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Title: Futurist Stories
Author: Reed, Margery Verner
Language: English
As this book started as an ASCII text book there are no pictures available.
Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

*** Start of this Doctrine Publishing Corporation Digital Book "Futurist Stories" ***

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produced from scanned images of public domain material


FUTURIST STORIES



FUTURIST STORIES

MARGERY VERNER REED

NEW YORK
MITCHELL KENNERLEY
1919

COPYRIGHT 1919 BY
MITCHELL KENNERLEY



FUTURIST STORIES


MOONBEAMS

THE DREAM MUFF

ROSE PETALS

IN A FIELD

INCALCULABLE

A NEAPOLITAN STREET SONG

IN ALGIERS

CANDLES

IGOR

TWO HAD LIVED

THE FIFTH SYMPHONY

THE MAD ARTIST

OLD SCORES

THE LAST

ASHES

NANCY TURNER

THE PAWN SHOP KEEPER

SOMETHING PROVINCIAL

CONFLICT

THAT NIGHT HIS SORROW WAS LIFTED



MOONBEAMS [_To V. Z. R._]


IT was a glorious winter's night. Through a blue haze one saw the
ground, covered with snow, shining under the magical moon. And the trees
of the forest were also covered with snow; great clusters glistened in
their branches. Almost as light as day. Not a bleak light, but an
enchanting one, which dazzled in the cold, brisk air. Into the woods
walked the Spirit of Art. As he gazed at the surrounding beauty he grew
sad, and wondered why he had never reproduced such splendor--the
moon--the snow--Oh, he must try again--Tomorrow he would do better.

  Then came the Spirit of History and he too grew sad as he gazed
into the quietude of the night. His hands were soiled with blood, with
dark hideous crimes. And he asked why he had committed such deeds--with
all this beauty around him. Why could he not have likened history to
these woods where the snow was white. Tomorrow he would do better.

  And then came the Spirit of Philosophy and like the others he
wondered why he had never been under the spell of the Moonbeams
before--why had he filled the minds of men with entangled masses of dark
thought, instead of teaching them the beauty, the enchantment of a night
like this. Tomorrow he would do better.

  The three Spirits met and talked together. They would go back to
the cities and begin anew. They would bring the spell of the woods back
with them and teach men unknown things.

A NEW Era was about to be born.

       *       *       *       *       *

MORNING dawned cold and raw, a bleak gray light shone in the deserted
streets. The three Spirits returning from their wandering all too soon
forgot the magic spell of the woods--the snow--the Moon--and fell to
work once more among the sordid things of the day; making Art and
History and Philosophy only grayer--darker--

AND in the woods where all was beauty, the Moonbeams shone only for the
fairies as they danced under the trees, and now and then for a wistful
human soul that had strayed into the splendor of the night.



THE DREAM MUFF [_To I. K. McF._]


ONE more day of horror had ended for Russia. At this hour once the lamps
along the Neva would have been lighted, the laughter of sleigh-riders
would have resounded over the snow. But now the streets were
dark--deserted save by some wandering homeless people, seeking refuge in
the night.

NO one seemed to know exactly what had happened--or the cause--

THERE was no ruler--no order--

DARKNESS and chaos.

A GIRL, perhaps of twelve, sat huddled in a ragged shawl on the steps of
a closed church.

THERE had been a time when a fire burned--

A MOTHER--a father--

BROTHERS--

THEY had gone--no one knew where. The mother was royalist.

SHE used to sew for a great lady--a Princess.

PERHAPS the jailers of a prison could tell where she was.

ONCE--in the life that was only a memory--was it real--or was the biting
cold--was the hunger what had always been--her mother had taken her to
the house of the great lady--

HER eyes had opened in childish wonder, as the Princess took her from
room to room.

ON a great couch of palest blue, among cushions that were all lace and
blue and pink--a muff.

IT had been carelessly thrown down--she had loved it.

HER greatest desire had been to touch it--to feel the soft gray fur on
her face.

A PIERCING wind blew from the frozen river--the muff--if it would come
it would keep her warm--

SHE would put her hand in it and hold it to her heart.

THROUGH half-closed lids she saw the muff--curving and swaying in the
air--like a gray bird.

IT was looking for her--there were so many freezing children in the
streets--she was small for her age--

HOW warm--how kind of the Princess to send the muff.

MAYBE mother will soon be home from work--we can have supper--

BORIS will come from school--

BUT Boris lay dying--prisoner in the enemy's land.

WHEN a pale sun struggled to shine down on the dirty streets--on the
confusion and sorrow of that Russian city--an old Priest--dying with all
the rest--of sorrow for his land--found the frozen body of a little
girl--with hands clasped over her heart--a faint smile on her upturned
face.



ROSE PETALS


THIRTY years had passed.

THIRTY years that I had spent in vainly trying to overcome the love and
hatred which consumed me. However occupied I was with the pressing
affairs of my almost over-filled life I was conscious of an undercurrent
of despair--the despair that I had felt when Eve told me she no longer
loved me.

WE were engaged.

WHETHER she really loved me, or whether it was only a girlish fancy I
could not tell. But the day was set for our wedding and was not far off
when one Sunday afternoon I went to her house for tea.

       *       *       *       *       *

THE mahogany table in the library was covered with fallen rose
petals--the roses he had sent her. Although no other detail of the room
has remained in my memory, I still can see the rose petals covering the
polished surface. By some inexplicable phenomenon those pink petals were
fixed forever in my mind.

I LEFT that part of the country and eventually lost all trace of Eve.

       *       *       *       *       *

THIRTY years later I had a professional engagement with a client.

THE man was ill with a cold and asked me to come to his house--

I WAS shown into a large, stately drawing-room. Great portraits were on
the walls, there was massive furniture, fine oriental rugs. A fire
blazed on the hearth.

THEN I perceived it--the great bowl of roses with fallen
petals--scattered over the table

LIKE a knife they went through my soul----

ROSE petals----

EVE--the ring she had returned, which lay in some dark recess of my
desk----

THE door opened and a tall slim girl advanced--

EVE I cried--my eyes blurred till I could hardly see.

WITH a strange, somewhat strained laugh, the girl replied that she had
not been named for her mother, but it was often said that she was indeed
her mother's living portrait.

THEN she drew aside a heavy curtain--Before my dimmed eyes was a picture
of Eve--

MY Eve--

I FLED from the house.

THE purpose of my visit claimed not an instant of my thoughts. Nor did
Eve.

NOR the past.

ROSE petals only filled my mind.

I LEARNED from a friend that Eve had been drowned years before in the
St. Lawrence River--

SHE had left her husband and baby girl for another love.

ROSE petals--

ROSE petals everywhere.



IN A FIELD


A CHILD of three or four was playing in the tall grass among the nodding
buttercups and daisies. I watched her as she played. She seemed a fit
companion of the flowers, this sweet babe. I longed to feel the touch of
her little fingers on my face.

  But as I advanced to where she was playing I stopped abruptly
with the sense of sudden chill. My heart even grew cold.

  Was I having a vision, was it an intuition of the future--or was
this a meaningless phantom!

  I had been reading of late a modern philosopher whose translator
had made much use of that somewhat ghostly word. Perhaps that was what
had given rise to this inexplicable thing. For as I stood there watching
the child there flashed across my consciousness a changing vision of her
destiny.

