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Title: A Select Collection of Old English Plays - Originally published by Robert Dodsley in the year 1744
Author: Hazlitt, William Carew, 1834-1913
Language: English
As this book started as an ASCII text book there are no pictures available.
Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

*** Start of this Doctrine Publishing Corporation Digital Book "A Select Collection of Old English Plays - Originally published by Robert Dodsley in the year 1744" ***

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    A SELECT COLLECTION

    OF

    OLD ENGLISH PLAYS.

    ORIGINALLY PUBLISHED BY ROBERT DODSLEY
    IN THE YEAR 1744.

    _FOURTH EDITION._

    NOW FIRST CHRONOLOGICALLY ARRANGED, REVISED AND ENLARGED
    WITH THE NOTES OF ALL THE COMMENTATORS,
    AND NEW NOTES

    BY

    W. CAREW HAZLITT.

    BENJAMIN BLOM, INC.

    [Illustration]

    New York



A WOMAN IS A WEATHERCOCK.



_EDITION._


    _A Woman is a Weather-cocke. A New Comedy. As it was acted
    before the King in White-Hall. And diuers times Priuately at the
    White-Friers, by the Children of her Maiesties Reuels. Written
    by Nat: Field._ Si natura negat, faciat indagnatio [sic] versum.
    _Printed at London, for Iohn Budge, and are to be sold at the
    great South doore of Paules, and at Brittaines Bursse._ 1612.
    4º.

The old copy is very carelessly printed, and nearly all the corruptions
and mistakes were retained in the former edition (1828).



[MR COLLIER'S PREFACE.]


Considering the celebrity that Nathaniel Field has acquired in
consequence of his connection with Massinger in writing "The Fatal
Dowry," it is singular that the two plays in which he was unaided by any
contemporary dramatist should not yet have been reprinted, if only to
assist the formation of a judgment as to the probable degree of
Massinger's obligation. "A Woman is a Weathercock" and its sequel,
"Amends for Ladies," are the productions of no ordinary poet. In comic
scenes Field excels Massinger, who was not remarkable for his success in
this department of the drama; and in those of a serious character he may
be frequently placed on a footing of equality.[1]

Reed was of opinion that Field the actor was not the same person who
joined Massinger in "The Fatal Dowry," and who wrote the two plays above
mentioned; but the discovery of Henslowe's MSS. shows that they were
intimately connected in authorship and misfortune. The joint letter of
Nathaniel Field, Rob. Daborne, and Philip Massinger to Henslowe,
soliciting a small loan to relieve them from temporary imprisonment, has
been so often republished (see Malone's Shakespeare, by Boswell, iii.
337) that it is unnecessary to repeat it here.[2] Field, who penned the
whole body of the letter, speaks in it of himself, both as an author and
as an actor. It is without date, and Malone conjectured that it was
written between 1612 and 1615. But from the Dedication to "A Woman is a
Weathercock," we should conclude that in 1612 Field was not distressed
for money. He there tells "any woman that hath been no weathercock" that
he "cared not for forty shillings," the sum then usually given by the
person to whom the play was inscribed. This assertion, perhaps, was only
a vain boast, while the fact might be, either that he could not get
anybody to patronise "so fameless a pen," or that, although he might not
just at that moment be in want of "forty shillings," he might stand in
need of it very soon afterwards, according to the customary irregular
mode of living of persons of his pursuits and profession.

It might be inferred from a passage in the address "to the Reader," that
"A Woman is a Weathercock"[3] was written some time before it was
printed; and from the dedication of the same play, we learn that Field's
"Amends for Ladies," if not then also finished, was fully contemplated
by the author under that title. An allusion to the Gunpowder Treason of
1605 is made in the first act of "A Woman is a Weathercock;" but it
could not have been produced so early.

Nathaniel Field was originally one of the Children of Queen Elizabeth's
Chapel. Malone tells us that he played in "Cynthia's Revels" in 1601;
but we have it on the authority of Ben Jonson himself, in the folio of
1616, that that "comical satire" was acted in 1600. In 1601 Field
performed in "The Poetaster," and in 1608 he appeared in "Epicæne,"
which purports to have been represented by the "Children of her
Majesty's Revels," for so those of Queen Elizabeth's Chapel were then
called. In 1600 Field was, perhaps, one of the younger children, for in
1609 all the names of the company but his own were changed, many no
doubt having outgrown their situations. He was, therefore, evidently a
very young man when he published his "Woman is a Weathercock" in 1612.
Only one edition of it is known, but "Amends for Ladies" was twice
published by the same stationer, viz., in 1618 and 1639. Mr Gifford
conjectured very reasonably that Field had assisted Massinger in writing
"The Fatal Dowry" before 1623.[4] He belonged to the Blackfriars
company, and Fleckno speaks of him as a performer of great
distinction.[5] According to the portrait in Dulwich College, he had
rather a feminine look, and early in his career undertook female parts,
which he afterwards abandoned, and obtained much celebrity as the hero
of Chapman's "Bussy d'Ambois," originally brought out in 1607. In a
prologue to the edition of 1641, Field is spoken of as the player "whose
action _first_ did give it name." It has also been supposed that he was
dead in 1641, because in the same prologue, it is asserted "Field is
gone," but the expression is equivocal. The probability seems to be that
he quitted the profession early, and in the address to "A Woman is a
Weathercock," he gives a hint that he will only be heard of in it "for a
year or two, and no more."[6]

"Amends for Ladies" will be found, on the whole, a superior performance
to "A Woman is a Weathercock," and if the order of merit only had been
consulted, it ought to have been first reprinted in this collection.


FOOTNOTES:

  [1] Mr Gifford, with that zeal for the author under his hands which
  always distinguished him (and without a single reference to Field's
  unassisted comedies which, in fact, have remained unnoticed by
  everybody), attributes to Field, in "The Fatal Dowry," all that he
  thinks unworthy his notion of Massinger. We are to recollect, however,
  that Field continued one of the Children of the Revels as late as
  1609, and that when "A Woman is a Weathercock" was printed in 1612, he
  must have been scarcely of age.

  [2] Two other letters from Field to Henslowe are printed for the first
  time in Malone's Shakespeare, by Boswell, xxi. 395 and 404. One is
  subscribed "Your loving and obedient son," and the other "Your loving
  son," and both request advances of money; the first on a play, in the
  writing of which Field was engaged with Robert Daborne, and the
  second, in consequence of Field having been "taken on an execution of
  £30." They have no dates, but others with which they are found are in
  1613.

  [3] It is tolerably clear that the drama was written in 1609. See the
  allusion to the war in Cleveland, as then going on, at p. 28.

  [4] Mr Gifford also states (Massinger, i. 67), that he joined Heminge
  and Condell in the publication of the folio Shakespeare of 1623.

  [5] Ben Jonson, in his "Bartholomew Fair," act v. sc. 3, couples him
  with Burbage, and speaks of him as the "best actor" of the day. This
  play was produced in 1614.

  [6] Taylor the Water-poet, in his "Wit and Mirth," introduces a
  supposed anecdote of "Master Field the player," which is only a pun
  upon the word _post_, and that not made by Field. Taylor had it,
  probably, from some earlier collection of jokes, and the compiler of
  Hugh Peters' Jests, 1660, had it from Taylor, and told it of his hero.



TO ANY WOMAN THAT HATH BEEN NO WEATHERCOCK.


I did determine not to have dedicated my play to anybody, because forty
shillings I care not for![7] and above few or none will bestow on these
matters, especially falling from so fameless a pen as mine is yet. And
now I look up, and find to whom my dedication is, I fear I am as good as
my determination: notwithstanding, I leave a liberty to any lady or
woman, that dares say she hath been no weathercock, to assume the title
of patroness to this my book. If she have been constant, and be so, all
I will expect from her for my pains is that she will continue so but
till my next play be printed, wherein she shall see what amends I have
made to her and all the sex,[8] and so I end my epistle without a Latin
sentence.

    N.F.


FOOTNOTES:

  [7] Malone, in his "History of the Stage," quotes this passage to show
  that such was, in Field's day, the ordinary price of the dedication of
  a play. Malone's Shakespeare, by Boswell, iii. 164.

  [8] Referring to his "Amends for Ladies," first printed in 1618, and
  afterwards in 1639.



TO THE READER.


Reader, the saleman swears you'll take it very ill, if I say not
something to you too. In troth, you are a stranger to me: why should I
write to you? you never writ to me, nor I think will not answer my
epistle. I send a comedy to you here, as good as I could then make; nor
slight my presentation, because it is a play; for I tell thee, reader,
if thou be'st ignorant, a play is not so idle a thing as thou art, but a
mirror of men's lives and actions; nor, be it perfect or imperfect, true
or false, is the vice or virtue of the maker. This is yet, as well as I
can, _qualis ego vel Cluvienus_. Thou must needs have some other
language than thy mother-tongue, for thou think'st it impossible for me
to write a play, that did not use a word of Latin, though he had enough
in him. I have been vexed with vile plays myself a great while, hearing
many; now I thought to be even with some, and they should hear mine too.
Fare thee well: if thou hast anything to say to me, thou know'st where
to hear of me for a year or two, and no more, I assure thee.

    N.F.



TO HIS LOVED SON,[9] NAT. FIELD, AND HIS WEATHERCOCK WOMAN.


    To many forms, as well as many ways,
      Thy active muse turns like thy acted woman:
    In which disprais'd inconstancy turns praise;
      Th' addition being, and grace of Homer's seaman,
    In this life's rough seas toss'd, yet still the same:
      So turns thy wit, inconstancy to stay,
    And stay t' inconstancy. And as swift Fame
      Grows as she goes, in Fame so thrive thy play,
    And thus to standing turn thy woman's fall:
    Wit, turn'd to everything, proves stay in all.

    GEORGE CHAPMAN.

  [9] It was not unusual for elder poets to call the younger their
  _sons_. Ben Jonson allowed this title to Randolph, Howell, and others.
  Field also subscribes himself to old Henslowe the manager, "your
  loving _son_."



DRAMATIS PERSONÆ


    COUNT FREDERICK.
    SIR JOHN WORLDLY.
    NEVILL.
    SCUDMORE.
    STRANGE.
    PENDANT.
    CAPTAIN POUTS.
    SIR INNOCENT NINNY.
    SIR ABRAHAM NINNY.
    BELLAFRONT.
    KATHERINE.
    LUCIDA.
    LADY NINNY.
    MISTRESS WAGTAIL
    _A Priest._
    _A Page._
    _Servants._



A WOMAN IS A WEATHERCOCK.



ACT I., SCENE 1.


_Enter_ SCUDMORE, _as in his chamber in a morning, half-ready, reading a
letter_.

    SCUD. _legit_. "Whereas you write, my fortune and my birth,
    Made above yours, may be a real cause
    That I must leave you, know, thou worthiest man,
    Thou hast a soul whose plenteous wealth supplies
    All the lean wants blind chance hath dealt to thee.
    Yet could I think the gods from all their store,
    Who ne'er knew indigence unto their will,
    Would out of all their stock of virtue left,
    Or out of all new graces they can make,
    Make such another piece as Scudmore is,
    Then might he justly fear; but otherwise
    Sooner the masculine element of fire
    Shall flame his pyramids down to the earth;
    Sooner her mountains shall swell up to heaven,
    Or softest April showers quench fires in hell:
    Sooner shall stars from this circumference
    Drop like false fiery exhalation,
    Than I be false to vows made unto thee,
    In whom aught near a fault I ne'er could see,
    But that you doubted once my constancy.
      Yours through the world, and to the end of time.
                                           BELLAFRONT."

    SCUD. _Loqui, ut raptus_. If what I feel I could express in words,
    Methinks I could speak joy enough to men
    To banish sadness from all love for ever!
    O thou, that reconcil'st the faults of all
    That frothy sex, and in thy single self
    Confin'st--nay, hast engross'd, virtue enough
    To frame a spacious world of virtuous women,
    Hadst thou been the beginning of thy sex,
    I think the devil in the serpent's skin
    Had wanted cunning to o'ercome thy goodness,
    And all had liv'd and died in innocency--
    The white original creation!               [_Knocking within._
    Who's there? Come in.

_Enter_ NEVILL.

    NEV. What, up already, Scudmore! Ne'er a wench
    With thee? Not [e'en] thy laundress?

    SCUD. Good morrow, my dear Nevill.

    NEV. What's this? A letter? Sure, it is not so--
    A letter written to Hieronimo.[10]

    SCUD. By heaven! you must excuse me. Come, I know,
    You will not wrong my friendship and your manners
    To tempt me so.

    NEV. Not for the world, my friend.
    Farewell, good morrow.                            [_Exiturus._

    SCUD. Nay, sir, neither must you
    Depart in anger from this friendly hand.
    I swear I love you better than all men,
    Equally with all virtue in the world;
    Yet this would be a key to lead you to
    A prize of that importance----

    NEV. Worthy friend,
    I leave you not in anger: what d'ye mean?
    Nor am I of that inquisitive nature fram'd
    To thirst to know your private businesses.
    Why, they concern not me: if they be ill
    And dangerous, 'twould grieve me much to know 'em;
    If good, they be so, though I know 'em not.
    Nor would I do your love so gross a wrong
    To covet to participate affairs
    Of that near touch, which your assured love
    Doth think not fit, or dares not trust me with.

    SCUD. How sweetly does your friendship play with mine,
    And with a simple subtlety steals my heart
    Out of my bosom. By the holiest love
    That ever made a story, you're a man
    With all good so replete, that I durst trust you
    Ev'n with this secret, were it singly mine.

    NEV. I do believe you. Farewell, worthy friend.

    SCUD. Nay, look you; this same fashion does not please me:
    You were not wont to make your visitation
    So short and careless.

    NEV. 'Tis your jealousy
    That makes you think so; for, by my soul,
    You have given me no distaste by keeping from me
    All things that might be burthenous, and oppress me.
    In troth, I am invited to a wedding,
    And the morn faster goes away from me,
    Than I go toward it; and so, good morrow.

    SCUD. Good morrow, sir: think I durst show it you.

    NEV. Now, by my life, I not desire it, sir,
    Nor ever lov'd these prying, listening men,
    That ask of others' states and passages:
    Not one among a hundred but proves false,
    Envious, and slanderous, and will cut that throat
    He twines his arms about. I love that poet,
    That gave us reading[11] not to seek ourselves
    Beyond ourselves. Farewell.

    SCUD. You shall not go:
    I cannot now redeem the fault I have made
    To such a friend, but in disclosing all.

    NEV. Now, if you love me, do not wrong me so.
    I see you labour with some serious thing,
    And think (like fairy's treasure) to reveal it,
    Will cause it vanish; and yet to conceal it,
    Will burst your breast: 'tis so delicious,
    And so much greater than the continent.

    SCUD. O! you have pierc'd my entrails with your words,
    And I must now explain all to your eyes.
    Read, and be happy in my happiness.

    NEV. Yet think on't: keep thy secret and thy friend
    Sure and entire. O, give not me the means
    To become false hereafter! or thyself
    A probable reason to distrust thy friend,
    Though he be ne'er so true. I will not see't.

    SCUD. I die, by heaven, if you deny again.
    I starve for counsel: take it: look upon it.
    If you do not, it is an equal plague,
    As if it had been known and published.
    For God's sake, read! but with this caution--
    By this right hand, by this yet unstain'd sword.
    Were you my father flowing in these waves,
    Or a dear son exhausted out of them,
    Should you betray this soul of all my hopes,
    Like the two brethren (though love made 'em stars)
    We must be never more seen both together.[12]

    NEV. I read it fearless of the forfeiture;
    Yet warn you, be as cautelous not to wound
    My integrity with doubting[13] likelihoods,
    From misreport; but first exquire the truth.
                 [_Legit_ NEVILL, SCUDMORE _aliquando respiciens_.

    SCUD. Read, whilst I tell the story of my love,
    And sound the truth of her heroic spirit,
    Whom eloquence could never flatter yet,
    Nor the best tongue of praises reach unto.
    The maid there nam'd I met once on a green,
    Near to her father's house: methought she show'd--
    For I did look on her, indeed no eye
    That ow'd a sensible member, but must dwell
    A while on such an object:
    The passing horses and the feeding kine
    Stood still, and left their journeys and their food:
    The singing birds were in contention,
    Which should 'light nearest her; for her clear eyes
    Deceiv'd even men, they were so like bright skies.
    Near, in a rivulet, swam two beauteous swans,
    Whiter than anything but her neck and hands,
    Which they left straight to comfort her: a bull
    Being baiting on the green for the swains' sport,
    She walking toward it: the vex'd savage beast
    Ceas'd bellowing, the snarling dogs were mute,
    And had enough to do to look on her,
    Whose face brought concord and an end of jars,
    Though nature made 'em ever to have wars,
    Had there been bears and lions, when she spake,
    They had been charm'd too; for Grecian's lute
    Was rustic music to her heavenly tongue,
    Whose sweetness e'en cast slumbers on mine eyes,
    Soft as content, yet would not let me sleep.

    NEV. "Yours through the world, and to the end of time
                                               BELLAFRONT."

    Which Bellafront? rich Sir John Worldly's daughter?

    SCUD. She is the food, the sleep, the air I live by.

    NEV. O heaven! we speak like gods and do like dogs.

    SCUD. What means my----

    NEV. This day this Bellafront, the rich heir,
    Is married unto Count Frederick,
    And that's the wedding I was going to.

    SCUD. I prythee, do not mock me. Married!

    NEV. It is no matter to be play'd withal,
    But even as true, as women all are false.

    SCUD. O, that this stroke were thunder to my breast;
    For, Nevill, thou hast spoke my heart in twain,
    And with the sudden whirlwind of thy breath
    Hast ravish'd me out of a temperate soil,
    And set me under the red burning zone.

    NEV. For shame! return thy blood into thy face.
    Know'st not how slight a thing a woman is?

    SCUD. Yes, and how serious too. Come! I'll t' the Temple:
    She shall not damn herself for want of counsel.

    NEV. O, prythee, run not thus into the streets!
    Come, dress you better: so. Ah! yes,[14] thy clothes
    Are, like thy mind, too much disordered.
    How strangely is this tide turn'd! For a world,
    I would not but have call'd here as I went.
    Collect thy spirits: we will use all means
    To check this black fate flying toward thee. Come!
    If thou miscarriest, 'tis my day of doom.

    SCUD. Yes--now I'm fine. Married! It may be so;
    But, women, look to't: if she prove untrue,
    The devil take you all, that are his due!           [_Exeunt._


SCENE II.

_Enter_ COUNT FREDERICK, _a tailor trussing him; attended by a page_.

    C. FRED. Is Sir John Worldly up, boy?

    BOY. No, my Lord.

    C. FRED. Is my bride up yet?

    BOY. No.

    C. FRED. No! and the morn so fair?

_Enter_ PENDANT.

PEN. Good morrow, my thrice honoured and heroic lord.

BOY. Good morrow, your lord and master, you might say, for brevity sake.

                                                         [_Aside._

    C. FRED. Thou'st a good tailor, and art very fine.

    PEN. I thank your lordship.

    BOY. Ay, you may thank his lordship indeed.          [_Aside._

    PEN. 'Fore God, this doublet sets in print, my lord;
    And the hose excellent; the pickadel[15] rare.

    BOY. He'll praise himself in trust with my lord's tailor.
    For the next St George's suit.

    C. FRED. O, good morrow, tailor;
    I abhor bills in a morning.

    PEN. Your honour says true:
    Their knavery will be discern'd by daylight;
    But thou may'st watch at night with bill in hand,
    And no man dares find fault with it.

TAILOR. A good jest, i' faith. Good morrow to your lordship. A very
good jest.

                                                    [_Exit_ TAILOR.

 C. FRED. I wonder my invited guests are so tardy. What's o'clock?

 PEN. Scarce seven, my lord.

    C. FRED. And what news, Pendant?
    What think'st thou of my present marriage?
    How shows the beauty to thee I shall wed?

    PEN. Why, to all women like Diana among her nymphs.

    BOY. There's all his reading.                        [_Aside._

    PEN. A beauty of that pureness and delight,
    That none is worthy of her but my lord,
    My honourable lord.

    C. FRED. But then her fortune,
    Match'd with her beauty, makes her up a match.

    PEN. By heaven, unmatchable!--for none fit but lords,
    And yet for no lord fit but my good lord.

    C. FRED. And that her sister, then, should love me too,
    Is it not strange?

    PEN. Strange? no, not strange at all.
    By Cupid, there's no woman in the world
    But must needs love you, doat, go mad for you.
    If you vouchsafe reflection, 'tis a thing
    That does it home: thus much reflection
    Catches 'em up by dozens like wild fowl.

    BOY. Now, ye shall taste the means, by which he eats.    [_Aside._

    PEN. Nature herself, having made you, fell sick
    In love with her own work, and can no more
    Make man so lovely, being diseas'd with love.
    You are the world's minion, of a little man.
    I'll say no more: I would not be a woman
    For all has been got by them.

    C. FRED. Why, man, why?

    PEN. Heart! I should follow you like a young rank whore,
    That runs proud of her love; pluck you by the sleeve,
    Whoe'er were with you, in the open street,
    With the impudency of a drunken oyster-wife;
    Put on my fighting waistcoat and the ruff,
    That fears no tearing; batter down the windows,
    Where I suspected you might lie all night;
    Scratch faces, like a wild-cat of Pick'd-hatch.[16]

    C. FRED. Pendant, thou'lt make me doat upon myself.

    PEN. Narcissus, by this hand, had far less cause.

    C. FRED. How know'st thou that?

    BOY. They were all one, my lord.

    PEN. How do I know? I speak my conscience:
    His beauties were but shadows to my lord.
    Why, boy, his presence would enkindle sin
    And longing thoughts in a devoted nun.
    O foot! O leg! O hand! O body! face!
    By Jove, it is a little man of wax.

    C. FRED. Thou'rt a rare rascal: 'tis not for nothing
    That men call thee my Commendations.

    BOY. For nothing? no; he would be loth it should.

_Enter_ CAPTAIN POUTS.

    C. FRED. Good morrow, and good welcome, Captain Pouts.

    CAPT. POUTS. _Good morning to your honour, and all joy
    Spring from this match, and the first year a boy!_
    I commanded[17] these two verses o' purpose to salute your honour.

C. FRED. But how haps it, Captain, that your intended marriage with my
father-in-law's third daughter is not solemnised to-day?

PEN. My lord tells you true, Captain; it would have saved meat.

CAPT. POUTS. Faith, I know not. Mistress Kate likes me not; she says I
speak as if I had pudding in my mouth, and I answered her, if I had, it
was a white pudding,[18] and then I was the better armed for a woman;
for I had a case about me. So one laughed, and the other cried fie: the
third said I was a bawdy captain; and there was all I could get of them.

C. FRED. See, boy, if they be up yet: maids are long liers, I perceive.

BOY. How if they will not admit me, my lord.

C. FRED. Why, should they not admit you, my lord, you cannot commit with
'em, my lord.

    BOY. Marry, therefore, my lord.                   [_Exit_ BOY.

C. FRED. But what should be the reason of her so sudden alteration? she
listened to thee once, ha?

PEN. Have you not heard, my lord, or do ye not know?

C. FRED. Not I, I swear.

PEN. Then you know nothing that is worth the knowing.

CAPT. POUTS. That's certain: he knows you.

PEN. There's a young merchant, a late suitor, that deals by wholesale,
and heir to land, well-descended, of worthy education, beholding to
nature.

C. FRED. O, 'tis young Strange.

CAPT. POUTS. Is't he that looks like an Italian tailor out of the lac'd
wheel?[19] that wears a bucket on his head?

C. FRED. That is the man: yet believe me, captain, it is a noble
sprightly citizen.

CAPT. POUTS. Has he money?

C. FRED. Infinitely wealthy.

CAPT. POUTS. Then, captain, thou art cast. Would I had gone to
Cleveland! Worldly loves money better than I love his daughter. I'll to
some company in garrison. Good bye.

    C. FRED. Nay, ye shall dedicate this day to me.
    We speak but by the way, man: ne'er despair;
    I can assure you, she is yet as free as air.

    PEN. And you may kill the merchant with a look:
    I'd threaten him to death. My honor'd lord
    Shall be your friend: go to, I say he shall:
    You shall have his good word. Shall he, my lord?

    C. FRED. 'Sfoot! he shall have my bond to do him good.

    PEN. La! 'tis the worthiest lord in Christendom.
    O captain, for some fourscore brave spirits, once
    To follow such a lord in some attempt!

    CAPT. POUTS. A hundred, sir, were better.

_Enter_ OLD SIR INNOCENT NINNY, MY LADY NINNY, SIR ABRAHAM, _and_
MISTRESS WAGTAIL.

    C. FRED. Here's more guests.

    CAPT. POUTS. Is that man and wife?

    PEN. It is Sir Innocent Ninny: that's his lady,
    And that Sir Abraham, their only son.
       [_Count Frederick discoursing with Sir Innocent and Lady: Abraham
         looking about._

CAPT. POUTS. But did that little old dried neat's tongue, that eel-skin,
get him?

PEN. So 'tis said, captain.

CAPT, POUTS. Methinks he in his lady should show like a needle in a
bottle of hay.

PEN. One may see by her nose what pottage she loves.

CAPT. POUTS. Is your name Abraham? Pray, who dwells in your mother's
backside,[20] at the sign of the aqua-vitæ bottle?

    PEN. God's precious! Save you, Mistress Wagtail.
                                             [_Pulls her by the sleeve._

WAG. Sweet Master Pendant.

ABRA. Gentlemen, I desire your better acquaintance. You must pardon my
father; he's somewhat rude, and my mother grossly brought up, as you may
perceive.

    C. FRED. Young Master Abraham! cry ye mercy, sir.

    ABRA. Your lordship's poor friend, and Sir Abraham Ninny.
    The dub-a-dub of honour, piping hot
    Doth lie upon my worship's shoulder-blade.

SIR INN. Indeed, my lord, with much cost and labour we have got him
knighted; and being knighted under favour, my lord, let me tell ye he'll
prove a sore knight, as e'er run at ring. He is the one and only Ninny
of our house.

    L. NIN. He has cost us something, ere he came to this.
    Hold up your head, Sir Abraham.

    ABRA. Pish, pish, pish, pish!

    C. FRED. D'ye hear how--

    PEN. O my lord.

    CAPT. POUTS. I had well hoped she could not have spoke, she is so
      fat.

    C. FRED. Long may'st thou wear thy knighthood; and thy spurs
    Prick thee to honour on, and prick off curs.

ABRA. Sir Abraham thanks your honour, and I hope your lordship will
consider the simplicity of parents: a couple of old fools, my lord, and
I pray so take 'em.

OMNES. Ha! ha! ha!

ABRA. I must be fain to excuse you here: you'll be needs coming abroad
with me. If I had no more wit than you now, we should be finely laughed
at.

SIR INN. By'r lady, his worship says well: wife, we'll trouble him no
longer. With your honour's leave, I'll in and see my old friend Sir
John, your father that shall be.

    L. NIN. I'll in, too, and see if your bride need no dressing.
                                  [_Exeunt_ SIR INNOCENT _and lady_.[21]

    C. FRED. 'Sfoot, as much as a tripe, I think:
    Haste them, I pray. Captain, what thinkest thou
    Of such a woman in a long sea voyage,
    Where there were a dearth of victuals?

CAPT. POUTS. Venison, my lord, venison.

PEN. I'faith, my lord, such venison as a bear is.

CAPT. POUTS. Heart! she looks like a black bombard[22] with a pint pot
waiting upon it.

                                              [_Exit_ MRS WAGTAIL.

C. FRED. What countrymen were your ancestors, Sir Abraham?

ABRA. Countrymen! they were no countrymen: I scorn it. They were
gentlemen all: my father is a Ninny, and my mother was a Hammer.

CAPT. POUTS. You should be a knocker, then, by the mother's side.

ABRA. I pray, my lord, what is yon gentleman? He looks so like a Saracen
that, as I am a Christian, I cannot endure him.

C. FRED. Take heed what you say, sir; he's a soldier.

PEN. If you cross him, he'll blow you up with gunpowder.

ABRA. In good faith, he looks as if he had had a hand in the
treason.[23] I'll take my leave.

C. FRED. Nay, good Sir Abraham, you shall not leave us.

PEN. My lord shall be your warrant.

ABRA. My lord shall be my warrant? Troth, I do not see that a lord's
warrant is better than any other man's, unless it be to lay one by the
heels. I shall stay here, and ha' my head broke, and then I ha' my
mends in my own hands; and then my lord's warrant will help me to a
plaister, that's all.

C. FRED. Come, come; captain, pray shake the hand of acquaintance with
this gentleman: he is in bodily fear of you.

CAPT. POUTS. Sir, I use not to bite any man.

ABRA. Indeed, sir, that would show you are no gentleman. I would you
would bid me be covered. I am a knight. I was knighted o'purpose to come
a-wooing to Mistress Lucida, the middle sister, Sir John Worldly's
second daughter, and she said she would have me, if I could make her a
lady, and I can do't now. O, here she comes.

_Enter_ SIR JOHN WORLDLY, MASTER STRANGE, KATE, _and_ LUCIDA _with a
   willow garland_.

C. FRED. My bride will never be ready, I think. Here are the other
sisters.

PEN. Look you, my lord: there's Lucida wears the willow garland for you,
and will so go to church, I hear. And look you, captain, that's the
merchant.

    ABRA. Now doth the pot of love boil in my bosom:
    Cupid doth blow the fire; and----
    I cannot rhyme to bosom; but I'll go reason with her.

SIR J. WOR. You'll make her jointure of that five hundred, you say, that
is your inheritance, Master Strange?

    STRANGE. Sir, I will.

    SIR J. WOR. Kate, do you love him?

    KATE. Yes, faith, father, with all my heart.

    SIR J. WOR. Take hands: kiss him. Her portion is four thousand.
    Good morrow, my son Count: you stay long for your bride;
    But this is the day that sells her, and she
    Must come forth like my daughter and your wife.
    I pray, salute this gentleman as your brother;
    This morn shall make him so, and though, his habit
    But speak him citizen, I know his worth
    To be gentle in all parts. Captain!

    CAPT. POUTS. Sir.

    SIR J. WOR. Captain, I could have been contented well,
    You should have married Kate.

    KATE. So could not Kate.      [_Aside._]

    SIR J. WOR. You have an honourable title.
    A soldier is a very honourable title:
    A captain is a commander of soldiers;
    But look you, captain; captains have no money;
    Therefore the Worldlys must not match with captains.

    CAPT. POUTS. So, sir, so.

    SIR J. WOR. There are brave wars.

    CAPT. POUTS. Where?

    SIR J. WOR. Find them out, brave captain.
    Win honour and get money; by that time
    I'll get a daughter for my noble captain.

    CAPT. POUTS. Good, sir, good.

    SIR J. WOR. Honour is honour, but it is no money.
    This is the tumbler, then, must catch the coney.
                                                   [_Aspiciens_ STRANGE.

    CAPT. POUTS. Thou art an old[24] fellow. Are you a merchant, sir?

    STRANGE. I shame not to say yes. Are you a soldier, sir?

    ABRA. A soldier, sir? O God! Ay, he is a captain.

    STRANGE. He may be so, and yet no soldier, sir;
    For as many are soldiers, that are no captains,
    So many are captains, that are no soldiers.

    CAPT. POUTS. Right, sir: and as many are citizens that are no
    cuckolds----

    STRANGE. So many are cuckolds that are no citizens. What ail you,
    sir, with your robustious looks?

    CAPT. POUTS. I would be glad to see for my money: I have paid for my
    standing.

    STRANGE. You are the nobler captain, sir;
    For I know many that usurp that name,
    Whose standings pay for them.

    CAPT. POUTS. You are a peddler.

    STRANGE. You are a pot-gun.

    CAPT. POUTS. Merchant, I would thou hadst an iron tail,
    Like me.

    C. FRED. Fie, captain! You are to blame.

    PEN. Nay, God's will! You are to blame indeed, if my lord say so.

    CAPT. POUTS. My lord's an ass, and you are another.

    ABRA. Sweet Mistress Luce, let you and I withdraw:
    This is his humour. Send for the constable!

    CAPT. POUTS. Sirrah, I'll beat you with a pudding on the 'Change.

    STRANGE. Thou dar'st as well kiss the wide-mouthed cannon
    At his discharging, as perform as much
    As thou dar'st speak; for, soldier, you shall know,
    Some can use swords, that wear 'em not for show.

KATE. Why, captain, though ye be a man of war, you cannot subdue
affection. You have no alacrity in your eye, and you speak as if you
were in a dream. You are of so melancholy and dull a disposition, that
on my conscience you would never get children; nay, nor on my body
neither; and what a sin were it in me, and a most pregnant sign of
concupiscence, to marry a man that wants the mettle of generation, since
that is the blessing ordained for marriage, procreation the only end of
it. Besides, if I could love you, I shall be here at home, and you in
Cleveland abroad--I among the bold Britons, and you among the hot-shots.

    SIR J. WOR. No more puffing, captain;
    Leave batteries with your breath: the short is this.
    This worthy count this morning makes my son,
    And with that happy marriage this proceeds.
    Worldly's my name, worldly must be my deeds.

    CAPT. POUTS. I will pray for civil wars, to cut thy throat
    Without danger, merchant. I will turn pirate,
    But I'll be reveng'd on thee.

    STRANGE. Do, captain, do:
    A halter will take up our quarrel then.

    CAPT. POUTS. 'Swounds! I'll be reveng'd upon ye all!
    The strange adventure thou art now to make
    In that small pinnace, is more perilous
    Than any hazard thou could'st undergo.
    Remember, a scorn'd soldier told thee so.     [_Exit_ CAPTAIN POUTS.

    STRANGE. Go, walk the captain, good Sir Abraham.

    ABRA. Good faith, sir, I had rather walk your horse.
    I will not meddle with him. I would not keep
    Him company in his drink for a world.

    SIR J. WOR. But
    What good do you, Sir Abraham, on my daughter?
    I could be e'en content, my Lucida
    Would skip your wit and look upon your wealth,
    And this one day let Hymen crown ye all.

    ABRA. O no, she laughs at me and scorns my suit:
    For she is wilder and more hard withal,
    Than beast or bird, or tree, or stony wall.

    KATE. Ha! God-a-mercy, old Hieronimo.[25]

    ABRA. Yet she might love me for my lovely eyes.

    C. FRED. Ay, but perhaps your nose she doth despise.

    ABRA. Yet might she love me for my dimpled chin.

    PEN. Ay, but she sees your beard is very thin.

    ABRA. Yet might she love me for my proper body.

    STRANGE. Ay, but she thinks you are an errant noddy.

    ABRA. Yet might she love me, 'cause I am an heir.

    SIR J. WOR. Ay, but perhaps she doth not like your ware.

    ABRA. Yet might she love me in despite of all.

    LUC. Ay, but indeed I cannot love at all.

    SIR J. WOR. Well, Luce, respect Sir Abraham, I charge you.

    LUC. Father, my vow is pass'd: whilst the earl lives,
    I ne'er will marry, nor will pine for him.
    It is not him I love now, but my humour;
    But since my sister he hath made his choice,
    This wreath of willow, that begirds my brows,
    Shall never cease to be my ornament,
    'Till he be dead, or I be married to him.

    PEN. Life! my lord; you had best marry 'em all three. They'll never
    be content else.

    C. FRED. I think so, too.

    SIR J. WOR. These are impossibilities. Come, Sir Abraham.
    A little time will wear out this rash vow.

    ABRA. Shall I but hope?

    LUC. O, by no means. I cannot endure these round breeches: I am
    ready to swoon at them.

    KATE. The hose are comely.

    LUC. And then his left leg: I never see it, but I think on a
    plum-tree.

    ABRA. Indeed, there's reason there should be some difference in my
    legs, for one cost me twenty pounds more than the other.

    LUC. In troth, both are not worth half the money.

    C. FRED. I hold my life, one of them was broke, and cost so much the
    healing.

    ABRA. Right hath your lordship said; 'twas broke indeed
    At foot-ball in the university.

    PEN. I know he is in love by his verse-vein.

    STRANGE. He cannot hold out on't: you shall hear.

    ABRA. Well, since I am disdain'd, off garters blue!
    Which signify Sir Abram's love was true;
    Off, cypress black! for thou befits not me;
    Thou art not cypress of the cypress-tree,
    Befitting lovers. Out, green shoe-strings, out!
    Wither in pocket, since my Luce doth pout.
    Gush, eyes; thump, hand; swell, heart; buttons, fly open!
    Thanks, gentle doublet, else my heart had broken.
    Now to thy father's country house at Babram
    Hide post; there pine and die, poor, poor Sir Abram.

    OMNES. O doleful dump!                         [_Music plays._

    SIR J. WOR. Nay, you shall stay the wedding. Hark, the music!
    Your bride is ready.

    C. FRED. Put spirit in your fingers! louder still,
    And the vast air with your enchantments fill.   [_Exeunt omnes._


FOOTNOTES:

  [10] An allusion (one out of hundreds in our old plays) to "The
  Spanish Tragedy," act iii., where Hieronimo finds a letter, and taking
  it up, exclaims--

      "What's here? A letter! Tush, it is not so--
      A letter written to Hieronimo."

  --[v. 68.]

  [11] [Advice.]

  [12] [Old copy, _again_.]

  [13] [Old copy, _doubt on_.]

  [14] [Old copy, _as_.]

  [15] Cotgrave tells us that "_piccadilles_ are the several divisions
  or pieces fastened together about the brim of the collar of a
  doublet." They are mentioned over and over again in old plays, as by
  Field himself (probably) in "The Fatal Dowry," act iv. sc. 1: "There's
  a shoulder-piece cut, and the base of a _pickadille_ in _puncto_." A
  _pickadel_ is spoken of in "Northward Ho!" sig. D 3, as part of the
  dress of a female. See Gifford's Ben Jonson, v. 55, for the origin and
  application of the word.

  [16] A place notorious for prostitutes, often mentioned.

  [17] [Ordered them to be made, not being a poet or verse writer
  himself. Old copy, _commend_.]

  [18] [Usually, a kind of sausage; but here it seems to have an
  indelicate sense, which may be readily conjectured.]

  [19] From this passage it should seem that Italian tailors in Field's
  time wore peculiarly wide and stiff ruffs, like a _wheel_ of lace
  round their necks. Nothing on the point is to be found in R. Armin's
  "Italian Taylor and his Boy," 1609. The Tailor in "Northward Ho!"
  1607, sig. D 3, speaks of "a Cathern (Katherine) _wheel_ farthingale,"
  but the farthing-gale was a hoop for the petticoats.

  [20] [_Backyard_ usually, but here the phrase seems to mean rather a
  house in the rear.]

  [21] The old stage direction here is only _Exit Inno_.

  [22] _Bombard_ strictly means a piece of artillery, but it was
  metaphorically applied to large vessels containing liquor: in this
  sense it may be frequently found in Shakespeare and other dramatists
  of his day.

  [23] _i.e._, The gunpowder treason of 5th Nov. 1605.

  [24] [Meaning, a character. _Old_ is frequently used in this sort of
  sense.]

  [25] Sir Abraham quotes from "The Spanish Tragedy," and Kate detects
  his plagiarism; [but the passage in that drama is itself a quotation.
  See vol. v.p. 36.]



ACT II., SCENE 1.


_Enter_ NEVILL, _like a parson_.

    NEV. Thus for my friend's sake have I taken orders,
    And with my reason and some hire beside
    Won the known priest, that was to celebrate
    This marriage, to let me assume his place;
    And here's the character of his face and beard.
    By this means, when my friend confronts the maid
    At the church-door (where I appointed him
    To meet him like myself; for this strange shape
    He altogether is unwitting of),
    If she (as one vice in that sex alone
    Were a great virtue) to inconstancy past
    Join impudency, and slight him to his face,
    Showing a resolution to this match,
    By this attempt it will be frustrate,
    And so we have more time, though but 'till night,
    To work, to speak with her, or use violence;
    For both my blood and means are at his service.
    The reason, too, I do this past his knowledge
    Is, that his joy may be the more complete;
    When being resolv'd she's married and gone,
    I can resolve him otherwise. Thus I know
    Good deeds show double that are timely done,
    And joy that comes past expectation.

_Enter_ SCUDMORE _in tawny_.

    Yonder he comes, dead in his melancholy.
    I'll question him, and see if I can raise
    His spirit from that it restless rests upon:
    He cannot know me. Ho! good morrow, sir.

    SCUD. Good morrow to no living thing but one,
    And that is Nevill. O, the vows, the vows,
    The protestations and becoming oaths,
    Which she has utter'd to me!--so sweet, so many,--
    As if she had been covetous not to leave
    One word for other lovers, which I pitied:
    She said indeed I did deserve 'em all.
    Her lips made swearings sound of piety,
    So sweet and prettily they came from her;
    And yet this morn she's married to a lord.
    Lord! lord! how often has she kiss'd this hand,
    Lost herself in my eyes, play'd with my hair,
    And made me (a sin I am not subject to)
    Go away proud, improved by her favours;
    And yet this morn she's married to a lord--
    The bells were ringing as I came along.

    NEV. Yes, sir; 'tis for the great marriage 'twixt----

    SCUD. Pray, hold there; I know it too-too well.
    The tokens and the letters I have still.
    The dangers I have pass'd for her dear sake
    By day and night, to satisfy her wishes!
    That letter I so lately did receive,
    And yet this morn she's married to a lord!
    O memory, thou blessing to all men,
    Thou art my curse and cause of misery,
    That tell'st me what I have been in her eyes,
    And what I am! As it is impossible
    To find one good in the whole world of women--
    But how I lose myself and the remembrance
    Of my dear friend who said he would meet me here.
    What is this priest, that walks before the church?
    Why walk you here so early, sir?

    NEV. I am appointed
    Here to attend the coming of the brides,
    Old Sir John Worldly's daughters.

    SCUD. Are there two?

    NEV. Yes, sir: the eldest marries Count Frederick.

    SCUD. O!

    NEV. The middlemost wears willow for his sake;
    The youngest marries the rich merchant Strange.

    SCUD. He is right worthy, and my well-known friend.
    But, parson, if you marry Bellafront,
    The horror of thy conscience shall exceed
    A murderer's. Thou shalt not walk alone,
    Nor eat nor sleep, but a sad lover's groans
    And curses shall appear and fright thy soul.
    I tell thee, priest, they're sights more terrible
    Than ghosts or sprites, of which old wives tell tales.
    Thou shalt run mad! thou shalt be damn'd indeed!

    NEV. Now God forfend! the reason, sir, I pray?

    SCUD. She is contracted, sir--nay, married
    Unto another man, though it want form:
    And such strange passages and mutual vows,
    'Twould make your short hair start through your black cap
    Should you but hear it!

    NEV. Sir, I'll take no notice
    Of things I do not know: the injur'd gentleman
    May bring 'em after into the spiritual court,
    And have a fair pull on't--a poor gentleman
    (For so I take him by his being deceiv'd)
    'Gainst a great count and an old wealthy knight.

    SCUD. Thou Pancridge parson![26] O, for my friend Nevill!
    Some wile or other might remove this priest,
    And give us[27] breathing to cross their intent.     [_Aside._

    NEV. Alas! my dear friend.                           [_Aside._

    SCUD. Sir, do but you refuse to join them.

    NEV. Upon what acquaintance, sir?
    They are great persons, and I mean to rise:
    I hope in time to have three livings, man;
    And this were not the way, I take it, sir.

    SCUD. Why, look thee; there is gold.

    NEV. O, by no means.

    SCUD. I seldom knew't refus'd yet by thy coat,
    But where it would have been a cause of good.

    NEV. But look ye; you shall see, I'm a divine
    Of conscience quite opposite to a lawyer:
    I'll give you counsel, sir, without a fee.
    This way they are to come; if you dare do't,
    Challenge her as your own at the church-door:
    I will not hinder you.                         [_Music plays._

    SCUD. O, hark! they come.
    Nevill, my friend! well, I must something do.
    O, why should music, which joys every part,
    Strike such sharp killing discords to my heart!

_Music. Enter_ SIR JOHN WORLDLY, _who meets the parson, and entertains
him_; COUNT FREDERICK, BELLAFRONT, STRANGE, KATHERINE, LUCIDA _with
willow_; PENDANT, SIR INNOCENT NINNY, LADY NINNY, MRS WAGTAIL, SIR
ABRAHAM _melancholy_. W.P.[28] _walk gravely afore all softly on_.
SCUDMORE _stands before, and a boy sings to the tuned music_.

_The Song._

    _They that for worldly wealth do wed,
    That buy and sell the marriage-bed,
    That come not warm'd with the true fire,
    Resolv'd to keep this vow entire,
        Too soon find discontent:
        Too soon shall they repent.
    But, Hymen, these are no such lovers,
    Which thy burning torch discovers.
    Though they live, then, many a year,
    Let each day as new appear
        As this first; and delights
        Make of all bridal nights.
    Iö, Hymen! give consent
    Bless'd are the marriages that ne'er repent._

    C. FRED. How now! who's this?

    PEN. Young Scudmore.

    OMNES. 'Tis young Scudmore!

    SCUD. Canst thou this holy church enter a bride,
    And not a corse, meeting these eyes of mine?

    BEL. Yes, by my troth: what are your eyes to me,
    But grey ones, as they are to everybody.
    [_To the rest._] The gentleman I do a little know:
    He's frantic, sure! Forward, a' God's name, there!

    LUC. Sister, this is not well, and will be worse.

    SCUD. O, hold thy thunder fast!

    C. FRED. What is the matter?

    PEN. I'll ask, my lord. What is the matter, sir?

    SIR J. WOR. Some idle words, my lord, 't may be, have pass'd
    'Twixt Scudmore and my daughter heretofore;
    But he has dreamt 'em things of consequence.

    PEN. Pish! nothing else? set forward.

    NEV. By your leave.

    SCUD. Can there be such a soul in such a shape?
    My love is subject of such misery,
    Such strange impossibilities and misfortune,
    That men will laugh at me, when I relate
    The story of it, and conceive I lie.
    Why, madam that shall be--lady in _posse_--do titles,
    Honours, and fortunes make you so forgetful?

    BEL. You are insolent--nay, strangely saucy, sir,
    To wrong me in this public fashion.

    SIR. J. WOR. Sirrah, go to: there's law.

    SCUD. There is, indeed,
    And conscience too: old Worldly, thou hast one;
    But for the other, wild Virginia,
    Black Afric, or the shaggy Scythia,
    Must send it over as a merchandise,
    Ere thou show any here.

    PEN. My honour'd lord,
    Say but the word, I'll force him from the door.

    C. FRED. I say the word: do it.

    SCUD. You, my lord's fine fool!

    ABRA. Ay, he, sir?

    SCUD. No! nor you, my lord's fool's fool.

    SIR INN. 'Ware, boy: come back.

