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´╗┐Title: From the Ball-Room to Hell
Author: Faulkner, Thomas A.
Language: English
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Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

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generously made available by the Library of Congress)



FROM THE

Ball-Room

TO

HELL


BY

T. A. FAULKNER

EX-DANCING MASTER


Formerly Proprietor of the Los Angeles Dancing Academy and ex-President
of Dancing Masters' Association of the Pacific Coast.


THE HENRY PUBLISHING CO.

57 Washington St., Room 16.

CHICAGO.

Copyright 1892

BY

R. F. HENRY.



PREFACE.


You will, my dear reader, find many very plain things between the two
covers of this little book; things which will, perhaps, shock your
modesty and probably disgust you altogether.

But if you find merely the reading of the facts disgusting, think how
much more disgusting is the reality, and how essential that _some_ one
should portray the evil to the public in a manner impressive and not to
be misunderstood.

I have numerous reasons for undertaking this work, chief among them,
however, being because I have for many months, felt it to be a duty to
my God, and to my fellow-man. Nay, I may put it in a yet more concise
form; and simply say, because of a sense of duty to my God, for I
believe the two to be inseparable. As the green calyx of the rosebud
holds within its embrace everything required to make up the perfect
rose in all its beauty of form, texture, tint and perfume, so my duty to
my God embraces my whole duty to my fellow-man in all its beauty of
kindness, love, and any help or warning I may be able to give, and if
that duty shall lead me to speak out boldly and plainly a warning
against the evil of a popular amusement, I will boldly and plainly
speak, and leave the result with Him whose I am and whom I serve.

Many will, doubtless, object to the book on account of the plainness of
the language used; but, my friends, I have endeavored to tell the truth,
and to do this on such a subject, does not admit of the use of delicate
language. A mild hint at such a fact, clothed in flowery language, would
only serve to give a vague impression, and would fall far short of the
mission I wish this little book to accomplish, viz.: the opening of the
eyes of the people, particularly parents, who are blind to the awful
dangers there are for young girls in the dancing academy and ball-room,
and of leading some, if possible, to forsake (as I have done) the old
unsatisfactory life of selfish pleasure and sinful indulgence and enter
upon the purer, nobler and far happier life, which I have found in the
service of the Lord.

I do not undertake to write upon a subject of which I am ignorant. There
are, perhaps, few people living who have had more practical experience
or better opportunities of finding out the evil influences of dancing
than myself. I began to dance at the age of twelve and have spent most
of my life since that time, until within a few months, in the dancing
parlors and academies. For the last six years I have been a teacher of
dancing and for several years held the championship of the Pacific Coast
in fancy and round dancing. I am also the author of many of the round
dances which are the popular fads of the day.

I merely tell you these things to prove to you that I know whereof I
speak, and not because I am proud of them. On the contrary, it is the
greatest sorrow of my life that I have been so long and in such an
influential way connected with an evil which I know to have been the
ruin, both of soul and body, to many a bright young life. And if, in the
hands of God, I can be the means of leading one-fiftieth as many souls
to Christ as I have seen led to a life of vice and crime through the
influence of dancing academies with which I have been connected, I shall
be more proud than I have ever been of any previous achievements. And if
this little book shall, in any degree, help in the accomplishment of
this purpose, I shall feel that I am more than repaid for my trouble in
its writing, and shall willingly and gladly endure all the harsh
criticism and condemnation I know its writing will bring upon me.

                                                  T. A. FAULKNER.



FROM THE BALL-ROOM TO HELL.



CHAPTER I.

FIRST AND LAST STEP.


Since my conversion from a dancing master and a servant of the "Evil
One" to an earnest Christian and a servant of the Lord Jesus Christ, the
question has been repeatedly asked me: "Is there any harm in dancing?"

And letters innumerable have been coming in with questions to the same
effect.

The more I mingle with people outside the dancing circle the more
forcibly I am made to realize how many there are who are seeking to know
the truth concerning the evil of dancing, and how many thousands more
who, if they are not seeking that knowledge, certainly ought to have
it.

+---------------------------------+
|  ~Have you read the preface?~   |
+---------------------------------+

Let me assure you in the first place that I am well aware that there are
many church members and professing Christians who dance; but, if on the
strength of this you deem it a safe amusement, come with me for a few
evenings, and when you have seen all that I can show you, let your
judgment tell you, whether you can, with safety, place your pure,
beautiful daughter in the dancing academy or ball-room.

Let us first take an instance from the "select" dancing academy, and
thus begin at the root of the matter.

Here is a beautiful young girl. Let me take her for an example.

She is the daughter of wealthy parents; they have been called to mourn
the loss of two of their children; and this is their only remaining
treasure, their darling, their idol almost, whom they love more than
their own lives.

They wish to bestow upon her every accomplishment which modern society
demands, so when it is announced that Prof. ---- will open his select
dancing academy they hasten to place her under his instruction.

At first she seems shocked at the manner in which he embraces her to
teach her the latest waltz.

It is her first experience in the arms of a strange man, with his limbs
pressed to hers, and in her natural modesty she shrinks from so familiar
a touch. It brings a bright flush of indignation to her cheek as she
thinks what an unladylike and indecent position to assume with a man
who, but a few hours before, was an utter stranger, but she says to
herself: "This is the position every one must take who waltzes in the
most approved style--church members and all--so of course it is no harm
for me." She thus takes the first step in casting aside that delicate
God-given instinct which should be the guide of every pure woman in such
matters.

She is very bright and learns rapidly, but a few weeks have passed
before she is able to waltz well, and is surrounded by the handsomest
and most gallant men in the room, who flatter her until her head is
quite turned. She has entirely overcome her delicacy about being
embraced in public for half an hour by strange men. In fact she rather
likes it now. She wonders all day, before dancing school, if that
handsome man who dances so "elegantly" and says such nice things to her,
will ask her to dance with him to-night, and finds herself dreaming of
how delightful it would be to feel his arm about her.

The evening at last comes; the uninteresting square dances are gone
through with, and the music of the waltz begins. Her partner is the
Apollo of her day dreams. He presses her close to his breast, and they
glide over the floor together as if the two were but one.

When she raises her eyes, timidly at first, to that handsome but
deceitful face, now so close to her own, the look that is in his eyes
as they meet hers, seems to burn into her very soul. A strange, sweet
thrill shakes her very being and leaves her weak and powerless and
obliged to depend for support upon the arm which is pressing her to
himself in such a suggestive manner, but the sensation is a pleasant one
and grows to be the very essence of her life.

If a partner fails, through ignorance or innocence, to arouse in her
these feelings, she does not enjoy the dance, mentally styles him a
"bore," and wastes no more waltzes on him. She grows more bold, and from
being able to return shy glances at first, is soon able to meet more
daring ones until, with heart beating against heart, hand clasped in
hand, and eyes looking burning words which lips dare not speak, the
waltz becomes one long, sweet and purely sensual pleasure.

