Title: The White Peacock
Author: Lawrence, D. H. (David Herbert), 1885-1930
Language: English
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The White Peacock by D. H. Lawrence

Transcriber's Notes: please see notes at the end.



   Heinemann's Colonial Library of Popular Fiction



   "THE WHITE PEACOCK"

   By D. H. LAWRENCE


"A book of real distinction both of style and thought. Many of the
descriptive passages have an almost lyrical charm and the
characterisation is generally speaking deft and life-like. 'The White
Peacock' is a book not only worth reading but worth reckoning with, for
we are inclined to think the author has come to stay."—_The Morning
Post_.

"That it has elements of greatness few will deny. Mr. Heinemann is, once
again, to be congratulated on a writer of promise."—_The Observer_.



      CONTENTS


   THE WHITE PEACOCK

      PART I

      CHAPTER I
   THE PEOPLE OF NETHERMERE
      CHAPTER II
   DANGLING THE APPLE
      CHAPTER III
   A VENDOR OF VISIONS
      CHAPTER IV
   THE FATHER
      CHAPTER V
   THE SCENT OF BLOOD
      CHAPTER VI
   THE EDUCATION OF GEORGE
      CHAPTER VII
   LETTIE PULLS DOWN THE SMALL GOLD GRAPES
      CHAPTER VIII
   THE RIOT OF CHRISTMAS
      CHAPTER IX
   LETTIE COMES OF AGE

      PART II

      CHAPTER I
   STRANGE BLOSSOMS AND STRANGE NEW BUDDING
      CHAPTER II
   A SHADOW IN SPRING
      CHAPTER III
   THE IRONY OF INSPIRED MOMENTS
      CHAPTER IV
   KISS WHEN SHE'S RIPE FOR TEARS
      CHAPTER V
   AN ARROW FROM THE IMPATIENT GOD
      CHAPTER VI
   THE COURTING
      CHAPTER VII
   THE FASCINATION OF THE FORBIDDEN APPLE
      CHAPTER VIII
   A POEM OF FRIENDSHIP
      CHAPTER IX
   PASTORALS AND PEONIES

      PART III

      CHAPTER I
   A NEW START IN LIFE
      CHAPTER II
   PUFFS OF WIND IN THE SAIL
      CHAPTER III
   THE FIRST PAGES OF SEVERAL ROMANCES
      CHAPTER III
   DOMESTIC LIFE AT THE RAM
      CHAPTER IV
   THE DOMINANT MOTIF OF SUFFERING
      CHAPTER V
   PISGAH
      CHAPTER VI
   THE SCARP SLOPE
      CHAPTER VII
   A PROSPECT AMONG THE MARSHES OF LETHE



   THE WHITE PEACOCK

      BY

   D. H. LAWRENCE


      LONDON
   WILLIAM HEINEMANN
      1911



      PART I


      CHAPTER I

   THE PEOPLE OF NETHERMERE


I stood watching the shadowy fish slide through the gloom of the
mill-pond. They were grey, descendants of the silvery things that had
darted away from the monks, in the young days when the valley was lusty.
The whole place was gathered in the musing of old age. The thick-piled
trees on the far shore were too dark and sober to dally with the sun;
the weeds stood crowded and motionless. Not even a little wind flickered
the willows of the islets. The water lay softly, intensely still. Only
the thin stream falling through the mill-race murmured to itself of the
tumult of life which had once quickened the valley.

I was almost startled into the water from my perch on the alder roots by
a voice saying:

"Well, what is there to look at?" My friend was a young farmer, stoutly
built, brown eyed, with a naturally fair skin burned dark and freckled
in patches. He laughed, seeing me start, and looked down at me with lazy
curiosity.

"I was thinking the place seemed old, brooding over its past."

He looked at me with a lazy indulgent smile, and lay down on his back on
the bank, saying: "It's all right for a doss—here."

"Your life is nothing else but a doss. I shall laugh when somebody jerks
you awake," I replied.

He smiled comfortably and put his hands over his eyes because of the
light.

"Why shall you laugh?" he drawled.

"Because you'll be amusing," said I.

We were silent for a long time, when he rolled over and began to poke
with his finger in the bank.

"I thought," he said in his leisurely fashion, "there was some cause for
all this buzzing."

I looked, and saw that he had poked out an old, papery nest of those
pretty field bees which seem to have dipped their tails into bright
amber dust. Some agitated insects ran round the cluster of eggs, most of
which were empty now, the crowns gone; a few young bees staggered about
in uncertain flight before they could gather power to wing away in a
strong course. He watched the little ones that ran in and out among the
shadows of the grass, hither and thither in consternation.

"Come here—come here!" he said, imprisoning one poor little bee under a
grass stalk, while with another stalk he loosened the folded blue wings.

"Don't tease the little beggar," I said.

"It doesn't hurt him—I wanted to see if it was because he couldn't
spread his wings that he couldn't fly. There he goes—no, he doesn't.
Let's try another."

"Leave them alone," said I. "Let them run in the sun. They're only just
out of the shells. Don't torment them into flight."

He persisted, however, and broke the wing of the next.

"Oh, dear—pity!" said he, and he crushed the little thing between his
fingers. Then he examined the eggs, and pulled out some silk from round
the dead larva, and investigated it all in a desultory manner, asking of
me all I knew about the insects. When he had finished he flung the
clustered eggs into the water and rose, pulling out his watch from the
depth of his breeches' pocket.

"I thought it was about dinner-time," said he, smiling at me. "I always
know when it's about twelve. Are you coming in?"

"I'm coming down at any rate," said I as we passed along the pond bank,
and over the plank-bridge that crossed the brow of the falling sluice.
The bankside where the grey orchard twisted its trees, was a steep
declivity, long and sharp, dropping down to the garden.

The stones of the large house were burdened with ivy and honey-suckle,
and the great lilac-bush that had once guarded the porch now almost
blocked the doorway. We passed out of the front garden into the
farm-yard, and walked along the brick path to the back door.

"Shut the gate, will you?" he said to me over his shoulder, as he passed
on first.

We went through the large scullery into the kitchen. The servant-girl
was just hurriedly snatching the table-cloth out of the table drawer,
and his mother, a quaint little woman with big, brown eyes, was hovering
round the wide fireplace with a fork.

"Dinner not ready?" said he with a shade of resentment.

"No, George," replied his mother apologetically, "it isn't. The fire
wouldn't burn a bit. You shall have it in a few minutes, though."

He dropped on the sofa and began to read a novel. I wanted to go, but
his mother insisted on my staying.

"Don't go," she pleaded. "Emily will be so glad if you stay,—and father
will, I'm sure. Sit down, now."

I sat down on a rush chair by the long window that looked out into the
yard. As he was reading, and as it took all his mother's powers to watch
the potatoes boil and the meat roast, I was left to my thoughts. George,
indifferent to all claims, continued to read. It was very annoying to
watch him pulling his brown moustache, and reading indolently while the
dog rubbed against his leggings and against the knee of his old
riding-breeches. He would not even be at the trouble to play with Trip's
ears, he was so content with his novel and his moustache. Round and
round twirled his thick fingers, and the muscles of his bare arm moved
slightly under the red-brown skin. The little square window above him
filtered a green light from the foliage of the great horse-chestnut
outside and the glimmer fell on his dark hair, and trembled across the
plates which Annie was reaching down from the rack, and across the face
of the tall clock. The kitchen was very big; the table looked lonely,
and the chairs mourned darkly for the lost companionship of the sofa;
the chimney was a black cavern away at the back, and the inglenook seats
shut in another little compartment ruddy with fire-light, where the
mother hovered. It was rather a desolate kitchen, such a bare expanse of
uneven grey flagstones, such far-away dark corners and sober furniture.
The only gay things were the chintz coverings of the sofa and the
arm-chair cushions, bright red in the bare sombre room; some might smile
at the old clock, adorned as it was with remarkable and vivid poultry;
in me it only provoked wonder and contemplation.

In a little while we heard the scraping of heavy boots outside, and the
father entered. He was a big burly farmer, with his half-bald head
sprinkled with crisp little curls.

"Hullo, Cyril," he said cheerfully. "You've not forsaken us then," and
turning to his son:

"Have you many more rows in the coppice close?"

"Finished!" replied George, continuing to read.

"That's all right—you've got on with 'em. The rabbits has bitten them
turnips down, mother."

"I expect so," replied his wife, whose soul was in the saucepans. At
last she deemed the potatoes cooked and went out with the steaming pan.

The dinner was set on the table and the father began to carve. George
looked over his book to survey the fare then read until his plate was
handed him. The maid sat at her little table near the window, and we
began the meal. There came the treading of four feet along the brick
path, and a little girl entered, followed by her grown-up sister. The
child's long brown hair was tossed wildly back beneath her sailor hat.
She flung aside this article of her attire and sat down to dinner,
talking endlessly to her mother. The elder sister, a girl of about
twenty-one, gave me a smile and a bright look from her brown eyes, and
went to wash her hands. Then she came and sat down, and looked
disconsolately at the underdone beef on her plate.

"I do hate this raw meat," she said.

"Good for you," replied her brother, who was eating industriously. "Give
you some muscle to wallop the nippers."

She pushed it aside, and began to eat the vegetables. Her brother
re-charged his plate and continued to eat.

"Well, our George, I do think you might pass a body that gravy," said
Mollie, the younger sister, in injured tones.

"Certainly," he replied. "Won't you have the joint as well?"

"No!" retorted the young lady of twelve, "I don't expect you've done
with it yet."

"Clever!" he exclaimed across a mouthful.

"Do you think so?" said the elder sister Emily, sarcastically.

"Yes," he replied complacently, "you've made her as sharp as yourself, I
see, since you've had her in Standard Six. I'll try a potato, mother, if
you can find one that's done."

"Well, George, they seem mixed, I'm sure that was done that I tried.
There—they are mixed—look at this one, it's soft enough. I'm sure they
were boiling long enough."

"Don't explain and apologise to him," said Emily irritably.

"Perhaps the kids were too much for her this morning," he said calmly,
to nobody in particular.

"No," chimed in Mollie, "she knocked a lad across his nose and made it
bleed."

"Little wretch," said Emily, swallowing with difficulty. "I'm glad I
did! Some of my lads belong to—to——"

"To the devil," suggested George, but she would not accept it from him.

Her father sat laughing; her mother with distress in her eyes, looked at
her daughter, who hung her head and made patterns on the table-cloth
with her finger.

"Are they worse than the last lot?" asked the mother, softly, fearfully.

"No—nothing extra," was the curt answer.

"She merely felt like bashing 'em," said George, calling, as he looked
at the sugar bowl and at his pudding:

"Fetch some more sugar, Annie."

The maid rose from her little table in the corner, and the mother also
hurried to the cupboard. Emily trifled with her dinner and said bitterly
to him:

"I only wish you had a taste of teaching, it would cure your
self-satisfaction."

"Pf!" he replied contemptuously, "I could easily bleed the noses of a
handful of kids."

"You wouldn't sit there bleating like a fatted calf," she continued.

This speech so tickled Mollie that she went off into a burst of
laughter, much to the terror of her mother, who stood up in trembling
apprehension lest she should choke.

"You made a joke, Emily," he said, looking at his younger sister's
contortions.

Emily was too impatient to speak to him further, and left the table.
Soon the two men went back to the fallow to the turnips, and I walked
along the path with the girls as they were going to school.

"He irritates me in everything he does and says," burst out Emily with
much heat.

"He's a pig sometimes," said I.

"He is!" she insisted. "He irritates me past bearing, with his grand
know-all way, and his heavy smartness—I can't beat it. And the way
mother humbles herself to him——!"

"It makes you wild," said I.

"Wild!" she echoed, her voice vibrating with nervous passion. We walked
on in silence, till she asked.

"Have you brought me those verses of yours?"

"No—I'm so sorry—I've forgotten them again. As a matter of fact, I've
sent them away."

"But you promised me."

"You know what my promises are. I'm as irresponsible as a puff of wind."

She frowned with impatience and her disappointment was greater than
necessary. When I left her at the corner of the lane I felt a sting of
her deep reproach in my mind. I always felt the reproach when she had
gone.

I ran over the little bright brook that came from the weedy, bottom
pond. The stepping-stones were white in the sun, and the water slid
sleepily among them. One or two butterflies, indistinguishable against
the blue sky, trifled from flower to flower and led me up the hill,
across the field where the hot sunshine stood as in a bowl, and I was
entering the caverns of the wood, where the oaks bowed over and saved us
a grateful shade. Within, everything was so still and cool that my steps
hung heavily along the path. The bracken held out arms to me, and the
bosom of the wood was full of sweetness, but I journeyed on, spurred by
the attacks of an army of flies which kept up a guerrilla warfare round
my head till I had passed the black rhododendron bushes in the garden,
where they left me, scenting no doubt Rebecca's pots of vinegar and
sugar.

The low red house, with its roof discoloured and sunken, dozed in
sunlight, and slept profoundly in the shade thrown by the massive maples
encroaching from the wood.

There was no one in the dining-room, but I could hear the whirr of a
sewing-machine coming from the little study, a sound as of some great,
vindictive insect buzzing about, now louder, now softer, now settling.
Then came a jingling of four or five keys at the bottom of the keyboard
of the drawing-room piano, continuing till the whole range had been
covered in little leaps, as if some very fat frog had jumped from end to
end.

"That must be mother dusting the drawing-room," I thought. The
unaccustomed sound of the old piano startled me. The vocal chords behind
the green silk bosom,—you only discovered it was not a bronze silk
bosom by poking a fold aside,—had become as thin and tuneless as a
dried old woman's. Age had yellowed the teeth of my mother's little
piano, and shrunken its spindle legs. Poor old thing, it could but
screech in answer to Lettie's fingers flying across it in scorn, so the
prim, brown lips were always closed save to admit the duster.

Now, however, the little old maidish piano began to sing a tinkling
Victorian melody, and I fancied it must be some demure little woman with
curls like bunches of hops on either side of her face, who was touching
it. The coy little tune teased me with old sensations, but my memory
would give me no assistance. As I stood trying to fix my vague feelings,
Rebecca came in to remove the cloth from the table.

"Who is playing, Beck?" I asked.

"Your mother, Cyril."

"But she never plays. I thought she couldn't."

"Ah," replied Rebecca, "you forget when you was a little thing sitting
playing against her frock with the prayer-book, and she singing to you.
_You_ can't remember her when her curls was long like a piece of brown
silk. _You_ can't remember her when she used to play and sing, before
Lettie came and your father was——"

Rebecca turned and left the room. I went and peeped in the drawing-room.
Mother sat before the little brown piano, with her plump, rather stiff
fingers moving across the keys, a faint smile on her lips. At that
moment Lettie came flying past me, and flung her arms round mother's
neck, kissing her and saying:

"Oh, my Dear, fancy my Dear playing the piano! Oh, Little Woman, we
never knew you could!"

"Nor can I," replied mother laughing, disengaging herself. "I only
wondered if I could just strum out this old tune; I learned it when I
was quite a girl, on this piano. It was a cracked one then; the only one
I had."

"But play again, dearie, do play again. It was like the clinking of
lustre glasses, and you look so quaint at the piano. Do play, my dear!"
pleaded Lettie.

"Nay," said my mother, "the touch of the old keys on my fingers is
making me sentimental—you wouldn't like to see me reduced to the tears
of old age?"

"Old age!" scolded Lettie, kissing her again. "You are young enough to
play little romances. Tell us about it mother."

"About what, child?"

"When you used to play."

"Before my fingers were stiff with fifty odd years? Where have you been,
Cyril, that you weren't in to dinner?"

"Only down to Strelley Mill," said I.

"Of course," said mother coldly.

"Why 'of course'?" I asked.

"And you came away as soon as Em went to school?" said Lettie.

"I did," said I.

They were cross with me, these two women. After I had swallowed my
little resentment I said:

"They would have me stay to dinner."

My mother vouchsafed no reply.

"And has the great George found a girl yet?" asked Lettie.

"No," I replied, "he never will at this rate. Nobody will ever be good
enough for him."

"I'm sure I don't know what you can find in any of them to take you
there so much," said my mother.

"Don't be so mean, Mater," I answered, nettled. "You know I like them."

"I know you like _her_" said my mother sarcastically. "As for him—he's
an unlicked cub. What can you expect when his mother has spoiled him as
she has. But I wonder you are so interested in licking him." My mother
sniffed contemptuously.

"He is rather good looking," said Lettie with a smile.

_"You_ could make a man of him, I am sure," I said, bowing satirically
to her.

_"I_ am not interested," she replied, also satirical.

Then she tossed her head, and all the fine hairs that were free from
bonds made a mist of yellow light in the sun.

"What frock shall I wear Mater?" she asked.

"Nay, don't ask me," replied her mother.

"I think I'll wear the heliotrope—though this sun will fade it," she
said pensively. She was tall, nearly six feet in height, but slenderly
formed. Her hair was yellow, tending towards a dun brown. She had
beautiful eyes and brows, but not a nice nose. Her hands were very
beautiful.

"Where are you going?" I asked.

She did not answer me.

"To Tempest's!" I said. She did not reply.

"Well I don't know what you can see in _him_," I continued.

"Indeed!" said she. "He's as good as most folk——" then we both began
to laugh.

"Not," she continued blushing, "that I think anything about him. I'm
merely going for a game of tennis. Are you coming?"

"What shall you say if I agree?" I asked.

"Oh!" she tossed her head. "We shall all be very pleased I'm sure."

"Ooray!" said I with fine irony.

She laughed at me, blushed, and ran upstairs.

Half an hour afterwards she popped her head in the study to bid me
good-bye, wishing to see if I appreciated her. She was so charming in
her fresh linen frock and flowered hat, that I could not but be proud of
her. She expected me to follow her to the window, for from between the
great purple rhododendrons she waved me a lace mitten, then glinted on
like a flower moving brightly through the green hazels. Her path lay
through the wood in the opposite direction from Strelley Mill, down the
red drive across the tree-scattered space to the highroad. This road ran
along the end of our lakelet, Nethermere, for about a quarter of a mile.
Nethermere is the lowest in a chain of three ponds. The other two are
the upper and lower mill ponds at Strelley: this is the largest and most
charming piece of water, a mile long and about a quarter of a mile in
width. Our wood runs down to the water's edge. On the opposite side, on
a hill beyond the farthest corner of the lake, stands Highclose. It
looks across the water at us in Woodside with one eye as it were, while
our cottage casts a sidelong glance back again at the proud house, and
peeps coyly through the trees.

I could see Lettie like a distant sail stealing along the water's edge,
her parasol flowing above. She turned through the wicket under the pine
clump, climbed the steep field, and was enfolded again in the trees
beside Highclose.

Leslie was sprawled on a camp-chair, under a copper beech on the lawn,
his cigar glowing. He watched the ash grow strange and grey in the warm
daylight, and he felt sorry for poor Nell Wycherley, whom he had driven
that morning to the station, for would she not be frightfully cut up as
the train whirled her further and further away? These girls are so daft
with a fellow! But she was a nice little thing—he'd get Marie to write
to her.

At this point he caught sight of a parasol fluttering along the drive,
and immediately he fell into a deep sleep, with just a tiny slit in his
slumber to allow him to see Lettie approach. She, finding her watchman
ungallantly asleep, and his cigar, instead of his lamp untrimmed, broke
off a twig of syringa whose ivory buds had not yet burst with luscious
scent. I know not how the end of his nose tickled in anticipation before
she tickled him in reality, but he kept bravely still until the petals
swept him. Then, starting from his sleep, he exclaimed: "Lettie! I was
dreaming of kisses!"

"On the bridge of your nose?" laughed she—"But whose were the
kisses?"

"Who produced the sensation?" he smiled.

"Since I only tapped your nose you should dream of——"

"Go on!" said he, expectantly.

"Of Doctor Slop," she replied, smiling to herself as she closed her
parasol.

"I do not know the gentleman," he said, afraid that she was laughing at
him.

"No—your nose is quite classic," she answered, giving him one of
those brief intimate glances with which women flatter men so cleverly.
He radiated with pleasure.



      CHAPTER II

   DANGLING THE APPLE


The long-drawn booming of the wind in the wood and the sobbing and
moaning in the maples and oaks near the house, had made Lettie restless.
She did not want to go anywhere, she did not want to do anything, so she
insisted on my just going out with her as far as the edge of the water.
We crossed the tangle of fern and bracken, bramble and wild raspberry
canes that spread in the open space before the house, and we went down
the grassy slope to the edge of Nethermere. The wind whipped up noisy
little wavelets, and the cluck and clatter of these among the pebbles,
the swish of the rushes and the freshening of the breeze against our
faces, roused us.

The tall meadow-sweet was in bud along the tiny beach and we walked
knee-deep among it, watching the foamy race of the ripples and the
whitening of the willows on the far shore. At the place where Nethermere
narrows to the upper end, and receives the brook from Strelley, the wood
sweeps down and stands with its feet washed round with waters. We broke
our way along the shore, crushing the sharp-scented wild mint, whose
odour checks the breath, and examining here and there among the marshy
places ragged nests of water-fowl, now deserted. Some slim young
lap-wings started at our approach, and sped lightly from us, their necks
outstretched in straining fear of that which could not hurt them. One,
two, fled cheeping into cover of the wood; almost instantly they coursed
back again to where we stood, to dart off from us at an angle, in an
ecstasy of bewilderment and terror.

"What has frightened the crazy little things?" asked Lettie.

"I don't know. They've cheek enough sometimes; then they go whining,
skelping off from a fancy as if they had a snake under their wings."

Lettie however paid small attention to my eloquence. She pushed aside an
elder bush, which graciously showered down upon her myriad crumbs from
its flowers like slices of bread, and bathed her in a medicinal scent. I
followed her, taking my dose, and was startled to hear her sudden, "Oh,
Cyril!"

On the bank before us lay a black cat, both hindpaws torn and bloody in
a trap. It had no doubt been bounding forward after its prey when it was
caught. It was gaunt and wild; no wonder it frightened the poor
lap-wings into cheeping hysteria. It glared at us fiercely, growling
low.

"How cruel—oh, how cruel!" cried Lettie, shuddering.

I wrapped my cap and Lettie's scarf over my hands and bent to open the
trap. The cat struck with her teeth, tearing the cloth convulsively.
When it was free, it sprang away with one bound, and fell panting,
watching us.

I wrapped the creature in my jacket, and picked her up, murmuring:

"Poor Mrs. Nickie Ben—we always prophesied it of you."

"What will you do with it?" asked Lettie.

"It is one of the Strelley Mill cats," said I, "and so I'll take her
home."

The poor animal moved and murmured and I carried her, but we brought her
home. They stared, on seeing me enter the kitchen coatless, carrying a
strange bundle, while Lettie followed me.

"I have brought poor Mrs. Nickie Ben," said I, unfolding my burden.

"Oh, what a shame!" cried Emily, putting out her hand to touch the cat,
but drawing quickly back, like the pee-wits.

"This is how they all go," said the mother.

"I wish keepers had to sit two or three days with their bare ankles in a
trap," said Mollie in vindictive tones.

We laid the poor brute on the rug, and gave it warm milk. It drank very
little, being too feeble, Mollie, full of anger, fetched Mr. Nickie Ben,
another fine black cat, to survey his crippled mate. Mr. Nickie Ben
looked, shrugged his sleek shoulders, and walked away with high steps.
There was a general feminine outcry on masculine callousness.

George came in for hot water. He exclaimed in surprise on seeing us, and
his eyes became animated.

"Look at Mrs. Nickie Ben," cried Mollie. He dropped on his knees on the
rug and lifted the wounded paws.

"Broken," said he.

"How awful!" said Emily, shuddering violently, and leaving the room.

"Both?" I asked.

"Only one—look!"

"You are hurting her!" cried Lettie.

"It's no good," said he.

Mollie and the mother hurried out of the kitchen into the parlour.

"What are you going to do?" asked Lettie.

"Put her out of her misery," he replied, taking up the poor cat. We
followed him into the barn.

"The quickest way," said he, "is to swing her round and knock her head
against the wall."

"You make me sick," exclaimed Lettie.

"I'll drown her then," he said with a smile. We watched him morbidly, as
he took a length of twine and fastened a noose round the animal's neck,
and near it an iron goose; he kept a long piece of cord attached to the
goose.

"You're not coming, are you?" said he. Lettie looked at him; she had
grown rather white.

"It'll make you sick," he said. She did not answer, but followed him
across the yard to the garden. On the bank of the lower mill-pond he
turned again to us and said:

"Now for it!—you are chief mourners." As neither of us replied, he
smiled, and dropped the poor writhing cat into the water, saying,
"Good-bye, Mrs. Nickie Ben."

We waited on the bank some time. He eyed us curiously.

"Cyril," said Lettie quietly, "isn't it cruel?—isn't it awful?"

I had nothing to say.

"Do you mean me?" asked George.

"Not you in particular—everything! If we move the blood rises in our
heel-prints."

He looked at her seriously, with dark eyes.

"I had to drown her out of mercy," said he, fastening the cord he held
to an ash-pole. Then he went to get a spade, and with it, he dug a grave
in the old black earth.

"If," said he, "the poor old cat had made a prettier corpse, you'd have
thrown violets on her."

He had struck the spade into the ground, and hauled up the cat and the
iron goose.

"Well," he said, surveying the hideous object, "haven't her good looks
gone! She was a fine cat."

"Bury it and have done," Lettie replied.

He did so asking: "Shall you have bad dreams after it?"

"Dreams do not trouble me," she answered, turning away.

We went indoors, into the parlour, where Emily sat by a window, biting
her finger. The room was long and not very high; there was a great rough
beam across the ceiling. On the mantel-piece, and in the fireplace, and
over the piano were wild flowers and fresh leaves plentifully scattered;
the room was cool with the scent of the woods.

"Has he done it?" asked Emily—"and did you watch him? If I had seen it
I should have hated the sight of him, and I'd rather have touched a
maggot than him."

"I shouldn't be particularly pleased if he touched me," said Lettie.

"There is something so loathsome about callousness and brutality," said
Emily. "He fills me with disgust."

"Does he?" said Lettie, smiling coldly. She went across to the old
piano. "He's only healthy. He's never been sick, not anyway, yet." She
sat down and played at random, letting the numbed notes fall like dead
leaves from the haughty, ancient piano.

Emily and I talked on by the window, about books and people. She was
intensely serious, and generally succeeded in reducing me to the same
state.

After a while, when the milking and feeding were finished, George came
in. Lettie was still playing the piano. He asked her why she didn't play
something with a tune in it, and this caused her to turn round in her
chair to give him a withering answer. His appearance, however, scattered
her words like startled birds. He had come straight from washing in the
scullery, to the parlour, and he stood behind Lettie's chair
unconcernedly wiping the moisture from his arms. His sleeves were rolled
up to the shoulder, and his shirt was opened wide at the breast. Lettie
was somewhat taken aback by the sight of him standing with legs apart,
dressed in dirty leggings and boots, and breeches torn at the knee,
naked at the breast and arms.

"Why don't you play something with a tune in it?" he repeated, rubbing
the towel over his shoulders beneath the shirt.

"A tune!" she echoed, watching the swelling of his arms as he moved
them, and the rise and fall of his breasts, wonderfully solid and white.
Then having curiously examined the sudden meeting of the sunhot skin
with the white flesh in his throat, her eyes met his, and she turned
again to the piano, while the colour grew in her ears, mercifully
sheltered by a profusion of bright curls.

"What shall I play?" she asked, fingering the keys somewhat confusedly.

He dragged out a book of songs from a little heap of music, and set it
before her.

"Which do you want to sing?" she asked thrilling a little as she felt
his arms so near her.

"Anything you like."

"A love song?" she said.

"If you like—yes, a love song——" he laughed with clumsy insinuation
that made the girl writhe.

She did not answer, but began to play Sullivan's "Tit Willow." He had a
passable bass voice, not of any great depth, and he sang with gusto.
Then she gave him "Drink to me only with thine eyes." At the end she
turned and asked him if he liked the words. He replied that he thought
them rather daft. But he looked at her with glowing brown eyes, as if in
hesitating challenge.

"That's because you have no wine in your eyes to pledge with," she
replied, answering his challenge with a blue blaze of her eyes. Then her
eyelashes drooped on to her cheek. He laughed with a faint ring of
consciousness, and asked her how could she know.

"Because," she said slowly, looking up at him with pretended scorn,
"because there's no change in your eyes when I look at you. I always
think people who are worth much talk with their eyes. That's why you are
forced to respect many quite uneducated people. Their eyes are so
eloquent, and full of knowledge." She had continued to look at him as
she spoke—watching his faint appreciation of her upturned face, and her
hair, where the light was always tangled, watching his brief
self-examination to see if he could feel any truth in her words,
watching till he broke into a little laugh which was rather more awkward
and less satisfied than usual. Then she turned away, smiling also.

"There's nothing in this book nice to sing," she said, turning over the
leaves discontentedly. I found her a volume, and she sang "Should he
upbraid." She had a fine soprano voice, and the song delighted him. He
moved nearer to her, and when at the finish she looked round with a
flashing, mischievous air, she found him pledging her with wonderful
eyes.

"You like that," said she with the air of superior knowledge, as if,
dear me, all one had to do was to turn over to the right page of the
vast volume of one's soul to suit these people.

"I do," he answered emphatically, thus acknowledging her triumph.

"I'd rather 'dance and sing' round 'wrinkled care' than carefully shut
the door on him, while I slept in the chimney wouldn't you?" she asked.

He laughed, and began to consider what she meant before he replied.

"As you do," she added.

"What?" he asked.

"Keep half your senses asleep—half alive."

"Do I?" he asked.

"Of course you do;—'bos-bovis; an ox.' You are like a stalled ox, food
and comfort, no more. Don't you love comfort?" she smiled.

"Don't you?" he replied, smiling shamefaced.

"Of course. Come and turn over for me while I play this piece. Well,
I'll nod when you must turn—bring a chair."

She began to play a romance of Schubert's. He leaned nearer to her to
take hold of the leaf of music; she felt her loose hair touch his face,
and turned to him a quick, laughing glance, while she played. At the end
of the page she nodded, but he was oblivious; "Yes!" she said, suddenly
impatient, and he tried to get the leaf over; she quickly pushed his
hand aside, turned the page herself and continued playing.

"Sorry!" said he, blushing actually.

"Don't bother," she said, continuing to play without observing him. When
she had finished:

"There!" she said, "now tell me how you felt while I was playing."

"Oh—a fool!"—he replied, covered with confusion.

"I'm glad to hear it," she said—"but I didn't mean that. I meant how
did the music make you feel?"

"I don't know—whether—it made me feel anything," he replied
deliberately, pondering over his answer, as usual.

"I tell you," she declared, "you're either asleep or stupid. Did you
really see nothing in the music? But what did you think about?"

He laughed—and thought awhile—and laughed again.

"Why!" he admitted, laughing, and trying to tell the exact truth, "I
thought how pretty your hands are—and what they are like to touch—and
I thought it was a new experience to feel somebody's hair tickling my
cheek." When he had finished his deliberate account she gave his hand a
little knock, and left him saying:

"You are worse and worse."

She came across the room to the couch where I was sitting talking to
Emily, and put her arm around my neck.

"Isn't it time to go home, Pat?" she asked.

"Half past eight—quite early," said I.

"But I believe—I think I ought to be home now," she said.

"Don't go," said he.

"Why?" I asked.

"Stay to supper," urged Emily.

"But I believe——" she hesitated.

"She has another fish to fry," I said.

"I am not sure——" she hesitated again. Then she flashed into sudden
wrath, exclaiming, "Don't be so mean and nasty, Cyril!"

"Were you going somewhere?" asked George humbly.

"Why—no!" she said, blushing.

"Then stay to supper—will you?" he begged. She laughed, and yielded. We
went into the kitchen. Mr. Saxton was sitting reading. Trip, the big
bull terrier, lay at his feet pretending to sleep; Mr. Nickie Ben
reposed calmly on the sofa; Mrs. Saxton and Mollie were just going to
bed. We bade them good-night, and sat down. Annie, the servant, had gone
home, so Emily prepared the supper.

"Nobody can touch that piano like you," said Mr. Saxton to Lettie,
beaming upon her with admiration and deference. He was proud of the
stately, mumbling old thing, and used to say that it was full of music
for those that liked to ask for it. Lettie laughed, and said that so few
folks ever tried it, that her honour was not great.

"What do you think of our George's singing?" asked the father proudly,
but with a deprecating laugh at the end.

"I tell him, when he's in love he'll sing quite well," she said.

"When he's in love!" echoed the father, laughing aloud, very pleased.

"Yes," she said, "when he finds out something he wants and can't have."

George thought about it, and he laughed also.

Emily, who was laying the table said, "There is hardly any water in the
pippin, George."

"Oh, dash!" he exclaimed, "I've taken my boots off."

"It's not a very big job to put them on again," said his sister.

"Why couldn't Annie fetch it—what's she here for?" he said angrily.

Emily looked at us, tossed her head, and turned her back on him.

"I'll go, I'll go, after supper," said the father in a comforting tone.

"After supper!" laughed Emily.

George got up and shuffled out. He had to go into the spinney near the
house to a well, and being warm disliked turning out.

We had just sat down to supper when Trip rushed barking to the door. "Be
quiet," ordered the father, thinking of those in bed, and he followed
the dog.

It was Leslie. He wanted Lettie to go home with him at once. This she
refused to do, so he came indoors, and was persuaded to sit down at
table. He swallowed a morsel of bread and cheese, and a cup of coffee,
talking to Lettie of a garden party which was going to be arranged at
Highclose for the following week.

"What is it for then?" interrupted Mr. Saxton.

"For?" echoed Leslie.

"Is it for the missionaries, or the unemployed, or something?" explained
Mr. Saxton.

"It's a garden-party, not a bazaar," said Leslie.

"Oh—a private affair. I thought it would be some church matter of your
mother's. She's very big at the church, isn't she?"

"She is interested in the church—yes!" said Leslie, then proceeding to
explain to Lettie that he was arranging a tennis tournament in which she
was to take part. At this point he became aware that he was monopolising
the conversation, and turned to George, just as the latter was taking a
piece of cheese from his knife with his teeth, asking:

"Do you play tennis, Mr. Saxton?—I know Miss Saxton does not."

"No," said George, working the piece of cheese into his cheek. "I never
learned any ladies' accomplishments."

Leslie turned to Emily, who had nervously been pushing two plates over a
stain in the cloth, and who was very startled when she found herself
addressed.

"My mother would be so glad if you would come to the party, Miss
Saxton."

"I cannot. I shall be at school. Thanks very much."

"Ah—it's very good of you," said the father, beaming. But George smiled
contemptuously.

When supper was over Leslie looked at Lettie to inform her that he was
ready to go. She, however, refused to see his look, but talked brightly
to Mr. Saxton, who was delighted. George, flattered, joined in the talk
with gusto. Then Leslie's angry silence began to tell on us all. After a
dull lapse, George lifted his head and said to his father:

"Oh, I shouldn't be surprised if that little red heifer calved
to-night."

Lettie's eyes flashed with a sparkle of amusement at this thrust.

"No," assented the father, "I thought so myself."

After a moment's silence, George continued deliberately, "I felt her
gristles——"

"George!" said Emily sharply.

"We will go," said Leslie.

George looked up sideways at Lettie and his black eyes were full of
sardonic mischief.

"Lend me a shawl, will you, Emily?" said Lettie. "I brought nothing, and
I think the wind is cold."

Emily, however, regretted that she had no shawl, and so Lettie must
needs wear a black coat over her summer dress. It fitted so absurdly
that we all laughed, but Leslie was very angry that she should appear
ludicrous before them. He showed her all the polite attentions possible,
fastened the neck of her coat with his pearl scarf-pin, refusing the pin
Emily discovered, after some search. Then we sallied forth.

When we were outside, he offered Lettie his arm with an air of injured
dignity. She refused it and he began to remonstrate.

"I consider you ought to have been home as you promised."

"Pardon me," she replied, "but I did not promise."

"But you knew I was coming," said he.

"Well—you found me," she retorted.

"Yes," he assented. "I did find you; flirting with a common fellow," he
sneered.

"Well," she returned. "He did—it is true—call a heifer, a heifer."

"And I should think you liked it," he said.

"I didn't mind," she said, with galling negligence.

"I thought your taste was more refined," he replied sarcastically. "But
I suppose you thought it romantic."

"Very! Ruddy, dark, and really thrilling eyes," said she.

"I hate to hear a girl talk rot," said Leslie. He himself had crisp hair
of the "ginger" class.

"But I mean it," she insisted, aggravating his anger.

Leslie was angry. "I'm glad he amuses you!"

"Of course, I'm not hard to please," she said pointedly. He was stung to
the quick.

"Then there's some comfort in knowing I don't please you," he said
coldly.

"Oh! but you do! You amuse me also," she said.

After that he would not speak, preferring, I suppose, _not_ to amuse
her.

Lettie took my arm, and with her disengaged hand held her skirts above
the wet grass. When he had left us at the end of the riding in the wood,
Lettie said:

"What an infant he is!"

"A bit of an ass," I admitted.

"But really!" she said, "he's more agreeable on the whole than—than my
Taurus."

"Your bull!" I repeated laughing.



      CHAPTER III

   A VENDOR OF VISIONS


The Sunday following Lettie's visit to the mill, Leslie came up in the
morning, admirably dressed, and perfected by a grand air. I showed him
into the dark drawing-room, and left him. Ordinarily he would have
wandered to the stairs, and sat there calling to Lettie; to-day he was
silent. I carried the news of his arrival to my sister, who was pinning
on her brooch.

"And how is the dear boy?" she asked. "I have not inquired," said I. She
laughed, and loitered about till it was time to set off for church
before she came downstairs. Then she also assumed the grand air and
bowed to him with a beautiful bow. He was somewhat taken aback and had
nothing to say. She rustled across the room to the window, where the
white geraniums grew magnificently. "I must adorn myself," she said.

It was Leslie's custom to bring her flowers. As he had not done so this
day, she was piqued. He hated the scent and chalky whiteness of the
geraniums. So she smiled at him as she pinned them into the bosom of her
dress, saying: "They are very fine, are they not?" He muttered that they
were. Mother came downstairs, greeted him warmly, and asked him if he
would take her to church.

"If you will allow me," said he.

"You are modest to-day," laughed mother.

"To-day!" he repeated.

"I hate modesty in a young man," said mother—"Come, we shall be late."
Lettie wore the geraniums all day—till evening. She brought Alice Gall
home to tea, and bade me bring up "Mon Taureau," when his farm work was
over.

The day had been hot and close. The sun was reddening in the west as we
leaped across the lesser brook. The evening scents began to awake, and
wander unseen through the still air. An occasional yellow sunbeam would
slant through the thick roof of leaves and cling passionately to the
orange clusters of mountain-ash berries. The trees were silent, drawing
together to sleep. Only a few pink orchids stood palely by the path,
looking wistfully out at the ranks of red-purple bugle, whose last
flowers, glowing from the top of the bronze column, yearned darkly for
the sun.

We sauntered on in silence, not breaking the first hush of the
woodlands. As we drew near home we heard a murmur from among the trees,
from the lover's seat, where a great tree had fallen and remained mossed
and covered with fragile growth. There a crooked bough made a beautiful
seat for two.

"Fancy being in love and making a row in such a twilight," said I as we
continued our way. But when we came opposite the fallen tree, we saw no
lovers there, but a man sleeping, and muttering through his sleep. The
cap had fallen from his grizzled hair, and his head leaned back against
a profusion of the little wild geraniums that decorated the dead bough
so delicately. The man's clothing was good, but slovenly and neglected.
His face was pale and worn with sickness and dissipation. As he slept,
his grey beard wagged, and his loose unlovely mouth moved in indistinct
speech. He was acting over again some part of his life, and his features
twitched during the unnatural sleep. He would give a little groan,
gruesome to hear and then talk to some woman. His features twitched as
if with pain, and he moaned slightly.

The lips opened in a grimace showing the yellow teeth behind the beard.
Then he began again talking in his throat, thickly, so that we could
only tell part of what he said. It was very unpleasant. I wondered how
we should end it. Suddenly through the gloom of the twilight-haunted
woods came the scream of a rabbit caught by a weasel. The man awoke with
a sharp "Ah!"—he looked round in consternation, then sinking down again
wearily, said, "I was dreaming again."

"You don't seem to have nice dreams," said George.

The man winced then looking at us said, almost sneering:

"And who are you?"

We did not answer, but waited for him to move. He sat still, looking at
us.

"So!" he said at last, wearily, "I do dream. I do, I do." He sighed
heavily. Then he added, sarcastically: "Were you interested?"

"No," said I. "But you are out of your way surely. Which road did you
want?"

"You want me to clear out," he said.

"Well," I said laughing in deprecation. "I don't mind your dreaming. But
this is not the way to anywhere."

"Where may you be going then?" he asked.

"I? Home," I replied with dignity.

"You are a Beardsall?" he queried, eyeing me with bloodshot eyes.

"I am!" I replied with more dignity, wondering who the fellow could be.

He sat a few moments looking at me. It was getting dark in the wood.
Then he took up an ebony stick with a gold head, and rose. The stick
seemed to catch at my imagination. I watched it curiously as we walked
with the old man along the path to the gate. We went with him into the
open road. When we reached the clear sky where the light from the west
fell full on our faces, he turned again and looked at us closely. His
mouth opened sharply, as if he would speak, but he stopped himself, and
only said "Good-bye—Good-bye."

"Shall you be all right?" I asked, seeing him totter.

"Yes—all right—good-bye, lad."

He walked away feebly into the darkness. We saw the lights of a vehicle
on the high-road: after a while we heard the bang of a door, and a cab
rattled away.

"Well—whoever's he?" said George laughing.

"Do you know," said I, "it's made me feel a bit rotten."

"Ay?" he laughed, turning up the end of the exclamation with indulgent
surprise.

We went back home, deciding to say nothing to the women. They were
sitting in the window seat watching for us, mother and Alice and Lettie.

"You _have_ been a long time!" said Lettie. "We've watched the sun go
down—it set splendidly—look—the rim of the hill is smouldering yet.
What have you been doing?"

"Waiting till your Taurus finished work."

"Now be quiet," she said hastily, and—turning to him, "You have come to
sing hymns?"

"Anything you like," he replied.

"How nice of you, George!" exclaimed Alice, ironically. She was a short,
plump girl, pale, with daring, rebellious eyes. Her mother was a Wyld, a
family famous either for shocking lawlessness, or for extreme
uprightness. Alice, with an admirable father, and a mother who loved her
husband passionately, was wild and lawless on the surface, but at heart
very upright and amenable. My mother and she were fast friends, and
Lettie had a good deal of sympathy with her. But Lettie generally
deplored Alice's outrageous behaviour, though she relished it—if
"superior" friends were not present. Most men enjoyed Alice in company,
but they fought shy of being alone with her.

"Would you say the same to me?" she asked.

"It depends what you'd answer," he said, laughingly.

"Oh, you're so bloomin' cautious. I'd rather have a tack in my shoe than
a cautious man, wouldn't you Lettie?"

"Well—it depends how far I had to walk," was Lettie's reply—"but if I
hadn't to limp too far——"

Alice turned away from Lettie, whom she often found rather irritating.

"You do look glum, Sybil," she said to me, "did somebody want to kiss
you?"

I laughed—on the wrong side, understanding her malicious feminine
reference—and answered:

"If they had, I should have looked happy."

"Dear boy, smile now then,"—and she tipped me under the chin. I drew
away.

"Oh, Gum—we are solemn! What's the matter with you? Georgy—say
something—else I's'll begin to feel nervous."

"What shall I say?" he asked, shifting his feet and resting his elbows
on his knees. "Oh, Lor!" she cried in great impatience. He did not help
her, but sat clasping his hands, smiling on one side of his face. He was
nervous. He looked at the pictures, the ornaments, and everything in the
room; Lettie got up to settle some flowers on the mantel-piece, and he
scrutinised her closely. She was dressed in some blue foulard stuff,
with lace at the throat, and lace cuffs to the elbow. She was tall and
supple; her hair had a curling fluffiness very charming. He was no
taller than she, and looked shorter, being strongly built. He too had a
grace of his own, but not as he sat stiffly on a horse-hair chair. She
was elegant in her movements.

After a little while mother called us in to supper.

"Come," said Lettie to him, "take me in to supper."

He rose, feeling very awkward.

"Give me your arm," said she to tease him. He did so, and flushed under
his tan, afraid of her round arm half hidden by lace, which lay among
his sleeve.

When we were seated she flourished her spoon and asked him what he would
have. He hesitated, looked at the strange dishes and said he would have
some cheese. They insisted on his eating new, complicated meats.

"I'm sure you like tantafflins, don't you Georgie?" said Alice, in her
mocking fashion. He was _not_ sure. He could not analyse the flavours,
he felt confused and bewildered even through his sense of taste! Alice
begged him to have salad.

"No, thanks," said he. "I don't like it."

"Oh, George!" she said, "How _can_ you say so when I'm _offering_ it
you."

"Well—I've only had it once," said he, "and that was when I was working
with Flint, and he gave us fat bacon and bits of lettuce soaked in
vinegar—''Ave a bit more salit,' he kept saying, but I'd had enough."

"But all our lettuce," said Alice with a wink, "is as sweet as a nut, no
vinegar about our lettuce." George laughed in much confusion at her pun
on my sister's name.

"I believe you," he said, with pompous gallantry.

"Think of that!" cried Alice. "Our Georgie believes me. Oh, I am so, so
pleased!"

He smiled painfully. His hand was resting on the table, the thumb tucked
tight under the fingers, his knuckles white as he nervously gripped his
thumb. At last supper was finished, and he picked up his serviette from
the floor and began to fold it. Lettie also seemed ill at ease. She had
teased him till the sense of his awkwardness had become uncomfortable.
Now she felt sorry, and a trifle repentant, so she went to the piano, as
she always did to dispel her moods. When she was angry she played tender
fragments of Tschaïkowsky, when she was miserable, Mozart. Now she
played Handel in a manner that suggested the plains of heaven in the
long notes, and in the little trills as if she were waltzing up the
ladder of Jacob's dream like the damsels in Blake's pictures. I often
told her she flattered herself scandalously through the piano; but
generally she pretended not to understand me, and occasionally she
surprised me by a sudden rush of tears to her eyes. For George's sake,
she played Gounod's "Ave Maria," knowing that the sentiment of the chant
would appeal to him, and make him sad, forgetful of the petty evils of
this life. I smiled as I watched the cheap spell working. When she had
finished, her fingers lay motionless for a minute on the keys, then she
spun round, and looked him straight in the eyes, giving promise of a
smile. But she glanced down at her knee.

"You are tired of music," she said.

"No," he replied, shaking his head.

"Like it better than salad?" she asked with a flash of raillery.

He looked up at her with a sudden smile, but did not reply. He was not
handsome; his features were too often in a heavy repose; but when he
looked up and smiled unexpectedly, he flooded her with an access of
tenderness.

"Then you'll have a little more," said she, and she turned again to the
piano. She played soft, wistful morsels, then suddenly broke off in the
midst of one sentimental plaint, and left the piano, dropping into a low
chair by the fire. There she sat and looked at him. He was conscious
that her eyes were fixed on him, but he dared not look back at her, so
he pulled his moustache.

"You are only a boy, after all," she said to him quietly. Then he turned
and asked her why.

"It is a boy that you are," she repeated, leaning back in her chair, and
smiling lazily at him.

"I never thought so," he replied seriously.

"Really?" she said, chuckling.

"No," said he, trying to recall his previous impressions.

She laughed heartily, saying:

"You're growing up."

"How?" he asked.

"Growing up," she repeated, still laughing.

"But I'm sure I was never boyish," said he.

"I'm teaching you," said she, "and when you're boyish you'll be a very
decent man. A mere man daren't be a boy for fear of tumbling off his
manly dignity, and then he'd be a fool, poor thing."

He laughed, and sat still to think about it, as was his way.

"Do you like pictures?" she asked suddenly, being tired of looking at
him.

"Better than anything," he replied.

"Except dinner, and a warm hearth and a lazy evening," she said.

He looked at her suddenly, hardening at her insult, and biting his lips
at the taste of this humiliation. She repented, and smiled her plaintive
regret to him.

"I'll show you some," she said, rising and going out of the room. He
felt he was nearer her. She returned, carrying a pile of great books.

"Jove—you're pretty strong!" said he.

"You are charming in your compliment," she said.

He glanced at her to see if she were mocking.

"That's the highest you could say of me, isn't it?" she insisted.

"Is it?" he asked, unwilling to compromise himself.

"For sure," she answered—and then, laying the books on the table, "I
know how a man will compliment me by the way he looks at me"—she
kneeled before the fire. "Some look at my hair, some watch the rise and
fall of my breathing, some look at my neck, and a few,—not you among
them,—look me in the eyes for my thoughts. To you, I'm a fine specimen,
strong! Pretty strong! You primitive man!"

He sat twisting his fingers; she was very contrary.

"Bring your chair up," she said, sitting down at the table and opening a
book. She talked to him of each picture, insisting on hearing his
opinion. Sometimes he disagreed with her and would not be persuaded. At
such times she was piqued.

"If," said she, "an ancient Briton in his skins came and contradicted me
as you do, wouldn't you tell him not to make an ass of himself?"

"I don't know," said he.

"Then you ought to," she replied. "You know nothing."

"How is it you ask me then?" he said.

She began to laugh.

"Why—that's a pertinent question. I think you might be rather nice, you
know."

"Thank you," he said, smiling ironically.

"Oh!" she said. "I know, you think you're perfect, but you're not,
you're very annoying."

"Yes," exclaimed Alice, who had entered the room again, dressed ready to
depart. "He's so blooming slow! Great whizz! Who wants fellows to carry
cold dinners? Shouldn't you like to shake him Lettie?"

"I don't feel concerned enough," replied the other calmly.

"Did you ever carry a boiled pudding Georgy?" asked Alice with innocent
interest, punching me slyly.

"Me!—why?—what makes you ask?" he replied, quite at a loss.

"Oh, I only wondered if your people needed any indigestion mixture—pa
mixes it—1/1 ½ a bottle."

"I don't see——" he began.

"Ta—ta, old boy, I'll give you time to think about it. Good-night,
Lettie. Absence makes the heart grow fonder—Georgy—of someone else.
Farewell. Come along, Sybil love, the moon is shining—Good-night all,
good-night!"

I escorted her home, while they continued to look at the pictures. He
was a romanticist. He liked Copley, Fielding, Cattermole and Birket
Foster; he could see nothing whatsoever in Girtin or David Cox. They
fell out decidedly over George Clausen.

"But," said Lettie, "he is a real realist, he makes common things
beautiful, he sees the mystery and magnificence that envelops us even
when we work menially. I _do_ know and I _can_ speak. If I hoed in the
fields beside you——" This was a very new idea for him, almost a shock
to his imagination, and she talked unheeded. The picture under
discussion was a water-colour—"Hoeing" by Clausen.

"You'd be just that colour in the sunset," she said, thus bringing him
back to the subject, "and if you looked at the ground you'd find there
was a sense of warm gold fire in it, and once you'd perceived the
colour, it would strengthen till you'd see nothing else. You are blind;
you are only half-born; you are gross with good living and heavy
sleeping. You are a piano which will only play a dozen common notes.
Sunset is nothing to you—it merely happens anywhere. Oh, but you make
me feel as if I'd like to make you suffer. If you'd ever been sick; if
you'd ever been born into a home where there was something oppressed
you, and you couldn't understand; if ever you'd believed, or even
doubted, you might have been a man by now. You never grow up, like bulbs
which spend all summer getting fat and fleshy, but never wakening the
germ of a flower. As for me, the flower is born in me, but it wants
bringing forth. Things don't flower if they're overfed. You have to
suffer before you blossom in this life. When death is just touching a
plant, it forces it into a passion of flowering. You wonder how I have
touched death. You don't know. There's always a sense of death in this
home. I believe my mother hated my father before I was born. That was
death in her veins for me before I was born. It makes a difference——"

As he sat listening, his eyes grew wide and his lips were parted, like a
child who feels the tale but does not understand the words. She, looking
away from herself at last, saw him, began to laugh gently, and patted
his hand saying:

"Oh! my dear heart, are you bewildered? How amiable of you to listen to
me—there isn't any meaning in it all—there isn't really!"

"But," said he, "why do you say it?"

"Oh, the question!" she laughed. "Let us go back to our muttons, we're
gazing at each other like two dazed images."

They turned on, chatting casually, till George suddenly exclaimed,
"There!"

It was Maurice Griffinhagen's "Idyll."

"What of it?" she asked, gradually flushing. She remembered her own
enthusiasm over the picture.

"Wouldn't it be fine?" he exclaimed, looking at her with glowing eyes,
his teeth showing white in a smile that was not amusement.

"What?" she asked, dropping her head in confusion.

"That—a girl like that—half afraid—and passion!" He lit up curiously.

"She may well be half afraid, when the barbarian comes out in his glory,
skins and all."

"But don't you like it?" he asked.

She shrugged her shoulders, saying, "Make love to the next girl you
meet, and by the time the poppies redden the field, she'll hang in your
arms. She'll have need to be more than half afraid, won't she?"

She played with the leaves of the book, and did not look at him.

"But," he faltered, his eyes glowing, "it would be—rather——"

"Don't, sweet lad, don't!" she cried laughing.

"But I shouldn't—" he insisted, "I don't know whether I should like any
girl I know to——"

"Precious Sir Galahad," she said in a mock caressing voice, and stroking
his cheek with her finger, "You ought to have been a monk—a martyr, a
Carthusian."

He laughed, taking no notice. He was breathlessly quivering under the
new sensation of heavy, unappeased fire in his breast, and in the
muscles of his arms. He glanced at her bosom and shivered.

"Are you studying just how to play the part?" she asked.

"No—but——" he tried to look at her, but failed. He shrank, laughing,
and dropped his head.

"What?" she asked with vibrant curiosity.

Having become a few degrees calmer, he looked up at her now, his eyes
wide and vivid with a declaration that made her shrink back as if flame
had leaped towards her face. She bent down her head and picked at her
dress.

"Didn't you know the picture before?" she said, in a low, toneless
voice.

He shut his eyes and shrank with shame.

"No, I've never seen it before," he said.

"I'm surprised," she said. "It is a very common one."

"Is it?" he answered, and this make-belief conversation fell. She looked
up, and found his eyes. They gazed at each other for a moment before
they hid their faces again. It was a torture to each of them to look
thus nakedly at the other, a dazzled, shrinking pain that they forced
themselves to undergo for a moment, that they might the moment after
tremble with a fierce sensation that filled their veins with fluid,
fiery electricity. She sought almost in panic, for something to say.

"I believe it's in Liverpool, the picture," she contrived to say.

He dared not kill this conversation, he was too self-conscious. He
forced himself to reply, "I didn't know there was a gallery in
Liverpool."

"Oh, yes, a very good one," she said.

Their eyes met in the briefest flash of a glance, then both turned their
faces aside. Thus averted, one from the other, they made talk. At last
she rose, gathered the books together, and carried them off. At the door
she turned. She must steal another keen moment: "Are you admiring my
strength?" she asked. Her pose was fine. With her head thrown back, the
roundness of her throat ran finely down to the bosom which swelled above
the pile of books held by her straight arms. He looked at her. Their
lips smiled curiously. She put back her throat as if she were drinking.
They felt the blood beating madly in their necks. Then, suddenly
breaking into a slight trembling, she turned round and left the room.

While she was out, he sat twisting his moustache. She came back along
the hall talking madly to herself in French. Having been much impressed
by Sarah Bernhardt's "Dame aux Camelias" and "Adrienne Lecouvreur,"
Lettie had caught something of the weird tone of this great actress, and
her raillery and mockery came out in little wild waves. She laughed at
him, and at herself, and at men in general, and at love in particular.
Whatever he said to her, she answered in the same mad clatter of French,
speaking high and harshly. The sound was strange and uncomfortable.
There was a painful perplexity in his brow, such as I often perceived
afterwards, a sense of something hurting, something he could not
understand.

"Well, well, well, well!" she exclaimed at last. "We must be mad
sometimes, or we should be getting aged, Hein?"

"I wish I could understand," he said plaintively.

"Poor dear!" she laughed. "How sober he is! And will you really go? They
will think we've given you no supper, you look so sad."

"I have supped—full——" he began, his eyes dancing with a smile as he
ventured upon a quotation. He was very much excited.

"Of horrors!" she cried completing it. "Now that is worse than anything
I have given you."

"Is it?" he replied, and they smiled at each other.

"Far worse," she answered. They waited in suspense for some moments. He
looked at her.

"Good-bye," she said, holding out her hand. Her voice was full of
insurgent tenderness. He looked at her again, his eyes flickering. Then
he took her hand. She pressed his fingers, holding them a little while.
Then ashamed of her display of feeling, she looked down. He had a deep
cut across his thumb.

"What a gash!" she exclaimed, shivering, and clinging a little tighter
to his fingers before she released them. He gave a little laugh.

"Does it hurt you?" she asked very gently.

He laughed again—"No!" he said softly, as if his thumb were not worthy
of consideration.

They smiled again at each other, and, with a blind movement, he broke
the spell and was gone.



      CHAPTER IV

      THE FATHER


Autumn set in, and the red dahlias which kept the warm light alive in
their bosoms so late into the evening died in the night, and the morning
had nothing but brown balls of rottenness to show.

They called me as I passed the post-office door in Eberwich one evening,
and they gave me a letter for my mother. The distorted, sprawling
handwriting perplexed me with a dim uneasiness; I put the letter away,
and forgot it. I remembered it later in the evening, when I wished to
recall something to interest my mother. She looked at the handwriting,
and began hastily and nervously to tear open the envelope; she held it
away from her in the light of the lamp, and with eyes drawn half closed,
tried to scan it. So I found her spectacles, but she did not speak her
thanks, and her hand trembled. She read the short letter quickly; then
she sat down, and read it again, and continued to look at it.

"What is it mother?" I asked.

She did not answer, but continued staring at the letter. I went up to
her, and put my hand on her shoulder, feeling very uncomfortable. She
took no notice of me, beginning to murmur: "Poor Frank—Poor Frank."
That was my father's name.

"But what is it mother?—tell me what's the matter!"

She turned and looked at me as if I were a stranger; she got up, and
began to walk about the room; then she left the room, and I heard her go
out of the house.

The letter had fallen on to the floor. I picked it up. The handwriting
was very broken. The address gave a village some few miles away; the
date was three days before.

"My Dear Lettice:

"You will want to know I am gone. I can hardly last a day or two—my
kidneys are nearly gone.

"I came over one day. I didn't see you, but I saw the girl by the
window, and I had a few words with the lad. He never knew, and he felt
nothing. I think the girl might have done. If you knew how awfully
lonely I am, Lettice—how awfully I have been, you might feel sorry.

"I have saved what I could, to pay you back. I have had the worst of it
Lettice, and I'm glad the end has come. I have had the worst of it.

   "Good-bye—for ever—your husband,

      "FRANK BEARDSALL."

I was numbed by this letter of my father's. With almost agonised effort
I strove to recall him, but I knew that my image of a tall, handsome,
dark man with pale grey eyes was made up from my mother's few words, and
from a portrait I had once seen.

The marriage had been unhappy. My father was of frivolous, rather vulgar
character, but plausible, having a good deal of charm. He was a liar,
without notion of honesty, and he had deceived my mother thoroughly. One
after another she discovered his mean dishonesties and deceits, and her
soul revolted from him, and because the illusion of him had broken into
a thousand vulgar fragments, she turned away with the scorn of a woman
who finds her romance has been a trumpery tale. When he left her for
other pleasures—Lettie being a baby of three years, while I was
five—she rejoiced bitterly. She had heard of him indirectly—and of him
nothing good, although he prospered—but he had never come to see her or
written to her in all the eighteen years.

In a while my mother came in. She sat down, pleating up the hem of her
black apron, and smoothing it out again.

"You know," she said, "he had a right to the children, and I've kept
them all the time."

"He could have come," said I.

"I set them against him, I have kept them from him, and he wanted them.
I ought to be by him now—I ought to have taken you to him long ago."

"But how could you, when you knew nothing of him?"

"He would have come—he wanted to come—I have felt it for years. But I
kept him away. I know I have kept him away. I have felt it, and he has.
Poor Frank—he'll see his mistakes now. He would not have been as cruel
as I have been——"

"Nay, mother, it is only the shock that makes you say so."

"This makes me know. I have felt in myself a long time that he was
suffering; I have had the feeling of him in me. I knew, yes, I did know
he wanted me, and you, I felt it. I have had the feeling of him upon me
this last three months especially . . . I have been cruel to him."

"Well—we'll go to him now, shall we?" I said.

"To-morrow—to-morrow," she replied, noticing me really for the first
time. "I go in the morning."

"And I'll go with you."

"Yes—in the morning. Lettie has her party to Chatsworth—don't tell
her—we won't tell her."

"No," said I.

Shortly after, my mother went upstairs. Lettie came in rather late from
Highclose; Leslie did not come in. In the morning they were going with a
motor party into Matloch and Chatsworth, and she was excited, and did
not observe anything.

After all, mother and I could not set out until the warm tempered
afternoon. The air was full of a soft yellowness when we stepped down
from the train at Cossethay. My mother insisted on walking the long two
miles to the village. We went slowly along the road, lingering over the
little red flowers in the high hedge-bottom up the hillside. We were
reluctant to come to our destination. As we came in sight of the little
grey tower of the church, we heard the sound of braying, brassy music.
Before us, filling a little croft, the Wakes was in full swing.

Some wooden horses careered gaily round, and the swingboats leaped into
the mild blue sky. We sat upon the stile, my mother and I, and watched.
There were booths, and cocoanut shies and round-abouts scattered in the
small field. Groups of children moved quietly from attraction to
attraction. A deeply tanned man came across the field swinging two
dripping buckets of water. Women looked from the doors of their
brilliant caravans, and lean dogs rose lazily and settled down again
under the steps. The fair moved slowly, for all its noise. A stout lady,
with a husky masculine voice invited the excited children into her peep
show. A swarthy man stood with his thin legs astride on the platform of
the roundabouts, and sloping backwards, his mouth distended with a row
of fingers, he whistled astonishingly to the coarse row of the organ,
and his whistling sounded clear, like the flight of a wild goose high
over the chimney tops, as he was carried round and round. A little fat
man with an ugly swelling on his chest stood screaming from a filthy
booth to a crowd of urchins, bidding them challenge a big, stolid young
man who stood with folded arms, his fists pushing out his biceps. On
being asked if he would undertake any of these prospective challenges,
this young man nodded, not having yet attained a talking stage:—yes he
would take two at a time, screamed the little fat man with the big
excrescence on his chest, pointing at the cowering lads and girls.
Further off, Punch's quaint voice could be heard when the cocoanut man
ceased grinding out screeches from his rattle. The cocoanut man was
wroth, for these youngsters would not risk a penny shy, and the rattle
yelled like a fiend. A little girl came along to look at us, daintily
licking an ice-cream sandwich. We were uninteresting, however, so she
passed on to stare at the caravans.

We had almost gathered courage to cross the wakes, when the cracked bell
of the church sent its note falling over the babble.

"One—two—three"—had it really sounded three! Then it rang on a lower
bell—"One—two—three." A passing bell for a man! I looked at my
mother—she turned away from me.

The organ flared on—the husky woman came forward to make another
appeal. Then there was a lull. The man with the lump on his chest had
gone inside the rag to spar with the solid fellow. The cocoanut man had
gone to the "Three Tunns" in fury, and a brazen girl of seventeen or so
was in charge of the nuts. The horses careered round, carrying two
frightened boys.

Suddenly the quick, throbbing note of the low bell struck again through
the din. I listened—but could not keep count. One, two, three,
four—for the third time that great lad had determined to go on the
horses, and they had started while his foot was on the step, and he had
been foiled—eight, nine, ten—no wonder that whistling man had such a
big Adam's apple—I wondered if it hurt his neck when he talked, being
so pointed—nineteen, twenty—the girl was licking more ice-cream, with
precious, tiny licks—twenty-five, twenty-six—I wondered if I did count
to twenty-six mechanically. At this point I gave it up, and watched for
Lord Tennyson's bald head to come spinning round on the painted rim of
the round-abouts, followed by a red-faced Lord Roberts, and a villainous
looking Disraeli.

"Fifty-one——" said my mother. "Come—come along."

We hurried through the fair, towards the church; towards a garden where
the last red sentinels looked out from the top of the holly-hock spires.
The garden was a tousled mass of faded pink chrysanthemums, and
weak-eyed Michaelmas daisies, and spectre stalks of holly-hock. It
belonged to a low, dark house, which crouched behind a screen of yews.
We walked along to the front. The blinds were down, and in one room we
could see the stale light of candles burning.

"Is this Yew Cottage?" asked my mother of a curious lad.

"It's Mrs. May's," replied the boy.

"Does she live alone?" I asked.

"She 'ad French Carlin—but he's dead—an she's letten th' candles ter
keep th' owd lad off'n 'im."

We went to the house and knocked.

"An ye come about him?" hoarsely whispered a bent old woman, looking up
with very blue eyes, nodding her old head with its velvet net
significantly towards the inner room.

"Yes——" said my mother, "we had a letter."

"Ay, poor fellow—he's gone, missis," and the old lady shook her head.
Then she looked at us curiously, leaned forward, and, putting her
withered old hand on my mother's arm, her hand with its dark blue veins,
she whispered in confidence, "and the candles 'as gone out twice. 'E wor
a funny feller, very funny!"

"I must come in and settle things—I am his nearest relative," said my
mother, trembling.

"Yes—I must 'a dozed, for when I looked up, it wor black darkness.
Missis, I dursn't sit up wi' 'im no more, an' many a one I've laid out.
Eh, but his sufferin's, Missis—poor feller—eh, Missis!"—she lifted
her ancient hands, and looked up at my mother, with her eyes so
intensely blue.

"Do you know where he kept his papers?" asked my mother.

"Yis, I axed Father Burns about it; he said we mun pray for 'im. I
bought him candles out o' my own pocket. He wor a rum feller, he wor!"
and again she shook her grey head mournfully. My mother took a step
forward.

"Did ye want to see 'im?" asked the old woman with half timid
questioning.

"Yes," replied my mother, with a vigorous nod. She perceived now that
the old lady was deaf.

We followed the woman into the kitchen, a long, low room, dark, with
drawn blinds.

"Sit ye down," said the old lady in the same low tone, as if she were
speaking to herself:

"Ye are his sister, 'appen?"

My mother shook her head.

"Oh—his brother's wife!" persisted the old lady.

We shook our heads.

"Only a cousin?" she guessed, and looked at us appealingly. I nodded
assent.

"Sit ye there a minute," she said, and trotted off. She banged the door,
and jarred a chair as she went. When she returned, she set down a bottle
and two glasses with a thump on the table in front of us. Her thin,
skinny wrist seemed hardly capable of carrying the bottle.

"It's one as he'd only just begun of—'ave a drop to keep ye up—do now,
poor thing," she said, pushing the bottle to my mother and hurrying off,
returning with the sugar and the kettle. We refused.

"'E won't want it no more, poor feller—an it's good, Missis, he allers
drank it good. Ay—an' 'e 'adn't a drop the last three days, poor man,
poor feller, not a drop. Come now, it'll stay ye, come now." We refused.

"'T's in there," she whispered, pointing to a closed door in a dark
corner of the gloomy kitchen. I stumbled up a little step, and went
plunging against a rickety table on which was a candle in a tall brass
candlestick. Over went the candle, and it rolled on the floor, and the
brass holder fell with much clanging.

"Eh!—Eh! Dear—Lord, Dear—Heart. Dear—Heart!" wailed the old woman.
She hastened trembling round to the other side of the bed, and relit the
extinguished candle at the taper which was still burning. As she
returned, the light glowed on her old, wrinkled face, and on the
burnished knobs of the dark mahogany bedstead, while a stream of wax
dripped down on to the floor. By the glimmering light of the two tapers
we could see the outlined form under the counterpane. She turned back
the hem and began to make painful wailing sounds. My heart was beating
heavily, and I felt choked. I did not want to look—but I must. It was
the man I had seen in the woods—with the puffiness gone from his face.
I felt the great wild pity, and a sense of terror, and a sense of
horror, and a sense of awful littleness and loneliness among a great
empty space. I felt beyond myself as if I were a mere fleck drifting
unconsciously through the dark. Then I felt my mother's arm round my
shoulders, and she cried pitifully, "Oh, my son, my son!"

I shivered, and came back to myself. There were no tears in my mother's
face, only a great pleading. "Never mind, mother—never mind," I said
incoherently.

She rose and covered the face again, and went round to the old lady, and
held her still, and stayed her little wailings. The woman wiped from her
cheeks the few tears of old age, and pushed her grey hair smooth under
the velvet network.

"Where are all his things?" asked mother.

"Eh?" said the old lady, lifting up her ear.

"Are all his things here?" repeated mother in a louder tone.

"Here?"—the woman waved her hand round the room. It contained the great
mahogany bedstead naked of hangings, a desk, and an oak chest, and two
or three mahogany chairs. "I couldn't get him upstairs; he's only been
here about a three week."

"Where's the key to the desk?" said my mother loudly in the woman's ear.

"Yes," she replied—"it's his desk." She looked at us, perplexed and
doubtful, fearing she had misunderstood us. This was dreadful.

"Key!" I shouted. "Where is the key?"

Her old face was full of trouble as she shook her head. I took it that
she did not know.

"Where are his clothes? _Clothes_" I repeated pointing to my coat. She
understood, and muttered, "I'll fetch 'em ye."

We should have followed her as she hurried upstairs through a door near
the head of the bed, had we not heard a heavy footstep in the kitchen,
and a voice saying: "Is the old lady going to drink with the Devil?
Hullo, Mrs. May, come and drink with me!" We heard the tinkle of the
liquor poured into a glass, and almost immediately the light tap of the
empty tumbler on the table.

"I'll see what the old girl's up to," he said, and the heavy tread came
towards us. Like me, he stumbled at the little step, but escaped
collision with the table.

"Damn that fool's step," he said heartily. It was the doctor—for he
kept his hat on his head, and did not hesitate to stroll about the
house. He was a big, burly, red-faced man.

"I beg your pardon," he said, observing my mother. My mother bowed.

"Mrs. Beardsall?" he asked, taking off his hat.

My mother bowed.

"I posted a letter to you. You are a relative of his—of poor old
Carlin's?"—he nodded sideways towards the bed.

"The nearest," said my mother.

"Poor fellow—he was a bit stranded. Comes of being a bachelor, Ma'am."

"I was very much surprised to hear from him," said my mother.

"Yes, I guess he's not been much of a one for writing to his friends.
He's had a bad time lately. You have to pay some time or other. We bring
them on ourselves—silly devils as we are.—I beg your pardon."

There was a moment of silence, during which the doctor sighed, and then
began to whistle softly.

"Well—we might be more comfortable if we had the blind up," he said,
letting daylight in among the glimmer of the tapers as he spoke.

"At any rate," he said, "you won't have any trouble settling up—no
debts or anything of that. I believe there's a bit to leave—so it's not
so bad. Poor devil—he was very down at the last; but we have to pay at
one end or the other. What on earth is the old girl after?" he asked,
looking up at the raftered ceiling, which was rumbling and thundering
with the old lady's violent rummaging.

"We wanted the key of his desk," said my mother.

"Oh—I can find you that—and the will. He told me where they were, and
to give them you when you came. He seemed to think a lot of you. Perhaps
he might ha' done better for himself——"

Here we heard the heavy tread of the old lady coming downstairs. The
doctor went to the foot of the stairs.

"Hello, now—be careful!" he bawled. The poor old woman did as he
expected, and trod on the braces of the trousers she was trailing, and
came crashing into his arms. He set her tenderly down, saying, "Not
hurt, are you?—no!" and he smiled at her and shook his head.

"Eh, doctor—Eh, doctor—bless ye, I'm thankful ye've come. Ye'll see to
'em now, will ye?"

"Yes—" he nodded in his bluff, winning way, and hurrying into the
kitchen, he mixed her a glass of whisky, and brought one for himself,
saying to her, "There you are—'twas a nasty shaking for you."

The poor old woman sat in a chair by the open door of the staircase, the
pile of clothing tumbled about her feet. She looked round pitifully at
us and at the daylight struggling among the candle light, making a
ghostly gleam on the bed where the rigid figure lay unmoved; her hand
trembled so that she could scarcely hold her glass.

The doctor gave us the keys, and we rifled the desk and the drawers,
sorting out all the papers. The doctor sat sipping and talking to us all
the time.

"Yes," he said, "he's only been here about two years. Felt himself
beginning to break up then, I think. He'd been a long time abroad; they
always called him Frenchy." The doctor sipped and reflected, and sipped
again, "Ay—he'd run the rig in his day—used to dream dreadfully. Good
thing the old woman was so deaf. Awful, when a man gives himself away in
his sleep; played the deuce with him, knowing it." Sip, sip, sip—and
more reflections—and another glass to be mixed.

"But he was a jolly decent fellow—generous, open-handed. The folks
didn't like him, because they couldn't get to the bottom of him; they
always hate a thing they can't fathom. He was close, there's no
mistake—save when he was asleep sometimes." The doctor looked at his
glass and sighed.

"However—we shall miss him—shan't we, Mrs. May?" he bawled suddenly,
startling us, making us glance at the bed.

He lit his pipe and puffed voluminously in order to obscure the
attraction of his glass. Meanwhile we examined the papers. There were
very few letters—one or two addressed to Paris. There were many bills,
and receipts, and notes—business, all business.

There was hardly a trace of sentiment among all the litter. My mother
sorted out such papers as she considered valuable; the others, letters
and missives which she glanced at cursorily and put aside, she took into
the kitchen and burned. She seemed afraid to find out too much.

The doctor continued to colour his tobacco smoke with a few pensive
words.

"Ay," he said, "there are two ways. You can burn your lamp with a big
draught, and it'll flare away, till the oil's gone, then it'll stink and
smoke itself out. Or you can keep it trim on the kitchen table, dirty
your fingers occasionally trimming it up, and it'll last a long time,
and sink out mildly." Here he turned to his glass, and finding it empty,
was awakened to reality.

"Anything I can do, Madam?" he asked.

"No, thank you."

