Title: Beatrix
Author: Balzac, Honoré de, 1799-1850
Language: English
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                              BEATRIX

                                 BY

                          HONORE DE BALZAC



                           Translated by
                    Katharine Prescott Wormeley



NOTE

  It is somewhat remarkable that Balzac, dealing as he did with
  traits of character and the minute and daily circumstances of
  life, has never been accused of representing actual persons in the
  two or three thousand portraits which he painted of human nature.

  In "The Great Man of the Provinces in Paris" some likenesses were
  imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel
  Chrestien, and, possibly, Berryer in Daniel d'Arthez. But in the
  present volume, "Beatrix," he used the characteristics of certain
  persons, which were recognized and admitted at the time of
  publication. Mademoiselle des Touches (Camille Maupin) is George
  Sand in character, and the personal description of her, though
  applied by some to the famous Mademoiselle Georges, is easily
  recognized from Couture's drawing. Beatrix, Conti, and Claude
  Vignon are sketches of the Comtesse d'Agoult, Liszt, and the
  well-known critic Gustave Planche.

  The opening scene of this volume, representing the manners and
  customs of the old Breton family, a social state existing no
  longer except in history, and the transition period of the
  /vieille roche/ as it passed into the customs and ideas of the
  present century, is one of Balzac's remarkable and most famous
  pictures in the "Comedy of Human Life."

K.P.W.



                              BEATRIX



                                 I

                     A BRETON TOWN AND MANSION

France, especially in Brittany, still possesses certain towns
completely outside of the movement which gives to the nineteenth
century its peculiar characteristics. For lack of quick and regular
communication with Paris, scarcely connected by wretched roads with
the sub-prefecture, or the chief city of their own province, these
towns regard the new civilization as a spectacle to be gazed at; it
amazes them, but they never applaud it; and, whether they fear or
scoff at it, they continue faithful to the old manners and customs
which have come down to them. Whoso would travel as a moral
archaeologist, observing men instead of stones, would find images of
the time of Louis XV. in many a village of Provence, of the time of
Louis XIV. in the depths of Pitou, and of still more ancient times in
the towns of Brittany. Most of these towns have fallen from states of
splendor never mentioned by historians, who are always more concerned
with facts and dates than with the truer history of manners and
customs. The tradition of this splendor still lives in the memory of
the people,--as in Brittany, where the native character allows no
forgetfulness of things which concern its own land. Many of these
towns were once the capitals of a little feudal State,--a county or
duchy conquered by the crown or divided among many heirs, if the male
line failed. Disinherited from active life, these heads became arms;
and arms deprived of nourishment, wither and barely vegetate.

For the last thirty years, however, these pictures of ancient times
are beginning to fade and disappear. Modern industry, working for the
masses, goes on destroying the creations of ancient art, the works of
which were once as personal to the consumer as to the artisan.
Nowadays we have /products/, we no longer have /works/. Public
buildings, monuments of the past, count for much in the phenomena of
retrospection; but the monuments of modern industry are freestone
quarries, saltpetre mines, cotton factories. A few more years and even
these old cities will be transformed and seen no more except in the
pages of this iconography.

One of the towns in which may be found the most correct likeness of
the feudal ages is Guerande. The name alone awakens a thousand
memories in the minds of painters, artists, thinkers who have visited
the slopes on which this splendid jewel of feudality lies proudly
posed to command the flux and reflux of the tides and the dunes,--the
summit, as it were, of a triangle, at the corners of which are two
other jewels not less curious: Croisic, and the village of Batz. There
are no towns after Guerande except Vitre in the centre of Brittany,
and Avignon in the south of France, which preserve so intact, to the
very middle of our epoch, the type and form of the middle ages.

Guerande is still encircled with its doughty walls, its moats are full
of water, its battlements entire, its loopholes unencumbered with
vegetation; even ivy has never cast its mantle over the towers, square
or round. The town has three gates, where may be seen the rings of the
portcullises; it is entered by a drawbridge of iron-clamped wood, no
longer raised but which could be raised at will. The mayoralty was
blamed for having, in 1820, planted poplars along the banks of the
moat to shade the promenade. It excused itself on the ground that the
long and beautiful esplanade of the fortifications facing the dunes
had been converted one hundred years earlier into a mall where the
inhabitants took their pleasure beneath the elms.

The houses of the old town have suffered no change; and they have
neither increased nor diminished. None have suffered upon their
frontage from the hammer of the architect, the brush of the plasterer,
nor have they staggered under the weight of added stories. All retain
their primitive characteristics. Some rest on wooden columns which
form arcades under which foot-passengers circulate, the floor planks
bending beneath them, but never breaking. The houses of the merchants
are small and low; their fronts are veneered with slate. Wood, now
decaying, counts for much in the carved material of the window-casings
and the pillars, above which grotesque faces look down, while shapes
of fantastic beasts climb up the angles, animated by that great
thought of Art, which in those old days gave life to inanimate nature.
These relics, resisting change, present to the eye of painters those
dusky tones and half-blurred features in which the artistic brush
delights.

The streets are what they were four hundred years ago,--with one
exception; population no longer swarms there; the social movement is
now so dead that a traveller wishing to examine the town (as beautiful
as a suit of antique armor) may walk alone, not without sadness,
through a deserted street, where the mullioned windows are plastered
up to avoid the window-tax. This street ends at a postern, flanked
with a wall of masonry, beyond which rises a bouquet of trees planted
by the hands of Breton nature, one of the most luxuriant and fertile
vegetations in France. A painter, a poet would sit there silently, to
taste the quietude which reigns beneath the well-preserved arch of the
postern, where no voice comes from the life of the peaceful city, and
where the landscape is seen in its rich magnificence through the
loop-holes of the casemates once occupied by halberdiers and archers,
which are not unlike the sashes of some belvedere arranged for a point
of view.

It is impossible to walk about the place without thinking at every
step of the habits and usages of long-past times; the very stones tell
of them; the ideas of the middle ages are still there with all their
ancient superstitions. If, by chance, a gendarme passes you, with his
silver-laced hat, his presence is an anachronism against which your
sense of fitness protests; but nothing is so rare as to meet a being
or an object of the present time. There is even very little of the
clothing of the day; and that little the inhabitants adapt in a way to
their immutable customs, their unchangeable physiognomies. The public
square is filled with Breton costumes, which artists flock to draw;
these stand out in wonderful relief upon the scene around them. The
whiteness of the linen worn by the /paludiers/ (the name given to men
who gather salt in the salt-marshes) contrasts vigorously with the
blues and browns of the peasantry and the original and sacredly
preserved jewelry of the women. These two classes, and that of the
sailors in their jerkins and varnished leather caps are as distinct
from one another as the castes of India, and still recognize the
distance that parts them from the bourgeoisie, the nobility, and the
clergy. All lines are clearly marked; there the revolutionary level
found the masses too rugged and too hard to plane; its instrument
would have been notched, if not broken. The character of immutability
which science gives to zoological species is found in Breton human
nature. Even now, after the Revolution of 1830, Guerande is still a
town apart, essentially Breton, fervently Catholic, silent,
self-contained,--a place where modern ideas have little access.

Its geographical position explains this phenomenon. The pretty town
overlooks a salt-marsh, the product of which is called throughout
Brittany the Guerande salt, to which many Bretons attribute the
excellence of their butter and their sardines. It is connected with
the rest of France by two roads only: that coming from Savenay, the
arrondissement to which it belongs, which stops at Saint-Nazaire; and
a second road, leading from Vannes, which connects it with the
Morbihan. The arrondissement road establishes communication by land,
and from Saint-Nazaire by water, with Nantes. The land road is used
only by government; the more rapid and more frequented way being by
water from Saint-Nazaire. Now, between this village and Guerande is a
distance of eighteen miles, which the mail-coach does not serve, and
for good reason; not three coach passengers a year would pass over it.

These, and other obstacles, little fitted to encourage travellers,
still exist. In the first place, government is slow in its
proceedings; and next, the inhabitants of the region put up readily
enough with difficulties which separate them from the rest of France.
Guerande, therefore, being at the extreme end of the continent, leads
nowhere, and no one comes there. Glad to be ignored, she thinks and
cares about herself only. The immense product of her salt-marshes,
which pays a tax of not less than a million to the Treasury, is
chiefly managed at Croisic, a peninsular village which communicates
with Guerande over quicksands, which efface during the night the
tracks made by day, and also by boats which cross the arm of the sea
that makes the port of Croisic.

This fascinating little town is therefore the Herculaneum of
feudality, less its winding sheet of lava. It is afoot, but not
living; it has no other ground of existence except that it has not
been demolished. If you reach Guerande from Croisic, after crossing a
dreary landscape of salt-marshes, you will experience a strong
sensation at sight of that vast fortification, which is still as good
as ever. If you come to it by Saint-Nazaire, the picturesqueness of
its position and the naive grace of its environs will please you no
less. The country immediately surrounding it is ravishing; the hedges
are full of flowers, honeysuckles, roses, box, and many enchanting
plants. It is like an English garden, designed by some great
architect. This rich, coy nature, so untrodden, with all the grace of
a bunch of violets or a lily of the valley in the glade of a forest,
is framed by an African desert banked by the ocean,--a desert without
a tree, an herb, a bird; where, on sunny days, the laboring
/paludiers/, clothed in white and scattered among those melancholy
swamps where the salt is made, remind us of Arabs in their burrows.

Thus Guerande bears no resemblance to any other place in France.
The town produces somewhat the same effect upon the mind as a
sleeping-draught upon the body. It is silent as Venice. There is no
other public conveyance than the springless wagon of a carrier who
carries travellers, merchandise, and occasionally letters from
Saint-Nazaire to Guerande and /vice versa/. Bernus, the carrier, was,
in 1829, the factotum of this large community. He went and came when
he pleased; all the country knew him; and he did the errands of all.
The arrival of a carriage in Guerande, that of a lady or some invalid
going to Croisic for sea-bathing (thought to have greater virtue among
those rocks than at Boulogne or Dieppe) is still an immense event.
The peasants come in on horseback, most of them with commodities
for barter in sacks. They are induced to do so (and so are the
/paludiers/) by the necessity of purchasing the jewels distinctive of
their caste which are given to all Breton brides, and the white linen,
or cloth for their clothing.

For a circuit ten miles round, Guerande is always GUERANDE,--the
illustrious town where the famous treaty was signed in 1365, the key
of the coast, which may boast, not less than the village of Batz, of a
splendor now lost in the night of time. The jewels, linen, cloth,
ribbon, and hats are made elsewhere, but to those who buy them they
are from Guerande and nowhere else. All artists, and even certain
bourgeois, who come to Guerande feel, as they do at Venice, a desire
(soon forgotten) to end their days amid its peace and silence, walking
in fine weather along the beautiful mall which surrounds the town from
gate to gate on the side toward the sea. Sometimes the image of this
town arises in the temple of memory; she enters, crowned with her
towers, clasped with her girdle; her flower-strewn robe floats onward,
the golden mantle of her dunes enfolds her, the fragrant breath of her
briony paths, filled with the flowers of each passing season, exhales
at every step; she fills your mind, she calls to you like some
enchanting woman whom you have met in other climes and whose presence
still lingers in a fold of your heart.

Near the church of Guerande stands a mansion which is to the town what
the town is to the region, an exact image of the past, the symbol of a
grand thing destroyed,--a poem, in short. This mansion belongs to the
noblest family of the province; to the du Guaisnics, who, in the times
of the du Guesclins, were as superior to the latter in antiquity and
fortune as the Trojans were to the Romans. The Guaisqlains (the name
is also spelled in the olden time du Glaicquin), from which comes du
Guesclin, issued from the du Guaisnics.

Old as the granite of Brittany, the Guaisnics are neither Frenchmen
nor Gauls,--they are Bretons; or, to be more exact, they are Celts.
Formerly, they must have been Druids, gathering mistletoe in the
sacred forests and sacrificing men upon their dolmens. Useless to say
what they were! To-day this race, equal to the Rohans without having
deigned to make themselves princes, a race which was powerful before
the ancestors of Hugues Capet were ever heard of, this family, pure of
all alloy, possesses two thousand francs a year, its mansion in
Guerande, and the little castle of Guaisnic. All the lands belonging
to the barony of Guaisnic, the first in Brittany, are pledged to
farmers, and bring in sixty thousand francs a year, in spite of
ignorant culture. The du Gaisnics remain the owners of these lands
although they receive none of the revenues, for the reason that for
the last two hundred years they have been unable to pay off the money
advanced upon them. They are in the position of the crown of France
towards its /engagistes/ (tenants of crown-lands) before the year
1789. Where and when could the barons obtain the million their farmers
have advanced to them? Before 1789 the tenure of the fiefs subject to
the castle of Guaisnic was still worth fifty thousand francs a year;
but a vote of the National Assembly suppressed the seigneurs' dues
levied on inheritance.

In such a situation this family--of absolutely no account in France,
and which would be a subject of laughter in Paris, were it known there
--is to Guerande the whole of Brittany. In Guerande the Baron du
Guaisnic is one of the great barons of France, a man above whom there
is but one man,--the King of France, once elected ruler. To-day the
name of du Guaisnic, full of Breton significances (the roots of which
will be found explained in "The Chouans") has been subjected to
the same alteration which disfigures that of du Guaisqlain. The
tax-gatherer now writes the name, as do the rest of the world, du
Guenic.

At the end of a silent, damp, and gloomy lane may be seen the arch of
a door, or rather gate, high enough and wide enough to admit a man on
horseback,--a circumstance which proves of itself that when this
building was erected carriages did not exist. The arch, supported by
two jambs, is of granite. The gate, of oak, rugged as the bark of the
tree itself, is studded with enormous nails placed in geometric
figures. The arch is semicircular. On it are carved the arms of the
Guaisnics as clean-cut and clear as though the sculptor had just laid
down his chisel. This escutcheon would delight a lover of the heraldic
art by a simplicity which proves the pride and the antiquity of the
family. It is as it was in the days when the crusaders of the
Christian world invented these symbols by which to recognize each
other; the Guaisnics have never had it quartered; it is always itself,
like that of the house of France, which connoisseurs find
inescutcheoned in the shields of many of the old families. Here it is,
such as you may see it still at Guerande: Gules, a hand proper
gonfaloned ermine, with a sword argent in pale, and the terrible
motto, FAC. Is not that a grand and noble thing? The circlet of a
baronial coronet surmounts this simple escutcheon, the vertical lines
of which, used in carving to represent gules, are clear as ever. The
artist has given I know not what proud, chivalrous turn to the hand.
With what vigor it holds the sword which served but recently the
present family!

If you go to Guerande after reading this history you cannot fail to
quiver when you see that blazon. Yes, the most confirmed republican
would be moved by the fidelity, the nobleness, the grandeur hidden in
the depths of that dark lane. The du Guaisnics did well yesterday, and
they are ready to do well to-morrow. To DO is the motto of chivalry.
"You did well in the battle" was the praise of the Connetable /par
excellence/, the great du Guesclin who drove the English for a time
from France. The depth of this carving, which has been protected from
the weather by the projecting edges of the arch, is in keeping with
the moral depth of the motto in the soul of this family. To those who
know the Guaisnics this fact is touching.

The gate when open gives a vista into a somewhat vast court-yard, on
the right of which are the stables, on the left the kitchen and
offices. The house is build of freestone from cellar to garret. The
facade on the court-yard has a portico with a double range of steps,
the wall of which is covered with vestiges of carvings now effaced by
time, but in which the eye of an antiquary can still make out in the
centre of the principal mass the Hand bearing the sword. The granite
steps are now disjointed, grasses have forced their way with little
flowers and mosses through the fissures between the stones which
centuries have displaced without however lessening their solidity. The
door of the house must have had a charming character. As far as the
relics of the old designs allow us to judge, it was done by an artist
of the great Venetian school of the thirteenth century. Here is a
mixture, still visible, of the Byzantine and the Saracenic. It is
crowned with a circular pediment, now wreathed with vegetation,--a
bouquet, rose, brown, yellow, or blue, according to the season. The
door, of oak, nail-studded, gives entrance to a noble hall, at the end
of which is another door, opening upon another portico which leads to
the garden.

This hall is marvellously well preserved. The panelled wainscot, about
three feet high, is of chestnut. A magnificent Spanish leather with
figures in relief, the gilding now peeled off or reddened, covers the
walls. The ceiling is of wooden boards artistically joined and painted
and gilded. The gold is scarcely noticeable; it is in the same
condition as that of the Cordova leather, but a few red flowers and
the green foliage can be distinguished. Perhaps a thorough cleaning
might bring out paintings like those discovered on the plank ceilings
of Tristan's house at Tours. If so, it would prove that those planks
were placed or restored in the reign of Louis XI. The chimney-piece is
enormous, of carved stone, and within it are gigantic andirons in
wrought-iron of precious workmanship. It could hold a cart-load of
wood. The furniture of this hall is wholly of oak, each article
bearing upon it the arms of the family. Three English guns equally
suitable for chase or war, three sabres, two game-bags, the utensils
of a huntsman and a fisherman hang from nails upon the wall.

On one side is a dining-room, which connects with the kitchen by a
door cut through a corner tower. This tower corresponds in the design
of the facade toward the court-yard with another tower at the opposite
corner, in which is a spiral staircase leading to the two upper
stories.

The dining-room is hung with tapestries of the fourteenth century; the
style and the orthography of the inscription on the banderols beneath
each figure prove their age, but being, as they are, in the naive
language of the /fabliaux/, it is impossible to transcribe them here.
These tapestries, well preserved in those parts where light has
scarcely penetrated, are framed in bands of oak now black as ebony.
The ceiling has projecting rafters enriched with foliage which is
varied for each rafter; the space between them is filled with planks
painted blue, on which twine garlands of golden flowers. Two old
buffers face each other; on their shelves, rubbed with Breton
persistency by Mariotte the cook, can be seen, as in the days when
kings were as poor in 1200 as the du Guaisnics are in 1830, four old
goblets, an ancient embossed soup-tureen, and two salt-cellars, all of
silver; also many pewter plates and many pitchers of gray and blue
pottery, bearing arabesque designs and the arms of the du Guaisnics,
covered by hinged pewter lids. The chimney-piece is modernized. Its
condition proves that the family has lived in this room for the last
century. It is of carved stone in the style of the Louis XV. period,
and is ornamented with a mirror, let in to the back with gilt beaded
moulding. This anachronism, to which the family is indifferent, would
grieve a poet. On the mantel-shelf, covered with red velvet, is a tall
clock of tortoise-shell inlaid with brass, flanked on each side with a
silver candelabrum of singular design. A large square table, with
solid legs, fills the centre of this room; the chairs are of turned
wood covered with tapestry. On a round table supported by a single leg
made in the shape of a vine-shoot, which stands before a window
looking into the garden, is a lamp of an odd kind. This lamp has a
common glass globe, about the size of an ostrich egg, which is
fastened into a candle-stick by a glass tube. Through a hole at the
top of the globe issues a wick which passes through a sort of reed of
brass, drawing the nut-oil held in the globe through its own length
coiled like a tape-worm in a surgeon's phial. The windows which look
into the garden, like those that look upon the court-yard, are
mullioned in stone with hexagonal leaded panes, and are draped by
curtains, with heavy valances and stout cords, of an ancient stuff of
crimson silk with gold reflections, called in former days either
brocatelle or small brocade.

On each of the two upper stories of the house there are but two rooms.
The first is the bedroom of the head of the family, the second is that
of the children. Guests were lodged in chambers beneath the roof. The
servants slept above the kitchens and stables. The pointed roof,
protected with lead at its angles and edges, has a noble pointed
window on each side, one looking down upon the court-yard, the other
on the garden. These windows, rising almost to the level of the roof,
have slender, delicate casings, the carvings of which have crumbled
under the salty vapors of the atmosphere. Above the arch of each
window with its crossbars of stone, still grinds, as it turns, the
vane of a noble.

Let us not forget a precious detail, full of naivete, which will be of
value in the eyes of an archaeologist. The tower in which the spiral
staircase goes up is placed at the corner of a great gable wall in
which there is no window. The staircase comes down to a little arched
door, opening upon a gravelled yard which separates the house from the
stables. This tower is repeated on the garden side by another of five
sides, ending in a cupola in which is a bell-turret, instead of being
roofed, like the sister-tower, with a pepper-pot. This is how those
charming architects varied the symmetry of their sky-lines. These
towers are connected on the level of the first floor by a stone
gallery, supported by what we must call brackets, each ending in a
grotesque human head. This gallery has a balustrade of exquisite
workmanship. From the gable above depends a stone dais like those that
crown the statues of saints at the portal of churches. Can you not see
a woman walking in the morning along this balcony and gazing over
Guerande at the sunshine, where it gilds the sands and shimmers on the
breast of Ocean? Do you not admire that gable wall flanked at its
angles with those varied towers? The opposite gable of the Guaisnic
mansion adjoins the next house. The harmony so carefully sought by the
architects of those days is maintained in the facade looking on the
court-yard by the tower which communicates between the dining-room and
the kitchen, and is the same as the staircase tower, except that it
stops at the first upper story and its summit is a small open dome,
beneath which stands a now blackened statue of Saint Calyste.

The garden is magnificent for so old a place. It covers half an acre
of ground, its walls are all espaliered, and the space within is
divided into squares for vegetables, bordered with cordons of
fruit-trees, which the man-of-all-work, named Gasselin, takes care of
in the intervals of grooming the horses. At the farther end of the garden
is a grotto with a seat in it; in the middle, a sun-dial; the paths are
gravelled. The facade on the garden side has no towers corresponding
to those on the court-yard; but a slender spiral column rises from the
ground to the roof, which must in former days have borne the banner of
the family, for at its summit may still be seen an iron socket, from
which a few weak plants are straggling. This detail, in harmony with
the vestiges of sculpture, proves to a practised eye that the mansion
was built by a Venetian architect. The graceful staff is like a
signature revealing Venice, chivalry, and the exquisite delicacy of
the thirteenth century. If any doubts remained on this point, a
feature of the ornamentation would dissipate them. The trefoils of the
hotel du Guaisnic have four leaves instead of three. This difference
plainly indicates the Venetian school depraved by its commerce with
the East, where the semi-Saracenic architects, careless of the great
Catholic thought, give four leaves to clover, while Christian art is
faithful to the Trinity. In this respect Venetian art becomes
heretical.

If this ancient dwelling attracts your imagination, you may perhaps
ask yourself why such miracles of art are not renewed in the present
day. Because to-day mansions are sold, pulled down, and the ground
they stood on turned into streets. No one can be sure that the next
generation will possess the paternal dwelling; homes are no more than
inns; whereas in former times when a dwelling was built men worked, or
thought they worked, for a family in perpetuity. Hence the grandeur of
these houses. Faith in self, as well as faith in God, did prodigies.

As for the arrangement of the upper rooms they may be imagined after
this description of the ground-floor, and after reading an account of
the manners, customs, and physiognomy of the family. For the last
fifty years the du Guaisnics have received their friends in the two
rooms just described, in which, as in the court-yard and the external
accessories of the building, the spirit, grace, and candor of the old
and noble Brittany still survives. Without the topography and
description of the town, and without this minute depicting of the
house, the surprising figures of the family might be less understood.
Therefore the frames have preceded the portraits. Every one is aware
that things influence beings. There are public buildings whose effect
is visible upon the persons living in their neighborhood. It would be
difficult indeed to be irreligious in the shadow of a cathedral like
that of Bourges. When the soul is everywhere reminded of its destiny
by surrounding images, it is less easy to fail of it. Such was the
thought of our immediate grandfathers, abandoned by a generation which
was soon to have no signs and no distinctions, and whose manners and
morals were to change every decade. If you do not now expect to find
the Baron du Guaisnic sword in hand, all here written would be
falsehood.



                                 II

                  THE BARON, HIS WIFE, AND SISTER

Early in the month of May, in the year 1836, the period when this
scene opens, the family of Guenic (we follow henceforth the modern
spelling) consisted of Monsieur and Madame du Guenic, Mademoiselle du
Guenic the baron's elder sister, and an only son, aged twenty-one,
named, after an ancient family usage, Gaudebert-Calyste-Louis. The
father's name was Gaudebert-Calyste-Charles. Only the last name was
ever varied. Saint Gaudebert and Saint Calyste were forever bound to
protect the Guenics.

The Baron du Guenic had started from Guerande the moment that La
Vendee and Brittany took arms; he fought through the war with
Charette, with Cathelineau, La Rochejaquelein, d'Elbee, Bonchamps, and
the Prince de Loudon. Before starting he had, with a prudence unique
in revolutionary annals, sold his whole property of every kind to his
elder and only sister, Mademoiselle Zephirine du Guenic. After the
death of all those heroes of the West, the baron, preserved by a
miracle from ending as they did, refused to submit to Napoleon. He
fought on till 1802, when being at last defeated and almost captured,
he returned to Guerande, and from Guerande went to Croisic, whence he
crossed to Ireland, faithful to the ancient Breton hatred for England.

The people of Guerande feigned utter ignorance of the baron's
existence. In the whole course of twenty years not a single indiscreet
word was ever uttered. Mademoiselle du Guenic received the rents and
sent them to her brother by fishermen. Monsieur du Guenic returned to
Guerande in 1813, as quietly and simply as if he had merely passed a
season at Nantes. During his stay in Dublin the old Breton, despite
his fifty years, had fallen in love with a charming Irish woman,
daughter of one of the noblest and poorest families of that unhappy
kingdom. Fanny O'Brien was then twenty-one years old. The Baron du
Guenic came over to France to obtain the documents necessary for his
marriage, returned to Ireland, and, after about ten months (at the
beginning of 1814), brought his wife to Guerande, where she gave him
Calyste on the very day that Louis XVIII. landed at Calais,--a
circumstance which explains the young man's final name of Louis.

The old and loyal Breton was now a man of seventy-three; but his
long-continued guerilla warfare with the Republic, his exile, the perils
of his five crossings through a turbulent sea in open boats, had weighed
upon his head, and he looked a hundred; therefore, at no period had
the chief of the house of Guenic been more in keeping with the
worn-out grandeur of their dwelling, built in the days when a court
reigned at Guerande.

Monsieur du Guenic was a tall, straight, wiry, lean old man. His oval
face was lined with innumerable wrinkles, which formed a net-work over
his cheek-bones and above his eyebrows, giving to his face a
resemblance to those choice old men whom Van Ostade, Rembrandt,
Mieris, and Gerard Dow so loved to paint, in pictures which need a
microscope to be fully appreciated. His countenance might be said to
be sunken out of sight beneath those innumerable wrinkles, produced by
a life in the open air and by the habit of watching his country in the
full light of the sun from the rising of that luminary to the sinking
of it. Nevertheless, to an observer enough remained of the
imperishable forms of the human face which appealed to the soul, even
though the eye could see no more than a lifeless head. The firm
outline of the face, the shape of the brow, the solemnity of the
lines, the rigidity of the nose, the form of the bony structure which
wounds alone had slightly altered,--all were signs of intrepidity
without calculation, faith without reserve, obedience without
discussion, fidelity without compromise, love without inconstancy. In
him, the Breton granite was made man.

The baron had no longer any teeth. His lips, once red, now violet, and
backed by hard gums only (with which he ate the bread his wife took
care to soften by folding it daily in a damp napkin), drew inward to
the mouth with a sort of grin, which gave him an expression both
threatening and proud. His chin seemed to seek his nose; but in that
nose, humped in the middle, lay the signs of his energy and his Breton
resistance. His skin, marbled with red blotches appearing through his
wrinkles, showed a powerfully sanguine temperament, fitted to resist
fatigue and to preserve him, as no doubt it did, from apoplexy. The
head was crowned with abundant hair, as white as silver, which fell in
curls upon his shoulders. The face, extinguished, as we have said, in
part, lived through the glitter of the black eyes in their brown
orbits, casting thence the last flames of a generous and loyal soul.
The eyebrows and lashes had disappeared; the skin, grown hard, could
not unwrinkle. The difficulty of shaving had obliged the old man to
let his beard grow, and the cut of it was fan-shaped. An artist would
have admired beyond all else in this old lion of Brittany with his
powerful shoulders and vigorous chest, the splendid hands of the
soldier,--hands like those du Guesclin must have had, large, broad,
hairy; hands that once had clasped the sword never, like Joan of Arc,
to relinquish it until the royal standard floated in the cathedral of
Rheims; hands that were often bloody from the thorns and furze of the
Bocage; hands which had pulled an oar in the Marais to surprise the
Blues, or in the offing to signal Georges; the hands of a guerilla, a
cannoneer, a common solder, a leader; hands still white though the
Bourbons of the Elder branch were again in exile. Looking at those
hands attentively, one might have seen some recent marks attesting the
fact that the Baron had recently joined MADAME in La Vendee. To-day
that fact may be admitted. These hands were a living commentary on the
noble motto to which no Guenic had proved recreant: /Fac!/

His forehead attracted attention by the golden tones of the temples,
contrasting with the brown tints of the hard and narrow brow, which
the falling off of the hair had somewhat broadened, giving still more
majesty to that noble ruin. The countenance--a little material,
perhaps, but how could it be otherwise?--presented, like all the
Breton faces grouped about the baron, a certain savagery, a stolid
calm which resembled the impassibility of the Huguenots; something,
one might say, stupid, due perhaps to the utter repose which follows
extreme fatigue, in which the animal nature alone is visible. Thought
was rare. It seemed to be an effort; its seat was in the heart more
than in the head; it led to acts rather than ideas. But, examining
that grand old man with sustained observation, one could penetrate the
mystery of this strange contradiction to the spirit of the century. He
had faiths, sentiments, inborn so to speak, which allowed him to
dispense with thought. His duty, life had taught him. Institutions and
religion thought for him. He reserved his mind, he and his kind, for
action, not dissipating it on useless things which occupied the minds
of other persons. He drew his thought from his heart like his sword
from its scabbard, holding it aloft in his ermined hand, as on his
scutcheon, shining with sincerity. That secret once penetrated, all is
clear. We can comprehend the depth of convictions that are not
thoughts, but living principles,--clear, distinct, downright, and as
immaculate as the ermine itself. We understand that sale made to his
sister before the war; which provided for all, and faced all, death,
confiscation, exile. The beauty of the character of these two old
people (for the sister lived only for and by the brother) cannot be
understood to its full extent by the right of the selfish morals, the
uncertain aims, and the inconstancy of this our epoch. An archangel,
charged with the duty of penetrating to the inmost recesses of their
hearts could not have found one thought of personal interest. In 1814,
when the rector of Guerande suggested to the baron that he should go
to Paris and claim his recompense from the triumphant Bourbons, the
old sister, so saving and miserly for the household, cried out:--

"Oh, fy! does my brother need to hold out his hand like a beggar?"

"It would be thought I served a king from interest," said the old man.
"Besides, it is for him to remember. Poor king! he must be weary
indeed of those who harass him. If he gave them all France in bits,
they still would ask."

This loyal servant, who had spent his life and means on Louis XVIII.,
received the rank of colonel, the cross of Saint-Louis, and a stipend
of two thousand francs a year.

"The king did remember!" he said when the news reached him.

No one undeceived him. The gift was really made by the Duc de Feltre.
But, as an act of gratitude to the king, the baron sustained a siege
at Guerande against the forces of General Travot. He refused to
surrender the fortress, and when it was absolutely necessary to
evacuate it he escaped into the woods with a band of Chouans, who
continued armed until the second restoration of the Bourbons. Guerande
still treasures the memory of that siege.

We must admit that the Baron du Guenic was illiterate as a peasant. He
could read, write, and do some little ciphering; he knew the military
art and heraldry, but, excepting always his prayer-book, he had not
read three volumes in the course of his life. His clothing, which is
not an insignificant point, was invariably the same; it consisted of
stout shoes, ribbed stockings, breeches of greenish velveteen, a cloth
waistcoat, and a loose coat with a collar, from which hung the cross
of Saint-Louis. A noble serenity now reigned upon that face where, for
the last year or so, sleep, the forerunner of death, seemed to be
preparing him for rest eternal. This constant somnolence, becoming
daily more and more frequent, did not alarm either his wife, his blind
sister, or his friends, whose medical knowledge was of the slightest.
To them these solemn pauses of a life without reproach, but very
weary, were naturally explained: the baron had done his duty, that was
all.

In this ancient mansion the absorbing interests were the fortunes of
the dispossessed Elder branch. The future of the exiled Bourbons, that
of the Catholic religion, the influence of political innovations on
Brittany were the exclusive topics of conversation in the baron's
family. There was but one personal interest mingled with these most
absorbing ones: the attachment of all for the only son, for Calyste,
the heir, the sole hope of the great name of the du Guenics.

The old Vendean, the old Chouan, had, some years previously, a return
of his own youth in order to train his son to those manly exercises
which were proper for a gentleman liable to be summoned at any moment
to take arms. No sooner was Calyste sixteen years of age than his
father accompanied him to the marshes and the forest, teaching him
through the pleasures of the chase the rudiments of war, preaching by
example, indifferent to fatigue, firm in his saddle, sure of his shot
whatever the game might be,--deer, hare, or a bird on the wing,
--intrepid in face of obstacles, bidding his son follow him into
danger as though he had ten other sons to take Calyste's place.

So, when the Duchesse de Berry landed in France to conquer back the
kingdom for her son, the father judged it right to take his boy to
join her, and put in practice the motto of their ancestors. The baron
started in the dead of night, saying no word to his wife, who might
perhaps have weakened him; taking his son under fire as if to a fete,
and Gasselin, his only vassal, who followed him joyfully. The three
men of the family were absent for three months without sending news of
their whereabouts to the baroness, who never read the "Quotidienne"
without trembling from line to line, nor to his old blind sister,
heroically erect, whose nerve never faltered for an instance as she
heard that paper read. The three guns hanging to the walls had
therefore seen service recently. The baron, who considered the
enterprise useless, left the region before the affair of La
Penissiere, or the house of Guenic would probably have ended in that
hecatomb.

When, on a stormy night after parting from MADAME, the father, son,
and servant returned to the house in Guerande, they took their friends
and the baroness and old Mademoiselle du Guenic by surprise, although
the latter, by the exercise of senses with which the blind are gifted,
recognized the steps of the three men in the little lane leading to
the house. The baron looked round upon the circle of his anxious
friends, who were seated beside the little table lighted by the
antique lamp, and said in a tremulous voice, while Gasselin replaced
the three guns and the sabres in their places, these words of feudal
simplicity:--

"The barons did not all do their duty."

Then, having kissed his wife and sister, he sat down in his old
arm-chair and ordered supper to be brought for his son, for Gasselin,
and for himself. Gasselin had thrown himself before Calyste on one
occasion, to protect him, and received the cut of a sabre on his
shoulder; but so simple a matter did it seem that even the women
scarcely thanked him. The baron and his guests uttered neither curses
nor complaints of their conquerors. Such silence is a trait of Breton
character. In forty years no one ever heard a word of contumely from
the baron's lips about his adversaries. It was for them to do their
duty as he did his. This utter silence is the surest indication of an
unalterable will.

This last effort, the flash of an energy now waning, had caused the
present weakness and somnolence of the old man. The fresh defeat and
exile of the Bourbons, as miraculously driven out as miraculously
re-established, were to him a source of bitter sadness.

About six o'clock on the evening of the day on which this history
begins, the baron, who, according to ancient custom, had finished
dining by four o'clock, fell asleep as usual while his wife was
reading to him the "Quotidienne." His head rested against the back of
the arm-chair which stood beside the fireplace on the garden side.

Near this gnarled trunk of an ancient tree, and in front of the
fireplace, the baroness, seated on one of the antique chairs,
presented the type of those adorable women who exist in England,
Scotland, or Ireland only. There alone are born those milk-white
creatures with golden hair the curls of which are wound by the hands
of angels, for the light of heaven seems to ripple in their silken
spirals swaying to the breeze. Fanny O'Brien was one of those sylphs,
--strong in tenderness, invincible under misfortune, soft as the music
of her voice, pure as the azure of her eyes, of a delicate, refined
beauty, blessed with a skin that was silken to the touch and caressing
to the eye, which neither painter's brush nor written word can
picture. Beautiful still at forty-two years of age, many a man would
have thought it happiness to marry her as she looked at the splendors
of that autumn coloring, redundant in flowers and fruit, refreshed and
refreshing with the dews of heaven.

The baroness held the paper in the dimpled hand, the fingers of which
curved slightly backward, their nails cut square like those of an
antique statue. Half lying, without ill-grace or affectation, in her
chair, her feet stretched out to warm them, she was dressed in a gown
of black velvet, for the weather was now becoming chilly. The corsage,
rising to the throat, moulded the splendid contour of the shoulders
and the rich bosom which the suckling of her son had not deformed. Her
hair was worn in /ringlets/, after the English fashion, down her
cheeks; the rest was simply twisted to the crown of her head and held
there with a tortoise-shell comb. The color, not undecided in tone as
other blond hair, sparkled to the light like a filagree of burnished
gold. The baroness always braided the short locks curling on the nape
of her neck--which are a sign of race. This tiny braid, concealed in
the mass of hair always carefully put up, allowed the eye to follow
with delight the undulating line by which her neck was set upon her
shoulders. This little detail will show the care which she gave to her
person; it was her pride to rejoice the eyes of the old baron. What a
charming, delicate attention! When you see a woman displaying in her
own home the coquetry which most women spend on a single sentiment,
believe me, that woman is as noble a mother as she is a wife; she is
the joy and the flower of the home; she knows her obligations as a
woman; in her soul, in her tenderness, you will find her outward
graces; she is doing good in secret; she worships, she adores without
a calculation of return; she loves her fellows, as she loves God,--for
their own sakes. And so one might fancy that the Virgin of paradise,
under whose care she lived, had rewarded the chaste girlhood and the
sacred life of the old man's wife by surrounding her with a sort of
halo which preserved her beauty from the wrongs of time. The
alterations of that beauty Plato would have glorified as the coming of
new graces. Her skin, so milk-white once, had taken the warm and
pearly tones which painters adore. Her broad and finely modelled brow
caught lovingly the light which played on its polished surface. Her
eyes, of a turquoise blue, shone with unequalled sweetness; the soft
lashes, and the slightly sunken temples inspired the spectator with I
know now what mute melancholy. The nose, which was aquiline and thin,
recalled the royal origin of the high-born woman. The pure lips,
finely cut, wore happy smiles, brought there by loving-kindness
inexhaustible. Her teeth were small and white; she had gained of late
a slight embonpoint, but her delicate hips and slender waist were none
the worse for it. The autumn of her beauty presented a few perennial
flowers of her springtide among the richer blooms of summer. Her arms
became more nobly rounded, her lustrous skin took a finer grain; the
outlines of her form gained plenitude. Lastly and best of all, her
open countenance, serene and slightly rosy, the purity of her blue
eyes, that a look too eager might have wounded, expressed illimitable
sympathy, the tenderness of angels.

At the other chimney-corner, in an arm-chair, the octogenarian sister,
like in all points save clothes to her brother, sat listening to the
reading of the newspaper and knitting stockings, a work for which
sight is needless. Both eyes had cataracts; but she obstinately
refused to submit to an operation, in spite of the entreaties of her
sister-in-law. The secret reason of that obstinacy was known to
herself only; she declared it was want of courage; but the truth was
that she would not let her brother spend twenty-five louis for her
benefit. That sum would have been so much the less for the good of the
household.

These two old persons brought out in fine relief the beauty of the
baroness. Mademoiselle Zephirine, being deprived of sight, was not
aware of the changes which eighty years had wrought in her features.
Her pale, hollow face, to which the fixedness of the white and
sightless eyes gave almost the appearance of death, and three or four
solitary and projecting teeth made menacing, was framed by a little
hood of brown printed cotton, quilted like a petticoat, trimmed with a
cotton ruche, and tied beneath the chin by strings which were always a
little rusty. She wore a /cotillon/, or short skirt of coarse cloth,
over a quilted petticoat (a positive mattress, in which were secreted
double louis-d'ors), and pockets sewn to a belt which she unfastened
every night and put on every morning like a garment. Her body was
encased in the /casaquin/ of Brittany, a species of spencer made of
the same cloth as the /cotillon/, adorned with a collarette of many
pleats, the washing of which caused the only dispute she ever had with
her sister-in-law,--her habit being to change it only once a week.
From the large wadded sleeves of the /casaquin/ issued two withered
but still vigorous arms, at the ends of which flourished her hands,
their brownish-red color making the white arms look like poplar-wood.
These hands, hooked or contracted from the habit of knitting, might be
called a stocking-machine incessantly at work; the phenomenon would
have been had they stopped. From time to time Mademoiselle du Guenic
took a long knitting needle which she kept in the bosom of her gown,
and passed it between her hood and her hair to poke or scratch her
white locks. A stranger would have laughed to see the careless manner
in which she thrust back the needle without the slightest fear of
wounding herself. She was straight as a steeple. Her erect and
imposing carriage might pass for one of those coquetries of old age
which prove that pride is a necessary passion of life. Her smile was
gay. She, too, had done her duty.

As soon as the baroness saw that her husband was asleep she stopped
reading. A ray of sunshine, stretching from one window to the other,
divided by a golden band the atmosphere of that old room and burnished
the now black furniture. The light touched the carvings of the
ceiling, danced on the time-worn chests, spread its shining cloth on
the old oak table, enlivening the still, brown room, as Fanny's voice
cast into the heart of her octogenarian blind sister a music as
luminous and as cheerful as that ray of sunlight. Soon the ray took on
the ruddy colors which, by insensible gradations, sank into the
melancholy tones of twilight. The baroness also sank into a deep
meditation, one of those total silences which her sister-in-law had
noticed for the last two weeks, trying to explain them to herself, but
making no inquiry. The old woman studied the causes of this unusual
pre-occupation, as blind persons, on whose soul sound lingers like a
divining echo, read books in which the pages are black and the letters
white. Mademoiselle Zephirine, to whom the dark hour now meant
nothing, continued to knit, and the silence at last became so deep
that the clicking of her knitting-needles was plainly heard.

"You have dropped the paper, sister, but you are not asleep," said the
old woman, slyly.

At this moment Mariotte came in to light the lamp, which she placed on
a square table in front of the fire; then she fetched her distaff, her
ball of thread, and a small stool, on which she seated herself in the
recess of a window and began as usual to spin. Gasselin was still busy
about the offices; he looked to the horses of the baron and Calyste,
saw that the stable was in order for the night, and gave the two fine
hunting-dogs their daily meal. The joyful barking of the animals was
the last noise that awakened the echoes slumbering among the darksome
walls of the ancient house. The two dogs and the two horses were the
only remaining vestiges of the splendors of its chivalry. An
imaginative man seated on the steps of the portico and letting himself
fall into the poesy of the still living images of that dwelling, might
have quivered as he heard the baying of the hounds and the trampling
of the neighing horses.

Gasselin was one of those short, thick, squat little Bretons, with
black hair and sun-browned faces, silent, slow, and obstinate as
mules, but always following steadily the path marked out for them. He
was forty-two years old, and had been twenty-five years in the
household. Mademoiselle had hired him when he was fifteen, on hearing
of the marriage and probable return of the baron. This retainer
considered himself as part of the family; he had played with Calyste,
he loved the horses and dogs of the house, and talked to them and
petted them as though they were his own. He wore a blue linen jacket
with little pockets flapping about his hips, waistcoat and trousers of
the same material at all seasons, blue stockings, and stout hob-nailed
shoes. When it was cold or rainy he put on a goat's-skin, after the
fashion of his country.

Mariotte, who was also over forty, was as a woman what Gasselin was as
a man. No team could be better matched,--same complexion, same figure,
same little eyes that were lively and black. It is difficult to
understand why Gasselin and Mariotte had never married; possibly it
might have seemed immoral, they were so like brother and sister.
Mariotte's wages were ninety francs a year; Gasselin's, three hundred.
But thousands of francs offered to them elsewhere would not have
induced either to leave the Guenic household. Both were under the
orders of Mademoiselle, who, from the time of the war in La Vendee to
the period of her brother's return, had ruled the house. When she
learned that the baron was about to bring home a mistress, she had
been moved to great emotion, believing that she must yield the sceptre
of the household and abdicate in favor of the Baronne du Guenic, whose
subject she was now compelled to be.

Mademoiselle Zephirine was therefore agreeably surprised to find in
Fanny O'Brien a young woman born to the highest rank, to whom the
petty cares of a poor household were extremely distasteful,--one who,
like other fine souls, would far have preferred to eat plain bread
rather than the choicest food if she had to prepare it for herself; a
woman capable of accomplishing all the duties, even the most painful,
of humanity, strong under necessary privations, but without courage
for commonplace avocations. When the baron begged his sister in his
wife's name to continue in charge of the household, the old maid
kissed the baroness like a sister; she made a daughter of her, she
adored her, overjoyed to be left in control of the household, which
she managed rigorously on a system of almost inconceivable economy,
which was never relaxed except for some great occasion, such as the
lying-in of her sister, and her nourishment, and all that concerned
Calyste, the worshipped son of the whole household.

Though the two servants were accustomed to this stern regime, and no
orders need ever have been given to them, for the interests of their
masters were greater in their minds than their own,--/were/ their own
in fact,--Mademoiselle Zephirine insisted on looking after everything.
Her attention being never distracted, she knew, without going up to
verify her knowledge, how large was the heap of nuts in the barn; and
how many oats remained in the bin without plunging her sinewy arm into
the depths of it. She carried at the end of a string fastened to the
belt of her /casaquin/, a boatswain's whistle, with which she was wont
to summon Mariotte by one, and Gasselin by two notes.

Gasselin's greatest happiness was to cultivate the garden and produce
fine fruits and vegetables. He had so little work to do that without
this occupation he would certainly have felt lost. After he had
groomed his horses in the morning, he polished the floors and cleaned
the rooms on the ground-floor, then he went to his garden, where weed
or damaging insect was never seen. Sometimes Gasselin was observed
motionless, bare-headed, under a burning sun, watching for a
field-mouse or the terrible grub of the cockchafer; then, as soon as it
was caught, he would rush with the joy of a child to show his masters
the noxious beast that had occupied his mind for a week. He took
pleasure in going to Croisic on fast-days, to purchase a fish to be had
for less money there than at Guerande.

Thus no household was ever more truly one, more united in interests,
more bound together than this noble family sacredly devoted to its
duty. Masters and servants seemed made for one another. For
twenty-five years there had been neither trouble nor discord. The only
griefs were the petty ailments of the little boy, the only terrors were
caused by the events of 1814 and those of 1830. If the same things
were invariably done at the same hours, if the food was subjected to
the regularity of times and seasons, this monotony, like that of
Nature varied only by alterations of cloud and rain and sunshine, was
sustained by the affection existing in the hearts of all,--the more
fruitful, the more beneficent because it emanated from natural causes.



                                III

                      THREE BRETON SILHOUETTES

When night had fairly fallen, Gasselin came into the hall and asked
his master respectfully if he had further need of him.

"You can go out, or go to bed, after prayers," replied the baron,
waking up, "unless Madame or my sister--"

The two ladies here made a sign of consent. Gasselin then knelt down,
seeing that his masters rose to kneel upon their chairs; Mariotte also
knelt before her stool. Mademoiselle du Guenic then said the prayer
aloud. After it was over, some one rapped at the door on the lane.
Gasselin went to open it.

"I dare say it is Monsieur le cure; he usually comes first," said
Mariotte.

Every one now recognized the rector's foot on the resounding steps of
the portico. He bowed respectfully to the three occupants of the room,
and addressed them in phrases of that unctuous civility which priests
are accustomed to use. To the rather absent-minded greeting of the
mistress of the house, he replied by an ecclesiastically inquisitive
look.

"Are you anxious or ill, Madame la baronne?" he asked.

"Thank you, no," she replied.

Monsieur Grimont, a man of fifty, of middle height, lost in his
cassock, from which issued two stout shoes with silver buckles,
exhibited above his hands a plump visage, and a generally white skin
though yellow in spots. His hands were dimpled. His abbatial face had
something of the Dutch burgomaster in the placidity of its complexion
and its flesh tones, and of the Breton peasant in the straight black
hair and the vivacity of the brown eyes, which preserved,
nevertheless, a priestly decorum. His gaiety, that of a man whose
conscience was calm and pure, admitted a joke. His manner had nothing
uneasy or dogged about it, like that of many poor rectors whose
existence or whose power is contested by their parishioners, and who
instead of being, as Napoleon sublimely said, the moral leaders of the
population and the natural justices of peace, are treated as enemies.
Observing Monsieur Grimont as he marched through Guerande, the most
irreligious of travellers would have recognized the sovereign of that
Catholic town; but this same sovereign lowered his spiritual
superiority before the feudal supremacy of the du Guenics. In their
salon he was as a chaplain in his seigneur's house. In church, when he
gave the benediction, his hand was always first stretched out toward
the chapel belonging to the Guenics, where their mailed hand and their
device were carved upon the key-stone of the arch.

"I thought that Mademoiselle de Pen-Hoel had already arrived," said
the rector, sitting down, and taking the hand of the baroness to kiss
it. "She is getting unpunctual. Can it be that the fashion of
dissipation is contagious? I see that Monsieur le chevalier is again
at Les Touches this evening."

"Don't say anything about those visits before Mademoiselle de
Pen-Hoel," cried the old maid, eagerly.

"Ah! mademoiselle," remarked Mariotte, "you can't prevent the town
from gossiping."

"What do they say?" asked the baroness.

"The young girls and the old women all say that he is in love with
Mademoiselle des Touches."

"A lad of Calyste's make is playing his proper part in making the
women love him," said the baron.

"Here comes Mademoiselle de Pen-Hoel," said Mariotte.

The gravel in the court-yard crackled under the discreet footsteps of
the coming lady, who was accompanied by a page supplied with a
lantern. Seeing this lad, Mariotte removed her stool to the great hall
for the purpose of talking with him by the gleam of his rush-light,
which was burned at the cost of his rich and miserly mistress, thus
economizing those of her own masters.

This elderly demoiselle was a thin, dried-up old maid, yellow as the
parchment of a Parliament record, wrinkled as a lake ruffled by the
wind, with gray eyes, large prominent teeth, and the hands of a man.
She was rather short, a little crooked, possibly hump-backed; but no
one had ever been inquisitive enough to ascertain the nature of her
perfections or her imperfections. Dressed in the same style as
Mademoiselle du Guenic, she stirred an enormous quantity of petticoats
and linen whenever she wanted to find one or other of the two
apertures of her gown through which she reached her pockets. The
strangest jingling of keys and money then echoed among her garments.
She always wore, dangling from one side, the bunch of keys of a good
housekeeper, and from the other her silver snuff-box, thimble,
knitting-needles, and other implements that were also resonant.
Instead of Mademoiselle Zephirine's wadded hood, she wore a green
bonnet, in which she may have visited her melons, for it had passed,
like them, from green to yellowish; as for its shape, our present
fashions are just now bringing it back to Paris, after twenty years
absence, under the name of Bibi. This bonnet was constructed under her
own eye and by the hands of her nieces, out of green Florence silk
bought at Guerande, and an old bonnet-shape, renewed every five years
at Nantes,--for Mademoiselle de Pen-Hoel allowed her bonnets the
longevity of a legislature. Her nieces also made her gowns, cut by an
immutable pattern. The old lady still used the cane with the short
hook that all women carried in the early days of Marie-Antoinette. She
belonged to the very highest nobility of Brittany. Her arms bore the
ermine of its ancient dukes. In her and in her sister the illustrious
Breton house of the Pen-Hoels ended. Her younger sister had married a
Kergarouet, who, in spite of the deep disapproval of the whole region,
added the name of Pen-Hoel to his own and called himself the Vicomte
de Kergarouet-Pen-Hoel.

"Heaven has punished him," said the old lady; "he has nothing but
daughters, and the Kergarouet-Pen-Hoel name will be wiped out."

Mademoiselle de Pen-Hoel possessed about seven thousand francs a year
from the rental of lands. She had come into her property at thirty-six
years of age, and managed it herself, inspecting it on horseback, and
displaying on all points the firmness of character which is noticeable
in most deformed persons. Her avarice was admired by the whole country
round, never meeting with the slightest disapproval. She kept one
woman-servant and the page. Her yearly expenses, not including taxes,
did not amount to over a thousand francs. Consequently, she was the
object of the cajoleries of the Kergarouet-Pen-Hoels, who passed the
winters at Nantes, and the summers at their estate on the banks of the
Loire below l'Indret. She was supposed to be ready to leave her
fortune and her savings to whichever of her nieces pleased her best.
Every three months one or other of the four demoiselles de
Kergarouet-Pen-Hoel, (the youngest of whom was twelve, and the eldest
twenty years of age) came to spend a few days with her.

A friend of Zephirine du Guenic, Jacqueline de Pen-Hoel, brought up to
adore the Breton grandeur of the du Guenics, had formed, ever since
the birth of Calyste, the plan of transmitting her property to the
chevalier by marrying him to whichever of her nieces the Vicomtesse de
Kergarouet-Pen-Hoel, their mother, would bestow upon him. She dreamed
of buying back some of the best of the Guenic property from the farmer
/engagistes/. When avarice has an object it ceases to be a vice; it
becomes a means of virtue; its privations are a perpetual offering; it
has the grandeur of an intention beneath its meannesses. Perhaps
Zephirine was in the secret of Jacqueline's intention. Perhaps even
the baroness, whose whole soul was occupied by love for her son and
tenderness for his father, may have guessed it as she saw with what
wily perseverance Mademoiselle de Pen-Hoel brought with her her
favorite niece, Charlotte de Kergarouet, now sixteen years of age. The
rector, Monsieur Grimont, was certainly in her confidence; it was he
who helped the old maid to invest her savings.

But Mademoiselle de Pen-Hoel might have had three hundred thousand
francs in gold, she might have had ten times the landed property she
actually possessed, and the du Guenics would never have allowed
themselves to pay her the slightest attention that the old woman could
construe as looking to her fortune. From a feeling of truly Breton
pride, Jacqueline de Pen-Hoel, glad of the supremacy accorded to her
old friend Zephirine and the du Guenics, always showed herself honored
by her relations with Madame du Guenic and her sister-in-law. She even
went so far as to conceal the sort of sacrifice to which she consented
every evening in allowing her page to burn in the Guenic hall that
singular gingerbread-colored candle called an /oribus/ which is still
used in certain parts of western France.

Thus this rich old maid was nobility, pride, and grandeur personified.
At the moment when you are reading this portrait of her, the Abbe
Grimont has just indiscreetly revealed that on the evening when the
old baron, the young chevalier, and Gasselin secretly departed to join
MADAME (to the terror of the baroness and the great joy of all
Bretons) Mademoiselle de Pen-Hoel had given the baron ten thousand
francs in gold,--an immense sacrifice, to which the abbe added another
ten thousand, a tithe collected by him,--charging the old hero to
offer the whole, in the name of the Pen-Hoels and of the parish of
Guerande, to the mother of Henri V.

Mademoiselle de Pen-Hoel treated Calyste as if she felt that her
intentions gave her certain rights over him; her plans seemed to
authorize a supervision. Not that her ideas were strict in the matter
of gallantry, for she had, in fact, the usual indulgence of the old
women of the old school, but she held in horror the modern ways of
revolutionary morals. Calyste, who might have gained in her estimation
by a few adventures with Breton girls, would have lost it considerably
had she seen him entangled in what she called innovations. She might
have disinterred a little gold to pay for the results of a
love-affair, but if Calyste had driven a tilbury or talked of a visit
to Paris she would have thought him dissipated, and declared him a
spendthrift. Impossible to say what she might not have done had she
found him reading novels or an impious newspaper. To her, novel ideas
meant the overthrow of succession of crops, ruin under the name of
improvements and methods; in short, mortgaged lands as the inevitable
result of experiments. To her, prudence was the true method of making
your fortune; good management consisted in filling your granaries with
wheat, rye, and flax, and waiting for a rise at the risk of being
called a monopolist, and clinging to those grain-sacks obstinately. By
singular chance she had often made lucky sales which confirmed her
principles. She was thought to be maliciously clever, but in fact she
was not quick-witted; on the other hand, being as methodical as a
Dutchman, prudent as a cat, and persistent as a priest, those
qualities in a region of routine like Brittany were, practically, the
equivalent of intellect.

"Will Monsieur du Halga join us this evening?" asked Mademoiselle de
Pen-Hoel, taking off her knitted mittens after the usual exchange of
greetings.

"Yes, mademoiselle; I met him taking his dog to walk on the mall,"
replied the rector.

"Ha! then our /mouche/ will be lively to-night. Last evening we were
only four."

At the word /mouche/ the rector rose and took from a drawer in one of
the tall chests a small round basket made of fine osier, a pile of
ivory counters yellow as a Turkish pipe after twenty years' usage, and
a pack of cards as greasy as those of the custom-house officers at
Saint-Nazaire, who change them only once in two weeks. These the abbe
brought to the table, arranging the proper number of counters before
each player, and putting the basket in the centre of the table beside
the lamp, with infantine eagerness, and the manner of a man accustomed
to perform this little service.

A knock at the outer gate given firmly in military fashion echoed
through the stillness of the ancient mansion. Mademoiselle de
Pen-Hoel's page went gravely to open the door, and presently the long,
lean, methodically-clothed person of the Chevalier du Halga, former
flag-captain to Admiral de Kergarouet, defined itself in black on the
penumbra of the portico.

"Welcome, chevalier!" cried Mademoiselle de Pen-Hoel.

"The altar is raised," said the abbe.

The chevalier was a man in poor health, who wore flannel for his
rheumatism, a black-silk skull-cap to protect his head from fog, and a
spencer to guard his precious chest from the sudden gusts which
freshen the atmosphere of Guerande. He always went armed with a
gold-headed cane to drive away the dogs who paid untimely court to a
favorite little bitch who usually accompanied him. This man, fussy as
a fine lady, worried by the slightest /contretemps/, speaking low to
spare his voice, had been in his early days one of the most intrepid
and most competent officers of the old navy. He had won the confidence
of de Suffren in the Indian Ocean, and the friendship of the Comte de
Portenduere. His splendid conduct while flag-captain to Admiral
Kergarouet was written in visible letters on his scarred face. To see
him now no one would have imagined the voice that ruled the storm, the
eye that compassed the sea, the courage, indomitable, of the Breton
sailor.

The chevalier never smoked, never swore; he was gentle and tranquil as
a girl, as much concerned about his little dog Thisbe and her caprices
as though he were an elderly dowager. In this way he gave a high idea
of his departed gallantry, but he never so much as alluded to the
deeds of surpassing bravery which had astonished the doughty old
admiral, Comte d'Estaing. Though his manner was that of an invalid,
and he walked as if stepping on eggs and complained about the
sharpness of the wind or the heat of the sun, or the dampness of the
misty atmosphere, he exhibited a set of the whitest teeth in the
reddest of gums,--a fact reassuring as to his maladies, which were,
however, rather expensive, consisting as they did of four daily meals
of monastic amplitude. His bodily frame, like that of the baron, was
bony, and indestructibly strong, and covered with a parchment glued to
his bones as the skin of an Arab horse on the muscles which shine in
the sun. His skin retained the tawny color it received in India,
whence, however, he did not bring back either facts or ideas. He had
emigrated with the rest of his friends, lost his property, and was now
ending his days with the cross of Saint-Louis and a pension of two
thousand francs, as the legal reward of his services, paid from the
fund of the Invalides de la Marine. The slight hypochondria which made
him invent his imaginary ills is easily explained by his actual
suffering during the emigration. He served in the Russian navy until
the day when the Emperor Alexander ordered him to be employed against
France; he then resigned and went to live at Odessa, near the Duc de
Richelieu, with whom he returned to France. It was the duke who
obtained for this glorious relic of the old Breton navy the pension
which enabled him to live. On the death of Louis XVIII. he returned to
Guerande, and became, after a while, mayor of the city.

The rector, the chevalier, and Mademoiselle de Pen-Hoel had regularly
passed their evenings for the last fifteen years at the hotel de
Guenic, where the other noble personages of the neighborhood also
came. It will be readily understood that the du Guenics were at the
head of the faubourg Saint-Germain of the old Breton province, where
no member of the new administration sent down by the government was
ever allowed to penetrate. For the last six years the rector coughed
when he came to the crucial words, /Domine, salvum fac regem/.
Politics were still at that point in Guerande.



                                 IV

                          A NORMAL EVENING

/Mouche/ is a game played with five cards dealt to each player, and
one turned over. The turned-over card is trumps. At each round the
player is at liberty to run his chances or to abstain from playing his
card. If he abstains he loses nothing but his own stake, for as long
as there are no forfeits in the basket each player puts in a trifling
sum. If he plays and wins a trick he is paid /pro rata/ to the stake;
that is, if there are five sous in the basket, he wins one sou. The
player who fails to win a trick is made /mouche/; he has to pay the
whole stake, which swells the basket for the next game. Those who
decline to play throw down their cards during the game; but their play
is held to be null. The players can exchange their cards with the
remainder of the pack, as in ecarte, but only by order of sequence, so
that the first and second players may, and sometimes do, absorb the
remainder of the pack between them. The turned-over trump card belongs
to the dealer, who is always the last; he has the right to exchange it
for any card in his own hand. One powerful card is of more importance
than all the rest; it is called Mistigris. Mistigris is the knave of
clubs.

This game, simple as it is, is not lacking in interest. The cupidity
natural to mankind develops in it; so does diplomatic wiliness; also
play of countenance. At the hotel du Guenic, each of the players took
twenty counters, representing five sous; which made the sum total of
the stake for each game five farthings, a large amount in the eyes of
this company. Supposing some extraordinary luck, fifty sous might be
won,--more capital than any person in Guerande spent in the course of
any one day. Consequently Mademoiselle de Pen-Hoel put into this game
(the innocence of which is only surpassed in the nomenclature of the
Academy by that of La Bataille) a passion corresponding to that of the
hunters after big game. Mademoiselle Zephirine, who went shares in the
game with the baroness, attached no less importance to it. To put up
one farthing for the chance of winning five, game after game, was to
this confirmed hoarder a mighty financial operation, into which she
put as much mental action as the most eager speculator at the Bourse
expends during the rise and fall of consols.

By a certain diplomatic convention, dating from September, 1825, when
Mademoiselle de Pen-Hoel lost thirty-five sous, the game was to cease
as soon as a person losing ten sous should express the wish to retire.
Politeness did not allow the rest to give the retiring player the pain
of seeing the game go on without him. But, as all passions have their
Jesuitism, the chevalier and the baron, those wily politicians, had
found a means of eluding this charter. When all the players but one
were anxious to continue an exciting game, the daring sailor, du
Halga, one of those rich fellows prodigal of costs they do not pay,
would offer ten counters to Mademoiselle Zephirine or Mademoiselle
Jacqueline, when either of them, or both of them, had lost their five
sous, on condition of reimbursement in case they won. An old bachelor
could allow himself such gallantries to the sex. The baron also
offered ten counters to the old maids, but under the honest pretext of
continuing the game. The miserly maidens accepted, not, however,
without some pressing, as is the use and wont of maidens. But, before
giving way to this vast prodigality the baron and the chevalier were
required to have won; otherwise the offer would have been taken as an
insult.

/Mouche/ became a brilliant affair when a Demoiselle de Kergarouet
was in transit with her aunt. We use the single name, for the
Kergarouets had never been able to induce any one to call them
Kergarouet-Pen-Hoel,--not even their servants, although the latter
had strict orders so to do. At these times the aunt held out to the
niece as a signal treat the /mouche/ at the du Guenics. The girl was
ordered to look amiable, an easy thing to do in the presence of the
beautiful Calyste, whom the four Kergarouet young ladies all adored.
Brought up in the midst of modern civilization, these young persons
cared little for five sous a game, and on such occasions the stakes
went higher. Those were evenings of great emotion to the old blind
sister. The baroness would give her sundry hints by pressing her foot
a certain number of times, according to the size of the stake it was
safe to play. To play or not to play, if the basket were full, involved
an inward struggle, where cupidity fought with fear. If Charlotte de
Kergarouet, who was usually called giddy, was lucky in her bold throws,
her aunt on their return home (if she had not won herself), would be cold
and disapproving, and lecture the girl: she had too much decision in her
character; a young person should never assert herself in presence of
her betters; her manner of taking the basket and beginning to play was
really insolent; the proper behavior of a young girl demanded much
more reserve and greater modesty; etc.

It can easily be imagined that these games, carried on nightly for
twenty years, were interrupted now and then by narratives of events in
the town, or by discussions on public events. Sometimes the players
would sit for half an hour, their cards held fan-shape on their
stomachs, engaged in talking. If, as a result of these inattentions, a
counter was missing from the basket, every one eagerly declared that
he or she had put in their proper number. Usually the chevalier made
up the deficiency, being accused by the rest of thinking so much of
his buzzing ears, his chilly chest, and other symptoms of invalidism
that he must have forgotten his stake. But no sooner did he supply the
missing counter than Zephirine and Jacqueline were seized with
remorse; they imagined that, possibly, they themselves had forgotten
their stake; they believed--they doubted--but, after all, the
chevalier was rich enough to bear such a trifling misfortune. These
dignified and noble personages had the delightful pettiness of
suspecting each other. Mademoiselle de Pen-Hoel would almost
invariably accuse the rector of cheating when he won the basket.

"It is singular," he would reply, "that I never cheat except when I
win the trick."

Often the baron would forget where he was when the talk fell on the
misfortunes of the royal house. Sometimes the evening ended in a
manner that was quite unexpected to the players, who all counted on a
certain gain. After a certain number of games and when the hour grew
late, these excellent people would be forced to separate without
either loss or gain, but not without emotion. On these sad evenings
complaints were made of /mouche/ itself; it was dull, it was long; the
players accused their /mouche/ as Negroes stone the moon in the water
when the weather is bad. On one occasion, after an arrival of the
Vicomte and Vicomtesse de Kergarouet, there was talk of whist and
boston being games of more interest than /mouche/. The baroness, who
was bored by /mouche/, encouraged the innovation, and all the company
--but not without reluctance--adopted it. But it proved impossible to
make them really understand the new games, which, on the departure of
the Kergarouets, were voted head-splitters, algebraic problems, and
intolerably difficult to play. All preferred their /mouche/, their
dear, agreeable /mouche/. /Mouche/ accordingly triumphed over modern
games, as all ancient things have ever triumphed in Brittany over
novelties.

While the rector was dealing the cards the baroness was asking the
Chevalier du Halga the same questions which she had asked him the
evening before about his health. The chevalier made it a point of
honor to have new ailments. Inquiries might be alike, but the nautical
hero had singular advantages in the way of replies. To-day it chanced
that his ribs troubled him. But here's a remarkable thing! never did
the worthy chevalier complain of his wounds. The ills that were really
the matter with him he expected, he knew them and he bore them; but
his fancied ailments, his headaches, the gnawings in his stomach, the
buzzing in his ears, and a thousand other fads and symptoms made him
horribly uneasy; he posed as incurable,--and not without reason, for
doctors up to the present time have found no remedy for diseases that
don't exist.

"Yesterday the trouble was, I believe, in your legs," said the rector.

"It moves about," replied the chevalier.

"Legs to ribs?" asked Mademoiselle Zephirine.

"Without stopping on the way?" said Mademoiselle de Pen-Hoel, smiling.

The chevalier bowed gravely, making a negative gesture which was not a
little droll, and proved to an observer that in his youth the sailor
had been witty and loving and beloved. Perhaps his fossil life at
Guerande hid many memories. When he stood, solemnly planted on his two
heron-legs in the sunshine on the mall, gazing at the sea or watching
the gambols of his little dog, perhaps he was living again in some
terrestrial paradise of a past that was rich in recollections.

"So the old Duc de Lenoncourt is dead," said the baron, remembering
the paragraph of the "Quotidienne," where his wife had stopped
reading. "Well, the first gentleman of the Bedchamber followed his
master soon. I shall go next."

"My dear, my dear!" said his wife, gently tapping the bony calloused
hand of her husband.

"Let him say what he likes, sister," said Zephirine; "as long as I am
above ground he can't be under it; I am the elder."

A gay smile played on the old woman's lips. Whenever the baron made
reflections of that kind, the players and the visitors present looked
at each other with emotion, distressed by the sadness of the king of
Guerande; and after they had left the house they would say, as they
walked home: "Monsieur du Guenic was sad to-night. Did you notice how
he slept?" And the next day the whole town would talk of the matter.
"The Baron du Guenic fails," was a phrase that opened the conversation
in many houses.

"How is Thisbe?" asked Mademoiselle de Pen-Hoel of the chevalier, as
soon as the cards were dealt.

"The poor little thing is like her master," replied the chevalier;
"she has some nervous trouble, she goes on three legs constantly. See,
like this."

In raising and crooking his arm to imitate the dog, the chevalier
exposed his hand to his cunning neighbor, who wanted to see if he had
Mistigris or the trump,--a first wile to which he succumbed.

"Oh!" said the baroness, "the end of Monsieur le cure's nose is
turning white; he has Mistigris."

The pleasure of having Mistigris was so great to the rector--as it was
to the other players--that the poor priest could not conceal it. In
all human faces there is a spot where the secret emotions of the heart
betray themselves; and these companions, accustomed for years to
observe each other, had ended by finding out that spot on the rector's
face: when he had Mistigris the tip of his nose grew pale.

"You had company to-day," said the chevalier to Mademoiselle de
Pen-Hoel.

"Yes, a cousin of my brother-in-law. He surprised me by announcing the
marriage of the Comtesse de Kergarouet, a Demoiselle de Fontaine."

"The daughter of 'Grand-Jacques,'" cried the chevalier, who had lived
with the admiral during his stay in Paris.

