handbags--why?"

She nodded, tiredly. "Yes, that's it. To ward off evil spirits, by
reflecting them. I got the idea from Tibetan devil masks. Yes, and the
reason I always use hooks and eyes is--you've guessed--to catch evil
spirits that try to get at me."

       *       *       *       *       *

The room was dark by the time Tansy had finished the catalogue of her
activities at Hempnell, and said, "So you see, I've never been sure.
I've wanted to stop, but there's been too much at stake. It always
worked--or did as soon as I made the proper corrections in the charms.
I've wanted to tell you, but I've never dared. Now that you know, I'm
glad."

The voice was very tired now.

Then, in the darkness he began his argument. It was the old, old
argument of science against primitive ignorance, but he brought it home
to her with careful persuasiveness. The argument which starts out with
a demonstration that superstition is only mistaken empiricism, and ends
with psychoanalysis.

"Didn't it really begin much earlier than Hempnell, Tansy?" he asked at
one point. "I mean, the seeds of it?"

"No. Oh, I don't know. Perhaps. I've childhood memories of dark
moments. Suspicions. Queer things people could do. Hints from I don't
know where. But nothing certain. I just can't remember. I don't know."

Only once did the tired voice grow vehement.

"But I tell you I never tried to kill, or even to injure in a physical
way! Never! Only to confuse or hinder people when they were working
against you. It's terribly important that you understand this, Norman.
Nine tenths of my magic was purely protective. To ward off evil."

He felt pettishly exasperated at this answer. What difference did it
make whether or not she had tried to kill? It was all equally nonsense.
And why should she harp on her efforts to protect him, as if he were
some sort of incompetent? For a moment it occurred to him that, from
one point of view, he _had_ been very lucky in his career. He
abruptly put aside this stray thought, along with his fit of impatience.

At another time she used a similar argument. "I never tried for
anything really big. Like your inheriting a million dollars. Or
becoming president of Hempnell overnight, even if I'd thought you
wanted to. There's a law of reaction or retribution in all conjuring--I
mean, I used to think there was. Like the kick of a gun. I was afraid."

After that there were no more interruptions--only the white smudge of
Tansy's face in the darkness.

When he had finished his voice was tired, too.

There was a pause. Then she said, "I'll do what you want me to. I'll
burn all my stuff. I'll never touch it again."

He snapped on the light, and it seemed to him that science and healthy
skepticism had been created anew from the primeval dark. The hands of
his watch stood at ten thirty. Then he saw that Tansy had begun to cry.

"Darling," she managed to say, "don't you see this is what I've wanted?
Only I'd gotten in so deep I never dared. On your account. You had to
find out and make me stop. That was the only way."

What followed was oddly anticlimactic--the ransacking of the house for
all of Tansy's hidden charms. First the contents of the dressing table.
He found then that he could be generous in his victory because his
trust in Tansy was re-established--he did not demand to look into her
locked little leather-bound diary, when she told him it contained no
relevant material.

Then the rest of the house, Tansy darting from room to room, deftly
recovering flannel-wrapped "hands" from the upholstery of chairs, the
under sides of table tops, the interior of vases, until he marveled
that he had lived in the house for more than ten years without chancing
on any.

"It's rather like a treasure hunt, isn't it?" she observed with a
rueful smile.

There were others outside--under front and back doorsteps, in the
garage, and in the car. With every handful thrown on the roaring fire
he had built in the living room, his sense of relief grew. Finally, she
opened the seams of the pillows on his bed and carefully fished out two
little matted shapes made of feathers bound with fine thread, so they
blended with the fluffy contents of the pillow.

"See, one's a heart, the other an anchor. That's for security," she
told him. "New Orleans magic. You haven't taken a step for years
without being in the range of one of my protective charms."

The feather figures puffed into flame and were gone in an instant.

"There, that's the last one of them," she said. "All gone."

"You're sure?" For a moment his voice grew hard again. "Absolutely
certain you haven't overlooked any?"

"Absolutely certain. There's not one left in the house. I've gone over
it in my mind a dozen times. I'm tired now, really tired. I want to go
straight to bed." Suddenly she began to laugh. "Oh, but first I'll have
to stitch up those pillows, or there'll be feathers all over the place."

He put his arms around her. "Everything O.K. now?"

"Yes, darling. Only one thing I want to ask you--that we don't talk
about this for a few days at least. I'm really terribly ashamed. But
I'm glad it's happened, remember that."

       *       *       *       *       *

After Tansy was gone, Norman threw a fresh log on the fire, and sank
back in the easy-chair, watching the restless, rhythmic play of the
flames. Gradually his thoughts began to unkink. He found himself
wondering--not without admiration--at Tansy's relatively cool behavior.
He would never have dared to try reasoned argument on any other woman
in a similar situation. But that was like Tansy. Always fair. Always
willing to listen to logic. Empirical. Except that she had gotten off
on a crazy sidetrack.

He reached down to stroke Totem, who did not look away from the
hypnotic flames.

"Time we got to bed, old man. Must be about twelve. No--quarter-past
one."

As he slipped back the watch, the fingers of his other hand went
automatically to the charm at the end of the chain--more a locket than
a charm--a gift from Tansy.

He gazed ruminatingly at the flattened golden heart, weighed it in his
palm. It seemed perhaps a trifle heavier than its metal shell would
account for. He snapped up the cover with his thumbnail. There was no
regular way of getting at the space behind Tansy's photograph, so,
after a moment's hesitation, he carefully edged it out with a pencil
point.

Behind the photograph was a tiny packet, wrapped in the finest flannel.

Just like a woman, was his first thought--to seem to give in
completely, but to hold out on something.

Perhaps she had forgotten.

Angrily he tossed the packet into the fireplace. The photograph
fluttered along with it, lighted on the bed of embers, and flared
before he could snatch it out. He had a glimpse of Tansy's face curling
and blackening.

The packet took longer. A yellow glow crept across its surface, as the
nap singed. Then a wavering four-inch flame shot up.

Simultaneously a chill went through him, though he still felt the heat
from the embers. The room seemed to darken. There was a faint, mighty
roaring in his ears, as of motors far underground. He had the sense of
standing suddenly naked and unarmed before something menacingly alien.

Totem had turned around and was peering intently at the shadows in the
far corner. With an expectorant hiss she sprang sideways and darted
from the room.

He realized he was trembling. Nervous reaction, he told himself. Might
have known it was overdue.

The flame died, and once again there was only the bed of embers.

Explosively, the phone began to jangle.

"Professor Saylor? I just want to tell you that you're not going to get
away with what you're trying to do to me. I'm not going to be flunked
out of Hempnell without a protest."

The voice spluttered with rage. It was some moment before he recognized
the student and cut in.

"Now listen, Jennings, if you thought you were being treated unfairly,
why didn't you present your grievances three months ago, when you got
your grades?"

"Why? Because I let you pull the wool over my eyes. I didn't realize
until this minute that you were behind it all."

"Be reasonable. You flunked two courses besides mine last semester."

"Yes, because you dropped dirty hints. Poisoned everyone's mind against
me."

"And you mean to tell me you only realized it now?"

"Yes, I do. It just came to me in a flash as I was thinking here. I saw
your whole slimy plot. Oh, you were clever all right, but let me tell
you, Saylor--"

The voice ranted on. Twice his "But what possible motive could I--"
went disregarded. With a distasteful grimace he hung up.

He felt suddenly very tired. There was an unpleasant coincidence
tangled up in the events of the past few minutes, if you bothered to
figure it out, but a scientist ought to have a healthy disregard for
coincidences.

He put the screen in front of the fire and went to bed.



                                  II.


The red-haired woman knew immediately what had awakened her. She made
no further movement, but lay there, propped on one elbow. From the
opposite bed came placid snores.

Presently, although there was no further sound, her eyes were drawn to
the blacker smudge of the phone. She lifted it quietly and whispered,
"Expected you, dear. I was sure you'd feel it, too."

The other voice came over the wire in bursts--jerky. "How
_couldn't_ I feel it? Like a great gust of wind. Complete collapse
of Protective Screen in her quarter. Balance gone. Oh, I told you this
would happen. She's up to something. I'll go crazy until I know what."

"No need to lose your head," whispered the red-haired woman gruffly,
eying the opposite bed. "She's upset the Balance, all right. But in
a very peculiar way. Any upset I ever heard of came from Excessive
Aggression, Unjustified Death-attempts, or sudden Career-smashing. But
Tansy's done the reverse--let down her guard."

"Yes, just to hoodwink us! She's discovered a new weapon. Something
bad. Why else should she take such a chance? She's planning to smash
us. We've got to beat her to it!"

"Now, now, dear, no tantrums!" A third voice was coming over the wires,
a sweetly reproving voice, just the sort to go with silver hair. "We
mustn't do anything we'd be sorry for. We must be sure of our ground."

"Do you mean we're just to wait?" The jerky voice had grown stridently
indignant. "When we know she must have a new weapon? While she gets
ready to smash us?"

"I didn't say we were to wait forever." There was a chilling tingle of
tartness in the sweet old voice. "I recognize the danger. I recognize
also that she has upset the Balance and must take the consequences.
When we are sure of our ground, we will act. A prospect which, I may
say, delights me."

"And do nothing until then?"

"Yes, dear! Except to watch her--and him."

The red-haired woman smiled grimly, listening to the other two. Such
chatterers! The other bed creaked as the sleeper changed position.

"In any case," she whispered, cutting in, "there should be consequences
whether we act or not. With the Protective Screen down, things should
begin to happen to her--and especially to him. Things which have been
accumulating for a long, long, time--"

       *       *       *       *       *

"And _how_ is Tansy?" asked Mrs. Carr, with such sweet solicitude
that for a moment Norman wondered if the silver-haired dean of women
had even more of an inside wire on the private lives of the faculty
than was generally surmised. But only for a moment. After all, sweet
solicitude was the dean of women's stock-in-trade.

"We missed her at our last faculty wives' meeting," Mrs. Carr
continued. "She's such a gay soul. And we _do_ need gaiety
these days." Cold morning sunlight glinted on her thick glasses and
glowed frostily in her apple-red cheeks. She put her hand on his arm.
"Hempnell _appreciates_ Tansy, Professor Saylor."

Norman's "And why not?" changed to "I think that shows good
judgment" as he said it. He derived sardonic amusement from
recalling how five years ago Mrs. Carr was a charter member of
The-Saylors-are-a-demoralizing-influence Club.

Mrs. Carr's silvery laughter trilled in the chilly air. "I must get on
to my student conferences," she said.

He watched her hurry off, brisk and erect for all her near-seventy
years, wondering if the sudden friendliness meant that there had
been an unexpected improvement in his chances of getting the vacant
chairmanship of the sociology department. Then he turned into Morton
Hall.

When he had climbed to his office, the phone was ringing. It was
Thompson, the public-relations man.

"A rather delicate matter, Professor Saylor." Delicate matters were
Thompson's forte. "This morning one of the trustees phoned me. It
seems he had just heard something--I haven't the slightest idea from
where--concerning you and Mrs. Saylor. That over Christmas vacation you
had attended a party given by some prominent but ... er ... very rowdy
theatrical people. I was wondering if--"

"--I would issue a denial? Sorry, but it wouldn't be honest."

"Oh ... I see. Well, that's all there is to it, then." Thompson
answered bravely after a moment. "I thought you'd like to know, though.
The trustee was very hot under the collar. Talked my ear off about how
these theatrical people were conspicuous for drunkenness and divorce."

"He was right. Nice folks. I'll introduce you to them some time."

"Oh ... yes," replied Thompson apprehensively. "Good-by."

The buzzer sounded, terminating the eight-o'clock classes. Norman
swiveled his chair away from the desk and leaned back, amusedly
irritated at this latest manifestation of the Hempnell "hush-hush"
policy. Not that he had made any particular attempt to conceal the
Berryman party, which had been a trifle more tempestuous than he had
expected. Still, he had said nothing to anyone on campus. No use in
being a fool. Now, after three months it all came out anyway.

From where he sat, the roof ridge of Estrey Hall neatly bisected his
office window along the diagonal. There was a medium-sized cement
dragon frozen in the act of clambering down it. For the tenth time
that morning he reminded himself that what had happened last night had
really happened. It was not so easy. And yet, when you got down to
it, Tansy's lapse into medievalism was not so very much stranger than
Hempnell's Gothic architecture, with its sprinkling of gargoyles and
other fabulous monsters designed to scare off evil spirits.

       *       *       *       *       *

Saylor's nine-o'clock class in "Primitive Societies" quieted down
leisurely as he strode in a few seconds ahead of the buzzer. He set
a student to explaining the sib as a factor in tribal organization,
then put in the next five minutes organizing his thoughts and noting
late arrivals and absentees. When the explanation, supplemented with
blackboard diagrams of marriage groups, had become so complicated that
Bronstein, the prize student, was twitching with eagerness to take a
hand, he called for comments and criticisms, and succeeded in getting a
first-class argument going.

Finally the cocksure fraternity president in the second row said,
"But all those ideas of social organization were based on ignorance,
tradition, and superstition. Unlike modern society."

That was Norman's cue. He lit in joyously, pulverized the defender of
modern society with a point-by-point comparison of fraternities and
primitive "young men's houses" down to the actual details of initiation
ceremonies, which he dissected with scientific relish, and then
launched into a broad analysis of present-day customs as they would
appear to a hypothetical ethnologist from Mars. In passing, he drew a
facetious analogy between sororities and primitive seclusion of girls
at puberty.

The minutes raced pleasantly by as he demonstrated instances of
cultural lag in everything from table manners to systems of notation
and measurement. Even the lone sleeper in the last row surprised
himself by listening.

"Certainly we've made important innovations, chief among them the
scientific method," he said at one point, "but the primitive groundwork
is still there, dominating the pattern of our lives. We're modified
anthropoid apes inhabiting night clubs and battleships. What else could
you expect us to be?"

Marriage and courtship got special attention. With Bronstein grinning
delightedly, he drew detailed modern parallels to marriage by purchase,
marriage by capture, and symbolic marriage to a deity. He showed that
trial marriage is no mere modern conception but a well-established
ancient custom, successfully practiced by the Polynesians and others.

At this point he became aware of a beet-red, angry face toward the back
of the room--that of Gracine Pollard, daughter of Randolph Pollard,
president of Hempnell College. She glared at him outragedly, pointedly
ignoring the interest taken by the neighboring students in her blushes.

Automatically it occurred to him, "Now I suppose the little neurotic
will go yammering to mamma that Professor Saylor is advocating free
love." He shrugged the idea aside and continued the discussion without
modification. The buzzer cut it short.

But he was left feeling irritated with himself, and only half listened
to the enthusiastic comments and questions of Bronstein and a couple of
others.

Back at the office he found a note from Harold Gunnison, the dean of
men, asking for an interview. Having the next hour free, he set out
across the quadrangle for the Administration Building, Bronstein still
tagging along to expound some interesting theory of his own.

But Norman was wondering why he had let himself go. Admittedly, some
of his remarks had been a trifle raw. He had long ago adjusted his
classroom behavior to Hempnell standards, without losing intellectual
integrity, and this ill-advised though trivial deviation bothered him.

       *       *       *       *       *

Mrs. Carr swept by him without a word, her face slightly averted,
cutting him cold. A moment later he realized the explanation. In his
abstraction, he had lighted a cigarette. Moreover, Bronstein, obviously
delighted at faculty infraction of a firmly established Hempnell taboo,
had followed suit.

He frowned but continued to smoke. Evidently the events of the previous
night had disturbed his mind more than he had realized. He ground out
the butt on the steps of the Administration Building.

In the doorway to the outer office he collided with the stylishly stout
form of Mrs. Gunnison.

"Lucky I had a good hold on my camera," she grumbled, as he stooped to
recover her bulging handbag. "I'd hate to try to replace a lens these
days." Then brushing back an untidy wisp of reddish hair from her
forehead, "You look worried. How's Tansy?"

He answered briefly, sliding past her. Now there was a woman who really
ought to be a witch. Sloppy, expensive clothes; bossy, snobbish, and
gruff; good-humored in a beefy fashion, but capable of riding roughshod
over anyone else's desires. The only person in whose presence her
husband's authority seemed a trifle ridiculous.

Harold Gunnison cut short a telephone call, and motioned him to come in
and shut the door.

"Norm," Gunnison began, scowling, "this is a pretty delicate matter."

Norman became attentive. When Harold Gunnison said something was a
delicate matter, unlike Thompson, he really meant it. They played golf
and squash together, and got on pretty well.

He braced himself to hear an account of eccentric, indiscreet, or
even criminal behavior on the part of Tansy. That suddenly seemed the
obvious explanation.

"You have a girl from the Student Employment Agency working for you? A
Margaret van Nice?"

Norman nodded. "A rather quiet kid. Does mimeographing."

"Well, a little while ago, she threw an hysterical fit in Mrs. Carr's
office. Claimed that you had seduced her. Mrs. Carr immediately dumped
the whole business in my lap."

"Well?" said Norman.

Gunnison frowned and cocked an eye at him. "Things like this sometimes
really happen," he muttered.

"Sure," Norman replied. "But not this time."

"Of course. I had to ask."

"Sure. There _was_ opportunity though. We worked late several
nights over at Morton, editing stuff."

Gunnison reached for a folder. "On a chance, I got out her neurotic
index. She ranks way up near the top. A regular bundle of complexes.
We'll just have to handle it smoothly."

"I'll want to hear her accuse me," said Norman. "Soon as possible."

"Of course. I've arranged for a meeting at Mrs. Carr's office. Four
o'clock this afternoon. Meantime she's seeing the college physician.
That should sober her up."

"Four o'clock," repeated Norman, standing up. "You'll be there?"

"Certainly. I'm sorry about this whole business, Norm. Frankly, I think
Mrs. Carr botched it. Got panicky. She's a pretty old lady."

In the outer office he stopped to glance at a small display case of
items concerned with Gunnison's work in physical chemistry. The present
display was of Prince Rupert drops and other high-tension oddities. It
occurred to him that Hempnell was something like a Prince Rupert drop.
Hit the main body with a hammer and you only jarred your hand. But
flick with a fingernail the delicate filament in which the drop ended,
and it would explode in your face.

Fanciful.

He glanced at the other objects, among them a tiny mirror, which, the
legend explained, would fly to powder at the slightest scratch or
sudden change in temperature.

Yet it wasn't so fanciful, when you got to thinking about it. Any
highly organized, complex, somewhat artificial institution, such as a
college, tends to develop dangerous weaknesses. And the same would be
true of a person or a career. Flick the delicate spot in the mind of
a neurotic girl, and she would explode with wild accusations. Or take
a saner person, like himself. Suppose someone should be studying him
secretly, looking for the vulnerable filament, finger casually poised
to flick--

But that was really getting fanciful.

       *       *       *       *       *

Coming out of their eleven-o'clock classes, Hervey Sawtelle buttonholed
him.

Hervey Sawtelle resembled an unfriendly caricature of a college
professor. Sometimes he carried two brief cases, and he was usually on
his way to a committee meeting. Routine worries chased themselves up
and down his nervous face.

But at the moment he was in the grip of one of his petty excitements.

"Say, Norman, the most interesting thing! I was down in the stacks this
morning, and I happened to pull out an old doctor's thesis--1930--by
someone I never heard of--with the title 'Superstition and Neurosis.'"
He produced a bound, typewritten manuscript that looked as if it had
aged without ever being opened. "Almost the same as your 'Parallelisms
in Superstition and Neurosis.' An odd coincidence, eh? I'm going to
look it over tonight."

They were hurrying together toward the dining hall down a walk flooded
with jabbering, laughing students. Norman studied Sawtelle's face
covertly. Surely the fool must remember that his "Parallelisms" had
been published in 1931, giving an ugly suggestion of plagiarism. But
Sawtelle's nervous, toothy grin was without guile.

He had the impulse to pull Sawtelle aside and tell him that there
was something odder than a coincidence involved, and that it did not
reflect in any way on his own integrity of scholarship. But this seemed
hardly the place.

Yet there was no denying the incident bothered him a trifle. Why,
it was years since he had even thought of that stupid business of
Cunningham's thesis. It had lain buried and forgotten in the past--a
hidden vulnerability, waiting for the flick of the fingernail.

Asinine fancifulness! It could all be very well explained, to Sawtelle
or anyone else, at a more suitable time.

Sawtelle's mind was back to routine worries. "You know, we should
be having our conference on the social-science program for next
year. On the other hand, I suppose we should wait until--" He paused
embarrassedly.

"Until it's decided whether you or I get the chairmanship of the
department?" Norman finished for him. "I don't see why. We'll be
working together in any case."

"Yes, of course. I didn't mean to suggest that--"

They were joined by some other faculty members on the steps of the
dining hall. The deafening clatter of trays from the student section
was subdued to a faint din as they entered the faculty sanctum.

Conversation revolved among the old familiar topics, with an
undercurrent of speculation as to what reorganizations and curtailments
of staff the new war year might bring to Hempnell. There was some
reference to the political ambitions of President Pollard--it was
rumored that he might be persuaded to run for governor or senator;
discreet silences here and there around the table substituted for
adverse criticisms on this possibility. Sawtelle's Adam's apple
twitched convulsively at a chance reference to the vacant chairmanship
in sociology.

Norman managed to get a fairly interesting conversation going. He was
glad that he would be busy with classes and conferences until four
o'clock. He knew he could work half again as hard as someone like
Sawtelle, but if he were compelled to do one quarter of the worrying
that man did--

       *       *       *       *       *

Yet the four-o'clock meeting proved to be an anticlimax. He had no
sooner put his hand on the door leading to Mrs. Carr's office, when--as
if that had provided the necessary stimulus--a shrill, tearful voice
burst out with: "It's all a lie! I made it up."

Gunnison was sitting near the window, face a trifle averted, arms
folded, looking like a slightly bored, slightly embarrassed but very
stolid elephant. In a chair in the center of the room was huddled a
delicate, fair-haired, but rather homely girl, tears dribbling down her
cheeks and hysterical sobs racking her shoulders. Mrs. Carr was trying
to calm her in a fluttery way.

"I don't know why I did it," the girl bleated pitifully. "I was in love
with him, and he wouldn't even look at me. I was going to kill myself
last night, and then I thought I would do this instead, to hurt him,
or--"

"Now, Margaret, you must control yourself," Mrs. Carr admonished, her
hands hovering over the girl's shoulders.

"Just a minute," Norman cut in, "did you say last night?"

"There, there, dear. I think you better leave, Professor Saylor." Mrs.
Carr's eyes, magnified by thick glasses, looked fishlike. Her attitude
was hostile. "There's obviously no need of asking questions."

"I think I should be permitted at least one," said Norman. "Just
exactly at what time last night, Miss van Nice, did you get this idea?"

Gunnison registered puzzled but vague curiosity.

The tear-stained face looked up at Norman.

"It was just after one o'clock," she said. "I had been lying awake in
the dark for hours, planning to kill myself. And then, in a flash the
idea came to me." Suddenly she shook loose from Mrs. Carr and stood up,
facing Norman. "Oh, I hate you!" she screamed. "I hate you!"

Gunnison followed him out of the office. He yawned, shook his head, and
remarked, "Glad that's over."

"Never a dull moment," Norman responded, absently.

"Oh, by the way," Gunnison said, dragging a stiff white envelope out of
his inside pocket, "here's a note for Mrs. Saylor. Hulda asked me to
give it to you. I forgot about it before."

"I met her coming out of your office this morning," Norman said, his
thoughts still elsewhere.

       *       *       *       *       *

Somewhat later, back at Morton, Norman tried to come to grips with
those thoughts, but found them remarkably slippery. The dragon on the
roof ridge of Estrey Hall lured away his attention. Funny about little
things like that. You never even noticed them for years, and then
they suddenly popped into focus. How many people could give you one
single definite fact about the architectural ornaments of buildings in
which they worked? Not one in ten, probably. Why, if you'd asked him
yesterday about that dragon, he wouldn't for his life have been able to
tell you even if there _was_ one or not.

He leaned on the window sill, looking at the lizardlike yet grotesquely
anthropoid form, bathed in the yellow sunset glow, which, his wandering
mind remembered, was supposed to symbolize the souls of the dead
passing into and out of the underworld. Below the dragon, jutting out
from under the cornice, was a sculptured head, one of a series of
famous scientists and mathematicians decorating the entablature. He
made out the name "Galileo," along with a brief inscription of some
sort.

When he turned back to answer the phone, it suddenly seemed very dark
in the office.

"Saylor? I just want to tell you that I'm going to give you until
tomorrow--"

"Listen, Jennings," Norman cut in sharply, "I hung up on you last night
because you kept shouting into the phone. This threatening line won't
do you any good."

The voice continued where it had broken off, growing dangerously high.
"--until tomorrow to withdraw your charges and have me reinstated at
Hempnell. If you don't--"

"I told you not to threaten. There were no charges. You just flunked
out. If you want to talk it over reasonably, come and see me."

The voice at the other end of the line broke into a screaming obscene
torrent of abuse, so loud that he could still hear it very plainly as
he was placing the receiver back in the cradle.

Paranoid--that was the way it sounded.

Then he suddenly sat very still.

At twenty past one last night he had burned a charm supposedly designed
to ward off evil influence from him. The last of Tansy's "hands."

At about the same time Margaret van Nice had decided to accuse him of
seducing her, and Marvin Jennings had decided to make him responsible
for an imaginary plot.

Next morning Hervey Sawtelle, poking around in the stacks, had found--

Rubbish!

With an angry snort of laughter at his own credulity, he picked up his
hat and headed for home.



                                 III.


Tansy was in a radiant mood, prettier than she had seemed in months,
younger-looking than her thirty-six years. Twice he caught her smiling
to herself, when he glanced up from his supper.

He gave her the note from Mrs. Gunnison. "Mrs. Carr asked after you,
too. Gushed all over me--in a ladylike way, of course. Then, later
on--" He caught himself as he started to tell about the cigarette, and
Mrs. Carr cutting him, and the interview in her office. No use worrying
Tansy with things that might be considered bad luck. No telling what
further constructions she might put upon them.

She glanced through the note and handed it back to him.

"It has the authentic Hempnell flavor, don't you think?" she observed.

He read:

    DEAR TANSY: Where are you keeping yourself? I haven't seen
    you on campus more than once or twice this year. If you're busy
    with something especially interesting, why not tell us about it?
    Why not come to tea this Saturday, and tell me all about yourself?

                                                                 HULDA.

    P.S. You're supposed to bring four dozen cookies to the Parents'
    Day Reception the Saturday after.

"Rather confused-sounding," he said, "but I clearly perceive the keen
bludgeon of Mrs. Gunnison. She looked particularly sloppy today."

Tansy laughed. "Still, we have been pretty antisocial these last weeks.
I believe I'll ask them over for bridge tomorrow night. It's short
notice, but they're usually free Wednesdays. And the Sawtelles."

"Do we have to? That henpecker?"

Tansy laughed. "I don't know how you would ever manage to get along
without me--" She stopped short. "I'm afraid you'll have to endure
Evelyn. After all, Hervey's the other important man in your department,
and it's expected that you see something of each other socially. To
make two tables, I'll invite the Carrs."

"Three fearful females," said Norman. "If they represent the average
run of professors' wives, I was lucky to get you."

"I sometimes have similar thoughts about professors' wives' husbands,"
said Tansy.

Then as they smoked over the coffee, she said hesitantly, "Norm, I said
I didn't want to talk about last night. But now there's something I
want to tell you."

He nodded.

"I didn't tell you last night, Norm, but when we burned those ...
things, I was terribly frightened. I felt that we were ripping holes
in walls that it had taken me years to build, and that now there was
nothing to keep out the--"

He said nothing, sat very still.

"Oh, it's hard to explain, but ever since I began to ... play with
those things, I've been conscious of pressures from outside. Things
trying to push their way in and get at us. And I've had to press them
back, fight back at them with my--It's like that test of strength men
sometimes make, trying to force each other's hand to the table. But
that wasn't what I was starting to say.

"I went to bed feeling miserable and scared. The pressure from outside
kept tightening around me, and I couldn't resist it, because we'd
burned those things. And then suddenly, as I lay in the dark, about an
hour after I went to bed, I got the most abrupt tremendous feeling of
relief. The pressure vanished, as if I'd bobbed up to the surface after
almost drowning. And I knew then ... that I'd gotten over my craziness.
That's why I'm so happy."

It was hard for Norman not to tell Tansy what he was thinking. Here
was one more coincidence, but it knocked the others into a cocked hat.
At about the same time as he had burned the last charm, experiencing a
sensation of fear, Tansy had felt a great relief. That would teach him
to build theories on coincidences!

"For I was crazy in a way, dear," she was saying. "There aren't many
people who would have taken it as you did."

He said, "You weren't crazy--which is a relative term, anyway,
applicable to anyone. You were just fooled by the cussedness of things."

"Cussedness?"

"Yes. The way nails sometimes insist on bending when you hammer, as if
they were trying to. Or the way machinery refuses to work. Matter's
funny stuff. In large aggregates, it obeys natural law, but when you
get down to the individual atom or electron, it's largely a matter of
chance or whim--" This conversation was not taking the direction he
wanted it to, and he was thankful when Totem jumped up onto the table,
creating a diversion.

It turned out to be the pleasantest evening they had spent together in
ages.

But next morning he wished he had not gotten started on that
"cussedness of things" notion. It stuck in his mind. He found himself
puzzling over the merest trifle--in the precise position of that
idiotic cement dragon. Yesterday he remembered thinking that it was
exactly in the middle of the descending roof ridge. But now he saw
that it was obviously two thirds of the way down, quite near the
architrave topping the huge and useless Gothic gateway set between
Estrey and Morton. Even a social scientist ought to have better powers
of observation than that!