The more profitable things upon which she has been accustomed to spend
her time and thought, lose all attraction for her, and during the time
which intervenes between dancing school evenings, she feeds her romantic
passion on novels, unfit for any person to read, and which would have
been without special interest to her before she entered the dancing
school. She spends much thought upon those things which tend to develop
her lower nature, for "as a man thinketh, so is he." She has never
before had a thought she would not willingly express to her mother. But
now she thinks of and discusses with her girl friends of the dancing
school, subjects which she would shrink from mentioning to her mother.

O, foolish girl, if she had but remembered that her best friend was her
mother, and that thoughts she could not express to her were thoughts in
which she should never indulge, what untold sorrow and shame she might
have been spared.

She graduates from the academy and is caught into the whirl of society,
and her life becomes what is called one round of pleasure--one round
certainly of parlor dances, social hops and grand balls with champaign
dinners and early goings home (early in the morning, _of course_).

This evening there is to be a ball of unusual grandeur. The last of the
season of gaiety, and the closing of the dancing-school term. Our friend
will surely be present. Let us attend. What a scene of beauty, gayety
and splendor. It must have been of just such scenes the poet wrote:

  "There was a sound of revelry by night,
   And Belgium's capital had gathered then--
   Her beauty and chivalry"--

But see, there is our friend of the dancing academy just entering on the
arm of her devoted father. Three months have passed since we first met
her. She is much changed, yet one can scarcely see in what the change
consists. The face is the same, yet not the same. There is just the
shadow of coarseness in it, a little less of frank innocence and true
refinement, and a trace, not exactly of ill-health, but a want of
freshness. This last is, however, well concealed by the use of
cosmetics, and she is still a very beautiful girl, and the fond father's
heart swells with pride as he sees the handsomest and most fashionable
gentlemen of the ball-room press eagerly forward to ask her hand for the
different dances of the evening.

Her father remains for a few of the square dances, but soon retires,
knowing that his fair daughter will not want for attention
from--gentlemen whose attentions he is sure must be desirable, certainly
desirable, why not? Are these admirers not rich and handsome, and do
they not move in the highest society. Ah, foolish father, how little he
knows of the ways of ball-room society.

But let us turn our attention again to the dancers, at two o'clock next
morning. This is the favorite waltz, and the last and most furious of
the night, as well as the most disgusting. Let us notice, as an example,
our fair friend once more.

She is now in the vile embrace of the Apollo of the evening. Her head
rests upon his shoulder, her face is upturned to his, her bare arm is
almost around his neck, her partly nude swelling breast heaves
tumultuously against his, face to face they whirl on, his limbs
interwoven with hers, his strong right arm around her yielding form, he
presses her to him until every curve in the contour of her body thrills
with the amorous contact. Her eyes look into his, but she sees nothing;
the soft music fills the room, but she hears it not; he bends her body
to and fro, but she knows it not; his hot breath, tainted with strong
drink, is on her hair and cheek, his lips almost touch her forehead, yet
she does not shrink; his eyes, gleaming with a fierce, intolerable lust,
gloat over her, yet she does not quail. She is filled with the rapture
of sin in its intensity; her spirit is inflamed with passion and lust
is gratified in thought. With a last low wail the music ceases, and the
dance for the night is ended, but not the evil work of the night.

The girl whose blood is hot from the exertion and whose every carnal
sense is aroused and aflame by the repetition of such scenes as we have
witnessed, is led to the ever-waiting carriage, where she sinks
exhausted on the cushioned seat. Oh, if I could picture to you the
fiendish look that comes into his eyes as he sees his helpless victim
before him. Now is his golden opportunity. He must not miss it, and he
does not, and that beautiful girl who entered the dancing school as pure
and innocent as an angel three months ago returns to her home that night
robbed of that most precious jewel of womanhood--virtue!

When she awakes the next morning to a realizing sense of her position
her first impulse is to self-destruction, but she deludes herself with
the thought that her "dancing" companion will right the wrong by
marriage, but that is the farthest from his thoughts, and he casts her
off--"_he_ wishes a pure woman for _his_ wife."

She has no longer any claim to purity; her self-respect is lost; she
sinks lower and lower; society shuns her, and she is to-day a brothel
inmate, the toy and plaything of the libertine and drunkard.

How can I picture to you the awful anguish of that mother's heart, the
sadness of that father's face, or the dreadful gloom which settles over
that once happy home. Neither their love nor their gold can repair the
damage done. Their sighs and tears cannot restore that virtue. It is
lost, gone forever. Ah, better, yes, infinitely better, would it have
been if instead of placing their only darling in the dancing school,
they had laid her in the grave by her little sister's side while her
soul was pure and spotless.

But how is it with her ball-room Apollo? Does society shun him? Does he
pine away and die? Oh, no; he continues in the dancing school,
constantly seeking new victims among the pure and innocent.

Like flowers, the choicest ones are plucked first, and most admired,
their beauty soon fades and they are cast aside for new ones. Parents,
do not discredit my statement. There is no mistake; I know whereof I
speak when I say that just such villains as I have described are to be
found in, and leaders of, the select dancing school, in the ball room
and at the parlor dance, figuring in what is called the best society, as
the most refined and highly polished society gentlemen of the day.

Nor is the ball-room scene an imaginary one.

I have seen it, just as described, hundreds, yes, thousands of times,
and have known of many and many a case with the same sad ending.

Do not delude yourself, my dear reader, with the thought that such
scenes occur only at low public dances. Some of the lowest and most
disgusting deeds of which I have had any knowledge, have occurred at and
in connection with, the most fashionable parlor dances.

The following infamous deeds were done on one of the principal avenues
and at the home of one of the most aristocratic families of this city.

The occasion was a fashionable dance of which I was manager.

There was present the _creme de la creme_ of the city's society. Among
them two beautiful young women who were actors in the play I am about to
put before you. The play is in five acts.

The first scene is of exquisite loveliness. It is a large drawing room,
elegant in all its appointments. Its coloring as seen by gas light is
soft, rich, and beautifully blended or prettily contrasted. Its pictures
are rare bits of art from the brush of the most popular artists of
ancient and modern times, and all its ornamentation is forcibly
suggestive of culture and refinement. All these things we feel rather
than see, for our attention is riveted upon the gay company assembled.

We hear the hum of many voices and see before us scenes of fair women
and handsome men, diamonds flash, silks rustle, and no garden of flowers
ever displayed a greater variety of rich and dainty color intermingled,
or flashed more brightly its gems of morning dew. But hark! From behind
that bower of blossoms and evergreens in yonder recess come strains of
music which set the little white slipper to tapping out the time as its
wearer waits impatiently for the waltz to begin, and now the room
presents a scene of whirling, whirling figures.

