By Author [ A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z |  Other Symbols ]
  By Title [ A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z |  Other Symbols ]
  By Language
all Classics books content using ISYS

Download this book: [ ASCII | HTML | PDF ]

Look for this book on Amazon

We have new books nearly every day.
If you would like a news letter once a week or once a month
fill out this form and we will give you a summary of the books for that week or month by email.

Title: A Book of Sibyls - Miss Barbauld, Miss Edgeworth, Mrs Opie, Miss Austen
Author: Ritchie, Anne Thackeray, 1837-1919
Language: English
As this book started as an ASCII text book there are no pictures available.
Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

*** Start of this Doctrine Publishing Corporation Digital Book "A Book of Sibyls - Miss Barbauld, Miss Edgeworth, Mrs Opie, Miss Austen" ***

produced from images generously made available by The
Internet Archive/Canadian Libraries)







[_All rights reserved_]

[_Reprinted from the Cornhill Magazine_]



_My little record would not seem to me in any way complete without your
name, dear Sibyl of our own, and as I write it here, I am grateful to
know that to mine and me it is not only the name of a Sibyl with deep
visions, but of a friend to us all._
_A. T. R._


Not long ago, a party of friends were sitting at luncheon in a suburb
of London, when one of them happened to make some reference to Maple
Grove and Selina, and to ask in what county of England Maple Grove was
situated. Everybody immediately had a theory. Only one of the company (a
French gentleman, not well acquainted with English) did not recognise
the allusion. A lady sitting by the master of the house (she will, I
hope, forgive me for quoting her words, for no one else has a better
right to speak them) said, 'What a curious sign it is of Jane Austen's
increasing popularity! Here are five out of six people sitting round a
table, nearly a hundred years after her death, who all recognise at once
a chance allusion to an obscure character in one of her books.'

It seemed impossible to leave out Jane Austen's dear household name
from a volume which concerned women writing in the early part of this
century, and although the essay which is called by her name has already
been reprinted, it is added with some alteration in its place with the

Putting together this little book has been a great pleasure and interest
to the compiler, and she wishes once more to thank those who have so
kindly sheltered her during her work, and lent her books and papers
and letters concerning the four writers whose works and manner of being
she has attempted to describe; and she wishes specially to express
her thanks to the Baron and Baroness VON HÜGEL, to the ladies of Miss
Edgeworth's family, to Mr. HARRISON, of the London Library, to the Miss
REIDS, of Hampstead, to Mrs. FIELD and her daughters, of Squire's Mount,
Hampstead, to Lady BUXTON, Mrs. BROOKFIELD, Miss ALDERSON, and Miss


 MRS. BARBAULD [1743-1825]                                1
 MARIA EDGEWORTH [1767-1849]                             51
 MRS. OPIE [1769-1853]                                  149
 JANE AUSTEN [1775-1817]                                197




    'I've heard of the lady, and good words went with her name.'
                                           _Measure for Measure._


'The first poetess I can recollect is Mrs. Barbauld, with whose works I
became acquainted--before those of any other author, male or female--when
I was learning to spell words of one syllable in her story-books for
children.' So says Hazlitt in his lectures on living poets. He goes on
to call her a very pretty poetess, strewing flowers of poesy as she

The writer must needs, from the same point of view as Hazlitt, look upon
Mrs. Barbauld with a special interest, having also first learnt to read
out of her little yellow books, of which the syllables rise up one by
one again with a remembrance of the hand patiently pointing to each in
turn; all this recalled and revived after a lifetime by the sight of a
rusty iron gateway, behind which Mrs. Barbauld once lived, of some old
letters closely covered with a wavery writing, of a wide prospect that
she once delighted to look upon. Mrs. Barbauld, who loved to share her
pleasures, used to bring her friends to see the great view from the
Hampstead hill-top, and thus records their impressions:--

'I dragged Mrs. A. up as I did you, my dear, to our Prospect Walk, from
whence we have so extensive a view.

'Yes,' said she, 'it is a very fine view indeed for a flat country.'

'While, on the other hand, Mrs. B. gave us such a dismal account of the
precipices, mountains, and deserts she encountered, that you would have
thought she had been on the wildest part of the Alps.'

The old Hampstead highroad, starting from the plain, winds its way
resolutely up the steep, and brings you past red-brick houses and
walled-in gardens to this noble outlook; to the heath, with its fresh,
inspiriting breezes, its lovely distances of far-off waters and gorsy
hollows. At whatever season, at whatever hour you come, you are pretty
sure to find one or two votaries--poets like Mrs. Barbauld, or commonplace
people such as her friends--watching before this great altar of nature;
whether by early morning rays, or in the blazing sunset, or when the
evening veils and mists with stars come falling, while the lights of
London shine far away in the valley. Years after Mrs. Barbauld wrote,
one man, pre-eminent amongst poets, used to stand upon this hill-top,
and lo! as Turner gazed, a whole generation gazed with him. For him
Italy gleamed from behind the crimson stems of the fir-trees; the spirit
of loveliest mythology floated upon the clouds, upon the many changing
tints of the plains; and, as the painter watched the lights upon the
distant hills, they sank into his soul, and he painted them down for us,
and poured his dreams into our awakening hearts.

He was one of that race of giants, mighty men of humble heart, who have
looked from Hampstead and Highgate Hills. Here Wordsworth trod; here
sang Keats's nightingale; here mused Coleridge; and here came Carlyle,
only yesterday, tramping wearily, in search of some sign of his old
companions. Here, too, stood kind Walter Scott, under the elms of the
Judges' Walk, and perhaps Joanna Baillie was by his side, coming out
from her pretty old house beyond the trees. Besides all these, were a
whole company of lesser stars following and surrounding the brighter
planets--muses, memoirs, critics, poets, nymphs, authoresses--coming to
drink tea and to admire the pleasant suburban beauties of this modern
Parnassus. A record of many of their names is still to be found,
appropriately enough, in the catalogue of the little Hampstead library
which still exists, which was founded at a time when the very hands
that wrote the books may have placed the old volumes upon the shelves.
Present readers can study them at their leisure, to the clanking of the
horses' feet in the courtyard outside, and the splashing of buckets.
A few newspapers lie on the table--stray sheets of to-day that have
fluttered up the hill, bringing news of this bustling now into a past
serenity. The librarian sits stitching quietly in a window. An old lady
comes in to read the news; but she has forgotten her spectacles, and
soon goes away. Here, instead of asking for 'Vice Versâ,' or Ouida's
last novel, you instinctively mention 'Plays of the Passions,' Miss
Burney's 'Evelina,' or some such novels; and Mrs. Barbauld's works are
also in their place. When I asked for them, two pretty old Quaker
volumes were put into my hands, with shabby grey bindings, with fine
paper and broad margins, such as Mr. Ruskin would approve. Of all
the inhabitants of this bookshelf Mrs. Barbauld is one of the most
appropriate. It is but a few minutes' walk from the library in Heath
Street to the old corner house in Church Row where she lived for a time,
near a hundred years ago, and all round about are the scenes of much of
her life, of her friendships and interests. Here lived her friends and
neighbours; here to Church Row came her pupils and admirers, and, later
still, to the pretty old house on Rosslyn Hill. As for Church Row, as
most people know, it is an avenue of Dutch red-faced houses, leading
demurely to the old church tower, that stands guarding its graves in the
flowery churchyard. As we came up the quiet place, the sweet windy drone
of the organ swelled across the blossoms of the spring, which were
lighting up every shabby corner and hillside garden. Through this
pleasant confusion of past and present, of spring-time scattering
blossoms upon the graves, of old ivy walks and iron bars imprisoning
past memories, with fragrant fumes of lilac and of elder, one could
picture to oneself, as in a waking dream, two figures advancing from the
corner house with the ivy walls--distinct, sedate--passing under the old
doorway. I could almost see the lady, carefully dressed in many fine
muslin folds and frills with hooped silk skirts, indeed, but slight
and graceful in her quick advance, with blue eyes, with delicate sharp
features, and a dazzling skin. As for the gentleman, I pictured him a
dapper figure, with dark eyes, dressed in black, as befitted a minister
even of dissenting views. The lady came forward, looking amused by my
scrutiny, somewhat shy I thought--was she going to speak? And by the
same token it seemed to me the gentleman was about to interrupt her. But
Margaret, my young companion, laughed and opened an umbrella, or a cock
crew, or some door banged, and the fleeting visions of fancy

Many well-authenticated ghost stories describe the apparition of bygone
persons, and lo! when the figure vanishes, a letter is left behind! Some
such experience seemed to be mine when, on my return, I found a packet
of letters on the hall table--letters not addressed to me, but to some
unknown Miss Belsham, and signed and sealed by Mrs. Barbauld's hand.
They had been sent for me to read by the kindness of some ladies now
living at Hampstead, who afterwards showed me the portrait of the lady,
who began the world as Miss Betsy Belsham and who ended her career as
Mrs. Kenrick. It is an oval miniature, belonging to the times of powder
and of puff, representing not a handsome, but an animated countenance,
with laughter and spirit in the expression; the mouth is large, the eyes
are dark, the nose is short. This was the _confidante_ of Mrs. Barbauld's
early days, the faithful friend of her latter sorrows. The letters, kept
by 'Betsy' with faithful conscientious care for many years, give the
story of a whole lifetime with unconscious fidelity. The gaiety of
youth, its impatience, its exuberance, and sometimes bad taste; the
wider, quieter feelings of later life; the courage of sorrowful times;
long friendship deepening the tender and faithful memories of age, when
there is so little left to say, so much to feel--all these things are


Mrs. Barbauld was a schoolmistress, and a schoolmaster's wife and
daughter. Her father was Dr. John Aikin, D.D.; her mother was Miss Jane
Jennings, of a good Northamptonshire family--scholastic also. Dr. Aikin
brought his wife home to Knibworth, in Leicestershire, where he opened a
school which became very successful in time. Mrs. Barbauld, their eldest
child, was born here in 1743, and was christened Anna Lætitia, after
some lady of high degree belonging to her mother's family. Two or three
years later came a son. It was a quiet home, deep hidden in the secluded
rural place; and the little household lived its own tranquil life far
away from the storms and battles and great events that were stirring
the world. Dr. Aikin kept school; Mrs. Aikin ruled her household with
capacity, and not without some sternness, according to the custom of the
time. It appears that late in life the good lady was distressed by the
backwardness of her grandchildren at four or five years old. 'I once,
indeed, knew a little girl,' so wrote Mrs. Aikin of her daughter, 'who
was as eager to learn as her instructor could be to teach her, and who
at two years old could read sentences and little stories, in her _wise_
book, roundly and without spelling, and in half a year or more could
read as well as most women; but I never knew such another, and I believe
I never shall.' It was fortunate that no great harm came of this premature
forcing, although it is difficult to say what its absence might not
have done for Mrs. Barbauld. One can fancy the little assiduous girl,
industrious, impulsive, interested in everything--in all life and
all nature--drinking in, on every side, learning, eagerly wondering,
listening to all around with bright and ready wit. There is a pretty
little story told by Mrs. Ellis in her book about Mrs. Barbauld, how
one day, when Dr. Aikin and a friend 'were conversing on the passions,'
the Doctor observes that joy cannot have place in a state of perfect
felicity, since it supposes an accession of happiness.

'I think you are mistaken, papa,' says a little voice from the opposite
side of the table.

'Why so, my child?' says the Doctor.

'Because in the chapter I read to you this morning, in the Testament, it
is said that "there is more joy in heaven over one sinner that repenteth
than over ninety and nine just persons that need no repentance."'

Besides her English Testament and her early reading, the little girl was
taught by her mother to do as little daughters did in those days, to
obey a somewhat austere rule, to drop curtsies in the right place, to
make beds, to preserve fruits. The father, after demur, but surely
not without some paternal pride in her proficiency, taught the child
Latin and French and Italian, and something of Greek, and gave her an
acquaintance with English literature. One can imagine little Nancy with
her fair head bending over her lessons, or, when playing time had come,
perhaps a little lonely and listening to the distant voices of the
schoolboys at their games. The mother, fearing she might acquire rough
and boisterous manners, strictly forbade any communication with the
schoolboys. Sometimes in after days, speaking of these early times and
of the constraint of many bygone rules and regulations, Mrs. Barbauld
used to attribute to this early formal training something of the
hesitation and shyness which troubled her and never entirely wore off.
She does not seem to have been in any great harmony with her mother. One
could imagine a fanciful and high-spirited child, timid and dutiful,
and yet strong-willed, secretly rebelling against the rigid order of her
home, and feeling lonely for want of liberty and companionship. It was
true she had birds and beasts and plants for her playfellows, but she
was of a gregarious and sociable nature, and she was unconsciously
longing for something more, and perhaps feeling a want in her early
life which no silent company can supply.

She was about fifteen when a great event took place. Her father was
appointed classical tutor to the Warrington Academy, and thither
the little family removed. We read that the Warrington Academy was a
Dissenting college started by very eminent and periwigged personages,
whose silhouettes Mrs. Barbauld herself afterwards cut out in
sticking-plaster, and whose names are to this day remembered and held in
just esteem. They were people of simple living and high thinking, they
belonged to a class holding then a higher place than now in the world's
esteem, that of Dissenting ministers. The Dissenting ministers were
fairly well paid and faithfully followed by their congregations. The
college was started under the auspices of distinguished members of the
community, Lord Willoughby of Parham, the last Presbyterian lord, being
patron. Among the masters were to be found the well-known names of Dr.
Doddridge; of Gilbert Wakefield, the reformer and uncompromising martyr;
of Dr. Taylor, of Norwich, the Hebrew scholar; of Dr. Priestley, the
chemical analyst and patriot, and enterprising theologian, who left
England and settled in America for conscience and liberty's sake.

Many other people, neither students nor professors, used to come to
Warrington, and chief among them in later years good John Howard with
MSS. for his friend Dr. Aikin to correct for the press. Now for the
first time Mrs. Barbauld (Miss Aikin she was then) saw something of real
life, of men and manners. It was not likely that she looked back with
any lingering regret to Knibworth, or would have willingly returned
thither. A story in one of her memoirs gives an amusing picture of the
manners of a young country lady of that day. Mr. Haines, a rich farmer
from Knibworth, who had been greatly struck by Miss Aikin, followed her
to Warrington, and 'obtained a private audience of her father and begged
his consent to be allowed to make her his wife.' The father answered
'that his daughter was there walking in the garden, and he might go
and ask her himself.' 'With what grace the farmer pleaded his cause I
know not,' says her biographer and niece. 'Out of all patience at his
unwelcome importunities, my aunt ran nimbly up a tree which grew by the
garden wall, and let herself down into the lane beyond.'

The next few years must have been perhaps the happiest of Mrs. Barbauld's
life. Once when it was nearly over she said to her niece, Mrs. Le
Breton, from whose interesting account I have been quoting, that she had
never been placed in a situation which really suited her. As one reads
her sketches and poems, one is struck by some sense of this detracting
influence of which she complains: there is a certain incompleteness and
slightness which speaks of intermittent work, of interrupted trains of
thought. At the same time there is a natural buoyant quality in much of
her writing which seems like a pleasant landscape view seen through the
bars of a window. There may be wider prospects, but her eyes are bright,
and this peep of nature is undoubtedly delightful.


The letters to Miss Belsham begin somewhere about 1768. The young lady
has been paying a visit to Miss Aikin at Warrington, and is interested
in everyone and everything belonging to the place. Miss Aikin is no less
eager to describe than Miss Belsham to listen, and accordingly a whole
stream of characters and details of gossip and descriptions in faded
ink come flowing across their pages, together with many expressions of
affection and interest. 'My dear Betsy, I love you for discarding the
word Miss from your vocabulary,' so the packet begins, and it continues
in the same strain of pleasant girlish chatter, alternating with the
history of many bygone festivities, and stories of friends, neighbours,
of beaux and partners; of the latter genus, and of Miss Aikin's efforts
to make herself agreeable, here is a sample:--'I talked to him, smiled
upon him, gave him my fan to play with,' says the lively young lady.
'Nothing would do; he was grave as a philosopher. I tried to raise
a conversation: "'Twas fine weather for dancing." He agreed to my
observation. "We had a tolerable set this time." Neither did he contradict
that. Then we were both silent--stupid mortal thought I! but unreasonable
as he appeared to the advances that I made him, there was one object in
the room, a sparkling object which seemed to attract all his attention,
on which he seemed to gaze with transport, and which indeed he hardly
took his eyes off the whole time.... The object that I mean was his

One could imagine Miss Elizabeth Bennett writing in some such strain to
her friend Miss Charlotte Lucas after one of the evenings at Bingley's
hospitable mansion. And yet Miss Aikin is more impulsive, more romantic
than Elizabeth. 'Wherever you are, fly letter on the wings of the wind,'
she cries, 'and tell my dear Betsy what?--only that I love her dearly.'

Miss Nancy Aikin (she seems to have been Nancy in these letters, and to
have assumed the more dignified Lætitia upon her marriage) pours out
her lively heart, laughs, jokes, interests herself in the sentimental
affairs of the whole neighbourhood as well as in her own. Perhaps few
young ladies now-a-days would write to their _confidantes_ with the
announcement that for some time past a young sprig had been teasing them
to have him. This, however, is among Miss Nancy's confidences. She also
writes poems and _jeux d'esprit_, and receives poetry in return from
Betsy, who calls herself Camilla, and pays her friend many compliments,
for Miss Aikin in her reply quotes the well-known lines:--

  Who for another's brow entwines the bays,
  And where she well might rival stoops to Praise.

Miss Aikin by this time has attained to all the dignity of a full-blown
authoress, and is publishing a successful book of poems in conjunction
with her brother, which little book created much attention at the time.
One day the Muse thus apostrophises Betsy: 'Shall we ever see her
amongst us again?' says my sister (Mrs. Aikin). My brother (saucy
fellow) says, 'I want to see this girl, I think (stroking his chin as he
walks backwards and forwards in the room with great gravity). I think we
should admire one another.'

'When you come among us,' continues the warm-hearted friend, 'we shall
set the bells a-ringing, bid adieu to care and gravity, and sing "O be
joyful."' And finally, after some apologies for her remiss correspondence,
'I left my brother writing to you instead of Patty, poor soul. Well, it
is a clever thing too, to have a husband to write one's letters for one.
If I had one I would be a much better correspondent to you. I would
order him to write every week.'

And, indeed, Mrs. Barbauld was as good as her word, and did not forget
the resolutions made by Miss Aikin in 1773. In 1774 comes some eventful
news: 'I should have written to you sooner had it not been for the
uncertainty and suspense in which for a long time I have been involved;
and since my lot has been fixed for many busy engagements which have
left me few moments of leisure. They hurry me out of my life. It is
hardly a month that I have certainly known I should fix on Norfolk, and
now next Thursday they say I am to be finally, irrevocably married. Pity
me, dear Betsy; for on the day I fancy when you will read this letter,
will the event take place which is to make so great an era in my life. I
feel depressed, and my courage almost fails me. Yet upon the whole I
have the greatest reason to think I shall be happy. I shall possess the
entire affection of a worthy man, whom my father and mother now entirely
and heartily approve. The people where we are going, though strangers,
have behaved with the greatest zeal and affection; and I think we have
a fair prospect of being useful and living comfortably in that state of
middling life to which I have been accustomed, and which I love.'

And then comes a word which must interest all who have ever cared and
felt grateful admiration for the works of one devoted human being and
true Christian hero. Speaking of her father's friend, John Howard, she
says with an almost audible sigh: 'It was too late, as you say, or I
believe I should have been in love with Mr. Howard. Seriously, I looked
upon him with that sort of reverence and love which one should have for
a guardian angel. God bless him and preserve his health for the health's
sake of thousands. And now farewell,' she writes in conclusion: 'I shall
write to you no more under this name; but under any name, in every
situation, at any distance of time or place, I shall love you equally
and be always affectionately yours, tho' _not_ always, A. AIKIN.'

       *       *       *       *       *

Poor lady! The future held, indeed, many a sad and unsuspected hour for
her, many a cruel pang, many a dark and heavy season, that must have
seemed intolerably weary to one of her sprightly and yet somewhat
indolent nature, more easily accepting evil than devising escape from
it. But it also held many blessings of constancy, friendship, kindly
deeds, and useful doings. She had not devotion to give such as that of
the good Howard whom she revered, but the equable help and sympathy for
others of an open-minded and kindly woman was hers. Her marriage would
seem to have been brought about by a romantic fancy rather than by a
tender affection. Mr. Barbauld's mind had been once unhinged; his
protestations were passionate and somewhat dramatic. We are told that
when she was warned by a friend, she only said, 'But surely, if I throw
him over, he will become crazy again;' and from a high-minded sense of
pity, she was faithful, and married him against the wish of her brother
and parents, and not without some misgivings herself. He was a man
perfectly sincere and honourable; but, from his nervous want of
equilibrium, subject all his life to frantic outbursts of ill-temper.
Nobody ever knew what his wife had to endure in secret; her calm and
restrained manner must have effectually hidden the constant anxiety of
her life; nor had she children to warm her heart, and brighten up her
monotonous existence. Little Charles, of the Reading-book, who is bid to
come hither, who counted so nicely, who stroked the pussy cat, and who
deserved to listen to the delightful stories he was told, was not her
own son but her brother's child. When he was born, she wrote to entreat
that he might be given over to her for her own, imploring her brother to
spare him to her, in a pretty and pathetic letter. This was a mother
yearning for a child, not a schoolmistress asking for a pupil, though
perhaps in after times the two were somewhat combined in her. There is a
pretty little description of Charles making great progress in 'climbing
trees and talking nonsense:' 'I have the honour to tell you that our
Charles is the sweetest boy in the world. He is perfectly naturalised in
his new situation; and if I should make any blunders in my letter, I
must beg you to impute it to his standing by me and chattering all the
time.' And how pleasant a record exists of Charles's chatter in that
most charming little book written for him and for the babies of babies
to come! There is a sweet instructive grace in it and appreciation of
childhood which cannot fail to strike those who have to do with children
and with Mrs. Barbauld's books for them: children themselves, those best
critics of all, delight in it.

'Where's Charles?' says a little scholar every morning to the writer of
these few notes.


Soon after the marriage, there had been some thought of a college for
young ladies, of which Mrs. Barbauld was to be the principal; but she
shrank from the idea, and in a letter to Mrs. Montagu she objects to
the scheme of higher education for women away from their natural homes.
'I should have little hope of cultivating a love of knowledge in a young
lady of fifteen who came to me ignorant and uncultivated. It is too late
then to begin to learn. The empire of the passions is coming on. Those
attachments begin to be formed which influence the happiness of future
life. The care of a mother alone can give suitable attention to this
important period.' It is true that the rigidness of her own home had not
prevented her from making a hasty and unsuitable marriage. But it is not
this which is weighing on her mind. 'Perhaps you may think,' she says,
'that having myself stepped out of the bounds of female reserve in
becoming an author, it is with an ill grace that I offer these

Her arguments seem to have been thought conclusive in those days, and
the young ladies' college was finally transmuted into a school for
little boys at Palgrave, in Norfolk, and thither the worthy couple
transported themselves.

One of the letters to Miss Belsham is thus dated:--'_The 14th of July,
in the village of Palgrave (the pleasantest village in all England), at
ten o'clock, all alone in my great parlour, Mr. Barbauld being studying
a sermon, do I begin a letter to my dear Betsy._'

When she first married, and travelled into Norfolk to keep school at
Palgrave, nothing could have seemed more tranquil, more contented, more
matter-of-fact than her life as it appears from her letters. Dreams, and
fancies, and gay illusions and excitements have made way for the
somewhat disappointing realisation of Mr. Barbauld with his neatly
turned and friendly postscripts--a husband, polite, devoted, it is
true, but somewhat disappointing all the same. The next few years
seem like years in a hive--storing honey for the future, and putting
away--industrious, punctual, monotonous. There are children's lessons to
be heard, and school-treats to be devised. She sets them to act plays
and cuts out paper collars for Henry IV.; she always takes a class of
babies entirely her own. (One of these babies, who always loved her,
became Lord Chancellor Denman; most of the others took less brilliant,
but equally respectable places, in after life.) She has also household
matters and correspondence not to be neglected. In the holidays, they
make excursions to Norwich, to London, and revisit their old haunts at
Warrington. In one of her early letters, soon after her marriage, she
describes her return to Warrington.

'Dr. Enfield's face,' she declares, 'is grown half a foot longer since I
saw him, with studying mathematics, and for want of a game of romps; for
there are positively none now at Warrington but grave matrons. I who
have but half assumed the character, was ashamed of the levity of my

It says well indeed for the natural brightness of the lady's disposition
that with sixteen boarders and a satisfactory usher to look after, she
should be prepared for a game of romps with Dr. Enfield.

On another occasion, in 1777, she takes little Charles away with her.
'He has indeed been an excellent traveller,' she says; 'and though, like
his great ancestor, some natural tears he shed, like him, too, he wiped
them soon. He had a long sound sleep last night, and has been very busy
to-day hunting the puss and the chickens. And now, my dear brother and
sister, let me again thank you for this precious gift, the value of which
we are both more and more sensible of as we become better acquainted with
his sweet disposition and winning manners.'

She winds up this letter with a postscript:--

'Everybody here asks, "Pray, is Dr. Dodd really to be executed?" as if
we knew the more for having been at Warrington.'

Dr. Aikin, Mrs. Barbauld's brother, the father of little Charles and of
Lucy Aikin, whose name is well known in literature, was himself a man of
great parts, industry, and ability, working hard to support his family.
He alternated between medicine and literature all his life. When his
health failed he gave up medicine, and settled at Stoke Newington, and
busied himself with periodic literature; meanwhile, whatever his own
pursuits may have been, he never ceased to take an interest in his
sister's work and to encourage her in every way.

It is noteworthy that few of Mrs. Barbauld's earlier productions
equalled what she wrote at the very end of her life. She seems to have
been one of those who ripen with age, growing wider in spirit with
increasing years. Perhaps, too, she may have been influenced by the
change of manners, the reaction against formalism, which was growing up
as her own days were ending. Prim she may have been in manner, but she
was not a formalist by nature; and even at eighty was ready to learn to
submit to accept the new gospel that Wordsworth and his disciples had
given to the world, and to shake off the stiffness of early training.

It is idle to speculate on what might have been if things had happened
otherwise; if the daily stress of anxiety and perplexity which haunted
her home had been removed--difficulties and anxieties which may well
have absorbed all the spare energy and interest that under happier
circumstances might have added to the treasury of English literature.
But if it were only for one ode written when the distracting cares of
over seventy years were ending, when nothing remained to her but the
essence of a long past, and the inspirations of a still glowing, still
hopeful, and most tender spirit, if it were only for the ode called
'Life,' which has brought a sense of ease and comfort to so many, Mrs.
Barbauld has indeed deserved well of her country-people and should be
held in remembrance by them.

Her literary works are, after all, not very voluminous. She is best
known by her hymns for children and her early lessons, than which
nothing more childlike has ever been devised; and we can agree with her
brother, Dr. Aikin, when he says that it requires true genius to enter
so completely into a child's mind.

After their first volume of verse, the brother and sister had published
a second in prose, called 'Miscellaneous Pieces,' about which there is
an amusing little anecdote in Rogers's 'Memoirs.' Fox met Dr. Aikin at

'"I am greatly pleased with your 'Miscellaneous Pieces,'" said Fox.
Aikin bowed. "I particularly admire," continued Fox, "your essay
'Against Inconsistency in our Expectations.'"

'"That," replied Aikin, "is my sister's."

'"I like much," returned Fox, "your essay 'On Monastic Institutions.'"

'"That," answered Aikin, "is also my sister's."

'Fox thought it best to say no more about the book.'

These essays were followed by various of the visions and Eastern pieces
then so much in vogue; also by political verses and pamphlets, which
seemed to have made a great sensation at the time. But Mrs. Barbauld's
turn was on the whole more for domestic than for literary life, although
literary people always seem to have had a great interest for her.

During one Christmas which they spent in London, the worthy couple go
to see Mrs. Siddons; and Mrs. Chapone introduces Mrs. Barbauld to Miss
Burney. 'A very unaffected, modest, sweet, and pleasing young lady,'
says Mrs. Barbauld, who is always kind in her descriptions. Mrs.
Barbauld's one complaint in London is of the fatigue from hairdressers,
and the bewildering hurry of the great city, where she had, notwithstanding
her quiet country life, many ties, and friendships, and acquaintances.
Her poem on 'Corsica' had brought her into some relations with Boswell;
she also knew Goldsmith and Dr. Johnson. Here is her description of the
'Great Bear:'--

'I do not mean that one which shines in the sky over your head; but the
Bear that shines in London--a great rough, surly animal. His Christian
name is Dr. Johnson. 'Tis a singular creature; but if you stroke him he
will not bite, and though he growls sometimes he is not ill-humoured.'

Johnson describes Mrs. Barbauld as suckling fools and chronicling small
beer. There was not much sympathy between the two. Characters such as
Johnson's harmonise best with the enthusiastic and easily influenced.
Mrs. Barbauld did not belong to this class; she trusted to her own
judgment, rarely tried to influence others, and took a matter-of-fact
rather than a passionate view of life. She is as severe to him in her
criticism as he was in his judgment of her: they neither of them did the
other justice. 'A Christian and a man-about-town, a philosopher, and a
bigot acknowledging life to be miserable, and making it more miserable
through fear of death.' So she writes of him, and all this was true; but
how much more was also true of the great and hypochondriacal old man!
Some years afterwards, when she had been reading Boswell's long-expected
'Life of Johnson,' she wrote of the book:--'It is like going to Ranelagh;
you meet all your acquaintances; but it is a base and mean thing to
bring thus every idle word into judgment.' In our own day we too have
our Boswell and our Johnson to arouse discussion and indignation.

'Have you seen Boswell's "Life of Johnson?" He calls it a Flemish
portrait, and so it is--two quartos of a man's conversation and petty
habits. Then the treachery and meanness of watching a man for years
in order to set down every unguarded and idle word he uttered, is
inconceivable. Yet with all this one cannot help reading a good deal
of it.' This is addressed to the faithful Betsy, who was also keeping
school by that time, and assuming brevet rank in consequence.

Mrs. Barbauld might well complain of the fatigue from hairdressers in
London. In one of her letters to her friend she thus describes a lady's
dress of the period:--

'Do you know how to dress yourself in Dublin? If you do not, I will tell
you. Your waist must be the circumference of two oranges, no more. You
must erect a structure on your head gradually ascending to a foot high,
exclusive of feathers, and stretching to a penthouse of most horrible
projection behind, the breadth from wing to wing considerably broader
than your shoulder, and as many different things in your cap as in
Noah's ark. Verily, I never did see such monsters as the heads now in
vogue. I am a monster, too, but a moderate one.'

She must have been glad to get back to her home, to her daily work, to
Charles, climbing his trees and talking his nonsense.

In the winter of 1784 her mother died at Palgrave. It was Christmas
week; the old lady had come travelling four days through the snow in a
postchaise with her maid and her little grandchildren, while her son
rode on horseback. But the cold and the fatigue of the journey, and the
discomfort of the inns, proved too much for Mrs. Aikin, who reached her
daughter's house only to die. Just that time three years before Mrs.
Barbauld had lost her father, whom she dearly loved. There is a striking
letter from the widowed mother to her daughter recording the event. It
is almost Spartan in its calmness, but nevertheless deeply touching. Now
she, too, was at rest, and after Mrs. Aikin's death a cloud of sadness
and depression seems to have fallen upon the household. Mr. Barbauld was
ailing; he was suffering from a nervous irritability which occasionally
quite unfitted him for his work as a schoolmaster. Already his wife must
have had many things to bear, and very much to try her courage and
cheerfulness; and now her health was also failing. It was in 1775 that
they gave up the academy, which, on the whole, had greatly flourished.
It had been established eleven years; they were both of them in need of
rest and change. Nevertheless, it was not without reluctance that they
brought themselves to leave their home at Palgrave. A successor was
found only too quickly for Mrs. Barbauld's wishes; they handed over
their pupils to his care, and went abroad for a year's sunshine and


What a contrast to prim, starched scholastic life at Palgrave must have
been the smiling world, and the land flowing with oil and wine, in which
they found themselves basking! The vintage was so abundant that year
that the country people could not find vessels to contain it. 'The roads
covered with teams of casks, empty or full according as they were going
out or returning, and drawn by oxen whose strong necks seemed to be
bowed unwillingly under the yoke. Men, women, and children were abroad;
some cutting with a short sickle the bunches of grapes, some breaking
them with a wooden instrument, some carrying them on their backs from
the gatherers to those who pressed the juice; and, as in our harvest,
the gleaners followed.'

From the vintage they travel to the Alps, 'a sight so majestic, so
totally different from anything I had seen before, that I am ready to
sing _nunc dimittis_,' she writes. They travel back by the south of
France and reach Paris in June, where the case of the Diamond Necklace
is being tried. Then they return to England, waiting a day at Boulogne
for a vessel, but crossing from thence in less than four hours. How
pretty is her description of England as it strikes them after their
absence! 'And not without pleasing emotion did we view again the green
swelling hills covered with large sheep, and the winding road bordered
with the hawthorn hedge, and the English vine twirled round the tall
poles, and the broad Medway covered with vessels, and at last the gentle
yet majestic Thames.'