The jangle of the phone coincided with the nine-o'clock buzzer.

"Professor Saylor?" Thompson's voice was apologetic. "I'm sorry to
bother you again, but I just got another inquiry from one of the
trustees. Concerning an informal address you were supposed to have
delivered at about the same time as that ... er ... party. The topic
was 'What's Wrong With College Education?'"

"Well, what about it? Are you implying that there's nothing wrong with
college education, or that the topic is taboo?"

"Oh, no, no, no. But the trustee seemed to think that you were making
a criticism of Hempnell."

"Of small colleges of the same type as Hempnell, yes. Of Hempnell,
specifically, no."

"Well, he seemed to fear it might have a detrimental effect on
enrollment for next year. Spoke of several friends of his with children
of college age as having heard your address and being unfavorably
impressed."

"Then they were supersensitive."

"He also seemed to think you had made a slighting reference to
President Pollard's ... er ... political activities."

"I'm sorry but I have to get along to a class now."

"Very well," said Thompson. He sounded hurt.

       *       *       *       *       *

Gracine Pollard was absent from "Primitive Societies," Norman noted
with an inward grin, wondering if it had become too much for her warped
sense of propriety. But even the daughters of college presidents ought
to be told a few home truths now and then.

Yesterday's lecture had had a markedly stimulating effect. Several
students had abruptly chosen related subjects for their term papers,
and the fraternity president had decided to capitalize on his
yesterday's discomfiture by writing a humorous article on the primitive
significance of fraternity initiations for the Hempnell _Buffoon_.
They had a very brisk session. It put Norman in a good humor which
lasted until after his three-o'clock class that afternoon, when he
happened to meet the Sawtelles, in front of Morton Hall.

"I had lunch today with Henrietta ... I mean, Mrs. Pollard," Mrs.
Sawtelle announced with the air of one who has just visited royalty.

"Oh say, Norman--" Hervey began, excitedly, thrusting forward his brief
case.

"We had a very interesting chat," his wife continued, sweeping on as if
her husband had not spoken. "We talked about you, too, Norman. It seems
Gracine has been misinterpreting some of the things you've been saying
in your class. She's such a sensitive girl."

"Dumb Bunny, you mean," Norman corrected mentally. He murmured, "Oh?"
with some show of politeness.

"Dear Henrietta was a little puzzled as just how to handle it, though
of course she's a very tolerant, cosmopolitan soul. I just mentioned it
because I thought you'd want to know. After all, it is very important
that no one gets any wrong impressions about the department. Don't you
agree with me, Hervey?" she ended sharply.

"What, dear? Oh, yes, yes. Say, Norman, I want to tell you about
that thesis I showed you yesterday. The most amazing thing! Its main
arguments are almost exactly the same as those in your book! An amazing
case of independent investigators arriving at the same conclusions.
Why, it's like Darwin and Wallace, or--"

"You didn't tell _me_ anything about this, dear," said Mrs.
Sawtelle, as if he had cheated her.

"Wait a minute," said Norman.

He hated to make an explanation in Mrs. Sawtelle's presence, but it had
to be done.

"Sorry, Hervey, to have to substitute a rather sordid story for an
interesting case of independent investigation. It happened when I
was an instructor here--1929, my first year. A graduate student
named Cunningham got hold of my ideas--I was friendly with him--and
incorporated them into his doctor's thesis. My work in superstition and
neurosis was just a side line then, and so I didn't happen to read his
thesis until after he'd gotten his degree."

Sawtelle blinked. His face resumed its usual worried expression. A look
of vague disappointment had come into Mrs. Sawtelle's black button
eyes, as if she would have liked to read the thesis before hearing the
explanation.

"I was very angry," Norman continued, "and intended to show him up.
But then I heard he'd died. There was some hint of suicide. He was an
unbalanced chap. How he'd hoped to get away with such an out-and-out
steal, I don't know. Anyway, I decided not to do anything about it, for
his family's sake. You see, it would have supplied a strong reason for
thinking he _had_ committed suicide."

Mrs. Sawtelle looked incredulous.

"But, Norman," Sawtelle commented anxiously, "was that really wise? I
mean to keep silent. Weren't you taking a chance? I mean with regard to
your academic reputation?"

Abruptly Mrs. Sawtelle's manner changed.

"Put that thing back in the stacks, Hervey, and forget about it,"
she directed curtly. Then she smiled archly at Norman. "I've been
forgetting that I have a surprise for you, Professor Saylor. Come down
to the sound booth now, and I'll show you. It won't take a minute. Come
along, Hervey."

Norman had no excuse ready, so he accompanied the Sawtelles to the
rooms of the speech department at the other end of Morton, wondering
how the speech department ever found any use for someone with as nasal
and affected a voice as Evelyn Sawtelle, even if she did happen to be a
professor's wife.

The sound booth was dim and quiet, a solid box with soundproof walls
and double windows. Mrs. Sawtelle took a disk from the cabinet, put it
on one of the three turntables, and adjusted a couple of dials.

From the amplifier came a strangely intermittent wailing or roaring,
as of wind prying at a house. It struck a less usual chord, though, in
Norman's memory.

Mrs. Sawtelle darted back and lifted the needle, hurriedly, so it
grated against the disk.

"I made a mistake," she said. "That's some modernistic music or other.
Hervey, switch on the light. Here's the record I wanted."

"It sounded awful, whatever it was," her husband observed.

Norman had identified his memory. It was of an Australian bull-roarer
a colleague had once demonstrated for him. The curved slat of wood,
whirled at the end of a cord, made exactly the same sound. The
aborigines used it in their magic making.

But now his own voice was coming out of the amplifier, and he had an
odd sense of jerking back in time.

"Surprised?" she questioned coyly. "It's that talk on civilian defense
you gave the students last week. We had a mike spotted by the speaker's
rostrum--I suppose you thought it was for amplification--and we made a
sneak recording, as we call it. We cut it down here."

She indicated the heavier, cement-based turntable for making recordings.

"We can do all sorts of things down here," she babbled on. "Mix all
sorts of sound. Music against voices. And--"

It was hard for Norman to appear even slightly pleased. He knew his
reasons were no more sensible than those of a savage afraid someone
will learn his secret name, yet all the same he disliked the idea
of Evelyn Sawtelle monkeying around with his voice. Like her dully
malicious, small-socketed eyes, it suggested a prying for hidden
weaknesses. And then that talk about mixing sounds--somehow it did not
set good with him.

What it all boiled down to was that he detested the woman.

Rather brusquely, he excused himself.

"We'll see you tonight," Evelyn called after him. It sounded like, "You
won't get rid of me."

       *       *       *       *       *

Back at the office, Norman put in a good hour's work on his notes.
Then, getting up to switch on the light, his glance happened to fall on
the window.

After a few moments, he jerked away and darted to the closet, to get
his field glasses.

Evidently someone had a very obscure sense of humor to perpetrate such
a complicated practical joke.

Intently he searched the cement at the juncture of roof ridge and
clawed feet, looking for the telltale cracks. He could not spot any,
but that was not easy to do in the failing yellow light.

The cement dragon now stood at the edge of the gutter, as if about to
walk over to Morton along the architrave of the big gateway.

He lifted his glasses to the creature's head--blank and crude as an
unfinished skull. Then on an impulse, he dropped them to the row of
sculptured heads, focused on Galileo, and read the little inscription
he had not been able to make out before.

"_Eppur si muove._"

The words Galileo was supposed to have muttered after recanting before
the Inquisition his belief in the revolution of the Earth around the
Sun.

"Nevertheless, it moves."

A board creaked behind him, and he spun around.

By his desk stood a young man, waxen pale, with thick red hair. His
eyes stood out like milky marbles. One white, tendon-ridged hand
gripped a .22 target pistol.

Norman walked toward him, bearing slightly to the right.

The skimpy barrel of the gun came up.

"Hello, Jennings," said Norman. "You've been reinstated. Your grades
have been changed to straight A's."

The gun barrel slowed for an instant.

Norman lunged in.

The gun went off under his left arm, pinking the window.

The gun clunked on the floor. Jennings' skinny form went limp. As
Norman sat him down on the chair, he began to sob, convulsively.

Norman lifted the phone and asked for an on-campus number. The
connection was made quickly. "Gunnison?" he asked.

"Uh-huh, just caught me as I was leaving."

"Theodore Jennings' parents live right near the college, don't they?
You know, the chap who flunked out last semester."

"I believe they do. What's the matter?"

"Better get them over here quick. And have them bring his doctor. He
just tried to shoot me."

There was a pause. Norman visualized Gunnison's startled reaction!
Then, "Right away!"

Norman put down the phone. Jennings continued to sob agonizingly.
Norman looked at him with disgust.

       *       *       *       *       *

An hour later Gunnison sat down in the same chair, and let off a sigh
of relief.

"I'm sure glad they're gone," he said. "It was awfully good of you,
Norman, not to insist on the police. Things like that give a college a
bad name."

Norman smiled wearily. "Almost anything gives a college a bad name. But
that kid was obviously crazy as a loon."

They lit up and smoked for a while in silence. Then Gunnison looked at
his watch.

"I'll have to hustle. It's almost seven, and we're due at your place at
eight."

But he lingered, ambling over to the window to inspect the bullet hole.

"I wonder if you'd mind not mentioning this to Tansy?" Norman asked. "I
don't want to worry her."

Gunnison nodded. "Good thing if we kept it to ourselves." Then he
pointed out the window. "That's one of my wife's pets," he remarked in
a jocular tone.

Norman saw that his finger was trained on the cement dragon, now coldly
revealed by the upward glare from the street lights.

"I mean," Gunnison went on, "she must have a dozen photographs of it.
Hempnell's her specialty. I believe she's got a photograph of every
architectural oddity on campus. That one's her favorite." He chuckled.
"Usually it's the husband who keeps ducking down into the darkroom, but
not in our family. And me a chemist, at that."

Norman's taut mind had unaccountably jumped to the thought of a
bull-roarer. Abruptly he realized the analogy between the recording of
a bull-roarer and the photograph of a dragon.

He clamped a lid on the fantastic questions he wanted to ask Gunnison.

"Come on!" he said. "We'd better get along!"

Gunnison started a little at the harshness of his voice.

"Can you drop me off?" asked Norman, more quietly. "My car's at home."

"Sure thing," said Gunnison.

After he had switched out the light, Norman paused for a moment,
staring back at the window. The words came back.

"_Eppur si muove._"



                                  IV.


They had hardly cleared away the remains of a hasty supper, when there
came the first clang from the front-door chimes. To Norman's relief,
Tansy had accepted without questioning his rather clumsy explanation of
why he had gotten home so late. There was something puzzling, though,
about her serenity these last two days. She was usually much sharper,
and more curious. But of course he had been careful to hide disturbing
events from her, and he ought only to be glad her nerves were in such
good shape.

"Dearest! It's been ages since we've seen you!" Mrs. Carr embraced
Tansy in a matronly fashion. "How are you? How are you?" The question
sounded peculiarly eager and incisive. Norman put it down to typical
Hempnell gush. "Oh, dear, I'm afraid I've got a cinder in my eye," Mrs.
Carr continued. "The wind's getting quite fierce."

"Gusty," said Professor Carr of the mathematics department, showing
obvious but harmless delight at finding the right word. He was a little
man with red cheeks and a white Vandyke, as innocent and absent-minded
as college professors are supposed to be, who gave the impression
of residing permanently in a special paradise of transcendental and
transfinite numbers.

"It seems to have gone away now," said Mrs. Carr, waving aside Tansy's
handkerchief and experimentally blinking her eyes, which looked
unpleasantly naked and birdlike until she replaced her thick glasses.
"Oh, that must be the others," she added, as the chimes sounded. "Isn't
it marvelous that everyone at Hempnell is so punctual?"

As Norman started for the front door he imagined for one crazy moment
that someone must be whirling a bull-roarer outside, until he realized
it could only be the rising wind living up to Professor Carr's
description of it.

He was confronted by Evelyn Sawtelle's angular form, wind whipping
her black coat against her legs. Her equally angular face, with its
shoe-button eyes, was thrust toward his own.

"Let us in, or it'll blow us in," she said. Like most of her attempts
at coy or facetious humor, it did not come off, perhaps because she
made it sound so stupidly grim.

She entered, with Hervey in tow, and made for Tansy.

"My dear, how are you? Whatever have you been doing with yourself?"
Again he was struck by the eager and meaningful tone of the question.
For a moment he wondered whether the women had somehow gotten an
inkling of Tansy's eccentricity, and the recent crisis. But Mrs.
Sawtelle was so voice-conscious that she was always emphasizing things
the wrong way.

       *       *       *       *       *

There was a noisy flurry of greetings. Totem made a squeaky noise and
darted out of the way of the crowd of human beings. Mrs. Carr's silvery
voice rose above the rest.

"Oh, Professor Sawtelle, I want to tell you how _much_
we all appreciated your talk on city planning. It was truly
_significant_!" Sawtelle writhed, grinning in a flustered way.

Norman thought: "So now _he's_ the favorite for the chairmanship."

Professor Carr had made a beeline for the bridge tables, and was
wistfully fingering the cards.

"I've been studying the mathematics of the shuffle," he began with a
bright-eyed air, as soon as Norman drifted into range. "The shuffle
is supposed to make it a matter of chance what hands are dealt. But
that is not true at all." He broke open a new pack of cards, and
spread the deck. "The manufacturers arrange these by suits--thirteen
spades, thirteen hearts, and so on. Now suppose I make a perfect
shuffle--divide the pack into equal parts and interleaf the cards one
by one."

He tried to demonstrate, but the cards got away from him.

"It's really not as hard as it looks," he continued amiably. "Some
players can do it every time, quick as a wink. But that's not the
point. Suppose I make two perfect shuffles with a new pack. Then,
no matter how the cards are cut, each player will get thirteen of a
suit--an event that, if you went purely by the laws of chance would
only happen once in about one hundred and fifty-eight billion times as
regards a _single_ hand, let alone all four."

Norman nodded, and Carr smiled delightedly.

"That's only one example. What is loosely termed chance is really the
resultant of several perfectly definite factors--chiefly the play of
the cards on each hand, and the shuffle habits of the players." He
made it sound as important as the Theory of Relativity. "Some evenings
the hands are very ordinary. Other evenings they keep getting wilder
and wilder--long suits, voids, and so on. Sometimes the high cards
persistently run north and south. Other times, east and west. Luck?
Chance? Not at all! It's the result of perfectly definite factors. Some
expert players actually make use of this principle to determine the
probable location of key cards."

Norman's mind went off on a tangent. Suppose you applied this principle
outside bridge? Suppose that coincidences and other chance happenings
weren't really as chancy as they looked? Suppose there were individuals
with a special aptitude for calling the turns, making the breaks? But
that was a pretty obvious idea--nothing to give a person the shiver it
had given him.

"I wonder what's holding up the Gunnisons?" Professor Carr was saying.
"We might start one table now. Perhaps we can get in an extra rubber,"
he added hopefully.

A peal from the chimes settled the question.

Gunnison looked as if he had eaten his dinner too fast, and Hulda
seemed rather surly.

"We had to rush so," she muttered curtly to Norman as he held the door.

Like the other two women, she almost ignored him and concentrated her
greetings on Tansy. It gave him a vaguely uneasy feeling, as when they
had first come to Hempnell and faculty visits had been a nerve-racking
chore. Tansy seemed at a disadvantage--somehow unprotected--in contrast
to the aggressive air of purpose animating the other three.

But what of it?--he told himself. That was usual with Hempnell faculty
wives. They acted as if they lay awake nights plotting how to poison
the people between their husband and the president's chair.

Whereas Tansy--But that was like what Tansy had been doing. His
thoughts started to gyrate confusingly, and he switched them off.

They cut for partners.

The cards seemed determined to provide an illustration for the theory
Carr had explained. The hands were uniformly commonplace--abnormally
average. No long suits. Nothing but 4-4-3-2 and 4-3-3-3 distribution.
Bid one; make two. Bid two; make one.

       *       *       *       *       *

After the second round, Norman applied his private remedy for
boredom--the game of "Spot the Primitive." You played it by yourself,
secretly. It was just an exercise for an ethnologist's imagination. You
pretended that the people around you were members of a savage race,
and you tried to figure out how their personalities would manifest
themselves in such an environment.

Tonight it worked almost too well.

Nothing unusual about the men. Gunnison would, of course, be a
prosperous tribal chieftain; perhaps a little fatter, and tended by
maidens, but with a jealous and vindictive wife waiting to pounce. Carr
might figure as the basket maker of the village--a spry little old
man, grinning like a monkey, weaving the basket fibers into intricate
mathematical matrices. Sawtelle, of course, would be the tribal
scapegoat, butt of endless painful practical jokes.

But the women!

Take Mrs. Gunnison, now his partner. Give her a brown skin. Leave the
red hair, but twist some copper ornaments in it. She'd be heftier if
anything, a real mountain of a woman, stronger than most of the men in
the tribe, able to wield a spear or club. The same sleepy brutish eyes,
but the lower lip would jut out in a more openly sullen and domineering
way. It was only too easy to imagine what she'd do to the unlucky
maidens her husband showed too much interest in. Or how she would pound
tribal policy into his head when they retired to their hut. Or how her
voice would thunder out the death chants the women sang to aid the men
away at war.

Then Mrs. Sawtelle and Mrs. Carr, who had progressed to the top table
along with himself and Mrs. Gunnison. Mrs. Sawtelle first. Make her
skinnier. Scarify the flat cheeks with ornamental ridges. Tattoo the
spine. Witch woman. Bitter as quinine bark because her husband was
ineffectual. Think of her prancing before a spike-studded fetish. Think
of her screeching incantations and ripping off a chicken's head--

"Norman, you're playing out of turn," said Mrs. Gunnison.

"Sorry."

And Mrs. Carr. Shrivel her a bit. Leave only a few wisps of hair on
the parchment skull. Take away the glasses, and then her eyes would be
gummy. She'd blink and peer short-sightedly, and leer toothlessly, and
flutter her bony claws. A nice harmless old squaw, who'd gather the
tribe's children around her and tell them legends. But her jaw would
still be able to snap like a steel trap, and her clawlike hands would
be deft at applying arrow poison, and she wouldn't really need her eyes
because she'd have other ways of seeing things and even the bravest
warrior would grow nervous if she looked too long in his direction.

"Those experts at the top table are awfully quiet," called Gunnison
with a laugh. "They must be taking the game very seriously."

Witch women, all three of them, engaged in booting their husbands to
the top of the tribal hierarchy.

From the dark doorway at the far end of the room, Totem was peering
curiously, as if weighing some similar possibility.

       *       *       *       *       *

But Norman could not fit Tansy into the picture. He could visualize
physical changes, like frizzing her hair, and putting some big gold
rings in her ears and a painted design on her forehead. But he could
not picture her as belonging to the same tribe. She persisted in his
imagination as a stranger woman, a captive, eyed with suspicion and
hate by the rest. Or perhaps a woman of the same tribe, but one who had
done something to forfeit the trust of all the other women. A priestess
who had violated taboo. A witch woman who had renounced witchcraft.

Abruptly his field of vision narrowed to the score pad. Evelyn Sawtelle
was idly scribbling stick figures as Mrs. Carr deliberated over a lead.
First the stick figure of a man with arms raised and three or four
balls above his head, as if he were juggling. Then the stick figure
of a queen, indicated by crown and skirt. Then a little tower, with
battlements. Then an L-shaped thing with a stick figure hanging from
it--a gallows. Finally, a truck bearing down on a man whose arms were
extended toward it in fear.

Just five scribbles. But he knew that four of them were connected with
a bit of unusual knowledge buried somewhere in his mind. A glance at
the exposed dummy gave him the clue.

Cards.

But this bit of knowledge was from the ancient history of cards, when
the whole deck was drenched with magic, when there was a Knight between
the Jack and the Queen, when the suits were swords, batons, cups, and
money, and when there were twenty-two special tarot cards in the pack,
of which today only the Joker remained. Tarot cards were used for
fortunetelling.

Four of the tarot cards were the Juggler, the Empress, the Tower, and
the Hanged Man.

Only the fifth stick figure, that of the man and truck, did not fit in.
But it gave him a peculiarly personal shudder. Death by being crushed
or mangled, as in an automobile accident, was his pet phobia.

Mrs. Sawtelle scratched out the stick figures and looked up at him
sullenly.

Mrs. Gunnison leaned forward, lips moving as if she might be counting
trump.

Mrs. Carr smiled, and made her lead. The risen wind began to make the
same intermittent roaring sound it had for a moment earlier in the
evening.

Why not, he asked himself. Three witch women, using magic as Tansy had,
to advance their husband's careers and their own. Making use of their
husband's special knowledge to give magic a modern twist. Suspicious
and worried because Tansy had given up magic; afraid she'd found a much
stronger variety, and was planning to make use of it.

And Tansy--suddenly unprotected, possibly unaware of the change in
their attitude toward her because, in giving up magic, she had lost her
sensitivity to the supernatural, her "woman's intuition."

Why not carry it a step further? Maybe all women were the same.
Guardians of mankind's ancient customs and traditions--including the
practice of witchcraft. Fighting their husband's battles from behind
the scenes, by sorcery. Keeping it a secret; and, on those occasions
when they were discovered, conveniently explaining it as feminine
susceptibility to superstitious fads.

Half of the human race still actively practicing sorcery.

Why not?

"It's your play, Norman," said Mrs. Sawtelle, sweetly.

"You look as if you had something on your mind," said Mrs. Gunnison.

"How are you getting along up there, Norm?" her husband called. "Those
women got you buffaloed?"

Buffaloed? He came back to reality with a jerk. That was just what they
almost had done. And all because the human imagination was a thoroughly
unreliable instrument, like a rubber ruler. Let's see, if he played his
queen it might set up a king in Mrs. Gunnison's hand so she could get
in and run her spades.

       *       *       *       *       *

After that round, Tansy served refreshments, and the usual shop talk
began.

"Saw Pollard today," Gunnison remarked, helping himself to a section
of chocolate cake. "Told me he'd be meeting with the trustees tomorrow
morning, to decide among other things on the chairmanship in sociology."

Hervey Sawtelle choked on a crumb and almost lost his coffeecup.

Norman caught Mrs. Sawtelle glaring at him vindictively. She changed
her face and murmured, "How interesting." He smiled. That kind of hate
he could understand. No need to confuse it with witchcraft.

He went to the kitchen to get Mrs. Carr a glass of water, and met Mrs.
Gunnison coming out of the bedroom. She was slipping a leather-bound
booklet into her capacious handbag. It recalled to his mind Tansy's
diary. Probably an address book.

Totem slipped out from behind her, giving what sounded like a hiss as
he dodged past her feet.

"I loathe the animal," said Mrs. Carr bluntly, and walked past him.

Professor Carr had made arrangements for a final rubber, men at one
table, women at the other.

"A barbaric arrangement," said Tansy, winking. "You really don't think
we can play bridge at all."

"On the contrary, my dear, I think you play very well," Carr replied
seriously. "But I confess that at times I prefer to play with men. I
can get a better idea of what's going on in their minds. Whereas women
still baffle me."

"As they should, dear," added Mrs. Carr, bringing a flurry of laughter.

The cards suddenly began to run freakishly, with abnormal distribution
of suits, and play took a wild turn. But Norman found it impossible
to concentrate, which made Sawtelle an even more jittery partner than
usual.

He kept listening to what the women were saying at the other table. His
rebellious imagination persisted in reading hidden meanings into the
most innocuous remarks.

"You usually hold wonderful hands, Tansy. But now you don't seem to
have any," said Mrs. Carr. But suppose she was referring to the kind of
hand you wrapped in flannel?

"Oh, well, unlucky in cards ... you know." How had Mrs. Sawtelle meant
to finish the remark? Lucky in love? Lucky in sorcery? Idiotic notion!

"That's two psychic bids you've made in succession, Tansy. Better watch
out. We'll catch up with you." What might not a psychic bid stand for
in Mrs. Gunnison's vocabulary? Some kind of bluff in witchcraft? A
pretense at giving up conjuring?

"I wonder," Mrs. Carr murmured sweetly to Tansy, "if you're hiding a
very strong hand this time, dear, and making a trap pass?"

Rubber ruler. That was the trouble with imagination. According to a
rubber ruler, an elephant would be no bigger than a mouse, a jagged
line and a curve might be equally straight. He tried to think about the
slam he had contracted for.

"The girls talk a good game of bridge," murmured Gunnison in an
undertone.

Gunnison and Carr came out at the long end of two-thousand rubber and
were still crowing pleasantly as they stood around waiting to leave.

Norman remembered a question he wanted to ask Mrs. Gunnison.

"Harold was telling me you had a number of photographs of that cement
dragon or whatever it is on top of Estrey. It's right opposite my
window."

She looked at him for a moment, then nodded.

"I believe I've got one with me. Took it almost a year ago."

She dug a rumpled snapshot out of her handbag.

He studied it, and experienced a kind of shiver in reverse. This
didn't make sense at all. Instead of being toward the center of the
roof ridge, or near the bottom, it was almost at the top. Just what
was involved here? A practical joke stretching over a period of days
or weeks? Or--His mind balked, like a skittish horse. Yet--_Eppur si
muove_.

He turned it over. There was a confusing inscription on the back, in
greasy red crayon. Mrs. Gunnison took it out of his hands, to show the
others.

"The wind sounds like a lost soul," said Mrs. Carr, hugging her coat
around her as Norman opened the door.

"But a rather noisy one," her husband added with a chuckle.

When the last of them were gone, Tansy slipped her arm around his
waist, and said, "I must be getting old. It wasn't nearly as much of a
trial as usual. They seemed almost human."

Norman looked down at her intently. She was smiling peacefully. Totem
had come out of hiding and was rubbing against her legs.

With an effort Norman nodded and said, "Yes, they did."



                                  V.


There were shadows everywhere, and the ground under his feet was
treacherous and of uncertain texture. The dreadful strident roaring,
which seemed to have gone on since eternity began, shook his very
bones. Yet it did not drown out the flat, nasty monotone of that other
voice which kept telling him to do something--he could not be sure what
except that it involved injury to himself, although he heard the voice
as plainly as if someone were talking inside his head. He tried to
struggle away from the direction in which the voice wanted him to go,
but heavy hands jerked him back. He wanted to look up over his shoulder
at something he knew would be taller than himself, but he couldn't
muster the courage. There were great rushing clouds overhead making the
shadows, and they would momentarily assume the form of gigantic faces
brooding down on him, faces with pits of darkness for eyes, and sullen,
savage lips, and great masses of hair streaming behind.

He must not do the thing the voice commanded. And yet he must. He
struggled wildly. The sound rose to a rock-shattering pandemonium. The
clouds became a black, ragged, all-engulfing torrent.

And then suddenly the bedroom became mixed up with the other picture,
and he struggled awake.

He rubbed his face, which was thick with sleep, and tried
unsuccessfully to remember what the voice had wanted him to do. He
still felt the reverberations of the sound in his ears.

Gloomy daylight seeped through the shades. The clock indicated quarter
to eight.

Tansy was still curled up, one arm out of the covers. A smile seemed to
be tickling the corners of her lips and wrinkling her nose. He slipped
out carefully. His bare foot failed to avoid a loose carpet tack.
Suppressing an angry grunt, he hobbled off.

For the first time in months he botched shaving. Twice the new blade
slid too sharply sideways, neatly removing tiny segments of skin. He
glared irritably at the scowling face in the mirror, pulled the blade
down his chin very slowly, but with a little too much pressure, and
gave himself a third nick.

By the time he got down to the kitchen, the water he had put on was
boiling. As he poured it into the coffeepot, the wobbly handle of the
saucepan came completely loose, and his bare ankles were splattered
painfully. Totem skittered away, and then slowly returned to his tin
of milk. Norman cursed, and then grinned. What had he been telling
Tansy about the cussedness of things? As if to prove the point with a
final ridiculous example, he bit his tongue while eating coffee cake.
Cussedness of things? Say rather the cussedness of the human nervous
system! Faintly he was aware of a potently disturbing emotion--remnant
of the dream?--like an unpleasant swimming shape glimpsed beneath weedy
water.

It seemed most akin to a dull seething anger, for as he hurried toward
Morton Hall, he found himself inwardly at war with the established
order of things--and particularly educational institutions. The old
sophomoric exasperation at the hypocrisies and compromises of civilized
society welled up and poured over the dams that a mature realism had
set against it. This was a great life for a man to be leading. Coddling
the immature minds of grown-up brats, and lucky to get one halfway
promising student a year. Playing bridge with a bunch of old fogies.
Catering to jittery incompetents like Hervey Sawtelle. Bowing to the
thousand and one stupid rules and traditions of a second-rate college.
And for what!

He knew he was being silly, but some perverse quirk kept him from
pushing back this intrusion of juvenile emotions.

       *       *       *       *       *

Ragged clouds were moving overhead, pre-saging rain. They reminded him
of his dream. He felt the impulse to shout a childish defiance at those
faces in the sky.

An army truck rolled quietly by, recalling to his mind a little picture
Evelyn Sawtelle had scribbled on a bridge pad. He followed it with his
eyes. When he turned back, he saw Mrs. Carr.

"You've cut yourself," she said brightly, peering closely at his face.

"Yes, I have."

"How unfortunate!"

He did not try to answer. They walked together through the gate between
Morton and Estrey. He could just make out the snout of the cement
dragon poked over the Estrey gutter.

"I wanted to tell you last night how distressed I was, Professor
Saylor, about that matter of Margaret van Nice, only I didn't think it
was the right time. I'm dreadfully sorry that you had to be called in.
Such a disgusting accusation! How you must have felt!"