  It was terrible.

  It struck me that it might be better if she could be taken now
while innocent and sweet.

  I caught myself back from the act of judging life and death.

  I had been the momentary victim of a freakish fancy.

  I gazed at the child again, and I saw a strange thing, as clearly
as I see you now.

  She, a young woman, was standing amidst scattered wilted flowers,
with parted lips and wide horrified eyes. It seemed a land far off, some
land under the burning sun.

  She cried out, a cry of anguish. She was there to hide from
herself and tortured by the memory of what she once had been.

  I saw her again, this time on the sea, still trying to escape
from herself, from the tyranny of her lost innocence.

  And then I saw her in a rapid succession of scenes, again and
again--gambling places, drinking,--sometimes listless and
distraught--sometimes forced and eager--with wonderful, costly jewels.
But they were too heavy. The price of them was weighing upon her soul.

THEN a grave, alone under leaden skies of some Northern country. No
flowers now, only the moaning wind--the cold rain.

I LIFTED the child in my arms and kissed her.



INCALCULABLE


IT was one of those gray days so frequent in Paris in the late fall. A
drizzling rain was coming down through the bare branches of the trees
and a cold mist was rising from the Seine.

I FELT out of tune with the universe.

THE rain irritated me.

TO cheer my drooping spirits I took refuge in the Louvre.

THERE I found no solace in the cold white statues of the lower floor. I
ascended one of the broad staircases--the headless beauty of the
Victoire de Samothrace only made me shudder.

I PASSED through the halls lined on either side with the masterpieces of
French and Italian and Spanish Artists.

ONE in my depressed state of mind had no right to be there where faces
of Madonnas smile down as one passes and deserve a freer look than mine
to turn on them.

I WANDERED out again into the street.

I WALKED up the quai which winds along the river and where the quaint
well-known bookshelves are built displaying to the passerby rare old
books and piles of rubbish alike.

DESPITE the rain several students were eagerly looking through these
stores of hidden wealth.

AS the Parisian would say ils bouquinaient.

SO I too began to pick up at random several old volumes.

AN English one caught my glance--

IT was a copy of Browning--old and tattered--and pencil-marked. Turning
to the fly-leaf I saw a name, written in a woman's hand--

VICTORIA O'FALLON--Paris 18--

I LOOKED up--and saw far back into now almost forgotten years of my life
and there flashed into unaccountable and extraordinary vividness in my
mind the remembrance of a western mining camp and of a girl, Vicky
O'Fallon. She was a little red-headed beauty, who dreamed and talked of
nothing but the stage, who longed to study and to travel, to release her
life from the coarse and rude environment in which she lived.

AND I questioned almost passionately, could that little, discontented
Irish girl be the same one whose name on an old yellowing page was
intriguing my thought? How came her book here among these old volumes?
Had some strange fate transplanted her to Paris in the year 18--? Had
her dreams come true and was she on the stage in this great city of the
world? I asked of the bookseller how this copy of Browning had come
into his hands. He did not know.

I COULD not dismiss this girl, I could not forget the book.

SOMEWHERE, somehow she had read Browning. She obsessed my mind.

SHE possessed my waking hours. I wandered from theatre to theatre,
watching at the stage doors, and saw play after play, always in the hope
of discovering this girl I had scarcely known. I studied hotel
registers, old play-bills, and always old books. I had not thought of
her for years and now I desired more than anything else in life to see
once more her dancing blue eyes and hear again her laughter.

BUT it was all in vain that I scanned faces in the streets, in railway
stations, in passing cabs. I could find no trace of Victoria O'Fallon.

       *       *       *       *       *

YEARS passed.

I WAS travelling one dull English day from London to Glasgow. In the
railway carriage toward night I fell into desultory talk with a sad
uneasy looking man who shared the compartment with me. At some turn in
the conversation he told me his name was O'Fallon.

THE worn copy of Browning seemed almost to take form in my hand--and
Victoria--her dream, her hair, her enchanting laugh.

FOR moments I was too dazed to speak. Then I managed to ask if by any
chance he was related to a girl Victoria O'Fallon. He stared at me in
silence, while a look of hatred and despair distorted his face.

FINALLY in a choked voice he breathed rather than spoke--

I AM just out of prison because of Victoria O'Fallon--she was my niece.
I sent her to Paris. She was on the stage, just one night--I struck
her--she fell on a chair--her back. She's dead now.

HE gazed vaguely out into the gathering darkness.

THEN he seemed to remember me.

THERE was a French Count he began, but his voice sank into silence.

I SAT as if I had been turned to stone.



A NEAPOLITAN STREET SONG


ALONE--

A CITY full of lights, of pleasure. The sea singing to itself as it
rolled quietly into the harbor. A glow of light on distant Vesuvius. Gay
throngs of people passing to and fro in the summer evening. Alone. For
the first time in her life.

A HEAVY heart--there was no joy.

THEY had come to Naples on their wedding journey. Her brief happiness
had been taken--torn from her.

ASHES.
He--cold--rigid--lay in the adjoining room.

TWO candles burned. A nun prayed. Monica leaned out of the window.

THROUGH her tears she saw a star shining in the night.

A STAR of sorrow.

THE sea--they had gone together on its blue waves to Capri--to
Sorrento--

WAS it some terrible nightmare--would she awaken and find him near.

FROM a distant street came the sound of music--gay--lively--a Neapolitan
street song.

HOW could there be joy. The sound was agony. An organ might have
soothed.

HAD there ever been a time when gay music delighted.

O SOLE MIO sang the clear voices of the street singers. They drew
nearer--and stopped under the window.

MONICA'S wounded inward self cried out for silence

THE world was drear. There should be no joyful singing.

SHE looked down absently. A young girl stood a little apart from the
singers. Monica noticed her--and their tearful eyes met.

THEN singers also could know sorrow.

SUDDENLY--her own seemed lightened.

MONICA'S soul surged forward. She wanted to comfort, to help this
brown-eyed girl. Perhaps her grief was harder to bear.

ONE of the men stepped toward the girl and pushed her rudely.

SING he commanded.

O PADRE MIO--she broke into sobs. The singers moved on to another
street.

MONICA had read into another soul.

DEEP calling unto deep.



IN ALGIERS


MOONLIGHT--the still waters of the ocean--

THE deck of a ship--

ROMANCE and beauty--

THE great liner sailed near the northern coast of Africa. On the deck
they had become engaged--the moonlight shone on them.

       *       *       *       *       *

DUSK and bitter cold. A young woman paced up and down in the snow,
waiting the coming of a train.

IT was a small town in the Interior of Russia--of the Russia torn by
wars and rebellions at home. A sorrow-stricken land.

THE mystery, the romance of the night--the distant shores of
Africa--seemed still upon her. She could almost feel the murmur of the
water as it splashed against the boat.

AND the next day--Algiers--the quaint streets--the mosques--flowers--and
white robed Arabs.

VERY quietly they had been married in the Cathedral which bears the name
of a whole continent.

NOTRE DAME D'AFRIQUE.

THE sun had smiled as it shone on the city by the sea.

IT grew colder.

A TRAIN came into sight on the vast field of snow.

ON that train the man she loved and had married was coming to her.

THAT enchanted period in Algiers--He was returning--perhaps a wreck of
his once splendid self--a cripple

WAR

IT had shattered homes--brought skeletons--where once children laughed.