"The countess is his heir; she has married an old ambassador. My
visitor told me the strangest things about our neighbor, Mademoiselle
des Touches,--so strange that I can't believe them. If they were true,
Calyste would never be so constantly with her; he has too much good
sense not to perceive such monstrosities--"

"Monstrosities?" said the baron, waked up by the word.

The baroness and the rector exchanged looks. The cards were dealt;
Mademoiselle de Pen-Hoel had Mistigris! Impossible to continue the
conversation! But she was glad to hide her joy under the excitement
caused by her last word.

"Your play, monsieur le baron," she said, with an air of importance.

"My nephew is not one of those youths who like monstrosities,"
remarked Zephirine, taking out her knitting-needle and scratching her
head.

"Mistigris!" cried Mademoiselle de Pen-Hoel, making no reply to her
friend.

The rector, who appeared to be well-informed in the matter of Calyste
and Mademoiselle des Touches, did not enter the lists.

"What does she do that is so extraordinary, Mademoiselle des Touches?"
asked the baron.

"She smokes," replied Mademoiselle de Pen-Hoel.

"That's very wholesome," said the chevalier.

"About her property?" asked the baron.

"Her property?" continued the old maid. "Oh, she is running through
it."

"The game is mine!" said the baroness. "See, I have king, queen, knave
of trumps, Mistigris, and a king. We win the basket, sister."

This victory, gained at one stroke, without playing a card, horrified
Mademoiselle de Pen-Hoel, who ceased to concern herself about Calyste
and Mademoiselle des Touches. By nine o'clock no one remained in the
salon but the baroness and the rector. The four old people had gone to
their beds. The chevalier, according to his usual custom, accompanied
Mademoiselle de Pen-Hoel to her house in the Place de Guerande, making
remarks as they went along on the cleverness of the last play, on the
joy with which Mademoiselle Zephirine engulfed her gains in those
capacious pockets of hers,--for the old blind woman no longer
repressed upon her face the visible signs of her feelings. Madame du
Guenic's evident preoccupation was the chief topic of conversation,
however. The chevalier had remarked the abstraction of the beautiful
Irish woman. When they reached Mademoiselle de Pen-Hoel's door-step,
and her page had gone in, the old lady answered, confidentially, the
remarks of the chevalier on the strangely abstracted air of the
baroness:--

"I know the cause. Calyste is lost unless we marry him promptly. He
loves Mademoiselle des Touches, an actress!"

"In that case, send for Charlotte."

"I have sent; my sister will receive my letter to-morrow," replied
Mademoiselle de Pen-Hoel, bowing to the chevalier.

Imagine from this sketch of a normal evening the hubbub excited in
Guerande homes by the arrival, the stay, the departure, or even the
mere passage through the town, of a stranger.

When no sounds echoed from the baron's chamber nor from that of his
sister, the baroness looked at the rector, who was playing pensively
with the counters.

"I see that you begin to share my anxiety about Calyste," she said to
him.

"Did you notice Mademoiselle de Pen-Hoel's displeased looks to-night?"
asked the rector.

"Yes," replied the baroness.

"She has, as I know, the best intentions about our dear Calyste; she
loves him as though he were her son, his conduct in Vendee beside his
father, the praises that MADAME bestowed upon his devotion, have only
increased her affection for him. She intends to execute a deed of gift
by which she gives her whole property at her death to whichever of her
nieces Calyste marries. I know that you have another and much richer
marriage in Ireland for your dear Calyste, but it is well to have two
strings to your bow. In case your family will not take charge of
Calyste's establishment, Mademoiselle de Pen-Hoel's fortune is not to
be despised. You can always find a match of seven thousand francs a
year for the dear boy, but it is not often that you could come across
the savings of forty years and landed property as well managed, built
up, and kept in repair as that of Mademoiselle de Pen-Hoel. That
ungodly woman, Mademoiselle des Touches, has come here to ruin many
excellent things. Her life is now known."

"And what is it?" asked the mother.

"Oh! that of a trollop," replied the rector,--"a woman of questionable
morals, a writer for the stage; frequenting theatres and actors;
squandering her fortune among pamphleteers, painters, musicians, a
devilish society, in short. She writes books herself, and has taken a
false name by which she is better known, they tell me, than by her
own. She seems to be a sort of circus woman who never enters a church
except to look at the pictures. She has spent quite a fortune in
decorating Les Touches in a most improper fashion, making it a
Mohammedan paradise where the houris are not women. There is more wine
drunk there, they say, during the few weeks of her stay than the whole
year round in Guerande. The Demoiselles Bougniol let their lodgings
last year to men with beards, who were suspected of being Blues; they
sang wicked songs which made those virtuous women blush and weep, and
spent their time mostly at Les Touches. And this is the woman our dear
Calyste adores! If that creature wanted to-night one of the infamous
books in which the atheists of the present day scoff at holy things,
Calyste would saddle his horse himself and gallop to Nantes for it. I
am not sure that he would do as much for the Church. Moreover, this
Breton woman is not a royalist! If Calyste were again called upon to
strike a blow for the cause, and Mademoiselle des Touches--the Sieur
Camille Maupin, that is her other name, as I have just remembered--if
she wanted to keep him with her the chevalier would let his old father
go to the field without him."

"Oh, no!" said the baroness.

"I should not like to put him to the proof; you would suffer too
much," replied the rector. "All Guerande is turned upside down about
Calyste's passion for this amphibious creature, who is neither man nor
woman, who smokes like an hussar, writes like a journalist, and has at
this very moment in her house the most venomous of all writers,--so
the postmaster says, and he's a /juste-milieu/ man who reads the
papers. They are even talking about her at Nantes. This morning the
Kergarouet cousin who wants to marry Charlotte to a man with sixty
thousand francs a year, went to see Mademoiselle de Pen-Hoel, and
filled her mind with tales about Mademoiselle des Touches which lasted
seven hours. It is now striking a quarter to ten, and Calyste is not
home; he is at Les Touches,--perhaps he won't come in all night."

The baroness listened to the rector, who was substituting monologue
for dialogue unconsciously as he looked at this lamb of his fold, on
whose face could be read her anxiety. She colored and trembled. When
the worthy man saw the tears in the beautiful eyes of the mother, he
was moved to compassion.

"I will see Mademoiselle de Pen-Hoel to-morrow," he said. "Don't be
too uneasy. The harm may not be as great as they say it is. I will
find out the truth. Mademoiselle Jacqueline has confidence in me.
Besides, Calyste is our child, our pupil,--he will never let the devil
inveigle him; neither will he trouble the peace of his family or
destroy the plans we have made for his future. Therefore, don't weep;
all is not lost, madame; one fault is not vice."

"You are only informing me of details," said the baroness. "Was not I
the first to notice the change in my Calyste? A mother keenly feels
the shock of finding herself second in the heart of her son. She
cannot be deceived. This crisis in a man's life is one of the trials
of motherhood. I have prepared myself for it, but I did not think it
would come so soon. I hoped, at least, that Calyste would take into
his heart some noble and beautiful being,--not a stage-player, a
masquerader, a theatre woman, an author whose business it is to feign
sentiments, a creature who will deceive him and make him unhappy! She
has had adventures--"

"With several men," said the rector. "And yet this impious creature
was born in Brittany! She dishonors her land. I shall preach a sermon
upon her next Sunday."

"Don't do that!" cried the baroness. "The peasants and the /paludiers/
would be capable of rushing to Les Touches. Calyste is worthy of his
name; he is Breton; some dreadful thing might happen to him, for he
would surely defend her as he would the Blessed Virgin."

"It is now ten o'clock; I must bid you good-night," said the abbe,
lighting the wick of his lantern, the glass of which was clear and the
metal shining, which testified to the care his housekeeper bestowed on
the household property. "Who could ever have told me, madame," he
added, "that a young man brought up by you, trained by me to Christian
ideas, a fervent Catholic, a child who has lived as a lamb without
spot, would plunge into such mire?"

"But is it certain?" said the mother. "How could any woman help loving
Calyste?"

"What other proof is needed than her staying on at Les Touches. In all
the twenty-four years since she came of age she has never stayed there
so long as now; her visits to these parts, happily for us, were few
and short."

"A woman over forty years old!" exclaimed the baroness. "I have heard
say in Ireland that a woman of this description is the most dangerous
mistress a young man can have."

"As to that, I have no knowledge," replied the rector, "and I shall
die in my ignorance."

"And I, too, alas!" said the baroness, naively. "I wish now that I had
loved with love, so as to understand and counsel and comfort Calyste."

The rector did not cross the clean little court-yard alone; the
baroness accompanied him to the gate, hoping to hear Calyste's step
coming through the town. But she heard nothing except the heavy tread
of the rector's cautious feet, which grew fainter in the distance, and
finally ceased when the closing of the door of the parsonage echoed
behind him.



                                 V

                              CALYSTE

The poor mother returned to the salon deeply distressed at finding
that the whole town was aware of what she had thought was known to her
alone. She sat down, trimmed the wick of the lamp by cutting it with a
pair of old scissors, took up once more the worsted-work she was
doing, and awaited Calyste. The baroness fondly hoped to induce her
son by this means to come home earlier and spend less time with
Mademoiselle des Touches. Such calculations of maternal jealousy were
wasted. Day after day, Calyste's visits to Les Touches became more
frequent, and every night he came in later. The night before the day
of which we speak it was midnight when he returned.

The baroness, lost in maternal meditation, was setting her stitches
with the rapidity of one absorbed in thought while engaged in manual
labor. Whoever had seen her bending to the light of the lamp beneath
the quadruply centennial hangings of that ancient room would have
admired the sublimity of the picture. Fanny's skin was so transparent
that it was possible to read the thoughts that crossed her brow
beneath it. Piqued with a curiosity that often comes to a pure woman,
she asked herself what devilish secrets these daughters of Baal
possessed to so charm men as to make them forgetful of mother, family,
country, and self-interests. Sometimes she longed to meet this woman
and judge her soberly for herself. Her mind measured to its full
extent the evils which the innovative spirit of the age--described to
her as so dangerous for young souls by the rector--would have upon her
only child, until then so guileless; as pure as an innocent girl, and
beautiful with the same fresh beauty.

Calyste, that splendid offspring of the oldest Breton race and the
noblest Irish blood, had been nurtured by his mother with the utmost
care. Until the moment when the baroness made over the training of him
to the rector of Guerande, she was certain that no impure word, no
evil thought had sullied the ears or entered the mind of her precious
son. After nursing him at her bosom, giving him her own life twice, as
it were, after guiding his footsteps as a little child, the mother had
put him with all his virgin innocence into the hands of the pastor,
who, out of true reverence for the family, had promised to give him a
thorough and Christian education. Calyste thenceforth received the
instruction which the abbe himself had received at the Seminary. The
baroness taught him English, and a teacher of mathematics was found,
not without difficulty, among the employes at Saint-Nazaire. Calyste
was therefore necessarily ignorant of modern literature, and the
advance and present progress of the sciences. His education had been
limited to geography and the circumspect history of a young ladies'
boarding-school, the Latin and Greek of seminaries, the literature of
the dead languages, and to a very restricted choice of French writers.
When, at sixteen, he began what the Abbe Grimont called his
philosophy, he was neither more nor less than what he was when Fanny
placed him in the abbe's hands. The Church had proved as maternal as
the mother. Without being over-pious or ridiculous, the idolized young
lad was a fervent Catholic.

For this son, so noble, so innocent, the baroness desired to provide a
happy life in obscurity. She expected to inherit some property, two or
three thousand pounds sterling, from an aunt. This sum, joined to the
small present fortune of the Guenics, might enable her to find a wife
for Calyste, who would bring him twelve or even fifteen thousand
francs a year. Charlotte de Kergarouet, with her aunt's fortune, a
rich Irish girl, or any other good heiress would have suited the
baroness, who seemed indifferent as to choice. She was ignorant of
love, having never known it, and, like all the other persons grouped
about her, she saw nothing in marriage but a means of fortune. Passion
was an unknown thing to these Catholic souls, these old people
exclusively concerned about salvation, God, the king, and their
property. No one should be surprised, therefore, at the foreboding
thoughts which accompanied the wounded feelings of the mother, who
lived as much for the future interests of her son as by her love for
him. If the young household would only listen to wisdom, she thought,
the coming generation of the du Guenics, by enduring privations, and
saving, as people do save in the provinces, would be able to buy back
their estates and recover, in the end, the lustre of wealth. The
baroness prayed for a long age that she might see the dawn of this
prosperous era. Mademoiselle du Guenic had understood and fully
adopted this hope which Mademoiselle des Touches now threatened to
overthrow.

The baroness heard midnight strike, with tears; her mind conceived of
many horrors during the next hour, for the clock struck one, and
Calyste was still not at home.

"Will he stay there?" she thought. "It would be the first time. Poor
child!"

At that moment Calyste's step resounded in the lane. The poor mother,
in whose heart rejoicing drove out anxiety, flew from the house to the
gate and opened it for her boy.

"Oh!" cried Calyste, in a grieved voice, "my darling mother, why did
you sit up for me? I have a pass-key and the tinder-box."

"You know very well, my child, that I cannot sleep when you are out,"
she said, kissing him.

When the baroness reached the salon, she looked at her son to
discover, if possible, from the expression of his face the events of
the evening. But he caused her, as usual, an emotion that frequency
never weakened,--an emotion which all loving mothers feel at sight of
a human masterpiece made by them; this sentiment blues their sight and
supersedes all others for the moment.

Except for the black eyes, full of energy and the heat of the sun,
which he derived from his father, Calyste in other respects resembled
his mother; he had her beautiful golden hair, her lovable mouth, the
same curving fingers, the same soft, delicate, and purely white skin.
Though slightly resembling a girl disguised as a man, his physical
strength was Herculean. His muscles had the suppleness and vigor of
steel springs, and the singularity of his black eyes and fair
complexion was by no means without charm. His beard had not yet
sprouted; this delay, it is said, is a promise of longevity. The
chevalier was dressed in a short coat of black velvet like that of his
mother's gown, trimmed with silver buttons, a blue foulard necktie,
trousers of gray jean, and a becoming pair of gaiters. His white brow
bore the signs of great fatigue, caused, to an observer's eye, by the
weight of painful thoughts; but his mother, incapable of supposing
that troubles could wring his heart, attributed his evident weariness
to passing excitement. Calyste was as handsome as a Greek god, and
handsome without conceit; in the first place, he had his mother's
beauty constantly before him, and next, he cared very little for
personal advantages which he found useless.

"Those beautiful pure cheeks," thought his mother, "where the rich
young blood is flowing, belong to another woman! she is the mistress
of that innocent brow! Ah! passion will lead to many evils; it will
tarnish the look of those eyes, moist as the eyes of an infant!"

This bitter thought wrung Fanny's heart and destroyed her pleasure.

It may seem strange to those who calculate expenses that in a family
of six persons compelled to live on three thousand francs a year the
son should have a coat and the mother a gown of velvet; but Fanny
O'Brien had aunts and rich relations in London who recalled themselves
to her remembrance by many presents. Several of her sisters, married
to great wealth, took enough interest in Calyste to wish to find him
an heiress, knowing that he, like Fanny their exiled favorite, was
noble and handsome.

"You stayed at Les Touches longer than you did last night, my dear
one," said the mother at last, in an agitated tone.

"Yes, dear mother," he answered, offering no explanation.

The curtness of this answer brought clouds to his mother's brow, and
she resolved to postpone the explanation till the morrow. When mothers
admit the anxieties which were now torturing the baroness, they
tremble before their sons; they feel instinctively the effect of the
great emancipation that comes with love; they perceive what that
sentiment is about to take from them; but they have, at the same time,
a sense of joy in knowing that their sons are happy; conflicting
feelings battle in their hearts. Though the result may be the
development of their sons into superior men, true mothers do not like
this forced abdication; they would rather keep their children small
and still requiring protection. Perhaps that is the secret of their
predilection for feeble, deformed, or weak-minded offspring.

"You are tired, dear child; go to bed," she said, repressing her
tears.

A mother who does not know all that her son is doing thinks the worst;
that is, if a mother loves as much and is as much beloved as Fanny.
But perhaps all other mothers would have trembled now as she did. The
patient care of twenty years might be rendered worthless. This human
masterpiece of virtuous and noble and religious education, Calyste,
might be destroyed; the happiness of his life, so long and carefully
prepared for, might be forever ruined by this woman.

The next day Calyste slept till mid-day, for his mother would not have
him wakened. Mariotte served the spoiled child's breakfast in his bed.
The inflexible and semi-conventual rules which regulated the hours for
meals yielded to the caprices of the chevalier. If it became desirable
to extract from Mademoiselle du Guenic her array of keys in order to
obtain some necessary article of food outside of the meal hours, there
was no other means of doing it than to make the pretext of its serving
some fancy of Calyste.

About one o'clock the baron, his wife, and Mademoiselle were seated in
the salon, for they dined at three o'clock. The baroness was again
reading the "Quotidienne" to her husband, who was always more awake
before the dinner hour. As she finished a paragraph she heard the
steps of her son on the upper floor, and she dropped the paper,
saying:--

"Calyste must be going to dine again at Les Touches; he has dressed
himself."

"He amuses himself, the dear boy," said the old sister, taking a
silver whistle from her pocket and whistling once.

Mariotte came through the tower and appeared at the door of
communication which was hidden by a silken curtain like the other
doors of the room.

"What is it?" she said; "anything wanted?"

"The chevalier dines at Les Touches; don't cook the fish."

"But we are not sure as yet," said the baroness.

"You seem annoyed, sister; I know it by the tone of your voice."

"Monsieur Grimont has heard some very grave charges against
Mademoiselle des Touches, who for the last year has so changed our
dear Calyste."

"Changed him, how?" asked the baron.

"He reads all sorts of books."

"Ah! ah!" exclaimed the baron, "so that's why he has given up hunting
and riding."

"Her morals are very reprehensible, and she has taken a man's name,"
added Madame du Guenic.

"A war name, I suppose," said the old man. "I was called 'l'Intime,'
the Comte de Fontaine 'Grand-Jacques,' the Marquis de Montauran the
'Gars.' I was the friend of Ferdinand, who never submitted, any more
than I did. Ah! those were the good times; people shot each other, but
what of that? we amused ourselves all the same, here and there."

This war memory, pushing aside paternal anxiety, saddened Fanny for a
moment. The rector's revelations, the want of confidence shown to her
by Calyste, had kept her from sleeping.

"Suppose Monsieur le chevalier does love Mademoiselle des Touches,
where's the harm?" said Mariotte. "She has thirty thousand francs a
year and she is very handsome."

"What is that you say, Mariotte?" exclaimed the old baron. "A Guenic
marry a des Touches! The des Touches were not even grooms in the days
when du Guesclin considered our alliance a signal honor."

"A woman who takes a man's name,--Camille Maupin!" said the baroness.

"The Maupins are an old family," said the baron; "they bear: gules,
three--" He stopped. "But she cannot be a Maupin and a des Touches
both," he added.

"She is called Maupin on the stage."

"A des Touches could hardly be an actress," said the old man. "Really,
Fanny, if I did not know you, I should think you were out of your
head."

"She writes plays, and books," continued the baroness.

"Books?" said the baron, looking at his wife with an air of as much
surprise as though she were telling of a miracle. "I have heard that
Mademoiselle Scudery and Madame de Sevigne wrote books, but it was not
the best thing they did."

"Are you going to dine at Les Touches, monsieur?" said Mariotte, when
Calyste entered.

"Probably," replied the young man.

Mariotte was not inquisitive; she was part of the family; and she left
the room without waiting to hear what the baroness would say to her
son.

"Are you going again to Les Touches, my Calyste?" The baroness
emphasized the /my/. "Les Touches is not a respectable or decent
house. Its mistress leads an irregular life; she will corrupt our
Calyste. Already Camille Maupin has made him read many books; he has
had adventures--You knew all that, my naughty child, and you never
said one word to your best friends!"

"The chevalier is discreet," said his father,--"a virtue of the olden
time."

"Too discreet," said the jealous mother, observing the red flush on
her son's forehead.

"My dear mother," said Calyste, kneeling down beside the baroness, "I
didn't think it necessary to publish my defeat. Mademoiselle des
Touches, or, if you choose to call her so, Camille Maupin, rejected my
love more than eighteen months ago, during her last stay at Les
Touches. She laughed at me, gently; saying she might very well be my
mother; that a woman of forty committed a sort of crime against nature
in loving a minor, and that she herself was incapable of such
depravity. She made a thousand little jokes, which hurt me--for she is
witty as an angel; but when she saw me weep hot tears she tried to
comfort me, and offered me her friendship in the noblest manner. She
has more heart than even talent; she is as generous as you are
yourself. I am now her child. On her return here lately, hearing from
her that she loves another, I have resigned myself. Do not repeat the
calumnies that have been said of her. Camille is an artist, she has
genius, she leads one of those exceptional existences which cannot be
judged like ordinary lives."

"My child," said the religious Fanny, "nothing can excuse a woman for
not conducting herself as the Church requires. She fails in her duty
to God and to society by abjuring the gentle tenets of her sex. A
woman commits a sin in even going to a theatre; but to write the
impieties that actors repeat, to roam about the world, first with an
enemy to the Pope, and then with a musician, ah! Calyste, you can
never persuade me that such acts are deeds of faith, hope, or charity.
Her fortune was given her by God to do good, and what good does she do
with hers?"

Calyste sprang up suddenly, and looked at his mother.

"Mother," he said, "Camille is my friend; I cannot hear her spoken of
in this way; I would give my very life for her."

"Your life!" said the baroness, looking at her son, with startled
eyes. "Your life is our life, the life of all of us."

"My nephew has just said many things I do not understand," said the
old woman, turning toward him.

"Where did he learn them?" said the mother; "at Les Touches."

"Yes, my darling mother; she found me ignorant as a carp, and she has
taught me."

"You knew the essential things when you learned the duties taught us
by religion," replied the baroness. "Ah! this woman is fated to
destroy your noble and sacred beliefs."

The old maid rose, and solemnly stretched forth her hands toward her
brother, who was dozing in his chair.

"Calyste," she said, in a voice that came from her heart, "your father
has never opened books, he speaks Breton, he fought for God and for
the king. Educated people did the evil, educated noblemen deserted
their land,--be educated if you choose!"

So saying, she sat down and began to knit with a rapidity which
betrayed her inward emotion.

"My angel," said the mother, weeping, "I foresee some evil coming down
upon you in that house."

"Who is making Fanny weep?" cried the old man, waking with a start at
the sound of his wife's voice. He looked round upon his sister, his
son, and the baroness. "What is the matter?" he asked.

"Nothing, my friend," replied his wife.

"Mamma," said Calyste, whispering in his mother's ear, "it is
impossible for me to explain myself just now; but to-night you and I
will talk of this. When you know all, you will bless Mademoiselle des
Touches."

"Mothers do not like to curse," replied the baroness. "I could not
curse a woman who truly loved my Calyste."

The young man bade adieu to his father and went out. The baron and his
wife rose to see him pass through the court-yard, open the gate, and
disappear. The baroness did not again take up the newspaper; she was
too agitated. In this tranquil, untroubled life such a discussion was
the equivalent of a quarrel in other homes. Though somewhat calmed,
her motherly uneasiness was not dispersed. Whither would such a
friendship, which might claim the life of Calyste and destroy it, lead
her boy? Bless Mademoiselle des Touches? how could that be? These
questions were as momentous to her simple soul as the fury of
revolutions to a statesman. Camille Maupin was Revolution itself in
that calm and placid home.

"I fear that woman will ruin him," she said, picking up the paper.

"My dear Fanny," said the old baron, with a jaunty air, "you are too
much of an angel to understand these things. Mademoiselle des Touches
is, they say, as black as a crow, as strong as a Turk, and forty years
old. Our dear Calyste was certain to fall in love with her. Of course
he will tell certain honorable little lies to conceal his happiness.
Let him alone to amuse himself with his first illusions."

"If it had been any other woman--" began the baroness.

"But, my dear Fanny, if the woman were a saint she would not accept
your son." The baroness again picked up the paper. "I will go and see
her myself," added the baron, "and tell you all about her."

This speech has no savor at the present moment. But after reading the
biography of Camille Maupin you can then imagine the old baron
entering the lists against that illustrious woman.



                                 VI

                    BIOGRAPHY OF CAMILLE MAUPIN

The town of Guerande, which for two months past had seen Calyste, its
flower and pride, going, morning or evening, often morning and
evening, to Les Touches, concluded that Mademoiselle Felicite des
Touches was passionately in love with the beautiful youth, and that
she practised upon him all kinds of sorceries. More than one young
girl and wife asked herself by what right an old woman exercised so
absolute an empire over that angel. When Calyste passed along the
Grand Rue to the Croisic gate many a regretful eye was fastened on
him.

It now became necessary to explain the rumors which hovered about the
person whom Calyste was on his way to see. These rumors, swelled by
Breton gossip, envenomed by public ignorance, had reached the rector.
The receiver of taxes, the /juge de paix/, the head of the
Saint-Nazaire custom-house and other lettered persons had not reassured
the abbe by relating to him the strange and fantastic life of the
female writer who concealed herself under the masculine name of Camille
Maupin. She did not as yet eat little children, nor kill her slaves
like Cleopatra, nor throw men into the river as the heroine of the
Tour de Nesle was falsely accused of doing; but to the Abbe Grimont
this monstrous creature, a cross between a siren and an atheist, was
an immoral combination of woman and philosopher who violated every
social law invented to restrain or utilize the infirmities of
womankind.

Just as Clara Gazul is the female pseudonym of a distinguished male
writer, George Sand the masculine pseudonym of a woman of genius, so
Camille Maupin was the mask behind which was long hidden a charming
young woman, very well-born, a Breton, named Felicite des Touches, the
person who was now causing such lively anxiety to the Baronne du
Guenic and the excellent rector of Guerande. The Breton des Touches
family has no connection with the family of the same name in Touraine,
to which belongs the ambassador of the Regent, even more famous to-day
for his writings than for his diplomatic talents.

Camille Maupin, one of the few celebrated women of the nineteenth
century, was long supposed to be a man, on account of the virility of
her first writings. All the world now knows the two volumes of plays,
not intended for representation on the stage, written after the manner
of Shakespeare or Lopez de Vega, published in 1822, which made a sort
of literary revolution when the great question of the classics and the
romanticists palpitated on all sides,--in the newspapers, at the
clubs, at the Academy, everywhere. Since then, Camille Maupin has
written several plays and a novel, which have not belied the success
obtained by her first publication--now, perhaps, too much forgotten.
To explain by what net-work of circumstances the masculine incarnation
of a young girl was brought about, why Felicite des Touches became a
man and an author, and why, more fortunate than Madame de Stael, she
kept her freedom and was thus more excusable for her celebrity, would
be to satisfy many curiosities and do justice to one of those abnormal
beings who rise in humanity like monuments, and whose fame is promoted
by its rarity,--for in twenty centuries we can count, at most, twenty
famous women. Therefore, although in these pages she stands as a
secondary character, in consideration of the fact that she plays a
great part in the literary history of our epoch, and that her
influence over Calyste was great, no one, we think, will regret being
made to pause before that figure rather longer than modern art
permits.

Mademoiselle Felicite des Touches became an orphan in 1793. Her
property escaped confiscation by reason of the deaths of her father
and brother. The first was killed on the 10th of August, at the
threshold of the palace, among the defenders of the king, near whose
person his rank as major of the guards of the gate had placed him. Her
brother, one of the body-guard, was massacred at Les Carmes.
Mademoiselle des Touches was two years old when her mother died,
killed by grief, a few days after this second catastrophe. When dying,
Madame des Touches confided her daughter to her sister, a nun of
Chelles. Madame de Faucombe, the nun, prudently took the orphan to
Faucombe, a good-sized estate near Nantes, belonging to Madame des
Touches, and there she settled with the little girl and three sisters
of her convent. The populace of Nantes, during the last days of the
Terror, tore down the chateau, seized the nuns and Mademoiselle des
Touches, and threw them into prison on a false charge of receiving
emissaries of Pitt and Coburg. The 9th Thermidor released them.
Felicite's aunt died of fear. Two of the sisters left France, and the
third confided the little girl to her nearest relation, Monsieur de
Faucombe, her maternal great-uncle, who lived in Nantes.

Monsieur de Faucombe, an old man sixty years of age, had married a
young woman to whom he left the management of his affairs. He busied
himself in archaeology,--a passion, or to speak more correctly, one of
those manias which enable old men to fancy themselves still living.
The education of his ward was therefore left to chance. Little
cared-for by her uncle's wife, a young woman given over to the social
pleasures of the imperial epoch, Felicite brought herself up as a boy.
She kept company with Monsieur de Faucombe in his library; where she
read everything it pleased her to read. She thus obtained a knowledge
of life in theory, and had no innocence of mind, though virgin
personally. Her intellect floated on the impurities of knowledge while
her heart was pure. Her learning became extraordinary, the result of a
passion for reading, sustained by a powerful memory. At eighteen years
of age she was as well-informed on all topics as a young man entering
a literary career has need to be in our day. Her prodigious reading
controlled her passions far more than conventual life would have done;
for there the imaginations of young girls run riot. A brain crammed
with knowledge that was neither digested nor classed governed the
heart and soul of the child. This depravity of the intellect, without
action upon the chastity of the body, would have amazed philosophers
and observers, had any one in Nantes even suspected the powers of
Mademoiselle des Touches.

The result of all this was in a contrary direction to the cause.
Felicite had no inclinations toward evil; she conceived everything by
thought, but abstained from deed. Old Faucombe was enchanted with her,
and she helped him in his work,--writing three of his books, which the
worthy old gentleman believed were his own; for his spiritual
paternity was blind. Such mental labor, not agreeing with the
developments of girlhood, had its effect. Felicite fell ill; her blood
was overheated, and her chest seemed threatened with inflammation. The
doctors ordered horseback exercise and the amusements of society.
Mademoiselle des Touches became, in consequence, an admirable
horsewoman, and recovered her health in a few months.

At the age of eighteen she appeared in the world, where she produced
so great a sensation that no one in Nantes called her anything else
than "the beautiful Mademoiselle des Touches." Led to enter society by
one of the imperishable sentiments in the heart of a woman, however
superior she may be, the worship she inspired found her cold and
unresponsive. Hurt by her aunt and her cousins, who ridiculed her
studies and teased her about her unwillingness for society, which they
attributed to a lack of the power of pleasing, Felicite resolved on
making herself coquettish, gay, volatile,--a woman, in short. But she
expected in return an exchange of ideas, seductions, and pleasures in
harmony with the elevation of her own mind and the extent of its
knowledge. Instead of that, she was filled with disgust for the
commonplaces of conversation, the silliness of gallantry; and more
especially was she shocked by the supremacy of military men, to whom
society made obeisance at that period. She had, not unnaturally,
neglected the minor accomplishments. Finding herself inferior to the
pretty dolls who played on the piano and made themselves agreeable by
singing ballads, she determined to be a musician. Retiring into her
former solitude she set to work resolvedly, under the direction of the
best master in the town. She was rich, and she sent for Steibelt when
the time came to perfect herself. The astonished town still talks of
this princely conduct. The stay of that master cost her twelve
thousand francs. Later, when she went to Paris, she studied harmony
and thorough-bass, and composed the music of two operas which have had
great success, though the public has never been admitted to the secret
of their authorship. Ostensibly these operas are by Conti, one of the
most eminent musicians of our day; but this circumstance belongs to
the history of her heart, and will be mentioned later on.

The mediocrity of the society of a provincial town wearied her so
excessively, her imagination was so filled with grandiose ideas that
although she returned to the salons to eclipse other women once more
by her beauty, and enjoy her new triumph as a musician, she again
deserted them; and having proved her power to her cousins, and driven
two lovers to despair, she returned to her books, her piano, the works
of Beethoven, and her old friend Faucombe. In 1812, when she was
twenty-one years of age, the old archaeologist handed over to her his
guardianship accounts. From that year, she took control of her
fortune, which consisted of fifteen thousand francs a year, derived
from Les Touches, the property of her father; twelve thousand a year
from Faucombe (which, however, she increased one-third on renewing the
leases); and a capital of three hundred thousand francs laid by during
her minority by her guardians.

Felicite acquired from her experience of provincial life, an
understanding of money, and that strong tendency to administrative
wisdom which enables the provinces to hold their own under the
ascensional movement of capital towards Paris. She drew her three
hundred thousand francs from the house of business where her guardian
had placed them, and invested them on the Grand-livre at the very
moment of the disasters of the retreat from Moscow. In this way, she
increased her income by thirty thousand francs. All expenses paid, she
found herself with fifty thousand francs a year to invest. At
twenty-one years of age a girl with such force of will is the equal of
a man of thirty. Her mind had taken a wide range; habits of criticism
enabled her to judge soberly of men, and art, and things, and public
questions. Henceforth she resolved to leave Nantes; but old Faucombe
falling ill with his last illness, she, who had been both wife and
daughter to him, remained to nurse him, with the devotion of an angel,
for eighteen months, closing his eyes at the moment when Napoleon was
struggling with all Europe on the corpse of France. Her removal to
Paris was therefore still further postponed until the close of that
crisis.

As a Royalist, she hastened to be present at the return of the
Bourbons to Paris. There the Grandlieus, to whom she was related,
received her as their guest; but the catastrophes of March 20
intervened, and her future was vague and uncertain. She was thus
enabled to see with her own eyes that last image of the Empire, and
behold the Grand Army when it came to the Champ de Mars, as to a Roman
circus, to salute its Caesar before it went to its death at Waterloo.
The great and noble soul of Felicite was stirred by that magic
spectacle. The political commotions, the glamour of that theatrical
play of three months which history has called the Hundred Days,
occupied her mind and preserved her from all personal emotions in the
midst of a convulsion which dispersed the royalist society among whom
she had intended to reside. The Grandlieus followed the Bourbons to
Ghent, leaving their house to Mademoiselle des Touches. Felicite, who
did not choose to take a subordinate position, purchased for one
hundred and thirty thousand francs one of the finest houses in the rue
Mont Blanc, where she installed herself on the return of the Bourbons
in 1815. The garden of this house is to-day worth two millions.

Accustomed to control her own life, Felicite soon familiarized herself
with the ways of thought and action which are held to be exclusively
the province of man. In 1816 she was twenty-five years old. She knew
nothing of marriage; her conception of it was wholly that of thought;
she judged it in its causes instead of its effect, and saw only its
objectionable side. Her superior mind refused to make the abdication
by which a married woman begins that life; she keenly felt the value
of independence, and was conscious of disgust for the duties of
maternity.

It is necessary to give these details to explain the anomalies
presented by the life of Camille Maupin. She had known neither father
nor mother; she had been her own mistress from childhood; her guardian
was an old archaeologist. Chance had flung her into the regions of
knowledge and of imagination, into the world of literature, instead of
holding her within the rigid circle defined by the futile education
given to women, and by maternal instructions as to dress, hypocritical
propriety, and the hunting graces of their sex. Thus, long before she
became celebrated, a glance might have told an observer that she had
never played with dolls.

Toward the close of the year 1817 Felicite des Touches began to
perceive, not the fading of her beauty, but the beginning of a certain
lassitude of body. She saw that a change would presently take place in
her person as the result of her obstinate celibacy. She wanted to
retain her youth and beauty, to which at that time she clung. Science
warned her of the sentence pronounced by Nature upon all her
creations, which perish as much by the misconception of her laws as by
the abuse of them. The macerated face of her aunt returned to her
memory and made her shudder. Placed between marriage and love, her
desire was to keep her freedom; but she was now no longer indifferent
to homage and the admiration that surrounded her. She was, at the
moment when this history begins, almost exactly what she was in 1817.
Eighteen years had passed over her head and respected it. At forty she
might have been thought no more than twenty-five.

Therefore to describe her in 1836 is to picture her as she was in
1817. Women who know the conditions of temperament and happiness in
which a woman should live to resist the ravages of time will
understand how and why Felicite des Touches enjoyed this great
privilege as they study a portrait for which were reserved the
brightest tints of Nature's palette, and the richest setting.

Brittany presents a curious problem to be solved in the predominance
of dark hair, brown eyes, and swarthy complexions in a region so near
England that the atmospheric effects are almost identical. Does this
problem belong to the great question of races? to hitherto unobserved
physical influences? Science may some day find the reason of this
peculiarity, which ceases in the adjoining province of Normandy.
Waiting its solution, this odd fact is there before our eyes; fair
complexions are rare in Brittany, where the women's eyes are as black
and lively as those of Southern women; but instead of possessing the
tall figures and swaying lines of Italy and Spain, they are usually
short, close-knit, well set-up and firm, except in the higher classes
which are crossed by their alliances.

Mademoiselle des Touches, a true Breton, is of medium height, though
she looks taller than she really is. This effect is produced by the
character of her face, which gives height to her form. She has that
skin, olive by day and dazzling by candlelight, which distinguishes a
beautiful Italian; you might, if you pleased, call it animated ivory.
The light glides along a skin of that texture as on a polished
surface; it shines; a violent emotion is necessary to bring the
faintest color to the centre of the cheeks, where it goes away almost
immediately. This peculiarity gives to her face the calm impassibility
of the savage. The face, more long than oval, resembles that of some
beautiful Isis in the Egyptian bas-reliefs; it has the purity of the
heads of sphinxes, polished by the fire of the desert, kissed by a
Coptic sun. The tones of the skin are in harmony with the faultless
modelling of the head. The black and abundant hair descends in heavy
masses beside the throat, like the coif of the statues at Memphis, and
carries out magnificently the general severity of form. The forehead
is full, broad, and swelling about the temples, illuminated by
surfaces which catch the light, and modelled like the brow of the
hunting Diana, a powerful and determined brow, silent and
self-contained. The arch of the eye-brows, vigorously drawn, surmounts
a pair of eyes whose flame scintillates at times like that of a fixed
star. The white of the eye is neither bluish, nor strewn with scarlet
threads, nor is it purely white; it has the texture of horn, but the
tone is warm. The pupil is surrounded by an orange circle; it is of
bronze set in gold, but vivid gold and animated bronze. This pupil
has depth; it is not underlaid, as in certain eyes, by a species of
foil, which sends back the light and makes such eyes resemble those of
cats or tigers; it has not that terrible inflexibility which makes a
sensitive person shudder; but this depth has in it something of the
infinite, just as the external radiance of the eyes suggests the
absolute. The glance of an observer may be lost in that soul, which
gathers itself up and retires with as much rapidity as it gushed for a
second into those velvet eyes. In moments of passion the eyes of
Camille Maupin are sublime; the gold of her glance illuminates them
and they flame. But in repose they are dull; the torpor of meditation
often lends them an appearance of stupidity[*]; in like manner, when
the glow of the soul is absent the lines of the face are sad.

[*] George Sand says of herself, in "L'Histoire de Ma Vie," published
    long after the above was written: "The habit of meditation gave me
    /l'air bete/ (a stupid air). I say the word frankly, for all my
    life I have been told this, and therefore it must be true."--TR.

The lashes of the eyelids are short, but thick and black as the tip of
an ermine's tail; the eyelids are brown and strewn with red fibrils,
which give them grace and strength,--two qualities which are seldom
united in a woman. The circle round the eyes shows not the slightest
blemish nor the smallest wrinkle. There, again, we find the granite
of an Egyptian statue softened by the ages. But the line of the
cheek-bones, though soft, is more pronounced than in other women and
completes the character of strength which the face expresses. The
nose, thin and straight, parts into two oblique nostrils, passionately
dilated at times, and showing the transparent pink of their delicate
lining. This nose is an admirable continuation of the forehead, with
which it blends in a most delicious line. It is perfectly white from
its spring to its tip, and the tip is endowed with a sort of mobility
which does marvels if Camille is indignant, or angry, or rebellious.
There, above all, as Talma once remarked, is seen depicted the anger
or the irony of great minds. The immobility of the human nostril
indicates a certain narrowness of soul; never did the nose of a miser
oscillate; it contracts like the lips; he locks up his face as he does
his money.

Camille's mouth, arching at the corners, is of a vivid red; blood
abounds there, and supplies the living, thinking oxide which gives
such seduction to the lips, reassuring the lover whom the gravity of
that majestic face may have dismayed. The upper lip is thin, the
furrow which unites it with the nose comes low, giving it a centre
curve which emphasizes its natural disdain. Camille has little to do
to express anger. This beautiful lip is supported by the strong red
breadth of its lower mate, adorable in kindness, swelling with love, a
lip like the outer petal of a pomegranate such as Phidias might have
carved, and the color of which it has. The chin is firm and rather
full; but it expresses resolution and fitly ends this profile, royal
if not divine. It is necessary to add that the upper lip beneath the
nose is lightly shaded by a charming down. Nature would have made a
blunder had she not cast that tender mist upon the face. The ears are
delicately convoluted,--a sign of secret refinement. The bust is
large, the waist slim and sufficiently rounded. The hips are not
prominent, but very graceful; the line of the thighs is magnificent,
recalling Bacchus rather than the Venus Callipyge. There we may see
the shadowy line of demarcation which separates nearly every woman of
genius from her sex; there such women are found to have a certain
vague similitude to man; they have neither the suppleness nor the soft
abandonment of those whom Nature destines for maternity; their gait is
not broken by faltering motions. This observation may be called
bi-lateral; it has its counterpart in men, whose thighs are those of
women when they are sly, cunning, false, and cowardly. Camille's neck,
instead of curving inward at the nape, curves out in a line that
unites the head to the shoulders without sinuosity, a most signal
characteristic of force. The neck itself presents at certain moments
an athletic magnificence. The spring of the arms from the shoulders,
superb in outline, seems to belong to a colossal woman. The arms are
vigorously modelled, ending in wrists of English delicacy and charming
hands, plump, dimpled, and adorned with rosy, almond-shaped nails;
these hands are of a whiteness which reveals that the body, so round,
so firm, so well set-up, is of another complexion altogether than the
face. The firm, cold carriage of the head is corrected by the mobility
of the lips, their changing expression, and the artistic play of the
nostrils.

And yet, in spite of all these promises--hidden, perhaps, from the
profane--the calm of that countenance has something, I know not what,
that is vexatious. More sad, more serious than gracious, that face is
marked by the melancholy of constant meditation. For this reason
Mademoiselle des Touches listens more than she talks. She startles by
her silence and by that deep-reaching glance of intense fixity. No
educated person could see her without thinking of Cleopatra, that dark
little woman who almost changed the face of the world. But in Camille
the natural animal is so complete, so self-sufficing, of a nature so
leonine, that a man, however little of a Turk he may be, regrets the
presence of so great a mind in such a body, and could wish that she
were wholly woman. He fears to find the strange distortion of an
abnormal soul. Do not cold analysis and matter-of-fact theory point to
passions in such a woman? Does she judge, and not feel? Or, phenomenon
more terrible, does she not feel and judge at one and the same time?
Able for all things through her brain, ought her course to be
circumscribed by the limitations of other women? Has that intellectual
strength weakened her heart? Has she no charm? Can she descend to
those tender nothings by which a woman occupies, and soothes and
interests the man she loves? Will she not cast aside a sentiment when
it no longer responds to some vision of infinitude which she grasps
and contemplates in her soul? Who can scale the heights to which her
eyes have risen? Yes, a man fears to find in such a woman something
unattainable, unpossessable, unconquerable. The woman of strong mind
should remain a symbol; as a reality she must be feared. Camille
Maupin is in some ways the living image of Schiller's Isis, seated in
the darkness of the temple, at whose feet her priests find the dead
bodies of the daring men who have consulted her.

The adventures of her life declared to be true by the world, and which
Camille has never disavowed, enforce the questions suggested by her
personal appearance. Perhaps she likes those calumnies.

The nature of her beauty has not been without its influence on her
fame; it has served it, just as her fortune and position have
maintained her in society. If a sculptor desires to make a statue of
Brittany let him take Mademoiselle des Touches for his model. That
full-blooded, powerful temperament is the only nature capable of
repelling the action of time. The constant nourishment of the pulp, so
to speak, of that polished skin is an arm given to women by Nature to
resist the invasion of wrinkles; in Camille's case it was aided by the
calm impassibility of her features.

In 1817 this charming young woman opened her house to artists, authors
of renown, learned and scientific men, and publicists,--a society
toward which her tastes led her. Her salon resembled that of Baron
Gerard, where men of rank mingled with men of distinction of all
kinds, and the elite of Parisian women came. The parentage of
Mademoiselle des Touches, and her fortune, increased by that of her
aunt the nun, protected her in the attempt, always very difficult in
Paris, to create a society. Her worldly independence was one reason of
her success. Various ambitious mothers indulged in the hope of
inducing her to marry their sons, whose fortunes were out of
proportion to the age of their escutcheons. Several peers of France,
allured by the prospect of eighty thousand francs a year and a house
magnificently appointed, took their womenkind, even the most
fastidious and intractable, to visit her. The diplomatic world, always
in search of amusements of the intellect, came there and found
enjoyment. Thus Mademoiselle des Touches, surrounded by so many forms
of individual interests, was able to study the different comedies
which passion, covetousness, and ambition make the generality of men
perform,--even those who are highest in the social scale. She saw,
early in life, the world as it is; and she was fortunate enough not to
fall early into absorbing love, which warps the mind and faculties of
a woman and prevents her from judging soberly.

Ordinarily a woman feels, enjoys, and judges, successively; hence
three distinct ages, the last of which coincides with the mournful
period of old age. In Mademoiselle des Touches this order was
reversed. Her youth was wrapped in the snows of knowledge and the ice
of reflection. This transposition is, in truth, an additional
explanation of the strangeness of her life and the nature of her
talent. She observed men at an age when most women can only see one
man; she despised what other women admired; she detected falsehood in
the flatteries they accept as truths; she laughed at things that made
them serious. This contradiction of her life with that of others
lasted long; but it came to a terrible end; she was destined to find
in her soul a first love, young and fresh, at an age when women are
summoned by Nature to renounce all love.

Meantime, a first affair in which she was involved has always remained
a secret from the world. Felicite, like other women, was induced to
believe that beauty of body was that of soul. She fell in love with a
face, and learned, to her cost, the folly of a man of gallantry, who
saw nothing in her but a mere woman. It was some time before she
recovered from the disgust she felt at this episode. Her distress was
perceived by a friend, a man, who consoled her without personal
after-thought, or, at any rate, he concealed any such motive if he had
it. In him Felicite believed she found the heart and mind which were
lacking to her former lover. He did, in truth, possess one of the most
original minds of our age. He, too, wrote under a pseudonym, and his
first publications were those of an adorer of Italy. Travel was the
one form of education which Felicite lacked. A man of genius, a poet
and a critic, he took Felicite to Italy in order to make known to her
that country of all Art. This celebrated man, who is nameless, may be
regarded as the master and maker of "Camille Maupin." He bought into
order and shape the vast amount of knowledge already acquired by
Felicite; increased it by study of the masterpieces with which Italy
teems; gave her the frankness, freedom, and grace, epigrammatic, and
intense, which is the character of his own talent (always rather
fanciful as to form) which Camille Maupin modified by delicacy of
sentiment and the softer terms of thought that are natural to a woman.
He also roused in her a taste for German and English literature and
made her learn both languages while travelling. In Rome, in 1820,
Felicite was deserted for an Italian. Without that misery she might
never have been celebrated. Napoleon called misfortune the midwife of
genius. This event filled Mademoiselle des Touches, and forever, with
that contempt for men which later was to make her so strong. Felicite
died, Camille Maupin was born.

She returned to Paris with Conti, the great musician, for whom she
wrote the librettos of two operas. But she had no more illusions, and
she became, at heart, unknown to the world, a sort of female Don Juan,
without debts and without conquests. Encouraged by success, she
published the two volumes of plays which at once placed the name of
Camille Maupin in the list of illustrious anonymas. Next, she related
her betrayed and deluded love in a short novel, one of the
masterpieces of that period. This book, of a dangerous example, was
classed with "Adolphe," a dreadful lamentation, the counterpart of
which is found in Camille's work. The true secret of her literary
metamorphosis and pseudonym has never been fully understood. Some
delicate minds have thought it lay in a feminine desire to escape fame
and remain obscure, while offering a man's name and work to criticism.

In spite of any such desire, if she had it, her celebrity increased
daily, partly through the influence of her salon, partly from her own
wit, the correctness of her judgments, and the solid worth of her
acquirements. She became an authority; her sayings were quoted; she
could no longer lay aside at will the functions with which Parisian
society invested her. She came to be an acknowledged exception. The
world bowed before the genius and position of this strange woman; it
recognized and sanctioned her independence; women admired her mind,
men her beauty. Her conduct was regulated by all social conventions.
Her friendships seemed purely platonic. There was, moreover, nothing
of the female author about her. Mademoiselle des Touches is charming
as a woman of the world,--languid when she pleases, indolent,
coquettish, concerned about her toilet, pleased with the airy nothings
so seductive to women and to poets. She understands very well that
after Madame de Stael there is no place in this century for a Sappho,
and that Ninon could not exist in Paris without /grands seigneurs/ and
a voluptuous court. She is the Ninon of the intellect; she adores Art
and artists; she goes from the poet to the musician, from the sculptor
to the prose-writer. Her heart is noble, endowed with a generosity
that makes her a dupe; so filled is she with pity for sorrow,--filled
also with contempt for the prosperous. She has lived since 1830, the
centre of a choice circle, surrounded by tried friends who love her
tenderly and esteem each other. Far from the noisy fuss of Madame de
Stael, far from political strifes, she jokes about Camille Maupin,
that junior of George Sand (whom she calls her brother Cain), whose
recent fame has now eclipsed her own. Mademoiselle des Touches admires
her fortunate rival with angelic composure, feeling no jealousy and no
secret vexation.

Until the period when this history begins, she had led as happy a life
as a woman strong enough to protect herself can be supposed to live.
From 1817 to 1834 she had come some five or six times to Les Touches.
Her first stay was after her first disillusion in 1818. The house was
uninhabitable, and she sent her man of business to Guerande and took a
lodging for herself in the village. At that time she had no suspicion
of her coming fame; she was sad, she saw no one; she wanted, as it
were, to contemplate herself after her great disaster. She wrote to
Paris to have the furniture necessary for a residence at Les Touches
sent down to her. It came by a vessel to Nantes, thence by small boats
to Croisic, from which little place it was transported, not without
difficulty, over the sands to Les Touches. Workmen came down from
Paris, and before long she occupied Les Touches, which pleased her
immensely. She wanted to meditate over the events of her life, like a
cloistered nun.

At the beginning of the winter she returned to Paris. The little town
of Guerande was by this time roused to diabolical curiosity; its whole
talk was of the Asiatic luxury displayed at Les Touches. Her man of
business gave orders after her departure that visitors should be
admitted to view the house. They flocked from the village of Batz,
from Croisic, and from Savenay, as well as from Guerande. This public
curiosity brought in an enormous sum to the family of the porter and
gardener, not less, in two years, than seventeen francs.

After this, Mademoiselle des Touches did not revisit Les Touches for
two years, not until her return from Italy. On that occasion she came
by way of Croisic and was accompanied by Conti. It was some time
before Guerande became aware of her presence. Her subsequent
apparitions at Les Touches excited comparatively little interest. Her
Parisian fame did not precede her; her man of business alone knew the
secret of her writings and of her connection with the celebrity of
Camille Maupin. But at the period of which we are now writing the
contagion of the new ideas had made some progress in Guerande, and
several persons knew of the dual form of Mademoiselle des Touches'
existence. Letters came to the post-office, directed to Camille Maupin
at Les Touches. In short, the veil was rent away. In a region so
essentially Catholic, archaic, and full of prejudice, the singular
life of this illustrious woman would of course cause rumors, some of
which, as we have seen, had reached the ears of the Abbe Grimont and
alarmed him; such a life could never be comprehended in Guerande; in
fact, to every mind, it seemed unnatural and improper.

Felicite, during her present stay, was not alone in Les Touches. She
had a guest. That guest was Claude Vignon, a scornful and powerful
writer who, though doing criticism only, has found means to give the
public and literature the impression of a certain superiority.
Mademoiselle des Touches had received this writer for the last seven
years, as she had so many other authors, journalists, artists, and men
of the world. She knew his nerveless nature, his laziness, his utter
penury, his indifference and disgust for all things, and yet by the
way she was now conducting herself she seemed inclined to marry him.
She explained her conduct, incomprehensible to her friends, in various
ways,--by ambition, by the dread she felt of a lonely old age; she
wanted to confide her future to a superior man, to whom her fortune
would be a stepping-stone, and thus increase her own importance in the
literary world.

With these apparent intentions she had brought Claude Vignon from
Paris to Les Touches, as an eagle bears away a kid in its talons,--to
study him, and decide upon some positive course. But, in truth, she
was misleading both Calyste and Claude; she was not even thinking of
marriage; her heart was in the throes of the most violent convulsion
that could agitate a soul as strong as hers. She found herself the
dupe of her own mind; too late she saw life lighted by the sun of
love, shining as love shines in a heart of twenty.

Let us now see Camille's convent where this was happening.



                                VII

                            LES TOUCHES

A few hundred yards from Guerande the soil of Brittany comes to an
end; the salt-marshes and the sandy dunes begin. We descend into a
desert of sand, which the sea has left for a margin between herself
and earth, by a rugged road through a ravine that has never seen a
carriage. This desert contains waste tracts, ponds of unequal size,
round the shores of which the salt is made on muddy banks, and a
little arm of the sea which separates the mainland from the island of
Croisic. Geographically, Croisic is really a peninsula; but as it
holds to Brittany only by the beaches which connect it with the
village of Batz (barren quicksands very difficult to cross), it may be
more correct to call it an island.

At the point where the road from Croisic to Guerande turns off from
the main road of /terra firma/, stands a country-house, surrounded by
a large garden, remarkable for its trimmed and twisted pine-trees,
some being trained to the shape of sun-shades, others, stripped of
their branches, showing their reddened trunks in spots where the bark
has peeled. These trees, victims of hurricanes, growing against wind
and tide (for them the saying is literally true), prepare the mind for
the strange and depressing sight of the marshes and dunes, which
resemble a stiffened ocean. The house, fairly well built of a species
of slaty stone with granite courses, has no architecture; it presents
to the eye a plain wall with windows at regular intervals. These
windows have small leaded panes on the ground-floor and large panes on
the upper floor. Above are the attics, which stretch the whole length
of an enormously high pointed roof, with two gables and two large
dormer windows on each side of it. Under the triangular point of each
gable a circular window opens its cyclopic eye, westerly to the sea,
easterly on Guerande. One facade of the house looks on the road to
Guerande, the other on the desert at the end of which is Croisic;
beyond that little town is the open sea. A brook escapes through an
opening in the park wall which skirts the road to Croisic, crosses the
road, and is lost in the sands beyond it.

The grayish tones of the house harmonize admirably with the scene it
overlooks. The park is an oasis in the surrounding desert, at the
entrance of which the traveller comes upon a mud-hut, where the
custom-house officials lie in wait for him. This house without land
(for the bulk of the estate is really in Guerande) derives an income
from the marshes and a few outlying farms of over ten thousand francs
a year. Such is the fief of Les Touches, from which the Revolution
lopped its feudal rights. The /paludiers/, however, continue to call
it "the chateau," and they would still say "seigneur" if the fief were
not now in the female line. When Felicite set about restoring Les
Touches, she was careful, artist that she is, not to change the
desolate exterior which gives the look of a prison to the isolated
structure. The sole change was at the gate, which she enlivened by two
brick columns supporting an arch, beneath which carriages pass into
the court-yard where she planted trees.

The arrangement of the ground-floor is that of nearly all country
houses built a hundred years ago. It was, evidently, erected on the
ruins of some old castle formerly perched there. A large panelled
entrance-hall has been turned by Felicite into a billiard-room; from
it opens an immense salon with six windows, and the dining-room. The
kitchen communicates with the dining-room through an office. Camille
has displayed a noble simplicity in the arrangement of this floor,
carefully avoiding all splendid decoration. The salon, painted gray,
is furnished in old mahogany with green silk coverings. The furniture
of the dining-room comprises four great buffets, also of mahogany,
chairs covered with horsehair, and superb engravings by Audran in
mahogany frames. The old staircase, of wood with heavy balusters, is
covered all over with a green carpet.

On the floor above are two suites of rooms separated by the staircase.
Mademoiselle des Touches has taken for herself the one that looks
toward the sea and the marshes, and arranged it with a small salon, a
large chamber, and two cabinets, one for a dressing-room, the other
for a study and writing-room. The other suite, she has made into two
separate apartments for guests, each with a bedroom, an antechamber,
and a cabinet. The servants have rooms in the attic. The rooms for
guests are furnished with what is strictly necessary, and no more. A
certain fantastic luxury has been reserved for her own apartment. In
that sombre and melancholy habitation, looking out upon the sombre and
melancholy landscape, she wanted the most fantastic creations of art
that she could find. The little salon is hung with Gobelin tapestry,
framed in marvellously carved oak. The windows are draped with the
heavy silken hangings of a past age, a brocade shot with crimson and
gold against green and yellow, gathered into mighty pleats and trimmed
with fringes and cords and tassels worthy of a church. This salon
contains a chest or cabinet worth in these days seven or eight
thousand francs, a carved ebony table, a secretary with many drawers,
inlaid with arabesques of ivory and bought in Venice, with other noble
Gothic furniture. Here too are pictures and articles of choice
workmanship bought in 1818, at a time when no one suspected the
ultimate value of such treasures. Her bedroom is of the period of
Louis XV. and strictly exact to it. Here we see the carved wooden
bedstead painted white, with the arched head-board surmounted by
Cupids scattering flowers, and the canopy above it adorned with
plumes; the hangings of blue silk; the Pompadour dressing-table with
its laces and mirror; together with bits of furniture of singular
shape,--a "duchesse," a chaise-longue, a stiff little sofa,--with
window-curtains of silk, like that of the furniture, lined with pink
satin, and caught back with silken ropes, and a carpet of Savonnerie;
in short, we find here all those elegant, rich, sumptuous, and dainty
things in the midst of which the women of the eighteenth century lived
and made love.

The study, entirely of the present day, presents, in contrast with the
Louis XV. gallantries, a charming collection of mahogany furniture; it
resembles a boudoir; the bookshelves are full, but the fascinating
trivialities of a woman's existence encumber it; in the midst of which
an inquisitive eye perceives with uneasy surprise pistols, a narghile,
a riding-whip, a hammock, a rifle, a man's blouse, tobacco, pipes, a
knapsack,--a bizarre combination which paints Felicite.

Every great soul, entering that room, would be struck with the
peculiar beauty of the landscape which spreads its broad savanna
beyond the park, the last vegetation on the continent. The melancholy
squares of water, divided by little paths of white salt crust, along
which the salt-makers pass (dressed in white) to rake up and gather
the salt into /mulons/; a space which the saline exhalations prevent
all birds from crossing, stifling thus the efforts of botanic nature;
those sands where the eye is soothed only by one little hardy
persistent plant bearing rosy flowers and the Chartreux pansy; that
lake of salt water, the sandy dunes, the view of Croisic, a miniature
town afloat like Venice on the sea; and, finally the mighty ocean
tossing its foaming fringe upon the granite rocks as if the better to
bring out their weird formations--that sight uplifts the mind although
it saddens it; an effect produced at last by all that is sublime,
creating a regretful yearning for things unknown and yet perceived by
the soul on far-off heights. These wild and savage harmonies are for
great spirits and great sorrows only.

This desert scene, where at times the sun rays, reflected by the
water, by the sands, whitened the village of Batz and rippled on the
roofs of Croisic with pitiless brilliancy, filled Camille's dreaming
mind for days together. She seldom looked to the cool, refreshing
scenes, the groves, the flowery meadows around Guerande. Her soul was
struggling to endure a horrible inward anguish.

No sooner did Calyste see the vanes of the two gables shooting up
beyond the furze of the roadside and the distorted heads of the pines,
than the air seemed lighter; Guerande was a prison to him; his life
was at Les Touches. Who will not understand the attraction it
presented to a youth in his position. A love like that of Cherubin,
had flung him at the feet of a person who was a great and grand thing
to him before he thought of her as a woman, and it had survived the
repeated and inexplicable refusals of Felicite. This sentiment, which
was more the need of loving than love itself, had not escaped the
terrible power of Camille for analysis; hence, possibly, her
rejection,--a generosity unperceived, of course, by Calyste.

At Les Touches were displayed to the ravished eyes of the ignorant
young countryman, the riches of a new world; he heard, as it were,
another language, hitherto unknown to him and sonorous. He listened to
the poetic sounds of the finest music, that surpassing music of the
nineteenth century, in which melody and harmony blend or struggle on
equal terms,--a music in which song and instrumentation have reached a
hitherto unknown perfection. He saw before his eyes the works of
modern painters, those of the French school, to-day the heir of Italy,
Spain, and Flanders, in which talent has become so common that hearts,
weary of talent, are calling aloud for genius. He read there those
works of imagination, those amazing creations of modern literature
which produced their full effect upon his unused heart. In short, the
great Nineteenth Century appeared to him, in all its collective
magnificence, its criticising spirit, its desires for renovation in
all directions, and its vast efforts, nearly all of them on the scale
of the giant who cradled the infancy of the century in his banners and
sang to it hymns with the lullaby of cannon.

Initiated by Felicite into the grandeur of all these things, which
may, perhaps, escape the eyes of those who work them, Calyste
gratified at Les Touches the taste for the glorious, powerful at his
age, and that artless admiration, the first love of adolescence, which
is always irritated by criticism. It is so natural that flame should
rise! He listened to that charming Parisian raillery, that graceful
satire which revealed to him French wit and the qualities of the
French mind, and awakened in him a thousand ideas, which might have
slumbered forever in the soft torpor of his family life. For him,
Mademoiselle des Touches was the mother of his intellect. She was so
kind to him; a woman is always adorable to a man in whom she inspires
love, even when she seems not to share it.

At the present time Felicite was giving him music-lessons. To him the
grand apartments on the lower floor, and her private rooms above, so
coquettish, so artistic, were vivified, were animated by a light, a
spirit, a supernatural atmosphere, strange and undefinable. The modern
world with its poesy was sharply contrasted with the dull and
patriarchal world of Guerande, in the two systems brought face to face
before him. On one side all the thousand developments of Art, on the
other the sameness of uncivilized Brittany. No one will therefore ask
why the poor lad, bored like his mother with the pleasures of
/mouche/, quivered as he approached the house, and rang the bell, and
crossed the court-yard. Such emotions, we may remark, do not assail a
mature man, trained to the ups and downs of life, whom nothing
surprises, being prepared for all.

As the door opened, Calyste, hearing the sound of the piano, supposed
that Camille was in the salon; but when he entered the billiard-hall
he no longer heard it. Camille, he thought, must be playing on a small
upright piano brought by Conti from England and placed by her in her
own little salon. He began to run up the stairs, where the thick
carpet smothered the sound of his steps; but he went more slowly as he
neared the top, perceiving something unusual and extraordinary about
the music. Felicite was playing for herself only; she was communing
with her own being.

Instead of entering the room, the young man sat down upon a Gothic
seat covered with green velvet, which stood on the landing beneath a
window artistically framed in carved woods stained and varnished.
Nothing was ever more mysteriously melancholy than Camille's
improvisation; it seemed like the cry of a soul /de profundis/ to God
--from the depths of a grave! The heart of the young lover recognized
the cry of despairing love, the prayer of a hidden plaint, the groan
of repressed affliction. Camille had varied, modified, and lengthened
the introduction to the cavatina: "Mercy for thee, mercy for me!"
which is nearly the whole of the fourth act of "Robert le Diable." She
now suddenly sang the words in a heart-rending manner, and then as
suddenly interrupted herself. Calyste entered, and saw the reason.
Poor Camille Maupin! poor Felicite! She turned to him a face bathed
with tears, took out her handkerchief and dried them, and said,
simply, without affectation, "Good-morning." She was beautiful as she
sat there in her morning gown. On her head was one of those red
chenille nets, much worn in those days, through which the coils of her
black hair shone, escaping here and there. A short upper garment made
like a Greek peplum gave to view a pair of cambric trousers with
embroidered frills, and the prettiest of Turkish slippers, red and
gold.

"What is the matter?" cried Calyste.

"He has not returned," she replied, going to a window and looking out
upon the sands, the sea and the marshes.

This answer explained all. Camille was awaiting Claude Vignon.

"You are anxious about him?" asked Calyste.

"Yes," she answered, with a sadness the lad was too ignorant to
analyze.

He started to leave the room.

"Where are you going?" she asked.

"To find him," he replied.

"Dear child!" she said, taking his hand and drawing him toward her
with one of those moist glances which are to a youthful soul the best
of recompenses. "You are distracted! Where could you find him on that
wide shore?"

"I will find him."

"Your mother would be in mortal terror. Stay. Besides, I choose it,"
she said, making him sit down upon the sofa. "Don't pity me. The tears
you see are the tears a woman likes to shed. We have a faculty that is
not in man,--that of abandoning ourselves to our nervous nature and
driving our feelings to an extreme. By imagining certain situations
and encouraging the imagination we end in tears, and sometimes in
serious states of illness or disorder. The fancies of women are not
the action of the mind; they are of the heart. You have come just in
time; solitude is bad for me. I am not the dupe of his professed
desire to go to Croisic and see the rocks and the dunes and the
salt-marshes without me. He meant to leave us alone together; he is
jealous, or, rather, he pretends jealousy, and you are young, you are
handsome."

"Why not have told me this before? What must I do? must I stay away?"
asked Calyste, with difficulty restraining his tears, one of which
rolled down his cheek and touched Felicite deeply.

"You are an angel!" she cried. Then she gaily sang the "Stay! stay!"
of Matilde in "Guillaume Tell," taking all gravity from that
magnificent answer of the princess to her subject. "He only wants to
make me think he loves me better than he really does," she said. "He
knows how much I desire his happiness," she went on, looking
attentively at Calyste. "Perhaps he feels humiliated to be inferior to
me there. Perhaps he has suspicions about you and means to surprise
us. But even if his only crime is to take his pleasure without me, and
not to associate me with the ideas this new place gives him, is not
that enough? Ah! I am no more loved by that great brain than I was by
the musician, by the poet, by the soldier! Sterne is right; names
signify much; mine is a bitter sarcasm. I shall die without finding in
any man the love which fills my heart, the poesy that I have in my
soul--"

She stopped, her arms pendant, her head lying back on the cushions,
her eyes, stupid with thought, fixed on a pattern of the carpet. The
pain of great minds has something grandiose and imposing about it; it
reveals a vast extent of soul which the thought of the spectator
extends still further. Such souls share the privileges of royalty
whose affections belong to a people and so affect a world.

"Why did you reject my--" said Calyste; but he could not end his
sentence. Camille's beautiful hand laid upon his eloquently
interrupted him.

"Nature changed her laws in granting me a dozen years of youth beyond
my due," she said. "I rejected your love from egotism. Sooner or later
the difference in our ages must have parted us. I am thirteen years
older than /he/, and even that is too much."

"You will be beautiful at sixty," cried Calyste, heroically.

"God grant it," she answered, smiling. "Besides, dear child, I /want/
to love. In spite of his cold heart, his lack of imagination, his
cowardly indifference, and the envy which consumes him, I believe
there is greatness behind those tatters; I hope to galvanize that
heart, to save him from himself, to attach him to me. Alas! alas! I
have a clear-seeing mind, but a blind heart."

She was terrible in her knowledge of herself. She suffered and
analyzed her feelings as Cuvier and Dupuytren explained to friends the
fatal advance of their disease and the progress that death was making
in their bodies. Camille Maupin knew the passion within her as those
men of science knew their own anatomy.

"I have brought him here to judge him, and he is already bored," she
continued. "He pines for Paris, I tell him; the nostalgia of criticism
is on him; he has no author to pluck, no system to undermine, no poet
to drive to despair, and he dares not commit some debauch in this
house which might lift for a moment the burden of his ennui. Alas! my
love is not real enough, perhaps, to soothe his brain; I don't
intoxicate him! Make him drunk at dinner to-night and I shall know if
I am right. I will say I am ill, and stay in my own room."

Calyste turned scarlet from his neck to his forehead; even his ears
were on fire.

"Oh! forgive me," she cried. "How can I heedlessly deprave your
girlish innocence! Forgive me, Calyste--" She paused. "There are some
superb, consistent natures who say at a certain age: 'If I had my life
to live over again, I would so the same things.' I who do not think
myself weak, I say, 'I would be a woman like your mother, Calyste.' To
have a Calyste, oh! what happiness! I could be a humble and submissive
woman--And yet, I have done no harm except to myself. But alas! dear
child, a woman cannot stand alone in society except it be in what is
called a primitive state. Affections which are not in harmony with
social or with natural laws, affections that are not obligatory, in
short, escape us. Suffering for suffering, as well be useful where we
can. What care I for those children of my cousin Faucombe? I have not
seen them these twenty years, and they are married to merchants. You
are my son, who have never cost me the miseries of motherhood; I shall
leave you my fortune and make you happy--at least, so far as money can
do so, dear treasure of beauty and grace that nothing should ever
change or blast."

"You would not take my love," said Calyste, "and I shall return your
fortune to your heirs."

"Child!" answered Camille, in a guttural voice, letting the tears roll
down her cheeks. "Will nothing save me from myself?" she added,
presently.

"You said you had a history to tell me, and a letter to--" said the
generous youth, wishing to divert her thoughts from her grief; but she
did not let him finish.