"Ay, I don't suppose there's much to settle. Nor many tears to
shed—when a fellow spends his years an' his prime on the Lord knows
who, you can't expect those that remember him young to feel his loss too
keenly. He'd had his fling in his day, though, ma'am. Ay—must ha' had
some rich times. No lasting satisfaction in it though—always wanting,
craving. There's nothing like marrying—you've got your dish before you
then, and you've got to eat it." He lapsed again into reflection, from
which he did not rouse till we had locked up the desk, burned the
useless papers, put the others into my pockets and the black bag, and
were standing ready to depart. Then the doctor looked up suddenly and
said:

"But what about the funeral?"

Then he noticed the weariness of my mother's look, and he jumped up, and
quickly seized his hat, saying:

"Come across to my wife and have a cup of tea. Buried in these dam holes
a fellow gets such a boor. Do come—my little wife is lonely—come just
to see her."

My mother smiled and thanked him. We turned to go. My mother hesitated
in her walk; on the threshold of the room she glanced round at the bed,
but she went on.

Outside, in the fresh air of the fading afternoon, I could not believe
it was true. It was not true, that sad, colourless face with grey beard,
wavering in the yellow candle-light. It was a lie,—that wooden
bedstead, that deaf woman, they were fading phrases of the untruth. That
yellow blaze of little sunflowers was true, and the shadow from the
sun-dial on the warm old almshouses—that was real. The heavy afternoon
sunlight came round us warm and reviving; we shivered, and the untruth
went out of our veins, and we were no longer chilled.

The doctor's house stood sweetly among the beech trees, and at the iron
fence in front of the little lawn a woman was talking to a beautiful
Jersey cow that pushed its dark nose through the fence from the field
beyond. She was a little, dark woman with vivid colouring; she rubbed
the nose of the delicate animal, peeped right into the dark eyes, and
talked in a lovable Scottish speech; talked as a mother talks softly to
her child.

When she turned round in surprise to greet us there was still the
softness of a rich affection in her eyes. She gave us tea, and scones,
and apply jelly, and all the time we listened with delight to her voice,
which was musical as bees humming in the lime trees. Though she said
nothing significant we listened to her attentively.

Her husband was merry and kind. She glanced at him with quick glances of
apprehension, and her eyes avoided him. He, in his merry, frank way,
chaffed her, and praised her extravagantly, and teased her again. Then
he became a trifle uneasy. I think she was afraid he had been drinking;
I think she was shaken with horror when she found him tipsy, and
bewildered and terrified when she saw him drunk. They had no children. I
noticed he ceased to joke when she became a little constrained. He
glanced at her often, and looked somewhat pitiful when she avoided his
looks, and he grew uneasy, and I could see he wanted to go away.

"I had better go with you to see the vicar, then," he said to me, and we
left the room, whose windows looked south, over the meadows, the room
where dainty little water-colours, and beautiful bits of embroidery, and
empty flower vases, and two dirty novels from the town library, and the
closed piano, and the odd cups, and the chipped spout of the teapot
causing stains on the cloth—all told one story.

We went to the joiner's and ordered the coffin, and the doctor had a
glass of whisky on it; the graveyard fees were paid, and the doctor
sealed the engagement with a drop of brandy; the vicar's port completed
the doctor's joviality, and we went home.

This time the disquiet in the little woman's dark eyes could not dispel
the doctor's merriment. He rattled away, and she nervously twisted her
wedding ring. He insisted on driving us to the station, in spite of our
alarm.

"But you will be quite safe with him," said his wife, in her caressing
Highland speech. When she shook hands at parting I noticed the hardness
of the little palm;—and I have always hated an old, black alpaca dress.

It is such a long way home from the station at Eberwich. We rode part
way in the bus; then we walked. It is a very long way for my mother,
when her steps are heavy with trouble.

Rebecca was out by the rhododendrons looking for us. She hurried to us
all solicitous, and asked mother if she had had tea.

"But you'll do with another cup," she said, and ran back into the house.

She came into the dining-room to take my mother's bonnet and coat. She
wanted us to talk; she was distressed on my mother's behalf; she noticed
the blackness that lay under her eyes, and she fidgeted about, unwilling
to ask anything, yet uneasy and anxious to know.

"Lettie has been home," she said.

"And gone back again?" asked mother.

"She only came to change her dress. She put the green poplin on. She
wondered where you'd gone."

"What did you tell her?"

"I said you'd just gone out a bit. She said she was glad. She was as
lively as a squirrel."

Rebecca looked wistfully at my mother. At length the latter said:

"He's dead, Rebecca. I have seen him."

"Now thank God for that—no more need to worry over him."

"Well!—He died all alone, Rebecca—all alone."

"He died as you've lived," said Becky with some asperity.

"But I've had the children, I've had the children—we won't tell Lettie,
Rebecca."

"No 'm." Rebecca left the room.

"You and Lettie will have the money," said mother to me. There was a sum
of four thousand pounds or so. It was left to my mother; or, in default
to Lettie and me.

"Well, mother—if it's ours, it's yours."

There was silence for some minutes, then she said, "You might have had a
father——"

"We're thankful we hadn't, mother. You spared us that."

"But how can you tell?" said my mother.

"I can," I replied. "And I am thankful to you."

"If ever you feel scorn for one who is near you rising in your throat,
try and be generous, my lad."

"Well——" said I.

"Yes," she replied, "we'll say no more. Sometime you must tell
Lettie—you tell her."

I did tell her, a week or so afterwards.

"Who knows?" she asked, her face hardening.

"Mother, Becky, and ourselves."

"Nobody else?"

"No."

"Then it's a good thing he is out of the way if he was such a nuisance
to mother. Where is she?"

"Upstairs."

Lettie ran to her.



      CHAPTER V

   THE SCENT OF BLOOD


The death of the man who was our father changed our lives. It was not
that we suffered a great grief; the chief trouble was the unanswered
crying of failure. But we were changed in our feelings and in our
relations; there was a new consciousness, a new carefulness.

We had lived between the woods and the water all our lives, Lettie and
I, and she had sought the bright notes in everything. She seemed to hear
the water laughing, and the leaves tittering and giggling like young
girls; the aspen fluttered like the draperies of a flirt, and the sound
of the wood-pigeons was almost foolish in its sentimentality.

Lately, however, she had noticed again the cruel pitiful crying of a
hedgehog caught in a gin, and she had noticed the traps for the fierce
little murderers, traps walled in with a small fence of fir, and baited
with the guts of a killed rabbit.

On an afternoon a short time after our visit to Cossethay, Lettie sat in
the window seat. The sun clung to her hair, and kissed her with
passionate splashes of colour brought from the vermilion, dying creeper
outside. The sun loved Lettie, and was loath to leave her. She looked
out over Nethermere to Highclose, vague in the September mist. Had it
not been for the scarlet light on her face, I should have thought her
look was sad and serious. She nestled up to the window, and leaned her
head against the wooden shaft. Gradually she drooped into sleep. Then
she became wonderfully childish again—it was the girl of seventeen
sleeping there, with her full pouting lips slightly apart, and the
breath coming lightly. I felt the old feeling of responsibility; I must
protect her, and take care of her.

There was a crunch of the gravel. It was Leslie coming. He lifted his
hat to her, thinking she was looking. He had that fine, lithe physique,
suggestive of much animal vigour; his person was exceedingly attractive;
one watched him move about, and felt pleasure. His face was less
pleasing than his person. He was not handsome; his eyebrows were too
light, his nose was large and ugly, and his forehead, though high and
fair, was without dignity. But he had a frank, good-natured expression,
and a fine, wholesome laugh.

He wondered why she did not move. As he came nearer he saw. Then he
winked at me and came in. He tiptoed across the room to look at her. The
sweet carelessness of her attitude, the appealing, half-pitiful
girlishness of her face touched his responsive heart, and he leaned
forward and kissed her cheek where already was a crimson stain of
sunshine.

She roused half out of her sleep with a little, petulant "Oh!" as an
awakened child. He sat down behind her, and gently drew her head against
him, looking down at her with a tender, soothing smile. I thought she
was going to fall asleep thus. But her eyelids quivered, and her eyes
beneath them flickered into consciousness.

"Leslie!—oh!—Let me go!" she exclaimed, pushing him away. He loosed
her, and rose, looking at her reproachfully. She shook her dress, and
went quickly to the mirror to arrange her hair.

"You are mean!" she exclaimed, looking very flushed, vexed, and
dishevelled.

He laughed indulgently, saying, "You shouldn't go to sleep then and look
so pretty. Who could help?"

"It is not nice!" she said, frowning with irritation.

"We are not 'nice'—are we? I thought we were proud of our
unconventionality. Why shouldn't I kiss you?"

"Because it is a question of me, not of you alone."

"Dear me, you _are_ in a way!"

"Mother is coming."

"Is she? You had better tell her."

Mother was very fond of Leslie.

"Well, sir," she said, "why are you frowning?"

He broke into a laugh.

"Lettie is scolding me for kissing her when she was playing 'Sleeping
Beauty.'"

"The conceit of the boy, to play Prince!" said my mother.

"Oh, but it appears I was sadly out of character," he said ruefully.

Lettie laughed and forgave him.

"Well," he said, looking at her and smiling, "I came to ask you to go
out."

"It is a lovely afternoon," said mother.

She glanced at him, and said:

"I feel dreadfully lazy."

"Never mind!" he replied, "you'll wake up. Go and put your hat on."

He sounded impatient. She looked at him.

He seemed to be smiling peculiarly.

She lowered her eyes and went out of the room.

"She'll come all right," he said to himself, and to me. "She likes to
play you on a string."

She must have heard him. When she came in again, drawing on her gloves,
she said quietly:

"You come as well, Pat."

He swung round and stared at her in angry amazement.

"I had rather stay and finish this sketch," I said, feeling
uncomfortable.

"No, but do come, there's a dear." She took the brush from my hand, and
drew me from my chair. The blood flushed into his cheeks. He went
quietly into the hall and brought my cap.

"All right!" he said angrily. "Women like to fancy themselves
Napoleons."

"They do, dear Iron Duke, they do," she mocked.

"Yet, there's a Waterloo in all their histories," he said, since she had
supplied him with the idea.

"Say Peterloo, my general, say Peterloo."

"Ay, Peterloo," he replied, with a splendid curl of the lip—"Easy
conquests!"

"'He came, he saw, he conquered,'" Lettie recited.

"Are you coming?" he said, getting more angry.

"When you bid me," she replied, taking my arm.

We went through the wood, and through the dishevelled border-land to the
high road, through the border-land that should have been park-like, but
which was shaggy with loose grass and yellow mole-hills, ragged with
gorse and bramble and briar, with wandering old thorn-trees, and a queer
clump of Scotch firs.

On the highway the leaves were falling, and they chattered under our
steps. The water was mild and blue, and the corn stood drowsily in
"stook."

We climbed the hill behind Highclose, and walked on along the upland,
looking across towards the hills of arid Derbyshire, and seeing them
not, because it was autumn. We came in sight of the head-stocks of the
pit at Selsby, and of the ugly village standing blank and naked on the
brow of the hill.

Lettie was in very high spirits. She laughed and joked continually. She
picked bunches of hips and stuck them in her dress. Having got a thorn
in her finger from a spray of blackberries, she went to Leslie to have
it squeezed out. We were all quite gay as we turned off the high road
and went along the bridle path, with the woods on our right, the high
Strelley hills shutting in our small valley in front, and the fields and
the common to the left. About half way down the lane we heard the slurr
of the scythestone on the scythe. Lettie went to the hedge to see. It
was George mowing the oats on the steep hillside where the machine could
not go. His father was tying up the corn into sheaves.

Straightening his back, Mr. Saxton saw us, and called to us to come and
help. We pushed through a gap in the hedge and went up to him.

"Now then," said the father to me, "take that coat off," and to Lettie:
"Have you brought us a drink? No;—come, that sounds bad! Going a walk I
guess. You see what it is to get fat," and he pulled a wry face as he
bent over to tie the corn. He was a man beautifully ruddy and burly, in
the prime of life.

"Show me, I'll do some," said Lettie.

"Nay," he answered gently, "it would scratch your wrists and break your
stays. Hark at my hands"—he rubbed them together—"like sandpaper!"

George had his back to us, and had not noticed us. He continued to mow.
Leslie watched him.

"That's a fine movement!" he exclaimed.

"Yes," replied the father, rising very red in the face from the tying,
"and our George enjoys a bit o' mowing. It puts you in fine condition
when you get over the first stiffness."

We moved across to the standing corn. The sun being mild, George had
thrown off his hat, and his black hair was moist and twisted into
confused half-curls. Firmly planted, he swung with a beautiful rhythm
from the waist. On the hip of his belted breeches hung the scythestone;
his shirt, faded almost white, was torn just above the belt, and showed
the muscles of his back playing like lights upon the white sand of a
brook. There was something exceedingly attractive in the rhythmic body.

I spoke to him, and he turned round. He looked straight at Lettie with a
flashing, betraying smile. He was remarkably handsome. He tried to say
some words of greeting, then he bent down and gathered an armful of
corn, and deliberately bound it up.

Like him, Lettie had found nothing to say. Leslie, however, remarked:

"I should think mowing is a nice exercise."

"It is," he replied, and continued, as Leslie picked up the scythe, "but
it will make you sweat, and your hands will be sore."

Leslie tossed his head a little, threw off his coat, and said briefly:

"How do you do it?" Without waiting for a reply he proceeded. George
said nothing, but turned to Lettie.

"You are picturesque," she said, a trifle awkwardly, "Quite fit for an
Idyll."

"And you?" he said.

She shrugged her shoulders, laughed, and turned to pick up a scarlet
pimpernel.

"How do you bind the corn?" she asked.

He took some long straws, cleaned them, and showed her the way to hold
them. Instead of attending, she looked at his hands, big, hard, inflamed
by the snaith of the scythe.

"I don't think I could do it," she said.

"No," he replied quietly, and watched Leslie mowing. The latter who was
wonderfully ready at everything, was doing fairly well, but he had not
the invincible sweep of the other, nor did he make the same crisp
crunching music.

"I bet he'll sweat," said George.

"Don't you?" she replied.

"A bit—but I'm not dressed up."

"Do you know," she said suddenly, "your arms tempt me to touch them.
They are such a fine brown colour, and they look so hard."

He held out one arm to her. She hesitated, then she swiftly put her
finger tips on the smooth brown muscle, and drew them along. Quickly she
hid her hand into the folds of her skirt, blushing.

He laughed a low, quiet laugh, at once pleasant and startling to hear.

"I wish I could work here," she said, looking away at the standing corn,
and the dim blue woods. He followed her look, and laughed quietly, with
indulgent resignation.

"I do!" she said emphatically.

"You feel so fine," he said, pushing his hand through his open shirt
front, and gently rubbing the muscles of his side. "It's a pleasure to
work or to stand still. It's a pleasure to yourself—your own physique."

She looked at him, full at his physical beauty, as if he were some great
firm bud of life.

Leslie came up, wiping his brow.

"Jove," said he, "I do perspire."

George picked up his coat and helped him into it; saying:

"You may take a chill."

"It's a jolly nice form of exercise," said he.

George, who had been feeling one finger tip, now took out his pen-knife
and proceeded to dig a thorn from his hand.

"What a hide you must have," said Leslie.

Lettie said nothing, but she recoiled slightly.

The father, glad of an excuse to straighten his back and to chat, came
to us.

"You'd soon had enough," he said, laughing to Leslie.

George startled us with a sudden, "Holloa." We turned, and saw a rabbit,
which had burst from the corn, go coursing through the hedge, dodging
and bounding the sheaves. The standing corn was a patch along the
hill-side some fifty paces in length, and ten or so in width.

"I didn't think there'd have been any in," said the father, picking up a
short rake, and going to the low wall of the corn. We all followed.

"Watch!" said the father, "if you see the heads of the corn shake!"

We prowled round the patch of corn.

"Hold! Look out!" shouted the father excitedly, and immediately after a
rabbit broke from the cover.

"Ay—Ay—Ay," was the shout, "turn him—turn him!" We set off full pelt.
The bewildered little brute, scared by Leslie's wild running and crying,
turned from its course, and dodged across the hill, threading its
terrified course through the maze of lying sheaves, spurting on in a
painful zigzag, now bounding over an untied bundle of corn, now swerving
from the sound of a shout. The little wretch was hard pressed; George
rushed upon it. It darted into some fallen corn, but he had seen it, and
had fallen on it. In an instant he was up again, and the little creature
was dangling from his hand.

We returned, panting, sweating, our eyes flashing, to the edge of the
standing corn. I heard Lettie calling, and turning round saw Emily and
the two children entering the field as they passed from school.

"There's another!" shouted Leslie.

I saw the oat-tops quiver. "Here! Here!" I yelled. The animal leaped
out, and made for the hedge. George and Leslie, who were on that side,
dashed off, turned him, and he coursed back our way. I headed him off to
the father who swept in pursuit for a short distance, but who was too
heavy for the work. The little beast made towards the gate, but this
time Mollie, with her hat in her hand and her hair flying, whirled upon
him, and she and the little fragile lad sent him back again. The rabbit
was getting tired. It dodged the sheaves badly, running towards the top
hedge. I went after it. If I could have let myself fall on it I could
have caught it, but this was impossible to me, and I merely prevented
its dashing through the hole into safety. It raced along the hedge
bottom. George tore after it. As he was upon it, it darted into the
hedge. He fell flat, and shot his hand into the gap. But it had escaped.
He lay there, panting in great sobs, and looking at me with eyes in
which excitement and exhaustion struggled like flickering light and
darkness. When he could speak, he said, "Why didn't you fall on top of
it?"

"I couldn't," said I.

We returned again. The two children were peering into the thick corn
also. We thought there was nothing more. George began to mow. As I
walked round I caught sight of a rabbit skulking near the bottom corner
of the patch. Its ears lay pressed against its back; I could see the
palpitation of the heart under the brown fur, and I could see the
shining dark eyes looking at me. I felt no pity for it, but still I
could not actually hurt it. I beckoned to the father. He ran up, and
aimed a blow with the rake. There was a sharp little cry which sent a
hot pain through me as if I had been cut. But the rabbit ran out, and
instantly I forgot the cry, and gave pursuit, fairly feeling my fingers
stiffen to choke it. It was all lame. Leslie was upon it in a moment,
and he almost pulled its head off in his excitement to kill it.

I looked up. The girls were at the gate, just turning away.

"There are no more," said the father.

At that instant Mary shouted.

"There's one down this hole."

The hole was too small for George to get his hand in, so we dug it out
with the rake handle. The stick went savagely down the hole, and there
came a squeak.

"Mice!" said George, and as he said it the mother slid out. Somebody
knocked her on the back, and the hole was opened out. Little mice seemed
to swarm everywhere. It was like killing insects. We counted nine little
ones lying dead.

"Poor brute," said George, looking at the mother, "What a job she must
have had rearing that lot!" He picked her up, handled her curiously and
with pity. Then he said, "Well, I may as well finish this to-night!"

His father took another scythe from off the hedge, and together they
soon laid the proud, quivering heads low. Leslie and I tied up as they
mowed, and soon all was finished.

The beautiful day was flushing to die. Over in the west the mist was
gathering bluer. The intense stillness was broken by the rhythmic hum of
the engines at the distant coal-mine, as they drew up the last bantles
of men. As we walked across the fields the tubes of stubble tinkled like
dulcimers. The scent of the corn began to rise gently. The last cry of
the pheasants came from the wood, and the little clouds of birds were
gone.

I carried a scythe, and we walked, pleasantly weary, down the hill
towards the farm. The children had gone home with the rabbits.

When we reached the mill, we found the girls just rising from the table.
Emily began to carry away the used pots, and to set clean ones for us.
She merely glanced at us and said her formal greeting. Lettie picked up
a book that lay in the ingle seat, and went to the window. George
dropped into a chair. He had flung off his coat, and had pushed back his
hair. He rested his great brown arms on the table and was silent for a
moment.

"Running like that," he said to me, passing his hand over his eyes,
"makes you more tired than a whole day's work. I don't think I shall do
it again."

"The sport's exciting while it lasts," said Leslie.

"It does you more harm than the rabbits do us good," said Mrs. Saxton.

"Oh, I don't know, mother," drawled her son, "it's a couple of
shillings."

"And a couple of days off your life."

"What be that!" he replied, taking a piece of bread and butter, and
biting a large piece from it.

"Pour us a drop of tea," he said to Emily.

"I don't know that I shall wait on such brutes," she replied, relenting,
and flourishing the teapot.

"Oh," said he, taking another piece of bread and butter, "I'm not all
alone in my savageness this time."

"Men are all brutes," said Lettie, hotly, without looking up from her
book.

"You can tame us," said Leslie, in mighty good humour.

She did not reply. George began, in that deliberate voice that so
annoyed Emily:

"It does make you mad, though, to touch the fur, and not be able to grab
him"—he laughed quietly.

Emily moved off in disgust. Lettie opened her mouth sharply to speak,
but remained silent.

"I don't know," said Leslie. "When it comes to killing it goes against
the stomach."

"If you can run," said George, "you should be able to run to death. When
your blood's up, you don't hang half way."

"I think a man is horrible," said Lettie, "who can tear the head off a
little mite of a thing like a rabbit, after running it in torture over a
field."

"When he is nothing but a barbarian to begin with——" said Emily.

"If you began to run yourself—you'd be the same," said George.

"Why, women are cruel enough," said Leslie, with a glance at Lettie.
"Yes," he continued, "they're cruel enough in their way"—another look,
and a comical little smile.

"Well," said George, "what's the good finicking! If you feel like doing
a thing—you'd better do it."

"Unless you haven't courage," said Emily, bitingly.

He looked up at her with dark eyes, suddenly full of anger.

"But," said Lettie—she could not hold herself from asking, "Don't you
think it's brutal, now—that you _do_ think—isn't it degrading and mean
to run the poor little things down?"

"Perhaps it is," he replied, "but it wasn't an hour ago."

"You have no feeling," she said bitterly.

He laughed deprecatingly, but said nothing.

We finished tea in silence, Lettie reading, Emily moving about the
house. George got up and went out at the end. A moment or two after we
heard him across the yard with the milk-buckets, singing "The Ash
Grove."

"He doesn't care a scrap for anything," said Emily with accumulated
bitterness. Lettie looked out of the window across the yard, thinking.
She looked very glum.

After a while we went out also, before the light faded altogether from
the pond. Emily took us into the lower garden to get some ripe plums.
The old garden was very low. The soil was black. The cornbind and
goosegrass were clutching at the ancient gooseberry bushes, which
sprawled by the paths. The garden was not very productive, save of
weeds, and perhaps, tremendous lank artichokes or swollen marrows. But
at the bottom, where the end of the farm buildings rose high and grey,
there was a plum-tree which had been crucified to the wall, and which
had broken away and leaned forward from bondage. Now under the boughs
were hidden great mist-bloomed, crimson treasures, splendid globes. I
shook the old, ragged trunk, green, with even the fresh gum dulled over,
and the treasures fell heavily, thudding down among the immense rhubarb
leaves below. The girls laughed, and we divided the spoil, and turned
back to the yard. We went down to the edge of the garden, which skirted
the bottom pond, a pool chained in a heavy growth of weeds. It was
moving with rats, the father had said. The rushes were thick below us;
opposite, the great bank fronted us, with orchard trees climbing it like
a hillside. The lower pond received the overflow from the upper by a
tunnel from the deep black sluice.

Two rats ran into the black culvert at our approach. We sat on some
piled, mossy stones to watch. The rats came out again, ran a little way,
stopped, ran again, listened, were reassured, and slid about freely,
dragging their long naked tails. Soon six or seven grey beasts were
playing round the mouth of the culvert, in the gloom. They sat and wiped
their sharp faces, stroking their whiskers. Then one would give a little
rush and a little squirm of excitement and would jump vertically into
the air, alighting on four feet, running, sliding into the black shadow.
One dropped with an ugly plop into the water, and swam toward us, the
hoary imp, his sharp snout and his wicked little eyes moving at us.
Lettie shuddered. I threw a stone into the dead pool, and frightened
them all. But we had frightened ourselves more, so we hurried away, and
stamped our feet in relief on the free pavement of the yard.

Leslie was looking for us. He had been inspecting the yard and the stock
under Mr. Saxton's supervision.

"Were you running away from me?" he asked.

"No," she replied. "I have been to fetch you a plum. Look!" And she
showed him two in a leaf.

"They are too pretty to eat!" said he.

"You have not tasted yet," she laughed.

"Come," he said, offering her his arm. "Let us go up to the water." She
took his arm.

It was a splendid evening, with the light all thick and yellow lying on
the smooth pond. Lettie made him lift her on to a leaning bough of
willow. He sat with his head resting against her skirts. Emily and I
moved on. We heard him murmur something, and her voice reply, gently,
caressingly:

"No—let us be still—it is all so still—I love it best of all now."

Emily and I talked, sitting at the base of the alders, a little way on.
After an excitement, and in the evening, especially in autumn, one is
inclined to be sad and sentimental. We had forgotten that the darkness
was weaving. I heard in the little distance Leslie's voice begin to
murmur like a flying beetle that comes not too near. Then, away down in
the yard George began singing the old song, "I sowed the seeds of love."

This interrupted the flight of Leslie's voice, and as the singing came
nearer, the hum of low words ceased. We went forward to meet George.
Leslie sat up, clasping his knees, and did not speak. George came near,
saying:

"The moon is going to rise."

"Let me get down," said Lettie, lifting her hands to him to help her.
He, mistaking her wish, put his hands under her arms, and set her gently
down, as one would a child. Leslie got up quickly, and seemed to hold
himself separate, resenting the intrusion.

"I thought you were all four together," said George quietly. Lettie
turned quickly at the apology:

"So we were. So we are—five now. Is it there the moon will rise?"

"Yes—I like to see it come over the wood. It lifts slowly up to stare
at you. I always think it wants to know something, and I always think I
have something to answer, only I don't know what it is," said Emily.

Where the sky was pale in the east over the rim of wood came the
forehead of the yellow moon. We stood and watched in silence. Then, as
the great disc, nearly full, lifted and looked straight upon us, we were
washed off our feet in a vague sea of moonlight. We stood with the light
like water on our faces. Lettie was glad, a little bit exalted; Emily
was passionately troubled; her lips were parted, almost beseeching;
Leslie was frowning, oblivious, and George was thinking, and the
terrible, immense moonbeams braided through his feeling. At length
Leslie said softly, mistakenly:

"Come along, dear"—and he took her arm.

She let him lead her along the bank of the pond, and across the plank
over the sluice.

"Do you know," she said, as we were carefully descending the steep bank
of the orchard, "I feel as if I wanted to laugh, or dance—something
rather outrageous."

"Surely not like that _now_," Leslie replied in a low voice, feeling
really hurt.

"I do though! I will race you to the bottom."

"No, no, dear!" He held her back. When he came to the wicket leading on
to the front lawns, he said something to her softly, as he held the
gate.

I think he wanted to utter his half finished proposal, and so bind her.

She broke free, and, observing the long lawn which lay in grey shadow
between the eastern and western glows, she cried:

"Polka!—a polka—one can dance a polka when the grass is smooth and
short—even if there are some fallen leaves. Yes, yes—how jolly!"

She held out her hand to Leslie, but it was too great a shock to his
mood. So she called to me, and there was a shade of anxiety in her
voice, lest after all she should be caught in the toils of the night's
sentiment.

"Pat—you'll dance with me—Leslie hates a polka." I danced with her. I
do not know the time when I could not polka—it seems innate in one's
feet, to dance that dance. We went flying round, hissing through the
dead leaves. The night, the low hung yellow moon, the pallor of the
west, the blue cloud of evening overhead went round and through the
fantastic branches of the old laburnum, spinning a little madness. You
cannot tire Lettie; her feet are wings that beat the air. When at last I
stayed her she laughed as fresh as ever, as she bound her hair.

"There!" she said to Leslie, in tones of extreme satisfaction, "that was
lovely. Do you come and dance now."

"Not a polka," said he, sadly, feeling the poetry in his heart insulted
by the jigging measure.

"But one cannot dance anything else on wet grass, and through shuffling
dead leaves. You, George?"

"Emily says I jump," he replied.

"Come on—come on"—and in a moment they were bounding across the grass.
After a few steps she fell in with him, and they spun round the grass.
It was true, he leaped, sprang with large strides, carrying her with
him. It was a tremendous, irresistible dancing. Emily and I must join,
making an inner ring. Now and again there was a sense of something white
flying near, and wild rustle of draperies, and a swish of disturbed
leaves as they whirled past us. Long after we were tired they danced on.

At the end, he looked big, erect, nerved with triumph, and she was
exhilarated like a Bacchante.

"Have you finished?" Leslie asked.

She knew she was safe from his question that day.

"Yes," she panted. "You should have danced. Give me my hat, please. Do I
look very disgraceful?"

He took her hat and gave it to her.

"Disgraceful?" he repeated.

"Oh, you _are_ solemn to-night! What is it?"

"Yes, what is it?" he repeated ironically.

"It must be the moon. Now, is my hat straight? Tell me now—you're not
looking. Then put it level. Now then! Why, your hands are quite cold,
and mine so hot! I feel so impish," and she laughed.

"There—now I'm ready. Do you notice those little chrysanthemums trying
to smell sadly; when the old moon is laughing and winking through those
boughs. What business have they with their sadness!" She took a handful
of petals and flung them into the air: "There—if they sigh they ask for
sorrow—I like things to wink and look wild."



      CHAPTER VI

   THE EDUCATION OF GEORGE


As I have said, Strelley Mill lies at the north end of the long
Nethermere valley. On the northern slopes lay its pasture and arable
lands. The shaggy common, now closed and part of the estate, covered the
western slope, and the cultivated land was bounded on the east by the
sharp dip of the brook course, a thread of woodland broadening into a
spinney and ending at the upper pond; beyond this, on the east, rose the
sharp, wild, grassy hillside, scattered with old trees, ruinous with the
gaunt, ragged bones of old hedge-rows, grown into thorn trees. Along the
rim of the hills, beginning in the northwest, were dark woodlands, which
swept round east and south till they raced down in riot to the very edge
of southern Nethermere, surrounding our house. From the eastern hill
crest, looking straight across, you could see the spire of Selsby
Church, and a few roofs, and the head-stocks of the pit.

So on three sides the farm was skirted by woods, the dens of rabbits,
and the common held another warren.

Now the squire of the estate, head of an ancient, once even famous, but
now decayed house, loved his rabbits. Unlike the family fortunes, the
family tree flourished amazingly; Sherwood could show nothing
comparable. Its ramifications were stupendous; it was more like a banyan
than a British oak. How was the good squire to nourish himself and his
lady, his name, his tradition, and his thirteen lusty branches on his
meagre estates? An evil fortune discovered to him that he could sell
each of his rabbits, those bits of furry vermin, for a shilling or
thereabouts in Nottingham; since which time the noble family subsisted
by rabbits.

Farms were gnawed away; corn and sweet grass departed from the face of
the hills; cattle grew lean, unable to eat the defiled herbage. Then the
farm became the home of a keeper, and the country was silent, with no
sound of cattle, no clink of horses, no barking of lusty dogs.

But the squire loved his rabbits. He defended them against the snares of
the despairing farmer, protected them with gun and notices to quit. How
he glowed with thankfulness as he saw the dishevelled hillside heave
when the gnawing hosts moved on!

"Are they not quails and manna?" said he to his sporting guest, early
one Monday morning, as the high meadow broke into life at the sound of
his gun. "Quails and manna—in this wilderness?"

"They are, by Jove!" assented the sporting guest as he took another gun,
while the saturnine keeper smiled grimly.

Meanwhile, Strelley Mill began to suffer under this gangrene. It was the
outpost in the wilderness. It was an understood thing that none of the
squire's tenants had a gun.

"Well," said the squire to Mr. Saxton, "you have the land for next to
nothing—next to nothing—at a rent really absurd. Surely the little
that the rabbits eat——"

"It's not a little—come and look for yourself," replied the farmer. The
squire made a gesture of impatience.

"What _do_ you want?" he inquired.

"Will you wire me off?" was the repeated request.

"Wire is—what does Halkett say—so much per yard—and it would come
to—what did Halkett tell me now?—but a large sum. No, I can't do it."

"Well, I can't live like this."

"Have another glass of whisky? Yes, yes, I want another glass myself,
and I can't drink alone—so if I am to enjoy my glass.—That's it! Now
surely you exaggerate a little. It's not so bad."

"I can't go on like it, I'm sure."

"Well, we'll see about compensation—we'll see. I'll have a talk with
Halkett, and I'll come down and have a look at you. We all find a pinch
somewhere—it's nothing but humanity's heritage."


   ——


I was born in September, and love it best of all the months. There is no
heat, no hurry, no thirst and weariness in corn harvest as there is in
the hay. If the season is late, as is usual with us, then mid-September
sees the corn still standing in stook. The mornings come slowly. The
earth is like a woman married and fading; she does not leap up with a
laugh for the first fresh kiss of dawn, but slowly, quietly,
unexpectantly lies watching the waking of each new day. The blue mist,
like memory in the eyes of a neglected wife, never goes from the wooded
hill, and only at noon creeps from the near hedges. There is no bird to
put a song in the throat of morning; only the crow's voice speaks during
the day. Perhaps there is the regular breathing hush of the scythe—even
the fretful jar of the mowing machine. But next day, in the morning, all
is still again. The lying corn is wet, and when you have bound it, and
lift the heavy sheaf to make the stook, the tresses of oats wreathe
round each other and droop mournfully.

As I worked with my friend through the still mornings we talked
endlessly. I would give him the gist of what I knew of chemistry, and
botany, and psychology. Day after day I told him what the professors had
told me; of life, of sex and its origins; of Schopenhauer and William
James. We had been friends for years, and he was accustomed to my talk.
But this autumn fruited the first crop of intimacy between us. I talked
a great deal of poetry to him, and of rudimentary metaphysics. He was
very good stuff. He had hardly a single dogma, save that of pleasing
himself. Religion was nothing to him. So he heard all I had to say with
an open mind, and understood the drift of things very rapidly, and
quickly made these ideas part of himself.

We tramped down to dinner with only the clinging warmth of the sunshine
for a coat. In this still, enfolding weather a quiet companionship is
very grateful. Autumn creeps through everything. The little damsons in
the pudding taste of September, and are fragrant with memory. The voices
of those at table are softer and more reminiscent than at haytime.

Afternoon is all warm and golden. Oat sheaves are lighter; they whisper
to each other as they freely embrace. The long, stout stubble tinkles as
the foot brushes over it; the scent of the straw is sweet. When the
poor, bleached sheaves are lifted out of the hedge, a spray of nodding
wild raspberries is disclosed, with belated berries ready to drop; among
the damp grass lush blackberries may be discovered. Then one notices
that the last bell hangs from the ragged spire of fox-glove. The talk is
of people, an odd book; of one's hopes—and the future; of Canada, where
work is strenuous, but not life; where the plains are wide, and one is
not lapped in a soft valley, like an apple that falls in a secluded
orchard. The mist steals over the face of the warm afternoon. The
tying-up is all finished, and it only remains to rear up the fallen
bundles into shocks. The sun sinks into a golden glow in the west. The
gold turns to red, the red darkens, like a fire burning low, the sun
disappears behind the bank of milky mist, purple like the pale bloom on
blue plums, and we put on our coats and go home.


   ——


In the evening, when the milking was finished, and all the things fed,
then we went out to look at the snares. We wandered on across the stream
and up the wild hillside. Our feet rattled through black patches of
devil's-bit scabius; we skirted a swim of thistle-down, which glistened
when the moon touched it. We stumbled on through wet, coarse grass, over
soft mole-hills and black rabbit-holes. The hills and woods cast
shadows; the pools of mist in the valleys gathered the moonbeams in
cold, shivery light.

We came to an old farm that stood on the level brow of the hill. The
woods swept away from it, leaving a great clearing of what was once
cultivated land. The handsome chimneys of the house, silhouetted against
a light sky, drew my admiration. I noticed that there was no light or
glow in any window, though the house had only the width of one room, and
though the night was only at eight o'clock. We looked at the long,
impressive front. Several of the windows had been bricked in, giving a
pitiful impression of blindness; the places where the plaster had fallen
off the walls showed blacker in the shadow. We pushed open the gate, and
as we walked down the path, weeds and dead plants brushed our ankles. We
looked in at a window. The room was lighted also by a window from the
other side, through which the moonlight streamed on to the flagged
floor, dirty, littered with paper, and wisps of straw. The hearth lay in
the light, with all its distress of grey ashes, and piled cinders of
burnt paper, and a child's headless doll, charred and pitiful. On the
border-line of shadow lay a round fur cap—a game-keeper's cap. I blamed
the moonlight for entering the desolate room; the darkness alone was
decent and reticent. I hated the little roses on the illuminated piece
of wallpaper, I hated that fireside.

With farmer's instinct George turned to the outhouse. The cow-yard
startled me. It was a forest of the tallest nettles I have ever
seen—nettles far taller than my six feet. The air was soddened with the
dank scent of nettles. As I followed George along the obscure brick
path, I felt my flesh creep. But the buildings, when we entered them,
were in splendid condition; they had been restored within a small number
of years; they were well-timbered, neat, and cosy. Here and there we saw
feathers, bits of animal wreckage, even the remnants of a cat, which we
hastily examined by the light of a match. As we entered the stable there
was an ugly noise, and three great rats half rushed at us and threatened
us with their vicious teeth. I shuddered, and hurried back, stumbling
over a bucket, rotten with rust, and so filled with weeds that I thought
it part of the jungle. There was a silence made horrible by the faint
noises that rats and flying bats give out. The place was bare of any
vestige of corn or straw or hay, only choked with a growth of abnormal
weeds. When I found myself free in the orchard I could not stop
shivering. There were no apples to be seen overhead between us and the
clear sky. Either the birds had caused them to fall, when the rabbits
had devoured them, or someone had gathered the crop.

"This," said George bitterly, "is what the mill will come to."

"After your time," I said.

"My time—my time. I shall never have a time. And I shouldn't be
surprised if father's time isn't short—with rabbits and one thing and
another. As it is, we depend on the milk-round, and on the carting which
I do for the council. You can't call it farming. We're a miserable
mixture of farmer, milkman, greengrocer, and carting contractor. It's a
shabby business."

"You have to live," I retorted.

"Yes—but it's rotten. And father won't move—and he won't change his
methods."

"Well—what about you?"

"Me! What should I change for?—I'm comfortable at home. As for my
future, it can look after itself, so long as nobody depends on me."

"Laissez faire," said I, smiling.

"This is no laissez faire," he replied, glancing round, "this is pulling
the nipple out of your lips, and letting the milk run away sour. Look
there!"

Through the thin veil of moonlit mist that slid over the hillside we
could see an army of rabbits bunched up, or hopping a few paces forward,
feeding.

We set off at a swinging pace down the hill, scattering the hosts. As we
approached the fence that bounded the Mill fields, he exclaimed,
"Hullo!"—and hurried forward. I followed him, and observed the dark
figure of a man rise from the hedge. It was a game-keeper. He pretended
to be examining his gun. As we came up he greeted us with a calm
"Good-evenin'!"

George replied by investigating the little gap in the hedge.

"I'll trouble you for that snare," he said.

"Will yer?" answered Annable, a broad, burly, black-faced fellow. "An'
_I_ should like ter know what you're doin' on th' wrong side th' 'edge?"

"You can see what we're doing—hand over my snare—_and_ the rabbit,"
said George angrily.

"What rabbit?" said Annable, turning sarcastically to me.

"You know well enough—an' you can hand it over—or——" George replied.

"Or what? Spit it out! The sound won't kill me"—the man grinned with
contempt.

"Hand over here!" said George, stepping up to the man in a rage.

"Now don't!" said the keeper, standing stock still, and looking
unmovedly at the proximity of George:

"You'd better get off home—both you an' 'im. You'll get neither snare
nor rabbit—see!"

"We _will_ see!" said George, and he made a sudden move to get hold of
the man's coat. Instantly he went staggering back with a heavy blow
under the left ear.

"Damn brute!" I ejaculated, bruising my knuckles against the fellow's
jaw. Then I too found myself sitting dazedly on the grass, watching the
great skirts of his velveteens flinging round him as if he had been a
demon, as he strode away. I got up, pressing my chest where I had been
struck. George was lying in the hedge-bottom. I turned him over, and
rubbed his temples, and shook the drenched grass on his face. He opened
his eyes and looked at me, dazed. Then he drew his breath quickly, and
put his hand to his head.

"He—he nearly stunned me," he said.

"The devil!" I answered.

"I wasn't ready."

"No."

"Did he knock me down?"

"Ay—me too."

He was silent for some time, sitting limply. Then he pressed his hand
against the back of his head, saying, "My head does sing!" He tried to
get up, but failed. "Good God!—being knocked into this state by a
damned keeper!"

"Come on," I said, "let's see if we can't get indoors."

"No!" he said quickly, "we needn't tell them—don't let them know."

I sat thinking of the pain in my own chest, and wishing I could remember
hearing Annable's jaw smash, and wishing that my knuckles were more
bruised than they were—though that was bad enough. I got up, and helped
George to rise. He swayed, almost pulling me over. But in a while he
could walk unevenly.

"Am I," he said, "covered with clay and stuff?"

"Not much," I replied, troubled by the shame and confusion with which he
spoke.

"Get it off," he said, standing still to be cleaned.

I did my best. Then we walked about the fields for a time, gloomy,
silent, and sore.

Suddenly, as we went by the pond-side, we were startled by great,
swishing black shadows that swept just above our heads. The swans were
flying up for shelter, now that a cold wind had begun to fret
Nethermere. They swung down on to the glassy mill-pond, shaking the
moonlight in flecks across the deep shadows; the night rang with the
clacking of their wings on the water; the stillness and calm were
broken; the moonlight was furrowed and scattered, and broken. The swans,
as they sailed into shadow, were dim, haunting spectres; the wind found
us shivering.

"Don't—you won't say anything?" he asked as I was leaving him.

"No."

"Nothing at all—not to anybody?"

"No."

"Good-night."


   ——


About the end of September, our countryside was alarmed by the harrying
of sheep by strange dogs. One morning, the squire, going the round of
his fields as was his custom, to his grief and horror found two of his
sheep torn and dead in the hedge-bottom, and the rest huddled in a
corner swaying about in terror, smeared with blood. The squire did not
recover his spirits for days.

There was a report of two grey wolvish dogs. The squire's keeper had
heard yelping in the fields of Dr. Collins of the Abbey, about dawn.
Three sheep lay soaked in blood when the labourer went to tend the
flocks.

Then the farmers took alarm. Lord, of the White House farm, intended to
put his sheep in pen, with his dogs in charge. It was Saturday, however,
and the lads ran off to the little travelling theatre that had halted at
Westwold. While they sat open-mouthed in the theatre, gloriously
nicknamed the "Blood-Tub," watching heroes die with much writhing and
heaving, and struggling up to say a word, and collapsing without having
said it, six of their silly sheep were slaughtered in the field. At
every house it was enquired of the dog; nowhere had one been loose.

Mr. Saxton had some thirty sheep on the Common. George determined that
the easiest thing was for him to sleep out with them. He built a shelter
of hurdles interlaced with brushwood, and in the sunny afternoon we
collected piles of bracken, browning to the ruddy winter-brown now. He
slept there for a week, but that week aged his mother like a year. She
was out in the cold morning twilight watching, with her apron over her
head, for his approach. She did not rest with the thought of him out on
the Common.

Therefore, on Saturday night he brought down his rugs, and took up Gyp
to watch in his stead. For some time we sat looking at the stars over
the dark hills. Now and then a sheep coughed, or a rabbit rustled
beneath the brambles, and Gyp whined. The mist crept over the
gorse-bushes, and the webs on the brambles were white;—the devil throws
his net over the blackberries as soon as September's back is turned,
they say.

"I saw two fellows go by with bags and nets," said George, as we sat
looking out of his little shelter.

"Poachers," said I. "Did you speak to them?"

"No—they didn't see me. I was dropping asleep when a rabbit rushed
under the blanket, all of a shiver, and a whippet dog after it. I gave
the whippet a punch in the neck, and he yelped off. The rabbit stopped
with me quite a long time—then it went."

"How did you feel?"

"I didn't care. I don't care much what happens just now. Father could
get along without me, and mother has the children. I think I shall
emigrate."

"Why didn't you before?"

"Oh, I don't know. There are a lot of little comforts and interests at
home that one would miss. Besides, you feel somebody in your own
countryside, and you're nothing in a foreign part, I expect."

"But you're going?"

"What is there to stop here for? The valley is all running wild and
unprofitable. You've no freedom for thinking of what the other folks
think of you, and everything round you keeps the same, and so you can't
change yourself—because everything you look at brings up the same old
feeling, and stops you from feeling fresh things. And what is there
that's worth anything?—What's worth having in my life?"

"I thought," said I, "your comfort was worth having."

He sat still and did not answer.

"What's shaken you out of your nest?" I asked.

"I don't know. I've not felt the same since that row with Annable. And
Lettie said to me: 'Here, you can't live as you like—in any way or
circumstance. You're like a bit out of those coloured marble mosaics in
the hall, you have to fit in your own set, fit into your own pattern,
because you're put there from the first. But you don't want to be like a
fixed bit of a mosaic—you want to fuse into life, and melt and mix with
the rest of folk, to have some things burned out of you——' She was
downright serious."

"Well, you need not believe her. When did you see her?"

"She came down on Wednesday, when I was getting the apples in the
morning. She climbed a tree with me, and there was a wind, that was why
I was getting all the apples, and it rocked us, me right up at the top,
she sitting half way down holding the basket. I asked her didn't she
think that free kind of life was the best, and that was how she answered
me."

"You should have contradicted her."

"It seemed true. I never thought of it being wrong, in fact."

"Come—that sounds bad."

"No—I thought she looked down on us—on our way of life. I thought she
meant I was like a toad in a hole."

"You should have shown her different."

"How could I when I could see no different?"

"It strikes me you're in love."

He laughed at the idea, saying, "No, but it is rotten to find that there
isn't a single thing you have to be proud of."

"This is a new tune for you."

He pulled the grass moodily.

"And when do you think of going?"

"Oh—I don't know—I've said nothing to mother. Not yet,—at any rate
not till spring."

"Not till something has happened," said I.

"What?" he asked.

"Something decisive."

"I don't know what can happen—unless the Squire turns us out."

"No?" I said.

He did not speak.

"You should make things happen," said I.

"Don't make me feel a worse fool, Cyril," he replied despairingly.

Gyp whined and jumped, tugging her chain to follow us. The grey blurs
among the blackness of the bushes were resting sheep. A chill, dim mist
crept along the ground.

"But, for all that, Cyril," he said, "to have her laugh at you across
the table; to hear her sing as she moved about, before you are washed at
night, when the fire's warm, and you're tired; to have her sit by you on
the hearth seat, close and soft. . . ."

"In Spain," I said. "In Spain."

He took no notice, but turned suddenly, laughing.

"Do you know, when I was stooking up, lifting the sheaves, it felt like
having your arm round a girl. It was quite a sudden sensation."

"You'd better take care," said I, "you'll mesh yourself in the silk of
dreams, and then——"

He laughed, not having heard my words.

"The time seems to go like lightning—thinking" he confessed—"I seem to
sweep the mornings up in a handful."

"Oh, Lord!" said I. "Why don't you scheme forgetting what you want,
instead of dreaming fulfilments?"

"Well," he replied. "If it was a fine dream, wouldn't you want to go on
dreaming?" and with that he finished, and I went home.

I sat at my window looking out, trying to get things straight. Mist
rose, and wreathed round Nethermere, like ghosts meeting and embracing
sadly. I thought of the time when my friend should not follow the harrow
on our own snug valley side, and when Lettie's room next mine should be
closed to hide its emptiness, not its joy. My heart clung passionately
to the hollow which held us all; how could I bear that it should be
desolate! I wondered what Lettie would do.

In the morning I was up early, when daybreak came with a shiver through
the woods. I went out, while the moon still shone sickly in the west.
The world shrank from the morning. It was then that the last of the
summer things died. The wood was dark,—and smelt damp and heavy with
autumn. On the paths the leaves lay clogged.

As I came near the farm I heard the yelling of dogs. Running, I reached
the Common, and saw the sheep huddled and scattered in groups, something
leaped round them. George burst into sight pursuing. Directly, there was
the bang, bang of a gun. I picked up a heavy piece of sandstone and ran
forwards. Three sheep scattered wildly before me. In the dim light I saw
their grey shadows move among the gorse bushes. Then a dog leaped, and I
flung my stone with all my might. I hit. There came a high-pitched
howling yelp of pain; I saw the brute make off, and went after him,
dodging the prickly bushes, leaping the trailing brambles. The gunshots
rang out again, and I heard the men shouting with excitement. My dog was
out of sight, but I followed still, slanting down the hill. In a field
ahead I saw someone running. Leaping the low hedge, I pursued, and
overtook Emily, who was hurrying as fast as she could through the wet
grass. There was another gunshot and great shouting. Emily glanced
round, saw me, and started.

"It's gone to the quarries," she panted. We walked on, without saying a
word. Skirting the spinney, we followed the brook course, and came at
last to the quarry fence. The old excavations were filled now with
trees. The steep walls, twenty feet deep in places, were packed with
loose stones, and trailed with hanging brambles. We climbed down the
steep bank of the brook, and entered the quarries by the bed of the
stream. Under the groves of ash and oak a pale primrose still lingered,
glimmering wanly beside the hidden water. Emily found a smear of blood
on a beautiful trail of yellow convolvulus. We followed the tracks on to
the open, where the brook flowed on the hard rock bed, and the stony
floor of the quarry was only a tangle of gorse and bramble and
honeysuckle.

"Take a good stone," said I, and we pressed on, where the grove in the
great excavation darkened again, and the brook slid secretly under the
arms of the bushes and the hair of the long grass. We beat the cover
almost to the road. I thought the brute had escaped, and I pulled a
bunch of mountain-ash berries, and stood tapping them against my knee. I
was startled by a snarl and a little scream. Running forward, I came
upon one of the old, horse-shoe lime kilns that stood at the head of the
quarry. There, in the mouth of one of the kilns, Emily was kneeling on
the dog, her hands buried in the hair of its throat, pushing back its
head. The little jerks of the brute's body were the spasms of death;
already the eyes were turning inward, and the upper lip was drawn from
the teeth by pain.

"Good Lord, Emily! But he is dead!" exclaimed.

"Has he hurt you?" I drew her away. She shuddered violently, and seemed
to feel a horror of herself.

"No—no," she said, looking at herself, with blood all on her skirt,
where she had knelt on the wound which I had given the dog, and pressed
the broken rib into the chest. There was a trickle of blood on her arm.

"Did he bite you?" I asked, anxious.

"No—oh, no—I just peeped in, and he jumped. But he had no strength,
and I hit him back with my stone, and I lost my balance, and fell on
him."

"Let me wash your arm."

"Oh!" she exclaimed, "isn't it horrible! Oh, I think it is so awful."

"What?" said I, busy bathing her arm in the cold water of the brook.

"This—this whole brutal affair."

"It ought to be cauterised," said I, looking at a score on her arm from
the dog's tooth.

"That scratch—that's nothing! Can you get that off my skirt—I feel
hateful to myself."

I washed her skirt with my handkerchief as well as I could, saying:

"Let me just sear it for you; we can go to the Kennels. Do—you ought—I
don't feel safe otherwise."

"Really," she said, glancing up at me, a smile coming into her fine dark
eyes.

"Yes—come along."

"Ha, ha!" she laughed. "You look so serious."

I took her arm and drew her away. She linked her arm in mine and leaned
on me.

"It is just like Lorna Doone," she said as if she enjoyed it.

"But you will let me do it," said I, referring to the cauterising.

"You make me; but I shall feel—ugh, I daren't think of it. Get me some
of those berries."

I plucked a few bunches of guelder-rose fruits, transparent, ruby
berries. She stroked them softly against her lips and cheek, caressing
them. Then she murmured to herself:

"I have always wanted to put red berries in my hair."

The shawl she had been wearing was thrown across her shoulders, and her
head was bare, and her black hair, soft and short and ecstatic, tumbled
wildly into loose light curls. She thrust the stalks of the berries
under her combs. Her hair was not heavy or long enough to have held
them. Then, with the ruby bunches glowing through the black mist of
curls, she looked up at me, brightly, with wide eyes. I looked at her,
and felt the smile winning into her eyes. Then I turned and dragged a
trail of golden-leaved convolvulus from the hedge, and I twisted it into
a coronet for her.

"There!" said I, "you're crowned."

She put back her head, and the low laughter shook in her throat.

"What!" she asked, putting all the courage and recklessness she had into
the question, and in her soul trembling.

"Not Chloë, not Bacchante. You have always got your soul in your eyes,
such an earnest, troublesome soul."

The laughter faded at once, and her great seriousness looked out again
at me, pleading.

"You are like Burne-Jones' damsels. Troublesome shadows are always
crowding across your eyes, and you cherish them. You think the flesh of
the apple is nothing, nothing. You only care for the eternal pips. Why
don't you snatch your apple and eat it, and throw the core away?"

She looked at me sadly, not understanding, but believing that I in my
wisdom spoke truth, as she always believed when I lost her in a maze of
words. She stooped down, and the chaplet fell from her hair, and only
one bunch of berries remained. The ground around us was strewn with the
four-lipped burrs of beechnuts, and the quaint little nut-pyramids were
scattered among the ruddy fallen leaves. Emily gathered a few nuts.

"I love beechnuts," she said, "but they make me long for my childhood
again till I could almost cry out. To go out for beechnuts before
breakfast; to thread them for necklaces before supper;—to be the envy
of the others at school next day! There was as much pleasure in a beech
necklace then as there is in the whole autumn now—and no sadness. There
are no more unmixed joys after you have grown up." She kept her face to
the ground as she spoke, and she continued to gather the fruits.

"Do you find any with nuts in?" I asked.

"Not many—here—here are two, three. You have them. No—I don't care
about them."

I stripped one of its horny brown coat and gave it to her. She opened
her mouth slightly to take it, looking up into my eyes. Some people,
instead of bringing with them clouds of glory, trail clouds of sorrow;
they are born with "the gift of sorrow"; "sorrows" they proclaim "alone
are real. The veiled grey angels of sorrow work out slowly the beautiful
shapes. Sorrow is beauty, and the supreme blessedness." You read it in
their eyes, and in the tones of their voices. Emily had the gift of
sorrow. It fascinated me, but it drove me to rebellion.

We followed the soft, smooth-bitten turf road under the old beeches. The
hillside fell away, dishevelled with thistles and coarse grass. Soon we
were in sight of the Kennels, the red old Kennels which had been the
scene of so much animation in the time of Lord Byron. They were empty
now, overgrown with weeds. The barred windows of the cottages were grey
with dust; there was no need now to protect the windows from cattle, dog
or man. One of the three houses was inhabited. Clear water trickled
through a wooden runnel into a great stone trough outside near the door.

"Come here," said I to Emily. "Let me fasten the back of your dress."

"Is it undone?" she asked, looking quickly over her shoulder, and
blushing.

As I was engaged in my task, a girl came out of the cottage with a black
kettle and a tea-cup. She was so surprised to see me thus occupied that
she forgot her own duty, and stood open-mouthed.

"S'r Ann! S'r Ann," called a voice from inside. "Are ter goin' ter come
in an' shut that door?"

Sarah Ann hastily poured a few cupfuls of water into the kettle, then
she put down both utensils and stood holding her bare arms to warm them.
Her chief garment consisted of a skirt with grey bodice and red flannel
skirt, very much torn. Her black hair hung in wild tails on to her
shoulders.

"We must go in here," said I, approaching the girl. She, however,
hastily seized the kettle and ran indoors with an "Oh, mother!"

A woman came to the door. One breast was bare, and hung over her blouse,
which, like a dressing-jacket, fell loose over her skirt. Her fading,
red-brown hair was all frowsy from the bed. In the folds of her skirt
clung a swarthy urchin with a shockingly short shirt. He stared at us
with big black eyes, the only portion of his face undecorated with egg
and jam. The woman's blue eyes questioned us languidly. I told her our
errand.

"Come in—come in," she said, "but dunna look at th' 'ouse. Th' childers
not been long up. Go in, Billy, wi' nowt on!"

We entered, taking the forgotten kettle lid. The kitchen was large, but
scantily furnished save, indeed, for children. The eldest, a girl of
twelve or so, was standing toasting a piece of bacon with one hand, and
holding back her nightdress in the other. As the toast hand got
scorched, she transferred the bacon to the other, gave the hot fingers a
lick to cool them, and then held back her nightdress again. Her auburn
hair hung in heavy coils down her gown. A boy sat on the steel fender,
catching the dropping fat on a piece of bread. "One, two, three, four,
five, six drops," and he quickly bit off the tasty corner, and resumed
the task with the other hand. When we entered he tried to draw his shirt
over his knees, which caused the fat to fall wasted. A fat baby,
evidently laid down from the breast, lay kicking on the squab, purple in
the face, while another lad was pushing bread and butter into its mouth.
The mother swept to the sofa, poked out the bread and butter, pushed her
finger into the baby's throat, lifted the child up, punched its back,
and was highly relieved when it began to yell. Then she administered a
few sound spanks to the naked buttocks of the crammer. He began to howl,
but stopped suddenly on seeing us laughing. On the sack-cloth which
served as hearth rug sat a beautiful child washing the face of a wooden
doll with tea, and wiping it on her nightgown. At the table, an infant
in a high chair sat sucking a piece of bacon, till the grease ran down
his swarthy arms, oozing through his fingers. An old lad stood in the
big arm-chair, whose back was hung with a calf-skin, and was
industriously pouring the dregs of the teacups into a basin of milk. The
mother whisked away the milk, and made a rush for the urchin, the baby
hanging over her arm the while.

"I could half kill thee," she said, but he had slid under the
table,—and sat serenely unconcerned.

"Could you"—I asked when the mother had put her bonny baby again to her
breast—"could you lend me a knitting needle?"

"Our S'r Ann, wheer's thy knittin' needles?" asked the woman, wincing at
the same time, and putting her hand to the mouth of the sucking child.
Catching my eye, she said:

"You wouldn't credit how he bites. 'E's nobbut two teeth, but they like
six needles." She drew her brows together and pursed her lips, saying to
the child, "Naughty lad, naughty lad! Tha' shanna hae it, no, not if ter
bites thy mother like that."

The family interest was now divided between us and the private concerns
in process when we entered;—save, however, that the bacon sucker had
sucked on stolidly, immovable, all the time.

"Our Sam, wheer's my knittin', tha's 'ad it?" cried S'r Ann after a
little search.

"'A 'e na," replied Sam from under the table.

"Yes, tha' 'as," said the mother, giving a blind prod under the table
with her foot.

"'A 'e na then!" persisted Sam.

The mother suggested various possible places of discovery, and at last
the knitting was found at the back of the table drawer, among forks and
old wooden skewers.

"I 'an ter tell yer wheer ivrythink is," said the mother in mild
reproach. S'r Ann, however, gave no heed to her parent. Her heart was
torn for her knitting, the fruit of her labours; it was a red woollen
cuff for the winter; a corkscrew was bored through the web, and the ball
of red wool was bristling with skewers.

"It's a' thee, our Sam," she wailed. "I know it's a' thee an' thy A. B.
C."

Samuel, under the table, croaked out in a voice of fierce monotony:

   "P. is for Porkypine, whose bristles so strong
   Kill the bold lion
by pricking 'is tongue."

The mother began to shake with quiet laughter.

"His father learnt him that—made it all up," she whispered proudly to
us—and to him.

"Tell us what 'B' is Sam."

"Shonna," grunted Sam.

"Go on, there's a duckie; an' I'll ma' 'e a treacle puddin'."

"Today?" asked S'r Ann eagerly.

"Go on, Sam, my duck," persisted the mother.

"Tha' 'as na got no treacle," said Sam conclusively.

The needle was in the fire; the children stood about watching.

"Will you do it yourself?" I asked Emily.

"I!" she exclaimed, with wide eyes of astonishment, and she shook her
head emphatically.

"Then I must." I took out the needle, holding it in my handkerchief. I
took her hand and examined the wound. But when she saw the hot glow of
the needle, she snatched away her hand, and looked into my eyes,
laughing in a half-hysterical fear and shame. I was very serious, very
insistent. She yielded me her hand again, biting her lips in imagination
of the pain, and looking at me. While my eyes were looking into hers she
had courage; when I was forced to pay attention to my cauterising, she
glanced down, and with a sharp "Ah!" ending in a little laugh, she put
her hands behind her, and looked again up at me with wide brown eyes,
all quivering with apprehension, and a little shame, and a laughter that
held much pleading.

One of the children began to cry.

"It is no good," said I, throwing the fast cooling needle on to the
hearth.

I gave the girls all the pennies I had—then I offered Sam, who had
crept out of the shelter of the table, a sixpence.

"Shonna a'e that," he said, turning from the small coin.

"Well—I have no more pennies, so nothing will be your share."

I gave the other boy a rickety knife I had in my pocket. Sam looked
fiercely at me. Eager for revenge, he picked up the "porkypine quill" by
the hot end. He dropped it with a shout of rage, and, seizing a cup off
the table, flung it at the fortunate Jack. It smashed against the
fire-place. The mother grabbed at Sam, but he was gone. A girl, a little
girl, wailed, "Oh, that's my rosey mug—my rosey mug." We fled from the
scene of confusion. Emily had hardly noticed it. Her thoughts were of
herself, and of me.

"I am an awful coward," said she humbly.

"But I can't help it——" she looked beseechingly.

"Never mind," said I.

"All my flesh seems to jump from it. You don't know how I feel."

"Well—never mind."

"I couldn't help it, not for my life."

"I wonder," said I, "if anything could possibly disturb that young
bacon-sucker? He didn't even look round at the smash."

"No," said she, biting the tip of her finger moodily.

Further conversation was interrupted by howls from the rear. Looking
round we saw Sam careering after us over the close-bitten turf, howling
scorn and derision at us. "Rabbit-tail, rabbit-tail," he cried, his bare
little legs twinkling, and his little shirt fluttering in the cold
morning air. Fortunately, at last he trod on a thistle or a thorn, for
when we looked round again to see why he was silent, he was capering on
one leg, holding his wounded foot in his hands.



      CHAPTER VII

   LETTIE PULLS DOWN THE SMALL GOLD GRAPES


During the falling of the leaves Lettie was very wilful. She uttered
many banalities concerning men, and love, and marriage; she taunted
Leslie and thwarted his wishes. At last he stayed away from her. She had
been several times down to the mill, but because she fancied they were
very familiar, receiving her on to their rough plane like one of
themselves, she stayed away. Since the death of our father she had been
restless; since inheriting her little fortune she had become proud,
scornful, difficult to please. Difficult to please in every
circumstance; she, who had always been so rippling in thoughtless life,
sat down in the window sill to think, and her strong teeth bit at her
handkerchief till it was torn in holes. She would say nothing to me; she
read all things that dealt with modern women.

One afternoon Lettie walked over to Eberwich. Leslie had not been to see
us for a fortnight. It was a grey, dree afternoon. The wind drifted a
clammy fog across the hills, and the roads were black and deep with mud.
The trees in the wood slouched sulkily. It was a day to be shut out and
ignored if possible. I heaped up the fire, and went to draw the curtains
and make perfect the room. Then I saw Lettie coming along the path
quickly, very erect. When she came in her colour was high.

"Tea not laid?" she said briefly.

"Rebecca has just brought in the lamp," said I.

Lettie took off her coat and furs, and flung them on the couch. She went
to the mirror, lifted her hair, all curled by the fog, and stared
haughtily at herself. Then she swung round, looked at the bare table,
and rang the bell.

It was so rare a thing for us to ring the bell from the dining-room,
that Rebecca went first to the outer door. Then she came in the room
saying:

"Did you ring?"

"I thought tea would have been ready," said Lettie coldly. Rebecca
looked at me, and at her, and replied:

"It is but half-past four. I can bring it in."

Mother came down hearing the clink of the tea-cups.

"Well," she said to Lettie, who was unlacing her boots, "and did you
find it a pleasant walk?"

"Except for the mud," was the reply.

"Ah, I guess you wished you had stayed at home. What a state for your
boots!—and your skirts too, I know. Here, let me take them into the
kitchen."

"Let Rebecca take them," said Lettie—but mother was out of the room.

When mother had poured out the tea, we sat silently at table. It was on
the tip of our tongues to ask Lettie what ailed her, but we were
experienced and we refrained. After a while she said:

"Do you know, I met Leslie Tempest."

"Oh," said mother tentatively, "Did he come along with you?"

"He did not look at me."

"Oh!" exclaimed mother, and it was speaking volumes; then, after a
moment, she resumed:

"Perhaps he did not see you."

"Or was it a stony Britisher?" I asked.

"He saw me," declared Lettie, "or he wouldn't have made such a babyish
show of being delighted with Margaret Raymond."

"It may have been no show—he still may not have seen you."

"I felt at once that he had; I could see his animation was extravagant.
He need not have troubled himself, I was not going to run after him."

"You seem very cross," said I.

"Indeed I am not. But he knew I had to walk all this way home, and he
could take up Margaret, who has only half the distance."

"Was he driving?"

"In the dog-cart." She cut her toast into strips viciously. We waited
patiently.

"It was mean of him, wasn't it mother?"

"Well, my girl, you have treated him badly."

"What a baby! What a mean, manly baby! Men are great infants."

"And girls," said mother, "do not know what they want."

"A grown-up quality," I added.

"Nevertheless," said Lettie, "he is a mean fop, and I detest him."

She rose and sorted out some stitchery. Lettie never stitched unless she
were in a bad humour. Mother smiled at me, sighed, and proceeded to
Mr. Gladstone for comfort; her breviary and missal were Morley's Life of
Gladstone.

I had to take a letter to Highclose to Mrs. Tempest—from my mother,
concerning a bazaar in process at the church. "I will bring Leslie back
with me," said I to myself.

The night was black and hateful. The lamps by the road from Eberwich
ended at Nethermere; their yellow blur on the water made the cold, wet
inferno of the night more ugly.

Leslie and Marie were both in the library—half a library, half a
business office; used also as a lounge room, being cosy. Leslie lay in a
great armchair by the fire, immune among clouds of blue smoke. Marie was
perched on the steps, a great volume on her knee. Leslie got up in his
cloud, shook hands, greeted me curtly, and vanished again. Marie smiled
me a quaint, vexed smile, saying:

"Oh, Cyril, I'm so glad you've come. I'm so worried, and Leslie says
he's not a pastry cook, though I'm sure I don't want him to be one, only
he need not be a bear."

"What's the matter?"

She frowned, gave the big volume a little smack and said:

"Why, I do so much want to make some of those Spanish tartlets of your
mother's that are so delicious, and of course Mabel knows nothing of
them, and they're not in my cookery book, and I've looked through page
upon page of the encyclopedia, right through 'Spain,' and there's
nothing yet, and there are fifty pages more, and Leslie won't help me,
though I've got a headache, because he's frabous about something." She
looked at me in comical despair.

"Do you want them for the bazaar?"

"Yes—for to-morrow. Cook has done the rest, but I had fairly set my
heart on these. Don't you think they are lovely?"

"Exquisitely lovely. Suppose I go and ask mother."

"If you would. But no, oh no, you can't make all that journey this
terrible night. We are simply besieged by mud. The men are both
out—William has gone to meet father—and mother has sent George to
carry some things to the vicarage. I can't ask one of the girls on a
night like this. I shall have to let it go—and the cranberry tarts
too—it cannot be helped. I am so miserable."

"Ask Leslie," said I.

"He is too cross," she replied, looking at him.

He did not deign a remark.

"Will you Leslie?"

"What?"

"Go across to Woodside for me?"

"What for?"

"A recipe. Do, there's a dear boy."

"Where are the men?"

"They are both engaged—they are out."

"Send a girl, then."

"At night like this? Who would go?"

"Cissy."

"I shall not ask her. Isn't he mean, Cyril? Men are mean."

"I will come back," said I. "There is nothing at home to do. Mother is
reading, and Lettie is stitching. The weather disagrees with her, as it
does with Leslie."

"But it is not fair——" she said, looking at me softly. Then she put
away the great book and climbed down.

"Won't you go, Leslie?" she said, laying her hand on his shoulder.

"Women!" he said, rising as if reluctantly. "There's no end to their
wants and their caprices."

"I thought he would go," said she warmly. She ran to fetch his overcoat.
He put one arm slowly in the sleeve, and then the other, but he would
not lift the coat on to his shoulders.

"Well!" she said, struggling on tiptoe, "You are a great creature! Can't
you get it on, naughty child?"

"Give her a chair to stand on," he said.

She shook the collar of the coat sharply, but he stood like a sheep,
impassive.

"Leslie, you are too bad. I can't get it on, you stupid boy."

I took the coat and jerked it on.

"There," she said, giving him his cap. "Now don't be long."

"What a damned dirty night!" said he, when we were out.

"It is," said I.

"The town, anywhere's better than this hell of a country."

"Ha! How did you enjoy yourself?"

He began a long history of three days in the metropolis. I listened, and
heard little. I heard more plainly the cry of some night birds over
Nethermere, and the peevish, wailing, yarling cry of some beast in the
wood. I was thankful to slam the door behind me, to stand in the light
of the hall.

"Leslie!" exclaimed mother, "I am glad to see you."

"Thank you," he said, turning to Lettie, who sat with her lap full of
work, her head busily bent.

"You see I can't get up," she said, giving him her hand, adorned as it
was by the thimble. "How nice of you to come! We did not know you were
back."

"But!" he exclaimed, then he stopped.

"I suppose you enjoyed yourself," she went on calmly.

"Immensely, thanks."

Snap, snap, snap went her needle through the new stuff. Then, without
looking up, she said:

"Yes, no doubt. You have the air of a man who has been enjoying
himself."

"How do you mean?"

"A kind of guilty—or shall I say embarrassed—look. Don't you notice it
mother?"

"I do!" said my mother.

"I suppose it means we may not ask him questions," Lettie concluded,
always very busily sewing.

He laughed. She had broken her cotton, and was trying to thread the
needle again.

"What have you been doing this miserable weather?" he enquired
awkwardly.

"Oh, we have sat at home desolate. 'Ever of thee I'm fo-o-ondly
dreeaming'—and so on. Haven't we mother?"

"Well," said mother, "I don't know. We imagined him all sorts of lions
up there."

"What a shame we may not ask him to roar his old roars over for us,"
said Lettie.

"What are they like?" he asked.

"How should I know? Like a sucking dove, to judge from your present
voice. 'A monstrous little voice.'"

He laughed uncomfortably.

She went on sewing, suddenly beginning to sing to herself:

   "Pussy cat, Pussy cat, where have you been?
   I've been up to London to see the fine queen:
   Pussy cat, Pussy cat, what did you there——
   I frightened a little mouse under a stair."

"I suppose," she added, "that may be so. Poor mouse!—but I guess she's
none the worse. You did not see the queen, though?"

"She was not in London," he replied sarcastically.

"You don't——" she said, taking two pins from between her teeth. "I
suppose you don't mean by that, she was in Eberwich—your queen?"

"I don't know where she was," he answered angrily.

"Oh!" she said, very sweetly, "I thought perhaps you had met her in
Eberwich. When did you come back?"

"Last night," he replied.

"Oh—why didn't you come and see us before?"

"I've been at the offices all day."

"I've been up to Eberwich," she said innocently.

"Have you?"

"Yes. And I feel so cross because of it. I thought I might see you. I
felt as if you were at home."

She stitched a little, and glanced up secretly to watch his face redden,
then she continued innocently,

"Yes—I felt you had come back. It is funny how one has a feeling
occasionally that someone is near; when it is someone one has a sympathy
with." She continued to stitch, then she took a pin from her bosom, and
fixed her work, all without the least suspicion of guile.

"I thought I might meet you when I was out——" another pause, another
fixing, a pin to be taken from her lips—"but I didn't."

"I was at the office till rather late," he said quickly.

She stitched away calmly, provokingly.

She took the pin from her mouth again, fixed down a fold of stuff, and
said softly:

"You little liar."

Mother had gone out of the room for her recipe book.

He sat on his chair dumb with mortification. She stitched swiftly and
unerringly. There was silence for some moments. Then he spoke:

"I did not know you wanted me for the pleasure of plucking this crow,"
he said.

"I wanted you!" she exclaimed, looking up for the first time, "Who said
I wanted you?"

"No one. If you didn't want me I may as well go."

The sound of stitching alone broke the silence for some moments, then
she said deliberately:

"What made you think I wanted you?"

"I don't care a damn whether you wanted me or whether you didn't."

"It seems to upset you! And don't use bad language. It is the privilege
of those near and dear to one."

"That's why you begin it, I suppose."

"I cannot remember——" she said loftily.

He laughed sarcastically.

"Well—if you're so beastly cut up about it——"

He put this tentatively, expecting the soft answer. But she refused to
speak, and went on stitching. He fidgeted about, twisted his cap
uncomfortably, and sighed. At last he said:

"Well—you—have we done then?"

She had the vast superiority, in that she was engaged in ostentatious
work. She could fix the cloth, regard it quizzically, rearrange it,
settle down and begin to sew before she replied. This humbled him. At
last she said:

"I thought so this afternoon."

"But, good God, Lettie, can't you drop it?"

"And then?"—the question startled him.

"Why!—forget it," he replied.

"Well?"—she spoke softly, gently. He answered to the call like an eager
hound. He crossed quickly to her side as she sat sewing, and said, in a
low voice:

"You do care something for me, don't you, Lettie?"

"Well,"—it was modulated kindly, a sort of promise of assent.

"You have treated me rottenly, you know, haven't you? You know I—well,
I care a good bit."

"It is a queer way of showing it." Her voice was now a gentle reproof,
the sweetest of surrenders and forgiveness. He leaned forward, took her
face in his hands, and kissed her, murmuring:

"You are a little tease."

She laid her sewing in her lap, and looked up.



The next day, Sunday, broke wet and dreary. Breakfast was late, and
about ten o'clock we stood at the window looking upon the impossibility
of our going to church.

There was a driving drizzle of rain, like a dirty curtain before the
landscape. The nasturtium leaves by the garden walk had gone rotten in a
frost, and the gay green discs had given place to the first black flags
of winter, hung on flaccid stalks, pinched at the neck. The grass plot
was strewn with fallen leaves, wet and brilliant: scarlet splashes of
Virginia creeper, golden drift from the limes, ruddy brown shawls under
the beeches, and away back in the corner, the black mat of maple leaves,
heavy soddened; they ought to have been a vivid lemon colour.
Occasionally one of these great black leaves would loose its hold, and
zigzag down, staggering in the dance of death.