BROUGHT famine--once birds had eaten crumbs.

WAR--

HORROR--dismay

SHE waited

       *       *       *       *       *

HIS eyes were aghast--eyes that had seen death--murder--horror--side by
side--

THERE was no more laughter. He took Anna into his arms. Then the report
was not true. He had not given his right arm.

ANNA, he whispered, My brave Anna

       *       *       *       *       *

I HAVE been thinking of Algiers, she murmured. We planned to have
sunshine--and roses--even among the snows of our country. But we faced
blood--blood on the snows of our forests--

       *       *       *       *       *

IVAN, it is bitter cold. Do not go out--into the night--

TO Africa. The moon will be making golden streaks upon the water. A rose
will be blooming in our garden--his eyes were vacant.

THEN it was not his arm he had given for Russia--it was--

A CRY pierced the cold air.

THE weight of a dead body resounded.

I WONDER what that was, Ivan mused--

WHICH is the shortest way to the Cathedral----

THESE Arab streets are so steep--



CANDLES


BEFORE a statue of Joan of Arc, in a little country church, a child
knelt in prayer.

OH protect my papa--the little one prayed.

SHE lighted a candle--offered it to the Maid of France.

       *       *       *       *       *

A YOUNG girl prayed at the feet of the Saint. She burned a candle.

FOR ANDRÉ--for his safety.

THE invaders entered the village,--heeding neither church nor ground of
the dead.

THEY ripped open shallow graves to show the living they had power--even
over those who had gone. They killed the priest. And the nuns, even,
from the school.

THEY damaged.

DESTROYED--

THE church caught fire. The candles, burning before the Saint of
Domremy, blazed into one huge flame. It shot up to the roof. And seemed
to cry--

O JOAN OF ARC--come back--France needs you.

       *       *       *       *       *

THE child--

AN Angel of Heaven

THE young girl who had prayed for André--two officers had taken her.

SHE struggled--

A SWORD--

THE flames of the burning village had revealed it.

MONSIEUR L'ABBÉ had said suicide was sin--but surely God would forgive--

SHE pierced the sword into her white flesh--blood flowed to the ground.

LITTLE FOOL muttered the maddened officer.

HE went back to the village--for more destroying.

A STONE from a burning house--

HE died with an oath.

BUT André, weeks before, had died with prayer upon his lips--a thought
for his sweet betrothed.



IGOR


ONWARD

TO kill

PILLAGE

ONLY a few days before the lighted candles of a chapel. A young monk in
prayer. Quietude in his soul. The brown habit--the crucifix lay
forgotten.

THE maddening din of battle. Its fury burned his soul.

HE had been left an orphaned child. At the monastery.

HIS name was Igor. Some whispered he was the son of a great nobleman.

NONE knew for sure.

AT first his clean soul rebelled at the thought of war, his dark eyes
flashed.

THOU shalt not kill called from afar--but the cannons deafened him

       *       *       *       *       *

THEY entered the courtyard--into the castle hall.

HAD its dwellers fled along the muddy roads and fields of Belgium

NO

SOME women still--

A YOUNG one, watching for escape

ANOTHER with graying hair and soft eyes. She had stayed. Her sins
perhaps would be forgiven on the Altar of Sacrifice. Burning anguish.

SHE had sinned against God.--Against her husband. Long ago.

REMORSE still clung in her heart.

IGOR drew back--but was pushed on by others, rude, boisterous, toward
the wine cellars.

THOU shalt not kill faintly--but a breaking bottle dimmed the sound.

THE wine heated, wakened dormant senses.

MORE wine

WITH shouts and cries the tottering men came from the cellar--Laughed at
the woman with graying hair

SHE was shielding a girl whose eyes resembled Igor's. The girl who had
watched to escape.

AND could not

THE uniform, the sabre--

GONE was the memory of a brown habit.

HE came nearer. Was it a woman--

HE clasped her. Her soft hair brushed his face.

OTHER soldiers came--dragged her from him. Fought over her like powerful
beasts, heeding not the mother--

IGOR--protect her

IN a drunken rage he caught the girl to the open window--

I'LL kill her he screamed. You--who seem to know my name.

THE crime was spared him.

HER lifeless body slipped from his arms.

IGOR, gasped the mother, You have killed--

I'LL kill you!--the wine had infuriated--he lifted his sabre--

STOP--you are my son

DAZED--he heard the words but understood not.

       *       *       *       *       *

A NIGHT of drunkenness, of horror, had passed in the Belgian chateau.

THE captors had damaged--broken--destroyed.

THE sun was setting on a second day--when Igor awoke.

THE first time in his life he awakened from drink. He reached out
expecting to find the rough wall of the monastery

HE felt a dead body--the sharp edge of a sabre--

WHERE--

ORDERS had come

THE army

HAD there been battles--

--AND slowly memory returned--

STOP--you are my son.

WHO had said it--was it long ago--No. Only after the wine cellar--

HE sat up--on the floor--where drunkenness had overcome him.

THE horrible memory of his crime swept over him.

HIS mother--

HE seized the body and gazed at the staring eyes. Then this was the
remorse the older monks had told him--had been his father's--

AND he--her son--had plunged his sabre into her heart

HIS own was bursting.

AND this girl. He had not killed her--she had died--

WAS she--his sister--only of a different father--

       *       *       *       *       *

WE are through--burn

A HARD line played on the lips of the commander

       *       *       *       *       *

THE flames leapt from room to room--

IGOR--

THE smoke--it was overcoming him--

HIS mother--

HE had forgotten how to pray

AN unutterable abyss.

THE horror of war

THE fire blazed upward--smoke filled the room--

THERE'S the bell--he staggered to his feet--It is ringing

TELL Brother John to light the candles--he walked into the flames--

I am coming.



TWO HAD LIVED [_To M. D. R._]


I

PASSIONATELY musical--Janet Knott had been sent abroad to study.

HOMESICK and weary she wandered about in a strange city, knowing not
even the language.

THE gray sky--the grayer buildings. Was there not in this city a kindly
soul--one she could talk to--confide in--

IN a narrow street--suddenly the rich deep tones of an organ reached her
soul--

BUILT in among great buildings a small Church. There at least she could
find comfort--and the organ.

WAS it a Requiem--minor chords--the keys seemed to sob under the
pressure of withered hands.

JANET sobbed too. She was homesick. Lonely--

THE music stopped and the old organist came down and spoke with her. He
asked why she was crying.

YOUR music is so sad, she whispered--

AH, my child, that is life--I am told to compose a Requiem--

WHAT youth, filled with the joy of living, could play these minor
chords.

I TOO was young once--A student at the University. I loved life then--

I DANCED--composed only waltzes--sang love songs. But now--sorrow has
played on the chords of my heart--to teach me these deeper tones--to
teach me music for the Passion--for the Crucifixion.

YOU must learn, my child, that through sorrow men accomplish great
things.

WHEN they weep they send out tones into the world that men remember and
cherish.

BEETHOVEN lived and suffered--and has left to the world things of
immortal greatness.

BUT now--go--else I shall sadden you beyond your years----

SLOWLY Janet walked through the darkening streets. The words of the
organist filled her mind. She felt prophetically her heart must pass
through fire.