"You are right to remind me of that. I will be an honest woman before
all else. I will sacrifice no one--Yes, it was too late, yesterday,
but to-day we have time," she said, in a cheerful tone. "I will keep
my promise; and while I tell you that history I will sit by the window
and watch the road to the marshes."

Calyste arranged a great Gothic chair for her near the window, and
opened one of the sashes. Camille Maupin, who shared the oriental
taste of her illustrious sister-author, took a magnificent Persian
narghile, given to her by an ambassador. She filled the nipple with
patchouli, cleaned the /bochettino/, perfumed the goose-quill, which
she attached to the mouthpiece and used only once, set fire to the
yellow leaves, placing the vase with its long neck enamelled in blue
and gold at some distance from her, and rang the bell for tea.

"Will you have cigarettes?--Ah! I am always forgetting that you do not
smoke. Purity such as yours is so rare! The hand of Eve herself, fresh
from the hand of her Maker, is alone innocent enough to stroke your
cheek."

Calyste colored; sitting down on a stool at Camille's feet, he did not
see the deep emotion that seemed for a moment to overcome her.



                                VIII

                        LA MARQUISE BEATRIX

"I promised you this tale of the past, and here it is," said Camille.
"The person from whom I received that letter yesterday, and who may be
here to-morrow, is the Marquise de Rochefide. The old marquis (whose
family is not as old as yours), after marrying his eldest daughter to
a Portuguese grandee, was anxious to find an alliance among the higher
nobility for his son, in order to obtain for him the peerage he had
never been able to get for himself. The Comtesse de Montcornet told
him of a young lady in the department of the Orne, a Mademoiselle
Beatrix-Maximilienne-Rose de Casteran, the youngest daughter of the
Marquis de Casteran, who wished to marry his two daughters without
dowries in order to reserve his whole fortune for the Comte de
Casteran, his son. The Casterans are, it seems, of the bluest blood.
Beatrix, born and brought up at the chateau de Casteran, was twenty
years old at the time of her marriage in 1828. She was remarkable for
what you provincials call originality, which is simply independence of
ideas, enthusiasm, a feeling for the beautiful, and a certain impulse
and ardor toward the things of Art. You may believe a poor woman who
has allowed herself to be drawn along the same lines, there is nothing
more dangerous for a woman. If she follows them, they lead her where
you see me, and where the marquise came,--to the verge of abysses. Men
alone have the staff on which to lean as they skirt those precipices,
--a force which is lacking to most women, but which, if we do possess
it, makes abnormal beings of us. Her old grandmother, the dowager de
Casteran, was well pleased to see her marry a man to whom she was
superior in every way. The Rochefides were equally satisfied with the
Casterans, who connected them with the Verneuils, the d'Esgrignons,
the Troisvilles, and gave them a peerage for their son in that last
big batch of peers made by Charles X., but revoked by the revolution
of July. The first days of marriage are perilous for little minds as
well as for great loves. Rochefide, being a fool, mistook his wife's
ignorance for coldness; he classed her among frigid, lymphatic women,
and made that an excuse to return to his bachelor life, relying on the
coldness of the marquise, her pride, and the thousand barriers that
the life of a great lady sets up about a woman in Paris. You'll know
what I mean when you go there. People said to Rochefide: 'You are very
lucky to possess a cold wife who will never have any but head
passions. She will always be content if she can shine; her fancies are
purely artistic, her desires will be satisfied if she can make a
salon, and collect about her distinguished minds; her debauches will
be in music and her orgies literary.' Rochefide, however, is not an
ordinary fool; he has as much conceit and vanity as a clever man,
which gives him a mean and squinting jealousy, brutal when it comes to
the surface, lurking and cowardly for six months, and murderous the
seventh. He thought he was deceiving his wife, and yet he feared her,
--two causes for tyranny when the day came on which the marquise let
him see that she was charitably assuming indifference to his
unfaithfulness. I analyze all this in order to explain her conduct.
Beatrix had the keenest admiration for me; there is but one step,
however, from admiration to jealousy. I have one of the most
remarkable salons in Paris; she wished to make herself another; and in
order to do so she attempted to draw away my circle. I don't know how
to keep those who wish to leave me. She obtained the superficial
people who are friends with every one from mere want of occupation,
and whose object is to get out of a salon as soon as they have entered
it; but she did not have time to make herself a real society. In those
days I thought her consumed with a desire for celebrity of one kind or
another. Nevertheless, she has really much grandeur of soul, a regal
pride, distinct ideas, and a marvellous facility for apprehending and
understanding all things; she can talk metaphysics and music, theology
and painting. You will see her, as a mature woman, what the rest of us
saw her as a bride. And yet there is something of affectation about
her in all this. She has too much the air of knowing abstruse things,
--Chinese, Hebrew, hieroglyphics perhaps, or the papyrus that they
wrapped round mummies. Personally, Beatrix is one of those blondes
beside whom Eve the fair would seem a Negress. She is slender and
straight and white as a church taper; her face is long and pointed;
the skin is capricious, to-day like cambric, to-morrow darkened with
little speckles beneath its surface, as if her blood had left a
deposit of dust there during the night. Her forehead is magnificent,
though rather daring. The pupils of her eyes are pale sea-green,
floating on their white balls under thin lashes and lazy eyelids. Her
eyes have dark rings around them often; her nose, which describes
one-quarter of a circle, is pinched about the nostrils; very shrewd and
clever, but supercilious. She has an Austrian mouth; the upper lip has
more character than the lower, which drops disdainfully. Her pale
cheeks have no color unless some very keen emotion moves her. Her chin
is rather fat; mine is not thin, and perhaps I do wrong to tell you
that women with fat chins are exacting in love. She has one of the
most exquisite waists I ever saw; the shoulders are beautiful, but the
bust has not developed as well, and the arms are thin. She has,
however, an easy carriage and manner, which redeems all such defects
and sets her beauties in full relief. Nature has given her that
princess air which can never be acquired; it becomes her, and reveals
at sudden moments the woman of high birth. Without being faultlessly
beautiful, or prettily pretty, she produces, when she chooses,
ineffaceable impressions. She has only to put on a gown of cherry
velvet with clouds of lace, and wreathe with roses that angelic hair
of hers, which resembles floods of light, and she becomes divine. If,
on some excuse or other, she could wear the costume of the time when
women had long, pointed bodices, rising, slim and slender, from
voluminous brocaded skirts with folds so heavy that they stood alone,
and could hide her arms in those wadded sleeves with ruffles, from
which the hand comes out like a pistil from a calyx, and could fling
back the curls of her head into the jewelled knot behind her head,
Beatrix would hold her own victoriously with ideal beauties like
/that/--"

And Felicite showed Calyste a fine copy of a picture by Mieris, in
which was a woman robed in white satin, standing with a paper in her
hand, and singing with a Brabancon seigneur, while a Negro beside them
poured golden Spanish wine into a goblet, and the old housekeeper in
the background arranged some biscuits.

"Fair women, blonds," said Camille, "have the advantage over us poor
brown things of a precious diversity; there are a hundred ways for a
blonde to charm, and only one for a brunette. Besides, blondes are
more womanly; we are too like men, we French brunettes--Well, well!"
she cried, "pray don't fall in love with Beatrix from the portrait I
am making of her, like that prince, I forget his name, in the Arabian
Nights. You would be too late, my dear boy."

These words were said pointedly. The admiration depicted on the young
man's face was more for the picture than for the painter whose /faire/
was failing of its purpose. As she spoke, Felicite was employing all
the resources of her eloquent physiognomy.

"Blond as she is, however," she went on, "Beatrix has not the grace of
her color; her lines are severe; she is elegant, but hard; her face
has a harsh contour, though at times it reveals a soul with Southern
passions; an angel flashes out and then expires. Her eyes are thirsty.
She looks best when seen full face; the profile has an air of being
squeezed between two doors. You will see if I am mistaken. I will tell
you now what made us intimate friends. For three years, from 1828 to
1831, Beatrix, while enjoying the last fetes of the Restoration,
making the round of the salons, going to court, taking part in the
fancy-balls of the Elysee-Bourbon, was all the while judging men, and
things, events, and life itself, from the height of her own thought.
Her mind was busy. These first years of the bewilderment the world
caused her prevented her heart from waking up. From 1830 to 1831 she
spent the time of the revolutionary disturbance at her husband's
country-place, where she was bored like a saint in paradise. On her
return to Paris she became convinced, perhaps justly, that the
revolution of July, in the minds of some persons purely political,
would prove to be a moral revolution. The social class to which she
belonged, not being able, during its unhoped-for triumph in the
fifteen years of the Restoration to reconstruct itself, was about to
go to pieces, bit by bit, under the battering-ram of the bourgeoisie.
She heard the famous words of Monsieur Laine: 'Kings are departing!'
This conviction, I believe was not without its influence on her
conduct. She took an intellectual part in the new doctrines, which
swarmed, during the three years succeeding July, 1830, like gnats in
the sunshine, and turned some female heads. But, like all nobles,
Beatrix, while thinking these novel ideals superb, wanted always to
protect the nobility. Finding before long that there was no place in
this new regime for individual superiority, seeing that the higher
nobility were beginning once more the mute opposition it had formerly
made to Napoleon,--which was, in truth, its wisest course under an
empire of deeds and facts, but which in an epoch of moral causes was
equivalent to abdication,--she chose personal happiness rather than
such eclipse. About the time we were all beginning to breathe again,
Beatrix met at my house a man with whom I had expected to end my days,
--Gennaro Conti, the great composer, a man of Neapolitan origin,
though born in Marseilles. Conti has a brilliant mind; as a composer
he has talent, though he will never attain to the first rank. Without
Rossini, without Meyerbeer, he might perhaps have been taken for a man
of genius. He has one advantage over those men,--he is in vocal music
what Paganini is on the violin, Liszt on the piano, Taglioni in the
ballet, and what the famous Garat was; at any rate he recalls that
great singer to those who knew him. His is not a voice, my friend, it
is a soul. When its song replies to certain ideas, certain states of
feeling difficult to describe in which a woman sometimes finds
herself, that woman is lost. The marquise conceived the maddest
passion for him, and took him from me. The act was provincial, I
allow, but it was all fair play. She won my esteem and friendship by
the way she behaved to me. She thought me a woman who was likely to
defend her own; she did not know that to me the most ridiculous thing
in the world is such a struggle. She came to see me. That woman, proud
as she is, was so in love that she told me her secret and made me the
arbiter of her destiny. She was really adorable, and she kept her
place as woman and as marquise in my eyes. I must tell you, dear
friend, that while women are sometimes bad, they have hidden grandeurs
in their souls that men can never appreciate. Well, as I seem to be
making my last will and testament like a woman on the verge of old
age, I shall tell you that I was ever faithful to Conti, and should
have been till death, and yet I /know him/. His nature is charming,
apparently, and detestable beneath its surface. He is a charlatan in
matters of the heart. There are some men, like Nathan, of whom I have
already spoken to you, who are charlatans externally, and yet honest.
Such men lie to themselves. Mounted on their stilts, they think they
are on their feet, and perform their jugglery with a sort of
innocence; their humbuggery is in their blood; they are born
comedians, braggarts; extravagant in form as a Chinese vase; perhaps
they even laugh at themselves. Their personality is generous; like
Murat's kingly garments, it attracts danger. But Conti's duplicity
will be known only to the women who love him. In his art he has that
deep Italian jealousy which led the Carlone to murder Piola, and stuck
a stiletto into Paesiello. That terrible envy lurks beneath the
warmest comradeship. Conti has not the courage of his vice; he smiles
at Meyerbeer and flatters him, when he fain would tear him to bits. He
knows his weakness, and cultivates an appearance of sincerity; his
vanity still further leads him to play at sentiments which are far
indeed from his real heart. He represents himself as an artist who
receives his inspirations from heaven; Art is something saintly and
sacred to him; he is fanatic; he is sublime in his contempt for
worldliness; his eloquence seems to come from the deepest convictions.
He is a seer, a demon, a god, an angel. Calyste, although I warn you
about him, you will be his dupe. That Southern nature, that
impassioned artist is cold as a well-rope. Listen to him: the artist
is a missionary. Art is a religion, which has its priests and ought to
have its martyrs. Once started on that theme, Gennaro reaches the most
dishevelled pathos that any German professor of philosophy ever
spluttered to his audience. You admire his convictions, but he hasn't
any. Bearing his hearers to heaven on a song which seems a mysterious
fluid shedding love, he casts an ecstatic glance upon them; he is
examining their enthusiasm; he is asking himself: 'Am I really a god
to them?' and he is also thinking: 'I ate too much macaroni to-day.'
He is insatiable of applause, and he wins it. He delights, he is
beloved; he is admired whensoever he will. He owes his success more to
his voice than to his talent as a composer, though he would rather be
a man of genius like Rossini than a performer like Rubini. I had
committed the folly of attaching myself to him, and I was determined
and resigned to deck this idol to the end. Conti, like a great many
artists, is dainty in all his ways; he likes his ease, his enjoyments;
he is always carefully, even elegantly dressed. I do respect his
courage; he is brave; bravery, they say, is the only virtue into which
hypocrisy cannot enter. While we were travelling I saw his courage
tested; he risked the life he loved; and yet, strange contradiction! I
have seen him, in Paris, commit what I call the cowardice of thought.
My friend, all this was known to me. I said to the poor marquise: 'You
don't know into what a gulf you are plunging. You are the Perseus of a
poor Andromeda; you release me from my rock. If he loves you, so much
the better! but I doubt it; he loves no one but himself.' Gennaro was
transported to the seventh heaven of pride. I was not a marquise, I
was not born a Casteran, and he forgot me in a day. I then gave myself
the savage pleasure of probing that nature to the bottom. Certain of
the result, I wanted to see the twistings and turnings Conti would
perform. My dear child, I saw in one week actual horrors of sham
sentiment, infamous buffooneries of feeling. I will not tell you about
them; you shall see the man here in a day or two. He now knows that I
know him, and he hates me accordingly. If he could stab me with safety
to himself I shouldn't be alive two seconds. I have never said one
word of all this to Beatrix. The last and constant insult Geranno
offers me is to suppose that I am capable of communicating my sad
knowledge of him to her; but he has no belief in the good feeling of
any human being. Even now he is playing a part with me; he is posing
as a man who is wretched at having left me. You will find what I may
call the most penetrating cordiality about him; he is winning; he is
chivalrous. To him, all women are madonnas. One must live with him
long before we get behind the veil of this false chivalry and learn
the invisible signs of his humbug. His tone of conviction about
himself might almost deceive the Deity. You will be entrapped, my dear
child, by his catlike manners, and you will never believe in the
profound and rapid arithmetic of his inmost thought. But enough; let
us leave him. I pushed indifference so far as to receive them together
in my house. This circumstance kept that most perspicacious of all
societies, the great world of Paris, ignorant of the affair. Though
intoxicated with pride, Gennaro was compelled to dissimulate; and he
did it admirably. But violent passions will have their freedom at any
cost. Before the end of the year, Beatrix whispered in my ear one
evening: 'My dear Felicite, I start to-morrow for Italy with Conti.' I
was not surprised; she regarded herself as united for life to Gennaro,
and she suffered from the restraints imposed upon her; she escaped one
evil by rushing into a greater. Conti was wild with happiness,--the
happiness of vanity alone. 'That's what it is to love truly,' he said
to me. 'How many women are there who would sacrifice their lives,
their fortune, their reputation?'--'Yes, she loves you,' I replied,
'but you do not love her.' He was furious, and made me a scene; he
stormed, he declaimed, he depicted his love, declaring that he had
never supposed it possible to love as much. I remained impassible, and
lent him money for his journey, which, being unexpected, found him
unprepared. Beatrix left a letter for her husband and started the next
day for Italy. There she has remained two years; she has written to me
several times, and her letters are enchanting. The poor child attaches
herself to me as the only woman who will comprehend her. She says she
adores me. Want of money has compelled Gennaro to accept an offer to
write a French opera; he does not find in Italy the pecuniary gains
which composers obtain in Paris. Here's the letter I received
yesterday from Beatrix. Take it and read it; you can now understand
it,--that is, if it is possible, at your age, to analyze the things of
the heart."

So saying, she held out the letter to him.

At this moment Claude Vignon entered the room. At his unexpected
apparition Calyste and Felicite were both silent for a moment,--she
from surprise, he from a vague uneasiness. The vast forehead, broad
and high, of the new-comer, who was bald at the age of thirty-seven,
now seemed darkened by annoyance. His firm, judicial mouth expressed a
habit of chilling sarcasm. Claude Vignon is imposing, in spite of the
precocious deteriorations of a face once magnificent, and now grown
haggard. Between the ages of eighteen and twenty-five he strongly
resembled the divine Raffaelle. But his nose, that feature of the
human face that changes most, is growing to a point; the countenance
is sinking into mysterious depressions, the outlines are thickening;
leaden tones predominate in the complexion, giving tokens of
weariness, although the fatigues of this young man are not apparent;
perhaps some bitter solitude has aged him, or the abuse of his gift of
comprehension. He scrutinizes the thought of every one, yet without
definite aim or system. The pickaxe of his criticism demolishes, it
never constructs. Thus his lassitude is that of a mechanic, not of an
architect. The eyes, of a pale blue, once brilliant, are clouded now
by some hidden pain, or dulled by gloomy sadness. Excesses have laid
dark tints above the eyelids; the temples have lost their freshness.
The chin, of incomparable distinction, is getting doubled, but without
dignity. His voice, never sonorous, is weakening; without being either
hoarse or extinct, it touches the confines of hoarseness and
extinction. The impassibility of that fine head, the fixity of that
glance, cover irresolution and weakness, which the keenly intelligent
and sarcastic smile belies. The weakness lies wholly in action, not in
thought; there are traces of an encyclopedic comprehension on that
brow, and in the habitual movement of a face that is childlike and
splendid both. The man is tall, slightly bent already, like all those
who bear the weight of a world of thought. Such long, tall bodies are
never remarkable for continuous effort or creative activity.
Charlemagne, Belisarious, and Constantine are noted exceptions to this
rule.

Certainly Claude Vignon presents a variety of mysteries to be solved.
In the first place, he is very simple and very wily. Though he falls
into excesses with the readiness of a courtesan, his powers of thought
remain untouched. Yet his intellect, which is competent to criticise
art, science, literature, and politics, is incompetent to guide his
external life. Claude contemplates himself within the domain of his
intellectual kingdom, and abandons his outer man with Diogenic
indifference. Satisfied to penetrate all, to comprehend all by
thought, he despises materialities; and yet, if it becomes a question
of creating, doubt assails him; he sees obstacles, he is not inspired
by beauties, and while he is debating means, he sits with his arms
pendant, accomplishing nothing. He is the Turk of the intellect made
somnolent by meditation. Criticism is his opium; his harem of books to
read disgusts him with real work. Indifferent to small things as well
as great things, he is sometimes compelled, by the very weight of his
head, to fall into a debauch, and abdicate for a few hours the fatal
power of omnipotent analysis. He is far too preoccupied with the wrong
side of genius, and Camille Maupin's desire to put him back on the
right side is easily conceivable. The task was an attractive one.
Claude Vignon thinks himself a great politician as well as a great
writer; but this unpublished Machiavelli laughs within himself at all
ambitions; he knows what he can do; he has instinctively taken the
measure of his future on his faculties; he sees his greatness, but he
also sees obstacles, grows alarmed or disgusted, lets the time roll
by, and does not go to work. Like Etienne Lousteau the feuilletonist,
like Nathan the dramatic author, like Blondet, another journalist, he
came from the ranks of the bourgeoisie, to which we owe the greater
number of our writers.

"Which way did you come?" asked Mademoiselle des Touches, coloring
with either pleasure or surprise.'

"By the door," replied Claude Vignon, dryly.

"Oh," she cried, shrugging her shoulders, "I am aware that you are not
a man to climb in by a window."

"Scaling a window is a badge of honor for a beloved woman."

"Enough!" said Felicite.

"Am I in the way?" asked Claude.

"Monsieur," said Calyste, artlessly, "this letter--"

"Pray keep it; I ask no questions; at our age we understand such
affairs," he answered, interrupting Calyste with a sardonic air.

"But, monsieur," began Calyste, much provoked.

"Calm yourself, young man; I have the utmost indulgence for
sentiments."

"My dear Calyste," said Camille, wishing to speak.

"'Dear'?" said Vignon, interrupting her.

"Claude is joking," said Camille, continuing her remarks to Calyste.
"He is wrong to do it with you, who know nothing of Parisian ways."

"I did not know that I was joking," said Claude Vignon, very gravely.

"Which way did you come?" asked Felicite again. "I have been watching
the road to Croisic for the last two hours."

"Not all the time," replied Vignon.

"You are too bad to jest in this way."

"Am I jesting?"

Calyste rose.

"Why should you go so soon? You are certainly at your ease here," said
Vignon.

"Quite the contrary," replied the angry young Breton, to whom Camille
Maupin stretched out a hand, which he took and kissed, dropping a tear
upon it, after which he took his leave.

"I should like to be that little young man," said the critic, sitting
down, and taking one end of the hookah. "How he will love!"

"Too much; for then he will not be loved in return," replied
Mademoiselle des Touches. "Madame de Rochefide is coming here," she
added.

"You don't say so!" exclaimed Claude. "With Conti?"

"She will stay here alone, but he accompanies her."

"Have they quarrelled?"

"No."

"Play me a sonata of Beethoven's; I know nothing of the music he wrote
for the piano."

Claude began to fill the tube of the hookah with Turkish tobacco, all
the while examining Camille much more attentively than she observed. A
dreadful thought oppressed him; he fancied he was being used for a
blind by this woman. The situation was a novel one.

Calyste went home thinking no longer of Beatrix de Rochefide and her
letter; he was furious against Claude Vignon for what he considered
the utmost indelicacy, and he pitied poor Felicite. How was it
possible to be beloved by that sublime creature and not adore her on
his knees, not believe her on the faith of a glance or a smile? He
felt a desire to turn and rend that cold, pale spectre of a man.
Ignorant he might be, as Felicite had told him, of the tricks of
thought of the jesters of the press, but one thing he knew--Love was
the human religion.

When his mother saw him entering the court-yard she uttered an
exclamation of joy, and Zephirine whistled for Mariotte.

"Mariotte, the boy is coming! cook the fish!"

"I see him, mademoiselle," replied the woman.

Fanny, uneasy at the sadness she saw on her son's brow, picked up her
worsted-work; the old aunt took out her knitting. The baron gave his
arm-chair to his son and walked about the room, as if to stretch his
legs before going out to take a turn in the garden. No Flemish or
Dutch picture ever presented an interior in tones more mellow, peopled
with faces and forms so harmoniously blending. The handsome young man
in his black velvet coat, the mother, still so beautiful, and the aged
brother and sister framed by that ancient hall, were a moving domestic
harmony.

Fanny would fain have questioned Calyste, but he had already pulled a
letter from his pocket,--that letter of the Marquise Beatrix, which
was, perhaps, destined to destroy the happiness of this noble family.
As he unfolded it, Calyste's awakened imagination showed him the
marquise dressed as Camille Maupin had fancifully depicted her.

  From the Marquise de Rochefide to Mademoiselle des Touches.

Genoa, July 2.

  I have not written to you since our stay in Florence, my dear
  friend, for Venice and Rome have absorbed my time, and, as you
  know, happiness occupies a large part of life; so far, we have
  neither of us dropped from its first level. I am a little
  fatigued; for when one has a soul not easy to /blaser/, the
  constant succession of enjoyments naturally causes lassitude.

  Our friend has had a magnificent triumph at the Scala and the
  Fenice, and now at the San Carlo. Three Italian operas in two
  years! You cannot say that love has made him idle. We have been
  warmly received everywhere,--though I myself would have preferred
  solitude and silence. Surely that is the only suitable manner of
  life for women who have placed themselves in direct opposition to
  society? I expected such a life; but love, my dear friend, is a
  more exacting master than marriage,--however, it is sweet to obey
  him; though I did not think I should have to see the world again,
  even by snatches, and the attentions I receive are so many stabs.
  I am no longer on a footing of equality with the highest rank of
  women; and the more attentions are paid to me, the more my
  inferiority is made apparent.

  Gennaro could not comprehend this sensitiveness; but he has been
  so happy that it would ill become me not to have sacrificed my
  petty vanity to that great and noble thing,--the life of an
  artist. We women live by love, whereas men live by love and
  action; otherwise they would not be men. Still, there are great
  disadvantages for a woman in the position in which I have put
  myself. You have escaped them; you continue to be a person in the
  eyes of the world, which has no rights over you; you have your own
  free will, and I have lost mine. I am speaking now of the things
  of the heart, not those of social life, which I have utterly
  renounced. You can be coquettish and self-willed, and have all the
  graces of a woman who loves, a woman who can give or refuse her
  love as she pleases; you have kept the right to have caprices, in
  the interests even of your love. In short, to-day you still
  possess your right of feeling, while I, I have no longer any
  liberty of heart, which I think precious to exercise in love, even
  though the love itself may be eternal. I have no right now to that
  privilege of quarrelling in jest to which so many women cling, and
  justly; for is it not the plummet line with which to sound the
  hearts of men? I have no threat at my command. I must draw my
  power henceforth from obedience, from unlimited gentleness; I must
  make myself imposing by the greatness of my love. I would rather
  die than leave Gennaro, and my pardon lies in the sanctity of my
  love. Between social dignity and my petty personal dignity, I did
  right not to hesitate. If at times I have a few melancholy
  feelings, like clouds that pass through a clear blue sky, and to
  which all women like to yield themselves, I keep silence about
  them; they might seem like regrets. Ah me! I have so fully
  understood the obligations of my position that I have armed myself
  with the utmost indulgence; but so far, Gennaro has not alarmed my
  susceptible jealousy. I don't as yet see where that dear great
  genius may fail.

  Dear angel, I am like those pious souls who argue with their God,
  for are not you my Providence? do I not owe my happiness to you?
  You must never doubt, therefore, that you are constantly in my
  thoughts.

  I have seen Italy at last; seen it as you saw it, and as it ought
  to be seen,--lighted to our souls by love, as it is by its own
  bright sun and its masterpieces. I pity those who, being moved to
  adoration at every step, have no hand to press, no heart in which
  to shed the exuberance of emotions which calm themselves when
  shared. These two years have been to me a lifetime, in which my
  memory has stored rich harvests. Have you made plans, as I do,
  to stay forever at Chiavari, to buy a palazzo in Venice, a
  summer-house at Sorrento, a villa in Florence? All loving women
  dread society; but I, who am cast forever outside of it, ought I not
  to bury myself in some beautiful landscape, on flowery slopes,
  facing the sea, or in a valley that equals a sea, like that of
  Fiesole?

  But alas! we are only poor artists, and want of money is bringing
  these two bohemians back to Paris. Gennaro does not want me to
  feel that I have lost my luxury, and he wishes to put his new
  work, a grand opera, into rehearsal at once. You will understand,
  of course, my dearest, that I cannot set foot in Paris. I could
  not, I would not, even if it costs me my love, meet one of those
  glances of women, or of men, which would make me think of murder
  or suicide. Yes, I could hack in pieces whoever insulted me with
  pity; like Chateauneuf, who, in the time of Henri III., I think,
  rode his horse at the Provost of Paris for a wrong of that kind,
  and trampled him under hoof.

  I write, therefore, to say that I shall soon pay you a visit at
  Les Touches. I want to stay there, in that Chartreuse, while
  awaiting the success of our Gennaro's opera. You will see that I
  am bold with my benefactress, my sister; but I prove, at any rate,
  that the greatness of obligations laid upon me has not led me, as
  it does so many people, to ingratitude. You have told me so much
  of the difficulties of the land journey that I shall go to Croisic
  by water. This idea came to me on finding that there is a little
  Danish vessel now here, laden with marble, which is to touch at
  Croisic for a cargo of salt on its way back to the Baltic. I shall
  thus escape the fatigue and the cost of the land journey. Dear
  Felicite, you are the only person with whom I could be alone
  without Conti. Will it not be some pleasure to have a woman with
  you who understands your heart as fully as you do hers?

  Adieu, /a bientot/. The wind is favorable, and I set sail, wafting
  you a kiss.

Beatrix.


"Ah! she loves, too!" thought Calyste, folding the letter sadly.

That sadness flowed to the heart of the mother as if some gleam had
lighted up a gulf to her. The baron had gone out; Fanny went to the
door of the tower and pushed the bolt, then she returned, and leaned
upon the back of her boy's chair, like the sister of Dido in Guerin's
picture, and said,--

"What is it, my Calyste? what makes you so sad? You promised to
explain to me these visits to Les Touches; I am to bless its mistress,
--at least, you said so."

"Yes, indeed you will, dear mother," he replied. "She has shown me the
insufficiency of my education at an epoch when the nobles ought to
possess a personal value in order to give life to their rank. I was as
far from the age we live in as Guerande is from Paris. She has been,
as it were, the mother of my intellect."

"I cannot bless her for that," said the baroness, with tears in her
eyes.

"Mamma!" cried Calyste, on whose forehead those hot tears fell, two
pearls of sorrowful motherhood, "mamma, don't weep! Just now, when I
wanted to do her a service, and search the country round, she said,
'It will make your mother so uneasy.'"

"Did she say that? Then I can forgive her many things," replied Fanny.

"Felicite thinks only of my good," continued Calyste. "She often
checks the lively, venturesome language of artists so as not to shake
me in a faith which is, though she knows it not, unshakable. She has
told me of the life in Paris of several young men of the highest
nobility coming from their provinces, as I might do,--leaving families
without fortune, but obtaining in Paris, by the power of their will
and their intellect, a great career. I can do what the Baron de
Rastignac, now a minister of State, has done. Felicite has taught me;
I read with her; she gives me lessons on the piano; she is teaching me
Italian; she has initiated me into a thousand social secrets, about
which no one in Guerande knows anything at all. She could not give me
the treasures of her love, but she has given me those of her vast
intellect, her mind, her genius. She does not want to be a pleasure,
but a light to me; she lessens not one of my faiths; she herself has
faith in the nobility, she loves Brittany, she--"

"She has changed our Calyste," said his blind old aunt, interrupting
him. "I do not understand one word he has been saying. You have a
solid roof over your head, my good nephew; you have parents and
relations who adore you, and faithful servants; you can marry some
good little Breton girl, religious and accomplished, who will make you
happy. Reserve your ambitions for your eldest son, who may be four
times as rich as you, if you choose to live tranquilly, thriftily, in
obscurity,--but in the peace of God,--in order to release the burdens
on your estate. It is all as simple as a Breton heart. You will be,
not so rapidly perhaps, but more solidly, a rich nobleman."

"Your aunt is right, my darling; she plans for your happiness with as
much anxiety as I do myself. If I do not succeed in marrying you to my
niece, Margaret, the daughter of your uncle, Lord Fitzwilliam, it is
almost certain that Mademoiselle de Pen-Hoel will leave her fortune to
whichever of her nieces you may choose."

"And besides, there's a little gold to be found here," added the old
aunt in a low voice, with a mysterious glance about her.

"Marry! at my age!" he said, casting on his mother one of those looks
which melt the arguments of mothers. "Am I to live without my
beautiful fond loves? Must I never tremble or throb or fear or gasp,
or lie beneath implacable looks and soften them? Am I never to know
beauty in its freedom, the fantasy of the soul, the clouds that course
through the azure of happiness, which the breath of pleasure
dissipates? Ah! shall I never wander in those sweet by-paths moist
with dew; never stand beneath the drenching of a gutter and not know
it rains, like those lovers seen by Diderot; never take, like the Duc
de Lorraine, a live coal in my hand? Are there no silken ladders for
me, no rotten trellises to cling to and not fall? Shall I know nothing
of woman but conjugal submission; nothing of love but the flame of its
lamp-wick? Are my longings to be satisfied before they are roused?
Must I live out my days deprived of that madness of the heart that
makes a man and his power? Would you make me a married monk? No! I
have eaten of the fruit of Parisian civilization. Do you not see that
you have, by the ignorant morals of this family, prepared the fire
that consumes me, that /will/ consume me utterly, unless I can adore
the divineness I see everywhere,--in those sands gleaming in the sun,
in the green foliage, in all the women, beautiful, noble, elegant,
pictured in the books and in the poems I have read with Camille? Alas!
there is but one such woman in Guerande, and it is you, my mother! The
birds of my beautiful dream, they come from Paris, they fly from the
pages of Scott, of Byron,--Parisina, Effie, Minna! yes, and that royal
duchess, whom I saw on the moors among the furze and the ferns, whose
very aspect sent the blood to my heart."

The baroness saw these thoughts flaming in the eyes of her son,
clearer, more beautiful, more living than art can tell to those who
read them. She grasped them rapidly, flung to her as they were in
glances like arrows from an upset quiver. Without having read
Beaumarchais, she felt, as other women would have felt, that it would
be a crime to marry Calyste.

"Oh! my child!" she said, taking him in her arms, and kissing the
beautiful hair that was still hers, "marry whom you will, and when you
will, but be happy! My part in life is not to hamper you."

Mariotte came to lay the table. Gasselin was out exercising Calyste's
horse, which the youth had not mounted for two months. The three
women, mother, aunt, and Mariotte, shared in the tender feminine
wiliness, which taught them to make much of Calyste when he dined at
home. Breton plainness fought against Parisian luxury, now brought to
the very doors of Guerande. Mariotte endeavored to wean her young
master from the accomplished service of Camille Maupin's kitchen, just
as his mother and aunt strove to hold him in the net of their
tenderness and render all comparison impossible.

"There's a salmon-trout for dinner, Monsieur Calyste, and snipe, and
pancakes such as I know you can't get anywhere but here," said
Mariotte, with a sly, triumphant look as she smoothed the cloth, a
cascade of snow.

After dinner, when the old aunt had taken up her knitting, and the
rector and Monsieur du Halga had arrived, allured by their precious
/mouche/, Calyste went back to Les Touches on the pretext of returning
the letter.

Claude Vignon and Felicite were still at table. The great critic was
something of a gourmand, and Felicite pampered the vice, knowing how
indispensable a woman makes herself by such compliance. The
dinner-table presented that rich and brilliant aspect which modern
luxury, aided by the perfecting of handicrafts, now gives to its service.
The poor and noble house of Guenic little knew with what an adversary it
was attempting to compete, or what amount of fortune was necessary to
enter the lists against the silverware, the delicate porcelain, the
beautiful linen, the silver-gilt service brought from Paris by
Mademoiselle des Touches, and the science of her cook. Calyste
declined the liqueurs contained in one of those superb cases of
precious woods, which are something like tabernacles.

"Here's the letter," he said, with innocent ostentation, looking at
Claude, who was slowly sipping a glass of /liqueur-des-iles/.

"Well, what did you think of it?" asked Mademoiselle des Touches,
throwing the letter across the table to Vignon, who began to read it,
taking up and putting down at intervals his little glass.

"I thought--well, that Parisian women were very fortunate to have men
of genius to adore who adore them."

"Ah! you are still in your village," said Felicite, laughing. "What!
did you not see that she loves him less, and--"

"That is evident," said Claude Vignon, who had only read the first
page. "Do people reason on their situation when they really love; are
they as shrewd as the marquise, as observing, as discriminating? Your
dear Beatrix is held to Conti now by pride only; she is condemned to
love him /quand meme/."

"Poor woman!" said Camille.

Calyste's eyes were fixed on the table; he saw nothing about him. The
beautiful woman in the fanciful dress described that morning by
Felicite appeared to him crowned with light; she smiled to him, she
waved her fan; the other hand, issuing from its ruffle of lace, fell
white and pure on the heavy folds of her crimson velvet robe.

"She is just the thing for you," said Claude Vignon, smiling
sardonically at Calyste.

The young man was deeply wounded by the words, and by the manner in
which they were said.

"Don't put such ideas into Calyste's mind; you don't know how
dangerous such jokes may prove to be," said Mademoiselle des Touches,
hastily. "I know Beatrix, and there is something too grandiose in her
nature to allow her to change. Besides, Conti will be here."

"Ha!" said Claude Vignon, satirically, "a slight touch of jealousy,
eh?"

"Can you really think so?" said Camille, haughtily.

"You are more perspicacious than a mother," replied Claude Vignon,
still sarcastically.

"But it would be impossible," said Camille, looking at Calyste.

"They are very well matched," remarked Vignon. "She is ten years older
than he; and it is he who appears to be the girl--"

"A girl, monsieur," said Calyste, waking from his reverie, "who has
been twice under fire in La Vendee! If the Cause had had twenty
thousand more such girls--"

"I was giving you some well-deserved praise, and that is easier than
to give you a beard," remarked Vignon.

"I have a sword for those who wear their beards too long," cried
Calyste.

"And I am very good at an epigram," said the other, smiling. "We are
Frenchmen; the affair can easily be arranged."

Mademoiselle des Touches cast a supplicating look on Calyste, which
calmed him instantly.

"Why," said Felicite, as if to break up the discussion, "do young men
like my Calyste, begin by loving women of a certain age?"

"I don't know any sentiment more artless or more generous," replied
Vignon. "It is the natural consequence of the adorable qualities of
youth. Besides, how would old women end if it were not for such love?
You are young and beautiful, and will be for twenty years to come, so
I can speak of this matter before you," he added, with a keen look at
Mademoiselle des Touches. "In the first place the semi-dowagers, to
whom young men pay their first court, know much better how to make
love than younger women. An adolescent youth is too like a young woman
himself for a young woman to please him. Such a passion trenches on
the fable of Narcissus. Besides that feeling of repugnance, there is,
as I think, a mutual sense of inexperience which separates them. The
reason why the hearts of young women are only understood by mature
men, who conceal their cleverness under a passion real or feigned, is
precisely the same (allowing for the difference of minds) as that
which renders a woman of a certain age more adroit in attracting
youth. A young man feels that he is sure to succeed with her, and the
vanities of the woman are flattered by his suit. Besides, isn't it
natural for youth to fling itself on fruits? The autumn of a woman's
life offers many that are very toothsome,--those looks, for instance,
bold, and yet reserved, bathed with the last rays of love, so warm, so
sweet; that all-wise elegance of speech, those magnificent shoulders,
so nobly developed, the full and undulating outline, the dimpled
hands, the hair so well arranged, so cared for, that charming nape of
the neck, where all the resources of art are displayed to exhibit the
contrast between the hair and the flesh-tones, and to set in full
relief the exuberance of life and love. Brunettes themselves are fair
at such times, with the amber colors of maturity. Besides, such women
reveal in their smiles and display in their words a knowledge of the
world; they know how to converse; they can call up the whole of social
life to make a lover laugh; their dignity and their pride are
stupendous; or, in other moods, they can utter despairing cries which
touch his soul, farewells of love which they take care to render
useless, and only make to intensify his passion. Their devotions are
absolute; they listen to us; they love us; they catch, they cling to
love as a man condemned to death clings to the veriest trifles of
existence,--in short, love, absolute love, is known only through them.
I think such women can never be forgotten by a man, any more than he
can forget what is grand and sublime. A young woman has a thousand
distractions; these women have none. No longer have they self-love,
pettiness, or vanity; their love--it is the Loire at its mouth, it is
vast, it is swelled by all the illusions, all the affluents of life,
and this is why--but my muse is dumb," he added, observing the
ecstatic attitude of Mademoiselle des Touches, who was pressing
Calyste's hand with all her strength, perhaps to thank him for having
been the occasion of such a moment, of such an eulogy, so lofty that
she did not see the trap that it laid for her.

During the rest of the evening Claude Vignon and Felicite sparkled
with wit and happy sayings; they told anecdotes, and described
Parisian life to Calyste, who was charmed with Claude, for mind has
immense seductions for persons who are all heart.

"I shouldn't be surprised to see the Marquise de Rochefide and Conti,
who, of course, will accompany her, at the landing-place to-morrow,"
said Claude Vignon, as the evening ended. "When I was at Croisic this
afternoon, the fishermen were saying that they had seen a little
vessel, Danish, Swedish, or Norwegian, in the offing."

This speech brought a flush to the cheeks of the impassible Camille.

Again Madame du Guenic sat up till one o'clock that night, waiting for
her son, unable to imagine why he should stay so late if Mademoiselle
des Touches did not love him.

"He must be in their way," said this adorable mother. "What were you
talking about?" she asked, when at last he came in.

"Oh, mother, I have never before spent such a delightful evening.
Genius is a great, a sublime thing! Why didn't you give me genius?
With genius we can make our lives, we can choose among all women the
woman to love, and she must be ours."

"How handsome you are, my Calyste!"

"Claude Vignon is handsome. Men of genius have luminous foreheads and
eyes, through which the lightnings flash--but I, alas! I know nothing
--only to love."

"They say that suffices, my angel," she said, kissing him on the
forehead.

"Do you believe it?"

"They say so, but I have never known it."

Calyste kissed his mother's hand as if it was a sacred thing.

"I will love you for all those that would have adored you," he said.

"Dear child! perhaps it is a little bit your duty to do so, for you
inherit my nature. But, Calyste, do not be unwise, imprudent; try to
love only noble women, if love you must."



                                 IX

                          A FIRST MEETING

What young man full of abounding but restrained life and emotion would
not have had the glorious idea of going to Croisic to see Madame de
Rochefide land, and examine her incognito? Calyste greatly surprised
his father and mother by going off in the morning without waiting for
the mid-day breakfast. Heaven knows with what agility the young
Breton's feet sped along. Some unknown vigor seemed lent to him; he
walked on air, gliding along by the walls of Les Touches that he might
not be seen from the house. The adorable boy was ashamed of his ardor,
and afraid of being laughed at; Felicite and Vignon were so
perspicacious! besides, in such cases young fellows fancy that their
foreheads are transparent.

He reached the shore, strengthened by a stone embankment, at the foot
of which is a house where travellers can take shelter in storms of
wind or rain. It is not always possible to cross the little arm of the
sea which separates the landing-place of Guerande from Croisic; the
weather may be bad, or the boats not ready; and during this time of
waiting, it is necessary to put not only the passengers but their
horses, donkeys, baggages, and merchandise under cover.

Calyste presently saw two boats coming over from Croisic, laden with
baggage,--trunks, packages, bags, and chests,--the shape and
appearance of which proved to a native of these parts that such
extraordinary articles must belong to travellers of distinction. In
one of the boats was a young woman in a straw bonnet with a green
veil, accompanied by a man. This boat was the first to arrive. Calyste
trembled until on closer view he saw they were a maid and a
man-servant.

"Are you going over to Croisic, Monsieur Calyste?" said one of the
boatmen; to whom he replied with a shake of the head, annoyed at being
called by his name.

He was captivated by the sight of a chest covered with tarred cloth on
which were painted the words, MME. LA MARQUISE DE ROCHEFIDE. The name
shone before him like a talisman; he fancied there was something
fateful in it. He knew in some mysterious way, which he could not
doubt, that he should love that woman. Why? In the burning desert of
his new and infinite desires, still vague and without an object, his
fancy fastened with all its strength on the first woman that presented
herself. Beatrix necessarily inherited the love which Camille had
rejected.

Calyste watched the landing of the luggage, casting from time to time
a glance at Croisic, from which he hoped to see another boat put out
to cross to the little promontory, and show him Beatrix, already to
his eyes what Beatrice was to Dante, a marble statue on which to hang
his garlands and his flowers. He stood with arms folded, lost in
meditation. Here is a fact worthy of remark, which, nevertheless, has
never been remarked: we often subject ourselves to sentiments by our
own volition,--deliberately bind ourselves, and create our own fate;
chance has not as much to do with it as we believe.

"I don't see any horses," said the maid, sitting on a trunk.

"And I don't see any road," said the footman.

"Horses have been here, though," replied the woman, pointing to the
proofs of their presence. "Monsieur," she said, addressing Calyste,
"is this really the way to Guerande?"

"Yes," he replied, "are you expecting some one to meet you?"

"We were told that they would fetch us from Les Touches. If they don't
come," she added to the footman, "I don't know how Madame la marquise
will manage to dress for dinner. You had better go and find
Mademoiselle des Touches. Oh! what a land of savages!"

Calyste had a vague idea of having blundered.

"Is your mistress going to Les Touches?" he inquired.

"She is there; Mademoiselle came for her this morning at seven
o'clock. Ah! here come the horses."

Calyste started toward Guerande with the lightness and agility of a
chamois, doubling like a hare that he might not return upon his tracks
or meet any of the servants of Les Touches. He did, however, meet two
of them on the narrow causeway of the marsh along which he went.

"Shall I go in, or shall I not?" he thought when the pines of Les
Touches came in sight. He was afraid; and continued his way rather
sulkily to Guerande, where he finished his excursion on the mall and
continued his reflections.

"She has no idea of my agitation," he said to himself.

His capricious thoughts were so many grapnels which fastened his heart
to the marquise. He had known none of these mysterious terrors and
joys in his intercourse with Camille. Such vague emotions rise like
poems in the untutored soul. Warmed by the first fires of imagination,
souls like his have been known to pass through all phases of
preparation and to reach in silence and solitude the very heights of
love, without having met the object of so many efforts.

Presently Calyste saw, coming toward him, the Chevalier du Halga and
Mademoiselle de Pen-Hoel, who were walking together on the mall. He
heard them say his name, and he slipped aside out of sight, but not
out of hearing. The chevalier and the old maid, believing themselves
alone, were talking aloud.

"If Charlotte de Kergarouet comes," said the chevalier, "keep her four
or five months. How can you expect her to coquette with Calyste? She
is never here long enough to undertake it. Whereas, if they see each
other every day, those two children will fall in love, and you can
marry them next winter. If you say two words about it to Charlotte
she'll say four to Calyste, and a girl of sixteen can certainly carry
off the prize from a woman of forty."

Here the old people turned to retrace their steps and Calyste heard no
more. But remembering what his mother had told him, he saw
Mademoiselle de Pen-Hoel's intention, and, in the mood in which he
then was, nothing could have been more fatal. The mere idea of a girl
thus imposed upon him sent him with greater ardor into his imaginary
love. He had never had a fancy for Charlotte de Kergarouet, and he now
felt repugnance at the very thought of her. Calyste was quite
unaffected by questions of fortune; from infancy he had accustomed his
life to the poverty and the restricted means of his father's house. A
young man brought up as he had been, and now partially emancipated,
was likely to consider sentiments only, and all his sentiments, all
his thought now belonged to the marquise. In presence of the portrait
which Camille had drawn for him of her friend, what was that little
Charlotte? the companion of his childhood, whom he thought of as a
sister.

He did not go home till five in the afternoon. As he entered the hall
his mother gave him, with a rather sad smile, the following letter
from Mademoiselle des Touches:--

  My dear Calyste,--The beautiful marquise has come; we count on you
  to help us celebrate her arrival. Claude, always sarcastic,
  declares that you will play Bice and that she will be Dante. It is
  for our honor as Bretons, and yours as a du Guenic to welcome a
  Casteran. Come soon.
Your friend,     Camille Maupin.


  Come as you are, without ceremony; otherwise you will put us to
  the blush.

Calyste gave the letter to his mother and departed.

"Who are the Casterans?" said Fanny to the baron.

"An old Norman family, allied to William the Conqueror," he replied.
"They bear on a shield tierce fessed azure, gules and sable, a horse
rearing argent, shod with gold. That beautiful creature for whom the
Gars was killed at Fougeres in 1800 was the daughter of a Casteran who
made herself a nun, and became an abbess after the Duc de Verneuil
deserted her."

"And the Rochefides?"

"I don't know that name. I should have to see the blazon," he replied.

The baroness was somewhat reassured on hearing that the Marquise de
Rochefide was born of a noble family, but she felt that her son was
now exposed to new seductions.

Calyste as he walked along felt all sorts of violent and yet soft
inward movements; his throat was tight, his heart swelled, his brain
was full, a fever possessed him. He tried to walk slowly, but some
superior power hurried him. This impetuosity of the several senses
excited by vague expectation is known to all young men. A subtle fire
flames within their breasts and darts outwardly about them, like the
rays of a nimbus around the heads of divine personages in works of
religious art; through it they see all Nature glorious, and woman
radiant. Are they not then like those haloed saints, full of faith,
hope, ardor, purity?

The young Breton found the company assembled in the little salon of
Camille's suite of rooms. It was then about six o'clock; the sun, in
setting, cast through the windows its ruddy light chequered by the
trees; the air was still; twilight, beloved of women, was spreading
through the room.

"Here comes the future deputy of Brittany," said Camille Maupin,
smiling, as Calyste raised the tapestry portiere,--"punctual as a
king."

"You recognized his step just now," said Claude to Felicite in a low
voice.

Calyste bowed low to the marquise, who returned the salutation with an
inclination of her head; he did not look at her; but he took the hand
Claude Vignon held out to him and pressed it.

"This is the celebrated man of whom we have talked so much, Gennaro
Conti," said Camille, not replying to Claude Vignon's remark.

She presented to Calyste a man of medium height, thin and slender,
with chestnut hair, eyes that were almost red, and a white skin,
freckled here and there, whose head was so precisely the well-known
head of Lord Byron (though rather better carried on his shoulders)
that description is superfluous. Conti was rather proud of this
resemblance.

"I am fortunate," he said, "to meet Monsieur du Guenic during the one
day that I spend at Les Touches."

"It was for me to say that to you," replied Calyste, with a certain
ease.

"He is handsome as an angel," said the marquise in an under tone to
Felicite.

Standing between the sofa and the two ladies, Calyste heard the words
confusedly. He seated himself in an arm-chair and looked furtively
toward the marquise. In the soft half-light he saw, reclining on a
divan, as if a sculptor had placed it there, a white and serpentine
shape which thrilled him. Without being aware of it, Felicite had done
her friend a service; the marquise was much superior to the
unflattered portrait Camille had drawn of her the night before. Was it
to do honor to the guest that Beatrix had wound into her hair those
tufts of blue-bells that gave value to the pale tints of her creped
curls, so arranged as to fall around her face and play upon the
cheeks? The circle of her eyes, which showed fatigue, was of the
purest mother-of-pearl, her skin was as dazzling as the eyes, and
beneath its whiteness, delicate as the satiny lining of an egg, life
abounded in the beautiful blue veins. The delicacy of the features was
extreme; the forehead seemed diaphanous. The head, so sweet and
fragrant, admirably joined to a long neck of exquisite moulding, lent
itself to many and most diverse expressions. The waist, which could be
spanned by the hands, had a charming willowy ease; the bare shoulders
sparkled in the twilight like a white camellia. The throat, visible to
the eye though covered with a transparent fichu, allowed the graceful
outlines of the bosom to be seen with charming roguishness. A gown of
white muslin, strewn with blue flowers, made with very large sleeves,
a pointed body and no belt, shoes with strings crossed on the instep
over Scotch thread stockings, showed a charming knowledge of the art
of dress. Ear-rings of silver filagree, miracles of Genoese jewelry,
destined no doubt to become the fashion, were in perfect harmony with
the delightful flow of the soft curls starred with blue-bells.

Calyste's eager eye took in these beauties at a glance, and carved
them on his soul. The fair Beatrix and the dark Felicite might have
sat for those contrasting portraits in "keepsakes" which English
designers and engravers seek so persistently. Here were the force and
the feebleness of womanhood in full development, a perfect antithesis.
These two women could never be rivals; each had her own empire. Here
was the delicate campanula, or the lily, beside the scarlet poppy; a
turquoise near a ruby. In a moment, as it were,--at first sight, as
the saying is,--Calyste was seized with a love which crowned the
secret work of his hopes, his fears, his uncertainties. Mademoiselle
des Touches had awakened his nature; Beatrix inflamed both his heart
and thoughts. The young Breton suddenly felt within him a power to
conquer all things, and yield to nothing that stood in his way. He
looked at Conti with an envious, gloomy, savage rivalry he had never
felt for Claude Vignon. He employed all his strength to control
himself; but the inward tempest went down as soon as the eyes of
Beatrix turned to him, and her soft voice sounded in his ear. Dinner
was announced.

"Calyste, give your arm to the marquise," said Mademoiselle des
Touches, taking Conti with her right hand, and Claude Vignon with her
left, and drawing back to let the marquise pass.

The descent of that ancient staircase was to Calyste like the moment
of going into battle for the first time. His heart failed him, he had
nothing to say; a slight sweat pearled upon his forehead and wet his
back; his arm trembled so much that as they reached the lowest step
the marquise said to him: "Is anything the matter?"

"Oh!" he replied, in a muffled tone, "I have never seen any woman so
beautiful as you, except my mother, and I am not master of my
emotions."

"But you have Camille Maupin before your eyes."

"Ah! what a difference!" said Calyste, ingenuously.

"Calyste," whispered Felicite, who was just behind him, "did I not
tell you that you would forget me as if I had never existed? Sit
there," she said aloud, "beside the marquise, on her right, and you,
Claude, on her left. As for you, Gennaro, I retain you by me; we will
keep a mutual eye on their coquetries."

The peculiar accept which Camille gave to the last word struck Claude
Vignon's ear, and he cast that sly but half-abstracted look upon
Camille which always denoted in him the closest observation. He never
ceased to examine Mademoiselle des Touches throughout the dinner.

"Coquetries!" replied the marquis, taking off her gloves, and showing
her beautiful hands; "the opportunity is good, with a poet," and she
motioned to Claude, "on one side, and poesy the other."

At these words Conti turned and gave Calyste a look that was full of
flattery.

By artificial light, Beatrix seemed more beautiful than before. The
white gleam of the candles laid a satiny lustre on her forehead,
lighted the spangles of her eyes, and ran through her swaying curls,
touching them here and there into gold. She threw back the thin gauze
scarf she was wearing and disclosed her neck. Calyste then saw its
beautiful nape, white as milk, and hollowed near the head, until its
lines were lost toward the shoulders with soft and flowing symmetry.
This neck, so dissimilar to that of Camille, was the sign of a totally
different character in Beatrix.

Calyste found much trouble in pretending to eat; nervous motions
within him deprived him of appetite. Like other young men, his nature
was in the throes and convulsions which precede love, and carve it
indelibly on the soul. At his age, the ardor of the heart, restrained
by moral ardor, leads to an inward conflict, which explains the long
and respectful hesitations, the tender debatings, the absence of all
calculation, characteristic of young men whose hearts and lives are
pure. Studying, though furtively, so as not to attract the notice of
Conti, the various details which made the marquise so purely
beautiful, Calyste became, before long, oppressed by a sense of her
majesty; he felt himself dwarfed by the hauteur of certain of her
glances, by the imposing expression of a face that was wholly
aristocratic, by a sort of pride which women know how to express in
slight motions, turns of the head, and slow gestures, effects less
plastic and less studied than we think. The false situation in which
Beatrix had placed herself compelled her to watch her own behavior,
and to keep herself imposing without being ridiculously so. Women of
the great world know how to succeed in this, which proves a fatal reef
to vulgar women.

The expression of Felicite's eyes made Beatrix aware of the inward
adoration she inspired in the youth beside her, and also that it would
be most unworthy on her part to encourage it. She therefore took
occasion now and then to give him a few repressive glances, which fell
upon his heart like an avalanche of snow. The unfortunate young fellow
turned on Felicite a look in which she could read the tears he was
suppressing by superhuman efforts. She asked him in a friendly tone
why he was eating nothing. The question piqued him, and he began to
force himself to eat and to take part in the conversation.

But whatever he did, Madame de Rochefide paid little attention to him.
Mademoiselle des Touches having started the topic of her journey to
Italy she related, very wittily, many of its incidents, which made
Claude Vignon, Conti, and Felicite laugh.

"Ah!" thought Calyste, "how far such a woman is from me! Will she ever
deign to notice me?"

Mademoiselle des Touches was struck with the expression she now saw on
Calyste's face, and tried to console him with a look of sympathy.
Claude Vignon intercepted that look. From that moment the great critic
expanded into gaiety that overflowed in sarcasm. He maintained to
Beatrix that love existed only by desire; that most women deceived
themselves in loving; that they loved for reasons unknown to men and
to themselves; that they wanted to deceive themselves, and that the
best among them were artful.

"Keep to books, and don't criticise our lives," said Camille, glancing
at him imperiously.

The dinner ceased to be gay. Claude Vignon's sarcasm had made the two
women pensive. Calyste was conscious of pain in the midst of the
happiness he found in looking at Beatrix. Conti looked into the eyes
of the marquise to guess her thoughts. When dinner was over
Mademoiselle des Touches took Calyste's arm, gave the other two men to
the marquise, and let them pass before her, that she might be alone
with the young Breton for a moment.

"My dear Calyste," she said, "you are acting in a manner that
embarrasses the marquise; she may be delighted with your admiration,
but she cannot accept it. Pray control yourself."

"She was hard to me, she will never care for me," said Calyste, "and
if she does not I shall die."

"Die! you! My dear Calyste, you are a child. Would you have died for
me?"

"You have made yourself my friend," he answered.

After the talk that follows coffee, Vignon asked Conti to sing
something. Mademoiselle des Touches sat down to the piano. Together
she and Gennaro sang the /Dunque il mio bene tu mia sarai/, the last
duet of Zingarelli's "Romeo e Giulietta," one of the most pathetic
pages of modern music. The passage /Di tanti palpiti/ expresses love
in all its grandeur. Calyste, sitting in the same arm-chair in which
Felicite had told him the history of the marquise, listened in rapt
devotion. Beatrix and Vignon were on either side of the piano. Conti's
sublime voice knew well how to blend with that of Felicite. Both had
often sung this piece; they knew its resources, and they put their
whole marvellous gift into bringing them out. The music was at this
moment what its creator intended, a poem of divine melancholy, the
farewell of two swans to life. When it was over, all present were
under the influence of feelings such as cannot express themselves by
vulgar applause.

"Ah! music is the first of arts!" exclaimed the marquise.

"Camille thinks youth and beauty the first of poesies," said Claude
Vignon.

Mademoiselle des Touches looked at Claude with vague uneasiness.
Beatrix, not seeing Calyste, turned her head as if to know what effect
the music had produced upon him, less by way of interest in him than
for the gratification of Conti; she saw a white face bathed in tears.
At the sight, and as if some sudden pain had seized her, she turned
back quickly and looked at Gennaro. Not only had Music arisen before
the eyes of Calyste, touching him with her divine wand until he stood
in presence of Creation from which she rent the veil, but he was
dumfounded by Conti's genius. In spite of what Camille had told him of
the musician's character, he now believed in the beauty of the soul,
in the heart that expressed such love. How could he, Calyste, rival
such as an artist? What woman could ever cease to adore such genius?
That voice entered the soul like another soul. The poor lad was
overwhelmed by poesy, and his own despair. He felt himself of no
account. This ingenuous admission of his nothingness could be read
upon his face mingled with his admiration. He did not observe the
gesture with which Beatrix, attracted to Calyste by the contagion of a
true feeling, called Felicite's attention to him.

"Oh! the adorable heart!" cried Camille. "Conti, you will never obtain
applause of one-half the value of that child's homage. Let us sing this
trio. Beatrix, my dear, come."

When the marquise, Camille, and Conti had arranged themselves at the
piano, Calyste rose softly, without attracting their attention, and
flung himself on one of the sofas in the bedroom, the door of which
stood open, where he sat with his head in his hands, plunged in
meditation.



                                 X

                               DRAMA

"What is it, my child?" said Claude Vignon, who had slipped silently
into the bedroom after Calyste, and now took him by the hand. "You
love; you think you are disdained; but it is not so. The field will be
free to you in a few days and you will reign--beloved by more than
one."

"Loved!" cried Calyste, springing up, and beckoning Claude into the
library, "Who loves me here?"

"Camille," replied Claude.

"Camille loves me? And you!--what of you?"

"I?" answered Claude, "I--" He stopped; sat down on a sofa and rested
his head with weary sadness on a cushion. "I am tired of life, but I
have not the courage to quit it," he went on, after a short silence.
"I wish I were mistaken in what I have just told you; but for the last
few days more than one vivid light has come into my mind. I did not
wander about the marshes for my pleasure; no, upon my soul I did not!
The bitterness of my words when I returned and found you with Camille
were the result of wounded feeling. I intend to have an explanation
with her soon. Two minds as clear-sighted as hers and mine cannot
deceive each other. Between two such professional duellists the combat
cannot last long. Therefore I may as well tell you now that I shall
leave Les Touches; yes, to-morrow perhaps, with Conti. After we are
gone strange things will happen here. I shall regret not witnessing
conflicts of passion of a kind so rare in France, and so dramatic. You
are very young to enter such dangerous lists; you interest me; were it
not for the profound disgust I feel for women, I would stay and help
you play this game. It is difficult; you may lose it; you have to do
with two extraordinary women, and you feel too much for one to use the
other judiciously. Beatrix is dogged by nature; Camille has grandeur.
Probably you will be wrecked between those reefs, drawn upon them by
the waves of passion. Beware!"

Calyste's stupefaction on hearing these words enabled Claude to say
them without interruption and leave the young Breton, who remained
like a traveller among the Alps to whom a guide has shown the depth of
some abyss by flinging a stone into it. To hear from the lips of
Claude himself that Camille loved him, at the very moment when he felt
that he loved Beatrix for life, was a weight too heavy for his untried
soul to bear. Goaded by an immense regret which now filled all the
past, overwhelmed with a sight of his position between Beatrix whom he
loved and Camille whom he had ceased to love, the poor boy sat
despairing and undecided, lost in thought. He sought in vain for the
reasons which had made Felicite reject his love and bring Claude
Vignon from Paris to oppose it. Every now and then the voice of
Beatrix came fresh and pure to his ears from the little salon; a
savage desire to rush in and carry her off seized him at such moments.
What would become of him? What must he do? Could he come to Les
Touches? If Camille loved him how could he come there to adore
Beatrix? He saw no solution to these difficulties.

Insensibly to him silence now reigned in the house; he heard, but
without noticing, the opening and shutting of doors. Then suddenly
midnight sounded on the clock of the adjoining bedroom, and the voices
of Claude and Camille roused him fully from his torpid contemplation
of the future. Before he could rise and show himself, he heard the
following terrible words in the voice of Claude Vignon.

"You came to Paris last year desperately in love with Calyste," Claude
was saying to Felicite, "but you were horrified at the thought of the
consequences of such a passion at your age; it would lead you to a
gulf, to hell, to suicide perhaps. Love cannot exist unless it thinks
itself eternal, and you saw not far before you a horrible parting; old
age you knew would end the glorious poem soon. You thought of
'Adolphe,' that dreadful finale of the loves of Madame de Stael and
Benjamin Constant, who, however, were nearer of an age than you and
Calyste. Then you took me, as soldiers use fascines to build
entrenchments between the enemy and themselves. You brought me to Les
Touches to mask your real feelings and leave you safe to follow your
own secret adoration. The scheme was grand and ignoble both; but to
carry it out you should have chosen either a common man or one so
preoccupied by noble thoughts that you could easily deceive him. You
thought me simple and easy to mislead as a man of genius. I am not a
man of genius, I am a man of talent, and as such I have divined you.
When I made that eulogy yesterday on women of your age, explaining to
you why Calyste had loved you, do you suppose I took to myself your
ravished, fascinated, fazzling glance? Had I not read into your soul?
The eyes were turned on me, but the heart was throbbing for Calyste.
You have never been loved, my poor Maupin, and you never will be after
rejecting the beautiful fruit which chance has offered to you at the
portals of that hell of woman, the lock of which is the numeral 50!"

"Why has love fled me?" she said in a low voice. "Tell me, you who
know all."

"Because you are not lovable," he answered. "You do not bend to love;
love must bend to you. You may perhaps have yielded to some follies of
youth, but there was no youth in your heart; your mind has too much
depth; you have never been naive and artless, and you cannot begin to
be so now. Your charm comes from mystery; it is abstract, not active.
Your strength repulses men of strength who fear a struggle. Your power
may please young souls, like that of Calyste, which like to be
protected; though, even them it wearies in the long run. You are
grand, and you are sublime; bear with the consequence of those two
qualities--they fatigue."

"What a sentence!" cried Camille. "Am I not a woman? Do you think me
an anomaly?"

"Possibly," said Claude.

"We will see!" said the woman, stung to the quick.

"Farewell, my dear Camille; I leave to-morrow. I am not angry with
you, my dear; I think you the greatest of women, but if I continued to
serve you as a screen, or a shield," said Claude, with two significant
inflections of his voice, "you would despise me. We can part now
without pain or remorse; we have neither happiness to regret nor hopes
betrayed. To you, as with some few but rare men of genius, love is not
what Nature made it,--an imperious need, to the satisfaction of which
she attaches great and passing joys, which die. You see love such as
Christianity has created it,--an ideal kingdom, full of noble
sentiments, of grand weaknesses, poesies, spiritual sensations,
devotions of moral fragrance, entrancing harmonies, placed high above
all vulgar coarseness, to which two creatures as one angel fly on the
wings of pleasure. This is what I hoped to share; I thought I held in
you a key to that door, closed to so many, by which we may advance
toward the infinite. You were there already. In this you have misled
me. I return to my misery,--to my vast prison of Paris. Such a
deception as this, had it come to me earlier in life, would have made
me flee from existence; to-day it puts into my soul a disenchantment
which will plunge me forever into an awful solitude. I am without the
faith which helped the Fathers to people theirs with sacred images. It
is to this, my dear Camille, to this that the superiority of our mind
has brought us; we may, both of us, sing that dreadful hymn which a
poet has put into the mouth of Moses speaking to the Almighty: 'Lord
God, Thou hast made me powerful and solitary.'"

At this moment Calyste appeared.

"I ought not to leave you ignorant that I am here," he said.

Mademoiselle des Touches showed the utmost fear; a sudden flush
colored her impassible face with tints of fire. During this strange
scene she was more beautiful than at any other moment of her life.

"We thought you gone, Calyste," said Claude. "But this involuntary
discretion on both sides will do no harm; perhaps, indeed, you may be
more at your ease at Les Touches by knowing Felicite as she is. Her
silence shows me I am not mistaken as to the part she meant me to
play. As I told you before, she loves you, but it is for yourself, not
for herself,--a sentiment that few women are able to conceive and
practise; few among them know the voluptuous pleasure of sufferings
born of longing,--that is one of the magnificent passions reserved for
man. But she is in some sense a man," he added, sardonically. "Your
love for Beatrix will make her suffer and make her happy too."

Tears were in the eyes of Mademoiselle des Touches, who was unable to
look either at the terrible Vignon or the ingenuous Calyste. She was
frightened at being understood; she had supposed to impossible for
a man, however keen his perception, to perceive a delicacy so
self-immolating, a heroism so lofty as her own. Her evident humiliation
at this unveiling of her grandeur made Calyste share the emotion of the
woman he had held so high, and now beheld so stricken down. He threw
himself, from an irresistible impulse, at her feet, and kissed her
hands, laying his face, covered with tears, upon them.

"Claude," she said, "do not abandon me, or what will become of me?"

"What have you to fear?" replied the critic. "Calyste has fallen in
love at first sight with the marquise; you cannot find a better
barrier between you than that. This passion of his is worth more to
you than I. Yesterday there might have been some danger for you and
for him; to-day you can take a maternal interest in him," he said,
with a mocking smile, "and be proud of his triumphs."

Mademoiselle des Touches looked at Calyste, who had raised his head
abruptly at these words. Claude Vignon enjoyed, for his sole
vengeance, the sight of their confusion.

"You yourself have driven him to Madame de Rochefide," continued
Claude, "and he is now under the spell. You have dug your own grave.
Had you confided in me, you would have escaped the sufferings that
await you."

"Sufferings!" cried Camille Maupin, taking Calyste's head in her
hands, and kissing his hair, on which her tears fell plentifully. "No,
Calyste; forget what you have heard; I count for nothing in all this."

She rose and stood erect before the two men, subduing both with the
lightning of her eyes, from which her soul shone out.

"While Claude was speaking," she said, "I conceived the beauty and the
grandeur of love without hope; it is the sentiment that brings us
nearest God. Do not love me, Calyste; but I will love you as no woman
will!"

It was the cry of a wounded eagle seeking its eyrie. Claude himself
knelt down, took Camille's hand, and kissed it.

"Leave us now, Calyste," she said, "it is late, and your mother will
be uneasy."

Calyste returned to Guerande with lagging steps, turning again and
again, to see the light from the windows of the room in which was
Beatrix. He was surprised himself to find how little pity he felt for
Camille. But presently he felt once more the agitations of that scene,
the tears she had left upon his hair; he suffered with her suffering;
he fancied he heard the moans of that noble woman, so beloved, so
desired but a few short days before.

When he opened the door of his paternal home, where total silence
reigned, he saw his mother through the window, as she sat sewing by
the light of the curiously constructed lamp while she awaited him.
Tears moistened the lad's eyes as he looked at her.

"What has happened?" cried Fanny, seeing his emotion, which filled her
with horrible anxiety.

For all answer, Calyste took his mother in his arms, and kissed her on
her cheeks, her forehead and hair, with one of those passionate
effusions of feeling that comfort mothers, and fill them with the
subtle flames of the life they have given.

"It is you I love, you!" cried Calyste,--"you, who live for me; you,
whom I long to render happy!"

"But you are not yourself, my child," said the baroness, looking at
him attentively. "What has happened to you?"

"Camille loves me, but I love her no longer," he answered.

The next day, Calyste told Gasselin to watch the road to
Saint-Nazaire, and let him know if the carriage of Mademoiselle des
Touches passed over it. Gasselin brought word that the carriage had
passed.

"How many persons were in it?" asked Calyste.

"Four,--two ladies and two gentlemen."

"Then saddle my horse and my father's."

Gasselin departed.

"My, nephew, what mischief is in you now?" said his Aunt Zephirine.

"Let the boy amuse himself, sister," cried the baron. "Yesterday he
was dull as an owl; to-day he is gay as a lark."

