Home
  By Author [ A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z |  Other Symbols ]
  By Title [ A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z |  Other Symbols ]
  By Language
all Classics books content using ISYS

Download this book: [ ASCII | HTML | PDF ]

Look for this book on Amazon


We have new books nearly every day.
If you would like a news letter once a week or once a month
fill out this form and we will give you a summary of the books for that week or month by email.

Title: McClure's Magazine, Vol. XXXI, No. 4, August 1908
Author: Various
Language: English
As this book started as an ASCII text book there are no pictures available.
Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

*** Start of this Doctrine Publishing Corporation Digital Book "McClure's Magazine, Vol. XXXI, No. 4, August 1908" ***

This book is indexed by ISYS Web Indexing system to allow the reader find any word or number within the document.



McCLURE'S MAGAZINE

VOL. XXXI    AUGUST, 1908    No. 4


_Copyright, 1908, by The S. S. McClure Co. All rights reserved_


Table of Contents

                                                                  PAGE
  A DISCLOSURE OF THE SECRET POLICIES OF RUSSIA. By General
      Kuropatkin.                                                  363
  TALKS WITH BISMARCK. By Carl Schurz.                             367
  THE FOREHANDED COLQUHOUNS. By Margaret Wilson.                   378
  LAST YEARS WITH HENRY IRVING. By Ellen Terry.                    386
  THE LOST MOTHER. By Blanche M. Kelly.                            399
  PATSY MORAN. THE BOOK AND ITS COVERS. By Arthur Sullivan
      Hoffman.                                                     401
  ARCTIC COLOR. By Sterling Heilig.                                411
  THE TAVERN. By Willa Sibert Cather.                              419
  A STORY OF HATE. By Gertrude Hall.                               420
  HIS NEED OF MIS' SIMONS. By Lucy Pratt.                          432
  PROHIBITION AND SOCIAL PSYCHOLOGY. By Hugo Münsterberg.          438
  THE MOVING FINGER WRITES. By Marie Belloc Lowndes.               445
  A BUNK-HOUSE AND SOME BUNK-HOUSE MEN. By Alexander Irvine.       455
  THE KING OF THE BABOONS. By Perceval Gibbon.                     467
  ONE HUNDRED CHRISTIAN SCIENCE CURES. By Richard C. Cabot         472
  SOUTH STREET. By Francis E. Falkenbury.                          476
  THE INABILITY TO INTERFERE. By Mary Heaton Vorse.                477
  PROHIBITION AND SOCIAL PSYCHOLOGY. By Dr. Münsterberg.           482


Illustrations

  General Alexei Nicholaevitch Kuropatkin                          363
  Kaiser Wilhelm I                                                 369
  Prince Otto Von Bismarck                                         372
  Count Hellmuth Von Moltke                                        373
  The Chancellor's Palace on the Wilhelmstrasse                    374
  The Battle of Königgrätz                                         374
  Emperor Napoleon III                                             376
  "Jane and Selina ... Looked at Patient and Nurse with
      Disapproving Gloom"                                          378
  "She Could Not Help Seeing That Selina Found Some Strange
      Pleasure in all These Incidents of a Last Illness"           382
  Ellen Terry as Kniertje in "The Good Hope"                       387
  John Singer Sargent                                              388
  Sir Edward Burne-Jones                                           388
  Ellen Terry as Lady Macbeth                                      389
  Peggy, Madame Sans-Gene, Madame Sans-Gene, Cordelia              390
  Imogen, Lucy Ashton, Catherine Duval, Lucy Ashton                390
  Cardinal Wolsey, Lady Macbeth, Guinevere, Thomas Becket          391
  Nancy Oldfield, Hermione, Alice-Sit-by-the-Fire, Lady Cicely,
      Wayneflete                                                   391
  Miss Ellen Terry                                                 392
  Sir Henry Irving                                                 392
  Ellen Terry as Queen Katherine in Henry VIII                     395
  The Book and Its Covers                                          401
  "Pardon Me," He Said, "But What Are You Doing That for?"         402
  "Ye'd Better Be Usin' Your Brains to Walk With, and Not
      Strainin' Thim Like That"                                    407
  Midnight in the Kara Sea                                         411
  "The Country of the Dead"--A Study of the Kara Sea in August     413
  Samoyed Love of Color                                            414
  Painting of a Sledge Set Upon End for the Night, With Skins and
      Meat Hung Upon It So as to Be Out of Reach of the Dogs       415
  A Study Made in Nova Zembla at the Time of the Complete Eclipse
      of the Sun, July 27, 1896                                    416
  Painting of a Church Built by M. Seberjakow                      417
  In the Midnight Sunshine                                         418
  His Need of Mis' Simons                                          432
  'I Couldn' Git 'Long 'Thout Yer Noways, Could I?' She Say        433
  'She Keep on A-Readin', an' I Keep on A-Wukkin' on de Paff'      434
  'It's Time Fer You ter Go to Baid, Ain't It, 'Zekiel?' She Say   435
  ''Tain' Gwine Nobody Else Git--Fru--Dat--Do',' She Say           436
  The Bunk-House                                                   459
  One Night the Graf Was Prevailed Upon to Tell His Story          461
  The Sitting-Room of the Bismarck                                 462
  I Noticed a Profile Silhouetted against the Window               463
  St. Francis of the Bunk-House                                    464
  They Sat on Their Rumps Outside the Circle of Kafirs             467



EDITORIAL ANNOUNCEMENT

FIVE ARTICLES

A DISCLOSURE OF THE SECRET POLICIES OF RUSSIA

BY GENERAL KUROPATKIN


Once in a generation the intimate and vital secrets of a great nation
may be made public through one of the little circle of men to whom
they are entrusted; but rarely, if ever, till the men are dead, and
the times are entirely changed. Beginning next month, McCLURE'S
MAGAZINE will present to the reading world a striking exception to
this rule. It will print for the first time a frank and startling
official revelation of the present political plans and purposes of
Russia--the great nation whose guarded and secret movements have been
the concern of modern European civilization for two centuries.

[Illustration: GENERAL ALEXEI NICHOLAEVITCH KUROPATKIN]

General Kuropatkin--Minister of War and later Commander-in-Chief
of the Russian forces in the great and disastrous Manchurian
campaign--became a target for abuse at the close of the Russo-Japanese
War. He returned to St. Petersburg and constructed, from the
official material accessible to him, an elaborate history of the
war, and a detailed statement of the condition, purposes, and
development of the Russian Empire. Documents and dispatches endorsed
"Strictly Confidential," matters involving the highest officials,
information obviously intended for no eyes but those of the
innermost government circles, are laid forth with the utmost abandon
in this work. No sooner had it been completed, than it was
confiscated by the government. Its manuscript has never been allowed
to pass out of the custody of the Czar's closest advisers.

An authentic copy of this came into the hands of McCLURE'S MAGAZINE
this spring; it is not essential and obviously would not be wise to
state just how. George Kennan, the well-known student of Russian
affairs, now has it in his possession and is engaged in translating
and arranging material taken from it for magazine publication. A
series of five or six articles, constructed from Kuropatkin's 600,000
words, will be issued in McCLURE'S, beginning next month. These will
contain astonishing revelations concerning matters of great
international importance, and accusations that are audacious to the
point of recklessness.


LETTERS TO THE CZAR

Remarkable among these are the letters to the Czar. Kuropatkin's
correspondence with him is given in detail, documents which naturally
would not appear within fifty or a hundred years from the time when
they were written. And upon the letters and reports of the General
appear the comments and marginal notes of the Emperor. The war was
forced against the will of the sovereign and the advice of the War
Department. It was ended, Kuropatkin shows, when Russia was just
beginning to discipline and dispose her great forces, because of the
lack of courage and firmness in the Czar.

Japan certainly would have been crushed, says Kuropatkin, if war had
continued. At the time of the Treaty at Portsmouth, the military
struggle, from Russia's standpoint, had only begun. She was then
receiving ammunition and supplies properly for the first time; her men
were becoming disciplined soldiers; and the railroad, whose service
had increased from three to fourteen military trains a day, had now,
at last, brought the Russian forces into the distant field. For the
first time, just when treaty negotiations were begun, Russia had more
soldiers in her army than Japan. There were a million men, well
equipped and abundantly supplied, under General Linevitch, who
succeeded General Kuropatkin as Commander-in-Chief; and he was about
to take the offensive when peace was declared.

Beyond the individual conflict General Kuropatkin shows the Russian
nation, a huge, unformed giant, groping along its great borders in
every direction to find the sea.

"Can an Empire," he asks, "with such a tremendous population, be
satisfied with its existing frontiers, cut off from free access to the
sea on all sides?"


RUSSIA'S SECRET NATIONAL PROGRAM

There are in existence in the secret archives of the government,
Kuropatkin's work discloses, documents containing the definite program
of Russia, fixed by headquarters years ago, for its future growth and
aggrandizement. Results of campaigns and diplomacy are checked up
according to this great program, and decade after decade Russia is
working secretly and quietly to carry it out. The Japanese War
constituted a great mistake in the development of this national plan.

During the twentieth century, says Kuropatkin, Russia will lose no
fewer than two million men in war, and will place in the field not
fewer than five million. No matter how peaceful and purely defensive
her attitude may be, she will be forced into war along her endless
borders by the conflict with other national interests and the age-long
unsatisfied necessity of her population to reach the sea.

Russia will furnish in this century the advance guard of an inevitable
conflict between the white and yellow races. For within a hundred
years there must be a great struggle in Asia between the Christian and
non-Christian nations. To prepare for this, an understanding between
Russia and England is essential for humanity. Kuropatkin deals with
this necessity at length; and the future relations of Russia with
Japan and China are treated with an impressive grasp.

His exposition of the sensitive and dangerous situation on the
Empire's western border contains matters of consequence to the whole
world. The relations he discloses, between Russia, on the one hand,
and Austria and Germany on the other, are important in the extreme.
Within a fortnight these two latter countries could throw two million
men across the Russian frontier, and a war would result much more
colossal than that just finished with Japan.


KUROPATKIN'S FORTY YEARS OF SERVICE

General Kuropatkin has had an education and a career which eminently
qualify him as a judge and critic of the Russian nation. For forty
years, as an active member of its military establishment, he has
watched its development, from the viewpoint of important posts in St.
Petersburg, Turkey, Central Asia, and the far East.

Kuropatkin was born in 1848 and was educated in the Palovski
Military School and the Nikolaiefski Academy of the general staff
in St. Petersburg. From there he went at once into the army, and, at
the early age of twenty, took part in the march of the Russian
expeditionary force to the central Asian city of Samarkand. He won
distinction in the long and difficult march of General Skobeleff's
army to Khokand. In 1875 he acted as Russia's diplomatic agent in
Chitral, and a year or two later he headed an embassy to Kashgar and
concluded a treaty with Yakub Bek.

When the Russo-Turkish War broke out in 1877, he became General
Skobeleff's chief of staff and took part in the battle of Loftcha and
in many of the attacks on Plevna. While forcing the passage of the
Balkans with Skobeleff's army, on the 25th of December, 1877 (O.S.),
he was so severely wounded that he had to leave the theater of war and
return to St. Petersburg. There, as soon as he recovered, he was put
in charge of the Asiatic Department of the Russian General Staff, and,
at the same time, was made adjunct-professor of military statistics in
the Nikolaiefski Military Academy. In 1879 the rank of General was
conferred upon him and he was appointed to command the Turkestan rifle
brigade in Central Asia. In 1880 he led a Russian expeditionary force
to Kuldja, and when the trouble with the Chinese there had been
adjusted, he was ordered to organize and equip a special force in the
Amu Daria district and march to the assistance of General Skobeleff in
the Akhal-Tekhinski oasis. After conducting this force across seven
hundred versts of nearly waterless desert, he joined General Skobeleff
in front of the Turkoman fortress of Geok Tepe, and in the assault
upon that famous stronghold, a few weeks later, he led the principal
storming column. After the Turkomen had been subdued, he returned to
European Russia, and during the next eight years served on the General
Staff in St. Petersburg, where he was entrusted with important
strategic work. In 1890 he was made Lieutenant-General and was sent to
govern the trans-Caspian region and to command the troops there
stationed.

He occupied this position six or eight years, and then, shortly after
his return to St. Petersburg, was appointed Minister of War. In
1902, while still holding the war portfolio, he was promoted to
Adjutant-General; in 1903 he visited Japan and made the acquaintance
of its political and military leaders; and in 1904, when hostilities
began in the Far East, he took command of the Russian armies in
Manchuria under the general direction of Viceroy Alexeieff.
Besides, he has written and published three important books.

No man perhaps, is better equipped, by education and experience, to
explain Russia's plans and movements in Asia; to tell the true story
of the Japanese war. And probably never, at least in this generation,
has an international matter of this magnitude been treated with such
frankness by a person so thoroughly and eminently qualified to discuss
it.



TALKS WITH BISMARCK

BY CARL SCHURZ

ILLUSTRATED WITH PHOTOGRAPHS


In the autumn of 1867 my family went to Wiesbaden, where my wife was
to spend some time on account of her health, and I joined them there
about Christmas time for a few weeks. Great changes had taken place in
Germany since that dark December night in 1861 when I rushed through
the country from the Belgian frontier to Hamburg on my way from Spain
to America. The period of stupid reaction after the collapse of the
revolutionary movements of 1848 was over. King Frederick William IV.
of Prussia, who had been so deeply convinced and arduous an upholder
of the divine right of kings, had died a helpless lunatic. King
William I., afterwards Emperor William I., his brother and successor,
also a believer in that divine right, but not to the extent of
believing as well in the divine inspiration of kings--in other words,
a man of good sense and capable of recognizing the superior ability of
others--had found in Bismarck a minister of commanding genius. The
sweeping victory of Prussia over Austria in 1866 had resulted in the
establishment of the North German Confederacy under Prussian hegemony,
which was considered a stepping-stone to the unification of all
Germany as a constitutional empire. Several of the revolutionists of
1848 now sat in the Reichstag of the North German Confederacy, and one
of the ablest of them, Lothar Bucher, was Bismarck's confidential
counsellor. The nation was elated with hope, and there was a liberal
wind blowing even in the sphere of the government.

I did not doubt that under these circumstances I might venture into
Germany without danger of being seriously molested; yet, as my
personal case was technically not covered by any of the several
amnesties which had been proclaimed in Prussia from time to time, I
thought that some subordinate officer, either construing his duty with
the strictness of a thorough Prussian, or wishing to distinguish
himself by a conspicuous display of official watchfulness, might give
me annoyance. I did not, indeed, entertain the slightest apprehension
as to my safety, but I might have become involved in sensational
proceedings, which would have been extremely distasteful to me, as
well as unwelcome to the government. I therefore wrote to Mr. George
Bancroft, the American Minister at Berlin, requesting him if possible
to inform himself privately whether the Prussian government had any
objection to my visiting Germany for a few weeks, and to let me have
his answer at Bremerhaven upon the arrival there of the steamer on
which I had taken passage. My intention was, in case the answer were
unfavorable, to sail at once from Bremen to England and to meet my
family there. Mr. Bancroft very kindly complied with my request, and
assured me in his letter which I found at Bremerhaven that the
Prussian government not only had no objection to my visiting Germany,
but that I should be welcome.

After having spent Christmas with my family in Wiesbaden, I went to
Berlin. I wrote a note to Lothar Bucher, whom I had last seen sixteen
years before as a fellow refugee in London, and whom I wished very
much to meet again. Bucher answered promptly that he would be glad
indeed to see me again, and asked if I would not like to make the
acquaintance of "the Minister" (Bismarck), who had expressed a wish to
have a talk with me. I replied, of course, that I should be happy,
etc., whereupon I received within an hour an invitation from Count
Bismarck himself (he was then only a count) to visit him at eight
o'clock that same evening at the Chancellor's palace on the
Wilhelmstrasse. Promptly at the appointed hour I was announced to him,
and he received me at the door of a room of moderate size, the table
and some of the furniture of which were covered with books and
papers,--evidently his working cabinet. There I beheld the great man
whose name was filling the world--tall, erect, and broad-shouldered,
and on those Atlas shoulders that massive head which everybody knows
from pictures--the whole figure making the impression of something
colossal--then at the age of fifty-three, in the fulness of physical
and mental vigor.

He was dressed in a General's undress uniform, unbuttoned. His
features, which evidently could look very stern when he wished, were
lighted up with a friendly smile. He stretched out his hand and gave
me a vigorous grasp. "Glad you have come," he said, in a voice which
appeared rather high-keyed, issuing from so huge a form, but of
pleasing timbre.

"I think I must have seen you before," was his first remark, while we
were still standing up facing one another. "It was some time in the
early fifties on a railway train from Frankfort to Berlin. There was a
young man sitting opposite me who, from some picture of you which I
had seen in a pictorial paper, I thought might be you."

I replied that this could not be, since at that period I was not in
Germany. "Besides," I added--a little impudently perhaps--"would you
not have had me arrested as a malefactor?"

"Oh," he exclaimed, with a good, natural laugh, "you mistake me. I
would not have done such a thing. You mean on account of that Kinkel
affair? Oh, no! I rather liked that. And if it were not that it would
be highly improper for His Majesty's minister and the Chancellor of
the North German Confederacy, I should like to go with you to Spandau
and have you tell me the whole story on the spot. Now let us sit
down."

He pointed out to me an easy-chair close to his own and then uncorked
a bottle which stood, with two glasses, on a tray at his elbow. "You
are a Rhinelander," he said, "and I know you will relish this." We
touched glasses, and I found the wine indeed very excellent.

"You smoke, of course," he continued, "and here are some good Havanas.
I used to be very fond of them, but I have a sort of superstitious
belief that every person is permitted to smoke only a certain number
of cigars in his life, and no more. I am afraid I have exhausted my
allowance, and now I take to the pipe." With a lighted strip of paper,
called in German "Fidibus," he put the tobacco in the porcelain bowl
of his long German student pipe in full blast, and presently he blew
forth huge clouds of smoke.

This done, he comfortably leaned back in his chair and said: "Now tell
me, as an American Republican and a Forty-eighter of the revolutionary
kind, how the present condition of Germany strikes you. I would not
ask you that question," he added, "if you were a privy counsellor (a
Geheimrath), for I know what he would answer. But you will tell me
what you really think."


_Bismarck's Sarcastic Humor_

I replied that I had been in the country only a few weeks and had
received only superficial impressions, but that I had become sensible
of a general atmosphere of newly inspired national ambition and a
confident hope for the development of more liberal political
institutions. I had found only a few old fogies in Nassau and a banker
in Frankfort who seemed to be in a disappointed and depressed state of
mind. Bismarck laughed heartily. The disgruntled Nassauers, he said,
had probably been some sort of purveyors to the late ducal court, and
he would wager that the Frankfort banker was either a member of one of
the old patrician families, who thought they were the highest nobility
in all the land, or a money-maker complaining that Frankfort was no
longer, as it had been, the financial center of southern Germany. Here
Bismarck gave full reign to his sarcastic humor. He had spent years in
Frankfort as the representative of the defunct "Bundestag," and had no
end of funny anecdotes about the aristocratic pretensions of the
patrician burghers of that ancient free city, and about their lofty
wrath at the incorporation of that commonwealth in the Prussian
monarchy.


_Forcing the War with Austria_

Then he began to tell me about the great difficulties he had been
obliged to overcome in bringing about the decisive struggle with
Austria. One of the most serious of these difficulties, as he said,
consisted in the scrupulous hesitancy of old King William to consent
to anything that seemed to be in any sense unconstitutional or not in
harmony with the strictest notion of good faith. In our conversation
Bismarck constantly called the king "der alte Herr"--"the old
gentleman," or, as it might also have been translated, "the old
master." One moment he would speak of the old gentleman with something
like sentimental tenderness, and then again in a tone of familiar
freedom which smacked of anything but reverential respect. He told me
anecdotes about him which made me stare, for at the moment I could not
help remembering that I was listening to the prime minister of the
crown, to whom I was an entire stranger and who knew nothing of my
discretion or sense of responsibility.

[Illustration: KAISER WILHELM I

FROM THE PAINTING BY GUSTAV RICHTER
_Photographed by the Berlin Photographic Co._]

As if we had been confidential chums all our lives, he gave me, with
apparently the completest abandon and exuberant vivacity, inside views
of the famous "conflict" period between the crown and the Prussian
parliament, when, seeing the war with Austria inevitably coming, he
had, without legislative authorization, spent millions upon millions
of the public funds upon the army in preparation for the great
crisis; how the liberal majority of the chambers, and an indignant
public opinion which did not recognize the great object of national
unification in view, had fiercely risen up against that arbitrary
stretch of power; how the king himself had recoiled from such a breach
of the constitution; how the king had apprehended a new revolution
which might cost each of them his head--which would possibly have come
about if they had failed in the Austrian war; how then he had
"desperately used his spurs to make the noble old horse clear the
ditch and take the risk"; and how, the victory having been won, on
their return from the war they were received by the people with the
most jubilant acclamations instead of having their heads cut off,
which had pleased the old gentleman immensely and taught him a lesson
as to his reckless prime minister.

It was not the cautious and conservative spirit of the king alone that
he had occasionally to overcome. Still more was he clogged and not
seldom exasperated by what he called the stupid old bureaucracy, which
had to be got out of its accustomed ruts whenever anything new and
bold was to be done. He fairly bubbled over with humorous anecdotes,
evidently relishing, himself, his droll descriptions of the antiquated
"Geheimrath" (privy counsellor), as he stared with his bleared eyes
wide open, whenever anything unusual was proposed, seeing nothing but
insuperable difficulties before him and then exhausting his whole
ingenuity in finding the best sort of red tape with which to strangle
the project. His patience tried to the utmost, he, the minister would
then go to the king and tell him that such and such a rusty official
could no longer be got along with and must necessarily give place to a
more efficient person; whereupon the "old gentleman," melting with
pity, would say, "Oh, he has so long been a faithful servant of the
State, would it not be cruel to cast him aside like a squeezed-out
orange?--no, I cannot do it." "And there," said Bismarck, "there we
are."

I ventured to suggest that an offer to resign on his part, if he could
not have his way, might make the king less tender of his inefficient
friends in high places. "Oh," said Bismarck with a laugh, "I have
tried that so often, too often, perhaps, to make it impressive! What
do you think happens when I offer my resignation? My old gentleman
begins to sob and cry--he actually sheds tears, and says, 'Now you
want to leave me too?' Now when I see him shed tears, what in the
world can I do then?" So he went on for a while, from one funny
anecdote to another and from one satirical description to another.


_Bismarck's Test of Von Moltke_

Bismarck then came back to the Austrian war and told me much about the
diplomatic fencing which led up to it. With evident gusto he related
story after story, showing how his diplomatic adversaries at that
critical period had been like puppets in his hands, and how he had
managed the German princes as they grouped themselves on one side or
the other. Then he came to speak of the battle of Königgrätz, and
especially of that "anxious moment" in it before the arrival of the
Crown Prince in the rear of the Austrians, when some Prussian attacks
had failed and there were signs of disorder among the repulsed
troops.

"It was an anxious moment," said Bismarck, "a moment on the decision
of which the fate of empire depended. What would have become of us if
we had lost that battle? Squadrons of cavalry, all mixed up, hussars,
dragoons, uhlans, were streaming by the spot where the king, Moltke,
and myself stood, and although we had calculated that the Crown Prince
might long have appeared behind the Austrian rear, no sign of the
Crown Prince! Things began to look ominous. I confess I felt not a
little nervous. I looked at Moltke, who sat quietly on his horse and
did not seem to be disturbed by what was going on around us. I thought
I would test whether he was really as calm as he appeared. I rode up
to him and asked him whether I might offer him a cigar, since I
noticed he was not smoking. He replied that he would be glad if I had
one to spare. I presented to him my open case in which there were only
two cigars, one a very good Havana, and the other of rather poor
quality. Moltke looked at them and even handled them with great
attention, in order to ascertain their relative value, and then with
slow deliberation chose the Havana. 'Very good,' he said composedly.
This reassured me very much. I thought, If Moltke can bestow so much
time and attention upon the choice between two cigars, things cannot
be very bad. Indeed, a few minutes later we heard the Crown Prince's
guns, we observed unsteady and confused movements on the Austrian
positions, and the battle was won."

I said that we in America who had followed the course of events with
intense interest were rather surprised, at the time, that the
conclusion of peace followed the battle of Königgrätz so quickly and
that Prussia did not take greater advantage of her victory. Bismarck
replied that the speedy conclusion of peace had been a great surprise
to many people, but that he thought it was the best thing he had ever
done, and that he had accomplished it against the desire of the king
and of the military party, who were greatly elated by that splendid
triumph of the Prussian arms and thought that so great and so
successful an effort should have a greater reward. Sound statesmanship
required that the Austrian Empire, the existence of which was
necessary for Europe, should not be reduced to a mere wreck; that it
should be made a friend and, as a friend, not too powerless; that what
Prussia had gone to war for was the leadership of Germany, and that
this leadership in Germany would not have been fortified, but rather
weakened, by the acquisition from Austria of populations which would
not have fitted into the Prussian scheme.

Besides, the Chancellor thought that, the success of the Prussians
having been so decisive, it was wise to avoid further sacrifices and
risks. The cholera had made its appearance among the troops, and so
long as the war lasted there would have been danger of French
intervention. He had successfully fought off that French intervention,
he said, by all sorts of diplomatic manoeuvres, some of which he
narrated to me in detail. But Louis Napoleon had become very restless
at the growth of Prussian power and prestige, and he would, probably,
not have hesitated to put in his hand, had not the French army been so
weakened by his foolish Mexican adventure. But now, when the main
Prussian army was marching farther and farther away from the Rhine and
had suffered serious losses, and was threatened by malignant disease,
he might have felt encouraged by these circumstances to do what he
would have liked to do all the time.

"That would have created a new situation," said Bismarck. "But to meet
that situation, I should have had a shot in my locker which, perhaps,
will surprise you when I mention it."

I was indeed curious. "What would have been the effect," said
Bismarck, "if under those circumstances I had appealed to the national
feeling of the whole people by proclaiming the constitution of the
German Empire made at Frankfort in 1848 and 1849?"

"I think it would have electrified the whole country and created a
German nation," I replied. "But would you really have adopted that
great orphan left by the revolution of 1848?"

"Why not?" said the Chancellor. "True, that constitution contained
some features very objectionable to me. But, after all, it was not so
very far from what I am aiming at now. But whether the old gentleman
would have adopted it is doubtful. Still, with Napoleon at the gates,
he might have taken that jump too. But," he added, "we shall have
that war with France anyhow."


"_War with France in Two Years_"

I expressed my surprise at this prediction,--a prediction all the more
surprising to me when I again recalled that the great statesman,
carrying on his shoulders such tremendous responsibilities, was
talking to an entire stranger,--and his tone grew quite serious,
grave, almost solemn, as he said: "Do not believe that I love war. I
have seen enough of war to abhor it profoundly. The terrible scenes I
have witnessed will never cease to haunt my mind. I shall never
consent to a war that is avoidable, much less seek it. But this war
with France will surely come. It will be forced upon us by the French
Emperor. I see that clearly."

Then he went on to explain how the situation of an "adventurer on a
throne," such as Louis Napoleon, was different from that of a
legitimate sovereign, like the King of Prussia. "I know," said he with
a smile, "you do not believe in such a thing as the divine right of
kings. But many people do, especially in Prussia--perhaps not as many
as did before 1848, but even now more than you think. People are
attracted to the dynasty by traditional loyalty. A King of Prussia may
make mistakes or suffer misfortunes, or even humiliations, but that
traditional loyalty will not give way. But the adventurer on the
throne has no such traditional sentiment behind him. His security
depends upon personal prestige, and that prestige upon sensational
effects which must follow one another in rather rapid succession to
remain fresh and satisfactory to the ambition, or the pride, or, if
you will, the vanity of the people--especially to such a people as the
French.

"Now, Louis Napoleon has lost much of his prestige by two things--the
Mexican adventure, which was an astounding blunder, a fantastic folly
on his part; and then by permitting Prussia to become so great without
obtaining some sort of 'compensation' in the way of an acquisition of
territory that might have been made to appear to the French people as
a brilliant achievement of his diplomacy. It was well known that he
wanted such a compensation, and tried for it, and was manoeuvered out
of it by me without his knowledge of what was happening to him. He is
well aware that thus he has lost much of his prestige, more than he
can afford, and that such a loss, unless soon repaired, may become
dangerous to his tenure as emperor. He will, therefore, as soon as he
thinks that his army is in good fighting condition, again make an
effort to recover that prestige which is so vital to him, by using
some pretext for picking a quarrel with us. I do not think he is
personally eager for that war, I think he would rather avoid it, but
the precariousness of his situation will drive him to it. My
calculation is that the crisis will come in about two years. We have
to be ready, of course, and we are. We shall win, and the result will
be just the contrary of what Napoleon aims at--the total unification
of Germany outside of Austria, and probably Napoleon's downfall."

[Illustration: PRINCE OTTO VON BISMARCK

FROM THE PAINTING BY FRANZ VON LENBACH
_Photographed by the Berlin Photographic Co._]

This was said in January, 1868. The war between France and Prussia and
her allies broke out in July, 1870, and the foundation of the German
Empire and the downfall of Napoleon were the results. No prediction
was ever more shrewdly made and more accurately and amply fulfilled.

[Illustration: COUNT HELLMUTH VON MOLTKE

FROM THE PAINTING BY FRANZ VON LENBACH
_Photographed by the Berlin Photographic Co._]

I have introduced here Bismarck as speaking in the first person. I did
this to present the substance of what he said to me in a succinct
form. But this does not pretend to portray the manner in which he said
it--the bubbling vivacity of his talk, now and then interspersed with
French or English phrases; the lightning flashes of his wit
scintillating around the subjects of his remarks and sometimes
illuminating, as with a search-light, a public character, or an event,
or a situation; his laugh, now contageously genial, and then grimly
sarcastic; the rapid transitions from jovial, sportive humor to
touching pathos; the evident pleasure taken by the narrator in his
tale; the dashing, rattling rapidity with which that tale would at
times rush on; and behind all this that tremendous personality--the
picturesque embodiment of a power greater than any king's--a veritable
Atlas carrying upon his shoulders the destinies of a great nation.
There was a strange fascination in the presence of the giant who
appeared so peculiarly grand and yet so human.

[Illustration: THE CHANCELLOR'S PALACE ON THE WILHELMSTRASSE WHERE CARL
SCHURZ VISITED BISMARCK IN 1878.

_Photographed by the Berlin Photographic Co._]

While he was still speaking with unabated animation I looked at the
clock opposite me and was astounded when I found that midnight was
long behind us. I rose in alarm and begged the Chancellor's pardon for
having intruded so long upon his time. "Oh," said the Chancellor, "I
am used to late hours, and we have not talked yet about America.
However, you have a right to be tired. But you must come again. You
must dine with me. Can you do so to-morrow? I have invited a
commission on the Penal Code--mostly dull old jurists, I suppose--but
I may find some one among them fit to be your neighbor at the table
and to entertain you."

I gladly accepted the invitation and found myself the next evening in
a large company of serious and learned-looking gentlemen, each one of
whom was adorned with one or more decorations. I was the only person
in the room who had none, and several of the guests seemed to eye me
with some curiosity, when Bismarck in a loud voice presented me to the
Countess as "General Carl Schurz from the United States of America."
Some of the gentlemen looked somewhat surprised, but I at once became
a person of interest, and many introductions followed. At the table I
had a judge from Cologne for my neighbor, who had enough of the
Rhenish temperament to be cheerful company. The dinner was a very
rapid affair--lasting hardly three quarters of an hour, certainly not
more.

[Illustration: THE BATTLE OF KÖNIGGRÄTZ--FROM THE PAINTING BY GEORG
BLEISTREW

THE DECISIVE BATTLE OF THE SEVEN WEEKS' WAR, BY WHICH PRUSSIA BECAME THE
LEADING POLITICAL AND MILITARY POWER IN GERMANY. IN THE CENTER OF THE
PICTURE IS SHOWN KING WILLIAM, SURROUNDED BY BISMARCK, VON MOLTKE, AND
THE MEMBERS OF HIS STAFF.

_Photographed by the Berlin Photographic Co._]

Before the smokers could have got half through with their cigars, the
Minister of Justice, who seemed to act as mentor and guide to the
gentlemen of the Penal Code Commission, took leave of the host, which
was accepted by the whole company as a signal to depart. I followed
their example, but the Chancellor said: "Wait a moment. Why should you
stand in that crowd struggling for your overcoat? Let us sit down and
have a glass of Apollinaris." We sat down by a small round table, a
bottle of Apollinaris water was brought, and he began at once to ply
me with questions about America.

[Illustration: EMPEROR NAPOLEON III WHOM BISMARCK CALLED "THE ADVENTURER
ON THE THRONE," AND WHOSE DOWNFALL HE PREDICTED IN A CONVERSATION WITH
CARL SCHURZ TWO YEARS BEFORE SEDAN]

He was greatly interested in the struggle going on between President
Johnson and the Republican majority in Congress, which was then
approaching its final crisis. He said that he looked upon that
struggle as a test of the strength of the conservative element in our
political fabric. Would the impeachment of the President, and, if he
were found guilty, his deposition from office, lead to any further
conflicts dangerous to the public peace and order? I replied that I
was convinced it would not; the executive power would simply pass from
the hands of one man to the hands of another, according to the
constitution and laws of the country, without any resistance on the
part of anybody; and on the other hand, if President Johnson were
acquitted, there would be general submission to the verdict as a
matter of course, although popular excitement stirred up by the matter
would run very high throughout the country.

The Chancellor was too polite to tell me point-blank that he had grave
doubts as to all this, but he would at least not let me believe that
he thought as I did. He smilingly asked me whether I was still as
firmly convinced a republican as I had been before I went to America
and studied republicanism from the inside; and when I assured him that
I was, and that, although I had in personal experience found the
republic not as lovely as my youthful enthusiasm had pictured it to my
imagination, but much more practical in its general beneficence to the
great masses of the people, and much more conservative in its
tendencies than I had imagined, he said that he supposed our
impressions or views with regard to such things were largely owing to
temperament, or education, or traditional ways of thinking.

"I am not a democrat," he went on, "and cannot be. I was born an
aristocrat and brought up an aristocrat. To tell you the truth, there
was something in me that made me instinctively sympathize with the
slaveholders, as the aristocratic party, in your Civil War. But," he
added with earnest emphasis, "this vague sympathy did not in the least
affect my views as to the policy to be followed by our government with
regard to the United States. Prussia, notwithstanding her monarchical
and aristocratic sympathies, is, and will steadily be by tradition, as
well as by thoroughly understood interest, the firm friend of your
republic. You may always count upon that."

He asked me a great many questions concerning the political and social
conditions in the United States. Again and again he wondered how
society could be kept in tolerable order where the powers of the
government were so narrowly restricted and where there was so little
reverence for the constituted or "ordained" authorities. With a hearty
laugh, in which there seemed to be a suggestion of assent, he received
my remark that the American people would hardly have become the
self-reliant, energetic, progressive people they were, had there been
a privy-counsellor or a police captain standing at every mud-puddle in
America to keep people from stepping into it. And he seemed to be much
struck when I brought out the apparent paradox that in a democracy
with little government things might go badly in detail but well on the
whole, while in a monarchy with much and omni-present government
things might go very pleasingly in detail but poorly on the whole. He
saw that with such views I was an incurable democrat; but would not,
he asked, the real test of our democratic institutions come when,
after the disappearance of the exceptional opportunities springing
from our wonderful natural resources which were in a certain sense
common property, our political struggles became, as they surely would
become, struggles between the poor and the rich, between the few who
have, and the many who want? Here we entered upon a wide field of
conjecture.

The conversation then turned to international relations, and
especially public opinion in America concerning Germany. Did the
Americans sympathize with German endeavors towards national unity?--I
thought that so far as any feeling with regard to German unity existed
in America, it was sympathetic; among the German-Americans it was
warmly so.--Did Louis Napoleon, the emperor of the French, enjoy any
popularity in America?--He did not enjoy the respect of the people at
large and was rather unpopular except with a comparatively small
number of snobs who would feel themselves exalted by an introduction
at his court.--There would, then, in case of a war between Germany and
France, be no likelihood of American sympathy running in favor of
Louis Napoleon?--There would not, unless Germany forced war on France
for decidedly unjust cause.

Throughout our conversation Bismarck repeatedly expressed his pleasure
at the friendly relations existing between him and the German
Liberals, some of whom had been prominent in the revolutionary
troubles of 1848. He mentioned several of my old friends, Bucher,
Kapp, and others, who, having returned to Germany, felt themselves
quite at home under the new conditions and had found their way open to
public positions and activities of distinction and influence, in
harmony with their principles. As he repeated this, or something like
it, in a manner apt to command my attention, I might have taken it as
a suggestion inviting me to do likewise. But I thought it best not to
say anything in response.

Our conversation had throughout been so animated that time had slipped
by us unaware, and it was again long past midnight when I left. My old
friends of 1848 whom I met in Berlin were of course very curious to
know what the great man of the time might have had to say to me, and I
thought I could without being indiscreet communicate to them how
highly pleased he had expressed himself with the harmonious
coöperation between him and them for common ends. Some of them thought
that Bismarck's conversion to liberal principles was really sincere.
Others were less sanguine, believing as they did that he was indeed
sincere and earnest in his endeavor to create a united German empire
under Prussian leadership; that he would carry on a gay flirtation
with the Liberals so long as he thought that he could thus best
further his object, but that his true autocratic nature would assert
itself again and he would throw his temporarily assumed Liberalism
overboard as soon as he felt that he did not need its support any
longer, and especially when he found it to stand in the way of his
will.



THE FOREHANDED COLQUHOUNS

BY MARGARET WILSON

ILLUSTRATIONS BY A. E. CEDERQUIST


I

"Perhaps I'm too old to be wearing such things, but I love bright
colors, and there's not a bit of use denying it."

Mary Ann gathered one end of the fancy tartan into a handful, and
looked approvingly at its soft, heavy folds.

"Particularly at this time of year. It's warming to the blood on a
cold autumn day just to see a dress like this on the street. I
always did like a good rich tartan. It becomes me, too. Look,
Selina'n'Jane."

She held the dress material against one cheek, and her sisters
looked--but somehow failed to see what a pleasing picture she made.
She had just come in from shopping and had not yet removed her hat,
and its trimming of foliage repeated the colors of her face--autumnal
tints of red and bronze and healthy yellow. She, the eldest of the
family and the only unmarried one, was forty-five, but she was rosy
and fat and matronly, while her sisters were pinched and anemic. They
were old maids by nature, she by chance.

"It becomes you well enough, but under the circumstances," Jane said,
exchanging glances with Selina, "it seems a pity to buy all these
things."

Mary Ann opened her eyes wide.

"Circumstances? What circumstances? It's no more than I buy every
fall," protested the puzzled Mary Ann. "The flowered piece is for a
morning wrapper, the tartan's for a street suit, and the blue-gray's a
company dress."

Jane and Selina again exchanged glances, and Selina nodded.

"You never did seem to look ahead, Mary Ann," said Jane, thus
encouraged. "I don't believe you realize that an attack of bronchitis
is serious at Ma's age. I wouldn't have got _all_ my clothes colored.
It's never any harm to have _one_ black dress."

Mary Ann gasped.

"Good gracious!" was all she said.

"Well, Mary Ann," said Selina, coming to Jane's rescue, "there's not a
particle of use shutting your eyes to plain facts. Ma's in a serious
condition, and if anything happens to her, what'll you do with all
that stuff? You may dye the blue, but that tartan won't take a good
black."

"Why," Mary Ann said, recovering speech, "Ma has bronchitis at the
beginning of cold weather every year. She'll be downstairs in a week
or two, the same as she always is."

"I hope so, Mary Ann. I hope, when next she comes down, it won't be
feet first. But we're told to prepare for the worst while we hope for
the best," said Jane solemnly, imagining that she was quoting
scripture. "You and Ma act as if there was nothing to prepare for. To
see you, sitting by her sick-bed, reading trashy love-stories out of
the magazines, and both of you as much interested!--it gives me a
creepy feeling."

"When my poor husband lay in his last illness," sighed Selina, "he was
only too willing to be flattered into the belief that he was going to
get well, but I wouldn't let him deceive himself, and it's a comfort
to me now I didn't. I had everything ready but my crape when he died.
I didn't have to depend on the neighbors for a dress for the funeral,
as I've known some do."

"Many a time I've lent, but never borrowed," Jane boasted.

"And of course, never laying off widow's weeds, I'm ready for whatever
comes." Selina stroked her tarletan cuffs complacently, yet modestly
withal, as if not wishing to make others feel too keenly the
difference in their position.

[Illustration: "JANE AND SELINA ... LOOKED AT PATIENT AND NURSE WITH
DISAPPROVING GLOOM"]

Mary Ann gathered the dress goods together and threw them in a heap on
the sofa. "There, I'm sorry I showed them to you," she cried; "you've
got me almost turned against them. I declare, I'd be melancholy in
two minutes more. Now you listen to me, Selina'n'Jane. There's no need
to worry about Ma's preparations for the next world; she's not
thinking of leaving this world yet, and there's no reason why she
should. The day you two go away, she'll be standing at the gate to say
good-by to you, just the same as she always is. You see if she's not,
Selina'n'Jane."

She left the room with something as like a flounce as her figure would
permit. Stealing softly into the half-darkened bedroom at the head of
the stairs, she stood looking down at the sleeping woman in the bed.
The indignant moisture in her eyes turned to a mist of tenderness that
blotted out the sight until a few drops formed and fell.

She was too unsuspicious to observe an unsleeplike flickering of the
eyelids. She turned to tiptoe out of the room again. There was a quick
peep, a look of relief, a husky whisper, "Is that you, Mary Ann?"

"Well now, I never did see anything like the regular way you wake up
at medicine time," Mary Ann said, opening the shutters and consulting
her watch. "Anybody'd think you had an alarm inside of you to go off
at the right time."

She administered the dose and then went on with a cheerful monologue.
She had got into this habit in the sick-room, because her mother hated
silence and had to save her own voice.

"What kept me so long was that everybody I met wanted to stop me and
ask how you were. Everybody seemed pleased to hear you were getting
along so nicely. Mrs. Dowling said Dr. Corbett told her you were the
most satisfactory patient he had, because you always did everything he
told you and always got well."

The sick woman smiled up at her. She had a smile that came and went
easily, and Mary Ann had become skilful in the art of conducting a
conversation in such a way that it served as well as words.

"And Caroline Sibbet said to tell you she was counting on going with
us to the reception to the minister, and she didn't believe she'd go
at all unless you were well by then."

It was a wistful smile now.

"So I told her she needn't be afraid, you'd be there."

A smile of appeal, as if to ask, "Do you really think so?"

Mary Ann gave her a puzzled glance. Something was wrong.

"Of course you'll be well by then, dearie. You heard what the doctor
said to-day--that you might go back to having your cup of tea again
to-morrow. That's always the first sign you're getting well, then you
get leave to sit up. A week sitting up in your room, a week going
downstairs----" Mary Ann began to check off the weeks on her fingers,
but her mother interrupted.

"Was that Jane the doctor was talking to so long in the hall to-day?"

"Let me see. No, that was Selina."

"What was he saying to her?"

"He was saying every blessed thing that he's said to me since you took
sick, and that I've repeated over again to her. But you know how it is
with those two, Ma. I believe they think there's some kind of magic in
the marriage ceremony that gives a woman sense--they don't give me
credit for a speck. When Selina told me she was going to speak to the
doctor herself to-day, says she, 'You know that it stands to reason,
Mary Ann, that you can't be as experienced as one that has been a wife
five years and a widow seven'; and then Jane seemed to think it was
being cast up to her that she wasn't a widow, so she speaks up real
snappy, 'Nor one that's brought up a family of four boys,' and then
Selina _she_ looked mad." Mary Ann went off into a peal of laughter at
the remembrance.

"Jane told me he said at my age the heart was weak and there was
always more or less danger."

"He always says that after he's told what good sound lungs you have,
and what steady progress you're making, and how he'd rather pass you
for insurance than most women half your age. It means we're not to be
too reckless, all the same."

"She says if I _should_ recover from this attack----"

"Sakes alive! Did she come over all that with you too? 'If you should
recover from this attack, you'd better sell the house and visit round
among your married children?' Visit round as much as you like, Ma, but
have a house of your own to come back to; that's my advice."

"She said you wouldn't want to keep up a house after you were left
alone----"

Mary Ann threw up her hands. "No wonder Selina'n'Jane are thin--they
wear the flesh off their bones providing for the future. They're born
Colquhouns. I'm glad I take after your side of the family. Do you know
what Selina told me, Ma? The preserves she put up this year won't have
to be touched till winter after next. She has enough to last her over
two years. 'Land sakes!' I said, 'what do you want to eat stale jam
for, when you might have fresh?' The two get competing which will be
furthest ahead in their work; from the way they talk, I shouldn't
wonder if before long their fall house-cleaning would be done in the
spring. It makes me think of what Pa used to tell about his uncle
Alick Colquhoun--how he was earlier and earlier with the milking, till
at last the evening milking was done in the morning, and the morning's
was done the night before. Then there was Eva Meldrum; you remember
she had all her marriage outfit ready before she was asked--sheets,
tablecloths, and everything. As soon as Fred Healey proposed, she got
right to work with the final preparations, and when she found herself
left with nothing else to do--she just sat down and wrote out notes of
thanks for the wedding gifts, leaving blanks for the names of the
articles. I laughed till I was sore when she told me. 'You're a
Colquhoun,' I said, 'though you do only get it from your grandma;
you're a Colquhoun by nature if not by name.' You know I always say it
comes from having such a name. It's enough to make an anxious streak
in the family, having to spell it, one generation after another."

Mary Ann laughed so heartily that the sound reached her sisters, who
wondered what "Ma'n'Mary Ann" were at now. And still the little cloud
lingered, and the smile only flitted waveringly.

"I called at the library, Ma, and brought home the magazine. Now we'll
find out for sure whether Lady Geraldine marries the earl--I don't
believe but what she's in love with the private secretary."

"Did you do the shopping?" her mother whispered.

"Yes, and if you feel rested with your sleep, I'll show you what I
got. Mr. Merrill opened out such a heap of pretty things, I didn't
hardly know what to take. I was thinking, Ma, it wouldn't be a bad
idea to have Miss Adams in to sew, the first week you're downstairs,
when we've got to be in the house anyway."

At this moment Jane and Selina came into the room to see what the
sounds of merriment meant. They looked at patient and nurse with
disapproving gloom. Jane settled herself at once to her knitting;
Selina, who never worked in the afternoon when she was wearing her
widow's collar and cuffs, sat regarding her mother with an expression
of grieved wonder. Mrs. Colquhoun was uncomfortably conscious of being
judged by something in her own child of other heritage than hers--one
of the strangest sensations a parent can have.