Notice particularly this couple near us and that one in yonder corner,
for I know them well. The ladies are beautiful and respectable.

To be sure, one not accustomed to such scenes would consider them
anything but respectably dressed, with their nude arms, neck and
partially exposed breast, and tightly clinging skirts which more than
suggest the contour of body and limb.

But society and fashion demand such dress; vile men demand it; for them
the waltz would be spoiled of half its pleasure if the woman was not as
nearly nude as she dare be.

The male companions of the two girls are handsome and fashionable, but
of their character not so much can be said, except in condemnation. They
are certainly pleasing, and are in every way endeavoring to be so to
their young lady companions, and appear to have succeeded very well in
their efforts, for, as they whirl over the floor, they gaze into the
eyes gloating over them and gleaming with a fury of lust. They allow
words to be whispered to them which they would not listen to at any
other time; listening now, they come closer still, and in response to a
pressure of her hand, his arm tightens its clasp of her waist, and she,
losing all restraint, yields herself to the evil passion of the moment.
Thus the fury of lustful thought becomes mutual and is mutually enjoyed.

The second scene is in a summer house. Only four characters are required
for this act. They are the four we have particularly noticed in the
ball-room scene.

This, too, would be a pretty scene, if the pleasure of it were not
spoiled for us by the evil we see in it and know may result from it. The
summer house, covered with vines and flowers, is in a beautiful garden
filled with shrubs and trees. The night is calm and cloudless, and the
silvery moon looks sadly down upon the scene through the branches of the
trees.

The girls have been invited to retire thither for rest and refreshment.
The men have previously arranged with a servant for the refreshments,
with plenty of old wine provided for their use, and now they urge the
ladies to partake, saying they will feel refreshed and be sustained by
it for the remainder of the evening.

After much coaxing and pleading they are induced to take a glass. This
accomplished, the men feel that their object is as good as achieved. The
wine soon has a visible effect upon the unaccustomed brain, and the
girls are easily induced to drink more.

The third and fourth acts are only repetitions of the first and second,
and the last and fifth takes place behind the scene. The curtain must
fall between us and the going home scene in two hacks to which the half
intoxicated girls have been conveyed by brutes in human form.

We only know that these girls are now unable to resist, if they were to
try, the deed of shame their male companions are bent upon doing, in
that closed carriage, whose driver has been ordered to go slowly, and we
know what has taken place, as in after days we see these girls no more
in respectable society, although their accomplices still appear as most
elegant and highly respectable gentlemen, alias ball-room Apollos.

This tragedy, my friends, was acted out in real life, and is only a
sample of hundreds and hundreds of cases of which I have had personal
knowledge.

"But," some mothers say, "I know that I can trust my daughter. The waltz
may be the means of leading astray some shallow, low-minded girls, and
may arouse the lower nature of some of those whose lower nature lies
very near the surface, but such girls would go astray anyway. My
daughter is a pure, high-minded girl, and I am sure she is trustworthy."

I am glad she is. Keep her so, my friend, _keep her so_. Do not risk
making her otherwise by placing her under the greatest temptation that
can possibly come to a girl.

If you place her in the dancing academy or ball-room she cannot and will
not remain what you say she now is, and she has but a comparatively
small chance of escaping ruin--comparatively only a small chance, I say.

It is a startling fact, but a fact nevertheless, that _two-thirds of the
girls who are ruined fall through the influence of dancing_. Mark my
words, I know this to be true. Let me give you two reasons why it is so.
In the first place I do not believe that any woman can or does waltz
without being improperly aroused, to a greater or less degree. She may
not, at first, understand her feelings, or recognize as harmful or
sinful those emotions which must come to every woman who has a particle
of warmth in her nature, when in such close connection with the opposite
sex; but she is, though unconsciously, none the less surely sowing seed
which will one day ripen, if not into open sin and shame, into a nature
more or less depraved and health more or less impaired. And any woman
with a nature so cold as not to be aroused by the perfect execution of
the waltz, is entirely unfit to make any man happy as his wife, and if
she be willing to indulge in such pleasures with every ball-room
libertine, she is not the woman any man wants for a wife. It is a
noticeable fact that a man who knows the ways of a ball-room rarely
seeks a wife there. When he wishes to marry he chooses for a wife a
woman who has not been fondled and embraced by every dancing man in
town.

It is also noticeable that after marriage few men care to dance, or to
have their wives dance.

The second reason why so many dancing girls are ruined is obvious, when
one considers how many fiends there are hanging about the dancing
schools and ball-rooms, for this purpose alone, some of them for their
own gratification, and others for the living there is to be made from
it. I am personally acquainted with men who are professional seducers,
and who are to-day making a living in just this way. They are fine
looking, good conversationalists and elegant dancers. They buy their
admittance to the select (?) dancing school by paying an extra fee, and
know just what snares to lay and what arts to practice upon the innocent
girls they meet there to induce them to yield to their diabolical
solicitations, and after having satisfied their own desires and ruined
the girls they entice them to the brothel where they receive a certain
sum of money from the landlady, rated according to their beauty and
form.

Can you wonder when the degrading, lust-creating influence of the waltz
itself is united with the efforts of such vile demons of men as I have,
described, that two-thirds of the dancing-school girls are ruined.

It is a greater wonder that any of them escape. The question is often
asked: If what you say be true, why do not more of the dancing girls
become mothers? I will tell you why. It is because they dance away all
fear of maternity. It is the knowledge that the dancing floor _exercise_
will relieve if they get into trouble that makes many a woman bold
enough to take risks.

Dancing and drinking invariably go together. One rarely finds a dance
hall without a bar in it, or a saloon within a few steps of it, and
sooner or later those who dance will indulge in drink, which is the
devil's best agent in the carrying on of the vile business transacted
in, and in connection with, the dance hall.



CHAPTER II.

FROM THE BALL-ROOM TO THE GRAVE.


Let me tell you a true story which will illustrate this point.

It was a Saturday night in the month of December, in the year '91. The
girls who toil daily in the stores and shops on Spring street were
hastening to their homes after the long week of toil. As they pass along
we notice among them the tall, graceful figure of a young woman who
seems to be the favorite of the group of girls about her. She is a
handsome blonde of nineteen years, with a face as sweet and loving as
that of an angel.

She was born in a country town in New England, of respectable parents.
Her mother died while she was yet but a little girl, leaving her to the
care of a devoted father, who, with loving interest, reared and educated
her.