She seemed to misinterpret his wry grimace at this, for she went
on swiftly, "Of course, I never once dreamed that _you_
had done anything the least improper, but I thought there must
be _something_ to the girl's story. She told it in such
_detail_. Really, Professor Saylor, some of the girls that come to
Hempnell nowadays are _terrible_. Where they get such loathsome
ideas from is quite beyond me."

"Would you like to know?"

She looked up at him blankly.

"They get them," he told her concisely, "from a society which seeks
simultaneously to stimulate and inhibit one of their basic drives. They
get them, in brief, from a lot of dirty-minded adults!"

"Really, Professor Saylor! Why--"

"There are a number of girls here at Hempnell who would be a lot
healthier with real love affairs rather than imaginary ones. A fair
proportion, of course, have already made satisfactory adjustments."

He had the satisfaction of hearing her gasp as he abruptly turned into
Morton. His heart was pounding pleasantly. His lips were tight. When
he reached his office he lifted the phone and asked for an on-campus
number.

"Thompson?... Saylor. I have a couple of news items for you."

"Good, good! What are they?" Thompson replied hungrily, in the tone of
one who poises a pencil.

"First, the subject for my address to the Off-campus Mothers week
after next, 'Pre-marital Relations and the College Student.' Second,
my theatrical friends--you know the ones I mean--will be playing in
the city at the same time, and I shall invite them to be guests of the
college."

"But--" The poised pencil had obviously been dropped like a red-hot
poker.

"That's all, Thompson. Perhaps I shall have something more interesting
another time. Good-by."

He felt a stinging sensation in his hand. He had been fingering a
little obsidian knife he used for slitting envelopes. It had gashed
his finger. Blood smeared the clear volcanic glass where once, he told
himself, had been the blood of sacrifice or ritual scarification.
Clumsy--The nine-o'clock buzzer cut short his musing. He ripped a
bandage from his handkerchief.

As he hurried down the corridor, Bronstein fell into step with him.

"We're pulling for you this morning, Dr. Saylor," he murmured heartily.

"What do you mean?"

Bronstein's grin was a trifle knowing. "A girl who works in the
president's office told us they were deciding on the sociology
chairmanship. I sure hope the old buzzards show some sense for once."

Academic dignity stiffened Norman's reply. "In any case, I will be
satisfied with their decision."

Bronstein felt the rebuff. "Of course, I didn't mean to--"

"Of course you didn't."

He immediately regretted his sharpness. Why the devil should he rebuke
a student for failing to reverence trustees as representatives of
deity? Why pretend he didn't want the chairmanship? Why conceal his
contempt for half the faculty? The anger he thought he had worked
out of his system surged up with redoubled violence. On a sudden
irresistible impulse he tossed his lecture notes aside and started in
to tell the class just what he thought of the world and Hempnell. They
might as well find out young!

Fifteen minutes later he came to with a jerk in the middle of a
sentence about "dirty-minded old women, in whom greed for social
prestige has reached the magnitude of a perversion." He could not
remember half of what he had been saying. He searched the faces of his
class. They looked excited but puzzled, most of them, and a few looked
shocked. Gracine Pollard was glaring. Yes! He remembered now that he
had made a neat but nasty analysis of the politic motives of a certain
college president who could be none other than Randolph Pollard. And
somewhere he had started off on that premarital-relations business, and
had been ribald about it, to say the least. And he had--

Exploded. Like a Prince Rupert drop.

He finished off with half a dozen lame generalities. He knew they must
be quite inappropriate, for the looks grew more puzzled.

But the class seemed very remote. A shiver was spreading downward from
the base of his skull, all because of a few words that had printed
themselves in his mind.

The words were: A fingernail has flicked a psychic filament.

He shook his head, jumbling the type. The words vanished.

There were thirty minutes of class time left. He wanted to get away. He
announced a surprise quiz, chalked up two questions, and left the room.

       *       *       *       *       *

The cut finger had started to bleed again through the bandage, and
there was blood on the chalk.

And dried blood on the obsidian knife. He resisted the impulse to
finger it, and sat staring at the top of his desk.

It all went back to that witchcraft business, he told himself. It had
shaken him much more than he had dared to admit. He had tried to put it
out of his mind too quickly. And Tansy had appeared to forget it too
quickly, too. A person could not shake an obsession that easily. He
must thrash it out with her, again and again, or the thing would fester.

But with Tansy seeming so happy and relieved the last three days, that
might be the wrong course to take, the selfish course--

His eyes started to stray toward the window, but the telephone recalled
him.

"Professor Saylor?... I'm calling for Dr. Pollard. Could you come in
and see Dr. Pollard this afternoon?... Four o'clock?... Thank you."

He leaned back with a smile. At least he had gotten the chairmanship.

It grew darker as the day progressed, the ragged clouds sweeping lower
and lower. But the storm held off until almost four.

Big raindrops splattered the dusty steps as he ducked into the portico
of the Administration Building. Thunder crackled and crashed, as if
acres of metal sheeting were being shaken above the clouds. He turned
back to watch. Lightning threw the Gothic roofs and towers into sharp
relief. Again the crackle, building to a crash. He remembered he had
left a window open in his office. But there was nothing that would be
damaged by the wet.

Wind swooped down past the portico with a strident, pulsating roar.
The unmusical voice that spoke into his ear had the same quality.

"Isn't it a pretty storm?"

Evelyn Sawtelle was smiling for once. It had a grotesque effect on her
features, as if a horse had suddenly discovered how to smirk.

"You've heard the news, of course?" she went on. "About Hervey?"

Hervey popped out from behind her. He was grinning, too, but
embarrassedly. He mumbled something that was lost in the storm, and
extended his hand vaguely, as if he were in a receiving line.

Evelyn never took her eyes off Norman. "Isn't it wonderful?" she
hissed. "Of course, we expected it, but still--"

Norman guessed. He forced himself to grasp Hervey's hand, just as the
latter was withdrawing it flusteredly.

"Congratulations, old man," he said briefly.

"I'm very proud of Hervey," Evelyn announced possessively, as if he
were a small boy who had won a prize for good behavior.

Her eyes followed Norman's hand. "Oh, you've cut yourself." The smirk
seemed to be a permanent addition to her features. The wind wailed
fiendishly. "Come, Hervey!" And she walked out into the storm as if it
weren't there.

Hervey goggled at her in surprise. He mumbled something apologetic
to Norman, pumped his hand up and down again, and then obediently
scampered after his wife.

Norman watched them. There was something unpleasantly impressive about
the way Evelyn Sawtelle marched through the sheets of rain, getting
both of them drenched to no purpose except to satisfy some strange
obstinacy. He could see that Hervey was trying to hurry her and not
succeeding. Lightning flared viciously, but there was no reaction
apparent in her angular, awkward frame. Once again he became dimly
aware of an alien, explosive emotion deep within him.

And so that little poodle dog of hers, he thought, is to have the final
say on the educational policy of the sociology department. Then what
the devil does Pollard want to see me for? To offer his commiserations?

Almost an hour later he slammed out of Pollard's office, tense with
anger, wondering why he had not handed in his resignation on the spot.
To be interrogated about his actions like some kid, on the obvious
instigation of busybodies like Thompson and Mrs. Carr and Gracine
Pollard! To have to listen to a lot of hogwash about his "attitudes"
and "the Hempnell spirit," with veiled insinuations about his "moral
code."

At least he had given somewhat better than he had taken! At least he
had forced a note of confusion into that suave, oratorical voice, and
made those tufted gray eyebrows pop up and down more than once!

Mrs. Gunnison was standing at the door of her husband's office. Like
a big, strong slug, he told himself, noting her twisted stockings and
handbag stuffed full as a grab bag, the inevitable camera dangling
beside it. His exasperation shifted to her.

"Yes, I cut myself!" he told her, observing the direction of her
glance. His voice was hoarse from the tirade he had delivered to
Pollard.

Then he remembered something and did not stop to weigh his words. "Mrs.
Gunnison, you picked up my wife's diary last night--by mistake. Will
you please give it to me?"

"_You're_ mistaken," she replied tolerantly.

"I saw you coming out of her bedroom with it."

Her eyes became lazy slits. "In that case you'd have mentioned it last
night. You're overwrought, Norman. I understand." She nodded toward
Pollard's office. "It must have been quite a disappointment."

"I'm asking you to return the diary!"

"And you'd really better look after that cut," she continued unruffled.
"It doesn't look any too well bandaged, and it seems to be bleeding.
Infections can be nasty things."

He turned on his heel and walked away. Her reflection confronted him,
murky and dim in the glass of the outer door. She was smiling.

       *       *       *       *       *

Outside Norman looked at his hand. Evidently he had opened the cut when
he banged Pollard's desk. He drew the bandage tighter.

The storm had blown over, and yellow sunlight was flooding from under
the low curtain of clouds to the west, flashing richly from the wet
roofs and upper windows. Surplus rain was sprinkling from the trees.
The campus was empty. A flurry of laughter from the girls' dormitories
etched itself on the silence. He shrugged aside his anger, and let his
senses absorb the new-washed beauty of the scene.

He prided himself on being able to enjoy the moment at hand. It seemed
to him one of the chief signs of maturity.

He tried to think like a painter, identifying hues and shades,
searching for the faint rose or green hidden in the shadows. There was
really something to be said for Gothic architecture. Even though it was
not functional, it carried the eye along pleasantly from one fanciful
bit of stonework to the next. Now take those leafy finials topping the
Estrey tower--

And then suddenly the sunlight was colder than ice, and the roofs of
Hempnell were like the roofs of hell, and the faint laughter like the
crystalline cachinations of fiends. Before he knew it, he had swerved
sharply away from Morton, off the path and on to the wet grass,
although he was only halfway across campus.

No need to go back to the office, he told himself shakily. Just a long
climb for a few notes. They can wait until tomorrow. And why not go
home a different way tonight, around Estrey? Why always take the direct
route that led through the gate between Estrey and Morton? Why--

He forced himself to look up again at the open window of his office. It
was empty now, as he might have expected. That other thing must have
been some moving blur in his vision, and imagination had done the rest,
as when a small shadow scurrying across the floor becomes a spider.

Or perhaps a shade flapping outward--

But a shadow could hardly crawl along the ledge outside the windows. A
blur could hardly move so slowly or retain such a definite form.

And then the way the thing had waited, peering in, before it dropped
down inside. Like ... like a--

Of course it was all nonsense. And there really was no need whatsoever
to bother about fetching those notes or closing the window. It would be
just like giving in to a neurotic fear. There was a rumble of distant
thunder.

--Like a very large cat, the color and texture of stone.



                                  VI.


"--and henceforth his soul is believed to be knit up in a manner with
the stone. If it breaks, it is an evil omen for him; they say that
thunder has struck the stone and that he who owns it will soon die--"

No use. His eyes kept wondering over the mass of print. He laid "The
Golden Bough" aside, and leaned back. From somewhere to the east,
the thunder still throbbed faintly. But the familiar leather of the
easy-chair imparted a sense of security and detachment.

Suppose, just as an intellectual exercise, you tried to analyze it in
terms of sorcery.

The dragon would be a clear case of sympathetic magic. Mrs. Gunnison
animated it by operating on the photographs. And if you hypothesized a
bull-roarer, or the recording of one, it would provide a neat magical
explanation for the wind last night and the storm and wind today--both
associated with Mrs. Sawtelle. And then the similar sound in his
dream--He wrinkled his nose in distaste.

He could hear Tansy calling Totem from the back porch, rattling his
little tin pan.

Put today's self-injurious acts in another category. The obsidian
knife. The razor blade. The cranky saucepan. The carpet tack. The match
that he had let burn his fingers a few minutes ago.

Perhaps the razor blade had been charmed, like the enchanted sword or
ax which wounds the person who wields it. Perhaps someone had stolen
the blood-smeared obsidian knife and dropped it in water, so the wound
would keep flowing. That was a well-established superstition.

A dog was trotting along the sidewalk out in front. He could distinctly
hear the _clop-clop_ of paws.

Tansy was still calling Totem.

Perhaps a sorcerer had commanded him to destroy himself by inches--or
millimeters, considering the razor blade. That would explain all the
self-injurious acts at one swoop. The flat voice in the dream had
ordered him to do it.

The dog had turned up the drive. His claws made a grating sound on the
concrete.

The tarot-card diagrams scribbled by Mrs. Sawtelle would figure as some
magical control mechanism. The stick figure of the man and the truck
had grim implications if interpreted in the light of his irrational
fear of automobile accidents.

It really didn't sound so much like a dog. Probably the neighbor's boy
dragging home by jerks some indeterminate bulky object. The neighbor's
boy devoted all his spare time to collecting old metal.

"Totem! Totem!" Followed by the sound of the back door closing.

Finally, that very trite "sense of a presence" just behind him. Taller
than himself, hands poised to grab. Only whenever you looked over your
shoulder, it dodged. Something like that had figured in the dream--the
source, perhaps, of the flat voice. And in that case--

His patience snapped. An intellectual exercise, all right! For morons!
He stubbed out his cigarette.

       *       *       *       *       *

"Well, I've done my duty. That cat can sing for his supper." Tansy sat
on the arm of the chair and put her hand on Norman's shoulder. "How are
things going at college?"

He smiled up at her. He had been afraid of that question.

"Not so good," he replied lightly.

"The chairmanship?"

He nodded. "Sawtelle got it."

Tansy cursed fluently. It did him good to hear her.

"Make you want to take up conjuring again?" Hold on! He shouldn't have
said that.

She looked at him closely.

"How do you mean that?" she asked.

"Just a joke."

"Are you sure? I know you've been worrying about me these last few
days, ever since you found out. Wondering if I were going totally
neurotic on you, and watching for the next symptoms. Now, dear, you
don't have to deny it. It was the natural thing. I expected you'd be
suspicious of me for a while. With your knowledge of psychiatry, it
would be impossible for you to believe that anyone could shake off an
obsession so quickly. And I've been so happy to get free from all that,
that your suspicions haven't bothered me. I've known they would wear
off."

"But, darling, I honestly haven't been suspicious," he protested.
"Maybe I ought to have been, but I haven't."

Her gray-green eyes were enigmatic and serious. She said slowly, "Then
what are you worrying about?"

"Nothing at all." Here was where he had to be very careful.

She shook her head. "That's not true. You are worrying. Oh, I know
there are some things on your mind that you haven't told me about. It
isn't that."

He looked up quickly.

She nodded. "About the chairmanship. And that some student has been
threatening you. And about that Van Nice girl." She smiled briefly,
as he started to protest. "Oh, I know you aren't the type who seduces
love-struck and innocent mimeograph operators." She became serious
again. "Those are all minor matters, things you can take in your
stride. You didn't tell me about them because you were afraid I might
backslide, from the desire to protect you. Isn't that right?"

"Yes."

"But I have the feeling that what you're worrying about goes much
deeper than that. Yesterday and today I've even felt that you wanted to
turn to me for help, and somehow didn't dare."

He paused, as if thinking exactly how to phrase his answer. But he was
studying her face, trying to read the exact meaning of each little
familiar quirk of expression around the mouth and eyes. She looked very
contained, but that was only a mask, he thought. Actually, in spite of
everything she said, she must still be poised close to the brink of
her obsession. One little push, such as a few careless words on his
part--How the devil had he ever let himself get so enmeshed in his own
worries and those ridiculous projections of his own cranky imagination?
Here was the only thing that mattered--the mind behind this smooth
brown forehead and these clear, gray-green eyes; to steer that mind
away from any such ridiculous notions as those he had been indulging
in, the last few days.

"To tell the truth," he said, "I _have_ been worried about you.
I thought it would hurt your self-confidence if I let you know. Maybe
I was unwise--you seem to have sensed it, anyway--but that's what I
thought. The way you feel now, of course, it can't possibly hurt you to
know."

It occurred to him that it was easier to lie convincingly when you
loved someone, provided the lie were for that person's sake.

She did not give in at once. "Are you sure?" she said. "I still have
the feeling there's more to it."

Suddenly she smiled and yielded to the pressure of his arm. "It must be
the MacKnight in me--my Scotch ancestry," she said laughing. "Awfully
stubborn, you know. Monomaniacs. When we're crazy on a thing, we're
completely crazy, but when we drop it, we drop it all at once. Like
my great-uncle Peter. You know, the one who left the Presbyterian
ministry and gave up Christianity on the very same day he proved to his
satisfaction there was no God. He was seventy-two at the time."

There was a long and grumbling roll of thunder. The storm was swinging
back.

"Well, I'm very glad you're only worried about me," she continued.
"It's complimentary, and I like it."

She was smiling happily, but there was still something enigmatic
about the eyes, something withheld. As he was congratulating himself
on carrying it off successfully, it suddenly occurred to him that
two could play at the game of lying. She might be holding something
back herself, with the idea of reassuring him. She might be trying to
protect him from her own blacker worries. Her subtlety might undercut
his own. No sane reason to suspect that, and yet--

"Suppose I get us a drink," she said, "and we decide whether or not you
leave Hempnell this year, and look for greener fields."

He nodded. She started around the bend in the L-shaped room for the
sideboard.

"--and yet, you could live with a person and love a person for fifteen
years, and not know what was behind their eyes."

       *       *       *       *       *

There was the rattle of glassware, and the friendly sound of a full
bottle set down on a table.

Then, timed to the thunder, but much, much closer, a shuddering, animal
scream of anguished fear. It was cut off before Norman had sprung to
his feet.

As he cleared the angle of the room, he saw Tansy going through the
kitchen door. She was a little ahead of him down the back steps.

Light fanned out from the windows of the opposite house into the
service yard. It revealed the sprawled body of Totem, head mashed flat
against the concrete.

He heard a little sound start and stop in Tansy's throat. It might have
been a gasp, or a sob, or a snarl.

The light revealed a little more than the body. He moved so that his
feet covered the two prominent scuffs in the concrete just beyond the
body. They might have been caused by the impact of a brick or heavy
stone, perhaps the thing that had killed Totem, but there was something
so suggestive about their relative position that he did not want
Tansy's imagination to have a chance to work on them.

She lifted her face. She was never one to show much emotion.

"You'd better go in," he said.

"You'll--"

He nodded. "Yes."

She stopped halfway up the stairs. "That was a rotten, rotten thing for
anybody to do."

"Yes. We'll try to find out who."

She left the door open. A moment later she came out and laid on the
porch railing a square of heavy cloth, covered with shed hair. Then
she went in again and shut the door.

He rolled up the cat's body and stopped at the garage for the spade.
He did not spend time searching for any brick or heavy stone or other
missile. Nor did he examine closer the heavy footmarks he fancied he
saw in the grass beyond the service yard.

Lightning began to flicker as his spade bit into the soft ground by
the back fence. He kept his mind strictly on the task at hand. He
worked steadily, but without undue haste. When he patted down the last
spadeful of earth and started for the house, the lightning flashes were
stronger, making the moments in between even darker. A wind had started
up and was dragging at the leaves.

He did not hurry. What if the lightning did indistinctly show him a
large dog near the house toward the front? There were several large
dogs in the neighborhood. They were not savage. Totem had not been
killed by a dog.

Deliberately he replaced the spade in the garage and walked back to the
house. Only when he got inside and looked back through the screen did
his thoughts break loose for a moment.

The lightning flash, brightest yet, showed the dog coming around the
corner of the house. He had only a glimpse. A gray dog who walked
stiff-legged. He quickly closed the door and shot home the bolt.

Then he remembered that the study windows were open. He must close
them. Quickly.

It might rain in.

When Norman entered the living room his face was composed. Tansy was
sitting in the straight chair, leaning a little forward, an intent
moody expression around her eyes. Her hands were playing absently with
a bit of twine.

He carefully lit a cigarette.

"Do you want that drink now?" he asked, not too casually, not too
sharply.

"No, thanks. You have one." Her hands kept on knotting and unknotting
the twine.

He sat down and picked up his book. From the easy-chair he could watch
her unobtrusively.

And now that he had no grave to dig or other mechanical task to
perform, his thoughts were not to be denied. But at least he could keep
them circling in a little isolated sphere inside his skull, without
affecting either the expression of his face or the direction of his
other thoughts, which were protectively focused on Tansy.

"Sorcery _is_," went the thoughts inside the sphere. "Something
has been conjured down from a roof. Women are witches fighting for
their men. Tansy was a witch. She was guarding you. But you made her
stop."

"In that case," he replied swiftly to the thoughts inside the sphere,
"why isn't Tansy aware of what's happening? It can't be denied that she
has acted very relieved and happy."

"Are you sure she isn't aware or becoming aware?" answered the thoughts
inside the sphere. "Besides, in losing her weapons, she has lost
her sensitivity, which had probably declined in acuteness through
familiarity. Without microscope or telescope, a scientist would be no
better able than a savage to see the germs of typhoid or the moons of
Mars. His natural sensory equipment would even be inferior to that of
the savage."

And the imprisoned thoughts buzzed violently, like bees seeking escape
from a stopped-up hive.

"Norman," Tansy said abruptly, without looking up at him, "you found
and burned that hand in your watch charm, didn't you?"

He thought a moment. "Yes, I did," he said lightly.

"I'd really forgotten about it. There were so many."

He turned a page, and then another. Thunder crackled loudly, and rain
began to patter on the roof.

"Norman, you burned the diary, too, didn't you? You were right in doing
it, of course. I held it back, because it didn't contain actual curses,
only the formulas for them. So in a twisted illogical way I pretended
it didn't count."

That was harder to answer. He felt as if he were playing a guessing
game and Tansy was getting perilously "warm." The thoughts in the
sphere buzzed triumphantly, "Mrs. Gunnison has the diary. Now she knows
all of Tansy's protective charms."

But he answered, "Yes, I did burn it. I'm sorry, but I thought--"

"Of course," Tansy cut in. "You were quite right." Her fingers played
more rapidly with the cord. She did not look down at it.

Lightning showed flashes of pale street and trees through the window.
The patter of rain grew in volume. But through it he fancied he heard
the scrunch of paws on the drive. Ridiculous--rain and wind were making
too much noise.

His eyes were attracted to the pattern of knots Tansy's restless
fingers were weaving. They were complicated, strong-looking knots which
fell apart at a single cunning jerk, reminding him of how Tansy had
studied assiduously the cat's cradles of the Indians. It also recalled
to his mind how knots are used by the primitives to tie and loose the
winds, to hold loved ones, to noose far-off enemies, to inhibit or free
all manner of physical and physiological processes. And how the Fates
weave destinies like threads. He found something very pleasing in the
pattern of the knots and the rhythmic movements which produced them.
They seemed to signify security. Until they fell apart.

"Norman"--the voice was preoccupied and rapid--"what was that snapshot
you asked Hulda Gunnison to show you last night?"

He felt a brief flurry of panic. She was getting "very warm." This was
the stage of the game where you cried out, "Hot!"

And then he heard the heavy, unyielding _clump-clump_ on the
boards of the front porch, seeming to move questingly along the wall.
The sphere of alien thoughts began to exert an irresistible centrifugal
pressure. He felt his sanity being smothered between the assaults from
without and within. Very deliberately he shaved off the ash of his
cigarette against the edge of the tray.

"It was of the roof of Estrey," he said casually. "Gunnison told me
she'd taken a number of pictures of that sort and I wanted to see a
sample."

"Some sort of creature in it, wasn't there?" Knots flickered into being
and vanished with bewildering speed. It seemed to him suddenly that
more than twine was being manipulated, and more than empty air tied
and loosed. As if the knots were somehow creating an influence, as an
electric current along a twisted wire creates a complex magnetic field.

"No," he said, and then made himself chuckle, "unless you count in a
stray gargoyle or two."

       *       *       *       *       *

Thunder ripped and crashed deafeningly. Lightning might have struck in
the neighborhood. Tansy did not move a muscle in response. "That was
a Lulu," he started to say. Then, as the thunder crash trailed off in
rumblings and there was a second's lull in the rain, he heard the sound
of something leaping heavily down from the front edge of the porch
toward that part of the wall where the large low window was set.

He got to his feet and walked toward the window, as if to look out at
the storm. As he passed Tansy's chair he saw that her rippling fingers
were creating a strange knot resembling a flower, with seven loops
for petals. She stared like a sleepwalker. Then he was at the window,
shielding her.

The next lightning flash showed him what he knew he must see. It
crouched, facing the window. The head was still blank and crude as an
unfinished skull.

In the ensuing surge of blackness, the sphere of alien thoughts
expanded with instant swiftness, until it occupied his entire mind.

He glanced behind him. Tansy's hands were still. The strange
seven-looped knot was poised between them.

Just as he was turning back, he saw the hands jerk apart and the loops
whip in like a seven-fold snare--and hold.

And in that same moment of turning he saw the street brighten like day
and a great ribbon of lightning split the tall elm opposite and fork
into several streams which streaked across the street toward the window
and the stony form upreared against it.

Then--blinding light, and a tingling electrical surge through his whole
body.

But in his mind's eye was indelibly traced the incandescent track of
the lightning, whose multiple streams, racing toward the upreared stony
form, had converged upon it as if drawn together by a seven-fold knot.

The sphere of alien thoughts expanded beyond his skull at a dizzy rate,
vanished.

His gasping, uncontrollable laughter rose above the dying
reverberations of the titan thunder blast. He dragged open the window,
pulled a bridge lamp up to it, jerked the cover from the lamp so its
light flooded outward.

"Look, Tansy!" he called, his words mixed with the manic laughter.
"Look, what those crazy students have done!" She _must_ be made to
think it was a joke. "Those frat men, I bet, I kidded in class. Look
what they dragged down from campus and stuck in our front yard. Of all
the crazy things--we'll have to call Buildings & Grounds to take it
away tomorrow."

Rain splattered in his face. There was a sulphurous, metallic odor.
Her hand touched his shoulder. She stared out blankly, her eyes still
asleep.

It stood there, propped against the wall, solid and inert as only the
inorganic can be. In some places the cement was darkened and fused.

"And of all mad coincidences," he gasped, "the lightning had to go and
strike it!"

On an impulse, he reached out his hand, and touched it. At the feel of
the rough, unyielding surface, still hot from the lightning flash, his
laughter died, and a grim lucidity flooded his mind.

"_Eppur si muove_," he murmured to himself, so low that even
Tansy, standing beside him, might not have heard. "_Eppur si
muove._"



                                 VII.


Next day he went around campus like a man in a daze. He had had a long
and heavy sleep, but he looked as if he were stupefied by weariness.
Even Harold Gunnison remarked on it.

"It's nothing," he replied. "I'm just lazy."

Gunnison smiled skeptically. "You've been working too hard. That's the
temptation we're all up against. But it butchers efficiency. Better
ration your hours of work. Your jobs won't go hungry if you feed them
ten hours a day.

"Trustees are queer cusses," he continued with apparent irrelevance.
"And Pollard's more a politician than an educator. But he brings in the
money, and that's what college presidents are for."

Norman indicated that he appreciated the sympathy, but he felt as far
removed from Gunnison as from the hordes of gayly dressed students
who filled the walks and socialized in clusters. As if there were a
wall of faintly clouded glass between. His only aim--and even that was
blurred--was to prolong his present state of fatigued reaction from
last night's events, and to avoid all thoughts.

Thoughts were dangerous. He felt their presence here and there in
his brain, like pockets of poison, harmless as long as you left them
encysted and did not prick them. One was more familiar than the others.
It had been there last night. He felt vaguely thankful that he could
not longer see inside of it.

Another was concerned with Tansy, and why she had seemed so cheerful
and forgetful this morning.

Another--a very large one--was sunk so deeply in his mind that he could
only perceive a small section of its globular surface. He knew it was
connected with an unfamiliar emotion that he had sensed yesterday
more than once, and he knew that it must under no circumstances be
disturbed. He could feel it pulsate slowly and rhythmically, like a
monster asleep in mud.

Another had to do with knots and lightning.

Another--tiny but prominent--was somehow concerned with cards.

And there were more, many more.

His situation was akin to that of the legendary hero who must travel
through a long and narrow corridor, without once touching the morbidly
enticing, poisoned walls.

He knew he could not avoid contact with them indefinitely, but in the
meantime the thought-cysts might shrink and disappear.

The day fitted with his superficially dull and lethargic mood. Instead
of the cool spell that should have followed the storm, there was a hot
foretaste of summer in the air. Student absences rose sharply. Those
who came to class were inattentive, and exhibited other symptoms of
spring fever.

Only Bronstein seemed animated. He kept drawing Norman's other students
aside by twos and threes, and whispering to them heatedly. Norman found
out that he was trying to get up a petition of protest on Sawtelle's
appointment. Norman asked him to stop it. Bronstein refused, but in any
case he seemed to be failing in the job of arousing the other students.

Norman's lectures were languid. He contented himself with transforming
his notes into accurate verbal statements with a minimum of mental
effort. He watched the pencils move methodically as notes were taken,
or wander off into intricate doodles. Two girls were engrossed in
sketching the handsome profile of the fraternity president in the
second row. He watched foreheads wrinkle as they picked up the thread
of his lecture, smooth out again as they dropped it.

And all the while his own mind was wandering off on side tracks. They
were too fugitive, too much like daydreams to be called thoughts.

One began when he recalled the epigram about a lecture being a process
of transferring the contents of the teacher's notebook into the
notebooks of the students, without allowing it to pass through the
minds of either. That made him think of mimeographing.

Mimeograph, it went on. Margaret van Nice. Theodore Jennings. Gun.
Windowpane. Galileo. Scroll--(Sheer away from that! Forbidden
territory.)

The daydream backtracked and took a different turning. Jennings.
Gunnison. Pollard. President. Emperor. Empress. Juggler. Tower. Hanged
man--(Hold on! Don't go any further.)