WOULD she be strong enough--or would weakness--desire for joy--conquer
and kill the power within.


II

THE homesick girl of seventeen has given place to a worldly wise young
woman of twenty-five.

NO more longing for the land across the seas. The power within still
sleeps--Paris. With its pleasure haunts, its lights, its theatres--

JANET KNOTT--the center of an admiring coterie--she plays light
music--waltzes. The joy of being alive--the whirl of a great
city--subdued laughter of groups of men and women walking in the
moonlight--the flowering chestnut trees--the roses--

RACES of Longchamps--gay colors--a world of excitement.

LIFE--

ITS waves swept over her.

SHE had chosen between this and art--fulfillment of the Soul.

SOMETIMES shadows of her power rose--beckoned.

SHE consoled these moments with coquetry. A success--flowers

       *       *       *       *       *

THE war broke out. Excitement still filled her. It would soon be over.

SOMETHING new--

THEN--one by one all the men she had known, flirted, danced with, left
for the front. To die. That the enemy should not pass.

PARIS in danger. Death and sorrow near.

THE best in Janet Knott gradually awakened. A desire to help grew until
she could contain it no longer.

ONE Sunday evening she went to Notre-Dame for Benediction--Kneeling in
the shadows of the pillars she heard the organ--sad agonizing chords

SORROW has played on the chords of my heart to teach me these deeper
tones--

THE memory of the little church, of the old organist--of herself, the
former Janet, the homesick child.

HER gift--was it dead or only sleeping? Could she awaken it--Spin a new
life on the webs of war--

THE shadow of the Janet of seventeen wept over the wasted years.


III

THERE seemed to be no end. The war-filled years crept slowly onward,
each day bringing more sorrow--more death.

JANET was torn in two.

THE human pleasure-loving side lay bleeding--dying inch by inch.

THE other, with tones of deepest beauty, rose above it, sighing that it
must take such tragedy to break down its prison bars--that it might
live.

IT rose--comforting Janet in many a weary hour--comforting the wounded,
the dying. In a village church which had been turned into a base
hospital she often played--and as they listened some pain was eased,
some picture rose of happy fields, of homes. Would they see them again--

IN this tragedy of nations she had found herself. Found the purpose of
her life. Her art had come into its own--had comforted.

DEATH from a shell might take her--as it took thousands each day--but
she was fulfilling the mission of her soul.


IV

ONE night the Church Hospital lay sleeping. Very softly Janet crept to
the organ loft--softer still she played to the moonlight.

HE was rapidly improving. His wounds had not been serious.
Something--very soft, faint--woke him. For a minute he could not recall
his surroundings--and he rose up--but a sharp pain in his shoulder
brought back the memory of the trenches, of the horror--

I MUST be dying--I hear faint music----

THE moon shone on something white--

AN angel--

FULLY awakening to his surroundings Hugh Brandon realized that it was
not death--not an angel--

HE would go and find out for himself--

JANET barely touched the keys. Softer and softer grew the tones. He came
nearer--fascinated as if by a magic presence.

THEIR eyes met--in the moonlight. They knew that no matter what
happened to the rest of the world--no matter what happened to their own
bodies--their souls were met for all Eternity.

IT was a flash from the unconscious--one of those strange illuminations
which occur perhaps once in a hundred lifetimes.

PLAY on, he whispered. Play for me--for England--whose son I am

       *       *       *       *       *

AT noon when they had eaten--Hugh and Janet slipped away. She played for
him. The tones were richer than before. Into the sadness had been poured
the burning heat of pure love.


V

THEY had both known what they had thought was love,--among flowers,
dances, the lovely but artificial things of life--

BUT here--among the dying--blood, privation, life divested of its
mantles and laid bare--the true love sprang up between these two.
Something more than love. A perfect understanding of each--like the
treble and the base of a symphony--

IN the still hours of twilight Hugh and Janet would sit in the organ
loft together, speaking the enchanted language only lovers know--made
dearer by the phantom of separation ever near them.

DEAREST, when the Regiment has called me back, play each day at
twilight--the Miserere. If--in the trenches--I shall know your soul is
calling to mine--if, beyond, my soul will drink from the depths of
yours----

SNOW was falling.

GOODBYE, dear, he whispered--

NOW even the organ could not calm. She had tasted the sweet of life--and
it had been torn away. For what--

SUDDENLY hate possessed her--hate for this man who would rule the
world--causing whole nations to rise up against him to defend their
soil--hatred for the power that had brought despair into unknown lives--

BROUGHT murder into peaceful souls.

THE days followed each other in bleak sameness.

SHE moved among the wounded--a shadow self--

BUT at twilight each day, Janet lived. She played the Miserere--with her
soul. Then again--the moving dazed form would return to help the men
lying on mattresses where once peasants had knelt in prayer--


VI

HER music became divine. The Miserere sobbed out into the cold night
air--cleansing her soul of hatred--even Peace--a joy--

THE air was rent by whistling shells--the organ throbbed under her
touch--

HUGH--forever--

       *       *       *       *       *

THERE was left only a mass of charred stones--a blackened wall--

A CRUCIFIX still erect.

THE church had been unregarded by the enemy.

THEY had passed--leaving desolation--

DEATH had found Janet at the organ--a free soul--

       *       *       *       *       *

SEVERAL months later in the casualty list of a London newspaper appeared
the name of Hugh Brandon.



THE FIFTH SYMPHONY [_To R. S. L._]

"_------It is clear that the transmutation which the subject of the
Allegro undergoes just before the close of the symphony is of the same
psychological order as that of the Fate motive--a change from clouds to
sunshine, from defeat to triumph._"

_From Ernest Newman's criticism of Tschaikowsky._


  To all outward appearances there was nothing unusual about the
rehearsal. The musicians had assembled--and very softly the andante of
Tschaikowsky's Fifth Symphony in E minor had begun--a dream-like
wave--which little by little swelled--and dropped again--now as a
hymn--a plea for unknown happiness.

  Dasha Ivanovna Tortsov played. Since the first time she had heard
this Slavic Symphony, one snowy night in Moscow, she had loved it. Queer
yet beautiful ideas were brought by it into her mind--_The String
Movement_--plentiful crops--full hearts of joy--But how could her heart
be joyful? What right ever had she to be playing Russian music? She had
deserted--left--talked against Russia, exaggerated the oppressions, the
sufferings, had ridiculed all that others held sacred--_Dolce_--the
running waters of Russia in the summer, a clear sky--then the coming of
fall with the brown leaves--a gradual decline into winter.--A
storm--oh--how she had loved storms--in bygone days--then. And again
still weather--the dance of gypsies at a fair--very low--a sound--a
murmur--

  She scarcely heard the orchestra leader's shrill whistle, his
calls of Back to letter B--or letter F--or Strings softer there

IT was Russia--wistful--half-fulfilled thoughts.

LONGING she had never known before took possession of her soul.

GLOOM--and yet the very depth of a Russian's heart, pouring itself out
in the mystic symphony.

THEN--a lighter mood--again the green woods and water--oh for the happy
song of the boatman on the Volga.

HIGHER and higher rose the trepidation. She was tense--what was it--what
was breaking loose within her--Higher and higher rose the waves of the
music--

SILENCE--again the strings--balm--the call of the woods--the odor of
pines.