    L. NIN. Come back, I say, Sir Abraham.

    STRANGE. 'Tis such a forward child.    [_Intrant Templum._[29]

    SCUD. My passion and my cause of griefs so great,
    That it hath drown'd all worthy parts in me;
    As drink makes virtue useless in a man,
    And with too much kills natural heat in him,
    Or else I could not stand thus coldly tame,
    And see them enter, but with my drawn sword
    Should hale her by the hair unto the altar.
    And sacrifice her heart to wronged love.             [_Aside._

    KATH. On my life, it is so.[30]

    STRANGE. Worthy friend,
    I am exceeding sorry to see this,
    But cannot help it.

    SCUD. I'll follow, and unfold all in the church.
    Alas! to what end, since her mind is chang'd?
    Had she been loyal, all the earthly lords
    Could not have borne her so! what heinous sin
    Hath she committed, God should leave her then?
    I never dreamt of lying with my mother,
    Nor wish'd my father's death, nor hated brothers;
    Nor did betray trust, nor lov'd money better
    Than an accepted friend--no such base thought
    Nor act unnatural possess'd this breast.
    Why am I thus rewarded?--women! women!
    He's mad, by heaven, that thinks you anything
    But sensual monsters, and is never wise
    Nor good, but when he hates you, as I now.
    I'll not come near one--none of your base sex
    Shall know me from this time; for all your virtues
    Are like the buzzes[31] growing in the fields,
    So weakly fasten'd t' ye by nature's hand,
    That thus much wind blows all away at once.
    Ye fillers of the world with bastardy,
    Worse than diseases ye are subject to,
    Know, I do hate you all: will write against you,
    And fight against you: I will eat no meat
    Dress'd by a woman, old or young, nor sleep
    Upon a bed made by their stallion[32] hands.
    Yet once more I will see this feminine devil,
    When I will look her dead, speak her to hell!
    I'll watch my time this day to do't, and then
    I'll be in love with death, and readier still
    His mortal stroke to take, than he to kill.
                                       [_Cornets. Exit_ SCUDMORE.

_Loud music. Enter, as from the church_, SIR JOHN WORLDLY, NEVILL, _like
the parson_; COUNT FREDERICK, BELLAFRONT, STRANGE, KATHERINE; SIR
INNOCENT NINNY, LADY NINNY, SIR ABRAHAM; LUCIDA, WAGTAIL, PENDANT.

    C. FRED. Sweet is the love purchas'd with difficulty.

    BEL. Then, this cross accident doth relish ours.

    STRANGE. I rather think ours happier, my fair Kate, Where all is
    smooth, and no rub checks our course.

    _Enter_ CAPTAIN POUTS.

    CAPT. POUTS. Are ye married?

    C. FRED. Yes.

CAPT. POUTS. The devil dance at your wedding! But for you, I have
something else to say. Let me see: here are reasonable good store of
people. Know, all my beloved brethren (I speak it in the face of the
congregation), this woman I have lain with oftener----

OMNES. How!

L. NIN. Before God, you are a wicked fellow to speak on't in this
manner, if you have.

    STRANGE. Lain with her?

    CAPT. POUTS. Yes. Good morrow. God give ye joy.
                                            [_Exit_ CAPTAIN POUTS.

    SIR J. WOR. I am speechless with my anger. Follow him!
    If it be true, let her be prov'd a whore:
    If false, he shall abide the slander dearly.

    ABRA. Follow that list: I will not meddle with him.

    SIR J. WOR. Why speak'st not thou to reconcile those looks,
    That fight stern battles in thy husband's face?

    KATH. Thou art not so unworthy to believe him.
    If I did think thou didst, I would not open
    My lips to satisfy so base a thought,
    Sprung from the slander of so base a slave.

    STRANGE. It cannot be! I'll tell you by to-morrow.
    I am no fool, Kate. I will find some time
    To talk with this same captain. Pouts d'ye call him?
    I'll be wi' ye to-night.

    KATH. Sir, you shall not.
    What stain my honour hath received by this
    Base villain, all the world takes notice of.
    Mark what I vow, and if I keep it not,
    May I be so given o'er, to let this rogue
    Perform his slander. Thou that wert ordained,
    And in thy cradle mark'd to call me wife,
    And in that title made as my defence,
    Yet sufferedst him to go away with life,
    Wounding my honour dead before thy face;
    Redeem it on his head, and his own way,
    Ev'n by the sword, his long profession,
    And bring it on thy neck out of the field,
    And set it clear amongst the tongues of men,
    That all eyes may discern it slandered,
    Or thou shalt ne'er enjoy me as a wife.
    By this bright sun, thou shalt not! Nay, I'll think
    As abjectly of thee as any mongrel
    Bred in the city: such a citizen
    As the plays flout still, and is made the subject
    Of all the stages. Be this true or no,
    'Tis thy best course to fight.

    SIR J. WOR. Why, Kate, I say----

    KATH. Pray, pardon me: none feels the smart but I.
    'Tis thy best course to fight: if thou be'st still,
    And like an honest tradesmen eat'st this wrong,
    O, may thy spirit and thy state so fall,
    Thy first-born child may come to the hospital.

    STRANGE. Heaven, I desire thee, hear her last request,
    And grant it too, if I do slack the first!
    By thy assured innocency I swear,
    Thou hast lost me half the honour I shall win
    In speaking my intent. Come, let's to dinner.

    KATH. I must not eat nor sleep, [but] weep,
    Till it be done.

    BEL. Sister, this resolution is not good:
    Ill thrives that marriage that begins in blood.

    KATH. Sister, inform yourself I have no ladyship
    To gild my infamy, or keep tongues in awe.
    If God love innocency, I am sure
    He shall not lose in this action.

    STRANGE. Nor is't the other's life
    Can give her to the world my perfect wife,
    But what I do conceive. It is not blood, then,
    Which she requires, but her good name again;
    And I will purchase it; for, by heaven, thou art
    The excellent'st new-fashion'd maid in this,
    That ever ear shall hear a tale told of.

    OMNES. But hear ye.

    STRANGE. Good [people], save your labours, for by heaven
    I'll do it: if I do't not, I shall be pointed at,
    Proclaim'd the grand rich cuckold of the town;
    Nay, wittol, even by them are known for both.

    SIR J. WOR. Take your revenge by law.

    STRANGE. It will be thought
    Your greatness and our money carries it:
    For some say some men on the back of law
    May ride and rule it like a patient ass,
    And with a golden bridle in the mouth
    Direct it unto anything they please.
    Others report it is a spider's web,
    Made to entangle the poor helpless flies,
    Whilst the great spiders that did make it first,
    And rule it, sit i' th' midst secure, and laugh.
    My law in this shall only be my sword;
    But, peradventure, not this month or two.

    KATH. This month or two?

    C. FRED. I'll be your second, then.

    STRANGE. You proffer too much honour, my good lord.

    PEN. And I will be your third.

    ABRA. I'll not be fourth or fifth,
    For the old proverb's good, which long hath been,
    Says safest 'tis sleeping in a whole skin.

    LUC. God-a-mercy, Nab, I'll ha' thee, and be but for thy manhood.

    SIR INN. Wife, my Lady Ninny, do you hear your son? He speaks
    seldom, but when he speaks----

    LUC. He speaks proverbs, i' faith.

    L. NIN. O, 'tis a pestilence knight, Mistress Lucida.

    LUC. Ay, and a pocky.

    KATH. This month or two! D'ye love me? not before?
    It may be I will live so long Fame's whore!
                                                [_Exit_ KATHERINE.

    SIR J. WOR. What lowering star rul'd my nativity!
    You'll come to dinner?

    STRANGE. Yes.

    C. FRED. Good morrow, brother.
    Come, let's be merry in despite of all,
    And make this day (as't should be) festival.

    SIR J. WOR. This sour thwart beginning may portend
    Good, and be crown'd with a delicious end.
                                        [_Exeunt all but_ STRANGE.

    STRANGE. So; I'll not see you, till my task be done:
    So much false time I set to my intent,
    Which instantly I mean to execute,
    To cut off all means of prevention,
    Which if they knew my day, they would essay.
    Now for the merchant's honour. Hit all right:
    Kate, your young Strange will lie with you to-night.    [_Exit._

_Enter WAGTAIL; the_ PAGE, _stealing after her, conceals himself_.

WAG. What a stir is here made about lying with a gentlewoman! I have
been lain with a hundred, and a hundred times, and nothing has come
on't! but--hawk, hum! hawk, hum! O, O! Thus have I done for this month
or two--hawk, hum! [_Coughs and spits._]

PAGE. Ah! God's will, are you at it? You have acted your name too much,
sweet Mistress Wagtail. This was wittily, though somewhat knavishly
followed on me.

WAG. Umph! O' my conscience, I am peppered. Well, thou tumblest not for
nothing, for he dances as well that got thee, and plays as well on the
viol, and yet he must not father thee. I have better men. Let me
remember them, and here, in my melancholy, choose out one rich enough
to reward this my stale virginity, or fit enough to marry my little
honesty. Hawk, hawk! [_Coughs and spits._]

PAGE. She has a shrewd reach, I see that. What a casting she keeps.
Marry, my comfort is, we shall hear by and by who has given her the
casting-bottle.

WAG. Hawk, hawk, hawk! bitter, bitter! Pray God, I hurt not the babe.
Well, let me see, I'll begin with knights: _imprimis_, Sir John
Do't-well and Sir William Burn-it.

PAGE. A hot knight, by my faith; Do't-well and Burn-it too.

WAG. For old Sir Innocent Ninny, my master, if I speak my conscience,
look ye, I cannot directly accuse him. Much has he been about, but done
nothing. Marry, for Sir Abraham, I will not altogether 'quit him. Let me
see, there's four knights: now for gentlemen----

PAGE. And so she'll come down to the footmen.

WAG. Master Love-all, Master Liveby't, and Master Pendant. Hawk, hi'up,
hi'up!

PAGE. By this light, I have heard enough. Shall I hold your belly too,
fair maid of the fashion? [_Comes forward._

WAG. What say ye, Jack Sauce?

PAGE. O fie, ill-mutton! you are too angry. Why, look ye; I am my lord's
page, and you are my lady's gentlewoman: we should agree better; and I
pray, whither are you riding with this burthen in your dosser.[33]

WAG. Why, sir, out of town. I hope 'tis not the first time you have seen
a child carried out of town in a dosser for fear of the plague.

PAGE. You have answered me, I promise you: but who put it in, I pray?

WAG. Not you, sir, I know, by your asking.

PAGE. I, alas! I know that by my talent; for I remember thus much
philosophy of my school-masters, _ex nihilo nihil fit_. But come,
setting this duello of wit aside, I have overheard your confession and
your casting about for a father, and in troth, in mere charity, came in
to relieve you. In the scroll of beasts, horses and asses, that have fed
upon this common of yours, you named one Pendant: faith, wench, let him
be the father. He is a very handsome gentleman, I can tell you, in my
lord's favour. I'll be both secret and your friend to my lord. Let it be
him; he shall either reward thee bountifully, or marry thee.

WAG. Sir, you speak like an understanding young gentleman, and I
acknowledge myself much bound to you for your counsel.

PEN. (_Within_). Will, Will!

PAGE. My lord hath sent him to call me. Now I hold a wager on't, if thou
be'st not a fool, as most waiting-women are, thou'lt use him in his
kind.

_Enter_ PENDANT.

PEN. Why, Will, I say! Go; my lord calls extremely.

PAGE. Did not I say so? Come, this is but a trick to send me off, sir.

                                                     [_Exit_ PAGE.

    PEN. A notable little rascal.
    Pretty Mistress Wagtail, why d'ye walk so melancholy?
    I sent him hence o' purpose. Come, shall's do?

    WAG. Do! what would you do? You have done too much already.

    PEN. What's the matter?

    WAG. I am with child by you.

    PEN. By me? Why, by me? A good jest, i' faith.

    WAG. You'll find it, sir, in earnest.

    PEN. Why, do you think I am such an ass to believe nobody has
    meddled with you but I?

    WAG. Do you wrong me so much to think otherwise?
    Thus 'tis for a poor damsel like myself
    To yield her honour and her youth to any,
    Who straight conceives she does so unto many:
    And as I have a soul to save, 'tis true.

PEN. Pray, do not swear. I do not urge you to't. 'Swounds, now I am
undone! You walk somewhat round. Sweetheart, has nobody been tampering
with you else? Think on't, for by this light, I am not worth the estate
of an apple-wife. I do live upon commending my lord, the Lord of Hosts
knows it, and all the world besides. For me to marry thee will undo thee
more,

    And that thou may'st keep me, keep thee in fashion,
    Sell thee to English, French, to Scot, and all,
    Till I have brought thee to an hospital;
    And there I leave you. Ha' you not heard nor read
    Of some base slave that, wagging his fair head,
    Does whistling at one end of his shop-walk,
    Whilst some gay man doth vomit bawdy talk
    In his wife's ears at the other? Such a rogue

Or worse shall I be; for look ye, Mistress Wagtail, I do live like a
chameleon upon the air, and not like a mole upon the earth. Land I have
none. I pray God send me a grave, when I am dead.

WAG. It's all one. I'll have you for your qualities.

PEN. For my good ones, they are altogether unknown, because they have
not yet been seen, nor ever will be, for they have no being. In plain
terms, as God help me, I have none.

WAG. How came you by your good clothes?

PEN. By undoing tailors; and then, my lord (like a snake) casts a suit
every quarter, which I slip into: therefore thou art worse than mad if
thou wilt cast away thyself upon me.

WAG. Why, what 'mends will you make me? can you give me some sum of
money to marry me to some tradesman, as the play says?

PEN. No, by my troth. But tell me this, has not Sir Abraham been
familiar with you?

WAG. Faith, not enough to make up a child.

PEN. Couldst be content to marry him?

WAG. Ay, by my troth, and thank ye, too.

PEN. Has he but kissed thee?

WAG. Yes; and something more beside that.

PEN. Nay, and there ha' been any jot of the thing, beside that, I'll
warrant thee, lay the child to him--

    Stand stifly to it, leave the rest to me;
    By that fool thou shalt save thy honesty.           [_Exeunt._


FOOTNOTES:

  [26] Or "Pancras parson," a term of contempt for the convenient
  clergymen of that day.

  [27] The old copy reads, _And give up breathing to cross their
  intent_.

  [28] What is the meaning of these initials must be left to the
  conjecture of the reader: perhaps _waits playing_, in reference to the
  attendant musicians.

  [29] _i.e._, All but Kate, Strange, and Scudmore enter the church.
  Strange and Kate follow immediately, and leave Scudmore _solus_.

  [30] [Referring to what Strange has said a little before, not to
  Scudmore's speech, which is spoken aside.]

  [31] [Gossamers.]

  [32] [Old copies and former edits., _still given_, which appears to be
  meaningless. The word substituted is not satisfactory, but it is the
  most likely one which has occurred to me, and the term is employed by
  our old playwrights rather more widely than at present.]

  [33] _Dosser_ is used for a basket generally, but as it means
  strictly a pannier for the back (from the Fr. _dossier_), it is here
  used very inappropriately with reference to the burden Mrs Wagtail
  carries before her. We have it in the modern sense of pannier in "The
  Merry Devil of Edmonton"--

      "The milkmaids' cuts shall turn the wenches off,
      And lay their _dossers_ tumbling in the dust."

  --[x. 224.]



ACT III., SCENE I.


_Enter_ STRANGE, _knocking at a door_.

STRANGE. Lies Captain Pouts here, pray?

_Enter a_ SERVINGMAN.

SER. Sir, he does.

STRANGE. I prythee, tell him here's a gentleman would speak with him.

SER. What may I call your name, sir?

STRANGE. No matter for my name.

SER. Troth, sir, the Captain is somewhat doubtful of strangers; and
being, as most captains are, a little in debt, I know he will not speak
with you, unless you send your name.

    STRANGE. Tell him my name is Strange; that I am come
    About that business he spake of to-day.       [_Exit_ SERVANT.
    To have sent a formal challenge by a gentleman,
    He being to choose his time, might peradventure
    Have made him shift himself the sooner over.

_Enter_ POUTS _above_.

CAPT. POUTS. Sir, I know your business. You are come to serve a warrant
or a citation: I will not speak with you; and get you gone quickly too,
or I may happen send a bullet through your mazzard. [_Exit._

    STRANGE. Strange cross! past expectation! well, I'll try;
    My other course may speed more happily.               [_Exit._


SCENE II.

_Music. Enter with table-napkins_, COUNT FREDERICK, SIR JOHN WORLDLY,
NEVILL, PENDANT, SIR INNOCENT NINNY, LADY NINNY, SIR ABRAHAM. _Servants
with wine, plate, tobacco, and pipes._

    SIR J. WOR. Sir, had you borne us company to church,
    You had been the better welcome.

    C. FRED. Faith, you had; I must needs say so too.

    PEN. And I must needs say as my lord says.

    NEV. Sir John, I thank you and my honour'd lord:
    But I am sorry for this other news
    Concerning Mistress Kate and my good friend.

    SIR J. WOR. Tis certain true: he keeps his word well too!
    He said he would come to dinner.

L. NIN. All we cannot get Mistress Katherine out of her chamber.

SIR J. WOR. O good old woman, she is top-shackled.

L. NIN. 'Tis pestilence sack and cruel claret: knight, stand to me,
knight, I say: up, a cold stomach! give me my aqua-vitæ bottle.

SIR INN. O Guiniver! as I am a justice of peace and quorum, 'twere a
good deed to commit thee. Fie, fie, fie!

ABRA. Why, alas! I cannot help this, and I should be hanged: she'll be
as drunk as a porter. I'll tell you, my lord, I have seen her so be-piss
the rushes, as she has danced at a wedding. Her belly and that aqua-vitæ
bottle have almost undone my father. Well, I think in conscience she is
not my natural-begotten mother.

OMNES. Ha, ha, ha!

NEV. Well said, my wise Sir Abraham.[34]

    C. FRED. O, this music
    And good wine is the soul of all the world.

    SIR J. WOR. Come, will your lordship make one at primero,
    Until your bride come forth?

NEV. You can play well, my lord.

C. FRED. Who, I?

PEN. Who? my lord? the only player at primero i' the court.

ABRA. I'd rather play at bowls.

PEN. My lord's for you for that, too: the only bowler in London that is
not a churchwarden.

NEV. Can he fence well, too, Master Pendant?

PEN. Who? my lord? the only fencer in Christendom. He'll hit you.

ABRA. He shall not hit me, I assure you, now.

NEV. Is he good at the exercise of drinking, sir?

PEN. Who? my lord? the only drunkard i' th' world--drinker, I would say.

ABRA. God-a-mercy for that.

NEV. I would he heard him.

ABRA. I know a better whoremaster than he.

NEV. O fie! no: none so good as my lord.

PEN. Hardly, by'r Lady, hardly.

C. FRED. How now! who's this?

_Enter_ SCUDMORE, _like a servingman, with a letter_.

SIR J. WOR. What would you?

SCUD. I would speak with the Lady Bellafront from the young Lady Lucy.

SIR J. WOR. You had best send in your letter; she is withdrawn.

SCUD. My lady gave me charge of the delivery, And I must do't myself, or
carry it back.

SIR J. WOR. A trusty servant. That way leads you to her.

    C. FRED. This trust in servants is a jewel. Come,
    Let us to bowls i' th' garden.                      [_Exeunt._

    SCUD. Blessed fate!

      [SCUDMORE _passeth one door, and entereth the other, where_
      BELLAFRONT _sits asleep in a chair, under a taffata canopy_.

    SCUD. O thou, whose words and actions seem'd to me
    As innocent as this smooth sleep which hath
    Lock'd up thy powers! Would thou hadst slept, when first
    Thou sent'st and profferedst me beauty and love!
    I had been ignorant, then, of such a loss.
    Happy's that wretch, in my opinion,
    That never own'd scarce jewels or bright sums:
    He can lose nothing but his constant wants;
    But speakless is his plague, that once had store,
    And from superfluous state falls to be poor.
    Such is my hell-bred hap! could nature make
    So fair a superficies to enclose
    So false a heart? This is like gilded tombs,
    Compacted of jet pillars, marble stones,
    Which hide from 's stinking flesh and rotten bones.
    Pallas so sat (methinks) in Hector's tent.
    But time, so precious and so dangerous,
    Why do I lose thee? Madam, my lady, madam.

    BEL. Believe me, my dear friend, I was enforc'd.
    Ha! I had a dream as strange as thou art, fellow.
    How cam'st thou hither? what's thy business?

    SCUD. That letter, madam, tells you.

    BEL. Letter? ha!
    What, dost thou mock me? here is nothing writ.

    SCUD. Can you read anything, then, in this face?

    BEL. O basilisk! remove thee from my sight,
    Or thy heart's blood shall pay thy rash attempt!
    Ho! who attends us there?

    SCUD. Stir not a foot,
    And stop your clamorous acclamations,
    Or, by the bitterness of my fresh wrongs,
    I'll send your ladyship to the devil quick!
    I know the hazard I do undergo,
    And whatsoe'er after becomes of me,
    I'll make you sure first. I am come to speak--
    And speak I will freely--and to bring back
    Your letters and such things you sent; and then
    I'll ne'er see those deceiving eyes again.

    BEL. O, I am sick of my corruption!
    For God's sake, do not speak a word more to me.

    SCUD. Not speak? yes, woman, I will roar aloud:
    Call thee the falsest fair that ever breath'd;
    Tell thee, that in this marriage thou hast drown'd
    All virtue left to credit thy weak sex,
    Which being (as 'twere) committed to thy trust,
    Thou traitorously hast betray'd it thus!
    Did I entice, or ever send thee gifts,
    To allure thee to reflect a beam on me?
    Nay, didst not thou thyself send and invent,
    Past human wit, our means of intercourse?
    Why dost thou then prove base unto thyself,
    Perjur'd and impious? know, the good thou hast lost
    In my opinion, doth outvalue far
    The airy honours thou art married to.

    BEL. O, peace! for you speak sharpness to my soul,
    More torturous than hell's plagues to the damn'd.
    For love's sake, hear me speak!

    SCUD. For love's sake? no:
    Love is my surfeit, and is turn'd in me
    To a disease.

    BEL. Tyrant! my knees shall beg,
    Till they get liberty for my tongue to speak,
    Drown'd, almost, in the rivers of mine eyes.

    SCUD. What canst thou say? art thou not married?

    BEL. Alas! I was enforc'd; first by the threats
    Of a severe father, that in his hand
    Did gripe my fortunes: next to that, the fame
    Of your neglect and liberal-talking tongue,
    Which bred my honour an eternal wrong.

    SCUD. Pish! these are painted causes. Till this morn
    He liv'd not in this land, that durst accuse
    My integrity of such an ignorance.
    But take your letters here, your paper vows,
    Your picture and your bracelets; and if ever
    I build again upon a woman's faith,
    May sense forsake me! I will sooner trust
    Dice or a reconciled enemy: O God!
    What an internal joy my heart has felt,
    Sitting at one of these same idle plays,
    When I have seen a maid's inconstancy
    Presented to the life! how my glad eyes
    Have stole about me, fearing lest my looks
    Should tell the company convented there
    The mistress that I had free of such faults.

    BEL. O, still retain her so! dear Scudmore, hear me.

    SCUD. Retain thee so? it is impossible!
    Art thou not married? 'tis impossible!
    O no! I do despise thee, and will fly
    As far on earth as to the Antipodes,
    And by some learn'd magician, whose deep art
    Can know thy residence on this hemisphere,
    There I'll be plac'd, my feet just against thine,
    To express the opposite nature, which our hearts
    Must henceforth hold.

    BEL. O, rather shoot me, friend,
    Than let me hear thee speak such bitterness!
    O, pity me! redeem me from the hell,
    That in this marriage I am like to feel!
    I'll rather fly to barren wildernesses,
    And suffer all wants with thee, Scudmore, than
    Live with all plenty in this husband's arms.
    Thou shalt perceive I am not such a woman,
    That is transported with vain dignities.
    O, thy dear words have knock'd at my heart's gates,
    And enter'd. They have pluck'd the devil's vizard
    (That did deform this face, and blind my soul)
    Off, and thy Bellafront presents herself,
    Lav'd in a bath of contrite virginal tears:
    Cloth'd in the original beauty that was thine!
    Now, for thy love to God, count this not done:
    Let time go back, and be as when before it,
    Or from thy memory rase it for ever!

    SCUD. Ha, ha! heart! was there ever such strange creatures fram'd?
    Why dost thou speak such foolish, senseless things?
    Can thy forsaking him redeem thy fault?
    No, I will never mend an ill with worse.
    Why, thy example will make women false,
    When they shall hear it, that before were true;
    For after ill examples we do fly,
    But must be vow'd to deeds of piety.
    O woman, woman, woman, woman, woman!
    The cause of future and original sin,
    How happy (had you not) should we have been!
    False, where you kiss, but murdering in your ire;
    Love all can woo, know all men you desire:
    Ungrateful, yet most impudent to crave,
    Torturous as hell, insatiate as the grave:
    Lustful as monkeys, grinning in your ease,
    Whom if we make not idols, we ne'er please:
    More vainly proud than fools, as ignorant;
    Baser than parasites: witches that enchant
    And make us senseless, to think death or life
    Is yours to give, when only our belief
    Doth make you able to deceive us so:
    Begot by drunkards to breed sin and woe;
    As many foul diseases hide your veins,
    As there are mischiefs coin'd in your quick brains:
    Not quick in wit, fit to perform least good,
    But to subvert whole states, shed seas of blood:
    Twice as deceitful as are crocodiles,
    For you betray both ways, with tears and smiles.
    Yet questionless there are as good, as bad.
    Hence! let me go.

    BEL. Hear me, and thou shalt go.
    I do confess I do deserve all this,
    Have wounded all the faith my sex doth owe,
    But will recover it, or pay my life.
    Strive not to go, for you shall hear me first.
    I charge thee, Scudmore, thou hard-hearted man,
    Upon my knees--                                    [_Kneels._]
    Thou most implacable man, since penitence
    And satisfaction too gets not thy pardon,
    I charge thee use some means to set me free,  [_Rises again._]
    Before the revels of this night have end.
    Prevent my entering to this marriage-bed;
    Or by the memory of Lucretia's knife,
    Ere morn I'll die a virgin, though a wife.            [_Exit._

    SCUD. Pish! do: the world will have one mischief less.
                                                          [_Exit._


SCENE III.

_Enter_ SIR ABRAHAM NINNY, _throwing down his bowl_.

    ABRA. Bowl they that list, for I will bowl no more.
    Cupid, that little bowler, in my breast
    Rubs at my heart, and will not let me rest.
                                [_Within: Rub, rub, fly, fly._[35]
    Ay, ay, you may cry _Rub, fly_, to your bowls,
    For you are free: love troubles not your jowls,
    But from my head to heel, from heel to heart:
    Behind, before, and roundabout I smart.
    Then in this arbour, sitting all alone,
    In doleful ditty let me howl my moan.
    O boy![36] leave pricking, for I vail my bonnet:[37]
    Give me but breath, while I do write a sonnet.

_Enter_ PENDANT.

PEN. I have lost my money, and Sir Abraham too. Yonder he sits at his
muse, by heaven, drowned in the ocean of his love. Lord! how he labours,
like a hard-bound poet whose brains had a frost in 'em. Now it comes.

    ABRA. _I die, I sigh_.

    PEN. What, after you are dead? very good.

    ABRA. _I die, I sigh, thou precious stony jewel_.

    PEN. Good; because she is hard-hearted.

    ABRA. _I die_.                                       [_Write._

    PEN. He has died three times, and come again.

    ABRA. ----_I sigh, thou precious stony jewel.
    Wearing of silk, why art thou still so cruel_.       [_Write._

    PEN. O Newington conceit!
    And quieting eke.[38]

    ABRA. _Thy servant, Abraham, sends this foolish ditty_.

    PEN. You say true, in troth, sir.

    ABRA. _Thy servant, Abraham, sends this foolish dit-
    Ty unto thee, pity both him and it_.                 [_Write._

    PEN. _Ty unto thee:_ well, if she do not pity both, 'tis pity she
    should live.

    ABRA. _But if thou still wilt poor Sir Abraham frump,
    Come, grim death, come! here give thy mortal thump_. [_Write._
    So; now I'll read it together.
    _I die, I sigh, thou precious stony jewel,
    O, wherefore wear'st thou silk, yet art so cruel?
    To thee thy Ninny sends this foolish dit-
    Ty, and                pity both him and it._[39]
    _If thou deny, and still Sir Abraham frump,
    Come, grim death, come! here give thy mortal thump._
    Let me see, who shall I get now to set it to a dumpish note.

PEN. In good faith, I do not know; but nobody that is wise, I am sure of
that. It will be an excellent matter sung to the knacking of the tongs.
But to my business. God save thee, worthy and right worshipful Sir
Abraham! what, musing and writing? O, this love will undo us all, and
that made me prevent love, and undo myself. But what news of Mistress
Lucida? ha! will she not come off, nor cannot you come on, little
Abraham?

ABRA. Faith, I have courted her, and courted her; and she does, as
everybody else does, laughs at all I can do or say.

PEN. Laughs; why that's a sign she is pleased. Do you not know, when a
woman laughs, she's pleased?

ABRA. Ay, but she laughs most shamefully and most scornfully.

PEN. Scornfully! hang her, she's but a bauble.

ABRA. She's the fitter for my turn, sir; for they will not stick to say,
I am a fool, for all I am a knight.[40]

PEN. Love has made you witty, little Nab; but what a mad villain art
thou, a striker, a fiftieth part of Hercules, to get one wench with
child, and go a-wooing to another.

ABRA. With child! a good jest, i' faith: whom have I got with child?

PEN. Why, Mistress Wagtail is with child, and will be deposed 'tis
yours. She is my kinswoman, and I would be loth our house should suffer
any disgrace in her; if there be law in England, which there should be,
if we may judge by their consciences, or if I have any friends, the
wench shall take no wrong. I cannot tell: I think my lord will stick to
me.

ABRA. D'ye hear? talk not to me of friends, law, or conscience: if your
kinswoman say she is with child by me, your kinswoman is an errant
whore. Od's will, have you nobody to put your gulls upon but knights?
That Wagtail is a whore, and I'll stand to it.

PEN. Nay, you have stood to it already. But to call my cousin whore! you
have not a mind to have your throat cut, ha' you?

ABRA. Troth, no great mind, sir.

    PEN. Recant your words, or die.            [_Draws his sword._

    ABRA. Recant? O, base! out, sword, mine honour keep:
    Love, thou hast made a lion of a sheep.

PEN. But will you fight in this quarrel?

ABRA. I am resolved.

PEN. Heart! I have pulled an old house over my head: here's like to be a
tall fray. I perceive a fool's valianter than a knave at all times.
Would I were well rid of him: I had as lief meet Hector, God knows, if
he dare fight at all: they are all one to me; or, to speak more
modernly, with one of the roaring boys. [_Aside._

ABRA. Have you done your prayers?

PEN. Pray give me leave, sir: put up, an't please you. Are you sure my
cousin Wagtail is a whore?

ABRA. With sword in hand I do it not recant.

PEN. Well, it shall never be said Jack Pendant would venture his blood
in a whore's quarrel. But, whore or no whore, she is most desperately in
love with you: praises your head, your face, your nose, your eyes, your
mouth: the fire of her commendations makes the pot of your good parts
run over; and to conclude, if the whore have you not, I think the pond
at Islington will be her bathing-tub, and give an end to mortal misery.
But if she belie you----pray, put up, sir; she is an errant whore, and
so let her go.

ABRA. Does she so love me, say you?

PEN. Yes, yes: out of all question, the whore does love you abominable.

    ABRA. No more of these foul terms: if she do love me,
    That goes by fate, I know it by myself.
    I'll not deny but I have dallied with her.

    PEN. Ay, but hang her, whore; dallying will get no children.

    ABRA. Another _whore_, and draw! Where is the girl?

    PEN. Condoling her misfortune in the gallery;
    Upon the rushes sitting all alone,
    And for Sir Abraham's love venting her moan.

    ABRA. I know not what to say: fate's above all.
    Come, let's go overbear her. Be this true,
    Welcome, my Wagtail: scornful Luce, adieu.            [_Exit._

    PEN. One way it takes yet. 'Tis a fool's condition,
    Whom none can love, out of his penury
    To catch most greedily at any wench
    That gives way to his love, or feigns her own
    First unto him: and so Sir Abraham now,
    I hope, will buy the pool where I will fish.
    Thus a quick knave makes a fat fool his dish.         [_Exit._

_Enter_ CAPTAIN POUTS.

CAPT. POUTS. I have played the melancholy ass, and partly the knave, in
this last business, but as the parson said that got the wench with
child, "'Tis done now, sir; it cannot be undone, and my purse or I must
smart for it."

_Enter_ SERVANT.

SER. Your trunks are shipped, and the tide falls out about twelve
to-night.

CAPT. POUTS. I'll away. This law is like the basilisk, to see it first
is the death on't.[41] This night and, noble London, farewell; I will
never see thee more, till I be knighted for my virtues. Let me see, when
shall I return? and yet I do not think, but there are a great many
dubbed for their virtues; otherwise, how could there be so many poor
knights?[42]

_Enter_ STRANGE, _like a soldier, amazedly_.

What art thou? what's thy news?

STRANGE. 'Zoons; a man is fain to break open doors, ere he can get in
to you. I would speak with a general sooner.

CAPT. POUTS. Sir, you may: he owes less, peradventure; or if more, he is
more able to pay't. What art?

STRANGE. A soldier; one that lives upon this buff jerkin: 'twas made of
Fortunatus's pouch; and these are the points I stand upon. I am a
soldier.

CAPT. POUTS. A counterfeit rogue you are.

STRANGE. As true a rogue as thyself. Thou wrong'st me. Send your man
away: go to, I have strange and welcome business to impart. The merchant
is dead for shame: let's walk into the fields: send away your man.

CAPT. POUTS. How?

    STRANGE. Here is a letter from the lusty Kate,
    That tells you all: I must not give it you,
    But upon some conditions. Let us walk,
    And send away your man.

    CAPT. POUTS. Go, sirrah, and bespeak supper at the Bear, and provide
    oars: I'll see Gravesend to-night.            [_Exit_ SERVANT.

    STRANGE. The gentlewoman will run mad after you then. I'll tell you
    more: let's walk.                                   [_Exeunt._


FOOTNOTES:

  [34] This remark, and a question below, in the old copy are given to
  Luce; but Lucida is not upon the stage, and could not be there, as
  Scudmore afterwards enters, pretending to be the bearer of a letter
  from her. The name of _Nevill_ has been substituted for Luce, and at
  least there is no impropriety in assigning what is said to him. Two
  other speeches, attributed to her, obviously belong to Sir Abraham.

  [35] The exclamations of the bowlers, whom Sir Abraham has just
  quitted.

  [36] [Addressing Cupid.]

  [37] The French phrase is _avaler le bonnet_, _i.e._, to lower the
  bonnet. The etymology of _avaler_ is disputed; but our _vale_, or as
  it is usually spelt, _vail_, is from _avaler_.

  [38] This was probably a hit at the sort of "_worsted_ conceits" in
  plays represented at the old Newington theatre, which appears at one
  time to have been under the management of Philip Henslowe.

  [39] There is a blank in this line in the old copy. Sir Abraham seems
  as fastidious as most versifiers, and it will be observed, that in
  reading over his "sonnet" he makes a variety of alterations. Perhaps
  the blank was left to show that he could not fill it up to his
  satisfaction, not liking the line as it stood, when he first committed
  it to paper--

      "Ty _unto thee_, pity both him and it."

  [40] Alluding to the _bauble_ or truncheon, usually with a head carved
  at the top of it, part of the _insignia_ of the ancient licensed fool
  or jester.

  [41] Should we not read "is the death on us," or "of us?"

  [42] This is one out of innumerable hits, in our old dramatists, at
  the indiscriminate creation of knights by James I. Their poverty was a
  constant subject of laughter. See Ben Jonson's "Alchemist," act ii.;
  Chapman's "Monsieur d'Olive," act i., and "Widows' Tears," act iv.;
  Barry's "Ram Alley," act i.; and Middleton's "Mad World, my Masters,"
  act i., &c. Field's satire is as pungent as that of the best of them.



ACT IV., SCENE I.


_Enter_ SCUDMORE _and_ NEVILL.

    I see great'st spirits[43] can serve to their own ends.
    Were you the seeming servingman that pass'd by?

    SCUD. By my sad heart, I was; and not a tittle
    Of my relation to thee wrong or feign'd.

    NEV. In troth you were to blame to venture so.
    Mischiefs find us: we need not mischiefs seek.

    SCUD. I am not tied to that opinion,[44]
    They are like women, which do always shun
    Their lovers and pursuers, and do follow
    With most rank appetites them that do fly:
    All mischief that I had is but one woman,
    And that one woman all mischance to me:
    Who speaks worst of them, there's[45] the best of men.
    They are like shadows: mischiefs are like them.
    Death fears me, for in troth I seek him out.
    The sun is stale to me; to-morrow morn,
    As this, 'twill rise: I see no difference.
    The night doth visit me but in one robe,
    She brings as many thoughts as she wears stars,
    When she is pleasant, but no rest at all.
    For what new strange thing should I covet life, then?
    Is not she false, whom only I thought true?
    Shall time to show his strength make Scudmore live,
    Till (perish the vicious thought!) I love not thee,
    Or thou, dear friend, remove thy heart from me?

    NEV. Time is as weak for that, as he is old.
    Take comfort, and attend this counsel, friend:
    This match is neither sacred nor [is] sure;
    Close fate annihilates what opinion makes,
    And since she is resolved this night to die,
    If you do not redeem her, give the means,
    Or her blood (credit me) will spring heavier griefs.
    Sorer and stranger, in thy oppressed heart,
    Than her false love before. Besides, 'tis you,
    My Scudmore, that are false, if you will not
    Consent to let her make vows good, which were
    But in a possibility to be broke.
    This her repentance casts her vice quite off,
    And if you leave her now, you take it on.
    Nay, you incur a bloody mortal sin:
    You do become an actual murderer.
    If you neglect her, she will kill herself
    This night by poison, knife, or other means.
    God gives you power to cross her desperate will,
    And if you save not, where you may, you kill.

    SCUD. Why, can my noble and wise friend think still
    That what a woman says her heart doth mean?
    Can you believe that she will kill herself?
    'Tis a full hour, since she spake the word,
    And God forbid, that any woman's mind
    Should not be chang'd and chang'd in a long hour.
    She is by this time in her lordly arms,
    And, like pleas'd Juno clasp'd by Jupiter,
    Forgets the plaints of poor mortality:
    Such state, such pride, as poets show her in,
    Incens'd with Jove's loose 'scapes upon the earth,
    She cast on me at our encountering.
    As cold and heavy as a rock of ice,
    In her love to me, which while I there stay'd,
    My bitter and hot words resolv'd[46] a little:
    Just as the sun doth ice I soften'd her,

    And made her drown her fault in her own tears.
    But think you she holds this flexible vein?
    No, I'm remov'd, and she's congeal'd again.

    NEV. How well does Scudmore speak ill for himself!
    Wit's a disease that fit employment wants;
    Therefore we see those happiest in best parts,
    And fortunes under-born unto their merits,[47]
    Grow to a sullen envy, hate, and scorn
    Of their superiors; and at last, like winds,
    Break forth into rebellious civil wars
    Or private treasons: none so apt for these
    As melancholy wits, fetter'd with need.
    How free's the rustic swain from these assaults!
    He never feels a passion all his life,
    But when he cannot sleep, or hunger gripes;
    And though he want reason, wit, art--nay, sense,
    Is not so senseless to capitulate,
    And ask God why he made not him as great
    As that same foolish lord or that rich knave?
    His brain with nothing does negotiate,
    But his hard husbandry, which makes him live.
    But have we worthy gifts, as judgment, learning,
    Ingenious sharpness (which wise God indeed
    Doth seldom give out of His equal hand,
    But join'd with poverty, to make it even
    With riches, which he clogs with ignorance),
    We vent our blessing in profane conceits,
    Foul bawdry, or strong arguments against
    Ourselves,[48] and stark blindly hold it best
    Rather to lose a soul than lose a jest.

    SCUD. Ill terms my friend this wit in any man;
    For that, but season'd with discretion,
    Holds him in awe of all these blemishes
    Frees him of envy, doth philosophise
    His spirit, that he makes no difference
    'Twixt man and man, 'twixt fortunes high and low,
    But as the thicker they with virtues grow.
    Freedom and bondage wit can make all one;
    So 'twould by being left and being lov'd,
    If I had any of it temper'd so.
    But you have spoke all this, condemning me
    For having wit to speak against myself,
    But I'll be rul'd by you in all.

    NEV. Then thus.
    To-night by promise I do give a masque,
    As to congratulate the bridal day,
    In which the Count, Pendant, and the wise knight
    Will be most worthy dancers: sir, you shall
    Learn but my part, which I will teach you too,
    As nimbly as the usher did teach me,
    And follow my further directions.
    Though I, i' th' morn, were [no][49] prodigious wight,
    I'll give thee Bellafront in thine arms to-night.

    SCUD. I am your property, my enginer.[50]
    Prosper your purposes! shine, thou eye of heaven.
    And make thy lowering morn a smiling even!          [_Exeunt._


SCENE II.

_Enter_ CAPTAIN POUTS, _with a letter, and_ STRANGE, _like a soldier_.

    STRANGE. O, these are Lambeth fields.

    CAPT. POUTS. Strange murder'd on the weddingday by you,
    At his own bride's appointment, for my sake?

    STRANGE. As dead as charity.

    CAPT. POUTS. This sounds not well.

    STRANGE. 'Zoons! you may say as well I am the man,
    As doubt he lives. A plague of your belief!
    D'ye know this bloody ruff, which she has sent,
    Lest you should be incredulous, and this ring
    Which you have seen her wear.

    CAPT. POUTS. I know the ring,
    And I have seen the ruff about his neck.
    This comes of enforc'd marriages. Where was't done?
    And how escap'd you?

    STRANGE. Sir, receive it briefly.
    I am her kinsman, and being newly come
    Over, and not intending to stay long,
    Took this day to go see my cousin Worldly
    (For so my name is), where I found all of them
    So deeply drenched in the bridal cup,
    That sleep had ta'en possession of their eyes.
    Bacchus had given them such an overthrow,
    Their bodies lay like slaughtered carcases;
    One here, one there, making such antic faces,
    As drunkenness had mock'd at drunkenness.
    In troth, their postures and their sleep, like death
    (For theirs was liker death than sober sleep),
    Remember'd me of body-scatter'd fields,
    After the bloody battles I have seen.
    'Twas such a season, to make short my tale,
    As fate had said, "Now murders may be done
    And ne'er reveal'd." Approaching further, I
    Lighted upon a chamber, where your love
    Sat by this merchant, cast drunk on the bed--
    She weeping and lamenting her mishap,
    Assur'd both, of my daring and my trust,
    Fell flat upon the ground, then rais'd herself,
    Hung on my neck, then sunk down to my legs,
    Told all things pass'd to-day, and never ceas'd,
    Till I had ta'en life from that half-dead man
    Before, whom straight I strangled with this rope.

    CAPT. POUTS. You have show'd some kindness to me:
    I must love you, sir. What did you with his body?

    STRANGE. Having first,
    By her direction, put on these his clothes,
    That like the murder'd man the safelier
    I might pass with her, being her husband's shape,
    If any of the servants had been wak'd,
    She show'd me to a necessary vault,
    Within a closet in the chamber too,
    And there I threw the body.

    CAPT. POUTS. Whence this blood?

    STRANGE. That she herself first let out of his veins;
    Wherein she dipp'd the ruff about his neck,
    And said, "Go, bear this ensign of my love,
    To assure him what I dar'd for his dear sake."

    CAPT. POUTS. Where is the maid?

    STRANGE. Captain, a maid for you!
    (But well you know, I hope, she is no maid)
    But maid or no maid, she is at my mother's,
    Whence I will bring her whither you'll appoint
    To-night; and let this tide convey all hence,
    For staying will be something perilous.

    CAPT. POUTS. I will kill two men for you; till then
    I owe my life to you, and if ever racks,
    Strappadoes, wheel, or any torturous engine,
    Even from the Roman yoke to the Scotch boot,[51]
    Force me discover you or her to law,
    Pray God the merchant may respire again.
    But what a villain have I been to wrong her!
    Did she not tell you how I injur'd her?

    STRANGE. She said you challeng'd her, and publicly
    Told you had lain with her; but truth's no wrong.

    CAPT. POUTS. Truth! 'twas more false than hell, and you shall see me
    (As well as I can repent of any sin)
    Ask her forgiveness for wounding of her name,
    And 'gainst the world recover her lost fame.
    Kind soul! would I could weep to make amends!
    Why, I did slander her at the church-door.

    STRANGE. The more base villain thou.            [_Strike him._

    CAPT. POUTS. Ha! what's the news?

    STRANGE. Thou unspeakable rascal! thou, a soldier!
    A captain of the suburbs, a poor foist,[52]
    That with thy slops and cat-a-mountain face,
    Thy bladder-chops and thy robustious words,
    Fright'st the poor whore, and terribly dost exact
    A weekly subsidy, twelvepence apiece,
    Whereon thou liv'st; and on my conscience,
    Thou snapp'st besides with cheats and cutpurses.

    CAPT. POUTS. Heart! this is some railing poet.
    Why, you rogue!

    STRANGE. Thou rogue--far worse than rogues--thou slanderer!

    CAPT. POUTS. Thou worse than slanderous rogues; thou murderer!

    STRANGE. 'Tis well-remember'd: I will cut thy throat,
    To appease that merchant's soul, which ne'er will rest
    Till some revenge be taken on thy tongue.

    CAPT. POUTS. I'll kill thee first, and in thy vital flood
    Wash my hands clean of that young merchant's blood.  [_Fight._

    STRANGE. You fight, as if you had fought afore.
    I can still hold my sword: come on, sir.

    CAPT. POUTS. 'Zoons! can you ward so well? I think you are
    One of the noble science of defence.

    STRANGE. True, o' th' science of noble defence I am,
    That fight in safeguard of a virtuous name.
                                           [_Cadit_ CAPTAIN POUTS.

    CAPT. POUTS. O, now I understand you, and you stand over me. My
    hurts are not mortal, but you have the better. If your name be
    Worldly, be thankful for your fortune.

    STRANGE. Give me thy sword, or I will kill thee.

    CAPT. POUTS. Some wiser than some! I love my reputation well, yet I
    am not so valiant an ass but I love my life better. There's my
    sword.

    STRANGE. Then get upon my back: come, all shall be well. I'll carry
    thee unto a surgeon first, And then unto thy wench. Come, we are
    friends.