As the long dull day wore on, the daydreams gradually assumed a uniform
coloration.

Gun. Knife. Sliver. Broken glass. Nail. Tetanus.

War. Mangled bodies. Mayhem. Murder. Rope. Hangman. (Sheer off again!)
Gas, Poison.

The coloration of blood and physical injury.

And ever more strongly, he felt the breath-like pulsations of the
monster in the depths of his mind, dreaming nightmares of carnage
from which it would soon awake and heave up out of the mud. And he
powerless to stop it. It was as if a crusted-over swamp, swollen with
underground water, were pushing up the seemingly healthy ground above
by imperceptible degrees--nearing the point when it would burst through
in one vast slimy eruption.

       *       *       *       *       *

Starting home, Norman fell in with Mr. Carr.

"Good evening, Norman," said the old gentleman, lifting his Panama hat
to mop his forehead, which merged into an extensive bald area.

"Good evening, Linthicum," said Norman. But his mind was occupied with
speculating how, if a man let a thumbnail grow and then sharpened it
carefully, he could cut the veins of his wrist and so bleed to death.

Mr. Carr wiped the handkerchief around his beard.

"I enjoyed the bridge thoroughly," he said. "Perhaps the four of us
could have a game when the ladies are away at the faculty wives'
meeting next Thursday? You and I could be partners, and use the
Culbertson slam conventions." His voice became wistful. "I'm tired of
always having to play the Blackwood."

Norman nodded, but he was thinking of how men have learned to swallow
their tongues, and when the occasion came, die of suffocation. He tried
to check himself. These were speculations appropriate only to the
concentration camp. Visions of death kept rising in his mind, replacing
one another. He felt the pulsations deepen, become unendurably strong.
Mr. Carr nodded pleasantly and turned off. He quickened his pace, as if
the walls of the poisoned passageway were contracting on the legendary
hero and, unless the end were soon reached, he would have to shove out
against them wildly.

From the corner of his eye he saw one of his students. She was staring
at him puzzledly. He brushed past her.

He reached the boulevard. The lights were against him. He paused
on the edge of the curb. A large red truck was rumbling toward the
intersection at a fair rate of speed.

And then he knew just what was going to happen, and that he would be
unable to stop himself.

He was going to wait until the truck was very close and then he was
going to throw himself under the wheels. End of the passageway.

That was the meaning of the fifth stick figure, the tarot diagram that
had departed from tradition.

Empress--Juggler--The truck was very close. Tower--The lights had
started to change but the truck was not going to stop. Hanged man--

It was only when he leaned forward, tensing his leg muscles, that the
small flat voice spoke into his ear, a voice that was a monotone and
yet diabolically humorous, the voice of his dreams:

"Not for two weeks, at least. Not for two more weeks."

He regained his balance. The truck rushed by. He looked over his
shoulder--first up, then around. No one but a small Negro boy and an
elderly man, rather shabbily dressed, carrying a shopping bag. They
were waiting to cross in the opposite direction. A shiver settled on
his spine.

Eyes shifting warily from side to side, he crossed the street, and
proceeded home. He no longer thought of death, except to fear it. As
soon as he was inside, he poured himself a more than generous drink.
Oddly, Tansy had set out soda and ice. He mixed the highball and gulped
it down.

So he had been given two weeks? Two weeks in which to pick his life
slowly apart, savor each stage of doom, before he should walk again the
narrow corridor at the end of which a truck was always rumbling by.

Anger surged in him at the idea.

But perhaps that was what he was supposed to do--get angry.

He mixed himself another drink, took a gulp, then looked at it
doubtfully.

Perhaps that was part of the plan, too.

       *       *       *       *       *

Tansy came in, carrying a bundle. Her face was smiling and a little
flushed. With a sigh of relief she set down the bundle and pushed aside
the dark bangs from her forehead.

"_Whew_, what a sweltering day. I thought you'd be wanting a
drink. Here, let me finish that one for you."

When she put down the glass there was only ice in it. "There, now we're
blood brothers or something. Mix yourself another."

"That was my second," he told her.

"Oh, heck, I thought I was cheating you." She sat on the edge of the
table and wagged a finger in his face. "Look, mister, you need a rest.
Or some excitement. I'm not sure which. Maybe both. Now here's my
plan. I make us a cold supper--sandwiches. Then, when it's dark and
nobody can see us, we get Oscar out of the garage, and sinfully waste a
half gram of rubber off his tires in driving to the Top of the Hill. We
haven't done that for years. How about it, mister?"

He hesitated. Helped by the drink, his thoughts were veering. This was
a crazy situation. Half his mind was still gripped by a sickening,
panicky apprehension for his immediate personal future. The other half
was coming under the spell of Tansy's gaiety.

She reached out and pinched his nose. "How about it?"

"All right," he said.

"Hey, you're supposed to act interested!" She slid off the table,
started for the kitchen, then added darkly over her shoulder, "But that
will come later."

She looked provocatively pretty, in her mock anger. He couldn't see any
difference between now and fifteen years ago. He felt he was seeing her
for the hundredth first time.

When the sandwiches came, he was reading the evening paper. The
disquieting half-and-half mood persisted. He had found a local-interest
item at the bottom of the fifth page.

                   STUDENT PRANKSTERS AT WORK AGAIN

    A practical joke is worth any amount of trouble and physical
    exertion. At least, that is the sentiment of a group of Hempnell
    College students, as yet unidentified. But we are wondering about
    the sentiments of Professor Norman Saylor, when he looked out the
    window this morning and saw a stone gargoyle weighing a good three
    hundred pounds sitting in the middle of his lawn. It had been
    removed from the roof of one of the college buildings. How the
    students managed to detach it, lower it from the roof, and
    transport it to Professor Saylor's residence, is still a mystery.

    Said Professor Saylor, "Thanks for the lawn ornament, boys, but I
    really don't want it."

    When President Randolph Pollard was asked if the pranksters had
    been identified, he laughingly replied. "I guess our War Program of
    physical education for men must be providing them with reserves of
    excess strength and energy."

    When we spoke to President Pollard he was leaving to address the
    Lions' Club on "The College in War-time." (For details of his
    address, see page 1.)

Just what you might expect. The usual repertorial inaccuracies. It
wasn't a gargoyle; gargoyles are ornamental rainspouts. And the
reporter had not used the lightning angle in his story. Probably
thought it would sound too fishy.

Finally, the familiar touch of turning the item into an advertisement
for the physical-education department. You had to admit that the
Hempnell publicity office had a kind of efficiency.

Tansy swept the paper out of his hands.

"The world can wait," she said. "Here, have a bite of my sandwich."



                                 VIII.


It was quite dark when they started for the Hill. He drove carefully,
taking his time at intersections. Tansy's gaiety still did no more than
hold in check the other half of his thoughts.

"I might be a witch," she said, "taking you to a hilltop rendezvous.
Our own private Sabbat."

She was smiling impishly. She had changed to a light white sports
dress. She looked like one of his students.

Again he felt the craziness of the situation. The line between
reality and pretense was become harder to distinguish. He must keep
carefully in mind that when she said things like that, she was making a
courageous mockery of her previous behavior. He must on no account let
her see the other half of his thoughts. Or was that what she wanted?

The lights of the town dropped behind. Half a mile out, he turned off
sharply onto the road that wound up the hill. It was bumpier than he
remembered from the last time--was it as much as ten years ago? And the
trees were thicker, brushing the windshield.

When they emerged into the half acre of clearing on the top, the moon,
two days after full, was rising redly.

Tansy pointed to it and said, "Check! I timed it perfectly. But where
are the others? There always used to be two or three cars up here. And
on a night like this!"

He stopped the car close to the edge. "Fashions in lovers' lanes change
like anything else," he told her. "We're traveling a disused folkway."

"Always the sociologist!"

"I guess so. Maybe Mrs. Carr found out about this place. And I suppose
the students range farther afield nowadays, or did until this year."

She rested her head on his shoulder. He switched off the headlights,
and the moon cast soft shadows.

"We used to do this at Gorham," she murmured. "When I was taking your
classes, and you were the serious young instructor. Until I found out
you weren't any different from the college boys--only better. Remember?"

He nodded and took her hand. He looked down at the town, made out the
campus, with its prominent floodlights designed to chase couples out
of dark corners. Those garishly floodlighted Gothic buildings seemed
for the moment to symbolize a whole world of barren intellectual
competition and jealous traditionalism, a world toward which at the
moment he felt as alien as if he were still twenty-six instead of
forty-one and Tansy twenty-one instead of thirty-six.

"I wonder if that's why they hate us so?" he said, almost without
thinking.

"Whatever are you talking about?" But the question sounded lazy.

"I mean the rest of the faculty, or most of them. Is it because we can
do things like this?"

She laughed. "So you're actually coming alive. We don't do things like
this so very often, you know."

He kept on with his idea. "It's a devilishly competitive and jealous
life. The war, doing away with some of it, makes you more conscious of
the rest. And competition in an institution can be nastier than any
other, because it's so tight. Think so?"

"I've lived with it for years," said Tansy, simply.

"Of course, it's all very petty. But petty emotions can come to
outweigh big ones. Their size is better suited to the human mind."

He looked down at Hempnell, and tried to visualize the amount of ill
will and jealousy he had inevitably accumulated for himself. He felt a
slight chill creeping around. He realized where this train of thought
was leading. The darker half of his mind loomed up ominously.

"Here, philosopher," said Tansy, "have a slug."

She was offering him a small silver flask.

He recognized it. "I never dreamed you'd kept it all these years."

"Uh-huh. Remember when I first offered you a drink from it? You were a
trifle shocked, I believe. Though you carried a flask, too."

"I took the drink."

"Uh-huh. So take this one."

It tasted like fire and spice. There were memories with it, memories of
those crazy prohibition years, and of Gorham and New England.

"Brandy?"

"Greek style. Give me some."

Before that flood of memories, the darker half of his mind receded, was
washed under. He looked at Tansy's sleek hair and moon-shadowed eyes.
Of course, she's a witch, he thought lightly. She's Lilith. Ishtar.
He'd tell her so.

"Do you remember the time," he said, "we slid down the bank to get away
from the night watchman at Gorham? There would have been a magnificent
scandal if he'd caught us."

"Oh, yes, and the time--"

       *       *       *       *       *

When they went down, the moon was an hour higher. He drove slowly. No
need to imitate the sillier practices of the prohibition era. A truck
chugged past him. "Two more weeks." Rot! Who'd he think he was, hearing
voices? Joan of Arc?

He felt hilarious. He wanted to tell Tansy all the ridiculous things
he'd been imagining the last few days, so she could laugh at them, too.
It would make a swell ghost story. There was a reason he shouldn't
tell her, but it was an insignificant reason--part and parcel of this
cramped, warped, overcautious Hempnell life they ought to break away
from more often.

So when they arrived in the living room, Tansy flopping down on the
sofa, he began, "You know, Tansy, about this witch stuff. I want to
tell you--"

He was caught completely off guard by whatever force--subjective or
objective--hit him. When it was over, he was sitting in the easy-chair,
completely sober, with the outer world once more an icy pressure on his
senses, and the inner world a whirling sphere of alien thought, and the
future a dark corridor two weeks long.

It was as if a very large, horny hand had been clapped roughly over his
mouth, and as if another such hand had grasped him by the shoulder,
shook him, and slammed him down in the leather chair.

As if?

He looked around uneasily.

Maybe there had been hands.

Apparently Tansy had not noticed anything. Her face was a white oval in
the gloom. She was still humming a snatch of song. She did not ask what
he had started to say.

He got up, walked unsteadily into the dining room, and poured himself a
drink from the sideboard. On the way he switched on the lights.

So he couldn't tell Tansy or anyone else about it, even if he wanted
to? That was why you never heard from real witchcraft victims. And why
they never seemed able to escape, even if the means of escape were at
hand. It wasn't weak will. They were _watched_. Like a gangster
taken on a ride from an expensive night club. He must excuse himself
from the loud-mouthed crowd at his table and laugh heartily, and stop
to chat with friends and throw a wink at the pretty girls because right
behind him are those white-scarfed, top-hatted trigger boys, hands in
the pockets of their velvety dress overcoats. No use dying now. Better
play along. There might be a chance.

But that was storybook stuff, movie stuff.

He nodded at himself in the glass above the sideboard.

"Meet Professor Saylor," he said. "The distinguished ethnologist and
firm believer in real witchcraft--"

But the face in the glass did not look so much disgusted as frightened.

He mixed himself another drink, and one for Tansy, and took them into
the living room.

"Here's to wickedness," said Tansy. "Do you realize you haven't been
anywhere near drunk since Christmas?"

He grinned. That was just what the movie gangster would do, to grab a
moment of forgetfulness when the Big Boy had put him on the spot. And
not a bad idea.

Slowly, and at first only in a melancholy minor key, the mood of the
Hill returned. They talked, played old records, told jokes that were
old enough to be new again. Tansy hammered the piano, and they sang
a crazy assortment of songs--folk songs, hymns, national anthems,
revolution songs, blues, Brahms, Schubert--haltingly at first, later at
the top of their voices.

They remembered.

And they kept on drinking.

But always, like a shimmering sphere of crystal, the alien thoughts
spun in his mind. The drink made it possible for him to regard them
dispassionately, without constant revulsions in the name of common
sense. He began to see world-wide evidence for the operation of
witchcraft.

For instance, was it not likely that all self-destructive impulses were
the result of witchcraft, more or less efficiently screened off by
protective magic, or not screened off at all? Those universal impulses
that were a direct contradiction to the laws of self-preservation and
survival. Poe had fancifully referred them to an "Imp of the Perverse,"
and psychoanalysts had laboriously hypothesized a "death instinct"
to account for them. How much simpler to attribute them to malign
forces outside the individual, working by means as yet unanalyzed and
therefore classified as supernatural.

His experiences during the past days could be divided into two
distinct categories. The first included those natural misfortunes and
antagonisms from which Tansy's magic had screened him. The attack
on his life by Theodore Jennings should probably be placed in this
category. The chances were that Jennings was actually psychopathic.
He would have made his murderous attack at an earlier date, had not
Tansy's protective magic kept it from getting started. As soon as the
screen was down, as soon as Norman burned the last hand, the idea had
suddenly burgeoned in Jennings' mind like a hothouse flower. Jennings
had himself admitted it! "I didn't realize until this minute--"

Margaret van Nice's accusation, Thompson's sudden burst of interest in
his extracurricular activities, and Sawtelle's chance discovery of the
Cunningham thesis also probably belonged in the same category.

In the second category--active and malign witchcraft.

       *       *       *       *       *

"A penny for your thoughts," offered Tansy, looking over the rim of her
glass.

"I was thinking of the party last Christmas," he replied smoothly, "and
of how Welby crawled around playing a St. Bernard, with the bearskin
rug over his shoulders and the bottle of whiskey slung under his neck."
He felt a childish pride in his cunning at having avoided being trapped
into an admission. He simultaneously thought of Tansy as a genuine
witch and as a potentially neurotic individual who had to be protected
at all costs from dangerous suggestions. The liquor made his mind work
by parts, and the parts had no check on each other.

His consciousness began to black out for indeterminate intervals.
Things began to happen by fits and starts.

They were wailing "St. James' Infirmary."

He was thinking: "Why shouldn't the women be the witches? They're
the intuitionalists, the traditionalists, the irrationalists. And
like Tansy, most of them are never quite sure whether or not their
witchcraft really works."

They had shoved back the carpet and were dancing to "Chloe." Sometime
or other she had changed to her rose dressing gown.

He was thinking: "In the second category, put the Estrey dragon.
Animated by a human or nonhuman soul conjured into it by Mrs. Gunnison
and controlled through photographs. Inhibited by the Protective Screen
so long as the Protective Screen existed."

They had put on a record of Ravel's "Bolero," and he was beating out
the rhythm with his fist.

He was thinking: "All sculpture has a magical significance, from the
Aurignacian Venus to Epstein's 'Genesis.' The underlying intention has
always been to produce a manikin capable of being animated by sorcery."

He was watching Tansy as she sang "St. Louis Blues" in a hoarsely
throbbing voice. It was true, just as Welby had always maintained, that
she had a genuine theatrical flair. Make a good chanteuse.

He was thinking: "Tansy stopped the Estrey dragon with the knots.
But she'll have a hard time doing anything like that again, because
Mrs. Gunnison has her book of formulas and can figure out ways to
circumvent."

They were sharing a highball that would have burned his throat if his
throat had not been numb, and he seemed to be getting most of it.

He was thinking: "The tarot stick figure of the man and the truck is
the key to a group of related sorceries. Cards began as instruments of
magic, like sculpture. These sorceries aim at finishing me off. The
bull-roarer acts as an amplifier or reinforcement. The thing standing
behind me, with the flat voice and heavy hands, is a guardian, to see
to it that I do not deviate from the path appointed. Bull-roaring and
flat voice were associated in my dream. Narrow corridor. Two weeks
more."

The strange thing was that these thoughts were not altogether
unpleasant. They had a wild, black, poisonous beauty of their own,
a lovely, deadly shimmer. They possessed the fascination of the
impossible, the incredible. They hinted at unimaginable vistas. Even
while they terrorized, they did not lose that chillingly poignant
beauty. They were like the visions conjured up by some forbidden drug.
They had the lure of an unknown sin and an ultimate blasphemy. He could
understand the force that compelled the practitioners of black magic
to take any risk.

His drunkenness made him feel safe. It had broken his mind down into
its ultimate particles, and those particles were incapable of fear
because they could not be injured. Just as the iron molecules of a
battleship are quite safe from the bomb which blows the battleship
apart.

But now the particles were whirling crazily. Consciousness was wavering.

They were in each other's arms.

Tansy was asking eagerly, coaxingly, "All that's mine is yours? All
that's yours is mine?"

The question awakened a suspicion in his mind, but he could not grasp
it clearly. Something made him think that the words held a trap. But
what trap? His thoughts stumbled and reeled.

She was saying--it sounded like the Bible--"and I have drunk from your
cup and eaten from your table--"

Her face was a blurred oval, her eyes like misty jewels.

"Everything you have is mine? You give it to me without hindrance and
of your own free choice?"

Somewhere a trap.

But the voice was irresistibly coaxing, like tickling fingers.

"All you have is mine? Just say it once, Norm, just once. For me."

Of course he loved her. Better than anything else in the world.

"Yes ... yes ... everything--" he heard himself saying.

And then his mind toppled and plunged down into a fathomless ocean of
darkness, and silence, and peace.



                                  IX.


Sunlight made a bright, creamy design on the drawn blind. Filtered
sunlight filled the bedroom, like a coolly glowing liquid. The birds
were chirruping importantly. He closed his eyes again and stretched
luxuriously.

Let's see, it was about time he got started on that article for the
_Journal_. And there was still some work to do on the revision of
his "Textbook of Ethnology." Lots of time, but better get it out of the
way. No telling when the government would want another brochure. And
he ought to have a serious talk with Bronstein about his thesis. That
boy had some good ideas, but he needed a balance wheel. And then his
address to the Off-campus Mothers. Might as well tell them something
useful--

Eyes still closed, he enjoyed to the full that most pleasant of
sensations--the irresistible tug of work a man likes to do and is able
to do well.

No need to get started right away, though. Today was too good a day for
golf to miss. Might see what Gunnison was doing. And then he and Tansy
had not made an expedition into the country this whole spring. He'd
talk to her about it at breakfast. Saturday breakfast was an event. She
must be getting it ready now. He felt as if a shower would make him
very hungry. Must be late.

He opened an eye and focused the bedroom clock. Twelve thirty-five?
Say, just when had he got to bed last night? What had he been doing?

Memory of the past few days uncoiled like a loosed spring, so swiftly
that it started his heart pounding and brought him up with a jerk.
Yet there was a difference. From the very first moment it all seemed
incredible and unreal. He had the sensation of reading the very
detailed case history of another person. His memories could not be made
to fit with his present sense of well-being. What was stranger, they
did not seriously disturb that sense of well-being.

He searched his mind diligently for traces of supernatural fear, of the
sense of being watched and guarded, of that monstrous self-destructive
impulse. He could not discover or even suggest to himself the slightest
degree of such emotions. Whatever they had been, they were now part of
the past, beyond the reach of everything except intellectual memory.
"Spheres of alien thought!" Why, the very notion was bizarre. And yet
somehow it had all happened. _Something_ had happened.

His movement had automatically taken him under the shower. And now,
as he soaped himself and the warm water cascaded down, he wondered if
he ought not to talk it all over with Jones of psychology or a good
practicing psychiatrist. The mental contortions he'd gone through in
the last few days would provide material for a whole treatise! Feeling
as sound as he did this morning, it was impossible for him to entertain
any ideas of serious mental derangement. No, what had happened was just
one of those queer, inexplicable spasms of irrationality that can seize
the sanest people, perhaps because they _are_ so sane--a kind of
discharge of long-inhibited morbidity. Too bad, though, that he had
bothered Tansy with it. Especially when her own nervous system had been
in a shaky state. Poor kid, she had been working hard to cheer him up,
last night in particular. It ought to have been the other way around.
Well, he would make it up to her.

He shaved leisurely and with enjoyment. The razor behaved perfectly.

As he finished dressing, a doubt struck him. Again he searched his
mind, closing his eyes like a man listening for an almost inaudible
sound.

Nothing. Not the faintest trace.

He was whistling as he pushed into the kitchen.

       *       *       *       *       *

There was no sign of breakfast. Beside the sink were some unwashed
glasses, empty bottles, and an ice tray filled with tepid water.

"Tansy," he called. "Tansy!"

He walked through the house, with the vague apprehension that she might
have passed out before getting to bed. They'd been drinking like fish.
He went out to the garage and made sure that the car was still there.
Maybe she'd walked to the grocer's to get something for breakfast.
Unconsciously he began to hurry as he went back into the house.

This time when he looked in the study, he noticed the upset ink bottle,
and the scrap of paper just beside it on the edge of the drying black
pool. The message had come within an inch of being engulfed.

It was a hurried scrawl--twice the pen point had gouged through the
paper--and it broke off twice in the middle of a sentence, but it was
undeniably in Tansy's handwriting.

    For a moment it isn't watching me. I didn't realize it would be too
    strong for me. _Not two weeks not--two days!_ Don't try to follow
    me. Only chance is to do exactly what I tell you. Take four lengths
    of four-inch white cord and--

His eyes traced the smear going out from the black pool and ending
in the indistinct print of a hand, and involuntarily his imagination
recreated the scene. She had been scribbling desperately, stealing
quick glances over her shoulder. Then _it_ had awakened to what
she was doing and had roughly struck the pen out of her hand, and
shaken her. He recalled the grip of those huge horny hands, and winced.
And then ... then she had gotten together her things, very quietly
although there was little chance of him awakening, and she had walked
out of the house and down the street. And if she met anyone she knew,
she had talked to them gayly, and laughed, because it was behind her,
waiting for any false move, any attempt at escape.

So she had gone.

Where? Anywhere. Wherever the narrow corridor ended for _her_, no
longer two weeks but only two days long.

In a flash of insight he understood _why_. If he hadn't been drunk
last night, he would have guessed.

One of the oldest and best-established types of conjuration in the
world. Transference of evils. Like the medicine man who conjures
sickness into a stone, or into an enemy, or into himself--because he is
better able to combat it--she had taken his curse upon herself. Shared
his drink last night, shared his food. Used a thousand devices to bring
them close together. It was all so obvious! He racked his brain to
recover those last words she had said to him. "Everything you have is
_mine_? All you have is _mine_?"

She had meant the curse.

And he had said, "Yes."

And then, without her formulas and her Protective Screen, the curse had
proved too strong for her.

He wanted to run out into the street, to shout her name.

But the pool of ink had dried to glistening black flakes all around the
margin. It must have been spilled hours ago--as early as last midnight
even.

He beat his temple in a rage at his own impotence.

This mood did not last long. His anxiety persisted, grew stronger. But
the supernatural terror rapidly died away. It could not sustain itself
now that he no longer experienced it directly. Even the argument that
he had lost his sensitivity only because the curse was now directed
at her, did not convince him for a moment. No, there was nothing
supernatural in this--no guardian except a figment of his and her
neurotic nerves. What _had_ happened was that he had suggested
all this to her. He had forced upon her the products of his own morbid
imagination. Undoubtedly he had babbled everything to her while he
was drunk. And it had worked on her suggestible nature--she already
believed in witchcraft--until she had got the idea of transferring his
curse to herself, and had convinced herself that the transference had
actually occurred. And then gone off, God knew where!

And that was bad enough.

       *       *       *       *       *

There was a light chime from the front door. He extracted a letter from
the mailbox, ripped it open. It was addressed with a soft pencil, and
the graphite had smeared. But he knew the handwriting.

The message was so jerky and uneven that he was some time reading it.
It began and ended in the middle of a sentence.

    --and a length of gut, a bit of platinum or iridium, a piece of
    lodestone, a phonograph needle that has only played Scriabin's
    "Ninth Sonata." Then tie--

That was all. A continuation of the first message, with its bizarre
formula. Had she really convinced herself that there was a guardian
watching her, and that she could only communicate during the infrequent
moments when its attention was elsewhere? He knew the answer. When you
had an obsession you could convince yourself of anything.

He looked at the postmark. He recognized the name of a town several
miles east of Hempnell. He could not think of a soul they knew there,
or anything else about the town. His first impulse was to get out the
car and rush over. But what could he do when he got there?

The phone was ringing. It was Evelyn Sawtelle.

"Is that you, Norman? Please ask Tansy to come to the phone. I wish to
speak to her."

The question was rapped out with precision, as if its wording had been
carefully planned.

"I'm sorry, but she isn't in."

Evelyn Sawtelle did not sound surprised at the answer--her second
question came too quickly. "Where is she then? I must get in touch with
her."

He thought. "She's out in the country," he said, "visiting some friends
of ours. Is there something I can tell her?"

"No, I wish to speak to Tansy. What is your friend's number?"

"They don't have a phone!" he said angrily.

"No? Well, it's nothing of importance." She sounded oddly pleased, as
if his anger had given her satisfaction. "I'll call again. I must hurry
now. Hervey is so busy with his new responsibilities. Good-by."

He replaced the phone. Now, why the devil--Suddenly an explanation
occurred to him. Perhaps Tansy had been seen leaving town, and Evelyn
Sawtelle had scented the possibility of some sort of scandal and had
wanted to check. Perhaps Tansy had been carrying a suitcase.

He looked in Tansy's dressing room. The small suitcase was gone.
Drawers were open. It looked as if she had packed in a hurry. But what
about money? He examined his billfold. It was empty. Forty-odd dollars
missing.

You could go a long way on forty dollars. The jerky illegibility of the
message made it look as if it had been written on a train or bus.

The next few hours were highly unpleasant. He checked schedules, and
found that several busses and trains passed through the town from which
Tansy's letter had been sent. He drove to the stations and made guarded
inquiries, with no success.

He wanted to do all the things you should do when someone disappears,
but he held back. What could he say? "My wife, sir, has disappeared.
She is suffering from the delusion that--" And what if she should
be found and questioned in her present state of mind, examined by a
doctor, before he could get to her?

No, this was something for him to handle alone. But if he did not get
a line on it soon, he would have no choice. He would have to go to the
police, inventing some story to cover the facts.

She had written, "Two days." If she believed that she were doomed to
die in two days, might not the belief be enough? That was his worst
fear.

Toward evening he drove back to the house, repressing the chimerical
hope that she had returned in his absence. The special delivery carrier
was just getting into his car. Norman pulled up alongside.

"Anything for Saylor?"

"Yes, sir. It's in the box."

The message was longer this time, but just as difficult to read.

    At last its attention is somewhere else. If I control my emotions,
    it isn't so quick to notice my thoughts. But it was hard for me to
    post the last letter. Norman, you _must_ do what I tell you. The
    two days end Sunday midnight. Then the Bay. You _must_ follow
    all directions. Tie the four white cords into a granny, a reef, a
    cat's-paw, and a carrick bend. Tie the gut in a bowline. Then add--

He looked at the post mark. The place was two hundred miles east. Not
on the railroad lines, as far as he could recall. That should narrow
down the possibilities considerably.

One word from the letter was repeating itself in his mind, like a
musical note struck again and again until it becomes unendurable.

Bay. Bay. Bay. Bay.

       *       *       *       *       *

The memory came of a hot afternoon fifteen years ago. It was just
before they were married. They were sitting on the edge of a ramshackle
little pier. He remembered the salt smell, and the faintly fishy,
dry-wood smell of the splintery old planks.

"Funny," she had said, looking down into the green water, "but I always
used to think that I'd end up down there. Not that I'm afraid of it.
I've always swum way out. But even when I was a little girl I'd look at
the Bay--maybe green, maybe blue, maybe gray, covered with whitecaps,
glittering with moon-beams, or shrouded by fog--and I'd think, 'Tansy,
the Bay is going to get you, but not for years and years.' Funny, isn't
it?"

And he laughed and put his arms around her tight, and the green water
had gone on lapping at the piles heavy with seaweed.

He had been visiting with her family, when her parents were still
alive, at their home near Bayport on the southern shore of New York Bay.

The narrow corridor suited itself to its victim's most cherished fear.
It ended for her in the Bay, tomorrow midnight.

She must be heading for the Bay.

He made several calls--first bus lines, then railroad and air. It was
impossible to get a reservation on the air lines, but tonight's train
would get him into Jersey City an hour ahead of the bus she must be
traveling, according to the deductions he made from the place and time
of the postmarks.

He had ample time to pack a few things, cash a check on his way to the
station--

He spread her three notes on the table--the one in pen, the two in
pencil. He reread the crazy incomplete formula. He shook his head.