"There now!" said Lettie suddenly.

I looked up in time to see a crow close his wings and clutch the topmost
bough of an old grey holly tree on the edge of the clearing. He flapped
again, recovered his balance, and folded himself up in black resignation
to the detestable weather.

"Why has the old wretch settled just over our noses," said Lettie
petulantly. "Just to blot the promise of a sorrow."

"Your's or mine?" I asked.

"He is looking at me, I declare."

"You can see the wicked pupil of his eye at this distance," I
insinuated.

"Well," she replied, determined to take this omen unto herself. "I saw
him first."

   "'One for sorrow, two for joy,
   Three for a letter, four for a boy,
   Five for silver, six for gold,
   And seven for a secret never told.'

"—You may bet he's only a messenger in advance. There'll be three more
shortly, and you'll have your four," said I, comforting.

"Do you know," she said, "it is very funny, but whenever I've
particularly noticed one crow, I've had some sorrow or other."

"And when you notice four?" I asked.

"You should have heard old Mrs. Wagstaffe," was her reply. "She declares
an old crow croaked in their apple tree every day for a week before
Jerry got drowned."

"Great sorrow for her," I remarked.

"Oh, but she wept abundantly. I felt like weeping too, but somehow I
laughed. She hoped he had gone to heaven—but—I'm sick of that word
'but'—it is always tangling one's thoughts."

"But, Jerry!" I insisted.

"Oh, she lifted up her forehead, and the tears dripped off her nose. He
must have been an old nuisance, Syb. I can't understand why women marry
such men. I felt downright glad to think of the drunken old wretch
toppling into the canal out of the way."

She pulled the thick curtain across the window, and nestled down in it,
resting her cheek against the edge, protecting herself from the cold
window pane. The wet, grey wind shook the half naked trees, whose leaves
dripped and shone sullenly. Even the trunks were blackened, trickling
with the rain which drove persistently.

Whirled down the sky like black maple leaves caught up aloft, came two
more crows. They swept down and clung hold of the trees in front of the
house, staying near the old forerunner. Lettie watched them, half
amused, half melancholy. One bird was carried past. He swerved round and
began to battle up the wind, rising higher, and rowing laboriously
against the driving wet current.

"Here comes your fourth," said I.

She did not answer, but continued to watch. The bird wrestled
heroically, but the wind pushed him aside, tilted him, caught under his
broad wings and bore him down. He swept in level flight down the stream,
outspread and still, as if fixed in despair. I grieved for him. Sadly
two of his fellows rose and were carried away after him, like souls
hunting for a body to inhabit, and despairing. Only the first ghoul was
left on the withered, silver-grey skeleton of the holly.

"He won't even say 'Nevermore'," I remarked.

"He has more sense," replied Lettie. She looked a trifle lugubrious.
Then she continued: "Better say 'Nevermore' than 'Evermore.'"

"Why?" I asked.

"Oh, I don't know. Fancy this 'Evermore.'"

She had been sure in her own soul that Leslie would come—now she began
to doubt:—things were very perplexing.

The bell in the kitchen jangled; she jumped up. I went and opened the
door. He came in. She gave him one bright look of satisfaction. He saw
it, and understood.

"Helen has got some people over—I have been awfully rude to leave them
now," he said quietly.

"What a dreadful day!" said mother.

"Oh, fearful! Your face _is_ red, Lettie! What have you been doing?"

"Looking into the fire."

"What did you see?"

"The pictures wouldn't come plain—nothing."

He laughed. We were silent for some time.

"You were expecting me?" he murmured.

"Yes—I knew you'd come."

They were left alone. He came up to her and put his arm around her, as
she stood with her elbow on the mantelpiece.

"You do want me," he pleaded softly.

"Yes," she murmured.

He held her in his arms and kissed her repeatedly, again and again, till
she was out of breath, and put up her hand, and gently pushed her face
away.

"You are a cold little lover—you are a shy bird," he said, laughing
into her eyes. He saw her tears rise, swimming on her lids, but not
falling.

"Why, my love, my darling—why!"—he put his face to her's and took the
tear on his cheek:

"I know you love me," he said, gently, all tenderness.

"Do you know," he murmured. "I can positively feel the tears rising up
from my heart and throat. They are quite painful gathering, my love.
There—you can do anything with me."

They were silent for some time. After a while, a rather long while, she
came upstairs and found mother—and at the end of some minutes I heard
my mother go to him.

I sat by my window and watched the low clouds reel and stagger past. It
seemed as if everything were being swept along—I myself seemed to have
lost my substance, to have become detached from concrete things and the
firm trodden pavement of everyday life. Onward, always onward, not
knowing where, nor why, the wind, the clouds, the rain and the birds and
the leaves, everything whirling along—why?

All this time the old crow sat motionless, though the clouds tumbled,
and were rent and piled, though the trees bent, and the window-pane
shivered with running water. Then I found it had ceased to rain; that
there was a sickly yellow gleam of sunlight, brightening on some great
elm-leaves near at hand till they looked like ripe lemons hanging. The
crow looked at me—I was certain he looked at me.

"What do you think of it all?" I asked him.

He eyed me with contempt: great featherless, half winged bird as I was,
incomprehensible, contemptible, but awful. I believe he hated me.

"But," said I, "if a raven could answer, why won't you?"

He looked wearily away. Nevertheless my gaze disquieted him. He turned
uneasily; he rose, waved his wings as if for flight, poised, then
settled defiantly down again.

"You are no good," said I, "you won't help even with a word."

He sat stolidly unconcerned. Then I heard the lapwings in the meadow
crying, crying. They seemed to seek the storm, yet to rail at it. They
wheeled in the wind, yet never ceased to complain of it. They enjoyed
the struggle, and lamented it in wild lament, through which came a sound
of exultation. All the lapwings cried, cried the same tale, "Bitter,
bitter, the struggle—for nothing, nothing, nothing,"—and all the time
they swung about on their broad wings, revelling.

"There," said I to the crow, "they try it, and find it bitter, but they
wouldn't like to miss it, to sit still like you, you old corpse."

He could not endure this. He rose in defiance, flapped his wings, and
launched off, uttering one "Caw" of sinister foreboding. He was soon
whirled away.

I discovered that I was very cold, so I went downstairs.

Twisting a curl round his finger, one of those loose curls that always
dance free from the captured hair, Leslie said:

"Look how fond your hair is of me; look how it twines round my finger.
Do you know, your hair—the light in it is like—oh—buttercups in the
sun."

"It is like me—it won't be kept in bounds," she replied.

"Shame if it were—like this, it brushes my face—so—and sets me
tingling like music."

"Behave! Now be still, and I'll tell you what sort of music you make."

"Oh—well—tell me."

"Like the calling of throstles and blackies, in the evening, frightening
the pale little wood-anemones, till they run panting and swaying right
up to our wall. Like the ringing of bluebells when the bees are at them;
like Hippomenes, out-of-breath, laughing because he'd won."

He kissed her with rapturous admiration.

"Marriage music, sir," she added.

"What golden apples did I throw?" he asked lightly.

"What!" she exclaimed, half mocking.

"This Atalanta," he replied, looking lovingly upon her, "this
Atalanta—I believe she just lagged at last on purpose."

"You have it," she cried, laughing, submitting to his caresses. "It was
you—the apples of your firm heels—the apples of your eyes—the apples
Eve bit—that won me—hein!"

"That was it—you are clever, you are rare. And I've won, won the ripe
apples of your cheeks, and your breasts, and your very fists—they can't
stop me—and—and—all your roundness and warmness and softness—I've
won you, Lettie."

She nodded wickedly, saying:

"All those—those—yes."

"All—she admits it—everything!"

"Oh!—but let me breathe. Did you claim everything?"

"Yes, and you gave it me."

"Not yet. Everything though?"

"Every atom."

"But—now you look——"

"Did I look aside?"

"With the inward eye. Suppose now we were two angels——"

"Oh, dear—a sloppy angel!"

"Well—don't interrupt now—suppose I were one—like the 'Blessed
Damosel.'"

"With a warm bosom——!"

"Don't be foolish, now—I a 'Blessed Damosel' and you kicking the brown
beech leaves below thinking——"

"What _are_ you driving at?"

"Would you be thinking—thoughts like prayers?"

"What on earth do you ask that for? Oh—I think I'd be cursing—eh?"

"No—saying fragrant prayers—that your thin soul might mount up——"

"Hang thin souls, Lettie! I'm not one of your souly sort. I can't stand
Pre-Raphaelities. You—You're not a Burne-Jonesess—you're an Albert
Moore. I think there's more in the warm touch of a soft body than in a
prayer. I'll pray with kisses."

"And when you can't?"

"I'll wait till prayer-time again. By Jove, I'd rather feel my arms full
of you; I'd rather touch that red mouth—you grudger!—than sing hymns
with you in any heaven."

"I'm afraid you'll never sing hymns with me in heaven."

"Well—I have you here—yes, I have you now."

"Our life is but a fading dawn?"

"Liar!—Well, you called me! Besides, I don't care; 'Carpe diem', my
rosebud, my fawn. There's a nice Carmen about a fawn. 'Time to leave its
mother, and venture into a warm embrace.' Poor old Horace—I've
forgotten him."

"Then poor old Horace."

"Ha! Ha!—Well, I shan't forget _you_. What's that queer look in your
eyes?"

"What is it?"

"Nay—you tell me. You are such a tease, there's no getting to the
bottom of you."

"You can fathom the depth of a kiss——"

"I will—I will——"

After a while he asked:

"When shall we be properly engaged, Lettie?"

"Oh, wait till Christmas—till I am twenty-one."

"Nearly three months! Why on earth——"

"It will make no difference. I shall be able to choose thee of my own
free choice then."

"But three months!"

"I shall consider thee engaged—it doesn't matter about other people."

"I thought we should be married in three months."

"Ah—married in haste——. But what will your mother say?"

"Say! Oh, she'll say it's the first wise thing I've done. You'll make a
fine wife, Lettie, able to entertain, and all that."

"You will flutter brilliantly."

"We will."

"No—you'll be the moth—I'll paint your wings—gaudy feather-dust. Then
when you lose your coloured dust, when you fly too near the light, or
when you play dodge with a butterfly net—away goes my part—you can't
fly—I—alas, poor me! What becomes of the feather-dust when the moth
brushes his wings against a butterfly net?"

"What are you making so many words about? You don't know now, do you?"

"No—that I don't."

"Then just be comfortable. Let me look at myself in your eyes."

"Narcissus, Narcissus!—Do you see yourself well? Does the image flatter
you?—Or is it a troubled stream, distorting your fair lineaments."

"I can't see anything—only feel you looking—you are laughing at
me.—What have you behind there—what joke?"

"I—I'm thinking you're just like Narcissus—a sweet, beautiful youth."

"Be serious—do."

"It would be dangerous. You'd die of it, and I—I should——"

"What!"

"Be just like I am now—serious."

He looked proudly, thinking she referred to the earnestness of her love.


   ——


In the wood the wind rumbled and roared hoarsely overhead, but not a
breath stirred among the saddened bracken. An occasional raindrop was
shaken out of the trees; I slipped on the wet paths. Black bars striped
the grey tree-trunks, where water had trickled down; the bracken was
overthrown, its yellow ranks broken. I slid down the steep path to the
gate, out of the wood.

Armies of cloud marched in rank across the sky, heavily laden, almost
brushing the gorse on the common. The wind was cold and disheartening.
The ground sobbed at every step. The brook was full, swirling along,
hurrying, talking to itself, in absorbed intent tones. The clouds
darkened; I felt the rain. Careless of the mud, I ran, and burst into
the farm kitchen.

The children were painting, and they immediately claimed my help.

"Emily—and George—are in the front room," said the mother quietly, for
it was Sunday afternoon. I satisfied the little ones; I said a few words
to the mother, and sat down to take off my clogs.

In the parlour, the father, big and comfortable, was sleeping in an
arm-chair. Emily was writing at the table—she hurriedly hid her papers
when I entered. George was sitting by the fire, reading. He looked up as
I entered, and I loved him when he looked up at me, and as he lingered
on his quiet "Hullo!" His eyes were beautifully eloquent—as eloquent as
a kiss.

We talked in subdued murmurs, because the father was asleep, opulently
asleep, his tanned face as still as a brown pear against the wall. The
clock itself went slowly, with languid throbs. We gathered round the
fire, and talked quietly, about nothing—blissful merely in the sound of
our voices, a murmured, soothing sound—a grateful, dispassionate love
trio.

At last George rose, put down his book—looked at his father—and went
out.

In the barn there was a sound of the pulper crunching the turnips. The
crisp strips of turnip sprinkled quietly down onto a heap of gold which
grew beneath the pulper. The smell of pulped turnips, keen and sweet,
brings back to me the feeling of many winter nights, when frozen
hoof-prints crunch in the yard, and Orion is in the south; when a
friendship was at its mystical best.

"Pulping on Sunday!" I exclaimed.

"Father didn't do it yesterday; it's his work; and I didn't notice it.
You know—Father often forgets—he doesn't like to have to work in the
afternoon, now."

The cattle stirred in their stalls; the chains rattled round the posts;
a cow coughed noisily. When George had finished pulping, and it was
quiet enough for talk, just as he was spreading the first layers of chop
and turnip and meal—in ran Emily, with her hair in silken, twining
confusion, her eyes glowing—to bid us go in to tea before the milking
was begun. It was the custom to milk before tea on Sunday—but George
abandoned it without demur—his father willed it so, and his father was
master, not to be questioned on farm matters, however one disagreed.

The last day in October had been dreary enough; the night could not come
too early. We had tea by lamplight, merrily, with the father radiating
comfort as the lamp shone yellow light. Sunday tea was imperfect without
a visitor; with me, they always declared, it was perfect. I loved to
hear them say so. I smiled, rejoicing quietly into my teacup when the
Father said:

"It seems proper to have Cyril here at Sunday tea, it seems natural."

He was most loath to break the delightful bond of the lamp-lit
tea-table; he looked up with a half-appealing glance when George at last
pushed back his chair and said he supposed he'd better make a start.

"Ay," said the father in a mild, conciliatory tone, "I'll be out in a
minute."

The lamp hung against the barn-wall, softly illuminating the lower part
of the building, where bits of hay and white dust lay in the hollows
between the bricks, where the curled chips of turnip scattered orange
gleams over the earthen floor; the lofty roof, with its swallows' nests
under the tiles, was deep in shadow, and the corners were full of
darkness, hiding, half hiding, the hay, the chopper, the bins. The light
shone along the passages before the stalls, glistening on the moist
noses of the cattle, and on the whitewash of the walls.

George was very cheerful; but I wanted to tell him my message. When he
had finished the feeding, and had at last sat down to milk, I said:

"I told you Leslie Tempest was at our house when I came away."

He sat with the bucket between his knees, his hands at the cow's udder,
about to begin to milk. He looked up a question at me.

"They are practically engaged now," I said.

He did not turn his eyes away, but he ceased to look at me. As one who
is listening for a far-off noise, he sat with his eyes fixed. Then he
bent his head, and leaned it against the side of the cow, as if he would
begin to milk. But he did not. The cow looked round and stirred
uneasily. He began to draw the milk, and then to milk mechanically. I
watched the movement of his hands, listening to the rhythmic clang of
the jets of milk on the bucket, as a relief. After a while the movement
of his hands became slower, thoughtful—then stopped.

"She has really said yes?"

I nodded.

"And what does your mother say?"

"She is pleased."

He began to milk again. The cow stirred uneasily, shifting her legs. He
looked at her angrily, and went on milking. Then, quite upset, she
shifted again, and swung her tail in his face.

"Stand still!" he shouted, striking her on the haunch. She seemed to
cower like a beaten woman. He swore at her, and continued to milk. She
did not yield much that night; she was very restive; he took the stool
from beneath him and gave her a good blow; I heard the stool knock on
her prominent hip bone. After that she stood still, but her milk soon
ceased to flow.

When he stood up, he paused before he went to the next beast, and I
thought he was going to talk. But just then the father came along with
his bucket. He looked in the shed, and, laughing in his mature, pleasant
way, said:

"So you're an onlooker to-day, Cyril—I thought you'd have milked a cow
or two for me by now."

"Nay," said I, "Sunday is a day of rest—and milking makes your hands
ache."

"You only want a bit more practice," he said, joking in his ripe
fashion. "Why George, is that all you've got from Julia?"

"It is."

"H'm—she's soon going dry. Julia, old lady, don't go and turn skinny."

When he had gone, and the shed was still, the air seemed colder. I heard
his good-humoured "Stand over, old lass," from the other shed, and the
drum-beats of the first jets of milk on the pail.

"He has a comfortable time," said George, looking savage. I laughed. He
still waited.

"You really expected Lettie to have _him,_" I said.

"I suppose so," he replied, "then she'd made up her mind to it. It
didn't matter—what she wanted—at the bottom."

"You?" said I.

"If it hadn't been that he was a prize—with a ticket—she'd have
had——"

"You!" said I.

"She was afraid—look how she turned and kept away——"

"From you?" said I.

"I should like to squeeze her till she screamed."

"You should have gripped her before, and kept her," said I.

"She—she's like a woman, like a cat—running to comforts—she strikes a
bargain. Women are all tradesmen."

"Don't generalise, it's no good."

"She's like a prostitute——"

"It's banal! I believe she loves him."

He started, and looked at me queerly. He looked quite childish in his
doubt and perplexity.

"She, what——?"

"Loves him—honestly."

"She'd 'a loved me better," he muttered, and turned to his milking. I
left him and went to talk to his father. When the latter's four beasts
were finished, George's light still shone in the other shed.

I went and found him at the fifth, the last cow. When at length he had
finished he put down his pail, and going over to poor Julia, stood
scratching her back, and her poll, and her nose, looking into her big,
startled eye and murmuring. She was afraid; she jerked her head, giving
him a good blow on the cheek with her horn.

"You can't understand them," he said sadly, rubbing his face, and
looking at me with his dark, serious eyes.

"I never knew I couldn't understand them. I never thought about
it——till. But you know, Cyril, she led me on."

I laughed at his rueful appearance.

      CHAPTER VIII

   THE RIOT OF CHRISTMAS

For some weeks, during the latter part of November and the beginning of
December, I was kept indoors by a cold. At last came a frost which
cleared the air and dried the mud. On the second Saturday before
Christmas the world was transformed; tall, silver and pearl-grey trees
rose pale against a dim-blue sky, like trees in some rare, pale
Paradise; the whole woodland was as if petrified in marble and silver
and snow; the holly-leaves and long leaves of the rhododendron were
rimmed and spangled with delicate tracery.

When the night came clear and bright, with a moon among the hoar-frost,
I rebelled against confinement, and the house. No longer the mists and
dank weather made the home dear; tonight even the glare of the distant
little iron works was not visible, for the low clouds were gone, and
pale stars blinked from beyond the moon.

Lettie was staying with me; Leslie was in London again. She tried to
remonstrate in a sisterly fashion when I said I would go out.

"Only down to the Mill," said I. Then she hesitated a while—said she
would come too. I suppose I looked at her curiously, for she said:

"Oh—if you would rather go alone——!"

"Come—come—yes, come!" said I, smiling to myself.

Lettie was in her old animated mood. She ran, leaping over rough places,
laughing, talking to herself in French. We came to the Mill. Gyp did not
bark. I opened the outer door and we crept softly into the great dark
scullery, peeping into the kitchen through the crack of the door.

The mother sat by the hearth, where was a big bath half full of soapy
water, and at her feet, warming his bare legs at the fire, was David,
who had just been bathed. The mother was gently rubbing his fine fair
hair into a cloud. Mollie was combing out her brown curls, sitting by
her father, who, in the fire-seat, was reading aloud in a hearty voice,
with quaint precision. At the table sat Emily and George: she was
quickly picking over a pile of little yellow raisins, and he, slowly,
with his head sunk, was stoning the large raisins. David kept reaching
forward to play with the sleepy cat—interrupting his mother's rubbing.
There was no sound but the voice of the father, full of zest; I am
afraid they were not all listening carefully. I clicked the latch and
entered.

"Lettie!" exclaimed George.

"Cyril!" cried Emily.

"Cyril, 'ooray!" shouted David.

"Hullo, Cyril!" said Mollie.

Six large brown eyes, round with surprise, welcomed me. They overwhelmed
me with questions, and made much of us. At length they were settled and
quiet again.

"Yes, I am a stranger," said Lettie, who had taken off her hat and furs
and coat. "But you do not expect me often, do you? I may come at times,
eh?"

"We are only too glad," replied the mother. "Nothing all day long but
the sound of the sluice—and mists, and rotten leaves. I am thankful to
hear a fresh voice."

"Is Cyril really better, Lettie?" asked Emily softly.

"He's a spoiled boy—I believe he keeps a little bit ill so that we can
cade him. Let me help you—let me peel the apples—yes, yes—I will."

She went to the table, and occupied one side with her apple-peeling.
George had not spoken to her. So she said:

"I won't help you—George, because I don't like to feel my fingers so
sticky, and because I love to see you so domesticated."

"You'll enjoy the sight a long time, then, for these things are
numberless."

"You should eat one now and then—I always do."

"If I ate one I should eat the lot."

"Then you may give me your one."

He passed her a handful without speaking.

"That is too many, your mother is looking. Let me just finish this
apple. There, I've not broken the peel!"

She stood up, holding up a long curling strip of peel.

"How many times must I swing it, Mrs. Saxton?"

"Three times—but it's not All Hallows' Eve."

"Never mind! Look!——" she carefully swung the long band of green peel
over her head three times, letting it fall the third. The cat pounced on
it, but Mollie swept him off again.

"What is it?" cried Lettie, blushing.

"G," said the father, winking and laughing—the mother looked daggers at
him.

"It isn't nothink," said David naïvely, forgetting his confusion at
being in the presence of a lady in his shirt. Mollie remarked in her
cool way:

"It might be a 'hess'—if you couldn't write."

"Or an 'L'," I added. Lettie looked over at me imperiously, and I was
angry.

"What do you say, Emily?" she asked.

"Nay," said Emily, "It's only you can see the right letter."

"Tell us what's the right letter," said George to her.

"I!" exclaimed Lettie, "who can look into the seeds of Time?"

"Those who have set 'em and watched 'em sprout," said I.

She flung the peel into the fire, laughing a short laugh, and went on
with her work.

Mrs. Saxton leaned over to her daughter and said softly, so that he
should not hear, that George was pulling the flesh out of the raisins.

"George!" said Emily sharply, "You're leaving nothing but the husks."

He too was angry:

"'And he would fain fill his belly with the husks that the swine did
eat.'" he said quietly, taking a handful of the fruit he had picked and
putting some in his mouth. Emily snatched away the basin:

"It is too bad!" she said.

"Here," said Lettie, handing him an apple she had peeled. "You may have
an apple, greedy boy."

He took it and looked at it. Then a malicious smile twinkled round his
eyes,—as he said:

"If you give me the apple, to whom will you give the peel?"

"The swine," she said, as if she only understood his first reference to
the Prodigal Son. He put the apple on the table.

"Don't you want it?" she said.

"Mother," he said comically, as if jesting. "She is offering me the
apple like Eve."

Like a flash, she snatched the apple from him, hid it in her skirts a
moment, looking at him with dilated eyes, and then she flung it at the
fire. She missed, and the father leaned forward and picked it off the
hob, saying:

"The pigs may as well have it. You were slow, George—when a lady offers
you a thing you don't have to make mouths."

"A ce qu'il parait," she cried, laughing now at her ease, boisterously:

"Is she making love, Emily?" asked the father, laughing suggestively.

"She says it too fast for me," said Emily.

George was leaning back in his chair, his hands in his breeches pockets.

"We shall have to finish his raisins after all, Emily," said Lettie
brightly. "Look what a lazy animal he is."

"He likes his comfort," said Emily, with irony.

"The picture of content—solid, healthy, easy-moving content——"
continued Lettie. As he sat thus, with his head thrown back against the
end of the ingle-seat, coatless, his red neck seen in repose, he did
indeed look remarkably comfortable.

"I shall never fret my fat away," he said stolidly.

"No—you and I—we are not like Cyril. We do not burn our bodies in our
heads—or our hearts, do we?"

"We have it in common," said he, looking at her indifferently beneath
his lashes, as his head was tilted back.

Lettie went on with the paring and coring of her apples—then she took
the raisins. Meanwhile, Emily was making the house ring as she chopped
the suet in a wooden bowl. The children were ready for bed. They kissed
us all "Good-night"—save George. At last they were gone, accompanied by
their mother. Emily put down her chopper, and sighed that her arm was
aching, so I relieved her. The chopping went on for a long time, while
the father read, Lettie worked, and George sat tilted back looking on.
When at length the mincemeat was finished we were all out of work.
Lettie helped to clear away—sat down—talked a little with
effort—jumped up and said:

"Oh, I'm too excited to sit still—it's so near Christmas—let us play
at something."

"A dance?" said Emily.

"A dance—a dance!"

He suddenly sat straight and got up:

"Come on!" he said.

He kicked off his slippers, regardless of the holes in his stocking
feet, and put away the chairs. He held out his arm to her—she came with
a laugh, and away they went, dancing over the great flagged kitchen at
an incredible speed. Her light flying steps followed his leaps; you
could hear the quick light tap of her toes more plainly than the thud of
his stockinged feet. Emily and I joined in. Emily's movements are
naturally slow, but we danced at great speed. I was hot and perspiring,
and she was panting, when I put her in a chair. But they whirled on in
the dance, on and on till I was giddy, till the father laughing, cried
that they should stop. But George continued the dance; her hair was
shaken loose, and fell in a great coil down her back; her feet began to
drag; you could hear a light slur on the floor; she was panting—I could
see her lips murmur to him, begging him to stop; he was laughing with
open mouth, holding her tight; at last her feet trailed; he lifted her,
clasping her tightly, and danced twice round the room with her thus.
Then he fell with a crash on the sofa, pulling her beside him. His eyes
glowed like coals; he was panting in sobs, and his hair was wet and
glistening. She lay back on the sofa, with his arm still around her, not
moving; she was quite overcome. Her hair was wild about her face. Emily
was anxious; the father said, with a shade of inquietude:

"You've overdone it—it is very foolish."

When at last she recovered her breath and her life, she got up, and
laughing in a queer way, began to put up her hair. She went into the
scullery where were the brush and combs, and Emily followed with a
candle. When she returned, ordered once more, with a little pallor
succeeding the flush, and with a great black stain of sweat on her
leathern belt where his hand had held her, he looked up at her from his
position on the sofa, with a peculiar glance of triumph, smiling.

"You great brute," she said, but her voice was not as harsh as her
words. He gave a deep sigh, sat up, and laughed quietly.

"Another?" he said.

"Will you dance with _me_?"

"At your pleasure."

"Come then—a minuet."

"Don't know it."

"Nevertheless, you must dance it. Come along."

He reared up, and walked to her side. She put him through the steps,
even dragging him round the waltz. It was very ridiculous. When it was
finished she bowed him to his seat, and, wiping her hands on her
handkerchief, because his shirt where her hand had rested on his
shoulders was moist, she thanked him.

"I hope you enjoyed it," he said.

"Ever so much," she replied.

"You made me look a fool—so no doubt you did."

"Do you think you could look a fool? Why you are ironical! Ca marche! In
other words, you have come on. But it is a sweet dance."

He looked at her, lowered his eyelids, and said nothing.

"Ah, well," she laughed, "some are bred for the minuet, and some
for——"

"—Less tomfoolery," he answered.

"Ah—you call it tomfoolery because you cannot do it. Myself, I like
it—so——"

"And I can't do it?"

"Could you? Did you? You are not built that way."

"Sort of Clarence MacFadden," he said, lighting a pipe as if the
conversation did not interest him.

"Yes—what ages since we sang that!

   'Clarence MacFadden he wanted to dance
   But his feet were not gaited that way . . .'

"I remember we sang it after one corn harvest—we had a fine time. I
never thought of you before as Clarence. It is very funny. By the
way—will you come to our party at Christmas?"

"When? Who's coming?"

"The twenty-sixth.—Oh!—only the old people—Alice—Tom
Smith—Fanny—those from Highclose."

"And what will you do?"

"Sing charades—dance a little—anything you like."

"Polka?"

"And minuets—and valetas. Come and dance a valeta, Cyril."

She made me take her through a valeta, a minuet, a mazurka, and she
danced elegantly, but with a little of Carmen's ostentation—her dash
and devilry. When we had finished, the father said:

"Very pretty—very pretty, indeed! They do look nice, don't they,
George? I wish I was young."

"As I am——" said George, laughing bitterly.

"Show me how to do them—some time, Cyril," said Emily, in her pleading
way, which displeased Lettie so much.

"Why don't you ask me?" said the latter quickly.

"Well—but you are not often here."

"I am here now. Come——" and she waved Emily imperiously to the
attempt.

Lettie, as I have said, is tall, approaching six feet; she is lissome,
but firmly moulded, by nature graceful; in her poise and harmonious
movement are revealed the subtle sympathies of her artist's soul. The
other is shorter, much heavier. In her every motion you can see the
extravagance of her emotional nature. She quivers with feeling; emotion
conquers and carries havoc through her, for she has not a strong
intellect, nor a heart of light humour; her nature is brooding and
defenceless; she knows herself powerless in the tumult of her feelings,
and adds to her misfortunes a profound mistrust of herself.

As they danced together, Lettie and Emily, they showed in striking
contrast. My sister's ease and beautiful poetic movement was exquisite;
the other could not control her movements, but repeated the same error
again and again. She gripped Lettie's hand fiercely, and glanced up with
eyes full of humiliation and terror of her continued failure, and
passionate, trembling, hopeless desire to succeed. To show her, to
explain, made matters worse. As soon as she trembled on the brink of an
action, the terror of not being able to perform it properly blinded her,
and she was conscious of nothing but that she must do something—in a
turmoil. At last Lettie ceased to talk, and merely swung her through the
dances haphazard. This way succeeded better. So long as Emily need not
think about her actions, she had a large, free grace; and the swing and
rhythm and time were imparted through her senses rather than through her
intelligence.

It was time for supper. The mother came down for a while, and we talked
quietly, at random. Lettie did not utter a word about her engagement,
not a suggestion. She made it seem as if things were just as before,
although I am sure she had discovered that I had told George. She
intended that we should play as if ignorant of her bond.

After supper, when we were ready to go home, Lettie said to him:

"By the way—you must send us some mistletoe for the party—with plenty
of berries, you know. Are there many berries on your mistletoe this
year?"

"I do not know—I have never looked. We will go and see—if you like,"
George answered. "But will you come out into the cold?" He pulled on his
boots, and his coat, and twisted a scarf round his neck. The young moon
had gone. It was very dark—the liquid stars wavered. The great night
filled us with awe. Lettie caught hold of my arm, and held it tightly.
He passed on in front to open the gates. We went down into the front
garden, over the turf bridge where the sluice rushed coldly under, on to
the broad slope of the bank. We could just distinguish the gnarled old
appletrees leaning about us. We bent our heads to avoid the boughs, and
followed George. He hesitated a moment, saying:

"Let me see—I think they are there—the two trees with mistletoe on."

We again followed silently.

"Yes," he said, "Here they are!"

We went close and peered into the old trees. We could just see the dark
bush of the mistletoe between the boughs of the tree. Lettie began to
laugh.

"Have we come to count the berries?" she said. "I can't even see the
mistletoe."

She leaned forwards and upwards to pierce the darkness; he, also
straining to look, felt her breath on his cheek, and turning, saw the
pallor of her face close to his, and felt the dark glow of her eyes. He
caught her in his arms, and held her mouth in a kiss. Then, when he
released her, he turned away, saying something incoherent about going to
fetch the lantern to look. She remained with her back towards me, and
pretended to be feeling among the mistletoe for the berries. Soon I saw
the swing of the hurricane lamp below.

"He is bringing the lantern," said I.

When he came up, he said, and his voice was strange and subdued:

"Now we can see what it's like."

He went near, and held up the lamp, so that it illuminated both their
faces, and the fantastic boughs of the trees, and the weird bush of
mistletoe sparsely pearled with berries. Instead of looking at the
berries they looked into each other's eyes; his lids flickered, and he
flushed, in the yellow light of the lamp looking warm and handsome; he
looked upwards in confusion and said: "There are plenty of berries."

As a matter of fact there were very few.

She too looked up, and murmured her assent. The light seemed to hold
them as in a globe, in another world, apart from the night in which I
stood. He put up his hand and broke off a sprig of mistletoe, with
berries, and offered it to her. They looked into each other's eyes
again. She put the mistletoe among her furs, looking down at her bosom.
They remained still, in the centre of light, with the lamp uplifted; the
red and black scarf wrapped loosely round his neck gave him a luxurious,
generous look. He lowered the lamp and said, affecting to speak
naturally:

"Yes—there is plenty this year."

"You will give me some," she replied, turning away and finally breaking
the spell.

"When shall I cut it?"—He strode beside her, swinging the lamp, as we
went down the bank to go home. He came as far as the brooks without
saying another word. Then he bade us good-night. When he had lighted her
over the stepping-stones, she did not take my arm as we walked home.

During the next two weeks we were busy preparing for Christmas, ranging
the woods for the reddest holly, and pulling the gleaming ivy-bunches
from the trees. From the farms around came the cruel yelling of pigs,
and in the evening later, was a scent of pork-pies. Far-off on the
high-way could be heard the sharp trot of ponies hastening with
Christmas goods.

There the carts of the hucksters dashed by to the expectant villagers,
triumphant with great bunches of light foreign mistletoe, gay with
oranges peeping through the boxes, and scarlet intrusion of apples, and
wild confusion of cold, dead poultry. The hucksters waved their whips
triumphantly, the little ponies rattled bravely under the sycamores,
towards Christmas.

In the late afternoon of the 24th, when dust was rising under the hazel
brake, I was walking with Lettie. All among the mesh of twigs overhead
was tangled a dark red sky. The boles of the trees grew denser—almost
blue.

Tramping down the riding we met two boys, fifteen or sixteen years old.
Their clothes were largely patched with tough cotton moleskin; scarves
were knotted round their throats, and in their pockets rolled tin
bottles full of tea, and the white knobs of their knotted snap-bags.

"Why!" said Lettie. "Are you going to work on Christmas eve?"

"It looks like it, don't it?" said the elder.

"And what time will you be coming back?"

"About 'alf past töw."

"Christmas morning!"

"You'll be able to look out for the herald Angels and the Star," said I.

"They'd think we was two dirty little uns," said the younger lad,
laughing.

"They'll 'appen 'a done before we get up ter th' top," added the elder
boy— "an' they'll none venture down th' shaft."

"If they did," put in the other, "You'd ha'e ter bath 'em after. I'd
gi'e 'em a bit o' my pasty."

"Come on," said the elder sulkily.

They tramped off, slurring their heavy boots.

"Merry Christmas!" I called after them.

"In th' mornin'," replied the elder.

"Same to you," said the younger, and he began to sing with a tinge of
bravado.

   "In the fields with their flocks abiding.
   They lay on the dewy
ground——"

"Fancy," said Lettie, "those boys are working for me!"

We were all going to the party at Highclose. I happened to go into the
kitchen about half past seven. The lamp was turned low, and Rebecca sat
in the shadows. On the table, in the light of the lamp, I saw a glass
vase with five or six very beautiful Christmas roses.

"Hullo, Becka, who's sent you these?" said I.

"They're not sent," replied Rebecca from the depth of the shadow, with
suspicion of tears in her voice.

"Why! I never saw them in the garden."

"Perhaps not. But I've watched them these three weeks, and kept them
under glass."

"For Christmas? They are beauties. I thought some one must have sent
them to you."

"It's little as 'as ever been sent me," replied Rebecca, "an' less as
will be."

"Why—what's the matter?"

"Nothing. Who'm I, to have anything the matter! Nobody—nor ever was,
nor ever will be. And I'm getting old as well."

"Something's upset you, Becky."

"What does it matter if it has? What are my feelings? A bunch o'
fal-de-rol flowers as a gardener clips off wi' never a thought is
preferred before mine as I've fettled after this three-week. I can sit
at home to keep my flowers company—nobody wants 'em."

I remembered that Lettie was wearing hot-house flowers; she was excited
and full of the idea of the party at Highclose; I could imagine her
quick "Oh no thank you, Rebecca. I have had a spray sent to me——"

"Never mind, Becky," said I, "she is excited to-night."

"An' I'm easy forgotten."

"So are we all, Becky—tant mieux."

At Highclose Lettie made a stir. Among the little belles of the
countryside, she was decidedly the most distinguished. She was
brilliant, moving as if in a drama. Leslie was enraptured, ostentatious
in his admiration, proud of being so well infatuated. They looked into
each other's eyes when they met, both triumphant, excited, blazing arch
looks at one another. Lettie was enjoying her public demonstration
immensely; it exhilarated her into quite a vivid love for him. He was
magnificent in response. Meanwhile, the honoured lady of the house,
pompous and ample, sat aside with my mother conferring her patronage on
the latter amiable little woman, who smiled sardonically and watched
Lettie. It was a splendid party; it was brilliant, it was dazzling.

I danced with several ladies, and honourably kissed each under the
mistletoe—except that two of them kissed me first, it was all done in a
most correct manner.

"You wolf," said Miss Wookey archly. "I believe you are a wolf—a
veritable rôdeur des femmes—and you look such a lamb too—such a dear."

"Even my bleat reminds you of Mary's pet."

"But you are not my pet—at least—it is well that my Golaud doesn't
hear you——"

"If he is so very big——" said I.

"He is really; he's beefy. I've engaged myself to him, somehow or other.
One never knows how one does those things, do they?"

"I couldn't speak from experience," said I.

"Cruel man! I suppose I felt Christmasy, and I'd just been reading
Maeterlinck—and he really is big."

"Who?" I asked.

"Oh—He, of course. My Golaud. I can't help admiring men who are a bit
avoirdupoisy. It is unfortunate they can't dance."

"Perhaps fortunate," said I.

"I can see you hate him. Pity I didn't think to ask him if he
danced—before——"

"Would it have influenced you very much?"

"Well—of course—one can be free to dance all the more with the really
nice men whom one never marries."

"Why not?"

"Oh—you can only marry one——"

"Of course."

"There he is—he's coming for me! Oh, Frank, you leave me to the tender
mercies of the world at large. I thought you'd forgotten me, Dear."

"I thought the same," replied her Golaud, a great fat fellow with a
childish bare face. He smiled awesomely, and one never knew what he
meant to say.

We drove home in the early Christmas morning. Lettie, warmly wrapped in
her cloak, had had a little stroll with her lover in the shrubbery. She
was still brilliant, flashing in her movements. He, as he bade her
good-bye, was almost beautiful in his grace and his low musical tone. I
nearly loved him myself. She was very fond towards him. As we came to
the gate where the private road branched from the highway, we heard John
say "Thank you"—and looking out, saw our two boys returning from the
pit. They were very grotesque in the dark night as the lamplight fell on
them, showing them grimy, flecked with bits of snow. They shouted
merrily, their good wishes. Lettie leaned out and waved to them, and
they cried "'ooray!" Christmas came in with their acclamations.



      CHAPTER IX

   LETTIE COMES OF AGE


Lettie was twenty-one on the day after Christmas. She woke me in the
morning with cries of dismay. There was a great fall of snow,
multiplying the cold morning light, startling the slow-footed twilight.
The lake was black like the open eyes of a corpse; the woods were black
like the beard on the face of a corpse. A rabbit bobbed out, and
floundered in much consternation; little birds settled into the depth,
and rose in a dusty whirr, much terrified at the universal treachery of
the earth. The snow was eighteen inches deep, and drifted in places.

"They will never come!" lamented Lettie, for it was the day of her
party.

"At any rate—Leslie will," said I.

"One!" she exclaimed.

"That one is all, isn't it?" said I. "And for sure George will come,
though I've not seen him this fortnight. He's not been in one night,
they say, for a fortnight."

"Why not?"

"I cannot say."

Lettie went away to ask Rebecca for the fiftieth time if she thought
they would come. At any rate the extra woman-help came.

It was not more than ten o'clock when Leslie arrived, ruddy, with
shining eyes, laughing like a boy. There was much stamping in the porch,
and knocking of leggings with his stick, and crying of Lettie from the
kitchen to know who had come, and loud, cheery answers from the porch
bidding her come and see. She came, and greeted him with effusion.

"Ha, my little woman!" he said kissing her. "I declare you are a woman.
Look at yourself in the glass now——" She did so—"What do you see?" he
asked laughing.

"You—mighty gay, looking at me."

"Ah, but look at yourself. There! I declare you're more afraid of your
own eyes than of mine, aren't you?"

"I am," she said, and he kissed her with rapture.

"It's your birthday," he said.

"I know," she replied.

"So do I. You promised me something."

"What?" she asked.

"Here—see if you like it,"—he gave her a little case. She opened it,
and instinctively slipped the ring on her finger. He made a movement of
pleasure. She looked up, laughing breathlessly at him.

"Now!" said he, in tones of finality.

"Ah!" she exclaimed in a strange, thrilled voice.

He caught her in his arms.

After a while, when they could talk rationally again, she said:

"Do you think they will come to my party?"

"I hope not—By Heaven!"

"But—oh, yes! We have made all preparations."

"What does that matter! Ten thousand folks here to-day——!"

"Not ten thousand—only five or six. I shall be wild if they can't
come."

"You want them?"

"We have asked them—and everything is ready—and I do want us to have a
party one day."

"But to-day—damn it all, Lettie!"

"But I did want my party to-day. Don't you think they'll come?"

"They won't if they've any sense!"

"You might help me——" she pouted.

"Well I'll be—! and you've set your mind on having a houseful of people
to-day?"

"You know how we look forward to it—my party. At any rate—I know Tom
Smith will come—and I'm almost sure Emily Saxton will."

He bit his moustache angrily, and said at last:

"Then I suppose I'd better send John round for the lot."

"It wouldn't be much trouble, would it?"

"No _trouble_ at all."

"Do you know," she said, twisting the ring on her finger. "It makes me
feel as if I tied something round my finger to remember by. It somehow
remains in my consciousness all the time."

"At any rate," said he, "I have got you."

After dinner, when we were alone, Lettie sat at the table, nervously
fingering her ring.

"It is pretty, mother, isn't it?" she said a trifle pathetically.

"Yes, very pretty. I have always liked Leslie," replied my mother.

"But it feels so heavy—it fidgets me. I should like to take it off."

"You are like me, I never could wear rings. I hated my wedding ring for
months."

"Did you, mother?"

"I longed to take it off and put it away. But after a while I got used
to it."

"I'm glad this isn't a wedding ring."

"Leslie says it is as good," said I.

"Ah well, yes! But still it is different—" She put the jewels round
under her finger, and looked at the plain gold band—then she twisted it
back quickly, saying:

"I'm glad it's not—not yet. I begin to feel a woman, little mother—I
feel grown up to-day."

My mother got up suddenly and went and kissed Lettie fervently.

"Let me kiss my girl good-bye," she said, and her voice was muffled with
tears. Lettie clung to my mother, and sobbed a few quiet sobs, hidden in
her bosom. Then she lifted her face, which was wet with tears, and
kissed my mother, murmuring:

"No, mother—no—o—!"

About three o'clock the carriage came with Leslie and Marie. Both Lettie
and I were upstairs, and I heard Marie come tripping up to my sister.

"Oh, Lettie, he is in such a state of excitement, you never knew. He
took me with him to buy it—let me see it on. I think it's awfully
lovely. Here, let me help you to do your hair—all in those little
rolls—it will look charming. You've really got beautiful hair—there's
so much life in it—it's a pity to twist it into a coil as you do. I
wish my hair were a bit longer—though really, it's all the better for
this fashion—don't you like it?—it's 'so chic'—I think these little
puffs are just fascinating—it is rather long for them—but it will look
ravishing. Really, my eyes, and eyebrows, and eyelashes are my best
features, don't you think?"

Marie, the delightful, charming little creature, twittered on. I went
downstairs.

Leslie started when I entered the room, but seeing only me, he leaned
forward again, resting his arms on his knees, looking in the fire.

"What the Dickens is she doing?" he asked.

"Dressing."

"Then we may keep on waiting. Isn't it a deuced nuisance, these people
coming?"

"Well, we generally have a good time."

"Oh—it's all very well—we're not in the same boat, you and me."

"Fact," said I laughing.

"By Jove, Cyril, you don't know what it is to be in love. I never
thought—I couldn't ha' believed I should be like it. All the time when
it isn't at the top of your blood, it's at the bottom:—'the Girl, the
Girl.'"

He stared into the fire.

"It seems pressing you, pressing you on. Never leaves you alone a
moment."

Again he lapsed into reflection.

"Then, all at once, you remember how she kissed you, and all your blood
jumps afire."

He mused again for awhile—or rather, he seemed fiercely to con over his
sensations.

"You know," he said, "I don't think she feels for me as I do for her."

"Would you want her to?" said I.

"I don't know. Perhaps not—but—still I don't think she feels——"

At this he lighted a cigarette to soothe his excited feelings, and there
was silence for some time. Then the girls came down. We could hear their
light chatter. Lettie entered the room. He jumped up and surveyed her.
She was dressed in soft, creamy, silken stuff; her neck was quite bare;
her hair was, as Marie promised, fascinating; she was laughing
nervously. She grew warm, like a blossom in the sunshine, in the glow of
his admiration. He went forward and kissed her.

"You are splendid!" he said.

She only laughed for answer. He drew her away to the great arm-chair,
and made her sit in it beside him. She was indulgent and he radiant. He
took her hand and looked at it, and at his ring which she wore.

"It looks all right!" he murmured.

"Anything would," she replied.

"What do they mean—sapphires and diamonds—for I don't know?"

"Nor do I. Blue for hope, because Speranza in 'Fairy Queen' had a blue
gown—and diamonds for—the crystalline clearness of my nature."

"Its glitter and hardness, you mean—You are a hard little mistress. But
why Hope?"

"Why?—No reason whatever, like most things. No, that's not right. Hope!
Oh—Blindfolded—hugging a silly harp with no strings. I wonder why she
didn't drop her harp framework over the edge of the globe, and take the
handkerchief off her eyes, and have a look round! But of course she was
a woman—and a man's woman. Do you know I believe most women can sneak a
look down their noses from underneath the handkerchief of hope they've
tied over their eyes. They could take the whole muffler off—but they
don't do it, the dears."

"I don't believe you know what you're talking about, and I'm sure I
don't. Sapphires reminded me of your eyes—and—isn't it 'Blue that kept
the faith?' I remember something about it."

"Here," said she, pulling off the ring, "you ought to wear it yourself,
Faithful One, to keep me in constant mind."

"Keep it on, keep it on. It holds you faster than that fair damsel tied
to a tree in Millais' picture—I believe it's Millais."

She sat shaking with laughter.

"What a comparison! Who'll be the brave knight to rescue
me—discreetly—from behind?"

"Ah," he answered, "it doesn't matter. You don't want rescuing, do you?"

"Not yet," she replied, teasing him.

They continued to talk half nonsense, making themselves eloquent by
quick looks and gestures, and communion of warm closeness. The ironical
tones went out of Lettie's voice, and they made love.

Marie drew me away into the dining room, to leave them alone.



Marie is a charming little maid, whose appearance is neatness, whose
face is confident little goodness. Her hair is dark, and lies low upon
her neck in wavy coils. She does not affect the fashion in coiffure, and
generally is a little behind the fashion in dress. Indeed she is a
half-opened bud of a matron, conservative, full of proprieties, and of
gentle indulgence. She now smiled at me with a warm delight in the
romance upon which she had just shed her grace, but her demureness
allowed nothing to be said. She glanced round the room, and out of the
window, and observed:

"I always love Woodside, it is restful—there is something about
it—oh—assuring—really—it comforts one—I've been reading Maxim
Gorky."

"You shouldn't," said I.

"Dadda reads them—but I don't like them—I shall read no more. I like
Woodside—it makes you feel—really at home—it soothes one like the old
wood does. It seems right—life is proper here—not ulcery——"

"Just healthy living flesh," said I.

"No, I don't mean that, because one feels—oh, as if the world were old
and good, not old and bad."

"Young, and undisciplined, and mad," said I.

"No—but here, you, and Lettie, and Leslie, and me—it is so nice for
us, and it seems so natural and good. Woodside is so old, and so sweet
and serene—it does reassure one."

"Yes," said I, "we just live, nothing abnormal, nothing cruel and
extravagant—just natural—like doves in a dovecote."

"Oh!—doves!—they are so—so mushy."

"They are dear little birds, doves. You look like one yourself, with the
black band round your neck. You a turtle-dove, and Lettie a
wood-pigeon."

"Lettie is splendid, isn't she? What a swing she has—what a mastery! I
wish I had her strength—she just marches straight through in the right
way—I think she's fine."

I laughed to see her so enthusiastic in her admiration of my sister.
Marie is such a gentle, serious little soul. She went to the window. I
kissed her, and pulled two berries off the mistletoe. I made her a nest
in the heavy curtains, and she sat there looking out on the snow.

"It is lovely," she said reflectively. "People must be ill when they
write like Maxim Gorky."

"They live in town," said I.

"Yes—but then look at Hardy—life seems so terrible—it isn't, is it?"

"If you don't feel it, it isn't—if you don't see it. I don't see it for
myself."

"It's lovely enough for heaven."

"Eskimo's heaven perhaps. And we're the angels eh? And I'm an
archangel."

"No, you're a vain, frivolous man. Is that—? What is that moving
through the trees?"

"Somebody coming," said I.

It was a big, burly fellow moving curiously through the bushes.

"Doesn't he walk funnily?" exclaimed Marie. He did. When he came near
enough we saw he was straddled upon Indian snow-shoes. Marie peeped, and
laughed, and peeped, and hid again in the curtains laughing. He was very
red, and looked very hot, as he hauled the great meshes, shuffling over
the snow; his body rolled most comically. I went to the door and
admitted him, while Marie stood stroking her face with her hands to
smooth away the traces of her laughter.

He grasped my hand in a very large and heavy glove, with which he then
wiped his perspiring brow.

"Well, Beardsall, old man," he said, "and how's things? God, I'm not
'alf hot! Fine idea though——" He showed me his snow-shoes.

"Ripping! ain't they? I've come like an Indian brave——" He rolled his
"r's", and lengthened out his "ah's" tremendously—"brra-ave".

"Couldn't resist it though," he continued. "Remember your party last
year—Girls turned up? On the war-path, eh?" He pursed up his childish
lips and rubbed his fat chin.

Having removed his coat, and the white wrap which protected his collar,
not to mention the snowflakes, which Rebecca took almost as an insult to
herself—he seated his fat, hot body on a chair, and proceeded to take
off his gaiters and his boots. Then he donned his dancing pumps, and I
led him upstairs.

"Lord, I skimmed here like a swallow!" he continued—and I looked at his
corpulence.

"Never met a soul, though they've had a snow-plough down the road. I saw
the marks of a cart up the drive, so I guessed the Tempests were here.
So Lettie's put her nose in Tempest's nosebag—leaves nobody a chance,
that—some women have rum taste—only they're like ravens, they go for
the gilding—don't blame 'em—only it leaves nobody a chance. Madie
Howitt's coming, I suppose?"

I ventured something about the snow.

"She'll come," he said, "if it's up to the neck. Her mother saw me go
past."

He proceeded with his toilet. I told him that Leslie had sent the
carriage for Alice and Madie. He slapped his fat legs, and exclaimed:

"Miss Gall—I smell sulphur! Beardsall, old boy, there's fun in the
wind. Madie, and the coy little Tempest, and——" he hissed a line of a
music-hall song through his teeth.

During all this he had straightened his cream and lavender waistcoat:

"Little pink of a girl worked it for me—a real juicy little
peach—chipped somehow or other"—he had arranged his white bow—he had
drawn forth two rings, one a great signet, the other gorgeous with
diamonds, and had adjusted them on his fat white fingers; he had run his
fingers delicately, through his hair, which rippled backwards a trifle
tawdrily—being fine and somewhat sapless; he had produced a box,
containing a cream carnation with suitable greenery; he had flicked
himself with a silk handkerchief, and had dusted his patent-leather
shoes; lastly, he had pursed up his lips and surveyed himself with great
satisfaction in the mirror. Then he was ready to be presented.

"Couldn't forget to-day, Lettie. Wouldn't have let old Pluto and all the
bunch of 'em keep me away. I skimmed here like a 'Brra-ave' on my
snow-shoes, like Hiawatha coming to Minnehaha."

"Ah—that was famine," said Marie softly. "And this is a feast, a
gorgeous feast, Miss Tempest," he said, bowing to Marie, who laughed.

"You have brought some music?" asked mother.

"Wish I was Orpheus," he said, uttering his words with exaggerated
enunciation, a trick he had caught from his singing I suppose.

"I see you're in full feather, Tempest. Is she kind as she is fair?'"

"Who?"

Will pursed up his smooth sensuous face that looked as if it had never
needed shaving. Lettie went out with Marie, hearing the bell ring.

"She's an houri!" exclaimed William. "Gad, I'm almost done for! She's a
lotus-blossom!—But is that your ring she's wearing, Tempest?"

"Keep off," said Leslie.

"And don't be a fool," said I.

"Oh, O-O-Oh!" drawled Will, "so we must look the other way! 'Le bel
homme sans merci!'"

He sighed profoundly, and ran his fingers through his hair, keeping one
eye on himself in the mirror as he did so. Then he adjusted his rings
and went to the piano. At first he only splashed about brilliantly. Then
he sorted the music, and took a volume of Tchaikowsky's songs. He began
the long opening of one song, was unsatisfied, and found another, a
serenade of Don Juan. Then at last he began to sing.

His voice is a beautiful tenor, softer, more mellow, less strong and
brassy than Leslie's. Now it was raised that it might be heard upstairs.
As the melting gush poured forth, the door opened. William softened his
tones, and sang 'dolce,' but he did not glance round.

"Rapture!—Choir of Angels," exclaimed Alice, clasping her hands and
gazing up at the lintel of the door like a sainted virgin.

"Persephone—Europa——" murmured Madie, at her side, getting tangled in
her mythology.

Alice pressed her clasped hands against her bosom in ecstasy as the
notes rose higher.

"Hold me, Madie, or I shall rush to extinction in the arms of this
siren." She clung to Madie. The song finished, and Will turned round.

"Take it calmly, Miss Gall," he said. "I hope you're not hit too badly."

"Oh—how can you say 'take it calmly'—how can the savage beast be
calm!"

"I'm sorry for you," said Will.

"You are the cause of my trouble, dear boy," replied Alice.

"I never thought you'd come," said Madie.

"Skimmed here like an Indian 'brra-ave,'" said Will. "Like Hiawatha
towards Minnehaha. I knew you were coming."

"You know," simpered Madie, "It gave me quite a flutter when I heard the
piano. It is a year since I saw you. How did you get here?"

"I came on snow-shoes," said he. "Real Indian,—came from
Canada—they're just ripping."

"Oh—Aw-w _do_ go and put them on and show us—_do!—do_ perform for us,
Billy dear!" cried Alice.

"Out in the cold and driving sleet—no fear," said he, and he turned to
talk to Madie. Alice sat chatting with mother. Soon Tom Smith came, and
took a seat next to Marie; and sat quietly looking over his spectacles
with his sharp brown eyes, full of scorn for William, full of misgiving
for Leslie and Lettie.

Shortly after, George and Emily came in. They were rather nervous. When
they had changed their clogs, and Emily had taken off her brown-paper
leggings, and he his leather ones, they were not anxious to go into the
drawing room. I was surprised—and so was Emily—to see that he had put
on dancing shoes.

Emily, ruddy from the cold air, was wearing a wine coloured dress, which
suited her luxurious beauty. George's clothes were well made—it was a
point on which he was particular, being somewhat self-conscious. He wore
a jacket and a dark bow. The other men were in evening dress.

We took them into the drawing-room, where the lamp was not lighted, and
the glow of the fire was becoming evident in the dusk. We had taken up
the carpet—the floor was all polished—and some of the furniture was
taken away—so that the room looked large and ample.

There was general hand shaking, and the newcomers were seated near the
fire. First mother talked to them—then the candles were lighted at the
piano, and Will played to us. He is an exquisite pianist, full of
refinement and poetry. It is astonishing, and it is a fact. Mother went
out to attend to the tea, and after a while, Lettie crossed over to
Emily and George, and, drawing up a low chair, sat down to talk to them.
Leslie stood in the window bay, looking out on the lawn where the snow
grew bluer and bluer and the sky almost purple.

Lettie put her hands on Emily's lap, and said softly, "Look—do you like
it?"

"What! engaged? exclaimed Emily.

"I am of age, you see," said Lettie.

"It is a beauty, isn't it. Let me try it on, will you? Yes, I've never
had a ring. There, it won't go over my knuckle—no—I thought not.
Aren't my hands red?—it's the cold—yes, it's too small for me. I do
like it."

George sat watching the play of the four hands in his sister's lap, two
hands moving so white and fascinating in the twilight, the other two
rather red, with rather large bones, looking so nervous, almost
hysterical. The ring played between the four hands, giving an occasional
flash from the twilight or candlelight.

"You must congratulate me," she said, in a very low voice, and two of us
knew she spoke to him.

"As, yes," said Emily, "I do."

"And you?" she said, turning to him who was silent.

"What do you want me to say?" he asked.

"Say what you like."

"Sometime, when I've thought about it."

"Cold dinners!" laughed Lettie, awaking Alice's old sarcasm at his
slowness.

"What?" he exclaimed, looking up suddenly at her taunt. She knew she was
playing false; she put the ring on her finger and went across the room
to Leslie, laying her arm over his shoulder, and leaning her head
against him, murmuring softly to him. He, poor fellow, was delighted
with her, for she did not display her fondness often.

We went in to tea. The yellow shaded lamp shone softly over the table,
where Christmas roses spread wide open among some dark-coloured leaves;
where the china and silver and the coloured dishes shone delightfully.
We were all very gay and bright; who could be otherwise, seated round a
well-laid table, with young company, and the snow outside. George felt
awkward when he noticed his hands over the table, but for the rest, we
enjoyed ourselves exceedingly.

The conversation veered inevitably to marriage.

"But what have you to say about it, Mr. Smith?" asked little Marie.

"Nothing yet," replied he in his peculiar grating voice. "My marriage is
in the unanalysed solution of the future—when I've done the analysis
I'll tell you."

"But what do you think about it—?"

"Do you remember Lettie," said Will Bancroft, "that little red-haired
girl who was in our year at college? She has just married old Craven out
of Physic's department."

"I wish her joy of it!" said Lettie; "wasn't she an old flame of yours?"

"Among the rest," he replied smiling. "Don't you remember you were one
of them; you had your day."

"What a joke that was!" exclaimed Lettie, "we used to go in the
arboretum at dinner-time. You lasted half one autumn. Do you remember
when we gave a concert, you and I, and Frank Wishaw, in the small
lecture theatre?"

"When the Prinny was such an old buck, flattering you," continued Will.
"And that night Wishaw took you to the station—sent old Gettim for a
cab and saw you in, large as life—never was such a thing before. Old
Wishaw won you with that cab, didn't he?"

"Oh, how I swelled!" cried Lettie. "There were you all at the top of the
steps gazing with admiration! But Frank Wishaw was not a nice fellow,
though he played the violin beautifully. I never liked his eyes—"

"No," added Will. "He didn't last long, did he?—though long enough to
oust me. We had a giddy ripping time in Coll., didn't we?"

"It was not bad," said Lettie. "Rather foolish. I'm afraid I wasted my
three years."

"I think," said Leslie, smiling, "you improved the shining hours to
great purpose."

It pleased him to think what a flirt she had been, since the flirting
had been harmless, and only added to the glory of his final conquest.
George felt very much left out during these reminiscences.



When we had finished tea, we adjourned to the drawing-room. It was in
darkness, save for the fire light. The mistletoe had been discovered,
and was being appreciated.

"Georgie, Sybil, Sybil, Georgie, come and kiss me," cried Alice.

Will went forward to do her the honour. She ran to me, saying, "Get
away, you fat fool—keep on your own preserves. Now Georgie dear, come
and kiss me, 'cause you haven't got nobody else but me, no y' ave n't.
Do you want to run away, like Georgy-Porgy apple-pie? Shan't cry, sure I
shan't, if you are ugly."

She took him and kissed him on either cheek, saying softly, "You shan't
be so serious, old boy—buck up, there's a good fellow."

We lighted the lamp, and charades were proposed, Leslie and Lettie, Will
and Madie and Alice went out to play. The first scene was an elopement
to Gretna Green—with Alice a maid servant, a part that she played
wonderfully well as a caricature. It was very noisy, and extremely
funny. Leslie was in high spirits. It was remarkable to observe that, as
he became more animated, more abundantly energetic, Lettie became
quieter. The second scene, which they were playing as excited melodrama,
she turned into small tragedy with her bitterness. They went out, and
Lettie blew us kisses from the doorway.

"Doesn't she act well?" exclaimed Marie, speaking to Tom.

"Quite realistic," said he.

"She could always play a part well," said mother.

"I should think," said Emily, "she could take a role in life and play up
to it."

"I believe she could," mother answered, "there would only be intervals
when she would see herself in a mirror acting."

"And what then?" said Marie.

"She would feel desperate, and wait till the fit passed off," replied my
mother, smiling significantly.

The players came in again. Lettie kept her part subordinate. Leslie
played with brilliance; it was rather startling how he excelled. The
applause was loud—but we could not guess the word. Then they laughed,
and told us. We clamoured for more.

"Do go, dear," said Lettie to Leslie, "and I will be helping to arrange
the room for the dances. I want to watch you—I am rather tired—it is
so exciting—Emily will take my place."

They went. Marie and Tom, and Mother and I played bridge in one corner.
Lettie said she wanted to show George some new pictures, and they bent
over a portfolio for some time. Then she bade him help her to clear the
room for the dances.

"Well, you have had time to think," she said to him.

"A short time," he replied. "What shall I say?"

"Tell me what you've been thinking."

"Well—about you——" he answered, smiling foolishly.

"What about me?" she asked, venturesome.

"About you, how you were at college," he replied.

"Oh! I had a good time. I had plenty of boys. I liked them all, till I
found there was nothing in them; then they tired me."

"Poor boys!" he said laughing. "Were they all alike?"

"All alike," she replied, "and they are still."

"Pity," he said, smiling. "It's hard lines on you."

"Why?" she asked.

"It leaves you nobody to care for——" he replied.

"How very sarcastic you are. You make one reservation."

"Do I?" he answered, smiling. "But you fire sharp into the air, and then
say we're all blank cartridges—except one, of course."

"You?" she queried, ironically—"oh, you would forever hang fire."

"'Cold dinners!'" he quoted in bitterness. "But you knew I loved you.
You knew well enough."

"Past tense," she replied, "thanks—make it perfect next time."

"It's you who hang fire—it's you who make me," he said.

"And so from the retort circumstantial to the retort direct,'" she
replied, smiling.

"You see—you put me off," he insisted, growing excited. For reply, she
held out her hand and showed him the ring. She smiled very quietly. He
stared at her with darkening anger.

"Will you gather the rugs and stools together, and put them in that
corner?" she said.

He turned away to do so, but he looked back again, and said, in low,
passionate tones:

"You never counted me. I was a figure naught in the counting all along."

"See—there is a chair that will be in the way," she replied calmly; but
she flushed, and bowed her head. She turned away, and he dragged an
armful of rugs into a corner.

When the actors came in, Lettie was moving a vase of flowers. While they
played, she sat looking on, smiling, clapping her hands. When it was
finished Leslie came and whispered to her, whereon she kissed him
unobserved, delighting and exhilarating him more than ever. Then they
went out to prepare the next act.

George did not return to her till she called him to help her. Her colour
was high in her cheeks.

"How do you know you did not count?" she said nervously, unable to
resist the temptation to play this forbidden game.

He laughed, and for a moment could not find any reply.

"I do!" he said. "You knew you could have me any day, so you didn't
care."

"Then we're behaving in quite the traditional fashion," she answered
with irony.

"But you know," he said, "you began it. You played with me, and showed
me heaps of things—and those mornings—when I was binding corn, and
when I was gathering the apples, and when I was finishing the
straw-stack—you came then—I can never forget those mornings—things
will never be the same—You have awakened my life—I imagine things that
I couldn't have done."

"Ah!—I am very sorry, I am so sorry."

"Don't be!—don't say so. But what of me?"

"What?" she asked rather startled. He smiled again; he felt the
situation, and was a trifle dramatic, though deadly in earnest.

"Well," said he, "you start me off—then leave me at a loose end. What
am I going to do?"

"You are a man," she replied.

He laughed. "What does that mean?" he said contemptuously.

"You can go on—which way you like," she answered.

"Oh, well," he said, "we'll see."

"Don't you think so?" she asked, rather anxious.

"I don't know—we'll see," he replied.

They went out with some things. In the hall, she turned to him, with a
break in her voice, saying: "Oh, I am so sorry—I am so sorry."

He said, very low and soft,—"Never mind—never mind."

She heard the laughter of those preparing the charade. She drew away and
went in the drawing room, saying aloud:

"Now I think everything is ready—we can sit down now."

After the actors had played the last charade, Leslie came and claimed
her.

"Now, Madam—are you glad to have me back?"

"That I am," she said. "Don't leave me again, will you?"

"I won't," he replied, drawing her beside him. "I have left my
handkerchief in the dining-room," he continued; and they went out
together.

Mother gave me permission for the men to smoke.

"You know," said Marie to Tom, "I am surprised that a scientist should
smoke. Isn't it a waste of time?"

"Come and light me," he said.

"Nay," she replied, "let science light you."

"Science does—Ah, but science is nothing without a girl to set it
going—Yes—Come on—now, don't burn my precious nose."

"Poor George!" cried Alice. "Does he want a ministering angel?"

He was half lying in a big arm chair.

"I do," he replied. "Come on, be my box of soothing ointment. My matches
are all loose."

"I'll strike it on my heel, eh? Now, rouse up, or I shall have to sit on
your knee to reach you."

"Poor dear—he shall beluxurious," and the dauntless girl perched on his
knee.

"What if I singe your whiskers—would you send an Armada?
Aw—aw—pretty!—You do look sweet—doesn't he suck prettily?"

"Do you envy me?" he asked, smiling whimsically.

"Ra—ther!"

"Shame to debar you," he said, almost with tenderness.

"Smoke with me."

He offered her the cigarette from his lips. She was surprised, and
exceedingly excited by his tender tone. She took the cigarette.

"I'll make a heifer—like Mrs. Daws," she said.

"Don't call yourself a cow," he said.

"Nasty thing—let me go," she exclaimed.

"No—you fit me—don't go," he replied, holding her.

"Then you must have growed. Oh—what great hands—let go. Lettie, come
and pinch him."

"What's the matter?" asked my sister.

"He won't let me go."

"He'll be tired first," Lettie answered.

Alice was released, but she did not move. She sat with wrinkled forehead
trying his cigarette. She blew out little tiny whiffs of smoke, and
thought about it; she sent a small puff down her nostrils, and rubbed
her nose.

"It's not as nice as it looks," she said.

He laughed at her with masculine indulgence.

"Pretty boy," she said, stroking his chin.

"Am I?" he murmured languidly.

"Cheek!" she cried, and she boxed his ears. Then "Oh, pore fing!" she
said, and kissed him.

She turned round to wink at my mother and at Lettie. She found the
latter sitting in the old position with Leslie, two in a chair. He was
toying with her arm; holding it and stroking it.

"Isn't it lovely?" he said, kissing the forearm, "so warm and yet so
white. Io—it reminds one of Io."

"Somebody else talking about heifers," murmured Alice to George.

"Can you remember," said Leslie, speaking low, "that man in Merimée who
wanted to bite his wife and taste her blood?"

"I do," said Lettie. "Have you a strain of wild beast too?"

"Perhaps," he laughed, "I wish these folks had gone. Your hair is all
loose in your neck—it looks lovely like that though——"

Alice, the mocker, had unbuttoned the cuff of the thick wrist that lay
idly on her knee, and had pushed his sleeve a little way.

"Ah!" she said. "What a pretty arm, brown as an overbaked loaf!"

He watched her smiling.

"Hard as a brick," she added.

"Do you like it?" he drawled.

"No," she said emphatically, in a tone that meant "yes." "It makes me
feel shivery." He smiled again.

She superposed her tiny pale, flower-like hands on his.

He lay back looking at them curiously.

"Do you feel as if your hands were full of silver?" she asked almost
wistfully, mocking.

"Better than that," he replied gently.

"And your heart full of gold?" she mocked.

"Of hell!" he replied briefly.

Alice looked at him searchingly.

"And am I like a blue-bottle buzzing in your window to keep your
company?" she asked.

He laughed.

"Good-bye," she said, slipping down and leaving him.

"Don't go," he said—but too late.

The irruption of Alice into the quiet, sentimental party was like taking
a bright light into a sleeping hen-roost. Everybody jumped up and wanted
to do something. They cried out for a dance.

"Emily—play a waltz—you won't mind, will you, George? What! You don't
dance, Tom? Oh, Marie!"

"I don't mind, Lettie," protested Marie.

"Dance with me, Alice," said George, smiling "and Cyril will take Miss
Tempest."

"Glory!—come on—do or die!" said Alice.

We began to dance. I saw Lettie watching, and I looked round. George was
waltzing with Alice, dancing passably, laughing at her remarks. Lettie
was not listening to what her lover was saying to her; she was watching
the laughing pair. At the end she went to George.

"Why!" she said, "You can——"

"Did you think I couldn't?" he said. "You are pledged for a minuet and a
valeta with me—you remember?"

"Yes."

"You promise?"

"Yes. But——"

"I went to Nottingham and learned."

"Why—because?—Very well, Leslie, a mazurka. Will you play it,
Emily—Yes, it is quite easy. Tom, you look quite happy talking to the
Mater."

We danced the mazurka with the same partners. He did it better than I
expected—without much awkwardness—but stiffly. However, he moved
quietly through the dance, laughing and talking abstractedly all the
time with Alice.

Then Lettie cried a change of partners, and they took their valeta.
There was a little triumph in his smile.

"Do you congratulate me?" he said.

"I am surprised," she answered.

"So am I. But I congratulate myself."

"Do you? Well, so do I."

"Thanks! You're beginning at last."

"What?" she asked.

"To believe in me."

"Don't begin to talk again," she pleaded sadly, "nothing vital."

"Do you like dancing with me?" he asked

"Now, be quiet—_that's_ real," she replied.

"By Heaven, Lettie, you make me laugh!"

"Do I?" she said—"What if you married Alice—soon."

"I—Alice!—Lettie!! Besides, I've only a hundred pounds in the world,
and no prospects whatever. That's why—well—I shan't marry
anybody—unless its somebody with money."

"I've a couple of thousand or so of my own——"

"Have you? It would have done nicely," he said smiling.

"You are different to-night," she said, leaning on him.

"Am I?" he replied—"It's because things are altered too. They're
settled one way now—for the present at least."

"Don't forget the two steps this time," said she smiling, and adding
seriously, "You see, I couldn't help it."

"No, why not?"

"Things! I have been brought up to expect it—everybody expected it—and
you're bound to do what people expect you to do—you can't help it. We
can't help ourselves, we're all chess-men," she said.

"Ay," he agreed, but doubtfully.

"I wonder where it will end," she said.

"Lettie!" he cried, and his hand closed in a grip on her's.

"Don't—don't say anything—it's no good now, it's too late. It's done;
and what is done, is done. If you talk any more, I shall say I'm tired
and stop the dance. Don't say another word."

He did not—at least to her. Their dance came to an end. Then he took
Marie who talked winsomely to him. As he waltzed with Marie he regained
his animated spirits. He was very lively the rest of the evening, quite
astonishing and reckless. At supper he ate everything, and drank much
wine.

"Have some more turkey, Mr. Saxton."

"Thanks—but give me some of that stuff in brown jelly, will you? It's
new to me."

"Have some of this trifle, Georgie?"

"I will—you are a jewel."

"So will you be—a yellow topaz tomorrow!"

"Ah! tomorrow's tomorrow!"

After supper was over, Alice cried:

"Georgie, dear—have you finished?—don't die the death of a king—King
John—I can't spare you, pet."

"Are you so fond of me?"

"I am—Aw! I'd throw my best Sunday hat under a milk-cart for you, I
would!"

"No; throw yourself into the milk-cart—some Sunday, when I'm driving."

"Yes—come and see us," said Emily.

"How nice! Tomorrow you won't want me, Georgie dear, so I'll come. Don't
you wish Pa would make Tono-Bungay? Wouldn't you marry me then?"

"I would," said he.

When the cart came, and Alice, Madie, Tom and Will departed, Alice bade
Lettie a long farewell—blew Georgie many kisses—promised to love him
faithful and true—and was gone.

George and Emily lingered a short time.

Now the room seemed empty and quiet, and all the laughter seemed to have
gone. The conversation dribbled away; there was an awkwardness.

"Well," said George heavily, at last. "To-day is nearly gone—it will
soon be tomorrow. I feel a bit drunk! We had a good time to-night."

"I am glad," said Lettie.

They put on their clogs and leggings, and wrapped themselves up, and
stood in the hall.

"We must go," said George, "before the clock strikes,—like
Cinderella—look at my glass slippers—" he pointed to his clogs.
"Midnight, and rags, and fleeing. Very appropriate. I shall call myself
Cinderella who wouldn't fit. I believe I'm a bit drunk—the world looks
funny."

We looked out at the haunting wanness of the hills beyond Nethermere.
"Good-bye, Lettie; good-bye."

They were out in the snow, which peered pale and eerily from the depths
of the black wood.

"Good-bye," he called out of the darkness. Leslie slammed the door, and
drew Lettie away into the drawing-room. The sound of his low, vibrating
satisfaction reached us, as he murmured to her, and laughed low. Then he
kicked the door of the room shut. Lettie began to laugh and mock and
talk in a high strained voice. The sound of their laughter mingled was
strange and incongruous. Then her voice died down.

Marie sat at the little piano—which was put in the
dining-room—strumming and tinkling the false, quavering old notes. It
was a depressing jingling in the deserted remains of the feast, but she
felt sentimental, and enjoyed it.