THUNDER--rolling thunder--
--and peace--

BLUEBELLS on the grass.

  To onlookers she was but a young musician--a little pale--with
strange Slavic eyes--and no human being could perceive the emotions--the
mental suffering--as if the cords of her heart were being tightened
until they must break--her former self must die that she could
reawaken--A conquered self.

       *       *       *       *       *

  The last movement was beginning. Dasha Ivanovna was hardly
conscious that she played. The music swept around her--military--a
call--to what? It was of marching--a faint--far away--Somewhere--out of
childhood days rose the memory of her tiny hands applauding Russian
soldiers as they passed--But now like a deserter she had turned away
from the once loved country.

TROIKI--on glistening snow--

AND then what she always termed the Triumphant part of the
symphony--where each time she played it, she knew not why--but Aïda--the
triumphant entry of the King

RHADAMES--
and Cossacks riding madly--furiously

SPLENDOR--

DASHA--no it was not the leader's whistle--it was an inward voice--no
one else could hear its piercing, agonizing sound--only the depth of her
very being knew--a call--Russia--the land of her fathers that she had
deserted.

COSSACKS riding in the Steppes--

SHE dropped her bow and moved trance-like from the hall--

  RUSSIA----


II

  Dasha Ivanovna was once more in the land of her forefathers.
Already she had walked in familiar streets, had seen familiar buildings.
Alone--something within her did not need the outside world. Not lonely
therefor. And a strange kindling happiness in her soul--a sense of
triumph over her former Nihilistic self.

SHE saw no friends--the ones of former days--Nihilists. They were
perhaps hiding in foreign lands--or were in the darker seclusion of some
Siberian Prison. But there rose no longing for these friends, no wish at
all for them.

NO longer was she Dasha Ivanovna Tortsov the Nihilist--the free
thinker--

PEACE had come to her--she wanted Peace for others--

NO longer a desire to see those in power killed--only the dark forests
and running waters, the wild flowers in the woods.

JOY filled her--Forgotten lay the haunting fear of other days--the gloom
cast by Prison walls--which had seemed ever to draw in upon her.

TO live--to let live--to send up Hymns of joy.

       *       *       *       *       *

  It was on the steps of Saint Isaac's Cathedral.

DARED she advance--dared she go in to the splendor of the Altars--to
pray--

AND ever the Fifth Symphony like a guiding spirit seemed to whisper at
her ear--

TRIUMPHANT over Defeat

LIGHT out of gloom--

DASHA filled her days with joy. The joy of being alive, of being freed
from herself--

SHE saw the sky and heard the laughter of children in the street--

SOMEHOW--in New York--when she had belonged to the orchestra she had
never noticed the sky. A few months more and the snow would come--

A WINTER in Russia--

THE early summer months passed quickly--until that first terrible day of
August, 1914, when all the horrors of the world were set loose and the
monsters from the under-world of men's minds were stalking unashamed.

IF Dasha had put aside her Nihilistic feelings--she laid them still
farther from her now.

A PURPOSE to serve her Russia lifted itself high and strong before her
soul.

SHE smiled as she thought of death.


III

SNOW and cold--suffering--starvation--in the forests the birds were
dead--

LITTLE children were dead--

THE stream of fugitives increased as the days
passed--Starvation--death--

TRIUMPHANT over Defeat still rang in Dasha's ears--Some day it would
come--

TRIUMPH--

SHE clothed a child here--

COMFORTED a mother there--

AND still they came--over the snow and corpses--through the
woods--fugitives everywhere--

DASHA worked--worked with all her heart--fed--clothed--

OUT into the snows, into the storms to look for the wanderers and bring
them to a shelter--

       *       *       *       *       *

  Have mercy on my soul--she whispered--Forgive--

THE Andante far away--calling--Dasha--a reward--

DASHA IVANOVNA died on a bed of snow--On her dead face was a triumphant
sweet look.

THE fugitives wept and prayed as they buried her in the woods.

WHEN summer came bluebells grew over her grave.



THE MAD ARTIST


FAINTLY--

SPEAK, speak--Angel or demon, or both, speak to me before I throw you
into the sea.

THE storm raged in all its fury around the house, and the rain beat
down--

SPEAK, or I'll break you into a thousand pieces.

BUT the only answer was the smile of the Angel with the uplifted eyes
and the outspread wings as if she was about to ascend to Heaven. The
marble Angel that was to have been his masterpiece! His last gift to man
was now his hated treasure.

NIGHT came on and with it the fury of the storm increased--and still the
mad artist now implored, now threatened. The Angel smiled and looked
Heavenward.

WHEN I chose a model for my masterpiece, he murmured, she was beautiful,
but had not the face of that Angel. How came I to copy the image in my
heart and not the living one that for months was each day here in my
studio.

THE storm raged without, and within the artist groped for light, clung
to the shreds of memory. His madness was increasing, his head seemed
miles away. What had he been thinking of just then, had he seen a woman
rise from a tomb--no, it was the Angel.

HE must get to work and finish it. But it was finished. Vaguely he
remembered dismissing his model.

SPEAK--with a faint cry of anguish he rushed to the statue. Speak, image
of my lost Louise! But no, you are cold marble, you have no life, no
warmth--

STILL, it must be the girl I loved. It is her mouth, her eyes.

THE wind moaned around the house, seeming to call the name of Louise.
The mad artist wept, and groped for light, for memory. Vaguely he could
see, 'way back in some half-forgotten period, a nurse leaning over his
cot. The noise of battle still rang in his ears--but that was all past,
in his other life--now there were phantoms and the image in his heart of
the lost Louise. Why had he chosen that name. That name made him think
of running water. Where was reverie--Oh yes, it was the statue--well it
must die. Never should men see his masterpiece that had cost him all the
joy of life. For he had likened the features of the Angel after Louise.

SPEAK, demon, he implored. Take on a woman's voice.

       *       *       *       *       *

THE storm had ceased and the sun shone brightly on the wet grass and the
flowers of a day in June. One ray peeped in at the window of the studio
and saw the Angel broken by hammer and chisel on the floor. Its smiling
face seemed to forgive all the madness of the night.

FROM what strange nightmare was he awakening? At the sight of his loved
and hated Angel broken at his feet, his senses were slowly
returning--But with what pain they came--as if his head must break.

HE could not think yet--he would later on. He had been mad--he
remembered the doctor saying so--In France--shell shock.

       *       *       *       *       *

IT had come over him as he stood by the gate of the Chateau. Then a
hospital. Afterward all had been darkness, a horrible groping amid a
thousand broken memories, phantoms which had shrouded him. But now it
was over. He was sane--life, life! Oh what joy to live again, as one
risen from the tomb--he would travel out into the world--far from his
studio.

THE attendant entered bringing lunch to the mad artist and found him
dead, his lips pressed to the marble ones of his Angel, the image of
Louise.

SHE was only one of his many phantoms.



OLD SCORES


A NIGHT of untold beauty.

COBWEBS on the heavens.

A GRAY winter sky, brightened by the moon shining through it.

BARE branches of hundreds of trees interlacing their silvery boughs.

AND a cottage with thatched roof and square leaded panes--a setting for
romance, for dreams of visionary splendor.

IS the master at home, asked a strange woman of the old man servant.

HE has not yet returned.

THEN I will wait for him.