There were Dissenters at Hampstead in those days, as there are still,
and it was a call from a little Unitarian congregation on the hillside
who invited Mr. Barbauld to become their minister, which decided the
worthy couple to retire to this pleasant suburb. The place seemed
promising enough; they were within reach of Mrs. Barbauld's brother, Dr.
Aikin, now settled in London, and to whom she was tenderly attached.
There were congenial people settled all about. On the high hill-top were
pleasant old houses to live in. There was occupation for him and
literary interest for her.

They are a sociable and friendly pair, hospitable, glad to welcome their
friends, and the acquaintance, and critics, and the former pupils who
come toiling up the hill to visit them. Rogers comes to dinner 'at half
after three.' They have another poet for a neighbour, Miss Joanna
Baillie; they are made welcome by all, and in their turn make others
welcome; they do acts of social charity and kindness wherever they see
the occasion. They have a young Spanish gentleman to board who conceals
a taste for 'seguars.' They also go up to town from time to time. On
one occasion Mr. Barbauld repairs to London to choose a wedding present
for Miss Belsham, who is about to be married to Mr. Kenrick, a widower
with daughters. He chose two slim Wedgwood pots of some late classic
model, which still stand, after many dangers, safely on either side of
Mrs. Kenrick's portrait in Miss Reid's drawing-room at Hampstead.
Wedgwood must have been a personal friend: he has modelled a lovely head
of Mrs. Barbauld, simple and nymph-like.

Hampstead was no further from London in those days than it is now, and
they seem to have kept up a constant communication with their friends
and relations in the great city. They go to the play occasionally. 'I
have not indeed seen Mrs. Siddons often, but I think I never saw her to
more advantage,' she writes. 'It is not, however, seeing a play, it is
only seeing one character, for they have nobody to act with her.'

Another expedition is to Westminster Hall, where Warren Hastings was
then being tried for his life.

'The trial has attracted the notice of most people who are within reach
of it. I have been, and was very much struck with all the apparatus and
pomp of justice, with the splendour of the assembly which contained
everything distinguished in the nation, with the grand idea that the
equity of the English was to pursue crimes committed at the other side
of the globe, and oppressions exercised towards the poor Indians who had
come to plead their cause; but all these fine ideas vanish and fade away
as one observes the progress of the cause, and sees it fall into the
summer amusements, and take the place of a rehearsal of music or an
evening at Vauxhall.'

Mrs. Barbauld was a Liberal in feeling and conviction; she was never
afraid to speak her mind, and when the French Revolution first began,
she, in common with many others, hoped that it was but the dawning of
happier times. She was always keen about public events; she wrote an
address on the opposition to the repeal of the Test Act in 1791, and she
published her poem to Wilberforce on the rejection of his great bill for
abolishing slavery:--

  Friends of the friendless, hail, ye generous band!

she cries, in warm enthusiasm for the devoted cause.

Horace Walpole nicknamed her Deborah, called her the Virago Barbauld,
and speaks of her with utter rudeness and intolerant spite. But whether
or not Horace Walpole approved, it is certain that Mrs. Barbauld
possessed to a full and generous degree a quality which is now less
common than it was in her day.

Not very many years ago I was struck on one occasion when a noble old
lady, now gone to her rest, exclaimed in my hearing that people of this
generation had all sorts of merits and charitable intentions, but that
there was one thing she missed which had certainly existed in her youth,
and which no longer seemed to be of the same account: that public spirit
which used to animate the young as well as the old.

It is possible that philanthropy, and the love of the beautiful, and the
gratuitous diffusion of wall-papers may be the modern rendering of the
good old-fashioned sentiment. Mrs. Barbauld lived in very stirring days,
when private people shared in the excitements and catastrophes of public
affairs. To her the fortunes of England, its loyalty, its success, were
a part of her daily bread. By her early associations she belonged to a
party representing opposition, and for that very reason she was the more
keenly struck by the differences of the conduct of affairs and the
opinions of those she trusted. Her friend Dr. Priestley had emigrated to
America for his convictions' sake; Howard was giving his noble life for
his work; Wakefield had gone to prison. Now the very questions are
forgotten for which they struggled and suffered, or the answers have
come while the questions are forgotten, in this their future which is
our present, and to which some unborn historian may point back with a
moral finger.

Dr. Aikin, whose estimate of his sister was very different from Horace
Walpole's, occasionally reproached her for not writing more constantly.
He wrote a copy of verses on this theme:--

  Thus speaks the Muse, and bends her brows severe:
  Did I, Lætitia, lend my choicest lays,
  And crown thy youthful head with freshest bays,
  That all the expectance of thy full-grown year,
  Should lie inert and fruitless? O revere
  Those sacred gifts whose meed is deathless praise,
  Whose potent charm the enraptured soul can raise
  Far from the vapours of this earthly sphere,
  Seize, seize the lyre, resume the lofty strain.

She seems to have willingly left the lyre for Dr. Aikin's use. A few
hymns, some graceful odes, and stanzas, and _jeux d'esprit_, a certain
number of well-written and original essays, and several political
pamphlets, represent the best of her work. Her more ambitious poems
are those by which she is the least remembered. It was at Hampstead
that Mrs. Barbauld wrote her contributions to her brother's volume of
'Evenings at Home,' among which the transmigrations of Indur may be
quoted as a model of style and delightful matter. One of the best of her
_jeux d'esprit_ is the 'Groans of the Tankard,' which was written in
early days, with much spirit and real humour. It begins with a classic
incantation, and then goes on:--

  'Twas at the solemn silent noontide hour
  When hunger rages with despotic power,
  When the lean student quits his Hebrew roots
  For the gross nourishment of English fruits,
  And throws unfinished airy systems by
  For solid pudding and substantial pie.

The tankard now,

                      Replenished to the brink,
  With the cool beverage blue-eyed maidens drink,

but, accustomed to very different libations, is endowed with voice and
utters its bitter reproaches:--

  Unblest the day, and luckless was the hour
  Which doomed me to a Presbyterian's power,
  Fated to serve a Puritanic race,
  Whose slender meal is shorter than their grace.


Thumbkin, of fairy celebrity, used to mark his way by flinging crumbs of
bread and scattering stones as he went along; and in like manner authors
trace the course of their life's peregrinations by the pamphlets and
articles they cast down as they go. Sometimes they throw stones,
sometimes they throw bread. In '92 and '93 Mrs. Barbauld must have been
occupied with party polemics and with the political miseries of the
time. A pamphlet on Gilbert Wakefield's views, and another on 'Sins
of the Government and Sins of the People,' show in what direction her
thoughts were bent. Then came a period of comparative calm again and of
literary work and interest. She seems to have turned to Akenside and
Collins, and each had an essay to himself. These were followed by
certain selections from the _Spectator_, _Tatler_, &c., preceded by one
of those admirable essays for which she is really remarkable. She also
published a memoir of Richardson prefixed to his correspondence. Sir
James Mackintosh, writing at a later and sadder time of her life, says
of her observations on the moral of Clarissa that they are as fine a
piece of mitigated and rational stoicism as our language can boast of.

In 1802 another congregation seems to have made signs from Stoke
Newington, and Mrs. Barbauld persuaded her husband to leave his flock at
Hampstead and to buy a house near her brother's at Stoke Newington. This
was her last migration, and here she remained until her death in 1825.
One of her letters to Mrs. Kenrick gives a description of what might
have been a happy home:--'We have a pretty little back parlour that
looks into our little spot of a garden,' she says, 'and catches every
gleam of sunshine. We have pulled down the ivy, except what covers the
coach-house We have planted a vine and a passion-flower, with abundance
of jessamine against the window, and we have scattered roses and
honeysuckle all over the garden. You may smile at me for parading so
over my house and domains.' In May she writes a pleasant letter, in good
spirits, comparing her correspondence with her friend to the flower of
an aloe, which sleeps for a hundred years, and on a sudden pushes out
when least expected. 'But take notice, the life is in the aloe all the
while, and sorry should I be if the life were not in our friendship all
the while, though it so rarely diffuses itself over a sheet of paper.'

She seems to have been no less sociable and friendly at Stoke Newington
than at Hampstead. People used to come up to see her from London. Her
letters, quiet and intimate as they are, give glimpses of most of the
literary people of the day, not in memoirs then, but alive and drinking
tea at one another's houses, or walking all the way to Stoke Newington
to pay their respects to the old lady.

Charles Lamb used to talk of his two _bald_ authoresses, Mrs. Barbauld
being one and Mrs. Inchbald being the other. Crabb Robinson and Rogers
were two faithful links with the outer world. 'Crabb Robinson corresponds
with Madame de Staël, is quite intimate,' she writes, 'has received
I don't know how many letters,' she adds, not without some slight
amusement. Miss Lucy Aikin tells a pretty story of Scott meeting Mrs.
Barbauld at dinner, and telling her that it was to her that he owed his
poetic gift. Some translations of Bürger by Mr. Taylor, of Norwich,
which she had read out at Edinburgh, had struck him so much that they
had determined him to try his own powers in that line.

She often had inmates under her roof. One of them was a beautiful and
charming young girl, the daughter of Mrs. Fletcher, of Edinburgh, whose
early death is recorded in her mother's life. Besides company at home,
Mrs. Barbauld went to visit her friends from time to time--the Estlins
at Bristol, the Edgeworths, whose acquaintance Mr. and Mrs. Barbauld
made about this time, and who seem to have been invaluable friends,
bringing as they did a bright new element of interest and cheerful
friendship into her sad and dimming life. A man must have extraordinarily
good spirits to embark upon four matrimonial ventures as Mr. Edgeworth
did; and as for Miss Edgeworth, appreciative, effusive, and warm-hearted,
she seems to have more than returned Mrs. Barbauld's sympathy.

Miss Lucy Aikin, Dr. Aikin's daughter, was now also making her own mark
in the literary world, and had inherited the bright intelligence and
interest for which her family was so remarkable. Much of Miss Aikin's
work is more sustained than her aunt's desultory productions, but it
lacks that touch of nature which has preserved Mrs. Barbauld's memory
where more important people are forgotten.

Our authoress seems to have had a natural affection for sister
authoresses. Hannah More and Mrs. Montague were both her friends, so
were Madame d'Arblay and Mrs. Chapone in a different degree; she must
have known Mrs. Opie; she loved Joanna Baillie. The latter is described
by her as the young lady at Hampstead who came to Mr. Barbauld's meeting
with as demure a face as if she had never written a line. And Miss Aikin,
in her memoirs, describes in Johnsonian language how the two Miss
Baillies came to call one morning upon Mrs. Barbauld:--'My aunt
immediately introduced the topic of the anonymous tragedies, and
gave utterance to her admiration with the generous delight in the
manifestation of kindred genius which distinguished her.' But it seems
that Miss Baillie sat, nothing moved, and did not betray herself. Mrs.
Barbauld herself gives a pretty description of the sisters in their
home, in that old house on Windmill Hill, which stands untouched, with
its green windows looking out upon so much of sky and heath and sun,
with the wainscoted parlours where Walter Scott used to come, and the
low wooden staircase leading to the old rooms above. It is in one of her
letters to Mrs. Kenrick that Mrs. Barbauld gives a pleasant glimpse of
the poetess Walter Scott admired. 'I have not been abroad since I was at
Norwich, except a day or two at Hampstead with the Miss Baillies. One
should be, as I was, beneath their roof to know all their merit. Their
house is one of the best ordered I know. They have all manner of
attentions for their friends, and not only Miss B., but Joanna, is as
clever in furnishing a room or in arranging a party as in writing plays,
of which, by the way, she has a volume ready for the press, but she will
not give it to the public till next winter. The subject is to be the
passion of fear. I do not know what sort of a hero that passion can
afford!' Fear was, indeed, a passion alien to her nature, and she did
not know the meaning of the word.

Mrs. Barbauld's description of Hannah More and her sisters living on
their special hill-top was written after Mr. Barbauld's death, and
thirty years after Miss More's verses which are quoted by Mrs. Ellis in
her excellent memoir of Mrs. Barbauld:--

  Nor, Barbauld, shall my glowing heart refuse
  A tribute to thy virtues or thy muse;
  This humble merit shall at least be mine,
  The poet's chaplet for thy brows to twine;
  My verse thy talents to the world shall teach,
  And praise the graces it despairs to reach.

Then, after philosophically questioning the power of genius to confer
true happiness, she concludes:--

  Can all the boasted powers of wit and song
  Of life one pang remove, one hour prolong?
  Fallacious hope which daily truths deride--
  For you, alas! have wept and Garrick died.

Meanwhile, whatever genius might not be able to achieve, the five Miss
Mores had been living on peacefully together in the very comfortable
cottage which had been raised and thatched by the poetess's earnings.

'Barley Wood is equally the seat of taste and hospitality,' says Mrs.
Barbauld to a friend.

'Nothing could be more friendly than their reception,' she writes to her
brother, 'and nothing more charming than their situation. An extensive
view over the Mendip Hills is in front of their house, with a pretty
view of Wrington. Their home--cottage, because it is thatched--stands on
the declivity of a rising ground, which they have planted and made quite
a little paradise. The five sisters, all good old maids, have lived
together these fifty years. Hannah More is a good deal broken, but
possesses fully her powers of conversation, and her vivacity. We
exchanged riddles like the wise men of old; I was given to understand
she was writing something.'

There is another allusion to Mrs. Hannah More in a sensible letter from
Mrs. Barbauld, written to Miss Edgeworth about this time, declining to
join in an alarming enterprise suggested by the vivacious Mr. Edgeworth,
'a _Feminiad_, a literary paper to be entirely contributed to by ladies,
and where all articles are to be accepted.' 'There is no bond of union,'
Mrs. Barbauld says, 'among literary women any more than among literary
men; different sentiments and connections separate them much more than
the joint interest of their sex would unite them. Mrs. Hannah More would
not write along with you or me, and we should possibly hesitate at
joining Miss Hays or--if she were living--Mrs. Godwin.' Then she
suggests the names of Miss Baillie, Mrs. Opie, her own niece Miss Lucy
Aikin, and Mr. S. Rogers, who would not, she thinks, be averse to
joining the scheme.


How strangely unnatural it seems when Fate's heavy hand falls upon quiet
and common-place lives, changing the tranquil routine of every day into
the solemnities and excitements of terror and tragedy! It was after
their removal to Stoke Newington that the saddest of all blows fell
upon this true-hearted woman. Her husband's hypochondria deepened and
changed, and the attacks became so serious that her brother and his
family urged her anxiously to leave him to other care than her own. It
was no longer safe for poor Mr. Barbauld to remain alone with his wife,
and her life, says Mrs. Le Breton, was more than once in peril. But, at
first, she would not hear of leaving him; although on more than one
occasion she had to fly for protection to her brother close by.

There is something very touching in the patient fidelity with which Mrs.
Barbauld tried to soothe the later sad disastrous years of her husband's
life. She must have been a woman of singular nerve and courage to endure
as she did the excitement and cruel aberrations of her once gentle and
devoted companion. She only gave in after long resistance.

'An alienation from me has taken possession of his mind,' she says, in a
letter to Mrs. Kenrick; 'my presence seems to irritate him, and I must
resign myself to a separation from him who has been for thirty years the
partner of my heart, my faithful friend, my inseparable companion.' With
her habitual reticence, she dwells no more on that painful topic, but
goes on to make plans for them both, asks her old friend to come and
cheer her in her loneliness; and the faithful Betsy, now a widow with
grown-up step-children, ill herself, troubled by deafness and other
infirmities, responds with a warm heart, and promises to come, bringing
the comfort with her of old companionship and familiar sympathy. There
is something very affecting in the loyalty of the two aged women
stretching out their hands to each other across a whole lifetime. After
her visit Mrs. Barbauld writes again:--

'He is now at Norwich, and I hear very favourable accounts of his health
and spirits; he seems to enjoy himself very much amongst his old friends
there, and converses among them with his usual animation. There are no
symptoms of violence or of depression; so far is favourable; but this
cruel alienation from me, in which my brother is included, still remains
deep-rooted, and whether he will ever change in this point Heaven only
knows. The medical men fear he will not: if so, my dear friend, what
remains for me but to resign myself to the will of Heaven, and to think
with pleasure that every day brings me nearer a period which naturally
cannot be very far off, and at which this as well as every temporal
affliction must terminate?

'"Anything but this!" is the cry of weak mortals when afflicted; and
sometimes I own I am inclined to make it mine; but I will check myself.'

But while she was hoping still, a fresh outbreak of the malady occurred.
He, poor soul, weary of his existence, put an end to his sufferings: he
was found lifeless in the New River. Lucy Aikin quotes a Dirge found
among her aunt's papers after her death:--

  Pure Spirit, O where art thou now?
    O whisper to my soul,
  O let some soothening thought of thee
    This bitter grief control.

  'Tis not for thee the tears I shed,
    Thy sufferings now are o'er.
  The sea is calm, the tempest past,
    On that eternal shore.

  No more the storms that wrecked thy peace
    Shall tear that gentle breast,
  Nor summer's rage, nor winter's cold
    That poor, poor frame molest.

       *       *       *       *       *

  Farewell! With honour, peace, and love,
    Be that dear memory blest,
  Thou hast no tears for me to shed,
    When I too am at rest.

But her time of rest was not yet come, and she lived for seventeen years
after her husband. She was very brave, she did not turn from the
sympathy of her friends, she endured her loneliness with courage, she
worked to distract her mind. Here is a touching letter addressed to Mrs.
Taylor, of Norwich, in which she says:--'A thousand thanks for your kind
letter, still more for the very short visit that preceded it. Though
short--too short--it has left indelible impressions on my mind. My
heart has truly had communion with yours; your sympathy has been balm to
it; and I feel that there is _now_ no one on earth to whom I could pour
out that heart more readily.... I am now sitting alone again, and feel
like a person who has been sitting by a cheerful fire, not sensible at
the time of the temperature of the air; but the fire removed, he finds
the season is still winter. Day after day passes, and I do not know what
to do with my time; my mind has no energy nor power of application.'

How much she felt her loneliness appears again and again from one
passage and another. Then she struggled against discouragement; she
took to her pen again. To Mrs. Kenrick she writes:--'I intend to pay my
letter debts; not much troubling my head whether I have anything to say
or not; yet to you my heart has always something to say: it always
recognises you as among the dearest of its friends; and while it feels
that new impressions are made with difficulty and early effaced,
retains, and ever will retain, I trust beyond this world, those of our
early and long-tried affection.'

She set to work again, trying to forget her heavy trials. It was during
the first years of her widowhood that she published her edition of the
British novelists in some fifty volumes. There is an opening chapter to
this edition upon novels and novel-writing, which is an admirable and
most interesting essay upon fiction, beginning from the very earliest

In 1811 she wrote her poem on the King's illness, and also the longer
poem which provoked such indignant comments at the time. It describes
Britain's rise and luxury, warns her of the dangers of her unbounded
ambition and unjustifiable wars:--

  Arts, arms, and wealth destroy the fruits they bring;
  Commerce, like beauty, knows no second spring.

Her ingenuous youth from Ontario's shore who visits the ruins of London
is one of the many claimants to the honour of having suggested Lord
Macaulay's celebrated New Zealander:--

  Pensive and thoughtful shall the wanderers greet
  Each splendid square and still untrodden street,
  Or of some crumbling turret, mined by time,
  The broken stairs with perilous step shall climb,
  Thence stretch their view the wide horizon round,
  By scattered hamlets trace its ancient bound,
  And, choked no more with fleets, fair Thames survey
  Through reeds and sedge pursue his idle way.

It is impossible not to admire the poem, though it is stilted and not to
the present taste. The description of Britain as it now is and as it
once was is very ingenious:--

  Where once Bonduca whirled the scythèd car,
  And the fierce matrons raised the shriek of war,
  Light forms beneath transparent muslin float,
  And tutor'd voices swell the artful note;
  Light-leaved acacias, and the shady plane,
  And spreading cedars grace the woodland reign.

The poem is forgotten now, though it was scouted at the time and
violently attacked, Southey himself falling upon the poor old lady, and
devouring her, spectacles and all. She felt these attacks very much, and
could not be consoled, though Miss Edgeworth wrote a warm-hearted letter
of indignant sympathy. But Mrs. Barbauld had something in her too genuine
to be crushed, even by sarcastic criticism. She published no more, but
it was after her poem of '1811' that she wrote the beautiful ode by
which she is best known and best remembered,--the ode that Wordsworth
used to repeat and say he envied, that Tennyson has called 'sweet
verses,' of which the lines ring their tender hopeful chime like sweet
church bells on a summer evening.

Madame d'Arblay, in her old age, told Crabb Robinson that every night
she said the verses over to herself as she went to her rest. To the
writer they are almost sacred. The hand that patiently pointed out to
her, one by one, the syllables of Mrs. Barbauld's hymns for children,
that tended our childhood, as it had tended our father's, marked these
verses one night, when it blessed us for the last time.

  Life, we've been long together,
  Through pleasant and through cloudy weather;
  'Tis hard to part when friends are dear;
  Perhaps 'twill cost a sigh or tear,
  Then steal away, give little warning,
  Choose thine own time.
  Say not good-night, but in some brighter clime,
  Bid me 'Good morning.'

Mrs. Barbauld was over seventy when she wrote this ode. A poem, called
'Octogenary Reflections,' is also very touching:--

  Say ye, who through this round of eighty years
  Have proved its joys and sorrows, hopes and fears;
  Say what is life, ye veterans who have trod,
  Step following steps, its flowery thorny road?
  Enough of good to kindle strong desire;
  Enough of ill to damp the rising fire;
  Enough of love and fancy, joy and hope,
  To fan desire and give the passions scope;
  Enough of disappointment, sorrow, pain,
  To seal the wise man's sentence--'All is vain.'

There is another fragment of hers in which she likens herself to a
schoolboy left of all the train, who hears no sound of wheels to bear
him to his father's bosom home. 'Thus I look to the hour when I shall
follow those that are at rest before me.' And then at last the time came
for which she longed. Her brother died, her faithful Mrs. Kenrick died,
and Mrs. Taylor, whom she loved most of all. She had consented to give
up her solitary home to spend the remaining years of her life in the
home of her adopted son Charles, now married, and a father; but it was
while she was on a little visit to her sister-in-law, Mrs. Aikin, that
the summons came, very swiftly and peacefully, as she sat in her chair
one day. Her nephew transcribed these, the last lines she ever wrote:--

'Who are you?'

'Do you not know me? have you not expected me?'

'Whither do you carry me?'

'Come with me and you shall know.'

'The way is dark.'

'It is well trodden.'

'Yes, in the forward track.'

'Come along.'

'Oh! shall I there see my beloved ones? Will they welcome me, and will
they know me? Oh, tell me, tell me; thou canst tell me.'

'Yes, but thou must come first.'

'Stop a little; keep thy hand off till thou hast told me.'

'I never wait.'

'Oh! shall I see the warm sun again in my cold grave?'

'Nothing is there that can feel the sun.'

'Oh, where then?'

'Come, I say.'

One may acknowledge the great progress which people have made since Mrs.
Barbauld's day in the practice of writing prose and poetry, in the art
of expressing upon paper the thoughts which are in most people's minds.
It is (to use a friend's simile) like playing upon the piano--everybody
now learns to play upon the piano, and it is certain that the modest
performances of the ladies of Mrs. Barbauld's time would scarcely meet
with the attention now, which they then received. But all the same, the
stock of true feeling, of real poetry, is not increased by the increased
volubility of our pens; and so when something comes to us that is real,
that is complete in pathos or in wisdom, we still acknowledge the gift,
and are grateful for it.



    'Exceeding wise, fairspoken, and persuading.'--_Hen. VIII._



Few authoresses in these days can have enjoyed the ovations and
attentions which seem to have been considered the due of many of the
ladies distinguished at the end of the last century and the beginning of
this one. To read the accounts of the receptions and compliments which
fell to their lot may well fill later and lesser luminaries with envy.
Crowds opened to admit them, banquets spread themselves out before them,
lights were lighted up and flowers were scattered at their feet. Dukes,
editors, prime ministers, waited their convenience on their staircases;
whole theatres rose up _en masse_ to greet the gifted creatures of this
and that immortal tragedy. The authoresses themselves, to do them justice,
seem to have been very little dazzled by all this excitement. Hannah
More contentedly retires with her maiden sisters to the Parnassus on
the Mendip Hills, where they sew and chat and make tea, and teach the
village children. Dear Joanna Baillie, modest and beloved, lives on to
peaceful age in her pretty old house at Hampstead, looking through
tree-tops and sunshine and clouds towards distant London. 'Out there
where all the storms are,' I heard the children saying yesterday as
they watched the overhanging gloom of smoke which, veils the city of
metropolitan thunders and lightning. Maria Edgeworth's apparitions as
a literary lioness in the rush of London and of Paris society were but
interludes in her existence, and her real life was one of constant
exertion and industry spent far away in an Irish home among her own
kindred and occupations and interests. We may realise what these were
when we read that Mr. Edgeworth had no less than four wives, who all
left children, and that Maria was the eldest daughter of the whole
family. Besides this, we must also remember that the father whom she
idolised was himself a man of extraordinary powers, brilliant in
conversation (so I have been told), full of animation, of interest, of
plans for his country, his family, for education and literature, for
mechanics and scientific discoveries; that he was a gentleman widely
connected, hospitably inclined, with a large estate and many tenants to
overlook, with correspondence and acquaintances all over the world; and
besides all this, with various schemes in his brain, to be eventually
realised by others of which velocipedes, tramways, and telegraphs were
but a few of the items.

One could imagine that under these circumstances the hurry and
excitement of London life must have sometimes seemed tranquillity itself
compared with the many and absorbing interests of such a family. What
these interests were may be gathered from the pages of a very interesting
memoir from which the writer of this essay has been allowed to quote. It
is a book privately printed and written for the use of her children by
the widow of Richard Lovell Edgeworth, and is a record, among other
things, of a faithful and most touching friendship between Maria and her
father's wife--'a friendship lasting for over fifty years, and unbroken
by a single cloud of difference or mistrust.' Mrs. Edgeworth, who was
Miss Beaufort before her marriage, and about the same age as Miss
Edgeworth, unconsciously reveals her own most charming and unselfish
nature as she tells her stepdaughter's story.

When the writer looks back upon her own childhood, it seems to her that
she lived in company with a delightful host of little playmates, bright,
busy, clever children, whose cheerful presence remains more vividly in
her mind than that of many of the real little boys and girls who used to
appear and disappear disconnectedly as children do in childhood, when
friendship and companionship depend almost entirely upon the convenience
of grown-up people. Now and again came little cousins or friends to
share our games, but day by day, constant and unchanging, ever to be
relied upon, smiled our most lovable and friendly companions--simple
Susan, lame Jervas, Talbot, the dear Little Merchants, Jem the widow's
son with his arms round old Lightfoot's neck, the generous Ben, with his
whipcord and his useful proverb of 'waste not, want not'--all of these
were there in the window corner waiting our pleasure. After Parents'
Assistant, to which familiar words we attached no meaning whatever, came
Popular Tales in big brown volumes off a shelf in the lumber-room of an
apartment in an old house in Paris, and as we opened the books, lo!
creation widened to our view. England, Ireland, America, Turkey,
the mines of Golconda, the streets of Bagdad, thieves, travellers,
governesses, natural philosophy, and fashionable life, were all laid
under contribution, and brought interest and adventure to our humdrum
nursery corner. All Mr. Edgeworth's varied teaching and experience, all
his daughter's genius of observation, came to interest and delight our
play-time, and that of a thousand other little children in different
parts of the world. People justly praise Miss Edgeworth's admirable
stories and novels, but from prejudice and early association these
beloved childish histories seem unequalled still, and it is chiefly as
a writer for children that we venture to consider her here. Some of the
stories are indeed little idylls in their way. Walter Scott, who best
knew how to write for the young so as to charm grandfathers as well as
Hugh Littlejohn, Esq., and all the grandchildren, is said to have wiped
his kind eyes as he put down 'Simple Susan.' A child's book, says a
reviewer of those days defining in the 'Quarterly Review,' should be
'not merely less dry, less difficult, than a book for grown-up people;
but more rich in interest, more true to nature, more exquisite in art,
more abundant in every quality that replies to childhood's keener
and fresher perception.' Children like facts, they like short vivid
sentences that tell the story: as they listen intently, so they read;
every word has its value for them. It has been a real surprise to the
writer to find, on re-reading some of these descriptions of scenery and
adventure which she had not looked at since her childhood, that the
details which she had imagined spread over much space are contained in a
few sentences at the beginning of a page. These sentences, however, show
the true art of the writer.

It would be difficult to imagine anything better suited to the mind
of a very young person than these pleasant stories, so complete in
themselves, so interesting, so varied. The description of Jervas's
escape from the mine where the miners had plotted his destruction,
almost rises to poetry in its simple diction. Lame Jervas has warned his
master of the miners' plot, and showed him the vein of ore which they
have concealed. The miners have sworn vengeance against him, and his
life is in danger. His master helps him to get away, and comes into the
room before daybreak, bidding him rise and put on the clothes which he
has brought. 'I followed him out of the house before anybody else was
awake, and he took me across the fields towards the high road. At this
place we waited till we heard the tinkling of the bells of a team of
horses. "Here comes the waggon," said he, "in which you are to go. So
fare you well, Jervas. I shall hear how you go on; and I only hope you
will serve your next master, whoever he may be, as faithfully as you
have served me." "I shall never find so good a master," was all I could
say for the soul of me; I was quite overcome by his goodness and sorrow
at parting with him, as I then thought, for ever.' The description of
the journey is very pretty. 'The morning clouds began to clear away; I
could see my master at some distance, and I kept looking after him as
the waggon went on slowly, and he walked fast away over the fields.'
Then the sun begins to rise. The waggoner goes on whistling, but lame
Jervas, to whom the rising sun was a spectacle wholly surprising,
starts up, exclaiming in wonder and admiration. The waggoner bursts into
a loud laugh. 'Lud a marcy,' says he, 'to hear un' and look at un' a
body would think the oaf had never seen the sun rise afore;' upon which
Jervas remembers that he is still in Cornwall, and must not betray
himself, and prudently hides behind some parcels, only just in time, for
they meet a party of miners, and he hears his enemies' voice hailing the
waggoner. All the rest of the day he sits within, and amuses himself by
listening to the bells of the team, which jingle continually. 'On our
second day's journey, however, I ventured out of my hiding-place. I
walked with the waggoner up and down the hills, enjoying the fresh air,
the singing of the birds, and the delightful smell of the honeysuckles
and the dog-roses in the hedges. All the wild flowers and even the weeds
on the banks by the wayside were to me matters of wonder and admiration.
At almost every step I paused to observe something that was new to me,
and I could not help feeling surprised at the insensibility of my
fellow-traveller, who plodded along, and seldom interrupted his
whistling except to cry 'Gee, Blackbird, aw woa,' or 'How now, Smiler?'
Then Jervas is lost in admiration before a plant 'whose stem was about
two feet high, and which had a round shining purple beautiful flower,'
and the waggoner with a look of scorn exclaims, 'Help thee, lad, dost
not thou know 'tis a common thistle?' After this he looks upon Jervas as
very nearly an idiot. 'In truth I believe I was a droll figure, for my
hat was stuck full of weeds and of all sorts of wild flowers, and both
my coat and waistcoat pockets were stuffed out with pebbles and
funguses.' Then comes Plymouth Harbour: Jervas ventures to ask some
questions about the vessels, to which the waggoner answers 'They be
nothing in life but the boats and ships, man;' so he turned away and
went on chewing a straw, and seemed not a whit more moved to admiration
than he had been at the sight of the thistle. 'I conceived a high
admiration of a man who had seen so much that he could admire nothing,'
says Jervas, with a touch of real humour.

Another most charming little idyll is that of Simple Susan, who was a
real maiden living in the neighbourhood of Edgeworthstown. The story
seems to have been mislaid for a time in the stirring events of the
first Irish rebellion, and overlooked, like some little daisy by a
battlefield. Few among us will not have shared Mr. Edgeworth's partiality
for the charming little tale. The children fling their garlands and tie
up their violets. Susan bakes her cottage loaves and gathers marigolds
for broth, and tends her mother to the distant tune of Philip's pipe
coming across the fields. As we read the story again it seems as if
we could almost scent the fragrance of the primroses and the double
violets, and hear the music sounding above the children's voices, and
the bleatings of the lamb, so simply and delightfully is the whole story
constructed. Among all Miss Edgeworth's characters few are more familiar
to the world than that of Susan's pretty pet lamb.