This was a gap between to-day and tomorrow, a dreary gap, where one sat
and looked at the dreary comedy of yesterdays, and the grey tragedies of
dawning tomorrows, vacantly, missing the poignancy of an actual to-day.

The cart returned.

"Leslie, Leslie, John is here, come along!" called Marie.

There was no answer.

"Leslie—John is waiting in the snow."

"All right."

"But you must come at once." She went to the door and spoke to him. Then
he came out looking rather sheepish, and rather angry at the
interruption. Lettie followed, tidying her hair. She did not laugh and
look confused, as most girls do on similar occasions; she seemed very
tired.

At last Leslie tore himself away, and after more returns for a farewell
kiss, mounted the carriage, which stood in a pool of yellow light,
blurred and splotched with shadows, and drove away, calling something
about tomorrow.



      PART II


      CHAPTER I

   STRANGE BLOSSOMS AND STRANGE NEW BUDDING


Winter lay a long time prostrate on the earth. The men in the mines of
Tempest, Warrall and Co. came out on strike on a question of the
rearranging of the working system down below. The distress was not
awful, for the men were on the whole wise and well-conditioned, but
there was a dejection over the face of the country-side, and some
suffered keenly. Everywhere, along the lanes and in the streets,
loitered gangs of men, unoccupied and spiritless. Week after week went
on, and the agents of the Miner's Union held great meetings, and the
ministers held prayer-meetings, but the strike continued. There was no
rest. Always the crier's bell was ringing in the street; always the
servants of the company were delivering handbills, stating the case
clearly, and always the people talked and filled the months with bitter,
and then hopeless, resenting. Schools gave breakfasts, chapels gave
soup, well-to-do people gave teas—the children enjoyed it. But we, who
knew the faces of the old men and the privations of the women, breathed
a cold, disheartening atmosphere of sorrow and trouble.

Determined poaching was carried on in the Squire's woods and warrens.
Annable defended his game heroically. One man was at home with a leg
supposed to be wounded by a fall on the slippery roads—but really, by a
man-trap in the woods. Then Annable caught two men, and they were
sentenced to two months' imprisonment.

On both the lodge gates of Highclose—on our side and on the far
Eberwich side—were posted notices that trespassers on the drive or in
the grounds would be liable to punishment. These posters were soon
mudded over, and fresh ones fixed.

The men loitering on the road by Nethermere, looked angrily at Lettie as
she passed, in her black furs which Leslie had given her, and their
remarks were pungent. She heard them, and they burned in her heart. From
my mother she inherited democratic views, which she now proceeded to
debate warmly with her lover.

Then she tried to talk to Leslie about the strike. He heard her with
mild superiority, smiled, and said she did not know. Women jumped to
conclusions at the first touch of feeling; men must look at a thing all
round, then make a decision—nothing hasty and impetuous—careful,
long-thought-out, correct decisions. Women could not be expected to
understand these things, business was not for them; in fact, their
mission was above business—etc., etc., Unfortunately Lettie was the
wrong woman to treat thus.

"So!" said she, with a quiet, hopeless tone of finality.

"There now, you understand, don't you, Minnehaha, my Laughing Water—So
laugh again, darling, and don't worry about these things. We will not
talk about them any more, eh?"

"No more."

"No more—that's right—you are as wise as an angel. Come here—pooh,
the wood is thick and lonely! Look, there is nobody in the world but us,
and you are my heaven and earth!"

"And hell?"

"Ah—if you are so cold—how cold you are!—it gives me little shivers
when you look so—and I am always hot—Lettie!"

"Well?"

"You are cruel! Kiss me—now—No, I don't want your cheek—kiss me
yourself. Why don't you say something?"

"What for? What's the use of saying anything when there's nothing
immediate to say?"

"You are offended!"

"It feels like snow to-day," she answered.

At last, however, winter began to gather her limbs, to rise, and drift
with saddened garments northward.

The strike was over. The men had compromised. It was a gentle way of
telling them they were beaten. But the strike was over.

The birds fluttered and dashed; the catkins on the hazel loosened their
winter rigidity, and swung soft tassels. All through the day sounded
long, sweet whistlings from the brushes; then later, loud, laughing
shouts of bird triumph on every hand.

I remember a day when the breast of the hills was heaving in a last
quick waking sigh, and the blue eyes of the waters opened bright. Across
the infinite skies of March great rounded masses of cloud had sailed
stately all day, domed with a white radiance, softened with faint,
fleeting shadows as if companies of angels were gently sweeping past;
adorned with resting, silken shadows like those of a full white breast.
All day the clouds had moved on to their vast destination, and I had
clung to the earth yearning and impatient. I took a brush and tried to
paint them, then I raged at myself. I wished that in all the wild valley
where cloud shadows were travelling like pilgrims, something would call
me forth from my rooted loneliness. Through all the grandeur of the
white and blue day, the poised cloud masses swung their slow flight, and
left me unnoticed.

At evening they were all gone, and the empty sky, like a blue bubble
over us, swam on its pale bright rims.

Leslie came, and asked his betrothed to go out with him, under the
darkening wonderful bubble. She bade me accompany her, and, to escape
from myself, I went.

It was warm in the shelter of the wood and in the crouching hollows of
the hills. But over the slanting shoulders of the hills the wind swept,
whipping the redness into our faces.

"Get me some of those alder catkins, Leslie," said Lettie, as we came
down to the stream.

"Yes, those, where they hang over the brook. They are ruddy like new
blood freshening under the skin. Look, tassels of crimson and gold!" She
pointed to the dusty hazel catkins mingled with the alder on her bosom.
Then she began to quote Christina Rossetti's "A Birthday."

"I'm glad you came to take me a walk," she continued—"Doesn't Strelley
Mill look pretty? Like a group of orange and scarlet fungi in a fairy
picture. Do you know, I haven't been, no, not for quite a long time.
Shall we call now?"

"The daylight will be gone if we do. It is half past five—more! I saw
him—the son—the other morning."

"Where?"

"He was carting manure—I made haste by."

"Did he speak to you—did you look at him?"

"No, he said nothing. I glanced at him—he's just the same, brick
colour—stolid. Mind that stone—it rocks. I'm glad you've got strong
boots on."

"Seeing that I usually wear them——"

She stood poised a moment on a large stone, the fresh spring brook
hastening towards her, deepening, sidling round her.

"You won't call and see them, then?" she asked.

"No. I like to hear the brook tinkling, don't you?" he replied.

"Ah, yes—it's full of music."

"Shall we go on?" he said, impatient but submissive.

"I'll catch up in a minute," said I.

I went in and found Emily putting some bread into the oven.

"Come out for a walk," said I.

"Now? Let me tell mother—I was longing——"

She ran and put on her long grey coat and her red tam-o-shanter. As we
went down the yard, George called to me.

"I'll come back," I shouted.

He came to the crew-yard gate to see us off. When we came out onto the
path, we saw Lettie standing on the top bar of the stile, balancing with
her hand on Leslie's head. She saw us, she saw George, and she waved to
us. Leslie was looking up at her anxiously. She waved again, then we
could hear her laughing, and telling him excitedly to stand still, and
steady her while she turned. She turned round, and leaped with a great
flutter, like a big bird launching, down from the top of the stile to
the ground and into his arms. Then we climbed the steep hill-side—Sunny
Bank, that had once shone yellow with wheat, and now waved black
tattered ranks of thistles where the rabbits ran. We passed the little
cottages in the hollow scooped out of the hill, and gained the highlands
that look out over Leicestershire to Charnwood on the left, and away
into the mountain knob of Derbyshire straight in front and towards the
right.

The upper road is all grassy, fallen into long disuse. It used to lead
from the Abbey to the Hall; but now it ends blindly on the hill-brow.
Half way along is the old White House farm, with its green mounting
steps mouldering outside. Ladies have mounted here and ridden towards
the Vale of Belvoir—but now a labourer holds the farm.

We came to the quarries, and looked in at the lime-kilns.

"Let us go right into the wood out of the quarry," said Leslie. "I have
not been since I was a little lad."

"It is trespassing," said Emily.

"We don't trespass," he replied grandiloquently.

So we went along by the hurrying brook, which fell over little cascades
in its haste, never looking once at the primroses that were glimmering
all along its banks. We turned aside, and climbed the hill through the
woods. Velvety green sprigs of dog-mercury were scattered on the red
soil. We came to the top of a slope, where the wood thinned. As I talked
to Emily I became dimly aware of a whiteness over the ground. She
exclaimed with surprise, and I found that I was walking, in the first
shades of twilight, over clumps of snowdrops. The hazels were thin, and
only here and there an oak tree uprose. All the ground was white with
snowdrops, like drops of manna scattered over the red earth, on the
grey-green clusters of leaves. There was a deep little dell, sharp
sloping like a cup, and white sprinkling of flowers all the way down,
with white flowers showing pale among the first inpouring of shadow at
the bottom. The earth was red and warm, pricked with the dark, succulent
green of bluebell sheaths, and embroidered with grey-green clusters of
spears, and many white flowerets. High above, above the light tracery of
hazel, the weird oaks tangled in the sunset. Below, in the first
shadows, drooped hosts of little white flowers, so silent and sad; it
seemed like a holy communion of pure wild things, numberless, frail, and
folded meekly in the evening light. Other flower companies are glad;
stately barbaric hordes of bluebells, merry-headed cowslip groups, even
light, tossing wood-anemones; but snowdrops are sad and mysterious. We
have lost their meaning. They do not belong to us, who ravish them. The
girls bent among them, touching them with their fingers, and symbolising
the yearning which I felt. Folded in the twilight, these conquered
flowerets are sad like forlorn little friends of dryads.

"What do they mean, do you think?" said Lettie in a low voice, as her
white fingers touched the flowers, and her black furs fell on them.

"There are not so many this year," said Leslie.

"They remind me of mistletoe, which is never ours, though we wear it,"
said Emily to me.

"What do you think they say—what do they make you think, Cyril?" Lettie
repeated.

"I don't know. Emily says they belong to some old wild lost religion.
They were the symbol of tears, perhaps, to some strange hearted Druid
folk before us."

"More than tears," said Lettie. "More than tears, they are so still.
Something out of an old religion, that we have lost. They make me feel
afraid."

"What should you have to fear?" asked Leslie.

"If I knew I shouldn't fear," she answered. "Look at all the
snowdrops"—they hung in dim, strange flecks among the dusky
leaves—"look at them—closed up, retreating, powerless. They belong to
some knowledge we have lost, that I have lost and that I need. I feel
afraid. They seem like something in fate. Do you think, Cyril, we can
lose things off the earth—like mastodons, and those old
monstrosities—but things that matter—wisdom?"

"It is against my creed," said I.

"I believe I have lost something," said she.

"Come," said Leslie, "don't trouble with fancies. Come with me to the
bottom of this cup, and see how strange it will be, with the sky marked
with branches like a filigree lid."

She rose and followed him down the steep side of the pit, crying, "Ah,
you are treading on the flowers."

"No," said he, "I am being very careful."

They sat down together on a fallen tree at the bottom. She leaned
forward, her fingers wandering white among the shadowed grey spaces of
leaves, plucking, as if it were a rite, flowers here and there. He could
not see her face.

"Don't you care for me?" he asked softly.

"You?"—she sat up and looked at him, and laughed strangely. "You do not
seem real to me," she replied, in a strange voice.

For some time they sat thus, both bowed and silent. Birds "skirred" off
from the bushes, and Emily looked up with a great start as a quiet,
sardonic voice said above us:

"A dove-cot, my eyes if it ain't! It struck me I 'eered a cooin', an'
'ere's th' birds. Come on, sweethearts, it's th' wrong place for billin'
an' cooin', in th' middle o' these 'ere snowdrops. Let's 'ave yer names,
come on."

"Clear off, you fool!" answered Leslie from below, jumping up in anger.

We all four turned and looked at the keeper. He stood in the rim of
light, darkly; fine, powerful form, menacing us. He did not move, but
like some malicious Pan looked down on us and said:

"Very pretty—pretty! Two—and two makes four. 'Tis true, two and two
makes four. Come on, come on out o' this 'ere bridal bed, an' let's 'ave
a look at yer."

"Can't you use your eyes, you fool," replied Leslie, standing up and
helping Lettie with her furs. "At any rate you can see there are ladies
here."

"Very sorry, Sir! You can't tell a lady from a woman at this distance at
dusk. Who may you be, Sir?"

"Clear out! Come along, Lettie, you can't stay here now."

They climbed into the light.

"Oh, very sorry, Mr. Tempest—when yer look down on a man he never looks
the same. I thought it was some young fools come here dallyin'—"

"Damn you—shut up!" exclaimed Leslie—"I beg your pardon, Lettie. Will
you have my arm?"

They looked very elegant, the pair of them. Lettie was wearing a long
coat which fitted close; she had a small hat whose feathers flushed
straight back with her hair.

The keeper looked at them. Then, smiling, he went down the dell with
great strides, and returned, saying, "Well, the lady might as well take
her gloves."

She took them from him, shrinking to Leslie. Then she started, and said:

"Let me fetch my flowers."

She ran for the handful of snowdrops that lay among the roots of the
trees. We all watched her.

"Sorry I made such a mistake—a lady!" said Annable. "But I've nearly
forgot the sight o' one—save the squire's daughters, who are never out
o' nights."

"I should think you never have seen many—unless—! Have you ever been a
groom?"

"No groom but a bridegroom, Sir, and then I think I'd rather groom a
horse than a lady, for I got well bit—if you will excuse me, Sir."

"And you deserved it—no doubt."

"I got it—an' I wish you better luck, Sir. One's more a man here in th'
wood, though, than in my lady's parlour, it strikes me."

"A lady's parlour!" laughed Leslie, indulgent in his amusement at the
facetious keeper.

"Oh, yes! 'Will you walk into my parlour——'"

"You're very smart for a keeper."

"Oh, yes Sir—I was once a lady's man. But I'd rather watch th' rabbits
an' th' birds; an' it's easier breeding brats in th' Kennels than in th'
town."

"They are yours, are they?" said I.

"You know 'em, do you, Sir? Aren't they a lovely little litter?—aren't
they a pretty bag o' ferrets?—natural as weasels—that's what I said
they should be—bred up like a bunch o' young foxes, to run as they
would."

Emily had joined Lettie, and they kept aloof from the man they
instinctively hated.

"They'll get nicely trapped, one of these days," said I.

"They're natural—they can fend for themselves like wild beasts do," he
replied, grinning.

"You are not doing your duty, it strikes me," put in Leslie
sententiously.

The man laughed.

"Duties of parents!—tell me, I've need of it. I've nine—that is eight,
and one not far off. She breeds well, the ow'd lass—one every two
years—nine in fourteen years—done well, hasn't she?"

"You've done pretty badly, I think."

"I—why? It's natural! When a man's more than nature he's a devil. Be a
good animal, says I, whether it's man or woman. You, Sir, a good natural
male animal; the lady there—a female un—that's proper as long as yer
enjoy it."

"And what then?"

"Do as th' animals do. I watch my brats—I let 'em grow. They're
beauties, they are—sound as a young ash pole, every one. They shan't
learn to dirty themselves wi' smirking deviltry—not if I can help it.
They can be like birds, or weasels, or vipers, or squirrels, so long as
they ain't human rot, that's what I say."

"It's one way of looking at things," said Leslie.

"Ay. Look at the women looking at us. I'm something between a bull and a
couple of worms stuck together, I am. See that spink!" he raised his
voice for the girls to hear. "Pretty, isn't he? What for?—And what for
do you wear a fancy vest and twist your moustache, Sir! What for, at the
bottom! Ha—tell a woman not to come in a wood till she can look at
natural things—she might see something—Good night, Sir."

He marched off into the darkness.

"Coarse fellow, that," said Leslie when he had rejoined Lettie, "but
he's a character."

"He makes you shudder," she replied. "But yet you are interested in him.
I believe he has a history."

"He seems to lack something," said Emily.

"I thought him rather a fine fellow," said I.

"Splendidly built fellow, but callous—no soul," remarked Leslie,
dismissing the question.

"No," assented Emily. "No soul—and among the snowdrops."

Lettie was thoughtful, and I smiled.

It was a beautiful evening, still, with red, shaken clouds in the west.
The moon in heaven was turning wistfully back to the east. Dark purple
woods lay around us, painting out the distance. The near, wild, ruined
land looked sad and strange under the pale afterglow. The turf path was
fine and springy.

"Let us run!" said Lettie, and joining hands we raced wildly along, with
a flutter and a breathless laughter, till we were happy and forgetful.
When we stopped we exclaimed at once, "Hark!"

"A child!" said Lettie.

"At the Kennels," said I.

We hurried forward. From the house came the mad yelling and yelping of
children, and the wild hysterical shouting of a woman.

"Tha' little devil—tha' little devil—tha' shanna—that tha' shanna!"
and this was accompanied by the hollow sound of blows, and a pandemonium
of howling. We rushed in, and found the woman in a tousled frenzy
belabouring a youngster with an enamelled pan. The lad was rolled up
like a young hedgehog—the woman held him by the foot, and like a flail
came the hollow utensil thudding on his shoulders and back. He lay in
the firelight and howled, while scattered in various groups, with the
leaping firelight twinkling over their tears and their open mouths, were
the other children, crying too. The mother was in a state of hysteria;
her hair streamed over her face, and her eyes were fixed in a stare of
overwrought irritation. Up and down went her long arm like a windmill
sail. I ran and held it. When she could hit no more, the woman dropped
the pan from her nerveless hand, and staggered, trembling, to the squab.
She looked desperately weary and fordone—she clasped and unclasped her
hands continually. Emily hushed the children, while Lettie hushed the
mother, holding her hard, cracked hands as she swayed to and fro.
Gradually the mother became still, and sat staring in front of her; then
aimlessly she began to finger the jewels on Lettie's finger.

Emily was bathing the cheek of a little girl, who lifted up her voice
and wept loudly when she saw the speck of blood on the cloth. But
presently she became quiet too, and Emily could empty the water from the
late instrument of castigation, and at last light the lamp.

I found Sam under the table in a little heap. I put out my hand for him,
and he wriggled away, like a lizard, into the passage. After a while I
saw him in a corner, lying whimpering with little savage cries of pain.
I cut off his retreat and captured him, bearing him struggling into the
kitchen. Then, weary with pain, he became passive.

We undressed him, and found his beautiful white body all discoloured
with bruises. The mother began to sob again, with a chorus of babies.
The girls tried to soothe the weeping, while I rubbed butter into the
silent, wincing boy. Then his mother caught him in her arms, and kissed
him passionately, and cried with abandon. The boy let himself be
kissed—then he too began to sob, till his little body was all shaken.
They folded themselves together, the poor dishevelled mother and the
half-naked boy, and wept themselves still. Then she took him to bed, and
the girls helped the other little ones into their nightgowns, and soon
the house was still.

"I canna manage 'em, I canna," said the mother mournfully. "They growin'
beyont me—I dunna know what to do wi' 'em. An' niver a 'and does 'e
lift ter 'elp me—no—'e cares not a thing for me—not a thing—nowt but
makes a mock an' a sludge o' me."

"Ah, baby!" said Lettie, setting the bonny boy on his feet, and holding
up his trailing nightgown behind him, "do you want to walk to your
mother—go then—Ah!"

The child, a handsome little fellow of some sixteen months, toddled
across to his mother, waving his hands as he went, and laughing, while
his large hazel eyes glowed with pleasure. His mother caught him, pushed
the silken brown hair back from his forehead, and laid his cheek against
hers.

"Ah!" she said, "Tha's got a funny Dad, tha' has, not like another man,
no, my duckie. 'E's got no 'art ter care for nobody, 'e 'asna, ma
pigeon—no,—lives like a stranger to his own flesh an' blood."

The girl with the wounded cheek had found comfort in Leslie. She was
seated on his knee, looking at him with solemn blue eyes, her solemnity
increased by the quaint round head, whose black hair was cut short.

"'S my chalk, yes it is, 'n our Sam says as it's 'issen, an' 'e ta'es it
and marks it all gone, so I wouldna gie 't 'im,"—she clutched in her
fat little hand a piece of red chalk. "My Dad gen it me, ter mark my
dolly's face red, what's on'y wood—I'll show yer."

She wriggled down, and holding up her trailing gown with one hand,
trotted to a corner piled with a child's rubbish, and hauled out a
hideous carven caricature of a woman, and brought it to Leslie. The face
of the object was streaked with red.

"'Ere sh' is, my dolly, what my Dad make me—'er name's Lady Mima."

"Is it?" said Lettie, "and are these her cheeks? She's not pretty, is
she?"

"Um—sh' is. My Dad says sh' is—like a lady."

"And he gave you her rouge, did he?"

"Rouge!" she nodded.

"And you wouldn't let Sam have it?"

"No—an' mi mower says, Dun gie 't 'im'—'n 'e bite me."

"What will your father say?"

"Me Dad?"

"'E'd nobbut laugh," put in the mother, "an' say as a bite's bett'r'n a
kiss."

"Brute!" said Leslie feelingly.

"No, but 'e never laid a finger on 'em—nor me neither. But 'e's not
like another man—niver tells yer nowt. He's more a stranger to me this
day than 'e wor th' day I first set eyes on 'im."

"Where was that?" asked Lettie.

"When I wor a lass at th' 'All—an' 'im a new man come—fair a
gentleman, an' a, an' a! An even now can read an' talk like a
gentleman—but 'e tells me nothing—Oh no—what am I in 'is eyes but a
sludge bump?—'e's above me, 'e is, an' above 'is own childer. God
a-mercy, 'e 'll be in in a minute. Come on 'ere!"

She hustled the children to bed, swept the litter into a corner, and
began to lay the table. The cloth was spotless, and she put him a silver
spoon in the saucer.

We had only just got out of the house when he drew near. I saw his
massive figure in the doorway, and the big, prolific woman moved
subserviently about the room.

"Hullo, Proserpine—had visitors?"

"I never axed 'em—they come in 'earin' th' childer cryin'. I never
encouraged 'em——"

We hurried away into the night. "Ah, it's always the woman bears the
burden," said Lettie bitterly.

"If he'd helped her—wouldn't she have been a fine woman now—splendid?
But she's dragged to bits. Men are brutes—and marriage just gives scope
to them," said Emily.

"Oh, you wouldn't take that as a fair sample of marriage," replied
Leslie. "Think of you and me, Minnehaha."

"Ay."

"Oh—I meant to tell you—what do you think of Greymede old vicarage for
us?"

"It's a lovely old place!" exclaimed Lettie, and we passed out of
hearing.

We stumbled over the rough path. The moon was bright, and we stepped
apprehensively on the shadows thrown from the trees, for they lay so
black and substantial. Occasionally a moonbeam would trace out a suave
white branch that the rabbits had gnawed quite bare in the hard winter.
We came out of the woods into the full heavens. The northern sky was
full of a gush of green light; in front, eclipsed Orion leaned over his
bed, and the moon followed.

"When the northern lights are up," said Emily, "I feel so strange—half
eerie—they do fill you with awe, don't they?"

"Yes," said I, "they make you wonder, and look, and expect something."

"What do you expect?" she said softly, and looked up, and saw me
smiling, and she looked down again, biting her lips.

When we came to the parting of the roads, Emily begged them just to step
into the mill—just for a moment—and Lettie consented.

The kitchen window was uncurtained, and the blind, as usual, was not
drawn. We peeped in through the cords of budding honeysuckle. George and
Alice were sitting at the table playing chess; the mother was mending a
coat, and the father, as usual, was reading. Alice was talking quietly,
and George was bent on the game. His arms lay on the table.

We made a noise at the door, and entered. George rose heavily, shook
hands, and sat down again.

"Hullo, Lettie Beardsall, you are a stranger," said Alice. "Are you _so_
much engaged?"

"Ay—we don't see much of her nowadays," added the father in his jovial
way.

"And isn't she a toff, in her fine hat and furs and snowdrops. Look at
her, George, you've never looked to see what a toff she is."

He raised his eyes, and looked at her apparel and at her flowers, but
not at her face:

"Ay, she is fine," he said, and returned to the chess.

"We have been gathering snowdrops," said Lettie, fingering the flowers
in her bosom.

"They are pretty—give me some, will you?" said Alice, holding out her
hand. Lettie gave her the flowers.

"Check!" said George deliberately.

"Get out!" replied his opponent, "I've got some snowdrops—don't they
suit me, an innocent little soul like me? Lettie won't wear them—she's
not meek and mild and innocent like me. Do you want some?"

"If you like—what for?"

"To make you pretty, of course, and to show you an innocent little
meekling."

"You're in check," he said.

"Where can you wear them?—there's only your shirt. Aw!—there!"—she
stuck a few flowers in his ruffled black hair—"Look, Lettie, isn't he
sweet?"

Lettie laughed with a strained little laugh:

"He's like Bottom and the ass's head," she said.

"Then I'm Titania—don't I make a lovely fairy queen, Bully Bottom?—and
who's jealous Oberon?"

"He reminds me of that man in Hedda Gabler—crowned with vine
leaves—oh, yes, vine leaves," said Emily.

"How's your mare's sprain, Mr. Tempest?" George asked, taking no notice
of the flowers in his hair.

"Oh—she'll soon be all right, thanks."

"Ah—George told me about it," put in the father, and he held Leslie in
conversation.

"Am I in check, George?" said Alice, returning to the game. She knitted
her brows and cogitated:

"Pooh!" she said, "that's soon remedied!"—she moved her piece, and said
triumphantly, "Now, Sir!"

He surveyed the game, and, with deliberation moved. Alice pounced on
him; with a leap of her knight she called "check!"

"I didn't see it—you may have the game now," he said.

"Beaten, my boy!—don't crow over a woman any more. Stale-mate—with
flowers in your hair!"

He put his hand to his head, and felt among his hair, and threw the
flowers on the table.

"Would you believe it——!" said the mother, coming into the room from
the dairy.

"What?" we all asked.

"Nickie Ben's been and eaten the sile cloth. Yes! When I went to wash
it, there sat Nickie Ben gulping, and wiping the froth off his
whiskers."

George laughed loudly and heartily. He laughed till he was tired. Lettie
looked and wondered when he would be done.

"I imagined," he gasped, "how he'd feel with half a yard of muslin
creeping down his throttle."

This laughter was most incongruous. He went off into another burst.
Alice laughed too—it was easy to infect her with laughter. Then the
father began—and in walked Nickie Ben, stepping disconsolately—we all
roared again, till the rafters shook. Only Lettie looked impatiently for
the end. George swept his bare arms across the table, and the scattered
little flowers fell broken to the ground.

"Oh—what a shame!" exclaimed Lettie.

"What?" said he, looking round. "Your flowers? Do you feel sorry for
them?—you're too tender hearted; isn't she, Cyril?"

"Always was—for dumb animals, and things," said I.

"Don't you wish you was a little dumb animal, Georgie?" said Alice.

He smiled, putting away the chess-men.

"Shall we go, dear?" said Lettie to Leslie.

"If you are ready," he replied, rising with alacrity.

"I am tired," she said plaintively.

He attended to her with little tender solicitations.

"Have we walked too far?" he asked.

"No, it's not that. No—it's the snowdrops, and the man, and the
children—and everything. I feel just a bit exhausted."

She kissed Alice, and Emily, and the mother.

"Good-night, Alice," she said. "It's not altogether my fault we're
strangers. You know—really—I'm just the same—really. Only you
imagine, and then what can I do?"

She said farewell to George, and looked at him through a quiver of
suppressed tears.

George was somewhat flushed with triumph over Lettie: She had gone home
with tears shaken from her eyes unknown to her lover; at the farm George
laughed with Alice.

We escorted Alice home to Eberwich—"Like a blooming little monkey
dangling from two boughs," as she put it, when we swung her along on our
arms. We laughed and said many preposterous things. George wanted to
kiss her at parting, but she tipped him under the chin and said,
"Sweet!" as one does to a canary. Then she laughed with her tongue
between her teeth, and ran indoors.

"She is a little devil," said he.

We took the long way home by Greymede, and passed the dark schools.

"Come on," said he, "let's go in the 'Ram Inn,' and have a look at my
cousin Meg."

It was half past ten when he marched me across the road and into the
sanded passage of the little inn. The place had been an important farm
in the days of George's grand-uncle, but since his decease it had
declined, under the governance of the widow and a man-of-all-work. The
old grand-aunt was propped and supported by a splendid grand-daughter.
The near kin of Meg were all in California, so she, a bonny delightful
girl of twenty-four, stayed near her grand-ma.

As we tramped grittily down the passage, the red head of Bill poked out
of the bar, and he said as he recognised George:

"Good-ev'nin'—go forward—'er's non abed yit."

We went forward, and unlatched the kitchen door. The great-aunt was
seated in her little, round-backed armchair, sipping her "night-cap."

"Well, George, my lad!" she cried, in her querulous voice. "Tha' niver
says it's thai, does ter? That's com'n for summat, for sure, else what
brings thee ter see me?"

"No," he said. "Ah'n com ter see thee, nowt else. Wheer's Meg?"

"Ah!—Ha—Ha—Ah!—Me, did ter say?—come ter see me?—Ha—wheer's
Meg!—an' who's this young gentleman?"

I was formally introduced, and shook the clammy corded hand of the old
lady.

"Tha' looks delikit," she observed, shaking her cap and its scarlet
geraniums sadly: "Cum now, sit thee down, an' dunna look so long o' th'
leg."

I sat down on the sofa, on the cushions covered with blue and red
checks. The room was very hot, and I stared about uncomfortably. The old
lady sat peering at nothing, in reverie. She was a hard-visaged,
bosomless dame, clad in thick black cloth-like armour, and wearing an
immense twisted gold brooch in the lace at her neck.

We heard heavy, quick footsteps above.

"Er's commin'," remarked the old lady, rousing from her apathy. The
footsteps came downstairs—quickly, then cautiously round the bend. Meg
appeared in the doorway. She started with surprise, saying:

"Well, I 'eered sumbody, but I never thought it was you." More colour
still flamed into her glossy cheeks, and she smiled in her fresh, frank
way. I think I have never seen a woman who had more physical charm;
there was a voluptuous fascination in her every outline and movement;
one never listened to the words that came from her lips, one watched the
ripe motion of those red fruits.

"Get 'em a drop o' whiskey, Meg—you'll 'a'e a drop?"

I declined firmly, but did not escape.

"Nay," declared the old dame. "I s'll ha'e none o' thy no's. Should ter
like it 'ot?—Say th' word, an' tha' 'as it."

I did not say the word.

"Then gi'e 'im claret," pronounced my hostess, "though it's thin-bellied
stuff ter go to ter bed on"—and claret it was.

Meg went out again to see about closing. The grand-aunt sighed, and
sighed again, for no perceptible reason but the whiskey.

"It's well you've come ter see me now," she moaned, "for you'll none
'a'e a chance next time you come'n;—No—I'm all gone but my cap——"
She shook that geraniumed erection, and I wondered what sardonic fate
left it behind.

"An' I'm forced ter say it, I s'll be thankful to be gone," she added,
after a few sighs.

This weariness of the flesh was touching. The cruel truth is, however,
that the old lady clung to life like a louse to a pig's back. Dying, she
faintly, but emphatically declared herself, "a bit better—a bit better.
I s'll be up to-morrow."

"I should a gone before now," she continued, "but for that blessed
wench—I canna abear to think o' leavin 'er—come drink up, my lad,
drink up—nay, tha' 'rt nobbut young yet, tha' 'rt none topped up wi' a
thimbleful."

I took whiskey in preference to the acrid stuff.

"Ay," resumed the grand-aunt. "I canna go in peace till 'er's
settled—an' 'er's that tickle o' choosin'. Th' right sort 'asn't th'
gumption ter ax' er."

She sniffed, and turned scornfully to her glass. George grinned and
looked conscious; as he swallowed a gulp of whiskey it crackled in his
throat. The sound annoyed the old lady.

"Tha' might be scar'd at summat," she said. "Tha' niver 'ad six drops o'
spunk in thee."

She turned again with a sniff to her glass. He frowned with irritation,
half filled his glass with liquor, and drank again.

"I dare bet as tha' niver kissed a wench in thy life—not proper"—and
she tossed the last drops of her toddy down her skinny throat.

Here Meg came along the passage.

"Come, gran'ma," she said. "I'm sure it's time as you was in bed—come
on."

"Sit thee down an' drink a drop wi's—it's not ivry night as we 'a'e
cumpny."

"No, let me take you to bed—I'm sure you must be ready."

"Sit thee down 'ere, I say, an' get thee a drop o' port. Come—no
argy-bargyin'."

Meg fetched more glasses and a decanter. I made a place for her between
me and George. We all had port wine. Meg, naïve and unconscious, waited
on us deliciously. Her cheeks gleamed like satin when she laughed, save
when the dimples held the shadow. Her suave, tawny neck was bare and
bewitching. She turned suddenly to George as he asked her a question,
and they found their faces close together. He kissed her, and when she
started back, jumped and kissed her neck with warmth.

"Là—là—dy—dà—là—dy—dà—dy—dà," cried the old woman in delight,
and she clutched her wineglass.

"Come on—chink!" she cried, "all together—chink to him!"

We four chinked and drank. George poured wine in a tumbler, and drank it
off. He was getting excited, and all the energy and passion that
normally were bound down by his caution and self-instinct began to flame
out.

"Here, aunt!" said he, lifting his tumbler, "here's to what you want—you
know!"

"I knowed tha' wor as spunky as ony on'em," she cried. "Tha' nobbut
wanted warmin' up. I'll see as you're all right. It's a bargain. Chink
again, ivrybody."

"A bargain," said he before he put his lips to the glass.

"What bargain's that?" said Meg.

The old lady laughed loudly and winked at George, who, with his lips wet
with wine, got up and kissed Meg soundly, saying:

"There it is—that seals it."

Meg wiped her face with her big pinafore, and seemed uncomfortable.

"Aren't you comin', gran'ma?" she pleaded.

"Eh, tha' wants ter 'orry me off—what's thai say, George—a deep un,
isna 'er?"

"Dunna go, Aunt, dunna be hustled off."

"Tush—Pish," snorted the old lady. "Yah, tha' 'rt a slow un, an' no
mistakes! Get a candle, Meg, I'm ready."

Meg brought a brass bedroom candlestick. Bill brought in the money in a
tin box, and delivered it into the hands of the old lady.

"Go thy ways to bed now, lad," said she to the ugly, wizened
serving-man. He sat in a corner and pulled off his boots.

"Come an' kiss me good-night, George," said the old woman—and as he did
so she whispered in his ear, whereat he laughed loudly. She poured
whiskey into her glass and called to the serving-man to drink it. Then,
pulling herself up heavily, she leaned on Meg and went upstairs. She had
been a big woman, one could see, but now her shapeless, broken figure
looked pitiful beside Meg's luxuriant form. We heard them slowly,
laboriously climb the stairs. George sat pulling his moustache and
half-smiling; his eyes were alight with that peculiar childish look they
had when he was experiencing new and doubtful sensations. Then he poured
himself more whiskey.

"I say, steady!" I admonished.

"What for!" he replied, indulging himself like a spoiled child and
laughing.

Bill, who had sat for some time looking at the hole in his stocking,
drained his glass, and with a sad "Good-night," creaked off upstairs.

Presently Meg came down, and I rose and said we must be going.

"I'll just come an' lock the door after you," said she, standing
uneasily waiting.

George got up. He gripped the edge of the table to steady himself; then
he got his balance, and, with his eyes on Meg, said:

"'Ere!" he nodded his head to her. "Come here, I want ter ax thee
sumwhat."

She looked at him, half-smiling, half doubtful. He put his arm round her
and looking down into her eyes, with his face very close to hers, said:

"Let's ha'e a kiss."

Quite unresisting she yielded him her mouth, looking at him intently
with her bright brown eyes. He kissed her, and pressed her closely to
him.

"I'm going to marry thee," he said.

"Go on!" she replied, softly, half glad, half doubtful.

"I am an' all," he repeated, pressing her more tightly to him.

I went down the passage, and stood in the open doorway looking out into
the night. It seemed a long time. Then I heard the thin voice of the old
woman at the top of the stairs:

"Meg! Meg! Send 'im off now. Come on!"

In the silence that followed there was a murmur of voices, and then they
came into the passage.

"Good-night, my lad, good luck to thee!" cried the voice like a ghoul
from upper regions.

He kissed his betrothed a rather hurried good-night at the door.

"Good-night," she replied softly, watching him retreat. Then we heard
her shoot the heavy bolts.

"You know," he began, and he tried to clear his throat. His voice was
husky and strangulated with excitement. He tried again:

"You know—she—she's a clinker."

I did not reply, but he took no notice.

"Damn!" he ejaculated. "What did I let her go for!"

We walked along in silence—his excitement abated somewhat.

"It's the way she swings her body—an' the curves as she stands. It's
when you look at her—you feel—you know."

I suppose I knew, but it was unnecessary to say so.

"You know—if ever I dream in the night—of women—you know—it's always
Meg; she seems to look so soft, and to curve her body——"

Gradually his feet began to drag. When we came to the place where the
colliery railway crossed the road, he stumbled, and pitched forward,
only just recovering himself. I took hold of his arm.

"Good Lord, Cyril, am I drunk?" he said.

"Not quite," said I.

"No," he muttered, "couldn't be."

But his feet dragged again, and he began to stagger from side to side. I
took hold of his arm. He murmured angrily—then, subsiding again,
muttered, with slovenly articulation:

"I—I feel fit to drop with sleep."

Along the dead, silent roadway, and through the uneven blackness of the
wood, we lurched and stumbled. He was very heavy and difficult to
direct. When at last we came to the brook we splashed straight through
the water. I urged him to walk steadily and quietly across the yard. He
did his best, and we made a fairly still entry into the farm. He dropped
with all his weight on the sofa, and leaning down, began to unfasten his
leggings. In the midst of his fumblings he fell asleep, and I was afraid
he would pitch forward on to his head. I took off his leggings and his
wet boots and his collar. Then, as I was pushing and shaking him awake
to get off his coat, I heard a creaking on the stairs, and my heart
sank, for I thought it was his mother. But it was Emily, in her long
white nightgown. She looked at us with great dark eyes of terror, and
whispered: "What's the matter?"

I shook my head and looked at him. His head had dropped down on his
chest again.

"Is he hurt?" she asked, her voice becoming audible, and dangerous. He
lifted his head, and looked at her with heavy, angry eyes.

"George!" she said sharply, in bewilderment and fear. His eyes seemed to
contract evilly.

"Is he drunk?" she whispered, shrinking away, and looking at me. "Have
you made him drunk—you?"

I nodded. I too was angry.

"Oh, if mother gets up! I must get him to bed! Oh, how could you!"

This sibilant whispering irritated him, and me. I tugged at his coat. He
snarled incoherently, and swore. She caught her breath. He looked at her
sharply, and I was afraid he would wake himself into a rage.

"Go upstairs!" I whispered to her. She shook her head. I could see him
taking heavy breaths, and the veins of his neck were swelling. I was
furious at her disobedience.

"Go at once," I said fiercely, and she went, still hesitating and
looking back.

I had hauled off his coat and waistcoat, so I let him sink again into
stupidity while I took off my boots. Then I got him to his feet, and,
walking behind him, impelled him slowly upstairs. I lit a candle in his
bedroom. There was no sound from the other rooms. So I undressed him,
and got him in bed at last, somehow. I covered him up and put over him
the calf-skin rug, because the night was cold. Almost immediately he
began to breathe heavily. I dragged him over to his side, and pillowed
his head comfortably. He looked like a tired boy, asleep.

I stood still, now I felt myself alone, and looked round. Up to the low
roof rose the carven pillars of dark mahogany; there was a chair by the
bed, and a little yellow chest of drawers by the windows, that was all
the furniture, save the calf-skin rug on the floor. In the drawers I
noticed a book. It was a copy of Omar Khayyam, that Lettie had given him
in her Khayyam days, a little shilling book with coloured illustrations.

I blew out the candle, when I had looked at him again. As I crept on to
the landing, Emily peeped from her room, whispering, "Is he in bed?"

I nodded, and whispered good-night. Then I went home, heavily.

After the evening at the farm, Lettie and Leslie drew closer together.
They eddied unevenly down the little stream of courtship, jostling and
drifting together and apart. He was unsatisfied and strove with every
effort to bring her close to him, submissive. Gradually she yielded, and
submitted to him. She folded round her and him the snug curtain of the
present, and they sat like children playing a game behind the hangings
of an old bed. She shut out all distant outlooks, as an Arab unfolds his
tent and conquers the mystery and space of the desert. So she lived
gleefully in a little tent of present pleasures and fancies.

Occasionally, only occasionally, she would peep from her tent into the
out space. Then she sat poring over books, and nothing would be able to
draw her away; or she sat in her room looking out of the window for
hours together. She pleaded headaches; mother said liver; he, angry like
a spoilt child denied his wish, declared it moodiness and perversity.



      CHAPTER II

   A SHADOW IN SPRING

With spring came trouble. The Saxtons declared they were being bitten
off the estate by rabbits. Suddenly, in a fit of despair, the father
bought a gun. Although he knew that the Squire would not for one moment
tolerate the shooting of that manna, the rabbits, yet he was out in the
first cold morning twilight banging away. At first he but scared the
brutes, and brought Annable on the scene; then, blooded by the use of
the weapon, he played havoc among the furry beasts, bringing home some
eight or nine couples.

George entirely approved of this measure; it rejoiced him even; yet he
had never had the initiative to begin the like himself, or even to urge
his father to it. He prophesied trouble, and possible loss of the farm.
It disturbed him somewhat, to think they must look out for another
place, but he postponed the thought of the evil day till the time should
be upon him.

A vendetta was established between the Mill and the keeper, Annable. The
latter cherished his rabbits:

"Call 'em vermin!" he said. "I only know one sort of vermin—and that's
the talkin sort." So he set himself to thwart and harass the rabbit
slayers.

It was about this time I cultivated the acquaintance of the keeper. All
the world hated him—to the people in the villages he was like a devil
of the woods. Some miners had sworn vengeance on him for having caused
their committal to gaol. But he had a great attraction for me; his
magnificent physique, his great vigour and vitality, and his swarthy,
gloomy face drew me.

He was a man of one idea:—that all civilisation was the painted fungus
of rottenness. He hated any sign of culture. I won his respect one
afternoon when he found me trespassing in the woods because I was
watching some maggots at work in a dead rabbit. That led us to a
discussion of life. He was a thorough materialist—he scorned religion
and all mysticism. He spent his days sleeping, making intricate traps
for weasels and men, putting together a gun, or doing some amateur
forestry, cutting down timber, splitting it in logs for use in the hall,
and planting young trees. When he thought, he reflected on the decay of
mankind—the decline of the human race into folly and weakness and
rottenness. "Be a good animal, true to your animal instinct," was his
motto. With all this, he was fundamentally very unhappy—and he made me
also wretched. It was this power to communicate his unhappiness that
made me somewhat dear to him, I think. He treated me as an affectionate
father treats a delicate son; I noticed he liked to put his hand on my
shoulder or my knee as we talked; yet withal, he asked me questions, and
saved his thoughts to tell me, and believed in my knowledge like any
acolyte.

I went up to the quarry woods one evening in early April, taking a look
for Annable. I could not find him, however, in the wood. So I left the
wildlands, and went along by the old red wall of the kitchen garden,
along the main road as far as the mouldering church which stands high on
a bank by the road-side, just where the trees tunnel the darkness, and
the gloom of the highway startles the travellers at noon. Great trees
growing on the banks suddenly fold over everything at this point in the
swinging road, and in the obscurity rots the Hall church, black and
melancholy above the shrinking head of the traveller.

The grassy path to the churchyard was still clogged with decayed leaves.
The church is abandoned. As I drew near an owl floated softly out of the
black tower. Grass overgrew the threshold. I pushed open the door,
grinding back a heap of fallen plaster and rubbish and entered the
place. In the twilight the pews were leaning in ghostly disorder, the
prayer-books dragged from their ledges, scattered on the floor in the
dust and rubble, torn by mice and birds. Birds scuffled in the darkness
of the roof. I looked up. In the upward well of the tower I could see a
bell hanging. I stooped and picked up a piece of plaster from the ragged
confusion of feathers, and broken nests, and remnants of dead birds. Up
into the vault overhead I tossed pieces of plaster until one hit the
bell, and it "tonged" out its faint remonstrance. There was a rustle of
many birds like spirits. I sounded the bell again, and dark forms moved
with cries of alarm overhead, and something fell heavily. I shivered in
the dark, evil-smelling place, and hurried to get out of doors. I
clutched my hands with relief and pleasure when I saw the sky above me
quivering with the last crystal lights, and the lowest red of sunset
behind the yew-boles. I drank the fresh air, that sparkled with the
sound of the blackbirds and thrushes whistling their strong bright
notes.

I strayed round to where the headstones, from their eminence leaned to
look on the Hall below, where great windows shone yellow light on to the
flagged court-yard, and the little fish pool. A stone staircase
descended from the graveyard to the court, between stone balustrades
whose pock-marked grey columns still swelled gracefully and with
dignity, encrusted with lichens. The staircase was filled with ivy and
rambling roses—impassable. Ferns were unrolling round the big square
halting place, half way down where the stairs turned.

A peacock, startled from the back premises of the Hall, came flapping up
the terraces to the churchyard. Then a heavy footstep crossed the flags.
It was the keeper. I whistled the whistle he knew, and he broke his way
through the vicious rose-boughs up the stairs. The peacock flapped
beyond me, on to the neck of an old bowed angel, rough and dark, an
angel which had long ceased sorrowing for the lost Lucy, and had died
also. The bird bent its voluptuous neck and peered about. Then it lifted
up its head and yelled. The sound tore the dark sanctuary of twilight.
The old grey grass seemed to stir, and I could fancy the smothered
primroses and violets beneath it waking and gasping for fear.

The keeper looked at me and smiled. He nodded his head towards the
peacock, saying:

"Hark at that damned thing!"

Again the bird lifted its crested head and gave a cry, at the same time
turning awkwardly on its ugly legs, so that it showed us the full wealth
of its tail glimmering like a stream of coloured stars over the sunken
face of the angel.

"The proud fool!—look at it! Perched on an angel, too, as if it were a
pedestal for vanity. That's the soul of a woman—or it's the devil."

He was silent for a time, and we watched the great bird moving uneasily
before us in the twilight.

"That's the very soul of a lady," he said, "the very, very soul. Damn
the thing, to perch on that old angel. I should like to wring its neck."

Again the bird screamed, and shifted awkwardly on its legs; it seemed to
stretch its beak at us in derision. Annable picked up a piece of sod and
flung it at the bird, saying:

"Get out, you screeching devil! God!" he laughed. "There must be plenty
of hearts twisting under here,"—and he stamped on a grave, "when they
hear that row."

He kicked another sod from a grave and threw at the big bird. The
peacock flapped away, over the tombs, down the terraces.

"Just look!" he said, "the miserable brute has dirtied that angel. A
woman to the end, I tell you, all vanity and screech and defilement."

He sat down on a vault and lit his pipe. But before he had smoked two
minutes, it was out again. I had not seen him in a state of perturbation
before.

"The church," said I, "is rotten. I suppose they'll stand all over the
country like this, soon—with peacocks trailing the graveyards."

"Ay," he muttered, taking no notice of me.

"This stone is cold," I said, rising.

He got up too, and stretched his arms as if he were tired. It was quite
dark, save for the waxing moon which leaned over the east.

"It is a very fine night," I said. "Don't you notice a smell of
violets?"

"Ay! The moon looks like a woman with child. I wonder what Time's got in
her belly."

"You?" I said. "You don't expect anything exciting do you?"

"Exciting!—No—about as exciting as this rotten old place—just rot
off—Oh, my God!—I'm like a good house, built and finished, and left to
tumble down again with nobody to live in it."

"Why—what's up—really?"

He laughed bitterly, saying, "Come and sit down."

He led me off to a seat by the north door, between two pews, very black
and silent. There we sat, he putting his gun carefully beside him. He
remained perfectly still, thinking.

"Whot's up?" he said at last, "Why—I'll tell you. I went to
Cambridge—my father was a big cattle dealer—he died bankrupt while I
was in college, and I never took my degree. They persuaded me to be a
parson, and a parson I was.

I went a curate to a little place in Leicestershire—a bonnie place with
not many people, and a fine old church, and a great rich parsonage. I
hadn't overmuch to do, and the rector—he was the son of an Earl—was
generous. He lent me a horse and would have me hunt like the rest. I
always think of that place with a smell of honeysuckle while the grass
is wet in the morning. It was fine, and I enjoyed myself, and did the
parish work all right. I believe I was pretty good.

A cousin of the rector's used to come in the hunting season—a Lady
Crystabel, lady in her own right. The second year I was there she came
in June. There wasn't much company, so she used to talk to me—I used to
read then—and she used to pretend to be so childish and unknowing, and
would get me telling her things, and talking to her, and I was hot on
things. We must play tennis together, and ride together, and I must row
her down the river. She said we were in the wilderness and could do as
we liked. She made me wear flannels and soft clothes. She was very fine
and frank and unconventional—ripping, I thought her. All the summer she
stopped on. I should meet her in the garden early in the morning when I
came from a swim in the river—it was cleared and deepened on
purpose—and she'd blush and make me walk with her. I can remember I
used to stand and dry myself on the bank full where she might see me—I
was mad on her—and she was madder on me.

We went to some caves in Derbyshire once, and she would wander from the
rest, and loiter, and, for a game, we played a sort of hide and seek
with the party. They thought we'd gone, and they went and locked the
door. Then she pretended to be frightened and clung to me, and said what
would they think, and hid her face in my coat. I took her and kissed
her, and we made it up properly. I found out afterwards—she actually
told me—she'd got the idea from a sloppy French novel—the Romance of A
Poor Young Man. I was the Poor Young Man.

We got married. She gave me a living she had in her parsonage, and we
went to live at her Hall. She wouldn't let me out of her sight.
Lord!—we were an infatuated couple—and she would choose to view me in
an aesthetic light. I was Greek statues for her, bless you: Croton,
Hercules, I don't know what! She had her own way too much—I let her do
as she liked with me.

Then gradually she got tired—it took her three years to be really
glutted with me. I had a physique then—for that matter I have now."

He held out his arm to me, and bade me try his muscle. I was startled.
The hard flesh almost filled his sleeve.

"Ah," he continued, "You don't know what it is to have the pride of a
body like mine. But she wouldn't have children—no, she wouldn't—said
she daren't. That was the root of the difference at first. But she
cooled down, and if you don't know the pride of my body you'd never know
my humiliation. I tried to remonstrate—and she looked simply astounded
at my cheek. I never got over that amazement.

She began to get souly. A poet got hold of her, and she began to affect
Burne-Jones—or Waterhouse—it was Waterhouse—she was a lot like one of
his women—Lady of Shalott, I believe. At any rate, she got souly, and I
was her animal—son animal—son boeuf. I put up with that for above a
year. Then I got some servants' clothes and went.

I was seen in France—then in Australia—though I never left England. I
was supposed to have died in the bush. She married a young fellow. Then
I was proved to have died, and I read a little obituary notice on myself
in a woman's paper she subscribed to. She wrote it herself—as a warning
to other young ladies of position not to be seduced by plausible "Poor
Young Men."

Now she's dead. They've got the paper—her paper—in the kitchen down
there, and it's full of photographs, even an old photo of me—"an
unfortunate misalliance." I feel, somehow, as if I were at an end too. I
thought I'd grown a solid, middle-aged-man, and here I feel sore as I
did at twenty-six, and I talk as I used to.

One thing—I have got some children, and they're of a breed as you'd not
meet anywhere. I was a good animal before everything, and I've got some
children."

He sat looking up where the big moon swam through the black branches of
the yew.

"So she's dead—your poor peacock!" I murmured.

He got up, looking always at the sky, and stretched himself again. He
was an impressive figure massed in blackness against the moonlight, with
his arms outspread.

"I suppose," he said, "it wasn't all her fault."

"A white peacock, we will say," I suggested.

He laughed.

"Go home by the top road, will you!" he said. "I believe there's
something on in the bottom wood."

"All right," I answered, with a quiver of apprehension.

"Yes, she was fair enough," he muttered.

"Ay," said I, rising. I held out my hand from the shadow. I was startled
myself by the white sympathy it seemed to express, extended towards him
in the moonlight. He gripped it, and cleaved to me for a moment, then he
was gone.

I went out of the churchyard feeling a sullen resentment against the
tousled graves that lay inanimate across my way. The air was heavy to
breathe, and fearful in the shadow of the great trees. I was glad when I
came out on the bare white road, and could see the copper lights from
the reflectors of a pony-cart's lamps, and could hear the amiable
chat-chat of the hoofs trotting towards me. I was lonely when they had
passed.

Over the hill, the big flushed face of the moon poised just above the
treetops, very majestic, and far off—yet imminent. I turned with swift
sudden friendliness to the net of elm-boughs spread over my head, dotted
with soft clusters winsomely. I jumped up and pulled the cool soft tufts
against my face for company; and as I passed, still I reached upward for
the touch of this budded gentleness of the trees. The wood breathed
fragrantly, with a subtle sympathy. The firs softened their touch to me,
and the larches woke from the barren winter-sleep, and put out velvet
fingers to caress me as I passed. Only the clean, bare branches of the
ash stood emblem of the discipline of life. I looked down on the
blackness where trees filled the quarry and the valley bottoms, and it
seemed that the world, my own home-world, was strange again.

Some four or five days after Annable had talked to me in the churchyard,
I went out to find him again. It was Sunday morning. The larch-wood was
afloat with clear, lyric green, and some primroses scattered whitely on
the edge under the fringing boughs. It was a clear morning, as when the
latent life of the world begins to vibrate afresh in the air. The smoke
from the cottage rose blue against the trees, and thick yellow against
the sky. The fire, it seemed, was only just lighted, and the wood-smoke
poured out.

Sam appeared outside the house, and looked round. Then he climbed the
water-trough for a better survey. Evidently unsatisfied, paying slight
attention to me, he jumped down and went running across the hillside to
the wood. "He is going for his father," I said to myself, and I left the
path to follow him down hill across the waste meadow, crackling the
blanched stems of last year's thistles as I went, and stumbling in
rabbit holes. He reached the wall that ran along the quarry's edge, and
was over it in a twinkling.

When I came to the place, I was somewhat nonplussed, for sheer from the
stone fence, the quarry-side dropped for some twenty or thirty feet,
piled up with unmortared stones. I looked round—there was a plain dark
thread down the hillside, which marked a path to this spot, and the wall
was scored with the marks of heavy boots. Then I looked again down the
quarry-side, and I saw—how could I have failed to see?—stones
projecting to make an uneven staircase, such as is often seen in the
Derbyshire fences. I saw this ladder was well used, so I trusted myself
to it, and scrambled down, clinging to the face of the quarry wall. Once
down, I felt pleased with myself for having discovered and used the
unknown access, and I admired the care and ingenuity of the keeper, who
had fitted and wedged the long stones into the uncertain pile.

It was warm in the quarry: there the sunshine seemed to thicken and
sweeten; there the little mounds of overgrown waste were aglow with very
early dog-violets; there the sparks were coming out on the bits of
gorse, and among the stones the colt-foot plumes were already silvery.
Here was spring sitting just awake, unloosening her glittering hair, and
opening her purple eyes.

I went across the quarry, down to where the brook ran murmuring a tale
to the primroses and the budding trees. I was startled from my wandering
among the fresh things by a faint clatter of stones.

"What's that young rascal doing?" I said to myself, setting forth to
see. I came towards the other side of the quarry: on this, the moister
side, the bushes grew up against the wall, which was higher than on the
other side, though piled the same with old dry stones. As I drew near I
could hear the scrape and rattle of stones, and the vigorous grunting of
Sam as he laboured among them. He was hidden by a great bush of sallow
catkins, all yellow, and murmuring with bees, warm with spice. When he
came in view I laughed to see him lugging and grunting among the great
pile of stones that had fallen in a mass from the quarry-side; a pile of
stones and earth and crushed vegetation. There was a great bare gap in
the quarry wall. Somehow, the lad's labouring earnestness made me
anxious, and I hurried up.

He heard me, and glancing round, his face red with exertion, eyes big
with terror, he called, commanding me:

"Pull 'em off 'im—pull 'em off!" Suddenly my heart beating in my throat
nearly suffocated me. I saw the hand of the keeper lying among the
stones. I set to tearing away the stones, and we worked for some time
without a word. Then I seized the arm of the keeper and tried to drag
him out. But I could not.

"Pull it off 'im!" whined the lad, working in a frenzy.

When we got him out I saw at once he was dead, and I sat down trembling
with exertion. There was a great smashed wound on the side of the head.
Sam put his face against his father's and snuffed round him like a dog,
to feel the life in him. The child looked at me:

"He won't get up," he said, and his little voice was hoarse with fear
and anxiety.

I shook my head. Then the boy began to whimper. He tried to close the
lips which were drawn with pain and death, leaving the teeth bare; then
his fingers hovered round the eyes, which were wide open, glazed, and I
could see he was trembling to touch them into life.

"He's not asleep," he said, "because his eyes is open—look!"

I could not bear the child's questioning terror. I took him up to carry
him away, but he struggled and fought to be free.

"Ma'e 'im get up—ma'e 'im get up," he cried in a frenzy, and I had to
let the boy go.

He ran to the dead man, calling "Feyther! Feyther!" and pulling his
shoulder; then he sat down, fascinated by the sight of the wound; he put
out his finger to touch it, and shivered.

"Come away," said I.

"Is it that?" he asked, pointing to the wound. I covered the face with a
big silk handkerchief.

"Now," said I, "he'll go to sleep if you don't touch him—so sit still
while I go and fetch somebody. Will _you_ run to the Hall?"

He shook his head. I knew he would not. So I told him again not to touch
his father, but to let him lie still till I came back. He watched me go,
but did not move from his seat on the stones beside the dead man, though
I know he was full of terror at being left alone.

I ran to the Hall—I dared not go to the Kennels. In a short time I was
back with the squire and three men. As I led the way, I saw the child
lifting a corner of the handkerchief to peep and see if the eyes were
closed in sleep. Then he heard us, and started violently. When we
removed the covering, and he saw the face unchanged in its horror, he
looked at me with a look I have never forgotten.

"A bad business—an awful business!" repeated the squire. "A bad
business. I said to him from the first that the stones might come down
when he was going up, and he said he had taken care to fix them. But you
can't be sure, you can't be certain. And he'd be about half way
up—ay—and the whole wall would come down on him. An awful business, it
is really; a terrible piece of work!"

They decided at the inquest that the death came by misadventure. But
there were vague rumours in the village that this was revenge which had
overtaken the keeper.



They decided to bury him in our churchyard at Greymede under the
beeches; the widow would have it so, and nothing might be denied her in
her state.

It was a magnificent morning in early spring when I watched among the
trees to see the procession come down the hillside. The upper air was
woven with the music of the larks, and my whole world thrilled with the
conception of summer. The young pale wind-flowers had arisen by the
wood-gale, and under the hazels, when perchance the hot sun pushed his
way, new little suns dawned, and blazed with real light. There was a
certain thrill and quickening everywhere, as a woman must feel when she
has conceived. A sallow tree in a favoured spot looked like a pale gold
cloud of summer dawn; nearer it had poised a golden, fairy busby on
every twig, and was voiced with a hum of bees, like any sacred golden
bush, uttering its gladness in the thrilling murmur of bees, and in warm
scent. Birds called and flashed on every hand; they made off exultant
with streaming strands of grass, or wisps of fleece, plunging into the
dark spaces of the wood, and out again into the blue.

A lad moved across the field from the farm below with a dog trotting
behind him,—a dog, no, a fussy, black-legged lamb trotting along on its
toes, with its tail swinging behind. They were going to the mothers on
the common, who moved like little grey clouds among the dark grose.

I cannot help forgetting, and sharing the spink's triumph, when he
flashes past with a fleece from a bramble bush. It will cover the bedded
moss, it will weave among the soft red cow-hair beautifully. It is a
prize, it is an ecstasy to have captured it at the right moment, and the
nest is nearly ready.

Ah, but the thrush is scornful, ringing out his voice from the hedge! He
sets his breast against the mud, and models it warm for the turquoise
eggs—blue, blue, bluest of eggs, which cluster so close and round
against the breast, which round up beneath the breast, nestling content.
You should see the bright ecstasy in the eyes of a nesting thrush,
because of the rounded caress of the eggs against her breast!

What a hurry the jenny wren makes—hoping I shall not see her dart into
the low bush. I have a delight in watching them against their shy little
wills. But they have all risen with a rush of wings, and are gone, the
birds. The air is brushed with agitation. There is no lark in the sky,
not one; the heaven is clear of wings or twinkling dot——.

Till the heralds come—till the heralds wave like shadows in the bright
air, crying, lamenting, fretting forever. Rising and falling and
circling round and round, the slow-waving peewits cry and complain, and
lift their broad wings in sorrow. They stoop suddenly to the ground, the
lapwings, then in another throb of anguish and protest, they swing up
again, offering a glistening white breast to the sunlight, to deny it in
black shadow, then a glisten of green, and all the time crying and
crying in despair.

The pheasants are frightened into cover, they run and dart through the
hedge. The cold cock must fly in his haste, spread himself on his
streaming plumes, and sail into the wood's security.

There is a cry in answer to the peewits, echoing louder and stronger the
lamentation of the lapwings, a wail which hushes the birds. The men come
over the brow of the hill, slowly, with the old squire walking tall and
straight in front; six bowed men bearing the coffin on their shoulders,
treading heavily and cautiously, under the great weight of the
glistening white coffin; six men following behind, ill at ease, waiting
their turn for the burden. You can see the red handkerchiefs knotted
round their throats, and their shirt-fronts blue and white between the
open waistcoats. The coffin is of new unpolished wood, gleaming and
glistening in the sunlight; the men who carry it remember all their
lives after the smell of new, warm elm-wood.

Again a loud cry from the hill-top. The woman has followed thus far, the
big, shapeless woman, and she cries with loud cries after the white
coffin as it descends the hill, and the children that cling to her
skirts weep aloud, and are not to be hushed by the other woman, who
bends over them, but does not form one of the group. How the crying
frightens the birds, and the rabbits; and the lambs away there run to
their mothers. But the peewits are not frightened, they add their notes
to the sorrow; they circle after the white, retreating coffin, they
circle round the woman; it is they who forever "keen" the sorrows of
this world. They are like priests in their robes, more black than white,
more grief than hope, driving endlessly round and round, turning,
lifting, falling and crying always in mournful desolation, repeating
their last syllables like the broken accents of despair.

The bearers have at last sunk between the high banks, and turned out of
sight. The big woman cannot see them, and yet she stands to look. She
must go home, there is nothing left.

They have rested the coffin on the gate posts, and the bearers are
wiping the sweat from their faces. They put their hands to their
shoulders on the place where the weight has pressed.

The other six are placing the pads on their shoulders, when a girl comes
up with a jug and a blue pot. The squire drinks first, and fills for the
rest. Meanwhile the girl stands back under the hedge, away from the
coffin which smells of new elm-wood. In imagination she pictures the man
shut up there in close darkness, while the sunlight flows all outside,
and she catches her breast with terror. She must turn and rustle among
the leaves of the violets for the flowers she does not see. Then,
trembling, she comes to herself, and plucks a few flowers and breathes
them hungrily into her soul, for comfort. The men put down the pots
beside her, with thanks, and the squire gives the word. The bearers lift
up the burden again, and the elm-boughs rattle along the hollow white
wood, and the pitiful red clusters of elm-flowers sweep along it as if
they whispered in sympathy—"We are so sorry, so sorry——"; always the
compassionate buds in their fulness of life bend down to comfort the
dark man shut up there. "Perhaps," the girl thinks, "he hears them, and
goes softly to sleep." She shakes the tears out of her eyes on to the
ground, and, taking up her pots, goes slowly down, over the brooks.

In a while, I too got up and went down to the mill, which lay red and
peaceful, with the blue smoke rising as winsomely and carelessly as
ever. On the other side of the valley I could see a pair of horses nod
slowly across the fallow. A man's voice called to them now and again
with a resonance that filled me with longing to follow my horses over
the fallow, in the still, lonely valley, full of sunshine and eternal
forgetfulness. The day had already forgotten. The water was blue and
white and dark-burnished with shadows; two swans sailed across the
reflected trees with perfect blithe grace. The gloom that had passed
across was gone. I watched the swan with his ruffled wings swell
onwards; I watched his slim consort go peeping into corners and under
bushes; I saw him steer clear of the bushes, to keep full in view,
turning his head to me imperiously, till I longed to pelt him with the
empty husks of last year's flowers, knap-weed and scabius. I was too
indolent, and I turned instead to the orchard.

There the daffodils were lifting their heads and throwing back their
yellow curls. At the foot of each sloping, grey old tree stood a family
of flowers, some bursten with golden fulness, some lifting their heads
slightly, to show a modest, sweet countenance, others still hiding their
faces, leaning forward pensively from the jaunty grey-green spears; I
wished I had their language, to talk to them distinctly.

Overhead, the trees, with lifted fingers shook out their hair to the
sun, decking themselves with buds as white and cool as a water-nymphs
breasts.

I began to be very glad. The colts-foot discs glowed and laughed in a
merry company down the path; I stroked the velvet faces, and laughed
also, and I smelled the scent of black-currant leaves, which is full of
childish memories.

The house was quiet and complacent; it was peopled with ghosts again;
but the ghosts had only come to enjoy the warm place once more, carrying
sunshine in their arms and scattering it through the dusk of gloomy
rooms.



      CHAPTER III

   THE IRONY OF INSPIRED MOMENTS


It happened, the next day after the funeral, I came upon reproductions
of Aubrey Beardsley's "Atalanta," and of the tail-piece "Salome," and
others. I sat and looked and my soul leaped out upon the new thing. I
was bewildered, wondering, grudging, fascinated. I looked a long time,
but my mind, or my soul, would come to no state of coherence. I was
fascinated and overcome, but yet full of stubbornness and resistance.

Lettie was out, so, although it was dinner-time, even because it was
dinner-time, I took the book and went down to the mill.

The dinner was over; there was the fragrance of cooked rhubarb in the
room. I went straight to Emily, who was leaning back in her chair, and
put the Salome before her.

"Look," said I, "look here!"

She looked; she was short-sighted, and peered close. I was impatient for
her to speak. She turned slowly at last and looked at me, shrinking,
with questioning.

"Well?" I said.

"Isn't it—fearful!" she replied softly.

"No!—why is it?"

"It makes you feel—Why have you brought it?"

"I wanted you to see it."

Already I felt relieved, seeing that she too was caught in the spell.

George came and bent over my shoulder. I could feel the heavy warmth of
him.

"Good Lord!" he drawled, half amused. The children came crowding to see,
and Emily closed the book.

"I shall be late—Hurry up, Dave!" and she went to wash her hands before
going to school.

"Give it me, will you!" George asked, putting out his hand for the book.
I gave it him, and he sat down to look at the drawings. When Mollie
crept near to look, he angrily shouted to her to get away. She pulled a
mouth, and got her hat over her wild brown curls. Emily came in ready
for school.

"I'm going—good-bye," she said, and she waited hesitatingly. I moved to
get my cap. He looked up with a new expression in his eyes, and said:

"Are you going?—wait a bit—I'm coming."

I waited.

"Oh, very well—good-bye," said Emily bitterly, and she departed.

When he had looked long enough he got up and we went out. He kept his
finger between the pages of the book as he carried it. We went towards
the fallow land without speaking. There he sat down on a bank, leaning
his back against a holly-tree, and saying, very calmly:

"There's no need to be in any hurry now——" whereupon he proceeded to
study the illustrations.

"You know," he said at last, "I do want her."

I started at the irrelevance of this remark, and said, "Who?"

"Lettie. We've got notice, did you know?"

I started to my feet this time with amazement.

"Notice to leave?—what for?"

"Rabbits I expect. I wish she'd have me, Cyril."

"To leave Strelley Mill!" I repeated.

"That's it—and I'm rather glad. But do you think she might have me,
Cyril?"

"What a shame! Where will you go? And you lie there joking——!"

"I don't. Never mind about the damned notice. I want her more than
anything.—And the more I look at these naked lines, the more I want
her. It's a sort of fine sharp feeling, like these curved lines. I don't
know what I'm saying—but do you think she'd have me? Has she seen these
pictures?"

"No."

"If she did perhaps she'd want me—I mean she'd feel it clear and sharp
coming through her."

"I'll show her and see."

"I'd been sort of thinking about it—since father had that notice. It
seemed as if the ground was pulled from under our feet. I never felt so
lost. Then I began to think of her, if she'd have me—but not clear,
till you showed me those pictures. I must have her if I can—and I must
have something. It's rather ghostish to have the road suddenly smudged
out, and all the world anywhere, nowhere for you to go. I must get
something sure soon, or else I feel as if I should fall from somewhere
and hurt myself. I'll ask her."

I looked at him as he lay there under the holly-tree, his face all
dreamy and boyish, very unusual.

"You'll ask Lettie?" said I, "When—how?"

"I must ask her quick, while I feel as if everything had gone, and I was
ghostish. I think I must sound rather a lunatic."

He looked at me, and his eyelids hung heavy over his eyes as if he had
been drinking, or as if he were tired.

"Is she at home?" he said.

"No, she's gone to Nottingham. She'll be home before dark."

"I'll see her then. Can you smell violets?"

I replied that I could not. He was sure that he could, and he seemed
uneasy till he had justified the sensation. So he arose, very leisurely,
and went along the bank, looking closely for the flowers.

"I knew I could. White ones!"

He sat down and picked three flowers, and held them to his nostrils, and
inhaled their fragrance. Then he put them to his mouth, and I saw his
strong white teeth crush them. He chewed them for a while without
speaking; then he spat them out and gathered more.

"They remind me of her too," he said, and he twisted a piece of
honeysuckle stem round the bunch and handed it to me.

"A white violet, is she?" I smiled.

"Give them to her, and tell her to come and meet me just when it's
getting dark in the wood."

"But if she won't?"

"She will."

"If she's not at home?"

"Come and tell me."

He lay down again with his head among the green violet leaves, saying:

"I ought to work, because it all counts in the valuation. But I don't
care."

He lay looking at me for some time. Then he said:

"I don't suppose I shall have above twenty pounds left when we've sold
up—but she's got plenty of money to start with—if she has me—in
Canada. I could get well off—and she could have—what she wanted—I'm
sure she'd have what she wanted."

He took it all calmly as if it were realised. I was somewhat amused.

"What frock will she have on when she comes to meet me?" he asked.

"I don't know. The same as she's gone to Nottingham in, I suppose—a
sort of gold-brown costume with a rather tight fitting coat. Why?"

"I was thinking how she'd look."

"What chickens are you counting now?" I asked.

"But what do you think I look best in?" he replied.

"You? Just as you are—no, put that old smooth cloth coat on—that's
all." I smiled as I told him, but he was very serious.

"Shan't I put my new clothes on?"

"No—you want to leave your neck showing."

He put his hand to his throat, and said naïvely:

"Do I?"—and it amused him.

Then he lay looking dreamily up into the tree. I left him, and went
wandering round the fields finding flowers and bird's nests.

When I came back, it was nearly four o'clock. He stood up and stretched
himself. He pulled out his watch.

"Good Lord," he drawled, "I've lain there thinking all afternoon. I
didn't know I could do such a thing. Where have you been? It's with
being all upset you see. You left the violets—here, take them, will
you; and tell her: I'll come when it's getting dark. I feel like
somebody else—or else really like myself. I hope I shan't wake up to
the other things—you know, like I am always—before them."

"Why not?"

"Oh, I don't know—only I feel as if I could talk straight off without
arranging—like birds, without knowing what note is coming next."

When I was going he said:

"Here, leave me that book—it'll keep me like this—I mean I'm not the
same as I was yesterday, and that book'll keep me like it. Perhaps it's
a bilious bout—I do sometimes have one, if something very extraordinary
happens. When it's getting dark then!"

Lettie had not arrived when I went home. I put the violets in a little
vase on the table. I remembered he had wanted her to see the
drawings—it was perhaps as well he had kept them.

She came about six o'clock—in the motor-car with Marie. But the latter
did not descend. I went out to assist with the parcels. Lettie had
already begun to buy things; the wedding was fixed for July.

The room was soon over-covered with stuffs: table linen, underclothing,
pieces of silken stuff and lace stuff, patterns for carpets and
curtains, a whole gleaming glowing array. Lettie was very delighted. She
could hardly wait to take off her hat, but went round cutting the string
of her parcels, opening them, talking all the time to my mother.

"Look, Little Woman. I've got a ready-made underskirt—isn't it lovely.
Listen!" and she ruffled it through her hands. "Shan't I sound splendid!
Frou-Frou! But it is a charming shade, isn't it, and not a bit bulky or
clumsy anywhere?" She put the band of the skirt against her waist, and
put forward her foot, and looked down, saying, "It's just the right
length, isn't it, Little Woman?—and they said I was tall—it was a
wonder. Don't you wish it were yours, Little?—oh, you won't confess it.
Yes you like to be as fine as anybody—that's why I bought you this
piece of silk—isn't it sweet, though?—you needn't say there's too much
lavender in it, there is not. Now!" She pleated it up and held it
against my mother's chin. "It suits you beautifully—doesn't it. Don't
you like it, Sweet? You don't seem to like it a bit, and I'm sure it
suits you—makes you look ever so young. I wish you wouldn't be so old
fashioned in your notions. You do like it, don't you?"

"Of course I do—I was only thinking what an extravagant mortal you are
when you begin to buy. You know you mustn't keep on always——"

"Now—now, Sweet, don't be naughty and preachey. It's such a treat to go
buying: You will come with me next time, won't you? Oh, I have enjoyed
it—but I wished you were there—Marie takes anything, she's so easy to
suit—I like to have a good buy—Oh, it was splendid!—and there's lots
more yet. Oh, did you see this cushion cover—these are the colours I
want for that room—gold and amber——"

This was a bad opening. I watched the shadows darken further and further
along the brightness, hushing the glitter of the water. I watched the
golden ripeness come upon the west, and thought the rencontre was never
to take place. At last, however, Lettie flung herself down with a sigh,
saying she was tired.

"Come into the dining-room and have a cup of tea," said mother. "I told
Rebecca to mash when you came in."

"All right. Leslie's coming up later on, I believe—about half past
eight, he said. Should I show him what I've bought?"

"There's nothing there for a man to see."