AND despite the protests of the servant, Donna Maria entered the room.
It was a story and a half in height.

THERE was a huge fireplace, and everywhere, without arrangement, in the
happy disorder of a studio, were canvases and palettes.

ANOTHER setting for romance.

BUT romance--at least for tonight--has not found its way to the studio
in the woods.

       *       *       *       *       *

THERE was perhaps some intuition, some forewarning of disaster in the
mind of Robert Hale. He walked abstractedly, untouched by the beauty of
the night.

HE was deep in the inner experience of the conception of a new picture.

HE entered his house.

THERE is a woman, sir.

A WOMAN----but I want to be alone.

THE old servant slept--roused for a moment by the closing of a door.

SHE'S gone, he muttered--and slept again.

       *       *       *       *       *

THROUGH the splendor of the night they went--through its mystery, its
beauty.

SHE, tense, frightened lest her power should fail on the verge of
success--

HE in a kind of trance, with wavering mind--strange thoughts--nothing
clear--a haze

THEY stopped under a great oak.

DO you remember your Egyptian Dancer asked Donna Maria for the hundredth
time.

EGYPTIAN Dancer, he answered tonelessly. No, I tell you I killed him.

WITH a sense of victory she led him on through the night.

HER mind incessantly repeated to the overpowered mind of the artist

YOU killed him------You killed him.

THE alienist gave his testimony. The prisoner was mad. Clearly.

TO every question he responded--I killed him.

AND endlessly the court room resounded with dull, monotonous voices

SOME pleading for--some against the artist.

DONNA MARIA was satisfied.

SHE would go away and Robert--well, no matter--

SHE hated him.

HE had scorned her advances--her coquettish smiles, years ago in Rome
when he was a student.

SHE had been unable to forget. Her pride was like an open wound.

HALE was acquitted.

BUT his mind was gone. A harmless type of insanity expressing itself in
vague reiterations of a fixed idea.

DAY after day he walked in the open--Once on and on, down a slope. He
slipped. And made a violent clutch to save himself. The cold waters of
the river closed over him. Shock and sudden pain--the penetrating pain
that comes with returning consciousness--

HE began to struggle, got his stroke and swam.

       *       *       *       *       *

DID you kill the Banker Brunton, the physician inquired gently.

THE Banker Brunton--Hale asked curiously--I never heard of him.

A TRAIN of thought seemed starting.

BUT I remember a woman--she dropped her muff--I stooped to pick it up

SHE must have struck me--

OR was it her eyes!

ONCE, long ago--in Rome--she tried to influence me that way.

I DESPISE her.

WHEN she came back I was tired. I gave in. Let's not talk about it.

THE physician looked at Hale with the look of a kind big brother.

THEN he went to the telephone.



THE LAST


THIS is the last day for me. Tomorrow at this time many hours will have
passed since the iron door of my cell was unlocked and I was taken along
the corridors of the prison and across the yard to the place of
execution. Already I shall know for myself what lies on the other side,
I shall have ceased forever, I hope, to count the bars of my iron door,
my sole occupation and the one thing which keeps me from thinking too
much of the past, so bitter.

WHY did they come today. Did they think they would ease my pain, did
they think it was charity to play for us, here in the prison.

AT first their music only irritated me and kept me from counting
properly the iron bars. Then it enraged me, that woman with the soprano
voice--

BUT I counted my iron bars--

SUDDENLY the pain, worse than any I had ever known,--remorse, sorrow,
longing,--crowded into my soul. I felt as if I should die.

A MAN at the piano was playing the melody my mother most often played.
My agony was beyond bearing. Repentance again swept over me, and eased
me. It had been many years since I had heard that old-fashioned tune. At
the first chord on the piano a flood of memories rushed back to me.

I WAS once more a boy, in the library at home--lighted lamps and the
curtains drawn--a fire blazed and crackled

MY younger brothers sat on the floor near it, amusing themselves by
fancying they saw monsters and castles in the depths of the flames.

MY father was there

MY sisters and my mother too.

OH, _misericorde_!

WHAT pain at the sight of her--

SHE is there now--
before me at the piano, and I hear that melody.

AND who is that boy sitting there,
--the hope and pride of his family. He is reading some book of Roman
exploits and deeds of bravery--

HIS boyish soul is clean.

I AM sorrowful unto madness.

I MAY not live to see the hour of dawn,

THE hour of execution.

THIS grief will kill me
--that melody!

LONG since the musicians have returned to their homes,

I STILL hear it, note for note.

MOTHER to welcome me--

PEACE in my soul.

FORGIVE, Great Master, forgive Thy wandering sheep! I have strayed, my
Lord, far--

I REPENT--I come--



ASHES


IT was a large house on the outskirts of the town.

IN the living room a fire blazed. Soft shaded lights--a contrast to the
blizzard raging outside.

A SMALL gathering of people for informal afternoon tea.

LYDIA STUART had come in rather late. She sat comfortably on a huge
divan near the fire.

A PICTURESQUE magnetic figure, dressed in purple, with beautiful warm
furs.

RATHER dreamily she gazed at the fire. And mused to herself on the
strangeness of life--

ASHES--

SOMETHING within her long ago had died. And the new Lydia had risen,
stronger, better, for the horrible struggles against herself--

AGAINST him.

HER art had been created by the ashes of a dead love.

SHE had conquered.

ON the other side of the fireplace was standing the man she had once
loved.

THE man who had once possessed her every waking hour.

SHE had fought. An inward battle--a brave struggle--

IN another town she had begged him not to see her--not to write.

       *       *       *       *       *

THEN later they had met unexpectedly at a ball--

THERE was music--many flowers--brightness--laughter--

HIS arms had held her close as they danced--

A FLOOD of memories rushed across her mind.

FOR a moment she had stood with laughing lips--

IT had been a moment of triumph.

THEN, out of nothing--with no tie to the absorbing passing moment, the
image of her mother rose in her thought.

THE triumph gave way to a new compelling mood. She was choosing between
two loves--

WITH cold, calculating eyes he had watched her as she moved across the
floor--

A GRACEFUL figure in pink.

       *       *       *       *       *

NO one saw her as she slipped home--sad--the depths of her soul in
burning conflict. The flowers she held fell unnoticed.

THE greatest struggle of her life.

DAWN found her still fighting against the overpowering yearning.

FOR months she struggled.

HER art increased.

A DYING part of Lydia gave power to a new-born personality--strong
deep-seeing character grew up from the ashes of her former light self.

       *       *       *       *       *

THIS afternoon, sitting on the great divan, she reflected and
understood.

PERHAPS she had overcome months before.

TILL now she had not known.

AT last--only ashes--where once had been love--

HE stood there--looking at her.

SHE saw him only as a stranger--

SHE did not know him--save his name--

THE new Lydia--the artist--could find nothing in common, no union of
thought.

WHAT strange lost element in her had once loved this man--

LYDIA--risen from the ashes--walked out into the snow and cold. She felt
her release to a new freedom. She could meet him again--without harm--

ANYWHERE--

AT any time--

HE was a stranger.



NANCY TURNER


NANCY TURNER, Teacher of Dancing.