No sketch of Maria Edgeworth's life, however slight, would be complete
without a few words about certain persons coming a generation before her
(and belonging still to the age of periwigs), who were her father's
associates and her own earliest friends. Notwithstanding all that has
been said of Mr. Edgeworth's bewildering versatility of nature, he seems
to have been singularly faithful in his friendships. He might take up
new ties, but he clung pertinaciously to those which had once existed.
His daughter inherited that same steadiness of affection. In his life of
Erasmus Darwin, his grandfather, Mr. Charles Darwin, writing of these
very people, has said, 'There is, perhaps, no safer test of a man's real
character than that of his long-continued friendship with good and
able men.' He then goes on to quote an instance of a long-continued
affection and intimacy only broken by death between a certain set of
distinguished friends, giving the names of Keir, Day, Small, Boulton,
Watt, Wedgwood, and Darwin, and adding to them the names of Edgeworth
himself and of the Galtons.

Mr. Edgeworth first came to Lichfield to make Dr. Darwin's acquaintance.
His second visit was to his friend Mr. Day, the author of 'Sandford and
Merton,' who had taken a house in the valley of Stow, and who invited
him one Christmas on a visit. 'About the year 1765,' says Miss Seward,
'came to Lichfield, from the neighbourhood of Reading, the young and gay
philosopher, Mr. Edgeworth; a man of fortune, and recently married to a
Miss Elers, of Oxfordshire. The fame of Dr. Darwin's various talents
allured Mr. E. to the city they graced.' And the lady goes on to describe
Mr. Edgeworth himself:--'Scarcely two-and-twenty, with an exterior yet
more juvenile, having mathematic science, mechanic ingenuity, and a
competent portion of classical learning, with the possession of the
modern languages.... He danced, he fenced, he winged his arrows with
more than philosophic skill,' continues the lady, herself a person of no
little celebrity in her time and place. Mr. Edgeworth, in his Memoirs,
pays a respectful tribute to Miss Seward's charms, to her agreeable
conversation, her beauty, her flowing tresses, her sprightliness and
address. Such moderate expressions fail, however, to do justice to this
lady's powers, to her enthusiasm, her poetry, her partisanship. The
portrait prefixed to her letters is that of a dignified person with an
oval face and dark eyes, the thick brown tresses are twined with pearls,
her graceful figure is robed in the softest furs and draperies of the
period. In her very first letter she thus poetically describes her
surroundings:--'The autumnal glory of this day puts to shame the summer's
sullenness. I sit writing upon this dear green terrace, feeding at
intervals my little golden-breasted songsters. The embosomed vale of
Stow glows sunny through the Claude-Lorraine tint which is spread over
the scene like the blue mist over a plum.'

In this Claude-Lorraine-plum-tinted valley stood the house which Mr. Day
had taken, and where Mr. Edgeworth had come on an eventful visit. Miss
Seward herself lived with her parents in the Bishop's palace at Lichfield.
There was also a younger sister, 'Miss Sally,' who died as a girl, and
another very beautiful young lady their friend, by name Honora Sneyd,
placed under Mrs. Seward's care. She was the heroine of Major André's
unhappy romance. He too lived at Lichfield with his mother, and his
hopeless love gives a tragic reality to this by-gone holiday of youth
and merry-making. As one reads the old letters and memoirs the echoes
of laughter reach us. One can almost see the young folks all coming
together out of the Cathedral Close, where so much of their time was
passed; the beautiful Honora, surrounded by friends and adorers,
chaperoned by the graceful Muse her senior, also much admired, and much
made of. Thomas Day is perhaps striding after them in silence with keen
critical glances; his long black locks flow unpowdered down his back. In
contrast to him comes his brilliant and dressy companion, Mr. Edgeworth,
who talks so agreeably. I can imagine little Sabrina, Day's adopted
foundling, of whom so many stories have been told, following shyly at
her guardian's side in her simple dress and childish beauty, and André's
young handsome face turned towards Miss Sneyd. So they pass on happy and
contented in each other's company, Honora in the midst, beautiful,
stately, reserved: she too was one of those not destined to be old.

Miss Seward seems to have loved this friend with a very sincere and
admiring affection, and to have bitterly mourned her early death. Her
letters abound in apostrophes to the lost Honora. But perhaps the poor
Muse expected almost too much from friendship, too much from life.
She expected, as we all do at times, that her friends should be not
themselves but her, that they should lead not their lives but her own.
So much at least one may gather from the various phases of her style
and correspondence, and her complaints of Honora's estrangement and
subsequent coldness. Perhaps, also, Miss Seward's many vagaries and
sentiments may have frozen Honora's sympathies. Miss Seward was all
asterisks and notes of exclamation. Honora seems to have forced feeling
down to its most scrupulous expression. She never lived to be softened
by experience, to suit herself to others by degrees: with great love she
also inspired awe and a sort of surprise. One can imagine her pointing
the moral of the purple jar, as it was told long afterwards by her
stepdaughter, then a little girl playing at her own mother's knee in her
nursery by the river.

People in the days of shilling postage were better correspondents than
they are now when we have to be content with pennyworths of news and of
affectionate intercourse. Their descriptions and many details bring all
the chief characters vividly before us, and carry us into the hearts and
the pocket-books of the little society at Lichfield as it then was. The
town must have been an agreeable sojourn in those days for people of
some pretension and small performance. The inhabitants of Lichfield seem
actually to have read each other's verses, and having done so to have
taken the trouble to sit down and write out their raptures. They were a
pleasant lively company living round about the old cathedral towers,
meeting in the Close or the adjacent gardens or the hospitable Palace
itself. Here the company would sip tea, talk mild literature of their
own and good criticism at second hand, quoting Dr. Johnson to one
another with the familiarity of townsfolk. From Erasmus Darwin, too,
they must have gained something of vigour and originality.

With all her absurdities Miss Seward had some real critical power and
appreciation; and some of her lines are very pretty.[1] An 'Ode to the
Sun' is only what might have been expected from this Lichfield Corinne.
Her best known productions are an 'Elegy on Captain Cook,' a 'Monody on
Major André,' whom she had known from her early youth; and there is a
poem, 'Louisa,' of which she herself speaks very highly. But even more
than her poetry did she pique herself upon her epistolary correspondence.
It must have been well worth while writing letters when they were not
only prized by the writer and the recipients, but commented on by their
friends in after years. 'Court Dewes, Esq.,' writes, after five years,
for copies of Miss Seward's epistles to Miss Rogers and Miss Weston, of
which the latter begins:--'Soothing and welcome to me, dear Sophia, is
the regret you express for our separation! Pleasant were the weeks we
have recently passed together in this ancient and embowered mansion! I
had strongly felt the silence and vacancy of the depriving day on which
you vanished. How prone are our hearts perversely to quarrel with the
friendly coercion of employment at the very instant in which it is
clearing the torpid and injurious mists of unavailing melancholy!' Then
follows a sprightly attack before which Johnson may have quailed indeed.
'Is the Fe-fa-fum of literature that snuffs afar the fame of his brother
authors, and thirsts for its destruction, to be allowed to gallop
unmolested over the fields of criticism? A few pebbles from the
well-springs of truth and eloquence are all that is wanted to bring the
might of his envy low.' This celebrated letter, which may stand as
a specimen of the whole six volumes, concludes with the following
apostrophe:--'Virtuous friendship, how pure, how sacred are thy
delights! Sophia, thy mind is capable of tasting them in all their
poignance: against how many of life's incidents may that capacity be
considered as a counterpoise!'

 Footnote 1: In a notice of Miss Seward in the _Annual Register_, just
 after her death in 1809, the writer, who seems to have known her,
 says:--'Conscious of ability, she freely displayed herself in a manner
 equally remote from annoyance and affectation.... Her errors arose from
 a glowing imagination joined to an excessive sensibility, cherished
 instead of repressed by early habits. It is understood that she has left
 the whole of her works to Mr. Scott, the northern poet, with a view to
 their publication with her life and posthumous pieces.'

There were constant rubs, which are not to be wondered at, between Miss
Seward and Dr. Darwin, who, though a poet, was also a singularly witty,
downright man, outspoken and humorous. The lady admires his genius,
bitterly resents his sarcasms; of his celebrated work, the 'Botanic
Garden,' she says, 'It is a string of poetic brilliants, and they are of
the first water, but the eye will be apt to want the intersticial black
velvet to give effect to their lustre.' In later days, notwithstanding
her 'elegant language,' as Mr. Charles Darwin calls it, she said several
spiteful things of her old friend, but they seem more prompted by
private pique than malice.

If Miss Seward was the Minerva and Dr. Darwin the Jupiter of the
Lichfield society, its philosopher was Thomas Day, of whom Miss Seward's
description is so good that I cannot help one more quotation:--

'Powder and fine clothes were at that time the appendages of gentlemen;
Mr. Day wore not either. He was tall and stooped in the shoulders, full
made but not corpulent, and in his meditative and melancholy air a
degree of awkwardness and dignity were blended.' She then compares
him with his guest, Mr. Edgeworth. 'Less graceful, less amusing, less
brilliant than Mr. E., but more highly imaginative, more classical, and
a deeper reasoner; strict integrity, energetic friendship, open-handed
generosity, and diffusive charity, greatly overbalanced on the side of
virtue, the tincture of misanthropic gloom and proud contempt of common
life society.' Wright, of Derby, painted a full-length picture of Mr.
Day in 1770. 'Mr. Day looks upward enthusiastically, meditating on
the contents of a book held in his dropped right hand ... a flash of
lightning plays in his hair and illuminates the contents of the volume.'
'Dr. Darwin,' adds Miss Seward, 'sat to Mr. Wright about the same
period--_that_ was a simply contemplative portrait of the most perfect


Maria must have been three years old this eventful Christmas time when
her father, leaving his wife in Berkshire, came to stay with Mr. Day at
Lichfield, and first made the acquaintance of Miss Seward and her poetic
circle. Mr. Day, who had once already been disappointed in love, and
whose romantic scheme of adopting his foundlings and of educating one of
them to be his wife, has often been described, had brought one of the
maidens to the house he had taken at Lichfield. This was Sabrina, as he
had called her. Lucretia, having been found troublesome, had been sent
off with a dowry to be apprenticed to a milliner. Sabrina was a charming
little girl of thirteen; everybody liked her, especially the friendly
ladies at the Palace, who received her with constant kindness, as they
did Mr. Day himself and his visitor. What Miss Seward thought of Sabrina's
education I do not know. The poor child was to be taught to despise
luxury, to ignore fear, to be superior to pain. She appears, however, to
have been very fond of her benefactor, but to have constantly provoked
him by starting and screaming whenever he fired uncharged pistols at
her skirts, or dropped hot melted sealing-wax on her bare arms. She
is described as lovely and artless, not fond of books, incapable of
understanding scientific problems, or of keeping the imaginary and
terrible secrets with which her guardian used to try her nerves. I do
not know when it first occurred to him that Honora Sneyd was all that
his dreams could have imagined. One day he left Sabrina under many
restrictions, and returning unexpectedly found her wearing some garment
or handkerchief of which he did not approve, and discarded her on the
spot and for ever. Poor Sabrina was evidently not meant to mate and soar
with philosophical eagles. After this episode, she too was despatched,
to board with an old lady, in peace for a time, let us hope, and in
tranquil mediocrity.

Mr. Edgeworth approved of this arrangement; he had never considered that
Sabrina was suited to his friend. But being taken in due time to call at
the Palace, he was charmed with Miss Seward, and still more by all he
saw of Honora; comparing her, alas! in his mind 'with all other women,
and secretly acknowledging her superiority.' At first, he says, Miss
Seward's brilliance overshadowed Honora, but very soon her merits grew
upon the bystanders.

Mr. Edgeworth carefully concealed his feelings except from his host, who
was beginning himself to contemplate a marriage with Miss Sneyd. Mr.
Day presently proposed formally in writing for the hand of the lovely
Honora, and Mr. Edgeworth was to take the packet and to bring back the
answer; and being married himself, and out of the running, he appears to
have been unselfishly anxious for his friend's success. In the packet
Mr. Day had written down the conditions to which he should expect his
wife to subscribe. She would have to begin at once by giving up all
luxuries, amenities, and intercourse with the world, and promise to
continue to seclude herself entirely in his company. Miss Sneyd does not
seem to have kept Mr. Edgeworth waiting long while she wrote her answer
decidedly saying that she could not admit the unqualified control of a
husband over all her actions, nor the necessity for 'seclusion from
society to preserve female virtue.' Finding that Honora absolutely
refused to change her way of life, Mr. Day went into a fever, for which
Dr. Darwin bled him. Nor did he recover until another Miss Sneyd,
Elizabeth by name, made her appearance in the Close.

Mr. Edgeworth, who was of a lively and active disposition, had
introduced archery among the gentlemen of the neighbourhood, and he
describes a fine summer evening's entertainment passed in agreeable
sports, followed by dancing and music, in the course of which Honora's
sister, Miss Elizabeth, appeared for the first time on the Lichfield
scene, and immediately joined in the country dance. There is a vivid
description of the two sisters in Mr. Edgeworth's memoirs, of the
beautiful and distinguished Honora, loving science, serious, eager,
reserved; of the more lovely but less graceful Elizabeth, with less of
energy, more of humour and of social gifts than her sister. Elizabeth
Sneyd was, says Edgeworth, struck by Day's eloquence, by his unbounded
generosity, by his scorn of wealth. His educating a young girl for his
wife seemed to her romantic and extraordinary; and she seems to have
thought it possible to yield to the evident admiration she had aroused
in him. But, whether in fun or in seriousness, she represented to him
that he could not with justice decry accomplishments and graces that he
had not acquired. She wished him to go abroad for a time to study to
perfect himself in all that was wanting; on her own part she promised
not to go to Bath, London, or any public place of amusement until his
return, and to read certain books which he recommended.

Meanwhile Mr. Edgeworth had made no secret of his own feeling for Honora
to Mr. Day, 'who with all the eloquence of virtue and of friendship'
urged him to fly, to accompany him abroad, and to shun dangers he could
not hope to overcome. Edgeworth consented to this proposal, and the two
friends started for Paris, visiting Rousseau on their way. They spent
the winter at Lyons, as it was a place where excellent masters of all
sorts were to be found; and here Mr. Day, with excess of zeal--

    put himself (says his friend) to every species of torture,
    ordinary and extraordinary, to compel his Antigallican limbs, in
    spite of their natural rigidity, to dance and fence, and manage
    the _great horse_. To perform his promise to Miss E. Sneyd
    honourably, he gave up seven or eight hours of the day to these
    exercises, for which he had not the slightest taste, and for
    which, except horsemanship, he manifested the most sovereign
    contempt. It was astonishing to behold the energy with which he
    persevered in these pursuits. I have seen him stand between two
    boards which reached from the ground higher than his knees: these
    boards were adjusted with screws so as barely to permit him to
    bend his knees, and to rise up and sink down. By these means Mr.
    Huise proposed to force Mr. Day's knees outwards; but screwing was
    in vain. He succeeded in torturing his patient; but original
    formation and inveterate habit resisted all his endeavours at
    personal improvement. I could not help pitying my philosophic
    friend, pent up in durance vile for hours together, with his feet
    in the stocks, a book in his hand, and contempt in his heart.

Mr. Edgeworth meanwhile lodged himself 'in excellent and agreeable
apartments,' and occupied himself with engineering. He is certainly
curiously outspoken in his memoirs; and explains that the first Mrs.
Edgeworth, Maria's mother, with many merits, was of a complaining
disposition, and did not make him so happy at home as a woman of a more
lively temper might have succeeded in doing. He was tempted, he said, to
look for happiness elsewhere than in his home. Perhaps domestic affairs
may have been complicated by a warm-hearted but troublesome little son,
who at Day's suggestion had been brought up upon the Rousseau system,
and was in consequence quite unmanageable, and a worry to everybody.
Poor Mrs. Edgeworth's complainings were not to last very long. She
joined her husband at Lyons, and after a time, having a dread of
lying-in abroad, returned home to die in her confinement, leaving four
little children. Maria could remember being taken into her mother's room
to see her for the last time.

Mr. Edgeworth hurried back to England, and was met by his friend Thomas
Day, who had preceded him, and whose own suit does not seem to have
prospered meanwhile. But though notwithstanding all his efforts Thomas
Day had not been fortunate in securing Elizabeth Sneyd's affections, he
could still feel for his friend. His first words were to tell Edgeworth
that Honora was still free, more beautiful than ever; while Virtue and
Honour commanded it, he had done all he could to divide them; now he
wished to be the first to promote their meeting. The meeting resulted in
an engagement, and Mr. Edgeworth and Miss Sneyd were married within four
months by the benevolent old canon in the Lady Chapel of Lichfield

Mrs. Seward wept; Miss Seward, 'notwithstanding some imaginary
dissatisfaction about a bridesmaid,' was really glad of the marriage, we
are told; and the young couple immediately went over to Ireland.


Though her life was so short, Honora Edgeworth seems to have made the
deepest impression on all those she came across. Over little Maria she
had the greatest influence. There is a pretty description of the child
standing lost in wondering admiration of her stepmother's beauty, as she
watched her soon after her marriage dressing at her toilet-table. Little
Maria's feeling for her stepmother was very deep and real, and the
influence of those few years lasted for a lifetime. Her own exquisite
carefulness she always ascribed to it, and to this example may also be
attributed her habits of order and self-government, her life of reason
and deliberate judgment.

The seven years of Honora's married life seem to have been very peaceful
and happy. She shared her husband's pursuits, and wished for nothing
outside her own home. She began with him to write those little books
which were afterwards published. It is just a century ago since she and
Mr. Edgeworth planned the early histories of Harry and Lucy and Frank;
while Mr. Day began his 'Sandford and Merton,' which at first was
intended to appear at the same time, though eventually the third part
was not published till 1789.

As a girl of seventeen Honora Sneyd had once been threatened with
consumption. After seven years of married life the cruel malady again
declared itself; and though Dr. Darwin did all that human resource could
do, and though every tender care surrounded her, the poor young lady
rapidly sank. There is a sad, prim, most affecting letter, addressed to
little Maria by the dying woman shortly before the end; and then comes
that one written by the father, which is to tell her that all is over.

If Mr. Edgeworth was certainly unfortunate in losing again and again the
happiness of his home, he was more fortunate than most people in being
able to rally from his grief. He does not appear to have been unfaithful
in feeling. Years after, Edgeworth, writing to console Mrs. Day upon her
husband's death, speaks in the most touching way of all he had suffered
when Honora died, and of the struggle he had made to regain his hold of
life. This letter is in curious contrast to that one written at the
time, as he sits by poor Honora's deathbed; it reads strangely cold and
irrelevant in these days when people are not ashamed of feeling or of
describing what they feel. 'Continue, my dear daughter'--he writes to
Maria, who was then thirteen years old--'the desire which you feel of
becoming amiable, prudent, and of use. The ornamental parts of a
character, with such an understanding as yours, necessarily ensue; but
true judgment and sagacity in the choice of friends, and the regulation
of your behaviour, can be only had from reflection, and from being
thoroughly convinced of what experience in general teaches too late,
that to be happy we must be good.'

'Such a letter, written at such a time,' says the kind biographer, 'made
the impression it was intended to convey; and the wish to act up to the
high opinion her father had formed of her character became an exciting
and controlling power over the whole of Maria's future life.' On her
deathbed, Honora urged her husband to marry again, and assured him that
the woman to suit him was her sister Elizabeth. Her influence was so
great upon them both that, although Elizabeth was attached to some one
else, and Mr. Edgeworth believed her to be little suited to himself,
they were presently engaged and married, not without many difficulties.
The result proved how rightly Honora had judged.

It was to her father that Maria owed the suggestion of her first start
in literature. Immediately after Honora's death he tells her to write a
tale about the length of a 'Spectator,' on the subject of generosity.
'It must be taken from history or romance, must be sent the day
se'nnight after you receive this; and I beg you will take some pains
about it.' A young gentleman from Oxford was also set to work to try his
powers on the same subject, and Mr. William Sneyd, at Lichfield, was to
be judge between the two performances. He gave his verdict for Maria:
'An excellent story and very well written: but where's the generosity?'
This, we are told, became a sort of proverb in the Edgeworth family.

The little girl meanwhile had been sent to school to a certain Mrs.
Lataffiere, where she was taught to use her fingers, to write a lovely
delicate hand, to work white satin waistcoats for her papa. She was then
removed to a fashionable establishment in Upper Wimpole Street, where,
says her stepmother, 'she underwent all the usual tortures of
backboards, iron collars, and dumb-bells, with the unusual one of being
hung by the neck to draw out the muscles and increase the growth,--a
signal failure in her case.' (Miss Edgeworth was always a very tiny
person.) There is a description given of Maria at this school of hers of
the little maiden absorbed in her book with all the other children at
play, while she sits in her favourite place in front of a carved oak
cabinet, quite unconscious of the presence of the romping girls all
about her.

Hers was a very interesting character as it appears in the
Memoirs--sincere, intelligent, self-contained, and yet dependent;
methodical, observant. Sometimes as one reads of her in early life one
is reminded of some of the personal characteristics of the writer who
perhaps of all writers least resembles Miss Edgeworth in her art--of
Charlotte Brontë, whose books are essentially of the modern and
passionate school, but whose strangely mixed character seemed rather to
belong to the orderly and neatly ruled existence of Queen Charlotte's
reign. People's lives as they really are don't perhaps vary very much,
but people's lives as they seem to be assuredly change with the fashions.
Miss Edgeworth and Miss Brontë were both Irishwomen, who have often,
with all their outcome, the timidity which arises from quick and
sensitive feeling. But the likeness does not go very deep. Maria,
whose diffidence and timidity were personal, but who had a firm and
unalterable belief in family traditions, may have been saved from some
danger of prejudice and limitation by a most fortunate though trying
illness which affected her eyesight, and which caused her to be removed
from her school with its monstrous elegancies to the care of Mr. Day,
that kindest and sternest of friends.

This philosopher in love had been bitterly mortified when the lively
Elizabeth Sneyd, instead of welcoming his return, could not conceal her
laughter at his uncouth elegancies, and confessed that, on the whole,
she had liked him better as he was before. He forswore Lichfield and
marriage, and went abroad to forget. He turned his thoughts to politics;
he wrote pamphlets on public subjects and letters upon slavery. His poem
of the 'Dying Negro' had been very much admired. Miss Hannah More speaks
of it in her Memoirs. The subject of slavery was much before people's
minds, and Day's influence had not a little to do with the rising

Among Day's readers and admirers was one person who was destined to have
a most important influence upon his life. By a strange chance his
extraordinary ideal was destined to be realised; and a young lady, good,
accomplished, rich, devoted, who had read his books, and sympathised
with his generous dreams, was ready not only to consent to his strange
conditions, but to give him her whole heart and find her best happiness
in his society and in carrying out his experiments and fancies. She was
Miss Esther Milnes, of Yorkshire, an heiress; and though at first Day
hesitated and could not believe in the reality of her feeling, her
constancy and singleness of mind were not to be resisted, and they were
married at Bath in 1778. We hear of Mr. and Mrs. Day spending the first
winter of their married life at Hampstead, and of Mrs. Day, thickly
shodden, walking with him in a snowstorm on the common, and ascribing
her renewed vigour to her husband's Spartan advice.

Day and his wife eventually established themselves at Anningsley, near
Chobham. He had insisted upon settling her fortune upon herself, but
Mrs. Day assisted him in every way, and sympathised in his many schemes
and benevolent ventures. When he neglected to make a window to the
dressing-room he built for her, we hear of her uncomplainingly lighting
her candles; to please him she worked as a servant in the house, and all
their large means were bestowed in philanthropic and charitable schemes.
Mr. Edgeworth quotes his friend's reproof to Mrs. Day, who was fond of
music: 'Shall we beguile the time with the strains of a lute while our
fellow-creatures are starving?' 'I am out of pocket every year about
300_l._ by the farm I keep,' Day writes his to his friend Edgeworth.
'The soil I have taken in hand, I am convinced, is one of the most
completely barren in England.' He then goes on to explain his reasons
for what he is about. 'It enables me to employ the poor, and the result
of all my speculations about humanity is that the only way of benefiting
mankind is to give them employment and make them earn their money.'
There is a pretty description of the worthy couple in their home
dispensing help and benefits all round about, draining, planting,
teaching, doctoring--nothing came amiss to them. Their chief friend and
neighbour was Samuel Cobbett, who understood their plans, and
sympathised in their efforts, which, naturally enough, were viewed with
doubt and mistrust by most of the people round about. It was at
Anningsley that Mr. Day finished 'Sandford and Merton,' begun many years
before. His death was very sudden, and was brought about by one of his
own benevolent theories. He used to maintain that kindness alone could
tame animals; and he was killed by a fall from a favourite colt which he
was breaking in. Mrs. Day never recovered the shock. She lived two years
hidden in her home, absolutely inconsolable, and then died and was laid
by her husband's side in the churchyard at Wargrave by the river.

It was to the care of these worthy people that little Maria was sent
when she was ill, and she was doctored by them both physically and
morally. 'Bishop Berkeley's tar-water was still considered a specific
for all complaints,' says Mrs. Edgeworth. 'Mr. Day thought it would be
of use to Maria's inflamed eyes, and he used to bring a large tumbler
full of it to her every morning. She dreaded his "Now, Miss Maria, drink
this." But there was, in spite of his stern voice, something of pity and
sympathy in his countenance. His excellent library was open to her, and
he directed her studies. His severe reasoning and uncompromising truth
of mind awakened all her powers, and the questions he put to her and the
working out of the answers, the necessity of perfect accuracy in all her
words, suited the natural truth of her mind; and though such strictness
was not agreeable, she even then perceived its advantage, and in after
life was grateful for it.'


We have seen how Miss Elizabeth Sneyd, who could not make up her mind to
marry Mr. Day notwithstanding all he had gone through for her sake, had
eventually consented to become Mr. Edgeworth's third wife. With this
stepmother for many years to come Maria lived in an affectionate
intimacy, only to be exceeded by that most faithful companionship which
existed for fifty years between her and the lady from whose memoirs I

It was about 1782 that Maria went home to live at Edgeworthtown with
her father and his wife, with the many young brothers and sisters. The
family was a large one, and already consisted of her own sisters, of
Honora the daughter of Mrs. Honora, and Lovell her son. To these
succeeded many others of the third generation; and two sisters of Mrs.
Edgeworth's, who also made their home at Edgeworthtown.

    Maria had once before been there, "very young, but she was now old
    enough to be struck with the difference then so striking between
    Ireland and England." The tones and looks, the melancholy and the
    gaiety of the people, were so new and extraordinary to her that
    the delineations she long afterwards made of Irish character
    probably owe their life and truth to the impression made on her
    mind at this time as a stranger. Though it was June when they
    landed, there was snow on the roses she ran out to gather, and she
    felt altogether in a new and unfamiliar country.

She herself describes the feelings of the master of a family returning
to an Irish home:--

    Wherever he turned his eyes, in or out of his home, damp
    dilapidation, waste appeared. Painting, glazing, roofing, fencing,
    finishing--all were wanting. The backyard and even the front
    lawn round the windows of the house were filled with loungers,
    followers, and petitioners; tenants, undertenants, drivers,
    sub-agent and agent were to have audience; and they all had
    grievances and secret informations, accusations, reciprocations,
    and quarrels each under each interminable.

Her account of her father's dealings with them is admirable:--

    I was with him constantly, and I was amused and interested in
    seeing how he made his way through their complaints, petitions,
    and grievances with decision and despatch, he all the time in good
    humour with the people and they delighted with him, though he
    often rated them roundly when they stood before him perverse in
    litigation, helpless in procrastination, detected in cunning or
    convicted of falsehood. They saw into his character almost as soon
    as he understood theirs.

Mr. Edgeworth had in a very remarkable degree that power of ruling and
administering which is one of the rarest of gifts. He seems to have
shown great firmness and good sense in his conduct in the troubled times
in which he lived. He saw to his own affairs, administered justice, put
down middlemen as far as possible, reorganised the letting out of the
estate. Unlike many of his neighbours, he was careful not to sacrifice
the future to present ease of mind and of pocket. He put down rack-rents
and bribes of every sort, and did his best to establish things upon a
firm and lasting basis.

But if it was not possible even for Mr. Edgeworth to make such things
all they should have been outside the house, the sketch given of the
family life at home is very pleasant. The father lives in perfect
confidence with his children, admitting them to his confidence,
interesting them in his experiments, spending his days with them,
consulting them. There are no reservations; he does his business in the
great sitting-room, surrounded by his family. I have heard it described
as a large ground-floor room, with windows to the garden and with two
columns supporting the further end, by one of which Maria's writing-desk
used to be placed--a desk which her father had devised for her, which
used to be drawn out to the fireside when she worked. Does not Mr.
Edgeworth also mention in one of his letters a picture of Thomas Day
hanging over a sofa against the wall? Books in plenty there were,
we may be sure, and perhaps models of ingenious machines and different
appliances for scientific work. Sir Henry Holland and Mr. Ticknor give a
curious description of Mr. Edgeworth's many ingenious inventions. There
were strange locks to the rooms and telegraphic despatches to the
kitchen; clocks at the one side of the house were wound up by simply
opening certain doors at the other end. It has been remarked that all
Miss Edgeworth's heroes had a smattering of science. Several of her
brothers inherited her father's turn for it. We hear of them raising
steeples and establishing telegraphs in partnership with him. Maria
shared of the family labours and used to help her father in the business
connected with the estate, to assist him, also, to keep the accounts.
She had a special turn for accounts, and she was pleased with her
exquisitely neat columns and by the accuracy with which her figures fell
into their proper places. Long after her father's death this knowledge
and experience enabled her to manage the estate for her eldest stepbrother,
Mr. Lovell Edgeworth. She was able, at a time of great national
difficulty and anxious crisis, to meet a storm in which many a larger
fortune was wrecked.

But in 1782 she was a young girl only beginning life. Storms were not
yet, and she was putting out her wings in the sunshine. Her father set
her to translate 'Adèle et Théodore,' by Madame de Genlis (she had a
great facility for languages, and her French was really remarkable).
Holcroft's version of the book, however, appeared, and the Edgeworth
translation was never completed. Mr. Day wrote a letter to congratulate
Mr. Edgeworth on the occasion. It seemed horrible to Mr. Day that a
woman should appear in print.

It is possible that the Edgeworth family was no exception to the rule by
which large and clever and animated families are apt to live in a
certain atmosphere of their own. But, notwithstanding this strong family
bias, few people can have seen more of the world, felt its temper more
justly, or appreciated more fully the interesting varieties of people to
be found in it than Maria Edgeworth. Within easy reach of Edgeworthtown
were different agreeable and cultivated houses. There was Pakenham Hall
with Lord Longford for its master; one of its daughters was the future
Duchess of Wellington, 'who was always Kitty Pakenham for her old
friends.' There at Castle Forbes also lived, I take it, more than one
of the well-bred and delightful persons, out of 'Patronage,' and the
'Absentee,' who may, in real life, have borne the names of Lady Moira
and Lady Granard. Besides, there were cousins and relations without
number--Foxes, Ruxtons, marriages and intermarriages; and when the time
came for occasional absences and expeditions from home, the circles seem
to have spread incalculably in every direction. The Edgeworths appear to
have been a genuinely sociable clan, interested in others and certainly
interesting to them.


The first letter given in the Memoirs from Maria to her favourite aunt
Ruxton is a very sad one, which tells of the early death of her sister
Honora, a beautiful girl of fifteen, the only daughter of Mrs. Honora
Edgeworth, who died of consumption, as her mother had died. This letter,
written in the dry phraseology of the time, is nevertheless full of
feeling, above all for her father who was, as Maria says elsewhere,
ever since she could think or feel, the first object and motive of her

Mrs. Edgeworth describes her sister-in-law as follows:--

    Mrs. Ruxton resembled her brother in the wit and vivacity of her
    mind and strong affections; her grace and charm of manner were
    such that a gentleman once said of her; 'If I were to see Mrs.
    Ruxton in rags as a beggar woman sitting on the doorstep, I should
    say "Madam" to her.' 'To write to her Aunt Ruxton was, as long as
    she lived, Maria's greatest pleasure while away from her,' says
    Mrs. Edgeworth, 'and to be with her was a happiness she enjoyed
    with never flagging and supreme delight. Blackcastle was within a
    few hours' drive of Edgeworthtown, and to go to Blackcastle was
    the holiday of her life.'

Mrs. Edgeworth tells a story of Maria once staying at Blackcastle and
tearing out the title page of 'Belinda,' so that her aunt, Mrs. Ruxton,
read the book without any suspicion of the author. She was so delighted
with it that she insisted on Maria listening to page after page,
exclaiming 'Is not that admirably written?' 'Admirably read, I think,'
said Maria; until her aunt, quite provoked by her faint acquiescence,
says, 'I am sorry to see my little Maria unable to bear the praises of a
rival author;' at which poor Maria burst into tears, and Mrs. Ruxton
could never bear the book mentioned afterwards.