"I shall have to change my dress, and I'm sure I don't want the fag.
Rebecca, just go and look at the things I've bought—in the other
room—and, Becky, fold them up for me, will you, and put them on my
bed?"

As soon as she'd gone out, Lettie said: "She'll enjoy doing it, won't
she, mother, they're so nice! Do you think I need dress, mother?"

"Please yourself—do as you wish."

"I suppose I shall have to; he doesn't like blouses and skirts of an
evening he says; he hates the belt. I'll wear that old cream cashmere;
it looks nice now I've put that new lace on it. Don't those violets
smell nice?—who got them?"

"Cyril brought them in."

"George sent them you," said I.

"Well, I'll just run up and take my dress off. Why are we troubled with
men!"

"It's a trouble you like well enough," said mother.

"Oh, do I? such a bother!" and she ran upstairs.

The sun was red behind Highclose. I kneeled in the window seat and
smiled at Fate and at people who imagine that strange states are near to
the inner realities. The sun went straight down behind the cedar trees,
deliberately and, it seemed as I watched, swiftly lowered itself behind
the trees, behind the rim of the hill.

"I must go," I said to myself, "and tell him she will not come."

Yet I fidgeted about the room, loth to depart. Lettie came down, dressed
in white—or cream—cut low round the neck. She looked very delightful
and fresh again, with a sparkle of the afternoon's excitement still.

"I'll put some of these violets on me," she said, glancing at herself in
the mirror, and then taking the flowers from their water, she dried
them, and fastened them among her lace.

"Don't Lettie and I look nice to-night?" she said smiling, glancing from
me to her reflection which was like a light in the dusky room.

"That reminds me," I said, "George Saxton wanted to see you this
evening."

"What ever for?"

"I don't know. They've got notice to leave their farm, and I think he
feels a bit sentimental."

"Oh, well—is he coming here?"

"He said would you go just a little way in the wood to meet him."

"Did he! Oh, indeed! Well, of course I can't."

"Of course not—if you won't. They're his violets you're wearing by the
way."

"Are they—let them stay, it makes no difference. But whatever did he
want to see me for?"

"I couldn't say, I assure you."

She glanced at herself in the mirror, and then at the clock.

"Let's see," she remarked, "it's only a quarter to eight. Three quarters
of an hour—! But what can he want me for?—I never knew anything like
it."

"Startling, isn't it!" I observed satirically.

"Yes," she glanced at herself in the mirror:

"I can't go out like this."

"All right, you can't then."

"Besides—it's nearly dark, it will be too dark to see in the wood,
won't it?"

"It will directly."

"Well, I'll just go to the end of the garden, for one moment—run and
fetch that silk shawl out of my wardrobe—be quick, while it's light."

I ran and brought the wrap. She arranged it carefully over her head.

We went out, down the garden path. Lettie held her skirts carefully
gathered from the ground. A nightingale began to sing in the twilight;
we stepped along in silence as far as the rhododendron bushes, now in
rosy bud.

"I cannot go into the wood," she said.

"Come to the top of the riding"—and we went round the dark bushes.

George was waiting. I saw at once he was half distrustful of himself
now. Lettie dropped her skirts and trailed towards him. He stood
awkwardly awaiting her, conscious of the clownishness of his appearance.
She held out her hand with something of a grand air:

"See," she said, "I have come."

"Yes—I thought you wouldn't—perhaps"—he looked at her, and suddenly
gained courage: "You have been putting white on—you, you do look
nice—though not like——"

"What?—Who else?"

"Nobody else—only I—well I'd—I'd thought about it different—like
some pictures."

She smiled with a gentle radiance, and asked indulgently, "And how was I
different?"

"Not all that soft stuff—plainer."

"But don't I look very nice with all this soft stuff, as you call
it?"—and she shook the silk away from her smiles.

"Oh, yes—better than those naked lines."

"You are quaint to-night—what did you want me for—to say good-bye?"

"Good-bye?"

"Yes—you're going away, Cyril tells me. I'm very sorry—fancy horrid
strangers at the Mill! But then I shall be gone away soon, too. We are
all going you see, now we've grown up,"—she kept hold of my arm. "Yes."

"And where will you go—Canada? You'll settle there and be quite a
patriarch, won't you?"

"I don't know."

"You are not really sorry to go, are you?"

"No, I'm glad."

"Glad to go away from us all."

"I suppose so—since I must."

"Ah, Fate—Fate! It separates you whether you want it or not."

"What?"

"Why, you see, you have to leave. I mustn't stay out here—it is growing
chilly. How soon are you going?"

"I don't know."

"Not soon then?"

"I don't know."

"Then I may see you again?"

"I don't know."

"Oh, yes, I shall. Well, I must go. Shall I say good-bye now?—that was
what you wanted, was it not?"

"To say good-bye?"

"Yes."

"No—it wasn't—I wanted, I wanted to ask you——"

"What?" she cried.

"You don't know, Lettie, now the old life's gone, everything—how I want
you—to set out with—it's like beginning life, and I want you."

"But what could I do—I could only hinder—what help should I be?"

"I should feel as if my mind was made up—as if I could do something
clearly. Now it's all hazy—not knowing what to do next."

"And if—if you had—what then?"

"If I had you I could go straight on."

"Where?"

"Oh—I should take a farm in Canada——"

"Well, wouldn't it be better to get it first and make sure——?"

"I have no money."

"Oh!—so you wanted me——?"

"I only wanted you, I only wanted you. I would have given you——"

"What?"

"You'd have me—you'd have all me, and everything you wanted."

"That I paid for—a good bargain! No, oh no, George, I beg your pardon.
This is one of my flippant nights. I don't mean it like that. But you
know it's impossible—look how I'm fixed—it _is_ impossible, isn't it
now."

"I suppose it is."

"You know it is—Look at me now, and say if it's not impossible—a
farmer's wife—with you in Canada."

"Yes—I didn't expect you like that. Yes, I see it is impossible. But
I'd thought about it, and felt as if I must have you. Should have you .
. . Yes, it doesn't do to go on dreaming. I think it's the first time,
and it'll be the last. Yes, it is impossible. Now I have made up my
mind."

"And what will you do?"

"I shall not go to Canada."

"Oh, you must not—you must not do anything rash."

"No—I shall get married."

"You will? Oh, I am glad. I thought—you—you were too fond—. But
you're not—of yourself I meant. I am so glad. Yes—do marry!"

"Well, I shall—since you are——"

"Yes," said Lettie. "It is best. But I thought that you——" she smiled
at him in sad reproach.

"Did you think so?" he replied, smiling gravely.

"Yes," she whispered. They stood looking at one another.

He made an impulsive movement towards her. She, however, drew back
slightly, checking him.

"Well—I shall see you again sometime—so good-bye," he said, putting
out his hand.

We heard a foot crunching on the gravel. Leslie halted at the top of the
riding. Lettie, hearing him, relaxed into a kind of feline graciousness,
and said to George:

"I am so sorry you are going to leave—it breaks the old life up. You
said I would see you again——" She left her hand in his a moment or
two.

"Yes," George replied. "Good-night"—and he turned away. She stood for a
moment in the same drooping, graceful attitude watching him, then she
turned round slowly. She seemed hardly to notice Leslie.

"Who was that you were talking to?" he asked.

"He has gone now," she replied irrelevantly, as if even then she seemed
hardly to realise it.

"It appears to upset you—his going—who is it?"

"He!—Oh,—why, it's George Saxton."

"Oh, him!"

"Yes."

"What did he want?"

"Eh? What did he want? Oh, nothing."

"A mere trysting—in the interim, eh!"—he said this laughing,
generously passing off his annoyance in a jest.

"I feel so sorry," she said.

"What for?"

"Oh—don't let us talk about him—talk about something else. I can't
bear to talk about—him."

"All right," he replied—and after an awkward little pause. "What sort
of a time had you in Nottingham?"

"Oh, a fine time."

"You'll enjoy yourself in the shops between now and—July. Some time
I'll go with you and see them."

"Very well."

"That sounds as if you don't want me to go. Am I already in the way on a
shopping expedition, like an old husband?"

"I should think you would be."

"That's nice of you! Why?"

"Oh, I don't know."

"Yes you do."

"Oh, I suppose you'd hang about."

"I'm much too well brought up."

"Rebecca has lighted the hall lamp."

"Yes, it's grown quite dark. I was here early. You never gave me a good
word for it."

"I didn't notice. There's a light in the dining-room, we'll go there."

They went into the dining-room. She stood by the piano and carefully
took off the wrap. Then she wandered listlessly about the room for a
minute.

"Aren't you coming to sit down?" he said, pointing to the seat on the
couch beside him.

"Not just now," she said, trailing aimlessly to the piano. She sat down
and began to play at random, from memory. Then she did that most
irritating thing—played accompaniments to songs, with snatches of the
air where the voice should have predominated.

"I say Lettie, . . ." he interrupted after a time.

"Yes," she replied, continuing to play.

"It's not very interesting. . . ."

"No?"—she continued to play.

"Nor very amusing. . . ."

She did not answer. He bore it for a little time longer, then he said:

"How much longer is it going to last, Lettie?"

"What?"

"That sort of business. . . ."

"The piano?—I'll stop playing if you don't like it."

She did not, however, cease.

"Yes—and all this dry business."

"I don't understand."

"Don't you?—you make _me._'"

There she went on, tinkling away at "If I built a world for you, dear."

"I say, stop it, do!" he cried.

She tinkled to the end of the verse, and very slowly closed the piano.

"Come on—come and sit down," he said.

"No, I don't want to.—I'd rather have gone on playing."

"Go on with your damned playing then, and I'll go where there's more
interest."

"You ought to like it."

He did not answer, so she turned slowly round on the stool, opened the
piano, and laid her fingers on the keys. At the sound of the chord he
started up, saying: "Then I'm going."

"It's very early—why?" she said, through the calm jingle of "Meine Ruh
is hin——"

He stood biting his lips. Then he made one more appeal.

"Lettie!"

"Yes?"

"Aren't you going to leave off—and be—amiable?"

"Amiable?"

"You are a jolly torment. What's upset you now?"

"Nay, it's not I who am upset."

"I'm glad to hear it—what do you call yourself?"

"I?—nothing."

"Oh, well, I'm going then."

"Must you?—so early to-night?"

He did not go, and she played more and more softly, languidly,
aimlessly. Once she lifted her head to speak, but did not say anything.

"Look here!" he ejaculated all at once, so that she started, and jarred
the piano, "What do you mean by it?"

She jingled leisurely a few seconds before answering, then she replied:

"What a worry you are!"

"I suppose you want me out of the way while you sentimentalise over that
milkman. You needn't bother. You can do it while I'm here. Or I'll go
and leave you in peace. I'll go and call him back for you, if you
like—if that's what you want——"

She turned on the piano stool slowly and looked at him, smiling faintly.

"It is very good of you!" she said.

He clenched his fists and grinned with rage.

"You tantalising little——" he began, lifting his fists expressively.
She smiled. Then he swung round, knocked several hats flying off the
stand in the hall, slammed the door, and was gone.

Lettie continued to play for some time, after which she went up to her
own room.

Leslie did not return to us the next day, nor the day after. The first
day Marie came and told us he had gone away to Yorkshire to see about
the new mines that were being sunk there, and was likely to be absent
for a week or so. These business visits to the north were rather
frequent. The firm, of which Mr. Tempest was director and chief
shareholder, were opening important new mines in the other county, as
the seams at home were becoming exhausted or unprofitable. It was
proposed that Leslie should live in Yorkshire when he was married, to
superintend the new workings. He at first rejected the idea, but he
seemed later to approve of it more.

During the time he was away Lettie was moody and cross-tempered. She did
not mention George nor the mill; indeed, she preserved her best, most
haughty and ladylike manner.

On the evening of the fourth day of Leslie's absence we were out in the
garden. The trees were "uttering joyous leaves." My mother was in the
midst of her garden, lifting the dusky faces of the auriculas to look at
the velvet lips, or tenderly taking a young weed from the black soil.
The thrushes were calling and clamouring all round. The japonica flamed
on the wall as the light grew thicker; the tassels of white
cherry-blossom swung gently in the breeze.

"What shall I do, mother?" said Lettie, as she wandered across the grass
to pick at the japonica flowers. "What shall I do?—There's nothing to
do."

"Well, my girl—what do you want to do? You have been moping about all
day—go and see somebody."

"It's such a long way to Eberwich."

"Is it? Then go somewhere nearer."

Lettie fretted about with restless, petulant indecision.

"I don't know what to do," she said, "And I feel as if I might just as
well never have lived at all as waste days like this. I wish we weren't
buried in this dead little hole—I wish we were near the town—it's
hateful having to depend on about two or three folk for your—your—your
pleasure in life."

"I can't help it, my dear—you must do something for yourself."

"And what can I do?—I can do nothing."

"Then I'd go to bed."

"That I won't—with the dead weight of a wasted day on me. I feel as if
I'd do something desperate."

"Very well, then," said mother, "do it, and have done."

"Oh, it's no good talking to you—I don't want——" She turned away,
went to the laurestinus, and began pulling off it the long red berries.
I expected she would fret the evening wastefully away. I noticed all at
once that she stood still. It was the noise of a motor-car running
rapidly down the hill towards Nethermere—a light, quick-clicking sound.
I listened also. I could feel the swinging drop of the car as it came
down the leaps of the hill. We could see the dust trail up among the
trees. Lettie raised her head and listened expectantly. The car rushed
along the edge of Nethermere—then there was the jar of brakes, as the
machine slowed down and stopped. In a moment with a quick flutter of
sound, it was passing the lodge-gates and whirling up the drive, through
the wood, to us. Lettie stood with flushed cheeks and brightened eyes.
She went towards the bushes that shut off the lawn from the gravelled
space in front of the house, watching. A car came racing through the
trees. It was the small car Leslie used on the firm's business—now it
was white with dust. Leslie suddenly put on the brakes, and tore to a
standstill in front of the house. He stepped to the ground. There he
staggered a little, being giddy and cramped with the long drive. His
motor-jacket and cap were thick with dust.

Lettie called to him, "Leslie!"—and flew down to him. He took her into
his arms, and clouds of dust rose round her. He kissed her, and they
stood perfectly still for a moment. She looked up into his face—then
she disengaged her arms to take off his disfiguring motor-spectacles.
After she had looked at him a moment, tenderly, she kissed him again. He
loosened his hold of her, and she said, in a voice full of tenderness:

"You are trembling, dear."

"It's the ride. I've never stopped."

Without further words she took him into the house.

"How pale you are—see, lie on the couch—never mind the dust. All
right, I'll find you a coat of Cyril's. O, mother, he's come all those
miles in the car without stopping—make him lie down."

She ran and brought him a jacket, and put the cushions round, and made
him lie on the couch. Then she took off his boots and put slippers on
his feet. He lay watching her all the time; he was white with fatigue
and excitement.

"I wonder if I shall be had up for scorching—I can feel the road coming
at me yet," he said.

"Why were you so headlong?"

"I felt as if I should go wild if I didn't come—if I didn't rush. I
didn't know how you might have taken me, Lettie when I said—what I
did."

She smiled gently at him, and he lay resting, recovering, looking at
her.

"It's a wonder I haven't done something desperate—I've been half mad
since I said—Oh, Lettie, I was a damned fool and a wretch—I could have
torn myself in two. I've done nothing but curse and rage at myself ever
since. I feel as if I'd just come up out of hell. You don't know how
thankful I am, Lettie, that you've not—oh—turned against me for what I
said."

She went to him and sat down by him, smoothing his hair from his
forehead, kissing him, her attitude tender, suggesting tears, her
movements impulsive, as if with a self-reproach she would not
acknowledge, but which she must silence with lavish tenderness. He drew
her to him, and they remained quiet for some time, till it grew dark.

The noise of my mother stirring in the next room disturbed them. Lettie
rose, and he also got up from the couch.

"I suppose," he said, "I shall have to go home and get bathed and
dressed—though," he added in tones which made it clear he did not want
to go, "I shall have to get back in the morning—I don't know what
they'll say."

"At any rate," she said, "You could wash here——"

"But I must get out of these clothes—and I want a bath."

"You could—you might have some of Cyril's clothes—and the water's hot.
I know. At all events, you can stay to supper——"

"If I'm going I shall have to go soon—or they'd not like it, if I go in
late;—they have no idea I've come;—they don't expect me till next
Monday or Tuesday——"

"Perhaps you could stay here—and they needn't know."

They looked at each other with wide, smiling eyes—like children on the
brink of a stolen pleasure.

"Oh, but what would your mother think!—no, I'll go."

"She won't mind a bit."

"Oh, but——"

"I'll ask her."

He wanted to stay far more than she wished it, so it was she who put
down his opposition and triumphed.

My mother lifted her eyebrows, and said very quietly:

"He'd better go home—and be straight."

"But look how he'd feel—he'd have to tell them . . . and how would he
feel! It's really my fault, in the end. Don't be piggling and mean and
Grundyish, Matouchka."

"It is neither meanness nor grundyishness——"

"Oh, Ydgrun, Ydgrun——!" exclaimed Lettie, ironically.

"He may certainly stay if he likes," said mother, slightly nettled at
Lettie's gibe.

"All right, Mutterchen—and be a sweetling, do!"

Lettie went out a little impatient at my mother's unwillingness, but
Leslie stayed, nevertheless.

In a few moments Lettie was up in the spare bedroom, arranging and
adorning, and Rebecca was running with hot-water bottles, and hurrying
down with clean bed-clothes. Lettie hastily appropriated my best
brushes—which she had given me—and took the suit of pajamas of the
thinnest, finest flannel—and discovered a new tooth-brush—and made
selections from my shirts and handkerchiefs and underclothing—and
directed me which suit to lend him. Altogether I was astonished, and
perhaps a trifle annoyed, at her extraordinary thoughtfulness and
solicitude.

He came down to supper, bathed, brushed, and radiant. He ate heartily
and seemed to emanate a warmth of physical comfort and pleasure. The
colour was flushed again into his face, and he carried his body with the
old independent, assertive air. I have never known the time when he
looked handsomer, when he was more attractive. There was a certain
warmth about him, a certain glow that enhanced his words, his laughter,
his movements; he was the predominant person, and we felt a pleasure in
his mere proximity. My mother, however, could not quite get rid of her
stiffness, and soon after supper she rose, saying she would finish her
letter in the next room, bidding him good-night, as she would probably
not see him again. The cloud of this little coolness was the thinnest
and most transitory. He talked and laughed more gaily than ever, and was
ostentatious in his movements, throwing back his head, taking little
attitudes which displayed the broad firmness of his breast, the grace of
his well-trained physique. I left them at the piano; he was sitting
pretending to play, and looking up all the while at her, who stood with
her hand on his shoulder.

In the morning he was up early, by six o'clock downstairs and attending
to the car. When I got down I found him very busy, and very quiet.

"I know I'm a beastly nuisance," he said, "but I must get off early."

Rebecca came and prepared breakfast, which we two ate alone. He was
remarkably dull and wordless.

"It's a wonder Lettie hasn't got up to have breakfast with you—she's
such a one for raving about the perfection of the early morning—it's
purity and promises and so forth," I said.

He broke his bread nervously, and drank some coffee as if he were
agitated, making noises in his throat as he swallowed.

"It's too early for her, I should think," he replied, wiping his
moustache hurriedly. Yet he seemed to listen for her. Lettie's bedroom
was over the study, where Rebecca had laid breakfast, and he listened
now and again, holding his knife and fork suspended in their action.
Then he went on with his meal again.

When he was laying down his serviette, the door opened. He pulled
himself together, and turned round sharply. It was mother. When she
spoke to him, his face twitched with a little frown, half of relief,
half of disappointment.

"I must be going now," he said—"thank you very much—Mother."

"You are a harum-scarum boy. I wonder why Lettie doesn't come down. I
know she is up."

"Yes," he replied. "Yes, I've heard her. Perhaps she is dressing. I must
get off."

"I'll call her."

"No—don't bother her—she'd come if she wanted——"

But mother had called from the foot of the stairs.

"Lettie, Lettie—he's going."

"All right," said Lettie, and in another minute she came downstairs. She
was dressed in dark, severe stuff, and she was somewhat pale. She did
not look at any of us, but turned her eyes aside.

"Good-bye," she said to him, offering him her cheek. He kissed her,
murmuring: "Good-bye—my love."

He stood in the doorway a moment, looking at her with beseeching eyes.
She kept her face half averted, and would not look at him, but stood
pale and cold, biting her underlip. He turned sharply away with a motion
of keen disappointment, set the engines of the car into action, mounted,
and drove quickly away.

Lettie stood pale and inscrutable for some moments.

Then she went in to breakfast and sat toying with her food, keeping her
head bent down, her face hidden.

In less than an hour he was back again, saying he had left something
behind. He ran upstairs, and then, hesitating, went into the room where
Lettie was still sitting at table.

"I had to come back," he said.

She lifted her face towards him, but kept her eyes averted, looking out
of the window. She was flushed.

"What had you forgotten?" she asked.

"I'd left my cigarette case," he replied.

There was an awkward silence.

"But I shall have to be getting off," he added.

"Yes, I suppose you will," she replied.

After another pause, he asked:

"Won't you just walk down the path with me?"

She rose without answering. He took a shawl and put it round her
carefully. She merely allowed him. They walked in silence down the
garden.

"You—are you—are you angry with me?" he faltered.

Tears suddenly came to her eyes.

"What did you come back for?" she said, averting her face from him. He
looked at her.

"I knew you were angry—and——," he hesitated.

"Why didn't you go away?" she said impulsively. He hung his head and was
silent.

"I don't see why—why it should make trouble between us, Lettie," he
faltered. She made a swift gesture of repulsion, whereupon, catching
sight of her hand, she hid it swiftly against her skirt again.

"You make my hands—my very hands disclaim me," she struggled to say.

He looked at her clenched fist pressed against the folds of her dress.

"But—," he began, much troubled.

"I tell you, I can't bear the sight of my own hands," she said in low,
passionate tones.

"But surely, Lettie, there's no need—if you love me——"

She seemed to wince. He waited, puzzled and miserable.

"And we're going to be married, aren't we?" he resumed, looking
pleadingly at her.

She stirred, and exclaimed:

"Oh, why don't you go away? What did you come back for?"

"You'll kiss me before I go?" he asked.

She stood with averted face, and did not reply. His forehead was
twitching in a puzzled frown.

"Lettie!" he said.

She did not move or answer, but remained with her face turned full away,
so that he could see only the contour of her cheek. After waiting
awhile, he flushed, turned swiftly and set his machine rattling. In a
moment he was racing between the trees.



      CHAPTER IV

   KISS WHEN SHE'S RIPE FOR TEARS


It was the Sunday after Leslie's visit. We had had a wretched week, with
everybody mute and unhappy.

Though Spring had come, none of us saw it. Afterwards it occurred to me
that I had seen all the ranks of poplars suddenly bursten into a dark
crimson glow, with a flutter of blood-red where the sun came through the
leaves; that I had found high cradles where the swan's eggs lay by the
waterside; that I had seen the daffodils leaning from the moss-grown
wooden walls of the boat-house, and all, moss, daffodils, water,
scattered with the pink scarves from the elm buds; that I had broken the
half-spread fans of the sycamore, and had watched the white cloud of
sloe-blossom go silver grey against the evening sky: but I had not
perceived it, and I had not any vivid spring-pictures left from the
neglected week.

It was Sunday evening, just after tea, when Lettie suddenly said to me:

"Come with me down to Strelley Mill."

I was astonished, but I obeyed unquestioningly. On the threshold we
heard a chattering of girls, and immediately Alice's voice greeted us:

"Hello, Sybil, love! Hello, Lettie! Come on, here's a gathering of the
goddesses. Come on, you just make us right. You're Juno, and here's Meg,
she's Venus, and I'm—here, somebody, who am I, tell us quick—did you
say Minerva, Sybil dear? Well you ought, then! Now Paris, hurry up. He's
putting his Sunday clothes on to take us a walk—Laws, what a time it
takes him! Get your blushes ready, Meg—now, Lettie, look haughty, and
I'll look wise. I wonder if he wants me to go and tie his tie. Oh,
Glory—where on earth did you get that antimacassar?"

"In Nottingham—don't you like it?" said George referring to his tie.
"Hello, Lettie—have you come?"

"Yes, it's a gathering of the goddesses. Have you that apple? If so,
hand it over," said Alice.

"What apple?"

"Oh, Lum, his education! Paris's apple—Can't you see we've come to be
chosen?"

"Oh, well—I haven't got any apple—I've eaten mine."

"Isn't he flat—he's like boiling magnesia that's done boiling for a
week. Are you going to take us all to church then?"

"If you like."

"Come on, then. Where's the Abode of Love? Look at Lettie looking
shocked. Awfully sorry, old girl—thought love agreed with you."

"Did you say _love_?" inquired George.

"Yes, I did; didn't I, Meg? And you say 'Love' as well, don't you?"

"I don't know what it is," laughed Meg, who was very red and rather
bewildered.

"'Amor est titillatio'—'Love is a tickling,'—there—that's it, isn't
it, Sybil?"

"How should I know."

"Of _course_ not, old fellow. Leave it to the girls. See how knowing
Lettie looks—and, laws, Lettie, you are solemn."

"It's love," suggested George, over his new neck-tie.

"I'll bet it is 'degustasse sat est'—ain't it, Lettie? 'One lick's
enough'—'and damned be he that first cries: Hold, enough!'—Which one
do you like? But _are_ you going to take us to church, Georgie,
darling—one by one, or all at once?"

"What do you want me to do, Meg?" he asked.

"Oh, I don't mind."

"And do you mind, Lettie?"

"I'm not going to church."

"Let's go a walk somewhere—and let us start now," said Emily somewhat
testily. She did not like this nonsense.

"There you are Syb—you've got your orders—don't leave me behind,"
wailed Alice.

Emily frowned and bit her finger.

"Come on, Georgie. You look like the finger of a pair scales—between
two weights. Which'll draw?"

"The heavier," he replied, smiling, and looking neither at Meg or
Lettie.

"Then it's Meg," cried Alice. "Oh, I wish I was fleshy—I've no chance
with Syb against Pem."

Emily flashed looks of rage; Meg blushed and felt ashamed; Lettie began
to recover from her first outraged indignation, and smiled.

Thus we went a walk, in two trios.

Unfortunately, as the evening was so fine, the roads were full of
strollers: groups of three or four men dressed in pale trousers and
shiny black cloth coats, following their suspicious little dogs: gangs
of youths slouching along, occupied with nothing, often silent, talking
now and then in raucous tones on some subject of brief interest: then
the gallant husbands, in their tail coats very husbandly, pushing a
jingling perambulator, admonished by a much dressed spouse round whom
the small members of the family gyrated: occasionally, two lovers
walking with a space between them, disowning each other; occasionally, a
smartly dressed mother with two little girls in white silk frocks and
much expanse of yellow hair, stepping mincingly, and, near by, a father
awkwardly controlling his Sunday suit.

To endure all this it was necessary to chatter unconcernedly. George had
to keep up the conversation behind, and he seemed to do it with ease,
discoursing on the lambs, discussing the breed—when Meg exclaimed:

"Oh, aren't they black! They might ha' crept down th' chimney. I never
saw any like them before." He described how he had reared two on the
bottle, exciting Meg's keen admiration by his mothering of the lambs.
Then he went on to the peewits, harping on the same string: how they
would cry and pretend to be wounded—"Just fancy, though!"—and how he
had moved the eggs of one pair while he was ploughing, and the mother
had followed them, and had even sat watching as he drew near again with
the plough, watching him come and go—"Well, she knew you—but they _do_
know those who are kind to them——"

"Yes," he agreed, "her little bright eyes seem to speak as you go by."

"Oh, I do think they're nice little things—don't you, Lettie?" cried
Meg in access of tenderness.

Lettie did—with brevity.

We walked over the hills and down into Greymede. Meg thought she ought
to go home to her grandmother, and George bade her go, saying he would
call and see her in an hour or so.

The dear girl was disappointed, but she went unmurmuring. We left Alice
with a friend, and hurried home through Selsby to escape the
after-church parade.

As you walk home past Selsby, the pit stands up against the west, with
beautiful tapering chimneys marked in black against the swim of sunset,
and the head-stocks etched with tall significance on the brightness.
Then the houses are squat in rows of shadow at the foot of these high
monuments.

"Do you know, Cyril," said Emily, "I _have_ meant to go and see
Mrs Annable—the keeper's wife—she's moved into Bonsart's Row, and the
children come to school—Oh, it's awful!—they've never been to school,
and they are unspeakable."

"What's she gone there for?" I asked.

"I suppose the squire wanted the Kennels—and she chose it herself. But
the way they live—it's fearful to think of!"

"And why haven't you been?"

"I don't know—I've meant to—but——" Emily stumbled.

"You didn't want, and you daren't?"

"Perhaps not—would you?"

"Pah—let's go now!—There, you hang back."

"No I don't," she replied sharply.

"Come on then, we'll go through the twitchel. Let me tell Lettie."

Lettie at once declared, "No!"—with some asperity.

"All right," said George. "I'll take you home."

But this suited Lettie still less.

"I don't know what you want to go for, Cyril," she said, "and Sunday
night, and, everybody everywhere. I want to go home."

"Well—you go then—Emily will come with you."

"Ha," cried the latter, "you think I won't go to see her."

I shrugged my shoulders, and George pulled his moustache.

"Well, I don't care," declared Lettie, and we marched down the twitchel,
Indian file.

We came near to the ugly rows of houses that back up against the
pit-hill. Everywhere is black and sooty: the houses are back to back,
having only one entrance, which is from a square garden where
black-speckled weeds grow sulkily, and which looks on to a row of evil
little ash-pit huts. The road everywhere is trodden over with a crust of
soot and coal-dust and cinders.

Between the rows, however, was a crowd of women and children, bare
heads, bare arms, white aprons, and black Sunday frocks bristling with
gimp. One or two men squatted on their heels with their backs against a
wall, laughing. The women were waving their arms and screaming up at the
roof of the end house.

Emily and Lettie drew back.

"Look there—it's that little beggar, Sam!" said George.

There, sure enough, perched on the ridge of the roof against the end
chimney, was the young imp, coatless, his shirt-sleeves torn away from
the cuffs. I knew his bright, reddish young head in a moment. He got up,
his bare toes clinging to the tiles, and spread out his fingers fanwise
from his nose, shouting something, which immediately caused the crowd to
toss with indignation, and the women to shriek again. Sam sat down
suddenly, having almost lost his balance.

The village constable hurried up, his thin neck stretching out of his
tunic, and demanded the cause of the hubbub.

Immediately a woman with bright brown squinting eyes and a birthmark on
her cheek, rushed forward and seized the policeman by the sleeve.

"Ta'e 'im up, ta'e 'im up, an' birch 'im till 'is bloody back's raw,"
she screamed.

The thin policeman shook her off, and wanted to know what was the
matter.

"I'll smosh 'im like a rotten tater," cried the woman, "if I can lay
'ands on 'im. 'E's not fit ter live nowhere where there's decent
folks—the thievin', brazen little devil——" thus she went on.

"But what's up!" interrupted the thin constable, "what's up wi' 'im?"

"Up—it's 'im as 'is up, an' let 'im wait till I get 'im down. A crafty
little——"

Sam, seeing her look at him, distorted his honest features, and
overheated her wrath, till Lettie and Emily trembled with dismay.

The mother's head appeared at the bedroom window. She slid the sash
back, and craned out, vainly trying to look over the gutter below the
slates. She was even more dishevelled than usual, and the tears had
dried on her pale face. She stretched further out, clinging to the
window frame and to the gutter overhead, till I was afraid she would
come down with a crash.

The men, squatting on their heels against the wall of the ashpit,
laughed, saying:

"Nab 'im, Poll—can ter see 'm—clawk 'im!" and then the pitiful voice
of the woman was heard crying: "Come thy ways down, my duckie, come
on—on'y come ter thy mother—they shanna touch thee. Du thy mother's
biddin', now—Sam—Sam—Sam!" her voice rose higher and higher.

"Sammy, Sammy, go to thy mammy," jeered the wits below.

"Shonna ter come, Shonna ter come to thy mother, my duckie—come on,
come thy ways down."

Sam looked at the crowd, and at the eaves from under which rose his
mother's voice. He was going to cry. A big gaunt woman, with the family
steel comb stuck in her back hair, shouted, "Tha' mun well bend thy
face, tha' needs ter scraight," and aided by the woman with the
birthmark and the squint, she reviled him. The little scoundrel, in a
burst of defiance, picked a piece of mortar from between the slates, and
in a second it flew into fragments against the family steel comb. The
wearer thereof declared her head was laid open and there was general
confusion. The policeman—I don't know how thin he must have been when
he was taken out of his uniform—lost his head, and he too began
brandishing his fists, spitting from under his sweep's-brush moustache
as he commanded in tones of authority:

"Now then, no more on it—let's 'a'e thee down here, an' no more messin'
about!"

The boy tried to creep over the ridge of the roof and escape down the
other side. Immediately the brats rushed round yelling to the other side
of the row, and pieces of red-burnt gravel began to fly over the roof.
Sam crouched against the chimney.

"Got 'im!" yelled one little devil "Got 'im! Hi—go again!"

A shower of stones came down, scattering the women and the policeman.
The mother rushed from the house and made a wild onslaught on the
throwers. She caught one and flung him down. Immediately the rest turned
and aimed their missiles at her. Then George and the policeman and I
dashed after the young wretches, and the women ran to see what happened
to their offspring. We caught two lads of fourteen or so, and made the
policeman haul them after us. The rest fled.

When we returned to the field of battle, Sam had gone too.

"If 'e 'asna slived off!" cried the woman with a squint. "But I'll see
him locked up for this."

At this moment a band of missioners from one of the chapels or churches
arrived at the end of the row, and the little harmonium began to bray,
and the place vibrated with the sound of a woman's powerful voice,
propped round by several others, singing:

"At even 'ere the sun was set——"

Everybody hurried towards the new noise, save the policeman with his
captives, the woman with the squint, and the woman with the family comb.
I told the limb of the law he'd better get rid of the two boys and find
out what mischief the others were after.

Then I enquired of the woman with the squint what was the matter.

"Thirty-seven young uns 'an we 'ad from that doe, an' there's no knowin'
'ow many more, if they 'adn't a-gone an' ate-n 'er," she replied,
lapsing, now her fury was spent, into sullen resentment.

"An' niver a word should we a' known," added the family-comb-bearer,
"but for that blessed cat of ourn, as scrat it up."

"Indeed," said I, "the rabbit?"

"No, there were nowt left but th' skin—they'd seen ter that, a
thieving, dirt-eatin' lot."

"When was that?" said I.

"This mortal night—an' there was th' head an' th' back in th' dirty
stewpot—I can show you this instant—I've got 'em in our pantry for a
proof, 'aven't I, Martha?"

"A fat lot o' good it is—but I'll rip th' neck out of 'im, if ever I
lay 'ands on 'im."

At last I made out that Samuel had stolen a large, lop-eared doe out of
a bunch in the coal-house of the squint-eyed lady, had skinned it,
buried the skin, and offered his booty to his mother as a wild rabbit,
trapped. The doe had been the chief item of the Annables' Sunday
dinner—albeit a portion was unluckily saved till Monday, providing
undeniable proof of the theft. The owner of the rabbit had supposed the
creature to have escaped. This peaceful supposition had been destroyed
by the comb-bearer's seeing her cat, scratching in the Annables garden,
unearth the white and brown doe-skin, after which the trouble had begun.

The squint-eyed woman was not so hard to manage. I talked to her as if
she were some male friend of mine, only appealing to her womanliness
with all the soft sadness I could press into the tones of my voice. In
the end she was mollified, and even tender and motherly in her feelings
toward the unfortunate family. I left on her dresser the half-crown I
shrank from offering her, and, having reduced the comb-wearer also, I
marched off, carrying the stewpot and the fragments of the ill-fated doe
to the cottage of the widow, where George and the girls awaited me.

The house was in a woeful state. In the rocking chair, beside the high
guard that surrounded the hearth, sat the mother, rocking, looking sadly
shaken now her excitement was over. Lettie was nursing the little baby,
and Emily the next child. George was smoking his pipe and trying to look
natural. The little kitchen was crowded—there was no room—there was
not even a place on the table for the stew-jar, so I gathered together
cups and mugs containing tea sops, and set down the vessel of ignominy
on the much slopped tea-cloth. The four little children were striped and
patched with tears—at my entrance one under the table recommenced to
weep, so I gave him my pencil which pushed in and out, but which pushes
in and out no more. The sight of the stewpot affected the mother afresh.
She wept again, crying:

"An' I niver thought as 'ow it were aught but a snared un; as if I
should set 'im on ter thieve their old doe; an' tough it was an' all;
an' 'im a thief, an me called all the names they could lay their tongues
to: an' then in my bit of a pantry, takin' the very pots out: that
stewpot as I brought all the way from Nottingham, an' I've 'ad it afore
our Minnie wor born—"

The baby, the little baby, then began to cry. The mother got up
suddenly, and took it.

"Oh, come then, come then my pet. Why, why cos they shanna, no they
shanna. Yes, he's his mother's least little lad, he is, a little un.
Hush then, there, there—what's a matter, my little?" She hushed the
baby, and herself. At length she asked:

"'As th' p'liceman gone as well?"

"Yes—it's all right," I said.

She sighed deeply, and her look of weariness was painful to see.

"How old is your eldest?" I asked.

"Fanny—she's fourteen. She's out service at Websters. Then Jim, as is
thirteen next month—let's see, yes, it is next month—he's gone to
Flints—farming. They can't do much—an' I shan't let 'em go into th'
pit, if I can help it. My husband always used to say they should never
go in th' pit."

"They can't do much for you."

"They dun what they can. But it's a hard job, it is, ter keep 'em all
goin'. Wi' weshin, an' th' parish pay, an' five shillin' from th'
squire—it's 'ard. It was different when my husband was alive. It ought
ter 'a been me as should 'a died—I don't seem as if I can manage
'em—they get beyond me. I wish I was dead this minnit, an' 'im 'ere. I
can't understand it: 'im as wor so capable, to be took, an' me left. 'E
wor a man in a thousand, 'e wor—full o' management like a gentleman. I
wisht it was me as 'ad a been took. 'An 'e's restless, 'cos 'e knows I
find it 'ard. I stood at th' door last night, when they was all asleep,
looking out over th' pit pond—an' I saw a light, an' I knowed it was
'im—cos it wor our weddin' day yesterday—by the day an' th' date. An'
I said to 'im 'Frank, is it thee, Frank? I'm all right, I'm gettin' on
all right,'—an' then 'e went; seemed to go ower the whimsey an' back
towards th' wood. I know it wor 'im, an' 'e couldna rest, thinkin' I
couldna manage——"

After a while we left, promising to go again, and to see after the
safety of Sam.

It was quite dark, and the lamps were lighted in the houses. We could
hear the throb of the fan-house engines, and the soft whirr of the fan.

"Isn't it cruel?" said Emily plaintively.

"Wasn't the man a wretch to marry the woman like that," added Lettie
with decision.

"Speak of Lady Chrystabel," said I, and then there was silence. "I
suppose he did not know what he was doing, any more than the rest of
us."

"I thought you were going to your aunt's—to the Ram Inn," said Lettie
to George when they came to the cross-roads.

"Not now—it's too late," he answered quietly. "You will come round our
way, won't you?"

"Yes," she said.

We were eating bread and milk at the farm, and the father was talking
with vague sadness and reminiscence, lingering over the thought of their
departure from the old house. He was a pure romanticist, forever seeking
the colour of the past in the present's monotony. He seemed settling
down to an easy contented middle-age, when the unrest on the farm and
development of his children quickened him with fresh activity. He read
books on the land question, and modern novels. In the end he became an
advanced radical, almost a socialist. Occasionally his letters appeared
in the newspapers. He had taken a new hold on life.

Over supper he became enthusiastic about Canada, and to watch him, his
ruddy face lighted up, his burly form straight and nerved with
excitement, was to admire him; to hear him, his words of thoughtful
common-sense all warm with a young man's hopes, was to love him. At
forty-six he was more spontaneous and enthusiastic than George, and far
more happy and hopeful.

Emily would not agree to go away with them—what should she do in
Canada, she said—and she did not want the little ones "to be drudges on
a farm—in the end to be nothing but cattle."

"Nay," said her father gently, "Mollie shall learn the dairying, and
David will just be right to take to the place when I give up. It'll
perhaps be a bit rough and hard at first, but when we've got over it we
shall think it was one of the best times—like you do."

"And you, George?" asked Lettie.

"I'm not going. What should I go for? There's nothing at the end of it
only a long life. It's like a day here in June—a long work day,
pleasant enough, and when it's done you sleep well—but it's work and
sleep and comfort,—half a life. It's not enough. What's the odds?—I
might as well be Flower, the mare."

His father looked at him gravely and thoughtfully.

"Now it seems to me so different," he said sadly, "it seems to me you
can live your own life, and be independent, and think as you like
without being choked with harassments. I feel as if I could keep
on—like that——"

"I'm going to get more out of my life, I hope," laughed George. "No. Do
you know?" and here he turned straight to Lettie. "Do you know, I'm
going to get pretty rich, so that I can do what I want for a bit. I want
to see what it's like, to taste all sides—to taste the towns. I want to
know what I've got in me. I'll get rich—or at least I'll have a good
try."

"And pray how will you manage it?" asked Emily.

"I'll begin by marrying—and then you'll see."

Emily laughed with scorn—"Let us see you begin."

"Ah, you're not wise!" said the father sadly—then, laughing, he said to
Lettie in coaxing, confidential tones, "but he'll come out there to me
in a year or two—you see if he doesn't."

"I wish I could come now," said I.

"If you would," said George, "I'd go with you. But not by myself, to
become a fat stupid fool, like my own cattle."

While he was speaking Gyp burst into a rage of barking. The father got
up to see what it was, and George followed. Trip, the great
bull-terrier, rushed out of the house shaking the buildings with his
roars. We saw the white dog flash down the yard, we heard a rattle from
the hen-house ladder, and in a moment a scream from the orchard side.

We rushed forward, and there on the sharp bank-side lay a little figure,
face down, and Trip standing over it, looking rather puzzled.

I picked up the child—it was Sam. He struggled as soon as he felt my
hands, but I bore him off to the house. He wriggled like a wild hare,
and kicked, but at last he was still. I set him on the hearthrug to
examine him. He was a quaint little figure, dressed in a man's trousers
that had been botched small for him, and a coat hanging in rags.

"Did he get hold of you?" asked the father. "Where was it he got hold of
you?"

But the child stood unanswering, his little pale lips pinched together,
his eyes staring out at nothing. Emily went on her knees before him, and
put her face close to his, saying, with a voice that made one shrink
from its unbridled emotion of caress:

"Did he hurt you, eh?—tell us where he hurt you." She would have put
her arms around him, but he shrank away.

"Look here," said Lettie, "it's here—and it's bleeding. Go and get some
water, Emily, and some rags. Come on, Sam, let me look and I'll put some
rags round it. Come along."

She took the child and stripped him of his grotesque garments. Trip had
given him a sharp grab on the thigh before he had realised that he was
dealing with a little boy. It was not much, however, and Lettie soon had
it bathed, and anointed with elder-flower ointment. On the boy's body
were several scars and bruises—evidently he had rough times. Lettie
tended to him and dressed him again. He endured these attentions like a
trapped wild rabbit—never looking at us, never opening his lips—only
shrinking slightly. When Lettie had put on him his torn little shirt,
and had gathered the great breeches about him, Emily went to him to coax
him and make him at home. She kissed him, and talked to him with her
full vibration of emotional caress. It seemed almost to suffocate him.
Then she tried to feed him with bread and milk from a spoon, but he
would not open his mouth, and he turned his head away.

"Leave him alone—take no notice of him," said Lettie, lifting him into
the chimney seat, with the basin of bread and milk beside him. Emily
fetched the two kittens out of their basket and put them too beside him.

"I wonder how many eggs he'd got," said the father, laughing softly.

"Hush!" said Lettie. "When do you think you will go to Canada,
Mr. Saxton?"

"_Next_ spring—it's no good going before."

"And then you'll marry?" asked Lettie of George.

"Before then—oh, before then," he said.

"Why—how is it you are suddenly in such a hurry?—when will it be?"

"When are you marrying?" he asked in reply.

"I don't know," she said, coming to a full stop.

"Then I don't know," he said, taking a large wedge of cheese and biting
a piece from it.

"It was fixed for June," she said, recovering herself at his suggestion
of hope.

"July!" said Emily.

"Father!" said he, holding the piece of cheese up before him as he
spoke—he was evidently nervous: "Would you advise me to marry Meg?"

His father started, and said:

"Why, was you thinking of doing?"

"Yes—all things considered."

"Well—if she suits you——"

"We're cousins——"

"If you want her, I suppose you won't let that hinder you. She'll have a
nice bit of money, and if you like her——"

"I like her all right—I shan't go out to Canada with her though. I
shall stay at the Ram—for the sake of the life."

"It's a poor life, that!" said the father, ruminating.

George laughed. "A bit mucky!" he said—"But it'll do. It would need
Cyril or Lettie to keep me alive in Canada."

It was a bold stroke—everybody was embarrassed.

"Well," said the father, "I suppose we can't have everything we want—we
generally have to put up with the next best thing—don't we,
Lettie?"—he laughed. Lettie flushed furiously.

"I don't know," she said. "You can generally get what you want if you
want it badly enough. Of course—if you _don't mind_——"

She rose and went across to Sam.

He was playing with the kittens. One was patting and cuffing his bare
toe, which had poked through his stocking. He pushed and teased the
little scamp with his toe till it rushed at him, clinging, tickling,
biting till he gave little bubbles of laughter, quite forgetful of us.
Then the kitten was tired, and ran off. Lettie shook her skirts, and
directly the two playful mites rushed upon it, darting round her,
rolling head over heels, and swinging from the soft cloth. Suddenly
becoming aware that they felt tired, the young things trotted away and
cuddled together by the fender, where in an instant they were asleep.
Almost as suddenly, Sam sank into drowsiness.

"He'd better go to bed," said the father.

"Put him in my bed," said George. "David would wonder what had
happened."

"Will you go to bed, Sam?" asked Emily, holding out her arms to him, and
immediately startling him by the terrible gentleness of her persuasion.
He retreated behind Lettie.

"Come along," said the latter, and she quickly took him and undressed
him. Then she picked him up, and his bare legs hung down in front of
her. His head drooped drowsily on to her shoulder, against her neck.

She put down her face to touch the loose riot of his ruddy hair. She
stood so, quiet, still and wistful, for a few moments; perhaps she was
vaguely aware that the attitude was beautiful for her, and irresistibly
appealing to George, who loved, above all in her, her delicate dignity
of tenderness. Emily waited with the lighted candle for her some
moments.

When she came down there was a softness about her.

"Now," said I to myself, "if George asks her again he is wise."

"He is asleep," she said quietly.

"I'm thinking we might as well let him stop while we're here, should we,
George?" said the father. "Eh?"

"We'll keep him here while we _are_ here——"

"Oh—the lad! I should. Yes—he'd be better here than up yonder."

"Ah, yes—ever so much. It is good of you," said Lettie.

"Oh, he'll make no difference," said the father.

"Not a bit," added George.

"What about his mother!" asked Lettie.

"I'll call and tell her in the morning," said George.

"Yes," she said, "call and tell her."

Then she put on her things to go. He also put on his cap.

"Are you coming a little way, Emily?" I asked.

She ran, laughing, with bright eyes as we went out into the darkness.

We waited for them at the wood gate. We all lingered, not knowing what
to say. Lettie said finally:

"Well—it's no good—the grass is wet—Good-night—Good-night, Emily."

"Good-night," he said, with regret and hesitation, and a trifle of
impatience in his voice and his manner. He lingered still a moment; she
hesitated—then she struck off sharply.

"He has not asked her, the idiot!" I said to myself.

"Really," she said bitterly, when we were going up the garden path, "You
think rather quiet folks have a lot in them, but it's only
stupidity—they are mostly fools."



      CHAPTER V

   AN ARROW FROM THE IMPATIENT GOD


On an afternoon three or four days after the recovery of Sam, matters
became complicated. George, as usual, discovered that he had been
dawdling in the portals of his desires, when the doors came to with a
bang. Then he hastened to knock.

"Tell her," he said, "I will come up tomorrow after milking—tell her
I'm coming to see her."

On the evening of that morrow, the first person to put in an appearance
was a garrulous spinster who had called ostensibly to inquire into the
absence of the family from church: "I said to Elizabeth, 'Now what a
_thing_ if anything happens to them just now, and the wedding is put
off.' I felt I _must_ come and make myself sure—that nothing had
happened. We all feel _so_ interested in Lettie just now. I'm sure
everybody is talking of her, she seems in the air.—I really think we
shall have thunder: I _hope_ we shan't.—Yes, we are all so glad that
Mr. Tempest is content with a wife from at home—the others, his father
and Mr. Robert and the rest—they were none of them to be suited at
home, though to be sure the wives they brought were nothing—indeed they
were not—as many a one said—Mrs. Robert was a paltry choice—neither
in looks or manner had she anything to boast of—if her family was older
than mine. Family wasn't much to make up for what she lacked in other
things, that I could easily have supplied her with; and, oh, dear, what
an object she is now, with her wisp of hair and her spectacles! She for
one hasn't kept much of her youth. But when _is_ the exact date,
dear?—Some say this and some that, but as I always say, I never trust a
'they say.' It is so nice that you have that cousin a canon to come down
for the service, Mrs. Beardsall, and Sir Walter Houghton for the groom's
man! What?—You don't think so—oh, but I know, dear, I know; you do
like to treasure up these secrets, don't you; you are greedy for all the
good things just now."

She shook her head at Lettie, and the jet ornaments on her bonnet
twittered like a thousand wagging little tongues. Then she sighed, and
was about to recommence her song, when she happened to turn her head and
to espy a telegraph boy coming up the path.

"Oh, I hope nothing is wrong, dear—I hope nothing is wrong! I always
feel so terrified of a telegram. You'd better not open it yourself,
dear—don't now—let your brother go."

Lettie, who had turned pale, hurried to the door. The sky was very
dark—there was a mutter of thunder.

"It's all right," said Lettie, trembling, "it's only to say he's coming
to-night."

"I'm very thankful, very thankful," cried the spinster. "It might have
been so much worse. I'm sure I never open a telegram without feeling as
if I was opening a death-blow. I'm so glad, dear; it must have upset
you. What news to take back to the village, supposing something had
happened!" she sighed again, and the jet drops twinkled ominously in the
thunder light, as if declaring they would make something of it yet.

It was six o'clock. The air relaxed a little, and the thunder was
silent. George would be coming about seven; and the spinster showed no
signs of departure; and Leslie might arrive at any moment. Lettie
fretted and fidgeted, and the old woman gabbled on. I looked out of the
window at the water and the sky.

The day had been uncertain. In the morning it was warm, and the sunshine
had played and raced among the cloud-shadows on the hills. Later, great
cloud masses had stalked up from the northwest and crowded thick across
the sky; in this little night, sleet and wind, and rain whirled
furiously. Then the sky had laughed at us again. In the sunshine came
the spinster. But as she talked, over the hilltop rose the wide forehead
of the cloud, rearing slowly, ominously higher. A first messenger of
storm passed darkly over the sky, leaving the way clear again.

"I will go round to Highclose," said Lettie. "I am sure it will be
stormy again. Are you coming down the road, Miss Slaighter, or do you
mind if I leave you?"

"I will go, dear, if you think there is going to be another storm—I
dread it so. Perhaps I had better wait——"

"Oh, it will not come over for an hour, I am sure. We read the weather
well out here, don't we, Cyril? You'll come with me, won't you?"

We three set off, the gossip leaning on her toes, tripping between us.
She was much gratified by Lettie's information concerning the proposals
for the new home. We left her in a glow of congratulatory smiles on the
highway. But the clouds had upreared, and stretched in two great arms,
reaching overhead. The little spinster hurried along, but the black
hands of the clouds kept pace and clutched her. A sudden gust of wind
shuddered in the trees, and rushed upon her cloak, blowing its bugles.

An icy raindrop smote into her cheek. She hurried on, praying fervently
for her bonnet's sake that she might reach Widow Harriman's cottage
before the burst came. But the thunder crashed in her ear, and a host of
hailstones flew at her. In despair and anguish she fled from under the
ash trees; she reached the widow's garden gate, when out leapt the
lightning full at her. "Put me in the stair-hole!" she cried. "Where is
the stair-hole?"

Glancing wildly round, she saw a ghost. It was the reflection of the
sainted spinster, Hilda Slaighter, in the widow's mirror; a reflection
with a bonnet fallen backwards, and to it attached a thick rope of
grey-brown hair. The author of the ghost instinctively twisted to look
at the back of her head. She saw some ends of grey hair, and fled into
the open stair-hole as into a grave.

We had gone back home till the storm was over, and then, restless,
afraid of the arrival of George, we set out again into the wet evening.
It was fine and chilly, and already a mist was rising from Nethermere,
veiling the farther shore, where the trees rose loftily, suggesting
groves beyond the Nile. The birds were singing riotously. The fresh
green hedge glistened vividly and glowed again with intense green.
Looking at the water, I perceived a delicate flush from the west hiding
along it. The mist licked and wreathed up the shores; from the hidden
white distance came the mournful cry of water fowl. We went slowly along
behind a heavy cart, which clanked and rattled under the dripping trees,
with the hoofs of the horse moving with broad thuds in front. We passed
over black patches where the ash flowers were beaten down, and under
great massed clouds of green sycamore. At the sudden curve of the road,
near the foot of the hill, I stopped to break off a spray of larch,
where the soft cones were heavy as raspberries, and gay like flowers
with petals. The shaken bough spattered a heavy shower on my face, of
drops so cold that they seemed to sink into my blood and chill it.

"Hark!" said Lettie, as I was drying my face. There was the quick patter
of a motor-car coming downhill. The heavy cart was drawn across the road
to rest, and the driver hurried to turn the horse back. It moved with
painful slowness, and we stood in the road in suspense. Suddenly, before
we knew it, the car was dropping down on us, coming at us in a curve,
having rounded the horse and cart. Lettie stood faced with terror.
Leslie saw her, and swung round the wheels on the sharp, curving
hill-side; looking only to see that he should miss her. The car slid
sideways; the mud crackled under the wheels, and the machine went
crashing into Nethermere. It caught the edge of the old stone wall with
a smash. Then for a few moments I think I was blind. When I saw again,
Leslie was lying across the broken hedge, his head hanging down the
bank, his face covered with blood; the car rested strangely on the brink
of the water, crumpled as if it had sunk down to rest.

Lettie, with hands shuddering, was wiping the blood from his eyes with a
piece of her underskirt. In a moment she said:

"He is not dead—let us take him home—let us take him quickly."

I ran and took the wicket gate off its hinges and laid him on that. His
legs trailed down, but we carried him thus, she at the feet, I at the
head. She made me stop and put him down. I thought the weight was too
much for her, but it was not that.

"I can't bear to see his hand hanging, knocking against the bushes and
things."

It was not many yards to the house. A maidservant saw us, came running
out, and went running back, like the frightened lapwing from the wounded
cat.

We waited until the doctor came. There was a deep graze down the side of
the head—serious, but not dangerous; there was a cut across the
cheek-bone that would leave a scar; and the collar-bone was broken. I
stayed until he had recovered consciousness. "Lettie," he wanted Lettie,
so she had to remain at Highclose all night. I went home to tell my
mother.

When I went to bed I looked across at the lighted windows of Highclose,
and the lights trailed mistily towards me across the water. The cedar
stood dark guard against the house; bright the windows were, like the
stars, and, like the stars, covering their torment in brightness. The
sky was glittering with sharp lights—they are too far off to take
trouble for us, so little, little almost to nothingness. All the great
hollow vastness roars overhead, and the stars are only sparks that whirl
and spin in the restless space. The earth must listen to us; she covers
her face with a thin veil of mist, and is sad; she soaks up our blood
tenderly, in the darkness, grieving, and in the light she soothes and
reassures us. Here on our earth is sympathy and hope, the heavens have
nothing but distances.

A corn-crake talked to me across the valley, talked and talked
endlessly, asking and answering in hoarse tones from the sleeping,
mist-hidden meadows. The monotonous voice, that on past summer evenings
had had pleasant notes of romance, now was intolerable to me. Its
inflexible harshness and cacophany seemed like the voice of fate
speaking out its tuneless perseverance in the night.

In the morning Lettie came home wan, sad-eyed, and self-reproachful.
After a short time they came for her, as he wanted her again.

When in the evening I went to see George, he too was very despondent.

"It's no good now," said I. "You should have insisted and made your own
destiny."

"Yes—perhaps so," he drawled in his best reflective manner.

"I would have had her—she'd have been glad if you'd done as you wanted
with her. She won't leave him till he's strong, and he'll marry her
before then. You should have had the courage to risk yourself—you're
always too careful of yourself and your own poor feelings—you never
could brace yourself up to a shower-bath of contempt and hard usage, so
you've saved your feelings and lost—not much, I suppose—you couldn't."

"But——" he began, not looking up; and I laughed at him.

"Go on," I said.

"Well—she was engaged to him——"

"Pah—you thought you were too good to be rejected."

He was very pale, and when he was pale, the tan on his skin looked
sickly. He regarded me with his dark eyes, which were now full of misery
and a child's big despair.

"And nothing else," I completed, with which the little, exhausted
gunboat of my anger wrecked and sank utterly. Yet no thoughts would
spread sail on the sea of my pity: I was like water that heaves with
yearning, and is still.

Leslie was very ill for some time. He had a slight brain fever, and was
delirious, insisting that Lettie was leaving him. She stayed most of her
days at Highclose.

One day in June he lay resting on a deck chair in the shade of the
cedar, and she was sitting by him. It was a yellow, sultry day, when all
the atmosphere seemed inert, and all things were languid.

"Don't you think, dear," she said, "it would be better for us not to
marry?"

He lifted his head nervously from the cushions; his face was emblazoned
with a livid red bar on a field of white, and he looked worn, wistful.

"Do you mean not yet?" he asked.

"Yes—and, perhaps,—perhaps never."

"Ha," he laughed, sinking down again. "I must be getting like myself
again, if you begin to tease me."

"But," she said, struggling valiantly, "I'm not sure I ought to marry
you."

He laughed again, though a little apprehensively.

"Are you afraid I shall always be weak in my noddle?" he asked. "But you
wait a month."

"No, that doesn't bother me——"

"Oh, doesn't it!"

"Silly boy—no, it's myself."

"I'm sure I've made no complaint about you."

"Not likely—but I wish you'd let me go."

"I'm a strong man to hold you, aren't I? Look at my muscular paw!"—he
held out his hands, frail and white with sickness.

"You know you hold me—and I want you to let me go. I don't want to——"

"To what?"

"To get married at all—let me be, let me go."

"What for?"

"Oh—for my sake."

"You mean you don't love me?"

"Love—love—I don't know anything about it. But I can't—we can't
be—don't you see—oh, what do they say,—flesh of one flesh."

"Why?" he whispered, like a child that is told some tale of mystery.

She looked at him, as he lay propped upon his elbow, turning towards
hers his white face of fear and perplexity, like a child that cannot
understand, and is afraid, and wants to cry. Then slowly tears gathered
full in her eyes, and she wept from pity and despair.

This excited him terribly. He got up from his chair, and the cushions
fell on to the grass:

"What's the matter, what's the matter!—Oh, Lettie,—is it me?—don't
you want me now?—is that it?—tell me, tell me now, tell me,"—he
grasped her wrists, and tried to pull her hands from her face. The tears
were running down his cheeks. She felt him trembling, and the sound of
his voice alarmed her from herself. She hastily smeared the tears from
her eyes, got up, and put her arms round him. He hid his head on her
shoulder and sobbed, while she bent over him, and so they cried out
their cries, till they were ashamed, looking round to see if anyone were
near. Then she hurried about, picking up the cushions, making him lie
down, and arranging him comfortably, so that she might be busy. He was
querulous, like a sick, indulged child. He would have her arm under his
shoulders, and her face near his.

"Well," he said, smiling faintly again after a time. "You are naughty to
give us such rough times—is it for the pleasure of making up, bad
little Schnucke—aren't you?"

She kept close to him, and he did not see the wince and quiver of her
lips.

"I wish I was strong again—couldn't we go boating—or ride on
horseback—and you'd have to behave then. Do you think I shall be strong
in a month? Stronger than you?"

"I hope so," she said.

"Why, I don't believe you do, I believe you like me like this—so that
you can lay me down and smooth me—don't you, quiet girl?"

"When you're good."

"Ah, well, in a month I shall be strong, and we'll be married and go to
Switzerland—do you hear, Schnucke—you won't be able to be naughty any
more then. Oh—do you want to go away from me again?"

"No—only my arm is dead," she drew it from beneath him, standing up,
swinging it, smiling because it hurt her.

"Oh, my darling—what a shame! oh, I am a brute, a kiddish brute. I wish
I was strong again, Lettie, and didn't do these things."

"You boy—it's nothing." She smiled at him again.



      CHAPTER VI

      THE COURTING


During Leslie's illness I strolled down to the mill one Saturday
evening. I met George tramping across the yard with a couple of buckets
of swill, and eleven young pigs rushing squealing about his legs,
shrieking in an agony of suspense. He poured the stuff into a trough
with luscious gurgle, and instantly ten noses were dipped in, and ten
little mouths began to slobber. Though there was plenty of room for ten,
yet they shouldered and shoved and struggled to capture a larger space,
and many little trotters dabbled and spilled the stuff, and the ten
sucking, clapping snouts twitched fiercely, and twenty little eyes
glared askance, like so many points of wrath. They gave uneasy, gasping
grunts in their haste. The unhappy eleventh rushed from point to point
trying to push in his snout, but for his pains he got rough squeezing,
and sharp grabs on his ears. Then he lifted up his face and screamed
screams of grief and wrath unto the evening sky.

But the ten little gluttons only twitched their ears to make sure there
was no danger in the noise, and they sucked harder, with much spilling
and slobbing. George laughed like a sardonic Jove, but at last he gave
ear, and kicked the ten gluttons from the trough, and allowed the
residue to the eleventh. This one, poor wretch, almost wept with relief
as he sucked and swallowed in sobs, casting his little eyes
apprehensively upwards, though he did not lift his nose from the trough,
as he heard the vindictive shrieks of ten little fiends kept at bay by
George. The solitary feeder, shivering with apprehension, rubbed the
wood bare with his snout, then, turning up to heaven his eyes of
gratitude, he reluctantly left the trough. I expected to see the ten
fall upon him and devour him, but they did not; they rushed upon the
empty trough, and rubbed the wood still drier, shrieking with misery.

"How like life," I laughed.

"Fine litter," said George; "there were fourteen, only that damned
she-devil, Circe, went and ate three of 'em before we got at her."

The great ugly sow came leering up as he spoke.

"Why don't you fatten her up, and devour her, the old gargoyle? She's an
offence to the universe."

"Nay—she's a fine sow."

I snorted, and he laughed, and the old sow grunted with contempt, and
her little eyes twisted towards us with a demoniac leer as she rolled
past.

"What are you going to do to-night!" I asked. "Going out?"

"I'm going courting," he replied, grinning.

"Oh!—wish _I_ were!"

"You can come if you like—and tell me where I make mistakes, since
you're an expert on such matters."

"Don't you get on very well then?" I asked.

"Oh, all right—it's easy enough when you don't care a damn. Besides,
you can always have a Johnny Walker. That's the best of courting at the
Ram Inn. I'll go and get ready."

In the kitchen Emily sat grinding out some stitching from a big old
hand-machine that stood on the table before her: she was making shirts
for Sam, I presumed. That little fellow, who was installed at the farm,
was seated by her side firing off words from a reading book. The machine
rumbled and rattled on, like a whole factory at work, for an inch or
two, during which time Sam shouted in shrill explosions like irregular
pistol shots: "Do—not—pot——" "Put!" cried Emily from the machine;
"put——" shrilled the child, "the soot—on—my—boot,"——there the
machine broke down, and, frightened by the sound of his own voice, the
boy stopped in bewilderment and looked round.

"Go on!" said Emily, as she poked in the teeth of the old machine with
the scissors, then pulled and prodded again. He began
"—boot—but—you——" here he died off again, made nervous by the sound
of his voice in the stillness. Emily sucked a piece of cotton and pushed
it through the needle.

"Now go on," she said, "—'but you may'."

"But—you—may—shoot":—he shouted away, reassured by the rumble of the
machine: "Shoot—the—fox. I—I—It—is—at—the—rot——"

"Root," shrieked Emily, as she guided the stuff through the doddering
jaws of the machine.

"Root," echoed the boy, and he went off with these crackers:
"Root—of—the—tree."

"Next one!" cried Emily.

"Put—the—ol——" began the boy.

"What?" cried Emily.

"Ole—on——"

"Wait a bit!" cried Emily, and then the machine broke down.

"Hang!" she ejaculated.

"Hang!" shouted the child.

She laughed, and leaned over to him:

"'Put the oil in the pan to boil, while I toil in the soil—Oh, Cyril, I
never knew you were there! Go along now, Sam: David 'll be at the back
somewhere."

"He's in the bottom garden," said I, and the child ran out.

Directly George came in from the scullery, drying himself. He stood on
the hearthrug as he rubbed himself, and surveyed his reflection in the
mirror above the high mantelpiece; he looked at himself and smiled. I
wondered that he found such satisfaction in his image, seeing that there
was a gap in his chin, and an uncertain moth-eaten appearance in one
cheek. Mrs. Saxton still held this mirror an object of dignity; it was
fairly large, and had a well-carven frame; but it left gaps and spots
and scratches in one's countenance, and even where it was brightest, it
gave one's reflection a far-away dim aspect. Notwithstanding, George
smiled at himself as he combed his hair, and twisted his moustache.

"You seem to make a good impression on yourself," said I.

"I was thinking I looked all right—sort of face to go courting with,"
he replied, laughing: "You just arrange a patch of black to come and
hide your faults—and you're all right."

"I always used to think," said Emily, "that the black spots had
swallowed so many faces they were full up, and couldn't take any
more—and the rest was misty because there were so many faces lapped one
over the other—reflected."

"You do see yourself a bit ghostish——" said he, "on a background of
your ancestors. I always think when you stop in an old place like this
you sort of keep company with your ancestors too much; I sometimes feel
like a bit of the old building walking about; the old feelings of the
old folks stick to you like the lichens on the walls; you sort of get
hoary."

"That's it—it's true," asserted the father, "people whose families have
shifted about much don't know how it feels. That's why I'm going to
Canada."

"And I'm going in a Pub," said George, "where it's quite
different—plenty of life."

"Life!" echoed Emily with contempt.

"That's the word, my wench," replied her brother, lapsing into the
dialect. "That's what I'm after. We known such a lot, an' we known
nöwt."

"You do——" said the father, turning to me, "you stay in one place,
generation after generation, and you seem to get proud, an' look on
things outside as foolishness. There's many a thing as any common man
knows, as we haven't a glimpse of. We keep on thinking and feeling the
same, year after year, till we've only got one side; an' I suppose
they've done it before us."

"It's 'Good-night an' God bless you,' to th' owd place, granfeythers an'
grammothers," laughed George as he ran upstairs—"an' off we go on the
gallivant," he shouted from the landing.

His father shook his head, saying:

"I can't make out how it is, he's so different. I suppose it's being in
love——"

We went into the barn to get the bicycles to cycle over to Greymede.
George struck a match to look for his pump, and he noticed a great
spider scuttle off into the corner of the wall, and sit peeping out at
him like a hoary little ghoul.

"How are you, old chap?" said George, nodding to him—"Thought he looked
like an old grandfather of mine," he said to me, laughing, as he pumped
up the tyres of the old bicycle for me.

It was Saturday night, so the bar parlour of the Ram Inn was fairly
full.

"Hello, George—come co'tin'?" was the cry, followed by a nod and a
"Good evenin'," to me, who was a stranger in the parlour.

"It's raïght for thaïgh," said a fat young fellow with an unwilling
white mustache, "—tha can co'te as much as ter likes ter 'ae, as well
as th' lass, an' it costs thee nöwt——" at which the room laughed,
taking pipes from mouths to do so. George sat down, looking round.

"'Owd on a bit," said a black-whiskered man, "tha mun 'a 'e patience
when to 't co'tin' a lass. Ow's puttin' th' owd lady ter bed—'ark
thee—can t' ear—that wor th' bed latts goin' bang. Ow'll be dern in a
minnit now, gie 'er time ter tuck th' owd lady up. Can' ter 'ear 'er say
'er prayers."

"Strike!" cried the fat young man, exploding:

"Fancy th' owd lady sayin' 'er prayers!—it 'ud be enough ter ma'e 'er
false teeth drop out."

The room laughed.

They began to tell tales about the old landlady. She had practised
bone-setting, in which she was very skilful. People came to her from
long distances that she might divine their trouble and make right their
limbs. She would accept no fee.

Once she had gone up to Dr. Fullwood to give him a piece of her mind,
inasmuch as he had let a child go for three weeks with a broken
collar-bone, whilst treating him for dislocation. The doctor had tried
the high hand with her, since when, wherever he went the miners placed
their hands on their shoulders, and groaned: 'Oh my collar-bone!'

Here Meg came in. She gave a bright, quick, bird like look at George,
and flushed a brighter red.

"I thought you wasn't cummin," she said.

"Dunna thee bother—'e'd none stop away," said the black-whiskered man.

She brought us glasses of whisky, and moved about supplying the men, who
chaffed with her honestly and good-naturedly. Then she went out, but we
remained in our corner. The men talked on the most peculiar subjects:
there was a bitter discussion as to whether London is or is not a
seaport—the matter was thrashed out with heat; then an embryo artist
set the room ablaze by declaring there were only three colours, red,
yellow, and blue, and the rest were not colours, they were mixtures:
this amounted almost to atheism and one man asked the artist to dare to
declare that his brown breeches were not a colour, which the artist did,
and almost had to fight for it; next they came to strength, and George
won a bet of five shillings, by lifting a piano; then they settled down,
and talked sex, sotto voce, one man giving startling accounts of
Japanese and Chinese prostitutes in Liverpool. After this the talk split
up: a farmer began to counsel George how to manage the farm attached to
the Inn, another bargained with him about horses, and argued about
cattle, a tailor advised him thickly to speculate, and unfolded a fine
secret by which a man might make money, if he had the go to do it—so
on, till eleven o'clock. Then Bill came and called "time!" and the place
was empty, and the room shivered as a little fresh air came in between
the foul tobacco smoke, and the smell of drink, and foul breath.

We were both affected by the whisky we had drunk. I was ashamed to find
that when I put out my hand to take my glass, or to strike a match, I
missed my mark, and fumbled; my hands seemed hardly to belong to me, and
my feet were not much more sure. Yet I was acutely conscious of every
change in myself and in him; it seemed as if I could make my body drunk,
but could never intoxicate my mind, which roused itself and kept the
sharpest guard. George was frankly half drunk: his eyelids sloped over
his eyes and his speech was thick; when he put out his hand he knocked
over his glass, and the stuff was spilled all over the table; he only
laughed. I, too, felt a great prompting to giggle on every occasion, and
I marvelled at myself.

Meg came into the room when all the men had gone.

"Come on, my duck," he said, waving his arm with the generous flourish
of a tipsy man. "Come an' sit 'ere."

"Shan't you come in th' kitchen?" she asked, looking round on the tables
where pots and glasses stood in little pools of liquor, and where spent
matches and tobacco-ash littered the white wood.

"No—what for?—come an' sit 'ere!"—he was reluctant to get on his
feet; I knew it and laughed inwardly; I also laughed to hear his thick
speech, and his words which seemed to slur against his cheeks.

She went and sat by him, having moved the little table with its spilled
liquor.

"They've been tellin' me how to get rich," he said, nodding his head and
laughing, showing his teeth, "An' I'm goin' ter show 'em. You see, Meg,
you see—I'm goin' ter show 'em I can be as good as them, you see."

"Why," said she, indulgent, "what are you going to do?"

"You wait a bit an' see—they don't know yet what I can do—they don't
know—_you_ don't know—none of you know."

"An' what shall you do when we're rich, George?"

"Do?—I shall do what I like. I can make as good a show as anybody else,
can't I?"—he put his face very near to hers, and nodded at her, but she
did not turn away.—"Yes—I'll see what it's like to have my fling.
We've been too cautious, our family has—an' I have; we're frightened of
ourselves, to do anything. I'm goin' to do what I like, my duck, now—I
don't care—— I don't care—that!"—he brought his hand down heavily on
the table nearest him, and broke a glass. Bill looked in to see what was
happening.

"But you won't do anything that's not right, George!"

"No—I don't want to hurt nobody—but I don't care—that!"

"You're too good-hearted to do anybody any harm."

"I believe I am. You know me a bit, you do, Meg—you don't think I'm a
fool now, do you?"

"I'm sure I don't—who does?"

"No—you don't—I know you don't. Gi'e me a kiss—thou'rt a little
beauty, thou art—like a ripe plum! I could set my teeth in thee,
thou'rt that nice—full o' red juice"—he playfully pretended to bite
her. She laughed, and gently pushed him away.

"Tha likest me, doesna ta?" he asked softly.

"What do you want to know for?" she replied, with a tender archness.

"But tha does—say now, tha does."

"I should a' thought you'd a' known, without telling."

"Nay, but I want to hear thee."

"Go on," she said, and she kissed him.

"But what should you do if I went to Canada and left you?"

"Ah—you wouldn't do that."

"But I might—and what then?"

"Oh, I don't know what I should do. But you wouldn't do it, I know you
wouldn't—you couldn't." He quickly put his arms round her and kissed
her, moved by the trembling surety of her tone:

"No, I wouldna—I'd niver leave thee—tha'd be as miserable as sin,
shouldna ta, my duck?"

"Yes," she murmured.

"Ah," he said, "tha'rt a warm little thing—tha loves me, eh?"

"Yes," she murmured, and he pressed her to him, and kissed her, and held
her close.

"We'll be married soon, my bird—are ter glad?—in a bit—tha'rt glad,
aren't ta?"

She looked up at him as if he were noble. Her love for him was so
generous that it beautified him.

He had to walk his bicycle home, being unable to ride; his shins, I
know, were a good deal barked by the pedals.