    CAPT. POUTS. God-a-mercy. 'Zoons! methinks I see myself in
    Moorfields, upon a wooden leg, begging threepence.[53]

    STRANGE. I thank thee, heaven, for my success in this.
    To what perfection, is my business grown!
    Seldom or never is right overthrown.
                         [_Exit with_ CAPTAIN POUTS _on his back_.

_Enter_ PENDANT, _and_ MISTRESS WAGTAIL _with work, sewing a purse_.

PEN. They say every woman has a springe to catch a woodcock: remember my
instructions, and let me see what a paradise thou canst bring this fool
into. Fifteen hundred a year, wench, will make us all merry; but a fool
to boot! why, we shall throw the house out at window. Let me see, there
are two things in this foolish, transitory world which should be
altogether regarded: profit and pleasure, or pleasure and profit--I know
not which to place first, for indeed they are twins, and were born
together. For profit, this marriage (God speed it!) marries you to it;
and for pleasure, if I help you not to that as cheap as any man in
England, call me cut.[54] And so remember my instructions, for I'll go
fetch Sir Abraham. [_Exit._

WAG. Your instructions! Nay, faith, you shall see I have as fruitful a
brain as a belly: you shall hear some additions of my own. My fantasy
even kicks like my bastard: well, boy, for I know thou art masculine,
neither thy father nor thy mother had any feminine quality but one, and
that was to take a good thing when it was proffered. When thou
inherit'st land, strange both to thy father and grandfather, and rid'st
in a coach, it may be thy father, an old footman, will be running by
thy side. But yonder comes the gentle knight and my squire.

_Enter SIR ABRAHAM and PENDANT stealing.[55]_

    WAG. Unfortunate damsel! why dost thou love
    Where thou hast sworn it never to reveal?
    Maybe he would vouchsafe to look on thee.
    Because he is a knight, is it thy terror?
    Why, peradventure, he is Knighthood's Mirror[56].

    PEN. D'ye hear, Sir Abraham?

    ABRA. Yes, with standing tears.

    WAG. Bevis[57] on Arundel, with Morglay in hand,
    Near to my knight in prowess doth not stand.
    They say Sir Bevis slew both boar and dragon,
    My knight for that can drink up a whole flagon,
    A thing as famous now amongst our men,
    As killing monsters was accounted then.
    'Tis not thy leg, no, were it twice as good,
    Throws me into this melancholy mood;
    Yet let me say and swear, in a cross-garter
    Paul's never show'd to eyes a lovelier quarter.

    ABRA. Ay, but all this while she does not name me: she may mean
    somebody else.

    PEN. Mean somebody else! you shall hear her name you by and by.

    WAG. Courteous Sir Abraham.

    PEN. La ye there!

    WAG. O, thy very name,
    Like to a hatchet, cleaves my heart in twain.
    When first I saw thee in those little breeches,
    I laugh'd for joy, but when I heard thy speeches,
    I smil'd downright, for I was almost frantic,
    A modern knight should be so like an antic
    In words and deeds. Those pinken-eyes[58] of thine,
    For I shall ne'er be blest to call them mine----

    ABRA. Say not so, sweetheart.

    WAG. How they did run, not rheumaticly run,
    But round about the room, one over one!
    That wide mouth? no, small: no, but middle-size,
    That nose dominical, that head, like----wise.

    PEN. Very good: d'ye mark that head likewise?

    ABRA. She has an excellent wit.

PEN. I'll now into her, sir: observe what follows. Now, turtle, mourning
still for the party? for whom are you working that purse?

ABRA. For me, I warrant her. [_Aside._]

WAG. What news, good cousin? I hope you have not revealed my love.

PEN. Yes, faith, I have acquainted the knight with all; and thou may'st
be ashamed to abuse a gentleman so slanderously. He swears he ne'er lay
with you.

WAG. Lie with me? alas! no, I say not so, nor no man living; but there
was one night above the rest, that I dreamt he lay with me; and did you
ne'er hear of a child begot in a dream.

ABRA. By this light, that very night I dreamt she lay with me.

                                                           [_Aside._]

PEN. Ay, but Sir Abraham is no dreaming knight: in short, he contemns
you, he scorns you at his heels.

ABRA. By God, so he lies. I have the most ado to forbear, but that I
would hear a little more.

PEN. And has sent this halter. You may hang yourself, or you may cut
your throat: here's a knife, too.

    WAG. Well, I will love him in despite of all,
    Howe'er he uses me! 'tis not the shame
    Of being examin'd or the fear of whipping----

    PEN. Make as if thou wouldst kill thyself.          [_Aside._]

    WAG. ----should move me, would but he vouchsafe his love.
    Bear him this purse, fill'd with my latest breath. [_Blows in it._
    I lov'd thee, Abraham Ninny, even in death. [_Offers to stab._

    ABRA. Hold! hold! thy knight commands thee for to hold.
    I sent no halter. Poor soul, how it pants!
    Take courage, look up.

    PEN. Look, Sir Abraham in person comes to see you.

    WAG. O, let me die, then, in his worship's arms!

    ABRA. Live long and happy to produce thy baby:
    I am thy knight, and thou shalt be my lady.
    Frown, dad, fret, mother, so my love look cheerly:
    Thou hast my heart, and thou hast bought it dearly;
    And for your pains, if Abraham live t' inherit,
    He will not be unmindful of your merit.
    Wear thou this ring, whilst I thy labours task.
    This purse wear in my cap, anon i' th' masque[59].

    WAG. O happy woman!

    ABRA. To supper let's, and merry be as may be.

    PEN. Now, God send every wise knight such a lady.   [_Exeunt._


FOOTNOTES:

  [43] The word _spirit_ in our old poets was often pronounced as one
  syllable, and hence, in fact, the corruption _sprite_. This line is
  not measure without so reading it.

  [44] This is the first line of Scudmore's answer; but in the old copy
  that and the eighteen lines following it are given to Nevill.

  [45] [Old copy, _then_.]

  [46] See note to "Hamlet," act i. sc. 2, for a collection of instances
  in which _resolve_ means _dissolve_. Probably the latest example is to
  be found in Pope's "Homer"--

      "The phantom said, then vanish'd from his sight,
      _Resolves_ to air, and mixes with the night."

  --"Iliad," b. ii.

  In some recent editions it has been thought an improvement to alter
  _resolves_ to _dissolves_.

  [47] [Old copy, _under-born fortunes under their merits_.]

  [48] [Old copy reads--

      "Or in strange arguments against ourselves,
      Foul bawdry, and stark," &c.]

  [49] [Old copy, _a_.]

  [50] The old word for engineer: so in Heywood's "Edward IV.,
  Part II.," 1600, sig. M 3--

                    "But it was not you
      At whom the fatal _enginer_ did aim."

  Ben Jonson uses it in his "Cataline," act iii. sc. 4--

      "The _enginers_ I told you of are working."


  [51] A well-known instrument of torture.

  [52] Dekker, in his "Bellman of London," sig. H 2, explains _foist_ to
  be a pickpocket; and instances of the use of it in this sense, and as
  a rogue and cheater, may be found in many of our old writers.

  [53] It will be recollected that Brainworm, in "Every Man in his
  Humour," is represented upon a wooden leg, begging in Moorfields, like
  an old soldier. [See further in Hazlitt's "Popular Poetry," iv.
  38-40.]

  [54] This passage, among others, is quoted by Steevens in a note to
  "Twelfth Night," to show that _cut_, which also means a _horse_, was
  employed as a term of abuse. In "Henry IV., Part I.," Falstaff, for
  the same purpose, uses _horse_ as synonymous with _cut:_ "Spit in my
  face, and call me _horse_."

  [55] [_i.e._, Furtively.]

  [56] [An allusion to the romance entitled "The Mirror of Knighthood."]

  [57] She has just referred to the well-known work "The Mirror of
  Knighthood," and by _Bevis_ she means Bevis of Hampton. _Arundel_ was
  the name of his horse, and _Morglay_ of his sword. Morglay is often
  used for a sword in general.

  [58] In the old copy it is printed _pinkanies_, and from what follows
  it seems that the expression has reference to the redness of Sir
  Abraham's eyes from soreness. The following passage is to the same
  effect: "'Twould make a horse break his bridle to hear how the youth
  of the village will commend me: 'O the pretty little _pinking nyes_ of
  Mopsa!' says one: 'O the fine fat lips of Mopsa!' says
  another."--Day's "Isle of Gulls," 1606, sig. D 4.

  Shakespeare ("Antony and Cleopatra," act ii. sc. 7), speaks of "plumpy
  Bacchus with _pink eyne;_" and Lodge, in "The Wounds of Civil War,"
  has _pinky neyne_, [vii. 167.] In both these instances drinking is
  supposed to have occasioned the redness.



ACT V., SCENE 1.


_Enter_ BELLAFRONT.

    BEL. Titles and state, d'ye call it? O content!
    Thou art both beauty, means, and all in marriage.
    Joy dwells not in the princes' palaces:
    They that envy 'em do not know their cares.
    Were I the queen of gold, it could not buy
    An hour's ease for my oppressed heart.
    O, were this wedlock knot to tie again,
    Not all the state and glory it contains,
    Join'd with my father's fury, should enforce
    My rash consent! but, Scudmore, thou shalt see
    This false heart (in my death) most true to thee.
                            [_Shows a knife hanging by her side._
    My lord, my father, all the company,
    Did note my sudden sadness now at supper;
    Yet came I out, and put on feigned mirth,
    And mean to sit out this night's revels, too,
    To avoid all suspect may grow in 'em,
    Lest my behaviour should my intent reveal:
    Our griefs, like love, we hardly can conceal[60].
    Yon come my sisters. Are the masquers ready?

_Enter_ LUCIDA, _with her willow garland on, and_ KATHERINE.

    LUC. They are gone to dress themselves. Master Nevill's come.
    I would I had not vow'd to live a maid!
    I am a little taken with that gentleman,
    And yet if marriage be so full of ill,
    Let me be married to my garland still.

    KATH. In troth, thy state is happier much than ours.
    Were never two like us unfortunate!

    LUC. Thy case indeed I needs must pity much,
    Because I think thy virtue slandered;
    But for my lady sister, if she reap
    Sad discontent, 'tis none's but her own fault:
    I knew the passages 'twixt her and Scudmore.

    BEL. Sister, I wonder you will name a man,
    I think not on: he was no match for me.
    Why d'ye blame me, that should rather blame
    Your wandering eye, to love a man lov'd me?

    LUC. Well, 'tis too late now to expostulate.
    But, my poor little Kate, where is thy man?

    KATH. Lost, lost, in troth: to-morrow I shall hear,
    I make account, he's gone some five-years' voyage,
    Till this disgrace of ours be overblown;
    And for my Captain Pouts, by this time he
    Is ten mile on the river toward Gravesend.

_Enter_ SIR JOHN WORLDLY _with_ SERVANTS, _with torches and cudgels_.

    SIR J. WOR. Stand you two there. Sirrah, go you with me.
    Why, how now, girls! here still? what, and your ladyship?
    Away! away, I say: go take your places.
    Some torches for my lady! You sirrah,
                               [_Exeunt_ BELLAFRONT, LUCIDA, KATE.
    Is my Lady Ninny awake yet?[61]

    SER. Yes, sir, she is awake, but she is scant sober: the first thing
    she called for was her aqua-vitæ bottle.

    SIR J. WOR. Who is with her?

    SER. The good Sir Innocent and her gentlewoman.

    SIR J. WOR. Go, tell 'em I desire their company,
    The masque stays on 'em, say; and d'ye hear,
    The sides of one o' th' chairs must be let out
    For her great ladyship.

    SER. Marry, shall it, sir.                    [_Exit_ SERVANT.

_Enter_ NEVILL, COUNT, PENDANT, _and_ SIR ABRAHAM, _in their masquing
robes;_ SIR ABRAHAM _gnawing on a capon's leg_.

NEV. Soul! man, leave eating now: look, look! you have all dropped o'
your suit.

ABRA. O sir, I was in love to-day, and could not eat; but here's one
knows the case is altered. Lend me but a handkerchief to wipe my mouth,
and I ha' done.

NEV. Soul! how this rascal stays with the rest of our things.

SIR J. WOR. How now, son Count? what, ready, Master Nevill?

NEV. All ready, ready; only we tarry for our vizards and our caps: I put
'em to a knave to do,[62] because I would have 'em the better done.

ABRA. If you put 'em to a knave, you are like to have 'em the worse
done.

NEV. Your wit is most active: I called him knave in regard of his long
stay, sir, not his work.

ABRA. But, d'ye hear, Master Nevill? did you bespeak a vizard with a
most terrible countenance for me?

NEV. A very devil's face: I fear nothing, but that it will fright the
women.

ABRA. I would it would. And a huge moustachio?[63]

NEV. A very Turk's.

ABRA. Excellent!

C. FRED. But do you think he will come at all?

OMNES. O, there he is.

SCUD. (_Within_). By your leave! stand back, by your leave!

_Enter_ SCUDMORE, _like a vizard-maker_.

Nothing can be done to-night, if I enter not.

2D SER. Stand back there, or I'll burn you.

SCUD. 'Twere but a whorish trick, sir.

3D SER. O sir, is't you? Heart! you will be kill'd.

SCUD. Marry, God forbid, sir.

NEV. Pray, forbear; let me speak to him. O, you use us very well.

SCUD. In good faith, I have been so troubled about this gentleman's
scurvy face (I take it), 'tis wonderful.

ABRA. Well, are you fitted now?

NEV. Fitted at all points.

C. FRED. Where are the caps?

SCUD. Here, sir.

PEN. Let me see mine.

C. FRED. Come, help me on with mine.

ABRA. This is a rare face to fright the maids i' th' country! Here now
I'll pin my purse. Come, help me on.

NEV. So, so, away! mine being on, I'll follow you.

    OMNES. Pray, make haste.
                [_Exeunt_ SIR JOHN WORLDLY, SIR ABRAHAM, COUNT, PENDANT.

    NEV. So, that door's fast, and they are busied
    About their charge. On with this robe of mine,
    This vizard and this cap: help me a little.  [_Change habits._

    SCUD. At first change I must tell her who I am.

    NEV. Right; 'tis agreed, I (leading of the masque)
    Should dance with Bellafront.

    SCUD. And at the second,
    I come away with her, and leave them dancing,
    And shall find you at the back door.

    NEV. The rest,
    That follows, is digested in my breast.

    SER. What would you do I stand back,
    Unless you can eat torches!

_Enter_ COUNT, PENDANT, SIR ABRAHAM, _in their masquing robes_.

    C. FRED. Come, come! away for shame!

    SCUD. 'Tis such a tedious rascal. So ha' wi' ye. [_Exeunt masquers._

    SIR J. WOR. Thou hast well fitted 'em, though thou mad'st 'em stay.

    NEV. I forbid any man to mend 'em, sir. Good night unto your
    worship.

    SIR J. WOR. Wilt not stay?

    NEV. Alas, sir! I have another to set forth
    This very night. By your leave, my masters.
                                    [_Exit_ NEVILL _through them_.

    2D SER. By your leave! by your leave! you'll let a man go out?

    SIR J. WOR. Now, go with me, and let all in that will.
   [_Exit_ SIR JOHN WORLDLY _with them, and run in three or four_.


SCENE II.

_Enter two or three, setting three or four chairs and four or five
stools. Loud music; in which time enter_ SIR JOHN WORLDLY, SIR INNOCENT,
BELLAFRONT, LUCIDA, KATE, _my_ LADY NINNY, MISTRESS WAGTAIL. _They seat
themselves_. LADY NINNY _offers at two or three chairs; at last finds
the great one; they point at her and laugh. As soon as she is set, she
drinks of her bottle. The music plays, and they enter. After one strain
of the music_, SCUDMORE _takes_ BELLAFRONT, _who seems unwilling to
dance_. COUNT _takes_ LUCIDA; PENDANT, KATE; SIR ABRAHAM, MISTRESS
WAGTAIL: SCUDMORE, _as they stand (the other courting too), whispers as
follows:_--

    SCUD. I am your Scudmore.                       [_Soft music._

    BEL. Ha!

    SCUD. By heaven, I am.
    Be rul'd by me in all things.

    BEL. Even to death.

    ABRA. 'Sfoot! Did you not know me by my purse?

    WAG. I should ne'er have known you by that, for you wear it on your
    head, and other folks in their pockets.

    L. NIN. Which is my lord, I pray?

    SIR J. WOR. The second man:
    Young Nevill leads.

    SIR INN. And where's Sir Abraham?

    SIR J. WOR. He with the terrible visage.

    L. NIN. Now, out upon him to disfigure himself so:
    And 'twere not for my bottle, I should swoon.
              [_Music, and they dance the second strain, in which_
                SCUDMORE _goes away with_ BELLAFRONT.

    OMNES SPECTATORES. Good, very good!
           [_The other four dance another strain, honour and end._

    C. FRED. But where's the bride and Nevill?

    OMNES. Ha!

    ABRA. 'Ware tricks!

    SIR J. WOR. O, there they come: it was their parts to do so.

_Enter_ SCUDMORE _unvizarded_, BELLAFRONT, _with pistols and the right
Parson_.

    C. FRED. This Nevill? This is Scudmore.

    OMNES. How?

    C. FRED. But here's my lady.

    SCUD. No, my gentlewoman.

    ABRA. 'Zoons! treason! I smell powder.

    BEL. In short, know,
    That I am married to this gentleman,
    To whom I was contracted long ago.
    This priest the inviolable knot hath tied.
    What ease I find being unladified!                  [_Aside._]

    C. FRED. What riddle's this?

    SIR INN. 'Ware the last statute of two husbands.

    SCUD. and BEL. Pish!

    C. FRED. This is the very priest that married me:
    Is it not, sister?

_Enter_ NEVILL, _like the Parson too_.

    NEV. No.

    ABRA. Lord bless us! here is conjuring!
    Lend me your aqua-vitæ bottle, good mother.

    SIR J. WOR. Heyday!
    The world's turn'd upside down. I have heard and seen
    Two or three benefices to one priest, or more,
    But two priests to one benefice ne'er before.

    PEN. Married not you the earl?

    PAR. _Bona fide_, no.

    SIR J. WOR. You did, then?

    NEV. Yes.

    C. FRED. I have the privilege, then?

    SIR J. WOR. Right, you were married first.

    SCUD. Sir John, you doat,
    This is a devil in a parson's coat.
                   [NEVILL _puts off the Priest's weeds, and has a
                            devil's robe under_.

    OMNES. A pretty emblem!

    NEV. Who married her, or would have caus'd her marry,
    To any man but this, no better was;
    Let circumstances be examined.
    Yet here's one more: and now I hope you all
    Perceive my marrying not canonical. [_Slips off his devil's weeds._

    OMNES. Nevill, whoop!

C. FRED. Heart! what a deal of knavery a priest's cloak can hide. If it
be not one of the honestest, friendliest cozenages that 'ere I saw, I am
no lord.

KATH. Life! I am not married, then, in earnest.

NEV. So, Mistress Kate, I kept you for myself.

SIR J. WOR. It boots not to be angry.

SIR INN. _and_ LADY. No, faith, Sir John.

_Enter_ STRANGE, _with_ POUTS _on his back_.

2D. SER. Whither will you go with your calf on your back, sir?

SIR J. WOR. Now, more knavery yet?

    STRANGE. Prythee, forbear, or I shall do thee mischief.
    By your leave, here is some sad to your merriment.
    Know you this captain?

OMNES. Yes, very well.

KATH. O sister, here's the villain slander'd me.

STRANGE. You see he cannot stand to't.

ABRA. Is he hurt in the arm, too?

STRANGE. Yes.

ABRA. Why, then, by God's-lid, thou art a base rogue. I knew I should
live to tell thee so.

L. NIN. Sir Abraham, I say!

OMNES. Heaven is just.

    CAPT. POUTS. What a rogue are you!
    Is this the surgeon you would carry me to?

    STRANGE. Confess your slander, and I will, I swear.

    CAPT. POUTS. Nay, 'tis no matter, I'll cry quittance with you.
    Forgive me, Mistress Kate, and know, all people,
    I lied not with her, but belied her once;
    And to my recantation that same soldier
    Enforc'd my hand.

    STRANGE. Yes, here 'tis, Mistress Kate.
                                    [_They all look on the paper._

    CAPT. POUTS. I see now how I am cheated. Love him well.
    He has redeem'd your honour with his sword.

    Sir J. Wor. But where is Strange my son? O, were he here,
    He should be married new to make all sure.

    KATH. O my divining spirit, he's gone to sea!

    CAPT. POUTS. This cunning in her is exceeding good.
    Your son--your husband Strange is murdered.

    OMNES. How?

    STRANGE. Peace, peace! For heaven's sake, peace!
    Come, sir, I'll carry you to a surgeon.
    Here's gold to stop thy throat. For God's sake, peace!

    CAPT. POUTS. Sirrah, you have brought me to a surgeon already:
    I'll be even with you.

    KATH. Of all men living I could marry thee,
    Were not my heart given to another man.
    Sir, you did speak of Strange?

    CAPT. POUTS. These women are as crafty as the devil.
    Yes, I did speak of him: Sir John, my lord,
    Know Strange is murder'd by that villain's hand,
    And by his wife's consent.

    OMNES. How?

    SIR J. WOR. God forbid!

    CAPT. POUTS. Search presently the closet and the vault,
    There you shall find his body: 'tis too true.
    The reason all may guess: her husband, wanting
    Spirit to do on me what he hath done,
    In hope to marry her, he hath murder'd him.

    KATH. To marry me! No, villain: I do hate him
    On this report worse than I do thyself;
    And may the plagues and tortures of a land
    Seize me if this be not an innocent hand.

    SIR J. WOR. 'Fore God, 'tis most like truth.
    Son Scudmore, pray
    Look to this fellow: gentlemen, assist.
    Torches! some torches! I'll go search myself.

    SIR INN. I will assist you.

    C. FRED. But I pray, sir, how came you unto this knowledge?

    CAPT. POUTS. From his mouth.

    STRANGE. I'll save your labour, and discover all.
    Thou perjur'd villain, didst not swear thou wouldst not
    Discover me?

    CAPT. POUTS. I but swore in jest.

    STRANGE. Nay, but remember, thou didst wish Strange living,
    If ever thou didst tell.

    CAPT. POUTS. Sir, all is true,[64]
    And would my punishment would ease my conscience.

    SIR J. WOR. To Newgate with him! hence! take her along.
    Out, murderers! whore, thou art no child of mine!
    Fetch constable and officers. Away!

    STRANGE. Sir, do but hear me speak.

    SIR J. WOR. Fetch officers!

    CAPT. POUTS. Go fetch a surgeon.

    STRANGE. Sir, you are then too violent. I will bail her.
                                             [_Discovers himself._

    KATH. O my dear Strange!

    SIR J. WOR. My son!

    SCUD., LUC., BEL. Brother!

    OMNES. Young Strange!

    CAPT. POUTS. Heart! I was never sick before: help me now to a
    surgeon, or I shall swoon instantly.
                                        [_As two lead him, he speaks._
    Thou wert born a woman-citizen; fare thee well.
    And farewell, love and women, ye diseases:
    My horse and sword shall be my mistresses,
    My horse I'll court, my sword shall lie with me.      [_Exit._

STRANGE. The way to cure lust is to bleed, I see.

C. FRED. Tell him all, Scudmore, whilst I go a-wooing again. Sir John,
will you go along, and my two worshipful elders, I pray, be your
witnesses. Priest, go not you away. Heart! I have so ruminated on a
wife, that I must have one this night, or I shall run proud.[65]

    [NEVILL, SCUDMORE, BELLAFRONT, STRANGE, KATHERINE, _whisper in
     one part_. PENDANT, SIR ABRAHAM, _and_ WAGTAIL _in another_.

Mistress Lucida, you did once love me; if you do still, no more words,
but give me your hand. Why are ye doubtful?

ABRA. Ne'er look upon me, Mistress Lucida; time was, time is, and time's
pass'd. I'll none of you now: I am otherwise provided.

    PEN. Well spoken, brazen-head![66] now or never, Sir Abraham.

    ABRA. Then first, as duty binds, I crave consent
    Of my two parents dear: if ay, say so;
    If not, I'll ha' her, whether you will or no.

    SIR INN. How? how?

    L. NIN. I hope you will not.

ABRA. Ma'am, I am resolved: you have a humour of your aqua-vitæ bottle,
why should not I have a humour in a wife?

SIR J. WOR. An old man were a fitter match for her: He would make much
of her.

ABRA. Much on her? I know not what ye call much making on her, I am
sure I have made two on her.

    PEN. And that an old man cannot do, I hope.

    NEV. O thou beyond Lawrence of Lancashire.[67]

    SIR INN. Come, come, you shall not.

    ABRA. Speak not in vain; I am too sure to change,
    For hand and heart are sure: _Ecce signum_.
    And this have I done, and never lay with her.

    SIR J. WOR. Nay, then, 'tis too late;
    'Tis sure: 'tis vain to cross the will of fate.

    SIR INN. _and_ LADY. Well, well, God bless you.
                                   [ABRAHAM _and_ WAGTAIL _kneel_.

    ABRA. Thanks, reverend couple, and God bless withal
    The little Ninny that herein doth sprawl.
    Parson, you shall despatch us presently:
    Lord, how soberly you stand!

    PAR. Now truly I could ne'er stand drunk in my life.

    STRANGE. Strange and most fortunate, we must have a new Tuck then.

    C. FRED. Is it a match?

    LUC. 'Tis done.

    C. FRED. Then Bacchus squeeze grapes with a plenteous hand.
    Parson, you'll take some pains with us to-night.
    Come, brothers, come: fly, willow, to the woods,
    And, like the sea, for healths let's drink whole floods.

    STRANGE. I consecrate my deed unto the city,
    And hope to live myself to see the day,
    It shall be shown to people in a play.

    SCUD. And may all true love have like happy end.
    Women, forgive me; men, admire my friend.

    SIR J. WOR. On, parson, on; and, boy, outvoice the music.[68]
    Ne'er was so much (what cannot heavenly powers?)
    Done and undone, and done in twelve short hours.    [_Exeunt._


FOOTNOTES:

  [59] [See _post_.]

  [60] The difficulty of concealing love has been the origin of a
  humorous proverb in Italian. In Pulci's "Morgante Maggiore," iv. 38,
  Rinaldo thus taunts the most sentimental of the Paladins, Oliver, when
  he becomes enamoured of Florisena--

      "_Vero è pur che l'uom non possa,_
      _Celar per certo l'amore e la tossa._"

  [See Hazlitt's "Proverbs," 1869, p. 269.]

  Franco Sacchetti, in his sixteenth novel, expressly tells us that it
  was a proverb. _Perchè ben dice il proverbio, che l'amore e la tossa
  non si puo celare mai._

  [61] The question

              "You, sirrah,
      Is my Lady Ninny awake yet?"

  is given in the old 4º to Scudmore, but it belongs to Sir John
  Worldly. Scudmore is not on the stage.

  [62] Old copy, _doing_.

  [63] Old copy, _moustachios_.

  [64] [The old copy and Collier give this speech to Strange.]

  [65] [In the sense of _hot_, salacious.]

  [66] An allusion to the well-known story of Friar Bacon and his brazen
  head, which spoke three times, but was not attended to by his man
  Miles. See Greene's "Friar Bacon and Friar Bungay," [in Dyce's edits,
  of Greene, and the prose narrative in Thoms's Collection, 1828.]

  [67] A boisterous, clownish character in the play of "The Lancashire
  Witches," by Heywood and Brome. It was not printed until 1634. Either
  Lawrence was a person who figured in that transaction, and whose name
  is not recorded, or (which is not impossible) the play was written
  very long before it was printed.

  [68] Perhaps the play originally ended with a song by a boy, in which
  the rest joined chorus.



AMENDS FOR LADIES.



_EDITIONS._


_Amends for Ladies. A Comedie. As it was acted at the Blacke-Fryers,
both by the Princes Servants, and the Lady Elizabeths. By Nat. Field.
London: Printed by G. Eld, for Math. Walbancke, and are to be sold at
his Shop at the new Gate of Grayes Inne, or at the old._ 1618. 4º.

_Amends for Ladies. With the merry prankes of Moll Cut-Purse, Or, the
humour of roaring: A Comedy full of honest mirth and wit. As it was
Acted at the Blacke-Fryers both by the Princes Servants and the Lady
Elizabeths. By Nath. Field. London, Printed by Io. Okes, for Math.
Walbancke, and are to be sold at his Shop at Grayes-Inne Gate._ 1639. 4º.



INTRODUCTION.


This excellent old comedy seems to have been deservedly popular on its
performance by two different companies at the Black Friars Theatre
before 1618, and it was twice printed. It is not easy to decide whether
the comic or the serious scenes are the best; although the first are not
without some of the coarseness which belonged to the manners of the age.
The language is generally well-chosen. Some passages are of the higher
order of poetry, and from them we may judge that Field was capable of
writing other parts of "The Fatal Dowry" than those which Mr Gifford, in
his just admiration of Massinger, was willing to assign to him. The
characters are numerous, varied, and well-distinguished.

The object of the play was to vindicate the female sex, attacked in
"Woman is a Weathercock;" and it is accomplished amply and happily in
the persons of the Maid, Wife, and Widow. The plot is threefold,
applying to each of them, but the incidents are interwoven with
ingenuity, and concluded without confusion. In several of our old plays,
husbands become, or endeavour to become, the instruments of the
dishonour of their wives. Middleton was too fond of incidents of this
odious kind, which are to be found in his "Chaste Maid in Cheapside,"
1630, and in "Anything for a Quiet Life," 1662;[69] but in both cases
the purpose of the husband was to profit by his own disgrace. In
Field's "Amends for Ladies," the husband only resorts to this expedient
to put his wife's fidelity to the test. This portion of the play was
borrowed, in several of its preliminary circumstances, from the novel of
the "Curioso Impertinente" in "Don Quixote;" but it would not have
accorded with Field's design of making amends to the fair sex that
Subtle should have met with the same success as Lothario. The attempt of
Bold in disguise upon the Widow was taken from an incident apparently
well known about the date when the play was written, and referred to in
it. The original of that part of the comedy which relates to Ingen and
the Lady Honour has not been found, and perhaps it was the invention of
the poet.

The two editions of this play in 1618 and 1639 do not materially vary,
although the difference between the title-pages might lead to the
supposition that "the merry pranks of Moll Cut-purse" and the "humour of
roaring" were new in the latter copy. It seldom happens that faith is to
be put in attractive changes of title-pages. Middleton and Rowley's
"Fair Quarrel" is, indeed, an instance to the contrary; for the edition
of 1622 contains a good deal of curious matter connected with the
manners of the times, promised in "the fore-front of the book," and not
found in the copy of 1617. In "Amends for Ladies," Moll Cut-purse only
appears in one scene. The variations between the impressions are errors
of the press, some of which are important of their kind, and such as
rendered a careful collation absolutely necessary.

It may here, perhaps, be worth while to place in one view the scanty and
scattered information regarding Mary Frith (_alias_ Moll Cut-purse), the
Roaring Girl. She was a woman who commonly dressed like a man, and
challenged several male opponents, bearing, during her life, the
character of a bully, a thief, a bawd, a receiver of stolen goods,
&c.[70] She appears to have been the daughter of a shoemaker, born in
1584, dead in 1659, and buried in what is now called St Bride's Church.
In February 1611-12, she did penance at Paul's Cross, but the
letter mentioning this fact, which is in the British Museum, does not
state for what offence. Among other daring exploits, she robbed, or
assisted in robbing, General Fairfax on Hounslow Heath, for which she
was sent to Newgate, but afterwards liberated without trial. The
immediate cause of her death was a dropsy, and she seems then to have
been possessed of property. She lived in her own house in Fleet Street,
next the Globe Tavern, and left £20 that the conduit might run wine on
the expected return of Charles II. Besides the comedy by Middleton and
Dekker [printed in the works of Middleton], John Day wrote "a book of
the mad pranks of Merry Moll of the Bankside." It was entered at
Stationers' Hall in 1610, and perhaps the play of which she is the
heroine was founded upon it. Another account of her life was printed in
1662, shortly after her decease. She is supposed to be alluded to by
Shakespeare in "Twelfth Night," act i. sc. 3, and obtained such "bad
eminence," in point of notoriety, that it is not surprising (according
to the evidence of the authors of "The Witch of Edmonton," act v. sc.
1), that some of the dogs at Paris Garden, used in baiting bulls and
bears, were named after her.


FOOTNOTES:

  [69] [Although the printed copies bear the date here given, the plays
  in question were written many years before, Middleton having probably
  died in 1626.]

  [70] She is the "honest Moll" alluded to by City-wit in R. Brome's
  "Court Beggar," act ii. sc. 1, to whom he is to go for the recovery of
  his purse, after he had had his pocket picked while looking at the
  news in the window of "the _Coranto_ shop." He afterwards states that
  she "deals in private for the recovery of such goods."



DRAMATIS PERSONÆ.[71]


    COUNT, _father of Lord Feesimple_.

    LORD FEESIMPLE.

    LORD PROUDLY.

    SIR JOHN LOVE-ALL, _called Husband_.

    SUBTLE, _his friend_.

    INGEN, _in love with Lady Honour_.

    FRANK, _his younger brother_.

    BOLD, _in love with Lady Bright_.

    WELLTRIED, _his friend_.

    SELDOM, _a citizen_.


    WHOREBANG, }
     BOTS,     }
                } _Roarers_.
    TEARCHAPS, }
    SPILLBLOOD,}

    PITTS, }
            }_Serjeants_.
    DONNER,}

          _Page, Drawer, &c._

    LADY HONOUR ,}          {_Maid_,
    LADY PERFECT,} _called_ {_Wife_.
    LADY BRIGHT, }          {_Widow_.

    GRACE SELDOM.

    MOLL CUT-PURSE.

  [71] Neither of the old editions has a list of characters prefixed.



AMENDS FOR LADIES.

ACT I., SCENE 1.


_Enter the_ LADY HONOUR, _the_ LADY PERFECT, _the_ LADY BRIGHT.

    MAID.[72] A wife the happiest state? It cannot be.

    WIFE. Yes, such a wife as I, that have a man
    As if myself had made him: such a one
    As I may justly say, I am the rib
    Belonging to his breast. Widow and maid,
    Your lives compared to mine are miserable,
    Though wealth and beauty meet in each of you.
    Poor virgin, all thy sport is thought of love
    And meditation of a man; the time
    And circumstance, ere thou canst fix thy thoughts
    On one thy fancy will approve.

    MAID. That trouble
    Already may be pass'd.

    WIFE. Why, if it be,
    The doubt he will not hold his brittle faith,
    That he is not a competible choice,
    And so your noble friends will cross the match,
    Doth make your happiness uncertain still;
    Or say, you married him? what he would prove.
    Can you compare your state, then, to a wife?

    MAID. Nay, all the freedom that a virgin hath
    Is much to be preferr'd. Who would endure
    The humours of so insolent[73] a thing
    As is a husband? Which of all the herd
    Runs not possess'd with some notorious vice,
    Drinking or whoring, fighting, jealousy,
    Even of a page at twelve or of a groom
    That rubs horse-heels? Is it not daily seen,
    Men take wives but to dress their meat, to wash
    And starch their linen: for the other matter
    Of lying with them, that's but when they please:
    And whatsoe'er the joy be of the bed,
    The pangs that follow procreation
    Are hideous, or you wives have gull'd your husbands
    With your loud shriekings and your deathful throes.
    A wife or widow to a virgin's life!

    WID. Why should the best of you think ye enjoy
    The roost[74] and rule, that a free widow doth?
    I am mine own commander, and the bliss
    Of wooers and of each variety
    Frequents me, as I were a maid. No brother
    Have I to dice my patrimony away, as you,
    My maiden-madam, may. No husband's death
    Stand I in doubt on; for thanks be to heaven,
    If mine were good, the grievous loss of him
    Is not to come; if he were bad, he's gone,
    And I no more embrace my injury.
    But be yours ill, you nightly clasp your hate;
    Or good--why, he may die or change his virtue.
    And thou, though single, hast a bed-fellow
    As bad as the worst husband--thought of one;
    And what that is men with their wives do do,
    And long expectance till the deed be done.
    A wife is like a garment us'd and torn:
    A maid like one made up, but never worn.

    MAID. A widow is a garment worn threadbare,
    Selling at second-hand, like broker's ware.
    But let us speak of things the present time
    Makes happy to us, and see what is best.
    I have a servant then, the crown of men,
    The fountain of humanity, the prize
    Of every virtue, moral and divine;
    Young, valiant, learned, well-born, rich, and shap'd,
    As if wise Nature, when she fashion'd him,
    Had meant to give him nothing but his form;
    Yet all additions are conferr'd on him,
    That may delight a woman: this same youth
    To me hath sacrific'd his heart, yet I
    Have check'd his suit, laugh'd at his worthy service,
    Made him the exercise of my cruelty,
    Whilst constant as the sun, for all these clouds,
    His love goes on.

_Enter_ INGEN.

    WID. Peace, here's the man you name.

    WIFE. Widow, we'll stand aside.

    INGEN. Good morrow to the glory of our age,
    The Lady Perfect and the Lady Bright,
                                [_Meeting the Wife and Widow._[75]
    The virtuous wife and widow; but to you,
    The Lady Honour and my mistress,
    The happiness of your wishes.

    MAID. By this light,
    I never heard one speak so scurvily,
    Utter such stale wit, and pronounce so ill.
    "But to you, my Lady Honour and my mistress,
    The happiness of your wishes!"

    INGEN. Stop your wit;
    You would fain show these ladies, what a hand
    You hold over your servant: 't shall not need;
    I will express your tyranny well enough,
    I have lov'd this lady since I was a child,
    Since I could construe _Amo:_ now she says
    I do not love her, 'cause I do not weep,
    Lay mine arms o'er my heart, and wear no garters,
    Walk with mine eyes in my hat, sigh and make faces
    For all the poets in the town to laugh at.
    Pox o' this howling love! 'tis like a dog
    Shut out at midnight. Must love needs be powder'd,
    Lie steep'd in brine, or will it not keep sweet?
    Is it like beef in summer?

    MAID. Did you ever
    Hear one talk fustian like a butcher thus?

    INGEN. 'Tis foolish, this same telling folks we love:
    It needs no words, 'twill show itself in deeds;
    And did I take you for an entertainer,
    A lady that will wring one by the finger,
    Whilst on another's toes she treads, and cries
    "By gad, I love but one, and you are he,"
    Either of them thinking himself the man,
    I'd tell you in your ear, put for the business,
    Which granted or denied, "Madam, God be wi' ye."

    MAID. Come, these are daily slanders that you raise
    On our infirm and unresisting sex:
    You never met, I'm sure, with such a lady.

    INGEN. O, many, by this light. I've seen a chamber
    Frequented like an office of the law:
    Clients succeed at midnight one another,
    Whilst the poor madam hath been so distress'd
    Which of her lovers to show most countenance to,
    That her dull husband has perceiv'd her wiles.

    MAID. Nay, perhaps taught her: many of those husbands
    Are base enough to live upon't.

    INGEN. I have seen another of 'em
    Cheat, by this light, at cards, and set her women
    To talk to the gentlemen that play'd,
    That, so distracted, they might oversee.

    MAID. O, fie upon ye! I dare swear you lie.

    INGEN. Do not, fair mistress; you will be forsworn.

    MAID. You men are all foul-mouth'd: I warrant, you
    Talk thus of me and other ladies here
    Because we keep the city.

    INGEN. O, profane!
    That thought would damn me. Will you marry yet?

    MAID. No, I will never marry.

    INGEN. Shall we then
    Couple unlawfully? for indeed this marrying
    Is but proclaiming what we mean to do;
    Which may be done privately in civil sort,
    And none the wiser; and by this white hand,
    The rack, strappado, or the boiling boot[76]
    Should never force me tell to wrong your honour.

    MAID. May I believe this?

    INGEN. Let it be your creed.

    MAID. But if you should prove false? Nay, ne'er unhang
    Your sword, except you mean to hang yourself.
    Why, where have you been drinking? 'sfoot, you talk
    Like one of these same rambling boys that reign
    In Turnbull Street.[77]

    INGEN. How do you know?

    MAID. Indeed, my knowledge is but speculative,
    Not practic there; I have it by relation
    From such observers as yourself, dear servant.
    I must profess I did think well of thee,
    But get thee from my sight, I never more
    Will hear or see thee, but will hate thee deadly,
    As a man-enemy, or a woman turn'd.
    Ladies, come forth.

_Enter_ WIDOW, WIFE.

    See, sir, what courtesy
    You have done to me: a strange praise of you
    Had newly left my lips just as you enter'd,
    And how you have deserv'd it with your carriage!
    Villain! thou hast hurt mine honour to these friends,
    For what can they imagine but some ill
    Hath pass'd betwixt us by thy broad discourse?
    Were my case theirs, by virgin chastity,
    I should condemn them. Hence! depart my sight!

    INGEN. Madam, but hear me. O, that these were men,
    And durst but say or think you ill for this!
    I have so good a cause upon my side
    That I would cut their hearts out of their breasts,
    And the thoughts out of them that injur'd you.
    But I obey your hest, and for my penance
    Will run a course never to see you more:
    And now I lose you, may I lose the light,
    Since in that beauty dwelt my day or night.     [_Exit_ INGEN.

    WID. Is this the virtuous youth?

    WIFE. Your happiness?

    WID. Wherein you thought your seat so far[78] 'bove ours.

    MAID. If one man could be good, this had been he.
    See, here come all your suitors and your husband;
    And, room for laughter! here's the Lord Feesimple.
    What gentlewoman does he bring along?

_Enter_ HUSBAND, _embracing_ SUBTLE; _the_ LORD FEESIMPLE, _with young_
BOLD _like a waiting gentlewoman, and_ WELLTRIED. WELLTRIED, HUSBAND,
_and_ SUBTLE, _talk with_ WIFE.

FEE. One-and-thirty good morrows to the fairest, wisest, richest widow
that ever conversation coped withal.

    WID. Threescore and two unto the wisest lord
    That ever was train'd in university.

FEE. O courteous, bounteous widow! she has outbid me thirty-one good
morrows at a clap.

WELL. But, my Lord Feesimple, you forget the business imposed on you.

FEE. Gentlewoman, I cry thee mercy; but 'tis a fault in all lords, not
in me only: we do use to swear by our honours, and as we are noble, to
despatch such a business for such a gentleman; and we are bound, even by
the same honours we swear by, to forget it in a quarter of an hour, and
look as if we had never seen the party when we meet next, especially if
none of our gentlemen have been considered.

WELL. Ay, but all yours have, for you keep none, my lord: besides,
though it stands with your honour to forget men's businesses, yet it
stands not with your honour if you do not do a woman's.

FEE. Why then, madam, so it is that I request your ladyship to accept
into your service this gentlewoman. For her truth and honesty I will be
bound; I have known her too long to be deceived. This is the second time
I have seen her. [_Aside._]

MAID. Why, how now, my lord! a preferrer of gentlewomen to service, like
an old knitting-woman? where hath she dwelt before?

FEE. She dwelt with young Bold's sister, he that is my corrival in your
love. She requested me to advance her to you, for you are a dubbed lady;
so is not she yet.

WELL. But now you talk of young Bold--when did you see him, lady?

    WID. Not this month, Master Welltried.
    I did conjure him to forbear my sight;
    Indeed, swore if he came, I'd be denied.
    But 'tis strange you should ask for him: ye two
    Were wont never to be asunder.

    WELL. Faith, madam, we never were together, but
    We differ'd on some argument or other;
    And doubting lest our discord might at length
    Breed to some quarrel, I forbear him too.

FEE. He quarrel? Bold? hang him, if he durst have quarrelled, the world
knows he's within a mile of an oak has put him to't, and soundly. I
never cared for him in my life, but to see his sister: he's an ass,
pox! an arrant ass; for do you think any but an arrant ass would offer
to come a-wooing where a lord attempts? He quarrel!--he dares not
quarrel.

    WELL. But he dares fight, my lord, upon my knowledge:
    And rail no more, my lord, behind his back,
    For if you do, my lord, blood must ensue.            [_Draws._

    FEE. O, O, my honour dies! I am dead.               [_Swoons._

    WELL. Ud's light, what's the matter? wring him by the nose.

    WID. A pair of riding spurs, now, were worth gold.

    MAID. Pins are as good. Prick him, prick him.

    FEE. O, O!

    WIFE. He's come again. Lift him up.

    OMNES. How fares your lordship?

    FEE. O friends, you have wrong'd my spirit to call it back:
    I was ev'n in Elysium at rest.

WELL. But why, sir, did you swoon?

FEE. Well, though I die, Mister Welltried, before all these I do forgive
you, because you were ignorant of my infirmity. O sir! is't not up yet?
I die again! Put up, now, whilst I wink, or I do wink for ever.

WELL. 'Tis up, my lord; ope your eyes: but I pray, tell me, is this
antipathy 'twixt bright steel and you natural, or how grew it.

FEE. I'll tell you, sir: anything bright and edged works thus strongly
with me. Your hilts, now, I can handle as boldly, look you else.

HUS.[79] Nay, never blame my lord, Master Well-tried, for I know a
great many will swoon at the sight of a shoulder of mutton or a quarter
of lamb. My lord may be excused, then, for a naked sword.

WELL. This lord and this knight in dog-collars would make a fine brace
of beagles.

MAID. But, on my faith, 'twas mightily over-seen of your father, not to
bring you up to foils--or if he had bound you 'prentice to a cutler or
an ironmonger.

FEE. Ha, pox! hang him, old gouty fool! He never brought me up to any
lordly exercise, as fencing, dancing, tumbling, and such like; but,
forsooth, I must write and read, and speak languages, and such base
qualities, fit for none but gentlemen. Now, sir, would I tell him,
"Father, you are a count, I am a lord. A pox o' writing and reading, and
languages! Let me be brought up as I was born."

SUB. But how, my lord, came you first not to endure the sight of steel?

FEE. Why, I'll tell you, sir. When I was a child, an infant, an
innocent[80]--

MAID. 'Twas even now. [_Aside._]

FEE. I being in the kitchen, in my lord my father's house, the cook was
making minced pies: so, sir, I standing by the dresser, there lay a heap
of plums. Here was he mincing: what did me I, sir, being a notable
little witty coxcomb, but popped my hand just under his chopping-knife,
to snatch some raisins, and so was cut o'er the hand, and never since
could I endure the sight of any edge-tool.

WID. Indeed, they are not fit for you, my lord. And now you are all so
well satisfied in this matter, pray, ladies, how like you this my
gentlewoman?

MAID. In troth, madam, exceedingly well, I. If you be provided, pray,
let me have her.

WIFE. It should be my request, but that I am full.

WID. What can you do? What's her name, my lord?

FEE. Her name? I know not. What's her name, Master Welltried?