It was with Mrs. Ruxton that a little boy, born just after the death
of the author of 'Sandford and Merton,' was left on the occasion of
the departure of the Edgeworth family for Clifton, in 1792, where Mr.
Edgeworth spent a couple of years for the health of one of his sons. In
July the poor little brother dies in Ireland. 'There does not, now that
little Thomas is gone, exist even a person of the same name as Mr. Day,'
says Mr. Edgeworth, who concludes his letter philosophically, as the
father of twenty children may be allowed to do, by expressing a hope
that to his nurses, Mrs. Ruxton and her daughter, 'the remembrance of
their own goodness will soon obliterate the painful impression of his
miserable end.' During their stay at Clifton Richard Edgeworth, the
eldest son, who had been brought up upon Rousseau's system, and who
seems to have found the Old World too restricted a sphere for his
energies, after going to sea and disappearing for some years, suddenly
paid them a visit from South Carolina, where he had settled and married.
The young man was gladly welcomed by them all. He had been long separated
from home, and he eventually died very young in America; but his sister
always clung to him with fond affection, and when he left them to return
home she seems to have felt his departure very much. 'Last Saturday my
poor brother Richard took leave of us to return to America. He has gone
up to London with my father and mother, and is to sail from thence. We
could not part from him without great pain and regret, for he made us
all extremely fond of him.'

Notwithstanding these melancholy events, Maria Edgeworth seems to have
led a happy busy life all this time among her friends, her relations,
her many interests, her many fancies and facts, making much of the
children, of whom she writes pleasant descriptions to her aunt.
'Charlotte is very engaging and promises to be handsome. Sneyd is, and
promises everything. Henry will, I think, through life always do more
than he promises. Little Honora is a sprightly blue-eyed child at nurse
with a woman who is the picture of health and simplicity. Lovell is
perfectly well. Doctor Darwin has paid him very handsome compliments on
his lines on the Barbarini Vase in the first part of the "Botanic

Mr. Edgeworth, however, found the time long at Clifton, though, as
usual, he at once improved his opportunities, paid visits to his friends
in London and elsewhere, and renewed many former intimacies and

Maria also paid a visit to London, but the time had not come for her to
enjoy society, and the extreme shyness of which Mrs. Edgeworth speaks
made it pain to her to be in society in those early days. 'Since I have
been away from home,' she writes, 'I have missed the society of my
father, mother, and sisters more than I can express, and more than
beforehand I could have thought possible. I long to see them all again.
Even when I am most amused I feel a void, and now I understand what an
aching void is perfectly.' Very soon we hear of her at home again,
'scratching away at the Freeman family.' Mr. Edgeworth is reading aloud
Gay's 'Trivia' among other things, which she recommends to her aunt. 'I
had much rather make a bargain with any one I loved to read the same
books with them at the same hour than to look at the moon like
Rousseau's famous lovers.' There is another book, a new book for the
children, mentioned about this time, 'Evenings at Home,' which they all
admire immensely.

Miss Edgeworth was now about twenty-six, at an age when a woman's powers
have fully ripened; a change comes over her style; there is a fulness of
description in her letters and a security of expression which show
maturity. Her habit of writing was now established, and she describes
the constant interest her father took and his share in all she did. Some
of the slighter stories she first wrote upon a slate and read out to her
brothers and sisters; others she sketched for her father's approval, and
arranged and altered as he suggested. The letters for literary ladies
were with the publishers by this time, and these were followed by
various stories and early lessons, portions of 'Parents' Assistant,'
and of popular tales, all of which were sent out in packets and lent
from one member of the family to another before finally reaching Mr.
Johnson, the publisher's, hands. Maria Edgeworth in some of her letters
from Clifton alludes with some indignation to the story of Mrs. Hannah
More's ungrateful _protégée_ Lactilla, the literary milkwoman, whose
poems Hannah More was at such pains to bring before the world, and for
whom, with her kind preface and warm commendations and subscription
list, she was able to obtain the large sum of 500_l._ The ungrateful
Lactilla, who had been starving when Mrs. More found her out, seems to
have lost her head in this sudden prosperity, and to have accused her
benefactress of wishing to steal a portion of the money. Maria Edgeworth
must have been also interested in some family marriages which took place
about this time. Her own sister Anna became engaged to Dr. Beddoes, of
Clifton, whose name appears as prescribing for the authors of various
memoirs of that day. He is 'a man of ability, of a great name in the
scientific world,' says Mr. Edgeworth, who favoured the Doctor's
'declared passion,' as a proposal was then called, and the marriage
accordingly took place on their return to Ireland. Emmeline, another
sister, was soon after married to Mr. King, a surgeon, also living at
Bristol, and Maria was now left the only remaining daughter of the
first marriage, to be good aunt, sister, friend to all the younger
members of the party. She was all this, but she herself expressly states
that her father would never allow her to be turned into a nursery drudge;
her share of the family was limited to one special little boy. Meanwhile
her pen-and-ink children are growing up, and starting out in the world
on their own merits.

'I beg, dear Sophy,' she writes to her cousin, 'that you will not call
my little stories by the sublime name of my works; I shall else be
ashamed when the little mouse comes forth. The stories are printed and
bound the same size as 'Evenings at Home,' but I am afraid you will
dislike the title. My father had sent the 'Parents' Friend,' but Mr.
Johnson has degraded it into 'Parents' Assistant.'

In 1797, says Miss Beaufort, who was to be so soon more intimately
connected with the Edgeworth family, Johnson wished to publish more
volumes of the 'Parents' Assistant' on fine paper, with prints, and Mrs.
Ruxton asked me to make some designs for them. These designs seem to
have given great satisfaction to the Edgeworth party, and especially to
a little boy called William, Mrs. Edgeworth's youngest boy, who grew up
to be a fine young man, but who died young of the cruel family complaint.
Mrs. Edgeworth's health was also failing all this time--'Though she
makes epigrams she is far from well,' says Maria; but they, none of them
seem seriously alarmed. Mr. Edgeworth, in the intervals of politics, is
absorbed in a telegraph, which, with the help of his sons, he is trying
to establish. It is one which will act by night as well as by day.

It was a time of change and stir for Ireland, disaffection growing and
put down for a time by the soldiers; armed bands going about 'defending'
the country and breaking its windows. In 1794 threats of a French
invasion had alarmed everybody, and now again in 1796 came rumours of
every description, and Mr. Edgeworth was very much disappointed that his
proposal for establishing a telegraph across the water to England was
rejected by Government. He also writes to Dr. Darwin that he had offered
himself as a candidate for the county, and been obliged to relinquish
at the last moment; but these minor disappointments were lost in the
trouble which fell upon the household in the following year--the death
of the mother of the family, who sank rapidly and died of consumption in


When Mr. Edgeworth himself died (not, as we may be sure, without many
active post-mortem wishes and directions) he left his entertaining
Memoirs half finished, and he desired his daughter Maria in the most
emphatic way to complete them, and to publish them without changing
or altering anything that he had written. People reading them were
surprised by the contents; many blamed Miss Edgeworth for making them
public, not knowing how solemn and binding these dying commands of her
father's had been, says Mrs. Leadbeater, writing at the time to Mrs.
Trench. Many severe and wounding reviews appeared, and this may have
influenced Miss Edgeworth in her own objection to having her Memoirs
published by her family.

Mr. Edgeworth's life was most extraordinary, comprising in fact three or
four lives in the place of that one usually allowed to most people, some
of us having to be moderately content with a half or three-quarters of
existence. But his versatility of mind was no less remarkable than his
tenacity of purpose and strength of affection, though some measure of
sentiment must have certainly been wanting, and his fourth marriage
must have taken most people by surprise. The writer once expressed her
surprise at the extraordinary influence that Mr. Edgeworth seems to have
had over women and over the many members of his family who continued to
reside in his home after all the various changes which had taken place
there. Lady S---- to whom she spoke is one who has seen more of life
than most of us, who has for years past carried help to the far-away
and mysterious East, but whose natural place is at home in the more
prosperous and unattainable West End. This lady said, 'You do not in the
least understand what my Uncle Edgeworth was. I never knew anything
like him. Brilliant, full of energy and charm, he was something quite
extraordinary and irresistible. If you had known him you would not have
wondered at anything.'

    'I had in the spring of that year (1797) paid my first visit to
    Edgeworthtown with my mother and sister,' writes Miss Beaufort,
    afterwards Mrs. Edgeworth, the author of the Memoirs. 'My father
    had long before been there, and had frequently met Mr. Edgeworth
    at Mrs. Ruxton's. In 1795 my father was presented to the living of
    Collon, in the county of Louth, where he resided from that time.
    His vicarage was within five minutes' walk of the residence of Mr.
    Foster, then Speaker of the Irish House of Commons, the dear
    friend of Mr. Edgeworth, who came to Collon in the spring of 1798
    several times, and at last offered me his hand, which I accepted.'

Maria, who was at first very much opposed to the match, would not have
been herself the most devoted and faithful of daughters if she had not
eventually agreed to her father's wishes, and, as daughters do, come by
degrees to feel with him and to see with his eyes. The influence of a
father over a daughter where real sympathy exists is one of the very
deepest and strongest that can be imagined. Miss Beaufort herself seems
also to have had some special attraction for Maria. She was about her
own age. She must have been a person of singularly sweet character and
gentle liberality of mind. 'You will come into a new family, but you
will not come as a stranger, dear Miss Beaufort,' writes generous Maria.
'You will not lead a new life, but only continue to lead the life you
have been used to in your own happy cultivated family.' And her
stepmother in a few feeling words describes all that Maria was to her
from the very first when she came as a bride to the home where the
sisters and the children of the lately lost wife were all assembled to
meet her.

It gives an unpleasant thrill to read of the newly-married lady coming
along to her home in a postchaise, and seeing something odd on the
side of the road. 'Look to the other side; don't look at it,' says Mr.
Edgeworth; and when they had passed he tells his bride that it was the
body of a man hung by the rebels between the shafts of a car.

The family at Edgeworthtown consisted of two ladies, sisters of the late
Mrs. Edgeworth, who made it their home, and of Maria, the last of the
first family. Lovell, now the eldest son, was away; but there were also
four daughters and three sons at home.

    All agreed in making me feel at once at home and part of the
    family; all received me with the most unaffected cordiality; but
    from Maria it was something more. She more than fulfilled the
    promise of her letter; she made me at once her most intimate
    friend, and in every trifle of the day treated me with the most
    generous confidence.

Those times were even more serious than they are now; we hear of Mr.
Bond, the High Sheriff, paying 'a pale visit' to Edgeworthtown. 'I am
going on in the old way, writing stories,' says Maria Edgeworth, writing
in 1798. 'I cannot be a captain of dragoons, and sitting with my hands
before me would not make any one of us one degree safer.... Simple
Susan went to Foxhall a few days ago for Lady Anne to carry her to
England.'... 'My father has made our little rooms so nice for us,' she
continues; 'they are all fresh painted and papered. Oh! rebels, oh!
French spare them. We have never injured you, and all we wish is to see
everybody as happy as ourselves.'

On August 29 we find from Miss Edgeworth's letter to her cousin that
the French have got to Castlebar. 'The Lord-Lieutenant is now at
Athlone, and it is supposed it will be their next object of attack. My
father's corps of yeomanry are extremely attached to him and seem fully
in earnest; but, alas! by some strange negligence, their arms have not
yet arrived from Dublin.... We, who are so near the scene of action,
cannot by any means discover what _number_ of the French actually
landed; some say 800, some 1,800, some 18,000.'

The family had a narrow escape that day, for two officers, who were in
charge of some ammunition, offered to take them under their protection
as far as Longford. Mr. Edgeworth most fortunately detained them. 'Half
an hour afterwards, as we were quietly sitting in the portico, we heard,
as we thought close to us, the report of a pistol or a clap of thunder
which shook the house. The officer soon after returned almost speechless;
he could hardly explain what had happened. The ammunition cart,
containing nearly three barrels of gunpowder, took fire, and burnt
half-way on the road to Longford. The man who drove the cart was blown
to atoms. Nothing of him could be found. Two of the horses were killed;
others were blown to pieces, and their limbs scattered to a distance.
The head and body of a man were found a hundred and twenty yards from
the spot.... If we had gone with this ammunition cart, we must have
been killed. An hour or two afterwards we were obliged to fly from
Edgeworthtown. The pikemen, 300 in number, were within a mile of the
town; my mother and Charlotte and I rode; passed the trunk of the dead
man, bloody limbs of horses, and two dead horses, by the help of men
who pulled on our steeds--all safely lodged now in Mrs. Fallon's inn.'
'Before we had reached the place where the cart had been blown up,' says
Mrs. Edgeworth, 'Mr. Edgeworth suddenly recollected that he had left on
the table in his study a list of the yeomanry corps which he feared
might endanger the poor fellows and their families if it fell into the
hands of the rebels. He galloped back for it. It was at the hazard of
his life; but the rebels had not yet appeared. He burned the paper, and
rejoined us safely.' The Memoirs give a most interesting and spirited
account of the next few days. The rebels spared Mr. Edgeworth's house,
although they broke into it. After a time the family were told that all
was safe for their return, and the account of their coming home, as it
is given in the second volume of Mr. Edgeworth's life by his daughter,
is a model of style and admirable description.

In 1799 Mr. Edgeworth came into Parliament for the borough of St.
Johnstown. He was a Unionist by conviction, but he did not think the
times were yet ripe for the Union, and he therefore voted against it.
In some of his letters to Dr. Darwin written at this time, he says that
he was offered 3,000 guineas for his seat for the few remaining weeks of
the session, which, needless to say, he refused, not thinking it well,
as he says, '_to quarrel with myself_.' He also adds that Maria continues
writing for children under the persuasion that she cannot be more
serviceably employed; and he sends (with his usual perspicuity)
affectionate messages to the Doctor's 'good amiable lady and _his giant
brood_.' But this long friendly correspondence was coming to an end. The
Doctor's letters, so quietly humorous and to the point, Mr. Edgeworth's
answers with all their characteristic and lively variety, were nearly at
an end.

It was in 1800 that Maria had achieved her great success, and published
'Castle Rackrent,' a book--not for children this time--which made
everybody talk who read, and those read who had only talked before. This
work was published anonymously, and so great was its reputation that
some one was at the pains to copy out the whole of the story with
erasures and different signs of authenticity, and assume the authorship.

One very distinctive mark of Maria Edgeworth's mind is the honest
candour and genuine critical faculty which is hers. Her appreciation of
her own work and that of others is unaffected and really discriminating,
whether it is 'Corinne' or a simple story which she is reading, or
Scott's new novel the 'Pirate,' or one of her own manuscripts which she
estimates justly and reasonably. 'I have read "Corinne" with my father,
and I like it better than he does. In one word, I am dazzled by the
genius, provoked by the absurdities, and in admiration of the taste and
critical judgment of Italian literature displayed throughout the whole
work: but I will not dilate upon it in a letter. I could talk for three
hours to you and my aunt.'

Elsewhere she speaks with the warmest admiration of a 'Simple Story.'
Jane Austen's books were not yet published; but another writer, for whom
Mr. Edgeworth and his daughter had a very great regard and admiration,
was Mrs. Barbauld, who in all the heavy trials and sorrows of her later
life found no little help and comfort in the friendship and constancy of
Maria Edgeworth. Mr. and Mrs. Barbauld, upon Mr. Edgeworth's invitation,
paid him a visit at Clifton, where he was again staying in 1799, and
where the last Mrs. Edgeworth's eldest child was born. There is a little
anecdote of domestic life at this time in the Memoirs which gives
one a glimpse, not of an authoress, but of a very sympathising and
impressionable person. 'Maria took her little sister to bring down to
her father, but when she had descended a few steps a panic seized her,
and she was afraid to go either backwards or forwards. She sat down on
the stairs afraid she should drop the child, afraid that its head would
come off, and afraid that her father would find her sitting there and
laugh at her, till seeing the footman passing she called "Samuel" in a
terrified voice, and made him walk before her backwards down the stairs
till she safely reached the sitting-room.' For all these younger
children Maria seems to have had a most tender and motherly regard, as
indeed for all her young brothers and sisters of the different families.
Many of them were the heroines of her various stories, and few heroines
are more charming than some of Miss Edgeworth's. Rosamund is said by
some to have been Maria herself, impulsive, warm-hearted, timid, and yet
full of spirit and animation.

In his last letter to Mr. Edgeworth Dr. Darwin writes kindly of the
authoress, and sends her a message. The letter is dated April 17, 1802.
'I am glad to find you still amuse yourself with mechanism in spite of
the troubles of Ireland;' and the Doctor goes on to ask his friend to
come and pay a visit to the Priory, and describes the pleasant house
with the garden, the ponds full of fish, the deep umbrageous valley,
with the talkative stream running down it, and Derby tower in the
distance. The letter, so kind, so playful in its tone, was never
finished. Dr. Darwin was writing as he was seized with what seemed a
fainting fit, and he died within an hour. Miss Edgeworth writes of the
shock her father felt when the sad news reached him; a shock, she says,
which must in some degree be experienced by every person who reads this
letter of Dr. Darwin's.

No wonder this generous outspoken man was esteemed in his own time. To
us, in ours, it has been given still more to know the noble son of 'that
giant brood,' whose name will be loved and held in honour as long as
people live to honour nobleness, simplicity, and genius; those things
which give life to life itself.


'Calais after a rough passage; Brussels, flat country, tiled houses,
trees and ditches, the window shutters turned out to the street;
fishwives' legs, Dunkirk, and the people looking like wooden toys set in
motion; Bruges and its mingled spires, shipping, and windmills.' These
notes of travel read as if Miss Edgeworth had been writing down only
yesterday a pleasant list of the things which are to be seen two hours
off, to-day no less plainly than a century ago. She jots it all down
from her corner in the postchaise, where she is propped up with a
father, brother, stepmother, and sister for travelling companions, and
a new book to beguile the way. She is charmed with her new book. It is
the story of 'Mademoiselle de Clermont,' by Madame de Genlis, and only
just out. The Edgeworths (with many other English people) rejoiced in
the long-looked-for millennium, which had been signed only the previous
autumn, and they now came abroad to bask in the sunshine of the Continent,
which had been so long denied to our mist-bound islanders. We hear of
the enthusiastic and somewhat premature joy with which this peace was
received by all ranks of people. Not only did the English rush over to
France; foreigners crossed to England, and one of them, an old friend of
Mr. Edgeworth's, had already reached Edgeworthtown, and inspired its
enterprising master with a desire to see those places and things once
more which he heard described. Mr. Edgeworth was anxious also to show
his young wife the treasures in the Louvre, and to help her to develop
her taste for art. He had had many troubles of late, lost friends and
children by death and by marriage. One can imagine that the change must
have been welcome to them all. Besides Maria and Lovell, his eldest
son, he took with him a lovely young daughter, Charlotte Edgeworth, the
daughter of Elizabeth Sneyd. They travelled by Belgium, stopping on
their way at Bruges, at Ghent, and visiting pictures and churches along
the road, as travellers still like to do. Mrs. Edgeworth was, as we have
said, the artistic member of the party. We do not know what modern
rhapsodists would say to Miss Edgeworth's very subdued criticisms and
descriptions of feeling on this occasion. 'It is extremely agreeable to
me,' she writes, 'to see paintings with those who have excellent taste
and no affectation.' And this remark might perhaps be thought even more
to the point now than in the pre-æsthetic age in which it was innocently
made. The travellers are finally landed in Paris in a magnificent hotel
in a fine square, 'formerly Place Louis-Quinze, afterwards Place de la
Révolution, now Place de la Concorde.' And Place de la Concorde it
remains, wars and revolutions notwithstanding, whether lighted by the
flames of the desperate Commune or by the peaceful sunsets which stream
their evening glory across the blood-stained stones.

The Edgeworths did not come as strangers to Paris; they brought letters
and introductions with them, and bygone associations and friendships
which had only now to be resumed. The well-known Abbé Morellet, their
old acquaintance, 'answered for them,' says Miss Edgeworth, and besides
all this Mr Edgeworth's name was well known in scientific circles.
Bréguet, Montgolfier, and others all made him welcome. Lord Henry
Petty, as Maria's friend Lord Lansdowne was then called, was in Paris,
and Rogers the poet, and Kosciusko, cured of his wounds. For the first
time they now made the acquaintance of M. Dumont, a lifelong friend and
correspondent. There were many others--the Delesserts, of the French
Protestant faction, Madame Suard, to whom the romantic Thomas Day had
paid court some thirty years before, and Madame Campan, and Madame
Récamier, and Madame de Rémusat, and Madame de Houdetot, now seventy-two
years of age, but Rousseau's Julie still, and Camille Jordan, and the
Chevalier Edelcrantz, from the Court of the King of Sweden.

The names alone of the Edgeworths' entertainers represent a delightful
and interesting section of the history of the time. One can imagine
that besides all these pleasant and talkative persons the Faubourg
Saint-Germain itself threw open its great swinging doors to the
relations of the Abbé Edgeworth who risked his life to stand by his
master upon the scaffold and to speak those noble warm-hearted words,
the last that Louis ever heard. One can picture the family party as
it must have appeared with its pleasant British looks--the agreeable
'ruddy-faced' father, the gentle Mrs. Edgeworth, who is somewhere
described by her stepdaughter as so orderly, so clean, so freshly
dressed, the child of fifteen, only too beautiful and delicately
lovely, and last of all Maria herself, the nice little unassuming,
Jeannie-Deans-looking body Lord Byron described, small, homely, perhaps,
but with her gift of French, of charming intercourse, her fresh laurels
of authorship (for 'Belinda' was lately published), her bright animation,
her cultivated mind and power of interesting all those in her company,
to say nothing of her own kindling interest in every one and every thing
round about her.

Her keen delights and vivid descriptions of all these new things, faces,
voices, ideas, are all to be read in some long and most charming letters
to Ireland, which also contain the account of a most eventful crisis
which this Paris journey brought about. The letter is dated March 1803,
and it concludes as follows:--

    Here, my dear aunt, I was interrupted in a manner that will
    surprise you as much as it surprised me--by the coming of M.
    Edelcrantz, a Swedish gentleman whom we have mentioned to you, of
    superior understanding and mild manners. He came to offer me his
    hand and heart! My heart, you may suppose, cannot return his
    attachment, for I have seen but very little of him, and have not
    had time to have formed any judgment except that I think nothing
    could tempt me to leave my own dear friends and my own country to
    live in Sweden.

Maria Edgeworth was now about thirty years of age, at a time of life
when people are apt to realise perhaps almost more deeply than in early
youth the influence of feeling, its importance, and strange power over
events. Hitherto there are no records in her memoirs of any sentimental
episodes, but it does not follow that a young lady has not had her own
phase of experience because she does not write it out at length to her
various aunts and correspondents. Miss Edgeworth was not a sentimental
person. She was warmly devoted to her own family, and she seems to have
had a strong idea of her own want of beauty; perhaps her admiration for
her lovely young sisters may have caused this feeling to be exaggerated
by her. But no romantic, lovely heroine could have inspired a deeper or
more touching admiration than this one which M. Edelcrantz felt for his
English friend; the mild and superior Swede seems to have been
thoroughly in earnest.

So indeed was Miss Edgeworth, but she was not carried away by the
natural impulse of the moment. She realised the many difficulties and
dangers of the unknown; she looked to the future; she turned to her own
home, and with an affection all the more felt because of the trial
to which it was now exposed. The many lessons of self-control and
self-restraint which she had learnt returned with instinctive force.
Sometimes it happens that people miss what is perhaps the best for
the sake of the next best, and we see convenience and old habit and
expediency, and a hundred small and insignificant circumstances,
gathering like some avalanche to divide hearts that might give and
receive very much from each. But sentiment is not the only thing in
life. Other duties, ties, and realities there are; and it is difficult
to judge for others in such matters. Sincerity of heart and truth to
themselves are pretty sure in the end to lead people in the right
direction for their own and for other people's happiness. Only, in the
experience of many women there is the danger that fixed ideas, and other
people's opinion, and the force of custom may limit lives which might
have been complete in greater things, though perhaps less perfect in the
lesser. People in the abstract are sincere enough in wishing fulness of
experience and of happiness to those dearest and nearest to them; but we
are only human beings, and when the time comes and the horrible necessity
for parting approaches, our courage goes, our hearts fail, and we think
we are preaching reason and good sense while it is only a most natural
instinct which leads us to cling to that to which we are used and to
those we love.

Mr. Edgeworth did not attempt to influence Maria. Mrs. Edgeworth
evidently had some misgivings, and certainly much sympathy for the
Chevalier and for her friend and stepdaughter. She says:--

    Maria was mistaken as to her own feelings. She refused M.
    Edelcrantz, but she felt much more for him than esteem and
    admiration; she was extremely in love with him. Mr. Edgeworth left
    her to decide for herself; but she saw too plainly what it would
    be to us to lose her and what she would feel at parting with us.
    She decided rightly for her own future happiness and for that of
    her family, but she suffered much at the time and long afterwards.
    While we were at Paris I remember that in a shop, where Charlotte
    and I were making purchases, Maria sat apart absorbed in thought,
    and so deep in reverie that when her father came in and stood
    opposite to her she did not see him till he spoke to her, when she
    started and burst into tears.... I do not think she repented of
    her refusal or regretted her decision. She was well aware that she
    could not have made M. Edelcrantz happy, that she would not have
    suited his position at the Court of Stockholm, and that her want
    of beauty might have diminished his attachment. It was perhaps
    better she should think so, for it calmed her mind; but from what
    I saw of M. Edelcrantz I think he was a man capable of really
    valuing her. I believe he was much attached to her, and deeply
    mortified at her refusal. He continued to reside in Sweden after
    the abdication of his master, and was always distinguished for his
    high character and great abilities. He never married. He was,
    except for his very fine eyes, remarkably plain.

So ends the romance of the romancer. There are, however, many
happinesses in life, as there are many troubles.

Mrs. Edgeworth tells us that after her stepdaughter's return to
Edgeworthtown she occupied herself with various literary works,
correcting some of her former MSS. for the press, and writing 'Madame de
Fleury,' 'Emilie de Coulanges,' and 'Leonora.' But the high-flown and
romantic style did suit her gift, and she wrote best when her genuine
interest and unaffected glances shone with bright understanding sympathy
upon her immediate surroundings. When we are told that 'Leonora' was
written in the style the Chevalier Edelcrantz preferred, and that the
idea of what he would think of it was present to Maria in every page, we
begin to realise that for us at all events it was a most fortunate thing
that she decided as she did. It would have been a loss indeed to the
world if this kindling and delightful spirit of hers had been choked by
the polite thorns, fictions, and platitudes of an artificial, courtly
life and by the well-ordered narrowness of a limited standard. She never
heard what the Chevalier thought of the book; she never knew that he
ever read it even. It is a satisfaction to hear that he married no one
else, and while she sat writing and not forgetting in the pleasant
library at home, one can imagine the romantic Chevalier in his distant
Court faithful to the sudden and romantic devotion by which he is now
remembered. Romantic and chivalrous friendship seems to belong to his
country and to his countrymen.


There are one or two other episodes less sentimental than this one
recorded of this visit to Paris, not the least interesting of these
being the account given of a call upon Madame de Genlis. The younger
author from her own standpoint having resolutely turned away from the
voice of the charmer for the sake of that which she is convinced to be
duty and good sense, now somewhat sternly takes the measure of her elder
sister, who has failed in the struggle, who is alone and friendless, and
who has made her fate.

The story is too long to quote at full length. An isolated page without
its setting loses very much; the previous description of the darkness
and uncertainty through which Maria and her father go wandering, and
asking their way in vain, adds immensely to the sense of the gloom and
isolation which are hiding the close of a long and brilliant career. At
last, after wandering for a long time seeking for Madame de Genlis, the
travellers compel a reluctant porter to show them the staircase in the
Arsenal, where she is living, and to point out the door before he goes
off with the light.

They wait in darkness. The account of what happens when the door is
opened is so interesting that I cannot refrain from quoting it at

    After ringing the bell we presently heard doors open and little
    footsteps approaching nigh. The door was opened by a girl of about
    Honora's size, holding an ill set-up, wavering candle in her hand,
    the light of which fell full upon her face and figure. Her face
    was remarkably intelligent--dark sparkling eyes, dark hair curled
    in the most fashionable long corkscrew ringlets over her eyes and
    cheeks. She parted the ringlets to take a full view of us. The
    dress of her figure by no means suited the head and elegance of
    her attitude. What her nether weeds might be we could not
    distinctly see, but they seemed a coarse short petticoat like what
    Molly Bristow's children would wear. After surveying us and
    hearing our name was Edgeworth she smiled graciously and bid us
    follow her, saying, 'Maman est chez elle.' She led the way with
    the grace of a young lady who has been taught to dance across two
    ante-chambers, miserable-looking; but, miserable or not, no home
    in Paris can be without them. The girl, or young lady, for we were
    still in doubt which to think her, led into a small room in which
    the candles were so well screened by a green tin screen that we
    could scarcely distinguish the tall form of a lady in black who
    rose from her chair by the fireside; as the door opened a great
    puff of smoke came from the huge fireplace at the same moment. She
    came forward, and we made our way towards her as well as we could
    through a confusion of tables, chairs, and work-baskets, china,
    writing-desks and inkstands, and birdcages, and a harp. She did
    not speak, and as her back was now turned to both fire and candle
    I could not see her face or anything but the outline of her form
    and her attitude. Her form was the remains of a fine form, her
    attitude that of a woman used to a better drawing-room.

    I being foremost, and she silent, was compelled to speak to the
    figure in darkness. 'Madame de Genlis nous a fait l'honneur de
    nous mander qu'elle voulait bien nous permettre de lui rendre
    visite,' said I, or words to that effect, to which she replied by
    taking my hand and saying something in which 'charmée' was the
    most intelligible word. While she spoke she looked over my
    shoulder at my father, whose bow, I presume, told her he was a
    gentleman, for she spoke to him immediately as if she wished to
    please and seated us in _fauteuils_ near the fire.

    I then had a full view of her face--figure very thin and
    melancholy dark eyes, long sallow cheeks, compressed thin lips,
    two or three black ringlets on a high forehead, a cap that Mrs.
    Grier might wear--altogether in appearance of fallen fortunes,
    worn-out health, and excessive but guarded irritability. To me
    there was nothing of that engaging, captivating manner which I had
    been taught to expect. She seemed to me to be alive only to
    literary quarrels and jealousies. The muscles of her face as she
    spoke, or as my father spoke to her, quickly and too easily
    expressed hatred and anger.... She is now, you know, _dévote
    acharnée_.... Madame de Genlis seems to have been so much used to
    being attacked that she has defence and apologies ready prepared.
    She spoke of Madame de Staël's 'Delphine' with detestation....
    Forgive me, my dear Aunt Mary; you begged me to see her with
    favourable eyes, and I went, after seeing her 'Rosière de
    Salency,' with the most favourable disposition, but I could not
    like her.... And from time to time I saw, or thought I saw,
    through the gloom of her countenance a gleam of coquetry. But my
    father judges of her much more favourably than I do. She evidently
    took pains to please him, and he says he is sure she is a person
    over whose mind he could gain great ascendency.

The 'young and gay philosopher' at fifty is not unchanged since we knew
him first. Maria adds a postscript:

    I had almost forgotten to tell you that the little girl who showed
    us in is a girl whom she is educating. 'Elle m'appelle maman, mais
    elle n'est pas ma fille.' The manner in which this little girl
    spoke to Madame de Genlis and looked at her appeared to me more in
    her favour than anything else. I went to look at what the child
    was writing; she was translating Darwin's _Zoonomia_.

Every description one reads by Miss Edgeworth of actual things and
people makes one wish that she had written more of them. This one is the
more interesting from the contrast of the two women, both so remarkable
and coming to so different a result in their experience of life.

This eventful visit to Paris is brought to an eventful termination by
several gendarmes, who appear early one morning in Mr. Edgeworth's
bedroom with orders that he is to get up and to leave Paris immediately.
Mr. Edgeworth had been accused of being brother to the Abbé de Fermont.
When the mitigated circumstances of his being only a first cousin were
put forward by Lord Whitworth, the English Ambassador, the Edgeworths
received permission to return from the suburb to which they had retired;
but private news hurried their departure, and they were only in time to
escape the general blockade and detention of English prisoners. After
little more than a year of peace, once more war was declared on May 20,
1803. Lovell, the eldest son, who was absent at the time and travelling
from Switzerland, was not able to escape in time; nor for twelve years
to come was the young man able to return to his own home and family.


'Belinda,' 'Castle Rackrent,' the 'Parents' Assistant,' the 'Essays on
Practical Education,' had all made their mark. The new series of popular
tales was also welcomed. There were other books on the way; Miss Edgeworth
had several MSS. in hand in various stages, stories to correct for the
press. There was also a long novel, first begun by her father and taken
up and carried on by her. The 'Essays on Practical Education,' which
were first published in 1798, continued to be read. M. Pictet had
translated the book into French the year before; a third edition was
published some ten years later, in 1811, in the preface of which the
authors say, 'It is due to the public to state that twelve years'
additional experience in a numerous family, and careful attention to the
results of other modes of education, have given the authors no reason to
retract what they have advanced in these volumes.'

In Mr. Edgeworth's Memoirs, however, his daughter states that he
modified his opinions in one or two particulars; allowing more and
more liberty to the children, and at the same time conceding greater
importance to the habit of early though mechanical efforts of memory.
The essays seem in every way in advance of their time; many of the hints
contained in them most certainly apply to the little children of to-day
no less than to their small grandparents. A lady whose own name is high
in the annals of education was telling me that she had been greatly
struck by the resemblance between the Edgeworth system and that of
Froebel's Kindergarten method, which is now gaining more and more ground
in people's estimation, the object of both being not so much to cram
instruction into early youth as to draw out each child's powers of
observation and attention.