THIS inscription engraved on a brass plate had become as familiar to me
as the grim row of terraces and the solemn-looking door to which it was
nailed. How many times had I not passed it, as I walked from my house to
my place of business. Passed it on snowy mornings and gray misty
evenings, or in the summer time when birds chirruped and sang and the
sun smiled down upon the earth. I had read it over and over again, as I
was wont to do the names of the streets and squares, especially on my
homeward walk. L---- Street--a turn to the right, the inscription on the
door, B---- square--and I was already half-way home to my cheerful
fireside, to my books and my violin; where Shakespeare, Milton and
Beethoven would be ready at my whispered call to help me while away the
hours of the evening.

BUT once as I passed this certain row of terraces, something, hitherto
unknown, seemed to take possession of me. I began to see the sign in a
new light and wondered why I had taken it for granted all these
years,--and never once thought that indeed Nancy Turner must be a real
person. It was true that I had never seen anyone enter the house, but
then I passed it at hours when people would not be likely to be taking
dancing lessons. I began to wonder at my being so absent-minded that I
could for years read these five words and never have them leave more
than a slight impression.

AND suddenly I found myself wondering what sort of person this dancing
teacher was. Surely young and talented, perhaps even beautiful. I mused
about her half the way home. I even wove some strange and fanciful day
dreams about her--when to my sorrow I remembered I was no longer young!

AND therefore Nancy Turner was also middle-aged. For had not the
inscription bearing her name been on that door ever since I was a young
boy--perhaps long before my time.

FOR days I thought about her and failed in explanations to myself, of my
sudden strange fascination for an unknown name.

THE days flew by, and my curiosity to meet and talk with her only
increased.

SO one cold and gloomy evening I took courage and knocked at her door.

TO my surprise the gruff voice of a man bade me enter. I found myself in
a small room, blue with smoke and poorly furnished. An old man was
cooking supper, as he hummed some weird old gypsy tune. He seemed
scarcely to notice me and displayed neither surprise nor dissatisfaction
at my sudden appearance. I murmured some excuse about being in the wrong
house, that I was looking for Nancy Turner in order to learn about some
of the newest dance steps.

       *       *       *       *       *

AND now you know the story of my life, of hers, and of your own, he said
with a sigh. Strange that I should have asked your name. And stranger
still that you came here as if led by the hand of Fate. But now that we
have discovered that we are half brothers I hope you will come often to
chat with me, here in this house where we were both born. I will tell
you more about our beautiful mother, of her fame when she danced at the
opera, of the days long ago when she and my father and I lived here so
happily, of the tragedy--but no--let us forget the past. She
forgave--therefore our friendship must be without shadow from the
start.



THE PAWN-SHOP KEEPER


  I am an old man and life has long since lost the glamor it once
held for me. The thrills of youth are no more, novelty is a forgotten
word, and things that once would have made my heart leap now leave me
cold. Old age indeed is in itself a punishment for the follies of youth
and sad is it to await alone the coming of death without some loved face
near. For one by one the friends of bygone days have dropped by the
roadside and I have been left alone to follow my weary way. Happy they
who die while still young and do not know the solitude of a lonely old
man.

  Day after day, as I sit behind my counter, or warm my old hands
by the cheerful blaze of the fire, do customers come to me to buy
something or perhaps to sell some loved relic in order that they may
live.

ALL of them faces strange and new. They look at me as if to say Why this
one dried leaf of another year left on this tree? Aye, and why am I
left--Why among these young, green leaves am I the only withered one?
Why were no companions left to cheer me?

  But these are questions I can not answer, for I know not the ways
of God.

  As I sit here musing over the past, faces I have known come back
to me and I love to wonder what fate held in store for them, as
advancing, the filmy mists of their futures were slowly lifted until the
last veil was drawn back and the story of their lives was told.

  The snow is falling and covering in white the grim rows of houses
opposite my little shop, the streets are deserted save by a few hurrying
pedestrians and some merry school children going down to the frozen
river for an hour's skating before dusk--

AND I am here before the fire, dreaming and waiting, for yesterday
brought me an experience very different from my usual monotonous life.

  Was it all some phantom? It must be.

  The Miriam that I have longed for all these years was not here
yesterday, did not sit in this very chair. It must have been a vision,
the mere fancy of an old man's mind. For how many times in sleep has not
the same dream come to me as a whispered message from another world,
from her grave even--and on awakening I always seemed to know that her
journey through life was at an end.

  But no, it was not a phantom, for here is the necklace. Then it
was not a dream. Fate has really sent her to me so we can cheer each
other in these, the last hours of our earthly lives.

  But will she come back today as she promised? Or will she depart
again, this time for good, so that I shall see her no more until I have
crossed the River of Death.

  O Miriam, come to me, I need you more now than ever before. Come,
I am waiting with outstretched arms.

  Yes, she is coming. I see the yet distant form of the one I love.
She is approaching, coming ever nearer. Miriam, what happiness we shall
yet have together, in the dusk of our lives, what pleasant hours here by
the fire--

       *       *       *       *       *

  Death, kindly death, come now to me. She passed by my shop and
turned the corner and went toward the station. Her heart then is still
cold as stone.

  It was the money I paid her for the necklace that bought her
ticket to another town----



SOMETHING PROVINCIAL


THE little house in Pemborough Square had been vacant for many years.

NO lights through the closed shutters--

NO smoke from the chimneys--

EVENING--

AN old woman was sitting on the doorstep muttering to herself in some
strange tongue--

HER vague eyes saw neither the square nor its straight rows of trees--

ONLY something far away--a memory perhaps

SOME tragedy lay hidden in her heart.

MANY years ago this small house had been occupied by a family with
several children--children that played games in the great garden behind.

A YOUNG woman had been much with the little troop of children.

THEY had all loved her who played with them as if a child herself and in
happy hours had sung French songs to them.

SHE had gone away, they had heard to the Island of Madeira.
--and the children soon forgot their sweet friend.

ON the steps of this now abandoned house sat the muttering old woman.

THE sound of quick steps aroused her--she peered through the gathering
gloom--

A YOUNG man was coming nearer

THE woman rose slowly to her feet and waited rigidly

IT is you--you! she whispered hoarsely--

HER words went like shots at the slight figure, now perceptible

HE stopped abruptly and shuddered like one accused of crime.

I DO not know you, he managed to say. He had a flat thin voice.

YOU once lived in this house, the woman said menacingly.

HE shuddered again and stepped back

THE young man began to wonder. Could she be the sweet French woman that
the village children had loved--
that he, the eldest of the little group had in his boyish awakening been
romantic over--

THE gypsy sensed his admission of her charge.

SHE went on--Do you know who you are?

DO you know where you got your black hair?

HE lifted his hand unsteadily in the direction of his head.

THE old creature nodded and fixed him with her fierce eyes.

I AM not your mother

NEITHER was the woman you called by that name.

THE young man gasped.

HIS body grew tense.

HE remembered his adored mother whose grave he visited every Sunday
morning.

HE made an effort to think that this was only a gypsy--an impostor--

THE woman was speaking--

NEITHER your father nor mother ever knew that you were not their child.

THEIR little boy is dead

YOU filled his place.

HER voice sank almost to a breath.

I PLACED you in his cradle.

AN intolerable silence.

I LOVED your father

YOU never knew that he was a Portuguese nobleman.

DID you ever hear of Madeira, she asked sharply

IT was there that one by one all the passions of love--hatred--revenge
had torn my heart. He married and came to England--I followed--repulsed,
ignored.

