Title: The Brimming Cup
Author: Fisher, Dorothy Canfield, 1879-1958
Language: English
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THE BRIMMING CUP

_Dorothy Canfield_

HARCOURT, BRACE AND COMPANY NEW YORK

1919

_By the same author_

THE SQUIRREL-CAGE
A MONTESSORI MOTHER
MOTHERS AND CHILDREN
HILLSBORO PEOPLE
THE BENT TWIG
THE REAL MOTIVE
FELLOW CAPTAINS
(_With Sarah N. Cleghorn_)
UNDERSTOOD BETSY
HOME FIRES IN FRANCE
THE DAY OF GLORY
THE BRIMMING CUP
ROUGH-HEWN
RAW MATERIAL
THE HOME-MAKER
MADE-TO-ORDER STORIES
HER SON'S WIFE
WHY STOP LEARNING?
THE DEEPENING STREAM
BASQUE PEOPLE
FABLES FOR PARENTS
SEASONED TIMBER



CONTENTS

CHAPTER                                       Page
      I.  PRELUDE . . . . . . . . . . . . . .    3
     II.  INTERLUDE . . . . . . . . . . . . .   23

_PART ONE_

    III.  OLD MR. WELLES AND YOUNG MR. MARSH.   29
     IV.  TABLE TALK. . . . . . . . . . . . .   48
      V.  A LITTLE GIRL AND HER MOTHER. . . .   64
     VI.  THINGS TAKE THEIR COURSE. . . . . .   80
    VII.  THE NIGHT-BLOOMING CEREUS . . . . .   91
   VIII.  WHAT GOES ON INSIDE . . . . . . . .  115
     IX.  THE GENT AROUND THE LADY. . . . . .  130
      X.  AT THE MILL . . . . . . . . . . . .  151

_PART TWO_

     XI.  IN AUNT HETTY'S GARDEN. . . . . . .  179
    XII.  HEARD FROM THE STUDY. . . . . . . .  199
   XIII.  ALONG THE EAGLE ROCK BROOK. . . . .  215
    XIV.  BESIDE THE ONION-BED. . . . . . . .  224
     XV.  HOME-LIFE . . . . . . . . . . . . .  241
    XVI.  MASSAGE-CREAM; THEME AND VARIATIONS  256
   XVII.  THE SOUL OF NELLY POWERS. . . . . .  266

_PART THREE_

  XVIII.  BEFORE THE DAWN . . . . . . . . . .  279
    XIX.  MR. WELLES LIGHTS THE FUSE. . . . .  285
     XX.  A PRIMAEVAL HERITAGE. . . . . . . .  294
    XXI.  THE COUNSEL OF THE STARS. . . . . .  302
   XXII.  EUGENIA DOES WHAT SHE CAN . . . . .  309
  XXIII.  MARISE LOOKS DOWN ON THE STARS. . .  323

_PART FOUR_

   XXIV.  NEALE'S RETURN. . . . . . . . . . .  331
    XXV.  MARISE'S COMING-OF-AGE. . . . . . .  338
   XXVI.  MARISE LOOKS AND SEES WHAT IS THERE  360
  XXVII.  THE FALL OF THE BIG PINE. . . . . .  367
 XXVIII.  TWO GOOD-BYES . . . . . . . . . . .  380
   XXIX.  VIGNETTES FROM HOME-LIFE. . . . . .  390



THE BRIMMING CUP



CHAPTER I

_PRELUDE_

SUNSET ON ROCCA DI PAPA

_An Hour in the Life of Two Modern Young People_

April, 1909.


Lounging idly in the deserted little waiting-room was the usual shabby,
bored, lonely ticket-seller, prodigiously indifferent to the grave
beauty of the scene before him and to the throng of ancient memories
jostling him where he stood. Without troubling to look at his watch, he
informed the two young foreigners that they had a long hour to wait
before the cable-railway would send a car down to the Campagna. His lazy
nonchalance was faintly colored with the satisfaction, common to his
profession, in the discomfiture of travelers.

Their look upon him was of amazed gratitude. Evidently they did not
understand Italian, he thought, and repeated his information more
slowly, with an unrecognizable word or two of badly pronounced English
thrown in. He felt slightly vexed that he could not make them feel the
proper annoyance, and added, "It may even be so late that the signori
would miss the connection for the last tramway car back to Rome. It is a
long walk back to the city across the Campagna."

They continued to gaze at him with delight. "I've got to tip him for
that!" said the young man, reaching vigorously into a pocket.

The girl's answering laugh, like the inward look of her eyes, showed
only a preoccupied attention. She had the concentrated absent aspect of
a person who has just heard vital tidings and can attend to nothing
else. She said, "Oh, Neale, how ridiculous of you. He couldn't possibly
have the least idea what he's done to deserve getting paid for."

At the sound of her voice, the tone in which these words were
pronounced, the ticket-seller looked at her hard, with a bold,
intrusive, diagnosing stare: "Lovers!" he told himself conclusively. He
accepted with a vast incuriosity as to reason the coin which the young
foreigner put into his hand, and, ringing it suspiciously on his table,
divided his appraising attention between its clear answer to his
challenge, and the sound of the young man's voice as he answered his
sweetheart, "Of course he hasn't any idea what he's done to deserve it.
Who ever has? You don't suppose for a moment I've any idea what I've
done to deserve mine?"

The ticket-seller smiled secretly into his dark mustache. "I wonder if
_my_ voice quivered and deepened like that, when I was courting
Annunziata?" he asked himself. He glanced up from pocketing the coin,
and caught the look which passed between the two. He felt as though
someone had laid hands on him and shaken him. "_Dio mio_" he thought.
"They are in the hottest of it."

The young foreigners went across the tracks and established themselves
on the rocks, partly out of sight, just at the brink of the great drop
to the Campagna. The setting sun was full in their faces. But they did
not see it, seeing only each other.

Below them spread the divinely colored plain, crossed by the ancient
yellow river, rolling its age-old memories out to the sea, a blue
reminder of the restfulness of eternity, at the rim of the weary old
land. Like a little cluster of tiny, tarnished pearls, Rome gleamed
palely, remote and legendary.

       *       *       *       *       *

The two young people looked at each other earnestly, with a passionate,
single-hearted attention to their own meaning, thrusting away
impatiently the clinging brambles of speech which laid hold on their
every effort to move closer to each other. They did not look down, or
away from each other's eyes as they strove to free themselves, to step
forward, to clasp the other's outstretched hands. They reached down
blindly, tearing at those thorny, clutching entanglements, pulling and
tugging at those tenuous, tough words which would not let them say what
they meant: sure, hopefully sure that in a moment . . . now . . . with the
next breath, they would break free as no others had ever done before
them, and crying out the truth and glory that was in them, fall into
each other's arms.

The girl was physically breathless with this effort, her lips parted,
her eyebrows drawn together. "Neale, Neale dear, if I could only tell
you how I want it to be, how utterly utterly _true_ I want us to be.
Nothing's of any account except that."

She moved with a shrugging, despairing gesture. "No, no, not the way
that sounds. I don't mean, you know I don't mean any old-fashioned
impossible vows never to change, or be any different! I know too much
for that. I've seen too awfully much unhappiness, with people trying to
do that. You know what I told you about my father and mother. Oh, Neale,
it's horribly dangerous, loving anybody. I never wanted to. I never
thought I should. But now I'm in it, I see that it's not at all
unhappiness I'm afraid of, your getting tired of me or I of you . . .
everybody's so weak and horrid in this world, who knows what may be
before us? That's not what would be unendurable, sickening. That would
make us unhappy. But what would poison us to death . . . what I'm afraid
of, between two people who try to be what we want to be to each
other . . . how can I say it?" She looked at him in an anguish of endeavor,
". . . not to be true to what is deepest and most living in us . . . that
would be the betrayal I'm afraid of. That's what I mean. No matter what it
costs us personally, or what it brings, we must be true to that. We
_must!_"

He took her hand in his silently, and held it close. She drew a long
troubled breath and said, "You _do_ think we can always have between us
that loyalty to what is deep and living? It does not seem too much to
ask, when we are willing to give up everything else for it, even
happiness?"

He gave her a long, profound look. "I'm trying to give that loyalty to
you this minute, Marise darling," he said slowly, "when I tell you now
that I think it a very great deal to ask of life, a very great deal for
any human beings to try for. I should say it was much harder to get than
happiness."

She was in despair. "Do you think that?" She searched his face anxiously
as though she found there more than in his speech. "Yes, yes, I see what
you mean." She drew a long breath. "I can even see how fine it is of you
to say that to me now. It's like a promise of how you will try. But oh,
Neale, I won't _want_ life on any other terms!"

She stopped, looking down at her hand in his. He tightened his clasp.
His gaze on her darkened and deepened. "It's like sending me to get the
apples of Hesperides," he said, looking older than she, curiously and
suddenly older. "I want to say yes! It would be easy to say yes.
Darling, darling Marise, you can't want it more than I! But the very
intelligence that makes you want it, that makes me want it, shows me how
mortally hard it would be! Think! To be loyal to what is deepest and
most living in yourself . . . that's an undertaking for a life-time's
effort, with all the ups and downs and growths of life. And then to try
to know what is deepest and most living in another . . . and to try . . .
Marise! I will try. I will try with all my might. Can anybody do more
than try with all his might?"

Their gaze into each other's eyes went far beyond the faltering words
they spoke. She asked him in a low voice, "Couldn't you do more for me
than for yourself? One never knows, but . . . what else is love for, but
to give greater strength than we have?"

There was a moment's silence, in which their very spirits met flame-like
in the void, challenging, hoping, fearing. The man's face set. His
burning look of power enveloped her like the reflection of the sun. "I
swear you shall have it!" he said desperately, his voice shaking.

She looked up at him with a passionate gratitude. "I'll never forget
that as long as I live!" she cried out to him.

The tears stood in his eyes as in hers.

For the fraction of an instant, they had felt each other there, as never
before they had felt any other human being: they had both at once caught
a moment of flood-tide, and both together had been carried up side by
side; the long, inevitable isolation of human lives from birth onward
had been broken by the first real contact with another human soul. They
felt the awed impulse to cover their eyes as before too great a glory.

The tide ebbed back, and untroubled they made no effort to stop its
ebbing. They had touched their goal, it was really there. Now they knew
it within their reach. Appeased, assuaged, fatigued, they felt the need
for quiet, they knew the sweetness of sobriety. They even looked away
from each other, aware of their own bodies which for that instant had
been left behind. They entered again into the flesh that clad their
spirits, taking possession of their hands and feet and members, and
taken possession of by them again. The fullness of their momentary
satisfaction had been so complete that they felt no regret, only a
simple, tender pleasure as of being again at home. They smiled happily
at each other and sat silent, hand in hand.

       *       *       *       *       *

Now they saw the beauty before them, the vast plain, the mountains, the
sea: harmonious, serene, ripe with maturity, evocative of all the
centuries of conscious life which had unrolled themselves there.

"It's too beautiful to be real, isn't it?" murmured the girl, "and now,
the peaceful way I feel this minute, I don't mind it's being so old that
it makes you feel a midge in the sunshine with only an hour or two of
life before you. What if you are, when it's life as we feel it now, such
a flood of it, every instant brimming with it? Neale," she turned to him
with a sudden idea, "do you remember how Victor Hugo's 'Waterloo'
begins?"

"I should say not!" he returned promptly. "You forget I got all the
French I know in an American university."

"Well, I went to college in America, myself!"

"I bet it wasn't there you learned anything about Victor Hugo's poetry,"
he surmised skeptically. "Well, how does it begin, anyhow, and what's it
got to do with us?"

The girl was as unamused as he at his certainty that it had something to
do with them, or she would not have mentioned it. She explained, "It's
not a famous line at all, nothing I ever heard anybody else admire. We
had to learn the poem by heart, when I was a little girl and went to
school in Bayonne. It starts out,

     'Waterloo, Waterloo, morne plaine
     Comme une onde qui bout dans une urne trop pleine,'

And that second line always stuck in my head for the picture it made. I
could see it, so vividly, an urn boiling over with the great gush of
water springing up in it. It gave me a feeling, inside, a real physical
feeling, I mean. I wanted, oh so awfully, sometime to be so filled with
some emotion, something great and fine, that I would be an urn too full,
gushing up in a great flooding rush. I could see the smooth, thick curl
of the water surging up and out!"

She stopped to look at him and exclaim, "Why, you're listening! You're
interested. Neale, I believe you are the only person in the world who
can really pay attention to what somebody else says. Everybody else just
goes on thinking his own thoughts."

He smiled at this fancy, and said, "Go on."

"Well, I don't know whether that feeling was already in me, waiting for
something to express it, or whether that phrase in the poem started it.
But it was, for ever so long, the most important thing in the world to
me. I was about fourteen years old then, and of course, being a good
deal with Catholics, I thought probably it was religious ecstasy that
was going to be the great flood that would brim my cup full. I used to
go up the hill in Bayonne to the Cathedral every day and stay there for
hours, trying to work up an ecstasy. I managed nearly to faint away once
or twice, which was _some_thing of course. But I couldn't feel that
great tide I'd dreamed of. And then, little by little . . . oh, lots of
things came between the idea and my thinking about it. Mother was . . .
I've told you how Mother was at that time. And what an unhappy time it
was at home. I was pretty busy at the house because she was away so
much. And Father and I hung together because there wasn't anybody else
to hang to: and all sorts of ugly things happened, and I didn't have the
time or the heart to think about being 'an urn too full.'"

She stopped, smiling happily, as though those had not been tragic words
which he had just spoken, thinking not of them but of something else,
which now came out, "And then, oh Neale, that day, on the piazza in
front of St. Peter's, when we stood together, and felt the spray of the
fountains blown on us, and you looked at me and spoke out. . . . Oh, Neale,
_Neale_, what a moment to have lived through! Well, when we went on into
the church, and I knelt there for a while, so struck down with joy that
I couldn't stand on my feet, all those wild bursts of excitement, and
incredulity and happiness, that kept surging up and drenching me . . . I
had a queer feeling, that awfully threadbare feeling of having been
there before, or felt that before; that it was familiar, although it was
so new. Then it came to me, 'Why, I have it, what I used to pray for.
Now at last I am the urn too full!' And it was true, I could feel, just
as I dreamed, the upsurging of the feeling, brimming over, boiling up,
brimming over. . . . And another phrase came into my mind, an English one.
I said to myself, 'The fullness of life.' Now I know what it is."

She turned to him, and caught at his hand. "Oh, Neale, now I _do_ know
what it is, how utterly hideous it would be to have to live without it,
to feel only the mean little trickle that seems mostly all that people
have."

"Well, I'll never have to get along without it, as long as I have you,"
he said confidently.

"And I refuse to live a _minute_, if it goes back on me!" she cried.

"I imagine that old folks would think we are talking very young,"
suggested the man casually.

"Don't speak of them!" She cast them away into non-existence with a
gesture.

They sank into a reverie, smiling to themselves.

"How the fountains shone in the sun, that day," she murmured; "the spray
they cast on us was all tiny opals and diamonds."

"You're sure you aren't going to be sorry to go back to America to live,
to leave all that?" asked the man. "I get anxious about that sometimes.
It seems an awful jump to go away from such beautiful historic things,
back to a narrow little mountain town."

"I'd like to know what right you have to call it narrow, when you've
never even seen it," she returned.

"Well, anybody could make a pretty fair guess that a small Vermont town
isn't going to be so very _wide_," he advanced reasonably.

"It may not be wide, but it's deep," she replied.

He laughed at her certainty. "You were about eleven years old when you
saw it last, weren't you?"

"No, you've got it wrong. It was when we came to France to live that I
was eleven, and of course I stopped going to Ashley regularly for
vacations then. But I went back for several summers in the old house
with Cousin Hetty, when I was in America for college, after Mother
died."

"Oh well, I don't care what it's like," he said, "except that it's the
place where I'm going to live with you. Any place on earth would seem
wide enough and deep enough, if I had you there."

"Isn't it funny," she mused, "that I should know so much more about it
than you? To think how I played all around your uncle's mill and house,
lots of times when I was a little girl, and never dreamed . . ."

"No funnier than all the rest of it," he demurred. "Once you grant our
existing and happening to meet out of all the millions of people in the
world, you can't think up anything funnier. Just the little
two-for-a-cent queerness of our happening to meet in Rome instead of in
Brooklyn, and your happening to know the town where my uncle lived and
owned the mill he left me . . . that can't hold a candle for queerness,
for wonderfulness, compared to my having ever laid eyes on you. Suppose
I'd never come to Rome at all? When I got the news of Uncle Burton's
death and the bequest, I was almost planning to sail from Genoa and not
come to southern Italy at all."

She shook her head confidently. "You can't scare me with any such
hideous possibilities. It's not possible that we shouldn't ever have
met, both of us being in the world. Didn't you ever study chemistry?
Didn't they teach you there are certain elements that just _will_ come
together, no matter how you mix them up with other things?"

He made no answer, gazing out across the plain far below them, mellowing
richly in the ever-softening light of the sunset.

She looked doubtfully at his profile, rather lean, with the beginning
already drawn of the deep American line from the Corner of the nose to
the mouth, that is partly humorous and partly grim. "Don't you believe
that, Neale, that we would have come together somehow, anyhow?" she
asked, "even if you had gone straight back from Genoa to Ashley? Maybe
it might have been up there after you'd begun to run the mill. Maybe I'd
have gone back to America and gone up to visit Cousin Hetty again."

He was still silent.

She said urgently, as if in alarm, "Neale, you don't believe that we
could have passed all our lives and never have _seen_ each other?"

He turned on her his deep-set eyes, full of tenderness and humor and
uncertainty, and shook his head. "Yes, dear, I do believe that," he said
regretfully. "I don't see how I can help believing it. Why, I hadn't the
faintest idea of going back to settle in Ashley before I met you. I had
taken Uncle Burton's mill and his bequest of four thousand dollars as a
sort of joke. What could I do with them, without anything else? And what
on earth did I want to do with them? Nothing! As far as I had any plans
at all, it was to go home, see Father and Mother for a while, get
through the legal complications of inheritance, sell the mill and house
. . . I wouldn't have thought of such a thing as bothering even to go to
Ashley to look at them . . . and then take the money and go off somewhere,
somewhere different, and far away: to China maybe. I was pretty restless
in my mind, pretty sure that nothing in our civilization was worth the
candle, you know, before you arrived on the scene to put everything in
focus. And if I had done all that, while you were still here in Rome,
running up and down your scales, honestly . . . I know I sound awfully
literal . . . but I don't see how we ever could have met, do you, dear?"

He offered her this, with a look half of apology, half of simple
courage.

She considered it and him seriously, studying his face and eyes,
listening retrospectively to the accent of his words, and immensely
astonished him by suddenly flashing a kiss on his cheek. "You're
miraculous!" she said. "You don't know how it feels; as though I'd been
floundering in a marsh, deeper and deeper, and then all at once, when I
thought I'd come to know there wasn't anything in the world _but_ marsh,
to come out on beautiful, fine, clean earth, where I feel the very
strength of ages under my feet. You don't _know_ how good it seems to
have a silly, romantic remark like what I said, answered the way you
did, telling the truth; how _good_ it feels to be pulled down to what's
what, and to know you can do it and really love me too."

He had been so startled and moved by her kiss that he had heard her
words but vaguely. "I don't seem to catch hold of all that. What's it
all about?"

"It's all about the fact that I really begin to believe that you will be
loyal and tell me the truth," she told him.

He saw cause for gravity in this, remembering the great moment so
shortly back of them, and said with a surprised and hurt accent, "Didn't
you believe me, when I said I would?"

She took up his hand in hers and said rapidly, "Dear Neale, I did
believe it, for just a moment, and I can't believe anything good of
anybody for longer than that, not _really_ in my heart of hearts. And
it's my turn to tell you some truth when I tell you about that unbelief,
what I've hardly even ever told myself, right out in words."

He was listening now, fixing on her a look of profound, intelligent
attention, as she went on, stumbling, reaching out for words, discarding
those she found, only her steady gaze giving coherence to her statement.
"You know, living the way I have . . . I've told you . . . I've seen a
great deal more than most girls have. And then, half brought up in France
with people who are clever and have their eyes wide open, people who
really count, I've seen how they don't believe in humans, or goodness, or
anything that's not base. They know life is mostly bad and cruel and
dull and low, and above all that it's bound to fool you if you trust to
it, or get off your guard a single minute. They don't _teach_ you that,
you know; but you see it's what they believe and what they spend all
their energies trying to dodge a little, all they think they can. Then
everything you read, except the silly little Bibliothèque-Rose sort of
thing, makes you know that it's true . . . Anatole France, and Maupassant,
and Schnitzler. Of course back in America you find lots of nice people
who don't believe that. But they're so sweet you know they'd swallow
anything that made things look pleasant. So you don't dare take their
word for anything. They won't even look at what's bad in everybody's
life, they just pretend it's not there, not in _their_ husbands, or
wives or children, and so you know they're fooled." She lowered her
voice, which faltered a little, but she still continued to look straight
into his eyes, "And as for love, why, I've just hated the sound of the
name and . . . I'm horribly afraid of it, even now."

He asked her gravely, "Don't you love me? Don't you think that I love
you?"

She looked at him piteously, wincing, bracing herself with an effort to
be brave. "I must try to be as honest as I want you to be. Yes, I love
you, Neale, with all my heart a thousand times more than I ever dreamed
I could love anybody. But how do I know that I'm not somehow fooling
myself: but that maybe all that huge unconscious inheritance from all my
miserable ancestors hasn't _got_ me, somehow, and you too? How do I know
that I'm not being fooled by Nature and fooling you with fine words?"

She hesitated, probing deep into her heart, and brought out now, like a
great and unexpected treasure, "But, Neale, listen! I _don't_ think that
about you! I don't believe you're being fooled. Why, I believe in you
more than in myself!" She was amazed at this and radiant.

Then she asked him, "Neale, how do _you_ manage about all this? What do
you feel about all the capacity for being low and bad, that everybody
has? Aren't you afraid that they'll get the best of us, inevitably,
unless we let ourselves get so dull, and second-rate and passive, that
we can't even be bad? Are you afraid of being fooled? Do you believe in
yourself at all?"

He was silent for some time, his eyes steadily fixed on some invisible
realm. When he spoke it was with a firm, natural, unshaken accent. "Why,
yes, I think it very likely that I am being fooled all the time. But I
don't think it matters the least bit in the world beside the fact that I
love you. That's big enough to overtop everything else."

He raised his voice and spoke out boldly to the undefined specter in her
mind. "And if it's the mating instinct you mean, that may be fooling
both of us, because of our youth and bodily health . . . good heavens!
Isn't our love deep enough to absorb that a million times over, like the
water of a little brook flowing into the sea? Do you think _that_, which
is only a little trickle and a harmless and natural and healthy little
trickle, could unsalt the great ocean of its savor? Why, Marise, all
that you're so afraid of, all that they've made you so afraid of, . . .
it's like the little surface waves . . . well, call it the big storm waves
if you want to . . . but nothing at all, the biggest of them, compared to
the stillness in the depths of the sea. Why, I love you! Do I believe in
myself? Of course I believe in myself, because I have you."

She drew a long sigh and, closing her eyes, murmured, "I feel as though
I were lifted up on a great rock." After a moment, opening her eyes, she
said, "You are better than I, you know. I'm not at all sure that I could
say that. I never knew before that I was weak. But then I never met
strength before."

"You're not weak," he told her; adding quaintly, "maybe a little
overballasted; with brains and sensitiveness and under-ballasted with
experience, that's all. But you haven't had much chance to take on any
other cargo, as yet."

She was nettled at this, and leaving her slow, wide-winged poise in the
upper airs, she veered and with swallow-like swiftness darted down on
him. "That sounds patronizing and elder-brotherish," she told him. "I've
taken on all sorts of cargo that you don't know anything about. In ever
so many ways you seem positively . . . naïve! You needn't go thinking that
I'm always highstrung and fanciful. I never showed that side to anybody
before, never! Always kept it shut up and locked down and danced and
whooped it up before the door. You know how everybody always thinks of
me as laughing all the time. I do wish everything hadn't been said
already so many times. If it weren't that it's been said so often, I'd
like to say that I have always been laughing to keep from crying."

"Why don't you say it, if that is what you mean?" he proposed.

She looked at him marveling. "I'm so fatuous about you!" she exclaimed;
"the least little thing you say, I see the most wonderful possibilities
in it. I know _you'd_ say what you meant, no matter how many thousands
had said it before. And since I know it's not stupidness in you, why, it
seems to me just splendidly and simply courageous, a kind of courage I'd
never thought of before. I see now, how, after all, those stupid people
had me beaten, because I'd always thought that a person either had to be
stupid so that he didn't _know_ he was saying something everybody else
had said, or else not say it, even if he wanted to, ever so much, and it
was just what he meant."

"Don't you think maybe you're too much bothered about other people,
anyhow?" he suggested, mildly; "whether they're stupid or have said
things or not? What difference does it make, if it's a question of what
you yourself feel? I'd be just as satisfied if you gave _all_ your time
to discovering the wonderful possibilities in what I say. It would give
me a chance to conceal the fact that I get all out of breath trying to
follow what you mean."

This surprised her into a sudden laugh, outright and ringing. He looked
down at her sparkling face, brilliant in its mirth as a child's, and
said seriously, "You must instantly think of something perfectly prosaic
and commonplace to say, or I shall be forced to take you in my arms and
kiss you a great many times, which might have Lord knows what effect on
that gloomy-minded ticket-seller back of us who already has his
suspicions."

She rose instantly to the possibilities and said smoothly, swiftly,
whimsically, with the accent of drollery, "I'm very particular about
what sort of frying-pan I use. I insist on having a separate one for the
_fritures_ of fish, and another for the omelets, used only for that: I'm
a very fine and conscientious housekeeper, I'd have you know, and all
the while we lived in Bayonne I ran the house because Mother never got
used to French housekeeping ways. I was the one who went to market . . .
oh, the gorgeous things you get in the Bayonne market, near enough
Spain, you know, for real Malaga grapes with the aroma still on them,
and for Spanish quince-paste. I bossed the old Basque woman we had for
cook and learned how to cook from her, using a great many onions for
everything. And I learned how to keep house by the light of nature,
since it had to be done. And I'm awfully excited about having a house of
my own, just as though I weren't the extremely clever, cynical,
disillusioned, fascinating musical genius everybody knows me to be: only
let me warn you that the old house we are going to live in will need
lots done to it. Your uncle never opened the dreadful room he called the
parlor, and never used the south wing at all, where all the sunshine
comes in. And the pantry arrangements are simply humorous, they're so
inadequate. I don't know how much of that four thousand dollars you are
going to want to spare for remodeling the mill, but I will tell you
now, that I will go on strike if you don't give me a better cook-stove
than your Uncle's Touclé had to work with."

He had been listening with an appreciative grin to her nimble-witted
chatter, but at this he brought her up short by an astonished, "Who had?
What had? What's that . . . Touclé?"

She laughed aloud again, delighted at having startled him into
curiosity. "Touclé. Touclé. Don't you think it a pretty name? Will you
believe me when I say I know all about Ashley?"

"Oh, go on, tell me!" he begged. "You don't mean to say that my Uncle
Benton had pep enough to have a scandal in his life?"

"What do _you_ know about your uncle?"

"Oh, I'd seen him a few times, though I'd never been up to Ashley. As
long as Grandfather was alive and the mill at Adams Center was running,
Uncle Burton used to go there to see his father, and I always used to be
hanging around Grandfather and the mill, and the woods. I was crazy
about it all, as a boy, used to work right along with the mill-hands,
and out chopping with the lumbermen. Maybe Uncle Burton noticed that."
He was struck with a sudden idea, "By George, maybe _that_ was why he
left me the mill!" He cast his eye retrospectively on this idea and was
silent for a moment, emerging from his meditation to say, wonderingly,
"Well, it certainly is _queer_, how things come out, how one thing hangs
on another. It's enough to addle your brains, to try to start to follow
back all the ways things happen . . . ways you'd never thought of as of
the least importance."

"Your Uncle Burton was of some importance to _us_," she told him. "Miss
Oldham at the _pension_ said that she had just met a new American, down
from Genoa, and when I heard your name I said, 'Oh, I used to know an
old Mr. Crittenden who ran a wood-working factory up in Vermont, where I
used to visit an old cousin of mine,' and that was why Miss Oldham
introduced us, that silly way, as cousins."

He said, pouncingly, "You're running on, inconsequently, just to divert
my mind from asking you again who or what Touclé is."

"You can ask and ask all you like," she defied him, laughing. "I'm not
going to tell you. I've got to have _some_ secrets from you, to keep up
the traditions of self-respecting womanhood. And anyhow I couldn't tell
you, because she is different from everything else. You'll see for
yourself, when we get there. If she's still alive." She offered a
compromise, "I'll tell you what. If she's dead, I'll sit down and tell
you about her. If she's still alive, you'll find out. She's an Ashley
institution, Touclé is. As symbolic as the Cumean Sybil. I don't believe
she'll be dead. I don't believe she'll _ever_ be dead."

"You've let the cat out of the bag enough so I've lost my interest in
her," he professed. "I can make a guess that she's some old woman, and I
bet you I won't see anything remarkable in her. Except that wild name.
Is it Miss Touclé, or Mrs. Touclé?"

The girl burst into laughter at this, foolish, light-hearted mirth which
drenched the air all about her with the perfume of young gaiety. "Is it
Miss Druid, or Mrs. Druid?" was all she would say.

She looked up at him, her eyes shining, and cried between her gusts of
laughter, as if astonished, "Why, I do believe we are going to be happy
together. I do believe it's going to be fun to live with you."

His appalled surprise that she had again fallen into the pit of
incredulity was, this time, only half humorous. "For God's sake, what
_did_ you think!"

She answered, reasonably, "Well, nobody ever is happy together, either
in books or out of them. Of all the million, million love-affairs that
have happened, does anybody ever claim any one to have been happy?"

His breath was taken away. He asked helplessly, "Well, why _are_ you
marrying me?"

She replied very seriously, "Because I can't help myself, dear Neale.
Isn't that the only reason you're marrying me?"

He looked at her long, his nostrils quivering a little, gave a short
exclamation which seemed to carry away all his impatience, and finally
said, quietly enough, "Why, yes, of course, if that's the way you want
to put it. You can say it in a thousand thousand different ways."

He added with a sudden fury, "And never one of them will come anywhere
near expressing it. Look here, Marise, I don't believe you have the
faintest, faintest idea how big this thing is. All these fool clever
ways of talking about it . . . they're just a screen set up in front of
it, to my mind. It's enough sight bigger than just you or me, or
happiness or unhappiness. It's the meaning of everything!"

She considered this thoughtfully. "I don't believe I really know what
you mean," she said, "or anyhow that I _feel_ what you mean. I have had
dreams sometimes, that I'm in something awfully big and irresistible
like a great river, flowing somewhere; but I've never felt it in waking
hours. I wish I could. It's lovely in dreams. You evidently do, even
awake."

He said, confidently, "You will, later on."

She ventured, "You mean, maybe, that I'm so shaken up by the little
surface waves, chopping back and forth, that I don't feel the big
current."

"It's there. Whether you feel it or not," he made final answer to her
doubt.

She murmured, "I wonder if there is anything in that silly,
old-fashioned notion that men are stronger than women, and that women
must lean on men's strength, to live?"

"Everybody's got to lean on his own strength, sooner or later," he told
her with a touch of grimness.

"You just won't be romantic!" she cried admiringly.

"I really love you, Marise," he answered profoundly; and on this
rock-like assurance she sank down with a long breath of trust.

       *       *       *       *       *

The sun was dipping into the sea now, emblazoning the sky with a last
flaming half-circle of pure color, but the light had left the dusky
edges of the world. Already the far mountains were dimmed, and the
plain, passing from one deep twilight color to another more somber, was
quietly sinking into darkness as into the strong loving arms of ultimate
dissolution.

The girl spoke in a dreamy twilight tone, "Neale dear, this is not a
romantic idea . . . honestly, I do wish we could both die right here and
never go down to the plain any more. Don't you feel that? Not at all?"

His voice rang out, resonant and harsh as a bugle-note, "No, I do not,
not at all, not for a single moment. I've too much ahead of me to feel
that. And so have you!"

"There comes the cable-car, climbing up to get us," she said faintly.
"And we will go down from this high place of safety into that dark
plain, and we will have to cross it, painfully, step by step. _Dare_ you
promise me we will not lose our way?" she challenged him.

"I don't promise you anything about it," he answered, taking her hand in
his. "Only I'm not a bit afraid of the plain, nor the way that's before
us. Come along with me, and let's see what's there."

"Do you think you know where we are going, across that plain?" she asked
him painfully; "even where we are to _try_ to go?"

"No, I don't know, now," he answered undismayed. "But I think we will
know it as we go along because we will be together."

       *       *       *       *       *

The darkness, folding itself like a velvet mantle about the far
mountains, deepened, and her voice deepened with it. "Can you even
promise that we won't lose each other there?" she asked somberly.

At this he suddenly took her into his arms, silently, bending his face
to hers, his insistent eyes bringing hers up to meet his gaze. She could
feel the strong throbbing of his heart all through her own body.

She clung to him as though she were drowning. And indeed she felt that
she was. Life burst over them with a roar, a superb flooding tide on
whose strong swelling bosom they felt themselves rising, rising
illimitably.

The sun had now wholly set, leaving to darkness the old, old plain,
soaked with humanity.



CHAPTER II

_INTERLUDE_

     March 15, 1920.
        8:30 A.M.


Marise fitted little Mark's cap down over his ears and buttoned his blue
reefer coat close to his throat.

"Now you big children," she said, with an anxious accent, to Paul and
Elly standing with their school-books done up in straps, "be sure to
keep an eye on Mark at recess-time. Don't let him run and get all hot
and then sit down in the wind without his coat. Remember, it's his first
day at school, and he's only six."

She kissed his round, smooth, rosy cheek once more, and let him go. Elly
stooped and took her little brother's mittened hand in hers. She said
nothing, but her look on the little boy's face was loving and maternal.

Paul assured his mother seriously, "Oh, I'll look out for Mark, all
right."

Mark wriggled and said, "_I_ can looken out for myself wivout Paul!"

Their mother looked for a moment deep into the eyes of her older son, so
clear, so quiet, so unchanging and true. "You're a good boy, Paul, a
real comfort," she told him.

To herself she thought, "Yes, all his life he'll look out for people and
get no thanks for it."

       *       *       *       *       *

She followed the children to the door, wondering at her heavy heart.
What could it come from? There was nothing in life for her to fear of
course, except for the children, and it was absurd to fear for them.
They were all safe; safe and strong and rooted deep in health, and
little Mark was stepping off gallantly into his own life as the others
had done. But she felt afraid. What could she be afraid of? As she
opened the door, their advance was halted by the rush upon them of
Paul's dog, frantic with delight to see the children ready to be off,
springing up on Paul, bounding down the path, racing back to the door,
all quivering eager exultation. "Ah, he's going _with_ the children!"
thought Marise wistfully.

She could not bear to let them leave her and stood with them in the open
door-way for a moment. Elly rubbed her soft cheek against her mother's
hand. Paul, seeing his mother shiver in the keen March air, said,
"Mother, if Father were here he'd make you go in. That's a thin dress.
And your teeth are just chattering."

"Yes, you're right, Paul," she agreed; "it's foolish of me!"

The children gave her a hearty round of good-bye hugs and kisses,
briskly and energetically performed, and went down the stone-flagged
path to the road. They were chattering to each other as they went. Their
voices sounded at first loud and gay in their mother's ears. Then they
sank to a murmur, as the children ran along the road. The dog bounded
about them in circles, barking joyfully, but this sound too grew fainter
and fainter.

When the murmur died away to silence, there seemed no sound left in the
stark gray valley, empty and motionless between the steep dark walls of
pine-covered mountains.

       *       *       *       *       *

Marise stood for a long time looking after the children. They were
climbing up the long hilly road now, growing smaller and smaller. How
far away they were, already! And that very strength and vigor of which
she was so proud, which she had so cherished and fostered, how rapidly
it carried them along the road that led away from her!

They were almost at the top of the hill now. Perhaps they would turn
there and wave to her.

No, of course now, she was foolish to think of such a thing. Children
never remembered the people they left behind. And she was now only
somebody whom they were leaving behind. She felt the cold penetrate
deeper and deeper into her heart, and knew she ought to go back into the
house. But she could not take her eyes from the children. She thought to
herself bitterly, "This is the beginning of the end. I've been feeling
how, in their hearts, they want to escape from me when I try to hold
them, or when I try to make them let me into their lives. I've given
everything to them, but they never think of that. _I_ think of it! Every
time I look at them I see all those endless hours of sacred sacrifice.
But when they look at me, do they see any of that? No! Never! They only
see the Obstacle in the way of their getting what they want. And so they
want to run away from it. Just as they're doing now."

She looked after them, yearning. Although they were so far, she could
see them plainly in the thin mountain air. They were running mostly,
once in a while stopping to throw a stone or look up into a tree. Then
they scampered on like squirrels, the fox-terrier bounding ahead.

       *       *       *       *       *

Now they were at the top where the road turned. Perhaps, after all, they
_would_ remember and glance back and wave their hands to her.

       *       *       *       *       *

Now they had disappeared, without a backward look.

       *       *       *       *       *

She continued gazing at the vacant road. It seemed to her that the
children had taken everything with them.

       *       *       *       *       *

A gust of icy wind blew down sharply from the mountain, still
snow-covered, and struck at her like a sword. She turned and went back
shivering, into the empty house.



PART I



CHAPTER III

OLD MR. WELLES AND YOUNG MR. MARSH

_An Hour in the Life of Mr. Ormsby Welles, aet. 67_

     March 15, 1920.
        3:00 P.M.


Having lifted the knocker and let it fall, the two men stood gazing with
varying degrees of attention at the closed white-painted old door. The
younger, the one with the round dark head and quick dark eyes, seemed
extremely interested in the door, and examined it competently, its
harmoniously disposed wide panels, the shapely fan-light over it, the
small panes of greenish old glass on each side. "Beautiful old bits you
get occasionally in these out-of-the-way holes," he remarked. But the
older man was aware of nothing so concrete and material. He saw the door
as he saw everything else that day, through a haze. Chiefly he was
concerned as to what lay behind the door. . . . "My neighbors," he thought,
"the first I ever had."

The sun shone down through the bare, beautiful twigs of the leafless
elms, in a still air, transparent and colorless.

The handle of the door turned, the door opened. The older man was too
astonished by what he saw to speak, but after an instant's pause the
younger one asked if Mr. and Mrs. Crittenden were at home and could see
callers. The lean, aged, leather-colored woman, with shiny opaque black
eyes, opened the door wider and silently ushered them into the house.

As long as she was in sight they preserved a prudent silence as profound
as hers, but when she had left them seated, and disappeared, they turned
to each other with lifted eyebrows. "Well, what was _that_, do you
suppose?" exclaimed the Younger. He seemed extremely interested and
amused. "I'm not so sure, Mr. Welles, about your being safe in never
locking your doors at night, as they all tell you, up here. With that
for a neighbor!"

The older man had a friendly smile for the facetious intention of this.
"I guess I won't have anything that'd be worth locking doors on," he
said. He looked about him still smiling, his pleasant old eyes full of a
fresh satisfaction in what he saw. The room was charming to his gaze,
cheerful and homey. "I don't believe I'm going to have anything to
complain of, with the folks that live in this house," he said, "any more
than with any of the rest of it."

The other nodded. "Yes, it's a very good room," he agreed. After a
longer inspection, he added with a slight accent of surprise, "An oddly
good room; stunning! Look at the color in those curtains and the walls,
and the arrangement of those prints over that Chippendale sewing-table.
I wonder if it's accidental. You wouldn't think you'd find anybody up
here who could achieve it consciously."

He got to his feet with a vigorous precision of movement which the other
admired. "Well, he's grown to be considerable of a man," he thought to
himself. "A pity his father couldn't have lived to see it, all that
aliveness that had bothered them so much, down at last where he's got
his grip on it. And enough of it, plenty of it, oceans of it, left so
that he is still about forty times more alive than anybody else." He
looked tolerantly with his tired elderly amusement at the other,
stepping about, surveying the room and every object in it.

The younger brought himself up short in front of a framed photograph.
"Why, here's a château-fort I don't know!" he said with an abrupt
accent. He added, with some vehemence, "I never even heard of it, I'm
sure. And it's authentic, evidently."

The older man sat perfectly still. He did not know what a shatto four
was, nor had he the slightest desire to ask and bring the information
down on him, given as the other would give it, pressingly, vividly, so
that you had to listen whether you wanted to or not. Heaven knew he did
not want to know about whatever it was, this time. Not about that, nor
anything else. He only wanted to rest and have a little life before it
was too late. It was already too late for any but the quietest sort. But
that was no matter. He wouldn't have liked the other kind very well
probably. He certainly had detested the sort of "life" he'd experienced
in business. The quietest sort was what he had always wanted and never
got. And now it really seemed as though he was going to have it. For all
his fatigued pose in the old arm-chair, his heart beat faster at the
idea. He hadn't got used to being free yet. He'd heard people say that
when you were first married it was like that, you couldn't realize it.
He'd heard one of the men at the office say that for a long time, every
time he heard his bride's skirts rustle, he had to turn his head to make
sure she was really there. Well, he would like now to get up and look
out of that window and see if his garden was really there. _His garden!_
He thought with a secret feeling, half pity and half shame, of those
yellowed old seed catalogues which had come, varnished and brilliant and
new, year after year, so long ago, which he'd looked at so hard and so
long, in the evenings, and put away to get yellow and sallow like his
face . . . and his hopes. It must be almost time to "make garden," he
thought. He had heard them saying at the store that the sap was
beginning to run in the maple-trees. He would have just time to get
himself settled in his house . . . he felt an absurd young flush come up
under his grizzled beard at this phrase . . . "his house," his own house,
with bookshelves, and a garden. How he loved it all already! He sat very
still, feeling those savagely lopped-off tendrils put out their curling
fingers once more, this time unafraid. He sat there in the comfortable
old arm-chair at rest as never before. He thought, "This is the way I'm
going to feel right along, every day, all the time," and closed his
eyes.

He opened them again in a moment, moved subconsciously by the life-time
habit of making sure what Vincent was up to. He smiled at the keen look
of alert, prick-eared attention which the other was still giving to that
room! Lord, how Vincent did love to get things all figured out! He
probably had, by this time, an exact diagram of the owners of the house
all drawn up in his mind and would probably spend the hour of their
call, seeing if it fitted. Not that _they_ would have any notion he was
doing anything but talk a blue streak, or was thinking of anything but
introducing an old friend.

One thing he wanted in his garden was plenty of gladioli. Those poor,
spindling, watery ones he had tried to grow in the window-box, he'd
forget that failure in a whole big row all along the terrace, tall and
strong, standing up straight in the country sunshine. What was the
address of that man who made a specialty of gladioli? He ought to have
noted it down. "Vincent," he asked, "do you remember the address of that
Mr. Schwatzkummerer who grew nothing but gladioli?" Vincent was looking
with an expression of extreme astonishment at the sheet of music on the
piano. He started at the question, stared, recollected himself, laughed,
and said, "Heavens, no, Mr. Welles!" and went back into his own world.
There were lots of things, Mr. Welles reflected, that Vincent did _not_
care about just as hard as he cared about others.

In a moment the younger man came and sat down on the short, high-armed
sofa. Mr. Welles thought he looked puzzled, a very unusual expression on
that face. Maybe, after all, he hadn't got the owners of the house so
well-plotted out as he thought he ought to. He himself, going on with
his own concerns, remarked, "Well, the name must be in the Long Island
telephone directory. When you go back you could look it up and send me
word."

"Whose name?" asked Vincent blankly.

"Schwatzkummerer," said the other.

"_What_!" cried Vincent incredulously, and then, "Oh yes," and then,
"Sure, yes, I'll look it up. I'm going back Thursday on the night train.
I won't leave the Grand Central without going to a telephone booth,
looking it up, and sending it to you on a postcard, mailed there. It
ought to be here on the morning mail Saturday."

The older man knew perfectly well that he was being a little laughed at,
for his absorption in gladioli, and not minding it at all, laughed
himself, peaceably. "It would take a great deal more than a little of
Vincent's fun," he thought, "to make me feel anything but peaceable
here." He was quite used to having people set him down as a harmless,
worn-out old duffer, and he did not object to this conception of his
character. It made a convenient screen behind which he could carry on
his own observation and meditation uninterrupted.

"Here comes somebody," said Vincent and turned his quick eyes toward the
door, with an eager expression of attention. He really _must_ have been
stumped by something in the room, thought Mr. Welles, and meant to
figure it out from the owners of the house themselves.

The tall, quiet-looking lady with the long dark eyes, who now came in
alone, excusing herself for keeping them waiting, must of course be Mrs.
Crittenden, Mr. Welles knew. He wished he could get to his feet as
Vincent did, looking as though he had got there by a bound or a spring
and were ready for another. He lifted himself out of his arm-chair with
a heaviness he knew seemed all the heavier by contrast, took the slim
hand Mrs. Crittenden offered him, looked at her as hard as he dared, and
sank again into the arm-chair, as she motioned him to do. He had had a
long experience in judging people quickly by the expression of their
faces, and in that short length of time he had decided thankfully that
he was really, just as he had hoped, going to like his new neighbor as
much as all the rest of it. He gave her a propitiatory smile, hoping she
might like him a little, too, and hoping also that she would not mind
Vincent. Sometimes people did, especially nice ladies such as evidently
Mrs. Crittenden was. He observed that as usual Vincent had cut in ahead
of everybody else, had mentioned their names, both of them, and was
talking with that . . . well, the way he _did_, which people either liked
very much or couldn't abide. He looked at Vincent as he talked. He was
not a great talker himself, which gave him a great deal of practice in
watching people who did. He often felt that he _saw_ more than he heard,
so much more did people's faces express than their words.

He noticed that the younger man was smiling a good deal, showing those
fine teeth of his, and he had one of those instantaneously-gone,
flash-light reminiscences of elderly people, . . . the day when Mr. Marsh
had been called away from the office and had asked him to go with little
Vincent to keep an appointment with the dentist. Heavens! How the kid
had roared and kicked! And now he sat there, smiling, "making a call,"
probably with that very filling in his tooth, grown-up, not even so very
young any more, with a little gray in his thick hair, what people often
called a good-looking man. How life did run between your fingers! Well,
he would close his hand tight upon what was left to him. He noticed
further that as Vincent talked, his eyes fixed on his interlocutor, his
vigorous hands caressed with a slow circular motion the rounded arms of
his chair. "What a three-ringed circus that fellow is," he thought. "I
bet that the lady thinks he hasn't another idea in his head but
introducing an old friend, and all the time he's taking her in, every
inch of her, and three to one, what he'll talk about most afterwards is
the smooth hard feeling of those polished arm-chairs." Vincent was
saying, ". . . and so, we heard in a round-about way too long to bother
you with, about the small old house next door being for sale, and how
very quiet and peaceful a spot this is, and the Company bought it for
Mr. Welles for a permanent home, now he has retired."

"Pretty fine of them!" murmured the older man dutifully, to the lady.

Vincent went on, "Oh, it's only the smallest way for them to show their
sense of his life-time devotion to their interests. There's no
estimating what we all owe him, for his steadiness and loyalty and good
judgment, especially during that hard period, near the beginning. _You_
know, when all electrical businesses were so entirely on trial still.
Nobody knew whether they were going to succeed or not. My father was one
of the Directors from the first and I've been brought up in the
tradition of how much the small beginning Company is indebted to Mr.
Welles, during the years when they went down so near the edge of ruin
that they could see the receiver looking in through the open door."

Welles moved protestingly. He never had liked the business and he didn't
like reminders that he owed his present comfort to it. Besides this was
reading his own epitaph. He thought he must be looking very foolish to
Mrs. Crittenden. Vincent continued, "But of course that's of no great
importance up here. What's more to the purpose is that Mr. Welles is a
great lover of country life and growing things, and he's been forced to
keep his nose on a city grindstone all his life until just now. I think
I can guarantee that you'll find him a very appreciative neighbor,
especially if you have plenty of gladioli in your garden."

This last was one of what Welles called "Vincent's sidewipes," which he
could inlay so deftly that they seemed an integral part of the
conversation. He wondered what Mrs. Crittenden would say, if Vincent
ever got through his gabble and gave her a chance. She was turning to
him now, smiling, and beginning to speak. What a nice voice she had! How
nice that she should have such a voice!

"I'm more than glad to have you both come in to see me, and I'm
delighted that Mr. Welles is going to settle here. But Mr. . . ." she
hesitated an instant, recalled the name, and went on, "Mr. Marsh doesn't
need to explain you any more. It's evident that you don't know Ashley,
or you'd realize that I've already heard a great deal more about you
than Mr. Marsh would be likely to tell me, very likely a good deal more
than is true. I know for instance, . . ." she laughed and corrected
herself, ". . . at least I've been told, what the purchase price of the
house was. I know how Harry Wood's sister-in-law's friend told you about
Ashley and the house in the first place. I know how many years you were
in the service of the Company, and how your pension was voted
unanimously by the Directors, and about the silver loving-cup your
fellow employees in the office gave you when you retired; and indeed
every single thing about you, except the exact relation of the elderly
invalid to whose care you gave up so generously so much of your life;
I'm not sure whether I she was an aunt or a second-cousin." She paused
an instant to give them a chance to comment on this, but finding them
still quite speechless, she went on. "And now I know another thing, that
you like gladioli, and that is a real bond."

She was interrupted here by a great explosive laugh from Vincent. It was
his comment on her speech to them, and for a time he made no other,
eyeing her appreciatively as she and Mr. Welles talked garden together,
and from time to time chuckling to himself. She gave him once a sidelong
amused glance, evidently liking his capacity to laugh at seeing the
ground cut away from under his feet, evidently quite aware that he was
still thinking about that, and not at all about Mr. Welles and
tulip-beds. Welles was relieved at this. Apparently she was going to
"take" Vincent the right way. Some ladies were frightfully rubbed the
wrong way by that strange great laugh of Vincent's. And what she knew
about gardening! And not only about gardening in general, but about his
own garden. He was astounded at her knowledge apparently of every inch
of the quadrangle of soil back of his house, and at the revelations she
made to him of what could lie sleeping under a mysterious blank surface
of earth. Why, a piece of old ground was like a person. You had to know
it, to have any idea of all that was hidden in its bosom, good and bad.
"There never was such a place for pigweed as the lower end of your
vegetable lot," she told him; "you'll have to get up nights to fight it
if there is plenty of rain this summer." And again, "Be careful about
not digging too close to the east wall of your terrace. There is a
border of peonies there, splendid pink ones, and you're likely to break
off the shoots. They don't show so early as the red ones near the walk,
that get more sun."

"Did you ever use to _live_ in that house?" he asked her, respectful of
her mastery of its secrets.

She laughed. "No, oh no. We've lived right here all the eleven years of
our life in Vermont. But there's another side to the local wireless
information-bureau that let me know all about you before you ever got
here. We all know all about everybody and everything, you know. If you
live in the country you're really married to humanity, for better or for
worse, not just on speaking terms with it, as you are in the city. Why,
I know about your garden because I have stood a thousand, thousand times
leaning on my hoe in my own garden, discussing those peonies with old
Mrs. Belham who lived there before you." This seemed to bring up some
picture into her mind at which she looked for a moment, turning from it
to the man beside her, with a warmth in her voice which went to his
heart. "It's been forlorn having that dear little old house empty and
cold. I can't _tell_ you how glad I am you have come to warm it, and
live in it."

The wonder of it overcame Mr. Welles like a wave. "I can't believe I'm
really going to!" he cried desperately. "It doesn't seem _possible_!" He
felt shamed, knowing that he had burst out too violently. What could she
know of what lay back of him, that he was escaped from! What could she
think of him, but that he was a foolish, bitter old man?

She did not seem to think that, looking at him attentively as though she
wanted to make out just what he meant. Perhaps she did make out, for she
now said gently, "I believe you are going to like it, Mr. Welles. I
believe you are going to find here what, . . . what you deserve to find."
She said quietly, "I hope we shall be good neighbors to you."

She spoke so kindly, her look on him was so humane that he felt the
water coming to his eyes. He was in a foolishly emotional state, these
first days. The least little thing threw him off the track. It really
_did_ seem hardly possible that it was all true. That the long grind at
the office was over, the business he had always hated and detested, and
the long, hateful slavery at the flat finished at last, and that he had
come to live out what was left to him in this lovely, peaceful valley,
in that quiet welcoming little house, with this sweet woman next door!
He swallowed. The corners of his mouth twitched. What an old lunatic he
was. But he did not dare trust himself to speak again.

Now Vincent's voice rose. What a length of time Vincent had been
silent,--he who never took a back seat for anybody! What had he been
doing all this time, sitting there and staring at them with those
awfully brilliant eyes of his? Very likely he had seen the silly weak
tears so near the surface, had caught the sentimental twitch of the
mouth. Yes, quite certainly, for, now he was showing his tact by
changing the subject, changing it with a vengeance. "Mrs. Crittenden,"
he was saying, "my curiosity has been touched by that very fine
photograph over there. I don't recognize the castle it shows."

"That's in Bayonne," she said, and paused, her eyes speculatively on
him.

"No, Heavens no! You don't need to tell me that it's not Bayonne, New
Jersey!" he answered her unspoken question violently. This made her
laugh, opening her long eyes a little. He went on, "I've been as far as
Pau, but never went into the Basque country."

"Oh, Pau." She said no more than this, but Welles had the impression
that these words somehow had made a comment on Vincent's information.
Vincent seemed to think so too, and curiously enough not to think it a
very favorable comment. He looked, what he almost never looked, a little
nettled, and spoke a little stiffly. "It's a very fine specimen," he
said briefly, looking again at the photograph.

"Oh, it looks very much finer and bigger in the photograph than it
really is," she told them. "It's only a bandbox of a thing compared with
Coucy or Pierrefonds or any of the northern ones. It was built, you
know, like the Cathedral at Bayonne, when the Plantagenets still held
that country, but after they were practically pretty near English, and
both the château and the Gothic cathedral seem queer aliens among the
southern natives. I have the photograph up there on the wall only
because of early associations. I lived opposite it long ago when I was a
little girl."

This, to Mr. Welles, was indistinguishable from the usual talk of people
who have been "abroad." To tell the truth they always sounded to him
more or less "showing-off," though he humbly tried to think it was only
because he could never take any part in such talk. He certainly did not
see anything in the speech to make Vincent look at her, almost with his
jaw dropped. He himself paid little attention to what she was now
saying, because he could not keep his mind from the lingering sweet
intonations of her voice. What difference did it make where she had
lived as a little girl? She was going to live next door to him now; what
an awfully nice woman she was, and quite a good-looking woman too, with
a very nice figure, although not in her very first youth, of course. How
old could she be? Between thirty and forty of course, but You couldn't
tell where. His personal taste was not for such a long face as hers. But
you didn't notice that when she smiled. He liked the way she did her
black hair, too, so smooth and shining and close to her head. It looked
as though she'd really combed and brushed it, and most women's hair
didn't.

She turned to him now, again, and said, "Is this your very first call in
Ashley? Because if it is, I mustn't miss the opportunity to cut in ahead
of all the other gossips, and give you a great deal of information. You
might just as well have it all in one piece now, and get it straight, as
take it in little snippets from old Mrs. Powers, when she comes to bring
your milk, this evening. You see I know that you are to get your milk of
the Powers, and that they have plucked up courage to ask you eight cents
a quart although the price around here has been, till now, six cents.
You'll be obliged to listen to a great many more details from Mrs.
Powers than from me, even those she knows nothing about. But of course
you must be introduced to the Powers, _in toto_ too. Old Mrs. Powers, a
very lively old widow, lives on her farm nearly at the foot of Deer
Hollow. Her married son and his family live with her. In this house,
there is first of all my husband. I'm so sorry he is away in Canada just
now, on lumbering business. He is Neale Crittenden, a Williams man, who
in his youth had thoughts of exploring the world but who has turned out
head of the 'Crittenden Manufacturing Company,' which is the
high-sounding name of a smallish wood-working business on the other side
of the field next our house. You can see the buildings and probably hear
the saws from your garden. Properly speaking, you know, you don't live
in Ashley but in 'Crittenden's' and your house constitutes one quarter
of all the residences in that settlement. There are yours, and ours, the
mill-buildings, the house where an old cousin of mine lives, and the
Powers' house, although that is so far away, nearly half a mile, that it
is really only a farm-house in the country. _We_, you see, are the
suburb of Ashley."

Marsh laughed out again at this, and she laughed with him, their eyes,
shining with amusement, meeting in a friendly glance.

"The mill is the most important member of Crittenden's, of course. Part
of the mill-building is pre-Revolutionary, and very picturesque. In the
life-time of my husband's uncle, it still ran by water-power with a
beautiful, enormous old mossy water-wheel. But since we took it over,
we've had to put in modern machinery very prosaically and run it on its
waste of slabs, mostly. All sorts of small, unimportant objects are
manufactured there, things you never heard of probably. Backs of
hair-brushes, wooden casters to put under beds and chairs, rollers for
cotton mills. As soon as my husband returns, I'll ask him to take you
through it. That and the old church are the only historic monuments in
town."

She stopped and asked him meditatively, "What else do you suppose I need
to forestall old Mrs. Powers on? My old Cousin Hetty perhaps. She has a
last name, Allen--yes, some connection with Ethan Allen. I am, myself.
But everybody has always called her Miss Hetty till few people remember
that she has another name. She was born there in the old house below
'the Burning,' and she has lived there for eighty years, and that is all
her saga. You can't see her house from here, but it is part of
Crittenden's all the same, although it is a mile away by the main road
as you go towards the Dug-Way. But you can reach it in six or seven
minutes from here by a back lane, through the Eagle Rock woods."

"What nice names!" Mr. Welles luxuriated in them. "The Eagle Rock woods.
The Dug-Way. The Burning. Deer Hollow."

"I bet you don't know what they mean," Vincent challenged him. Vincent
was always throwing challenges, at everything. But by this time he had
learned how to dodge them. "No, I don't know, and I don't care if I
don't," he answered happily.

It pleased him that Mrs. Crittenden found this amusing, so that she
looked at him laughing. How her eyes glistened when she laughed. It made
you laugh back. He risked another small attempt at facetiousness. "Go on
with the census of Crittenden's," he told her. "I want to know all about
my future fellow-citizens. You haven't even finished up this house,
anybody but your husband."

"There is myself. You see me. There is nothing more to that. And there
are the three children, Paul, Elly, and Mark, . . ." She paused here
rather abruptly, and the whimsical accent of good-humored mockery
disappeared. For an instant her face changed into something quite
different from what they had seen. Mr. Welles could not at all make out
the expression which very passingly had flickered across her eyes with a
smoke-like vagueness and rapidity. He had the queerest fancy that she
looked somehow scared,--but of course that was preposterous.

"Your call," she told them both, "happens to fall on a day which marks a
turning-point in our family life. This is the very first day in ten
years, since Paul's birth, that I have not had at least one of the
children beside me. Today is the opening of spring term in our country
school, and my little Mark went off this morning, for the first time,
with his brother and sister. I have been alone until you came." She
stopped for a moment. Mr. Welles wished that Vincent could get over his
habit of staring at people so. She went on, "I have felt very queer
indeed, all day. It's as though . . . you know, when you have been walking
up and up a long flight of stairs, and you go automatically putting one
foot up and then the other, and then suddenly . . . your upraised foot
falls back with a jar. You've come to the top, and, for an instant, you
have a gone feeling without your stairs to climb."

It occurred to Mr. Welles that really perhaps the reason why some nice
ladies did not like Vincent was just because of his habit of looking at
them so hard. He could have no idea how piercingly bright his eyes
looked when he fixed them on a speaker like that. And now Mrs.
Crittenden was looking back at him, and would notice it. _He_ could
understand how a refined lady would feel as though somebody were almost
trying to find a key-hole to look in at her,--to have anybody pounce on
her so, with his eyes, as Vincent did. She couldn't know, of course,
that Vincent went pouncing on ladies and baggagemen and office boys, and
old friends, just the same way. He bestirred himself to think of
something to say. "I wish I could get up my nerve to ask you, Mrs.
Crittenden, about one other person in this house," he ventured, "the old
woman . . . the old lady . . . who let us in the door."

At the sound of his voice Mrs. Crittenden looked away from Vincent
quickly and looked at him for a perceptible moment before she heard what
he had said. Then she explained, smiling, "Oh, she would object very
much to being labeled with the finicky title of 'lady.' That was Touclé,
our queer old Indian woman,--all that is left of old America here. She
belongs to our house, or perhaps I should say it belongs to her. She was
born here, a million years ago, more or less, when there were still a
few basket-making Indians left in the valley. Her father and mother both
died, and she was brought up by the old Great-uncle Crittenden's family.
Then my husband's Uncle Burton inherited the house and brought his bride
here, and Touclé just stayed on. She always makes herself useful enough
to pay for her food and lodging. And when his wife died an elderly
woman, Touclé still just stayed on, till he died, and then she went
right on staying here in the empty house, till my husband and I got
here. We were married in Rome, and made the long trip here without
stopping at all. It was dawn, a June morning, when we arrived. We walked
all the way from the station at Ashley out to the old house, here at
Crittenden's. And . . . I'll never forget the astounded expression on my
husband's face when Touclé rose up out of the long grass in the front
yard and bade me welcome. She'd known me as a little girl when I used to
visit here. She will outlive all of us, Touclé will, and be watching
from her room in the woodshed chamber on the dawn of Judgment Day when
the stars begin to fall."

Mr. Welles felt a trifle bewildered by this, and showed it. She
explained further, "But seriously, I must tell you that she is a
perfectly harmless and quite uninteresting old herb-gatherer, although
the children in the village are a little afraid of her, because she is
an Indian, the only one they have ever seen. She really _is_ an Indian
too. She knows every inch of our valley and the mountains better than
any lumberman or hunter or fisherman in Ashley. She often goes off and
doesn't come back for days. I haven't the least idea where she stays.
But she's very good to our children when she's here, and I like her
capacity for monumental silence. It gives her very occasional remarks an
oracular air, even though you know it's only because she doesn't often
open her lips. She helps a little with the house-work, too, although she
always looks so absent-minded, as though she were thinking of something
very far away. She's quite capable of preparing a good meal, for all she
never seems to notice what she's up to. And she's the last member of our
family except the very coming-and-going little maids I get once in a
while. Ashley is unlike the rest of the world in that it is hard to get
domestic servants here.

"Now let me see, whom next to introduce to you. You know all your
immediate neighbors now. I shall have to begin on Ashley itself. Perhaps
our minister and his wife. They live in the high-porticoed,
tall-pillared white old house next door to the church in the village, on
the opposite side from the church-yard. They are Ashleyans of the oldest
rock. Both of them were born here, and have always lived here. Mr.
Bayweather is seventy-five years old and has never had any other parish.
I do believe the very best thing I can do for you is to send you
straight to them, this minute. There's nothing Mr. Bayweather doesn't
know about the place or the people. He has a collection of Ashleyana of
all sorts, records, deeds, titles, old letters, family trees. And for
the last forty years he has been very busy writing a history of Ashley."

"A history of _Ashley_?" exclaimed Vincent.

"A history of Ashley," she answered, level-browed.

Mr. Welles had the impression that a "side-wipe" had been exchanged in
which he had not shared.

Vincent now asked irrelevantly, "Do you go to church yourself?"

"Oh yes," she answered, "I go, I like to go. And I take the children."
She turned her head so that she looked down at her long hands in her
lap, as she added, "I think going to church is a _refining_ influence in
children's lives, don't you?"

To Mr. Welles' horror this provoked from Vincent one of his great
laughs. And this time he was sure that Mrs. Crittenden would take
offense, for she looked up, distinctly startled, really quite as though
he _had_ looked in through the key-hole. But Vincent went on laughing.
He even said, impudently, "Ah, now I've caught you, Mrs. Crittenden;
you're too used to keeping your jokes to yourself. And they're much too
good for that."

She looked at him hard, with a certain wonder in her eyes.

"Oh, there's no necromancy about it," he told her. "I've been reading
the titles of your books and glancing over your music before you came
in. And I can put two and two together. Who are you making fun of to
yourself? Who first got off that lovely speech about the refining
influence of church?"

She laughed a little, half-uneasily, a brighter color mounting to her
smooth oval cheeks. "That's one of Mrs. Bayweather's favorite maxims,"
she admitted. She added, "But I really _do_ like to go to church."

Mr. Welles felt an apprehension about the turn things were taking.
Vincent, he felt sure, was on the verge of being up to something. And he
did not want to risk offending Mrs. Crittenden. He stood up. "Thank you
very much for telling us about the minister and his wife, Mrs.
Crittenden. I think we'll go right along down to the village now, and
pay a call on them. There'll be time enough before dinner." Vincent of
course got up too, at this, saying, "He's the most perfect old
housekeeper, you know. He's kept the neatest flat for himself and that
aged aunt of his for seventy years."

"_Seventy!_" cried Mr. Welles, scandalized at the exaggeration.

"Oh, more or less," said Vincent, laughing. Mr. Welles noticed with no
enthusiasm that his eyes were extremely bright, that he smiled almost
incessantly, that he stepped with an excess of his usual bounce.
Evidently something had set him off into one of his fits of wild high
spirits. You could almost feel the electricity sparkle from him, as it
does from a cat on a cold day. Personally, Mr. Welles preferred not to
touch cats when they were like that.

"When are you going back to the city, Mr. Marsh?" asked Mrs. Crittenden,
as they said good-bye at the door.

Vincent was standing below her on the marble step. He looked up at her
now, and something about his expression made Mr. Welles think again of
glossy fur emitting sparks. He said, "I'll lay you a wager, Mrs.
Crittenden, that there is one thing your Ashley underground news-service
has not told you about us, and that is, that I've come up not only to
help Mr. Welles install himself in his new home, but to take a somewhat
prolonged rest-cure myself. I've always meant to see more of this
picturesque part of Vermont. I've a notion that the air of this lovely
spot will do me a world of good."

As Mr. Welles opened his mouth, perhaps rather wide, in the beginning of
a remark, he cut in briskly with, "You're worrying about
Schwatzkummerer, I know. Never you fear. I'll get hold of his address,
all right." He explained briefly to Mrs. Crittenden, startled by the
portentous name. "Just a specialist in gladiolus seeds."

"_Bulbs!_" cried Mr. Welles, in involuntary correction, and knew as he
spoke that he had been switched off to a side-track.

"Oh well, bulbs be it," Vincent conceded the point indulgently. He took
off his hat in a final salutation to Mrs. Crittenden, and grasping his
elderly friend by the arm, moved with him down the flag-paved path.



CHAPTER IV

TABLE TALK

_An Hour in the Home Life of Mrs. Neale Crittenden, aet. 34_


March 20.

As she and Paul carried the table out to the windless, sunny side-porch,
Marise was struck by a hospitable inspiration. "You and Elly go on
setting the table," she told the children, and ran across the side-yard
to the hedge. She leaned over this, calling, "Mr. Welles! Mr. Welles!"
and when he came to the door, "The children and I are just celebrating
this first really warm day by having lunch out of doors. Won't you and
Mr. Marsh come and join us?"

By the time the explanations and protestations and renewals of the
invitation were over and she brought them back to the porch, Paul and
Elly had almost finished setting the table. Elly nodded a
country-child's silent greeting to the newcomers. Paul said, "Oh goody!
Mr. Welles, you sit by me."

Marise was pleased at the friendship growing up between the gentle old
man and her little boy.

"Elly, don't you want me to sit by you?" asked Marsh with a playful
accent.

Elly looked down at the plate she was setting on the table. "If you want
to," she said neutrally.

Her mother smiled inwardly. How amusingly Elly had acquired as only a
child could acquire an accent, the exact astringent, controlled brevity
of the mountain idiom.

"I think Elly means that she would like it very much, Mr. Marsh," she
said laughingly. "You'll soon learn to translate Vermontese into
ordinary talk, if you stay on here."

She herself went through the house into the kitchen and began placing
on the wheel-tray all the components of the lunch, telling them over to
herself to be sure she missed none. "Meat, macaroni, spinach, hot
plates, bread, butter, water . . . a pretty plain meal to invite city
people to share. Here, I'll open a bottle of olives. Paul, help me get
this through the door."

As he pulled at the other end of the wheeled tray, Paul said that Mark
had gone upstairs to wash his hands, ages ago, and was probably still
fooling around in the soap-suds, and like as not leaving the soap in the
water.

"Paul the responsible!" thought his mother. As they passed the foot of
the stairs she called up, "Mark! Come along, dear. Lunch is served. All
ready," she announced as they pushed the tray out on the porch.

The two men turned around from where they had been gazing up at the
mountain. "What is that great cliff of bare rock called?" asked Mr.
Marsh.

"Those are the Eagle Rocks," explained Marise, sitting down and
motioning them to their places. "Elly dear, don't spread it on your
bread so _thick_. If Mr. Bayweather were here he could probably tell you
why they are called that. I have known but I've forgotten. There's some
sort of tradition, I believe . . . no, I see you are getting ready to hear
it called the Maiden's Leap where the Indian girl leaped off to escape
an unwelcome lover. But it's not that this time: something or other
about Tories and an American spy . . . ask Mr. Bayweather."

"Heaven forfend!" exclaimed Mr. Marsh.

Marise was amused. "Oh, you've been lectured to on local history, I
see," she surmised.

"_I_ found it very interesting," said Mr. Welles, loyally. "Though
perhaps he does try to give you a little too much at one sitting."

"Mr. Welles," said Paul, with his mouth full, "fishing season begins in
ten days."

Marise decided that she would really have to have a rest from telling
Paul not to talk with food in his mouth, and said nothing.

Mr. Welles confessed that he had never gone fishing in his life, and
asked if Paul would take him.

"Sure!" said Paul. "Mother and I go, lots."

Mr. Marsh looked at Marise inquiringly. "Yes," she said, "I'm a
confirmed fisherman. Some of the earliest and happiest recollections I
have, are of fishing these brooks when I was a little girl."

"Here?" asked Mr. Welles. "I thought you lived in France."

"There's time in a child's life to live in various places," she
explained. "I spent part of my childhood and youth here with my dear old
cousin. The place is full of associations for me. Will you have your
spinach now, or later? It'll keep hot all right if you'd rather wait."

"What is this delicious dish?" asked Mr. Marsh. "It tastes like a man's
version of creamed chicken, which is always a little too lady-like for
me."

"It's a _blanquette de veau_, and you may be sure I learned to make it
in one of the French incarnations, not a Vermont one."

Paul stirred and asked, "Mother, where _is_ Mark? He'll be late for
school, if he doesn't hurry."

"That's so," she said, and reflected how often one used that phrase in
response to one of Paul's solid and unanswerable statements.

Mark appeared just then and she began to laugh helplessly. His hands
were wetly, pinkly, unnaturally clean, but his round, rosy, sunny little
face was appallingly streaked and black.

Paul did not laugh. He said in horrified reproach, "Oh, Mark! You never
_touched_ your face! It's piggy dirty."

Mark was staggered for a moment, but nothing staggered him long. "I
don't get microbes off my face into my food," he said calmly. "And you
bet there aren't any microbes left on my hands." He went on, looking at
the table disapprovingly, "Mother, there isn't a many on the table
_this_ day, and I wanted a many."

"The stew's awful good," said Paul, putting away a large quantity.

"'Very,' not 'awful,' and don't hold your fork like that," corrected
Marise, half-heartedly, thinking that she herself did not like the
insipid phrase "very good" nor did she consider the way a fork was held
so very essential to salvation. "How much of life is convention, any way
you arrange it," she thought, "even in such an entirely unconventional
one as ours."

"It _is_ good," said Mark, taking his first mouthful. Evidently he had
not taken the remarks about his face at all seriously.

"See here, Mark," his mother put it to him as man to man, "do you think
you ought to sit down to the table looking like that?"

Mark wriggled, took another mouthful, and got up mournfully.

Paul was touched. "Here, I'll go up with you and get it over quick," he
said. Marise gave him a quick approving glance. That was the best side
of Paul. You could say what you pleased about the faults of American and
French family life, but at any rate the children didn't hate each other,
as English children seemed to, in novels at least. It was only last week
that Paul had fought the big French Canadian boy in his room at school,
because he had made fun of Elly's rubber boots.

As the little boys clattered out she said to the two guests, "I don't
know whether you're used to children. If you're not, you must be feeling
as though you were taking lunch in a boiler factory."

Mr. Welles answered, "I never knew what I was missing before.
Especially Paul. That first evening when you sent him over with the
cake, as he stood in the door, I thought, 'I wish _I_ could have had a
little son like that!'"

"We'll share him with you, Mr. Welles." Marise was touched by the
wistfulness of his tone. She noticed that Mr. Marsh had made no comment
on the children. He was perhaps one of the people who never looked at
them, unless they ran into him. Eugenia Mills was like that, quite
sincerely.

"May I have a little more of the _blanquette_, if I won't be considered
a glutton?" asked Mr. Marsh now. "I've sent to the city for an
invaluable factotum of mine to come and look out for us here, and when
he comes, I hope you'll give him the recipe."

The little boys clattered back and began to eat again, in haste with
frequent demands for their mother to tell them what time it was. In
spite of this precaution, the clock advanced so relentlessly that they
were obliged to set off, the three of them, before dessert was eaten,
with an apple in one hand and a cookie in the other.

The two men leaned back in their chairs with long breaths, which Marise
interpreted as relief. "Strenuous, three of them at once, aren't they?"
she said. "A New York friend of mine always says she can take the
vibration-cure, only by listening to family talk at our table."

"What's the vibration-cure?" asked Mr. Welles seriously.

"Oh, _I_ don't know!" confessed Marise. "I'm too busy to keep up with
the latest fads in cures as Eugenia does. You may meet her there this
summer, by the way. She usually spends a part of the summer with us. She
is a very old school-friend of mine."

"French or Vermont incarnation?" inquired Marsh casually. "May I smoke?
Won't you have a cigarette, yourself?"

"Oh, _French!_" Marise was immensely amused, and then, remembering that
the joke was not apparent, "If you'd ever seen her, even for a moment,
you'd know why I laugh. She is the embodiment of sophisticated
cosmopolitanism, an expert on all sorts of esoteric, aesthetic and
philosophic matters, book-binding, historic lace, the Vedanta creed,
Chinese porcelains, Provençal poetry, Persian shawls . . ."

"What nationality is she, herself?" inquired Mr. Welles with some
curiosity.

Marise laughed. "She was born in Arkansas, and brought up in Minnesota,
what did you suppose? No European could ever take culture so seriously.
You know how any convert always has a thousand times more fervor than
the fatigued members of the faith who were born to it."

"Like Henry James, perhaps?" suggested Marsh.

"Yes, I always envied Henry James the conviction he seems to have had,
all his life, that Europeans are a good deal more unlike other people
than I ever found them. It may be obtuseness on my part, but I never
could see that people who lived in the Basses-Pyrénées are any more
cultivated or had any broader horizons than people who live in the Green
Mountains. My own experience is that when you actually live with people,
day after day, year after year, you find about the same range of
possibilities in any group of them. But I never advance this theory to
Eugenia, who would be horrified to know that I find a strong family
likeness between her New York circle and my neighbors here."