The first series of tales of fashionable life came out in 1809, and
contained among other stories 'Ennui,' one of the most remarkable of
Miss Edgeworth's works. The second series included the 'Absentee,' that
delightful story of which the lesson should be impressed upon us even
more than in the year 1812. The 'Absentee' was at first only an episode
in the longer novel of 'Patronage;' but the public was impatient, so
were the publishers, and fortunately for every one the 'Absentee' was
printed as a separate tale.

'Patronage' had been begun by Mr. Edgeworth to amuse his wife, who was
recovering from illness; it was originally called the 'Fortunes of the
Freeman Family,' and it is a history with a moral. Morals were more
in fashion then than they are now, but this one is obvious without
any commentary upon it. It is tolerably certain that clever, industrious,
well-conducted people will succeed, where idle, scheming, and untrustworthy
persons will eventually fail to get on, even with powerful friends to
back them. But the novel has yet to be written that will prove that,
where merits are more equal, a little patronage is not of a great deal
of use, or that people's positions in life are exactly proportioned to
their merit. Mrs. Barbauld's pretty essay on the 'Inconsistency of Human
Expectations' contains the best possible answer to the problem of what
people's deserts should be. Let us hope that personal advancement is
only one of the many things people try for in life, and that there are
other prizes as well worth having. Miss Edgeworth herself somewhere
speaks with warm admiration of this very essay. Of the novel itself she
says (writing to Mrs. Barbauld), 'It is so vast a subject that it
flounders about in my hands and quite overpowers me.'

It is in this same letter that Miss Edgeworth mentions another
circumstance which interested her at this time, and which was one of
those events occurring now and again which do equal credit to all

    I have written a preface and notes [she says]--for I too would be
    an editor--for a little book which a very worthy countrywoman of
    mine is going to publish: Mrs. Leadbeater, granddaughter to
    Burke's first preceptor. She is poor. She has behaved most
    handsomely about some letters of Burke's to her grandfather and
    herself. It would have been advantageous to her to publish them;
    but, as Mrs. Burke[2]--Heaven knows why--objected, she desisted.

Mrs. Leadbeater was an Irish Quaker lady whose simple and spirited
annals of Ballitore delighted Carlyle in his later days, and whose
'Cottage Dialogues' greatly struck Mr. Edgeworth at the time; and the
kind Edgeworths, finding her quite unused to public transactions,
exerted themselves in every way to help her. Mr. Edgeworth took the
MSS. out of the hands of an Irish publisher, and, says Maria, 'our
excellent friend's worthy successor in St. Paul's Churchyard has, on
our recommendation, agreed to publish it for her.' Mr. Edgeworth's own
letter to Mrs. Leadbeater gives the history of his good-natured offices
and their satisfactory results.

  Footnote 2: Mrs. Burke, hearing more of the circumstances, afterwards
 sent permission; but Mrs. Leadbeater being a Quakeress, and having once
 _promised_ not to publish, could not take it upon herself to break her

    From R. L. Edgeworth, July 5, 1810.

    Miss Edgeworth desires me as a man of business to write to Mrs.
    Leadbeater relative to the publication of 'Cottage Dialogues.'
    Miss Edgeworth has written an advertisement, and will, with Mrs.
    Leadbeater's permission, write notes for an English edition. The
    scheme which I propose is of two parts--to sell the English
    copyright to the house of Johnson in London, where we dispose of
    our own works, and to publish a very large and cheap edition for
    Ireland for schools.... I can probably introduce the book into
    many places. Our family takes 300 copies, Lady Longford 50, Dr.
    Beaufort 20, &c.... I think Johnson & Co. will give 50_l._ for the
    English copyright.

After the transaction Mr. Edgeworth wrote to the publishers as

                                     May 31, 1811: Edgeworthtown.
                                          My sixty-eighth birthday.

    My dear Gentlemen,--I have just heard your letter to Mrs.
    Leadbeater read by one who dropped tears of pleasure from a sense
    of your generous and handsome conduct. I take great pleasure in
    speaking of you to the rest of the world as you deserve, and I
    cannot refrain from expressing to yourselves the genuine esteem
    that I feel for you. I know that this direct praise is scarcely
    allowable, but my advanced age and my close connection with you
    must be my excuse.--Yours sincerely,
                                                          R. L. E.

Tears seem equivalent to something more than the estimated value of Mrs.
Leadbeater's labours. The charming and well-known Mrs. Trench who was
also Mary Leadbeater's friend, writes warmly praising the notes. 'Miss
Edgeworth's notes on your Dialogues have as much spirit and originality
as if she had never before explored the mine which many thought she had

All these are pleasant specimens of the Edgeworth correspondence, which,
however (following the course of most correspondence), does not seem to
have been always equally agreeable. There are some letters (among others
which I have been allowed to see) written by Maria about this time to an
unfortunate young man who seems to have annoyed her greatly by his
excited importunities.

    I thank you [she says] for your friendly zeal in defence of my
    powers of pathos and sublimity; but I think it carries you much
    too far when it leads you to imagine that I refrain, from
    principle or virtue, from displaying powers that I really do not
    possess. I assure you that I am not in the least capable of
    writing a dithyrambic ode, or any other kind of ode.

One is reminded by this suggestion of Jane Austen also declining to
write 'an historical novel illustrative of the august House of Coburg.'

The young man himself seems to have had some wild aspirations after
authorship, but to have feared criticism.

    The advantage of the art of printing [says his friendly Minerva]
    is that the mistakes of individuals in reasoning and writing will
    be corrected in time by the public, so that the cause of truth
    cannot suffer; and I presume you are too much of a philosopher to
    mind the trifling mortification that the detection of a mistake
    might occasion. You know that some sensible person has observed
    that acknowledging a mistake is saying, only in other words, that
    we are wiser to-day than we were yesterday.

He seems at last to have passed the bounds of reasonable correspondence,
and she writes as follows:--

    Your last letter, dated in June, was many months before it reached
    me. In answer to all your reproaches at my silence I can only
    assure you that it was not caused by any change in my opinions or
    good wishes; but I do not carry on what is called a regular
    correspondence with anybody except with one or two of my very
    nearest relations; and it is best to tell the plain truth that my
    father particularly dislikes my writing letters, so I write as few
    as I possibly can.


While Maria Edgeworth was at work in her Irish home, successfully
producing her admirable delineations, another woman, born some eight
years later, and living in the quiet Hampshire village where the elm
trees spread so greenly, was also at work, also writing books that
were destined to influence many a generation, but which were meanwhile
waiting unknown, unnoticed. Do we not all know the story of the brown
paper parcel lying unopened for years on the publisher's shelf and
containing Henry Tilney and all his capes, Catherine Morland and all
her romance, and the great John Thorpe himself, uttering those valuable
literary criticisms which Lord Macaulay, writing to his little sisters
at home, used to quote to them? 'Oh, Lord!' says John Thorpe, 'I never
read novels; I have other things to do.'

A friend reminds us of Miss Austen's own indignant outburst. 'Only a
novel! only "Cecilia," or "Camilla," or "Belinda;" or, in short, only
some work in which the greatest powers of the mind are displayed, the
most thorough knowledge of human nature, the happiest delineation of its
varieties, the liveliest effusions of wit and humour, are conveyed to
the world in the best-chosen language.' If the great historian, who
loved novels himself, had not assured us that we owe Miss Austen and
Miss Edgeworth to the early influence of the author of 'Evelina,' one
might grudge 'Belinda' to such company as that of 'Cecilia' and

'Pride and Prejudice' and 'Northanger Abbey' were published about the
same time as 'Patronage' and 'Tales of Fashionable Life.' Their two
authors illustrate, curiously enough, the difference between the national
characteristics of English and Irish--the breadth, the versatility, the
innate wit and gaiety of an Irish mind; the comparative narrowness of
range of an English nature; where, however, we are more likely to get
humour and its never-failing charm. Long afterwards Jane Austen sent one
of her novels to Miss Edgeworth, who appreciated it indeed, as such a
mind as hers could not fail to do, but it was with no such enthusiasm
as that which she felt for other more ambitious works, with more of
incident, power, knowledge of the world, in the place of that one subtle
quality of humour which for some persons outweighs almost every other.
Something, some indefinite sentiment, tells people where they amalgamate
and with whom they are intellectually akin; and by some such process of
criticism the writer feels that in this little memoir of Miss Edgeworth
she has but sketched the outer likeness of this remarkable woman's life
and genius; and that she has scarcely done justice to very much in Miss
Edgeworth, which so many of the foremost men of her day could
appreciate--a power, a versatility, an interest in subjects for their
own sakes, not for the sakes of those who are interested in them, which
was essentially hers.

It is always characteristic to watch a writer's progress in the
estimation of critics and reviewers. In 1809 Miss Edgeworth is
moderately and respectfully noticed. 'As a writer of novels and tales
she has a marked peculiarity, that of venturing to dispense common sense
to her readers and to bring them within the precincts of real life.
Without excluding love from her pages she knows how to assign to it its
true limits.' In 1812 the reviewer, more used to hear the author's
praises on all sides, now starts from a higher key, and, as far as truth
to nature and delineation of character are concerned, does not allow a
rival except 'Don Quixote' and 'Gil Blas.' The following criticism is
just and more to the point:--

    To this power of masterly and minute delineation of character Miss
    Edgeworth adds another which has rarely been combined with the
    former, that of interweaving the peculiarities of her persons with
    the conduct of her piece, and making them, without forgetting
    for     a moment their personal consistency, conduce to the general
    lesson.... Her virtue and vice, though copied exactly from nature,
    lead with perfect ease to a moral conclusion, and are finally
    punished or rewarded by means which (rare as a retribution in this
    world is) appear for the most part neither inconsistent nor

Then follows a review of 'Vivian' and of the 'Absentee,' which is
perhaps the most admirable of her works. We may all remember how
Macaulay once pronounced that the scene in the 'Absentee' where Lord
Colambre discovers himself to his tenantry was the best thing of the
sort since the opening of the twenty-second book of the 'Odyssey.'

An article by Lord Dudley, which is still to be quoted, appeared in the
'Quarterly Review' in 1814. What he says of her works applies no less to
Miss Edgeworth's own life than to the principles which she inculcates.

    The old rule was for heroes and heroines to fall suddenly and
    irretrievably in love. If they fell in love with the right person
    so much the better; if not, it could not be helped, and the novel
    ended unhappily. And, above all, it was held quite irregular for
    the most reasonable people to make any use whatever of their
    reason on the most important occasion of their lives. Miss
    Edgeworth has presumed to treat this mighty power with far less
    reverence. She has analysed it and found it does not consist of
    one simple element, but that several common ingredients enter into
    its composition--habit, esteem, a belief of some corresponding
    sentiment and of suitableness in the character and circumstances
    of the party. She has pronounced that reason, timely and vigorously
    applied, is almost a specific, and, following up this bold empirical
    line of practice, she has actually produced cases of the entire
    cure of persons who had laboured under its operation. Her favourite
    qualities are prudence, firmness, temper, and that active, vigilant
    good sense which, without checking the course of our kind
    affections, exercises its influence at every moment and surveys
    deliberately the motives and consequences of every action. Utility
    is her object, reason and experience her means.


This review of Lord Dudley's must have come out after a visit from the
Edgeworth family to London in 1813, which seems to have been a most
brilliant and amusing campaign. 'I know the homage that was paid you,'
wrote Mrs. Barbauld, speaking of the event, 'and I exulted in it for
your sake and for my sex's sake.' Miss Edgeworth was at the height of
her popularity, in good spirits and good health. Mr. Edgeworth was
seventy, but he looked years younger, and was still in undiminished
health and vigour. The party was welcomed, fêted, sought after
everywhere. Except that they miss seeing Madame d'Arblay and leave
London before the arrival of Madame de Staël, they seem to have come in
for everything that was brilliant, fashionable, and entertaining. They
breakfast with poets, they sup with marquises, they call upon duchesses
and scientific men. Maria's old friend the Duchess of Wellington is not
less her friend than she was in County Longford. Every one likes them
and comes knocking at their lodging-house door, while Maria upstairs is
writing a letter, standing at a chest of drawers. 'Miss Edgeworth is
delightful,' says Tom Moore, 'not from display, but from repose and
unaffectedness, the least pretending person.' Even Lord Byron writes
warmly of the authoress whose company is so grateful, and who goes her
simple, pleasant way cheerful and bringing kind cheer, and making
friends with the children as well as with the elders. Many of these
children in their lives fully justified her interest, children whom we
in turn have known and looked up to as distinguished greyheaded men.

Some one asked Miss Edgeworth how she came to understand children as she
did, what charm she used to win them. 'I don't know,' she said kindly;
'I lie down and let them crawl over me.' She was greatly pleased on one
occasion when at a crowded party a little girl suddenly started forth,
looked at her hard, and said, 'I like simple Susan best,' and rushed
away overwhelmed at her own audacity. The same lady who was present on
this occasion asked her a question which we must all be grateful to have
solved for us--how it happened that the respective places of Laura and
Rosamond came to be transposed in 'Patronage,' Laura having been the
wiser elder sister in the 'Purple Jar,' and appearing suddenly as the
younger in the novel. Miss Edgeworth laughed and said that Laura had
been so preternaturally wise and thoughtful as a child, she could never
have kept her up to the mark, and so she thought it best to change the
character altogether.

During one of her visits to London Miss Edgeworth went to dine at the
house of Mr. Marshall; and his daughter, Lady Monteagle, tells a little
story which gives an impression, and a kind one, of the celebrated
guest. Everything had been prepared in her honour, the lights lighted,
the viands were cooked. Dinner was announced, and some important person
was brought forward to hand Miss Edgeworth down, when it was discovered
that she had vanished. For a moment the company and the dinner were all
at a standstill. She was a small person, but diligent search was made.
Miss Edgeworth had last been seen with the children of the house, and
she was eventually found in the back kitchen, escorted by the said
children, who, having confided their private affairs to her sympathetic
ear, had finally invited her to come with them and see some rabbits
which they were rearing down below. A lady who used to live at Clifton
as a little girl, and to be sometimes prescribed for by Dr. King, was
once brought up as a child to Miss Edgeworth, and she told me how very
much puzzled she felt when the bright old lady, taking her by the
hand, said, 'Well, my dear, how do you do, and how is my excellent
brother-in-law?' One can imagine what a vague sort of being an
'excellent brother-in-law' would seem to a very young child.

We read in Miss Edgeworth's memoir of her father that Mr. Edgeworth
recovered from his serious illness in 1814 to enjoy a few more years of
life among his friends, his children, and his experiments. His good
humour and good spirits were undiminished, and he used to quote an old
friend's praise of 'the privileges and convenience of old age.' He was
past seventy, but he seems to have continued his own education to the
end of life. 'Without affecting to be young, he exerted himself to
prevent any of his faculties from sinking into the indolent state which
portends their decay,' and his daughter says that he went on learning to
the last, correcting his faults and practising his memory by various
devices, so that it even improved with age.

In one of his last letters to Mrs. Beaufort, his wife's mother, he
speaks with no little paternal pleasure of his home and his children:
'Such excellent principles, such just views of human life and manners,
such cultivated understandings, such charming tempers make a little
Paradise about me;' while with regard to his daughter's works he adds
concerning the book which was about to appear, 'If Maria's tales fail
with the public, you will hear of my hanging myself.'

Mr. Edgeworth died in the summer of 1817, at home, surrounded by his
family, grateful, as he says, to Providence for allowing his body to
perish before his mind.

    During the melancholy months which succeeded her father's death
    Maria hardly wrote any letters; her sight was in a most alarming
    state. The tears, she said, felt in her eyes like the cutting of a
    knife. She had overworked them all the previous winter, sitting up
    at night and struggling with her grief as she wrote 'Ormond.' She
    was now unable to use them without pain.... Edgeworthtown now
    belonged to Lovell, the eldest surviving brother, but he wished it
    to continue the home of the family. Maria set to work to complete
    her father's memoirs and to fulfil his last wish.

It was not without great hesitation and anxiety that she determined to
finish writing her father's Life. There is a touching appeal in a letter
to her aunt Ruxton. 'I felt the happiness of my life was at stake.
Even if all the rest of the world had praised it and you had been
dissatisfied, how miserable should I have been!' And there is another
sentence written at Bowood, very sad and full of remembrance: 'I feel as
if I had lived a hundred years and was left alive after everybody else.'
The book came out, and many things were said about it, not all praise.
The 'Quarterly' was so spiteful and intolerant that it seemed almost
personal in its violence. It certainly would have been a great loss to
the world had this curious and interesting memoir never been published,
but at the time the absence of certain phrases and expressions of
opinions which Mr. Edgeworth had never specially professed seemed
greatly to offend the reviewers.

The worst of these attacks Miss Edgeworth never read, and the task
finished, the sad months over, the poor eyes recovered, she crossed to


One is glad to hear of her away and at Bowood reviving in good company,
in all senses of the word. Her old friend Lord Henry Petty, now Lord
Lansdowne, was still her friend and full of kindness. Outside the house
spread a green deer-park to rest her tired eyes, within were pleasant
and delightful companions to cheer her soul. Sir Samuel Romilly was
there, of whom she speaks with affectionate admiration, as she does of
her kind host and hostess. 'I much enjoy the sight of Lady Lansdowne's
happiness with her husband and her children. Beauty, fortune, cultivated
society all united--in short, everything that the most reasonable or
unreasonable could wish. She is so amiable and desirous to make others

Miss Edgeworth's power of making other people see things as she does
is very remarkable in all these letters; with a little imagination one
could almost feel as if one might be able to travel back into the
pleasant society in which she lived. When she goes abroad soon after
with her two younger sisters (Fanny, the baby whose head so nearly came
off in her arms, and Harriet, who have both grown up by this time
to be pretty and elegant young ladies), the sisters are made welcome
everywhere. In Paris, as in London, troops of acquaintance came forward
to receive 'Madame Maria et mesdemoiselles ses soeurs,' as they used
to be announced. Most of their old friends were there still; only the
children had grown up and were now new friends to be greeted. It is a
confusion of names in visionary succession, comprising English people no
less than French. Miss Edgeworth notes it all with a sure hand and true
pen; it is as one of the sketch-books of a great painter, where whole
pictures are indicated in a few just lines. Here is a peep at the
Abbaye aux Bois in 1820:--

    We went to Madame Récamier in her convent, l'Abbaye aux Bois, up
    seventy-eight steps. All came in with asthma. Elegant room; she as
    elegant as ever. Matthieu de Montmorenci, the ex-Queen of Sweden,
    Madame de Boigne, a charming woman, and Madame la Maréchale
    de ----, a battered beauty, smelling of garlic and screeching in
    vain to pass as a wit.... Madame Récamier has no more taken the
    veil than I have, and is as little likely to do it. She is quite
    beautiful; she dresses herself and her little room with elegant
    simplicity, and lives in a convent only because it is cheap and

One sees it all, the convent, the company, the last refrain of former
triumphs, the faithful romantic Matthieu de Montmorenci, and above all
the poor Maréchale, who will screech for ever in her garlic. Let us turn
the page, we find another picture from these not long past days:--

    Breakfast at Camille Jordan's; it was half-past twelve before the
    company assembled, and we had an hour's delightful conversation
    with Camille Jordan and his wife in her spotless white muslin and
    little cap, sitting at her husband's feet as he lay on the sofa;
    as clean, as nice, as fresh, as thoughtless of herself as my
    mother. At this breakfast we saw three of the most distinguished
    of that party who call themselves 'les Doctrinaires' and say they
    are more attached to measures than to men.

Here is another portrait of a portrait and its painter:--

    Princess Potemkin is a Russian, but she has all the grace,
    softness, winning manner of the Polish ladies. Oval face, pale,
    with the finest, softest, most expressive chestnut dark eyes. She
    has a sort of politeness which pleases peculiarly, a mixture of
    the ease of high rank and early habit with something that is
    sentimental without affectation. Madame le Brun is painting her
    picture. Madame le Brun is sixty-six, with great vivacity as well
    as genius, and better worth seeing than her pictures, for though
    they are speaking she speaks.

Another visit the sisters paid, which will interest the readers of
Madame de la Rochejaquelin's memoirs of the war in the Vendée:--

In a small bedroom, well furnished, with a fire just lighted, we found
Madame de la Rochejaquelin on the sofa; her two daughters at work, one
spinning with a distaff, the other embroidering muslin. Madame is a fat
woman with a broad, round, fair face and a most benevolent expression,
her hair cut short and perfectly grey as seen under her cap; the rest of
the face much too young for such grey locks; and though her face and
bundled form all squashed on to a sofa did not at first promise much of
gentility, you could not hear her speak or hear her for three minutes
without perceiving that she was well-born and well-bred.

Madame de la Rochejaquelin seems to have confided in Miss Edgeworth.

   'I am always sorry when any stranger sees me, _parce que je sais
    que je détruis toute illusion. Je sais que je devrais avoir l'air
    d'une héroïne._' She is much better than a heroine; she is
    benevolence and truth itself.

We must not forget the scientific world where Madame Maria was no less
at home than in fashionable literary cliques. The sisters saw something
of Cuvier at Paris; in Switzerland they travelled with the Aragos. They
were on their way to the Marcets at Geneva when they stopped at Coppet,
where Miss Edgeworth was always specially happy in the society of Madame
Auguste de Staël and Madame de Broglie. But Switzerland is not one
of the places where human beings only are in the ascendant; other
influences there are almost stronger than human ones. 'I did not
conceive it possible that I should feel so much pleasure from the
beauties of nature as I have done since I came to this country. The
first moment when I saw Mont Blanc will remain an era in my life--a
new idea, a new feeling standing alone in the mind.' Miss Edgeworth
presently comes down from her mountain heights and, full of interest,
throws herself into the talk of her friends at Coppet and Geneva, from
which she quotes as it occurs to her. Here is Rocca's indignant speech
to Lord Byron, who was abusing the stupidity of the Genevese. 'Eh!
milord, pourquoi venir vous fourrer parmi ces honnêtes gens?' There is
Arago's curious anecdote of Napoleon, who sent for him after the battle
of Waterloo, offering him a large sum of money to accompany him to
America. The Emperor had formed a project for founding a scientific
colony in the New World. Arago was so indignant with him for abandoning
his troops that he would have nothing to say to the plan. A far more
touching story is Dr. Marcet's account of Josephine. 'Poor Josephine! Do
you remember Dr. Marcet's telling us that when he breakfasted with her
she said, pointing to her flowers, "These are my subjects. I try to make
them happy"?'

Among other expeditions they made a pilgrimage to the home of the
author of a work for which Miss Edgeworth seems to have entertained a
mysterious enthusiasm. The novel was called 'Caroline de Lichfield,' and
was so much admired at the time that Miss Seward mentions a gentleman
who wrote from abroad to propose for the hand of the authoress, and who,
more fortunate than the poor Chevalier Edelcrantz, was not refused by
the lady. Perhaps some similarity of experience may have led Maria
Edgeworth to wish for her acquaintance. Happily the time was past for
Miss Edgeworth to look back; her life was now shaped and moulded in
its own groove; the consideration, the variety, the difficulties of
unmarried life were hers, its agreeable change, its monotony of feeling
and of unselfish happiness, compared with the necessary regularity, the
more personal felicity, the less liberal interests of the married. Her
life seems to have been full to overflowing of practical occupation
and consideration for others. What changing scenes and colours, what a
number of voices, what a crowd of outstretched hands, what interesting
processions of people pass across her path! There is something of her
father's optimism and simplicity of nature in her unceasing brightness
and activity, in her resolutions to improve as time goes on. Her young
brothers and sisters grow to be men and women; with her sisters'
marriages new interests touch her warm heart. Between her and the
brothers of the younger generation who did not turn to her as a sort
of mother there may have been too great a difference of age for that
companionship to continue which often exists between a child and a
grown-up person. So at least one is led to believe was the case as
regards one of them, mentioned in a memoir which has recently appeared.
But to her sisters she could be friend, protector, chaperon, sympathising
companion, and elder sister to the end of her days. We hear of them all
at Bowood again on their way back to Ireland, and then we find them all
at home settling down to the old life, 'Maria reading Sévigné,' of whom
she never tires.


One of the prettiest and most sympathetic incidents in Maria Edgeworth's
life was a subsequent expedition to Abbotsford and the pleasure she gave
to its master. They first met in Edinburgh, and her short account
conjures up the whole scene before us:--

    Ten o'clock struck as I read this note. We were tired, we were not
    fit to be seen, but I thought it right to accept Walter Scott's
    cordial invitation, sent for a hackney coach, and just as we were,
    without dressing, we went. As the coach stopped we saw the hall
    lighted, and the moment the door opened heard the joyous sounds
    of loud singing. Three servants' 'The Miss Edgeworths!' sounded
    from hall to landing-place, and as I paused for a moment in the
    anteroom I heard the first sound of Walter Scott's voice--'The
    Miss Edgeworths _come_!' The room was lighted by only one globe
    lamp; a circle were singing loud and beating time: all stopped in
    an instant.

Is not this picture complete? Scott himself she describes as 'full of
genius without the slightest effort at expression, delightfully natural,
more lame but not so unwieldy as she expected.' Lady Scott she goes on
to sketch in some half-dozen words--'French, large dark eyes, civil and

    When we wakened the next morning the whole scene of the preceding
    night seemed like a dream [she continues]; however at twelve came
    the real Lady Scott, and we called for Scott at the Parliament
    House, who came out of the Courts with joyous face, as if he had
    nothing on earth to do or to think of but to show us Edinburgh.

In her quick, discriminating way she looks round and notes them all one
by one.

    Mr. Lockhart is reserved and silent, but he appears to have much
    sensibility under this reserve. Mrs. Lockhart is very pleasing--a
    slight, elegant figure and graceful simplicity of manner, perfectly
    natural. There is something most winning in her affectionate manner
    to her father. He dotes upon her.

A serious illness intervened for poor Maria before she and her devoted
young nurses could reach Abbotsford itself. There she began to recover,
and Lady Scott watched over her and prescribed for her with the most
tender care and kindness. 'Lady Scott felt the attention and respect
Maria showed to her, perceiving that she valued her and treated her as a
friend,' says Mrs. Edgeworth; 'not, as too many of Sir Walter's guests
did, with neglect.' This is Miss Edgeworth's description of the
Abbotsford family life:--

    It is quite delightful to see Scott and his family in the country;
    breakfast, dinner, supper, the same flow of kindness, fondness,
    and genius, far, far surpassing his works, his letters, and all my
    hopes and imagination. His Castle of Abbotsford is magnificent,
    but I forget it in thinking of him.

The return visit, when Scotland visited Ireland, was no less successful.
Mrs. Edgeworth writes:--

Maria and my daughter Harriet accompanied Sir Walter and Miss Scott, Mr.
Lockhart, and Captain and Mrs. Scott to Killarney. They travelled in an
open calèche of Sir Walter's....

Sir Walter was, like Maria, never put out by discomforts on a journey,
but always ready to make the best of everything and to find amusement in
every incident. He was delighted with Maria's eagerness for everybody's
comfort, and diverted himself with her admiration of a green
baize-covered door at the inn at Killarney. 'Miss Edgeworth, you are so
mightily pleased with that door, I think you will carry it away with you
to Edgeworthtown.'

Miss Edgeworth's friendships were certainly very remarkable, and comprise
almost all the interesting people of her day in France as well as in
England.[3] She was liked, trusted, surrounded, and she appears to have
had the art of winning to her all the great men. We know the Duke of
Wellington addressed verses to her; there are pleasant intimations of
her acquaintance with Sir James Mackintosh, Romilly, Moore, and Rogers,
and that most delightful of human beings, Sydney Smith, whom she
thoroughly appreciated and admired. Describing her brother Frank, she
says, somewhere, 'I am much inclined to think that he has a natural
genius for happiness; in other words, as Sydney Smith would say, _great
hereditary constitutional joy_.' 'To attempt to Boswell Sydney Smith's
conversation would be to outboswell Boswell,' she writes in another
letter home; but in Lady Holland's memoir of her father there is a
pleasant little account of Miss Edgeworth herself, 'delightful, clever,
and sensible,' listening to Sydney Smith. She seems to have gone the
round of his parish with him while he scolded, doctored, joked his poor
people according to their needs.

 Footnote 3: A touching illustration of her abiding influence is to be
 found cited in an article in the _Daily News_ of September 7, 1883,
 published as these proofs are going to press, by 'One Who Knew' Ivan
 Turguéneff, that great Russian whom we might almost claim if love and
 admiration gave one a right to count citizenship with the great men of
 our time. An elder brother of his knew Miss Edgeworth, perhaps at
 Abbotsford, for he visited Walter Scott there, or at Coppet with Madame
 de Staël. This man, wise and cultivated in all European literature,
 'came to the conclusion that Maria Edgeworth had struck on a vein from
 which most of the great novelists of the future would exclusively work.
 She took the world as she found it, and selected from it the materials
 that she thought would be interesting to write about, in a clear and
 natural style. It was Ivan Turguéneff himself who told me this, says the
 writer of the article, and he modestly said that he was an unconscious
 disciple of Miss Edgeworth in setting out on his literary career. He had
 not the advantage of knowing English; but as a youth he used to hear his
 brother translate to visitors at his country house in the Uralian Hills
 passages from _Irish Tales and Sketches_, which he thought superior to
 her three-volume novels. Turguéneff also said to me, "It is possible, nay
 probable, that if Maria Edgeworth had not written about the poor Irish
 of the co. Longford and the squires and squirees, that it would not have
 occurred to me to give a literary form to my impressions about the
 classes parallel to them in Russia. My brother used, in pointing out the
 beauties of her unambitious works, to call attention to their extreme
 simplicity and to the distinction with which she treated the simple ones
 of the earth."'

'During her visit she saw much of my father,' says Lady Holland; 'and
her talents as well as her thorough knowledge and love of Ireland made
her conversation peculiarly agreeable to him.' On her side Maria writes
warmly desiring that some Irish bishopric might be forced upon Sydney
Smith, which 'his own sense of natural charity and humanity would forbid
him refuse.... In the twinkling of an eye--such an eye as his--he would
see all our manifold grievances up and down the country. One word, one
_bon mot_ of his, would do more for us, I guess, than ----'s four
hundred pages and all the like with which we have been bored.'

The two knew how to make good company for one another; the
quiet-Jeanie-Deans body could listen as well as give out. We are told
that it was not so much that she said brilliant things, but that a
general perfume of wit ran through her conversation, and she most
certainly had the gift of appreciating the good things of others.
Whether in that 'scene of simplicity, truth, and nature' a London rout,
or in some quiet Hampstead parlour talking to an old friend, or in her
own home among books and relations and interests of every sort, Miss
Edgeworth seems to have been constantly the same, with presence of mind
and presence of heart too, ready to respond to everything. I think her
warmth of heart shines even brighter than her wit at times. 'I could not
bear the idea that you suspected me of being so weak, so vain, so
senseless,' she once wrote to Mrs. Barbauld, 'as to have my head turned
by a little fashionable flattery.' If her head was not turned it must
have been because her spirit was stout enough to withstand the world's
almost irresistible influence.

Not only the great men but the women too are among her friends. She
writes prettily of Mrs. Somerville, with her smiling eyes and pink
colour, her soft voice, strong, well-bred Scotch accent, timid, not
disqualifying timid, but naturally modest. 'While her head is among the
stars her feet are firm upon the earth.' She is 'delighted' with a
criticism of Madame de Staël's upon herself, in a letter to M. Dumont.
'Vraiment elle était digne de l'enthousiasme, mais elle se perd dans
votre triste utilité.' It is difficult to understand why this should
have given Miss Edgeworth so much pleasure; and here finally is a little
vision conjured up for us of her meeting with Mrs. Fry among her

    Little doors, and thick doors, and doors of all sorts were
    unbolted and unlocked, and on we went through dreary but clean
    passages till we came to a room where rows of empty benches
    fronted us, a table on which lay a large Bible. Several ladies and
    gentlemen entered, took their seats on benches at either side of
    the table in silence. Enter Mrs. Fry in a drab-coloured silk cloak
    and a plain, borderless Quaker cap, a most benevolent countenance,
    calm, benign. 'I must make an inquiry. Is Maria Edgeworth here?'
    And when I went forward she bade me come and sit beside her. Her
    first smile as she looked upon me I can never forget. The
    prisoners came in in an orderly manner and ranged themselves upon
    the benches.


'In this my sixtieth year, to commence in a few days,' says Miss
Edgeworth, writing to her cousin Margaret Ruxton, 'I am resolved to make
great progress.' 'Rosamond at sixty,' says Miss Ruxton, touched and
amused. Her resolutions were not idle.