MY only weapon against him--was to contrive--the death--of his little
son.

BUT to kill a child--

SHE caught a shuddering breath.

I COULD not--

I HID it securely.

ONCE again I visited Madeira. On the steps of the Church I stabbed my
enemy among the flowers in that land of beauty--a crime to darken its
perfection.

SO you belong to me--

YOU owe me much--

ALL that you can pay.

THE little sum of money he had in the Postal Savings rose into his
mind--and gave him amazing steadiness

HIS voice sounded loud and full in his own ears

YOU lie! he shouted suddenly.

YOU lie! you fiend! Come into the daylight.

HE was tearing his mind free from the influence of the place, the
shadows--the possessing voice of the woman.

SHE crouched back toward the door.

IT is you--you! she muttered accusingly.

NO, by Heaven, it's you! he cried. I see through you now

TWO men came running attracted by his loud voice

THEY lead the gypsy to a place of security

IT is you, she kept muttering to each in turn.

THE young man walked behind with straightened back and shining eyes.



CONFLICT


IT is night--a moonlight night in the Orient--

THE earth is flooded in mystic beauty--

MIDNIGHT songbirds in the trees.

AND the Palace of the Sultan--great marble halls--fountains of running
water--moonlight shining in.

STRANGE, weird music of the desert played by slaves.

IT is the picturesque setting of a strange tale--a tale of inward
struggle.

THE Sultan--lying amid splendor, vivid coloring of the East--softened by
the night's mysterious light.

AMONG flowers and heavily-scented perfumes.

HIS dancing girls have left--his bronzed face--framed in black hair--his
dark eyes--wear a look, an expression of satisfied desire--Life holds
nothing new for him--only the continuation of old pleasures.

AT last a heavy portière is lifted.

PERHAPS you were expecting an oriental girl of dark beauty--a slave--

THE girl advancing to the Sultan's couch is European--a Russian of noble
birth.

AMONG the palms of the Orient--almost as a slave she sojourns in the
palace of the Sultan.

ONLY one of many, a passionate love holds her there.

EVER following--pursuing, is the other self--the gentle nature, which
understands neither passion nor envy. The self which still fears and
loves--yet--has no courage for prayer. And the spirit of this gentle
nature whispers to the dominant one--

  Lift yourself up and come away--I will lead you far from the
moonlight--the overpowering perfumes--into the bleak light of day--peace
will find you.

  No--the stillness of the night--the kisses of my Sultan content
me. But soon the inner voice cried so loud--even the moonlight could not
quiet it.

PULLING against the inner self--her heart must break.

THE soft music of the slaves--once it had soothed her--but now--

IT was the howling wind of a northern land--of Russia--or the pealing of
a bell--There had been a chapel in the dark Zamok where her childhood
had been spent.

THE inner voice called Katherine--but could not yet overcome the blood
which flowed in Katherine's veins--the blood of a favorite of a Czar.

SOMETIMES in the light of day the inner, other self of Katherine would
overcome--would want to flee--but ever the mysticism of Oriental nights
would draw out more strongly than before the tainted blood of the
unfortunate.

FINALLY the Sultan grew disdainful--There were newer girls brought from
Mecca, from the desert.

THE great--the inevitable conflict with her inner self left her
torn--haggard.

FOR days she hung between life and death--with no one to care, save an
old colored slave.

GONE the mystic atmosphere of the Orient--the music of cymbals.

       *       *       *       *       *

A PROVINCIAL town in France--with the ill-lighted streets--and a steady
down-pour of winter rain.

IT is Christmas eve

THROUGH the window Katherine has been watching a procession of people
hastening to midnight Mass at the Cathedral. Women--dressed in the
picturesque garb and coif of Brittany--men and children--What peace is
theirs--they know of the Christ Child--of his Mother--and no streams of
lowest passion--can cover their souls.

THE Cathedral of Nantes has stood in its Gothic beauty for many
centuries--has witnessed many scenes.

THAT night a soul struggled against the past.

A WOMAN--she was alive--for she walked--moved. But within--she was
numb.

SHE lay almost fainting on the steps of a side Altar--before the
crèche--

HER inner self was pleading--Katherine--live again!

PRESENTLY the Adeste Fidelis sounded--throbbed--filled the church

HOW beautiful--she murmured.

THE memory of the Sultan rose and fell each time at the sight of the
candles, the acolytes in prayer. A vision so fierce and lustful could
not live in this sacred place.

       *       *       *       *       *

MY child--advised the old Priest--pray--pray always for forgiveness--for
enlightenment--for guidance. One who seeks these things as fervently as
you do always finds.



THAT NIGHT HIS SORROW WAS LIFTED.

_All ye are Christ's and Christ is God.--Saint Paul_


HIGH in the mountains,
above the cities
where all was calm--peaceful--
a golden moon shone down
lighting bare branches and fallen leaves--
lighting the dark pines--

IT shone on the lake, in a valley in the mountains,
making golden streaks upon the waters--

       *       *       *       *       *

CHRIST walked on earth that night and stopped near
the shore of the lake

HE looked into its depths--
at the sky--at the moon--
and felt the cold night air on His Face.

A GREAT sadness had overcome Him.

GOD had reflected a corner of Heaven to men on Earth--
and they did not pause in pleasure or in sorrow--
no one felt the beauty of those mountains.

HE stood alone by the lake--
again looked into its depths--

WHAT peace--what beauty--

DOWN below--
men grappled with death
not beautiful death
but hatred--lust--filled their souls.

THEY killed--were killed----

THE agonizing sorrow of Gethsemane again swept
over Christ, as He stood by the Lake
and wondered if men would ever be worthy of the
gift of life--
if they would ever make it beautiful--and not
terrible--

THEY were endowed with a certain freedom--
they used it to make wars--
to think of barbarous machines that would kill and
torture--

THE fiendish cries of battle were in the great valley
below--

CANNONS roared
and flashed a red glare into the sky--

TEARS filled His eyes as He thought of the unprepared
souls which were being hurled into Eternity--
on both sides of the battle line--

THE broken homes--

HIS heart was breaking in sorrow for the people He
loved so well--

MOON streaks were playing on the water--

THE cold night air blew through the trees.

CHRIST wept--
men surely were not worthy of life--
of the beauty which filled the world--

HE turned away--
and still hearing the noise of battle--
walked under the pines--

HE came upon a small cabin--
sheltered by tall trees--
the roof was covered by fallen leaves--
a light shone from the window.

INSIDE--a babe slept in its cradle--
and the mother gently rocked it--
singing a soft lullaby--

HER thoughts were with him, in the valley below--
battling in the iron clutch of war--

SCARCELY knowing for what--or for whom he
fought--

SHE kissed her babe
and knelt down before its cradle--

OH Christ--
help me in my hour of need.
protect him--
protect my child--

       *       *       *       *       *

THE sorrow of Christ had gone--

THE mother's soul leaned to Him--
for help--
unconsciously she had helped Him--
on that night of beauty in the mountains--
when below--the world was being torn--ravaged--

THE noise of battle died away from Him--

HE heard only the prayer--
the soft breathing of the child and the whispering of
the trees--

HE gathered the mother's prayer into His heart
and blessed her as He walked away

YES--men were worthy--
this hysteria of war would pass

PEACE and love would come.





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