He frowned. Would a scientist neglect the millionth-and-one
possibility? Would the commander of a trapped army disdain a stratagem
just because it was not in the books? This stuff looked like gibberish.
Yesterday it might have meant something to him emotionally. Today it
was just nonsense. But tomorrow night it might conceivably represent a
fantastic last chance.

"Norman, you _must_ do what I tell you." The scrawled words stared
at him.

He went out in the kitchen and got a ball of white twine.

He rummaged in the closet for his squash racket and cut out the two
center strings. That ought to do for gut.

The fireplace had not been cleaned since the stuff from Tansy's
dressing table had been burned. He poked around the edges until he
found a piece of lodestone.

He located the recording of Scriabin's "Ninth Sonata" and started the
phonograph, putting in a new needle. He glanced at his wrist watch and
paced the room restlessly. Gradually the music took hold of him. It was
not pleasant music. There was something tantalizing and exasperating
about it, with its droning melody and rocking figures in the base and
shakes in the treble and elaborate ornamentation that writhed up and
down the piano keyboard. It rasped the nerves.

He began to remember things he had heard about it. Hadn't Tansy once
told him that Scriabin called his "Ninth Sonata" a "Black Mass" and had
developed an antipathy to playing it? Scriabin, who had conceived a
color organ and tried to translate mysticism into music, and had died
of a peculiar lip infection. An innocent-faced Russian with a huge
curling mustache. Critical phrases Tansy had repeated to him floated
through his mind. "The poisonous 'Ninth Sonata'--the most perfidious
piece of music ever conceived--" Ridiculous! How could music be
anything but an abstract pattern of tones?

And yet--while listening to the thing--one could think differently.

Faster and faster it went. The lovely second theme became infected,
was distorted into something raucous and discordant--a march of the
damned--a dance of the damned--breaking off suddenly when it had
reached an unendurable pitch. Then a repetition of the droning first
theme, ending on a soft yet grating note low in the keyboard.

He removed the needle, sealed it in an envelope, and packed it along
with the rest of his stuff.

On an afterthought, he tore out of the big dictionary a page carrying
an illustrated list of knots.

The telephone stopped him as he was going out.

"Oh, Professor Saylor, would you mind calling Tansy to the phone?" Mrs.
Carr's voice was very amicable.

He repeated what he had told Mrs. Sawtelle.

"I'm glad she's having a rest in the country," said Mrs. Carr. "You
know, Professor Saylor, I don't think that Tansy's been looking so well
lately. I've been a little worried. You're sure she's all right?"

"How do you mean?"

It was then the other voice broke in.

"What's the idea of checking up on me? Do you think I'm a child? I know
what I'm doing!"

"Be quiet!" said Mrs. Carr. Then, in her sweet voice. "I think someone
must have cut in on us. Good-by, Professor Saylor."

The line went dead.

He picked up his suitcase and walked out.



                                  X.


The bus driver they pointed out to him had thick shoulders and sleepy,
competent-looking eyes. He was standing by the wall, smoking a
cigarette.

"Sure, she must have been in my bus," he told Norman after thinking a
moment. "A pretty woman, on the small side, in a gray dress, with a
queer-looking silver brooch like you mentioned. One suitcase. Light
pigskin. I figured her out as going to see someone who was very sick,
or had been in an accident, maybe."

Norman curbed his impatience. If it had not been for the
hour-and-a-half delay outside Jersey City, he would have been here well
ahead of the bus, instead of twenty minutes late.

He said, "I want, if possible, to get a line on where she went after
she left your bus. The man at the desk can't help me."

The driver looked at Norman. But he did not say, "Whatcha wanta know
for?"--for which Norman was grateful. He seemed to decide that Norman
was O. K.

He said, "I can't be sure, mister, but there was a local bus going down
the shore. I think she got on that."

"Would it stop at Bayport?"

The driver nodded.

"How long since it left?"

"About twenty minutes."

"Could I get to Bayport ahead of it? If I took a cab?"

"Just about. If you wanted to pay the bill there and back--and maybe
a little extra for the rubber he'd burn--I think Alec could take you."
He waved in casual recognition at a man sitting in a cab just beyond
the station. "Mind you, mister, I can't say for certain she got on the
shore bus."

"That's all right. Thanks a lot."

In the glow of the street lamp Alec's foxy eyes were more openly
curious than the bus driver's, but he did not make any comments.

"I can do it," he said cheerfully, "but we haven't any time to waste.
Jump in."

The shore highway led through lonely stretches of marsh and wasteland.
Occasionally Norman caught the sibilant rustle of the leagues of tall
stiff seagrass, and a brackish tang from the dark inlets crossed by
long low bridges. The odor of the Bay.

Indistinctly he made out factories and scattered houses.

"There's a dimout some places," Alec volunteered once. He was paying
close attention to the road.

They passed three or four busses without Alec making any comment.

After a long while Alec said, "That should be her."

A constellation of red and green taillights was vanishing over the rise
ahead.

"About three miles to Bayport," he continued. "What should I do?"

"Just get to Bayport a little ahead of her, and stop at the bus
station."

"O.K."

They overtook the bus and swung around it. The windows were too high
for Norman to see any of the occupants. Besides, the interior lights
were out.

As they drew ahead, Alec nodded confirmingly. "That's her all right."

       *       *       *       *       *

The bus station at Bayport was also the railway depot. Vaguely Norman
remembered the loosely planked platform and packed cinders on the track
side. The station building was dark, but there were several cars and
a lone local cab drawn up, and there were some men standing around
talking in low voices, and a couple of soldiers going back to camp.

He had time to scent the salt air, with its faint and not unpleasant
trace of fishiness. Then the bus pulled in.

Several passengers stepped down, looking around to spot the people
waiting for them.

Tansy was the third. She was staring straight ahead. She was carrying
the pigskin suitcase.

"Tansy!" he said.

She did not look at him. He noted a black stain on her right hand, and
remembered the spilled ink on his study table. Odd that it should still
be there.

"Tansy!" he said. "Tansy!"

She walked straight past him, so close that her sleeve brushed his.

"Tansy, what's the matter with you?"

He had turned and hurried after her. She was heading for the local cab.
He was conscious of a silence, and curious unfriendly glances. It made
him angry.

She did not slacken her pace. He grabbed her elbow and pulled her
around. He heard a remonstratory murmur behind him, and realized that a
couple of the men were closing in.

"Tansy, stop acting this way! Tansy!"

Her face looked frozen. She stared past him without a hint of
recognition in her eyes.

That infuriated him. He did not pause to think. Accumulated tensions
prodded him into an explosion. He grabbed both elbows and shook her.
She still looked past him, completely aloof--a perfect picture of an
aristocratic woman enduring brutality. If she had yelled and fought
him, the men might not have interfered.

He was jerked back.

"Lay off her!"

"Who do you think you are, anyway?"

She stood there, with maddening composure. He noticed a scrap of paper
flutter out of her hand. Then her eyes met his and for one terrible
moment--but one moment only--he saw rise up behind her a shaggy black
form twice her height, with hulking shoulders, out-stretched massive
hands, and dully glowing eyes.

Only a moment, though. Then she turned away. But he fancied that a
great shadow followed hers. Then they swung him around and he could no
longer see her.

       *       *       *       *       *

In a queer sort of daze--for the kind of fear he had just experienced
mixes badly with any other emotion--he listened to them jabber at him.

"I ought to take a crack at you," he finally heard someone say.

"All right," he replied in a flat voice. "They're holding my hands."

He heard Alec's voice. "Say, what's going on here?" Alec sounded
cautious, but not unfriendly, as if he were thinking, "The guy's my
fare, but I don't know anything about him."

One of the soldiers spoke. "Where's the lady? She doesn't seem to be
making any complaint."

"Yeah, where is she?"

"She got in Jake's cab and drove off," someone volunteered.

"Maybe he had a good reason for what he did," said the soldier.

Norman felt the attitude of the crowd change.

One of the men holding him retorted, "Nobody's got a right to treat a
lady that way." But the other one slackened his grip and asked Norman,
"How about it? Did you have a reason for doing that?"

"I did. But it's my business."

He heard a woman's voice, high-pitched. "A lot of fuss over nothing!"

Grumbling, the men let him go.

"But mind you," said the more belligerent one, "if she'd stuck around
and complained, I'd 've sure taken a crack at you."

"All right," said Norman, "in that case you would have." His eyes were
searching for a scrap of paper.

"Can anyone tell me the address she gave the cab driver?" he asked at
random.

One or two shook their heads. The others ignored the question. Their
feelings toward him had not changed enough to make them co-operative.
And very likely, in the excitement, no one had heard.

Silently the little crowd drifted apart. People waited until they got
out of earshot before beginning to argue about what had happened. Most
of the cars drove off. The two soldiers wandered over to the benches in
front of the depot, so they could sit down while they waited for their
bus or train. He was alone except for Alec.

He located the scrap of paper in one of the slots between the worn
planks. It had almost slipped through.

He took it over to the cab and studied it.

He heard Alec say, "Well, where do we go now?" Alec sounded dubious.

He glanced at his watch. Ten thirty-five. Not quite an hour and a half
until midnight. There were a lot of things he could do, but he could
not do more than a couple of them in that time. His thoughts moved
sluggishly, almost painfully.

He looked around at the dim buildings. The seaward halves of some of
the street lamps were painted black. Up a side street there were signs
of life. He looked again at the scrap of paper.

Then he made a decision.

"I think there's a hotel on the main street," he told Alec. "You can
drive me there."

       *       *       *       *       *

"Eagle Hotel" read the black-edged gold letters on the plate-glass
window, behind which the narrow lobby with its half-dozen empty chairs
was nakedly revealed.

He told Alec to wait, and took a room for the night. The clerk was an
old man in a shiny black coat. Norman saw from the register that no one
else had checked in recently. He carried his bag up to the room and
immediately returned to the lobby.

"I haven't been here for ten years," he told the clerk. "I believe
there is a cemetery about five blocks down the street, away from the
Bay?"

The old man's sleepy eyes blinked wide open.

"Bayport Cemetery? Just three blocks, and then a block and a half to
the left. But--" He made a vague questioning noise in his throat.

"Thank you," said Norman.

After a moment's thought, he paid off Alec, who took the money and with
obvious relief kicked his cab into life. Norman walked down the main
street, away from the Bay.

After the first block there were no more stores. In this direction,
Bayport petered out quickly. Most of the houses were dark. And after he
turned left there were no more street lights.

The gates of the cemetery were locked. He felt his way along the
wall, behind the masking shrubbery, trying to make as little noise as
possible, until he found a scrubby tree whose lowest branch could bear
his weight. He got his hands on the top of the wall, scrambled up, and
cautiously let himself down on the other side.

Behind the wall it was very dark. There was a rustling sound, as if he
had disturbed some small animal. More by feeling than sight, he located
a headstone. It was a thin one, worn, mossy toward the base, and tilted
at an angle. Probably from the middle of the last century. He dug into
the earth with his hand, and filled an envelope he took from his pocket.

He got back over the wall, making what seemed a great deal of noise in
the shrubbery. But the street was empty as ever.

On his way back to the hotel he looked up at the sky, located the Pole
Star, and calculated the orientation of his room.

As he crossed the lobby, he felt the curious eyes of the old clerk
boring into him.

His room was in darkness. Chill salt air was pouring through the open
window. He locked the door, shut the window, pulled down the blind, and
switched on the light--a glaring overhead which revealed the room in
all its dingy severity. A cradle phone struck the sole modern note.

He took the envelope out of his pocket and weighed it in his hand. His
lips curled in a peculiarly bitter smile. Then he reread the scrap of
paper that had fluttered from Tansy's hand.

    Add a small quantity of graveyard dirt, and wrap all in a piece of
    flannel, wrapping widdershins. Tell it to stop me. Tell it to bring
    me to you.

Graveyard dirt. That was what he had found in Tansy's dressing table.
It had been the beginning of all this. Now he was fetching it himself.

He looked at his watch. Eleven twenty.

He cleared the small table and set it in the center of the room,
jabbing in his penknife to mark the edge facing east. "Widdershins"
meant "against the sun"--from west to east.

He placed the necessary ingredients on the table, cutting a short strip
of flannel from the hem of his bathrobe, and fitted together the four
sections of Tansy's note. The distasteful, bitter smile did not leave
his lips.

Taken together, the significant portions of the notes read:

    Take four lengths of four-inch white cord and a length of gut, a
    bit of platinum or iridium, a piece of lodestone, a phonograph
    needle that has only played Scriabin's "Ninth Sonata." Tie the
    four white cords into a granny, a reef, a cat's-paw, and a carrick
    bend. Tie the gut in a bowline. Add a small quantity of graveyard
    dirt, and wrap all in a piece of flannel, wrapping widdershins.
    Tell it to stop me. Tell it to bring me to you.

In general outline, it was similar to a hundred recipes for Negro
tricken-bags he had seen or heard about. The phonograph needle, the
knots, and one or two other items, were obvious "white" additions.

And it was all on the same level as the mental operations of a child or
neurotic adult who religiously steps on, or avoids sidewalk cracks.

A clock outside bonged the half-hour.

       *       *       *       *       *

Norman sat there looking at the stuff. It was hard for him to begin.
It would have been different, he told himself, if he were doing it
for a joke or a thrill, or if he were one of those people who dope up
their minds with morbid supernaturalism--who like to play around with
magic because it's medieval and aesthetic. But to tackle it in dead
seriousness, to open your mind deliberately to superstition--that was
to join hands with the forces pushing the world back into the dark
ages, to cancel the term "science" out of the equation.

But, behind Tansy, he had seen that thing. Of course, it had been an
hallucination. But when hallucinations start behaving like realities,
even a scientist has to face the possibility that he may have to treat
them like realities. And when hallucinations begin to threaten you and
yours in a direct physical way--

He reached out for the first length of cord and tied the ends together
in a granny.

When he came to the cat's-paw, he had to consult the page he had torn
from the dictionary. After a couple of false starts he managed it.

But on the carrick bend he was all thumbs. It was a simple knot, but
no matter how he went about it, he could not get it to look like the
illustration. Sweat broke out on his forehead. Very close in the room,
he told himself. "I'm still overheated from rushing about." The skin on
his fingertips felt an inch thick. The ends of the cord kept eluding
them. He remembered how Tansy's fingers had rippled through the knots.

Eleven forty-one. The phonograph needle started to roll off the table.
He dropped the cord and laid the phonograph needle against his fountain
pen, so it would not roll. Then he started again on the knot.

For a moment he thought he must have picked up the gut, the cord seemed
so stiff and unresponsive. Incredible what nervousness can do to you,
he told himself. His mouth was dry. He swallowed with difficulty.

Finally, by keeping his eyes on the illustration and imitating it step
for step, he managed to tie a carrick bend. All the while he felt as
if there were more between his fingers than a cord, as if he were
manipulating against a great inertia. Just as he finished, he felt a
slight prickly chill, like the onset of fever, and the light overhead
seemed to dim a trifle. Eye-strain.

The phonograph needle was rolling in the opposite direction, spinning
faster and faster. He slapped his hand down on it, missed it, caught it
at the edge of the table.

Just like a Ouija board, he told himself. You try to keep your fingers,
poised on the planchette, perfectly motionless. As a result muscular
tensions accumulate. They reach the breaking point. Seemingly without
any volition on your part, the planchette begins to roll and skid
about on its three little legs, traveling from letter to letter. Same
thing here. Nervous and muscular tensions made it difficult for him to
tie knots. Obeying a universal tendency, he projected the difficulty
into the cord. And, by hand and knee pressure, he had been doing some
unconscious table tipping.

Between his fingers, the phonograph needle seemed to vibrate, as if it
were being pounded by infinitesimal hammers. There was a very faint
sensation of electric shock. Unbidden, the torturesome, clangorous
chords of the "Ninth Sonata" began to sound in his mind. Rot! One
well-known symptom of extreme nervousness is a tingling in the
fingers--often painfully intense. But his throat was dry and his snort
of bitter contempt sounded choked.

He pinned the needle in the flannel for greater safety.

Eleven forty-seven. Reaching for the gut, his fingers felt as shaky
and weak as if he just climbed a hundred-foot rope hand over hand.
The stuff looked normal, but it was slimy to the touch. And for
some moments he had been conscious of an acrid, almost metallic
odor replacing the salt smell of the Bay. Tactual and olfactory
hallucinations joining in with the visual and auditory, he told
himself. He could still hear the "Ninth Sonata."

He knew a bowline backwards, and it should have been easier because the
gut was not as stiff as it ought to be, but he felt there were other
forces manipulating it or other mentalities trying to give orders to
his fingers, so that the gut was trying to tie itself into a slip-knot,
a reef, a half hitch--anything but a bowline. His fingers ached, his
eyes were heavy with an abnormal fatigue. He was working against
a mounting inertia--a dangerous, crushing inertia. He remembered
Tansy telling him that first day--"There's a law of reaction in all
conjuring--like the kick of a gun--" Eleven fifty-two.

With a great effort, he canalized his mental energy, focused his
attention only on the knot. His numb fingers began to move in an odd
rhythm, a rhythm of the "Ninth Sonata," _piu vivo_. The bowline
was tied.

       *       *       *       *       *

The overhead light dimmed markedly, throwing the whole room into a
sooty gloom. Hysterical blindness, he told himself in a despairing
effort to maintain the appearances of sanity and scientific law. It
was very cold now, so cold that he fancied he could see his breath.
And silent, terribly silent. Against that silence he could feel and
hear the rapid drumming of his heart, accelerating unendurably to the
thundering, swirling rhythm of the music.

Then, in one instant of diabolic paralyzing insight, he knew that
_this_ was sorcery. No mere puttering about with ridiculous
medieval implements, no effortless sleight of hand, but a straining,
back-breaking struggle to keep control of _forces summoned_,
of which the objects he manipulated were only the symbols. Outside
the walls of the room, outside the walls of his skull, outside the
impalpable energy-walls of his mind, he felt those forces gathering,
swelling up, dreadfully expectant, waiting for him to make a false move
so that they could crush him.

He could not believe it. He had to believe it.

The only question was--would he be able to stay in control?

Eleven fifty-seven. He gathered the objects together on the flannel.
The needle jumped to the lodestone and clung. It shouldn't; it wasn't
that magnetic. He took a pinch of graveyard dirt. Between finger and
thumb, each separate particle seemed to crawl, like a tiny maggot.
He sensed that something was missing. He could not remember what it
was. He fumbled for the formula. A current of air was blowing the
scraps of paper off the table. He sensed an eager, inward surge of the
forces outside, as if they knew he was failing. He clutched at the
papers, managed to pin them down. Bending close, he made out the words
"platinum or iridium." He jabbed his pen against the table, broke off
the whole nib, and added it to the other objects.

He stood at the side of the table away from the knife that marked
the east, trying to steady his shaking hands against the edge. His
teeth were chattering. The room was utterly dark now except for the
impossible bluish light that beat through the window shade.

Abruptly the strip of flannel started to curl like a strip of heated
gelatine, to roll itself up from east to west, _with_ the sun.

He jerked forward, got his hand inside the flannel before it closed,
drew it apart--in his numb hands it seemed like metal--and rolled it
against the sun, widdershins.

The silence was intensified. Even the sound of his beating heart was
cut off. He knew that something was listening with a terrible intensity
for his command, and that something was hoping with an even more
terrible avidity that he would not be able to utter that command.

Yet somewhere a clock was booming--or was it not a clock, but the
secret sound of time? Nine--ten--eleven--twelve.

His tongue stuck to the roof of his mouth. He kept on choking
soundlessly. He could feel the walls giving way.

Then, in a dry, croaking voice, he managed: "Stop Tansy. Bring her
here."

       *       *       *       *       *

The walls were shaken as if they were at the center of a whirlpool.
Darkness became absolute. There was an eruption of force from the
table. He felt himself flung across the room.

Then the forces were gone. In all things, tension gave way to limpness.
Sound and light returned. He was sprawled across the bed. On the table
was a little flannel packet, no longer of any consequence.

He felt as if he had been doped, or were waking after a debauch. There
was no inclination to do anything. Emotion was absent.

Outwardly everything was the same. Even his mind, with automatic
rationality, could still wearily take up the thankless task of
explaining his experiences on a scientific basis--weaving an elaborate
web in which psychosis, hallucination, and improbable coincidences were
the strands.

But inwardly something had changed, and would never change back.

Considerable time passed.

He heard steps mounting the stairs, then in the hall. They made a
_squish-squish_ sound, as if the shoes were soaking wet.

They stopped outside his door. There was a soft rap.

He crossed the room, turned the key in the lock--

A strand of seaweed was caught in the silver brooch. The gray suit was
dark now and heavy with water, except for one spot which had started
to dry and was faintly dusted with a white powder--salt. The odor of
the Bay was intimate and close. There was another strand of seaweed
clinging to one ankle against the wrinkled stocking.

And around the stained shoes, a little pool of water was forming.

His eyes traced the wet footprints down the hall. At the head of the
stairs the old clerk was standing, one foot still on the last step. He
was carrying a small pigskin suitcase.

"What's all this about?" he quavered, when he saw that Norman was
looking at him. "You didn't tell me you were expecting your wife. She
looks like she'd thrown herself in the Bay. We don't want anything
queer happening in this hotel--anything wrong."

"It's quite all right," said Norman, prolonging the moment before he
would have to look at her face. "I'm sorry I forgot to tell you. May I
have the bag?"

"--only last year we had a suicide"--the old clerk did not seem to
realize he was speaking his thoughts aloud--"bad for the hotel--" His
voice trailed off. He looked at Norman, gathered himself together,
and came hesitatingly down the hall. When he was a few steps away, he
stopped, reached out and put down the suitcase, turned, and walked
rapidly away.

Unwillingly, Norman raised his eyes until they were on a level with
hers.

The face was pale, very pale, and without expression. The lips were
tinged with blue. Wet hair was plastered against the cheeks. A thick
lock crossed one eye socket, like a curtain half drawn, and curled down
toward the throat, where it merged with a strand of seaweed. The dull
eyes stared at him, without sign of recognition. And no hand moved up
to brush the lock of hair away.

From the hem of the skirt, water was dripping.

The lips parted. The voice had the monotonous murmur of water.

"You were too late," the lips said. "You were a minute too late."



                                  XI.


For a third time their exchange of conversation had come back to the
same question. He had the maddening sensation of following a robot that
was walking in a huge endless circle and always treading on precisely
the same blades of grass as it retraced its path.

With the hopeless conviction that he would not get any further this
time, he asked the question again: "But how can you lack consciousness,
and at the same time _know_ that you lack consciousness? If your
mind is blank, you cannot at the same time be aware that your mind is
blank."

The hands of his watch were creeping toward three in the morning. The
chill of night's lowest ebb pervaded the dingy hotel room. Tansy sat
stiffly, wearing his bathrobe and big fleece-lined slippers, with
a blanket over her knees and a bath towel wrapped around her head.
They should have made her look child-like and perhaps even artlessly
attractive. They did not. If you were to unwind the towel you would
find the top of the skull sawed off and the brains removed, an empty
bowl--that was the illusion Norman experienced every time he made the
mistake of looking into her eyes.

The pale lips opened. "I know nothing. I only speak. They have taken
away my soul. But my voice is a function of my body."

You could not even say that the voice was patiently explanatory. It
was too utterly empty and colorless even for that. The words, clearly
enunciated and evenly spaced, all sounded alike. They came with the
regular beat of a machine.

The last thing he wanted to do was hammer questions at that stiff
pitiful figure, but at all costs he must awaken some spark of feeling
in the masklike face; he must find some intelligible starting point
before his own mind could begin to work effectually.

"But, Tansy, if you can talk about the present situation, you must be
aware of it. You're here in this room with me!"

The toweled head shook once, like that of a mechanical doll.

"Nothing is here with you but a body. 'I' is not here."

His mind automatically corrected "is" to "am" before he realized that
there had been no grammatical error and shuddered at the implications
of the trifling change in a tiny verb.

"You mean," he asked, "that you can see or hear nothing? That there is
just a blackness?"

Again that simple mechanical headshake, which carried more absolute
conviction than the most heated protestations.

"My body sees and hears perfectly. It has suffered no injury. It can
function in all particulars. But there is nothing inside. There is not
even a blackness."

His tired, fumbling mind jumped to the subject of behavioristic
psychology and its fundamental assertion that human reactions can be
explained completely and satisfactorily without once referring to
consciousness--that it need not even be assumed that consciousness
exists. Here was the perfect proof. And yet not so perfect, for the
behavior of this body lacked every one of those little mannerisms whose
sum is personality. The way Tansy used to squint and twist one little
finger around another when thinking through a difficult question. The
familiar quirk at the corners of her mouth when she felt flattered or
slyly amused. All gone. Even the quick triple headshake he knew so
well, with the slight bunny-rabbit wrinkling of the little nose, had
become that robot's "No."

The sensory organs still responded to stimuli. They sent nerve impulses
to the hindbrain or midbrain--or cortex--where they traveled about and
gave rise to efferent impulses which activated glands and muscles,
including the motor organs of speech. But that was all. None of those
intangible flurries we call consciousness hovered around the webwork of
nervous activity in the cortex. What had imparted _style_--Tansy's
style, like no one else's--to every movement and utterance of the body,
was gone. There was left only a physiological organism, without sign
or indication of personality. Not even a mad or an idiot soul--yes!
why not use that old term now that it had an obvious specific
meaning?--peered from the gray-green eyes which winked at intervals
with machinelike regularity, but only to lubricate the cornea, nothing
more.

He felt a grim sort of relief go through him, now that he had been
able to picture it in definite terms. But the picture itself--his mind
veered to the memory of a newspaper story about an old man who had kept
locked in his bedroom for years the body of a young woman whom he loved
and who had died of an incurable disease. He had maintained the body in
a miraculous state of preservation by wax and other means they said,
had talked to it every night and morning, had been convinced that he
would some day reanimate it completely--until they found out and took
him away, and buried it. Had that body--

       *       *       *       *       *

"Tansy," he was asking, "when your soul went, why didn't you die?"

"Usually the soul lingers to the end, unable to escape, and vanishes
or dies when the body dies," the voice answered, its words as evenly
spaced as if timed to a metronome. "But He Who Walks Behind was tearing
at mine. There was the weight of green water against my face. I knew it
was midnight. I knew that you had failed. In that moment of despair,
He Who Walks Behind was able to draw forth my soul. In the same moment
Your Agent's arms were about me, lifting me toward the air. My soul was
close enough to know what had happened, yet not close enough to return.
Its doubled anguish was the last memory it imprinted on my brain. Your
Agent and He Who Walks Behind concluded that each had obtained the
thing he had been sent for, and so there was no struggle between them."

The picture created in his mind was so shockingly vivid that it seemed
incredible that it could have been produced by the words of a mere
physiological machine. And yet only a physiological machine could have
told the story with such total restraint.

"Is there nothing that _touches_ you?" he asked abruptly in a loud
voice, gripped by an intolerable spasm of anguish at the emptiness of
her eyes. "Haven't you a single emotion left?"

"Yes. One." This time it was not a robot's headshake but a robot's nod.
For the first time there was a stir of feeling, a hint of motivation.
The tip of a pallid tongue licked hungrily around the pale lips. "I
want my soul."

He caught his breath. Now that he had succeeded in awakening a feeling
in her, he hated it. There was something so animal about it, so like
some light-sensitive marine worm blindly yet greedily wriggling toward
the sunlight.

"I want my soul," the voice repeated mechanically, tearing at his
emotions more than any plaintive or whining accents could have done.
"At the last moment, although it could not return, my soul implanted
that one emotion in me. It knew what awaited it. It knew there are
things that can be done to a soul. It was very much afraid."

He ground the words out between his teeth. "Where do you think your
soul is?"

"She has it. The woman with the little black eyes."

"Evelyn Sawtelle?" He was remembering a phone call.

"Yes. But it is not wise to speak of her by name."

His hand shot out for the phone. At that moment he had to do something
definite, or lose control of himself completely. For too long he had
sat impotently by, watching the ghostly and harrowing drama unfold. Now
he had to strike out.

After a time he roused the night clerk and got the local operator.

"Yes, sir," came the singsong voice. "Hempnell 1284. You wish to make a
person-to-person call to Evelyn Sawtelle--E-V-E-L-Y-N S-A-W-T-E-L-L-E,
sir?... Will you please hang up and wait? It will take considerable
time to make a connection."

"I want my soul. I want to go to that woman. I want to go to Hempnell."
Now that he had touched off the blind hunger in her, it persisted. He
was reminded of a phonograph needle caught in the same groove, or a
mechanical toy turned on to a new track by a little push.

"We'll go there all right." It was still hard for him to control his
breathing. "We'll get it back."

"But I must start for Hempnell soon. My clothes were ruined by the
water. I must have the maid clean and press them."

With a slow, even movement she got to her feet and started toward the
phone.

"But, Tansy," he objected involuntarily. "It's three in the morning.
You can't get a maid now."

"But my clothes must be cleaned and pressed. I must start for Hempnell
soon."

The words might have been those of an obstinate woman, sulky and
selfish. But they had less tone that a sleepwalker's.

She kept on toward the phone. Although he did not anticipate that he
would do it, he shrank out of her way, pressing close against the side
of the bed.

"But even if there is a maid," he said, "she won't come at this hour."

The pallid face turned toward him incuriously. "The maid will be a
woman." It was a little while before he got the implication of the
words. "She will come when she hears me."

Then she was talking to the night clerk. "Is there a maid in the
hotel?... Send her to my room.... Then ring her.... I cannot wait until
morning.... I need her at once.... I cannot tell you the reason....
Thank you."