'The universal difficulties of the money market in the year 1826 were
felt by us,' says Mrs. Edgeworth in her memoir, 'and Maria, who since
her father's death had given up rent-receiving, now resumed it;
undertook the management of her brother Lovell's affairs, which she
conducted with consummate skill and perseverance, and weathered the
storm that swamped so many in this financial crisis.' We also hear of an
opportune windfall in the shape of some valuable diamonds, which an old
lady, a distant relation, left in her will to Miss Edgeworth, who sold
them and built a market-house for Edgeworthtown with the proceeds.

    _April_ 8, 1827.--I am quite well and in high good humour and good
    spirits, in consequence of having received the whole of Lovell's
    half-year's rents in full, with pleasure to the tenants and without
    the least fatigue or anxiety to myself.

It was about this time her novel of 'Helen' was written, the last of her
books, the only one that her father had not revised. There is a vivid
account given by one of her brothers of the family assembled in the
library to hear the manuscript read out, of their anxiety and their
pleasure as they realised how good it was, how spirited, how well equal
to her standard. Tickner, in his account of Miss Edgeworth, says that
the talk of Lady Davenant in 'Helen' is very like Miss Edgeworth's own
manner. His visit to Edgeworthtown was not long after the publication of
the book. His description, if only for her mention of her father, is
worth quoting:--

    As we drove to the door Miss Edgeworth came out to meet us, a
    small, short, spare body of about sixty-seven, with extremely
    frank and kind manners, but who always looks straight into your
    face with a pair of mild deep grey eyes whenever she speaks to
    you. With characteristic directness she did not take us into the
    library until she had told us that we should find there Mrs.
    Alison, of Edinburgh, and her aunt, Miss Sneyd, a person very old
    and infirm, and that the only other persons constituting the
    family were Mrs. Edgeworth, Miss Honora Edgeworth, and Dr. Alison,
    a physician.... Miss Edgeworth's conversation was always ready, as
    full of vivacity and variety as I can imagine.... She was disposed
    to defend everybody, even Lady Morgan, as far as she could. And
    in her intercourse with her family she was quite delightful,
    referring constantly to Mrs. Edgeworth, who seems to be the
    authority in all matters of fact, and most kindly repeating
    jokes to her infirm aunt, Miss Sneyd, who cannot hear them,
    and who seems to have for her the most unbounded affection and
    admiration.... About herself as an author she seems to have no
    reserve or secrets. She spoke with great kindness and pleasure
    of a letter I brought to her from Mr. Peabody, explaining some
    passage in his review of 'Helen' which had troubled her from its
    allusion to her father. 'But,' she added, 'no one can know what
    I owe to my father. He advised and directed me in everything. I
    never could have done anything without him. There are things I
    cannot be mistaken about, though other people can. I know them.'
    As she said this the tears stood in her eyes, and her whole person
    was moved.... It was, therefore, something of a trial to talk so
    brilliantly and variously as she did from nine in the morning to
    past eleven at night.

She was unfeignedly glad to see good company. Here is her account of
another visitor:--

   _Sept_. 26.--The day before yesterday we were amusing ourselves by
    telling who among literary and scientific people we should wish
    to come here next. Francis said Coleridge; I said Herschell.
    Yesterday morning, as I was returning from my morning walk at
    half-past eight, I saw a bonnetless maid in the walk, with a
    letter in her hand, in search of me. When I opened the letter I
    found it was from Mr. Herschell, and that he was waiting for an
    answer at Mr. Briggs's inn. I have seldom been so agreeably
    surprised, and now that he is gone and that he has spent
    twenty-four hours here, if the fairy were to ask me the question
    again I should still more eagerly say, 'Mr. Herschell, ma'am, if
    you please.'

She still came over to England from time to time, visiting at her
sisters' houses. Honora was now Lady Beaufort; another sister, Fanny,
the object of her closest and most tender affection, was Mrs. Lestock
Wilson. Age brought no change in her mode of life. Time passes with
tranquil steps, for her not hasting unduly. 'I am perfect,' she writes
at the age of seventy-three to her stepmother of seventy-two, 'so no
more about it, and thank you from my heart and every component part of
my precious self for all the care, and successful care, you have taken
of me, your old petted nurseling.'

Alas! it is sad to realise that quite late in life fresh sorrows fell
upon this warm-hearted woman. Troubles gather; young sisters fade away
in their beauty and happiness. But in sad times and good times the old
home is still unchanged, and remains for those that are left to turn to
for shelter, for help, and consolation. To the very last Miss Edgeworth
kept up her reading, her correspondence, her energy. All along we have
heard of her active habits--out in the early morning in her garden,
coming in to the nine o'clock breakfast with her hands full of roses,
sitting by and talking and reading her letters while the others ate. Her
last letter to her old friend Sir Henry Holland was after reading the
first volume of Lord Macaulay's History. Sir Henry took the letter to
Lord Macaulay, who was so much struck by its discrimination that he
asked leave to keep it.

She was now eighty-two years of age, and we find her laughing kindly
at the anxiety of her sister and brother-in-law, who had heard of her
climbing a ladder to wind up an old clock at Edgeworthtown. 'I am
heartily obliged and delighted by your being such a goose and Richard
such a gander,' she says 'as to be frightened out of your wits by my
climbing a ladder to take off the top of the clock.' She had not felt
that there was anything to fear as once again she set the time that was
so nearly at an end for her. Her share of life's hours had been well
spent and well enjoyed; with a peaceful and steady hand and tranquil
heart she might mark the dial for others whose hours were still to come.

Mrs. Edgeworth's own words tell all that remains to be told.

    It was on the morning of May 22, 1849, that she was taken suddenly
    ill with pain in the region of the heart, and after a few hours
    breathed her last in my arms. She had always wished to die
    quickly, at home, and that I should be with her. All her wishes
    were fulfilled. She was gone, and nothing like her again can we
    see in this world.



    'Your gentleness shall force more than your force move us to
    gentleness.'--_As You Like It_.


It is not very long since some articles appeared in the 'Cornhill
Magazine' which were begun under the influence of certain ancient
bookshelves with so pleasant a flavour of the old world that it seemed
at the time as if yesterday not to-day was the all-important hour, and
one gladly submitted to the subtle charm of the past--its silent veils,
its quiet incantations of dust and healing cobweb. The phase is but a
passing one with most of us, and we must soon feel that to dwell at
length upon each one of the pretty old fancies and folios of the writers
and explorers who were born towards the end of the last century would be
an impossible affectation; and yet a postscript seems wanting to the
sketches which have already appeared of Mrs. Barbauld and Miss
Edgeworth, and the names of their contemporaries should not be quite
passed over.

In a hundred charming types and prints and portraits we recognise the
well-known names as they used to appear in the garb of life. Grand
ladies in broad loops and feathers, or graceful and charming as nymphs
in muslin folds, with hanging clouds of hair; or again, in modest
coiffes such as dear Jane Austen loved and wore even in her youth.
Hannah More only took to coiffes and wimples in later life; in early
days she was fond of splendour, and, as we read, had herself painted in
emerald earrings. How many others besides her are there to admire! Who
does not know the prim, sweet, amply frilled portraits of Mrs. Trimmer
and Joanna Baillie? Only yesterday a friend showed me a sprightly,
dark-eyed miniature of Felicia Hemans. Perhaps most beautiful among all
her sister muses smiles the lovely head of Amelia Opie, as she was
represented by her husband with luxuriant chestnut hair piled up Romney
fashion in careless loops, with the radiant yet dreaming eyes which are
an inheritance for some members of her family.

The authoresses of that day had the pre-eminence in looks, in gracious
dress and bearing; but they were rather literary women than anything
else, and had but little in common with the noble and brilliant writers
who were to follow them in our own more natural and outspoken times;
whose wise, sweet, passionate voices are already passing away into the
distance; of whom so few remain to us.[4] The secret of being real is no
very profound one, and yet how rare it is, how long it was before the
readers and writers of this century found it out! It is like the secret
of singing in perfect tune, or of playing the violin as Joachim can play
upon it. In literature, as in music, there is at times a certain
indescribable tone of absolute reality which carries the reader away and
for the moment absorbs him into the mind of the writer. Some
metempsychosis takes place. It is no longer a man or a woman turning the
pages of a book, it is a human being suddenly absorbed by the book
itself, living the very life which it records, breathing the spirit and
soul of the writer. Such books are events, not books to us, new
conditions of existence, new selves suddenly revealed through the
experience of other more vivid personalities than our own. The actual
experience of other lives is not for us, but this link of simple reality
of feeling is one all independent of events; it is like the miracle of
the loaves and fishes repeated and multiplied--one man comes with his
fishes and lo! the multitude is filled.

 Footnote 4: And yet as I write I remember one indeed who is among us,
 whose portrait a Reynolds or an Opie might have been glad to paint for
 the generations who will love her works.

But this simple discovery, that of reality, that of speaking from the
heart, was one of the last to be made by women. In France Madame de
Sévigné and Madame de La Fayette were not afraid to be themselves, but
in England the majority of authoresses kept their readers carefully at
pen's length, and seemed for the most part to be so conscious of their
surprising achievements in the way of literature as never to forget for
a single instant that they were in print. With the exception of Jane
Austen and Maria Edgeworth, the women writers of the early part of this
century were, as I have just said, rather literary women than actual
creators of literature. It is still a mystery how they attained to their
great successes. Frances Burney charms great Burke and mighty Johnson
and wise Macaulay in later times. Mrs. Opie draws compliments from
Mackintosh, and compliments from the Duchess of Saxe-Coburg, and Sydney
Smith, and above all tears from Walter Scott.

Perhaps many of the flattering things addressed to Mrs. Opie may have
said not less for her own charm and sweetness of nature than for the
merit of her unassuming productions; she must have been a bright, merry,
and fascinating person, and compliments were certainly more in her line
than the tributes of tears which she records.

The authoresses of heroines are often more interesting than the heroines
themselves, and Amelia Opie was certainly no exception to this somewhat
general statement. A pleasant, sprightly authoress, beaming bright
glances on her friends, confident, intelligent, full of interest in
life, carried along in turn by one and by another influence, she comes
before us a young and charming figure, with all the spires of Norwich
for a background, and the sound of its bells, and the stir of its
assizes, as she issues from her peaceful home in her father's tranquil
old house, where the good physician lives widowed, tending his poor and
his sick, and devotedly spoiling his only child.


Amelia Opie was born in 1769 in the old city of Norwich, within reach of
the invigorating breezes of the great North Sea. Her youth must have
been somewhat solitary; she was the only child of a kind and cultivated
physician, Doctor James Alderson, whose younger brother, a barrister,
also living in Norwich, became the father of Baron Alderson. Her mother
died in her early youth. From her father, however, little Amelia seems
to have had the love and indulgence of over half a century, a tender and
admiring love which she returned with all her heart's devotion. She was
the pride and darling of his home, and throughout her long life her
father's approbation was the one chief motive of her existence. Spoiling
is a vexed question, but as a rule people get so much stern justice from
all the rest of the world that it seems well that their parents should
love and comfort them in youth for the many disgraces and difficulties
yet to come.

Her mother is described as a delicate, high-minded woman, 'somewhat of a
disciplinarian,' says Mrs. Opie's excellent biographer, Miss Brightwell,
but she died too soon to carry her theories into practice. Miss Brightwell
suggests that 'Mrs. Opie might have been more demure and decorous had
her mother lived, but perhaps less charming.' There are some verses
addressed to her mother in Mrs. Opie's papers in which it must be
confessed that the remembrance of her admonition plays a most important

  Hark! clearer still thy voice I hear.
    Again reproof in accents mild,
  Seems whispering in my conscious ear,

and so on.

Some of Mrs. Alderson's attempts at discipline seemed unusual and
experimental; the little girl was timid, afraid of black people, of
black beetles, and of human skeletons. She was given the skeleton to
play with, and the beetles to hold in her hand. One feels more sympathy
with the way in which she was gently reconciled to the poor negro with
the frightening black face--by being told the story of his wrongs. But
with the poor mother's untimely death all this maternal supervision
came to an end. 'Amelia, your mother is gone; may you never have reason
to blush when you remember her!' her father said as he clasped his
little orphan to his heart; and all her life long Amelia remembered
those words.

There is a pretty reminiscence of her childhood from a beginning of the
memoir which was never written:--'One of my earliest recollections is of
gazing on the bright blue sky as I lay in my little bed before my hour
of rising came, listening with delighted attention to the ringing of a
peal of bells. I had heard that heaven was beyond those blue skies, and
I had been taught that _there_ was the home of the good, and I fancied
that those sweet bells were ringing in heaven.' The bells were ringing
for the Norwich Assizes, which played an important part in our little
heroine's life, and which must have been associated with many of her
early memories.

The little girl seems to have been allowed more liberty than is usually
given to children. 'As soon as I was old enough to enjoy a procession,'
she says, 'I was taken to see the Judges come in. Youthful pages in
pretty dresses ran by the side of the High Sheriff's carriage, in which
the Judges sat, while the coaches drove slowly and with a solemnity
becoming the high and awful office of those whom they contained.... With
reverence ever did I behold the Judges' wigs, the scarlet robes they
wore, and even the white wand of the Sheriff.'

There is a description which in after years might have made a pretty
picture for her husband's pencil of the little maiden wandering into the
court one day, and called by a kind old Judge to sit beside him upon the
bench. She goes on to recount how next day she was there again; and when
some attendant of the court wanted her to leave the place, saying not
unnaturally, 'Go, Miss, this is no place for you; be advised,' the Judge
again interfered, and ordered the enterprising little girl to be brought
to her old place upon the cushion by his side. The story gives one a
curious impression of a child's life and education. She seems to have
come and gone alone, capable, intelligent, unabashed, interested in all
the events and humours of the place.

Children have among other things a very vivid sense of citizenship
and public spirit, somewhat put out in later life by the rush of
personal feeling, but in childhood the personal events are so few and
so irresponsible that public affairs become an actual part of life and
of experience. While their elders are still discussing the news and
weighing its importance, it is already a part of the children's life.
Little Amelia Alderson must have been a happy child, free, affectionate,
independent; grateful, as a child should be, towards those who befriended
her. One of her teachers was a French dancing-master called Christian,
for whom she had a warm regard. She relates that long afterwards she
came with her husband and a friend to visit the Dutch church at Norwich.
'The two gentlemen were engaged in looking round and making their
observations, and I, finding myself somewhat cold, began to hop and
dance upon the spot where I stood, when my eyes chanced to fall upon
the pavement below, and I started at beholding the well-known name of
Christian graved upon the slab; I stopped in dismay, shocked to find
that I had actually been dancing upon the grave of my old master--he who
first taught me to dance.'


After her mother's death, Amelia Alderson, who was barely fifteen at the
time, began to take her place in society. She kept her father's house,
received his friends, made his home bright with her presence. The lawyers
came round in due season: Sir James Mackintosh came, the town was full
of life, of talk, of music, and poetry, and prejudice.

Harriet Martineau, in her memoir of Mrs. Opie, gives a delightful and
humorous account of the Norwich of that day--rivalling Lichfield and its
literary coterie, only with less sentimentality and some additional
peculiarities of its own. One can almost see the Tory gentlemen, as Miss
Martineau describes them, setting a watch upon the Cathedral, lest the
Dissenters should burn it as a beacon for Boney; whereas good Bishop
Bathurst, with more faith in human nature, goes on resolutely touching
his hat to the leading Nonconformists. 'The French taught in schools,'
says Miss Martineau, 'was found to be unintelligible when the peace
at length arrived, taught as it was by an aged powdered Monsieur
and an elderly flowered Madame, who had taught their pupils' Norfolk
pronunciation. But it was beginning to be known,' she continues, 'that
there was such a language as German, and in due time there was a young
man who had actually been in Germany, and was translating "Nathan the
Wise." When William Taylor became eminent as almost the only German
scholar in England, old Norwich was very proud and grew, to say the
truth, excessively conceited. She was (and she might be) proud of her
Sayers, she boasted of her intellectual supper-parties, and finally
called herself the "Athens of England."'

In this wholesome, cheerful Athens, blown by the invigorating Northern
breezes, little Amelia bloomed and developed into a lovely and happy
girl. She was fortunate, indeed, in her friends. One near at hand must
have been an invaluable adviser for a motherless, impressionable girl.
Mrs. John Taylor was so loved that she is still remembered. Mrs. Barbauld
prized and valued her affection beyond all others. 'I know the value
of your letters,' says Sir James Mackintosh, writing from Bombay;
'they rouse my mind on subjects which interest us in common--children,
literature, and life. I ought to be made permanently better by
contemplating a mind like yours.' And he still has Mrs. Taylor in
his mind when he concludes with a little disquisition on the contrast
between the barren sensibility, the indolent folly of some, the useful
kindness of others, 'the industrious benevolence which requires a
vigorous understanding and a decisive character.'

Some of Mrs. Opie's family have shown me a photograph of her in her
Quaker dress, in old age, dim, and changed, and sunken, from which it is
very difficult to realise all the brightness, and life, and animation
which must have belonged to the earlier part of her life. The delightful
portrait of her engraved in the 'Mirror' shows the animated beaming
countenance, the soft expressive eyes, the abundant auburn waves of
hair, of which we read. The picture is more like some charming allegorical
being than a real live young lady--some Belinda of the 'Rape of the
Lock' (and one would as soon have expected Belinda to turn Quakeress).
Music, poetry, dancing, elves, graces and flirtations, cupids, seem to
attend her steps. She delights in admiration, friendship, companionship,
and gaiety, and yet with it all we realise a warm-hearted sincerity, and
appreciation of good and high-minded things, a truth of feeling passing
out of the realms of fancy altogether into one of the best realities of
life. She had a thousand links with life: she was musical, artistic; she
was literary; she had a certain amount of social influence; she had a
voice, a harp, a charming person, mind and manner. Admiring monarchs in
later days applauded her performance; devoted subjects were her friends
and correspondents, and her sphere in due time extended beyond the
approving Norwich-Athenian coterie of old friends who had known her from
her childhood, to London itself, where she seems to have been made
welcome by many, and to have captivated more than her share of victims.

In some letters of hers written to Mrs. Taylor and quoted by her
biographer we get glimpses of some of these early experiences. The
bright and happy excitable girl comes up from Norwich to London to be
made more happy still, and more satisfied with the delight of life as
it unfolds. Besides her fancy for lawyers, literary people had a great
attraction for Amelia, and Godwin seems to have played an important part
in her earlier experience. A saying of Mrs. Inchbald's is quoted by
her on her return home as to the report of the world being that Mr.
Holcroft was in love with Mrs. Inchbald, Mrs. Inchbald with Mr. Godwin,
Mr. Godwin with Miss Alderson, and Miss Alderson with Mr. Holcroft!

The following account of Somers Town, and a philosopher's costume in
those days, is written to her father in 1794:--

    After a most delightful ride through some of the richest country I
    ever beheld, we arrived about one o'clock at the philosopher's
    house; we found him with his hair _bien poudré_, and in a pair of
    new sharp-toed red morocco slippers, not to mention his green coat
    and crimson under-waistcoat.

From Godwin's by the city they come to Marlborough Street, and find Mrs.
Siddons nursing her little baby, and as handsome and charming as ever.
They see Charles Kemble there, and they wind up their day by calling on
Mrs. Inchbald in her pleasant lodgings, with two hundred pounds just
come in from Sheridan for a farce of sixty pages. Godwin's attentions
seem to have amused and pleased the fair, merry Amelia, who is not a
little proud of her arch influence over various rugged and apparently
inaccessible persons. Mrs. Inchbald seems to have been as jealous of
Miss Alderson at the time as she afterwards was of Mary Wollstonecraft.
'Will you give me nothing to keep for your sake?' says Godwin, parting
from Amelia. 'Not even your slipper? I had it once in my possession.'
'This was true,' adds Miss Amelia; 'my shoe had come off and he picked
it up and put it in his pocket.' Elsewhere she tells her friend Mrs.
Taylor that Mr. Holcroft would like to come forward, but that he had no

That some one person had a chance, and a very good one, is plain enough
from the context of a letter, but there is nothing in Mrs. Opie's life
to show why fate was contrary in this, while yielding so bountiful a
share of all other good things to the happy country girl.

Among other people, she seems to have charmed various French refugees,
one of whom was the Duc d'Aiguillon, come over to England with some
seven thousand others, waiting here for happier times, and hiding their
sorrows among our friendly mists. Godwin was married when Miss Alderson
revisited her London friends and admirers in 1797--an eventful visit,
when she met Opie for the first time.

The account of their first meeting is amusingly given in Miss
Brightwell's memoirs. It was at an evening party. Some of those present
were eagerly expecting the arrival of Miss Alderson, but the evening was
wearing away and still she did not appear; 'at length the door was flung
open, and she entered bright and smiling, dressed in a robe of blue, her
neck and arms bare, and on her head a small bonnet placed in somewhat
coquettish style sideways and surmounted by a plume of three white
feathers. Her beautiful hair hung in waving tresses over her shoulders;
her face was kindling with pleasure at the sight of her old friends, and
her whole appearance was animated and glowing. At the time she came in
Mr. Opie was sitting on a sofa beside Mr. F., who had been saying from
time to time, 'Amelia is coming; Amelia will surely come. Why is she not
here?' and whose eyes were turned in her direction. He was interrupted
by his companion eagerly exclaiming, 'Who is that--who is that?' and
hastily rising Opie pressed forward to be introduced to the fair object
whose sudden appearance had so impressed him.' With all her love of
excitement, of change, of variety, one cannot but feel, as I have said,
that there was also in Amelia Alderson's cheerful life a vein of deep
and very serious feeling, and the bracing influence of the upright and
high-minded people among whom she had been brought up did not count for
nothing in her nature. She could show her genuine respect for what was
generous and good and true, even though she did not always find strength
to carry out the dream of an excitable and warm-hearted nature.


There is something very interesting in the impression one receives of
the 'Inspired Peasant,' as Alan Cunningham calls John Opie--the man
who did not paint to live so much as live to paint. He was a simple,
high-minded Cornishman, whose natural directness and honesty were
unspoiled by favour, unembittered by failure. Opie's gift, like some
deep-rooted seed living buried in arid soil, ever aspired upwards towards
the light. His ideal was high; his performance fell far short of his
life-long dream, and he knew it. But his heart never turned from its
life's aim, and he loved beauty and Art with that true and unfailing
devotion which makes a man great, even though his achievements do not
show all he should have been.

The old village carpenter, his father, who meant him to succeed to
the business, was often angry, and loudly railed at the boy when good
white-washed walls and clean boards were spoiled by scrawls of
lamp-black and charcoal. John worked in the shop and obeyed his father,
but when his day's task was over he turned again to his darling
pursuits. At twelve years old he had mastered Euclid, and could also
rival 'Mark Oaks,' the village phenomenon, in painting a butterfly; by
the time John was sixteen he could earn as much as 7_s._ 6_d._ for a
portrait. It was in this year that there came to Truro an accomplished
and various man Dr. Wolcott--sometimes a parson, sometimes a doctor of
medicine, sometimes as Peter Pindar, a critic and literary man. This
gentleman was interested by young Opie and his performances, and
he asked him on one occasion how he liked painting. 'Better than
bread-and-butter,' says the boy. Wolcott finally brought his _protégé_
to London, where the Doctor's influence and Opie's own undoubted merit
brought him success; and to Opie's own amazement he suddenly found
himself the fashion. His street was crowded with carriages; long
processions of ladies and gentlemen came to sit to him; he was able to
furnish a house 'in Orange Court, by Leicester Fields;' he was beginning
to put by money when, as suddenly as he had been taken up, he was
forgotten again. The carriages drove off in some other direction, and
Opie found himself abandoned by the odd, fanciful world of fashions,
which would not be fashions if they did not change day by day. It might
have proved a heart-breaking phase of life for a man whose aim had been
less single. But Opie was of too generous a nature to value popularity
beyond achievement. He seems to have borne this freak of fortune with
great equanimity, and when he was sometimes overwhelmed, it was not by
the praise or dispraise of others, but by his own consciousness of
failure, of inadequate performance. Troubles even more serious than loss
of patronage and employment befell him later. He had married, unhappily
for himself, a beautiful, unworthy woman, whose picture he has painted
many times. She was a faithless as well as a weak and erring wife,
and finally abandoned him. When Opie was free to marry again he was
thirty-six, a serious, downright man of undoubted power and influence,
of sincerity and tenderness of feeling, of rugged and unusual manners.
He had not many friends, nor did he wish for many, but those who knew
him valued him at his worth. His second wife showed what was in her by
her appreciation of his noble qualities, though one can hardly realise a
greater contrast than that of these two, so unlike in character, in
training, and disposition. They were married in London, at Marylebone
Church, in that dismal year of '98, which is still remembered. Opie
loved his wife deeply and passionately; he did not charm her, though she
charmed him, but for his qualities she had true respect and admiration.


Opie must be forgiven if he was one-idead, if he erred from too
much zeal. All his wife's bright gaiety of nature, her love for her
fellow-creatures, her interest in the world, her many-sidedness, this
uncompromising husband would gladly have kept for himself. For him his
wife and his home were the whole world; his Art was his whole life.

The young couple settled down in London after their marriage, where,
notwithstanding fogs and smoke and dull monotony of brick and smut, so
many beautiful things are created; where Turner's rainbow lights were
first reflected, where Tennyson's 'Princess' sprang from the fog. It
was a modest and quiet installation, but among the pretty things which
Amelia brought to brighten her new home we read of blue feathers and
gold gauze bonnets, tiaras, and spencers, scarlet ribbons, buff net, and
cambric flounces, all of which give one a pleasant impression of her
intention to amuse herself, and to enjoy the society of her fellows, and
to bring her own pleasant contributions to their enjoyment.

Opie sat working at his easel, painting portraits to earn money for his
wife's use and comfort, and encouraging her to write, for he had faith
in work. He himself would never intermit his work for a single day. He
would have gladly kept her always in his sight. 'If I would stay at home
for ever, I believe my husband would be merry from morning to night--a
lover more than a husband,' Amelia writes to Mrs. Taylor. He seemed to
have some feeling that time for him was not to be long--that life was
passing quickly by, almost too quickly to give him time to realise his
new home happiness, to give him strength to grasp his work. He was no
rapid painter, instinctively feeling his light and colour and action,
and seizing the moment's suggestion, but anxious, laborious, and
involved in that sad struggle in which some people pass their lives, for
ever disappointed. Opie's portraits seem to have been superior to his
compositions, which were well painted, 'but unimaginative and
commonplace,' says a painter of our own time, whose own work quickens
with that mysterious soul which some pictures (as indeed some human
beings) seem to be entirely without.

'During the nine years that I was his wife,' says Mrs. Opie, 'I never
saw him satisfied with any one of his productions. Often, very often, he
has entered my sitting-room, and, throwing himself down in an agony of
despondence upon the sofa, exclaimed, "I shall never be a painter!"'

He was a wise and feeling critic, however great his shortcomings as a
painter may have been. His lectures are admirable; full of real thought
and good judgment. Sir James Mackintosh places them beyond Reynolds's in
some ways.

'If there were no difficulties every one would be a painter,' says Opie,
and he goes on to point out what a painter's object should be--'the
discovery or conception of perfect ideas of things; nature in its
purest and most essential form rising from the species to the genus, the
highest and ultimate exertion of human genius.' For him it was no
grievance that a painter's life should be one long and serious effort.
'If you are wanting to yourselves, rule may be multiplied upon rule and
precept upon precept in vain.' Some of his remarks might be thought
still to apply in many cases, no less than they did a hundred years ago,
when he complained of those green-sick lovers of chalk, brick-dust,
charcoal and old tapestry, who are so ready to decry the merits of
colouring and to set it down as a kind of superfluity. It is curious to
contrast Opie's style in literature with that of his wife, who belongs
to the entirely past generation which she reflected, whereas he wrote
from his own original impressions, saying those things which struck him
as forcibly then as they strike us now. 'Father and Daughter' was Mrs.
Opie's first acknowledged book. It was published in 1801, and the author
writes modestly of all her apprehensions. 'Mr. Opie has no patience with
me; he consoles me by averring that fear makes me overrate others and
underrate myself.' The book was reviewed in the 'Edinburgh.' We hear of
one gentleman who lies awake all night after reading it; and Mrs.
Inchbald promises a candid opinion, which, however, we do not get.
Besides stories and novels, Mrs. Opie was the author of several poems
and verses which were much admired. There was an impromptu to Sir James
Mackintosh, which brought a long letter in return, and one of her songs
was quoted by Sydney Smith in a lecture at the Royal Institution. Mrs.
Opie was present, and she used to tell in after times 'how unexpectedly
the compliment came upon her, and how she shrunk down upon her seat in
order to screen herself from observation.'

The lines are indeed charming:--

  Go, youth, beloved in distant glades,
    New friends, new hopes, new joys to find,
  Yet sometimes deign 'midst fairer maids
    To think on her thou leav'st behind.
  Thy love, thy fate, dear youth to share
    Must never be my happy lot;
  But thou may'st grant this humble prayer,
    Forget me not, forget me not.

  Yet should the thought of my distress
    Too painful to thy feelings be,
  Heed not the wish I now express,
    Nor ever deign to think of me;
  But oh! if grief thy steps attend,
    If want, if sickness be thy lot,
  And thou require a soothing friend,
    Forget me not, forget me not.


The little household was a modest one, but we read of a certain amount
of friendly hospitality. Country neighbours from Norfolk appear upon the
scene; we find Northcote dining and praising the toasted cheese. Mrs.
Opie's heart never for an instant ceased to warm to her old friends and
companions. She writes an amusing account to Mrs. Taylor of her London
home, her interests and visitors, 'her happy and delightful life.' She
worked, she amused herself, she received her friends at home and went to
look for them abroad. Among other visits, Mrs. Opie speaks of one to an
old friend who has 'grown plump,' and of a second to 'Betsy Fry' who,
notwithstanding her comfortable home and prosperous circumstances, has
grown lean. It would be difficult to recognise under this familiar
cognomen and description the noble and dignified woman whose name and
work are still remembered with affectionate respect and wonder by a not
less hard-working, but less convinced and convincing generation. This
friendship was of great moment to Amelia Opie in after days, at a
time when her heart was low and her life very sad and solitary; but
meanwhile, as I have said, there were happy times for her; youth and
youthful spirits and faithful companionship were all hers, and troubles
had not yet come.

One day Mrs. Opie gives a characteristic account of a visit from Mrs.
Taylor's two sons. '"John," said I, "will you take a letter from me to
your mother?" "Certainly," replied John, "for then I shall be sure of
being welcome." "Fy," returned I. "Mr. Courtier, you know you want
nothing to add to the heartiness of the welcome you will receive at
home." "No, indeed," said Richard, "and if Mrs. Opie sends her letter by
you it will be one way of making it less valued and attended to than it
would otherwise be." To the truth of this speech I subscribed and wrote
not. I have heard in later days a pretty description of the simple home
in which all these handsome, cultivated, and remarkable young people
grew up round their noble-minded mother.' One of Mrs. John Taylor's
daughters became Mrs. Reeve, the mother of Mr. Henry Reeve, another was
Mrs. Austin, the mother of Lady Duff Gordon.

Those lean kine we read of in the Bible are not peculiar to Egypt and to
the days of Joseph and his brethren. The unwelcome creatures are apt to
make their appearance in many a country and many a household, and in
default of their natural food to devour all sorts of long-cherished
fancies, hopes, and schemes. Some time after his marriage, Opie
suddenly, and for no reason, found himself without employment, and the
severest trial they experienced during their married life, says his
wife, was during this period of anxiety. She, however, cheered him
womanfully, would not acknowledge her own dismay, and Opie, gloomy and
desponding though he was, continued to paint as regularly as before.
Presently orders began to flow in again, and did not cease until his


Their affairs being once more prosperous, a long-hoped-for dream became
a reality, and they started on an expedition to Paris, a solemn event in
those days and not lightly to be passed over by a biographer. One long
war was ended, another had not yet begun. The Continent was a promised
land, fondly dreamt of though unknown. 'At last in Paris; at last in the
city which she had so longed to see!' Mrs. Opie's description of her
arrival reads a comment upon history. As they drive into the town,
everywhere chalked up upon the walls and the houses are inscriptions
concerning 'L'Indivisibilité de la République.' How many subsequent
writings upon the wall did Mrs. Opie live to see! The English party find
rooms at a hotel facing the Place de la Concorde, where the guillotine,
that token of order and tranquillity, was then perpetually standing.
The young wife's feelings may be imagined when within an hour of their
arrival Opie, who had rushed off straight to the Louvre, returned with a
face of consternation to say that they must leave Paris at once. The
Louvre was shut; and, moreover, the whiteness of everything, the houses,
the ground they stood on, all dazzled and blinded him. He was a lost man
if he remained! By some happy interposition they succeed in getting
admission to the Louvre, and as the painter wonders and admires his
nervous terrors leave him. The picture left by Miss Edgeworth of Paris
Society in the early years of the century is more brilliant, but not
more interesting than Mrs. Opie's reminiscences of the fleeting scene,
gaining so much in brilliancy from the shadows all round about. There is
the shadow of the ghastly guillotine upon the Place de la Concorde, the
shadows of wars but lately over and yet to come, the echo in the air of
arms and discord; meanwhile a brilliant, agreeable, flashing Paris
streams with sunlight, is piled with treasures and trophies of victory,
and crowded with well-known characters. We read of Kosciusko's nut-brown
wig concealing his honourable scars; Masséna's earrings flash in the
sun; one can picture it all, and the animated inrush of tourists, and
the eager life stirring round about the walls of the old Louvre.