She had been aware that Marsh was looking at her as she spoke. What a
singular, piercing eye he had! It made her a little restive, as at a
too-intimate contact, to be looked at so intently, although she was
quite aware that there was a good deal of admiration in the look. She
wondered what he was thinking about her; for it was evident that he was
thinking about her, as he sent out that penetrating gaze.

But perhaps not, after all; for he now said as if in answer to her last
remark, "I have my own way of believing that, too, that all people are
made of the same stuff. Mostly I find them perfectly negligible, too
utterly without savor even to glance at. Once in a thousand years, it
seems to me, you come across a human being who's alive as you are, who
speaks your language, is your own kind, belongs to you. When you do,
good Lord! What a moment!"

He pronounced this in a perfectly impersonal tone, but something about
the quality of his voice made Marise flash a quick glance at him. His
eyes met hers with a sudden, bold deepening of their gaze. Marise's
first impulse was to be startled and displeased, but in an instant a
quick fear of being ridiculous had voiced itself and was saying to her,
"Don't be countrified. It's only that I've had no contact with
people-of-the-world for a year now. That's the sort of thing they get
their amusement from. It would make him laugh to have it resented."
Aloud she said, rather at random, "I usually go down once a season to
the city for a visit to this old friend of mine, and other friends
there. But this last winter I didn't get up the energy to do that."

"I should think," said Mr. Welles, "that last winter you'd have used up
all your energy on other things, from what Mrs. Powers tells me about
the big chorus you always lead here in winters."

"That does take up a lot of time," she admitted. "But it's a generator
of energy, leading a chorus is, not a spender of it."

"Oh, come!" protested Marsh. "You can't put that over on me. To do it as
I gather you do . . . heavens! You must pour out your energy and
personality as though you'd cut your arteries and let the red flood
come."

"You pour it out all right," she agreed, "but you get it back a thousand
times over." She spoke seriously, the topic was vital to her, her eyes
turned inward on a recollection. "It's amazing. It's enough to make a
mystic out of a granite boulder. I don't know how many times I've
dragged myself to a practice-evening dog-tired physically with work and
care of the children, stale morally, sure that I had nothing in me that
was profitable for any purpose, feeling that I'd do anything to be
allowed to stay at home, to doze on the couch and read a poor novel."
She paused, forgetting to whom she was speaking, forgetting she was not
alone, touched and stirred with a breath from those evenings.

"Well . . . ?" prompted Mr. Marsh. She wondered if she were mistaken in
thinking he sounded a little irritable.

"Well," she answered, "it has not failed a single time. I have never
come back otherwise than stronger, and rested, the fatigue and staleness
all gone, buried deep in something living." She had a moment of
self-consciousness here, was afraid that she had been carried away to
seem high-flown or pretentious, and added hastily and humorously, "You
mustn't think that it's because I'm making anything wonderful out of my
chorus of country boys and girls and their fathers and mothers. It's no
notable success that puts wings to my feet as I come home from that
work. It's only the music, the hearty satisfying singing-out, by
ordinary people, of what too often lies withering in their hearts."

She was aware that she was speaking not to sympathizers. Mr. Welles
looked vague, evidently had no idea what she meant. Mr. Marsh's face
looked closed tight, as though he would not open to let in a word of
what she was saying. He almost looked hostile. Why should he? When she
stopped, a little abashed at having been carried along by her feelings,
Mr. Marsh put in lightly, with no attempt at transition, "All that's
very well. But you can't make me believe that by choice you live up her
all the year around. You must nearly perish away with homesickness for
the big world, you who so evidently belong in it."

"Where is the big world?" she challenged him, laughing. "When you're
young you want to go all round the globe to look for it. And when you've
gone, don't you find that your world everywhere is about as big as you
are?"

Mr. Marsh eyed her hard, and shook his head, with a little scornful
downward thrust of the corners of his mouth, as though he were an augur
who refused to lend himself to the traditional necessity to keep up the
appearance of believing in an exploded religion. "_You_ know where the
big world is," he said firmly. "It's where there are only people who
don't have to work, who have plenty of money and brains and beautiful
possessions and gracious ways of living, and few moral scruples." He
defined it with a sovereign disregard for softening phrases.

She opposed to this a meditative, "Oh, I suppose the real reason why I
go less and less to New York, is that it doesn't interest me as it used
to. Human significance is what makes interest for me, and when you're
used to looking deep into human lives out of a complete knowledge of
them as we do up here, it's very tantalizing and tormenting and after a
while gets boring, the superficial, incoherent glimpses you get in such
a smooth, glib-tongued circle as the people I happen to know in New
York. It's like trying to read something in a language of which you know
only a few words, and having the book shown to you by jerks at that!"

Mr. Marsh remarked speculatively, as though they were speaking of some
quite abstract topic, "It may also be possibly that you are succumbing
to habit and inertia and routine."

She was startled again, and nettled . . . and alarmed. What a rude thing
to say! But the words were no sooner out of his mouth than she had felt
a scared wonder if perhaps they were not true. She had not thought of
that possibility.

"I should think you would like the concerts, anyhow," suggested Mr.
Welles.

"Yes," said Marise, with the intonation that made the affirmation almost
a negative. "Yes, of course. But there too . . . music means so much to
me, so very much. It makes me sick to see it pawed over as it is among
people who make their livings out of it; used as it so often is as a
background for the personal vanity or greed of the performer. Take an
ordinary afternoon solo concert given by a pianist or singer . . . it
always seems to me that the music they make is almost an unconsidered
by-product with them. What they're really after is something else."

Marsh agreed with her, with a hearty relish, "Yes, musicians are an
unspeakable bunch!

"I suppose," Marise went on, "that I ought not to let that part of it
spoil concert music for me. And it doesn't, of course. I've had some
wonderful times . . . people who play in orchestra and make chamber-music
are the real thing. But the music you make yourself . . . the music we
make up here . . . well, perhaps my taste for it is like one's liking
(some people call it perverse) for French Primitive painting, or the
something so awfully touching and heart-felt that was lost when the
Renaissance came up over the Alps with all its knowingness."

"You're not pretending that you get Vermonters to make music?" protested
Marsh, highly amused at the notion.

"I don't know," she admitted, "whether it is music or not. But it is
something alive." She fell into a muse, "Queer, what a spider-web of
tenuous complication human relationships are. I never would have
thought, probably, of trying anything of the sort if it hadn't been for
a childhood recollection. . . . French incarnation this time," she said
lightly to Marsh. "When I was a little girl, a young priest, just a
young parish priest, in one of the poor hill-parishes of the Basque
country, began to teach the people of his parish really to sing some of
the church chants. I never knew much about the details of what he did,
and never spoke to him in my life, but from across half the world he has
reached out to touch this cornet of America. By the time I was a young
lady, he had two or three big country choruses under his direction. We
used to drive up fist to one and then to another of those hill-towns,
all white-washed houses and plane-tree atriums, and sober-eyed Basques,
to hear them sing. It was beautiful. I never have had a more complete
expression of beauty in all my life. It seemed to me the very soul of
music; those simple people singing, not for pay, not for notoriety, out
of the fullness of their hearts. It has been one of the things I never
forgot, a standard, and a standard that most music produced on platforms
before costly audiences doesn't come up to."

"I've never been able to make anything out of music, myself," confessed
Mr. Welles. "Perhaps you can convert me. I almost believe so."

"'Gene Powers sings!" cried Marise spiritedly. "And if he does . . ."

"Any relation to the lively old lady who brings our milk?"

"Her son. Haven't you seen him yet? A powerfully built granite rock of a
man. Silent as a granite rock too, as far as small talk goes. But he
turns out to have a bass voice that is my joy. It's done something for
him, too, I think, really and truly, without sentimental exaggeration at
all. He suffered a great injustice some six or seven years ago, that
turned him black and bitter, and it's only since he has been singing in
our winter choir that he has been willing to mix again with anyone."

She paused for a moment, and eyed them calculatingly. It occurred to her
that she had been talking about music and herself quite enough. She
would change the subject to something matter-of-fact. "See here, you'll
be sure to have to hear all that story from Mr. Bayweather in relentless
detail. It might be your salvation to be able to say that I had told
you, without mentioning that it was in a severely abridged form. He'd
want to start back in the eighteenth century, and tell you all about
that discreditable and unreconstructed Tory ancestor of mine who, when
he was exiled from Ashley, is said to have carried off part of the town
documents with him to Canada. Whether he did or not (Mr. Bayweather has
a theory, I believe, that he buried them in a copper kettle on Peg-Top
Hill), the fact remains that an important part of the records of Ashley
are missing and that has made a lot of trouble with titles to land
around here. Several times, unscrupulous land-grabbers have taken
advantage of the vagueness of the titles to cheat farmers out of their
inheritance. The Powers case is typical. There always have been Powerses
living right there, where they do now; that big pine that towers up so
over their house was planted by 'Gene's great-grandfather. And they
always owned an immense tract of wild mountain land, up beyond the Eagle
Rock range, along the side of the Red-Brook marsh. But after paying
taxes on it for generations all during the time when it was too far away
to make it profitable to lumber, it was snatched away from them, seven
years ago, just as modern methods and higher prices for spruce would
have made it very valuable. A lawyer from New Hampshire named Lowder
turned the trick. I won't bother you going into the legal details--a
question of a fake warranty deed, against 'Gene's quit-claim deed, which
was all he had in absence of those missing pages from the town records.
As a matter of fact, the lawyer hasn't dared to cut the lumber off it
yet, because his claim is pretty flimsy; but flimsy or not, the law
regards it as slightly better than 'Gene's. The result is that 'Gene
can't sell it and daren't cut it for fear of being involved in a
law-suit that he couldn't possibly pay for. So the Powers are poor
farmers, scratching a difficult living out of sterile soil, instead of
being well-to-do proprietors of a profitable estate of wood-land. And
when we see how very hard they all have to work, and how soured and
gloomy it has made 'Gene, and how many pleasures the Powers' children
are denied, we all join in when Mrs. Powers delivers herself of her
white-hot opinion of New Hampshire lawyers! I remember perfectly that
Mr. Lowder,--one of the smooth-shaven, thin-lipped, fish-mouthed
variety, with a pugnacious jaw and an intimidating habit of talking his
New Hampshire dialect out of the corner of his mouth. The poor Powers
were as helpless as rabbits before him."

It all came up before her as she talked, that horrid encounter with
commercial ruthlessness: she saw again poor 'Gene's outraged face of
helpless anger, felt again the heat of sympathetic indignation she and
Neale had felt, recognized again the poison which triumphant
unrighteousness leaves behind. She shook her head impatiently, to shake
off the memory, and said aloud, "Oh, it makes me sick to remember it! We
couldn't believe, any of us, that such bare-faced iniquity could
succeed."

"There's a good deal of bare-faced iniquity riding around prosperously
in high-powered cars," said Mr. Welles, with a lively accent of
bitterness. "You have to get used to it in business life. It's very
likely that your wicked Mr. Lowder in private life in New Hampshire is a
good husband and father, and contributes to all the charitable
organizations."

"I won't change _my_ conception of him as a pasty-faced demon," insisted
Marise.

It appeared that Mr. Marsh's appetite for local history was so slight as
to be cloyed even by the very much abbreviated account she had given
them, for he now said, hiding a small yawn, with no effort to conceal
the fact that he had been bored, "Mrs. Crittenden, I've heard from Mr.
Welles' house the most tantalizing snatches from your piano. Won't you,
now we're close to it, put the final touch to our delightful lunch-party
by letting us hear it?"

Marise was annoyed by his _grand seigneur_ air of certainty of his own
importance, and piqued that she had failed to hold his interest. Both
impressions were of a quicker vivacity than was at all the habit of her
maturity. She told herself, surprised, that she had not felt this little
sharp sting of wounded personal vanity since she was a girl. What did
she care whether she had bored him or not? But it was with all her
faculties awakened and keen that she sat down before the piano and
called out to them, "What would you like?"

They returned the usual protestations that they would like anything she
would play, and after a moment's hesitation . . . it was always a leap in
the dark to play to people about whose musical capacities you hadn't the
faintest idea . . . she took out the Beethoven Sonata album and turned to
the Sonata Pathétique. Beethoven of the early middle period was the
safest guess with such entirely unknown listeners. For all that she
really knew, they might want her to play Chaminade and Moskowsky. Mr.
Welles, the nice old man, might find even them above his comprehension.
And as for Marsh, she thought with a resentful toss of her head that he
was capable of saying off-hand, that he was really bored by all
music--and conveying by his manner that it was entirely the fault of the
music. Well, she would show him how she could play, at least.

She laid her hands on the keys; and across those little smarting,
trivial personalities there struck the clear, assured dignity and worth
of her old friend . . . was there ever such a friend as that rough old
German who had died so long before she was born? No one could say the
human race was ignoble or had never deserved to live, who knew his
voice. In a moment she was herself again.

Those well-remembered opening chords, they were by this time not merely
musical sounds. They had become something within her, of her own being,
rich with a thousand clustered nameless associations, something that
thrilled and sang and lived a full harmonious life of its own. That
first pearling down-dropping arabesque of treble notes, not only her
fingers played those, but every fiber in her, answering like the
vibrating wood of a violin, its very cells rearranged in the pattern
which the notes had so many times called into existence . . . by the time
she had finished she had almost forgotten that she had listeners.

And when, sitting for a moment, coming back slowly from Beethoven's
existence to her own, she heard no sound or stir from the porch, she
had only a quiet smile of tolerant amusement. Apparently she had not
guessed right as to their tastes. Or perhaps she had played them to
sleep.

As for herself, she was hungry for more; she reached out her hand
towards that world of high, purified beauty which miraculously was
always there, with open doors of gold and ivory. . . .

What now? What did she know by heart? The Largo in the Chopin Sonata.
That would do to come after Beethoven.

The first plunge into this did not so intimately startle and stir her as
the Beethoven movement had done. It was always like that, she thought as
she played, the sound of the first note, the first chord struck when one
had not played for a day or so; it was having one's closed eyes unsealed
to the daylight anew, an incredulous rapture. But after that, though you
didn't go on quaking and bowing your head, though you were no longer
surprised to find music still there, better than you could possibly
remember it, though you took it for granted, how deeply and solidly and
steadfastly you lived in it and on it! It made you like the child in the
Wordsworth sonnet, "A beauteous evening, calm and free"; it took you in
to worship quite simply and naturally at the Temple's inner shrine; and
you adored none the less although you were not "breathless with
adoration," like the nun; because it was a whole world given to you, not
a mere pang of joy; because you could live and move and be blessedly and
securely at home in it.

She finished the last note of the Largo and sat quiet for a moment. Then
she knew that someone had come into the room behind her. She turned
about, facing with serene, wide brows whatever might be there.

The first meeting with the eyes of the man who stood there moved her. So
he too deeply and greatly loved music! His face was quite other from the
hawk-like, intent, boldly imperious countenance which she had seen
before. Those piercing eyes were softened and quietly shining. The
arrogant lines about the mouth that could look so bitter and skeptical,
were as sweet and candid as a child's.

He smiled at her, a good, grateful, peaceful smile, and nodded, as
though now they understood each other with no more need for words. "Go
on . . . go on!" was all he said, very gently and softly. He sank down in
an arm-chair and leaned his head back in the relaxed pose of listening.

He looked quite and exactly what Marise was feeling.

It was with a stir of all her pulses, a pride, a glory, a new sympathy
in her heart, that she turned back to the piano.



CHAPTER V

A LITTLE GIRL AND HER MOTHER

_An Afternoon in the Life of Elly Crittenden, aet. 8 Years_


April 6.

Elly Crittenden had meant to go straight home from school as usual with
the other children, Paul and Mark, and Addle and Ralph Powers. And as
usual somehow she was ever so far behind them, so far that there wasn't
any use trying to catch up. Paul was hurrying to go over and see that
new old man next door, as usual. She might as well not try, and just
give up, and get home ever so late, the way she always did. Oh well,
Father wasn't at home, and Mother wouldn't scold, and it was nice to
walk along just as slow as you wanted to, and feel your rubber boots
squizzle into the mud. How _good_ it did seem to have real mud, after
the long winter of snow! And it was nice to hear the brooks everywhere,
making that dear little noise and to see them flashing every-which-way
in the sun, as they tumbled along downhill. And it was nice to smell
that smell . . . what _was_ that sort of smell that made you know the
sugaring-off had begun? You couldn't smell the hot boiling sap all the
way from the mountain-sides, but what you did smell made you think of
the little bark-covered sap-houses up in the far woods, with smoke and
white steam coming out from all their cracks, as though there was
somebody inside magicking charms and making a great cloud to cover it,
like Klingsor or the witch-ladies in the Arabian Nights. There was a
piece of music Mother played, that was like that. You could almost see
the white clouds begin to come streeling out between the piano-keys, and
drift all around her. All but her face that always looked through.

The sun shone down so warm on her head, she thought she might take off
her woolen cap. Why, yes, it was plenty warm enough. Oh, how good it
felt! How _good_ it did feel! Like somebody actually touching your hair
with a warm, soft hand. And the air, that cool, cool air, all damp with
the thousand little brooks, it felt just as good to be cool, when you
tossed your hair and the wind could get into it. How _good_ it did feel
to be bare-headed, after all that long winter! Cool inside your hair at
the roots, and warm outside where the sun pressed on it. Cool wind and
warm sun, two different things that added up to make one lovely feel for
a little girl. The way your hair tugged at its roots, all streaming
away; every single little hair tied tight to your head at one end, and
yet so wildly loose at the other; tight, strong, firm, and yet light and
limber and flag-flapping . . . it was like being warm and cool at the same
time, so different and yet the same.

And there, underneath all this fluttering and tossing and differences,
there were your legs going on just as dumb and steady as ever, stodge,
stodge, stodge! She looked down at them with interest and appreciation
of their faithful, dutiful service, and with affection at the rubber
boots. She owed those to Mother. Paul had scared her so, when he said,
so stone-wally, the way Paul always spoke as if that settled everything,
that _none_ of the little girls at school wore rubber boots, and he
thought Elly oughtn't to be allowed to look so queer. It made him almost
ashamed of his sister, he said. But Mother had somehow . . . what _had_
she said to fix it? . . . oh well, something or other that left her her
rubber boots and yet Paul wasn't mad any more.

And what could she _do_ without rubber boots, when she wanted to wade
through a brook, like this one, and the brooks were as they were now,
all running spang full to the very edge with snow-water, the way this
one did? Oo . . . Ooh . . . Ooh! how queer it did feel, to be standing most
up to your knees this way, with the current curling by, all cold and
snaky, feeling the fast-going water making your boot-legs shake like
Aunt Hetty's old cheeks when she laughed, and yet your feet as _dry_
inside! How could they feel as cold as that, without being wet, as
though they were magicked? That was a _real_ difference, even more than
the wind cool inside your hair and the sun warm on the outside; or your
hair tied tight at one end and all wobbly loose at the other. But this
wasn't a nice difference. It didn't add up to make a nice feeling, but a
sort of queer one, and if she stood there another minute, staring down
into that swirly, snatchy water, she'd fall right over into it . . . it
seemed to be snatching at _her!_ Oh gracious! This wasn't much better!
on the squelchy dead grass of the meadow that looked like real ground
and yet you sank right into it. Oh, it was _horridly_ soft, like
touching the hand of that new man that had come to live with the old
gentleman next door. She must hurry as fast as she could . . . it felt as
though it was sucking at her feet, trying to pull her down altogether
like the girl with the red shoes, and she didn't have any loaves of
bread to throw down to step on . . .

Well, there! this was better, as the ground started uphill. There was
firm ground under her feet. Yes, not mud, nor soaked, flabby
meadow-land, but solid earth, _solid, solid!_ She stamped on it with
delight. It was just as nice to have solid things _very_ solid, as it
was to have floaty things like clouds _very_ floaty. What was horrid was
to have a thing that _looked_ solid, and yet was all soft, like gelatine
pudding when you touched it.

Well, for goodness' sake, where was she? Where had she come to, without
thinking a single thing about it? Right on the ridge overlooking Aunt
Hetty's house to be sure, on those rocks that hang over it, so you could
almost throw a stone down any one of the chimneys. She might just as
well go down and make Aunt Hetty a visit now she was so near, and walk
home by the side-road. Of course Paul would say, nothing could keep him
from saying, that she had planned to do that very thing, right along,
and when she left the school-house headed straight for Aunt Hetty's
cookie-jar. Well, _let_ him! She could just tell him, she'd never
_dreamed_ of such a thing, till she found herself on those rocks.

She walked more and more slowly, letting herself down cautiously from
one ledge to another, and presently stopped altogether, facing a beech
tree, its trunk slowly twisted into a spiral because it was so hard to
keep alive on those rocks. She was straight in front of it, staring into
its gray white-blotched bark. Now if _Mother_ asked her, of course she'd
have to say, yes, she had planned to, _sort of_ but not quite. Mother
would understand. There wasn't any use trying to tell things how they
really were to Paul, because to him things weren't ever
sort-of-but-not-quite. They either were or they weren't. But Mother
always knew, both ways, hers and Paul's.

She stepped forward and downward now, lightened. Her legs stretched out
to carry her from one mossed rock to another. "Striding," that was what
she was doing. Now she knew just what "striding" meant. What fun it was
to _feel_ what a word meant! Then when you used it, you could feel it
lie down flat in the sentence, and fit into the other words, like a
piece in a jig-saw puzzle when you got it into the right place.
Gracious! How fast you could "stride" down those rocks into Aunt Hetty's
back yard!

Hello! Here at the bottom was some snow, a great big drift of it still
left, all gray and shrunk and honey-combed with rain and wind, with a
little trickle of water running away softly and quietly from underneath
it, like a secret. Well, think of there being still _snow_ left anywhere
except on top of the mountains! She had just been thinking all the
afternoon how _good_ it seemed to have the snow all gone, and here she
ran right into some, as if you'd been talking about a person, saying how
sick and tired you were of everlastingly seeing him around, and there he
was, right outside the window and hearing it all, and knowing it wasn't
_his_ fault he was still hanging on. You'd feel bad to know he'd heard.
She felt bad now! After all, the fun the snow had given them, all that
winter, sleighing and snow-shoeing and ski-running and sliding downhill.
And when she remembered how _glad_ she'd been to see the first snow, how
she and little Mark had run to the window to see the first flakes, and
had hollered, Oh goody, _goody!_ And here was all there was left, just
one poor old forgotten dirty drift, melting away as fast as it _could_,
so's to get itself out of the way. She stood looking down on it
compassionately, and presently, stooping over, gave it a friendly,
comforting pat with one mittened hand.

Then she was pierced with an arrow of hunger, terrible, devouring
starvation! Why was it she was always so _much_ hungrier just as she got
out of school, than ever at meal-times? She did hope this wouldn't be
one of those awful days when Aunt Hetty's old Agnes had let the
cookie-jar get empty!

She walked on fast, now, across the back yard where the hens, just as
happy as she was to be on solid ground, pottered around dreamily, their
eyes half-shut up. . . . Elly could just think how good the sun must feel
on their feathers! She could imagine perfectly how it would be to have
feathers instead of skin and hair. She went into the kitchen door.
Nobody was there. She went through into the pantry. Nobody there!
Nobody, that is, except the cookie-jar, larger than any other object in
the room, looming up like a wash-tub. She lifted the old cracked plate
kept on it for cover. _Oh_, it was _full_,--a fresh baking! And raisins
in them! The water ran into her mouth in a little gush. Oh _my_, how
good and cracklesome they looked! And how beautifully the sugar
sprinkled on them would grit against your teeth as you ate it! Oh
_gracious!_

She put her hand in and touched one. There was nothing that felt like a
freshly baked cookie; even through your mitten you could _know_, with
your eyes shut, it was a cookie. She took hold of one, and stood
perfectly still. She could take that, just as easy! Nobody would miss
it, with the jar so full. Aunt Hetty and Agnes were probably
house-cleaning, like everybody else, upstairs. Nobody would ever know.
The water of desire was at the very corners of her mouth now. She felt
her insides surging up and down in longing. _Nobody_ would know!

She opened her hand, put the cookie back, laid the plate on the top of
the jar, and walked out of the pantry. Of course she couldn't do that.
What had she been thinking of,--such a stealy, common thing, and she
_Mother's_ daughter!

But, oh! It was awful, having to be up to Mother! She sniffed forlornly
and drew her mitten across her nose. She _had_ wanted it so! And she was
just _dying_, she was so hungry. And Mother wouldn't even let her _ask_
people for things to eat. Suppose Aunt Hetty didn't think to ask her!

She went through the dining-room, into the hall, and called upstairs,
"Aunt Hetty! Aunt Hetty!" She was almost crying she felt so sorry for
herself.

"Yis," came back a faint voice, very thin and high, the way old people's
voices sounded when they tried to call loud. "Up in the east-wing
garret."

She mounted the stairs heavily, pulling herself along by those spindling
old red balustrades, just like so many old laths, noticing that her
rubber boots left big hunks of mud on the white-painted stairs, but too
miserable to care.

The door to the east-wing garret was open. Aunt Hetty was there, bossing
Agnes, and they were both "dudsing," as Elly called it to herself,
leaning over trunks, disappearing in and out of closets, turning inside
out old bags of truck, sorting over, and, for all Elly could see,
putting the old duds back again, just where they had been before.
Grown-ups did seem to run round in circles, so much of their time!

She sat down wearily on an ugly little old trunk near the door. Aunt
Hetty shut up a drawer in a dresser, turned to Elly, and said, "Mercy,
child, what's the matter? Has the teacher been scolding you?"

"No, Aunt Hetty," said Elly faintly, looking out of the window.

"Anybody sick at your house?" asked Aunt Hetty, coming towards the
little girl.

"No," said Elly, shaking her head.

"Don't you feel well?" asked Aunt Hetty, laying one wrinkled, shaky old
hand on her shoulder.

"No, Aunt Hetty," said Elly, her eyes large and sad.

"Maybe she's hungry," suggested Agnes, in a muffled voice from the
depths of a closet.

"Are you?" asked Aunt Hetty.

"Yes," cried Elly.

Aunt Hetty laughed. "Well, I don't know if there are any cookies in the
house or not," she said, "we've been so busy house-cleaning. Agnes, did
you bake any cookies this morning?"

Elly was struck into stupor at this. Think of not _knowing_ if there
were any cookies in the house!

Agnes appeared, tiny and old and stooped and wrinkled, like her
mistress. She had a big, rolled-up woolen-covered comforter in her arms,
over which she nodded. "Yes, I made some. You told me to make some every
Wednesday," she said. She went on, looking anxiously at Aunt Hetty,
"There ain't any moth-holes in this. Was this the comfortable you meant?
I thought this was the one you told me to leave out of the camphor
chest. I thought you told me . . ."

"You know where to find the cookies, don't you, Elly?" asked Aunt Hetty,
over her shoulder, trotting rapidly like a little dry, wind-blown leaf,
towards Agnes and the comforter.

"Oh _yes_, Aunt Hetty!" shouted Elly, halfway down the stairs.

Aunt Hetty called after her, "Take all you want . . . three or four. They
won't hurt you. There's no egg in our recipe."

Elly was there again, in the empty pantry, before the cookie-jar. She
lifted the cracked plate again. . . . But, oh! how differently she did
feel now! . . . and she had a shock of pure, almost solemn, happiness at
the sight of the cookies. She had not only been good and done as Mother
would want her to, but she was going to have _four_ of those cookies.
Three _or_ four, Aunt Hetty had said! As if anybody would take three if
he was let to have four! Which ones had the most raisins? She knew of
course it wasn't _so very_ nice to pick and choose that way, but she
knew Mother would let her, only just laugh a little and say it was a
pity to be eight years old if you couldn't be a little greedy!

Oh, how happy she was! How light she felt! How she floated back up the
stairs! What a perfectly sweet old thing Aunt Hetty was! And what a nice
old house she had, though not so nice as home, of course. What pretty
mahogany balusters, and nice white stairs! Too bad she had brought in
that mud. But they were house-cleaning anyhow. A little bit more to
clean up, that was all. And what _luck_ that they were in the east-room
garret, the one that had all the old things in it, the hoop-skirts and
the shells and the old scoop-bonnets, and the four-poster bed and those
fascinating old cretonne bags full of treasures.

She sat down near the door on the darling little old hair-covered trunk
that had been Great-grandfather's, and watched the two old women at
work. The first cookie had disappeared now, and the second was well on
the way. She felt a great appeasement in her insides. She leaned back
against the old dresses hung on the wall and drew a long breath.

"Well," said Aunt Hetty, "you've got neighbors up your way, so they tell
me. Funny thing, a city man coming up here to live. He'll never stick it
out. The summer maybe. But that's all. You just see, come autumn, if he
don't light out for New York again."

Elly made no comment on this. She often heard her elders say that she
was not a talkative child, and that it was hard to get anything out of
her. That was because mostly they wanted to know about things she
hadn't once thought of noticing, and weren't a bit interested when she
tried to talk about what she _had_ noticed. Just imagine trying to tell
Aunt Hetty about that poor old gray snow-bank out in her woods, all
lonely and scrumpled up! She went on eating her cookie.

"How does he like it, anyhow?" asked Aunt Hetty, bending the upper part
of her out of the window to shake something. "And what kind of a critter
is he?"

"Well, he's rather an old man," said Elly. She added conscientiously,
trying to be chatty, "Paul's crazy about him. He goes over there all the
time to visit. I like him all right. The old man seems to like it here
all right. They both of them do."

"Both?" said Aunt Hetty, curving herself back into the room again.

"Oh, the other one isn't going to _live_ here, like Mr. Welles. He's
just come to get Mr. Welles settled, and to make him a visit. His name
is Mr. Marsh."

"Well, what's _he_ like?" asked Aunt Hetty, folding together the old
wadded petticoat she had been shaking.

"Oh, he's all right too," said Elly. She wasn't going to say anything
about that funny softness of his hands, she didn't like, because that
would be like speaking about the snow-drift; something Aunt Hetty would
just laugh at, and call one of her notions.

"Well, what do they _do_ with themselves, two great hulking men set off
by themselves?"

Elly tried seriously to remember what they did do. "I don't see them, of
course, much in the morning before I go to school. I guess they get up
and have their breakfast, the way anybody does."

Aunt Hetty snorted a little, "Gracious, child, a person needs a
corkscrew to get anything out of you. I mean all day, with no chores, or
farmin', or _any_thing."

"I don't _know_," Elly confessed. "Mr. Clark, of course, he's busy
cooking and washing dishes and keeping house, but . . ."

"Are there _three_ of them?" Aunt Hetty stopped her dudsing in her
astonishment. "I thought you said two."

"Oh well, Mr. Marsh sent down to the city and had this Mr. Clark come up
to work for them. He doesn't call him 'Mr. Clark'--just 'Clark,' short
like that. I guess he's Mr. Marsh's hired man in the city. Only he can
do everything in the house, too. But I don't feel like calling him
'Clark' because he's grown-up, and so I call him '_Mr._ Clark.'" She did
not tell Aunt Hetty that she sort of wanted to make up to him for being
somebody's servant and being called like one. It made her mad and she
wanted to show he could be a mister as well as anybody. She began on the
third cookie. What else could she say to Aunt Hetty, who always wanted
to know the news so? She brought out, "Well, _I_ tell you, in the
afternoon, when I get home, mostly old Mr. Welles is out in his garden."

"_Gardin_!" cried Aunt Hetty. "Mercy on us, making garden the fore-part
of April. Where does he think he's living? Florida?"

"I don't believe he's exactly making garden," said Elly. "He just sort
of pokes around there, and looks at things. And sometimes he sits down
on the bench and just _sits_ there. He's pretty old, I guess, and he
walks kind of tired, always."

"Does the other one?" asked Aunt Hetty.

This made Elly sit up, and say very loud, "No, _indeedy_!" She really
hadn't thought before how very _un_tired Mr. Marsh always seemed. She
added, "No, the other one doesn't walk tired, nor he doesn't poke around
in the garden. He takes long tramps way back of the mountains, over
Burnham way."

"For goodness' sakes, what's he find up there?"

"He likes it. He comes over and borrows our maps and things to study,
and he gets Mother to tell him all about everything. He gets Touclé to
tell him about the back trails, too."

"Well, he's a smart one if he can get a word out of Touclé."

"Yes, he does. Everybody talks to him. You _have_ to if he starts in.
He's very lively."

"Does he get _you_ to talk?" asked Aunt Hetty, laughing at the idea.

"Well, some," stated Elly soberly. She did not say that Mr. Marsh always
seemed to her to be trying to get some secret out of her. She didn't
_have_ any secret that she knew of, but that was the way he made her
feel. She dodged him mostly, when she could.

"What's the news from your father?"

"Oh, he's all right," said Elly. She fell to thinking of Father and
wishing he would come back.

"When's he going to get through his business, up there?"

"Before long, I guess. Mother said maybe he'd be back here next month."
Elly was aware that she was again not being talkative. She tried to
think of something to add. "I'm very much obliged for these cookies,"
she said. "They are awfully good."

"They're the kind your mother always liked, when she was your age," said
Aunt Hetty casually. "I remember how she used to sit right there on
Father's hair-trunk and eat them and watch me just like you now."

At this statement Elly could feel her thoughts getting bigger and longer
and higher, like something being opened out. "And the heaven was removed
as a scroll when it is rolled up." That sentence she'd heard in church
and never understood, and always wondered what was behind, what they had
seen when the scroll was rolled up. . . . Something inside her now seemed
to roll up as though she were going to see what was behind it. How much
longer time was than you thought! Mother had sat there as a little girl
. . . a little girl like her. Mother who was now grown-up and _finished_,
knowing everything, never changing, never making any mistakes. Why, how
_could_ she have been a little girl! And such a short time ago that Aunt
Hetty remembered her sitting there, right there, maybe come in from
walking across that very meadow, and down those very rocks. _What had
she been thinking about, that other little girl who had been Mother?_
"Why" . . . Elly stopped eating, stopped breathing for a moment. "Why, she
herself would stop being a little girl, and would grow up and be a
Mother!" She had always known that, of course, but she had never _felt_
it till that moment. It made her feel very sober; more than sober,
rather holy. Yes, that was the word,--holy,--like the hymn. Perhaps some
day another little girl would sit there, and be just as surprised to
know that _her_ mother had been really and truly a little girl too, and
would feel queer and shy at the idea, and all the time her mother had
been only _Elly_. But would she _be_ Elly any more, when she was grown
up? What would have happened to Elly? And after that little girl,
another; and one before Mother; and back as far as you could see, and
forwards as far as you could see. It was like a procession, all half in
the dark, marching forward, one after another, little girls, mothers,
mothers and little girls, and then more . . . what for . . . oh, _what
for?_

She was a little scared. She wished she could get right up and go _home_
to Mother. But the procession wouldn't stop . . . wouldn't stop. . . .

Aunt Hetty hung up the last bag. "There," she said, "that's all we can
do here today. Elly, you'd better run along home. The sun'll be down
behind the mountain _now_ before you get there."

Elly snatched at the voice, at the words, at Aunt Hetty's wrinkled,
shaking old hand. She jumped up from the trunk. Something in her face
made Aunt Hetty say, "Well, you look as though you'd most dropped to
sleep there in the sun. It does make a person feel lazy this first warm
March sun. I declare this morning I didn't want to go to work
house-cleaning. I wanted to go and spend the day with the hens, singing
over that little dozy ca-a-a-a they do, in the sun, and stretch one leg
and one wing till they most broke off, and ruffle up all my feathers
and let 'em settle back very slow, and then just _set_."

They had started downstairs before Aunt Hetty had finished this, the
little girl holding tightly to the wrinkled old hand. How peaceful Aunt
Hetty was! Even the smell of her black woolen dresses always had a
_quiet_ smell. And she must see all those hunks of mud on the white
stairs, but she never said a word. Elly squeezed her hand a little
tighter.

What was it she had been thinking about on the hair-trunk that made her
so glad to feel Aunt Hetty peaceful? Oh yes, that Mother had been there,
where she was, when she was a little girl. Well, gracious! What of that?
She'd always known that Mother had visited Aunt Hetty a lot and that
Aunt Hetty had been awfully good to her, and that Mother loved Aunt
Hetty like everything. What had made it seem so queer, all of a sudden?

"Well," said Aunt Hetty at the front door, "step along now. I don't want
you should be late for supper." She tipped her head to look around the
edge of the top of the door and said, "Well, I declare, just see that
moon showing itself before ever the sun gets down."

She walked down the path a little way with Elly, who still held her
hand. They stood together looking up at the mountain, very high and blue
against the sky that was green . . . yes, it really was a pale, clear
green, at the top of the mountain-line. People always said the sky was
blue, except at sunset-time, like now, when it was filling the Notch
right to the top with every color that could be.

"The lilacs will begin to swell soon," said Aunt Hetty.

"I saw some pussy-willows out, today," answered Elly.

The old woman and the little girl lifted their heads, threw them back,
and looked up long into the sky, purely, palely high above them.

"It's quite a sightly place to live, Crittenden's is," said Aunt Hetty.

Elly said nothing, it being inconceivable to her that she could live
anywhere else.

"Well, good-bye," said Aunt Hetty. It did not occur to her to kiss the
little girl. It did not occur to Elly to want a kiss. They squeezed
their hands together a little bit more, and then Elly went down the
road, walking very carefully.

Why did she walk so carefully, she wondered? She felt as though she were
carrying a cup, full up to the brim of something. And she mustn't let it
spill. What was it so full of? Aunt Hetty's peacefulness, maybe.

Or maybe just because it was beginning to get twilight. That always made
you feel as though something was being poured softly into you, that you
mustn't spill. She was glad the side-road was so grass-grown. You could
walk on it, so still, like this, and never make a sound.

She thought again of Father and wished he would come home. She _liked_
Father. He was solid. He was solid like that solid earth she liked so
much to walk on. It was just such a comfort to feel him. Father was like
the solid ground and Mother was like the floaty clouds. Why, yes, they
were _every_ way like what she had been thinking about. . . . Father was
the warm sun on the outside, and Mother was the cool wind on the inside.
Father was the end that was tied tight and firm so you _knew_ you
couldn't lose it, and Mother was the end that streamed out like flags in
the wind. But they weren't either of them like that slinky, swirly
water, licking at you, in such a hurry to get on past you and get what
it was scrambling to get, whatever that was.

Well, of all things! There was old Mr. Welles, coming towards her. _He_
must be out taking a walk too. How slowly he went! And kept looking up
the way she and Aunt Hetty had, at the sky and the mountains. He was
quite close now. Why . . . why, he didn't know she was there. He had gone
right by her and never even saw her and yet had been so close she could
see his face plainly. He must have been looking very hard at the
mountains. But it wasn't hard the way he was looking, it was soft. How
soft his face had looked, almost quivery, almost. . . . But that was silly
to think of . . . almost as though he felt like crying. And yet all
shining and quiet, too, as if he'd been in church.

Well, it _was_ a little bit like being in church, when you could see the
twilight come down very slow like this, and settle on the tree-tops and
then down through them towards you. You always felt as though it was
going to do something to you when it got to you; something peaceful,
like old Aunt Hetty.

She was at her own front path now, it was really almost dark. Mother was
playing the piano. But not for either of the boys. It was grown-up music
she was playing. Elly hesitated on the flagged stones. Maybe she was
playing for Mr. Marsh again. She advanced slowly. Yes, there he was,
sitting on the door-step, across the open door, leaning back his head,
smoking, sometimes looking out at the sunset, and sometimes looking in
towards the piano.

Elly made a wide circuit under the apple-trees, and went in the
side-door. Touclé was only just setting the table. Elly would have
plenty of time to get off her rubber boots, look up her old felt
slippers, and put them on before supper time. Gracious! Her stockings
were wet. She'd have to change them, too. She'd just stay upstairs till
Mr. Marsh went away. She didn't feel to talk to him.

       *       *       *       *       *

When out of her window she saw him step back across the grass to Mr.
Welles' house, Elly came downstairs at once. The light in the
living-room made her blink, after all that outdoor twilight and the
indoor darkness of her room upstairs.

Mother was still at the piano, her hands on the keys, but not playing.
At the sight of her, Elly's heart filled and brightened. Her busy, busy
thoughts stopped for the first time that day. She felt as you do when
you've been rowing a boat a long time and finally, almost where you
want to go, you stop and let her slide in on her own movement, quiet and
soft and smooth, and reach out your hand to take hold of the
landing-place. Elly reached out her arm and put it around Mother's neck.
She stood perfectly quiet. There wasn't any need to be anything _but_
quiet now you'd got to where you were going.

She had been out on the rim of the wheel, all around and around it, and
up and down the spokes. But now she was at the center where all the
spokes ended.

She closed her eyes and laid her head on Mother's soft shoulder.

"Did you have a good walk, all by yourself, dear?" asked Mother.

"Oh yes, it was all right," said Elly.

"Your feet aren't wet, are they?"

"No," said Elly, "I took off my boots just as soon as I came in, and
changed my stockings."



CHAPTER VI

THINGS TAKE THEIR COURSE


_A Couple of Hours from Mr. Welles' New Life_.


I

April 10.

One of the many things which surprised Mr. Welles was that he seemed to
need less sleep than in the city. Long hours in bed had been one of the
longed-for elements of the haven of rest which his retiring from the
office was to be. Especially as he had dragged himself from bed to stop
the relentless snarl of his alarm-clock, had he hoped for late morning
sleeps in his new home, when he could wake up at seven, feel himself
still heavy, unrefreshed, unready for the day, and turn on the pillow to
take another dose of oblivion.

But here, after the first ten days of almost prostrate relaxation, he
found himself waking even before the dawn, and lying awake in his bed,
waiting almost impatiently for the light to come so that he could rise
to another day. He learned all the sounds of the late night and early
morning, and how they had different voices in the dark; the faint
whisper of the maple-branches, the occasional stir and muffled chirp of
a bird, the hushed, secret murmur of the little brook which ran between
his garden and the Crittenden yard, and the distant, deeper note of the
Necronsett River as it rolled down the Ashley valley to The Notch. He
could almost tell, without opening his eyes, when the sky grew light
over the Eagle Rocks, by the way the night voices lifted, and carried
their sweet, muted notes up to a clearer, brighter singing.

When that change in the night-voices came, he sat up in bed, turning
his face from the window, for he did not want any mere partial glimpse
for his first contact with the day, and got into his clothes, moving
cautiously not to waken Vincent, who always sat up till all hours and
slept till ten. Down the stairs in his stocking-feet, his shoes in his
hand; a pause in the living-room to thread and fasten shoe-laces; and
then, his silly old heart beating fast, his hand on the door-knob. The
door slowly opened, and the garden, his own shining garden, offered
itself to him anew, so fresh in the dew and the pale gold of the
slanting morning sun-rays, that he was apt to swallow hard as he first
stepped out into it and stood still, with bare head lifted, drawing one
long breath after another.

He was seldom alone in those early hours, although the house slept
profoundly behind him; a robin, the only bird whose name he was sure of,
hopped heavily and vigorously about on the sparkling grass; a little
brown bird of whose name he had not the slightest notion, but whose
voice he knew very well by this time, poured out a continuous cascade of
quick, high, eager notes from the top of the elm; a large toad squatted
peaceably in the sun, the loose skin over its forehead throbbing
rhythmically with the life in it; and over on the steps of the
Crittendens' kitchen, the old Indian woman, as motionless as the toad,
fixed her opaque black eyes on the rising sun, while something about
her, he could never decide what, throbbed rhythmically with the life in
her. Mr. Welles had never in all his life been so aware of the rising
sun, had never so felt it like something in himself as on those mornings
when he walked in his garden and glanced over at the old Indian.

Presently, the Crittenden house woke, so to speak, with one eye, and
took on the aspect of a house in which someone is astir. First came the
fox-terrier, inevitable precursor of his little master, and then,
stepping around Touclé as though she were a tree or a rock, came his
little partner Paul, his freckled face shining with soap and the
earliness of the hour. Mr. Welles was apt to swallow hard again, when
he felt the child's rough, strong fingers slip into his.

"Hello, Mr. Welles," said Paul.

"Hello, Paul," said Mr. Welles.

"I thought sure I'd beat you to it for once, this morning," was what
Paul invariably said first. "I can't seem to wake up as early as you and
Touclé."

Then he would bring out his plan for that particular morning walk.

"Maybe we might have time to have me show you the back-road by Cousin
Hetty's, and get back by the men's short-cut before breakfast, maybe?
Perhaps?"

"We could try it," admitted Mr. Welles, cautiously. It tickled him to
answer Paul in his own prudent idiom. Then they set off, surrounded and
encompassed by the circles of mad delight which Médor wove about them,
rushing at them once in a while, in a spasm of adoration, to leap up and
lick Paul's face.

Thus on one of these mornings in April, they were on the back-road to
Cousin Hetty's, the right-hand side solemn and dark with tall pines,
where the ground sloped up towards the Eagle Rocks; jungle-like with
blackberry brambles and young pines on the left side where it had been
lumbered some years ago. Paul pointed out proudly the thrifty growth of
the new pines and explained it by showing the several large trees left
standing at intervals down the slope towards the Ashley valley. "Father
always has them do that, so the seeds from the old trees will seed up
the bare ground again. Gosh! You'd ought to hear him light into the
choppers when they forget to leave the seed-pines or when they cut under
six inches butt diameter."

Mr. Welles had no more notion what cutting under six inches butt
diameter meant than he had of the name of the little brown bird who sang
so sweetly in his elm; but Paul's voice and that of the nameless bird
gave him the same pleasure. He tightened his hold of the tough, sinewy
little fingers, and looked up through the glorious brown columns of the
great pines towards where the sky-line showed, luminous, far up the
slope.

"That's the top of the Eagle Rocks, where you see the sky," explained
his small cicerone, seeing the direction of his eyes. "The Powerses lost
a lot of sheep off over them, last year. A dog must ha' started running
them down in the pasture. And you know what fools sheep are. Once they
get scared they can't think of anything to do except just to keep
a-running till something gets in their way. About half of the Powers
flock just ran themselves off the top of the Rocks, although the dog had
stopped chasing them, way down in the valley. There wasn't enough of
them left, even to sell to the butcher in Ashley for mutton. Ralph
Powers, he's about as old as I am, maybe a little bit older, well, his
father had given him a ewe and two twin lambs for his own, and didn't
they all three get killed that day! Ralph felt awful bad about it. He
don't ever seem to have any luck, Ralph don't."

. . . How sweet it was, Mr. Welles thought to himself, how awfully sweet
to be walking in such pine-woods, on the early morning, preceded by such
a wildly happy little dog, with a little boy whose treble voice ran on
and on, whose strong little hand clasped yours so tightly, and who
turned up to you eyes of such clear trust! Was he the same man who for
such endless years had been a part of the flotsam cast out every morning
into the muddy, brawling flood of the city street and swept along to
work which had always made him uneasy and suspicious of it?

"There's the whistle," said Paul, holding up a finger. "Father has the
first one blown at half-past six, so's the men can have time to get
their things ready and start; and not have to hurry."

At this a faint stirring of interest in what the child was saying broke
through the golden haze of the day-dream in which Mr. Welles was
walking. "Where do they come from anyhow, the men who work in your
father's mill?" he asked. "Where do they live? There are so few homes at
Crittenden's."

"Oh, they live mostly over the hill in the village, in Ashley. There are
lots of old houses there, and once in a while now they even have to
build a new one, since the old ones are all filled up. Mr. Bayweather
says that before Father and Mother came here to live and really run the
mill, that Ashley Street was all full of empty houses, without a light
in them, that the old folks had died out of. But now the men have bought
them up and live in them. It's just as bright, nights! With windows
lighted up all over. Father's had the electric current run over there
from the mill, now, and that doesn't cost anything except . . ."

Mr. Welles' curiosity satisfied, he fell back into his old shimmer of
content and walked along, hearing Paul's voice only as one of the
morning sounds of the newly awakened world.

Presently he was summoned out of this day-dream by a tug at his hand.
Paul gave out the word of command, "We turn here, so's to get into the
men's short-cut."

This proved to be a hard-trodden path, lying like a loosely thrown-down
string, over the hill pasture-land which cut Ashley village off from
Crittenden's mill. It was to get around this rough tract that the road
had to make so long a detour.

"Oh, I see," said Mr. Welles. "I'd been thinking that it must bother
them a lot to come the two miles along the road from the village."

"Sure," said Paul. "Only the ones that have got Fords come that way.
This is ever so much shorter. Those that step along fast can make it
easy in twelve or fifteen minutes. There they come now, the first of
them." He nodded backward along the path where a distant dark line of
men came treading swiftly and steadily forward, tin pails glistening in
their hands.

"Some of those in that first bunch are really choppers by rights," Paul
diagnosed them with a practised eye, "but of course nobody does much
chopping come warmer weather. But Father never lays off any men unless
they want to be. He fixes some jobs for them in the lumber-yard or in
the mill, so they live here all the year around, same's the regular
hands."

The two stood still now, watching the men as their long, powerful
strides brought them rapidly nearer. Back of them the sun rose up
splendid in the sparkling, dustless mountain air. The pasture grass on
either side of the sinuous path lay shining in the dew. Before them the
path led through a grove of slim, white birches, tremulous in a pale
cloud of light green.

"Well, they've got a pretty good way to get to their work, all right,"
commented Mr. Welles.

"Yep, pretty good," agreed Paul. "It's got tramped down so it's quite
smooth."

A detachment of the file of tall, strongly built, roughly dressed men
had now reached them, and with friendly, careless nods and greetings to
Paul, they swung by, smoking, whistling, calling out random remarks and
jokes back and forth along the line.

"Hello, Frank. Hello, Mike. Hello, Harry. Hello, Jom-bastiste. Hello,
Jim." Paul made answer to their repeated, familiar, "Hello, Paul."

       *       *       *       *       *

Mr. Welles drew back humbly from out their path. These were men, useful
to the world, strong for labor. He must needs stand back with the child.

With entire unexpectedness, he felt a wistful envy of those men, still
valid, still fit for something. For a moment it did not seem as sweet as
he had thought it would always be, to feel himself old, old and
useless.


II

April 12.

He was impatient to be at the real work of gardening and one morning
applied seriously to Mrs. Crittenden to be set at work. Surely this must
be late enough, even in this "suburb of the North Pole," as Vincent
called Vermont. Well, yes, Mrs. Crittenden conceded to him, stopping her
rapid manipulation of an oiled mop on the floor of her living-room, if
he was in such a hurry, he could start getting the ground ready for the
sweet peas. It wouldn't do any harm to plant them now, though it might
not do any good either; and he mustn't be surprised to find occasional
chunks of earth still frozen. She would be over in a little while to
show him about it. Let him get his pick-mattock, spade, and rake ready,
up by the corner of his stone wall.

       *       *       *       *       *

He was waiting there, ten minutes later, the new implements (bought at
Mrs. Crittenden's direction days and days ago) leaning against the wall.
The sun was strong and sweet on his bared white head, the cool earth
alive under his feet, freed from the tension of frost which had held it
like stone when he had first trod his garden. He leaned against the
stone wall, laid a century ago by who knew what other gardener, and
looked down respectfully at the strip of ground along the stones. There
it lay, blank and brown, shabby with the litter of broken, sodden stems
of last year's weeds, and unsightly with half-rotten lumps of manure.
And that would feed and nourish . . .

For an instant there stood there before his flower-loving eyes the
joyful tangle of fresh green vines, the pearly many-colored flesh of the
petals, their cunning, involved symmetry of form--all sprung from a
handful of wrinkled yellow seeds and that ugly mixture of powdered stone
and rotten decay.

It was a wonderful business, he thought.

Mrs. Crittenden emerged from her house now, in a short skirt, rough
heavy shoes, and old flannel shirt. She looked, he thought, ever so trig
and energetic and nice; but suddenly aware that Vincent was gazing idly
out of an upper window at them, he guessed that the other man would not
admire the costume. Vincent was so terribly particular about how ladies
dressed, he thought to himself, as he moved forward, mattock in hand.

"I'm ashamed to show you how dumb I am about the use of these tools," he
told her, laughing shamefacedly. "I don't suppose you'll believe me, but
honestly I never had a pick-mattock in my hand till I went down to the
store to buy one. I might as well go the whole hog and confess I'd never
even heard of one till you told me to get it. Is this the way you use
it?" He jabbed ineffectually at the earth with the mattock, using a
short tight blow with a half-arm movement. The tool jarred itself half
an inch into the ground and was almost twisted out of his hand.

"No, not quite," she said, taking the heavy tool out of his hand. If she
were aware of the idle figure at the upper window, she gave no sign of
it. She laid her strong, long, flexible hands on the handle, saying,
"So, you hold it this way. Then you swing it up, back of your head.
There's a sort of knack to that. You'll soon catch it. And then, if the
ground isn't very hard, you don't need to use any strength at all on the
downward stroke. Let Old Mother Gravity do the work. If you aim it
right, its own weight is enough for ordinary garden soil, that's not in
sod. Now watch."

She swung the heavy tool up, shining in the bright air, all her tall,
supple body drawn up by the swing of her arms, cried out, "See, now I
relax and just let it fall," and bending with the downward rush of the
blade, drove it deep into the brown earth. A forward thrust of the long
handle ("See, you use it like a lever," she explained), a small
earthquake in the soil, and the tool was free for another stroke.

At her feet was a pool of freshly stirred fragments of earth, loose,
friable, and moist, from which there rose in a gust of the spring
breeze, an odor unknown to the old man and thrilling.

He stooped down, thrust his hand into the open breast of earth, and took
up a handful of the soil which had lain locked in frost for half a year
and was now free for life again. Over it his eyes met those of the
beautiful woman beside him.

She nodded. "Yes, there's nothing like it, the smell of the first earth
stirred every spring."

He told her, wistfully, "It's the very first stirred in all my life."

They had both lowered their voices instinctively, seeing Vincent emerge
from the house-door and saunter towards them immaculate in a gray suit.
Mr. Welles was not at all glad to see him at this moment. "Here, let me
have the mattock," he said, taking it out of Mrs. Crittenden's hands, "I
want to try it myself."

He felt an anticipatory impatience of Vincent's everlasting talk, to
which Mrs. Crittenden always had, of course, to give a polite attention;
and imitating as well as he could, the free, upward swing of his
neighbor, he began working off his impatience on the unresisting earth.
But he could not help hearing that, just as he expected, Vincent plunged
at once into his queer, abrupt talk. He always seemed to think he was
going right on with something that had been said before, but really, for
the most part, as far as Mr. Welles could see, what he said had nothing
to do with anything. Mrs. Crittenden must really be a very smart woman,
he reflected, to seem to know what he meant, and always to have an
answer ready.

Vincent, shaking his head, and looking hard at Mrs. Crittenden's rough
clothes and the handful of earth in her fingers, said with an air of
enforced patience with obvious unreasonableness, "You're on the wrong
track, you know. You're just all off. Of course with you it can't be
pose as it looks when other people do it. It must be simply
muddle-headed thinking."

He added, very seriously, "You infuriate me."

Mr. Welles, pecking feebly at the ground, the heavy mattock apparently
invested with a malicious life of its own, twisting perversely, heavily
lop-sided in his hands, thought that this did not sound like a polite
thing to say to a lady. And yet the way Vincent said it made it sound
like a compliment, somehow. No, not that; but as though it were awfully
important to him what Mrs. Crittenden did. Perhaps that counted as a
compliment.

He caught only a part of Mrs. Crittenden's answer, which she gave,
lightly laughing, as though she did not wish to admit that Vincent could
be so serious as he sounded. The only part he really heard was when she
ended, ". . . oh, if we are ever going to succeed in forcing order on the
natural disorder of the world, it's going to take everybody's shoulder
to the wheel. Women can't stay ornamental and leisurely, and elegant,
nor even always nice to look at."

Mr. Welles, amazed at the straining effort he needed to put forth to
manage that swing which Mrs. Crittenden did so easily, took less than
his usual small interest in the line of talk which Vincent was so fond
of springing on their neighbor. He heard him say, with his air of always
stating a foregone conclusion, something so admitted that it needed no
emphasis, "It's Haroldbellwrightism, pure and simple, to imagine that
anything you can ever do, that anybody can ever do, will help bring
about the kind of order _you're_ talking about, order for everybody. The
only kind of order there ever will be, is what you get when you grab a
little of what you want out of the chaos, for your own self, while
there's still time, and hold on to it. That's the only way to get
anywhere for yourself. And as for doing something for other people, the
only satisfaction you can give anybody is in beauty."

Mr. Welles swam out of the breakers into clear water. Suddenly he caught
the knack of the upward swing, and had the immense satisfaction of
bringing the mattock down squarely, buried to the head in the earth.

"There!" he said proudly to Mrs. Crittenden, "how's that for fine?"

He looked up at her, wiping the sweat from his forehead. He wondered for
an instant if she really looked troubled, or if he only imagined it.
There was no doubt about how Vincent looked, as though he thought Mr.
Welles, exulting over a blow with a mattock, an old imbecile in his
dotage.

Mr. Welles never cared very much whether he seemed to Vincent like an
old imbecile or not, and certainly less than nothing about it today,
intoxicated as he was with the air, the sun, and his new mastery over
the soil. He set his hands lovingly to the tool and again and again
swung it high over his head, while Vincent and Mrs. Crittenden strolled
away, still talking. . . . "Doesn't it depend on what you mean by
'beauty'?" Mrs. Crittenden was saying.



CHAPTER VII

THE NIGHT-BLOOMING CEREUS

_An Evening in the Life of Mrs. Neale Crittenden_


April 20.

Nowadays she so seldom spoke or acted without knowing perfectly well
what she was about, that Marise startled herself almost as much as her
callers by turning over that leaf in the photograph album quickly and
saying with abruptness, "No, never mind about that one. It's nothing
interesting."

Of course this brought out from Paul and little Mark, hanging over her
shoulder and knee, the to-be-expected shouts of, "Oh, let's see it! What
is it?"

Marise perceived that they scented something fine and exciting such as
Mother was always trying to keep from them, like one man choking another
over the edge of a cliff, or a woman lying on her back with the blood
all running from her throat. Whenever pictures like that were in any of
the magazines that came into the house, Marise took them away from the
little boys, although she knew helplessly that this naturally made them
extremely keen not to miss any chance to catch a glimpse of such a one.
She could see that they thought it queer, there being anything so
exciting in this old album of dull snapshots and geographical
picture-postcards of places and churches and ruins and things that
Father and Mother had seen, so long ago. But you never could tell. The
way Mother had spoken, the sound of her voice, the way she had flapped
down the page quick, the little boys' practised ears and eyes had
identified all that to a certainty with the actions that accompanied
pictures she didn't want them to see. So, of course, they clamored, "Oh
_yes_, Mother, just one look!"

Elly as usual said nothing, looking up into Mother's face. Marise was
extremely annoyed. She was glad that Elly was the only one who was
looking at her, because, of course, dear old Mr. Welles' unobservant
eyes didn't count. She was glad that Mr. Marsh kept his gaze downward on
the photograph marked "Rome from the Pincian Gardens," although through
the top of his dark, close-cropped head she could fairly feel the
racing, inquiring speculations whirling about. Nor had she any right to
resent that. She supposed people had a right to what went on in their
own heads, so long as they kept it to themselves. And it had been
unexpectedly delicate and fine, the way he had come to understand,
without a syllable spoken on either side, that that piercing look of his
made her uneasy; and how he had promised her, wordlessly always, to bend
it on her no more.

_Why_ in the world had it made her uneasy, and why, a thousand times
why, had she felt this sudden unwillingness to look at the perfectly
commonplace photograph, in this company? Something had burst up from the
subconscious and flashed its way into action, moving her tongue to speak
and her hand to action before she had the faintest idea it was there . . .
like an action of youth! And see what a silly position it had put her
in!

The little boys had succeeded with the inspired tactlessness of children
in emphasizing and exaggerating what she had wished could be passed over
unnoticed, a gesture of hers as inexplicable to her as to them. Oh well,
the best thing, of course, was to carry it off matter-of-factly, turn
the leaf back, and _let_ them see it. And then refute them by insisting
on the literal truth of what she had said.

"There!" she said carelessly; "look at it then."

The little boys bent their eager faces over it. Paul read out the title
as he had been doing for the other photographs, "'View of the Campagna
from the top of the cable-railway at Rocca di Papa. Rome in the
distance.'"

She had to sustain, for an instant, an astonished and disconcerted look
from all those eyes. It made her quite genuinely break into a laugh. It
was really a joke on them. She said to the little boys mischievously,
"What did Mother say? Do you find it very interesting?"

Paul and Mark stared hard at the very dull photograph of a cliff and a
plain and not even a single person or donkey in it, and gave
up the riddle. Mother certainly _had_ spoken to them in that
hide-it-away-from-the-children voice, and yet there was nothing there.

Marise knew that they felt somehow that Mother had unfairly slipped out
between their fingers, as grown-ups are always doing. Well, it wasn't
fair. She hated taking advantage of them like that. It was a sort of sin
against their awakening capacity to put two and two together and make a
human total, and understand what went on about them.

But it hadn't been against _their_ capacity to put two and two together
that she had instinctively thrown up that warding-off arm, which hadn't
at all warded off attention, but rather drawn it hard and scrutinizing,
in spite of those down-dropped sharp eyes. Well, there was no sum he
could do with only two, and slight probability he would ever get the
other two to put with it . . . whatever the other two might be.

Mr. Welles' pleasant old voice said, "It's a very pretty picture, I'm
sure. They certainly have very fine views about the Eternal City. I envy
you your acquaintance with all those historic spots. What is the next
one?"

Dear old Mr. Welles! What a restful presence! How unutterably sweet and
uncomplicated life could be with a good big dose of simplicity holding
everything in a clear solution, so that it never occurred to you that
what things seemed was very different from what they were.

"Ready to turn over, dears?" she asked the little boys. This time she
was in her usual control of the machine, regulated what she did from
the first motion to the last, made her voice casual but not elaborately
so, and put one arm around Mark's slim little shoulder with just the
right degree of uninterest in those old and faded photographs.

Very deep down, at the edge of consciousness, something asked her, "Why
did you try to hide that photograph?"

She could not answer this question. She didn't know why, any more than
the little boys did. And it wouldn't do now, with the need to be
mistress-of-the-house till a call ended, to stop to try to think it out.
Later on, tonight, after the children were in bed, when she was brushing
her hair . . . oh, probably she'd find as you so often did, when you went
after the cause of some unexpected little feeling, that it came from a
meaningless fortuitous association of ideas, like Elly's hatred of
grape-jelly because she had once taken some bitter medicine in it.

"'View of the Roman Aqueduct, taken from the tramway line to Tivoli,'"
read out Paul.

"Very pretty view," said Mr. Welles.

Mr. Marsh's silences were as abysmal as his speech was Niagara-like on
occasion. He said nothing.

Elly stirred and looked toward the doorway. Touclé stood there, her
shoe-button eyes not blinking in the lamp-light although she probably
had been sitting on the steps of the kitchen, looking out into the
darkness, in the long, motionless vigil which made up Touclé's evenings.
As they all turned their faces towards her, she said, "The cereus is
going to bloom tonight," and disappeared.

Marise welcomed this diversion. Ever since that absurd little gesture
about the photograph, she had felt thickening about her . . . what? What
you call "depression" (whatever that meant), the dull hooded apparition
that came blackly and laid its leaden hand on your heart. This news was
just the thing. It would change what was threatening to stand stagnant
and charge it with fresh running currents. She got up briskly to her
feet.

"Come on, children," she said. "I'll let you sit up beyond bed-time
tonight. Scatter quick, and put on your things. We'll all go down the
road to the Powers house and see the cereus in bloom."

The children ducked quickly out of the room, thudding along softly in
their felt slippers. Scramblings, chatterings, and stamping sounded back
from the front hall, as they put on their boots and wraps.

"Wouldn't you like to come, too?" she asked the men, rescuing them from
the rather high-and-dry position in which this unexpected incident had
left them. It was plainly, from their faces, as inexplicable as
unexpected. She explained, drawing a long, plain, black silk scarf
closely about her head and shoulders, "Why, yes, do come. It's an
occasion as uniquely Ashleyian as pelota is Basque. You, Mr. Marsh, with
your exhaustive inquiries into the habits and manners of Vermont
mountaineers, your data won't be complete unless you've seen Nelly
Powers' night-blooming cereus in its one hour of glory. Seriously, I
assure you, you won't encounter anything like it, anywhere else."

As Marsh looked at her, she noted with an inward amusement that her
words had lighted a smouldering glow of carefully repressed exasperation
in his eyes. It made her feel quite gay and young to be teasing somebody
again. She was only paying him back in his own coin. He himself was
always telling everybody about his deep interest in the curious quaint
ways of these mountaineers. And if he didn't have a deep interest in
their curious quaint ways, what else could he give as a reason for
staying on in the valley?

The men turned away to get their hats. She settled the folds of her
heavy black silk mantilla more closely about her head, glancing at
herself in the mirror. She smiled back with sympathy at the smiling face
she saw there. It was not so often since the war that she saw her own
face lighted with mirth.

Gravely, something deep on the edge of the unconscious called up to her,
"You are talking and feeling like a coquette."

She was indignant at this, up in arms to defend human freedom. "Oh, what
a hateful, little-villagey, prudish, nasty-minded idea!" she cried to
herself. "Who would have thought that narrowness and priggishness could
rub off on a person's mind like that! Mrs. Bayweather could have thought
that! Mercy! As if one civilized being can't indulge in a light touch or
two in human intercourse with another!"

The two men were ready now and all the party of six jostled each other
cheerfully as they went out of the front door. Paul had secured the hand
of old Mr. Welles and led him along with an air of proprietary
affection.

"Don't you turn out the lamp, or lock the door, or _any_thing?" asked
the old man, now.

"Oh no, we won't be gone long. It's not more than half a mile to the
Powers'. There's not a soul in the valley who would think of going in
and rummaging . . . let alone taking anything. And we never have tramps.
We are too far from the railroad," said Marise.

"_Well!_" exclaimed the other, looking back as they went down the path,
"it certainly looks queer to me, the door standing open into this black
night, and the light shining in that empty room."

Elly looked back too. She slipped her hand out of her mother's and ran
towards the house. She darted up to the door and stood there, poised
like a swallow, looking in.

"What does she want?" asked Mr. Welles with the naïve conviction of the
elderly bachelor that the mother must know everything in the child's
mind.

"I don't know," admitted Marise. "Nobody ever knows exactly what is in
Elly's mind when she does things. Maybe she is looking to see that her
kitten is safe."

The little girl ran back to them.

"What did you want, dear?" asked her mother.

"I just wanted to look at it again," said Elly. "I _like_ it, like that,
all quiet, with nobody in it. The furniture looks as though it were
having a good rest from us."

"Oh, listen to the frogs!" screamed Mark, out of the darkness where he
had run to join Touclé.

Elly and Paul sprang forward to join their little brother.

       *       *       *       *       *

"What in the world are we going to see?" asked Marsh. "You forget you
haven't given us the least idea."

"You are going to see," Marise set herself to amuse them, "you're going
to see a rite of the worship of beauty which Ashley, Vermont, has
created out of its own inner consciousness."

She had succeeded in amusing at least one of them, for at this Mr. Marsh
gave her the not disagreeable shock of that singular, loud laugh of his.
It was in conversation like something-or-other in the orchestra . . . the
cymbals, that must be it . . . made you jump, and tingle with answering
vibrations.

"Ashleyians in the rôle of worshipers of beauty!" he cried, out of the
soft, moist, dense darkness about them.

"None so blind as those who won't see," she persisted. "Just because
they go to it in overalls and gingham aprons, instead of peplums and
sandals."

"What _is_ a night-blooming cereal?" asked Mr. Welles, patient of the
verbose by-play of his companions that never got anybody anywhere.

What an old dear Mr. Welles was! thought Marise. It was like having the
sweetest old uncle bestowed on you as a pendant to dear Cousin Hetty.

". . . -eus, not -eal," murmured Marsh; "not that I know any more than you
what it is."

Marise felt suddenly wrought upon by the mildness of the spring air,
the high, tuneful shrillness of the frogs' voices, the darkness, sweet
and thick. She would not amuse them; no, she would really tell them,
move them. She chose the deeper intonations of her voice, she selected
her words with care, she played upon her own feeling, quickening it into
genuine emotion as she spoke. She would make them feel it too.

"It is a plant of the cactus family, as native to America as is Ashley's
peculiar sense of beauty which you won't acknowledge. It is as ugly to
look at, the plant is, all spines and thick, graceless, fleshy pads; as
ugly as Ashley life looks to you. And this crabbed, ungainly
plant-creature is faithfully, religiously tended all the year around by
the wife of a farmer, because once a year, just once, it puts forth a
wonderful exotic flower of extreme beauty. When the bud begins to show
its color she sends out word to all her neighbors to be ready. And we
are all ready. For days, in the back of our minds as we go about our
dull, routine life, there is the thought that the cereus is near to
bloom. Nelly and her grim husband hang over it day by day, watching it
slowly prepare for its hour of glory. Sometimes when they cannot decide
just the time it will open, they sit up all through a long night, hour
after hour of darkness and silence, to make sure that it does not bloom
unseen. When they see that it is about to open, they fling open their
doors, wishing above everything else to share that beauty with their
fellows. Their children are sent to announce, as you heard Touclé say
tonight, 'The cereus is going to bloom.' And all up and down this end of
the valley, in those ugly little wooden houses that look so mean and
dreary to you, everywhere people tired from their day's struggle with
the earth, rise up and go their pilgrimage through the night . . . for
what? To see something rare and beautiful."

She stopped speaking. On one side of her she heard the voice of the
older man say with a quiver, "Well, I can understand why your neighbors
love you."

With entire unexpectedness Marsh answered fiercely from the other side,
"_They_ don't love her! They're not capable of it!"

Marise started, as though a charged electric wire had fallen across her
arm. Why was there so often a note of anger in his voice?

For a moment they advanced silently, pacing forward, side by side,
unseen but not unfelt by each of the others.

The road turned now and they were before the little house, every window
alight, the great pine somber and high before it. The children and
Touclé were waiting at the door. They all went in together, shaking
hands with the mistress of the house, neatly dressed, with a clean,
white flounced apron. "Nelly's garment of ceremony!" thought Marise.

Nelly acknowledged, with a graceful, silent inclination of her shining
blonde head, the presence of the two strangers whom Marise presented to
her. What an inscrutable fascination Nelly's silence gave to her! You
never knew what strange thoughts were going on behind that proud
taciturnity. She showed the guests to chairs, of which a great many,
mostly already filled, stood about the center table, on which sprawled
the great, spiny, unlovely plant. Marise sat down, taking little Mark on
her knees. Elly leaned against her. Paul sat close beside old Mr.
Welles. Their eyes were on the big pink bud enthroned in the
uncomeliness of the shapeless leafpads.

"Oh!" said Elly, under her breath, "it's not open yet! We're going to
_see_ it open, this time!" She stared at it, her lips parted. Her mother
looked at her, tenderly aware that the child was storing away an
impression to last her life long. Dear, strangely compounded little
Elly, with her mysticism, and her greediness and her love of beauty all
jumbled together! A neighbor leaned from her chair to say to Mrs.
Crittenden, "Warm for this time of year, ain't it?" And another
remarked, looking at Mark's little trousers, "That material come out
real good, didn't it? I made up what I got of it, into a dress for
Pearl." They both spoke in low tones, but constrained or sepulchral, for
they smiled and nodded as though they had meant something else and
deeper than what they had said. They looked with a kindly expression for
moment at the Crittenden children and then turned back to their gaze on
the flower-bud.

Nelly Powers, walking with a singular lightness for so tall a woman,
ushered in another group of visitors--a tall, unshaven farmer, his wife,
three little children clumping in on shapeless cow-hide boots, and a
baby, fast asleep, its round bonneted head tucked in the hollow of its
mother's gingham-clad shoulder. They sat down, nodding silent greetings
to the other neighbors. In turning to salute them, Marise caught a
glimpse of Mr. Marsh, fixing his brilliant scrutiny first on one and
then on another of the company. At that moment he was gazing at Nelly
Powers, "taking her in" thought Marise, from her beautiful hair to those
preposterously high-heeled shoes she always would wear on her shapely
feet. His face was impassive. When he looked neutral like that, the
curious irregularity of his features came out strongly. He looked like
that bust of Julius Caesar, the bumpy, big-nosed, strong-chinned one,
all but that thick, closely cut, low-growing head of dark hair.

She glanced at Mr. Welles, and was surprised to find that he was looking
neither at the people nor the plant. His arm was around his favorite
Paul, but his gaze seemed turned inward, as though he were thinking of
something very far away. He looked tired and old, it seemed to her, and
without that quietly shining aspect of peace which she found so
touching. Perhaps he was tired. Perhaps she ought not to have brought
him out, this evening, for that long walk over rough country roads. How
much older he was than his real age in years! His life had used him up.
There must have been some inner maladjustment in it!

There was a little stir in the company, a small inarticulate sound from
Elly. Marise saw everyone's eyes turn to the center of the room and
looked back to the plant. The big pink bud was beginning visibly to
swell.

A silence came into the room. No one coughed, or stirred, or scraped a
chair-leg. It was as though a sound would have wounded the flower. All
those human souls bowed themselves. Almost a light shone upon them . . . a
phrase from Dante came to Marise's mind . . . "_la mia menta fu percossa
da un fulgore_ . . ."

With a quick involuntary turn she looked at Marsh, fearing his mockery
of her, "quoting the _Paradiso_, about Vermont farmers!" as though he
could know, for all those sharp eyes of his, what was going on hidden in
her mind!

All this came and went in an instant, for she now saw that one big,
shining petal was slowly, slowly, but quite visibly uncurling at the
tip. From that moment on, she saw nothing, felt nothing but the opening
flower, lived only in the incredibly leisurely, masterful motion with
which the grotesquely shaped protecting petals curled themselves back
from the center. Their motion was so slow that the mind was lost in
dreaminess in following it. Had that last one moved? No, it stood still,
poised breathlessly . . . and yet, there before them, revealed, exultant,
the starry heart of the great flower shimmered in the lamp-light.

       *       *       *       *       *

Then she realized that she had not breathed. She drew in a great
marveling aspiration, and heard everyone about her do the same. They
turned to each other with inarticulate exclamations, shaking their heads
wonderingly, their lips a little apart as they drew long breaths.

Two very old women, rubbing their age-dimmed eyes, stood up, tiptoed to
the table, and bent above the miraculously fine texture of the flower
their worn and wrinkled faces. The petals cast a clear, rosy reflection
upon their sallow cheeks. Some of the younger mothers took their little
children over to the table and lifting them up till their round shining
eyes were on a level with the flower, let them gaze their fill at the
mysterious splendor of stamen and pistil.

"Would you like to go quite close and look at it, children?" Marise
asked her own brood.

The little boys stepped forward at once, curiously, but Elly said, "No,
oh _no!_" and backed off till she stood leaning against Touclé's knee.
The old woman put her dark hand down gently on the child's soft hair and
smiled at her. How curious it was to see that grim, battered old visage
smile! Elly was the only creature in the world at whom the old Indian
ever smiled, indeed almost the only thing in the house which those
absent old eyes ever seemed to see. Marise remembered that Touclé had
smiled when she first took the baby Elly in her arms.