WEL. Her name? 'Slid, tell my lady your name.

BOLD. Mistress Mary Princox, forsooth.

WID. Mistress Mary Princox. She has wit, I perceive that already.
Methinks she speaks as if she were my lord's brood.

BOLD. Brood, madam? 'Tis well known I am a gentlewoman. My father was a
man of five hundred per annum, and he held something _in capite_ too.

WEL. So does my lord something.

FEE. Nay, by my troth, what I hold _in capite_ is worth little or
nothing.

BOLD. I have had apt breeding, however, my misfortune now makes me
submit myself to service; but there is no ebb so low, but hath his tide
again. When our days are at worst, they will mend in spite of the
frowning destinies, for we cannot be lower than earth; and the same
blind dame that hath cast her blear eyes hitherto upon my occasions may
turn her wheel, and at last wind them up with her white hand to some
pinnacle that prosperously may flourish in the sunshine of promotion.

FEE. O mouth, full of agility! I would give twenty marks now to any
person that could teach me to convey my tongue (_sans_ stumbling) with
such dexterity to such a period. For her truth and her honesty I am
bound before, but now I have heard her talk, for her wit I will be bound
body and goods.

WID. Ud's light, I will not leave her for my hood. I never met with one
of these eloquent old gentlewomen before. What age are you, Mistress
Mary Princox?

BOLD. I will not lie, madam. I have numbered fifty-seven summers, and
just so many winters have I passed.

SUB. But they have not passed you; they lie frozen in your face.

BOLD. Madam, if it shall please you to entertain me, so; if not, I
desire you not to misconstrue my goodwill. There's no harm done; the
door's as big as it was, and your ladyship's own wishes crown your
beauty with content. As for these frumping gallants, let them do their
worst. It is not in man's power to hurt me. 'Tis well known I come not
to be scoffed. A woman may bear and bear, till her back burst. I am a
poor gentlewoman, and since virtue hath nowadays no other companion but
poverty, I set the hare's head unto the goose giblets, and what I want
one way, I hope I shall be enabled to supply the other.

FEE. An't please God, that thou wert not past children.

WID. Is't even so, my lord? Nay, good Princox, do not cry. I do
entertain you. How do you occupy? What can you use?

BOLD. Anything fit to be put into the hands of a gentlewoman.

WID. What are your qualities?

BOLD. I can sleep on a low stool. If your ladyship be talking in the
same room with any gentleman, I can read on a book, sing love-songs,
look up at the loover light,[81] hear and be deaf, see and be blind, be
ever dumb to your secrets, swear and equivocate, and whatsoever I spy,
say the best.

WID. O rare crone, how art thou endued! But why did Master Bold's sister
put you away?

BOLD. I beseech you, madam, to neglect that desire: though I know your
ladyship's understanding to be sufficient to partake, or take in, the
greatest secret can be imparted, yet----

WID. Nay, prythee, tell the cause. Come, here's none but friends.

BOLD. Faith, madam, heigho! I was (to confess truly) a little foolish in
my last service to believe men's oaths, but I hope my example, though
prejudicial to myself, will be beneficial to other young gentlewomen in
service. My mistress's brother (the gentleman you named even now--Master
Bold), having often attempted my honour, but finding it impregnable,
vowed love and marriage to me at the last. I, a young thing and raw,
being seduced, set my mind upon him, but friends contradicting the
match, I fell into a grievous consumption; and upon my first recovery,
lest the intended sacred ceremonies of nuptials should succeed, his
sister, knowing this, thought it fit in her judgment we should be
farther asunder, and so put me out of her service.

    OMNES. Ha, ha, ha!

    WID. God-a-mercy for this discovery, i' faith.
    O man, what art thou when thy cock is up?
    Come, will your lordship walk in? 'tis dinner-time.

_Enter hastily_ SELDOM, _with papers on his arm_.

OMNES. Who's this? who's this?

MAID. This is our landlord, Master Seldom, an exceeding wise citizen, a
very sufficient understanding man, and exceeding rich.

OMNES. Miracles are not ceased.

WID. Good morrow, landlord. Where have you been sweating?

SEL. Good morrow to your honours: thrift is industrious. Your ladyship
knows we will not stick to sweat for our pleasures: how much more ought
we to sweat for our profits! I am come from Master Ingen this morning,
who is married, or to be married; and though your ladyship did not
honour his nuptials with your presence, he hath by me sent each of you a
pair of gloves, and Grace Seldom, my wife, is not forgot. [_Exit._

    OMNES. God give him joy, God give him joy.      [_Exeunt._[82]

    MAID. Let all things most impossible change now!
    O perjur'd man! oaths are but words, I see.
    But wherefore should not we, that think we love
    Upon full merit, that same worth once ceasing,
    Surcease our love too, and find new desert?
    Alas! we cannot; love's a pit which, when
    We fall into, we ne'er get out again:
    And this same horrid news which me assaults,
    I would forget: love blanches blackest faults.
    O, what path shall I tread for remedy
    But darkest shades, where love with death doth lie!   [_Exit._

_Manent_ HUSBAND, WIFE, SUBTLE.

    WIFE. Sir, I have often heard my husband speak
    Of your acquaintance.

    HUS. Nay, my virtuous wife,
    Had it been but acquaintance, this his absence
    Had not appear'd so uncouth: but we two
    Were school-fellows together, born and nurs'd,
    Brought up, and liv'd since, like the Gemini:
    Had but one suck: the tavern or the ordinary,
    Ere I was married, that saw one of us
    Without the other, said we walk'd by halves.
    Where, dear--dear friend, have you been all this while?

    SUB. O most sweet friend, the world's so vicious,
    That had I with such familiarity
    Frequented you, since you were married,
    Possess'd and us'd your fortunes as before,
    As in like manner you commanded mine,
    The deprav'd thoughts of men would have proclaim'd
    Some scandalous rumours from this love of ours,
    As saying mine reflected on your lady;
    And what a wound had that been to our souls,
    When only friendship should have been the ground
    To hurt her honour and your confident peace,
    Spite of mine own approv'd integrity?

    HUS. Wife, kiss him, bid him welcome: pox o' th' world!
    Come, come, you shall not part from me in haste.
    I do command thee use this gentleman
    In all things like myself: if I should die,
    I would bequeath him in my will to thee.[83]

    WIFE. Sir, you are most welcome, and let scandalous tongues
    No more deter you: I dare use you, sir,
    With all the right belonging to a friend,
    And what I dare, I dare let all men see.
    My conscience, rather than men's thoughts, be free.

    HUS. Will you look in? We'll follow you.         [_Exit_ WIFE.

    Now, friend,
    What think you of this lady?

    SUB. Why, sweet friend,
    That you are happy in her: she is fair,
    Witty, and virtuous, and was rich to you.
    Can there be an addition to a wife?

    HUS. Yes, constancy; for 'tis not chastity
    That lives remote, from all attempters free,
    But there 'tis strong and pure, where all that woo
    It doth resist,[84] and turns them virtuous too.
    Therefore, dear friend, by this, love's masculine kiss,
    By all our mutual engagements pass'd,
    By all the hopes of amity to come,
    Be you the settler of my jealous thoughts,
    And make me kill my fond suspect of her
    By assurance that she is loyal, otherwise
    That she is false; and then, as she's past cure,
    My soul shall ever after be past care.
    That you are fittest for this enterprise,
    You must needs understand; since, prove she true
    In this your trial, you (my dearest friend).
    Whom only rather than the world besides,
    I would have satisfied of her virtue, shall see[85]
    And best conceal my folly. Prove she weak,
    'Tis better you should know't than any man,
    Who can reform her, and do me no wrong.
    Chemical metals, and bright gold itself,
    By sight are not distinguish'd, but by th' test:
    Thought makes good wives, but trial makes the best.
    To the unskilful owner's eyes alike
    The Bristow sparkles as the diamond,[86]
    But by a lapidary the truth is found--
    Come, you shall not deny me.

    SUB. Do not wrong
    So fair a wife, friend, and so virtuous,
    Whose good name is a theme unto the world:
    Make not a wound with searching, where was none.
    Misfortune still such projects doth pursue;
    He makes a false wife that suspects a true.
    Yet since you so importune, give me leave
    To ruminate awhile, and I will straight
    Follow, and give you an answer.

    HUS. You must do it.                                  [_Exit._

    SUB. Assure yourself, dear coxcomb, I will do't,
    Or strangely be denied. All's as I wish'd;
    This was my aim, although I have seem'd strange.
    I know this fellow now to be an ass,
    A most unworthy husband, though in view
    He bear himself thus fair; she knows this too,
    Therefore the stronger are my hopes to gain her;
    And, my dear friend, that will have your wife tried,
    I'll try her first, then trust her, if I can;
    And, as you said most wisely, I hope to be
    Both touchstone to your wife and lapidary.            [_Exit._


FOOTNOTES:

  [72] The Lady Honour is called _Maid_, the Lady Perfect _Wife_, and
  the Lady Bright _Widow_.

  [73] The 2d edit. reads _excellent_ for _insolent_.

  [74] Edits., _rest_.

  [75] They retire soon afterwards, but the _exit_ is not marked.

  [76] In his "Woman is a Weathercock," Field has already mentioned
  these instruments of torture in conjunction with some others, and to a
  similar import: what he here calls _the boiling boot_ he there terms
  _the Scotch boot;_ but they were probably the same thing, in the one
  case, hot oil or water supplying the place of wedges in the latter
  instance.

  [77] _Turnbull_ Street was sometimes spelt _Turnball_ Street, and
  sometimes (as Field himself gives it in another part of this play)
  _Turnbole_ Street. It was situated between Cow Cross and Clerkenwell
  Green, and is celebrated by many of our old dramatists as the
  residence of ruffians, thieves, and prostitutes. Its proper name was
  _Turnmill_ Street. See Stow's "Survey," 1599, p. 12.

  [78] The later copy spoils the measure by omitting the words _so far_.

  [79] Elsewhere in this play he is merely called _Husband_, though
  before this speech in the old copies _Knight_ is inserted. It
  afterwards appears that such is his rank.

  [80] The word _innocent_ was used of old sometimes as synonymous with
  _fool_, as in the following passage--

      "Nay, God forbid ye shoulde do so,
      for he is but an _innocent_, lo,
      In manner of a _fole_."

  --"Int. of the Four Elements" [i. 42].

  [81] _i.e._, Skylight, [See vol. viii. p. 320].

  [82] That is, all but Lady Honour, Lady Perfect, the Husband, and
  Subtle.

  [83] Ought we not rather to read--

      "I would bequeath _thee_ in my will to _him_?"

  [84] The second 4º reads _consist_.

  [85] [Old copies, _be_.]

  [86] The second 4º has this line--

      "The Bristow sparkles _are as_ diamond."

  The meaning is evident.



ACT II., SCENE 1.


_Enter_ SELDOM _[and] his wife_ GRACE, _working as in their shop_.

GRACE. Husband, these gloves are not fit for my wearing; I'll put 'em
into the shop, and sell 'em: you shall give me a plain pair for them.

SEL. This is wonderful, wonderful! this is thy sweet care and judgment
in all things: this goodness is not usual in our wives. Well, Grace
Seldom, that thou art fair is nothing, that thou art well-spoken is
nothing, that thou art witty is nothing, that thou art a citizen's wife
is nothing; but, Grace, that thou art fair, that thou art well-spoken,
that thou art witty, that thou art a citizen's wife, and that thou art
honest, I say--and let any man deny it that can, it is something, it is
something; I say, it is Seldom's something, and for all the sunshine of
my joy, mine eyes must rain upon thee.

_Enter_ MOLL CUT-PURSE, _with a letter_.

MOLL. By your leave, Master Seldom, have you done the hangers I bespake
for the knight?

SEL. Yes, marry have I, Mistress _hic_ and _hæc;_[87] I'll fetch 'em to
you. [_Exit._

MOLL. Zounds! does not your husband know my name? if it had been
somebody else, I would have called him cuckoldy slave.

GRACE. If it had been somebody else, perhaps you might.

MOLL. Well, I may be even with him; all's clear. Pretty rogue, I have
longed to know thee this twelve months, and had no other means but this
to speak with thee. There's a letter to thee from the party.

GRACE. What party?

MOLL. The knight, Sir John Love-all.

    GRACE. Hence, lewd impudent!
    I know not what to term thee, man or woman,
    For, Nature, shaming to acknowledge thee
    For either, hath produc'd thee to the world
    Without a sex: some say thou art a woman,
    Others a man: and many, thou art both
    Woman and man, but I think rather neither,
    Or man and horse, as the old centaurs were feign'd.

MOLL. Why, how now, Mistress What-lack-ye? are you so fine, with a pox?
I have seen a woman look as modestly as you, and speak as sincerely, and
follow the friars as zealously,[88] and she has been as sound a jumbler
as e'er paid for't: 'tis true, Mistress Fi'penny, I have sworn to leave
this letter.

GRACE. D'ye hear, you Sword-and-target (to speak in your own key), Mary
Ambree, Long Meg.[89]

    Thou that in thyself, methinks, alone
    Look'st like a rogue and whore under a hedge;
    Bawd, take your letter with you, and begone,
    When next you come, my husband's constable,
    And Bridewell is hard by: you've a good wit,
    And can conceive----

_Enter_ SELDOM, _with hangers_.

    SEL. Look you, here are the hangers.

    MOLL. Let's see them.
    Fie, fie! you have mistook me quite,
    They are not for my turn. B'w'ye, Mistress Seldom.    [_Exit._

_Enter_ LORD PROUDLY.

    GRACE. Here's my Lord Proudly.

    PROUDLY. My horse, lackey! is my sister Honour above?

    SEL. I think her ladyship, my lord, is not well, and keeps her
      chamber.

    PROUDLY. All's one, I must see her: have the other ladies dined?

    GRACE. I think not, my lord.

PROUDLY. Then I'll take a pipe of tobacco here in your shop, if it be
not offensive. I would be loth to be thought to come just at
dinner-time. [_To his servant_] Garçon! fill, sirrah.

_Enter_ PAGE, _with a pipe of tobacco_.

What said the goldsmith for the money?

         [SELDOM, _having fetched a candle, walks off at the other
          end of the shop_. LORD PROUDLY _sits by his wife_.

PAGE. He said, my lord, he would lend no man money that he durst not
arrest.

    PROUDLY. How got that wit into Cheapside, trow? He is a cuckold. Saw
    you my lady to-day? hat says she?            [_Takes tobacco._

PAGE. Marry, my lord, she said her old husband had a great payment to
make this morning, and had not left her so much as a jewel.

    PROUDLY. A pox of her old cat's chaps! The teeth she had
    Have made a transmigration into hair:
    She hath a bigger beard than I, by this light.
                                        [LORD _whispers to_ GRACE.

    SEL. This custom in us citizens is good:
    Thus walking off, when men talk with our wives;
    It shows us courteous and mannerly.
    Some count it baseness; he's a fool that does so.
    It is the highest point of policy,
    Especially when we have virtuous wives.

    GRACE. Fie, fie! you talk uncivilly, my lord.

PROUDLY. Uncivilly, mew! Can a lord talk uncivilly? I think you, a
finical taffata pipkin, may be proud I'll sit so near it. Uncivilly,
mew!

GRACE. Your mother's cat has kittened in your mouth, sure.

PROUDLY. Prythee, but note yon fellow. Does he not walk and look as if
he did desire to be a cuckold?

GRACE. But you do not look as if you could make him one. Now they have
dined, my lord.

_Enter_ LORD FEESIMPLE _and_ WELLTRIED.

    FEE. God save your lordship.

    PROUDLY. How dost thou, coz? Hast thou got any more wit yet?

    FEE. No, by my troth, I have
    But little money with that little wit I have,
    And the more wit ever the less money;
    Yet as little as I have of either,
    I would give something that I durst but quarrel:
    I would not be abus'd thus daily as I am.

    WELL. Save you, my lord.

PROUDLY. Good Master Welltried, you can inform me: pray, how ended the
quarrel betwixt young Bold and the other gentleman?

WELL. Why, very fairly, my lord; on honourable terms. Young Bold was
injured and did challenge him, fought in the field, and the other gave
him satisfaction under his hand. I was Bold's second, and can show it
here.

    PROUDLY. 'Tis strange there was no hurt done, yet I hold
    The other gentleman far the better man.

    WELL. So do not I.

PROUDLY. Besides, they say the satisfaction that walks in the ordinaries
is counterfeit.

    WELL. He lies that say so, and I'll make it good.
    And for I know my friend is out of town,
    What man soever wrongs him is my foe.
    I say he had full satisfaction,
    Nay, that which we may call submission;
    That the other sought peace first; and who denies this,
    Lord, knight or gentleman: English, French or Scot,
    I'll fight and prove it on him with my sword.

FEE. No, sweet Master Welltried, let's have no fighting, till (as you
have promised) you have rid me from this foolish fear, and taught me to
endure to look upon a naked sword.

WELL. Well, and I'll be as good as my word.

FEE. But do you hear, cousin Proudly? They say my old father must marry
your sister Honour, and that he will disinherit me, and entail all his
lordships on her and the heir he shall beget on her body. Is't true or
not?

    PROUDLY. There is such a report.

    FEE. Why, then I pray God he may die an old cuckoldy slave.
    O world, what art thou? where is parent's love?
    Can he deny me for his natural child?
    Yet see (O fornicator!) old and stiff,
    Not where he should be, that's my comfort yet.
    As for you, my lord, I will send to you as soon as
    I dare fight, and look upon steel; which, Master
    Welltried (I pray) let be with all possible speed.

    PROUDLY. What d'ye this afternoon?

FEE. Faith, I have a great mind to see Long Meg and the Ship at the
Fortune.[90]

PROUDLY. Nay, i' faith, let's up and have a rest at primero.

WELL. Agreed, my lord; and toward the evening I'll carry you to the
company.

    FEE. Well, no more words.
      [_Exeunt_ LORD PROUDLY, LORD FEESIMPLE, _and_ WELLTRIED.[91]

GRACE. I wonder, sir, you will walk so, and let anybody sit prating to
your wife. Were I a man, I'd thrust 'em out o' th' shop by the head and
shoulders.

SEL. There were no policy in that, wife; so should I lose my custom. Let
them talk themselves weary, and give thee love-tokens--still I lose not
by it.

    Thy chastity's impregnable, I know it.
    Had I a dame, whose eyes did swallow youth,
    Whose unchaste gulf together did take in
    Masters and men, the footboys and their lords,
    Making a gallimaufry in her blood,
    I would not walk thus then: but, virtuous wife,
    He that in chaste ears pours his ribald talk
    Begets hate to himself, and not consent;
    And even as dirt, thrown hard against a wall,
    Rebounds and sparkles in the thrower's eyes,
    So ill words, utter'd to a virtuous dame,
    Turn and defile the speaker with red shame.         [_Exeunt._


SCENE II.

_Enter_ HUSBAND _and_ WIFE.

    HUS. Zounds! you're a whore; though I entreat him fair
    Before his face, in compliment or so,
    I not esteem him truly as this rush.
    There's no such thing as friendship in the world,
    And he that cannot swear, dissemble, lie,
    Wants knowledge how to live, and let him die.

    WIFE. Sir, I did think you had esteem'd of him,
    As you made show; therefore I us'd him well,
    And yet not so, but that the strictest eye
    I durst have made a witness of my carriage.

    HUS. Plague o' your carriage! why, he kiss'd your hand,
    Look'd babies in your eyes, and wink'd and pink'd.
    You thought I had esteem'd him! 'Sblood. you whore!
    Do not I know that you do know you lie?
    When didst thou hear me say and mean one thing?
    O, I could kick you now, and tear your face,
    And eat thy breasts like udders.

    WIFE. Sir, you may,
    But if I know what hath deserv'd all this,
    I am no woman: 'cause he kiss'd my hand
    Unwillingly?

    HUS. A little louder, pray.

    WIFE. You are a base fellow, an unworthy man,
    As e'er poor gentlewoman match'd withal.
    Why should you make such show of love to any
    Without the truth? thy beastly mind is like
    Some decay'd tradesman, that doth make his wife
    Entertain those for gain he not endures.
    Pish! swell and burst: I had rather with thy sword
    Be hew'd to pieces, than lead such a life.
    Out with it, valiant sir: I hold you for
    A drawer upon women, not on men.
    I will no more conceal your hollow heart,
    But e'en report you as you are in truth.

    HUS. This is call'd marriage. Stop your mouth, you whore.

    WIFE. Thy mother was a whore, if I be one.

    HUS. You know there's company in the house.

_Enter_ SUBTLE.

    Sweet friend, what, have you writ your letter?

    SUB. Tis done, dear friend: I have made you stay too long;
    I fear you'll be benighted.

    HUS. Fie! no, no.
    Madam and sweetest wife, farewell; God bless us.
    Make much of Master Subtle here, my friend,     [_Kisses her._
    Till my return, which may be ev'n as't happens,
    According as my business hath success.                [_Exit._

    SUB. How will you pass the time now, fairest mistress?

    WIFE. In troth, I know not: wives without their husbands,
    Methinks, are low'ring days.

    SUB. Indeed, some wives
    Are like dead bodies in their husbands' absence.

    WIFE. If any wife be, I must needs be so,
    That have a husband far above all men;
    Untainted with the humours others have,
    A perfect man, and one that loves you truly:
    You see the charge he left of your good usage.

    SUB. Pish! he's an ass, I know him; a stark ass,
    Of a most barbarous condition,
    False-hearted to his friend, rough unto you;
    A most dissembling and perfidious fellow.
    I care not if he heard me: this I know,
    And will make good upon him with my sword,
    Or any for him--for he will not fight.

    WIFE. Fie, servant! you show small civility
    And less humanity: d'ye requite
    My husband's love thus ill? for what d'ye think
    Of me, that you will utter to my face
    Such harsh, unfriendly, slanderous injuries
    Even of my husband? Sir, forbear, I pray,
    My ears or your own tongue: I am no house-wife
    To hear my husband's merit thus deprav'd.

    SUB. His merit is a halter, by this light.
    You think he's out of town now; no such matter:
    But gone aside, and hath importun'd me
    To try your chastity.

    WIFE. It cannot be.
    Alas! he is as free from jealousy,
    And ever was, as confidence itself.
    I know he loves me too-too heartily
    To be suspicious, or to prove my truth.

    SUB. If I do feign in ought, ne'er may I purchase
    The grace I hope for! and, fair mistress,
    If you have any spirit, or wit, or sense,
    You will be even with such a wretched slave.
    Heaven knows I love you as the air I draw!
    Think but how finely you may cuckold him,
    And safely, too, with me, who will report
    To him, that you are most invincible,
    Your chastity not to be subdu'd by man.

    WIFE. When you know I'm a whore?

    SUB. A whore? fie! no;
    That you have been kind, or so: your whore doth live
    In Pickt-hatch,[92] Turnbull Street.

    WIFE. Your whore lives there! [_Aside._]
    Well, servant, leave me to myself awhile:
    Return anon; but bear this hope away,
    'T shall be with you, if I at all do stray.    [_Exit_ SUBTLE.
    Why, here's right wordly[93] friendship! ye're well-met.
    O men! what are you? why is our poor sex
    Still made the disgrac'd subjects in these plays
    For vices, folly, and inconstancy:
    When, were men look'd into with such critical eyes
    Of observation, many would be found
    So full of gross and base corruption,
    That none (unless the devil himself turn'd writer)
    Could feign so badly to express them truly?
    Some wives that had a husband now, like mine,
    Would yield their honours up to any man:
    Far be it from my thoughts! O, let me stand,
    Thou God of marriage and chastity,
    An honour to my sex! no injury
    Compel the virtue of my breast to yield!
    It's not revenge for any wife to stain
    The nuptial bed, although she be yok'd ill.
    Who falls, because her husband so hath done,
    Cures not his wound, but in herself makes one.   [_Exit_ WIFE.


SCENE III.

_Enter_ INGEN, _reading a letter; sits down in a chair, and stamps with
his foot; to him a_ SERVANT.

    INGEN. Who brought this letter?

    SER. A little Irish footboy, sir:
    He stays without for an answer.

    INGEN. Bid him come in. Lord!
    What deep dissemblers are these females all.
    How far unlike a friend this lady us'd me,
    And here how like one mad in love she writes.

_Enter_ MAID, _like an Irish footboy, with a dart,[94] gloves in her
pocket, and a handkerchief_.

    So bless me, heaven, but thou art the prettiest boy
    That e'er ran by a horse! hast thou dwelt long
    With thy fair mistress?

    MAID. I came but this morning, sir.

    INGEN. How fares thy lady, boy?

    MAID. Like to a turtle that hath lost her mate,
    Drooping she sits; her grief, sir, cannot speak.
    Had it a voice articulate, we should know
    How and for what cause she suffers; and perhaps--
    But 'tis unlikely--give her comfort, sir.
    Weeping she sits, and all the sound comes from her
    Is like the murmur of a silver brook,
    Which her tears truly would make there about her,
    Sat she in any hollow continent.

    INGEN. Believe me, boy, thou hast a passionate tongue,
    Lively expression, or thy memory
    Hath carried thy lesson well away.
    But wherefore mourns thy lady?

    MAID. Sir, you know,
    And would to God I did not know myself!

    INGEN. Alas! it cannot be for love to me.
    When last I saw her, she revil'd me, boy,
    With bitterest words, and wish'd me never more
    To approach her sight; and for my marriage now
    I do sustain it as a penance due
    To the desert that made her banish me.

    MAID. Sir, I dare swear, she did presume no words,
    Nor dangers had been powerful to restrain
    Your coming to her, when she gave the charge--
    But are you married truly?

    INGEN. Why, my boy,
    Dost think I mock myself? I sent her gloves.

    MAID. The gloves she has return'd you, sir, by me,
    And prays you give them to some other lady,
    That you'll deceive next, and be perjured to.
    Sure, you have wrong'd her: sir, she bad me tell you,
    She ne'er thought goodness dwelt in many men,
    But what there was of goodness in the world,
    She thought you had it all; but now she sees
    The jewel she esteem'd is counterfeit;
    That you are but a common man yourself--
    A traitor to her and her virtuous love;
    That all men are betrayers, and their breasts
    As full of dangerous gulfs as is the sea,
    Where any woman, thinking to find harbour,
    She and her honour are precipitated,
    And never to be brought with safety off.
    Alas, my hapless lady desolate!
    Distress'd, forsaken virgin!

    INGEN. Sure, this boy
    Is of an excellent nature who, so newly
    Ta'en to her service, feels his mistress' grief,
    As he and they were old familiar friends.
    Why weep'st thou, gentle lad?

    MAID. Who hath one tear,
    And would not save't from all occasions,
    From brothers' slaughters and from mothers' deaths,
    To spend it here for my distressed lady?
    But, sir, my lady did command me beg
    To see your wife, that I may bear to her
    The sad report. What creature could make you
    Untie the hand fast pledged unto her?

    INGEN. Wife, wife, come forth! now, gentle boy, be judge,

_Enter_ INGEN'S BROTHER, _like a woman, masked_. INGEN _kisses her_.

    If such a face as this, being paid with scorn
    By her I did adore, had not full power
    To make me marry.

    MAID. By the God of love,
    She's a fair creature, but faith, should be fairer.
    My lady, gentle mistress, one that thought
    She had some interest in this gentleman,
    (Who now is only yours) commanded me
    To kiss your white hand, and to sigh and weep,
    And wish you that content she should have had
    In the fruition of her love you hold.
    She bad me say, God give you joy, to both;
    Yet this withal (if ye were married):
    No one her footsteps ever more should meet,
    Nor see her face but in a winding-sheet.

    BRO. Alas, poor lady! faith, I pity her,
    And, but to be i' th' same state, could forego
    Anything I possess to ease her woe.

    MAID. Love's blessing light upon thy gentle soul!
    Men rail at women, mistress, but 'tis we
    Are false and cruel, ten times more unkind;
    You are smoother far and of a softer mind.
    Sir, I have one request more.

    INGEN. Gentle lad,
    It must be one of a strange quality
    That I deny thee: both thy form and mind
    Inform me that thy nurture hath been better,
    Than to betray thee to this present life.

    MAID. 'Tis, that you would vouchsafe to entertain me.
    My feet do tremble under me to bear
    My body back unto my uncouth lady,
    To assure her grief. What heart so hard would owe
    A tongue to tell so sad a tale to her?
    Alas! I dare not look upon her eyes,
    Where wronged love sits like the basilisk.
    And, sure, would kill me for my dire report:
    Or rather should not I appear like death,
                                           [_Holding up his dart._
    When every word I spake shot through her heart
    More mortally than his unsparing dart.

    BRO. Let me speak for the boy.

    INGEN. To what end, love?
    No, I will sue to him to follow me.
    In troth, I love thy sweet condition,
    And may live to inform thy lady of thee.
    Come in; dry, dry thine eyes, respite thy woe;
    The effects of causes[95] crown or overthrow.


SCENE IV.

_Enter_ LORD PROUDLY, LORD FEESIMPLE, WELLTRIED, SELDOM, WIDOW, BOLD
_pinning in a ruff_, WIFE.

    PROUDLY. 'Slight, what should be become of her? you swear
    She pass'd not forth of doors, and i' th' house she is not?

    WID. Did you not see her, Princox?

    PROUDLY. This same bawd
    Has brought her letters from some younger brother,
    And she is stolen away.

    BOLD. Bawd! I defy you.
    Indeed, your lordship thinks you may make bawds
    Of whom you please. I'll take my oath upon a book,
    Since I met her in the necessary house i' th' morning,
    I ne'er set eye on her.

GRACE. She went not out of doors.

PROUDLY. Sure, she has an invisible ring.

FEE. Marry, she's the honester woman, for some of their rings are
visible enough, the more shame for them, still say I. Let the pond at
Islington be searched: go to, there's more have drowned themselves for
love this year than you are aware of.

PROUDLY. Pish! you are a fool.

WELL. 'Sheart! call him fool again.

FEE. By this light, and I will, as soon as ever you have showed me the
Swaggerers.[96]

WIFE. Her clothes are all yonder, my lord.

GRACE. And even those same she had on to-day.

PROUDLY. Madam, where is your husband?

WIFE. Rid into the country.

FEE. O' my conscience, rid into France with your sister.

OMNES. Away, away; for shame!

FEE. Why, I hope she is not the first lady that has ran away with other
women's husbands.

WELL. It may be she's stolen out to see a play.

PROUDLY. Who should go with her, man?

WID. Upon my life, you'll hear of her at Master Ingen's house: some
love pass'd betwixt them, and we heard that he was married to-day to
another.

  PROUDLY. 'Sheart! I'll go see.             [_Exit_ LORD PROUDLY.

WELL. Come to the Swaggerers.

FEE. Mercy upon me! a man or a--Lord now?

                              [_Exeunt_ LORD FEESIMPLE, WELLTRIED.

OMNES. Here's a coil with a lord and his sister.

WID. Princox, hast not thou pinned in that ruff yet? ha! how thou
fumblest!

BOLD. Troth, madam, I was ne'er brought up to it; 'tis chambermaid's
work, and I have ever lived gentlewoman, and been used accordingly.

                                                        [_Exeunt._

FOOTNOTES:

  [87] In reference to her female sex and male attire.

  [88] These words contain an allusion to Blackfriars as a common
  residence of the Puritans. The Widow subsequently refers to the same
  circumstance, when in act iii. she asks Bold: "Precise and learned
  Princox, dost thou not go to Blackfriars." That Blackfriars, although
  the play-house was there, was crowded with Puritans may be proved by
  many authorities.

  [89] Two celebrated English heroines. The achievements of Mary Ambree
  at the siege of Ghent, in 1584, are celebrated in a ballad which goes
  by her name in Percy's "Reliques," ii. 239, edit. 1812. She is
  mentioned by Fletcher, Ben Jonson, and many other dramatists; some of
  whom were her contemporaries. Dr Percy conjectured that the "English
  Mall" of Butler was the same female soldier, but he probably alluded
  to Mall or Moll Cut-purse who forms a character in this play. Long Meg
  is Long Meg of Westminster, also a masculine lady of great notoriety,
  and after whom a cannon in Dover Castle, and a large flagstone in the
  cloisters of Westminster Abbey are still called. Her life and "merry
  pranks" were detailed in a pamphlet dated in [1582], and reprinted
  [from a later edition] in 1816. It is conjectured that she was dead in
  1594, but she is often spoken of in our old writers. It will be seen
  by a subsequent note that Long Meg was the heroine of a play which has
  not survived.

  [90] It is tolerably evident that two plays (one called "Long Meg,"
  and the other "The Ship"), and not one with a double title, are here
  intended to be spoken of. This may seem to disprove Malone's assertion
  ("Shakespeare" by Boswell, iii. 304), that only one piece was
  represented on one day. By Henslowe's Diary it appears that "Longe
  Mege of Westminster" was performed at Newington in February 1594, and,
  according to Field, it must have continued for some time popular.
  Nothing is known of a dramatic piece of that date called "The Ship."
  It may have been only a jig, often given at the conclusion of plays.
  [Compare p. 136.]

  [91] The second edition misprints this stage direction, _Enter Lord_.

  [92] A noted and often-mentioned purlieu, the resort and residence of
  prostitutes, &c. See "Merry Wives of Windsor," act i. sc. 2, where
  enough, and more than enough, is said upon the subject. Turnbull
  Street has been already mentioned.

  [93] [_i.e._, Worldly.]

  [94] It seems to have been the custom to employ the Irish as lackeys
  or footmen at this period. R. Brathwaite, in his "Time's Curtaine
  Drawne," 1621, speaking of the attendants of a courtier, mentions "two
  _Irish_ lacquies" as among them. The _dart_ which, according to this
  play, and Middleton and Rowley's "Faire Quarrel" (edit. 1622), they
  carried, was perhaps intended as an indication of the country from
  which they came, as being part of the accoutrements of the native
  Irish: thus, in the description of the dumb show preceding act ii. of
  "The Misfortunes of Arthur," we find the following passage: "After
  which there came a man bareheaded with long black shagged hair down to
  his shoulders, apparaled with an Irish jacket and shirt, having an
  Irish dagger by his side and a _dart_ in his hand" [iv. 279]. The
  _shirt_ in our day seldom forms part of the dress of the resident
  Irish. [George Richardson] wrote a tract called "The Irish Footman ['s
  Poetry," 1641, in defence of Taylor the Water-poet.]

  [95] The second 4º has it _the effects of pauses_, which, if not
  nonsense, is very like it.

  [96] [_i.e._, The roaring boys, who are introduced a little later in
  the play.]



ACT III., SCENE 1.


_Enter_ HUSBAND _and_ SUBTLE.

    SUB. She's a rare wife, believe it, sir: were all such,
    We never should have false inheritors.

    HUS. Pish! friend, there is no woman in the world
    Can hold out in the end, if youth, shape, wit,
    Met in one subject, do assault her aptly;
    For failing once, you must not faint, but try
    Another way: the paths of women's minds
    Are crooked and diverse; they have byways
    To lead you to the palace of their pleasures,
    And you must woo discreetly. First, observe
    The disposition of her you attempt:
    If she be spriteful and heroical,
    Possess her that you are valiant, and have spirit:
    Talk nothing but of beating every man,
    That is your hinderance; though you do not do it,
    Or dare not, 'tis no matter. Be she free
    And of a liberal soul, give bounteously
    To all the servants; let your angels fly
    About the room, although you borrow'd 'em.
    If she be witty, so must your discourse:
    Get wit, what shift soe'er you make for it,
    Though't cost you all your land; and then a song
    Or two is not amiss, although you buy 'em:
    There's many in the town will furnish you.

    SUB. But still, I tell you, you must use her roughly.
    Beat her face black and blue, take all her clothes,
    And give them to some punk: this will be ground
    For me to work upon.

    HUS. All this I have done.
    I have left her now as bare that, should I die,
    Her fortune, o' my conscience, would be
    To marry some tobacco-man: she has nothing
    But an old black-work waistcoat, which would serve
    Exceeding well to sit i' th' shop, and light
    Pipes for the lousy footmen. And, sweet friend,
    First here's a jewel to present her; then,
    Here is a sonnet writ against myself,
    Which as thine own thou shalt accost her with.
    Farewell, and happy success attend thee!              [_Exit._

    SUB. Ha, ha, ha!                                  [_He reads._
      _Fairest, still wilt thou be true_
      _To man so false to thee?_
      _Did he lend a husband's due,_
      _Thou didst owe him loyalty;_
      _But will curses, wanton[97] blows_
      _Breed no change in thy white soul?_
      _Be not a fool to thy first vows,_
      _Since his first breach doth thy faith control._
      _No beauty else could be so chaste;_
      _Think not thou honour'st woman then,_
      _Since by thy conscience all disgrac'd_
      _Are robb'd of the dear loves of men._
      _Then grant me my desire, that vow to prove_
      _A real husband, his adulterate love."_

    Took ever man more pains to be a cuckold!
    O monstrous age, where men themselves, we see,
    Study and pay for their own infamy.


SCENE II.

_Enter_ INGEN, MAID, LORD PROUDLY, BROTHER _like a woman: swords drawn_.

    PROUDLY. Give me my sister! I'll have her forth thy heart.

    INGEN. No earthly lord can pull her out of that,
    Till he have pluck'd my heart first out. My lord,
    Were't not inhospitable, I could wrong you here
    In my own house. I am so full of woe
    For your lost sister, that by all my joys
    Hoped for in her, my heart weeps tears of blood:
    A whiter virgin and a worthier
    Had ne'er creation; Leda's swan was black
    To her virginity and immaculate thoughts.

    PROUDLY. Where hast thou hid her? give her me again;
    For, by the God of vengeance, be she lost,
    The female hate shall spring betwixt our names
    Shall never die, while one of either house
    Survives: our children shall, at seven years old,
    Strike knives in one another.

    INGEN. Let hell gape
    And take me quick, if I know where she is;
    But am so charg'd with sorrow for her loss,
    Being the cause of it (as no doubt I am),
    That I had rather fall upon my sword
                                      [_Offering to kill himself._
    Than breathe a minute longer.

    BRO. O sir! hold.

    PROUDLY. Thou shalt not need; I have a sword to bathe
    In thy false blood, inhumane murderer.

    MAID. Good sir, be pacified: I'll go, I'll run
    Many a mile to find your sister out.
    She never was so desperate of grace
    By violence to rob herself of life,
    And so her soul endanger. Comfort, sir;
    She's but retired somewhere, on my life.

    INGEN. Prythee, let me alone--
                                                [_To his brother._
    Do I stand to defend that wretched life,
    That is in doubt of hers? here, worthy lord,
    Behold a breast fram'd of thy sister's love;
    Hew it, for thou shalt strike but on a stock,
    Since she is gone that was the cause it liv'd.

    PROUDLY. Out, false dissembler! art not married?

    INGEN. No; behold it is my younger brother dress'd;
                                       [_Plucks of his head-tire._
    A man, no woman, that hath gull'd the world,
    Intended for a happier event
    Than this that follow'd, that she now is gone.
    O fond experiments of simple man!
    Fool to thy fate, since all thy project, meant
    But mirth, is now converted unto death.

    MAID. O, do not burst me, joy! that modesty          [_Aside._
    Would let me show myself to finish all!

    PROUDLY. Nay, then thou hast my sister somewhere, villain!
    'Tis plain now thou wilt steal thy marriage.
    She is no match for thee, assure thyself.
    If all the law in England or my friends
    Can cross it, 't shall not be.

    INGEN. Would 'twere so well,
    And that I knew the lady to be safe!
    Give me no ill-words. Sir, this boy and I
    Will wander like two pilgrims till we find her.
    If you do love her as you talk, do so:
    The love or grief that is express'd in words,
    Is slight and easy; 'tis but shallow woe
    That makes a noise; deep'st waters stillest go.
    I love her better than thy parents did,
    Which is beyond a brother.

    PROUDLY. Slave! thou liest.

    INGEN. Zounds!                             [_About to strike._

    BRO. Kill him!

    MAID. O, hold! Sir, you dishonour much your brother
    To counsel him 'gainst hospitality
    To strike in his own house.

    INGEN. You, lord insolent, I will fight with you:
    Take this as a challenge, and set your time.

    PROUDLY. To-morrow morning, Ingen;
    'Tis that I covet, and provoke thee for.

    BRO. Will you not strike him now?

    INGEN. No; my good boy
    Is both discreet and just in his advice.
    Thy glories are to last but for a day:
    Give me thy hand;
    To-morrow morning thou shalt be no lord.

    PROUDLY. To-morrow noon thou shalt not be at all.

    INGEN. Pish! why should you think so? have not I arms,
    A soul as bold as yours, a sword as true?
    I do not think your honour in the field,
    Without your lordship's liveries, will have odds.

    PROUDLY. Farewell, and let's have no excuses, pray.
                                                  [_Exit_ PROUDLY.

    INGEN. I warrant you. Pray, say your prayers to-night,
    And bring an[98] inkhorn w' ye, to set your hand to
    A satisfactory recantation.                           [_Exit._

    MAID. O wretched maid! whose sword can I pray for?
    But by the other's loss I must find death.
    O odious brother, if he kill my love!
    O bloody love, if he should kill my brother!
    Despair on both sides of my discontent
    Tells me no safety rests but to prevent.              [_Exit._


SCENE III.

_Enter_ WIDOW _and_ BOLD _like_ PRINCOX.

    WID. What's o'clock, Princox?

    BOLD. Bedtime, an't please you, madam.

    WID. Come, undress me. Would God had made me a man!

    BOLD. Why, madam?

    WID. Because
    I would have been in bed as soon as they.
    We are so long unpinning and unlacing.

BOLD. Yet many of us, madam, are quickly undone sometime: but herein we
have the advantage of men, though they can be abed sooner than we, it's
a great while, when they are abed, ere they can get up.

WID. Indeed, if they be well-laid, Princox, one cannot get them up again
in haste.

BOLD. O God! madam, how mean you that? I hope you know, ill things taken
into a gentlewoman's ears are the quick corrupters of maiden modesty. I
would be loth to continue in any service unfit for my virgin estate, or
where the world should take any notice of light behaviour in the lady I
follow; for, madam, the main point of chastity in a lady is to build the
rock of a good opinion amongst the people by circumstances, and a fair
show she must make. _Si non caste, tamen caute_, madam; and though wit
be a wanton, madam, yet I beseech your ladyship, for your own credit
and mine, let the bridle of judgment be always in the chaps of it, to
give it head or restrain it, according as time and place shall be
convenient.

WID. Precise and learned Princox, dost not thou go to Blackfriars?

BOLD. Most frequently, madam, unworthy vessel that I am to partake or
retain any of the delicious dew that is there distilled.

WID. But why shouldst thou ask me, what I meant e'en now? I tell thee,
there's nothing uttered but carries a double sense,[99] one good, one
bad; but if the hearer apply it to the worst, the fault lies in his or
her corrupt understanding, not in the speaker; for to answer your Latin,
_pravis omnia prava_. Believe me, wench, if ill come into my fancy, I
will purge it by speech: the less will remain within. A pox of these
nice-mouthed creatures! I have seen a narrow pair of lips utter as broad
a tale as can be bought for money. Indeed, an ill tale unuttered is like
a maggot in a nut, it spoils the whitest kernel.

BOLD. You speak most intelligently, madam.

WID. Hast not done yet? Thou art an old fumbler, I perceive. Methinks
thou dost not do things like a woman.

BOLD. Madam, I do my endeavour, and the best can do no more; they that
could do better, it may be would not, and then 'twere all one. But
rather than be a burthen to your ladyship, I protest sincerely, I would
beg my bread; therefore I beseech you, madam, to hold me excused, and
let my goodwill stand for the action.

WID. Let thy goodwill stand for the action? If goodwill would do it,
there's many a lady in this land would be content with her old lord; and
thou canst not be a burthen to me, without thou lie upon me, and that
were preposterous in thy sex. Take no exceptions at what I say. Remember
you said _stand_ even now. There was a word for one of your coat,
indeed!

BOLD. I swear, madam, you are very merry. God send you good luck. Has
your ladyship no waters that you use at bedtime?

WID. No, in troth, Princox.

BOLD. No complexion!

WID. None but mine own, I swear. Didst thou ever use any?

BOLD. No, indeed, madam; now and then a piece of scarlet, or so; a
little white and red ceruse; but, in troth, madam, I have an excellent
receipt for a nightmask as ever you heard.

WID. What is it?

BOLD. Boar's grease one ounce; Jordan almonds, blanched and ground, a
quartern; red rosewater, half a pint; mare's urine, newly covered, half
a score drops.

WID. Fogh! no more of thy medicine, if thou lovest me. Few of our
knights-errant, when they meet a fair lady-errant in a morning, would
think her face had lain so plastered all night. Thou hast had some
apothecary to thy sweetheart. But, leaving this face-physic (for, by my
troth, it may make others have good ones, but it makes me a scurvy one),
which of all the gallants in the town wouldst thou make a husband of, if
thou mightst have him for thy choosing?

BOLD. In troth, madam, but you'll say I speak blindly, but let my love
stand aside----

WID. I think it not fit, indeed, your love should stand in the middle.

BOLD. I say, Master Bold. O, do but mark him, madam; his leg, his hand,
his body, and all his members stand in print.

WID. Out upon thee, Princox! No. Methinks Welltried's a handsome fellow.
I like not these starched gallants: masculine faces and masculine
gestures please me best.

BOLD. How like you Master Pert?

WID. Fie upon him! when he is in his scarlet clothes, he looks like a
man of wax, and I had as lief have a dog o' wax: I do not think but he
lies in a case o' nights. He walks as if he were made of gins[100]--as
if Nature had wrought him in a frame: I have seen him sit discontented a
whole play, because one of the purls of his band was fallen out of his
reach to order again.[101]

BOLD. Why, Bold, madam, is clean contrary.

WID. Ay, but that's as ill: each extreme is alike vicious; his careful
carelessness is his study. He spends as much time to make himself
slovenly, as the other to be spruce. His garters hang over upon the
calves of his legs, his doublet unbuttoned, and his points untrussed;
his hair in's eyes like a drunkard, and his hat, worn on the[102]
hinder-part of his head, as if he cared more for his memory than his
wit, makes him look as if he were distracted. Princox, I would have you
lie with me: I do not love to lie alone.

BOLD. With all my heart, madam.

WID. Are you clean-skinned?

BOLD. Clean-skinned, madam? there's a question! do you think I have the
itch? I am an Englishwoman: I protest, I scorn the motion.

WID. Nay, prythee, Princox, be not angry: it's a sign of honesty, I can
tell you.

BOLD. Faith, madam, I think 'tis but simple honesty that dwells at the
sign of the scab.

    WID. Well, well, come to bed, and we'll talk further of all these
    matters.                                              [_Exit._

    BOLD. Fortune, I thank thee; I will owe thee eyes
    For this good turn! now is she mine indeed.
    Thou hast given me that success my project hop'd.
    Off, false disguise, that hast been true to me,
    And now be Bold, that thou may'st welcome be.         [_Exit._


SCENE IV.