It was at this time that they saw Talma perform, and years after, in her
little rooms in Lady's Field at Norwich, Mrs. Opie, in her Quaker dress,
used to give an imitation of the great actor and utter a deep 'Cain,
Cain, where art thou?' To which Cain replies in sepulchral tones.

We get among other things an interesting glimpse of Fox standing in the
Louvre Gallery opposite the picture of St. Jerome by Domenichino, a
picture which, as it is said, he enthusiastically admired. Opie, who
happened to be introduced to him, then and there dissented from this
opinion. 'You must be a better judge on such points than I am,' says
Fox; and Mrs. Opie proudly writes of the two passing on together
discussing and comparing the pictures. She describes them next standing
before the 'Transfiguration' of Raphael. The Louvre in those days must
have been for a painter a wonder palace indeed. The 'Venus de' Medici'
was on her way; it was a time of miracles, as Fox said. Meanwhile Mrs.
Opie hears someone saying that the First Consul is on his way from the
Senate, and she hurries to a window to look out. 'Bonaparte seems very
fond of state and show for a Republican,' says Mrs. Fox. Fox himself
half turns to the window, then looks back to the pictures again. As for
Opie, one may be sure his attention never wandered for one instant.

They saw the First Consul more than once. The Pacificator, as he was
then called, was at the height of his popularity; on one occasion
they met Fox with his wife on his arm crossing the Carrousel to the
Tuìlerìes, where they are also admitted to a ground-floor room, from
whence they look upon a marble staircase and see several officers
ascending, 'one of whom, with a helmet which seemed entirely of gold,
was Eugène de Beauharnais. A few minutes afterwards,' she says, 'there
was a rush of officers down the stairs, and among them I saw a short
pale man with his hat in his hand, who, as I thought, resembled Lord
Erskine in profile....' This of course is Bonaparte, unadorned amidst
all this studied splendour, and wearing only a little tricoloured
cockade. Maria Cosway, the painter, who was also in Paris at the time,
took them to call at the house of Madame Bonaparte _mère_, where they
were received by 'a blooming, courteous ecclesiastic, powdered and with
purple stockings and gold buckles, and a costly crucifix. This is
Cardinal Fesch, the uncle of Bonaparte. It is said that when Fox was
introduced to the First Consul he was warmly welcomed by him, and was
made to listen to a grand harangue upon the advantages of peace, to
which he answered scarcely a word; though he was charmed to talk with
Madame Bonaparte, and to discuss with her the flowers of which she was
so fond.' The Opies met Fox again in England some years after, when he
sat to Opie for one of his finest portraits. It is now at Holker, and
there is a characteristic description of poor Opie, made nervous by the
criticism of the many friends, and Fox, impatient but encouraging, and
again whispering, 'Don't attend to them; you must know best.'


'Adeline Mowbray; or, Mother and Daughter,' was published by Mrs. Opie
after this visit to the Continent. It is a melancholy and curious
story, which seems to have been partly suggested by that of poor Mary
Wollstonecraft, whose prejudices the heroine shares and expiates by a
fate hardly less pathetic than that of Mary herself. The book reminds
one of a very touching letter from Godwin's wife to Amelia Alderson,
written a few weeks before her death, in which she speaks of her
'contempt for the forms of a world she should have bade a long
good-night to had she not been a mother.' Justice has at length been
done to this mistaken but noble and devoted woman, and her story has
lately been written from a wider point of view than Mrs. Opie's, though
she indeed was no ungenerous advocate. Her novel seems to have given
satisfaction; 'a beautiful story, the most natural in its pathos of any
fictitious narrative in the language,' says the 'Edinburgh,' writing
with more leniency than authors now expect. Another reviewer, speaking
with discriminating criticism, says of Mrs. Opie: 'She does not reason
well, but she has, like most accomplished women, the talent of perceiving
truth without the process of reasoning. Her language is often inaccurate,
but it is always graceful and harmonious. She can do nothing well that
requires to be done with formality; to make amends, however, she
represents admirably everything that is amiable, generous, and gentle.'

Adeline Mowbray dies of a broken heart, with the following somewhat
discursive farewell to her child: 'There are two ways in which a mother
can be of use to her daughter; the one is by instilling into her mind
virtuous principles, and by setting her a virtuous example, the other is
by being to her, in her own person, an awful warning!'

       *       *       *       *       *

One or two of Opie's letters to his wife are given in the memoir. They
ring with truth and tender feeling. The two went to Norwich together on
one occasion, when Opie painted Dr. Sayers, the scholar, who, in return
for his portrait, applied an elegant Greek distich to the painter. Mrs.
Opie remained with her father, and her husband soon returned to his
studio in London. When she delayed, he wrote to complain. 'My dearest
Life, I cannot be sorry that you do not stay longer, though, as I said,
on your father's account, I would consent to it. Pray, Love, forgive
me, and make yourself easy. I did not suspect, till my last letter was
posted, that it might be too strong. I had been counting almost the
hours till your arrival for some time. As to coming down again I cannot
think of it, for though I could perhaps better spare the time at present
from painting than I could at any part of the last month, I find I must
now go hard to work to finish my lectures, as the law says they must be
delivered the second year after the election.'

The Academy had appointed Opie Professor of Painting in the place of
Fuseli, and he was now trying his hand at a new form of composition, and
not without well-deserved success. But the strain was too great for
this eager mind. Opie painted all day; of an evening he worked at his
lectures on painting. From September to February he allowed himself no
rest. He was not a man who worked with ease; all he did cost him much
effort and struggle. After delivering his first lecture, he complained
that he could not sleep. It had been a great success; his colleagues
had complimented him, and accompanied him to his house. He was able to
complete the course, but immediately afterwards he sickened. No one
could discover what was amiss; the languor and fever increased day by

His wife nursed him devotedly, and a favourite sister of his came to
help her. Afterwards it was of consolation to the widow to remember that
no hired nurse had been by his bedside, and that they had been able to
do everything for him themselves. One thing troubled him as he lay
dying; it was the thought of a picture which he had not been able to
complete in time for the exhibition. A friend and former pupil finished
it, and brought it to his bedside. He said with a smile, 'Take it away,
it will do now.'

To the last he imagined that he was painting upon this picture, and he
moved his arms as though he were at work. His illness was inflammation
of the brain. He was only forty-five when he died, and he was buried in
St. Paul's, and laid by Sir Joshua, his great master.

The portrait of Opie, as it is engraved in Alan Cunningham's Life, is
that of a simple, noble-looking man, with a good thoughtful face and a
fine head. Northcote, Nollekens, Horne Tooke, all his friends spoke
warmly of him. 'A man of powerful understanding and ready apprehension,'
says one. 'Mr. Opie crowds more wisdom into a few words than almost
anybody I ever saw,' says another. 'I do not say that he was always
right,' says Northcote; 'but he always put your thoughts into a new
track that was worth following.' Some two years after his death the
lectures which had cost so much were published, with a memoir by Mrs.
Opie. Sir James Mackintosh has written one of his delightful criticisms
upon the book:--

    The cultivation of every science and the practice of every art are
    in fact a species of action, and require ardent zeal and unshaken
    courage.... Originality can hardly exist without vigour of
    character.... The discoverer or inventor may indeed be most
    eminently wanting in decision in the general concerns of life, but
    he must possess it in those pursuits in which he is successful.
    Opie is a remarkable instance of the natural union of these
    superior qualities, both of which he possesses in a high
    degree.... He is inferior in elegance to Sir Joshua, but he is
    superior in strength; he strikes more, though he charms less....
    Opie is by turns an advocate, a controvertist, a panegyrist, a
    critic; Sir Joshua more uniformly fixes his mind on general and
    permanent principles, and certainly approaches more nearly to the
    elevation and tranquillity which seem to characterise the
    philosophic teacher of an elegant art.


Mrs. Opie went back, soon after her husband's death, to Norwich, to her
early home, her father's house; nor was she a widow indeed while she
still had this tender love and protection.

That which strikes one most as one reads the accounts of Mrs. Opie
is the artlessness and perfect simplicity of her nature. The deepest
feeling of her life was her tender love for her father, and if she
remained younger than most women do, it may have been partly from the
great blessing which was hers so long, that of a father's home. Time
passed, and by degrees she resumed her old life, and came out and about
among her friends. Sorrow does not change a nature, it expresses certain
qualities which have been there all along.

So Mrs. Opie came up to London once more, and welcomed and was made
welcome by many interesting people. Lord Erskine is her friend always;
she visits Madame de Staël; she is constantly in company with Sydney
Smith, the ever-welcome as she calls him. Lord Byron, Sheridan, Lord
Dudley, all appear upon her scene. There is a pretty story of her
singing her best to Lady Sarah Napier, old, blind, and saddened, but
still happy in that she had her sons to guide and to protect her steps.
Among her many entertainments, Mrs. Opie amusingly describes a dinner at
Sir James Mackintosh's, to which most of the guests had been asked at
different hours, varying from six to half-past seven, when Baron
William von Humboldt arrives. He writes to her next day, calling her
Mademoiselle Opie, 'no doubt from my juvenile appearance,' she adds,
writing to her father. It is indeed remarkable to read of her spirits
long after middle life, her interest and capacity for amusement. She
pays 4_l._ for a ticket to a ball given to the Duke of Wellington; she
describes this and many other masquerades and gaieties, and the blue
ball, and the pink ball, and the twenty-seven carriages at her door, and
her sight of the Emperor of Russia in her hotel. When the rest of the
ladies crowd round, eager to touch his clothes, Mrs. Opie, carried away
by the general craze, encircles his wrist with her finger and thumb.
Apart from these passing fancies, she is in delightful society.

Baron Alderson, her cousin and friend, was always kind and affectionate
to her. The pretty little story is well known of his taking her home in
her Quaker dress in the Judges' state-coach at Norwich, saying, 'Come,
Brother Opie,' as he offered her his arm to lead her to the carriage.
She used to stay at his house in London, and almost the last visit she
ever paid was to him.

One of the most interesting of her descriptions is that of her meeting
with Sir Walter Scott and with Wordsworth at a breakfast in Mount
Street, and of Sir Walter's delightful talk and animated stories. One
can imagine him laughing and describing a Cockney's terrors in the
Highlands, when the whole hunt goes galloping down the crags, as is
their North-country fashion. 'The gifted man,' says Mrs. Opie, with her
old-fashioned adjectives, 'condescended to speak to me of my "Father and
Daughter." He then went on faithfully to praise his old friend Joanna
Baillie and her tragedies, and to describe a tragedy he once thought of
writing himself. He should have had no love in it. His hero should have
been the uncle of his heroine, a sort of misanthrope, with only one
affection in his heart, love for his niece, like a solitary gleam of
sunshine lighting the dark tower of some ruined and lonely dwelling.'

'It might perhaps be a weakness,' says the Friend, long after recalling
this event, 'but I must confess how greatly I was pleased at the time.'
No wonder she was pleased that the great wizard should have liked her

It would be impossible to attempt a serious critique of Mrs. Opie's
stories. They are artless, graceful, written with an innocent good faith
which disarms criticism. That Southey, Sydney Smith, and Mackintosh
should also have read them and praised them may, as I have said, prove
as much for the personal charm of the writer, and her warm sunshine of
pleasant companionship, as for the books themselves. They seem to have
run through many editions, and to have received no little encouragement.
Morality and sensation alternate in her pages. Monsters abound there.
They hire young men to act base parts, to hold villainous conversations
which the husbands are intended to overhear. They plot and scheme to
ruin the fair fame and domestic happiness of the charming heroines, but
they are justly punished, and their plots are defeated. One villain, on
his way to an appointment with a married woman, receives so severe a
blow upon the head from her brother, that he dies in agonies of fruitless
remorse. Another, who incautiously boasts aloud his deep-laid scheme
against Constantia's reputation in the dark recesses of a stage-coach,
is unexpectedly seized by the arm. A stranger in the corner, whom he had
not noticed, was no other than the baronet whom Constantia has loved all
along. The dawn breaks in brightly, shining on the stranger's face:
baffled, disgraced, the wicked schemer leaves the coach at the very next
stage, and Constantia's happiness is ensured by a brilliant marriage
with the man she loves. 'Lucy is the dark sky,' cries another lovely
heroine, 'but you, my lord, and my smiling children, these are the
rainbow that illumines it; and who would look at the gloom that see the
many tinted Iris? not I, indeed.' 'Valentine's Eve,' from which this is
quoted, was published after John Opie's death. So was a novel called
'Temper,' and the 'Tales of Real Life.' Mrs. Opie, however, gave up
writing novels when she joined the Society of Friends.

For some years past, Mrs. Opie had been thrown more and more in the
company of a very noble and remarkable race of men and women living
quietly in their beautiful homes in the neighbourhood of Norwich, but
of an influence daily growing--handsome people, prosperous, generous,
with a sort of natural Priesthood belonging to them. Scorning to live
for themselves alone, the Gurneys were the dispensers and originators of
a hundred useful and benevolent enterprises in Norwich and elsewhere.
They were Quakers, and merchants, and bankers. How much of their strength
lay in their wealth and prosperity, how much in their enthusiasm, their
high spirits, voluntarily curbed, their natural instinct both to lead
and to protect, it would be idle to discuss. It is always difficult for
people who believe in the all-importance of the present to judge of
others, whose firm creed is that the present is nothing as compared to
the future. Chief among this remarkable family was Elizabeth Gurney,
the wife of Josiah Fry, the mother of many children, and the good angel,
indeed, of the unhappy captives of those barbarous days, prisoners, to
whose utter gloom and misery she brought some rays of hope. There are
few figures more striking than that of the noble Quaker lady starting on
her generous mission, comforting the children, easing the chains of the
captives. No domineering Jellyby, but a motherly, deep-hearted woman;
shy, and yet from her very timidity gaining an influence, which less
sensitive natures often fail to win. One likes to imagine the dignified
sweet face coming in--the comforting Friend in the quiet garb of the
Quaker woman standing at the gates of those terrible places, bidding the
despairing prisoners be of good hope.

Elizabeth Fry's whole life was a mission of love and help to others; her
brothers and her many relations heartily joined and assisted her in many
plans and efforts.

For Joseph John Gurney, the head of the Norwich family, Mrs. Opie is
said to have had a feeling amounting to more than friendship. Be this as
it may, it is no wonder that so warm-hearted and impressionable a woman
should have been influenced by the calm goodness of the friends with
whom she was now thrown. It is evident enough, nor does she attempt to
conceal the fact, that the admiration and interest she feels for John
Joseph Gurney are very deep motive powers. There comes a time in most
lives, especially in the lives of women, when all the habits and
certainties of youth have passed away, when life has to be built up
again upon the foundations indeed of the past, the friendships, the
memories, the habits of early life, but with new places and things to
absorb and to interest, new hearts to love. And one day people wake up
to find that the friends of their choice have become their home. People
are stranded perhaps seeking their share in life's allowance, and
suddenly they come upon something, with all the charm which belongs to
deliberate choice, as well as that of natural affinity. How well one
can realise the extraordinary comfort that Amelia Opie must have found
in the kind friends and neighbours with whom she was now thrown! Her
father was a very old man, dying slowly by inches. Her own life of
struggle, animation, intelligence, was over, as she imagined, for ever.
No wonder if for a time she was carried away, if she forgot her own
nature, her own imperative necessities, in sympathy with this new
revelation. Here was a new existence, here was a Living Church ready to
draw her within its saving walls. John Joseph Gurney must have been a
man of extraordinary personal influence. For a long time past he had
been writing to her seriously. At last, to the surprise of the world,
though not without long deliberation and her father's full approval, she
joined the Society of Friends, put on their dress, and adopted their
peculiar phraseology. People were surprised at the time, but I think it
would have been still more surprising if she had not joined them. J. J.
Gurney, in one of his letters, somewhat magnificently describes Mrs.
Opie as offering up her many talents and accomplishments a brilliant
sacrifice to her new-found persuasions. 'Illustrations of Lying,'
moral anecdotes on the borderland of imagination, are all that she is
henceforth allowed. 'I am bound in a degree not to invent a story,
because when I became a Friend it was required of me not to do so,' she
writes to Miss Mitford, who had asked her to contribute to an annual.
Miss Mitford's description of Mrs. Opie, 'Quakerised all over, and
calling Mr. Haydon 'Friend Benjamin,' is amusing enough; and so also
is the account of the visiting card she had printed after she became
a Quaker, with 'Amelia Opie,' without any prefix, as is the Quaker
way; also, as is not their way, with a wreath of embossed pink roses
surrounding the name. There is an account of Mrs. Opie published in the
'Edinburgh Review,' in a delightful article entitled the 'Worthies of
Norwich,' which brings one almost into her very presence.

    Amelia Opie at the end of the last century and Amelia Opie in the
    garb and with the speech of a member of the Society of Friends
    sounds like two separate personages, but no one who recollects the
    gay little songs which at seventy she used to sing with lively
    gesture, the fragments of drama to which, with the zest of an
    innate actress, she occasionally treated her young friends, or the
    elaborate faultlessness of her appearance--the shining folds and
    long train of her pale satin draperies, the high, transparent cap,
    the crisp fichu crossed over the breast, which set off to
    advantage the charming little plump figure with its rounded
    lines--could fail to recognise the same characteristics which
    sparkled about the wearer of the pink calico domino in which she
    frolicked incognito 'till she was tired' at a ball given by the
    Duke of Wellington in 1814, or of the eight blue feathers which
    crowned the waving tresses of her flaxen hair as a bride.

Doctor Alderson died in October 1825, and Mrs. Opie was left alone. She
was very forlorn when her father died. She had no close ties to carry
her on peacefully from middle age to the end of life. The great break
had come; she was miserable, and, as mourners do, she falls upon herself
and beats her breast. All through these sad years her friends at Northrepps
and at Earlham were her chief help and consolation. As time passed her
deep sorrow was calmed, when peaceful memories had succeeded to the keen
anguish of her good old father's loss. She must have suffered deeply;
she tried hard to be brave, but her courage failed her at times: she
tried hard to do her duty; and her kindness and charity were unfailing,
for she was herself still, although so unhappy. Her journals are
pathetic in their humility and self-reproaches for imaginary omissions.
She is lonely; out of heart, out of hope. 'I am so dissatisfied with
myself that I hardly dare ask or expect a blessing upon my labours,' she
says; and long lists of kind and fatiguing offices, of visits to sick
people and poor people, to workhouses and prisons, are interspersed with
expressions of self-blame.

       *       *       *       *       *

The writer can remember as a child speculating as she watched the
straight-cut figure of a Quaker lady standing in the deep window of an
old mansion that overlooked the Luxembourg Gardens at Paris, with all
their perfume and blooming scent of lilac and sweet echoes of children,
while the quiet figure stood looking down upon it all from--to a
child--such an immeasurable distance. As one grows older one becomes
more used to garbs of different fashions and cut, and one can believe in
present sunlight and the scent of flowering trees and the happy sound of
children's voices going straight to living hearts beneath their several
disguises, and Mrs. Opie, notwithstanding her Quaker dress, loved bright
colours and gay sunlight. She was one of those who gladly made life
happy for others, who naturally turned to bright and happy things
herself. When at last she began to recover from the blow which had
fallen so heavily upon her she went from Norwich to the Lakes and Fells
for refreshment, and then to Cornwall, and among its green seas and
softly clothed cliffs she found good friends (as most people do who go
to that kind and hospitable county), and her husband's relations, who
welcomed her kindly. As she recovered by degrees she began to see
something of her old companions. She went to London to attend the May
meetings of the Society, and I heard an anecdote not long ago which must
have occurred on some one of these later visits there.

One day when some people were sitting at breakfast at Samuel Rogers's,
and talking as people do who belong to the agreeable classes, the
conversation happened to turn upon the affection of a father for his
only child, when an elderly lady who had been sitting at the table, and
who was remarkable for her Quaker dress, her frills and spotless folds,
her calm and striking appearance, started up suddenly, burst into a
passion of tears, and had to be led sobbing out of the room. She did not
return, and the lady who remembers the incident, herself a young bride
at the time, told me it made all the more impression upon her at the
time because she was told that the Quaker lady was Mrs. Opie. My friend
was just beginning her life. Mrs. Opie must have been ending hers.
It is not often that women, when youth is long past, shed sudden and
passionate tears of mere emotion, nor perhaps would a Quaker, trained
from early childhood to calm moods and calm expressions, have been so
suddenly overpoweringly affected; but Mrs. Opie was no born daughter of
the community, she was excitable and impulsive to the last. I have heard
a lady who knew her well describe her, late in life, laughing heartily
and impetuously thrusting a somewhat starched-up Friend into a deep
arm-chair exclaiming, 'I will hurl thee into the bottomless pit.'


  At sight of thee, O Tricolor,
  I seem to feel youth's hours return,
  The loved, the lost!

So writes Mrs. Opie at the age of sixty, reviving, delighting, as she
catches sight of her beloved Paris once more, and breathes its clear
and life-giving air, and looks out across its gardens and glittering
gables and spires, and again meets her French acquaintances, and throws
herself into their arms and into their interests with all her old warmth
and excitability. The little grey bonnet only gives certain incongruous
piquancy to her pleasant, kind-hearted exuberance. She returns to
England, but far-away echoes reach her soon of changes and revolutions
concerning all the people for whom her regard is so warm. In August,
1830, came the news of a new revolution--'The Chamber of Deputies
dissolved for ever; the liberty of the press abolished; king, ministers,
court, and ambassadors flying from Paris to Vincennes; cannon planted
against the city; 5,000 people killed, and the Rue de Rivoli running
with blood.' No wonder such rumours stirred and overwhelmed the staunch
but excitable lady. 'You will readily believe how anxious, interested,
and excited I feel,' she says; and then she goes on to speak of
Lafayette, 'miraculously preserved through two revolutions, and in
chains and in a dungeon, now the leading mind in another conflict, and
lifting not only an armed but a restraining hand in a third revolution.'

Her heart was with her French friends and intimates, and though she kept
silence she was not the less determined to follow its leading, and,
without announcing her intention, she started off from Norwich and,
after travelling without intermission, once more arrived in her beloved
city. But what was become of the Revolution? 'Paris seemed as bright and
peaceful as I had seen it thirteen months ago! The people, the busy
people passing to and fro, and soldiers, omnibuses, cabriolets, citadenes,
carts, horsemen hurrying along the Rue de Rivoli, while foot passengers
were crossing the gardens, or loungers were sitting on its benches to
enjoy the beauty of the May-November.' She describes two men crossing
the Place Royale singing a national song, the result of the

  Pour briser leurs masses profondes,
  Qui conduit nos drapeaux sanglants,
  C'est la Liberté de deux mondes,
  C'est Lafayette en cheveux blancs.

Mrs. Opie was full of enthusiasm for noble Lafayette surveying his court
of turbulent intrigue and shifting politics; for Cuvier in his own
realm, among more tranquil laws, less mutable decrees. She should have
been born a Frenchwoman, to play a real and brilliant part among all
these scenes and people, instead of only looking on. Something stirred
in her veins too eager and bubbling for an Englishwoman's scant share
of life and outward events. No wonder that her friends at Norwich were
anxious, and urged her to return. They heard of her living in the midst
of excitement, of admiration, and with persons of a different religion
and way of thinking to themselves. Their warning admonitions carried
their weight; that little Quaker bonnet which she took so much care of
was a talisman, drawing the most friendly of Friends away from the place
of her adoption. But she came back unchanged to her home, to her quiet
associations; she had lost none of her spirits, none, of her cheerful
interest in her natural surroundings. As life burnt on her kind soul
seemed to shine more and more brightly. Every one came to see her, to
be cheered and warmed by her genial spirit. She loved flowers, of which
her room was full. She had a sort of passion for prisms, says her
biographer; she had several set in a frame and mounted like a screen,
and the colour flew about the little room. She kept up a great
correspondence; she was never tired of writing, though the letters on
other people's business were apt to prove a serious burden at times.
But she lives on only to be of use. 'Take care of indulging in little
selfishnesses,' she writes in her diary; 'learn to consider others
in trifles: the mind so disciplined will find it easier to fulfil
the greater duties, and the character will not exhibit that trying
inconsistency which one sees in great and often in pious persons.' Her
health fails, but not her courage. She goes up to London for the last
time to her cousin's house. She is interested in all the people she
meets, in their wants and necessities, in the events of the time. She
returns home, contented with all; with the house which she feels so
'desirable to die in,' with her window through which she can view the
woods and rising ground of Thorpe. 'My prisms to-day are quite in their
glory,' she writes; 'the atmosphere must be very clear, for the radiance
is brighter than ever I saw it before;' and then she wonders whether the
mansions in heaven will be draped in such brightness; and so to the last
the gentle, bright, _rainbow_ lady remained surrounded by kind and
smiling faces, by pictures, by flowers, and with the light of her
favourite prismatic colours shining round about the couch on which she



    'A mesure qu'on a plus d'esprit on trouve qu'il y a plus d'hommes
    originaux. Les gens du commun ne trouvent pas de différence entre
    les hommes.'--PASCAL.

'I did not know that you were a studier of character,' says Bingley to
Elizabeth. 'It must be an amusing study.'

'Yes, but intricate characters are the most amusing. They have at least
that advantage.'

'The country,' said Darcy, 'can in general supply but few subjects for
such a study. In a country neighbourhood you move in a very confined and
unvarying society.'

'But people themselves alter so much,' Elizabeth answers, 'that there is
something new to be observed in them for ever.'

'Yes, indeed,' cried Mrs. Bennet, offended by Darcy's manner of
mentioning a country neighbourhood; 'I assure you that we have quite as
much of _that_ going on in the country as in town.'

'Everybody was surprised, and Darcy, after looking at her for a moment,
turned silently away. Mrs. Bennet, who fancied she had gained a
complete victory over him, continued her triumph.'

These people belong to a whole world of familiar acquaintances, who are,
notwithstanding their old-fashioned dresses and quaint expressions, more
alive to us than a great many of the people among whom we live. We
know so much more about them to begin with. Notwithstanding a certain
reticence and self-control which seems to belong to their age, and with
all their quaint dresses, and ceremonies, and manners, the ladies and
gentlemen in 'Pride and Prejudice' and its companion novels seem like
living people out of our own acquaintance transported bodily into a
bygone age, represented in the half-dozen books that contain Jane
Austen's works. Dear books! bright, sparkling with wit and animation, in
which the homely heroines charm, the dull hours fly, and the very bores
are enchanting.

Could we but study our own bores as Miss Austen must have studied hers
in her country village, what a delightful world this might be!--a world
of Norris's economical great walkers, with dining-room tables to dispose
of; of Lady Bertrams on sofas, with their placid 'Do not act anything
improper, my dears; Sir Thomas would not like it;' of Bennets, Goddards,
Bates's; of Mr. Collins's; of Rushbrooks, with two-and-forty speeches
apiece--a world of Mrs. Eltons.... Inimitable woman! she must be alive
at this very moment, if we but knew where to find her, her basket on her
arm, her nods and all-importance, with Maple Grove and the Sucklings in
the background. She would be much excited were she aware how she is
esteemed by a late Chancellor of the Exchequer, who is well acquainted
with Maple Grove and Selina too. It might console her for Mr. Knightly's
shabby marriage.

All these people nearly start out of the pages, so natural and
unaffected are they, and yet they never lived except in the imagination
of one lady with bright eyes, who sat down some seventy years ago to an
old mahogany desk in a quiet country parlour, and evoked them for us.
One seems to see the picture of the unknown friend who has charmed us so
long--charmed away dull hours, created neighbours and companions for
us in lonely places, conferring happiness and harmless mirth upon
generations to come. One can picture her as she sits erect, with her
long and graceful figure, her full round face, her bright eyes cast
down,--Jane Austen, 'the woman of whom England is justly proud'--whose
method generous Macaulay has placed near Shakespeare. She is writing
in secret, putting away her work when visitors come in, unconscious,
modest, hidden at home in heart, as she was in her sweet and womanly
life, with the wisdom of the serpent indeed and the harmlessness of a

Some one said just now that many people seem to be so proud of seeing
a joke at all, that they impress it upon you until you are perfectly
wearied by it. Jane Austen was not of these; her humour flows gentle and
spontaneous; it is no elaborate mechanism nor artificial fountain, but
a bright natural stream, rippling and trickling over every stone and
sparkling in the sunshine. We should be surprised now-a-days to hear a
young lady announce herself as a studier of character. From her quiet
home in the country lane this one reads to us a real page from the
absorbing pathetic humorous book of human nature--a book that we can
most of us understand when it is translated into plain English; but
of which the quaint and illegible characters are often difficult to
decipher for ourselves. It is a study which, with all respect for Darcy's
opinion, must require something of country-like calm and concentration
and freedom of mind. It is difficult, for instance, for a too impulsive
student not to attribute something of his own moods to his specimens
instead of dispassionately contemplating them from a critical distance.

Besides the natural fun and wit and life of her characters, 'all
perfectly discriminated,' as Macaulay says, Jane Austen has the gift of
telling a story in a way that has never been surpassed. She rules her
places, times, characters, and marshals them with unerring precision.
In her special gift for organisation she seems almost unequalled. Her
picnics are models for all future and past picnics; her combinations of
feelings, of conversation, of gentlemen and ladies, are so natural and
lifelike that reading to criticise is impossible to some of us--the
scene carries us away, and we forget to look for the art by which it is
recorded. Her machinery is simple but complete; events group themselves
so vividly and naturally in her mind that, in describing imaginary
scenes, we seem not only to read them, but to live them, to see the
people coming and going: the gentlemen courteous and in top-boots, the
ladies demure and piquant; we can almost hear them talking to one
another. No retrospects; no abrupt flights; as in real life days and
events follow one another. Last Tuesday does not suddenly start into
existence all out of place; nor does 1790 appear upon the scene when we
are well on in '21. Countries and continents do not fly from hero to
hero, nor do long and divergent adventures happen to unimportant members
of the company. With Jane Austen days, hours, minutes succeed each other
like clockwork, one central figure is always present on the scene, that
figure is always prepared for company. Miss Edwards's curl-papers are
almost the only approach to dishabille in her stories. There are
postchaises in readiness to convey the characters from Bath or Lyme to
Uppercross, to Fullerton, from Gracechurch Street to Meryton, as their
business takes them. Mr. Knightly rides from Brunswick Square to
Hartfield, by a road that Miss Austen herself must have travelled in the
curricle with her brother, driving to London on a summer's day. It was
a wet ride for Mr. Knightly, followed by that never-to-be-forgotten
afternoon in the shrubbery, when the wind had changed into a softer
quarter, the clouds were carried off, and Emma, walking in the sunshine,
with spirits freshened and thoughts a little relieved, and thinking of
Mr. Knightly as sixteen miles away, meets him at the garden door; and
everybody, I think, must be the happier, for the happiness and certainty
that one half-hour gave to Emma and her 'indifferent' lover.

There is a little extract from one of Miss Austen's letters to a niece,
which shows that all this successful organisation was not brought about
by chance alone, but came from careful workmanship.

'Your aunt C.,' she says, 'does not like desultory novels, and is rather
fearful that yours will be too much so--that there will be too frequent
a change from one set of people to another, and that circumstances will
be sometimes introduced of apparent consequence, which will lead to
nothing. It will not be so great an objection to me. I allow much more
latitude than she does, and think nature and spirit cover many sins of a
wandering story....'

But, though the sins of a wandering story may be covered, the virtues of
a well-told one make themselves felt unconsciously, and without an
effort. Some books and people are delightful, we can scarce tell why;
they are not so clever as others that weary and fatigue us. It is a
certain effort to read a story, however touching, that is disconnected
and badly related. It is like an ill-drawn picture, of which the
colouring is good. Jane Austen possessed both gifts of colour and of
drawing. She could see human nature as it was; with near-sighted eyes,
it is true; but having seen, she could combine her picture by her art,
and colour it from life. How delightful the people are who play at
cards, and pay their addresses to one another, and sup, and discuss each
other's affairs! Take Mr. Bennet's reception of his sons-in-law. Take
Sir Walter Elliot compassionating the navy and Admiral Baldwin--'nine
grey hairs of a side, and nothing but a dab of powder at top--a wretched
example of what a seafaring life can do, for men who are exposed to
every climate and weather until they are not fit to be seen. It is a
pity they are not knocked on the head at once, before they reach Admiral
Baldwin's age....' Or shall we quote the scene of Fanny Price's return
when she comes to visit her family at Portsmouth; in all daughterly
agitation and excitement, and the brother's and father's and sister's
reception of her.... 'A stare or two at Fanny was all the voluntary
notice that her brother bestowed, but he made no objection to her kissing
him, though still entirely engaged in detailing further particulars of
the "Thrush's" going out of harbour, in which he had a strong right of
interest, being about to commence his career of seamanship in her at
this very time. After the mother and daughter have received her, Fanny's
seafaring father comes in, and does not notice her at first in his
excitement. "Captain Walsh thinks you will certainly have a cruise to
the westward with the 'Elephant' by ---- I wish you may. But old Scholey
was saying just now that he thought you would be sent first to the
'Texel.' Well, well, we are ready whatever happens. But by ---- you lost
a fine sight by not being here in the morning to see the 'Thrush' go out
of harbour. I would not have been out of the way for a thousand pounds.
Old Scholey ran in at breakfast time to say she had slipped her moorings
and was coming out. I jumped up and made but two steps to the platform.
If ever there was a perfect beauty afloat she is one; and there she lies
at Spithead, and anybody in England would take her for an
eight-and-twenty. I was upon the platform for two hours this afternoon
looking at her. She lies close to the 'Endymion,' between her and the
'Cleopatra,' just to the eastward of the sheer hulk."'