After the completion of her education she entered a printing office, to
serve an apprenticeship, but the close confinement, following, as it
did, in close proximity to the confinement of the school room, soon
undermined her health and a change of climate was prescribed. The father
felt he could not part from her even for a few months, but as it seemed
for her good, he reluctantly consented to her going to Los Angeles, the
"City of the Angels," for a year.

It was a sad day for both when that father and his only daughter parted.
Little could he know of the fate that was in store for his pure and
loving child in the far West. Little did he think when she kissed him an
affectionate farewell, and told him she would return in just one year,
that he would never see her smiling face again. Nor did she dream that
she was journeying to her doom; that far beyond the mountains she should
be laid to rest 'neath the sod of mother earth.

But to return to the scene on Spring street.

As the little group pass up the street her very beautiful face does not
escape the notice of the crowd of idlers gathered on the corners gazing
impudently at the passers by.

Among these idlers is one of the city's most popular society gentlemen
and ball-room devotees, and we hear him mutter to himself as he stares
impudently at her pretty face: "Ah, my beauty, I shall locate _your_
dwelling place later on. You are too fine a bird to be lost sight of."

He follows her to her lodging, and day by day studies her habits.

He discovers that she goes nowhere except to her daily toil and to
church. He visits the church, and finding no opportunity to approach her
there, is about to give up the chase when he finds out that the
denomination does not condemn dancing.

"Ah, now," he says, "I have you."

He goes to one of the most fashionable dancing schools, where he is well
known, and explains his difficulties to the dancing master, who is ever
ready to take part in just such dirty work, for it is from the pay for
such work that he derives much of the profit of his school.

He sends her a highly colored, gilt-edged card containing a pressing
invitation to attend his _select_ school.

She does not respond, so he finally sends his wife to press the
invitation. The girl, not dreaming of the net that is being woven about
her, promises that if her pastor does not disapprove she will attend.
Her pastor _does not disapprove_. He tells her that he sees no harm in
dancing.

Why does he not see harm in dancing? Has he never been where he _could_
see?

She takes it for granted that he _knows_, and acting on his advice
attends the school. She is met at the door by the dancing master, who is
very polite and so kindly attentive.

The society man who is plotting her ruin is the first person presented
to her. He is a graceful dancer and makes the evening pass pleasantly
for her, by his kind attentions and praise of her grace in dancing, and
when the school is dismissed he escorts her home, which courtesy she
accepts, because the dancing master vouches for him, and she thinks that
is sufficient. He continues his attentions, and finally invites her to
attend, with him, a grand full dress ball to be given at one of the
principal hotels. She has never attended a grand ball in her life, and
looks forward to this with the greatest pleasure.

The evening at last arrives. Her escort calls for her in an elegant
carriage. She looks more beautiful than ever in her pretty, modest
evening dress, and he says to himself, "Ah, my Greek Goddess, I shall
have the 'belle of the ball' for my victim to-night."

As they enter the ball-room she is quite charmed and dazzled by its
splendor and the gaiety of the scene, which is so novel to her.

During the first of the evening her companion finds her more reserved
than is to his taste, but he says to himself, only wait, my fair one,
until supper time, and the wine will do the work desired.

Twelve o'clock at last comes, and with it the summons to the supper
room. Here the well-spread table, the brilliant lights, the flowers, the
music and the gay conversation are all sources of the greatest pleasure
to the unaccustomed girl, but there is one thing which does not please
her. It is the fact that wine is flowing freely and that all are
partaking of it. She feels that she can never consent to drink. It is
something she has never done in her life. Yet she dares not refuse, for
all the others are drinking, and she knows that to refuse would bring
upon herself the ridicule of all the party.

She hears her companion order a bottle of wine opened. He pours and
offers it, saying, "Just a social glass, it will refresh you." She
looks at him as if to protest, but he returns the gaze and hands her the
fatal glass, and she has not the moral courage to say no.

As they raise their glasses he murmurs softly, "Here's hoping we may be
perfectly happy in each other's love, and that the cup of bliss now
raised to our lips may never spill."

One glass and then another and the brain unaccustomed to wine is
whirling and giddy. The vile wretch sees that his game is won.

He whispers in her ear many soft and foolish lies, tells her that he
loves her, and that if she can return that love, he is hers, and hers
alone, so long as life shall last.

She sits tipped back in one chair, with her feet in another, laughs
loudly at every poor little joke, and responds, in a silly affectionate
manner, to all his words of love, and when he makes proposals to which
she would have scorned to listen at any other time, she not only
listens but gives consent to all, and does not leave the house that
night.

When she awakens next morning, it is in a strange room. Her head whirls,
she gazes abstractedly about her and tries to shake off what seems to
her to be a horrid dream, but she is brought suddenly to realize that it
is no sleeping fancy, but a steam reality, as a low voice by her side
says,

"Did you rest easy, my dear?"

"My God!" she fairly shrieks, as the awful truth bursts upon her, "is it
possible, or am I dreaming?" and she passes her hand wildly across her
face.

"Do not excite yourself, my dear; you are not well. You will feel better
presently."

"Better!" she cries, bursting into tears. "Better!! What is life to me
now that you have robbed me of my virtue? Oh! that I should have sunken
into such depths of sin, and that you, vile man, whom I trusted, should
have led me to it."

She tries to rise, but finds herself too weak and dizzy, and falls back
heavily upon her pillow.

"Lie still, my love, and when you are able I will let you go. But do not
blame me for what has occurred, it was by your own consent. You know I
am going to marry you, and all will be well."

"No," she sobs, "all will not be well; nothing will ever be well with
me again," and she returns to the room which she has left a few hours
before as a bright and happy girl, now broken hearted and on the verge
of despair, with a blot upon her young life which nothing on earth can
efface. To be sure, he who has brought all this upon her has promised to
right the wrong by marriage, but poor consolation it seems to her to
have to marry a man whom she feels to be worse than a murderer; even
this poor consolation is denied her, however, for the wretch, when he
gave the promise, had no thought of fulfilling it. Such trifles as this
_he_ thinks nothing of. It is the way of most high society men, and when
he comes to her again it is not to marry her, but to seek to drag her
lower down. She repels him and he is seen by her no more. He has no
further use for her.

Days grow to months, and now added sorrow fills her cup of grief to
overflowing. She is to become a mother, and the poor girl cries out in
bitter anguish: "My God, what shall I do, must I commit murder. Oh, that
I had never entered a ball-room."

All her old companions shun her, every one shuns her, even he who led
her to her ruin shuns her. She goes to him, hoping he will have
compassion upon her, but he meets her with a sneer, calls her a fool,
and tells her to commit a yet greater crime than the first, which in her
despair she does and "seals the band of death."

She soon became very ill and sank rapidly, and then came a time when she
felt that life was short, and that if she wished to leave a message on
earth it must be delivered quickly. Having heard of my conversion and
that I intended exposing the evils which germinate in the ball-room she
sent a messenger requesting me to call immediately.