"You'd ought to be kept quiet, Ma," Selina said, after a prolonged
scrutiny. "If you had any suitable book in the house, I'd read to you.
There was one my poor husband used to listen to by the hour in his
last illness--'Preparations for the Final Journey.'"

"I'm going to run down and fetch that stuff I bought to-day to show it
to Ma and get her opinion," Mary Ann interrupted, and a minute later
she was standing by the bed with the three dress lengths piled in
confusion upon her arms. To the woman in the bed it was as if an angel
looked out from over a tumbled rainbow and smiled a message of hope to
her from the sky.

"Take an end of this tartan, will you, Jane, and stand off a little
with it. There, I knew you'd like it, Ma. I said so to Mr. Merrill the
minute he showed it to me. That flowered piece? That's for a morning
wrapper. I know it's gay, but somehow, after the flowers are all over,
I do hanker after gay colors. In summer I don't feel to want them so
much on my back when I can have them in the garden. The gray-blue's
for a company dress. I'll have it made up in time for the reception to
the new minister. You'll need a dress for that too, Ma. We'll get
samples as soon as you're well enough to choose. It was between this
and a shot silk, but I thought this was more becoming at my age. To
tell the truth," confessed Mary Ann with a laugh, "I'd rather have had
it than this, and more than either I'd love to have bought a dress off
a piece of crimson velvet Mr. Merrill had just got in."

She rested an elbow on her knee and sank the length of a forefinger in
her plump cheek.

"When I was a little girl," she ruminated, "I was awfully fond of the
rose-in-campin' that grew in our garden at home--you mind it, mother;
mullein pink, some call it. I used to say to myself that if ever I
could get what clothes I liked, I'd have a dress as near like that as
I could find. Well, there I was to-day looking at the very thing, the
same color, the same downy look, and all, and money enough in my purse
to buy it. Of course I know it would be silly. But don't it seem a
pity that the things we dream of having some day--when the day comes,
we don't want 'em? I feel somehow as if I'm cheating that little girl
that wished for the dress like a rose-in-campin'."

She began to fold the dress pieces thoughtfully. "Made up handsomely
with a train," she said, half to herself, "and worn on suitable
occasions, it wouldn't seem so silly, either. I believe I'll have that
crimson velvet yet," she concluded, with a laughing toss of the head.
Her mother looked from the bright materials to the bright face above
them.

"She would never have gone and bought all these colors just after the
doctor said I wasn't going to get well," she thought, and turned over
and fell into a real sleep. The last had been feigned--to escape
Jane's disquieting remarks and to ponder their significance.


II

Mary Ann's prophecy was fulfilled. Her mother stood beside her at the
garden gate when Jane and Selina drove away, her glances up and down
the sunny street evincing all a convalescent's freshened interest in
the outside world. The two faces were alike and yet unlike. The joy of
living was in both; but a little uncertainty, a little appeal in the
older woman's told that with her it depended to some degree upon the
steadier flow of animal spirits in the younger.

Jane and Selina turned for a last look at the portly figures and
waving handkerchiefs.

"Who would think to look at them," said Jane, "that Ma had only just
returned from the jaws of death! It ought to be a warning to them.
Some day she'll go off in one of those attacks."

"Ma'n'Mary Ann are as like as two peas," said Selina. "They're
Maberlys. There never was a Maberly yet that knew how to look ahead. I
declare, it gave me the shivers to see these two plunging right out of
a sick-bed into colors and fashions the way they did. Ma'd ought to
listen to us and sell her house and live round with her married
children; at her age she'd ought to be some place where sickness and
death are treated in a serious way."

Upon this point Mrs. Colquhoun was firm. She could never go back to
life on a farm again, she said; "living in town was _living_." But she
compromised by agreeing to devote the whole of the next summer to
visiting her married children.

That was a long summer to Mary Ann. There was something wanting in all
the small accustomed pleasures of her simple life, until the middle of
August came, and the time set for her mother's return was within
counting distance. Then her spirits rose higher with every hour. As a
toper would celebrate his happiness at the saloon, she went to Mr.
Merrill's dry-goods shop, and after a revel in that part of it where
color most ran riot, she bought new chintz covering for the parlor
furniture, a chrysanthemum pattern in various shades of fawn and
glowing crimson.

The next step was to plan a reception to welcome her mother home and
exhibit the new covering. Then a mighty idea struck her--this was the
opportunity for the crimson velvet dress!

"I mayn't never have as good an excuse for it again," she said to the
sewing-girl, "and it's the one thing needed to make everything
complete. Me in that crimson and Ma in the fawn silk she had made when
the Reverend Mr. Ellis came will be a perfect match for the
furniture."

She patted the sofa back with affectionate pride.

"It does make you feel good to have anything new," she said, sighing
contentedly. "_Anything_, I don't care if it's only a kitchen
stove-lifter. But this!--There are an awful lot of things in the world
do make you feel good; aren't there, Miss Adams? I mean common things,
like putting on dry stockings when your feet are wet, or reading in
bed, or sitting in a shady spot on a hot summer's day, with a muslin
dress on--yes, or even eating your tea, if you happen to be feeling
hungry and have something particularly nice," added this cheerful
materialist.

The crimson velvet dress was being fitted for the last time when a
letter was handed to Mary Ann. Her spectacles were downstairs, so she
asked the sewing-girl to read it.

"'My dear aunt,'" Miss Adams began, "'Grandma took cold in church a
week ago last Sunday and has been laid up----'"

There was a quick rustling of the velvet train. Mary Ann was vanishing
into the clothes-closet. In a moment she reappeared with a small
valise in her hand, and Miss Adams saw in her face what no one had
ever seen there before--the shadow of a fear that hovered always on
the outer edge of her happy existence and now stood close by her side.
Mary Ann might be nine-tenths Maberly, but the other tenth was
Colquhoun, after all.

"Put a dress into it, please," she said, handing the valise to Miss
Adams. "No, I won't wait to take this off--I've a waterproof that will
cover it all up. Pin the train up with safety pins--never mind if it
does make pin-holes--I've just ten minutes to catch the train. _A week
ago Sunday!_ Oh, why didn't they let me know before?"

When she alighted from the train at the flag station, she was
clutching the waterproof close at the neck. She held it in the same
unconscious grasp when she entered Jane's big farm-house, by way of
the kitchen. Selina was there, making a linseed poultice, and the odor
was mingled with another which she knew afterwards to be the odor of
black dye.

[Illustration: "_SHE COULD NOT HELP SEEING THAT SELINA FOUND SOME STRANGE
PLEASURE IN ALL THESE INCIDENTS OF A LAST ILLNESS_"]

In her mother's bedroom the same acid odor was in the air, and Jane
was sitting at the window with a piece of black sewing in her hands.
Jane's husband and John Maberly were standing at the foot of the bed,
silent and melancholy, looking as awkward as men always do in a
sick-room; Jane's stern gloom was tinged with a condescending pity
for beings so out of place. Mary Ann saw them all at the first glance.
Then she forgot everything; she was snuggling down against the bed,
making the little, tender, glad, sorry sounds a mother makes when she
has been separated from her baby.

When she lifted her head the men were leaving the room, John's face
working. Selina was there with the poultice. She took it from her. One
look into her mother's face had been enough. From that moment she
seemed to be holding her back by sheer force of will from the edge
over which she was slipping.

There was no merry gossip and laughter now, there were no love
stories, no monologues with pauses for smiles. Mary Ann felt that a
careless word or look would be enough to loosen that frail hold on
life. When the doctor came, he found his patient in charge of a stout
woman in a fresh linen dress, whose self-command was so perfect that
he did not waste many words in softening the opinion for which she
followed him to the door.

"Your mother's age is against her," he said. "The bronchitis in itself
is not alarming, but her heart is weak, and I fear you must not expect
her recovery."

He knew at once that she refused to accept his verdict, though she
only said, "I'd like to telegraph for our doctor at home, if you don't
mind."

When Dr. Corbett came, he confirmed the opinion.

"The bronchitis is no worse than usual," he added, "the treatment has
been the same; but she seems to have lost her grip."

"There's no reason why she shouldn't catch a hold of it again," said
poor Mary Ann, choking down her agony with the thought that she must
return immediately to her mother's room.

"I don't quite understand it," the doctor said, with a questioning
look. "The nursing--that's been good? Dr. Black tells me so."

"Yes, Jane and Selina are both good nurses, better'n what I am, if it
wasn't that Ma's used to me."

"And there's no obstacle to her recovery that you know of?" Mary Ann
shook her head. "Well, Miss Mary Ann, we must just conclude that it's
the natural wearing out of a good machine. And we'll do what we can."

When Mary Ann went back to her mother's room, she found her a little
roused from the stupor in which she had been lying. The visit of her
own doctor, the accustomed tendance, had touched some spring that set
old wheels running. With the clairvoyance love so often gives to the
sick-nurse, Mary Ann knew that she had something to say to her.

She sat by the bed and waited. A fluttering whisper came at last.

"Did you see Jane's hands?"

Mary Ann's mind, seeking desperately for a clue, flashed from the
stains on her sister's hands, which she had vaguely set down to black
currant jelly, to the acid smell in the kitchen--to the black
sewing--to the forgotten shock of a year ago.

"They asked me where I'd like to lie--beside Pa or in the cemetery in
town."

"It's their forehandedness, Ma. I never did know such a forehanded
pair. Talk about meeting trouble half way--Selina'n'Jane don't wait
for it to start out at all."

"Selina read out of the paper that bronchitis was nearly always fatal
after seventy."

"Well, now, what will those papers say next? Do you know what I read
out of our own _Advertiser_ the other day? That every woman over
thirty has had at least one offer of marriage. Now, that's a lie, for
I never had an offer in my life. I'm kind of glad I didn't, Ma, for I
suppose I'd have took it; and you and me do have an awfully good time
together, don't we?"

But her mother was not listening now; it had been a flash merely of
the old self. Mary Ann looked around the room until she found Jane's
lap-board with a pile of black sewing on it. She gathered up the
carefully pressed pieces and poked them roughly in between a large
clothes cupboard and the wall.

"There!" she said to herself, "it will be a while before they find
that, and when they do they can call it Mary Ann's flighty way of
redding up a room."

She heard her sisters whispering in the hall and went out to them.
Selina was tying her bonnet-strings.

"I'm going home to do a lot of cooking," she said in an important
undertone. "John's wrote to Ma's relatives in Iowa, and some of them's
sure to come."

Mary Ann looked into the wrinkled face; the past weeks had added new
lines of genuine grief to it, yet she could not help seeing that
Selina found some strange pleasure in all these incidents of a last
illness. The words she had meant to say seemed futile. She was turning
to go into her mother's room again when an idea came to her.

"Don't go yet," she said. "I want to show you two something."

She went into her bedroom and returned in a few minutes with the
crimson dress over her arm.

"I was getting it fitted when the news of Ma's sickness came, and I
just put a waterproof over it. The seams have got a little ravelled. I
thought maybe you two would help me top-sew them."

"Mary Ann----!"

"You're so much cleverer than me with the needle. I was having it made
for--for--" Mary Ann could not trust her voice to tell what she had
been having it made for--"for an occasion. It won't be needed now as
soon as I expected, but you know, Selina'n'Jane, you always say
yourselves there's nothing like taking time by the forelock."

"Mary Ann----"

"A few hours would finish it up if we all got at it. Oh, there's Ma
coughing. I must run and get the pail of water and hot brick to steam
up the room."

She threw the dress into her sister's hands and was gone. They stood
looking at each other across it.

"_Poor_ Mary Ann!"

"She talked about an occasion. I don't know more'n one kind of
occasion people get dresses like this for. Can she mean----?"

"At her age? Nonsense!"

"Dr. Corbett appears to think a pile of her. He's a widower----"

"Now you speak of it, Selina, he does look at her in an admiring sort
of way. If there was anything of that kind in prospect--and of course
she'd lay off black sooner----"

The sun came out and streamed through the high window upon the dress
in their hands. It was like a drink of wine to look at it.

"There's no denying it's a handsome thing," Jane said. "It does seem a
pity to have the edges ravel. We might finish it, anyway, and sew it
up in a bag with camphor."

Through the gray languor that overlay Mrs. Colquhoun's consciousness,
glints of crimson began to find their way. Now the spot of color was
disappearing under Mary Ann's white apron; now it was in Jane's
stained hands; now it was passing from Jane to Selina.

Then she heard Dr. Corbett say, as he handed Mary Ann a small parcel,
"It's the first sewing-silk I ever bought, Miss Mary Ann, and I don't
know whether it's a good match, but it's crimson, anyhow, Merrill gave
me his word for that"; and when Mary Ann made a warning gesture
towards the bed, the faint stirring of interest almost amounted to
curiosity.

"What did he mean?" she asked, after the doctor had gone. Mary Ann
bent down to catch the husky whisper. "The silk--what is it for?"

"You're a little stronger to-day, aren't you, Ma? I've a secret I
meant to keep till you were well; but there! Wait till I get back and
I'll tell you."

Mrs. Colquhoun let her eyelids close and forgot all about it. When she
opened them again, Mary Ann stood before her arrayed in the velvet
dress. The radiant vision seemed part of the train of visions that had
been passing before her closed eyes; but this stayed, and the smiling
creases of the cheeks were substantial and firm.

Then Mary Ann fell on her knees beside the bed and made a crimson
frame of her arms for the nightcapped head on the pillow.

"I'm not a bit of good at keeping a secret, Ma. Jane and Selina and me
have just finished it, but you weren't to know anything about it till
you got home. It was to be a surprise. And there's new covering on the
parlor furniture, a handsome flower pattern, all fawn and crimson,
like our dresses, and we're going to have a home-coming party. I don't
want to be impatient, but I _wish_ you'd hurry up and get well."

Mrs. Colquhoun was gazing into her daughter's eyes.

"Do you really think I'm going to get well, Mary Ann?" she asked, and
the wistfulness of old desire revived was in the feeble voice.

"Of course you're going to get well, dearie. Why shouldn't you?"

"It seemed kind of settled I wasn't--and it's so upsetting to stay
when you're expected to go. I didn't care much."

She put up her hand weakly and stroked the velvet.

"But now--if you think so--perhaps----"

At his next visit Dr. Corbett said, "Your mother's caught her grip
again, Miss Mary Ann," and Dr. Black added heartily, "And if you'll
only tell us _how_ you did it, Miss Mary Ann, you'll be putting
dollars in our pockets."

But the cunning of love, with all its turnings and twistings, is only
half-conscious--the rest is instinct.

"I don't know that there's anything to tell, doctor," Mary Ann said
slowly, wiping away a tear. "Only you might just keep a watch out and
see that none of your patients are being hurried out of the world by
the preparations for their own mourning. That's what was happening to
Ma."



LAST YEARS WITH HENRY IRVING

BY ELLEN TERRY

ILLUSTRATED WITH PHOTOGRAPHS

_Copyright, 1908, by Ellen Terry (Mrs. Carew)_


Perhaps Henry Irving and I might have gone on with Shakespeare to the
end of the chapter if he had not been in such a hurry to produce
"Macbeth."

We ought to have done "As You Like It" in 1888, or "The Tempest."
Henry thought of both these plays. He was much attracted by the part
of Caliban in "The Tempest," but, he said, "the young lovers are
everything, and where are we going to find them?" He would have played
Touchstone in "As You Like It," not Jacques, because Touchstone is in
the vital part of the play.

He might have delayed both "Macbeth" and "Henry VIII." He ought to
have added to his list of Shakespearian productions "Julius Cæsar,"
"King John," "As You Like It," "Antony and Cleopatra," "Richard II.,"
and "Timon of Athens." There were reasons "against," of course. In
"Julius Cæsar" he wanted to play Brutus. "That's the part for the
actor," he said, "because it needs acting. But the actor-manager's
part is Antony. Antony scores all along the line. Now when the actor
and actor-manager fight in a play, and when there is no part for you
in it, I think it's wiser to leave it alone."

Every one knows when luck first began to turn against Henry Irving. It
was in 1896, when he revived "Richard III." On the first night he went
home, slipped on the stairs in Grafton Street, broke a bone in his
knee, aggravated the hurt by walking, and had to close the theatre. It
was that year, too, that his general health began to fail. For the ten
years preceding his death he carried on an indomitable struggle
against ill-health. Lungs and heart alike were weak. Only the spirit
in that frail body remained as strong as ever. Nothing could bend it,
much less break it.

But I have not come to that sad time yet.


"_Macbeth_"

"We all know when we do our best," said Henry once. "We are the only
people who know." Yet he thought he did better in "Macbeth" than in
"Hamlet!"

Was he right, after all?

[Illustration: ELLEN TERRY AS KNIERTJE IN "THE GOOD HOPE"

TAKEN ON THE BEACH AT SWANSEA, WALES, IN 1906, BY EDWARD CRAIG

"WE HAVE TO PAY DEAR FOR THE FISH"

_From the collection of H. McM. Painter_]

His _view_ of Macbeth, though attacked and derided and put to shame in
many quarters, is as clear to me as the sunlight itself. To me it
seems as stupid to quarrel with the conception as to deny the nose on
one's face. But the carrying out of the conception was unequal.
Henry's imagination was sometimes his worst enemy. When I think of his
Macbeth, I remember him most distinctly in the last act, after the
battle, when he looked like a great famished wolf, weak with the
weakness of a giant exhausted, spent as one whose exertions have been
ten times as great as those of commoner men of rougher fibre and
coarser strength.

"Of all men else I have avoided thee."

Once more he suggested, as he only could suggest, the power of fate.
Destiny seemed to hang over him, and he knew that there was no hope,
no mercy.


_The "Macbeth" Rehearsals_

[Illustration: JOHN SINGER SARGENT

FROM A PORTRAIT PAINTED BY HIMSELF IN 1892 AND PRESENTED BY HIM TO THE
NATIONAL ACADEMY OF DESIGN]

The rehearsals for "Macbeth" were very exhausting, but they were
splendid to watch. In this play Henry brought his manipulation of
crowds to perfection. My acting edition of the play is riddled with
rough sketches by him of different groups. Artists to whom I have
shown them have been astonished by the spirited impressionism of
these sketches. For his "purpose" Henry seems to have been able to
do anything, even to drawing and composing music. Sir Arthur
Sullivan's music at first did not quite please him. He walked up and
down the stage humming and showing the composer what he was going
to do at certain situations. Sullivan with wonderful quickness and
open-mindedness caught his meaning at once.

"Much better than mine, Irving,--much better--I'll rough it out at
once!"

[Illustration: SIR EDWARD BURNE-JONES

FROM THE PAINTING BY GEORGE FREDERICK WATTS
_By courtesy of G. P. Putnam's Sons_]

When the orchestra played the new version based on that humming of
Henry's, it was exactly what he wanted!

Knowing what a task I had before me, I began to get anxious and
worried about "Lady Mac." Henry wrote me such a nice letter about
this:

  "To-night, if possible, the last act. I want to get these great
  multitudinous scenes over and then we can attack _our_ scenes....
  Your sensitiveness is so acute that you must suffer sometimes. You
  are not like anybody else--you see things with such lightning
  quickness and unerring instinct that dull fools like myself grow
  irritable and impatient sometimes. I feel confused when I'm
  thinking of one thing, and disturbed by another. That's all. But I
  do feel very sorry afterwards when I don't seem to heed what I so
  much value....

  "I think things are going well, considering the time we've been at
  it, but I see so much that is wanting that it seems almost
  impossible to get through properly. 'To-night commence Matthias.
  If you sleep, you are lost!'"[*]

  [*] A quotation from "The Bells."

[Illustration: ELLEN TERRY AS LADY MACBETH

FROM THE PAINTING BY SARGENT, IN THE TATE GALLERY, LONDON]

At this time we were able to be of the right use to each other. Henry
could never have worked with a very strong woman. I should have
deteriorated in partnership with a weaker man whose ends were less
fine, whose motives were less pure. I had the taste and artistic
knowledge that his upbringing had not developed in him. For years he
did things to please me. Later on I gave up asking him. In "King
Lear" Mrs. Nettleship made him a most beautiful cloak, but he insisted
on wearing a brilliant purple velvet cloak with "glits" all over it
which spoiled his beautiful make-up and his beautiful acting. Poor
Mrs. Nettle was almost in tears.

"I'll never make you anything again," she said. "Never!"

[Illustration: PEGGY, MADAME SANS-GENE, MADAME SANS-GENE, CORDELIA

_Copyrighted by Window and Grove_
_From the collection of Miss_]


_Sargent Paints Ellen Terry as Lady Macbeth_

One of Mrs. Nettle's greatest triumphs was my Lady Macbeth dress,
which she carried out from Mrs. Comyns Carr's design. I am glad to
think it is immortalized in Sargent's picture. From the first I knew
that picture was going to be splendid. In my diary for 1888 I was
always writing about it:

  "The picture of me is nearly finished and I think it magnificent.
  The green and blue of the dress is splendid, and the expression as
  Lady Macbeth holds the crown over her head is quite wonderful."

  "Sargent's 'Lady Macbeth' in the New Gallery is a great success.
  The picture is the sensation of the year. Of course opinions
  differ about it, but there are dense crowds round it day after
  day. There is talk of putting it on an exhibition by itself."

Since then it has gone over nearly the whole of Europe, and now is
resting for life at the Tate Gallery. Sargent suggested by this
picture all that I should have liked to be able to convey in my acting
as Lady Macbeth. Of Sargent's portrait of Henry Irving, I wrote in my
dairy:

  "Everybody hates Sargent's head of Henry. Henry also. I like it,
  but not altogether. I think it perfectly wonderfully painted and
  like him, only not at his best by any means. There sat Henry and
  there by his side the picture, and I could scarce tell one from
  t'other. Henry looked white, with tired eyes, and holes in his
  cheeks, and bored to death! And there was the picture with white
  face, tired eyes, holes in the cheeks, and boredom in every line.
  Sargent tried to paint his smile and gave it up."

[Illustration: IMOGEN, LUCY ASHTON, CATHERINE DUVAL, LUCY ASHTON

_Copyrighted by Window and Grove_]

Sargent said to me, I remember, upon Henry Irving's first visit to
the studio to see the "Macbeth" picture of me, "What a saint!" This to
my mind promised well--that Sargent should see _that_ side of Henry so
swiftly. So then I never left off asking Henry Irving to sit to
Sargent, who wanted to paint him into the bargain, and said to me
continually, "What a head!"

[Illustration: CARDINAL WOLSEY, LADY MACBETH, GUINEVERE, THOMAS BECKET

_Terry and Miss Frances Johnson_
_Copyrighted by Window and Grove and by W. & D. Downey_]

Again from my diary:

  "Sargent's picture is almost finished, and it is really splendid.
  Burne-Jones yesterday suggested two or three alterations about the
  colour, which Sargent immediately adopted, but Burne-Jones raves
  about the picture.

  "It (Macbeth) is a most tremendous success, and the last three
  days' advanced booking has been greater than ever was known, even
  at the Lyceum. Yes, it is a success, and I am a success, which
  amazes me, for never did I think I should be let down so easily.
  Some people hate me in it; some, Henry among them, think it my
  best part, and the critics differ, and discuss it hotly, which in
  itself is my best success of all! Those who don't like me in it
  are those who don't want and don't like to read it fresh from
  Shakespeare, and who hold by the 'fiend' reading of the
  character.... One of the best things ever written on the subject,
  I think, is the essay of J. Comyns Carr. That is as hotly
  discussed as the new Lady Mac--all the best people agreeing with
  it. Oh dear! It is an exciting time!"

[Illustration: NANCY OLDFIELD, HERMIONE, ALICE-SIT-BY-THE-FIRE, LADY
CICELY, WAYNEFLETE

_Copyrighted by Window and Grove_]

From a letter I wrote to my daughter who was in Germany at the time:

  "I wish you could see my dresses. They are superb, especially the
  first one: green beetles in it, and such a cloak! The photographs
  give no idea of it at all, for it is in colour that it is so
  splendid. The dark red hair is fine. The whole thing is
  Rossetti--rich stained-glass effects. I play some of it well, but
  of course I don't do what I want to do yet. Meanwhile I shall not
  budge an inch in the reading of it, for that I know is right. Oh,
  it's fun, but it's precious hard work, for I by no means make her
  a gentle lovable woman' as some of 'em say. That's all pickles.
  She was nothing of the sort, although she was _not_ a fiend, and
  _did_ love her husband. I have to what is vulgarly called 'sweat
  at it,' each night."


_Burne-Jones at "Macbeth"_

[Illustration: MISS ELLEN TERRY

FROM A PHOTOGRAPH TAKEN ON HER LAST TOUR IN AMERICA
_Copyrighted, 1907 by Helen Lohman_]

The few people who liked my Lady Macbeth, liked it very much. I hope I
am not vain to quote this letter from Lady Pollock:

  "... Burne-Jones has been with me this afternoon: he was at
  'Macbeth' last night, and you filled his whole soul with your
  beauty and your poetry.... He says you were a great Scandinavian
  queen, that your presence, your voice, your movement, made a
  marvelously poetic harmony, that your dress was grandly imagined
  and grandly worn--and that he cannot criticise--he can only
  remember."

[Illustration: SIR HENRY IRVING

FROM A PORTRAIT GIVEN BY HIM TO MISS EVELYN SMALLEY IN 1896]

But Burne-Jones by this time had become one of our most ardent
admirers, and was prejudiced in my favour because my acting appealed
to his _eye_. Still the drama is for the eye as well as for the ear
and the mind.


"_The Dead Heart_"

Very early I learned that one had best be ambitious merely to please
oneself in one's work a little--quietly I coupled with this the
reflection that one "gets nothing for nothing, and damned little for
sixpence!"

Here I was in the very noonday of my life, fresh from Lady Macbeth and
still young enough to play Rosalind, suddenly called upon to play a
rather uninteresting mother in "The Dead Heart." However, my son Teddy
made his first appearance in it, and had such a big success that I
soon forgot that for me the play was rather "small beer."

It had been done before, of course, by Benjamin Webster and George
Vining. Henry engaged Bancroft for the Abbé, a part of quite as much
importance as his own. It was only a melodrama, but Henry could always
invest a melodrama with life, beauty, interest, mystery, by his
methods of production.

  "I'm full of French Revolution," he wrote to me when he was
  preparing the play for rehearsal, "and could pass an examination.
  In our play at the taking of the Bastille, we must have a starving
  crowd--hungry, eager, cadaverous faces. If that can be well
  carried out, the effect will be very terrible, and the contrast to
  the other crowd (the red and fat crowd--the blood-gorged ones who
  look as if they'd been all drinking wine--_red_ wine, as Dickens
  says) would be striking.... It's tiresome stuff to read, because
  it depends so much on situations. I have been touching the book
  up, though, and improved it here and there, I think.

  "A letter this morning from the illustrious ---- offering me his
  prompt book to look at.... I think I shall borrow the treasure,
  why not? Of course he will say that he has produced the play and
  all that sort of thing, but what does that matter, if one can
  only get one hint out of it?

  "The longer we live, the more we see that if we only do our own
  work thoroughly well, we can be independent of everything else or
  anything that may be said....

  "I see in Landry a great deal of Manette--that same vacant gaze
  into years gone by when he crouched in his dungeon nursing his
  wrongs....

  "I shall send you another book soon to put any of your alterations
  and additions in--I've added a lot of little things with a few
  lines for you--very good, I think, though I say it as shouldn't--I
  know you'll laugh! They are perhaps not startlingly original, but
  better than the original, anyhow! Here they are--last act!

  "'Ah, Robert, pity me. By the recollections of our youth, I
  implore you to save my boy! (_Now_ for 'em!)

  "'If my voice recalls a tone that ever fell sweetly upon your ear,
  have pity on me! If the past is not a blank, if you once loved,
  have pity on me!' (Bravo!)

  "Now I call that very good, and if the 'If' and the 'pity's' don't
  bring down the house, well it's a pity! I pity the pittites.

  "... I've just been copying out my part in an account book--a
  little more handy to put into one's pocket. It's really very
  short, but difficult to act, though, and so is yours. I like this
  'piling up' sort of acting, and I am sure you will, when you play
  the part. It's restful. 'The Bells' is that sort of thing."

The crafty old Henry! All this was to put me in conceit with my part!

[Illustration: "ELLEN TERRY AS QUEEN KATHERINE IN HENRY VIII"

THE PART PLAYED BY HER AT STRATFORD-UPON-AVON IN 1902
_Copyrighted by Window and Grove_]


_A Letter From Burne-Jones_

Many people put me in conceit with my son, including dear Burne-Jones,
with his splendid gift of impulsive enthusiasm:

  "The Grange, West Kensington, W.

  "Sunday.

  "Most dear Lady:

  "I thought all went wonderfully last night--and no sign could I
  see of hitch or difficulty--and as for your boy, he looked a
  lovely little gentleman--and in his cups was perfect, not
  overdoing by the least touch a part always perilously easy to
  overdo. I too had the impertinence to be a bit nervous for you
  about him--but not when he appeared--so altogether I was quite
  happy.

  "... Irving was very noble--I thought I had never seen his face
  so beatified before--no, that isn't the word, and to hunt for
  the right one would be so like judicious criticism that I
  won't--exalted and splendid it was--and you were you--YOU--and so
  all was well. I rather wanted more shouting and distant roar in
  the Bastille scene--since the walls fell, like Jericho, by noise,
  a good, dreadful growl always going on would have helped, I
  thought--and that was the only point where I missed anything.

  "And I was very glad you got your boy back again and that Mr.
  Irving was ready to have his head cut off for you, so it had what
  I call a good ending, and I am in bright spirits to-day, and
  ever,

  "Your real friend,

  "E. B. J.

  "I would come and growl gladly."

There were terrible strikes all over England when we were playing "The
Dead Heart." I could not help sympathising with the strikers; yet
reading all about the French Revolution as I did then, I can't
understand how the French nation can be proud of it when one
remembers how they butchered their own great men, the leaders of
the movement--Camille Desmoulins, Danton, Robespierre, and the
others. My man is Camille Desmoulins. I just love him.


"_Ravenswood_"

Plays adapted from novels are always unsatisfactory. A whole story
cannot be conveyed in three hours, and every reader of the story looks
for something not in the play. Wills took from "The Vicar of
Wakefield" an episode and did it right well, but there was no
_episode_ in "The Bride of Lammermoor" for Merivale to take. He tried
to traverse the whole ground and failed. But he gave me some lovely
things to do in Lucy Ashton. I had to lose my poor wits, as in
Ophelia, in the last act, and with hardly a word to say I was able to
make an effect. The love scene at the well I did nicely, too.

Seymour Lucas designed splendid dresses for this play. My "Ravenswood"
riding dress set a fashion in ladies' coats for quite a long time.
Mine was copied by Mr. Lucas from a leather coat of Lord Mohun. He is
said to have had it on when he was killed. At any rate there was a
large stab in the back of the coat, and a blood-stain.


"_Nance Oldfield_"

This was my first speculation in play-buying! I saw it acted and
thought I could do something with it. Henry would not buy it, so I
did. He let me do it first in front of a revival of "The Corsican
Brothers," in 1891. It was a great success, although my son and I did
not know a word on the first night and had our parts written out and
pinned all over the furniture! Dear old Mr. Howe wrote to me that
Teddy's performance was "more than creditable; it was exceedingly good
and full of character, and with your own charming performance, the
piece was a great success." Since 1891 I must have played "Nance
Oldfield" hundreds of times, but I never had an Alexander Oldworthy so
good as my own son, although such talented young actors as Martin
Harvey, Laurence Irving, and, more recently, Harcourt Williams, have
all played it with me.


"_Henry VIII._"

Henry's pride as Cardinal Wolsey seemed to eat him. How wonderful he
looked (though not fat and self-indulgent like the pictures of the
real Wolsey) in his flame-coloured robes! He had the silk dyed
specially by the dyers to the Cardinals' College in Rome. Seymour
Lucas designed the clothes. It was a magnificent production, but not
very interesting to me. I played Katherine much better ten years later
at Stratford-on-Avon at the Shakespeare Memorial Festival. I was
stronger then, and more mature. This letter from Burne-Jones about
"Henry VIII." and Henry Irving is delightful. I will not keep it to
myself any longer:

  "My dear Lady,

  "We went last night to the play (at my Theatre) to see 'Henry
  VIII.' Margaret and Mackail and I. It was delicious to go out
  again and see mankind, after such evil days. How kind they were to
  me no words can say--I went in at a private door and then into a
  cosy box and back the same way, swiftly, and am marvellously the
  better for the adventure. No you, alas!

  "I have written to Mr. Irving just to thank him for his great
  kindness in making the path of pleasure so easy, for I go
  tremblingly at present. But I could not say to him what I thought
  of the Cardinal--a sort of shame keeps one from saying to an
  artist what one thinks of his work--but to you I can say how nobly
  he warmed up the story of the old religion to my exacting mind in
  that impersonation. I shall think always of dying monarchy in his
  Charles--and always of dying hierarchy in his Wolsey. How
  Protestant and dull all grew when that noble type had gone!

  "I can't go to Church till red cardinals come back (and may they
  be of exactly that red), nor to Court till trumpets and banners
  come back--nor to evening parties till the dances are like that
  dance. What a lovely young Queen has been found. But there was no
  you.... Perhaps it was as well. I couldn't have you slighted even
  in a play, and put aside. When I go back to see you as I soon
  will, it will be easier. Mr. Irving let me know you would not act;
  and proposed that I should go later on--wasn't that like him? So I
  sat with my children and was right happy, and as usual the streets
  looked dirty and all the people muddy and black as we came away.
  Please not to answer this stuff.

  "Ever yours aff'ly,

  "E. B. J.

  "I wish that Cardinal could have been made Pope, and sat with his
  foot on the Earl of Surrey's neck. Also I wish to be a Cardinal,
  but then I sometimes want to be a pirate. We can't have all we
  want.

  "Your boy was very kind--I thought the race of young men who are
  polite and attentive to old fading ones had passed away with
  antique pageants--but it isn't so."

When the Duke and Duchess of Devonshire gave the famous fancy-dress
ball at Devonshire House, they attended it in the robes which had
appealed so strongly to Burne-Jones's imaginative eye. I was told by
one who was present at this ball that, as the Cardinal swept up the
staircase, his long train held magnificently over his arm, a sudden
wave of reality seemed to sweep upstairs with him, and reduce to the
pettiest make-believe all the aristocratic masquerade that surrounded
him.

I renewed my acquaintance with "Henry VIII" in 1902, when I played
Queen Katherine for Mr. Benson during the Shakespeare Memorial
performances in April. I was pretty miserable at the time--the
Lyceum reign was dying, and taking an unconscionably long time
about it, which made the position all the more difficult. Henry
Irving was reviving "Faust"--a wise step, as it had been his
biggest "money-maker"--and it was a question whether I could play
Margaret. There are some young parts that the actress can still
play when she is no longer young: Beatrice, Portia, and many others
come to mind. But I think that when the character is that of a young
girl, the betrayal of whose innocence is the main theme of the play,
no amount of skill on the part of the actress can make up for the loss
of youth.

Suggestions were thrown out to me (not by Henry Irving, but by others
concerned) that, although I was too old for Margaret, I might play
_Martha_! Well! well! I didn't quite see _that_. So I redeemed a
promise given in jest at the Lyceum to Frank Benson twenty years
earlier, and went off to Stratford-upon-Avon to play in "Henry VIII."

I played Katherine on Shakespeare's Birthday--such a lovely day,
bright and sunny and warm. The performance went finely--and I made a
little speech afterwards which was quite a success.

During these pleasant days at Stratford, I went about in between the
performances of "Henry VIII," which was, I think, given three times a
week for three weeks, seeing the lovely country and lovely friends who
live there. A visit to Broadway and to beautiful Madame de Navarro
(Mary Anderson), was particularly delightful. To see her looking so
handsome, robust, fresh, so happy in her beautiful home, gave me the
keenest pleasure. I also went to Stanways, the Elchos' home--a
fascinating place. Lady Elcho showed me all over it, and she was not
the least lovely thing in it.

In Stratford I was rebuked by the permanent inhabitants for being kind
to a little boy in professionally ragged clothing who made me, as he
has made hundreds of others, listen to a long made-up history of
Stratford-on-Avon, Shakespeare, "The Merchant of Venice," "Julius
Cæsar," and other things--the most hopeless mix! The inhabitants
assured me that the boy was a little rascal, who begged and extorted
money from visitors by worrying them with his recitation until they
paid him to leave them alone.

Long before I knew that the child was such a reprobate, I had given
him a pass to the gallery and a Temple Shakespeare! I derived such
pleasure from his version of the "Mercy" speech from the "Merchant of
Venice" that I still think he was ill-paid!

  The quality of mercy is not strange
  It droppeth as _the_ gentle rain from 'Eaven
  Upon _the_ place beneath; it is twicet bless.
  It blesseth in that gives and in that takes
  It is in the mightiest--in the mightiest
  It becomes the throned monuk better than its crownd.
  It's an appribute to God inself
  It is in the thorny 'earts of Kings
  But not in the fit and dread of kings.

I asked the boy what he meant to be when he was a man. He answered
with decision: "A reciterer."

I also asked him what he liked best in the play.

"When the blind went up and down and you smiled," he replied--surely a
naïve compliment to my way of "taking a call!" Further pressed, he
volunteered: "When you lay on the bed and died to please the angels."


_Other Plays_

I had exactly ten years more with Henry Irving after "Henry VIII."
During that time we did "King Lear," "Becket," "King Arthur,"
"Cymbeline," "Madame Sans-Gêne," "Peter the Great," and "The Medicine
Man," I feel too near to these productions to write about them. But a
time will come. The first night of "Cymbeline" I felt almost dead.
Nothing seemed right. "Everything is so slow, so slow," I wrote in my
diary. "I don't feel a bit inspired, only dull and hide-bound." Yet
Imogen was, I think, the _only_ inspired performance of these later
years. On the first night of "Sans-Gêne" I acted _courageously_ and
fairly well. Everyone seemed to be delighted. The old Duke of
Cambridge patted, or rather, _thumped_ me on the shoulder and said
kindly: "Ah, my dear, _you_ can act!" Henry quite effaced me in his
wonderful sketch of Napoleon. "It seems to me some nights," I wrote in
my diary at the time, "as if I were watching Napoleon trying to
imitate H. I., and I find myself immensely interested and amused in
the watching."

"The Medicine Man" was, in my opinion, our only _quite_ unworthy
production and I wrote in my diary: "If 'Manfred' and a few such plays
are to succeed this, I simply must do something else."

But I did not! I stayed on, as everyone knows, when the Lyceum as a
personal enterprise of Henry's was no more, when the farcical Lyceum
Syndicate took over the theatre. I played a wretched part in
"Robespierre," and refused £12,000 to go to America with Henry in
"Dante."

In these days Henry Irving was a changed man. He gave the whole thing
up--as a producer, I mean. As an actor he worked as faithfully as
ever. Henley's stoical lines might have been written of him as he was
in those last days:

  Out of the night that covers me
  Black as the pit from pole to pole
  I thank whatever gods may be
  For my unconquerable soul.

  In the fell clutch of circumstance
  I have not winced nor cried aloud.
  Under the bludgeonings of chance
  My head is bloody but unbow'd.

Henry Irving did not treat me badly. I did not treat him badly. He
revived "Faust" and produced "Dante." I would have liked to stay with
him to the end of the chapter, but I could not act in either of these
plays. But we never quarrelled. Our long partnership dissolved
naturally. It was all very sad, but it could not be helped.



THE LOST MOTHER

BY BLANCHE M. KELLY

DECORATIONS BY LESTER RALPH

  ... among the rocks one of the sea women combing her long hair,
  and if he can creep up to her unbeknownst, and steal away from her
  her "cubuleen driuth," which is a kind of small cap the merrows do
  be wearing, she can never go back under the sea any more at all,
  but must follow his bidding while ever he has it in his keeping.


  O Scarlet hunter, riding past,
  O hunter, do not ride so fast,
  But tell me where's my mother?--
  "Nay, child, why dost thou ask of me?
  Safe by the hearth should mothers be,
  And thine like any other."
  --While I was playing on the floor
  Deep in a hollow near the door
  I found a shining cap laid by.
  My mother gave a piercing cry,
  And snatched it up and fled away....
  Though I have sought her all the day,
  I cannot find my mother.--

  --O woman with the milking stool,
  Standing among the grasses cool,
  Hast thou not seen my mother?--
  "What like is thy mother, lad?"
  --A stripèd petticoat she had,
  Her snooded hair is soft as silk,
  She's whiter in the face than milk,
  My lost, sweet mother!--
  "I saw a poor mad thing go down
  By yonder highway to the town,
  I saw none other.
  But, oh, her hair was streaming wild,
  Sure, frenzy was upon her, child,
  And she was not thy mother."

  --O friar, in thy long rough gown,
  Say in what corner of the town
  I'll find my mother.--
  "What is thy mother's name, poor boy?"
  --My father always called her Joy.--
  "It hath the ring of Heathenesse,
  But to all creatures in distress
  Lord Christ is Brother.
  In the church-yard an hour ago
  I saw a witch-girl crouching low,
  But oh, she fell to weeping sore
  For that she feared the cross I wore.
  I'll dry thy tears and lead thee home,
  Good mothers have no wish to roam."
  --Nay, I must find my mother.--

  --O fisher, coming in from sea,
  Lay by the oar and answer me,
  O hast thou seen my mother?--
  "Nay, but I saw, upon my life,
  'Mong yonder rocks a merrow wife
  With long locks gleaming in the sun.
  She saw the billows shoreward run,
  She heard the splashing of my oar,
  Wildly she glanced along the shore,
  She flung her foam-white arms on high,
  She cried a weird and wailing cry,
  And leaped and vanished in the sea.
  I crossed the brow and breast of me,
  And thanked the Maker of my life
  That I've a christened maid to wife."



PATSY MORAN

THE BOOK AND ITS COVERS

[Illustration]

BY ARTHUR SULLIVAN HOFFMAN

ILLUSTRATIONS BY MAITLAND THOMAS


"Adventure, is it?" said Patsy, pushing his empty glass away from him.
"What happened me last night would be makin' a adventure seem like
grass growin' in a cimitery!"

From the other side of the table, in their own particular corner of
the back room at Devinsky's Place on the Upper East Side, Tim regarded
his friend with characteristic stolidity and replied with a grunt of
interrogatory interest. Patsy seldom needed urging in the matter of
talking about himself.

"It all come of Mike O'Hara's owin' me three dollars," he continued.
"Sure, the good heart of me keeps me brains busy rescuin' me from
trouble. Mike is after keepin' a boat-house over on the North River
near Spuytendivil, and seein' no other way I wint up to see him early
last evenin' and took wan of his boats out for five hours, though it's
me hates floatin' about in a bunch of boards and workin' to do it.

"Twas me intention to work up the river with the tide and thin cheat
O'Hara by gittin' out and settin' on the shore. Which I done, tyin' me
boat to wan of thim skinny little private docks over on the Jersey
shore beyant Fort Lee. And thin, Tim, it come on me to climb clear up
thim Palisades, which was amazin' unnatural and the first of the queer
things that happened me the night.

"It was hard climbin' by a path what was mostly growed up with vines,
and whin I come to the top they wasn't anny too much daylight left to
me, and the place was lonely as a Dimmycrat. They was lights over
across the river in New York--och, but thim lights was far off!--but
Jersey was just wan hunk of nuthin', with some ghosty trees in the
front of it. Excipt for a tug or a ferry whistlin' now and thin, they
was niver a sound but the hummin' of ivry wan of all the mosquities
that iver was, barrin' thim as was tryin' was they a chanct to kiss
each other by borin' through me from both sides at wanct.

"It was no place for usin' up boat-rint, but me shoes was full of
gravel and, seein' the ruins of a house a bit off, I wint over to it
to set down and take thim off comfortable. It's the fine large house
it must 'a' been wanct, but they'd been a fire in it, and 'twas only
the walls of it was standin', with wan big second-story room stickin'
up big and darkish in a corner of it. Raymimber that wan second-story
room in your mind. It was all a bit creepy-like, and I wint at me
shoes in a hurry.

"I had the both of thim off and shakin' thim, rubbin' me sock-feet
together to keep some of thim mosquities away, whin all to wanct I
heard something walkin'. Just as I was, I turned mesilf to stone, with
me feet up off the ground and a empty shoe held out in the air afore
me in each hand, balancin' mesilf wonderful.

"The steps come nearer. 'They ain't anny ghost makes that much noise,'
I says, niver losin' me nerve or movin' a inch annywheres. 'Though ye
can't niver tell about ghosts.' And just thin a little man come
strollin' round the corner of a wall and stood lookin' at me. It
wasn't so dark yet but what I could be makin' out what little they was
of him, and if iver wan of thim dudes in the newspaper funny-pictures
come to life, here he was, only thim funny-pictures must 'a' been
drawed by ammyteurs. I misdoubted was he real, but if he was, they was
money on him, and if they was money on him, it would come off of him
easy-like, and I could be namin' the man would spend it. Thin I
raymimbered I was still holdin' up me shoes and me feet, like I was
settin' on the point of a church-steeple, for his mouth was hangin'
open like I was the first wan he iver seen, and belike I was.

"'Pardon me,' he says, 'but why do ye do that?' says he, singin' it
off like a Englishman.

"'Whisht!' I says, not thinkin' of anny answer yet and cursin' the
stone for bein' so hard.

"'But, me good man,' says he, payin' no attention, '_why_ are ye
holdin' thim shoes up in the air?'

"'Whisht!' says I. 'Why not?'

"'Why not?' says he, gaspin'.

"'Ye said "why" the other time,' I says. 'Which do ye mean?'

"'Which what?' says he, weak-like.

"'Either wan of thim,' says I; 'sure, all what's is the same to me.
But run along with ye now and don't be disturbin' me; it's workin' a
charm I am. Unless ye would be helpin' me hold these shoes steady,' I
adds enticin', bein' wishful of gittin' him close enough to grab him.

"'Hold thim shoes steady?' says he.

"'Hold thim shoes steady,' says I.

"'A charm?' says he.

"'Yis,' says I, 'a charm. And would ye mind not usin' me own
conversation over ag'in so soon, sor? I've heard tell 'twas bad luck,
and annyways, it's nervous it's makin' me.'

"'Do you _have_ to set that way?' says he, comin' closer.

"'Indeed and I do,' I says, 'though it's mortal wearin'. But whin ye
are makin'--' and just there I makes a grab at him. But, och,
blathers, if his brains was slow, his feet was quick, and away he
wint, me after him, divil-racketty.

"Thim ruins was right on the edge of the Palisades, and 'twas me
endeavor to keep him atween me and the cliff so he couldn't make for
the open. Up and down we wint, scramblin', running and crawlin', first
to wan ind of thim crumblin' walls and thin back ag'in to the other,
me always hemmin' him in and headin' him off, but niver quite catchin'
him, and thim piles of loose brick hurtin' me sock-feet cruel, me
havin' dropped me shoes whin I tried to grab him. They wasn't much
light left, but all to wanct I saw him goin' right up in the air, and
whin I come up he was just climbin' over the edge of that wan
second-story room. Faith, for a minute I was thinkin' he _was_ a
ghost, but he hadn't no more than landed whin he begun draggin' up
after him a long board with slats nailed to it what some boys must 'a'
left there for a ladder. Me hand just missed the ind of it, me foot
slippin' on top a pile of bricks and rollin' me down over the sharp
corners of thim.