"Did you tell him that our dear Charlotte was to arrive to-day?" said
Zephirine, turning to her sister-in-law.

"No," replied the baroness.

"I thought perhaps he was going to meet her," said Mademoiselle du
Guenic, slyly.

"If Charlotte is to stay three months with her aunt, he will have
plenty of opportunities to see her," said his mother.

"Mademoiselle de Pen-Hoel wants me to marry Charlotte, to save me from
perdition," said Calyste, laughing. "I was on the mall when she and
the Chevalier du Halga were talking about it. She can't see that it
would be greater perdition for me to marry at my age--"

"It is written above," said the old maid, interrupting Calyste, "that
I shall not die tranquil or happy. I wanted to see our family
continued, and some, at least, of the estates brought back; but it is
not to be. What can you, my fine nephew, put in the scale against such
duties? Is it that actress at Les Touches?"

"What?" said the baron; "how can Mademoiselle des Touches hinder
Calyste's marriage, when it becomes necessary for us to make it? I
shall go and see her."

"I assure you, father," said Calyste, "that Felicite will never be an
obstacle to my marriage."

Gasselin appeared with the horses.

"Where are you going, chevalier?" said his father.

"To Saint-Nazaire."

"Ha, ha! and when is the marriage to be?" said the baron, believing
that Calyste was really in a hurry to see Charlotte de Kergarouet. "It
is high time I was a grandfather. Spare the horses," he continued, as
he went on the portico with Fanny to see Calyste mount; "remember that
they have more than thirty miles to go."

Calyste started with a tender farewell to his mother.

"Dear treasure!" she said, as she saw him lower his head to ride
through the gateway.

"God keep him!" replied the baron; "for we cannot replace him."

The words made the baroness shudder.

"My nephew does not love Charlotte enough to ride to Saint-Nazaire
after her," said the old blind woman to Mariotte, who was clearing the
breakfast-table.

"No; but a fine lady, a marquise, has come to Les Touches, and I'll
warrant he's after her; that's the way at his age," said Mariotte.

"They'll kill him," said Mademoiselle du Guenic.

"That won't kill him, mademoiselle; quite the contrary," replied
Mariotte, who seemed to be pleased with Calyste's behavior.

The young fellow started at a great pace, until Gasselin asked him if
he was trying to catch the boat, which, of course, was not at all his
desire. He had no wish to see either Conti or Claude again; but he did
expect to be invited to drive back with the ladies, leaving Gasselin
to lead his horse. He was gay as a bird, thinking to himself,--

"/She/ has just passed here; /her/ eyes saw those trees!--What a
lovely road!" he said to Gasselin.

"Ah! monsieur, Brittany is the most beautiful country in all the
world," replied the Breton. "Where could you find such flowers in the
hedges, and nice cool roads that wind about like these?"

"Nowhere, Gasselin."

"/Tiens/! here comes the coach from Nazaire," cried Gasselin
presently.

"Mademoiselle de Pen-Hoel and her niece will be in it. Let us hide,"
said Calyste.

"Hide! are you crazy, monsieur? Why, we are on the moor!"

The coach, which was coming up the sandy hill above Saint-Nazaire, was
full, and, much to the astonishment of Calyste, there were no signs of
Charlotte.

"We had to leave Mademoiselle de Pen-Hoel, her sister and niece; they
are dreadfully worried; but all my seats were engaged by the
custom-house," said the conductor to Gasselin.

"I am lost!" thought Calyste; "they will meet me down there."

When Calyste reached the little esplanade which surrounds the church
of Saint-Nazaire, and from which is seen Paimboeuf and the magnificent
Mouths of the Loire as they struggle with the sea, he found Camille
and the marquise waving their handkerchiefs as a last adieu to two
passengers on the deck of the departing steamer. Beatrix was charming
as she stood there, her features softened by the shadow of a
rice-straw hat, on which were tufts and knots of scarlet ribbon. She
wore a muslin gown with a pattern of flowers, and was leaning with one
well-gloved hand on a slender parasol. Nothing is finer to the eyes than
a woman poised on a rock like a statue on its pedestal. Conti could see
Calyste from the vessel as he approached Camille.

"I thought," said the young man, "that you would probably come back
alone."

"You have done right, Calyste," she replied, pressing his hand.

Beatrix turned round, saw her young lover, and gave him the most
imperious look in her repertory. A smile, which the marquise detected
on the eloquent lips of Mademoiselle des Touches, made her aware of
the vulgarity of such conduct, worthy only of a bourgeoise. She then
said to Calyste, smiling,--

"Are you not guilty of a slight impertinence in supposing that I
should bore Camille, if left alone with her?"

"My dear, one man to two widows is none too much," said Mademoiselle
des Touches, taking Calyste's arm, and leaving Beatrix to watch the
vessel till it disappeared.

At this moment Calyste heard the approaching voices of Mademoiselle de
Pen-Hoel, the Vicomtesse de Kergarouet, Charlotte, and Gasselin, who
were all talking at once, like so many magpies. The old maid was
questioning Gasselin as to what had brought him and his master to
Saint-Nazaire; the carriage of Mademoiselle des Touches had already
caught her eye. Before the young Breton could get out of sight,
Charlotte had seen him.

"Why, there's Calyste!" she exclaimed eagerly.

"Go and offer them seats in my carriage," said Camille to Calyste;
"the maid can sit with the coachman. I saw those ladies lose their
places in the mail-coach."

Calyste, who could not help himself, carried the message. As soon as
Madame de Kergarouet learned that the offer came from the celebrated
Camille Maupin, and that the Marquise de Rochefide was of the party,
she was much surprised at the objections raised by her elder sister,
who refused positively to profit by what she called the devil's
carryall. At Nantes, which boasted of more civilization than Guerande,
Camille was read and admired; she was thought to be the muse of
Brittany and an honor to the region. The absolution granted to her in
Paris by society, by fashion, was there justified by her great fortune
and her early successes in Nantes, which claimed the honor of having
been, if not her birthplace, at least her cradle. The viscountess,
therefore, eager to see her, dragged her old sister forward, paying no
attention to her jeremiads.

"Good-morning, Calyste," said Charlotte.

"Oh! good-morning, Charlotte," replied Calyste, not offering his arm.

Both were confused; she by his coldness, he by his cruelty, as they
walked up the sort of ravine, which is called in Saint-Nazaire a
street, following the two sisters in silence. In a moment the little
girl of sixteen saw her castle in Spain, built and furnished with
romantic hopes, a heap of ruins. She and Calyste had played together
so much in childhood, she was so bound up with him, as it were, that
she had quietly supposed her future unassailable; she arrived now,
swept along by thoughtless happiness, like a circling bird darting
down upon a wheat-field, and lo! she was stopped in her flight, unable
to imagine the obstacle.

"What is the matter, Calyste?" she said, taking his hand.

"Nothing," replied the young man, releasing himself with cruel haste
as he remembered the projects of his aunt and her friend.

Tears came into Charlotte's eyes. She looked at the handsome Calyste
without ill-humor; but a first spasm of jealousy seized her, and she
felt the dreadful madness of rivalry when she came in sight of the two
Parisian women, and suspected the cause of his coldness.

Charlotte de Kergarouet was a girl of ordinary height, and commonplace
coloring; she had a little round face, made lively by a pair of black
eyes which sparkled with cleverness, abundant brown hair, a round
waist, a flat back, thin arms, and the curt, decided manner of a
provincial girl, who did not want to be taken for a little goose. She
was the petted child of the family on account of the preference her
aunt showed for her. At this moment she was wrapped in a mantle of
Scotch merino in large plaids, lined with green silk, which she had
worn on the boat. Her travelling-dress, of some common stuff, chastely
made with a chemisette body and a pleated collar, was fated to appear,
even to her own eyes, horrible in comparison with the fresh toilets of
Beatrix and Camille. She was painfully aware of the stockings soiled
among the rocks as she had jumped from the boat, of shabby leather
shoes, chosen for the purpose of not spoiling better ones on the
journey,--a fixed principle in the manners and customs of provincials.

As for the Vicomtesse de Kergarouet, she might stand as the type of a
provincial woman. Tall, hard, withered, full of pretensions, which did
not show themselves until they were mortified, talking much, and
catching, by dint of talking (as one cannons at billiards), a few
ideas, which gave her the reputation of wit, endeavoring to humiliate
Parisians, whenever she met them, with an assumption of country wisdom
and patronage, humbling herself to be exalted and furious at being
left upon her knees; fishing, as the English say, for compliments,
which she never caught; dressed in clothes that were exaggerated in
style, and yet ill cared for; mistaking want of good manners for
dignity, and trying to embarrass others by paying no attention to
them; refusing what she desired in order to have it offered again, and
to seem to yield only to entreaty; concerned about matters that others
have done with, and surprised at not being in the fashion; and
finally, unable to get through an hour without reference to Nantes,
matters of social life in Nantes, complaints of Nantes, criticism of
Nantes, and taking as personalities the remarks she forced out of
absent-minded or wearied listeners.

Her manners, language, and ideas had, more or less, descended to her
four daughters. To know Camille Maupin and Madame de Rochefide would
be for her a future, and the topic of a hundred conversations.
Consequently, she advanced toward the church as if she meant to take
it by assault, waving her handkerchief, unfolded for the purpose of
displaying the heavy corners of domestic embroidery, and trimmed with
flimsy lace. Her gait was tolerably bold and cavalier, which, however,
was of no consequence in a woman forty-seven years of age.

"Monsieur le chevalier," she said to Camille and Beatrix, pointing to
Calyste, who was mournfully following with Charlotte, "has conveyed to
me your friendly proposal, but we fear--my sister, my daughter, and
myself--to inconvenience you."

"Sister, I shall not put these ladies to inconvenience," said
Mademoiselle de Pen-Hoel, sharply; "I can very well find a horse in
Saint-Nazaire to take me home."

Camille and Beatrix exchanged an oblique glance, which Calyste
intercepted, and that glance sufficed to annihilate all the memories
of his childhood, all his beliefs in the Kergarouets and Pen-Hoels,
and to put an end forever to the projects of the three families.

"We can very well put five in the carriage," replied Mademoiselle des
Touches, on whom Jacqueline turned her back, "even if we were
inconvenienced, which cannot be the case, with your slender figures.
Besides, I should enjoy the pleasure of doing a little service to
Calyste's friends. Your maid, madame, will find a seat by the
coachman, and your luggage, if you have any, can go behind the
carriage; I have no footman with me."

The viscountess was overwhelming in thanks, and complained that her
sister Jacqueline had been in such a hurry to see her niece that she
would not give her time to come properly in her own carriage with
post-horses, though, to be sure, the post-road was not only longer,
but more expensive; she herself was obliged to return almost
immediately to Nantes, where she had left three other little kittens,
who were anxiously awaiting her. Here she put her arm round
Charlotte's neck. Charlotte, in reply, raised her eyes to her mother
with the air of a little victim, which gave an impression to onlookers
that the viscountess bored her four daughters prodigiously by dragging
them on the scene very much as Corporal Trim produces his cap in
"Tristram Shandy."

"You are a fortunate mother and--" began Camille, stopping short as
she remembered that Beatrix must have parted from her son when she
left her husband's house.

"Oh, yes!" said the viscountess; "if I have the misfortune of spending
my life in the country, and, above all, at Nantes, I have at least the
consolation of being adored by my children. Have you children?" she
said to Camille.

"I am Mademoiselle des Touches," replied Camille. "Madame is the
Marquise de Rochefide."

"Then I must pity you for not knowing the greatest happiness that
there is for us poor, simple women--is not that so, madame?" said the
viscountess, turning to Beatrix. "But you, mademoiselle, have so many
compensations."

The tears came into Madame de Rochefide's eyes, and she turned away
toward the parapet to hide them. Calyste followed her.

"Madame," said Camille, in a low voice to the viscountess, "are you
not aware that the marquise is separated from her husband? She has not
seen her son for two years, and does not know when she will see him."

"You don't say so!" said Madame de Kergarouet. "Poor lady! is she
legally separated?"

"No, by mutual consent," replied Camille.

"Ah, well! I understand that," said the viscountess boldly.

Old Mademoiselle de Pen-Hoel, furious at being thus dragged into the
enemy's camp, had retreated to a short distance with her dear
Charlotte. Calyste, after looking about him to make sure that no one
could see him, seized the hand of the marquise, kissed it, and left a
tear upon it. Beatrix turned round, her tears dried by anger; she was
about to utter some terrible word, but it died upon her lips as she
saw the grief on the angelic face of the youth, as deeply touched by
her present sorrow as she was herself.

"Good heavens, Calyste!" said Camille in his ear, as he returned with
Madame de Rochefide, "are you to have /that/ for a mother-in-law, and
the little one for a wife?"

"Because her aunt is rich," replied Calyste, sarcastically.

The whole party now moved toward the inn, and the viscountess felt
herself obliged to make Camille a speech on the savages of
Saint-Nazaire.

"I love Brittany, madame," replied Camille, gravely. "I was born at
Guerande."

Calyste could not help admiring Mademoiselle des Touches, who, by the
tone of her voice, the tranquillity of her look, and her quiet manner,
put him at his ease, in spite of the terrible declarations of the
preceding night. She seemed, however, a little fatigued; her eyes were
enlarged by dark circles round them, showing that he had not slept;
but the brow dominated the inward storm with cold placidity.

"What queens!" he said to Charlotte, calling her attention to the
marquise and Camille as he gave the girl his arm, to Mademoiselle de
Pen-Hoel's great satisfaction.

"What an idea your mother has had," said the old maid, taking her
niece's other arm, "to put herself in the company of that reprobate
woman!"

"Oh, aunt, a woman who is the glory of Brittany!"

"The shame, my dear. Mind that you don't fawn upon her in that way."

"Mademoiselle Charlotte is right," said Calyste; "you are not just."

"Oh, you!" replied Mademoiselle de Pen-Hoel, "she has bewitched you."

"I regard her," said Calyste, "with the same friendship that I feel
for you."

"Since when have the du Guenics taken to telling lies?" asked the old
maid.

"Since the Pen-Hoels have grown deaf," replied Calyste.

"Are you not in love with her?" demanded the old maid.

"I have been, but I am so no longer," he said.

"Bad boy! then why have you given us such anxiety? I know very well
that love is only foolishness; there is nothing solid but marriage,"
she remarked, looking at Charlotte.

Charlotte, somewhat reassured, hoped to recover her advantages by
recalling the memories of childhood. She leaned affectionately on
Calyste's arm, who resolved in his own mind to have a clear
explanation with the little heiress.

"Ah! what fun we shall have at /mouche/, Calyste!" she said; "what
good laughs we used to have over it!"

The horses were now put in; Camille placed Madame de Kergarouet and
Charlotte on the back seat. Jacqueline having disappeared, she
herself, with the marquise, sat forward. Calyste was, of course,
obliged to relinquish the pleasure on which he had counted, of driving
back with Camille and Beatrix, but he rode beside the carriage all the
way; the horses, being tired with the journey, went slowly enough to
allow him to keep his eyes on Beatrix.

History must lose the curious conversations that went on between these
four persons whom accident had so strangely united in this carriage,
for it is impossible to report the hundred and more versions which
went the round of Nantes on the remarks, replies, and witticisms which
the viscountess heard from the lips of the celebrated Camille Maupin
/herself/. She was, however, very careful not to repeat, not even to
comprehend, the actual replies made by Mademoiselle des Touches to her
absurd questions about Camille's authorship,--a penance to which all
authors are subjected, and which often make them expiate the few and
rare pleasures that they win.

"How do you write your books?" she began.

"Much as you do your worsted-work or knitting," replied Camille.

"But where do you find those deep reflections, those seductive
pictures?"

"Where you find the witty things you say, madame; there is nothing so
easy as to write books, provided you will--"

"Ah! does it depend wholly on the will? I shouldn't have thought it.
Which of your compositions do you prefer?"

"I find it difficult to prefer any of my little kittens."

"I see you are /blasee/ on compliments; there is really nothing new
that one can say."

"I assure you, madame, that I am very sensible to the form which you
give to yours."

The viscountess, anxious not to seem to neglect the marquise,
remarked, looking at Beatrix with a meaning air,--

"I shall never forget this journey made between Wit and Beauty."

"You flatter me, madame," said the marquise, laughing. "I assure you
that my wit is but a small matter, not to be mentioned by the side of
genius; besides, I think I have not said much as yet."

Charlotte, who keenly felt her mother's absurdity, looked at her,
endeavoring to stop its course; but Madame de Kergarouet went bravely
on in her tilt with the satirical Parisians.

Calyste, who was trotting slowly beside the carriage, could only see
the faces of the two ladies on the front seat, and his eyes expressed,
from time to time, rather painful thoughts. Forced, by her position,
to let herself be looked at, Beatrix constantly avoided meeting the
young man's eyes, and practised a manoeuvre most exasperating to
lovers; she held her shawl crossed and her hands crossed over it,
apparently plunged in the deepest meditation.

At a part of the road which is shaded, dewy, and verdant as a forest
glade, where the wheels of the carriage scarcely sounded, and the
breeze brought down balsamic odors and waved the branches above their
heads, Camille called Madame de Rochefide's attention to the harmonies
of the place, and pressed her knee to make her look at Calyste.

"How well he rides!" she said.

"Oh! Calyste does everything well," said Charlotte.

"He rides like an Englishman," said the marquise, indifferently.

"His mother is Irish,--an O'Brien," continued Charlotte, who thought
herself insulted by such indifference.

Camille and the marquise drove through Guerande with the viscountess
and her daughter, to the great astonishment of the inhabitants of the
town. They left the mother and daughter at the end of the lane leading
to the Guenic mansion, where a crowd came near gathering, attracted by
so unusual a sight. Calyste had ridden on to announce the arrival of
the company to his mother and aunt, who expected them to dinner, that
meal having been postponed till four o'clock. Then he returned to the
gate to give his arm to the two ladies, and bid Camille and Beatrix
adieu.

He kissed the hand of Felicite, hoping thereby to be able to do the
same to that of the marquise; but she still kept her arms crossed
resolutely, and he cast moist glances of entreaty at her uselessly.

"You little ninny!" whispered Camille, lightly touching his ear with a
kiss that was full of friendship.

"Quite true," thought Calyste to himself as the carriage drove away.
"I am forgetting her advice--but I shall always forget it, I'm
afraid."

Mademoiselle de Pen-Hoel (who had intrepidly returned to Guerande on
the back of a hired horse), the Vicomtesse de Kergarouet, and
Charlotte found dinner ready, and were treated with the utmost
cordiality, if luxury were lacking, by the du Guenics. Mademoiselle
Zephirine had ordered the best wine to be brought from the cellar, and
Mariotte had surpassed herself in her Breton dishes.

The viscountess, proud of her trip with the illustrious Camille
Maupin, endeavored to explain to the assembled company the present
condition of modern literature, and Camille's place in it. But the
literary topic met the fate of whist; neither the du Guenics, nor the
abbe, nor the Chevalier du Halga understood one word of it. The rector
and the chevalier had arrived in time for the liqueurs at dessert.

As soon as Mariotte, assisted by Gasselin and Madame de Kergarouet's
maid, had cleared the table, there was a general and enthusiastic cry
for /mouche/. Joy appeared to reign in the household. All supposed
Calyste to be free of his late entanglement, and almost as good as
married to the little Charlotte. The young man alone kept silence. For
the first time in his life he had instituted comparisons between his
life-long friends and the two elegant women, witty, accomplished, and
tasteful, who, at the present moment, must be laughing heartily at the
provincial mother and daughter, judging by the look he intercepted
between them.

He was seeking in vain for some excuse to leave his family on this
occasion, and go up as usual to Les Touches, when Madame de Kergarouet
mentioned that she regretted not having accepted Mademoiselle des
Touches' offer of her carriage for the return journey to
Saint-Nazaire, which for the sake of her three other "dear kittens,"
she felt compelled to make on the following day.

Fanny, who alone saw her son's uneasiness, and the little hold which
Charlotte's coquetries and her mother's attentions were gaining on
him, came to his aid.

"Madame," she said to the viscountess, "you will, I think, be very
uncomfortable in the carrier's vehicle, and especially at having to
start so early in the morning. You would certainly have done better to
take the offer made to you by Mademoiselle des Touches. But it is not
too late to do so now. Calyste, go up to Les Touches and arrange the
matter; but don't be long; return to us soon."

"It won't take me ten minutes," cried Calyste, kissing his mother
violently as she followed him to the door.



                                 XI

                          FEMALE DIPLOMACY

Calyste ran with the lightness of a young fawn to Les Touches and
reached the portico just as Camille and Beatrix were leaving the grand
salon after their dinner. He had the sense to offer his arm to
Felicite.

"So you have abandoned your viscountess and her daughter for us," she
said, pressing his arm; "we are able now to understand the full merit
of that sacrifice."

"Are these Kergarouets related to the Portendueres, and to old Admiral
de Kergarouet, whose widow married Charles de Vandenesse?" asked
Madame de Rochefide.

"The viscountess is the admiral's great-niece," replied Camille.

"Well, she's a charming girl," said Beatrix, placing herself
gracefully in a Gothic chair. "She will just do for you, Monsieur du
Guenic."

"The marriage will never take place," said Camille hastily.

Mortified by the cold, calm air with which the marquise seemed to
consider the Breton girl as the only creature fit to mate him, Calyste
remained speechless and even mindless.

"Why so, Camille?" asked Madame de Rochefide.

"Really, my dear," said Camille, seeing Calyste's despair, "you are
not generous; did I advise Conti to marry?"

Beatrix looked at her friend with a surprise that was mingled with
indefinable suspicions.

Calyste, unable to understand Camille's motive, but feeling that she
came to his assistance and seeing in her cheeks that faint spot of
color which he knew to mean the presence of some violent emotion, went
up to her rather awkwardly and took her hand. But she left him and
seated herself carelessly at the piano, like a woman so sure of her
friend and lover that she can afford to leave him with another woman.
She played variations, improvising them as she played, on certain
themes chosen, unconsciously to herself, by the impulse of her mind;
they were melancholy in the extreme.

Beatrix seemed to listen to the music, but she was really observing
Calyste, who, much too young and artless for the part which Camille
was intending him to play, remained in rapt adoration before his real
idol.

After about an hour, during which time Camille continued to play,
Beatrix rose and retired to her apartments. Camille at once took
Calyste into her chamber and closed the door, fearing to be overheard;
for women have an amazing instinct of distrust.

"My child," she said, "if you want to succeed with Beatrix, you must
seem to love me still, or you will fail. You are a child; you know
nothing of women; all you know is how to love. Now loving and making
one's self beloved are two very different things. If you go your own
way you will fall into horrible suffering, and I wish to see you
happy. If you rouse, not the pride, but the self-will, the obstinacy
which is a strong feature in her character, she is capable of going
off at any moment to Paris and rejoining Conti; and what will you do
then?"

"I shall love her."

"You won't see her again."

"Oh! yes, I shall," he said.

"How?"

"I shall follow her."

"Why, you are as poor as Job, my dear boy."

"My father, Gasselin, and I lived for three months in Vendee on one
hundred and fifty francs, marching night and day."

"Calyste," said Mademoiselle des Touches, "now listen to me. I know
that you have too much candor to play a part, too much honesty to
deceive; and I don't want to corrupt such a nature as yours. Yet
deception is the only way by which you can win Beatrix; I take it
therefore upon myself. In a week from now she shall love you."

"Is it possible?" he said clasping his hands.

"Yes," replied Camille, "but it will be necessary to overcome certain
pledges which she has made to herself. I will do that for you. You
must not interfere in the rather arduous task I shall undertake. The
marquise has a true aristocratic delicacy of perception; she is keenly
distrustful; no hunter could meet with game more wary or more
difficult to capture. You are wholly unable to cope with her; will you
promise me a blind obedience?"

"What must I do?" replied the youth.

"Very little," said Camille. "Come here every day and devote yourself
to me. Come to my rooms; avoid Beatrix if you meet her. We will stay
together till four o'clock; you shall employ the time in study, and I
in smoking. It will be hard for you not to see her, but I will find
you a number of interesting books. You have read nothing as yet of
George Sand. I will send one of my people this very evening to Nantes
to buy her works and those of other authors whom you ought to know.
The evenings we will spend together, and I permit you to make love to
me if you can--it will be for the best."

"I know, Camille, that your affection for me is great and so rare that
it makes me wish I had never met Beatrix," he replied with simple good
faith; "but I don't see what you hope from all this."

"I hope to make her love you."

"Good heavens! it cannot be possible!" he cried, again clasping his
hands toward Camille, who was greatly moved on seeing the joy that she
gave him at her own expense.

"Now listen to me carefully," she said. "If you break the agreement
between us, if you have--not a long conversation--but a mere exchange
of words with the marquise in private, if you let her question you, if
you fail in the silent part I ask you to play, which is certainly not
a very difficult one, I do assure you," she said in a serious tone,
"you will lose her forever."

"I don't understand the meaning of what you are saying to me," cried
Calyste, looking at Camille with adorable naivete.

"If you did understand it, you wouldn't be the noble and beautiful
Calyste that you are," she replied, taking his hand and kissing it.

Calyste then did what he had never before done; he took Camille round
the waist and kissed her gently, not with love but with tenderness, as
he kissed his mother. Mademoiselle des Touches did not restrain her
tears.

"Go now," she said, "my child; and tell your viscountess that my
carriage is at her command."

Calyste wanted to stay longer, but he was forced to obey her imperious
and imperative gesture.

He went home gaily; he believed that in a week the beautiful Beatrix
would love him. The players at /mouche/ found him once more the
Calyste they had missed for the last two months. Charlotte attributed
this change to herself. Mademoiselle de Pen-Hoel was charming to him.
The Abbe Grimont endeavored to make out what was passing in the
mother's mind. The Chevalier du Halga rubbed his hands. The two old
maids were as lively as lizards. The viscountess lost one hundred sous
by accumulated /mouches/, which so excited the cupidity of Zephirine
that she regretted not being able to see the cards, and even spoke
sharply to her sister-in-law, who acted as the proxy of her eyes.

The party lasted till eleven o'clock. There were two defections, the
baron and the chevalier, who went to sleep in their respective chairs.
Mariotte had made galettes of buckwheat, the baroness produced a
tea-caddy. The illustrious house of du Guenic served a little supper
before the departure of its guests, consisting of fresh butter,
fruits, and cream, in addition to Mariotte's cakes; for which festal
event issued from their wrappings a silver teapot and some beautiful
old English china sent to the baroness by her aunts. This appearance
of modern splendor in the ancient hall, together with the exquisite
grace of its mistress, brought up like a true Irish lady to make and
pour out tea (that mighty affair to Englishwomen), had something
charming about them. The most exquisite luxury could never have
attained to the simple, modest, noble effect produced by this
sentiment of joyful hospitality.

A few moments after Calyste's departure from Les Touches, Beatrix, who
had heard him go, returned to Camille, whom she found with humid eyes
lying back on her sofa.

"What is it, Felicite?" asked the marquise.

"I am forty years old, and I love him!" said Mademoiselle des Touches,
with dreadful tones of agony in her voice, her eyes becoming hard and
brilliant. "If you knew, Beatrix, the tears I have shed over the lost
years of my youth! To be loved out of pity! to know that one owes
one's happiness only to perpetual care, to the slyness of cats, to
traps laid for innocence and all the youthful virtues--oh, it is
infamous! If it were not that one finds absolution in the magnitude of
love, in the power of happiness, in the certainty of being forever
above all other women in his memory, the first to carve on that young
heart the ineffaceable happiness of an absolute devotion, I would
--yes, if he asked it,--I would fling myself into the sea. Sometimes I
find myself wishing that he would ask it; it would then be an
oblation, not a suicide. Ah, Beatrix, by coming here you have,
unconsciously, set me a hard task. I know it will be difficult to keep
him against you; but you love Conti, you are noble and generous, you
will not deceive me; on the contrary, you will help me to retain my
Calyste's love. I expected the impression you would make upon him, but
I have not committed the mistake of seeming jealous; that would only
have added fuel to the flame. On the contrary, before you came, I
described you in such glowing colors that you hardly realize the
portrait, although you are, it seems to me, more beautiful than ever."

This vehement elegy, in which truth was mingled with deception,
completely duped the marquise. Claude Vignon had told Conti the
reasons for his departure, and Beatrix was, of course, informed of
them. She determined therefore to behave with generosity and give the
cold shoulder to Calyste; but at the same instant there came into her
soul that quiver of joy which vibrates in the heart of every woman
when she finds herself beloved. The love a woman inspires in any man's
heart is flattery without hypocrisy, and it is impossible for some
women to forego it; but when that man belongs to a friend, his homage
gives more than pleasure,--it gives delight. Beatrix sat down beside
her friend and began to coax her prettily.

"You have not a white hair," she said; "you haven't even a wrinkle;
your temples are just as fresh as ever; whereas I know more than one
woman of thirty who is obliged to cover hers. Look, dear," she added,
lifting her curls, "see what that journey to Italy has cost me."

Her temples showed an almost imperceptible withering of the texture of
the delicate skin. She raised her sleeves and showed Camille the same
slight withering of the wrists, where the transparent tissue suffered
the blue network of swollen veins to be visible, and three deep lines
made a bracelet of wrinkles.

"There, my dear, are two spots which--as a certain writer ferreting
for the miseries of women, has said--never lie," she continued. "One
must needs have suffered to know the truth of his observation. Happily
for us, most men know nothing about it; they don't read us like that
dreadful author."

"Your letter told me all," replied Camille; "happiness ignores
everything but itself. You boasted too much of yours to be really
happy. Truth is deaf, dumb, and blind where love really is.
Consequently, seeing very plainly that you have your reasons for
abandoning Conti, I have feared to have you here. My dear, Calyste is
an angel; he is as good as he is beautiful; his innocent heart will
not resist your eyes; already he admires you too much not to love you
at the first encouragement; your coldness can alone preserve him to
me. I confess to you, with the cowardice of true passion, that if he
were taken from me I should die. That dreadful book of Benjamin
Constant, 'Adolphe,' tells us only of Adolphe's sorrows; but what
about those of the woman, hey? The man did not observe them enough to
describe them; and what woman would have dared to reveal them? They
would dishonor her sex, humiliate its virtues, and pass into vice. Ah!
I measure the abyss before me by my fears, by these sufferings that
are those of hell. But, Beatrix, I will tell you this: in case I am
abandoned, my choice is made."

"What is it?" cried Beatrix, with an eagerness that made Camille
shudder.

The two friends looked at each other with the keen attention of
Venetian inquisitors; their souls clashed in that rapid glance, and
struck fire like flints. The marquise lowered her eyes.

"After man, there is nought but God," said the celebrated woman. "God
is the Unknown. I shall fling myself into that as into some vast
abyss. Calyste has sworn to me that he admires you only as he would a
picture; but alas! you are but twenty-eight, in the full magnificence
of your beauty. The struggle thus begins between him and me by
falsehood. But I have one support; happily I know a means to keep him
true to me, and I shall triumph."

"What means?"

"That is my secret, dear. Let me have the benefits of my age. If
Claude Vignon, as Conti has doubtless told you, flings me back into
the gulf, I, who had climbed to a rock which I thought inaccessible,
--I will at least gather the pale and fragile, but delightful flowers
that grow in its depths."

Madame de Rochefide was moulded like wax in those able hands. Camille
felt an almost savage pleasure in thus entrapping her rival in her
toils. She sent her to bed that night piqued by curiosity, floating
between jealousy and generosity, but most assuredly with her mind full
of the beautiful Calyste.

"She will be enchanted to deceive me," thought Camille, as she kissed
her good-night.

Then, when she was alone, the author, the constructor of dramas, gave
place to the woman, and she burst into tears. Filling her hookah with
tobacco soaked in opium, she spent the greater part of the night in
smoking, dulling thus the sufferings of her soul, and seeing through
the clouds about her the beautiful young head of her late lover.

"What a glorious book to write, if I were only to express my pain!"
she said to herself. "But it is written already; Sappho lived before
me. And Sappho was young. A fine and touching heroine truly, a woman
of forty! Ah! my poor Camille, smoke your hookah; you haven't even the
resource of making a poem of your misery--that's the last drop of
anguish in your cup!"

The next morning Calyste came before mid-day and slipped upstairs, as
he was told, into Camille's own room, where he found the books.
Felicite sat before the window, smoking, contemplating in turn the
marshes, the sea, and Calyste, to whom she now and then said a few
words about Beatrix. At one time, seeing the marquise strolling about
the garden, she raised a curtain in a way to attract her attention,
and also to throw a band of light across Calyste's book.

"To-day, my child, I shall ask you to stay to dinner; but you must
refuse, with a glance at the marquise, which will show her how much
you regret not staying."

When the three actors met in the salon, and this comedy was played,
Calyste felt for a moment his equivocal position, and the glance that
he cast on Beatrix was far more expressive than Felicite expected.
Beatrix had dressed herself charmingly.

"What a bewitching toilet, my dearest!" said Camille, when Calyste had
departed.

These manoeuvres lasted six days, during which time many conversations,
into which Camille Maupin put all her ability, took place, unknown to
Calyste, between herself and the marquise. They were like the
preliminaries of a duel between two women,--a duel without truce, in
which the assault was made on both sides with snares, feints, false
generosities, deceitful confessions, crafty confidences, by which one
hid and the other bared her love; and in which the sharp steel of
Camille's treacherous words entered the heart of her friend, and left
its poison there. Beatrix at last took offence at what she thought
Camille's distrust; she considered it out of place between them. At
the same time she was enchanted to find the great writer a victim to
the pettiness of her sex, and she resolved to enjoy the pleasure of
showing her where her greatness ended, and how even she could be
humiliated.

"My dear, what is to be the excuse to-day for Monsieur du Guenic's not
dining with us?" she asked, looking maliciously at her friend. "Monday
you said we had engagements; Tuesday the dinner was poor; Wednesday
you were afraid his mother would be angry; Thursday you wanted to take
a walk with me; and yesterday you simply dismissed him without a
reason. To-day I shall have my way, and I mean that he shall stay."

"Already, my dear!" said Camille, with cutting irony. The marquise
blushed. "Stay, Monsieur du Guenic," said Camille, in the tone of a
queen.

Beatrix became cold and hard, contradictory in tone, epigrammatic, and
almost rude to Calyste, whom Felicite sent home to play /mouche/ with
Charlotte de Kergarouet.

"/She/ is not dangerous at any rate," said Beatrix, sarcastically.

Young lovers are like hungry men; kitchen odors will not appease their
hunger; they think too much of what is coming to care for the means
that bring it. As Calyste walked back to Guerande, his soul was full
of Beatrix; he paid no heed to the profound feminine cleverness which
Felicite was displaying on his behalf. During this week the marquise
had only written once to Conti, a symptom of indifference which had
not escaped the watchful eyes of Camille, who imparted it to Calyste.
All Calyste's life was concentrated in the short moment of the day
during which he was allowed to see the marquise. This drop of water,
far from allaying his thirst, only redoubled it. The magic promise,
"Beatrix shall love you," made by Camille, was the talisman with which
he strove to restrain the fiery ardor of his passion. But he knew not
how to consume the time; he could not sleep, and spent the hours of
the night in reading; every evening he brought back with him, as
Mariotte remarked, cartloads of books.

His aunt called down maledictions on the head of Mademoiselle des
Touches; but his mother, who had gone on several occasions to his room
on seeing his light burning far into the night, knew by this time the
secret of his conduct. Though for her love was a sealed book, and she
was even unaware of her own ignorance, Fanny rose through maternal
tenderness into certain ideas of it; but the depths of such sentiment
being dark and obscured by clouds to her mind, she was shocked at the
state in which she saw him; the solitary uncomprehended desire of his
soul, which was evidently consuming him, simply terrified her. Calyste
had but one thought; Beatrix was always before him. In the evenings,
while cards were being played, his abstraction resembled his father's
somnolence. Finding him so different from what he was when he loved
Camille, the baroness became aware, with a sort of horror, of the
symptoms of real love,--a species of possession which had seized upon
her son,--a love unknown within the walls of that old mansion.

Feverish irritability, a constant absorption in thought, made Calyste
almost doltish. Often he would sit for hours with his eyes fixed on
some figure in the tapestry. One morning his mother implored him to
give up Les Touches, and leave the two women forever.

"Not go to Les Touches!" he cried.

"Oh! yes, yes, go! do not look so, my darling!" she cried, kissing him
on the eyes that had flashed such flames.

Under these circumstances Calyste often came near losing the fruit of
Camille's plot through the Breton fury of his love, of which he was
ceasing to be the master. Finally, he swore to himself, in spite of
his promise to Felicite, to see Beatrix, and speak to her. He wanted
to read her eyes, to bathe in their light, to examine every detail of
her dress, breathe its perfume, listen to the music of her voice,
watch the graceful composition of her movements, embrace at a glance
the whole figure, and study her as a general studies the field where
he means to win a decisive battle. He willed as lovers will; he was
grasped by desires which closed his ears and darkened his intellect,
and threw him into an unnatural state in which he was conscious of
neither obstacles, nor distances, nor the existence even of his own
body.

One morning he resolved to go to Les Touches at an earlier hour than
that agreed upon, and endeavor to meet Beatrix in the garden. He knew
she walked there daily before breakfast.

Mademoiselle des Touches and the marquise had gone, as it happened, to
see the marshes and the little bay with its margin of fine sand, where
the sea penetrates and lies like a lake in the midst of the dunes.
They had just returned, and were walking up a garden path beside the
lawn, conversing as they walked.

"If the scenery pleases you," said Camille, "we must take Calyste and
make a trip to Croisic. There are splendid rocks there, cascades of
granite, little bays with natural basins, charmingly unexpected and
capricious things, besides the sea itself, with its store of marble
fragments,--a world of amusement. Also you will see women making fuel
with cow-dung, which they nail against the walls of their houses to
dry in the sun, after which they pile it up as we do peat in Paris."

"What! will you really risk Calyste?" cried the marquise, laughing, in
a tone which proved that Camille's ruse had answered its purpose.

"Ah, my dear," she replied, "if you did but know the angelic soul of
that dear child, you would understand me. In him, mere beauty is
nothing; one must enter that pure heart, which is amazed at every step
it takes into the kingdom of love. What faith! what grace! what
innocence! The ancients were right enough in the worship they paid to
sacred beauty. Some traveller, I forget who, relates that when wild
horses lose their leader they choose the handsomest horse in the herd
for his successor. Beauty, my dear, is the genius of things; it is the
ensign which Nature hoists over her most precious creations; it is the
trust of symbols as it is the greatest of accidents. Did any one ever
suppose that angels could be deformed? are they not necessarily a
combination of grace and strength? What is it that makes us stand for
hours before some picture in Italy, where genius has striven through
years of toil to realize but one of those accidents of Nature? Come,
call up your sense of the truth of things and answer me; is it not the
Idea of Beauty which our souls associate with moral grandeur? Well,
Calyste is one of those dreams, those visions, realized. He has the
regal power of a lion, tranquilly unsuspicious of its royalty. When he
feels at his ease, he is witty; and I love his girlish timidity. My
soul rests in his heart away from all corruptions, all ideas of
knowledge, literature, the world, society, politics,--those useless
accessories under which we stifle happiness. I am what I have never
been,--a child! I am sure of him, but I like to play at jealousy; he
likes it too. Besides, that is part of my secret."

Beatrix walked on pensively, in silence. Camille endured unspeakable
martyrdom, and she cast a sidelong look at her companion which looked
like flame.

"Ah, my dear; but /you/ are happy," said Beatrix presently, laying her
hand on Camille's arm like a woman wearied out with some inward
struggle.

"Yes, happy indeed!" replied Felicite, with savage bitterness.

The two women dropped upon a bench from a sense of exhaustion. No
creature of her sex was ever played upon like an instrument with more
Machiavellian penetration than the marquise throughout this week.

"Yes, you are happy, but I!" she said,--"to know of Conti's
infidelities, and have to bear them!"

"Why not leave him?" said Camille, seeing the hour had come to strike
a decisive blow.

"Can I?"

"Oh! poor boy!"

Both were gazing into a clump of trees with a stupefied air.

Camille rose.

"I will go and hasten breakfast; my walk has given me an appetite,"
she said.

"Our conversation has taken away mine," remarked Beatrix.

The marquise in her morning dress was outlined in white against the
dark greens of the foliage. Calyste, who had slipped through the salon
into the garden, took a path, along which he sauntered as though he
were meeting her by accident. Beatrix could not restrain a quiver as
he approached her.

"Madame, in what way did I displease you yesterday?" he said, after
the first commonplace sentences had been exchanged.

"But you have neither pleased me nor displeased me," she said, in a
gentle voice.

The tone, air, and manner in which the marquise said these words
encouraged Calyste.

"Am I so indifferent to you?" he said in a troubled voice, as the
tears came into his eyes.

"Ought we not to be indifferent to each other?" replied the marquise.
"Have we not, each of us, another, and a binding attachment?"

"Oh!" cried Calyste, "if you mean Camille, I did love her, but I love
her no longer."

"Then why are you shut up together every morning?" she said, with a
treacherous smile. "I don't suppose that Camille, in spite of her
passion for tobacco, prefers her cigar to you, or that you, in your
admiration for female authors, spend four hours a day in reading their
romances."

"So then you know--" began the guileless young Breton, his face
glowing with the happiness of being face to face with his idol.

"Calyste!" cried Camille, angrily, suddenly appearing and interrupting
him. She took his arm and drew him away to some distance. "Calyste, is
this what you promised me?"

Beatrix heard these words of reproach as Mademoiselle des Touches
disappeared toward the house, taking Calyste with her. She was
stupefied by the young man's assertion, and could not comprehend it;
she was not as strong as Claude Vignon. In truth, the part being
played by Camille Maupin, as shocking as it was grand, is one of those
wicked grandeurs which women only practise when driven to extremity.
By it their hearts are broken; in it the feelings of their sex are
lost to them; it begins an abnegation which ends by either plunging
them to hell, or lifting them to heaven.

During breakfast, which Calyste was invited to share, the marquise,
whose sentiments could be noble and generous, made a sudden return
upon herself, resolving to stifle the germs of love which were rising
in her heart. She was neither cold nor hard to Calyste, but gently
indifferent,--a course which tortured him. Felicite brought forward a
proposition that they should make, on the next day but one, an
excursion into the curious and interesting country lying between Les
Touches, Croisic, and the village of Batz. She begged Calyste to
employ himself on the morrow in hiring a boat and sailors to take them
across the little bay, undertaking herself to provide horses and
provisions, and all else that was necessary for a party of pleasure,
in which there was to be no fatigue. Beatrix stopped the matter short,
however, by saying that she did not wish to make excursions round the
country. Calyste's face, which had beamed with delight at the
prospect, was suddenly overclouded.

"What are you afraid of, my dear?" asked Camille.

"My position is so delicate I do not wish to compromise--I will not
say my reputation, but my happiness," she said, meaningly, with a
glance at the young Breton. "You know very well how suspicious Conti
can be; if he knew--"

"Who will tell him?"

"He is coming back here to fetch me," said Beatrix.

Calyste turned pale. In spite of all that Camille could urge, in spite
of Calyste's entreaties, Madame de Rochefide remained inflexible, and
showed what Camille had called her obstinacy. Calyste left Les Touches
the victim of one of those depressions of love which threaten, in
certain men, to turn into madness. He began to revolve in his mind
some decided means of coming to an explanation with Beatrix.



                                XII

                           CORRESPONDENCE

When Calyste reached home, he did not leave his room until dinner
time; and after dinner he went back to it. At ten o'clock his mother,
uneasy at his absence, went to look for him, and found him writing in
the midst of a pile of blotted and half-torn paper. He was writing to
Beatrix, for distrust of Camille had come into his mind. The air and
manner of the marquise during their brief interview in the garden had
singularly encouraged him.

No first love-letter ever was or ever will be, as may readily be
supposed, a brilliant effort of the mind. In all young men not tainted
by corruption such a letter is written with gushings from the heart,
too overflowing, too multifarious not to be the essence, the elixir of
many other letters begun, rejected, and rewritten.

Here is the one that Calyste finally composed and which he read aloud
to his poor, astonished mother. To her the old mansion seemed to have
taken fire; this love of her son flamed up in it like the glare of a
conflagration.

  Calyste to Madame la Marquise de Rochefide.

  Madame,--I loved you when you were to me but a dream; judge,
  therefore, of the force my love acquired when I saw you. The dream
  was far surpassed by the reality. It is my grief and my misfortune
  to have nothing to say to you that you do not know already of your
  beauty and your charms; and yet, perhaps, they have awakened in no
  other heart so deep a sentiment as they have in me.

  In so many ways you are beautiful; I have studied you so much
  while thinking of you day and night that I have penetrated the
  mysteries of your being, the secrets of your heart, and your
  delicacy, so little appreciated. Have you ever been loved,
  understood, adored as you deserve to be?

  Let me tell you now that there is not a trait in your nature which
  my heart does not interpret; your pride is understood by mine; the
  grandeur of your glance, the grace of your bearing, the
  distinction of your movements,--all things about your person are
  in harmony with the thoughts, the hopes, the desires hidden in the
  depths of your soul; it is because I have divined them all that I
  think myself worthy of your notice. If I had not become, within
  the last few days, another yourself, I could not speak to you of
  myself; this letter, indeed, relates far more to you than it does
  to me.

  Beatrix, in order to write to you, I have silenced my youth, I
  have laid aside myself, I have aged my thoughts,--or, rather, it
  is you who have aged them, by this week of dreadful sufferings
  caused, innocently indeed, by you.

  Do not think me one of those common lovers at whom I have heard
  you laugh so justly. What merit is there in loving a young and
  beautiful and wise and noble woman. Alas! I have no merit! What
  can I be to you? A child, attracted by effulgence of beauty and by
  moral grandeur, as the insects are attracted to the light. You
  cannot do otherwise than tread upon the flowers of my soul; they
  are there at your feet, and all my happiness consists in your
  stepping on them.

  Absolute devotion, unbounded faith, love unquenchable,--all these
  treasures of a true and tender heart are nothing, nothing! they
  serve only to love with, they cannot win the love we crave.
  Sometimes I do not understand why a worship so ardent does not
  warm its idol; and when I meet your eye, so cold, so stern, I turn
  to ice within me. Your disdain, /that/ is the acting force between
  us, not my worship. Why? You cannot hate me as much as I love you;
  why, then, does the weaker feeling rule the stronger? I loved
  Felicite with all the powers of my heart; yet I forgot her in a
  day, in a moment, when I saw you. She was my error; you are my
  truth.

  You have, unknowingly, destroyed my happiness, and yet you owe me
  nothing in return. I loved Camille without hope, and I have no
  hope from you; nothing is changed but my divinity. I was a pagan;
  I am now a Christian, that is all--

  Except this: you have taught me that to love is the greatest of
  all joys; the joy of being loved comes later. According to
  Camille, it is not loving to love for a short time only; the love
  that does not grow from day to day, from hour to hour, is a mere
  wretched passion. In order to grow, love must not see its end; and
  she saw the end of ours, the setting of our sun of love. When I
  beheld you, I understood her words, which, until then, I had
  disputed with all my youth, with all the ardor of my desires, with
  the despotic sternness of twenty years. That grand and noble
  Camille mingled her tears with mine, and yet she firmly rejected
  the love she saw must end. Therefore I am free to love you here on
  earth and in the heaven above us, as we love God. If you loved me,
  you would have no such arguments as Camille used to overthrow my
  love. We are both young; we could fly on equal wing across our
  sunny heaven, not fearing storms as that grand eagle feared them.

  But ha! what am I saying? my thoughts have carried me beyond the
  humility of my real hopes. Believe me, believe in the submission,
  the patience, the mute adoration which I only ask you not to wound
  uselessly. I know, Beatrix, that you cannot love me without the
  loss of your self-esteem; therefore I ask for no return. Camille
  once said there was some hidden fatality in names, /a propos/ of
  hers. That fatality I felt for myself on the jetty of Guerande,
  when I read on the shores of the ocean your name. Yes, you will
  pass through my life as Beatrice passed through that of Dante. My
  heart will be a pedestal for that white statue, cold, distant,
  jealous, and oppressive.

  It is forbidden to you to love me; I know that. You will suffer a
  thousand deaths, you will be betrayed, humiliated, unhappy; but
  you have in you a devil's pride, which binds you to that column
  you have once embraced,--you are like Samson, you will perish by
  holding to it. But this I have not divined; my love is too blind
  for that; Camille has told it to me. It is not my mind that speaks
  to you of this, it is hers. I have no mind with which to reason
  when I think of you; blood gushes from my heart, and its hot wave
  darkens my intellect, weakens my strength, paralyzes my tongue,
  and bends my knees. I can only adore you, whatever you may do to
  me.

  Camille calls your resolution obstinacy; I defend you, and I call
  it virtue. You are only the more beautiful because of it. I know
  my destiny, and the pride of a Breton can rise to the height of
  the woman who makes her pride a virtue.

  Therefore, dear Beatrix, be kind, be consoling to me. When victims
  were selected, they crowned them with flowers; so do you to me;
  you owe me the flowers of pity, the music of my sacrifice. Am I
  not a proof of your grandeur? Will you not rise to the level of my
  disdained love,--disdained in spite of its sincerity, in spite of
  its immortal passion?

  Ask Camille how I behaved to her after the day she told me, on her
  return to Les Touches, that she loved Claude Vignon. I was mute; I
  suffered in silence. Well, for you I will show even greater
  strength,--I will bury my feelings in my heart, if you will not
  drive me to despair, if you will only understand my heroism. A
  single word of praise from you is enough to make me bear the pains
  of martyrdom.

  But if you persist in this cold silence, this deadly disdain, you
  will make me think you fear me. Ah, Beatrix, be with me what you
  are,--charming, witty, gay, and tender. Talk to me of Conti, as
  Camille has talked to me of Claude. I have no other spirit in my
  soul, no other genius but that of love; nothing is there that can
  make you fear me; I will be in your presence as if I loved you
  not.

  Can you reject so humble a prayer?--the prayer of a child who only
  asks that his Light shall lighten him, that his Sun may warm him.

  He whom you love can be with you at all times, but I, poor
  Calyste! have so few days in which to see you; you will soon be
  freed from me. Therefore I may return to Les Touches to-morrow,
  may I not? You will not refuse my arm for that excursion? We shall
  go together to Croisic and to Batz? If you do not go I shall take
  it for an answer,--Calyste will understand it!

There were four more pages of the same sort in close, fine writing,
wherein Calyste explained the sort of threat conveyed in the last
words, and related his youth and life; but the tale was chiefly told
in exclamatory phrases, with many of those points and dashes of which
modern literature is so prodigal when it comes to crucial passages,
--as though they were planks offered to the reader's imagination, to
help him across crevasses. The rest of this artless letter was merely
repetition. But if it was not likely to touch Madame de Rochefide, and
would very slightly interest the admirers of strong emotions, it made
the mother weep, as she said to her son, in her tender voice,--

"My child, you are not happy."

This tumultuous poem of sentiments which had arisen like a storm in
Calyste's heart, terrified the baroness; for the first time in her
life she read a love-letter.

Calyste was standing in deep perplexity; how could he send that
letter? He followed his mother back into the salon with the letter in
his pocket and burning in his heart like fire. The Chevalier du Halga
was still there, and the last deal of a lively /mouche/ was going on.
Charlotte de Kergarouet, in despair at Calyste's indifference, was
paying attention to his father as a means of promoting her marriage.
Calyste wandered hither and thither like a butterfly which had flown
into the room by mistake. At last, when /mouche/ was over, he drew the
Chevalier du Halga into the great salon, from which he sent away
Mademoiselle de Pen-Hoel's page and Mariotte.

"What does he want of the chevalier?" said old Zephirine, addressing
her friend Jacqueline.

"Calyste strikes me as half-crazy," replied Mademoiselle de Pen-Hoel.
"He pays Charlotte no more attention than if she were a /paludiere/."

Remembering that the Chevalier du Halga had the reputation of having
navigated in his youth the waters of gallantry, it came into Calyste's
head to consult him.

"What is the best way to send a letter secretly to one's mistress," he
said to the old gentleman in a whisper.

"Well, you can slip it into the hand of her maid with a louis or two
underneath it; for sooner or later the maid will find out the secret,
and it is just as well to let her into it at once," replied the
chevalier, on whose face was the gleam of a smile. "But, on the whole,
it is best to give the letter yourself."

"A louis or two!" exclaimed Calyste.

He snatched up his hat and ran to Les Touches, where he appeared like
an apparition in the little salon, guided thither by the voices of
Camille and Beatrix. They were sitting on the sofa together,
apparently on the best of terms. Calyste, with the headlong impulse of
love, flung himself heedlessly on the sofa beside the marquise, took
her hand, and slipped the letter within it. He did this so rapidly
that Felicite, watchful as she was, did not perceive it. Calyste's
heart was tingling with an emotion half sweet, half painful, as he
felt the hand of Beatrix press his own, and saw her, without
interrupting her words, or seeming in the least disconcerted, slip the
letter into her glove.

"You fling yourself on a woman's dress without mercy," she said,
laughing.

"Calyste is a boy who is wanting in common-sense," said Felicite, not
sparing him an open rebuke.

Calyste rose, took Camille's hand, and kissed it. Then he went to the
piano and ran his finger-nail over the notes, making them all sound at
once, like a rapid scale. This exuberance of joy surprised Camille,
and made her thoughtful; she signed to Calyste to come to her.

"What is the matter with you?" she whispered in his ear.

"Nothing," he replied.

"There is something between them," thought Mademoiselle des Touches.

The marquise was impenetrable. Camille tried to make Calyste talk,
hoping that his artless mind would betray itself; but the youth
excused himself on the ground that his mother expected him, and he
left Les Touches at eleven o'clock,--not, however, without having
faced the fire of a piercing glance from Camille, to whom that excuse
was made for the first time.

After the agitations of a wakeful night filled with visions of
Beatrix, and after going a score of times through the chief street of
Guerande for the purpose of meeting the answer to his letter, which
did not come, Calyste finally received the following reply, which the
marquise's waiting-woman, entering the hotel du Guenic, presented to
him. He carried it to the garden, and there, in the grotto, he read as
follows:--

  Madame de Rochefide to Calyste.

  You are a noble child, but you are only a child. You are bound to
  Camille, who adores you. You would not find in me either the
  perfections that distinguish her or the happiness that she can
  give you. Whatever you may think, she is young and I am old; her
  heart is full of treasures, mine is empty; she has for you a
  devotion you ill appreciate; she is unselfish; she lives only for
  you and in you. I, on the other hand, am full of doubts; I should
  drag you down to a wearisome life, without grandeur of any kind,
  --a life ruined by my own conduct. Camille is free; she can go and
  come as she will; I am a slave.

  You forget that I love and am beloved. The situation in which I
  have placed myself forbids my accepting homage. That a man should
  love me, or say he loves me, is an insult. To turn to another
  would be to place myself at the level of the lowest of my sex.

  You, who are young and full of delicacy, how can you oblige me to
  say these things, which rend my heart as they issue from it?

  I preferred the scandal of an irreparable deed to the shame of
  constant deception; my own loss of station to a loss of honesty.
  In the eyes of many persons whose esteem I value, I am still
  worthy; but if I permitted another man to love me, I should fall
  indeed. The world is indulgent to those whose constancy covers, as
  with a mantle, the irregularity of their happiness; but it is
  pitiless to vice.

  You see I feel neither disdain nor anger; I am answering your
  letter frankly and with simplicity. You are young; you are
  ignorant of the world; you are carried away by fancy; you are
  incapable, like all whose lives are pure, of making the
  reflections which evil suggests. But I will go still further.

  Were I destined to be the most humiliated of women, were I forced
  to hide fearful sorrows, were I betrayed, abandoned,--which, thank
  God, is wholly impossible,--no one in this world would see me
  more. Yes, I believe I should find courage to kill a man who,
  seeing me in that situation, should talk to me of love.

  You now know my mind to its depths. Perhaps I ought to thank you
  for having written to me. After receiving your letter, and, above
  all, after making you this reply, I could be at my ease with you
  in Camille's house, I could act out my natural self, and be what
  you ask of me; but I hardly need speak to you of the bitter
  ridicule that would overwhelm me if my eyes or my manner ceased to
  express the sentiments of which you complain. A second robbery
  from Camille would be a proof of her want of power which no woman
  could twice forgive. Even if I loved you, if I were blind to all
  else, if I forgot all else, I should still see Camille! Her love
  for you is a barrier too high to be o'erleaped by any power, even
  by the wings of an angel; none but a devil would fail to recoil
  before such treachery. In this, my dear Calyste, are many motives
  which delicate and noble women keep to themselves, of which you
  men know nothing; nor could you understand them, even though you
  were all as like our sex as you yourself appear to be at this
  moment.

  My child, you have a mother who has shown you what you ought to be
  in life. She is pure and spotless; she fulfils her destiny nobly;
  what I have heard of her has filled my eyes with tears, and in the
  depths of my heart I envy her. I, too, might have been what she
  is! Calyste, that is the woman your wife should be, and such
  should be her life. I will never send you back, in jest, as I have
  done, to that little Charlotte, who would weary you to death; but
  I do commend you to some divine young girl who is worthy of your
  love.

  If I were yours, your life would be blighted. You would have given
  me your whole existence, and I--you see, I am frank--I should have
  taken it; I should have gone with you, Heaven knows where, far
  from the world! But I should have made you most unhappy; for I am
  jealous. I see lions lurking in the path, and monsters in drops of
  water. I am made wretched by trifles that most women put up with;
  inexorable thoughts--from my heart, not yours--would poison our
  existence and destroy my life. If a man, after ten years'
  happiness, were not as respectful and as delicate as he was to me
  at first, I should resent the change; it would abase me in my own
  eyes! Such a lover could not believe in the Amadis and the Cyrus
  of my dreams. To-day true love is but a dream, not a reality. I
  see in yours only the joy of a desire the end of which is, as yet,
  unperceived by you.

  For myself, I am not forty years old; I have not bent my pride
  beneath the yoke of experience,--in short, I am a woman too young
  to be anything but odious. I will not answer for my temper; my
  grace and charm are all external. Perhaps I have not yet suffered
  enough to have the indulgent manners and the absolute tenderness
  which come to us from cruel disappointments. Happiness has its
  insolence, and I, I fear, am insolent. Camille will be always your
  devoted slave; I should be an unreasonable tyrant. Besides,
  Camille was brought to you by your guardian angel, at the turning
  point of your life, to show you the career you ought to follow,--a
  career in which you cannot fail.

  I know Felicite! her tenderness is inexhaustible; she may ignore
  the graces of our sex, but she possesses that fruitful strength,
  that genius for constancy, that noble intrepidity which makes us
  willing to accept the rest. She will marry you to some young girl,
  no matter what she suffers. She will find you a free Beatrix--if
  it is a Beatrix indeed who answers to your desires in a wife, and
  to your dreams; she will smooth all the difficulties in your way.
  The sale of a single acre of her ground in Paris would free your
  property in Brittany; she will make you her heir; are you not
  already her son by adoption?

  Alas! what could I do for your happiness? Nothing. Do not betray
  that infinite love which contents itself with the duties of
  motherhood. Ah! I think her very fortunate, my Camille! She can
  well afford to forgive your feeling for poor Beatrix; women of her
  age are indulgent to such fancies. When they are sure of being
  loved, they will pardon a passing infidelity; in fact, it is often
  one of their keenest pleasures to triumph over a younger rival.
  Camille is above such women, and that remark does not refer to
  her; but I make it to ease your mind.

  I have studied Camille closely; she is, to my eyes, one of the
  greatest women of our age. She has mind and she has goodness,--two
  qualities almost irreconcilable in woman; she is generous and
  simple,--two other grandeurs seldom found together in our sex. I
  have seen in the depths of her soul such treasures that the
  beautiful line of Dante on eternal happiness, which I heard her
  interpreting to you the other day, "Senza brama sicura ricchezza,"
  seems as if made for her. She has talked to me of her career; she
  has related her life, showing me how love, that object of our
  prayers, our dreams, has ever eluded her. I replied that she
  seemed to me an instance of the difficulty, if not the
  impossibility, of uniting in one person two great glories.

  You, Calyste, are one of the angelic souls whose mate it seems
  impossible to find; but Camille will obtain for you, even if she
  dies in doing so, the hand of some young girl with whom you can
  make a happy home.

  For myself, I hold out to you a friendly hand, and I count, not on
  your heart, but on your mind, to make you in future a brother to
  me, as I shall be a sister to you; and I desire that this letter
  may terminate a correspondence which, between Les Touches and
  Guerande, is rather absurd.

Beatrix de Casteran.


The baroness, stirred to the depths of her soul by the strange
exhibitions and the rapid changes of her boy's emotions, could no
longer sit quietly at her work in the ancient hall. After looking at
Calyste from time to time, she finally rose and came to him in a
manner that was humble, and yet bold; she wanted him to grant a favor
which she felt she had a right to demand.

"Well," she said, trembling, and looking at the letter, but not
directly asking for it.

Calyste read it aloud to her. And these two noble souls, so simple, so
guileless, saw nothing in that wily and treacherous epistle of the
malice or the snares which the marquise had written into it.

"She is a noble woman, a grand woman!" said the baroness, with
moistened eyes. "I will pray to God for her. I did not know that a
woman could abandon her husband and child, and yet preserve a soul so
virtuous. She is indeed worthy of pardon."

"Have I not every reason to adore her?" cried Calyste.

"But where will this love lead you?" said the baroness. "Ah, my child,
how dangerous are women with noble sentiments! There is less to fear
in those who are bad! Marry Charlotte de Kergarouet and release
two-thirds of the estate. By selling a few farms, Mademoiselle de
Pen-Hoel can bestow that grand result upon you in the marriage contract,
and she will also help you, with her experience, to make the most of your
property. You will be able to leave your children a great name, and a
fine estate."

"Forget Beatrix!" said Calyste, in a muffled voice, with his eyes on
the ground.

He left the baroness, and went up to his own room to write an answer
to the marquise.

Madame du Guenic, whose heart retained every word of Madame de
Rochefide's letter, felt the need of some help in comprehending it
more clearly, and also the grounds of Calyste's hope. At this hour the
Chevalier du Halga was always to be seen taking his dog for a walk on
the mall. The baroness, certain of finding him there, put on her
bonnet and shawl and went out.

The sight of the Baronne du Guenic walking in Guerande elsewhere than
to church, or on the two pretty roads selected as promenades on /fete/
days, accompanied by the baron and Mademoiselle de Pen-Hoel, was an
event so remarkable that two hours later, throughout the whole town,
people accosted each other with the remark,--

"Madame du Guenic went out to-day; did you meet her?"

As soon as this amazing news reached the ears of Mademoiselle de
Pen-Hoel, she said to her niece,--

"Something very extraordinary is happening at the du Guenics."

"Calyste is madly in love with that beautiful Marquise de Rochefide,"
said Charlotte. "I ought to leave Guerande and return to Nantes."

The Chevalier du Halga, much surprised at being sought by the
baroness, released the chain of his little dog, aware that he could
not divide himself between the two interests.

"Chevalier," began the baroness, "you used to practise gallantry?"

Here the Chevalier du Halga straightened himself up with an air that
was not a little vain. Madame du Guenic, without naming her son or the
marquise, repeated, as nearly as possible, the love-letter, and asked
the chevalier to explain to her the meaning of such an answer. Du
Halga snuffed the air and stroked his chin; he listened attentively;
he made grimaces; and finally, he looked fixedly at the baroness with
a knowing air, as he said,--

"When thoroughbred horses want to leap a barrier, they go up to
reconnoitre it, and smell it over. Calyste is a lucky dog!"

"Oh, hush!" she cried.

"I'm mute. Ah! in the olden time I knew all about it," said the old
chevalier, striking an attitude. "The weather was fine, the breeze
nor'east. /Tudieu/! how the 'Belle-Poule' kept close to the wind that
day when--Oh!" he cried, interrupting himself, "we shall have a change
of weather; my ears are buzzing, and I feel the pain in my ribs! You
know, don't you, that the battle of the 'Belle-Poule' was so famous
that women wore head-dresses '/a la/ Belle-Poule.' Madame de
Kergarouet was the first to come to the opera in that head-dress, and
I said to her: 'Madame, you are dressed for conquest.' The speech was
repeated from box to box all through the house."

The baroness listened pleasantly to the old hero, who, faithful to the
laws of gallantry, escorted her to the alley of her house, neglecting
Thisbe. The secret of Thisbe's existence had once escaped him. Thisbe
was the granddaughter of a delightful Thisbe, the pet of Madame
l'Amirale de Kergarouet, first wife of the Comte de Kergarouet, the
chevalier's commanding officer. The present Thisbe was eighteen years
old.

The baroness ran up to Calyste's room. He was absent; she saw a
letter, not sealed, but addressed to Madame de Rochefide, lying on the
table. An invincible curiosity compelled the anxious mother to read
it. This act of indiscretion was cruelly punished. The letter revealed
to her the depths of the gulf into which his passion was hurling
Calyste.

  Calyste to Madame la Marquise de Rochefide.

  What care I for the race of the du Guenics in these days, Beatrix?
  what is their name to me? My name is Beatrix; the happiness of
  Beatrix is my happiness; her life is my life, and all my fortune
  is in her heart. Our estates have been mortgaged these two hundred
  years, and so they may remain for two hundred more; our farmers
  have charge of them; no one can take them from us. To see you, to
  love you,--that is my property, my object, my religion!

  You talk to me of marrying! the very thought convulses my heart.
  Is there another Beatrix? I will marry no one but you; I will wait
  for you twenty years, if need be. I am young, and you will be ever
  beautiful. My mother is a saint. I do not blame her, but she has
  never loved. I know now what she has lost, and what sacrifices she
  has made. You have taught me, Beatrix, to love her better; she is
  in my heart with you, and no other can ever be there; she is your
  only rival,--is not this to say that you reign in that heart
  supreme? Therefore your arguments have no force upon my mind.

  As for Camille, you need only say the word, or give me a mere
  sign, and I will ask her to tell you herself that I do not love
  her. She is the mother of my intellect; nothing more, nothing
  less. From the moment that I first saw you she became to me a
  sister, a friend, a comrade, what you will of that kind; but we
  have no rights other than those of friendship upon each other. I
  took her for a woman until I saw you. You have proved to me that
  Camille is a man; she swims, hunts, smokes, drinks, rides on
  horseback, writes and analyzes hearts and books; she has no
  weaknesses; she marches on in all her strength; her motions even
  have no resemblance to your graceful movements, to your step, airy
  as the flight of a bird. Neither has she your voice of love, your
  tender eyes, your gracious manner; she is Camille Maupin; there is
  nothing of the woman about her, whereas in you are all the things
  of womanhood that I love. It has seemed to me, from the first
  moment when I saw you, that you were mine.

  You will laugh at that fancy, but it has grown and is growing. It
  seems to me unnatural, anomalous that we should be apart. You are
  my soul, my life; I cannot live where you are not!

  Let me love you! Let us fly! let us go into some country where you
  know no one, where only God and I can reach your heart! My mother,
  who loves you, might some day follow us. Ireland is full of
  castles; my mother's family will lend us one. Ah, Beatrix, let us
  go! A boat, a few sailors, and we are there, before any one can
  know we have fled this world you fear so much.

  You have never been loved. I feel it as I re-read your letter, in
  which I fancy I can see that if the reasons you bring forward did
  not exist, you would let yourself be loved by me. Beatrix, a
  sacred love wipes out the past. Yes, I love you so truly that I
  could wish you doubly shamed if so my love might prove itself by
  holding you a saint!

  You call my love an insult. Oh, Beatrix, you do not think it so!
  The love of noble youth--and you have called me that--would honor
  a queen. Therefore, to-morrow let us walk as lovers, hand in hand,
  among the rocks and beside the sea; your step upon the sands of my
  old Brittany will bless them anew to me! Give me this day of
  happiness; and that passing alms, unremembered, alas! by you, will
  be eternal riches to your

Calyste.


The baroness let fall the letter, without reading all of it. She knelt
upon a chair, and made a mental prayer to God to save her Calyste's
reason, to put his madness, his error far away from him; to lead him
from the path in which she now beheld him.

"What are you doing, mother?" said Calyste, entering the room.

"I am praying to God for you," she answered, simply, turning her
tearful eyes upon him. "I have committed the sin of reading that
letter. My Calyste is mad!"

"A sweet madness!" said the young man, kissing her.

"I wish I could see that woman," she sighed.

"Mamma," said Calyste, "we shall take a boat to-morrow and cross to
Croisic. If you are on the jetty you can see her."

So saying, he sealed his letter and departed for Les Touches.

That which, above all, terrified the baroness was to see a sentiment
attaining, by the force of its own instinct, to the clear-sightedness
of practised experience. Calyste's letter to Beatrix was such as the
Chevalier du Halga, with his knowledge of the world, might have
dictated.



                                XIII

                         DUEL BETWEEN WOMEN

Perhaps one of the greatest enjoyments that small minds or inferior
minds can obtain is that of deceiving a great soul, and laying snares
for it. Beatrix knew herself far beneath Camille Maupin. This
inferiority lay not only in the collection of mental and moral
qualities which we call /talent/, but in the things of the heart
called /passion/.

At the moment when Calyste was hurrying to Les Touches with the
impetuosity of a first love borne on the wings of hope, the marquise
was feeling a keen delight in knowing herself the object of the first
love of so charming a young man. She did not go so far as to wish
herself a sharer in the sentiment, but she thought it heroism on her
part to repress the /capriccio/, as the Italians say. She thought she
was equalling Camille's devotion, and told herself, moreover, that she
was sacrificing herself to her friend. The vanities peculiar to
Frenchwomen, which constitute the celebrated coquetry of which she was
so signal an instance, were flattered and deeply satisfied by
Calyste's love. Assailed by such powerful seduction, she was resisting
it, and her virtues sang in her soul a concert of praise and
self-approval.