On entering the house I was led to a couch in a cosy room where lay the
beautiful young woman whose pale face showed all to plainly, an amount
of sorrow and suffering unwarranted by her years. The countenance of the
sufferer brightened as I entered, and she extended her hand saying: "I
am so glad you came to see me, so glad to know that you are to expose
the evil which buds in the dance hall. Do not delay your work. I have
prayed God to spare my life that I might go and warn young girls against
that which has made such a sad wreck of my once pure and happy life,
for, when I entered dancing school, I was as innocent as a child and
free from sin and sorrow, but under its influence and in its association
I lost my purity, my innocence, my _all_, but I know that God has
forgiven the sin which is sending me to my early grave, where I shall
soon be forgotten by all earthly friends.

"Do not grieve for me. I am leaving this dark world for a bright and
happy one where sin and sorrow are unknown. Mother is waiting for me
there and I am not afraid to go."

We spoke of a hope that she might yet recover, but she only closed her
eyes and shook her head slowly.

"No," she said, with considerable effort, "I shall never leave this room
alive, never see the green hills of home, never see my father's face,
but tell him not to mourn for me, I shall be happy in the arms of
Jesus."

"Is there nothing I can do for you?" I asked. "Yes," said she faintly,
looking earnestly into my face, "Yes, there is one thing; that which I
had hoped I might live to do myself. Promise me that you will do that
and I shall die content. Promise me that you will go before the world
and speak out a warning against the awful dangers of the dance hall, and
try to save young girls from the sin, disgrace and destruction dancing
has brought upon me."

I made a solemn promise before God that her request should be complied
with.

The dying girl showed unmistakable signs of pleasure at having my
faithful promise.

She pressed my hand and said in a voice scarcely audible, "You have seen
ball-rooms as they are, my friend, and there is a great and good work
before you. May God bless you in it. I seal your promise with death,"
and before I could speak she was dead and her soul had winged its flight
to a heaven of love and peace, where weary hearts shall find perfect
love and perfect justice--where not man, but God, judges his children.

I know the man who was the perpetrator of the crime which was the cause
of this sad death.

He, to-day, instead of being hung for murder, as he so richly deserved,
is a leader in society. His name often appears in the social columns of
the daily papers of Los Angeles, as the leader of some fashionable
dancing party or Kirmess.

He has been the winner of several prizes in dancing, in fact, is an
elegant dancer and is wealthy. These facts gain for him admission to
whatsoever society he chooses to enter.

Think, ye parents who have daughters who dance, of their being night
after night in the embrace of such men as he, as they most certainly are
if they dance much. Such men as he flock to places of dancing for that
very purpose.

Some may say that places of dancing are not the only places where such
men are to be found. True, but at no other place would they be allowed
to take such liberties with your daughters that they may there. This
they well know and consequently there are more of them to be found in
places of dancing than elsewhere, and it is not the whirling that they
go for and enjoy.

How long would dancing be kept up if they were to whirl alone, or if men
were to dance with men and women with women? Ah, no; it is not the
whirling, but the liberties the waltz affords, which forms its chief
attraction.

You, perhaps, think your daughter is in the most select society, and
only in such, and will accept only the most respectable gentlemen as
partners. But, how are you to know this? How can you be sure that this
very man of whom I have been speaking, or another of the same type, is
not among those considered the most respectable in the select parlor
dances?

You may be perfectly certain that _he_ will never publish his own
misdeeds, and the girl cannot expose him without making public her own
disgrace, so his base deeds go undiscovered and he may still be found at
dancing parties or on the street corners engaged in the occupation in
which we first met him, viz.: seeking whom he might destroy.

What decent woman, if she knew his real character, would wish to throw
herself into the arms of such a man. If she were a true women she would
almost rather die than have such a man even touch her, to say nothing of
being in his close embrace for the space of a waltz.

Or, what lady would allow any man, in any other public place, except the
ball-room, to take the liberties with her that he takes there? Would a
lady with a spark of self-respect, at any other place, lay her head upon
his shoulder, place her breast against his, and allow him to encircle
her waist with his arm, place his foot between hers and clasp her hands
in his?

This is the position assumed in waltzing, and I tell you, my friends,
that such a position tends, in a greater or less degree, to develop the
lower nature of sexes. It cannot be otherwise. It is in perfect
accordance with nature. I have heard girls express utter innocence of
having any improper emotion aroused by the waltz, but I do not believe
this to be strictly true of any girl. If it is, I am sorry for that
girl, for she has a sad lack in her nature.

"Male and female, God created them" and placed within them emotions
intended to be shared only by man and wife, and if others indulge in
those emotions, and continually arouse them by assuming the waltz
position, which is only fit for man and wife, they commit a sin against
God and nature.

Against God because He has said "Thou shalt not commit adultery," and "I
say unto you that whosoever looketh on a woman, to lust after her, hath
committed adultery with her already in his heart."

And against nature, because a girl thus constantly aroused, soon breaks
her health.

One may work six days in the week and arise fresh every morning, but let
him attend a dance for only a few hours each evening and see what will
occur. Health and vigor vanish like the dew before the sun.

It is not the exercise which harms the dancer in mind and body, but the
coming in such close contact with the opposite sex. Did you ever know a
lady who danced to excess to live to be over twenty-five years of age?
If she does she is, in most instances, broken in health physically and
morally. Doctors claim it to be a most harmful exercise physically for
both sexes. The average age of the excessive male dancer is thirty-one.

Beside the harmful exercise there is great danger from the exposure, a
girl is so often subjected to in a ball room. She gets in a perspiration
during the dance, and as soon as it is over rushes to an open door or
window with arms and chest exposed. Is there any wonder that so many
women of to-day are unhealthy?



CHAPTER III.

PARLOR DANCING.


Some contend that there is no harm in parlor dancing. How many parents
are able to restrict their children to parlor dancing only? Not one in
ten thousand.

Dancing is too fascinating, and they who were at first content with
parlor dancing soon want something else, and will, for the sake of
dancing, go to almost any place.

If private dancing is allowed, and all else strictly forbidden, the
child will often deceive his parents and dance at times and in places
that they know not of.

I have known young people to be at Sunday night dances, and in low
company, when their parents (who only allow parlor dancing) thought they
were at church.

They made a practice of going to the church and remaining long enough to
get the text of the pastor's discourse, and then going away to spend
the time in dancing, and if questioned, they were able to give the text
of the evening's sermon, and the trusting parents would not dream of
their having been any where but at church.