"I wint all round that second-story room, mostly crawlin'--och, me
poor feet, it was perishin' with the pain of thim I was!--but niver a
way of gittin' up to him, and him likely to drop down on the off side
and run like a rabbit if I took me attention off him. So I wint
scramblin' back where I'd be atween him and the road and set down on a
pile of bricks. He'd been layin' flat on his stommick, gittin' his
wind back in him, but prisintly he clumb up on his knees and throwed a
brick at me.

"'Ye young gomeral,' I says, 'if ye do that ag'in, I'll shoot a hole
in ye!'

"He wint behind a bit of brick wall and throwed another. If iver I go
annywheres ag'in without a gun, may the divil fly away with me! So I
wint behind a bit of wall mesilf. And there he was.

[Illustration: "PARDON ME," HE SAID, "BUT WHAT ARE YOU DOING THAT FOR?"]

"Of course, I was ragin', and I begun tossin' bricks back at him.
Hiven knows they was enough of thim! Whin he'd throwed about twinty,
doin' no harm with thim, thim little arms of his wore out, and I kept
just enough of thim goin' to make him nervous-like without hurtin'
him, wonderin' in between would it be safe to go after me poor shoes
and could I git thim on if I did, me feet bein' swelled surprisin'.
Sure, the little spalpeen owed me ivrything he had about him!

"All to wanct a grand idea come to me. I would kidnap me little
gintleman and hold him for wan of thim ransoms! 'Sure,' I says to
mesilf, 'they're kidnappin' boys all the time, and it's the tidy sum a
grown man would be bringin' me, though it's the little wan he is and
part wore out.'

"'I say, sor,' I calls up to him, polite, from behind me wall, and
droppin' a whole brick closer to him than common, 'wouldn't it be
after bein' more pleasant for ye to come down willin',' I says, 'than
to have wan of thim bricks search the head of ye for brains and turn
the corpse over to me? To say nothin' of the mosquities,' I says.

"'They niver bite me,' he says, trembly-like, from behind his bit of a
wall.

"'Holy Saints,' I says, 'that's queer! Are ye as bad as that?'

"'What do ye want of me annyways?' says he, still trembly.

"'Well,' I says, ''twas me intention to rob ye, but now--' And thin I
stopped to listen to him keepin' quiet and worryin'. 'But now,' says I
prisintly, 'I'm goin' to kidnap ye and inform your friends ye'll be
killed entirely if they don't sind me five thousand dollars
immediate.'

"'Oh!' says he, like I'd said I was goin' to give him something he
wanted. 'Oh,' says he, 'I'll be right down. Just wait till I find me
hat.'

"Och, it took me breath away to have him so willin', but I could hear
him scramblin' round up there, and prisintly I seen him at a hole in
the wall, and he begun lettin' down his ladder and losin' no time over
it.

"'I'll just be takin' anny sticks of things ye have,' I says, frindly,
whin he come down to me, and, findin' the flat side of two bricks for
me poor feet, I wint through him careful and religious. So help me,
they was only elivin dollars and twinty cents and niver the sign of a
watch! He might as well been some wan that earned his own livin'.

"'Look here,' says he, maybe feelin' sort of hurt himsilf, 'ye said
five thousand. Why not make it ten?'

"'What?' says I, gaspin'.

"'Why not make it ten?' says he.

"'Arrah,' says I, 'are ye wantin' me to feed ye till me grandchilder
can be collectin' of it? Ten thousand, indeed! Ye ought to be thankful
ye ain't marked down to forty-nine-fifty.'

"'Oh, well,' he says, careless, 'it's none of my business. But where
do ye take me?'

"Now I'd been thinkin' of a old warehouse near Mike O'Hara's dock
with a fine cellar in it and no wan nosin' round, but it's mesilf is
too knowledgeable to be tellin' ivrything that's in me head, even if
they was time for it. 'We'll be gittin' me shoes first,' I says, 'and
thin we'll be climbin' down to me boat and cross the river,' I says,
'where they ain't room for so manny mosquities.'

"All right,' says he, cheerful, 'though I don't mind thim anny, as I
told ye a bit gone. Come along afore it gits too dark.'

"Was they iver the like of that, and him bein' kidnapped! 'Faith,
maybe it's a bluff he's workin',' thinks I, 'though divil the wan of
me knows why he'd be workin' it.' And whin I'd took him to where I'd
dropped me shoes--oh, wirra, how bad the walkin' was!--I let go of him
entirely whilst I was crammin' thim two feet of mine into thim, to see
would he run ag'in, but keepin' me arm handy to a brick to throw
through him whin he tried it. Och, he niver made a move, and the more
chanct I give him, the peaceabler he stood there waitin' for me. It
was most unsettlin'.

'We'll be goin' down the cliff now,' says I, takin' off me suspinders
and tyin' wan ind of thim in a hard knot around the scrawny little
neck of him to hold him by.

"'Do ye always tie thim up that way?' says he.

"'Yis, sor,' I says; 'thim suspinders has kidnapped nine men, divil a
wan less,' I says.

"'I hope they was nice people,' says he.

"'And why do ye hope that?' I says.

"'Why not?' says he, gintle-like.

"'Don't ye git gay, sor,' says I, 'and don't be goin' so fast whin
it's so steep-like. Faith, it's you is bein' kidnapped, not mesilf.'

"'Yis,' says he, 'I raymimber that.'

"'Oh, ye do?' says I. 'Ye'd better be usin' your brains to walk with
instid of strainin' thim like that. Here! That ain't the way!' I yells
at him as we come to where a side path turned off. And with that me
poor feet slipped on some loose stones, and I would 'a' jerked the
head off him but for the suspinders stretchin'.

"'Guh!' says he, which was about what ye'd expect from him whin he
talked without stoppin' to think it up aforehand. And thin says he:
'Here, me good man, ye'd better be fixin' this. The rope's comin'
loose.'

"'I near dropped the suspinders entirely. 'Holy hiven,' I says to
mesilf, 'he must think we're playin' he was Queen of the May, and me
wantin' to quit and go home! Bedad, they's something behind all this!'
But I tied him up ag'in and we wint on down, with me thinkin' till the
roots of me hair was twisted, tryin' to find was they anny explanation
of him, and him stumblin' along in the dark and askin' me quistions,
happy and continted.

"Whin we come to the bottom I says 'whoa' to him, till I could see
they was no wan hangin' round, and thin we wint down where I'd left me
boat. Divil the lie I'm tellin' ye, some wan had took it!

"'Is it gone?' says he.

"'Mother of hiven, is it _here_?' says I, irritated at the empty head
of him.

"'No,' says he.

"'Thin where is it?' I says.

"'Gone,' says he.

"'Right,' says I, 'and ye guessed it without puttin' yoursilf greatly
about. It shows what thinkin' would do for ye if ye was to try it.'

"'What are we goin' to do now?' says he, bleatin' sorrowful like a
sheep.

"'Look here, sor,' I says, drawin' with me finger in the sand, the
moon havin' come up so we could see a bit; 'here is wan side of the
river, and we're on it,' I says, 'and here is the other side, and we
ain't, but we wish we was. What's the answer, and how manny sides is
they to the river? Come along with me and figure it out to yoursilf,'
I says. 'I'm goin' to see is they a chanct to steal somewan ilse's
boat,' I says, pullin' him after me by the suspinders.

"But sure, wan half thim jersey omadhawns must spind all their time
arrangin' to keep the other half from stealin' boats off thim, for
what boats they was was chained up with enough iron to sink thim, and
me with only me knife for the patent locks. Kidnappin' is easy whin ye
have a place to kidnap thim to, but they ain't no money in settin'
down with a man annywheres ye find him and tellin' him ye've got his
tab and will his frinds give ye all their money.

"'Let's climb up the Palisades ag'in and take the trolley to the
ferry,' says he.

"'The saints in glory be among us! Is it a lunytic ye think I am to
take ye where ye can git help and have me arrested by openin' your
mouth but wanct?'

"'Well,' says he, excusin' himsilf, 'thin what?'

"'Twinty years,' says I, 'and lucky at that.'

"'I mean,' says he, 'what are we goin' to do, thin?'

"'"We"?' says I, fair losin' me timper, '"we"? Arrah, and whose doin'
this kidnappin', annyways? Ye'll be collectin' money off me next for
takin' me home! Ain't ye niver been kidnapped afore?'

"'No,' says he, 'this is the first time.'

"'Yis,' I says, 'and it was gittin' dark whin I took ye.'

"'Well,' says he, peaceable and irritatin', 'what are we goin' to
do?'

"'We're goin' to drown ye, if ye ask me that ag'in!' I says, bein'
beyont mesilf entirely. And thin all to wanct it come to me I might be
tryin' the trolley after all, and tellin' the people he was a crazy
man I was takin' home, if he begun talkin'. Sure, wan look at him
would convince thim he'd been a lunytic afore he was took so bad. And
this way I could be takin' him to me own place on the East Side instid
of to the warehouse near O'Hara. It was a fool plan, but most plans is
fool wans, and what ilse could I be doin' with him?

"'I'd been considerin' the trolley mesilf,' I says, 'and I'm thinkin'
we'll take it and go over on the 130th Street ferry, but if ye make
wan peep to annywan, it's me will kill ye on the spot. Do ye mind
that!' I says to him, ferocious.

"'Oh,' says he, 'ye don't need to talk to me like that,' he says. 'I
wasn't goin' to say annything or make ye anny trouble.'

"'Oh, ye wasn't?' I says to him. 'Ye're a liar,' I says to mesilf, 'ye
was, and they's something queerer about ye than ye look, which is
sayin' a good deal.' But I give the suspinders a jerk, and we wint on
down the shore to a easier path up thim Palisades, it bein' no long
walk from the top to the trolley. What worried me worst was him bein'
so cheerful. It might 'a' been from him not havin' sinse enough to be
anny other way, only whin it was plain robbin' he'd thought I was
after he'd been scared healthy and satisfyin' entirely. It was the
kidnappin' soothed him, bad scran to him, and it was fair uneasy I was
in the heart of me, almost suspectin' they were brains in him
somewheres.

"Well, maybe they was and maybe they wasn't, I dunno, and maybe
'twas something worse than that. 'And the mosquities won't bite him,'
I says to mesilf. 'If mosquities was humans, 'twould be easy of
understandin', but a mosquity ain't got annything in his head
exciptin' teeth, and thim Jersey wans will bite whativer it is if it
don't bite thim first. Sure, they's times whin dumb beasts can be
teachin' anny of us, and thim mosquities is after havin' their own
reasons. And do ye mind,' I wint on to mesilf, 'how he wint up that
ladder like he was floatin' on air?' Faith, I think I was half
believin' him a ghost, excipt for his neck feelin' a bit solid
whin I pulled on the suspinders.

"Whin we come to the top, and the wind was back in him ag'in, I says:
'And what might your name be, sor?'

"'Courtney Delevan Schwartz,' says he, lively as a grig.

"'Is your father livin'?' I says.

"'Why, yis,' he says, 'he's Charles B. Schwartz.'

"'I've niver met him,' I says. 'Will he want ye back?'

"'Why, of course,' says he, 'I'm the only wan he's got.'

"'Well,' I says, 'even Teddy would be givin' him a special license for
not havin' anny more. Can he be raisin' the five thousand?'

"'Don't ye know who Charles B. Schwartz is?' says he, surprised-like.
'The Pittsburg multi-millionaire and railroad man?'

"'Git along with ye!' I says. 'Don't ye think I know ye wouldn't be
breathin' it if they was that much money in the family?'

"'I told ye to make it ten instid of five,' he says.

"'Tare and ages!' I says. 'Don't ye know that ain't no way to act whin
ye're bein' kidnapped? Ye've got all mixed up about it, sor. Ye ought
to be runnin' the price down instid of tryin' to make me charge your
poor father twict as much as ye ain't worth, ye blamed handless
gossoon. And don't be walkin' so fast like ye couldn't wait to be
locked up. It ain't you gits the five thousand, annyways.'

"'Excuse me,' says he. 'But me father won't be mindin' the other five,
and the price will be lookin' a bit cheap whin it gits in the
papers.'

"'Bedad, if ye're valuin' yoursilf like that, it's a blessin' it ain't
you sets the price on a bushel of good potaties, what is worth
something.'

"'Hold on,' says he, sudden, 'I hear somewan on the road we're comin'
to. We'd better wait till they git past.'

"Och, did ye iver hear the like of that? Think of him warnin' me from
his chanct to yell for help! It left me feelin' fair uneasy, even whin
the wagon had gone on down the road. 'Sure,' I thinks, 'if they is
anny humans as foolish as that, they wouldn't be let run loose. And
annyways, he ain't got enough brains to be a real lunytic, God help
him. Yit maybe he is--they ain't nothin' as different as lunytics.'

"'"The night has a thousand eyes,"' says he just thin, goin' right
along with the suspinders tight on his neck, '"the day but wan"--do ye
know that?' he says. 'I just happened to think of it.'

"'Faith, no wan would think of it anny other way,' I says, catchin' up
with him and smellin' his breath, but it was Prohibition. 'Where do ye
see thim eyes?' I asks him, bein' sure he was crazy now.

"'Why, up there,' says he, pointin' straight up in the air.

"'Niver mind, niver mind,' I says, soothin', and fearin' he would be
took worse. 'They won't hurt ye anny.'

"'Hurt me?' says he.

"'Not a bit,' says I. 'We'll be turnin' to the right here,' I says.

"'But what I meant by thim eyes--' says he.

"'Don't think about thim anny more,' I says. 'It ain't good for ye.'

"He stopped and turned round, laughin', the silly fool, though it was
no time for it. 'Ye think I'm crazy, don't ye, me frind?' he says.

"'Me?' says I.

"'No, me,' says he, cheerful. 'I was just playin' a joke on ye,' he
says. 'The Irish likes thim, don't they?'

"'Divil a bit,' I says. 'Thin what are ye if ye ain't?' I asks him.

"'I might ask ye, after your own manner of sayin' things, Which am I
if I ain't what?' says he, all to wanct talkin' like a man who knew
his ways about. 'But I'll be tellin' ye wan thing I ain't, and that's
crazy.'

"It was like hearin' a baby all to wanct begin talkin' like a old man.
Nothin' could 'a' surprised me like him showin' they was brains in
him. I knowed immediate it was no lunytic he was after bein'. 'Thin
what _are_ ye?' I says, weak-like.

"'Ah, me frind,' says he, 'who's doin' this kidnappin'--you or me?
Come on, now; thim cars runs half a hour apart.'

"Arrah, the anger rose in me at the owdaciousness of him, and I took
me oath to git him to the East Side even if he become twins. But,
bein' a thinkin' man, the unsettlement of me mind was ten times worse
over him showin' signs of brains in him. If he could grow thim manny
brains in half a hour, they was no tellin' how much sinse he might
have by mornin'. 'But sure,' thinks I, 'thin he's worth more than what
I priced him, for they may be some wan can be usin' him for
something.'

"'I'll make it eight thousand, sor,' I says to him.

"'Thank ye, me good man,' says he, resumin' his old way of talkin'.
'Hurry up! I hear a car comin'.'

"Thin we run for it, and the suspinders jerkin' out of me hands, the
little spalpeen showed me the heels of him, me cursin' after him
amazin'. All to wanct me foot caught in a root, and down I wint, fair
knockin' me daffy. By the time I'd begun seein' straight ag'in, he was
wavin' his arms in the middle of the track, with the head-light
shinin' on him and the car comin' to a stop.

"I seen at wanct that, even could I hold the car by yellin', he would
have time to tell thim all his troubles, and like as not they'd beat
me life out afore I could tell thim about him bein' crazy, and they
wouldn't believe it annyways. It was gone he was and good riddance.

[Illustration: "YE'D BETTER BE USIN' YOUR BRAINS TO WALK WITH, AND NOT
STRAININ' THIM LIKE THAT"]

"'Come on!' he hollers. 'They're waitin' for ye!'

"And hiven help me, they was, and him standin' there lookin' worried
over me delay and sayin' nothin' to annybody! For wanct in me life I
didn't stop to think--faith, I was within wan of payin' dear for it
later--and the next I knew I was climbin' in the car, with him helpin'
me up, me bein' still a bit dizzy.

"'I'm sorry,' says he, blowin' for wind, whin we was in a seat
togither, 'but I lost thim suspinders.'

"'Niver mind thim, niver mind _thim_,' I says, watchin' ivry minute to
see would he be callin' on the other passengers. 'Wait till I git me
breath!'

"But he niver paid thim others anny attention whativer, and pretty
soon I begun wishin' he would. Sure, if he was thinkin' of worse than
bein' rescued and havin' me handed over to the polayce, thin thim cold
chills runnin' up and down me back wasn't doin' it for nothin'.
'Nonsinse,' I says to mesilf, summonin' back me manhood, 'I misdoubt
if he knows what he is doin'. And annyways, he seems to be comin'
along with me all right, bad cess to him, and it's me will be showin'
him what it is to be dealin' with a strong man and a brainy wan.

"'A few quistions, if ye please,' I says to him, commandin'. 'And be
prompt with thim!'

"'Yis,' says he, turnin' to me from lookin' out the windy and tryin'
to look like he'd been intelligent whin he was a lad.

"'Where does your father, Charles B. Schwartz, live at?' says I.

"'Ye can address him at the Aldorf, but he lives in Pittsburg,' says
he.

"'We'll pass over that last, Courtney,' says I; 'I'm not askin' ye for
the fam'ly skeletons. Ye say he likes ye?'

"'Oh, yis,' he says, 'we're chums, the two of us. It's this way,' says
he; 'the old man says that while I can't help him anny in his
business, I'm interistin' to him, bein' different from ivry wan ilse
he iver met.'

"'God bless the old gintleman!' I says.

"'Yis,' says he, 'he says it's excitin' to see what I'm going to spend
his money on next.'

"'Now they ain't anny use in pretendin' to be so rich,' I interrupts
him, irritated, 'and you with but eliven dollars and twinty cints on
the whole of ye!'

"'I don't carry it all with me,' says he.

"'No,' says I, 'ye don't carry all of annything with ye,' I says.

"'Would ye believe me if I said I was poor?' says he.

"'Divil a bit,' says I.

"'But then what do ye----'

"'Go on with your story,' I says to him severe, 'and don't be wastin'
time on foolishness.'

"'Well,' says he, 'me father's been a bit sore on me lately, sayin'
I'm not livin' up to me repytation with him, but just spendin' money
on stars and bars, like annywan ilse, and managin' to dodge the
stripes. Do ye see the joke?' he says, stoppin'.

"'No,' says I, 'but it wouldn't be anny the better for me seein' it.
What's the ind of the fairy-tale?' I says.

"'The joke's about flags,' says he. 'Well,' he says, 'me old man bet
me I'd used up all the new ways of spendin' what he earned, and I took
the bet. If I sind him in the bill for something I niver tried before,
thin he doubles me allowance for six months. If I don't do it inside
of wan week, thin he cuts me allowance in half,' he says. 'And I ain't
allowed just to find something new in the shops and buy it.'

"'I ain't niver heard a better,' says I. 'Who wrote it?'

"'But don't ye see?' he says. 'That's why I want to be kidnapped--to
win me bet! They's money in it for both of us, me good man.'

"'Och,' says I, 'tell me but this wan thing,' I says, disgusted,
layin' me finger right on wan of the manny weak places in what he'd
been handin' me, '_why_ did ye want to make it ten thousand instid of
five, whin five would 'a' won your bet just as easy-like? Answer me
_that_!' I says.

"'Well,' says he, fidgittin' in his seat, 'well, you see--oh, I was
just wantin' to rub it in on the old man,' he says, stammerin'.

"'I'm glad I met ye,' I says; 'ye're the most bedivel'd and
all-amazin' liar I iver seen. If ye iver meet Mr. Roosevelt, he'll
choke to death tryin' to describe ye.'

"'Yis,' he says, 'I guess ye caught me. It does sound a bit queer whin
I come to think about it. But I'll tell ye what I'll do,' says he,
brightenin' up sudden-like, 'I'll take it all back!'

"So help me, it was too much for anny man! Whativer he was, I give him
up. And him settin' there lookin' at me like he was twelve years old!
Me brains was in a prespiration from tryin' to put a label on him, but
no sooner was they findin' a explanation of him than he goes to work
and proves thim wrong entirely. They might as well been a omelette in
me head. It was queer doin's, but what it was behind thim no wan could
be tellin'. 'This is me last kidnappin',' says I to mesilf. 'I want
something easy on me nerves like burglin', and I wish I was safe on
the East Side with me little human conundrum, bad scran to him, and
what is he smilin' to himsilf about now?' thinks I.

"'Do ye want to know what I'm smilin' about?' says he right thin.

"'Yis, sor,' says I, feeble, 'if ye don't mind sayin''--me heart
nearly pantin' itsilf to death. 'Holy saints!' thinks I, 'is the
little divil wan of thim mind-readers, or is he the divil himsilf?'

"'Well,' says he, pleasant, the car startin' on thim bed-spring curves
down to the ferry, 'I've been thinkin' that whin you and me has got
through with each other,' he says, lookin' at me with thim fish-eyes
in a way that raised the goose-flesh on me, 'I'll be tryin' this
kidnappin' business mesilf. You like it pretty well, don't ye?'

"'They ain't nothin' like it,' I says, thankin' God it was the truth.
And just thin the car stopped in front of the ferry.

"'See here, me man,' says he, as we was gittin' off, 'if me frinds
can't be raisin' the eight thousand, we can be makin' it five ag'in,
and if they can't be findin' that much, would ye be willin' to let me
loose long enough to kidnap some wan ilse and pay ye?'

"'Oh,' thinks I, 'so _that's_ what ye've been drivin' at! But thin,'
says me second thoughts, 'why has he been tellin' me--' We was walkin'
in the door of the ferry, and I grabs hold of his arm, fair burstin'
with rage, bein' nervous from what I'd been through: 'Ye scut,' I
says, 'didn't ye say your father was rollin' in money?'

"'Yis,' says he, calm and pleasant, 'but I took all that back.
I ain't got anny father now. Ye'll have to be payin' for the
ferry-tickets,' he says.

"It was the ind of me last hope, and me knees wint weak under me. I'd
been thinkin' I'd found out wan thing about him annyways, and now I
couldn't even raymimber what it was, excipt that it was wrong. Whin I
begun thinkin' ag'in, we was on the ferry-boat, the two of us, and him
so cheerful it brung the tears to me eyes and made me nervouser than
I'd been yit. Thin me wits come to me assistance, and I seen what was
the sinsible thing to be doin' with the nasty little divil. 'Rich or
poor,' I says to mesilf, 'rich or poor, drunk or sober, intilligent or
what he looks like, lunytic or no lunytic, divil, ghost, sleep-walker,
or plain human, whativer he is or ain't, or all of thim togither, I
want no more of him!'

"Divil the lie I'm tellin' ye, no sooner was thim words in me mind
than he ups and walks off from me like he'd heard me thinkin' and
begins talkin' to a stranger man lookin' over the edge of the boat!
Faith, the hair was crawlin' round on top me head.

"I was startin' for the other ind of the boat, but it come over me
strong to slip up behind thim and listen was he plannin' anny
divilment against me with the other man. Och, it was a hard thing to
bring mesilf to, but whativer ilse I am, I'm not after bein' anny
coward.

"Bedad, they was but talkin' of thim new tunnels under the river, and
him not even mentionin' he was bein' kidnapped! Wirra, wirra, and
afore I was half way down the boat, he come runnin' after me excusin'
himsilf for leavin' me, and the rist of the way over he talked tunnels
to me, sociable and entertainin', till I could feel thim runnin' all
through me.

"They was no chanct to slip away from him in the crowd gittin' off,
but whin we come to thim freight tracks just outside the ferry-house,
the gates begun droppin' for a train, and, waitin' till the last
minute, I sprung from him to git across and let the train come atween
us, with him held back by it while I was disappearin' into the whole
of New York. So help me, the little omadhawn, like as not readin' ivry
thought in me head, grabbed me back and spoiled it all, neat plan as
it was.

"'Ye might 'a' been killed and ruined the kidnappin'!' he says,
anxious like he was me own mother.

"'Don't let me catch ye hangin' back that way a'gin!' I says,
pretendin' I was uncommon mad, which I was. 'Whin that big gomach of a
train is gone,' I says, 'see that ye stick close by me and try no
foolishness. We're goin' to take the subway to where we git off,' says
I, meanin' to dodge him at the subway and grab a surface car to
whereiver it wint. 'Come along now, and be quick with ye.'

"But they wasn't no chanct to dodge him, and inside of ten minutes the
two of us was settin' side by side in a subway car like both of us
wanted to. He was gittin' cheerfuller ivry minute, and the cheerfuller
he got, the more I fell to wishin' I'd niver seen the likes of him. He
didn't look like anny human annyhow, and I begun prayin' the saints he
wasn't, for if he _was_, thin they wasn't _anny_ answer to him. 'Tare
and ages!' the thought come to me sudden, 'he's a detective, he is,
and may the divil dance on the skinny back of him till they's snow a
foot deep where the both of thim belongs! Sure, it's all plain now,
ivrything he's been doin', and why wasn't I thinkin' of it whin I
begun this kidnappin'--may I niver hear the word ag'in and bad scran
to it!'

"And thin, at the next station, in come a polayceman siven foot long
and set down across the aisle within reachin' distance of his arm, and
he niver made a sign beyond glancin' at him whin he come in! 'Thin he
ain't,' I says to mesilf, sinkin' back in me seat. 'Ivrything they is
he ain't, and anny wan of thim would be makin' me feel better. If he
follows me clear home, I _will_ kidnap him, whether I want him or not,
but if they's wan breath left in me body I'll escape from him afore
that,' I goes on to mesilf, tryin' to think what I ate for supper and
hopin' maybe it was all wan of thim nightmares.

"It was but the beginnin' of me troubles. At the next station I tried
to slip from him by pretindin' to ask the guard something and jump out
just afore the doors was closed, but nothin' would do but he must be
askin' the guard something himsilf. Wan of us asked if it was a
express we was on and the other asked if it wasn't, and thin we set
down ag'in togither. Whin we come to our station, I endivored to lose
him wanct more, whin we was walkin' crosstown I tried it ag'in, and in
Central Park I tried it twict. I might as well tried to dodge a ghost
what was hauntin' me. And him cheerfuller than iver and not seemin' to
notice annything!

"'Look here, sor,' I says, whin he was pretty well into the East Side,
feelin' I could stand no more of it, 'I've been thinkin' it over, and
me conscience is hurtin' me. Ye niver did me no wrong, and here I am
kidnappin' ye. It ain't right, sor, and I'm goin' to give ye your
liberty and let ye go without chargin' ye annything.'

"'Why,' says he, 'I don't want to git away!' he says, his voice
growin' sorrowful.

"'That ain't got annything to do with it, sor, askin' your pardon,' I
says; 'it's me conscience, and they ain't anny use arguin' with a
man's conscience whin its dander is up. I've got to let ye go, sor,'
I says, 'and ye can do it now. I'll turn me back.'

"'No, no,' says he, 'I know what ye're thinkin', but----'

"'Yis, I know ye do, sor,' I says, thim queer mind-readin' ways of his
comin' over me ag'in, 'but for God's sake don't tell me!' I says.
'Don't tell me, sor. I'll believe ye without that, sor, and I know
what it was already mesilf annyways, and I wasn't thinkin' annything,
besides, and not meanin' a word of it,' I goes on, beyond mesilf
entirely, all the queer ways of him risin' up before me, and the
mosquities not bitin' him, me nerves givin' out at last from all
they'd been through.

"Just thin he turned thim fish-eyes of his on to me, niver sayin' a
word, and put out wan hand, soft-like, to lay it on me, and I give wan
jump and was off down the street, runnin' as I niver run afore. And
him after me and gainin', the divil snatch him, if he ain't the divil
himsilf.

"What people they was on the street--praise be, they was but few at
that hour--comminced chasin' me, too, but 'twas but wan long block to
Devinsky's, here, and I come in that side door like I was a
autymobile, near drownin' Peter Casey in the beer he was carryin'. By
good luck Micky Doyle and Big McCarthy was drinkin' at the bar, and I
yells at thim: 'Stop thim, for the love of hiven! They're tryin' to
kidnap me!' and I wint out the front door like they was a thousand
divils clutchin' at me.

"And the boys did it, may the blessin' of hiven shine on thim, but wan
of thim fools what was helpin' chase me give that little spalpeen me
name, and this day has been a curse to me from worryin' over what may
happen me yit, though it's proud I should be over frustratin' the
nefarious plans of him."

Tim merely grunted. A tough-looking waiter entered through the
swinging door, approached the table where the two were sitting, and
tossed a dainty envelope in front of Patsy, with the announcement
that a messenger had brought it. It was addressed to "Patsy Moran,
Esq., Care of Devinsky's Place." Patsy opened it with nervous fingers,
and a newspaper clipping fell out upon the table, displaying the
unprepossessing features of a young man over the words: "Courtney
Schwartz, son of multi-Millionaire Chas. B. Schwartz, of Pittsburg."

A gasp from Patsy, another grunt from Tim, and the two of them seized
the letter with a common impulse, Tim's stolidity shaken for once.
There was dead silence while the two pairs of eyes followed the
straggling words of what was written there:

  "My dear Mr. Moran:

  "The enclosed clipping will convince you that I gave you my real
  name, and that my father is abundantly able to pay ransoms. All I
  told you about that bet may also be true, but as I took that story
  back, I really can't say now whether it is or not. It doesn't
  sound so, does it?

  "It may be, on the other hand, that I merely figured out in the
  beginning that you were the kind I could get so rattled you would
  let me go before I got through with you. If that is true, it
  worked, didn't it? But maybe it isn't true.

  "If neither one of these things is true, what is?

  "In any case, you lost $8,000 of the easiest money that ever
  happened. Why not have tied me up somewhere till you got a boat,
  or, after getting me as far as you did, why not have taken me the
  rest of the way?

  "But I bear you no grudge. I am sure no one but you could make
  being kidnapped so amusing. It was great. I am exceedingly sorry,
  however, that I lost your suspenders. Please accept, in their
  place, the eleven dollars you have already taken from me. Would
  enclose more, but feel that the experience alone was worth a
  fortune to you. You needed the practice. You were right, though,
  in refusing to set my ransom at $10,000, for in that case you
  would now be out $2,000 more of easy money.

  "Life would be far easier, wouldn't it, if we could judge a book
  by its covers?

  "Very truly yours,

  "Courtney Delevan Schwartz.

  "P.S.--It may interest you to know that before I came down from my
  roost in those ruins, I concealed my watch and $840 under some of
  the bricks you threw at me. I found them there this morning.

  "C. D. S."



ARCTIC COLOR

THE ADVENTUROUS EXPEDITIONS OF ALEXANDER BORISSOFF, THE PAINTER OF THE
FAR NORTH

BY STERLING HEILIG

ILLUSTRATIONS FROM PAINTINGS BY ALEXANDER BORISSOFF

[Illustration: "MIDNIGHT IN THE KARA SEA"

IN THE POSSESSION OF THE FRENCH GOVERNMENT]


About twenty-five years ago, the Grand Duke Vladimir of Russia, making
a journey into the northern part of the Empire, chanced to visit the
lonely Solovetski Monastery on the shores of the White Sea. Among the
sacred painters of this monastery he found a young peasant who had
been sent there by his parents as a boy of fifteen. Duke Vladimir,
struck with his talent, shipped him off to St. Petersburg to study in
the Imperial Academy of Fine Arts. The young Russian peasant was
Alexander Borissoff, the adventurous painter whose work in the last
few years has made the wonderful color scheme of the Arctic Circle for
the first time accessible to the eyes of the world.

His early years on the edge of the Arctic fired the imagination of the
youth, and directed the course of his whole future life. While he was
still a student he made a trip to England. "There," he says, "an idea
that had long been shaping itself in my brain took hold of me. The
polar regions fascinated me. My forefathers, I knew, hunted bears at
Spitzbergen; and as a boy I had heard all about the Arctic. I wanted
to see and paint that wonderful country. Travelers would write that
the Arctic nights were magnificent; but I wanted to give the colors
and lights themselves."


_Borissoff Becomes a Samoyed_

Borissoff shipped on a Russian boat from Newcastle for the Murman
Coast--Russian territory adjoining Norway--and from there sailed to
Nova Zembla. On the frozen island of the Arctic Sea, living among the
wandering Samoyed tribes, he began to paint under such conditions as
certainly no artist has ever painted before. It was the make-shift
expedition of a buoyantly adventurous and rough-bred young artist,
better furnished with canvases and brushes than with clothing,
instruments, and stores. He practically became a Samoyed; he adapted
himself to the tribal laws with good-natured tact, helping out the
native commissariat by shooting white partridges, wild geese, and
Arctic bear. He studied reindeer breeding; he took native baths in
steam-tents and ice-water; he attended weddings, funerals, and pagan
rites. Wherever the tribe traveled, he followed; and everywhere he
painted.

The movements of the Samoyed depend largely on the habits of the
reindeer. "In autumn the reindeer seeks the wooded zone," says
Borissoff. "He cannot stand the tremendous snowstorms that whirl in
the tundra; and he must live on lichen from the trunks and boughs of
fir-trees, or feed on the shoots of birch and willows, when the frozen
soil prevents him from browsing moss under the snow. But no sooner
does he sniff the polar spring, than he longs irresistibly to gallop
to the north to the open air of the Arctic, where there are no
tiresome gnats, no intolerable wasps to lay their larvæ in his skin
and cause him torment."

The Samoyed keeps in this migrating animal's wake; and it was in one
of these migrations north that Borissoff first saw what he calls the
Realms of Death.


_Painting in a Temperature of 30° Below Zero_

"The curious thing was that I found all as I had imagined it," he
says. "The knowledge of the icebergs and the snow seemed to have been
born in me. Vast stretches of glaciers with their yawning chasms of
death, icebergs mountain-high--I greeted them as old friends. Living
on native rations and enduring the most bitter cold, I made
landscapes--or rather, icescapes--in the open, with a temperature of
30 degrees below zero.

"Sometimes it was impossible to paint. Even the turpentine froze. The
paint congealed in lumps, whilst the hairs of the brushes snapped off
like brittle glass. I had to put on fur gloves to hold a brush, and
work with swift, energetic strokes--as the rough appearance of some of
my paintings bears evidence."

All of Borissoff's paintings were done in the ice zone beyond the 70th
parallel of north latitude, in the district between Archangel and the
Yalmal Peninsula. He never tires of telling of the peculiar
color-tones of this region, and the curious psychological effects of
its distance, silence, and isolation. Living amid its singular light
phenomena, where the spring-time snow turns pink against blue
icebergs, and the boggy midsummer tundra swims in a sea of orange-red
against a sky of aquamarine, even the Samoyed becomes a color
worshiper.

"Why does that man sit in a scarlet cloak on rose-colored snow against
a solid background of dark blue?" I asked, examining one of
Borissoff's paintings.

"The deep blue is an iceberg," he laughed. "Yes, and the snow is
really that color--by reflection. The man is a Samoyed who
bartered everything he owned--reindeer, walrus, ivory, dogs, and
sledges--to an adventurous dealer from the nearest settlements for
a robe of scarlet woolen stuff. Then, in his scarlet cloak, he
wandered about in the sunlight for ten days, in an ecstatic trance,
silent, good-for-nothing, living on his family, drunk with the glory
of that scarlet garment!"


_Traveling With a Woman Scout_

The man was Danillo, the brother-in-law of Ireena, a woman scout of
whom Borissoff speaks frequently in his reminiscences, and whose
wonderful gift of "seeing" by atmospheric signs the country beyond the
horizon and divining where the trails lay gave her a position of
peculiar dignity among her tribesfolk. This woman was their sole and
undisputed guide through the monotonous flat wastes of snow. Among the
last of the pagans of Europe woman's place is certainly higher than it
is supposed to have been before the dawn of Christianity. A woman like
Ireena may hold the tribal-family together; revive courage in dire
surroundings; decide momentous debates as to reindeer-speculation;
practise medicine and surgery; withstand the redoubtable devils of
blizzard and thaw; serve the bad Siadey in his bloody sanctuary; and
even dare the unmentionable good god's isolating stretches of white
cold, to serve an inquisitive painter from the South.

It was Ireena and Danillo who took Borissoff to the last pagan shrines
of Europe, never visited before by a European.

"In the background," says Borissoff, "one sees mountains of floating
icebergs of tremendous dimensions, prevented from approaching the
coast by submarine reefs. Here, on the edge of the Arctic, are the
cliffs containing the Holy Place, reached only after a terrible
journey over icy rocks and fearful ravines, through riverbeds stuffed
with snow, up snowy slopes in intricate zig-zags, where the reindeer
floundered and protested."


_Borissoff's Pilgrimage to the Last Pagan Shrines of Europe_

[Illustration: "THE COUNTRY OF THE DEAD"--A STUDY OF THE KARA SEA IN
AUGUST]

Three versts' distance from the shrine, they stopped on the threshold
of the Samoyed Mecca. Borissoff stumbled over huge mounds of idols
heaped between cliffs, one of them so great that forty sledges could
not have removed the idols. He passed mountains of deer-skulls,
antlers, and skulls of polar bears; and heaps of rusty axes, knives,
chains, fragments of anchors, harpoons, and parts of rifles brought as
offerings over weary leagues. The Samoyeds often drive here from a
thousand miles away, stop at the threshold of this dwelling-place of
the supreme Idol-God of the polar regions, and, killing a domestic
deer as the least sacrifice, besprinkle the shrine with its blood.

[Illustration: "SAMOYED LOVE OF COLOR"

IN THE POSSESSION OF THE QUEEN OF ENGLAND]

"People who naïvely believe that the Samoyeds are no longer heathen
are greatly mistaken," says Borissoff. "Notwithstanding their being
nominally Christians, they still worship their Hyes and Siadeys no
less fervently than in old times. Recent bloodstains on the idols
testified to recent visits; but it was only when we were about to take
our departure that I learned that this was not the chief shrine at
all!"

Borissoff insisting, Ireena reluctantly guided him to it, three or
four versts down the coast, to the east.

"Now we passed far greater mounds of axes, knives, and other valuable
offerings," he says. "The idols stood like an army around two enormous
elevated, round clay altars at the very top of the mountain, cut off
by a deep chasm bridged by a stone archway; but the number of bones
was less than I had expected to find."

Ireena explained.

"This is the dwelling-place of Hye, the god, not that of Siadey, the
devil," she said. "Hye wants for sacrifice the head of a human being
or of a white bear, or at least of a wild deer. Now that white bears
are harder to kill and wild deer are scarcer, it's no good for people
to come here--unless in great stress. But Siadey takes anything, even
domestic deer!"

"In great stress" had a grim significance. One of the skulls was
obviously that of a man of Aryan race.

Further on they came on one of the sledges habitually used by the
Samoyeds for the conveyance of their gods. Opening its box, Borissoff
found two human-shaped idols, one of wood and the other of stone, and
the images of a bear and a wolf in wood. These must have been brought
out of the tundra by some sorceress, to keep real bears and wolves
from some locality. As long as these objects remained at Hye's shrine,
there would be no danger to the pious offerer's herds. Near by lay
another curiosity. It was a piece of boulder wrapped up in red cloth.
It was "sickness," removed from the tundra, beyond the sea, so as
never to return to the dwellers of the Tchoom!

Borissoff lived with the Samoyeds until he had painted up all his
canvases. Returning to civilization, he was immediately welcomed by
enthusiastic amateurs. The sale of seventy-five pictures _en bloc_ to
M. Tretiakoff, of Moscow, put him on his feet financially. Count Witte
took an interest in his work. The Grand Duke Vladimir remembered that
he had been the first to appreciate the painter's possibilities; and
the Tsar told him to go ahead with another expedition, offering to
defray most of the expenses.


_An Ill-Fated Expedition_

So, with the zoölogist Timofeieff, and the chemist Filipoff, he soon
started on a veritable white man's expedition, with a smart cutter,
the "Metchka," a portable dwelling-house, kerosene stoves, scientific
instruments, photographic apparatus, guns, ammunition, books,
clothing, trading-stores, and food delicacies in abundance. Yet, by a
strange irony of fate, the well-stocked little expedition was
destined to suffer perils and privations such as Borissoff had never
dreamed of among his Samoyeds.

They set up their portable dwelling-house on the edge of the Nova
Zembla tundra off the Strait of Matochkin Shar, transporting its parts
and furnishings by dog-sledge. By the time this was accomplished, the
"Metchka" had arrived in the Strait; and they started on a voyage into
the Kara Sea. Their object was to distribute materials and provisions
along the extreme northeastern coast of Nova Zembla during the fall,
and to return to their house to spend the winter. In the spring they
hoped to make an early start in sledges along the route of their
supplies.


_The Abandonment of the Ship_

"It was in navigating the Sea of Kara that we encountered our first
acute peril," says Borissoff. "The further north we got, the more
numerous were icebergs. Often our small ship was wedged in tight
between walls of ice that threatened to crush us.

"We decided to turn back; but it was too late. Winter was closing in
earlier than we had anticipated; and the broken ice about us was
becoming a solid field. After two weeks' battle, we had to surrender.
Nature had captured us. We were being carried off into regions of
certain death. Our only escape lay in abandoning our ship, and
attempting to regain the coast by journeying across the dreadful sea
of ice on foot. Gathering what provisions we could carry, our party of
nine, including the five sailors, set out with but little expectation
of ever reaching land."

Everything was put into three canoes, to be pulled along the edges of
ice-banks by nine men and some twenty dogs. Soon the free water froze
tight; and they had to drag the boats over the ice. The wind made this
too difficult. The canoes were abandoned; and the most necessary
supplies were placed on sledges made of skis. With the snow up to
their waists, they plodded on--until they discovered that they were on
a drifting island of ice!


_Drifting Out to Sea on Floes of Ice_

"We noticed that the ice a little way in front of us was flying at a
terrible speed toward the north, while we seemed to be standing still;
but this was merely an optical illusion--the ice in front of us was
standing still, for it was shore-ice, while we were being carried at a
giddy pace out to sea!

"Our only salvation was to reach the stationary shore-ice. The edge of
the moving floe was grinding it into a devilish porridge. Immense
blocks, weighing tens of thousands of tons, were whirled round, leaped
out of the sea, climbed on each other, rearing on high, groaning and
roaring, and plunging and vanishing!"

[Illustration: PAINTING OF A SLEDGE SET UPON END FOR THE NIGHT, WITH
SKINS AND MEAT HUNG UPON IT SO AS TO BE OUT OF REACH OF THE DOGS]

They made the crossing and dragged on inland for three days. A gentle
breeze was blowing. Borissoff heard a suspicious plash of water.

"It was horrible to believe our ears. We climbed a hummock; and
there our eyes assured us that another channel of water really
separated us from firm land! The floe began breaking up. The solid
ground failed beneath us. Our feet were sucked into yielding
quicksands of snow and splintered ice. We threw ourselves flat to
distribute our weight and clutched the larger lumps. We lost our
kerosene stove, the tray for lighting fires on, some of our
cartridges, and most of our instruments. The sleeping-bags, fur
coats, and other remnants of our supplies we managed to save."

The despairing howls of their lost dogs cut them to the heart. The men
lost courage. Borissoff and the two scientific men had to threaten the
others with revolvers; and a tragedy on the ice was imminent, when
they found themselves being carried into an extensive bay surrounded
by lofty cliffs. On an iceberg they discovered brackish water. Later
it gave them unbearable thirst, until the men cried: "Oh, God, for one
small cup of warm water, to die in peace!"


_Making a Fire with Seal Fat_

Borissoff killed a seal and implored them to be patient while he made
a fire with its oily fat to melt snow for drinking--a trick he had
learned among the Samoyeds. Ravenously eating the liver, lights,
kidneys, and brains raw, they began cutting the necessary pieces of
fat. Borissoff would take a tiny log of firewood, cut it small, pour
kerosene over it, rub it with fat, and light it. This had to be done
in a tea-tin. They put fat on the fire. It burned splendidly. One
small stick warmed the kettle; and the famished men were soon drinking
lukewarm cocoa. During their further wanderings from floe to floe,
they carried with them the embers of wood and treasured every little
piece of rag and paper "to keep the lamp of our life burning as long
as we should have seal fat. The wood embers seemed capable of burning
for ever, provided there was enough fat!"

They grew attached to particular floes on which they had built
shelters. But the sleeping-bags were becoming unendurable, the fur
rubbed off, the leather wet and clammy, like the skin of a putrefying
carcass. They had almost got to lying in the sleeping-bags by day,
when a Samoyed declared he smelt the smoke of a native encampment. A
sailor thought he heard the barking of dogs; but they paid no
attention, for the howls of their own poor beasts, wandering aimlessly
on the floes, often came to them. After drinking tea, they rose up and
prepared to make some effort.


_The Party Rescued by Samoyeds_

It grew lighter. There was something moving on the shore. It could not
be merely birds! They let off a gun. Two shots answered. Lines of tiny
black dots advanced toward them. They were Samoyed dog-sledges. "And
fancy what a stroke of luck!" says Borissoff; "they were old friends
of mine, with whom I had lived on my first sojourn in the tundra!"

[Illustration: A STUDY MADE IN NOVA ZEMBLA AT THE TIME OF THE COMPLETE
ECLIPSE OF THE SUN, JULY 27, 1896]

Brought finally to shore by the natives, they rejoiced childishly at
its contact. Here was solid land! Here were real stones! "Strange
phenomenon," says Borissoff, "an hour before, we had scarcely been
able to lift our weary feet. Now we wanted to leap, dance, laugh, cry,
pray, and run about aimlessly! Timofeieff and I took two rifles and
went along the shore northward. We ploughed through the snow, why and
whither we did not know. We could not sit still. Then, when we
returned to the snug tents, we ate boiled reindeer meat, drank hot
tea, and lay down to sleep twenty-seven hours without once waking!"
The land journey back to their portable house was accomplished in
dog-sledges.

[Illustration: PAINTING OF A CHURCH BUILT BY M. SEBERJAKOW]

The three months' night was passed amid comfortable surroundings. They
shot the white bear. They read, dreamed, told stories, and played
cards interminably. They received continual visits from delighted
natives, come on perilous pilgrimages to the magic European house,
with its lavish food novelties, its devil-boxes that talked, sang, and
played music.

When the three months' day came again, they made a great sledge
expedition north to the Straits of Tchekin, called The Unknown and the
Bear Straits. Borissoff, as usual, made quantities of paintings. He
named one enormous glacier after Count Witte.