       *       *       *       *       *

A little murmur of talk arose now, from the assembled neighbors. They
stood up, moved about, exchanged a few laconic greetings, and began
putting their wraps on. Marise remembered that Mr. Welles had seemed
tired and as soon as possible set her party in motion.

"Thank you so much, Nelly, for letting us know," she said to the
farmer's wife, as they came away. "It wouldn't seem like a year in our
valley if we didn't see your cereus in bloom."

She took Elly's hand in one of hers, and with Mark on the other side
walked down the path to the road. The darkness was intense there,
because of the gigantic pine-tree which towered above the little house.
"Are you there, Paul?" she called through the blackness. The little
boy's voice came back, "Yes, with Touclé, we're ahead." The two men
walked behind.

Elly's hand was hot and clasped her mother's very tightly. Marise bent
over the little girl and divined in the darkness that she was crying.
"Why, Elly darling, what's the matter?" she asked.

The child cried out passionately, on a mounting note, "Nothing, nothing!
_Nothing!_" She flung her arms around her mother's neck, straining her
close in a wild embrace. Little Mark, on the other side, yawned and
staggered sleepily on his feet. Elly gave her mother a last kiss, and
ran on ahead, calling over her shoulder, "I'm going to walk by myself!"

"_Well!_" commented the old gentleman.

Mr. Marsh had not been interested in this episode and had stood gazing
admiringly up at the huge pine-tree, divining its bulk and mass against
the black sky.

"Like Milton's Satan, isn't it?" was his comment as they walked on,
"with apologies for the triteness of the quotation."

For a time nothing was said, and then Marsh began, "Now I've seen it,
your rite of the worship of beauty. And do you know what was really
there? A handful of dull, insensitive, primitive beings, hardened and
calloused by manual toil and atrophied imaginations, so starved for any
variety in their stupefyingly monotonous life that they welcome
anything, anything at all as a break . . . only if they could choose, they
would infinitely prefer a two-headed calf or a bearded woman to your
flower. The only reason they go to see that is because it is a
curiosity, not because of its beauty, because it blooms once a year
only, at night, and because there is only one of them in town. Also
because everybody else goes to see it. They go to look at it only
because there aren't any movies in Ashley, nor anything else. And you
know all this just as well as I do."

"Oh, Mr. Welles," Marise appealed to him, "do you think that is the
truth of the facts?"

The old man pronounced judgment gently. "Well, I don't know that
_any_thing is the truth. I should say that both of you told the truth
about it. The truth's pretty big for any one person to tell. Isn't it
all in the way you look at it?" He added, "Only personally I think Mrs.
Crittenden's the nicest way."

Marsh was delighted with this. "There! I hope you're satisfied. You've
been called 'nice.' That ought to please any good American."

"I wonder, Mr. Welles," Marise said in an ostentatiously casual tone, "I
wonder if Mr. Marsh had been an ancient Greek, and had stood watching
the procession going up the Acropolis hill, bearing the thank-offerings
from field and loom and vineyard, what do you suppose he would have
seen? Dullness and insensitiveness in the eyes of those Grecian
farmer-lads, no doubt, occupied entirely with keeping the oxen in line;
a low vulgar stare of bucolic curiosity as the country girls, bearing
their woven linen, looked up at the temple. Don't you suppose he would
have thought they managed those things a great deal more artistically in
Persia?"

"Well, I don't know much about the ancient Greeks," said Mr. Welles
mildly, "but I guess Vincent would have been about the same wherever he
lived."

"Who is satisfied with the verdict now?" triumphed Marise.

But she noticed that Marsh's attack, although she considered that she
had refuted it rather neatly, had been entirely; efficacious in
destroying the aura of the evening. Of the genuine warmth of feeling
which the flower and the people around it had roused in her heart, not
the faintest trace was left. She had only a cool interested certainty
that her side had a perfectly valid foundation for arguing purposes. Mr.
Marsh had accomplished that, and more than that, a return from those
other centers of feeling to her preoccupation with his own personality.

He now went on, "But I'm glad to have gone. I saw a great deal else
there than your eccentric plant and the vacancy of mind of those sons of
toil, cursed, soul-destroying toil. For one thing, I saw a woman of
very great beauty. And that is always so much gained."

"Oh yes," cried Marise, "that's so. I forgot that you could see that.
I've grown so used to the fact that people here don't understand how
splendidly handsome Nelly Powers is. Their taste doesn't run to the
statuesque, you know. They call that grand silent calm of her,
stupidness! Ever since 'Gene brought her here as a bride, a year after
we came to live in Crittenden's, I have gone out of my way to look at
her. You should see her hanging out the clothes on a windy day. One
sculptured massive pose after another. But even to see her walk across
the room and bend that shining head is thrilling."

"I saw something else, too," went on Marsh, a cool voice speaking out of
the darkness. "I saw that her black, dour husband is furiously in love
with her and furiously jealous of that tall, ruddy fellow with an
expressive face, who stood by the door in shirt-sleeves and never took
his eyes from her."

Marise was silent, startled by this shouting out of something she had
preferred not to formulate.

"Vincent, you see too much," said Mr. Welles resignedly. The phrase ran
from his tongue as though it were a familiar one.

Marise said slowly, "I've sometimes thought that Frank Warner did go to
the Powers' a good deal, but I haven't wanted to think anything more."

"What possible reason in the world have you for not wanting to?" asked
Marsh with the most authentic accent of vivid and astonished curiosity.

"What reason . . . ?" she repeated blankly.

He said dispassionately, "I don't like to hear _you_ make such a flat,
conventional, rubber-stamp comment. Why in the world shouldn't she love
a fine, ardent, _living_ man, better than that knotty, dead branch of a
husband? A beautiful woman and a living, strong, vital man, they belong
together. Whom God hath joined . . . Don't try to tell me that your
judgment is maimed by the Chinese shoes of outworn ideas, such as the
binding nature of a mediaeval ceremony. That doesn't marry anybody, and
you know it. If she's really married to her husband, all right. But if
she loves another man, and knows in her heart that she would live a
thousand times more fully, more deeply with him . . . why, she's _not_
married to her husband, and nothing can make her. You know that!"

Marise sprang at the chance to turn his own weapons of mockery against
him. "Upon my word, who's idealizing the Yankee mountaineer now?" she
cried, laughing out as she spoke at the idea of her literal-minded
neighbors dressed up in those trailing rhetorical robes. "I thought you
said they were so dull and insensitive they could feel nothing but an
interest in two-headed calves, and here they are, characters in an
Italian opera. I only wish Nelly Powers were capable of understanding
those grand languages of yours and then know what she thought of your
idea of what's in her mind. And as for 'Gene's jealousy, I'll swear that
it amounts to no more than a vague dislike for Frank Warner's 'all the
time hanging around and gassin' instead of stickin' to work.' And you
forget, in your fine modern clean-sweep, a few old-fashioned facts like
the existence of three Powers children, dependent on their mother."

"You're just fencing, not really talking," he answered imperturbably.
"You can't pretend to be sincere in trying to pull that antimacassar
home-and-mother stuff on me. Ask Bernard Shaw, ask Freud, ask Mrs.
Gilman, how good it is for children's stronger, better selves, to live
in the enervating, hot-house concentration on them of an unbalanced,
undeveloped woman, who has let everything else in her personality
atrophy except her morbid preoccupation with her own offspring. That's
really the meaning of what's sentimentally called 'mothering.' Probably
it would be the best thing in the world for the Powers children if
their mother ran away with that fine broth of a lad."

"But Nelly loves her children and they love her!" Marise brought this
out abruptly, impulsively, and felt, as she heard the words, that they
had a flat, naïve sound, out of key with the general color of this talk,
like a C Major chord introduced into Debussy nuances.

"Not much she doesn't, nor they her. Any honest observer of life knows
that the only sincere relation possible between the young and the old
(after the babies are weaned) is hostility. We hated our elders, because
they got in our way. And they'll hate us as soon as they get the
strength to, because we'll be in their way. And we will hate them
because they will want to push us off the scene. It's impossible to
ignore the gulf. Most human tragedies come from trying to pretend it's
not there."

"Why, Mr. Welles," cried Marise again, "what do you say to such talk?
Don't you find him perfectly preposterous?"

Mr. Welles answered a little absently. "Oh, I'm pretty well used to him,
by now. And all his friends in the city are talking like that now. It's
the fashion. I'm so old that I've seen a good many fashions in talk come
and go. I never could see that people _acted_ any differently, no matter
which way they talk." As he finished, he drew a long sigh, which had
obviously no connection with what he had been saying. With the sigh,
came an emanation from him of dispirited fatigue. Marise wished she
dared draw his hand upon her arm and ask him to lean on her as they
walked.

Nothing more was said for a time. Marise lost herself in the outdoor
wideness of impression that always came to her under a night sky, where
she felt infinity hovering near. She was aware of nothing but the faint
voice of the pines, the distant diminuendo of the frog's song, the firm
elastic quality of the ground under her feet, so different from the iron
rigidity of the winter earth, and the cool soft pressure of the
night-air on her cheeks, when, like something thrust into her mind from
the outside, there rose into her consciousness, articulate and complete,
the reason why she had shrunk from looking at the photograph of Rocca di
Papa. It was because it was painful to her, intimately painful and
humiliating to remember how she and Neale had felt there, the wild, high
things they had said to each other, that astounding flood of feeling
which had swept them away at the last. What had become of all that?
Where now was that high tide?

       *       *       *       *       *

Of course she loved Neale, and he loved her; there was nobody like
Neale, yes, all that; but oh! the living flood had been ebbing, ebbing
out of their hearts. They were not _alive_ as they had been alive when
they had clung to each other, there on that age-old rock, and felt the
tide of all the ages lift them high.

It must have been ebbing for a long time before she realized it because,
hurried, absorbed, surrounded incessantly by small cares as she was,
hustled and jostled in her rôle of mother and mistress-of-the-house in
servantless America, with the primitive American need to do so much with
her own hands, she had not even had the time to know the stupid, tragic
thing that was happening to her . . . that she was turning into a slow,
vegetating plant instead of a human being. And now she understood the
meaning of the strange dejection she had felt the day when little Mark
went off to school with the others. How curiously jaded and apprehensive
she had felt that morning, and when she had gone downstairs to see the
callers who arrived that day. That was the first time she had _felt_
that the tide was ebbing.

All this went through her mind with the cruel swiftness of a
sword-flash. And the first reaction to it, involuntary and reflex, was
to crush it instantly down, lest the man walking at her side should be
aware of it. It had come to her with such loud precision that it seemed
it must have been audible.

As she found herself still on the dark country road, cloaked and
protected by the blackness of the starless night, she was struck with
wonder, as though she had never thought of it before, at the human body,
its opaque, inscrutable mystery, the locked, sealed strong-box of
unimaginable secrets which it is. There they were, the three of them,
stepping side by side, brushing each other as they moved; and as remote
from each other as though they were on different stars. What were the
thoughts, powerful, complex, under perfect control, which were being
marshaled in that round, dark head? She felt a little afraid to think;
and turned from the idea to the other man with relief. She knew (she
told herself) as though she saw inside, the tired, gentle, simple,
wistful thoughts that filled the white head on her other side.

With this, they were again at the house, where the children and Touclé
had preceded them. Paul was laughing and saying, "Elly's the looniest
kid! She's just been saying that Father is like . . ." Elly, in a panic,
sprang up at him, clapping her hand over his mouth, crying out, "No,
Paul, you shan't tell! _Don't!_"

The older, stronger child pulled himself away and, holding her at arm's
length, continued, "She said Father was like the end of her hair that's
fastened into her head, and Mother was the end that flaps in the wind,
and Mr. Marsh was like the Eagle Rock brook, swirly and hurrying the way
it is in the spring."

Elly, half crying, came to her mother. "Mother, it's nasty-horrid in
Paul to tell when I didn't want him to."

Marise began taking off the little girl's coat. "It wasn't very kind in
Paul, but there was nothing in those funny little fancies to hide,
dear."

"I didn't care about you and Father!" explained the child. "Only . . ."
She looked at Mr. Marsh from under downbent brows.

"Why, Elly, I am very much complimented, I'm sure," Marsh hastened to
tell her, "to be compared with such a remarkably nice thing as a brook
in spring-time. I didn't suppose any young lady would ever have such a
poetic idea about me."

"Oh . . ." breathed Elly, relieved, "well . . ."

"Do you suppose you little folks can get yourselves to bed without me?"
asked Marise. "If one of you big children will unbutton Mark in the
back, he can manage the rest. I must set a bread-sponge before I go
upstairs."

They clung to her imploringly. "But you'll be upstairs in time to kiss
us good-night in our beds," begged Elly and Mark together. Paul also
visibly hung on his mother's answer.

Marise looked down into their clear eyes and eager faces, reaching out
to her ardently, and she felt her heart melt. What darlings they were!
What inestimable treasures! How sweet to be loved like that!

She stooped over them and gathered them all into a great armful, kissing
them indiscriminately. "Yes, of course, I will . . . and give you an extra
kiss now!" she cried.

She felt Marsh's eyes on her, sardonically.

She straightened herself, saying with affectionate roughness, "There,
that's enough. Scamper along with you. And don't run around with bare
feet!"

She thought to herself that she supposed this was the sort of thing
Marsh meant when he spoke about hot-house enervating concentration. She
had been more stung by that remark of his than she had been willing to
acknowledge to Marsh or to herself.

But for the moment, any further reflection on it was cut short by the
aspect of Mr. Welles' face. He had sunk into a chair near the lamp, with
an attitude and an expression of such weariness, that Marise moved
quickly to him. "See here, Mr. Welles," she said impulsively, "you have
something on your mind, and I've got the mother-habit so fastened on me
that I can't be discreet and pretend not to notice it. I want to make
you say what the trouble is, and then flu it right, just as I would for
one of mine."

The old man looked up at her gratefully and reaching out one of his
wrinkled hands took hers in it. "It does me good to have you so nice to
me," he said, "but I'm afraid even you can't fix it right. I've had a
rather distressing letter today, and I can't seem to get it out of my
mind."

"Schwatzkummerer can't send the gladioli," conjectured Marsh.

For the first time since he had entered the house, Marise felt a passing
dislike for him. She had often felt him to be hard and ruthless, but she
had never seen anything cheap in him, before, she thought.

"What was your letter?" she asked the older man.

"Oh, nothing in the least remarkable, nothing new," he said heavily.
"I've got a cousin whom I haven't seen since she was a little little
girl, though she must be somewhere near my age, now. She has been a
teacher in a school for Negroes, down in Georgia, for years, most of her
life. But I had sort of lost track of her, till I had to send her some
little family trinkets that were left after my old aunt died. Her
letter, that I received today, is in answer to that. And while she was
writing, she gave me her news, and told me a good deal about conditions
down there. Pretty bad, I should think it, pretty bad."

A little spasm crossed his face. He shook his head, as though to shake
off a clinging filament of importunate thought.

"What's the trouble? Do they need money, the school?" asked Marise with
a vague idea of getting up a contribution.

"No, my cousin didn't say anything about that. It's not so simple. It's
the way the Negroes are treated. No, not lynchings, I knew about them.
But I knew they don't happen every day. What I hadn't any idea of, till
her letter came, was how every day, every minute of every day, they're
subject to indignity that they can't avoid, how they're made to feel
themselves outsiders and unwelcome in their own country. She says the
Southern white people are willing to give them anything that will make
good day-laborers of them, almost anything in fact except the thing they
can't rise without, ordinary human respect. It made a very painful
impression on my mind, her letter, very. She gave such instances. I
haven't been able to get it out of my mind. For instance, one of the
small things she told me . . . it seems incredible . . . is that Southern
white people won't give the ordinary title of respect of Mr. or Mrs. or
Dr. even to a highly educated Negro. They call them by their first
names, like servants. Think what an hourly pin-prick of insult that must
be. Ever since her letter came, I've been thinking about it, the things
she told me, about what happens when they try to raise themselves and
refine themselves, how they're made to suffer intimately for trying to
be what I thought we all wanted all Americans to be." He looked at
Marise with troubled eyes. "I've been thinking how it would feel to be a
Negro myself. What a different life would be in front of your little
Elly if she had Negro blood!"

Marise had listened to him in profound silence. Sheer, unmixed
astonishment filled her mind, up to the brim. Of all the totally
unexpected things for Mr. Welles to get wrought up about!

She drew a long breath. How eternally disconcerting human beings are!
There she had been so fatuously sure, out there on the walk home, that
she knew exactly what was in that old white head. And all the time it
had been this. Who could have made the faintest guess at that? It
occurred to her for the first time that possibly more went on under Mr.
Welles' gently fatigued exterior than she thought.

She found not a word to say, so violent and abrupt was the transition of
subject. It was as though she had been gazing down through a powerful
magnifying glass, trying to untangle with her eyes a complicated twist
of moral fibers, inextricably bound up with each other, the moral
fibers that made up her life . . . and in the midst of this, someone had
roughly shouted in her ear, "Look up there, at that distant cliff.
There's a rock on it, all ready to fall off!"

She could not be expected all of a sudden, that way, to re-focus her
eyes. And the rock was so far away. And she had such a dim sense of the
people who might be endangered by it. And the confusion here, under the
microscope of her attention, was so vital and immediate, needing to be
understood and straightened before she could go on with her life.

She looked at the old man in an astonishment which she knew must seem
fairly stupid to him, but she could not bring out anything else. What
was it to her, whether a Negro physician was called Dr. or "Jo"?

Mr. Welles patted her hand, released it, smiled at her kindly, and stood
up. "I'm pretty tired. I guess we'd better be getting along home,
Vincent and I."

"Well, I should say we _would_ better be getting along home to bed!"
agreed the other man, coming forward and slipping his arm under the
older man's. "I'll tuck you up, my old friend, with a good hot toddy
inside you, and let you sleep off this outrageously crazy daylight
nightmare you've cooked up for yourself. And don't wake up with the fate
of the Japanese factory-hand sitting on your chest, or you'll get hard
to live with."

Mr. Welles answered this with literal good faith. "Oh, the Japanese
factory-hands, they're not on the conscience of Americans."

"But, when I see an aged and harmless inhabitant of Ashley, Vermont,
stretching his poor old protesting conscience till it cracks, to make it
reach clear down to the Georgia Negroes, how do I know where he's going
to stop?"

The old man turned to their hostess. "Well, good-night, Mrs. Crittenden.
I enjoyed seeing that wonderful flower very much. I wonder if I could
grow one like it? It would be something to look forward to, to have the
flower open in your own house."

To Marise he looked so sweet and good, and like a tired old child, that
she longed to kiss him good-night, as she had her own. But even as she
felt the impulse, she had again a startled sense of how much more goes
on under the human surface than ever appears. Evidently Mr. Welles, too,
was a locked and sealed strong-box of secrets.

       *       *       *       *       *

In the doorway Marsh stopped abruptly and said, looking at the dense,
lustreless black silk wrap about Marise's head and shoulders, "What's
that thing? I meant to ask you when you put it on."

She felt as she often did when he spoke to her, as startled as though he
had touched her. What an extraordinarily living presence he was, so that
a word from him was almost like an actual personal contact. But she took
care not to show this. She looked down casually at the soft, opaque
folds of her wrap. "Oh, this is a thousand years old. It dates from the
Bayonne days. It's Basque. It's their variation, I imagine, on the
Spanish mantilla. They never wear hats, the Basque women. The little
girls, when they have made their first communion, wear a scarf of light
net, or open transparent lace. And when they marry they wear this. It's
made of a special sort of silk, woven just for this purpose. As far away
as you can see a woman in the Basque country, if she wears this, you
know she's married."

"Oh, you do, do you?" said Marsh, going out after his companion.

       *       *       *       *       *

They were very far from the Negroes in Georgia.



CHAPTER VIII

WHAT GOES ON INSIDE

_Half an Hour in the Life of a Modern Woman_


May 8.

Marise looked at the clock. They all three looked at the clock. On
school mornings the clock dominated their every instant. Marise often
thought that the swinging of its great pendulum was as threatening as
the Pendulum that swung in the Pit. Back and forth, back and forth,
bringing nearer and nearer the knife-edge of its dire threat that nine
o'clock would come and the children not be in school. Somehow they must
all manage to break the bonds that held them there and escape from the
death-trap before the fatal swinging menace reached them. The stroke of
nine, booming out in that house, would be like the Crack o' Doom to the
children.

Marise told Paul not to eat so fast, and said to Elly, who was finishing
her lessons and her breakfast together, "I let you do this, this one
time, Elly, but I don't want you to let it happen again. You had plenty
of time yesterday to get that done."

She stirred her coffee and thought wistfully, "What a policeman I must
seem to the children. I wish I could manage it some other way."

Elly, her eyes on the book, murmured in a low chanting rhythm, her mouth
full of oatmeal, "Delaware River, Newcastle, Brandywine, East Branch,
West Branch, Crum Creek, Schuylkill."

Paul looked round at the clock again. His mother noted the gesture, the
tension of his attitude, his preoccupied expression, and had a quick
inner vision of a dirty, ragged, ignorant, gloriously free little boy on
a raft on the Mississippi river, for whom life was not measured out by
the clock, in thimbleful doses, but who floated in a golden liberty on
the very ocean of eternity. "Why can't we bring them up like Huckleberry
Finns!" she thought, protestingly, pressing her lips together.

Then she laughed inwardly at the thought of certain sophisticated
friends and their opinion of her life. "I daresay we do seem to be
bringing them up like Huckleberry Finns, in the minds of any of the New
York friends, Eugenia Mills for instance!" She remembered with a passing
gust of amusement the expression of slightly scared distaste which
Eugenia had for the children. "Too crudely quivering lumps of
life-matter for Eugenia's taste," she thought, and then, "I wonder what
Marsh's feeling towards children really is, children in general. He
seems to have the greatest capacity to ignore their existence at all. Or
does he only seem to do that, because I have grown so morbidly conscious
of their existence as the only thing vital in life? That's what he
thinks, evidently. Well, I'd like to have him live a mother's life and
see how he'd escape it!"

"Mother," said Paul seriously, "Mother, Mark isn't even awake yet, and
he'll never be ready for school."

"Oh, his teacher had to go to a wedding today. Don't you remember? He
doesn't have any school till the afternoon session."

She thought to herself, "What a sense of responsibility Paul has! He is
going to be one of the pillars of the earth, one of those miraculous
human beings who are mixed in just the right proportions, so that they
aren't pulled two ways at once. _Two_ ways! Most of us are pulled a
thousand ways! It is one of the injustices of the earth that such people
aren't loved as much as impulsive, selfish, brilliant natures like dear
little Mark's. Paul has had such a restful personality! Even when he
was a baby, he was so straight-backed and robust. There's no yellow
streak in Paul, such as too much imagination lets in. I know all about
that yellow streak, alas!"

The little boy reached down lovingly, and patted the dog, sitting in a
rigid attitude of expectancy by his side. As the child turned the light
of his countenance on those adoring dog eyes, the animal broke from his
tenseness into a wriggling fever of joy.

"'Oh, my God, my dear little God!'" quoted Marise to herself, watching
uneasily the animal's ecstasy of worship. "I wish dogs wouldn't take us
so seriously. We don't know so much more than they, about anything." She
thought, further, noticing the sweetness of the protecting look which
Paul gave to Médor, "All animals love Paul, anyhow. Animals know more
than humans about lots of things. They haven't that horrid perverse
streak in them that makes humans dislike people who are too often in the
right. Paul is like my poor father. Only I'm here to see that Paul is
loved as Father wasn't. Médor is not the only one to love Paul. _I_ love
Paul. I love him all the more because he doesn't get his fair share of
love. And old Mr. Welles loves him, too, bless him!"

"Roanoke River, Staunton River, Dan River," murmured Elly, swallowing
down her chocolate. She stroked a kitten curled up on her lap.

"What shall I have for lunch today?" thought Marise. "There are enough
potatoes left to have them creamed."

Like a stab came the thought, "Creamed potatoes to please our palates
and thousands of babies in Vienna without milk enough to _live_!" She
shook the thought off, saying to herself, "Well, would it make any
difference to those Viennese babies if I deprived my children of
palatable food?" and was aware of a deep murmur within her, saying only
half-articulately, "No, it wouldn't make any literal difference to those
babies, but it might make a difference to you. You are taking another
step along the road of hardening of heart."

All this had been the merest muted arpeggio accompaniment to the steady
practical advance of her housekeeper's mind. "And beefsteak . . . Mark
likes that. At fifty cents a pound! What awful prices. Well, Neale
writes that the Canadian lumber is coming through. That'll mean a fair
profit. What better use can we put profit to, than in buying the best
food for our children's growth. Beefsteak is not a sinful luxury!"

The arpeggio accompaniment began murmuring, "But the Powers children.
Nelly and 'Gene can't afford fifty cents a pound for beefsteak. Perhaps
part of their little Ralph's queerness and abnormality comes from lack
of proper food. And those white-cheeked little Putnam children in the
valley. They probably don't taste meat, except pork, more than once a
week." She protested sharply, "But if their father won't work steadily,
when there is always work to be had?" And heard the murmuring answer,
"Why should the children suffer because of something they can't change?"

She drew a long breath, brushed all this away with an effort, asking
herself defiantly, "Oh, what has all this to do with _us_?" And was
aware of the answer, "It has everything to do with us, only I can't
figure it out."

Impatiently she proposed to herself, "But while I'm trying to figure it
out, wouldn't I better just go ahead and have beefsteak today?" and
wearily, "Yes, of course, we'll have beefsteak as usual. That's the way
I always decide things."

She buttered a piece of toast and began to eat it, thinking, "I'm a
lovely specimen, anyhow, of a clear-headed, thoughtful modern woman,
muddling along as I do."

The clock struck the half-hour. Paul rose as though the sound had lifted
him bodily from his seat. Elly did not hear, her eyes fixed dreamily on
her kitten, stroking its rounded head, lost in the sensation of the
softness of the fur.

Her mother put out a reluctant hand and touched her quietly. "Come, dear
Elly, about time to start to school."

As she leaned across the table, stretching her neck towards the child,
she caught a glimpse of herself in the mirror on the other side of the
room, and thought, "Oh, how awful! I begin to look as Cousin Hetty does,
with that scrawny neck. . . ."

She repulsed the thought vigorously. "Well, what does it matter if I do?
There's nothing in my life, any more, that depends on my looking young."

At this thought, something perfectly inchoate, which she did not
recognize, began clawing at her. She pushed it off, scornfully, and
turned to Elly, who got up from the table and began collecting her books
into her school-bag. Her face was rosy and calm with the sweet ineffable
confidence of a good child who has only good intentions. As she packed
her books together, she said, "Well, I'm ready. I've done my grammar,
indefinite pronouns, and I can say all those river-tributaries
backwards. So now I can start. Good-bye, Mother dear." Marise bent to
kiss the shining little face. "Good-bye, Elly."

To herself she thought, as her face was close to the child's, "I wonder
if I look to my little girl as Cousin Hetty used to look to me?" and
startled and shocked that the idea kept recurring to her, assuming an
importance she was not willing to give it, she cried out to herself,
"Oh, stop being so paltry about that!"

Aloud she said, "Don't forget to put your rubbers on. Have you a clean
handkerchief? Oh, _Elly_, look at your nails! Here, hand me the
nail-file over there, Paul. I'll clean them more quickly than you,
dear."

As she cleaned the nails, one eye on the grimly relentless clock, the
ideas flicked through her mind like quick, darting flames. "What
mediaeval nonsense we do stuff into the school-children's head. What an
infamous advantage we take of the darlings' trust in us and their
docility to our purposes! My dear little daughter with her bright face
of desire-to-do-her-best! What wretched chaff she is getting for that
quick, imaginative brain of hers! It's not so bad for Paul, but . . . oh,
even for him what nonsense! Rules of grammar, names of figures of
speech . . . stuff left over from scholastic hair-splitting! And the
tributaries of rivers . . . !" She glanced up for an instant and was struck
into remorse by the tranquil expression of peace in the little girl's
clear eyes, bent affectionately on her mother. "Oh, my poor, darling
little daughter," she thought, "how _can_ you trust anything in this
weak and wicked world as you trust your broken reed of a mother? I don't
know, dear child, any more than you do, where we are going, nor how we
are going to get there. We are just stumbling along, your father and I,
as best we can, dragging you and your brothers along with us. And all we
can do for you, or for each other, is to love you and . . ."

Elly withdrew her hand. "There, Mother, I know they're clean enough now.
I'm afraid I'll be late if I don't go. And you know she scolds like
everything if anybody's late." She repeated in a rapid murmur, "The
tributaries of the Delaware on the left bank are . . ."

Her mother's mind went back with a jerk to the question of
river-tributaries. "And what's the use of cramming her memory with facts
she could find in three minutes in any Atlas if by any strange chance
she should ever ever need to know about the tributaries of the Delaware.
As well set her to learning the first page of the Telephone Directory!
Why don't I do the honest thing by her and say to her that all that is
poppy-cock?"

       *       *       *       *       *

An inner dialogue flashed out, lunge, parry, riposte, like rapier blades
at play. "Because if I told her it is nonsense, that would undermine her
faith in her teacher and her respect for her."

"But why _should_ she respect her teacher if her teacher does not
deserve that sort of respect? Ought even a little child to respect
anything or anybody merely because of a position of authority and not
because of intrinsic worth? No, of course not."

"Oh, you know that's only wild talk. Of course you couldn't send the
child to school, and keep her under her teacher, unless you preserve the
form of upholding the teacher's authority."

"Yes, but in Heaven's name, why _do_ we send her to school? She could
learn twenty times more, anywhere else."

"Because sending her to school keeps her in touch with other children,
with her fellow-beings, keeps her from being 'queer' or different. She
might suffer from it as she grew up, might desire more than anything in
the world to be like others."

       *       *       *       *       *

Elly had been staring at her mother's face for a moment, and now said,
"Mother, what _makes_ you look so awfully serious?"

Marise said ruefully, "It's pretty hard to explain to a little girl. I
was wondering whether I was as good a mother to you as I ought to be."

Elly was astonished to the limit of astonishment at this idea. "Why,
Mother, how _could_ you be any better than you are?" She threw herself
on her mother's neck, crying, "Mother, I wish you never looked serious.
I wish you were always laughing and cutting up, the way you used to.
Seems to me since the war is over, you're more soberer than you were
before, even, when you were so worried about Father in France. I'd
rather you'd scold me than look serious."

Paul came around the table, and shouldered his way against Elly up to a
place where he touched his mother. "Is that masculine jealousy, or real
affection?" she asked herself, and then, "Oh, what a _beast_! To be
analyzing my own children!" And then, "But how am I ever going to know
what they're like if I don't analyze them?"

The dog, seeing the children standing up, half ready to go out, began
barking and frisking, and wriggling his way to where they stood all
intertwined, stood up with his fore-paws against Paul. The kitten had
been startled by his approach and ran rapidly up Marise as though she
had been a tree, pausing on her shoulder to paw at a loosened hair-pin.

Marise let herself go on this wave of eager young life, and thrust down
into the dark all the razor-edged questions. "Oh, children! children!
take the kitten off my back!" she said, laughing and squirming. "She's
tickling me with her whiskers. Oh, _ow_!" She was reduced to helpless
mirth, stooping her head, reaching up futilely for the kitten, who had
retreated to the nape of her neck and was pricking sharp little
pin-pointed claws through to the skin. The children danced about chiming
out peals of laughter. The dog barked excitedly, standing on his
hind-legs, and pawing first at one and then at another. Then Paul looked
at the clock, and they all looked at the clock. The children, flushed
with fun, crammed on their caps, thrust their arms into coats, bestowed
indiscriminate kisses on their mother and the kitten, and vanished for
the morning, followed by the dog, pleading with little whines to be
taken along too. The kitten got down and began soberly to wash her face.

       *       *       *       *       *

There was an instant of appalling silence in the house, the silence that
is like no other, the silence that comes when the children have just
gone. Through it, heavy-footed and ruthless, Marise felt something
advancing on her, something which she dreaded and would not look at.

From above came a sweet, high, little call, "Mo-o-o-ther!" Oh, a
respite--Mark was awake!

His mother sprang upstairs to snatch at him as he lay, rosy and smiling
and sleepy. She bent over him intoxicated by his beauty, by the
flower-perfection of his skin, by the softness of his sleep-washed eyes.

She heard almost as distinctly as though the voice were in her ear, "Oh,
you mothers use your children as other people use drugs. The
child-habit, the drug-habit, the baby-habit, the morphine habit . . . two
different ways of getting away from reality." That was what Marsh had
said one day. What terribly tarnishing things he did say. How they did
make you question everything. She wondered what Neale would say to them.

She hoped to have a letter from Neale today. She hoped so, suddenly,
again, with such intensity, such longing, such passion that she said to
herself, "What nonsense that was, that came into my head, out on the
road in the dark, the other night, that Neale and I had let the
flood-tide of emotion ebb out of our hearts! What could have put such a
notion into my head?" What crazy, fanciful creatures women are! Always
reaching out for the moon. Yes, that must have been the matter with her
lately, that Neale was away. She missed him so, his strength and courage
and affection.

"I'm awfully hungry," remarked Mark in her ear. "I feel the hole right
_here_." He laid a small shapely hand on the center of his pajama-clad
body, but he kept the other hand and arm around his mother's neck, and
held her close where he had pulled her to him in his little bed. As he
spoke he rubbed his peach-like cheek softly against hers.

A warm odor of sleep and youth and clean, soaped skin came up from him.
His mother buried her face in it as in a flower.

"Ooh!" he cried, laughing richly, "you're tickling me."

"I _mean_ to tickle you!" she told him savagely, worrying him as a
mother-cat does her kitten. He laughed delightedly, and wriggled to
escape her, kicking his legs, pushing at her softly with his hands,
reaching for the spot back of her ear. "I'll tickle _you_," he crowed,
tussling with her, disarranging her hair, thudding his little body
against her breast, as he thrashed about. The silent house rang with
their laughter and cries.

They were both flushed, with lustrous eyes, when the little boy finally
squirmed himself with a bump off the bed and slid to the floor.

At this point the kitten came walking in, innocent-eyed and grave. Mark
scrambled towards her on his hands and knees. She retreated with a comic
series of stiff-legged, sideways jumps, that made him roll on the floor,
chuckling and giggling, and grabbing futilely for the kitten's paws.

Marise had stood up and was putting the loosened strands of her hair
back in place. The spell was broken. Looking down on the laughing child,
she said dutifully, "Mark, the floor's cold. You mustn't lie down on it.
And, anyhow, you're ever so late this morning. Hop up, dear, and get
into your clothes."

"Oh, Mother, _you_ dress me!" he begged, rolling over to look up at her
pleadingly.

She shook her head. "Now, Mark, that's silly. A great big boy like you,
who goes to school. Get up quick and start right in before you take
cold."

He scrambled to his feet and padded to her side on rosy bare feet.
"Mother, you'll have to 'tay here, anyhow. You know I can't do those
back buttons. And I always get my drawer-legs twisted up with my both
legs inside my one leg."

Marise compromised. "Well, yes, if you'll hurry. But not if you dawdle.
Mother has a lot to do this morning. Remember, I won't help you with a
single thing you can do yourself."

The child obediently unbuttoned his pajamas and stepping out of them
reached for his undershirt. His mother, looking at him, fell mentally on
her knees before the beautiful, living body. "Oh, my son, the straight,
strong darling! My precious little son!" She shook with that foolish
aching anguish of mothers, intolerable. . . . "Why must he stop being so
pure, so _safe_? How can I live when I am no longer strong enough to
protect him?"

Mark remarked plaintively, shrugging himself into the sleeves of his
shirt, "I've roden on a horse, and I've roden on a dog, and I've even
roden on a cow, but I've never roden on a camel, and I _want_ to."

The characteristic Mark-like unexpectedness of this made her smile.

"You probably will, some day," she said, sitting down.

"But I've never even _sawn_ a camel," complained Mark. "And Elly and
Paul have, and a elephant too."

"Well, you're big enough to be taken to the circus this year," his
mother promised him. "This very summer we'll take you."

"But I want to go _now_!" clamored Mark, with his usual disregard of
possibilities, done in the grand style.

"Don't dawdle," said his mother, looking around for something to read,
so that she would seem less accessible to conversation. She found the
newspaper under her hand, on the table, and picked it up. She had only
glanced at the head-lines yesterday. It took a lot of moral courage to
read the newspapers in these days. As she read, her face changed,
darkened, set.

The little boy, struggling with his underwear, looked at her and decided
not to ask for help.

She was thinking as she read, "The Treaty muddle worse than ever. Great
Britain sending around to all her colonies asking for the biggest navy
in the world. Our own navy constantly enlarged at enormous cost.
Constantinople to be left Turkish because nobody wants anybody else to
have it. Armenian babies dying like flies and evening cloaks advertised
to sell for six hundred dollars. Italy land-grabbing. France frankly for
anything except the plain acceptance of the principles we thought the
war was to foster. The same reaction from those principles starting on a
grand scale in America. Men in prison for having an opinion . . . what a
hideous bad joke on all the world that fought for the Allies and for the
holy principles they claimed! To think how we were straining every nerve
in a sacred cause two years ago. Neale's enlistment. Those endless
months of loneliness. That constant terror about him. And homes like
that all over the world . . . with _this_ as the result. Could it have
been worse if we had all just grabbed what we could get for ourselves,
and had what satisfaction we could out of the baser pleasures?"

She felt a mounting wave of horror and nausea, and knowing well from
experience what was on its way, fought desperately to ward it off,
reading hurriedly a real-estate item in the newspaper, an account of a
flood in the West, trying in vain to fix her mind on what she read. But
she could not stop the advance of what was coming. She let the newspaper
fall with a shudder as the thought arrived, hissing, gliding with
venomous swiftness along the familiar path it had so often taken to her
heart . . . "suppose this reactionary outburst of hate and greed and
intolerance and imperialistic ambitions all around, means that the
'peace' is an armed truce only, and that in fifteen years the whole
nightmare will start over."

She looked down at the little boy, applying himself seriously to his
buttons. "In fifteen years' time my baby will be a man of twenty-one."

Wild cries broke out in her heart. "No, oh no! I couldn't live through
another. To see them all go, husband and sons! Not another war! Let me
live quickly, anyhow, somehow, to get it over with . . . and die before it
comes."

The little boy had been twisting himself despairingly, and now said in a
small voice, "Mother, I've tried and I've tried and I can't do that back
button."

His mother heard his voice and looked down at him uncomprehendingly for
a moment. He said, less resigned, impatience pricking through his tone,
"Mother, I _told_ you I never could reach that button behind."

She bent from her chair, mechanically secured the little garment, and
then, leaning back, looked down moodily at her feet. The little boy
began silently to put on and lace up his shoes.

Marise was aware of a dimming of the light in the inner room of her
consciousness, as though one window after another were being darkened. A
hushed, mournful twilight fell in her heart. Melancholy came and sat
down with her, black-robed. What could one feel except Melancholy at the
sight of the world of humanity, poor world, war-ridden, broken in
health, ruined in hope, the very nerves of action cut by the betrayal of
its desperate efforts to be something more than base.

       *       *       *       *       *

Was that really Melancholy? Something else slid into her mind, something
watchful. She sat perfectly still so that no chance movement should
disturb that mood till it could be examined and challenged. There was
certainly something else in her heart beside sorrow over the miseries of
the after-war world.

She persisted in her probing search, felt a cold ray of daylight strike
into that gloom and recognized with amazement and chagrin what else it
was! Disgusting! There in the very bottom of her mind, lay still that
discomfort at beginning to look like Cousin Hetty! And so that wound to
her vanity had slowly risen again into her consciousness and clothed
itself in the ampler, nobler garments of impersonal Melancholy. . . .
"_Oh_," she cried aloud, impatiently, contemptuous of herself, "what
picayune creatures human beings are! I'm ashamed to be one!"

She started up and went to the window, looking out blankly at the
mountain wall, as she had at the newspaper, not seeing what was there,
her eyes turned inward. "Wait now, wait. Don't go off, half-cocked. Go
clear through with this thing," she exhorted herself. "There _must_ be
more in it than mere childish, silly vanity." She probed deep and
brought up, "Yes, there is more to it. In the first place I was priggish
and hypocritical when I tried to pretend that it was nothing to me when
I looked in the glass and saw for the first time that my youth has begun
to leave me. That was Anglo-Saxon pretense, trying to seem to myself
made of finer stuff than I really am. It's really not cheerful for any
woman, no matter on what plane, to know that the days of her physical
flowering are numbered. I'd have done better to look straight at that,
and have it out with myself."

She moved her head very slightly, from side to side. "But there was more
than that. There was more than that. What was it?" She leaned her ear as
if to listen, her eyes very large and fixed. "Yes, there _was_ the war,
and the awfulness of our disappointment in it, too, after all. There was
the counsel of despair about everything, the pressure on us all to think
that all efforts to be more than base are delusions. We were so terribly
fooled with our idealistic hopes about the war . . . who knows but that we
are being fooled again when we try for the higher planes of life?
Perhaps those people are right who say that to grab for the pleasures of
the senses is the best . . . those are _real_ pleasures, at least. Who
knows if there is anything else?"

Something like a little, far-away tolling said to her, "There was
something else. There was something else."

This time she knew what it was. "Yes, there was that other aspect of the
loss of physical youth, when you think that the pleasures of the senses
are perhaps all there are. There was the inevitable despairing wonder if
I had begun to have out of my youth all it could have given, whether
. . ."

There tolled in her ear, "Something else, something else there." But now
she would not look, put her hands over her eyes, and stood in the dark,
fighting hard lest a ray of light should show her what might be there.

A voice sounded beside her. Touclé was saying, "Have you got one of your
headaches? The mail carrier just went by. Here are the letters."

She took down her hands, and opened her eyes. She felt that something
important hung on there being a letter from Neale. She snatched at the
handful of envelopes and sorted them over, her fingers trembling. Yes,
there it was, the plain stamped envelope with Neale's firm regular
handwriting.

She felt as though she were a diver whose lungs had almost collapsed,
who was being drawn with heavenly swiftness up to the surface of the
water. She tore open the envelope and read, "Dearest Marise." It was as
though she had heard his voice.

She drew in a great audible breath and began to read. What a relief it
was to feel herself all one person, not two or three, probing hatefully
into each other!

       *       *       *       *       *

But there was something she had not done, some teasing, unimportant
thing, she ought to finish before going on with the letter. She looked
up vacantly, half-absently, wondering what it was. Her eyes fell on
Touclé. Touclé was looking at her, Touclé who so seldom looked at
anything. She felt a momentary confusion as though surprised by another
person in a room she had thought empty. And after that, uneasiness. She
did not want Touclé to go on looking at her.

"Mark hasn't had his breakfast yet," she said to the old Indian woman.
"Won't you take him downstairs, please, and give him a dish of porridge
for me?"



CHAPTER IX

"The Gent Around the Lady

and

The Lady Round the Gent"

_An Evening in the Life of Mr. Vincent Marsh_

May 25.


"Come in, come in!" cried an old black-clad woman, with a white apron,
who opened the door wider into the flaring brilliance of the lamp-lit
kitchen. "I'm _real_ glad you felt to come to one of our dances. They're
old-fashioned, but _we_ like 'em." She closed the door behind them and
added cordially, "Now Mr. Welles is going to live here, he'll have to
learn to shake his feet along with the rest of us."

Mr. Welles was frankly terrified at the idea. "Why, I never dreamed of
dancing in all my life!" he cried. "I only came to look on." He
hesitated to divest himself of his overcoat, panic-struck and meditating
flight. Vincent fell upon him from one side and the lively old woman
from the other. Together they stripped the older man of his wraps.
"Never too late to learn," old Mrs. Powers assured him briskly. "You
dance with _me_ and I'll shove ye around, all right. There ain't a
quadrille ever danced that I couldn't do backwards with my eyes shut, as
soon as the music strikes up." She motioned them towards the door, "Step
right this way. The folks that have come are all in the settin'-room."

As they followed her, Vincent said, "Mrs. Powers, aren't you going to
dance with me, too?"

"Oh, of course I be," she answered smartly, "if you ask me."

"Then I ask you now," he urged, "for the first dance. Only I don't know
any more than Mr. Welles how to dance a quadrille. But I'm not afraid."

"I guess there ain't much ye _be_ afraid of," she said admiringly. They
came now into the dining-room and caught beyond that a glimpse of the
living-room. Both wore such an unusual aspect of elegance and grace that
Vincent stared, stopping to look about him. "Looks queer, don't it,"
said Mrs. Powers, "with the furniture all gone. We always move out
everything we _can_, up garret, so's to leave room for dancing."

Oh yes, that was it, Vincent thought; the shinily varnished cheap
furniture had almost disappeared, and the excellent proportions of the
old rooms could be seen. Lamps glowed from every shelf, their golden
light softened by great sprays of green branches with tender young
leaves, which were fastened everywhere over the doors, the windows,
banked in the corner The house smelled like a forest, indescribably
fresh and spicy.

"There ain't many flowers yet; too early," explained Mrs. Powers
apologetically, "so we had to git green stuff out'n the woods to kind of
dress us up. 'Gene he _would_ have some pine boughs too. He's crazy
about pine-trees. I always thought that was one reason why he took it so
hard when we was done out of our wood-land. He thinks as much of that
big pine in front of the house as he does of a person. And tonight he's
got the far room all done up with pine boughs."

They arrived in the living-room now, where the women and children
clustered on one side, and the men on the other, their lean boldly
marked faces startlingly clear-cut in the splendor of fresh shaves. The
women were mostly in light-colored waists and dark skirts, their hair
carefully dressed. Vincent noticed, as he nodded to them before taking
his place with the men, that not a single one had put powder on her
face. Their eyes looked shining with anticipation. They leaned their
heads together and chatted in low tones, laughing and glancing sideways
at the group of men on the other side of the room. Vincent wondered at
the presence of the children. When she arrived, he would ask Marise
about that. At the inward mention of the name he felt a little shock,
which was not altogether pleasurable. He narrowed his eyes and shook his
head slightly, as though to toss a lock of hair from his forehead, a
gesture which was habitual with him when he felt, with displeasure, an
unexpected emotion not summoned by his will. It passed at once.

On joining the dark-suited group of men he found himself next to young
Frank Warner, leaning, loose-jointed and powerful, against the wall, and
not joining in the talk of weather, pigs, roads, and spring plowing
which rose from the others. Vincent looked at him with approval. He felt
strongly drawn to this splendid, primitive creature, and knew perfectly
well why. He liked anybody who had pep enough to have an original
feeling, not one prescribed by the ritual and tabu of his particular
tribe.

"Hello, Frank," he said. "Have a cigarette?

"We'll have to go out if we smoke," said Frank.

"Well, why shouldn't we?" suggested Vincent, looking around him.
"There's nothing to do here, yet."

Frank tore himself loose from the supporting wall with a jerk, and
nodded. Together they stepped out of the front door, unused by the
guests, who all entered by the kitchen. At first it was as though they
had plunged into black velvet curtains, so great was the contrast with
the yellow radiance of the room they had left. They looked back through
the unshaded windows and saw the room as though it were an illustration
in a book, or a scene in a moving-picture play, the men grouped in a
dark mass on one side, the women, smiling, bending their heads towards
each other, the lamps glowing on the green branches and on the shining
eyes of all those pleasure-expectant human beings.

As they looked, Nelly Powers came in from another room, doubtless the
"far room" of which her mother-in-law had spoken. She was carrying a
large tray full of cups. She braced herself against the weight of the
earthenware and balancing herself with a free swinging motion on her
high-heeled shoes walked with an accentuation of her usual vigorous
poise.

"By George, she's a beauty!" cried Vincent, not sorry to have an
opportunity to talk of her with his companion.

Frank made no comment. Vincent laughed to himself at the enormous
capacity for silence of these savages, routing to the imagination of a
civilized being. He went on, determined to get some expression from the
other, "She's one of the very handsomest women I ever saw anywhere."

Frank stirred in the darkness as though he were about to speak. Vincent
cocked his ear and prepared to listen with all the prodigious sharpness
of which he knew himself capable. If he could only once make this yokel
speak her name, he'd know . . . all he wanted to know.

Frank said, "Yes, she's good-looking, all right."

Vincent kept silence, pondering every tone and overtone of the remark.
He was astonished to find that he had no more direct light than ever on
what he wanted to know. He laughed again at his own discomfiture. There
were the two extremes, the super-sophisticated person who could control
his voice so that it did not give him away, and the utter rustic whose
voice had such a brute inexpressiveness that his meaning was as
effectively hidden. He would try again. He said casually, "She's an
enough-sight better-looking specimen than her husband. However does it
happen that the best-looking women are always caught by that sort of
chimpanzees? How did she ever happen to marry 'Gene, anyhow?"

The other man answered, literally. "I don't know how she did happen to
marry him. She don't come from around here. 'Gene was off working in a
mill, down in Massachusetts, Adams way, and they got married there. They
only come back here to live after they'd had all that trouble with
lawyers and lost their wood-land. 'Gene's father died about that time.
It cut him pretty hard. And 'Gene and his wife they come back to run the
farm."

At this point they saw, looking in at the lighted dumb-show in the
house, that new arrivals had come. Vincent felt a premonitory clap of
his heart and set his teeth in his cigarette. Yes, Marise had come, now
appeared in the doorway, tall, framed in green-leafed branches, the
smooth pale oval of her face lighted by the subtle smile, those dark
long eyes! By God! What would he not give to know what went on behind
that smile, those eyes!

She was unwinding from her head the close, black nun-like wrap that
those narrow primitive country-women far away on the other side of the
globe had chosen to express their being united to another human being.
And a proper lugubrious symbol it made for their lugubrious,
prison-like, primitive view of the matter.

Now she had it off. Her sleek, gleaming dark head stood poised on her
long, thick, white throat. What a woman! What she could be in any
civilized setting!

She was talking to Nelly Powers now, who had come back and stood facing
her in one of those superb poses of hers, her yellow braids heavy as
gold. It was Brunhilda talking to Leonardo da Vinci's Ste. Anne. No,
heavens no! Not a saint, a musty, penitential negation like a saint!
Only of course, the Ste. Anne wasn't a saint either, but da Vinci's
glorious Renaissance stunt at showing what an endlessly desirable woman
he could make if he put his mind on it.

"What say, we go in," suggested Frank, casting away the butt of his
cigarette. "I think I hear old Nate beginning to tune up."

They opened the door and stepped back, the laughing confusion of their
blinking entrance, blinded by the lights, carrying off the first moments
of greeting. In the midst of this, Vincent heard the front door open
and, startled to think that anyone else had used that exit, turned his
head, and saw with some dismay that 'Gene had followed them in. How
near had he been to them in the black night while they talked of his
wife's mismated beauty? He walked past them giving no sign, his strong
long arms hanging a little in front of his body as he moved, his
shoulders stooped apparently with their own weight. From the dining-room
came a sound which Vincent did not recognize as the voice of any
instrument he had ever heard: a series of extraordinarily rapid staccato
scrapes, playing over and over a primitively simple sequence of notes.
He stepped to the door to see what instrument was being used and saw an
old man with a white beard and long white hair, tipped back in a chair,
his eyes half shut, his long legs stretched out in front of him, patting
with one thick boot. Under his chin was a violin, on the strings of
which he jiggled his bow back and forth spasmodically, an infinitesimal
length of the horse-hair being used for each stroke, so that there was
no sonority in the tones. Vincent gazed at him with astonishment. He had
not known that you could make a violin, a real violin, sound like that.

Old Mrs. Powers said at his elbow, "The first sets are forming, Mr.
Marsh." She called across to Frank Warner, standing very straight with
Nelly Powers' hand on his arm, "Frank, you call off, wun't ye?"

Instantly the young man, evidently waiting for the signal, sent out a
long clear shout, "First sets _fo-orming!_"

Vincent was startled by the electrifying quality of the human voice when
not hushed to its usual smothered conversational dullness.

"Two sets formed in the living-room! Two in the dining-room! One in the
far room!" chanted Frank. He drew a deep breath which visibly swelled
his great chest and sang out, resonantly, "Promenade _to_ your places!"

He set the example, marching off through the throng with Nelly by his
side.

"Frank, he generally calls off," explained old Mrs. Powers. "It's in
his family to. His father always did before him." She looked around her,
discerned something intelligible in what looked like crowding confusion
to Vincent and told him hurriedly, "Look-y-here, we'll have to git a
move on, if we git into a set. They're all full here." Frank appeared in
the doorway, alone, and lifted a long high arm. "_One_ couple needed in
the far room!" he proclaimed with stentorian dignity and seriousness.

"Here we are!" shouted old Mrs. Powers, scrambling her way through the
crowd, and pulling Vincent after her. He could see now that the couples
about him were indeed in their places, hand in hand, facing each other,
gravely elate and confident. The younger ones were swinging their bodies
slightly, in time to the sharply marked beat of the fiddle, and in the
older ones, the pulse throbbed almost visibly as they waited.

He felt the breath of pines on him, resinous, penetrating, stimulating.
He was in a small, square room with a low ceiling, dense and green with
pine-boughs, fastened to the walls. The odor was as strange an
accompaniment to dancing as was that furiously whirling primitive
iteration of the fiddle.

"Over here!" cried Mrs. Powers, dragging masterfully at her partner. She
gave a sigh of satisfaction, caught at his hand and held it high. "All
ready, Frank," she said.

Facing them, near the doorway stood Frank and Nelly, their heads up,
Nelly's small high-heeled shoe thrust forward, their clasped hands held
high. Vincent felt his blood move more quickly at the spectacle they
made. On one side stood Marise Crittenden, her fingers clasped by the
huge knotted hand of 'Gene Powers, and on the other was rounded, rosy
old Mr. Bayweather holding by the hand the oldest Powers child, a pretty
blonde girl of twelve.

Frank's voice pealed out above the jig-jig-jigging of the fiddle.
"_Salute_ your partners!"

Vincent had a qualm of a feeling he thought he had left behind him with
his boyhood, real embarrassment, fear of appearing at a disadvantage.
What in the world did their antiquated lingo _mean?_ Was he to _kiss_
that old woman?

Mrs. Powers said reassuringly, "Don't you worry. Just do what the others
do."

As she spoke she was holding out her skirts and dipping to a courtesy. A
little later, he caught at the idea and sketched a bow such as to his
astonishment he saw the other men executing. Was he in old Versailles or
Vermont?

He felt his hand seized by the old woman's. Such a hearty zest was in
her every action that he looked at her amazed.

"Balance to the corners, right!" chanted Frank, sending his voice out
like a bugle so that it might be heard in all the rooms.

With perfect precision, and poise, the men and women of the couples
separated, stepped swayingly, each towards the nearest of the couple to
their right, and retreated.

"Balance to corners, left!"

The same movement was executed to the other side.

"First couple forward and back!" shouted Frank.

Marise and 'Gene advanced, hand in hand, to meet the old clergyman and
the little girl. They met in the middle, poised an instant on the top
wave of rhythm and stepped back, every footfall, every movement, their
very breathing, in time to the beat-beat-beat of the fiddle's air which
filled the room as insistently as the odor of the pines.

Mrs. Powers nodded her white head to it and tapped her foot. Marsh had
not ventured to remove his eyes from the weaving interplay of the
dancers in his own set. Now, for an instant, he glanced beyond them into
the next room. He received an impression of rapid, incessant, intricate
shifting to and fro, the whole throng of dancers in movement as swift
and disconcerting to the eyes as the bits of glass in a kaleidoscope. It
made him literally dizzy to see it, and he turned his eyes back to his
own set.

The air changed, but not the rhythm, and all the men broke out in a
hoarse chant, singing to a whirring, rapid tune,

     "_Oh_, pass right through and never mind who
       And leave the girl behind you.
     Now come right back on the same old track
       And _swing_ the girl behind you!"

In obedience to these chanted commands, the four who were executing the
figure went through labyrinthine manoeuvers, forward and back, dividing
and reuniting. The old clergyman held out his hand to Mrs. Crittenden,
laughing as he swung her briskly about. 'Gene bent his great bulk
solemnly to swing his own little daughter. Then with neat exactitude, on
the stroke of the beat, they were all back in their places.

"_Second_ couple forward and back!" sang out Frank, prolonging the
syllables in an intoned chant like a muezzin calling from a tower.
Vincent felt himself being pushed and shoved by Mrs. Powers through the
intricate figure.

     "Now come right back on the same old track
       And _swing_ the girl behind you!"

The men shouted loudly, stamping in time, with such a relish for the
beat of the rhythm that it sang itself through to the motor-centers and
set them throbbing. Vincent found himself holding Nelly Powers at arm's
length and swinging her till his head whirled. She was as light as
sea-foam, dreamy, her blue eyes shining.

"_Grand_ right and left!" shouted Frank.

Vincent's hand was seized by the little Powers girl. She swung him
competently and passed him on to her mother, who swam past him like a
goddess, a golden aroma of health and vivid sensual seduction trailing
from her as she moved.

Then it was Marise's hand in his . . . how strange, how strange . . . that
hand which knew the secrets of Debussy's heart. . . . She grasped his
fingers firmly and looked at him full, laughingly, her face as open as
a child's . . . the many-sided tantalizing creature! She pulled him about
and was gone.

And there was old Mrs. Powers in her place, absurdly light and elastic,
treading the floor in her flat, old-woman's shoes with brilliant
precision.

"_All_ promenade!" cried Frank, this time his voice exultant that the
end was successfully reached.

He seized Nelly by the waist and danced with her the length of the room,
followed by the other couples. The music stopped. He released her
instantly, made a strange, stiff little bow, and turned away. The set
was over.

"There!" said Mrs. Powers, breathing quickly. "'Twan't so hard as you
thought 'twas goin' to be, was it?"

"Good-evening," said Mr. Bayweather on the other side, wiping the pink
roll at the back of his neck. "What do you think of our aboriginal
folk-dancing? I'll warrant you did not think there was a place in the
United States where the eighteenth century dances had had an
uninterrupted existence, did you?"

"I assure you I had never thought about the subject at all," said
Vincent, edging away rapidly towards escape.

"Fascinating historical phenomenon, I call it," said the clergyman.
"Analogous to the persistence of certain parts of old English speech
which is to be observed in the talk of our people. For instance in the
eighteenth century English vocabulary, the phrase . . ."

His voice died away in the voices of the people Vincent had put
resolutely between them shoving his way through the crowd, recklessly.
He was struck by the aspect of the people, their blood warmed, their
lips moist, their eyes gleaming. The rooms were growing hot, and the
odor of pines was heavy in the air.

He found himself next to Nelly Powers, and asked her to dance with him,
"although I don't know at all how to do it," he explained. She smiled,
silently, indifferently, confidently, and laid her hand on his arm in
token of accepting his invitation. Vincent had a passing fancy that she
did not care at all with whom she danced, that the motion itself was
enough for her. But he reflected that it was probably that she did not
care at all whether she danced with _him_.

From the other end of the room came Frank's deep-mouthed shout, "The set
is forming! Promenade _to_ your places!"

Nelly moved swiftly in that direction and again Vincent found himself
opposite Frank, dancing this time with Marise Crittenden.

The music broke out into its shaking, quavering iteration of the pulse
of the dance.

"Salute your partners!"

This time Vincent knew what to do, and turning, bowed low to Nelly, who
made him a deep courtesy, her toe pointed, instep high, her eyes
shining, looking straight at him but evidently not seeing him. The music
seemed to float her off on a cloud.

"Chassay _to_ the corners, right!"

Vincent untangled the difference between "chassay" and "balance" and
acquitted himself. Now that his first panic of astonishment was over, he
observed that the figures of the dance were of great simplicity, all but
the central part, the climax.

When the preliminary part was over, the music changed and again the men
broke out into their accompanying chant. This time it ran,

     "The gent around the lady
            _and_
     The lady around the gent.
            _Then_
     The lady around the lady
            _and_
     The gent around the gent."

Somewhere in the hypnotic to-and-fro of those swaying, poised, alert
human figures, he encountered Marise, coming on her suddenly, and
finding her standing stock-still.

"_Around_ me!" she commanded, imperatively, nodding and laughing. "Just
as the song says."

     "The gent around the lady,"

sang the men.

Frank was circling about Nelly, his eyes on hers, treading lightly, his
tall body apparently weighing no more than thistle-down. It was as
though he were weaving a charm.

Vincent ended his circle.

The men sang, "_And_ the lady round the gent."

Marise and Nelly stepped off, overlaying the men's invisible circle with
one of their own.

The room beyond boiled with the dervish-like whirling of the dancers.
The fiddle rose louder and shriller, faster and faster. The men sang at
the tops of their voices, and beat time heavily. Under cover of this
rolling clamor, Vincent called out boldly to Marise, "A symbol of life!
A symbol of our life!" and did not know if she heard him.

              "_Then_
     The lady around the lady."

Nelly and Marise circled each other.

              "_And_
     The gent around the gent."

He and Frank followed them.

His head was turning, the room staggered around him. Nelly's warm,
vibrant hand was again in his. They were in their places. Frank's voice
rose, resounding, "_Pro_menade all!"

Nelly abandoned herself to his arms, in the one brief moment of close
physical contact of the dance. They raced to the end of the room.

The music stopped abruptly, but it went on in his head.

The odor of pines rose pungent in the momentary silence. Everyone was
breathing rapidly. Nelly put up a hand to touch her hair. Vincent,
reflecting that he would never acquire the native-born capacity for
abstaining from chatter, said, because he felt he must say something,
"What a pleasant smell those pine-branches give."

She turned her white neck to glance into the small room lined with the
fragrant branches, and remarked, clearly and dispassionately, "I don't
like the smell."

Vincent was interested. He continued, "Well, you must have a great deal
of it, whether you like it or not, from that great specimen by your
front door."

She looked at him calmly, her eyes as blue as precious stones. "The old
pine-tree," she said, "I wish it were cut down, darkening the house the
way it does." She spoke with a sovereign impassivity, no trace of
feeling in her tone. She turned away.

Vincent found himself saying almost audibly, "Oh _ho_!" He had the
sensation, very agreeable to him, of combining two clues to make a
certainty. He wished he could lay his hands on a clue to put with Marise
Crittenden's shrinking from the photograph of the Rocca di Papa.

He had not spoken to Marise that evening, save the first greetings, and
his impudent shout to her in the dance, and now turned to find her. On
the other side of the room she was installed, looking extraordinarily
young and girl-like, between Mr. Welles and Mr. Bayweather, fanning
first one and then the other elderly gentleman and talking to them with
animation. They were both in need of fanning, puffing and panting hard.
Mr. Welles indeed was hardly recognizable, the usual pale quiet of his
face broken into red and glistening laughter.

"I see you've been dancing," said Vincent, coming to a halt in front of
the group and wishing the two old gentlemen in the middle of next week.

"Old Mrs. Powers got me," explained Mr. Welles. "You never saw anything
so absurd in your life." He went on to the others, "You simply can't
imagine how remarkable this is, for me. I never, _never_ danced and I no
more thought I ever _would_ . . ."

Mr. Bayweather ran his handkerchief around and around his neck in an
endeavor to save his clerical collar from complete ruin, and said,
panting still, "Best thing in the world for you, Mr. Welles."

"Yes indeed," echoed Marise. "We'll have to prescribe a dance for you
every week. You look like a boy, and you've been looking rather tired
lately." She had an idea and added, accusingly, "I do believe you've
gone on tormenting yourself about the Negro problem!"

"Yes, he has!" Mr. Bayweather unexpectedly put in. "And he's not the
only person he torments about it. Only yesterday when he came down to
the rectory to see some old deeds, didn't he expatiate on that subject
and succeed in spoiling the afternoon. I had never been forced to think
so much about it in all my life. He made me very uncomfortable, very!
What's the use of going miles out of your way, I say, out of the station
to which it has pleased God to place us? I believe in leaving such
insoluble problems to a Divine Providence."

Marise was evidently highly amused by this exposition of one variety of
ministerial principle, and looked up at Vincent over her fan, her eyes
sparkling with mockery. He savored with an intimate pleasure her
certainty that he would follow the train of her thought; and he decided
to try to get another rise out of the round-eyed little clergyman. "Oh,
if it weren't the Negro problem, Mr. Bayweather, it would be free-will
or predestination, or capital and labor. Mr. Welles suffers from a
duty-complex, inflamed to a morbid degree by a life-long compliance to a
mediaeval conception of family responsibility."

Mr. Bayweather's eyes became rounder than ever at this, and Vincent went
on, much amused, "Mr. Welles has done his duty with discomfort to
himself so long that he has the habit. His life at Ashley seems too
unnaturally peaceful to him. I'd just as soon he took it out with
worrying about the Negroes. They are so safely far away. I had been on
the point of communicating to him my doubts as to the civic virtues of
the Martians, as a safety valve for him."

Marise laughed out, as round a peal as little Mark's, but she evidently
thought they had gone far enough with their fooling, for she now brought
the talk back to a safe, literal level by crying, "Well, there's one
thing sure, Mr. Welles can't worry his head about _any_ of the
always-with-us difficulties of life, as long as he is dancing art Ashley
quadrille."

Mr. Welles concurred in this with feeling. "I'd no idea I would ever
experience anything so . . . so . . . well, I tell you, I thought I'd left
_fun_ behind me, years and years ago."

"Oh, what you've had is nothing compared to what you're going to have,"
Marise told him. "Just wait till old Nate strikes up the opening bars of
'The Whirlwind' and see the roof of the house fly off. See here," she
laid her hand on his arm. "This is leap-year. I solemnly engage you to
dance 'The Whirlwind' with me." She made the gesture of the little-boy
athlete, feeling the biceps of one arm, moving her forearm up and down.
"I'm in good health, and good muscle, because I've been out stirring up
the asparagus bed with a spading-fork. I can shove you around as well as
old Mrs. Powers, if I do say it who shouldn't."

Vincent looked down at her, bubbling with light-hearted merriment, and
thought, "There is no end to the variety of her moods!"

She glanced up at him, caught his eyes on her and misinterpreted their
wondering expression. "You think I'm just silly and childish, don't
you?" she told him challengingly. "Oh, don't be such an everlasting
adult. Life's not so serious as all that!"

He stirred to try to protest, but she went on, "It's dancing that sets
me off. Nelly Powers and I are crazy about it. And so far as my
observation of life extends, our dances here are the only social
functions left in the world, that people really _enjoy_ and don't go to
merely because it's the thing to. It always goes to my head to see
people enjoy themselves. It's so sweet."

Mr. Welles gave her one of his affectionate pats on her hand. Vincent
asked her casually, "What's the idea of making a family party of it and
bringing the children too?"

She answered dashingly, "If I answer you in your own language, I'd say
that it's because their households are in such a low and lamentably
primitive condition that they haven't any slave-labor to leave the
children with, and so bring them along out of mere brute necessity. If I
answer you in another vocabulary, I'd say that there is a close feeling
of family unity, and they _like_ to have their children with them when
they are having a good time, and find it pleasant to see mothers dancing
with their little boys and fathers with their little girls."

       *       *       *       *       *

Without the slightest premonition of what his next question was to bring
out, and only putting it to keep the talk going, Vincent challenged her,
"Why don't you bring your own, then?" He kept down with difficulty the
exclamation which he inwardly added, "If you only knew what a relief it
is to see you for once, without that intrusive, tiresome bunch of
children!"

"Why, sometimes I do," she answered in a matter-of-fact tone. "But I
just had a telegram from my husband saying that he is able to get home a
little sooner than he thought, and will be here early tomorrow morning.
And the children voted to go to bed early so they could be up bright
and early to see him."

Vincent continued looking down on her blankly for an instant, after she
had finished this reasonable explanation. He was startled by the wave of
anger which spurted up over him like flame.

He heard Mr. Welles make some suitable comment, "How nice." He himself
said, "Oh really," in a neutral tone, and turned away.

       *       *       *       *       *

For a moment he saw nothing of what was before him, and then realized
that he had moved next to Frank Warner, who was standing by Nelly
Powers, and asking her to dance with him again. She was shaking her
head, and looking about the room uneasily. Vincent felt a gust of anger
again. "Oh, go _to_ it, Frank!" he said, in a low fierce tone. "Take her
out again, as often as you like. Why shouldn't you?"

Nelly gave him one of her enigmatic looks, deep and inscrutable,
shrugged her shoulders, put her hand on Frank's arm, and walked off with
him.

"They're the handsomest couple in the room," said Vincent, at random to
a farmer near him, who looked at him astonished by the heat of his
accent. And then, seeing that Nelly's husband was in possible earshot,
Vincent raised his voice recklessly. "They're the handsomest couple in
the room," he repeated resentfully. "They ought always to dance
together."

If 'Gene heard, he did not show it, the granite impassivity of his harsh
face unmoved.

Vincent went on towards the door, his nerves a little relieved by this
outburst. He would go out and have another cigarette, he thought, and
then take his old man-child home to bed. What were they doing in this
absurd place?

The music began to skirl again as he stepped out and closed the door
behind him.

He drew in deeply the fresh night-air, and looking upward saw that the
clouds had broken away and that the stars were out, innumerable,
thick-sown, studding with gold the narrow roof of sky which, rising from
the mountains on either side, arched itself over the valley. He stood
staring before him, frowning, forgetting what he had come out to do. He
told himself that coming from that yelling confusion inside, and the
glare of those garish lamps, he was stupefied by the great silence of
the night. There was nothing clear in his mind, only a turmoil of
eddying sensations which he could not name. He walked down to the huge
dark pine, the pine which 'Gene Powers loved like a person, and which
his wife wished were cut down. What a ghastly prison marriage was, he
thought, a thing as hostile to the free human spirit as an iron
ball-and-chain.

He looked back at the little house, tiny as an insect before the great
bulk of the mountains, dwarfed by the gigantic tree, ridiculous,
despicable in the face of Nature, like the human life it sheltered. From
its every window poured a flood of yellow light that was drunk up in a
twinkling by the vastness of the night's obscurity.

He leaned against the straight, sternly unyielding bole of the tree,
folding his arms and staring at the house. What a beastly joke the whole
business of living!

A thousand ugly recollections poured their venom upon him from his past
life. Life, this little moment of blind, sensual groping and grabbing
for something worth while that did not exist, save in the stultification
of the intelligence. All that you reached for, so frantically, it was
only another handful of mud, when you held it.

Past the yellow squares of the windows, he saw the shapes of the
dancers, insect-tiny, footing it to and fro. And in one of those
silhouettes he recognized Marise Crittenden.

He turned away from the sight and struck his fist against the rough bark
of the tree. What an insane waste and confusion ruled everywhere in
human life! A woman like that to be squandered . . . an intelligence fine
and supple, a talent penetrating and rare like hers for music, a strange
personal beauty like that of no other woman, a depth one felt like
mid-ocean, a capacity for fun like a child's and a vitality of
personality, a power for passion that pulsed from her so that to touch
her hand casually set one thrilling . . . ! And good God! What was destiny
doing with her? Spending that gold like water on three brats incapable
of distinguishing between her and any good-natured woman who would put
on their shoes and wash their faces for them. Any paid Irish nurse could
do for them what their mother bent the priceless treasure of her
temperament to accomplish. The Irish nurse would do it better, for she
would not be aware of anything else better, which she might do, and
their mother knew well enough what she sacrificed . . . or if she did not
know it yet, she would, soon. She had betrayed that to him, the very
first time he had seen her, that astonishing first day, when, breathing
out her vivid charm like an aureole of gold mist, she had sat there
before him, quite simply the woman most to his taste he had even seen
. . . _here_! That day when she had spoken about the queerness of her
feeling "lost" when little Mark went off to school, because for the
first time in years she had had an hour or so free from those ruthless
little leeches who spent their lives in draining her vitality. He had
known, if she had not, the significance of that feeling of hers, the
first time she had had a moment to raise her eyes from her trivial task
and see that she had been tricked into a prison. That very day he had
wanted to cry out to her, as impersonally as one feels towards a
beautiful bird caught in a net, "Now, _now_, burst through, and spread
your wings where you belong."

It was like wiping up the floor with cloth of gold. In order that those
three perfectly commonplace, valueless human lives might be added to the
world's wretched population, a nature as rare as a jewel was being
slowly ground away. What were the treasures to whom she was being
sacrificed? Paul, the greasy, well-intentioned, priggish burgher he
would make; Elly, almost half-witted, a child who stared at you like an
imbecile when asked a question, and who evidently scarcely knew that her
mother existed, save as cook and care-taker. And Mark, the passionate,
gross, greedy baby. There were the three walls of the prison where she
was shut away from any life worthy of her.

And the fourth wall . . .

       *       *       *       *       *

The blackness dropped deeper about him, and within him. There they were
dancing, those idiots, dancing on a volcano if ever human beings did, in
the little sultry respite from the tornado which was called the
world-peace. Well, that was less idiotic than working, at least. How
soon before it would break again, the final destructive hurricane, born
of nothing but the malignant folly of human hearts, and sweep away all
that they now agonized and sweated to keep? What silly weakness to spend
the respite in anything but getting as much of what you wanted as you
could, before it was all gone in the big final smash-up, and the yellow
or black man were on top.

       *       *       *       *       *

With a bitter relish he felt sunk deep in one of his rank reactions
against life and human beings. Now at least he was on bed-rock. There
was a certain hard, quiet restfulness in scorning it all so
whole-heartedly as either stupid or base.

       *       *       *       *       *

At this a woman's face hung suddenly there in the blackness. Her long
eyes seemed to look directly into his, a full revealing look such as
they had never given him in reality. His hard quiet was broken by an
agitation he could not control. No, no, there was something there that
was not mud. He had thought he would live and die without meeting it.
And there it was, giving to paltry life a meaning, after all, a
troubling and immortal meaning.

A frosty breath blew down upon him from the mountains. A long shudder
ran through him.

The sensation moved him to a sweeping change of mood, to a furious
resentment as at an indignity. God! What was he doing? Who was this
moping in the dark like a boy?

       *       *       *       *       *

The great night stood huge and breathless above him as before, but now
he saw only the lamp-lit house, tiny as an insect, but vibrant with
eager and joyous life. With a strong, resolute step he went rapidly back
to the door, opened it wide, stepped in, and walked across the floor to
Marise Crittenden. "You're going to dance the next dance with _me_, you
know," he told her.



CHAPTER X

AT THE MILL

I

_An Afternoon in the Life of Mr. Neale Crittenden, aet. 38_

May 27.


The stenographer, a pale, thin boy, with a scarred face, and very white
hands, limped over to the manager's desk with a pile of letters to be
signed. "There, Captain Crittenden," he said, pride in his accent.

Neale was surprised and pleased. "All done, Arthur?" He looked over the
work hastily. "Good work, good work." He leaned back, looking up at the
other. "How about it, anyhow, Arthur? Is it going to work out all
right?"

The stenographer looked at him hard and swallowed visibly. "I never
dreamed I'd be fit to do anything I like half so well. I thought when I
was in the hospital that I was done for, for sure. Captain Crittenden,
if you only knew what my mother and I think about what you've done for
. . ."

Neale dodged hastily. "That's all right. That's all right. If you like
it, that's all that's necessary. And I'm not Captain any more."

"I forget, sir," said the other apologetically.

"Can you sit down and take a second batch right now? I want to get
through early. Mrs. Crittenden's going to bring some visitors to see the
place this afternoon, and I'll have to be with them more or less."