Norman was thinking: How can a physiological machine conceive and carry
out even such a simple plan? Yet how could a conscious human being do
it with such utter listlessness? Same paradox. He wondered if he ought
to stop her. But an idea was growing in his mind.

There was a long wait, while he heard faintly the repeated ringing at
the other end of the line. He could imagine the sleepy, surly voice
that finally answered.

"Is this the maid?... Come at once to Room 37." He could almost catch
the indignant answer. Then--"Can't you hear my voice? Don't you realize
who is speaking?... Yes.... Come at once." And she replaced the phone
in its cradle.

"Tansy--" he began. Then his eyes met hers, and once again he found
himself asking a halting prefatory question, although he had not
intended to. "You are able to hear and answer my questions?"

"I can answer questions. I have been answering questions for three
hours." The lack of expression only made the irony more complete.

       *       *       *       *       *

But--logic prompted wearily--if she can remember what has been
happening these last three hours, then surely--And yet, what is memory
but a track worn in the nervous system? In order to explain memory you
don't need to bring in consciousness. Quit banging your head against
that stone wall, you fool!--came another inward prompting. You've
looked in her eyes, haven't you? Well, then, get on with it!

"Tansy, is that woman coming here because she's ... well, the same as
you were?"

"Yes. But since you are present she will not speak of it."

"But if I weren't here--or if I hid myself?"

"She might respond to questioning." The hungry subanimal expression
came back, and the tip of the tongue appeared between the lips. "If I
make her speak ... if I make you believe--will we go back to Hempnell
very quickly? Will you help me?"

"Yes." Of course he would. He wouldn't do anything else. But what good
to say all that to a blank physiological machine beyond the reach of
comfort? Besides, the maid should soon be here, and an unwholesome
curiosity was eating at him.

"I'll leave the closet door just a little ajar," he said. "She probably
won't notice. See?"

There were footsteps in the hall. The robot nod was his only answer.

"You wanted me, mum?" Contrary to his expectations, the voice was
young, but very low. It sounded as if she had swallowed as she spoke.

"Yes. I want you to clean and press some things of mine. They're
hanging on the edge of the bathtub. Go and get them."

The maid came into his line of vision, then. She would be very heavy in
a few years, he thought, but she was handsome now, though puffed with
sleep. She had hastily pulled on a dull-black dress, but her feet were
in slippers and her hair was snarly.

"Be careful with the dress. It's wool," came Tansy's voice, sounding
just as toneless as when it had been directed at him. "And I want them
promptly at nine o'clock."

Norman half expected to hear an objection to this unreasonable request,
but there was none. The girl walked rapidly out of the bathroom, the
damp clothes hurriedly slung over one arm, as if her one object were to
get away before she was spoken to again.

"Wait a moment, girl. I want to ask you a question." The voice was
somewhat louder this time. That was the only change whatsoever, but it
had a startling effect of command.

The girl hesitated, then swung around unwillingly, and Norman got a
good look at her face. He could not see Tansy--the closet door just cut
her off--but he could see the fear come to the surface of the girl's
face as she turned, see the sleep-creased cheek pale.

"Yes, mum?" she managed.

There was a considerable pause. He could tell from the way the girl
shrank, hugging the damp clothes tight to her body, that Tansy had
lifted her eyes and was looking at her.

Finally: "You know The Easy Way to Do Things? The Ways to Get and
Guard?"

Norman could have sworn that the girl gave a guilty start at that
second phrase. But she only shook her head quickly, and mumbled, "No,
mum. I ... I don't know what you're talking about."

"You mean you have never learned How to Make Wishes Work? You don't
conjure, or spell, or hex? You don't know the Art?"

This time the "No" was almost inaudible. The girl was trying to look
away, but failing.

"I think you are lying."

You could put any construction on those toneless words. The girl
twisted, hands tightly clutching her overlapping arms. He wanted to go
out and stop it, but curiosity held him rigid.

The girl's resistance broke. "Please, mum. We're not supposed to tell."

"You may tell me. What Procedures do you use?"

The girl's perplexity at the new word looked real.

"I don't know anything about that, mum. I don't do much. Just spells.
Like now my boy friend's gone in the army, I do things to keep him from
getting shot or hurt, and I've spelled him so that he'll keep away from
other women. Honest, I don't do much, mum. And it don't always work.
And lots of things I can't get that way." Her words had begun to run
away with her.

"Very well. Where did you learn to do this?"

"Some I learned from ma when I was a kid. And some from Mrs.
Neidel--she gets spells against bullets from her grandmother who had a
family in some European war before the last one. But most women won't
tell you anything. And some spells I kind of figure out myself, and try
different ways until they work. You won't tell on me, mum?"

"No. Look at me now. What has happened to me?"

"Honest, mum, I don't know. Please, mum, don't make me say it." The
girl's terror and reluctance were so obviously genuine that Norman felt
a surge of anger at Tansy. Then he remembered that the thing beyond the
door was incapable of either cruelty or kindness.

"I want you to tell me."

"I don't know how to say it, mum. But you're ... you're _dead_."
Suddenly she threw herself at Tansy's feet. "Oh, please, please don't
take mine! Please!"

"I would not take your soul. You would get much the best of that
bargain. You may go away now."

"Oh, thank you, thank you." She hastily gathered up the scattered
clothes. "I'll have them all ready for you at nine o'clock. Really I
will." And she hurried out.

       *       *       *       *       *

Only when he moved, did Norman realize that his muscles were stiff and
aching from those few taut minutes of peering. The robed and toweled
figure was sitting in exactly the same position as when he had last
seen it, hands loosely folded, eyes still directed toward where the
girl had been standing.

"If you knew all this," he asked simply, "why were you willing to stop
last week when I asked you?"

"There are two sides to every woman." It might have been a mummy
dispensing elder wisdom. "One is rational, like a man. The other
knows. Men are artificially isolated creatures, like islands in a sea
of magic, protected by their rationality and by the devices of their
women. Their isolation gives them greater forcefulness in thought
and action, but the women know. Women might be able to rule the world
openly, but they do not want the work or the responsibility. And men
might learn to excel them in the Art. Even now there may be male
sorcerers, but very few.

"Last week I suspected much that I did not tell you. But the rational
side is strong in me, and I wanted to be close to you in all ways. Like
many women, I had not been awakened. I was not certain. And when I
destroyed my charms and guards, I became temporarily blind to sorcery.
Like a person used to large doses of a drug, I was uninfluenced by
small doses. Rationality was dominant. I enjoyed a few days of false
security. Then rationality itself proved to me that you were the victim
of sorcery. And during my journey here I learned much, partly from
re-examination of my own memories, partly from what He Who Walks Behind
let slip." She paused and added, with the blank innocent cunning of a
child, "Shall we go back to Hempnell now?"

The phone rang. It was the night clerk, almost incoherent with some
sort of agitation, babbling threateningly about police and eviction. To
pacify him, Norman had to promise to come down at once.

The old man was waiting at the foot of the stairs.

"Look here, mister," he began, shaking a finger, "I want to know what's
going on. Just now my Sissy came down from your room white as a sheet.
She wouldn't tell me anything, but she was trembling like all get-out.
Sissy's my granddaughter. I got her this job, and I'm responsible for
her."

He seemed genuinely concerned.

"I know what hotels are. I've worked in 'em all my life. And I know
the kind of people that come to them--sometimes men and women working
together--and I know the kind of things they try to do to young girls.

"Now I'm not saying anything against you, mister. But it was mighty
queer the way your wife came here. I thought when she asked me to call
Sissy that she was sick or something. But if she's sick, why haven't
you called a doctor? And what are you doing still up at almost four?
Mrs. Thompson in the next room called to say there was talking in your
room--not loud, but it scared her. I got a right to know what's going
on."

Norman put on his best classroom manner and blandly dissected the
old man's apprehensions until they began to look very unsubstantial.
Dignity told. With a last show of grumbling, the old man let himself
be convinced. As Norman started upstairs, he was shuffling back to the
switchboard.

       *       *       *       *       *

On the second flight, Norman heard a phone ringing. As he was walking
down the hall, it stopped.

He opened the door. Tansy was standing by the bed, speaking into the
phone. Its dull blackness, curving from mouth to ear emphasized the
pallor of lips and cheek and the whiteness of the toweling.

"This is Tansy Saylor," she was saying tonelessly. "I want my soul."
A pause. "Can't you hear me, Evelyn? This is Tansy Saylor. I want my
soul."

He had completely forgotten the call he had put in. It had been done in
a moment of crazy anger. He hadn't even any clear idea of what he had
been going to say.

He stepped forward. A low wailing sound was coming from the phone.
Tansy was talking against it.

"This is Tansy Saylor. I want my soul."

He was almost there. The wailing sound had swiftly risen to a squeal,
but mixed with it was an intermittent windy whirring.

He reached out to take the phone. But at that instant the phone twisted
like a stumpy black worm, whipped tight to the skin, and dug into chin
and neck just below the ear, like a double-ended black paw. The squeal
became a muffled sucking.

If you tore that away, you would tear the face with it. He knew. He
dropped to his knees and ripped the cord from the wall. Violet sparks
spat from the torn wire. The loose end writhed like a wounded snake,
whipped around his forearm, tightened spasmodically, then relaxed.

He stood up. The phone had fallen to the floor. There was nothing out
of the ordinary about it now.

Tansy was still standing in the same place. Not an atom of fear showed
in her expression. With the unconcernedness of a machine, she had
lifted a hand and was slowly massaging cheek and neck. From the corner
of the squeezed lips a few drops of blood were trickling.

The rack, he was thinking, would be too good for that woman. Or the
scourge, or the wheel. So foully to attack a mere empty creature was
an ultimate, unspeakable viciousness, like crushing a kitten under your
heel. Perhaps the Boot, or the Funnel--

Swiftly the phantasmagoria of the Inquisition faded from his mind, as
his first surge of anger spent itself and settled down to a steady hate.

"What did she say to you?" he asked evenly.

"She kept saying, 'Who is this? Who is this?' That was all. Then she
stopped and the noise began."

"How did she sound?"

"She sounded very frightened."

"Good!" He smacked his fist against his palm. "Magic works," he said
grimly. "We'll make it work better. She'll be more frightened after we
begin."

"Perhaps you have already begun."

He did not understand at the time the significance of that toneless
reply.



                                 XII.


The rhythmic rattle and surge of the train had a soothing monotony.
You could hear the engine puffing lustily. The wide, heat-baked, green
fields swinging past the window of the compartment, drowsed in the
noonday sun. The farms and cattle and horses dotting them here and
there, looked equally somnolent. He would have liked to sleep, but he
knew he would not be able to. And as for--She apparently never slept.

"I want to run over some things," he said. "Interrupt me if you hear
anything that sounds wrong or you don't understand."

From the corner of his eye he noted the figure sitting between him and
the window nod once.

It occurred to him that there was something terrible about an
adaptability that could familiarize him even to--her, so that now after
only a day and a half he was using her as a kind of thinking machine,
asking for her memories and reactions in the same way that a man might
direct a servant to put a certain record on the phonograph.

At the same time he knew that he was able to make this close contact
endurable only by carefully directing his thoughts and actions--like
the trick he had acquired of never quite looking at her directly. And
he kept himself nerved up with the thought of what lay ahead, and his
determination to regain what had been lost, and his hate. The present
condition was only temporary. But if he once let himself start to
think what it would mean to live a lifetime, to share bed and board,
with that--blackness--coldness--vacancy.

Other people noticed the difference all right. Like those crowds they'd
had to push through in New York yesterday. Somehow people always edged
away, so they wouldn't have to touch her, and he had caught more than
one following glance, poised between curiosity and fear. And when
that other woman started to scream--lucky they had been able to lose
themselves in the crowd.

The brief stopover at New York had provided him with some vitally
necessary materials, though he still felt hampered by the lack of his
library and notes. But he had been glad last night when it was over.
The compartment seemed a haven of privacy.

What was it those other people noticed? True, if you looked closely,
the heavy cosmetics only provided a grotesque and garish contrast to
the underlying pallor, and powder did not wholly conceal the ugly dark
bruise around the mouth. But the veil helped, and you had to look very
closely--the cosmetics were practically a theatrical make-up. Was it
her walk that they noticed, or the way her clothes hung--her clothes
always looked a little like a scarecrow's now, though you could not put
your finger on the reason. Or was it--

But that was what he must not think about.

       *       *       *       *       *

"Magic is a practical science." He talked to the wall, as if dictating.
"There is all the difference in the world between a formula in
physics and a formula in magic, although they have the same name. The
former describes, in terse mathematical symbols, some cause-effect
relationship of wide generality. But a formula in magic is a way of
getting or accomplishing something. It always takes into account the
motivation or desire of the person performing the magic--be it greed,
love, revenge, or what-not. Whereas the experiment in physics is
essentially independent of the experimenter. In short, there has been
little or no "pure"--nonpractical--magic, comparable to pure science.

"This distinction between physics and magic is just an accident of
history. Physics is ultimately as practical as magic--but it possesses
a superstructure of theory that magic lacks. Magic could be given such
a superstructure by research in pure magic and by the investigation
and correlation of the magic formulas of different peoples and times,
with a view to deriving basic formulas which could be expressed in
mathematical symbols and which would have a wide application. Most
persons practicing magic have been too interested in immediate results
to bother about theory. But just as research in pure science has
ultimately led, seemingly by accident, to results of vast practical
importance, so research in pure magic might be expected to yield
similar results."

He waited a moment for comment, then went on.

"The subject matter of magic is akin to that of physics, in that it
deals with certain forces and materials, though these--"

"I believe it is more akin to psychology," the voice interrupted.

"How so?" He still looked at the wall.

"Because it concerns the control of other beings, the summoning of
them, and the constraining of them to perform certain actions."

"Good. That is very suggestive. Fortunately, formulas may still hold
good so long as their reference is clear, though we are ignorant of
the precise nature of the entities to which they refer. For example,
a physicist need not be able to give a visual description of an atom,
even if the term visual appearance has any meaning when applied to an
atom--which is doubtful. Similarly, a sorcerer need not be able to
describe the appearance and nature of the entity he summons. But the
point is well taken. Many seemingly impersonal forces, when broken down
sufficiently, become something very much like personality. It's not too
far-fetched to say that it would take a science resembling psychology
to describe the behavior of a single electron, with all its whims and
impulses, though electrons in the aggregate obey relatively simple
laws, just as human beings do when considered as crowds. The same holds
true of the basic entities of magic, and to a much greater degree.

"It is partly for this reason that magical processes are so tricky
and dangerous, and why their working can be so readily impeded if
the intended victim is on guard against them--as your formulas have
to our knowledge been nullified since Mrs. Gunnison stole your book.
That one formula I used on Sunday night worked only because it was not
anticipated that _I_ would be the operator. And even at that its
working was greatly hindered."

His words possessed for him an incredibly strange overtone. But it was
only by maintaining a dry, scholarly manner that he could keep going.
He knew that at the first touch of casualness or informality, the
latent morbidity of the situation would engulf him.

       *       *       *       *       *

"There remains one all-important consideration," he went on swiftly.
"Magic appears to be a science which markedly depends on its
environment--that is, the situation of the world and the general
conditions of the cosmos at any particular time. For example, Euclidean
geometry is useful on Earth, but there are regions--and it would
be easy to imagine more--in which a non-Euclidean geometry is more
practical. The same is true of magic, but to a more striking degree.
The basic, unstated formulas of magic appear to change with the passage
of time, requiring frequent restatement--though it might conceivably
be possible to discover master-formulas governing that change. It has
been speculated that the laws of physics show a similar evolutionary
tendency--though if they do evolve, it is at a much less rapid rate
than those of magic. It is natural that the laws of magic should evolve
or change more swiftly, since magic depends on a contact between the
material world and another level of being--and that contact is complex
and may be shifting rapidly.

"Take astrology, for example. In the course of several thousand years,
the precession of the equinoxes has put the Sun into entirely different
celestial houses--signs of the Zodiac--at the same times of year. A
person born, say, on March 22nd, is still said to be born in Aries,
though he is actually born when the Sun is in the constellation Pisces.
A failure to take into consideration this evolutionary change since the
formulas of astrology were first discovered, has rendered the formulas
obsolete and invalidated them for--"

"It is my belief," the voice broke in, like a phonograph suddenly
starting, "that astrology has always been largely invalid. That it is
one of the many pretended sciences which have been confused with true
magic and used as a kind of window dressing. Such is my belief."

"I presume that may be the case, and it would help to explain why magic
itself has been outwardly discredited as a science--which is the point
I'm getting at.

"Suppose the basic formulas of physics--such as Newton's three laws
of motion--had changed several times in the last few thousand years.
The discovery of any physical laws at any time would have been vastly
more difficult. The same experiments would give different results
in different ages. But that is the case with magic, and explains why
magic has been periodically discredited and has become repugnant to the
rational mind. It's like what old Carr was saying about the run of the
cards at bridge. After a few shuffles of a multitude of cosmic factors,
the laws of magic change. A sharp eye can spot the changes, but
continual experimentation, of the trial-and-error sort, is necessary
to keep the crude practical formulas of magic in anything like working
order, especially since the basic formulas and the master-formulas have
never been discovered.

"Take a concrete example--the formula I used Sunday night. It shows
signs of recent revision. For instance, what did the original,
unrevised formula have in place of the phonograph needle?"

"A willow whistle of a certain shape, which had been blown only once,"
the voice told him.

"And the platinum or iridium?"

"The original formula mentioned silver, but a heavier metal serves
better. Lead, however, proved altogether ineffective. I tried it once.
It was apparently too unlike silver in other respects."

"Precisely. Trial-and-error experimentation. I have a modern substitute
for the flannel wrapping which may prove more effective. Moreover,
in the absence of thorough investigation, we cannot be sure that all
the ingredients of a magic formula are essential in making it work. A
comparison of the magic formulas of different countries and peoples
would be helpful in this respect. It would show which ingredients
are common to all formulas and therefore presumably essential, and
which are not essential. I have in mind a method for making such a
comparison."

       *       *       *       *       *

There was a discreet knock at the door. Norman spoke a few words, and
the figure drew down its veil and turned toward the window, as if
staring stolidly at the passing fields. Then he opened the door.

It was lunch, as long in coming as breakfast had been. And there was
a new face--coffee-colored instead of ebony. Evidently the first
waiter, who had shown growing nervousness in his previous trips to the
compartment, had decided to sacrifice the tip and send someone else.

With a mixture of curiosity and impatience, Norman waited for the
reactions of the new-comer. He almost felt able to predict them. First
a very quick inquisitive glance past him at the seated figure--Norman
guessed they had become the major mystery of the train. Then a longer,
sideways glance while setting up the folding table, ending with the
eyes getting very wide; he could almost feel the coffee-colored flesh
crawl. Only hurried, almost unwilling glances after that, with a
growing uneasiness manifested in clumsy handling of the dishes and
glassware. Then a too-pleasant smile and a hasty departure.

Only once Norman interfered--to place the knives and forks so they lay
at right angles to their usual position.

The meal was a very simple one, almost ascetic. He did not look across
the table as he ate. There was something worse than animal greediness
about that methodical feeding. After the meal he put the left-overs
into a small cardboard box, covered them with a napkin he had used to
wipe all the dishes clean, and placed the box in his suitcase beside
an envelope containing clippings from his own fingernails. The sight
of the clean breakfast dishes had been one of the things which had
helped to disturb the first waiter, but Norman was determined to adhere
strictly to a complete set of taboos. They were an odd assortment,
gleaned from his memories of Negro, Polynesian, and Indian practices.
Of course, there might be no protection gained by observing taboos.
But then again there might be. So he collected food fragments, saw to
it that no knives or other sharp instruments pointed toward them, had
them sleep with their heads nearest the engine and their destination,
and enforced a number of other minor regulations. Eating in private
satisfied still another taboo, but there was more than one reason for
that.

He glanced at his watch. Only half an hour until Hempnell. He had
not realized they were quite so close. There was the faint sense of
an almost physical resistance from that region, as if the air were
thickening. And his mind was tossing with a multitude of problems yet
to be considered.

       *       *       *       *       *

Deliberately turning his back, he said, "According to the myths, souls
may be imprisoned in all sorts of ways--in boxes, in knots, in animals,
in stones. Have you any ideas on this subject?"

As he feared, this particular question brought the usual irrelevant
response. The answering words had the same dull persistence.

"I want my soul."

His hands, clasped behind his back, tightened. This was why he had
avoided the question until now. Yet he had to know more, if that were
possible.

"But where exactly should we look for it?"

"I want my soul."

"Yes." It was hard for him to control his voice. "But how, precisely,
might it be hidden? It will help if I know."

There was a rather long pause. Then, "The environment of the soul
is the human brain. If it is free, it immediately seeks such an
environment. It may be said that soul and body are two separate
creatures, living together in a symbiotic relationship so intimate and
tight that they normally seem to be only one creature. The closeness of
this contact appears to have increased with the centuries. Indeed, when
the body it is occupying dies, the soul is usually unable to escape and
appears to die, too, or to migrate to another level of being--I have
no clear knowledge of that matter. But by supernatural means the soul
may sometimes be divorced from the body it is occupying. Then, if it is
prevented from re-entering its own body, it is irresistibly drawn to
another, whether or not that other body possesses a soul. And so the
captive soul is usually imprisoned in the brain of its captor, unable
either to escape from or to control that brain, in immediate contact
with the soul of the captor and forced to view and feel, in complete
intimacy, the workings of that soul. Therein lies perhaps its chief
torment."

Beads of sweat prickled his scalp and forehead.

His voice did not shake, but it was unnaturally heavy and sibilant as
he asked, "What is Evelyn Sawtelle like?"

The answer sounded as if it were being read verbatim from the summary
of a political dossier.

"She is dominated by a desire for social prestige. She spends most
of her time in unsuccessfully attempting to be snobbish. She has
romantic ideas about herself, but since they are too high-flown to
find satisfaction, she is prim and moralistic, with rigid standards of
conduct. She believes she was cheated in her husband, and is always
apprehensive that he will lose what ground she has gained for him.
Being unsure of herself, she is given to acts of maliciousness and
sudden cruelty. At present she is very frightened and constantly on
guard. That is why she had her magic all ready when she received the
telephone call."

"I can't wait until tomorrow," he told himself. "I must begin with her
this very afternoon."

Aloud, he asked, "Mrs. Gunnison--what do you think of her?"

"She is a woman of abundant vigor and appetites. She is a good
housewife and hostess, but those activities hardly take the edge off
her energies. She should have been mistress of a feudal domain. She
is a born tyrant, and grows fat on it. Her appetites, many of them
incapable of open satisfaction in our present society, nevertheless
find devious outlets. Servant girls of the Gunnisons have told stories,
but not often and then guardedly, for she is ruthless against those who
oppose her or threaten her security."

"And Mrs. Carr? That is, if she comes in this category."

"Little can be said of her. She is conventional, an indulgent ruler
of her husband, and enjoys being thought sweet and saintly. But I am
uncertain of her deeper motivations."

"It may be then, that she is not hostile?" He was remembering the
telephone call from Mrs. Carr just before he left for the East, when
she had seemed to be trying to check on the activities of Evelyn
Sawtelle.

"It may be. Yet at times I have been aware of her looking at me long
and strangely."

There was a knock. It was the porter come for the bags.

"Be in Hempnell in five minutes, sir. Shall I brush you in the
corridor?"

But Norman tipped him and declined the service. He also told him they
would carry their own bags. The porter smiled jerkily and backed out.

Norman crossed to the forward window. There was only the gravel wall
of a gully, and, above it, dark trees flashing indistinctly past. But
almost immediately the gravel wall gave way to a wide panorama, as the
tracks swung around and down the hillside.

There was more woodland than field in the valley. The trees seemed
to encroach on the town, dwarfing it. From this particular point it
looked quite tiny. But the college buildings stood out with a cold
distinctness. He fancied he could make out the window of his office.

Those cold gray towers and darker roofs were like an intrusion from
some other, older world, and his heart began to pound, as if he had
suddenly sighted the fortress of the enemy.



                                 XIII.


Norman looked briefly across the campus before he went into Morton. The
thing that startled him most was something he had not expected--the air
of normality. True, he had not looked forward--at least consciously--to
any outwardly demoniac manifestations, any physical stench of evil. But
this feeling of wholesomeness--the little swarms of students trooping
back to the dormitories or over to the campus soda fountain, the file
of girls in white bound for a tennis lesson, the friendly smiles and
nods, the way his own steps fell so easily and gratefully into the old
familiar paths--almost for a moment he wondered if everything else were
not some crazy dream. It came to him almost with a shock that things
were outwardly as normal as they had ever been, that only with respect
to himself had they changed.

"Don't fool yourself," the voice inside told him. "Some of those
laughing girls are already infected. Their very respectable mammas
have given them delicate hints. Don't be too sure you know what
they're thinking while they sip their cokes or chatter about their boy
friends."

But there was much to be done this afternoon, and he had no right to
waste a second. He turned into Morton and quickly mounted the stairs.

His capacity for surprise was not yet exhausted, however, as he
realized when he saw a group of students emerging from the classroom
at the other end of the third-floor corridor, after having waited the
usual ten minutes for him to appear. That was right--he had classes,
and committee meetings, and appointments. He slipped around the bend in
the corridor before he was noticed.

Taking suitable precautions, he entered his office. Nothing seemed to
have been disturbed, but he was careful in his movements and on the
alert for unfamiliar objects. He did not put his hand into any drawer
without closely inspecting it first.

One letter in the little pile of accumulated mail was important. It was
from Pollard's office, requesting him to appear before a meeting of the
trustees later this week. He smiled with grim satisfaction. His career
was still skidding downhill. Hempnell still had its fangs.

He methodically removed certain sections from his files, stuffed his
brief case full and made a package of the remainder.

Then he took from his pocket a small hard object, and looked at it
reflectively.

It was made of lucite, and its shape was that of an egg. Sealed inside
the thick, transparent shell were tiny bits of metal and fiber. It was
the chief trophy of his stay in New York. His friend in industrial
chemistry had been very mystified. But here it was.

Placed in the Sawtelle home, it ought to constitute the terminal of a
kind of circuit and clear the way for the operations he intended to
begin tonight, for the recovery of that which Evelyn Sawtelle had taken
and was holding captive.

It remained to place it.

After a last glance around, during which he noted that the Estrey
dragon had not been restored to whatever was its original position on
the roof, he started downstairs.

Outside he met Mrs. Gunnison.

This was something he had not anticipated with sufficient vividness. He
was acutely conscious of the way his arms were encumbered by the bulky
notes. For a moment he did not seem able to see her clearly.

"Lucky I found you," she began immediately. "Harold's been trying every
which way to get in touch with you. Where have you been?"

Suddenly she registered on him as her old, blunt, sloppy self. With a
sense of mingled relief and frustration, he realized that the warfare
in which he was engaged was a strictly undercover affair, and that
outwardly all relationships were the same as ever. He found himself
explaining how Tansy and he, weekending with friends out in the
country, had gotten a touch of food poisoning, and how his message to
Hempnell must have gone astray. This explanation was intended merely
for general consumption. Routine excuses were still necessary, and
this one had the added advantage of providing a reason for Tansy's
appearance, if anyone should see her, and it would enable him to plead
a recurrence of the attack as an excuse for neglecting his academic
duties.

He did not expect Mrs. Gunnison to believe it, but he ought to tell it
to her just to be consistent.

She accepted the story without comment, offered her sympathies, and
went on to say, "But be sure and get in touch with Harold. I believe
it has to do with that meeting of the trustees you've been asked to
attend. You know, Harold thinks a great deal of you. Good-by."

Odd, but at the last moment he fancied he caught a note of genuine
friendliness, a strange little look, as if she was appealing to him to
do something. Could he possibly be wrong in his estimation of her?

       *       *       *       *       *

But there was work to do. Off campus, he hurried down a quiet side
street to where his car was parked. With hardly a sidewise glance at
the motionless figure in the front seat, he stepped in and drove to
Sawtelle's.

The house was bigger than they needed, and the front lawn was very
formal. But the grass was yellow in patches, and the soldierlike rows
of flowers looked neglected.

"Wait here," he said. "Don't get out of the car under any
circumstances."

To his surprise, Hervey met him at the door. There were circles under
Hervey's always-worried eyes, and his fidgetiness was more than usually
apparent.

"I'm so glad you've come," he said, pulling Norman inside. "I don't
know what I'm going to do with all these departmental responsibilities
on my shoulders! Classes having to be dismissed. Stop-gap instructors
to be obtained. And the deadline on next year's catalogue tomorrow!
Here, come into my study." And he pushed Norman through a huge living
room, expensively but stiffly furnished, into a dingy, book-lined
cubbyhole with one small window.

"I'm almost going out of my mind," he said. "I haven't dared stir out
of the house since Evelyn was attacked Sunday night."

"What!"

"Haven't you heard?" He stopped and looked at Norman in surprise. Even
here he had been trying to pace up and down, although there was not
room enough. "Why, it was in the papers. Though I wondered why you
didn't come over or call up. I kept trying to get you at your home and
the office, but no one could locate you. Evelyn's been in bed since
Sunday, and she gets hysterical if I even speak of going out of the
house. Just now she's asleep, thank heavens."

It was borne in on Norman that Sawtelle was not even aware that he
had been out of town. Hastily he related his trumped-up excuse. He
wanted to get back to what had happened Sunday night. There was an idea
forming at the back of his mind, but it was still nebulous. For the
moment he neglected the real purpose of his visit.

"Just my luck!" Sawtelle exclaimed tragically when Norman had finished.
"The whole department falling apart the very first week I'm in charge
of it. And young Stackpoole laid up with the 'flu'!"

"We'll manage," said Norman. "Sit down and tell me about Evelyn."