"One morning I went out to paint it, shining like silver in the
sunlight. I had scarcely finished making the rough sketch," he tells,
"when a noise of shuffling and deep breathing attracted my attention.
Glancing round, I saw to my horror the shaggy white body of a great
polar bear within ten feet of my back. He had been watching me paint.
Now, taking my fright for hostility, he lost interest in art and
advanced toward me, with a paw uplifted. Springing back, I snatched my
rifle, crying: 'Oshkai! Oshkai!' hoping that my companions might hear.
Dropping on one knee, I fired; but the bullet only caused the great
bear to roar and dash toward me. I fired again. The shot was more
effective. It slowed his progress. Then three shots rang from behind
an icy boulder; for my companions had heard and come to my rescue, and
I was saved."

Good luck, however, could not stay with the expedition. First, their
best dogs went mad, not from hydrophobia, but from the strange craze
of the ice, which affects men and dogs alike. Then food failed. The
remaining dogs starved, though they killed their few reindeer to feed
both themselves and the dogs. When nothing remained to kill, they were
glad to eat the refuse of their previous camps. Amid hair-breadth
escapes, suffering from starvation and exhaustion, they wandered back
on foot to their portable house, where the arrival of the Russian
military transport-ship, the "Pakhtoosoff," ended their courageous
preparations for a second wintering. Leaving the house and its stores
to their faithful Samoyeds and carefully packing Borissoff's three
hundred paintings, they steamed back to civilization.


_Borissoff's Revelation of Arctic Color_

When Borissoff arrived at St. Petersburg, the Tsar sent for him. His
impression of the Emperor was of "a quiet gentleman who takes a keen
delight in art." The Empress, herself a painter of portraits, was
immensely interested; and the first exhibition of the paintings took
place in the White Salon of the Winter Palace. Other exhibitions
followed in other capitals of Europe. In Berlin, the exhibit was
patronized by the German Empress; in Munich, by the Prince Regent. In
Paris the French Government bought "In the Kara Sea"; while in London
the court set pointed the way to all good Englishmen to their
exhibition at the Grafton Galleries.

The extraordinary thing about the paintings is, of course, their
revelation of the colors of the frozen world of the polar circle. In a
region which our ignorant imagination shrouds in dull sepia tones,
Borissoff reveals lights that we never dreamed to be on land or sea.
There is an effect of strange, mysterious brilliancy in one of his
largest canvases, entitled "In the Kingdom of Death." Dark icebergs
tower above the open sea; while through heavy purple-black clouds,
melting to blue and mauve, break lines of lurid red light from the
August sunrise, that throw an orange-red glow along steely, blue-black
waters.

"Midnight in the Kara Sea"--selected by the French Government's
experts as Borissoff's most extraordinary production--shows a sky of
glowing orange, and floes of ice drifting on black waters. An
unearthly yellow-green light illumines the deep blue shadows of "A
Polar Winter Night." Two polar bears stand in a great expanse of snow;
the moon's rays fall across rocks and project their outline in black
shade. The snow is wonderfully rendered--thick, soft, and glistening,
after a recent fall.

"Looking for the Reindeer--Evening" shows a snowy landscape with a
firmament of yellow. In "The Cold Became More Severe" gray plains are
seen beneath a sky of clear apricot. "A Halting Place" has a dark
blue-gray sky, brown-gray ice, a belt of snow, and a range of hills
with patches of brown rock showing beneath the snow. Two polar bears
lying dead on the ice in front are admirably done; and the whole
picture is full of stern romance. The romantic quality of Borissoff's
best pictures comes, in part, from the fact that he makes us
understand that people live in these awful places--or have lived!

Such is the suggestion of "The Last Survivor." It shows a desolate
shore where, after an exceptionally severe winter, a band of poor
hunters had perished. Reverently the survivors had interred their
dying comrades--until the last man died! A solitary white fox
surrounded by a few bleaching bones is the central feature of the
haunting picture.

[Illustration: "IN THE MIDNIGHT SUNSHINE"]

For the most part, the pictures are small canvases, depicting
glaciers, icebergs, snowdrifts, coast scenes, and the tundra in its
ever-varying color-aspects, winter and midsummer, spring and autumn,
with its Samoyeds, their tents, boats, sledges, reindeer, dogs, and
foxes. Every imaginable atmospheric effect is given, from the
wonderful glow of the midnight sun, to raw, hanging fog that can be
well-nigh felt. Of the splendid richness of these effects and, quite
as much, their baffling gradations, the painter never tires of
telling. "One beauty of this strange nature," he says, "is the
extraordinarily soft variety of tones, that can only be compared to
the reflections of precious stones. And God preserve the artist from
trying to follow conventional ideas as to tones and effects that may
have happened to strike him as universal in the past! Offended nature
will elude him. It is only by divesting oneself of prejudice that one
can render these wonderful harmonies."



THE TAVERN

BY WILLA SIBERT CATHER


  In the tavern of my heart
    Many a one has sat before,
  Drunk red wine and sung a stave,
    And, departing, come no more.
  When the night was cold without
    And the ravens croaked of storm,
  They have sat them at my hearth,
    Telling me my house was warm.

  As the lute and cup went round,
    They have rhymed me well in lay;--
  When the hunt was on at morn,
    Each, departing, went his way.
  On the walls, in compliment,
    Some would scrawl a verse or two,
  Some have hung a willow branch,
    Or a wreath of corn flowers blue.

  Ah! my friend, when thou dost go,
    Leave no wreath of flowers for me;
  Not pale daffodils nor rue,
    Violets nor rosemary.
  Spill the wine upon the lamps,
    Tread the fire, and bar the door;
  So defile the wretched place
    None will come, forevermore.

                 _From "April Twilights."_



A STORY OF HATE

BY GERTRUDE HALL


I

At one end of the village stood a century-old house, infinitely seemly
in line and proportion, in color unblemished white. A hint of the
manorial, if not the temple-like, it owed to a front of broad stairs
and fluted columns, upholding a pediment which over-hung the
ground-floor window-doors and shadowed the windows of the upper story.
An equal dignity and rather serious beauty belonged to the arrangement
of the surrounding garden. Year after year, the same plants bloomed
there, the sort, mostly, we call old-fashioned. A reverence for
ancestral predilections determined the colors and fragrances to be
enjoyed to-day; but as these fairly accorded with the present owners',
the garden remained a true expression of the house's inhabitants.

At the other end of the village, overlooking the main street, stood a
new house, fruit of what seemed now and then to some one the most
singularly successful research in vulgar ugliness. But to a large
proportion of the villagers it embodied the last word of splendor: it
had, on the face of it, cost enormously, and necessarily met the
tastes of many, from the fact that it offered some specimen of every
style the one who planned it had admired in any dwelling ever seen by
her: turrets, balconies, projecting windows, a Renaissance roof, acres
of verandah, and, ornamenting all, as lace might a lady's garment,
numberless yards of intricate wooden openwork. It had originally been
painted in three colors, but one day, no one divined at what
prompting, a gang of workmen was seen overlaying the rich buff,
russet, and green, with white, and the house stood forth among its
trees no longer utterly condemnable to the more fastidious, but
clothed in such redeeming grace as we might find in a person who with
every fault had yet some quality of candor. Pyramidal masses of
hydrangea flanked the entrance-door and spread in opaline patches upon
the lawn; a round of ornamental water, with a central statue and a
border of sea-conchs, supported the green pads of lilies,--the pink
variety. The estate was bounded on the street by a fence of wrought
iron,--more ponderous lace, in this case black.

In these two houses lived two women who frankly could not bear
each other. We had nearly said two beautiful women, but the one
impressed rather by charm than any unusual felicity of form, and the
other, strikingly effective, "stunning," as she was frequently
described, displeased almost as many as she pleased. Yet each of
them had heard herself called beautiful often enough to have
assumed the bearing and outlook upon life of a beautiful woman: there
was something positive in the claim of each that her will should be
given weight. We have said they hated each other: but each fair
bosom harbored a very different sentiment from the other. Celia
Compton, the charming, who lived in the peaceful ancient house,
hated Judith Bray, the red-blooded beauty for whom had been built
the architectural monstrosity on the main street, merely as one
hates smoke in the eyes, a grating sound, or shudders at the
thought of flannel against the teeth. But Judith lay awake in the
night, unable to sleep for hating Celia Compton so, and would
hardly have suffered more from stabs with a knife than she did from
the recapitulation of what she called the slights put upon her by
Celia. She turned hot and cold at the recollection, and clenched
her hands while she devised sanguinary methods of getting even with
her. When the sane light of day returned, these must be dropped: for
Celia's offences were, after all, such as can hardly be visited with
vengeance; they could not even be defined. But Judith had a
companion, a poor relative whom she had taken to live with her, an
insignificant, homely, middle-aged-looking young woman called Jess,
who understood without definition, and with whom she could enlarge
upon the subject of Miss Compton without concern for being precise
as to facts or just as to assumptions,--true only to her dislike,
and correct in her sense of the dislike felt for her by Celia. It
was with this Jess she planned some of the crude impertinences by
which she endeavored to retaliate upon her enemy.

When Celia, at the death of her father, the Egyptologist, whose
obituary notice thrust aside the daily news by an ample column, had
decided to come back and spend her summers in the grandparents' house
where much of her childhood had been spent, she had looked forward
with infinite affection to this return to the tenderly remembered old
village which she had not seen for half a dozen years. The vision of
it, always in apple-blossom time, had used often to interpose between
her and yellow reaches of the Nile. She had been informed, no doubt,
in letters, of innovations at home, but had read, as became evident
afterwards, without bringing home to herself the meaning of these
communications, for it was with a shock she at last beheld them. There
had been in the village, as the image of it lived in her brain, one
modest store to which you went for everything. It was kept by a good,
simple man whose wife and children as often as he waited upon the
customers: all people with whom you in good country fashion talked
over the affairs of the country-side, crops, church-festival, change
of minister. In place of this now stood a large, showy building called
the Emporium. One Matthew Bray, from outside, had bought out the widow
of the old store-keeper, and enlarged the business as you might see.
From all over the county people came to trade there. There was no
longer the necessity to go by rail to the city to shop: here were
dress-stuffs, trimmings, fashion-books, a millinery department. In
reality the thing was not ill done, since it perfectly met a need, but
Celia stared at it in helpless grief, hurt as by hearing a familiar
melody bawled out of tune. Then she was driven past the new house--it
was still tri-colored--and her mind was made up about the Brays.

She loved many of the village people, with whom she had stood from
infancy in the simplest cordial relations. It hurt a little to
discover their pleasure in these changes, the mean ambitions, as it
seemed to Celia, which they were developing. She found it difficult to
be just, and pardon as natural their satisfaction in the growing
material prosperity brought about by the influx of people drawn by the
Emporium. The widow of the old store-keeper, upon the strength of it,
had opened an Ice-Cream Room. They loved the increased liveliness,
too. Celia could not blame them: her winters were lively, while theirs
were dull enough. But she came here for rest, the village of her love
had been ideally sleepy. Now it was spoiled for her. It hurt her,
too, like a needle-point of neuralgia, to observe, as she fancied, a
new tone among the younger people. Were those really attempts at style
and dash and smartness she witnessed in the children of good old Asah
and Jerusha Brown? Heart-sick, if she allowed herself to consider the
spreading of a leaven which would in time unfit the place for her
habitation, she lived more secluded than had been her habit while
there in former days. The old house was easily sufficient to itself in
the matter of society. The family made but a small group, but friends
of Celia's from the outside world succeeded each other in the
enjoyment of the Comptons' hospitality, of an elegance as simple as it
was graceful.

She had half suspected what pernicious admiration must be at the root
of the degeneracy she perceived among the village girls, when one
day--this was soon after her return--she saw Judith Bray. It was in
the Emporium, for, no matter how much you hate an Emporium, if there
is not the least thread-and-needle store beside, you may be forced to
patronize it. The attendant, matching embroidery-silks for her, bent
to say: "That across the aisle is Miss Bray." Celia looked.

For some time she had been aware of a strong feminine voice exchanging
witticisms with the clerk, but had paid no attention. She saw a
handsome brunette, of what she called to herself, as she thought
Judith over on the way home, a crude sort of primitive beauty, as if
that superb body and face had been kneaded with profusion of coarse
materials and not carefully finished off: large yet quick dark eyes, a
black abundance of hair, features of an indescribably triumphant cast.
The physical exuberance clearly expressed in the young woman's color
and molding seemed condensed in a voice and laugh whose chime cut
ringingly through all contending sounds. She was dressed with
conspicuous elegance, according to her own idea, which the community
accepted from her. If one discarded all standards, this solid
prize-fruit was certainly good to look at. Celia granted so much, but
did not for the fraction of an instant relinquish her standards.
Personally, she could no more relish that presence than a perfume or a
flavor too pronounced; it may be doubted whether that particular
perfume and flavor would have been to her taste in the weakest
dilution.

While she was thus in the act of stealing glances, Judith abruptly
swung round. The clerk, showing off the last importation of
dress-fabrics, had whispered to her, "That just behind you is Miss
Compton," and Judith, breathless with interest, turned her full
bright eye upon the one who, in Judith's own words, had been "the most
important person socially" until she came.

"She looks just as I thought she would," she said low to the clerk;
and she contrived to find herself near the door when Celia was
leaving, and, smiling an assured smile, she said, "I am so glad to see
you back, Miss Compton. I have heard so much about you, I feel as if
you were already an old acquaintance. I wish you would come and see
me. I suppose we are still new-comers to you, so according to the ways
here it would be your place to call first, wouldn't it, though I
shouldn't mind a bit coming first, if you say so...."

Celia, flushing at the intolerable offensiveness to her of this,
replied in a low soft voice that she was at present not going out at
all, and with a bow of the most finished perfection passed forth. It
had been so well done that Judith, who felt snubbed at the moment,
rejected, upon consideration, the idea of a repulse, and the year
after, when Miss Compton was out of mourning, sent her an invitation.
Celia declined it in a note which contained not one discoverable
prickle, but yet had about it an atmosphere that seemed to numb
Judith's hand which held it. To the most critical examination,
however, it showed nothing that was not completely civil, and the
unwary Judith permitted herself to act upon the verdict of her brain,
and again, and at intervals again, made overtures to Celia, of whom
she had from the first glance fallen into the most extravagant
admiration. It was her native conceit which prevented her for such a
long time from reaching the certainty that a closer acquaintance with
her was not desired. For what reason?... How could such a thing be?...
She was in her proper esteem so beyond question as desirable an
acquaintance as any person could have. And she was attracted by Celia
as she had never been by woman or man before. Though she was far from
being so humble as to wish herself in any wise altered to resemble
her, it was the difference between them, no doubt, which gave such
fascination for her to Celia's every way of being, her coolness,
restraint, that personal pride so quiet it had the face almost of
modesty, and her manner! her air!... Covering the house with white
paint was, however, the only tribute of imitation Judith ever paid
her, and it was not conscious: she had merely looked at the white
house so much that she judged the paint on her own house to have
become, with wear, more glaring.

It was during the third summer that Judith compassed her desire of
standing within the portals of the Compton house. Celia, sitting with
her mother and brother and their visitors in the shadow of the Dorian
pillars, in the idleness of a warm afternoon, saw Judith's carriage
approach, and--instead of passing, stop. Judith, in splendid array,
descended and came forward. Celia, wondering, arose. When the ordinary
formalities had been dispatched, Celia ushered Miss Bray into the long
museum-like sitting-room, with the odor of strange old far-away
things. Judith, while she spoke, could not keep her eyes from roving.
She said, and a simple-minded, rich delight in what she had to say,
and felt herself able to do, pierced through her expressions: "I
understand, Miss Compton, that you don't like the idea of a line of
electric cars running through our village and down to the lake. Some
one said so. You think it would spoil the looks of the old street and
bring a lot of rough Sunday people. I wanted to hear it directly from
you, to be quite sure, for it really, when all is said, you know,
depends upon my father, and my father--" she laughed with roguish
audacity--"does exactly what I want him to. It's true he's set his
heart on the line--it's progress, in his way of looking. But if you
don't want it, there shan't be any car-line. Isn't it fun? There's a
town-hall and select-men, and all that, but it really depends upon us
two. My Dad will do anything I say, and I'll do anything you say.
There!... You've only got to speak...."

Celia had felt herself growing pale with the sheer force of antipathy.
Her nervous hands were so near trembling, she reached to a jade cup
and took from it a string of curious blue beads with which to keep
them occupied. She replied in precisely modulated tones; "You are
mistaken in believing I care--beyond a certain point. I had rather
there were electric cars than--than certain other things. Personally,
it can affect me very little--since I believe we shall soon cease
altogether coming here for the summer."

Judith, the dense, went away charmed with her call. She had loitered a
little while on the porch, in chatter with the company, and been
escorted to her carriage by the brother. She was amply discussed after
her departure, she and her errand; the brother and the other man, as
far as circumstances permitted, wedging in good words for her, with
half-ironical good-humor.

The small, withered gentlewoman in the rocking-chair said, "I fear you
will be obliged to call upon her, Celia, after all."

Celia somberly raged. "Is one to be forced to know people whom it
gives one goose-flesh to hear mentioned? The Brays have made me feel
as if boiled cabbage were reeking from every house in the village, and
I am to associate with them quite as with people I like? Voluntary
intercourse should signify, after all, some degree of regard, and I am
to pretend--No! I will not admit the legitimacy of any tyranny which
could so coerce me! I will be civil to her every time my bad luck
throws us together, but seek her out I will not."

At the last of the season, nevertheless, Mrs. Compton's card and
Celia's were left at the Brays', their call falling upon a day when
Judith was far from home, to the knowledge of every soul in the place,
Judith truly believed. Celia left on the day after, with the
comfortable sense of having done her duty and deserved the crumb of
favor vouchsafed her by fate.

She supposed, when she came back the following year, that her relation
with the Brays was now definitely established: one formal call from
each party during the season. But the first time she met Judith, she
perceived instantly that all was changed. She knew she had made an
enemy. How the revulsion had come about was never clear: whether owing
to the mere ripening of age--Judith was now twenty-four or -five,
Celia five or six years older--or the souring of a despised
prepossession, or the intimacy with Jess, which began at about this
time. Celia's punctilious bow met the response of as much petty
rudeness as could be concentrated into a lifting of the chin and a
stare. "Very well," she said to herself stonily, "if you prefer it so,
it is by far the most agreeable to me."

It was not, altogether; that is, not all the time. We are seldom of a
piece, and a part of Celia was chafed, and now and then saddened, by
the sense of having brought about anything so unbeautiful as this
hate. She could not at all moments clear her conscience of blame, and
had pangs of regret--too honest with herself, however, not to know
that if all were still to do, she should do the same. For another part
of Celia, child of a worldly clan, felt itself eminently justified.
One must keep the two worlds distinct in practice: Brethren before our
Maker, we yet play the social game according to its rules. After the
first, she relegated the matter to a high shelf. She had not made much
case of Judith's friendship, she made scarcely more of her enmity. Her
life was full of other interests, and, as she mingled less and less
with the village, the reminder of Judith's sentiments toward her
hardly recurred often enough to constitute an element in her
consciousness. The truth is that as Judith dropped out of her
existence in the character of one who could interfere with it, she
disliked her less. Sometimes the flushed face with its assumed
haughtiness, "cutting her dead," (Celia, with some idea, perhaps, of
doing for her part a Christian's duty, continued to bow as if unaware
of the insult intended her) smote her with a sense of pity at the evil
passions hardening that really beautiful face. The Comptons' idea that
they might have to give up the village as a summering place was
forgotten. When a little chafed by some noisy exhibition of the Brays'
vulgarity, Celia used to say to herself hopefully that no doubt Judith
would in time marry and go to live elsewhere. She would have been
amazed to discover that she was herself directly concerned with
Judith's singleness. Judith, the very type of whose charms proclaimed
her passionate temperament, had never among her adorers seen one she
was sure would have been felt good enough for Celia. There was a story
passed along in confidence--how things which the persons concerned in
them never breathe come to be generally known is a mystery--that Celia
would never marry, because the one she should have married, renounced
on account of some deadly habit of a drug, was off somewhere at the
other end of the world, fighting his weakness, or, there were those
who said, having given up the fight. Judith, hearing this long before,
had considered the circumstances with an aching sympathy, mingled with
awe. She knew she could never have done it. If she had cared for the
man,--the most brilliant man before, and now the most unhappy,--she
pictured him handsome as a hero of Byron's,--she would have had to
cling to him and go down into the depths together. But spinsterhood
had acquired an effect of fineness for her from the study of Celia,
with the destruction of her happiness so perfectly concealed that one
could detect it by no sign, unless that air of detachment, sometimes,
and distance and fatigue, were an expression of it. In her latter mood
Judith chose savagely to despise Celia for her defection from her
lover; at the same time she lent small ear to love-proffers, absorbed
in a different passion. For the hatred of Celia, who did not think of
her once a week, was grown to a passion.

It was at this time hardly a matter of resolve that Celia did not
think of Judith, unless some vision obtruded itself of her, driving
past with Jess, whose little sallow face--owing its effect of
malignity perhaps to a defect of the eyes, of which one never could
quite ascertain the nature--was so well fitted to set off the proud
bloom of hers. A strain of magnificence had developed in her: she was
perpetually organizing festivities, picnics, water-parties,
lawn-parties: her garden could be seen a mile away at night,
festooned with Chinese lanterns, while the village band played among
the trees, and the contingent of the village people which she had
formed into "her set" ate ices on her verandah. Effluvia of these
doings drifted necessarily to the Comptons.

But in time Celia began finding herself subjected to small occasional
pin-pricks of annoyance at things reported to her as having been said
by Judith. They were repeated without malicious intention, mostly as
being funny. The village dressmaker, who sometimes sewed for Celia,
was employed as well by Judith. It might almost have been supposed
part of this woman's business to tell the village news while, as was
the custom, one sat and sewed with her. Celia expected it as much as
that she should bring her thimble and wax. Miss Greene was one of her
oldest village associations, a "character" she was called, and was a
privileged and much-quoted person. She felt a whole-souled allegiance
to the Comptons, but no less to the new-comer, Judith Bray, who had
been lavish to her as to everybody. She "did not know as the one
interfered with the other." When she liked a person, the bent of her
disposition was to tell her everything, but particularly whatever in
the most distant way had reference to her.

She said to Celia one day, without ceasing to push her gathering
needle, "You know who Judy Bray thinks you like?... in looks?... Well,
you never would guess it! Not 'cause there ain't nothin' in it, though
... for after you've been told, you'll see it at once. She says she
can never see Beech--Beechnut, your dog, you know--without it makes
her think of you."

Celia felt an inward start. The dog had been given her by some one
very dear, and she saw at once by what perhaps unconscious association
of ideas it was probable the animal had been selected for her. Some
vague resemblance unmistakably existed between herself and the
red-haired setter, with his delicate long face and air at once noble
and mournful. She felt no inclination to resent the comparison in
itself, though she knew it had been meant ill-naturedly; but she
chafed under the sense of the power possessed by the first-comer to
belittle one at pleasure, if it be only in words.

The remark might have passed from her mind, as originating in
Judith's, but for an event forming a complement to it. Walking down
the main street with Beech, she came, as she approached the Emporium,
in sight of a bull-dog, hideous enough surely to take a first
prize--bow-legged, goggle-eyed, crooked-toothed, a stranger in the
village, where no dog had ever happened before who constituted a real
danger to Beech. He was decorated with a spiked collar and a
splashing cherry ribbon bow. Hurriedly Celia got her hand upon her
dog's collar and drew him to the other side of the road. The bull-dog
sat upon the top step of the Emporium stoop, sleepily blinking in the
sun, a goodly beast of his sort, in his loose soft coat of brindled
plush, but to Celia more hateful than Cerberus. "Whose is that brute?"
she asked a boy lounging near the village horse-trough, and heard what
she had expected, for she had not failed to notice Judith's cart in
waiting near the Emporium door. A flame of real hatred shot up within
her and burned earnestly for a moment. Those who have not a dog cannot
conceive the sensitiveness of the spot in their master's heart
reserved for them. The contemplation of this constant menace
henceforth to Beech, with the alternative of a confinement he had
never known, generated in Celia desires almost murderous toward the
heavy-jawed antagonist, over there. She seized the full reach of
Judith's clumsy attempt at _esprit_: Having pointed out the likeness
between Beech and his mistress, she had procured a pet resembling
herself, as it was her humour to suppose she appeared in the eyes of
Celia. She had succeeded this time to the extent of her intention in
embittering existence to Celia. A nervous fear lest there should be an
encounter between the proud, gentle Beech and that ruffian--the report
reached her that his facetious name was Punch--destroyed all possible
enjoyment of walks even in the remotest by-paths and woods, for,
supposing Judith to maintain this dog for her annoyance, what sense of
bounds or fairness would constrain her?

A long time passed, however, without sign of the enemy in her remoter
walks; and she had come to feel secure once more and let her dog range
along unleashed, when one day, nothing being further from her
thoughts, Beech's voice came to her ear, tangled in quarrel with
another, and her heart told her that the event so dreaded was upon
them. She ran, with shaking knees, and saw at a glance the worst she
had feared. Celia was not a coward, but a certain permanent sense of
the physical means at her command compelled her to stand helpless,
crying out and beating the air with her hands. Judith, appearing upon
the scene a moment later, white with fright, too, plunged at the
fighters, and having by force of rage and fury of muscle got mastery
over her dog, was with one hand belaboring his big head, while with
the other twisted in his collar she shook and choked him. She stopped,
suddenly without strength, and looked over at Celia, who, trembling
from head to foot, was clinging to Beech. As their glances met,
concentrated indignation shot from Celia's eyes. "I hope you are
satisfied!" she said.

Judith, after a moment's pause, which appeared owing to amazement,
flourished in the air, for Celia to see, a bitten and bleeding hand,
and said in her harsh, impudent laugh, "I hope _you_ are!" while yet
Celia could not fail to remark that pain or some other emotion was
forcing tears into her eyes. Too angry to be in the least moved by
them, she turned away.

It was only in recollection that she did grudging justice to
Judith's conduct; but the initial wrong and the whole blame of the
occurrence being so signally hers, she felt under no obligation of
acknowledgement. What became of Punch she never inquired. He was
not seen again in those latitudes. The injury received, however,
was of a kind which the tender mistress of Beech was not likely to
remit, and the remembrance of it went to intensify the effect of
scorn with which upon another occasion she met an impulsive tender of
Judith's, prompted by penitence.... And after that there was no
more question between the women of anything but hate to the extent
of their respective capacities.

The reinforcement of ill-will in this case arose from a question of so
innocent and fragile a thing as wild orchids. Celia alone in all the
country-side knew where any were to be found. Her grandmother had
taken her as a child to the solitary place in the woods, and it had
been her fancy to preserve the secret, but for one exception or two.
The donor of Beech had visited the fairy recess with her, and the odor
of it now had power to evoke past words and scenes almost more than
anything left of that poor romance. The thoughts she had there thought
first seemed year after year to be still lying in wait for her there.
It was her habit to gather the flowers with discretion and reverence,
distributing them as if they had been so much gold. Any wild orchid
seen in a village sitting-room was sure to be noticed with the remark,
"I see you've had a call from Miss Compton," and it seemed agreed that
one should expect them only from her hand. Celia, seeking the hushed
green haunt one summer morning, her head as always on those
pilgrimages lost in its old dream, upon reaching the dell where her
eyes looked for sparks of pink against the lace of ferns, was startled
by the sight of Judith, solid and ample. One hand grasped a bunch of
orchids, the other was still busily harvesting. What she saw in
Celia's face as Celia recognized her, Judith alone could tell. But
instead of anything their immediately preceding intercourse could have
led Celia to look for, Judith went to her quickly, and, holding out
the flowers for her to take, blurted forth, "It's a burning shame!...
Of course they belong to you, and I'd no business...." But Celia
looked at her with eyes of judgment, and, with a gesture of utter
rejection, turned. Judith scattered her nosegay angrily upon the
earth, and the two women, as fast as ever they could, widened the
distance between them.

After that, each according to her nature entertained her aversion. In
Celia the act consisted in as perfect an exclusion from her thoughts
of the other, now altogether outside the pale of consideration, as her
will could compass. She refused to be concerned with such ugliness, or
have her life vulgarized by the sentiments which befitted it. In
Judith it formed an undercurrent of excitement, never quite below
consciousness, and at the root of many an action of hers which from
the surface would have seemed to have no relation with it. Other
factors in Judith's life there were combining with her sense of
Celia's disesteem and her revolt against it and requital of hatred, to
give her character a touch of lawlessness in its audacity; her wealth,
her power over her father, her ascendency over the imaginations of the
plain villagers. It was finally felt that she believed everything
permitted to her, and an occasional exaggeration in hard, hare-brained
boldness made a beginning of division in opinion about her among those
whom her generosity and good-humor had first made all alike her
adherents. From time to time inevitably the rivals crossed each
other's path, when Celia's superiority was confirmed to her by the
cold freedom of mind she could maintain under the test, while Judith's
tortures were manifest in the loud fool she made of herself, with the
cheap drama of her flashing eye and imperial attitudes.

Thus, while weeks grew to months and months to years, under the genial
light of day and the beauty of the nights, amid innocent occupations
and simple pleasures and natural relations satisfying to the heart,
the two carried about, with as little fear as if it had been some such
thing as Judith's diminutive pet alligator brought home from the
South, or the diamond snake with which Celia fastened her lace, the
sentiment destined to find its termination in such tragic horror.


II

Celia, after a round of visits, had come late this year to their
country-house. Miss Greene, called in to make shorter a walking-skirt
for country rambles, as she stitched, told the news, according to
her wont. She had discovered that she was more acceptable to
Celia when she left the Brays out of her conversation, just as she
was more acceptable to Judith when she turned it upon the Comptons.
As this diminished her immediate store of topics while at the
Comptons--village doings were so inwoven with the Brays' affairs--Miss
Greene felt obliged to extend the radius which her reports took in.

"You ever drive over Quarryville way these days?" After an interval of
silence, long for her, she thus started a new subject.

"I haven't driven there for a long time. Do you think it a pretty
road? I have never cared for it."

"No, no more do I. It ain't tree-sy, nor yet there ain't nothin' much
to see of any sort. But Miss Goodrich she drove over there this summer
early, she's got a relative livin' over there, and--Did you ever
notice between this and there a little tumble-down farm-house jest a
little mite off the road? I don't believe there's more'n half a dozen
houses between here and Quarryville, so you must have seen it, though
perhaps you never took no particular notice. Tell you what you might
remember it by. It's got an oleander-tree in a box near the door in
the front yard. The man and woman who live there come from some furrin
place and are most as black as colored people. They've been there a
long time, five or six years, I guess, and have got a vegetable-garden
and a corn-patch. I guess you never took no notice. Well, Miss
Goodrich, drivin' past on her way home from visitin' her relative,
stopped there jest by chance--I forgit now whether a rain-storm come
up or she wanted a drink o' water--but there in that 'most black
woman's house she see the fairest boy-baby she says she ever set eyes
on. Then she began askin' questions, and the woman owned 'twarn't
hers, and it come out, not all at once, but gradually, for Miss
Goodrich she was interested, that when that baby was nothin' but a few
weeks old, a well-dressed lady, she might have been fifty or so,
brought him to her in the carry-all from the depot, and said would she
keep him and bring him up as her own, and here was a sum o' money and
there to be the end o' the whole thing. You can't rightly tell how
much she give her, the woman don't let on, and as she don't talk much
English, it's sort o' hard gettin' things out o' her. But I shouldn't
wonder if it had been somethin' like a thousand dollars. I guess it
was as much as that, for she was a fashionable-lookin' lady. And from
that day to this not a word nor a sign further, and the woman ain't no
more idea than you or me who the lady was or whose child she's got.
But she ain't any children of her own, nor ever has had, and he's a
purty little fellow, and she don't seem to mind the care of him any
more 'n if he was her own. The lady never left any name to call him
by,--she jest wanted to wash her hands of him, that's clear
enough,--and the woman calls him Larry, 'cause she thinks that's one
of our names. But it's queer, ain't it, the whole thing? If it wasn't
so far I'd drive over myself, jest out o' curiosity. I sh'ld think
you'd like to, Miss Ceely. Things like that, that sounds as if they
come out of a story-book, is in your line, I sh'ld jedge."

Celia remembered afterwards, marvelling, how small hand she had had in
the incidents which brought her to the place where a treacherous fate
lay in wait for her. It seemed to her that her will had been at every
step counter to the direction she finally must take.

It was a friend on a visit to her, who, when in the afternoon they
hesitated in the choice of a drive, proposed Quarryville. Celia,
though in the least degree repelled, could find no reason for setting
aside the suggestion. But she regretted--yet again without good
reason, as she argued with herself--having permitted just the sort of
person this gifted and charming Mary Havens could not help being, to
be present at her trying-on with Miss Greene. They had no difficulty
in recognizing the house. The oleander stood beside the door-step in
the rough front yard, where common flowers and flourishing weeds made
about an even mixture. Among them toddled a child in a faded pink
slip. As Celia reined in the horse that they might pass slowly, Mary
Havens, before Celia knew what she intended, jumped out, and Celia saw
her in a moment more, down in the tall grass, scrutinizing the child's
face, and heard her foolish, eager chatter at him. Celia waited, with
a misleading effect of patience, looking off at the meadows on the
other side, in an unaccountable distaste, till she became aware of
Mary trying to find footing for the child in front of her knees.

"Look at him!" Mary said to her in an impressed tone, "Isn't he
_different_?"

Celia, in the supposition that any baby lifted off his feet by a
stranger would scream, had braced her nerves for the shock. But as she
looked at the child, she ceased to think of that, her displeasure with
Mary dispersed.

He was a being after her own heart, that was all,--exactly after
her own heart. She had not the general love of children common in
women, which seemed proof that this one who so captured her fancy
must have about him something extraordinary. He was so fair that
the sun to which he was indiscriminately exposed could not prevail
against his firm, uniform, healthy whiteness. He was large for his
small age,--for though he could walk, it was plain he could not yet
talk, or else he did not regard language as necessary, for not by
one sound did he depart from his self-possessed dumbness. The soilure
of the earth upon it could not make his splendid little face funny. A
straight-limbed, strong, calm, fearless, and somewhat solemn baby,
noble in size, noble in the whole effect of him, with just a touch
of something which melted the heart in his wide, sweet, steady,
unsmiling eyes and the drooping arch of his lip. We have described
him as he appeared to Celia.

"He looks like a king," she breathed, "or like a prophet!"

"That's just it--I couldn't define it. Think--think of rejecting a
creature like that! Why--if he had been mine----"

Celia was not listening. She had taken in hers one of his little
strong, firm, white hands, beautiful in shape, in texture surpassing,
and, quite absorbed in him, pressing it as earnestly as if she entered
into a compact with him, was saying over to him just "Larry ... Larry
..." in her voice itself a communication and a caress.

After a little he wearied of these women, and turned his back upon
them to look at their horse. They became aware of a woman not far from
the carriage-step, clothed in the nondescript dark cotton dress of a
poor farmer's wife, a once bright kerchief around her neck. She was
swart in color, with straight, good features, severer in expression
than were her brown eyes, which suggested possibilities of kindness
when need should arise. She smiled deferentially and said nothing. It
might easily be supposed that English was not her tongue. Miss Havens
fell upon her with questions, which Celia cut short by hurrying their
departure.

But the thought of Larry would not leave her, and it brought
disturbance almost, making her feel, as she had never felt, a
loneliness in her life, an emptiness. The appeal he had made to her
was beyond anything she had imagined of her nature; the sense of him
haunted her, his image passed before her ten times an hour, a heroic
yet divinely innocent little figure, possessing indescribable
affinities with her deepest soul, or, if this were infatuated
imagination, fulfilling at the very least her every taste.

When Miss Havens had left, not before, she returned to see him, alone.
And after that, at intervals growing more frequent, she went, sinking
deeper, as she found, in attachment to this child, instead of
recovering from her unaccountable fancy, as it had seemed not quite
impossible one might.

A drop of bitter it was to her, as when in blowing bubbles one gets a
taste of soapwater, to realize after a time that her interest in Larry
had become a subject of discussion in the village. Even some
perversion of her remark that he looked like a small predestined
Knight of the Grail came back to her ears, with the effect of a
humorous sally. It was almost enough to make one resolve not to see
him any more. Such a thought, however, could be but momentary: her new
love had too strong a hold on her, and she was grown philosophical,
she believed, where village gossip was concerned.

Dimly there formed in the background of her mind the thought that
sometime, if certain matters could be arranged, she might make herself
responsible for Larry's future. She had no idea of forsaking him,
ever; but he was happy, for the present, and well cared for where he
was. The woman was kind to him, and she was a person of natural good
sense. Celia could see him as often as she pleased; in a manner
already she directed his small affairs. The subsidized Cape Verde
Islander bathed and kept him clean and observed hygienic practices, to
her full of mystery. Closely as her heart was involved, a perfect
prudence restrained Celia: there certainly was no occasion for haste
in coming to any determination, and the thought lurked within vague
undergrowths of her mind that perhaps time would bring forth some
effect of taint in this fruit of strange parentage, which the present
superbly triumphed over.

It was after an absence from him of perhaps a week, that, coming upon
Larry as he played among the weeds, she spied upon the ground near him
a toy of the richest and gaudiest. The sight of it gave her heart a
sharp pang before her brain had framed the smallest theory of it. She
had taken Larry upon her arm--his weight did but charm her; holding
him, she went about the house calling for Julia, the foster-mother.
She was not to be found, though the doors were open. Celia sat down
with Larry upon the door-step and took up the dazzling puppet, a male
doll with a squeak. She turned it about, sniffing it with faint,
jealous dislike, as if by some emanation from it to divine whence it
came, what it meant. Unenlightened, she at last, though without hope,
asked the baby, "Who gave it to you, Larry?" He only put out his hand
for it masterfully, fumbled its satins, waved it up and down in the
air, and cast it far.

Celia derived from the woman, returning by and by from the field, that
the doll was the gift of Judith Bray. The woman did not know the young
lady's name, but her broken and laborious description was perfectly
illuminating to Celia. According to the woman's story, Judith had
been there three times within the week, bringing extravagant gifts for
Larry, over whom she screamed with admiration and whom she fondled as
if she would eat him. Celia felt ice hardening about her heart. That
day she spoke decisively to Julia of her intention to take Larry off
her hands. When she had understood, Julia unexpectedly gave evidence
of satisfaction; explaining that this would be for them a desired
thing: her husband had been wishing for some time to move away from
there and go to a factory-town, where the child would be a hindrance.
Celia remembered the money the couple were supposed to have received,
for the care of Larry; the man had no doubt some plan of outlay for
his little capital; her scheme and theirs fell into accord. Celia
impressed it upon Julia before leaving that Larry was from that moment
forth to be regarded as hers, her property. She proposed to fetch him
as soon as suitable preparations could be made, after which Julia and
her husband, delivered for good and all from the burden and expense of
him, would be free to go where they were more likely to make their
fortunes than here.

With grave, peculiar tenderness, Celia, before leaving, took up the
baby and searched his little face, looked deep into his eyes, which
told her of his mysterious little soul no more than before. She knew
it was like trying to force open a shut flower. "Whatever happens
now, dear," she said to him, though without audible words, "we two
go together. All that happens to you, happens to me. If you are in
the future to be bad or afflicted, I am to be unhappy. But I will
never repent, remembering the glory of you now." She wondered,
seriously, at so beautiful a thing being permitted to live. She
kissed him many more times than she usually did, upon his eyes, his
cheeks, his forehead,--he was royally passive under kissing--and
having left him, almost as if something had warned her, she went back
and pressed him to her a last time. As she started the horse, she
held up a finger to Julia at the gate, in reminder of their agreement;
Julia smiled back her good trustworthy smile.

Celia had expected to meet with objections at home; they were more
obstinate than she had looked for. But Celia was sure of her way where
only her relatives' prejudices were opposed as a barrier. She had the
whip-hand of an exceptional devotion from them, fairly earned, no
doubt. In this case she was able to allay some anxieties, some
difficulties she over-rode; all were surprised at the willingness she
displayed to make a genuine sacrifice of interests. There was
conducted a quiet, polite domestic campaign, at the closing of which
she was granted unconditionally, with whatever grim forewarnings, an
open field in which to make her life's mistake.

A little out of conceit with the whole matter, from the weariness of
this contending--impressed, too, in spite of herself, with the
pertinence of some of the objections which had been made, but staunch
in her main purpose, she at last set forth to fetch Larry. As she
passed the Brays' house, a sickly surge of resentment rose from her
momentary general disaccord with the world, and beat against the
windows that were Judith's, for it had been she who indirectly
precipitated this adoption: without her and the indefinable pollution
of her caresses, all being allowed to come to its ripeness naturally,
there would not have been this effect of strain and muffled discord in
bringing home the son-elect. Judith's windows were shuttered; her gay,
long-fringed hammocks taken in. Celia had heard that she was gone
unexpectedly early this year.

But why--why were the windows of the grey farm-house closed and
shuttered too? What could be the meaning of that? Celia could hardly
believe her eyes. Never once had she seen them closed. And the
door was closed, and the garden empty, and the clothes-line gone, the
oleander gone. She remained for a time without getting out of the
carriage, staring in puzzlement over at the house. It was like
something in a dream. When she got out, she found that her knees
were unsteady, and wondered at it, because she as yet felt little
but a futile effort of the brain to find some common explanation
of these circumstances, which only superficially, of course, seemed
so unnatural. Why should not Julia for once in her life have gone on a
visit, or a jaunt, or an errand? It was a long knowledge of all the
conditions which made this surmise insufficient. Celia fumbled
with a shutter and got it open. She made blinders with her hands and
peered in. Then her heart sank away, as if one should suddenly find
by the touch that a person one supposed alive was dead. It was a house
from which the inmates plainly had moved away. She made the circuit
of the house, examining things. All told the same story, no
possibility of deceiving oneself. They had gone. Celia went to the
gate and seated herself upon a stone facing the house, and stared at
it. She felt no pain. Indeed, something said within her, in the tone
she took discussing things sometimes, when she was drawing from a
worldly philosophy: "Well, it simplifies matters." The solution first
to present itself satisfied her. The same who had placed Larry there
had come for him. Perhaps they had got wind of the proposed
adoption,--Julia was deeper than had been suspected,--and in
order that the darkness they evidently sought should be ensured past
all doubt, they had prevailed upon the foster-parent to leave, like
the Arabs. No house was so near that she might to any purpose have
made inquiry, if she had cared to do that. But, as has been said, she
was satisfied. What had happened seemed to her obvious and what,
had she been a little wiser, she would have been prepared for. As
she rose, she laughed, or did something more or less like it, and
said aloud for the crows to hear: "What a fool I was to suppose that
anything I cared so much about could go right!" She got into her
phaeton and drove back. She said to them at home, and the hard sadness
setting her features was in its effect vindictive, "You see, you are
to have your wish, after all." To make investigation did not even
later enter her mind. She would not grant to her persecuting fate
the joy of beholding her tortured with suspenses or uncertainties. She
was persuaded of the worst. Her heart told her it was finished with
that dream.

After that she tried to make the best of her position, to keep her
mind fixed upon the advantages of her defeat. But the persistent image
of Larry, the memory of his thousand ways of being dear and The Only,
with the thought of never seeing him again or knowing anything further
about him, made her struggle for an ordinary exterior at moments more
than difficult. She came to learn the measure of the cheated feminine
tenderness which, denied any natural channel, had fastened so hungrily
upon that child of strangers, when it was thrown back useless upon her
heart. She selected finally, to dwell upon, the best of all the
possibilities: that among the people who had claimed him back--of fine
race, if he resembled them--he would find all for the absence of which
he had been pitied: the tender love of parents, the opportunities of a
privileged life. She agreed that his case would be better than if he
had been left to her. But after she had by arguments persuaded
herself, when by her own logic she had reason for rejoicing, there
closed down upon her a melancholy such as she had at intervals in her
life suffered from before. The experience was like going into a
tunnel, of which nothing could avail to lighten the darkness until by
the grace of God one came out at the other side of the hill. There was
no fighting it off by reason, no discovering an adequate cause for it,
no foreseeing the moment of its end. One endured it like a prolonged
bad dream, wherein the magnified affections shake one in one's
helplessness at their will. At such times all that had ever been pain,
disappointment, defeat, however long recovered from, came again to
perfect life in memory, while all that had been happy, diminished to
insignificant proportions, retreated out of sight. "Why do I feel like
this?" Celia could still ask herself by daylight, and repeat,
"Everything is all right." But in the night time the power of the
thing was complete.

She had at last, after some three days of such nerve-sickness, taken
something to assist sleep. But the small hours found her, in spite of
all, awake and staring into the dark, with her troubled mind harping
upon the same chords. She sat up in bed, old sorrows bleeding
afresh with the new; she took her confused head between her hands,
and was voicing the unreconcilement of millions before her and to
follow: "Why is everything I love made into an instrument to punish
me? What have I done? Why all this senseless pain and calamity to
me? Why to me one after the other two losses such as, coming singly
in a life, would be enough to darken the sun? Are you, stupid
blind Fate, weaving a pattern in which the same design must repeat
itself? For is it justice that twice I should have the thing my heart
had grown around taken from me, and not in the terrible legitimate
way of death, but just placed out of reach and sight, while I
torture myself with wondering what may be happening to make the
beloved suffer?... Oh, Larry, why ... why this dismay inseparable from
the thought of you?" The torture of the visions of Larry which,
spite of her shuddering repudiation, would obtrude themselves, was
such now that even in her morbid mood she recognized something
disproportionate in it, and had clear-sightedness to attribute it to
a reaction from the narcotic. She tried to get herself more
normally awake. She strained her eyes to see the figures upon her
watch, and a sort of patience fell upon her, ascertaining that in
an hour or so it would begin to be day, by the light of which the
worst never appears quite so unendurable. She felt cold now, and
drawing up her quilt went through the forlorn mockery of composing
herself to sleep.

Perhaps for a moment without knowing it she dozed, for when the
barking of Beech, who slept in the laundry, roused her with a start,
it was certainly lighter, she could distinguish the vine-branches
against her window. The muffled bark of lugubrious timbre came again
and again, deadened by distance and doors. The shock of the first
outburst--her heart had seemed to roll over--had plunged Celia into
what we call, when children suffer it, a fit of the horrors.
Twitching, she sat up again, and receiving from Beech's voice, as his
angry barks multiplied, a message of warning, she kept her eyes
instinctively fixed upon the square of light.

She slept on the ground-floor, and a garden-walk passed under her
window. A figure now darkened it. It could hardly be said that she was
frightened, she seemed to have turned to stone. Some one tapped, then
stood peering in and making signs. As she did not stir, the tapping
was repeated, urgent and more urgent. She arose and with less
astonishment than seemed explicable, recognized Judith Bray, who
whispered gaspingly, "Let me in, let me in--you must!" At this point
was entered by Celia a quite different phase of sensation. Now that
there seemed to be something to do, a call upon her for she as yet did
not know what, her nerve got back its tensest steadiness, her mind its
calm,--she was the effective daughter of a long line of effective
people.