      CHAPTER VII

   THE FASCINATION OF THE FORBIDDEN APPLE


On the first Sunday in June, when Lettie knew she would keep her
engagement with Leslie, and when she was having a day at home from
Highclose, she got ready to go down to the mill. We were in mourning for
an aunt, so she wore a dress of fine black voile, and a black hat with
long feathers. Then, when I looked at her fair hands, and her arms
closely covered in the long black cuffs of her sleeves, I felt keenly my
old brother-love shielding, indulgent.

It was a windy, sunny day. In shelter the heat was passionate, but in
the open the wind scattered its fire. Every now and then a white cloud
broad based, blue shadowed, travelled slowly along the sky-road after
the forerunner small in the distance, and trailing over us a chill
shade, a gloom which we watched creep on over the water, over the wood
and the hill. These royal, rounded clouds had sailed all day along the
same route, from the harbour of the South to the wastes in the Northern
sky, following the swift wild geese. The brook hurried along singing,
only here and there lingering to whisper to the secret bushes, then
setting off afresh with a new snatch of song.

The fowls pecked staidly in the farmyard, with Sabbath decorum.
Occasionally a lost, sportive wind-puff would wander across the yard and
ruffle them, and they resented it. The pigs were asleep in the sun,
giving faint grunts now and then from sheer luxury. I saw a squirrel go
darting down the mossy garden wall, up into the laburnum tree, where he
lay flat along the bough, and listened. Suddenly away he went, chuckling
to himself. Gyp all at once set off barking, but I soothed her down; it
was the unusual sight of Lettie's dark dress that startled her, I
suppose.

We went quietly into the kitchen. Mrs. Saxton was just putting a
chicken, wrapped in a piece of flannel, on the warm hob to coax it into
life; it looked very feeble. George was asleep, with his head in his
arms on the table; the father was asleep on the sofa, very comfortable
and admirable; I heard Emily fleeing up stairs, presumably to dress.

"He stays out so late—up at the Ram Inn," whispered the mother in a
high whisper, looking at George, "and then he's up at five—he doesn't
get his proper rest." She turned to the chicks, and continued in her
whisper—"the mother left them just before they hatched out, so we've
been bringing them on here. This one's a bit weak—I thought I'd hot him
up a bit" she laughed with a quaint little frown of deprecation. Eight
or nine yellow, fluffy little mites were cheeping and scuffling in the
fender. Lettie bent over them to touch them; they were tame, and ran
among her fingers.

Suddenly George's mother gave a loud cry, and rushed to the fire. There
was a smell of singed down. The chicken had toddled into the fire, and
gasped its faint gasp among the red-hot cokes. The father jumped from
the sofa; George sat up with wide eyes; Lettie gave a little cry and a
shudder; Trip rushed round and began to bark. There was a smell of
cooked meat.

"There goes number one!" said the mother, with her queer little laugh.
It made me laugh too.

"What's a matter—what's a matter?" asked the father excitedly.

"It's a chicken been and walked into the fire—I put it on the hob to
warm," explained his wife.

"Goodness—I couldn't think what was up!" he said, and dropped his head
to trace gradually the border between sleeping and waking.

George sat and smiled at us faintly, he was too dazed to speak. His
chest still leaned against the table, and his arms were spread out
thereon, but he lifted his face, and looked at Lettie with his dazed,
dark eyes, and smiled faintly at her. His hair was all ruffled, and his
shirt collar unbuttoned. Then he got up slowly, pushing his chair back
with a loud noise, and stretched himself, pressing his arms upwards with
a long, heavy stretch.

"Oh—h—h!" he said, bending his arms and then letting them drop to his
sides. "I never thought you'd come to-day."

"I wanted to come and see you—I shan't have many more chances," said
Lettie, turning from him and yet looking at him again.

"_No_, I suppose not," he said, subsiding into quiet. Then there was
silence for some time. The mother began to enquire after Leslie, and
kept the conversation up till Emily came down, blushing and smiling and
glad.

"Are you coming out?" said she, "there are two or three robins' nests,
and a spinkie's——"

"I think I'll leave my hat," said Lettie, unpinning it as she spoke, and
shaking her hair when she was free. Mrs. Saxton insisted on her taking a
long white silk scarf; Emily also wrapped her hair in a gauze scarf, and
looked beautiful.

George came out with us, coatless, hatless, his waistcoat all
unbuttoned, as he was. We crossed the orchard, over the old bridge, and
went to where the slopes ran down to the lower pond, a bank all covered
with nettles, and scattered with a hazel bush or two. Among the nettles
old pans were rusting, and old coarse pottery cropped up.

We came upon a kettle heavily coated with lime. Emily bent down and
looked, and then we peeped in. There were the robin birds with their
yellow beaks stretched so wide apart I feared they would never close
them again. Among the naked little mites, that begged from us so blindly
and confidently, were huddled three eggs.

"They are like Irish children peeping out of a cottage," said Emily,
with the family fondness for romantic similes.

We went on to where a tin lay with the lid pressed back, and inside it,
snug and neat, was another nest, with six eggs, cheek to cheek.

"How warm they are," said Lettie, touching them, "you can fairly feel
the mother's breast."

He tried to put his hand into the tin, but the space was too small, and
they looked into each other's eyes and smiled. "You'd think the father's
breast had marked them with red," said Emily.

As we went up the orchard side we saw three wide displays of coloured
pieces of pots arranged at the foot of three trees.

"Look," said Emily, "those are the children's houses. You don't know how
our Mollie gets all Sam's pretty bits—she is a cajoling hussy!"

The two looked at each other again, smiling. Up on the pond-side, in the
full glitter of light, we looked round where the blades of clustering
corn were softly healing the red bosom of the hill. The larks were
overhead among the sunbeams. We straggled away across the grass. The
field was all afroth with cowslips, a yellow, glittering, shaking froth
on the still green of the grass. We trailed our shadows across the
fields, extinguishing the sunshine on the flowers as we went. The air
was tingling with the scent of blossoms.

"Look at the cowslips, all shaking with laughter," said Emily, and she
tossed back her head, and her dark eyes sparkled among the flow of
gauze. Lettie was on in front, flitting darkly across the field, bending
over the flowers, stooping to the earth like a sable Persephone come
into freedom. George had left her at a little distance, hunting for
something in the grass. He stopped, and remained standing in one place.

Gradually, as if unconsciously, she drew near to him, and when she
lifted her head, after stooping to pick some chimney-sweeps, little
grass flowers, she laughed with a slight surprise to see him so near.

"Ah!" she said. "I thought I was all alone in the world—such a splendid
world—it was so nice."

"Like Eve in a meadow in Eden—and Adam's shadow somewhere on the
grass," said I.

"No—no Adam," she asserted, frowning slightly, and laughing.

"Who ever would want streets of gold," Emily was saying to me, "when you
can have a field of cowslips! Look at that hedgebottom that gets the
South sun—one stream and glitter of buttercups."

"Those Jews always had an eye to the filthy lucre—they even made Heaven
out of it," laughed Lettie, and, turning to him, she said, "Don't you
wish we were wild—hark, like wood-pigeons—or larks—or, look, like
peewits? Shouldn't you love flying and wheeling and sparkling
and—courting in the wind?" She lifted her eyelids, and vibrated the
question. He flushed, bending over the ground.

"Look," he said, "here's a larkie's."

Once a horse had left a hoofprint in the soft meadow; now the larks had
rounded, softened the cup, and had laid there three dark-brown eggs.
Lettie sat down and leaned over the nest; he leaned above her. The wind
running over the flower heads, peeped in at the little brown buds, and
bounded off again gladly. The big clouds sent messages to them down the
shadows, and ran in raindrops to touch them.

"I wish," she said, "I wish we were free like that. If we could put
everything safely in a little place in the earth—couldn't we have a
good time as well as the larks?"

"I don't see," said he, "why we can't."

"Oh—but I can't—you know we can't"—and she looked at him fiercely.

"Why can't you?" he asked.

"You know we can't—you know as well as I do," she replied, and her
whole soul challenged him. "We have to consider things" she added. He
dropped his head. He was afraid to make the struggle, to rouse himself
to decide the question for her. She turned away, and went kicking
through the flowers. He picked up the blossoms she had left by the
nest—they were still warm from her hands—and followed her. She walked
on towards the end of the field, the long strands of her white scarf
running before her. Then she leaned back to the wind, while he caught
her up.

"Don't you want your flowers?" he asked humbly.

"No, thanks—they'd be dead before I got home—throw them away, you look
absurd with a posy."

He did as he was bidden. They came near the hedge. A crab-apple tree
blossomed up among the blue.

"You may get me a bit of that blossom," said she, and suddenly
added—"no, I can reach it myself," whereupon she stretched upward and
pulled several sprigs of the pink and white, and put it in her dress.

"Isn't it pretty?" she said, and she began to laugh ironically, pointing
to the flowers—"pretty, pink-cheeked petals, and stamens like yellow
hair, and buds like lips promising something nice"—she stopped and
looked at him, flickering with a smile. Then she pointed to the ovary
beneath the flower, and said: "Result: Crab-apples!"

She continued to look at him, and to smile. He said nothing. So they
went on to where they could climb the fence into the spinney. She
climbed to the top rail, holding by an oak bough. Then she let him lift
her down bodily.

"Ah!" she said, "you like to show me how strong you are—a veritable
Samson!"—she mocked, although she had invited him with her eyes to take
her in his arms.

We were entering the spinney of black poplar. In the hedge was an elm
tree, with myriads of dark dots pointed against the bright sky, myriads
of clusters of flaky green fruit.

"Look at that elm," she said, "you'd think it was in full leaf, wouldn't
you? Do you know why it's so prolific?"

"No," he said, with a curious questioning drawl of the monosyllable.

"It's casting its bread upon the winds—no, it is dying, so it puts out
all its strength and loads its boughs with the last fruit. It'll be dead
next year. If you're here then, come and see. Look at the ivy, the suave
smooth ivy, with its fingers in the trees' throat. Trees know how to
die, you see—we don't."

With her whimsical moods she tormented him. She was at the bottom a
seething confusion of emotion, and she wanted to make him likewise.

"If we were trees with ivy—instead of being fine humans with free
active life—we should hug our thinning lives, shouldn't we?"

"I suppose we should."

"You, for instance—fancy _your_ sacrificing yourself—for the next
generation—that reminds you of Schopenhauer, doesn't it?—for the next
generation, or love, or anything!"

He did not answer her; she was too swift for him. They passed on under
the poplars, which were hanging strings of green beads above them. There
was a little open space, with tufts of bluebells. Lettie stooped over a
wood-pigeon that lay on the ground on its breast, its wings half spread.
She took it up—its eyes were bursten and bloody; she felt its breast,
ruffling the dimming iris on its throat.

"It's been fighting," he said.

"What for—a mate?" she asked, looking at him.

"I don't know," he answered.

"Cold—he's quite cold, under the feathers! I think a wood-pigeon must
enjoy being fought for—and being won especially if the right one won.
It would be a fine pleasure to see them fighting—don't you think?" she
said, torturing him.

"The claws are spread—it fell dead off the perch," he replied.

"Ah, poor thing—it was wounded—and sat and waited for death—when the
other had won. Don't you think life is very cruel, George—and love the
cruellest of all?"

He laughed bitterly under the pain of her soft, sad tones.

"Let me bury him—and have done with the beaten lover. But we'll make
him a pretty grave."

She scooped a hole in the dark soil, and snatching a handful of
bluebells, threw them in on top of the dead bird. Then she smoothed the
soil over all, and pressed her white hands on the black loam.

"There," she said, knocking her hands one against the other to shake off
the soil, "he's done with. Come on."

He followed her, speechless with his emotion.

The spinney opened out; the ferns were serenely uncoiling, the bluebells
stood grouped with blue curls mingled. In the freer spaces
forget-me-nots flowered in nebulæ, and dog-violets gave an undertone of
dark purple, with primroses for planets in the night. There was a slight
drift of woodruff, sweet new-mown hay, scenting the air under the
boughs. On a wet bank was the design of golden saxifrage, glistening
unholily as if varnished by its minister, the snail. George and Lettie
crushed the veined belles of wood-sorrel and broke the silken mosses.
What did it matter to them what they broke or crushed.

Over the fence of the spinney was the hillside, scattered with old thorn
trees. There the little grey lichens held up ruby balls to us unnoticed.
What did it matter, when all the great red apples were being shaken from
the Tree to be left to rot.

"If I were a man," said Lettie, "I would go out west and be free. I
should love it."

She took the scarf from her head and let it wave out on the wind; the
colour was warm in her face with climbing, and her curls were freed by
the wind, sparkling and rippling.

"Well—you're not a man," he said, looking at her, and speaking with
timid bitterness.

"No," she laughed, "if I were, I would shape things—oh, wouldn't I have
my own way!"

"And don't you now?"

"Oh—I don't want it particularly—when I've got it. When I've had my
way, I _do want_ somebody to take it back from me."

She put her head back and looked at him sideways, laughing through the
glitter of her hair.

They came to the kennels. She sat down on the edge of the great stone
water trough, and put her hands in the water, moving them gently like
submerged flowers through the clear pool.

"I love to see myself in the water," she said, "I don't mean _on_ the
water, Narcissus—but that's how I should like to be out west, to have a
little lake of my own, and swim with my limbs quite free in the water."

"Do you swim well?" he asked.

"Fairly."

"I would race you—in your little lake."

She laughed, took her hands out of the water, and watched the clear
drops trickle off. Then she lifted her head suddenly, at some thought or
other. She looked across the valley, and saw the red roofs of the Mill.

    "—Ilion, Ilion
    Fatalis incestusque judex
    Et mulier peregrina vertit.
    In pulverem——"

"What's that?" he said.

"Nothing."

"That's a private trough," exclaimed a thin voice, high like a peewit's
cry. We started in surprise to see a tall, black-bearded man looking at
us and away from us nervously, fidgeting uneasily some ten yards off.

"Is it?" said Lettie, looking at her wet hands, which she proceeded to
dry on a fragment of a handkerchief.

"You mustn't meddle with it," said the man in the same reedy, oboe
voice. Then he turned his head away, and his pale grey eyes roved the
countryside——when he had courage, he turned his back to us, shading
his eyes to continue his scrutiny. He walked hurriedly, a few steps,
then craned his neck, peering into the valley, and hastened a dozen
yards in another direction, again stretching and peering about. Then he
went indoors.

"He is pretending to look for somebody," said Lettie, "but it's only
because he's afraid we shall think he came out just to look at us"—and
they laughed.

Suddenly a woman appeared at the gate; she had pale eyes like the
mouse-voiced man.

"You'll get Bright's disease sitting on that there damp stone," she said
to Lettie, who at once rose apologetically.

"I ought to know," continued the mouse-voiced woman, "my own mother died
of it."

"Indeed," murmured Lettie, "I'm sorry."

"Yes," continued the woman, "it behooves you to be careful. Do you come
from Strelley Mill Farm?" she asked suddenly of George, surveying his
shameful déshabille with bitter reproof.

He admitted the imputation.

"And you're going to leave, aren't you?"

Which also he admitted.

"Humph!—we s'll 'appen get some neighbours. It's a dog's life for
loneliness. I suppose you knew the last lot that was here."

Another brief admission.

"A dirty lot—a dirty beagle she must have been. You should just ha'
seen these grates."

"Yes," said Lettie, "I have seen them."

"Faugh—the state! But come in—come in, you'll see a difference."

They entered, out of curiosity. The kitchen was indeed different. It was
clean and sparkling, warm with bright red chintzes on the sofa and on
every chair cushion. Unfortunately the effect was spoiled by green and
yellow antimaccassars, and by a profusion of paper and woollen flowers.
There were three cases of woollen flowers, and on the wall, four fans
stitched over with ruffled green and yellow paper, adorned with yellow
paper roses, carnations, arum lilies, and poppies; there were also wall
pockets full of paper flowers; while the wood outside was loaded with
blossom. "Yes," said Lettie, "there is a difference." The woman swelled,
and looked round. The black-bearded man peeped from behind the Christian
Herald—those long blaring trumpets!—and shrank again. The woman darted
at his pipe, which he had put on a piece of newspaper on the hob, and
blew some imaginary ash from it. Then she caught sight of
something—perhaps some dust—on the fireplace.

"There!" she cried, "I knew it; I couldn't leave him one second! I
haven't work enough burning wood, but he must be poke——poke——"

"I only pushed a piece in between the bars," complained the mouse-voice
from behind the paper.

"Pushed a piece in!" she re-echoed, with awful scorn, seizing the poker
and thrusting it over his paper. "What do you call that, sitting there
telling your stories before folks——"

They crept out and hurried away. Glancing round, Lettie saw the woman
mopping the doorstep after them, and she laughed. He pulled his watch
out of his breeches' pocket; it was half-past three.

"What are you looking at the time for?" she asked.

"Meg's coming to tea," he replied.

She said no more, and they walked slowly on.

When they came on to the shoulder of the hill, and looked down on to the
mill, and the mill-pond, she said:

"I will not come down with you—I will go home."

"Not come down to tea!" he exclaimed, full of reproach and amazement.
"Why, what will they say?"

"No, I won't come down—let me say farewell—'jamque Vale! Do you
remember how Eurydice sank back into Hell?"

"But"—he stammered, "you must come down to tea—how can I tell them?
Why won't you come?"

She answered him in Latin, with two lines from Virgil. As she watched
him, she pitied his helplessness, and gave him a last cut as she said,
very softly and tenderly:

"It wouldn't be fair to Meg."

He stood looking at her; his face was coloured only by the grey-brown
tan; his eyes, the dark, self-mistrustful eyes of the family, were
darker than ever, dilated with misery of helplessness; and she was
infinitely pitiful. She wanted to cry in her yearning.

"Shall we go into the wood for a few minutes?" she said in a low,
tremulous voice, as they turned aside.

The wood was high and warm. Along the ridings the forget-me-nots were
knee deep, stretching, glimmering into the distance like the Milky Way
through the night. They left the tall, flower-tangled paths to go in
among the bluebells, breaking through the close-pressed flowers and
ferns till they came to an oak which had fallen across the hazels, where
they sat half screened. The hyacinths drooped magnificently with an
overweight of purple, or they stood pale and erect, like unripe ears of
purple corn. Heavy bees swung down in a blunder of extravagance among
the purple flowers. They were intoxicated even with the sight of so much
blue. The sound of their hearty, wanton humming came clear upon the
solemn boom of the wind overhead. The sight of their clinging,
clambering riot gave satisfaction to the soul. A rosy campion flower
caught the sun and shone out. An elm sent down a shower of flesh-tinted
sheaths upon them.

"If there were fauns and hamadryads!" she said softly, turning to him to
soothe his misery. She took his cap from his head, ruffled his hair,
saying:

"If you were a faun, I would put guelder roses round your hair, and make
you look Bacchanalian." She left her hand lying on his knee, and looked
up at the sky. Its blue looked pale and green in comparison with the
purple tide ebbing about the wood. The clouds rose up like towers, and
something had touched them into beauty, and poised them up among the
winds. The clouds passed on, and the pool of sky was clear.

"Look," she said, "how we are netted down—boughs with knots of green
buds. If we were free on the winds!—But I'm glad we're not." She turned
suddenly to him, and with the same movement, she gave him her hand, and
he clasped it in both his. "I'm glad we're netted down here; if we were
free in the winds—Ah!"

She laughed a peculiar little laugh, catching her breath.

"Look!" she said, "it's a palace, with the ash-trunks smooth like a
girl's arm, and the elm-columns, ribbed and bossed and fretted, with the
great steel shafts of beech, all rising up to hold an embroidered
care-cloth over us; and every thread of the care-cloth vibrates with
music for us, and the little broidered birds sing; and the hazel-bushes
fling green spray round us, and the honeysuckle leans down to pour out
scent over us. Look at the harvest of bluebells—ripened for us! Listen
to the bee, sounding among all the organ-play—if he sounded exultant
for us!" She looked at him, with tears coming up into her eyes, and a
little, winsome, wistful smile hovering round her mouth. He was very
pale, and dared not look at her. She put her hand in his, leaning softly
against him. He watched, as if fascinated, a young thrush with full pale
breast who hopped near to look at them—glancing with quick, shining
eyes.

"The clouds are going on again," said Lettie.

"Look at that cloud face—see—gazing right up into the sky. The lips
are opening—he is telling us something.—now the form is slipping
away—it's gone—come, we must go too."

"No," he cried, "don't go—don't go away."

Her tenderness made her calm. She replied in a voice perfect in
restrained sadness and resignation.

"No, my dear, no. The threads of my life were untwined; they drifted
about like floating threads of gossamer; and you didn't put out your
hand to take them and twist them up into the chord with yours. Now
another has caught them up, and the chord of my life is being twisted,
and I cannot wrench it free and untwine it again—I can't. I am not
strong enough. Besides, you have twisted another thread far and tight
into your chord; could you get free?"

"Tell me what to do—yes, if you tell me."

"I can't tell you—so let me go."

"No, Lettie," he pleaded, with terror and humility. "No, Lettie; don't
go. What should I do with my life? Nobody would love you like I do—and
what should I do with my love for you?—hate it and fear it, because
it's too much for me?"

She turned and kissed him gratefully. He then took her in a long,
passionate embrace, mouth to mouth. In the end it had so wearied her
that she could only wait in his arms till he was too tired to hold her.
He was trembling already.

"Poor Meg!" she murmured to herself dully, her sensations having become
vague.

He winced, and the pressure of his arms slackened. She loosened his
hands and rose half dazed from her seat by him. She left him, while he
sat dejected, raising no protest.

When I went out to look for them, when tea had already been waiting on
the table half an hour or more, I found him leaning against the gatepost
at the bottom of the hill. There was no blood in his face, and his tan
showed livid; he was haggard as if he had been ill for some weeks.

"Whatever's the matter?" I said. "Where's Lettie?"

"She's gone home," he answered, and the sound of his own voice, and the
meaning of his own words made him heave.

"Why?" I asked in alarm.

He looked at me as if to say "What are you talking about? I cannot
listen!"

"Why?" I insisted.

"I don't know," he replied.

"They are waiting tea for you," I said.

He heard me, but took no notice.

"Come on," I repeated, "there's Meg and everybody waiting tea for you."

"I don't want any," he said.

I waited a minute or two. He was violently sick.

   _"Vae meum
   Fervens difficile bile tumet jecur"_

I thought to myself.

When the sickness passed over, he stood up away from the post, trembling
and lugubrious. His eyelids drooped heavily over his eyes, and he looked
at me, and smiled a faint, sick smile.

"Come and lie down in the loft," I said, "and I'll tell them you've got
a bilious bout."

He obeyed me, not having energy to question; his strength had gone, and
his splendid physique seemed shrunken; he walked weakly. I looked away
from him, for in his feebleness he was already beginning to feel
ludicrous.

We got into the barn unperceived, and I watched him climb the ladder to
the loft. Then I went indoors to tell them.

I told them Lettie had promised to be at Highclose for tea, that George
had a bilious attack, and was mooning about the barn till it was over;
he had been badly sick. We ate tea without zest or enjoyment. Meg was
wistful and ill at ease; the father talked to her and made much of her;
the mother did not care for her much.

"I can't understand it," said the mother, "he so rarely has anything the
matter with him—why, I've hardly known the day! Are you sure it's
nothing serious, Cyril? It seems such a thing—and just when Meg
happened to be down—just when Meg was coming——"

About half-past six I had again to go and look for him, to satisfy the
anxiety of his mother and his sweetheart. I went whistling to let him
know I was coming. He lay on a pile of hay in a corner, asleep. He had
put his cap under his head to stop the tickling of the hay, and he lay
half curled up, sleeping soundly. He was still very pale, and there was
on his face the repose and pathos that a sorrow always leaves. As he
wore no coat I was afraid he might be chilly, so I covered him up with a
couple of sacks, and I left him. I would not have him disturbed—I
helped the father about the cowsheds, and with the pigs.

Meg had to go at half-past seven. She was so disappointed that I said:

"Come and have a look at him—I'll tell him you did."

He had thrown off the sacks and spread out his limbs. As he lay on his
back, flung out on the hay, he looked big again, and manly. His mouth
had relaxed, and taken its old, easy lines. One felt for him now the
warmth one feels for anyone who sleeps in an attitude of abandon. She
leaned over him, and looked at him with a little rapture of love and
tenderness; she longed to caress him. Then he stretched himself, and his
eyes opened. Their sudden unclosing gave her a thrill. He smiled
sleepily, and murmured, "Allo, Meg!" Then I saw him awake. As he
remembered, he turned with a great sighing yawn, hid his face again, and
lay still.

"Come along, Meg," I whispered, "he'll be best asleep."

"I'd better cover him up," she said, taking the sack and laying it very
gently over his shoulders. He kept perfectly still while I drew her
away.



      CHAPTER VIII

   A POEM OF FRIENDSHIP


The magnificent promise of spring was broken before the May-blossom was
fully out. All through the beloved month the wind rushed in upon us from
the north and north-east, bringing the rain fierce and heavy. The
tender-budded trees shuddered and moaned; when the wind was dry, the
young leaves flapped limp. The grass and corn grew lush, but the light
of the dandelions was quite extinguished, and it seemed that only a long
time back had we made merry before the broad glare of these flowers. The
bluebells lingered and lingered; they fringed the fields for weeks like
purple fringe of mourning. The pink campions came out only to hang heavy
with rain; hawthorn buds remained tight and hard as pearls, shrinking
into the brilliant green foliage; the forget-me-nots, the poor pleiades
of the wood, were ragged weeds. Often at the end of the day the sky
opened, and stately clouds hung over the horizon infinitely far away,
glowing, through the yellow distance, with an amber lustre. They never
came any nearer, always they remained far off, looking calmly and
majestically over the shivering earth, then saddened, fearing their
radiance might be dimmed, they drew away, and sank out of sight.
Sometimes, towards sunset, a great shield stretched dark from the west
to the zenith, tangling the light along its edges. As the canopy rose
higher, it broke, dispersed, and the sky was primrose coloured, high and
pale above the crystal moon. Then the cattle crouched among the gorse,
distressed by the cold, while the long-billed snipe flickered round high
overhead, round and round in great circles, seeming to carry a serpent
from its throat, and crying a tragedy, more painful than the poignant
lamentations and protests of the peewits. Following these evenings came
mornings cold and grey.

Such a morning I went up to George, on the top fallow. His father was
out with the milk—he was alone; as I came up the hill I could see him
standing in the cart, scattering manure over the bare red fields; I
could hear his voice calling now and then to the mare, and the creak and
clank of the cart as it moved on. Starlings and smart wagtails were
running briskly over the clods, and many little birds flashed,
fluttered, hopped here and there. The lapwings wheeled and cried as ever
between the low clouds and the earth, and some ran beautifully among the
furrows, too graceful and glistening for the rough field.

I took a fork and scattered the manure along the hollows, and thus we
worked, with a wide field between us, yet very near in the sense of
intimacy. I watched him through the wheeling peewits, as the low clouds
went stealthily overhead. Beneath us, the spires of the poplars in the
spinney were warm gold, as if the blood shone through. Further gleamed
the grey water, and below it the red roofs. Nethermere was half hidden
and far away. There was nothing in this grey, lonely world but the
peewits swinging and crying, and George swinging silently at his work.
The movement of active life held all my attention, and when I looked up,
it was to see the motion of his limbs and his head, the rise and fall of
his rhythmic body, and the rise and fall of the slow waving peewits.
After a while, when the cart was empty, he took a fork and came towards
me, working at my task.

It began to rain, so he brought a sack from the cart, and we crushed
ourselves under the thick hedge. We sat close together and watched the
rain fall like a grey striped curtain before us, hiding the valley; we
watched it trickle in dark streams off the mare's back, as she stood
dejectedly; we listened to the swish of the drops falling all about; we
felt the chill of the rain, and drew ourselves together in silence. He
smoked his pipe, and I lit a cigarette. The rain continued; all the
little pebbles and the red earth glistened in the grey gloom. We sat
together, speaking occasionally. It was at these times we formed the
almost passionate attachment which later years slowly wore away.

When the rain was over, we filled our buckets with potatoes, and went
along the wet furrows, sticking the spritted tubers in the cold ground.
Being sandy, the field dried quickly. About twelve o'clock, when nearly
all the potatoes were set, he left me, and fetching up Bob from the far
hedge-side, harnessed the mare and him to the ridger, to cover the
potatoes. The sharp light plough turned the soil in a fine furrow over
the potatoes; hosts of little birds fluttered, settled, bounded off
again after the plough. He called to the horses, and they came downhill,
the white stars on the two brown noses nodding up and down, George
striding firm and heavy behind. They came down upon me; at a call the
horses turned, shifting awkwardly sideways; he flung himself against the
plough, and leaning well in, brought it round with a sweep: a click, and
they are off uphill again. There is a great rustle as the birds sweep
round after him and follow up the new turned furrow. Untackling the
horses when the rows were all covered, we tramped behind them down the
wet hillside to dinner.

I kicked through the drenched grass, crushing the withered cowslips
under my clogs, avoiding the purple orchids that were stunted with harsh
upbringing, but magnificent in their powerful colouring, crushing the
pallid lady smocks, the washed-out wild gillivers. I became conscious of
something near my feet, something little and dark, moving indefinitely.
I had found again the larkie's nest. I perceived the yellow beaks, the
bulging eyelids of two tiny larks, and the blue lines of their wing
quills. The indefinite movement was the swift rise and fall of the brown
fledged backs, over which waved long strands of fine down. The two
little specks of birds lay side by side, beak to beak, their tiny bodies
rising and falling in quick unison. I gently put down my fingers to
touch them; they were warm; gratifying to find them warm, in the midst
of so much cold and wet. I became curiously absorbed in them, as an eddy
of wind stirred the strands of down. When one fledgling moved uneasily,
shifting his soft ball, I was quite excited; but he nestled down again,
with his head close to his brother's. In my heart of hearts, I longed
for someone to nestle against, someone who would come between me and the
coldness and wetness of the surroundings. I envied the two little
miracles exposed to any tread, yet so serene. It seemed as if I were
always wandering, looking for something which they had found even before
the light broke into their shell. I was cold; the lilacs in the Mill
garden looked blue and perished. I ran with my heavy clogs and my heart
heavy with vague longing, down to the Mill, while the wind blanched the
sycamores, and pushed the sullen pines rudely, for the pines were
sulking because their million creamy sprites could not fly wet-winged.
The horse-chestnuts bravely kept their white candles erect in the socket
of every bough, though no sun came to light them. Drearily a cold swan
swept up the water, trailing its black feet, clacking its great hollow
wings, rocking the frightened water hens, and insulting the staid
black-necked geese. What did I want that I turned thus from one thing to
another?

At the end of June the weather became fine again. Hay harvest was to
begin as soon as it settled. There were only two fields to be mown this
year, to provide just enough stuff to last until the spring. As my
vacation had begun I decided I would help, and that we three, the
father, George and I, would get in the hay without hired assistance.

I rose the first morning very early, before the sun was well up. The
clear sound of challenging cocks could be heard along the valley. In the
bottoms, over the water and over the lush wet grass, the night mist
still stood white and substantial. As I passed along the edge of the
meadow the cow-parsnip was as tall as I, frothing up to the top of the
hedge, putting the faded hawthorn to a wan blush. Little, early birds—I
had not heard the lark—fluttered in and out of the foamy meadow-sea,
plunging under the surf of flowers washed high in one corner, swinging
out again, dashing past the crimson sorrel cresset. Under the froth of
flowers were the purple vetch-clumps, yellow milk vetches, and the
scattered pink of the wood-betony, and the floating stars of
marguerites. There was a weight of honeysuckle on the hedges, where pink
roses were waking up for their broad-spread flight through the day.

Morning silvered the swaths of the far meadow, and swept in smooth,
brilliant curves round the stones of the brook; morning ran in my veins;
morning chased the silver, darting fish out of the depth, and I, who saw
them, snapped my fingers at them, driving them back.

I heard Trip barking, so I ran towards the pond. The punt was at the
island, where from behind the bushes I could hear George whistling. I
called to him, and he came to the water's edge half dressed.

"Fetch a towel," he called, "and come on."

I was back in a few moments, and there stood my Charon fluttering in the
cool air. One good push sent us to the islet I made haste to undress,
for he was ready for the water, Trip dancing round, barking with
excitement at his new appearance.

"He wonders what's happened to me," he said, laughing, pushing the dog
playfully away with his bare foot. Trip bounded back, and came leaping
up, licking him with little caressing licks. He began to play with the
dog, and directly they were rolling on the fine turf, the laughing,
expostulating, naked man, and the excited dog, who thrust his great head
on to the man's face, licking, and, when flung away, rushed forward
again, snapping playfully at the naked arms and breasts. At last George
lay back, laughing and panting, holding Trip by the two fore feet which
were planted on his breast, while the dog, also panting, reached forward
his head for a flickering lick at the throat pressed back on the grass,
and the mouth thrown back out of reach. When the man had thus lain still
for a few moments, and the dog was just laying his head against his
master's neck to rest too, I called, and George jumped up, and plunged
into the pond with me, Trip after us.

The water was icily cold, and for a moment deprived me of my senses.
When I began to swim, soon the water was buoyant, and I was sensible of
nothing but the vigorous poetry of action. I saw George swimming on his
back laughing at me, and in an instant I had flung myself like an
impulse after him. The laughing face vanished as he swung over and fled,
and I pursued the dark head and the ruddy neck. Trip, the wretch, came
paddling towards me, interrupting me; then all bewildered with
excitement, he scudded to the bank. I chuckled to myself as I saw him
run along, then plunge in and go plodding to George. I was gaining. He
tried to drive off the dog, and I gained rapidly. As I came up to him
and caught him, with my hand on his shoulder, there came a laughter from
the bank. It was Emily.

I trod the water, and threw handfuls of spray at her. She laughed and
blushed. Then Trip waded out to her and she fled swiftly from his
shower-bath. George was floating just beside me, looking up and
laughing.

We stood and looked at each other as we rubbed ourselves dry. He was
well proportioned, and naturally of handsome physique, heavily limbed.
He laughed at me, telling me I was like one of Aubrey Beardsley's long,
lean ugly fellows. I referred him to many classic examples of
slenderness, declaring myself more exquisite than his grossness, which
amused him.

But I had to give in, and bow to him, and he took on an indulgent,
gentle manner. I laughed and submitted. For he knew how I admired the
noble, white fruitfulness of his form. As I watched him, he stood in
white relief against the mass of green. He polished his arm, holding it
out straight and solid; he rubbed his hair into curls, while I watched
the deep muscles of his shoulders, and the bands stand out in his neck
as he held it firm; I remembered the story of Annable.

He saw I had forgotten to continue my rubbing, and laughing he took hold
of me and began to rub me briskly, as if I were a child, or rather, a
woman he loved and did not fear. I left myself quite limply in his
hands, and, to get a better grip of me, he put his arm round me and
pressed me against him, and the sweetness of the touch of our naked
bodies one against the other was superb. It satisfied in some measure
the vague, indecipherable yearning of my soul; and it was the same with
him. When he had rubbed me all warm, he let me go, and we looked at each
other with eyes of still laughter, and our love was perfect for a
moment, more perfect than any love I have known since, either for man or
woman.

We went together down to the fields, he to mow the island of grass he
had left standing the previous evening, I to sharpen the machine knife,
to mow out the hedge-bottoms with the scythe, and to rake the swaths
from the way of the machine when the unmown grass was reduced to a
triangle. The cool, moist fragrance of the morning, the intentional
stillness of everything, of the tall bluish trees, of the wet, frank
flowers, of the trustful moths folded and unfolded in the fallen swaths,
was a perfect medium of sympathy. The horses moved with a still dignity,
obeying his commands. When they were harnessed, and the machine oiled,
still he was loth to mar the perfect morning, but stood looking down the
valley.

"I shan't mow these fields any more," he said, and the fallen, silvered
swaths flickered back his regret, and the faint scent of the limes was
wistful. So much of the field was cut, so much remained to cut; then it
was ended. This year the elder flowers were widespread over the corner
bushes, and the pink roses fluttered high above the hedge. There were
the same flowers in the grass as we had known many years; we should not
know them any more.

"But merely to have mown them is worth having lived for," he said,
looking at me.

We felt the warmth of the sun trickling through the morning's mist of
coolness.

"You see that sycamore," he said, "that bushy one beyond the big willow?
I remember when father broke off the leading shoot because he wanted a
fine straight stick, I can remember I felt sorry. It was running up so
straight, with such a fine balance of leaves—you know how a young
strong sycamore looks about nine feet high—it seemed a cruelty. When
you are gone, and we are left from here, I shall feel like that, as if
my leading shoot were broken off. You see, the tree is spoiled. Yet how
it went on growing. I believe I shall grow faster. I can remember the
bright red stalks of the leaves as he broke them off from the bough."

He smiled at me, half proud of his speech. Then he swung into the seat
of the machine, having attended to the horses' heads. He lifted the
knife.

"Good-bye," he said, smiling whimsically back at me. The machine
started. The bed of the knife fell, and the grass shivered and dropped
over. I watched the heads of the daisies and the splendid lines of the
cocksfool grass quiver, shake against the crimson burnet, and drop-over.
The machine went singing down the field, leaving a track of smooth,
velvet green in the way of the swath-board. The flowers in the wall of
uncut grass waited unmoved, as the days wait for us. The sun caught in
the uplicking scarlet sorrel flames, the butterflies woke, and I could
hear the fine ring of his "Whoa!" from the far corner. Then he turned,
and I could see only the tossing ears of the horses, and the white of
his shoulder as they moved along the wall of high grass on the hill
slope. I sat down under the elm to file the sections of the knife.
Always as he rode he watched the falling swath, only occasionally
calling the horses into line. It was his voice which rang the morning
awake. When we were at work we hardly noticed one another. Yet his
mother had said:

"George is so glad when you're in the field—he doesn't care how long
the day is."

Later, when the morning was hot, and the honeysuckle had ceased to
breathe, and all the other scents were moving in the air about us, when
all the field was down, when I had seen the last trembling ecstasy of
the harebells, trembling to fall; when the thick clump of purple vetch
had sunk; when the green swaths were settling, and the silver swaths
were glistening and glittering as the sun came along them, in the hot
ripe morning we worked together turning the hay, tipping over the
yesterday's swaths with our forks, and bringing yesterday's fresh,
hidden flowers into the death of sunlight.

It was then that we talked of the past, and speculated on the future. As
the day grew older and less wistful, we forgot everything, and worked
on, singing, and sometimes I would recite him verses as we went, and
sometimes I would tell him about books. Life was full of glamour for us
both.



      CHAPTER IX

   PASTORALS AND PEONIES


At dinner time the father announced to us the exciting fact that Leslie
had asked if a few of his guests might picnic that afternoon in the
Strelley hayfields. The closes were so beautiful, with the brook under
all its sheltering trees, running into the pond that was set with two
green islets. Moreover, the squire's lady had written a book filling
these meadows and the mill precincts with pot-pourri romance. The
wedding guests at Highclose were anxious to picnic in so choice a spot.

The father, who delighted in a gay throng, beamed at us from over the
table. George asked who were coming.

"Oh, not many—about half a dozen—mostly ladies down for the wedding."

George at first swore warmly; then he began to appreciate the affair as
a joke.

Mrs. Saxton hoped they wouldn't want her to provide them pots, for she
hadn't two cups that matched, nor had any of her spoons the least
pretence to silver. The children were hugely excited, and wanted a
holiday from school, which Emily at once vetoed firmly, thereby causing
family dissension.

As we went round the field in the afternoon turning the hay, we were
thinking apart, and did not talk. Every now and then—and at every
corner—we stopped to look down towards the wood, to see if they were
coming.

"Here they are!" George exclaimed suddenly, having spied the movement of
white in the dark wood. We stood still and watched. Two girls,
heliotrope and white, a man with two girls, pale green and white, and a
man with a girl last.

"Can you tell who they are?" I asked.

"That's Marie Tempest, that first girl in white, and that's him and
Lettie at the back, I don't know any more."

He stood perfectly still until they had gone out of sight behind the
banks down by the brooks, then he stuck his fork in the ground, saying:

"You can easily finish—if you like. I'll go and mow out that bottom
corner."

He glanced at me to see what I was thinking of him. I was thinking that
he was afraid to meet her, and I was smiling to myself. Perhaps he felt
ashamed, for he went silently away to the machine, where he belted his
riding breeches tightly round his waist, and slung the scythe strap on
his hip. I heard the clanging slur of the scythe stone as he whetted the
blade. Then he strode off to mow the far bottom corner, where the ground
was marshy, and the machine might not go, to bring down the lush green
grass and the tall meadow sweet.

I went to the pond to meet the newcomers. I bowed to Louie Denys, a
tall, graceful girl of the drooping type, elaborately gowned in
heliotrope linen; I bowed to Agnes D'Arcy, an erect, intelligent girl
with magnificent auburn hair—she wore no hat and carried a sunshade; I
bowed to Hilda Seconde, a svelte, petite girl, exquisitely and
delicately pretty; I bowed to Maria and to Lettie, and I shook hands
with Leslie and with his friend, Freddy Cresswell. The latter was to be
best man, a broad shouldered, pale-faced fellow, with beautiful soft
hair like red wheat, and laughing eyes, and a whimsical, drawling manner
of speech, like a man who has suffered enough to bring him to manhood
and maturity, but who in spite of all remains a boy, irresponsible,
lovable—a trifle pathetic. As the day was very hot, both men were in
flannels, and wore flannel collars, yet it was evident that they had
dressed with scrupulous care. Instinctively I tried to pull my trousers
into shape within my belt, and I felt the inferiority cast upon the
father, big and fine as he was in his way, for his shoulders were
rounded with work, and his trousers were much distorted.

"What can we do?" said Marie; "you know we don't want to hinder, we want
to help you. It was so good of you to let us come."

The father laughed his fine indulgence, saying to them—they loved him
for the mellow, laughing modulation of his voice:

"Come on, then—I see there's a bit of turning-over to do, as Cyril's
left. Come and pick your forks."

From among a sheaf of hayforks he chose the lightest for them, and they
began anywhere, just tipping at the swaths. He showed them
carefully—Marie and the charming little Hilda—just how to do it, but
they found the right way the hardest way, so they worked in their own
fashion, and laughed heartily with him when he made playful jokes at
them. He was a great lover of girls, and they blossomed from timidity
under his hearty influence.

"Ain' it flippin' 'ot?" drawled Cresswell, who had just taken his M. A.
degree in classics: "This bloomin' stuff's dry enough—come an' flop on
it."

He gathered a cushion of hay, which Louie Denys carefully appropriated,
arranging first her beautiful dress, that fitted close to her shape,
without any belt or interruption, and then laying her arms, that were
netted to the shoulder in open lace, gracefully at rest. Lettie, who was
also in a closefitting white dress which showed her shape down to the
hips, sat where Leslie had prepared for her, and Miss D'Arcy reluctantly
accepted my pile.

Cresswell twisted his clean-cut mouth in a little smile, saying:

"Lord, a giddy little pastoral—fit for old Theocritus, ain't it, Miss
Denys?"

"Why do you talk to me about those classic people—I daren't even say
their names. What would he say about us?"

He laughed, winking his blue eyes:

"He'd make old Daphnis there,"—pointing to Leslie—"sing a match with
me, Damoetas—contesting the merits of our various sheperdesses—begin
Daphnis, sing up for Amaryllis, I mean Nais, damn 'em, they were for
ever getting mixed up with their nymphs."

"I say, Mr. Cresswell, your language! Consider whom you're damning,"
said Miss Denys, leaning over and tapping his head with her silk glove.

"You say any giddy thing in a pastoral," he replied, taking the edge of
her skirt, and lying back on it, looking up at her as she leaned over
him. "Strike up, Daphnis, something about honey or white cheese—or else
the early apples that'll be ripe in a week's time."

"I'm sure the apples you showed me are ever so little and green,"
interrupted Miss Denys; "they will never be ripe in a week—ugh, sour!"

He smiled up at her in his whimsical way:

"Hear that, Tempest—'Ugh, sour!'—not much! Oh, love us, haven't you
got a start yet?—isn't there aught to sing about, you blunt-faced kid?"

"I'll hear you first—I'm no judge of honey and cheese."

"An' darn little apples—takes a woman to judge them; don't it, Miss
Denys?"

"I don't know," she said, stroking his soft hair from his forehead with
her hand whereon rings were sparkling.

"'My love is not white, my hair is not yellow, like honey dropping
through the sunlight—my love is brown, and sweet, and ready for the
lips of love.' Go on, Tempest—strike up, old cowherd. Who's that tuning
his pipe?—oh, that fellow sharpening his scythe! It's enough to make
your backache to look at him working—go an' stop him, somebody."

"Yes, let us go and fetch him," said Miss D'Arcy. "I'm sure he doesn't
know what a happy pastoral state he's in—let us go and fetch him."

"They don't like hindering at their work, Agnes—besides, where
ignorance is bliss——" said Lettie, afraid lest she might bring him.
The other hesitated, then with her eyes she invited me to go with her.

"Oh, dear," she laughed, with a little mowe, "Freddy is such an ass, and
Louie Denys is like a wasp at treacle. I wanted to laugh, yet I felt
just a tiny bit cross. Don't you feel great when you go mowing like
that? Father Timey sort of feeling? Shall we go and look! We'll say we
want those foxgloves he'll be cutting down directly—and those bell
flowers. I suppose you needn't go on with your labours——"

He did not know we were approaching till I called him, then he started
slightly as he saw the tall, proud girl.

"Mr. Saxton—Miss D'Arcy," I said, and he shook hands with her.
Immediately his manner became ironic, for he had seen his hand big and
coarse and inflamed with the snaith clasping the lady's hand.

"We thought you looked so fine," she said to him, "and men are so
embarrassing when they make love to somebody else—aren't they? Save us
those foxgloves, will you—they are splendid—like savage soldiers drawn
up against the hedge—don't cut them down—and those
campanulas—bell-flowers, ah, yes! They are spinning idylls up there. I
don't care for idylls, do you? Oh, you don't know what a classical
pastoral person you are—but there, I don't suppose you suffer from
idyllic love——" she laughed, "—one doesn't see the silly little god
fluttering about in our hayfields, does one? Do you find much time to
sport with Amaryllis in the shade?—I'm sure it's a shame they banished
Phyllis from the fields——"

He laughed and went on with his work. She smiled a little, too, thinking
she had made a great impression. She put out her hand with a dramatic
gesture, and looked at me, when the scythe crunched through the
meadow-sweet.

"Crunch! isn't it fine!" she exclaimed, "a kind of inevitable fate—I
think it's fine!"

We wandered about picking flowers and talking until teatime. A
manservant came with the tea-basket, and the girls spread the cloth
under a great willow tree. Lettie took the little silver kettle, and
went to fill it at the small spring which trickled into a stone trough
all pretty with cranesbill and stellaria hanging over, while long blades
of grass waved in the water. George, who had finished his work, and
wanted to go home to tea, walked across to the spring where Lettie sat
playing with the water, getting little cupfuls to put into the kettle,
watching the quick skating of the water beetles, and the large faint
spots of their shadows darting on the silted mud at the bottom of the
trough.

She glanced round on hearing him coming, and smiled nervously: they were
mutually afraid of meeting each other again.

"It is about teatime," he said.

"Yes—it will be ready in a moment—this is not to make the tea
with—it's only to keep a little supply of hot water."

"Oh," he said, "I'll go on home—I'd rather."

"No," she replied, "you can't because we are all having tea together: I
had some fruits put up, because I know you don't trifle with tea—and
your father's coming."

"But," he replied pettishly, "I can't have my tea with all those
folks—I don't want to—look at me!"

He held out his inflamed, barbaric hands.

She winced and said:

"It won't matter—you'll give the realistic touch."

He laughed ironically.

"_No_—you must come," she insisted.

"I'll have a drink then, if you'll let me," he said, yielding.

She got up quickly, blushing, offering him the tiny, pretty cup.

"I'm awfully sorry," she said.

"Never mind," he muttered, and turning from the proffered cup he lay
down flat, put his mouth to the water, and drank deeply. She stood and
watched the motion of his drinking, and of his heavy breathing
afterwards. He got up, wiping his mouth, not looking at her. Then he
washed his hands in the water, and stirred up the mud. He put his hand
to the bottom of the trough, bringing out a handful of silt, with the
grey shrimps twisting in it. He flung the mud on the floor where the
poor grey creatures writhed.

"It wants cleaning out," he said.

"Yes," she replied, shuddering. "You won't be long," she added, taking
up the silver kettle.

In a few moments he got up and followed her reluctantly down. He was
nervous and irritable.

The girls were seated on tufts of hay, with the men leaning in
attendance on them, and the manservant waiting on all. George was placed
between Lettie and Hilda. The former handed him his little egg-shell of
tea, which, as he was not very thirsty, he put down on the ground beside
him. Then she passed him the bread and butter, cut for five-o'clock tea,
and fruits, grapes and peaches, and strawberries, in a beautifully
carved oak tray. She watched for a moment his thick, half-washed fingers
fumbling over the fruits, then she turned her head away. All the gay
teatime, when the talk bubbled and frothed over all the cups, she
avoided him with her eyes. Yet again and again, as someone said: "I'm
sorry, Mr. Saxton—will you have some cake?"—or "See, Mr. Saxton—try
this peach, I'm sure it will be mellow right to the stone,"—speaking
very naturally, but making the distinction between him and the other men
by their indulgence towards him, Lettie was forced to glance at him as
he sat eating, answering in monosyllables, laughing with constraint and
awkwardness, and her irritation flickered between her brows. Although
she kept up the gay frivolity of the conversation, still the discord was
felt by everybody, and we did not linger as we should have done over the
cups. "George," they said afterwards, "was a wet blanket on the party."
Lettie was intensely annoyed with him. His presence was unbearable to
her. She wished him a thousand miles away. He sat listening to
Cresswell's whimsical affectation of vulgarity which flickered with
fantasy, and he laughed in a strained fashion.

He was the first to rise, saying he must get the cows up for milking.

"Oh, let us go—let us go. May we come and see the cows milked?" said
Hilda, her delicate, exquisite features flushing, for she was very shy.

"No," drawled Freddy, "the stink o' live beef ain't salubrious. You be
warned, and stop here."

"I never could bear cows, except those lovely little highland cattle,
all woolly, in pictures," said Louie Denys, smiling archly, with a
little irony.

"No," laughed Agnes D'Arcy, "they—they're smelly,"—and she pursed up
her mouth, and ended in a little trill of deprecatory laughter, as she
often did. Hilda looked from one to the other, blushing.

"Come, Lettie," said Leslie good-naturedly, "I know you have a farmyard
fondness—come on," and they followed George down.

As they passed along the pond bank a swan and her tawny, fluffy brood
sailed with them the length of the water, "tipping on their little toes,
the darlings—pitter-patter through the water, tiny little things," as
Marie said.

We heard George below calling "Bully—Bully—Bully—Bully!"—and then, a
moment or two after, in the bottom garden: "Come out, you little
fool—are you coming out of it?" in manifestly angry tones.

"Has it run away?" laughed Hilda, delighted and we hastened out of the
lower garden to see.

There in the green shade, between the tall gooseberry bushes, the heavy
crimson peonies stood gorgeously along the path. The full red globes,
poised and leaning voluptuously, sank their crimson weight on to the
seeding grass of the path, borne down by secret rain, and by their own
splendour. The path was poured over with red rich silk of strewn petals.
The great flowers swung their crimson grandly about the walk, like
crowds of cardinals in pomp among the green bushes. We burst into the
new world of delight. As Lettie stooped, taking between both hands the
gorgeous silken fulness of one blossom that was sunk to the earth.
George came down the path, with the brown bull-calf straddling behind
him, its neck stuck out, sucking zealously at his middle finger.

The unconscious attitudes of the girls, all bent enraptured over the
peonies, touched him with sudden pain. As he came up, with the calf
stalking grudgingly behind, he said:

"There's a fine show of pyeenocks this year, isn't there?"

"What do you call them?" cried Hilda, turning to him her sweet, charming
face full of interest.

"Pyeenocks," he replied.

Lettie remained crouching with a red flower between her hands, glancing
sideways unseen to look at the calf, which with its shiny nose uplifted
was mumbling in its sticky gums the seductive finger. It sucked eagerly,
but unprofitably, and it appeared to cast a troubled eye inwards to see
if it were really receiving any satisfaction,—doubting, but not
despairing. Marie, and Hilda, and Leslie laughed, while he, after
looking at Lettie as she crouched, wistfully, as he thought, over the
flower, led the little brute out of the garden, and sent it running into
the yard with a smack on the haunch.

Then he returned, rubbing his sticky finger dry against his breeches. He
stood near to Lettie, and she felt rather than saw the extraordinary
pale cleanness of the one finger among the others. She rubbed her finger
against her dress in painful sympathy.

"But aren't the flowers lovely!" exclaimed Marie again. "I want to hug
them."

"Oh, yes!" assented Hilda.

"They are like a romance—D'Annunzio—a romance in passionate sadness,"
said Lettie, in an ironical voice, speaking half out of conventional
necessity of saying something, half out of desire to shield herself, and
yet in a measure express herself.

"There is a tale about them," I said.

The girls clamoured for the legend.

"Pray, do tell us," pleaded Hilda, the irresistible.

"It was Emily told me—she says it's a legend, but I believe it's only a
tale. She says the peonies were brought from the Hall long since by a
fellow of this place—when it was a mill. He was brown and strong, and
the daughter of the Hall, who was pale and fragile and young, loved him.
When he went up to the Hall gardens to cut the yew hedges, she would
hover round him in her white frock, and tell him tales of old days, in
little snatches like a wren singing, till he thought she was a fairy who
had bewitched him. He would stand and watch her, and one day, when she
came near to him telling him a tale that set the tears swimming in her
eyes, he took hold of her and kissed her and kept her. They used to
tryst in the poplar spinney. She would come with her arms full of
flowers, for she always kept to her fairy part. One morning she came
early through the mists. He was out shooting. She wanted to take him
unawares, like a fairy. Her arms were full of peonies. When she was
moving beyond the trees he shot her, not knowing. She stumbled on, and
sank down in their tryst place. He found her lying there among the red
pyeenocks, white and fallen. He thought she was just lying talking to
the red flowers, so he stood waiting. Then he went up, and bent over
her, and found the flowers full of blood. It was he set the garden here
with these pyeenocks."

The eyes of the girls were round with the pity of the tale and Hilda
turned away to hide her tears.

"It is a beautiful ending," said Lettie, in a low tone, looking at the
floor.

"It's all a tale," said Leslie, soothing the girls.

George waited till Lettie looked at him. She lifted her eyes to him at
last. Then each turned aside, trembling.

Marie asked for some of the peonies.

"Give me just a few—and I can tell the others the story—it is so
sad—I feel so sorry for him, it was so cruel for him——! And Lettie
says it ends beautifully——!"

George cut the flowers with his great clasp knife, and Marie took them,
carefully, treating their romance with great tenderness. Then all went
out of the garden and he turned to the cowshed.

"Good-bye for the present," said Lettie, afraid to stay near him.

"Good-bye," he laughed.

"Thank you _so_ much for the flowers—and the story—it was splendid,"
said Marie, "—but so sad!"

Then they went, and we did not see them again.

Later, when all had gone to bed at the mill, George and I sat together
on opposite sides of the fire, smoking, saying little. He was casting up
the total of discrepancies, and now and again he ejaculated one of his
thoughts.

"And all day," he said, "Blench has been ploughing his wheat in, because
it was that bitten off by the rabbits it was no manner of use, so he's
ploughed it in: an' they say with idylls, eating peaches in our close."

Then there was silence, while the clock throbbed heavily, and outside a
wild bird called, and was still; softly the ashes rustled lower in the
grate.

"She said it ended well—but what's the good of death—what's the good
of that?" He turned his face to the ashes in the grate, and sat
brooding.

Outside, among the trees, some wild animal set up a thin, wailing cry.

"Damn that row!" said I, stirring, looking also into the grey fire.

"It's some stoat or weasel, or something. It's been going on like that
for nearly a week. I've shot in the trees ever so many times. There were
two—one's gone."

Continuously, through the heavy, chilling silence, came the miserable
crying from the darkness among the trees.

"You know," he said, "she hated me this afternoon, and I hated her——"

It was midnight, full of sick thoughts.

"It is no good," said I. "Go to bed—it will be morning in a few hours."



      PART III


      CHAPTER I

   A NEW START IN LIFE


Lettie was wedded, as I had said, before Leslie lost all the wistful
traces of his illness. They had been gone away to France five days
before we recovered anything like the normal tone in the house. Then,
though the routine was the same, everywhere was a sense of loss, and of
change. The long voyage in the quiet home was over; we had crossed the
bright sea of our youth, and already Lettie had landed and was
travelling to a strange destination in a foreign land. It was time for
us all to go, to leave the valley of Nethermere whose waters and whose
woods were distilled in the essence of our veins. We were the children
of the valley of Nethermere, a small nation with language and blood of
our own, and to cast ourselves each one into separate exile was painful
to us.

"I shall have to go now," said George. "It is my nature to linger an
unconscionable time, yet I dread above all things this slow crumbling
away from my foundations by which I free myself at last. I must wrench
myself away now——"

It was the slack time between the hay and the corn harvest, and we sat
together in the grey, still morning of August pulling the stack. My
hands were sore with tugging the loose wisps from the lower part of the
stack, so I waited for the touch of rain to send us indoors. It came at
last, and we hurried into the barn. We climbed the ladder into the loft
that was strewn with farming implements and with carpenters' tools. We
sat together on the shavings that littered the bench before the high
gable window, and looked out over the brooks and the woods and the
ponds. The tree-tops were very near to us, and we felt ourselves the
centre of the waters and the woods that spread down the rainy valley.

"In a few years," I said, "we shall be almost strangers."

He looked at me with fond, dark eyes and smiled incredulously.

"It is as far," said I, "to the 'Ram' as it is for me to
London—farther."

"Don't you want me to go there?" he asked, smiling quietly.

"It's all as one where you go, you will travel north, and I east, and
Lettie south. Lettie has departed. In seven weeks I go.—And you?"

"I must be gone before you," he said decisively.

"Do you know——" and he smiled timidly in confession, "I feel alarmed
at the idea of being left alone on a loose end. I must not be the last
to leave——" he added almost appealingly.

"And you will go to Meg?" I asked.

He sat tearing the silken shavings into shreds, and telling me in clumsy
fragments all he could of his feelings:

"You see it's not so much what you call love. I don't know. You see I
built on Lettie,"—he looked up at me shamefacedly, then continued
tearing the shavings—"you must found your castles on something, and I
founded mine on Lettie. You see, I'm like plenty of folks, I have
nothing definite to shape my life to. I put brick upon brick, as they
come, and if the whole topples down in the end, it does. But you see,
you and Lettie have made me conscious, and now I'm at a dead loss. I
have looked to marriage to set me busy on my house of life, something
whole and complete, of which it will supply the design. I must marry or
be in a lost lane. There are two people I could marry—and Lettie's
gone. I love Meg just as well, as far as love goes. I'm not sure I don't
feel better pleased at the idea of marrying her. You know I should
always have been second to Lettie, and the best part of love is being
made much of, being first and foremost in the whole world for somebody.
And Meg's easy and lovely. I can have her without trembling, she's full
of soothing and comfort. I can stroke her hair and pet her, and she
looks up at me, full of trust and lovingness, and there is no flaw, all
restfulness in one another——"

Three weeks later, as I lay in the August sunshine in a deck-chair on
the lawn, I heard the sound of wheels along the gravel path. It was
George calling for me to accompany him to his marriage. He pulled up the
dog-cart near the door and came up the steps to me on the lawn. He was
dressed as if for the cattle market, in jacket and breeches and gaiters.

"Well, are you ready?" he said standing smiling down on me. His eyes
were dark with excitement, and had that vulnerable look which was so
peculiar to the Saxtons in their emotional moments.

"You are in good time," said I, "it is but half past nine."

"It wouldn't do to be late on a day like this," he said gaily, "see how
the sun shines. Come, you don't look as brisk as a best man should. I
thought you would have been on tenterhooks of excitement. Get up, get
up! Look here, a bird has given me luck"—he showed me a white smear on
his shoulder.

I drew myself up lazily.

"All right," I said, "but we must drink a whisky to establish it."

He followed me out of the fragrant sunshine into the dark house. The
rooms were very still and empty, but the cool silence responded at once
to the gaiety of our sunwarm entrance. The sweetness of the summer
morning hung invisible like glad ghosts of romance through the shadowy
room. We seemed to feel the sunlight dancing golden in our veins as we
filled again the pale liqueur.

"Joy to you—I envy you to-day."

His teeth were white, and his eyes stirred like dark liquor as he
smiled.

"Here is my wedding present!"

I stood the four large water-colours along the wall before him. They
were drawings among the waters and the fields of the mill, grey rain and
twilight, morning with the sun pouring gold into the mist, and the
suspense of a midsummer noon upon the pond. All the glamour of our
yesterdays came over him like an intoxicant, and he quivered with the
wonderful beauty of life that was weaving him into the large magic of
the years. He realised the splendour of the pageant of days which had
him in train.

"It's been wonderful, Cyril, all the time," he said, with surprised joy.

We drove away through the freshness of the wood, and among the flowing
of the sunshine along the road. The cottages of Greymede filled the
shadows with colour of roses, and the sunlight with odour of pinks and
the blue of corn flowers and larkspur. We drove briskly up the long,
sleeping hill, and bowled down the hollow past the farms where the hens
were walking with the red gold cocks in the orchard, and the ducks like
white cloudlets under the aspen trees revelled on the pond.

"I told her to be ready any time," said George—"but she doesn't know
it's to-day. I didn't want the public-house full of the business."

The mare walked up the sharp little rise on top of which stood the "Ram
Inn." In the quiet, as the horse slowed to a standstill, we heard the
crooning of a song in the garden. We sat still in the cart, and looked
across the flagged yard to where the tall madonna lilies rose in
clusters out of the alyssome. Beyond the border of flowers was Meg,
bending over the gooseberry bushes. She saw us and came swinging down
the path, with a bowl of gooseberries poised on her hip. She was dressed
in a plain, fresh holland frock, with a white apron. Her black, heavy
hair reflected the sunlight, and her ripe face was luxuriant with
laughter.

"Well, I never!" she exclaimed, trying not to show that she guessed his
errand. "Fancy you here at this time o' morning!"

Her eyes, delightful black eyes like polished jet, untroubled and frank,
looked at us as a robin might, with bright questioning. Her eyes were so
different from the Saxton's: darker, but never still and full, never
hesitating, dreading a wound, never dilating with hurt or with timid
ecstasy.

"Are you ready then?" he asked, smiling down on her.

"What?" she asked in confusion.

"To come to the registrar with me—I've got the licence."

"But I'm just going to make the pudding," she cried, in full
expostulation.

"Let them make it themselves—put your hat on."

"But look at me! I've just been getting the gooseberries. Look!" she
showed us the berries, and the scratches on her arms and hands.

"What a shame!" he said, bending down to stroke her hand and her arm.
She drew back smiling, flushing with joy. I could smell the white lilies
where I sat.

"But you don't mean it, do you?" she said, lifting to him her face that
was round and glossy like a blackheart cherry. For answer, he unfolded
the marriage licence. She read it, and turned aside her face in
confusion, saying:

"Well, I've got to get ready. Shall you come an' tell Gran'ma?"

"Is there any need?" he answered reluctantly.

"Yes, you come an tell 'er," persuaded Meg.

He got down from the trap. I preferred to stay out of doors. Presently
Meg ran out with a glass of beer for me.

"We shan't be many minutes," she apologised. "I've on'y to slip another
frock on."

I heard George go heavily up the stairs and enter the room over the
bar-parlour, where the grandmother lay bed-ridden.

"What, is it thaïgh, ma lad? What are thaïgh doin' 'ere this mornin'?"
she asked.

"Well A'nt, how does ta feel by now?" he said.

"Eh, sadly, lad, sadly! It'll not be long afore they carry me downstairs
head first——"

"Nay, dunna thee say so!—I'm just off to Nottingham—I want Meg ter
come."

"What for?" cried the old woman sharply.

"I wanted 'er to get married," he replied.

"What! What does't say? An' what about th' licence, an' th' ring, an
ivrything?"

"I've seen to that all right," he answered.

"Well, tha 'rt a nice'st un, I must say! What's want goin' in this
pig-in-a-poke fashion for? This is a nice shabby trick to serve a body!
What does ta mean by it?"

"You knowed as I wor goin' ter marry 'er directly, so I can't see as it
matters o' th' day. I non wanted a' th' pub talkin'——''

"Tha 'rt mighty particklar, an' all, an' all! An' why shouldn't the pub
talk? Tha 'rt non marryin' a nigger, as ta should be so frightened—I
niver thought it on thee!—An' what's thy 'orry, all of a sudden?"

"No hurry as I know of."

"No 'orry——!" replied the old lady, with withering sarcasm. "Tha wor
niver in a 'orry a' thy life! She's non commin' wi' thee this day,
though."

He laughed, also sarcastic. The old lady was angry. She poured on him
her abuse, declaring she would not have Meg in the house again, nor
leave her a penny, if she married him that day.

"Tha can please thysen," answered George, also angry.

Meg came hurriedly into the room.

"Ta'e that 'at off—ta'e it off! Tha non goos wi' 'im this day, not if I
know it! Does 'e think tha 'rt a cow, or a pig, to be fetched wheniver
'e thinks fit. Ta'e that 'at off, I say!"

The old woman was fierce and peremptory.

"But gran'ma!——" began Meg.

The bed creaked as the old lady tried to rise.

"Ta'e that 'at off, afore I pull it off!" she cried.

"Oh, be still Gran'ma—you'll be hurtin' yourself, you know you
will——"

"Are you coming Meg?" said George suddenly.

"She is not!" cried the old woman.

"Are you coming Meg?" repeated George, in a passion.

Meg began to cry. I suppose she looked at him through her tears. The
next thing I heard was a cry from the old woman, and the sound of
staggering feet.

"Would ta drag 'er from me!—if tha goos, ma wench, tha enters this
'ouse no more, tha 'eers that! Tha does thysen my lady! Dunna venture
anigh me after this, my gel!"—the old woman called louder and louder.
George appeared in the doorway, holding Meg by the arm. She was crying
in a little distress. Her hat with its large silk roses, was slanting
over her eyes. She was dressed in white linen. They mounted the trap. I
gave him the reins and scrambled up behind. The old woman heard us
through the open window, and we listened to her calling as we drove
away:

"Dunna let me clap eyes on thee again, tha ungrateful 'ussy, tha
ungrateful 'ussy! Tha'll rue it, my wench, tha'll rue it, an' then dunna
come ter me——"

We drove out of hearing. George sat with a shut mouth, scowling. Meg
wept awhile to herself woefully. We were swinging at a good pace under
the beeches of the churchyard which stood above the level of the road.
Meg, having settled her hat, bent her head to the wind, too much
occupied with her attire to weep. We swung round the hollow by the bog
end, and rattled a short distance up the steep hill to Watnall. Then the
mare walked slowly. Meg, at leisure to collect herself, exclaimed
plaintively:

"Oh, I've only got one glove!"

She looked at the odd silk glove that lay in her lap, then peered about
among her skirts.

"I must 'a left it in th' bedroom," she said piteously.

He laughed, and his anger suddenly vanished.

"What does it matter? You'll do without all right."

At the sound of his voice, she recollected, and her tears and her
weeping returned.

"Nay," he said, "don't fret about the old woman. She'll come round
to-morrow—an' if she doesn't, it's her lookout. She's got Polly to
attend to her."

"But she'll be that miserable——!" wept Meg.

"It's her own fault. At any rate, don't let it make you miserable"—he
glanced to see if anyone were in sight, then he put his arm round her
waist and kissed her, saying softly, coaxingly: "She'll be all right
to-morrow. We'll go an' see her then, an' she'll be glad enough to have
us. We'll give in to her then, poor old Gran'ma. She can boss you about,
an' me as well, tomorrow as much as she likes. She feels it hard, being
tied to her bed. But to-day is ours, surely—isn't it? To-day is ours,
an' you're not sorry, are you?"

"But I've got no gloves, an' I'm sure my hair's a sight. I never thought
she could 'a reached up like that."

George laughed, tickled.

"No," he said, "she _was_ in a temper. But we can get you some gloves
directly we get to Nottingham."

"I haven't a farthing of money," she said.

"I've plenty!" he laughed. "Oh, an' let's try this on."

They were merry together as he tried on her wedding ring, and they
talked softly, he gentle and coaxing, she rather plaintive. The mare
took her own way, and Meg's hat was disarranged once more by the
sweeping elm-boughs. The yellow corn was dipping and flowing in the
fields, like a cloth of gold pegged down at the corners under which the
wind was heaving. Sometimes we passed cottages where the scarlet lilies
rose like bonfires, and the tall larkspur like bright blue leaping
smoke. Sometimes we smelled the sunshine on the browning corn, sometimes
the fragrance of the shadow of leaves. Occasionally it was the dizzy
scent of new haystacks. Then we rocked and jolted over the rough
cobblestones of Cinderhill, and bounded forward again at the foot of the
enormous pit hill, smelling of sulphur, inflamed with slow red fires in
the daylight, and crusted with ashes. We reached the top of the rise and
saw the city before us, heaped high and dim upon the broad range of the
hill. I looked for the square tower of my old school, and the sharp
proud spire of St. Andrews. Over the city hung a dullness, a thin dirty
canopy against the blue sky.

We turned and swung down the slope between the last sullied cornfields
towards Basford, where the swollen gasometers stood like toadstools. As
we neared the mouth of the street, Meg rose excitedly, pulling George's
arm, crying:

"Oh, look, the poor little thing!"

On the causeway stood two small boys lifting their faces and weeping to
the heedless heavens, while before them, upside down, lay a baby
strapped to a shut-up baby-chair. The gim-crack carpet-seated thing had
collapsed as the boys were dismounting the curb-stone with it. It had
fallen backwards, and they were unable to right it. There lay the infant
strapped head downwards to its silly cart, in imminent danger of
suffocation. Meg leaped out, and dragged the child from the wretched
chair. The two boys, drenched with tears, howled on. Meg crouched on the
road, the baby on her knee, its tiny feet dangling against her skirt.
She soothed the pitiful tear-wet mite. She hugged it to her, and kissed
it, and hugged it, and rocked it in an abandonment of pity. When at last
the childish trio were silent, the boys shaken only by the last ebbing
sobs, Meg calmed also from her frenzy of pity for the little thing. She
murmured to it tenderly, and wiped its wet little cheeks with her
handkerchief, soothing, kissing, fondling the bewildered mite, smoothing
the wet strands of brown hair under the scrap of cotton bonnet,
twitching the inevitable baby cape into order. It was a pretty baby,
with wisps of brown-gold silken hair and large blue eyes.

"Is it a girl?" I asked one of the boys—"How old is she?"

"I don't know," he answered awkwardly, "We 've 'ad 'er about a three
week."

"Why, isn't she your sister?"

"No—my mother keeps 'er,"—they were very reluctant to tell us
anything.

"Poor little lamb!" cried Meg, in another access of pity, clasping the
baby to her bosom with one hand, holding its winsome slippered feet in
the other. She remained thus, stung through with acute pity, crouching,
folding herself over the mite. At last she raised her head, and said, in
a voice difficult with emotion:

"But you love her—don't you?"

"Yes—she's—she's all right. But we 'ave to mind 'er," replied the boy
in great confusion.

"Surely," said Meg, "Surely you don't begrudge that. Poor little
thing—so little, she is—surely you don't grumble at minding her a
bit——?"

The boys would not answer.

"Oh, poor little lamb, poor little lamb!" murmured Meg over the child,
condemning with bitterness the boys and the whole world of men.

I taught one of the lads how to fold and unfold the wretched chair. Meg
very reluctantly seated the unfortunate baby therein, gently fastening
her with the strap.

"Wheer's 'er dummy?" asked one of the boys in muffled, self-conscious
tones. The infant began to cry thinly. Meg crouched over it. The 'dummy'
was found in the gutter and wiped on the boy's coat, then plugged into
the baby's mouth. Meg released the tiny clasping hand from over her
finger, and mounted the dog cart, saying sternly to the boys:

"Mind you look after her well, poor little baby with no mother. God's
watching to see what you do to her—so you be careful, mind."

They stood very shamefaced. George clicked to the mare, and as we
started threw coppers to the boys. While we drove away I watched the
little group diminish down the road.

"It's such a shame," she said, and the tears were in her voice, "—A
sweet little thing like that——"

"Ay," said George softly, "there's all sorts of things in towns."

Meg paid no attention to him, but sat woman-like thinking of the forlorn
baby, and condemning the hard world. He, full of tenderness and
protectiveness towards her, having watched her with softening eyes, felt
a little bit rebuffed that she ignored him, and sat alone in her fierce
womanhood. So he busied himself with the reins, and the two sat each
alone until Meg was roused by the bustle of the town. The mare sidled
past the electric cars nervously, and jumped when a traction engine came
upon us. Meg, rather frightened, clung to George again. She was very
glad when we had passed the cemetery with its white population of
tombstones, and drew up in a quiet street.

But when we had dismounted, and given the horse's head to a loafer, she
became confused and bashful and timid to the last degree. He took her on
his arm; he took the whole charge of her, and laughing, bore her away
towards the steps of the office. She left herself entirely in his hands;
she was all confusion, so he took the charge of her.

When, after a short time, they came out, she began to chatter with
blushful animation. He was very quiet, and seemed to be taking his
breath.

"Wasn't he a funny little man? Did I do it all proper?—I didn't know
what I was doing. I'm sure they were laughing at me—do you think they
were? Oh, just look at my frock—what a sight! What would they
think——!" The baby had slightly soiled the front of her dress.

George drove up the long hill into the town. As we came down between the
shops on Mansfield Road he recovered his spirits.

"Where are we going—where are you taking us?" asked Meg.

"We may as well make a day of it while we are here," he answered,
smiling and flicking the mare. They both felt that they were launched
forth on an adventure. He put up at the "Spread Eagle," and we walked
towards the market-place for Meg's gloves. When he had bought her these
and a large lace scarf to give her a more clothed appearance, he wanted
dinner.

"We'll go," he said, "to an hôtel."