The two women were half-sitting, half lying, in apparent indolence on
the divan of the little salon, so filled with harmony and the
fragrance of flowers. The windows were open, for the north wind had
ceased to blow. A soothing southerly breeze was ruffling the surface
of the salt lake before them, and the sun was glittering on the sands
of the shore. Their souls were as deeply agitated as the nature before
them was tranquil, and the heat within was not less ardent.

Bruised by the working of the machinery which she herself had set in
motion, Camille was compelled to keep watch for her safety, fearing
the amazing cleverness of the friendly enemy, or, rather, the inimical
friend she had allowed within her borders. To guard her own secrets
and maintain herself aloof, she had taken of late to contemplations of
nature; she cheated the aching of her own heart by seeking a meaning
in the world around her, finding God in that desert of heaven and
earth. When an unbeliever once perceives the presence of God, he
flings himself unreservedly into Catholicism, which, viewed as a
system, is complete.

That morning Camille's brow had worn the halo of thoughts born of
these researches during a night-time of painful struggle. Calyste was
ever before her like a celestial image. The beautiful youth, to whom
she had secretly devoted herself, had become to her a guardian angel.
Was it not he who led her into those loftier regions, where suffering
ceased beneath the weight of incommensurable infinity? and now a
certain air of triumph about Beatrix disturbed her. No woman gains an
advantage over another without allowing it to be felt, however much
she may deny having taken it. Nothing was ever more strange in its
course than the dumb, moral struggle which was going on between these
two women, each hiding from the other a secret,--each believing
herself generous through hidden sacrifices.

Calyste arrived, holding the letter between his hand and his glove,
ready to slip it at some convenient moment into the hand of Beatrix.
Camille, whom the subtle change in the manner of her friend had not
escaped, seemed not to watch her, but did watch her in a mirror at the
moment when Calyste was just entering the room. That is always a
crucial moment for women. The cleverest as well as the silliest of
them, the frankest as the shrewdest, are seldom able to keep their
secret; it bursts from them, at any rate, to the eyes of another
woman. Too much reserve or too little; a free and luminous look; the
mysterious lowering of eyelids,--all betray, at that sudden moment,
the sentiment which is the most difficult of all to hide; for real
indifference has something so radically cold about it that it can
never be simulated. Women have a genius for shades,--shades of detail,
shades of character; they know them all. There are times when their
eyes take in a rival from head to foot; they can guess the slightest
movement of a foot beneath a gown, the almost imperceptible motion of
the waist; they know the significance of things which, to a man, seem
insignificant. Two women observing each other play one of the choicest
scenes of comedy that the world can show.

"Calyste has committed some folly," thought Camille, perceiving in
each of her guests an indefinable air of persons who have a mutual
understanding.

There was no longer either stiffness or pretended indifference on the
part of Beatrix; she now regarded Calyste as her own property. Calyste
was even more transparent; he colored, as guilty people, or happy
people color. He announced that he had come to make arrangements for
the excursion on the following day.

"Then you really intend to go, my dear?" said Camille,
interrogatively.

"Yes," said Beatrix.

"How did you know it, Calyste?" asked Mademoiselle des Touches.

"I came here to find out," replied Calyste, on a look flashed at him
by Madame de Rochefide, who did not wish Camille to gain the slightest
inkling of their correspondence.

"They have an agreement together," thought Camille, who caught the
look in the powerful sweep of her eye.

Under the pressure of that thought a horrible discomposure overspread
her face and frightened Beatrix.

"What is the matter, my dear?" she cried.

"Nothing. Well, then, Calyste, send my horses and yours across to
Croisic, so that we may drive home by way of Batz. We will breakfast
at Croisic, and get home in time for dinner. You must take charge of
the boat arrangements. Let us start by half-past eight. You will see
some fine sights, Beatrix, and one very strange one; you will see
Cambremer, a man who does penance on a rock for having wilfully killed
his son. Oh! you are in a primitive land, among a primitive race of
people, where men are moved by other sentiments than those of ordinary
mortals. Calyste shall tell you the tale; it is a drama of the
seashore."

She went into her bedroom, for she was stifling. Calyste gave his
letter to Beatrix and followed Camille.

"Calyste, you are loved, I think; but you are hiding something from
me; you have done some foolish thing."

"Loved!" he exclaimed, dropping into a chair.

Camille looked into the next room; Beatrix had disappeared. The fact
was odd. Women do not usually leave a room which contains the man they
admire, unless they have either the certainty of seeing him again, or
something better still. Mademoiselle des Touches said to herself:--

"Can he have given her a letter?"

But she thought the innocent Breton incapable of such boldness.

"If you have disobeyed me, all will be lost, through your own fault,"
she said to him very gravely. "Go, now, and make your preparations for
to-morrow."

She made a gesture which Calyste did not venture to resist.

As he walked toward Croisic, to engage the boatmen, fears came into
Calyste's mind. Camille's speech foreshadowed something fatal, and he
believed in the second sight of her maternal affection. When he
returned, four hours later, very tired, and expecting to dine at Les
Touches, he found Camille's maid keeping watch over the door, to tell
him that neither her mistress nor the marquise could receive him that
evening. Calyste, much surprised, wished to question her, but she bade
him hastily good-night and closed the door.

Six o'clock was striking on the steeple of Guerande as Calyste entered
his own house, where Mariotte gave him his belated dinner; after
which, he played /mouche/ in gloomy meditation. These alternations of
joy and gloom, happiness and unhappiness, the extinction of hopes
succeeding the apparent certainty of being loved, bruised and wounded
the young soul which had flown so high on outstretched wings that the
fall was dreadful.

"Does anything trouble you, my Calyste?" said his mother.

"Nothing," he replied, looking at her with eyes from which the light
of the soul and the fire of love were withdrawn.

It is not hope, but despair, which gives the measure of our ambitions.
The finest poems of hope are sung in secret, but grief appears without
a veil.

"Calyste, you are not nice," said Charlotte, after vainly attempting
on him those little provincial witcheries which degenerate usually
into teasing.

"I am tired," he said, rising, and bidding the company good-night.

"Calyste is much changed," remarked Mademoiselle de Pen-Hoel.

"We haven't beautiful dresses trimmed with lace; we don't shake our
sleeves like this, or twist our bodies like that; we don't know how to
give sidelong glances, and turn our eyes," said Charlotte, mimicking
the air, and attitude, and glances of the marquise. "/We/ haven't that
head voice, nor the interesting little cough, /heu! heu!/ which sounds
like the sigh of a spook; /we/ have the misfortune of being healthy
and robust, and of loving our friends without coquetry; and when we
look at them, we don't pretend to stick a dart into them, or to watch
them slyly; /we/ can't bend our heads like a weeping willow, just to
look the more interesting when we raise them--this way."

Mademoiselle de Pen-Hoel could not help laughing at her niece's
gesture; but neither the chevalier nor the baron paid any heed to this
truly provincial satire against Paris.

"But the Marquise de Rochefide is a very handsome woman," said the old
maid.

"My dear," said the baroness to her husband, "I happen to know that
she is going over to Croisic to-morrow. Let us walk on the jetty; I
should like to see her."

While Calyste was racking his brains to imagine what could have closed
the doors of Les Touches to him, a scene was passing between Camille
and Beatrix which was to have its influence on the events of the
morrow.

Calyste's last letter had stirred in Madame de Rochefide's heart
emotions hitherto unknown to it. Women are not often the subject of a
love so young, guileless, sincere, and unconditional as that of this
youth, this child. Beatrix had loved more than she had been loved.
After being all her life a slave, she suddenly felt an inexplicable
desire to be a tyrant. But, in the midst of her pleasure, as she read
and re-read the letter, she was pierced through and through with a
cruel idea.

What were Calyste and Camille doing together ever since Claude
Vignon's departure? If, as Calyste said, he did not love Camille, and
if Camille knew it, how did they employ their mornings, and why were
they alone together? Memory suddenly flashed into her mind, in answer
to these questions, certain speeches of Camille; a grinning devil
seemed to show her, as in a magic mirror, the portrait of that heroic
woman, with certain gestures, certain aspects, which suddenly
enlightened her. What! instead of being her equal, was she crushed by
Felicite? instead of over-reaching her, was she being over-reached
herself? was she only a toy, a pleasure, which Camille was giving to
her child, whom she loved with an extraordinary passion that was free
from all vulgarity?

To a woman like Beatrix this thought came like a thunder-clap. She
went over in her mind minutely the history of the past week. In a
moment the part which Camille was playing, and her own, unrolled
themselves to their fullest extent before her eyes; she felt horribly
belittled. In her fury of jealous anger, she fancied she could see in
Camille's conduct an intention of vengeance against Conti. Was the
hidden wrath of the past two years really acting upon the present
moment?

Once on the path of these doubts and superstitions, Beatrix did not
pause. She walked up and down her room, driven to rapid motion by the
impetuous movements of her soul, sitting down now and then, and trying
to decide upon a course, but unable to do so. And thus she remained, a
prey to indecision until the dinner hour, when she rose hastily, and
went downstairs without dressing. No sooner did Camille see her, than
she felt that a crisis had come. Beatrix, in her morning gown, with a
chilling air and a taciturn manner, indicated to an observer as keen
as Maupin the coming hostilities of an embittered heart.

Camille instantly left the room and gave the order which so astonished
Calyste; she feared that he might arrive in the midst of the quarrel,
and she determined to be alone, without witnesses, in fighting this
duel of deception on both sides. Beatrix, without an auxiliary, would
infallibly succumb. Camille well knew the barrenness of that soul, the
pettiness of that pride, to which she had justly applied the epithet
of obstinate.

The dinner was gloomy. Camille was gentle and kind; she felt herself
the superior being. Beatrix was hard and cutting; she felt she was
being managed like a child. During dinner the battle began with
glances, gestures, half-spoken sentences,--not enough to enlighten the
servants, but enough to prepare an observer for the coming storm. When
the time to go upstairs came, Camille offered her arm maliciously to
Beatrix, who pretended not to see it, and sprang up the stairway
alone. When coffee had been served Mademoiselle des Touches said to
the footman, "You may go,"--a brief sentence, which served as a signal
for the combat.

"The novels you make, my dear, are more dangerous than those you
write," said the marquise.

"They have one advantage, however," replied Camille, lighting a
cigarette.

"What is that?" asked Beatrix.

"They are unpublished, my angel."

"Is the one in which you are putting me to be turned into a book?"

"I've no fancy for the role of OEdipus; I know you have the wit and
beauty of a sphinx, but don't propound conundrums. Speak out, plainly,
my dear Beatrix."

"When, in order to make a man happy, amuse him, please him, and save
him from ennui, we allow the devil to help us--"

"That man would reproach us later for our efforts on his behalf, and
would think them prompted by the genius of depravity," said Camille,
taking the cigarette from her lips to interrupt her friend.

"He forgets the love which carried us away, and is our sole
justification--but that's the way of men, they are all unjust and
ungrateful," continued Beatrix. "Women among themselves know each
other; they know how proud and noble their own minds are, and, let us
frankly say so, how virtuous! But, Camille, I have just recognized the
truth of certain criticisms upon your nature, of which you have
sometimes complained. My dear, you have something of the man about
you; you behave like a man; nothing restrains you; if you haven't all
a man's advantages, you have a man's spirit in all your ways; and you
share his contempt for women. I have no reason, my dear, to be
satisfied with you, and I am too frank to hide my dissatisfaction. No
one has ever given or ever will give, perhaps, so cruel a wound to my
heart as that from which I am now suffering. If you are not a woman in
love, you are one in vengeance. It takes a /woman/ of genius to
discover the most sensitive spot of all in another woman's delicacy. I
am talking now of Calyste, and the trickery, my dear,--that is the
word,--/trickery/,--you have employed against me. To what depths have
you descended, Camille Maupin! and why?"

"More and more sphinx-like!" said Camille, smiling.

"You want me to fling myself at Calyste's head; but I am still too
young for that sort of thing. To me, love is sacred; love is love with
all its emotions, jealousies, and despotisms. I am not an author; it
is impossible for me to see ideas where the heart feels sentiments."

"You think yourself capable of loving foolishly!" said Camille. "Make
yourself easy on that score; you still have plenty of sense. My dear,
you calumniate yourself; I assure you that your nature is cold enough
to enable your head to judge of every action of your heart."

The marquise colored high; she darted a look of hatred, a venomous
look, at Camille, and found, without searching, the sharpest arrows in
her quiver. Camille smoked composedly as she listened to a furious
tirade, which rang with such cutting insults that we do not reproduce
it here. Beatrix, irritated by the calmness of her adversary,
condescended even to personalities on Camille's age.

"Is that all?" said Felicite, when Beatrix paused, letting a cloud of
smoke exhale from her lips. "Do you love Calyste?"

"No; of course not."

"So much the better," replied Camille. "I do love him--far too much
for my own peace of mind. He may, perhaps, have had a passing fancy
for you; for you are, you know, enchantingly fair, while I am as black
as a crow; you are slim and willowy, while I have a portly dignity; in
short, you are /young/!--that's the final word, and you have not
spared it to me. You have abused your advantages as a woman against
me. I have done my best to prevent what has now happened. However
little of a woman you may think me, I am woman enough, my dear, not to
allow a rival to triumph over me unless I choose to help her." (This
remark, made in apparently the most innocent manner, cut the marquise
to the heart). "You take me for a very silly person if you believe all
that Calyste tries to make you think of me. I am neither so great nor
so small; I am a woman, and very much of a woman. Come, put off your
grand airs, and give me your hand!" continued Camille, taking Madame
de Rochefide's hand. "You do not love Calyste, you say; that is true,
is it not? Don't be angry, therefore; be hard, and cold, and stern to
him to-morrow; he will end by submitting to his fate, especially after
certain little reproaches which I mean to make to him. Still, Calyste
is a Breton, and very persistent; if he should continue to pay court
to you, tell me frankly, and I will lend you my little country house
near Paris, where you will find all the comforts of life, and where
Conti can come out and see you. You said just now that Calyste
calumniated me. Good heavens! what of that? The purest love lies
twenty times a day; its deceptions only prove its strength."

Camille's face wore an air of such superb disdain that the marquise
grew fearful and anxious. She knew not how to answer. Camille dealt
her a last blow.

"I am more confiding and less bitter than you," she said. "I don't
suspect you of attempting to cover by a quarrel a secret injury, which
would compromise my very life. You know me; I shall never survive the
loss of Calyste, but I must lose him sooner or later. Still, Calyste
loves me now; of that I am sure."

"Here is what he answered to a letter of mine, urging him to be true
to you," said Beatrix, holding out Calyste's last letter.

Camille took it and read it; but as she read it, her eyes filled with
tears; and presently she wept as women weep in their bitterest
sorrows.

"My God!" she said, "how he loves her! I shall die without being
understood--or loved," she added.

She sat for a few moments with her head leaning against the shoulder
of her companion; her grief was genuine; she felt to the very core of
her being the same terrible blow which the Baronne du Guenic had
received in reading that letter.

"Do you love him?" she said, straightening herself up, and looking
fixedly at Beatrix. "Have you that infinite worship for him which
triumphs over all pains, survives contempt, betrayal, the certainty
that he will never love you? Do you love him for himself, and for the
very joy of loving him?"

"Dear friend," said the marquise, tenderly, "be happy, be at peace; I
will leave this place to-morrow."

"No, do not go; he loves you, I see that. Well, I love him so much
that I could not endure to see him wretched and unhappy. Still, I had
formed plans for him, projects; but if he loves you, all is over."

"And I love him, Camille," said the marquise, with a sort of
/naivete/, and coloring.

"You love him, and yet you cast him off!" cried Camille. "Ah! that is
not loving; you do not love him."

"I don't know what fresh virtue he has roused in me, but certainly he
has made me ashamed of my own self," said Beatrix. "I would I were
virtuous and free, that I might give him something better than the
dregs of a heart and the weight of my chains. I do not want a hampered
destiny either for him or for myself."

"Cold brain!" exclaimed Camille, with a sort of horror. "To love and
calculate!"

"Call it what you like," said Beatrix, "but I will not spoil his life,
or hang like a millstone round his neck, to become an eternal regret
to him. If I cannot be his wife, I shall not be his mistress. He has
--you will laugh at me? No? Well, then, he has purified me."

Camille cast on Beatrix the most sullen, savage look that female
jealousy ever cast upon a rival.

"On that ground, I believed I stood alone," she said. "Beatrix, those
words of yours must separate us forever; we are no longer friends.
Here begins a terrible conflict between us. I tell you now; you will
either succumb or fly."

So saying, Camille bounded into her room, after showing her face,
which was that of a maddened lioness, to the astonished Beatrix. Then
she raised the portiere and looked in again.

"Do you intend to go to Croisic to-morrow," she asked.

"Certainly," replied the marquise, proudly. "I shall not fly, and I
shall not succumb."

"I play above board," replied Camille; "I shall write to Conti."

Beatrix became as white as the gauze of her scarf.

"We are staking our lives on this game," she replied, not knowing what
to say or do.

The violent passions roused by this scene between the two women calmed
down during the night. Both argued with their own minds and returned
to those treacherously temporizing courses which are so attractive to
the majority of women,--an excellent system between men and women, but
fatally unsafe among women alone. In the midst of this tumult of their
souls Mademoiselle des Touches had listened to that great Voice whose
counsels subdue the strongest will; Beatrix heard only the promptings
of worldly wisdom; she feared the contempt of society.

Thus Felicite's last deception succeeded; Calyste's blunder was
repaired, but a fresh indiscretion might be fatal to him.



                                XIV

                      AN EXCURSION TO CROISIC

It was now the end of August, and the sky was magnificently clear.
Near the horizon the sea had taken, as it is wont to do in southern
climes, a tint of molten silver; on the shore it rippled in tiny
waves. A sort of glowing vapor, an effect of the rays of the sun
falling plumb upon the sands, produced an atmosphere like that of the
tropics. The salt shone up like bunches of white violets on the
surface of the marsh. The patient /paludiers/, dressed in white to
resist the action of the sun, had been from early morning at their
posts, armed with long rakes. Some were leaning on the low mud-walls
that divided the different holdings, whence they watched the process
of this natural chemistry, known to them from childhood. Others were
playing with their wives and children. Those green dragons, otherwise
called custom-house officers, were tranquilly smoking their pipes.

There was something foreign, perhaps oriental, about the scene; at any
rate a Parisian suddenly transported thither would never have supposed
himself in France. The baron and baroness, who had made a pretext of
coming to see how the salt harvest throve, were on the jetty, admiring
the silent landscape, where the sea alone sounded the moan of her
waves at regular intervals, where boats and vessels tracked a vast
expanse, and the girdle of green earth richly cultivated, produced an
effect that was all the more charming because so rare on the desolate
shores of ocean.

"Well, my friends, I wanted to see the marshes of Guerande once more
before I die," said the baron to the /paludiers/, who had gathered
about the entrance of the marshes to salute him.

"Can a Guenic die?" said one of them.

Just then the party from Les Touches arrived through the narrow
pathway. The marquise walked first alone; Calyste and Camille followed
arm-in-arm. Gasselin brought up the rear.

"There are my father and mother," said the young man to Camille.

The marquise stopped short. Madame du Guenic felt the most violent
repulsion at the appearance of Beatrix, although the latter was
dressed to much advantage. A Leghorn hat with wide brims and a wreath
of blue-bells, her crimped hair fluffy beneath it, a gown of some gray
woollen stuff, and a blue sash with floating ends gave her the air of
a princess disguised as a milkmaid.

"She has no heart," thought the baroness.

"Mademoiselle," said Calyste to Camille, "this is Madame du Guenic,
and this is my father." Then he said turning to the baron and
baroness, "Mademoiselle des Touches, and Madame la Marquise de
Rochefide, /nee/ de Casteran, father."

The baron bowed to Mademoiselle des Touches, who made a respectful
bow, full of gratitude, to the baroness.

"That one," thought Fanny, "really loves my boy; she seems to thank me
for bringing him into the world."

"I suppose you have come to see, as I have, whether the harvest is a
good one. But I believe you have better reasons for doing so than I,"
said the baron to Camille. "You have property here, I think,
mademoiselle."

"Mademoiselle is the largest of all the owners," said one of the
/paludiers/ who were grouped about them, "and may God preserve her to
us, for she's a /good/ lady."

The two parties bowed and separated.

"No one would suppose Mademoiselle des Touches to be more than
thirty," said the baron to his wife. "She is very handsome. And
Calyste prefers that haggard Parisian marquise to a sound Breton
girl!"

"I fear he does," replied the baroness.

A boat was waiting at the steps of the jetty, where the party embarked
without a smile. The marquise was cold and dignified. Camille had
lectured Calyste on his disobedience, explaining to him clearly how
matters stood. Calyste, a prey to black despair, was casting glances
at Beatrix in which anger and love struggled for the mastery. Not a
word was said by any of them during the short passage from the jetty
of Guerande to the extreme end of the port of Croisic, the point where
the boats discharge the salt, which the peasant-women then bear away
on their heads in huge earthen jars after the fashion of caryatides.
These women go barefooted with very short petticoats. Many of them let
the kerchiefs which cover their bosoms fly carelessly open. Some wear
only shifts, and are the more dignified; for the less clothing a woman
wears, the more nobly modest is her bearing.

The little Danish vessel had just finished lading, therefore the
landing of the two handsome ladies excited much curiosity among the
female salt-carriers; and as much to avoid their remarks as to serve
Calyste, Camille sprang forward toward the rocks, leaving him to
follow with Beatrix, while Gasselin put a distance of some two hundred
steps between himself and his master.

The peninsula of Croisic is flanked on the sea side by granite rocks
the shapes of which are so strangely fantastic that they can only be
appreciated by travellers who are in a position to compare them with
other great spectacles of primeval Nature. Perhaps the rocks of
Croisic have the same advantage over sights of that kind as that
accorded to the road to the Grande Chartreuse over all other narrow
valleys. Neither the coasts of Croisic, where the granite bulwark is
split into strange reefs, nor those of Sardinia, where Nature is
dedicated to grandiose and terrible effects, nor even the basaltic
rocks of the northern seas can show a character so unique and so
complete. Fancy has here amused itself by composing interminable
arabesques where the most fantastic figures wind and twine. All forms
are here. The imagination is at last fatigued by this vast gallery of
abnormal shapes, where in stormy weather the sea makes rough assaults
which have ended in polishing all ruggedness.

You will find under a naturally vaulted roof, of a boldness imitated
from afar by Brunelleschi (for the greatest efforts of art are always
the timid copying of effects of nature), a rocky hollow polished like
a marble bath-tub and floored with fine white sand, in which is four
feet of tepid water where you can bathe without danger. You walk on,
admiring the cool little covers sheltered by great portals; roughly
carved, it is true, but majestic, like the Pitti palace, that other
imitation of the whims of Nature. Curious features are innumerable;
nothing is lacking that the wildest imagination could invent or
desire.

There even exists a thing so rare on the rocky shores of ocean that
this may be the solitary instance of it,--a large bush of box. This
bush, the greatest curiosity of Croisic, where trees have never grown,
is three miles distant from the harbor, on the point of rocks that
runs farthest into the sea. On this granite promontory, which rises to
a height that neither the waves nor the spray can touch, even in the
wildest weather, and faces southerly, diluvian caprice has constructed
a hollow basin, which projects about four feet. Into this basin, or
cleft, chance, possibly man, has conveyed enough vegetable earth for
the growth of a box-plant, compact, well-nourished, and sown, no
doubt, by birds. The shape of the roots would indicate to a botanist
an existence of at least three hundred years. Above it the rock has
been broken off abruptly. The natural convulsion which did this, the
traces of which are ineffaceably written here, must have carried away
the broken fragments of the granite I know not where.

The sea rushes in, meeting no reefs, to the foot of this cliff, which
rises to a height of some four or five hundred feet; at its base lie
several scattered rocks, just reaching the surface at high water, and
describing a semi-circle. It requires some nerve and resolution to
climb to the summit of this little Gibraltar, the shape of which is
nearly round, and from which a sudden gust of wind might precipitate
the rash gazer into the sea, or, still more to be feared, upon the
rocks.

This gigantic sentinel resembles the look-out towers of old castles,
from which the inhabitants could look the country over and foresee
attacks. Thence we see the clock towers and the arid fields of
Croisic, with the sandy dunes, which injure cultivation, and stretch
as far as Batz. A few old men declare that in days long past a
fortress occupied the spot. The sardine-fishers have given the rock,
which can be seen far out at sea, a name; but it is useless to write
it here, its Breton consonants being as difficult to pronounce as to
remember.

Calyste led Beatrix to this point, whence the view is magnificent, and
where the natural sculpture of the granite is even more imposing to
the spectator than the mass of the huge breastwork when seen from the
sandy road which skirts the shore.

Is it necessary to explain why Camille had rushed away alone? Like
some wounded wild animal, she longed for solitude, and went on and on,
threading her way among the fissures and caves and little peaks of
nature's fortress. Not to be hampered in climbing by women's clothing,
she wore trousers with frilled edges, a short blouse, a peaked cap,
and, by way of staff, she carried a riding-whip, for Camille has
always had a certain vanity in her strength and her agility. Thus
arrayed, she looked far handsomer than Beatrix. She wore also a little
shawl of crimson China crape, crossed on her bosom and tied behind, as
they dress a child. For some time Beatrix and Calyste saw her flitting
before them over the peaks and chasms like a ghost or vision; she was
trying to still her inward sufferings by confronting some imaginary
peril.

She was the first to reach the rock in which the box-bush grew. There
she sat down in the shade of a granite projection, and was lost in
thought. What could a woman like herself do with old age, having
already drunk the cup of fame which all great talents, too eager to
sip slowly the stupid pleasures of vanity, quaff at a single draught?
She has since admitted that it was here--at this moment, and on this
spot--that one of those singular reflections suggested by a mere
nothing, by one of those chance accidents that seem nonsense to common
minds, but which, to noble souls, do sometimes open vast depths of
thought, decided her to take the extraordinary step by which she was
to part forever from social life.

She drew from her pocket a little box, in which she had put, in case
of thirst, some strawberry lozenges; she now ate several; and as she
did so, the thought crossed her mind that the strawberries, which
existed no longer, lived nevertheless in their qualities. Was it not
so with ourselves? The ocean before her was an image of the infinite.
No great spirit can face the infinite, admitting the immortality of
the soul, without the conviction of a future of holiness. The thought
filled her mind. How petty then seemed the part that she was playing!
there was no real greatness in giving Beatrix to Calyste! So thinking,
she felt the earthly woman die within her, and the true woman, the
noble and angelic being, veiled until now by flesh, arose in her
place. Her great mind, her knowledge, her attainments, her false loves
had brought her face to face with what? Ah! who would have thought it?
--with the bounteous mother, the comforter of troubled spirits, with
the Roman Church, ever kind to repentance, poetic to poets, childlike
with children, and yet so profound, so full of mystery to anxious,
restless minds that they can burrow there and satisfy all longings,
all questionings, all hopes. She cast her eyes, as it were, upon the
strangely devious way--like the tortuous rocky path before her--over
which her love for Calyste had led her. Ah! Calyste was indeed a
messenger from heaven, her divine conductor! She had stifled earthly
love, and a divine love had come from it.

After walking for some distance in silence, Calyste could not refrain,
on a remark of Beatrix about the grandeur of the ocean, so unlike the
smiling beauty of the Mediterranean, from comparing in depth, purity,
extent, unchanging and eternal duration, that ocean with his love.

"It is met by a rock!" said Beatrix, laughing.

"When you speak thus," he answered, with a sublime look, "I hear you,
I see you, and I can summon to my aid the patience of the angels; but
when I am alone, you would pity me if you could see me then. My mother
weeps for my suffering."

"Listen to me, Calyste; we must put an end to all this," said the
marquise, gazing down upon the sandy road. "Perhaps we have now
reached the only propitious place to say these things, for never in my
life did I see nature more in keeping with my thoughts. I have seen
Italy, where all things tell of love; I have seen Switzerland, where
all is cool and fresh, and tells of happiness,--the happiness of
labor; where the verdure, the tranquil waters, the smiling slopes, are
oppressed by the snow-topped Alps; but I have never seen anything that
so depicts the burning barrenness of my life as that little arid plain
down there, dried by the salt sea winds, corroded by the spray, where
a fruitless agriculture tries to struggle against the will of that
great ocean. There, Calyste, you have an image of this Beatrix. Don't
cling to it. I love you, but I will never be yours in any way
whatever, for I have the sense of my inward desolation. Ah! you do not
know how cruel I am to myself in speaking thus to you. No, you shall
never see your idol diminished; she shall never fall from the height
at which you have placed her. I now have a horror of any love which
disregards the world and religion. I shall remain in my present bonds;
I shall be that sandy plain we see before us, without fruit or flowers
or verdure."

"But if you are abandoned?" said Calyste.

"Then I should beg my pardon of the man I have offended. I will never
run the risk of taking a happiness I know would quickly end."

"End!" cried Calyste.

The marquise stopped the passionate speech into which her lover was
about to launch, by repeating the word "End!" in a tone that silenced
him.

This opposition roused in the young man one of those mute inward
furies known only to those who love without hope. They walked on
several hundred steps in total silence, looking neither at the sea,
nor the rocks, nor the plain of Croisic.

"I would make you happy," said Calyste.

"All men begin by promising that," she answered, "and they end by
abandonment and disgust. I have no reproach to cast on him to whom I
shall be faithful. He made me no promises; I went to him; but my only
means of lessening my fault is to make it eternal."

"Say rather, madame, that you feel no love for me. I, who love you, I
know that love cannot argue; it is itself; it sees nothing else. There
is no sacrifice I will not make to you; command it, and I will do the
impossible. He who despised his mistress for flinging her glove among
the lions, and ordering him to bring it back to her, did not /love!/
He denied your right to test our hearts, and to yield yourselves only
to our utmost devotion. I will sacrifice to you my family, my name, my
future."

"But what an insult in that word 'sacrifice'!" she said, in
reproachful tones, which made poor Calyste feel the folly of his
speech.

None but women who truly love, or inborn coquettes, know how to use a
word as a point from which to make a spring.

"You are right," said Calyste, letting fall a tear; "that word can
only be said of the cruel struggles which you ask of me."

"Hush!" said Beatrix, struck by an answer in which, for the first
time, Calyste had really made her feel his love. "I have done wrong
enough; tempt me no more."

At this moment they had reached the base of the rock on which grew the
plant of box. Calyste felt a thrill of delight as he helped the
marquise to climb the steep ascent to the summit, which she wished to
reach. To the poor lad it was a precious privilege to hold her up, to
make her lean upon him, to feel her tremble; she had need of him. This
unlooked-for pleasure turned his head; he saw nought else but Beatrix,
and he clasped her round the waist.

"What!" she said, with an imposing air.

"Will you never be mine?" he demanded, in a voice that was choked by
the tumult of his blood.

"Never, my friend," she replied. "I can only be to you a Beatrix,--a
dream. But is not that a sweet and tender thing? We shall have no
bitterness, no grief, no repentance."

"Will you return to Conti?"

"I must."

"You shall never belong to any man!" cried Calyste, pushing her from
him with frenzied violence.

He listened for her fall, intending to spring after her, but he heard
only a muffled sound, the tearing of some stuff, and then the thud of
a body falling on the ground. Instead of being flung head foremost
down the precipice, Beatrix had only slipped some eight or ten feet
into the cavity where the box-bush grew; but she might from there have
rolled down into the sea if her gown had not caught upon a point of
rock, and by tearing slowly lowered the weight of her body upon the
bush.

Mademoiselle des Touches, who saw the scene, was unable in her horror
to cry out, but she signed to Gasselin to come. Calyste was leaning
forward with an expression of savage curiosity; he saw the position in
which Beatrix lay, and he shuddered. Her lips moved,--she seemed to be
praying; in fact, she thought she was about to die, for she felt the
bush beginning to give way. With the agility which danger gives to
youth, Calyste slid down to the ledge below the bush, where he was
able to grasp the marquise and hold her, although at the risk of their
both sliding down into the sea. As he held her, he saw that she had
fainted; but in that aerial spot he could fancy her all his, and his
first emotion was that of pleasure.

"Open your eyes," he said, "and forgive me; we will die together."

"Die?" she said, opening her eyes and unclosing her pallid lips.

Calyste welcomed that word with a kiss, and felt the marquise tremble
under it convulsively, with passionate joy. At that instant Gasselin's
hob-nailed shoes sounded on the rock above them. The old Breton was
followed by Camille, and together they sought for some means of saving
the lovers.

"There's but one way, mademoiselle," said Gasselin. "I must slide down
there, and they can climb on my shoulders, and you must pull them up."

"And you?" said Camille.

The man seemed surprised that he should be considered in presence of
the danger to his young master.

"You must go to Croisic and fetch a ladder," said Camille.

Beatrix asked in a feeble voice to be laid down, and Calyste placed
her on the narrow space between the bush and its background of rock.

"I saw you, Calyste," said Camille from above. "Whether Beatrix lives
or dies, remember that this must be an accident."

"She will hate me," he said, with moistened eyes.

"She will adore you," replied Camille. "But this puts an end to our
excursion. We must get her back to Les Touches. Had she been killed,
Calyste, what would have become of you?"

"I should have followed her."

"And your mother?" Then, after a pause, she added, feebly, "and me?"

Calyste was deadly pale; he stood with his back against the granite
motionless and silent. Gasselin soon returned from one of the little
farms scattered through the neighborhood, bearing a ladder which he
had borrowed. By this time Beatrix had recovered a little strength.
The ladder being placed, she was able, by the help of Gasselin, who
lowered Camille's red shawl till he could grasp it, to reach the round
top of the rock, where the Breton took her in his arms and carried her
to the shore as though she were an infant.

"I should not have said no to death--but suffering!" she murmured to
Felicite, in a feeble voice.

The weakness, in fact the complete prostration, of the marquise
obliged Camille to have her taken to the farmhouse from which the
ladder had been borrowed. Calyste, Gasselin, and Camille took off what
clothes they could spare and laid them on the ladder, making a sort of
litter on which they carried Beatrix. The farmers gave her a bed.
Gasselin then went to the place where the carriage was awaiting them,
and, taking one of the horses, rode to Croisic to obtain a doctor,
telling the boatman to row to the landing-place that was nearest to
the farmhouse.

Calyste, sitting on a stool, answered only by motions of the head, and
rare monosyllables when spoken to; Camille's uneasiness, roused for
Beatrix, was still further excited by Calyste's unnatural condition.
When the physician arrived, and Beatrix was bled, she felt better,
began to talk, and consented to embark; so that by five o'clock they
reached the jetty at Guerande, whence she was carried to Les Touches.
The news of the accident had already spread through that lonely and
almost uninhabited region with incredible rapidity.

Calyste passed the night at Les Touches, sitting at the foot of
Beatrix's bed, in company with Camille. The doctor from Guerande had
assured them that on the following day a little stiffness would be all
that remained of the accident. Across the despair of Calyste's heart
there came a gleam of joy. He was there, at her feet; he could watch
her sleeping or waking; he might study her pallid face and all its
expressions. Camille smiled bitterly as her keen mind recognized in
Calyste the symptoms of a passion such as man can feel but once,--a
passion which dyes his soul and his faculties by mingling with the
fountain of his life at a period when neither thoughts nor cares
distract or oppose the inward working of this emotion. She saw that
Calyste would never, could never see the real woman that was in
Beatrix.

And with what guileless innocence the young Breton allowed his
thoughts to be read! When he saw the beautiful green eyes of the sick
woman turned to him, expressing a mixture of love, confusion, and even
mischief, he colored, and turned away his head.

"Did I not say truly, Calyste, that you men promised happiness, and
ended by flinging us down a precipice?"

When he heard this little jest, said in sweet, caressing tones which
betrayed a change of heart in Beatrix, Calyste knelt down, took her
moist hand which she yielded to him, and kissed it humbly.

"You have the right to reject my love forever," he said, "and I, I
have no right to say one word to you."

"Ah!" cried Camille, seeing the expression on Beatrix's face and
comparing it with that obtained by her diplomacy, "love has a
wit of its own, wiser than that of all the world! Take your
composing-draught, my dear friend, and go to sleep."

That night, spent by Calyste beside Mademoiselle des Touches, who read
a book of theological mysticism while Calyste read "Indiana,"--the
first work of Camille's celebrated rival, in which is the captivating
image of a young man loving with idolatry and devotion, with
mysterious tranquillity and for all his life, a woman placed in the
same false position as Beatrix (a book which had a fatal influence
upon him),--that night left ineffaceable marks upon the heart of the
poor young fellow, whom Felicite soothed with the assurance that
unless a woman were a monster she must be flattered in all her
vanities by being the object of such a crime.

"You would never have flung /me/ into the water," said Camille,
brushing away a tear.

Toward morning, Calyste, worn-out with emotion, fell asleep in his
arm-chair; and the marquise in her turn, watched his charming face,
paled by his feelings and his vigil of love. She heard him murmur her
name as he slept.

"He loves while sleeping," she said to Camille.

"We must send him home," said Felicite, waking him.

No one was anxious at the hotel du Guenic, for Mademoiselle des
Touches had written a line to the baroness telling her of the
accident.

Calyste returned to dinner at Les Touches and found Beatrix up and
dressed, but pale, feeble, and languid. No longer was there any
harshness in her words or any coldness in her looks. After this
evening, filled with music by Camille, who went to her piano to leave
Calyste free to take and press the hands of Beatrix (though both were
unable to speak), no storms occurred at Les Touches. Felicite
completely effaced herself.

Cold, fragile, thin, hard women like Madame de Rochefide, women whose
necks turn in a manner to give them a vague resemblance to the feline
race, have souls of the same pale tint as their light eyes, green or
gray; and to melt them, to fuse those blocks of stone it needs a
thunderbolt. To Beatrix, Calyste's fury of love and his mad action
came as the thunderbolt that nought resists, which changes all
natures, even the most stubborn. She felt herself inwardly humbled; a
true, pure love bathed her heart with its soft and limpid warmth. She
breathed a sweet and genial atmosphere of feelings hitherto unknown to
her, by which she felt herself magnified, elevated; in fact, she rose
into that heaven where Bretons throughout all time have placed the
Woman. She relished with delight the respectful adoration of the
youth, whose happiness cost her little, for a gesture, a look, a word
was enough to satisfy him. The value which Calyste's heart gave to
these trifles touched her exceedingly; to hold her gloved hand was
more to that young angel than the possession of her whole person to
the man who ought to have been faithful to her. What a contrast
between them!

Few women could resist such constant deification. Beatrix felt herself
sure of being obeyed and understood. She might have asked Calyste to
risk his life for the slightest of her caprices, and he would never
have reflected for a moment. This consciousness gave her a certain
noble and imposing air. She saw love on the side of its grandeur; and
her heart sought for some foothold on which she might remain forever
the loftiest of women in the eyes of her young lover, over whom she
now wished her power to be eternal.

Her coquetries became the more persistent because she felt within
herself a certain weakness. She played the invalid for a whole week
with charming hypocrisy. Again and again she walked about the velvet
turf which lay between the house and garden leaning on Calyste's arm
in languid dependence.

"Ah! my dear, you are taking him a long journey in a small space,"
said Mademoiselle des Touches one day.

Before the excursion to Croisic, the two women were discoursing one
evening about love, and laughing at the different ways that men
adopted to declare it; admitting to themselves that the cleverest men,
and naturally the least loving, did not like to wander in the
labyrinths of sentimentality and went straight to the point,--in which
perhaps they were right; for the result was that those who loved most
deeply and reservedly were, for a time at least, ill-treated.

"They go to work like La Fontaine, when he wanted to enter the
Academy," said Camille.

Madame de Rochefide had unbounded power to restrain Calyste within the
limits where she meant to keep him; it sufficed her to remind him by a
look or gesture of his horrible violence on the rocks. The eyes of her
poor victim would fill with tears, he was silent, swallowing down his
prayers, his arguments, his sufferings with a heroism that would
certainly have touched any other woman. She finally brought him by her
infernal coquetry to such a pass that he went one day to Camille
imploring her advice.

Beatrix, armed with Calyste's own letter, quoted the passage in which
he said that to love was the first happiness, that of being loved came
later; and she used that axiom to restrain his passion to the limits
of respectful idolatry, which pleased her well. She liked to feel her
soul caressed by those sweet hymns of praise and adoration which
nature suggests to youth; in them is so much artless art; such
innocent seduction is in their cries, their prayers, their
exclamations, their pledges of themselves in the promissory notes
which they offer on the future; to all of which Beatrix was very
careful to give no definite answer. Yes, she heard him; but she
doubted! Love was not yet the question; what he asked of her was
permission to love. In fact, that was all the poor lad really asked
for; his mind still clung to the strongest side of love, the spiritual
side. But the woman who is firmest in words is often the feeblest in
action. It is strange that Calyste, having seen the progress his suit
had made by pushing Beatrix into the sea, did not continue to urge it
violently. But love in young men is so ecstatic and religious that
their inmost desire is to win its fruition through moral conviction.
In that is the sublimity of their love.

Nevertheless the day came when the Breton, driven to desperation,
complained to Camille of Beatrix's conduct.

"I meant to cure you by making you quickly understand her," replied
Mademoiselle des Touches; "but you have spoiled all. Ten days ago you
were her master; to-day, my poor boy, you are her slave. You will
never have the strength now to do as I advise."

"What ought I to do?"

"Quarrel with her on the ground of her hardness. A woman is always
over-excited when she discusses; let her be angry and ill-treat you,
and then stay away; do not return to Les Touches till she herself
recalls you."

In all extreme illness there is a moment when the patient is willing
to accept the cruellest remedy and submits to the most horrible
operation. Calyste had reached that point. He listened to Camille's
advice and stayed at home two whole days; but on the third he was
scratching at Beatrix's door to let her know that he and Camille were
waiting breakfast for her.

"Another chance lost!" Camille said to him when she saw him re-appear
so weakly.

During his two days' absence, Beatrix had frequently looked through
the window which opens on the road to Guerande. When Camille found her
doing so, she talked of the effect produced by the gorse along the
roadway, the golden blooms of which were dazzling in the September
sunshine.

The marquise kept Camille and Calyste waiting long for breakfast; and
the delay would have been significant to any eyes but those of
Calyste, for when she did appear, her dress showed an evident
intention to fascinate him and prevent another absence. After
breakfast she went to walk with him in the garden and filled his
simple heart with joy by expressing a wish to go again to that rock
where she had so nearly perished.

"Will you go with me alone?" asked Calyste, in a troubled voice.

"If I refused to do so," she replied, "I should give you reason to
suppose I thought you dangerous. Alas! as I have told you again and
again I belong to another, and I must be his only; I chose him knowing
nothing of love. The fault was great, and bitter is my punishment."

When she talked thus, her eyes moist with the scanty tears shed by
that class of woman, Calyste was filled with a compassion that reduced
his fiery ardor; he adored her then as he did a Madonna. We have no
more right to require different characters to be alike in the
expression of feelings than we have to expect the same fruits from
different trees. Beatrix was at this moment undergoing an inward
struggle; she hesitated between herself and Calyste,--between the
world she still hoped to re-enter, and the young happiness offered to
her; between a second and an unpardonable love, and social
rehabilitation. She began, therefore, to listen, without even acted
displeasure, to the talk of the youth's blind passion; she allowed his
soft pity to soothe her. Several times she had been moved to tears as
she listened to Calyste's promises; and she suffered him to
commiserate her for being bound to an evil genius, a man as false as
Conti. More than once she related to him the misery and anguish she
had gone through in Italy, when she first became aware that she was
not alone in Conti's heart. On this subject Camille had fully informed
Calyste and given him several lectures on it, by which he profited.

"I," he said, "will love you only, you absolutely. I have no triumphs
of art, no applause of crowds stirred by my genius to offer you; my
only talent is to love you; my honor, my pride are in your
perfections. No other woman can have merit in my eyes; you have no
odious rivalry to fear. You are misconceived and wronged, but I know
you, and for every misconception, for every wrong, I will make you
feel my comprehension day by day."

She listened to such speeches with bowed head, allowing him to kiss
her hands, and admitting silently but gracefully that she was indeed
an angel misunderstood.

"I am too humiliated," she would say; "my past has robbed the future
of all security."

It was a glorious day for Calyste when, arriving at Les Touches at
seven in the morning, he saw from afar Beatrix at a window watching
for him, and wearing the same straw hat she had worn on the memorable
day of their first excursion. For a moment he was dazzled and giddy.
These little things of passion magnify the world itself. It may be
that only Frenchwomen possess the art of such scenic effects; they owe
it to the grace of their minds; they know how to put into sentiment as
much of the picturesque as the particular sentiment can bear without a
loss of vigor or of force.

Ah! how lightly she rested on Calyste's arm! Together they left Les
Touches by the garden-gate which opens on the dunes. Beatrix thought
the sands delightful; she spied the hardy little plants with
rose-colored flowers that grew there, and she gathered a quantity to
mix with the Chartreux pansies which also grow in that arid desert,
dividing them significantly with Calyste, to whom those flowers and
their foliage were to be henceforth an eternal and dreadful relic.

"We'll add a bit of box," she said smiling.

They sat some time together on the jetty, and Calyste, while waiting
for the boat to come over, told her of his juvenile act on the day of
her arrival.

"I knew of your little escapade," she said, "and it was the cause of
my sternness to you that first night."

During their walk Madame de Rochefide had the lightly jesting tone of
a woman who loves, together with a certain tenderness and abandonment
of manner. Calyste had reason to think himself beloved. But when,
wandering along the shore beneath the rocks, they came upon one of
those charming creeks where the waves deposit the most extraordinary
mosaic of brilliant pebbles, and they played there like children
gathering the prettiest, when Calyste at the summit of happiness asked
her plainly to fly with him to Ireland, she resumed her dignified and
distant air, asked for his arm, and continued their walk in silence to
what she called her Tarpeian rock.

"My friend," she said, mounting with slow steps the magnificent block
of granite of which she was making for herself a pedestal, "I have not
the courage to conceal what you are to me. For ten years I have had no
happiness comparable to that which we have just enjoyed together,
searching for shells among those rocks, exchanging pebbles of which I
shall make a necklace more precious far to me than if it were made of
the finest diamonds. I have been once more a little girl, a child,
such as I was at fourteen or sixteen--when I was worthy of you. The
love I have had the happiness to inspire in your heart has raised me
in my own eyes. Understand these words to their magical extent. You
have made me the proudest and happiest of my sex, and you will live
longer in my remembrance, perhaps, than I in yours."

At this moment they reached the summit of the rock, whence they saw
the vast ocean on one side and Brittany on the other, with its golden
isles, its feudal towers, and its gorse. Never did any woman stand on
a finer scene to make a great avowal.

"But," she continued, "I do not belong to myself; I am more bound by
my own will than I was by the law. You must be punished for my
misdeed, but be satisfied to know that we suffer together. Dante never
saw his Beatrice again; Petrarch never possessed his Laura. Such
disasters fall on none but noble souls. But, if I should be abandoned,
if I fall lower yet into shame and ignominy, if your Beatrix is
cruelly misjudged by the world she loathes, if indeed she is the
lowest of women,--then, my child, my adored child," she said, taking
his hand, "to you she will still be first of all; you will know that
she rises to heaven as she leans on you; but then, my friend," she
added, giving him an intoxicating look, "then if you wish to cast her
down do not fail of your blow; after your love, death!"

Calyste clasped her round the waist and pressed her to his heart. As
if to confirm her words Madame de Rochefide laid a tender, timid kiss
upon his brow. When they turned and walked slowly back; talking
together like those who have a perfect comprehension of each other,
--she, thinking she had gained a truce, he not doubting of his
happiness; and both deceived. Calyste, from what Camille had told him,
was confident that Conti would be enchanted to find an opportunity to
part from Beatrix; Beatrix, yielding herself up to the vagueness of
her position, looked to chance to arrange the future.

They reached Les Touches in the most delightful of all states of mind,
entering by the garden gate, the key of which Calyste had taken with
him. It was nearly six o'clock. The luscious odors, the warm
atmosphere, the burnished rays of the evening sun were all in harmony
with their feelings and their tender talk. Their steps were taken in
unison,--the gait of all lovers,--their movements told of the union of
their thoughts. The silence that reigned about Les Touches was so
profound that the noise which Calyste made in opening and shutting the
gate must have echoed through the garden. As the two had said all to
each other that could be said, and as their day's excursion, so filled
with emotion, had physically tired them, they walked slowly, saying
nothing.

Suddenly, at the turn of a path, Beatrix was seized with a horrible
trembling, with that contagious horror which is caused by the sight of
a snake, and which Calyste felt before he saw the cause of it. On a
bench, beneath the branches of a weeping ash, sat Conti, talking with
Camille Maupin.



                                 XV

                               CONTI

The inward and convulsive trembling of the marquise was more apparent
than she wished it to be; a tragic drama developed at that moment in
the souls of all present.

"You did not expect me so soon, I fancy," said Conti, offering his arm
to Beatrix.

The marquise could not avoid dropping Calyste's arm and taking that of
Conti. This ignoble transit, imperiously demanded, so dishonoring to
the new love, overwhelmed Calyste who threw himself on the bench
beside Camille, after exchanging the coldest of salutations with his
rival. He was torn by conflicting emotions. Strong in the thought that
Beatrix loved him, he wanted at first to fling himself upon Conti and
tell him that Beatrix was his; but the violent trembling of the woman
betraying how she suffered--for she had really paid the penalty of her
faults in that one moment--affected him so deeply that he was dumb,
struck like her with a sense of some implacable necessity.

Madame de Rochefide and Conti passed in front of the seat where
Calyste had dropped beside Camille, and as she passed, the marquise
looked at Camille, giving her one of those terrible glances in which
women have the art of saying all things. She avoided the eyes of
Calyste and turned her attention to Conti, who appeared to be jesting
with her.

"What will they say to each other?" Calyste asked of Camille.

"Dear child, you don't know as yet the terrible rights which an
extinguished love still gives to a man over a woman. Beatrix could not
refuse to take his arm. He is, no doubt, joking her about her new
love; he must have guessed it from your attitudes and the manner in
which you approached us."

"Joking her!" cried the impetuous youth, starting up.

"Be calm," said Camille, "or you will lose the last chances that
remain to you. If he wounds her self-love, she will crush him like a
worm under her foot. But he is too astute for that; he will manage her
with greater cleverness. He will seem not even to suppose that the
proud Madame de Rochefide could betray him; /she/ could never be
guilty of such depravity as loving a man for the sake of his beauty.
He will represent you to her as a child ambitious to have a marquise
in love with him, and to make himself the arbiter of the fate of two
women. In short, he will fire a broadside of malicious insinuations.
Beatrix will then be forced to parry with false assertions and
denials, which he will simply make use of to become once more her
master."

"Ah!" cried Calyste, "he does not love her. I would leave her free.
True love means a choice made anew at every moment, confirmed from day
to day. The morrow justifies the past, and swells the treasury of our
pleasures. Ah! why did he not stay away a little longer? A few days
more and he would not have found her. What brought him back?"

"The jest of a journalist," replied Camille. "His opera, on the
success of which he counted, has fallen flat. Some journalist,
probably Claude Vignon, remarked in the foyer: 'It is hard to lose
fame and mistress at the same moment,' and the speech cut him in all
his vanities. Love based on petty sentiments is always pitiless. I
have questioned him; but who can fathom a nature so false and
deceiving? He appeared to be weary of his troubles and his love,--in
short, disgusted with life. He regrets having allied himself so
publicly with the marquise, and made me, in speaking of his past
happiness, a melancholy poem, which was somewhat too clever to be
true. I think he hoped to worm out of me the secret of your love, in
the midst of the joy he expected his flatteries to cause me."

"What else?" said Calyste, watching Beatrix and Conti, who were now
coming towards them; but he listened no longer to Camille's words.

In talking with Conti, Camille had held herself prudently on the
defensive; she had betrayed neither Calyste's secret nor that of
Beatrix. The great artist was capable of treachery to every one, and
Mademoiselle des Touches warned Calyste to distrust him.

"My dear friend," she said, "this is by far the most critical moment
for you. You need caution and a sort of cleverness you do not possess;
I am afraid you will let yourself be tricked by the most wily man I
have ever known, and I can do nothing to help you."

The bell announced dinner. Conti offered his arm to Camille; Calyste
gave his to Beatrix. Camille drew back to let the marquise pass, but
the latter had found a moment in which to look at Calyste, and impress
upon him, by putting her finger on her lips, the absolute necessity of
discretion.

Conti was extremely gay during the dinner; perhaps this was only one
way of probing Madame de Rochefide, who played her part extremely ill.
If her conduct had been mere coquetry, she might have deceived even
Conti; but her new love was real, and it betrayed her. The wily
musician, far from adding to her embarrassment, pretended not to have
perceived it. At dessert, he brought the conversation round to women,
and lauded the nobility of their sentiments. Many a woman, he said,
who might have been willing to abandon a man in prosperity, would
sacrifice all to him in misfortune. Women had the advantage over men
in constancy; nothing ever detached them from their first lover, to
whom they clung as a matter of honor, unless he wounded them; they
felt that a second love was unworthy of them, and so forth. His ethics
were of the highest order; shedding incense on the altar where he knew
that one heart at least, pierced by many a blow, was bleeding. Camille
and Beatrix alone understood the bitterness of the sarcasms shot forth
in the guise of eulogy. At times they both flushed scarlet, but they
were forced to control themselves. When dinner was over, they took
each other by the arm to return to Camille's salon, and, as if by
mutual consent, they turned aside into the great salon, where they
could be alone for an instant in the darkness.

"It is dreadful to let Conti ride over me roughshod; and yet I can't
defend myself," said Beatrix, in a low voice. "The galley-slave is
always a slave to his chain-companion. I am lost; I must needs return
to my galleys! And it is you, Camille, who have cast me there! Ah! you
brought him back a day too soon, or a day too late. I recognize your
infernal talent as author. Well, your revenge is complete, the finale
perfect!"

"I may have told you that I would write to Conti, but to do it was
another matter," cried Camille. "I am incapable of such baseness. But
you are unhappy, and I will forgive the suspicion."

"What will become of Calyste?" said the marquise, with naive
self-conceit.

"Then Conti carries you off, does he?" asked Camille.

"Ah! you think you triumph!" cried Beatrix.

Anger distorted her handsome face as she said those bitter words to
Camille, who was trying to hide her satisfaction under a false
expression of sympathy. Unfortunately, the sparkle in her eyes belied
the sadness of her face, and Beatrix was learned in such deceptions.
When, a few moments later, the two women were seated under a strong
light on that divan where the first three weeks so many comedies had
been played, and where the secret tragedy of many thwarted passions
had begun, they examined each other for the last time, and felt they
were forever parted by an undying hatred.

"Calyste remains to you," said Beatrix, looking into Camille's eyes;
"but I am fixed in his heart, and no woman can ever drive me out of
it."

Camille replied, with an inimitable tone of irony that struck the
marquise to the heart, in the famous words of Mazarin's niece to Louis
XIV.,--

"You reign, you love, and you depart!"

Neither Camille nor Beatrix was conscious during this sharp and bitter
scene of the absence of Conti and Calyste. The composer had remained
at table with his rival, begging him to keep him company in finishing
a bottle of champagne.

"We have something to say to each other," added Conti, to prevent all
refusal on the part of Calyste.

Placed as they both were, it was impossible for the young Breton to
refuse this challenge.

"My dear friend," said the composer, in his most caressing voice, as
soon as the poor lad had drunk a couple of glasses of champagne, "we
are both good fellows, and we can speak to each other frankly. I have
not come here suspiciously. Beatrix loves me,"--this with a gesture of
the utmost self-conceit--"but the truth is, I have ceased to love her.
I am not here to carry her away with me, but to break off our
relations, and to leave her the honors of the rupture. You are young;
you don't yet know how useful it is to appear to be the victim when
you are really the executioner. Young men spit fire and flame; they
leave a woman with noise and fury; they often despise her, and they
make her hate them. But wise men do as I am doing; they get themselves
dismissed, assuming a mortified air, which leaves regret in the
woman's heart and also a sense of her superiority. You don't yet know,
luckily for you, how hampered men often are in their careers by the
rash promises which women are silly enough to accept when gallantry
obliges us to make nooses to catch our happiness. We swear eternal
faithfulness, and declare that we desire to pass our lives with them,
and seem to await a husband's death impatiently. Let him die, and
there are some provincial women obtuse or silly or malicious enough to
say: 'Here am I, free at last.' The spent ball suddenly comes to life
again, and falls plumb in the midst of our finest triumphs or our most
carefully planned happiness. I have seen that you love Beatrix. I
leave her therefore in a position where she loses nothing of her
precious majesty; she will certainly coquet with you, if only to tease
and annoy that angel of a Camille Maupin. Well, my dear fellow, take
her, love her, you'll do me a great service; I want her to turn
against me. I have been afraid of her pride and her virtue. Perhaps,
in spite of my approval of the matter, it may take some time to effect
this /chassez-croissez/. On such occasions the wisest plan is to take
no step at all. I did, just now, as we walked about the lawn, attempt
to let her see that I knew all, and was ready to congratulate her on
her new happiness. Well, she was furious! At this moment I am
desperately in love with the youngest and handsomest of our
prima-donnas, Mademoiselle Falcon of the Grand Opera. I think of
marrying her; yes, I have got as far as that. When you come to Paris
you will see that I have changed a marquise for a queen."

Calyste, whose candid face revealed his satisfaction, admitted his
love for Beatrix, which was all that Conti wanted to discover. There
is no man in the world, however /blase/ or depraved he may be, whose
love will not flame up again the moment he sees it threatened by a
rival. He may wish to leave a woman, but he will never willingly let
her leave him. When a pair of lovers get to this extremity, both the
man and the woman strive for priority of action, so deep is the wound
to their vanity. Questioned by the composer, Calyste related all that
had happened during the last three weeks at Les Touches, delighted to
find that Conti, who concealed his fury under an appearance of
charming good-humor, took it all in good part.

"Come, let us go upstairs," said the latter. "Women are so
distrustful; those two will wonder how we can sit here together
without tearing each other's hair out; they are even capable of coming
down to listen. I'll serve you faithfully, my dear boy. You'll see me
rough and jealous with the marquise; I shall seem to suspect her;
there's no better way to drive a woman to betray you. You will be
happy, and I shall be free. Seem to pity that angel for belonging to a
man without delicacy; show her a tear--for you can weep, you are still
young. I, alas! can weep no more; and that's a great advantage lost."

Calyste and Conti went up to Camille's salon. The composer, begged by
his young rival to sing, gave them that greatest of musical
masterpieces viewed as execution, the famous "/Pria che spunti
l'aurora/," which Rubini himself never attempted without trembling,
and which had often been Conti's triumph. Never was his singing more
extraordinary than on this occasion, when so many feelings were
contending in his breast. Calyste was in ecstasy. As Conti sang the
first words of the cavatina, he looked intently at the marquise,
giving to those words a cruel signification which was fully
understood. Camille, who accompanied him, guessed the order thus
conveyed, which bowed the head of the luckless Beatrix. She looked at
Calyste, and felt sure that the youth had fallen into some trap in
spite of her advice. This conviction became certainty when the
evidently happy Breton came up to bid Beatrix good-night, kissing her
hand, and pressing it with a little air of happy confidence.

By the time Calyste had reached Guerande, the servants were packing
Conti's travelling-carriage, and "by dawn," as the song had said, the
composer was carrying Beatrix away with Camille's horses to the first
relay. The morning twilight enabled Madame de Rochefide to see
Guerande, its towers, whitened by the dawn, shining out upon the still
dark sky. Melancholy thoughts possessed her; she was leaving there one
of the sweetest flowers of all her life,--a pure love, such as a young
girl dreams of; the only true love she had ever known or was ever to
conceive of. The woman of the world obeyed the laws of the world; she
sacrificed love to their demands just as many women sacrifice it to
religion or to duty. Sometimes mere pride can rise in acts as high as
virtue. Read thus, this history is that of many women.

The next morning Calyste went to Les Touches about mid-day. When he
reached the spot from which, the day before, he had seen Beatrix
watching for him at the window, he saw Camille, who instantly ran down
to him. She met him at the foot of the staircase and told the cruel
truth in one word,--

"Gone!"

"Beatrix?" asked Calyste, thunderstruck.

"You have been duped by Conti; you told me nothing, and I could do
nothing for you."

She led the poor fellow to her little salon, where he flung himself on
the divan where he had so often seen the marquise, and burst into
tears. Felicite smoked her hookah and said nothing, knowing well that
no words or thoughts are capable of arresting the first anguish of
such pain, which is always deaf and dumb. Calyste, unable even to
think, much less to choose a course, sat there all day in a state of
complete torpidity. Just before dinner was served, Camille tried to
say a few words, after begging him, very earnestly, to listen to her.

"Friend," she said, "you caused me the bitterest suffering, and I had
not, like you, a beautiful young life before me in which to heal
myself. For me, life has no longer any spring, nor my soul a love. So,
to find consolation, I have had to look above. Here, in this room, the
day before Beatrix came here, I drew you her portrait; I did not do
her injustice, or you might have thought me jealous. I wanted you to
know her as she is, for that would have kept you safe. Listen now to
the full truth. Madame de Rochefide is wholly unworthy of you. The
scandal of her fall was not necessary; she did the thing deliberately
in order to play a part in the eyes of society. She is one of those
women who prefer the celebrity of a scandal to tranquil happiness;
they fly in the face of society to obtain the fatal alms of a rebuke;
they desire to be talked about at any cost. Beatrix was eaten up with
vanity. Her fortune and her wit had not given her the feminine royalty
that she craved; they had not enabled her to reign supreme over a
salon. She then bethought herself of seeking the celebrity of the
Duchesse de Langeais and the Vicomtesse de Beauseant. But the world,
after all, is just; it gives the homage of its interest to real
feelings only. Beatrix playing comedy was judged to be a second-rate
actress. There was no reason whatever for her flight; the sword of
Damocles was not suspended over her head; she is neither sincere, nor
loving, nor tender; if she were, would she have gone away with Conti
this morning?"

Camille talked long and eloquently; but this last effort to open
Calyste's eyes was useless, and she said no more when he expressed to
her by a gesture his absolute belief in Beatrix.

She forced him to come down into the dining-room and sit there while
she dined; though he himself was unable to swallow food. It is only
during extreme youth that these contractions of the bodily functions
occur. Later, the organs have acquired, as it were, fixed habits, and
are hardened. The reaction of the mental and moral system upon the
physical is not enough to produce a mortal illness unless the physical
system retains its primitive purity. A man resists the violent grief
that kills a youth, less by the greater weakness of his affection than
by the greater strength of his organs.

Therefore Mademoiselle des Touches was greatly alarmed by the calm,
resigned attitude which Calyste took after his burst of tears had
subsided. Before he left her, he asked permission to go into Beatrix's
bedroom, where he had seen her on the night of her illness, and there
he laid his head on the pillow where hers had lain.

"I am committing follies," he said, grasping Camille's hand, and
bidding her good-night in deep dejection.

He returned home, found the usual company at /mouche/, and passed the
remainder of the evening sitting beside his mother. The rector, the
Chevalier du Halga, and Mademoiselle de Pen-Hoel all knew of Madame de
Rochefide's departure, and were rejoicing in it. Calyste would now
return to them; and all three watched him cautiously. No one in that
old manor-house was capable of imagining the result of a first love,
the love of youth in a heart so simple and so true as that of Calyste.



                                XVI

                        SICKNESS UNTO DEATH

For several days Calyste went regularly to Les Touches. He paced round
and round the lawn, where he had sometimes walked with Beatrix on his
arm. He often went to Croisic to stand upon that fateful rock, or lie
for hours in the bush of box; for, by studying the footholds on the
sides of the fissure, he had found a means of getting up and down.

These solitary trips, his silence, his gravity, made his mother very
anxious. After about two weeks, during which time this conduct, like
that of a caged animal, lasted, this poor lover, caged in his despair,
ceased to cross the bay; he had scarcely strength to drag himself
along the road from Guerande to the spot where he had seen Beatrix
watching from her window. The family, delighted at the departure of
"those Parisians," to use a term of the provinces, saw nothing fatal
or diseased about the lad. The two old maids and the rector, pursuing
their scheme, had kept Charlotte de Kergarouet, who nightly played off
her little coquetries on Calyste, obtaining in return nothing better
than advice in playing /mouche/. During these long evenings, Calyste
sat between his mother and the little Breton girl, observed by the
rector and Charlotte's aunt, who discussed his greater or less
depression as they walked home together. Their simple minds mistook
the lethargic indifference of the hapless youth for submission to
their plans. One evening when Calyste, wearied out, went off suddenly
to bed, the players dropped their cards upon the table and looked at
each other as the young man closed the door of his chamber. One and
all had listened to the sound of his receding steps with anxiety.

"Something is the matter with Calyste," said the baroness, wiping her
eyes.

"Nothing is the matter," replied Mademoiselle de Pen-Hoel; "but you
should marry him at once."

"Do you believe that marriage would divert his mind?" asked the
chevalier.

Charlotte looked reprovingly at Monsieur du Halga, whom she now began
to think ill-mannered, depraved, immoral, without religion, and very
ridiculous about his dog,--opinions which her aunt, defending the old
sailor, combated.

"I shall lecture Calyste to-morrow morning," said the baron, whom the
others had thought asleep. "I do not wish to go out of this world
without seeing my grandson, a little pink and white Guenic with a
Breton cap on his head."

"Calyste doesn't say a word," said old Zephirine, "and there's no
making out what's the matter with him. He doesn't eat; I don't see
what he lives on. If he gets his meals at Les Touches, the devil's
kitchen doesn't nourish him."

"He is in love," said the chevalier, risking that opinion very
timidly.

"Come, come, old gray-beard, you've forgotten to put in your stake!"
cried Mademoiselle de Pen-Hoel. "When you begin to think of your young
days you forget everything."

"Come to breakfast to-morrow," said old Zephirine to her friend
Jacqueline; "my brother will have had a talk with his son, and we can
settle the matter finally. One nail, you know, drives out another."

"Not among Bretons," said the chevalier.

The next day Calyste saw Charlotte, as she arrived dressed with
unusual care, just after the baron had given him, in the dining-room,
a discourse on matrimony, to which he could make no answer. He now
knew the ignorance of his father and mother and all their friends; he
had gathered the fruits of the tree of knowledge, and knew himself to
be as much isolated as if he did not speak the family language. He
merely requested his father to give him a few days' grace. The old
baron rubbed his hands with joy, and gave fresh life to the baroness
by whispering in her ear what he called the good news.

Breakfast was gay; Charlotte, to whom the baron had given a hint, was
sparkling. After the meal was over, Calyste went out upon the portico
leading to the garden, followed by Charlotte; he gave her his arm and
led her to the grotto. Their parents and friends were at the window,
looking at them with a species of tenderness. Presently Charlotte,
uneasy at her suitor's silence, looked back and saw them, which gave
her an opportunity of beginning the conversation by saying to
Calyste,--

"They are watching us."

"They cannot hear us," he replied.

"True; but they see us."

"Let us sit down, Charlotte," replied Calyste, gently taking her hand.

"Is it true that your banner used formerly to float from that twisted
column?" asked Charlotte, with a sense that the house was already
hers; how comfortable she should be there! what a happy sort of life!
"You will make some changes inside the house, won't you, Calyste?" she
said.

"I shall not have time, my dear Charlotte," said the young man, taking
her hands and kissing them. "I am going now to tell you my secret. I
love too well a person whom you have seen, and who loves me, to be
able to make the happiness of any other woman; though I know that from
our childhood you and I have been destined for each other by our
friends."

"But she is married, Calyste."

"I shall wait," replied the young man.

"And I, too," said Charlotte, her eyes filling with tears. "You cannot
long love a woman like that, who, they say, has gone off with a
singer--"

"Marry, my dear Charlotte," said Calyste, interrupting her. "With the
fortune your aunt intends to give you, which is enormous for Brittany,
you can choose some better man than I. You could marry a titled man. I
have brought you here, not to tell you what you already knew, but to
entreat you, in the name of our childish friendship, to take this
rupture upon yourself, and say that you have rejected me. Say that you
do not wish to marry a man whose heart is not free; and thus I shall
be spared at least the sense that I have done you public wrong. You do
not know, Charlotte, how heavy a burden life now is to me. I cannot
bear the slightest struggle; I am weakened like a man whose vital
spark is gone, whose soul has left him. If it were not for the grief I
should cause my mother, I would have flung myself before now into the
sea; I have not returned to the rocks at Croisic since the day that
temptation became almost irresistible. Do not speak of this to any
one. Good-bye, Charlotte."

He took the young girl's head and kissed her hair; then he left the
garden by the postern-gate and fled to Les Touches, where he stayed
near Camille till past midnight. On returning home, at one in the
morning, he found his mother awaiting him with her worsted-work. He
entered softly, clasped her hand in his, and said,--

"Is Charlotte gone?"

"She goes to-morrow, with her aunt, in despair, both of them,"
answered the baroness. "Come to Ireland with me, my Calyste."

"Many a time I have thought of flying there--"

"Ah!" cried the baroness.

"With Beatrix," he added.