I only wish that certain parents, who think they are restricting their
children to "parlor dancing at home only," could have been with me the
night of May 30th, 1892, and seen, as I did, their girls, some of them
but twelve or fourteen years of age, dancing in a public saloon, where
so much beer had been spilt on the floor that the women had to hold
their dresses up to keep them from getting soiled and wet as they
danced.

This is usually the result of teaching the child to dance and then
restricting them to home dancing. If they once become fascinated with it
they must and will, by some means, fair or foul, have more of it than
their homes afford.

There are professing Christians who condemn the sale of liquor, advocate
the closing of saloons, and frown on Sunday picnics and other
amusements, who allow their own children to attend so-called select
dancing parties.

In these places are taught the rudiments of an education which may make
them graduates of the saloon or the brothel.

I do not say that it _always_ does, but I do say that it _often_ does.

The safe side is the best side. Keep them from taking the first step to
ruin, and they can never take the last.

Where did the majority of the drunkards take their first drink? Where
did the gambler play his first card? Where did three-fourths of the
women, who are to-day living a life of shame, have a man's arm about
them for the first time?

Let me answer.

The first drink of the drunkard was just a social glass.

The first game of the gambler was just a social game.

And three-fourths of the outcasts had a man's arm about them for the
first time when they were young girls at a social dance.

There are in San Francisco 2,500 abandoned women. Prof. La Floris says:
"I can safely say that three-fourths of these women were led to their
downfall through the influence of dancing."

The lot of a Negress in the equatorial forest is not, perhaps, a very
happy one, but it is not much worse than that of many a pretty orphan
girl in our Christian land.

We talk of the brutalities of the dark, dark ages, and profess to
shudder as we read in books of the shameful practices of those times,
and yet, here beneath our very eyes, in our ball-rooms and theatres and
in many other places, the same hideous abuse, which must be nameless
here, flourishes unchecked:

A young penniless girl, if she be pretty, is often haunted from pillar
to post by her employer, and if he fails to get her to submit to his
diabolical solicitations outside of the ball room, he will manage to get
her to attend a dancing school, where he has the _right_ to encircle her
with his arms and press her to himself until she is inflamed with
passion. She hears in the ball room no warning voice, finds no helping
hand to guide her in the path of virtue. The only helping hands there
are those of which Byron wrote,

  "Hands which may freely range in public sight
   Were ne'er before--"

and which helps her rapidly down the road to ruin.

When the poor girl is once induced to sacrifice her virtue she is
treated as a slave and outcast by the very man who brought her ruin upon
her. Her self-respect is gone. Her life becomes valueless to her, and
she is swept downward, ever downward, into the bottomless pit of
prostitution, and becomes an outcast from her fellow-beings.

But she is far nearer the loving, pitying heart of Christ than all the
men who forced her down. And who shall say that Jesus loves her less
than He does those who profess to be His followers and the soldiers of
His cross, and yet stand silently and idly by while all this fearful
wrong goes on.

The matron of a home for fallen women in Los Angeles, says:
"Seven-tenths of the girls received here have fallen through dancing and
its influence."

Of course, some of these, either from inherited passion or evil
education, have deliberately and of free choice entered upon a life of
shame; but the great majority do so under the stress of temptation;
sometimes because of poverty or chafing against uncongenial employment,
with meager wages. They are told that in the profession of prostitution,
they can, if they are lucky, make more in a single night than they could
by sewing a week.

Can you wonder that many a girl, aroused by the waltz and then lured by
such glittering bait, is led to sell herself, soul and body, to those
who make use of her and then cast her aside for another?

And yet ball-rooms, where this corruption germinates, flourish and are
countenanced by many preachers of the gospel, and attended and
encouraged by church members whose pastors have not the moral courage to
condemn the evil, for fear of offending some of their members who dance.

The ministers, in a great measure, set the standard of morality in our
land, and when they will rise to the occasion and make a long strike, a
strong strike, a strike altogether against this ball-room curse,
Christian people will strike with them. Then, and not until then, will
this evil be wiped out.

It is at the cause and not the effect that the strike must be made.

In some cities the advisability of closing all the houses of
prostitution by laws has been discussed.

One might as well try to stop the Mississippi river from flowing by
damming it at its mouth, as to try to stop this great stream of vice by
closing the doors of the brothel.

To dam the river at its mouth would only cause it to overflow its banks
and seek another outlet, and to close the doors of the brothels on one
street would only drive them to another.

To stop this great tide of sin we must begin at its source. To close the
doors of the brothel, close first the doors of the dancing school.



CHAPTER IV.

ABANDONED WOMEN THE BEST DANCERS.


The most accomplished and most perfect dancers are to be found among the
abandoned women. Why? Because they are graduates of dancing schools.

If any should wish to ascertain the truth of this let him ask the girls
themselves.

I have for several months been working in a Mission of Los Angeles, and
where I have before seen causes at work, I have now had ample
opportunity of seeing the effect, and I have often heard some of these
unfortunate ones cry out in bitter anguish "Would to God that I had
never entered a dancing school."

The following 200 were cases of girls who are to-day inmates of the
brothel whom I talked with personally. They were frank to answer to my
questions in regard to the direct cause of their downfall, and I
gathered that these were ruined by:

  Dancing school and ball rooms      163
  Drink given by parents              20
  Willful choice                      10
  Poverty and abuse                    7
                                    ----
                                     200

I know of a select dancing school where in a course of three months
eleven of its victims are brothel inmates to-day.



CHAPTER V.

EQUALLY A SIN FOR BOTH SEXES.


I have, in the preceding pages, spoken chiefly of the harm that comes to
women from dancing, and have shown how vile men make use of the
privileges the waltz and its surroundings afford to lead once pure girls
to impurity and often to crime. But do not think for a moment that
because I have here thus spoken, that I hold the women blameless or the
dance to the man harmless.

While the woman is more often disgraced in the sight of man, I believe
that in the sight of God the sin of dancing is equally a sin for both
sexes.

A girl is often ensnared into intoxication and thus into greater sin by
vile men, but she is not wholly excusable. If she goes to a ball she
must take the consequences. Every woman has a God-given instinct which
teaches her right from wrong, and she cannot but know that to indulge in
such emotions as the modern waltz fosters is wrong.

It is a horrible fact, but a fact none the less, that it is absolutely
necessary that a woman shall be able and willing to reciprocate the
feelings of her partner before she can graduate a perfect dancer.

So, even if it be allowed that a woman may waltz virtuously, she cannot,
in that case, waltz well.

It matters not how perfectly she knows and takes the steps, she must
yield herself entirely to her partner's embrace, and also to his
emotions. Until a girl can and will do this she is regarded a scrub by
the male experts.

I would that young women who dance could just once be "behind the
scenes" when young men meet after an evening's dance to discuss it
together, and hear such remarks as "that Miss ---- is a perfect stick. I
would not give a fig to dance with her. You can't arouse any more
passion in her than you could in a putty man. To waltz with such as she
is not what I go for."