He looked at the clock. It was half-past three. Marise had said she
would be there about four. He gave a calculating glance at the stack of
letters. He would never be able to get through those. "We'll have to get
a move on," he remarked. "Things got pretty well piled up while I was
away."

He began to dictate rapidly, steadily, the end of a sentence clearly in
his mind before he pronounced the first word. He liked to dictate and
enjoyed doing it well. The pale young stenographer bent over his
note-book, his disfigured face intent and serious.

"Turned out all right, Arthur has," thought Neale to himself. "I wasn't
so far off, when I thought of the business college for him." Then he
applied himself single-mindedly to his dictation, taking up one letter
after another, with hardly a pause in his voice. But for all his
diligence, he had not come to the bottom of the pile when four o'clock
struck; nor ten minutes later when, glancing out of the window, he saw
Marise and the children with Mr. Bayweather and the two other men coming
across the mill-yard. Evidently Mr. Bayweather had dropped in just as
they were going to start and had come along. He stopped dictating and
looked at the group with a certain interest. Marise and the children had
had a good deal to say yesterday about the newcomers to Crittenden's.

It seemed to him that the impression he had received of them had been as
inaccurate as such second-hand impressions were apt to be. The older man
was just like any elderly business man, for all he could see, nothing so
especially attractive about him, although Marise had said in her ardent
way that he was "the sort of old American you love on sight, the kind
that makes you home-sick when you meet him in Europe." And as for Mr.
Marsh, he couldn't see any signs of his being such a record-breaking
live-wire as they had all said. He walked along quietly enough, and was
evidently as resigned as any of them to letting Mr. Bayweather do all
the talking. On the other hand, none of them had told him what a
striking-looking fellow he was, so tall, and with such a bold carriage
of that round dark head.

"Here they come, Arthur," he remarked. "No more time. But I'll try to
squeeze in a minute or two, while they are here, to finish up these last
ones."

The young man followed the direction of his eyes and nodded. He
continued looking at the advancing group for a moment, and as he stood
up, "You could tell that Mr. Marsh is a millionaire by the way his
clothes fit, couldn't you?" he remarked, turning to go back to his desk
in the outer office.

They were coming down the hall now. Neale went forward to open the door,
met and breasted the wave of children who after hugging casually at his
knees and arms, swept by; and stepped forward to be presented to the
newcomers. They had not crossed the threshold, before his first
impression was reversed in one case. Marsh was a live-wire all right.
Now that he had seen his eyes, he knew what Elly had meant when she said
that when he looked at you it was like lightning.

Mr. Bayweather barely waited for the first greetings to be pronounced
before he burst out, "Do they say, 'backwards and forwards' or 'back and
forth'?"

Neale laughed. Old Bayweather was perennial. "Backwards and forwards, of
course," he said. "English people always say everything the longest
possible way." He explained to the others, "Mr. Bayweather is an
impassioned philologist . . ."

"So I have gathered," commented Marsh.

". . . and whenever any friends of his go on travels, they are always
asked to bring back some philological information about the region where
they go."

He turned to Marise (how sweet she looked in that thin yellow dress).
"Where do you want your personally conducted to begin, dear?" he asked
her. (Lord! How good it seemed to get back to Marise!)

Mr. Bayweather cut in hastily, "If I may be permitted to suggest, I
think a history of the mill would be advisable as a beginning. I will be
glad to tell the newcomers about this. I've just been working the
subject up for a chapter in history of Ashley."

Neale caught an anguished side-glance from Marise and sent back to her a
shrugged message of helplessness in the face of Destiny. The man didn't
live who could head old Bayweather off when he got started on local
history. And besides, this would give him time to get those last three
letters finished. Aloud he said, "I wouldn't dare say a word about
history in Mr. Bayweather's presence. I have a few letters to finish.
I'll just step into the outer office and be ready to start when you've
heard the history lecture." He turned to the children, who were tapping
on the typewriter. "Look here, kids, you'd be better off where you won't
break anything. Get along with you out into the mill-yard and play on
the lumber-piles, why don't you? Paul, you see if you can tell yellow
birch from oak this time!"

He and the children beat a retreat together into the outer office, where
he bent over Arthur's desk and began to dictate in a low voice,
catching, as he did so, an occasional rotund phrase from the
disquisition in the other room. ". . . the glorious spirit of manly
independence of the Green Mountain Boys . . ."

To himself Neale thought, "He'd call it bolshevism if he met it today
. . ."

". . . second building erected in the new settlement, 1766, as a
fort. . . . No, _no_, Mr. Marsh, _not_ against the Indians! Our early
settlers _here_ never had any trouble with the Indians."

Neale laughed to himself at the clergyman's resentment of any ignorance
of any detail of Ashley's unimportant history.

". . . as a fort against the York State men in the land-grant quarrels
with New Hampshire and New York, before the Revolution." Neale, smiling
inwardly, bet himself a nickel that neither of the two strangers had
ever heard of the Vermont land-grant quarrels, and found himself vastly
tickled by the profound silence they kept on the subject. They were
evidently scared to death of starting old Bayweather off on another
line. They were safe enough, if they only knew it. It was inconceivable
to Mr. Bayweather that any grown person should not know all about early
Vermont history.

At this point Marise came out of the office, her face between laughter
and exasperation. She clasped her hands together and said, "Can't you do
_any_thing?"

"In a minute," he told her. "I'll just finish these two letters and then
I'll go and break him off short."

Marise went on to the accountant's desk, to ask about his wife, who sang
in her winter chorus.

He dictated rapidly: "No more contracts will go out to you if this
stripping of the mountain-land continues. Our original contract has in
it the clause which I always insist on, that trees smaller than six
inches through the butt shall not be cut. You will please give your
choppers definite orders on this point, and understand that logs under
the specified size will not be accepted at the mill." He held out to the
stenographer the letter he was answering. "Here, Arthur, copy the name
and address off this. It's one of those French-Canadian names, hard to
spell if you don't see it."

He paused an instant to hear how far Mr. Bayweather had progressed, and
heard him saying, "In the decade from 1850 on, there was a terrible and
scandalous devastation of the mountain-land . . ." and said to himself,
"Halfway through the century. I'll have time to go on a while. All
ready, Arthur." He dictated: "On birch brush-backs of the model
specified, we can furnish you any number up to . . ." He wound his way
swiftly and surely through a maze of figures and specifications without
consulting a paper or record, and drawing breath at the end, heard Mr.
Bayweather pronouncing his own name. ". . . Mr. Crittenden has taught us
all a great deal about the economic aspects of a situation with which we
had had years of more familiarity than he. His idea is that this
mountainous part of New England is really not fit for agriculture.
Farming in the usual sense has been a losing venture ever since the
Civil War high prices for wool ceased. Only the bottoms of the valleys
are fit for crops. Most of our county is essentially forest-land. And
his idea of the proper use to make of it, is to have a smallish
industrial population engaged in wood-working, who would use the bits of
arable land in the valleys as gardens to raise their own food. He has
almost entirely reorganized the life of our valley, along these lines,
and I daresay he cannot at all realize himself the prodigious change
from hopelessness and slow death to energy and forward-looking activity
which his intelligent grasp of the situation has brought to this corner
of the earth."

The young stenographer had heard this too, and had caught the frown of
annoyance which the personal reference brought to Neale's forehead. He
leaned forward and said earnestly, "It's so, Captain . . . Mr. Crittenden.
It's _so_!"

Mr. Bayweather went on, "There is enough wood in the forests within
reach of the mill to keep a moderate-sized wood-working factory going
indefinitely, cutting by rotation and taking care to leave enough trees
for natural reforestration. But of course that has not been the American
way of going at things. Instead of that steady, continuous use of the
woods, which Mr. Crittenden has shown to be possible, furnishing good,
well-paid work at home for the men who would be otherwise forced off
into cities, our poor mountains have been lumbered every generation or
so, on an immense, murderous, slashing scale, to make a big sum of money
for somebody in one operation. When old Mr. Burton Crittenden's nephew
came to town it was a different story. Mr. Neale Crittenden's ideal of
the lumber business is, as I conceive it, as much a service to mankind
as a doctor's is."

Neale winced, and shook his head impatiently. How ministers did put the
Sunday-school rubber-stamp on everything they talked about--even
legitimate business.

"And as Mrs. Crittenden's free-handed generosity with her musical
talent has transformed the life of the region as much as Mr.
Crittenden's high and disinterested . . ."

"Oh _Gosh_, Arthur, never mind about the rest!" murmured Neale, moving
back quickly into the inner office to create a diversion. "All ready?"
he asked in a loud, hearty voice, as he came up to them. "Up to 1920 by
this time, Mr. Bayweather?" He turned to Marsh, "I'm afraid there is
very little to interest you, with your experience of production on a
giant scale, in a business so small that the owner and manager knows
every man by name and everything about him."

"You couldn't show me anything more _out_ of my own experience,"
answered Marsh, "than just that. And as for what I know about production
on a giant scale, I can tell you it's not much. I did try to hook on,
once or twice, years ago--to find out something about the business that
my father spent his life in helping to build up, but it always ended in
my being shooed out of the office by a rather irritable manager who knew
I knew nothing about any of it, and who evidently hated above everything
else, having amateur directors come horning in on what was no party of
theirs. 'If they get their dividends all right, what more do they want?'
was his motto. I never was able to make any sense out of it. It's all on
such a preposterously big scale now. Once in a while, touring, I have
come across one of our branch establishments and have stopped my car to
see the men come out of the buildings at quitting-time. That's as close
as I have ever come. Do you really know their _names_?"

"I can't pronounce all the French-Canadian names to suit them, but I
know them all, yes. Most of them are just the overflow of the rural
population around here."

He said to himself in congratulation, "Between us, we pried old
Bayweather loose from his soft soap, pretty neatly," and gave the man
before him a look of friendly understanding. He was a little startled,
for an instant, by the expression in the other's bright eyes, which he
found fixed on him with an intentness almost disconcerting. "Does he
think I'm trying to put something over on him?" he asked himself with a
passing astonishment, "or is he trying to put something over on me?"
Then he remembered that everyone had spoken of Marsh's eyes as peculiar;
it was probably just his habit. "He can look right through me and out at
the other side, for all _I_ care!" he thought indifferently, meeting the
other's gaze with a faintly humorous sense of something absurd.

Marise had come back now, and was saying, "You really must get started,
Neale, the men will be quitting work soon."

"Yes, yes, this minute," he told her, and led the way with Mr. Welles,
leaving Marise and Mr. Bayweather to be showman for Mr. Marsh. He now
remembered that he had not heard the older man say a single word as yet,
and surmised that he probably never said much when the fluent Mr. Marsh
was with him. He wondered a little, as they made their way to the
saw-mill, what Marise saw in either of them to interest her so much. Oh
well, they were a change, of course, from Ashley and Crittenden's
people, and different from the Eugenia Mills bunch, in New York, too.

He stood now, beside Mr. Welles, in the saw-mill, the ringing high
crescendo scream of the saws filling the air. Marise stood at the other
end talking animatedly to the two she had with her. Marise was a wonder
on conversation anyhow. What could she find to say, now, for instance?
What in the world was there to say to an ex-office manager of a big
electrical company about a wood-working business?

His eyes were caught by what one of the men was doing and he yelled at
him sharply, "Look out there, Harry! Stop that! What do I have a guard
rail there for, anyhow?"

"What was the matter?" asked Mr. Welles, startled.

"Oh, nothing much. One of the men dodging under a safety device to save
him a couple of steps. They get so reckless about those saws. You have
to look out for them like a bunch of bad children."

Mr. Welles looked at him earnestly. "Are you . . . have you . . . Mr.
Bayweather has told us so much about all you do for the men . . . how they
are all devoted to you."

Neale looked and felt annoyed. Bayweather and his palaver! "I don't do
anything for them, except give them as good wages as the business will
stand, and as much responsibility for running things as they'll take.
Beyond that, I let them alone. I don't believe in what's known as
'welfare work.' I wouldn't want them messing around in my private life,
and I don't believe they'd like me in theirs."

The necessity to raise his voice to a shout in order to make himself
heard above the tearing scream of the saws made him sound very abrupt
and peremptory, more so than he had meant. As he finished speaking his
eyes met those of the older man, and were held by the clarity and candor
of the other's gaze. They were like a child's eyes in that old face. It
was as though he had been abrupt and impatient to Elly or Mark.

As he looked he saw more than candor and clarity. He saw a deep
weariness.

Neale smoothed his forehead, a little ashamed of his petulance, and drew
his companion further from the saws where the noise was less. He meant
to say something apologetic, but the right phrase did not come to him.
And as Mr. Welles said nothing further, they walked on in silence. They
passed through the first and second floors of the mill, where the
handling of the smaller pieces was done, and neither of them spoke a
word. Neale looked about him at the familiar, familiar scene, and found
it too dull to make any comment on. What was there to say? This was the
way you manufactured brush-backs and wooden boxes and such-like things,
and that was all. The older men bent over their lathes quietly, the
occasional woman-worker smartly hammering small nails into the holes
already bored for her, the big husky boys shoved the trucks around, the
elevator droned up and down, the belts flicked as they sped around and
around. Blest if he could think of any explanation to make to a grown
man on so simple and everyday a scene. And yet he did not enjoy this
silence because it seemed like a continuation of his grumpiness of a few
minutes ago. Well, the next time the old fellow said anything, he'd fall
over himself to be nice in his answer.

Presently as they came to the outside door, Mr. Welles remarked with a
gentle dignity, in evident allusion to Neale's cutting him short, "I
only meant that I was very much interested in what I see here, and that
I would like very much to know more about it."

Neale felt he fairly owed him an apology. He began to understand what
Marise meant when she had said the old fellow was one you loved on
sight. It was her way, emotionally heightened as usual, of saying that
he was really a very nice old codger. "I'll be glad to tell you anything
you want to know, Mr. Welles," he said. "But I haven't any idea what it
is that interests you. You fire ahead and ask questions and I'll agree
to answer them."

"That's what I'd like, all right. And remember if I ask anything you
don't want to talk about . . ." He referred evidently to Neale's
impatience of a few minutes ago.

"There aren't any trade secrets in the wood-working business," said
Neale, laughing. "Better come along and see our drying-room as we talk.
We've had to make some concession to modern haste and use kiln-drying,
although I season first in the old way as long as possible." They
stepped out of the door and started across the mill-yard.

Mr. Welles said with a very faint smile in the corner of his pale old
lips, "I don't believe you want to show me any of this, Mr. Crittenden.
And honestly that isn't what interests me about it. I wouldn't know a
drying-room from a steam-laundry."

Neale stopped short, and surveyed his companion with amusement and
admiration. "Good for you!" he cried. "Tell the truth and shame the
devil and set an example to all honest men. Mr. Welles, you have my
esteem."

The old man had a shy smile at this. "I don't tell the truth that way to
everybody," he said demurely.

Neale liked him more and more. "Sir, I am yours to command," he said,
sitting down on the steps, "ask ahead!"

Mr. Welles turned serious, and hesitated. "Mr. Bayweather said . . ." He
began and looked anxiously at Neale.

"I won't bite even if he did," Neale reassured him.

Mr. Welles looked at him with the pleasantest expression in his eyes.
"It's a great relief to find that we can get on with one another," he
said, "for I must admit to you that I have fallen a complete victim to
Mrs. Crittenden. I . . . I love your wife." He brought it out with a
quaint, humorous roundness.

"You can't get up any discussion with me about that," said Neale. "I do
myself."

They both laughed, and Mr. Welles said, "But you see, caring such a lot
about her, it was a matter of great importance to me what kind of
husband she had. I find actually seeing you very exciting."

"You're the first who ever found it so, I'm sure," said Neale, amused at
the idea.

"But it wasn't this I wanted to say," said Mr. Welles. He went back and
said again, "Mr. Bayweather said your idea of business is service, like
a doctor's?"

Neale winced at the Bayweather priggishness of this way of putting it,
but remembering his remorse for his earlier brusqueness, he restrained
himself to good humor and the admission, "Making allowance for
ministerial jargon, that's something like a fair statement."

He was astonished at the seriousness with which Mr. Welles took this.
What was it to him? The old man looked at him, deeply, unaccountably,
evidently entirely at a loss. "Mr. Crittenden," he said abruptly, "to
speak right out, that sounded to me like the notion of a nice
idealistic woman, who has never been in business. You see I've _been_ in
a business office all my life!"

Neale found his liking for the gentle, troubled old man enough for him
to say truthfully, "Mr. Welles, I don't mind talking to you about it.
Sure, yes I can understand how having a minister put it that way. . . .
Lord! How the old boy does spill over! And yet why should I care? I'm
ashamed of letting harmless Mr. Bayweather get on my nerves so."

Mr. Welles started to speak, found no words, and waved an arm as if to
imply that _he_ understood perfectly. This made Neale laugh a little,
and gave him a picture of the helplessness of a newcomer to Ashley,
before the flood-tide of Mr. Bayweather's local learning.

He went on, "He sort of taints an honest idea, doesn't he, by his
high-falutin' way of going on about it?"

He hesitated, trying to think of simple words to sum up what he had,
after all, never exactly formulated because it had been so much an
attitude he and Marise had silently grown into. It was hard, he found,
to hit on any expression that said what he wanted to; but after all, it
wasn't so very important whether he did or not. He was only trying to
make a nice tired old man think himself enough respected to be seriously
talked to. He'd just ramble on, till Marise brought the other visitors
up to them.

And yet as he talked, he got rather interested in his statement of it. A
comparison of baseball and tennis ethics came into his mind as apposite,
and quite tickled him by its aptness. Mr. Welles threw in an occasional
remark. He was no man's fool, it soon appeared, for all his mildness.
And for a time he seemed to be interested.

But presently Neale noticed that the other was looking absent and no
longer made any comments. That was what happened, Neale reflected with
an inward smile, as he slowed down and prepared to stop, when anybody
succeeded in getting you started on your hobby. They were bored. They
didn't really want to know after all. It was like trying to tell folks
about your travels.

But he was astonished to the limit of astonishment by what Mr. Welles
brought out in the silence which finally dropped between them. The old
man looked at him very hard and asked, "Mr. Crittenden, do you know
anything about the treatment of the Negroes in the South?"

Neale sat up blinking. "Why no, nothing special, except that it's a
fearful knot we don't seem to get untied," he said. "I contribute to the
support of an agricultural school in Georgia, but I'm afraid I never
take much time to read the reports they send me. Why do you ask?"

"Oh, no particular reason. I have a relative down there, that's all."

Marise and the others came out of a door at the far-end of the building
now, and advanced towards them slowly. Neale and Mr. Welles watched
them.

Neale was struck again by Marsh's appearance. As far away as you could
see him, he held the eye. "An unusual man, your friend Mr. Marsh," he
remarked. "Mrs. Crittenden tells me that he is one of the people who
have been everywhere and done everything and seen everybody. He looks
the part."

Mr. Welles made no comment on this for a moment, his eyes on the
advancing group. Marise had raised her parasol of yellow silk. It made a
shimmering halo for her dark, gleaming hair, as she turned her head
towards Marsh, her eyes narrowed and shining as she laughed at something
he said.

Then the old man remarked, "Yes, he's unusual, all right, Vincent is. He
has his father's energy and push." He added in a final characterization,
"I've known him ever since he was a little boy, and I never knew him not
to get what he went after."


II

_How the Same Thing Looked to Mr. Welles_

As they walked along towards the mill, Mr. Welles had a distinct
impression that he was going to dislike the mill-owner, and as distinct
a certainty as to where that impression came from. He had received too
many by the same route not to recognize the shipping label. Not that
Vincent had ever said a single slighting word about Mr. Crittenden. He
couldn't have, very well, since they neither of them had ever laid eyes
on him. But Vincent never needed words to convey impressions into other
people's minds. He had a thousand other ways better than words. Vincent
could be silent, knock off the ashes from his cigarette, recross his
legs, and lean back in his chair in a manner that slammed an impression
into your head as though he had yelled it at you.

But to be fair to Vincent, Mr. Welles thought probably he had been more
than ready to soak up an impression like the one he felt. They'd had
such an awfully good time with Mrs. Crittenden and the children, it
stood to reason the head of the house would seem to them like a
butter-in and an outsider in a happy-family group.

More than this, too. As they came within hearing of the industrial
activity of the mill, and he felt his heart sink and turn sore and
bitter, Mr. Welles realized that Vincent had very little to do with his
dread of meeting the mill-owner. It was not Mr. Crittenden he shrank
from, it was the mill-owner, the business man . . . business itself.

Mr. Welles hated and feared the sound of the word and knew that it had
him cowed, because in his long life he had known it to be the only
reality in the world of men. And in that world he had known the only
reality to be that if you didn't cut the other fellow's throat first he
would cut yours. There wasn't any other reality. He had heard
impractical, womanish men say there was, and try to prove it, only to
have their economic throats cut considerably more promptly than any
others. He had done his little indirect share of the throat-cutting
always. He was not denying the need to do it. Only he had never found it
a very cheerful atmosphere in which to pass one's life. And now he had
escaped, to the only other reality, the pleasant, gentle, slightly
unreal world of women, nice women, and children and gardens. He was so
old now that there was no shame in his sinking into that for what time
he had left, as other old fellows sank into an easy-chair. Only he
wished that he could have got along without being reminded so vividly,
as he would be by this trip to the business-world, of what paid for the
arm-chair, supported the nice women and children. He wished he hadn't
had to come here, to be forced to remember again that the inevitable
foundation for all that was pleasant and livable in private life was the
grim determination on the part of a strong man to give his strength to
"taking it out of the hide" of his competitors, his workmen, and the
public. He'd had a vacation from that, and it made him appallingly
depressed to take another dose of it now. He sincerely wished that sweet
Mrs. Crittenden were a widow with a small income from some impersonal
source with no uncomfortable human associations with it. He recalled
with a sad cynicism the story Mrs. Crittenden had told them about the
clever and forceful lawyer who had played the dirty trick on the farmer
here in Ashley, and done him out of his wood-land. She had been very
much wrought up about that, the poor lady, without having the least idea
that probably her husband's business-life was full of such
knifings-in-the-back, all with the purpose of making a quiet life for
her and the children.

Well, there was nothing for it but to go on. It wouldn't last long, and
Mr. Welles' back was practised in bowing to weather he didn't like but
which passed if you waited a while.

They were going up the hall now, towards a door marked "Office," the
children scampering ahead. The door was opening. The tall man who stood
there, nodding a welcome to them, must be Mr. Crittenden.

So that was the kind of man he was. Nothing special about him. Just a
nice-looking American business-man, with a quiet, calm manner and a
friendly face.

To the conversation which followed and which, like all such
conversations, amounted to nothing at all, Mr. Welles made no
contribution. What was the use? Mr. Bayweather and Vincent were there.
The conversation would not flag. So he had the usual good chance of the
silent person to use his eyes. He looked mostly at Mr. Crittenden. Well,
he wasn't so bad. They were usually nice enough men in personal
relations, business men. This one had good eyes, very nice when he
looked at the children or his wife. They were often good family men,
too. There was something about him, however, that wasn't just like all
others. What was it? Not clothes. His suit was cut off the same piece
with forty million other American business-suits. Not looks, although
there was an outdoor ruddiness of skin and clearness of eye that made
him look a little like a sailor. Oh yes, Mr. Welles had it. It was his
voice. Whenever he spoke, there was something . . . something _natural_
about his voice, as though it didn't ever say things he didn't mean.

Well, for Heaven's sake here was the old minister started off again on
one of his historical spiels. Mr. Welles glanced cautiously at Vincent
to see if he were in danger of blowing up, and found him looking
unexpectedly thoughtful. He was evidently not paying the least attention
to Mr. Bayweather's account of the eighteenth century quarrel between
New Hampshire and Vermont. He was apparently thinking of something else,
very hard.

He himself leaned back in his chair, but half of one absent ear given to
Mr. Bayweather's lecture, and enjoyed himself looking at Mrs.
Crittenden. She was pretty, Mrs. Crittenden was. He hadn't been sure
the first day, but now he had had a chance to get used to her face being
so long and sort of pointed, and her eyes long too, and her black
eyebrows running back almost into her hair, he liked every bit of her
face. It looked so different from anybody else's. He noticed with an
inward smile that she was fidgety under Mr. Bayweather's historical
talk. _He_ was the only person with any patience in that whole bunch.
But at what a price had he acquired it!

By and by Mrs. Crittenden got up quietly and went out into the other
office as if on an errand.

Mr. Bayweather took advantage of her absence to tell them a lot about
how much the Crittendens had done for the whole region and what a golden
thing Mrs. Crittenden's music had been for everybody, and about an
original conception of business which Mr. Crittenden seemed to have. Mr.
Welles was not interested in music, but he was in business and he would
have liked to hear a great deal more about this, but just at this point,
as if to cut the clergyman off, in came Mr. Crttenden, very brisk and
prompt, ready to take them around the mill.

Vincent stood up. They all stood up. Mr. Welles noted that Vincent had
quite come out of his brown study and was now all there. He was as he
usually was, a wire charged with a very high-voltage current.

They went out now, all of them together, but soon broke up into two
groups. He stayed behind with Mr. Crittenden and pretended to look at
the machinery of the saw-mill, which he found very boring indeed, as he
hadn't the slightest comprehension of a single cog in it. But there was
something there at which he really looked. It was the expression of Mr.
Crittenden's face as he walked about, and it was the expression on the
faces of the men as they looked at the boss.

Mr. Welles, not being a talker, had had a great deal of opportunity to
study the faces of others, and he had become rather a specialist in
expressions. Part of his usefulness in the office had come from that.
He had catalogued in his mind the different looks on human faces, and
most of them connected with any form of business organization were
infinitely familiar to him, from the way the casual itinerant temporary
laborer looked at the boss of his gang, to the way the star salesman
looked at the head of the house.

But here was a new variety to him, these frank and familiar glances
thrown in answer to the nodded greeting or short sentence of the boss as
he walked about. They were not so much friendly (although they were that
too), as they were familiar and open, as though nothing lay hidden
behind the apparent expression. It was not often that Mr. Welles had
encountered that, a look that seemed to hide nothing.

He wondered if he could find out anything about this from Mr. Crittenden
and put a question to him about his relations with his men. He tried to
make it tactful and sensible-sounding, but as he said the words, he knew
just how flat and parlor-reformerish they sounded; and it didn't
surprise him a bit to have the business-man bristle up and snap his head
off. It had sounded as though he didn't know a thing about business--he,
the very marrow of whose bones was soaked in a bitter knowledge that the
only thing that could keep it going was the fear of death in every man's
heart, lest the others get ahead of him and trample him down.

He decided that he wouldn't say another thing, just endure the temporary
boredom of being trotted about to have things explained to him, which he
hadn't any intention of trying to understand.

But Mr. Crittenden did not try to explain. Perhaps he was bored himself,
perhaps he guessed the visitor's ignorance. He just walked around from
one part of the big, sunshiny shops to another, taking advantage of this
opportunity to look things over for his own purposes. And everywhere he
went, he gave and received back that curious, new look of openness.

It was not noisy here as in the saw-mill, but very quiet and peaceful,
the bee-like whirring of the belts on the pulleys the loudest continuous
sound. It was clean, too. The hardwood floor was being swept clean of
sawdust and shavings all the time, by a lame old man, who pottered
tranquilly about, sweeping and cleaning and putting the trash in a big
box on a truck. When he had it full, he beckoned to a burly lad, shoving
a truck across the room, and called in a clear, natural, friendly voice,
"Hey, Nat, come on over." The big lad came, whistling, pushed the box
off full, and brought it back empty, still whistling airily.

There were a good many work-people in sight. Mr. Welles made a guessing
estimate that the business must keep about two hundred busy. And there
was not one who looked harried by his work. The big, cluttered place
heaped high with piles of curiously shaped pieces of wood, filled with
oddly contrived saws and lathes and knives and buffers for sawing and
turning and polishing and fitting those bits of wood, was brooded over
as by something palpable by an emanation of order. Mr. Welles did not
understand a detail of what he was looking at, but from the whole, his
mind, experienced in business, took in a singularly fresh impression
that everybody there knew what he was up to, in every sense of the word.

He and Mr. Crittenden stood for a time looking at and chatting to a
gray-haired man who was polishing smoothly planed oval bits of board. He
stopped as they talked, ran his fingers over the satin-smoothed surface
with evident pleasure, and remarked to his employer, "Mighty fine maple
we're getting from the Warner lot. See the grain in that!"

He held it up admiringly, turning it so that the light would show it at
its best, and looked at it respectfully. "There's no wood like maple,"
he said. Mr. Crittenden answered, "Yep. The Warner land is just right
for slow-growing trees." He took it out of the workman's hand, looked it
over more closely with an evident intelligent certainty of what to look
for, and handed it back with a nod that signified his appreciation of
the wood and of the workmanship which had brought it to that state.

There had been about that tiny, casual human contact a quality which Mr.
Welles did not recognize. His curiosity rose again. He wondered if he
might not succeed in getting some explanation out of the manufacturer,
if he went about it very tactfully. He would wait for his chance. He
began to perceive with some surprise that he was on the point of quite
liking Mrs. Crittenden's husband.

So he tried another question, after a while, very cautiously, and was
surprised to find Mr. Crittenden no longer snappish, but quite friendly.
It occurred to him as the pleasantest possibility that he might find his
liking for the other man returned. That _would_ be a new present hung on
the Christmas tree of his life in Vermont.

On the strength of this possibility, and banking on the friendliness in
the other man's eyes, he drove straight at it, the phrase which the
minister had used when he said that Mr. Crittenden thought of business
as an ideal service to humanity as much as doctoring. That had sounded
so ignorant and ministerial he hadn't even thought of it seriously, till
after this contact with the man of whom it had been said. The best way
with Crittenden was evidently the direct one. He had seen that in the
first five minutes of observation of him. So he would simply tell him
how bookish and impossible it had sounded, and see what he had to say.
He'd probably laugh and say the minister had it all wrong, of course,
regular minister's idea.

And so presently they were off, on a real talk, beyond what he had hoped
for, and Crittenden was telling him really what he had meant. He was
saying in his firm, natural, easy voice, as though he saw nothing
specially to be self-conscious about in it, "Why, of course I don't rank
lumbering and wood-working with medicine. Wood isn't as vital to human
life as quinine, or a knowledge of what to do in typhoid fever. But
after all, wood is something that people have to have, isn't it?
Somebody has to get it out and work it up into usable shape. If he can
do this, get it out of the woods without spoiling the future of the
forests, drying up the rivers and all that, and have it transformed into
some finished product that people need in their lives, it's a sort of
plain, everyday service, isn't it? And to do this work as economically
as it can be managed, taking as low a price as you can get along with
instead of screwing as high a price as possible out of the people who
have to have it, what's the matter with that, as an interesting problem
in ingenuity? I tell you, Mr. Welles, you ought to talk to my wife about
this. It's as much her idea as mine. We worked it out together, little
by little. It was when Elly was a baby. She was the second child, you
know, and we began to feel grown-up. By that time I was pretty sure I
could make a go of the business. And we first began to figure out what
we were up to. Tried to see what sort of a go we wanted the business to
have. We first began to make some sense out of what we were doing in
life."

Mr. Welles found himself overwhelmed by a reminiscent ache at this
phrase and burst out, his words tinged with the bitterness he tried to
keep out of his mind, "Isn't that an awful moment when you first try to
make some sense out of what you are doing in life! But suppose you had
gone on doing it, always, always, till you were an old man, and never
succeeded! Suppose all you seemed to be accomplishing was to be able to
hand over to the sons of the directors more money than was good for
them? I tell you, Mr. Crittenden, I've often wished that once, just
once, before I died I could be _sure_ that I had done anything that was
of any use to anybody." He went on, nodding his head, "What struck me so
about what Mr. Bayweather said is that I've often thought about doctors
myself, and envied them. They take money for what they do, of course,
but they miss lots of chances to make more, just so's to be of some use.
I've often thought when they were running the prices up and up in our
office just because they could, that a doctor would be put out of his
profession in no time by public opinion, if he ever tried to screw the
last cent out of everybody, the way business men do as a matter of
course."

Mr. Crittenden protested meditatively against this. "Oh, don't you think
maybe there's a drift the other way among decent business people now?
Why, when Marise and I were first trying to get it clear in our own
heads, we kept it pretty dark, I tell you, that we weren't in it only
for what money we could make, because we knew how loony we'd seem to
anybody else. But don't you see any signs that lately maybe the same
idea is striking lots of people in America?"

"No, I do _not_!" said Mr. Welles emphatically. "With a profiteer on
every corner!

"But look-y-here, the howl about profiteers, isn't that something new?
Isn't that a dumb sort of application to business of the doctor's
standard of service? Twenty years ago, would anybody have thought of
doing anything but uneasily admiring a grocer who made all the money he
could out of his business? 'Why shouldn't he?' people would have thought
then. Everybody else did. Twenty years ago, would anybody have dreamed
of legally preventing a rich man from buying all the coal he wanted,
whether there was enough for everybody, or not?"

Mr. Welles considered this in unconvinced silence. Mr. Crittenden went
on, "Why, sometimes it looks to me like the difference between what's
legitimate in baseball and in tennis. Every ball-player will try to
bluff the umpire that he's safe when he knows the baseman tagged him
three feet from the bag; and public opinion upholds him in his bluff if
he can get away with it. But like as not, the very same man who lies
like a trooper on the diamond, if he went off that very afternoon to
play tennis would never dream of announcing 'out' if his opponent's ball
really had landed in the court,--not if it cost him the sett and
match,--whether anybody was looking at him or not. It's 'the thing' to
try to get anything you can put over in baseball, anything the umpire
can't catch you at. And it's not 'the thing' in tennis. Most of the time
you don't even have any umpire. That's it: that's not such a bad way to
put it. My wife and I wanted to run our business on the tennis standard
and not on the baseball one. Because I believe, ultimately you know, in
fixing things,--everything,--national life as well, so that we'll need
as few umpires as possible. Once get the tennis standard adopted . . ."

Mr. Welles said mournfully, "Don't get started on politics. I'm too old
to have any hopes of that!"

"Right you are there," said Mr. Crittenden. "Economic organization is
the word. That's one thing that keeps me so interested in my little
economic laboratory here. Political parties are as prehistoric as the
mastodon, if they only knew it."

Mr. Welles said, "But the queer thing is that you make it work."

"Oh, anybody with a head for business could make it work. You've got to
know how to manage your machine before you can make it go, of course.
But that's not saying you have to drive it somewhere you don't want to
get to. I don't say that that workman back there who was making such a
beautiful job of polishing that maple could make it go. He couldn't."

Mr. Welles persisted. "But I've always thought, I've always _seen_ it,
or thought I had . . . that life-and-death competition is the only
stimulus that's strong enough to stir men up to the prodigious effort
they have to put out to _make_ a go of their business, start the machine
running. That, and the certainty of all they could get out of the
consumer as a reward. You know it's held that there's a sort of mystic
identity between all you can get out of the consumer and the exact
amount of profit that'll just make the business go."

Mr. Crittenden said comfortably, as though he were talking of something
that did not alarm him, "Oh well, the best of the feudal seigneurs
mournfully believed that a sharp sword and a long lance in their own
hands were the strongholds of society. The wolf-pack idea of business
will go the same way." He explained in answer to Mr. Welles' vagueness
as to this term, "You know, the conception that if you're going to get
hair brushes or rubber coats or mattresses or what-not enough for
humanity manufactured, the only way is to have the group engaged in it
form a wolf-pack, hunting down the public to extract from it as much
money as possible. The salesmen and advertisers take care of this
extracting. Then this money's to be fought for, by the people engaged in
the process, as wolves fight over the carcass of the deer they have
brought down together. This is the fight between the directors of labor
and the working-men. It's ridiculous to hold that such a wasteful and
incoherent system is the only one that will arouse men's energies enough
to get them into action. It's absurd to think that business men . . .
they're the flower of the nation, they're America's specialty, you know
. . . can only find their opportunity for service to their fellow-men by
such haphazard contracts with public service as helping raise money for
a library or heading a movement for better housing of the poor, when
they don't know anything about the housing of the poor, nor what it
ought to be. Their opportunity for public service is right in their own
legitimate businesses, and don't you forget it. Everybody's business is
his best way to public service, and doing it that way, you'd put out of
operation the professional uplifters who uplift as a business, and can't
help being priggish and self-conscious about it. It makes me tired the
way professional idealists don't see their big chance. They'll take all
the money they can get from business for hospitals, and laboratories,
and to investigate the sleeping sickness or the boll-weevil, but that
business itself could rank with public libraries and hospitals as an
ideal element in the life on the globe . . . they can't open their minds
wide enough to take in that."

Mr. Welles had been following this with an almost painful interest and
surprise. He found it very agitating, very upsetting. Suppose there had
been something there, all the time. He must try to think it out more.
Perhaps it was not true. But here sat a man who had made it work. Why
hadn't he thought of it in time? Now it was too late. Too late for him
to do anything. Anything? The voice of the man beside him grew dim to
him, as, uneasy and uncertain, his spirits sank lower and lower. Suppose
all the time there had been a way out besides beating the retreat to the
women, the children, and the gardens? Only now it was too late! What was
the use of thinking of it all?

For a moment he forgot where he was. It seemed to him that there was
something waiting for him to think of it . . .

But oddly enough, all that presented itself to him, when he tried to
look, was the story that had nothing to do with anything, which his
cousin had told him in a recent letter, of the fiery sensitive young
Negro doctor, who had worked his way through medical school, and
hospital-training, gone South to practise, and how he had been treated
by the white people in the town where he had settled. He wondered if she
hadn't exaggerated all that. But she gave such definite details. Perhaps
Mr. Crittenden knew something about that problem. Perhaps he had an idea
about that, too, that might be of help. He would ask him.



PART II



CHAPTER XI

IN AUNT HETTY'S GARDEN

I


June 10.

Marise bent to kiss the soft withered cheek. "Elly is a _real_
Vermonter, but I'm not. She can get along with just 'Hello, Aunt Hetty,'
but that's not enough for me," she said tenderly to the old woman; "I
have to kiss you."

"Oh, you can do as you like, for all of me," answered the other with an
unsparing indifference.

Marise laughed at the quality of this, taking the shaky old hand in hers
with a certainty of affection returned. She went on, "This is a regular
descent on you, Cousin Hetty. I've come to show you off, you and the
house and the garden. This is Mr. Welles who has settled next door to
us, you know, and this is Mr. Marsh who is visiting him for a time. And
here are the children, and Eugenia Mills came up from the city
last night and will be here perhaps, if she gets up energy after
her afternoon nap, and Neale is coming over from the mill after
closing hours, and we've brought along a basket supper and, if
you'll let us, we're going to eat it out in your garden, under
Great-great-grandmother's willow-tree."

Cousin Hetty nodded dry, though not uncordial greetings to the strangers
and said crisply, "You're welcome enough to sit around anywhere you can
find, and eat your lunch here, but where you're going to find anything
to show off, beats me."

"Mr. Welles is interested in gardens and wants to look at yours."

"Not much to look at," said the old lady uncompromisingly.

"I don't want to look at a _garden_!" clamored little Mark, outraged at
the idea. "I want to be let go up to Aunt Hetty's yattic where the sword
and 'pinning-wheel are."

"Would all you children like that best?" asked Marise.

Their old kinswoman answered for them, "You'd better believe they would.
You always did yourself. Run along, now, children, and don't fall on the
attic stairs and hurt yourselves on the wool-hetchels."

The fox-terrier, who had hung in an anguish of uncertainty and hope and
fear on the incomprehensible words passing between little Mark and the
grown-ups, perceiving now that the children ran clattering towards the
stairs, took a few agitated steps after them, and ran back to Marise,
shivering, begging with his eyes, in a wriggling terror lest he be
forbidden to follow them into the fun. Marise motioned him along up the
stairs, saying with a laughing, indulgent, amused accent, "Yes, yes,
poor Médor, you can go along with the children if you want to."

The steel sinews of the dog's legs stretched taut on the instant, in a
great bound of relief. He whirled with a ludicrous and undignified
haste, slipping, his toe-nails clicking on the bare floor, tore across
the room and dashed up the stairs, drunk with joy.

"If strong emotions are what one wants out of life," commented Marise
lightly, to Marsh, "one ought to be born a nervous little dog, given
over to the whimsical tyranny of humans."

"There are other ways of coming by strong emotions," answered Marsh, not
lightly at all.

"What in the world are wool-hetchels?" asked Mr. Welles as the grown-ups
went along the hall towards the side-door.

"Why, when I was a girl, and we spun our own wool yarn . . ." began Cousin
Hetty, trotting beside him and turning her old face up to his.

Marsh stopped short in the hall-way with a challenging abruptness that
brought Marise to a standstill also. The older people went on down the
long dusky hail to the door and out into the garden, not noticing that
the other two had stopped. The door swung shut behind them.

       *       *       *       *       *

Marise felt the man's dark eyes on her, searching, determined. They were
far from those first days, she thought, when he had tacitly agreed not
to look at her like that, very far from those first days of delicacy and
lightness of touch.

With a determination as firm as his own, she made her face and eyes
opaque, and said on a resolutely gay note, "What's the matter? Can't you
stand any more information about early times in Vermont? You must have
been having too heavy a dose of Mr. Bayweather. But _I_ like it, you
know. I find it awfully interesting to know so in detail about any past
period of human life; as much so . . . why not? . . . as researches into
which provinces of France used half-timber houses, and how late?"

"You like a great many things!" he said impatiently.

"We must get out into the garden with the others, or Cousin Hetty will
be telling her old-time stories before we arrive," she answered, moving
towards the door.

She felt her pulse knocking loud and swift. Strange how a casual
interchange of words with him would excite and agitate her. But it had
been more than that. Everything _was_, with him.

He gave the sidewise toss of his head, which had come to be so familiar
to her, as though he were tossing a lock of hair from his forehead, but
he said nothing more, following her down the long hall in silence.

It was as though she had physically felt the steel of his blade slide
gratingly once more down from her parry. Her mental attitude had been so
entirely that of a fencer, on the alert, watchfully defensive against
the quick-flashing attack of the opponent, that she had an instant's
absurd fear of letting him walk behind her, as though she might feel a
thrust in the back. "How ridiculous of me!" she told herself with an
inward laugh of genuine amusement. "Women are as bad as fox-terriers
for inventing exciting occasions out of nothing at all."

Then in a gust of deep anger, instantly come, instantly gone, "Why do I
tolerate this for a moment? I was perfectly all right before. Why don't
I simply send him about his business, as I would any other bold
meddler?"

But after this, with an abrupt shift to another plane, "That would be
acting preposterously, like a silly, self-consciously virtuous matron.
What earthly difference does it make to me what a casual visitor to our
town says or does to amuse himself in his casual stay, that may end at
any moment? And how scarifyingly he would laugh at me, if he knew what
comic relics of old prudish reflexes are stirred up by the contact with
his mere human livingness. Heavens! How he would laugh to know me
capable of being so 'guindée,' so personal, fearing like any school-girl
a flirtation in any man's conversation. He must never see a trace of
that. No matter how startled I ever am, he mustn't see anything but a
smooth, amused surface. It would be intolerable to have him laugh at
me."

Her hand was on the latch, when a deep, muffled murmur from the depths
admonished her, "Personal vanity . . . that's what's at the bottom of all
that you are telling yourself. It is a vain woman speaking, and fearing
a wound to her vanity."

She resented this, pushed it back, and clicked the latch up firmly,
stepping out into the transparent gold of the late-afternoon sunshine.
She turned her head as her companion came up behind her on the garden
path, half expecting to have his eyes meet hers with a visible shade of
sardonic mockery, and prepared to meet it halfway with a similar
amusement at the absurdity of human beings, herself included.

       *       *       *       *       *

He was not looking at her at all, but straight before him, unconscious
for an instant that she had turned her eyes on him, and in this instant
before the customary mask of self-consciousness dropped over his face,
she read there, plain and startling to see, unmistakable to her grown
woman's experience of life, the marks of a deep, and painful, and
present emotion.

All of her hair-splitting speculations withered to nothing. She did not
even wonder what it was that moved him so strangely and dreadfully.
There was no room for thought in the profound awed impersonal sympathy
which with a great hush came upon her at the sight of another human
being in pain.

He felt some intimate emanation from her, turned towards her, and for
the faintest fraction of time they looked at each other through a rent
in the veil of life.

       *       *       *       *       *

Cousin Hetty's old voice called them cheerfully, "Over here, this way
under the willow-tree."

They turned in that direction, to hear her saying, ". . . that was in 1763
and of course they came on horseback, using the Indian trails the men
had learned during the French-and-Indian wars. Great-grandmother (she
was a twelve-year-old girl then) had brought along a willow switch from
their home in Connecticut. When the whole lot of them decided to settle
here in the valley, and her folks took this land to be theirs, she stuck
her willow switch into the ground, alongside the brook here, and this is
the tree it grew to be. Looks pretty battered up, don't it, like other
old folks."

Mr. Welles tipped his pale, quiet face back to look up at the great
tree, stretching its huge, stiff old limbs mutilated by time and
weather, across the tiny, crystal brook dimpling and smiling and
murmuring among its many-colored pebbles. "Queer, isn't it," he
speculated, "how old the tree has grown, and how the brook has stayed
just as young as ever."

"It's the other way around between 'Gene Powers' house and his
pine-tree," commented Aunt Hetty. "The pine-tree gets bigger and finer
and stronger all the time, seems 'sthough, and the house gets more
battered and feeble-looking."

Marise looked across at Marsh and found his eyes on her with an
expression she rarely saw in them, almost a peaceful look, as of a man
who has had something infinitely satisfying fall to his lot. He smiled
at her gently, a good, quiet smile, and looked away into the extravagant
splendor of a row of peonies.

Marise felt an inexplicable happiness, clear and sunny like the light in
the old garden. She sat down on the bench and fell into a more relaxed
and restful pose than she had known for some time. What a sweet and
gracious thing life could be after all! Could there be a lovelier place
on earth than here among Cousin Hetty's flower-children. Dear old Cousin
Hetty, with her wrinkled, stiff exterior, and those bright living eyes
of hers. She was the willow-tree outside and the brook inside, that's
what she was. What tender childhood recollections were bound up with the
sight of that quiet old face.

"And those rose-bushes," continued the old woman, "are all cuttings my
great-great-grandmother brought up from Connecticut, and _they_ came
from cuttings our folks brought over from England, in 1634. If 'twas a
little later in the season, and they were in bloom, you'd see how
they're not nearly so I double as most roses. The petals are bigger and
not so curled up, more like wild roses."

She sat down beside the others on the long wooden bench, and added, "I
never dig around one of those bushes, nor cut a rose to put in a vase,
without I feel as though Great-great-grandmother and Grandmother and all
the rest were in me, still alive."

"Don't you think," asked Marise of the two men, "that there is something
awfully sweet about feeling yourself a part of the past generations,
like that? As we do here. To have such a familiarity with any corner of
the earth . . . well, it seems to me like music, the more familiar it is,
the dearer and closer it is . . . and when there are several generations
of familiarity back of you. . . . I always feel as though my life were a
part of something much bigger than just _my_ life, when I feel it a
continuation of their lives, as much as of my own childhood. It always
seems deep and quieting to me."

Mr. Welles assented wistfully, "It makes me envious."

Marsh shook his head, sending up a meditative puff of smoke. "If you
want to know how it really strikes me, I'll have to say it sounds plain
sleepy to me. Deep and quieting all right, sure enough. But so's opium.
And in my experience, most things just get duller and duller, the more
familiar they are. I don't begin to have time in my life for the living
I want to do, my own self! I can't let my grandmothers and grandfathers
come shoving in for another whirl at it. They've had their turn. And my
turn isn't a minute too long for me. Your notion looks to me . . . lots of
old accepted notions look like that to me . . . like a good big dose of
soothing syrup to get people safely past the time in their existences
when they might do some sure-enough personal living on their own hook."
He paused and added in a meditative murmur, "That time is so damn short
as it is!"

He turned hastily to the old lady with an apology. "Why, I _beg_ your
pardon! I didn't realize I had gone on talking aloud. I was just
thinking along to myself. You see, your soothing syrup is working on me,
the garden, the sun, the stillness, all the grandmothers and
grandfathers sitting around. I am almost half asleep."

"I'm an old maid, I know," said Cousin Hetty piquantly. "But I'm not a
proper Massachusetts old maid. I'm Vermont, and a swear-word or two
don't scare me. I was brought up on first-hand stories of Ethan Allen's
talk, and . . ."

Marise broke in hastily, in mock alarm, "Now, Cousin Hetty, don't you
start in on the story of Ethan Allen and the cowshed that was too short.
I won't have our city visitors scandalized by our lack of . . ."

Cousin Hetty's laughter cut her short, as merry and young a sound as the
voice of the brook. "I hadn't thought of that story in years!" she said.
She and Marise laughed together, looking at each other. But they said
nothing else.

"Aren't you going to _tell_ us?" asked Mr. Welles with a genuine
aggrieved surprise which tickled Cousin Hetty into more laughter.

"I shall not rest day or night, till I have found someone who knows that
story," said Marsh, adding, "Old Mrs. Powers must know it. And _she_
will love to tell it to me. It is evidently the sort of story which is
her great specialty."

They all laughed, foolishly, light-heartedly.

Marise consciously delighted in the laughter, in the silly, light tone
of their talk, in the feeling of confidence and security which bathed
her as warmly as the new wine of the spring sunshine. She thought
passingly, swiftly, with her habitual, satiric wonder at her own
fancifulness, of her earlier notions about steel blades and passes and
parries, and being afraid to walk down the hall with her "opponent" back
of her.

Her opponent, this potent, significant personality, lounging on the
bench beside her, resting in the interval of a life the intensity of
which was out of her world altogether, the life, all power, of a modern
rich man in great affairs; controlling vast forces, swaying and shaping
the lives of thousands of weaker men as no potentate had ever done,
living in the instants he allowed himself for personal life (she felt
again the pang of her sympathy for his look of fierce, inexplicable
pain) with a concentration in harmony with the great scale of his other
activities. It was, just as the cheap novels called it, a sort, a bad,
inhuman, colorful, fascinating sort of modern version of the superman's
life, she reflected. She had been ridiculous to project her village
insignificance into that large-scale landscape.

A distant whistle blew a long, full note, filling the valley with its
vibrations.

"Is that a train, at this hour?" murmured Mr. Welles. His voice was sunk
to a somnolent monotone, his hands folded over his waistcoat moved
slowly and rhythmically with his breathing. It was evident that he did
not in the least care whether it was a train or not.

"Oh _no!_" said Marise, severely, disapproving the vagueness and
inaccuracy of his observation. "That's the mill-whistle, blowing the
closing-hour. You're no true Ashleyan, not to have learned the
difference between the voices of the different whistles of the day."

She turned to Marsh, tilting her wings for a capricious flight. "I think
it's part of the stubborn stiff-jointedness of human imagination, don't
you, that we don't hear the beauty of those great steam-whistles. I
wonder if it's not unconscious art that gave to our mighty machines such
voices of qower."

"Isn't it perhaps ostentatious to call the family saw-mill a 'mighty
machine'?" inquired Marsh mildly. He sat at the end of the bench, his
arm along the back behind Mr. Welles, his head turned to the side, his
soft hat pulled low over his forehead, looking at the garden and at
Marise out of half-shut, sleepy eyes.

Marise went on, drawing breath for a longer flight. "When the train
comes sweeping up the valley, trailing its great beautiful banner of
smoke, I feel as though it were the crescendo announcing something, and
at the crossing, when that noble rounded note blares out . . . why, it's
the music for the setting. Nothing else could cope with the depth of the
valley, the highness and blackness of its mountain walls, and the
steepness of the Eagle Rocks."

"I call that going some, 'noble rounded note'!" murmured Marsh, lifting
his eyebrows with a visible effort and letting his eyes fall half shut,
against the brilliance of the sunshine.

Marise laughed, and persisted. "Just because its called a
steam-whistle, we won't hear its beauty and grandeur, till something
else has been invented to take its place, and then we'll look back
sentimentally and regret it."

"Maybe _you_ will," conceded Marsh.

The two elder looked on, idly amused at this give-and-take.

"And I don't suppose," continued Marise, "to take another instance of
modern lack of imagination, that you have ever noticed, as an element of
picturesque power in modern life, the splendid puissance of the traffic
cop's presence in a city street."

They all had a protesting laugh at this, startled for an instant from
their dreaminess.

"Yes, and if I could think of more grandiloquent words to express him,
I'd use them," said Marise defiantly, launching out into yet more
outrageous flights of rhetoric. "I could stand for hours on a street
corner, admiring the completeness with which he is transfigured out of
the human limitations of his mere personality, how he feels, flaming
through his every vein and artery, the invincible power of THE LAW,
freely set over themselves by all those turbulent, unruly human beings,
surging around him in their fiery speed-genii. He raises his arm. It is
not a human arm, it is the decree of the entire race. And as far as it
can be seen, all those wilful fierce creatures bow themselves to it. The
current boils past him in one direction. He lets it go till he thinks
fit to stop it. He sounds his whistle, and raises his arm again in that
inimitable gesture of omnipotence. And again they bow themselves. Now
that the priest before the altar no longer sways humanity as he did, is
there anywhere else, any other such visible embodiment of might,
majesty, and power as . . ."

"Gracious me, Marise!" warned her old cousin. "I know you're only
running on with your foolishness, but I think you're going pretty far
when you mix a policeman up with priests and altars and things. I don't
believe Mr. Bayweather would like that very well."

"He wouldn't mind," demurred Marise. "He'd think it an interesting
historical parallel."

"Mrs. Bayweather would have a thing or two to say."

"Right you are. _Mrs._ Bayweather would certainly say something!" agreed
Marise.

She stood up. "I'm hypnotized into perfect good-for-nothingness like the
rest of you by the loveliness of the afternoon and the niceness of
everybody. Here it is almost eating-time and I haven't even opened the
baskets. No, don't you move," she commanded the others, beginning to
stir from their nirvana to make dutiful offers of help. "I'll call the
children. And Neale will be here in a moment."

       *       *       *       *       *

She went back to the house, down the long walk, under the grape-arbor,
still only faintly shaded with sprigs of pale green. She was calling,
"Children! _Children!_ Come and help with the supper."

She vanished into the house. There was a moment or two of intense quiet,
in which the almost horizontal rays of the setting sun poured a flood of
palpable gold on the three motionless figures in the garden.

       *       *       *       *       *

Then she emerged again, her husband beside her, carrying the largest of
the baskets, the children struggling with other baskets, a pail, an
ice-cream-freezer, while the dog wove circles about them, wrought to
exaltation by the complicated smell of the eatables.

"Neale was just coming in the front gate," she explained, as he nodded
familiarly to the men and bent to kiss the old woman's cheek. "Cousin
Hetty, just _look_ at Elly in that night-cap of Great-aunt Pauline's.
Doesn't she look the image of that old daguerreotype of Grandmother? See
here, Mark, who said you could trail that sword out here? That belongs
in the attic."

"Oh, let him, let him," said Cousin Hetty peaceably.

"There's nothing much less breakable than a sword. He can't hurt it."

"I've woren it lots of times before," said Mark. "Aunt Hetty always let
me to. Favver, won't you 'trap it tight to me, so's I won't 'traddle it
so much."

"Mother," said Elly, coming up close to Marise, as she stood unpacking
the dishes, "I was looking inside that old diary, the one in the red
leather cover, your grandmother's, I guess, the diary she wrote when she
was a young lady. And she was having a perfectly dreadful time whether
she could believe the Doctrine of the Trinity. She seemed to feel so bad
about it. She wrote how she couldn't sleep nights, and cried, and
everything. It was the Holy Ghost she couldn't make any sense out of.
Mother, what in the world _is_ the Doctrine of the Trinity?

"For mercy's sakes!" cried Cousin Hetty. "I never saw such a family!
Elly, what won't you be up to, next? I can't call that a proper thing
for a little girl to talk about, right out, so."

"Mother, _you_ tell me," said Elly, looking up into her mother's face
with the expression of tranquil trust which was like a visible radiance.
Marise always felt scared, she told herself, when Elly looked at her
like that. She made a little helpless shrugged gesture of surrender with
her shoulders, setting down on the table a plate of cold sliced lamb.
"Elly, darling, I can't stop just this minute to tell you about it, and
anyhow I don't understand any more about it than Grandmother did. But I
don't care if I don't. The first quiet minute we have together, I'll
tell you enough so you can understand why _she_ cared."

"All right, when I go to bed tonight I'll remind you to," Elly made the
engagement definite. She added, with a shout, "Oh, Mother, _chicken_
sandwiches! Oh, I didn't know we were going to have _chicken_
sandwiches. Mother, can't we begin now? I'm awfully hungry."

"Hello," said Neale, looking back toward the house. "Here comes Eugenia,
arisen from her nap. Paul, run back into the house and bring out another
chair. Marise, have you explained who Eugenia is?"

"Oh là, là, no!" exclaimed Marise. "I forgot they didn't know her.
Quick, you do it, Neale."

"Old friend of my wife's, sort of half-cousin several-times removed,
schoolmates in France together, the kind of old family friend who comes
and goes in the house at will," said Neale rapidly. "Cultivated,
artistic, and so on."

"Oh, _Neale_, how slightingly you put it!" cried Marise under her
breath. "She's made herself into one of the rarest and most finished
creations!"

Neale went on rapidly, in a low tone as the newcomer stepped slowly down
the path, "She toils not, neither does she spin . . . doesn't have to.
Highbrow, very, and yet stylish, very! Most unusual combination." He
added as final information, "Spinster, by conviction," as he stepped
forward to greet her.

The other two men stood up to be presented to the newcomer, who, making
everything to Marise's eyes seem rough and countrified, advanced towards
them, self-possessed, and indifferent to all those eyes turned on her.
In her gleaming, supple dress of satin-like ivory jersey, she looked
some tiny, finished, jewel-object, infinitely breakable, at which one
ought only to look if it were safely behind glass.

"There is someone of Marsh's own world, the 'great world' he speaks of,"
thought Marise. She was not aware of any wistfulness in her recognition
of this fact, but she was moved to stand closer to her husband, and once
as she moved about, setting the table, to lay her fingers for an instant
on his hand.

"We're going to have ice-cream, Eugenia," announced Paul, leaning on the
arm of her chair after she and all the others were seated again.

"That's good news," she said equably. She laid a small, beautiful hand
on the child's shoulder, and with a smooth, imperceptible movement, set
him a little further from her. Paul did not observe this manoeuver, but
his mother did, with an inward smile. "Paul, don't hang on Eugenia like
that," she called to him.

"But she smells so sweet!" protested the little boy.

Mr. Welles held out a sympathizing hand and drew the child to him. He
too had seen that gesture.

"Come here, all you little folks," ordered Marise, now seriously
beginning to serve the meal, "and start waiting on the table."

"Cold lamb!" cried Cousin Hetty with enthusiasm. "I'm so glad. Agnes
won't touch mutton or lamb. She says they taste so like a sheep. And so
we don't often have it."

"Paul, can you be trusted to pour the hot chocolate?" asked his mother.
"No, Neale, don't get up. I want to see if the children can't do it
all."

       *       *       *       *       *

From where she sat at the foot of the table, she directed the
operations. The children stepped about, serious, responsible, their rosy
faces translucent in the long, searching, level rays sent up by the sun,
low in The Notch. Dishes clicked lightly, knives and forks jingled, cups
were set back with little clinking noises on saucers. All these indoor
sounds were oddly diminished and unresonant under the open sky, just as
the chatting, laughing flow of the voices, even though it rose at times
to bursts of mirth which the children's shouts made noisy, never drowned
out the sweet, secret talk of the brook to itself.

Marise was aware of all this, richly and happily aware of the
complexities of an impression whose total seemed to her, for the moment,
felicity itself. It pleased her, all, every bit of it, pleased and
amused her; the dear children, Paul worshiping at the shrine of
Eugenia's elegancies, Mark the absurd darling with that grotesque sword
between his legs, Elly devouring her favorite sandwich with impassioned
satisfaction and wondering about the Holy Ghost; Cousin Hetty, ageless,
pungent, and savory as one of her herbs; Mr. Welles, the old tired
darling come into his haven, loving Paul as he would his own grandson;
Eugenia orchid-like against their apple-blossom rusticity; Marsh . . . how
tremendously more _simpático_ he had seemed this afternoon than ever
before, as though one might really like him, and not just find him
exciting and interesting; Neale, dear Neale with his calm eyes into
which it did everyone good to look. All of them at ease, friendly,
enjoying food, the visible world, and each other. Where, after all, were
those traditional, troubling, insoluble intricacies of human
relationships which had been tormenting her and darkening her sky? It
was all so good and simple if one could only remain good and simple
oneself. There was no lightning to fear in that lucent sunset air.

       *       *       *       *       *

Presently, as the talk turned on flowers and the dates of their
blooming, Eugenia said to her casually, "Marisette, here we are the
first of June and past, and the roses here are less advanced than they
were at Tivoli the last of March. Do you remember the day when a lot of
us sat outdoors and ate a picnic dinner, just as we do now? It was the
day we climbed Monte Cavo."

Marise explained, "Miss Mills is a friend who dates back even before my
husband's time, back to our student days in Rome." To Eugenia she said,
"You're giving us both away and showing how long ago it is, and how
you've forgotten about details. We never could have climbed up Monte
Cavo, the day we went to Tivoli. They don't go on the same excursion, at
all."

"That's true," agreed Eugenia indifferently, "you're right. Monte Cavo
goes with the Rocca di Papa expedition."

Before she could imagine a possible reason, Marise felt her hands go
cold and moist. The sky seemed to darken and lower above her. Eugenia
went on, "And I never went to Rocca di Papa with you, at all, I'm sure
of that. That was a trip you took after you had dropped me for Neale. In
fact, it was on that very expedition that you got formally engaged,
don't you remember? You and Neale walked over from Monte Cavo and only
just caught the last car down."

       *       *       *       *       *

Ridiculous! Preposterous! Marise told herself that it was not possible
that her hands were trembling so. It was merely a physical reaction,
such as one had when startled by some trivial sudden event. But she
couldn't make them stop trembling. She couldn't make them stop.

What nonsense to be so agitated. Nobody could remember the name from
that evening, weeks and weeks ago. And what if they did? What could they
make of it?

It seemed to her that dusk had fallen in the garden. Where was that
lucent sunset air?

She heard Eugenia's voice going on, and Neale chiming in with a laugh,
and did not understand what they said. Surely everybody must have
forgotten.

She hazarded a quick glance at Mr. Welles' face and drew a long breath
of relief. He had forgotten, that was evident. She looked beyond him to
Marsh. He too would certainly have forgotten.

He was waiting for her eyes. And when they met his, she felt the
lightning flash. He had not forgotten.


II

Marsh suddenly found it unbearable. He wasn't used to keeping the curb
on himself like this, and he hadn't the least intention of learning how
to do it. A fierce, physical irritability overcame him, and he stopped
short in the hall, just because he could not stand the silly chatter
that was always flowing from these silly people about their foolish
affairs. If they only knew what he was leaving unsaid!

He had not meant to make Marise halt, too, his movement having been a
mere unconsidered reflex, but of course she did stop, apparently
surprised by the brusqueness of his action, and faced him there in the
dusky hall-way. She was so close to him that he could see every detail
of her face and person, just as he could at night when he closed his
eyes; so close that for an instant he felt her breath on his face. He
ground his teeth, minded, that instant, to throw down the trumpery
little wall of convention. It couldn't stand, he knew with an
experienced certainty of his own power that it couldn't stand for an
instant against him. The day he chose to put his shoulder to it, down it
would go in a heap of rubble.

But the wall was not all. Usually it was all. But with this woman it was
nothing, a mere accident. Beyond it she stood, valid, and looked at him
out of those long eyes of hers. _What was in her mind?_ She looked at
him now, quietly, just as usual, made some light casual remark, and
effortlessly, as though she had some malign and invincible charm, she
had passed from out his power again, and was walking with that straight,
sure tread of hers, down to the door.

If he could have done it, he would have struck at her from behind.

He could get no hold on her, could not take the first step. All during
those weeks and weeks, he had thrown out his net, and had caught enough
facts, Lord knows. But had he any certainty that he had put them
together right? He had not yet caught in her any one tone or look or
phrase that would give him the unmistakable clue. He had set down words
and words and words that would tell him what her life really was, if he
only knew the alphabet of her language. He might be making a fool of
himself with his almost certainty that she was conscious of having
outgrown, like a splendid tropical tree, the wretched little
kitchen-garden where fate had transplanted her. When he could stamp down
his heat of feeling and let his intelligence have a moment's play, he
was perfectly capable of seeing that he might be misinterpreting
everything he had observed. For instance, that evening over the
photograph-album with her betrayal of some strong feeling of distaste
for the place near Rome. It was evident, from her tone, her look, her
gesture, that the name of it brought up some acutely distasteful memory
to her, but that could mean anything, or nothing. It might be merely
some sordid accident, as that a drunken workman had said something
brutal to her there. Women of her sort, he knew, never forgot those
things. Or any one of a thousand such incidents. He would never know the
significance of that gesture of shrinking of hers.

As he walked behind her, he looked hard at her back, with its
undulating, vase-like beauty, so close to him; and felt her immeasurably
distant. She opened the door now and went out into the sunlight,
stepping a little to one side as though to make room for him to come up
beside her. He found that he knew every turn of her head, every poise of
her shoulders and action of her hands, the whole rhythm of her body, as
though they were his own. And there she passed from him, far and remote.

A sudden certainty of fore-ordained defeat came over him, as he had
never known before. He was amazed at the violence of his pain,
intolerable, intolerable!

       *       *       *       *       *

She turned her head quickly and caught his eyes in this instant of
inexplicable suffering.

       *       *       *       *       *

What miraculous thing happened then? It seemed to him that her face
wavered in golden rays, from the radiance of her eyes. For she did not
withdraw her gaze. She looked at him with an instant, profound sympathy
and pity, no longer herself, transfigured, divine by the depth of her
humanity.

The sore bitterness went out from his heart.

       *       *       *       *       *

A voice called. She turned away. He felt himself following her. He
looked about him, light-headed with relief from pain. The quiet,
flowering world shimmered rainbow-like. What a strange power one human
being could have with another that a look could be an event!

He walked more slowly, feeling with a curious pleasure the insatiable
desire for possession ebbing from him. Why not let it ebb entirely? Why
not enjoy the ineffable sweetness of what he could have? That was what
would please her, what she would like, what she would give, freely. In
this moment of hush, he quite saw how it would be possible, although he
had never for a moment before in his life believed it. Yes, possible and
lovely. After all, he must stop sometime, and take the slower pace. Why
not now, when there was a certain and great prize to be won . . . ?

       *       *       *       *       *

People talked around him. He talked and did not know his own words.
Marise spun those sparkling webs of nonsense of hers, and made him
laugh, but the next moment he could not have told what she had said. He
must somehow have been very tired to take such intense pleasure in being
at rest.

Her husband came, that rough and energetic husband. The children came,
the children whose restless, selfish, noisy preying on their mother
usually annoyed him so, and still the charm was not broken. Marise, as
she always did when her husband and children were there, retreated into
a remote plane of futile busyness with details that servants should have
cared for; answering the children's silly questions, belonging to
everyone, her personal existence blotted out. But this time he felt
still, deep within him, the penetrating sweetness of her eyes as she had
looked at him.

A tiresome, sophisticated friend of Marise's came, too, somehow
intruding another personality into the circle, already too full, and yet
he was but vaguely irritated by her. She only brought out by contrast
the thrilling quality of Marise's golden presence. He basked in that, as
in the sunshine, and thought of nothing else.

Possibilities he had never dreamed of, stretched before him,
possibilities of almost impersonal and yet desirable existence. Perhaps
this was the turning-point of his life. He supposed there really was
one, sometime, for everybody.

       *       *       *       *       *

". . . Rocca di Papa . . ." someone had said. Or had he dreamed it? He
awoke with an inward bound, like a man springing up from sleep at a
sudden noise. His first look was for Marise. She was pale. He had not
dreamed it.

The voice went on . . . the newcomer's, the one they called Eugenia . . .
yes, she had known them in Italy. Marise had just said they had been
friends before her marriage.

The voice went on. How he listened as though crouched before the keyhole
of a door! Only three or four sentences, quite casual and trivial in
content, pronounced in that self-consciously cosmopolitan accent. Then
the voice stopped.

It had said enough for him. Now he knew. Now he had that clue.

He had the sensation of rising to his full height, exultantly, every
faculty as alert as though he had never been drugged to sleep by those
weak notions of renunciation. The consciousness of power was like a
sweet taste in his mouth. The deep, fundamental, inalienable need for
possession stretched itself, titanic and mighty, refreshed, reposed, and
strengthened by the involuntary rest it had had.

       *       *       *       *       *

He fixed his eyes on Marise, waiting for the first interchange of a
look. He could see that her hands were trembling; and smiled to himself.
She was looking at the old man.

Now, in a moment she would look at him.

There were her eyes. She had looked at him. Thunder rolled in his ears.



CHAPTER XII

HEARD FROM THE STUDY


June 20.

From his desk in the inner room where he finally buckled down to those
estimates about the popple-wood casters, Neale could follow, more or
less closely, as his attention varied, the evening activities of the
household.

First there had been the clinking and laughter from the dining-room and
kitchen where Marise and the children cleared off the table and washed
the dishes. How sweet their voices sounded, all light and gay! Every
occasion for being with their mother was fun for the kids. How happy
Marise made them! And how they throve in that happiness like little
plants in the sunshine!

When you really looked at what went on about you, how funny and silly
lots of traditional ideas did seem. That notion, solemnly accepted by
the would-be sophisticated moderns, for instance, that a woman of beauty
and intelligence was being wasted unless she was engaged in being the
"emotional inspiration" of some man's life: which meant in plain
English, stimulating his sexual desire to that fever-heat which they
called impassioned living. As if there were not a thousand other forms
of deep fulfilment in life. People who thought that, how narrow and
cramped they seemed, and blinded to the bigness and variety of life! But
then, of course, everybody hadn't had under his eyes a creature
genuinely rich and various, like Marise, and hadn't seen how all
children feasted on her charm like bees on honey, and how old people
adored her, and how, just by being herself, she enriched and civilized
every life that touched her, and made every place she lived in a home
for the human spirit. And Heaven knew she was, with all that, the real
emotional inspiration of a man's life, a man who loved her a thousand
times more than in his ignorant and passionate youth.

       *       *       *       *       *

Come, this wasn't work. He might as well have stayed out with the family
and helped with the dishes. This was being like Eugenia Mills, who
always somehow had something to do upstairs when there was any work to
do downstairs. Eugenia was a woman who somehow managed to stand from
under life, anyhow, had been the most successful draft-dodger he knew.
No call had been urgent enough to get _her_ to the recruiting station to
shoulder her share of what everybody had to do. But what did she get out
of her successful shirking? She was in plain process of drying up and
blowing away.

He turned to his desk and drew out the papers which had the figures and
estimates on that popple. He would see if the Warner woodlot had as much
popple and basswood on it as they thought. It would, of course, be
easiest to get it off that lot, if there were enough of it to fill the
order for casters. The Hemmingway lot and the Dornwood lot oughtn't to
be lumbered except in winter, with snow for the sleds. But you could
haul straight downhill from the Warner lot, even on wheels, using the
back lane in the Eagle Rocks woods. There was a period of close
attention to his papers, when he heard nothing at all of what went on in
the rooms next his study. His mind was working with the rapid, trained
exactitude which was a delight to him, with a sure, firm grasp on the
whole problem in all its complicated parts.

Finally he nodded with satisfaction, pushed the papers away, and lighted
his pipe, contentedly. He had it by the tail.

He leaned back in his chair, drawing on the newly lighted pipe and
ruminating again. He thought to himself that he would like to see any
other man in the valley who could make an estimate like that, and be
sure of it, who would know what facts to gather and where to get them,
on the cost of cutting and hauling in different seasons, on mill-work
and transportation and overhead expenses, and how to market and where,
and how to get money and how to get credit and how to manage these
cranky independent Yankees and the hot-tempered irresponsible Canucks.
It was all very well for advanced radicals to say that the common
workmen in a business were as good as the head of the concern. They
weren't and that was all there was to be said about it. Any one of them,
any single one of his employees, put in his place as manager, would run
the business into a hole as deep as hell inside six months. And if you
put the whole lot of them at it, it would only be six weeks instead of
six months before the bust-up.

There again, what people kept saying about life, things clever people
said and that got accepted as the clever things _to_ say, how awfully
beside the mark they seem to you, when you found out actual facts by
coming up against them. What a difference some first-hand experience
with what you were talking about, did make with what you said. What
clever folks ought to say was not that the workmen were as good as the
head or the same sort of flesh and blood, because they weren't; but that
the head exploited his natural capacities out of all proportion, getting
such an outrageous share of the money they all made together, for doing
what was natural to him, and what he enjoyed doing. Take himself for
instance. If by some freak, he could make more money out of being one of
the hands, would he go down in the ranks, stand at a machine all day and
cut the same wooden shapes, hour after hour: or drive a team day after
day where somebody else told him to go? You bet your life he wouldn't!
He didn't need all the money he could squeeze out of everybody
concerned, to make him do his job as manager. His real pay was the
feeling of managing, of doing a job he was fitted for, and that was
worth doing.

How fine it had always been of Marise to back him up in that view of
the business, not to want him to cheat the umpire, even if he could get
away with it, even though it would have meant enough sight more money
for them, even though the umpire didn't exist as yet, except in his own
conscience, in his own idea of what he was up to in his business. Never
once had Marise had a moment of that backward-looking hankering for more
money that turned so many women into pillars of salt and their husbands
into legalized sneak-thieves.

He pulled out some of the letters from Canada about the Powers case, and
fingered them over a little. He had brought them home this evening, and
it wasn't the first time either, to try to get a good hour alone with
Marise to talk it over with her. He frowned as he reflected that he
seemed to have had mighty little chance for talking anything over with
Marise since his return. There always seemed to be somebody sticking
around; one of the two men next door, who didn't have anything to do
_but_ stick around, or Eugenia, who appeared to have settled down
entirely on them this time. Well, perhaps it was just as well to wait a
little longer and say nothing about it, till he had those last final
verifications in his hands.

What in thunder did Eugenia come to visit them for, anyhow? Their way of
life must make her sick. Why did she bother? Oh, probably her old
affection for Marise. They had been girls together, of course, and
Marise had been good to her. Women thought more of those old-time
relations than men. Well, he could stand Eugenia if she could stand
them, he guessed. But she wasn't one who grew on him with the years.

He had less and less patience with those fussy little ways, found less
and less amusing those frequent, small cat-like gestures of hers,
picking off an invisible thread from her sleeve, rolling it up to an
invisible ball between her white finger and thumb, and casting it
delicately away; or settling a ring, or brushing off invisible dust with
a flick of a polished finger-nail; all these manoeuvers executed with
such leisure and easy deliberation that they didn't make her seem
restless, and you knew she calculated that effect. A man who had had
years with a real, living woman like Marise, didn't know whether to
laugh or swear at such mannerisms and the self-consciousness that
underlay them.