Some days after Charlotte's departure, Calyste joined the Chevalier du
Halga in his daily promenade on the mall with his little dog. They sat
down in the sunshine on a bench, where the young man's eyes could
wander from the vanes of Les Touches to the rocks of Croisic, against
which the waves were playing and dashing their white foam. Calyste was
thin and pale; his strength was diminishing, and he was conscious at
times of little shudders at regular intervals, denoting fever. His
eyes, surrounded by dark circles, had that singular brilliancy which a
fixed idea gives to the eyes of hermits and solitary souls, or the
ardor of contest to those of the strong fighters of our present
civilization. The chevalier was the only person with whom he could
exchange a few ideas. He had divined in that old man an apostle of his
own religion; he recognized in his soul the vestiges of an eternal
love.

"Have you loved many women in your life?" he asked him on the second
occasion, when, as seamen say, they sailed in company along the mall.

"Only one," replied Du Halga.

"Was she free?"

"No," exclaimed the chevalier. "Ah! how I suffered! She was the wife
of my best friend, my protector, my chief--but we loved each other
so!"

"Did she love you?" said Calyste.

"Passionately," replied the chevalier, with a fervency not usual with
him.

"You were happy?"

"Until her death; she died at the age of forty-nine, during the
emigration, at St. Petersburg, the climate of which killed her. She
must be very cold in her coffin. I have often thought of going there
to fetch her, and lay her in our dear Brittany, near to me! But she
lies in my heart."

The chevalier brushed away his tears. Calyste took his hand and
pressed it.

"I care for this little dog more than for life itself," said the old
man, pointing to Thisbe. "The little darling is precisely like the one
she held on her knees and stroked with her beautiful hands. I never
look at Thisbe but what I see the hands of Madame l'Amirale."

"Did you see Madame de Rochefide?" asked Calyste.

"No," replied the chevalier. "It is sixty-eight years since I have
looked at any woman with attention--except your mother, who has
something of Madame l'Amirale's complexion."

Three days later, the chevalier said to Calyste, on the mall,--

"My child, I have a hundred and forty /louis/ laid by. When you know
where Madame de Rochefide is, come and get them and follow her."

Calyste thanked the old man, whose existence he envied. But now, from
day to day, he grew morose; he seemed to love no one; all things hurt
him; he was gentle and kind to his mother only. The baroness watched
with ever increasing anxiety the progress of his madness; she alone
was able, by force of prayer and entreaty, to make him swallow food.
Toward the end of October the sick lad ceased to go even to the mall
in search of the chevalier, who now came vainly to the house to tempt
him out with the coaxing wisdom of an old man.

"We can talk of Madame de Rochefide," he would say. "I'll tell you my
first adventure."

"Your son is ill," he said privately to the baroness, on the day he
became convinced that all such efforts were useless.

Calyste replied to questions about his health that he was perfectly
well; but like all young victims of melancholy, he took pleasure in
the thought of death. He no longer left the house, but sat in the
garden on a bench, warming himself in the pale and tepid sunshine,
alone with his one thought, and avoiding all companionship.

Soon after the day when Calyste ceased to go even to Les Touches,
Felicite requested the rector of Guerande to come and see her. The
assiduity with which the Abbe Grimont called every morning at Les
Touches, and sometimes dined there, became the great topic of the
town; it was talked of all over the region, and even reached Nantes.
Nevertheless, the rector never missed a single evening at the hotel du
Guenic, where desolation reigned. Masters and servants were all
afflicted at Calyste's increasing weakness, though none of them
thought him in danger; how could it ever enter the minds of these good
people that youth might die of love? Even the chevalier had no example
of such a death among his memories of life and travel. They attributed
Calyste's thinness to want of food. His mother implored him to eat.
Calyste endeavored to conquer his repugnance in order to comfort her;
but nourishment taken against his will served only to increase the
slow fever which was now consuming the beautiful young life.

During the last days of October the cherished child of the house could
no longer mount the stairs to his chamber, and his bed was placed in
the lower hall, where he was surrounded at all hours by his family.
They sent at last for the Guerande physician, who broke the fever with
quinine and reduced it in a few days, ordering Calyste to take
exercise, and find something to amuse him. The baron, on this, came
out of his apathy and recovered a little of his old strength; he grew
younger as his son seemed to age. With Calyste, Gasselin, and his two
fine dogs, he started for the forest, and for some days all three
hunted. Calyste obeyed his father and went where he was told, from
forest to forest, visiting friends and acquaintances in the
neighboring chateaus. But the youth had no spirit or gaiety; nothing
brought a smile to his face; his livid and contracted features
betrayed an utterly passive being. The baron, worn out at last by
fatigue consequent on this spasm of exertion, was forced to return
home, bringing Calyste in a state of exhaustion almost equal to his
own. For several days after their return both father and son were so
dangerously ill that the family were forced to send, at the request of
the Guerande physician himself, for two of the best doctors in Nantes.

The baron had received a fatal shock on realizing the change now so
visible in Calyste. With that lucidity of mind which nature gives to
the dying, he trembled at the thought that his race was about to
perish. He said no word, but he clasped his hands and prayed to God as
he sat in his chair, from which his weakness now prevented him from
rising. The father's face was turned toward the bed where the son lay,
and he looked at him almost incessantly. At the least motion Calyste
made, a singular commotion stirred within him, as if the flame of his
own life were flickering. The baroness no longer left the room where
Zephirine sat knitting in the chimney-corner in horrible uneasiness.
Demands were made upon the old woman for wood, father and son both
suffering from the cold, and for supplies and provisions, so that,
finally, not being agile enough to supply these wants, she had given
her precious keys to Mariotte. But she insisted on knowing everything;
she questioned Mariotte and her sister-in-law incessantly, asking in a
low voice to be told, over and over again, the state of her brother
and nephew. One night, when father and son were dozing, Mademoiselle
de Pen-Hoel told her that she must resign herself to the death of her
brother, whose pallid face was now the color of wax. The old woman
dropped her knitting, fumbled in her pocket for a while, and at length
drew out an old chaplet of black wood, on which she began to pray with
a fervor which gave to her old and withered face a splendor so
vigorous that the other old woman imitated her friend, and then all
present, on a sign from the rector, joining in the spiritual uplifting
of Mademoiselle de Guenic.

"Alas! I prayed to God," said the baroness, remembering her prayer
after reading the fatal letter written by Calyste, "and he did not
hear me."

"Perhaps it would be well," said the rector, "if we begged
Mademoiselle des Touches to come and see Calyste."

"She!" cried old Zephirine, "the author of all our misery! she who has
turned him from his family, who has taken him from us, led him to read
impious books, taught him an heretical language! Let her be accursed,
and may God never pardon her! She has destroyed the du Guenics!"

"She may perhaps restore them," said the rector, in a gentle voice.
"Mademoiselle des Touches is a saintly woman; I am her surety for
that. She has none but good intentions to Calyste. May she only be
enabled to carry them out."

"Let me know the day when she sets foot in this house, that I may get
out of it," cried the old woman passionately. "She has killed both
father and son. Do you think I don't hear death in Calyste's voice? he
is so feeble now that he has barely strength to whisper."

It was at this moment that the three doctors arrived. They plied
Calyste with questions; but as for his father, the examination was
short; they were surprised that he still lived on. The Guerande doctor
calmly told the baroness that as to Calyste, it would probably be best
to take him to Paris and consult the most experienced physicians, for
it would cost over a hundred /louis/ to bring one down.

"People die of something, but not of love," said Mademoiselle de
Pen-Hoel.

"Alas! whatever be the cause, Calyste is dying," said the baroness. "I
see all the symptoms of consumption, that most horrible disease of my
country, about him."

"Calyste dying!" said the baron, opening his eyes, from which rolled
two large tears which slowly made their way, delayed by wrinkles,
along his cheeks,--the only tears he had probably ever shed in his
life. Suddenly he rose to his feet, walked the few steps to his son's
bedside, took his hand, and looked earnestly at him.

"What is it you want, father?" said Calyste.

"That you should live!" cried the baron.

"I cannot live without Beatrix," replied Calyste.

The old man dropped into a chair.

"Oh! where could we get a hundred /louis/ to bring doctors from Paris?
There is still time," cried the baroness.

"A hundred /louis!/" cried Zephirine; "will that save him?"

Without waiting for her sister-in-law's reply, the old maid ran her
hands through the placket-holes of her gown, unfastened the petticoat
beneath it, which gave forth a heavy sound as it dropped to the floor.
She knew so well the places where she had sewn in her /louis/ that she
now ripped them out with the rapidity of magic. The gold pieces rang
as they fell, one by one, into her lap. The old Pen-Hoel gazed at this
performance in stupefied amazement.

"But they'll see you!" she whispered in her friend's ear.

"Thirty-seven," answered Zephirine, continuing to count.

"Every one will know how much you have."

"Forty-two."

"Double /louis!/ all new! How did you get them, you who can't see
clearly?"

"I felt them. Here's one hundred and four /louis/," cried Zephirine.
"Is that enough?"

"What is all this?" asked the Chevalier du Halga, who now came in,
unable to understand the attitude of his old blind friend, holding out
her petticoat which was full of gold coins.

Mademoiselle de Pen-Hoel explained.

"I knew it," said the chevalier, "and I have come to bring a hundred
and forty /louis/ which I have been holding at Calyste's disposition,
as he knows very well."

The chevalier drew the /rouleaux/ from his pocket and showed them.
Mariotte, seeing such wealth, sent Gasselin to lock the doors.

"Gold will not give him health," said the baroness, weeping.

"But it can take him to Paris, where he can find her. Come, Calyste."

"Yes," cried Calyste, springing up, "I will go."

"He will live," said the baron, in a shaking voice; "and I can
die--send for the rector!"

The words cast terror on all present. Calyste, seeing the mortal
paleness on his father's face, for the old man was exhausted by the
cruel emotions of the scene, came to his father's side. The rector,
after hearing the report of the doctors, had gone to Mademoiselle des
Touches, intending to bring her back with him to Calyste, for in
proportion as the worthy man had formerly detested her, he now admired
her, and protected her as a shepherd protects the most precious of his
flock.

When the news of the baron's approaching end became known in Guerande,
a crowd gathered in the street and lane; the peasants, the
/paludiers/, and the servants knelt in the court-yard while the rector
administered the last sacraments to the old Breton warrior. The whole
town was agitated by the news that the father was dying beside his
half-dying son. The probable extinction of this old Breton race was
felt to be a public calamity.

The solemn ceremony affected Calyste deeply. His filial sorrow
silenced for a moment the anguish of his love. During the last hour of
the glorious old defender of the monarchy, he knelt beside him,
watching the coming on of death. The old man died in his chair in
presence of the assembled family.

"I die faithful to God and his religion," he said. "My God! as the
reward of my efforts grant that Calyste may live!"

"I shall live, father; and I will obey you," said the young man.

"If you wish to make my death as happy as Fanny has made my life,
swear to me to marry."

"I promise it, father."

It was a touching sight to see Calyste, or rather his shadow, leaning
on the arm of the old Chevalier du Halga--a spectre leading a shade
--and following the baron's coffin as chief mourner. The church and the
little square were crowded with the country people coming in to the
funeral from a circuit of thirty miles.

But the baroness and Zephirine soon saw that, in spite of his
intention to obey his father's wishes, Calyste was falling back into a
condition of fatal stupor. On the day when the family put on their
mourning, the baroness took her son to a bench in the garden and
questioned him closely. Calyste answered gently and submissively, but
his answers only proved to her the despair of his soul.

"Mother," he said, "there is no life in me. What I eat does not feed
me; the air that enters my lungs does not refresh me; the sun feels
cold; it seems to you to light that front of the house, and show you
the old carvings bathed in its beams, but to me it is all a blur, a
mist. If Beatrix were here, it would be dazzling. There is but one
only thing left in this world that keeps its shape and color to my
eyes,--this flower, this foliage," he added, drawing from his breast
the withered bunch the marquise had given him at Croisic.

The baroness dared not say more. Her son's answer seemed to her more
indicative of madness than his silence of grief. She saw no hope, no
light in the darkness that surrounded them.

The baron's last hours and death had prevented the rector from
bringing Mademoiselle des Touches to Calyste, as he seemed bent on
doing, for reasons which he did not reveal. But on this day, while
mother and son still sat on the garden bench, Calyste quivered all
over on perceiving Felicite through the opposite windows of the
court-yard and garden. She reminded him of Beatrix, and his life
revived. It was therefore to Camille that the poor stricken mother
owed the first motion of joy that lightened her mourning.

"Well, Calyste," said Mademoiselle des Touches, when they met, "I want
you to go to Paris with me. We will find Beatrix," she added in a low
voice.

The pale, thin face of the youth flushed red, and a smile brightened
his features.

"Let us go," he said.

"We shall save him," said Mademoiselle des Touches to the mother, who
pressed her hands and wept for joy.

A week after the baron's funeral, Mademoiselle des Touches, the
Baronne du Guenic and Calyste started for Paris, leaving the household
in charge of old Zephirine.



                                XVII

                        A DEATH: A MARRIAGE

Felicite's tender love was preparing for Calyste a prosperous future.
Being allied to the family of Grandlieu, the ducal branch of which was
ending in five daughters for lack of a male heir, she had written to
the Duchesse de Grandlieu, describing Calyste and giving his history,
and also stating certain intentions of her own, which were as follows:
She had lately sold her house in the rue du Mont-Blanc, for which a
party of speculators had given her two millions five hundred thousand
francs. Her man of business had since purchased for her a charming new
house in the rue de Bourbon for seven hundred thousand francs; one
million she intended to devote to the recovery of the du Guenic
estates, and the rest of her fortune she desired to settle upon Sabine
de Grandlieu. Felicite had long known the plans of the duke and
duchess as to the settlement of their five daughters: the youngest was
to marry the Vicomte de Grandlieu, the heir to their ducal title;
Clotilde-Frederique, the second daughter, desired to remain unmarried,
in memory of a man she had deeply loved, Lucien de Rubempre, while, at
the same time, she did not wish to become a nun like her eldest
sister; two of the remaining sisters were already married, and the
youngest but one, the pretty Sabine, just twenty years old, was the
only disposable daughter left. It was Sabine on whom Felicite resolved
to lay the burden of curing Calyste's passion for Beatrix.

During the journey to Paris Mademoiselle des Touches revealed to the
baroness these arrangements. The new house in the rue de Bourbon was
being decorated, and she intended it for the home of Sabine and
Calyste if her plans succeeded.

The party had been invited to stay at the hotel de Grandlieu, where
the baroness was received with all the distinction due to her rank as
the wife of a du Guenic and the daughter of a British peer.
Mademoiselle des Touches urged Calyste to see Paris, while she herself
made the necessary inquiries about Beatrix (who had disappeared from
the world, and was travelling abroad), and she took care to throw him
into the midst of diversions and amusements of all kinds. The season
for balls and fetes was just beginning, and the duchess and her
daughters did the honors of Paris to the young Breton, who was
insensibly diverted from his own thoughts by the movement and life of
the great city. He found some resemblance of mind between Madame de
Rochefide and Sabine de Grandlieu, who was certainly one of the
handsomest and most charming girls in Parisian society, and this
fancied likeness made him give to her coquetries a willing attention
which no other woman could possibly have obtained from him. Sabine
herself was greatly pleased with Calyste, and matters went so well
that during the winter of 1837 the young Baron du Guenic, whose youth
and health had returned to him, listened without repugnance to his
mother when she reminded him of the promise made to his dying father
and proposed to him a marriage with Sabine de Grandlieu. Still, while
agreeing to fulfil his promise, he concealed within his soul an
indifference to all things, of which the baroness alone was aware, but
which she trusted would be conquered by the pleasures of a happy home.

On the day when the Grandlieu family and the baroness, accompanied by
her relations who came from England for this occasion, assembled in
the grand salon of the hotel de Grandlieu to sign the marriage
contract, and Leopold Hannequin, the family notary, explained the
preliminaries of that contract before reading it, Calyste, on whose
forehead every one present might have noticed clouds, suddenly and
curtly refused to accept the benefactions offered him by Mademoiselle
des Touches. Did he still count on Felicite's devotion to recover
Beatrix? In the midst of the embarrassment and stupefaction of the
assembled families, Sabine de Grandlieu entered the room and gave him
a letter, explaining that Mademoiselle des Touches had requested her
to give it to him on this occasion.

Calyste turned away from the company to the embrasure of a window and
read as follows:--

  Camille Maupin to Calyste.

  Calyste, before I enter my convent cell I am permitted to cast a
  look upon the world I am now to leave for a life of prayer and
  solitude. That look is to you, who have been the whole world to me
  in these last months. My voice will reach you, if my calculations
  do not miscarry, at the moment of a ceremony I am unable to take
  part in.

  On the day when you stand before the altar giving your hand and
  name to a young and charming girl who can love you openly before
  earth and heaven, I shall be before another altar in a convent at
  Nantes betrothed forever to Him who will neither fail nor betray
  me. But I do not write to sadden you,--only to entreat you not to
  hinder by false delicacy the service I have wished to do you since
  we first met. Do not contest my rights so dearly bought.

  If love is suffering, ah! I have loved you indeed, my Calyste. But
  feel no remorse; the only happiness I have known in life I owe to
  you; the pangs were caused by my own self. Make me compensation,
  then, for all those pangs, those sorrows, by causing me an
  everlasting joy. Let the poor Camille, who /is/ no longer, still
  be something in the material comfort you enjoy. Dear, let me be
  like the fragrance of flowers in your life, mingling myself with
  it unseen and not importunate.

  To you, Calyste, I shall owe my eternal happiness; will you not
  accept a few paltry and fleeting benefits from me? Surely you will
  not be wanting in generosity? Do you not see in this the last
  message of a renounced love? Calyste, the world without you had
  nothing more for me; you made it the most awful of solitudes; and
  you have thus brought Camille Maupin, the unbeliever, the writer
  of books, which I am soon to repudiate solemnly--you have cast
  her, daring and perverted, bound hand and foot, before God.

  I am to-day what I might have been, what I was born to be,
  --innocent, and a child. I have washed my robes in the tears of
  repentance; I can come before the altar whither my guardian angel,
  my beloved Calyste, has led me. With what tender comfort I give
  you that name, which the step I now take sanctifies. I love you
  without self-seeking, as a mother loves her son, as the Church
  loves her children. I can pray for you and for yours without one
  thought or wish except for your happiness. Ah! if you only knew
  the sublime tranquillity in which I live, now that I have risen in
  thought above all petty earthly interests, and how precious is the
  thought of DOING (as your noble motto days) our duty, you would
  enter your beautiful new life with unfaltering step and never a
  glance behind you or about you. Above all, my earnest prayer to
  you is that you be faithful to yourself and to those belonging to
  you. Dear, society, in which you are to live, cannot exist without
  the religion of duty, and you will terribly mistake it, as I
  mistook it, if you allow yourself to yield to passion and to
  fancy, as I did. Woman is the equal of man only in making her life
  a continual offering, as that of man is a perpetual action; my
  life has been, on the contrary, one long egotism. If may be that
  God placed you, toward evening, by the door of my house, as a
  messenger from Himself, bearing my punishment and my pardon.

  Heed this confession of a woman to whom fame has been like a
  pharos, warning her of the only true path. Be wise, be noble;
  sacrifice your fancy to your duties, as head of your race, as
  husband, as father. Raise the fallen standard of the old du
  Guenics; show to this century of irreligion and want of principle
  what a gentleman is in all his grandeur and his honor. Dear child
  of my soul, let me play the part of a mother to you; your own
  mother will not be jealous of this voice from a tomb, these hands
  uplifted to heaven, imploring blessings on you. To-day, more than
  ever, does rank and nobility need fortune. Calyste, accept a part
  of mine, and make a worthy use of it. It is not a gift; it is a
  trust I place in your hands. I have thought more of your children
  and of your old Breton house than of you in offering you the
  profits which time has brought to my property in Paris.

"Let us now sign the contract," said the young baron, returning to the
assembled company.

The Abbe Grimont, to whom the honor of the conversion of this
celebrated woman was attributed, became, soon after, vicar-general of
the diocese.

The following week, after the marriage ceremony, which, according to
the custom of many families of the faubourg Saint-Germain, was
celebrated at seven in the morning at the church of Saint Thomas
d'Aquin, Calyste and Sabine got into their pretty travelling-carriage,
amid the tears, embraces, and congratulations of a score of friends,
collected under the awning of the hotel de Grandlieu. The
congratulations came from the four witnesses, and the men present; the
tears were in the eyes of the Duchesse de Grandlieu and her daughter
Clotilde, who both trembled under the weight of the same thought,--

"She is launched upon the sea of life! Poor Sabine! at the mercy of a
man who does not marry entirely of his own free will."

Marriage is not wholly made up of pleasures,--as fugitive in that
relation as in all others; it involves compatibility of temper,
physical sympathies, harmonies of character, which make of that social
necessity an eternal problem. Marriageable daughters, as well as
mothers, know the terms as well as the dangers of this lottery; and
that is why women weep at a wedding while men smile; men believe that
they risk nothing, while women know, or very nearly know, what they
risk.

In another carriage, which preceded the married pair, was the Baronne
du Guenic, to whom the duchess had said at parting,--

"You are a mother, though you have only had one son; try to take my
place to my dear Sabine."

On the box of the bridal carriage sat a /chasseur/, who acted as
courier, and in the rumble were two waiting-maids. The four postilions
dressed in their finest uniforms, for each carriage was drawn by four
horses, appeared with bouquets on their breasts and ribbons on their
hats, which the Duc de Grandlieu had the utmost difficulty in making
them relinquish, even by bribing them with money. The French postilion
is eminently intelligent, but he likes his fun. These fellows took
their bribes and replaced their ribbons at the barrier.

"Well, good-bye, Sabine," said the duchess; "remember your promise;
write to me often. Calyste, I say nothing more to you, but you
understand me."

Clotilde, leaning on the youngest sister Athenais, who was smiling to
the Vicomte de Grandlieu, cast a reflecting look through her tears at
the bride, and followed the carriage with her eyes as it disappeared
to the clacking of four whips, more noisy than the shots of a pistol
gallery. In a few minutes the gay convoy had reached the esplanade of
the Invalides, the barrier of Passy by the quay of the Pont d'Iena,
and were fairly on the high-road to Brittany.

Is it not a singular thing that the artisans of Switzerland and
Germany, and the great families of France and England should, one and
all, follow the custom of setting out on a journey after the marriage
ceremony? The great people shut themselves in a box which rolls along;
the little people gaily tramp the roads, sitting down in the woods,
banqueting at the inns, as long as their joy, or rather their money
lasts. A moralist is puzzled to decide on which side is the finer
sense of modesty,--that which hides from the public eye and
inaugurates the domestic hearth and bed in private, as to the worthy
burghers of all lands, or that which withdraws from the family and
exhibits itself publicly on the high-roads and in face of strangers.
One would think that delicate souls might desire solitude and seek to
escape both the world and their family. The love which begins a
marriage is a pearl, a diamond, a jewel cut by the choicest of arts, a
treasure to bury in the depths of the soul.

Who can relate a honeymoon, unless it be the bride? How many women
reading this history will admit to themselves that this period of
uncertain duration is the forecast of conjugal life? The first three
letters of Sabine to her mother will depict a situation not surprising
to some young brides and to many old women. All those who find
themselves the sick-nurses, so to speak, of a husband's heart, do not,
as Sabine did, discover this at once. But young girls of the faubourg
Saint-Germain, if intelligent, are women in mind. Before marriage,
they have received from their mothers and the world they live in the
baptism of good manners; though women of rank, anxious to hand down
their traditions, do not always see the bearing of their own lessons
when they say to their daughters: "That is a motion that must not be
made;" "Never laugh at such things;" "No lady ever flings herself on a
sofa; she sits down quietly;" "Pray give up such detestable ways;" "My
dear, that is a thing which is never done," etc.

Many bourgeois critics unjustly deny the innocence and virtue of young
girls who, like Sabine, are truly virgin at heart, improved by the
training of their minds, by the habit of noble bearing, by natural
good taste, while, from the age of sixteen, they have learned how to
use their opera-glasses. Sabine was a girl of this school, which was
also that of Mademoiselle de Chaulieu. This inborn sense of the
fitness of things, these gifts of race made Sabine de Grandlieu as
interesting a young woman as the heroine of the "Memoirs of two young
Married Women." Her letters to her mother during the honeymoon, of
which we here give three or four, will show the qualities of her mind
and temperament.

Guerande, April, 1838.

  To Madame la Duchesse de Grandlieu:

  Dear Mamma,--You will understand why I did not write to you during
  the journey,--our wits are then like wheels. Here I am, for the
  last two days, in the depths of Brittany, at the hotel du Guenic,
  --a house as covered with carving as a sandal-wood box. In spite
  of the affectionate devotion of Calyste's family, I feel a keen
  desire to fly to you, to tell you many things which can only be
  trusted to a mother.

  Calyste married, dear mamma, with a great sorrow in his heart. We
  all knew that, and you did not hide from me the difficulties of my
  position; but alas! they are greater than you thought. Ah! my dear
  mother, what experience we acquire in the short space of a few
  days--I might even say a few hours! All your counsels have proved
  fruitless; you will see why from one sentence: I love Calyste as
  if he were not my husband,--that is to say, if I were married to
  another, and were travelling with Calyste, I should love Calyste
  and hate my husband.

  Now think of a man beloved so completely, involuntarily,
  absolutely, and all the other adverbs you may choose to employ,
  and you will see that my servitude is established in spite of your
  good advice. You told me to be grand, noble, dignified, and
  self-respecting in order to obtain from Calyste the feelings that
  are never subject to the chances and changes of life,--esteem, honor,
  and the consideration which sanctifies a woman in the bosom of her
  family. I remember how you blamed, I dare say justly, the young
  women of the present day, who, under pretext of living happily
  with their husbands, begin by compliance, flattery, familiarity,
  an abandonment, you called it, a little too wanton (a word I did
  not fully understand), all of which, if I must believe you, are
  relays that lead rapidly to indifference and possibly to contempt.
  "Remember that you are a Grandlieu!" yes, I remember that you told
  me all that--

  But oh! that advice, filled with the maternal eloquence of a
  female Daedelus has had the fate of all things mythological. Dear,
  beloved mother, could you ever have supposed it possible that I
  should begin by the catastrophe which, according to you, ends the
  honeymoon of the young women of the present day?

  When Calyste and I were fairly alone in the travelling carriage,
  we felt rather foolish in each other's company, understanding the
  importance of the first word, the first look; and we both,
  bewildered by the solemnity, looked out of our respective windows.
  It became so ridiculous that when we reached the barrier monsieur
  began, in a rather troubled tone of voice, a set discourse,
  prepared, no doubt, like other improvisations, to which I listened
  with a beating heart, and which I take the liberty of here
  abridging.

  "My dear Sabine," he said, "I want you to be happy, and, above
  all, do I wish you to be happy in your own way. Therefore, in the
  situation in which we are, instead of deceiving ourselves mutually
  about our characters and our feelings by noble compliances, let us
  endeavor to be to each other at once what we should be years
  hence. Think always that you have a friend and a brother in me, as
  I shall feel I have a sister and a friend in you."

  Though it was all said with the utmost delicacy, I found nothing
  in this first conjugal love-speech which responded to the feelings
  in my soul, and I remained pensive after replying that I was
  animated by the same sentiments. After this declaration of our
  rights to mutual coldness, we talked of weather, relays, and
  scenery in the most charming manner,--I with rather a forced
  little laugh, he absent-mindedly.

  At last, as we were leaving Versailles, I turned to Calyste--whom
  I called my dear Calyste, and he called me my dear Sabine--and
  asked him plainly to tell me the events which had led him to the
  point of death, and to which I was aware that I owed the happiness
  of being his wife. He hesitated long. In fact, my request gave
  rise to a little argument between us, which lasted through three
  relays,--I endeavoring to maintain the part of an obstinate girl,
  and trying to sulk; he debating within himself the question which
  the newspapers used to put to Charles X.: "Must the king yield or
  not?" At last, after passing Verneuil, and exchanging oaths enough
  to satisfy three dynasties never to reproach him for his folly,
  and never to treat him coldly, etc., etc., he related to me his
  love for Madame de Rochefide.

  "I do not wish," he said, in conclusion, "to have any secrets
  between us."

  Poor, dear Calyste, it seems, was ignorant that his friend,
  Mademoiselle des Touches, and you had thought it right to tell me
  the truth. Well, mother,--for I can tell all to a mother as tender
  as you,--I was deeply hurt by perceiving that he had yielded less
  to my request than to his own desire to talk of that strange
  passion. Do you blame me, darling mother, for having wished to
  reconnoitre the extent of the grief, the open wound of the heart
  of which you warned me?

  So, eight hours after receiving the rector's blessing at
  Saint-Thomas d'Aquin, your Sabine was in the rather false position of
  a young wife listening to a confidence, from the very lips of her
  husband, of his misplaced love for an unworthy rival. Yes, there I
  was, in the drama of a young woman learning, officially, as it
  were, that she owed her marriage to the disdainful rejection of an
  old and faded beauty!

  Still, I gained what I sought. "What was that?" you will ask. Ah!
  mother dear, I have seen too much of love going on around me not
  to know how to put a little of it into practice. Well, Calyste
  ended the poem of his miseries with the warmest protestations of
  an absolute forgetting of what he called his madness. All kinds of
  affirmations have to be signed, you know. The happy unhappy one
  took my hand, carried it to his lips, and, after that, he kept it
  for a long time clasped in his own. A declaration followed. /That
  one/ seemed to me more conformable than the first to the demands
  of our new condition, though our lips never said a word. Perhaps I
  owed it to the vigorous indignation I felt and showed at the bad
  taste of a woman foolish enough not to love my beautiful, my
  glorious Calyste.

  They are calling me to play a game of cards, which I do not yet
  understand. I will finish my letter to-morrow. To leave you at
  this moment to make a fifth at /mouche/ (that is the name of the
  game) can only be done in the depths of Brittany--Adieu.

Your Sabine.


Guerande, May, 1838.

  I take up my Odyssey. On the third day your children no longer
  used the ceremonious "you;" they thee'd and thou'd each other like
  lovers. My mother-in-law, enchanted to see us so happy, is trying
  to take your place to me, dear mother, and, as often happens when
  people play a part to efface other memories, she has been so
  charming that she is, /almost/, you to me.

  I think she has guessed the heroism of my conduct, for at the
  beginning of our journey she tried to hide her anxiety with such
  care that it was visible from excessive precaution.

  When I saw the towers of Guerande rising in the distance, I
  whispered in the ear of your son-in-law, "Have you really
  forgotten her?" My husband, now become /my angel/, can't know
  anything, I think, about sincere and simple love, for the words
  made him wild with happiness. Still, I think the desire to put
  Madame de Rochefide forever out of his mind led me too far. But
  how could I help it? I love, and I am half a Portuguese,--for I am
  much more like you, mamma, than like my father.

  Calyste accepts all from me as spoilt children accept things, they
  think it their right; he is an only child, I remember that. But,
  between ourselves, I will not give my daughter (if I have any
  daughters) to an only son. I see a variety of tyrants in an only
  son. So, mamma, we have rather inverted our parts, and I am the
  devoted half of the pair. There are dangers, I know, in devotion,
  though we profit by it; we lose our dignity, for one thing. I feel
  bound to tell you of the wreck of that semi-virtue. Dignity, after
  all, is only a screen set up before pride, behind which we rage as
  we please; but how could I help it? you were not here, and I saw a
  gulf opening before me. Had I remained upon my dignity, I should
  have won only the cold joys (or pains) of a sort of brotherhood
  which would soon have drifted into indifference. What sort of
  future might that have led to? My devotion has, I know, made me
  Calyste's slave; but shall I regret it? We shall see.

  As for the present, I am delighted with it. I love Calyste; I love
  him absolutely, with the folly of a mother, who thinks that all
  her son may do is right, even if he tyrannizes a trifle over her.

Guerande, May 15th.

  Up to the present moment, dear mamma, I find marriage a delightful
  affair, I can spend all my tenderness on the noblest of men whom a
  foolish woman disdained for a fiddler,--for that woman evidently
  was a fool, and a cold fool, the worst kind! I, in my legitimate
  love, am charitable; I am curing his wounds while I lay my heart
  open to incurable ones. Yes, the more I love Calyste, the more I
  feel that I should die of grief if our present happiness ever
  ceased.

  I must tell you how the whole family and the circle which meets at
  the hotel de Guenic adore me. They are all personages born under
  tapestries of the highest warp; in fact, they seem to have stepped
  from those old tapestries as if to prove that the impossible may
  exist. Some day, when we are alone together, I will describe to
  you my Aunt Zephirine, Mademoiselle de Pen-Hoel, the Chevalier du
  Halga, the Demoiselles de Kergarouet, and others. They all, even
  to the two servants, Gasselin and Mariotte (whom I wish they would
  let me take to Paris), regard me as an angel sent from heaven;
  they tremble when I speak. Dear people! they ought to be preserved
  under glass.

  My mother-in-law has solemnly installed us in the apartments
  formerly occupied by herself and her late husband. The scene was
  touching. She said to us,--

  "I spent my whole married life, a happy woman, in these rooms; may
  the omen be a happy one for you, my children."

  She has taken Calyste's former room for hers. Saintly soul! she
  seems intent on laying off her memories and all her conjugal
  dignities to invest us with them. The province of Brittany, this
  town, this family of ancient morals and ancient customs has, in
  spite of certain absurdities which strike the eye of a frivolous
  Parisian girl, something inexplicable, something grandiose even in
  its trifles, which can only be defined by the word /sacred/.

  All the tenants of the vast domains of the house of Guenic, bought
  back, as you know, by Mademoiselle des Touches (whom we are going
  to visit in her convent), have been in a body to pay their
  respects to us. These worthy people, in their holiday costumes,
  expressing their genuine joy in the fact that Calyste has now
  become really and truly their master, made me understand Brittany,
  the feudal system and /old/ France. The whole scene was a festival
  I can't describe to you in writing, but I will tell you about it
  when we meet. The terms of the leases have been proposed by the
  /gars/ themselves. We shall sign them, after making a tour of
  inspection round the estates, which have been mortgaged away from
  us for one hundred and fifty years! Mademoiselle de Pen-Hoel told
  me that the /gars/ have reckoned up the revenues and estimated the
  rentals with a veracity and justice Parisians would never believe.

  We start in three days on horseback for this trip. I will write
  you on my return, dear mother. I shall have nothing more to tell
  you about myself, for my happiness is at its height--and how can
  that be told? I shall write you only what you know already, and
  that is, how I love you.

Nantes, June, 1838.

  Having now played the role of a chatelaine, adored by her vassals
  as if the revolutions of 1789 and 1830 had lowered no banners; and
  after rides through forests, and halts at farmhouses, dinners on
  oaken tables, covered with centenary linen, bending under Homeric
  viands served on antediluvian dishes; after drinking the choicest
  wines in goblets to volleys of musketry, accompanied by cries of
  "Long live the Guenics!" till I was deafened; after balls, where
  the only orchestra was a bagpipe, blown by a man for ten hours;
  and after bouquets, and young brides who wanted us to bless them,
  and downright weariness, which made me find in my bed a sleep I
  never knew before, with delightful awakenings when love shone
  radiant as the sun pouring in upon me, and scintillating with a
  million of flies, all buzzing in the Breton dialect!--in short,
  after a most grotesque residence in the Chateau du Guenic, where
  the windows are gates and the cows grace peacefully on the grass
  in the halls (which castle we have sworn to repair and to inhabit
  for a while very year to the wild acclamations of the clan du
  Guenic, a /gars/ of which bore high our banner)--ouf! I am at
  Nantes.

  But oh! what a day was that when we arrived at the old castle! The
  rector came out, mother, with all his clergy, crowned with
  flowers, to receive us and bless us, expressing such joy,--the
  tears are in my eyes as I think of it. And my noble Calyste! who
  played his part of seigneur like a personage in Walter Scott! My
  lord received his tenants' homage as if he were back in the
  thirteenth century. I heard the girls and the women saying to each
  other, "Oh, what a beautiful seigneur we have!" for all the world
  like an opera chorus. The old men talked of Calyste's resemblance
  to the former Guenics whom they had known in their youth. Ah!
  noble, sublime Brittany! land of belief and faith! But progress
  has got its eye upon it; bridges are being built, roads made,
  ideas are coming, and then farewell to the sublime! The peasants
  will certainly not be as free and proud as I have now seen them,
  when progress has proved to them that they are Calyste's equals
  --if, indeed, they could ever be got to believe it.

  After this poem of our pacific Restoration had been sung, and the
  contracts and leases signed, we left that ravishing land, all
  flowery, gay, solemn, lonely by turns, and came here to kneel with
  our happiness at the feet of her who gave it to us.

  Calyste and I both felt the need of thanking the sister of the
  Visitation. In memory of her he has quartered his own arms with
  those of Des Touches, which are: party couped, tranche and taille
  or and sinople, on the latter two eagles argent. He means to take
  one of the eagles argent for his own supporter and put this motto
  in its beak: /Souviegne-vous/.

  Yesterday we went to the convent of the ladies of the Visitation,
  to which we were taken by the Abbe Grimont, a friend of the du
  Guenic family, who told us that your dear Felicite, mamma, was
  indeed a saint. She could not very well be anything else to him,
  for her conversion, which was thought to be his doing, has led to
  his appointment as vicar-general of the diocese. Mademoiselle des
  Touches declined to receive Calyste, and would only see me. I
  found her slightly changed, thinner and paler; but she seemed much
  pleased at my visit.

  "Tell Calyste," she said, in a low voice, "that it is a matter of
  conscience with me not to see him, for I am permitted to do so. I
  prefer not to buy that happiness by months of suffering. Ah, you
  do not know what it costs me to reply to the question, 'Of what
  are you thinking?' Certainly the mother of the novices has no
  conception of the number and extent of the ideas which are rushing
  through my mind when she asks that question. Sometimes I am seeing
  Italy or Paris, with all its sights; always thinking, however, of
  Calyste, who is"--she said this in that poetic way you know and
  admire so much--"who is the sun of memory to me. I found," she
  continued, "that I was too old to be received among the
  Carmelites, and I have entered the order of Saint-Francois de
  Sales solely because he said, 'I will bare your heads instead of
  your feet,'--objecting, as he did, to austerities which mortified
  the body only. It is, in truth, the head that sins. The saintly
  bishop was right to make his rule austere toward the intellect,
  and terrible against the will. That is what I sought; for my head
  was the guilty part of me. It deceived me as to my heart until I
  reached that fatal age of forty, when, for a few brief moments, we
  are forty times happier than young women, and then, speedily,
  fifty times more unhappy. But, my child, tell me," she asked,
  ceasing with visible satisfaction to speak of herself, "are you
  happy?"

  "You see me under all the enchantments of love and happiness," I
  answered.

  "Calyste is as good and simple as he is noble and beautiful," she
  said, gravely. "I have made you my heiress in more things than
  property; you now possess the double ideal of which I dreamed. I
  rejoice in what I have done," she continued, after a pause. "But,
  my child, make no mistake; do yourself no wrong. You have easily
  won happiness; you have only to stretch out your hand to take it,
  and it is yours; but be careful to preserve it. If you had come
  here solely to carry away with you the counsels that my knowledge
  of your husband alone can give you, the journey would be well
  repaid. Calyste is moved at this moment by a communicated passion,
  but you have not inspired it. To make your happiness lasting, try,
  my dear child, to give him something of his former emotions. In
  the interests of both of you, be capricious, be coquettish; to
  tell you the truth, you /must/ be. I am not advising any odious
  scheming, or petty tyranny; this that I tell you is the science of
  a woman's life. Between usury and prodigality, my child, is
  economy. Study, therefore, to acquire honorably a certain empire
  over Calyste. These are the last words on earthly interests that I
  shall ever utter, and I have kept them to say as we part; for
  there are times when I tremble in my conscience lest to save
  Calyste I may have sacrificed you. Bind him to you, firmly, give
  him children, let him respect their mother in you--and," she
  added, in a low and trembling voice, "manage, if you can, that he
  shall never again see Beatrix."

  That name plunged us both into a sort of stupor; we looked into
  each other's eyes, exchanging a vague uneasiness.

  "Do you return to Guerande?" she asked me.

  "Yes," I said.

  "Never go to Les Touches. I did wrong to give him that property."

  "Why?" I asked.

  "Child!" she answered, "Les Touches for you is Bluebeard's
  chamber. There is nothing so dangerous as to wake a sleeping
  passion."

  I have given you, dear mamma, the substance, or at any rate, the
  meaning of our conversation. If Mademoiselle des Touches made me
  talk to her freely, she also gave me much to think of; and all the
  more because, in the delight of this trip, and the charm of these
  relations with my Calyste, I had well-nigh forgotten the serious
  situation of which I spoke to you in my first letter, and about
  which you warned me.

  But oh! mother, it is impossible for me to follow these counsels.
  I cannot put an appearance of opposition or caprice into my love;
  it would falsify it. Calyste will do with me what he pleases.
  According to your theory, the more I am a woman the more I make
  myself his toy; for I am, and I know it, horribly weak in my
  happiness; I cannot resist a single glance of my lord. But no! I
  do not abandon myself to love; I only cling to it, as a mother
  presses her infant to her breast, fearing some evil.

Note.--When "Beatrix" was first published, in 1839, the volume ended
    with the following paragraph: "Calyste, rich and married to the
    most beautiful woman in Paris, retains a sadness in his soul which
    nothing dissipates,--not even the birth of a son at Guerande, in
    1839, to the great joy of Zephirine du Guenic. Beatrix lives still
    in the depths of his heart, and it is impossible to foresee what
    disasters might result should he again meet with Madame de
    Rochefide." In 1842 this concluding paragraph was suppressed and
    the story continued as here follows.--TR.



                               XVIII

                       THE END OF A HONEY-MOON

Guerande, July, 1838.

  To Madame la Duchesse de Grandlieu:

  Ah, my dear mamma! at the end of three months to know what it is
  to be jealous! My heart completes its experience; I now feel the
  deepest hatred and the deepest love! I am more than betrayed,--I
  am not loved. How fortunate for me to have a mother, a heart on
  which to cry out as I will!

  It is enough to say to wives who are still half girls: "Here's a
  key rusty with memories among those of your palace; go everywhere,
  enjoy everything, but keep away from Les Touches!" to make us
  eager to go there hot-foot, our eyes shining with the curiosity of
  Eve. What a root of bitterness Mademoiselle des Touches planted in
  my love! Why did she forbid me to go to Les Touches? What sort of
  happiness is mine if it depends on an excursion, on a visit to a
  paltry house in Brittany? Why should I fear? Is there anything to
  fear? Add to this reasoning of Mrs. Blue-Beard the desire that
  nips all women to know if their power is solid or precarious, and
  you'll understand how it was that I said one day, with an
  unconcerned little air:--

  "What sort of place is Les Touches?"

  "Les Touches belongs to you," said my divine, dear mother-in-law.

  "If Calyste had never set foot in Les Touches!"--cried my aunt
  Zephirine, shaking her head.

  "He would not be my husband," I added.

  "Then you know what happened there?" said my mother-in-law, slyly.

  "It is a place of perdition!" exclaimed Mademoiselle de Pen-Hoel.
  "Mademoiselle des Touches committed many sins there, for which she
  is now asking the pardon of God."

  "But they saved the soul of that noble woman, and made the fortune
  of a convent," cried the Chevalier du Halga. "The Abbe Grimont
  told me she had given a hundred thousand francs to the nuns of the
  Visitation."

  "Should you like to go to Les Touches?" asked my mother-in-law.
  "It is worth seeing."

  "No, no!" I said hastily.

  Doesn't this little scene read to you like a page out of some
  diabolical drama?

  It was repeated again and again under various pretexts. At last my
  mother-in-law said to me: "I understand why you do not go to Les
  Touches, and I think you are right."

  Oh! you must admit, mamma, that an involuntary, unconscious stab
  like that would have decided you to find out if your happiness
  rested on such a frail foundation that it would perish at a mere
  touch. To do Calyste justice, he never proposed to me to visit
  that hermitage, now his property. But as soon as we love we are
  creatures devoid of common-sense, and this silence, this reserve
  piqued me; so I said to him one day: "What are you afraid of at
  Les Touches, that you alone never speak of the place?"

  "Let us go there," he replied.

  So there I was /caught/,--like other women who want to be caught,
  and who trust to chance to cut the Gordian knot of their
  indecision. So to Les Touches we went.

  It is enchanting, in a style profoundly artistic. I took delight
  in that place of horror where Mademoiselle des Touches had so
  earnestly forbidden me to go. Poisonous flowers are all charming;
  Satan sowed them--for the devil has flowers as well as God; we
  have only to look within our souls to see the two shared in the
  making of us. What delicious acrity in a situation where I played,
  not with fire, but--with ashes! I studied Calyste; the point was
  to know if that passion was thoroughly extinct. I watched, as you
  may well believe, every wind that blew; I kept an eye upon his
  face as he went from room to room and from one piece of furniture
  to another, exactly like a child who is looking for some hidden
  thing. Calyste seemed thoughtful, but at first I thought that I
  had vanquished the past. I felt strong enough to mention Madame de
  Rochefide-whom in my heart I called la Rocheperfide. At last we
  went to see the famous bush were Beatrix was caught when he flung
  her into the sea that she might never belong to another man.

  "She must be light indeed to have stayed there," I said laughing.
  Calyste kept silence, so I added, "We'll respect the dead."

  Still Calyste was silent.

  "Have I displeased you?" I asked.

  "No; but cease to galvanize that passion," he answered.

  What a speech! Calyste, when he saw me all cast down by it,
  redoubled his care and tenderness.

August.

  I was, alas! at the edge of a precipice, amusing myself, like the
  innocent heroines of all melodramas, by gathering flowers.
  Suddenly a horrible thought rode full tilt through my happiness,
  like the horse in the German ballad. I thought I saw that
  Calyste's love was increasing through his reminiscences; that he
  was expending on /me/ the stormy emotions I revived by reminding
  him of the coquetries of that hateful Beatrix,--just think of it!
  that cold, unhealthy nature, so persistent yet so flabby,
  something between a mollusk and a bit of coral, dares to call
  itself Beatrix, /Beatrice!/

  Already, dearest mother, I am forced to keep one eye open to
  suspicion, when my heart is all Calyste's; and isn't it a great
  catastrophe when the eye gets the better of the heart, and
  suspicion at last finds itself justified? It came to pass in this
  way:--

  "This place is dear to me," I said to Calyste one morning,
  "because I owe my happiness to it; and so I forgive you for taking
  me sometimes for another woman."

  The loyal Breton blushed, and I threw my arms around his neck. But
  all the same I have left Les Touches, and never will I go back
  there again.

  The very strength of hatred which makes me long for Madame de
  Rochefide's death--ah, heavens! a natural death, pleurisy, or some
  accident--makes me also understand to its fullest extent the power
  of my love for Calyste. That woman has appeared to me to trouble
  my sleep,--I see her in a dream; shall I ever encounter her
  bodily? Ah! the postulant of the Visitation was right,--Les
  Touches is a fatal spot; Calyste has there recovered his past
  emotions, and they are, I see it plainly, more powerful than the
  joys of our love. Ascertain, my dear mamma, if Madame de Rochefide
  is in Paris, for if she is, I shall stay in Brittany. Poor
  Mademoiselle des Touches might well repent of her share in our
  marriage if she knew to what extent I am taken for our odious
  rival! But this is prostitution! I am not myself; I am ashamed of
  it all. A frantic desire seizes me sometimes to fly from Guerande
  and those sands of Croisic.

August 25th.

  I am determined to go and live in the ruins of the old chateau.
  Calyste, worried by my restlessness, agrees to take me. Either he
  knows life so little that he guesses nothing, or he /does/ know
  the cause of my flight, in which case he cannot love me. I tremble
  so with fear lest I find the awful certainty I seek that, like a
  child, I put my hands before my eyes not to hear the explosion--

  Oh, mother! I am not loved with the love that I feel in my heart.
  Calyste is charming to me, that's true! but what man, unless he
  were a monster, would not be, as Calyste is, amiable and gracious
  when receiving all the flowers of the soul of a young girl of
  twenty, brought up by you, pure, loving, and beautiful, as many
  women have said to you that I am.

Guenic, September 18.

  Has he forgotten her? That's the solitary thought which echoes
  through my soul like a remorse. Ah! dear mamma, have all women to
  struggle against memories as I do? None but innocent young men
  should be married to pure young girls. But that's a deceptive
  Utopia; better have one's rival in the past than in the future.

  Ah! mother, pity me, though at this moment I am happy as a woman
  who fears to lose her happiness and so clings fast to it,--one way
  of killing it, says that profoundly wise Clotilde.

  I notice that for the last five months I think only of myself,
  that is, of Calyste. Tell sister Clotilde that her melancholy bits
  of wisdom often recur to me. She is happy in being faithful to the
  dead; she fears no rival. A kiss to my dear Athenais, about whom I
  see Juste is beside himself. From what you told me in your last
  letter it is evident he fears you will not give her to him.
  Cultivate that fear as a precious product. Athenais will be
  sovereign lady; but I who fear lest I can never win Calyste back
  from himself shall always be a servant.

  A thousand tendernesses, dear mamma. Ah! if my terrors are not
  delusions, Camille Maupin has sold me her fortune dearly. My
  affectionate respects to papa.

These letters give a perfect explanation of the secret relation
between husband and wife. Sabine thought of a love marriage where
Calyste saw only a marriage of expediency. The joys of the honey-moon
had not altogether conformed to the legal requirements of the social
system.

During the stay of the married pair in Brittany the work of restoring
and furnishing the hotel du Guenic had been carried on by the
celebrated architect Grindot, under the superintendence of Clotilde
and the Duc and Duchesse de Grandlieu, all arrangements having been
made for the return of the young household to Paris in December, 1838.
Sabine installed herself in the rue de Bourbon with pleasure,--less
for the satisfaction of playing mistress of a great household than for
that of knowing what her family would think of her marriage.

Calyste, with easy indifference, was quite willing to let his
sister-in-law Clotilde and his mother-in-law the duchess guide him in
all matters of social life, and they were both very grateful for his
obedience. He obtained the place in society which was due to his name,
his fortune, and his alliance. The success of his wife, who was
regarded as one of the most charming women in Paris, the diversions of
high society, the duties to be fulfilled, the winter amusements of the
great city, gave a certain fresh life to the happiness of the young
household by producing a series of excitements and interludes. Sabine,
considered happy by her mother and sister, who saw in Calyste's
coolness an effect of his English education, cast aside her gloomy
notions; she heard her lot so envied by many unhappily married women
that she drove her terrors from her into the region of chimeras, until
the time when her pregnancy gave additional guarantees to this neutral
sort of union, guarantees which are usually augured well of by
experienced women. In October, 1839, the young Baronne du Guenic had a
son, and committed the mistake of nursing it herself, on the theory of
most women in such cases. How is it possible, they think, not to be
wholly the mother of the child of an idolized husband?

Toward the end of the following summer, in August, 1840, Sabine had
nearly reached the period when the duty of nursing her first child
would come to an end. Calyste, during his two years' residence in
Paris, had completely thrown off that innocence of mind the charm of
which had so adorned his earliest appearance in the world of passion.
He was now the comrade of the young Duc Georges de Maufrigneuse,
lately married, like himself, to an heiress, Berthe de Cinq-Cygne; of
the Vicomte Savinien de Portenduere, the Duc and Duchesse de Rhetore,
the Duc and Duchesse de Lenoncourt-Chaulieu, and all the /habitues/ of
his mother-in-law's salon; and he fully understood by this time the
differences that separated Parisian life from the life of the
provinces. Wealth has fatal hours, hours of leisure and idleness,
which Paris knows better than all other capitals how to amuse, charm,
and divert. Contact with those young husbands who deserted the noblest
and sweetest of creatures for the delights of a cigar and whist, for
the glorious conversations of a club, or the excitements of "the
turf," undermined before long many of the domestic virtues of the
young Breton noble. The motherly solicitude of a wife who is anxious
not to weary her husband always comes to the support of the
dissipations of young men. A wife is proud to see her husband return
to her when she has allowed him full liberty of action.

One evening, on October of that year, to escape the crying of the
newly weaned child, Calyste, on whose forehead Sabine could not endure
to see a frown, went, urged by her, to the Varietes, where a new play
was to be given for the first time. The footman whose business it was
to engage a stall had taken it quite near to that part of the theatre
which is called the /avant-scene/. As Calyste looked about him during
the first interlude, he saw in one of the two proscenium boxes on his
side, and not ten steps from him, Madame de Rochefide. Beatrix in
Paris! Beatrix in public! The two thoughts flew through Calyste's
heart like arrows. To see her again after nearly three years! How
shall we depict the convulsion in the soul of this lover, who, far
from forgetting the past, had sometimes substituted Beatrix for his
wife so plainly that his wife had perceived it? Beatrix was light,
life, motion, and the Unknown. Sabine was duty, dulness, and the
expected. One became, in a moment, pleasure; the other, weariness. It
was the falling of a thunderbolt.

From a sense of loyalty, the first thought of Sabine's husband was to
leave the theatre. As he left the door of the orchestra stalls, he saw
the door of the proscenium box half-open, and his feet took him there
in spite of his will. The young Breton found Beatrix between two very
distinguished men, Canalis and Raoul Nathan, a statesman and a man of
letters. In the three years since Calyste had seen her, Madame de
Rochefide was amazingly changed; and yet, although the transformation
had seriously affected her as a woman, she was only the more poetic
and the more attractive to Calyste. Until the age of thirty the pretty
women of Paris ask nothing more of their toilet than clothing; but
after they pass through the fatal portal of the thirties, they look
for weapons, seductions, embellishments among their /chiffons;/ out of
these they compose charms, they find means, they take a style, they
seize youth, they study the slightest accessory,--in a word, they pass
from nature to art.

Madame de Rochefide had just come through the vicissitudes of a drama
which, in this history of the manners and morals of France in the
nineteenth century may be called that of the Deserted Woman. Deserted
by Conti, she became, naturally, a great artist in dress, in coquetry,
in artificial flowers of all kinds.

"Why is Conti not here?" inquired Calyste in a low voice of Canalis,
after going through the commonplace civilities with which even the
most solemn interviews begin when they take place publicly.

The former great poet of the faubourg Saint-Germain, twice a cabinet
minister, and now for the fourth time an orator in the Chamber, and
aspiring to another ministry, laid a warning finger significantly on
his lip. That gesture explained everything.

"I am happy to see you," said Beatrix, demurely. "I said to myself
when I recognized you just now, before you saw me, that /you/ at least
would not disown me. Ah! my Calyste," she added in a whisper, "why did
you marry?--and with such a little fool!"

As soon as a woman whispers in the ear of a new-comer and makes him
sit beside her, men of the world find an immediate excuse for leaving
the pair alone together.

"Come, Nathan," said Canalis, "Madame la marquise will, I am sure,
allow me to go and say a word to d'Arthez, whom I see over there with
the Princesse de Cadignan; it relates to some business in the Chamber
to-morrow."

This well-bred departure gave Calyste time to recover from the shock
he had just received; but he nearly lost both his strength and his
senses once more, as he inhaled the perfume, to him entrancing though
venomous, of the poem composed by Beatrix. Madame de Rochefide, now
become bony and gaunt, her complexion faded and almost discolored, her
eyes hollow with deep circles, had that evening brightened those
premature ruins by the cleverest contrivances of the /article Paris/.
She had taken it into her head, like other deserted women, to assume a
virgin air, and recall by clouds of white material the maidens of
Ossian, so poetically painted by Girodet. Her fair hair draped her
elongated face with a mass of curls, among which rippled the rays of
the foot-lights attracted by the shining of a perfumed oil. Her white
brow sparkled. She had applied an imperceptible tinge of rouge to her
cheeks, upon the faded whiteness of a skin revived by bran and water.
A scarf so delicate in texture that it made one doubt if human fingers
could have fabricated such gossamer, was wound about her throat to
diminish its length, and partly conceal it; leaving imperfectly
visible the treasures of the bust which were cleverly enclosed in a
corset. Her figure was indeed a masterpiece of composition.

As for her pose, one word will suffice--it was worthy of the pains she
had taken to arrange it. Her arms, now thin and hard, were scarcely
visible within the puffings of her very large sleeves. She presented
that mixture of false glitter and brilliant fabrics, of silken gauze
and craped hair, of vivacity, calmness, and motion which goes by the
term of the /Je ne sais quoi/. Everybody knows in what that consists,
namely: great cleverness, some taste, and a certain composure of
manner. Beatrix might now be called a decorative scenic effect,
changed at will, and wonderfully manipulated. The presentation of this
fairy effect, to which is added clever dialogue, turns the heads of
men who are endowed by nature with frankness, until they become
possessed, through the law of contrasts, by a frantic desire to play
with artifice. It is false, though enticing; a pretence, but
agreeable; and certain men adore women who play at seduction as others
do at cards. And this is why: The desire of the man is a syllogism
which draws conclusions from this external science as to the secret
promises of pleasure. The inner consciousness says, without words: "A
woman who can, as it were, create herself beautiful must have many
other resources for love." And that is true. Deserted women are
usually those who merely love; those who retain love know the /art/ of
loving. Now, though her Italian lesson had very cruelly maltreated the
self-love and vanity of Madame de Rochefide, her nature was too
instinctively artificial not to profit by it.

"It is not a question of loving a man," she was saying a few moments
before Calyste had entered her box; "we must tease and harass him if
we want to keep him. That's the secret of all those women who seek to
retain you men. The dragons who guard treasures are always armed with
claws and wings."

"I shall make a sonnet on that thought," replied Canalis at the very
moment when Calyste entered the box.

With a single glance Beatrix divined the state of Calyste's heart; she
saw the marks of the collar she had put upon him at Les Touches, still
fresh and red. Calyste, however, wounded by the speech made to him
about his wife, hesitated between his dignity as a husband, Sabine's
defence, and a harsh word cast upon a heart which held such memories
for him, a heart which he believed to be bleeding. The marquise
observed his hesitation; she had made that speech expressly that she
might know how far her empire over Calyste still extended. Seeing his
weakness, she came at once to his succor to relieve his embarrassment.

"Well, dear friend, you find me alone," she said, as soon as the two
gentlemen had left the box,--"yes, alone in the world!"

"You forget me!" said Calyste.

"You!" she replied, "but you are married. That was one of my griefs,
among the many I have endured since I saw you last. Not only--I said
to myself--do I lose love, but I have lost a friendship which I
thought was Breton. Alas! we can make ourselves bear everything. Now I
suffer less, but I am broken, exhausted! This is the first outpouring
of my heart for a long, long time. Obliged to seem proud before
indifferent persons, and arrogant as if I had never fallen in presence
of those who pay court to me, and having lost my dear Felicite, there
was no ear into which I could cast the words, /I suffer!/ But to you I
can tell the anguish I endured on seeing you just now so near to me.
Yes," she said, replying to a gesture of Calyste's, "it is almost
fidelity. That is how it is with misery; a look, a visit, a mere
nothing is everything to us. Ah! you once loved me--you--as I deserved
to be loved by him who has taken pleasure in trampling under foot the
treasures I poured out upon him. And yet, to my sorrow, I cannot
forget; I love, and I desire to be faithful to a past that can never
return."

Having uttered this tirade, improvised for the hundredth time, she
played the pupils of her eyes in a way to double the effect of her
words, which seemed to be dragged from the depths of her soul by the
violence of a torrent long restrained. Calyste, incapable of speech,
let fall the tears that gathered in his eyes. Beatrix caught his hand
and pressed it, making him turn pale.

"Thank you, Calyste, thank you, my poor child; that is how a true
friend responds to the grief of his friend. We understand each other.
No, don't add another word; leave me now; people are looking at us; it
might cause trouble to your wife if some one chanced to tell her that
we were seen together,--innocently enough, before a thousand people!
There, you see I am strong; adieu--"

She wiped her eyes, making what might be called, in woman's rhetoric,
an antithesis of action.

"Let me laugh the laugh of a lost soul with the careless creatures who
amuse me," she went on. "I live among artists, writers, in short the
world I knew in the salon of our poor Camille--who may indeed have
acted wisely. To enrich the man we love and then to disappear saying,
'I am too old for him!' that is ending like the martyrs,--and the best
end too, if one cannot die a virgin."

She began to laugh, as it to remove the melancholy impression she had
made upon her former adorer.

"But," said Calyste, "where can I go to see you?"

"I am hidden in the rue de Chartres opposite the Parc de Monceaux, in
a little house suitable to my means; and there I cram my head with
literature--but only for myself, to distract my thoughts; God keep me
from the mania of literary women! Now go, leave me; I must not allow
the world to talk of me; what will it not say on seeing us together!
Adieu--oh! Calyste, my friend, if you stay another minute I shall
burst into tears!"

Calyste withdrew, after holding out his hand to Beatrix and feeling
for the second time that strange and deep sensation of a double
pressure--full of seductive tingling.

"Sabine never knew how to stir my soul in that way," was the thought
that assailed him in the corridor.

During the rest of the evening the Marquise de Rochefide did not cast
three straight glances at Calyste, but there were many sidelong looks
which tore of the soul of the man now wholly thrown back into his
first, repulsed love.

When the baron du Guenic reached home the splendor of his apartments
made him think of the sort of mediocrity of which Beatrix had spoken,
and he hated his wealth because it could not belong to that fallen
angel. When he was told that Sabine had long been in bed he rejoiced
to find himself rich in the possession of a night in which to live
over his emotions. He cursed the power of divination which love had
bestowed upon Sabine. When by chance a man is adored by his wife, she
reads on his face as in a book; she learns every quiver of its
muscles, she knows whence comes its calmness, she asks herself the
reason of the slightest sadness, seeking to know if haply the cause is
in herself; she studies the eyes; for her the eyes are tinted with the
dominant thought,--they love or they do not love. Calyste knew himself
to be the object of so deep, so naive, so jealous a worship that he
doubted his power to compose a cautious face that should not betray
the change in his moral being.

"How shall I manage to-morrow morning?" he said to himself as he went
to sleep, dreading the sort of inspection to which Sabine would have
recourse. When they came together at night, and sometimes during the
day, Sabine would ask him, "Do you still love me?" or, "I don't weary
you, do I?" Charming interrogations, varied according to the nature or
the cleverness of women, which hide their anxieties either feigned or
real.

To the surface of the noblest and purest hearts the mud and slime cast
up by hurricanes must come. So on that morrow morning, Calyste, who
certainly loved his child, quivered with joy on learning that Sabine
feared the croup, and was watching for the cause of slight
convulsions, not daring to leave her little boy. The baron made a
pretext of business and went out, thus avoiding the home breakfast. He
escaped as prisoners escape, happy in being afoot, and free to go by
the Pont Louis XVI. and the Champs Elysees to a cafe on the boulevard
where he had liked to breakfast when he was a bachelor.

What is there in love? Does Nature rebel against the social yoke? Does
she need that impulse of her given life to be spontaneous, free, the
dash of an impetuous torrent foaming against rocks of opposition and
of coquetry, rather than a tranquil stream flowing between the two
banks of the church and the legal ceremony? Has she her own designs as
she secretly prepares those volcanic eruptions to which, perhaps, we
owe great men?

It would be difficult to find a young man more sacredly brought up
than Calyste, of purer morals, less stained by irreligion; and yet he
bounded toward a woman unworthy of him, when a benign and radiant
chance had given him for his wife a young creature whose beauty was
truly aristocratic, whose mind was keen and delicate, a pious, loving
girl, attached singly to him, of angelic sweetness, and made more
tender still by love, a love that was passionate in spite of marriage,
like his for Beatrix. Perhaps the noblest men retain some clay in
their constitutions; the slough still pleases them. If this be so, the
least imperfect human being is the woman, in spite of her faults and
her want of reason. Madame de Rochefide, it must be said, amid the
circle of poetic pretensions which surrounded her, and in spite of her
fall, belonged to the highest nobility; she presented a nature more
ethereal than slimy, and hid the courtesan she was meant to be beneath
an aristocratic exterior. Therefore the above explanation does not
fully account for Calyste's strange passion.

Perhaps we ought to look for its cause in a vanity so deeply buried in
the soul that moralists have not yet uncovered that side of vice.
There are men, truly noble, like Calyste, handsome as Calyste, rich,
distinguished, and well-bred, who tire--without their knowledge,
possibly--of marriage with a nature like their own; beings whose own
nobleness is not surprised or moved by nobleness in others; whom
grandeur and delicacy consonant with their own does not affect; but
who seek from inferior or fallen natures the seal of their own
superiority--if indeed they do not openly beg for praise. Calyste
found nothing to protect in Sabine, she was irreproachable; the powers
thus stagnant in his heart were now to vibrate for Beatrix. If great
men have played before our eyes the Saviour's part toward the woman
taken in adultery, why should ordinary men be wiser in their
generation than they?

Calyste reached the hour of two o'clock living on one sentence only,
"I shall see her again!"--a poem which has often paid the costs of a
journey of two thousand miles. He now went with a light step to the
rue de Chartres, and recognized the house at once although he had
never before seen it. Once there, he stood--he, the son-in-law of the
Duc de Grandlieu, he, rich, noble as the Bourbons--at the foot of the
staircase, stopped short by the interrogation of the old footman:
"Monsieur's name?" Calyste felt that he ought to leave to Beatrix her
freedom of action in receiving or not receiving him; and he waited,
looking into the garden, with its walls furrowed by those black and
yellow lines produced by rain upon the stucco of Paris.

Madame de Rochefide, like nearly all great ladies who break their
chain, had left her fortune to her husband when she fled from him; she
could not beg from her tyrant. Conti and Mademoiselle des Touches had
spared Beatrix all the petty worries of material life, and her mother
had frequently send her considerable sums of money. Finding herself
now on her own resources, she was forced to an economy that was rather
severe for a woman accustomed to every luxury. She had therefore gone
to the summit of the hill on which lies the Parc de Monceaux, and
there she had taken refuge in a "little house" formerly belonging to a
great seigneur, standing on the street, but possessed of a charming
garden, the rent of which did not exceed eighteen hundred francs.
Still served by an old footman, a maid, and a cook from Alencon, who
were faithful to her throughout her vicissitudes, her penury, as she
thought it, would have been opulence to many an ambitious bourgeoise.

Calyste went up a staircase the steps of which were well pumiced and
the landings filled with flowering plants. On the first floor the old
servant opened, in order to admit the baron into the apartment, a
double door of red velvet with lozenges of red silk studded with gilt
nails. Silk and velvet furnished the rooms through which Calyste
passed. Carpets in grave colors, curtains crossing each other before
the windows, portieres, in short all things within contrasted with the
mean external appearance of the house, which was ill-kept by the
proprietor. Calyste awaited Beatrix in a salon of sober character,
where all the luxury was simple in style. This room, hung with garnet
velvet heightened here and there with dead-gold silken trimmings, the
floor covered with a dark red carpet, the windows resembling
conservatories, with abundant flowers in the jardinieres, was lighted
so faintly that Calyste could scarcely see on a mantel-shelf two cases
of old celadon, between which gleamed a silver cup attributed to
Benvenuto Cellini, and brought from Italy by Beatrix. The furniture of
gilded wood with velvet coverings, the magnificent consoles, on one of
which was a curious clock, the table with its Persian cloth, all bore
testimony to former opulence, the remains of which had been well
applied. On a little table Calyste saw jewelled knick-knacks, a book
in course of reading, in which glittered the handle of a dagger used
as a paper-cutter--symbol of criticism! Finally, on the walls, ten
water-colors richly framed, each representing one of the diverse
bedrooms in which Madame de Rochefide's wandering life had led her to
sojourn, gave the measure of what was surely superior impertinence.

The rustle of a silk dress announced the poor unfortunate, who
appeared in a studied toilet which would certainly have told a /roue/
that his coming was awaited. The gown, made like a wrapper to show the
line of a white bosom, was of pearl-gray moire with large open
sleeves, from which issued the arms covered with a second sleeve of
puffed tulle, divided by straps and trimmed with lace at the wrists.
The beautiful hair, which the comb held insecurely, escaped from a cap
of lace and flowers.

"Already!" she said, smiling. "A lover could not have shown more
eagerness. You must have secrets to tell me, have you not?"

And she posed herself gracefully on a sofa, inviting Calyste by a
gesture to sit beside her. By chance (a selected chance, possibly, for
women have two memories, that of angels and that of devils) Beatrix
was redolent of the perfume which she used at Les Touches during her
first acquaintance with Calyste. The inhaling of this scent, contact
with that dress, the glance of those eyes, which in the semi-darkness
gathered the light and returned it, turned Calyste's brain. The
luckless man was again impelled to that violence which had once before
almost cost Beatrix her life; but this time the marquise was on the
edge of a sofa, not on that of a rock; she rose to ring the bell,
laying a finger on his lips. Calyste, recalled to order, controlled
himself, all the more because he saw that Beatrix had no inimical
intention.

"Antoine, I am not at home--for every one," she said. "Put some wood
on the fire. You see, Calyste, that I treat you as a friend," she
continued with dignity, when the old man had left the room; "therefore
do not treat me as you would a mistress. I have two remarks to make to
you. In the first place, I should not deny myself foolishly to any man
I really loved; and secondly, I am determined to belong to no other
man on earth, for I believed, Calyste, that I was loved by a species
of Rizzio, whom no engagement trammelled, a man absolutely free, and
you see to what that fatal confidence has led me. As for you, you are
now under the yoke of the most sacred of duties; you have a young,
amiable, delightful wife; moreover, you are a father. I should be, as
you are, without excuse--we should be two fools--"

"My dear Beatrix, all these reasons vanish before a single word--I
have never loved but you on earth, and I was married against my will."