She had signed the auroral intruder to a side-entrance, the furthest
from the sleepers in the house, and when they had tiptoed back to her
own chamber and noiselessly closed its door, she re-entered her bed,
being conscious in an undercurrent fashion of cold. As her eyes
consulted Judith, the livid atmosphere in which her bad dreams had
been enacting themselves through the night was shot with sanguine.
Judith's face prepared the mind for revelations which should smother.
That touch of excess which, however expressed, had always been an
element in the repugnance with which she inspired Celia, showed itself
now in a haggardness beyond all one could conceive a person achieving
in the brief space since the girl had been seen at the gate of her
garden jesting with the passers. She was bareheaded; the wide hood of
a travelling-cape, which had perhaps replaced her hat, lay back, and
her blown hair made a great wreath to her bloodless face. Her
breathing spoke of a merciless excitement driving her heart.

Celia sat up and clasped her knees with cramped fingers, pale with the
gray pallor of the dawn, in which her long coppery hair was just
beginning to glimmer a little--with the gilt picture-frames, and the
griffins of the candlesticks, and the like. "Well?" she said.

"Oh, I don't know how to tell you!" broke forth Judith, and the manner
of this first utterance exposed shockingly the fact that here stood
that sickening anomaly, a Judith clean emptied of spirit, pride, or
courage: "How shall I tell you?"

"Hush!... Speak lower!"

"Oh, who cares?... I have brought him back to you----"

"You have brought back whom?" Celia inquired in blank wonder, "You
have brought back--No, no, you don't mean--What? You never can mean
_Larry_?"

"I do.... For pity's sake _wait_ till I've told you...."

"Then it was _you_ who took him away?..."

"Yes, it was.... And now I've got him dead on my hands!"

Celia's understanding could not at once fully grasp this which was
offered, and she remained open-mouthed and mute.

"Of course it was I took him. Do you mean you didn't even suspect
me?... When I found you meant to have him, I couldn't let you, that's
all. You had been so mortally mean.... But that wasn't the whole. I
could see all you saw in him, too. I was just as crazy about him as
you. And when I heard you were going to adopt him, the thought came in
a flash, 'Why shouldn't I?' as long as I meant never to marry. And it
seemed a great lark, a good one on you, just lifting him away like
that. I paid a good price, I can tell you. But what does all that
matter now?... We were going to drive him to Jess's home in the
country--Jess said she knew all about babies--and then, after a time,
he was to reappear here as an orphan I'd adopted. You would recognize
him, of course, but what could you do?... When I think of the
light-hearted way I went into this thing, I could kill myself.... But
it's going to kill me, anyhow. Oh, you shouldn't have treated me
so.... I have a heart, too! But what do you care?... I did care about
him, though. I did. I did. You can't hate me as much as if I hadn't
truly cared. That little fellow had got a sort of hold on me nothing
has ever had. You should have seen him when we left, all in laces and
embroideries, like a little fairy prince. And he seemed all right. We
stopped the first night at a country hotel, and Jess and I gave him
his bath and fed him, just as nice.... We drove all the next day. He
seemed interested in the things we passed. The night after that we
were at a hotel again. I thought something wasn't quite usual with
him, but Jess said it was all right, and wouldn't hear of my calling
in a doctor. And suddenly, in the middle of the night, when we were
both asleep, I was wakened by a sound, and I don't know what was
wrong--he was struggling, he seemed to be choking, and after just the
shortest time he was still, and anyone could see how it was. We were
so frightened we didn't know what to do. We didn't dare call anybody,
and Jess got so scared thinking all sorts of things which might
happen, how we might be called to account before the law, that, will
you believe it, she wouldn't stay with me a second longer. She put on
her things and the instant it was light off she started for her home.
Then--I can never tell you how I did it. I dressed him and wrapped
him up and wound my veil around his head, and I asked for my carriage,
and I haven't stopped since, except to feed and water the horse----"

"Do you mean ..." gasped Celia.

"Yes.... Outside...."

Celia pressed her drained face to her knees and beat the bedclothes
with her hands.

"That's the way I feel, too," said Judith, with a dizzy movement of
her hand across her forehead, "I want to scream aloud till I go mad."

Celia was moaning into the covers.

"Stop, stop, you poor thing!" Judith's breath caught in her
throat, and her hand travelled tremblingly toward Celia's shoulder,
"Oh, I know--I know how you feel! Don't.... Don't!... you poor
thing. I've been and done it, haven't I.... There was no one--no one
like him, nor ever will be again. A human flower, wasn't he?... And
why I should come here to the one I've hurt most and who must hate me
worst, I don't know.... I suppose it's the way criminals give
themselves up. Unless it's because, as I've hated you so, and had good
reason to, and you've known it, I felt you would understand better
than the others. Then, you've got brains, you can tell me what to
do. After driving those millions of miles with that poor angel like
lead upon my arm, I haven't an idea in my head beside ... I'm afraid
to go to my father--" She shivered. "He's been sick of my pranks
for some time. You will stand by me, Celia Compton, just for the
first?... I could have been devoted to you, if you had let me....
You know I was never anything but a soft-hearted fool--and now to
have upon my soul the responsibility of this ghastliness...."

Celia had got up, and with the dainty carefulness forming part in her
of that second nature which stands us in stead when the directing
faculties are dazed, was fastening up her hair.

"First," she said, "we shall have to call my brother. Then go to your
father."

At these words, which could be interpreted as a promise of assistance,
Judith laid down her head, and let tears at last have their way with
her. In floods, more and more uncontrolled they came. Celia stood over
her, but even a racking compassion could not make her touch the
heaving figure. "The fault was more mine than yours," she said, with
dry lips and inexpressive voice, like that of an oracle, or a sleeper
speaking. "In the bottom of my heart I must have always known that the
blame of our silly feud was with me. With a word I could have set
everything right. What are you?... A leaf in your own passions. But I
know what I am about, and do what I do deliberately.

"And with a heart just a little larger ... but now, as you say,
between us, we've done it. But you need not blame yourself as much as
me.... Come. You must go outside and remain with ... with him, while I
explain to my brother. In a moment it will be sunrise."

As Judith's strength and command over her will seemed now to have
forsaken her, Celia helped her to her feet and guided her out of the
house. It was a shock, turning the corner, to find the carriage
directly at hand, high upon the lawn. The pearl-grey carriage-rug lay
massed upon the seat.

The sweet daylight brightening over all the familiar things had its
moment of trying to convince that the strange and terrible must be
unreal. Only, there upon the carriage-seat lay the proof that the past
belief was true. Celia stood, her eyes held by it, a chill from it
stealing congealingly upon her. And as at the sight, with the horror,
the sorrowfulness of it all smote her directly upon the heart,--and
the sense, at last fully brought home, of the ruin of the most
adorable thing the earth had given her to know wrung from her a
scalding quintessence of tears,--her eyes closed against the image
that would form of what the grey folds concealed, and her figure
swayed. Judith, beside her, had been struggling to screw her nerve to
the point where it might be subjected once more to the strain that had
broken it down; but at the sight in accusing daylight of the burden
which must be taken up again, her whole being recoiled with such
violence that her head jerked convulsively back and her hand reached
out for something steadying--and the two women, in a common anguish
before their work, clung to each other for support.



HIS NEED OF MIS' SIMONS

BY LUCY PRATT

ILLUSTRATIONS BY FREDERIC DORR STEELE

[Illustration]


"Jes look, Miss No'th! Looker w'at's comin' down de road!"

Miss North turned her head inquiringly, and Ezekiel continued to
comment enthusiastically.

"It's ole Arch'bal' Smiff," he declared, with lively appreciation,
though in the near distance Archibald failed to look as aged as
Ezekiel might have led one to expect. "Yas'm, 'tis; dat's ole
Arch'bal' Smiff. Now, w'at dey-all doin' 'im dat-a-way fer? Look, Miss
No'th! Dey's jes a-_chasin'_ 'im down de road!"

Miss North stopped a moment and glanced back at the rapidly
approaching Archibald.

"They are probably just chasing him for fun, aren't they?" she began
reassuringly.

"'Tain' no fun ter git w'ite men chasin' after yer dat-a-way,"
objected Ezekiel.

There were excited shouts from the passing, jostling runners, and
Archibald turned and cast a momentary exalted, half-dramatic smile on
Miss North.

"They are just in fun, you see. Come, Ezekiel, I want you to go on
with me, and bring back some books that I order; will you?"

"Yas'm--yas'm, I'll go on wid yer, Miss No'th; but look like ole w'ite
men's gwine ketch 'im, too, doan't it?"

"Catch him? No. Why should they want to catch him?"

"Cert'nly make me think 'bout de time dey-all come a-chasin' af' Jonah
w'en I'se ter Mis' Simons'. An' I reckon, ef 'tain' been fer Mis'
Simons, dey'd 'a' ketch 'im, too. But Mis' Simons she jes 'ntirely
dis'range dey plans."

"How did she do that?" questioned Miss North, suddenly interested.

"W'y, she jes _done_ it," explained Ezekiel, explicitly.

"I see; but--how? Did Jonah get into some--some trouble?"

"Ya'as, ma'am! An' he jes did!" assured Ezekiel dramatically; "but
Mis' Simons she jes completely dis'range de whul plan. W'y, yer see,
it wuz dat ve'y day de Cap'n went off ter de ho'se fair, an' lef' 'er
all 'lone wid jes me an' Sarah an' Marg'ret an'--an'--well, he _would_
'a' lef' 'er wid Jonah, too, but, yer see, Mis' Simons she foun' she's
'blige sen' Jonah on a r'al 'mportant erran'. 'Twuz 'long 'bout free
o'clock in de evenin', an' I wuz in de gyarden a-waterin' de yaller
lily-baid, an' Jonah he wuz a-hoein' on de li'l' paff where cut 'roun'
siden de baid, w'en Mis' Simons step up an' say, 'Jonah,' she say, 'I
want yer ter stop a-hoein' an' do a erran' fer me,' she say.

"'Yas'm,' Jonah answer 'er. Yer see, Jonah think a awful heap o' Mis'
Simons, an' allays seem ter wanter do jes like she ax 'im ter. Co'se,
ef he ain't wanter, w'y, I s'pose he'd 'a' did it jes same anyway, but
he jes natchelly is wanter. So, 'Yas'm,' he say, an' Mis' Simons
'mence tellin' 'im all 'bout it. She look up in de sky ez she's
talkin', too, at de sun, where's shinin' righ' down stret inter de
yaller lilies, an' she say: 'Co'se yer'll be back 'fo' dark, Jonah;
doan' be no longer'n yer's _'blige_ ter, 'cuz we _wants_ yer back 'fo'
dark.'

"An' Jonah smile at 'er an' say he'll go 'long right smart, an' Mis'
Simons smile back at 'im an' say, well, not ter kill 'isself 'bout it;
an' den Jonah he lef' us dere siden de lily-baid, an' de sun a-shinin'
down jes same.

"''Zekiel,' Mis' Simons 'mence after w'ile, an' 'er voice soun' kine
o' slow an' dreamin' like. ''Zekiel, does yer s'pose yer'll ever git
ter be 's good a man 's Jonah?'

"'Wha'm?' I say, kine o' s'prise w'en she ax me right out ez plain's
dat. 'Yas'm, I s'pose I is, Mis' Simons,' I say.

"She look at me r'al quick an' laf, same way I seen 'er do ser many
times befo'.

"'I doubt it,' she say, still a-smilin'; 'I doubt it, 'Zekiel.'

"Well, co'se I ain' know jes 'zackly w'at she mean talkin' dat-a-way,
but look 'mos' like she think I _ain't_ ser good's Jonah is, an',
anyway, I ain't r'ally like way she spoke, so, 'Yas'm,' I say, 'I
reckon I _kin_ be jes ez good's Jonah!' I say, an'--an' I didn' 'mence
ter cry, nudder, but--but I 'mence hoein' on de li'l' paff, an'
waterin' de yaller lilies, twell Mis' Simons pat me light 'n' sof' on
de haid--kine o' laffin', too.

"'W'y, yes, co'se, 'Zekiel,' she say, '_co'se_ yer's gwine be ez
good's Jonah! An' I jes reckon yer'll be 'blige tek 'is place now
twell he gits back, too! W'y--w'y, I couldn' git 'long 'thout yer
noways, could I, 'Zekiel?' She ben' down while she's talkin' an' pick
a yaller lily f'um de baid. 'Jes see it ketch de sun!' she say.
'Doan't it look like gole a-shinin'! Doan't yer reckon I better tek a
whul bunch ter Mis' Myers, 'Zekiel?' she say. 'She's sick, yer
know--po' Mis' Myers!'

"'Yas'm,' I answer 'er, an' 'mence pickin' de bunch fer 'er.

[Illustration: "'I COULDN' GIT 'LONG 'THOUT YER NOWAYS, COULD I?' SHE
SAY"]

"'An' you'll tek cyare o' de place w'ile I'se gone, won't yer,
'Zekiel? I kin trus' yer jes same's I kin Jonah, cyan't I? Ya'as,
co'se. I ain' gwine be gone ve'y long, nudder,' she say; 'jes long
'nough ter give Mis' Myers de flowers, an' talk a li'l', or p'r'aps
read a li'l'--' an' same time she's tellin' me 'bout it she 'mence
walkin' off down de paff.

"Praesen'ly she turn 'roun' ag'in, an' I kin see 'er tekkin' one o' de
lilies f'um de bunch an' puttin' it in 'er dress. Den she put 'er hand
up to 'er haid quick, like she's thought o' sump'n' she oughter
'membered 'fo'.

"''Zekiel!' she say. An' I run up to 'er fas' 's I could.

"''Zekiel, tell Jonah I--I forgot!' she whisper to me, an' she look
r'al w'ite an' strange. 'Tell 'im--no--' an' she seem ter change 'er
mine, 'no, I ain' gwine, after all. I'll wait yere twell he comes.'

"Co'se I ain' know w'at 'tis Mis' Simons 'membered 'bout ser quick,
an' I ain't r'ally wanter ax 'er, nudder; so I jes stood dere
a-lookin' after 'er w'ile she walk off ter de li'l' arbor in de
gyarden an' se' down on de seat. She look kine o' lonesome, too,
a-settin' dere all 'lone, an' I start gwine after 'er ter ax 'er
w'at's de matter. But time I gotten dere I didn' r'ally like ter
trouble 'er, so I jes stood dere quiet by de do', a-lookin' in.

"'Well, 'Zekiel,' she 'mence praesen'ly, 'did yer want sump'n'?'

"'No'm,' I say, kine o' wishin' I ain't come, 'no'm, but I'se studyin'
a li'l' 'bout yer, Mis' Simons--an' wonderin' did sump'n'--frighten
yer?'

"She smile den, an' hel' out 'er han'.

"'No, no, my chile,' she say, lookin' mo' like she useter 'gin,
''tain' nuthin' frighten me; I'se jes thinkin' 'bout sump'n'--I
oughter 'membered 'fo'. 'Twuz ve'y thoughtless o' me--ter fergit!' she
say low like to 'erself. Den, ''Zekiel,' she 'mence ag'in, ''ow long
does yer reckon it's gwine tek Jonah ter git back?'

"'I dunno'm, Mis' Simons,' I say, 'but I reckon he'll be back right
soon now, too.'

"'_Couldn'_ tek 'im mo'n a hour, could it?' she ask, jes ez ef I
knowed all 'bout it.

"'No'm,' I say, 'couldn' tek 'im mo'n a hour.'

[Illustration: "'SHE KEEP ON A-READIN', AN' I KEEP ON A-WUKKIN' ON DE
PAFF'"]

"She look up r'al bright at me den, an' praesen'ly look down at de
flowers in 'er han'.

"'I reckon _you'll_ be 'blige tek 'em ter Mis' Myers, won't yer,
'Zekiel?' she 'mence. But she stop quick 'gin, lookin' same way she
did 'fo', w'en she put 'er han' up to 'er haid.

"'No!' she say, 'doan't yer go outen de yard ter-day, 'Zekiel! Yer
won't go 'way ter-day, will yer, 'Zekiel?'

"'W'y, no'm,' I say, wonderin' w'at she mean; 'no'm, I ain' gwine 'way
'n' leave yer, Mis' Simons.'

"She smile ag'in, an' lay down de flowers, an' den she tuk up a book
where's layin' on de seat.

"'Dat's a good li'l' boy,' she say; 'now go 'n' hoe de weeds outen de
gyarden paff, same way Jonah's doin' 'fo' he went.'

"So I went back ter de paff by de lilies, an' start in ter wuk right
smart. But, co'se, eve'y li'l' w'ile I 'range ter git jes enough time
ter look at Mis' Simons, too, a-settin' in de arbor wid 'er book; an'
praesen'ly 'mence ter look like she's 'mos' forgotten where she's at,
she's a-readin' ser hard. Mus' 'a' been mo'n a hour sence Jonah went
'way, too, but she keep on a-readin', an' I keep on a-wukkin' on de
paff, jes wukkin' 'long same's befo', twell bime-by I'se jes 'blige
se' down an' res' a li'l' myself. But Mis' Simons she ain't look up
'tall. An' after I 'mence ter feel kine o' rested an' mo' like wuk,
w'y, co'se I got up an' start in hoein' ag'in, an' dere's Mis' Simons
still a-settin' dere readin' jes same's befo'! De sun's gittin' kine
o' low, too, an' look like she gwine git cotch in de dark ef she ain'
cyarful, so I drap my hoe in de grass an' step 'long up ter de li'l
arbor an' se' down on de step. Mis' Simons kine o' start-like w'en she
seen me, an' put down 'er book an' raise 'er han's up slow 'n'
sleepy-like to 'er eyes.

"'Wat time is it, 'Zekiel?' she say.

"De clock wuz strikin' six, time I drap my hoe down in de grass, so I
tole 'er 'bout it.

"'Six!' she say, a-jumpin' off 'er seat. 'Six er-clock! An' ain' Jonah
come? Ain't he come _yit_, 'Zekiel?'

"'No'm, he ain't,' I say, 'cuz he _ain't_, so w'at else _is_ it I kin
say? 'No'm, he _ain't_,' I say.

"'An' he's been gone long 'nough to've gone free times at leas'!' she
whisper un'er 'er bref. 'Oh, w'at is I done! Jonah, _Jonah_, w'y
_doan't_ yer come back!'

"'I reckon he'll be back right soon now,' I say, 'cuz cert'nly make me
feel bad ter see Mis' Simons look dat-a-way. 'Doan't yer reckon he
will?' I say.

"But she jes shuk 'er haid awful sad 'n' slow-like.

"'I'se 'fraid--I'se 'fraid sump'n's 'appen to 'im, 'Zekiel,' she
answer. 'I--I sent 'im de ve'y place--where it's awful trouble--gwine
on ter-day! I sent 'im, 'Zekiel, 'thout--'thout 'memberin' w'at I
knowed!'

"Well, I ain't r'ally know 'ow ter answer 'er dat time, so I jes didn'
make no 'sponse 'tall.

"'Come,' she say, 'we mus' go in de house, 'Zekiel; it's gittin'
dark.'

"It seem awful long after we's in de house, an' praesen'ly, it's sech
a warm evenin', Mis' Simons went out on de po'ch. But she mus' 'a'
feel kine o' strange 'n' lonesome, too, 'cuz praesen'ly she ax Sarah
'n' Marg'ret won't dey come out 'n' set dere fer a li'l' w'ile.

"'It's time fer you ter go ter baid, ain't it, 'Zekiel?' she say; an'
I jes start ter tell 'er, 'No'm, I doan' reckon 'tis,' w'en it come de
stranges' noise out dere in de yard. Look like somebody's runnin' ser
fas' he cyan't sca'cely breve, an' all time comin' right 'long fru de
grass todes de steps.

"'Mis' Simons, Mis' Simons!' somebody whisper, awful hoarse an'
strange-like. An' _w'at_ yer s'pose? W'y, it's jes _Jo_-nah, a-tearin'
right 'long up de steps!

"'Lemme go in, Mis' Simons! Please lemme go in!' he keep on
whisperin', like he cyan't sea'cely breve. 'Dey's after me, Mis'
Simons! Dey's gwine git me! An' yer knows I ain't done a _thing to
'em_, Mis' Simons! Oh, w'at's dey a-chasin' me fer? I--I ain' _done a
thing_!'

"Yas'm, dat's jes de way he talk, an' 'mos' look like he's gwine fall
right down, too, twell Mis' Simons tuk hole uv 'is arm, kine o'
shekkin' 'im, like, an' turn 'roun' ter de do'.

"'Go in, Jonah! Quick!' she say. 'Cuz dey's voices an' folks a-runnin'
an' holl'in' right dere in de yard. She seem ter jes push 'im in an'
shet de do'; an' den she stan' up, lookin' ser stret 'n' w'ite-like,
didn' look r'ally _like_ Mis' Simons.

"''Tain' gwine nobody else git--fru--dat-do',' she say, ser low
couldn' nobody sca'cely hyeah it; an' den, oh, 'twuz jes awful! Dey
all come a-knockin' up 'ginst de steps, an' a-holl'in' an' a-pushin',
an' some uv 'em laffin' an' some uv 'em cursin', an' all uv 'em
holl'in' 'bout de nigger, an' tellin' Mis' Simons ter bring out de
nigger!

"An' w'at yer s'pose? Mis' Simons she jes stan' dere same's ever,
a-lookin' down on 'em wid 'er back ter de do'.

[Illustration: "'IT'S TIME FER YOU TER GO TO BAID, AIN'T IT, 'ZEKIEL?'
SHE SAY"]

"'Bring 'im out!' dey keep on a-holl'in'. 'Bring 'im out!'

"An' 'er face look all w'ite an' dazzlin' in de light, an' 'er voice
come low an' kine o' shekkin' like. 'No,' she say, 'I cert'nly is not
gwine--bring 'im out,' she say. Yas'm, dat's jes de 'sponse she make.
An' den dey all 'mence holl'in' ag'in 'bout crim'nal 'n'--'n'
murd'rer, an' sayin' does she want 'em ter go in _af_-ter 'im, an'
buntin' up 'ginst de steps ag'in, an' jostlin' an' pushin', twell Mis'
Simons kine o' step forrad a li'l', still a-lookin' down at 'em.

"'Ain't yer 'shame!' she say. '_Oh--ain't--yer--'shame_!' An' I
'clare, ez she stood dere, seem like I ain' nuver seed 'er eyes look
ser clare 'n' burnin'-like, ner 'er face ser dazzlin' w'ite.

"'He's jes ez innercent uv any crime--ez I is,' she say. 'I knows it,
'cuz I knows 'im,' she say; 'an'--you knows it! Ef yer doan't--it's
'cuz yer doan't cyare 'nough 'bout it--ter--fine--out.'

"It's one r'al big man where seem ter be kine o' mekkin' all de res'
uv 'em do jes like he done, an' fum de ve'y time Mis' Simons 'mence
ter speak he jes stood dere a-lookin' at 'er like he cyan't move ner
holler.

"'Yer--doan't cyare 'nough 'bout it--ter--fine out!' she say; 'an' den
_dis_ yere's de kine o' thing yer do! Oh, it's de kine o' thing we's
'blige answer fer--eve'y day!' An' she stop, kine o' gaspin' like, ter
ketch 'er bref.

"Well, de ve'y same time she stop, de big man turn 'roun' awful quick
'n' look off r'al sudden at de road an' den he look at de res' where's
cursin' 'n' laffin'----"

"Ezekiel!" interrupted Miss North in a sharp whisper, catching at his
arm. Then her hand dropped, and she looked around her.

"Don't you see, Ezekiel?" she went on naturally. "We are almost there.
And--wait, Ezekiel; stay right here; don't hurry so. Wait, stay close
to me! There seems to be--some trouble."

"It's Arch'bal', Miss No'th!" he began, his voice rising excitedly.
"Dey's cotch 'im! I tole yer dey's gwine cotch 'im, Miss No'th! Look,
Miss No'th!"

Just then a big negro broke in on the scene, and suddenly Archibald
was at large again, dashing through the noisy crowd in one direction,
while the big negro ran in another. In the confusion that followed,
Miss North put her hand out for Ezekiel, to find that he was not
there, while Ezekiel, looking distractedly for Miss North, found
himself pushed on in the crowd of jostling, swearing men.

"Oh, look out!" he gasped; "yer's pushin' me! Yer--yer's steppin' on
me! _Oh, turn me loose!_"

"Get out o' yere!" a coarse voice called in his ear, "You'll get
killed, an' good riddance if you do!"

He felt them closing in over him, while he slipped to the ground--tramping
on over him, pushing, tramping on, while, a limp, wounded little heap, he
tried to raise his head, and felt it knock back again in the dust.

"Mis'--Mis' Simons--wouldn' nuver 'a' let yer--done me--dat-a-way!" he
whispered vaguely. He raised his head again, feeling confusedly for it
as he sat up, gazing stupidly around. Then he pulled himself to his
feet and limped aimlessly around in a circle.

"Where's I gwine?" he mumbled. "_Mis' Simons!_ ... Mis' Simons--wouldn'
nuver 'a' let yer--done me--dat-a-way!" He stumbled off across the
side-walk into the grass, unheeded by a still confused, noisy crowd.
In the grass he still stumbled on.

"Mis' Simons--wouldn' nuver 'a' let yer--'a' let yer--done me--" As he
slipped down again into the grass, his eyes closed.

[Illustration: "''TAIN' GWINE NOBODY ELSE GIT--FRU--DAT--DO',' SHE SAY"]

A crowd of angry, excited men seemed to be still before him--but Mrs.
Simons stood with her back to the door, looking down at them with
a white face. From a step beside her he seemed to be still looking
up at her, while her low, vibrating voice seemed to be still
echoing--echoing:

"Oh, aren't you ashamed of yourselves! _Aren't--you--ashamed!_"

With their reckless, brutish faces flickering before him again, he
thought he was watching only her--watching--while her low voice went
vibrating on--till they turned from her, swearing and laughing! And
then she was stretching out her white hand, catching at one of the
pillars, while she slipped down--down beside him on the step--and her
arms fell around him helplessly.

"You'll--take--care of me!" she cried faintly, "won't you--Ezekiel!"

"Yas'm," came a broken whisper from the grass, "I'll tek cyare o' yer,
Mis' Simons!"

But there was another low voice which he did not understand, and his
eyes opened wide, looking up vacantly at Miss North.

"Ezekiel! Have you--have you--been hurt? Oh, Ezekiel----"

"Yas'm, I reckon I is, Mis' Simons, jes a li'l'," he mumbled,
struggling painfully to his feet; "but I'll--tek cyare o' yer--I'll
tek cyare o' yer, Mis' Simons!"

       *       *       *       *       *

The next morning he sat in his seat at school, watching Miss North
with large, absent eyes.

"You ought not to have come this morning, Ezekiel," she began gently,
as her eyes rested on his thin, wistful little face; "I don't think
you ought to stay."

"Yas'm, I oughter stay, Miss No'th," he assured her, with a faint
smile. His eyes wandered to the window.

"Did dey ketch 'im?" he questioned suddenly. "Did dey ketch Arch'bal',
Miss No'th?"

"No," she answered, a sudden hot color rising up in her cheeks.
"Archibald's gone away; they can't find him. But he--he needn't have.
They found out it was a mistake; he wasn't the one they wanted."

"Mis' Simons oughter 'a' been yere--ain't she?" he went on dreamily.
"She wouldn' nuver 'a' let 'em--done 'im--dat-a-way! Would she, Miss
No'th?"

"No!" she answered, her voice startling him out of his dream, while
the color deepened painfully in her cheeks. "Remember always,
Ezekiel, she _wouldn't_ have let them! And remember"--her voice
softened--"she's your friend, because--she's of the best!" Miss
North's eyes wandered dreamily now, and she seemed to have forgotten
her audience. "Remember, there are always the others, too--the
coarse and the brutal, who are only _glad of an excuse_--and they
can stamp their whole people--very coarsely. But remember, Ezekiel,"
her eyes gazed fixedly ahead, "it isn't the fault of the best ones;
it's the fault of the worst--who always snatch at an excuse--and
who will--just as long as they're allowed."

Her eyes fell on Ezekiel again, who was looking at her in wide
perplexity.

"What is it, Ezekiel?" she smiled. "Oh, yes, I was just saying--about
Mrs. Simons--she was always _very_ good to you, wasn't she, Ezekiel?"

"Yas'm, Mis' Simons cert'nly wuz good ter me." Again it was Ezekiel's
eyes that dreamed with languid, velvety moistness.

"Remember--that she's--one of the best, Ezekiel!"

"Yas'm," came the gentle response; "couldn' be nobuddy no better'n--Mis'
Simons!"



PROHIBITION AND SOCIAL PSYCHOLOGY

BY HUGO MÜNSTERBERG


If a German stands up to talk about prohibition, he might just as well
sit down at once, for every one in America, of course, knows
beforehand what he is going to say. Worse, every one knows also
exactly why he is so anxious to say it: how can he help being on the
wrong side of this question? And especially if he has been a student
in Germany, he will have brought the drinking habit along with him
from the Fatherland, together with his cigar smoking and card playing
and duelling. If a poor man relies on his five quarts of heavy Munich
beer a day, how can he ever feel happy if he is threatened with no
license in his town and with no beer in his stein? Yet my case seems
slightly different. I never in my life played cards, I never fought a
duel, and when the other day in a large women's college, after an
address and a reception, the lady president wanted to comfort me and
suggested that I go into the next room and smoke a cigar, I told her
frankly that I could do it if it were the rule in her college, but
that it would be my first cigar. With beer it is different: Last
winter in traveling I was for some days the guest of an Episcopal
clergyman, who, anticipating the visit of a German, had set up a
bottle of excellent beer as a welcome, and we drank together the
larger part of the bottle--but I think that is my only case in late
years. When I had to attend a Students' "Commers," I was always
protected by the thick mug through which no one could discover that
the contents never became less during the evening. I live most
comfortably in a pleasant temperance town which will, I hope, vote
no-license year by year as long as freshmen stroll over the old
Harvard Yard. And although I have become pretty much Americanized, I
have never drunk a cocktail.

The problem of prohibition, thus, does not affect my thirst, but it
greatly interests my scientific conscience; not as a German, but as a
psychologist I feel impelled to add a word to the discussion which is
suddenly reverberating over the whole country. But is it really a
discussion which we hear? Is it not rather a one-sided denunciation of
alcohol, repeated a million times with louder and louder voice, an
outcry ever swelling in its vehemence? On the other side there may be
the protests of the distillers and brewers and wine-growers and
bottle-makers and saloon-keepers, and perhaps some timid declarations
of thirsty societies--but such protests do not count, since they have
all the earmarks of selfishness; they are ruled out, and no one
listens, just as no one would consult the thieves if a new statute
against pickpockets were planned. So far as the really disinterested
public is concerned, the discussion is essentially one-sided. If
serious men like Cardinal Gibbons raise their voices in a warning
against prohibition, they are denounced and overborne, and no one
cares to imitate them.


_The Fundamental Evil of American Public Opinion_

It has been seldom indeed that the fundamental evil of American public
opinion has come out so clearly; namely, that no one dares to be on
the unpopular side; just as in fashion and social life, every one
wants to be "in it." No problem has in America a fair hearing as soon
as one side has become the fashion of mind. Only the cranks come out
with an unbalanced, exaggerated opposition and thus really help the
cause they want to fight against. The well-balanced thinkers keep
quiet and simply look on while the movement rushes forward, waiting
quietly for the reaction which sets in from the inner absurdity of
every social extreme. The result is too often an hysterical zig-zag
movement, where fearlessness might have found a middle way of steady
progress. There must be indeed a possible middle way between the evil
of the present saloon and the not lesser evil of a future national
prohibition; yet if this one-sidedness of discussion goes on, it is
not difficult to foresee, after the legislative experiences of the
last year, that the hysterical movement will not stop until
prohibition is proclaimed from every state-house between the Atlantic
and the Pacific.

Exaggerated denunciation of the prohibition movement is, of course,
ineffective. Whoever simply takes sides with the saloon-keeper and his
clientèle--yes, whoever is blind to the colossal harm which alcohol
has brought and is now bringing to the whole country--is unfit to be
heard by those who have the healthy and sound development of the
nation at heart. The evils which are connected with the drinking habit
are gigantic; thousands of lives and many more thousands of households
are the victims every year; disease and poverty and crime grow up
where alcohol drenches the soil. To deny it means to ignore the
teachings of medicine and economics and criminology.

But is this undeniable fact really a proof of the wisdom of
prohibition? The railroads of the United States injured last year more
than one hundred thousand persons and put out seven thousand hopeful
lives; does any sane man argue that we ought to abolish railroads? The
stock exchange has brought in the last year economic misery to
uncounted homes, but even at the height of the panic no one wanted to
destroy the market for industrial stocks. How much crime and disaster
and disease and ruin have come into the lives of American youth
through women, and yet who doubts that women are the blessing of the
whole national life? To say that certain evils come from a certain
source suggests only to fools the hasty annihilation of the source
before studying whether greater evils might not result from its
destruction, and without asking whether the evils might not be
reduced, and the good from the same source remain untouched and
untampered with. Even if a hollow tooth aches, the modern dentist does
not think of pulling it; that would be the remedy of the clumsy
village barber. The evils of drink exist, and to neglect their cure
would be criminal, but to rush on to the conclusion that every
vineyard ought therefore to be devastated is unworthy of the logic of
a self-governing nation. The other side has first to show its case.


"_Better England Free Than England Sober?_"

This does not mean that every argument of the other side is valid. In
most of the public protestations, especially from the Middle West, far
too much is made of the claim that all the Puritanic laws and the
whole prohibitionist movement are an interference with personal
liberty. It is an old argument, indeed, "Better England free than
England sober." For public meetings it is just the kind of protest
which resounds well and rolls on nobly. We are at once in the midst of
the "most sacred" rights. Who desires that America, the idol of
those who seek freedom from the tyranny of the Old World, shall
trample on the right of personal liberty? And yet those hundreds
of singing-societies which have joined in this outburst of moral
indignation have forgotten that every law is a limitation of personal
liberty. The demand of the nation must limit the demands of the
individual, even if it is not the neighbor, but the actor himself who
is directly hurt. No one wants to see the lottery or gambling-houses
or the free sale of morphine and cocaine permitted, or slavery, even
though a man were to offer himself for sale, or polygamy, even though
all wives should consent. To prevent temptation toward ruinous
activities is truly the State's best right, and no injury to personal
liberty. The German reflects gladly how much more the German State
apparently intrudes upon personal freedom: for instance, in its
splendid State insurance for old age and accidents.

To be sure, from this German viewpoint it is hard to understand why
the right of the State to subordinate personal wishes to national ones
should not carry with it a duty to make compensation. To him the
actions of some Southern States appear simply as the confiscation of
property. When, as has happened, a captain of industry erects, for
instance, a most costly brewery, and the State in the following year
prohibits the sale of beer, turning the large, new establishment into
a huge, useless ruin, without giving the slightest compensation, the
foreigner stands aghast, wondering if to-morrow a party which believes
in the State ownership of railroads may not prohibit railroading by
private companies without any payment to the present owners.

Yet the political aspect does not concern the social psychologist. I
abstract from it as from many others. There is, indeed, no limit to
the problems which ought to be studied most seriously before such a
gigantic revolution is organized. The physician may ask whether and
when alcohol is real medicine, and the physiologist may study whether
it is a food and whether it is rightly taken as helpful to nutrition;
but this is not our problem. The theologians may quarrel as to whether
the Bible praises the wine or condemns the drinker, whether Christ
really turned water into that which we call wine, and whether
Christianity as such stands for abstinence. It is matter for the
economist to ask what will become of the hundred thousands of men who
are working to-day in the breweries and related industries. A labor
union claims that "over half a million men would be thrown out of
employment by general prohibition, who, with their families, would
make an army of a million human beings robbed of their means of
existence." And the economist, again, may consider what it might mean
to take out the license taxes from the city budgets and the hundreds
of millions of internal revenue from the budget of the whole country.
It is claimed that the brewers, maltsters, and distillers pay out for
natural and manufactured products, for labor, transportation, etc.,
seven hundred million dollars annually; that their aggregate
investments foot up to more than three thousand millions; and that
their taxes contribute three hundred and fifty millions every year to
the public treasuries. Can the country afford to ruin an industry of
such magnitude? Such weighty problems cannot be solved in the Carrie
Nation style: yet they are not ours here.


_The Lonely Drinker of the Temperance Town_

Nearer to our psychological interest comes the well-known war-cry,
"Prohibition does not prohibit." It is too late in the day to need to
prove it by statistics: every one knows it. No one has traveled in
prohibition States who has not seen the sickening sight of drunkards
of the worst order. The drug-stores are turned into very remunerative
bars, and through hidden channels whiskey and gin flood the community.
The figures of the United States Commissioner of Internal Revenue tell
the story publicly. In a license State like Massachusetts, there
exists one retail liquor dealer for every 525 of population; in a
prohibition State like Kansas, one for every 366. But the secret story
is much more alarming. What is the effect? As far as the health of the
nation and its mental training in self-control and in regulation of
desires are concerned, the result must be dangerous, because, on the
whole, it eliminates the mild beverages in favor of the strong drinks
and substitutes lonely drinking for drinking in social company. Both
are psychologically and physiologically a turn to the worse. It is not
the mild beer and light wine which are secretly imported; it is much
easier to transport and hide whiskey and rum, with their strong
alcoholic power and stronger effect on the nerve-cells of the brain.
And of all forms of drinking none is more ruinous than the solitary
drink, as soon as the feeling of repugnance has been overcome; there
is no limit and no inhibition. If I look back over the last years, in
which I often studied the effects of suggestion and hypnotism on
habitual drinkers, I do not hesitate to say that it was in most cases
an easy thing to cure the social drinker of the large cities, but very
hard to break the lonely drinker of the temperance town. Of course,
prohibition reduces somewhat the whole quantity of consumption, but it
withdraws the stimulant, in most cases, where it would do the least
harm and intensifies the harm to the organism where it is most
dangerous.


_Our Greatest Danger--Disregard for Law_

But man is not only a nervous system. Prohibition forced by a majority
on an unwilling minority will always remain a living source of the
spirit of disregard for law. Yet, "unwilling" minority is too weak an
epithet; the question is of a minority which considers the arbitrary
rule undemocratic, absurd, immoral, and which really believes that it
is justified in finding a way around a contemptible law.

Judges know how rapidly the value of the oath sinks in courts where
violation of the prohibition laws is a frequent charge, and how
habitual perjury becomes tolerated by respected people. The city
politicians know still better how closely blackmail and corruption
hang together, in the social psychology, with the enforcement of laws
that strike against the beliefs and traditions of wider circles. The
public service becomes degraded, the public conscience becomes dulled.
And can there be any doubt that disregard of law is the most dangerous
psychological factor in our present-day American civilization? It is
not lynch law which is the worst; the crimes against life are twenty
times more frequent than in Europe, and as for the evils of commercial
life which have raised the wrath of the whole well-meaning nation in
late years, has not disregard of law been their real source? In a
popular melodrama the sheriff says solemnly: "I stand here for the
law"; and when the other shouts in reply, "I stand for common sense!"
night after night the public breaks out into jubilant applause. To
foster this immoral negligence of law by fabricating hasty,
ill-considered laws in a hysterical mood, laws which almost tempt
toward a training in violation of them, is surely a dangerous
experiment in social psychology.


_Are We About to Prohibit Meat and Tea?_

Hasty and hysterical that kind of law-making is indeed. Within a few
years, during which the situation itself has not been changed, during
which no new discoveries have proved the right or necessity, during
which no experts have reached common results, the wave has swollen
to a devastating flood. Who let it loose? Were the psychologists
asked to decide, or the physicians, or the physiologists, or the
sociologists, or any one who has studied the problem as a whole with
professional knowledge? Certainly not: their commissions have hardly
ever proposed total abstinence. Of course, those who rush on mean the
best as they see it; they want to make better men; but can a
nation ever hope to reach private morality by law and thus to
exclude all private lying and greediness and envy and ingratitude
and temper and unfairness just as well as intemperance? Such unclear
and vague mixing of purposes always characterizes hysterical
legislation. A sober contemplator must ask himself: What is it to
lead to if well-meaning, short-sighted dilettantes can force
legislation on questions which demand the most serious expert study?

There is growing throughout the land to-day a conviction--which has
its core of truth--that many people eat too much meat; and not a few
see a remedy in vegetarianism and Fletcherism. If this prejudice
swells in a similar way, the time may come when one State after the
other will declare slaughtering illegal, confiscate the meat-packing
houses, and prohibit the poisonous consumption of beef and the killing
of any creature that can look on us with eyes. Other groups are
fighting coffee and tea, and we may finally land in nuts and salads.
Yes, according to this line of legislative wisdom, there is no reason
for prohibiting only alcohol. Do I go far beyond the facts in
asserting that in certain States the same women and men who are
publicly against every use of alcohol are also opposed to the "drugs"
of the physicians and speak of them privately as poisons? Not the
Christian Scientists only--in intellectual Boston thousands of
educated women speak of drugs and nervine as belonging to a medieval
civilization which they have outgrown. The same national logic may
thus lead us to laws which will prohibit every physician from using
the resources of the drug-store--if they have not all simply to go
over to osteopathy.


_A Spring Flood of Emotional Legislation_

The question of the liquor trade and temperance--which is so widely
different from a hasty prohibition--has engaged the minds of all times
and of all nations, and is studied everywhere to-day with the means of
modern science. But this spring flood of prohibition legislation which
has overrun the States shows few signs of deeper connection with
serious study and fewer signs of profit from the experiments of the
past. When the Chinese government made laws against intemperance about
eleven hundred years before Christ, it can hardly have gone more
hastily to work than the members of this movement of the twentieth
century after Christ. It is unworthy of women and men who want to
stand for sobriety to allow themselves to become intoxicated with
hysterical outcries, when a gigantic national question is to be
solved, a question which can never be solved until it is solved
rightly. A wrong decision must necessarily lead to a social reaction
which can easily wipe out every previous gain.

Progress is to be hoped for only from the most careful analysis of all
the factors of this problem; yet, instead, the nation leaves it to the
unthinking, emotional part of the population. In the years of the
silver agitation it was a matter of admiration to any foreigner, the
wonderful seriousness with which large crowds listened in a hundred
towns, evening after evening, to long hours of difficult technical
discussion on currency; sixteen to one was really discussed by the
whole nation, and arguments were arrayed against arguments before a
decision was reached. Is it necessary that the opposite method be
taken as soon as this problem is touched--a question far more complex
and difficult than the silver question, and of far more import to the
moral habits and the development of the nation? When leading scholars
bring real arguments on both sides of the problem, their work is
buried in archives, and no one is moved to action. But when a Chicago
minister hangs the American flag over his pulpit, fastens a large
patch of black color on it, declares that the patch stands for the
liquor evil which smirches the country, denounces wildly the men who
spend for whiskey the money which ought to buy medicine for sick
children, and then madly tears the black cloth from the stars and
stripes and grinds it under his heel--then thousands rush out as
excited as if they had heard a convincing argument. And this
superficiality is the more repellent because every glimpse below the
surface shows an abundance of cant and hypocrisy and search for cheap
fame and sensationalism and still more selfish motives mingled with
the whole movement; even the agitation itself, with its threats of
ruin, borders too often on graft and blackmail and thus helps to
debauch the public life.


_Alcohol and the Brain_

Those who seriously study, not merely the one or the other symptom,
but the whole situation, can hardly doubt that the demand of true
civilization is for temperance and not for abstinence, and that
complete prohibition must in the long run work against real
temperance. But nothing is more characteristic of the hysterical
caprice of the masses than the constant neglect of this distinction.
Even the smallest dose of alcohol is for them nothing but evil, and
triumphantly they seize on isolated statements of physiologists who
acknowledge that every dose of alcohol has a certain influence on the
brain. This is at once given the turn that every glass of beer or wine
"muddles" the brain and is therefore a sin against the freedom of
man.

Certainly every glass of beer has an influence on the cells of the
brain and on the mind; so has every cup of tea or coffee, every bit of
work and every amusement, every printed page and every spoken word. Is
it certain that the influence is harmful because an overdose of the
same stimulants is surely poisonous? Boiling water is most dangerous
for the body on account of its strong heat: is a bath in lukewarm
water therefore also harmful? To climb Mount Blanc would overtax my
heart: is it therefore inadvisable for me to climb the two flights to
my laboratory? Of course, under certain conditions it might be wise to
take account of the slightest influences. Without being harmful, they
might be unsuited to a certain mental purpose. If I were to take a
glass of beer now in the morning, I should certainly be unable to
write the next page of this essay with the same ease; the ideas would
flow more slowly. But does that indicate that I did wrong in taking
last night, after a hard day's fatiguing work, a glass of sherry and a
glass of champagne at a merry dinner-party, after which nothing but
light conversation and music were planned for the rest of the evening?
Of course, alcohol before serious intellectual work disturbs me; but
hearing a hurdy-gurdy in the street or thinking of the happy news
which a letter has just brought to me, or feeling angry over any
incident, disturbs me just as much. It is all the same kind of
interference; the brain centers which I used for my intellectual
effort are for a while inhibited and thus unfit for the work which I
have in hand. When the slight anger has evaporated, when the
pleasurable excitement has subsided, when the music is over, I can
gather my thoughts again, and it is arbitrary to claim that the short
blockade of ideas was dangerous, and that I ought to have avoided the
music or the pleasure or the wine.

Of course, if we consider, for instance, the prevention of crime, we
ought not to forget that some even of these slight inhibitions may
facilitate a rash, vehement deed and check cool deliberation. In times
of social excitement, therefore, alcohol ought to be reduced. But
again this same effect, as far as the temperate use of alcohol is in
question, may result from many other sources of social unrest. The
real danger begins everywhere with intemperance: that is, with a lack
of that self-discipline which is not learned but lost under the outer
force of prohibition.


_The Case Psychologically_

Psychologically the case stands thus: alcohol has indeed an inhibitory
influence on mind and body. The feeling of excitement, the greater
ease of motor impulse, the feeling of strength and joy, the forgetting
of sorrow and pain--all are at bottom the result of inhibition;
impulses are let free because the checking centers are inhibited. But
it is absurd to claim from the start that all this is bad and harmful,
as if the word inhibition meant destruction and lasting damage.
Harmful it is, bodily and socially, when these changes become
exaggerated, when they are projected into such dimensions that vital
interests, the care for family and honor and duty are paralyzed; but
in the inhibition itself lies no danger. There is not the slightest
act of attention which does not involve such inhibition. If I read in
my study, the mere attention to my book will inhibit the ticking of
the clock in my room and the noise from the street, and no one will
call it harmful. As soon as my attention increases, and I read with
such passion that I forget my engagements with friends and my duties
in my office, I become ridiculous and contemptible. But the fact that
the unbalanced attention makes me by its exaggerated inhibition quite
unfit for my duties, is no proof that the slight inhibition produced
by attentive reading ought to be avoided.