There she was coming down the stairs now, when she heard Marise at the
piano, with the children, and knew there was no more work to be done.
Pshaw! He had meant to go out and join the others, but now he would wait
a while, till he had finished his pipe. A pipe beside Eugenia's perfumed
cigarettes always seemed so gross. And he wanted to lounge at his ease,
stretch out in his arm-chair with his feet on another. Could you do
that, with Eugenia fashion-plating herself on the sofa?

He leaned back smoking peacefully, listening to Marise's voice brimming
up all around the children's as they romped through "The raggle-taggle
gypsies, oh!"

What a mastery of the piano Marise had, subduing it to the slender pipe
of those child-voices as long as they sang, and rolling out sumptuous
harmonies in the intervals of the song. Lucky kids! Lucky kids! to have
childhood memories like that.

He heard Paul say, "Now let's sing 'Massa's in the cold, cold ground,'"
and Elly shriek out, "No, Mother, _no!_ It's so _terribly_ sad! I can't
stand it!" And Paul answer with that certainty of his always being in
the right, "Aw, Elly, it's not fair. Is it, Mother, fair to have Elly
keep us from singing one of the nicest songs we have, just because she's
so foolish?"

His father frowned. Queer about Paul. He'd do anything for Elly if he
thought her in trouble, would stand up for her against the biggest bully
of the school-yard. But he couldn't keep himself from . . . it was perhaps
because Paul could not _understand_ that . . . now how could Marise meet
this little problem in family equity, he wondered? Her solutions of the
children's knots always tickled him.

She was saying, "Let's see. Elly, it doesn't look to me as though you
had any right to keep Paul from singing a song he likes. And, Paul, it
doesn't seem as though you had any right to make Elly listen to a song
that makes her cry. Let's settle it this way. We can't move the piano,
but we can move Elly. Elly dear, suppose you go 'way out through the
kitchen and shut both doors and stand on the back porch. Touclé will
probably be there, looking out, the way she does evenings, so you won't
be alone. I'll send Mark out to get you when we're through. And because
it's not very much fun to stand out in the dark, you can stop and get
yourself a piece of cocoanut cake as you go through the pantry."

Neale laughed silently to himself as he heard the doors open and shut
and Elly's light tread die away. How perfectly Marise understood her
little daughter! It wasn't only over the piano that Marise had a
mastery, but over everybody's nature. She played on them as surely, as
richly as on any instrument. That's what he called real art-in-life. Why
wasn't it creative art, as much as anything, her Blondin-like accuracy
of poise among all the conflicting elements of family-life, the warring
interests of the different temperaments, ages, sexes, natures? Why
wasn't it an artistic creation, the unbroken happiness and harmony she
drew out of those elements, as much as the picture the painter drew out
of the reds and blues and yellows on his palette? If it gave an actor a
high and disinterested pleasure when he had an inspiration, or heard
himself give out a true and freshly found intonation, or make exactly
the right gesture, whether anybody in the audience applauded him or not,
why wouldn't the mother of a family and maker of a home have the same
pleasure, and by heck! just as high and disinterested, when she had once
more turned the trick, had an inspiration, and found a course that all
her charges, young and old, could steer together? Well, there was one,
anyhow, of Marise's audience who often gave her a silent hand-clap of
admiration.

The wailing, lugubrious notes of the negro lament rose now, Paul's voice
loud and clear and full of relish. "It takes a heavy stimulant to give
Paul his sensations," thought his father. "What would take the hide
right off of Elly, just gives him an agreeable tingle." His pipe went
out as he listened, and he reached for a match. The song stopped.
Someone had come in. He heard Paul's voice cry joyfully, "Oh goody, Mr.
Welles, come on up to the piano."

Neale leaned forward with a slightly unpleasant stirring of his blood
and listened to see if the old man had come alone. No, of course he
hadn't. He never did.

There was Eugenia's voice saying, "Good-evening, Mr. Marsh." She would
move over for him on the sofa and annex him with a look. Well, let her
have him. He was her kind more than theirs, the Lord knew. Probably he
was used to having that sort of woman annex him.

Neale moved his head restlessly and shifted his position. His pipe and
his arm-chair had lost their savor. The room seemed hot to him and he
got up to open a window. Standing there by the open sash, looking out
into the blue, misty glory of an overclouded moonlight night, he decided
that he would not go in at all, and join them. He felt tired and out of
sorts, he found. And they were such infernal talkers, Eugenia and Marsh.
It wore you out to hear them, especially as you felt all the time that
their speculations on life and human nature were so _far_ off, that it
would be just wasting your breath to try to set them right. He'd stay
here in the study and smoke and maybe doze off a little, till they went
away. Marise had known he had business figuring to do, and she would
have a perfectly valid excuse to give them for his non-appearance. Not
that he had any illusions as to anybody there missing him at all.

He heard Mark's little voice sound shrilly from the pantry, "Come on,
Elly. It's all right. I've even putten away the book that's got that
song."

Some splendid, surging shouts from the piano and the voices began on
"The Battle Hymn of the Republic." Neale could hear Mr. Welles' shaky
old bass booming away this time. He was probably sitting down with Paul
on his knees. It was really nice of the old codger to take such a fancy
to Paul, and be able to see those sterling qualities of his, through
Paul's surface unloveliness that came mostly from his slowness of
imagination.

The voices stopped; Elly said, "That song sounds as if it were proud of
itself." Her father's heart melted in the utter prostration of
tenderness he felt for his little daughter. How like Elly! What a quick
intelligence animated the sensitive, touching, appealing, defenseless
darling that Elly was! Marise must have been a little girl like that.
Think of her growing up in such an atmosphere of disunion and
flightiness as that weak mother of hers must have given her. Queer, how
Marise didn't seem to have a trace of that weakness, unless it was that
funny physical impressionableness of hers, that she could laugh at
herself, but that still wrought on her, so that if measles were going
the rounds, she could see symptoms of measles in everything the children
did or didn't do; or that well-known habit of hers, that even the
children laughed about with her, of feeling things crawling all over her
for hours after she had seen a caterpillar. Well, that was only the
other side of her extraordinary sensitiveness, that made her know how
everybody was feeling, and what to do to make him feel better. She had
often said that she would certainly die if she ever tried to study
medicine, because as fast as she read of a symptom she would have it,
herself. But she wouldn't die. She'd live and make a cracker-jack of a
doctor, if she'd ever tried it, enough sight better than some callous
brute of a boy with no imagination.

"One more song before bed-time," announced Marise. "And we'll let Mark
choose. It's his turn."

A long silence, in which Neale amusedly divined Mark torn between his
many favorites. Finally the high sweet little treble, "Well, let's make
it 'Down Among the Dead Men.'"

At which Neale laughed silently again. What a circus the kids were!

The clock struck nine as they finished this, and Neale heard the stir
and shifting of chairs. Paul said, "Mother, Mr. Welles and I have fixed
it up, that he's going to put us to bed tonight, if you'll let him."
Amused surprise from Marise: Mr. Welles' voice saying he really would
like it, never had seen any children in their nightgowns except in the
movies; Paul saying, "Gracious! We don't wear nightgowns like women. We
wear pajamas!"; Mark's voice crying, "We'll show you how we play
foot-fight on the rug. We have to do that barefoot, so each one can
tickle ourselves;" as usual, no sound from Elly probably still reveling
in the proudness of "The Battle Hymn of the Republic."

A clatter of feet on the stairs, the chirping voices muffled by the
shutting of a door overhead, and Eugenia's voice, musical and carefully
modulated, saying, "Well, Marisette, you look perfectly worn out with
fatigue. You haven't looked a bit well lately, anyhow. And I'm not
surprised. The way those children take it out of you!"

"Damn that woman!" thought Neale. That sterile life of hers had starved
out from her even the capacity to understand a really human existence
when she saw it. Not that she had _ever_ seemed to have any considerable
seed-bed of human possibilities to be starved, even in youth, if he
could judge from his memory, now very dim, of how she had seemed to him
in Rome, when he had first met her, along with Marise. He remembered
that he had said of her fantastically, to a fellow in the _pension_,
that she reminded him of a spool of silk thread. And now the silk thread
had all been wound off, and there was only the bare wooden spool left.

"It's not surprising that Mrs. Crittenden gets tired," commented
Marsh's voice. "She does the work of four or five persons."

"Yes," agreed Eugenia, "I don't know how she does it . . . cook, nurse,
teacher, housekeeper, welfare-worker, seamstress, gardener . . ."

"Oh, let up, let up!" Neale heard Marise say, with an impatience that
pleased him. She must have been at the piano as she spoke, for at once
there rose, smiting to the heart, the solemn, glorious, hopeless chords
of the last part of the Pathetic Symphony. Heavens! How Marise could
play!

When the last dull, dreary, beautiful note had vibrated into silence,
Eugenia murmured, "Doesn't that always make you want to crawl under the
sod and pull the daisies over you?"

"Ashes, ashes, not daisies," corrected Marsh, dreamily.

There was, thought Neale listening critically to their intonations, a
voluptuous, perverse pleasure in despair which he found very
distasteful. Despair was a real and honest and deadly emotion. Folks
with appetites sated by having everything they wanted, oughtn't to use
despair as a sort of condiment to perk up their jaded zest in life.
"Confounded play-actors!" he thought, and wondered what Marise's
reaction to them was.

He foresaw that it was going to be too much for his patience to listen
to them. He would get too hot under the collar and be snappish,
afterwards. Luckily he was in the library. There were better voices to
listen to. He got up, ran his forefinger along a shelf, and took down a
volume of Trevelyan, "Garbaldi and the Thousand." The well-worn volume
opened of itself at a familiar passage, the description of the battle of
Calatafimi. His eye lighted in anticipation. There was a man's book, he
thought. But his pipe was out. He laid the book down to light it before
he began to read. In spite of himself he listened to hear what they were
saying now in the next room. Eugenia was talking and he didn't like what
she was saying about those recurrent dreams of Marise's, because he knew
it was making poor Marise squirm. She had such a queer, Elly-like
shyness about that notion of hers, Marise had. It evidently meant more
to her than she had ever been able to make him understand. He couldn't
see why she cared so much about it, hated to have it talked about
casually. But he wasn't Eugenia. If Marise didn't want it talked about
casually, by George he wasn't the one who would mention it. They'd
hardly ever spoken of them, those dreams, even to each other. People had
a right to moral privacy, if they wanted it, he supposed, even married
women. There was nothing so ruthless anyhow as an old childhood friend,
to whom you had made foolish youthful confidences and who brought them
out any time he felt like it.

"You ought to have those dreams of yours psycho-analyzed, Marisette,"
Eugenia was saying. To Marsh she went on in explanation, "Mrs.
Crittenden has always had a queer kind of dream. I remember her telling
me about them, years ago, when we were girls together, and nobody
guessed there was anything in dreams. She dreams she is in some
tremendous rapid motion, a leaf on a great river-current, or a bird
blown by a great wind, or foam driven along by storm-waves, isn't that
it, Marisonne?"

Neale did not need the sound of Marise's voice to know how she hated
this. She said, rather shortly for her, as though she didn't want to say
a word about it, and yet couldn't leave it uncorrected, "Not exactly. I
don't dream I'm the leaf on the current. I dream I _am_ the current
myself, part of it. I'm the wind, not the bird blown by it; the wave
itself; it's too hard to explain."

"Do you still have those dreams once in a while, Marisette, and do you
still love them as much?"

"Oh yes, sometimes."

"And have you ever had the same sensation in your waking moments? I
remember so well you used to say that was what you longed for, some
experience in real life that would make you have that glorious sense of
irresistible forward movement. We used to think," said Eugenia, "that
perhaps falling in love would give it to you."

"No," said Marise. "I've never felt it, out of my dreams."

Neale was sorry he had elected to stay in the study. If he were out
there now, he could change the conversation, come to her rescue.
Couldn't Eugenia see that she was bothering Marise!

"What do you suppose Freud would make out of such dreams?" asked
Eugenia, evidently of Marsh.

"Why, it sounds simple enough to me," said Marsh, and Neale was obliged
to hand it to him that the very sound of his voice had a living, real,
genuine accent that was a relief after Eugenia. He didn't talk
half-chewed and wholly undigested nonsense, the way Eugenia did. Neale
had heard enough of his ideas to know that he didn't agree with a word
the man said, but at least it was a vital and intelligent personality
talking.

"Why, it sounds simple enough to me. Americans have fadded the thing
into imbecility, so that the very phrase has become such a bromide one
hates to pronounce it. But of course the commonplace that all dreams are
expressions of suppressed desires is true. And it's very apparent that
Mrs. Crittenden's desire is a very fine one for freedom and power and
momentum. She's evidently not a back-water personality. Though one would
hardly need psycho-analysis to guess that!" He changed the subject as
masterfully as Neale could have done. "See here, Mrs. Crittenden, that
Tschaikowsky whetted my appetite for more. Don't you feel like playing
again?"

The idea came over Neale, and in spite of his uneasy irritation, it
tickled his fancy, that possibly Marsh found Eugenia just as deadly as
he did.

Marise jumped at the chance to turn the talk, for in an instant the
piano began to chant again, not Tschaikowsky, Neale noted, but some of
the new people whom Marise was working over lately. He couldn't
understand a note of them, nor keep his mind on them, nor even try to
remember their names. He had been able to get just as far as Debussy and
no further, he thought whimsically, before his brain-channels hardened
in incipient middle-age.

He plunged into Trevelyan and the heart-quickening ups and downs of
battle.

Some time after this, he was pulled back from those critical and
glorious hours by the consciousness, gradually forcing itself on him on
two discomforts; his pipe had gone out and Eugenia was at it again. He
scratched a match and listened in spite of himself to that smooth liquid
voice. She was still harping on psycho-analysis. Wasn't she just the
kind of woman for whom that would have an irresistible fascination! He
gathered that Marise was objecting to it, just as sweepingly as Eugenia
was approving. How women did hate half-tones and reasonable
qualifications!

"I'm a gardener," Marise was saying, "and I know a thing or two about
natural processes. The thing to do with a manure pile is not to paw it
over and over, but to put it safely away in the dark, underground, and
never bother your head about it again except to watch the beauty and
vitality of the flowers and grains that spring from the earth it has
fertilized."

Neale as he held the lifted match over his pipe, shook his head. That
was all very well, put picturesquely as Marise always put things; but
you couldn't knock an idea on the head just with an apt metaphor. There
was a great deal more to be said about it, even if fool half-baked
faddists like Eugenia did make it ridiculous. In the first place it was
nothing so new. Everybody who had ever encountered a crisis in his life
and conquered it, had . . . why, he himself . . .

He felt his heart beat faster, and before he knew what was coming, he
felt a great, heart-quickening gust of fresh salt air blow over him, and
felt himself far from the book-tainted stagnant air of that indoor
room. He forgot to light his pipe and sat motionless, holding the
burning match till it flared up at the end and scorched his fingers.
Then he dropped it with a startled oath, and looked quickly around him.

In that instant he had lived over again the moment in Nova Scotia when
he had gone down to the harbor just as the battered little tramp steamer
was pulling out, bound for China.

Good God! What an astonishing onslaught that had been! How from some
great, fierce, unguessed appetite, the longing for wandering, lawless
freedom had burst up! Marise, the children, their safe, snug
middle-class life, how they had seemed only so many drag-anchors to cut
himself loose from and make out to the open sea! If the steamer had been
still close enough to the dock so that he could have jumped aboard, how
he would have leaped! He might have been one of those men who
disappeared mysteriously, from out a prosperous and happy life, and are
never heard of again. But it hadn't been close enough. The green oily
water widened between them; and he had gone back with a burning heart to
that deadly little country hotel.

Well, had he buried it and forced himself to think no more about it? No.
Not on your life he hadn't. He'd stood up to himself. He'd asked himself
what the hell was the matter, and he'd gone after it, as any grown man
would. It hadn't been fun. He remembered that the sweat had run down his
face as though he'd been handling planks in the lumber-yard in
midsummer.

And what had he found? He'd found that he'd never got over the jolt it
had given him, there on that aimless youthful trip through Italy, with
China and the Eastern seas before him, to fall in love and have all
those plans for wandering cut off by the need for a safe, stable life.

Then he'd gone on. He'd asked himself, if that's so, _then_ what? He
hadn't pulled any of the moralizing stern-duty stuff; he knew Marise
would rather die than have him doing for her something he hated, out of
stern duty. It was an insult, anyhow, unless it was a positively
helpless cripple in question, to do things for people out of duty only.
And to mix what folks called "duty" up with love, that was the devil. So
he hadn't.

That was the sort of thing Marise had meant, so long ago, when they were
first engaged, that was the sort of thing she had asked him never to do.
He'd promised he never would, and this wasn't the first time the promise
had held him straight to what was, after all, the only decent course
with a woman like Marise, as strong as she was fine. Anything else would
be treating her like a child, or a dependent, as he'd hate to have her
treat him, or anybody treat him.

So this time he'd asked himself right out, what he really wanted and
needed in life, and he'd been ready, honestly ready, to take any answer
he got, and dree his weird accordingly, as the best thing for everybody
concerned, as the only honest thing, as the only thing that would put
any bed-rock under him, as what Marise would want him to do. If it meant
tramp-steamers, why it had to be tramp-steamers. Something could be
managed for Marise and the children.

This was what he had asked. And what answer had he got? Why, of course,
he hankered for the double-jointed, lawless freedom that the
tramp-steamer stood for. He guessed everybody wanted that, more or less.
But he wanted Marise and the children a damn sight more. And not only
Marise and the children. He hadn't let himself lay it all on their
backs, and play the martyr's rôle of the forcibly domesticated wild
male. No, he wanted the life he had, outside the family, his own line of
work; he wanted the sureness of it, the coherence of it, the permanence
of it, the clear conscience he had about what he was doing in the world,
the knowledge that he was creating something, helping men to use the
natural resources of the world without exploiting either the natural
resources or the men; he wanted the sense of deserved power over other
human beings. That was what he really wanted most of all. You could
call it smug and safe and bourgeois if you liked. But the plain fact
remained that it had more of what really counted for him than any other
life he could see possible. And when he looked at it, hard, with his
eyes open, why the tramp-steamer to China sailed out of school-boy
theatrical clouds and showed herself for the shabby, sordid little
substitute for a real life she would have been to him.

He'd have liked to have that too, of course. You'd _like_ to have
everything! But you can't. And it is only immature boys who whimper
because you can't have your cake and eat it too. That was all there was
to that.

What he had dug for was to find his deepest and most permanent desires,
and when he had found them, he'd come home with a happy heart.

It even seemed to him that he had been happier and quieter than before.
Well, maybe Marise's metaphor had something in it, for all it was so
flowery and high-falutin. Maybe she would say that what he had done was
exactly what she'd described, to dig it under the ground and let it
fertilize and enrich his life.

Oh Lord! how a figure of speech always wound you up in knots if you
tried to use it to say anything definite!

He relighted his pipe, this time with a steady hand, and a cool eye; and
turned to Trevelyan and Garibaldi again. He'd take that other side of
himself out in books, he guessed.

He had now arrived at the crucial moment of the battle, and lifted his
head and his heart in anticipation of the way Garibaldi met that moment.
He read, "To experienced eyes the battle seemed lost. Bixio said to
Garibaldi, 'General, I fear we ought to retreat.' Garibaldi looked up as
though a serpent had stung him. '_Here we make Italy or die!_' he said."

"That's the talk!" cried Neale, to himself. The brave words resounded in
the air about him, and drowned out the voices from the next room.



CHAPTER XIII

ALONG THE EAGLE ROCK BROOK


July 1.

Paul was very much pleased that Mr. Welles agreed with him so perfectly
about the hour and place for lunch. But then Mr. Welles was awfully nice
about agreeing. He said, now, "Yes, I believe this would be the best
place. Here by the pool, on that big rock, as you say. We'll be drier
there. Yesterday's rain has made everything in the woods pretty wet.
That's a good idea of yours, to build our fire on the rock, with water
all around. The fire couldn't possibly spread." Paul looked proudly at
the rain-soaked trees and wet soggy leaves which his forethought had
saved from destruction and strode across the brook in his rubber boots,
with the first installment of dry pine branches.

"Aren't you tired?" he said protectingly to his companion. "Whyn't you
sit down over there and undo the lunch-basket? I'll make camp. Father
showed me how to make a campfire with only one match."

"All right," said Mr. Welles. "I do feel a little leg-weary. I'm not so
used to these mountain scrambles as you are."

"I'll clean the fish, too," said Paul; "maybe you don't like to. Elly
can't abide it." He did not say that he did not like it very well
himself, having always to get over the sick feeling it gave him.

"I never did it in my life," confessed Mr. Welles. "You see I always
lived in towns till now."

Paul felt very sorry for Mr. Welles, and shook his head pityingly as he
went off for more firewood.

When he had collected a lot, he began to lay the sticks. He did it just
as Father had showed him, but it seemed lots harder to get them right.
And it took a lot more than one match to get it started. He didn't have
a bit of breath left in him, by the time he finally got it going. And
my, weren't his hands black! But he felt very much set up, all the same,
that he had done it. In his heart Paul knew that there was nothing
anybody could do which he could not.

They hung the slimpsy slices of bacon from forked sticks, Paul showing
Mr. Welles how to thread his on, and began to cook them around the edges
of the fire, while the two little trout frizzled in the frying-pan. "I'm
so glad we got that last one," commented Paul. "One wouldn't have been
very much."

"Yes, it's much better to have one apiece," agreed Mr. Welles.

When the bacon was done (only burned a little at the edges, and still
soft in the thicker places in the center of the slice), and the fish the
right brown, and 'most shrunk up to nothing, they each of them put a
trout and a piece of bacon on his slice of bread and butter, and
gracious! didn't it taste good.

"You must have done this before," said Mr. Welles, respectfully; "you
seem to know a good deal about camping."

"Oh, I'm a good camper, all right," agreed Paul. "Mother and I have gone
off in the woods, lots of times. When I was littler, I used to get
spells when I was bad. I do still, even now, once in a while."

Mr. Welles did not smile, but continued gravely eating his bread and
bacon, his eyes on the little boy.

"I don't know what's the matter. I feel all snarled up inside. And then
the first thing you know I've done something awful. Mother can tell when
it first gets started in me, the least little teenty bit. _How_ can she
tell? And then she takes me off camping. She pretends it's because she's
feeling snarled up, herself. But it's not. She never is. Why not?"

He considered this in silence, chewing slowly on a vast mouthful of
bread. "Anyhow, we leave the little children with Touclé, if she's
there," (he stopped here an instant to inspect Mr. Welles to make sure
he was not laughing because he had called Elly and Mark the "little
children." But Mr. Welles was not laughing at him. He was listening,
_really_ listening, the way grown-ups almost never did, to hear what you
had to say. He did like Mr. Welles. He went on,) "or if Touclé's off
somewheres in the woods herself, we leave them down at the Powers' to
play with Addie and Ralph, and we light out for the woods, Mother and I.
The snarleder up I feel, the further we go. We don't fish or anything.
Just leg it, till I feel better. Then we make a fire and eat."

He swallowed visibly a huge lump of unchewed bread, and said, uncorking
a thermos bottle, "I asked Mother to put up some hot coffee."

Mr. Welles seemed surprised. "Why, do you drink coffee?"

"Oh no, none of us kids ever take it. But I thought you'd like some.
Grown-up folks mostly do, when they eat out-of-doors."

Mr. Welles took the cup of steaming coffee, ready sugared and creamed,
without even saying thank you, but in a minute, as they began their
second round of sandwiches, filled this time with cold ham from home, he
said, "You've got quite a way of looking out for folks, haven't you?

"I like to," said Paul.

"_I_ always liked to," said Mr. Welles.

"I guess you've done quite a lot of it," conjectured the little boy.

"Quite a lot," said the old man, thoughtfully.

Paul never liked to be left behind and now spoke out, "Well, I expect
I'll do a good deal, too."

"Most likely you will," agreed the old man.

He spoke a little absently, and after a minute said, "Paul, talking
about looking out for folks makes me think of something that's bothering
me like everything lately. I can't make up my mind about whether I
ought to go on, looking out for folks, if I know folks that need it. I
keep hearing from somebody who lives down South, that the colored folks
aren't getting a real square deal. I keep wondering if maybe I oughtn't
to go and live there and help her look out for them."

Paul was so astonished at this that he opened his mouth wide, without
speaking. When he could get his breath, he shouted, "Why, Mr. Welles, go
away from Ashley to live!" He stared hard at the old man, thinking he
must have got it twisted. But Mr. Welles did not set him straight, only
stared down at the ground with a pale, bothered-looking face and sort of
twitched his mouth to one side.

The little boy moved over closer to him, and said, looking up at him
with all his might, "Aw, Mr. Welles, I _wish't_ you wouldn't! I _like_
your being here. There's lot of things I've got planned we could do
together."

It seemed to him that the old man looked older and more tired at this.
He closed his eyes and did not answer. Paul felt better. Mr. Welles
couldn't have been in earnest.

How still it was in the woods that day. Not the least little flutter
from any leaf. The sunlight looked as green, as green, coming down
through the trees that way, like the light in church when the sun came
in through the stained-glass windows.

The only thing that budged at all was a bird . . . was it a flicker? . . .
he couldn't make out. It kept hopping around in that big beech tree
across the brook. Probably it was worried about its nest and didn't like
to have people so near. And yet they sat as still, he and Mr. Welles, as
still as a tree, or the shiny water in the pool.

Mr. Welles opened his eyes and took the little boy's rough, calloused
hand in his. "See here, Paul, maybe you can help me make up my mind."

Paul squared his shoulders.

"It's this way. I'm pretty nearly used up, not good for much any more.
And the Electrical Company wanted to fix everything the nicest way for
me to live. And they have. I hadn't any idea anything could be so nice
as living next door to you folks in such a place as Crittenden's. And
then making friends with you. I'd always wanted a little boy, but I
thought I was so old, no little boy would bother with me."

He squeezed the child's fingers and looked down on him lovingly. For a
moment Paul's heart swelled up so he couldn't speak. Then he said, in a
husky voice, "I _like_ to." He took a large bite from his sandwich and
repeated roughly, his mouth full, "I _like_ to."

Neither said anything more for a moment. The flicker . . . yes, it was a
flicker . . . in the big beech kept changing her position, flying down
from a top-branch to a lower one, and then back again. Paul made out the
hole in the old trunk of the tree where she'd probably put her nest, and
wondered why she didn't go back to it.

"Have you got to the Civil War, in your history yet, Paul?"

"Gee, yes, 'way past it. Up to the Philadelphia Exposition."

Mr. Welles said nothing for a minute and Paul could see by his
expression that he was trying to think of some simple baby way to say
what he wanted to. Gracious! didn't he know Paul was in the seventh
grade? "_I_ can understand all right," he said roughly.

Mr. Welles said, "Well, all right. If you can, you'll do more than I
can. You know how the colored people got their freedom then. But
something very bad had been going on there in slavery, for ever so long.
And bad things that go on for a long time, can't be straightened out in
a hurry. And so far, it's been too much for everybody, to get this
straightened out. The colored people . . . they're made to suffer all the
time for being born the way they are. And that's not right . . . in
America . . ."

"Why don't they stand up for themselves?" asked Paul scornfully. He'd
like to see anybody who would make him suffer for being born the way he
was.

Mr. Welles hesitated again. "It looks to me this way. People can fight
for some things . . . their property, and their vote and their work. And I
guess the colored people have got to fight for those, themselves. But
there are some other things . . . some of the nicest . . . why, if you
fight for them, you tear them all to pieces, trying to get them."

Paul did not have the least idea what this meant.

"If what you want is to have people respect what you are worth, why, if
you fight them to make them, then you spoil what you're worth. Anyhow,
even if you don't spoil it, fighting about it doesn't put you in any
state of mind to go on being your best. That's a pretty hard job for
anybody."

Paul found this very dull. His attention wandered back to that queer
flicker, so excited about something.

The old man tried to get at him again. "Look here, Paul, Americans that
happen to be colored people ought to have every bit of the same chance
to amount to their best that any Americans have, oughtn't they?"

Paul saw this. But he didn't see what Mr. Welles could do about it, and
said so.

"Well, I couldn't do a great deal," said the old man sadly, "but more
than if I stayed here. It looks as though they needed, as much as
anything else, people to just have the same feeling towards them that
you have for anybody who's trying to make the best of himself. And I
could do that."

Paul got the impression at last that Mr. Welles was in earnest about
this. It made him feel anxious. "Oh _dear_!" he said, kicking the toe of
his rubber boot against the rock. He couldn't think of anything to say,
except that he hated the idea of Mr. Welles going.

But just then he was startled by a sharp cry of distress from the bird,
who flew out wildly from the beech, poised herself in the air, beating
her wings and calling in a loud scream. The old man, unused to forests
and their inhabitants, noticed this but vaguely, and was surprised by
Paul's instant response. "There must be a snake after her eggs," he said
excitedly. "I'll go over and chase him off."

He started across the pool, gave a cry, and stood still, petrified.
Before their eyes, without a breath of wind, the hugh beech solemnly
bowed itself and with a great roar of branches, whipping and crushing
the trees about, it fell, its full length thundering on the ground, a
great mat of shaggy roots uptorn, leaving an open wound in the stony
mountain soil. Then, in a minute, it was all as still as before.

Paul was scared almost to death. He scrambled back to the rock, his
knees shaking, his stomach sick, and clung to Mr. Welles with all his
might. "What made it fall? There's no wind! What made it fall?" he
cried, burying his face in the old man's coat. "It might just as easy
have fallen this way, on us, and killed us! What made it fall?"

Mr. Welles patted Paul's shoulder, and said, "There, there," till Paul's
teeth stopped chattering and he began to be a little ashamed of showing
how it had startled him. He was also a little put out that Mr. Welles
had remained so unmoved. "You don't know how dangerous a big tree _is_,
when it falls!" he said, accusingly, to defend himself. "If you'd lived
here more, and heard some of the stories . . . ! Nate Hewitt had his back
broken with a tree falling on him. But he was cutting that one down, and
it fell too soon. Nobody had touched this one! And there isn't any wind.
What _made_ it fall? Most every winter, some man in the lumber camp on
the mountain gets killed or smashed up, and lots of horses too."

He felt much better now, and he did want to find out whatever had made
that tree fall. He sat up, and looked back at it, just a mess of broken
branches and upset leaves, where a minute before there had been a tall
living tree! "I'm going over to see what made it fall," he said.

He splashed across the pool and poked around with a stick in the hole
in the ground, and almost right away he saw what the reason was. He ran
back to tell Mr. Welles. "I see now. The brook had kept sidling over
that way, and washed the earth from under the rocks. It just didn't have
enough ground left to hold on to."

He felt all right now he knew some simple reason for what had looked so
crazy. He looked up confidently at the old man, and was struck into awed
silence by the expression of Mr. Welles' face.

"Paul," said Mr. Welles, and his voice wasn't steady, "I guess what I
ought to try to be is one more drop of water in the brook."

Paul stared hard. He did not understand this either, but he understood
the expression in that tired, old face. Mr. Welles went on, "That wrong
feeling about colored people, not wanting them to be respected as much
as any American, is . . . that's a tree that's got to come down. I'm too
old to take an axe to it. And, anyhow, if you cut that sort of thing
down with an axe, the roots generally live and start all over again. If
we can just wash the ground out from under it, with enough people
thinking differently, maybe it'll fall, roots and all, of its own
weight. If I go and live there and just am one more person who respects
them when they deserve it, it'll help _that_ much, maybe, don't you
think?"

Paul had understood more what Mr. Welles' face and voice said to him
than the words. He kept on looking into the old man's eyes. Something
deep inside Paul said "yes" to what Mr. Welles' eyes were asking him.

"How about it, Paul?" asked the old man.

The child gave a start, climbed up beside him, and took hold of his
hand. "How about it? How about it?" asked Mr. Welles in a very low tone.

The little boy nodded. "Maybe," he said briefly. His lips shook.
Presently he sniffed and drew his sleeve across his nose. He held the
old hand tightly.

"Oh dear!" he said again, in a small, miserable voice.

The old man made no answer.

The two sat motionless, leaning against each other. A ray of sun found
the newly opened spot in the roof of the woods, and it seemed to Paul it
pointed a long steady finger down on the fallen beech.

At first Paul's throat ached, and his eyes smarted. He felt heavy and
sore, as though he hadn't eaten the right thing for lunch.

But by and by this went away. A quiet came all over him, so that he was
better than happy. He laid his head against Mr. Welles' shoulder and
looked up into the worn, pale old face, which was now also very quiet
and still as though he too were better than happy.

He held Paul close to him.

Paul had a great many mixed-up thoughts. But there was one that was
clear. He said to himself solemnly, "I guess I know who I want to be
like when I grow up."

       *       *       *       *       *

By and by, he stirred and said, "Well, I guess I better start to pack
up. Don't you bother. I'll pack the things away. Mother showed me how to
clean the frying-pan with sand and moss."



CHAPTER XIV

BESIDE THE ONION-BED


July 10.

Marise pulled nervously and rapidly at the weeds among the onions, and
wiped away with her sleeve the drops that ran down her hot, red face.
She was not rebellious at the dusty, tiresome task, nor aware of the
merciless heat of the early-summer sun. She was not indeed thinking at
all of what she was doing, except that the physical effort of stooping
and reaching and pulling was a relief to her, made slightly less
oppressive the thunder-heavy moral atmosphere she breathed. She was
trying to think, but the different impressions came rushing into her
mind with such vehement haste that they dashed against each other
brutally, to her entire confusion.

When she tried to think out an answer to this perfectly preposterous
idea of old Mr. Welles, why should a thousand other horrifying ideas
which she had been keeping at bay pour in through the door, once opened
to probing thought? What possible connection could there be between such
a fantastic crazy notion as his, and those other heaving, looming
possibilities which rolled themselves higher and murkier the longer she
refused to look at them? She snatched at the weeds, twitching them up,
flinging them down, reaching, straining, the sun molten on her back, the
sweat stinging on her face. It was a silly impression of course, but it
seemed to her that if she hurried fast enough with the weeds, those
thoughts and doubts could not catch up with her.

She had put them off, and put them off while Neale was away, because
they scared her, and she didn't want to look at them without Neale. But
he had been back for weeks now and still she put them off. All those
tarnishing sayings, those careless, casual negations of what she had
taken for axioms; that challenge to her whole life dropped from time to
time as though it were an accepted commonplace with all intelligent
beings. . . .

Was her love for the children only an inverted form of sensual egotism,
an enervating slavery for them, really only a snatched-up substitute for
the personal life which was ebbing away from her? Was her attitude
towards her beloved music a lazy, self-indulgent one, to keep it to
herself and the valley here? Was that growing indifference of hers to
dress and trips to the city, and seeing Eugenia's smart crowd there, a
sign of mental dry-rot? Was it a betrayal of what was alive in her own
personality to go on adapting herself to the inevitable changes in her
relations with Neale, compromising, rather than . . ."

"Aren't you awfully hot to go on doing that?" asked Neale, coming up
behind her, from the road. She was startled because she had not heard
him approach on the soft, cultivated ground of the garden. And as she
turned her wet, crimson face up to his, he was startled himself. "Why,
what's the matter, dear?" he asked anxiously.

She sank back to a sitting position, drawing a long breath, mopping her
forehead with her sleeve, as unconscious of her looks before Neale as
though she had still been alone. She motioned him down beside her. "Oh,
Neale, I'm so glad! How'd you happen to be so early? Maybe if we stay
right out here, where the children won't know where we are, we can have
a few minutes quite to ourselves. Touclé is going to get tea tonight.
Neale, sit down a minute. I want to tell you something. I'm awfully
upset. I went over to help Mr. Welles transplant his Brussels sprouts,
and we got to talking. Neale, what do you suppose has been in his mind
all this time we've been thinking him so happy and contented here?"

"Doesn't he like Crittenden's? Find it dull?"

"No, no, not that, a bit. He _loves_ it. It's heart-breaking to see how
much he loves it!" She stopped, her voice shaking a little, and waited
till she could get it under control. Her husband took her stained, dusty
hand in his. She gave his fingers a little pressure, absently, not
noting what she did, and seeing the corner of his handkerchief showing
in the pocket of his shirt, she pulled it out with a nervous jerk, and
wiped her face all over with it.

He waited in silence.

"Listen, Neale, I know it will sound perfectly crazy to you, at first.
But you might as well believe it, for he is serious. It seems he's been
getting lots more letters from that niece or cousin of his, down in
Georgia. She tells him about things, how the Negroes are treated, all
the Jim Crow business carried into every single detail of every single
minute of every single day. It seems they're not badly treated as long
as they'll stay day-laborers or servants, but . . . oh well, there's no
need to go on with telling you . . . _you_ know. We all know well enough
what the American attitude is. Only I didn't think it could be so bad,
or so everlastingly kept up every minute, as this cousin tells him. I
suppose she ought to know. She's lived there for forty years. She keeps
citing instances she's seen." Marise broke out with a fierce, blaming
sharpness, "I don't see what _business_ she had, writing him that way. I
think it was beastly of her. Why couldn't she let him alone!"

She felt her husband waiting patiently for her to quiet down and go on
more coherently, and knew that his patience came from a long
acquaintance with her mental habits, a certainty that her outbursts of
feeling generally did quiet down if one waited: and across her genuine
absorption in the story she was telling there flitted, bat-like, a
distaste far being known so well as all that! There was something
indiscreet and belittling in it, she thought, with an inward fastidious
recoil. But this had gone, entirely, in a moment, and she was rushing
on, "And, Neale, what _do_ you think? She has worked on him, and he has
worked on himself till he's got himself in a morbid state. He thinks
perhaps he ought to leave Ashley that he loves so much and go down to
live where this horrid cousin lives. . . ."

Her husband's astonishment at this was as great as she could have
desired. None of Neale's usual, unsurprised acceptance of everything
that happened as being in the nature of things, which occasionally so
rubbed her the wrong way, and seemed to her so wilfully phlegmatic. He
was sincerely amazed and astounded; that was plain from his exclamation,
his tone, his face. Of course he wasn't as outraged as she, but that
wasn't to be expected, since he hadn't seen so much of that dear old
life-worn man, nor grown so protectingly fond of him. She revelled in
Neale's astonishment as bearing out her own feeling. "Isn't it crazy,
Neale! Don't you think it crazy! Is there the slightest justification
for it? You feel, just as I do, don't you, that it's a perfectly
unbalanced, fanatical, _fool_ish thing to think of doing, his going down
into that hopeless mess?"

But her husband had had a moment's time, while she exclaimed, to get
back to his usual unhurried post in life. "It's certainly about as
unexpected as anything I ever heard of," he admitted. "I should have to
know a lot more about it, before I could be sure what to think."

An old impatience, at an old variance between their ways of thought,
came out with an edge in Marise's tone as she said hotly, "Oh, _Neale_,
don't take that line of yours! You know all there is to know, now! What
else could you find out? You know how he's given all his life to looking
out for his family, ending up with years of that bed-ridden old aunt the
others wished on to him, just because he was too soft-hearted to get out
from under. You know how anxious the Company was to do something to make
up to him for all the years of service he gave them. And you know how
happy he has been here, how he's loved it all, and fathered every root
and seed in his garden, and how he and Paul have struck up such a sweet
affection, and how he could be happier and happier." She struck her
hands together. "Oh, Neale, I can't have him do such a foolish, useless
thing, and spoil his life! It's not as if he'd be of any use down in
Georgia. You know how the Southern white people detest Northerners
coming down and interfering with the Negroes. Maybe they're wrong. But
they're the people who live there. What could _he_ do against them? What
under the sun could one tired-out old man accomplish in a situation that
every American knows to be simply impossible?" She looked hard at her
husband's thoughtful face and threw herself against him with a petulant
gesture. "Now, Neale, don't go and justify him! Don't say you think he's
right."

He put his arm about her shoulders, hot and wet under their gingham
covering, and she leaned against him, the gesture as unconsidered and
unconscious for the one as the other. "No, I'm not going to try to
justify him. I suppose I think he's very foolish. But I must say it
shows a pretty fine spirit. I take off my hat to his intention."

"Oh yes, his intention . . ." conceded Marise. "He's an old saint, of
course. Only he mustn't be allowed to ruin his life and break
everybody's heart, even if he is a saint."

"That's the way saints usually run their business, isn't it?" asked
Neale. "And I'd like to know how anybody's going to keep him from doing
it, if he decides he ought to."

"Oh yes, we can," urged Marise, sitting up with energy. "We can, every
one of us, throw ourselves against it, argue with him, tell him that it
seems to us not only foolish, and exaggerated, and morbid, but conceited
as if he thought what _he_ did would count so very much. We can make him
feel that it would be sort of cheating the Company, after what they've
done for him; we can just mass all our personalities against it, use
moral suasion, get excited, work on his feelings . . . she has done that,
that cousin!"

"I wouldn't want to do that," said Neale quietly. "You can, if you think
best."

She recognized a familiar emergence of granite in his voice and aspect
and cried out on it passionately, "Now, _Neale_!"

He knew perfectly well what this meant, without further words from her.
They looked at each other, an unspoken battle going on with extreme
rapidity between them, over ground intimately familiar. In the middle of
this, she broke violently into words, quite sure that he would know at
which point she took it up. "You carry that idea to perfectly impossible
lengths, Neale. Don't you ever admit that we ought to try to make other
people act the way we think best, even when we _know_ we're right and
they're wrong?"

"Yes," admitted her husband, "I should think we were bound to. If we
ever _were_ sure we were right and they wrong."

She gave the impression of vibrating with impatience and cried out,
"That's pettifogging. Of course there are times when we are sure.
Suppose you saw a little child about to take hold of the red-hot end of
a poker?"

"A child is different," he opposed her. "All grown-ups are responsible
for all children. I suppose I'd keep him from taking hold of it. And yet
I'm not dead sure I'd be right. If I thought he was only just going to
touch it, to see if it really would burn him as people had told him, I
guess I'd let him."

"You always get around things," she said blamingly, "but there _are_
cases when you could be sure. Suppose you saw Aunt Hetty just about to
take poison, or Frank Warner getting Nelly Powers to run away with him?"

He was startled by this, and asked quickly with a change of tone,
"Whatever made you think of that? Are Frank and Nelly . . . ?"

"Oh, it just came into my head. No, I haven't heard anybody has said
anything, noticed anything. But I had a sort of notion that 'Gene
doesn't like Frank hanging around the house so much."

"Well . . ." commented her husband, with a lively accent of surprise. "I
hadn't dreamed of such a thing. And it throws a light on something I
happened to see this afternoon, on my way home. I came round the back
way, the ravine road below the Eagle Rocks. I wanted to see about some
popple we're thinking of buying from the Warners, on the shoulder beyond
the Rocks. It didn't occur to me, of course, that anybody else would be
up there, but just at the peak of the shoulder I saw 'Gene Powers, lying
down beside a big beech-tree. He didn't hear me, walking on the
pine-needles. And for a minute I stood there, and honestly didn't know
what to do."

"How do you mean . . . 'lying down'?" asked Marise, not visualizing the
scene. "As though he were sick?"

"No, not a bit that way. Not on his back, but on his face, looking over
the edge of the ridge. All strung up like a bow, his head down between
his shoulders and shot forwards like a cat stalking something. _I_ tell
you, he made me think of a hunter when he thinks he sees a deer. I
thought probably he had. I've seen a buck and some does up there lately.
Then he saw me and jumped up very quickly and came down past me. I was
going to say, just for the sake of saying something, 'Laying your plans
for next deer-week?' But as he went by and nodded, he looked at me with
such an odd expression that I thought I'd better not. The idea came to
me that maybe 'Gene does poach and occasionally take a deer out of
season. Meat is so high it wouldn't be surprising. They have a pretty
hard time scraping along. I don't know as I'd blame him if he did shoot
a deer once in a while.

"Well, after I'd been on beyond and made my estimate on the popple, I
came back that way. And as I passed where he'd been lying, I thought,
just for curiosity, I'd go up and see if I could see what he'd been
looking at so hard. I got up to the big beech where he'd been, and
looked over. And I got the surprise of my life. He couldn't have been
looking at deer, for on the other side the cliff drops down sheer, and
you look right off into air, across the valley. I was so surprised I
stood there, taken aback. The afternoon train went up the valley while I
stood there, staring. It looked so tiny. You're really very high on
those Rocks. I noticed you could see your Cousin Hetty's house from
there, and the mill and the Powers house. That looked like a child's
plaything, so little, under the big pine. And just as I looked at that,
I saw a man come out from the house, get on a horse, and ride away."

"Why, that must have been Frank," said Marise. "He rides that roan mare
of his as much as he drives her."

"Yes, that's what came into my mind when you spoke his name just now in
connection with Nelly. I hadn't thought anything of it, before."

There was a moment's silence as they looked at each other.

"Oh, _Neale_!" said Marise, on a deep note. "How awful! You don't
suppose there is anything in his jealousy. . . . Nelly is as inscrutable in
her way as 'Gene."

"Heavens! how should I know? But my guess is that 'Gene is making a fool
of himself for nothing. Nelly doesn't strike me as being the sort of
woman to . . ."

"But Frank is awfully good-looking and dashing, and lots younger than
'Gene. And Nelly is young too and perfectly stunning to look at. And
she's not one of our native valley girls, you know. It may seem very
dull and cooped-up here, so far from town, and shops. She may envy her
sisters, still living back in West Adams with city life around them."

"Oh, it's possible enough, I suppose," admitted Neale. "But she seems
perfectly contented, and thinks the world of the children."

Marise's face clouded. The phrase had recalled her dark preoccupations
of a moment ago. "Lots of people nowadays would say she seems to be fond
of the children because she is using them to fill up a lack in her
life," she said somberly; "that 'Gene no longer satisfied her, and that
she fed on the children because she was starving emotionally." Her
husband making no comment on this, she went on, "Neale, don't you think
that people are saying horrid, distressing things nowadays? About
marriage I mean, and all relations between men and women and between
parents and children?" Her heart was beating faster as she finished this
question. The subject was broached at last. Where would it lead them?
Where would it lead them? She shut her eyes at the thought.

"There's a good deal to be said about all that, that's pretty horrid and
perfectly true," remarked Neale casually. He tilted his hat further over
his eyes and leaned back, propping himself on one elbow.

"_Neale_!" she protested, shocked and repelled. She had hoped for
something very different from Neale. But she thought, in a momentary
exasperation with him, she might have known she would not get it. He
always took everything so abstractedly, so impersonally.

"I don't see any use in pretending there's not," he advanced with a
reasonable, considering air. "I don't see that intimate human
relationships are in any _more_ of a mess than other human relations.
International ones, for instance, just now. But they certainly are in
considerable of a mess, in a great many cases. It is evident that lots
of times they're managed all wrong."

Marise was so acutely disappointed that she felt a quavering ache in her
throat, and kept silence for a moment. So this was what she had looked
forward to, as a help. What was Neale there _for_, if not for her to
lean against, to protect her, to be a defending wall about her? He was
so strong and so clearheaded, he could be such a wall if he chose. How
stern and hard he was, the core of him!

"Neale," she said after a moment, "I wonder if you even _know_ what
things are being said about what we've always believed in . . . motherhood
for instance, and marriage?"

She had been unable to keep the quaver out of her voice, and at the
sound of it, he sat up instantly, astonished, solicitous, tender. "Why,
darling, what's the matter?" he said again, moving closer to her,
bending over her.

"How _can_ you think such things without their making you perfectly
miserable, without making you want to go straight and cut your throat?"
she cried out on his callousness.

He put his arm about her again, not absently this time, and drew her
close. She thought angrily, "He thinks it's just a fit of nerves I can
be soothed out of like a child," and pulled away from him.

He looked at her, his attentive, intelligent look, and let his arm drop.
And yet, although he was serious now, she was sure that he saw only that
the subject agitated her, and did not see any possibility that it might
touch them both, personally.

"I have to think whatever I'm convinced is true, whether it makes me
miserable or not, don't I?" he said gently. "And it does make me
miserable, of course. Who can help being miserable at the spectacle of
such rich possibilities as human life is full of, mismanaged and spoiled
and lost?"

"But, Neale, do you realize that people are thinking, books are being
written to prove that parents' love for their children is only
self-love, hypocritically disguised, and sometimes even sexual love
camouflaged; and that anybody is better for the children to be with than
their mother; and that married people, after the first flare-up of
passion is over, hate each other instead of loving?"

"I daresay there's a certain amount of truth in that, occasionally. It
would certainly explain some of the inexplicable things we all see
happen in family life," he remarked.

Marise started and cried out piercingly, "Neale, how can you say such
things to _me_!"

He looked at her keenly again, keenly and penetratingly, and said, "I'm
not one of those who think it inherent in the nature of women to take
abstract propositions personally always. But I do think they will have
to make a big effort to get themselves out of a mighty old acquired
habit of thinking every general observation is directed at them
personally."

She flashed out indignantly at him, "How can you help taking it
personally when it shakes the very foundations of our life?"

He was astonished enough at this to suit even her. His face showed the
most genuine amazed incapacity to understand her. "Shakes the . . . why,
Marise dear, what are you talking about? You don't have to believe about
_yourself_ all the generalizing guesses that people are writing down in
books, do you, if it contradicts your own experience? Just because you
read that lots of American men had flat-foot and were refused at the
recruiting station for that, you don't have to think your own feet flat,
do you? If you do think so, all you have to do is to start out and walk
on them, to know for sure they're all right. Heavens and earth! People
of our age, who have really lived, don't need somebody in a book to tell
them what's happening to them. Don't you _know_ whether you really love
Elly and Mark and Paul? If you don't, I should think a few minutes'
thought and recollection of the last ten years would tell you, all
right. Don't you _know_ whether we hate each other, you and I?"

Marise drew a long breath of relief. This was the sort of talk she
wanted. She clutched at the strong hand which seemed at last held out to
her. She did so want to be talked out of it all. "Oh good! then, Neale,
you don't believe any of that sort of talk? You were only saying so for
argument."

He withdrew the hand. "Yes, I do believe a good deal of as a general
proposition. What I'm saying, what I'm always saying, dear, and trying
my best to live, is that everybody must decide for himself when a
general proposition applies to him, what to believe about his own life
and its values. Nobody else can tell him."

She approached along another line. "But, Neale, that's all very well for
you, because you have so much withstandingness in you. But for me, there
are things so sacred, so intimate, so much a part of me, that only to
have some rough hand laid on them, to have them pulled out and pawed
over and thought about . . . it frightens me so, sets me in such a quiver!
And they don't seem the same again. _Aren't_ there things in life so
high and delicate that they can't stand questioning?"

He considered this a long time, visibly putting all his intelligence on
it. "I can't say, for you," he finally brought out. "You're so much
finer and more sensitive than I. But I've never in all these years seen
that your fineness and your sensitiveness make you any less strong in
the last analysis. You suffer more, respond more to all the implications
of things; but I don't see that there is any reason to think there's any
inherent weakness in you that need make you afraid to look at facts."

He presented this testimony to her, seriously, gravely. It took her
breath, coming from him. She could only look at him in speechless
gratitude and swallow hard. Finally she said, falteringly, "You're too
good, Neale, to say that. I don't deserve it. I'm awfully weak, many
times."

"I wouldn't say it, if it weren't so," he answered, "and I didn't say
you weren't weak sometimes. I said you were strong when all was said and
done."

Even in her emotion, she had an instant's inward smile at the Neale-like
quality of this. She went on, "But don't you think there is such a thing
as spoiling beautiful elements in life, with handling them, questioning
them, for natures that aren't naturally belligerent and ready to fight
for what they want to keep? For instance, when somebody says that
children in a marriage are like drift-wood left high on the rocks of a
dwindled stream, tokens of a flood-time of passion now gone by. . . ." She
did not tell him who had said this. Nor did he ask. But she thought by
his expression that he knew it had been Vincent Marsh.

He said heartily, "I should just call that a nasty-minded remark from
somebody who didn't know what he was talking about. And let it go at
that."

"There, you see," she told him, "that rouses your instinct to resist, to
fight back. But it doesn't mine. It just makes me sick."

"Marise, I'm afraid that you _have_ to fight for what you want to keep
in this world. I don't see any way out of it. And I don't believe that
anybody else can do your fighting for you. You ask if it's not possible
to have beautiful, intimate things spoiled by questioning, criticisms,
doubts. Yes, I do think it is, for young people, who haven't learned
anything of life at first hand. I think they ought to be protected till
they have been able to accumulate some actual experience of life. That's
the only weapon for self-defense anybody can have, what he has learned
of life, himself. Young people are apt to believe what older people tell
them about life, because they don't know anything about it, yet,
themselves, and I think you ought to be careful what is questioned in
their presence. But I don't see that mature people ought to be protected
unless you want to keep them childish, as women used to be kept. Nothing
is your own, if you haven't made it so, and kept it so."

"But, Neale, it's so sickeningly _hard_! Why do it? Why, when everything
seems all right, pry into the deep and hidden roots of things? I don't
_want_ to think about the possibility of some dreadful dry-rot happening
to married people's feelings towards each other, as they get older and
get used to each other. It's soiling to my imagination. What's the use?"

She had so hoped he would help her to sweep them all back to the cellar
labeled "morbid" and lock them down in the dark again. Any other man
would, she thought, amazed at him, _any_ other husband! She focussed all
her personality passionately to force him to answer as she wished.

He fell into another thoughtful silence, glanced up at her once sharply
and looked down again. She always felt afraid of him when he looked like
that. No, not afraid of him, but of the relentless thing he was going to
say. Presently he said it. "What's the use? Why, the very fact you seem
afraid of it . . . I can't imagine why . . . shows there would be some use.
To turn your back on anything you're afraid of, that's fatal, always. It
springs on you from behind."

She cried out to him in a sudden anguish that was beyond her control,
"But _suppose you face it and still it springs_!"

Her aspect, her accent, her shaken voice gave him a great start. He
faced her. He looked at her as though he saw her for the first time that
day. And he grew very pale as he looked. Something wordless passed
between them. Now he knew at last what she was afraid of.

But he did not flinch. He said desperately, in a harsh voice, "You have
to take what comes to you in life," and was grimly silent.

Then with a gesture as though to put away something incredible,
approaching him, he went on more quietly, "But my experience is that it
doesn't dare spring if you walk right up to it. Generally you find
you're less afraid of everything in the world, after that."

       *       *       *       *       *

She had been frightened, stabbed through and through by the look they
had interchanged, by the wordless something which had passed between
them. But now she wondered suddenly, passionately, amazedly, if he had
really understood all the dagger-like possibilities of their talk.

"Neale," she challenged him, "don't you put _any_ limits on this? Isn't
there _any_where you'd stop out of sheer respect? Nothing too hallowed
by . . ."

"Nothing. Nothing," he answered her, his face pale, his eyes deep and
enduring. "It's lying down, not to answer the challenge when it comes.
How do you know what you have to deal with if you won't look to see?
You may find out that something you have been trusting is growing out of
a poisonous root. That does happen. What's the use of pretending that it
couldn't to you, as to anybody else? And what's the use of having lived
honestly, if you haven't grown brave enough to do whatever needs to be
done? If you are scared by the idea that your motherhood may be only
inverted sensuality, or if you think there is any possibility that the
children would be better off in other hands, or if you think . . . if you
think there is any other terrifying possibility in our life here, for
God's sake look into your own heart and see for yourself! It all sounds
like nonsense to me, but . . ."

She snatched at the straw, she who longed so for help. "Oh, Neale, if
_you_ think so, I know . . ."

"I won't _have_ you taking my word for it!" he told her roughly. "_I_
can't tell what's back of what you do. And you oughtn't to take my word
for it if I tried to. Nobody on earth can make your decision for you,
but you yourself." The drops stood out on his forehead as he spoke, and
ran down his pale face.

She quivered and was silent for a moment. Then, "Neale, where shall I
get the strength to do that?" she asked.

He looked full in her face. "I don't know anywhere to go for strength
but out of one's naked human heart," he said.

She shrank from the rigor of this with a qualm of actual fear. "I think
I must have something else," she told him wildly.

"I don't know," he returned. "I don't know at all about that. I'm no
mystic. I can't help you there, dear. But I know, as well as I know
anything on earth, that anything that's worth having in anybody's life,
his parent-hood, his marriage, his love, his ambition, can stand any
honest challenge it can be put to. If it can't, it's not valid and ought
to be changed or discarded." His gaze on her was immeasurably steady.

She longed unspeakably for something else from him, some warming,
comforting assurance of help, some heartening, stimulating encouragement
along that stark, bleak way.

       *       *       *       *       *

Somehow they were standing up now, both pale, looking profoundly into
each other's eyes. Something almost palpable, of which not a word had
been spoken aloud, came and stood there between them, and through it
they still looked at each other. They had left words far behind now, in
the fierce velocity of their thoughts.

And yet with the almost physical unity of their years of life together,
each knew the other's thoughts.

She flung herself against him as though she had cried out to him. He put
his arms strongly, tenderly about her, as though he had answered.

With no words she had cried out, silently, desperately to him, "Hold me!
Hold me!"

And with no words, he had answered, silently, desperately, "No one can
hold you but yourself."

       *       *       *       *       *

A shouting babble of voices rose in the distance. The children crying to
each other came out of the house-door and raced down the flag-stone
walk. "There they are! In the garden! By the onion-bed! Father! Mother!
We've been looking for you everywhere. Touclé says if you'll let her,
she'll boil down some maple syrup for us to wax on ice for dessert."

They poured into the garden, children, cat and fox-terrier, noisy,
insistent, clamorous. Mark, always frankly greedy of his mother's
attention, pushed in jealously between his parents, clinging to his
mother's knees. He looked up in her face and laughed out, his merry
peal, "Oh, Mother, what a dirty face! You've been suspiring and then
you've wiped your forehead with your dirty hand, the way you say I
mustn't. How funny you look! And you've got a great, long tear in your
sleeve, too."

Behind them, tiny, smooth and glistening, Eugenia Mills strolled to the
edge of the garden, as far as the flag-stones went, and stood waiting,
palpably incapable of taking her delicate bronze slippers into the dust.

"You've missed a kitchen call from that lively, earthy old Mrs. Powers
and her handsome daughter-in-law," she announced casually. "Touclé says
they brought some eggs. What a stunning creature that Nelly is! There's
temperament for you! Can't you just feel the smouldering, primitive fire
hidden under that scornful silence of hers?"

"Mother, may we tell Touclé to put the syrup on to boil?" begged Elly.
Her hair was tangled and tousled, with bits of bark sticking in it, and
dried mud was caked on her hands and bare legs. Marise thought of the
repugnance she must have aroused in Eugenia.

"Mother," said Paul, "Mr. Welles is going to give me a fishing-rod, he
says. A _real_ one. Boughten."

"Oh, I want one too!" cried Mark, jumping up and down. "I want one too."

"You're too little. Mother, _isn't_ Mark too little? And anyhow, he
always breaks everything. You do, Mark, you know you do. I take _care_
of my things!"

       *       *       *       *       *

Someone in the confusion stepped on the fox-terrier's toes and he set up
a shrill, aggrieved yelping. The children pawed at her with dirty hands.

"Good-evening, Mr. Marsh," said Eugenia, looking over her shoulder at
the dark-haired figure in flannels approaching from the other house. She
turned and strolled across the grass to meet him, as white and gleaming
as he.

       *       *       *       *       *

A sick qualm of self-contempt shook Marise. For, high and clear above
everything else, there had come into her mind a quick discomfort at the
contrast between her appearance and that of Eugenia.



CHAPTER XV

HOME LIFE


July 20.

The heat was appalling even early in the morning, right after breakfast.
There were always three or four such terrific days, even up here in the
mountains, to remind you that you lived in America and had to take your
part of the ferocious extremes of the American climate.

And of course this had to be the time when Touclé went off for one of
her wandering disappearances. Marise could tell that by the aspect of
the old woman as she entered the kitchen that morning, her reticule bag
bulging out with whatever mysterious provisions Touclé took with her.
You never missed anything from the kitchen.

Marise felt herself in such a nervously heightened state of
sensitiveness to everything and everybody in those days, that it did not
surprise her to find that for the first time she received something more
than a quaint and amusing impression from the old aborigine. She had
never noticed it before, but sometimes there was something about
Touclé's strange, battered, leathery old face . . . what was it? The idea
came to her a new one, that Touclé was also a person, not merely a
curious and enigmatic phenomenon.

Touclé was preparing to depart in the silent, unceremonious,
absent-minded way she did everything, as though she were the only person
in the world. She opened the screen door, stepped out into the torrid
glare of the sunshine and, a stooped, shabby, feeble old figure, trudged
down the path.

"Where does she go?" thought Marise, and "What was that expression on
her face I could not name?"

Impulsively she went out quickly herself, and followed after the old
woman.

"Touclé! Touclé!" she called, and wondered if her voice in these days
sounded to everyone as nervous and uncertain as it did to her.

The old woman turned and waited till the younger had overtaken her. They
were under the dense shade of an old maple, beside the road, as they
stood looking at each other.

As she had followed, Marise regretted her impulse, and had wondered what
in the world she could find to say, but now that she saw again the
expression in the other's face, she cried out longingly, "Touclé, where
do you go that makes you look peaceful?"

The old woman glanced at her, a faint surprise appearing in her deeply
lined face. Then she looked at her, without surprise, seriously as
though to see what she might read in the younger woman's eyes. She stood
for a long moment, thinking. Finally she sat down on the grass under the
maple-tree, and motioned Marise to sit beside her. She meditated for a
long time, and then said, hesitatingly, "I don't know as a white person
could understand. White people . . . nobody ever asked me before."

She sat silent, her broad, dusty feet in their elastic-sided, worn,
run-over shoes straight before her, the thick, horny eyelids dropped
over her eyes, her scarred old face carved into innumerable deep lines.
Marise wondered if she had forgotten that anyone else was there. She
turned her own eyes away, finally, and looking at the mountains saw that
black thunderclouds were rolling up over the Eagle Rocks. Then the old
woman said, her eyes still dropped, "I tell you how my uncle told me,
seventy-five years ago. He said people are like fish in an underground
brook, in a black cave. He said there is a place, away far off from
where they live, where there is a crack in the rock. If they went 'way
off they could get a glimpse of what daylight is. And about once in so
often they need to swim there and look out at the daylight. If they
don't, they lose their eyesight from always being in the dark. He said
that a lot of Indians don't care whether they lose their eyesight or
not, so long's they can go on eating and swimming around. But good
Indians do. He said that as far as he could make out, none of the white
people care. He said maybe they've lost their eyes altogether."

Without a move of her sagging, unlovely old body, she turned her deep
black eyes on the flushed, quivering, beautiful woman beside her.
"That's where I go," she answered. "I go 'way off to be by myself, and
get a glimpse of what daylight is."

She got up to her feet, shifted her reticule from one hand to the other,
and without a backward look trudged slowly down the dusty road, a
stooped, shabby, feeble old figure.

Marise saw her turn into a wood-road that led up towards the mountain,
and disappear. Her own heart was burning as she looked. Nobody would
help her in her need. Touclé went away to find peace, and left her in
the black cave. Neale stood. . . .

A child's shriek of pain and loud wailing calls for "Mother! Mother!
_Mother!_" sent her back running breathlessly to the house. Mark had
fallen out of the swing and the sharp corner of the board had struck
him, he said, "in the eye! in the eye!" He was shrieking and holding
both hands frantically over his left eye. This time it might be serious,
might have injured the eye-ball. Those swing-boards were deadly. Marise
snatched up the screaming child and carried him into the kitchen,
terrible perspectives of blindness hag-riding her imagination; saying to
herself with one breath, "It's probably nothing," and in the next seeing
Mark groping his way about the world with a cane, all his life long.

She opened the first-aid box on the kitchen-shelf, pulled out a roll of
bandage and a length of gauze, sat down with Mark in her lap near the
faucet, and wet the gauze in cold water. Then she tried in vain to
induce him to take down his hands so that she could see where the blow
had struck.

But the terrified, hysterical child was incapable of hearing what she
said, incapable of doing anything but scream louder and louder when she
tried to pull down those desperately tight little hands held with
frantic tenseness over the hurt eye. Marise could feel all his little
body, quivering and taut. His shrieks were like those of someone
undergoing the most violent torture.

She herself responded nervously and automatically to his condition, felt
herself begin to tighten up, and knew that she was equally ready to
shake him furiously, or to burst into anguished tears of sympathy for
his pain.

Wait now . . . wait . . . what was the thing to do for Mark? What would
untie those knots of fright and shock? For Paul it would have been talk
of the bicycle he was to have for his birthday; for Elly a fairy-story
or a piece of candy! For Mark . . .

High above the tumult of Mark's shrieks and her own spasmodic reactions
to them, she sent her intelligence circling quietly . . . and in an
instant . . . oh yes, that was the thing. "Listen, Mark," she said in his
ear, stopping her effort to take down his hands, "Mother's learned a new
song, a _new_ one, awfully funny. And ever so long too, the way you like
them." She put her arms about him and began, hearing herself with
difficulty through his cries.

     "On yonder hill there stands a damsel,
     Who she is, I do not know."

("How preposterous we must sound, if Eugenia is listening," she thought
to herself, as she sang, "out-yelling each other this way!")

     "I'll go and court her for her beauty.
     She must answer 'yes' or 'no.'"

As usual Mark fell helpless before the combination of music and a story.
His cries diminished in volume. She said in his ear, "And then the Lady
sings," and she tuned her voice to a young-ladyish, high sweetness and
sang,

     "My father was a Spanish Captain,
     Went to sea a month ago,"

Mark made a great effort and choked down his cries to heaving sobs as he
tried to listen,

     "First he kissed me, then he left me;
     Bade me always answer 'no.'"

She told the little boy, now looking up at her out of the one eye not
covered by his hands, "Then the gentleman says to her," she made her
voice loud and hearty and bluff,

     "Oh, Madam, in your face is beauty,
     On your lips red roses grow.
     Will you take me for your lover?
     Madam, answer 'yes' or 'no.'"

She explained in an aside to Mark, "But her father had told her she must
always answer just the one thing, 'no,' so she had to say," she turned
up in the mincing, ladylike key again, and sang,

     "Oh no, John, no, John, no."

Mark drew a long quivering breath through parted lips and sat silent,
his one eye fixed on his mother, who now sang in the loud, lusty voice,

     "Oh, Madam, since you are so cruel,
     And that you do scorn me so,
     If I may not be your lover,
     Madam, will you let me go?"

And in the high, prim voice, she answered herself,

     "Oh no, John, no, John, _no!_"

A faint smile hovered near Mark's flushed face. He leaned towards his
mother as she sang, and took down his hands so that he could see her
better. Marise noted instantly, with a silent exclamation of relief that
the red angry mark was quite outside the eye-socket, harmless on the
bone at one side. Much ado about nothing as usual with the children. Why
_did_ she get so frightened each time? Another one of Mark's hairbreadth
escapes.

She reached for the cold wet compress and went on, singing loudly and
boldly, with a facetious wag of her head, (how tired she was of all this
manoeuvering!),

     "Then I will stay with you forever
     If you will not be unkind."

She applied the cold compress on the hurt spot and put out her hand for
the bandage-roll, singing with an ostentatiously humorous accent and
thinking with exasperation how all this was delaying her in the thousand
things to do in the house,

     "Madam, I have vowed to love you;
     Would you have me change my mind?"

She wound the bandage around and around the little boy's head, so that
it held the compress in place, singing in the high, sweet voice,

     "Oh no, John, no, John, NO."

She went on with a heavy, mock solemnity, in the loud voice,

     "Oh, hark, I hear the church-bells ringing;
     Will you come and be my wife?"

She pinned the bandage in place at the back of Mark's head,

     "Or, dear Madam, have you settled
     To live single all your life?"

She gathered the child up to her, his head on her shoulder, his face
turned to her, his bare, dusty, wiry little legs wriggling and soiling
her white skirt; and sang, rollickingly,

     "Oh no, John, no, John, NO!"

"There, that's all," she said in her natural voice, looking down at
Mark. She said to herself rebelliously, "I've expended enough
personality and energy on this performance to play a Beethoven sonata at
a concert," and found she was quoting something Vincent Marsh had said
about her life, the day before.

There was a moment while the joke slowly penetrated to Mark's
six-year-old brain. And then he laughed out, delightedly, "Oh, Mother,
that's a beaut! Sing it again. Sing it again! Now I know what's coming,
I'll like it such a lots betterer."

Marise cried out in indignant protest, "Mark! When I've sat here for ten
minutes singing to you, and all the work to do, and the sun getting like
red-hot fire every minute."

"What must you got to do?" asked Mark, challengingly.

"Well, the very first thing is to get dinner ready and in the fireless
cooker, so we can turn out the oil-stove and cool off this terrible
kitchen."

Mark looked up at her and smiled. He had recently lost a front tooth and
this added a quaintness to the splendor of his irresistible smile. "You
could sing as you get the dinner ready," he said insinuatingly, "and
I'll help you."

Marise smothered an impulse to shout to the child, "No, no, go away! Go
away! I can't have you bothering around. I've got to be by myself, or I
don't know what will happen!" She thought of Touclé, off in the green
and silent woods, in a blessed solitude. She thought of Eugenia up in
her shaded room, stretched on the chaise-longue in a thin silk
room-gown, she thought of Neale and his stern eyes . . . she looked down
on the dusty, tanned, tousle-headed little boy, with the bandage around
his head, his one eye looking up at her pleadingly, his dirty little
hand clutching at the fold of her skirt; and drearily and unwillingly
she summoned herself to self-control. "All right, Mark, that's true. I
could sing while I peel the potatoes. You could wash them for me. That
would help."

They installed themselves for this work. The acrid smell of
potato-parings rose in the furnace-like heat of the kitchen, along with
the singing voice, asking and answering itself. Mark listened with all
his might, laughing and wriggling with appreciation. When his mother had
finished and was putting the potatoes into the boiling water, he said
exultantly, "He got around _her_, all right, I should say what!"

Paul burst in now, saying, "Mother, Mother!" He stopped short and asked,
"What you got on your head, Mark?"

The little boy looked surprised, put his hand up, felt the bandage, and
said with an off-hand air, "Oh, I bunked my head on the corner of the
swing-board."

"I know," said Paul, "I've done it lots of times." He went on, "Mother,
my pig has lice. You can just _see_ them crawling around under his hair.
And I got out the oil Father said to use, but I can't do it. It says on
the can to rub it on with a stiff little brush. I don't see how ever in
the world you're going to get your pig to stand still while you do it.
When I try to, he just squeals, and runs away."

His mother said with decision, from where she stooped before the open
ice-box door, "Paul, if there is anything in the world I know nothing
about, it is pigs. I haven't the slightest idea what to do." She shut
the heavy door with a bang more energetic than was necessary to latch
it, and came back towards the stove with a raw, red piece of uncooked
meat on a plate.

"Oh, how nasty meat looks, raw," said Mark, with an accent of disgust.

"You eat it with a good appetite when I've cooked it," remarked his
mother, somewhat grimly, putting it in a hot pan over the fire. An odor
of searing fibers and smoke and frying onions rose up in the hot, still
air of the kitchen.

"If I could have guessed we'd have such weather, I'd never have ordered
a pot-roast," thought Marise, vexed.

"Please, Mother, _please_," begged Paul.

"Please what?" asked his mother, who had forgotten the pig.

"Henry!" said Paul. "If you could see how he scratches and scratches and
how the behind of his ears is all scabs he's so bitten."

"Wouldn't Eugenia and Vincent Marsh love this conversation?" thought
Marise, turning the meat in the pan and starting back from the spatters
of hot fat.

"Mother, don't you see, I agreed to take care of him, with Father, and
so I _have_ to. He's just like my child. You wouldn't let one of _us_
have lice all over, and scabs on our . . ."

"Oh stop, Paul, for Heaven's sake!" said his mother.

Through the smoke and smell and heat, the sensation of her underclothing
sticking hotly to her limbs, the constant dogging fear and excitement
that beset her, and the causeless twanging of her nerves, there traveled
to her brain, along a channel worn smooth by the habit of her thought
about the children, the question, "What is it that makes Paul care so
much about this?" And the answer, almost lost in the reverberation of
all those other questions and answers in her head, was, "It comes from
what is best in Paul, his feeling of personal responsibility for the
welfare of others. That mustn't be hindered." Aloud, almost
automatically, she said, in a neutral tone, "Paul, I don't think I can
do a single thing for you and Henry, but I'll go with you and look at
him and see if I can think of anything. Just wait till I get this and
the potatoes in the fireless cooker."

Paul made a visible effort, almost as though he were swallowing
something too large for his throat, and said ungraciously, "I suppose I
ought to help you in here, then."

"I suppose so," said his mother roughly, in an exact imitation of his
manner.

Paul looked at her quickly, laughing a little, sheepishly. He waited a
moment, during which time Mark announced that he was going out to the
sand-pile, and then said, in a pleasant tone, "What can I do?"

His mother nodded at him with a smile, refrained from the spoken word of
approbation which she knew he would hate, and took thought as to what he
might do that would afflict him least. "You can go and sweep off the
front porch, and straighten out the cushions and chairs, and water the
porch-box geraniums."

He disappeared, whistling loudly, "Massa's in the cold, cold ground."
Marise hoped automatically that Elly was not in earshot to hear this.

She felt herself tired to the point of exhaustion by the necessity
always to be divining somebody's inner processes, putting herself in
somebody's else skin and doing the thing that would reach him in the
right way. She would like, an instant, just an instant, to be in her own
skin, she thought, penetrated with a sense of the unstable equilibrium
of personal relations. To keep the peace in a household of young and old
highly differentiated personalities was a feat of the Blondin variety;
the least inattention, the least failure in judgment, and opportunities
were lost forever. Her sense of the impermanence of the harmony between
them all had grown upon her of late, like an obsession. It seemed to her
that her face must wear the strained, propitiatory smile she had so
despised in her youth on the faces of older woman, mothers of families.
Now she knew from what it came . . . balancing perpetually on a tight-rope
from which . . .

Oh, her very soul felt crumpled with all this pressure from the outside,
never-ending!

The worst was not the always recurring physical demands, the dressing
and undressing the children, preparing their food and keeping them
clean. The crushing part was the moral strain; to carry their lives
always with you, incalculably different from each other and from your
own. And not only their present lives, but the insoluble question of how
their present lives were affecting their future. Never for a moment from
the time they are born, to be free from the thought, "Where are they?
What are they doing? Is that the best thing for them?" till every
individual thought of your own was shattered, till your intelligence was
atrophied, till your sensibilities to finer things were dulled and
blunted.

Paul came back. "About ready for Henry?" he asked. "I've finished the
porch."

She put the two tightly closed kettles inside the fireless cooker and
shut down the lid. "Yes, ready for Henry," she said.

She washed her hot, moist face in cold water, drank a glass, put on a
broad-brimmed garden hat, and set out for the field back of the barn.
The kitchen had been hot, but it seemed cool compared to the heat into
which they stepped from the door. It startled Marise so that she drew
back for an instant. It seemed to her like walking through molten metal.
"Mercy! what heat!" she murmured.

"Yes, ain't it great?" said Paul, looking off, down the field, "just
what the corn needs."

"You should say 'isn't,' not 'ain't,'" corrected his mother.

"But it'll be cooler soon," said Paul. "There's a big thunderstorm
coming up. See, around the corner of the mountain. See how black it is
now, over the Eagle Rocks" He took her hand in his bramble-scarred
little fingers, and led her along, talking proudly of his own virtue.
"I've moved Henry's pen today, fresh, so's to get him on new grass, and
I put it under the shade of this butternut tree."