"Ah! a trick played upon us by Mademoiselle des Touches," she said,
smiling.

Three hours passed, during which Madame de Rochefide held Calyste to
the consideration of conjugal faith, pointing out to him the horrible
alternative of an utter renunciation of Sabine. Nothing else could
reassure her, she said, in the dreadful situation to which Calyste's
love would reduce her. Then she affected to regard the sacrifice of
Sabine as a small matter, she knew her so well!

"My dear child," she said, "that's a woman who fulfils all the
promises of her girlhood. She is a Grandlieu, to be sure, but she's as
brown as her mother the Portuguese, not to say yellow, and as dry and
stiff as her father. To tell the truth, your wife will never go wrong;
she's a big boy who can take care of herself. Poor Calyste! is that
the sort of woman you needed? She has fine eyes, but such eyes are
very common in Italy and in Spain and Portugal. Can any woman be
tender with bones like hers. Eve was fair; brown women descend from
Adam, blondes come from the hand of God, which left upon Eve his last
thought after he had created her."

About six o'clock Calyste, driven to desperation, took his hat to
depart.

"Yes, go, my poor friend," she said; "don't give her the annoyance of
dining without you."

Calyste stayed. At his age it was so easy to snare him on his worst
side.

"What! you dare to dine with me?" said Beatrix, playing a provocative
amazement. "My poor food does not alarm you? Have you enough
independence of soul to crown me with joy by this little proof of your
affection?"

"Let me write a note to Sabine; otherwise she will wait dinner for me
till nine o'clock."

"Here," said Beatrix, "this is the table at which I write."

She lighted the candles herself, and took one to the table to look
over what he was writing.

"/My dear Sabine--/"

"'My dear'?--can you really say that your wife is still dear to you?"
she asked, looking at him with a cold eye that froze the very marrow
of his bones. "Go,--you had better go and dine with her."

"/I dine at a restaurant with some friends./"

"A lie. Oh, fy! you are not worthy to be loved either by her or by me.
Men are all cowards in their treatment of women. Go, monsieur, go and
dine with your dear Sabine."

Calyste flung himself back in his arm-chair and became as pale as
death. Bretons possess a courage of nature which makes them obstinate
under difficulties. Presently the young baron sat up, put his elbow on
the table, his chin in his hand, and looked at the implacable Beatrix
with a flashing eye. He was so superb that a Northern or a Southern
woman would have fallen at his feet saying, "Take me!" But Beatrix,
born on the borders of Normandy and Brittany, belonged to the race of
Casterans; desertion had developed in her the ferocity of the Frank,
the spitefulness of the Norman; she wanted some terrible notoriety as
a vengeance, and she yielded to no weakness.

"Dictate what I ought to write," said the luckless man. "But, in that
case--"

"Well, yes!" she said, "you shall love me then as you loved me at
Guerande. Write: /I dine out; do not expect me./"

"What next?" said Calyste, thinking something more would follow.

"Nothing; sign it. Good," she said, darting on the note with
restrained joy. "I will send it by a messenger."

"And now," cried Calyste, rising like a happy man.

"Ah! I have kept, I believe, my freedom of action," she said, turning
away from him and going to the fireplace, where she rang the bell.
"Here, Antoine," she said, when the old footman entered, "send this
note to its address. Monsieur dines here."



                                XIX

                  THE FIRST LIE OF A PIOUS DUCHESS

Calyste returned to his own house about two in the morning. After
waiting for him till half-past twelve, Sabine had gone to bed
overwhelmed with fatigue. She slept, although she was keenly
distressed by the laconic wording of her husband's note. Still, she
explained it. The true love of a woman invariably begins by explaining
all things to the advantage of the man beloved. Calyste was pressed
for time, she said.

The next morning the child was better; the mother's uneasiness
subsided, and Sabine came with a smiling face, and little Calyste on
her arm, to present him to his father before breakfast with the pretty
fooleries and senseless words which gay young mothers do and say. This
little scene gave Calyste the chance to maintain a countenance. He was
charming to his wife, thinking in his heart that he was a monster, and
he played like a child with Monsieur le chevalier; in fact he played
too well,--he overdid the part; but Sabine had not reached the stage
at which a woman recognizes so delicate a distinction.

At breakfast, however, she asked him suddenly:--

"What did you do yesterday?"

"Portenduere kept me to dinner," he replied, "and after that we went
to the club to play whist."

"That's a foolish life, my Calyste," said Sabine. "Young noblemen in
these days ought to busy themselves about recovering in the eyes of
the country the ground lost by their fathers. It isn't by smoking
cigars, playing whist, idling away their leisure, and saying insolent
things of parvenus who have driven them from their positions, not yet
by separating themselves from the masses whose soul and intellect and
providence they ought to be, that the nobility will exist. Instead of
being a party, you will soon be a mere opinion, as de Marsay said. Ah!
if you only knew how my ideas on this subject have enlarged since I
have nursed and cradled your child! I'd like to see that grand old
name of Guenic become once more historical!" Then suddenly plunging
her eyes into those of Calyste, who was listening to her with a
pensive air, she added: "Admit that the first note you ever wrote me
was rather stiff."

"I did not think of sending you word till I got to the club."

"But you wrote on a woman's note-paper; it had a perfume of feminine
elegance."

"Those club directors are such dandies!"

The Vicomte de Portenduere and his wife, formerly Mademoiselle
Mirouet, had become of late very intimate with the du Guenics, so
intimate that they shared their box at the Opera by equal payments.
The two young women, Ursula and Sabine, had been won to this
friendship by the delightful interchange of counsels, cares, and
confidences apropos of their first infants.

While Calyste, a novice in falsehood, was saying to himself, "I must
warn Savinien," Sabine was thinking, "I am sure that paper bore a
coronet." This reflection passed through her mind like a flash, and
Sabine scolded herself for having made it. Nevertheless, she resolved
to find the paper, which in the midst of her terrors of the night
before she had flung into her letter-box.

After breakfast Calyste went out, saying to his wife that he should
soon return. Then he jumped into one of those little low carriages
with one horse which were just beginning to supersede the inconvenient
cabriolet of our ancestors. He drove in a few minutes to the vicomte's
house and begged him to do him the service, with rights of return, of
fibbing in case Sabine should question the vicomtesse. Thence Calyste,
urging his coachman to speed, rushed to the rue de Chartres in order
to know how Beatrix had passed the rest of the night. He found that
unfortunate just from her bath, fresh, embellished, and breakfasting
with a very good appetite. He admired the grace with which his angel
ate her boiled eggs, and he marvelled at the beauty of the gold
service, a present from a monomaniac lord, for whom Conti had composed
a few ballads on /ideas/ of the lord, who afterwards published them as
his own!

Calyste listened entranced to the witty speeches of his idol, whose
great object was to amuse him, until she grew angry and wept when he
rose to leave her. He thought he had been there only half an hour, but
it was past three before he reached home. His handsome English horse,
a present from the Vicomtesse de Grandlieu, was so bathed in sweat
that it looked as though it had been driven through the sea. By one of
those chances which all jealous women prepare for themselves, Sabine
was at a window which looked on the court-yard, impatient at Calyste's
non-return, uneasy without knowing why. The condition of the horse
with its foaming mouth surprised her.

"Where can he have come from?"

The question was whispered in her ear by that power which is not
exactly consciousness, nor devil, nor angel; which sees, forebodes,
shows us the unseen, and creates belief in mental beings, creatures
born of our brains, going and coming and living in the world invisible
of ideas.

"Where do you come from, dear angel?" Sabine said to Calyste, meeting
him on the first landing of the staircase. "Abd-el-Kader is nearly
foundered. You told me you would be gone but a moment, and I have been
waiting for you these three hours."

"Well, well," thought Calyste, who was making progress in
dissimulation, "I must get out of it by a present--Dear little
mother," he said aloud, taking her round the waist with more cajolery
than he would have used if he had not been conscious of guilt, "I see
that it is quite impossible to keep a secret, however innocent, from
the woman who loves us--"

"Well, don't tell secrets on the staircase," she said, laughing. "Come
in."

In the middle of a salon which adjoined their bedroom, she caught
sight in a mirror of Calyste's face, on which, not aware that it could
be seen, he allowed his real feelings and his weariness to appear.

"Now for your secret?" she said, turning round.

"You have shown such heroism as a nurse," he said, "that the heir
presumptive of the Guenics is dearer to me than ever, and I wanted to
give you a surprise, precisely like any bourgeois of the rue Saint
Denis. They are finishing for you at this moment a dressing-table at
which true artists have worked, and my mother and aunt Zephirine have
contributed."

Sabine clasped him in her arms, and held him tightly to her breast
with her head on his neck, faint with the weight of happiness, not for
the piece of furniture, but for the dispersion of her first dark
doubt. It was one of those magnificent transports which can be
counted, and which no love, however excessive, can prodigally spend,
or life would be too soon burned out. Then, indeed, men should fall at
the feet of women to adore them, for such moments are sublime, moments
when the forces of the heart and intellect gush forth like the waters
of sculptured nymphs from their inclining urns. Sabine burst into
tears.

Suddenly as if bitten by a viper, she left Calyste, threw herself on a
sofa and fainted away, for the reaction of a chill to her glowing
heart came near to killing her. As she held Calyste in her arms, her
nose at his cravat, abandoned to her joy, she smelt the perfume of
that letter paper! Another woman's head had lain there, whose hair and
face had left that adulterous odor! She had just kissed the spot where
the kisses of her rival were still warm.

"What is the matter?" asked Calyste, after he had brought Sabine back
to consciousness by passing a damp cloth over her face and making her
smell salts.

"Fetch the doctor and my nurse, both! Yes, my milk has turned, I feel
it. They won't come at once unless you fetch them yourself--go!"

Calyste, alarmed, rushed out. The moment Sabine heard the closing of
the porte-cochere she started up like a frightened doe, and walked
about the salon as if beside herself, crying out, "My God! my God! my
God!"

Those two words took the place of all ideas. The crisis she had seized
upon as a pretext in reality took place. The hairs of her head were
like so many red-hot needles heated in the fire of a nervous fever.
Her boiling blood seemed to her to mingle with her nerves and yet try
to issue from all her pores. She was blind for a few moments, and
cried aloud, "I am dying!"

At that terrible cry of the injured wife and mother her maid ran in.
After she was laid upon her bed and recovered both sight and mind, the
first act of her intelligence was to send the maid to her friend,
Madame de Portenduere. Sabine felt that her ideas were whirling in her
brain like straws at the will of a waterspout. "I saw," she said
later, "myriads all at once."

She rang for the footman and in the transport of her fever she found
strength to write the following letter, for she was mastered by one
mad desire--to have certainty:--

  To Madame la Baronne du Guenic:

  Dear Mamma,--When you come to Paris, as you allow us to hope you
  will, I shall thank you in person for the beautiful present by
  which you and my aunt Zephirine and Calyste wish to reward me for
  doing my duty. I was already well repaid by my own happiness in
  doing it. I can never express the pleasure you have given me in
  that beautiful dressing-table, but when you are with me I shall
  try to do so. Believe me, when I array myself before that
  treasure, I shall think, like the Roman matron, that my noblest
  jewel is our little angel, etc.

She directed the letter to Guerande and gave it to the footman to
post.

When the Vicomtesse de Portenduere came, the shuddering chill of
reaction had succeeded in poor Sabine this first paroxysm of madness.

"Ursula, I think I am going to die," she said.

"What is the matter, dear?"

"Where did Savinien and Calyste go after they dined with you
yesterday?"

"Dined with me?" said Ursula, to whom her husband had said nothing,
not expecting such immediate inquiry. "Savinien and I dined alone
together and went to the Opera without Calyste."

"Ursula, dearest, in the name of your love for Savinien, keep silence
about what you have just said to me and what I shall now tell you. You
alone shall know why I die--I am betrayed! at the end of three years,
at twenty-two years of age!"

Her teeth chattered, her eyes were dull and frozen, her face had taken
on the greenish tinge of an old Venetian mirror.

"You! so beautiful! For whom?"

"I don't know yet. But Calyste has told me two lies. Do not pity me,
do not seem incensed, pretend ignorance and perhaps you can find out
who /she/ is through Savinien. Oh! that letter of yesterday!"

Trembling, shaking, she sprang from her bed to a piece of furniture
from which she took the letter.

"See," she said, lying down again, "the coronet of a marquise! Find
out if Madame de Rochefide has returned to Paris. Am I to have a heart
in which to weep and moan? Oh, dearest!--to see one's beliefs, one's
poesy, idol, virtue, happiness, all, all in pieces, withered, lost! No
God in the sky! no love upon earth! no life in my heart! no anything!
I don't know if there's daylight; I doubt the sun. I've such anguish
in my soul I scarcely feel the horrible sufferings in my body.
Happily, the baby is weaned; my milk would have poisoned him."

At that idea the tears began to flow from Sabine's eyes which had
hitherto been dry.

Pretty Madame de Portenduere, holding in her hand the fatal letter,
the perfume of which Sabine again inhaled, was at first stupefied by
this true sorrow, shocked by this agony of love, without as yet
understanding it, in spite of Sabine's incoherent attempts to relate
the facts. Suddenly Ursula was illuminated by one of those ideas which
come to none but sincere friends.

"I must save her!" she thought to herself. "Trust me, Sabine," she
cried. "Wait for my return; I will find out the truth."

"Ah! in my grave I'll love you," exclaimed Sabine.

The viscountess went straight to the Duchesse de Grandlieu, pledged
her to secrecy, and then explained to her fully her daughter's
situation.

"Madame," she said as she ended, "do you not think with me, that in
order to avoid some fatal illness--perhaps, I don't know, even madness
--we had better confide the whole truth to the doctor, and invent some
tale to clear that hateful Calyste and make him seem for the time
being innocent?"

"My dear child," said the duchess, who was chilled to the heart by
this confidence, "friendship has given you for the moment the
experience of a woman of my age. I know how Sabine loves her husband;
you are right, she might become insane."

"Or lose her beauty, which would be worse," said the viscountess.

"Let us go to her!" cried the duchess.

Fortunately they arrived a few moments before the famous /accoucheur/,
Dommanget, the only one of the two men of science whom Calyste had
been able to find.

"Ursula has told me everything," said the duchess to her daughter,
"and you are mistaken. In the first place, Madame de Rochefide is not
in Paris. As for what your husband did yesterday, my dear, I can tell
you that he lost a great deal of money at cards, so that he does not
even know how to pay for your dressing-table."

"But /that?/" said Sabine, holding out to her mother the fatal letter.

"That!" said the duchess, laughing; "why, that is written on the
Jockey Club paper; everybody writes nowadays on coroneted paper; even
our stewards will soon be titled."

The prudent mother threw the unlucky paper into the fire as she spoke.

When Calyste and Dommanget arrived, the duchess, who had given
instructions to the servants, was at once informed. She left Sabine to
the care of Madame de Portenduere and stopped the /accoucheur/ and
Calyste in the salon.

"Sabine's life is at stake, monsieur," she said to Calyste; "you have
betrayed her for Madame de Rochefide."

Calyste blushed, like a girl still respectable, detected in a fault.

"And," continued the duchess, "as you do not know how to deceive, you
have behaved in such a clumsy manner that Sabine has guessed the
truth. But I have for the present repaired your blunder. You do not
wish the death of my daughter, I am sure--All this, Monsieur
Dommanget, will put you on the track of her real illness and its
cause. As for you, Calyste, an old woman like me understands your
error, though she does not pardon it. Such pardons can only be brought
by a lifetime of after happiness. If you wish me to esteem you, you
must, in the first place, save my daughter; next, you must forget
Madame de Rochefide; she is only worth having once. Learn to lie; have
the courage of a criminal, and his impudence. I have just told a lie
myself, and I shall have to do hard penance for that mortal sin."

She then told the two men the lies she had invented. The clever
physician sitting at the bedside of his patient studied in her
symptoms the means of repairing the ill, while he ordered measures the
success of which depended on great rapidity of execution. Calyste
sitting at the foot of the bed strove to put into his glance an
expression of tenderness.

"So it was play which put those black circles round your eyes?" Sabine
said to him in a feeble voice.

The words made the doctor, the mother, and the viscountess tremble,
and they all three looked at one another covertly. Calyste turned as
red as a cherry.

"That's what comes of nursing a child," said Dommanget brutally, but
cleverly. "Husbands are lonely when separated from their wives, and
they go to the club and play. But you needn't worry over the thirty
thousand francs which Monsieur le baron lost last night--"

"Thirty thousand francs!" cried Ursula, in a silly tone.

"Yes, I know it," replied Dommanget. "They told me this morning at the
house of the young Duchesse Berthe de Maufrigneuse that it was
Monsieur de Trailles who won that money from you," he added, turning
to Calyste. "Why do you play with such men? Frankly, monsieur le
baron, I can well believe you are ashamed of it."

Seeing his mother-in-law, a pious duchess, the young viscountess, a
happy woman, and the old /accoucheur/, a confirmed egotist, all three
lying like a dealer in bric-a-brac, the kind and feeling Calyste
understood the greatness of the danger, and two heavy tears rolled
from his eyes and completely deceived Sabine.

"Monsieur," she said, sitting up in bed and looking angrily at
Dommanget, "Monsieur du Guenic can lose thirty, fifty, a hundred
thousand francs if it pleases him, without any one having a right to
think it wrong or read him a lesson. It is far better that Monsieur de
Trailles should win his money than that we should win Monsieur de
Trailles'."

Calyste rose, took his wife round the neck, kissed her on both cheeks
and whispered:--

"Sabine, you are an angel!"

Two days later the young wife was thought to be out of danger, and the
next day Calyste was at Madame de Rochefide's making a merit of his
infamy.

"Beatrix," he said, "you owe me happiness. I have sacrificed my poor
little wife to you; she has discovered all. That fatal paper on which
you made me write, bore your name and your coronet, which I never
noticed--I saw but you! Fortunately the 'B' was by chance effaced. But
the perfume you left upon me and the lies in which I involved myself
like a fool have betrayed my happiness. Sabine nearly died of it; her
milk went to the head; erysipelas set in, and possibly she may bear
the marks for the rest of her days."

As Beatrix listened to this tirade her face was due North, icy enough
to freeze the Seine had she looked at it.

"So much the better," she said; "perhaps it will whiten her for you."

And Beatrix, now become as hard as her bones, sharp as her voice,
harsh as her complexion, continued a series of atrocious sarcasms in
the same tone. There is no greater blunder than for a man to talk of
his wife, if she is virtuous, to his mistress, unless it be to talk of
his mistress, if she is beautiful, to his wife. But Calyste had not
received that species of Parisian education which we must call the
politeness of the passions. He knew neither how to lie to his wife,
nor how to tell his mistress the truth,--two apprenticeships a man in
his position must make in order to manage women. He was therefore
compelled to employ all the power of passion to obtain from Beatrix a
pardon which she forced him to solicit for two hours; a pardon refused
by an injured angel who raised her eyes to the ceiling that she might
not see the guilty man, and who put forth reasons sacred to marquises
in a voice quivering with tears which were furtively wiped with the
lace of her handkerchief.

"To speak to me of your wife on the very day after my fall!" she
cried. "Why did you not tell me she is a pearl of virtue? I know she
thinks you handsome; pure depravity! I, I love your soul! for let me
tell you, my friend, you are ugly compared to many shepherds on the
Campagna of Rome," etc., etc.

Such speeches may surprise the reader, but they were part of a system
profoundly meditated by Beatrix in this her third incarnation,--for at
each passion a woman becomes another being and advances one step more
into profligacy, the only word which properly renders the effect of
the experience given by such adventures. Now, the Marquise de
Rochefide had sat in judgment on herself before the mirror. Clever
women are never deceived about themselves; they count their wrinkles,
they assist at the birth of their crow's-feet, they know themselves by
heart, and even own it by the greatness of their efforts at
preservation. Therefore to struggle successfully against a splendid
young woman, to carry away from her six triumphs a week, Beatrix had
recourse to the knowledge and the science of courtesans. Without
acknowledging to herself the baseness of this plan, led away to the
employment of such means by a Turkish passion for Calyste's beauty,
she had resolved to make him think himself unpleasant, ugly, ill-made,
and to behave as if she hated him. No system is more fruitful with men
of a conquering nature. To such natures the presence of repugnance to
be vanquished is the renewal of the triumph of the first day on all
succeeding days. And it is something even better. It is flattery in
the guise of dislike. A man then says to himself, "I am irresistible,"
or "My love is all-powerful because it conquers her repugnance." If
you deny this principle, divined by all coquettes and courtesans
throughout all social zones, you may as well reject all seekers after
knowledge, all delvers into secrets, repulsed through years in their
duel with hidden causes. Beatrix added to the use of contempt as a
moral piston, a constant comparison of her own poetic, comfortable
home with the hotel du Guenic. All deserted wives who abandon
themselves in despair, neglect also their surroundings, so discouraged
are they. On this, Madame de Rochefide counted, and presently began an
underhand attack on the luxury of the faubourg Saint-Germain, which
she characterized as stupid.

The scene of reconciliation, in which Beatrix made Calyste swear and
reswear hatred to the wife, who, she said, was playing comedy, took
place in a perfect bower where she played off her graces amid
ravishing flowers, and rare plants of the costliest luxury. The
science of nothings, the trifles of the day, she carried to excess.
Fallen into a mortifying position through Conti's desertion, Beatrix
was determined to have, at any rate, the fame which unprincipled
conduct gives. The misfortune of the poor young wife, a rich and
beautiful Grandlieu, should be her pedestal.



                                 XX

                  A SHORT TREATISE ON CERTAINTY:
               BUT NOT FROM PASCAL'S POINT OF VIEW

When a woman returns to ordinary life after the nursing of her first
child she reappears in the world embellished and charming. This phase
of maternity, while it rejuvenates the women of a certain age, gives
to young women a splendor of freshness, a gay activity, a /brio/ of
mere existence,--if it is permissible to apply to the body a word
which Italy has discovered for the mind. In trying to return to the
charming habits of the honeymoon, Sabine discovered that her husband
was not the former Calyste. Again she observed him, unhappy girl,
instead of resting securely in her happiness. She sought for the fatal
perfume, and smelt it. This time she no longer confided in her friend,
nor in the mother who had so charitably deceived her. She wanted
certainty, and Certainty made no long tarrying. Certainty is never
wanting, it is like the sun; and presently shades are asked for to
keep it out. It is, in matters of the heart, a repetition of the fable
of the woodman calling upon Death,--we soon ask Certainty to leave us
blind.

One morning, about two weeks after the first crisis, Sabine received
this terrible letter:--

Guerande.

  To Madame la Baronne du Guenic:

  My dear Daughter,--Your aunt Zephirine and I are lost in
  conjectures about the dressing-table of which you tell us in your
  letter. I have written to Calyste about it, and I beg you to
  excuse our ignorance. You can never doubt our hearts, I am sure.
  We are piling up riches for you here. Thanks to the advice of
  Mademoiselle de Pen-Hoel on the management of your property, you
  will find yourself within a few years in possession of a
  considerable capital without losing any of your income.

  Your letter, dear child as dearly loved as if I had borne you in
  my bosom and fed you with my milk, surprised me by its brevity,
  and above all by your silence about my dearest little Calyste. You
  told me nothing of the great Calyste either; but then, I know that
  /he/ is happy, etc.

Sabine wrote across this letter these words, "Noble Brittany does not
always lie." She then laid the paper on Calyste's desk.

Calyste found the letter and read it. Seeing Sabine's sentence and
recognizing her handwriting he flung the letter into the fire,
determined to pretend that he had never received it. Sabine spent a
whole week in an agony the secrets of which are known only to angelic
or solitary souls whom the wing of the bad angel has never
overshadowed. Calyste's silence terrified her.

"I, who ought to be all gentleness, all pleasure to him, I have
displeased him, wounded him! My virtue has made itself hateful. I have
no doubt humiliated my idol," she said to herself. These thoughts
plowed furrows in her heart. She wanted to ask pardon for her fault,
but Certainty let loose upon her other proofs. Grown bold and
insolent, Beatrix wrote to Calyste at his own home; Madame du Guenic
received the letter, and gave it to her husband without opening it,
but she said to him, in a changed voice and with death in her soul:
"My friend, that letter is from the Jockey Club; I recognize both the
paper and the perfume."

Calyste colored, and put the letter into his pocket.

"Why don't you read it?"

"I know what it is about."

The young wife sat down. No longer did fever burn her, she wept no
more; but madness such as, in feeble beings, gives birth to miracles
of crime, madness which lays hands on arsenic for themselves or for
their rivals, possessed her. At this moment little Calyste was brought
in, and she took him in her arms to dance him. The child, just
awakened, sought the breast beneath the gown.

"He remembers,--he, at any rate," she said in a low voice.

Calyste went to his own room to read his letter. When he was no longer
present the poor young woman burst into tears, and wept as women weep
when they are all alone.

Pain, as well as pleasure, has its initiation. The first crisis, like
that in which poor Sabine nearly succumbed, returns no more than the
first fruits of other things return. It is the first wedge struck in
the torture of the heart; all others are expected, the shock to the
nerves is known, the capital of our forces has been already drawn upon
for vigorous resistance. So Sabine, sure of her betrayal, spent three
hours with her son in her arms beside the fire in a way that surprised
herself, when Gasselin, turned into a footman, came to say:--

"Madame is served."

"Let monsieur know."

"Monsieur does not dine at home, Madame la baronne."

Who knows what torture there is for a young woman of twenty-three in
finding herself alone in the great dining-room of an old mansion,
served by silent servants, under circumstances like these?

"Order the carriage," she said suddenly; "I shall go to the Opera."

She dressed superbly; she wanted to exhibit herself alone and smiling
like a happy woman. In the midst of her remorse for the addition she
had made to Madame de Rochefide's letter she had resolved to conquer,
to win back Calyste by loving kindness, by the virtues of a wife, by
the gentleness of the paschal lamb. She wished, also, to deceive all
Paris. She loved,--loved as courtesans and as angels love, with pride,
with humility. But the opera chanced to be "Otello." When Rubini sang
/Il mio cor si divide/, she rushed away. Music is sometimes mightier
than actor or poet, the two most powerful of all natures, combined.
Savinien de Portenduere accompanied Sabine to the peristyle and put
her in the carriage without being able to understand this sudden
flight.

Madame du Guenic now entered a phase of suffering which is peculiar to
the aristocracy. Envious, poor, and miserable beings,--when you see on
the arms of such women golden serpents with diamond heads, necklaces
clasped around their necks, say to yourselves that those vipers sting,
those slender bonds burn to the quick through the delicate flesh. All
such luxury is dearly bought. In situations like that of Sabine, women
curse the pleasures of wealth; they look no longer at the gilding of
their salons; the silk of the divans is jute in their eyes, exotic
flowers are nettles, perfumes poison, the choicest cookery scrapes
their throat like barley-bread, and life becomes as bitter as the Dead
Sea.

Two or three examples may serve to show this reaction of luxury upon
happiness; so that all those women who have endured it may behold
their own experience.

Fully aware now of this terrible rivalry, Sabine studied her husband
when he left the house, that she might divine, if possible, the future
of his day. With what restrained fury does a woman fling herself upon
the red-hot spikes of that savage martyrdom! What delirious joy if she
could think he did not go to the rue de Chartres! Calyste returned,
and then the study of his forehead, his hair, his eyes, his
countenance, his demeanor, gave a horrible interest to mere nothings,
to observations pursued even to matters of toilet, in which a woman
loses her self-respect and dignity. These fatal investigations,
concealed in the depths of her heart, turn sour and rot the delicate
roots from which should spring to bloom the azure flowers of sacred
confidence, the golden petals of the One only love, with all the
perfumes of memory.

One day Calyste looked about him discontentedly; he had stayed at
home! Sabine made herself caressing and humble, gay and sparkling.

"You are vexed with me, Calyste; am I not a good wife? What is there
here that displeases you?" she asked.

"These rooms are so cold and bare," he replied; "you don't understand
arranging things."

"Tell me what is wanting."

"Flowers."

"Ah!" she thought to herself, "Madame de Rochefide likes flowers."

Two days later, the rooms of the hotel du Guenic had assumed another
aspect. No one in Paris could flatter himself to have more exquisite
flowers than those that now adorned them.

Some time later Calyste, one evening after dinner, complained of the
cold. He twisted about in his chair, declaring there was a draught,
and seemed to be looking for something. Sabine could not at first
imagine what this new fancy signified, she, whose house possessed a
calorifere which heated the staircases, antechambers, and passages. At
last, after three days' meditation, she came to the conclusion that
her rival probably sat surrounded by a screen to obtain the
half-lights favorable to faded faces; so Sabine had a screen, but hers
was of glass and of Israelitish splendor.

"From what quarter will the next storm come?" she said to herself.

These indirect comparisons with his mistress were not yet at an end.
When Calyste dined at home he ate his dinner in a way to drive Sabine
frantic; he would motion to the servants to take away his plates after
pecking at two or three mouthfuls.

"Wasn't it good?" Sabine would ask, in despair at seeing all the pains
she had taken in conference with her cook thrown away.

"I don't say that, my angel," replied Calyste, without anger; "I am
not hungry, that is all."

A woman consumed by a legitimate passion, who struggles thus, falls at
last into a fury of desire to get the better of her rival, and often
goes too far, even in the most secret regions of married life. So
cruel, burning, and incessant a combat in the obvious and, as we may
call them, exterior matters of a household must needs become more
intense and desperate in the things of the heart. Sabine studied her
attitudes, her toilets; she took heed about herself in all the
infinitely little trifles of love.

The cooking trouble lasted nearly a month. Sabine, assisted by
Mariotte and Gasselin, invented various little vaudeville schemes to
ascertain the dishes which Madame de Rochefide served to Calyste.
Gasselin was substituted for Calyste's groom, who had fallen
conveniently ill. This enabled Gasselin to consort with Madame de
Rochefide's cook, and before long, Sabine gave Calyste the same fare,
only better; but still he made difficulties.

"What is wanting now?" she said.

"Oh, nothing," he answered, looking round the table for something he
did not find.

"Ah!" exclaimed Sabine, as she woke the next morning, "Calyste wanted
some of those Indian sauces they serve in England in cruets. Madame de
Rochefide accustoms him to all sorts of condiments."

She bought the English cruets and the spiced sauces; but it soon
became impossible for her to make such discoveries in all the
preparations invented by her rival.

This period lasted some months; which is not surprising when we
remember the sort of attraction presented by such a struggle. It is
life. And that is preferable, with its wounds and its anguish, to the
gloomy darkness of disgust, to the poison of contempt, to the void of
abdication, to that death of the heart which is called indifference.
But all Sabine's courage abandoned her one evening when she appeared
in a toilet such as women are inspired to wear in the hope of
eclipsing a rival, and about which Calyste said, laughing:--

"In spite of all you can do, Sabine, you'll never be anything but a
handsome Andalusian."

"Alas!" she said, dropping on a sofa, "I may never make myself a
blonde, but I know if this continues I shall soon be thirty-five years
old."

She refused to go to the Opera as she intended, and chose to stay at
home the whole evening. But once alone she pulled the flowers from her
hair and stamped upon them; she tore off the gown and scarf and
trampled them underfoot, like a goat caught in the tangle of its
tether, which struggles till death comes. Then she went to bed.



                                XXI

                   THE WICKEDNESS OF A GOOD WOMAN

Playing for these terrible stakes Sabine grew thin; grief consumed
her; but she never for a moment forsook the role she had imposed upon
herself. Sustained by a sort of fever, her lips drove back into her
throat the bitter words that pain suggested; she repressed the
flashing of her glorious dark eyes, and made them soft even to
humility. But her failing health soon became noticeable. The duchess,
an excellent mother, though her piety was becoming more and more
Portuguese, recognized a moral cause in the physically weak condition
in which Sabine now took satisfaction. She knew the exact state of the
relation between Beatrix and Calyste; and she took great pains to draw
her daughter to her own house, partly to soothe the wounds of her
heart, but more especially to drag her away from the scene of her
martyrdom. Sabine, however, maintained the deepest silence for a long
time about her sorrows, fearing lest some one might meddle between
herself and Calyste. She declared herself happy! At the height of her
misery she recovered her pride, and all her virtues.

But at last, after some months during which her sister Clotilde and
her mother had caressed and petted her, she acknowledged her grief,
confided her sorrows, cursed life, and declared that she saw death
coming with delirious joy. She begged Clotilde, who was resolved to
remain unmarried, to be a mother to her little Calyste, the finest
child that any royal race could desire for heir presumptive.

One evening, as she sat with her young sister Athenais (whose marriage
to the Vicomte de Grandlieu was to take place at the end of Lent), and
with Clotilde and the duchess, Sabine gave utterance to the supreme
cries of her heart's anguish, excited by the pangs of a last
humiliation.

"Athenais," she said, when the Vicomte Juste de Grandlieu departed at
eleven o'clock, "you are going to marry; let my example be a warning
to you. Consider it a crime to display your best qualities; resist the
pleasure of adorning yourself to please Juste. Be calm, dignified,
cold; measure the happiness you give by that which you receive. This
is shameful, but it is necessary. Look at me. I perish through my best
qualities. All that I /know/ was fine and sacred and grand within me,
all my virtues, were rocks on which my happiness is wrecked. I have
ceased to please because I am not thirty-six years old. In the eyes of
some men youth is thought an inferiority. There is nothing to imagine
on an innocent face. I laugh frankly, and that is wrong; to captivate
I ought to play off the melancholy half-smile of the fallen angel, who
wants to hide her yellowing teeth. A fresh complexion is monotonous;
some men prefer their doll's wax made of rouge and spermaceti and cold
cream. I am straightforward; but duplicity is more pleasing. I am
loyally passionate, as an honest woman may be, but I ought to be
manoeuvring, tricky, hypocritical, and simulate a coldness I have not,
--like any provincial actress. I am intoxicated with the happiness of
having married one of the most charming men in France; I tell him,
naively, how distinguished he is, how graceful his movements are, how
handsome I think him; but to please him I ought to turn away my head
with pretended horror, to love nothing with real love, and tell him
his distinction is mere sickliness. I have the misfortune to admire
all beautiful things without setting myself up for a wit by caustic
and envious criticism of whatever shines from poesy and beauty. I
don't seek to make Canalis and Nathan say of /me/ in verse and prose
that my intellect is superior. I'm only a poor little artless child; I
care only for Calyste. Ah! if I had scoured the world like /her/, if I
had said as /she/ has said, 'I love,' in every language of Europe, I
should be consoled, I should be pitied, I should be adored for serving
the regal Macedonian with cosmopolitan love! We are thanked for our
tenderness if we set it in relief against our vice. And I, a noble
woman, must teach myself impurity and all the tricks of prostitutes!
And Calyste is the dupe of such grimaces! Oh, mother! oh, my dear
Clotilde! I feel that I have got my death-blow. My pride is only a
sham buckler; I am without defence against my misery; I love my
husband madly, and yet to bring him back to me I must borrow the
wisdom of indifference."

"Silly girl," whispered Clotilde, "let him think you will avenge
yourself--"

"I wish to die irreproachable and without the mere semblance of doing
wrong," replied Sabine. "A woman's vengeance should be worthy of her
love."

"My child," said the duchess to her daughter, "a mother must of course
see life more coolly than you can see it. Love is not the end, but the
means, of the Family. Do not imitate that poor Baronne de Macumer.
Excessive passion is unfruitful and deadly. And remember, God sends us
afflictions with knowledge of our needs. Now that Athenais' marriage
is arranged, I can give all my thoughts to you. In fact, I have
already talked of this delicate crisis in your life with your father
and the Duc de Chaulieu, and also with d'Ajuda; we shall certainly
find means to bring Calyste back to you."

"There is always one resource with the Marquise de Rochefide,"
remarked Clotilde, smiling, to her sister; "she never keeps her
adorers long."

"D'Ajuda, my darling," continued the duchess, "was Monsieur de
Rochefide's brother-in-law. If our dear confessor approves of certain
little manoeuvres to which we must have recourse to carry out a plan
which I have proposed to your father, I can guarantee to you the
recovery of Calyste. My conscience is repugnant to the use of such
means, and I must first submit them to the judgment of the Abbe
Brossette. We shall not wait, my child, till you are /in extremis/
before coming to your relief. Keep a good heart! Your grief to-night
is so bitter that my secret escapes me; but it is impossible for me
not to give you a little hope."

"Will it make Calyste unhappy?" asked Sabine, looking anxiously at the
duchess.

"Oh, heavens! shall I ever be as silly as that!" cried Athenais,
naively.

"Ah, little girl, you know nothing of the precipices down which our
virtue flings us when led by love," replied Sabine, making a sort of
moral revelation, so distraught was she by her woe.

The speech was uttered with such incisive bitterness that the duchess,
enlightened by the tone and accent and look of her daughter, felt
certain there was some hidden trouble.

"My dears, it is midnight; come, go to bed," she said to Clotilde and
Athenais, whose eyes were shining.

"In spite of my thirty-five years I appear to be /de trop/," said
Clotilde, laughing. While Athenais kissed her mother, Clotilde leaned
over Sabine and said in her ear: "You will tell what it is? I'll dine
with you to-morrow. If my mother's conscience won't let her act, I--I
myself will get Calyste out of the hands of the infidels."

"Well, Sabine," said the duchess, taking her daughter into her
bedroom, "tell me, what new trouble is there, my child?"

"Mamma, I am lost!"

"But how?"

"I wanted to get the better of that horrible woman--I conquered for a
time--I am pregnant again--and Calyste loves her so that I foresee a
total abandonment. When she hears of it she will be furious. Ah! I
suffer such tortures that I cannot endure them long. I know when he is
going to her, I know it by his joy; and his peevishness tells me as
plainly when he leaves her. He no longer troubles himself to conceal
his feelings; I have become intolerable to him. She has an influence
over him as unhealthy as she is herself in soul and body. You'll see!
she will exact from him, as the price of forgiveness, my public
desertion, a rupture like her own; she will take him away from me to
Switzerland or Italy. He is beginning now to say it is ridiculous that
he knows nothing of Europe. I can guess what those words mean, flung
out in advance. If Calyste is not cured of her in three months I don't
know what he may become; but as for me, I will kill myself."

"But your soul, my unhappy child? Suicide is a mortal sin."

"Don't you understand? She may give him a child. And if Calyste loved
the child of that woman more than mine--Oh! that's the end of my
patience and all my resignation."

She fell into a chair. She had given vent to the deepest thought in
her heart; she had no longer a hidden grief; and secret sorrow is like
that iron rod that sculptors put within the structure of their clay,
--it supports, it is a force.

"Come, go home, dear sufferer. In view of such misery the abbe will
surely give me absolution for the venial sins which the deceits of the
world compel us to commit. Leave me now, my daughter," she said, going
to her /prie-Dieu/. "I must pray to our Lord and the Blessed Virgin
for you, with special supplication. Good-bye, my dear Sabine; above
all things, do not neglect your religious duties if you wish us to
succeed."

"And if we do triumph, mother, we shall only save the family. Calyste
has killed within me the holy fervor of love,--killed it by sickening
me with all things. What a honey-moon was mine, in which I was made to
feel on that first day the bitterness of a retrospective adultery!"

The next day, about two in the afternoon, one of the vicars of the
faubourg Saint-Germain appointed to a vacant bishopric in 1840 (an
office refused by him for the third time), the Abbe Brossette, one of
the most distinguished priests in Paris, crossed the court-yard of the
hotel de Grandlieu, with a step which we must needs call the
ecclesiastical step, so significant is it of caution, mystery,
calmness, gravity, and dignity. He was a thin little man about fifty
years of age, with a face as white as that of an old woman, chilled by
priestly austerities, and hollowed by all the sufferings which he
espoused. Two black eyes, ardent with faith yet softened by an
expression more mysterious than mystical, animated that truly
apostolical face. He was smiling as he mounted the steps of the
portico, so little did he believe in the enormity of the cases about
which his penitent sent for him; but as the hand of the duchess was an
open palm for charity, she was worth the time which her innocent
confessions stole from the more serious miseries of the parish.

When the vicar was announced the duchess rose, and made a few steps
toward him in the salon,--a distinction she granted only to cardinals,
bishops, simple priests, duchesses older then herself, and persons of
royal blood.

"My dear abbe," she said, pointing to a chair and speaking in a low
voice, "I need the authority of your experience before I throw myself
into a rather wicked intrigue, although it is one which must result in
great good; and I desire to know from you whether I shall make
hindrances to my own salvation in the course I propose to follow."

"Madame la duchesse," replied the abbe, "do not mix up spiritual
things with worldly things; they are usually irreconcilable. In the
first place, what is this matter?"

"You know that my daughter Sabine is dying of grief; Monsieur du
Guenic has left her for Madame de Rochefide."

"It is very dreadful, very serious; but you know what our dear Saint
Francois de Sales says on that subject. Remember too how Madame Guyon
complained of the lack of mysticism in the proofs of conjugal love;
she would have been very willing to see her husband with a Madame de
Rochefide."

"Sabine is only too gentle; she is almost too completely a Christian
wife; but she has not the slightest taste for mysticism."

"Poor young woman!" said the abbe, maliciously. "What method will you
take to remedy the evil?"

"I have committed the sin, my dear director, of thinking how to launch
upon Madame de Rochefide a little man, very self-willed and full of
the worst qualities, who will certainly induce her to dismiss my
son-in-law."

"My daughter," replied the abbe, stroking his chin, "we are not now in
the confessional; I am not obliged to make myself your judge. From the
world's point of view, I admit that the result would be decisive--"

"The means seem to me odious," she said.

"Why? No doubt the duty of a Christian woman is to withdraw a sinning
woman from an evil path, rather than push her along it; but when a
woman has advanced upon that path as far as Madame de Rochefide, it is
not the hand of man, but that of God, which recalls such a sinner; she
needs a thunderbolt."

"Father," replied the duchess, "I thank you for your indulgence; but
the thought has occurred to me that my son-in-law is brave and a
Breton. He was heroic at the time of the rash affair of that poor
MADAME. Now, if the young fellow who undertook to make Madame de
Rochefide love him were to quarrel with Calyste, and a duel should
ensue--"

"You have thought wisely, Madame la duchesse; and it only proves that
in crooked paths you will always find rocks of stumbling."

"I have discovered a means, my dear abbe, to do a great good; to
withdraw Madame de Rochefide from the fatal path in which she now is;
to restore Calyste to his wife, and possibly to save from hell a poor
distracted creature."

"In that case, why consult me?" asked the vicar, smiling.

"Ah!" replied the duchess, "Because I must permit myself some rather
nasty actions--"

"You don't mean to rob anybody?"

"On the contrary, I shall apparently have to spend a great deal of
money."

"You will not calumniate, or--"

"Oh! oh!"

"--injure your neighbor?"

"I don't know about that."

"Come, tell me your plan," said the abbe, now becoming curious.

"Suppose, instead of driving out one nail by another,--this is what I
thought at my /prie-Dieu/ after imploring the Blessed Virgin to
enlighten me,--I were to free Calyste by persuading Monsieur de
Rochefide to take back his wife? Instead of lending a hand to evil for
the sake of doing good to my daughter, I should do one great good by
another almost as great--"

The vicar looked at the Portuguese lady, and was pensive.

"That is evidently an idea that came to you from afar," he said, "so
far that--"

"I have thanked the Virgin for it," replied the good and humble
duchess; "and I have made a vow--not counting a novena--to give twelve
hundred francs to some poor family if I succeed. But when I
communicated my plan to Monsieur de Grandlieu he began to laugh, and
said: 'Upon my honor, at your time of life I think you women have a
devil of your own.'"

"Monsieur le duc made as a husband the same reply I was about to make
when you interrupted me," said the abbe, who could not restrain a
smile.

"Ah! Father, if you approve of the idea, will you also approve of the
means of execution? It is necessary to do to a certain Madame Schontz
(a Beatrix of the quartier Saint-Georges) what I proposed to do to
Madame de Rochefide."

"I am certain that you will not do any real wrong," said the vicar,
cleverly, not wishing to hear any more, having found the result so
desirable. "You can consult me later if you find your conscience
muttering," he added. "But why, instead of giving that person in the
rue Saint-Georges a fresh occasion for scandal, don't you give her a
husband?"

"Ah! my dear director, now you have rectified the only bad thing I had
in my plan. You are worthy of being an archbishop, and I hope I shall
not die till I have had the opportunity of calling you Your Eminence."

"I see only one difficulty in all this," said the abbe.

"What is that?"

"Suppose Madame de Rochefide chooses to keep your son-in-law after she
goes back to her husband?"

"That's my affair," replied the duchess; "when one doesn't often
intrigue, one does so--"

"Badly, very badly," said the abbe. "Habit is necessary for
everything. Try to employ some of those scamps who live by intrigue,
and don't show your own hand."

"Ah! monsieur l'abbe, if I make use of the means of hell, will Heaven
help me?"

"You are not at confession," repeated the abbe. "Save your child."

The worthy duchess, delighted with her vicar, accompanied him to the
door of the salon.



                                XXII

           THE NORMAL HISTORY OF AN UPPER-CLASS GRISETTE

A storm was gathering, as we see, over Monsieur de Rochefide, who
enjoyed at that moment the greatest amount of happiness that a
Parisian can desire in being to Madame Schontz as much a husband as he
had been to Beatrix. It seemed therefore, as the duke had very
sensibly said to his wife, almost an impossibility to upset so
agreeable and satisfactory an existence. This opinion will oblige us
to give certain details on the life led by Monsieur de Rochefide after
his wife had placed him in the position of a /deserted husband/. The
reader will then be enabled to understand the enormous difference
which our laws and our morals put between the two sexes in the same
situation. That which turns to misery for the woman turns to happiness
for the man. This contrast may inspire more than one young woman with
the determination to remain in her own home, and to struggle there,
like Sabine du Guenic, by practising (as she may select) the most
aggressive or the most inoffensive virtues.

Some days after Beatrix had abandoned him, Arthur de Rochefide, now an
only child in consequence of the death of his sister, the first wife
of the Marquis d'Ajuda-Pinto, who left no children, found himself sole
master of the hotel de Rochefide, rue d'Anjou Saint-Honore, and of two
hundred thousand francs a year left to him by his father. This rich
inheritance, added to the fortune which Arthur possessed when he
married, brought his income, including that from the fortune of his
wife, to a thousand francs a day. To a gentleman endowed with a nature
such as Mademoiselle des Touches had described it in a few words to
Calyste, such wealth was happiness enough. While his wife continued in
her home and fulfilled the duties of maternity, Rochefide enjoyed this
immense fortune; but he did not spend it any more than he expended the
faculties of his mind. His good, stout vanity, gratified by the figure
he presented as a handsome man (to which he owed a few successes that
authorized him to despise women), allowed itself free scope in the
matter of brains. Gifted with the sort of mind which we must call a
reflector, he appropriated the sallies of others, the wit of the stage
and the /petits journaux/, by his method of repeating them, and
applied them as formulas of criticism. His military joviality (he had
served in the Royal Guard) seasoned conversation with so much point
that women without any intellects proclaimed him witty, and the rest
did not dare to contradict them.

This system Arthur pursued in all things; he owed to nature the
convenient genius of imitation without mimicry; he imitated seriously.
Thus without any taste of his own, he knew how to be the first to
adopt and the first to abandon a new fashion. Accused of nothing worse
than spending too much time at his toilet and wearing a corset, he
presented the type of those persons who displease no one by adopting
incessantly the ideas and the follies of everbody, and who, astride of
circumstance, never grow old.

As a husband, he was pitied; people thought Beatrix inexcusable for
deserting the best fellow on earth, and social jeers only touched the
woman. A member of all clubs, subscriber to all the absurdities
generated by patriotism or party spirit ill-understood (a compliance
which put him in the front rank /a propos/ of all such matters), this
loyal, brave, and very silly nobleman, whom unfortunately so many rich
men resemble, would naturally desire to distinguish himself by
adopting some fashionable mania. Consequently, he glorified his name
principally in being the sultan of a four-footed harem, governed by an
old English groom, which cost him monthly from four to five thousand
francs. His specialty was /running horses;/ he protected the equine
race and supported a magazine devoted to hippic questions; but, for
all that, he knew very little of the animals, and from shoes to
bridles he depended wholly on his groom,--all of which will
sufficiently explain to you that this semi-bachelor had nothing
actually of his own, neither mind, taste, position, or absurdity; even
his fortune came from his fathers. After having tasted the
displeasures of marriage he was so content to find himself once more a
bachelor that he said among his friends, "I was born with a caul"
(that is, to good luck).

Pleased above all things to be able to live without the costs of
making an appearance, to which husbands are constrained, his house, in
which since the death of his father nothing had been changed,
resembled those of masters who are travelling; he lived there little,
never dined, and seldom slept there. Here follows the reason for such
indifference.

After various amorous adventures, bored by women of fashion of the
kind who are truly bores, and who plant too many thorny hedges around
happiness, he had married after a fashion, as we shall see, a certain
Madame Schontz, celebrated in the world of Fanny Beaupre, Susanne du
Val-Noble, Florine, Mariette, Jenny Cadine, etc. This world,--of which
one of our artists wittily remarked at the frantic moment of an opera
/galop/, "When one thinks that all /that/ is lodged and clothed and
lives well, what a fine idea it gives us of mankind!"--this world has
already irrupted elsewhere into this history of French manners and
customs of the nineteenth century; but to paint it with fidelity, the
historian should proportion the number of such personages to the
diverse endings of their strange careers, which terminate either in
poverty under its most hideous aspect, or by premature death often
self-inflicted, or by lucky marriages, occasionally by opulence.

Madame Schontz, known at first under the name of La Petite-Aurelie, to
distinguish her from one of her rivals far less clever than herself,
belongs to the highest class of those women whose social utility
cannot be questioned by the prefect of the Seine, nor by those who are
interested in the welfare of the city of Paris. Certainly the Rat,
accused of demolishing fortunes which frequently never existed, might
better be compared to a beaver. Without the Aspasias of the Notre-Dame
de Lorette quarter, far fewer houses would be built in Paris. Pioneers
in fresh stucco, they have gone, towed by speculation, along the
heights of Montmartre, pitching their tents in those solitudes of
carved free-stone, the like of which adorns the European streets of
Amsterdam, Milan, Stockholm, London, and Moscow, architectural steppes
where the wind rustles innumerable papers on which a void is divulged
by the words, /Apartments to let/.

The situation of these dames is determined by that which they take in
the apocryphal regions. If the house is near the line traced by the
rue de Provence, the woman has an income, her budget prospers; but if
she approaches the farther line of the Boulevard Exterieur or rises
towards the horrid town of Batignolles, she is without resources. When
Monsieur de Rochefide first encountered Madame Schontz, she lived on
the third floor of the only house that remained in the rue de Berlin;
thus she was camping on the border-land between misery and its
reverse. This person was not really named, as you may suppose, either
Schontz or Aurelie. She concealed the name of her father, an old
soldier of the Empire, that perennial colonel who always appears at
the dawn of all these feminine existences either as father or seducer.
Madame Schontz had received the gratuitous education of Saint-Denis,
where young girls are admirably brought up, but where, unfortunately,
neither husbands nor openings in life are offered to them when they
leave the school,--an admirable creation of the Emperor, which now
lacks but one thing, the Emperor himself!

"I shall be there, to provide for the daughters of my faithful
legions," he replied to a remark of one of his ministers, who foresaw
the future.

Napoleon had also said, "I shall be there!" for the members of the
Institute; to whom they had better give no salary than send them
eighty francs each month, a wage that is less than that of certain
clerks!

Aurelie was really the daughter of the intrepid Colonel Schiltz, a
leader of those bold Alsacian guerillas who came near saving the
Emperor in the campaign of France. He died at Metz,--robbed, pillaged,
ruined. In 1814 Napoleon put the little Josephine Schiltz, then about
nine years old, at Saint-Denis. Having lost both father and mother and
being without a home and without resources, the poor child was not
dismissed from the institution on the second return of the Bourbons.
She was under-mistress of the school till 1827, but then her patience
gave way; her beauty seduced her. When she reached her majority
Josephine Schiltz, the Empress's goddaughter, was on the verge of the
adventurous life of a courtesan, persuaded to that doubtful future by
the fatal example of some of her comrades like herself without
resources, who congratulated themselves on their decision. She
substituted /on/ for /il/ in her father's name and placed herself
under the patronage of Saint-Aurelie.

Lively, witty, and well-educated, she committed more faults than her
duller companions, whose misdemeanors had invariably self-interest for
their base. After knowing various writers, poor but dishonest, clever
but deeply in debt; after trying certain rich men as calculating as
they were foolish; and after sacrificing solid interests to one true
love,--thus going through all the schools in which experience is
taught,--on a certain day of extreme misery, when, at Valentino's (the
first stage to Musard) she danced in a gown, hat, and mantle that were
all borrowed, she attracted the attention of Arthur de Rochefide, who
had come there to see the famous /galop/. Her cleverness instantly
captivated the man who at that time knew not what passion to devote
himself to. So that two years after his desertion by Beatrix, the
memory of whom often humiliated him, the marquis was not blamed by any
one for marrying, so to speak, in the thirteenth arrondissement, a
substitute for his wife.

Let us sketch the four periods of this happiness. It is necessary to
show that the theory of marriage in the thirteenth arrondissement
affects in like manner all who come within its rule.[*] Marquis in the
forties, sexagenary retired shopkeeper, quadruple millionnaire or
moderate-income man, great seigneur or bourgeois, the strategy of
passion (except for the differences inherent in social zones) never
varies. The heart and the money-box are always in the same exact and
clearly defined relation. Thus informed, you will be able to estimate
the difficulties the duchess was certain to encounter in her
charitable enterprise.

[*] Before 1859 there was no 13th arrondissement in Paris, hence the
    saying.--TR.

Who knows the power in France of witty sayings upon ordinary minds, or
what harm the clever men who invent them have done? For instance, no
book-keeper could add up the figures of the sums remaining
unproductive and lost in the depths of generous hearts and
strong-boxes by that ignoble phrase, "/tirer une carotte!/"

The saying has become so popular that it must be allowed to soil this
page. Besides, if we penetrate within the 13th arrondissement, we are
forced to accept its picturesque patois. /Tirer une carotte/ has a
dozen allied meanings, but it suffices to give it here as: /To dupe/.
Monsieur de Rochefide, like all little minds, was terribly afraid of
being /carotte/. The noun has become a verb. From the very start of
his passion for Madame Schontz, Arthur was on his guard, and he was,
therefore, very /rat/, to use another word of the same vocabulary. The
word /rat/, when applied to a young girl, means the guest or the one
entertained, but applied to a man it signifies the giver of the feast
who is niggardly.

Madame Schontz had too much sense and she knew men too well not to
conceive great hopes from such a beginning. Monsieur de Rochefide
allowed her five hundred francs a month, furnished for her, rather
shabbily, an apartment costing twelve hundred francs a year on a
second floor in the rue Coquenard, and set himself to study Aurelie's
character, while she, perceiving his object, gave him a character to
study. Consequently, Rochefide became happy in meeting with a woman of
noble nature. But he saw nothing surprising in that; her mother was a
Barnheim of Baden, a well-bred woman. Besides, Aurelie was so well
brought up herself! Speaking English, German, and Italian, she
possessed a thorough knowledge of foreign literatures. She could hold
her own against all second-class pianists. And, remark this! she
behaved about her talents like a well-bred woman; she never mentioned
them. She picked up a brush in a painter's studio, used it half
jestingly, and produced a head which caused general astonishment. For
mere amusement during the time she pined as under-mistress at
Saint-Denis, she had made some advance in the domain of the sciences,
but her subsequent life had covered these good seeds with a coating of
salt, and she now gave Arthur the credit of the sprouting of the
precious germs, re-cultivated for him.

Thus Aurelie began by showing a disinterestedness equal to her other
charms, which allowed this weak corvette to attach its grapnels
securely to the larger vessel. Nevertheless, about the end of the
first year, she made ignoble noises in the antechamber with her clogs,
coming in about the time when the marquis was awaiting her, and
hiding, as best she could, the draggled tail of an outrageously muddy
gown. In short, she had by this time so perfectly persuaded her /gros
papa/ that all her ambition, after so many ups and downs, was to
obtain honorably a comfortable little bourgeois existence, that, about
ten months after their first meeting, the second phase of happiness
declared itself.

Madame Schontz then obtained a fine apartment in the rue
Neuve-Saint-Georges. Arthur, who could no longer conceal the amount of
his fortune, gave her splendid furniture, a complete service of plate,
twelve hundred francs a month, a low carriage with one horse,--this,
however, was hired; but he granted a tiger very graciously. Madame
Schontz was not the least grateful for this munificence; she knew the
motive of her Arthur's conduct, and recognized the calculations of the
male /rat/. Sick of living at a restaurant, where the fare is usually
execrable, and where the least little /gourmet/ dinner costs sixty
francs for one, and two hundred francs if you invite three friends,
Rochefide offered Madame Schontz forty francs a day for his dinner and
that of a friend, everything included. Aurelie accepted.

Thus having made him take up all her moral letters of credit, drawn
one by one on Monsieur de Rochefide's comfort, she was listened to
with favor when she asked for five hundred francs more a month for her
dress, in order not to shame her /gros papa/, whose friends all
belonged to the Jockey Club.

"It would be a pretty thing," she said, "if Rastignac, Maxime de
Trailles, d'Esgrignon, La Roche-Hugon, Ronqueroles, Laginski,
Lenoncourt, found you with a sort of Madame Everard. Besides, have
confidence in me, papa, and you'll be the gainer."

In fact, Aurelie contrived to display new virtues in this second
phase. She laid out for herself a house-keeping role for which she
claimed much credit. She made, so she said, both ends meet at the
close of the month on two thousand five hundred francs without a debt,
--a thing unheard of in the faubourg Saint-Germain of the 13th
arrondissement,--and she served dinners infinitely superior to those
of Nucingen, at which exquisite wines were drunk at twelve francs a
bottle. Rochefide, amazed, and delighted to be able to invite his
friends to the house with economy, declared, as he caught her round
the waist,--

"She's a treasure!"

Soon after he hired one-third of a box at the Opera for her; next he
took her to first representations. Then he began to consult his
Aurelie, and recognized the excellence of her advice. She let him take
the clever sayings she said about most things for his own, and, these
being unknown to others, raised his reputation as an amusing man. He
now acquired the certainty of being loved truly, and for himself
alone. Aurelie refused to make the happiness of a Russian prince who
offered her five thousand francs a month.

"You are a lucky man, my dear marquis," cried old Prince Galathionne
as he finished his game of whist at the club. "Yesterday, after you
left us alone, I tried to get Madame Schontz away from you, but she
said: 'Prince, you are not handsomer, but you are a great deal older
than Rochefide; you would beat me, but he is like a father to me; can
you give me one-tenth of a reason why I should change? I've never had
the grand passion for Arthur that I once had for little fools in
varnished boots and whose debts I paid; but I love him as a wife loves
her husband when she is an honest woman.' And thereupon she showed me
the door."

This speech, which did not seem exaggerated, had the effect of greatly
increasing the state of neglect and degradation which reigned in the
hotel de Rochefide. Arthur now transported his whole existence and his
pleasures to Madame Schontz, and found himself well off; for at the
end of three years he had four hundred thousand francs to invest.

The third phase now began. Madame Schontz became the tenderest of
mothers to Arthur's son; she fetched him from school and took him back
herself; she overwhelmed with presents and dainties and pocket-money
the child who called her his "little mamma," and who adored her. She
took part in the management of Arthur's property; she made him buy
into the Funds when low, just before the famous treaty of London which
overturned the ministry of March 1st. Arthur gained two hundred
thousand francs by that transaction and Aurelie did not ask for a
penny of it. Like the gentleman that he was, Rochefide invested his
six hundred thousand francs in stock of the Bank of France and put
half of that sum in the name of Josephine Schiltz. A little house was
now hired in the rue de La Bruyere and given to Grindot, that great
decorative architect, with orders to make it a perfect bonbon-box.

Henceforth, Rochefide no longer managed his affairs. Madame Schontz
received the revenues and paid the bills. Become, as it were,
practically his wife, his woman of business, she justified the
position by making her /gros papa/ more comfortable than ever; she had
learned all his fancies, and gratified them as Madame de Pompadour
gratified those of Louis XV. In short, Madame Schontz reigned an
absolute mistress. She then began to patronize a few young men,
artists, men of letters, new-fledged to fame, who rejected both
ancients and moderns, and strove to make themselves a great reputation
by accomplishing little or nothing.

The conduct of Madame Schontz, a triumph of tactics, ought to reveal
to you her superiority. In the first place, these ten or a dozen young
fellows amused Arthur; they supplied him with witty sayings and clever
opinions on all sorts of topics, and did not put in doubt the fidelity
of the mistress; moreover, they proclaimed her a woman who was
eminently intelligent. These living advertisements, these
perambulating articles, soon set up Madame Schontz as the most
agreeable woman to be found in the borderland which separates the
thirteenth arrondissement from the twelve others. Her rivals--Suzanne
Gaillard, who, in 1838, had won the advantage over her of becoming a
wife married in legitimate marriage, Fanny Beaupre, Mariette, Antonia
--spread calumnies that were more than droll about the beauty of those
young men and the complacent good-nature with which Monsieur de
Rochefide welcomed them. Madame Schontz, who could distance, as she
said, by three /blagues/ the wit of those ladies, said to them one
night at a supper given by Nathan to Florine, after recounting her
fortune and her success, "Do as much yourselves!"--a speech which
remained in their memory.

It was during this period that Madame Schontz made Arthur sell his
race-horses, through a series of considerations which she no doubt
derived from the critical mind of Claude Vignon, one of her
/habitues/.

"I can conceive," she said one night, after lashing the horses for
some time with her lively wit, "that princes and rich men should set
their hearts on horse-flesh, but only for the good of the country, not
for the paltry satisfactions of a betting man. If you had a stud farm
on your property and could raise a thousand or twelve hundred horses,
and if all the horses of France and of Navarre could enter into one
great solemn competition, it would be fine; but you buy animals as the
managers of theatres trade in artists; you degrade an institution to a
gambling game; you make a Bourse of legs, as you make a Bourse of
stocks. It is unworthy. Don't you spend sixty thousand francs
sometimes merely to read in the newspapers: 'Lelia, belonging to
Monsieur de Rochefide beat by a length Fleur-de-Genet the property of
Monsieur le Duc de Rhetore'? You had much better give that money to
poets, who would carry you in prose and verse to immortality, like the
late Montyon."

By dint of being prodded, the marquis was brought to see the
hollowness of the turf; he realized that economy of sixty thousand
francs; and the next year Madame Schontz remarked to him,--

"I don't cost you anything now, Arthur."

Many rich men envied the marquis and endeavored to entice Madame
Schontz away from him, but like the Russian prince they wasted their
old age.

"Listen to me," she said to Finot, now become immensely rich. "I am
certain that Rochefide would forgive me a little passion if I fell in
love with any one, but one doesn't leave a marquis with a kind heart
like that for a /parvenu/ like you. You couldn't keep me in the
position in which Arthur has placed me; he has made me half a wife and
a lady, and that's more than you could do even if you married me."

This was the last nail which clinched the fetters of that happy
galley-slave, for the speech of course reached the ears for which it
was intended.

The fourth phase had begun, that of /habit/, the final victory in
these plans of campaign, which make the women of this class say of a
man, "I hold him!" Rochefide, who had just bought the little hotel in
the name of Mademoiselle Josephine Schiltz (a trifle of eighty
thousand francs), had reached, at the moment the Duchesse de Grandlieu
was forming plans about him, the stage of deriving vanity from his
mistress (whom he now called Ninon II.), by vaunting her scrupulous
honesty, her excellent manners, her education, and her wit. He had
merged his own defects, merits, tastes, and pleasures in Madame
Schontz, and he found himself at this period of his life, either from
lassitude, indifference, or philosophy, a man unable to change, who
clings to wife or mistress.

We may understand the position won in five years by Madame Schontz
from the fact that presentation at her house had to be proposed some
time before it was granted. She refused to receive dull rich people
and smirched people; and only departed from this rule in favor of
certain great names of the aristocracy.

"They," she said, "have a right to be stupid because they are
well-bred."

She possessed ostensibly the three hundred thousand francs which
Rochefide had given her, and which a certain good fellow, a broker
named Gobenheim (the only man of that class admitted to her house)
invested and reinvested for her. But she manipulated for herself
secretly a little fortune of two hundred thousand francs, the result
of her savings for the last three years and of the constant movement
of the three hundred thousand francs,--for she never admitted the
possession of more than that known sum.

"The more you make, the less you get rich," said Gobenheim to her one
day.

"Water is so dear," she answered.

This secret hoard was increased by jewels and diamonds, which Aurelie
wore a month and then sold. When any one called her rich, Madame
Schontz replied that at the rate of interest in the Funds three
hundred thousand francs produced only twelve thousand, and she had
spent as much as that in the hardest days of her life.



                               XXIII

                   ONE OF THE DISEASES OF THE AGE

Such conduct implied a plan, and Madame Schontz had, as you may well
believe, a plan. Jealous for the last two years of Madame du Bruel,
she was consumed with the ambition to be married by church and mayor.
All social positions have their forbidden fruit, some little thing
magnified by desire until it has become the weightiest thing in life.
This ambition of course involved a second Arthur; but no espial on the
part of those about her had as yet discovered Rochefide's secret
rival. Bixiou fancied he saw the favored one in Leon de Lora; the
painter saw him in Bixiou, who had passed his fortieth year and ought
to be making himself a fate of some kind. Suspicions were also turned
on Victor de Vernisset, a poet of the school of Canalis, whose passion
for Madame Schontz was desperate; but the poet accused Stidmann, a
young sculptor, of being his fortune rival. This artist, a charming
lad, worked for jewellers, for manufacturers in bronze and
silver-smiths; he longed to be another Benvenuto Cellini. Claude Vignon,
the young Comte de la Palferine, Gobenheim, Vermanton a cynical
philosopher, all frequenters of this amusing salon, were severally
suspected, and proved innocent. No one had fathomed Madame Schontz,
certainly not Rochefide, who thought she had a penchant for the young
and witty La Palferine; she was virtuous from self-interest and was
wholly bent on making a good marriage.

Only one man of equivocal reputation was ever seen in Madame Schontz's
salon, namely Couture, who had more than once made his brother
speculators howl; but Couture had been one of Madame Schontz's
earliest friends, and she alone remained faithful to him. The false
alarm of 1840 swept away the last vestige of this stock-gambler's
credit; Aurelie, seeing his run of ill-luck, made Rochefide play, as
we have seen, in the other direction. Thankful to find a place for
himself at Aurelie's table, Couture, to whom Finot, the cleverest or,
if you choose, the luckiest of all parvenus, occasionally gave a note
of a thousand francs, was alone wise and calculating enough to offer
his hand and name to madame Schontz, who studied him to see if the
bold speculator had sufficient power to make his way in politics and
enough gratitude not to desert his wife. Couture, a man about
forty-three years of age, half worn-out, did not redeem the unpleasant
sonority of his name by birth; he said little of the authors of his
days.

Madame Schontz was bemoaning to herself the rarity of eligible men,
when Couture presented to her a provincial, supplied with the two
handles by which women take hold of such pitchers when they wish to
keep them. To sketch this person will be to paint a portion of the
youth of the day. The digression is history.

In 1838, Fabien du Ronceret, son of a chief-justice of the Royal court
at Caen (who had lately died), left his native town of Alencon,
resigning his judgeship (a position in which his father had compelled
him, he said, to waste his time), and came to Paris, with the
intention of making a noise there,--a Norman idea, difficult to
realize, for he could scarcely scrape together eight thousand francs a
year; his mother still being alive and possessing a life-interest in a
valuable estate in Alencon. This young man had already, during
previous visits to Paris, tried his rope, like an acrobat, and had
recognized the great vice of the social replastering of 1830. He meant
to turn it to his own profit, following the example of the longest
heads of the bourgeoisie. This requires a rapid glance on one of the
effects of the new order of things.

Modern equality, unduly developed in our day, has necessarily
developed in private life, on a line parallel with political life, the
three great divisions of the social /I;/ namely, pride, conceit, and
vanity. Fools wish to pass for wits; wits want to be thought men of
talent; men of talent wish to be treated as men of genius; as for men
of genius, they are more reasonable; they consent to be only demigods.
This tendency of the public mind of these days, which, in the Chamber,
makes the manufacturer jealous of the statesman, and the administrator
jealous of the writer, leads fools to disparage wits, wits to
disparage men of talent, men of talent to disparage those who outstrip
them by an inch or two, and the demigods to threaten institutions, the
throne, or whatever does not adore them unconditionally. So soon as a
nation has, in a very unstatesmanlike spirit, pulled down all
recognized social superiorities, she opens the sluice through which
rushes a torrent of secondary ambitions, the meanest of which resolves
to lead. She had, so democrats declare, an evil in her aristocracy;
but a defined and circumscribed evil; she exchanges it for a dozen
armed and contending aristocracies--the worst of all situations. By
proclaiming the equality of all, she has promulgated a declaration of
the rights of Envy. We inherit to-day the saturnalias of the
Revolution transferred to the domain, apparently peaceful, of the
mind, of industry, of politics; it now seems that reputations won by
toil, by services rendered, by talent, are privileges granted at the
expense of the masses. Agrarian law will spread to the field of glory.
Never, in any age, have men demanded the affixing of their names on
the nation's posters for reasons more puerile. Distinction is sought
at any price, by ridicule, by an affectation of interest in the
cause of Poland, in penitentiaries, in the future of liberated
galley-slaves, in all the little scoundrels above and below twelve
years, and in every other social misery. These diverse manias create
fictitious dignities, presidents, vice-presidents, and secretaries of
societies, the number of which is greater than that of the social
questions they seek to solve. Society on its grand scale has been
demolished to make a million of little ones in the image of the
defunct. These parasitic organizations reveal decomposition; are they
not the swarming of maggots in the dead body? All these societies are
the daughters of one mother, Vanity. It is not thus that Catholic
charity or true beneficence proceeds; /they/ study evils in wounds and
cure them; they don't perorate in public meetings upon deadly ills for
the pleasure of perorating.