The inhibition by alcohol, too, may have in the right place its very
desirable purpose, and no one ought to be terrified by such
physiological statements, even if inhibition is called a partial
paralysis. Yes, it is partial paralysis, but no education, no art, no
politics, no religion, is possible without such partial paralysis.
What else are hope and belief and enjoyment and enthusiasm but a
re-enforcement of certain mental states, with corresponding
inhibition--that is, paralysis--of the opposite ideas? If a moderate
use of alcohol can help in this most useful blockade, it is an ally
and not an enemy. If wine can overcome and suppress the consciousness
of the little miseries and of the drudgery of life, and thus set free
and re-enforce the unchecked enthusiasm for the dominant ideas, if
wine can make one forget the frictions and pains and give again the
feeling of unity and frictionless power--by all means let us use this
helper to civilization. It was a well-known philosopher who coupled
Christianity and alcohol as the two great means of mankind to set us
free from pain. But nature provided mankind with other means of
inhibition; sleep is still more radical, and every fatigue works in
the same direction; to inhibit means to help and to prepare for
action.

And are those who fancy that every brain alteration is an evil really
aware how other influences of our civilization hammer on the
neurones and injure our mental powers far beyond the effects of a
moderate use of alcohol? The vulgar rag-time music, the gambling of
the speculators, the sensationalism of the yellow press, the poker
playing of the men and the bridge playing of the women, the
mysticism and superstition of the new fancy churches, the hysterics
of the baseball games, the fascination of murder cases, the noise
on the Fourth of July and on the three hundred and sixty-four other
days of the year, the wild chase for success; all are poison for the
brain and mind. They make the nervous system and the will endlessly
more unfit for the duties of the day than a glass of lager beer on
a hot summer's evening.


_Drying up a Nation Emotionally_

What would result if prohibition should really prohibit, and all the
inhibitions which a mild use of beer and wine promise to the brain
really be lost? The psychological outcome would be twofold: certain
effects of alcohol which serve civilization would be lost; and, on the
other hand, much more harmful substitutions would set in. To begin
with: the nation would lose its chief means of recreation after work.
We know to-day too well that physical exercise and sport is not real
rest for the exhausted brain-cells. The American masses work hard
throughout the day. The sharp physical and mental labor, the constant
hurry and drudgery produce a state of tension and irritation which
demands before the night's sleep some dulling inhibition if a
dangerous unrest is not to set in. Alcohol relieves that daily tension
most directly.

Not less important would be the loss on the emotional side. Emotional
desire for a life in beauty would yield to the triviality of
usefulness. Puritanism has held back the real American spirit of
artistic creation in fine arts and music and drama: prohibition
without substitutes would crush still more the esthetic spirit in the
brain of man and would make beauty still more the domain of women. Her
more responsive physiological constitution does not need the
artificial paralysis of the inhibiting centers. The mind of the
average woman shows that lower degree of checking power which small
alcoholic doses produce in the average man. But just therefore she and
men of the female type cannot carry on alone the work of the nation. A
national life without the artificial inhibitions of the restraining
centers becomes for the large masses a matter of mere practical
calculation and righteous dulness. Truly the German, the Frenchman,
the Italian who enjoys his glass of light wine and then wanders joyful
and elated to the masterpieces of the opera, serves humanity better
than the New Englander who drinks his ice-water and sits satisfied at
the vaudeville show, world-far from real art. Better America inspired
than America sober. Can we forget that in almost all parts of the
globe even religious life began with intoxication cults? God Indra was
in the wine for the Hindus and Dionysius for the Greeks. It is the
optimistic exuberance of life, the emotional inspiration, which
alcohol brought into the dulness of human days, and the history of
culture shows it on every page.

But with the emotion dries up the will. Mere righteousness needs no
stimulation. But the American nation would never have achieved its
world work if the attitude of resignation had been its national trait.
Those pioneers who opened the land and awoke to life its resources
were men who longed for excitement, for the intensity of life, for
vividness of experience. The nation would not be loyal to its
tradition if it were not to foster this desire of intense experience:
the moderate use of alcohol is both training in such intensified
conscious experience and training in the control and discipline of
such states. The nation needs both, and as the child learns to prepare
for the work of life by plays and games, so man is schooling himself
for the active and effective life by the temperate use of exciting
beverages which playingly awake those vivid feelings of success. The
scholar and the minister and a thousand other individuals may not need
this training, but the millions, the masses, cannot prepare themselves
for a national career of effectiveness if this opportunity is taken
from their lives. History shows it abundantly.

To be sure, all this is but half true, because, as we said, the
individual, and finally the nation, may seek substitutes, may
satisfy the craving for emotional excitement, for will elation, for
intense experience, by other means than the oldest and most widely
scattered. Zealotism in religious belief, tyranny and cruelty,
sexual over-indulgence and perversion, gambling and betting, mysticism
and superstition, recklessness and adventurousness, and, above all,
senseless crimes have always been the psychological means of
overcoming the emptiness and monotony of an unstimulated life. They
produce, just like alcohol, that partial paralysis and create intense
experiences. They thus take hold of the masses, so long as the
social mind is not entirely dried up, with the necessity of a
psychological law. There is no more dangerous state for a healthy,
strong nation than mental monotony in the life of the masses.
Catholic countries play to the imagination at least through the
religion, monarchic countries have their own picturesqueness and
color, America under prohibition pushes the masses into gambling and
reckless excitements and sexual disorder and money-crazes and
criminal explosions of the mind.


_The Temperance Experiment in Mohammedanism_

Has not history experimented sufficiently? Prohibitionist stump
speakers may tell us that their cause means the hitherto unheard-of
progress of civilization; the United States, after abolishing
slavery for mankind, is called on to end also the tyranny of alcohol
under which humanity has suffered for ages. But are there not two
hundred millions of Moslems who are obedient to Mohammed's law,
that wine drinking is sinful? What is the outcome? Of course, it is
not inspiring to hear the boast of the Moslems that the Christians
bring whiskey to Africa and bestialize the natives, while the
Mohammedans fight alcohol. But aside from this, their life goes on in
slavery and polygamy and semi-civilization. All the strong nations,
all those whose contributions were of lasting value to the progress
of mankind, have profited from the help of artificial stimulation and
intoxicants.

But every strong nation remained also conscious of the dangers and
evils which result from intemperance. On the whole, history shows that
intemperance and abstinence alike work against the highest interests
of civilization; temperance alone offers the most favorable
psychological conditions for the highest cultural achievement.
Intemperance mostly precedes the strongest periods in the life of a
nation and follows them again as soon as decay has set in. Temperance,
that is, sufficient use of intoxicants to secure emotional inspiration
and volitional intensity, together with sufficient training in
self-discipline to avoid their evils, always introduced the fullest
blossoming of national greatness. Instinctively the American nation as
a whole is evidently striving for such temperance, but a hysterical
minority has at present succeeded in exaggerating the movement and in
transforming it into its caricature, prohibition. The final result, of
course, will be temperance, since the American nation will not
ultimately allow itself to become an emasculated nation of dyspeptic
ice-water drinkers without inspiration and energy, or permit vulgar
amusements, reckless stock-gambling, sensationalism, adultery,
burglary, and murder to furnish the excitement which the nerves of a
healthy nation need.


_The Securing of Temperance_

How temperance can be secured, the experiences of the older nations
with a similar psychological type of national mind ought to be
decisive. First of all, the beverages of strongly alcoholic nature
ought to be fought by those of light alcoholic effect. The whiskey of
the laborers must be fought by light healthy beer and perhaps by light
American wines. Further, a systematic education in self-control must
set in; the drunkard must not be tolerated under any circumstances.
Above all, the social habits in the sphere of drinking must be
entirely reshaped. They belong to a period where the Puritan spirit
considered beer and wine as sinful and relegated them to regions
hidden from decent eyes. The American saloon is the most disgusting
product of such narrowness; its dangers for politics and law, health
and economics, are alarming. The saloon must disappear and can be made
to disappear perhaps by higher license taxation and many other means.
And with it must disappear the bar and the habit of drinking standing
and of mutual treating. The restaurant alone, with the hotel and the
club, is the fit public place where guests sitting at tables may have
beer and wine with their meals or after meals,--and all controlled by
laws which absolutely forbid the sale of intoxicants to certain groups
of persons, to children, to inebriates, and so on. As long as drinking
means to the imagination of a considerable well-meaning minority of
the nation the present-day repulsive life of saloons and bars, the
minority will find it easy to terrorize and to whip into line the
whole country. But if those relics of a narrow time disappear and
customs grow which spread the spirit of geniality and friendly social
intercourse over the foaming cup, the spell will be broken. Instead of
being tyrannized over by short-sighted fanatics on the one side and
corrupt saloon-keepers on the other, the nation will proceed with the
unanimous sympathy of the best citizens to firm temperance laws which
the sound instinct of the masses will really respect. Training in
self-control as against recklessness, training in harmless hilarity
and social enjoyment as against mere vulgar excitement and rag-time
pleasures, training in respect for law as against living under
hysterical rules which cannot be executed and which invite blackmail,
corruption, and habitual disregard of laws--these are indeed the most
needed influences on the social mind of the country.



THE MOVING FINGER WRITES

BY MARIE BELLOC LOWNDES


I

             "... _and having writ,
  Moves on; nor all your Piety nor Wit
    Can lure it back to cancel half a Line,
  Nor all your Tears wash out a word of it._"

"About that letter of your uncle's? I take it you have no one to
suggest?"

Thomas Carden glanced anxiously at the son in whom he had so great a
confidence, and who was the secret pride of his eyes, the only love of
his austere, hard-working life.

The two were a great contrast to one another. The older man was short
and slight, with the delicate, refined, spiritual face so often seen
in the provincial man of business belonging to that disappearing
generation of Englishmen who found time to cultivate the things of the
mind as well as the material interests of life; a contrast, indeed, to
the tall, singularly handsome, alert-looking man whom he had just
addressed, and whose perfect physical condition made him appear
somewhat younger than his thirty-two years.

And yet, in spite or perhaps because of this contrast between them,
the two were bound in the closest, if not exactly in the most
confidential, ties of affection. And, as a matter of course, they were
partners in the great metal-broking business of Josh. Carden, Thomas
Carden and Son, which had been built up by three generations of
astute, self-respecting citizens of Birmingham.

It was Easter Monday, and the two men were lingering over breakfast,
in a way they seldom allowed themselves time to do on ordinary
week-days, in the finely proportioned, book-lined dining-room of one
of those spacious old houses which remain to prove that the suburb of
Edgbaston was still country a hundred years ago.

Theodore Carden looked across the table meditatively. He had almost
forgotten his uncle's letter, for, since that letter had been read and
cursorily discussed, he and his father had been talking of a matter
infinitely more important to them both. The matter in question was the
son's recent engagement and coming marriage, a marriage which was a
source of true satisfaction to the older man. His father's unselfish
joy in the good thing which had befallen him touched Theodore Carden
keenly, for the niche occupied in most men's minds by their intimate
feminine circle was filled in that of the young man by the diminutive
figure of the senior partner of Carden and Son.

As is perhaps more often the case than those who despise human nature
believe, men sometimes have the grace to reverence and admire those
qualities in which they know themselves to be deficient. Such a man
was the younger Carden. To-day the depths had been stirred, and he let
his mind dwell with a certain sense of shame and self-rebuke on his
own and his father's ideals of human conduct. Even as a schoolboy,
Theodore had come to realize how much more he knew of the ugly side of
life than did his father. But then, old Mr. Carden was quite
exceptional; he knew nothing--or so, at least, his son believed, and
loved him for it--of the temptations, conflicts, victories, and falls
of the average sensual man. Theodore's father had been engaged, at
twenty, to a girl of his own age whom he had not been able to marry
till twelve years later; she had left him a widower with this one
child after five years of married life; and Thomas Carden, as he had
himself once told his son in a moment of unwonted confidence, had been
absolutely faithful to her before the marriage and since her death.

The woman--many people would have said the very fortunate young
woman--who was so soon to become Mrs. Theodore Carden would not
possess such a husband as Thomas Carden had been to his wife. And yet,
in his heart, Theodore was well aware that the gentle girl he loved
would probably be a happier woman than his own mother had been, for
he, unlike his father, in his dealings with the other sex could call
up at will that facile and yet rather rare gift of tenderness which
women, so life had taught him, value far more than the deeper,
inarticulate love....

Carden came back to the prosaic question of his uncle's letter with a
distinct effort. "Have I any one to suggest?" he echoed. "I have no
one to suggest, father. I know, of course, exactly the sort of man
Uncle Barrett is looking for; he's asking us to find him the perfect
clerk every man of business has sought for at some time or other. If I
were you, I should write and tell him that the man he wants us to find
never has to look outside England for a job, and, what is more, would
rather be a clerk here--if he's any sense--than a partner in New
Zealand!"

A smile quivered for a moment over the young man's shrewd face; his
uncle was evidently seeking such a man as he was himself, but such
men, so Theodore Carden was able to tell himself without undue
conceit, were not likely to go into voluntary exile, even for the
bribe of eventual partnership in a flourishing business.

There was a pause, and then again the older man broke the silence with
something entirely irrelevant to the subject which was filling the
minds of his son and himself.

"You haven't looked at the _Post_ this morning? There's nothing in it.
Dearth of real news is, I suppose, responsible for this?" and he
pointed, frowning as he spoke, to a column on the middle page headed,
"The Garvice Mystery. New Developments."

Again a shrewd, good-humoured smile quivered on his son's firm mouth.
"In these days newspapers have to follow, not lead, the public taste.
Very few people are honestly as indifferent as you are, father, to
that sort of story. Now, even I, who never met poor old Garvice,
cannot help wondering how he came by his death; and yet you, who knew
the man----"

"I knew him," said the other with a touch of impatience, "as I know,
and as you know, dozens of our fellow-townsmen."

"Never mind; you, at any rate, can put a face to the man's name; and
yet the question as to whether he was or was not poisoned by his wife
is one of indifference to you! Now I submit that in this indifference
you are really a little--" he hesitated for a word, but found that
none so well expressed his thought as that which had first risen to
his lips--"peculiar, father."

"Am I?" said Thomas Carden slowly; "am I so, Theodore? Nay, nay, I
deny that I am indifferent! Lane"--Major Lane was at that time Head
Constable of Birmingham, and a life-long friend of the speaker--"Lane
was quite full of it last night. He insisted on telling me all the
details of the affair, and what shocked me, my boy, was not so much
the question which, of course, occupied Lane--that is, as to whether
that unhappy young woman poisoned her husband or not--but the whole
state of things which he disclosed about them. Lane told me certain
facts concerning Garvice, who, as you truly say, I have known, in a
sense, for years, which I should not have thought possible of any
man--vile things, which should have prevented his thinking of
marriage, especially of marriage with a young wife."

Theodore Carden remained silent; he never discussed unsavory subjects
with his father. Moreover, he had no liking for Major Lane, though he
regarded him with considerable respect, and even with a feeling of
gratitude. Some years before, the Head Constable had helped the young
man out of a serious scrape, the one real scrape--so Carden was
complaisantly able to assure himself--engendered by his systematic
pursuit of women. Even now he could not recall, without wincing, the
interview he had had on that occasion with his father's friend. During
that interview Carden had felt himself thoroughly condemned, and even
despised, by the older man, and he had been made to feel that it was
only for the sake of his father--his high-minded, unsuspicious
father--that he was being saved from the public exposure of a
peculiarly sordid divorce suit.

But it was in all sincerity that the young man now felt indignant with
Major Lane for having distressed such a delicately spiritual soul as
was Thomas Carden with the hidden details of the Garvice story. After
all, what interested the public was not the question of Garvice's
moral character, but whether a gently nurtured and attractive woman
had carried through a sinister and ingenious crime, which, but for a
mere accident, would have utterly defied detection.

Theodore Carden got up from the breakfast table and walked over to a
circular bay-window which commanded charming views of the wide,
sloping garden, interspersed with the streams and tiny ponds which
gave the house its name of Watermead, and which enabled old Mr. Carden
to indulge himself with especial ease in his hobby of water
gardening.

Standing there, the young man began wondering what he should do with
himself this early spring day. His fiancée had just left the quiet
lodgings which she and her mother, a clergyman's widow, had occupied
in Birmingham during the last few weeks, to pay visits to relatives in
the South. The thought of going to any of the neighbouring houses,
where he knew himself to be sure of a warm welcome, and where the news
of his engagement would be received with boisterous congratulations,
tempered in some cases with an underlying touch of regret and
astonishment, filled him with repugnance. The girl he had chosen to be
his wife was absolutely different from the women who had hitherto
attracted him; he reverenced as well as loved her, and hitherto
Theodore Carden had never found reverence to be in any sense a
corollary of passion.

The last few days had brought a great change in his life, and one
which he meant should be permanent; and yet, in spite or perhaps
because of this, as he stood staring with absent eyes into his
father's charming garden, he found his mind dwelling persistently on
the only one of his many amorous adventures which had left a deep, an
enduring, and, it must be admitted, a most delightful mark on the
tablets of his memory.

The whole thing was still so vivid to him that half-involuntarily he
turned round and looked down the long room to where his old father was
sitting. How amazed, above all, how shocked and indignant the man for
whom he had so great an affection and respect would feel, if he knew
the picture which was now floating before his son's retrospective
vision!

       *       *       *       *       *

What had happened had been briefly this: One day in the previous
October, Carden had taken his seat in the afternoon express which
stops at Birmingham on its way from the north to Euston, or rather,
having taken a leisurely survey of the train, which was, as he quickly
noted, agreeably empty, he had indicated to the porter carrying his
bag a carriage in which sat, alone, a singularly pretty woman.

As he afterwards had the delight of telling her, and, as he now
reminded himself with a retrospective thrill of feeling, he had
experienced, when his eyes first met those of the fair traveller, that
incommunicable sensation, part physical, part mental, which your
genuine Lothario, if an intelligent man, always welcomes with
quickening pulse as the foretaste of special zest to be attached to a
coming pursuit.

Carden's instinct as to such delicate questions had seldom played him
false; never less so than on this occasion, for, within an hour, he
and the lovely stranger had reached that delightful stage of intimacy
in which each feels that he and she, while still having much to learn
about the other, are on the verge of a complete understanding.

During the journey of between two and three hours, his travelling
companion had told him a great deal more about herself than he had
chosen to reveal concerning his own life and affairs; he learned, for
instance, that she was the young wife of an old man, and that the old
man was exceedingly jealous. Further, that she found the life she was
compelled to lead "horribly boring," and that a widowed cousin, who
lived near London, and from whom she had "expectations," formed a
convenient excuse for occasional absences from home.

Concerning three matters of fact, however, she completely withheld her
confidence, both then, in those first delicious hours of their
acquaintance, and even later, when their friendship--well, why not say
friendship? for Carden had felt a very strong liking as well as an
over-mastering attraction toward this Undine-like creature--had become
much closer. The first and second facts which she kept closely hidden,
for reasons which should perhaps have been obvious, were her
surname--she confided to him that her Christian name was Pansy--and
her husband's profession. The third, about which she might surely have
been less reticent, was the name of the town where she lived and from
which she appeared to be travelling that day.

The actual incidents of that eventful October journey had become, to a
certain extent, blurred in Theodore Carden's memory, but what had
followed was still extraordinarily vivid, and to-day, on this holiday
morning, standing idly looking out of the window, he allowed his mind
a certain retrospective licence.

From whom, so he now asked himself, had first come the suggestion that
there should be no parting at Euston between himself and the strange,
elemental woman he had found so full of unforced fascination and
disarming charm? The answer soon came echoing down the corridors of
memory: from himself, of course--but then, and even now the memory
brought with it shamefaced triumph, he remembered her quick
acquiescence, as free, as unashamed, as joyous as that of a spoilt
child acclaiming an unlooked-for treat.

And, after all, what harm had there been in the whole halcyon
adventure--what injury had it caused to any human being? Carden put
the husband, the fatuous old man who had had the incredible folly to
marry a girl thirty-five years younger than himself, out of court.
Pansy, light-hearted, conscienceless Pansy--he always thought of her
with a touch of easy tenderness--had run no risk of detection, for, as
he had early discovered, she knew no one in London, with the solitary
exception of the old cousin who lived in Upper Norwood. As for his own
business acquaintances, he might, of course, have been seen by any of
them taking about this singularly attractive woman, for the two went
constantly to the theatre, and daily to one or other of the great
restaurants. But what then? Excepting that she was quieter in manner,
far better dressed, and incomparably prettier, Pansy might have been
the wife or sister of any one of his own large circle of relations,
that great Carden clan who held their heads so high in the business
world of the Midlands.

Nay, nay, no risk had been run, and no one had been a penny the worse!
Indeed, on looking back, Theodore Carden could tell himself that it
had been a perfect, a flawless episode, and perhaps after all it was
well that there had been no attempt at a repetition. And yet? And yet
the young man, especially during the first few weeks which had
followed that sequence of enchanting days, had often felt piqued, even
a little surprised, that the heroine of this amazing experience had
not taken advantage of his earnest entreaty that she would give him
the chance of meeting her again. He had left it to her to be
mysterious; as for himself, he had seen no reason why he should
conceal from her either his name or his business address.

Many men, doubtless, would not have been so frank, but Theodore
Carden, too wise in feminine lore to claim an infallible knowledge of
women, never remembered having made a mistake as to the moral social
standing of a new feminine acquaintance. During the few days they had
been together, everything had gone to prove that Pansy was no
masquerader from that under-world whose denizens always filled him
with a sensation of mingled aversion and pity. He could not doubt--he
never had doubted--that what she had chosen to tell him about herself
and her private affairs was substantially true. No man, having heard
her speak of it, could fail to understand her instinctive repulsion
from the old husband to whom she had sold herself into bondage; and as
human, if not perhaps quite as worthy of sympathy, was her restless
longing for freedom to lead the pleasant life led by those of her more
fortunate contemporaries whose doings were weekly chronicled in the
society papers which seemed to form her only reading.

Once only had Carden felt for his entrancing companion the slightest
touch of repugnance. He had taken her to a play in which a child
played an important part, and she had suddenly so spoken as to make
him realise with a shock of surprise that she was the mother of
children! Yet the little remark made by her, "I wonder how my little
girls are getting on," had been very natural and even womanly. Then,
in answer to a muttered word or two on his part, she had explained
that she preferred not to have news of her children when she was
absent from home, since it only worried her; even when staying with
the old cousin at Upper Norwood, she made a point of being completely
free of all possible home troubles. Hearing this gentle, placid
explanation of her lack of maternal anxiety, Carden had put up his
hand to his face to hide a smile; he had not been mistaken; Pansy was
indeed the thorough-going little hedonist he had taken her to be.
Still, it was difficult, even rather disturbing, to think of her as a
mother, and as the mother of daughters.

Yet how deep an impression this unmoral, apparently soulless woman had
made on his mind and on his emotional memory! Even now, when he had no
desire, and, above all, must not allow himself to have any desire,
ever to see her again, Theodore Carden felt almost as keenly as he had
done during the period of their brief intimacy a morbid curiosity to
know where she lived and had her being.

       *       *       *       *       *

It was late in the afternoon of the same day. Theodore Carden had just
come in from a long walk, and, as he passed through the circular hall
round which Watermead was built, he heard the low sound of voices,
those of his father and some other man, issuing from the square
drawing-room always occupied by the father and son on such idle days
as these. He stayed his steps, realized that the visitor was Major
Lane, and then made up his mind to go up and change, instead of going
straight in to his father, as he would have done had the latter been
alone.

As he came down again, and crossed the now lighted hall, he met the
parlourmaid, an elderly woman who had been in Thomas Carden's service
ever since his wife's death.

"I wonder if I can take in the lamps now, Mr. Theodore? It's getting
so dark, sir."

There was a troubled sound in her voice, and the young man stopped and
looked at her with some surprise. "Of course you can, Jane," he said
quickly, "why not? Why haven't you taken them in before?"

"I did go in with them half an hour ago, sir, but the master told me
to take them out again. There's firelight, to be sure, and it's only
Major Lane in there, but he's been here since three o'clock, and
master's not had his tea yet. I suppose they thought they'd wait till
you came in."

"Oh! well, if my father prefers to sit in the dark, and to put off tea
till he can have my company, you had better wait till I ring, and then
bring in the lamps and the tea together." He spoke with his usual
light good-nature, and then passed on, and so into the room which was
the only apartment in the large old house clearly associated in his
mind with the graceful, visionary figure of his young mother.

Thomas Carden and the Head Constable were sitting in the twilight, one
on each side of the fireplace, and when the young man came in they
both stirred perceptibly and abruptly stopped speaking.

Theodore came forward and stood on the hearth-rug.

"May Jane bring in the lamps, father?"

"Yes, yes, I suppose so."

And the lamps were brought in. Then came the tea-tray, placed by Jane
on a large table several paces from the fire. Very deliberately, and
asking no questions as to milk or sugar, for well he knew the tastes
of his father and of his father's friend, he poured out two cups of
tea, and, turning, advanced, a cup balanced in each steady hand.

But halfway across the room he stopped for a moment, arrested by the
sound of his father's voice:

"Theo, my boy, I want to ask you something." This mode of address had
become of late years a little unusual, and there was something in
Thomas Carden's accents which struck his son as significant, even as
rather solemn.

"Yes, father?"

"Did you not tell me this morning that you had never met Garvice?"

The one onlooker, hatchet-faced Major Lane, suddenly leaned a little
forward. He was astonished at his old friend's extraordinary and
uncalled-for courage, and it was with an effort, with the feeling that
he was bracing himself to see something terrible take place, that he
looked straight at the tall, fine-looking man who had now advanced
into the circle of light thrown by the tall Argand lamps.

But Theodore Carden appeared quite unmoved, nay, more, quite
unconcerned by his father's question.

"Yes," he said, "of course I told you so. I suppose I knew the old
fellow by sight, but I certainly was never introduced to him. Are
there any new developments?" He turned to Major Lane with a certain
curiosity, and then quite composedly handed him the cup of tea he held
in his right hand.

"Well, yes," answered the other coldly, "there are. We arrested Mrs.
Garvice this morning."

"That seems rather a strong step to have taken, unless new evidence
has turned up since Saturday," said Theodore thoughtfully.

"Such new evidence has come to hand since Saturday," observed Major
Lane significantly.

There was a pause, and again Thomas Carden addressed his son with that
strange touch of solemnity, and again Major Lane, with some inward
wincing, stared fixedly at the young man now standing, a stalwart,
debonair figure, between himself and his old friend.

"Can you assure me--can you assure us both--that you never met Mrs.
Garvice?"

Carden looked down at his father with a puzzled expression. "Of
course, I can't assure you of anything of the kind," he said, still
speaking quite placidly. "I may have met her somewhere or other, but I
can't remember having done so; and I think I should have remembered
it, both because the name is an uncommon one, and because"--he turned
to Major Lane--"isn't she said to be an extraordinarily pretty
woman?"

As the last words were being uttered, an odd thing happened. Thomas
Carden suddenly dropped the cup he was holding in his hand; it rang
against the brass fender and broke in several pieces, while the spoon
went clattering into the fireplace.

"Father!" exclaimed Theodore, and then quickly he added, "Don't
trouble to do that," for the old man was stooping over the rug and
fumbling with the broken pieces. But Thomas Carden shook his head; it
was evident that he was, for the moment, physically incapable of
speech.

A great fear came into the son's mind; he turned to Major Lane and
muttered in an urgent, agonised whisper, "Is it--can it be a seizure?
Hadn't I better go and try to find Dr. Curle?" But the other, with a
dubious expression on his face, shook his head. "No," he said; "it's
nothing of the kind. Your father's getting older, Carden, as we all
are, and I've had to speak to him to-day about a very disagreeable
matter." He looked fixedly, probingly, at the young man, but again
Theodore showed no sign of having understood. "I think it's thoroughly
upset him." The speaker hesitated, and then added: "I daresay he'll
tell you about it; in any case, I'd better go now and come back later.
If you can spare me half an hour this evening, I should like to have a
talk with you."

During the last few moments Major Lane had made up his mind to take a
certain course, even to run a certain risk, and that not for the first
time that day, for he had already set his own intimate knowledge of
the life-long friend whose condition now wrung him with pity against
what was, perhaps, his official duty.

Some two hours before, the Head Constable had entered the house, where
he had been so constantly and so hospitably entertained, with the firm
conviction that Theodore Carden had been the catspaw of a clever,
unscrupulous woman; in fact, that there had come a repetition, but a
hundred times more serious, of that now half-forgotten entanglement
which had so nearly brought Carden to grief some seven or eight years
before. Once more he had come prepared to do his best to save his
friend's son, so far as might be possible, from the consequences of
his folly.

But now? Ah, now, the experienced, alert official had to admit to
himself that the incidents of the last ten minutes had completely
altered his view of the matter. He realised that in any case Theodore
Carden was no fool; for the first time that day the terrible suspicion
came into Major Lane's mind that the man before him might, after all,
be more closely connected with the Garvice mystery than had seemed
possible.

Never, during his long connection with crime, had the Head Constable
come across as good an actor, as cool a liar, as he now knew this
young man of business to be. Well, he would give Carden one more
chance to tell the truth; Theodore was devoted to his father, so much
was certainly true, and perhaps his father would be able to make him
understand the gravity of the case. Major Lane felt bitterly sorry
that he had come first to the old man--but, then, he had so completely
believed in the "scrape" theory; and now he hardly knew what to
believe!

The old man, still sitting by the fire, had caught a few of the
muttered words, and before Major Lane could leave the room Thomas
Carden had risen from his chair, his face paler, perhaps, than usual,
but once more his collected, dignified self. "Stay," he said firmly;
"having gone so far, I think we should now thresh the matter out."

He walked over to where his son and his friend were standing, and he
put his hand on the older man's arm. "Perhaps I cannot expect you,
Lane, to be convinced, as I, of course, have been convinced, by my
son's denials. It is, as I told you this afternoon, either a plot on
the part of some one who bears a grudge against us, or else--what I
think more likely--there are two men in this great town each bearing
the name of Theodore Carden. But I appreciate, I deeply appreciate,
the generous kindness which made you come and warn us of this
impending calamity; but you need not fear that we shall fail to meet
it with a complete answer."

"Father! Major Lane! What do you mean?" For the first time a feeling
of misgiving swept over Theodore Carden's mind. Without waiting for an
answer, he led the way back to the fireplace and, deliberately drawing
forward a chair, motioned to Major Lane to sit down likewise.

"Now then," he said, speaking with considerable authority and
decision, "I think I have a right to ask what this is all about. In
what way are we, my father and myself, concerned in the Garvice
affair? For my part, Major Lane, I can assure you, and that, if you
wish it, on oath, that I did not know Mr. Garvice, and, to the best of
my belief, I have never seen, still less spoken to, Mrs. Garvice----"

"If that be indeed so," said the man whom he addressed, and who, for
the first time, was beginning to feel himself shaken in his belief,
nay, in his absolute knowledge, that the young man was perjuring
himself, "can you, and will you, explain these letters?" and he drew
out of his pocket a folded sheet of foolscap.

Carden bent forward eagerly; there was no doubt, so the Head Constable
admitted to himself, as to his eagerness to be brought face to face
with the accusation--and yet, at that moment, a strong misgiving came
over Major Lane. Was it right, was it humane, to subject him to this
terrible test, and that, too, before his old father? Whatever the
young man's past relation to Mrs. Garvice, nay, whatever his
connection might be with the crime which Major Lane believed to have
been committed, Carden was certainly ignorant of the existence of
these terrible, these damnatory documents, and they constituted so far
the only proof that Carden had been lying when he denied any knowledge
of Mrs. Garvice. But then, alas! they constituted an irrefutable
proof.

With a sudden movement Major Lane withdrew his right hand, that which
held the piece of paper: "Stop a moment, Carden; do you really wish
this discussion to take place before your father? I wonder if you
remember--" he paused, and then went on firmly--"an interview you and
I had many years ago?"

For the first time Theodore Carden's whole manner changed; a look of
fear, even of guilt, came over his strong, intelligent face.

"Father," he said imploringly, "I beg you not to listen to Major Lane.
He is alluding to a matter which he gave me his word--his word of
honour--should never be mentioned to any one, least of all to you";
then, turning with an angry gesture to the Head Constable, "Was that
not so?" he asked imperiously.

"Yes, I admit that by making this allusion I have broken my word, but
good God! man, this is no passing scrape that we have to consider now;
to-morrow morning all Birmingham will be ringing with your name--with
your father's name, Theodore--for by some damnable mischance the
papers have got hold of the letters in question. I did my best, but I
found I was powerless." He turned and deliberately looked away, as he
added in a low, hesitating voice: "And now, once more I ask you
whether we had better not delay this painful discussion until you and
I are alone?"

"No!" cried Carden, now thoroughly roused, "certainly not! You have
chosen to come and tell my father something about me, and I insist
that you tell me here, and at once, what it is of which I am
accused."

He instinctively looked at his father for support, and received it in
full measure, for at once the old man spoke. "Yes, Lane, I think my
son is right; there's no use in making any more mystery about the
matter. I'm sure that the letters you have brought to show Theodore
will puzzle him as much as they have me, and that he will be able to
assure you that he has no clue either to their contents or to their
writer."

Very slowly, with a feeling of genuine grief and shame for the man who
seemed to feel neither sorrow nor shame, Major Lane held out the
folded paper, and then again, in very pity, he looked away as his old
friend's son eagerly unrolled the piece of foolscap, placing it close
under the lampshade in order that he might thoroughly master its
contents.

As Theodore Carden completed the trifling action, that of unrolling
the piece of paper which was to solve the mystery, he noted, with a
curious feeling of relief, that the documents (or were they letters?)
regarded by the Head Constable as so damnatory, were but two, the
first of some length, the second consisting of a very few lines, both
copied in the fair round hand of Major Lane's confidential clerk.

And then, with no premonitory warning, Carden became the victim of a
curious physical illusion. Staring down at the long piece of blue
paper, he found that he was only able to master the signature, in both
cases the same, with which each letter terminated. Sometimes only one
word, one name--that of _Pansy_--stood out clearly, and then again he
seemed only to see the other word, the other name--that of _Garvice_.
The two names appeared to play hide-and-seek with one another, to leap
out alternately and smite his eyes, pressing and printing themselves
upon his brain.

At last, while he was still staring silently, obstinately, at the
black lines dancing before him, he heard the words, and they seemed to
be coming from a long way off, "Theodore! Oh, my boy, what is the
matter?" and then Major Lane's voice, full of rather angry concern,
"Rouse yourself, Carden, you are frightening your father."

"Am I?" he said dully, "I mustn't do that"; then, handing back the
sheet of foolscap to the Head Constable, he said hoarsely, "I can't
make them out. Will you read them to me?" And Major Lane, in
passionless accents, read aloud the two letters which he already
almost knew by heart:

  6, Lightwood Place,   January, 28th.

  You told me to write to you if ever I was in real trouble and
  thought you could help me. Oh, Theo, darling, I am in great
  trouble, and life, especially since that happy time--you know when
  I mean--is more wretched than ever. You used to say I was
  extraordinarily pretty, I wonder if you would say so now, for I am
  simply ill--worn out with worry. He--you know who--has found out
  something; such a little insignificant thing; and since then he
  makes my life unbearable with his stupid jealousy. It isn't as if
  he knew about you and me, that would be something real to grumble
  at, wouldn't it, darling? Sometimes I feel tempted to tell him all
  about it. How he would stare! He is incapable of understanding
  anything romantic. However, I'm in no mood for laughing now. He's
  got a woman in to watch me, but luckily I've quite got her to be
  on my side, though of course I haven't told her anything about my
  private affairs.

  Will you meet me one day this week, to-morrow if you can, at No.
  15, Calthorpe Street? Four o'clock is the safest time for me.
  Between the two small shops you will see a swing door with "Madame
  Paula, Milliner," on it; push it open and go straight upstairs. On
  the first landing you will see a door with "Gone out, enquire
  upstairs," on it. Push up the door knob (don't try to turn it) and
  walk in. The room will be empty, but you will see a door leading
  to a back room; push _up_ the knob and there--there you will find
  your poor little Pansy, fainting with joy at seeing her big strong
  Theo again.

  Send me a postcard, saying "Mrs. Garvice can be fitted on (day you
  select)." If posted before eleven, it will reach me in time. Of
  course, I'm running a risk in meeting you _here_, so near my home,
  but I _must_ see you, for I have a great favour to ask you, Theo,
  and I dare not propose going away even for one day.

  PANSY GARVICE.

Major Lane paused a moment, then went on:

  Theo, I wrote to you ten days ago, but I have had no answer. I am
  dreadfully worried; I know you are in Birmingham, for I saw your
  name in a paper before I wrote to you. I have gone through such
  terrible days waiting for the postcard I asked you to send me.
  Write, if only to say you don't want to hear again of poor
  miserable

  PANSY GARVICE.

"I suppose you will now admit that you know who wrote these letters?"
asked Major Lane sternly.

"Yes--at least I suppose they were written by Mrs. Garvice." Carden
spoke with a touch of impatience. The question seemed to him to be, on
the part of his father's old friend, a piece of useless cruelty.

"And can you suggest to whom they were written, if not to yourself?"

"No, of course not; I do not doubt that they were written to me," and
this time his face was ravaged with a horror and despair to which the
other two men had, as yet, no clue. "And yet," Carden added, a touch
of surprise in his voice, "I never saw these letters--they never
reached me."

"But, of course, you received others?" Major Lane spoke with a certain
eagerness; then, as the young man seemed to hesitate, he added
hastily: "Nay, nay, say nothing that might, incriminate yourself."

"But, indeed--indeed I have never received a letter from her--that
perhaps is why I did not know the handwriting."

"Theodore!" cried his father sharply, "think what you are saying! What
you've been shown are only copies--surely you understood that? What
Lane has just shown you are copies of letters which purport to have
been addressed to you, but which were intercepted on their way to the
post--is that not so?" and he turned to the Head Constable.

"Yes," said Major Lane; then he added, very deliberately: "The
originals of these two letters, which were bought for a large sum from
Mrs. Garvice's companion, evidently the woman referred to in the first
letter, are now in the hands of the news editor of the _Birmingham
Dispatch_. I was shown them as a great favour"--a grim smile
distorted, for a moment, the Head Constable's narrow jaw. "I did my
best--for your father's sake, Carden--to frighten these people into
giving them up; I even tried to persuade them to hold them over, but
it was no good. I was told that no Birmingham paper had ever had such
a--'scoop,' I believe, was the word used. You and your father are so
well known in this city"--and again Theodore Carden marvelled at the
cruelty of the man.

Thomas Carden broke in with a touch of impatience: "But nothing else
has been found, my boy! Lane should tell you that the whole theory of
your having known Mrs. Garvice rests on these two letters--which never
reached you."

Father and son seemed suddenly to have changed places. The old man
spoke in a strong, self-confident tone, but the other, his grey face
supported on his hands, was staring fixedly into the fire.

"Yes," said Major Lane, more kindly, "I ought perhaps to tell you,
Carden, that within an hour of my being shown these letters I had Mrs.
Garvice's house once more searched, and nothing was found connecting
you with the woman, excepting, I am sorry to say, this";--and he held
out an envelope on which was written in Theodore Carden's clear
handwriting the young man's name and business address. "Now I should
like you to tell me, if you don't mind doing so, where, when, and how
this name and address came to be written?"

"Yes, I will certainly tell you." Carden spoke collectedly; he was
beginning to realise the practical outcome of the conversation. "I
wrote that address about the middle of last October, in London, at
Mansell's Hotel in Pall Mall East."

"The poor fellow's going to make a clean breast of it at last"; so
thought Major Lane with a strange feeling of relief, for on the flap
of the envelope, which he had kept carefully turned down, was stamped
"Mansell's Hotel."

It was in a considerate, almost kindly tone, that the Head Constable
next spoke. "And now, Carden, I beg you, for your own sake, to tell
me the truth. Perhaps I ought to inform you, before you say anything,
that, according to our theory, Mrs. Garvice was certainly assisted in
procuring the drug with which, I firmly believe, she slowly
poisoned her husband. As yet we have no clue as to the person who
helped her, but we have ascertained that for the last two months, in
fact from about the date of the first letter addressed to you, a man
did purchase minute quantities of this drug at Birmingham, at
Wolverhampton, and at Walsall. Now, mind you, I do not, I never have,
suspected you of having any hand in that, but I fear you'll have to
face the ordeal of being confronted with the various chemists, of
whom two declare most positively that they can identify the man who
brought them the prescription which obtained him the drug in
question."

While Major Lane was speaking, Theodore Carden had to a certain extent
regained his self-possession; here, at least, he stood on firm ground.
"Of course, I am prepared to face anything of the kind that may be
necessary." He added almost inaudibly; "I have brought it on myself."
Then he turned, his whole voice altering and softening: "Father,
perhaps you would not mind my asking Major Lane to go into the library
with me? I should prefer to see him alone."


II

  "_And the wild regrets, and the bloody sweats,
    None knew so well as I:
  For he who lives more lives than one
    More deaths than one must die._"

And then the days dragged on, a week of days, each containing full
measure of bitter humiliation; full measure also of feverish suspense
and anxiety, for Theodore Carden did not find it quite so easy as he
had thought it would be to clear himself of this serious and yet
preposterous accusation of complicity in the murder. But Major Lane
was surprised at the courage and composure with which the young man
faced the ordeal of confrontation with the various men, any one of
whom, through a simple mistake or nervous lapse of memory, might
compel his presence, if not in the dock, then as a witness at the
coming murder trial.

But at last that ordeal was over, for, as a matter of fact, none of
those brought face to face with him in the sordid promiscuity of such
scenes singled out Theodore Carden as resembling the mysterious
individual who had almost certainly provided Mrs. Garvice with the
means wherewith to poison her husband. So it was that suspicion became
gradually directed to quite another quarter; that is, towards an
accountant in Garvice's employment, who had been socially welcomed at
his house. But of this man no trace had as yet been found.

It was after the need for active defence had passed away that the
hours began to drag heavily with Theodore Carden; and yet, at the end
of each long day, the unhappy man would have given much in order to
recall the daylight hours.... The moment twilight fell Carden was
haunted, physically and mentally possessed, by the presence of the
woman he had known at once so little and so well, that is, of her he
now knew to be Pansy Garvice.

Especially terrible were the solitary evenings of those days when his
father had been away, performing the task of breaking so much of the
truth as could be told to the girl to whom his son had been engaged.

As each afternoon drew in, Carden found himself compelled to remain
more or less concealed in the rooms which overlooked the garden of
Watermead. For, with the approach of night, the suburban road in front
of the fine old house was filled by an ever coming and going crowd of
bat-like men and women, eager to gaze with morbid curiosity at the
dwelling of the man who had undoubtedly been, if not Mrs. Garvice's
accomplice--that, to the annoyance of the sensation-mongers, seemed
decidedly open to question--then, her favoured lover.

But to these shameful and grotesque happenings Theodore Carden gave
scarce a thought, for it was when he found himself alone in the
drawing-room or library that his solitude would become stealthily
invaded by an invisible and impalpable wraith. So disorganised had
become his nerves, so pitiable the state of his body and mind, that
constantly he seemed conscious of a faint, sweet odour, that of wood
violets, a scent closely associated in his thoughts with Pansy
Garvice, with the woman whom he now knew to be a murderess. He came at
last to long for a tangible delusion, for the sight of a bodily shape
which he could tell himself was certainly not there. But no such
relief was vouchsafed him; and yet once, when sitting in the
drawing-room, trying to read a book, he had felt a rounded cheek laid
suddenly to his; a curl of silken, scented hair had touched his
neck....

Terrifying as was the peopled solitude of his evenings, Carden dreaded
their close, for at night, during the whole of each long night, the
woman from whom he now felt so awful a repulsion held him prisoner.
From the fleeting doze of utter exhaustion he would be awakened by
feeling the pressure of Pansy's soft, slender arms about his neck;
they would wind themselves round his shuddering body, enclosing him
slowly, inexorably, till he felt as if he must surely die under their
gyves-like pressure. Again--and this, perhaps, was what he learned to
dread in an especial degree--he would be suddenly roused by Pansy's
liquid, laughing voice, whispering things of horror in his ear; it was
then, and then only, that he found courage to speak, courage to assure
her, and to assure himself, that he was in no sense her accomplice,
that he had had naught to do with old Garvice's death; but then there
would come answer, in the eager tones he remembered so well, and the
awful words found unwilling echo in his heart: "Yes, yes, indeed you
helped!"

       *       *       *       *       *

And now the last day, or rather the last night, had come, for the next
morning Theodore Carden was to leave Birmingham, he hoped for ever,
for New Zealand.

The few people he had been compelled to see had been strangely kind;
quiet and gentle, as folk, no doubt, feel bound to be when in the
presence of one condemned. As for Major Lane, he was stretching--no
one knew it better than Carden himself--a great point in allowing the
young man to leave England before the Garvice trial.

During those last days, even during those last hours, Theodore
deliberately prevented himself from allowing his mind to dwell on his
father. He did not know how much the latter had been told, and he had
no wish to know. A wall of silence had arisen between the two who had
always been so much, nay, in a sense, everything, to one another. Each
feared to give way to any emotion, and yet the son knew only too well,
and was ashamed of the knowledge, with what relief he would part from
his father. There had been a moment when Major Lane had intimated his
belief that the two would go away and make a new life together, but
Theodore Carden had put aside the idea with rough decision. Perhaps
when he was far away, on the other side of the world, the former
relations of close love and sympathy, if not of confidence, might be
reëstablished between his father and himself, but this, he felt sure,
would never be while they remained face to face.

And now he was lying wide awake in the darkness, in the pretty,
peaceful room which had once been his nursery, and where he had spent
his happy holidays as a schoolboy. His brain remained abnormally
active, but physically he was oppressed by a great weariness;
to-night, for the first time, Carden felt the loathsome wraith which
haunted him, if not less near, then less malicious, less watchful than
usual, above all, less eager to assert her power.... Yet, even so, he
lay very still, fearing to move lest he should once more feel about
his body the clinging, enveloping touch he dreaded with so great a
dread.

       *       *       *       *       *

And then, quite suddenly, there came a strange lightening of his
heart. A space of time seemed to have sped by, and Carden, by some
mysterious mental process, knew that he was still near home, and not,
as would have been natural, in New Zealand. Nay, more, he realised
that the unfamiliar place in which he now found himself was Winson
Green Gaol, a place which, as a child, he had been taught to think of
with fear, fear mingled with a certain sense of mystery and
excitement.

Theodore had not thought of the old local prison for years, but now he
knew that he and his father were together there, in a small cell
lighted by one candle. The wall of silence, raised on both sides by
shame and pain, had broken down, but, alas! too late; for, again in
some curious inexplicable way, the young man was aware that he lay
under sentence of death, and that he was to be hanged early in the
morning of which the dawn was even now breaking.