His eyes dilated as he said it, and she shrank away with delighted fear.
Neither of them had ever been to an hôtel. She was really afraid. She
begged him to go to an eating house, to a café. He was obdurate. His one
idea was to do the thing that he was half-afraid to do. His passion—and
it was almost intoxication—was to dare to play with life. He was afraid
of the town. He was afraid to venture into the foreign places of life,
and all was foreign save the valley of Nethermere. So he crossed the
borders flauntingly, and marched towards the heart of the unknown. We
went to the Victoria Hôtel—the most imposing he could think of—and we
had luncheon according to the menu. They were like two children, very
much afraid, yet delighting in the adventure. He dared not, however,
give the orders. He dared not address anybody, waiters or otherwise. I
did that for him, and he watched me, absorbing, learning, wondering that
things were so easy and so delightful. I murmured them injunctions
across the table and they blushed and laughed with each other nervously.
It would be hard to say whether they enjoyed that luncheon. I think Meg
did not—even though she was with him. But of George I am doubtful. He
suffered exquisitely from self consciousness and nervous embarrassment,
but he felt also the intoxication of the adventure, he felt as a man who
has lived in a small island when he first sets foot on a vast continent.
This was the first step into a new life, and he mused delightedly upon
it over his brandy. Yet he was nervous. He could not get over the
feeling that he was trespassing.

"Where shall we go this afternoon?" he asked.

Several things were proposed, but Meg pleaded warmly for Colwick.

"Let's go on a steamer to Colwick Park. There'll be entertainments there
this afternoon. It'll be lovely."

In a few moments we were on the top of the car swinging down to the
Trent Bridges. It was dinner time, and crowds of people from shops and
warehouses were hurrying in the sunshine along the pavements. Sunblinds
cast their shadows on the shop-fronts, and in the shade streamed the
people dressed brightly for summer. As our car stood in the great space
of the market place we could smell the mingled scent of fruit, oranges,
and small apricots, and pears piled in their vividly coloured sections
on the stalls. Then away we sailed through the shadows of the dark
streets, and the open pools of sunshine. The castle on its high rock
stood in the dazzling dry sunlight; the fountain stood shadowy in the
green glimmer of the lime trees that surrounded the alms-houses.

There were many people at the Trent. We stood awhile on the bridge to
watch the bright river swirling in a silent dance to the sea, while the
light pleasure-boats lay asleep along the banks. We went on board the
little paddle steamer and paid our "sixpence return." After much waiting
we set off, with great excitement, for our mile-long voyage. Two banjos
were tumming somewhere below, and the passengers hummed and sang to
their tunes. A few boats dabbled on the water. Soon the river meadows
with their high thorn hedges lay green on our right, while the scarp of
red rock rose on our left, covered with the dark trees of summer.

We landed at Colwick Park. It was early, and few people were there. Dead
glass fairy-lamps were slung about the trees. The grass in places was
worn threadbare. We walked through the avenues and small glades of the
park till we came to the boundary where the race-course stretched its
level green, its winding white barriers running low into the distance.
They sat in the shade for some time while I wandered about. Then many
people began to arrive. It became noisy, even rowdy. We listened for
some time to an open-air concert, given by the pierrots. It was rather
vulgar, and very tiresome. It took me back to Cowes, to Yarmouth. There
were the same foolish over-eyebrowed faces, the same perpetual jingle
from an out-of-tune piano, the restless jigging to the songs, the same
choruses, the same escapading. Meg was well pleased. The vulgarity
passed by her. She laughed, and sang the choruses half audibly, daring,
but not bold. She was immensely pleased. "Oh, it's Ben's turn now. I
like him, he's got such a wicked twinkle in his eye. Look at Joey trying
to be funny!—he can't to save his life. Doesn't he look soft——!" She
began to giggle in George's shoulder. He saw the funny side of things
for the time and laughed with her.

During tea, which we took on the green verandah of the degraded hall,
she was constantly breaking forth into some chorus, and he would light
up as she looked at him and sing with her, _sotto voce_. He was not
embarrassed at Colwick. There he had on his best careless, superior air.
He moved about with a certain scornfulness, and ordered lobster for tea
off-handedly. This also was a new walk of life. Here he was not
hesitating or tremulously strung; he was patronising. Both Meg and he
thoroughly enjoyed themselves.

When we got back into Nottingham she entreated him not to go to the
hotel as he had proposed, and he readily yielded. Instead they went to
the Castle. We stood on the high rock in the cool of the day, and
watched the sun sloping over the great river-flats where the menial town
spread out, and ended, while the river and the meadows continued into
the distance. In the picture galleries, there was a fine collection of
Arthur Melville's paintings. Meg thought them very ridiculous. I began
to expound them, but she was manifestly bored, and he was half-hearted.
Outside in the grounds was a military band playing. Meg longed to be
there. The townspeople were dancing on the grass. She longed to join
them, but she could not dance. So they sat awhile looking on.

We were to go to the theatre in the evening. The Carl Rosa Company was
giving "Carmen" at the Royal. We went into the dress circle "like giddy
dukes," as I said to him, so that I could see his eyes dilate with
adventure again as he laughed. In the theatre, among the people in
evening dress, he became once more childish and timorous. He had always
the air of one who does something forbidden, and is charmed, yet
fearful, like a trespassing child. He had begun to trespass that day
outside his own estates of Nethermere.

"Carmen" fascinated them both. The gaudy, careless Southern life amazed
them. The bold free way in which Carmen played with life startled them
with hints of freedom. They stared on the stage fascinated. Between the
acts they held each other's hands, and looked full into each other's
wide bright eyes, and, laughing with excitement, talked about the opera.
The theatre surged and roared dimly like a hoarse shell. Then the music
rose like a storm, and swept and rattled at their feet. On the stage the
strange storm of life clashed in music towards tragedy and futile death.
The two were shaken with a tumult of wild feeling. When it was all over
they rose bewildered, stunned, she with tears in her eyes, he with a
strange wild beating of his heart.

They were both in a tumult of confused emotion. Their ears were full of
the roaring passion of life, and their eyes were blinded by a spray of
tears and that strange quivering laughter which burns with real pain.
They hurried along the pavement to the "Spread Eagle," Meg clinging to
him, running, clasping her lace scarf over her white frock, like a
scared white butterfly shaken through the night. We hardly spoke as the
horse was being harnessed and the lamps lighted. In the little smoke
room he drank several whiskies, she sipping out of his glass, standing
all the time ready to go. He pushed into his pocket great pieces of
bread and cheese, to eat on the way home. He seemed now to be thinking
with much acuteness. His few orders were given sharp and terse. He hired
an extra light rug in which to wrap Meg, and then we were ready.

"Who drives?" said I.

He looked at me and smiled faintly.

"You," he answered.

Meg, like an impatient white flame stood waiting in the light of the
lamps. He covered her, extinguished her in the dark rug.



      CHAPTER II

   PUFFS OF WIND IN THE SAIL


The year burst into glory to usher us forth out of the valley of
Nethermere. The cherry trees had been gorgeous with heavy out-reaching
boughs of red and gold. Immense vegetable marrows lay prostrate in the
bottom garden, their great tentacles clutching the pond bank. Against
the wall the globed crimson plums hung close together, and dropped
occasionally with a satisfied plunge into the rhubarb leaves. The crop
of oats was very heavy. The stalks of corn were like strong reeds of
bamboo; the heads of grain swept heavily over like tresses weighted with
drops of gold.

George spent his time between the Mill and the Ram. The grandmother had
received them with much grumbling but with real gladness. Meg was
re-installed, and George slept at the Ram. He was extraordinarily
bright, almost gay. The fact was that his new life interested and
pleased him keenly. He often talked to me about Meg, how quaint and
naïve she was, how she amused him and delighted him. He rejoiced in
having a place of his own, a home, and a beautiful wife who adored him.
Then the public-house was full of strangeness and interest. No hour was
ever dull. If he wanted company he could go into the smoke-room, if he
wanted quiet he could sit with Meg, and she was such a treat, so soft
and warm, and so amusing. He was always laughing at her quaint crude
notions, and at her queer little turns of speech. She talked to him with
a little language, she sat on his knee and twisted his mustache, finding
small unreal fault with his features for the delight of dwelling upon
them. He was, he said, incredibly happy. Really he could not believe it.
Meg was, ah! she was a treat. Then he would laugh, thinking how
indifferent he had been about taking her. A little shadow might cross
his eyes, but he would laugh again, and tell me one of his wife's funny
little notions. She was quite uneducated, and such fun, he said. I
looked at him as he sounded this note. I remembered his crude
superiority of early days, which had angered Emily so deeply. There was
in him something of the prig. I did not like his amused indulgence of
his wife.

At threshing day, when I worked for the last time at the Mill, I noticed
the new tendency in him. The Saxtons had always kept up a certain proud
reserve. In former years, the family had moved into the parlour on
threshing day, and an extra woman had been hired to wait on the men who
came with the machine. This time George suggested: "Let us have dinner
with the men in the kitchen, Cyril. They are a rum gang. It's rather
good sport mixing with them. They've seen a bit of life, and I like to
hear them, they're so blunt. They're good studies though."

The farmer sat at the head of the table. The seven men trooped in, very
sheepish, and took their places. They had not much to say at first. They
were a mixed set, some rather small, young, and furtive looking, some
unshapely and coarse, with unpleasant eyes, the eyelids slack. There was
one man whom we called the Parrot, because he had a hooked nose, and put
forward his head as he talked. He had been a very large man, but he was
grey, and bending at the shoulders. His face was pale and fleshy, and
his eyes seemed dull sighted.

George patronised the men, and they did not object. He chaffed them,
making a good deal of demonstration in giving them more beer. He invited
them to pass up their plates, called the woman to bring more bread and
altogether played mine host of a feast of beggars. The Parrot ate very
slowly.

"Come Dad," said George "you're not getting on. Not got many
grinders——?"

"What I've got's in th' road. Is'll 'ae ter get em out. I can manage wi'
bare gums, like a baby again."

"Second childhood, eh? Ah well, we must all come to it," George laughed.

The old man lifted his head and looked at him, and said slowly:

"You'n got ter ower th' first afore that."

George laughed, unperturbed. Evidently he was well used to the thrusts
of the public-house.

"I suppose you soon got over yours," he said.

The old man raised himself and his eyes flickered into life. He chewed
slowly, then said:

"I'd married, an' paid for it; I'd broke a constable's jaw an' paid for
it; I'd deserted from the army, an' paid for that: I'd had a bullet
through my cheek in India atop of it all, by I was your age."

"Oh!" said George, with condescending interest, "you've seen a bit of
life then?"

They drew the old man out, and he told them in his slow, laconic
fashion, a few brutal stories. They laughed and chaffed him. George
seemed to have a thirst for tales of brutal experience, the raw gin of
life. He drank it all in with relish, enjoying the sensation. The dinner
was over. It was time to go out again to work.

"And how old are you, Dad?" George asked. The Parrot looked at him again
with his heavy, tired, ironic eyes, and answered:

"If you'll be any better for knowing—sixty-four."

"It's a bit rough on you, isn't it," continued the young man, "going
round with the threshing machine and sleeping outdoors at that time of
life? I should 'a thought you'd 'a wanted a bit o' comfort——"

"How do you mean, 'rough on me'?" the Parrot replied slowly.

"Oh, I think you know what I mean," answered George easily.

"Don't know as I do," said the slow old Parrot. "Well, you haven't made
exactly a good thing out of life, have you?"

"What d'you mean by a good thing? I've had my life, an' I'm satisfied
wi' it. Is'll die with a full belly."

"Oh, so you have saved a bit?"

"No," said the old man deliberately, "I've spent as I've gone on. An'
I've had all I wish for. But I pity the angels, when the Lord sets me
before them like a book to read. Heaven won't be heaven just then."

"You're a philosopher in your way," laughed George.

"And you," replied the old man, "toddling about your back-yard, think
yourself mighty wise. But your wisdom 'll go with your teeth. You'll
learn in time to say nothing."

The old man went out and began his work, carrying the sacks of corn from
the machine to the chamber.

"There's a lot in the old Parrot," said George, "as he'll never tell."

I laughed.

"He makes you feel, as well, as if you'd a lot to discover in life," he
continued, looking thoughtfully over the dusty straw-stack at the
chuffing machine.


   ——


After the harvest was ended the father began to deplete his farm. Most
of the stock was transferred to the "Ram." George was going to take over
his father's milk business, and was going to farm enough of the land
attaching to the Inn to support nine or ten cows. Until the spring,
however, Mr. Saxton retained his own milk round, and worked at improving
the condition of the land ready for the valuation. George, with three
cows, started a little milk supply in the neighbourhood of the Inn,
prepared his land for the summer, and helped in the public-house.

Emily was the first to depart finally from the Mill. She went to a
school in Nottingham, and shortly afterwards Mollie, her younger sister,
went to her. In October I moved to London. Lettie and Leslie were
settled in their home in Brentwood, Yorkshire. We all felt very keenly
our exile from Nethermere. But as yet the bonds were not broken; only
use could sever them. Christmas brought us all home again, hastening to
greet each other. There was a slight change in everybody. Lettie was
brighter, more imperious, and very gay; Emily was quiet,
self-restrained, and looked happier; Leslie was jollier and at the same
time more subdued and earnest; George looked very healthy and happy, and
sounded well pleased with himself; my mother with her gaiety at our
return brought tears to our eyes.

We dined one evening at Highclose with the Tempests. It was dull as
usual, and we left before ten o'clock. Lettie had changed her shoes and
put on a fine cloak of greenish blue. We walked over the frost-bound
road. The ice on Nethermere gleamed mysteriously in the moonlight, and
uttered strange half-audible whoops and yelps. The moon was very high in
the sky, small and brilliant like a vial full of the pure white liquid
of light. There was no sound in the night save the haunting movement of
the ice, and the clear tinkle of Lettie's laughter.

On the drive leading to the wood we saw someone approaching. The wild
grass was grey on either side, the thorn trees stood with shaggy black
beards sweeping down, the pine trees were erect like dark soldiers. The
black shape of the man drew near, with a shadow running at its feet. I
recognised George, obscured as he was in his cap and his upturned
collar. Lettie was in front with her husband. As George was passing, she
said, in bright clear tones:

"A Happy New Year to you."

He stopped, swung round, and laughed.

"I thought you wouldn't have known me," he said.

"What, is it you George?" cried Lettie in great surprise—"Now, what a
joke! How are you?"—she put out her white hand from her draperies. He
took it, and answered, "I am very well—and you—?" However meaningless
the words were, the tone was curiously friendly, intimate, informal.

"As you see," she replied laughing, interested in his attitude—"but
where are you going?"

"I am going home," he answered, in a voice that meant "have you
forgotten that I too am married?"

"Oh, of course!" cried Lettie. "You are now mine host of the Ram. You
must tell me about it. May I ask him to come home with us for an hour,
mother?—It is New Year's Eve, you know."

"You have asked him already," laughed mother.

"Will Mrs. Saxton spare you for so long?" asked Lettie of George.

"Meg? Oh, she does not order my comings and goings."

"Does she not?" laughed Lettie. "She is very unwise. Train up a husband
in the way he should go, and in after life——. I never could quote a
text from end to end. I am full of beginnings, but as for a finish——!
Leslie, my shoe-lace is untied—shall I wait till I can put my foot on
the fence?"

Leslie knelt down at her feet. She shook the hood back from her head,
and her ornaments sparkled in the moonlight. Her face with its whiteness
and its shadows was full of fascination, and in their dark recesses her
eyes thrilled George with hidden magic. She smiled at him along her
cheeks while her husband crouched before her. Then, as the three walked
along towards the wood she flung her draperies into loose eloquence and
there was a glimpse of her bosom white with the moon. She laughed and
chattered, and shook her silken stuffs, sending out a perfume exquisite
on the frosted air. When we reached the house Lettie dropped her
draperies and rustled into the drawing-room. There the lamp was low-lit,
shedding a yellow twilight from the window space. Lettie stood between
the firelight and the dusky lamp glow, tall and warm between the lights.
As she turned laughing to the two men, she let her cloak slide over her
white shoulder and fall with silk splendour of a peacock's gorgeous blue
over the arm of the large settee. There she stood, with her white hand
upon the peacock of her cloak, where it tumbled against her dull orange
dress. She knew her own splendour, and she drew up her throat laughing
and brilliant with triumph. Then she raised both her arms to her head
and remained for a moment delicately touching her hair into order, still
fronting the two men. Then with a final little laugh she moved slowly
and turned up the lamp, dispelling some of the witchcraft from the room.
She had developed strangely in six months. She seemed to have discovered
the wonderful charm of her womanhood. As she leaned forward with her arm
outstretched to the lamp, as she delicately adjusted the wicks with
mysterious fingers, she seemed to be moving in some alluring figure of a
dance, her hair like a nimbus clouding the light, her bosom lit with
wonder. The soft outstretching of her hand was like the whispering of
strange words into the blood, and as she fingered a book the heart
watched silently for the meaning.

"Won't you take off my shoes, darling?" she said, sinking among the
cushions of the settee. Leslie kneeled again before her, and she bent
her head and watched him.

"My feet are a tiny bit cold," she said plaintively, giving him her
foot, that seemed like gold in the yellow silk stocking. He took it
between his hands, stroking it:

"It is quite cold," he said, and he held both her feet in his hands.

"Ah, you dear boy!" she cried with sudden gentleness, bending forward
and touching his cheek.

"Is it great fun being mine host of 'Ye Ramme Inne?'" she said playfully
to George. There seemed a long distance between them now as she sat,
with the man in evening dress crouching before her putting golden shoes
on her feet.

"It is rather," he replied, "the men in the smoke room say such rum
things. My word, you hear some tales there."

"Tell us, do!" she pleaded.

"Oh! I couldn't. I never could tell a tale, and even if I
could—well——"

"But I do long to hear," she said, "what the men say in the smoke room
of 'Ye Ramme Inne.' Is it quite untellable?"

"Quite!" he laughed.

"What a pity! See what a cruel thing it is to be a woman, Leslie: we
never know what men say in smoke rooms, while you read in your novels
everything a woman ever uttered. It is a shame! George, you are a
wretch, you should tell me. I do envy you——."

"What do you envy me, exactly?" he asked laughing always at her
whimsical way.

"Your smoke room. The way you see life—or the way you hear it, rather."

"But I should have thought you saw life ten times more than me," he
replied.

"I! I only see manners—good manners and bad manners. You know 'manners
maketh a man.' That's when a woman's there. But you wait awhile, you'll
see."

"When shall I see?" asked George, flattered and interested.

"When you have made the fortune you talked about," she replied.

He was uplifted by her remembering the things he had said.

"But when I have made it—when!"—he said sceptically,—"even
then—well, I shall only be, or have been, landlord of 'Ye Ramme Inne.'"
He looked at her, waiting for her to lift up his hopes with her gay
balloons.

"Oh, that doesn't matter! Leslie might be landlord of some Ram Inn when
he's at home, for all anybody would know—mightn't you, hubby, dear?"

"Thanks!" replied Leslie, with good humoured sarcasm.

"You can't tell a publican from a peer, if he's a rich publican," she
continued. "Money maketh the man, you know."

"Plus manners," added George, laughing.

"Oh they are always there—where I am. I give you ten years. At the end
of that time you must invite us to your swell place—say the Hall at
Eberwich—and we will come—' with all our numerous array.'"

She sat among her cushions smiling upon him. She was half ironical, half
sincere. He smiled back at her, his dark eyes full of trembling hope,
and pleasure, and pride.

"How is Meg?" she asked. "Is she as charming as ever—or have you
spoiled her?"

"Oh, she is as charming as ever," he replied. "And we are tremendously
fond of one another."

"That is right!—I do think men are delightful," she added, smiling.

"I am glad you think so," he laughed.

They talked on brightly about a thousand things. She touched on Paris,
and pictures, and new music, with her quick chatter, sounding to George
wonderful in her culture and facility. And at last he said he must go.

"Not until you have eaten a biscuit and drunk good luck with me," she
cried, catching her dress about her like a dim flame and running out of
the room. We all drank to the New Year in the cold champagne.

"To the _Vita Nuova_!" said Lettie, and we drank smiling:

"Hark!" said George, "the hooters."

We stood still and listened. There was a faint booing noise far away
outside. It was midnight. Lettie caught up a wrap and we went to the
door. The wood, the ice, the grey dim hills lay frozen in the light of
the moon. But outside the valley, far away in Derbyshire, away towards
Nottingham, on every hand the distant hooters and buzzers of mines and
ironworks crowed small on the borders of the night, like so many
strange, low voices of cockerels bursting forth at different pitch, with
different tone, warning us of the dawn of the New Year.



      CHAPTER III

   THE FIRST PAGES OF SEVERAL ROMANCES


I found a good deal of difference in Leslie since his marriage. He had
lost his assertive self-confidence. He no longer pronounced emphatically
and ultimately on every subject, nor did he seek to dominate, as he had
always done, the company in which he found himself. I was surprised to
see him so courteous and attentive to George. He moved unobtrusively
about the room while Lettie was chattering, and in his demeanour there
was a new reserve, a gentleness and grace. It was charming to see him
offering the cigarettes to George, or, with beautiful tact, asking with
his eyes only whether he should refill the glass of his guest, and
afterward replacing it softly close to the other's hand.

To Lettie he was unfailingly attentive, courteous, and undemonstrative.

Towards the end of my holiday he had to go to London on business, and we
agreed to take the journey together. We must leave Woodside soon after
eight o'clock in the morning. Lettie and he had separate rooms. I
thought she would not have risen to take breakfast with us, but at a
quarter-past seven, just as Rebecca was bringing in the coffee, she came
downstairs. She wore a blue morning gown, and her hair was as
beautifully dressed as usual.

"Why, my darling, you shouldn't have troubled to come down so early,"
said Leslie, as he kissed her.

"Of course, I should come down," she replied, lifting back the heavy
curtains and looking out on the snow where the darkness was wilting into
daylight. "I should not let you go away into the cold without having
seen you take a good breakfast. I think it is thawing. The snow on the
rhododendrons looks sodden and drooping. Ah, well, we can keep out the
dismal of the morning for another hour." She glanced at the clock—"just
an hour!" she added. He turned to her with a swift tenderness. She
smiled to him, and sat down at the coffee-maker. We took our places at
table.

"I think I shall come back to-night," he said quietly, almost
appealingly.

She watched the flow of the coffee before she answered. Then the brass
urn swung back, and she lifted her face to hand him the cup.

"You will not do anything so foolish, Leslie," she said calmly.

He took his cup, thanking her, and bent his face over the fragrant
steam.

"I can easily catch the 7:15 from St. Pancras," he replied, without
looking up.

"Have I sweetened to your liking Cyril?" she asked, and then, as she
stirred her coffee she added, "It is ridiculous Leslie! You catch the
7.15 and very probably miss the connection at Nottingham. You can't have
the motor-car there, because of the roads. Besides, it is absurd to come
toiling home in the cold slushy night when you may just as well stay in
London and be comfortable."

"At any rate I should get the 10.30 down to Lawton Hill," he urged.

"But there is no need," she replied, "there is not the faintest need for
you to come home to-night. It is really absurd of you. Think of all the
discomfort! Indeed I should not want to come trailing dismally home at
midnight, I should not indeed. You would be simply wretched. Stay and
have a jolly evening with Cyril."

He kept his head bent over his plate and did not reply. His persistence
irritated her slightly.

"That is what you can do!" she said. "Go to the pantomime. Or wait—go
to Maeterlinck's 'Blue Bird.' I am sure that is on somewhere. I wonder
if Rebecca has destroyed yesterday's paper. Do you mind touching the
bell, Cyril?" Rebecca came, and the paper was discovered. Lettie
carefully read the notices, and planned for us with zest a delightful
programme for the evening. Leslie listened to it all in silence.

When the time had come for our departure Lettie came with us into the
hall to see that we were well wrapped up. Leslie had spoken very few
words. She was conscious that he was deeply offended, but her manner was
quite calm, and she petted us both brightly.

"Good-bye dear!" she said to him, when he came mutely to kiss her. "You
know it would have been miserable for you to sit all those hours in the
train at night. You will have ever such a jolly time. I know you will. I
shall look for you to-morrow. Good-bye, then, Good-bye!"

He went down the steps and into the car without looking at her. She
waited in the doorway as we moved round. In the black-grey morning she
seemed to harbour the glittering blue sky and the sunshine of March in
her dress and her luxuriant hair. He did not look at her till we were
curving to the great, snow-cumbered rhododendrons, when, at the last
moment he stood up in a sudden panic to wave to her. Almost as he saw
her the bushes came between them and he dropped dejectedly into his
seat.

"Good-bye!" we heard her call cheerfully and tenderly like a blackbird.

"Good-bye!" I answered, and: "Good-bye Darling, Good-bye!" he cried,
suddenly starting up in a passion of forgiveness and tenderness.

The car went cautiously down the soddened white path, under the trees.

I suffered acutely the sickness of exile in Norwood. For weeks I
wandered the streets of the suburb, haunted by the spirit of some part
of Nethermere. As I went along the quiet roads where the lamps in yellow
loneliness stood among the leafless trees of the night I would feel the
feeling of the dark, wet bit of path between the wood meadow and the
brooks. The spirit of that wild little slope to the Mill would come upon
me, and there in the suburb of London I would walk wrapt in the sense of
a small wet place in the valley of Nethermere. A strange voice within me
rose and called for the hill path; again I could feel the wood waiting
for me, calling and calling, and I crying for the wood, yet the space of
many miles was between us. Since I left the valley of home I have not
much feared any other loss. The hills of Nethermere had been my walls,
and the sky of Nethermere my roof overhead. It seemed almost as if, at
home, I might lift my hand to the ceiling of the valley, and touch my
own beloved sky, whose familiar clouds came again and again to visit me,
whose stars were constant to me, born when I was born, whose sun had
been all my father to me. But now the skies were strange over my head,
and Orion walked past me unnoticing, he who night after night had stood
over the woods to spend with me a wonderful hour. When does day now lift
up the confines of my dwelling place, when does the night throw open her
vastness for me, and send me the stars for company? There is no night in
a city. How can I lose myself in the magnificent forest of darkness when
night is only a thin scattering of the trees of shadow with barrenness
of lights between!

I could never lift my eyes save to the Crystal Palace, crouching,
cowering wretchedly among the yellow-grey clouds, pricking up its two
round towers like pillars of anxious misery. No landmark could have been
more foreign to me, more depressing, than the great dilapidated palace
which lay forever prostrate above us, fretting because of its own
degradation and ruin.

I watched the buds coming on the brown almond trees; I heard the
blackbirds, and I saw the restless starlings; in the streets were many
heaps of violets, and men held forward to me snowdrops whose white mute
lips were pushed upwards in a bunch: but these things had no meaning for
me, and little interest.

Most eagerly I waited for my letters. Emily wrote to me very constantly:

"Don't you find it quite exhilarating, almost intoxicating, to be so
free? I think it is quite wonderful. At home you cannot live your own
life. You have to struggle to keep even a little apart for yourself. It
is so hard to stand aloof from our mothers, and yet they are only hurt
and insulted if you tell them what is in your heart. It is such a relief
not to have to be anything to anybody, but just to please yourself. I am
sure mother and I have suffered a great deal from trying to keep up our
old relations. Yet she would not let me go. When I come home in the
evening and think that I needn't say anything to anybody, nor do
anything for anybody, but just have the evening for myself, I am
overjoyed.

"I have begun to write a story——"

Again, a little later, she wrote:

"As I go to school by Old Brayford village in the morning the birds are
thrilling wonderfully and everything seems stirring. Very likely there
will be a set-back, and after that spring will come in truth.

"When shall you come and see me? I cannot think of a spring without you.
The railways are the only fine exciting things here—one is only a few
yards away from school. All day long I am watching the great Midland
trains go south. They are very lucky to be able to rush southward
through the sunshine.

"The crows are very interesting. They flap past all the time we're out
in the yard. The railways and the crows make the charm of my life in
Brayford. The other day I saw no end of pairs of crows. Do you remember
what they say at home?—'One for sorrow.' Very often one solitary
creature sits on the telegraph wires. I almost hate him when I look at
him. I think my badge for life ought to be—one crow——."

Again, a little later:

"I have been home for the week-end. Isn't it nice to be made much of, to
be an important cherished person for a little time? It is quite a new
experience for me.

"The snowdrops are full out among the grass in the front garden—and
such a lot. I imagined you must come in the sunshine of the Sunday
afternoon to see them. It did not seem possible you should not. The
winter aconites are out along the hedge. I knelt and kissed them. I have
been so glad to go away, to breathe the free air of life, but I felt as
if I could not come away from the aconites. I have sent you some—are
they much withered?

"Now I am in my lodgings, I have the quite unusual feeling of being
contented to stay here a little while—not long—not above a year, I am
sure. But even to be contented for a little while is enough for me——."

In the beginning of March I had a letter from the father:

"You'll not see us again in the old place. We shall be gone in a
fortnight. The things are most of them gone already. George has got Bob
and Flower. I have sold three of the cows, Stafford, and Julia and
Hannah. The place looks very empty. I don't like going past the
cowsheds, and we miss hearing the horses stamp at night. But I shall not
be sorry when we have really gone. I begin to feel as if we'd stagnated
here. I begin to feel as if I was settling and getting narrow and dull.
It will be a new lease of life to get away.

"But I'm wondering how we shall be over there. Mrs. Saxton feels very
nervous about going. But at the worst we can but come back. I feel as if
I must go somewhere, it's stagnation and starvation for us here. I wish
George would come with me. I never thought he would have taken to
public-house keeping, but he seems to like it all right. He was down
with Meg on Sunday. Mrs. Saxton says he's getting a public-house tone.
He is certainly much livelier, more full of talk than he was. Meg and he
seem very comfortable, I'm glad to say. He's got a good milk-round, and
I've no doubt but what he'll do well. He is very cautious at the bottom;
he'll never lose much if he never makes much.

"Sam and David are very great friends. I'm glad I've got the boy. We
often talk of you. It would be very lonely if it wasn't for the
excitement of selling things and so on. Mrs. Saxton hopes you will stick
by George. She worries a bit about him, thinking he may go wrong. I
don't think he will ever go far. But I should be glad to know you were
keeping friends. Mrs. Saxton says she will write to you about it——."

George was a very poor correspondent. I soon ceased to expect a letter
from him. I received one directly after the father's.

"My Dear Cyril,

"Forgive me for not having written you before, but you see, I cannot sit
down and write to you any time. If I cannot do it just when I am in the
mood, I cannot do it at all. And it so often happens that the mood comes
upon me when I am in the fields at work, when it is impossible to write.
Last night I sat by myself in the kitchen on purpose to write to you,
and then I could not. All day, at Greymede, when I was drilling in the
fallow at the back of the church, I had been thinking of you, and I
could have written there if I had had materials, but I had not, and at
night I could not.

"I am sorry to say that in my last letter I did not thank you for the
books. I have not read them both, but I have nearly finished Evelyn
Innes. I get a bit tired of it towards the end. I do not do much reading
now. There seems to be hardly any chance for me, either somebody is
crying for me in the smoke room, or there is some business, or else Meg
won't let me. She doesn't like me to read at night, she says I ought to
talk to her, so I have to.

"It is half-past seven, and I am sitting ready dressed to go and talk to
Harry Jackson about a young horse he wants to sell to me. He is in
pretty low water, and it will make a pretty good horse. But I don't care
much whether I have it or not. The mood seized me to write to you.
Somehow at the bottom I feel miserable and heavy, yet there is no need.
I am making pretty good money, and I've got all I want. But when I've
been ploughing and getting the oats in those fields on the hillside at
the back of Greymede church, I've felt as if I didn't care whether I got
on or not. It's very funny. Last week I made over five pounds clear, one
way and another, and yet now I'm as restless, and discontented as I can
be, and I seem eager for something, but I don't know what it is.
Sometimes I wonder where I am going. Yesterday I watched broken white
masses of cloud sailing across the sky in a fresh strong wind. They all
seemed to be going somewhere. I wondered where the wind was blowing
them. I don't seem to have hold on anything, do I? Can you tell me what
I want at the bottom of my heart? I wish you were here, then I think I
should not feel like this. But generally I don't, generally I am quite
jolly, and busy.

"By jove, here's Harry Jackson come for me. I will finish this letter
when I get back.

"——I have got back, we have turned out, but I cannot finish. I cannot
tell you all about it. I've had a little row with Meg. Oh, I've had a
rotten time. But I cannot tell you about it to-night, it is late, and I
am tired, and have a headache. Some other time perhaps——

   GEORGE SAXTON."

The spring came bravely, even in south London, and the town was filled
with magic. I never knew the sumptuous purple of evening till I saw the
round arc-lamps fill with light, and roll like golden bubbles along the
purple dusk of the high road. Everywhere at night the city is filled
with the magic of lamps: over the river they pour in golden patches
their floating luminous oil on the restless darkness; the bright lamps
float in and out of the cavern of London Bridge Station like round
shining bees in and out of a black hive; in the suburbs the street lamps
glimmer with the brightness of lemons among the trees. I began to love
the town.

In the mornings I loved to move in the aimless street's procession,
watching the faces come near to me, with the sudden glance of dark eyes,
watching the mouths of the women blossom with talk as they passed,
watching the subtle movements of the shoulders of men beneath their
coats, and the naked warmth of their necks that went glowing along the
street. I loved the city intensely for its movement of men and women,
the soft, fascinating flow of the limbs of men and women, and the sudden
flash of eyes and lips as they pass. Among all the faces of the street
my attention roved like a bee which clambers drunkenly among blue
flowers. I became intoxicated with the strange nectar which I sipped out
of the eyes of the passers-by.

I did not know how time was hastening by on still bright wings, till I
saw the scarlet hawthorn flaunting over the road, and the lime-buds lit
up like wine drops in the sun, and the pink scarves of the lime-buds
pretty as louse-wort a-blossom in the gutters, and a silver-pink tangle
of almond boughs against the blue sky. The lilacs came out, and in the
pensive stillness of the suburb, at night, came the delicious tarry
scent of lilac flowers, wakening a silent laughter of romance.

Across all this, strangely, came the bleak sounds of home. Alice wrote
to me at the end of May:

"Cyril dear, prepare yourself. Meg has got twins—yesterday. I went up
to see how she was this afternoon, not knowing anything, and there I
found a pair of bubs in the nest, and old ma Stainwright bossing the
show. I nearly fainted. Sybil dear, I hardly knew whether to laugh or to
cry when I saw those two rummy little round heads, like two larch cones
cheek by cheek on a twig. One is a darkie, with lots of black hair, and
the other is red, would you believe it, just lit up with thin red hair
like a flicker of firelight. I gasped. I believe I did shed a few tears,
though what for, I don't know.

"The old grandma is a perfect old wretch over it. She lies chuckling and
passing audible remarks in the next room, as pleased as punch really,
but so mad because ma Stainwright wouldn't have them taken in to her.
You should have heard her when we took them in at last. They are both
boys. She did make a fuss, poor old woman. I think she's going a bit
funny in the head. She seemed sometimes to think they were hers, and you
should have heard her, the way she talked to them, it made me feel quite
funny. She wanted them lying against her on the pillow, so that she
could feel them with her face. I shed a few more tears, Sybil. I think I
must be going dotty also. But she came round when we took them away, and
began to chuckle to herself, and talk about the things she'd say to
George when he came—awful shocking things, Sybil, made me blush
dreadfully.

"Georgie didn't know about it then. He was down at Bingham, buying some
horses, I believe. He seems to have got a craze for buying horses. He
got in with Harry Jackson and Mayhew's sons—you know, they were horse
dealers—at least their father was. You remember he died bankrupt about
three years ago. There are Fred and Duncan left, and they pretend to
keep on the old business. They are always up at the Ram, and Georgie is
always driving about with them. I don't like it—they are a loose lot,
rather common, and poor enough now.

"Well, I thought I'd wait and see Georgie. He came about half-past five.
Meg had been fidgeting about him, wondering where he was, and how he
was, and so on. Bless me if I'd worry and whittle about a man. The old
grandma heard the cart, and before he could get down she shouted—you
know her room is in the front—'Hi, George, ma lad, sharpen thy shins
an' com' an' a'e a look at 'em—thee'r's two on 'em, two on 'em!' and
she laughed something awful.

"''Ello Granma, what art ter shoutin' about?' he said, and at the sound
of his voice Meg turned to me so pitiful, and said:

"' He's been wi' them Mayhews."

"'Tha's gotten twins, a couple at a go ma lad!' shouted the old woman,
and you know how she gives squeal before she laughs! She made the horse
shy, and he swore at it something awful. Then Bill took it, and Georgie
came upstairs. I saw Meg seem to shrink when she heard him kick at the
stairs as he came up, and she went white. When he got to the top he came
in. He fairly reeked of whisky and horses. Bah, a man is hateful when he
reeks of drink! He stood by the side of the bed grinning like a fool,
and saying, quite thick:

"' You've bin in a bit of a 'urry, 'aven't you Meg. An' how are ter
feelin' then?'

"'Oh, I'm a' right,' said Meg.

"'Is it twins, straight?' he said, 'wheer is 'em?'

"Meg looked over at the cradle, and he went round the bed to it, holding
to the bed-rail. He had never kissed her, nor anything. When he saw the
twins, asleep with their fists shut tight as wax, he gave a laugh as if
he was amused, and said:

"' Two right enough—an' one on 'em red! Which is the girl, Meg, the
black un?'

"'They're both boys,' said Meg, quite timidly.

"He turned round, and his eyes went little.

"'Blast 'em then!' he said. He stood there looking like a devil. Sybil
dear, I did not know our George could look like that. I thought he could
only look like a faithful dog or a wounded stag. But he looked fiendish.
He stood watching the poor little twins, scowling at them, till at last
the little red one began to whine a bit. Ma Stainwright came pushing her
fat carcass in front of him and bent over the baby, saying:

"'Why, my pretty, what are they doin' to thee, what are they?—what are
they doin' to thee?'

"Georgie scowled blacker than ever, and went out, lurching against the
wash-stand and making the pots rattle till my heart jumped in my throat.

"'Well, if you don't call that scandylos——!' said old Ma Stainwright,
and Meg began to cry. You don't know, Cyril! She sobbed fit to break her
heart. I felt as if I could have killed him.

"That old gran'ma began talking to him, and he laughed at her. I do hate
to hear a man laugh when he's half drunk. It makes my blood boil all of
a sudden. That old grandmother backs him up in everything, she's a
regular nuisance. Meg has cried to me before over the pair of them. The
wicked, vulgar old thing that she is——"

I went home to Woodside early in September. Emily was staying at the
Ram. It was strange that everything was so different. Nethermere even
had changed. Nethermere was no longer a complete, wonderful little world
that held us charmed inhabitants. It was a small, insignificant valley
lost in the spaces of the earth. The tree that had drooped over the
brook with such delightful, romantic grace was a ridiculous thing when I
came home after a year of absence in the south. The old symbols were
trite and foolish.

Emily and I went down one morning to Strelley Mill. The house was
occupied by a labourer and his wife, strangers from the north. He was
tall, very thin, and silent, strangely suggesting kinship with the rats
of the place. She was small and very active, like some ragged domestic
fowl run wild. Already Emily had visited her, so she invited us into the
kitchen of the mill, and set forward the chairs for us. The large room
had the barren air of a cell. There was a small table stranded towards
the fireplace, and a few chairs by the walls; for the rest, desert
spaces of flagged floor retreating into shadow. On the walls by the
windows were five cages of canaries, and the small sharp movements of
the birds made the room more strange in its desolation. When we began to
talk the birds began to sing, till we were quite bewildered, for the
little woman spoke Glasgow Scotch, and she had a hare lip. She rose and
ran toward the cages, crying herself like some wild fowl, and flapping a
duster at the warbling canaries.

"Stop it, stop it!" she cried, shaking her thin weird body at them.
"Silly little devils, fools, fools, fools!!" and she flapped the duster
till the birds were subdued. Then she brought us delicious scones and
apple jelly, urging us, almost nudging us with her thin elbows to make
us eat.

"Don't you like 'em, don't you? Well eat 'em, eat 'em then. Go on Emily,
go on, eat some more. Only don't tell Tom—don't tell Tom when 'e comes
in,"—she shook her head and laughed her shrilling, weird laughter.

As we were going she came out with us, and went running on in front. We
could not help noting how ragged and unkempt was her short black skirt.
But she hastened around us, hither and thither like an excited fowl,
talking in her high-pitched, unintelligible manner. I could not believe
the brooding mill was in her charge. I could not think this was the
Strelley Mill of a year ago. She fluttered up the steep orchard bank in
front of us. Happening to turn round and see Emily and me smiling at
each other she began to laugh her strident, weird laughter saying, with
a leer:

"Emily, he's your sweetheart, your sweetheart Emily! You never told me!"
and she laughed aloud.

We blushed furiously. She came away from the edge of the sluice gully,
nearer to us, crying:

"You've been here o' nights, haven't you Emily—haven't you?" and she
laughed again. Then she sat down suddenly, and pointing above our heads,
shrieked:

"Ah, look there"—we looked and saw the mistletoe. "Look at her, look
at her! How many kisses a night, Emily?—Ha! Ha! kisses all the year!
Kisses o' nights in a lonely place."

She went on wildly for a short time, then she dropped her voice and
talked in low, pathetic tones. She pressed on us scones and jelly and
oat-cakes, and we left her.

When we were out on the road by the brook Emily looked at me with
shamefaced, laughing eyes. I noticed a small movement of her lips, and
in an instant I found myself kissing her, laughing with some of the
little woman's wildness.



      CHAPTER III

   DOMESTIC LIFE AT THE RAM


George was very anxious to receive me at his home. The Ram had as yet
only a six days licence, so on Sunday afternoon I walked over to tea. It
was very warm and still and sunny as I came through Greymede. A few
sweethearts were sauntering under the horse-chestnut trees, or crossing
the road to go into the fields that lay smoothly carpeted after the
hay-harvest.

As I came round the flagged track to the kitchen door of the Inn I heard
the slur of a baking tin and the bang of the oven door, and Meg saying
crossly:

"No, don't you take him Emily—naughty little thing! Let his father hold
him!"

One of the babies was crying.

I entered, and found Meg all flushed and untidy, wearing a large white
apron, just rising from the oven. Emily, in a cream dress, was taking a
red-haired, crying baby from out of the cradle. George sat in the small
arm-chair, smoking and looking cross.

"I can't shake hands," said Meg, rather flurried. "I am all floury. Sit
down, will you——" and she hurried out of the room. Emily looked up
from the complaining baby to me and smiled a woman's rare, intimate
smile, which says: "See, I am engaged thus for a moment, but I keep my
heart for you all the time."

George rose and offered me the round arm-chair. It was the highest
honour he could do me. He asked me what I would drink. When I refused
everything, he sat down heavily on the sofa, frowning, and angrily
cudgelling his wits for something to say—in vain.

The room was large and comfortably furnished with rush-chairs, a
glass-knobbed dresser, a cupboard with glass doors, perched on a shelf
in the corner, and the usual large sofa whose cosy loose-bed and pillows
were covered with red cotton stuff. There was a peculiar reminiscence of
victuals and drink in the room; beer, and a touch of spirits, and bacon.
Teenie, the sullen, black-browed servant girl came in carrying the other
baby, and Meg called from the scullery to ask her if the child were
asleep. Meg was evidently in a bustle and a flurry, a most uncomfortable
state.

"No," replied Teenie, "he's not for sleep this day."

"Mend the fire and see to the oven, and then put him his frock on,"
replied Meg testily. Teenie set the black-haired baby in the second
cradle. Immediately he began to cry, or rather to shout his
remonstrance. George went across to him and picked up a white furry
rabbit, which he held before the child:

"Here, look at bun-bun! Have your nice rabbit! Hark at it squeaking!"

The baby listened for a moment, then, deciding that this was only a
put-off, began to cry again. George threw down the rabbit and took the
baby, swearing inwardly. He dandled the child on his knee.

"What's up then?—What's up wi' thee? Have a ride
then—dee-de-dee-de-dee!"

But the baby knew quite well what was the father's feeling towards him,
and he continued to cry.

"Hurry up, Teenie!" said George as the maid rattled the coal on the
fire. Emily was walking about hushing her charge, and smiling at me, so
that I had a peculiar pleasure in gathering for myself the honey of
endearment which she shed on the lips of the baby. George handed over
his child to the maid, and said to me with patient sarcasm:

"Will you come in the garden?"

I rose and followed him across the sunny flagged yard, along the path
between the bushes. He lit his pipe and sauntered along as a man on his
own estate does, feeling as if he were untrammeled by laws or
conventions.

"You know," he said, "she's a dam rotten manager."

I laughed, and remarked how full of plums the trees were.

"Yes!" he replied heedlessly—"you know she ought to have sent the girl
out with the kids this afternoon, and have got dressed directly. But no,
she must sit gossiping with Emily all the time they were asleep, and
then as soon as they wake up she begins to make cake——"

"I suppose she felt she'd enjoy a pleasant chat, all quiet," I answered.

"But she knew quite well you were coming, and what it would be. But a
woman's no dam foresight."

"Nay, what does it matter!" said I.

"Sunday's the only day we can have a bit of peace, so she might keep 'em
quiet then."

"I suppose it was the only time, too, that she could have a quiet
gossip," I replied.

"But you don't know," he said, "there seems to be never a minute of
freedom. Teenie sleeps in now, and lives with us in the kitchen—Oswald
as well—so I never know what it is to have a moment private. There
doesn't seem a single spot anywhere where I can sit quiet. It's the kids
all day, and the kids all night, and the servants, and then all the men
in the house—I sometimes feel as if I should like to get away. I shall
leave the pub as soon as I can—only Meg doesn't want to."

"But if you leave the public-house—what then?"

"I should like to get back on a farm. This is no sort of a place,
really, for farming. I've always got some business on hand, there's a
traveller to see, or I've got to go to the brewers, or I've somebody to
look at a horse, or something. Your life's all messed up. If I had a
place of my own, and farmed it in peace——"

"You'd be as miserable as you could be," I said.

"Perhaps so," he assented, in his old reflective manner. "Perhaps so!
Anyhow, I needn't bother, for I feel as if I never shall go back—to the
land."

"Which means at the bottom of your heart you don't intend to," I said
laughing.

"Perhaps so!" he again yielded. "You see I'm doing pretty well
here—apart from the public-house: I always think that's Meg's. Come and
look in the stable. I've got a shire mare and two nags: pretty good. I
went down to Melton Mowbray with Tom Mayhew, to a chap they've had
dealings with. Tom's all right, and he knows how to buy, but he is such
a lazy careless devil, too lazy to be bothered to sell——"

George was evidently interested. As we went round to the stables, Emily
came out with the baby, which was dressed in a new silk frock. She
advanced, smiling to me with dark eyes:

"See, now he is good! Doesn't he look pretty?"

She held the baby for me to look at. I glanced at it, but I was only
conscious of the near warmth of her cheek, and of the scent of her hair.

"Who is he like?" I asked, looking up and finding myself full in her
eyes. The question was quite irrelevant: her eyes spoke a whole clear
message that made my heart throb; yet she answered.

"Who is he? Why, nobody, of course! But he _will_ be like father, don't
you think?"

The question drew my eyes to hers again, and again we looked each other
the strange intelligence that made her flush and me breathe in as I
smiled.

"Ay! Blue eyes like your father's—not like yours——"

Again the wild messages in her looks.

"No!" she answered very softly. "And I think he'll be jolly, like
father—they have neither of them our eyes, have they?"

"No," I answered, overcome by a sudden hot flush of tenderness. "No—not
vulnerable. To have such soft, vulnerable eyes as you used makes one
feel nervous and irascible. But you have clothed over the sensitiveness
of yours, haven't you?—like naked life, naked defenceless protoplasm
they were, is it not so?"

She laughed, and at the old painful memories she dilated in the old way,
and I felt the old tremor at seeing her soul flung quivering on my pity.

"And were mine like that?" asked George, who had come up.

He must have perceived the bewilderment of my look as I tried to adjust
myself to him. A slight shadow, a slight chagrin appeared on his face.

"Yes," I answered, "yes—but not so bad. You never gave yourself away so
much—you were most cautious: but just as defenceless."

"And am I altered?" he asked, with quiet irony, as if he knew I was not
interested in him.

"Yes, more cautious. You keep in the shadow. But Emily has clothed
herself, and can now walk among the crowd at her own gait."

It was with an effort I refrained from putting my lips to kiss her at
that moment as she looked at me with womanly dignity and tenderness.
Then I remembered, and said:

"But you are taking me to the stable George! Come and see the horses
too, Emily."

"I will. I admire them so much," she replied, and thus we both indulged
him.

He talked to his horses and of them, laying his hand upon them, running
over their limbs. The glossy, restless animals interested him more than
anything. He broke into a little flush of enthusiasm over them. They
were his new interest. They were quiet and yet responsive; he was their
master and owner. This gave him real pleasure.

But the baby became displeased again. Emily looked at me for sympathy
with him.

"He is a little wanderer," she said, "he likes to be always moving.
Perhaps he objects to the ammonia of stables too," she added, frowning
and laughing slightly, "it is not very agreeable, is it?"

"Not particularly," I agreed, and as she moved off I went with her,
leaving him in the stables. When Emily and I were alone we sauntered
aimlessly back to the garden. She persisted in talking to the baby, and
in talking to me about the baby, till I wished the child in Jericho.
This made her laugh, and she continued to tantalise me. The holly-hock
flowers of the second whorl were flushing to the top of the spires. The
bees, covered with pale crumbs of pollen, were swaying a moment outside
the wide gates of the florets, then they swung in with excited hum, and
clung madly to the fury white capitols, and worked riotously round the
waxy bases. Emily held out the baby to watch, talking all the time in
low, fond tones. The child stretched towards the bright flowers. The sun
glistened on his smooth hair as on bronze dust, and the wondering blue
eyes of the baby followed the bees. Then he made small sounds, and
suddenly waved his hands, like rumpled pink holly-hock buds.

"Look!" said Emily, "look at the little bees! Ah, but you mustn't touch
them, they bite. They're coming!" she cried, with sudden laughing
apprehension, drawing the child away. He made noises of remonstrance.
She put him near to the flowers again till he knocked the spire with his
hand and two indignant bees came sailing out. Emily drew back quickly
crying in alarm, then laughing with excited eyes at me, as if she had
just escaped a peril in my presence. Thus she teased me by flinging me
all kinds of bright gages of love while she kept me aloof because of the
child. She laughed with pure pleasure at this state of affairs, and
delighted the more when I frowned, till at last I swallowed my
resentment and laughed too, playing with the hands of the baby, and
watching his blue eyes change slowly like a softly sailing sky.

Presently Meg called us in to tea. She wore a dress of fine blue stuff
with cream silk embroidery, and she looked handsome, for her hair was
very hastily dressed.

"What, have you had that child all this time?" she exclaimed, on seeing
Emily. "Where is his father?"

"I don't know—we left him in the stable, didn't we Cyril? But I like
nursing him, Meg. I like it ever so much," replied Emily.

"Oh, yes, you may be sure George would get off it if he could. He's
always in the stable. As I tell him, he fair stinks of horses. He's not
that fond of the children, I can tell you. Come on, my pet—why, come to
its mammy."

She took the baby and kissed it passionately, and made extravagant love
to it. A clean shaven young man with thick bare arms went across the
yard.

"Here, just look and tell George as tea is ready," said Meg.

"Where is he?" asked Oswald, the sturdy youth who attended to the farm
business.

"You know where to find him," replied Meg, with that careless freedom
which was so subtly derogatory to her husband.

George came hurrying from the out-building. "What, is it tea already?"
he said.

"It's a wonder you haven't been crying out for it this last hour," said
Meg.

"It's a marvel you've got dressed so quick," he replied.

"Oh, is it?" she answered—"well, it's not with any of your help that
I've done it, that is a fact. Where's Teenie?"

The maid, short, stiffly built, very dark and sullen looking, came
forward from the gate.

"Can you take Alfy as well, just while we have tea?" she asked. Teenie
replied that she should think she could, whereupon she was given the
ruddy-haired baby, as well as the dark one. She sat with them on a seat
at the end of the yard. We proceeded to tea.

It was a very great spread. There were hot cakes, three or four kinds of
cold cakes, tinned apricots, jellies, tinned lobster, and trifles in the
way of jam, cream, and rum.

"I don't know what those cakes are like," said Meg. "I made them in such
a fluster. Really, you have to do things as best you can when you've got
children—especially when there's two. I never seem to have time to do
my hair up even—look at it now."

She put up her hands to her head, and I could not help noticing how
grimy and rough were her nails.

The tea was going on pleasantly when one of the babies began to cry.
Teenie bent over it crooning gruffly. I leaned back and looked out of
the door to watch her. I thought of the girl in Tchekoff's story, who
smothered her charge, and I hoped the grim Teenie would not be driven to
such desperation. The other child joined in this chorus. Teenie rose
from her seat and walked about the yard, gruffly trying to soothe the
twins.

"It's a funny thing, but whenever anybody comes they're sure to be
cross," said Meg, beginning to simmer.

"They're no different from ordinary," said George, "it's only that
you're forced to notice it then."

"No, it is not!" cried Meg in a sudden passion: "Is it now, Emily? Of
course, he has to say something! Weren't they as good as gold this
morning, Emily?—and yesterday!—why they never murmured, as good as
gold they were. But he wants them to be as dumb as fishes: he'd like
them shutting up in a box as soon as they make a bit of noise."

"I was not saying anything about it," he replied.

"Yes, you were," she retorted. "I don't know what you call it then——"

The babies outside continued to cry.

"Bring Alfy to me," called Meg, yielding to the mother feeling.

"Oh, no, damn it!" said George, "let Oswald take him."

"Yes," replied Meg bitterly, "let anybody take him so long as he's out
of your sight. You never ought to have children, you didn't——"

George murmured something about "to-day."

"Come then!" said Meg with a whole passion of tenderness, as she took
the red-haired baby and held it to her bosom, "Why, what is it then,
what is it, my precious? Hush then pet, hush then!"

The baby did not hush. Meg rose from her chair and stood rocking the
baby in her arms, swaying from one foot to the other.

"He's got a bit of wind," she said.

We tried to continue the meal, but everything was awkward and difficult.

"I wonder if he's hungry," said Meg, "let's try him."

She turned away and gave him her breast. Then he was still, so she
covered herself as much as she could, and sat down again to tea. We had
finished, so we sat and waited while she ate. This disjointing of the
meal, by reflex action, made Emily and me more accurate. We were
exquisitely attentive, and polite to a nicety. Our very speech was
clipped with precision, as we drifted to a discussion of Strauss and
Debussy. This of course put a breach between us two and our hosts, but
we could not help it; it was our only way of covering over the
awkwardness of the occasion. George sat looking glum and listening to
us. Meg was quite indifferent. She listened occasionally, but her
position as mother made her impregnable. She sat eating calmly, looking
down now and again at her baby, holding us in slight scorn, babblers
that we were. She was secure in her high maternity; she was mistress and
sole authority. George, as father, was first servant; as an indifferent
father, she humiliated him and was hostile to his wishes. Emily and I
were mere intruders, feeling ourselves such. After tea we went upstairs
to wash our hands. The grandmother had had a second stroke of paralysis,
and lay inert, almost stupified. Her large bulk upon the bed was
horrible to me, and her face, with the muscles all slack and awry,
seemed like some cruel cartoon. She spoke a few thick words to me.
George asked her if she felt all right, or should he rub her. She turned
her old eyes slowly to him.

"My leg—my leg a bit," she said in her strange guttural.

He took off his coat, and pushing his hand under the bed-clothes, sat
rubbing the poor old woman's limb patiently, slowly, for some time. She
watched him for a moment, then without her turning her eyes from him, he
passed out of her vision and she lay staring at nothing, in his
direction.

"There," he said at last, "is that any better then, mother?"

"Ay, that's a bit better," she said slowly.

"Should I gi'e thee a drink?" he asked, lingering, wishing to minister
all he could to her before he went.

She looked at him, and he brought the cup. She swallowed a few drops
with difficulty.

"Doesn't it make you miserable to have her always there?" I asked him,
when we were in the next room. He sat down on the large white bed and
laughed shortly.

"We're used to it—we never notice her, poor old gran'ma."

"But she must have made a difference to you—she must make a big
difference at the bottom, even if you don't know it," I said.

"She'd got such a strong character," he said musing, "—she seemed to
understand me. She was a real friend to me before she was so bad.
Sometimes I happen to look at her—generally I never see her, you know
how I mean—but sometimes I do—and then—it seems a bit rotten——"

He smiled at me peculiarly, "—it seems to take the shine off things,"
he added, and then, smiling again with ugly irony—"She's our skeleton
in the closet." He indicated her large bulk.

The church bells began to ring. The grey church stood on a rise among
the fields not far away, like a handsome old stag looking over towards
the inn. The five bells began to play, and the sound came beating upon
the window.

"I hate Sunday night," he said restlessly.

"Because you've nothing to do?" I asked.

"I don't know," he said. "It seems like a gag, and you feel helpless. I
don't want to go to church, and hark at the bells, they make you feel
uncomfortable."

"What do you generally do?" I asked.

"Feel miserable—I've been down to Mayhew's these last two Sundays, and
Meg's been pretty mad. She says it's the only night I could stop with
her, or go out with her. But if I stop with her, what can I do?—and if
we go out, it's only for half an hour. I hate Sunday night—it's a dead
end."

When we went downstairs, the table was cleared, and Meg was bathing the
dark baby. Thus she was perfect. She handled the bonny, naked child with
beauty of gentleness. She kneeled over him nobly. Her arms and her bosom
and her throat had a nobility of roundness and softness. She drooped her
head with the grace of a Madonna, and her movements were lovely,
accurate and exquisite, like an old song perfectly sung. Her voice,
playing and soothing round the curved limbs of the baby, was like water,
soft as wine in the sun, running with delight.

We watched humbly, sharing the wonder from afar.

Emily was very envious of Meg's felicity. She begged to be allowed to
bathe the second baby. Meg granted her bounteous permission:

"Yes, you can wash him if you like, but what about your frock?"

Emily, delighted, began to undress the baby whose hair was like crocus
petals. Her fingers trembled with pleasure as she loosed the little
tapes. I always remember the inarticulate delight with which she took
the child in her hands, when at last his little shirt was removed, and
felt his soft white limbs and body. A distinct, glowing atmosphere
seemed suddenly to burst out around her and the child, leaving me
outside. The moment before she had been very near to me, her eyes
searching mine, her spirit clinging timidly about me. Now I was put
away, quite alone, neglected, forgotten, outside the glow which
surrounded the woman and the baby.

"Ha!—Ha-a-a!" she said with a deep throated vowel, as she put her face
against the child's small breasts, so round, almost like a girl's,
silken and warm and wonderful. She kissed him, and touched him, and
hovered over him, drinking in his baby sweetnesses, the sweetness of the
laughing little mouth's wide, wet kisses, of the round, waving limbs, of
the little shoulders so winsomely curving to the arms and the breasts,
of the tiny soft neck hidden very warm beneath the chin, tasting
deliciously with her lips and her cheeks all the exquisite softness,
silkiness, warmth, and tender life of the baby's body.

A woman is so ready to disclaim the body of a man's love; she yields him
her own soft beauty with so much gentle patience and regret; she clings
to his neck, to his head and his cheeks, fondling them for the soul's
meaning that is there, and shrinking from his passionate limbs and his
body. It was with some perplexity, some anger and bitterness that I
watched Emily moved almost to ecstasy by the baby's small, innocuous
person.

"Meg never found any pleasure in me as she does in the kids," said
George bitterly, for himself.

The child, laughing and crowing, caught his hands in Emily's hair and
pulled dark tresses down, while she cried out in remonstrance, and tried
to loosen the small fists that were shut so fast. She took him from the
water and rubbed him dry, with marvellous gentle little rubs, he kicking
and expostulating. She brought his fine hair into one silken
up-springing of ruddy gold like an aureole. She played with his tiny
balls of toes, like wee pink mushrooms, till at last she dare detain him
no longer, when she put on his flannel and his night-gown and gave him
to Meg.

Before carrying him to bed Meg took him to feed him. His mouth was
stretched round the nipple as he sucked, his face was pressed close and
closer to the breast, his fingers wandered over the fine white globe,
blue veined and heavy, trying to hold it. Meg looked down upon him with
a consuming passion of tenderness, and Emily clasped her hands and
leaned forward to him. Even thus they thought him exquisite.

When the twins were both asleep, I must tiptoe upstairs to see them.
They lay cheek by cheek in the crib next the large white bed, breathing
little, ruffling breaths, out of unison, so small and pathetic with
their tiny shut fingers. I remembered the two larks.

From the next room came a heavy sound of the old woman's breathing. Meg
went in to her. As in passing I caught sight of the large, prone figure
in the bed, I thought of Guy de Maupassant's "Toine," who acted as an
incubator.



      CHAPTER IV

   THE DOMINANT MOTIF OF SUFFERING


The old woman lay still another year, then she suddenly sank out of
life. George ceased to write to me, but I learned his news elsewhere. He
became more and more intimate with the Mayhews. After old Mayhew's
bankruptcy, the two sons had remained on in the large dark house that
stood off the Nottingham Road in Eberwich. This house had been
bequeathed to the oldest daughter by the mother. Maud Mayhew, who was
married and separated from her husband, kept house for her brothers. She
was a tall, large woman with high cheek-bones and oily black hair looped
over her ears. Tom Mayhew was also a handsome man, very dark and ruddy,
with insolent bright eyes.

The Mayhews' house was called the "Hollies." It was a solid building, of
old red brick, standing fifty yards back from the Eberwich highroad.
Between it and the road was an unkempt lawn, surrounded by very high
black holly trees. The house seemed to be imprisoned among the bristling
hollies. Passing through the large gate, one came immediately upon the
bare side of the house and upon the great range of stables. Old Mayhew
had in his day stabled thirty or more horses there. Now grass was
between the red bricks, and all the bleaching doors were shut, save
perhaps two or three which were open for George's horses.

The "Hollies" became a kind of club for the disconsolate, "better-off"
men of the district. The large dining-room was gloomily and sparsely
furnished, the drawing-room was a desert, but the smaller morning-room
was comfortable enough, with wicker arm-chairs, heavy curtains, and a
large sideboard. In this room George and the Mayhews met with several
men two or three times a week. There they discussed horses and made mock
of the authority of women. George provided the whisky, and they all
gambled timidly at cards. These bachelor parties were the source of
great annoyance to the wives of the married men who attended them.

"He's quite unbearable when he's been at those Mayhews'," said Meg. "I'm
sure they do nothing but cry us down."

Maud Mayhew kept apart from these meetings, watching over her two
children. She had been very unhappily married, and now was reserved,
silent. The women of Eberwich watched her as she went swiftly along the
street in the morning with her basket, and they gloried a little in her
overthrow, because she was too proud to accept consolation, yet they
were sorry in their hearts for her, and she was never touched with
calumny. George saw her frequently, but she treated him coldly as she
treated the other men, so he was afraid of her.

He had more facilities now for his horse-dealing. When the grandmother
died, in the October two years after the marriage of George she left him
seven hundred pounds. To Meg she left the Inn, and the two houses she
had built in Newerton, together with brewery shares to the value of
nearly a thousand pounds. George and Meg felt themselves to be people of
property. The result, however, was only a little further coldness
between them. He was very careful that she had all that was hers. She
said to him once when they were quarrelling, that he needn't go feeding
the Mayhews on the money that came out of her business. Thenceforward he
kept strict accounts of all his affairs, and she must audit them,
receiving her exact dues. This was a mortification to her woman's
capricious soul of generosity and cruelty.

The Christmas after the grandmother's death another son was born to
them. For the time George and Meg became very good friends again.

When in the following March I heard he was coming down to London with
Tom Mayhew on business, I wrote and asked him to stay with me. Meg
replied, saying she was so glad I had asked him: she did not want him
going off with that fellow again; he had been such a lot better lately,
and she was sure it was only those men at Mayhew's made him what he was.

He consented to stay with me. I wrote and told him Lettie and Leslie
were in London, and that we should dine with them one evening. I met him
at King's Cross and we all three drove west. Mayhew was a remarkably
handsome, well-built man; he and George made a notable couple. They were
both in breeches and gaiters, but George still looked like a yeoman,
while Mayhew had all the braggadocio of the stable. We made an
impossible trio. Mayhew laughed and jested broadly for a short time,
then he grew restless and fidgety. He felt restrained and awkward in my
presence. Later, he told George I was a damned parson. On the other
hand, I was content to look at his rather vulgar beauty—his teeth were
blackened with smoking—and to listen to his ineffectual talk, but I
could find absolutely no response. George was go-between. To me he was
cautious and rather deferential, to Mayhew he was careless, and his
attitude was tinged with contempt.

When the son of the horse-dealer at last left us to go to some of his
father's old cronies, we were glad. Very uncertain, very sensitive and
wavering, our old intimacy burned again like the fragile burning of
alcohol. Closed together in the same blue flames, we discovered and
watched the pageant of life in the town revealed wonderfully to us. We
laughed at the tyranny of old romance. We scorned the faded procession
of old years, and made mock of the vast pilgrimage of by-gone romances
travelling farther into the dim distance. Were we not in the midst of
the bewildering pageant of modern life, with all its confusion of
bannerets and colours, with its infinite interweaving of sounds, the
screech of the modern toys of haste striking like keen spray, the heavy
boom of busy mankind gathering its bread, earnestly, forming the bed of
all other sounds; and between these two the swiftness of songs, the
triumphant tilt of the joy of life, the hoarse oboes of privation, the
shuddering drums of tragedy, and the eternal scraping of the two
deep-toned strings of despair?

We watched the taxicabs coursing with their noses down to the street, we
watched the rocking hansoms, and the lumbering stateliness of buses. In
the silent green cavern of the park we stood and listened to the surging
of the ocean of life. We watched a girl with streaming hair go galloping
down the Row, a dark man, laughing and showing his white teeth,
galloping more heavily at her elbow. We saw a squad of life-guards enter
the gates of the park, erect and glittering with silver and white and
red. They came near to us, and we thrilled a little as we watched the
muscles of their white smooth thighs answering the movement of the
horses, and their cheeks and their chins bending with proud manliness to
the rhythm of the march. We watched the exquisite rhythm of the body of
men moving in scarlet and silver further down the leafless avenue, like
a slightly wavering spark of red life blown along. At the Marble Arch
Corner we listened to a little socialist who was flaring fiercely under
a plane tree. The hot stream of his words flowed over the old wounds
that the knowledge of the unending miseries of the poor had given me,
and I winced. For him the world was all East-end, and all the East-End
was as a pool from which the waters are drained off, leaving the
water-things to wrestle in the wet mud under the sun, till the whole of
the city seems a heaving, shuddering struggle of black-mudded objects
deprived of the elements of life. I felt a great terror of the little
man, lest he should make me see all mud, as I had seen before. Then I
felt a breathless pity for him, that his eyes should be always filled
with mud, and never brightened. George listened intently to the speaker,
very much moved by him.

At night, after the theatre, we saw the outcasts sleep in a rank under
the Waterloo bridge, their heads to the wall, their feet lying out on
the pavement: a long, black, ruffled heap at the foot of the wall. All
the faces were covered but two, that of a peaked, pale little man, and
that of a brutal woman. Over these two faces, floating like uneasy pale
dreams on their obscurity, swept now and again the trailing light of the
tram cars. We picked our way past the line of abandoned feet, shrinking
from the sight of the thin bare ankles of a young man, from the draggled
edge of the skirts of a bunched-up woman, from the pitiable sight of the
men who had wrapped their legs in newspaper for a little warmth, and lay
like worthless parcels. It was raining. Some men stood at the edge of
the causeway fixed in dreary misery, finding no room to sleep. Outside,
on a seat in the blackness and the rain, a woman sat sleeping, while the
water trickled and hung heavily at the ends of her loosened strands of
hair. Her hands were pushed in the bosom of her jacket. She lurched
forward in her sleep, started, and one of her hands fell out of her
bosom. She sank again to sleep. George gripped my arm.

"Give her something," he whispered in panic. I was afraid. Then suddenly
getting a florin from my pocket, I stiffened my nerves and slid it into
her palm. Her hand was soft, and warm, and curled in sleep. She started
violently, looking up at me, then down at her hand. I turned my face
aside, terrified lest she should look in my eyes, and full of shame and
grief I ran down the embankment to him. We hurried along under the plane
trees in silence. The shining cars were drawing tall in the distance
over Westminster Bridge, a fainter, yellow light running with them on
the water below. The wet streets were spilled with golden liquor of
light, and on the deep blackness of the river were the restless yellow
slashes of the lamps.

Lettie and Leslie were staying up at Hampstead with a friend of the
Tempests, one of the largest shareholders in the firm of Tempest,
Wharton & Co. The Raphaels had a substantial house, and Lettie preferred
to go to them rather than to an hotel, especially as she had brought
with her her infant son, now ten months old, with his nurse. They
invited George and me to dinner on the Friday evening. The party
included Lettie's host and hostess, and also a Scottish poetess, and an
Irish musician, composer of songs and pianoforte rhapsodies.

Lettie wore a black lace dress in mourning for one of Leslie's maternal
aunts. This made her look older, otherwise there seemed to be no change
in her. A subtle observer might have noticed a little hardness about her
mouth, and disillusion hanging slightly on her eyes. She was, however,
excited by the company in which she found herself, therefore she
overflowed with clever speeches and rapid, brilliant observations.
Certainly on such occasions she was admirable. The rest of the company
formed, as it were, the orchestra which accompanied her.

George was exceedingly quiet. He spoke a few words now and then to
Mrs Raphael, but on the whole he was altogether silent, listening.

"Really!" Lettie was saying, "I don't see that one thing is worth doing
any more than another. It's like dessert: you are equally indifferent
whether you have grapes, or pears, or pineapple."

"Have you already dined so far?" sang the Scottish poetess in her
musical, plaintive manner.

"The only thing worth doing is producing," said Lettie.

"Alas, that is what all the young folk are saying nowadays!" sighed the
Irish musician.

"That is the only thing one finds any pleasure in—that is to say, any
satisfaction," continued Lettie, smiling, and turning to the two
artists.

"Do you not think so?" she added.

"You do come to a point at last," said the Scottish poetess, "when your
work is a real source of satisfaction."

"Do you write poetry then?" asked George of Lettie.

"I! Oh, dear no! I have tried strenuously to make up a Limerick for a
competition, but in vain. So you see, I am a failure there. Did you know
I have a son, though?—a marvellous little fellow, is he not,
Leslie?—he is my work. I am a wonderful mother, am I not, Leslie?"

"Too devoted," he replied.

"There!" she exclaimed in triumph—"When I have to sign my name and
occupation in a visitor's book, it will be '——Mother'. I hope my
business will flourish," she concluded, smiling.

There was a touch of ironical brutality in her now. She was, at the
bottom, quite sincere. Having reached that point in a woman's career
when most, perhaps all of the things in life seem worthless and insipid,
she had determined to put up with it, to ignore her own self, to empty
her own potentialities into the vessel of another or others, and to live
her life at second hand. This peculiar abnegation of self is the
resource of a woman for the escaping of the responsibilities of her own
development. Like a nun, she puts over her living face a veil, as a sign
that the woman no longer exists for herself: she is the servant of God,
of some man, of her children, or may be of some cause. As a servant, she
is no longer responsible for her self, which would make her terrified
and lonely. Service is light and easy. To be responsible for the good
progress of one's life is terrifying. It is the most insufferable form
of loneliness, and the heaviest of responsibilities. So Lettie indulged
her husband, but did not yield her independence to him; rather it was
she who took much of the responsibility of him into her hands, and
therefore he was so devoted to her. She had, however, now determined to
abandon the charge of herself to serve her children. When the children
grew up, either they would unconsciously fling her away, back upon
herself again in bitterness and loneliness, or they would tenderly
cherish her, chafing at her love-bonds occasionally.

George looked and listened to all the flutter of conversation, and said
nothing. It seemed to him like so much unreasonable rustling of pieces
of paper, of leaves of books, and so on. Later in the evening Lettie
sang, no longer Italian folk songs, but the fragmentary utterances of
Debussy and Strauss. These also to George were quite meaningless, and
rather wearisome. It made him impatient to see her wasting herself upon
them.

"Do you like those songs?" she asked in the frank, careless manner she
affected.

"Not much," he replied, ungraciously.

"Don't you?" she exclaimed, adding with a smile, "Those are the most
wonderful things in the world, those little things"—she began to hum a
Debussy idiom. He could not answer her on the point, so he sat with the
arrow sticking in him, and did not speak.

She enquired of him concerning Meg and his children and the affairs of
Eberwich, but the interest was flimsy, as she preserved a wide distance
between them, although apparently she was so unaffected and friendly. We
left before eleven.

When we were seated in the cab and rushing down hill, he said:

"You know, she makes me mad."

He was frowning, looking out of the window away from me.

"Who, Lettie? Why, what riles you?" I asked.

He was some time in replying.

"Why, she's so affected."

I sat still in the small, close space and waited.

"Do you know——?" he laughed, keeping his face averted from me. "She
makes my blood boil. I could hate her."

"Why?" I said gently.

"I don't know. I feel as if she'd insulted me. She does lie, doesn't
she?"

"I didn't notice it," I said, but I knew he meant her shirking, her
shuffling of her life.

"And you think of those poor devils under the bridge—and then of her
and them frittering away themselves and money in that idiocy——"

He spoke with passion.

"You are quoting Longfellow," I said.

"What?" he asked, looking at me suddenly.

"'Life is real, life is earnest——'"

He flushed slightly at my good-natured gibe.

"I don't know what it is," he replied. "But it's a pretty rotten
business, when you think of her fooling about wasting herself, and all
the waste that goes on up there, and the poor devils rotting on the
embankment—and——"

"And you—and Mayhew—and me——" I continued.

He looked at me very intently to see if I were mocking. He laughed. I
could see he was very much moved.

"Is the time quite out of joint?" I asked.

"Why!"—he laughed. "No. But she makes me feel so angry—as if I should
burst—I don't know when I felt in such a rage. I wonder why. I'm sorry
for him, poor devil. 'Lettie and Leslie'—they seemed christened for one
another, didn't they?"

"What if you'd had her?" I asked.

"We should have been like a cat and dog; I'd rather be with Meg a
thousand times—now!" he added significantly. He sat watching the lamps
and the people and the dark buildings slipping past us.

"Shall we go and have a drink?" I asked him, thinking we would call in
Frascati's to see the come-and-go.