Unwillingly, Sawtelle cleared a space so he could perch on the
cluttered desk. He groaned audibly when his eyes chanced to light on
papers concerned with urgent business.

"It happened about four o'clock Sunday morning," he began, still
aimlessly fiddling with the papers. "I was awakened by a terrible
scream. Evelyn's bed was empty. It was pitch dark out in the hall. But
I could hear some sort of struggle going on downstairs. A bumping and
threshing around--"

Suddenly he jerked up his head. "What was that? I thought I heard
footsteps out in the front hall." Before Norman could say anything he
went on, "Oh, it's just my nerves. They've been acting up ever since.

"Well, I picked up something--a vase--and went downstairs. About that
time the sounds stopped. I switched on the lights and went through all
the rooms. In the sewing room I found Evelyn stretched unconscious on
the floor with some ghastly bruises beginning to show around her neck
and mouth. Beside her lay the phone--we have it there because Evelyn
has so many occasions to use it. I nearly went frantic. I called a
doctor and the police."

Norman knew now what must have happened.

"When Evelyn regained consciousness, she was able to tell us about
it, although she was terribly shaken up. It seems the phone had rung.
She went downstairs in the dark without waking me. Just as she was
picking up the phone, a man jumped out of the corner and attacked
her. She fought him off--oh, it drives me mad to think of it!--but he
over-powered her and choked her unconscious."

Norman listened with grim satisfaction.

"Thank heavens I came downstairs when I did! That must have been what
frightened him off. The doctor found that, except for bruises, there
weren't any other injuries. Even the doctor was shocked at those
bruises, though. He said he had never seen any quite like them.

"The police think that after the man got in the house he called Central
and asked them to ring this phone--pretending he thought the bell was
out of order or something--in order to lure someone downstairs. They
were puzzled as to how he got inside, though, for all the windows and
doors were shut fast. Probably I forgot to lock the front door when we
went to bed--one of my pieces of unforgivable carelessness!

"The police think that he was a vicious burglar, but I believe he must
have been a madman besides. Because there was a silver plate on the
floor, and two of our silver forks jammed together strangely, and other
odds and ends. And he must have been playing the phonograph in the
sewing room, because it was open and the turntable was going and on the
floor was one of Evelyn's speech records, smashed to bits."

       *       *       *       *       *

Yes, the picture was all very clear now. What Norman had forgotten to
take into consideration was the ever-present possibility of reaction,
if magic miscarried--"like the kick of a gun," or, better, like the
breech of a gun blowing up. When he had severed the wire at Bayport,
the thwarted Agency of Death had instantly struck back at the sender.
And afterward Evelyn Sawtelle had invented the obvious story.

One thing bothered him. If the police should trace that phone call in
an effort to prove their own theory, they would find it had been placed
by Norman Saylor, at Bayport. But at the worst that would only convict
him of a peculiar lie. For the present he would say nothing about it.

"It's all my fault," Sawtelle was repeating mournfully. Norman
remembered that Sawtelle always assumed that he was guilty whenever
anything hurt or merely upset Evelyn. "I should have awakened! _I_
should have been the one to go down to the phone. When I think of that
delicate creature feeling her way through the dark, and lurking just
ahead of her that--Oh, and the department! I tell you I'm going out of
my mind. Poor Evelyn has been in such a pitifully frightened state ever
since, you wouldn't believe it!"

"Good," thought Norman. "If she's really frightened, she may be easier
to deal with." The idea of pity never occurred to him. Moreover, if
what he had been told about the lodgment of captive souls were true,
then Tansy's soul had suffered equally with that of Evelyn Sawtelle
here in this very house on Sunday night.

"I tell you, I haven't slept a wink," Sawtelle was saying. "If Mrs.
Gunnison hadn't been kind enough to spend a couple of hours with her
yesterday morning, I don't know how I'd have managed. Even then she was
too frightened to let me stir.... My God!... Evelyn!"

But it was really impossible to identify the agonized scream, except
that it had come from the upper part of the house. Crying out, "I knew
I heard footsteps! He's come back!" Sawtelle ran full tilt out of
the study. Norman was just behind him, suddenly conscious of a very
different fear. It was confirmed by a glance through the living-room
window at his empty car.

He beat Sawtelle up the stairs and was the first to reach the bedroom
door. He stopped. Sawtelle, almost gibbering with anxiety and guilt,
ran into him.

It was not at all what Norman expected.

The pink silk coverlet clutched around her, Evelyn Sawtelle had
retreated to the side of the bed nearest the wall. Her teeth were
chattering, and her face was a dirty white.

Beside the bed stood Tansy. For a moment Norman felt a great, sudden
hope. Then he saw her eyes, and the hope shot away with sickening
swiftness. She was not wearing the veil. In that heavy make-up, with
those rouged cheeks and thickly carmined lips, she looked like some
indecently daubed statue, impossibly grotesque against that background
of ridiculously feminine pink silk hangings. But a hungry statue.

Sawtelle scrambled past him, shouting, "What's happened? What's
happened?" He saw Tansy. "I didn't know you were here. When did you
come in?" Then, "You frightened her!"

The statue spoke, and its quiet accents hushed him.

"Oh, no, I didn't frighten her. Did I, Evelyn?"

Evelyn Sawtelle was staring at Tansy in abject, wide-eyed terror, and
her jaw was still shaking. But when she spoke, it was to say, "No,
Tansy didn't ... frighten me. We were talking together ... and then ...
I ... I thought I heard a noise."

"Just a noise, dear?" Sawtelle said, somewhat taken aback.

"Yes ... like footsteps ... very quiet footsteps in the hall." She did
not take her eyes off Tansy, who nodded once when she had finished.

Norman accompanied Sawtelle on a futile search of the top floor. When
they came back, Evelyn was alone.

"Tansy's gone out to the car," she told Norman weakly. "I'm sure I just
imagined those footsteps."

But her eyes were still full of fear when he left her, with Sawtelle
fussing about straightening the coverlet and shaking out the pillows.

As he went down the stairs he became aware of a hard object in his
pocket, and he remembered the lucite egg. He had not placed it. But, as
things stood now, he must first know more.

Tansy was sitting in the car, staring ahead. He could see that the body
was still dominated by its one emotion. He did have to ask a question.

"She does not have my soul," were the words. "I questioned her at
length. As a final and certain test I embraced her. That was when she
screamed. She is very much afraid of the dead."

"What did she tell you?"

"She said that someone came and took my soul from her. Someone who did
not trust her very much. Someone who desired my soul, to keep as a
hostage and for other reasons. Mrs. Gunnison."

And he had seen it and not known. The knuckles of his hands were white
on the steering wheel. That puzzling look of appeal that Mrs. Gunnison
had given him. For an instant Tansy had managed to look out of her
eyes. And he had not known it.



                                 XIV.


Professor Carr finished his inspection of the first of the five sheets.

"Yes," he said, "these are undoubtedly equations in symbolic logic."

Norman had been pretty sure they were, but he was glad to hear a
mathematician say so. The hurried reference he had made to _Principia
Mathematica_ had not altogether satisfied him.

"The capitals stand for classes of entities, the lower case letter for
relationships," he said helpfully.

"Ah ... yes--" Professor Carr's voice became a trifle diffident, and he
rubbed his chin beneath the white Vandyke. "But what do they ... refer
to ... if I may ask?"

"You could perform operations on the equations, couldn't you, without
knowing the references of the individual symbols?" Norman countered,

"Most certainly. And the results would be valid--always providing that
the original references had been made correctly."

"Then here's my problem," Norman went on hastily. "There are seventeen
equations on that first sheet. As they stand, they are not consistent
with each other. Now I'm wondering if one simple, underlying equation
doesn't appear in each of the seventeen, jumbled up with a lot of
nonessential terms and meaningless procedures. Each of the other sheets
presents a similar problem."

"Hm-m-m--" Professor Carr began to finger a pencil, and his eyes
started to go back to the intriguing sheet, but he checked the
movement. "I must confess I'm rather curious about those references,"
he said, and added innocently, "I wasn't aware that there had been
attempts to apply symbolic logic to sociology."

Norman was prepared for this. "I'll be frank with you, Linthicum," he
said. "I have a pretty wild, off-trail theory, and I've promised myself
I won't discuss it until I have a better idea of whether or not there's
anything to it."

Carr's face broke into a reminiscent smile. "I think I understand your
sentiments," he said. "I can still recall the disastrous consequences
of my announcement that I had trisected the angle.

"Of course, I was only in high school at the time," he added hastily.

"Though I'm still convinced that I gave my teacher a bad half-hour," he
finished with a touch of pride.

When he next spoke, there was a sly twinkle in his eyes. "Nevertheless,
I'm very much piqued by those symbols. As it stands, they might
refer ... hm-m-m ... to anything."

"I'm sorry," said Norman. "I know I'm asking a lot of you."

"Not at all. Not at all." Twiddling the pencil Carr glanced again at
the sheet. Something seemed to catch his eyes. "Hm-m-m ... this is
very interesting," he said. "I hadn't noticed this before." And his
pencil began to fly about the sheet, deftly striking out terms, neatly
inscribing new equations. The single vertical furrow between his gray
eyebrows deepened. In a moment he was wholly absorbed.

With an unbreathed sigh of relief, Norman leaned back. He felt
dog-tired, and his eyes hurt. Those five sheets represented twenty
hours of uninterrupted work. Tuesday night, Wednesday morning, part
of Wednesday afternoon. Even at that he couldn't have done it without
Tansy to take notes from his dictation. He trusted the accuracy of her
mindless neurons more than those of a conscious person.

The agile old fingers had half filled a fresh sheet of paper with
derived equations. Their swift, orderly movements did not disturb but
rather intensified the quiet almost monastic, mathematical atmosphere
of the small office.

If Mrs. Gunnison had not shown herself to be so resourceful, he was
thinking, he might have managed without using symbolic logic and Carr.
But she was no Evelyn Sawtelle, to strike out viciously and then
collapse. No, her competence and coolness under fire were of quite
a different sort. She had become very elusive, and he had even been
balked in the simple job of secretly planting a certain object in her
home. And even if he had managed, he was doubtful whether he would have
succeeded with the rest of the plan. Something of a decidedly stronger
sort was necessary. Something new. Something basic.

Carr shoved a paper toward him, and immediately started working on the
next sheet.

"You've found the underlying equation?"

Carr seemed almost annoyed at the interruption. "Surely ... of course."
His pencil was once more darting about.

"Sorry to be making all this work for you," said Norman, wondering just
what was the meaning of the brief ultimate equation. He could not tell
without his code.

Carr spared him a glance. "Not at all. I'm enjoying it. I always did
have a knack for these things, though it's not exactly my field." And
then he was busy again.

       *       *       *       *       *

The afternoon shadows deepened. Norman switched on the overhead light,
and Carr thanked him with a quick, preoccupied nod. The pencil flew.
Three more sheets had been shoved across to Norman, and Carr was
finishing the last one, when the door opened.

"Linthicum!" came the sweet voice, with hardly a trace of
reproachfulness. "Whatever's keeping you? I've waited downstairs
fifteen minutes."

"I'm sorry, dear," said the old man, looking at his watch and his wife.
"But I had become so absorbed--"

She saw Norman. "Oh, I didn't know you had a visitor," she said.
"_Whatever_ will Professor Saylor _think_! I'm afraid that
I've given him the impression that I tyrannize over you."

And she accompanied the words with such a quaint smile that Norman
found himself echoing Carr's "Not at all."

"Professor Saylor looks _dead_ tired," she said, peering at Norman
anxiously. "I hope you haven't been wearing him out, Linthicum."

"Oh, no, my dear, I've been doing all the work," her husband told her.

She walked around the desk and looked over his shoulder. "What is it?"
she asked, pleasantly.

"I don't know," he said. He straightened up and, winking at Norman,
went on, "I believe that, behind these symbols, Professor Saylor is
revolutionizing the science of sociology. But it's a great secret. And
in any case I haven't the slightest idea of what the symbols refer to.
I'm just being a comptometer."

With a polite, by-your-leave nod toward Norman, Mrs. Carr picked up one
of the sheets and studied it through her thick glasses. But when she
saw the massed rows of symbols, she put it down.

"Mathematics is not my forte," she explained. "I was _such_ a poor
scholar."

"Nonsense, Flora," said Carr. "Whenever we go to the market, you're
much quicker at totaling the bill than I am. And I try to beat you,
too."

"But that's such a _little_ thing," cooed Mrs. Carr delightedly.

"I'll only be a moment more," said her husband, returning to his
calculations.

Mrs. Carr spoke across to Norman in a half-whisper. "Oh, Professor
Saylor, _would_ you be so kind as to convey a message to Tansy?
I want to invite her for bridge tomorrow night--that's Thursday--with
Hulda Gunnison and Evelyn Sawtelle. Linthicum has a _meeting_."

"I'll be glad to," said Norman quickly. "But I'm afraid she might not
be up to it." And he explained about the food poisoning.

"How too, too _terrible_!" observed Mrs. Carr. "Couldn't I come
over and help her?"

"Thank you," Norman lied, "but we have someone staying with her."

"How _wise_," said Mrs. Carr, and it sounded as if she really
meant it.

Carr put down his pencil. "There," he said, "I'm done."

With further expressions of thanks, Norman gathered up the sheets.

"Really no trouble at all," Carr assured him. "You gave me a very
exciting afternoon." He added wistfully. "I must confess that you've
aroused my curiosity."

"Linthicum dotes on anything mathematical, especially when it's like a
puzzle," Mrs. Carr told him. "Why, once," she continued, with a kind
of roguish indulgence, "he made all sorts of tabulations on _horse
races_."

"Er ... yes ... but only as a concrete example of the calculus of
probabilities," Mr. Carr interposed quickly. But his smile was equally
indulgent.

Her hand was on his shoulder, and he had reached up his own to cover
hers. Frail, yet somehow hearty, withered, yet somehow fresh, they
seemed like the perfect aged couple.

"I promise you," Norman told Carr, "that if I revolutionize the science
of sociology, you'll be the first to hear of it."

       *       *       *       *       *

As soon as he was home, Norman got out the code. "_W_" was the
identifying letter at the top of the first sheet. He thought he
remembered what that meant, but he looked it up just to be sure.

"_W_--To conjure out the soul."

Yes, that was it. He turned to the supplementary sheet covered with
Carr's calculations, and carefully decoded the final equation.
"_C_--Notched strip of copper." He nodded. "_T_--Twirl
sunwise." He frowned. He would have expected them to cancel out. Good
thing he'd gotten a mathematician's help in simplifying the seventeen
equations, each representing a different people's formula for conjuring
out the soul--Arabian, Zulu, Polynesian, American Negro, American
Indian, and so on; the most recent formulas available, and ones that
had known actual use.

"_A_--Deadly amanita." Bother! He'd been certain that one would
cancel out. It would be a bit of time and trouble getting a deathcup
mushroom. And there was another even more difficult item. Well, he
could manage without that formula, if he had to. He took up two other
sheets--"_V_--To control the soul of another," "_Z_--To cause
the dwellers in a house to sleep"--and set to work on one of them. In
a few minutes he had assured himself that the ingredients presented no
special difficulties, save that _Z_ required a Hand of Glory to be
used as well as the graveyard dirt to be thrown onto the roof of the
house in which sleep was to be enforced. But he ought to have little
difficulty in filching a suitable severed hand from the anatomy lab.
Now he was getting somewhere. With _Z_ he could place the charm in
the Gunnison house tomorrow night, and with _V_ activate it.

Conscious of a sudden reaction of weariness, he pushed back his chair.
For the first time since he had come into the house, he looked at her.
She sat in the rocking chair, face turned toward the drawn curtains.
When she had started rocking, he did not know. But the muscles of her
body automatically continued the rhythmical movement, once it had begun.

With the suddenness of a blow, longing for Tansy struck him. Her
intonations, her gestures, her mannerisms, her funny fancies--all the
little things that go to make a person real, and human, and loved--he
wanted them all instantly; and the presence of this dead-alive
imitation, this poor husk of Tansy, only made the longing less
bearable. And what sort of a man was he, to be puttering around with
occult formulas, while all the while he--"There are things that can be
done to a soul," she had said. "Servant girls of the Gunnisons have
told stories--" He ought to go up there and take by force what was his!

The reaction was immediate. How could you take by force what was
without form or material being? How could you use open force against
someone who had your dearest possession as a hostage?

No, these repugnant occult formulas were his only hope, and he had
gotten his usual punishment for making the mistake of looking at her.
Deliberately he moved to the other side of the table, so his back was
to the rocking chair.

But he was restless, his muscles itching with fatigue poisons, and for
the moment, he could not get back to the work. All sorts of questions
were plaguing his mind.

       *       *       *       *       *

Suddenly Norman spoke. "Why do you suppose everything has become
violent and deadly so abruptly?"

"What I believe they call the Balance was upset," was the answer. There
was no interruption in the steady rocking.

"How was that?" He started to look over the back of his chair, but
checked himself in time.

"It happened when I ceased to practice magic." The rocking was a
grating monotony.

"But why should that lead to violence?"

"It upset the Balance."

"Yes, but how can that explain the abruptness of the shift from
relatively trivial attacks to a deadly maliciousness?"

The rocking had stopped. There was no answer. But, as he told himself,
he knew the answer already. This women's warfare was very much like
trench warfare or a battle between fortified lines--a state of siege.
Just as thick, reinforced concrete or armor plating nullified the
shells, so countercharms and protective procedures rendered relatively
futile the most violent onslaughts. But once the armor and concrete
were gone, and you were out in a kind of no man's land--

Then, too, fear of the savage counterattacks that could be launched
from such highly fortified positions, was a potent factor in
discouraging direct assaults. The natural thing would be to sit pat,
snipe away, and only attack if the enemy exposed himself recklessly.
Besides, there were probably all sorts of unsuspected hostages and
secret agreements, all putting a damper on violence.

This idea also seemed to explain why Tansy's apparently pacific action
had upset the Balance. What would any country think if in the midst
of a war, its enemy scuttled all his battleships and dismantled all
his aircraft, apparently laying himself wide open to attack? For the
realistic mind, there could only be one likely answer. Namely, that
the enemy had discovered a weapon far more potent than battleships or
aircraft, and was planning to ask for a peace that would turn out to be
a trap. The only thing would be to strike instantly and hard, before
the secret weapon could be brought into play.

"I think--" he started to say.

Then something--perhaps a faint _whishing_ in the air or a slight
creaking of the floor under the heavy carpet, or some less tangible
sensation--caused him to glance around.

With a writhing jerk sideways, he managed--just managed--to get his
head out of the path of that descending metal flail, which was all he
saw at first. With a shocking _swish_ it crashed downward against
the heavy back of the chair, and there its force was broken. But his
shoulder, which took only the end of the blow, went numb.

Clawing at the chair arm with his good hand, he threw himself forward
against the table and whirled around.

He recoiled from the sight as from another blow, throwing back his good
hand to save himself from overbalancing.

She was poised in the center of the room, having sprung back catlike
after the first blow failed. Almost stiff-legged, but with the weight
forward. In stocking feet--the slippers that might have made a noise
were laid by the rocking chair. In her hand was the steel poker,
stealthily lifted from the stand by the fireplace, so as not to make
the slightest warning rattle.

There was life in her face now. But it was life that champed the teeth
and drooled, life that pinched and flared the nostrils with every
breath, life that switched hair from the eyes with quick, angry flirts,
life that glared redly and steadily. And there was more than that.

With a low snarl she lifted the poker and struck, not at him, but
at the chandelier overhead. Yet, even as pitch darkness flooded the
tightly curtained room, he realized what that more-than-animal life was.

There was no one conclusive reason, but from a multitude of almost
indefinable impressions--too many to be realized separately--he knew
with chilling certainty that the bestial spirit animating Tansy's
body, the crude and unfinished soul conjured into her body--possessing
her body as it used to be said demons possessed the bodies of the
insane--was the same soul that had animated the stone creature that had
crept from the roof.

And then the darkness was complete.

There was a rush of soft footsteps. He ducked to one side.
Nevertheless, the _swish_ came perilously close. There was a sound
as if she had dived or rolled across the table after he eluded the
headlong rush--he could hear the slur of papers skidding and the faint
crackle as some drifted to the floor. Then silence, except for the
rapid _snuff-snuff_ of animal breathing.

He crouched on the carpet, trying not to move a muscle, straining his
ears to catch the direction of that breathing. Abominable, he thought,
how inefficient the human auditory system is at localizing a sound.
First it came from one direction, then another--although he could not
hear the slightest rustle of intervening movement--until he began to
lose his sense of orientation in the room. He tried to remember his
exact movements in springing away from the table. As he had hit the
carpet, he had spun around. But how far? Was he facing toward or away
from the wall? In his zeal to avoid the possibility of anyone spying on
Tansy, he had blacked out this room and the bedroom, and the blackout
was effective. No discernible atom of light filtered through from
the night outside. He was somewhere on what was beginning to seem an
endless expanse of carpet.

And somewhere else on that expanse, it was. Could it see and hear more
than he? Could it discern form in retinal patterns that were only
blackness to Tansy's human soul? What was it waiting for? Now even the
rapid breathing was no longer audible--it possessed cunning.

       *       *       *       *       *

This might be the darkness of some jungle floor, roofed by yards of
matted creepers. Civilization is a thing of light. When light goes,
civilization is snuffed out. He was rapidly being reduced to _its_
level. Perhaps it had counted on that when it smashed the lights.
This might be the inner chamber of some primeval cave, and he some
cloudy-minded primitive huddled in abject terror of his mate, into
whose beloved form a demon had been conjured up by the witch woman--the
brawny, fat witch woman with the sullen lip and brutish eyes, and
copper ornaments twisted in matted red hair. Should he grope for his
ax and seek to smash the demon from her skull where it was hiding? Or
should he seek out the witch woman and throttle her until she called
off her demon? But how could he constrain his wife meanwhile? If the
tribe found her, they would slay her instantly--it was the law. And
even now the demon in her was seeking to slay him.

With thoughts almost as murky and confused as those of that ghostly
primitive forerunner, he sought to grapple with the problem, until he
suddenly realized what it was waiting for.

Already his muscles were aching. He was getting twinges of pain from
his shoulder, as the numbness went out of it. Soon he would make an
involuntary movement. And in that instant it would be upon him.

Cautiously he stretched out his hand. Slowly--very slowly--he swung it
around until it touched a small table and located the large book he had
remembered was there. Clamping thumb and fingers around the book where
it projected from the table edge, he lifted it and drew it to him. His
muscles began to shake a little from the effort to maintain absolute
quiet.

With a slow movement he launched the book toward the center of the
room, so that it hit the carpet a few feet from him. The sound drew the
instant response he had hoped for. Waiting a second, he dove forward,
seeking to pin it to the floor. But its cunning was greater than he had
guessed. His arms closed on a heavy cushion that it had hurled toward
the book, and only luck saved him as the poker thudded against the
carpet close by his head.

Clutching out blindly, his hands closed on the cold metal. There was
a moment of straining as it sought to break his grip. Then he was
sprawling backward, and the footsteps were retreating toward the rear
of the house.

He followed it to the kitchen. A drawer, jerked out too far, fell to
the floor, and he heard the chilling clatter and scrape of cutlery.

But there was enough light in the kitchen to show him its silhouette.
He lunged at the upraised hand holding the long knife, caught the
wrist. Then it threw itself against him, and they dropped to the floor.

He felt her warm body against his, the touch of it an instant check
to violence. He dared not harm it, and yet viciousness animated it to
the last limits of its strength. For a moment he felt the coldness of
the flat of the knife against his cheek, then he had forced the weapon
away. He doubled up his legs to protect himself from its knees. It
surged convulsively down upon him and he felt jaws clamp the arm with
which he held away the knife. Teeth sawed sideways, trying to penetrate
the fabric of his coat. Cloth ripped as he sought with his free hand
to drag her body away from him. Then he found her hair and forced back
the head so the teeth lost their grip. It dropped the knife and clawed
with both hands at his face. He seized the fingers seeking his eyes and
nostrils; it snarled and spat at him. Steadily he forced down the arms,
twisting them behind it, and with a sudden effort got to his knees.
Strangled sounds of impotent fury came from its throat.

Only too keenly aware of how close his muscles were to the trembling
weakness of fatigue, he shifted his grip so that with one hand he held
the straining wrists. With the other he groped sideways, jerked open
the lower door of the cabinet, and found a length of cord.



                                  XV.


"It's pretty serious this time, Norm," said Harold Gunnison. "A couple
of trustees really want your scalp."

Norman drew his chair closer, as if the discussion were the real reason
for his visit to Gunnison's office this morning.

Gunnison went on, "I think they're planning to rake up that Margaret
van Nice business, and start yelping that where there's smoke there
must be fire. And they may try to use Theodore Jennings against you.
Claim that his 'nervous breakdown' was aggravated by unfairness and
undue severity on your part, etcetera."

Norman nodded. Mrs. Gunnison ought to be here soon. The maid had told
him over the phone that she had just left for her husband's office.

"Of course, those two matters aren't enough in themselves." Gunnison
looked unusually heavy-eyed and grave. "But they have a bad taste, and
they can be used as entering wedges. The real danger will come from
a restrained but concerted attack on your conduct of classes, your
public utterances, and perhaps even trivial details of your social
life, followed by talk about the need for retrenchment where it is
expeditious--you know what I mean." He paused. "What really bothers me
is that Pollard's cooled toward you. I told him just what I thought of
Sawtelle's appointment, but he said the trustees had overruled him.
He's a good man, but he's a politician." And Gunnison shrugged, as if
it were common knowledge that the distinction between politicians and
scientists went back to the Ice Age.

Norman roused himself. "I'm afraid I insulted him last week. We had a
long talk and I blew up."

Gunnison shook his head. "That would explain it. He can absorb
insults. I've always said he was a good _politician_. If he sides
against you, it will be because he feels it necessary or at least
expeditious ... I hate that word ... on the grounds of public opinion.
You know his way of running the college. Every couple of years he
throws someone to the wolves."

Norman hardly heard him. He was thinking of Tansy as he had left
her--the trussed-up body, the lolling jaw, the hoarse heavy breathing
from the whiskey he had finally made it guzzle. He was taking a long
chance, but he dared not give it an opportunity to carry off or destroy
the body it had usurped. At one time last night he had almost decided
to call in a doctor and perhaps have Tansy placed in a sanitarium.
But if he did that he would be unable to protect her and might lose
forever his chance to restore her rightful self. For similar reasons
there was no friend he could call on for help. Now that his efforts to
exorcise the thing by sorcery had failed, he had to strike quickly at
the source of the usurping agency. But it was not pleasant to think of
such headlines as: "PROFESSOR'S WIFE A TORTURE VICTIM. FOUND TRUSSED IN
CLOSET BY MATE."

"It's really serious, Norm," Gunnison was repeating. "My wife thinks
so, and she's smart about these things. She knows people."

His wife! Obediently, Norman nodded.

"Hard luck it had to come to a head now," Gunnison continued, "when
you've been having more than your share of troubles, with sickness and
what-not." Norman could see that Gunnison was looking with a faint
shade of inquisitiveness at the strip of surgical tape close to the
corner of his left eye and the other one just below his nostrils. But
he attempted no explanation.

Gunnison shifted about and resettled himself in his chair. "Norm,"
he said, "I've got the feeling that something's gone wrong. You can
weather this blow all right--you're one of our two-three best men--but
I've got the feeling that something's gone wrong all the way down the
line."

The offer his words conveyed was obvious enough, and Norman knew it
was made in good faith. But only for a moment did he consider telling
Gunnison even a fraction of the truth. It would be like trying to take
his troubles into the law courts, and he could imagine--with the sharp,
almost hallucinatory vividness of extreme fatigue--what that would
be like. Imagine, even if the thing were exorcised out of her body,
putting Tansy in the witness box. "You say, Mrs. Saylor, that your
soul was stolen from your body?" "Yes." "You know that to be a fact?"
"Yes." "You are conscious of it?" "No, I am not conscious." "How,
then--" Bang of the judge's gavel. "If this tittering does not cease
immediately, I will clear the court!" Or Mrs. Gunnison called to the
witness box and he himself bursting out with an impassioned plea to the
jury. "Gentlemen, look at her eyes! Watch them closely, I implore you.
My wife's soul is there, if you would only see it!" Then the judge,
harshly, "Remove the man Saylor!"

But even such a trial was an impossibility in this day and age. And his
method for righting the wrong that had been done must necessarily be
as far outside the law as sorcery is outside the domain of recognized
science.

       *       *       *       *       *

"What's the matter, Norm?" he heard Gunnison ask. The genuine sympathy
of the voice tugged at him confusedly. Groggy with sudden sleepiness,
he tried to rally himself to answer.

Mrs. Gunnison walked in.

"Hello," she said. "I'm glad you two finally got together." Almost
patronizingly she looked him over. "I don't think you've slept for the
last two nights," she announced brusquely. "And what's happened to your
face? Did that cat of yours finally scratch it?"

Gunnison laughed, as he usually did, at his wife's frankness. "What
a woman! Loves dogs. Hates cats. But she's right about your needing
sleep, Norm."

The sight of her and the sound of her voice stung him into an icy
wakefulness. She looked as if she had been sleeping ten hours a night
for some time. An expensive green suit set off her red hair and gave
her a kind of buxom middle-aged beauty. Her slip showed and the coat
was buttoned in a disorderly way, but now it conveyed to Norman the
effect of the privileged carelessness of some all-powerful ruler who is
above ordinary standards of neatness. For once she was not carrying the
usual bulging purse.

He did not trust himself to look into her eyes.

His hand stole from his pocket to the crevice at the back of the chair.
He pushed the lucite egg out of sight. Then he stood up.