Now, strange to say, this knowledge caused him, personally, but little
uneasiness, but on his father's account he felt infinitely distressed,
and he found himself bending his whole mind to comfort and sustain the
old man. Thus, he heard a voice, which he knew to be his own, saying
in an argumentative tone, "I assure you, father, that an extraordinary
amount of nonsense is talked nowadays concerning--well, the death
penalty. Is it possible that you do not realise that I am escaping a
much worse fate--that of having to live on? I wish, dear dad, that I
could persuade you of the truth of this."

"If only," muttered the old man in response, "if only, my boy, I could
bear it for you"; and Carden saw that his father's face was scared
with an awful look of terror and agony.

"But, indeed, father, you do not understand. Believe me, I am not
afraid--it will not be so bad, after all. So do not--pray, pray,
father, do not be so distressed."

       *       *       *       *       *

And then with a great start Theodore Carden awoke--awoke to see the
small, spare figure of that same dear father, clothed in the long,
old-fashioned linen night-shirt of another day, standing by his
bed-side.

The old man held a candle in his hand, and was gazing down at his only
child with an expression of unutterable woe and grief. "I will try--I
am trying, my boy, not to be unreasonably distressed," he said.

Theodore Carden sat up in bed. Since this awful thing had come on him
he had never, even for an instant, forgotten self, but now he saw that
his sufferings were small compared with those he had brought on the
man into whose face he was gazing with red-rimmed, sunken eyes. For a
moment the wild thought came to him that he might try to explain, to
justify himself, to prove to his father that in this matter he had but
done as others do, and that the punishment was intolerably heavier
than the crime; but then, looking up and meeting Thomas Carden's
perplexed, questioning eyes, he felt a great rush of shame and horror,
not only of himself, but of all those who look at life as he himself
had always looked at it; for the first time, he understood the
mysterious necessity, as well as the beauty, of abnegation, of
renunciation.

"Father," he said, "listen. I will not go away alone; I was mad to
think of such a thing. We will go together, you and I,--Lane has told
me that such has been your wish,--and then perhaps some day we will
come back together."

After this, for the first time for many nights, Theodore Carden fell
into a dreamless sleep.



A BUNK-HOUSE AND SOME BUNK-HOUSE MEN

BY ALEXANDER IRVINE

ILLUSTRATIONS BY F. C. YOHN


About fifteen years ago I was appointed spiritual adviser to the
Diocese of the Bowery and Chatham Square. This strange whirlpool of
humanity presents a problem of more than ordinary proportions to the
policeman or the missionary. The Bowery is a mile of American life in
which the nations of the earth meet for excitement and change. There
is a business aspect of it which is permanent, but the many-colored
throng surging up and down its side-walks all day and all night is
ephemeral. It is the place for the homeless, for the out of kilter,
for the rudderless wrecks who drift. Its fifty or more lodging-houses
are filled with men whose only home is the six-by-ten room in which
they sleep.

A block from Chatham Square I found a resort which I at once made a
base of operations for my campaign. It was a bunk-house, a big
five-story rear tenement at No. 9 Mulberry Street. The entrance to it
was a slit in the front block--a long, deep, narrow alley, then, as
now, indescribably filthy. Over the iron gate at the entrance was the
name of the house and the price of some of the beds. "Bismarck" was
the name; the lodgers used to call it "Hotel de Bismarck." The lower
floors were filled with ten- and twelve-cent bed-cots; the upper
floors were bunk dormitories. A bunk is a strip of canvas. For seven
cents a night the lodger gained admission to the dormitory. Once
there, he might stretch himself on the bunk, or he might take
advantage of the floor. Of the three hundred guests, more than half
were accommodated on canvas or on the floor.

The covering on the ten-cent bed was changed once a month; if a man
wanted toilet accommodations, he paid for them elsewhere. The Bismarck
never had a bath, nor a wash-basin.

A ten- or twelve-cent guest had a wardrobe; it was seldom used, but it
was there. At the head of each cot stood this tall, narrow receptacle
for the clothing and valuables of the guests, but in the old days wise
guests slept in their clothes. I have known of unsuspecting wayfarers
who deposited their belongings in the wardrobe, locked it, and hid the
key under the pillow, and next morning had to wrap themselves in
newspapers or in a borrowed sheet until they could reach a junk-store.
The key was safe, but the wardrobe and contents had disappeared.

On the second floor was the sitting-room. There was a stove for winter
months, and against the wall on four sides of the room were built
benches. There was but one chair in the room; that was the clerk's.
The walls were whitewashed; the windows were covered most of the time
with cobwebs and dirt, and the floor was littered with rubbish.

The clerk was a quiet man by the name of Allen. He had a bouncer named
McBriarty--his nickname was "Gar." The bouncer had an understudy who
was called Frank--"Big Frank." The house was owned at that time by a
banker named Barsotti.


_The Gathering of the Men who Were_

Every afternoon, winter and summer, about five o'clock, the men began
to gather about the little iron gate, and as Big Frank swung it back,
they filed through the slit in single file and ascended the stairs.

Ten-cent men registered. Bunk-men threw down a nickel and two cents
and became guests at large. Guests who registered were handed a chunk
of wood too large to enter an ordinary pocket; attached to the wood
was the key of the wardrobe. A small discount was made on a week's
lodging paid in advance, but few took advantage of it, for nobody ever
expected to stay a week; some had been there for years, but they paid
each night as they entered, for they expected each night to be their
last. Old customers looked into each other's faces at evening with a
glance which meant: "Hello! back again?"

I saw a woman there once. She came to look for a son, and sat by the
door, scanning the faces as they passed her. Over a hundred men
lingered around the sitting-room that night. At least a score of them
repassed her, just to get a glimpse of her face, in which, though it
was that of a stranger, many of them retraced their steps back over
life's jagged roadway. They asked the clerk questions that needed no
answer, just to get near for a moment. They tiptoed across the floor;
they spoke in whispers; and they indignantly hustled several
half-drunken lodgers out of the room. Her anxious face set them all
thinking; it created an atmosphere in which those men of life's
undertow grew tender and kind.

I tabulated, by the aid of the clerk, the ages, nationalities, and
occupations of one hundred of them. Fifty were German, twenty Irish,
sixteen native Americans; the rest were from the ends of the earth.
Each of them gave an occupation; there were barbers, tinkers,
teamsters, tailors, waiters, laborers, longshoremen, painters,
paper-hangers, and scissors-grinders. One man put "banker" opposite
his name. This led to an extra inquiry.

"Of course," he said, "I am for the time being down and out; but
banking is my business."

Their trades were of the past--their vitality had oozed out, their
grip on life was relaxed; if it ever tightened again, the first result
of it would be another grade of surroundings.

In order to find out how they got a living, I followed some of these
men through the maelstrom of city life. I found some distributing
circulars. Others sold pencils, matches, laces. They lounged around
saloons, sticking their dirty fists into the free-lunch dishes. They
played lame, sick, halt, blind; they panhandled on the streets and
alleys--especially the alleys, where they fared best. A dozen or more
attended the ferries, waiting for a chance to carry baggage. They were
unfit for hard work--they would not die.

Twelve cents a day kept most of them. When they didn't manage seven
cents for a bunk, they "carried the banner"--walked the streets or
stood in a "dead-house" saloon, where there are no seats and where a
man must stand. Many of them, when worsted completely, would "hit the
bread-line," after midnight, not so much for the bread as for a place
to stand where they would be immune from the policeman's club.

Despite some plain lessons to the contrary, I believed most of them
to be victims of laziness; but in a single year twelve of them dropped
on the floor dead: to these I gave the benefit of the doubt.


"_The Hardest Work Is No Work at All_"

One Sunday night I told a hundred men in the Bismarck that the reason
they had no work was, that they were loafers and didn't want work.
This was in accordance with my theory--the prevailing theory--that
poverty is the child of sin, that lack of work is the fruit of
shiftlessness. I offered to change clothes with any man in the house,
and to go out in the world and show him how to get a job. The
challenge was accepted instantly--by an Irishman.

I wisely changed the article of agreement regarding clothes; I got up
my own outfit! Next morning, at half-past five, I met Tim, the man who
had accepted the challenge, and we proceeded to the labor-market.

From the "want" columns of the morning papers we selected a few bits
of labor bait. We ran them down, failed to find anything, and turned
to the shops and factories on the West Side. The answers were
monotonous. "Full up," they said, or a card at the door or gate
announced that the firm had a "full complement." I felt like a
mendicant. I found myself begging for work in a subservient tone and
manner. In one place, I remember, I said, "For God's sake." The
superintendent laughed and waved us away.

"The harrudest work, for sure, is no worruk at all, at all!" said my
companion, by way of sympathy.

It was mid-afternoon; I was growing desperate with my sense of
failure, and at this point I launched a scheme which had been growing
in my mind for hours.

"Keep close to me now, Tim," I said, and I led him into a drug-store
at the corner of Grand Street and the Bowery.

"Sir," I said to the clerk, "you are not accustomed to giving credit,
I know; but perhaps you might suspend your rule for once and trust a
stranger for a very small sum?"

"What is't?" asked the clerk, with something of a sneer.

"I am hungry and thirsty. I have looked for work since five o'clock,
and have utterly failed to find it. Now I have a scheme; I know it
will work. Oxalic acid eats away rust. If I had five cents' worth, I
could make a dollar an hour--I know I could."

The clerk listened and looked. He was good enough to say that I didn't
talk like a bum, though I looked like one. He inquired anxiously if I
was "off my hook." At last he said: "By ----! I've been on the Bowery
a long time, and haven't been sold once. If you're a skin-game man,
I'll throw up my job!" I got the acid.

Then I played the same game in a tailor-shop for rags and in a
hardware store for some polishing-paste. The stock cost fifteen
cents--on credit.

There used to be a big dry-goods store on the east side of Chatham
Square. It had two immense brass signs.

"Nawthin' doin'," said the man, when I applied for the job of cleaning
them. Nevertheless, I cleaned and polished a square foot of one big
sign. The boss looked at it, and then at Tim and me.

"I'll clean both for a dime," I said.

"Well, go ahead," he said. The Cleaning Company went from store to
store until we had enough money for our bills, a meal, and a surplus
in the treasury.

As we sat down to dinner at "Beefsteak John's," I handed Tim the
surplus, and rather impatiently probed for his acknowledgment of my
victory. I had made good, and wanted all that was due me.

"What do you think of it, Tim?" I asked, with an air of satisfaction
and confidence.

"Shure, ye're a janyus, yer Honor; no doubt av that at all, at all;
but----"

"Go on!" I said.

"I was jist switherin', yer Honor, what a wontherful thing ut is that
a man kin always hev worruk whin he invints ut!"

"Well, that's worth knowing," I said disappointedly. "Did you learn
anything else?"

"Well, it takes to do that thrick what most av us hevn't got; ut takes
brains, sor--ut takes brains!"

"Why don't you have brains, then?"

He looked dumbly at me, and hung his head.

"I dunno--I dunno," he muttered.

The men at the Bismarck needed no urging to attend the meeting the
following Sunday. Grogan had told his story; they were anxious to hear
mine. The room was crowded to suffocation. They stood on the benches;
they sat on the window-sills--everywhere; from all directions, the
eyes of that dull, heavy human mass were penetrating me.

I was frank and explicit in my analysis of the experiment. I had no
idea that Grogan would speak, but he did, and his speech was pointed.

"Whin ye talk religion, mister," he said, "ye're O.K.; but whin ye say
we're lazy hobos, all av us, ye're spakin' round the rim av yer hat!"

Grogan made the crowd laugh when he told them how I had been turned
away from shops and factories.

"Some av us poor divils hev done that same," he said, "fur weeks--until,
begobs, we wisht we wur dead or hung or anythin'!"

I was about to close the meeting, when an old man known as "Judge"
shuffled out to the front and asked permission to speak. He was a man
of education whom I had not hitherto been able to engage in
conversation.

The Judge administered a scathing rebuke, closing with a touch of
humor, which was lost on the crowd. I stood there in the midst of a
handful of friends, who mingled their pity with indignation. I took
what belonged to me, and thanked the old man. The experiment exploded
some of my theories and sent me to the school of facts.


_Graf von "Habenichts"_

Nothing in the life of the bunk-house was more noticeable than the way
men of intelligence grouped themselves together. Besides the Judge,
there was an ex-Parliamentarian, an ex-lawyer, an ex-soldier of
Victoria, and a German Graf. I named them the "Ex-Club." Every morning
they separated as though forever. Every night they returned, and
looked at one another in surprise.

At election-time both political parties had access to the register,
and every lodger was the recipient of two letters. Between elections a
letter was always a matter of sensational interest; it lay on the
clerk's table, waiting to be claimed, and every lodger inspected it as
he passed. Scores of men who never expected a letter would pick it up,
handle it in a wistful and affectionate manner, and regretfully lay it
down again. I have often wished I could analyze the thoughts of these
men as they handled tenderly these rare visitors conducted by Uncle
Sam into the bunk-house of Blind Alley.

It was a big letter with red seals and an aristocratic monogram that
first drew attention to a new-comer who had signed himself "Hans
Schwanen." "One-eyed Dutchy" had whispered to some of his friends that
the recipient of the letter was a real German Graf.

He was about sixty years of age, short, rotund, corpulent. His head
was bullet-shaped and set well down on his shoulders. His clothes were
baggy and threadbare, his linen soiled and shabby. He had blue eyes,
harsh red hair, and a florid complexion. When he arrived, he brought
three valises. Everybody wondered what he could have in them.

The bouncer was consumed with a desire to examine the contents, and,
as bouncer and general floor-manager of the house, expected that they
would naturally be placed under his care. When, however, it was
announced that the new-comer had engaged One-eyed Dutchy as his valet,
the bouncer swore and said "he might go to ----."

There was something peculiar and mysterious in a ten-cent guest of the
Bismarck hiring a valet. "Habenichts" kept aloof from the crowd. He
had no friends, and would permit no one to establish any intercourse
with him.

Dutchy informed an intimate friend that the Graf received a check from
Germany every three months. While it lasted, it was the valet's duty
to order, pay for, and keep a record of all food and refreshment. When
the bouncer told me of these things, I tried very hard to persuade the
Graf to dine at my house; but he declined without even the formality
of thanks. After a few months the revenue of the mysterious stranger
dried up. One-eyed Dutchy was discharged.

A snow-storm found the old Graf with an attack of rheumatism, and
helpless. Then he was forced to relinquish his ten-cent cot and move
upstairs to a seven-cent bunk. When he was able to get out again, he
came back, dragging up the rickety old stairs a scissors-grinder.
Several of the guests offered a hand, but he spurned them all, and
stuck to his job until he got it up.

Another snow-storm brought back his rheumatism; he got permission to
sit indoors. The old wheel lay idle in the corner; he was hungry, and
his pipe had been empty for a day and a night, but still he sat bolt
upright, in pain, alone, with starvation staring him in the face. The
third day of his involuntary fast he got a letter. It contained a
one-dollar bill. The sender was watching at a safe distance, and he
recorded that the Graf's puzzled look almost developed into a smile.
He gathered himself together and hobbled out to a near-by German
saloon. Next day came the first sign of surrender. He accepted a
commission to take a census of the house. This at least helped to thaw
him out, but it didn't last long.

Because his rheumatism prevented him from pushing his wheel through
the streets, I secured him a corner in a locksmith's basement. He had
not been there many weeks when he disappeared. The locksmith told a
story which seemed scarcely credible. He said the old Graf had sold
his wheel and given the proceeds to an Irishwoman to help defray the
funeral expenses of her child.

Some months later, Allen, the clerk, got a postal-card from One-eyed
Dutchy. He was on the Island, and the Graf and he were working
together on the ash gang. I helped to get him off the Island--at his
own urgent solicitation. I myself considered him much better off where
he was.

When the Graf returned to the bunk-house, every one who had ever seen
him noted a wonderful change. He no longer lived in a shell. He had
become human, and took an interest in what was going on. One night,
when a few of the Ex-Club were exchanging reminiscences, he was
prevailed upon to tell his story. He asked us to keep it a secret for
ten years. The time is up, and I am the only one of that group alive.


_The Tale of the Old German Noble_

"In 1849 it was; my brother and I students were in Heidelberg. Then
broke out the Revolution. Two years less of age was I, so to him was
due my father's title and most of the estate. 'What is revolution?'
five of us students asked. 'We know not; we will study,' we all said,
and we did. For King and fatherland our study make us jealous, but my
brother was not so.

"'I am revolutionist!' he says, and we are mad to make him different.

"'The King is one,' he said, 'and the people are many, and they are
oppressed.'

"I hate my brother, and curse him, till in our room he weeps for
sorrow. I curse him until he leaves.

"By and by in the barricades he finds himself fighting against the
King. In the fight the rebels are defeated and my brother escapes.
Many are condemned and shot. Not knowing my heart, my mother writes to
me that my brother is at home.

"I lie in my bed, thinking--thinking. Many students have been shot for
treason. Love of King and fatherland, and desire to be Graf, are two
thoughts in my heart.

"I inform. My brother is arrested, and in fortress is he put to be
shot.

"Four of us students of patriotism go to see. My heart sinks to see my
brother, so white is he and fearless. His eyes are bright like fire,
and he stands so cool and straight.

"'I have nothing but love,' he says; 'I love the cause of truth and
justice. To kill me is not to kill the truth; where you spill my blood
will revolution grow, as flowers grow by water. I forgive.'

"Then he sees me. 'Hans!' he says, 'Hans!' He holds out his arms. 'I
want to kiss my brother,' he says. The general he says, 'All right.'

"But I love the King. 'No! I have no brother! I will not a traitor
kiss!'

"My Gott! how my brother looks! He looks already dead--so full of
sorrow is he.

"A sharp crack of guns! They chill my heart, and down dead falls my
brother.

"I go away, outside glad, but in my heart I feel burn the fires of
hell. Father and mother in one year die for sorrow. Then I am Graf.

"I desire to be of society, but society will not--it is cold. Guests
do not come to my table. Servants do not stay. They tell that they
hear my mother weep for sorrow in the night. I laugh at them, but in
my heart I know them true. Peasants in the village hide from me as I
come to them.

"But my mind is worse. Every night I hear the crack of the rifles--the
sound of the volley that was my brother's death. Soldiers I get, men
of the devil-dare kind, to stay with me. They do not come back; they
tell that they hear tramp, tramp, tramp of soldiers' feet.

"One night, with the soldiers, I take much wine, for I say, 'I shall
be drunk and not hear the guns at night.'

"We drink in our noble hall. Heavy doors are chained, windows barred,
draperies close arranged, and the great lamp burns dim. We drink, we
sing, we curse God und das Gesindel. 'We ourselves,' we say, 'are
gods.'

"Then creeps close the hour for the guns. My tongue is fast and cannot
move; my brow is wet, and frozen is my blood.

"Boom! go the guns; then thunder shakes the castle, lightning flashes
through draperies, and I fall as dead.

[Illustration: THE BUNK-HOUSE]

"Was I in a dream? I know not. I did not believe in God; I did not
believe in heaven or in hell; yet do I see my past life go past me in
pictures--pictures of light in frames of fire: Two boys, first,--Max,
my brother, and I,--playing as children; then my mother, weeping for
great sorrow; then the black walls of the great fortress--my brother
with arms outstretched. Again my blood is frozen, again creeps my
skin, and I hear the volley and see him fall to death. I fear. I
scream loud that I love the King, but in my ear comes a voice like
iron--'Liar!' A little girl then, with hair so golden, comes and wipes
the stain of blood from my brow. I see her plain.

"Then I awake. I am alone; the light is out; blood is on my face. I am
paralyzed with fear, so I cannot stand. When I can walk, I leave, for
I think maybe that only in Germany do I hear the guns. For twenty
years I live in Spain. Still do I hear the guns.

"I go to France, but yet every night at the same hour freezes my blood
and I hear the death volley.

"I come to America, which I have hated, yet never a night is missed.
It is at the same hour. What I hate comes to me. Whatever I fear is
mine. To run away from something is for me to meet it. My estate is
gone; money I have not. I sink like a man in a quicksand, down, down,
down. I come here. Lower I cannot."

"One day in the Bend, where das Gesindel live, I see the little
girl--she of the golden hair, who wiped my stain away.

"But she is dead. I know for sure the face. What it means I know not.
Again I fall as dead.

"I have one thing in the world left--only one; it is my scissors-grinder.
I sell it and give all the money to bury her. It is the first--it is the
only good I ever did. Then, an outcast, I go out into the world where no
pity is. I sit me down in a dark alley; strange is my heart, and new.

"It is time for the guns--yet is my blood warm! I wait. The volley
comes not!

"The hour is past!

"'My Gott! My Gott!' I say. 'Can this be true?' I wait one, two, three
minutes; it comes not. I scream for joy--I scream loud! I feel an iron
hand on me. I am put in prison. Yet is the prison filled with
light--yet am I in heaven. The guns are silent."

One day a big letter with several patches of red sealing-wax and an
aristocratic monogram arrived at the bunk-house.

Nearly two hundred men handled it and stood around until the Graf
arrived. Every one felt a personal interest in the contents. It was
"One-eyed Dutchy" who handed it to the owner, and stood there watching
out of his single eye the face of his former master. The old man
smiled as he folded the letter and put it into his pocket, saying as
he did so: "By next ship I leave for Hamburg to take life up where I
laid it down."


_A Statesman Under a Cloud_

I was sitting on the bench near the door in the bunk-house one day at
twilight, when I noticed a profile silhouetted against the window. I
had seen only one profile like that in my life, and that was when I
was a boy.

I moved closer. The man sat like a statue. His face was very pale, and
he was gazing vacantly at the walls in the rear of the building.

Finally I went over and sat down beside him.

"Good evening," he said quietly, in answer to my salutation.

I looked into his face--a face I knew when a boy, a face familiar to
the law-makers of Victoria for a quarter century.

I called him by name. At the sound of his own name his paleness turned
to an ashy yellow.

"In Heaven's name," I said, "what are you doing here?"

He looked at me with an expression of excruciating pain on his face,
and said:

"I have traveled some thousands of miles in order to be alone; if you
have any kindness, any pity, leave me."

"Pardon me," I said, "for intruding."

That night the Ex-Club invited him to take part in their deliberations.
He refused, and his manner showed that he considered the invitation
an insult.

I had known this man as a brilliant orator, a religious leader, the
champion of a sect. In a city across the sea I had sat as a
bare-legged boy on an upturned barrel, part of an immense crowd,
listening to the flow of his oratory. Next day he left the bunk-house.
Some weeks afterward I found him on a curbstone, preaching to whoever
of the pedestrians would listen.

At the close of his address I introduced myself again. He took me to
his new lodging, and I put the questions that filled my mind. For
answer, he gave me the House of Commons Blue Book, which explained the
charge hanging over him. Almost daily, for weeks, I heard him on his
knees proclaim his innocence of the unmentionable crime with which he
was charged. After some weeks of daily association, he said to me: "I
believe you are sent of God to guide me, and I am prepared to take
your advice."

My advice was ready. He turned pale as I told him to pack his trunk
and take the next ship for England.

"Face the storm like a man!" I urged, and he said:

"It will kill me, but I will do it."

He did it, and it swept him to prison, to shame, and to oblivion.


_A St. Francis of the Bunk-house_

One Sunday afternoon I was going through the dormitories, calling the
lodgers to prayer. On one of the ten-cent cots an old white-haired man
was reading a life of Buffalo Bill. His face was marred by a scar over
one of the eyes. He spoke gently and with a pronounced Irish accent.

[Illustration: "ONE NIGHT THE GRAF WAS PREVAILED UPON TO TELL HIS STORY"]

"I am an Episcopalian," he said, when I invited him below to the
meeting.

"We have all denominations," I assured him. Everybody in the
bunk-house had a connection, more or less remote, with some sect.

"Say," said the bouncer, concerning the old man, "dat ol' duffer's got
de angel goods on him O.K."

[Illustration: THE SITTING-ROOM OF THE BISMARCK]

His name was Edward Dowling. He was a gentleman. He had soldiered
under Sir Colin Campbell and Sir Henry Havelock in India. Later he
owned a ranch in the West. Then an accident deprived him of the use of
an eye, and he spent all he had in trying to preserve his sight.
Homeless and penniless on the streets of New York, he had learned to
do tinkering and the mending of umbrellas.

In his poverty he drifted to the bunk-house.

The following Sunday, at our meeting, he had an awakening which
reminded me of the account of Paul's conversion on the way to
Damascus. It revolutionized his mental processes, and he began to give
outward expression to his new-found inner joy.

He would buy some stale bread overnight, and early in the morning he
would make coffee on the bunk-house stove in a quart tomato-can. Each
man, before he left the place, had a bite of stale bread and at least
a mouthful of warm coffee. Then they would uncover their heads while
the old man asked God to bless them for the day.

He tinkered for a living, but his vocation became the conversion of
men. From these small beginnings in quiet evangelism, he branched out
into work of the same kind among the tenements. He mended pots,
kettles, and pans, and charged for the job a chapter in the Bible. I
came on him suddenly one morning in an alley. Snow was on the ground,
and he was reading a chapter with his face close to a broken pane. It
appeared he had done some soldering for an Irishwoman, and asked the
privilege of reading to her.

"Begorra," she said, "the house isn't fit to read the Holy Book in,
but if yez w'u'dn't mind reading through the window, I'll take the
rags out."

So she took the bundle out of the broken pane, and Dowling bent over
and read his chapter.

When the Rev. John Hopkins Dennison took charge of the old Church of
Sea and Land, he established a sort of latter-day monastery in the old
square tower, and there Brother Dowling had a cell, where he lived
and worked among the poor for many years.

In an escapade with two other soldiers in the Sepoy rebellion, Dowling
had looted the palace of a raja. In the act of burying several canes
filled with diamonds, one of the three was shot dead. Dowling and the
other escaped. One day on the Bowery, forty years afterward, a man
laid his hand on Dowling's shoulder and asked him what he did with the
loot. It was the other man.

"What did _you_ do with it?" Dowling asked. Each had lived in the
belief that the other had got away with it.

The tinker-preacher was very much stirred up over this. He wrote
at once to the governor-general of India, told the whole story,
and offered to come out and locate the stolen booty. Money was
appropriated to pay his passage, but the old man was going on another
journey. He wrote a full description of the place and transaction,
and then lay down in the tower of the old church and died.


_"Doc," our Volunteer Organist_

"Say, Bub," said Gar, the bouncer, to me one day, "what ungodly hour
of the mornin' d'ye git up?"

"At the godly hour of necessity," I replied.

"Wal, I hev a pal I want ter interjooce to ye at six."

I met the bouncer and his "pal" at the corner of Broome Street and the
Bowery next morning at the appointed hour.

"Dat's Doc!" said Gar, as he clapped his hand on his friend's head.

His friend bowed low and in faultless English said: "I am more than
pleased to meet you."

"I can give ye a pointer on Doc," the big fellow continued. "If ye tuk
a peaner t' th' top av a mountain an' let her go down the side sorter
ez she pleases, 'e cud pick up the remains an' put thim together so's
ye w'u'dn't know they'd been apart. Yes, sir; that's no song an'
dance, an' 'e c'u'd play any chune iver invented on it."

[Illustration: "I NOTICED A PROFILE SILHOUETTED AGAINST THE WINDOW"]

"Doc" laughed and made some explanations. They had a wheezy old organ
in Halloran's dive, and Doc kept it in repair and played occasionally
for them. Doc had a Rip Van Winkle look. His hair hung down his back,
and his clothes were threadbare and green with age. His shoes were
tied to his feet with wire, and stockings he had none. He was a
New-Englander, and had studied medicine until his sheep-skin was
almost in his hand. Then Doc slipped a cog and went down, down, down,
until he landed at Halloran's dive. For twelve years he had been
selling penny song-sheets on the streets and in saloons. He was
usually in rags, but a score of the wildest inhabitants of that awful
dive told me that Doc was their "good angel." He could play the songs
of their childhood, he was kind and gentle, and men couldn't be vulgar
in his presence.

I saw in Doc an unusual man, and was able to persuade him to go home
with me. In a week he was a new man, clothed and in his right mind. He
became librarian of a big church library, and our volunteer organist
at all the Sunday meetings.

After two years of uninterrupted service as librarian, during which
time Doc had been of great service in the bunk-house, I lost him. Five
years later, crossing Brooklyn Bridge on a car, I passed Doc, who was
walking in the same direction. At the end of the bridge, I planted
myself in front of him. "Doc," I said, "you will never get away from
me again!" I took him to New Haven, where he has been janitor of a
hall in Yale University ever since.


_Gar, Bouncer of the Bismarck_

I have mentioned Gar, or Garfield, bouncer of the Bismarck. A strong,
primitive man, he is worth a chapter in himself. When I met him
first, I was scrubbing. Before I came, the Bismarck floor, like the
Bismarck linen, was cleaned once a month. Having made the house my
headquarters, I took some pride in it. I got permission to scrub
that floor mid-month, and, dressed in a suitable outfit, I proceeded
with the job. I hadn't gone far when a tall, gaunt form lurched into
the room.

"Hello," he grunted.

"Hello," I said, as I paused for a moment.

"What's up?" he asked.

"You haven't seen me before, have you?" I asked.

"Don't know ye from a hole in the ground!"

"Well, I'm the missionary, and as there's a vital connection between
soap and salvation, I'm making a beginning on the floor. When I finish
this, I'll try my hand on you."

He laughed a hoarse, guttural laugh, and said:

"Don't git bug-house, boss; ye'd wind up jest whar ye've begun!"

[Illustration: ST. FRANCIS OF THE BUNK-HOUSE]

He had several names; his real name was Brady. In the bunk-house
they called him "Gar." He was bull-necked, bullet-headed, tall,
round-shouldered, stooped. The story of a hard life was in his
face. He had been in the army, but they couldn't drill him. They
couldn't even get rid of his stoop. He must have looked like a
gorilla with a gun. In the Bismarck, he became the terror of the
lesser breeds--the king by right of conquest.

Gar was a challenge to me, for I saw in him something wild, untamed,
and, perhaps, untamable. I resolved to dispute with my own methods his
mastery of the place. Such was his power over the other men that,
could I only conquer him, the rest would be easy. I concentrated on
Gar.

It was virgin soil. He was ignorant of the vocabulary of religion.
This was the more amazing because he had spent fifteen or twenty years
in prisons. His special difficulty, I found, was intemperance. My
first task was to cure him of that.

One night, as he approached his bunk, he found me stretched out on the
next one.

"Well, I'll be----," he said.

"What's the matter, Gar?"

"Dat's what I ask youse. What's wrong with your machinery? Have ye
been rejooced to the ranks, or has Gawd bounced ye?"

I went up close and whispered in his ear:

"Look here, old man, I'm glued to you; night, noon, and day, I'm going
to eat, sleep, loaf, work, and play with you until every shred of your
miserable soul belongs to God."

He laughed loud enough to wake every man in the dormitory.

"Sonny," he said, "I'll give ye three nights, and if ye haven't lost
yer little goat be dat time, I'll set up de drinks fur all hands at
Halloran's."

Then Gar set out to make good in the rôle of a prophet. At first he
tried to disgust me. He kept up a rapid fire of the most vulgar
profanity. That night he started several fights, and put the light out
in the dormitory. The men, yelling for light, ran about, smashing
every one in their way. When things quieted down, he asked me how I
liked the entertainment. I complained that it was tame.

"Gee!" he said, "youse must 'a' been a barker at Coney!"

I kept him sober for a week; then he went back to his cups, and in a
frenzy he nearly killed a bartender. I found him hiding in a
rag-picker's basement. It appeared that the man had used the name of
Christ in a vile connection, and Gar became a champion of the
Nazarene.

"Hangin'," said Gar, "is too dead easy fur d' sucker what keeps cool
when Jesus's insulted. Dat's d' fust time I ever soaked a guy on
account of religion, an', b'jiminy, I'm tickled t' death over it."

When Gar squared himself again, he began a wholesale house-cleaning in
the bunk-house. He persuaded the management to make several outlays,
and he gave himself to the work. We installed a book-case and books,
and Gar himself selected some chromos to hang around. Over a dent in
the wall, made by a chair with which he had tried to kill a man, he
hung this motto: "Let Brotherly Love Continue."

For ten years Gar struggled to be master of himself. He spent some
years in a soldiers' home, but it was against his principles to die in
such a tame institution. He wound up where he had spent his strange
career--in Chatham Square.

A bunk-house man--old and half blind--was crossing the street, and
roaring down on him came a Third Avenue car. It was Gar's one
opportunity, and, with a spring, he pushed the old fellow on his face
out of danger, but the wheels pinned Gar to the rails.

"I kin tell ye, boys," he said to the few friends who lingered around
his cot at the close, "I'll do no simperin' around God wid hard-luck
stories; I'll take what's comin' an' vamoose to m' place--whether up
or down."

There was a slight pressure of the big hands, then they became limp
and cold.

The bouncer was dead.



THE KING OF THE BABOONS

BY PERCEVAL GIBBON

ILLUSTRATION BY EUGENE HIGGINS

[Illustration: "THEY SAT ON THEIR RUMPS OUTSIDE THE CIRCLE OF KAFIRS"]


The old yellow-fanged dog-baboon that was chained to a post in the
yard had a dangerous trick of throwing stones. He would seize a piece
of rock in two hands, stand erect and whirl round on his heels till
momentum was obtained, and then let go. The missile would fly like a
bullet, and woe betide any one who stood in its way! The performance
precluded any kind of aim,--the stone was hurled off at any chance
tangent,--and it was bad luck rather than any kind of malice that
guided one three-pound boulder through the window, across the kitchen,
and into a portrait of Judas de Beer which hung on the wall not half a
dozen feet from the slumbering Vrouw Grobelaar.

She bounced from her chair and ballooned to the door with a silent,
swift agility most surprising to see in a lady of her generous build,
and not a sound did she utter. She was of good veldt-bred fighting
stock, which never cried out till it was hurt, and there was even
something of compassion in her face as Frikkie jumped from the stoop
with a twelve-foot thong in his hand. After all, it was the baboon
that suffered most, if his yells were any index to his feelings.
Frikkie could smudge a fly ten feet off with just a flick of his whip,
and all the tender parts of the accomplished animal came in for
ruthless attention.

"He ought to be shot," was Frikkie's remark as he coiled up the thong,
at the end of the discipline. "A baboon is past teaching if he has bad
habits. He is more like a man than a beast."

The Vrouw Grobelaar seated herself in the stoop-chair which by common
consent was reserved for her use, and shook her head.

"Baboons are uncanny things," she answered slowly. "When you shoot
them, you can never be quite sure how much murder there is in it. The
old story is that some of them have souls and some not; and it is
quite certain that they can talk when they will. You have heard them
crying in the night sometimes. Well, you ask a Kafir what that means.
Ask an old wise Kafir, not a young one that has forgotten the wisdom
of the black people and learned only the foolishness of the white."

"What does it mean, Tante?" It was I who put the question. Katje, too,
seemed curious.

The old lady eyed me gloomily.

"If you were a landed Boer instead of a kind of schoolmaster," she
replied witheringly, "you would not need to ask such a question. But I
will tell you. A baboon may be wicked,--look at that one showing his
teeth and cursing!--but he is not blind nor a fool. He runs about on
the hills, and steals and fights and scratches, and all the time he
has all the knowledge and twice the strength of a man, if it were not
for the tail behind him and the hair on his body. So it is natural
that sometimes he should be grieved to be such a mean thing as a
baboon, when he could be a useful kind of man if the men would let
him. And at nights, particularly, when their troop is in laager and
the young ones are on watch among the high rocks, it comes home to the
best of them, and they sob and weep like young widows, pretending that
they have pains inside, so that the others shall not feel offended and
turn on them. Any one may hear them in the kloofs on a windless night,
and, I can tell you, the sound of their sorrow is pitiful."

Katje threw out a suggestion to console them with buckshot, and the
Vrouw Grobelaar nodded meaningly.

"To hate baboons is well enough in the wife of a burgher," she said
sweetly. "I am glad to see there is so much fitness and wifeliness
about you, since you will naturally spend all your life on farms."

Katje's flush was a distress-signal. First blood to the Vrouw.

"Baboons," continued the old lady, "are among a farmer's worst
enemies; they steal and destroy and menace all the year around. But,
for all that, there are many farmers who will not shoot or trap them.
And these, you will notice, are always farmers of a ripe age and sense
shaped by experience. _They_ know, you may be sure. My stepsister's
first husband, Shadrach van Guelder, shot at baboons once, and was so
frightened afterwards that he was afraid to be alone in the dark."

There was a story toward, and no one moved.

"There were many Kafirs on his farm, which you have not seen," pursued
the Vrouw Grobelaar, adjusting her voice to narrative pitch. "It was
on the fringe of the Drakensberg, and many spurs of hill, divided by
deep kloofs like gashes, descended on to it. So plenty of water came
down, and the cattle were held from straying by the rocks, on one side
at any rate. The Kafirs had their kraals dotted all about the land;
and as they were of the kind that work, my stepsister's husband
suffered them to remain and grow their little patches of mealies,
while they worked for him in between. He was, of course, a cattle
Boer, as all of our family have always been, but here were so many
Kafirs to be had for nothing that he soon commenced to plow great
spaces of land and sow valuable crops. There was every prospect that
we would make very much money out of that farm; for corn always sells,
even when cattle are going for only seven pounds apiece, and Shadrach
van Guelder was very cheerful about it.

"But when a farmer weighs an ungrown crop, you will always find that
there is something or other he does not take into account. He tells
off the weather and the land and the Kafirs and the water on his
fingers, and forgets to bend down his thumb to represent God--or
something. Shadrach van Guelder lifted up his eyes to the hills from
whence came the water, but it was not until the green corn was six
inches high that he saw that there came with it baboons--armies and
republics of them; more baboons than he had thought to exist. They
swooped down on his sprouting lands, and rioted, ate, and rooted,
trampled and wantoned, with that kind of bouncing devilishness that
not even a Kafir can correctly imitate. In one night they undid all
his work on five sown morgen of fat land, and with the first wink of
the sun in the east they were back again in their kopjes, leaving
devastation and foulness wherever they passed.

"It was my stepsister's husband that stood on one leg and cursed like
a Jew. He was wrathful as a Hollander that has been drinking water,
and what did not help to make him content was the fact that hardly
anything would avail to protect his lands. Once the baboons had tasted
the sweetness of the young corn, they would come again and again,
camping in the kloofs overhead as long as anything remained for them,
like a deaf guest. But, for all that, he had no notion of leaving them
to plunder at their ease. The least one can do with an unwelcome
visitor is to make him uncomfortable; and he sent to certain kraals on
the farm for two old Kafirs he had remarked who had the appearance of
cunning old men.

"They came and squatted before him, squirming and shuffling, as Kafirs
do when a white man talks to them. One was quite a common kind of
Kafir, gone a little gray with age, a tuft of white wool on his chin
and little patches of it here and there on his head. But the other was
a small, twisted, yellow man, with no hair at all, and eyes like
little blots of fire on a charred stick; and his arms were so long and
gnarled and lean that he had a bestial look, like a laborious animal.

"'The baboons have killed the crop on the lower lands,' said Shadrach,
smacking his leg with his sjambok. 'If they are not checked, they will
destroy all the corn on this farm. What is the way to go about it?'

"The little yellow man was biting his lips and turning a straw in his
hands, and gave no answer; but the other spoke.

"'I am from Shangaanland,' he said, 'and there, when the baboons
plague us, we have a way with them, a good way.'

"He sneered sideways at his yellow companion as he spoke, and the look
which the latter returned to him was a thing to shrink from.

"'What is this way?' demanded Shadrach.

"'You must trap a baboon,' explained the old Kafir,--'a leading
baboon, for choice, who has a lot to say in the government of the
troop; and then you must skin him, and let him go again. The others
will travel miles and miles as soon as they see him, and never come
back again.'

"'It makes me sick to think of it,' said Shadrach. 'Surely you know
some other way of scaring them?'

"The old Kafir shook his head slowly, but the yellow man ceased to
smile and play with the straw, and spoke:

"'I do not believe in that way, baas. A Shangaan baboon'--he grinned
at his companion--'is more easily frightened than those of the
Drakensberg. I am of the bushmen, and I know. If you flay one of those
up yonder, the others will make war, and where one came before, ten
will come every night. A baboon is not a fat, lazy Kafir; one must be
careful with him!'

"'How would _you_ drive them away, then?' asked Shadrach.

"The yellow man shuffled his hands in the dust, squatting on his
heels. There, there! See--the baboon in the yard is doing the very
same thing!

"'If I were the baas,' said the yellow man, 'I would turn out the
young men to walk round the fields at night, with buckets to hit with
sticks, and make a noise. And I--well, I am of the bushmen.' He
scratched himself and smiled emptily.

"'Yes, yes?' demanded Shadrach. He knew the wonderful ways of the
bushmen with some animals.

"'I do not know if anything can be done,' said the yellow man, 'but,
if the baas is willing, I can go up to the rocks and try.'

"'How?'

"But he could tell nothing. None of these wizards that have charms to
subdue the beasts can tell you anything about it. A Hottentot will
smell the air and say what cattle are near, but if you bid him tell
you how he does it, he giggles like a fool and is ashamed.

"'I do not know if anything can be done,' the yellow man repeated. 'I
cannot promise the baas, but I can try.'

"'Well, try, then,' ordered Shadrach, and went away to make the
necessary arrangements to have the young Kafirs in the fields that
night.

"They did as he bade, and the noise was loathsome--enough to frighten
anything with an ear in its head. The Kafirs did not relish the watch
in the dark at first, but when they found that their work was only to
thump buckets and howl, they came to do it with zest, and roared and
banged till you would have thought a judgment must descend on them.
The baboons heard it, sure enough, and came down, after a while, to
see what was going on. They sat on their rumps outside the circle of
Kafirs, as quiet as people in a church, and watched the niggers
drumming and capering as though it were a show for their amusement.
Then they went back, leaving the crops untouched, but pulling all the
huts in one kraal to pieces as they passed. It was the kraal of the
old white-tufted Shangaan, as Shadrach learned afterwards.

"Shadrach was pleased that the row had saved his corn, and next day he
gave the twisted man a lump of tobacco. The man tucked it into his
cheek and smiled, wrinkling his nose and looking at the ground.

"'Did you get speech of the baboons last night among the rocks?'
Shadrach asked.

"The other shook his head, grinning. 'I am old,' he said. 'They pay no
attention to me, but I will try again. Perhaps, before long, they will
listen.'

"'When they do that,' said Shadrach, 'you shall have five pounds of
tobacco and five bottles of dop.'

"The man was squatting on his heels all this time at Shadrach's feet,
and his hard fingers, like claws, were picking at the ground. Now he
put out a hand and began fingering the laces of the farmer's shoes
with a quick, fluttering movement that Shadrach saw with a spasm of
terror. It was so exactly the trick of a baboon, so entirely a thing
animal and unhuman.

"'You are more than a baboon yourself,' he said. 'Let go of my leg.
Let go, I say! Curse you, get away--get away from me!'

"The creature had caught his ankle with both hands, the fingers, hard
and shovel-ended, pressing into his flesh.

"'Let go!' cried Shadrach, and struck at the man with his sjambok.

"The man bounded on all fours to evade the blow, but it took him in
the flank, and he was human--or Kafir--again in a moment, and rubbed
himself and whimpered quite naturally.

"'Let me see no more of your baboon tricks,' stormed Shadrach, the
more angry because he had been frightened. 'Keep them for your friends
among the rocks. And now, be off to your kraal.'

"That night again the Kafirs drummed all about the green corn, and
sang in chorus the song which the mountain Kafirs sing when the new
moon shows like a paring from a finger-nail of gold. It is a long and
very loud song, with stamping of feet every minute, and again the
baboons came down to see and listen. The Kafirs saw them, many
hundreds of humped black shapes, and sang the louder, while the crowd
of beasts grew ever denser as fresh parties came down and joined it.
It was opposite the rocks on which they sat that the singing-men
collected, roaring their long verses and clattering on the buckets,
doubtless not without some intention to jeer at and flout the baffled
baboons that watched them in such a silence. It was drooping now to
the pit of night, and things were barely seen as shapes, when from
higher up the line, where the guardians of the crops were sparser,
there came a discord of shrieks.

"'The baboons are through the line!' they cried; and it was on that
instant that the great watching army of apes came leaping in a charge
on the main force of the Kafirs. Oh, but that was a wild, a haunting
thing! Great, bull-headed dog-baboons, with naked fangs and clutching
hands alert for murder; bounding mothers of squealing litters that led
their young in a dash to the fight; terrible, lean old bitches that
made for the men when others went for the corn,--they swooped like a
flood of horror on the aghast Kafirs, biting, tearing, bounding
through the air like uncouth birds; and in one second the throng of
the Kafirs melted before them, and they were amid the corn.

"Eight men they killed by rending, and of the others, some sixty,
there was not one but had his wound--some bite to the bone, some gash
where iron fingers had clutched and torn their way through skin and
flesh. When they came to Shadrach and woke him wearily, with the
breathless timidity of beaten men, it was already too late to go with
a gun to the corn-lands. The baboons had contented themselves with
small plunder after their victory, and withdrew orderly to the hills;
and, even as Shadrach came to the door of the homestead, he saw the
last of their marshaled line, black against the sky, moving swiftly
towards the kloofs.

"He flung out his hands like a man in despair, with never a word to
ease his heart, and then the old Shangaan Kafir stood up before him.
He had the upper part of his right arm bitten to the bone and worried,
and now he cast back the blanket from his shoulder and held out the
quivering wound to his master.

"'It was the chief of the baboons that gave me this,' he said, 'and he
is a baboon only in the night. He came through the ranks of them,
bounding like a boulder on a steep hillside, and it was for me that
his teeth were bared. So, when he hung by his teeth to my arm and tore
and snarled, I drew my nails across his back, that the baas should
know the truth.'

"'What is this madness?' cried Shadrach.

"'No madness, but simple deviltry,' answered the Shangaan, and there
came a murmur of support from the Kafirs about him. 'The leader of the
baboons is Naqua, and it was he who taught them the trick they played
us to-night.'

"'Naqua?' repeated Shadrach, feeling cold and weak.

"'The bushman,' explained the old man; 'the yellow man with the long,
lean arms who gave false counsel to the baas.'

"'It is true,' came the chorus of the Kafirs; 'it is true. We saw
it.'

"Shadrach pulled himself together and raised a hand to the lintel of
the door to steady himself.

"'Fetch me Naqua!' he ordered, and a pair of them went upon that
errand. But they came back empty: Naqua was not at his hut, and none
had news of him.

"Shadrach dismissed the Kafirs to patch their wounds, and at sun-up he
went down to the lands where the eight dead Kafirs still lay amid the
corn, to see what traces remained of the night's work. He had hoped to
find a clue in the tracks, but the feet of the Kafirs and the baboons
were so mingled that the ground was dumb, and on the grass there
remained, of course, no sign of the baboons' return. He was no fool,
my stepsister's first husband, and since a wild and belly-quaking tale
was the only one that offered, he was not ready to cast it aside till
a better one were found. At any rate, it was against Naqua that his
preparations were directed.