_Enter_ WHOREBANG, BOTS,[103] TEARCHAPS, SPILLBLOOD, _and_ DRAWER:
_several patches on their faces_.

TEAR. Damn me, we will have more wine, sirrah, or we'll down into the
cellar, and drown thee in a butt of Malmsey, and hew all the hogsheads
in pieces.

WHORE. Hang him, rogue! shall he die as honourable as the Duke of
Clarence? by this flesh, let's have wine, or I will cut thy head off,
and have it roasted and eaten in Pie Corner next Bartholomew-tide.

DRAWER. Gentlemen, I beseech you consider where you are--Turnbull
Street--a civil place: do not disturb a number of poor gentlewomen.
Master Whorebang, Master Bots, Master Tearchaps, and Master Spillblood,
the watch are abroad.

SPILL. The watch! why, you rogue, are not we kings of Turnbull?

DRAWER. Yes, marry are ye, sir: for my part, if you'll be quiet, I'll
have a sign made of ye, and it shall be called the four kings of
Turnbull.

BOTS. Will you fetch us wine?

WHORE. And a whore, sirrah?

DRAWER. Why, what d'ye think of me? am I an infidel, a Turk, a pagan, a
Saracen? I have been at Bess Turnup's, and she swears all the
gentlewomen went to see a play at the Fortune,[104] and are not come in
yet, and she believes they sup with the players.

TEAR. Damn me, we must kill all those rogues: we shall never keep a
whore honest for them.

BOTS. Go your ways, sirrah. We'll have but a gallon apiece, and an ounce
of tobacco.

DRAWER. I beseech you, let it be but pottles.[105]

    SPILL. 'Sheart! you rogue.                     [_Exit_ DRAWER.

_Enter_ WELLTRIED _and_ LORD FEESIMPLE.

WHORE. Master Welltried! welcome as my soul.

_Enter_ DRAWER, _with wine, plate and tobacco_.

BOTS. Noble lad, how dost thou?

SPILL. As welcome as the tobacco and the wine, boy.

TEAR. Damn me, thou art.

FEE. Bless me (save you, gentlemen), they have not one face among 'em! I
could wish myself well from them: from them: I would I had put out
something upon my return; I had as lief be at Barmuthoes.[106]

WELL. Pray, welcome this gentleman.

    SPILL. Is he valiant?                                [_Aside._

WELL. Faith, he's a little faulty that way; somewhat of a bashful and
backward nature, yet I have brought him amongst you, because he hath a
great desire to be fleshed.

                                                         [_Aside._

FEE. Yes, faith, sir, I have a great desire to be fleshed; now Master
Welltried said he would bring me to the only fleshmongers in the town.

    WELL. Sir, he cannot endure the sight of steel.      [_Aside._

    WHORE. Not steel? zounds!   [_Claps his sword over the table._

    FEE. Now I am going!                                [_Faints._

BOTS. Here's to you, sir. I'll fetch you again with a cup of sack.

FEE. I pledge you, sir, and begin to you in a cup of claret.

WELL. Hark you, my lord: what will you say if I make you beat all these
out of the room?

                                                         [_Aside._

FEE. What will I say? why, I say it is impossible; 'tis not in mortal
man.

                                                        [_Aside._]

WELL. Well, drink apace: if any brave you, outbrave him; I'll second
you. They are a company of cowards, believe me.

                                                        [_Aside._]

FEE. By this light, I would they were else: if I thought so, I would be
upon the jack[107] of one of 'em instantly, that same little Damn me.
But, Master Welltried, if they be not very valiant, or dare not fight,
how came they by such cuts and gashes, and such broken faces? [_Aside._]

WELL. Why, their whores strike 'em with cans and glasses, and
quart-pots: if they have nothing by 'em, they strike 'em with the pox,
and you know that will lay one's nose as flat as a basket-hilt dagger.

                                                        [_Aside._]

    FEE. Well, let me alone.                            [_Aside._]

TEAR. This bully dares not drink.

FEE. Dare I not, sir?

WELL. Well said; speak to him, man.

FEE. You had best try me, sir.

SPILL. We four will drink four healths to four of the seven deadly sins,
pride, drunkenness, wrath, and lechery.

FEE. I'll pledge 'em, and I thank you; I know 'em all. Here's one.

WHORE. Which of the sins?

FEE. By my troth, even to pride.

WELL. Why, well said; and in this do not you only pledge your mistress's
health, but all the women's in the world.

FEE. So: now this little cup to wrath, because he and I are strangers.

TEAR. Brave boy! damn me, he shall be a roarer.

FEE. Damn me, I will be a roarer, or't shall cost me a fall.

BOTS. The next place that falls, pray, let him have it.

FEE. Well, I have two of my healths to drink yet--lechery and
drunkenness, which even shall go together.

WELL. Why, how now, my lord, a moralist?

BOTS. Damn me, art thou a lord? what virtues hast thou?

FEE. Virtues? enough to keep e'er a damn-me company in England: methinks
you should think it virtue enough to be a lord.

WHORE. Will not you pledge these healths, Master Welltried? we'll have
no observers.

WELL. Why, Monsieur Whorebang? I am no playmaker[108], and, for pledging
your healths, I love none of the four you drank to so well.

SPILL. Zounds! you shall pledge me this.

WELL. Shall I?

FEE. What's the matter? dost hear, Master Welltried, use thine own
discretion; if thou wilt not pledge him, say so, and let me see if e'er
a damn-me of 'em all will force thee.

SPILL. Puff! will your lordship take any tobacco? you lord with the
white face.

BOTS. Heart! he cannot put it through his nose.

FEE. Faith, you have ne'er a nose to put it through; d'ye hear I blow
your face, sirrah.

TEAR. You'll pledge me, sir?

WELL. Indeed, I will not.

FEE. Damn me, he shall not then.[109]

TEAR. Lord, use your own words, _damn me_ is mine; I am known by it all
the town o'er, d'ye hear?

FEE. It is as free for me as you, d'ye hear, Patch?[110]

TEAR. I have paid more for't.

WELL. Nay, I'll bear him witness in a truth: his soul lies for't,[111]
my lord.

SPILL. Welltried, you are grown proud since you got good clothes and
have followed your lord.

                                     [_Strikes, and they scuffle._

WHORE. I have known you lousy, Welltried.

WELL. Roarer, you lie. [_Draw and fight; throw pots and stools._

DRAWER. O Jesu!

ALL SWAGGERERS. Zounds! cleave or be cleft: pell-mell: slash arms and
legs.

FEE. Heart! let me alone with 'em.

                      [_Break off, and exeunt all the_ SWAGGERERS.

WELL. Why, now thou art a worthy wight, indeed, a Lord of Lorn.[112]

FEE. I am a madman: look, is not that one of their heads?

WELL. Fie! no, my lord.

FEE. Damn me, but 'tis; I would not wish you to cross me a'purpose: if
you have anything to say to me, so--I am ready.

WELL. O brave lord! many a roarer thus is made by wine. Come, it is one
of their heads, my lord.

FEE. Why so, then, I will have my humour. If you love me, let's go break
windows somewhere.

WELL. Drawer, take your plate. For the reckoning there's some of their
cloaks: I will be no shot-log to such.

DRAWER. God's blessing o' your heart for thus ridding the house of them.

                                                        [_Exeunt._

FOOTNOTES:

  [97] [Old copy, _wants, and_.]

  [98] [Old copy, _no_.]

  [99] Both the old copies read, _that carries a double sense_, but it
  is clearly a misprint.

  [100] The Widow means that Master Pert walks as if he were made of
  _wires_, and _gins_ were usually composed of wire.

  [101] So in "The Fatal Dowry," Liladam exclaims, "Uds light! my lord,
  one of the purls of your band is, without all discipline, fallen out
  of his rank," act ii. sc. 2. These little phrases may assist in
  tracing the authorship of different parts of a play by distinct
  authors.

  [102] [Old copy, _his_.]

  [103] [This name, given to one of the _roarers_, is a corruption of
  _pox_. We often meet with the form in the old plays.]

  [104] The _Fortune_ Theatre [in Golden Lane] was built in 1599 by
  Edward Allen, the founder of Dulwich College, at an expense of £520,
  and in the Prologue of Middleton and Dekker's "Roaring Girl" it is
  called "a _vast_ theatre." It was eighty feet square, and was consumed
  by fire in 1621.

  [105] A pottle was half a gallon.

  [106] He means that he wishes he had _insured_ his return, as he would
  as willingly be at the Bermudas, or (as it was then called) "The Isle
  of Devils." In a note on "the still vexed Barmoothes" ("Tempest," act
  i. sc. 2), it is shown that _the Bermudas_ was a cant name for the
  privileged resort of such characters as Whorebang and his companions.

  The notions entertained by our ancestors of the Bermudas is distinctly
  shown in the following extract from Middleton's "Anything for a Quiet
  Life," 1662, act v.; [Dyce's edit., iv. 499.] _Chamlet_ is troubled
  with a shrewish wife, and is determined to leave England and go
  somewhere else. He says--

      "The place I speak of has been kept with thunder,
      With frightful lightnings' amazing noises;
      But now (the enchantment broke) 'tis the land of peace,
      Where hogs and tobacco yield fair increase. . .
      Gentlemen, fare you well, I am for the Bermudas."

  [107] "The _jack_, properly, is a coat of mail, but it here means a
  buff _jacket_ or _jerkin_ worn by soldiers or pretended soldiers."

  [108] These words have reference, perhaps, to Middleton and Rowley's
  curious old comedy of manners, "A Faire Quarrel," 1617 and 1622. The
  second edition contains "new additions of Mr Chaugh, and Trimtram's
  _roaring_." These two persons, empty pretenders to courage, set up a
  sort of academy for instruction in the art and mystery of _roaring_ or
  bullying, and much of the piece is written in ridicule of it and its
  riotous professors. Whorebang calls these playmakers _observers_, as
  if suspecting that Welltried and Feesimple came among them for the
  purpose of making notes for a play. In Webster and Rowley's "Cure for
  a Cuckold," 1661, act iv. sc. 1, there is another allusion to the
  "Faire Quarrel," where Compass uses the words _Tweak_ and
  _Bronstrops_, adding, "I learnt that name in a play." Chaugh and
  Trimtram, in the "Faire Quarrel," undertake also to give lessons in
  the _cant_ and _slang_ of the time. In other respects, excepting as a
  picture of the manners of the day, that play possesses little to
  recommend it.

  [109] In both the old copies this remark is erroneously given to
  Tearchaps.

  [110] _Patch_ and _fool_ are synonymous in old writers. Feesimple
  alludes also to the patch on the face of Tearchaps.

  [111] That is, his soul _lies in pawn_ for employing the oath.

  [112] [The hero of an early heroic ballad so called. See Hazlitt,
  in _v_.]



ACT IV., SCENE 1.


_Enter_ WIDOW _undressed, a sword in her hand; and_ BOLD _in his shirt,
as started from bed_.

    WID. Uncivil man! if I should take thy life,
    It were not to be weigh'd with thy attempt.
    Thou hast for ever lost me.

    BOLD. Madam, why?
    Can love beget loss? Do I covet you
    Unlawfully? Am I an unfit man
    To make a husband of? Send for a priest;
    First consummate the match, and then to bed
    Without more trouble.

    WID. No, I will not do't.

    BOLD. Why, you confess'd to me (as your gentlewoman)[113]
    I was the man your heart did most affect;
    That you did doat upon my mind and body.

    WID. So, by the sacred and inviolate knot
    Of marriage, I do; but will not wed thee.

    BOLD. Why, yet enjoy me now. Consider, lady,
    That little but bless'd time I was in bed,
    Although I lay as by my sister's side,
    The world is apt to censure otherwise:
    So, 'tis necessity that we marry now.

    WID. Pish! I regard not at a straw the world.
    Fame from the tongues of men doth injury
    Oft'ner than justice; and as conscience
    Only makes guilty persons, not report,
    (For show we clear as springs unto the world,
    If our own knowledge do not make us so,
    That is no satisfaction to ourselves),
    So stand we ne'er so leprous to men's eye,
    It cannot hurt heart-known integrity.
    You have trusted to that fond opinion,
    This is the way to have a widowhood,
    By getting to her bed.[114] Alas! young man,
    Shouldst thou thyself tell thy companions
    Thou hast dishonour'd me (as you men have tongues
    Forked and venom'd 'gainst our subject sex);
    It should not move me, that know 'tis not so:
    Therefore depart. Truth be my virtuous shield.

    BOLD. Few widows would do thus.

    WID. All modest would.

    BOLD. To be in bed, and in possession
    Even of the mark I aim'd at, and go off
    Foil'd and disgrac'd! Come, come, you'll laugh at me
    Behind my back; publish I wanted spirit,
    And mock me to the ladies; call me child,
    Say you denied me but to try the heat
    And zeal of my affection toward you,
    Then clapp'd up with a rhyme; as for example--

        _He coldly loves retires for one vain trial,
         For we are yielding when we make denial._

    WID. Servant, I make no question, from this time
    You'll hold a more reverent opinion
    Of some that wear long coats; and 'tis my pride
    To assure you that there are amongst us good,
    And with this continency. If you go away,
    I'll be so far from thinking it defect,
    That I will hold you worthiest of men.

    BOLD. 'Sheart! I am Tantalus: my long'd-for fruit
    Bobs at my lips, yet still it shrinks from me.
    Have not I that, which men say never fails
    To o'ercome any, opportunity?[115]
    Come, come; I am too cold in my assault.
    By all the virtues that yet ever were
    In man or woman, I with reverence
    Do love thee, lady, but will be no fool
    To let occasion slip her foretop from me.

    WID. You will fail this way too. Upon my knees
    I do desire thee to preserve thy virtues,
    And with my tears my honour: 'tis as bad
    To lose our worths to them, or to deceive
    Who have held worthy opinions of us,
    As to betray trust. All this I implore
    For thine own sake, not mine: as for myself,
    If thou be'st violent, by this stupid night
    And all the mischiefs her dark womb hath bred,
    I'll raise the house; I'll cry a rape.

    BOLD. I hope
    You will not hang me: that were murder, lady,
    A greater sin than lying with me, sure.

    WID. Come, flatter not yourself with argument.
    I will exclaim: the law hangs you, not I;
    Or if I did, I had rather far confound
    The dearest body in the world to me,
    Than that that body should confound my soul.

    BOLD. Your soul? alas! mistress, are you so fond
    To think her general destruction
    Can be procur'd by such a natural act,
    Which beasts are born to, and have privilege in?
    Fie, fie! if this could be, far happier
    Are insensitive[116] souls in their creation
    Than man, the prince of creatures. Think you, heaven
    Regards such mortal deeds, or punisheth
    Those acts for which he hath ordained us?

    WID. You argue like an atheist: man is never
    The prince of creatures, as you call him now,
    But in his reason; fail that, he is worse
    Than horse, or dog, or beast of wilderness;
    And 'tis that reason teacheth us to do
    Our actions unlike them: then, that which you
    Termed in them a privilege beyond us,
    The baseness of their being doth express,
    Compar'd to ours: horses, bulls and swine
    Do leap their dams; because man does not so,
    Shall we conclude his making[117] happiless?

    BOLD. You put me down--yet will not put me down.
    I am too gentle: some of you, I have heard,
    Love not these words, but force; to have it done,
    As they sing prick-song, ev'n at the first sight.

    WID. Go to: keep off; by heaven and earth, I'll call else!

    BOLD. How, if nobody hear you?

    WID. If they do not,
    I'll kill you with mine own hand; never stare:
    Or failing that, fall on this sword myself.

    BOLD. O widow wonderful! if thou be'st not honest,
    Now God forgive my mother and my sisters.
    Think but how finely, madam, undiscover'd
    For ever I[118] might live: all day your gentlewoman
    To do you service, but all night your man
    To do you service: newness of the trick,
    If nothing else, might stir ye.

    WID. 'Tis a stale one,
    And was done in the Fleet ten years ago.
    Will you begone? the door is open for you.

    BOLD. Let me but tarry till the morning, madam,
    To send for clothes. Shall I go naked home?

    WID. 'Tis best time now; it is but one o'clock,
    And you may go unseen: I swear, by heaven,
    I would spend all the night to sit and talk w' ye,
    If I durst trust you: I do love you so.
    My blood forsakes my heart now you depart.

    BOLD. 'Sheart! will you marry me hereafter, then?

    WID. No, you are too young, and I am much too old;
    Ay, and unworthy, and the world will say,
    We married not for love. Good morrow, servant.  [_Exit_ WIDOW.

BOLD. Why so: these women are the errantest jugglers in the world: the
wry-legged fellow is an ass to 'em. Well, I must have this widow,
what-e'er come on't. Faith, she has turned me out of her service very
barely. Hark, what's here? music?

_Enter_ SUBTLE _with a paper, and his_ BOY _with a cloak_.

    SUB. [_Reads._] "Rise, lady mistress, rise,
     The night hath tedious been;
     No sleep hath fallen into my eyes,
     Nor slumbers made me sin.
     Is not she a saint, then say,
     Thought of whom keeps sin away?

     "Rise, madam, rise and give me light,
     Whom darkness still will cover,
     And ignorance, darker than night,
     Till thou smile on thy lover.
     All want day, till thy beauty rise,
     For the grey morn breaks from thine eyes!"[119]
     Now sing it, sirrah.             [_The song sung by the_ BOY.

    SUB. 'Sfoot, who's this? young Master Bold! God save you; you are an
    early stirrer.

    BOLD. You say true, Master Subtle, I have been early up,
    But, as God help me, I was never the near.[120]

SUB. Where have you been, sir?

BOLD. What's that to you, sir? at a woman's labour?

SUB. Very good: I ne'er took you for a man-midwife[121] before.

BOLD. The truth is, I have been up all night at dice, and lost my
clothes. Good morrow, Master Subtle. Pray God the watch be broke up: I
thank you for my music.

                                                          [_Exit._

SUB. 'Tis palpable, by this air: her husband being abroad, Bold has lain
with her, and is now conveyed out of doors. Is this the Lady Perfect,
with a pox? The truth is, her virtuous chastity began to make me make a
miracle of her still holding out to me, notwithstanding her husband's
most barbarous usage of her; but now, indeed, 'tis no marvel, since
another possesses her.

    Well, madam, I will go find out your cuckold;
    I'll be reveng'd on you, and tell a tale
    Shall tickle him. This is a cheat in love
    Not to be borne: another to beguile
    Me of the game I play'd for all this while.           [_Exit._


SCENE II.

_Enter_ WELLTRIED, _and_ BOLD _putting on his doublet;_ FEESIMPLE
_asleep on a bed, as in_ BOLD'S _chamber_.

WELL. You see, we made bold with your lodging: indeed, I did assure
myself you were fast for this night.

BOLD. But how the devil came this fool in your company?

WELL. 'Sfoot, man, I carried him last night among the roarers to flesh
him; and, by this light, he got drunk, and beat 'em all.

BOLD. Why, then he can endure the sight of a drawn sword now?

WELL. O God, sir, I think in my conscience he will eat steel shortly. I
know not how his conversion will hold after this sleep; but, in an hour
or two last night, he was grown such a little damn-me, that I protest I
was afraid of the spirit that I myself had raised in him. But this
other matter--of your expulsion thus, mads me to the heart. Were you in
bed with her?

BOLD. In bed, by heaven.

WELL. I'll be hanged, if you were not busy too soon: you should have let
her slept first.

BOLD. Zounds! man, she put her hand to my breasts, and swore I was no
maid: now I, being eager to prove her words true, took that hint, and
would violently have thrust her hand lower, when her thought, being
swifter than my strength, made her no sooner imagine that she was
betrayed, but she leaps out of the bed, whips me down a sword that hung
by, and, as if fortitude and justice had met to assist her, spite of all
argument, fair or foul, she forced me away.

WELL. But is it possible thou shouldst have no more wit? wouldst thou
come away upon any terms but sure ones, having night, her chamber, and
herself naked in thine arms? By that light, if I had a son of fourteen,
whom I had helped thus far, that had served me so, I would breech
him.[122]

BOLD. 'Sheart! what would you have me done?

WELL. Have done? done? done twice at least.

BOLD. Have played Tarquin, and ravished her?

WELL. Pish! Tarquin was a blockhead: if he had had any wit and could
have spoke, Lucrece had never been ravished; she would have yielded, I
warrant thee, and so will any woman.

BOLD. I was such an erroneous heretic to love and women as thou art,
till now.

WELL. God's precious! it makes me mad when I think on't. Was there ever
such an absurd trick! now will she abuse thee horribly, say thou art a
faint-hearted fellow, a milksop, and I know not what, as indeed thou
art.

BOLD. Zounds! would you had been in my place.

WELL. Zounds! I would I had, I would have so jumbled her honesty.
Wouldst thou be held out at stave's end with words? dost thou not know a
widow's a weak vessel, and is easily cast, if you close.

BOLD. Welltried, you deal unfriendly.

WELL. By this light, I shall blush to be seen in thy company.

BOLD. Pray, leave my chamber.

    WELL. Pox upon your chamber!
    I care not for your chamber nor yourself,
    More than you care for me.

    BOTS. 'Sblood! I as little for you.

    WELL. Why, fare you well.

    BOTS. Why, fare well. Yet, Welltried,[123] I prythee, stay:
    Thou know'st I love thee.

    WELL. 'Sheart! I love you as well;
    But for my spleen or choler, I think I have
    As much as you.

    BOTS. Well, friend,
    This is the business you must do for me.
    Repair unto the widow, where give out,
    To-morrow morn I shall be married:
    Invite her to the wedding. I have a trick
    To put upon this lord, too, whom I made
    My instrument to prefer me.

    WELL. What shall follow
    I will not ask, because I mean[124] to see't.
    The jars 'twixt friends still keeps their friendship sweet.
                                                          [_Exit._

FEE. [_waking_.] Why, Welltried, you rogue! what's that? a vision?

BOLD. Why, how now, my lord? whom do you call rogue? The gentleman you
name is my friend. If you were wise, I should be angry.

FEE. Angry with me? why, damn me, sir, and you be, out with your sword.
It is not with me, I tell you, as it was yesterday; I am fleshed, man,
I. Have you anything to say to me?

BOLD. Nothing but this: how many do you think you have slain last night?

FEE. Why, five; I never kill less.

BOLD. There were but four. My lord, you had best provide yourself and
begone; three you have slain stark dead.

FEE. You jest!

BOLD. It is most true. Welltried is fled.

FEE. Why, let the roarers meddle with me another time: as for flying, I
scorn it; I killed 'em like a man. When did you ever see a lord hang for
anything? We may kill whom we list. Marry, my conscience pricks me. Ah!
plague a' this drink! what things it makes us do! I do no more remember
this now than a puppy-dog.

O bloody lord, that art bedaub'd with gore!

Vain world, adieu, for I will roar no more.

BOLD. Nay, stay, my lord: I did but try the tenderness of your
conscience. All this is nothing so; but, to sweeten the tale I have for
you, I foretold you this feigned mischance.

FEE. It is a tale belonging to the widow.

BOLD. I think you are a witch.

FEE. My grandmother was suspected.

BOLD. The widow has desired you by me to meet her to-morrow morning at
church in some unknown disguise, lest any suspect it; for, quoth she,

    Long hath he held me fast in his moist hand,
    Therefore I will be his in nuptial band.

FEE. Bold, I have ever taken you to be my friend. I am very wise now and
valiant; if this be not true, damn me, sir, you are the son of a whore,
and you lie, and I will make it good with my sword.

BOLD. I am whate'er you please, sir, if it be not true. I will go with
you to the church myself. Your disguise I have thought on. The widow is
your own. Come, leave your fooling.

    FEE. _If this be true, thou little boy Bold,_       [_Cantat._
            _So true, as thou tell'st to me,_
          _To-morrow morn, when I have the widow,_
            _My dear friend shall thou be_.[125]        [_Exeunt._


SCENE III.

_Enter_ MAID, _like the footboy;_ SELDOM _with_ PITTS _and_ DONNER, _a
couple of serjeants_.

    MAID. Sir, 'tis most true, and in this shall you be
    Unlike to other citizens, that arrest
    To undo gentlemen: your clemency here,
    Perchance, saves two lives: one from the other's sword,
    The other from the law's. This morn they fight,
    And though your debtor be a lord, yet should he
    Miscarry, certainly your debt were lost.

    SEL. Dost thou serve the Lord Proudly?

    MAID. Sir, I do.

    SEL. Well, such a boy as thou is worth more money
    Than thy lord owes me. 'Tis not for the debt
    I do arrest him, but to end this strife,
    Which both may lose my money and his life.

_Enter_ LORD PROUDLY, _with a riding-rod_.

    PROUDLY. My horse there! Zounds! I would not for the world
    He should alight before me in the field;
    My name and honour were for ever lost.

    SEL. Good morrow to your honour. I do hear
    Your lordship this fair morning is to fight,
    And for your honour: did you never see
    The play where the fat knight, hight Oldcastle,
    Did tell you truly what his honour was?[126]

    PROUDLY. Why, how now, good man flatcap,
       "what-d'ye-lack?"[127]
    Whom do you talk to, sirrah?

    1ST SER. We arrest you.

    PROUDLY. Arrest me, rogue? I am a lord, ye curs,
    A parliament man.

    2D SER. Sir, we arrest you, though.

    PROUDLY. At whose suit?

    SEL. At mine, sir.

    PROUDLY. Why, thou base rogue! did not I set thee up,
    Having no stock but thy shop and fair wife?[128]


    SEL. Into my house with him!

    MAID. Away with him! away with him!

    PROUDLY. A plot, a trick, by heaven! See, Ingen's footboy:
    'Tis by his master's means. O coward slave!
    I'll put in bail, or pay the debt.

    SEL. Ay, ay, ay; we'll talk with you within--thrust him in.
                                                        [_Exeunt._

_Enter_ INGEN _looking on his sword, and bending it; his brother like a
man_.[129]

    INGEN. If I miscarry, Frank, I prythee see
    All my debts paid: about five hundred pounds
    Will fully satisfy all men;[130] and my land,
    And what I else possess, by Nature's right
    And thy descent, Frank, I make freely thine.

    BRO. I know you do not think I wish you dead
    For all the benefit: besides, your spirit's
    So opposite to counsel to avert
    Your resolution, that I save my breath,
    Which would be lost in vain, to expire and spend
    Upon your foe, if you fall under him.

    INGEN. Frank, I protest, you shall do injury
    Upon my foe, and much disturbance too
    Unto my soul departing, die I here
    Fairly, and on my single enemy's sword,
    If you should not let him go off untouch'd.
    Now, by the master of thy life and mine,
    I love thee, boy, beyond any example,
    As well as thou dost me; but should I go
    Thy second to the field, as thou dost mine,
    And if thine enemy kill'd thee like a man,
    I would desire never to see him more,
    But he should bear himself off with those wounds
    He had receiv'd from thee, from that time safe
    And without persecution by the law;
    For what hap is our foe's might be our own,
    And no man's judgment sits in justice' place,
    But weighing other men's as his own case.

    BRO. He has the advantage of you, being a lord;
    For should you kill him, you are sure to die,
    And by some lawyer with a golden tongue,
    That cries for right (ten angels on his side),
    Your daring meet him call'd presumption:
    But kill he you, he and his noble friends
    Have such a golden snaffle for the jaws
    Of man-devouring Pythagorean law,
    They'll rein her stubborn chaps ev'n to her tail:
    And (though she have iron teeth to meaner men),
    So master her, that, who displeas'd her most,
    She shall lie under like a tired jade;
    For small boats on rough seas are quickly lost,
    But ships ride safe, and cut the waves that tost.

    INGEN. Follow what may, I am resolv'd, dear brother.
    This monster valour, that doth feed on men,
    Groans in me for my reputation.
    This charge I give thee, too--if I do die,
    Never to part from the young boy which late
    I entertain'd, but love him for my sake.
    And for my mistress, the Lady Honour,
    Whom to deceive I have deceiv'd myself,
    If she be dead, pray God I may give up
    My life a sacrifice on her brother's sword;
    But if thou liv'st to see her, gentle brother:
    If I be slain, tell her I died, because
    I had transgressed against her worthy love--
    This sword is not well-mounted; let's see thine.

_Enter_ MAID, _like a footboy_.

    MAID. Your staying, sir, is in vain, for my Lord Proudly,
    Just at his taking horse to meet you here,
    At Seldom's suit (the citizen) was arrested
    Upon an action of two hundred pounds.
    I saw it, sir; 'tis true.

    INGEN. O scurvy lord!
    It had been a cleanlier shift than this to have had
    It hinder'd by command, he being a lord.
    But I will find him.

_Enter_ LORD PROUDLY.

    PROUDLY. You see, valiant sir, I have got loose
    For all your stratagem. O rogue! are you there?
                                      [PROUDLY _stabs his sister_.

    INGEN. Most ignoble lord!
    [INGEN _stabs_ PROUDLY _in the left arm_.

    PROUDLY. Coward! thou didst this,
    That I might be disabled for the fight,
    Or that thou mightst have some excuse to shun me,
    But 'tis my left arm thou hast lighted on.
    I have no second: here are three of you.
    If all do murder me, your consciences
    Will more than hang you, damn you. Come, prepare!

    INGEN. Brother, walk off, and take the boy away.
    Is he hurt much?

    BRO. Nothing, or very little.  [PROUDLY _thrusts the boy out_.

    INGEN. I'll bind your wound up first: your loss of blood
    May sooner make you faint.

    PROUDLY. Ingen, thou art
    A worthy gentleman: for this courtesy,
    Go to, I'll save thy life. Come on, sir!     [_A pass or two._
    I'll cut your codpiece point, sir, with this thrust,
    And then down go your breeches.

    INGEN. Your lordship's merry.                         [_Pass._
    I had like to have spoil'd your cutwork band.

_Enter_ MAID, _like a footboy, running;_ BROTHER _after her;_ MAID
_kneels betwixt them_.

    MAID. O master, hold your hand! my lord, hold yours,
    Or let your swords meet in this wretched breast!
    Yet you are both well; what blood you have lost,
    Give it as for the injury you did,
    And now be friends.

    PROUDLY. 'Sheart! 'tis a loving rogue.

    INGEN. Kind boy, stand up: 'tis for thy wound he bleeds;
    My wrong is yet unsatisfied.

    PROUDLY. Hence! away! It is a sister's loss that whets my sword.

    MAID. O, stay, my lord! behold your sister here.
                                             [_Discovers herself._
    Bleeding by your hand: servant, see your mistress
    Turn'd to thy servant, running by thy horse;
    Whose meaning 'twas[131] to have prevented this,
    But all in vain.

    BRO. O noble lady!

    INGEN. Most worthy pattern of all womenkind!

    PROUDLY. Ingen, I am satisfied; put up your sword.
    Sister, you must with me: I have a husband,
    The Lord Feesimple's father, old, but rich.
    This gentleman is no match for you: kneel not.
    That portion of yours I have consum'd!
    Thus marrying, you shall never come to want.

    MAID. O sweet my lord, my brother! do not force me
    To break my faith, or to a loathed bed.

    INGEN. Force you he shall not: brother, bear her hence.
    She is my wife, and thou shalt find my cause
    Ten times improv'd now.

    PROUDLY. O, have at you, sir.                         [_Pass._

    MAID. Hold, hold, for heaven's sake! was e'er wretched lady
    Put to this hazard? Sir, let me speak
    But one word with him, and I'll go with you,
    And undergo whatever you command.

    PROUDLY. Do't quickly, for I love no whispering,
    'Tis strange to see you, madam, with a sword!
    You should have come hither in your lady's clothes.

    MAID. Well, as you please, my lord: you are witness,
    Whatsoe'er before
    Hath pass'd betwixt us, thus I do undo.
    Were not I mad to think thou couldst love me,
    That wouldst have slain my brother.

    PROUDLY. Say'st true, sister?

    INGEN. O, thou fair creature! wilt thou be as false
    As other ladies?

    MAID. Thou art my example.
    I'll kiss thee once: farewell for ever. Come, my lord, now
    Match me, with whom you please--a tumbler.
    I must do this, else had they fought again.

    PROUDLY. Mine own best sister! Farewell, Master Ingen.
                                     [_Exeunt_ PROUDLY _and_ MAID.

    BRO. O ancient truth! to be denied of no man:
    An eel by the tail's held surer than a woman.       [_Exeunt._


FOOTNOTES:

  [113] The second edit. reads, _as your a gentlewoman_, but Bold means
  that the Widow confessed to him when he was disguised as her
  gentlewoman. The first edit. warrants this interpretation.

  [114] [He refers to the common proverb. See Hazlitt, p. 191-2; and
  Dodsley, x. 306.]

  [115]   "O opportunity, thy guilt is great," &c.

  --Shakespeare's "Lucrece," [Dyce's edit, 1868, viii. 312.]

  [116] [Old copy, _sensitive_.]

  [117] [Mating.]

  [118] [Old copy, _you and I_.]

  [119] The concluding thought of this pretty song has been in request
  by many poets of all countries: Eustachio Manfredi has carried it to
  an extreme that would seem merely absurd, but for the grace of the
  expression of his sonnet, _Il primo albor non appariva ancora_.
  Appended to "The Fatal Dowry" is "a dialogue between a man and a
  woman" which commences with it, and which we may therefore assign to
  Field.

  [120] [An allusion to the proverb.]

  [121] _Man_ omitted in the second edit.

  [122] Flog him.

  [123] [Edits., _you_. _Welltried_.]

  [124] [Edits., _meant_.]

  [125] [These lines appear to be taken from some song of "Little Boy
  Blue."]

  [126] This passage has been adduced by Dr Farmer to show that Falstaff
  was originally called by Shakespeare _Oldcastle_, according to the
  tradition mentioned by Rowe, and supported by Fuller in his
  "Worthies," and by other authorities. The point is argued at great
  length in Malone's Shakespeare by Boswell, xvi. 410, _et seq._, and
  the decisions of the learned have been various; but the balance of
  evidence is undoubtedly in favour of the opinion that Shakespeare made
  the change, perhaps to avoid the confusion of his very original
  character with the mere fat buffoon of the old play of "Henry V.," a
  point not adverted to in the discussion. Field's testimony seems
  tolerably decisive.

  [127] Citizens and apprentices were called in derision _flatcaps_ and
  _what-d'ye-lacks_ in reference to their dress and occupation.

  [128] [Edits., _fair shop and wife_.]

  [129] [_i.e._, a servant.]

  [130] _Will satisfy all men_, in the second edition.

  [131] [Edits., _means it_.]



ACT V., SCENE I.


_Enter_ SUBTLE, _with_ HUSBAND.

    SUB. She is not to be cast.

    HUS. It cannot be:
    Had you a wife, and I were in your case,
    I would be hang'd even at the chamber-door,
    Where I attempted, but I'd lay her flat.

    SUB. Why, tell me truly, would it please you best,
    To have her remain chaste or conquered?

    HUS. O friend, it would do me good at the heart
    To have her overcome: she does so brag,
    And stand upon her chastity, forsooth.

    SUB. Why, then, in plain terms, sir, the fort is mine:
    Your wife has yielded; _up-tails_ is her song.
    The deed is done. Come now, be merry, man.

    HUS. Is the deed done indeed? Come, come, you jest.
    Has my wife yielded? is _up-tails_ her song?
    Faith, come to[132] prose: how got you to the matter first, ha?
    Pish! you are so bashful now----

SUB. Why, by my troth, I'll tell you, because you are my friend;
otherwise you must note, it is a great hurt to the art of whoremastery
to discover; besides, the skill was never mine o' th' price.

HUS. Very good; on, sir.

SUB. At the first she was horrible stiff against me; then, sir, I took
her by the hand, which I kissed.

HUS. Good, sir.

SUB. And I called her pretty rogue, and I thrust my finger betwixt her
breasts, and I made lips. At last, I pulled her by the chin to me, and I
kissed her.

HUS. Hum!--very good.

SUB. So at the first she kissed very strangely, close and untoward. Then
said I to her, think but upon the wrongs, the intolerable wrongs, the
rogue your husband does you.

HUS. Ay, that was very good: what said she to you then, sir?

SUB. Nay, I went on. First, quoth I, think how he hath used you--left
you no means, given all your clothes to his punks; struck you, turned
your grey eyes into black ones, but yet----

HUS. A pretty conceit!

SUB. Quoth I, these things are nothing in the rascal: think but what a
base whoremaster the rascal is.

HUS. Did you call me rascal so often, are you sure?

SUB. Yes, and oftener; for, said I, none comes amiss to the rogue. I
have known him, quoth I, do three lousy beggars under hedges in the
riding of ten mile, and I swore this too.

HUS. 'Twas very well; but you did lie. On, pray.

SUB. Pish! one must lie a little. Now, sir, by this time she began to
kiss somewhat more openly and familiarly, her resistance began to
slacken, and my assault began to stiffen. The more her bulwark decayed,
the more my battery fortified. At last, sir, a little fumbling being
passed to make the conquest more difficult, she perceiving my
artillery[133] mounted, falls me flat upon her back, cries me out
aloud--

    Alas! I yield. Use me not roughly, friend;
    My fort that, like Troy town, ten years hath stood
    Besieg'd and shot at, did remain unwon;
    But now 'tis conquer'd. So the deed was done.

    HUS. Then came the hottest service. Forward with your tale, sir.

    SUB. Nay,

    _Cætera quis nescit? lassi requievimus ambo:
    Proveniant medii sic mihi sæpe dies_.[134]

HUS. Which is as much as to say I am a cuckold in all languages! But
sure, 'tis not so? it is impossible my wife should yield.

SUB. Heyday! ev'n now it was impossible she should hold out, and now it
is impossible she should yield. Stay you but here, and be an ear-witness
to what follows. I'll fetch your wife. [_Aside._] I know he will not
stay.

                                                          [_Exit._

    HUS. Good faith, sir, but he will.
    I do suspect some knavery in this.
    Here will I hide myself; when thought as gone,
    If they do ought unfitting, I will call
    Witness, and straightway sue [for] a divorce.   [_Aside. Exit._

_Enter_ WIFE _and_ SUBTLE.

    SUB. I knew he would not stay. Now, noble mistress,
    I claim your promise.

    WIFE. What was that, good servant?

    SUB. That you would lie with me.

    WIFE. If with any man--
    But, prythee, first consider with thyself,
    If I should yield to thee, what a load thy conscience
    Would bear about it; for I wish quick thunder
    May strike me, if I yet have lost the truth,
    Or whiteness of the hand I gave in church:
    And 'twill not be thy happiness (as thou think'st)
    That thou alone shouldst make a woman fall,
    That did resist all else; but to thy soul
    A bitter corrosive, that thou didst stain
    Virtue that else had stood immaculate.
    Nor speak I this as yielding unto thee,
    For 'tis not in thy power, wert thou the sweet'st
    Of nature's children and the happiest,
    To conquer me, nor in mine own to yield;
    And thus it is with every pious wife.
    Thy daily railing at my absent husband
    Makes me endure thee worse; for let him do
    The most preposterous, ill-relishing things.
    To me they seem good, since my husband does 'em.
    Nor am I to revenge or govern him:
    And thus it should be with all virtuous wives.

    SUB. Pox o' this virtue and this chastity!
    Do you [not] know, fair mistress, a young gentleman
    About this town called Bold? Where did he lie
    Last night, sweet mistress? O, O! are you catch'd?
    I saw him slip out of the house this morn,
    As naked as this truth; and for this cause
    I have told your husband that you yielded to me,
    And he, I warrant you, will blaze it thoroughly.
    As good do now, then, as be thought to do.

    WIFE. No, 'twill not be yet. Thou injurious man!
    How wilt thou right me in my husband's thoughts,
    That on a false surmise and spite hast told
    A tale to breed incurable discontent?
    Bold was that old wench that did serve the widow,
    And thinking by this way to gain her love,
    Miss'd of his purpose, and was thus cashier'd;
    Nor cares she to proclaim it to the world.

    SUB. Zounds! I have wrong'd you, mistress, on my knees
                                                        [_Kneels._
    I ask you pardon, and will nevermore
    Attempt your purity, but neglect all things
    Till that foul wrong I have bred in your knight
    I have expell'd, and set your loves aright.

_Enter_ HUSBAND.

    HUS. Which now is done already. Madam, wife,        [_Kneels._
    Upon my knees with weeping eyes, heav'd hands,
    I ask thy pardon. O sweet, virtuous creature!
    I prythee, break my head.

    WIFE. Rise, rise, sir, pray.
    You have done no wrong to me--at least, I think so:
    Heaven hath prevented all my injury.
    I do forgive, and marry you anew.
    Come, we are all invited to the weddings:
    The Lady Honour and the old rich Count,
    Young Bold unto another gentlewoman:
    We and the widow are invited thither.
    Embrace and love henceforth more really,
    Not so like worldlings.

    HUS. Here then ends all strife.
    Thus false friends are made true by a true wife.    [_Exeunt._


SCENE II.[135]

_Enter old_ COUNT, _wrapped in furs; the_ LADY HONOUR, _dressed like a
bride; the_ LORD PROUDLY, WELLTRIED, BOLD, _leading_ FEESIMPLE _like a
lady masqued;_ HUSBAND, WIFE, SUBTLE, WIDOW; _to them_ BROTHER, _with a
letter;_[136] SELDOM _with his wife_.

    BRO. Health and all joy unto this fair assembly.
    My brother, who last tide is gone for France,
    A branch of willow feathering his hat,
    Bad me salute you, lady, and present you
    With this same letter written in his blood.
    He prays no man, for his sake, evermore
    To credit woman, nor no lady ever
    To believe man; so either sex shall rest
    Uninjur'd by the other. This is all,
    And this I have deliver'd.

    PROUDLY. Ay, and well.
    You pronounce rarely, did you never play?

    BRO. Yes, that I have--the fool, as some lords do.

    WELL. Set forward there.

    COUNT. O, O, O! a pox o' this cold!

    WELL. A cold o' this pox, you might say, I am afraid.

    MAID. How full of ghastly wounds this letter shows.
    O, O!                                               [_Swoons._

    PROUDLY. Look to my sister.

    BOLD. 'Sheart! the lady swoons.

    WIFE. Strong water there.

    FEE. If strong breath would recover her, I am for her.

    COUNT. Alas, good lady! hum, hum, hum.  [_Coughs perpetually._

    SUB. He has fetch'd her again with coughing.

    MAID. Convey me to my bed; send for a priest
    And a physician; your bride, I fear,
    Instead of epithalamions shall need
    A dirge or epitaph. O, lead me in:
    My body dies for my soul's perjur'd sin.
                     [_Exeunt_ MAID, GRACE, WIFE, HUSBAND, SUBTLE.

    BOLD. Hymen comes towards us in a mourning robe.

    WELL. I hope, friend, we shall have the better day.

    PROUDLY. I'll fetch the parson and physician.
                                             [_Exit_ LORD PROUDLY.

    BRO. They are both ready for you.             [_Exit_ BROTHER.

    WELL. Madam, this is the gentlewoman
    Who, something bashful, does desire your pardon,
    That she does not unmask.

    WID. Good Master Welltried,
    I would not buy her face; and for her manners,
    If they were worse, they shall not displease me.

    WELL. I thank your ladyship.

FEE. Look how the old ass, my father, stands: he looks like the bear in
the play; he has killed the lady with his very sight.[137] As God help
me, I have the most to do to forbear unmasking me, that I might tell him
his own, as can be.

    BOLD. Fie! by no means. The widow comes towards you.

    COUNT. O, O, O, O!

    WID. Servant, God give you joy; and, gentlewoman
    Or lady, as full joy I wish to you:
    Nor doubt that I will hinder you your love,
    But here am come to do all courtesy
    To your fair self, and husband that shall be.

    FEE. I thank you heartily.

    WELL. 'Sheart! speak smaller, man.

    FEE. I thank you heartily.

    COUNT. You're going to this gear too, Master Bold?
    Um, um, um!

    BOLD. Not to your coughing[138] gear,
    My lord. Though I be not so old or rich
    As your lordship, yet I love a young wench as well.

    WELL. As well as my lord? nay by my faith,
    That you do not love a young wench as well as he:
    I wonder you will be unmannerly to say so.

COUNT. Faith, Master Welltried, troth is I love them well, but they love
not me, um, um. You see what ill-luck I have with them, um, um. A pox o'
this cold, still say I.

WELL. Where got you this cold, my lord? it can get in nowhere, that I
can see, but at your nostrils or eyes; all the other parts are so
barricadoed with fur.

    FEE. It got
    In at his eyes, and made that birdlime there,
    Where Cupid's wings do hang entangled.

    COUNT. Is this your wife, that, um, um, um--shall be?
    Master Bold, I'll be so bold as kiss her.
                                [WIDOW _and_ BOLD _whisper aside_.

FEE. Sir, forbear: I have one bold enough to kiss my lips. O old
coxcomb! kiss thine own natural son: 'tis worse than a Justice's lying
with his own daughter. But, Master Welltried, when will the widow break
this matter to me? [COUNT _sits in a chair, and falls asleep_.

WELL. Not till the very close of all: she dissembles it yet, because my
lord, your father, is here, and her other suitor Bold.

    FEE. That's all one; he's o' th' plot o' my side.

    WID. 'Tis needless, Master Bold; but I will do
    Anything you require to satisfy you.
    Why should you doubt I will forbid the banns,
    For so your friend here told me? I should rather
    Doubt that you will not marry.

    BOLD. Madam, by heaven,
    As fully I am resolv'd to marry now,
    And will too, if you do not hinder it,
    As ever lover was; only because
    The world has taken notice of some passage
    'Twixt you and me, and then to satisfy
    My sweetheart here, who (poor soul!) is afraid,
    To have some public disgrace put upon her,
    I do require some small thing at your hands.

    WID. Well, I will do it; and this profess besides;
    Married, you shall as welcome be to me
    As mine own brother; and yourself, fair lady,
    Even as myself, both to my board and bed.

    WELL. Ah, ah! how like you that?

    FEE. Now she begins.
    Abundant thanks unto your widowhood.
    Zounds! my father's asleep on's wedding-day:
    I wonder'd, where his cough was all this while.

_Enter_ INGEN, _like a doctor: a_ PARSON, BROTHER, LORD PROUDLY, SELDOM,
MISTRESS SELDOM, HUSBAND, WIFE, _and_ SUBTLE.

    INGEN. I pray, forbear the chamber: noise does hurt her;
    Her sickness I guess rather of the mind
    Than of her body, for her pulse beats well;
    Her vital functions not decay'd a whit,
    But have their natural life and operation.
    My lord, be cheer'd, I have an ingredient
    About me shall make her well, I doubt not.
    In, master parson: it shall be yours to[139] pray;
    The soul's physician should have still the way.
                           [_Exit_ INGEN; PARSON _shuts the door_.