'"Ha!" cried William, "_that's_ just where I should have put her myself.
It's the best berth in Spithead. But here is my sister, sir; here is
Fanny, turning and leading her forward--it is so dark you do not see

'With an acknowledgment that he had quite forgot her, Mr. Price now
received his daughter, and having given her a cordial hug and observed
that she was grown into a woman and he supposed would be wanting a
husband soon, seemed very much inclined to forget her again.'

How admirably it is all told! how we hear them all talking!

From her own brothers Jane Austen learned her accurate knowledge of
ships and seafaring things, from her own observation she must have
gathered her delightful droll science of men and women and their ways
and various destinations. Who will not recognise Mrs. Norris in that
master-touch by which she removes the curtain to save Sir Thomas's
feelings, that curtain which had been prepared for the private
theatricals he so greatly disapproved of? Mrs. Norris thoughtfully
carries it off to her cottage, where she happened to be particularly in
want of green baize.


The charm of friends of pen-and-ink is their unchangeableness. We go to
them when we want them. We know where to seek them; we know what to
expect from them. They are never preoccupied; they are always 'at home;'
they never turn their backs nor walk away as people do in real life, nor
let their houses and leave the neighbourhood, and disappear for weeks
together; they are never taken up with strange people, nor suddenly
absorbed into some more genteel society, or by some nearer fancy. Even
the most volatile among them is to be counted upon. We may have
neglected them, and yet when we meet again there are the familiar old
friends, and we seem to find our own old selves again in their company.
For us time has, perhaps, passed away; feelings have swept by, leaving
interests and recollections in their place; but at all ages there must
be days that belong to our youth, hours that will recur so long as men
forbear and women remember, and life itself exists. Perhaps the most
fashionable marriage on the _tapis_ no longer excites us very much, but
the sentiment of an Emma or an Anne Elliot comes home to some of us as
vividly as ever. It is something to have such old friends who are so
young. An Emma, blooming, without a wrinkle or a grey hair, after
twenty years' acquaintance; an Elizabeth Bennet, sprightly and charming

In the 'Roundabout Papers' there is a passage about the pen-and-ink
friends my father loved:--

'They used to call the good Sir Walter the "Wizard of the North." What
if some writer should appear who can write so _enchantingly_ that he
shall be able to call into actual life the people whom he invents? What
if Mignon, and Margaret, and Goetz von Berlichingen are alive now
(though I don't say they are visible), and Dugald Dalgetty and Ivanhoe
were to step in at that open window by the little garden yonder? Suppose
Uncas and our noble old Leather Stocking were to glide in silent?
Suppose Athos, Porthos, and Aramis should enter, with a noiseless
swagger, curling their moustaches? And dearest Amelia Booth, on Uncle
Toby's arm; and Tittlebat Titmouse with his hair dyed green; and all the
Crummles company of comedians, with the Gil Blas troop; and Sir Roger
de Coverley; and the greatest of all crazy gentlemen, the Knight of La
Mancha, with his blessed squire? I say to you, I look rather wistfully
towards the window, musing upon these people. Were any of them to enter,
I think I should not be very much frightened....'

Are not such friends as these, and others unnamed here, but who will
come unannounced to join the goodly company, creations that, like some
people, do actually make part of our existence, and make us the better
for theirs? To express some vague feelings is to stamp them. Have we any
one of us a friend in a Knight of La Mancha, a Colonel Newcome, a Sir
Roger de Coverley? They live for us even though they may have never
lived. They are, and do actually make part of our lives, one of the best
and noblest parts. To love them is like a direct communication with the
great and generous minds that conceived them.

       *       *       *       *       *

It is difficult, reading the novels of succeeding generations, to
determine how much each book reflects of the time in which it was
written; how much of its character depends upon the mind and the mood of
the writer. The greatest minds, the most original, have the least stamp
of the age, the most of that dominant natural reality which belongs to
all great minds. We know how a landscape changes as the day goes on,
and how the scene brightens and gains in beauty as the shadows begin to
lengthen. The clearest eyes must see by the light of their own hour.
Jane Austen's literary hour must have been a midday hour: bright,
unsuggestive, with objects standing clear, without much shadow or
elaborate artistic effect. Our own age is more essentially an age of
strained emotion, little remains to us of starch, or powder, or courtly
reserve. What we have lost in calm, in happiness, in tranquillity, we
have gained in emphasis. Our danger is now, not of expressing and
feeling too little, but of expressing more than we feel.

The living writers of to-day lead us into distant realms and worlds
undreamt of in the placid and easily contented gigot age. Our characters
travel by rail and are no longer confined to postchaises. There is
certainly a wide difference between Miss Austen's heroines and, let us
say, a Maggie Tulliver. One would be curious to know whether, between
the human beings who read Jane Austen's books to-day and those who read
them fifty years ago, there is as great a contrast. One reason may be,
perhaps, that characters in novels are certainly more intimate with us
and on less ceremonious terms than in Jane Austen's days, when heroines
never gave up a certain gentle self-respect and humour and hardness of
heart in which some modern types are a little wanting. Whatever happens
they could for the most part speak of quietly and without bitterness.
Love with them does not mean a passion so much as an interest, deep,
silent, not quite incompatible with a secondary flirtation. Marianne
Dashwood's tears are evidently meant to be dried. Jane Bennet smiles,
sighs and makes excuses for Bingley's neglect. Emma passes one
disagreeable morning making up her mind to the unnatural alliance
between Mr. Knightly and Harriet Smith. It was the spirit of the age,
and, perhaps, one not to be unenvied. It was not that Jane Austen
herself was incapable of understanding a deeper feeling. In the last
written page of her last written book, there is an expression of the
deepest and truest experience. Annie Elliot's talk with Captain Benfield
is the touching utterance of a good woman's feelings. They are speaking
of men and of women's affections. 'You are always labouring and
toiling,' she says, 'exposed to every risk and hardship. Your home,
country, friends, all united; neither time nor life to be called your
own. It would be too hard, indeed (with a faltering voice), if a woman's
feelings were to be added to all this.'

Further on she says, eagerly: 'I hope I do justice to all that is
felt by you, and by those who resemble you. God forbid that I should
undervalue the warm and faithful feelings of any of my fellow-creatures.
I should deserve utter contempt if I dared to suppose that true attachment
and constancy were known only by woman. No! I believe you capable of
everything good and great in your married lives. I believe you equal
to every important exertion, and to every domestic forbearance so long
as--if I may be allowed the expression--so long as you have an object;
I mean while the woman you love lives and lives for you. _All the
privilege I claim for my own sex (it is not a very enviable one, you
need not court it) is that of loving longest when existence or when hope
is gone._'

She could not immediately have uttered another sentence--her heart was
too full, her breath too much oppressed.

Dear Anne Elliot!--sweet, impulsive, womanly, tender-hearted--one can
almost hear her voice, pleading the cause of all true women. In those
days when, perhaps, people's nerves were stronger than they are now,
sentiment may have existed in a less degree, or have been more ruled by
judgment, it may have been calmer and more matter-of-fact; and yet Jane
Austen, at the very end of her life, wrote thus. Her words seem to ring
in our ears after they have been spoken. Anne Elliot must have been Jane
Austen herself, speaking for the last time. There is something so true,
so womanly about her, that it is impossible not to love her most of all.
She is the bright-eyed heroine of the earlier novels, matured, softened,
cultivated, to whom fidelity has brought only greater depth and
sweetness instead of bitterness and pain.

What a difficult thing it would be to sit down and try to enumerate the
different influences by which our lives have been affected--influences
of other lives, of art, of nature, of place and circumstance,--of
beautiful sights passing before our eyes, or painful ones: seasons
following in their course--hills rising on our horizons--scenes of ruin
and desolation--crowded thoroughfares--sounds in our ears, jarring or
harmonious--the voices of friends, calling, warning, encouraging--of
preachers preaching--of people in the street below, complaining, and
asking our pity! What long processions of human beings are passing
before us! What trains of thought go sweeping through our brains! Man
seems a strange and ill-kept record of many and bewildering experiences.
Looking at oneself--not as oneself, but as an abstract human being--one
is lost in wonder at the vast complexities which have been brought to
bear upon it; lost in wonder, and in disappointment perhaps, at the
discordant result of so great a harmony. Only we know that the whole
diapason is beyond our grasp: one man cannot hear the note of the
grasshoppers, another is deaf when the cannon sounds. Waiting among
these many echoes and mysteries of every kind, and light and darkness,
and life and death, we seize a note or two of the great symphony, and
try to sing; and because these notes happen to jar, we think all is
discordant hopelessness. Then come pressing onward in the crowd of
life, voices with some of the notes that are wanting to our own
part--voices tuned to the same key as our own, or to an accordant one;
making harmony for us as they pass us by. Perhaps this is in life the
happiest of all experience, and to few of us there exists any more
complete ideal.

And so now and then in our lives, when we learn to love a sweet and
noble character, we all feel happier and better for the goodness and
charity which is not ours, and yet which seems to belong to us while
we are near it. Just as some people and states of mind affect us
uncomfortably, so we seem to be true to ourselves with a truthful
person, generous-minded with a generous nature; life seems less
disappointing and self-seeking when we think of the just and sweet and
unselfish spirits, moving untroubled among dinning and distracting
influences. These are our friends in the best and noblest sense. We are
the happier for their existence,--it is so much gain to us. They may
have lived at some distant time, we may never have met face to face, or
we may have known them and been blessed by their love; but their light
shines from afar, their life is for us and with us in its generous
example; their song is for our ears, and we hear it and love it still,
though the singer may be lying dead.


A little book, written by one of Jane Austen's nephews, tells with a
touching directness and simplicity the story of this good and gifted
woman, whose name has long been a household word among us, but of whose
history nothing was known until this little volume appeared. It is but
the story of a country lady, of quiet days following quiet days of
seasons in their course of common events; and yet the history is deeply
interesting to those who loved the writer of whom it is written; and as
we turn from the story of Jane Austen's life to her books again, we feel
more than ever that she, too, was one of those true friends who belong
to us inalienably--simple, wise, contented, living in others, one of
those whom we seem to have a right to love. Such people belong to all
humankind by the very right of their wide and generous sympathies, of
their gentle wisdom and loveableness. Jane Austen's life, as it is told
by Mr. Austen Legh, is very touching, sweet, and peaceful. It is a
country landscape, where the cattle are grazing, the boughs of the great
elm-tree rocking in the wind: sometimes, as we read, they come falling
with a crash into the sweep; birds are flying about the old house,
homely in its simple rule. The rafters cross the whitewashed ceilings,
the beams project into the room below. We can see it all: the parlour
with the horsehair sofa, the scant, quaint furniture, the old-fashioned
garden outside, with its flowers and vegetables combined, and along the
south side of the garden the green terrace sloping away.

There is a pretty description of the sisters' devotion to one another
(when Cassandra went to school little Jane accompanied her, the sisters
could not be parted), of the family party, of the old place, 'where
there are hedgerows winding, with green shady footpaths within the
copse; where the earliest primroses and hyacinths are found.' There
is the wood-walk, with its rustic seats, leading to the meadows; the
church-walk leading to the church, 'which is far from the hum of the
village, and within sight of no habitation, except a glimpse of the grey
manor-house through its circling screen of sycamores. Sweet violets,
both purple and white, grow in abundance beneath its south wall. Large
elms protrude their rough branches, old hawthorns shed their blossoms
over the graves, and the hollow yew-tree must be at least coëval with
the church.'

One may read the account of Catherine Morland's home with new interest,
from the hint which is given of its likeness to the old house at
Steventon, where dwelt the unknown friend whose voice we seem to hear
at last, and whose face we seem to recognise, her bright eyes and brown
curly hair, her quick and graceful figure. One can picture the children
who are playing at the door of the old parsonage, and calling for Aunt
Jane. One can imagine her pretty ways with them, her sympathy for the
active, their games and imaginations. There is Cassandra. She is older
than her sister, more critical, more beautiful, more reserved. There is
the mother of the family, with her keen wit and clear mind; the handsome
father--'the handsome proctor,' as he was called; the five brothers,
driving up the lane. Tranquil summer passes by, the winter days go by;
the young lady still sits writing at the old mahogany desk, and smiling,
perhaps, at her own fancies, and hiding them away with her papers at the
sound of coming steps. Now, the modest papers, printed and reprinted,
lie in every hand, the fancies disport themselves at their will in the
wisest brains and the most foolish.

It must have been at Steventon--Jane Austen's earliest home--that Mr.
Collins first made his appearance (Lady Catherine not objecting, as we
know, to his occasional absence on a Sunday, provided another clergyman
was engaged to do the duty of the day), and here, conversing with Miss
Jane, that he must have made many of his profoundest observations upon
human nature; remarking, among other things, that resignation is never
so perfect as when the blessing denied begins to lose somewhat of its
value in our estimation, and propounding his celebrated theory about the
usual practice of elegant females. It must have been here, too, that poor
Mrs. Bennet declared, with some justice, that once estates are entailed,
one can never tell how they will go; here, too, that Mrs. Allen's sprigged
muslin and John Thorpe's rodomontades were woven; that his gig was built,
'curricle-hung lamps, seat, trunk, sword-case, splashboard, silver
moulding, all, you see, complete. The ironwork as good as new, or
better. He asked fifty guineas.... I closed with him directly, threw
down the money, and the carriage was mine.'

'And I am sure,' said Catherine, 'I know so little of such things, that
I cannot judge whether it was cheap or dear.'

'Neither the one nor the other,' says John Thorpe.

Mrs. Palmer was also born at Steventon--that good-humoured lady in
'Sense and Sensibility,' who thinks it so ridiculous that her husband
never hears her when she speaks to him. We are told that Marianne and
Ellinor have been supposed to represent Cassandra and Jane Austen; but
Mr. Austen Legh says that he can trace no resemblance. Jane Austen is
not twenty when this book is written, and only twenty-one when 'Pride
and Prejudice' is first devised.

Cousins presently come on the scene, and amongst them the romantic
figure of a young, widowed Comtesse de Feuillade, flying from the
Revolution to her uncle's home. She is described as a clever and
accomplished woman, interested in her young cousins, teaching them
French (both Jane and Cassandra knew French), helping in their various
schemes, in their theatricals in the barn. She eventually marries her
cousin, Henry Austen. The simple family annals are not without their
romance; but there is a cruel one for poor Cassandra, whose lover dies
abroad, and his death saddens the whole family-party. Jane, too,
'receives the addresses' (do such things as addresses exist nowadays?)
'of a gentleman possessed of good character and fortune, and of
everything, in short, except the subtle power of touching her heart.'
One cannot help wondering whether this was a Henry Crawford or an Elton
or a Mr. Elliot, or had Jane already seen the person that even Cassandra
thought good enough for her sister?

Here, too, is another sorrowful story. The sisters' fate (there is a sad
coincidence and similarity in it) was to be undivided; their life, their
experience was the same. Some one without a name takes leave of Jane one
day, promising to come back. He never comes back: long afterwards they
hear of his death. The story seems even sadder than Cassandra's in its
silence and uncertainty, for silence and uncertainty are death in life
to some people....

There is little trace of such a tragedy in Jane Austen's books--not one
morbid word is to be found, not one vain regret. Hers was not a nature
to fall crushed by the overthrow of one phase of her manifold life. She
seems to have had a natural genius for life, if I may so speak; too
vivid and genuinely unselfish to fail her in her need. She could gather
every flower, every brightness along her road. Good spirit, content, all
the interests of a happy and observant nature were hers. Her gentle
humour and wit and interest cannot have failed.

It is impossible to calculate the difference of the grasp by which one
or another human being realises existence and the things relating to it,
nor how much more vivid life seems to some than to others. Jane Austen,
while her existence lasted, realised it, and made the best use of the
gifts that were hers. Yet, when her life was ending, then it was given
to her to understand the change that was at hand; as willingly as she
had lived, she died. Some people seem scarcely to rise up to their own
work, to their own ideal. Jane Austen's life, as it is told by her
nephew, is beyond her work, which only contained one phase of that
sweet and wise nature--the creative, observant, outward phase. For her
home, for her sister, for her friends, she kept the depth and tenderness
of her bright and gentle sympathy. She is described as busy with her
neat and clever fingers sewing for the poor, working fanciful keepsakes
for her friends. There is the cup and ball that she never failed to
catch; the spillikens lie in an even ring where she had thrown them;
there are her letters, straightly and neatly folded, and fitting
smoothly in their creases. There is something sweet, orderly, and
consistent in her character and all her tastes--in her fondness for
Crabbe and Cowper, in her little joke that she ought to be a Mrs.
Crabbe. She sings of an evening old ballads to old-fashioned tunes with
a low sweet voice.

Further on we have a glimpse of Jane and her sister in their mobcaps,
young still, but dressed soberly beyond their years. One can imagine
'Aunt Jane,' with her brother's children round her knee, telling her
delightful stories or listening to theirs, with never-failing sympathy.
One can fancy Cassandra, who does not like desultory novels, more
prudent and more reserved, and somewhat less of a playfellow, looking
down upon the group with elder sister's eyes.

Here is an extract from a letter written at Steventon in 1800:--

'I have two messages: let me get rid of them, and then my paper will be
my own. Mary fully intended writing by Mr. Charles's frank, and only
happened entirely to forget it, but will write soon; and my father
wishes Edward to send him a memorandum of the price of hops.

                                                     '_Sunday Evening._
'We have had a dreadful storm of wind in the forepart of the day, which
has done a great deal of mischief among our trees. I was sitting alone
in the drawing-room when an odd kind of crash startled me. In a moment
afterwards it was repeated. I then went to the window. I reached it just
in time to see the last of our two highly valued elms descend into the

'The other, which had fallen, I suppose, in the first crash, and which
was nearest to the pond, taking a more easterly direction, sank among
our screen of chestnuts and firs, knocking down one spruce-fir, breaking
off the head of another, and stripping the two corner chestnuts of
several branches in its fall. This is not all: the maple bearing the
weathercock was broken in two, and what I regret more than all the rest
is, that all the three elms that grew in Hall's Meadow, and gave such
ornament to it, are gone.'

A certain Mrs. Stent comes into one of these letters 'ejaculating some
wonder about the cocks and hens.' Mrs. Stent seems to have tried their
patience, and will be known henceforward as having bored Jane Austen.

They leave Steventon when Jane is about twenty-five years of age and go
to Bath, from whence a couple of pleasant letters are given us. Jane is
writing to her sister. She has visited Miss A., who, like all other
young ladies, is considerably genteeler than her parents. She is
heartily glad that Cassandra speaks so comfortably of her health and
looks: could travelling fifty miles produce such an immediate change?
'You were looking poorly when you were here, and everybody seemed
sensible of it.' Is there any charm in a hack postchaise? But if there
were, Mrs. Craven's carriage might have undone it all. Then Mrs. Stent
appears again. 'Poor Mrs. Stent, it has been her lot to be always in the
way; but we must be merciful, for perhaps in time we may come to be Mrs.
Stents ourselves, unequal to anything and unwelcome to everybody.'
Elsewhere she writes, upon Mrs. ----'s mentioning that she had sent the
'Rejected Addresses' to Mr. H., 'I began talking to her a little about
them, and expressed my hope of their having amused her. Her answer was,
"Oh dear, yes, very much; very droll indeed; the opening of the house
and the striking up of the fiddles!" What she meant, poor woman, who
shall say?'

But there is no malice in Jane Austen. Hers is the charity of all clear
minds, it is only the muddled who are intolerant. All who love Emma and
Mr. Knightly must remember the touching little scene in which he
reproves her for her thoughtless impatience of poor Miss Bates's

'You, whom she had known from an infant, whom she had seen grow up from
a period when her notice was an honour, to have you now, in thoughtless
spirits and in the pride of the moment, laugh at her, humble her....
This is not pleasant to you, Emma, and it is very far from pleasant to
me, but I must, I will, I will tell you truths while I am satisfied with
proving myself your friend by very faithful counsel, and trusting that
you will some time or other do me greater justice than you can do me

'While they talked they were advancing towards the carriage: it was
ready, and before she could speak again he had handed her in. He had
misinterpreted the feeling which kept her face averted and her tongue
motionless.' Mr. Knightly's little sermon, in its old-fashioned English,
is as applicable now as it was when it was spoken. We know that he was
an especial favourite with Jane Austen.


Mr. Austen died at Bath, and his family removed to Southampton. In 1811,
Mrs. Austen, her daughters, and her niece, settled finally at Chawton,
a house belonging to Jane's brother, Mr. Knight (he was adopted by an
uncle, whose name he took), and from Chawton all her literary work was
given to the world. 'Sense and Sensibility,' 'Pride and Prejudice,' were
already written; but in the next five years, from thirty-five to forty,
she set to work seriously, and wrote 'Mansfield Park,' 'Emma,' and
'Persuasion.' Any one who has written a book will know what an amount of
labour this represents.... One can picture to oneself the little family
scene which Jane describes to Cassandra. 'Pride and Prejudice' just come
down in a parcel from town; the unsuspicious Miss B. to dinner; and Jane
and her mother setting to in the evening and reading aloud half the
first volume of a new novel sent down by the brother. Unsuspicious Miss
B. is delighted. Jane complains of her mother's too rapid way of getting
on; 'though she perfectly understands the characters herself, she cannot
speak as they ought. Upon the whole, however,' she says, 'I am quite
vain enough and well-satisfied enough.' This is her own criticism of
'Pride and Prejudice':--'The work is rather too light, and bright, and
sparkling. It wants shade. It wants to be stretched out here and there
with a long chapter of sense, if it could be had; if not, of solemn
specious nonsense about something unconnected with the story--an essay
on writing, a critique on Walter Scott or the "History of Bonaparte."'

And so Jane Austen lives quietly working at her labour of love,
interested in her 'own darling children's' success; 'the light of the
home,' one of the real living children says afterwards, speaking in the
days when she was no longer there. She goes to London once or twice.
Once she lives for some months in Hans Place, nursing a brother through
an illness. Here it was that she received some little compliments and
messages from the Prince Regent, to whom she dedicated 'Emma.' He thanks
her and acknowledges the handsome volumes, and she laughs and tells her
publisher that at all events his share of the offering is appreciated,
whatever hers may be! We are also favoured with some valuable suggestions
from Mr. Clarke, the Royal librarian, respecting a very remarkable
clergyman. He is anxious that Miss Austen should delineate one who
'should pass his time between the metropolis and the country, something
like Beattie's minstrel, entirely engaged in literature, and no man's
enemy but his own.' Failing to impress this character upon the authoress,
he makes a fresh suggestion, and proposes that she should write a
romance illustrative of the august house of Coburg. 'It would be
interesting,' he says, 'and very properly dedicated to Prince Leopold.'

To which the authoress replies: 'I could no more write a romance than an
epic poem. I could not seriously sit down to write a romance under any
other motive than to save my life; and if it were indispensable for me
to keep it up, and never relax into laughing at myself or other people,
I am sure I should be hung before the first chapter.'

There is a delightful collection of friends' suggestions which she has
put together, but which is too long to be quoted here. She calls it,
'Plan of a Novel, as suggested by various Friends.'

All this time, while her fame is slowly growing, life passes in the same
way as in the old cottage at Chawton. Aunt Jane, with her young face and
her mob-cap, makes play-houses for the children, helps them to dress up,
invents imaginary conversations for them, supposing that they are all
grown up, the day after a ball. One can imagine how delightful a game
that must have seemed to the little girls. She built her nest, did this
good woman, happily weaving it out of shreds, and ends, and scraps of
daily duty, patiently put together; and it was from this nest that she
sang the song, bright and brilliant, with quaint thrills and unexpected
cadences, that reaches us even here through near a century. The lesson
her life seems to teach us is this: Don't let us despise our nests--life
is as much made of minutes as of years; let us complete the daily
duties; let us patiently gather the twigs and the little scraps of moss,
of dried grass together, and see the result!--a whole, completed and
coherent, beautiful even without the song.

We come too soon to the story of her death. And yet did it come too
soon? A sweet life is not the sweeter for being long. Jane Austen lived
years enough to fulfil her mission. She lived long enough to write six
books that were masterpieces in their way--to make a world the happier
for her industry.

One cannot read the story of her latter days, of her patience, her
sweetness, and gratitude, without emotion. There is family trouble, we
are not told of what nature. She falls ill. Her nieces find her in her
dressing-gown, like an invalid, in an arm-chair in her bedroom; but she
gets up and greets them, and, pointing to seats which had been arranged
for them by the fire, says: 'There is a chair for the married lady, and
a little stool for you, Caroline.' But she is too weak to talk, and
Cassandra takes them away.

At last they persuade her to go to Winchester, to a well-known doctor

'It distressed me,' she says, in one of her last, dying letters, 'to see
Uncle Henry and William Knight, who kindly attended us, riding in the
rain almost the whole way. We expect a visit from them to-morrow, and
hope they will stay the night; and on Thursday, which is a confirmation
and a holiday, we hope to get Charles out to breakfast. We have had but
one visit from _him_, poor fellow, as he is in the sick room.... God
bless you, dear E.; if ever you are ill, may you be as tenderly nursed
as I have been....'

But nursing does not cure her, nor can the doctor save her to them all,
and she sinks from day to day. To the end she is full of concern for

'As for my dearest sister, my tender, watchful, indefatigable nurse has
not been made ill by her exertions,' she writes. 'As to what I owe her,
and the anxious affection of all my beloved family on this occasion, I
can only cry over it, and pray God to bless them more and more.'

One can hardly read this last sentence with dry eyes. It is her parting
blessing and farewell to those she had blessed all her life by her
presence and her love--that love which is beyond death; and of which the
benediction remains, not only spoken in words, but by the ever-present
signs and the tokens of those lifetimes which do not end for us as long
as we ourselves exist.

They asked her when she was near her end if there was anything she

'Nothing but death,' she said. Those were her last words. She died on
the 18th of July, 1817, and was buried in Winchester Cathedral, where
she lies not unremembered.



Two instances of Bryon for _Byron_ have been corrected. The following
additional changes have been made:

 A. I. R. (in dedication)               A. _T._ R.

 her sad and dimning life               her sad and _dimming_ life

 it was to her father hat               it was to her father _that_

 who invited Mrs. Barbauld to           who invited _Mr._ Barbauld
 become their minister                  become their minister

 He was interrupted by her              He was interrupted by _his_
 companion                              companion

 Mrs. Opie's description of her         Mrs. Opie's description of her
 arrival reads a comment upon           arrival reads _like_ a comment
 history.                               upon history.


A New and Uniform Edition; each Volume Illustrated with a Vignette
Title-page drawn by ARTHUR HUGHES, and Engraved by J. COOPER.

Large crown 8vo. 6_s._

 4. TO ESTHER; and other Sketches.
 5. BLUEBEARD'S KEYS; and other Stories.
 7. TOILERS AND SPINSTERS; and other Essays.


In Seven Volumes, each containing Four Illustrations.

_Price 3s. 6d. each, bound in cloth; or in Sets of Seven Volumes,
handsomely bound in half-morocco, price £2. 10s._



 Company Manners--The Well of Pen-Morpha--The Heart of John
 Middleton--Traits and Stories of the Huguenots--Six Weeks at
 Heppenheim--The Squire's Story--Libbie Marsh's Three Eras--Curious if
 True--The Moorland Cottage--The Sexton's Hero--Disappearances--Right at
 Last--The Manchester Marriage--Lois the Witch--The Crooked Branch.

 Cousin Phillis--My French Master--The Old Nurse's Story--Bessy's
 Troubles at Home--Christmas Storms and Sunshine.

 The Grey Woman--Morton Hall--Mr. Harrison's Confessions--Hand and Heart.

 A Dark Night's Work--Round the Sofa--My Lady Ludlow--An Accursed
 Race--The Doom of the Griffiths--Half a Lifetime Ago--The Poor
 Clare--The Half-Brothers.


Handsomely bound in cloth gilt, each volume containing Four Illustrations.

Crown 8vo. 3_s._ 6_d._

 ROMANTIC TALES. By the Author of 'John Halifax, Gentleman.'
 DOMESTIC STORIES. By the Author of 'John Halifax, Gentleman.'

London: SMITH, ELDER, & CO., 15 Waterloo Place.



The SCOURGE of CHRISTENDOM: Annals of British Relations with Algiers
prior to the French Conquest. With Illustrations of Ancient Algiers from
1578 to 1824. By Lieut.-Col. R. L. PLAYFAIR, H.B.M.'s Consul at Algiers.
Demy 8vo.


By JOHN ADDINGTON SYMONDS, Author of 'The Renaissance in Italy' &c. Demy

Arranged by his Daughter, ELEANOR ARNOLD.
Handsomely printed and bound in cloth, gilt edges. With Photograph.
Small 4to. 10_s._ 6_d._

_NEW VOLUME by MISS THACKERAY (Mrs. Richmond Ritchie)._

By Miss THACKERAY (Mrs. Richmond Ritchie).
Essays reprinted from the 'Cornhill Magazine.'
Large crown 8vo. 7_s._ 6_d._

MERV: a Story of Adventures and Captivity.
Epitomised from 'The Merv Oasis.'
By EDMUND O'DONOVAN, Special Correspondent of the _Daily News_.
With a Portrait. Crown 8vo. 6_s._

Physician Extraordinary to Her Majesty the Queen.
With Original Portraits. 8vo.

Arranged from 'The Elements of Euclid,' by ROBERT SIMSON, M.D.
By WILLIAM HOWARD. With Unlettered Diagrams with Coloured Lines.
Crown 8vo.


CITIES of CENTRAL ITALY. With Illustrations. 2 vols. crown 8vo.

CITIES of NORTHERN ITALY. With Illustrations. 2 vols. crown 8vo.
By AUGUSTUS J. C. HARE, Author of 'Cities of Southern Italy and
Sicily' &c.


MEMORIES of OLD FRIENDS. Being Extracts from the
Journals and Letters of Caroline Fox, of Penjerrick, Cornwall, from 1835
to 1871, to which are added Fourteen Original Letters from J. S. Mill,
never before published. Edited by HORACE N. PYM. With Portrait. Crown
8vo. 7_s._ 6_d._


LITERATURE and DOGMA. An Essay towards a Better Comprehension of the Bible.
By MATTHEW ARNOLD. Crown 8vo. 2_s._ 6_d._

late Fellow of Trinity College, Oxford, Assistant Master at Harrow
School, Author of 'Mohammed and Mohammedanism,' 'Carthage and the
Carthaginians,' &c. Fifth Edition, 2 vols. 8vo. with 2 Portraits and 2
Maps, 36_s._

Professor of Anatomy, Royal Academy of Arts; late Lecturer on Anatomy at
the Government School of Design, South Kensington; Professor of Surgery
in University College. Illustrated by 220 Original Drawings on Wood by
J. S. Cuthbert, engraved by George Nicholls & Co. Second Edition. Imp.
8vo. 31_s._ 6_d._

London: SMITH, ELDER, & CO., 15 Waterloo Place.

*** End of this Doctrine Publishing Corporation Digital Book "A Book of Sibyls - Miss Barbauld, Miss Edgeworth, Mrs Opie, Miss Austen" ***

Doctrine Publishing Corporation provides digitized public domain materials.
Public domain books belong to the public and we are merely their custodians.
This effort is time consuming and expensive, so in order to keep providing
this resource, we have taken steps to prevent abuse by commercial parties,
including placing technical restrictions on automated querying.

We also ask that you:

+ Make non-commercial use of the files. We designed Doctrine Publishing
Corporation's search system for use by individuals, and we request that you
use these files for personal, non-commercial purposes.

+ Refrain from automated querying Do not send automated queries of any sort
to Doctrine Publishing's system: If you are conducting research on machine
translation, optical character recognition or other areas where access to a
large amount of text is helpful, please contact us. We encourage the use of
public domain materials for these purposes and may be able to help.

+ Keep it legal -  Whatever your use, remember that you are responsible for
ensuring that what you are doing is legal. Do not assume that just because
we believe a book is in the public domain for users in the United States,
that the work is also in the public domain for users in other countries.
Whether a book is still in copyright varies from country to country, and we
can't offer guidance on whether any specific use of any specific book is
allowed. Please do not assume that a book's appearance in Doctrine Publishing
means it can be used in any manner anywhere in the world.
Copyright infringement liability can be quite severe.