They were beside the pen now, looking over the fence at the grotesque
animal, twitching his gross and horribly flexible snout, as he peered up
at them out of his small, intelligent eyes, sunk in fat, and almost
hidden by the fleshy, hairy triangles of his ear-flaps.

"Don't you think Henry is a _very_ handsome pig?" asked Paul.

"I think you take very good care of him," she answered. "Now what is the
matter about the oil you can't put on? Doesn't he like it?"

"He hasn't felt it yet. He won't even let me try. Look!" The child
climbed over the fence and made a quick grab at the animal, which gave
an alarmed, startled grunt, wheeled with astonishing nimbleness, and
darted away in a short-legged gallop.

"Look there, that's the way he always does!" said Paul in an aggrieved
tone.

Marise considered the pig for a moment. He had turned again and was once
more staring at her, his quivering, fleshy snout in the air, a
singularly alert expression of attention animating his heavy-jowled
countenance.

"Are there any things he specially likes?" she asked Paul.

"He likes to eat, of course, being a pig," said Paul, "and he loves you
to scratch his back with a stick."

"Oh, then it's easy. Come outside the pen. Now listen. You go back to
the barn and get whatever it is you feed him. Then you put that in the
trough, and let him begin to eat, quietly. Then take your oil and your
brush, and moving very slowly so that you don't startle him, lean over
the fence and begin to brush it on his back where he likes to be rubbed.
If he likes the feel of it, he'll probably stand still. I'll wait here,
till you see how it comes out."

She moved away a few paces, and sank down on the grass under the tree,
as though the heat had flung her there. The grass crisped drily under
her, as though it too were parched.

She closed her eyes and felt the sun beating palpably on the lids . . .
or was it that hot inward pulse still throbbing . . . ? Why wouldn't Neale
do it for her? Why wouldn't he put out that strength of his and crush
out this strange agitation of hers, _forbid_ it to her? Then there was
nothing in her but intense discomfort, as though that were a universe of
its own. A low, distant growl of thunder shook the air with a muffled,
muted roar.

After a time, a little voice back of her announced in a low, cautious
tone, "Mother, it _works!_ Henry loves it!"

She turned her head and saw the little boy vigorously rubbing the ears
and flanks of the pig, which stood perfectly still, its eyes half shut,
rapt in a beatitude of satisfaction.

Marise turned her head away and slid down lower on the grass, so that
she lay with her face on her arm. She was shaking from head to foot as
though with sobs. But she was not crying. She was laughing hysterically.
"Even for the pig!" she was saying to herself. "A symbol of my life!"

She lay there a long time after this nervous fit of laughter had
stopped, till she heard Paul saying, "There, I've put it on every inch
of him." He added with a special intonation, "And now I guess maybe I'd
better go in swimming."

At this Marise sat up quickly, with an instant experienced divination of
what she would see.

In answer to her appalled look on him, he murmured apologetically, "I
didn't know I was getting so _much_ on me. It sort of spattered."

       *       *       *       *       *

It was, of course, as she led the deplorable object towards the house
that they encountered Eugenia under a green-lined white parasol, on the
way back from the garden, carrying an armful of sweet-peas.

"I thought I'd fill the vases with fresh flowers before the rain came,"
she murmured, visibly sheering off from Paul.

"Eugenia ought not to carry sweet-peas," thought Marise. "It ought
always to be orchids."

In the bath-room as she and Paul took off his oil-soaked clothes, Mark's
little voice called to her, "Mother! Mo-o-other!"

"Yes, what is it?" she answered, suspending operations for a moment to
hear.

"Mother, if I had to kill all the ants in the world," called Mark, "I'd
a great deal rather they were all gathered up together in a heap than
running around every-which-way, wouldn't you?"

"For goodness' _sakes,_ what a silly baby thing to say!" commented Paul
with energy.

Marise called heartily to Mark, "Yes indeed I would, dear."

Paul asked curiously, "Mother, how can you answer him like that, such a
_fool_ thing!"

Marise felt another wave of hysterical laughter mounting, at the idea of
the difficulty in perceiving the difference in degree of flatness
between Mark's remarks and those of Paul.

But it suddenly occurred to her that this was the time for Elly's hour
at the piano, and she heard no sound. She hastily laid out the clean
clothes for Paul, saw him started on the scrub in the bath-tub, and ran
downstairs to see if she could find Elly, before the storm broke,
turning over in her mind Elly's favorite nooks.

       *       *       *       *       *

The air was as heavy as noxious gas in the breathless pause before the
arrival of the rain.

In the darkened, shaded hall stood a man's figure, the face turned up
towards her, the look on it meant for her, her only, not the useful
house-mother, but that living core of her own self, buried, hidden, put
off, choked and starved as she had felt it to be, all that morning. That
self rose up now, passionately grateful to be recognized, and looked
back at him.

Thunder rolled among the distant hills.

She felt her pulse whirling with an excitement that made her lean
against the wall, as he took a great stride towards her, crying out,
"Oh, make an end . . . make an end of this. . . ."

The door behind him opened, and Elly ran in, red-faced and dusty.
"Mother, Mother, Reddy has come off her nest. And there are twelve
hatched out of the fourteen eggs! Mother, they are such darlings! I wish
you'd come and see. Mother, if I practise _good_, won't you come
afterwards and look at them?"

"You should say 'practise well,' not 'good,'" said Marise, her accent
openly ironical.

The wind, precursor of the storm falling suddenly on the valley, shook
the trees till they roared.

Over the child's head she exchanged with Vincent Marsh a long reckless
look, the meaning of which she made no effort to understand, the abandon
of which she made no effort to restrain.

With a dry, clattering, immediate rattle, without distance or dignity,
the thunder broke threateningly over the house.



CHAPTER XVI


MASSAGE-CREAM; THEME AND VARIATIONS

July 20.

The hardest thing for Eugenia about these terribly hard days of suspense
was to keep her self-control in her own room. Of course for her as for
any civilized being, it was always possible to keep herself in hand with
people looking on. But for years she had not had to struggle so when
alone, for poise and self-mastery. Her room at the Crittendens', which
had been hers so long, and which Marise had let her furnish with her own
things, was no longer the haven of refuge it had been from the bitter,
raw crudity of the Vermont life. She tried to fill the empty hours of
Neale's daily absences from the house with some of the fastidious,
delicate occupations of which she had so many, but they seemed brittle
in her hot hands, and broke when she tried to lean on them. A dozen
times a day she interrupted herself to glance with apprehension at her
reflection in the mirror, the Florentine mirror with the frame of brown
wood carved, with the light, restrained touch of a good period, into
those tasteful slender columns. And every time she looked, she was
horrified and alarmed to see deep lines of thought, of hope, of
impatience, of emotion, criss-crossing fatally on her face.

Then she would sit down before her curving dressing-table, gather the
folds of her Persian room-dress about her, lift up her soul and go
through those mental and physical relaxing exercises which the wonderful
lecturer of last winter had explained. She let her head and shoulders
and neck droop like a wilted flower-stem, while she took into her mind
the greater beauty of a wilted flower over the crass rigidity of a
growing one; she breathed deeply and slowly and rhythmically, and
summoned to her mind far-off and rarely, difficultly, beautiful things;
the tranquil resignation of Chinese roofs, tempered with the merry human
note of their tilted corners; Arabian traceries; cunningly wrought,
depraved wood-carvings in the corners of Gothic cathedrals; the gay and
amusing pink rotundities of a Boucher ceiling. When she felt her face
calm and unlined again, she put on a little massage cream, to make
doubly sure, and rubbed it along where the lines of emotion had been.

But half an hour afterwards, as she lay stretched in the chaise-longue
by the window, reading Claudel, or Strindberg, or Rémy de Gourmont, she
would suddenly find that she was not thinking of what was on the page,
that she saw there only Marise's troubled eyes while she and Marsh
talked about the inevitable and essential indifference of children to
their parents and the healthiness of this instinct; about the
foolishness of the parents' notion that they would be formative elements
in the children's lives; or on the other hand, if the parents did
succeed in forcing themselves into the children's lives, the danger of
sexual mother-complexes. Eugenia found that instead of thrilling
voluptuously, as she knew she ought, to the precious pain and
bewilderment of one of the thwarted characters of James Joyce, she was,
with a disconcerting and painful eagerness of her own, bringing up to
mind the daunted silence Marise kept when they mentioned the fact that
of course everybody nowadays knew that children are much better off in a
big, numerous, robust group than in the nervous, tight isolation of
family life; and that a really trained educator could look out for them
much better than any mother, because he could let them alone as a mother
never could.

She found that such evocations of facts poignantly vital to her
personally, were devastatingly more troubling to her facial calm than
any most sickening picture in d'Annunzio's portrayal of small-town
humanity in which she was trying to take the proper, shocked interest.
Despite all her effort to remain tranquil she would guess by the stir of
her pulses that probably she had lost control of herself again, and
going to the mirror would catch her face all strained and tense in a
breathless suspense.

But if there was one thing which life had taught her, it was persevering
patience. She drew from the enameled bonbonnière one of the curious,
hard sweet-meats from Southern China; lifted to her face the spicy-sweet
spikes of the swamp-orchid in her Venetian glass vase; turned her eyes
on the reproduction of the Gauguin _Ja Orana Maria_, and began to draw
long, rhythmic breaths, calling on all her senses to come to her rescue.
She let her arms and her head and her shoulders go limp again, and fixed
her attention on rare and beautiful things of beauty . . . abandoning
herself to the pictures called up by a volume of translated Japanese
poems she had recently read . . . temples in groves . . . bells in the
mist . . . rain on willow-trees . . . snow falling without wind. . . .
How delicate and suggestive those poems were! How much finer, more subtle
than anything in the Aryan languages!

She came to herself cautiously, glanced at her face in the mirror, and
reached for the carved ivory pot of massage cream.

       *       *       *       *       *

She decided then she would sew a little, instead of reading. The frill
of lace in her net dress needed to be changed . . . such a bore having to
leave your maid behind. She moved to the small, black-lacquered table
where her work-box stood and leaned on it for a moment, watching the dim
reflection of her pointed white fingers in the glistening surface of the
wood. They did not look like Marise's brown, uncared-for hands. She
opened the inlaid box and took from it the thimble which she had bought
in Siena, the little antique masterpiece of North Italian gold-work.
What a fulfilment of oneself it was to make life beautiful by
beautifying all its implements. What a revelation it might be to Neale,
how a woman could make everything she touched exquisite, to Neale who
had only known Marise, subdued helplessly to the roughness of the rough
things about her, Marise who had capitulated to America and surrendered
to the ugliness of American life.

       *       *       *       *       *

But none of that, none of that! She was near the danger line again. She
felt the flesh on her face begin to grow tense, and with her beautiful,
delicate fore-fingers she smoothed her eyebrows into relaxed calm again.

She must keep herself occupied, incessantly; that was the only thing
possible. She had been about to have recourse to the old, old
tranquillizer of women, the setting of fine stitches. She would fix her
mind on that . . . a frill of lace for the net dress . . . which lace? She
lifted the cover from the long, satin-covered box and fingered over the
laces in it, forcing herself to feel the suitable reaction to their
differing physiognomies, to admire the robustness of the
Carrick-Macross, the boldness of design of the Argentan, the complicated
fineness of the English Point. She decided, as harmonizing best with the
temperament of the net dress, on Malines, a strip of this perfect,
first-Napoleon Malines. What an aristocratic lace it was, with its
cobwebby _fond-de-neige_ background and its fourpetaled flowers in the
scrolls. Americans were barbarians indeed that Malines was so little
known; in fact hardly recognized at all. Most Americans would probably
take this priceless creation in her hand for something bought at a
ten-cent store, because of its simplicity and classic reticence of
design. They always wanted, as they would say themselves, something more
to show for their money. Their only idea of "real lace," as they
vulgarly called it (as if anything could be lace that wasn't real), was
that showy, awful Brussels, manufactured for exportation, which was sold
in those terrible tourists' shops in Belgium, with the sprawling
patterns made out of coarse braid and appliquéd on, not an organic part
of the life of the design.

She stopped her work for a moment to look more closely at the filmy lace
in her hand, to note if the mesh of the réseau were circular or
hexagonal. She fancied that she was the only American woman of her
acquaintance who knew the difference, who had the least culture in the
matter of lace . . . except Marise, of course, and it was positively worse
for Marise to have been initiated and then turn back to commonness, than
for those other well-meaning, Philistine American women who were at
least innocently ignorant. Having known the exquisite lore of lace, how
could Marise have let it and all the rest of the lore of civilization
drop for these coarse occupations of hers, now? How could she have let
life coarsen her, as it had, how could she have fallen into such common
ways, with her sun-browned hair, and her roughened hands, and her
inexactly adjusted dresses, and the fatal middle-aged lines beginning to
show from the corner of the ear down into the neck, and not an effort
made to stop them. But as to wrinkles, of course a woman as unrestrained
as Marise was bound to get them early. She had never learned the ABC of
woman's wisdom, the steady cult of self-care, self-beautifying,
self-refining. How long would it be before Neale . . .

No! None of that! She must get back to impersonal thoughts. What was it
she had selected as subject for consideration? It had been lace. What
about lace? Lace . . . ? Her mind balked, openly rebellious. She could not
make it think of lace again. She was in a panic, and cast about her for
some strong defense . . . oh! just the thing . . . the new hat.

She would try on the new hat which had just come from New York. She had
been waiting for a leisurely moment, really to be able to put her
attention on that.

She opened the gaily printed round pasteboard box, and took out the
creation. She put it on with care, low over her eyebrows, adjusting it
carefully by feel, before she looked at herself to get the first
impression. Then, hand-glass in hand, she began to study it seriously
from various angles. When she was convinced that from every view-point
her profile had the unlovely and inharmonious silhouette fashionable
that summer, she drew a long breath of relief, and took it off gently,
looking at it with pleasure. Nothing gives one such self-confidence, she
reflected, as the certainty of having the right sort of hat. How much
better "chic" was than beauty!

With the hat still in her hand, her very eyes on it, she saw there
before her, as plainly as though in a crystal ball, Marise's attitude as
she had stood with Marsh that evening before at the far end of the
garden. Her body drawn towards his, the poise of her head, all of her
listening intently while he talked . . . one could see how he was
dominating her. A man with such a personality as his, regularly hypnotic
when he chose, and practised in handling women, he would be able to do
anything he liked with an impressionable creature like Marise, who as a
girl was always under the influence of something or other. It was
evident that he could put any idea he liked into Marise's head just by
looking at her hard enough. She had seen him do it . . . helped him do it,
for that matter!

And so Neale must have seen. Anybody could! And Neale was not raising a
hand, nor so much as lifting an eyebrow, just letting things take their
course.

_What could that mean except that he would welcome_ . . .

Oh Heavens! her pulse was hammering again. She sprang up and ran to the
mirror. Yes, the mirror showed a face that scared her; haggard and
pinched with a fierce desire.

There were not only lines now, there was a hollow in the cheek . . . or
was that a shadow? It made her look a thousand years old. Massage would
do that no good! And she had no faith in any of those "flesh-foods."
Perhaps she was underweight. The hideous strain and suspense of the last
weeks had told on her. Perhaps she would better omit those morning
exercises for a time, in this intense heat. Perhaps she would better
take cream with her oatmeal again. Or perhaps cream of wheat would be
better than oatmeal. How ghastly that made her look! But perhaps it was
only a shadow. She could not summon courage enough to move and see.
Finally she took up her hand-mirror, framed in creamy ivory, with a
carved jade bead hanging from it by a green silk cord. She went to the
window to get a better light on her face. She examined it, holding her
breath; and drew a long, long sigh of respite and relief. It _had_ been
only a shadow!

But what a fright it had given her! Her heart was quivering yet. What
unending vigilance it took to protect yourself from deep emotions. When
it wasn't one, it was another, that sprang on you unawares.

Another one _was_ there, ready to spring also, the suddenly conceived
possibility, like an idea thrust into her mind from the outside, that
there might be some active part she could play in what was going on in
this house. People did sometimes. If some chance for this offered . . .
you never could tell when . . . a word might be . . . perhaps something to
turn Marise from Neale long enough to . . .

She cast this idea off with shame for its crudeness. What vulgar raw
things would come into your head when you let your mind roam idly . . .
like cheap melodrama . . .

She would try the Vedanta deep-breathing exercises this time to quiet
herself; and after them, breathing in and out through one nostril, and
thinking of the Infinite, as the Yogi had told her.

She lay down flat on the bed for this, kicking off her quilted satin
_mules_, and wriggling her toes loose in their lace-like silk stockings.
She would lie on her back, look up at the ceiling, and fix her mind on
the movement up and down of her navel in breathing, as the Vedanta
priest recommended to quiet the spirit. Perhaps she could even say,

"Om . . . om . . . om . . ."

as they did.

       *       *       *       *       *

No, no she couldn't. She still had vestiges of that stupid, gross
Anglo-Saxon self-consciousness clinging to her. But she would outgrow
them, yet.

She lay there quiet and breathed slowly, her eyes fixed on the ceiling.
And into her mind there slowly slid a cypress-shaded walk with Rome far
below on one side, and a sun-ripened, golden, old wall on the other. She
stood there with Marise, both so young, so young! And down the path
towards them came a tall figure, with a bold clear face, a tender
full-lipped mouth, and eyes that both smiled and were steady.

Helplessly she watched him come, groaning in spirit at what she knew
would happen; but she could not escape till the ache in her throat
swelled and broke, as she saw that his eyes were for Marise and his
words, and all of his very self for which she . . .

So many years . . . so many years . . . with so much else in the
world . . . not to have been able to cure that one ache . . . and she did
not want to suffer . . . she wanted to be at rest, and have what she
needed. The tears rose brimming to her eyes, and ran down on each side of
her face to the pillow. Poor Eugenia! Poor Eugenia!

       *       *       *       *       *

She was almost broken this time, but not entirely. There was some fight
left in her. She got up from the bed, clenched her hands tightly, and
stood in the middle of the floor, gathering herself together.

Down with it! Down! Down! Just now, at this time, when such an utterly
unexpected dawn of a possible escape . . . to give way again.

She thought suddenly, "Suppose I give up the New-Thought way, always
distracting your attention to something else, always suppressing your
desire, resisting the pull you want to yield to. Suppose I try the Freud
way, bringing the desire up boldly, letting yourself go, unresisting."
It was worth trying.

She sat down in a chair, her elbows on the dressing-table, and let
herself go, gorgeously, wholly, epically, as she had been longing to
ever since she had first intercepted that magnetic interchange of looks
between Marsh and Marise, the day after her arrival, the day of the
picnic-supper in that stupid old woman's garden. That was when she had
first known that something was up.

       *       *       *       *       *

Why, how easy it was to let yourself go! They were right, the Freudians,
it was the natural thing to do, you did yourself a violence when you
refused to. It was like sailing off above the clouds on familiar wings,
although it was the first time she had tried them. . . . Marise would fall
wholly under Marsh's spell, would run away and be divorced. Neale would
never raise a hand against her doing this. Eugenia saw from his aloof
attitude that it was nothing to him one way or the other. Any man who
cared for his wife would fight for her, of course.

And it was so manifestly the best thing for Marise too, to have a very
wealthy man looking out for her, that there could be no disturbing
reflexes of regret or remorse for anybody to disturb the perfection of
this fore-ordained adjustment to the Infinite. Then with the children
away at school for all the year, except a week or two with their father
. . . fine, modern, perfect schools, the kind where the children were
always out of doors, Florida in winter and New England hills in summer.
Those schools were horribly expensive . . . what was all her money for?
. . . but they had the best class of wealthy children, carefully selected
for their social position, and the teachers were so well paid that of
course they did their jobs better than parents.

Then Neale, freed from slavery to those insufferable children, released
from the ignoble, grinding narrowness of this petty manufacturing
business, free to roam the world as she knew he had always longed to
do . . . what a life they could have . . . India with Neale . . .
China . . . Paris . . . they would avoid Rome perhaps because of
unwelcome memories . . . Norway in summer-time. Think of seeing Neale
fishing a Norway salmon brook . . . she and Neale on a steamer
together . . . together . . .

She caught sight of her face in the mirror . . . that radiant, smiling,
triumphant, _young_ face, hers!

Yes, the Freud way was the best.



CHAPTER XVII


THE SOUL OF NELLY POWERS

July 20.

The big pine was good for one thing, anyhow, if it did keep the house as
dark as a cellar with the black shade it made. The side-porch was nice
and cool even on a hot summer day, just right for making butter. If it
wasn't for the horrid pitch-piny smell the tree wouldn't be so bad. The
churning was getting along fine too. The dasher was beginning to go the
blob-blob way that showed in a minute or two the butter would be there.
It had been a real good idea to get up early and get the work out of the
way so that the churning could be done before it got so hot. A
thunder-storm was coming, too, probably. You could feel it in the air.
There, perhaps the butter had come, now. Nelly pushed the dasher down
slowly and drew it back with care, turning her ear to listen expertly to
the sound it made. No, not yet, there wasn't that watery splash yet that
came after it had separated.

She went on with the regular rhythmic motion, her eyes fixed dreamily on
the round hole in the cover of the churn, through which the
dasher-handle went up and down and which was now rimmed with thick
yellow cream. She loved to churn, Nelly thought. She loved to have milk
to look out for, anyhow, from the time it came in from the barn, warm
and foamy and sweet-smelling, till the time when she had taken off the
thick, sour cream, like shammy-skin, and then poured the loppered milk
spatteringly into the pigs' trough. She liked seeing how the pigs loved
it, sucking it up, their eyes half shut because it tasted so good. There
wasn't anything that was better than giving people or animals what they
liked to eat. It made her feel good all over to throw corn to the hens
and see how they scrabbled for it. She just loved to get a bag of stick
candy at the store, when she went to town, and see how Addie and Ralph
and little 'Gene jumped up and down when they saw it.

And then it was so nice to be fore-handed and get the churning out of
the way before noon. She would have time this afternoon after the dishes
were done, to sit right down with that sprigged calico dress for little
Addie. She could get the seams all run up on the machine before
supper-time, and have the hand-work, buttonholes and finishing, for
pick-up work for odd minutes. She just loved to sit and sew, in a room
all nice and picked up, and know the house-work was done.

That would be a _real_ pretty dress, she thought, with the pink sprigs
and the pink feather-stitching in mercerized cotton she was going to put
on it. Addie would look sweet in it. And if it was washed careful and
dried in the shade it wouldn't fade so much. It was a good bright pink
to start with. Only Addie ought to have a new hat to wear with it. A
white straw with pink flowers on it. But that would cost a couple of
dollars, anyhow, everything was so dear now. Oh well, 'Gene would let
her buy it. 'Gene would let her do most anything.

She thought with pity of her sisters, mill-hands in West Adams still, or
married to mill-hands, men who got drunk on the sly and didn't work
regular, and wanted a full half of all they made for themselves. 'Gene
and his mother were always scolding about the money they could have had
if they'd kept that wood-land on the mountain. They'd ought to ha' been
really poor the way she had been, so's you didn't know where the next
meal was coming from, or how the rent was going to be paid. She had been
awfully lucky to get 'Gene, who let her decide how much money ought to
be spent on the children's clothes and hers, and never said a thing, or
scolded or bothered. He was kind of _funny_, 'Gene was, always so sober
and solemn, and it was a _sort_ of bother to have him so crazy about her
still. That had been all right when they were engaged, and first
married. She had liked it all right then, although it always seemed sort
of foolish to her. But men _were_ that way! Only now, when there were
three children and another one coming, and the house to be kept nice,
and the work done up right, and the farmwork and everything going so
good, and so much on her mind, why, it seemed as though they'd ought to
have other things to think about beside kissings and huggings. Not that
'Gene didn't do his share of the work. He was a fine farmer, as good as
anybody in the valley. But he never could settle down, and be
comfortable and quiet with her, like it was natural for old married
folks to do. If she went by him, close, so her arm touched him, why
then, if nobody was there he'd grab at her and kiss her and rumple her
hair, and set her all back in her work. With all she had to do and think
of, and she did her work as good as anybody if she did say it who
shouldn't, she had her day planned before she turned her feet out of bed
in the morning. And she liked to have things go the way she planned
them. She _liked_ 'Gene all right, only she had her work to get done.

She churned meditatively, looking off towards the mountain where the
Eagle Rocks heaved themselves up stiff and straight and high. 'Gene's
mother came to the door, asked if the butter was coming all right,
looked at her, and said, "My! Nelly, you get better looking every day
you live," and went back to her bread-baking.

Nelly went on with her reflections about 'Gene. It was more than just
that he bothered her and put her back with her work. She really didn't
think it was just exactly nice and refined to be so crazy about anybody
as that. Well, there was a streak in the Powerses that wasn't refined.
'Gene's mother! gracious! When she got going, laughing and carrying-on,
what wouldn't she say, right out before anybody! And dancing still like
a young girl! And that hateful old Mrs. Hewitt, just after they'd moved
back to Ashley, didn't she have to go and tell her about 'Gene's being
born too soon after his father and mother were married? 'Gene took it
from his mother she supposed; he wa'an't to blame, really. But she hoped
Addie and Ralph would be _like_ her folks. Not but what the Powerses
were good-hearted enough. 'Gene was a good man, if he was queer, and an
awful good papa to Addie and Ralph and little 'Gene. None of her sisters
had got a man half so good. That sprigged dress would look good with
feather-stitching around the hem, too. Why hadn't she thought of that
before? She hadn't got enough mercerized thread in the house, she didn't
believe, to do it all; and it was such a nuisance to run out of the
thread you had to have, and nobody going to the village for goodness
knows when, with the farmwork behind the way it was, on account of the
rains.

She shifted her position and happened to bring one of her feet into
view. Without disturbing a single beat of the regular rhythm of the
dasher, she tilted her head to look at it with approbation. If there was
one thing she was particular about it was her shoes. She took such
comfort in having them nice. They could say what they pleased, folks
could, but high heels _suited_ her feet. Maybe some folks, that had
great broad feet like that old Indian Touclé, felt better in those
awful, sloppy old gunboats they called "Common-sense shoes," but _she_
didn't! It would make her sick to wear them! How they did look! Was
there anything so pretty, anyhow, as a fine-leather shoe with a nice
pointed toe, and a pretty, curved-in heel? It made you feel refined, and
as good as anybody, even if you had on a calico dress with it. That was
another nice thing about 'Gene, how he'd stand up for her about wearing
the kind of shoes she wanted. Let anybody start to pick on her about it,
if 'twas his own mother, he'd shut 'em up short, and say Nelly could
wear what she liked he guessed. Even when the doctor had said so strict
that she hadn't ought to wear them in the time before the babies came,
'Gene never said a word, when he saw her doing it.

There, the butter was just almost there. She could hear the buttermilk
begin to swash! She turned her head to call to her mother-in-law to
bring a pitcher for the buttermilk, when a sound of galloping hoofs
echoed from the road. Nelly frowned, released her hold on the dasher,
listened an instant, and ran into the house. She went right upstairs to
her room as provoked as she could be. Well, she would make the bed and
do the room-work anyhow, so's not to waste _all_ that time. She'd be
that much ahead, anyhow. And as soon as Frank had finished chinning with
Mother Powers, and had gone, she'd go back and finish her churning. She
felt mad all through at the thought of that cream left at just the wrong
minute, just as it was separating. Suppose Frank hung round and _hung_
around, the way he did often, and the sun got higher and the cream got
too warm, and she'd have to put in ice, and go down cellar with it, and
fuss over it all the rest of the day? She was furious and thumped the
pillows hard, with her doubled-up fist. But if she went down, Frank'd
hang around worse, and talk so foolish she'd want to slap him. He wa'n't
more'n half-witted, sometimes, she thought. What was the _matter_ with
men, anyhow? They didn't seem to have as much sense as so many calves!
You'd think Frank would think up something better to do than to bother
the life out of busy folks, sprawling around all over creation the way
he did. But she never had any luck! Before Frank it had been that old
Mrs. Hewitt, nosing around to see what she could pick fault with in a
person's housekeeping, looking under the sink if you left her alone in
the kitchen for a minute, and opening your dresser drawers right before
your face and eyes. Well, Frank was getting to be most as much of a
nuisance. He didn't peek and snoop the way Mrs. Hewitt did, but he
_bothered_; and he was getting so impudent, too! He had the big-head
because he was the best dancer in the valley, that was what was the
matter with him, and he knew she liked to dance with him. Well, she did.
But she would like to dance with anybody who danced good. If 'Gene
didn't clump so with his feet, she'd love to dance with him. And Frank
needn't think he was so much either. That city man who was staying with
the old man next to the Crittendens was just as good a dancer as Frank,
just exactly as light on his feet. She didn't like him a bit. She
thought he was just plain fresh, the way he told Frank to go on dancing
with her. What was it to him! But she'd dance with him just the same, if
she got the chance. How she just loved to dance! Something seemed to get
into her, when the music struck up. She hardly knew what she was doing,
felt as though she was floating around on that thick, soft moss you
walked on when you went blue-berrying on the Burning above the Eagle
Rocks . . . all springly. . . . If you could only dance by yourself,
without having to bother with partners, that was what would be nice.

She stepped to the door to listen, and heard 'Gene's mother cackling
away like an old hen. How she would carry on, with anybody that came
along! She hadn't never settled down, not a bit really, for all she had
been married and was a widow and was old. It wa'n't nice to be so lively
as that, at her age. But she _wasn't_ nice, Mother Powers wasn't, for
all she was good to Addie and Ralph and little 'Gene. Nelly liked nice
people, she thought, as she went back to shake the rag rugs out of the
window; refined ladies like Mrs. Bayweather, the minister's wife. That
was the way _she_ wanted to be, and have little Addie grow up. She
lingered at the window a moment looking up at the thick dark branches of
the big pine. How horrid it was to have that great tree so close to the
house! It shaded the bedroom so that there was a musty smell no matter
how much it was aired. And the needles dropped down so messy too, and
spoiled the grass.

Frank's voice came up the stairs, bold, laughing, "Nelly, Nelly, come
down here a minute. I want to ask you something!"

"I can't," she called back. Didn't he have the nerve!

"Why can't you?" the skeptical question came from halfway up the stairs.
"I saw you on the side-porch, just as I came up."

Nelly cast about for an excuse. Of course you had to have some _reason_
for saying you couldn't see a neighbor who came in. She had an
inspiration. "I'm washing my hair," she called back, taking out the
hair-pins hastily, as she spoke. The great coils came tumbling down on
her shoulders. She soused them in the water pitcher, and went to the
door, opening it a crack, tipping her head forward so that the water
streamed on the floor. "Can't you ask Mother Powers for whatever it is?"
she said impatiently. She wished as she spoke that she could ever speak
right out sharp and scratchy the way other people did. She was too easy,
that was the trouble.

"Well," said Frank, astonished, "you be, for a fact."

He went back down the stairs, and Nelly shut the door. She was hot all
over with impatience about that butter. When it wasn't one thing to keep
her from her work, it was another. Her hair all wet now. And such a job
to dry it!

She heard voices in the kitchen, and the screen-door open. Thank
goodness, Frank was going away! Oh my! Maybe he was going to the
village! He could bring some of the pink mercerized cotton on his way
back. He might as well be of _some_ use in the world. She thrust her
head out of the window. "Frank, Frank, wait a minute!" she called. She
ran back to her work-basket, cut a length from a spool of thread, wound
it around a bit of paper, and went again to the window. "Say, Frank, get
me two spools of cotton to match that, will you, at Warner and Hardy's."

He rode his horse past the big pine, under her window, and stood up in
the stirrups, looking up boldly at her, her hair in thick wet curls
about her face. "I'd do anything for you!" he said jokingly, catching
at the paper she threw down to him.

She slammed the window down hard. How provoking he was! But anyhow she
would have enough thread to feather-stitch that hem. She'd got that much
out of him. The thought made up to her for some of the annoyance of the
morning. She put a towel around her shoulders under her wet hair, and
waited till he was actually out of sight around the bend of the road. It
seemed to her that she saw something stir in the long grass in the
meadow there. Could the woodchucks be getting so close to the house as
that? She'd have to tie Towser up by her lettuce, nights, if they were.

Gracious, there it was thundering, off behind the Rocks! She'd have to
hustle, if she got the butter done before the storm came. When Frank had
really disappeared, she ran downstairs, and rushed out to her churn. She
felt of it anxiously, her face clearing to note that it seemed no warmer
than when she had left it. Maybe it was all right still. She began to
plunge the dasher up and down. Well, it had gone back some, she could
tell by the feel, but not so much, she guessed, but what she could make
it come all right.

As she churned, she thought again of Frank Warner. This was the limit!
He got so on her nerves, she declared to herself she didn't care if he
_never_ danced with her again. She wished she had more spunk, like some
girls, and could just send him packing. But she never could think of any
sharp things to say to folks, in time. She was too easy, she knew that,
always had been. Look how long she had put up with Mrs. Hewitt's
snooping around. And then in the end she had got cold feet and had had
to sick 'Gene on to her, to tell her they didn't want her sitting around
all the time and sponging off them at meal-times.

But somehow she didn't want to ask 'Gene to speak to Frank that way. She
was afraid somehow it would get 'Gene excited. Mostly he was so still,
and then all of a sudden he'd flare up and she never could see a thing
to make him then more than any time. The best thing to do with Gene was
to keep him quiet, just as much as she could, not do anything to get him
started. That was why she never went close up to him or put her arms
around his neck of her own accord. She'd _like_ to pet him and make over
him, the way she did over the children, but it always seemed to get him
so stirred up and everything. Men were funny, anyhow! She often had
thought how nice it would be if 'Gene could only be another woman. They
could have such good times together.

Why, here was 'Gene himself come in from cultivating corn right in the
middle of the morning. Maybe he wanted a drink. He came up on the porch,
without looking at her and went into the house. How heavy he walked. But
then he always did. That was the trouble with his dancing. You had to
step light, to be a good dancer.

There was a crack of thunder again, nearer than the first one. She heard
him ask his mother, "Frank Warner been here?"

And Mother Powers say, "Yes, he come in to ask if we could loan him our
compass. He's going to go up tomorrow in the Eagle Rock woods to run out
the line between the Warner and the Benson woodlots. The Warners have
sold the popple on theirs to the Crittenden mill, and Frank says the
blazes are all barked over, they're so old."

Oh goody! thought Nelly, there the butter was, come all at once. The
buttermilk was splashing like water. Yes, even there around the hole you
could see the little yellow specks. Well, she needn't have got so
provoked, after all. That was fine. Now she could get at that sprigged
dress for Addie, after all, this afternoon.

'Gene came out on the porch again. She looked at him and smiled. She
felt very happy and relieved that the butter had come so that she could
finish working it over before noon.

'Gene glowered at her smiling face and at her hair curling and shining
all down her back. How cross he looked! Oh bother! Excited too. Well,
what could the matter be, _now_? She should think any man would be
satisfied to come in, right in the middle of the morning like that,
without any warning, and find his house as spick and span as a pin, and
the butter churned and half the day's work out of the way. She'd like to
know what more he wanted? Who else could do any better? Oh bother! How
queer men were!

Yes, it would really be lots nicer if there were only women and children
in the world. Gracious! how that lightning made her jump! The storm had
got there quicker'n she'd thought. But the butter had come, so it was
all right.



PART III



CHAPTER XVIII


BEFORE THE DAWN

July 21.

Neale had lain so long with his eyes on the place where the window ought
to be, that finally he was half persuaded he could see it, a faintly
paler square against the black of the room. Very soon dawn would come in
that window, and another day would begin.

At the thought the muscles of his forearms contracted, drawing his
fingers into rigidly clenched fists, and for a moment he did not
breathe.

Then he conquered it again; threw off the worst of the pain that had
sprung upon him when he had wakened suddenly, hours before, with the
fear at last there before him, visible in the darkness.

What was this like? Where before had he endured this eternity of
waiting? Yes, it was in France, the night when they waited for the
attack to break, every man haggard with the tension, from dark till just
before dawn.

He lay still, feeling Marise's breathing faintly stirring the bed.

There in France it had been a strain almost beyond human power to keep
from rushing out of the trenches with bayonets fixed, to meet the
threatened danger, to beat it back, to conquer it, or to die and escape
the suspense. Now there was the same strain. He had the weapons in his
hands, weapons of passion, and indignation and entreaty and reproach,
against which Marise would not stand for a moment.

But there in France that would have meant possibly an insignificant
local success and the greater victory all along the line imperiled. And
here that was true again. There hadn't been anything to do then but
wait. There was nothing to do now but wait.

Yes, but it was harder to wait now! There in France they had at least
known that finally the suspense would end in the fury of combat. They
would have the chance to resist, to conquer, to impose their will. And
now there was no active part for him. He must wait on, and hold back his
hand from the attack which would give him the appearance of victory, and
which would mean everlasting defeat for him, for Marise, the death and
ruin of what they had tried to be for each other, to build up out of
their life together.

What did he mean by that? Wasn't he fooling himself with words, with
priggish phrases? It was so easy to do that. And he was so mortally
fatigued with this struggle in the dark. He had been thinking about it
so deeply, so desperately, ever since he had faced it there, squarely,
those endless black hours ago. He might have lost his way.

Now, once more, slowly, step by step, once more over the terrible road
that led him here. Perhaps there was another way he had overlooked.
Perhaps this time it would lead him to something less intolerable. Quiet
now, steady, all that he had of courage and honesty and knowledge of
Marise, and of life, and of himself, put to work.

His brain began again to plod up the treadmill it had labored on for so
many black hours. He set himself to get it clear in his own mind,
forcing those fierce, burning thoughts of his into words, as if he had
been speaking aloud. "Now, now here I am. What must I do? What ought I
to do? There must be some answer if I can only think clearly, feel
aright. _What is it that I want?_"

The answer burst from him, as though in a cry of torture from his brain,
his body, his passion, his soul, "_I want Marise!_"

And at this expression of overmastering desire, memory flooded his mind
with a stream of unforgotten pictures of their life together; Marise
facing him at the breakfast table; Marise walking with him in the autumn
woods; Marise with Paul a baby in her arms; Marise, almost unknown then,
the flame-like divinity of her soul only guessed-at, looking into his
eyes as the Campagna faded into darkness below them. "What was it she
asked me then? Whether I knew the way across the dark plain? I was a
confident young fool then. I was sure I could find the way, _with her_.
I've been thinking all these years that we were finding it, step by step
. . . till now. And now, what is it I am afraid of? I'm afraid she finds
herself cramped, wants a fuller existence, regrets . . . no, that's
dodging. There's no use lying to myself. I'm afraid that Marise is in
love with Vincent Marsh. Good God! no! It can't be that . . . not Marise!
This is all nonsense. This is something left over from sleep and a bad
dream. I must wake up. I must wake up and find it not true."

He lay perfectly still, his fists clenched tight, perspiration standing
out on his rigid body. Then sternly he forced his mind to go forward
again, step by step.

"I suppose it's possible. Other women have. There's a lot in her that
must be starved here. I may not be enough for her. She was so young
then. She has grown so greatly. What right have I to try to hold her if
she is tired of it all, needs something else?"

He hesitated, shrinking back as from fire, from the answer he knew he
must give. At last he forced it out, "I haven't any right. I don't want
her to stay if she wants to go. I want Marise. But even more I want her
to be happy."

The thought, with all its implications, terrified him like a
death-sentence, but he repeated it grimly, pressing it home fiercely, "I
want her to be happy."

He realized where this thought would lead him, and in a panic wildly
fought against going on. He had tried to hold himself resolute and
steady, but he was nothing now save a flame of resentment. "Happy! She
won't be happy that way! She can't love that man! She's being carried
away by that damnable sensibility of hers. It would be the most hideous,
insane mistake. What am I thinking of . . . all these _words_! What I must
do is to keep her from ruining her life."

On the heels of this outcry, there glided in insinuatingly a soft-spoken
crowd of tempting, seductive possibilities. Marise was so sensitive, so
impressionable, so easily moved, so defenseless when her emotions were
aroused. Hadn't he the right, the duty, he who knew her better than
anyone else, to protect her against herself? Wasn't he deceiving himself
by fantastic notions? It would be so easy to act the ardent, passionate
young lover again . . . but when had he ever "acted" anything for Marise!
No matter, no matter, this was life or death; what was a lie when life
and death hung in the balance? He could play on her devotion to the
children, throw all the weight of his personality, work on her emotions.
That was what people did to gain their point. Everybody did it. And he
could win if he did. He could hold her.

       *       *       *       *       *

Like the solemn tolling of a great bell there rang, through all this
hurried, despairing clutching at the endurable and lesser, a call to the
great and intolerable. The immensity of his love for Marise loomed up,
far greater than he; and before that sacred thing he hung his head, and
felt his heart breaking.

"No, that won't do. Not when it is Marise who is in question. The best,
the very best I can conceive is what I must give to Marise. A cage could
not hold her, not anything but her body, and to force her decision would
be to make a cage. No, I mustn't use the children either. They are hers
as much as mine. If all is not right between us, what would it avail
them to be with us? They must take what life brings them, like the rest
of us. If the years Marise and I have passed together, if what we have
been to each other, and are to each other, if that is not enough, then
nothing is enough. That would be a trick to play on her . . . to use my
knowledge of her vulnerable points to win. That is not what I want. What
_do_ I want? I want Marise to be happy."

He had advanced a step since the last time he had told himself this, for
now he said it with a dreadful calm, his heart aching but not faltering.

But he could go no further. There were limits to what he could endure.
He fell into a trance-like state of passivity, his body and mind
exhausted.

As he lay thus, fallen and prostrate, there soared up out of a part of
him that was neither mind nor body, but was nevertheless himself,
something swift and beautiful and living, something great enough at last
to measure its greatness with the immensity of his love for Marise.

What was it?

It was this . . . for a moment he had it all clear, as though he had died
and it were something told him in another world . . . he did not want
Marise for himself; he did not even want her to be happy; he wanted her
to be herself, to be all that Marise could ever grow to be, he wanted
her to attain her full stature so far as any human being could do this
in this life.

And to do that she must be free.

For an instant he looked full at this, his heart flooded with glory. And
then the light went out.

He was there in the blackness again, unhappy beyond any suffering he had
thought he could bear.

He lay still, feeling Marise beside him, the slow, quiet rhythm of her
breathing. Was she awake or sleeping? What would happen if he should
allow the fear and suffering which racked him to become articulate? If
he should cry out to her, she would not turn away. He knew Marise. She
would never turn away from fear and suffering. "But I can't do that. I
won't work on her sympathy. I've promised to be true to what's deepest
and truest in us both. I have been, by God! and I will be. If our
married life has been worth anything, it's because we've both been free
and honest . . . true with one another. This is her ordeal. She must act
for herself. Better die than use my strength to force her against her
own nature. If I decide . . . no matter how sure I am I'm right . . . it
won't be her decision. Nothing would be decided. I must go on just as
before . . ." he groaned, "that will take all the strength I have."

It was clear to him now; the only endurable future for them, such as
they were to each other, would come from Marise's acting with her own
strength on her own decision. By all that was sacred, he would never by
word or act hamper that decision. He would be himself, honestly. Marise
ought to know what that self was.

He had thought that this resolve would bring to him another of these
terrible racking instants of anguish, but instead there came almost a
calm upon him, as though the pain had passed and left him in peace, or
as though a quiet light had shone out in the darkness. Perhaps the dawn
had come. No, the square of the window was still only faintly felt in
the blacker mass of the silent room.

Then he knew why the pain had left him. It had been driven away by the
certainty that there was a worse fear than any he knew, or ever would
know. No matter what risk or catastrophe lay before them, Marise would
never look at him out her clear eyes and act a thing that was not true.
Marise would always be Marise. Why then, whatever came he could bear it.

Life might be cruel and pitiless, but it was not base, when it had among
its gifts such a certainty as that, rock-like under his feet, bearing
him up in his pain.

He moved to her in the bed, felt for her hand and put it gently to his
lips.

Then, holding it in his, on his breast, he turned his eyes towards the
window, waiting for the dawn.



CHAPTER XIX

MR. WELLES LIGHTS THE FUSE


July 2.

That early morning talk with Mr. Welles had left Marise trembling with
helpless sorrow and exasperation. She sat on the bench where he had left
her, and felt the nervous tears stinging her eyes. When she looked up
and saw Vincent Marsh was standing there, extremely pale, as visibly
shaken as she, as visibly little in control of himself, she burst out,
"So you too know. He has just told me that he is really going. The very
date is set. His cousin has a room in her boarding house engaged for
him. He's going to work as a clerk to pay for the extra expenses of the
life there. _Oh!_" She struck her hand on the back of the bench.

Vincent Marsh sat down beside her, his eyes on hers. He said in a
curious, low voice, rough and husky, "I wish you would do something for
me. I wish you would think with all your might, deeply, just why you are
so opposed to his doing what evidently seems to him a very saintly and
heroic action; and then tell me why it is."

Marise felt this as a challenge. He was always challenging everything.
This time she was more than ready. "I don't need any time to think of
reasons!" she cried. "It's obvious to anyone with any sense for the
reality of human values, who isn't fooled by threadbare old words. It's
one of those wasteful, futile, exasperating tricks people play on
themselves in the name of 'duty.' He's throwing away something real and
true, something that could add to the richness of human life, he's
throwing away the happiness that comes of living as suits his nature,
and so creating a harmony that enriches everybody who touches him. And
what's he doing it for? To satisfy a morbid need for self-sacrifice.
He's going to do harm, in all probability, mix up a situation already
complicated beyond solution, and why is he? So that he can indulge
himself in the perverse pleasure of the rasp of a hair-shirt. He doesn't
really use his intelligence to think, to keep a true sense of
proportions; he takes an outworn and false old ideal of self-sacrifice,
and uses it not to do anybody any real good, but to put a martyr's crown
on his head."

She became conscious that her words were having a singular effect upon
Vincent. A dark flush had come over all his face. His gaze on her was
extraordinary in its intentness, in its eagerness, in its fierceness.
She stopped suddenly, as though he had broken in on what she was saying.

He did not stir from his place, but to her he seemed to tower taller.
Into his dark, intent face came an exultant look of power and authority
which fell on her like a hot wind. With a loud knocking of her heart she
knew. Before he spoke, she knew what he would say. And he saw that.

He opened those burning lips and said in the same low voice, rough with
its intensity, "You see what you have done. You have spoken for me. You
have said at last what I have been silently and desperately calling out
to you. You know what has happened. You have said it, it is obvious to
anyone with any sense of human values. Make an end! Make an end! Come
away from a position where only an outworn old ideal holds you to
futility and waste. Come away where you will really live and know the
fullness of life. Come away from that false notion of duty which makes
you do for the children what you know is not best for them, only because
it is the traditional thing to do, only because it gives you a martyr's
crown to wear. I don't say anything now, as I would to any other woman
in the world, as I would have said to you weeks ago before I knew all
that you are . . . I don't say anything about the imbecility of keeping
such a woman as you are here in this narrow, drab hole, this sordid
prison . . . you born, if ever a human being was, to rich and warm and
harmonious living! It is your birthright. Let me give it to you. All
that, even that, a whole world of beauty and fullness waiting for you to
create it to glorious being, all that is nothing compared to what has
come to pass between us, you and me; compared to that other world of
impassioned living existence that is waiting for you. Come away from the
man who is nothing more to you than the house you live in . . . nothing
but a habit."

She started at this, moving out of the stony immobility in which she
gazed at him, listened to him. She did not know that she had moved, was
incapable of willing to do so. It had been a mere reflex start as though
she had been struck. But at the sight of it, the flame in his eyes
leaped up. "No, no, no!" he cried with an insistent triumph, "he is
nothing more to you than a habit. And you are nothing more to him. You
were right, on that evening when you shrank away from the sight of the
place in Italy where in your ignorant youth you made the mistake of
trying to join your life to his. There is not a breath you draw, not a
turn of your head or body . . . I know them all . . . that does not prove
that he is nothing to you now. I have seen you take a handkerchief from
his pocket as you would take it from a bureau-drawer. I have seen him
set you on one side, to pass through a door, as he would set a chair on
one side. You don't even see him any more when you look at him, and he
doesn't see you. Whatever there may have been between you, if there was
ever anything real, it is dead now, dead and buried . . . and you the most
living woman who ever wore flesh and blood! And I am a living man! You
know, I don't need to say it, you know what happens when our looks meet.
Our looks only! Life flares up like a torch in both of us. You know if I
but brush against your skirt, how I cannot speak! You know how when our
hands touch, every drop of blood in our two bodies burns! You are a
grown woman. You know life as well as I do. You know what this means.
You are no longer even a part of his life. You are all of mine. Look at
me now."

He flung out his hands, shaking uncontrollably. "Do you see how I show
this, say this anywhere, tell this to you here, now, where anyone could
hear me? I am not ashamed of it. It is not a thing to hide. It is a
thing to glory in. It is the only honestly living thing in all our
miserable human life, the passion of a man and a woman for each other.
It is the only thing that moves us out of our cowardly lethargy of
dead-and-alive egotism. The thing that is really base and false is to
pretend that what is dead is still alive. Your marriage is dead. Your
children do not need you as you pretend. Let yourself go in this flood
that is sweeping us along. I had never thought to know it. I could fall
down and worship you because you have shown it to me. But I will show it
to you, that and the significance of what you will be when you are no
longer smothered and starved. In all this scrawling ant-heap of
humanity, there are only a handful of human beings who ever really live.
And we will be among them. All the rest are nothing, less than nothing,
to be stamped down if they impede you. They have no other destiny. But
we have! Everything comes down to that in the end. That is the only
truth. That . . . and you and I!"

In the distance, someone called Marise's name. He thought she made a
move, and said, leaning towards her, the heat of his body burning
through to her arm where he touched her, "No, no, none of those trivial,
foolish interruptions that tie you hand and foot, can tie us any longer.
They have no real strength. They can't stand for an instant against
something alive. All that rattles in your ears, that keeps you from
knowing what you really are . . ."

Someone was hurrying down the walk towards them, hidden by the hedge.
Marise could not have turned her head if her life had hung on the
action.

Vincent looked straight at her, straight and deep and strong into her
eyes, and for an instant his burning lips were pressed on hers. The
contact was terrible, momentous.

When he went on speaking, without haste, unafraid although the hurrying
steps were almost there, she could scarcely hear his voice, although it
was urgent and puissant as the impact of his eyes. "You can't get away
from this now. It is here. It has been said. It lives between us, and
you are not strong enough, no power on earth is strong enough, to put it
down."

       *       *       *       *       *

And then the outer world broke in on them, swept between them with an
outcry. Someone was there, someone who drew short sobbing breaths, who
caught at her and clung to her. It was Cousin Hetty's old Agnes . . . why
in the world was she here? . . . and she was saying in a loud voice as
though she had no control of it, "Oh, oh! Come quick! Come quick!"

Marise stood up, carrying the old woman with her. She was entirely
certain now that she was in a nightmare, from which she would presently
awake, wet with cold sweat.

"Come! Come!" cried the old woman, beating her hands on Marise's arm.
"Perhaps it ain't too late. Perhaps you can do something."

"What has happened?" asked Marise, making her voice sharp and imperative
to pierce the other's agitation.

"I don't know. I don't know," sobbed Agnes. "She didn't come down for
breakfast. I went up to see . . . oh, go quick! Go quick!"

She went down, half on the bench, half on the ground.

Marise and Marsh stood for an instant, petrified.

There was only the smallest part of Marise's consciousness which was
alive to this. Most of it lay numbed and bewildered, still hearing, like
a roll of thunder, the voice of Vincent Marsh.

Then she turned. "Look out for her, will you," she said briefly. "No,
don't come with me. I'll go by the back road. It's the quickest, but
it's too narrow for a car. You drive to Ashley and bring the doctor in
your car."

She ran down the path and around the house to the road, not feeling the
blinding heat of the sun. She ran along the dusty road, a few steps from
the house before the turn into the narrow lane. She felt nothing at all
but a great need for haste.

As she ran, putting all her strength into her running, there were
moments when she forgot why she was hurrying, where she was going, what
had happened; but she did not slacken her pace. She was on the narrow
back road now, in the dense shade of the pines below the Eagle Rocks. In
five minutes she would be at Cousin Hetty's. That was where she was
going.

She was running more slowly now over the rough, uneven, stony road, and
she was aware, more than of anything else, of a pain in her chest where
she could not draw a long breath. It seemed to her that she must be now
wholly in the bad dream, for she had the nightmare sensation of running
with all her strength and not advancing at all. The somber, thick-set
pines seemed to be implacably in the same place, no matter how she tried
to pass them, to leave them behind, to hurry on. Everything else in the
silent, breathless, midsummer forest was rooted immovably deep in the
earth. She alone was killing herself with haste, and yet futilely . . .
not able to get forward, not able to . . .

       *       *       *       *       *

And then, fit to turn her brain, the forest drew aside and showed her
another nightmare figure, a man, far away to her right, running down the
steep incline that sloped up to the Rocks. A man running as she had been
wishing she could run, a powerful, roughly dressed man, rapt in a
passion of headlong flight, that cast him down the rough slope, over the
rocks, through the brambles, as though his flight were part of an
endless fall.

Marise stopped stock-still, shocked out of every sensation but the
age-old woman's instinct of fear and concealment.

The man plunged forward, not seeing her where she stood on the road
across which he now burst, flinging himself out of the pines on one side
and into the thicket of undergrowth on the other.

Far from him as she was, Marise could hear, through the forest hush, the
terrible sound of his breathing as he ran, as he stumbled, as he
struggled to his feet, fighting crazily with the thick undergrowth.
Those loud hoarse gasps . . . it was as though he were being choked to
death by a hand on his throat.

He was gone, down the slope towards the valley road. The leaves closed
together behind him. The forest was impenetrably silent again. Marise
knew who he was, then, recognized him for 'Gene Powers beyond any doubt.

She felt a strange mixture of pity and scorn and envy. To be so
primitive as that . . . to think, even for an instant's madness, that you
could run away on your own two poor human feet from whatever life
brought to you!

       *       *       *       *       *

She herself was hurrying forward again. What was she going to? What had
she left behind? The passage of the other runner had not taken a single
moment's time. She was now at the path which led to Cousin Hetty's
side-door.

She darted along this, and found herself in the yard before the door,
open as Agnes had left it when she rushed out for help.

A tea-kettle on the kitchen-stove sang in a low murmur. The clock ticked
loudly, wagging its pendulum back and forth. The cat, stretched at full
length on the floor in a yellow square of sunlight, lifted a drowsy head
and looked at her. There was a smell of freshly made coffee in the air.
As she stood there for an instant till the whirling in her head should
stop, a stick of wood in the fire broke and fell together.

Marise went through into the dining-room where the table laid for
breakfast stood in a quiet expectancy. The old house, well-kept and
well-loved, wore a tranquil expression of permanence and security.

But out in the dusky hail, the white stairs stood palely motioning up.
There Marise felt a singular heavy coolness in the stagnant air. She
went up the stairs, leaning on the balustrade, and found herself facing
an open door.

Beyond it, in a shuttered and shaded room, stood a still white bed. And
on the bed, still and white and distant, lay something dead. It was not
Cousin Hetty. That austere, cold face, proud and stern, was not Cousin
Hetty's. It was her grandmother's, her father's, her uncle's face, whom
Cousin Hetty had never at all resembled. It was the family shell which
Cousin Hetty had for a time inhabited.

Marise came forward and crossed the threshold. Immediately she was aware
of a palpable change in the atmosphere. The room was densely filled with
silence, which folded her about coldly. She sank down on a chair. She
sat motionless, looking at what lay there so quiet, at the unimaginable
emptiness and remoteness of that human countenance.

This was the end. She had come to the end of her running and her haste
and her effort to help. All the paltry agitations and sorrows, the
strains and defeats and poor joys, they were all hurrying forward to
meet this end.

All the scruples, and sacrifices, and tearing asunder of human desires
to make them fit words that were called ideals, all amounted to this
same nothingness in the end.

What was Cousin Hetty's life now, with its tiny inhibitions, its little
passivities? The same nothingness it would have been, had she grasped
boldly at life's realities and taken whatever she wanted.

And all Cousin Hetty's mother's sacrifices for her, her mother's hopes
for her, the slow transfusion of her mother's life to hers; that was all
dead now, had been of no avail against this nothingness. Some day Elly
would lie like that, and all that she had done for Elly, or could do for
her, would be only a pinch of ashes. If she, if Cousin Hetty, if Cousin
Hetty's mother, if Elly, if all of them, took hotly whatever the hours
had to give, they could not more certainly be brought to nothingness and
oblivion in the end. . . .

Those dreams of her . . . being one with a great current, sweeping forward
. . . what pitiful delusions! . . . There was nothing that swept forward.
There were only futile storms of froth and excitement that whirled you
about to no end, one after another. One died down and left you becalmed
and stagnant, and another rose. And that would die down in its turn.
Until at the end, shipwreck, and a sinking to this darkly silent abyss.



CHAPTER XX

A PRIMAEVAL HERITAGE


July 21. Evening.

Cousin Hetty lay coldly dead; and Marise felt herself blown upon by an
icy breath that froze her numb. The doctor had come and gone, queerly,
and bustlingly alive and full of talk and explanations; Agnes had come
back and, silently weeping, had walked endlessly and aimlessly around
the house, with a broom in her idle hand; one after another of the
neighbors had come and gone, queerly alive as usual, they too, for all
their hushed and awkward manners; Neale had come, seeming to feel that
cold breath as little as the others.

And now Neale was gone, after everything had been decided, all the
incredibly multitudinous details that must be decided. The funeral was
set for the day after tomorrow, and until then, everything in
everybody's life was to stop stock-still, as a matter of course. Because
Agnes was in terror of being left alone for an instant, Marise would not
even leave the house until after the funeral, and one of the thousand
petty unescapable details she and Neale had talked of in the hushed
voice which the house imposed on all in it, was the decision as to which
dress and hat were to be sent to her from the wardrobe at home.

She was to stay there with Agnes, she, who was all the family old Cousin
Hetty had left, for the last watch over what lay up there on the bed in
her bedroom. Neale would look out for the children (there was no one
else for the moment, Touclé was gone, Eugenia quite useless), would
telegraph the few old friends who would care to know the news, would
see Mr. Bayweather about the funeral, would telephone the man in West
Ashley who dug graves, would do what was to be done outside; and she
would do what was to be done inside, as now, when she sat on the stairs
waiting in case the undertaker needed something.

She was glad that the undertaker was only quiet, white-bearded old Mr.
Hadley, who for so many, many years had given his silent services to the
dead of Ashley that he had come to seem not quite a living figure
himself, hushed and stilled by his association with everlasting
stillness. Marise, cold and numbed with that icy breath upon her, knew
now why the old undertaker was always silent and absent. A strange life
he must have had. She had never thought of it till she had seen him come
into that house, where she and Agnes waited for him, uncertain, abashed,
not knowing what to do. Into how many such houses he must have gone,
with that same quiet look of unsurprised acceptance of what everybody
knew was coming sometime and nobody ever expected to come at all. How
extraordinary that it had never occurred to her that Cousin Hetty, old
as she was, would some day die. You never really believed that anybody
in your own life was ever going to die, or change; any more than you
really believed that you yourself were ever going to grow old, or
change; or that the children were ever really going to grow up. That
threadbare old phrase about the death of old people, "it always comes as
a shock," that was true of all the inevitable things that happened in
life which you saw happen to everyone else, and never believed would
happen to you.

This was the last tie with the past gone, the last person disappeared
for whom she was still the little girl she felt herself now, the little
girl who had lost her way and wanted someone to put her back in the
path. She had a moment of very simple, sweet sorrow, sitting there alone
in the hall, warm tears streaming down her cheeks and falling on her
hands. Cousin Hetty gone, dear old Cousin Hetty, with her bright living
eyes, and her love for all that was young. How much she owed her . . .
those troubled years of her youth when Cousin Hetty and the old house
were unfailing shelter. What shelter had she now?

The pendulum of her mind swung back . . . of course this was silly
traditional repeating of superstitious old words. There was no shelter;
there could be none in this life. No one could show her the path,
because there _was_ no path; and anyone who pretended to show it was
only a charlatan who traded on moments of weakness like this.

Mr. Hadley opened the door quietly and asked in that seldom-heard voice
of his for a couple of soft, clean towels. Where did Cousin Hetty keep
her towels? In the chest of drawers at the end of the hall. An odor of
cloves came up spicily into the air as Marise opened the drawer. How
like Cousin Hetty to have that instead of the faded, sentimental
lavender. She had perhaps put those towels away there last night, with
her busy, shaking old hands, so still now. All dead, the quaintness, the
vitality, the zest in life, the new love for little Elly, all dead now,
as though it had never been, availing nothing. There was nothing that
did not die.

She handed in the towels and sat down again on the stairs leaning her
head against the wall. What time could it be? Was it still daylight? . . .
No, there was a lamp lighted down there. What could she have been doing
all day, she and Agnes and the doctor and Mr. Hadley? She wondered if
the children were all right, and if Neale would remember, when he washed
Mark's face, that there was a bruise on his temple where the swing-board
had struck him. Was that only yesterday morning! Was it possible that it
was only last night that she had lain awake in the darkness, trying to
think, trying to know what she was feeling, burning with excitement, as
one by one those boldly forward-thrusting movements came back to her
from the time when he had cried out so angrily, "_They_ can't love her.
They're not capable of it!" to the time when they had exchanged that
long reckless gaze over Elly's head! And now there was the triumphant
glory of security which had been in his kiss . . . why, that was this
morning, only a few hours ago! Even through her cold numbed lassitude
she shrank again before the flare-up of that excitement, and burned in
it. She tried to put this behind her at once, to wait, like all the
rest, till this truce should be over, and she should once more be back
in that mêlée of agitation the thought of which turned her sick with
confusion. She was not strong enough for life, if this was what it
brought, these fierce, clawing passions that did not wait for your
bidding to go or come, but left you as though you were dead and then
pounced on you like tigers. She had not iron in her either to live
ruthlessly, or to stamp out that upward leap of flame which meant the
renewal of priceless youth and passion. Between these alternatives, she
_could_ make no decision, she could not, it would tear her in pieces to
do it.

The pendulum swung back again, and all this went out, leaving her
mortally tired. Agnes came to the foot of the stairs, a little,
withered, stricken old figure, her apron at her eyes. From behind it she
murmured humbly, between swallowing hard, that she had made some tea and
there was bread and butter ready, and should she boil an egg?

A good and healing pity came into Marise's heart. Poor old Agnes, it was
the end of the world for her, of course. And how touching, how tragic,
how unjust, the fate of dependents, to turn from one source of commands
to another. She ran downstairs on tip-toe and put her arm around the old
woman's shoulder. "I haven't said anything yet, Agnes," she told her,
"because this has come on us so suddenly. But of course Mr. Crittenden
and I will always look out for you. Cousin Hetty . . . you were her best
friend."

The old woman laid her head down on the other's shoulder and wept aloud.
"I miss her so. I miss her so," she said over and over.

"The thing to do for her," thought Marise, as she patted the thin
heaving shoulders, "is to give her something to work at." Aloud she
said, "Agnes, we must get the front room downstairs ready. Mr. Hadley
wants to have Cousin Hetty brought down there. Before we eat we might as
well get the larger pieces of furniture moved out."

Agnes stood up, docilely submitting herself to the command, stopped
crying, and went with Marise into the dim old room, in which nothing had
been changed since the day, twenty years ago, when the furniture had
been put back in place after Cousin Hetty's old mother had lain there,
for the last time.

The two women began to work, and almost at once Agnes was herself again,
stepping about briskly, restored by the familiarity of being once more
under the direction of another. They pulled out the long haircloth sofa,
moved the spindle-legged old chairs into the dining-room, and carried
out one by one the drawers from the high-boy in the corner. From one of
these drawers a yellowed paper fell out. Marise picked it up and glanced
at it. It was a letter dated 1851, the blank page of which had been used
for a game of Consequences. The foolish incoherencies lay there in the
faded ink just as they had been read out, bringing with them the
laughter of those people, so long dead now, who had written them down in
that pointed, old-fashioned handwriting. Marise stood looking at it
while Agnes swept the other room. Cousin Hetty had been ten years old in
1851, just as old as Paul was now. Her mother had probably left
something she wanted to do, to sit down and laugh with her little
daughter over this trivial game. A ghostly echo of that long-silent
laughter fell faintly and coldly on her ear. So soon gone. Was it worth
while to do it at all? Such an effort, such a fatigue lay before those
children one tried to keep laughing, and then . . .

Someone came in behind her, without knocking or ringing. People had been
coming and going unannounced in that house all the day as though death
had made it their own home. Agnes came to the door, Marise looked up
and saw Nelly Powers standing in the door-way, the second time she had
been there. "I come over again," she said, "to bring you some hot
biscuit and honey. I knew you wouldn't feel to do much cooking." She
added, "I put the biscuits in the oven as I come through, so they'd keep
warm."

"Oh, thank you, Nelly, that's very kind and thoughtful," said Marise. As
she spoke and looked at the splendid, enigmatic woman standing there,
the richness of her vitality vibrating about her, she saw again the
nightmare vision of 'Gene and heard the terrible breathing that had
resounded in the Eagle Rock woods. She was overwhelmed, as so often
before in her life, by an amazement at the astounding difference between
the aspect of things and what they really were. She had never entirely
outgrown the wildness of surprise which this always brought to her. She
and Nelly, looking at each other so calmly, and speaking of hot
biscuits!

She listened as though it were an ironically incongruous speech in a
play to Agnes' conscientious country attempt to make conversation with
the caller, "Hot today, ain't it? Yesterday's storm didn't seem to do
much good." And to Nelly's answer on the same note, "Yes, but it's good
for the corn to have it hot. 'Gene's been out cultivating his, all day
long."

"Ah, not all day! Not all day!" Marise kept the thought to herself. She
had a vision of the man goaded beyond endurance, leaving his horses
plodding in the row, while he fled blindly, to escape the unescapable.

An old resentment, centuries and ages older than she was, a primaeval
heritage from the past, flamed up unexpectedly in her heart. _There_ was
a man, she thought, who had kept the capacity really to love his wife;
passionately to suffer; whose cold intelligence had not chilled down to
. . ."

"Well, I guess I must be going now," said Nelly in the speech of the
valley. She went away through the side-door, opening and shutting it
with meticulous care, so that it would not make a sound. . . . As though a
sound could reach Cousin Hetty now!

"I don't like her biscuits," said Agnes. "She always puts too much sody
in." She added, in what was evidently the expression of an old dislike,
"And don't she look a fool, a great hulking critter like her, wearing
such shoes, teeterin' along on them heels."

"Oh well," said Marise, vaguely, "it's her idea of how to look pretty."

"They must cost an awful sight too," Agnes went on, scoldingly, "laced
halfway up her leg that way. And the Powerses as poor as Job's turkey.
The money she puts into them shoes'd do 'em enough sight more good if
'twas saved up and put into a manure spreader, I call it."

She had taken the biscuits out of the oven and was holding them
suspiciously to her nose, when someone came in at the front door and
walked down the hall with the hushed, self-conscious, lugubrious tip-toe
step of the day. It was Mr. Bayweather, his round old face rather pale.
"I'm shocked, unutterably shocked by this news," he said, and indeed he
looked badly shaken and scared. It came to Marise that Cousin Hetty had
been of about his age. He shook her hand and looked about for a chair.
"I came to see about which hymns you would like sung," he said. "Do you
know if Miss Hetty had any favorites?" He broke off to say, "Mrs.
Bayweather wished me to be sure to excuse her to you for not coming with
me tonight to see if there was anything she could do. But she was
stopped by old Mrs. Warner, just as we were leaving the house. Frank, it
seems, went off early this morning to survey some lines in the woods
somewhere on the mountain, and was to be back to lunch. He didn't come
then and hasn't showed up at all yet. Mrs. Warner wanted my wife to
telephone up to North Ashley to see if he had perhaps gone there to
spend the night with his aunt. The line was busy of course, and Mrs.
Bayweather was still trying to get them on the wire when I had to come
away. If she had no special favorites, I think that 'Lead, Kindly Light,
Amid th' Encircling Gloom' is always suitable, don't you?"

Something seemed to explode inside Marise's mind, and like a resultant
black cloud of smoke a huge and ominous possibility loomed up, so
darkly, so unexpectedly, that she had no breath to answer the
clergyman's question. Those lines Frank Warner had gone to survey ran
through the Eagle Rock woods!

       *       *       *       *       *

"Or would you think an Easter one, like 'The Strife Is O'er, the Battle
Won,' more appropriate?" suggested Mr. Bayweather to her silence.

       *       *       *       *       *

Agnes started. "Who's that come bursting into the kitchen?" she cried,
turning towards the door.

It seemed to Marise, afterwards, that she had known at that moment who
had come and what the tidings were.

Agnes started towards the door to open it. But it was flung open
abruptly from the outside. Touclé stood there, her hat gone from her
head, her rusty black clothes torn and disarranged.

Marise knew what she was about to announce.

She cried out to them, "Frank Warner has fallen off the Eagle Rocks. I
found him there, at the bottom, half an hour ago, dead."

       *       *       *       *       *

The savage old flame, centuries and ages older than she, flared for an
instant high and smoky in Marise's heart. "_There_ is a man who knows
how to fight for his wife and keep her!" she thought fiercely.



CHAPTER XXI

THE COUNSEL OF THE STARS


July 21. Night.

It had been arranged that for the two nights before the funeral Agnes
was to sleep in the front bedroom, on one side of Cousin Hetty's room,
and Marise in the small hall bedroom on the other side, the same room
and the same bed in which she had slept as a little girl. Nothing had
been changed there, since those days. The same heavy white pitcher and
basin stood in the old wash-stand with the sunken top and hinged cover;
the same oval white soap-dish, the same ornamental spatter-work frame in
dark walnut hung over the narrow walnut bedstead.

As she undressed in the space between the bed and the wash-stand, the
past came up before her in a sudden splashing wave of recollection which
for a moment engulfed her. It had all been a dream, all that had
happened since then, and she was again eight years old, with nothing in
the world but bad dreams to fear, and Cousin Hetty there at hand as a
refuge even against bad dreams. How many times she had wakened,
terrified, her heart beating hammer-strokes against her ribs, and
trotted shivering, in her night-gown, into Cousin Hetty's room.

"Cousin Hetty! Cousin Hetty!"

"What? What's that? Oh, you, Marise. What's the matter? Notions again?"

"Oh, Cousin Hetty, it was an _awful_ dream this time. Can't I get into
bed with you?"

"Why yes, come along, you silly child."

The fumbling approach to the bed, the sheets held open, the kind old
hand outstretched, and then the haven . . . her head on the same pillow
with that of the brave old woman who was afraid of nothing, who drew her
up close and safe and with comforting assurance instantly fell asleep
again. And then the delicious, slow fading of the terrors before the
obliterating hand of sleep, the delicious slow sinking into
forgetfulness of everything.

       *       *       *       *       *

Standing there, clad in the splendor of her physical maturity, Marise
shivered uncontrollably again, and quaked and feared. It was all a bad
dream, all of it, and now as then Cousin Hetty lay safe and quiet,
wrapped in sleep which was the only escape. Marise turned sick with
longing to go again, now, to seek out Cousin Hetty and to lie down by
her to share that safe and cold and dreamless quiet.

She flung back over her shoulder the long shining dark braid which her
fingers had been automatically twisting, and stood for a moment
motionless. She was suffering acutely, but the pain came from a source
so deep, so confused, so inarticulate, that she could not name it, could
not bring to bear on it any of the resources of her intelligence and
will. She could only bend under it as under a crushing burden, and
suffer as an animal endures pain, dumbly, stupidly.

After a time a small knock sounded, and Agnes's voice asked through the
door if Miss Marise thought the door to . . . to . . . if the "other" door
ought to be open or shut. It was shut now. What did people do as a
general thing?

Marise opened her own door and looked down on the old figure in the
straight, yellowed night-gown, the knotted, big-veined hand shielding
the candle from the wandering summer breeze which blew an occasional
silent, fragrant breath in from the open windows.

"I don't know what people do as a rule," she answered, and then asked,
"How did Miss Hetty like best to have it, herself?"

"Oh, open, always."

"We'd better open it, then."

The old servant swayed before the closed door, the candlestick shaking
in her hand. She looked up at Marise timidly. "You do it," she said
under her breath.

Marise felt a faint pitying scorn, stepped past Agnes, lifted the latch,
and opened the door wide into the blackness of the other room.

The dense silence seemed to come out, coldly and softly. For Marise it
had the sweetness of a longed-for anaesthetic, it had the very odor of
the dreamless quiet into which she longed to sink. But Agnes shrank
away, drew hastily closer to Marise, and whispered in a sudden panic,
"Oh, don't it scare you? Aren't you afraid to be here all alone, just
you and me? We'd ought to have had a man stay too."

Marise tried to answer simply and kindly, "No, I'm not afraid. It is
only all that is left of dear Cousin Hetty." But the impatience and
contemptuous surprise which she kept out of her words and voice were
felt none the less by the old woman. She drooped submissively as under a
reproach. "I know it's foolish," she murmured, "I know it's foolish."

She began again to weep, the tears filling her faded eyes and running
quietly down her wrinkled old cheeks. "You don't know how gone I feel
without her!" she mourned. "I'd always had her to tell me what to do.
Thirty-five years now, every day, she's been here to tell me what to do.
I can't make it seem true, that it's her lying in there. Seems as though
every minute she'd come in, stepping quick, the way she did. And I
fairly open my mouth to ask her, 'Now Miss Hetty, what shall I do next?'
and then it all comes over me."

Marise's impatience and scorn were flooded by an immense sympathy. What
a pitiable thing a dependent is! Poor old Agnes! She leaned down to the
humble, docile old face, and put her cheek against it. "I'll do my best
to take Cousin Hetty's place for you," she said gently, and then, "Now
you'd better go back to bed. There's a hard day ahead of us."

Agnes responded with relief to the tone of authority. She said with a
reassured accent, "Well, it's all right if _you're_ not afraid," turned
and shuffled down the hall, comforted and obedient.

Marise saw her go into her room, heard the creak of the bed as she lay
down on it, and then the old voice, "Miss Marise, will it be all right
if I leave my candle burning, just this once?"

"Yes, yes, Agnes, that'll be all right," she answered. "Go to sleep
now." As she went back into her own room, she thought passingly to
herself, "Strange that anyone can live so long and grow up so little."

She herself opened her bed, lay down on it resolutely, and blew out her
candle.

Instantly the room seemed suffocatingly full of a thousand flying,
disconnected pictures. The talk with Agnes had changed her mood. The
dull, leaden weight of that numbing burden of inarticulate pain was
broken into innumerable fragments. For a time, before she could collect
herself to self-control, her thoughts whirled and roared in her head
like a machine disconnected from its work, racing furiously till it
threatens to shake itself to pieces. Everything seemed to come at once.

Frank Warner was dead. What would that mean to Nelly Powers?

Had there been enough bread left in the house till someone could drive
the Ford to Ashley and buy some more?

Ought she to wear mourning for Cousin Hetty?

What had happened on the Eagle Rocks? Had Frank and 'Gene quarreled, or
had 'Gene crept up behind Frank as he sighted along the compass?

How would they get Cousin Hetty's friends from the station at Ashley,
out to the house, such feeble old people as they were? It would be
better to have the services all at the church.