Fabien du Ronceret, without being a superior man, had divined, by the
exercise of that greedy common-sense peculiar to a Norman, the gain he
could derive from this public vice. Every epoch has its character
which clever men make use of. Fabien's mind, though not clever, was
wholly bent on making himself talked about.

"My dear fellow, a man must make himself talked about, if he wants to
be anything," he said, on parting from the king of Alencon, a certain
du Bousquier, a friend of his father. "In six months I shall be better
known than you are!"

It was thus that Fabien interpreted the spirit of his age; he did not
rule it, he obeyed it. He made his debut in Bohemia, a region in the
moral topography of Paris where he was known as "The Heir" by reason
of certain premeditated prodigalities. Du Ronceret had profited by
Couture's follies for the pretty Madame Cadine, for whom, during his
ephemeral opulence, he had arranged a delightful ground-floor
apartment with a garden in the rue Blanche. The Norman, who wanted his
luxury ready-made, bought Couture's furniture and all the improvements
he was forced to leave behind him,--a kiosk in the garden, where he
smoked, a gallery in rustic wood, with India mattings and adorned with
potteries, through which to reach the kiosk if it rained. When the
Heir was complimented on his apartment, he called it his /den/. The
provincial took care not to say that Grindot, the architect, had
bestowed his best capacity upon it, as did Stidmann on the carvings,
and Leon de Lora on the paintings, for Fabien's crowning defect was
the vanity which condescends to lie for the sake of magnifying the
individual self.

The Heir complimented these magnificences by a greenhouse which he
built along a wall with a southern exposure,--not that he loved
flowers, but he meant to attack through horticulture the public notice
he wanted to excite. At the present moment he had all but attained his
end. Elected vice-president of some sort of floral society presided
over by the Duc de Vissembourg, brother of the Prince de Chiavari,
youngest son of the late Marechal Vernon, he adorned his coat with the
ribbon of the Legion of honor on the occasion of an exhibition of
products, the opening speech at which, delivered by him, and bought of
Lousteau for five hundred francs, was boldly pronounced to be his own
brew. He also made himself talked about by a flower, given to him by
old Blondet of Alencon, father of Emile Blondet, which he presented to
the horticultural world as the product of his own greenhouse.

But this success was nothing. The Heir, who wished to be accepted as a
wit, had formed a plan of consorting with clever celebrities and so
reflecting their fame,--a plan somewhat hard to execute on a basis of
an exchequer limited to eight thousand francs a year. With this end in
view, Fabien du Ronceret had addressed himself again and again,
without success, to Bixiou, Stidmann, and Leon de Lora, asking them to
present him to Madame Schontz, and allow him to take part in that
menageria of lions of all kinds. Failing in those directions he
applied to Couture, for whose dinners he had so often paid that the
late speculator felt obliged to prove categorically to Madame Schontz
that she ought to acquire such an original, if it was only to make him
one of those elegant footmen without wages whom the mistresses of
households employ to do errands, when servants are lacking.

In the course of three evenings Madame Schontz read Fabien like a book
and said to herself,--

"If Couture does not suit me, I am certain of saddling that one. My
future can go on two legs now."

This queer fellow whom everybody laughed at was really the chosen one,
--chosen, however, with an intention which made such preference
insulting. The choice escaped all public suspicion by its very
improbability. Madame Schontz intoxicated Fabien with smiles given
secretly, with little scenes played on the threshold when she bade him
good-night, if Monsieur de Rochefide stayed behind. She often made
Fabien a third with Arthur in her opera-box and at first
representations; this she excused by saying he had done her such or
such a service and she did not know how else to repay him. Men have a
natural conceit as common to them as to women,--that of being loved
exclusively. Now of all flattering passions there is none more prized
than that of a Madame Schontz, for the man she makes the object of a
love she calls "from the heart," in distinction from another sort of
love. A woman like Madame Schontz, who plays the great lady, and whose
intrinsic value is real, was sure to be an object of pride to Fabien,
who fell in love with her to the point of never presenting himself
before her eyes except in full dress, varnished boots, lemon-kid
gloves, embroidered shirt and frill, waistcoat more or less
variegated,--in short, with all the external symptoms of profound
worship.

A month before the conference of the duchess and her confessor, Madame
Schontz had confided the secret of her birth and her real name to
Fabien, who did not in the least understand the motive of the
confidence. A fortnight later, Madame Schontz, surprised at this want
of intelligence, suddenly exclaimed to herself:--

"Heavens! how stupid I am! he expects me to love him for himself."

Accordingly the next day she took the Heir in her /caleche/ to the
Bois, for she now had two little carriages, drawn by two horses. In
the course of this public /tete-a-tete/ she opened the question of her
future, and declared that she wished to marry.

"I have seven hundred thousand francs," she said, "and I admit to you
that if I could find a man full of ambition, who knew how to
understand my character, I would change my position; for do you know
what is the dream of my life? To become a true bourgeoise, enter an
honorable family, and make my husband and children truly happy."

The Norman would fain be "distinguished" by Madame Schontz, but as
for marrying her, that folly seemed debatable to a bachelor of
thirty-eight whom the revolution of July had made a judge. Seeing his
hesitation, Madame Schontz made the Heir the butt of her wit, her
jests, and her disdain, and turned to Couture. Within a week, the
latter, whom she put upon the scent of her fortune, had offered his
hand, and heart, and future,--three things of about the same value.

The manoeuvres of Madame Schontz had reached this stage of proceeding,
when Madame de Grandlieu began her inquiries into the life and habits
of the Beatrix of the Place Saint-Georges.



                                XXIV

           THE INFLUENCE OF SOCIAL RELATIONS AND POSITION

In accordance with the advice of the Abbe Brossette the Duchesse de
Grandlieu asked the Marquis d'Ajuda to bring her that king of
political cut-throats, the celebrated Comte Maxime de Trailles,
archduke of Bohemia, the youngest of young men, though he was now
fully fifty years of age. Monsieur d'Ajuda arranged to dine with
Maxime at the club in the rue de Beuane, and proposed to him after
dinner to go and play dummy whist with the Duc de Grandlieu, who had
an attack of gout and was all alone.

Though the son-in-law of the duke and the cousin of the duchess had
every right to present him in a salon where he had never yet set foot,
Maxime de Trailles did not deceive himself as to the meaning of an
invitation thus given. He felt certain that the duke or the duchess
had some need of him. Club life where men play cards with other men
whom they do not receive in their own houses is by no means one of the
most trifling signs of the present age.

The Duc de Grandlieu did Maxime the honor of appearing to suffer from
his gout. After several games of whist he went to bed, leaving his
wife /tete-a-tete/ with Maxime and d'Ajuda. The duchess, seconded by
the marquis, communicated her project to Monsieur de Trailles, and
asked his assistance, while ostensibly asking only for his advice.
Maxime listened to the end without committing himself, and waited till
the duchess should ask point-blank for his co-operation before
replying.

"Madame, I fully understand you," he then said, casting on her and the
marquis one of those shrewd, penetrating, astute, comprehensive
glances by which such great scamps compromise their interlocutors.
"D'Ajuda will tell you that if any one in Paris can conduct that
difficult negotiation, it is I,--of course without mixing you up in
it; without its being even known that I have come here this evening.
Only, before anything is done, we must settle preliminaries. How much
are you willing to sacrifice?"

"All that is necessary."

"Very well, then, Madame la duchesse. As the price of my efforts you
must do me the honor to receive in your house and seriously protect
Madame la Comtesse de Trailles."

"What! are you married?" cried d'Ajuda.

"I shall be married within a fortnight to the heiress of a rich but
extremely bourgeois family,--a sacrifice to opinion! I imbibe the very
spirit of my government, and start upon a new career. Consequently,
Madame la duchesse will understand how important it is to me to have
my wife adopted by her and by her family. I am certain of being made
deputy by the resignation of my father-in-law, and I am promised a
diplomatic post in keeping with my new fortune. I do not see why my
wife should not be as well received as Madame de Portenduere in that
society of young women which includes Mesdames de la Bastie, Georges
de Maufrigneuse, de L'Estorade, du Guenic, d'Ajuda, de Restaud, de
Rastignac, de Vandenesse. My wife is pretty, and I will undertake to
/un-cotton-night-cap/ her. Will this suit you, Madame la duchesse? You
are religious, and if you say yes, your promise, which I know to be
sacred, will greatly aid in my change of life. It will be one more
good action to your account. Alas! I have long been the king of
/mauvais sujets/, and I want to make an end of it. After all, we bear,
azure, a wivern or, darting fire, ongle gules, and scaled vert, a
chief ermine, from the time of Francois I., who thought proper to
ennoble the valet of Louis XI., and we have been counts since
Catherine de' Medici."

"I will receive and protect your wife," said the duchess, solemnly,
"and my family will not turn its back upon her; I give you my word."

"Ah! Madame la duchesse," cried Maxime, visibly touched, "if Monsieur
le duc would also deign to treat me with some kindness, I promise you
to make your plan succeed without its costing you very much. But," he
continued after a pause, "you must take upon yourself to follow my
instructions. This is the last intrigue of my bachelor life; it must
be all the better managed because it concerns a good action," he
added, smiling.

"Follow your instructions!" said the duchess. "Then I must appear in
all this."

"Ah! madame, I will not compromise you," cried Maxime. "I esteem you
too much to demand guarantees. I merely mean that you must follow my
advice. For example, it will be necessary that du Guenic be taken away
by his wife for at least two years; she must show him Switzerland,
Italy, Germany,--in short, all possible countries."

"Ah! you confirm a fear of my director," said the duchess, naively,
remembering the judicious objection of the Abbe Brossette.

Maxime and d'Ajuda could not refrain from smiling at the idea of this
agreement between heaven and hell.

"To prevent Madame de Rochefide from ever seeing Calyste again," she
continued, "we will all travel, Juste and his wife, Calyste, Sabine,
and I. I will leave Clotilde with her father--"

"It is too soon to sing victory, madame," said Maxime. "I foresee
enormous difficulties; though I shall no doubt vanquish them. Your
esteem and your protection are rewards which would make me commit the
vilest actions, but these will be--"

"The vilest actions!" cried the duchess, interrupting this modern
condottiere, and showing on her countenance as much disgust as
amazement.

"And you would share them, madame, inasmuch as I am only your agent.
But are you ignorant of the degree of blindness to which Madame de
Rochefide has brought your son-in-law? I know it from Canalis and
Nathan, between whom she was hesitating when Calyste threw himself
into the lioness's jaws. Beatrix has contrived to persuade that
serious Breton that she has never loved any one but him; that she is
virtuous; that Conti was merely a sentimental head-love in which
neither the heart nor the rest of it had any part,--a musical love, in
short! As for Rochefide, that was duty. So, you understand, she is
virgin!--a fact she proves by forgetting her son, whom for more than a
year she has not made the slightest attempt to see. The truth is, the
little count will soon be twelve years old, and he finds in Madame
Schontz a mother who is all the more a mother because maternity is, as
you know, a passion with women of that sort. Du Guenic would let
himself be cut in pieces, and would chop up his wife for Beatrix; and
you think it is an easy matter to drag a man from the depths of such
credulity! Ah! madame, Shakespeare's Iago would lose all his
handkerchiefs. People think that Othello, or his younger brother,
Orosmanes, or Saint-Preux, Rene, Werther, and other lovers now in
possession of fame, represented love! Never did their frosty-hearted
fathers know what absolute love is; Moliere alone conceived it. Love,
Madame la duchesse, is not loving a noble woman, a Clarissa--a great
effort, faith! Love is to say to one's self: 'She whom I love is
infamous; she deceives me, she will deceive me; she is an abandoned
creature, she smells of the frying of hell-fire;' but we rush to her,
we find there the blue of heaven, the flowers of Paradise. That is how
Moliere loved, and how we, scamps that we are! how we love. As for me,
I weep at the great scene of Arnolphe. Now, that is how your
son-in-law loves Beatrix. I shall have trouble separating Rochefide
from Madame Schontz; but Madame Schontz will no doubt lend herself to
the plot; I shall study her interior. But as for Calyste and Beatrix,
they will need the blows of an axe, far deeper treachery, and so base
an infamy that your virtuous imagination could never descend to it
--unless indeed your director gave you a hand. You have asked the
impossible, you shall be obeyed. But in spite of my settled intention
to war with fire and sword, I cannot absolutely promise you success. I
have known lovers who did not recoil before the most awful
disillusions. You are too virtuous to know the full power of women who
are not virtuous."

"Do not enter upon those infamous actions until I have consulted the
Abbe Brossette to know how far I may be your accomplice," cried the
duchess, with a naivete which disclosed what selfishness there is in
piety.

"You shall be ignorant of everything, my dear mother," interposed
d'Ajuda.

On the portico, while the carriage of the marquis was drawing up,
d'Ajuda said to Maxime:--

"You frightened that good duchess."

"But she has no idea of the difficulty of what she asks. Let us go to
the Jockey Club; Rochefide must invite me to dine with Madame Schontz
to-morrow, for to-night my plan will be made, and I shall have chosen
the pawns on my chess-board to carry it out. In the days of her
splendor Beatrix refused to receive me; I intend to pay off that
score, and I will avenge your sister-in-law so cruelly that perhaps
she will find herself too well revenged."

The next day Rochefide told Madame Schontz that Maxime de Trailles was
coming to dinner. That meant notifying her to display all her luxury,
and prepare the choicest food for this connoisseur emeritus, whom all
the women of the Madame Schontz type were in awe of. Madame Schontz
herself thought as much of her toilet as of putting her house in a
state to receive this personage.

In Paris there are as many royalties as there are varieties of art,
mental and moral specialties, sciences, professions; the strongest and
most capable of the men who practise them has a majesty which is all
his own; he is appreciated, respected by his peers, who know the
difficulties of his art or profession, and whose admiration is given
to the man who surmounts them. Maxime was, in the eyes of /rats/ and
courtesans, an extremely powerful and capable man, who had known how
to make himself excessively loved. He was also admired by men who knew
how difficult it is to live in Paris on good terms with creditors; in
short, he had never had any other rival in elegance, deportment, and
wit than the illustrious de Marsay, who frequently employed him on
political missions. All this will suffice to explain his interview
with the duchess, his prestige with Madame Schontz, and the authority
of his words in a conference which he intended to have on the
boulevard des Italiens with a young man already well-known, though
lately arrived, in the Bohemia of Paris.



                                XXV

                        A PRINCE OF BOHEMIA

The next day, when Maxime de Trailles rose, Finot (whom he had
summoned the night before) was announced. Maxime requested his visitor
to arrange, as if by accident, a breakfast at the cafe Anglais, where
Finot, Couture, and Lousteau should gossip beside him. Finot, whose
position toward the Comte de Trailles was that of a sub-lieutenant
before a marshall of France, could refuse him nothing; it was
altogether too dangerous to annoy that lion. Consequently, when Maxime
came to the breakfast, he found Finot and his two friends at table and
the conversation already started on Madame Schontz, about whom
Couture, well manoeuvred by Finot and Lousteau (Lousteau being, though
not aware of it, Finot's tool), revealed to the Comte de Trailles all
that he wanted to know about her.

About one o'clock, Maxime was chewing a toothpick and talking with du
Tillet on Tortoni's portico, where speculation held a little Bourse, a
sort of prelude to the great one. He seemed to be engaged in business,
but he was really awaiting the Comte de la Palferine, who, within a
given time, was certain to pass that way. The boulevard des Italiens
is to-day what the Pont Neuf was in 1650; all persons known to fame
pass along it once, at least, in the course of the day. Accordingly,
at the end of about ten minutes, Maxime dropped du Tillet's arm, and
nodding to the young Prince of Bohemia said, smiling:--

"One word with you, count."

The two rivals in their own principality, the one orb on its decline,
the other like the rising sun, sat down upon four chairs before the
Cafe de Paris. Maxime took care to place a certain distance between
himself and some old fellows who habitually sunned themselves like
wall-fruit at that hour in the afternoon, to dry out their rheumatic
affections. He had excellent reasons for distrusting old men.

"Have you debts?" said Maxime, to the young count.

"If I had none, should I be worthy of being your successor?" replied
La Palferine.

"In putting that question to you I don't place the matter in doubt; I
only want to know if the total is reasonable; if it goes to the five
or the six?"

"Six what?"

"Figures; whether you owe fifty or one hundred thousand? I have owed,
myself, as much as six hundred thousand."

La Palferine raised his hat with an air as respectful as it was
humorous.

"If I had sufficient credit to borrow a hundred thousand francs," he
replied, "I should forget my creditors and go and pass my life in
Venice, amid masterpieces of painting and pretty women and--"

"And at my age what would you be?" asked Maxime.

"I should never reach it," replied the young count.

Maxime returned the civility of his rival, and touched his hat lightly
with an air of laughable gravity.

"That's one way of looking at life," he replied in the tone of one
connoisseur to another. "You owe--?"

"Oh! a mere trifle, unworthy of being confessed to an uncle; he would
disinherit me for such a paltry sum,--six thousand."

"One is often more hampered by six thousand than by a hundred
thousand," said Maxime, sententiously. "La Palferine, you've a bold
spirit, and you have even more spirit than boldness; you can go far,
and make yourself a position. Let me tell you that of all those who
have rushed into the career at the close of which I now am, and who
have tried to oppose me, you are the only one who has ever pleased
me."

La Palferine colored, so flattered was he by this avowal made with
gracious good-humor by the leader of Parisian adventurers. This action
of his own vanity was however a recognition of inferiority which
wounded him; but Maxime divined that unpleasant reaction, easy to
foresee in so clever a mind, and he applied a balm instantly by
putting himself at the discretion of the young man.

"Will you do something for me that will facilitate my retreat from the
Olympic circus by a fine marriage? I will do as much for you."

"You make me very proud; it realizes the fable of the Rat and the
Lion," said La Palferine.

"I shall begin by lending you twenty thousand francs," continued
Maxime.

"Twenty thousand francs! I knew very well that by dint of walking up
and down this boulevard--" said La Palferine, in the style of a
parenthesis.

"My dear fellow, you must put yourself on a certain footing," said
Maxime, laughing. "Don't go on your own two feet, have six; do as I
do, I never get out of my tilbury."

"But you must be going to ask me for something beyond my powers."

"No, it is only to make a woman love you within a fortnight."

"Is it a lorette?"

"Why?"

"Because that's impossible; but if it concerns a woman, and a
well-bred one who is also clever--"

"She is a very illustrious marquise."

"You want her letters?" said the young count.

"Ah! you are after my own heart!" cried Maxime. "No, that's not it."

"Then you want me to love her?"

"Yes, in the real sense--"

"If I am to abandon the aesthetic, it is utterly impossible," said La
Palferine. "I have, don't you see, as to women a certain honor; we may
play the fool with them, but not--"

"Ah! I was not mistaken!" cried Maxime. "Do you think I'm a man to
propose mere twopenny infamies to you? No, you must go, and dazzle,
and conquer. My good mate, I give you twenty thousand francs, and ten
days in which to triumph. Meet me to-night at Madame Schontz'."

"I dine there."

"Very good," returned Maxime. "Later, when you have need of me,
Monsieur le comte, you will find me," he added in the tone of a king
who binds himself, but promises nothing.

"This poor woman must have done you some deadly harm," said La
Palferine.

"Don't try to throw a plummet-line into my waters, my boy; and let me
tell you that in case of success you will obtain such powerful
influence that you will be able, like me, to retire upon a fine
marriage when you are bored with your bohemian life."

"Comes there a time when it is a bore to amuse one's self," said La
Palferine, "to be nothing, to live like the birds, to hunt the fields
of Paris like a savage, and laugh at everything?"

"All things weary, even hell," said de Trailles, laughing. "Well, this
evening."

The two /roues/, the old and the young, rose. As Maxime got into his
one-horse equipage, he thought to himself: "Madame d'Espard can't
endure Beatrix; she will help me. Hotel de Grandlieu," he called out
to the coachman, observing that Rastignac was just passing him.

Find a great man without some weakness!

The duchess, Madame du Guenic, and Clotilde were evidently weeping.

"What is the matter?" he asked the duchess.

"Calyste did not come home; this is the first time; my poor daughter
is in despair."

"Madame la duchesse," said Maxime, drawing the pious lady into the
embrasure of a window, "for Heaven's sake keep the utmost secrecy as
to my efforts, and ask d'Ajuda to do the same; for if Calyste ever
hears of our plot there will be a duel between him and me to the
death. When I told you that the affair would not cost much, I meant
that you would not be obliged to spend enormous sums; but I do want
twenty thousand francs; the rest is my affair; there may be important
places to be given, a receiver-generalship possibly."

The duchess and Maxime left the room. When Madame de Grandlieu
returned to her daughter, she again listened to Sabine's dithyrambics
inlaid with family facts even more cruel than those which had already
crushed the young wife's happiness.

"Don't be so troubled, my darling," said the duchess. "Beatrix will
pay dear for your tears and sufferings; the hand of Satan is upon her;
she will meet with ten humiliations for every one she has inflicted
upon you."

Madame Schontz had invited Claude Vignon, who, on several occasions,
had expressed a wish to know Maxime de Trailles personally. She also
invited Couture, Fabien, Bixiou, Leon de Lora, La Palferine, and
Nathan. The latter was asked by Rochefide on account of Maxime.
Aurelie thus expected nine guests, all men of the first ability, with
the exception of du Ronceret; but the Norman vanity and the brutal
ambition of the Heir were fully on a par with Claude Vignon's literary
power, Nathan's poetic gift, La Palferine's /finesse/, Couture's
financial eye, Bixiou's wit, Finot's shrewdness, Maxime's profound
diplomacy, and Leon de Lora's genius.

Madame Schontz, anxious to appear both young and beautiful, armed
herself with a toilet which that sort of woman has the art of making.
She wore a guipure pelerine of spidery texture, a gown of blue velvet,
the graceful corsage of which was buttoned with opals, and her hair in
bands as smooth and shining as ebony. Madame Schontz owed her
celebrity as a pretty woman to the brilliancy and freshness of a
complexion as white and warm as that of Creoles, to a face full of
spirited details, the features of which were clearly and firmly drawn,
--a type long presented in perennial youth by the Comtesse Merlin, and
which is perhaps peculiar to Southern races. Unhappily, little Madame
Schontz had tended towards ebonpoint ever since her life had become so
happy and calm. Her neck, of exquisite roundness, was beginning to
take on flesh about the shoulders; but in France the heads of women
are principally treasured; so that fine heads will often keep an
ill-formed body unobserved.

"My dear child," said Maxime, coming in and kissing Madame Schontz on
the forehead, "Rochefide wanted me to see your establishment; why, it
is almost in keeping with his four hundred thousand francs a year.
Well, well, he would never have had them if he hadn't known you. In
less than five years you have made him save what others--Antonia,
Malaga, Cadine, or Florentine--would have made him lose."

"I am not a lorette, I am an artist," said Madame Schontz, with a sort
of dignity, "I hope to end, as they say on the stage, as the
progenitrix of honest men."

"It is dreadful, but we are all marrying," returned Maxime, throwing
himself into an arm-chair beside the fire. "Here am I, on the point of
making a Comtesse Maxime."

"Oh, how I should like to see her!" exclaimed Madame Schontz. "But
permit me to present to you Monsieur Claude Vignon--Monsieur Claude
Vignon, Monsieur de Trailles."

"Ah, so you are the man who allowed Camille Maupin, the innkeeper of
literature, to go into a convent?" cried Maxime. "After you, God. I
never received such an honor. Mademoiselle des Touches treated you,
monsieur, as though you were Louis XIV."

"That is how history is written!" replied Claude Vignon. "Don't you
know that her fortune was used to free the Baron du Guenic's estates?
Ah! if she only knew that Calyste now belongs to her ex-friend,"
(Maxime pushed the critic's foot, motioning to Rochefide), "she would
issue from her convent, I do believe, to tear him from her."

"Upon my word, Rochefide, if I were you," said Maxime, finding that
his warning did not stop Vignon, "I should give back my wife's
fortune, so that the world couldn't say she attached herself to
Calyste from necessity."

"Maxime is right," remarked Madame Schontz, looking at Arthur, who
colored high. "If I have helped you to gain several thousand francs a
year, you couldn't better employ them. I shall have made the happiness
of husband /and/ wife; what a feather in my cap!"

"I never thought of it," replied the marquis; "but a man should be a
gentleman before he's a husband."

"Let me tell you when is the time to be generous," said Maxime.

"Arthur," said Aurelie, "Maxime is right. Don't you see, old fellow,
that generous actions are like Couture's investments?--you should make
them in the nick of time."

At that moment Couture, followed by Finot, came in; and, soon after,
all the guests were assembled in the beautiful blue and gold salon of
the hotel Schontz, a title which the various artists had given to
their inn after Rochefide purchased it for his Ninon II. When Maxime
saw La Palferine, the last to arrive, enter, he walked up to his
lieutenant, and taking him aside into the recess of a window, gave him
notes for twenty thousand francs.

"Remember, my boy, you needn't economize them," he said, with the
particular grace of a true scamp.

"There's none but you who can double the value of what you seem to
give," replied La Palferine.

"Have you decided?"

"Surely, inasmuch as I take the money," said the count, with a mixture
of haughtiness and jest.

"Well, then, Nathan, who is here to-night, will present you two days
hence at the house of Madame la Marquise de Rochefide."

La Palferine started when he heard the name.

"You are to be madly in love with her, and, not to rouse suspicion,
drink heavily, wines, liqueurs! I'll tell Aurelie to place you beside
Nathan at dinner. One thing more, my boy: you and I must meet every
night, on the boulevard de la Madeleine at one in the morning,--you to
give me an account of progress, I to give you instructions."

"I shall be there, my master," said the young count, bowing.

"Why do you make us dine with that queer fellow dressed like the
head-waiter of a restaurant?" whispered Maxime to Madame Schontz, with
a sign toward Fabien du Ronceret.

"Have you never met the Heir? Du Ronceret of Alencon."

"Monsieur," said Maxime to Fabien, "I think you must know my friend
d'Esgrignon?"

"Victurnien has ceased to know me for some time," replied Fabien, "but
we used to be very intimate in our youth."

The dinner was one of those which are given nowhere but in Paris by
these great female spendthrifts, for the choiceness of their
preparations often surprise the most fastidious of guests. It was at
just such a supper, at the house of a courtesan as handsome and rich
as Madame Schontz, that Paganini declared he had never eaten such fare
at the table of any sovereign, nor drunk such wines with any prince,
nor heard such witty conversation, nor seen the glitter of such
coquettish luxury.

Maxime and Madame Schontz were the first to re-enter the salon, about
ten o'clock, leaving the other guests, who had ceased to tell
anecdotes and were now boasting of their various good qualities, with
their viscous lips glued to the glasses which they could not drain.

"Well, my dear," said Maxime, "you are not mistaken; yes, I have come
for your /beaux yeux/ and for help in a great affair. You must leave
Arthur; but I pledge myself to make him give you two hundred thousand
francs."

"Why should I leave the poor fellow?"

"To marry that idiot, who seems to have been sent from Alencon
expressly for the purpose. He has been a judge, and I'll have him made
chief-justice in place of Emile Blondet's father, who is getting to be
eighty years old. Now, if you know how to sail your boat, your husband
can be elected deputy. You will both be personages, and you can then
look down on Madame la Comtesse du Bruel."

"Never!" said Madame Schontz; "she's a countess."

"Hasn't he condition enough to be made a count?"

"By the bye, he bears arms," cried Aurelie, hunting for a letter in an
elegant bag hanging at the corner of the fireplace, and giving it to
Maxime. "What do they mean? Here are combs."

"He bears: per fesse argent and azure; on the first, three combs
gules, two and one, crossed by three bunches grapes purpure, leaved
vert, one and two; on the second, four feathers or, placed fretwise,
with /Servir/ for motto, and a squire's helmet. It is not much; it
seems they were ennobled under Louis XIV.; some mercer was doubtless
their grandfather, and the maternal line must have made its money in
wines; the du Ronceret whom the king ennobled was probably an usher.
But if you get rid of Arthur and marry du Ronceret, I promise you he
shall be a baron at the very least. But you see, my dear, you'll have
to soak yourself for five or six years in the provinces if you want to
bury La Schontz in a baroness. That queer creature has been casting
looks at you, the meaning of which is perfectly clear. You've got
him."

"No," replied Aurelie, "when my hand was offered to him he remained,
like the brandies I read of to-day in the market reports, /dull/."

"I will undertake to decide him--if he is drunk. Go and see where they
all are."

"It is not worth while to go; I hear no one but Bixiou, who is making
jokes to which nobody listens. But I know my Arthur; he feels bound to
be polite, and he is probably looking at Bixiou with his eyes shut."

"Let us go back, then."

"/Ah ca!/" said Madame Schontz, suddenly stopping short, "in whose
interest shall I be working?"

"In that of Madame de Rochefide," replied Maxime, promptly. "It is
impossible to reconcile her with Rochefide as long as you hold him.
Her object is to recover her place as head of his household and the
enjoyment of four hundred thousand francs a year."

"And she offers me only two hundred thousand! I want three hundred
thousand, since the affair concerns her. What! haven't I taken care of
her brat and her husband? I have filled her place in every way--and
does she think to bargain with me? With that, my dear Maxime, I shall
have a million; and if you'll promise me the chief-justiceship at
Alencon, I can hold my own as Madame du Ronceret."

"That's settled," said Maxime.

"Oh! won't it be dull to live in that little town!" cried Aurelie,
philosophically. "I have heard so much of that province from
d'Esgrignon and the Val-Noble that I seem to have lived there
already."

"Suppose I promise you the support of the nobility?"

"Ah! Maxime, you don't mean that?--but the pigeon won't fly."

"And he is very ugly with his purple skin and bristles for whiskers;
he looks like a wild boar with the eyes of a bird of prey. But he'll
make the finest chief-justice of a provincial court. Now don't be
uneasy! in ten minutes he shall be singing to you Isabelle's air in
the fourth act of Robert le Diable: 'At thy feet I kneel'--you
promise, don't you? to send Arthur back to Beatrix?"

"It will be difficult; but perseverance wins."

About half-past ten o'clock the guests returned to the salon for
coffee. Under the circumstances in which Madame Schontz, Couture, and
du Ronceret were placed, it is easy to imagine the effect produced
upon the Heir by the following conversation which Maxime held with
Couture in a corner and in a low voice, but so placed that Fabien
could listen to them.

"My dear Couture, if you want to lead a steady life you had better
accept a receiver-generalship which Madame de Rochefide will obtain
for you. Aurelie's million will furnish the security, and you'll share
the property in marrying her. You can be made deputy, if you know how
to trim your sails; and the premium I want for thus saving you is your
vote in the chamber."

"I shall always be proud to be a follower of yours."

"Ah! my dear fellow, you have had quite an escape. Just imagine!
Aurelie took a fancy for that Norman from Alencon; she asked to have
him made a baron, and chief-justice in his native town, and officer of
the Legion of honor! The fool never guessed her value, and you will
owe your fortune to her disappointment. You had better not leave that
clever creature time for reflection. As for me, I am already putting
the irons in the fire."

And Maxime left Couture at the summit of happiness, saying to La
Palferine, "Shall I drive you home, my boy?"

By eleven o'clock Aurelie was alone with Couture, Fabien, and
Rochefide. Arthur was asleep on a sofa. Couture and Fabien each tried
to outstay the other, without success; and Madame Schontz finally
terminated the struggle by saying to Couture,--

"Good-night, I shall see you to-morrow."

A dismissal which he took in good part.

"Mademoiselle," said Fabien, in a low voice, "because you saw me
thoughtful at the offer which you indirectly made to me, do not think
there was the slightest hesitation on my part. But you do not know my
mother; she would never consent to my happiness."

"You have reached an age for respectful summons," retorted Aurelie,
insolently. "But if you are afraid of mamma you won't do for me."

"Josephine!" said the Heir, tenderly, passing his arm audaciously
round Madame Schontz' waist, "I thought you loved me!"

"Well?"

"Perhaps I could appease my mother, and obtain her consent."

"How?"

"If you would employ your influence--"

"To have you made baron, officer of the Legion of honor, and
chief-justice at Alencon,--is that it, my friend? Listen to me: I have
done so many things in my life that I am capable of virtue. I can be
an honest woman and a loyal wife; and I can push my husband very high.
But I wish to be loved by him without one look or one thought being
turned away from me. Does that suit you? Don't bind yourself
imprudently; it concerns your whole life, my little man."

"With a woman like you I can do it blind," cried Fabien, intoxicated
by the glance she gave him as much as by the liqueurs des Iles.

"You shall never repent that word, my dear; you shall be peer of
France. As for that poor old fellow," she continued, looking at
Rochefide, who was sound asleep, "after to-day I have d-o-n-e with
him."

Fabien caught Madame Schontz around the waist and kissed her with an
impulse of fury and joy, in which the double intoxication of wine and
love was secondary to ambition.

"Remember, my dear child," she said, "the respect you ought to show to
your wife; don't play the lover; leave me free to retire from my
mud-hole in a proper manner. Poor Couture, who thought himself sure of
wealth and a receiver-generalship!"

"I have a horror of that man," said Fabien; "I wish I might never see
him again."

"I will not receive him any more," replied Madame Schontz, with a
prudish little air. "Now that we have come to an understanding, my
Fabien, you must go; it is one o'clock."

This little scene gave birth in the household of Arthur and Aurelie
(so completely happy until now) to a phase of domestic warfare
produced in the bosom of all homes by some secret and alien interest
in one of the partners. The next day when Arthur awoke he found Madame
Schontz as frigid as that class of woman knows how to make herself.

"What happened last night?" he said, as he breakfasted, looking at
Aurelie.

"What often happens in Paris," she replied, "one goes to bed in damp
weather and the next morning the pavements are dry and frozen so hard
that they are dusty. Do you want a brush?"

"What's the matter with you, dearest?"

"Go and find your great scarecrow of a wife!"

"My wife!" exclaimed the poor marquis.

"Don't I know why you brought Maxime here? You mean to make up with
Madame de Rochefide, who wants you perhaps for some indiscreet brat.
And I, whom you call so clever, I advised you to give back her
fortune! Oh! I see your scheme. At the end of five years Monsieur is
tired of me. I'm getting fat, Beatrix is all bones--it will be a
change for you! You are not the first I've known to like skeletons.
Your Beatrix knows how to dress herself, that's true; and you are man
who likes figure-heads. Besides, you want to send Monsieur du Guenic
to the right-about. It will be a triumph! You'll cut quite an
appearance in the world! How people will talk of it! Why! you'll be a
hero!"

Madame Schontz did not make an end of her sarcasms for two hours after
mid-day, in spite of Arthur's protestations. She then said she was
invited out to dinner, and advised her "faithless one" to go without
her to the Opera, for she herself was going to the Ambigu-Comique to
meet Madame de la Baudraye, a charming woman, a friend of Lousteau.
Arthur proposed, as proof of his eternal attachment to his little
Aurelie and his detestation of his wife, to start the next day for
Italy, and live as a married couple in Rome, Naples, Florence,--in
short, wherever she liked, offering her a gift of sixty thousand
francs.

"All that is nonsense," she said. "It won't prevent you from making up
with your wife, and you'll do a wise thing."

Arthur and Aurelie parted on this formidable dialogue, he to play
cards and dine at the club, she to dress and spend the evening
/tete-a-tete/ with Fabien.

Monsieur de Rochefide found Maxime at the club, and complained to him
like a man who feels that his happiness is being torn from his heart
by the roots, every fibre of which clung to it. Maxime listened to his
moans, as persons of social politeness are accustomed to listen, while
thinking of other things.

"I'm a man of good counsel in such matters, my dear fellow," he
answered. "Well, let me tell you, you are on the wrong road in letting
Aurelie see how dear she is to you. Allow me to present you to Madame
Antonia. There's a heart to let. You'll soon see La Schontz with other
eyes. She is thirty-seven years old, that Schontz of yours, and Madame
Antonia is only twenty-six! And what a woman! I may say she is my
pupil. If Madame Schontz persists in keeping on the hind heels of her
pride, don't you know what that means?"

"Faith, no!"

"That she wants to marry, and if that's the case, nothing can hinder
her from leaving you. After a lease of six years a woman has a right
to do so. Now, if you will only listen to me, you can do a better
thing for yourself. Your wife is to-day worth more than all the
Schontzes and Antonias of the quartier Saint-Georges. I admit the
conquest is difficult, but it is not impossible; and after all that
has happened she will make you as happy as an Orgon. In any case, you
mustn't look like a fool; come and sup to-night with Antonia."

"No, I love Aurelie too well; I won't give her any reason to complain
of me."

"Ah! my dear fellow, what a future you are preparing for yourself!"
cried Maxime.

"It is eleven o'clock; she must have returned from the Ambigu," said
Rochefide, leaving the club.

And he called out his coachman to drive at top speed to the rue de la
Bruyere.

Madame Schontz had given precise directions; monsieur could enter as
master with the fullest understanding of madame; but, warned by the
noise of monsieur's arrival, madame had so arranged that the sound of
her dressing-door closing as women's doors do close when they are
surprised, was to reach monsieur's ears. Then, at a corner of the
piano, Fabien's hat, forgotten intentionally, was removed very
awkwardly by a maid the moment after monsieur had entered the room.

"Did you go to the Ambigu, my little girl?"

"No, I changed my mind, and stayed at home to play music."

"Who came to see you?" asked the marquis, good-humoredly, seeing the
hat carried off by the maid.

"No one."

At that audacious falsehood Arthur bowed his head; he passed beneath
the Caudine forks of submission. A real love descends at times to
these sublime meannesses. Arthur behaved with Madame Schontz as Sabine
with Calyste, and Calyste with Beatrix.

Within a week the transition from larva to butterfly took place in the
young, handsome, and clever Charles-Edouard, Comte Rusticoli de la
Palferine. Until this moment of his life he had lived miserably,
covering his deficits with an audacity equal to that of Danton. But he
now paid his debts; he now, by advice of Maxime, had a little
carriage; he was admitted to the Jockey Club and to the club of the
rue de Gramont; he became supremely elegant, and he published in the
"Journal des Debats" a novelette which won him in a few days a
reputation which authors by profession obtain after years of toil and
successes only; for there is nothing so usurping in Paris as that
which ought to be ephemeral. Nathan, very certain that the count would
never publish anything else, lauded the graceful and presuming young
man so highly to Beatrix that she, spurred by the praise of the poet,
expressed a strong desire to see this king of the vagabonds of good
society.

"He will be all the more delighted to come here," replied Nathan,
"because, as I happen to know, he has fallen in love with you to the
point of committing all sorts of follies."

"But I am told he has already committed them."

"No, not all; he has not yet committed that of falling in love with a
virtuous woman."

Some ten days after the scheme plotted on the boulevard between Maxime
and his henchman, the seductive Charles-Edouard, the latter, to whom
Nature had given, no doubt sarcastically, a face of charming
melancholy, made his first irruption into the nest of the dove of the
rue de Chartres, who took for his reception an evening when Calyste
was obliged to go to a party with his wife.

If you should ever meet La Palferine you will understand perfectly the
success obtained in a single evening by that sparkling mind, that
animated fancy, especially if you take into consideration the
admirable adroitness of the showman who consented to superintend this
debut. Nathan was a good comrade, and he made the young count shine,
as a jeweller showing off an ornament in hopes to sell it, makes the
diamonds glitter. La Palferine was, discreetly, the first to withdraw;
he left Nathan and the marquise together, relying on the collaboration
of the celebrated author, which was admirable. Seeing that Beatrix was
quite astounded, Raoul put fire into her heart by pretended reticences
which stirred the fibres of a curiosity she did not know she
possessed. Nathan hinted that La Palferine's wit was not so much the
cause of his success with women as his superiority in the art of love;
a statement which magnified the count immensely.

This is the place to record a new effect of that great law of
contraries, which produces so many crises in the human heart and
accounts for such varied eccentricities that we are forced to remember
it sometimes as well as its counterpart, the law of similitudes. All
courtesans preserve in the depths of their heart a perennial desire to
recover their liberty; to this they would sacrifice everything. They
feel this antithetical need with such intensity that it is rare to
meet with one of these women who has not aspired several times to a
return to virtue through love. They are not discouraged by the most
cruel deceptions. On the other hand, women restrained by their
education, by the station they occupy, chained by the rank of their
families, living in the midst of opulence, and wearing a halo of
virtue, are drawn at times, secretly be it understood, toward the
tropical regions of love. These two natures of woman, so opposed to
each other, have at the bottom of their hearts, the one that faint
desire for virtue, the other that faint desire for libertinism which
Jean-Jacques Rousseau was the first to have the courage to diagnose.
In one, it is a last reflexion of the ray divine that is not extinct;
in the other, it is the last remains of our primitive clay.

This claw of the beast was rapped, this hair of the devil was pulled
by Nathan with extreme cleverness. The marquise began to ask herself
seriously if, up to the present time, she had not been the dupe of her
head, and whether her education was complete. Vice--what is it?
Possibly only the desire to know everything.



                                XXVI

           DISILLUSIONS--IN ALL BUT LA FONTAINE'S FABLES

The next day Calyste seemed to Beatrix just what he was: a perfect and
loyal gentleman without imagination or cleverness. In Paris, a man
called clever must have spontaneous brilliancy, as the fountains have
water; men of the world and Parisians in general are in that way very
clever. But Calyste loved too deeply, he was too much absorbed in his
own sentiments to perceive the change in Beatrix, and to satisfy her
need by displaying new resources. To her, he seemed pale indeed, after
the brilliancy of the night before, and he caused not the faintest
emotion to the hungry Beatrix. A great love is a credit opened to a
power so voracious that bankruptcy is sure to come sooner or later.

In spite of the fatigue of this day (the day when a woman is bored by
a lover) Beatrix trembled with fear at the thought of a possible
meeting between La Palferine and Calyste, a man of courage without
assertion. She hesitated to see the count again; but the knot of her
hesitation was cut by a decisive event.

Beatrix had taken the third of a box at the Opera, obscurely situated
on the lower tier for the purpose of not being much in sight. For the
last few days Calyste, grown bolder, had escorted the marquise to her
box, placing himself behind her, and timing their arrival at a late
hour so as to meet no one in the corridors. Beatrix, on these
occasions, left the box alone before the end of the last act, and
Calyste followed at a distance to watch over her, although old Antoine
was always there to attend his mistress. Maxime and La Palferine had
studied this strategy, which was prompted by respect for the
proprieties, also by that desire for concealment which characterizes
the idolators of the little god, and also, again, by the fear which
oppresses all women who have been constellations in the world and whom
love has caused to fall from their zodiacal eminence. Public
humiliation is dreaded as an agony more cruel than death itself. But,
by a manoeuvre of Maxime's, that blow to her pride, that outrage which
women secure of their rank in Olympus cast upon others who have fallen
from their midst, was now to descend on Beatrix.

At a performance of "Lucia," which ends, as every one knows, with one
of the finest triumphs of Rubini, Madame de Rochefide, whom Antoine
had not yet come to fetch, reached the peristyle of the opera-house by
the lower corridor just as the staircase was crowded by fashionable
women ranged on the stairs or standing in groups below it, awaiting
the announcement of their carriages. Beatrix was instantly recognized;
whispers which soon became a murmur arose in every group. In a moment
the crowd dispersed; the marquise was left alone like a leper. Calyste
dared not, seeing his wife on the staircase, advance to accompany her,
though twice she vainly cast him a tearful glance, a prayer, that he
would come to her. At that moment, La Palferine, elegant, superb,
charming, left two ladies with whom he had been talking, and came down
to the marquise.

"Take my arm," he said, bowing, "and walk proudly out. I will find
your carriage."

"Will you come home with me and finish the evening?" she answered,
getting into her carriage and making room for him.

La Palferine said to his groom, "Follow the carriage of madame," and
then he jumped into it beside her to the utter stupefaction of
Calyste, who stood for a moment planted on his two legs as if they
were lead. It was the sight of him standing thus, pale and livid, that
caused Beatrix to make the sign to La Palferine to enter her carriage.
Doves can be Robespierres in spite of their white wings. Three
carriages reached the rue de Chartres with thundering rapidity,--that
of Calyste, that of the marquise, and that of La Palferine.

"Oh! you here?" said Beatrix, entering her salon on the arm of the
young count, and finding Calyste, whose horse had outstripped those of
the other carriages.

"Then you know monsieur?" said Calyste, furiously.

"Monsieur le Comte de la Palferine was presented to me ten days ago by
Nathan," she replied; "but you, monsieur, /you/ have known me four
years!--"

"And I am ready, madame," said Charles-Edouard, "to make the Marquise
d'Espard repent to her third generation for being the first to turn
away from you."

"Ah! it was /she/, was it?" cried Beatrix; "I will make her rue it."

"To revenge yourself thoroughly," said the young man in her ear, "you
ought to recover your husband; and I am capable of bringing him back
to you."

The conversation, thus begun, went on till two in the morning, without
allowing Calyste, whose anger was again and again repressed by a look
from Beatrix, to say one word to her in private. La Palferine, though
he did not like Beatrix, showed a superiority of grace, good taste,
and cleverness equal to the evident inferiority of Calyste, who
wriggled in his chair like a worm cut in two, and actually rose three
times as if to box the ears of La Palferine. The third time that he
made a dart forward, the young count said to him, "Are you in pain,
monsieur?" in a manner which sent Calyste back to his chair, where he
sat as rigid as a mile-stone.

The marquise conversed with the ease of a Celimene, pretending to
ignore that Calyste was there. La Palferine had the cleverness to
depart after a brilliant witticism, leaving the two lovers to a
quarrel.

Thus, by Maxime's machinations, the fire of discord flamed in the
separate households of Monsieur and of Madame de Rochefide. The next
day, learning the success of this last scene from La Palferine at the
Jockey Club, where the young count was playing whist, Maxime went to
the hotel Schontz to ascertain with what success Aurelie was rowing
her boat.

"My dear," said Madame Schontz, laughing at Maxime's expression, "I am
at an end of my expedients. Rochefide is incurable. I end my career of
gallantry by perceiving that cleverness is a misfortune."

"Explain to me that remark."

"In the first place, my dear friend, I have kept Arthur for the last
week to a regimen of kicks on the shin and perpetual wrangling and
jarring; in short, all we have that is most disagreeable in our
business. 'You are ill,' he says to me with paternal sweetness, 'for I
have been good to you always and I love you to adoration.' 'You are to
blame for one thing, my dear,' I answered; 'you bore me.' 'Well, if I
do, haven't you the wittiest and handsomest young man in Paris to
amuse you?' said the poor man. I was caught. I actually felt I loved
him."

"Ah!" said Maxime.

"How could I help it? Feeling is stronger than we; one can't resist
such things. So I changed pedals. I began to entice my judicial
wild-boar, now turned like Arthur to a sheep; I gave him Arthur's sofa.
Heavens! how he bored me. But, you understand, I had to have Fabien
there to let Arthur surprise us."

"Well," cried Maxime, "go on; what happened? Was Arthur furious?"

"You know nothing about it, my old fellow. When Arthur came in and
'surprised' us, Fabien and me, he retreated on the tips of his toes to
the dining-room, where he began to clear his throat, 'broum, broum!'
and cough, and knock the chairs about. That great fool of a Fabien, to
whom, of course, I can't explain the whole matter, was frightened.
There, my dear Maxime, is the point we have reached."

Maxime nodded his head, and played for a few moments with his cane.

"I have known such natures," he said. "And the only way for you to do
is to pitch Arthur out of the window and lock the door upon him. This
is how you must manage it. Play that scene over again with Fabien;
when Arthur surprises you, give Fabien a glance Arthur can't mistake;
if he gets angry, that will end the matter; if he still says, 'broum,
broum!' it is just as good; you can end it a better way."

"How?"

"Why, get angry, and say: 'I believed you loved me, respected me; but
I see you've no feeling at all, not even jealousy,'--you know the
tirade. 'In a case like this, Maxime' (bring me in) 'would kill his
man on the spot' (then weep). 'And Fabien, he' (mortify him by
comparing him with that fellow), 'Fabien whom I love, Fabien would
have drawn a dagger and stabbed you to the heart. Ah, that's what it
is to love! Farewell, monsieur; take back your house and all your
property; I shall marry Fabien; /he/ gives me his name; /he/ marries
me in spite of his old mother--but /you/--'"

"I see! I see!" cried Madame Schontz. "I'll be superb! Ah! Maxime,
there will never be but one Maxime, just as there's only one de
Marsay."

"La Palferine is better than I," replied the Comte de Trailles,
modestly. "He'll make his mark."

"La Palferine has tongue, but you have fist and loins. What weights
you've carried! what cuffs you've given!"

"La Palferine has all that, too; he is deep and he is educated,
whereas I am ignorant," replied Maxime. "I have seen Rastignac, who
has made an arrangement with the Keeper of the Seals. Fabien is to be
appointed chief-justice at once, and officer of the Legion of honor
after one year's service."

"I shall make myself /devote/," said Madame Schontz, accenting that
speech in a manner which obtained a nod of approbation from Maxime.

"Priests can do more than even we," he replied sententiously.

"Ah! can they?" said Madame Schontz. "Then I may still find some one
in the provinces fit to talk to. I've already begun my role. Fabien
has written to his mother that grace has enlightened me; and he has
fascinated the good woman with my million and the chief-justiceship.
She consents that we shall live with her, and sends me her portrait,
and wants mine. If Cupid looked at hers he would die on the spot.
Come, go away, Maxime. I must put an end to my poor Arthur to-night,
and it breaks my heart."

Two days later, as they met on the threshold of the Jockey Club,
Charles-Edouard said to Maxime, "It is done."

The words, which contained a drama accomplished in part by vengeance,
made Maxime smile.

"Now come in and listen to Rochefide bemoaning himself; for you and
Aurelie have both touched goal together. Aurelie has just turned
Arthur out of doors, and now it is our business to get him a home. He
must give Madame du Ronceret three hundred thousand francs and take
back his wife; you and I must prove to him that Beatrix is superior to
Aurelie."

"We have ten days before us to do it in," said Charles-Edouard, "and
in all conscience that's not too much."

"What will you do when the shell bursts?"

"A man has always mind enough, give him time to collect it; I'm superb
at that sort of preparation."

The two conspirators entered the salon together, and found Rochefide
aged by two years; he had not even put on his corset, his beard had
sprouted, and all his elegance was gone.

"Well, my dear marquis?" said Maxime.

"Ah, my dear fellow, my life is wrecked."

Arthur talked for ten minutes, and Maxime listened gravely, thinking
all the while of his own marriage, which was now to take place within
a week.

"My dear Arthur," he replied at last; "I told you the only means I
knew to keep Aurelie, but you wouldn't--"

"What was it?"

"Didn't I advise you to go and sup with Antonia?"

"Yes, you did. But how could I? I love, and you, you only make love--"

"Listen to me, Arthur; give Aurelie three hundred thousand francs for
that little house, and I'll promise to find some one to suit you
better. I'll talk to you about it later, for there's d'Ajuda making
signs that he wants to speak to me."

And Maxime left the inconsolable man for the representative of a
family in need of consolation.

"My dear fellow," said d'Ajuda in his ear, "the duchess is in despair.
Calyste is having his trunks packed secretly, and he has taken out a
passport. Sabine wants to follow them, surprise Beatrix, and maul her.
She is pregnant, and it takes the turn of murderous ideas; she has
actually and openly bought pistols."

"Tell the duchess that Madame de Rochefide will not leave Paris, but
within a fortnight she will have left Calyste. Now, d'Ajuda, shake
hands. Neither you nor I have ever said, or known, or done anything
about this; we admire the chances of life, that's all."

"The duchess has already made me swear on the holy Gospels to hold my
tongue."

"Will you receive my wife a month hence?"

"With pleasure."

"Then every one, all round, will be satisfied," said Maxime. "Only
remind the duchess that she must make that journey to Italy with the
du Guenics, and the sooner the better."

For ten days Calyste was made to bear the weight of an anger all the
more invincible because it was in part the effect of a real passion.
Beatrix now experienced the love so brutally but faithfully described
to the Duchesse de Grandlieu by Maxime de Trailles. Perhaps no
well-organized beings exist who do not experience that terrible
passion once in the course of their lives. The marquise felt herself
mastered by a superior force,--by a young man on whom her rank and
quality did not impose, who, as noble as herself, regarded her with an
eye both powerful and calm, and from whom her greatest feminine arts
and efforts could with difficulty obtain even a smile of approval. In
short, she was oppressed by a tyrant who never left her that she did
not fall to weeping, bruised and wounded, yet believing herself to
blame. Charles-Edouard played upon Madame de Rochefide the same comedy
Madame de Rochefide had played on Calyste for the last six months.

Since her public humiliation at the Opera, Beatrix had never ceased to
treat Monsieur du Guenic on the basis of the following proposition:--

"You have preferred your wife and the opinion of the world to me. If
you wish to prove that you love me, sacrifice your wife and the world
to me. Abandon Sabine, and let us live in Switzerland, Italy, or
Germany."

Entrenched in that hard /ultimatum/, she established the blockade
which women declare by frigid glances, disdainful gestures, and a
certain fortress-like demeanor, if we may so call it. She thought
herself delivered from Calyste, supposing that he would never dare to
break openly with the Grandlieus. To desert Sabine, to whom
Mademoiselle des Touches had left her fortune, would doom him to
penury.

But Calyste, half-mad with despair, had secretly obtained a passport,
and had written to his mother begging her to send him at once a
considerable sum of money. While awaiting the arrival of these funds
he set himself to watch Beatrix, consumed by the fury of Breton
jealousy. At last, nine days after the communication made by La
Palferine to Maxime at the club, Calyste, to whom his mother had
forwarded thirty thousand francs, went to Madame de Rochefide's house
with the firm intention of forcing the blockade, driving away La
Palferine, and leaving Paris with his pacified angel. It was one of
those horrible alternatives in which women who have hitherto retained
some little respect for themselves plunge at once and forever into the
degradations of vice,--though it is possible to return thence to
virtue. Until this moment Madame de Rochefide had regarded herself as
a virtuous woman in heart, upon whom two passions had fallen; but to
adore Charles-Edouard and still let Calyste adore her, would be to
lose her self-esteem,--for where deception begins, infamy begins. She
had given rights to Calyste, and no human power could prevent the
Breton from falling at her feet and watering them with the tears of an
absolute repentance. Many persons are surprised at the glacial
insensibility under which women extinguish their loves. But if they
did not thus efface their past, their lives could have no dignity,
they could never maintain themselves against the fatal familiarity to
which they had once submitted. In the entirely new situation in which
Beatrix found herself, she might have evaded the alternatives
presented to her by Calyste had La Palferine entered the room; but the
vigilance of her old footman, Antoine, defeated her.

Hearing a carriage stop before the door, she said to Calyste, "Here
come visitors!" and she rushed forward to prevent a scene.

Antoine, however, as a prudent man, had told La Palferine that Madame
la marquise was out.

When Beatrix heard from the old servant who had called and the answer
he had given, she replied, "Very good," and returned to the salon,
thinking: "I will escape into a convent; I will make myself a nun."

Calyste, meantime, had opened the window and seen his rival.

"Who came?" he said to Beatrix on her return.

"I don't know; Antoine is still below."

"It was La Palferine."

"Possibly."

"You love him, and that is why you are blaming and reproaching me; I
saw him!"

"You saw him?"

"I opened the window."

Beatrix fell half fainting on the sofa. Then she negotiated in order
to gain time; she asked to have the journey postponed for a week,
under pretence of making preparations; inwardly resolving to turn
Calyste off in a way that she could satisfy La Palferine,--for such
are the wretched calculations and the fiery anguish concealed with
these lives which have left the rails along which the great social
train rolls on.

When Calyste had left her, Beatrix felt so wretched, so profoundly
humiliated, that she went to bed; she was really ill; the violent
struggle which wrung her heart seemed to reach a physical reaction,
and she sent for the doctor; but at the same time she despatched to La
Palferine the following letter, in which she revenged herself on
Calyste with a sort of rage:--

  To Monsieur le Comte de la Palferine.

  My Friend,--Come and see me; I am in despair. Antoine sent you
  away when your arrival would have put an end to one of the most
  horrible nightmares of my life and delivered me from a man I hate,
  and whom I trust never to see again. I love you only in this
  world, and I can never again love any one but you, though I have
  the misfortune not to please you as I fain would--

She wrote four pages which, beginning thus, ended in an exaltation too
poetic for typography, in which she compromised herself so completely
that the letter closed with these words: "Am I sufficiently at your
mercy? Ah! nothing will cost me anything if it only proves to you how
much you are loved." And she signed the letter, a thing she had never
done for Conti or Calyste.

The next day, at the hour when La Palferine called, Beatrix was in her
bath, and Antoine begged him to wait. He, in his turn, saw Calyste
sent away; for du Guenic, hungry for love, came early. La Palferine
was standing at the window, watching his rival's departure, when
Beatrix entered the salon.

"Ah! Charles," she cried, expecting what had happened, "you have
ruined me!"

"I know it, madame," replied La Palferine, tranquilly. "You have sworn
to love me alone; you have offered to give me a letter in which you
will write your motives for destroying yourself, so that, in case of
infidelity, I may poison you without fear of human justice,--as if
superior men needed to have recourse to poison for revenge! You have
written to me: 'Nothing will cost me anything if it only proves to you
how much you are loved.' Well, after that, I find a contradiction
between those words and your present remark that I have ruined you. I
must know now if you have had the courage to break with du Guenic."

"Ah! you have your revenge upon him in advance," she cried, throwing
her arms around his neck. "Henceforth, you and I are forever bound
together."

"Madame," said the prince of Bohemia, coldly, "if you wish me for your
friend, I consent; but on one condition only."

"Condition!" she exclaimed.

"Yes; the following condition. You must be reconciled to Monsieur de
Rochefide; you must recover the honor of your position; you must
return to your handsome house in the due d'Anjou and be once more one
of the queens of Paris. You can do this by making Rochefide play a
part in politics, and putting into your own conduct the persistency
which Madame d'Espard has displayed. That is the situation necessary
for the woman to whom I do the honor to give myself."

"But you forget that Monsieur de Rochefide's consent is necessary."

"Oh, my dear child," said La Palferine, "we have arranged all that; I
have given my word of honor as a gentleman that you are worth all the
Schontzes of the quartier Saint-Georges, and you must fulfil my
pledge."

For the next week Calyste went every day to Madame de Rochefide's
door, only to be refused by Antoine, who said with a studied face,
"Madame is ill."

From there Calyste hurried to La Palferine's lodging, where the valet
answered, "Monsieur le comte is away, hunting." Each time this
happened the Breton baron left a letter for La Palferine.

On the ninth day Calyste received a line from La Palferine, making an
appointment to receive him. He hurried to his lodgings and found the
count, but in company with Maxime de Trailles, to whom the young
/roue/ no doubt wished to give proof of his /savoir-faire/ by making
him a witness of this scene.

"Monsieur le baron," began Charles-Edouard, tranquilly, "here are the
six letters you have done me the honor to write to me. They are, as
you see, safe and sound; they have not been unsealed. I knew in
advance what they were likely to contain, having learned that you have
been seeking me since the day when I looked at you from the window of
a house from which you had looked at me on the previous day. I thought
I had better ignore all mistaken provocations. Between ourselves, I am
sure you have too much good taste to be angry with a woman for no
longer loving you. It is always a bad means of recovering her to seek
a quarrel with the one preferred. But, in the present case, your
letters have a radical fault, a nullity, as the lawyers say. You have
too much good sense, I am sure, to complain of a husband who takes
back his wife. Monsieur de Rochefide has felt that the position of the
marquise was undignified. You will, therefore, no longer find Madame
de Rochefide in the rue de Chartres, but--six months hence, next
winter--in the hotel de Rochefide. You flung yourself rather
heedlessly into the midst of a reconciliation between husband and
wife,--which you provoked yourself by not saving Madame de Rochefide
from the humiliation to which she was subjected at the Opera. On
coming away, the marquise, to whom I had already carried certain
amicable proposals from her husband, took me up in her carriage, and
her first words were, 'Bring Arthur back to me!'"

"Ah! yes," cried Calyste, "she was right; I was wanting in true
devotion."

"Unhappily, monsieur, Rochefide was living with one of those atrocious
women, Madame Schontz, who had long been expecting him to leave her.
She had counted on Madame de Rochefide's failure in health, and
expected some day to see herself marquise; finding her castles in the
air thus scattered, she determined to revenge herself on husband and
wife. Such women, monsieur, will put out one of their own eyes to put
out two of their enemy. La Schontz, who has just left Paris, has put
out six! If I had had the imprudence to love the marquise, Madame
Schontz would have put out eight. You see now that you are in need of
an oculist."

Maxime could not help smiling at the change that came over Calyste's
face; which turned deadly pale as his eyes were opened to his
situation.

"Would you believe, Monsieur le baron, that that unworthy woman has
given her hand to the man who furnished the means for her revenge? Ah!
these women! You can understand now why Arthur and his wife should
have retired for a time to their delightful little country-house at
Nogent-sur-Marne. They'll recover their eyesight there. During their
stay in the country the hotel de Rochefide is to be renovated, and the
marquise intends to display on her return a princely splendor. When a
woman so noble, the victim of conjugal love, finds courage to return
to her duty, the part of a man who adores her as you do, and admires
her as I admire her, is to remain her friend although we can do
nothing more. You will excuse me, I know, for having made Monsieur le
Comte de Trailles a witness of this explanation; but I have been most
anxious to make myself perfectly clear throughout. As for my own
sentiments, I am, above all, desirous to say to you, that although I
admire Madame de Rochefide for her intellect, she is supremely
displeasing to me as a woman."

"And so end our noblest dreams, our celestial loves!" said Calyste,
dumfounded by so many revelations and disillusionments.

"Yes, in the serpent's tail," said Maxime, "or, worse still, in the
vial of an apothecary. I never knew a first love that did not end
foolishly. Ah! Monsieur le baron, all that man has of the divine
within him finds its food in heaven only. That is what justifies the
lives of us /roues/. For myself, I have pondered this question deeply;
and, as you know, I was married yesterday. I shall be faithful to my
wife, and I advise you to return to Madame du Guenic,--but not for
three months. Don't regret Beatrix; she is the model of a vain and
empty nature, without strength, coquettish for self-glorification
only, a Madame d'Espard without her profound political capacity, a
woman without heart and without head, floundering in evil. Madame de
Rochefide loves Madame de Rochefide only. She would have parted you
from Madame du Guenic without the possibility of return, and then she
would have left you in the lurch without remorse. In short, that woman
is as incomplete for vice as she is for virtue."

"I don't agree with you, Maxime," said La Palferine. "I think she will
make the most delightful mistress of a salon in all Paris."

Calyste went away, after shaking hands with Charles-Edouard and Maxime
and thanking them for having pricked his illusions.

Three days later, the Duchesse de Grandlieu, who had not seen her
daughter Sabine since the morning when this conference took place,
went to the hotel du Guenic early in the day and found Calyste in his
bath, with Sabine beside him working at some adornment for the future
/layette/.

"What has happened to you, my children?" asked the excellent duchess.

"Nothing but good, dear mamma," replied Sabine, raising her eyes,
radiant with happiness, to her mother; "we have been playing the fable
of 'The Two Pigeons,' that is all."

Calyste held out his hand to his wife, and pressed hers so tenderly
with a look so eloquent, that she said in a whisper to the duchess,--

"I am loved, mother, and forever!"



ADDENDUM

The following personages appear in other stories of the Human Comedy.

Ajuda-Pinto, Marquis Miguel d'
  Father Goriot
  Scenes from a Courtesan's Life
  The Secrets of a Princess

Bixiou, Jean-Jacques
  The Purse
  A Bachelor's Establishment
  The Government Clerks
  Modeste Mignon
  Scenes from a Courtesan's Life
  The Firm of Nucingen
  The Muse of the Department
  Cousin Betty
  The Member for Arcis
  A Man of Business
  Gaudissart II.
  The Unconscious Humorists
  Cousin Pons

Blondet (Judge)
  Jealousies of a Country Town

Brossette, Abbe
  The Peasantry

Cadine, Jenny
  Cousin Betty
  The Unconscious Humorists
  The Member for Arcis

Cambremer, Pierre
  A Seaside Tragedy

Canalis, Constant-Cyr-Melchior, Baron de
  Letters of Two Brides
  A Distinguished Provincial at Paris
  Modeste Mignon
  The Magic Skin
  Another Study of Woman
  A Start in Life
  The Unconscious Humorists
  The Member for Arcis

Casteran, De
  The Chouans
  The Seamy Side of History
  Jealousies of a Country Town
  The Peasantry

Chocardelle, Mademoiselle
  A Prince of Bohemia
  A Man of Business
  Cousin Betty
  The Member for Arcis

Conti, Gennaro
  Lost Illusions

Espard, Jeanne-Clementine-Athenais de Blamont-Chauvry, Marquise d'
  The Commission in Lunacy
  A Distinguished Provincial at Paris
  Scenes from a Courtesan's Life
  Letters of Two Brides
  Another Study of Woman
  The Gondreville Mystery
  The Secrets of a Princess
  A Daughter of Eve

Ferdinand
  The Chouans

Gaillard, Theodore
  A Distinguished Provincial at Paris
  Scenes from a Courtesan's Life
  The Unconscious Humorists

Gaillard, Madame Theodore
  Jealousies of a Country Town
  A Distinguished Provincial at Paris
  A Bachelor's Establishment
  Scenes from a Courtesan's Life
  The Unconscious Humorists

Galathionne, Prince and Princess (both not in each story)
  The Secrets of a Princess
  The Middle Classes
  Father Goriot
  A Distinguished Provincial at Paris
  A Daughter of Eve

Gerard, Francois-Pascal-Simon, Baron
  A Bachelor's Establishment

Gobenheim
  Cesar Birotteau

Grandlieu, Duchesse Ferdinand de
  Scenes from a Courtesan's Life
  A Daughter of Eve

Grindot
  Cesar Birotteau
  Lost Illusions
  A Distinguished Provincial at Paris
  A Start in Life
  Scenes from a Courtesan's Life
  The Middle Classes
  Cousin Betty

Guenic, Gaudebert-Calyste-Charles, Baron du
  The Chouans

Halga, Chevalier du
  The Purse

Hannequin, Leopold
  Albert Savarus
  Cousin Betty
  Cousin Pons

La Palferine, Comte de
  A Prince of Bohemia
  A Man of Business
  Cousin Betty
  The Imaginary Mistress

Lenoncourt, Duc de
  The Lily of the Valley
  Cesar Birotteau
  Jealousies of a Country Town
  The Gondreville Mystery

Lora, Leon de
  The Unconscious Humorists
  A Bachelor's Establishment
  A Start in Life
  Pierre Grassou
  Honorine
  Cousin Betty

Lousteau, Etienne
  A Distinguished Provincial at Paris
  A Bachelor's Establishment
  Scenes from a Courtesan's Life
  A Daughter of Eve
  The Muse of the Department
  Cousin Betty
  A Prince of Bohemia
  A Man of Business
  The Middle Classes
  The Unconscious Humorists

Maufrigneuse, Georges de
  The Secrets of a Princess
  The Gondreville Mystery
  The Member for Arcis

Maufrigneuse, Berthe de
  The Gondreville Mystery
  The Member for Arcis

Portenduere, Vicomte Savinien de
  The Ball at Sceaux
  Scenes from a Courtesan's Life
  Ursule Mirouet

Portenduere, Vicomtesse Savinien de
  Ursule Mirouet
  Another Study of Woman

Rochefide, Marquis Arthur de
  Cousin Betty

Rochefide, Marquise de
  The Secrets of a Princess
  A Daughter of Eve
  Sarrasine
  A Prince of Bohemia

Ronceret, Du
  Jealousies of a Country Town

Ronceret, Fabien-Felicien du (or Duronceret)
  Jealousies of a Country Town
  Gaudissart II

Ronceret, Madame Fabien du
  The Muse of the Department
  Cousin Betty
  The Unconscious Humorists

Simeuse, Admiral de
  The Gondreville Mystery
  Jealousies of a Country Town

Stidmann
  Modeste Mignon
  The Member for Arcis
  Cousin Betty
  Cousin Pons
  The Unconscious Humorists

Touches, Mademoiselle Felicite des
  Beatrix
  Lost Illusions
  A Distinguished Provincial at Paris
  A Bachelor's Establishment
  Another Study of Woman
  A Daughter of Eve
  Honorine
  The Muse of the Department

Trailles, Comte Maxime de
  Cesar Birotteau
  Father Goriot
  Gobseck
  Ursule Mirouet
  A Man of Business
  The Member for Arcis
  The Secrets of a Princess
  Cousin Betty
  The Unconscious Humorists

Vernisset, Victor de
  The Seamy Side of History
  Cousin Betty

Vignon, Claude
  A Distinguished Provincial at Paris
  A Daughter of Eve
  Honorine
  Cousin Betty
  The Unconscious Humorists





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