    WID. How cheers she, pray?

    WIFE. In troth, exceeding ill.

    MRS SEL. A very weak woman indeed she is, and surely I think cannot
    'scape it.

    HUS. Did you mark how she eyed the physician?

    WIFE. O God, ay, she is very loth to die.

    MRS SEL. Ay; that's ne'er the better sign, I can tell you.

    SUB. And when the parson came to her, she turned
    Away, and still let the physician hold
    Her by the hand.

    BOLD. But see what thought the bridegroom takes.
    My conscience knows, now, this is
    A most preposterous match; yet for the commodity,
    We wink at all inconveniency.
    My lord! my lord!

COUNT. Um, um, um! I beshrew you for waking of me; now shall I have such
a fit of coughing, um, um!--

BOLD. O hapless wife, that shall have thee, that either must let thee
sleep continually, or be kept waking herself by the cough.

WID. You have a proper gentleman to your son, my lord: he were fitter
for this young lady than you.

WELL. D'ye mark that again?

FEE. O sweet widow!

COUNT. He a wife! he a fool's head of his own.

FEE. No, of my father's.

COUNT. What should he do with a ---- um, um!

WIFE. What, with a cough? why, he would spit, and that's more than you
can do.

PROUDLY. Your bride, my lord, is dead.

COUNT. Marry, ev'n God be with her; grief will not help it: um, um, um!

    BRO. A most excellent spouse.

    PROUDLY. How fares she, master doctor?
    Zounds! what's here?

    BOLD, WID., WELL., FEE. Heyday!

    HUS., WIFE, SEL., MRS SEL., SUB. How now?
                                      [_Looking in at the window._

FEE. Look, look! the parson joins the doctor's hand and hers: now the
doctor kisses her, by this light! [_Omnes whoop._] Now goes his gown
off. Heyday! he has red breeches on. Zounds! the physician is got o' th'
top of her: belike, it is the mother she has. Hark! the bed creaks.[140]

PROUDLY. 'Sheart, the door's fast! break 'em open! We are betrayed.

    BRO. No breaking open doors: he that stirs first,
                                  [_Draws and holds out a pistol._
    I'll pop a leaden pill into his guts,
    Shall purge him quite away. No haste, good friends:
    When they have done what's fit, you shall not need
    To break the door; they'll open it themselves.

                       [_A curtain drawn, a bed discovered:_ INGEN
                        _with his sword in his hand and a pistol:
                         the lady in her petticoat: the_ PARSON.

    PROUDLY. Thy blood, base villain, shall answer this.
                                 [_The brothers set back to back._
    I'll dye thy nuptial bed in thy heart's gore.

    INGEN. Come, come, my lord; 'tis not so easily done.
    You know it is not. Forgive[141] this my attempt
    Upon your sister; before God and man
    She was my wife, and ne'er a bedrid gout
    Shall have my wench to get diseases on.

    PROUDLY. Well may'st thou term her so, that has consented
    Even with her will to be dishonoured.

    INGEN. Not so, yet have I lain with her--

    MAID. But first,
    Witness this priest, we both were married.

    PRIEST. True it is, Domine;
    Their contract's run into a marriage,
    And that, my lord, into a carriage.

    PROUDLY. I will undo thee, priest.

    PRIEST. It is too late. I am undone
    Already [by] wine and tobacco. I defy thee,
    Thou temporal lord: perdy, thou never shalt
    Keep me in jail, and hence springs my reason:
    My act is neither felony nor treason.

    FEE. Ay, sir; but you do not know what kindred she may have.

    OMNES. Come, come, there is no remedy.

    WIFE. And weigh't right,
    In my opinion, my honour'd lord,
    And everybody's else, this is a match,
    Fitter ten thousand times than your intent.

    OMNES. Most certain 'tis.

    WID. Besides, this gentleman
    Your brother-in-law['s] well-parted and fair-mean'd;
    And all this come about (you must conceive)
    By your own sister's wit, as well as his.

    INGEN. Come, come, 'tis but getting of me knighted, my lord, and I
    shall become your brother well enough.

    PROUDLY. Brother, your hand. Lords may have projects still,
    But there's a greater Lord will have his will.

    BOLD. This is despatch, Now, madam, is the time,
    For I long to be at it. Your hand, sweetheart.

    FEE. Now, boys.

    WID. My lord and gentlemen, I crave your witness,
    To what I now shall utter. 'Twixt this gentleman and myself
    There have been some love-passages, from which
    Here I do free him, and [he] take this lady----[142]

    WELL. La ye! and pray him take this lady.

    WID. Which with a mother's love I give to him,
    And wish all joy may crown their marriage.

    BOLD. Nay, madam, yet she is not satisfied.
           [BOLD _gives her a ring, and she puts it on her thumb_.

    WID. Further, before ye all I take this ring,
    As an assumpsit, by the virtue of which
    I bind myself in all my lands and goods,
    That in his choice I'll be no hindrance;
    Or by forbidding banns, or claiming him
    Myself for mine, but let the match go on
    Without my check, which he intendeth now:
    And once again I say, I bind myself.

    BOLD. Then, once again I say, widow, thou'rt mine!
    Priest, marry us: this match I did intend:
    Ye all are witnesses; if thou hinder it,
    Widow, your lands and goods are forfeit mine.

    WID. Ha! nay, take me too, since there's no remedy.
    Your widow (without goods) sells scurvily.

    OMNES. Whoop! God give you joy.

COUNT. 'Slight! I am cosened of all sides; I had good hope of the widow
myself; but now I see everybody leaves me, saving um, um, um!

    BOLD. Troth, my lord, and that will stick by you, I warrant.

    WID. But how, sir, shall we salve this gentlewoman?

    BOLD. Hang her, whore.

    WELL. Fie! you are too uncivil.

    FEE. Whore in thy face, I do defy thy taunts.

    BOLD. Nay, hold, fair lady: now I think upon't,
    The old Count has no wife; let's make a match.

    OMNES. If he be so contented.

    COUNT. With all my heart.

    BOLD. Then kiss your spouse.

    COUNT. 'Sfoot! she has a beard. How now! my son?

    OMNES. 'Tis the Lord Feesimple!          [FEESIMPLE _unmasks_.

FEE. Father, lend me your sword. You and I are made a couple of fine
fools, are we not? If I were not valiant now, and meant to beat 'em all,
here would lie a simple disgrace upon us, a Feesimple one, indeed. Mark
now, what I'll say to 'em. D'ye hear me, my masters? Damn me, ye are all
the son of a whore, and ye lie, and I will make it good with my sword.
This is called roaring, father.

    SUB. I'll not meddle with you, sir.

    PROUDLY. You are my blood.

    WELL. And I flesh'd you, you know.

    BOLD. And I have a charge coming, I must not fight now.

    FEE. Has either of you anything to say to me?

    HUS. Not we, sir.

    FEE. Then have I something to say to you.
    Have you anything to say to me?

    BRO. Yes, marry have I, sir.

FEE. Then I have nothing to say to you, for that's the fashion. Father,
if you will come away with your cough, do. Let me see, how many
challenges I must get writ. You shall hear on me, believe it.

    PROUDLY. Nay, we'll not now part angry: stay the feasts,
    That must attend the weddings. You shall stay.

FEE. Why, then, all friends. I thought you would not have had the
manners to bid us stay dinner neither.

    HUS. Then all are friends: and lady-wife, I crown
    Thy virtues with this wreath, that 't may be said,
    There's a good wife.

    BOLD. A widow.

    INGEN. And a maid.        [_They set garlands on their heads._

    WIFE. Yet mine is now approv'd the happiest life,
    Since each of you hath chang'd to be a wife.        [_Exeunt._


FOOTNOTES:

  [132] [Edits., _in_.]

  [133] _Readiness_, second edit.

  [134] Ovid. "Amor." lib. i. el. 5.

  [135] In the old copies, by an error, act v. is said again to begin
  here; it is in fact the second scene of the last act.

  [136] The old stage direction states that Subtle enters, _with a
  letter_, but the words have been misplaced, and should have followed
  _Brother_, who delivers it to the Lady Honour.

  [137] This refers, no doubt, to the scene in the old "most pleasant
  comedy of 'Mucedorus,'" 1598, when Amadine is pursued by the bear,
  [vii. 208.]

  [138] Old copies, _couching_.

  [139] Edits., _I_.

  [140] In the margin, opposite what Feesimple says, are inserted the
  words _Pistols for Bro._, meaning merely to remind the keeper of the
  properties that at this point it was necessary that Frank, the
  brother, should be provided with pistols.

  [141] [Edits., _For_.]

  [142] Old copies read--

                             "'Twixt this gentleman
      There have been some love-passages, and myself,
      Which here I free him, and take this lady."



GREEN'S TU QUOQUE;

OR,

THE CITY GALLANT.



_EDITIONS._


(1.) _Greenes Tu quoque, Or, the Cittie Gallant. As it hath beene diuers
times acted by the Queenes Maiesties Seruants. Written by Io. Cooke
Gent. Printed at London for Iohn Trundle. 1614. 4º. Woodcut on title._

(2.) _Greenes Tu quoque, Or the Cittie Gallant ... Printed at London for
Thomas Dewe and are to be sold at his Shop in Saint Dunstons Church-yard
in Fleetstreet. 1622. 4º._

(3.) _Greenes Tu Quoque, Or, the Cittie Gallant. As it hath beene divers
times acted by the Queenes Majesties Servants. Written by Jo. Cooke
Gent. Printed at London by M. Flesher. 4º_.[143]

  [143] This edition, without a date, was obviously printed after that
  of 1614, although it has been hitherto placed first on the list of
  editions, as if it might be that mentioned by Chetwood, and supposed
  to have been published in 1599.--_Collier._ [Mr Collier does not cite
  the 4º of 1622.]



INTRODUCTION.


John Cook, the author of this play, is totally unknown. No contemporary
writer has taken the least notice of him, nor has any biographer since
given the slightest account of his life. All that we are informed of is,
that he wrote the following dramatic performance. Langbaine,[144] and
the writers since, ascribe the first title of it to the excellent
performance of Thomas Green in the part of Bubble, whose universal
repartee to all compliments is _Tu quoque_. Green was both a writer and
actor,[145] and with great probability[146] is supposed to have been a
relation of Shakespeare's, and the person by whom he was introduced to
the theatre. He was born at Stratford-upon-Avon, which is ascertained by
the following lines,[147] spoken by him in one of the old comedies, in
the character of a clown:--

    "I prattled poesy in my nurse's arms,
    And, born where late our swan of Avon sung,
    In Avon's streams we both of us have lav'd,
    And both came out together."

This passage is quoted by Chetwood from the "Two Maids of Moreclack,"
where it is not to be found, though it seems to be a genuine extract;
and the writer, by whom it was produced, had perhaps forgotten whence he
transcribed it. Heywood, who published this play, says in the preface to
it:--"As for Master Greene, all that I will speak of him (and that
without flattery) is this: there was not an actor of his nature in his
time of better ability in performance of what he undertook, more
applauded by the audience, of greater grace at the court, or of more
general love in the city." From this preface it appears Green was dead
when it was written, and Oldys[148] says there are three epitaphs upon
him in Braithwaite's "Remains after Death," 1618, by which it seems that
he died after being newly arrived from sea.[149] He was the author of "A
Poets Vision and a Princes Glorie. Dedicated to the high and mightie
Prince James, King of England, Scotland, France, and Ireland," 4º,
1603; and some verses prefixed to [the reprint in octavo of] Drayton's
poem on the Barons' Wars. I have seen only two editions of this comedy,
one without a date, and the other in 1614, which I apprehend was about
the time it was originally published. Chetwood, upon whom no dependence
is to be had with respect to dates, asserts it was printed in 1599.[150]
As it is said to have been acted by the Queen's servants, it probably
appeared on the stage in the reign of Queen Elizabeth. [There is an
entry in the office-book of the Master of the Revels under date of
Twelfth Night, 1624, showing that "the masque being put off, and the
Prince only there," Tu Quoque, "by the Queen of Bohemia's servants, was
acted in its stead."[151]] Langbaine says it was revived after the
Restoration at the theatre in Little Lincoln's-Inn-Fields.

"Green's Tu Quoque" is mentioned in "The World's Folly," by I. H., 1615,
which contains a general attack on the stage. It would also seem, from
the subsequent passage, as if Green the actor had performed the part of
a baboon:--

"'Vos quoque' *[or, 'Tu quoque,' opposite the asterisk in the margin]
and you also who, with Scylla-barking, Stentor-throated bellowings,
flash-choaking squibbles of absurd vanities into the nosthrils of your
spectators; barbarously diverting nature and defacing Gods owne image by
metamorphosing humane shape* [_Greenes Baboon_ in the margin opposite
the asterisk] into bestiall forme."


FOOTNOTES:

  [144] P. 73.

  [145] He was an actor at the Red Bull Theatre, as appears by a rather
  curious scene in the course of this play, where Green is spoken of by
  name--

      "GERALDINE. Why then we'll go to the Red Bull: they say Green's
      a good clown.

      BUBBLE. Green! Green's an ass.

      SCATTERGOOD. Wherefore do you say so?

      BUBBLE. Indeed. I ha' no reason; for they say he is as like me
      as ever he can look."

  There seems every probability that the play when originally produced
  had some other title, until the excellence of Green's performance, and
  his mode of delivering _Tu quoque_, gave it his name. It could
  scarcely be brought out in the first instance under the appellation of
  "Green's 'Tu Quoque,'" before it was known how it would succeed, and
  how his acting would tell in the part of Bubble. In this respect
  perhaps Langbaine was mistaken.--_Collier._ [It appears likely that
  the title under which the piece was originally brought on the stage
  was simply _The City Gallant_.]

  [146] "Attempt to Ascertain the Order of Shakespeare's Plays," by Mr
  Malone, p. 275. [See Dyce's "Shakespeare," 1868, i. 114, 115. There
  seems to be some confusion between two persons of the name of Green,
  living at this time, one an actor and the author of a little poem
  printed in 1603, the other a relation to Shakespeare, and clerk to the
  corporation of Stratford.]

  [147] "The British Theatre," p. 9.

  [148] MSS. additions to Langbaine, p. 73.

  [149] The following are the epitaphs mentioned by Oldys, from
  Braithwaite's Remains--

  "_Upon an actor now of late deceased: and upon his action Tu Quoque:
  and first upon his travel._

        Hee whom this mouldered clod of earth doth hide,
        New come from sea, made but one face and dide.

    _Upon his creditors._

        His debtors now no fault with him can finde,
        Sith he has paid to nature all's behinde.

    _Upon his fellow actors._

        What can you crave of your poore fellow more?
        He does but what _Tu Quoque_ did before:
        Then give him dying, actions second wreath,
        That second'd him in action and in death."

    In actorem Mimicum cui vix parem cernimus superstitem.
            _Quæcunque orta sunt occidunt_. Sallust.

        Ver vireat quod te peperit (viridissima proles)
          Quæque tegit cineres, ipsa virescat humus.
        Transis ab exiguis nunquam periture theatris
          Ut repetas sacri pulchra theatru Jovis

  --"Remains after Death," 8vo. 1618, Sig. G 5.

  [150] Heywood speaks of it as "just published in print." The date of
  his epistle "to the Reader," however, may be older than 1614, the year
  of the earliest printed copy now known.--_Collier._ [Heywood merely
  says that he was "in the way just when this play was to be published
  in print."]

  [151] [Mr Collier's addition.]



TO THE READER


To gratulate the love and memory of my worthy friend the author, and my
entirely beloved fellow the actor, I could not choose, being in the way
just when this play was to be published in print, but to prefix some
token of my affection to either in the frontispiece of the book. For the
gentleman that wrote it, his poem itself can better speak his praise
than any oratory from me. Nor can I tell whether this work was divulged
with his consent or no; but, howsoever, it hath passed the test of the
stage with so general an applause, pity it were but it should likewise
have the honour of the press. As for Master Green, all that I will speak
of him (and that without flattery) is this (if I were worthy to
censure), there was not an actor of his nature, in his time, of better
ability in performance of what he undertook, more applauded by the
audience, of greater grace at the court, or of more general love in the
city: and so with this brief character of his memory I commit him to his
rest.

THOMAS HEYWOOD.


UPON THE DEATH OF THOMAS GREEN.

    How fast bleak Autumn changeth Flora's dye!
    What yesterday was Green, now's sear and dry.

    W.R.[152]

  [152] Probably William Rowley.



DRAMATIS PERSONÆ.


    SIR LIONEL RASH.}    {  FOX.
    OLD GERALDINE.  }    {  GATHERSCRAP.
    GERALDINE.      }    {  BASKETHILT.
    WILL RASH.      }    {  SPRINKLE.
    SPENDALL.       }    {  PRISONERS.
    STAINES.        }    {  DRAWERS, _&c._
    BUBBLE.         }    {
    LONGFIELD.       }  {   WOMEN.
    BALANCE.        }    {
    SCATTERGOOD.    }    {  GERTRUDE.
    NINNIHAMMER.    }    {  JOYCE.
    MASTER BLANK.   }    {  PHILLIS.
    PURSENET.       }    {  WIDOW.
    LODGE.          }    {  SWEATMAN, _a bawd_.
    HOLDFAST.       }    {  NAN TICKLEMAN, _a whore_.



THE CITY GALLANT.


    _A mercer's shop discovered_, GERTRUDE _working in it;_ SPENDALL
    _walking by the shop_. MASTER BALANCE _walking over the stage.
    After him_ LONGFIELD _and_ GERALDINE.

SPEND. What lack you, sir? fair stuffs or velvets?

BAL. Good morrow, Frank.

SPEND. Good morrow, Master Balance.

GERA. Save you, Master Longfield.

LONG. And you, sir. What business draws you towards this end o' th'
town?

GERA. Faith, no great serious affairs; only a stirring humour to walk,
and partly to see the beauties of the city: but it may be you can
instruct me. Pray, whose shop's this?

LONG. Why, 'tis Will Rash's father's: a man you are well acquainted
with.

_Enter a_ WENCH _with a basket of linen_.

GERA. As with yourself: and is that his sister?

LONG. Marry, is it, sir?

GERA. Pray, let us walk: I would behold her better.

WENCH. Buy some coifs, handkerchiefs, or very good bonelace, mistress?

GERT. None.

WENCH. Will you buy any handkerchiefs, sir?

SPEND. Yes. Have you any fine ones?

WENCH. I'll show you choice: please you look, sir?

SPEND. How now! what news?

WENCH. Mistress Tickleman has sent you a letter, and expects your
company at night: and entreats you to send her an angel, whether you can
come, or whether you cannot.

                                                      [SPENDALL _reads_.

_Sweet rascal; if your love be as earnest as your protestation, you will
meet me this night at supper: you know the rendezvous. There will be
good company; a noise of choice fiddlers;[153] a fine boy with an
excellent voice; very good songs, and bawdy; and, which is more, I do
purpose myself to be exceeding merry; but if you come not, I shall pout
myself sick, and not eat one bit to-night,_

    _Your continual close friend_,
      NAN TICKLEMAN.

    _I pray send me an angel by the bearer, whether
          ye can come, or whether ye cannot._

SPEND. What's the price of these two?

WENCH. Half a crown, in truth.

SPEND. Hold thee; there's an angel, and commend me to my delight; tell
her I will not fail her, though I lose my freedom by't. [_Aside._

WENCH. I thank you, sir. Buy any fine handkerchiefs?

                                                    [_Exit_ WENCH.

LONG. You are taken, sir, extremely: what's the object?

GERA. She's wondrous fair.

LONG. Nay, and your thoughts be on wenching, I'll leave you.

    GERA. You shall not be so unfriendly; pray, assist me:
    We'll to the shop, and cheapen stuffs or satins.

SPEND. What lack you, gentlemen? fine stuffs, velvets, or satins? pray,
come near.

GERA. Let me see a good satin.

SPEND. You shall, sir. What colour?

GERA. Faith, I am indifferent. What colour most affects you, lady?

GERT. Sir!

GERA. Without offence, fair creature, I demand it.

    GERT. Sir, I believe it; but I never did
    Tie my affection unto any colour.

    GERA. But my affection, fairest, is fast tied
    Unto the crimson colour of your cheek.

GERT. You relish too much courtier, sir.

LONG. What's the price of this?

SPEND. Fifteen,[154] indeed, sir.

LONG. You set a high rate on't; it had need be good.

SPEND. Good! if you find a better i' th' town, I'll give you mine for
nothing. If you were my own brother, I'd put it into your hands. Look
upon't; 'tis close-wrought, and has an excellent gloss.

LONG. Ay, I see't.

SPEND. Pray, sir, come into the next room: I'll show you that of a lower
price shall perhaps better please you.

LONG. This fellow has an excellent tongue: sure, he was brought up in
the Exchange.

SPEND. Will you come in, sir?

LONG. No; 'tis no matter, for I mean to buy none.

GERA. Prythee, walk in; what you bargain for, I'll discharge.

    LONG. Say so? fall to your work, I'll be your chapman.
                                    [_Exeunt_ SPENDALL, LONGFIELD.

    GERA. Why do you say I flatter?

    GERT. Why! you do;
    And so do all men when they women woo.

    GERA. Who looks on heaven, and not admires the work?
    Who views a well-cut diamond does not praise
    The beauty of the stone? if these deserve
    The name of excellent, I lack a word
    For thee, which merit'st more--
    More than the tongue of man can attribute.

    GERT. This is pretty poetry: good fiction, this.
    Sir, I must leave you.

    GERA. Leave with me first some comfort.

    GERT. What would you crave?

    GERA. That which I fear you will not let me have.

    GERT. You do not know my bounty. Say what 'tis?

    GERA. No more, fair creature, than a modest kiss.

    GERT. If I should give you one, would you refrain,
    On that condition, ne'er to beg again?

    GERA. I dare not grant to that.

    GERT. Then't seems you have,
    Though you get nothing, a delight to crave.
    One will not hurt my lip, which you may take,
    Not for your love, but for your absence sake.
    So farewell, sir.                            [_Exit_ GERTRUDE.

    GERA. O, fare thee well, fair regent of my soul!
    Never let ill sit near thee, unless it come
    To purge itself. Be, as thou ever seemest,
    An angel of thy sex, born to make happy
    The man that shall possess thee for his bride.

_Enter_ SPENDALL _and_ LONGFIELD.

SPEND. Will you have it for thirteen shillings and sixpence? I'll fall
to as low a price as I can, because I'll buy your custom.

LONG. How now, man? what, entranced?

GERA. Good sir, ha' you done?

LONG. Yes, faith, I think as much as you, and 'tis just nothing. Where's
the wench?

GERA. She's here, sir, here.

                                           [_Points to his heart._

LONG. Ud's pity! unbutton, man, thou'lt stifle her else.

GERA. Nay, good sir, will you go?

LONG. With all my heart; I stay but for you.

SPEND. Do you hear, sir?

LONG. What say you?

SPEND. Will you take it for thirteen?

LONG. Not a penny more than I bid. [_Exeunt_ GERALDINE _and_ LONGFIELD.

SPEND. Why, then, say you might have had a good bargain. Where's this
boy to make up the wares? Here's some ten pieces opened, and all to no
purpose.

_Enter_ BOY.

BOY. O Frank! shut up shop, shut up shop!

SPEND. Shut up shop, boy? Why?

BOY. My master is come from the court knighted, and bid us; for he says
he will have the first year of the reign of his knighthood kept holiday:
here he comes.

_Enter_ SIR LIONEL RASH.

SPEND. God give your worship joy, sir.

SIR L. RASH. O Frank! I have the worship now in the right kind; the
sword of my knighthood sticks still upon my shoulders, and I feel the
blow in my purse; it has cut two leather bags asunder. But all's one,
honour must be purchased. I will give over my city coat, and betake
myself to the court jacket. As for trade, I will deal in't no longer; I
will seat thee in my shop, and it shall be thy care to ask men what
they lack: my stock shall be summed up, and I will call thee to an
account for it.

    SPEND. My service, sir, never deserved so much;
    Nor could I ever hope so large a bounty
    Could spring out of your love.

    SIR L. RASH. That's all one.
    I do love to do things beyond men's hopes.
    To-morrow I remove into the Strand:
    There for this quarter dwell, the next at Fulham.
    He that hath choice, may shift; the whilst shalt thou
    Be master of this house, and rent it free.

    SPEND. I thank you, sir.

    SIR L. RASH. To-day I'll go dine with my Lord Mayor,
    To-morrow with the sheriffs, and next day
    With th' aldermen. I will spread the ensign
    Of my knighthood over the face of the city,
    Which shall strike as great a terror to my enemies
    As ever Tamerlane [did] to the Turks.
    Come, Frank, come in with me, and see the meat,
    Upon the which my knighthood first shall eat. [_Exeunt omnes._

_Enter_ STAINES.

STAINES. There is a devil has haunted me these three years, in likeness
of an usurer: a fellow that in all his life never ate three groat loaves
out of his own purse, nor ever warmed him but at other men's fires;
never saw a joint of mutton in his own house these four-and-twenty
years, but always cosened the poor prisoners, for he always bought his
victuals out of the alms-basket; and yet this rogue now feeds upon
capons, which my tenants send him out of the country; he is landlord,
forsooth, over all my possessions. Well, I am spent; and this rogue has
consumed me. I dare not walk abroad to see my friends, for fear the
serjeants should take acquaintance of me: my refuge is Ireland or
Virginia:[155] necessity cries out, and I will presently to West
Chester.

_Enter_ BUBBLE.

    How now, Bubble! hast thou pack'd up all thy things?
    Our parting-time is come: nay, prythee, do not weep.

BUB. Affection, sir, will burst out.

STAINES. Thou hast been a faithful servant to me. Go to thy uncle, he'll
give thee entertainment: tell him, upon the stony rock of his merciless
heart my fortunes suffer shipwreck.

BUB. I will tell him he is an usuring rascal, and one that would do the
commonwealth good if he were hanged.

STAINES. Which thou hast cause to wish for; thou art his heir, my
affectionate Bubble.

BUB. But, master, wherefore should we be parted?

STAINES. Because my fortunes are desperate, thine are hopeful.

BUB. Why, but whither do you mean to go, master?

STAINES. Why, to sea.

BUB. To sea! Lord bless us, methinks I hear of a tempest already. But
what will you do at sea?

STAINES. Why, as other gallants do that are spent, turn pirate.

BUB. O master, have the grace of Wapping before your eyes, remember a
high tide;[156] give not your friends cause to wet their handkerchiefs.
Nay, master, I'll tell you a better course than so; you and I will go
and rob my uncle; if we 'scape, we'll domineer together; if we be taken,
we'll be hanged together at Tyburn; that's the warmer gallows of the
two.

_Enter_ MESSENGER.

MES. By your leave, sir, whereabouts dwells one Master Bubble?

BUB. Do you hear, my friend? do you know Master Bubble, if you do see
him?

MES. No, in truth, do I not.

BUB. What is your business with Master Bubble?

MES. Marry, sir, I come with welcome news to him.

BUB. Tell it, my friend: I am the man.

MES. May I be assured, sir, that your name is Master Bubble?

BUB. I tell thee, honest friend, my name is Master Bubble, Master
Bartholomew Bubble.

MES. Why then, sir, you are heir to a million; for your uncle, the rich
usurer, is dead.

BUB. Pray thee, honest friend, go to the next haberdasher's, and bid him
send me a new melancholy hat, and take thou that for thy labour.

    MES. I will, sir.                                     [_Exit._

_Enter another_ MESSENGER _hastily, and knocks_.

BUB. Umh. umh, umh!

STAINES. I would the news were true: see how my little Bubble is blown
up with't!

BUB. Do you hear, my friend; for what do you knock there?

2D MES. Marry, sir, I would speak with the worshipful Master Bubble.

BUB. The worshipful! and what would you do with the worshipful Master
Bubble? I am the man.

2D MES. I cry your worship mercy then: Master Thong, the belt-maker,
sent me to your worship, to give you notice that your uncle is dead, and
that you are his only heir. [_Exit._

    BUB. Thy news is good, and I have look'd for't long;
    Thanks unto thee, my friend, and goodman Thong.

_Enter_ MASTER BLANK.

STAINES. Certainly this news is true; for see another: by this light,
his scrivener! Now, Master Blank, whither away so fast?

BLANK. Master Staines, God save you. Where is your man?

STAINES. Why, look you, sir; do you not see him?

BLANK. God save the right worshipful Master Bubble; I bring you heavy
news with a light heart.

BUB. What are you?

BLANK. I am your worship's poor scrivener.

BUB. He is an honest man, it seems, for he hath both his ears.

BLANK. I am one that your worship's uncle committed some trust in for
the putting out of his money, and I hope I shall have the putting out of
yours.

BUB. The putting out of mine! Would you have the putting out of my
money?

BLANK. Yea, sir.

BUB. No, sir, I am old enough to put out my own money.

BLANK. I have writings of your worship's.

STAINES. As thou lov'st thy profit, hold thy tongue; thou and I will
confer. [_Aside._]

BUB. Do you hear, my friend? Can you tell me when and how my uncle died?

BLANK. Yes, sir; he died this morning, and he was killed by a butcher.

BUB. How! by a butcher?

BLANK. Yes indeed, sir; for going this morning into the market to
cheapen meat, he fell down stark dead, because a butcher asked him four
shillings for a shoulder of mutton.

BUB. How, stark dead! and could not _aqua vitæ_ fetch him again?

BLANK. No, sir; nor _rosa solis_ neither; and yet there was trial made
of both.

BUB. I shall love _aqua vitæ_ and _rosa solis_ the better while I live.

                                                         [_Aside._

STAINES. Will it please your worship to accept of my poor service? you
know my case is desperate; I beseech you that I may feed upon your
bread, though it be of the brownest, and drink of your drink, though it
may be of the smallest; for I am humble in body and dejected in mind,
and will do your worship as good service for forty shillings a year as
another shall for three pounds.

BUB. I will not stand with you for such a matter, because you have been
my master; but otherwise I will entertain no man without some knight's
or lady's letter for their behaviour. Gervase, I take it, is your
Christian name?

STAINES. Yes, if it please your worship.

BUB. Well, Gervase, be a good servant, and you shall find me a dutiful
master; and because you have been a gentleman, I will entertain you for
my tutor in behaviour. Conduct me to my palace.

                                                  [_Exeunt omnes._

_Enter_ GERALDINE, _as in his study, reading_.

    GERA. _As little children love to play with fire,
    And will not leave till they themselves do burn;
    So did I fondly dally with desire,
    Until love's flame grew hot; I could not turn,
    Nor well avoid, but sigh, and sob, and mourn,
    As children do, when as they feel the pain,
    Till tender mothers kiss them whole again._
    Fie! what unsavoury stuff is this! but she,
    Whose mature judgment can distinguish things,
    Will thus conceit: tales, that are harshest told,
    Have smoothest meanings, and to speak are bold.
    It is the first-born sonnet of my brain;
    Why[157] suck'd a white leaf from my black-lipp'd pen
    So sad employment?

_Enter_ WILL RASH _and_ LONGFIELD.

    Yet the dry paper drinks it up as deep,
    As if it flow'd from Petrarch's cunning quill.

W. RASH. How now! what have we here? a sonnet and a satire, coupled
together like my lady's dog and her monkey?

_As little children, &c._

GERA. Prythee, away: by the deepest oath that can be sworn, thou shalt
not read it; by our friendship I conjure thee! prythee, let go.

W. RASH. Now, in the name of Cupid, what want'st thou? a pigeon, a dove,
a mate, a turtle? Dost thou love fowl, ha?

    _O no; she's fairer thrice than is the queen,_
    _Who beauteous Venus called is by name._

Prythee, let me know what she is thou lovest, that I may shun her if I
should chance to meet her.

LONG. Why, I'll tell you, sir, what she is, if you do not know.

W. RASH. No, not I, I protest.

LONG. Why, 'tis your sister.

W. RASH. How! my sister?

LONG. Yes, your eldest sister.

W. RASH. Now God bless the man: he had better choose a wench that has
been bred and born in an alley: her tongue is a perpetual motion;
thought is not so swift as it is; and, for pride, the woman that had her
ruff poked by the devil is but a puritan to her.[158] Thou couldst never
have fastened thy affection on a worse subject; she'll flout faster
than a court waiting-woman in progress[159]; any man that comes in the
way of honesty does she set her mark upon, that is, a villanous jest;
for she is a kind of poetess, and will make ballads upon the calves of
your legs. I prythee, let her alone, she'll never make a good wife for
any man, unless it be a leather-dresser; for perhaps he in time may turn
her.

    GERA. Thou hast a privilege to utter this:
    But, by my life, my own blood could not 'scape
    A chastisement for thus profaning her
    Whose virtues sit above men's calumnies.
    Had mine own brother spoke thus liberally,[160]
    My fury should have taught him better manners.

LONG. No more words, as you fear a challenge.

W. RASH. I may tell thee in thine ear, I am glad to hear what I do; I
pray God send her no worse husband, nor he no worse wife.

    Do you hear, love, will you take your cloak and rapier,
    And walk abroad into some wholesome air?
    I do much fear thy infection: good counsel,
    I see, will do no good on thee; but pursue the end,
    And to thy thoughts I'll prove a faithful friend.   [_Exeunt._

_Enter_ SPENDALL, NAN TICKLEMAN, SWEATMAN, PURSENET, _and a_ DRAWER.

SPEND. Here's a spacious room to walk in: sirrah, set down the candle,
and fetch us a quart of ipocras[161], and so we'll part.

SWEAT. Nay, faith, son, we'll have a pottle; let's ne'er be covetous in
our young days.

SPEND. A pottle, sirrah; do you hear?

DRAWER. Yes, sir, you shall.

SPEND. How now, wench! how dost?

TICKLE. Faith, I am somewhat sick; yet I should be well enough if I had
a new gown.

SPEND. Why, here's my hand; within these three days thou shalt have one.

SWEAT. And will you, son, remember me for a new forepart? by my troth,
my old one is worn so bare, I am ashamed anybody should see't.

SPEND. Why, did I ever fail of my promise?

SWEAT. No, in sincerity, didst thou not.

_Enter_ DRAWER.

    DRAWER. Here's a cup of rich ipocras.                 [_Exit._

SPEND. Here, sister, mother, and Master Pursenet: nay, good sir, be not
so dejected; for, by this wine, to-morrow I will send you stuff for a
new suit, and as much as shall line you a cloak clean through.

PURSE. I thank you, and shall study to deserve----

SPEND. Here, boy, fill, and hang that curmudgeon, that's good for nobody
but himself.

PURSE. Heroicly spoken, by this candle! 'tis pity thou wert not made a
lord.

SPEND. A lord? by this light, I do not think but to be Lord Mayor of
London before I die, and have three pageants carried before me, besides
a ship and an unicorn. 'Prentices may pray for that time; for whenever
it happens, I will make another Shrove Tuesday[162] for them.

_Enter_ DRAWER.

DRAWER. Young Master Rash has sent you a quart of Malaga[163].

SPEND. Master Rash! zounds! how does he know that I am here?

DRAWER. Nay, I know not, sir.

SPEND. Know not! it comes through you and your rascally glib-tongued
companions. 'Tis my master's son: a fine gentleman he is, and a boon
companion: I must go see him.

                                                 [_Exit_ SPENDALL.

SWEAT. Boy, fill us a cup of your malaga, we'll drink to Master Spendall
in his absence: there's not a finer spirit of a citizen within the
walls. Here, Master Pursenet, you shall pledge him.

PURSE. I'll not refuse it, were it puddle: by Styx, he is a bountiful
gentleman, and I shall report him so. Here, Mistress Tickleman, shall I
charge you?

TICKLE. Do your worst, serjeant: I'll pledge my young Spendall a whole
sea, as they say: fa, la, la, la, la! Would the music were here again; I
do begin to be wanton. Ipocras, sirrah, and a dry biscuit! Here, bawd, a
carouse!

SWEAT. Bawd, i' faith! you begin to grow light i' the head. I pray no
more such words; for, if you do, I shall grow into distempers.

TICKLE. Distempers! hang your distempers; be angry with me, and thou
dar'st. I pray, who feeds you, but I? who keeps thy feather-beds from
the brokers, but I? 'tis not your sausage-face, thick, clouted[164]
cream-rampallion[165] at home, that snuffles in the nose like a decayed
bagpipe.

PURSE. Nay, sweet Mistress Tickleman, be concordant; reverence
antiquity.

_Enter_ RASH, LONGFIELD, _and_ SPENDALL.

RASH. Save you, sweet creatures of beauty, save you: how now, old
Beelzebub, how dost thou?

SWEAT. Beelzebub! Beelzebub in thy face!

SPEND. Nay, good words, Mistress Sweatman: he's a young gallant; you
must not weigh what he says.

RASH. I would my lamentable complaining lover had been here: here had
been a supersedeas for his melancholy; and, i' faith, Frank, I am glad
my father has turned over his shop to thee. I hope I, or any friend of
mine, shall have so much credit with thee, as to stand in thy books for
a suit of satin.

SPEND. For a whole piece, if you please; any friend of yours shall
command me to the last remnant.

RASH. Why, God-a-mercy, Frank; what, shall's to dice?

SPEND. Dice or drink: here's forty crowns: as long as that will
last--anything.

RASH. Why, there spoke a gingling boy.

SPEND. A pox of money! 'tis but rubbish; and he that hoards it up is but
a scavenger. If there be cards i' the house, let's go to primero.

RASH. Primero! why, I thought thou hadst not been so much gamester as to
play at it.

SPEND. Gamester! to say truth, I am none; but what is it I will not be
in good company? I will fit myself to all humours; I will game with a
gamester, drink with a drunkard, be civil with a citizen, fight with a
swaggerer, and drab with a whoremaster.

_Enter a_ SWAGGERER, _puffing_.

RASH. An excellent humour, i' faith.

LONG. Zounds! what have we here?

SPEND. A land-porpoise, I think.

RASH. This is no angry, nor no roaring boy, but a blustering boy: now,
Æolus defend us! what puffs are these?

SWAG. I do smell a whore.

DRAWER. O gentlemen, give him good words; he's one of the roaring boys.

SWAG. Rogue!

DRAWER. Here, sir.

SWAG. Take my cloak, I must unbuckle; my pickled oysters work; puff,
puff!

SPEND. Puff, puff!

SWAG. Dost thou retort--in opposition stand?

SPEND. Out, you swaggering rogue! zounds, I'll kick him out of the room!

                                                [_Beats him away._

TICKLE. Out, alas! their naked tools are out.

SPEND. Fear not, sweetheart; come along with me. [_Exeunt omnes._

_Enter_ GERTRUDE _sola_.

    GERT. Thrice-happy days they were, and too soon gone,
    When as the heart was coupled with the tongue;
    And no deceitful flattery or guile
    Hung on the lover's tear-commixed smile.
    Could women learn but that imperiousness,
    By which men use to stint our happiness,
    When they have purchas'd us for to be theirs
    By customary sighs and forced tears:
    To give us bits of kindness, lest we faint,
    But no abundance that we ever want,
    And still are begging; which too well they know
    Endears affection, and doth make it grow:
    Had we these sleights, how happy were we then,
    That we might glory over lovesick men!
    But arts we know not, nor have any skill
    To feign a sour look to a pleasing will;

_Enter_ JOYCE.

    Nor couch a secret love in show of hate:
    But, if we like, must be compassionate.
    Yet I will strive to bridle and conceal
    The hid affection which my heart doth feel.

JOYCE. Now the boy with the bird-bolt[166] be praised! Nay, faith,
sister, forward: 'twas an excellent passion.[167] Come, let's hear, what
is he? If he be a proper man, and have a black eye, a smooth chin, and a
curled pate, take him, wench; if my father will not consent, run away
with him, I'll help to convey you.

GERT. You talk strangely, sister.

JOYCE. Sister, sister, dissemble not with me, though you do mean to
dissemble with your lover. Though you have protested to conceal your
affection, by this tongue, you shall not; for I'll discover all, as soon
as I know the gentleman.

GERT. Discover! what will you discover?

JOYCE. Marry, enough, I'll warrant thee. First and foremost, I'll tell
him thou read'st love-passions in print, and speakest every morning
without book to thy looking-glass: next, that thou never sleepest till
an hour after the bellman: that, as soon as thou art asleep, thou art in
a dream, and in a dream thou art the kindest and comfortablest
bed-fellow for kissings and embracings: by this hand, I cannot rest for
thee: but our father----

_Enter_ SIR LIONEL.

SIR LIONEL. How now! what are you two consulting on? On husbands? You
think you lose time, I am sure; but hold your own a little, girls; it
shall not be long ere I'll provide for you: and for you, Gertrude, I
have bethought myself already.

    Whirlpit, the usurer, is late deceas'd:
    A man of unknown wealth, which he has left
    Unto a provident kinsman, as I hear,
    That was once servant to that unthrift Staines.
    A prudent gentleman they say he is,
    And, as I take it, called Master Bubble.

    JOYCE. Bubble!                         [_She makes a grimace._

    SIR LIONEL. Yes, nimble-chaps; what say you to that?

    JOYCE. Nothing; but that I wish his Christian name were Water.[168]

    GERT. Sir, I'm at your disposing; but my mind
    Stands not as yet towards marriage.
    Were you so pleas'd, I would a little longer
    Enjoy the quiet of a single bed.

    SIR LIONEL. Here's the right trick of them all: let a man
    Be motion'd to 'em, they could be content
    To lead a single life, forsooth: when the harlots
    Do pine and run into diseases,
    Eat chalk and oatmeal, cry and creep in corners,
    Which are manifest tokens of their longings;
    And yet they will dissemble. [_Aside._] But, Gertude,
    As you do owe me reverence, and will pay it,
    Prepare yourself to like this gentleman,
    Who can maintain thee in thy choice of gowns,
    Of tires, of servants, and of costly jewels;
    Nay for a need, out of his easy nature,
    May'st draw him to the keeping of a coach
    For country, and caroch[169] for London:
    Indeed, what might'st thou not?

_Enter a_ SERVANT.

    SER. Sir, here's one come from Master Bubble.
    To invite you to the funeral of his uncle.

    SIR LIONEL. Thank the messenger, and make him drink.
    Tell him, I will not fail to wait the corse:
    Yet stay, I will go talk with him myself.
    Gertrude, think upon what I have told you,
    And let me, ere it be long, receive your answer.
                               [_Exeunt_ SIR LIONEL _and_ SERVANT.

JOYCE. Sister, sister!

GERT. What say you, sister?

JOYCE. Shall I provide a cord?

GERT. A cord! what to do?

JOYCE. Why, to let thee out at the window. Do not I know that thou wilt
run away with the gentleman for whom you made the passion, rather than
endure this same Bubble that my father talks of? 'Twere good you would
let me be of your counsel, lest I break the neck of your plot.

    GERT. Sister, [you] know I love thee,
    And I'll not think a thought thou shalt not know.
    I love a gentleman, that answers me
    In all the rights of love as faithfully:
    Has woo'd me oft with sonnets and with tears:
    Yet I seem still to slight him. Experience tells,
    The jewel that's enjoy'd is not esteem'd;
    Things hardly got are always highest deem'd.

JOYCE. You say well, sister; but it is not good to linger out too long;
continuance of time will take away any man's stomach in the world. I
hope the next time that he comes to you I shall see him.

GERT. You shall.

JOYCE. Why, go to then: you shall have my opinion of him. If he deserve
thee, thou shalt delay him no longer; for if you cannot find in your
heart to tell him you love him, I'll sigh it out for you. Come, we
little creatures must help one another. [_Exeunt._

_Enter_ GERALDINE.

    GERA. How cheerfully things look in this place!
    'Tis always spring-time here; such is the grace
    And potency of her who has the bliss
    To make it still Elysium where she is.
    Nor doth the king of flames in's golden fires,
    After a tempest, answer men's desires,
    When as he casts his comfortable beams
    Over the flowery fields and silver streams,
    As her illustrate beauty strikes in me,
    And wraps my soul up to felicity.

_Enter_ GERTRUDE _and_ JOYCE _aloft_.

JOYCE. Do you hear, sir?

GERT. Why, sister, what will you do?

JOYCE. By my maidenhead, an oath which I ne'er took in vain, either go
down and comfort him, or I'll call him up and disclose all. What, will
you have no mercy, but let a proper man, that might spend the spirit of
his youth upon yourself, fall into a consumption? for shame, sister!

GERT. You are the strangest creature--what would you have me do?

JOYCE. Marry, I would have you go to him, take him by the hand, and
gripe him; say, You are welcome, I love you with all my heart, you are
the man must do the feat; and take him about the neck, and kiss upon the
bargain.

    GERT. Fie, how you talk! 'tis mere immodesty;
    The common'st strumpet would not do so much.

    JOYCE. Marry, the better; for such as are honest
    Should still do what the common strumpet will not.
    Speak, will you do it?

GERT. I'll lose his company for ever first.

JOYCE. Do you hear, sir? here is a gentlewoman would speak with you.

GERT. Why, sister! pray, sister----

JOYCE. One that loves you with all her heart, yet is ashamed to confess
it.

GERT. Good sister, hold your tongue: I will go down to him.

JOYCE. Do not jest with me; for, by this hand, I'll either get him up,
or go down myself, and read the whole history of your love to him.

GERT. If you forbear to call, I will go down.

JOYCE. Let me see your back, then; and hear you, do not use him
scurvily: you were best unset all your tyrannical looks, and bid him
lovingly welcome, or, as I live, I'll stretch out my voice again. Ud's
foot, I must take some pains, I see, or we shall never have this gear
cotten;[170] but, to say truth, the fault is in my melancholy monsieur;
for if he had but half so much spirit as he has flesh, he might have
boarded her by this. But see, yonder she marches; now a passion on his
side of half an hour long: his hat is off already, as if he were begging
one poor pennyworth of kindness.

_Enter_ GERTRUDE _below_.

GERA. Shall I presume, fair mistress, on your hand to lay my unworthy
lip?

JOYCE. Fie upon him! I am ashamed to hear him; you shall have a country
fellow at a maypole go better to his work. He had need to be constant,
for he is able to spoil as many maids as he shall fall in love withal.

GERT. Sir, you profess love unto me; let me entreat you it may appear
but in some small request.

GERA. Let me know it, lady, and I shall soon effect it.

GERT. But for this present to forbear this place, Because my father is
expected here.

GERA. I am gone, lady.

JOYCE. Do you hear, sir?

GERA. Did you call?

JOYCE. Look up to the window.

GERA. What say you, gentlewoman?

GERT. Nay, pray sir, go; it is my sister calls to hasten you.

JOYCE. I call to speak with you; pray, stay a little.

GERA. The gentlewoman has something to say to me.

GERT. She has nothing. I do conjure you, as you love me, stay not.

                                                    [_Exit_ JOYCE.

GERA. The power of magic cannot fasten me; I am gone.