Had anything been decided about hymns? Someone had said something about
it, but what had she . . . oh, of course that had been the moment when
Touclé had come in, and Mr. Bayweather had rushed away to tell Frank's
mother. Frank's mother. His mother! Suppose that were to happen to Mark,
or Paul? No, not such thoughts. They mustn't be let in at all, or you
went mad.

Was it true that Elly cared nothing about her, that children didn't, for
grown-ups, that she was nothing in Elly's life?

She was glad that Touclé had come back. There would be someone to help
Neale with the children. . . .

_Neale_ . . . the name brought her up abruptly. Her mind, hurrying,
breathless, panting, was stopped by the name, as by a great rock in the
path. There was an instant of blankness, as she faced it, as though it
were a name she did not know. When she said that name, everything
stopped going around in her head. She moved restlessly in her bed.

And then, as though she had gone around the rock, the rapid, pattering,
painful rush of those incoherent ideas began again. Queer that nobody
there, Mr. Bayweather, Agnes, Touclé, none of them seemed to realize
that Frank had not fallen, that 'Gene had . . . but of course she
remembered they hadn't any idea of a possible connection between Frank
and the Powers, and she had been the only one to see 'Gene in that
terrible flight from the Rocks. Nelly had thought he had been
cultivating corn all day. Of course nobody would think of anything but
an accident. Nobody would ever know.

Yes, it was true; it was true that she would touch Neale and never know
it, never feel it . . . how closely that had been observed, that she could
take a handkerchief from his pocket as from a piece of furniture. It was
true that Neale and she knew each other now till there was no hidden
corner, no mystery, no possibility of a single unexpected thing between
them. She had not realized it, but it was true. How could she not have
seen that his presence left her wholly unmoved, indifferent now? But how
could she have known it, so gradual had been the coming of satiety,
until she had to contrast with it this fierce burning response to a
fierce and new emotion? . . .

Had she thought "indifference"? and "satiety"? Of whom had she been
thinking? Not of _Neale_! Was that what had come of the great hour on
Rocca di Papa? _Was that what human beings were?_

She had gone further this time, but now she was brought up short by the
same blankness at the name of Neale, the same impossibility to think at
all. She could not think about Neale tonight. All that must be put off
till she was more like herself, till she was more steady. She was
reeling now, with shock after shock; Cousin Hetty's death, 'Gene's
dreadful secret, the discovery no longer to be evaded of what Vincent
Marsh meant and was. . . .

She felt a sudden hurried impatient haste to be with Vincent again, to
feel again the choking throb when she first saw him, the constant scared
uncertainty of what he might say, what she might feel, what they both
might do, from one moment to the next . . . she could forget, in those
fiery and potent draughts, everything, all this that was so hard and
painful and that she could not understand and that was such a torment to
try to understand. Everything would be swept away except . . .

As though she had whirled suddenly about to see what was lurking there
behind her, she whirled about and found the thought, "But I ought to
tell someone, tell the police, that I saw 'Gene Powers running away
after he had killed the man who wanted to take his wife from him."

Instantly there spoke out a bitter voice, "No, I shall tell no one.
'Gene has known how to keep Nelly. Let him have her for all his life."

Another voice answered, "Frank's mother . . . his mother!"

And both of these were drowned by a tide of sickness as the recollection
came upon her of that dreadful haste, those horrible labored breaths.

She sat up with a great sweeping gesture of her arms, as though she must
fight for air. The little room seemed palpably crammed with those
jostling, shouting, battling thoughts. She slid from the bed and went to
the window, leaning far out from it, and looking up at the sky,
immeasurably high and black, studded thick with stars.

They looked down disdainfully at her fever and misery. A chilling
consolation fell from them upon her, like a cold dew. She felt herself
shrink to imperceptible proportions. What did they matter, the struggles
of the maggots who crawled about the folds of the globe, itself the most
trifling and insignificant of all the countless worlds which people the
aimless disorder of the universe? What difference did it make? Anything
they did was so soon indistinguishable from anything else. The easiest
way . . . to yield to whatever had the strongest present force . . . that
was as good as any other way in the great and blind confusion of it all.

After she had gone back to bed, she could still see the silent multitude
of stars above her, enormous, remote beyond imagination, and it was
under their thin, cold, indifferent gaze that she finally fell asleep.



CHAPTER XXII

EUGENIA DOES WHAT SHE CAN


July 22.

Agnes brought upstairs an armful of white roses. "The lady that visits
at your house, she brought them from your garden and she wants to see
you if she can."

Eugenia of course. That was unexpected. She must have made an effort to
do that, she who hated sickness and death and all dark things.

"Yes, tell her I will be down in a moment. Take her in a glass of cold
water, too, will you please, Agnes. The walk over here must have been
terribly hot for her."

The roses showed that. They were warm to the touch and as she looked at
them intently, at their white clear faces, familiar to her as those of
human beings, bent on her with a mute message from the garden, she saw
they had begun to droop imperceptibly, that the close, fine texture of
their petals had begun ever so slightly to wither. She sprinkled them,
put their stems deep into water and went downstairs, wiping her moist
hands on her handkerchief.

Eugenia in mauve organdie stood up from the deep Windsor chair where she
had sunk down, and came forward silently to greet her. They kissed each
other ceremoniously in token of the fact that a death lay between them
and the last time they had met . . . was it only yesterday morning?

"Were you able to sleep at all, Marise? You look shockingly tired."

"Oh yes, thanks. I slept well enough. Are the children all right?"

Eugenia nodded, "Yes, as usual."

"Did their father tell them the news of Cousin Hetty's death? How did
they take it? Elly perhaps was . . ."

Eugenia did not know about this, had not happened to hear anybody say.
But old Touclé was back, at least, to do the work.

"I knew she must be," said Marise. "She was here last night. It was she,
you know, who found Frank Warner's body at the foot of . . . of course
you've heard of that?"

Eugenia made a little wry face. Of course she had heard of that, she
said with an accent of distaste. Everybody was talking about the
melodramatic accident, as probably they would still be talking about it
a hundred years from now, up here where nothing happened. People had
come all the way from North Ashley to look at the place, and some of the
men and boys had gone around up to the top of the Eagle Rocks to see
where Frank had lost his footing. They found his surveyor's compass
still set upon its staff. It was where the line ran very near the edge
and Frank must have stepped over the cliff as he was sighting along it.
They could see torn leaves and stripped twigs as though he had tried to
save himself as he fell.

She stopped speaking. Marise found herself too sick and shaken to
venture any comment. There was rather a long silence, such as was
natural and suitable under the circumstances, in that house. Presently
Marise broke this to ask if anyone knew how Frank's mother had taken the
news, although she knew of course Eugenia was the last person of whom to
ask such a question. As she expected, Eugenia had only lifted eyebrows,
a faint slow shake of her head and a small graceful shrug of her
shoulders, her usual formula for conveying her ignorance of common
facts, and her indifference to that ignorance.

But Marise, looking at her, as they sat opposite each other in the
twilight of the closely shuttered room, was struck by the fact that
Eugenia did not seem wholly like herself. Her outward aspect was the
same, the usual exquisite exactitude of detail, every blond hair shining
and in its place, the flawless perfection of her flesh as miraculous as
ever, her tiny white shoe untouched by dust through which she must have
walked to reach the house. But there was something . . . in her eyes,
perhaps . . . which now looked back at Marise with an expression which
Marise did not understand or recognize. If it had not been impossible to
think it of Eugenia, Marise would have imagined that her eyes looked
troubled, excited. Was it possible that even in her safe ivory tower of
aloofness from life, she had felt the jarring blow of the brutally
immediate tragedy of the Eagle Rocks? Or perhaps even Cousin Hetty's
disappearance . . . she had always hated reminders of death.

As Marise, surprised, looked at her and wondered thus passingly if she
felt any reverberation from the tragedy-laden air about them, Eugenia's
face hardened back into its usual smooth calm; over the eyes that had
been for an instant transparent and alive with troubled brightness, slid
their acquired expression of benignant indifference. She answered
Marise's faintly inquiring gaze by getting up as if to go, remarking in
a clear low tone (she was the only person who had come into the house
who had not succumbed to that foolish, instinctive muffling of the
voice), "I forgot to give you a message from Neale. He is obliged to be
away today, on business, something about a deed to some wood-land."

Marise was slightly surprised. "Where is he going?" she asked. "In the
Ford? On the train?" How little she had thought about the mill of late,
that she should be so entirely blank as to this business trip.

"Oh, I didn't even try to understand," said Eugenia, smoothing the
shining silk of her parasol. "Business finds no echo in me, you know. A
man came to supper last night, unexpectedly, and they talked
interminably about some deal, lumbering, lines, surveys, deeds . . . till
Touclé came in with the news of the accident. The man was from New
Hampshire, with that droll, flat New Hampshire accent. You know how they
talk, 'bahn' and 'yahd' for barn and yard."

The words "New Hampshire" and "deeds" stirred a disagreeable association
of ideas in Marise's mind. The shyster lawyer who had done the Powers
out of their inheritance had come from New Hampshire. However, she
supposed there were other people in the state besides dishonest lawyers.

Eugenia went on casually. "It seemed quite important. Neale was absorbed
by it. He told me afterward, Neale did, that the man had acted as agent
for him some years ago in securing a big tract of wood-land around here,
something that had been hard to get hold of."

Marise was startled and showed it by a quick lift of her head. She had
never known Neale to employ an agent. She looked hard at Eugenia's
quiet, indifferent face. The other seemed not to notice her surprise,
and returned her look with a long clear gaze, which apparently referred
to her hair, for she now remarked in just the tone she had used for the
news about Neale, "That way of arranging your coiffure _is_ singularly
becoming to you. Mr. Marsh was speaking about it the other day, but I
hadn't specially noticed it. He's right. It gives you that swathed
close-coifed Leonardo da Vinci look." She put her handkerchief into a
small bag of mauve linen, embroidered with white and pale-green crewels,
and took up her parasol.

Marise felt something menacing in the air. Eugenia frightened her a
little with that glass-smooth look of hers. The best thing to do was to
let her go without another word. And yet she heard her voice asking,
urgently, peremptorily, "What was the name of the man from New
Hampshire?"

Eugenia said, "What man from New Hampshire?" and then, under Marise's
silent gaze, corrected herself and changed her tone. "Oh yes, let me
see: Neale introduced him, of course. Why, some not uncommon name, and
yet not like Smith or Jones. It began with an L, I believe."

Marise said to herself, "I will not say another word about this," and
aloud she said roughly, brusquely, "It wasn't Lowder, of course."

"Yes, yes," said Eugenia, "you're right. It was Lowder. I _thought_ it
was probably something you'd know about. Neale always tells you
everything."

She looked away and remarked, "I suppose you will inherit the furniture
of this house? There are nice bits. This Windsor chair; and I thought I
saw a Chippendale buffet in the dining-room."

Marise, immobile in her chair, repeated, "It wasn't Lowder. You didn't
say it was Lowder."

"Yes, it was Lowder," said Eugenia clearly. "And now you speak of it
once more, I remember one more thing about their talk although I didn't
try to understand much of it. It was all connected with the Powers
family. It was their woodlot which this Mr. Lowder had bought for Neale.
I was surprised to know that they had ever had any wood-land. They have
always seemed too sordidly poverty-stricken. But it seems this was the
only way Neale could get hold of it, because they refused to sell
otherwise."

She looked again at Marise, a long, steady, and entirely opaque gaze
which Marise returned mutely, incapable of uttering a word. She had the
feeling of leaning with all her weight against an inner-door that must
be kept shut.

"Did Neale _tell_ you this man had secured the Powers woodlot for him,
for Neale, for our mill?" she heard her voice asking, faint in the
distance, far off from where she had flung herself against that door.

"Why yes, why not? Not very recently he said, some time ago. We had
quite a talk about it afterwards. It must be something you've
forgotten," said Eugenia. She took up a card from the table and fanned
herself as she spoke, her eyes not quitting Marise's face. "It's going
to be as hot as it was yesterday," she said with resignation. "Doesn't
it make you long for a dusky, high-ceilinged Roman room with a cool,
red-tiled floor, and somebody out in the street shouting through your
closed shutters, 'Ricotta! Ricotta!'" she asked lightly.

Marise looked at her blankly. She wished she could lean forward and
touch Eugenia to make sure she was really standing there. What was it
she had been saying? She could not have understood a word of it. It was
impossible that it should be what it seemed to mean,--impossible!

A door somewhere in the house opened and shut, and steps approached. The
two women turned their eyes towards the hall-door. Old Mrs. Powers
walked in unceremoniously, her gingham dress dusty, her lean face deeply
flushed by the heat, a tin pan in her hands, covered with a
blue-and-white checked cloth.

"I thought maybe you'd relish some fresh doughnuts as well as anything,"
she said briskly, with no preliminary of greeting.

Something about the atmosphere of the room struck her oddly for all the
composed faces and quiet postures of the two occupants. She brought out
as near an apology for intruding, as her phraseless upbringing would
permit her. "I didn't see Agnes in the kitchen as I come through, so I
come right along, to find somebody," she said, a little abashed.

Marise was incapable of speaking to her, but she made a silent gesture
of thanks, and, moving forward, took the pan from the older woman's
hand.

Mrs. Powers went on, "If 'twouldn't bother you, could you put them in
your jar now, and let me take the pan back with me? We hain't got any
too many dishes, you know."

Marise went out to the pantry with the older woman, feeling with
astonishment the floor hard and firm under her feet as usual, the walls
upright about her. Only something at the back of her throat contracted
to a knot, relaxed, contracted, with a singular, disagreeable,
involuntary regularity.

"You look down sick, Mis' Crittenden," said Mrs. Powers with a
respectful admiration for the suitability of this appearance. "And there
ain't nothing surprising that you should. Did you ever see anybody go
off more sudden than Miss Hetty? Such a good woman she was, too. It must
ha' gi'n you an awful turn." She poured the doughnuts into the jar and,
folding the checked cloth, went on, "But I look at it this way. 'Twas a
quick end, and a peaceful end without no pain. And if you'd seen as many
old people drag along for years, as I have, stranglin' and chokin' and
half-dead, why, you'd feel to be thankful Miss Hetty was spared that.
And you too!"

"Marise," said Eugenia, coming to the pantry door, "your neighbors
wanted me, of course, to bring you all their sympathetic condolence. Mr.
Welles asked me to tell you that he would send all the flowers in his
garden to the church for the service tomorrow. And Mr. Marsh was very
anxious to see you today, to arrange about the use of his car in meeting
the people who may come on the train tomorrow, to attend the funeral. He
said he would run over here any time today, if you would send Agnes to
tell him when you would see him. He said he wouldn't leave the house all
day, to be ready to come at any time you would let him."

Mrs. Powers was filled with satisfaction at such conduct. "Now that's
what I call real neighborly," she said. "And both on 'em new to our ways
too. That Mr. Welles is a real nice old man, anyhow. . . . There! I call
him 'old' and I bet he's younger than I be. He acts so kind o' settled
down to stay. But Mr. Marsh don't act so. That's the kind man I like to
see, up-and-coming, so you never know what he's a-goin' to do next."

Eugenia waited through this, for some answer, and still waited
persistently, her eyes on Marise's face.

Marise aroused herself. She must make some comment, of course. "Please
thank them both very much," she said finally, and turned away to set the
jar on a shelf.

"Well, you goin'?" said Mrs. Powers, behind her, evidently to Eugenia.
"Well, good-bye, see you at the funeral tomorrow, I s'pose."

Marise looked around and caught a silent, graceful salutation of
farewell from Eugenia, who disappeared down the hall, the front door
closing gently behind her.

Mrs. Powers began again abruptly, "Folks is sayin' that Frank Warner
must ha' been drinking, but I don't believe it. He wa'n't no drinker.
And where'd he git it, if he was? It was heedless, that's what it was.
He always was a heedless critter from a little boy up. He was the one
that skated right ahead into the hole and most drowned him, and he was
fooling with his gran'father's shot-gun when it went off and most blew
him to pieces. 'S a wonder he lived to grow up: he come so nigh breaking
his neck, before this."

Marise was surprised to hear Eugenia's voice again, "Marise, I stepped
back to ask you if there are any errands I could do for you, any
messages to take. I pass by the door of Mr. Welles' house. I could
perfectly easily stop there and tell Mr. Marsh he could see you now, for
instance."

Marise seemed to see her from afar. She heard what she said, but she was
aware of it only as an interruption. There was a question she must ask
old Mrs. Powers. How could she think of anything else till that had been
answered? She said to Eugenia at random, using the first phrase that
came into her mind, "No, no. Later. Some other time."

Eugenia hesitated, took a step away from the door, and then came back
in, deliberately, close to Marise. She spoke to her in Italian, very
clearly, "He is not a man who will wait."

To this Marise, wholly engrossed in her inner struggle, opposed a stupid
blankness, an incapacity to think of what Eugenia was saying, long
enough to understand it. In that dark inner room, where she kept the
door shut against the horror that was trying to come in, she dared not
for an instant look away. She merely shook her head and motioned
impatiently with her hand. Why did not Eugenia go away?

And yet when Eugenia had gone, she could not bring the words out because
of that strange contraction of her throat.

"My! but you ought to go and lie down," said Mrs. Powers
compassionately. "You're as white as a sheet. Why don't you just give up
for a while? Agnes and I'll tend to things."

Marise was filled with terror at the idea of not getting her answer, and
spoke quickly, abruptly. "Mrs. Powers, you never heard, did you, you
never thought, in that trouble about losing your wood-land . . . nobody
ever thought that Mr. Lowder was only an agent for someone else, whose
name wasn't to be known then."

"Oh sure," said Mrs. Powers readily. "'Gene found out from a man that
had lived in his town in New Hampshire that Lowder didn't do no
lumbering of his own. He just makes a business of dirty deals like that
for pay. He always surmised it to be some lumber-company; somebody that
runs a mill. Lots of men that run mills do that sort of thing, darn
'em!"

Marise leaned against the pantry shelf. The old woman glanced at her
face, gave a cry, and pushed her into a chair, running for water. At the
sound, Agnes came trotting, and showed a scared rabbit-like face. "She's
just beat out with the shock of Miss Hetty's going off so sudden,"
explained Mrs. Powers to Agnes.

Marise got to her feet angrily. She had entirely forgotten that Cousin
Hetty was dead, or that she was in her house. She was shocked that for a
moment she had relaxed her steady pressure against that opening door.
She flung herself against it now. What could she do next?

Instantly, clearly, as though she had heard someone saying it to her,
she thought, "Why, of course, all I have to do is to go and ask Neale
about it!"

It was so simple. Somehow, of course, Neale could give the answer she
must have. Why had she not thought of that the instant Eugenia had begun
to speak?

She drank the glass of water Agnes gave her and said, "Mrs. Powers,
could you do something for me? I promised I would stay here till the
funeral and I know Agnes is afraid to stay alone. Would you mind waiting
here for perhaps half an hour till I could get to the mill and back?
There is something important I must see to."

Mrs. Powers hesitated. "Well now, Mis' Crittenden, there ain't nothing I
wouldn't do for you. But I'm kind o' _funny_ about dead folks. I don't
believe I'd be much good to Agnes because I feel just the way she does.
But I'll run over to the house and get Nelly and 'Gene to come. I guess
the four of us together won't be nervous about staying. 'Gene ain't
workin' today. He got a sunstroke or something yesterday, in the sun,
cultivatin' his corn and he don't feel just right in his head, he says."

She went out of the door as she spoke, calling over her shoulder, "I
wun't be gone long."

Marise sat down again, there in the pantry, leaned her head against the
door and looked steadily at the shelves before her, full of dishes and
jars and bottles and empty jelly glasses. In her mind there was only one
thing, a fixed resolve not to think at all, of anything, until she had
been to Neale's office and had Neale explain it to her. Surely he would
not have started on that trip whatever it was. It was so early still.
She must not think about it at all, until she had asked Neale. Eugenia
had probably made a mistake about the name. Even if Neale had gone she
would be able to ask about the name and find that Eugenia had made a
mistake. That would make everything all right. Of course Eugenia had
made a mistake about the name.

She was still staring fixedly at the shelves, frowning and beginning
again to count all the things on them, when Mrs. Powers' voice sounded
from the kitchen. "I met 'em on the way is why I'm back so soon," she
explained to Agnes. "Nelly had some flowers to bring. And they've been
down by the river and got a great lot of ferns too."

Marise started up, for an instant distracted from her concentration on
what Eugenia had said. This was the first time she had seen Nelly and
'Gene since Frank's death. How would they look? How did people go on
living? How would they speak, and how could they listen to anything but
their own thoughts? What had Frank's death meant to Nelly?

She turned shrinkingly towards Nelly. Nelly was bending down and
flicking the dust from her shoes with her handkerchief. When she stood
up, she looked straight at Marise. Under the thick-springing,
smooth-brushed abundance of her shining fair hair, her eyes, blue as
precious stones, looked out with the deep quiet which always seemed so
inscrutable to the other woman.

She held out an armful of flowers. "I thought you'd like the white phlox
the best. I had a lot of pink too, but I remembered Mrs. Bayweather said
white is best at such times."

Marise drew a long breath. What superb self-control!

"Were the biscuits good?" asked Nelly, turning to Agnes. "I was afraid
afterward maybe they weren't baked enough."

Marise was swept to her feet. If Nelly could master her nerves like
that, she could do better herself. She took the flowers, carried them to
the kitchen, and set them in a panful of water. She had not yet looked
at 'Gene.

She went to find an umbrella to shield her hatless head from the sun,
and on her way out only, cast a swift glance at 'Gene. That was enough.
All the blazing, dusty way to the mill, she saw hanging terribly before
her that haggard ashy face.

At the mill, she paused in the doorway of the lower office, looking in
on the three desk-workers, tapping on their machines, leaning sideways
to consult note-books. The young war-cripple, Neale's special protégé,
seeing her, got to his feet to ask her what he could do for her.

Marise considered him for a moment before she answered. _Was_ there
anything he could do for her? Why had she come? All she could remember
for the moment was that singular contraction of her throat, which had
come back now.

Then she remembered, "Is Mr. Crittenden here?"

"No, he was called away for the day, urgent business in New Hampshire."

Marise looked about her helplessly. "May I sit down for a moment?"

The young stenographer ran, limping and eager, to offer her a chair, and
then, shyly, swung his swivel chair towards her, not wishing to go back
to his work, uncertain what to say to his employer's wife.

"When will Mr. Crittenden be back?" asked Marise, although she knew the
answer.

"No later than tonight, he said," answered the stenographer. "He spoke
particularly about coming back because of Miss Hetty Allen's funeral."

"Yes, of course," said Marise.

There was nothing more to be said, she knew that, nothing more to be
done, until Neale came back. But it seemed physically impossible for her
to live until then, with the clutch in her throat.

She ought to get up now, at once, and go back to Cousin Hetty's. The
Powers were waiting for her return. But her consternation at finding
Neale really gone was a blow from which she needed a breathing time to
recover. She couldn't have it so. She could never endure a whole day
with this possibility like a threatening powder-mine under her feet,
ready to go off and bring her inner world to ruin and despair. She put
her hand out to take her umbrella and struggled up.

"Any message to leave for Mr. Crittenden?" asked the stenographer,
seeing her ready to go.

She shook her head. Her eye fell on the waste-paper basket beside the
desk. On one of the empty envelopes, torn in two, the words, "Return to
C.K. Lowder," stood out clearly. She turned away and stood motionless,
one hand at her temple. She was thinking to herself, "This is simply
incredible. There is some monstrous mistake. If I could only think of a
way to find it out before it kills me."

She became aware that the young cripple was looking at her anxiously,
and saw in his startled, agitated face a reflection of what hers must
be. She made an effort to speak quietly, and heard herself say, "Do you
happen to remember if Mr. Crittenden was alone as he drove away?"

"Oh no," said the other. "He had had someone with him ever since the
afternoon train came in yesterday. Mr. Crittenden drove the car in
himself to the Ashley station to meet him. Somebody here on business."

"What sort of a man, do you remember?" asked Marise.

"Well, a clean-shaven man, with a queer thin long mouth, like the
pictures of William Jennings Bryan's. And he talked out of one corner of
it, the way . . . see here, Mrs. Crittenden, you look awfully tired.
Wouldn't you better sit down and rest a moment more?"

Marise shook her head with an impatient gesture. Now she needed to get
away from that office as much as she had wished to go to it. The place
was hateful to her. The young man's eyes were intolerable. He was one of
the people, one of the many, many people who had grown up trusting in
Neale.

She swung suddenly to a furious incredulity about the whole thing. It
was nonsense! None of it could be true. What were all these people
saying to her, Eugenia, Mrs. Powers, this boy . . . ? She would never
forgive them for trying to do such an infamous thing. They were trying
to make her believe that Neale had been back of Lowder in the low-down
swindle that had been practised on the Powers. They were trying to make
her believe that for seven years Neale had been lying to her with every
breath he drew. Because other men could lie, they thought they could
make her believe that Neale did. Because other women's husbands had done
base things in business, they thought she would be capable of believing
that about Neale. They didn't know how preposterous it was, how close
she and Neale had always been, how deeply a part of the whole aspect of
life to her, Neale's attitude toward his work had become. Those people
did not realize what they were trying to make her believe, it was not
only that her husband had been the instigator of a mean little cheat
which had cost years of suffering to helpless neighbors, it was the
total destruction of all that she had thought Neale to be . . . _thought_
him? Known him to be.

"I must get back at once," she said, with a resentful accent and moved
towards the door.



CHAPTER XXIII

MARISE LOOKS DOWN ON THE STARS


July 22.

She passed out from the office into the yellow glare of the sun, her
feet moving steadily forward, with no volition of hers, along the dusty
road. And as steadily, with as little volition of hers, march, march,
came . . . first what Eugenia had said, the advance from that to Mrs.
Powers' words, from that to the stenographer's, to the name on the
envelope . . . and then like the door to a white-hot blast-furnace thrown
open in her face, came the searing conception of the possibility that it
might be true, and all the world lost.

The extremity and horror of this aroused her to a last effort at
self-preservation so that she flung the door shut by a fierce incapacity
to believe any of those relentless facts which hung one from another
with their horrible enchaining progression. No, she had been dreaming.
It was all preposterous!

The heat wavered up from the hot earth in visible pulsations and there
pulsed through her similar rhythmic waves of feeling; the beginning . . .
what Eugenia had said, had said that _Neale had told her_ . . . what Mrs.
Powers had said, "Lots of men that run mills do that sort of thing" . . .
what the stenographer had said . . . the name on the envelope . . .
_suppose it should be true_.

She was at Cousin Hetty's door now; a give-and-take of women's voices
sounding within. "Here's Mrs. Crittenden back. Come on, Nelly, we better
be going. There's all the work to do."

Marise went in and sat down, looking at them with stony indifference, at
'Gene this time as well as at the women. The drawn sickness of his ashy
face did not move her in the least now. What did she care what he did,
what anyone did, till she knew whether she had ever had Neale or not?
The women's chatter sounded remote and foolish in her ears.

If Neale had done that . . . if that was the man he was . . . but of course
it was preposterous, and she had been dreaming. What was that that
Eugenia had said? The descent into hell began again step by step.

The Powers went out, the old woman still talking, chattering, as if
anything mattered now.

After they were gone, Agnes ran to the door calling, "Mis' Powers! You
forgot your pan and towel after all!" And there was Mrs. Powers again,
talking, talking.

She had been saying something that needed an answer apparently, for now
she stood waiting, expectant.

"What was that, Mrs. Powers? I was thinking of something else."

"I was just tellin' you that there's going to be a big change over to
our house. 'Gene, he told Nelly, as he was setting here waiting for you,
how he was going to cut down the big pine one of these days, like she
always wanted him to. You know, the one that shades the house so.
'Gene's grandfather planted it, and he's always set the greatest store
by it. Used to say he'd just as soon cut his grandmother's throat as
chop it down. But Nelly, she's all housekeeper and she never did like
the musty way the shade makes our best room smell. I never thought to
see the day 'Gene would give in to her about that. He's gi'n in to her
about everything else though. Only last night he was tellin' her, he was
going to take something out'n the savings-bank and buy her an organ for
Addie to learn to play on, that Nelly always hankered after. Seems
'sthough he can't do enough for Nelly, don't it?"

Marise looked at her coldly, incapable of paying enough attention to her
to make any comment on what she said. Let them cut down all the trees in
the valley, and each other's throats into the bargain, if Neale had . . .
if there had never been her Neale, the Neale she thought she had been
living with, all these years.

Mrs. Powers had gone finally, and the house was silent at last, so
silent that she could now hear quite clearly, as though Eugenia still
sat there, what the sweet musical voice was saying over and over. Why
had they gone away and left her alone to face this deadly peril which
advanced on her step by step without mercy, time after time? Now there
was nothing to do but to wait and stand it off.

       *       *       *       *       *

She was sitting in the same chair, her umbrella still in her hand,
waiting, when Agnes came in to say that she had lunch ready. She turned
eyes of astonished anger and rebuke on her. "I don't want anything to
eat," she said in so strange a voice that Agnes crept back to the
kitchen, shuffling and scared.

She was still sitting there, looking fixedly before her, and frowning,
when Agnes came to the door to say timidly that the gentleman had come
about using his car to meet the train, and wanted to know if he could
see Mrs. Crittenden.

Marise looked at her, frowning, and shook her head. But it was not until
late that night that she understood the words that Agnes had spoken.

       *       *       *       *       *

She was still sitting there, rigid, waiting, when Agnes brought in a
lighted lamp, and Marise saw that evening had come. The light was
extremely disagreeable to her eyes. She got up stiffly, and went
outdoors to the porch, sitting down on the steps.

The stars were beginning to come out now. The sight of them suggested
something painful, some impression that belonged to that other world
that had existed before this day, before she had conceived the
possibility that Neale might not be Neale, might never have been Neale,
that there was no such thing for her as human integrity. Was it she who
had leaned out from the window and felt herself despised by the height
and vastness of the stars? From the height and vastness of her need, she
looked down on them now, and found them nothing, mere pin-pricks in the
sky, compared to this towering doubt of her, this moral need which
shouted down all the mere matter on the earth and in the heavens above
the earth. Something eternal was at stake now, the faith in
righteousness of a human soul.

She had thought childishly, shallowly last night that she had had no
faith, and could live with none. That was because she had not conceived
what it would be to try to live without faith, because she had not
conceived that the very ground under her feet could give way. At that
very moment she had had a faith as boundless as the universe, and had
forgotten it. And now it was put in doubt. She could not live without
it. It was the only vital thing for her.

Was she the woman who had felt forced into acquiescing when Vincent
Marsh had said so boldly and violently, that she loved her husband no
more, that he was nothing to her now? It seemed to her at this moment
that it was a matter of the utmost unimportance whether she _loved_ him
or not; but she could not live without believing him. That was all. She
could not live without that. Life would be too utterly base . . .

Neale nothing to her? She did not know _what_ he was to her, but the
mere possibility of losing her faith in him was like death. It was a
thousand times worse than death, which was merely material. This
mattered a great deal more than the physical death of someone's body . . .
it was the murder, minute by minute, hour by hour, month by month, year
by year of all her married life, of all she had found lovable and
tolerable and beautiful and real in life.

Of course this could not be true . . . of course not . . . but if it were
true, she would find the corrosive poison of a false double meaning in
every remembered hour. She did not believe any of those hideously
marshaled facts, but if they were true, she would go back over all those
recollections of their life together and kill them one by one, because
every hour of her life had been founded on the most unthinking, the most
absolute, the most recklessly certain trust in Neale. To know that past
in peril, which she had counted on as safe, more surely than on anything
in life, so surely that she had almost dismissed it from her mind like a
treasure laid away in a safe hiding-place . . . to know those memories in
danger was a new torture that had never before been devised for any
human being. No one had the safe and consecrated past taken from him.
Its pricelessness shone on her with a blinding light. What if it should
be taken away, if she should find she had never had it, at all . . . ?

The idea was so acute an anguish to her that she startled herself by a
cry of suffering.

Agnes' voice behind her asked tremblingly, "Did you call me, Miss
Marise?"

Marise shifted her position, drew a breath, and answered in a hard tone,
"No."

She knew with one corner of her mind that Agnes must be terrified. What
if she were? Marise's life-long habit of divining another's need and
ministering to it, vanished like a handful of dust in a storm. What did
she care about Agnes? What did she care about anything in the world but
that she should have back again what she had valued so little as to lose
it from her mind altogether? All of her own energy was strained in the
bitterness of keeping her soul alive till Neale should come. She had not
the smallest atom of strength to care about the needs of anyone else.

She looked up at the stars, disdainful of them. How small they were, how
unimportant in the scheme of things, so much less able to give
significance to the universe, than the presence of integrity in a human
soul.

If she could have Neale back again, as she had always had him without
thinking of it, if she could have her faith in him again, the skies
might shrivel up like a scroll, but something eternal would remain in
her life.

       *       *       *       *       *

It seemed to her that she heard a faint sound in the distance, on the
road, and her strength ran out of her like water. She tried to stand up
but could not.

Yes, it was the car, approaching. The two glaring headlights swept the
white road, stopped, and went out. For an instant the dark mass stood
motionless in the starlight. Then something moved, a man's tall figure
came up the path.

"Is that you, Marise?" asked Neale's voice.

She had not breath to speak, but all of her being cried out silently to
him the question which had had all the day such a desperate meaning for
her, "Is that _you_, Neale?"



PART IV



CHAPTER XXIV

NEALE'S RETURN

July 22. Evening.

He stooped to kiss her and sank down beside her where she sat cowering
in the dark. Although she could not see his face clearly Marise knew
from his manner that he was very tired, from the way he sat down, taking
off his cap, and his attitude as he leaned his head back against the
pillar. She knew this without thinking about it, mechanically, with the
automatic certainty of a long-since acquired knowledge of him. And when
he spoke, although his voice was quiet and level, she felt a great
fatigue in his accent.

But he spoke with his usual natural intonation, which he evidently tried
to make cheerful. "I'm awfully glad you're still up, dear. I was afraid
you'd be too tired, with the funeral coming tomorrow. But I couldn't get
here any sooner. I've been clear over the mountain today. And I've done
a pretty good stroke of business that I'm in a hurry to tell you about.
You remember, don't you, how the Powers lost the title to their big
woodlot? I don't know if you happen to remember all the details, how a
lawyer named Lowder . . ."

"I remember," said Marise, speaking for the first time, "all about it."

"Well," went on Neale, wearily but steadily, "up in Nova Scotia this
time, talking with one of the old women in town, I ran across a local
tradition that, in a town about ten miles inland, some of the families
were descended from Tory Yankees who'd been exiled from New England,
after the Revolution. I thought it was worth looking up, and one day I
ran up there to see if I could find out anything about them. It was
Sunday and I had to . . ."

Marise was beside herself, her heart racing wildly. She took hold of his
arm and shook it with all her might. "Neale, quick! quick! Leave out all
that. _What did you do?_"

She could see that he was surprised by her fierce impatience, and for an
instant taken aback by the roughness of the interruption. He stared at
her. How _slow_ Neale was!

He began, "But, dear, why do you care so much about it? You can't
understand about what I did, if I don't tell you this part, the
beginning, how I . . ." Then, feeling her begin to tremble uncontrollably,
he said hastily, "Why, of course, Marise, if you want to know the end
first. The upshot of it all is that I've got it straightened out, about
the Powers woodlot. I got track of those missing leaves from the Ashley
Town Records. They really were carried away by that uncle of yours. I
found them up in Canada. I had a certified copy and tracing made of
them. It's been a long complicated business, and the things only came in
yesterday's mail, after you'd been called over here. But I'd been in
correspondence with Lowder, and when I had my proofs in hand, I
telephoned him and made him come over yesterday afternoon. It was one of
the biggest satisfactions I ever expect to have, when I shoved those
papers under his nose and watched him curl up. Then I took him back
today, myself, to his own office, not to let him out of my sight, till
it was all settled. There was a great deal more to it . . . two or three
hours of fight. I bluffed some, about action by the bar-association,
disbarment, a possible indictment for perjury, and seemed to hit a weak
spot. And finally I saw him with my own eyes burn up that fake
warranty-deed. And that's all there is to that. Just as soon as we can
get this certified copy admitted and entered on our Town Records, 'Gene
can have possession of his own wood-land. Isn't that good news?"

He paused and added with a tired, tolerant, kindly accent, "Now Nelly
will have fourteen pairs of new shoes, each laced higher up than the
others, and I won't be the one to grudge them to her."

He waited for a comment and, when none came, went on doggedly making
talk in that resolutely natural tone of his. "Now that you know the end,
and that it all came out right, you ought to listen to some details, for
they are queer. The missing pages weren't in that first town I struck at
all. Nothing there but a record of a family of Simmonses who had come
from Ashley in 1778. They had . . ."

Marise heard nothing more of what he said, although his voice went on
with words the meaning of which she could not grasp. It did not seem to
her that she had really understood with the whole of her brain anything
he had said, or that she had been able to take in the significance of
it. She could think of nothing but a frightening sensation all over her
body, as though the life were ebbing out of it. Every nerve and fiber in
her seemed to have gone slack, beyond anything she had ever conceived.
She could feel herself more and more unstrung and loosened like a violin
string let down and down. The throbbing ache in her throat was gone.
Everything was gone. She sat helpless and felt it slip away, till
somewhere in the center of her body this ebbing of strength had run so
far that it was a terrifying pain, like the approach of death. She was
in a physical panic of alarm, but unable to make a sound, to turn her
head.

It was when she heard a loud insistent ringing in her head, and saw the
stars waver and grow dim that she knew she was fainting away.

       *       *       *       *       *

Then she was lying on the sofa in Cousin Hetty's sitting-room, Neale
bending over her, holding a handkerchief which smelled of ammonia, and
Agnes, very white, saying in an agitated voice, "It's because she hasn't
eaten a thing all day. She wouldn't touch her lunch or supper. It's been
turrible to see her."

Marise's head felt quite clear and lucid now; her consciousness as if
washed clean by its temporary absence from life. She tried to sit up and
smile at Neale and Agnes. She had never fainted away in all her life
before. She felt very apologetic and weak. And she felt herself in a
queer, literal way another person.

Neale sat down by her now and put his arm around her. His face was grave
and solicitous, but not frightened, as Agnes was. It was like Neale not
to lose his head. He said to Agnes, "Give me that cup of cocoa," and
when it came, he held it to Marise's lips. "Take a good swallow of
that," he said quietly.

Marise was amazed to find that the hot sweet smell of the cocoa aroused
in her a keen sensation of hunger. She drank eagerly, and taking in her
hand the piece of bread and butter which Neale offered to her, she began
to eat it with a child's appetite. She was not ashamed or self-conscious
in showing this before Neale. One never needed to live up to any pose
before Neale. His mere presence in the room brought you back, she
thought, to a sense of reality. Sometimes if you had been particularly
up in the air, it made you feel a little flat as she certainly did now.
But how profoundly alive it made you feel, Neale's sense of things as
they were.

The food was delicious. She ate and drank unabashedly, finding it an
exquisite sensation to feel her body once more normal, her usual home,
and not a scaring, almost hostile entity, apart from her. When she
finished, she leaned against Neale's shoulder with a long breath. For an
instant, she had no emotion but relieved, homely, bodily comfort.

"Well, for Heaven's sake!" said Neale, looking down at her.

"I know it," she said. "I'm an awful fool."

"No, you're not," he contradicted. "That's what makes me so provoked
with you now, going without eating since morning."

Agnes put in, "It's the suddenness of it that was such a shock. It takes
me just so, too, comes over me as I start to put a mouthful of food into
my mouth. I can't get it down. And you don't know how _lost_ I feel not
to have Miss Hetty here to tell me what to eat. I feel so gone!"

"You must go to bed this minute," said Neale. "I'll go right back to the
children."

He remembered suddenly. "By George, I haven't had anything to eat since
noon, myself." He gave Marise an apologetic glance. "I guess I haven't
any stones to throw at your foolishness."

Agnes ran to get him another cup of cocoa and some more bread and
butter. Marise leaned back on the sofa and watched him eat.

       *       *       *       *       *

She was aware of a physical release from tension that was like a new
birth. She looked at her husband as she had not looked at him for years.
And yet she knew every line and hollow of that rugged face. What she
seemed not to have seen before, was what had grown up little by little,
the expression of his face, the expression which gave his presence its
significance, the expression which he had not inherited like his
features, but which his life had wrought out there.

Before her very eyes there seemed still present the strange, alien look
of the dead face upstairs, from which the expression had gone, and with
it everything. That vision hung, a cold and solemn warning in her mind,
and through it she looked at the living face before her and saw it as
she had never done before.

In the clean, new, sweet lucidity of her just-returned consciousness she
saw what she was not to forget, something like a steady, visible light,
which was Neale's life. That was Neale himself. And as she looked at him
silently, she thought it no wonder that she had been literally almost
frightened to death by the mere possibility that it had not existed. She
had been right in thinking that there was something there which would
outlast the mere stars.

He looked up, found her eyes on him, and smiled at her. She found the
gentleness of his eyes so touching that she felt the tears mounting to
her own. . . . But she winked them back. There had been enough foolishness
from her, for one day.

Neale leaned back in his chair now, looked around for his; cap, took it
up, and looked back at her, quietly, still smiling a little. Marise
thought, "Neale is as _natural_ in his life as a very great actor is in
his art. Whatever he does, even to the most trifling gesture, is done
with so great a simplicity that it makes people like me feel fussy and
paltry."

There was a moment's silence, Neale frankly very tired, looking rather
haggard and grim, giving himself a moment's respite in his chair before
standing up to go; Marise passive, drawing long quiet breaths, her hands
folded on her knees; Agnes, her back to the other two, hanging about the
sideboard, opening and shutting the drawers, and shifting their contents
aimlessly from one to the other.

Then Agnes turned, and showed a shamed, nervous old face. "I don't know
what's got into me, Miss Marise, that I ain't no good to myself nor
anybody else. I'm afraid to go back into the kitchen alone." She
explained to Neale, "I never was in the house with a dead body before,
Mr. Crittenden, and I act like a baby about it, scared to let Mrs.
Crittenden out of my sight. If I'm alone for a minute, seems 'sthough
. . ." She glanced over her shoulder fearfully and ended lamely, "Seems
'sthough I don't know what might happen."

"I won't leave you alone, Agnes, till it is all over," said Marise, and
this time she kept contempt not only out of her voice, but out of her
heart. She was truly only very sorry for the old woman with her foolish
fears.

Agnes blinked and pressed her lips together, the water in her eyes.
"I'm awful glad to hear you say that!" she said fervently.

Marise closed her eyes for a moment. It had suddenly come to her that
this promise to Agnes meant that she could not see Neale alone till
after the funeral, tomorrow, when she went back into life again. And she
found that she immensely wanted to see him alone this very hour, now!
And Agnes would be there . . . !

She opened her eyes and saw Neale standing up, his cap in his hand,
looking at her, rough and brown and tall and tired and strong; so
familiar, every line and pose and color of him; as familiar and
unexciting, as much a part of her, as her own hand.

As their eyes met in the profound look of intimate interpenetration
which can pass only between a man and a woman who have been part of each
other, she felt herself putting to him clearly, piercingly, the question
which till then she had not known how to form, "_Neale, what do you want
me to do?_"

She must have said it aloud, and said it with an accent which carried
its prodigious import, for she saw him turn very white, saw his eyes
deepen, his chest lift in a great heave. He came towards her, evidently
not able to speak for a moment. Then he took her hands . . . the memory of
a thousand other times was in his touch . . .

He looked at her as though he could never turn his eyes away. The
corners of his mouth twitched and drew down.

He said, in a deep, trembling, solemn voice, "Marise, my darling, I want
you always to do what is best for _you_ to do."

He drew a deep, deep breath as though it had taken all his strength to
say that; and went on, "What is deepest and most living in you . . . that
is what must go on living."

He released one hand and held it out towards her as though he were
taking an oath.



CHAPTER XXV

MARISE'S COMING-OF-AGE


July 23. Dawn

Even after the old child, Agnes, had been soothed and reassured, over
and over, till she had fallen asleep, and the house lay profoundly
quiet, Marise felt not the slightest approach of drowsiness or even of
fatigue. She lay down on her bed, but could not close her eyes. They
remained wide open, looking not at a wild confusion of incoherent images
as they had the night before, but straight into blackness and vacancy.

It was strange how from the brawling turmoil of impressions which had
shouted and cried out to her the night before, and had wrought her to
frenzy by their insane insistence, not an echo reached her now. Her mind
was as silent and intent as the old house, keeping its last mute watch
over its mistress. Intent on what? She did not know. On something that
was waiting for her, on something for which she was waiting.

In an immense hush, like the dusky silence in a cathedral aisle or in
the dark heart of the woods, there was something there waiting for her
to go and find it.

That hush had fallen on her at the sight of Neale's face, at the sound
of his voice, as he had looked at her and spoken to her, at the last,
just before he went away back to the children. Those furiously racing
pulses of hers had been stilled by it into this steady rhythm which now
beat quietly through her. The clashing thoughts which had risen with
malevolent swiftness, like high, battling shadowy genii, and had torn
her in pieces as they fought back and forth, were stilled as though a
master-word had been spoken which they must all obey.

The old house, silent under the stars, lay quiet in its vigil about her,
but slept no more than she; the old house which had been a part of her
childhood and her youth now watched over her entry into another part of
her journey.

For as she lay there, wide-awake, watching the light of the candle, she
felt that she knew what was waiting for her, what she must go to find.
It was her maturity.

And as she lay quiet, her ears ringing in the solemn hush which Neale's
look and voice had laid about her, she felt slowly coming into her, like
a tide from a great ocean, the strength to go forward. She lay still,
watching the candle-flame, hovering above the wick which tied it to the
candle, reaching up, reaching up, never for a moment flagging in that
transmutation of the dead matter below it, into something shining and
alive.

She felt the quiet strength come into her like a tide. And presently, as
naturally as a child wakes in the morning, refreshed, and feels the
impulse to rise to active effort again, she sat up in bed, folded her
arms around her knees, and began to think.

Really to think this time, not merely to be the helpless battle-field
over which hurtling projectiles of fierce emotions passed back and
forth! She set her life fairly there before her, and began to try to
understand it.

As she took this first step and saw the long journey stretching out
before her, she knew on what staff she leaned. It was Neale's belief
that she was strong and not weak, that she could find out, if she tried,
what was deepest and most living in her heart. With this in her hand,
with that great protecting hush about her, she set forth. She was afraid
of what she might find, but she set forth.

She must begin at the beginning this time, and go steadily forward from
one step to the next, not her usual involuntary plunge, not the usual
closing over her head of those yelling waters of too vivid impression.

The beginning had been . . . yes, the first conscious beginning had been
the going away of little Mark, out of his babyhood into his own
child-life. He had gone out and left an empty place behind him, which
till then had been filled with the insistent ever-present need for care
for the physical weakness of babyhood. And she had known that never
again would Mark fill that place.

Emptiness, silence, solitude in the place of constant activity; it had
frightened her, had set before her a vision that her life had reached
its peak, and henceforth would go down the decline. Into that empty
place had come a ringing, peremptory call back to personal and physical
youth and excitement and burning sensations. And with that blinding
rebirth of physical youth had come a doubt of all that had seemed the
recompense for the loss of it, had come the conception that she might be
letting herself be fooled and tricked out of the only real things.

There had been many parts to this: her revolt from the mere physical
drudgery of her life, from giving so much of her strength to the dull,
unsavory, material things. This summer, a thousand times in a thousand
ways, there had been brought home to her by Vincent, by Eugenia, the
fact that there were lives so arranged that other people did all the
drudgery, and left one free to perceive nothing but the beauty and
delicacy of existence. Now, straight at it! With all the knowledge of
herself and of life which she had gathered,--straight at it, to see what
this meant! Did their entire freedom from drudgery give them a keener
sense of the beauty and delicacy of existence? Were they more deeply
alive because of the ease of their lives?

She cast about her for evidence, in a firm, orderly search among the
materials which life had brought to her. Had she seen anything which
could give evidence on that? There was Eugenia; Eugenia and her friends
had always lived that life of rich possessions and well-served ease.
What had it made of them? Was their sense of beauty deeper and more
living because of it? No, not in the least.

She turned her inward eye on Eugenia's life, on the lives of the people
in that circle, in a long searching gaze. Was it deep in eternal values?
Was it made up of a constant recurrence of sensitive aliveness to what
is most worth responding to? Odd, that it did not seem to be! They were
petulant, and bored, and troubled about minute flaws in their ease, far
more than they were deep in communion with beauty.

Another piece of evidence came knocking at the door now, a picture of
quaint and humble homeliness . . . herself standing before the stove with
the roast on a plate, and little Mark saying fastidiously, "Oh, how
nasty raw meat looks!" She recalled her passing impatience with the
childishness of that comment, her passing sense of the puerile ignorance
of the inherent unity of things, in such an attitude of eagerness to
feed on results and unwillingness to take one's share of what leads up
to results. Yes, it was more there, than in looking at Eugenia, that she
could find evidence. Did she want to be of those who sat afar off and
were served with the fine and delicate food of life, and knew nothing of
the unsavory process of preparing it? It had seemed to her this summer,
a thousand times with Vincent's eyes on her, scornful of her present
life, that she did want it, that she wanted that more than anything
else. Now let her look full at it. She was a grown woman now, who could
foresee what it would mean.

She looked full at it, set herself there in her imagination, in the
remote ivory tower and looked out from its carven windows at the rough
world where she had lived and worked, and from which she would
henceforth be protected . . . and shut out. She looked long, and in the
profound silence, both within and without her, she listened to the
deepest of the voices in her heart.

And she knew that it was too late for that. She had lived, and she could
not blot out what life had brought to her. She could never now, with a
tranquil heart, go into the ivory tower. It would do her no good to shut
and bar the golden door a hundred times behind her, because she would
have with her, everywhere she went, wrought into the very fiber of her
being, a guilty sense of all the effort and daily strain and struggle in
which she did not share.

She saw no material good accomplished by taking her share. The existence
in the world of so much drudgery and unlovely slavery to material
processes was an insoluble mystery; but a life in which her part of it
would be taken by other people and added to their own burdens . . . no,
she had grown into something which could not endure that!

Perhaps this was one of the hard, unwelcome lessons that the war had
brought to her. She remembered how she had hated the simple comforts of
home, the safety, the roof over her head, because they were being paid
for by such hideous sufferings on the part of others; how she had been
ashamed to lie down in her warm bed when she thought of Neale and his
comrades in the trench-mud, in the cold horror of the long drenching
nights, awaiting the attack; and she had turned sick to see the long
trains of soldiers going out while she stayed safely behind and bore no
part in the wretchedness which war is. There had been no way for her to
take her part in that heavy payment for her safety and comfort; but the
bitterness of those days had shocked her imagination alive to the shame
of sharing and enjoying what she had not helped to pay for, to the
disharmony of having more than your share while other people have less
than theirs.

This was nothing she had consciously sought for. She felt no dutiful
welcome that it had come; she bent under it as under a burden. But it
was there. Life had made her into one of the human beings capable of
feeling that responsibility, each for all, and the war had driven it
home, deep into her heart, whence she could not pluck it out.

She might never have known it, never have thought of it, if she had
been safely protected by ignorance of what life is like. But now she
knew, living had taught her; and that knowledge was irrevocably part of
the woman she had become.

Wait now! Was this only habit, routine, dulled lack of divining
imagination of what another life could be? That was the challenge
Vincent would throw down. She gazed steadily at the wall before her, and
called up, detail by detail, the life which Vincent Marsh thought the
only one that meant richness and abundance for the human spirit. It hung
there, a shimmering mass of lovely colors and exquisite textures and
fineness and delicacy and beauty. And as she looked at it, it took on
the shape of a glorious, uprooted plant, cut off from the very source of
life, its glossy surfaces already beginning to wither and dull in the
sure approach of corruption and decay. But what beauties were there to
pluck, lovely fading beauties, poignant and exquisite sensations, which
she was capable of savoring, which she sadly knew she would live and die
without having known, a heritage into which she would never enter;
because she had known the unforgettable taste of the other heritage,
alive and rooted deep!

This faded out and left her staring at the blank wall again, feeling old
and stern.

Nothing more came for a moment, and restless, feeling no bodily fatigue
at all, she got out of her bed, took up the candle, and stepped
aimlessly out into the hall. The old clock at the end struck a muffled
stroke, as if to greet her. She held up her candle to look at it.
Half-past two in the morning. A long time till dawn would come.

She hesitated a moment and turned towards the door of a garret room
which stood open. She had not been in there for so long,--years perhaps;
but as a child she had often played there among the old things, come
down from the dead, who were kept in such friendly recollection in this
house. Near the door there had been an old, flat-topped, hair-covered
trunk . . . yes, here it was, just as it had been. Nothing ever changed
here. She sat down on it, the candle on the floor beside her, and saw
herself as a little girl playing among the old things.

A little girl! And now she was the mother of a little girl. So short a
time had passed! She understood so very little more than when she had
been the little girl herself. Yet now there was Elly who came and stood
by her, and looked at her, and asked with all her eyes and lips and
being, "Mother, what is the meaning of life?"

What answer had she to give? Was she at all more fit than anyone else to
try to give Elly the unknowable answer to that dark question? Was there
any deep spiritual reality which counted at all, which one human being
could give to another? Did we really live on desert islands, cut off so
wholly from each other by the unplumbed, salt, estranging sea? And if we
did, why break one's heart in the vain effort to do the impossible, to
get from human beings what they could not give?

Her heart ached in an old bitterness at the doubt. Did her children . . .
could they . . . give her the love she wanted from them, in answer to her
gift of her life to them? They were already beginning to go away from
her, to be estranged from her, to shut her out of their lives, to live
their lives with no place for her in them.

She sat there on the old trunk and saw the endless procession of parents
and children passing before her, the children so soon parents, all
driven forward by what they could not understand, yearning and starving
for what was not given them, all wrapped and dimmed in the twilight of
their doubt and ignorance. Where were they going? And why? So many of
them, so many!

Her humbled spirit was prostrate before their mystery, before the
vastness of the whole, of which she and her children were only a part, a
tiny, lowly part.

With this humbling sense of the greatness of the whole, something
swollen and sore in her heart gave over its aching, as though a
quieting hand had been laid on it. She drew a long breath. Oh, from what
did it come, this rest from that sore bitterness?

It came from this, that she had somehow been shown that what she wanted
was not love from her children for herself. That was trying to drive a
bargain to make them pay for something they had never asked to have.
What she wanted was not to get love, to get a place in their lives for
herself, to get anything from them, but to give them all that lay in her
to give. If that was what she wanted, why, nothing, nothing could take
it away. And it was truly . . . in this hour of silence and searching . . .
she saw that it was truly what she wanted. It was something in her which
had grown insensibly to life and strength, during all those uncounted
hours of humble service to the children. And it was something golden and
immortal in her poor, flawed, human heart.

       *       *       *       *       *

A warm bright wave of feeling swept over her . . . there, distinct and
rounded against the shadowy confused procession of abstract ideas about
parents and children, there stood looking at her out of their clear
loving eyes, Paul and Elly and little Mark, alive, there, a part of her;
not only themselves but her children; not only her children but
themselves; human life which she and Neale had created out of the stuff
of the universe. They looked at her and in their regard was the clear
distillation of the innumerable past hours when they had looked at her
with love and trust.

At the sight of them, her own children, her heart swelled and opened
wide to a conception of something greater and deeper in motherhood than
she had had; but which she could have if she could deserve it; something
so wide and sun-flooded that the old selfish, possessive,
never-satisfied ache which had called itself love withered away, its
power to hurt and poison her gone.

She had no words for this . . . she could not even try to understand it.
It was as solemn a birth-hour to her, as the hour when she had first
heard the cry of her new-born babies . . . she was one mother then, she
had become another mother now. She turned to bless the torment of
bitter, doubting questioning of what she had called mother-love, which
had forced her forward blindly struggling, till she found this
divination of a greater possibility.

She had been trying to span the unfathomable with a mean and grasping
desire. Now she knew what she must try to do; to give up the lesser and
receive the greater.

       *       *       *       *       *

This passed and left her, looking straight before her at the flickering
shadows, leaping among the dusky corners of the dark slant-ceilinged
room. The old clock struck three in the hall behind her.

She felt tired now, as she had after the other travail which had given
her her children, and leaned her head on her hand. Where did she
herself, her own personal self come in, with all this? It was always a
call to more effort which came. To get the great good things of life how
much you had to give! How much of what seemed dearly yourself, you had
to leave behind as you went forward! Her childhood was startlingly
called up by this old garret, where nothing had changed: she could still
see herself, running about there, happily absorbed in the vital
trivialities of her ten years. She had not forgotten them, she knew
exactly the thrill felt by that shadowy little girl as she leaned over
the old chest yonder, and pulled out the deep-fringed shawl and quilted
petticoat.

It had been sweet to be a little girl, she thought wistfully, to have
had no past, to know only the shining present of every day with no
ominous, difficult future beyond it. Ineffably sweet too was the aroma
of perfect trust in the strength and wisdom of grown-up people, which
tinctured deep with certainty every profoundest layer of her
consciousness. Ineffably sweet . . . and lost forever. There was no human
being in the world as wise and strong as poor old Cousin Hetty had
seemed to her then. A kingdom of security from which she was now shut
out.

And the games, the fantastic plays,--how whole and rounded and entire,
the pleasure in them! She remembered the rainy day she had played
paper-dolls here once, with little Margaret Congdon . . . dead, years ago,
that much-loved playmate of past summer days . . . and how they had taken
the chest for the house for Margaret's dolls, and the hair-trunk where
she sat, for hers; how they had arranged them with the smallest of
playthings, with paste-board furniture, and bits of colored tissue paper
for rugs, and pieces of silk and linen from the rag-bag for bed-clothes;
how they had hummed and whistled to themselves as they worked (she could
hear them now!); and how the aromatic woodsy smell of the unfinished old
room and the drone of the rain on the roof had been a part of their deep
content.

Nothing had changed in that room, except the woman who sat there.

She got up with a sudden impulse, and threw back the lid of the trunk. A
faint musty odor rose from it, as though it had been shut up for very
long. And . . . why, there it was, the doll's room, just as they had left
it, how long ago! How like this house! How like Cousin Hetty never to
have touched it!

She sat down on the floor and, lifting the candle, looked in at the
yellowed old playthings, the flimsy, spineless paper-dolls, the faded
silk rags, the discolored bits of papers, the misshapen staggering
paste-board chairs and bed, which had seemed so delightful and
enchanting to her then, far better than any actual room she knew. A
homesickness for the past came over her. It was not only Margaret who
was dead. The other little girl who had played there, who had hung so
lovingly over this creation of her fancy, was dead too, Marise thought
with a backward look of longing.

And then the honest, unsparing habit of her life with Neale shook her
roughly. This was sentimentalizing. If she could, would she give up what
she had now and go back to being the little girl, deeply satisfied with
make-shift toys, which were only the foreshadowings of what was to come?
If she could, would she exchange her actual room at home, for this, even
to have again all the unquestioning trust in everyone and everything of
the child who had died in her heart? Would she choose to give up the
home where her living children had been born, at no matter what cost of
horrid pain to herself, and were growing up to no matter what dark
uncertainties in life, for this toy inhabited by paper-dolls? No, no,
she had gone on, gone on, and left this behind. Nor would she, if she
could, exchange the darker, heavier, richer gifts for the bright small
trinkets of the past.

All this ran fluently from her mind, with a swiftness and clarity which
seemed as shallow as it was rapid; but now there sounded in her ears a
warning roar of deeper waters to which this was carrying her.

Before she knew what was coming, she braced herself to meet it; and
holding hard and ineffectually, felt herself helplessly swept out and
flung to the fury of the waves . . . and she met them with an answering
tumult of welcome. That was what Vincent Marsh could do for her, wanted
to do for her,--that wonderful, miraculous thing,--give back to her
something she had thought she had left behind forever; he could take
her, in the strength of her maturity with all the richness of growth,
and carry her back to live over again the fierce, concentrated intensity
of newly-born passion which had come into her life, and gone, before she
had had the capacity to understand or wholly feel it. He could lift her
from the dulled routine of life beginning to fade and lose its colors,
and carry her back to the glorious forgetfulness of every created thing,
save one man and one woman.

She had had a glimpse of that, in the first year of her married life,
had had it, and little by little had lost it. It had crumbled away
insensibly, between her fingers, with use, with familiarity, with the
hateful blunting of sensitiveness which life's battering always brings.
But she could have it again; with a grown woman's strength and depth of
feeling, she could have the inheritance of youth. She had spent it, but
now she could have it again. That was what Vincent meant.

He seemed to lean over her now, his burning, quivering hand on hers. She
felt a deep hot flush rise to her face, all over her body. She was like
a crimson rose, offering the splendor of its maturity to be plucked. Let
her have the courage to know that its end and aim and fulfilment lay in
being plucked and gloriously worn before the coming of the inevitable
end! Thus and thus only could one find certainty, before death came, of
having lived as deeply as lay in one to live.

       *       *       *       *       *

Through the glowing pride and defiance with which she felt herself rise
to the challenge, felt herself strong to break and surmount all
obstacles within and without, which stood in the way of that fulfilment
of her complete self, she had heard . . . the slightest of
trivialities . . . a thought gone as soon as it was conceived . . .
nothing of the slightest consequence . . . harmless . . .
insignificant . . . yet why should it give off the betraying clink of
something flawed and cracked? . . . She had heard . . . it must have
come from some corner of her own mind . . . something like this, "Set
such an alternative between routine, traditional, narrow domestic life,
and the mightiness and richness of mature passion, before a modern, free
European woman, and see how quickly she would grasp with all her soul for
passion."

What was there about this, the veriest flying mote among a thousand
others in the air, so to awaken in Marise's heart a deep vibration of
alarm? Why should she not have said that? she asked herself, angry and
scared. Why was it not a natural thought to have had? She felt herself
menaced by an unexpected enemy, and flew to arms.

Into the rich, hot, perfumed shrine which Vincent's remembered words and
look had built there about her, there blew a thin cool breath from the
outside, through some crack opened by that casual thought. Before she
even knew from whence it came, Marise cried out on it, in a fury of
resentment . . . and shivered in it.

With no apparent volition of her own, she felt something very strong
within her raise a mighty head and look about, stirred to watchfulness
and suspicion by that luckless phrase.

She recognized it . . . the habit of honesty of thought, not native to
Marise's heart, but planted there by her relation with Neale's stark,
plain integrity. Feeding unchecked on its own food, during the long
years of her marriage it had grown insensibly stronger and stronger,
till now, tyrant and master, with the irresistible strength of conscious
power, it could quell with a look all the rest of her nature, rich in
colored possibilities of seductive self-deceit, sweet illusions, lovely
falsities.

She could no more stop its advance now, straight though it made its way
over treasures she fain would keep, than she could stop the beating of
her heart.

A ruthless question or two . . . "Why did you say that about what a
modern, free European woman would do in your place? Are you trying to
play up to some trumpery notion of a rôle to fill? And more than this,
did you really mean in your heart an actual, living woman of another
race, such as you knew in Europe; or did you mean somebody in an
Italian, or a French, or a Scandinavian book?" Marise writhed against
the indignity of this, protested fiercely, angrily against the
incriminating imputation in it . . . and with the same breath admitted it
true.

It was true. She was horrified and lost in grief and humiliation at the
cheapened aspect of what had looked so rich before. Had there been in
truth an element of such trashy copying of the conventional pose of
revolt in what had seemed so rushingly spontaneous? Oh no, no . . . not
that!

She turned away and away from the possibility that she had been
partially living up to other people's ideas, finding it intolerable; and
was met again and again by the relentless thrust of that acquired
honesty of thought which had worn such deep grooves in her mind in all
these years of unbroken practice of it. "You are not somebody in a book,
you are not a symbol of modern woman who must make the gestures
appropriate for your part . . ." One by one, that relentless power seated
in her many-colored tumultuous heart put out the flaring torches.

It had grown too strong for her, that habit of honesty of thought and
action. If this struggle with it had come years before she could have
mastered it, flinging against it the irresistible suppleness and
lightness of her ignorant youth. But now, freighted heavily with
experience of reality, she could not turn and bend quickly enough to
escape it.

It had profited too well by all those honest years with Neale . . . never
to have been weakened by a falsehood between them, by a shade of
pretense of something more, or different from what really was there.
That habit held her mercilessly to see what was there now. She could no
more look at what was there and think it something else, than she could
look with her physical eyes at a tree and call it a dragon.

If it had only been traditional morality, reproaching her with
traditional complaints about the overstepping of traditional bounds, how
she could have overwhelmed it, drowned out its feeble old voice, with
eloquent appeals for the right to growth, to freedom, to the generous
expansion of the soul, of the personality, which Vincent Marsh could
give. But honesty only asked her neutrally, "Is it really growth and
freedom, and generous expansion of the soul?" Poor Marise felt her arms
fall to her side, piteous and defenseless. No, it was not.

It was with the flatness of accent which she hated, which was so hard
for her, that she made the admission. It was physical excitement,--that
was what it was. Physical excitement, that was what Vincent Marsh could
give her which Neale no longer could. . . . That and great ease of life,
which Neale never would. There was a pause in which she shivered,
humiliated. She added lamely to this, a guessed-at possibility for
aesthetic sympathy and understanding, perhaps more than Neale could . . .
and broke off with a qualm of sickness. How horrid this was! How it
offended a deep sense of personal dignity and decency! How infinitely
more beautiful and gracious those rolling clouds of vagueness and
impulsive illusion!

But at least, when it had extracted the plain, bare statement which it
had hunted down through the many-recessed corners of her heart, that
stern sense of reality let her alone. She no longer felt like a beetle
impaled on a pin. She was free now to move as she liked and look
unmolested at what she pleased. Honesty had no more power over her than
to make sure she saw what she was pretending to look at.

But at what a diminished pile she had now to look, tarnished and faded
like the once-loved bits of bright-colored silk and paper. She felt
robbed and cried out in a pain which seemed to her to come from her very
heart, that something living and vital and precious to her had been
killed by that rough handling. But one warning look from the clear eyes
of honesty forced her, lamenting, to give up even this. If it had been
living and precious and vital to her, it would have survived anything
that honesty could have done to it.

But something had survived, something to be reckoned with, something
which no tyrant, overbearing honesty could put out of her life . . . the
possibility for being carried away in the deep full current of passion,
fed by all the multitudinous streams of ripened personality. If that
was all that was left, was not that enough? It had been for thousands of
other women. . . .

No, not that; honesty woke to menace again. What thousands of other
women had done had no bearing here. She was not thousands of other
women. She was herself, herself. Would it be enough for her?

Honesty issued a decree of impartial justice. Let her look at it with a
mature woman's experienced divination of reality, let her look at it as
it would be and see for herself if it would be enough. She was no girl
whose ignorance rendered her incapable of judging until she had
literally experienced. She was no bound-woman, bullied by the tyranny of
an outgrown past, forced to revolt in order to attain the freedom
without which no human decision can be taken. Neale's strong hand had
opened the door to freedom and she could see what the bound-women could
not . . . that freedom is not the end, but only the beginning.

It was as though something were holding her gripped and upright there,
staring before her, motionless, till she had put herself to the last
supreme test. She closed her eyes, and sat so immobile, rapt in the
prodigious effort of her imagination and will, that she barely breathed.
How would it be? Would it be enough? She plunged the plummet down, past
the fury and rage of the storm on the surface, past the teeming life of
the senses, down to the depths of consciousness. . . .

And what she brought up from those depths was a warning distaste, a
something offending to her, to all of her, now she was aware of it.

She was amazed. Why should she taste an acrid muddy flavor of dregs in
that offered cup of heavy aromatic wine, she who had all her life
thanked Heaven for her freedom from the ignominy of feeling it debasing
to be a woman who loved? It was glorious to be a woman who loved. There
had been no dregs left from those sweet, light, heady draughts she and
Neale had drunk together in their youth, nor in the quieter satisfying
draughts they knew now. What was the meaning of that odor of decay about
what seemed so living, so hotly more living than what she had? Why
should she have this unmistakable prescience of something stale and
tainting which she had never felt? Was she too old for passion? But she
was in the height of her physical flowering, and physically she cried
out for it. Could it be that, having spent the heritage of youth, she
could not have it again? Could it be that one could not go back, there,
any more than . . .

Oh, what did that bring to mind? What was that fleeting cobweb of
thought that seemed a recurrence of a sensation only recently passed?
When she had tried to tell herself that full-fruited passion was worth
all else in life, was the one great and real thing worth all the many
small shams . . . what was it she had felt?

She groped among the loose-hanging filaments of impression and brought
it out to see. It seemed to be . . . could it have been, the same startled
recoil as at the notion of getting back the peace of childhood by giving
up her home for the toy-house; her living children for the dolls?

       *       *       *       *       *

Now, for the great trial of strength. Back! Push back all those
thick-clustering, intruding, distracting traditional ideas of other
people on both sides; the revolt on one hand, the feeble resignation on
the other; what other women did; what people had said. . . . Let her wipe
all that off from the too-receptive tablets of her mind. Out of sight
with all that. This was _her_ life, _her_ question, hers alone. Let her
stand alone with her own self and her own life, and, with honesty as
witness, ask herself the question . . . would she, if she could, give up
what she was now, with her myriads of roots, deep-set in the soil of
human life, in order to bear the one red rose, splendid though it might
be?

That was the question.

With no conscious volition of hers, the answer was there, plain and
irrefutable as a fact in the physical world. No, she would not choose to
do that. She had gone on, gone on beyond that. She was almost bewildered
by the peremptory certainty with which that answer came, as though it
had lain inherent in the very question.

       *       *       *       *       *

And now another question crowded forward, darkly confused, charged with
a thousand complex associations and emotions. There had been something
displeasing and preposterous in the idea of trying to stoop her grown
stature and simplify her complex tastes and adult interests back into
the narrow limits of a child's toy-house. Could it be that she felt
something of the same displeasure when she set herself fully to conceive
what it would be to cramp herself and her complex interests and adult
affections back to . . .

But at this there came a wild protesting clamor, bursting out to prevent
her from completing this thought; loud, urgent voices, men's, women's,
with that desperate certainty of their ground which always struck down
any guard Marise had been able to put up. They cried her down as a
traitor to the fullness of life, those voices, shouting her down with
all the unquestioned authority she had encountered so many times on that
terribly vital thing, the printed page; they clashed in their fury and
all but drowned each other out. Only disconnected words reached her, but
she recognized the well-known sentences from which they came . . .
"puritanism . . . abundance of personality . . . freedom of
development . . . nothing else vital in human existence . . .
prudishness . . . conventionality . . . our only possible contact with
the life-purpose . . . with the end of passion life declines and dies."

The first onslaught took Marise's breath, as though a literal storm had
burst around her. She was shaken as she had been shaken so many times
before. She lost her hold on her staff . . . _what had that staff been?_

At the thought, the master-words came to her mind again; and all fell
quiet and in a great hush waited on her advance. Neale had said, "What
is deepest and most living in _you_." Well, what _was_ deepest and most
living in her? That was what she was trying to find out. That was what
those voices were trying to cry her down from finding.

For the first time in all her life, she drew an inspiration from Neale's
resistance to opposition, knew something of the joy of battle. What
right had those people to cry her down? She would not submit to it.

She would go back to the place where she had been set upon by other
people's voices, other people's thoughts, and she would go on steadily,
thinking her own.

She had been thinking that there _was_ the same displeasure and distaste
as when she had thought of returning to her literal childhood, when she
set herself fully to conceive what it would be to cramp herself and
simplify her complex interests and affections back to the narrow limits
of passion, which like her play with dolls had been only a foreshadowing
of something greater to come.

She spoke it out boldly now, and was amazed that not one of the
clamorous voices dared resist the authenticity of her statement. But
after all, how would they dare? This was what she had found in her own
heart, what they had not been able, for all their clamor, to prevent her
from seeing. She had been strong enough to beat them, to stand out
against them, to say that she saw what she really did see, and felt what
she really did feel. She did not feel what traditionally she should
feel, that is what a primitive Italian woman might feel, all of whose
emotional life had found no other outlet than sex. . . .

Well, if it was so, it was so. For better or for worse, that was the
kind of woman she had become, with the simple, forthright physical life
subordinate, humble; like a pleasant, lovable child playing among the
strong, full-grown, thought-freighted interests and richly varied
sympathies and half-impersonal joys and sorrows which had taken
possession of her days. And she could not think that the child could
ever again be master of her destiny, any more than (save in a moment of
false sentimentality) she could think that she would like to have her
horizon again limited by a doll-house. To be herself was to go on, not
to go back, now that she knew what she had become. It seemed to her that
never before had she stood straight up.

And in plain fact she found that somehow she had risen to her feet and
was now standing, her head up, almost touching the rafters of the slant
ceiling. She could have laughed out, to find herself so free. She knew
now why she had never known the joy of battle. It was because she had
been afraid. And she had been afraid because she had never dared to
enter the battle, had always sent others in to do her fighting for her.
Now she had been forced into it and had won. And there was nothing to be
afraid of, there!

She spread out her arms in a great gesture of liberation. How had she
ever lived before, under the shadow of that coward fear? This . . . this
. . . she had a moment of vision . . . this was what Neale had been trying
to do for her, all these years, unconsciously, not able to tell her what
it was, driving at the mark only with the inarticulate wisdom of his
love for her, his divination of her need. He had seen her, shivering and
shrinking in the shallow waters, and had longed for her sake to have her
strike out boldly into the deep. But even if he had been ever so able to
tell her, she would not have understood till she had fought her way
through those ravening breakers, beyond them, out into the sustaining
ocean.

How long it took, how _long_ for men and women to make the smallest
advance! And how the free were the only ones who could help to liberate
the bound. How she had fought against Neale's effort to set her free,
had cried to him that she dared not risk herself on the depths, that he
must have the strength to swim for her . . . and how Neale, doggedly sure
of the simple truth, too simple for her to see, had held to the
certainty that his effort would not make her strong, and that she would
only be free if she were strong.

Neale being his own master, a free citizen of life, knew what a kingdom
he owned, and with a magnanimity unparalleled could not rest till she
had entered hers. She, not divining what she had not known, had only
wished to make the use of his strength which would have weakened her.
Had there ever before been any man who refused to let the woman he loved
weaken herself by the use of his strength? Had a man ever before held
out his strong hand to a woman to help her forward, not to hold her
fast?

Her life was her own. She stood in it, knowing it to be an impregnable
fortress, knowing that from it she could now look abroad fearlessly and
understandingly, knowing that from it she could look at things and men
and the world and see what was there. From it she could, as if for the
first time, look at Vincent Marsh when next she saw him; she would look
to see what was really there. That was all. She would look at him and
see what he was, and then she would know the meaning of what had
happened, and what she was to do. And no power on earth could prevent
her from doing it. The inner bar that had shut her in was broken. She
was a free woman, free from that something in her heart that was afraid.
For the moment she could think of nothing else beyond the richness of
that freedom. Why, here was the total fulfilment she had longed for.
Here was the life more abundant, within, within her own heart, waiting
for her!

       *       *       *       *       *

The old clock in the hall behind her sounded four muffled strokes and,
as if it had wakened her, Agnes stirred in her bed and cried out in a
loud voice of terror, "Oh, come quick, Miss Marise! Come!"