"Don't go yet, Norm," Gunnison told him. "There's a lot we should talk
about."

"Yes, why don't you stay?" Mrs. Gunnison seconded.

"Sorry," said Norman. "I'll come around this afternoon if you can spare
the time. Or tomorrow morning, at the latest."

"Be sure and do that," said Gunnison seriously. "The trustees are
meeting tomorrow afternoon."

Mrs. Gunnison sat down in the chair he had vacated.

"My regards to Tansy," she said. "I'll be seeing her tonight at the
Carr's--that is, if she's recovered sufficiently."

And to know that Tansy's soul was listening to the thoughts behind
those words, in complete intimacy--He walked out rapidly and shut the
door behind him.

While his hand was still on the knob, he saw Mrs. Gunnison's green
purse lying on the table and, beyond it, the display case of items in
physical chemistry. In that one long moment he smashed the plan he had
been contemplating and built a new one.

There was one girl in the outer office--a student employee. He went up
to her desk.

"Miss Miller," he said, "would you be so kind as to get me the grade
sheets on the following people?" And he rattled off half a dozen
student names.

"The sheets are in the Recorder's Office, Professor Saylor," she said,
a little doubtfully.

"I know. But you tell them I sent you. Dr. Gunnison and I want to look
them over."

Obediently she took down the names.

As the door closed behind her he pulled out the top drawer of her desk
and found the key for the display case where he knew he would find it,
on the bunch with the rest.

A few minutes later Mrs. Gunnison came out. She did not see him at
first, because he was standing to one side of the door.

"I thought I heard you go out," she said sharply. Then, in her usual
blunt manner, "Are you waiting for me to leave, so you can talk to
Harold alone?"

He did not answer. He glanced at her nose, frowning a little.

She picked up her purse. "There's really no point in your trying to
make a secret of it," she said. "I know as much about your troubles
here as he does--in fact, considerably more. And, to be honest, they're
pretty bad." Her voice had begun to assume the arrogance of the victor.
She smiled at him.

He continued to look at her nose.

"And you needn't pretend you're not worried," she went on, her voice
reacting irritably to his silence. "Because I know you are. And
tomorrow Pollard will ask for your resignation. What are you staring
at?"

"Nothing," he answered, hastily averting his glance.

"You saw a smudge on my nose!"

"Oh, no. No."

With an incredulous sniff, she took out her mirror, glanced at it
puzzledly for a moment, then with a shrug held it up for a detailed
inspection of her face.

Now was the moment, if only he could gauge it right. He was taut with
expectation, cold with a feeling that the threads of destiny had come
into his hands. The second hand of the wall clock seemed to stand still.

He dared not wait longer. In a soft yet straining voice he uttered the
words, "Break glass. Shatter soul. Scatter glass. Come soul."

With a swift crackling, not very loud, yet with a tinkle to it, the
mirror in Mrs. Gunnison's hand puffed into a little cloud of iridescent
dust.

Instantly he felt a weight add itself to his mind, a tangible
darkness press down upon his thoughts. And his mind seemed to grasp
instinctively at the darkness and hold it there.

The gasp of astonishment or fear that issued from Mrs. Gunnison's lips
was cut short. What seemed a loose, stupid look flowed slowly over her
face, but that was only because her face lost all expression whatsoever.

He stepped up to her and took her arm.

"Come with me," he said. "It's your best chance."

Docilely she followed him into the hall. Near the stairs they met Miss
Miller, returning with a handful of large cards.

"I'm very sorry to have put you to the trouble," he told her. "But it
turned out that we didn't need them. You had better return them to the
Recorder's Office."

The girl nodded with a polite but somewhat wry smile. Professors!

       *       *       *       *       *

As Norman escorted Mrs. Gunnison out of the Administration Building,
the darkness pressing upon his thoughts parted--as black storm clouds
might part at sunset, letting through a narrow beam of crimson light.
So, through the painfully bright slit in the darkness lying against his
thoughts, there poured a flood of impotent red rage, of obscene anger.
In a moment this cleared, and an intelligible thought appeared.

This thought, as the rage preceding it, was so intolerably _like_
Mrs. Gunnison, such an intense concentration of what he had known only
in diluted form, that his mind almost lost its hold on the dark entity
pressing against it. For a moment his thoughts quailed at the touch of
naked personality. He stared ahead, and his steps wandered like those
of a drunken man. But only for a moment.

"How did you do it?" was the thought.

His own thoughts rallied, and, before he realized it, had answered:

"It was the Prince Rupert mirror from the display case. The warmth of
your fingers shattered it. I held it lightly in folds of my kerchief
while transferring it to your pocketbook. When the mirror breaks and
the reflection is shattered, the soul is temporarily caught outside.
At such times it is vulnerable."

All this, without the machinery of speech to delay it, flashed in an
instant. He must be more cautious from now on.

"Where are you taking my body?"

"To our house."

"What do you want?"

"My wife's soul."

There was a long pause. The slit in the darkness closed, then opened
again.

"You cannot take it. I hold it, as you hold my soul. But my soul hides
it from you. And my soul holds it."

"I cannot take it. But I can hold your soul until you return my wife's
soul to her body."

"What if I refuse?"

"Your husband is a realist. He will not believe what your body tells
him. He will consult the best alienists. He will be very much grieved.
But in the end he will commit your body to an asylum."

He could sense defeat and submission--and a kind of panic, too--in the
texture of the answering thought. But defeat and submission were not
yet admitted directly.

"You will not be able to hold my soul. You hate it. It fills you with
abhorrence. Your mind will not be able to endure it."

Then, in immediate substantiation of this statement, there came
through the slit a nasty trickle growing swiftly to a spate. His chief
detestations were quickly spied out and rasped upon. He began to hurry
his steps, so that the mindless hulk beside him breathed hard.

       *       *       *       *       *

"There was Ann," came the thoughts, not in words but in the complete
fullness of memory. "Ann came to work for me eight years ago. A
frail-looking little blonde, but able to get through a hard day's work
for all that. She was very submissive, and a prey to fear. Do you know
that it is possible to rule people through fear alone, without an atom
of direct force? A sharp word, a stern look--It's the implications that
do it, not what's said directly. Gradually I gathered about myself all
the grim prestige that father, teacher, and preacher had had for Ann. I
could make her cry by looking at her in a certain way. I could make her
writhe with fright just by standing outside the door of her bedroom. I
could make her hold hot dishes without a whimper while serving us at
dinner, and make her wait while I talked to Harold. I've looked at her
hands afterward--"

Similarly he lived through the stories of Clara and Milly, Mary and
Ermengarde. He could not shut his own mind from hers, nor could he
close the slit, though it was within his power to widen it. Like some
foul medusa, or some pulpy carnivorous plant, her soul infolded and
clung to his, until it seemed almost that his was the prisoner. Not
symbiosis, but parasitism.

"And there was Trudie. Trudie worshiped me. She was a big girl, slow
and a little stupid. She had come from a farm. She used to spend hours
on my clothes. I encouraged her in various ways, until everything about
me became sacred to Trudie. She lived for my little signs of favor. In
the end she would do anything for me, which was very amusing, because
she was very easily embarrassed and never lost her painfully acute
sense of shame--"

But now he was at the door of his house, and the unclean trickle of
thoughts ceased, and the slit narrowed to the tiniest watchful crack.

He shepherded Mrs. Gunnison to the door of Tansy's dressing room. He
pointed at the form huddled on the blanket he had thrown across the
floor. It lay as he had left it, eyes closed, jaw lolling, breathing
heavily.

"Take away what you have conjured into it," he commanded.

There was a pause. A black spider crawled off Tansy's skirt and
scuttled across the blanket. Even as there came the thought, "That is
it," he lunged out and cracked it under his heel as it escaped onto the
flooring. He was aware of a half-cloaked comment, "Its soul sought the
nearest body. Now faithful King will go on no more errands for me. I
will have to find another dog."

"Return what you have taken," he commanded.

This time there was a longer pause. The slit closed entirely.

The bound figure stirred, as if seeking to roll over. The lips moved.
The slack jaw tightened. Conscious only of the black weight against his
mind, and of a sensory awareness so acute that he believed he could
hear the very beating of the heart in Tansy's body, he stooped and cut
the lashings, removed the carefully arranged paddings from wrists and
ankles.

The head rolled restlessly from side to side. The lips seemed to be
saying, "Norman ... Norman--" The eyelids fluttered and he felt a
shiver go over the body. And then, in one sudden glorious flood, like
some flower blooming miraculously in an instant, expression surged
into the face, the limp hands caught at his shoulders, and from the
wide-open eyes a lucid, sane, fearless human soul peered up at his.

Not for one instant after that wonderful relief could his mind hold the
repellent darkness pressing against it. And the swift lifting of that
darkness was a relief almost equal to the first.

With one venomous, beaten glance, Mrs. Gunnison turned away. He could
hear her footsteps trail off, the front door open and shut. Then his
arms were around Tansy and his lips were against hers.



                                 XVI.


Urgently she pushed him away from her eager lips.

"We daren't be happy, Norm," she said. "We daren't be happy for one
single moment."

A disturbed and apprehensive look clouded the longing in her eyes, as
if she had become conscious of a great wall shutting out the sunlight.
When she answered his unspoken question, it was almost in a whisper, as
if even to mention the name might be dangerous.

"Mrs. Carr--"

Her hands tightened on his arms, conveying to him in a physical way the
immediacy of their danger.

"Norman, I'm frightened. I'm terribly frightened. For both of us. My
soul has learned so much. Things are different from what I thought. And
they're much worse."

He took hold of her shoulders, straightened her up. "You're safe," he
told her, and there was a scowling strength in his face and his voice.
"I've gotten you back, and I'm going to hold you. I've powers you don't
know about yet. They can never touch you again."

"Oh, Norman," she began, dropping her eyes, conflicting emotions
evident in her expression, "I know how brave and clever you've been.
Only I know the risks you've run, the sacrifices you've made for
me--wrenching your whole life away from rationality in the bare space
of a week, enduring of your own free will the beastliness of that
woman's naked thoughts which I was able to endure only because I was
forced to. And you have beaten Evelyn Sawtelle and Mrs. Gunnison fairly
and at their own game. But Mrs. Carr--" Her hands transmitted her
trembling to him. "Oh, Norman, she only _let_ you beat them. She
wanted to give them a fright, and she preferred to let you do it for
her. That's always her way. But now she'll take a hand herself."

"I think you're exaggerating," he said slowly. "What you've gone
through was enough to finish you a dozen times. But ... we'll talk
about it. First I'll get a drink."

And yet, he began to think, Tansy is not the sort to exaggerate. The
fact that she's gone through so much and come out so magnificently,
is itself a proof that she would not give way to unnecessary fears.
He would have to watch himself. His physical weakness, coupled with
repugnance for what he had done, was liable to bias his judgment and
make him believe anything that promised peace and rest. He rubbed his
eyes and blinked them, shaking his head. Relief was making him relax
too much. He downed a stiff drink, and poured himself another. Better
go easy with that, though. Up to a point it would help, but then it
would be worse than nothing at all.

Mrs. Carr, eh? He hadn't paid much attention to her. He'd even wondered
if she were concerned at all. Still, that might only mean exceptional
cunning. And yet she seemed such a silly old goat. But that might be
pretense. Tansy had been in a position to learn a lot.

       *       *       *       *       *

When he got back to the bedroom, Tansy had changed from her torn and
creased dress into one of white wool, which he had always liked very
much, but which she had not worn for some time. He remembered she had
told him that it had shrunk and become too small for her. But now he
sensed intuitively that, in the joy of her return, she took a naïve
pride in her youthful body and wanted to show it to best advantage.

"It's like coming into a new house," she told him, with a quick little
smile that momentarily cut across her apprehensive look. "Or rather
like coming home after you've been away for a long time. You're very
happy, but everything is a little strange. It takes you a while to get
used to it."

Now that she mentioned it, he realized that there was a kind of
uncertainty about her movements, gestures, and expressions, like a
person convalescent after a long sickness and just now able to get up
and about.

She had combed out her hair so that it fell to her shoulders, and
she was still in her bare feet, giving her a diminutive and girlish
appearance that he found very attractive. He felt a growing impatience
with the possible dangers threatening him, although he knew such an
attitude to be unwise. He'd smash anyone who tried to harm her or keep
them apart!

She barely sipped her drink, and then put it aside.

"Back of everything, is Mrs. Carr," she began abruptly. "It was she
who brought Mrs. Gunnison and Evelyn Sawtelle together, and that one
act speaks volumes. Women are invariably secretive about their magic.
They work alone. A little knowledge is passed from the elder to the
younger ones, especially from mother to daughter, but even that is done
grudgingly and with suspicions. This is the only case Mrs. Gunnison
knew of--I learned most of this from watching her soul--in which three
women actually co-operated. It is an event of revolutionary importance,
betokening Heaven knows what for the future. Even now I have only an
inkling of Mrs. Carr's ambitions, but they involve vast augmentation of
her present powers. For almost three quarters of a century she has been
weaving her plans. Her real age is closer to eighty than seventy."

Tansy's voice was rapid, and she had grown pale again. Norman was
listening intently.

"She seems an innocent and rather foolish old lady, strait-laced yet
ineffectual--but that's only part of a disguise, along with her cooing
voice and simpering manners. She's the cleverest actress imaginable.
Underneath she's hard as nails--cold where Mrs. Gunnison would be
hot, ascetic where Mrs. Gunnison would be a slave to appetites. But
she has her own deeply hidden hungers, nevertheless. She is a great
admirer of Puritan Massachusetts. Sometimes I have the queerest feeling
that she is planning, by some unimaginable means, to reestablish that
witch-ridden, so-called theocratic community in this present day and
age.

"She rules the other two by fear. In a way they are little more than
her apprentices. You know something of Mrs. Gunnison, so you will
understand what it means when I say that I have seen Mrs. Gunnison's
thoughts go weak with terror because she was afraid that she had
slightly offended Mrs. Carr."

       *       *       *       *       *

Norman finished his drink. His mind was slipping away from this new
menace, fumbling at it instead of grasping it firmly. He must whip his
mind awake! Tansy pushed her drink over toward him.

"And Mrs. Gunnison's fear is justified, for Mrs. Carr has powers
so deadly that she has never had to use them except as a threat.
Her eyes are the worst. Those thick glasses of hers--she possesses
that most feared of supernatural weapons, against which half the
protective charms in recorded magic are intended. That weapon whose
name is so well known throughout the whole world that it has become a
laughingstock of skeptics. The evil eye. With it, she can blight and
wither. With it, she can seize control of another's soul at a single
glance.

"So far she has held back, because she wanted the other two punished
for certain trifling disobediences and put into a position where
they would have to beg her help. But now she will act quickly. She
recognizes in you and your work a danger to herself." Tansy's voice had
become so breathlessly rapid that Norman realized she must be talking
against time. "Besides that, she has another motive buried in the
darkness of her mind. I do not know what it is, but sometimes I have
caught her studying my every movement and expression with the strangest
avidity--"

Suddenly she broke off and her face went white.

"--I can feel her now ... I can feel her seeking me out ... she is
breaking through--No!" Tansy screamed. "No, you can't _make_ me
do it!... _I won't!... I won't!"_ Before he knew it, she was on
her knees, clinging to him, clutching at his hands. "Don't let her
_touch_ me, Norman," she was babbling like a terrified child.
"Don't let her come _near_ me."

"I won't," he said.

"--oh ... but you can't stop her.... She's coming _here_, she
says, in her own body--that's how much she cares for your powers! She's
going to take me away.... I can't tell you what she's going to make me
do--it's too _repulsive_."

"If she comes here, I'll stop her," he said in a flat voice.

Her babbling ceased. Slowly she lifted her white, frightened face until
it looked up at his.

"You mean--"

He nodded. "I've still got a few cartridges for the revolver." His face
was set.

"Norman, I can't let you do it ... except--"

"--that I am in as much danger as you are."

"Yes."

A semblance of control came back into Tansy's face.

"You might be able to do it," she said softly. "She wouldn't
be expecting physical violence. But you would have to be very
_quick_. If you hesitated for the tiniest _instant_, if you
gave her the slightest opportunity to fix you with her eyes, you would
be lost. She would seize control. You know the cobra that spits venom
at its victim's eyes--it's like that."

Dully he tried to remember what you did when you committed a murder.
There was the alibi--what would that be? And disposal of the body--the
furnace, or he could steal some carboys of acid from the chem lab. What
acid? And would it be wise to steal it? And then there was motive. That
would be his strong point. The courts would not recognize his true
motive.

He started. Tansy was shaking him insistently.

"Hurry, Norman. She's very close."

As if in some sticky nightmare of fear and rage and hate, he made his
preparations. The curtains drawn. The door barely unlatched, so she
could push her way in. Himself in the dark corner of the living room.
She would make a good target, outlined against that oblong of daylight.

Suddenly Tansy slipped into his arms. Her body molded itself to his.
Her moist lips found his own. Almost brutally he returned the kiss. He
heard her whisper breathlessly, "Only be _quick_, darling. Don't
let her _look_ at you." And then she had retreated to the bedroom
doorway.

There were steps hurrying up the walk. His emotions contracted to one
tight knot. He was conscious of the cold metal in his hand.

The door was pushed inward. A thin form in gray silk was silhouetted
there. Indistinctly he could make out beyond the sight of the gun, the
faded face, the thick glasses. His finger tightened on the trigger.

But the thick glasses were turned in his direction. And the
silver-haired head gave a little shake.

A dull, almost stupid look came over his face. His jaw sagged.

"Quick, Norman. _Quick!_"

The gray figure in the doorway did not move. The gun wavered, then
swung suddenly around until it pointed at Tansy.

"_Norman!_"



                                 XVII.


The small restless breezes of night stirred the leaves of the venerable
oak standing like some burly guardian beside the narrow house of the
Carrs. Through the overlapping shadows softly gleamed the white of the
walls--such a spotless, pristine white that neighbors laughingly vowed
the old lady herself came out after everyone had gone to sleep and
washed them down with a long-handled mop. Everywhere was the impression
of neatly tended, wholesome age. It even had an odor--like some old
chest which a clipper captain had used to bring back elegant spices
from his voyages in the China Trade.

The house faced the campus. The girls could see it, going to classes,
and it reminded them of afternoons they had spent there, sitting in
straight-backed chairs, all on their best behavior, while a wood fire
burned merrily on the shining brass andirons in the white fireplace.
Mrs. Carr was such a strait-laced innocent old dear! But her innocence
was all to the good--it was no trouble at all to pull the wool over her
eyes. And she did tell the quaintest stories with the most screamingly
funny, completely unconscious points. And she did serve the nicest
gingerbread with her cinnamon tea.

A light came on in the hall, casting a pattern of gentle illumination
through the New England fanlight onto the scrollwork of the porch. The
six-paneled white door below the fanlight opened.

"I'm going, Flora," Mr. Carr called. "Your bridge partners are a bit
tardy, aren't they?"

"They'll be here soon." The silvery voice floated down the hall.
"Good-by, Linthicum."

He closed the door. Too bad he had to miss the bridge. But the paper
they were going to hear on the Theory of Primes would undoubtedly be
interesting, and one couldn't have everything. His footsteps sounded on
the pebbly walk with its edging of tiny white flowers, like old lace.
Then they reached the concrete and slowly died away.

Somewhere at the rear of the house a car drew up. There was the sound
of something being lifted, then heavy, plodding footsteps. A door at
the back of the house opened, and for a moment against the oblong of
light a man could be seen carrying in a smaller figure whose position
suggested the presence of certain restraints. Then that door closed,
too, and for a while longer there was silence, while the breezes played
with the oak leaves.

With thriftless waste of rubber, a luxurious black automobile jerked to
a stop in front. Mrs. Gunnison stepped out.

"Hurry up, Evelyn," she said. "You've made us late again. You know how
she hates that."

"I'm coming as fast as I can," replied her companion plaintively,
emerging from the car.

As soon as the six-paneled door swung open, the faded, spicy odor
became more apparent.

"You're late, dears," came the silvery, laughing voice. "But I'll
forgive you this once, because I've a surprise for you. Come with me."

       *       *       *       *       *

They followed the frail figure in rustling, faintly hissing silk into
the living room. Just beyond the bridge table, with its embroidered
cover and two cut-glass dishes of sweets, stood Norman Saylor. In the
mingled lamplight and firelight, his face was expressionless.

"Since Tansy is unable to come," said Mrs. Carr, "he's agreed to make a
fourth. Isn't that a nice surprise? And isn't it very nice of Professor
Saylor?"

Mrs. Gunnison seemed to be gathering her courage. "I'm not altogether
sure that I like the arrangement," she said finally.

"Since when did it matter whether you liked something or not?" came the
answer, sharp as a whiplash. Mrs. Carr was standing very straight. "Sit
down, all of you!"

When they had taken their places around the bridge table, Mrs. Carr ran
through a deck, flipping out certain cards. When she spoke her voice
was as sweet and silvery as ever.

"Here are you two, my dears," she said, placing the queens of diamonds
and clubs side by side. "And here is Professor Saylor." She added the
king of hearts to the group. "And here am I." She placed the queen
of spades so that it overlapped all three. "Off here to the side is
the queen of hearts--Tansy Saylor. Now what I intend to do is this."
She moved the queen of hearts so that it exactly covered the queen of
spades. "You don't understand? Well, it isn't what it looks like, and
neither of you is especially bright. You'll understand in a moment.
Professor Saylor and I have just had an ever so interesting talk," she
went on. "All about his work. Haven't we, Professor Saylor?" He nodded.
"He's made some of the most fascinating discoveries. It seems that
there are laws governing the things that we women have been puttering
with. Men are so clever in some ways, don't you think?

"He's been good enough to tell all those laws to me. You'd never dream
how much easier and safer it makes everything--and more efficient.
Efficiency is so very important these days. Why, already Professor
Saylor has made something for me--I won't tell you what it is, but
there's one for each of you and one for someone else. They aren't
presents, because I'll keep them all. And if one of you should do
something naughty, they'll make it ever so easy for me to whisk part of
you away--you know what part.

"And now something is going to happen that will enable Professor Saylor
and I to work together very closely in the future--how closely you
could never imagine. You're to help. That's why you're here. Open the
dining-room door, Norman."

       *       *       *       *       *

It was an old-fashioned sliding door, gleaming white. Slowly he pushed
it aside.

"There," said Mrs. Carr. "My second surprise. I'm full of surprises
tonight."

The body was lashed to a chair. From over the gag, the eyes of Tansy
Saylor glared at them with impotent hate and a trapped fear.

Evelyn Sawtelle half rose, stifling a scream.

"You needn't get hysterics, Evelyn," said Mrs. Carr sharply. "It's got
a soul in it now."

Evelyn Sawtelle sank back, lips trembling.

Mrs. Gunnison's face had grown pale, but she set her jaw firmly and
put her elbows on the table. "I don't like it," she said. "It's too
open--too risky."

"I am able to take chances I wouldn't have taken a week ago, dear,"
Mrs. Carr said sweetly. "In this matter your aid and Evelyn's is
essential to me. Of course, you're perfectly welcome not to help, if
you don't want to. Only I do hope you understand the consequences."

Mrs. Gunnison dropped her eyes. "All right," she said. "But let's be
quick about it."

"I am a very old woman," began Mrs. Carr, with tantalizing slowness,
"and I am very fond of life. It has been a little dispiriting for me
to think that mine is drawing to a close. And, for reasons I think you
understand, I have something more to fear in death than most persons.

"But now it seems that I am once more going to experience all those
things that an old woman looks upon as forever lost. The unusual
circumstances of the last two weeks have helped a great deal, in
preparing the ground. Professor Saylor has helped a little. And you, my
dears, are going to help, too. You see, it's necessary to build up a
certain kind of tension, and only people with the right background can
do that, and it takes at least four of them. Professor Saylor--he has
such a brilliant mind!--tells me that it's very much like building up
electrical tension, so that a spark will be able to jump a gap. Only
in this case the gap will be from where I am sitting to, there"--and
she pointed at the bound figure. "And there will be two sparks. And
then, when it's over, the queen of hearts will exactly cover the queen
of spades. Also, the queen of spades will exactly cover the queen of
hearts. But it's the things you can't see that are always the most
important, don't you think?"

"You can't do it!" said Mrs. Gunnison. "You won't be able to keep the
truth hidden!"

"You think not? On the contrary, I won't have to make an effort. Let
me ask you what will happen if old Mrs. Carr claims that she is young
Tansy Saylor. I think you know very well what would happen to that
dear, sweet, innocent old lady. There are times when the laws and
beliefs of a skeptical society can be so very convenient.

"You can begin with the fire, Norman. I'll tell the others exactly what
they are to do."

He tossed a handful of powder on the fire. It flared up greenly, and a
pungent, cloying aroma filled the room.

There was a stirring at the heart of the world and a movement of
soundless currents in the black void. Upon the dark side of the planet,
a million women moved restlessly in their sleep, and a few woke
trembling with unnamed fears. Upon the light side, a million more grew
nervous, and unaccustomed daydreams chased unpleasantly through their
minds; some made mistakes at their work and had to add again a column
of figures or tie a broken thread or readjust the intricate mechanism
of a fuse or detonators; and a few found strange suspicion growing
mushroomlike among their thoughts. A certain ponderous point began to
work closer and closer to the end of the massive surface supporting
it, not unlike a top slowly wobbling toward the edge of a table, and
certain creatures who were nearby saw what was happening and skittered
away terrified through the blackness. Then, at the very edge, it
paused. The irregularity went out of its movement, and it rode steady
and true once more. The currents ceased to trouble the void, and the
Balance was restored.

       *       *       *       *       *

Norman Saylor opened the windows at top and bottom so the breeze might
fan out the remnants of pungent vapor. Then he cut the lashings of the
bound figure and loosened the gag from its mouth. In a little while,
she rose, and without a word they started from the room.

All this while, none of the others had spoken. The figure in the gray
silk dress sat with head bowed, shoulders hunched dejectedly, frail
hands dropped limply at her side.

In the doorway, the woman whom Norman Saylor had loosed turned back.

"I have only one more thing to say to you. All that I told you earlier
this evening was completely true--including that matter of the devices
he has made for each one of you and which I will keep close by me. All
completely true--with one very big exception--"

Mrs. Gunnison looked up. Evelyn Sawtelle half turned in her chair. The
third figure did not move.

"The soul of Mrs. Carr was not transferred to the body of Tansy Saylor
this evening. That happened much earlier--when Mrs. Carr had the easier
task of exorcising a lowly bestial spirit from that body and then
herself occupying the empty brain, leaving the captive soul of Tansy
Saylor trapped in her own aged body--and doomed to be murdered by her
own husband in accord with Mrs. Carr's well-laid plan. For Mrs. Carr
knew that Tansy Saylor would only have one panic-stricken thought--to
run home to her husband. And Mrs. Carr was very sure that she could
persuade Norman Saylor to kill the body housing the soul of his wife,
under the impression that he was killing Mrs. Carr. And that would have
been the end of Tansy Saylor's soul, since the soul dies or vanishes
with the body it inhabits.

"You knew, Mrs. Gunnison, that Mrs. Carr had taken Tansy Saylor's
soul from you, just as you had taken it from Evelyn Sawtelle, and for
similar reasons. But you dared not reveal that fact to Norman Saylor
because you would have lost your one bargaining point. This evening you
half suspected that something was different from what it seemed, but
you did not dare to make a stand.

"And now as a result of what we have done this evening with your help,
the soul of Mrs. Carr is once more in the body of Mrs. Carr, and the
soul of Tansy Saylor is in the body of Tansy Saylor. That is all. And
now, good night."

The six-paneled door closed behind them. The pebbly path crunched under
their feet.

"How did you know?" was Tansy's first question, "When I stood there in
the doorway, blinking through those awful spectacles, gasping after
the way I'd hurried with only the blind thought of finding you--how did
you know?"

"Partly," he said reflectively, "because she gave herself away toward
the end. She began to emphasize words in that exaggerated way of hers.
But that wouldn't have been enough in itself. She was too good an
actress. She must have been studying your mannerisms for years. And
after seeing how well you played her part tonight, with hardly any
preparation, I wonder that I ever did see through her."

"Then how did you?"

"It was partly the way you hurried up the walk--it didn't sound like
Mrs. Carr. And partly something about the way you held yourself. But
mainly it was that headshake you gave--that quick triple headshake, I
couldn't fail to recognize it. And after that, I realized all the other
things."

"Do you think," said Tansy softly, "that after this you'll never begin
to wonder if I am really I?"

"I suppose I will," he said seriously. "But I believe I'll always be
able to conquer my doubts."

And Tansy laughed.

But he was not yet over being serious. "I think that tonight we were a
lot closer to a much bigger danger than even we ever guessed," he said.
He had not yet surrendered to the reaction that gripped Tansy. "There's
more behind this matter of the Balance than we may realize. There's a
lot we'll do with this, but we'll want to go slowly and test every step
of the way."

There were footsteps, then a friendly greeting from the shadows ahead.

"Hello, you two," called Mr. Gunnison. "Bridge game over? I thought I'd
walk back with Linthicum and then drive home with Hulda. Say, Norman,
Pollard dropped in to speak to me after the paper had been read. He's
had a sudden change of heart on that matter we were talking about. From
what he says, the trustees may even cancel their meeting."

"It was a very interesting paper," Mr. Carr informed them, "and I had
the satisfaction of asking the speaker a very tricky question. But I'm
sorry I missed the bridge. Oh, well, I don't suppose I'll ever notice
any difference."

"And the funny thing is," Tansy told Norman after they had walked on,
"is that he really _won't_."


                               THE END.



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