"I could do with a brandy," he replied, looking at me slowly.

We sat in the restaurant listening to the jigging of the music, watching
the changing flow of the people. I like to sit a long time by the
hollyhocks watching the throng of varied bees which poise and hesitate
outside the wild flowers, then swing in with a hum which sets everything
aquiver. But still more fascinating it is to watch the come and go of
people weaving and intermingling in the complex mesh of their
intentions, with all the subtle grace and mystery of their moving,
shapely bodies.

I sat still, looking out across the amphitheatre. George looked also,
but he drank glass after glass of brandy.

"I like to watch the people," said I.

"Ay—and doesn't it seem an aimless, idiotic business—look at them!" he
replied in tones of contempt. I looked instead at him, in some surprise
and resentment His face was gloomy, stupid and unrelieved. The amount of
brandy he had drunk had increased his ill humour.

"Shall we be going?" I said. I did not want him to get drunk in his
present state of mind.

"Ay—in half a minute," he finished the brandy, and rose. Although he
had drunk a good deal, he was quite steady, only there was a
disagreeable look always on his face, and his eyes seemed smaller and
more glittering than I had seen them. We took a bus to Victoria. He sat
swaying on his seat in the dim, clumsy vehicle, saying not a word. In
the vast cavern of the station the theatre-goers were hastening,
crossing the pale grey strand, small creatures scurrying hither and
thither in the space beneath the lonely lamps. As the train crawled over
the river we watched the far-flung hoop of diamond lights curving slowly
round and striping with bright threads the black water. He sat looking
with heavy eyes, seeming to shrink from the enormous unintelligible
lettering of the poem of London.

The town was too large for him, he could not take in its immense, its
stupendous poetry. What did come home to him was its flagrant discords.
The unintelligibility of the vast city made him apprehensive, and the
crudity of its big, coarse contrasts wounded him unutterably.

"What is the matter?" I asked him as we went along the silent pavement
at Norwood.

"Nothing," he replied. "Nothing!" and I did not trouble him further.

We occupied a large, two-bedded room—that looked down the hill and over
to the far woods of Kent. He was morose and untalkative. I brought up a
soda-syphon and whisky, and we proceeded to undress. When he stood in
his pajamas he waited as if uncertain.

"Do you want a drink?" he asked.

I did not. He crossed to the table, and as I got into my bed I heard the
brief fizzing of the syphon. He drank his glass at one draught, then
switched off the light. In the sudden darkness I saw his pale shadow go
across to the sofa in the window-space. The blinds were undrawn, and the
stars looked in. He gazed out on the great bay of darkness wherein, far
away and below, floated a few sparks of lamps like herring boats at sea.

"Aren't you coming to bed?" I asked.

"I'm not sleepy—you go to sleep," he answered, resenting having to
speak at all.

"Then put on a dressing gown—there's one in that corner—turn the light
on."

He did not answer, but fumbled for the garment in the darkness. When he
had found it, he said:

"Do you mind if I smoke?"

I did not. He fumbled again in his pockets for cigarettes, always
refusing to switch on the light. I watched his face bowed to the match
as he lighted his cigarette. He was still handsome in the ruddy light,
but his features were coarser. I felt very sorry for him, but I saw that
I could get no nearer to him, to relieve him. For some time I lay in the
darkness watching the end of his cigarette like a ruddy, malignant
insect hovering near his lips, putting the timid stars immensely far
away. He sat quite still, leaning on the sofa arm. Occasionally there
was a little glow on his cheeks as the cigarette burned brighter, then
again I could see nothing but the dull red bee.

I suppose I must have dropped asleep. Suddenly I started as something
fell to the floor. I heard him cursing under his breath.

"What's the matter?" I asked.

"I've only knocked something down—cigarette case or something," he
replied, apologetically.

"Aren't you coming to bed?" I asked.

"Yes, I'm coming," he answered quite docile.

He seemed to wander about and knock against things as he came. He
dropped heavily into bed.

"Are you sleepy now?" I asked.

"I dunno—I shall be directly," he replied.

"What's up with you?" I asked.

"I dunno," he answered. "I am like this sometimes, when there's nothing
I want to do, and nowhere I want to go, and nobody I want to be near.
Then you feel so rottenly lonely, Cyril. You feel awful, like a vacuum,
with a pressure on you, a sort of pressure of darkness, and you
yourself—just nothing, a vacuum—that's what it's like—a little vacuum
that's not dark, all loose in the middle of a space of darkness, that's
pressing on you."

"Good gracious!" I exclaimed, rousing myself in bed. "That sounds bad!"

He laughed slightly.

"It's all right," he said, "it's only the excitement of London, and that
little man in the park, and that woman on the seat—I wonder where she
is to-night, poor devil—and then Lettie. I seem thrown off my
balance.—I think really, I ought to have made something of myself——"

"What?" I asked, as he hesitated.

"I don't know," he replied slowly, "—a poet or something, like Burns—I
don't know. I shall laugh at myself for thinking so, to-morrow. But I am
born a generation too soon—I wasn't ripe enough when I came. I wanted
something I hadn't got. I'm something short. I'm like corn in a wet
harvest—full, but pappy, no good. Is'll rot. I came too soon; or I
wanted something that would ha' made me grow fierce. That's why I wanted
Lettie—I think. But am I talking damn rot? What am I saying? What are
you making me talk for? What are you listening for?"

I rose and went across to him, saying: "I don't want you to talk! If you
sleep till morning things will look different."

I sat on his bed and took his hand. He lay quite still.

"I'm only a kid after all, Cyril," he said, a few moments later.

"We all are," I answered, still holding his hand. Presently he fell
asleep.

When I awoke the sunlight was laughing with the young morning in the
room. The large blue sky shone against the window, and the birds were
calling in the garden below, shouting to one another and making fun of
life. I felt glad to have opened my eyes. I lay for a moment looking out
on the morning as on a blue bright sea in which I was going to plunge.

Then my eyes wandered to the little table near the couch. I noticed the
glitter of George's cigarette case, and then, with a start, the whisky
decanter. It was nearly empty. He must have drunk three-quarters of a
pint of liquor while I was dozing. I could not believe it. I thought I
must have been mistaken as to the quantity the bottle contained. I
leaned out to see what it was that had startled me by its fall the night
before. It was the large, heavy drinking glass which he had knocked down
but not broken. I could see no stain on the carpet.

George was still asleep. He lay half uncovered, and was breathing
quietly. His face looked inert like a mask. The pallid, uninspired clay
of his features seemed to have sunk a little out of shape, so that he
appeared rather haggard, rather ugly, with grooves of ineffectual misery
along his cheeks. I wanted him to wake, so that his inert, flaccid
features might be inspired with life again. I could not believe his
charm and his beauty could have forsaken him so, and left his features
dreary, sunken clay.

As I looked he woke. His eyes opened slowly. He looked at me and turned
away, unable to meet my eyes. He pulled the bedclothes up over his
shoulders, as though to cover himself from me, and he lay with his back
to me, quite still, as if he were asleep, although I knew he was quite
awake; he was suffering the humiliation of lying waiting for his life to
crawl back and inhabit his body. As it was, his vitality was not yet
sufficient to inform the muscles of his face and give him an expression,
much less to answer by challenge.

      CHAPTER V

      PISGAH

When her eldest boy was three years old Lettie returned to live at
Eberwich. Old Mr. Tempest died suddenly, so Leslie came down to inhabit
"Highclose." He was a very much occupied man. Very often he was in
Germany or in the South of England engaged on business. At home he was
unfailingly attentive to his wife and his two children. He had
cultivated a taste for public life. In spite of his pressure of business
he had become a County Councillor, and one of the prominent members of
the Conservative Association. He was very fond of answering or proposing
toasts at some public dinner, of entertaining political men at
"Highclose," of taking the chair at political meetings, and finally, of
speaking on this or that platform. His name was fairly often seen in the
newspapers. As a mine owner, he spoke as an authority on the employment
of labour, on royalties, land-owning and so on.

At home he was quite tame. He treated his wife with respect, romped in
the nursery, and domineered the servants royally. They liked him for
it—her they did not like. He was noisy, but unobservant, she was quiet
and exacting. He would swear and bluster furiously, but when he was
round the corner they smiled. She gave her orders and passed very
moderate censure, but they went away cursing to themselves. As Lettie
was always a very good wife, Leslie adored her when he had the time, and
when he had not, forgot her comfortably.

She was very contradictory. At times she would write to me in terms of
passionate dissatisfaction: she had nothing at all in her life, it was a
barren futility.

"I hope I shall have another child next spring," she would write, "there
is only that to take away the misery of this torpor. I seem full of
passion and energy, and it all fizzles out in day to day domestics——"

When I replied to her urging her to take some work that she could throw
her soul into, she would reply indifferently. Then later:

"You charge me with contradiction. Well, naturally. You see I wrote that
screeching letter in a mood which won't come again for some time.
Generally I am quite content to take the rain and the calm days just as
they come, then something flings me out of myself—and I am a trifle
demented:—very, very blue, as I tell Leslie."

Like so many women, she seemed to live, for the most part contentedly, a
small indoor existence with artificial light and padded upholstery. Only
occasionally, hearing the winds of life outside, she clamoured to be out
in the black, keen storm. She was driven to the door, she looked out and
called into the tumult wildly, but feminine caution kept her from
stepping over the threshold.

George was flourishing in his horse-dealing.

In the morning, processions of splendid shire horses, tied tail and
head, would tramp grandly along the quiet lanes of Eberwich, led by
George's man, or by Tom Mayhew, while in the fresh clean sunlight George
would go riding by, two restless nags dancing beside him.

When I came home from France five years after our meeting in London I
found him installed in the "Hollies." He had rented the house from the
Mayhews, and had moved there with his family, leaving Oswald in charge
of the "Ram." I called at the large house one afternoon, but George was
out. His family surprised me. The twins were tall lads of six. There
were two more boys, and Meg was nursing a beautiful baby-girl about a
year old. This child was evidently mistress of the household. Meg, who
was growing stouter, indulged the little creature in every way.

"How is George?" I asked her.

"Oh, he's very well," she replied. "He's always got something on hand.
He hardly seems to have a spare moment; what with his socialism, and one
thing and another."

It was true, the outcome of his visit to London had been a wild devotion
to the cause of the down-trodden. I saw a picture of Watt's "Mammon," on
the walls of the morning-room, and the works of Blatchford, Masterman,
and Chiozza Money on the side table. The socialists of the district used
to meet every other Thursday evening at the "Hollies" to discuss reform.
Meg did not care for these earnest souls.

"They're not my sort," she said, "too jerky and bumptious. They think
everybody's slow-witted but them. There's one thing about them, though,
they don't drink, so that's a blessing."

"Why!" I said, "Have you had much trouble that way?"

She lowered her voice to a pitch which was sufficiently mysterious to
attract the attention of the boys.

"I shouldn't say anything if it wasn't that you were like brothers," she
said. "But he did begin to have dreadful drinking bouts. You know it was
always spirits, and generally brandy:—and that makes such work with
them. You've no idea what he's like when he's evil-drunk. Sometimes he's
all for talk, sometimes he's laughing at everything, and sometimes he's
just snappy. And then——" here her tones grew ominous, "——he'll come
home evil-drunk."

At the memory she grew serious.

"You couldn't imagine what it's like, Cyril," she said. "It's like
having Satan in the house with you, or a black tiger glowering at you.
I'm sure nobody knows what I've suffered with him——"

The children stood with large awful eyes and paling lips, listening.

"But he's better now?" I said.

"Oh, yes—since Gertie came,"—she looked fondly at the baby in her
arms—"He's a lot better now. You see he always wanted a girl, and he's
very fond of her—isn't he, pet?—are you your Dadda's girlie?—and
Mamma's too, aren't you?"

The baby turned with sudden coy shyness, and clung to her mother's neck.
Meg kissed her fondly, then the child laid her cheek against her
mother's. The mother's dark eyes, and the baby's large, hazel eyes
looked at me serenely. The two were very calm, very complete and
triumphant together. In their completeness was a security which made me
feel alone and ineffectual. A woman who has her child in her arms is a
tower of strength, a beautiful, unassailable tower of strength that may
in its turn stand quietly dealing death.

I told Meg I would call again to see George. Two evenings later I asked
Lettie to lend me a dog-cart to drive over to the "Hollies." Leslie was
away on one of his political jaunts, and she was restless. She proposed
to go with me. She had called on Meg twice before in the new large home.

We started about six o'clock. The night was dark and muddy. Lettie
wanted to call in Eberwich village, so she drove the long way round
Selsby. The horse was walking through the gate of the "Hollies" at about
seven o'clock. Meg was upstairs in the nursery, the maid told me, and
George was in the dining-room getting baby to sleep.

"All right!" I said, "we will go in to him. Don't bother to tell him."

As we stood in the gloomy, square hall we heard the rumble of a
rocking-chair, the stroke coming slow and heavy to the tune of "Henry
Martin," one of our Strelley Mill folk songs. Then, through the man's
heavily-accented singing floated the long light crooning of the baby as
she sang, in her quaint little fashion, a mischievous second to her
father's lullaby. He waxed a little louder; and without knowing why, we
found ourselves smiling with piquant amusement. The baby grew louder
too, till there was a shrill ring of laughter and mockery in her music.
He sang louder and louder, the baby shrilled higher and higher, the
chair swung in long, heavy beats. Then suddenly he began to laugh. The
rocking stopped, and he said, still with laughter and enjoyment in his
tones:

"Now that is very wicked! Ah, naughty Girlie—go to boh, go to
bohey!—at once."

The baby chuckled her small, insolent mockery.

"Come, Mamma!" he said, "come and take Girlie to bohey!"

The baby laughed again, but with an uncertain touch of appeal in her
tone. We opened the door and entered. He looked up very much startled to
see us. He was sitting in a tall rocking-chair by the fire, coatless,
with white shirtsleeves. The baby, in her high-waisted, tight little
night-gown, stood on his knee, her wide eyes fixed on us, wild wisps of
her brown hair brushed across her forehead and glinting like puffs of
bronze dust over her ears. Quickly she put her arms round his neck and
tucked her face under his chin, her small feet poised on his thigh, the
night-gown dropping upon them. He shook his head as the puff of soft
brown hair tickled him. He smiled at us, saying:

"You see I'm busy!"

Then he turned again to the little brown head tucked under his chin,
blew away the luminous cloud of hair, and rubbed his lips and his
moustache on the small white neck, so warm and secret. The baby put up
her shoulders, and shrank a little, bubbling in his neck with hidden
laughter. She did not lift her face or loosen her arms.

"She thinks she is shy," he said. "Look up, young hussy, and see the
lady and gentleman. She is a positive owl, she won't go to bed—will
you, young brown-owl?"

He tickled her neck again with his moustache, and the child bubbled over
with naughty, merry laughter.

The room was very warm, with a red bank of fire up the chimney mouth. It
was half lighted from a heavy bronze chandelier, black and gloomy, in
the middle of the room. There was the same sombre, sparse furniture that
the Mayhews had had. George looked large and handsome, the glossy black
silk of his waistcoat fitting close to his sides, the roundness of the
shoulder muscle filling the white linen of his sleeves.

Suddenly the baby lifted her head and stared at us, thrusting into her
mouth the dummy that was pinned to the breast of her night-gown. The
faded pink sleeves of the night-gown were tight on her fat little
wrists. She stood thus sucking her dummy, one arm round her father's
neck, watching us with hazel solemn eyes. Then she pushed her fat little
fist up among the bush of small curls, and began to twist her fingers
about her ear that was white like a camelia flower.

"She is really sleepy," said Lettie.

"Come then!" said he, folding her for sleep against his breast. "Come
and go to boh."

But the young rascal immediately began to cry her remonstrance. She
stiffened herself, freed herself, and stood again on his knee, watching
us solemnly, vibrating the dummy in her mouth as she suddenly sucked at
it, twisting her father's ear in her small fingers till he winced.

"Her nails _are_ sharp," he said, smiling.

He began asking and giving the small information that pass between
friends who have not met for a long time. The baby laid her head on his
shoulder, keeping her tired, owl-like eyes fixed darkly on us. Then
gradually the lids fluttered and sank, and she dropped on to his arm.

"She is asleep," whispered Lettie.

Immediately the dark eyes opened again. We looked significantly at one
another, continuing our subdued talk. After a while the baby slept
soundly.

Presently Meg came downstairs. She greeted us in breathless whispers of
surprise, and then turned to her husband.

"Has she gone?" she whispered, bending over the sleeping child in
astonishment. "My, this is wonderful, isn't it!"

She took the sleeping drooping baby from his arms, putting her mouth
close to its forehead, murmuring with soothing, inarticulate sounds.

We stayed talking for some time when Meg had put the baby to bed. George
had a new tone of assurance and authority. In the first place he was an
established man, living in a large house, having altogether three men
working for him. In the second place he had ceased to value the
conventional treasures of social position and ostentatious refinement.
Very, very many things he condemned as flummery and sickly waste of
time. The life of an ordinary well-to-do person he set down as adorned
futility, almost idiocy. He spoke passionately of the monstrous denial
of life to the many by the fortunate few. He talked at Lettie most
flagrantly.

"Of course," she said, "I have read Mr. Wells and Mr. Shaw, and even
Niel Lyons and a Dutchman—what is his name, Querido? But what can I do?
I think the rich have as much misery as the poor, and of quite as deadly
a sort. What can I do? It is a question of life and the development of
the human race. Society and its regulations is not a sort of drill that
endless Napoleons have forced on us: it is the only way we have yet
found of living together."

"Pah!" said he, "that is rank cowardice. It is feeble and futile to the
last degree."

"We can't grow consumption-proof in a generation, nor can we grow
poverty-proof."

"We can begin to take active measures," he replied contemptuously.

"We can all go into a sanatorium and live miserably and dejectedly
warding off death," she said, "but life is full of goodliness for all
that."

"It is fuller of misery," he said.

Nevertheless, she had shaken him. She still kept her astonishing power
of influencing his opinions. All his passion, and heat, and rude speech,
analysed out, was only his terror at her threatening of his
life-interest.

She was rather piqued by his rough treatment of her, and by his
contemptuous tone. Moreover, she could never quite let him be. She felt
a driving force which impelled her almost against her will to interfere
in his life. She invited him to dine with them at Highclose. He was now
quite possible. He had, in the course of his business, been sufficiently
in the company of gentlemen to be altogether _"comme it faut"_ at a
private dinner, and after dinner.

She wrote me concerning him occasionally:

"George Saxton was here to dinner yesterday. He and Leslie had frightful
battles over the nationalisation of industries. George is rather more
than a match for Leslie, which, in his secret heart, makes our friend
gloriously proud. It is very amusing. I, of course, have to preserve the
balance of power, and, of course, to bolster my husband's dignity. At a
crucial dangerous moment, when George is just going to wave his bloody
sword and Leslie lies bleeding with rage, I step in and prick the victor
under the heart with some little satire or some esoteric question, I
raise Leslie and say his blood is luminous for the truth, and vous
voilà! Then I abate for the thousandth time Leslie's conservative crow,
and I appeal once more to George—it is no use my arguing with him, he
gets so angry—I make an abtruse appeal for all the wonderful, sad, and
beautiful expressions on the countenance of life, expressions which he
does not see or which he distorts by his oblique vision of socialism
into grimaces—and there I am! I think I am something of a Machiavelli,
but it is quite true, what I say——"

Again she wrote:

"We happened to be motoring from Derby on Sunday morning, and as we came
to the top of the hill, we had to thread our way through quite a large
crowd. I looked up, and whom should I see but our friend George, holding
forth about the state endowment of mothers. I made Leslie stop while we
listened. The market-place was quite full of people. George saw us, and
became fiery. Leslie then grew excited, and although I clung to the
skirts of his coat with all my strength, he jumped up and began to
question. I must say it with shame and humility—he made an ass of
himself. The men all round were jeering and muttering under their
breath. I think Leslie is not very popular among them, he is such an
advocate of machinery which will do the work of men. So they cheered our
friend George when he thundered forth his replies and his
demonstrations. He pointed his finger at us, and flung his hand at us,
and shouted till I quailed in my seat. I cannot understand why he should
become so frenzied as soon as I am within range. George had a triumph
that morning, but when I saw him a few days later he seemed very uneasy,
rather self-mistrustful——"

Almost a year later I heard from her again on the same subject.

"I have had such a lark. Two or three times I have been to the
'Hollies'; to socialist meetings. Leslie does not know. They are great
fun. Of course, I am in sympathy with the socialists, but I cannot
narrow my eyes till I see one thing only. Life is like a large, rather
beautiful man who is young and full of vigour, but hairy, barbaric, with
hands hard and dirty, the dirt ingrained. I know his hands are very
ugly, I know his mouth is not firmly shapen, I know his limbs are hairy
and brutal: but his eyes are deep and very beautiful. That is what I
tell George.

The people are so earnest, they make me sad. But then, they are so
didactic, they hold forth so much, they are so cock-sure and so
narrow-eyed, they make me laugh. George laughs too. I am sure we made
such fun of a straight-haired goggle of a girl who had suffered in
prison for the cause of women, that I am ashamed when I see my "Woman's
League" badge. At the bottom, you know, Cyril, I don't care for anything
very much, except myself. Things seem so frivolous. I am the only real
thing, I and the children——"

Gradually George fell out of the socialist movement. It wearied him. It
did not feed him altogether. He began by mocking his friends of the
confraternity. Then he spoke in bitter dislike of Hudson, the wordy,
humorous, shallow leader of the movement in Eberwich; it was Hudson with
his wriggling and his clap-trap who disgusted George with the cause.
Finally the meetings at the 'Hollies' ceased, and my friend dropped all
connection with his former associates.

He began to speculate in land. A hosiery factory moved to Eberwich,
giving the place a new stimulus to growth. George happened to buy a
piece of land at the end of the street of the village. When he got it,
it was laid out in allotment gardens. These were becoming valueless
owing to the encroachment of houses. He took it, divided it up, and
offered it as sites for a new row of shops. He sold at a good profit.

Altogether he was becoming very well off. I heard from Meg that he was
flourishing, that he did not drink "anything to speak of," but that he
was always out, she hardly saw anything of him. If getting-on was to
keep him so much away from home, she would be content with a little less
fortune. He complained that she was narrow, and that she would not
entertain any sympathy with any of his ideas.

"Nobody comes here to see me twice," he said. "Because Meg receives them
in such an off-hand fashion. I asked Jim Curtiss and his wife from
Everley Hall one evening. We were uncomfortable all the time. Meg had
hardly a word for anybody—'Yes' and 'No' and 'Hm Hm!'—They'll never
come again."

Meg herself said:

"Oh, I can't stand stuck-up folks. They make me feel uncomfortable. As
soon as they begin mincing their words I'm done for—I can no more talk
than a lobster——"

Thus their natures contradicted each other. He tried hard to gain a
footing in Eberwich. As it was he belonged to no class of society
whatsoever. Meg visited and entertained the wives of small shop-keepers
and publicans: this was her set.

George voted the women loud-mouthed, vulgar, and narrow—not without
some cause. Meg, however, persisted. She visited when she thought fit,
and entertained when he was out. He made acquaintance after
acquaintance: Dr. Francis; Mr. Cartridge, the veterinary surgeon; Toby
Heswall, the brewer's son; the Curtisses, farmers of good standing from
Everley Hall. But it was no good. George was by nature a family man. He
wanted to be private and secure in his own rooms, then he was at ease.
As Meg never went out with him, and as every attempt to entertain at the
"Hollies" filled him with shame and mortification, he began to give up
trying to place himself, and remained suspended in social isolation at
the "Hollies."



The friendship between Lettie and himself had been kept up, in spite of
all things. Leslie was sometimes jealous, but he dared not show it
openly, for fear of his wife's scathing contempt. George went to
"Highclose" perhaps once in a fortnight, perhaps not so often. Lettie
never went to the "Hollies," as Meg's attitude was too antagonistic.

Meg complained very bitterly of her husband. He often made a beast of
himself drinking, he thought more of himself than he ought, home was not
good enough for him, he was selfish to the back-bone, he cared neither
for her nor the children, only for himself.



I happened to be at home for Lettie's thirty-first birthday. George was
then thirty-five. Lettie had allowed her husband to forget her birthday.
He was now very much immersed in politics, foreseeing a general election
in the following year, and intending to contest the seat in parliament.
The division was an impregnable Liberal stronghold, but Leslie had hopes
that he might capture the situation. Therefore he spent a great deal of
time at the conservative club, and among the men of influence in the
southern division. Lettie encouraged him in these affairs. It relieved
her of him. It was thus that she let him forget her birthday, while, for
some unknown reason, she let the intelligence slip to George. He was
invited to dinner, as I was at home.

George came at seven o'clock. There was a strange feeling of festivity
in the house, although there were no evident signs. Lettie had dressed
with some magnificence in a blackish purple gauze over soft satin of
lighter tone, nearly the colour of double violets. She wore vivid green
azurite ornaments on the fairness of her bosom, and her bright hair was
bound by a band of the same colour. It was rather startling. She was
conscious of her effect, and was very excited. Immediately George saw
her his eyes wakened with a dark glow. She stood up as he entered, her
hand stretched straight out to him, her body very erect, her eyes bright
and rousing, like two blue pennants.

"Thank you so much," she said softly, giving his hand a last pressure
before she let it go. He could not answer, so he sat down, bowing his
head, then looking up at her in suspense. She smiled at her.

Presently the children came in. They looked very quaint, like acolytes,
in their long straight dressing-gowns of quilted blue silk. The boy,
particularly, looked as if he were going to light the candles in some
childish church in paradise. He was very tall and slender and fair, with
a round fine head, and serene features. Both children looked remarkably,
almost transparently clean: it is impossible to consider anything more
fresh and fair. The girl was a merry, curly headed puss of six. She
played with her mother's green jewels and prattled prettily, while the
boy stood at his mother's side, a slender and silent acolyte in his pale
blue gown. I was impressed by his patience and his purity. When the girl
had bounded away into George's arms, the lad laid his hand timidly on
Lettie's knee and looked with a little wonder at her dress.

"How pretty those green stones are, mother!" he said.

"Yes," replied Lettie brightly, lifting them and letting their strange
pattern fall again on her bosom. "I like them."

"Are you going to sing, mother?" he asked.

"Perhaps. But why?" said Lettie, smiling.

"Because you generally sing when Mr. Saxton comes."

He bent his head and stroked Lettie's dress shyly.

"Do I," she said, laughing, "Can you hear?"

"Just a little," he replied. "Quite small, as if it were nearly lost in
the dark."

He was hesitating, shy as boys are. Lettie laid her hand on his head and
stroked his smooth fair hair.

"Sing a song for us before we go, mother" he asked, almost shamefully.
She kissed him.

"You shall sing with me," she said. "What shall it be?"

She played without a copy of the music. He stood at her side, while
Lucy, the little mouse, sat on her mother's skirts, pressing Lettie's
silk slippers in turn upon the pedals. The mother and the boy sang their
song.

   "Gaily the troubadour touched his guitar
   As he was hastening from
the war."

The boy had a pure treble, clear as the flight of swallows in the
morning. The light shone on his lips. Under the piano the girl child sat
laughing, pressing her mother's feet with all her strength, and laughing
again. Lettie smiled as she sang.

At last they kissed us a gentle "good-night," and flitted out of the
room. The girl popped her curly head round the door again. We saw the
white cuff on the nurse's wrist as she held the youngster's arm.

"You'll come and kiss us when we're in bed, Mum?" asked the rogue. Her
mother laughed and agreed.

Lucy was withdrawn for a moment; then we heard her, "Just a tick, nurse,
just half-a-tick!"

The curly head appeared round the door again.

"And _one_ teenie sweetie," she suggested, "only _one!_"

"Go, you——!" Lettie clapped her hands in mock wrath. The child
vanished, but immediately there appeared again round the door two blue
laughing eyes and the snub tip of a nose.

"A nice one, Mum—not a jelly-one!"

Lettie rose with a rustle to sweep upon her. The child vanished with a
glitter of laughter. We heard her calling breathlessly on the
stairs—"Wait a bit, Freddie,—wait for me!"

George and Lettie smiled at each other when the children had gone. As
the smile died from their faces they looked down sadly, and until dinner
was announced they were very still and heavy with melancholy. After
dinner Lettie debated pleasantly which bon-bon she should take for the
children. When she came down again she smoked a cigarette with us over
coffee. George did not like to see her smoking, yet he brightened a
little when he sat down after giving her a light, pleased with the mark
of recklessness in her.

"It is ten years to-day since my party at Woodside," she said, reaching
for the small Roman salt-cellar of green jade that she used as an
ash-tray.

"My Lord—ten years!" he exclaimed bitterly. "It seems a hundred."

"It does and it doesn't," she answered, smiling.

"If I look straight back, and think of my excitement, it seems only
yesterday. If I look between then and now, at all the days that lie
between, it is an age."

"If I look at myself," he said, "I think I am another person
altogether."

"You have changed," she agreed, looking at him sadly. "There is a great
change—but you are not another person. I often think—there is one of
his old looks, he is just the same at the bottom!"

They embarked on a barge of gloomy recollections and drifted along the
soiled canal of their past.

"The worst of it is," he said. "I have got a miserable carelessness, a
contempt for things. You know I had such a faculty for reverence. I
always believed in things."

"I know you did," she smiled. "You were so humbly-minded—too
humbly-minded, I always considered. You always thought things had a deep
religious meaning, somewhere hidden, and you reverenced them. Is it
different now?"

"You know me very well," he laughed. "What is there left for me to
believe in, if not in myself?"

"You have to live for your wife and children," she said with firmness.

"Meg has plenty to secure her and the children as long as they live," he
said, smiling. "So I don't know that I'm essential."

"But you are," she replied. "You are necessary as a father and a
husband, if not as a provider."

"I think," said he, "marriage is more of a duel than a duet. One party
wins and takes the other captive, slave, servant—what you like. It is
so, more or less."

"Well?" said Lettie.

"Well!" he answered. "Meg is not like you. She wants me, part of me, so
she'd kill me rather than let me go loose."

"Oh, no!" said Lettie, emphatically.

"You know nothing about it," he said quietly.

"In the marital duel Meg is winning. The woman generally does; she has
the children on her side. I can't give her any of the real part of me,
the vital part that she wants—I can't, any more than you could give
kisses to a stranger. And I feel that I'm losing—and don't care."

"No," she said, "you are getting morbid."

He put the cigarette between his lips, drew a deep breath, then slowly
sent the smoke down his nostrils.

"No," he said.

"Look here!" she said. "Let me sing to you, shall I, and make you
cheerful again?"

She sang from Wagner. It was the music of resignation and despair. She
had not thought of it. All the time he listened he was thinking. The
music stimulated his thoughts and illuminated the trend of his brooding.
All the time he sat looking at her his eyes were dark with his thoughts.
She finished the "Star of Eve" from Tannhäuser and came over to him.

"Why are you so sad to-night, when it is my birthday?" she asked
plaintively.

"Am I slow?" he replied. "I am sorry."

"What is the matter?" she said, sinking onto the small sofa near to him.

"Nothing!" he replied—"You are looking very beautiful."

"There, I wanted you to say that! You ought to be quite gay, you know,
when I am so smart to-night."

"Nay," he said, "I know I ought. But the to-morrow seems to have fallen
in love with me. I can't get out of its lean arms."

"Why!" she said. "To-morrow's arms are not lean. They are white, like
mine." She lifted her arms and looked at them, smiling.

"How do you know?" he asked, pertinently.

"Oh, of course they are," was her light answer.

He laughed, brief and sceptical.

"No!" he said. "It came when the children kissed us."

"What?" she asked.

"These lean arms of tomorrow's round me, and the white arms round you,"
he replied, smiling whimsically. She reached out and clasped his hand.

"You foolish boy," she said.

He laughed painfully, not able to look at her.

"You know," he said, and his voice was low and difficult "I have needed
you for a light. You will soon be the only light again."

"Who is the other?" she asked.

"My little girl!" he answered. Then he continued, "And you know, I
couldn't endure complete darkness, I couldn't. It's the solitariness."

"You mustn't talk like this," she said. "You know you mustn't." She put
her hand on his head and ran her fingers through the hair he had so
ruffled.

"It is as thick as ever, your hair," she said.

He did not answer, but kept his face bent out of sight. She rose from
her seat and stood at the back of his low arm-chair. Taking an amber
comb from her hair, she bent over him, and with the translucent comb and
her white fingers she busied herself with his hair.

"I believe you _would_ have a parting," she said softly.

He laughed shortly at her playfulness. She continued combing, just
touching, pressing the strands in place with the tips of her fingers.

"I was only a warmth to you," he said, pursuing the same train of
thought. "So you could do without me. But you were like the light to me,
and otherwise it was dark and aimless. Aimlessness is horrible."

She had finally smoothed his hair, so she lifted her hands and put back
her head.

"There!" she said. "It looks fair fine, as Alice would say. Raven's
wings are raggy in comparison."

He did not pay any attention to her.

"Aren't you going to look at yourself?" she said, playfully reproachful.
She put her finger-tips under his chin. He lifted his head and they
looked at each other, she smiling, trying to make him play, he smiling
with his lips, but not with eyes, dark with pain.

"We can't go on like this, Lettie, can we?" he said softly.

"Yes," she answered him, "Yes; why not?"

"It can't!" he said, "It can't, I couldn't keep it up, Lettie."

"But don't think about it," she answered. "Don't think of it."

"Lettie," he said. "I have to set my teeth with loneliness."

"Hush!" she said. "No! There are the children. Don't say anything—do
not be serious, will you?"

"No, there are the children," he replied, smiling dimly.

"Yes! Hush now! Stand up and look what a fine parting I have made in
your hair. Stand up, and see if my style becomes you."

"It is no good, Lettie," he said, "we can't go on."

"Oh, but come, come, come!" she exclaimed. "We are not talking about
going on; we are considering what a fine parting I have made you down
the middle, like two wings of a spread bird——" she looked down,
smiling playfully on him, just closing her eyes slightly in petition.

He rose and took a deep breath, and set his shoulders.

"No," he said, and at the sound of his voice, Lettie went pale and also
stiffened herself.

"No!" he repeated. "It is impossible. I felt as soon as Fred came into
the room—it must be one way or another."

"Very well then," said Lettie, coldly. Her voice was "muted" like a
violin.

"Yes," he replied, submissive. "The children." He looked at her,
contracting his lips in a smile of misery.

"Are you sure it must be so final?" she asked, rebellious, even
resentful. She was twisting the azurite jewels on her bosom, and
pressing the blunt points into her flesh. He looked up from the
fascination of her action when he heard the tone of her last question.
He was angry.

"Quite sure!" he said at last, simply, ironically.

She bowed her head in assent. His face twitched sharply as he restrained
himself from speaking again. Then he turned and quietly left the room.
She did not watch him go, but stood as he had left her. When, after some
time, she heard the grating of his dog-cart on the gravel, and then the
sharp trot of hoofs down the frozen road, she dropped herself on the
settee, and lay with her bosom against the cushions, looking fixedly at
the wall.



      CHAPTER VI

   THE SCARP SLOPE


Leslie won the conservative victory in the general election which took
place a year or so after my last visit to "Highclose."

In the interim the Tempests had entertained a continuous stream of
people. I heard occasionally from Lettie how she was busy, amused, or
bored. She told me that George had thrown himself into the struggle on
behalf of the candidate of the Labour Party; that she had not seen him,
except in the streets, for a very long time.

When I went down to Eberwich in the March succeeding the election, I
found several people staying with my sister. She had under her wing a
young literary fellow who affected the "Doady" style—Dora Copperfield's
"Doady." He had bunches of half-curly hair, and a romantic black cravat;
he played the impulsive part, but was really as calculating as any man
on the stock-exchange. It delighted Lettie to "mother" him. He was so
shrewd as to be less than harmless. His fellow guests, a woman much
experienced in music and an elderly man who was in the artistic world
without being of it, were interesting for a time. Bubble after bubble of
floating fancy and wit we blew with our breath in the evenings. I rose
in the morning loathing the idea of more bubble-blowing.

I wandered around Nethermere, which had now forgotten me. The daffodils
under the boat-house continued their golden laughter, and nodded to one
another in gossip, as I watched them, never for a moment pausing to
notice me. The yellow reflection of daffodils among the shadows of grey
willow in the water trembled faintly as they told haunted tales in the
gloom. I felt like a child left out of the group of my playmates. There
was a wind running across Nethermere, and on the eager water blue and
glistening grey shadows changed places swiftly. Along the shore the wild
birds rose, flapping in expostulation as I passed, peewits mewing
fiercely round my head, while two white swans lifted their glistening
feathers till they looked like grand double water-lilies, laying back
their orange beaks among the petals, and fronting me with haughty
resentment, charging towards me insolently.

I wanted to be recognised by something. I said to myself that the dryads
were looking out for me from the wood's edge. But as I advanced they
shrank, and glancing wistfully, turned back like pale flowers falling in
the shadow of the forest. I was a stranger, an intruder. Among the
bushes a twitter of lively birds exclaimed upon me. Finches went leaping
past in bright flashes, and a robin sat and asked rudely: "Hello! Who
are you?"

The bracken lay sere under the trees, broken and chavelled by the
restless wild winds of the long winter.

The trees caught the wind in their tall netted twigs, and the young
morning wind moaned at its captivity. As I trod the discarded oak-leaves
and the bracken they uttered their last sharp gasps, pressed into
oblivion. The wood was roofed with a wide young sobbing sound, and
floored with a faint hiss like the intaking of the last breath. Between,
was all the glad out-peeping of buds and anemone flowers and the rush of
birds. I, wandering alone, felt them all, the anguish of the bracken
fallen face-down in defeat, the careless dash of the birds, the sobbing
of the young wind arrested in its haste, the trembling, expanding
delight of the buds. I alone among them could hear the whole succession
of chords.

The brooks talked on just the same, just as gladly, just as boisterously
as they had done when I had netted small, glittering fish in the
rest-pools. At Strelley Mill a servant girl in a white cap, and white
apron-bands, came running out of the house with purple prayer-books,
which she gave to the elder of two finicking girls who sat
disconsolately with their black-silked mother in the governess cart at
the gate, ready to go to church. Near Woodside there was barbed-wire
along the path, and at the end of every riding it was tarred on the
tree-trunks, "Private."

I had done with the valley of Nethermere. The valley of Nethermere had
cast me out many years before, while I had fondly believed it cherished
me in memory.

I went along the road to Eberwich. The church bells were ringing
boisterously, with the careless boisterousness of the brooks and the
birds and the rollicking coltsfoots and celandines.

A few people were hastening blithely to service. Miners and other
labouring men were passing in aimless gangs, walking nowhere in
particular, so long as they reached a sufficiently distant public house.

I reached the 'Hollies.' It was much more spruce than it had been. The
yard, however, and the stables had again a somewhat abandoned air. I
asked the maid for George.

"Oh, master's not up yet," she said, giving a little significant toss of
her head, and smiling. I waited a moment.

"But he rung for a bottle of beer about ten minutes since, so I should
think——" she emphasised the word with some ironical contempt, "—he
won't be very long," she added, in tones which conveyed that she was not
by any means sure. I asked for Meg.

"Oh, Missis is gone to church—and the children—But Miss Saxton is in,
she might——"

"Emily!" I exclaimed.

The maid smiled.

"She's in the drawing-room. She's engaged, but perhaps if I tell
her——"

"Yes, do," said I, sure that Emily would receive me.

I found my old sweetheart sitting in a low chair by the fire, a man
standing on the hearthrug pulling his moustache. Emily and I both felt a
thrill of old delight at meeting.

"I can hardly believe it is really you," she said, laughing me one of
the old intimate looks. She had changed a great deal. She was very
handsome, but she had now a new self-confidence, a fine, free
indifference.

"Let me introduce you. Mr. Renshaw, Cyril. Tom, you know who it is you
have heard me speak often enough of Cyril. I am going to marry Tom in
three weeks' time," she said, laughing.

"The devil you are!" I exclaimed involuntarily.

"If he will have me," she added, quite as a playful afterthought.

Tom was a well-built fair man, smoothly, almost delicately tanned. There
was something soldierly in his bearing, something self-conscious in the
way he bent his head and pulled his moustache, something charming and
fresh in the way he laughed at Emily's last preposterous speech.

"Why didn't you tell me?" I asked.

"Why didn't you ask me?" she retorted, arching her brows.

"Mr. Renshaw," I said. "You have out-manoeuvred me all unawares, quite
indecently."

"I am very sorry," he said, giving one more twist to his moustache, then
breaking into a loud, short laugh at his joke.

"Do you really feel cross?" said Emily to me, knitting her brows and
smiling quaintly.

"I do!" I replied, with truthful emphasis.

She laughed, and laughed again, very much amused.

"It is such a joke," she said. "To think you should feel cross now, when
it is—how long is it ago——?

"I will not count up," said I.

"Are you not sorry for me?" I asked of Tom Renshaw.

He looked at me with his young blue eyes, eyes so bright, so naïvely
inquisitive, so winsomely meditative. He did not know quite what to say,
or how to take it.

"Very!" he replied in another short burst of laughter, quickly twisting
his moustache again and looking down at his feet.

He was twenty-nine years old; had been a soldier in China for five
years, was now farming his father's farm at Papplewick, where Emily was
schoolmistress. He had been at home eighteen months. His father was an
old man of seventy who had had his right hand chopped to bits in the
chopping machine. So they told me. I liked Tom for his handsome bearing
and his fresh, winsome way. He was exceedingly manly: that is to say he
did not dream of questioning or analysing anything. All that came his
way was ready labelled nice or nasty, good or bad. He did not imagine
that anything could be other than just what it appeared to be:—and with
this appearance, he was quite content. He looked up to Emily as one
wiser, nobler, nearer to God than himself.

"I am a thousand years older than he," she said to me, laughing. "Just
as you are centuries older than I."

"And you love him for his youth?" I asked.

"Yes," she replied. "For that and—he is wonderfully sagacious—and so
gentle."

"And I was never gentle, was I?" I said.

"No! As restless and as urgent as the wind," she said, and I saw a last
flicker of the old terror.

"Where is George?" I asked.

"In bed," she replies briefly. "He's recovering from one of his orgies.
If I were Meg I would not live with him."

"Is he so bad?" I asked.

"Bad!" she replied. "He's disgusting, and I'm sure he's dangerous. I'd
have him removed to an inebriate's home."

"You'd have to persuade him to go," said Tom, who had come into the room
again. "He does have dreadful bouts, though! He's killing himself, sure
enough. I feel awfully sorry for the fellow."

"It seems so contemptible to me," said Emily, "to become enslaved to one
of your likings till it makes a beast of you. Look what a spectacle he
is for his children, and what a disgusting disgrace for his wife."

"Well, if he can't help it, he can't, poor chap," said Tom. "Though I do
think a man should have more backbone."

We heard heavy noises from the room above.

"He is getting up," said Emily. "I suppose I'd better see if he'll have
any breakfast." She waited, however. Presently the door opened, and
there stood George with his hand on the knob, leaning, looking in.

"I thought I heard three voices," he said, as if it freed him from a
certain apprehension. He smiled. His waistcoat hung open over his
woollen shirt, he wore no coat and was slipperless. His hair and his
moustache were dishevelled, his face pale and stupid with sleep, his
eyes small. He turned aside from our looks as from a bright light. His
hand as I shook it was flaccid and chill.

"How do you come to be here, Cyril?" he said subduedly, faintly smiling.

"Will you have any breakfast?" Emily asked him coldly.

"I'll have a bit if there's any for me," he replied.

"It has been waiting for you long enough," she answered. He turned and
went with a dull thud of his stockinged feet across to the dining-room.
Emily rang for the maid, I followed George, leaving the betrothed
together. I found my host moving about the dining-room, looking behind
the chairs and in the corners.

"I wonder where the devil my slippers are!" he muttered explanatorily.
Meanwhile he continued his search. I noticed he did not ring the bell to
have them found for him. Presently he came to the fire, spreading his
hands over it. As he was smashing the slowly burning coal the maid came
in with the tray. He desisted, and put the poker carefully down. While
the maid spread his meal on one corner of the table, he looked in the
fire, paying her no heed. When she had finished:

"It's fried white-bait," she said. "Shall you have that?"

He lifted his head and looked at the plate.

"Ay," he said. "Have you brought the vinegar?"

Without answering, she took the cruet from the sideboard and set it on
the table. As she was closing the door, she looked back to say:

"You'd better eat it now, while it's hot."

He took no notice, but sat looking in the fire.

"And how are you going on?" he asked me.

"I? Oh, very well! And you——?"

"As you see," he replied, turning his head on one side with a little
gesture of irony.

"As I am very sorry to see," I rejoined.

He sat forward with his elbows on his knees, tapping the back of his
hand with one finger, in monotonous two-pulse like heart-beats.

"Aren't you going to have breakfast?" I urged. The clock at that moment
began to ring a sonorous twelve. He looked up at it with subdued
irritation.

"Ay, I suppose so," he answered me, when the clock had finished
striking. He rose heavily and went to the table. As he poured out a cup
of tea he spilled it on the cloth, and stood looking at the stain. It
was still some time before he began to eat. He poured vinegar freely
over the hot fish, and ate with an indifference that made eating ugly,
pausing now and again to wipe the tea off his moustache, or to pick a
bit of fish from off his knee.

"You are not married, I suppose?" he said in one of his pauses.

"No," I replied. "I expect I shall have to be looking round."

"You're wiser not," he replied, quiet and bitter.

A moment or two later the maid came in with a letter.

"This came this morning," she said, as she laid it on the table beside
him. He looked at it, then he said:

"You didn't give me a knife for the marmalade."

"Didn't I?" she replied. "I thought you wouldn't want it. You don't as a
rule."

"And do you know where my slippers are?" he asked.

"They ought to be in their usual place." She went and looked in the
corner. "I suppose Miss Gertie's put them somewhere. I'll get you
another pair."

As he waited for her he read the letter. He read it twice, then he put
it back in the envelope, quietly, without any change of expression. But
he ate no more breakfast, even after the maid had brought the knife and
his slippers, and though he had had but a few mouthfuls.

At half-past twelve there was an imperious woman's voice in the house.
Meg came to the door. As she entered the room, and saw me, she stood
still. She sniffed, glanced at the table, and exclaimed, coming forward
effusively:

"Well I never, Cyril! Who'd a thought of seeing you here this morning!
How are you?"

She waited for the last of my words, then immediately she turned to
George, and said:

"I must say you're in a nice state for Cyril to see you! Have you
finished?—if you have, Kate can take that tray out. It smells quite
sickly. Have you finished?"

He did not answer, but drained his cup of tea and pushed it away with
the back of his hand. Meg rang the bell, and having taken off her
gloves, began to put the things on the tray, tipping the fragments of
fish and bones from the edge of his plate to the middle with short,
disgusted jerks of the fork. Her attitude and expression were of
resentment and disgust. The maid came in.

"Clear the table Kate, and open the window. Have you opened the bedroom
windows?"

"No'm—not yet,"—she glanced at George as if to say he had only been
down a few minutes.

"Then do it when you have taken the tray," said Meg.

"You don't open this window," said George churlishly. "It's cold enough
as it is."

"You should put a coat on then if you're starved," replied Meg
contemptuously. "It's warm enough for those that have got any life in
their blood. You do not find it cold, do you Cyril?"

"It is fresh this morning," I replied.

"Of course it is, not cold at all. And I'm sure this room needs airing."

The maid, however, folded the cloth and went out without approaching the
windows.

Meg had grown stouter, and there was a certain immovable confidence in
her. She was authoritative, amiable, calm. She wore a handsome dress of
dark green, and a toque with opulent ostrich feathers. As she moved
about the room she seemed to dominate everything, particularly her
husband, who sat ruffled and dejected, his waistcoat hanging loose over
his shirt.

A girl entered. She was proud and mincing in her deportment. Her face
was handsome, but too haughty for a child. She wore a white coat, with
ermine tippet, muff, and hat. Her long brown hair hung twining down her
back.

"Has dad only just had his breakfast?" she exclaimed in high censorious
tones as she came in.

"He has!" replied Meg.

The girl looked at her father in calm, childish censure.

"And we have been to church, and come home to dinner," she said, as she
drew off her little white gloves. George watched her with ironical
amusement.

"Hello!" said Meg, glancing at the opened letter which lay near his
elbow. "Who is that from?"

He glanced round, having forgotten it. He took the envelope, doubled it
and pushed it in his waistcoat pocket.

"It's from William Housley," he replied.

"Oh! And what has he to say?" she asked.

George turned his dark eyes at her.

"Nothing!" he said.

"Hm-Hm!" sneered Meg. "Funny letter, about nothing!"

"I suppose," said the child, with her insolent, high-pitched
superiority, "It's some money that he doesn't want us to know about."

"That's about it!" said Meg, giving a small laugh at the child's
perspicuity.

"So's he can keep it for himself, that's what it is," continued the
child, nodding her head in rebuke at him.

"I've no right to any money, have I?" asked the father sarcastically.

"No, you haven't," the child nodded her head at him dictatorially, "you
haven't, because you only put it in the fire."

"You've got it wrong," he sneered. "You mean it's like giving a child
fire to play with."

"Um!—and it is, isn't it Mam?"—the small woman turned to her mother
for corroboration. Meg had flushed at his sneer, when he quoted for the
child its mother's dictum.

"And you're very naughty!" preached Gertie, turning her back
disdainfully on her father.

"Is that what the parson's been telling you?" he asked, a grain of
amusement still in his bitterness.

"No it isn't!" retorted the youngster. "If you want to know you should
go and listen for yourself. Everybody that goes to church looks
nice——" she glanced at her mother and at herself, pruning herself
proudly, "—and God loves them," she added. She assumed a sanctified
expression, and continued after a little thought: "Because they look
nice and are meek."

"What!" exclaimed Meg, laughing, glancing with secret pride at me.

"Because they're meek!" repeated Gertie, with a superior little smile of
knowledge.

"You're off the mark this time," said George.

"No, I'm not, am I Mam? Isn't it right Mam? 'The meek shall inevit the
erf'?"

Meg was too much amused to answer.

"The meek shall have herrings on earth," mocked the father, also amused.
His daughter looked dubiously at him. She smelled impropriety.

"It's not, Mam, is it?" she asked, turning to her mother. Meg laughed.

"The meek shall have herrings on earth," repeated George with soft
banter.

"No it's not Mam, is it?" cried the child in real distress.

"Tell your father he's always teaching you something wrong," answered
Meg.

Then I said I must go. They pressed me to stay.

"Oh, yes—do stop to dinner," suddenly pleaded the child, smoothing her
wild ravels of curls after having drawn off her hat. She asked me again
and again, with much earnestness.

"But why?" I asked.

"So's you can talk to us this afternoon—an' so's Dad won't be so
dis'greeable," she replied plaintively, poking the black spots on her
muff.

Meg moved nearer to her daughter with a little gesture of compassion.

"But," said I, "I promised a lady I would be back for lunch, so I must.
You have some more visitors, you know."

"Oh, well!" she complained, "They go in another room, and Dad doesn't
care about them."

"But come!" said I.

"Well, he's just as dis'greeable when Auntie Emily's here—he is with
her an' all."

"You _are_ having your character given away," said Meg brutally, turning
to him.

I bade them good-bye. He did me the honour of coming with me to the
door. We could neither of us find a word to say, though we were both
moved. When at last I held his hand and was looking at him as I said
"Good-bye", he looked back at me for the first time during our meeting.
His eyes were heavy and as he lifted them to me, seemed to recoil in an
agony of shame.



      CHAPTER VII

   A PROSPECT AMONG THE MARSHES OF LETHE


George steadily declined from this time. I went to see him two years
later. He was not at home. Meg wept to me as she told me of him, how he
let the business slip, how he drank, what a brute he was in drink, and
how unbearable afterwards. He was ruining his constitution, he was
ruining her life and the children's. I felt very sorry for her as she
sat, large and ruddy, brimming over with bitter tears. She asked me if I
did not think I might influence him. He was, she said, at the "Ram."
When he had an extra bad bout on he went up there, and stayed sometimes
for a week at a time, with Oswald, coming back to the "Hollies" when he
had recovered—"though," said Meg, "he's sick every morning and almost
after every meal."

All the time Meg was telling me this, sat curled up in a large chair
their youngest boy, a pale, sensitive, rather spoiled lad of seven or
eight years, with a petulant mouth and nervous dark eyes. He sat
watching his mother as she told her tale, heaving his shoulders and
settling himself in a new position when his feelings were nearly too
much for him. He was full of wild, childish pity for his mother, and
furious, childish hate of his father, the author of all their trouble. I
called at the "Ram" and saw George. He was half drunk.

I went up to Highclose with a heavy heart. Lettie's last child had been
born, much to the surprise of everybody, some few months before I came
down. There was a space of seven years between her youngest girl and
this baby. Lettie was much absorbed in motherhood.

When I went up to talk to her about George I found her in the bedroom
nursing the baby, who was very good and quiet on her knee. She listened
to me sadly, but her attention was caught away by each movement made by
the child. As I was telling her of the attitude of George's children
towards their father and mother, she glanced from the baby to me, and
exclaimed:

"See how he watches the light flash across your spectacles when you turn
suddenly—Look!"

But I was weary of babies. My friends had all grown up and married and
inflicted them on me. There were storms of babies. I longed for a place
where they would be obsolete, and young, arrogant, impervious mothers
might be a forgotten tradition. Lettie's heart would quicken in answer
to only one pulse, the easy, light ticking of the baby's blood.

I remembered, one day as I sat in the train hastening to Charing Cross
on my way from France, that that was George's birthday. I had the
feeling of him upon me, heavily, and I could not rid myself of the
depression. I put it down to travel fatigue, and tried to dismiss it. As
I watched the evening sun glitter along the new corn-stubble in the
fields we passed, trying to describe the effect to myself, I found
myself asking: "But—what's the matter? I've not had bad news, have I,
to make my chest feel so weighted?"

I was surprised when I reached my lodging in New Maiden to find no
letters for me, save one fat budget from Alice. I knew her squat,
saturnine handwriting on the envelope, and I thought I knew what
contents to expect from the letter.

She had married an old acquaintance who had been her particular
aversion. This young man had got himself into trouble, so that the
condemnations of the righteous pursued him like clouds of gnats on a
summer evening. Alice immediately rose to sting back his vulgar enemies,
and having rendered him a service, felt she could only wipe out the
score by marrying him. They were fairly comfortable. Occasionally, as
she said, there were displays of small fireworks in the back yard. He
worked in the offices of some iron foundries just over the Erewash in
Derbyshire. Alice lived in a dirty little place in the valley a mile and
a half from Eberwich, not far from his work. She had no children, and
practically no friends; a few young matrons for acquaintances. As wife
of a superior clerk, she had to preserve her dignity among the
work-people. So all her little crackling fires were sodded down with the
sods of British respectability. Occasionally she smouldered a fierce
smoke that made one's eyes water. Occasionally, perhaps once a year, she
wrote me a whole venomous budget, much to my amusement.

I was not in any haste to open this fat letter until, after supper, I
turned to it as a resource from my depression.

"Oh dear Cyril, I'm in a bubbling state, I want to yell, not write. Oh,
Cyril, why didn't _you_ marry me, or why didn't our Georgie Saxton, or
somebody. I'm deadly sick. Percival Charles is enough to stop a clock.
Oh, Cyril, he lives in an eternal Sunday suit, holy broadcloth and
righteous three inches of cuffs! He goes to bed in it. Nay, he wallows
in Bibles when he goes to bed. I can feel the brass covers of all his
family Bibles sticking in my ribs as I lie by his side. I could weep
with wrath, yet I put on my black hat and trot to chapel with him like a
lamb.

"Oh, Cyril, nothing's happened. Nothing has happened to me all these
years. I shall die of it. When I see Percival Charles at dinner, after
having asked a blessing, I feel as if I should never touch a bit at his
table again. In about an hour I shall hear him hurrying up the
entry—prayers always make him hungry—and his first look will be on the
table. But I'm not fair to him—he's really a good fellow—I only wish
he wasn't.

"It's George Saxton who's put this seidlitz powder in my marital cup of
cocoa. Cyril, I must a tale unfold. It is fifteen years since our George
married Meg. When I count up, and think of the future, it nearly makes
me scream. But my tale, my tale!

"Can you remember his faithful-dog, wounded-stag, gentle-gazelle eyes?
Cyril, you can see the whisky or the brandy combusting in them. He's got
d—t's, blue-devils—and I've seen him, and I'm swarming myself with
little red devils after it. I went up to Eberwich on Wednesday afternoon
for a pound of fry for Percival Charles' Thursday dinner. I walked by
that little path which you know goes round the back of the
'Hollies'—it's as near as any way for me. I thought I heard a row in
the paddock at the back of the stables, so I said I might as well see
the fun. I went to the gate, basket in one hand, ninepence in coppers in
the other, a demure deacon's wife. I didn't take in the scene at first.

"There was our Georgie, in leggings and breeches as of yore, and a whip.
He was flourishing, and striding, and yelling. 'Go it old boy,' I said,
'you'll want your stocking round your throat to-night.' But Cyril, I had
spoken too soon. Oh, lum! There came raking up the croft that long,
wire-springy racehorse of his, ears flat, and, clinging to its neck, the
pale-faced lad, Wilfred. The kid was white as death, and squealing 'Mam!
mam!' I thought it was a bit rotten of Georgie trying to teach the kid
to jockey. The race-horse, Bonny-Boy—Boney Boy I call him—came
bouncing round like a spiral egg-whish. Then I saw our Georgie rush up
screaming, nearly spitting the moustache off his face, and fetch the
horse a cut with the whip. It went off like a flame along hot paraffin.
The kid shrieked and clung. Georgie went rushing after him, running
staggery, and swearing, fairly screaming,—awful—'a lily-livered little
swine!' The high lanky race-horse went larroping round as if it was
going mad. I was dazed. Then Meg came rushing, and the other two lads,
all screaming. She went for George, but he lifted his whip like the
devil. She daren't go near him—she rushed at him, and stopped, rushed
at him, and stopped, striking at him with her two fists. He waved his
whip and kept her off, and the race-horse kept tearing along. Meg flew
to stop it, he ran with his drunken totter-step, brandishing his whip. I
flew as well. I hit him with my basket. The kid fell off, and Meg rushed
to him. Some men came running. George stood fairly shuddering. You would
never have known his face, Cyril. He was mad, demoniacal. I feel
sometimes as if I should burst and shatter to bits like a sky-rocket
when I think of it. I've got such a weal on my arm.

"I lost Percival Charles' ninepence and my nice white cloth out of the
basket, and everything, besides having black looks on Thursday because
it was mutton chops, which he hates. Oh, Cyril, 'I wish I was a
cassowary, on the banks of the Timbuctoo.' When I saw Meg sobbing over
that lad—thank goodness he wasn't hurt—! I wished our Georgie was
dead; I do now, also; I wish we only had to remember him. I haven't been
to see them lately—can't stand Meg's ikeyness. I wonder how it all will
end.

"There's P. C. bidding 'Good night and God Bless You' to Brother Jakes,
and no supper ready——"

As soon as I could, after reading Alice's letter, I went down to
Eberwich to see how things were. Memories of the old days came over me
again till my heart hungered for its old people.

They told me at the "Hollies" that, after a bad attack of delirium
tremens, George had been sent to Papplewick in the lonely country to
stay with Emily. I borrowed a bicycle to ride the nine miles. The summer
had been wet, and everything was late. At the end of September the
foliage was heavy green, and the wheat stood dejectedly in stook. I rode
through the still sweetness of an autumn morning. The mist was folded
blue along the hedges; the elm trees loomed up along the dim walls of
the morning, the horse-chestnut trees at hand flickered with a few
yellow leaves like bright blossoms. As I rode through the tree tunnel by
the church where, on his last night, the keeper had told me his story, I
smelled the cold rotting of the leaves of the cloudy summer.

I passed silently through the lanes, where the chill grass was weighed
down with grey-blue seed-pearls of dew in the shadow, where the wet
woollen spider-cloths of autumn were spread as on a loom. Brown birds
rustled in flocks like driven leaves before me. I heard the far-off
hooting of the "loose-all" at the pits, telling me it was half-past
eleven, that the men and boys would be sitting in the narrow darkness of
the mines eating their "snap," while shadowy mice darted for the crumbs,
and the boys laughed with red mouths rimmed with grime, as the bold
little creatures peeped at them in the dim light of the lamps. The
dogwood berries stood jauntily scarlet on the hedge-tops, the bunched
scarlet and green berries of the convolvulus and bryony hung amid golden
trails, the blackberries dropped ungathered. I rode slowly on, the
plants dying around me, the berries leaning their heavy ruddy mouths,
and languishing for the birds, the men imprisoned underground below me,
the brown birds dashing in haste along the hedges.

Swineshed Farm, where the Renshaws lived, stood quite alone among its
fields, hidden from the highway and from everything. The lane leading up
to it was deep and unsunned. On my right, I caught glimpses through the
hedge of the corn-fields, where the shocks of wheat stood like small
yellow-sailed ships in a widespread flotilla. The upper part of the
field was cleared. I heard the clank of a wagon and the voices of men,
and I saw the high load of sheaves go lurching, rocking up the incline
to the stackyard.

The lane debouched into a close-bitten field, and out of this empty land
the farm rose up with its buildings like a huddle of old, painted
vessels floating in still water. White fowls went stepping discreetly
through the mild sunshine and the shadow. I leaned my bicycle against
the grey, silken doors of the old coach-house. The place was breathing
with silence. I hesitated to knock at the open door. Emily came. She was
rich as always with her large beauty, and stately now with the
stateliness of a strong woman six months gone with child.

She exclaimed with surprise, and I followed her into the kitchen,
catching a glimpse of the glistening pans and the white wood baths as I
passed through the scullery. The kitchen was a good-sized, low room that
through long course of years had become absolutely a home. The great
beams of the ceiling bowed easily, the chimney-seat had a bit of
dark-green curtain, and under the high mantel-piece was another low
shelf that the men could reach with their hands as they sat in the
ingle-nook. There the pipes lay. Many generations of peaceful men and
fruitful women had passed through the room, and not one but had added a
new small comfort; a chair in the right place, a hook, a stool, a
cushion, a certain pleasing cloth for the sofa covers, a shelf of books.
The room, that looked so quiet and crude, was a home evolved through
generations to fit the large bodies of the men who dwelled in it, and
the placid fancy of the women. At last, it had an individuality. It was
the home of the Renshaws, warm, lovable, serene. Emily was in perfect
accord with its brownness, its shadows, its ease. I, as I sat on the
sofa under the window, felt rejected by the kind room. I was distressed
with a sense of ephemerality, of pale, erratic fragility.

Emily, in her full-blooded beauty, was at home. It is rare now to feel a
kinship between a room and the one who inhabits it, a close bond of
blood relation. Emily had at last found her place, and had escaped from
the torture of strange, complex modern life. She was making a pie, and
the flour was white on her brown arms. She pushed the tickling hair from
her face with her arm, and looked at me with tranquil pleasure, as she
worked the paste in the yellow bowl. I was quiet, subdued before her.

"You are very happy?" I said.

"Ah very!" she replied. "And you?—you are not, you look worn."

"Yes," I replied. "I am happy enough. I am living my life."

"Don't you find it wearisome?" she asked pityingly.

She made me tell her all my doings, and she marvelled, but all the time
her eyes were dubious and pitiful.

"You have George here," I said.

"Yes. He's in a poor state, but he's not as sick as he was."

"What about the delirium tremens?"

"Oh, he was better of that—very nearly—before he came here. He
sometimes fancies they're coming on again, and he's terrified. Isn't it
awful! And he's brought it all on himself. Tom's very good to him."

"There's nothing the matter with him—physically, is there?" I asked.

"I don't know," she replied, as she went to the oven to turn a pie that
was baking. She put her arm to her forehead and brushed aside her hair,
leaving a mark of flour on her nose. For a moment or two she remained
kneeling on the fender, looking into the fire and thinking. "He was in a
poor way when he came here, could eat nothing, sick every morning. I
suppose it's his liver. They all end like that." She continued to wipe
the large black plums and put them in the dish.

"Hardening of the liver?" I asked. She nodded.

"And is he in bed?" I asked again.

"Yes," she replied. "It's as I say, if he'd get up and potter about a
bit, he'd get over it. But he lies there skulking."

"And what time will he get up?" I insisted.

"I don't know. He may crawl down somewhere towards tea-time. Do you want
to see him? That's what you came for, isn't it?"

She smiled at me with a little sarcasm, and added: "You always thought
more of him than anybody, didn't you? Ah, well, come up and see him."

I followed her up the back stairs, which led out of the kitchen, and
which emerged straight in a bedroom. We crossed the hollow-sounding
plaster-floor of this naked room and opened a door at the opposite side.
George lay in bed watching us with apprehensive eyes.

"Here is Cyril come to see you," said Emily, "so I've brought him up,
for I didn't know when you'd be downstairs."

A small smile of relief came on his face, and he put out his hand from
the bed. He lay with the disorderly clothes pulled up to his chin. His
face was discoloured and rather bloated, his nose swollen.

"Don't you feel so well this morning?" asked Emily, softening with pity
when she came into contact with his sickness.

"Oh, all right," he replied, wishing only to get rid of us.

"You should try to get up a bit, it's a beautiful morning, warm and
soft—" she said gently. He did not reply, and she went downstairs.

I looked round to the cold, whitewashed room, with its ceiling curving
and sloping down the walls. It was sparsely furnished, and bare of even
the slightest ornament. The only things of warm colour were the cow and
horse skins on the floor. All the rest was white or grey or drab. On one
side, the roof sloped down so that the window was below my knees, and
nearly touching the floor, on the other side was a larger window, breast
high. Through it one could see the jumbled, ruddy roofs of the sheds and
the skies. The tiles were shining with patches of vivid orange lichen.
Beyond was the corn-field, and the men, small in the distance, lifting
the sheaves on the cart.

"You will come back to farming again, won't you?" I asked him, turning
to the bed. He smiled.

"I don't know," he answered dully.

"Would you rather I went downstairs?" I asked.

"No, I'm glad to see you," he replied, in the same uneasy fashion.

"I've only just come back from France," I said.

"Ah!" he replied, indifferent.

"I am sorry you're ill," I said.

He stared unmovedly at the opposite wall. I went to the window and
looked out. After some time, I compelled myself to say, in a casual
manner:

"Won't you get up and come out a bit?"

"I suppose Is'll have to," he said, gathering himself slowly together
for the effort. He pushed himself up in bed.

When he took off the jacket of his pajamas to wash himself I turned
away. His arms seemed thin, and he had bellied, and was bowed and
unsightly. I remembered the morning we swam in the mill-pond. I
remembered that he was now in the prime of his life. I looked at his
bluish feeble hands as he laboriously washed himself. The soap once
slipped from his fingers as he was picking it up, and fell, rattling the
pot loudly. It startled us, and he seemed to grip the sides of the
washstand to steady himself. Then he went on with his slow, painful
toilet. As he combed his hair he looked at himself with dull eyes of
shame.

The men were coming in from the scullery when we got downstairs. Dinner
was smoking on the table. I shook hands with Tom Renshaw, and with the
old man's hard, fierce left hand. Then I was introduced to Arthur
Renshaw, a clean-faced, large, bashful lad of twenty. I nodded to the
man, Jim, and to Jim's wife, Annie. We all sat down to table.

"Well, an' 'ow are ter feelin' by now, like?" asked the old man heartily
of George. Receiving no answer, he continued, "Tha should 'a gor up an'
com' an' gen us a 'and wi' th' wheat, it 'ud 'a done thee good."

"You will have a bit of this mutton, won't you?" Tom asked him, tapping
the joint with the carving knife. George shook his head.

"It's quite lean and tender," he said gently.

"No, thanks," said George.

"Gi'e 'im a bit, gi'e 'im a bit!" cried the old man. "It'll do 'im
good—it's what 'e wants, a bit o' strengthenin' nourishment."

"It's no good if his stomach won't have it," said Tom, in mild reproof,
as if he were speaking of a child. Arthur filled George's glass with
beer without speaking. The two young men were full of kind, gentle
attention.

"Let 'im 'a'e a spoonful o' tonnup then," persisted the old man. "I
canna eat while 'is plate stands there emp'y."

So they put turnip and onion sauce on George's plate, and he took up his
fork and tasted a few mouthfuls. The men ate largely, and with zest. The
sight of their grand satisfaction, amounting almost to gusto, sickened
him.

When at last the old man laid down the dessert spoon which he used in
place of a knife and fork, he looked again at George's plate, and said:

"Why tha 'asna aten a smite, not a smite! Tha non goos th' raight road
to be better."

George maintained a stupid silence.

"Don't bother him, father," said Emily.

"Tha art an öwd whittle, feyther," added Tom, smiling good-naturedly. He
spoke to his father in dialect, but to Emily in good English. Whatever
she said had Tom's immediate support. Before serving us with pie, Emily
gave her brother junket and damsons, setting the plate and the spoon
before him as if he were a child. For this act of grace Tom looked at
her lovingly, and stroked her hand as she passed.

After dinner, George said, with a miserable struggle for an indifferent
tone:

"Aren't you going to give Cyril a glass of whisky?"

He looked up furtively, in a conflict of shame and hope. A silence fell
on the room.

"Ay!" said the old man softly. "Let 'im 'ave a drop."

"Yes!" added Tom, in submissive pleading.

All the men in the room shrank a little, awaiting the verdict of the
woman.

"I don't know," she said clearly, "that Cyril wants a glass."

"I don't mind." I answered, feeling myself blush. I had not the courage
to counteract her will directly. Not even the old man had that courage.
We waited in suspense. After keeping us so for a few minutes, while we
smouldered with mortification, she went into another room, and we heard
her unlocking a door. She returned with a decanter containing rather
less than half a pint of liquor. She put out five tumblers.

"Tha nedna gi'e me none," said the old man. "Ah'm non a proud chap. Ah'm
not."

"Nor me neither," said Arthur.

"You will Tom?" she asked.

"Do you want me to?" he replied, smiling.

"I don't," she answered sharply. "I want nobody to have it, when you
look at the results of it. But if Cyril is having a glass, you may as
well have one with him."

Tom was pleased with her. She gave her husband and me fairly stiff
glasses.

"Steady, steady!" he said. "Give that George, and give me not so much.
Two fingers, two of your fingers, you know."

But she passed him the glass. When George had had his share, there
remained but a drop in the decanter.

Emily watched the drunkard coldly as he took this remainder.

George and I talked for a time while the men smoked. He, from his glum
stupidity, broke into a harsh, almost imbecile loquacity.

"Have you seen my family lately?" he asked, continuing. "Yes! Not badly
set up, are they, the children? But the little devils are soft,
mard-soft, every one of 'em. It's their mother's bringin' up—she marded
'em till they were soft, an' would never let me have a say in it. I
should 'a brought 'em up different, you know I should."

Tom looked at Emily, and, remarking her angry contempt, suggested that
she should go out with him to look at the stacks. I watched the tall,
square-shouldered man leaning with deference and tenderness towards his
wife as she walked calmly at his side. She was the mistress, quiet and
self-assured, he her rejoiced husband and servant.

George was talking about himself. If I had not seen him, I should hardly
have recognised the words as his. He was lamentably decayed. He talked
stupidly, with vulgar contumely of others, and in weak praise of
himself.

The old man rose, with a:

"Well, I suppose we mun ma'e another dag at it," and the men left the
house.

George continued his foolish, harsh monologue, making gestures of
emphasis with his head and his hands. He continued when we were walking
round the buildings into the fields, the same babble of bragging and
abuse. I was wearied and disgusted. He looked, and he sounded, so
worthless.

Across the empty cornfield the partridges were running. We walked
through the September haze slowly, because he was feeble on his legs. As
he became tired he ceased to talk. We leaned for some time on a gate, in
the brief glow of the transient afternoon, and he was stupid again. He
did not notice the brown haste of the partridges, he did not care to
share with me the handful of ripe blackberries, and when I pulled the
bryony ropes off the hedges, and held the great knots of red and green
berries in my hand, he glanced at them without interest or appreciation.

"Poison-berries, aren't they?" he said dully.

Like a tree that is falling, going soft and pale and rotten, clammy with
small fungi, he stood leaning against the gate, while the dim afternoon
drifted with a flow of thick sweet sunshine past him, not touching him.

In the stackyard, the summer's splendid monuments of wheat and grass
were reared in gold and grey. The wheat was littered brightly round the
rising stack. The loaded wagon clanked slowly up the incline, drew near,
and rode like a ship at anchor against the scotches, brushing the stack
with a crisp, sharp sound. Tom climbed the ladder and stood a moment
there against the sky, amid the brightness and fragrance of the gold
corn, and waved his arm to his wife who was passing in the shadow of the
building. Then Arthur began to lift the sheaves to the stack, and the
two men worked in an exquisite, subtle rhythm, their white sleeves and
their dark heads gleaming, moving against the mild sky and the corn. The
silence was broken only by the occasional lurch of the body of the
wagon, as the teamer stepped to the front, or again to the rear of the
load. Occasionally I could catch the blue glitter of the prongs of the
forks. Tom, now lifted high above the small wagon load, called to his
brother some question about the stack. The sound of his voice was strong
and mellow.

I turned to George, who also was watching, and said:

"You ought to be like that."

We heard Tom calling, "All right!" and saw him standing high up on the
tallest corner of the stack, as on the prow of a ship.

George watched, and his face slowly gathered expression. He turned to
me, his dark eyes alive with horror and despair.

"I shall soon—be out of everybody's way!" he said. His moment of fear
and despair was cruel. I cursed myself for having roused him from his
stupor.

"You will be better," I said.

He watched again the handsome movement of the men at the stack.

"I couldn't team ten sheaves," he said.

"You will in a month or two," I urged.

He continued to watch, while Tom got on the ladder and came down the
front of the stack.

"Nay, the sooner I clear out, the better," he repeated to himself.

When we went in to tea, he was, as Tom said, "downcast." The men talked
uneasily with abated voices. Emily attended to him with a little,
palpitating solicitude. We were all uncomfortably impressed with the
sense of our alienation from him. He sat apart and obscure among us,
like a condemned man.



   THE END



Transcribers Notes:

There are two obvious typesetter errors which have been retained:

1) There are two consecutive "Chapter III"s in Book III.

2) "She smiled at her." could have meant "She smiled at him."
or "He smiled at her."

And the Table of Contents has been added to aid navigation.





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