Marise went through the hail and to her door, and saw the frightened old
eyes glaring over the pulled-up sheet. "Oh . . . oh . . . it's you . . . I
thought. . . . Oh, Miss Marise, don't you see anything standing in that
corner? Didn't you hear. . . . Oh, Miss Marise, I must have had a bad
dream. I thought . . ." Her teeth were chattering. She did not know what
she was saying.

"It's all right, Agnes," said Marise soothingly, stepping into the room.
"The big clock just struck four. That probably wakened you."

She sat down on the bed and laid her hand firmly on Agnes' shoulder,
looking into the startled old eyes, which grew a little quieter now that
someone else was there. What a pitiable creature Agnes' dependence on
Cousin Hetty had made of her.

Like the boom from a great bell came the thought, "That is what I wanted
Neale to make of me, when the crucial moment came, a dependent . . . but
he would not."

"What time did you say it is?" Agnes asked, still breathing quickly but
with a beginning of a return to her normal voice.

"Four o'clock," answered Marise gently, as to a child. "It must be
almost light outside. The last night when you have anything to fear is
over now."

She went to the window and opened the shutter. The ineffable sacred
pureness of another dawn came in, gray, tranquil, penetrating.

At the sight of it, the dear light of everyday, Marise felt the thankful
tears come to her eyes.

"See, Agnes," she said in an unsteady voice, "daylight has come. You can
look around for yourself, and see that there is nothing to be afraid
of."



CHAPTER XXVI

MARISE LOOKS AND SEES WHAT IS THERE


_A Torch in a Living Tree_

July 24.

Not since his fiery, ungovernable youth had Vincent felt anything like
the splendid surge of rich desire and exultant certainty which sent him
forward at a bound along the wood-road into which he had seen Marise
turn. The moment he had been watching for had come at last, after these
three hideous days of sudden arrest and pause. The forced inaction had
been a sensation physically intolerable to him, as though he had been
frozen immobile with every nerve and muscle strained for a great leap.

He felt himself taking the leap now, with such a furious, triumphant
sense of power released, that he came up beside her like a wind in the
forest, calling her name loudly, his hands outflung, his face glowing,
on fire with joy and his need for her.

For an instant he was dumfounded by the quiet face she turned on him, by
his instant perception of a profound change in her, by an expression in
her long dark eyes which was new to him, which he felt to be ominous to
him. But he was no untried boy to be cast down or disconcerted by sudden
alterations of mood in a woman. He was a man, with a man's trained
tenacity of purpose and experienced quickness of resource.

He wasted no time. "What has happened to you?" he demanded, peremptorily
as by right to know, and with the inner certainty of over-riding it,
whatever it was.

She did not seem tacitly or otherwise to deny his right to know, but
she seemed to have no words for it, continuing to look at him silently,
intently, with no hostility, with a sort of steady, wondering attention
in her face, usually so sensitively changing. He felt a resentment at
its quiet, at its lack of that instant responsiveness to his look which
had given him such moments of exquisite pleasure, which had been her
own, her wonderful gift to him. She was looking at him now as she might
have looked at any one else, merely in order to see what was there.

Well, he would show her what was there! The will to conquer rose high
and strong in him, with an element of fierceness it had not had before
because no resistance had called it out. He did not show this, indeed
only allowed it the smallest corner of his consciousness, keeping all
the rest tautly on the alert for the first indication of an opening, for
the first hint of where to throw his strength.

But standing in suspense on the alert was the last rôle he could long
endure, and in a moment, when she did not answer, he took a step towards
her, towering above her, his hands on her shoulders, pouring out with a
hot sense of release all his longing into the cry, "Marise, Marise my
own, what has happened to you?"

How he hated the quiet of her face! With what hungry impatience he
watched to see it break. How surely he counted on its disappearance at
his touch. For he had the certainty of his power to kindle her left
intact from the last time he had seen her, tinder to his spark,
helplessly played upon by his voice.

But now it was as though he had held a torch aloft into the green
branches of a living tree. A twitch of surface agitation on her face and
that was all.

And when she spoke, as she did at once, the sound of her voice was
strange and alien to him. With an extreme directness, and with a deep
sincerity of accent which, even to his ears, made his own impassioned
outcry to her sound inflated and false, she said earnestly, "I don't
believe I can tell you what has happened. I don't believe you could
understand it."

He did not believe a word of this, but with his brilliant suppleness of
mind he perceived that he was in the wrong key. She was not, for the
moment, to be kindled to flame, she who miraculously was never the same.
Perhaps it was the moment for a thrust of sheer power, straight at the
obstacle, for of course he knew the obstacle.

"I know what has happened," he said, "without your telling me. Your
husband has made a scene, and overborne you, and is trying to force you
back into the hen-yard of domestic virtue. . . ." He changed his manner. He
said in a low, beautiful, persuasive voice, his eyes deeply on her, sure
of himself with that sureness that no one had ever resisted, "But you
can never do that now, you bird-of-paradise! You would only . . ."

He was brought up short by a change in her. This time his words had had
the power to move her face from the quiet he hated. It was suddenly
alive with a strong emotion. But what emotion? He could not guess at its
meaning, nor why she should step quickly away, shaking his hands from
her shoulders, and looking at him sadly, her eyebrows drawn up as if in
pain. He hung uncertain, daunted by his inability to read her face,
feeling for the first time an instantly dismissed doubt of his mastery
over her.

She said very quickly, with the accent and manner of one who, shocked
and pitying, tries to save another from going on with an involuntary
disclosure in him of something shaming and unworthy.

"No, oh no! Not that. Neale has done nothing . . . said nothing . . .
except as he always has, to leave me quite free, all free."

As he was silent for a moment, watchful, not especially moved by her
words, which seemed to him unimportant, but alarmed by some special
significance which they seemed to have for her, she went on with the
single, only note of blame or reproach which was to come into her voice.
"Oh, how _could_ you think that?" she said to him, with a deep quavering
disappointment, as though she were ashamed of him.

He knew that he was the cause of the disappointment, although he could
not imagine why, and he regretted having made a false move; but he was
not deeply concerned by this passage. He did not see how it could have
any importance, or touch what lay at issue between them. These were all
womanish, up-in-the-air passes and parries. He had only not yet found
his opening.

He flung his head back impatiently. "If it is not that, what is it?" he
demanded. "A return of hide-bound scruples about the children? You know
that they must live their own lives, not yours, and that anything that
gives you greater richness and power makes you a better mother."

"Oh yes, I know that," she answered. "I have thought of that, myself."

But he had a baffled feeling that this was not at all the admission the
words would make it seem.

His impatience began to burn high, and a dawning alarm to translate
itself into anger. He would not be played with, by any woman who ever
lived! "Marise," he said roughly, "what under the sun is it?" In his
tone was all his contemptuous dismissal of it, whatever it might be . . .
outworn moral qualms, fear of the world's opinion, inertia, cowardice,
hair-splitting scruples, or some morbid physical revulsion . . . there was
not one of them which he knew he could not instantly pounce on and shake
to rags.

Marise stood very still, her eyes bent downward. "Aren't you going to
answer me?" he said, furious.

She nodded. "Yes, I'm going to answer you," she said, without raising
her eyes. He understood that he must wait, and stood opposite to her,
close to her, looking at her, all the strength of his passion in that
avid gaze.

She was stamped on his mind in every detail as she looked at that
instant, infinitely desirable, infinitely alluring, in her thin white
dress, her full supple woman's body erect and firm with a strong life of
its own, her long sensitive hands clasped before her . . . how many times
in his dreams had he held them in his . . . her shining dark hair bound
smoothly about her head and down low on each side of her rounded
forehead. Her thick white eyelids, down-dropped, were lowered over her
eyes, and her mouth with its full lips and deep corners . . . at the sight
of her mouth on which he had laid that burning kiss, Vincent felt a
barrier within him give way . . . here he was at last with the woman he
loved, the woman who was going to give herself to him . . . Good God! all
these words . . . what did they mean? Nothing. He swept her into his arms
and drew her face to his, his eyes closed, lost in the wonder and
ecstasy of having reached his goal at last.

       *       *       *       *       *

She did not make the startled virginal resistance of a girl. She drew
away from him quietly . . . the hatred for that quiet was murderous in him
. . . and shook her head. Why, it was almost gently that she shook her
head.

How dared she act gently to him, as though he were a boy who had made a
mistake! How dared she not be stirred and mastered! He felt his head
burning hot with anger, and knew that his face must be suffused with
red.

And hers was not, it was quiet. He could have stamped with rage, and
shaken her. He wanted to hurt her at once, deeply, to pierce her and
sting her back to life. "Do you mean," he said brutally, "that you find,
after all, that you are a cold, narrow, cowardly, provincial woman,
stunted by your life, so that you are incapable of feeling a generous
heat?"

As she remained silent, he was stung by the expression on her face which
he did not understand. He went on vindictively snatching up to drive
home his thrust the sharpest and cruelest weapon he could conceive,
"_Perhaps you find you are too old?_"

At this she looked away from him for an instant, up to the lower
branches of the oak under which they stood. She seemed to reflect, and
when she brought her eyes back to his, she answered, "Yes, I think that
is it. I find I am too old."

He was for years to ponder on the strangeness of the accent with which
she said this, without regret, with that damnable gentleness as though
to hide from him a truth he might find hard to bear, or be incapable of
understanding.

How could any woman say "I find I am too old" with that unregretting
accent? Was it not the worst of calamities for all women to grow old?
What was there left for a woman when she grew old?

But how preposterous, her saying that, she who stood there in the
absolute perfection of her bloom!

He found that he did not know what to say next. That tolerant
acquiescence of hers in what he had meant to sting intolerably . . . it
was as though he had put all his force into a blow that would stun, and
somehow missing his aim, encountering no resistance, was toppling
forward with the impetus of his own effort. He recovered himself and
looked at her, choking, "You don't mean . . ." he began challenging her
incredulously, and could go no further.

For she nodded, her eyes on his with that singular expression in them
which he did not understand, and which he intensely resented.

He was so angry that for a moment he could not speak. He was aware of
nothing but anger. "It's impotence and weakness on your part, that's all
it is!" he cast out at her, hating her savagely as he spoke, "no matter
what fine words you've decided to call it to cloak your own feebleness.
It's the littleness of the vital spark in you. Or it's cowardly inertia,
turning from the real fulfilment that calls for you, back to chips and
straw because you are used to them. It's being a small, poor, weak,
cowed creature, traditional-minded, instead of the splendid, brave,
living woman I thought I loved. I am _glad_ to leave you behind, to have
no more of you in my life. I have no use for thin-blooded cowards."

She made no answer at all, not a word. His flaming eyes fell away from
her face. He turned from her abruptly and walked rapidly away, not
looking back.

Then he found he had ceased to advance rapidly, had stopped and was
standing still, wrung in so dreadful a pain that his hand was at his
side as though he had been stabbed. With no thought, with no awareness
of what he was doing, he ran back to her, his hands outstretched,
suffering so that he must have help. He did not mean to speak, did not
know what he was to say . . . he cried out to her, "Marise, Marise . . . I
love you! _What can I do?_"

The cry was desperate, involuntary, forcing its way out from unfathomed
depths of feeling below all his anger and resentment, and tearing him to
pieces as it came. It was as though he had taken his heart out and flung
it at her feet.

Her face changed instantly and was quiveringly alight with a pale and
guilty agitation. "No . . . oh _no_, Vincent! I thought you only . . . I
had thought you could not really . . . Vincent, forgive me! Forgive me!"
She took one of his hands in both hers . . . the last unforgotten touch
he was ever to have of her. . . .

       *       *       *       *       *

It came to him through those words which he did not understand that she
was pitying him; and stung to the quick, he drew back from her,
frowning, with an angry toss of his head.

Instantly she drew back also, as though she had misinterpreted
something.

He stood for an instant looking full at her as though he did not see
her; and then with a wide gesture of utter bewilderment, strange from
him, he passed her without a look.

This time he did not turn back, but continued steadily and resolutely on
his way.



CHAPTER XXVII

THE FALL OF THE BIG PINE


August 2.

I

When Marise reached the place on the wood-road where she had had that
last talk with Vincent Marsh, she stopped, postponing for a moment the
errand to the Powers which she had so eagerly undertaken. She stood
there, looking up into the far green tops of the pines, seeing again
that strange, angry, bewildered gesture with which he had renounced
trying to make anything out of her, and had turned away.

It remained with her, constantly, as the symbol of what had happened,
and she looked at it gravely and understandingly. Then, very swiftly,
she saw again that passing aspect of his which had so terribly
frightened her, felt again the fear that he might be really suffering,
that she might really have done a hurt to another human being.

This brought her a momentary return of the agitation it had caused in
her that day, and she sat down abruptly on a tree-trunk, her knees
trembling, her hands cold.

That fear had come as so totally unexpected a possibility, something
which his every aspect and tone and word up to then had seemed to
contradict. Strange, how unmoved he had left her, till that moment!
Strange the impression of him, that first time after she had known
herself strong enough to stand up and be herself, not the responsive
instrument played on by every passing impression. Strange, how instantly
he had felt that, and how passionate had been his resentment of her
standing up to be herself, her being a grown woman, a human being, and
not a flower to be plucked. How he had hated it, and alas! how
lamentable his hatred of it had made him appear. What a blow he had
dealt to her conception of him by his instant assumption that a change
in her could only mean that Neale had been bullying her. It had been
_hard_ to see him so far away and diminished as that had made him seem,
so entirely outside her world. It had dealt a back-hand blow to her own
self-esteem to have him seem vulgar.

How strange an experience for her altogether, to be able to stand firm
against noise and urgent clamor and confusion, and to see, in spite of
it, what she was looking at; to see, back of the powerful magnetic
personality, the undeveloped and tyrannical soul, the cramped mind
without experience or conception of breadth and freedom in the relations
between human beings; to be able to hear Vincent cry out on her with
that fierce, masterful certainty of himself, that she was acting from
cowed and traditional-minded motives and not to believe a word of it,
because it was not true; not even to feel the scared throb of alarm at
the very idea that it might be true; to have it make no impression on
her save pity that Vincent should be imprisoned in a feeling of which
possession was so great a part that failure to possess turned all the
rest to poison and sickness.

What had happened to her, in truth, that she had this new steadfastness?
She had told Vincent he could not understand it. Did she understand it
herself? She leaned her chin on her two hands looking deep into the
green recesses of the forest. High above her head, a wind swayed the
tops of the pines and sang loudly; but down between the great brown
columns of their trunks, not a breath stirred. The thick-set,
myriad-leaved young maples held all their complicated delicately-edged
foliage motionless in perfect calm.

It was very still in the depths of Marise's complicated mind also,
although the wind stirred the surface. Yes, she knew what had happened
to her. She had seen it completely happen to three other human beings,
miraculously, unbelievably, certainly; had seen the babies who could
not tell light from dark, heat from cold, emerge by the mere process of
healthful living into keenly sensitive beings accurately alive to every
minutest variation of the visible world. It must be that like them she
had simply learned to tell moral light from dark, heat from cold, by the
mere process of healthful living. What happened to the child who at one
time could not grasp the multiplication table, and a few years later, if
only he were properly fed and cared for, had somehow so wholly changed,
although still the same, that he found his way lightly among geometric
conceptions, and only a few years after that was probing with expert
fingers at some unsolved problem of astronomy? He had grown up, that was
all. By calling the miracle a familiar name we veiled the marvel of it.
Insensibly to him, with no visible change from one day to the next, he
had acquired a totally different conception of the universe, a totally
different valuation of everything in life.

That was what had happened to her. She had grown up . . . why should not a
woman grow up to other valuations of things as well as her comrade in
life?

And it had happened to her as it did to the child, because someone
stronger than she had protected her while she was growing . . . not
protected from effort, as though one should try to protect the child
from learning his lessons. . . . Back there, such ages ago in Italy, in her
ignorant . . . how ignorant! . . . and frightened girlhood, she had begged
Neale, without knowing what she did, to help her grow up, to help her
save what was worth saving in her, to help her untangle from the
many-colored confusion of her nature what was best worth keeping. And
Neale had done it, had clung steadily to his divination of what was
strong in her, in spite of her clamor to him to let it go.

But Vincent had not grown up, was back there still in confusion, holding
desperately with all that terrific strength of his to what could not be
held, to what was impermanent and passing in its nature. Why should he
do that? Neale knew better than that. Then she saw why: it was because
Vincent conceived of nothing but emptiness if he let it go, and horribly
feared that imaginary emptiness. Out of the incalculable richness of her
kingdom she wondered again at his blindness. . . . And made a pitying guess
at the reason for it . . . perhaps for him it was _not_ imaginary. Perhaps
one of the terms of the bargain he had made with life was that there
_should_ be nothing later but emptiness for him. Yes, she saw that. She
would have made that bargain, too, if it had not been for Neale. She
would have been holding terrified to what was not to be held; with
nothing but that between her and the abyss. Who was she to blame Vincent
for his blindness?

That, perhaps, had been the meaning of that singular last moment of
their talk together, which had frightened her so, with its sudden plunge
below the surface, into the real depths, when, changed wholly into
someone else, he had run back to her, his hands outstretched, his eyes
frightened, his lips trembling . . . perhaps he had felt the abyss there
just before him. For an instant there, he had made her think of Paul,
made her remember that Vincent himself had, so short a time ago, been a
little boy too. She had been so shocked and racked by pity and remorse,
that she would have been capable of any folly to comfort him. Perhaps
she had seen there for an instant the man Vincent might have been, and
had seen that she could have loved that man.

But how instantly it had passed! He had not suffered that instant of
true feeling to have space to live, but had burned it up with the return
of his pride, his resentment that anyone save himself should try to
stand upright, with the return of the devouring desire-for-possession of
the man who had always possessed everything he had coveted. There was
something sad in being able to see the littleness of life which
underlay the power and might of personality in a man like Vincent. He
could have been something else.

She wondered why there should slide into her mood, just now, a faint
tinge of regret. . . . Why should there be anything there but the bright
gladness of thanksgiving for the liberation from the chains which her
own nature might have forged about her? She had at last stepped outside
the narrow circle of personal desire, and found all the world open to
her. And yet there was room in her heart for a shade of wistful wonder
if perhaps all this did not mean that she might be sliding from the
ranks of those who feel and do, into the ranks of those who only
understand.

But one glance at the life that lay before her scattered this hanging
mist-cloud . . . good heavens! what feeling and doing lay there before
her!

Had she thought that Neale was nothing to her because he had become all
in all to her so that he penetrated all her life, so that she did not
live an instant alone? Had she thought the loss of the amusing trinket
of physical newness could stand against the gain of an affection ill
massy gold? Would she, to buy moments of excitement, lose an instant of
the precious certainty of sympathy and trust and understanding which she
and Neale had bought and paid for, hour by hour, year by year of honest
life-in-common? Where was real life for her? Had she not known? Where
were the real depths, where the real food for the whole woman she had
grown to be? Neale had opened the door so that she could go away from
him if that was what she needed, or go back to stand by his side; and
through the open door had come the flood of daylight which had shown her
that she could not go back to stand by his side because she had been
there all the time, had never left it, never could leave it, any more
than she could leave half of her body in one place, and go on to
another.


II

There was other feeling and doing now, too, before her, this instant,
which she had forgotten, idling here in her much-loved forest, as much a
part of her home as her piano or her own roof-tree. She had been trying
to understand what had been happening that summer. Let her try first of
all to understand what she must do in that perfectly definite and
concrete dilemma in which she had been placed by that strange sight of
'Gene Powers, fleeing back from the Eagle Rocks. She must look squarely
at what she supposed was the legal obligation . . . she instantly felt a
woman's impatience of the word legal as against human, and could not
entertain the thought of the obligations of the situation. She must see,
and think and try to understand, with Neale to help her. She had not yet
had time to tell Neale.

But not today. Today she was only the bearer of the good tidings to
Nelly and 'Gene, tidings which would wipe out for her the recollection
of a day which was shameful to her, the day when she had conceived the
possibility of believing some thing base against Neale. It was not that
she had believed it,--no, she had stood it off till Neale came back. But
there was shame for her in those recurrent spasms of horror when she had
conceived the possibility that she might believe it. There had been
proof of it, of course, Eugenia's positive statement . . . strange how
Eugenia could have so entirely misunderstood the affair! . . . But what was
mere proof against human certainty? No, she had been attacked suddenly
and for an instant had failed to rise to defend what was hers to defend.
It was a failure to live down.

She stood up and moved forward along the path, changing the thick
envelope in one hand to the other. She had already lost time. She ought
to have been by this time through the forest and out in the edge of the
Powers pasture.

She became aware that for some time she had heard a distant sound, a
faint toc-toc-toc, like the sound of chopping. This being associated in
her mind with snow and winter woods, she had not thought it could be the
sound of the axe which it seemed to be. Nobody could be felling trees in
the height of the farming season, and on this day of swooning heat. But
as she came to the edge of the woods and turned into the path along the
brook, she heard it more plainly, unmistakable this time, not far now,
the ringing blows delivered with the power and rhythmic stroke of the
trained chopper. It came not from the woods at all, she now perceived,
but from the open farming land, from the other side of the pasture,
beyond the Powers house.

But there were no woods there, only the Powers' big pine which towered
up, darkly glorious, into the shimmering summer haze.

As she looked at it wondering, it came into her mind had somebody told
her, or had she overheard it somewhere? . . . that 'Gene had promised Nelly
at last to cut down the big pine he and his fathers had so cherished.

Could it be that? What a sacrifice! And to a foolish whim of Nelly's.
There had been no musty smell in the house till Nelly came there to keep
the shutters closed so that the sun would not fade the carpets. The old
pine was one of the most splendid things of beauty in the valley. And it
was something vital in 'Gene's strange, choked, inarticulate life. She
stopped to listen a moment, feeling a chill of apprehension and
foreboding. It was dreadful to have 'Gene do that. It was as though he
were cutting at his own strength, cutting off one of his own members to
please his wife. Poor 'Gene! He would do that too, now, if Nelly asked
him.

The resonant winter note rang out loud, strange in that sultry summer
air. She looked from afar at the tree, holding its mighty crest high
above the tiny house, high above the tiny human beings who had doomed
it. So many winters, so many summers, so many suns and moons and rains
and snows had gone to make it what it was. Like the men who had planted
it and lived beneath its shade, it had drawn silently from the depths of
the earth and the airy treasures of the sky food to grow strong and live
its life. And now to be killed in an hour, in attempted expiation of a
deed for which it bore no guilt!

Marise was coming closer now. The axe-strokes stopped for a moment as
though the chopper drew breath. The silence was heavy over the
breathless summer field.

But by the time she had arrived at the back door of the house, the
axe-blows were renewed, loud, immediate, shocking palpably on her ear.
She knocked, but knew that the ringing clamor of the axe drowned out the
sound. Through the screen-door she saw old Mrs. Powers, standing by the
table, ironing, and stepped in. The three children were in the pantry,
beyond, Ralph spreading some bread and butter for his little brother and
sister. Ralph was always good to the younger children, although he was
so queer and un-childlike! Nelly was not there. Mrs. Powers looked up at
Marise, and nodded. She looked disturbed and absent. "We're at it, you
see," she said, jerking her head back towards the front of the house. "I
told you 'bout 'Gene's sayin' he'd gi'n in to Nelly about the big pine."

Marise made a gesture of dismay at this confirmation. The old woman went
on, "Funny thing . . . I ain't a Powers by birth, Lord knows, and I never
thought I set no store by their old pine tree. It always sort o' riled
me, how much 'Gene's father thought of it, and 'Gene after him . . . sort
of silly, seems like. But just now when we was all out there, and 'Gene
heaved up his axe and hit the first whack at it . . . well, I can't tell
you . . . it give me a turn most as if he'd chopped right into _me_
somewhere. I got up and come into the house, and I set to ironin', as
fast as I could clip it, to keep my mind off'n it. I made the children
come in too, because it ain't no place for kids around, when a tree
that size comes down."

Marise demurred, "'Gene is such a fine chopper, he knows to a hair where
he'll lay it, of course."

"Well, even so, who knows what notion a kid will take into his head?
They was playin' right there on a pile of pole-wood 'Gene's brought in
from the woods and ain't got sawed up into stove-lengths yet. I didn't
want to take no chances; maybe they wouldn't ha' moved quick enough when
their papa yelled to them. No, ma'am, I made 'em come in, and here
they'll stay. Nelly, she's out there, walkin' round and round watchin'
'Gene. She's awfully set up havin' it come down. 'Gene he's told her
he'll give her the money from the lumber in it. There'll be a sight of
boards, too. It's the biggest pine in the valley."

Marise went to the window and looked at the scene, penetrated by the
strangeness of the difference between its outer and inner aspect: 'Gene,
his faded blue overalls tucked into his plowman's heavy cow-hide boots,
his shirt open over his great throat and chest, his long corded arms
rising and falling with the steady effortless rhythm of the master
woodsman. Nelly, in one of her immaculate blue ginghams, a white apron
over it, a white frilled shade-hat on her head, her smartly shod small
feet, treading the ground with that inimitable light step of hers,
circling slowly about, looking at 'Gene as he worked, looking up at the
crown of the tree, high, so insolently high above her head, soon to be
brought low by a wish from her heart, soon to be turned into money for
her to spend.

"I came over to talk to 'Gene and Nelly about some business," Marise
said, over her shoulder, to Mrs. Powers, not able to take her eyes from
the trio in the drama out there, "but I'd better wait till the tree is
down before I speak to them."

"'Twon't be long now. 'Gene's been at it quite a while, and he's
stavin' away like all possessed. Seems as if, now he's started in, he
couldn't get it over with quick enough to suit him. He acted awful queer
about it, I thought."

She left her ironing and, looking over her shoulder at the children,
came closer to where Marise stood. Then she stepped back and shut the
door to the pantry. "Mis' Crittenden," she said in an anxious troubled
voice, "'Gene ain't right these days. He acts to me like he's comin'
down with a sick spell, or something. He ain't _right_. Today Nelly told
me she woke up in the night last night and 'Gene wasn't there. She
hollered to him, and he didn't answer. It scared her like everything,
and she scrambled out of bed and lighted the lamp, and she said she
'most fainted away, when she see 'Gene, rolled up in a blanket, lying on
the floor, over against the wall, his eyes wide open looking at her. She
said she let out a yell . . . it scairt the life out of her . . . and 'Gene
he got right up. She says to him, 'For the Lord's sake, 'Gene, what
_ails_ you?' And what do you suppose he says to her, he says, 'I didn't
know whether you wanted me there or not, Nelly.' What do you think of
that? She says back, 'For goodness' sake, 'Gene Powers, where _would_
you be nights, except in your own bed!' He got back and for all Nelly
knows slept all right the rest of the night. She says she guesses he
must have had some sort of funny dream, and not been really all waked up
yet. But it must ha' gi'n her a turn, for all she ain't one of the
nervous kind."

Marise turned sick with shocked pity. The two women looked at each
other, silently with shadowed eyes of foreboding. Mrs. Powers shook her
head, and turned back into the pantry, shutting the door behind her.
Marise heard her speaking to the children, in the cheerful, bantering,
affectionate, grandmother tone she had always had for them. She was
brave, old Mrs. Powers, she always said she could "stand up to things."
She was the sort of woman who can always be depended on to keep life
going, no matter what happens; who never gives up, who can always go on
taking care of the children.

Marise herself did not feel at all brave. She sat down heavily in a
chair by the window looking out at the man who for his wife's sake was
killing something vital and alive. He had done that before, 'Gene had.
He went at it now with a furious haste which had something dreadful in
it.

Nelly, who had sat down to rest on the pile of brush and poles, seemed a
carved and painted statuette of ivory and gold.

She took off her ruffled pretty hat, and laid it down on the white-birch
poles, so that she could tip her head far back and see the very top of
the tree. Her braids shone molten in the sunshine. Her beautiful face
was impassive, secreting behind a screen all that Marise was sure she
must have been feeling.

'Gene, catching sight of her now, in a side-glance, stopped abruptly in
the middle of a swing, and shouted to her to "get off that brush-pile.
That's jus' where I'm lottin' on layin' the tree."

Somewhat startled, Nelly sprang up and moved around to the other side,
back of him, although she called protestingly, "Gracious, you're not
_near_ through yet!"

'Gene made no answer, returning to the fury of his assault on what he so
much loved. The great trunk now had a gaping raw gash in its side. Nelly
idled back of him, looking up at the tree, down at him. What was she
thinking about?

Marise wondered if someone with second-sight could have seen Frank
Warner, there between the husband and wife? 'Gene's face was still gray
in spite of the heat and his fierce exertion. Glistening streams of
perspiration ran down his cheeks.

What did the future hold for 'Gene? What possible escape was there from
the tragic net he had wrapped stranglingly around himself?

Very distantly, like something dreamed, it came to Marise that once for
an instant the simple, violent solution had seemed the right one to her.
_Could she have thought that?_

What a haunted house was the human heart, with phantoms from the
long-dead past intruding their uninvited ghastly death's-heads among the
living.

The axe-strokes stopped; so suddenly that the ear went on hearing them,
ghost-like, in the intense silence. 'Gene stood upright, lifting his
wet, gray face. "She's coming now," he said.

Marise looked out, astonished. To her eyes the tree stood as massively
firm as she had ever seen it. But 'Gene's attitude was of strained,
expectant certainty: he stood near Nelly and as she looked up at the
tree, he looked at her. At that look Marise felt the cold perspiration
on her own temples.

Nelly stepped sideways a little, tipping her head to see, and cried out,
"Yes, I see it beginning to slant. How _slow_ it goes!

"It'll go fast enough in a minute," said 'Gene.

Of what followed, not an instant ever had for Marise the quality of
reality. It always remained for her a superb and hideous dream,
something symbolical, glorious, and horrible which had taken place in
her brain, not in the lives of human beings.

       *       *       *       *       *

Nelly, . . . looking down suddenly to see where the tree would fall,
crying out, "Oh, I left my hat where it'll . . ." and darting, light as a
feather, towards it.

'Gene, making a great futile gesture to stop her, as she passed him,
shouting at her, with a horrified glance up at the slowly leaning tree,
"Come back! Come back!"

Nelly on the brush-pile, her hat in her hand, whirling to return, supple
and swift, suddenly caught by the heel and flung headlong . . . up again
in an instant, and falling again, to her knees this time. Up once more
with a desperate haste, writhing and pulling at her shoe, held by its
high heel, deep between the knotty poles.

'Gene, bounding from his place of safety, there at her feet, tearing in
a frenzy at the poles, at her shoe. . . .

Above them the great tree bearing down on them the solemn vengeful
shadow of its fall.

Someone was screaming. It was Nelly. She was screaming, "'Gene! 'Gene!
'Gene!" her face shrunken in terror, her white lips open.

       *       *       *       *       *

And then, that last gesture of 'Gene's when he took Nelly into his great
arms, closely, hiding her face on his shoulder, as the huge tree,
roaring downward, bore them both to the earth, forever.



CHAPTER XXVIII

TWO GOOD-BYES


August 10.

Marise welcomed the bother about the details of Eugenia's departure and
Mr. Welles', and flung herself into them with a frightened desire for
something that would drown out the roaring wind of tragedy which filled
her ears in every pause of the day's activities, and woke her up at
night out of the soundest sleep. Night after night, she found herself
sitting up in bed, her night-gown and hair damp with perspiration,
Nelly's scream ringing knife-like in her ears. Then, rigid and wide-eyed
she saw it all again, what had happened in those thirty seconds which
had summed up and ended the lives of 'Gene and Nelly.

But one night as she sat thus in her bed, hammered upon beyond
endurance, she saw as though she had not seen it before what 'Gene had
finally done, his disregard of possible safety for himself, his abandon
of his futile, desperate effort to free Nelly from the tangle where her
childish vanity had cast her, the grandeur and completeness of his
gesture when he had taken Nelly into his strong arms, to die with her.
Marise found herself crying as she had not cried for years. The picture,
burned into her memory, stood there endlessly in the black night till
she understood it. The tears came raining down her face, and with them
went the strained, wild horror of the memory.

But the shadow and darkness hung about her like a cloud, through which
she only dimly saw the neat, unhurried grace of Eugenia's preparations
for departure and far travels, and felt only a dimmed, vague echo of the
emotion she had thought to feel at the disappearance of Mr. Welles,
poor, weary, futile old crusader on his Rosinante.

On that last morning of their stay she drove with them to the station,
still giving only a half-attention to the small episodes of their
departure. She did see and smile at the characteristic quality of an
instinctive gesture of Eugenia's as they stepped up on the platform of
the station. Two oddly-shaped pieces of metal stood there, obviously
parts of a large machine. Paul stumbled over them as he climbed out of
the car, and held tight to Mr. Welles' hand to save himself from a fall.
Eugenia saw them instantly from afar as an element in life which
threatened the spotlessness of her gray traveling cloak, and as she
passed them she drew the thick folds of velvet-like wool about her
closely. Marise thought to herself, "That's Eugenia's gesture as she
goes through the world."

Neale turned off his switch, listened a moment to see if the Ford were
boiling from the long climb up the hill to the station, and now made one
long-legged step to the platform. He started towards Eugenia with the
evident intention of making some casual pleasant remarks, such as are
demanded by decency for a departing guest, but in his turn his eyes
caught the curiously shaped pieces of metal. He stopped short, his face
lighted up with pleasure and surprise. All consciousness of anyone else
on the platform disappeared from his expression. "Hello!" he said to
himself, "those mandrels here." He picked up one in his strong hands on
which the metal left a gray dust, and inspected it. He might have been
entirely alone in his shop at the mill.

Marise noted with envy how he gave all of himself to that momentary
examination, entirely escaped from any awareness of that tyrannical self
which in her own heart always clamored like a spoiled child for
attention. The impersonal concentration of his look as he turned the
metal about between those strong dusty hands, gave to his face the calm,
freed expression not to be bought for any less price than a greater
interest in one's work than in one's self. "They'll do," pronounced
Neale. This was evidently a thought spoken aloud, for it did not occur
to him to make any pretense of including the two women in his interest.
He set down the casting he held, and went off into the freight-house,
calling loudly, "Charlie! Charlie! Those mandrels have come. I wish
you'd . . ." his voice died away as he walked further into the dusky
freight-shed.

Marise happening to glance at Eugenia now, caught on her face an
expression which she took to be annoyance at a breach of manners. She
reflected, "Eugenia must find Neale's abrupt American ways perfectly
barbaric." And she was surprised to feel for the first time a rather
scornful indifference to all that was involved in Eugenia's finding them
barbaric. Heavens! What did it matter? In a world so filled with awful
and portentous and glorious human possibilities, how could you bother
about such things?

There was a silence. Mr. Welles and Paul had been standing near,
aimlessly, but now, evidently taking the silence for the inevitable
flatness of the flat period of waiting for a train, Mr. Welles drew the
little boy away. They walked down the cinder-covered side-tracks,
towards where the single baggage truck stood, loaded with elegant,
leather-covered boxes and wicker basket-trunks, marked "E. Mills. S.S.
Savoie. Compagnie Générale Transatlantique." Among them, out of place
and drab, stood one banal department-store trunk labeled, "Welles. 320
Maple Avenue. Macon, Georgia."

The departure of the old man and the little boy left the two women
alone. Eugenia stepped closer to Marise and took her hand in her own
gloved fingers. She looked at it intently, with the expression of one
who is trying to find words for a complicated feeling. Marise made an
effort to put herself in the receptive mood which would make the saying
of it easier, but failed. The fall of the big pine roared too loudly in
her ears. She looked without sympathy or admiration at Eugenia's
perfection of aspect. "To look like that, she must care for looks more
than anything else. What can she know about any real human feeling?"
Marise asked herself, with an intolerance she could not mitigate.

And yet as she continued to peer at Eugenia through that dark cloud of
tragedy, it seemed to her that Eugenia showed signs of some real human
emotion. As she gazed at her in the crude brilliance of the gaudy
morning sun, she saw for the first time signs of years in Eugenia's
exquisite small face. There was not a line visible, nor a faltering of
the firmness of the well-cared-for flesh, but over it all was a faint,
hardly discernible flaccid fatigue of texture.

But perhaps she imagined it, for even as she looked, and felt her heart
soften to think what this would mean to Eugenia, an inner wave of
resolution reached the surface of the other woman's face, and there was
Eugenia as she always had been, something of loveliness immutable.

She said impulsively, "Eugenia, it's a stupidly conventional thing to
say, but it's a pity you never married."

As Eugenia only looked at her, quietly, she ventured further, "You might
really be happier, you know. There is a great deal of happiness in the
right marriage." She had never said so much to Eugenia.

Eugenia let Marise's hand drop and with it, evidently, whatever
intention she might have had of saying something difficult to express.
Instead, she advanced with her fastidious, delicate note of irony, "I
don't deny the happiness, if that sort of happiness is what one is
after. But I think my appetite for it . . . that sort . . . is perhaps not
quite robust enough to relish it."

Marise roused herself to try to put a light note of cheerfulness into
this last conversation. "You mean that it seems to you like the coarsely
heaped-up goodies set before a farmhand in a country kitchen . . . chicken
and butter and honey and fruit and coffee, all good but so profuse and
jumbled that they make you turn away?"

"I didn't give that definition of domestic life," corrected Eugenia,
with a faint smile, "that's one of _your_ fantasies."

"Well, it's true that you get life served up to you rather pell-mell,
lots of it, take-it-as-it-comes," admitted Marise, "but for a gross
nature like mine, once you've had that, you're lost. You know you'd
starve to death on the delicate slice of toasted bread served on old
china. You give up and fairly enjoy wallowing in the trough."

She had been struck by that unwonted look of fatigue on Eugenia's face,
had tried to make her laugh, and now, with an effort, laughed with her.
She had forgotten her passing notion that Eugenia had something special
to say. What could she have? They had gone over that astonishing
misconception of hers about the Powers woodlot, and she had quite made
Marise understand how hopelessly incapable she was of distinguishing one
business detail from another. There could be nothing else that Eugenia
could wish to say.

"How in the world shall I get through the winter?" Eugenia now wondered
aloud. "Biskra and the Sahara perhaps . . . if I could only get away from
the hideous band of tourists. They say there are swarms of
war-profiteers from Italy now, everywhere, low-class people with money
for the first time." She added with a greater accent of wonder, "How in
the world are _you_ going to get through the winter?"

Marise was struck into momentary silence by the oddness of the idea.
There were phrases in Eugenia's language which were literally
non-translatable into hers, representing as they did ideas that did not
exist there. "Oh, we never have to consider that," she answered, not
finding a more accurate phrase. "There won't be time enough to do all
we'll try to do, all we'll have to do. There's living. That takes a lot
of time and energy. And I'll have the chorus as usual. I'm going to try
some Mendelssohn this year. The young people who have been singing for
five or six years are quite capable of the 'Elijah.' And then any of the
valley children who really want to, come to me for lessons, you know.
The people in North Ashley have asked me to start a chorus there this
year, too. And in the mill, Neale has a plan to try to get the men to
work out for themselves some standards of what concerns them especially,
what a day's work really is, at any given job, don't you know."

What an imbecile she was, she thought, to try to talk about such things
to Eugenia, who could not, in the nature of things, understand what she
was driving at. But apparently Eugenia had found something
understandable there, for she now said sharply, startled, "Won't that
mean less income for you?"

She did not say, "_Even_ less," but it was implied in the energy of her
accent.

Marise hesitated, brought up short by the solidity of the intangible
barrier between their two languages. There were phrases in her own
tongue which could not be translated into Eugenia's, because they
represented ideas not existing there. She finally said vaguely, "Oh
perhaps not."

Her pause had been enough for Eugenia to drop back into her own world.
She said thoughtfully, "I've half a notion to try going straight on
beyond Biskra, to the south, if I could find a caravan that would take
me. That would be something new. Biskra is so commonplace now that it
has been discovered and exploited." She went on, with a deep, wistful
note of plaintiveness in her voice, "But _every_thing's so commonplace
now!" and added, "There's Java. I've never been to Java."

It came over Marise with a shock of strangeness that this was the end of
Eugenia in her life. Somehow she knew, as though Eugenia had told her,
that she was never coming back again. As they stood there, so close
together, in the attitude of friends, they were so far apart that each
could scarcely recognize who the other was. Their paths which in youth
had lain so close to each other as to seem identical, how widely they
had been separated by a slight divergence of aim! Marise was struck by
her sudden perception of this. It had been going on for years, she could
understand that now. Why should she only see it in this quiet, silent,
neutral moment?

An impalpable emanation of feeling reached her from the other woman. She
had a divination that it was pain. Perhaps Eugenia was also suddenly
realizing that she had grown irrevocably apart from an old friend.

The old tenderness felt for the girl Eugenia had been, by the girl
Marise had been, looked wistfully down the years at the end.

Marise opened her arms wide and took Eugenia into them for a close,
deeply moved embrace.

"Good-bye, Eugenia," she said, with sadness.

"Good-bye, Marise," said Eugenia, looking at her strangely.

       *       *       *       *       *

Neale came back now, frankly consulting his watch with Neale's bluntness
in such matters. "Train's due in a minute or two," he said. "Where's Mr.
Welles?"

Marise said, "Over there, with Paul. I'll go tell them."

She found them both, hand in hand, sitting on the edge of the truck
which carried the leather-covered boxes and wicker basket-trunks, bound
for Biskra or beyond, or Java; and the square department-store trunk
bound for Maple Avenue, Macon, Georgia.

"Mother," said Paul, "Mr. Welles has promised me that he'll come up and
visit us summers."

"There's no house in the world where you'll be more welcome," said
Marise with all her heart, holding out her hand.

Mr. Welles shook it hard, and held it in both his. As the train whistled
screamingly at the crossing, he looked earnestly into her face and tried
to tell her something, but the words would not come.

As she read in his pale old face and steady eyes what he would have
said, Marise cried out to herself that there do not exist in the world
any things more halting and futile than words. She put her arms around
his neck and kissed him. "Good-bye, dear Mr. Welles," was all she said,
but in the clinging of his old arms about her, and in the quivering,
shining face he showed as they moved down the platform together, she
knew that he too had not needed words.

Paul clung to his hand till the last moment, gazing up at him
constantly, silently. Marise looked down on the little boy's tanned,
freckled, sober face and strained, rapidly winking eyes, and had the
intuition, "This is one of the moments Paul will never forget. He will
always be able to shut his eyes and see this old Don Quixote setting
forth." With a rush of her old, jealous, possessive mother-love, she
longed to share this with him and to have him know that she shared it;
to put her arms around him and _make him let her in_. But she knew
better now. She yearned over him silently, and did not touch him.

"Well, good-bye, Paul," said Mr. Welles, shaking hands with him.

"Well, good-bye," said Paul dryly, setting his jaw hard.

"Oh, this is the day-coach!" cried Eugenia. "Where is the drawing-room
car?"

"At the far end," said the conductor with the sweeping gesture of a man
used to talking with his arms.

"Good-bye, Mr. Welles," said Eugenia, giving him for an instant a small,
pearl-gray hand. "Boa voyage! Good luck!"

"Same to you," said the old gentleman, scrambling up the unswept,
cinder-covered steps into the day-coach.

At the front end of the train, the baggage man was tumbling into the
express car the fine, leather-covered boxes and the one square trunk.

Neale carried Eugenia's two small bags down to the drawing-room car and
now handed them to the porter.

The two women kissed each other on both cheeks, hurriedly, as someone
cried, "All aboard!"

Eugenia took Neale's outstretched hand. "Good-bye, Neale," she said.

With the porter's aid, she mounted the rubber-covered steps into the
mahogany and upholstery of the drawing-room car.

"Good luck, Eugenia! Bon voyage!" called Neale after her.

She did not turn around or look back.

       *       *       *       *       *

Marise noted that characteristically Eugenia had forgotten Paul. But
Paul had forgotten her, too, and was now back near the day-coach
searching one window after another.

The conductor signaled widely, the whistle shrieked, the wheels groaned.
Neale drew Marise a little back out of the whirl of dust and stood
holding her arm for an instant.

It seemed to Marise as they stood thus, Neale holding her arm, that she
caught a last glimpse of Eugenia behind plate-glass, looking at them
gravely, steadily.

Paul suddenly caught sight of Mr. Welles' face at a window, snatched off
his cap, and waved it frantically, over and over, long after the train
was only an echoing roar from down the tracks.

       *       *       *       *       *

Then the mountain-silence settled down about them calmly, and they could
hear their own hearts beat, and knew the thoughts in their minds.

As they went back to their battered Ford, Marise said thoughtfully,
"Somehow I believe that it will be a long time before we see Eugenia
again."

Neale permitted himself no comment on this, nor showed the alteration of
a line in his face as he stepped into the car and turned on the switch,
but Marise cried out to him accusingly, "You might as well say it right
out, that you can support life if it is."

Neale laughed a little and put his foot on the starter. "Get in the back
seat, Paul," was all he said, as the little boy came up silently from
the other side of the station.

He added as they started up the hill road, "First time in my life I was
ever sort of sorry for Eugenia. It seemed to me this morning that she
was beginning to show her age."

Marise hid the fact that she had had the same idea and opposed, "Eugenia
would laugh at that from you, the husband of such a frankly middle-aged
thing as I."

Neale was silent for a moment, and then, "You'll always look younger
than she. No, not younger, that's not it, at all. It's _living_, you
look. I tell you what, she's a cut flower in a vase, that's beginning to
wilt, and you're a living plant."

"Why, _Neale_!" said Marise, astonished and touched.

"Yes, quite a flight of fancy for me, wasn't it?" commented Neale
casually, leaning forward to change the carburetor adjustment.

       *       *       *       *       *

Marise felt Paul lean over her shoulder from the back of the car. "Say,
Mother," he said in her ear, "would you just as soon get in back with me
for a while?"

Neale stopped the care. Marise stepped out and in, and seated herself
beside Paul. He had apparently nothing to say, after all, looking
fixedly down at his bare brown feet.

But presently he moved nearer to his mother and leaned his head against
her breast. This time she put her arm around him and held him close to
her, the tears in her eyes.



CHAPTER XXIX

VIGNETTES FROM HOME LIFE

I


August 20.

Paul had been sent for blue-berries through the Eagle Rock woods to the
high upland pasture where the Powers cows fed during the day. On the
upper edge of that, skirting a tract of slash left from an old cutting,
was a berry-patch, familiar to all the children of Crittenden's valley.

When at four o'clock there was no sign of him, and then at five still
none, Marise began to feel uneasy, although she told herself that
nothing in the world could happen to Paul on that well-known
mountain-side. He had taken Médor with him, who would certainly have
come for help if Paul had fallen and hurt himself. She excused herself
to the tall, awkward lad from North Ashley come to try over his part in
a quartet, asked Touclé to help Elly set the supper things on the table
if she should be late, and set off at a rapid pace by the short-cut over
the ledges.

As she hurried over the rough trail, frankly hastening, now frankly
alarmed, she thought that probably for all the life-time of the people
in the valley the death of Frank Warner would set a sinister element of
lurking danger in those familiar wooded slopes. Nothing _could_ have
happened to Paul, but still she hurried faster and faster, and as she
came near the upper edge of the pasture she began to shout loudly,
"Paul! Paul!" and to send out the high yodel-cry that was the family
assembly call. That act of shouting brought her a step nearer to panic.

But almost at once she heard the little boy's answer, not far from her
saw his dog bounding through the bushes, and as she emerged from the
woods into the open pasture she saw Paul running towards her, pail in
hand, evidently astonished to know her there. But there was about him
something more than astonishment, something which Marise's mother-eye
catalogued as furtitve, that consciousness of something to hide which
always looks to grown-ups like guilt. She gave no sign of seeing this,
however, stopping short to catch her breath, smiling at him, and
wondering with great intensity what in the world it could be. He looked
a little frightened.

He came up to her, answering her smile uneasily, and she saw that he had
only a few berries in his pail. At this she was relieved, thinking that
possibly all that had happened was that he had lingered to play. But
when she glanced back at his face, she had the impression that there was
something more, very much more. He had received some indelible
impression and it was his instinct to hide it from his mother. Her heart
sank forebodingly.

"What is the best thing to do?" she asked herself. "To speak about it
first, or to wait till he does?"

She sat down on a stone, fanning herself with her hat, watching him,
trying to make out the meaning of every shift of expression, turn of
eye, position of his hands, carriage of his head, bringing to this all
her accumulated knowledge of Paul, afire with the sudden passion to
protect him which had flamed up with her intuition that something had
happened to him.

(Come and gone with the dry rapidity of fingers snapped, she had
thought, "The point is, that other people may be more clever than
mothers, but nobody else _cares_ enough, always, always to try to
understand!")

"I thought I'd come up and walk back with you," she offered.

"I haven't got very many," said Paul, abashed, looking down at the few,
blue, bloom-covered balls in the bottom of his shining tin pail. "I was
trying to hurry up and get enough for supper, anyhow."

Marise in spite of herself, moved by pity for his confusion, offered him
a way out. It always seemed to her too dreadful for anyone not to have a
way out, even if it implied a fib. "Weren't there very many on the
bushes?" she asked.

But he refused it with a characteristic integrity. "Oh yes, there were
lots there," he said.

A silence fell. The little dog, sensitively aware of something wrong,
whined uneasily, and pawed at Paul's hand. But Paul did not look down at
him. He stood, his bare feet wide apart, the empty pail in his hand,
looking down the beautiful green slope of the pasture, golden now in the
long rays from the sun poised low on the line of the mountains opposite.

Marise looked at him, seeing nothing in all the world but that tanned,
freckled, anxious little face. With what an utter unexpectedness did
these moments of crisis spring on you; something vital there, and no
warning, no chance to think.

"Anything the matter, Paul?" she said gently.

He nodded, silent.

"Anything you can tell Mother?" she asked, still more gently.

Paul said gruffly, "I don't know: it's about Ralph Powers. He was up
here this afternoon." He looked down at his brown, bramble-scratched
legs.

Marise's imagination gave an unbridled leap of fear. She had always felt
something strange and abnormal about Ralph. But she thought, "I mustn't
tyrannize over Paul, even by a too-waiting expectant silence," and
stooped over with the pretext of tying her shoe. A lump came to her
throat. How terribly, helplessly, you _cared_ about what came to your
children!

When she lifted her head, Paul had come nearer her and was looking down
at her, with troubled eyes. "Say, Mother, he didn't _say_ not to tell
you. Do you suppose it would be fair?"

She made a great effort at loyalty and said, "I can't tell, Paul. You
saw him. You know better than I, if you think he meant you not to tell.
Try to remember if he said anything about it."

Paul thought hard. "You wouldn't tell anybody?" he asked.

"Not if you don't want me to," she answered.

Paul sat down by her and drew a long breath. "I don't believe he would
care, your knowing it, if you never told anybody else, nor said anything
to him. Mother, I was going along, up there by the big rock where the
white birches grow, and I saw Ralph. . . . He was in front of a sort of
table he'd fixed up with a long piece of slate-stone, and he had some
queer-shaped stones on it . . . oh, _Mother_ . . . he was crying so, and
talking to himself! And when he saw me he got as mad! And he told me
about it, just as mad all the time, as though he was mad at me. Mother,
it's an altar!

"An altar!" said Marise, stupidly, utterly disconcerted by the word, so
totally other than what her fears had been foreboding.

"Yes, an altar, and he says the stones on it are idols, and he bows down
and worships them, the way the Bible says it's wicked to."

Marise was too much astonished to open her lips.

Paul said, "Mother, Ralph says he hates God, and isn't going to say his
prayers to him any more. He says God let his father and mother both get
killed, and he don't know what the devil could do any worse than that.
He said he started in having an altar to idols because he thought from
what the Bible said that if you did you'd be so wicked lightning would
strike you dead. But it didn't, and now he doesn't believe _any_thing.
So he's going on, having idols because the Bible says not to."

Marise's first rounded and exclusive emotion was of immense relief.
Nothing had happened to her own son, and beside this relief, nothing for
the moment seemed of any consequence. She drew Paul to her with a long
breath of what was, she recognized it the moment afterward, her old,
clear, undiluted, ferocious, hateful mother-egotism. For that instant
she had not cared an atom what happened to another woman's child, so
long as hers was safe.

But the next instant, the awareness of her hard heart cut across her
like the lash of a whip. She shrank under it, horrified. She hung her
head guilty and ashamed, divining the extremity of the other child's
misery.

As she sat there, with her living arms around her own little son, the
boy whose mother was dead came and stood before her in imagination,
showing those festering, uncared-for wounds of sorrow and bitterness and
loneliness, and furious, unavailing revolt from suffering too great to
be borne.

She felt the guilt driven out from her narrow heart as it swelled larger
to take him in. Any child who needed a mother so much, was _her own
child_. He had no longer any mother who would care enough to try to
understand, but _she_ would care enough.

"He bowed down and worshiped," said Paul, in a shocked, frightened
voice. "He knocked his head on the stones and cried like anything. He
said he hated God."

"Oh!" cried Marise, intolerably stung by sympathy and pity. She started
up to her feet, her heart burning, the tears on her cheeks. Her arms
ached with emptiness till she should have drawn that suffering into
them.

Paul said shyly, "Say, Mother, it's _awful_ hard on those Powers kids,
isn't it, not having anybody but their grandmother. Say, Mother, don't
you think maybe we could . . . we could . . ." He turned his freckled,
tanned, serious little face up to hers.

His mother stooped to kiss him, furiously, burningly, passionately, as
she did not often kiss Paul, and he clung to her with all the strength
of his strong little arms. "Yes, yes, you darling, you darling," she
told him brokenly. "Yes, yes, yes."


II

September 10.

Marise was slowly going through a passage of Scriabine, which had just
come in the mail. She was absorbed in the difficulties and novelties of
it, her ear alert to catch a clue to the meaning of those new rhythms
and progressions, her mind opened wide to understand them when she heard
them.

It was with an effort that she brought her attention back to Elly, who
had come in behind her and was saying something urgently. Marise turned
around on the piano-stool, her head humming with the unfamiliar,
tantalizing beauties and intricacies of the page she had left half
unread, and considered the little girl for an instant before she heard
what she said. How Elly did grow! That dress was already much too small
for her.

Well, Elly was not the only one who had grown out of her old clothes
this summer . . . the old garments that had been large enough and now must
be laid aside! . . . Elly was saying, "Mother, one of my chickens looks
sick, and I don't know what to do. I _wish_ you'd come!"

Marise began a process of mentally weighing which was more important,
Scriabine or Elly's chicken. Elly looked at her mother with imploring
eyes. "Mother, he looked awfully sick. And he is my nicest little
Downy-head, the one I've always loved the best. I've tried to take such
good care of him. Mother, I'm _worried_ about him."

Marise decided that Scriabine had at least the capacity to wait, while
the chicken might not. She got up, saying, "All right, Elly, we'll see
what we can do."

Elly pulled her along rapidly to the chicken-yard where grossly
self-satisfied hens scratched in trash and filth undiscriminatingly,
and complacently called their families to share what they had found
there, or indeed at times apparently to admire them for having found
nothing. Marise stood regarding them with a composed, ironic eye. It was
good, she reflected, to be able to know that that was the way you looked
from the outside, and not to care a bit because you knew firmly that
there was something else there that made all the difference. All the
same, it was a very good thing to have had the scaring thought that you
were like that . . . "there but for the grace of God. . . ." Was it
complacent to say that? Oh, what did it matter what you called
it,--complacent or not, if you knew! It all came back to not caring so
much about what things could be called, if you knew what they were.

Elly had disappeared into the chicken-house and now came back with a
perplexed face. "Downy-head was there, by the nests, and now he's gone."
Marise caught in the child's eyes the realness of her anxiety and
thrilled to it, as she always did to any real emotion. "I'll help you
look," she said, turning her eyes about the chicken-yard, crowded with
voluble, intently self-centered, feathered personalities. "Which hen is
his mother, Elly?

"This one, Old Speckle. Oh, Mother, there he is, lying down. He must be
feeling worse!" She ran forward and stooped over a little panting yellow
ball. Across the intervening space and beyond all those carelessly alive
bodies, Marise's eyes caught the unmistakable aspect of death in the
tiny creature lying there.

"Mother!" cried Elly, "his eyes look so! He can't get his breath.
_Mother!_" Marise felt the child's agitation and alarm knock at her
heart. She looked down helplessly at the dying creature. That tiny, tiny
scrap of down-covered flesh to be alive, to contain the miracle and
mystery of life, and now to be struggling, all alone, with the miracle
and mystery of death!

The little thing opened its glazing eyes once more, drew a long breath,
and lay still. An age-old inherited knowledge and experience told Elly
what bad happened. She gave a scream, picked it up and held it in her
cupped hands, her little face drawn in horrified incredulity. She looked
up at her mother and said in a whisper, "Mother, he's _dead_."

Marise nodded silently. Poor Elly! She wished she could think of
something comforting to say. But what is there to say? For her there had
never been anything but stoic silence. The mother hen clucked
unconcernedly at their feet, and with coaxing guttural sounds called the
rest of the chickens to eat a grain. The strong ammonia smell of the
chicken-yard rose in the sunshine. Elly stood perfectly still, the
little ball of yellow down in her hand, her face pale.

Marise looked down on her with infinite sympathy. Her child, flesh of
her flesh, meeting in this uncouth place the revelation of the black
gulf! But she remained silent, not knowing what to say.

Elly spoke in a low voice, "But, Mother, how _can_ he be dead, just so
quick while we were looking at him? Mother, he was alive a minute ago.
He was breathing. He looked at me. He knew me. And in just a minute like
that . . . nothing!"

She looked around her wildly. "_Mother, where has his life gone to?_"

Marise put her arm around the little girl's shoulders tenderly, but she
still only shook her head without a word. She did not know any more than
Elly where his life had gone. And surely loving silence was better than
tinkling words of falseness.

Elly looked up at her, glistening drops of sweat standing on her
temples. "Mother," she asked, urgently, in a loud, frightened whisper,
"Mother, do we die like that? Mother, will _you_ die like that? All in a
moment . . . and then . . . nothing?"

It came like thunder, then, what Marise had never thought to feel. With
a clap, she found that this time she had something to answer, something
to say to Elly. Looking deep, deep into Elly's eyes, she said firmly
with a certainty as profound as it was new to her, "No, Elly, I don't
believe we do die like that . . . all in a moment . . . nothing."

She was astonished by what she said, astonished by the sudden
overflowing of something she had not known was there, but which was so
great that her heart could not contain it, "comme une onde qui bout dans
une urne trop pleine." And she was as moved as she was astonished. Elly
came into her arms with a comforted gasp. They clung to each other
closely, Marise's ears humming with the unfamiliar beauty and intricacy
of that new page at which she had had that instant's glimpse. Here was a
new harmony, a new progression, a new rhythm to which her ear had just
opened . . . heard here in this uncouth place!

       *       *       *       *       *

That evening, after the children were in bed, she stopped her reading of
the new music for a moment to say to Neale, "You know those ideas that
other people are better for children than their parents are?"

"Yes," said Neale, laying down the baseball page of his newspaper,
instantly all there, looking at her intently.

"Well, I don't believe a word of it," said Marise.

"I should say it depended on which parents and on which children were
meant," advanced Neale guardedly.

Marise had at first an affectionate smile for this, and then a laugh.
She got up from the piano-stool and went to kiss him. He said with a
whimsical suspicion of this, "Why so?"

"Because you are so entirely you," she told him, and went back to
Scriabine.


III

September 22.

It was the half-hour of pause after lunch. The children played idly with
the fox-terrier and lounged on the steps of the side-porch, strong and
brown, living cups filled to the brim with life. Neale had pushed his
chair back from the table, lighted his pipe, and sat meditating.
Presently he put out his hand and laid it on Marise's, who had turned to
look down the sun-flooded valley.

It was high-noon, dreamy, entranced, all the world golden with the
magnificent weather as a holly-hock is golden with pollen. From the
brook came the living voice of the water, with the special note of brave
clarity it always had for brilliant noons.

It seemed to Marise that she too was all gold-powdered with the
magnificence of life, that in her heart there sang a clear living voice
that did not fear high-noons.


IV

October.

Would Vincent come back at all? Marise had wondered so often. Not
Vincent in the flesh; that last angry bewildered gesture had finality in
it. He had given her up then, totally. But would he come back to haunt
her in those inevitable moments of flat ebb-tide in life, when what
should be moist and living, withered and crisped in the merciless
drought of drudgery and routine? She feared it, frankly dreaded it at
first, and tried to think how to brace herself against it. But it was
not then that tie came, not when she was toiling with dishes to wash, or
vegetables to pare, or the endless care of the children's never-in-order
clothes. Instead she found in those moments, which had been arid before,
a curious new savor, a salt without which life would seem insipid,
something which gave her appetite for the rest. "This is all Tolstoyan
nonsense and sentimentality," she told herself mockingly, "there is
nothing sacred about scrubbing the floor." Or on another day, "I wonder
if it's a twist of the absurd mediaeval ascetic perversity left over?"
Or again, "All it does for me is to take off the curse of belonging to
the bourgeoisie." But no matter what skeptical name she called it, nor
how much she minimized the reality of it, she felt some odd value in it
which she would not have gone without. Once she said to herself, "It's
ballast, to a person like me," although she did not know exactly what
this meant. And another time she said, "Perhaps it's that I'm making an
honest effort to do my share." But it was true and real, the fact that
after such work the reading of the day's news of the world brought her a
less oppressive sense of guilt. And stranger than this, music had
greater vitality for her. She felt it a deeper, richer soil than even
she had dreamed of, and struck her roots profoundly into depths which
kept her whole complicated organism poised, steady, and upright.

And here it was that Vincent came back. Not the Vincent of the hawk-like
imperious face, or burning eyes of desire, which had seemed to him his
realest self. But the Vincent who had come in from the porch that day in
March when she had first played to him, who had smiled at her, the good,
grateful, peaceful smile, and had said to her music, "Go on, go on." It
was the same Vincent of the afternoon in Cousin Hetty's garden when the
vulture of the desire to possess had left him for a moment in peace.
Often and often he came thus as she played and leaned his head back and
said, "Go on." And thus Marise knew he would always come. And thus she
welcomed him.

This was what was left of him in the house he had so filled with his
smoky, flaming brilliance.


V

December.

They had been talking around the fire of the stars and their names and
stories, she and Neale and the children. Presently interest overcoming
inertia they decided to go out and see if the clouds had blown away so
that the stars could be seen. They huddled on hastily found wraps,
thrust their feet into flapping, unbuckled overshoes, and leaving the
still, warm, lamp-lit room, they shuffled out, laughing and talking,
into the snow which lay thick and still before the house.

At first they carried out between them so much of the house atmosphere
that it hung about them like warm fog, shielding them from the fiercely
pure, still cold of the air, and from the brilliant glitter of the
myriad-eyed black sky. They went on talking and laughing, pointing out
the constellations they knew, and trying to find others in the spangled
vault over their heads.

"A bear!" cried Mark. "I could draw a better bear than that any day!"
And from Paul, "They can call it Orion's belt all they want to, but
there's no belt to it!" And from Elly, "Aldebaran! Aldebaran! Red-eyed
Aldebaran!"

But little by little the house-air began to be thinned about them, to
blow away from between them in wisps and wreathes, off into the
blackness. The warmed, lighted house dwindled to nothing. There were
only the great cold black sky and the small cold white earth. Their
voices were lowered; they stood very still, close together, their heads
tipped back, their faces and hearts upraised silently to receive the
immensity above and about them.

Elly murmured under her breath, "Doesn't it seem funny, our world being
just one of all those, and such a little one, and here we are, just
these few of us, standing on the world and looking at it all."

Marise thought, "We seem to be the only living things in all creation."
In that huge, black, cold glittering universe how tiny was the little
glow of life they made!

Tiny but unquenchable! Those myriads of hard staring eyes could not look
down the immortal handful of human life and love which she and Neale had
created between them.

There was a silence, filled with still, breathless cold; with enormous
space, with infinity.

Marise felt a rigorous shudder run over her, as though something vital
were coming to her, like the rending pang of pain which heralds
child-birth. After this, did she close her eyes for a moment, or did it
come to her while she continued to gaze wide-eyed at the stern greatness
of the universe? What was this old, familiar, unknown sensation?

. . . as though, on a long journey in the dark it had grown light, so that
she had suddenly recognized which way she was going.

Then she knew what it was. Conscious and awake, she was feeling herself
one with the great current, advancing with an irresistible might,
majesty and power, in which she shared, to which she gave her part.


VI

January.

She was putting away the clean sheets from the washing on the shelves at
the end of the hall, upstairs, her mind entirely on the prosaic task,
wondering when she would have to replace some of the older ones, and
wishing she could put off buying till the outrageous post-war prices
went down. Someone stirred behind her and she turned her head quickly to
see who was there. It was Neale, come in early. He was standing, looking
at her back; and in the instant before he saw that she had turned, she
caught the expression on his face, the tender fathomless affection that
was there.

A warm gush of happiness surged up all over her. She felt a sudden
intense physical well-being, as though her breath came more smoothly,
her blood ran more sweetly in her veins.

"Oh, _Neale_!" she said, under her breath, flushing and turning to him.
He looked at her, his strong, resolute face and clear eyes smiled, and
opening his arms he drew her into them. The ineffable memory of all the
priceless past, the ineffable certainty of the priceless future was in
their kiss.

That evening, after a long golden hour at the piano, she chanced to take
down the Largo in the Chopin sonata. As she began it, something stirred
in her mind, some memory that instantly lived with the first notes of
the music. How thick-clustered with associations music became, waking a
hundred echoes and overtones!

This was the memory of the time when she had played it, almost a year
ago, and had thought how intimacy and familiarity with music but
deepened and enriched and strengthened its hold on you. It was only the
lower pleasures of which one grew tired,--had enough. The others grew
with your growing capacity to hold them. She remembered how that day she
had recalled the Wordsworth sonnet, "A beauteous evening, calm and
free," and had thought that music took you in to worship quite simply
and naturally at the Temple's inner shrine, that you adored none the
less although you were at home there and not breathless with adoration
like the nun: because it was a whole world given to you, not a mere pang
of joy, because you could live and move and be blessedly and securely at
home there.

She finished the last note of the Largo and sat silent. She was thinking
that her marriage was like that, too.

Presently she got up, took out the old portfolio of photographs, and
pinned upon the wall over the piano the view taken from Rocca di Papa.


VII

February 24.

Marise had been drilling the chorus in the Town Hall of Ashley after the
men's working-hours, and now in the dimming light of the early evening
was going home on snow-shoes, over the hill-path. She liked to use
snow-shoes and occasionally said that she could walk more easily and
more lightly on them than on bare ground. She trod over the tops of the
deep drifts with an accentuation of her usual strong free step.

The snow fell thickly and steadily, a cold, finely-spun, straight-hung
curtain, veiling all the muffled sleeping valley. There was an
inconceivable silence about her as she drew her snow-shoes over the
velvet-like masses of the snow. But within her were ringing echoes of
the rhythms and cadences of the afternoon's struggle, imperfectly sung
most of them, haltingly, or dully, or feebly, or with a loud
misunderstanding of the phrase. At the recollection of these failures,
she clenched her hands hard inside her fur gloves with an indomitable
resolution to draw something better from her singers the next time.

But mingled with them was a moment of splendor. It was when the men had
tried over the passage she had explained to them the week before. She
had not known then, she did not know now, how clearly or definitely she
had reached them with her summary of the situation of the drama: the
desperate straits of the Israelites after the three-year drought, the
trial by fire and water before the scorning aristocracy, Elijah stark
and alone against all the priesthood of Baal, the extremity of despair
of the people . . . and then the coming of the longed-for rain that
loosened the terrible tension and released their hearts in the great
groaning cry of thanksgiving. She had wondered how clearly or definitely
she had reached their understanding, but she knew that she had reached
their hearts, when suddenly she had heard all those men's voices pealing
out, pure and strong and solemn and free, as she had dreamed that phrase
could be sung.

[Illustration: Thanks be to God! He laveth the thirsty land.]

The piercing sweetness of the pleasure this had brought to her came over
her again in a wave. She halted on the crest of the hill, and for a
moment in place of the purples and blues of the late snowy afternoon
there hung before her eyes the powerful, roughly clad bodies of those
vigorous men, their weather-beaten faces, their granite impassivity,
under which her eye had caught the triumph of the moment, warming them
as it did her, with the purest of joys this side of heaven, the
consciousness of having made music worthily. The whole valley seemed to
be filled to its brim with that shout of exultation. It had taken all of
her patience, and will-power, and knowledge of her art and of these
people to achieve that moment. But it had lifted her high, high above
the smallness of life, up to a rich realm of security in joy.

The snow fell more and more thickly, covering her as she stood with a
fine, soft mantle of white. She had heard the men that afternoon saying
they had seen signs of the winter break-up, and she wondered at it now,
looking about the frozen, buried, beautiful valley and up to the frozen
towering mountains, breathing in the cold air, as pure as the ether
itself. It seemed to her that spring was as remote and unreal and
impossible an imagination of the heart as a child's fairy-tale.

Then suddenly, bursting out of the dimming distance, close in front of
her, flying low, silently, strongly, a pair of wild geese went winging
off towards the north, their gray shapes the only moving thing in all
the frost-held world.

Marise drew a great breath of delight in their strong and purposeful
vitality. She looked after them, her heart rising and singing with
comradely pride in them. She would have liked to shout an exultant
greeting after them, "Hurrah!"

They went beating off, fast and straight, for their unseen destination,
while, treading the velvet-like snow-drifts with her strong free tread,
Marise went home.

[Illustration: Music]


VIII

March 2.

It was the first warm day of the year. The hard-frozen ruts of the road
thawed on top and glistened. The snow-banks shrank visibly from one hour
to the next under a warm wind and a hazy sun. The mountains were
unbelievably beautiful and seductive in a shimmer of blue and silver.
The children had brought home a branch of pussy-willows, and as Marise
and Neale stood for a moment at the open door breathing in the new
softness, they saw Touclé, old and stooped and shabby, her reticule bag
bulging, her flat feet in enormous overshoes plodding up the road
towards the mountain.

They smiled at one another. It was in truth the first day of spring.
Marise said, after a pause, "Do you know what she goes off for?"

Neale shook his head with a wide indifference as to the reason. "Because
she's an Injun," he conjectured casually.

"She told me once," said Marise, with a sudden wonder what Neale would
think of that glimpse into the old mystic's mind, how he would (for she
knew beforehand he would) escape the wistfulness which struck at her
even now, at the thought of that door to peace. She repeated to him word
for word what Touclé had told her on that hot August day.

Neale gave her his usual careful attention. Marise thought to herself,
"Neale is the only person I ever knew who could listen to other people's
ideas." But when she finished he made no comment. She asked him, "Did
you ever think that old carven-image had that in her? How profound a
disdain for us busy-about-nothing white people she must have!"

Neale nodded. "Most likely. Everybody has a good deal of disdain for
other people's ideals."

"Well, you haven't for hers, have you?" challenged Marise. Neale looked
thoughtful. "I'm no mystic. Their way of managing life often looks to me
like sort of lying down on the job. I'm no mystic and I'm no fish. Looks
to me as though the thing to do isn't to go off in a far corner to get
your momentary glimpse of daylight, but to batter a hole in the roof of
your cave and let daylight in where you live all the time. I can't help
being suspicious of a daylight that's so uncertain you have to go away
from life and hold your breath before you can see it for a minute. I
want it where I do my work."

Marise looked at him, thinking deeply. That was just what Neale did. But
when she looked back at the old Indian woman, just now turning into the
wood-road, she sighed wistfully, and did not know why.

There was so very much growing always to be done in life.


IX

March 10.

(_A letter from Eugenia_:)

". . . I'm planning perhaps to make the trip to the temples in the Malay
jungle. Biskra was deadly, and Italy worse . . . vulgarity and commonness
everywhere. What an absolutely dreary outlook wherever one turns one's
eyes! There is no corner of the modern world that is not vulgar and
common. Democracy has done its horrible leveling down with a vengeance
. . ."

       *       *       *       *       *

(_A letter from Mr. Welles_:)

". . . The life here is full of interest and change, and it's like dew on
my dusty old heart to see the vitality of the joy-in-life of these
half-disinherited people. I'm ashamed to tell you how they seem to love
me and how good they are to me. Their warmness of heart and their zest
in life. . . . I'm just swept back into youth again. It makes me very much
mortified when I think what a corking good time I am having and what
sanctimonious martyr's airs I put on about coming down here. Of course a
certain amount of my feeling younger and brisker comes from the fact
that, working as I am, nobody feels about me the laid-on-the-shelf
compassion which everybody (and me too) was feeling before. I _am_
somebody here and every time I say 'Dr. Martin' to a well-educated Negro
physician whom another white man has just hailed as 'Andy' I feel not
only a real sense of righteous satisfaction but the joyful mischievous
fun that a small boy has. Give my love to Paul (speaking of small boys)
and tell him I'm saving up for the fishing-pole I am going to use when I
go fishing with him next summer. He said in his last letter he wanted to
come down here and make me a visit; but you tell him I think he'd better
get his growth before he does that."


X

March 15, 1921.

From a profound sleep, serene warm infinity of rest, Marise was wakened
by a little outcry near the bed, a sobbing voice saying through
chattering teeth, "Mother! Father!"

Still drowned in sleep, Marise cried out, "What? What's that?" and then,
"Oh, you, Elly. What's the matter, dear? Notions again?"

"Oh, Mother, it was an awful dream this time. Can't I get into bed with
you?"

"Why yes, come along, you dear little silly."

The fumbling approach to the bed, Marise holding the sheets open and
stretching out her hand through the cold darkness towards the little
fingers groping for her; the clutch at her hand with a quick anguish of
relief and joy. "Oh, _Mother!_"

Then the shivering body rolling into bed, the little cold arms tight
around her neck, the cold smooth petal-like cheek against hers.

Marise reached over beyond Elly and tucked the covers in with one arm,
drew the child closer to her, and herself drew closer to Neale. She
wondered if he had been awakened by Elly's voice, and the little stir in
the room, and hoped he had not. He had been off on a very long hard
tramp over mountain trails the day before, and had been tired at night.
Perhaps if he had been wakened by Elly he would drowse off again at once
as she felt herself doing now, conscious sleepily and happily of Elly's
dear tender limbs on one side of her and of Neale's dear strong body on
the other.

       *       *       *       *       *

The strong March wind chanted loudly outside in the leafless
maple-boughs. As Marise felt her eyelids falling shut again it seemed to
her, half-awake, half-asleep, that the wind was shouting out the refrain
of an old song she had heard in her childhood, "There's room for all!
There's room for all! What had it meant, that refrain? She tried
drowsily to remember, but instead felt herself richly falling asleep
again, her hands, her arms, her body.

"There's room for all! There's room for all!"

She was almost asleep. . . .

Someone was speaking again. Elly's voice, calmer now, wistful and
wondering, as though she were lying awake and trying to think.

"Mother."

"Yes, dear, what is it?

"Mother, aren't you and father afraid of anything?"

       *       *       *       *       *

Marise was wide-awake now, thinking hard. She felt Neale stir, grope for
her hand and hold it firmly . . . Neale's strong hand!

She knew what she was saying. Yes, she knew all that it meant when she
answered, "No, Elly, I don't believe we are."





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