"He had seven guns in his house for which ammunition could be found,
and from among all the Kafirs on the land he chose a half-dozen Zulus,
who, as you know, will always rather fight than eat. These were only
too ready to face the baboons again, since they were to have guns in
their hands; and a kind of ambush was devised. They were to lie amid
the corn so as to command the flank of the beasts, and Shadrach was to
lie in the middle of them, and would give the signal when to commence
firing by a shot from his own rifle. There was built, too, a pile of
brushwood lying on straw soaked in oil, and this one of them was to
put a light to as soon as the shooting began.

"It was dark when they took their places, and then commenced a long
and anxious watch amid the corn, when every bush that creaked was an
alarm, and every small beast of the veldt that squealed set hearts to
thumping. From where he lay on his stomach, with his rifle before him,
Shadrach could see the line or ridge of rocks over which the baboons
must come, dark against a sky only just less dark; and, with his eyes
fixed on this, he waited. Afterwards he said that it was not the
baboons he waited for, but the yellow man Naqua, and he had in his
head an idea that all the evil and pain that ever was, and all the sin
to be, had a home in that bushman. So a man hates an enemy.

"They came at last. Five of them were suddenly seen on the top of the
rocks, standing erect and peering round for a trap; but Shadrach and
his men lay very still, and soon one of these scouts gave a call, and
then was heard the pat! pat! of hard feet as the body of them came up.
There was not light enough to tell one from another, except by size,
and as they trooped down amid the corn, Shadrach lay with his finger
throbbing on his trigger, peering among them. But he could see nothing
except the mass of their bodies, and, waiting till the main part of
them was past him, so that he could have a shot at them as they came
back, should it happen that they retired at once, he thrust forward
his rifle, aimed into the brown, and fired.

"Almost in the same instant the rifles of the Zulus spoke, and a
crackle of shots ran up and down their line. Then there was a flare of
light as the bonfire was lit, and they could see the army of baboons
in a fuss of panic dashing to and fro. They fired again and again into
the tangle of them, and the beasts commenced to scatter and flee, and
Shadrach and his men rose to their full height and shot faster, and
the hairy army vanished into the darkness, defeated.

"There was a guffaw of laughter from the Zulus, but, ere it was
finished, a shout from Shadrach brought their rifles leaping up again.
The baboons were coming back: a line of them was breaking from the
darkness beyond the range of the fire, racing in great leaps towards
the men. As they came into the light they were a sight to terrify a
host, all big tuskers, and charging without a sound. Shadrach, aiming
by instinct only, dropped two as they came, and the next instant they
were upon him. He heard the grunt of the Zulu next him as a huge beast
leaped against his chest and bore him down, and there were screams
from another. Then something heavy and swift drove at him like a
bullet, and he clubbed his rifle. As the beast flew, with hands and
feet drawn in for the grapple, he hewed at it with the butt and
smashed it to the ground. The stock struck on bone, and he felt it
crush and fail, and there was the thing at his feet.

"How they broke the charge, with what a frenzy of battle they drove
the baboons from them, none of the four who spoke again could ever
tell; but it must have been very soon after Shadrach clubbed his rifle
that the beasts wavered, were beaten, and fled screaming, and the
farmer found himself leaning on his weapon, and a great Zulu, shining
with sweat, talking to him.

"'Never have I had such a fight,' the Zulu was saying, 'and never may
I hope for such another! The baas is a great chief; I watched him.'

"Something was picking at Shadrach's boots, and he drew back with a
shudder from the form that lay at his feet.

"'Bring a stick from the fire,' he ordered. 'I want to see this--this
baboon.'

"As the man went, he ran a cartridge into the breech of his rifle,
and, when the burning stick was brought, he turned over the body with
his foot.

"A yellow face mowed up at him, and pale-yellow eyes sparkled dully.

"'Tck!' clicked the Zulu, in surprise. 'It is the bushman Naqua. No,
baas,' as Shadrach cocked his rifle, 'do not shoot him. Keep him and
chain him to a post; he will like that less.'

"'I shoot!' answered Shadrach, and shattered the evil grin that
gleamed in the face on the ground with a quick shot.

"And, as I told you, my stepsister's first husband, Shadrach van
Guelder, was afraid to be alone in the dark after that night,"
concluded the Vrouw Grobelaar. "It is ill shooting baboons, Frikkie."

"I'm not afraid," retorted Frikkie; and the baboon in the yard rattled
his chain and cursed shrilly.



ONE HUNDRED CHRISTIAN SCIENCE CURES

BY RICHARD C. CABOT, M.D.


What are we to think of the miraculous cures reported in Christian
Science "experience meetings" and in the columns of the Christian
Science journals? Are we to consider them as genuine and accurate
records of fact, or are we to reject them as fabrications?

It would be easy to deal with the subject by driving Christian
Scientists into a corner and logically refuting their claims; for if
it is true, as stated on page 120 of "Science and Health," that
"health is not a condition of matter but of mind, _nor can the
material senses bear reliable testimony on this subject_," of course
"the material senses" cannot be trusted when they testify that cancer,
consumption, broken bones, or locomotor ataxia have been cured by
Christian Science. There is no such thing as the diagnosis of these
diseases without reliance on the testimony of "the material senses."

But although it is easy thus to refute the Christian Scientists, such
refutation satisfies no one and proves nothing except their logical
bankruptcy. The victory over their weak-kneed theory is a barren one,
for is it not notorious that people's practice may be better than
their theory? Skill in logic and in the accurate statement of one's
principles may be very slight, and yet the successful application of
these misstated or absurd principles may be a fact and a blessing.

I shall therefore undertake to examine and to discuss Christian
Science cures, not from the point of view of logic or consistency, but
by a study of the written testimonials and of my own experience gained
in the attempt to verify the claims of those who pronounce themselves
cured.

Some years ago I followed up, so far as was possible through personal
interviews and through letters, all the Christian Science "cures" of
which I could hear any details in or near Boston. Within a short time
I have returned to the subject and studied one hundred of the cases
recorded in the recent volumes of the _Christian Science Journal_
under the caption, "Testimonies from the Field." Putting together this
evidence and comparing it with my experience regarding the accuracy of
my own patients' statements about their own diseases, past and
present, my conclusions are, first, that most Christian Science cures
are probably genuine; but, second, that they are not the cures of
organic diseases.

In my own personal researches into Christian Science "cures," I have
never found one in which there was any good evidence that cancer,
consumption, or any other organic disease had been arrested or
banished. The diagnosis was usually either made by the patient himself
or was an interpretation at second or third hand of what a doctor was
supposed to have said.

As I have followed up the reported cures of "cancer" and other
malignant tumors, I have found either that they were not tumors at
all, or that they were assumed to be malignant without any microscopic
examination. In other words, the diagnosis was never based upon any
proper evidence.

I have never seen any reason to believe that lies were told by the
persons concerned. Their claims were the result of mistake or
intellectual mistiness, and not of intentional deception. The cures no
doubt took place as they asserted, but they were not cures of organic
disease.

Now, before going further, something must be said in explanation of
the terms "organic" and "functional" which I shall use throughout this
paper. By organic disease is meant one that causes serious, perhaps
permanent deterioration of the tissues of the body; by functional
disease is meant one due to a perverted action of approximately normal
organs. Functional diseases are no more imaginary than an ungovernable
temper or a balky horse is imaginary. They are often the source of
acute and long-continued suffering; indeed, I believe that there is no
class of diseases that gives rise to so much keen suffering; but still
they do not seriously damage the organs and tissues of the body.
Organic disease, on the other hand, may run its course accompanied by
much less suffering, but the destruction of tissue is serious,
perhaps irreparable.

The sharpness of this distinction between organic and functional
troubles is somewhat blurred by the fact that a functional or nervous
affection, such as insomnia, may lead, both directly and through loss
of appetite, to a loss of weight or to a considerable deterioration in
the body tissues. Here we have what might be called _organic disease
produced by functional disease_, and such organic disease as this is
often cured by Christian Science or by some more rational method of
mental healing. We must also recognize the fact that there are a few
rare diseases which we cannot certainly assign either to the organic
or the functional class. Yet, despite these reservations, the
distinction which the words indicate is still a clear one in the vast
majority of cases.


_Analysis of 100 "Cures"_

Having made this definition of terms, I will go on to present herewith
a table in which I have analyzed one hundred consecutive "testimonies"
from the _Christian Science Journal_. I have grouped these cases in
four classes:

First, seventy-two cases in which I find, on careful study, reasonably
good evidence for the diagnosis of functional or nervous disorder.

Second, seven cases of what appears to be organic disease.

Third, eleven cases very difficult to class, but probably belonging in
the functional group.

Fourth, ten cases, regarding the diagnosis of which no reasonable
conjecture can be made.

These cases, arranged in the first three groups, are as follows:

  GROUP I--FUNCTIONAL OR NERVOUS DISORDERS.

  "Nervous trouble"                17 cases
  "Trouble with eyes"              12 cases
  "Kidney and bladder trouble"      7 cases
  "An abnormal growth"              5 cases
  "Stomach trouble"                 4 cases
  "Lung trouble"                    4 cases
  "Rheumatism"                      3 cases
  Drug habit                        3 cases
  Tobacco habit                     2 cases
  Alcoholism                        2 cases
  "Asthmatic trouble"               2 cases
  "Irritable disposition"           1 case
  "The blues"                       1 case
  Headache                          1 case
  "Hardening of the spine"          1 case
  "Spinal trouble"                  1 case
  "Weak back"                       1 case
  "Sciatic trouble"                 1 case
  "Chest and throat trouble"        1 case
  "Blindness"                       1 case
  "Bowel trouble"                   1 case
  "Heart trouble"                   1 case

  Total                            72 cases


  GROUP II--APPARENTLY ORGANIC DISEASES.

  "Tuberculosis of bowels"              1 case
  "Seventeen bruises, cuts and breaks"  1 case
  Insanity                              1 case
  Locomotor ataxia                      1 case
  Loose elbow-joint                     1 case
  Necrosis of the jaw                   1 case
  Rupture                               1 case

  Total                                 7 cases


  GROUP III--PROBABLY FUNCTIONAL DISORDERS.

  "Lost use of the right limb"                 1 case
  "What seemed to be a malignant sore on the
      face"                                    1 case
  "Strangely obstinate malady of 20 years'
      standing"                                1 case
  "An incurable disease"                       1 case
  "Serious abdominal trouble"                  1 case
  "Lung, spinal and hip trouble" (wore dark
      glasses 20 years)                        1 case
  "Catarrhal, bowel and rheumatic trouble"     1 case
  "Internal disorder of 15 years' standing"    1 case
  "Heart, ovarian, and serious nervous
      troubles" (8 years)                      1 case
  "Debility, constipation, gout, piles, and
      prolapsus"                               1 case
  "Bright's disease, liver and lung complaint,
      and other ailments too numerous to
      mention"                                 1 case

  Total                                       11 cases

Of the second group, that of cases of apparently organic disease, the
case of insanity was taken out of an insane asylum by Christian
Science friends, but apparently is still insane; the diseased jaw
slowly recovered, as such cases sometimes do, without any treatment.
The same is very possibly true of the case of tuberculosis of the
bowels (peritoneum), though the diagnosis is not certain. The cuts,
bruises, and breaks healed rather slowly under ordinary surgical
treatment in a hospital. Of the locomotor ataxia, the rupture, and the
loose elbow-joint, nothing more can be said without knowing whether
the diagnoses were correct--a point on which no opinion can be formed,
owing to the scantiness of the facts recorded.

_Unreliability of "Home-Made Diagnoses"_

In the analyses of these cases I am guided by my experience with
the diagnoses naïvely given by patients entering my office for
treatment--diagnoses based either upon their own unguided observation
or upon what they suppose their own physician to have said to them.
In such instances there is no possible motive for deception or for
exaggeration; the patient is saying exactly what he believes; and
yet, I have rarely found his statement to be even approximately
correct. For example, when a patient comes to me with the statement
that he has "kidney and bladder trouble," I generally find both
the kidneys and the bladder sound. The patient has pain in his back
in the region where he supposes his kidneys to be; he interprets
his symptoms in the light of what he has read in the newspaper
advertisements and what he has been told by his kind friends, and
arrives at what is (to his mind) a perfectly solid conclusion. He
has no doubts of the diagnosis, states it as a fact, and asks only
for treatment.

So it is with patients coming for "spinal trouble," "hardening of the
spine," "inflammation of the spine," or "spinal meningitis." They
almost always turn out, on careful examination, to be suffering from
some form of nervous prostration. In the interpretation of their
sufferings and in the names which they attach to them they have been
guided quite innocently by hearsay.

Similarly when patients come to me for what they call "heart trouble"
and turn out on examination to be suffering from pain in the left side
of the chest without any heart trouble at all, I accuse them of no
deception but only of incapacity for the accurate appreciation of the
value of evidence.

Certain other statements recur very often in the histories given in
all good faith by patients, whether in the doctor's office or in a
Christian Science experience meeting. I will quote some of these:

"I have had a great many doctors, and each has made a different
diagnosis."

"I am suffering from a complication of diseases, Bright's disease,
liver and lung complaint, and other ailments too numerous to
mention."

"I have had a great many operations performed on me."

Experience shows us that when a person has had many doctors, many
diagnoses, many "diseases," or many operations, he usually turns out
to be suffering from nervous prostration or some other form of
functional nervous trouble. For these troubles are just those which
most often puzzle the physician, leading him to change his diagnosis
and the patient to change his doctor very frequently. Again, it is
just these functional nervous disorders which, affecting as they do
every part of the body and every organ, give rise to the false idea of
"many diseases"--an idea based on the patient's multitudinous
sufferings.

Organic disease often runs its course accompanied by very little
suffering, or with a very definite localization of the malady in one
part of the body. The patient with a genuine complication of diseases
does not often live to tell the story in a doctor's office or in a
Christian Science experience meeting. In the majority of the reported
cases the complication is in the patient's mind, not in his diseases.

For a similar reason the patient who has had "many operations" is
usually one whose (nervous) sufferings are so manifold and so various
that physicians are driven to seek relief by one measure after
another, and finally by a variety of surgical procedures.

It is a striking fact that, as one listens to the recital of
Christian Science "cures," one hears little or nothing of the great
common organic diseases, such as arterio-sclerosis, phthisis,
appendicitis--and still less of the common acute diseases, such as
pneumonia, malaria, apoplexy. Chronic nervous (that is, mental)
disease is the Christian Scientist's stock in trade.


_Similarity of Christian Science Testimony_

No one can study the printed records of Christian Science cures
without noting a remarkable similarity running through many hundreds
of them, a similarity in style, in phraseology, and in the general
structure of the letters.

For example, Mrs. Eddy's name was mentioned _within five lines of the
end_ in fifty-six out of seventy-five letters which I have recently
examined. I have excluded here all cases in which Mrs. Eddy's name was
mentioned earlier in the letter. It seems hardly likely that all these
writers would spontaneously bring in the name of their leader
precisely in this position in the letter.

In twelve out of seventy-five letters the rather unusual phrase
_materia medica_ occurs.

The price of treatment under Christian Science and under the previous
medical care is mentioned in a large proportion of these letters.

Not one of these letters mentions the name of any doctor connected at
any time with the case. From personal experience with similar stories
heard from my own patients and from the lips of Christian Scientists,
I know that doctors' names are usually mentioned. It seems unlikely
that in one hundred consecutive testimonies the physicians' names
should have been spontaneously omitted.

For these reasons one cannot help believing either that these letters
have been liberally edited, or that their writers have been much
influenced by reading or hearing of similar cases. This does not
necessarily imply any charge of intentional deception, but weakens
very considerably their value as evidence.


_"Natural Selection" in the Christian Science Clinic_

The persistence of Christian Scientists in the belief that they can
cure organic disease, a belief which I consider genuine in the
majority of cases, is probably due to the following reason: By a
curious process of "natural selection," a patient suffering from
organic disease rarely consults a Christian Scientist, just as he
rarely consults an osteopath. Being ignorant of diagnosis, the
Christian Scientist is not aware of this fact and supposes that he is
treating, not a selected group of cases of functional disease, but all
disease. This mistake is all the more natural because the Christian
Scientist, with the natural credulity of the half-educated, accepts
the patient's own diagnosis at its face value or trusts the hearsay
report of what some doctor is supposed to have said.

The same interesting process of "natural selection" accounts for the
fact that Christian Scientists are so rarely the cause of death to
those whom they treat. It is undoubtedly true that deaths occasionally
occur (for example, from diphtheria) which are directly traceable to
the fatal inactivity and ignorance of a Christian Scientist. But such
deaths are in my opinion rare. They are pretty sure to give rise to
newspaper notoriety and so to become widely known, yet one does not
hear of many such in the course of a year, for common sense steers the
great majority of sufferers from organic disease away from the parlors
of the Christian Scientist.


"_Doctors Who Flood the World with Disease_"

It is impossible to study the evidence for and against the so-called
Christian Science cures without crossing the track of many an
incapable doctor. Indeed, there can be no candid criticism of
Christian Science methods that does not involve also an arraignment of
existing medical methods. It is not difficult to perceive, as one
studies the testimonies recorded in the _Christian Science Journal_,
that many patients have been driven into Christian Science by a
multitude of shifting and mistaken diagnoses, by the gross abuse of
drugs, especially of morphine, and by the total neglect of rational
psychotherapy on the part of many physicians. No doubt these causes
account only for a certain fraction of the desertions to Christian
Science. There are many patients who have so little patience and so
much credulity that they desert their doctors for no good reason
whatever; but I believe that these cases are in the minority, and that
the success of the Christian Science movement is due largely to the
ignorance and narrow-mindedness of a certain proportion of the medical
profession.

I can see some foundation even for such an exaggerated charge as that
the doctors "are flooding the world with disease"--a favorite
expression of Mrs. Eddy's. No one who has seen much of the nervous or
hysterical affections following railway accidents and of the methods
not infrequently used, not only by lawyers, but by doctors, to make
the sufferers believe that they are sicker than they really are, can
deny that there is some truth in Mrs. Eddy's charge. Even in her
irrational denunciations of hygiene, one cannot help seeing some grain
of truth when one reads or hears of the multitude of petty prudences
and "old womanish" superstitions not infrequently exploited by school
teachers, parents, and teachers of physical culture, under the name of
"hygiene."


_The Classic Methods Used by Christian Science_

Believing, then, as I do, that most Christian Science cures are
genuine--genuine cures of functional disease--the question arises
whether the special methods of mental healing employed by Christian
Scientists differ from other methods of mental healing, such as are
employed by the best neurologists, both in this country and in
Europe.

Of the classical methods of psychotherapeutics, namely, explanation,
education, psychoanalysis, encouragement, suggestion, rest-cure and
work-cure, the Christian Scientists use chiefly suggestion, education,
and work-cure, though each of these methods is colored and shaped by
the peculiar doctrines of the sect.

The quack who sells magic handkerchiefs supposed to be endowed with
miraculous healing powers by the touch of his sacred hand, the priests
who exploit the "healing springs" at Lourdes, and the doctor who gives
a bread pill or a highly diluted homeopathic drug, may cure a patient
by what is known as "suggestion," that is, by producing in the patient
a strong belief that he will get well. Christian Science suggestion
takes the form of "silent treatment" and "absent treatment," in which
the patient is influenced by the auto-suggestions of health which the
silent pressure of the "practitioner" or the knowledge of the "absent
treatment" leads him to make.

Christian Science education consists in the reading of "Science and
Health," of the Bible, as interpreted by Mrs. Eddy (after Quimby), and
of the teachings received at the hands of Christian Science
practitioners. Although there is much that is false and harmful in the
education thus received, I believe that a good many warped minds do
find in it the corrective twist which they need--just as a certain
type of crooked spine may be helped by a violent twist in the other
direction.

Work-cure is, I think, the sanest and most helpful part of Christian
Science, as of all other types of psychotherapy. The Christian
Scientists do set idle people to work and turn inverted attention
outward upon the world. This is a great service--the greatest, I
think, that can be done to a human being. By setting their patients to
the work of healing and teaching others, Christian Scientists have
wisely availed themselves of the greatest healing power on earth.

I believe that suggestion, education, and work-cure can be used in far
safer and saner ways by physicians, social workers, and teachers or
clergymen properly trained for the work than by the Christian
Scientists. Heretofore these last have held the field of psychotherapy
largely without competition. American physicians have confined
themselves mostly to physical and chemical methods (diet, drugs, and
surgery), which have a place in the cure of functional disease, but
not, I think, the chief place.

Now that scientific psychotherapy is being taken up by physicians,
social workers, and educators (including the clergy), not instead of,
but in conjunction with physical and chemical treatment, I think it is
reasonable to expect that Christian Science will have to stick closer
to the truth if it is to hold its ground in competition.



SOUTH STREET

BY FRANCIS E. FALKENBURY


  As I came down to the long street by the water, the sea-ships
        drooped their masts like ladies bowing,
  Curtseying friendly in a manner olden,
  Shrouds and sails in silken sunlight flowing,
  Gleaming and shimmering from silvern into golden,
  With the sea-winds through the sunlit spaces blowing.

  As I came down to South Street by the glimmering, tossing water, the
        sweet wind blew, oh, softly, sweetly blew
  O'er the lean, black docks piled high with curious bales,
  Odorous casks, and bundles, of foreign goods,
  And all the long ships with their fair, tall sails,
  Lading the winey air with the spices of alien woods.

  As I came down by the winding streets to the wondrous green
        sea-water, the sounds along the water-front were tuned to fine
        accord;
  I heard the racket of the halliards slapping,
  Along the bare poles stabbing up aloft;
  I saw loose men, their garments ever flapping,
  Lounging a-row along each ruined wooden stair:
  Their untamed faces in the golden sun were soft,
  But their hard, bright eyes were wild, and in the sun's soft flare
  Nothing they saw but sounding seas and the crash of ravening wind;
  Nothing but furious struggle with toil that never would end.
  The call of mine ancient sea was clamoring through their blood;
  Ah, they all felt that call, but nothing they understood,
  As I came down by the winding streets to South Street by the water.

  As I came down to South Street by the soft sea-water, I saw long
        ships, their mast-heads ever bowing:
  Sweet slender maids in clinging gowns of golden,
  Curtseying stately in a fashion olden,
  Bowing sweetly--each a king's fair daughter--
  To me, their millionth, millionth lover,
  I, the seventh son of the old sea-rover,
  As I came down to South Street by the myriad moving water.



THE INABILITY TO INTERFERE

BY MARY HEATON VORSE


To myself I could be articulate enough about it. Indeed, I held long
conversations about it, mainly in the darkness of the night, with my
bolder self, who advised me so cleverly and who told me all the
tactful things and all the forceful things that I ought on occasion to
say. Then there came, with that other self, a conversation which
settled things. It went something in this way:

"You have let things go far enough."

"Yes," I admitted guiltily, "I know it."

"It's time you took a stand."

"I know it," I again admitted forlornly.

"Why don't you do it then?" sternly asked the bolder self. He could
afford to be bold, it wasn't he who had the talking to do. "Why don't
you explain to Felicia the way you feel about it and how it looks and
all about it----"

This time it was myself who grew bold. I said:

"You great ass! Do you think I'm going to let you make me make Felicia
cry?"

"Better have her cry," grumbled the other self, "than let her expose
herself unthinking to--well, all sorts of things." (One would have
thought to hear him that Monty Saunders was the measles!)

We were silent a while, and in my imagination I saw again the
distressing spectacle of Felicia weeping. I suppose there is no man
who has been married a year who has not made his Felicia cry.

You cannot explain how the terrible thing came about. It may be you
had a moment of surface impatience. Generally it's something less
definite than that--a bit of chaff at an untimely moment, an
indiscreet question put forth in a spirit of the friendliest
curiosity.

"Why," for instance you may have said, "isn't dinner ready?"

You didn't mind its not being ready in the least, but, not being used
to having dinners of your own, you were amused and interested to know
the cause of its lateness. And there before your eyes the unbelievable
has happened, Felicia is in tears, and it is your fault.

You are like a landsman who has pulled an innocent-looking plug out of
the bottom of a boat and sees it fill and founder before his eyes; you
feel like a man who lights a match and lo! his house is in flames;
with such horror and bewilderment does the sight of a weeping Felicia
fill you. Guilt and bewilderment struggle with one another, as her
mouth quivers pitifully and her eyes fill with slow tears. She turns
away to battle with them, and, instead of holding your tongue, you
choose from among all the silly, inadequate things there are in the
world to say, "What's the matter, dear?"

"I--I--left--a book in--my room," answers Felicia, and she pushes past
you and goes out of the door, and, though you don't know it at the
time, she is as bewildered as you are.

You walk up and down the floor two or three times, you open the door
and shut it, finally you can't stand it any longer, you must find out
how Felicia does. You go up to your room, and there on the bed is what
is left of the gallant, saucy Felicia you know. It is a crumpled
little heap, and you can see only a knot of disordered hair and
shaking shoulders, and as if this wasn't bad enough, there is added
the sound of muffled sobs. You go up to her and put a beseeching hand
on her shoulder.

"Felicia," you implore. Then from the depths of the pillow come the
broken words:

"Go--away--go--away--and--leave--me--alone." Nor is the tone all
anguish, anger finds its place there as well, and this bewilders you
still more. You could not know, of course, that Felicia is angry at
you for having seen her cry.

"I can't go away and leave you like this," you say.

The shoulders shake still harder, the sobs are louder, for sympathy is
hard to bear in such moments of humiliation--but this too you find out
later.

You walk across the room, helplessly, hopelessly. You murmur forth
apologies, though you don't know for what you are apologizing, and
words of endearment and of sympathy, though you can't tell what it is
you are sympathetic about. You would do anything, abase yourself to
any degree, to stop the noise of sobbing which is slowly sapping your
manhood.

You stand looking down on poor Felicia--what _is_ the matter with her?
What has happened?

"I don't believe you can be well, my darling," you are fool enough to
say. Inside you your other self is grumbling:

"Well, I'm hanged if _I_ understand women!"

If only she would stop; she must have been crying ten minutes, and you
have aged years. If only you understood why, how much easier it would
be! The only thing you do understand is that whatever you say and
whatever you do, or whether it's sympathy or silence, it's wrong.

There is a knock on the door.

"Dinner is served," says a voice, and you (feeling like a quitter, but
you can't stand the sight of her any longer) say:

"Felicia, I'm going down. I don't seem to be doing you any good----"

Felicia raises her head.

"You're not!" says she spitefully. They're the first words she has
spoken since she pleaded with you in agonized tones to "let her be."

Then, as you sit down to the mockery of oysters and soup, anger rises
in you. What creatures women are! Hasn't a man a right to ask why
dinner isn't ready in his own house without the sky falling? You look
at your watch; more than half an hour late. Well, why wasn't it ready?
Why? When a man comes home tired from the office, he has a right to
expect his dinner to be ready. Yes, by Jove! and a right to ask "Why?"
and a right, too, to expect a cheerful, pleasant wife! What struck
Felicia, anyway? and in spite of your anger, pity sweeps over you for
poor little Felicia crying upstairs, and you rise and go to the door,
angry and distressed, while your inner self tells you pity is unmanly.
You feel abused and bruised; how scenes take it out of one, you think
resentfully, and just here you pause, for there are footsteps on the
stairs. It can't be Felicia, you think. But it is Felicia, who comes
into the room, beautifully dressed. Why, she must have got up and
dressed, tears and all, the instant you left the room! She comes in
gallantly, carrying the powder on her nose with effrontery, denying
her eyes, which still show the ravages of tears, by the gay smile on
her lips; and as dinner progresses, excellent, and with Felicia all as
natural and gay as possible, you wonder more than ever what the devil
it was all about anyway. But at night, as you ponder it over again,
you get a certain blurred vision of what it meant. You are too young
in marriage to put it into words, but you have an intuition that
marriage, after all, is a very new country for Felicia, full of a
thousand details you know nothing about, whose A, B, C she must learn
slowly and painfully--and all alone, there is no one to help her. You
can't. She's got to grape her way about by herself in this unfamiliar
land. All you can do is to be very, very considerate and very, very
careful not to make her cry.

But hang it all, if she's going to cry every time you ask if dinner is
ready, how are you going to help making her? And all at once the
vision of how careful you have got to be makes you feel bowed down
with care. You will never, you are sure, speak another natural word in
her presence. Who would have believed she would cry so easily? How
awful to consider you made her! Then you hear Felicia give a little
breath of a sigh, like a child which has sobbed itself to sleep.

"Felicia," you say impulsively, "I was a brute."

"I was a goose," she protests, "an awful little goose," and deep down
in your heart you agree with her, though you declare again it was your
fault, and you have an uneasy feeling that she is at one with you
about your being a brute, and you fall asleep at last thinking that
things never again can have the same glamour between you two, that
somehow Felicia's tears have cried away the bloom of marriage. But in
the morning you wake up and wonder what it was you thought had
happened, for nothing has--things haven't changed. You merely resolve
that you will try to understand, mere man that you are, the finer
creature the Lord has trusted you with. But oh, why can't women be
reasonable?

       *       *       *       *       *

This scene flitted through my mind as the silence fell between my two
selves; the other one of me brooded over my inertia in the matter in
hand. At last he broke the silence and my awful vision of Felicia in
tears with:

"A man ought, you know, to look after his young wife. He shouldn't let
her make herself conspicuous with men, especially with a silly young
ass. It isn't being jealous," he concluded virtuously.

"Oh, no, we're not jealous," I agreed eagerly.

"You must speak to her."

"I can't."

"Why?" he demanded. And then it came out. Why? It had been staring me
in the face all along. I had known why, but I had shirked, as long as
I could, putting my confession of weakness into words. If I had never
seen Felicia cry, it would have been different. I might have talked
to her as man to man, but now:

"I can't, because it's impossible for me to interfere with Felicia."

I told him. There it was. It was constitutionally impossible for me to
interfere, in words anyway. It was like a sense lacking, but there
where my Felicia-preventing faculties should have been there was a
blank.

"Do you mean you would let her do anything?"

"Anything," I assented.

"Let her drift from you and not reach out your hand for her?"

"I couldn't raise my hand," I confessed sadly. There it was. I
couldn't do the disagreeable task known as "bringing her to her
senses." If Felicia couldn't feel that I didn't like what she did, I
couldn't, for the life of me, or even the life of Felicia, open my
mouth. And I believe there are a great many men like me in the world,
and more women, too. A certain kind of pain makes us dumb. A certain
pride freezes back the words that would come. The men of us have
perhaps seen our Felicias cry. And there's no use saying afterwards,
Why didn't you tell me? What, after all, is the use of words, when
it's written all over you in the very set of your coat that you're
hurt?

So now it was all settled. There was no use in my lying awake at night
any longer while my other self tickled his vanity by making up
admonitory conversations with Felicia, that went this way:

"Felicia," I was to say tenderly yet seriously, "I have something I
want to talk over with you."

Felicia would be impressed by my manner, and even a little frightened,
and she would murmur:

"Yes?" expectantly, meekly.

"Felicia," I was to continue, "I do not want you to think I am blaming
you. I am blaming myself for letting things go so far, for not
explaining things to you before; you are young, you do not understand
the world."

"That is true," Felicia would reply with adorable meekness, as she
lifted questioning eyes to mine. Then I was to sit down beside her and
taking both her hands in mine:

"Dear," I was to continue, "when a young girl has received as much
attention as you have, it is natural for her to imagine that after she
is married men can go on courting her as they did before. But this is
not true. A man's devotion, especially the devotion of an insolent,
useless pup of a young ass like Saunders" (it slipped out in spite of
ourselves, and we put the blue pencil through it, supplying "a fellow
like Saunders") "has a very different meaning when given to a young
girl than to a young married woman. You do not dream this, I know. I
have every confidence in you, dear, and I am speaking now purely to
save you from an unpleasant scene as well as to stop malicious
tongues."

At this Felicia would keep silent, contemplating the abyss pointed out
to her. Indeed, my words have so impressed her that my heart smites
me, but better she should learn from me than in some other way.

"May a married woman have no friends then?" she cries at last.

"All she likes of _friends_," I am to say with a touch of severity.
"But she should take care not to make herself conspicuous with any one
man. For you know, Felicia, you have been making yourself conspicuous.
At the Jarvis week-end party you talked to no one else; last night you
sat an hour in a secluded corner with him. You walk with him, and he
sends you violets. I have no feeling about Saunders, of course. I
merely see these things as the world sees them. Only I know how
innocent you are, that you are accepting these attentions as simply as
you would have before you were married, but, O Felicia, the world does
not know that! Already they are putting you down as a married flirt;
already they are wondering what I am about to let things go on so, and
as for Saunders, his attentions to you are an insult."

"You should have told me before," Felicia murmurs. "You should have
told me!"

Just then the maid would of course bring a card. Felicia would glance
at it, her brows arch themselves with displeasure.

"Tell Mr. Saunders I am not at home," she would say haughtily.

You see, according to that other self, it was all as easy as rolling
off a log. The trouble with him is that he has no practical knowledge
of the world; but at the moment of telling, he would put the glamour
of his ideas over me. It seemed too seductively easy, and it was hard
for me to point out to him that, excellent and satisfactory as this
conversation was, it had the fatal defect of not being the way Felicia
and I talked. This didn't impress him at all; he merely invented
another conversation which didn't put Felicia in nearly as pleasing a
light, but gave me scope for firmness and dignity. I appeared really
very well in the face of her perverseness. Proud of myself, I was to
end by saying, without anger, but with decision:

"And, Felicia, if you can find no way of stopping this objectionable
young man's attentions, I _can_!"

Now all these pleasant plays of fancy were ended forever by my
acknowledging my weakness.

Felicia is fond of saying, "Men differ, but all husbands are alike." I
think she believes this to be an epigram. But O, Felicia, all husbands
are not alike; there are those who can take care of their wives, and
those who can't,--those who can say the word in time, and those who
must sit back weakly silent, morosely sucking their paws while their
wives burn their fingers.

Well, after all, I thought, perhaps it was better so. There would be
negative benefits. This way, at least, I shouldn't make Felicia cry. I
wouldn't say anything I should be sorry for afterwards, if I said
nothing. I had only to sit pusillanimously quiet until Saunders was
guilty of some impertinence, then there would be no more Saunders. I
ground my teeth and thanked God I was not jealous.

But I was soon undeceived if I thought that things were going along as
they had been. First there came a little, tiny, malformed, wordless
doubt, which I strangled as it was born; then a suspicion I wouldn't
see. I closed my eyes. In my loyalty I lied even to myself, but my
bolder self in his inexorable fashion made me look at it at last.

"Felicia," he asserted, "is keeping something from you. Felicia is
unhappy about something."

It was true, I couldn't deny it, I had ever so many proofs:

(1) I had caught Felicia watching me with melancholy, speculative
eyes. When I asked her what was the matter, she replied "Nothing."

(2) She had bursts of feverish unnatural gaiety.

(3) She didn't look well.

(4) Several times she started to tell me something, but decided not
to.

(5) She had moments of unwonted affection for me, I thought, as if she
were trying to make up to me for something.

Then came, more serious and more conclusive than anything else:

(6) I waked up in the night and was sure I heard Felicia crying softly
and cautiously. As I moved, the sobs stopped and Felicia feigned a
deep sleep.

So for a week a secret walked between us. We put out our hands toward
each other, and its invisible presence kept them from meeting. We felt
the constraint as of a third person always with us, and that third
person was the Secret. We asked mute, unintelligible questions of each
other.

A less subtle mind than my own would have put it crudely that things
were strained and uncomfortable at home.

Meantime, if the Secret sneaked around us, silent, malignant,
invisible, Monty Saunders, for this was his horrid name, was obvious
in every way. It seemed to me that his loud laugh rang perpetually
through my house, that Felicia was always coming in or going out with
him, that wherever we went he was already waiting for us, and that all
the time he was engaged in eating up our happiness, Felicia's and
mine, as fast as ever he could.

I believe now that his ubiquitousness was partly due to my excited
imagination.

This, as I have said, was the situation for one week after I had
acknowledged my Constitutional Inability to Interfere--and on the
eighth evening Felicia and I were to go to a large studio dance. I
dressed with all the groans common, I believe, to the male animal out
of temper. I interspersed my dressing with such remarks as:

"Felicia, I wish you would have them change the laundry man, this
waistcoat's beastly."

I spoiled three ties in tying, I was sceptical of my clothes having
been pressed, while Felicia proceeded unerringly, even with a certain
pleasure, through the intricacies of her own toilet, looking more
disturbingly lovely every minute.

Finally she remarked contemplatively:

"How do you suppose you ever got dressed in time for anything before
you were married?" which was insulting, for I had only asked where two
things were.

She put her head back through the door to say to me with an
impertinent grin:

"Your hat, you know, is in its box on the shelf where it always is,"
and she looked so pretty that an unreasonable desire arose in me to
kill Monty Saunders, and I thought how terrible it must be to feel
jealous, if one could feel as I did when one was only sore and sorry.

I mention this episode only to throw in greater relief what happened
later that evening.

For later that evening a gay little person in fluffy green clothes
danced inside the circles of our lives, and before she passed out she
had cleared up the mist which encompassed us, unloosed my tongue, and
softened Felicia's heart, and all without being so much as aware of
our existence.

Felicia and Lydia Massingbyrd and Cecilia Bennett and I were all
sitting together on a commodious window-seat watching the dancers. It
was significant of the uncomfortable state of our affairs that Felicia
and I only recovered our gaiety and our naturalness toward each other
when we had some one to serve as buffer between us; I was talking and
laughing with the best, while deep down within me my other self
gloomed, fairly smacking his lips over his dismalness, "How little do
Felicia and Lydia dream of the trouble gnawing our vitals," when out
of the midst of our chaff and gossip popped a word that hit me square
in the solar plexus.

"Look," said Lydia, "how well the little woman in green dances. She
has danced all the evening with the same man." And my little fairy
godmother in fluffy green flew past us, as gay and young and happy a
little person as I had seen in a month of Sundays. She was so buoyant
and pretty that she did one good to see, and my foolish inner self had
made a romance about her and the good-looking young fellow, her
partner of a whole evening, before little Cecilia Bennett had time to
say primly:

"That is Mrs. So-and-So."

"And that is not, I take it, Mr. So-and-So?" Lydia remarked.

"Mr. So-and-So is the big, red-haired man talking with the woman in
white lace," replied Cecilia, while disapproval fairly oozed from
her.

"So there you are, and every one is satisfied," Lydia brushed it aside
lightly.

"That is how we look to outsiders!" croaked my other self.

Then little Cecilia Bennett piped up virtuously, "Even if I didn't
love my wife any longer, I should look after her! Until I was engaged,
I was _never_ allowed to dance a whole evening with one man----"

And as we laughed, she went on with some warmth:

"I don't care, I think a man ought to take care of his wife; don't
you, Felicia?"

"And a little child shall lead us," sententiously remarked my inner
self. But Felicia only said flippantly:

"If I acted badly, I should expect to be beaten."

"Well," said Cecilia, also flippantly, following with disapproving
eyes the little person in green, who danced happily by us (it is
Cecilia's first season, and such spectacles make her cynical), "Bobby
will never beat you, Felicia, however much you need it. Bobby's too
kind. He would not even have beaten Lydia!"

"Wouldn't you beat me, no matter what I did?" Felicia appealed to me.
Then for one second my heart stopped and then raced on again, for the
fantastic explanation of her question that came to me was that this
was one of the things she had been trying to ask me; that perhaps she
had wanted me to beat her and storm and take on, and that I had failed
her.

"No, Felicia," I replied sadly, "I shall never beat you." I thought
she looked disappointed. I wondered if I had really found a light in
the darkness that had surrounded us.

Meantime the little lady and her companion had sat down, and in that
crowded place they were talking as eagerly and unconsciously as if
they had been all alone in the Garden of Eden.

"I hate an ostrich," remarked Lydia.

"Her husband doesn't see her, anyway," said Felicia lightly; but there
was an edge of bitterness in her voice; and again I wondered if
through all our meaningless talk Felicia was signalling to me in a
cipher code of her own invention.

"Perhaps he does see just the same, perhaps he cares, and can't find
the words to tell her in," I ventured.

"She may," Felicia speculated, "be keeping on and on, just waiting
for the word from him. She may not be able to stop all by herself--she
may have no way of stopping herself." The corners of her mouth
drooped. I felt she had told me all--everything that had saddened
her, all the things she had tried to say and couldn't. For few of us
can stop all of ourselves, there must be some warning voice to call
"halt" to each of us, and I had been leaving it to Monty Saunders'
first impertinence. Now I had to tell her I was unable to do
anything else.

"He may have tried and tried to tell her and found that he couldn't.
He may have found he was constitutionally unable to interfere," I told
her.

"It seems so easy to me," Felicia murmured, "to say 'I'm jealous'--just
two little words like that----"

And the dull other fellow inside me had kept me awake nights inventing
long-winded lectures for me, when all I needed to say was two little
words. But a groan burst from him, and he made me say it.

"But, O Felicia," my unwilling lips repeated, "those two words are the
hardest words in the whole language." For by the light of Felicia's
words I had found him out, the hypocrite. He had been jealous all
along.

Felicia looked at me with curiosity.

"I suppose they would be hard words to say if one really felt them,"
she said comprehendingly.

"But I'm not jealous!" I longed to shout, but before we could say
anything further, Monty Saunders and a girl danced past us.

"So you brought it off?" said Lydia, looking after the receding pair.

"How did you know?" Felicia demanded.

"He told her," explained little Cecilia Bennett, "when Lydia asked him
how you could stand him around so much, he told her you were helping
him out with Mildred--telling him what to do and keeping his courage
up. He told me, too," pursued Cecilia, with the importance one
naturally feels when one is in the thick of the battle of life. "He
says it's awful to see a proposal before you, and the only way really
is to stumble on it before you know you've made up your mind."

"Poor boy," remarked Lydia. "I should find Mildred formidable myself.
Six feet and muscle!"

"Poor boy!" Felicia exclaimed resentfully. "Poor tattle-tale, going
around telling everybody when he made me promise not to tell a soul.
That's the last time I keep a secret."

That is all the others heard Felicia say, but to me her words meant
golden music, and they told me a hundred different things; they healed
my wounds, they dispelled the clouds from my soul; but, above all the
tumult of my heart, I shouted down to that stupid inner fellow words
of self-congratulation, of how well, how wisely, temperately, I had
acted throughout, and I thanked Heaven that I was constitutionally
unable to make a fool of myself, whatever evil counsellors lodged in
the house I call my "self." But, Felicia, a word from you would have
put forty hours more of sound sleep between me and old age! And what
business, after all, had Felicia "helping out" that silly boy? A
married woman has her home and her husband to think about--besides
Felicia is too pretty--and that I was right is abundantly shown by the
first thing Felicia said to me in the carriage.

"The idiot," she confessed, "told me before he went off to propose to
Mildred that he didn't care whether she accepted him or not!" And I
only held Felicia's hand very tight.

"I didn't think," Felicia went on in a wan little voice, "that you
cared."

There was something she wanted me to answer very much, and not being
quite sure what it was, I still kept silence--not wanting to say the
wrong thing.

"_I'm_ not proud anyway," she went on bravely. "Couldn't you say them
just once--the words that are so hard to say?"

"Oh, I was, Felicia," I cried, "awfully jealous!" And I knew, now that
it was all over, that I had never spoken a truer word. Felicia
breathed a long sigh.

"I hoped you were," she said.

"Couldn't you _see_?" I asked.

"Not until you told me," she answered, always in her meek little
voice, as meek and submissive as ever it was in the conversations I
invented. "I hoped you might be, but you never _said_ anything."

"There you are," said my other self, as smug and satisfied as if he
had done nothing but advise that all along, "there are some things you
have to tell women in words to make them happy--it won't do to act
them."

And for once I believe he was right.



EDITORIAL

DR. MÜNSTERBERG ON PROHIBITION AND SOCIAL PSYCHOLOGY


McClure's Magazine, in this number, publishes an article by Dr. Hugo
Münsterberg entitled "Prohibition and Social Psychology." It presents
this essay with the full knowledge that it will meet with strong
criticism. But it finds ample justification for doing so in the fact
that Dr. Münsterberg brings to this age-long problem a viewpoint which
is really new; the contribution of one of the most recent of sciences
to a discussion whose chief current arguments were old in the time of
Confucius.

The last word concerning the alcohol question will certainly be said
by modern science. Experiments concerning the physical effect of that
stimulant, conducted in the exact and dispassionate modern spirit,
have been in progress for years--practically all, by the way, reaching
the result that the direct effect of alcohol is injurious to the
healthy human body. Now the inquiries of social psychology open a new
field for debate.

Does society, in its still crudely developed condition, demand and
always secure a stimulant of some kind? If so, are the stimulants it
obtains in default of alcohol more harmful, broadly considered, than
is alcohol itself? These questions are novel and striking ones; and
Dr. Münsterberg brings to their discussion perhaps the highest skill
available for his view of the subject.

It is unnecessary to say that, by presenting this view, McClure's
Magazine does not therefore endorse it. And it is still more
unnecessary to say that the opinions and conclusions of Dr.
Münsterberg do not need the endorsement of any publication or
individual to make them of general interest and consequence to the
American public.

       *       *       *       *       *


Transcriber Notes

The Table of Contents and the List of Illustrations  were added by the
transcriber. Hyphenation and quotation marks changed to standardize
usage. All other original punctuation and spelling preserved as
written.





*** End of this Doctrine Publishing Corporation Digital Book "McClure's Magazine, Vol. XXXI, No. 4, August 1908" ***

Doctrine Publishing Corporation provides digitized public domain materials.
Public domain books belong to the public and we are merely their custodians.
This effort is time consuming and expensive, so in order to keep providing
this resource, we have taken steps to prevent abuse by commercial parties,
including placing technical restrictions on automated querying.

We also ask that you:

+ Make non-commercial use of the files We designed Doctrine Publishing
Corporation's ISYS search for use by individuals, and we request that you
use these files for personal, non-commercial purposes.

+ Refrain from automated querying Do not send automated queries of any sort
to Doctrine Publishing's system: If you are conducting research on machine
translation, optical character recognition or other areas where access to a
large amount of text is helpful, please contact us. We encourage the use of
public domain materials for these purposes and may be able to help.

+ Keep it legal -  Whatever your use, remember that you are responsible for
ensuring that what you are doing is legal. Do not assume that just because
we believe a book is in the public domain for users in the United States,
that the work is also in the public domain for users in other countries.
Whether a book is still in copyright varies from country to country, and we
can't offer guidance on whether any specific use of any specific book is
allowed. Please do not assume that a book's appearance in Doctrine Publishing
ISYS search  means it can be used in any manner anywhere in the world.
Copyright infringement liability can be quite severe.

About ISYS® Search Software
Established in 1988, ISYS Search Software is a global supplier of enterprise
search solutions for business and government.  The company's award-winning
software suite offers a broad range of search, navigation and discovery
solutions for desktop search, intranet search, SharePoint search and embedded
search applications.  ISYS has been deployed by thousands of organizations
operating in a variety of industries, including government, legal, law
enforcement, financial services, healthcare and recruitment.



Home