Or, another says: "Ah! but that beautiful Miss Smith is a daisy. She is
posted. This waltzing is the greatest thing in the world. While you are
whirling one of these dear creatures, if you do the thing correctly, you
can whisper in her ear things she would shoot you for saying at any
other time, but she likes it all the same. They take to it naturally
enough if they are properly taught. If you don't know just how it is
done go to a dancing master, or any professional dancer. They know, and
they will soon let you know. You will soon become a waltzer and thus
find out what there is in it."

Such remarks, and worse than these, (remarks unfit to publish even in
this plainly written book) are made, my fair young ladies, after the
ball, about you by the very young men who, at the dance, you thought so
nice and who are so considered. I am ashamed to say in by-gone days, I
have been among these young men myself, and I know that to hear them
give free expression, loose-tongued, to the lewd emotions and sensual
pleasures in which they indulge while in your embrace, is almost as
common as the waltz itself.

I repeat what I have said before, that I do not refer to rough,
uncultured men, but to those who are looked upon by society as most
polished, refined and desirable young men.

If it be true that a woman, however innocent in thought, is the subject
of such vile comment, if there is the barest possibility that it may be
true, is it not also true that if she is possessed of a remnant of
delicacy, she will shrink from exposing herself to such comment, and
flee from places of dancing as from a den of vipers?



CHAPTER VI.

THE APPROVAL OF SOCIETY IS NO PROOF AGAINST THE DEGRADATION.


I know that there are many who will contend that I have some selfish or
spiteful motive in writing thus strongly in condemnation of the waltz.
Many will doubtless claim that the waltz is very moral and healthful, is
indulged in by the best people of every land, seemingly tolerated by
all, and that he who raises his voice against it does so from other
motives than a disinterested desire to warn his fellow-men against it.

I admit that it is indulged in by a great multitude (not of the best)
but the most aristocratic society people. But does the fact that society
has permitted itself to be carried by storm into a toleration of the
modern dance make the dance any less degrading and sinful. No more so,
it seems to me, than does the fact of the universal use of alcohol make
its effect less harmful or make it any the less a destroyer of homes,
happiness and character.

No, its universality does not prove its morality, and it is certain that
results prove conclusively its immorality, and all who try to make it
out otherwise, are either those who know nothing at all about it and are
unwilling to believe that such an evil could be in their midst without
their knowledge, or those who know and practice the abominations, but
enjoy it far too well to confess what they know. These last will be
loudest in their clamor against this book and its author, and in their
profession of perfect innocence.

They believe themselves to be the sole possessors of the secret which
makes the waltz their pet amusement. They do not mean that their secret
shall be divulged, and they seize every opportunity of praising the
"beauty and variety" of the waltz. Its "health giving exercise," "its
innocent amusement" and its grace-giving qualities. Grace-giving,
forsooth. The grace of the harlot, to my mind, is not the most desirable
possession.

I have known many and many a non-dancing mother to encourage her child
to learn to dance, because she wanted her to become graceful, and in
many a case that daughter has lost grace, health, virtue and all that a
woman holds dear. If you have a choice of a saloon for your son, and a
so-called select dancing school for your daughter, I beseech you, in the
name of God, place your son in the saloon, but keep your daughter out of
the dancing school.

If you wish her to become graceful there are schools of physical culture
which are much better adapted to the development of health and grace,
and much less to the development of vile passions and depraved natures.
What I have said before will be no surprise to those who waltz, though,
of course, they will feign great surprise, ignorance, and innocence of
it all.

But dancing schools are often made use of in a way that is not so well
known. Professional thieves often frequent these places. Many of them
are perfect dancers and good conversationalists. They appear most
respectable and are, of course, so considered, since they are found in
the select school, where references are required.

They gain admittance to the school either by practising fraud upon the
dancing master, or inducing him to practice fraud upon the public by
admitting such a man for a liberal compensation, to what he advertises
to be a select school.

When once in a school it is an easy matter to form the acquaintance of
the wives and daughters of wealthy men.

To these he makes himself most agreeable, as he well knows how to do,
and, if possible, manages by some means or other, to get an invitation
to call. If he fails, he makes some excuse to call without an
invitation. During his calls he manages, if opportunity presents itself,
to seize some valuables; if not he will locate them, to be called for
upon some future dark night, and he is quite safe from arrest, for even
if suspected he knows that the ladies of the house who have been seen
with him in public would only bring disgrace upon themselves by
arresting for theft a man upon whose breast they often reclined in
public.

This, however, is of small account. If it was the only evil connected
with dancing, this book would never have been written. The loss of
earthly possessions is of little consequence when compared with the loss
of health, happiness, purity and virtue.

I simply tell you this to show you how many evils a dancing master is
cognizant of in connection with dancing, that the generality of people
know little or nothing about.

Some one has said that few people know better than the dancing master
and saloon keeper, how many souls are sent through the port holes of
hell between the ages of fourteen and twenty by these two agencies of
the devil.

And he is right.

The heart of the dancing master must be even harder than that of the
saloon keeper, for while the saloon keeper must witness the harmful and
disgraceful indulgence of men, principally, he knows that there is a
chance that it may prove only a harmful indulgence.

But the man who can constantly see pure and lovely women being whirled
to a disgrace from which she can never recover must have a heart hard
indeed. Yet this is what I have witnessed and helped to perpetuate by
teaching dancing. Still I heedlessly continued in the business, until
something occurred which set me to thinking.

I met on a train, while leaving town, one day a young woman, who, a few
months before, had been a member of my select dancing academy. She had
been ruined there, and was one of the discarded ones when the school was
closed for a few weeks, as all dancing-schools have to be every little
while, to get rid of those girls who have met with a fate similar to
hers.

I entered into conversation with her and found she could no longer
endure being shunned and slighted by all her old companions, and was
running away from home. I knew that her parents would be heart broken,
and that she, without the protection of a home, would soon sink to utter
abandonment, and I tried every persuasion to induce her to return to the
home she was leaving. I--who was still teaching the very thing which had
been her ruin, now that self-respect and all for which life was worth
the living, was lost to her forever--I tried to save her from further
degradation.

After I had argued for some time with her she turned fiercely upon me,
her once beautiful eyes now filled with a desperation born of despair,
and said, with a look and tone of reproach which I shall never forget:
"Mr. Faulkner, when you will close your dancing schools and stop this
business, which is sending so many girls by swift stages on a straight
road to hell, _then, sir_, and not till then, will I think of reform."

I was stirred by her words as I had never been stirred before. But for
them I might, perhaps, not have been writing this book to-day. At this I
know many may sneer and say that I have myself done more than most men
towards the furtherance of the evil I so strongly condemn.