    GERT. Good sir, look back no more, what voice e'er call you.
    Imagine going from me, you were coming,
    And use the same speed, as you love my safety.
                                                [_Exit_ GERALDINE.
    Wild-witted sister, I have prevented you:
    I will not have my love yet open'd to him.
    By how much longer 'tis, ere it be known,
    By so much dearer 'twill be when 'tis purchas'd.
    But I must use my strength to stop her journey,
    For she will after him: and see, she comes.

_Enter_ JOYCE _below_.

    Nay, sister, you are at farthest.

    JOYCE. Let me go, you were best;
    For if you wrestle with me, I shall throw you.
    Passion! come back, fool; lover, turn again,
    And kiss your bellyful;
    For here she is will stand you, do your worst.
    Will you let me go?

GERT. Yes, if you'll stay.

JOYCE. If I stir a foot, hang me; you shall come together yourselves,
and be naught. Do what you will; for if e'er I trouble myself again, let
me want help in such a case when I need.

GERT. Nay, but prythee, sister, be not angry.

JOYCE. I will be angry. Ud's foot! I cannot endure such foolery, I! Two
bashful fools that would couple together, and yet ha' not the faces.

GERT. Nay, prythee, sweet sister!

JOYCE. Come, come, let me go. Birds, that want the use of reason and
speech, can couple together in one day; and yet you, that have both,
cannot conclude in twenty.

GERT. Why, what good would it do you to tell him?

JOYCE. Do not talk to me, for I am deaf to anything you say. Go, weep
and cry.

    GERT. Nay, but sister----                           [_Exeunt._

_Enter_ STAINES _and_ DRAWER _with wine_.

    STAINES. Drawer, bid them make haste at home.
    Tell them they are coming from church.

    DRAWER. I will, sir.                           [_Exit_ DRAWER.

STAINES. That I should live to be a serving-man! a fellow which scalds
his mouth with another man's porridge; brings up meat for other men's
bellies, and carries away the bones for his own; changes his clean
trencher for a foul one, and is glad of it. And yet did I never live so
merry a life when I was my master's master as now I do, being man to my
man. And I will stand to't, for all my former speeches, a serving-man
lives a better life than his master; and thus I prove it: The saying is,
the nearer the bone the sweeter the flesh; then must the serving-man
needs eat the sweeter flesh, for he always picks the bones. And again,
the proverb says, the deeper the sweeter. There has the serving-man the
advantage again, for he drinks still in the bottom of the pot. He fills
his belly, and never asks what's to pay; wears broadcloth, and yet dares
walk Watling Street,[171] without any fear of his draper. And for his
colours, they are according to the season; in the summer, he is
apparelled (for the most part) like the heavens, in blue; in winter,
like the earth, in frieze.

_Enter_ BUBBLE, SIR LIONEL LONGFIELD, _and_ SPRINKLE.

But see, I am prevented in my encomium. I could have maintained this
theme this two hours.

SIR LIONEL. Well, God rest his soul, he is gone, and we must all follow
him.

BUB. Ay, ay, he's gone, Sir Lionel, he's gone.

SIR LIONEL. Why, though he be gone, what then? 'Tis not you that can
fetch him back again, with all your cunning. It must be your comfort
that he died well.

BUB. Truly, and so it is. I would to God I had e'en another uncle that
would die no worse; surely I shall weep again, if I should find my
handkerchief.

LONG. How now! what are these, onions?

BUB. Ay, ay, Sir Lionel, they are my onions; I thought to have had them
roasted this morning for my cold. Gervase, you have not wept to-day;
pray, take your onions. Gentlemen, the remembrance of death is sharp,
therefore there is a banquet within to sweeten your conceits. I pray,
walk in, gentlemen, walk you in; you know I must needs be melancholy,
and keep my chamber. Gervase, usher them to the banquet.

    STAINES. I shall, sir. Please you, Sir Lionel?

    SIR LIONEL. Well, Master Bubble, we'll go in and taste of your
      bounty.
    In the meantime, you must be of good cheer.

                                [GENTLEMEN _and_ GERVASE _go out_.

BUB. If grief take not away my stomach, I will have good cheer, I
warrant you. Sprinkle!

    SPRIN. Sir.

    BUB. Had the women puddings to their dole?[172]

    SPRIN. Yes, sir.

    BUB. And how did they take 'em?

    SPRIN. Why, with their hands. How should they take 'em?

    BUB. O thou Hercules of ignorance! I mean, how were they satisfied?

    SPRIN. By my troth, sir, but so-so; and yet some of them had two.

BUB. O insatiable women, whom two puddings would not satisfy! But
vanish, Sprinkle; bid your fellow Gervase come hither.

                                                 [_Exit_ SPRINKLE.

    And off, my mourning-robes: grief, to the grave,
    For I have gold, and therefore will be brave:[173]
    In silks I'll rattle it of every colour,
    And, when I go by water, scorn a sculler.

_Enter_ STAINES.

    In black carnation velvet I will cloak me,
    And when men bid God save me, cry, _Tu quoque_.

It is needful a gentleman should speak Latin sometimes, is it not,
Gervase?

STAINES. O, very graceful, sir; your most accomplished gentlemen are
known by it.

BUB. Why, then will I make use of that little I have upon times and
occasions. Here, Gervase, take this bag, and run presently to the
mercer's; buy me seven ells of horse-flesh-coloured taffata, nine yards
of yellow satin, and eight yards of orange-tawny velvet. Then run to
the tailor's, the haberdasher's, the sempster's, the cutler's, the
perfumer's, and to all trades whatsoever, that belong to the making up
of a gentleman; and, amongst the rest, let not the barber be forgotten:
and look that he be an excellent fellow, and one that can snap his
fingers with dexterity.[174]

STAINES. I shall fit you, sir.

BUB. Do so, good Gervase: it is time my beard were corrected, for it is
grown so saucy, as it begins to play with my nose.

STAINES. Your nose, sir, must endure it; for it is in part the fashion.

BUB. Is it in fashion? why, then my nose shall endure it, let it tickle
his worst.

STAINES. Why, now y' are i' the right, sir; if you will be a true
gallant, you must bear things resolute. As thus, sir; if you be at an
ordinary, and chance to lose your money at play, you must not fret and
fume, tear cards, and fling away dice, as your ignorant gamester or
country-gentleman does; but you must put on a calm, temperate action,
with a kind of careless smile in contempt of fortune, as not being able
with all her engines to batter down one piece of your estate, that your
means may be thought invincible. Never tell your money: nor what you
have won, nor what you have lost. If a question be made, your answer
must be: What I have lost, I have lost; what I have won, I have won. A
close heart and free hand make a man admired: a testern or a shilling to
a servant that brings you a glass of beer, binds his hands to his lips:
you shall have more service of him than his master; he will be more
humble to you than a cheater before a magistrate.

BUB. Gervase, give me thy hand: I think thou hast more wit than I, that
am thy master; and for this speech only I do here create thee my
steward. I do long, methinks, to be at an ordinary: to smile at fortune,
and to be bountiful. Gervase, about your business, good Gervase, whilst
I go and meditate upon a gentleman-like behaviour. I have an excellent
gait already, Gervase, have I not?

STAINES. Hercules himself, sir, had never a better gait.

BUB. But despatch, Gervase: the satin and the velvet must be thought
upon, and the _Tu quoque_ must not be forgotten; for whensoever I give
arms, that shall be my motto. [_Exit_ BUBBLE.

STAINES. What a fortune had I thrown upon me when I preferred myself
into this fellow's service! Indeed, I serve myself, and not him; for
this gold here is my own, truly purchased: he has credit, and shall run
i' th' books for't. I'll carry things so cunningly, that he shall not be
able to look into my actions. My mortgage I have already got into my
hands: the rent he shall enjoy awhile, till his riot constrain him to
sell it; which I will purchase with his own money. I must cheat a
little: I have been cheated upon. Therefore I hope the world will a
little the better excuse me. What his uncle craftily got from me, I will
knavishly recover of him. To come by it, I must vary shapes, and my
first shift shall be in satin.

    Proteus, propitious be to my disguise,
    And I shall prosper in my enterprise.                 [_Exit._

_Enter_ SPENDALL, PURSENET, _and a_ BOY _with rackets_.

    SPEND. A rubber, sirrah.

    BOY. You shall, sir.

    SPEND. And bid those two men you said would speak with me come in.

    BOY. I will, sir.                                 [_Exit_ BOY.

    SPEND. Did I not play this set well?

_Enter_ BLANK _and another_.

PURSE. Excellent well: by Phaeton, by Erebus, it went as if it had cut
the line.

    BLANK. God bless you, sir.

    SPEND. Master Blank, welcome.

    BLANK. Here's the gentleman's man, sir, has brought the money.

    SER. Will't please you tell it, sir?

    SPEND. Have you the bond ready, Master Blank?

    BLANK. Yes, sir.

    SPEND. 'Tis well. Pursenet, help to tell--10, 11, 12.
    What time have you given?

    BLANK. The thirteenth of the next month.

    SPEND. 'Tis well: here's light gold.

    SER. 'Twill be the less troublesome to carry.

    SPEND. You say well, sir; how much hast thou told?

    PURSE. In gold and silver, here is twenty pounds.

    BLANK. 'Tis right, Master Spendall, I'll warrant you.

    SPEND. I'll take your warrant, sir, and tell no farther.
    Come, let me see the condition of this obligation.

    PURSE. A man may win from him that cares not for't.
    This royal Cæsar doth regard no cash;
    Has thrown away as much in ducks and drakes,
    As would have bought some 50,000 capons.            [_Aside._]

    SPEND. 'Tis very well; so lend me your pen.

    PURSE. This is the captain of brave citizens;
    The Agamemnon of all merry Greeks.
    A Stukeley or a Sherley for his spirit,[175]
    Bounty and royalty to men-at-arms.

    BLANK. You give this as your deed?

    SPEND. Marry do I, sir.

    BLANK. Pleaseth this gentleman to be a witness?

    SPEND. Yes, marry shall he. Pursenet, your hand.

    PURSE. My hand is at thy service, noble Brutus.

    SPEND. There's for your kindness, Master Blank.

    BLANK. I thank you, sir.

    SPEND. There's for your pains.                 [_To_ SERVANT.]

    SER. I thank you, sir.                               [_Exit._]

    BLANK. I'll take my leave of you.[176]

    SPEND. What, must you be gone too, Master Blank?

    BLANK. Yes, indeed, sir; I must to the Exchange.      [_Exit._

    SPEND. Farewell to both. Pursenet,
    Take that twenty pounds, and give it Mistress Sweatman:
    Bid her pay her landlord and apothecary,
    And let her butcher and her baker stay;
    They're honest men, and I'll take order with them.

    PURSE. The butcher and the baker then shall stay.

    SPEND. They must, till I am somewhat stronger pursed.

    PURSE. If this be all, I have my errand perfect.
                                                 [_Exit_ PURSENET.

    SPEND. Here, sirrah, here's for balls; there's for yourself.

    BOY. I thank your worship.

    SPEND. Commend me to your mistress.                   [_Exit._

BOY. I will, sir. In good faith, 'tis the liberall'st gentleman that
comes into our court: why, he cares no more for a shilling than I do for
a box o' th' ear, God bless him. [_Exit._

_Enter_ STAINES _gallant_, LONGFIELD, _and a_ SERVANT.

STAINES. Sirrah, what o'clock is't?

SER. Past ten, sir.

STAINES. Here will not be a gallant seen this hour.

SER. Within this quarter, sir, and less: they meet here as soon as at
any ordinary in th' town.

STAINES. Hast any tobacco?

SER. Yes, sir.

STAINES. Fill.

LONG. Why, thou report'st miracles, things not to be believed: I protest
to thee, hadst thou not unripped thyself to me, I should never have
known thee.

STAINES. I tell you true, sir; I was so far gone, that desperation
knocked at my elbow, and whispered news to me out of Barbary.[177]

    LONG. Well, I am glad so good an occasion stay'd thee at home.
    And may'st thou prosper in thy project, and go on
    With best success of thy invention.

    STAINES. False dice say amen; for that's my induction:
    I do mean to cheat to-day without respect of persons.
    When saw'st thou Will Rash?

    LONG. This morning at his chamber; he'll be here.

STAINES. Why, then, do thou give him my name and character, for my aim
is wholly at my worshipful master.

LONG. Nay, thou shalt take another into him: one that laughs out his
life in this ordinary, thanks any man that wins his money: all the while
his money is losing, he swears by the cross of this silver; and, when it
is gone, he changeth it to the hilts of his sword.

_Enter_ SCATTERGOOD _and_ NINNIHAMMER.

STAINES. He'll be an excellent coach-horse for my captain.

SCAT. Save you, gallants, save you.

LONG. How think you now? have I not carved him out to you?

STAINES. Thou hast lighted me into his heart; I see him thoroughly.

SCAT. Ninnihammer!

NIN. Sir.

SCAT. Take my cloak and rapier also: I think it be early. Gentlemen,
what time do you take it to be?

STAINES. Inclining to eleven, sir.

SCAT. Inclining! a good word. I would it were inclining to twelve, for
by my stomach it should be high noon. But what shall we do, gallants?
shall we to cards till our company come?

LONG. Please you, sir.

SCAT. Harry, fetch some cards; methinks 'tis an unseemly sight to see
gentlemen stand idle. Please you to impart your smoke?

LONG. Very willingly, sir.

SCAT. In good faith, a pipe of excellent vapour.

LONG. The best the house yields.

SCAT. Had you it in the house? I thought it had been your own: 'tis not
so good now as I took it to be.[178] Come, gentlemen, what's your game?

STAINES. Why, gleek; that's your only game.

SCAT. Gleek let it be, for I am persuaded I shall gleek some of you.
Cut, sir.

LONG. What play we? twelvepence gleek?

SCAT. Twelvepence? a crown: ud's foot! I will not spoil my memory for
twelvepence.

LONG. With all my heart.

STAINES. Honour.

SCAT. What is't, hearts?

STAINES. The king! what say you?

LONG. You must speak, sir.

SCAT. Why, I bid thirteen.

STAINES. Fourteen.

SCAT. Fifteen.

STAINES. Sixteen.

LONG. Sixteen, seventeen.

STAINES. You shall ha't for me.

SCAT. Eighteen.

LONG. Take it to you, sir.

SCAT. Ud's life! I'll not be outbraved.

STAINES. I vie it.

LONG. I'll none of it.

SCAT. Nor I.

STAINES. Give me a murnival of aces and a gleek of queens.

LONG. And me a gleek of knaves.

SCAT. Ud's life! I'm gleeked this time.

_Enter_ WILL RASH.

STAINES. Play.

W. RASH. Equal fortunes befall you, gallants.

SCAT. Will Rash: well, I pray see what a vile game I have.

W. RASH. What's your game--gleek?

SCAT. Yes, faith, gleek; and I have not one court card but the knave of
clubs.

W. RASH. Thou hast a wild hand, indeed. Thy small cards show like a
troop of rebels, and the knave of clubs their chief leader.

SCAT. And so they do, as God save me: by the cross of this silver, he
says true.

_Enter_ SPENDALL.

STAINES. Pray, play, sir.

LONG. Honour.

W. RASH. How go the stocks, gentlemen? what's won or lost?

STAINES. This is the first game.

SCAT. Yes, this is the first game; but, by the cross of this silver,
here's all of five pounds.

SPEND. Good day to you, gentlemen.

W. RASH. Frank, welcome, by this hand; how dost, lad?

SPEND. And how does thy wench, faith?

W. RASH. Why, fat and plump, like thy geldings; thou giv'st them both
good provender, it seems. Go to, thou art one of the madd'st wags of a
citizen i' th' town: the whole company talks of thee already.

SPEND. Talk! why, let 'em talk; ud's foot! I pay scot and lot, and all
manner of duties else, as well as the best of 'em. It may be they
understand I keep a whore, a horse, and a kennel of hounds; what's that
to them? no man's purse opens for it but mine own; and so long my hounds
shall eat flesh, my horse bread, and my whore wear velvet.

W. RASH. Why, there spoke a courageous boy.

SPEND. Ud's foot! shall I be confined all the days of my life to walk
under a pent-house? No, I'll take my pleasure whilst my youth affords
it.

SCAT. By the cross of these hilts, I'll never play at gleek again,
whilst I have a nose on my face: I smell the knavery of the game.

SPEND. Why, what's the matter? who has lost?

SCAT. Marry, that have I. By the hilts of my sword, I have lost forty
crowns in as small time almost as a man might tell it.

SPEND. Change your game for dice: we are a full number for Novem.[179]

SCAT. With all my heart. Where's Master Ambush the broker? Ninnihammer.

NIN. Sir.

SCAT. Go to Master Ambush, and bid him send me twenty marks upon this
diamond.

_Enter_ BUBBLE.

NIN. I will, sir.

LONG. Look ye, to make us merrier, who comes here?

W. RASH. A fresh gamester? Master Bubble, God save you.

BUB. _Tu quoque_.

STAINES. Save you, sir.

BUB. _Et tu quoque_.

LONG. Good Master Bubble.

BUB. _Et tu quoque_.

SCAT. Is your name Master Bubble?

BUB. Master Bubble is my name, sir.

SCAT. God save you, sir.

BUB. _Et tu quoque_.

SCAT. I would be better acquainted with you.

BUB. And I with you.

SCAT. Pray, let us salute again.

BUB. With all my heart, sir.

LONG. Behold yonder the oak and the ivy, how they embrace.

W. RASH. Excellent acquaintance! they shall be the Gemini.

BUB. Shall I desire your name, sir.

SCAT. Master Scattergood.

BUB. Of the Scattergoods of London.

SCAT. No indeed, sir. Of the Scattergoods of Hampshire.

BUB. Good Master Scattergood.

STAINES. Come, gentlemen, here's dice.

SCAT. Please you, advance to the table?

BUB. No indeed, sir.

SCAT. Pray, will you go?

BUB. I will go, sir, over the world for your sake, but in courtesy I
will not budge a foot.

_Enter_ NINNIHAMMER.

NIN. Here is the cash you sent me for: and, Master Rash, here is a
letter from one of your sisters.

SPEND. I have the dice; set, gentlemen.

LONG. From which sister?

W. RASH. From the madcap, I know by the hand.

SPEND. For me, six.

OMNES. And six that.

STAINES. Nine; 1, 2, 3, 4, 5, 6, 7, and 8: eighteen shillings.

SPEND. What's yours, sir?

SCAT. Mine's a baker's dozen. Master Bubble, tell your money.

BUB. In good faith, I am but a simple gamester, and do not know what to
do.

SCAT. Why, you must tell your money, and he'll pay you.

BUB. My money! I do know how much my money is, but he shall not pay me;
I have a better conscience than so: what, for throwing the dice twice?
i' faith, he should have but a hard bargain of it.

W. RASH. Witty rascal! I must needs away.

LONG. Why, what's the matter?

W. RASH. Why, the lovers cannot agree: thou shalt along with me, and
know all.

LONG. But first let me instruct thee in the condition of this gentleman:
whom dost thou take him to be?

W. RASH. Nay, he's a stranger, I know him not.

LONG. By this light, but you do, if his beard were off: 'tis Staines.

W. RASH. The devil it is as soon! and what's his purpose in this
disguise?

LONG. Why, cheating; do you not see how he plays upon his worshipful
master and the rest?

W. RASH. By my faith, he draws apace.

SPEND. A pox upon these dice! give's a fresh bale.[180]

BUB. Ha, ha! the dice are not to be blamed; a man may perceive this is
no gentlemanly gamester, by his chafing. Do you hear, my friend? fill me
a glass of beer, and there's a shilling for your pains.

DRAWER. Your worship shall, sir.

W. RASH. Why, how now, Frank! what hast lost?

SPEND. Fifteen pounds and upwards: is there never an honest fellow?

AMB. What, do you lack money, sir?

SPEND. Yes, canst furnish me?

AMB. Upon a sufficient pawn, sir.

SPEND. You know my shop; bid my man deliver you a piece of three-pile
velvet, and let me have as much money as you dare adventure upon't.

AMB. You shall, sir.

SPEND. A pox of this luck! it will not last [for] ever. Play, sir, I'll
set you.

W. RASH. Frank, better fortune befall thee; and, gentlemen, I must take
my leave, for I must leave you.

SCAT. Must you needs be gone?

W. RASH. Indeed I must.

BUB. _Et tu quoque?_

LONG. Yes, truly.

SCAT. At your discretions, gentlemen.

W. RASH. Farewell. [_Exeunt_ RASH _and_ LONGFIELD.

STAINES. Cry you mercy, sir. I am chanced with you all. Gentlemen: here
I have 7, here 7, and here 10.

SPEND. 'Tis right, sir, and ten that.

BUB. And nine that.

STAINES. Two fives at all. [_Draws all._

BUB. One and five that.

SPEND. Hum! and can a suit of satin cheat so grossly? By this light,
there's nought on one die but fives and sixes. I must not be thus
gulled. [_Aside._

BUB. Come, Master Spendall, set.

SPEND. No, sir, I have done.

SCAT. Why, then let us all leave, for I think dinner's near ready.

DRAWER. Your meat's upon the table.

SCAT. On the table! come, gentlemen, we do our stomachs wrong. Master
Bubble, what have you lost.

BUB. That's no matter: what I have lost, I have lost; nor can I choose
but smile at the foolishness of the dice.

STAINES. I am but your steward, gentlemen; for after dinner I may
restore it again.

BUB. Master Scattergood, will you walk in?

SCAT. I'll wait upon you, sir. Come, gentlemen, will you follow?

                                                        [_Exeunt._

 _Manent_ SPENDALL _and_ STAINES.

    STAINES. Yes, sir, I'll follow you.

    SPEND. Hear you, sir, a word.

    STAINES. Ten, if you please.

    SPEND. I have lost fifteen pounds.

    STAINES. And I have found it.

    SPEND. You say right; found it you have, indeed,
    But never won it. Do you know this die?

    STAINES. Not I, sir.

    SPEND. You seem a gentleman, and you may perceive
    I have some respect unto your credit
    To take you thus aside. Will you restore
    What you have drawn from me unlawfully?

    STAINES. Sirrah, by your outside you seem a citizen,
    Whose cock's-comb I were apt enough to break,
    But for the law. Go, y' are a prating jack:
    Nor is't your hopes of crying out for clubs
    Can save you from my chastisement, if once
    You shall but dare to utter this again.

    SPEND. You lie; you dare not.

    STAINES. Lie! nay, villain, now
    Thou tempt'st me to thy death.

    SPEND. Soft, you must buy it dearer;
    The best blood flows within you is the price.

    STAINES. Dar'st thou resist? thou art no citizen.

    SPEND. I am a citizen.

    STAINES. Say thou art a gentleman, and I am satisfied;
    For then I know thou'lt answer me in field.

    SPEND. I'll say directly what I am, a citizen;
    And I will meet thee in the field as fairly
    As the best gentleman that wears a sword.[181]

    STAINES. I accept it: the meeting-place?

    SPEND. Beyond the Maze in Tuttle.[182]

    STAINES. What weapon?

    SPEND. Single rapier.

    STAINES. The time?

    SPEND. To-morrow.

    STAINES. The hour?

    SPEND. 'Twixt nine and ten.

    STAINES. 'Tis good; I shall expect you. Farewell.

    SPEND. Farewell, sir.                         [_Exeunt omnes._

_Enter_ WILL RASH, LONGFIELD, _and_ JOYCE.

W. RASH. Why, I commend thee, girl; thou speak'st as thou think'st. Thy
tongue and thy heart are relatives; and thou wert not my sister, I
should at this time fall in love with thee.

JOYCE. You should not need, for, and you were not my brother, I should
fall in love with you, for I love a proper man with my heart, and so
does all the sex of us, let my sister dissemble never so much. I am out
of charity with these nice and squeamish tricks. We were born for men,
and men for us; and we must together.

W. RASH. This same plain-dealing is a jewel in thee.

JOYCE. And let me enjoy that jewel, for I love plain-dealing with my
heart.

W. RASH. Th' art a good wench, i' faith. I should never be ashamed to
call thee sister, though thou shouldst marry a broom-man. But your
lover, methinks, is over-tedious.

_Enter_ GERALDINE.

JOYCE. No, look ye, sir; could you wish a man to come better upon his
cue?[183] Let us withdraw.

W. RASH. Close, close, for the prosecution of the plot, wench. See, he
prepares.

    JOYCE. Silence.

    GERA. The sun is yet wrapp'd in Aurora's arms,
    And, lull'd with her delight, forgets us[184] creatures.
    Awake, thou god of heat,
    I call thee up, and task[185] thee for thy slowness.
    Point all thy beams through yonder flaring glass,
    And raise a beauty brighter than thyself.            [_Music._
    Musicians, give each instrument a tongue,
    To breathe sweet music in the ears of her
    To whom I send it as a messenger.

_Enter_ GERTRUDE _aloft_.

GERT. Sir, your music is so good, that I must say I like it: but the
bringer so ill-welcome, that I could be content to lose it. If you
played for money, there 'tis; if for love, here's none; if for goodwill,
I thank you, and, when you will, you may be gone.

    GERA. Leave me not entranc'd; sing not my death;
    Thy voice is able to make satyrs tame,
    And call rough winds to her obedience.

    GERT. Sir, sir, our ears itch not for flattery.
    Here you besiege my window, and[186] I dare not
    Put forth myself to take the gentle air,
    But you are in the fields, and volley out
    Your woes, your plaints, your loves, your injuries.

    GERA. Since you have heard, and know them, give redress;
    True beauty never yet was merciless.

GERT. Sir, rest thus satisfied; my mind was never woman, never altered;
nor shall it now begin: so fare you well.

                                                 [_Exit_ GERTRUDE.

W. RASH. 'Sfoot, she plays the terrible tyrannising Tamberlane over him.
This it is to turn Turk; from a most absolute, complete gentleman to a
most absurd, ridiculous, and fond lover. [_Aside._]

LONG. O, when a woman knows the power and authority of her eye!----

                                                        [_Aside._]

JOYCE. Fie upon her! she's good for nothing then, no more than a jade
that knows his own strength. The window is clasped; now, brother,
pursue your project, and deliver your friend from the tyranny of my
domineering sister. [_Aside._]

W. RASH. Do you hear, you drunkard in love? Come into us, and be ruled.
You would little think that the wench that talked so scurvily out of the
window there is more enamoured on thee than thou on her. Nay, look you
now: see if he turn not away, slighting our good counsel. I am no
Christian if she do not sigh, whine, and grow sick for thee. Look you,
sir: I will bring you in good witness against her.

    JOYCE. Sir, you are
    My brother's friend, and I'll be plain with you.
    You do not take the course to win my sister,
    But indirectly go about the bush; you come
    And fiddle here, and keep a coil in verse;
    Hold off your hat, and beg to kiss her hand;
    Which makes her proud.
    But, to be short; in two lines, thus it is--
      Who most doth love, must seem most to neglect it;
      For those that show most love, are least respected.

    LONG. A good observation, by my faith.

    W. RASH. Well, this instruction comes too late now.
    Stand you close, and let me prosecute my invention.--[187]
    Sister, O sister! wake, arise, sister.

_Enter_ GERTRUDE _above_.

    GERT. How now, brother; why call you with such terror?

    W. RASH. How can you sleep so sound, and hear such groans,
    So horrid and so tedious to the ear, that I
    Was frighted hither by the sound? O sister,
    Here lies a gentleman that lov'd you too dearly
    And himself too ill, as by his death appears.
    I can report no farther without tears.
    Assist me now.                          [_Aside to_ LONGFIELD.

    LONG. When he came first, death startled in his eyes;
    His hand had not forsook the dagger-hilt,
    But still he gave it strength, as if he fear'd
    He had not sent it home unto his heart.

    GERT. Enough, enough!
    If you will have me live, give him no name;
    Suspicion tells me 'tis my Geraldine:
    But be it whom it will, I'll come to him,
    To suffer death as resolute as he.           [_Exit_ GERTRUDE.

    W. RASH. Did not I tell you 'twould take?
    Down, sir, down.[188]

    GERA. I guess what you'd have me do.

    LONG. O, for a little blood to besprinkle him!

W. RASH. No matter for blood, I'll not suffer her to come near him till
the plot have ta'en his full height.

    GERA. A scarf o'er my face, lest I betray myself.

_Enter_ GERTRUDE _below_.

    W. RASH. Here, here, lie still, she comes.
    Now, Mercury, be propitious.

    GERT. Where lies this spectacle of blood?
    This tragic scene?

    W. RASH. Yonder lies Geraldine.

    GERT. O, let me see him with his face of death!
    Why do you stay me from my Geraldine?

    W. RASH. Because, unworthy as thou art, thou shalt not see
    The man now dead, whom living thou didst scorn.
    The worst part that he had deserv'd thy best;
    But yet contemn'd, deluded, mock'd, despis'd by you,
    Unfit for aught but for the general work
    Which you were made for, man's creation.

    GERT. Burst not my heart, before I see my love,
    Brother, upon my knees, I beg your leave,
    That I may see the wound of Geraldine:
    I will embalm his body with my tears,
    And carry him unto his sepulchre.
    From whence I'll never rise, but be interr'd
    In the same dust he shall be buried in.

    LONG. I do protest she draws sad tears from me.
    I prythee, let her see her Geraldine.                [_Aside._

    GERT. Brother, if e'er you lov'd me as a sister,
    Deprive me not the sight of Geraldine.

    W. RASH. Well, I am contented you shall touch his lips,
    But neither see his face nor yet his wound.

    GERT. Not see his face?

    W. RASH. Nay, I have sworn it to the contrary:
    Nay, hark you, farther yet.

    GERT. What now?

    W. RASH. But one kiss--no more.

    GERT. Why, then, no more.

    W. RASH. Marry, this liberty I'll give you:
    If you intend to make any speech of repentance
    Over him, I am content, so it be short.

    GERT. What you command is law, and I obey.

    JOYCE. Peace, give ear to the passion.              [_Aside._]

    GERT. Before I touch thy body, I implore
    Thy discontented ghost to be appeas'd.
    Send not unto me, till I come myself;
    Then shalt thou know how much I honour'd thee,
    O, see the colour of his coral lip
    Which, in despite of death, lives full and fresh,
    As when he was the beauty of his sex!
    'Twere sin worthy the worst of plagues to leave thee;
    Not all the strength and policy of man
    Shall snatch me from thy bosom.

    LONG. Look, look; I think she'll ravish him!         [_Aside._

    W. RASH. Why, how now, sister?

    GERT. Shall we have both one grave; here I am chain'd;
    Thunder nor earthquakes shall e'er shake me off.

W. RASH. No? I'll try that. [_Aside._] Come, dead man, awake! up with
your bag and baggage, and let's have no more fooling.

    GERT. And lives my Geraldine?

    W. RASH. Live! faith, ay;
    Why should he not? he was never dead
    That I know on.

    GERA. It is no wonder Geraldine should live,
    Though he had emptied all his vital spirits.
    The lute of Orpheus spake not half so sweet,
    When he descended to th' infernal vaults,
    To fetch again his fair Eurydice,
    As did thy sweet voice unto Geraldine.

    GERT. I'll exercise that voice, since it doth please
    My better self, my constant Geraldine.

    JOYCE. Why so, la, here's an end of an old song!
    Why could not this have been done before,
    I pray?

    GERT. O, y' are a goodly sister, this is your plot.
    Well, I shall live one day to requite you.

JOYCE. Spare me not: for wheresoever I set my affection, although it be
upon a collier, if I fall back, unless it be in the right kind, bind me
to a stake, and let me be burned to death with charcoal.

W. RASH. Well, thou art a mad wench, and there's no more to be done at
this time, but, as we brought you together, so to part you: you must not
lie at rack and manger; there be those within that will forbid the
banns: time must shake good-fortune by the hand before you two must be
great; 'specially you, sister. Come, leave swearing.

GERT. Must we then part?

W. RASH. Must you part! why, how think you? ud's foot! I do think we
shall have as much to do to get her from him as we had to bring her to
him. This love of women is of strange quality, and has more tricks than
a juggler. [_Aside._]

    GERT. But this, and then farewell.

    GERA. Thy company[189] is heaven, thy absence hell.

    W. RASH. Lord, who'd think it?                      [_Aside._]

    JOYCE. Come, wench.                           [_Exeunt omnes._

_Enter_ SPENDALL _and_ STAINES. _Tothill Fields_.

    SPEND. This ground is firm and even, I'll go no farther.

    STAINES. This be the place then; and prepare you, sir;
    You shall have fair play for your life of me,
    For, look, sir, I'll be open-breasted to you.

    SPEND. Shame light on him that thinks
    His safety lieth in a French doublet.
    Nay, I would strip myself, would comeliness
    Give sufferance to the deed, and fight with thee
    As naked as a Mauritanian Moor.

    STAINES. Give me thy hand; by my heart, I love thee.
    Thou art the highest-spirited citizen
    That ever Guildhall took notice of.

    SPEND. Talk not what I am, until you have tried me.

    STAINES. Come on, sir.                          [_They fight._

    SPEND. Now, sir, your life is mine.

    STAINES. Why then, take it, for I'll not beg it of thee.

    SPEND. Nobly resolv'd, I love thee for those words.
    Here, take thy arms again, and, if thy malice
    Have spent itself like mine, then let us part
    More friendly than we met at first encounter.

    STAINES. Sir, I accept
    This gift of you, but not your friendship,
    Until I shall recover 't with my honour.

    SPEND. Will you fight again, then?

    STAINES. Yes.

    SPEND. Faith, thou dost well, then,
    Justly to whip my folly. But come, sir.

    STAINES. Hold: y' are hurt, I take it.

    SPEND. Hurt! where? zounds, I feel it not.

    STAINES. You bleed, I am sure.

    SPEND. 'Sblood, I think you wear a cat's-claw upon your rapier's
      point:
    I am scratched indeed: but, small as 'tis,
    I must have blood for blood.

    STAINES. Y' are bent to kill, I see.

    SPEND. No, by my hopes; if I can 'scape that sin,
    And keep my good name, I'll never offer't.

    STAINES. Well, sir, your worst.

    SPEND. We both bleed now, I take it;
    And, if the motion may be equal thought
    To part with clasp'd hands, I shall first subscribe.

    STAINES. 'Twere unmanliness in me to refuse
    The safety of us both; my hand shall never fall
    From such a charitable motion.

    SPEND. Then join we both, and here our malice ends:
    Though foes we came to th' field, we'll depart friends.
                                                        [_Exeunt._

_Enter_ SIR LIONEL _and a_ SERVANT.

SIR LIONEL. Come, come, follow me, knave, follow me; I have the best
nose i' the house, I think: either we shall have rainy weather, or the
vault's unstopped. Sirrah, go see; I would not have my guests smell out
any such inconvenience. Do you hear, sirrah Simon?

SER. Sir.

SIR LIONEL. Bid the kitchen-maid scour the sink, and make clean her
backside, for the wind lies just upon't.

SER. I will, sir.

SIR LIONEL. And bid Anthony put on his white fustian doublet, for he
must wait to-day. [_Exit_ SERVANT.] It doth me so much good to stir and
talk, to place this and displace that, that I shall need no
apothecaries' prescriptions. I have sent my daughter this morning as far
as Pimlico,[190] to fetch a draught of Derby ale,[191] that it may
fetch a colour in her cheeks: the puling harlotry looks so pale, and it
is all for want of a man, for so their mother would say (God rest her
soul) before she died. [_Exit._

_Enter_ BUBBLE, SCATTERGOOD, STAINES, _and_ SERVANT.

SER. Sir, the gentlemen are come already.

SIR LIONEL. How, knave? the gentlemen?

SER. Yes, sir: yonder they are.

SIR LIONEL. God's precious! we are too tardy: let one be sent presently
to meet the girls, and hasten their coming home quickly. How, dost thou
stand dreaming! [_Exit_ SERVANT.] Gentlemen, I see you love me, you are
careful of your hour; you may be deceived in your cheer, but not in your
welcome.

BUB. Thanks, and _Tu quoque_ is a word for all.

SCAT. A pretty concise room; Sir Lionel, where are your daughters?

SIR LIONEL. They are at your service, sir, and forthcoming.

BUB. God's will, Gervase! how shall I behave myself to the gentlewomen?

STAINES. Why, advance yourself toward them with a comely step; and in
your salute be careful you strike not too high nor too low: and
afterward, for your discourse, your _Tu quoque_ will bear you out.

BUB. Nay, and that be all, I care not, for I'll set a good face on't,
that's flat: and for my nether parts, let them speak for themselves.
Here's a leg; and ever a baker in England show a better, I'll give him
mine for nothing.

STAINES. O, that's a special thing that I must caution you of.

BUB. What, sweet Gervase?

STAINES. Why, for commending yourself: never, whilst you live, commend
yourself; and then you shall have the ladies themselves commend you.

BUB. I would they would else.

STAINES. Why, they will, I'll assure you, sir; and the more vilely you
speak of yourself, the more will they strive to collaud you.

_Enter_ GERTRUDE _and_ JOYCE.

BUB. Let me alone to dispraise myself: I'll make myself the errantest
coxcomb within a whole country.

    SIR LIONEL. Here come the gipsies, the sun-burnt girls,
    Whose beauties will not utter them alone;
    They must have bags, although my credit crack for't.

    BUB. Is this the eldest, sir?

    SIR LIONEL. Yes, marry is she, sir.

    BUB. I'll kiss the youngest first, because she likes me best.[192]

SCAT. Marry, sir, and whilst you are there, I'll be here. [_Kisses the
elder._] O delicious touch! I think in conscience her lips are lined
quite through with orange-tawny velvet.

BUB. They kiss exceeding well; I do not think but they have been brought
up to't. I will begin to her, like a gentleman, in a set speech. Fair
lady, shall I speak a word with you?

    JOYCE. With me, sir?

    BUB. With you, lady;--this way,--a little more,--
    So, now 'tis well; umh--
    Even as a drummer,--or a pewterer----

    JOYCE. Which of the two, no matter,
    For one beats on a drum, t'other a platter.

    BUB. In good faith, sweet lady, you say true;
    But pray, mark me farther: I will begin again.

    JOYCE. I pray, sir, do.

    BUB. Even as a drummer, as I said before,
    Or as a pewterer----

    JOYCE. Very good, sir.

    BUB. Do--do--do.

    JOYCE. What do they do?

    BUB. By my troth, lady, I do not know; for to say truth, I am a kind
    of an ass.

    JOYCE. How, sir? an ass?

    BUB. Yes, indeed, lady.

    JOYCE. Nay, that you are not.

    BUB. So God ha' me, I am, lady: you never saw
    An erranter ass in your life.

    JOYCE. Why, here's a gentleman, your friend, will not say so.

    BUB. I' faith, but he shall: how say you, sir? Am not I an ass?

    SCAT. Yes, by my troth, lady, is he. Why, I'll say anything my
      brother
    Bubble says. [_Aside._]

    GERT. Is this the man my father chose for me,
    To make a husband of? O God, how blind
    Are parents in our loves! so they have wealth,
    They care not to what things they marry us.

    BUB. Pray, look upon me, lady.

    JOYCE. So I do, sir.

    BUB. Ay, but look upon me well, and tell me if ever you saw any man
    look so scurvily as I do?

    JOYCE. The fellow, sure, is frantic.                [_Aside._]

    BUB. You do not mark me.

    JOYCE. Yes, indeed, sir.

    BUB. Ay, but look upon me well:
    Did you ever see a worse-timber'd leg?

    JOYCE. By my faith, 'tis a pretty four-square leg.

    BUB. Ay, but your four-square legs are none of the best. O Gervase,
    Gervase!                                            [_Aside._]

    STAINES. Excellent well, sir.

    BUB. What say you now to me, lady? Can you find
    E'er a good inch about me?

    JOYCE. Yes, that I can, sir.

    BUB. Find it and take it, sweet lady. There I think I bobbed her,
    Gervase.                                            [_Aside._]

    JOYCE. Well, sir, disparage not yourself so:
    For, if you were the man you'd make yourself,
    Yet out of your behaviour and discourse
    I could find cause enough to love you.

BUB. Ah! now she comes to me. [_Aside._] My behaviour! alas, alas! 'tis
clownical; and my discourse is very bald--bald; you shall not hear me
break a good jest in a twelvemonth.

JOYCE. No, sir? why, now you break a good jest.

BUB. No, I want the _bon jour_ and the _Tu quoques_ which yonder
gentleman has. There's a bob for him too. [_Aside._] There's a
gentleman, an you talk of a gentleman!

JOYCE. Who, he? he's a coxcomb, indeed.

BUB. We are sworn brothers, in good faith, lady.

_Enter_ SERVANT.

SCAT. Yes, in truth, we are sworn brothers, and do mean to go both
alike, and to have horses alike.

JOYCE. And they shall be sworn brothers, too?

SCAT. If it please them, lady.

SER. Master Balance the goldsmith desires to speak with you.

SIR LIONEL. Bid him come, knave.

SCAT. I wonder, Sir Lionel, your son, Will Rash, is not here.

SIR LIONEL. Is he of your acquaintance, sir?

SCAT. O, very familiar: he struck me a box o' th' ear once, and from
thence grew my love to him.

_Enter_ BALANCE.

SIR LIONEL. It was a sign of virtue in you, sir; but he'll be here at
dinner. Master Balance, what makes you so strange? Come, you're welcome;
what's the news?

    BAL. Why, sir, the old news: your man Francis riots still;
    And little hope of thrift there is in him.
    Therefore I come to advise your worship
    To take some order while there's something left:
    The better part of his best ware's consum'd.

    SIR LIONEL. Speak softly, Master Balance.
    But is there no hope of his recovery?

    BAL. None at all, sir; for he's already laid to be arrested by some
    that I know.

    SIR LIONEL. Well, I do suffer for him, and am loth
    Indeed to do what I'm constrain'd to do:
    Well, sir, I mean to seize on what is left.
    And, hark ye--one word more.                      [_Whispers._

    JOYCE. What heinous sin has yonder man committed,
    To have so great a punishment, as wait
    Upon the humours of an idle fool?
    A very proper fellow, good leg, good face,
    A body well-proportioned; but his mind
    Bewrays he never came of generous kind.

_Enter_ WILL RASH _and_ GERALDINE.

    SIR LIONEL. Go to; no more of this at this time.
    What, sir, are you come?

W. RASH. Yes, sir; and have made bold to bring a guest along.

SIR LIONEL. Master Geraldine's son of Essex?

GERA. The same, sir.

SIR LIONEL. You're welcome, sir; when will your father be in town?

GERA. 'Twill not be long, sir.

SIR LIONEL. I shall be glad to see him when he comes.

GERA. I thank you, sir.

SIR LIONEL. In the meantime, you're welcome; pray, be not strange. I'll
leave my son amongst you, gentlemen. I have some business. Hark you,
Master Balance--Dinner will soon be ready. One word more----

                               [_Exeunt_ SIR LIONEL _and_ BALANCE.

W. RASH. And how does my little Asinus and his _Tu quoque_, here? O, you
pretty sweet-faced rogues! that for your countenances might be Alexander
and Lodwick.[193] What says the old man to you! will't be a match?
shall we call brothers?

SCAT. I' faith, with all my heart: if Mistress Gertrude will, we will be
married to-morrow.

BUB. 'Sfoot, if Mistress Joyce will, we'll be married to-night.

W. RASH. Why, you courageous boys, and worthy wenches made out of wax!
But what shall's do when we have dined? shall's go see a play?

SCAT. Yes, faith, brother, if it please you: let's go see a play at the
Globe.

BUB. I care not; any whither, so the clown have a part; for, i' faith, I
am nobody without a fool.

GERA. Why, then, we'll go to the Red Bull: they say Green's a good
clown.

BUB. Green! Green's an ass.

SCAT. Wherefore do you say so?

BUB. Indeed, I ha' no reason; for they say he is as like me as ever he
can look.

SCAT. Well, then, to the Bull.

W. RASH. A good resolution!--continue it: nay, on.

BUB. Not before the gentlewomen; not I, never.

W. RASH. O, while you live, men before women: custom hath placed it so.

BUB. Why, then, custom is not so mannerly as I would be.

                               [_Exeunt_ BUBBLE _and_ SCATTERGOOD.

W. RASH. Farewell, Master Scattergood. Come, lover, you're too busy
here. I must tutor ye: cast not your eye at the table on each other; my
father will spy you without spectacles; he is a shrewd observer. Do you
hear me?

GERA. Very well, sir.

W. RASH. Come, then, go we together; let the wenches alone. Do you see
yonder fellow?

    GERA. Yes; prythee, what is he?

    W. RASH. I'll give you him within: he must
    Not now be thought on; but you shall know him.
                              [_Exeunt_ WILL RASH _and_ GERALDINE.

    GERT. I have observ'd my sister, and her eye
    Is much inquisitive after yond' fellow;
    She has examin'd him from head to foot:
    I'll stay and see the issue.           [_Withdraws a little._]

    JOYCE. To wrastle 'gainst the stream of our affection,
    Is to strike air, or buffet with the wind
    That plays upon us. I have striv'd to cast
    This fellow from my thoughts, but still he grows
    More comely in my sight: yet [is] a slave,
    Unto one worse-condition'd than a slave.
    They are all gone; here's none but he and I:
    Now I will speak to him--and yet I will not.
    O, I [do] wrong myself; I will suppress
    That insurrection love hath train'd in me,
    And leave him as he is. Once my bold spirit
    Had vow'd to utter all my thoughts to him,
    On whom I settled my affection,
    And why retires it now?

    STAINES. Fight, love, on both sides; for on me thou strik'st
    Strokes that have beat my heart into a flame.
    She hath sent amorous glances from her eye,
    Which I have back return'd as faithfully.
    I would make to her, but these servile robes
    Curb that suggestion, till some fitter time
    Shall bring me more persuadingly unto her.           [_Aside._

    JOYCE. I wonder why he stays; I fear he notes me,
    For I have publicly betray'd myself
    By too much gazing on him. I will leave him.         [_Aside._

    GERT. But you shall not: I'll make you speak to him
    Before you go. Do you hear, sir?

    JOYCE. What mean you, sister?

    GERT. To fit you in your kind, sister. Do you remember
    How you once tyrannis'd o'er me?

JOYCE. Nay, prythee, leave this jesting; I am out of the vein.[194]

GERT. Ay, but I am in. Go and speak to your lover.

JOYCE. I'll first be buried quick.

GERT. How! ashamed? 'Sfoot, I trow, "if I had set my affection on a
collier, I'd ne'er fall back, unless it were in the right kind: if I
did, let me be tied to a stake, and burnt to death with charcoal."[195]

JOYCE. Nay, then, we shall have't.

GERT. Yes, marry shall you, sister: will you speak to him?

JOYCE. No.

GERT. Do you hear, sir? here's a gentlewoman would speak with you.