I bow my acknowledgements. I own it all.

  "I lived for self, I thought for self,
     For self and none beside,
   Just as if Christ had never lived.
     As though he had never died."

I sinned against heaven and in the sight of God and man, and was in no
wise worthy to become a child of him to whom I came ten months ago, and
he received me just as I was, all stained with many, many sins, and in
his boundless love and mercy he forgave them all.

I feel I cannot close this book without just a word to any of my old
companions who may chance to read it, and to others who are leading the
life I once led. I want you to forsake that old life I once shared with
you and, as I have done, give yourselves into the hands of the Master,
Jesus Christ.

You don't know what you are missing of happiness in this world and what
you may miss in the world to come. I do not ask you to take my life for
an example. That would be a poor example, indeed. We do not have to take
any human life for a copy. The life of Christ is the one true example
for us all, and I believe that when we stand before, the great Judge of
all, the question will not be,_ if we have lived as well as this
professing Christian or that church member_, but if we have lived our
life as nearly like the life of Christ as we could.

And right here let me say a few words to professing Christians and
church members who dance. I say "professing" Christians because I
believe there is a vast difference between a _Christian_ and a
"professing" Christian and church member who dances.

To be a _Christian is to be Christlike_, and I believe there is nothing
_Christlike_ in partaking of such pleasures as have been described in
the foregoing pages, even though you indulge no further than the license
of the waltz. And even granting (if this were possible) that you only
engage in the indecent and suggestive position and motions, without a
single sinful thought or feeling, do you believe that your Heavenly
Father could say to you, "Well done, thou good and faithful servant.
Thou hast spent the evening to my honor and glory. Thou art in the
world and not of it. Thou hast done nothing that could cause thy brother
to offend, but hast set a good and Godly example. Thou art letting thy
light so shine before men that they will see your good works and glorify
your Father which is in heaven. Thou art denying thyself and taking thy
cross daily and following me. I left my home in glory and lived and
suffered and died the death of the crucified that thou mightest take
thine ease, dance, drink, and be merry, and then, lay down thy cross and
take up thy _crown_ in glory to be with thy Savior and be like Him."

"The Son of man cometh at an hour when ye know not."

If he should come and find you at the dance, locked in the embrace of
another woman's husband, do you feel that he would consider you ready?

Do you not feel the slightest fear that He would say, "Depart from me, I
never knew you?"

Ah, my friends, I should fear it very much. I should fear that to my
account would be laid the sin of the harlot.

You say that you dance very properly. What have you to say for those
who, looking to you for a Christian example, see that you, a church
member, dance, and conclude that there can be no harm in it for them, so
they indulge and are ruined by it, and in after days are to be found
leading a life of shame in the brothel, all because of your example
which led them to take the first step on the downward road?

Do you believe that when you shall both stand before the bar of God for
just judgment that none of her sin will be laid to your charge?

Christian friends, a great responsibility rests upon us all, not only to
see that we "keep ourselves unspotted from the world," but that we do
all in our power to drive from our fair land this awful blot and curse.



TESTIMONIALS.


We have just finished reading Mr. Faulkner's book, called "FROM THE
BALL-ROOM TO HELL," and we are profoundly moved by it. We believe
every word of it is true, and that his characterization of the
demoralization and ruin wrought by the modern dance is none too strongly
put.

Surely nothing worse could have been found in Sodom than these Dancing
Academies, as a reason why the righteous God sent fire and brimstone and
destroyed them all. These exposures are as carefully and delicately
written as could be, and yet not fail to be fully understood.

We hope the book will find a wide reading and help to open many eyes
that are blind and startle many that are careless, and prove to be a
barbed wire fence around many homes of the innocent.

May the Holy Spirit of God bless our Christian brother in his efforts to
expose these hot-beds of vice. We advise all pastors and members of our
Churches to read this book, and send it to friends.

Signed by the following ministers, of Los Angeles, California.

  REV. BRESEE, Pastor Simpson M. E. Church.
  REV. D. READ, Pastor First Baptist Church.
  REV. H. U. CRABBE, Pastor United Presbyterian.
  REV. M. H. STINE, First English Lutheran Church.
  REV. A. C. SMITHERS, Temple St. Christian Church.
  REV. F. V. FESHER, Vincent M. E. Church.
  REV. A. B. PHILLIPS, City and County Missionary.
  REV. J. H. COLLINS, Third Congregational Church.
  REV. A. ANDERSON, Universalist.
  REV. FATHER MORLEY, Catholic Priest.

REV. O. READ writes--"You have photographed the ball-room
correctly."

REV. B. FAY MILLS says: May God bless you in your work, and hope that
great good will be accomplished by this book. I believe what you say is
true. I know of such cases as you have described. It should be read by
all Christians.

CAPT. E. R. JENNINGS: "Among those who have spoken in praise of
your powerfully written little book, 'From the Ball-Room to Hell,' let
my name be enrolled."

REV. E. S. TAYLOR writes: "Last evening I purchased a copy of
'From the Ball-Room to Hell.' I read it through at one sitting, and
hasten to thank you for your noble utterance. I know from my own
experience that every word is true."

REV. S. E. WILSON, in a long and eulogistic letter, says: "This
book fills a vacant niche in the temple of literature, not occupied by
sermons or homilies."

PROF. HOMES, ex-dancing master, writes: "This book is founded
on facts."

THE REV. FATHER MORLEY, a Catholic Priest of California,
writes: "Having carefully read your excellent book, 'From the Ball-Room
to Hell,' I cannot forbear expressing my full approval, therefore I
cheerfully endorse every line contained therein. You have opened, dear
sir, a campaign against public evil. You can send to me one hundred
copies, which I shall place in the hands of my followers."

"The author writes evidently under a deep conviction of the truth, and
gives a voice of warning in terms that will nigh take away the breath of
many parents who read it. We think that every pastor ought to see that
one of these books should be placed in the hands of all members of their
church."--_California Christian Advocate._

The lady principal of one of the chief female educational establishments
on the Pacific Slope writes: "Myself and lady friends of mine have read
the book 'From the Ball-Room to Hell,' and think you have done a noble
work, and think it ought to be read by all parents."

PROF. A. T. SULLIVAN, ex-dancing master, says: "Waltzing is the
spur of lust."

"We feel pleased that there exists a pen bold enough to denounce the
evil complained of in so masterly a manner and in such vigorous English.
If we mistake not, it will work great good in the social world."--_Los
Angeles Evening Express._

"This book has created a greater flutter in social circles than anything
published within our remembrance. Its pages should receive careful
perusal of parents, and the equally careful attention of the young. We
believe every word of it is true."--_Los Angeles Times._





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