JOYCE. Why, sister! I pray, sister----

GERT. One that loves you with all her heart, yet is ashamed to confess
it.

STAINES. Did you call, ladies?

JOYCE. No, sir; here's no one called.

GERT. Yes, sir, 'twas I; I called to speak with you.

JOYCE. My sister's somewhat frantic; there's no regard to be had unto
her clamours. Will you yet leave? I' faith, you'll anger me.

GERT. Passion: "come back, fool; lover, turn again and kiss your
bellyful; here's one will stand ye."[196]

STAINES. What does this mean, trow?

JOYCE. Yet is your humour spent?

GERT. Come, let me go: "birds that want the use of reason and of speech
can couple together in one day; and yet you, that have both, cannot
conclude in twenty."[197] Now, sister, I am even with you, my venom is
spit. As much happiness may you enjoy with your lover as I with mine.
And droop not, wench, nor never be ashamed of him; the man will serve
the turn, though he be wrapped in a blue coat, I'll warrant him; come.

    JOYCE. You are merrily disposed, sister.    [_Exeunt wenches._

    STAINES. I needs
    Must prosper: fortune and love work for me.
    Be moderate, my joys; for, as you grow
    To your full height, so Bubble's waxeth low.          [_Exit._

_Enter_ SPENDALL, SWEATMAN, _and_ TICKLEMAN.

TICKLE. Will my sweet Spendall be gone, then?

SPEND. I must, upon promise; but I'll be here at supper: therefore,
Mistress Sweatman, provide us some good cheer.

SWEAT. The best the market will yield.

SPEND. Here's twenty shillings; I protest I have left myself but a crown
for my spending-money: for indeed I intend to be frugal, and turn good
husband.

TICKLE. Ay, marry will you; you'll to play again and lose your money,
and fall to fighting; my very heart trembles to think on it; how, if you
had been killed in the quarrel? of my faith, I had been but a dead
woman.

    SPEND. Come, come, no more of this; thou dost but dissemble.

    TICKLE. Dissemble! do not you say so; for if you do,
    God is my judge, I'll give myself a gash.

    SPEND. Away, away; prythee, no more. Farewell.

    TICKLE. Nay, buss first; well,
    There's no adversity in the world shall part us.

    SPEND. Thou art a loving rascal; farewell.

    SWEAT. You will not fail supper?

    SPEND. You have my word; farewell.                    [_Exit._

_The street. Enter_ SERJEANTS.

    1ST SER. Sir, we arrest you.

    SPEND. Arrest me! at whose suit?

    2D SER. Marry, there's suits enough against you, I'll warrant you.

    1ST SER. Come, away with him.

    SPEND. Stay, hear me a word.

    2D SER. What do you say?

    SWEATMAN'S _house. Another part of the street_.

_Enter_ PURSENET.

    TICKLE. How now, Pursenet? why com'st in such haste?

    PURSE. Shut up your doors, and bar young Spendall out;
    And let him be cashier'd your company.
    He's turn'd bankrout; his wares are seiz'd on;
    And's shop shut up.

    TICKLE. How! his ware seized on? Thou dost but jest, I hope.

    PURSE. What this tongue doth report, these eyes have seen;
    It is no Æsop's fable that I tell;
    But it is true, as I am faithful pander.

    SWEAT. Nay, I did ever think the prodigal would prove
    A bankrupt: but, hang him, let him rot
    In prison; he comes no more within these doors,
    I warrant him.

    TICKLE. Come hither! I would he would but offer it;
    We'll fire him out, with a pox to him.

    SPEND. Will you do it?
    To carry me to prison but undoes me.

1ST SER. What say you, fellow Gripe, shall we take his forty shillings?

2D SER. Yes, faith; we shall have him again within this week. [_Aside._

1ST SER. Well, sir, your forty shillings; and we'll have some compassion
on you.

    SPEND. Will you but walk with me unto that house,
    And there you shall receive it.

    SER. What, where the women are?

    SPEND. Yes, sir.
                               [_They walk together to the house._

SWEAT. Look yonder, if the ungracious rascal be not coming hither
betwixt two serjeants: he thinks, belike, that we'll relieve him; let us
go in and clap the doors against him.

    PURSE. It is the best course, Mistress Tickleman.

    TICKLE. But I say no, you shall not stir a foot;
    For I will talk with him.

    SPEND. Nan, I am come,
    Even in the minute that thou didst profess
    Kindness unto me, to make trial of it.
    Adversity, thou seest, lays hands upon me:
    But forty shillings will deliver me.

    TICKLE. Why, you impudent rogue, do you come to me for money?
    Or do I know you? what acquaintance, pray,
    Hath ever pass'd betwixt yourself and me?

    SER. Zounds, do you mock us, to bring us to these women, that do not
    know you?

    SWEAT. Yes, in good sooth (officers, I take't you are)

    He's a mere stranger here; only in charity
    Sometimes we have reliev'd him with a meal.

    SPEND. This is not earnest in you? Come, I know,
    My gifts and bounty cannot so soon be buried.
    Go, prythee, fetch forty shillings.

    TICKLE. Talk not to me, you slave, of forty shillings;
    For by this light that shines, ask it again,
    I'll send my knife of an errand in your guts.
    A shameless rogue, to come to me for money!

    SWEAT. Is he your prisoner, gentlemen?

    SER. Yes, marry is he.

    SWEAT. Pray, carry him then to prison, let him smart for't:
    Perhaps 'twill tame the wildness of his youth,
    And teach him how to lead a better life.
    He had good counsel here, I can assure you,
    And if he would have took it.

    PURSE. I told him still myself what would ensue.

    SPEND. Furies break loose in me: serjeants, let me go;
    I'll give you all I have to purchase freedom
    But for a lightning while, to tear yond whore,
    Bawd, pander, and in them the devil; for there's
    His hell, his local habitation;
    Nor has he any other place.[198]

    SER. No, sir, we'll take no bribes.
                                      [_Takes_ SPENDALL'S _cloak_.

    SPEND. Honest serjeants, give me leave to unlade
    A heart o'ercharg'd with grief; as I have a soul,
    I'll not break from you.                   [_They loose him._]
    Thou strumpet, that wert born to ruin me,[199]
    My fame and fortune, be subject to my curse,
    And hear me speak it. May'st thou in thy youth
    Feel the sharp whip, and in thy beldam age
    The cart: when thou art grown to be
    An old upholster unto venery,
    (A bawd, I mean, to live by feather-beds)
    May'st thou be driven to sell all thou hast,
    Unto thy _aqua-vitæ_ bottle (that's the last
    A bawd will part withal) and live so poor
    That, being turn'd forth thy house, may'st die at door!

    SER. Come, sir, ha' you done?

    SPEND. A little farther give me leave, I pray;
    I have a charitable prayer to end with.
    May the French cannibal[200] eat into thy flesh,
    And pick thy bones so clean, that the report
    Of thy calamity may draw resort
    Of all the common sinners in the town,
    To see thy mangl'd carcass; and that then
    They may upon't turn honest; bawd, say amen.          [_Exit._

    SWEAT. Out upon him, wicked villain, how he blasphemes!

    PURSE. He will be damn'd for turning heretic.

    TICKLE. Hang him, bankrout rascal, let him talk in prison,
    The whilst we'll spend his goods; for I did never
    Hear that men took example by each other.

SWEAT. Well, if men did rightly consider't, they should find that whores
and bawds are profitable members in a commonwealth; for indeed, though
we somewhat impair their bodies, yet we do good to their souls; for I am
sure, we still bring them to repentance.

PURSE. By Dis, and so we do.

SWEAT. Come, come, will you dis before? thou art one of them that I
warrant thee will, be hanged, before thou wilt repent. [_Exeunt._

_Enter_ WILL RASH, STAINES, _and_ GERALDINE.

W. RASH. Well, this love is a troublesome thing. Jupiter, bless me out
of his fingers; there's no estate can rest for him: he runs through all
countries, will travel through the Isle of Man in a minute; but never is
quiet till he comes into Middlesex, and there keeps his Christmas: 'tis
his habitation, his mansion, from whence he'll never out till he be
fired.

GERA. Well, do not tyrannise too much, lest one day he make you know his
deity, by sending a shaft out of a sparkling eye shall strike so deep
into your heart, that it shall make you fetch your breath short again.

W. RASH. And make me cry, _O eyes, no eyes, but two celestial
stars!_[201] A pox on't, I'd as lief hear a fellow sing through the
nose. How now, wench?

_Enter_ GERTRUDE.

GERT. Keep your station: you stand as well for the encounter as may be:
she is coming on; but as melancholy as a bass-viol in concert.

W. RASH. Which makes thee as sprightly as the treble. Now dost thou play
thy prize: here's the honourable science, one against another. Do you
hear, lover; the thing is done you wot of; you shall have your wench
alone without any disturbance; now if you can do any good, why so; the
silver game be yours; we'll stand by and give aim,[202] and halloo, if
you hit the clout.

    STAINES. 'Tis all the assistance I request of you.
    Bring me but opportunely to her presence,
    And I desire no more; and if I cannot win her,
    Let me lose her.

    GERT. Well, sir, let me tell you, perhaps you undertake
    A harder task than yet you do imagine.

STAINES. A task! what, to win a woman, and have opportunity? I would
that were a task, i' faith, for any man that wears his wits about him.
Give me but half an hour's conference with the coldest creature of them
all; and if I bring her not into a fool's paradise, I'll pull out my
tongue, and hang it at her door for a draw-latch. Ud's foot! I'd ne'er
stand thrumming of caps for the matter; I'll quickly make trial of her.
If she love to have her beauty praised, I'll praise it; if her wit, I'll
commend it; if her good parts, I'll exalt them. No course shall 'scape
me; for to whatsoever I saw her inclined, to that would I fit her.

W. RASH. But you must not do thus to her; for she's a subtle, flouting
rogue, that will laugh you out of countenance, if you solicit her
seriously. No, talk me to her wantonly, slightly, and carelessly, and
perhaps so you may prevail as much with her as wind does with a
sail--carry her whither thou wilt, bully.

_Enter_ JOYCE.

STAINES. Well, sir, I'll follow your instruction.

W. RASH. Do so: and see, she appears. Fall you two off from us; let us
two walk together.

    JOYCE. Why did my inquiring eye take in this fellow,
    And let him down so easy to my heart,
    Where, like a conqueror, he seizes on it,
    And beats all other men out of my bosom?

W. RASH. Sister, you're well met. Here's a gentleman desires to be
acquainted with you.

JOYCE. See, the servingman is turned a gentleman! That villanous wench,
my sister, has no mercy. She and my brother have conspired together to
play upon me; but I'll prevent their sport; for, rather than my tongue
shall have scope to speak matter to give them mirth, my heart shall
break. [_Aside._]

    W. RASH. You have your desire, sir; I'll leave you;
    Grapple with her as you can.                  [_Aside. Exit._]

    STAINES. Lady, God save you.--
    She turns back upon the motion;
    There's no good to be done by praying for her,
    I see that; I must plunge into a passion:
    Now for a piece of Hero and Leander;
    'Twere excellent, and (praise be to my memory),
    It has reach'd half a dozen lines for the purpose:
    Well, she shall have them--
    "One is no number, maids are nothing, then,[203]
    Without the sweet society of men.
    Wilt thou live single still? one shalt thou be,
    Though never singling Hymen couple thee.
    Wild savages, that drink of running springs,
    Think water far excels all earthly things:
    But they that daily taste neat wine, despise it.
    Virginity, albeit some highly prize it,
    Compar'd with marriage, had you tried them both,
    Differs as much as wine and water doth."
    No? Why then, have at you in another kind.

"By the faith of a soldier, lady, I do reverence the ground that you
walk upon. I will fight with him that dares say you are not fair; stab
him that will not pledge your health, and with a dagger pierce a
vein,[204] to drink a full health to you; but it shall be on this
condition, that you shall speak first." Ud's foot! if I could but get
her to talk once half my labour were over; but I'll try her in another
vein. "What an excellent creature is a woman without a tongue! but what
a more excellent creature is a woman that has a tongue, and can hold her
peace! but how much more excellent and fortunate a creature is that man
that has that woman to his wife!" This cannot choose but mad her; and if
anything make a woman talk, 'tis this. It will not do, though, yet. I
pray God they have not gulled me. But I'll try once again--"When will
that tongue take liberty to talk? Speak but one word, and I'm satisfied:
Or do but say but mum, and I am answer'd." No sound? no accent? Is there
no noise in women? Nay, then without direction I ha' done. I must go
call for help. [_Leaves her._

W. RASH. How! not speak?

STAINES. Not a syllable. Night nor sleep is not more silent. She's as
dumb as Westminster Hall in the long vacation.

W. RASH. Well, and what would you have me do?

STAINES. Why, make her speak.

W. RASH. And what then?

STAINES. Why, let me alone with her.

W. RASH. Ay, so you said before; give you but opportunity, and let you
alone--you'd desire no more. But come, I'll try my cunning for you; see
what I can do. How do you, sister? I am sorry to hear you are not well.
This gentleman tells me you have lost your tongue; I pray, let's see. If
you can but make signs whereabout you lost it, we'll go and look for't.
In good faith, sister, you look very pale; in my conscience, 'tis for
grief. Will you have any comfortable drinks sent for? This is not the
way [_aside_]; come, walk, seem earnest in discourse, cast not an eye
towards her, and you shall see weakness work itself.

    JOYCE. My heart is swoll'n so big that it must vent,
    Or it will burst. [_Aside._] Are you a brother?

    W. RASH. Look to yourself, sir;
    The brazen head has spoke,[205] and I must leave you.

    JOYCE. Has shame that power in him, to make him fly,
    And dare you be so impudent to stand
    Just in the face of my incensed anger?
    What are you? why do you stay? who sent for you?
    You were in garments yesterday, befitting
    A fellow of your fashion: has a crown
    Purchased that shining satin of the brokers?
    Or is't a cast suit of your goodly master's?

    STAINES. A cast suit, lady?

    JOYCE. You think it does become you? Faith, it does not.
    A blue coat[206] with a badge does better with you.
    Go, untruss your master's points, and do not dare
    To stop your nose when as his worship stinks:
    'T has been your breeding.

    STAINES. Ud's life! this is excellent: now she talks. [_Aside._

    JOYCE. Nay, were you a gentleman, and (which is more)
    Well-landed, I should hardly love you;
    For, for your face, I never saw a worse:
    It looks as if 'twere drawn with yellow ochre
    Upon black buckram; and that hair
    That's on your chin looks not like beard,
    But as if't had been smear'd with shoemakers' wax.

    STAINES. Ud's foot! she'll make me out of love with myself.
                                                           [_Aside._

    JOYCE. How dares your baseness once aspire unto
    So high a fortune, as to reach at me?
    Because you have heard that some have run away
    With butlers, horsekeepers, and their father's clerks,
    You, forsooth, cocker'd with your own suggestion,
    Take heart upon't, and think me (that am meet,
    And set up for your master) fit for you.

    STAINES. I would I could get her now to hold her tongue. [_Aside_

    JOYCE. Or, 'cause sometimes as I have pass'd along,
    And have return'd a courtesy for your hat,
    You, as the common trick is, straight suppose
    'Tis love (sir reverence, which makes the word more beastly).

    STAINES. Why, this is worse than silence.            [_Aside._

    JOYCE. But we are fools, and in our reputations
    We find the smart on't:
    Kindness is termed lightness in our sex;
    And when we give a favour or a kiss,
    We give our good names too.

    STAINES. Will you be dumb again?

    JOYCE. Men you are call'd, but you're a viperous brood,
    Whom we in charity take into our bosoms,
    And cherish with our heart; for which you sting us.

    STAINES. Ud's foot! I'll fetch him that wak'd your tongue,
    To lay it down again.                    [_Fetches_ WILL RASH.

    W. RASH. Why, how now, man?

    STAINES. O, relieve me, or I shall lose my hearing!
    You have rais'd a fury up into her tongue:
    A parliament of women could not make
    Such a confused noise as that she utters.

    W. RASH. Well, what would you have me do?

    STAINES. Why, make her hold her tongue.

    W. RASH. And what then?

    STAINES. Why, then, let me alone again.

W. RASH. This is very good, i' faith: first give thee but opportunity,
and let thee alone; then make her but speak, and let thee alone; now
make her hold her tongue, and then let thee alone By my troth, I think
I were best to let thee alone indeed: but come, follow me; the wild cat
shall not carry it so away. Walk, walk, as we did.

    JOYCE. What, have you fetched your champion? What can he do?
    Not have you nor himself from out the storm
    Of my incensed rage: I will thunder into your ears
    The wrongs that you have done an innocent maid:
    O, you're a couple of sweet----what shall I call you?
    Men you are not; for, if you were,
    You would not offer this unto a maid.
    Wherein have I deserved it at your hands?

Have I not been always a kind sister to you, and in signs and tokens
showed it? Did I not send money to you at Cambridge, when you were but a
freshman? wrought you purses and bands; and since you came to th'
inns-o'-court, a fair pair of hangers? Have you not taken rings from me,
which I have been fain to say I have lost when you had pawned them; and
yet was never beholden to you for a pair of gloves?

    W. RASH. A woman's tongue, I see, is like a bell,
    That, once being set agoing, goes itself.

JOYCE. And yet you, to join with my sister against me, send one here to
play upon me, whilst you laugh and leer, and make a pastime on me. Is
this brotherly done? No, it is barbarous; and a Turk would blush to
offer it to a Christian. But I will think on't, and have it written in
my heart, when it hath slipped your memories.

    W. RASH. When will your tongue be weary?

    JOYCE. Never.

    W. RASH. How! never? Come, talk, and I'll talk with you:
    I'll try the nimble footmanship of your tongue;
    And if you can out-talk me, your's be the victory.
                     [_Here they two talk and rail what they list;
                       and then_ WILL RASH _speaks to_ STAINES.

    ALL SPEAK. Ud's foot! dost thou stand by, and do nothing?
    Come, talk, and drown her clamours.
              [_Here they all three, talk, and_ JOYCE _gives over,
                weeping, and Exit_.

_Enter_ GERTRUDE _and_ GERALDINE.

GERA. Alas! she's spent, i' faith: now the storm's over.

W. RASH. Ud's foot! I'll follow her, as long as I have any breath.

GERT. Nay, no more now, brother; you have no compassion; you see she
cries.

STAINES. If I do not wonder she could talk so long, I am a villain. She
eats no nuts, I warrant her; 'sfoot, I am almost out of breath with that
little I talked: well, gentle brothers, I might say (for she and I must
clap hands upon't) a match for all this. Pray, go in; and, sister, salve
the matter, collogue with her again, and all shall be well: I have a
little business that must be thought upon, and 'tis partly for your
mirth, therefore let me not (though absent) be forgotten: farewell.

W. RASH. We will be mindful of you, sir; fare you well.

GERA. How now, man! what, tired, tired?

W. RASH. Zounds, and you had talked as much as I did, you would be
tired, I warrant. What, is she gone in? I'll to her again, whilst my
tongue is warm: and if I thought I should be used to this exercise, I
would eat every morning an ounce of licorish.[207] [_Exeunt._

_Enter_ LODGE, _the master of the prison, and_ HOLDFAST, _his man_.

LODGE. Have you summed up those reckonings?

HOLD. Yes, sir.

LODGE. And what is owing me?

HOLD. Thirty-seven pound, odd money.

LODGE. How much owes the Frenchman?

HOLD. A fortnight's commons.

LODGE. Has Spendall any money?

HOLD. Not any, sir; and he has sold all his clothes.

_Enter_ SPENDALL.

    LODGE. That fellow would waste millions if he had 'em:
    Whilst he has money, no man spends a penny.
    Ask him money, and if he say he has none,
    Be plain with him, and turn him out o' th' ward.
                                                    [_Exit_ LODGE.

HOLD. I will, sir. Master Spendall, my master has sent to you for money.

SPEND. Money! why does he send to me? Does he think I have the
philosopher's stone, or I can clip, or coin? How does he think I can
come by money?

HOLD. Faith, sir, his occasions are so great, that he must have money,
or else he can buy no victuals.

SPEND. Then we must starve, belike. Ud's foot, thou see'st I have
nothing left that will yield me two shillings.

HOLD. If you have no money, you'd best remove into some cheaper ward.

SPEND. What ward should I remove in?

HOLD. Why, to the twopenny ward; it's likeliest to hold out with your
means; or, if you will, you may go into the hole, and there you may
feed, for nothing.

SPEND. Ay, out of the alms-basket, where charity appears in likeness of
a piece of stinking fish, such as they beat bawds with when they are
carted.

HOLD. Why, sir, do not scorn it; as good men as yourself have been glad
to eat scraps out of the alms-basket.

    SPEND. And yet, slave, thou in pride wilt stop thy nose,
    Screw, and make faces, talk contemptibly of it,
    And of the feeders, surly groom.

_Enter_ FOX.

    HOLD. Well, sir, your malapertness will get you nothing.--Fox!

FOX. Here.

HOLD. A prisoner to the hole: take charge of him, and use him as
scurvily as thou canst. You shall be taught your duty, sir, I warrant
you.

    SPEND. Hence, slavish tyrants, instruments of torture!
    There is more kindness yet in whores than you;
    For when a man hath spent all, he may go
    And seek his way, they'll kick him out of doors,
    Not keep him in as you do, and enforce him
    To be the subject of their cruelty.
    You have no mercy; but be this your comfort,
    The punishment and tortures which you do
    Inflict on men, the devils shall on you.

HOLD. Well, sir, you may talk, but you shall see the end, and who shall
have the worst of it.

                                                 [_Exit_ HOLDFAST.

    SPEND. Why, villain, I shall have the worst, I know it,
    And am prepar'd to suffer like a stoic;
    Or else (to speak more properly) like a stock;
    For I have no sense left. Dost thou think I have?

    FOX. Zounds, I think he's mad.

    SPEND. Why, thou art in the right; for I am mad, indeed,
    And have been mad these two years. Dost thou think
    I could have spent so much as I have done
    In wares and credit, had I not been mad?
    Why, thou must know, I had a fair estate
    Which, through my riot, I have torn in pieces,
    And scatter'd amongst bawds, buffoons, and whores,
    That fawn'd on me, and by their flatteries
    Rock'd all my understanding faculties
    Into a pleasant slumber; where I dreamt
    Of nought but joy and pleasure: never felt
    How I was lull'd in sensuality,
    Until at last affliction waked me,
    And, lighting up the taper of my soul,
    Led me unto myself, where I might see
    A mind and body rent with misery.        [_A prisoner within._

    PRIS. Harry Fox! Harry Fox!

    FOX. Who calls?

_Enter_ PRISONER.

PRIS. Here's the bread-and-meat-man come.

FOX. Well, the bread-and-meat-man may stay a little.

PRIS. Yes, indeed, Harry, the bread-and-meat-man may stay; but you know
our stomachs cannot stay.

_Enter_ GATHERSCRAP _with the basket_.

FOX. Indeed your stomach is always first up.

PRIS. And therefore by right should be first served: I have a stomach
like _aqua fortis_, it will eat anything; O father Gatherscrap, here are
excellent bits in the basket.

FOX. Will you hold your chaps farther? By and by, you'll drivel into the
basket.

PRIS. Perhaps it may do some good; for there may be a piece of powdered
beef that wants watering.

FOX. Here, sir, here's your share.

PRIS. Here's a bit indeed: what's this to a Gargantua stomach?

FOX. Thou art ever grumbling.

PRIS. Zounds! it would make a dog grumble to want his victuals: I pray,
give Spendall none; he came into the hole but yesternight.

FOX. What, do you refuse it?

SPEND. I cannot eat, I thank you.

PRIS. No, no, give it me, he's not yet seasoned for our company.

    FOX. Divide it then amongst you.
                                       [_Exit_ FOX _and_ PRISONER.

    SPEND. To such a one as these are must I come;
    Hunger will draw me into their fellowship,
    To fight and scramble for unsavoury scraps,
    That come from unknown hands, perhaps unwash'd:
    And would that were the worst; for I have noted
    That nought goes to the prisoners, but such food
    As either by the weather has been tainted,
    Or children, nay, sometimes full-paunched dogs
    Have overlick'd; as if men had determin'd
    That the worst sustenance which is God's creatures'--
    However they're abus'd--is[208] good enough
    For such vild creatures as abuse themselves.
    O, what a slave was I unto my pleasures!
    How drown'd in sin, and overwhelm'd in lust!
    That I could write my repentance to the world,
    And force th' impression of it in the hearts
    Of you of[209] my acquaintance: I might teach them
    By my example, to look home to thrift,
    And not to range abroad to seek out ruin.
    Experience shows, his purse shall soon grow light,
    Whom dice wastes in the day, drabs in the night.
    Let all avoid false strumpets, dice and drink;
    For he that leaps i' th' mud, shall quickly sink.

_Enter_ FOX _and_ LONGFIELD.

    FOX. Yonder's the man.

    LONG. I thank you.
    How is it with you, sir? What, on the ground?
    Look up, there's comfort towards you.

    SPEND. Belike, some charitable friend has sent a shilling.
    What is your business?

    LONG. Liberty.

    SPEND. There's virtue in that word; I'll rise up to you.
    Pray, let me hear that cheerful word again.

    LONG. The able and well-minded widow Raysby,
    Whose hand is still upon the poor man's box,
    Hath in her charity remember'd you;
    And, being by your master seconded,
    Hath taken order with your creditors
    For day and payment; and freely from her purse,
    By me her deputy, she hath discharg'd
    All duties in the house: besides, to your necessities
    This is bequeath'd, to furnish you with clothes.

    SPEND. Speak you this seriously?

    LONG. 'Tis not my practice to mock misery.

    SPEND. Be ever praised that divinity,
    That has to my oppressed state rais'd friends,
    Still be his blessings pour'd upon their heads.
    Your hand, I pray,
    That have so faithfully perform'd their wills.
    If e'er my industry, join'd with their loves,
    Shall raise me to a competent estate,
    Your name shall ever be to me a friend.

    LONG. In your good wishes you requite me amply.

    SPEND. All fees, you say, are paid? There's for your love.

    FOX. I thank you, sir, and am glad you are releas'd.  [_Exeunt._

_Enter_ BUBBLE, _gallanted_.

BUB. How apparel makes a man respected! the very children in the street
do adore me: for if a boy, that is throwing at his jack-a-lent,[210]
chance to hit me on the shins, why, I say nothing but _Tu quoque_,
smile, and forgive the child with a beck of my hand, or some such like
token: so by that means I do seldom go without broken shins.

_Enter_ STAINES, _like an Italian_.

    STAINES. The blessings of your mistress fall upon you;
    And may the heat and spirit of her lip
    Endue her with matter above her understanding,
    That she may only live to admire you, or, as the Italian says:
    _Que que dell fogo Ginni coxcombie_.

    BUB. I do wonder what language he speaks.
    Do you hear, my friend; are not you a conjuror?

STAINES. I am, sir, a perfect traveller, that have trampled over the
face of the universe, and can speak Greek and Latin as promptly as my
own natural language. I have composed a book, wherein I have set down
all the wonders of the world that I have seen, and the whole scope of my
journeys, together with the miseries and lousy fortunes I have endured
therein.[211]

BUB. O Lord, sir, are you the man? give me your hand: how do ye? in good
faith, I think I have heard of you.

STAINES. No, sir, you never heard of me; I set this day footing upon the
wharf; I came in with the last peal of ordnance, and dined this day in
the Exchange amongst the merchants. But this is frivolous, and from the
matter: you do seem to be one of our gentile spirits that do affect
generosity: pleaseth you to be instituted in the nature, garb, and habit
of the most exactest nation in the world, the Italian? whose language is
sweetest, clothes neatest, and behaviour most accomplished. I am one
that have spent much money, and time, which to me is more dear than
money, in the observation of these things: and, now I am come, I will
sit me down and rest; and make no doubt but to purchase and build, by
professing this art or human science (as I may term it) to such
honourable and worshipful personages as mean to be peculiar.

BUB. This fellow has his tongue at his fingers' ends. But, hark ye, sir;
is your Italian the finest gentleman?

STAINES. In the world, signior; your Spaniard is a mere bumbard to him:
he will bounce, indeed, but he will burst. But your Italian is smooth
and lofty, and his language is cousin-german to the Latin.

BUB. Why, then he has his _Tu quoque_ in his salute?

STAINES. Yes, sir, for it is an Italian word as well as a Latin, and
enfolds a double sense; for one way spoken, it includes a fine
gentleman, like yourself; and another way it imports an ass, like whom
you will.

BUB. I would my man Gervase were here, for he understands these things
better than I. [_Aside._] You will not serve?

STAINES. Serve! no, sir; I have talked with the great Sophy.

BUB. I pray, sir, what's the lowest price of being Italianated?

STAINES. Sir, if it please you, I will stand to your bounty: and, mark
me, I will set your face like a grand signior's, and you shall march a
whole day, until you come opunctly[212] to your mistress, and not
disrank one hair of your physiognomy.

BUB. I would you would do it, sir; if you will stand to my bounty, I
will pay you, as I am an Italian, _Tu quoque_.

STAINES. Then, sir, I will first disburthen you of your cloak; you will
be the nimbler to practise. Now, sir, observe me: go you directly to the
lady to whom you devote yourself.

BUB. Yes, sir.

STAINES. You shall set a good staid face upon the matter then. Your band
is not to your shirt, is it?

BUB. No, sir, 'tis loose.

STAINES. It is the fitter for my purpose. I will first remove your hat.
It has been the fashion (as I have heard) in England to wear your hat
thus, in your eyes; but it is gross, naught, inconvenient, and
proclaims with a loud voice that he that brought it up first stood in
fear of serjeants. Your Italian is contrary: he doth advance his hat,
and sets it thus.

BUB. Excellent well: I would you would set it on my head so.

STAINES. Soft; I will first remove your band, and set it out of the
reach of your eyes; it must lie altogether backward. So: your band is
well.

BUB. Is it as you would have it?

STAINES. It is as I would wish; only, sir, this I must caution you of,
in your affront[213] or salute, never to move your hat; but here, here
is your courtesy.

BUB. Nay, I warrant you; let me alone, if I perceive a thing once, I'll
carry it away. Now, pray, sir, reach my cloak.

STAINES. Never, whilst you live, sir.

BUB. No! what, do you Italians wear no cloaks!

STAINES. Your signiors, never: you see I am unfurnished myself.

_Enter_ Sir Lionel, WILL RASH, GERALDINE, WIDOW, GERTRUDE, _and_ JOYCE.

BUB. Say ye so? prythee, keep it, then. See! yonder's the company that I
look for; therefore, if you will set my face of any fashion, pray do it
quickly.

STAINES. You carry your face as well as e'er an Italian in the world;
only enrich it with a smile, and 'tis incomparable: and thus much
more--at your first appearance, you shall perhaps strike your
acquaintance into an ecstasy, or perhaps a laughter; but 'tis ignorance
in them, which will soon be overcome, if you persevere.

BUB. I will persevere, I warrant thee: only do thou stand aloof, and be
not seen; because I would not have them think but I fetch it out of my
own practice.

    STAINES. Do not you fear; I'll not be seen, I warrant you. [_Exit._

    SIR LIONEL. Now, widow, you are welcome to my house,
    And to your own house too, so you may call it;
    For what is mine is yours: you may command here
    As at home, and be as soon obey'd.

    WID. May I deserve this kindness of you, sir?

    BUB. Save you, gentlemen. I salute you after the Italian fashion.

    W. RASH. How! the Italian fashion? Zounds! he has dressed him
      rarely.

    SIR LIONEL. My son Bubble, I take it?

    W. RASH. The nether part of him I think is he;
    But what the upper part is, I know not.
    [GER.] By my troth, he's a rare fellow.

    BUB. He said true;
    They are all in an ecstasy.                         [_Aside._]

    GERT. I think he's mad.                             [_Aside._]

JOYCE. Nay, that cannot be; for they say, they that are mad lose their
wits, and I am sure he had none to lose. [_Aside._]

_Enter_ SCATTERGOOD.

    SIR LIONEL. How now, son Bubble? how come you thus attir'd?
    What! do you mean to make yourself a laughing-stock, ha?

    BUB. Um! Ignorance, ignorance.                      [_Aside._]

    GERA. For the love of laughter, look yonder:
    Another herring in the same pickle.

    W. RASH. T'other hobby-horse, I perceive, is not forgotten.[214]

    BUB. Ha, ha, ha, ha!

    SCAT. Ha, ha, ha, ha!

    BUB. Who has made him such a coxcomb, trow?
    An Italian _Tu quoque_?

    SCAT. I salute you according to the Italian fashion.

    BUB. Puh! the Italian fashion! The tattered-demalian fashion he
      means.

    SCAT. Save you, sweet bloods, save you.

    SIR LIONEL. Why, but what jig is this?

SCAT. Nay, if I know, father, would I were hanged. I am e'en as innocent
as the child new-born.

    SIR LIONEL. Ay, but son Bubble, where did you two buy your felts?

    SCAT. Felts! By this light, mine is a good beaver:
    It cost me three pounds this morning upon trust.

SIR LIONEL. Nay, I think you had it upon trust, for no man that has any
shame in him would take money for it. Behold, sir.

    BUB. Ha, ha, ha!

    SIR LIONEL. Nay, never do you laugh, for you're i' th' same block.

    BUB. Is this the Italian fashion?

    SCAT. No, it is the fool's fashion:
    And we two are the first that follow it.

BUB. _Et tu quoque_. Are we both cosened? Then let's show ourselves
brothers in adversity, and embrace.

SIR LIONEL. What was he that cheated you?

BUB. Marry, sir, he was a knave that cheated me.

SCAT. And I think he was no honest man that cheated me.

SIR LIONEL. Do you know him again if you see him?

_Enter_ STAINES [_in his own costume._]

BUB. Yes, I know him again, if I see him; but I do not know how I should
come to see him. O Gervase, Gervase! Do you see us two, Gervase?

STAINES. Yes, sir, very well.

BUB. No, you do not see us very well, for we have been horribly abused.
Never were Englishmen so gulled in Italian as we have been.

STAINES. Why, sir, you have not lost your cloak and hat?

BUB. Gervase, you lie; I have lost my cloak and hat; and therefore you
must use your credit for another.

SCAT. I think my old cloak and hat must be glad to serve me till next
quarter-day.

    SIR LIONEL. Come, take no care for cloaks: I'll furnish you.
    To-night you lodge with me; to-morrow morn,
    Before the sun be up, prepare for church;
    The widow and I have so concluded on't.
    The wenches understand not yet so much,
    Nor shall not until bedtime: then will they
    Not sleep a wink all night for very joy.

SCAT. And I'll promise the next night they shall not sleep for joy
neither. [_Aside._]

    SIR LIONEL. O Master Geraldine, I saw you not before:
    Your father now is come to town, I hear.

    GERA. Yes, sir.

    SIR LIONEL. Were not my business earnest, I would see him:
    But pray entreat him break an hour's sleep
    To-morrow morn t'accompany me to church;
    And come yourself, I pray, along with him.

_Enter_ SPENDALL.

    GERA. Sir, I thank you.

    SIR LIONEL. But look, here comes one,
    That has but lately shook off his shackles.--
    How now, sirrah! wherefore come you?

    SPEND. I come to crave a pardon, sir, of you;
    And with hearty and zealous thanks
    Unto this worthy lady, that hath given me
    More than I e'er could hope for--liberty.

    WID. Be thankful unto heaven and your master:
    Nor let your heart grow bigger than your purse,
    But live within a limit, lest you burst out
    To riot and to misery again:
    For then 'twould lose the benefit I mean it.

    SIR LIONEL. O, you do graciously; 'tis good advice:
    Let it take root, sirrah, let it take root.
    But come, widow, come and see your chamber:
    Nay, your company too, for I must speak with you.   [_Exeunt._

    SPEND. 'Tis bound unto you, sir.

    BUB. And I have to talk with you too, Mistress Joyce. Pray, a word.

    JOYCE. What would you, sir?

BUB. Pray, let me see your hand. The line of your maidenhead is out. Now
for your fingers. Upon which finger will you wear your wedding-ring?

    JOYCE. Upon no finger.

    BUB. Then I perceive you mean to wear it on your thumb.
    Well, the time is come, sweet Joyce; the time is come.

    JOYCE. What to do, sir?

    BUB. For me to tickle thy _Tu quoque;_ to do the act
    Of our forefathers: therefore prepare, provide,
    To-morrow morn to meet me as my bride.                [_Exit._

    JOYCE. I'll meet thee like a ghost first.

    GERT. How now, what matter have you fished out of that fool?

    JOYCE. Matter as poisoning as corruption,
    That will without some antidote strike home,
    Like blue infection, to the very heart.

    W. RASH. As how, for God's sake?

    JOYCE. To-morrow is the appointed wedding-day.

    GERT. The day of doom, it is?

    GERA. 'Twould be a dismal day indeed to some of us.

    JOYCE. Sir, I do know you love me; and the time
    Will not be dallied with: be what you seem,
    Or not the same; I am your wife, your mistress,
    Or your servant--indeed, what you will make me.
    Let us no longer wrangle with our wits,
    Or dally with our fortunes; lead me hence,
    And carry me into a wilderness:
    I'll fast with you, rather than feast with him.

    STAINES. What can be welcomer unto these arms?
    Not my estate recover'd is more sweet,
    Nor strikes more joy in me than does your love.

    W. RASH. Will you both kiss then upon the bargain?
    Here's two couple on you, God give you joy;
    I wish well to you,
    And I see 'tis all the good that I can do you:
    And so to your shifts I leave you.

JOYCE. Nay, brother, you will not leave us thus, I hope.

W. RASH. Why, what would you have me do? you mean to run away together:
would you have me run with you, and so lose my inheritance? no, trudge,
trudge with your backs to me, and your bellies to them. Away!

    GERA. Nay, I prythee, be not thus unseasonable:
    Without thee we are nothing.

W. RASH. By my troth, and I think so too. You love one another in the
way of matrimony, do you not?

GERA. What else, man?

W. RASH. What else, man? Why, 'tis a question to be asked; for I can
assure you, there is another kind of love. But come, follow me; I must
be your good angel still: 'tis in this brain how to prevent my father
and his brace of beagles; you shall none of you be bid to-night: follow
but my direction, if I bring you not, _To have and to hold, for better
for worse_, let me be held an eunuch in wit, and one that was never
father to a good jest.

    GERT. We'll be instructed by you.

    W. RASH. Well, if you be, it will be your own another day.
    Come, follow me.
          [SPENDALL _meets them, and they look strangely upon him,
           and go off_.

    SPEND. How ruthless men are to adversity!
    My acquaintance scarce will know me; when we meet,
    They cannot stay to talk, they must be gone,
    And shake me by the hand as if I burnt them.
    A man must trust unto himself, I see;
    For if he once but halt in his estate,
    Friendship will prove but broken crutches to him.
    Well, I will lean to none of them, but stand
    Free of myself: and if I had a spirit
    Daring to act what I am prompted to,
    I might thrust out into the world again,
    Full-blossom'd, with a sweet and golden spring.
    It was an argument of love in her
    To fetch me out of prison; and this night
    She clasp'd my hand in hers, as who should say,
    Thou art my purchase, and I hold thee thus.
    The worst is but repulse, if I attempt it.
    I am resolv'd: my genius whispers to me,
    Go on, and win her; thou art young and active,
    Which she is apt to catch at; for there's nought
    That's more unsteadfast than a woman's thought.       [_Exit._

_Enter_ SIR LIONEL, WILL RASH, SCATTERGOOD, BUBBLE, WIDOW, GERTRUDE,
JOYCE, PHILLIS, _and_ SERVANT.

    SIR LIONEL. Here's ill-lodging, widow; but you must know,
    If we had better, we'd afford it you.

    WID. The lodging, sir, might serve better guests.

    SIR LIONEL. Not better, widow, nor yet welcomer:
    But we will leave you to it and the rest.
    Phillis, pray let your mistress not want anything.
    Once more, good night; I'll leave a kiss with you,
    As earnest of a better gift to-morrow.
    Sirrah, a light.

    WID. Good rest to all.

    BUB. _Et tu quoque_, forsooth.

    SCAT. God give you good night, forsooth,
    And send you an early resurrection.

    WID. Good night to both.

    SIR LIONEL. Come, come away, each bird unto his nest;
    To-morrow night's a time of little rest.
    [_Exeunt. Manent_ WIDOW _and_ PHILLIS.

    WID. Here, untie: soft, let it alone;
    I have no disposition to sleep yet:
    Give me a book, and leave me for a while,
    Some half-hour hence look in to me.

    PHIL. I shall, forsooth.                      [_Exit_ PHILLIS.

_Enter_ SPENDALL.

    WID. How now! what makes this bold intrusion?

    SPEND. Pardon me, lady, I have business to you.

    WID. Business! from whom? Is it of such importance,
    That it craves present hearing?

    SPEND. It does.

    WID. Then speak it, and be brief.

    SPEND. Nay, gentle widow, be more pliant to me:
    My suit is soft and courteous; full of love.

    WID. Of love?

    SPEND. Of love.

    WID. Why, sure, the man is mad! bethink thyself;
    Thou hast forgot thy errand.

    SPEND. I have indeed, fair lady; for my errand
    Should first have been deliver'd on your lips.

    WID. Why, thou impudent fellow, unthrift of shame,
    As well as of thy purse. What has mov'd thee
    To prosecute thy ruin? hath my bounty,
    For which thy master was an orator,
    Importun'd thee to pay me with abuse?
    Sirrah, retire, or I will, to your shame,
    With clamours raise the house, and make your master
    For this attempt return you to the dungeon,
    From whence you came.

    SPEND. Nay, then I must be desperate:
    Widow, hold your clapdish,[215] fasten your tongue
    Unto your roof, and do not dare to call;
    But give me audience with fear and silence.
    Come, kiss me--No?
    This dagger has a point, do you see it?
    And be unto my suit obedient,
    Or you shall feel it too:
    For I will rather totter, hang in clean linen,
    Than live to scrub it out in lousy linings.
    Go to, kiss: you will! why, so: again, the third time;
    Good; 'tis a sufficient charm: now hear me.
    You are rich in money, lands, and lordships,
    Manors and fair possessions, and I have not so much
    As one poor copyhold to thrust my head in.
    Why should you not then have compassion
    Upon a reasonable handsome fellow,
    That has both youth and liveliness upon him,
    And can at midnight quicken and refresh
    Pleasures decay'd in you? You want children;
    And I am strong, lusty, and have a back
    Like Hercules; able to get them
    Without the help of muscadine and eggs,
    And will you then, that have enough,
    Take to your bed a bundle of diseases,
    Wrapp'd up in threescore years, to lie a-hawking,
    Spitting and coughing backwards and forwards,
    That you shall not sleep; but, thrusting forth
    Your face out of the bed, be glad to draw
    The curtains, such a steam shall reek
    Out of this dunghill? Now, what say you?
    Shall we, without farther wrangling, clap it up,
    And go to bed together?

    WID. Will you hear me?

    SPEND. Yes, with all my heart,
    So the first word may be, untruss your points--
    Zounds, one knocks; do not stir, I charge you,
                                                  [_Knock within._
    Nor speak, but what I bid you:
    For, by these lips which now in love I kiss,
    If you but struggle or but raise your voice,
    My arm shall rise with it, and strike you dead.
    Go to, come on with me, and ask who's there!

    WID. It is my maid.

    SPEND. No matter; do as I bid you: say, who's there?

    WID. Who's there?

    PHIL. (_Within._) 'Tis I, forsooth.

    SPEND. If it be you, forsooth, then pray you stay,
    Till I shall call upon you.

    WID. [_Repeats._] If it be you, forsooth, then pray you stay,
    Till I shall call upon you.

    SPEND. Very well: why, now I see
    Thou'lt prove an obedient wife. Come, let's undress.

    WID. Will you put up your naked weapon, sir?

    SPEND. You shall pardon me, widow, I must have you grant first.

    WID. You will not put it up?

    SPEND. Not till I have some token of your love.

    WID. If this may be a testimony, take it.       [_Kisses him._
    By all my hopes, I love thee: thou art worthy
    Of the best widow living: thou tak'st the course:
    And those that will win widows must do thus.

SPEND. Nay, I knew what I did when I came with my naked weapon in my
hand; but come, unlace.

    WID. Nay, my dear love: know that I will not yield
    My body unto lust, until the priest
    Shall join us in Hymen's sacred nuptial rites.

    SPEND. Then set your hand to this: nay, 'tis a contract
    Strong and sufficient, and will hold in law.
    Here, here's pen and ink; you see I come provided.

    WID. Give me the pen.

    SPEND. Why, here's some comfort.
    Yet write your name fair, I pray, and at large.
    Why, now 'tis very well. Now, widow,
    You may admit your maid,
    For i' th' next room I'll go fetch a nap.

    WID. Thou shalt not leave me so: come, prythee, sit,
    We'll talk awhile, for thou hast made my heart
    Dance in my bosom, I receive such joy.

    SPEND. Thou art a good wench, i' faith; come, kiss upon't.

    WID. But will you be a loving husband to me?
    Avoid all naughty company, and be true
    To me and to my bed?

    SPEND. As true to thee as steel to adamant.
                                         [_Binds him to the post._

    WID. I'll bind you to your word: see that you be,
    Or I'll conceal my bags. I have kinsfolk,
    To whom I'll make't over, you shall not have a penny.

    SPEND. Pish, prythee, do not doubt me.
    How now! what means this?

    WID. It means my vengeance; nay, sir, you are fast,
    Nor do not dare to struggle: I have liberty
    Both of my tongue and feet; I'll call my maid.

_Enter_ PHILLIS.

    Phillis, come in, and help to triumph
    Over this bold intruder. Wonder not, wench,
    But go unto him, and ransack all his pockets,
    And take from thence a contract which he forc'd
    From my unwilling fingers.

    SPEND. Is this according to your oath?

    PHIL. Come, sir, I must search you.

    SPEND.                             I prythee, do.
    And when thou tak'st that from me, take my life too.

    WID. Hast thou it, girl?

    PHIL. I have a paper here.

    WID. It is the same: give it me. Look you, sir,
    Thus your new-fancied hopes I tear asunder.
    Poor wretched man! thou'st had a golden dream,
    Which gilded over thy calamity;
    But, being awake, thou find'st it ill-laid on,
    For with one finger I have wip'd it off.
    Go, fetch me hither the casket that contains
    My choicest jewels, and spread them here before him.
    Look you, sir;
    Here's gold, pearls, rubies, sapphires, diamonds;
    These would be goodly things for you to pawn,
    Or revel with amongst your courtesans,
    Whilst I and mine did starve. Why dost not curse,
    And utter all the mischiefs of thy heart,
    Which I know swells within thee? pour it out,
    And let me hear thy fury.

    SPEND. Never, never!
    Whene'er my tongue shall speak but well of thee,
    It proves no faithful servant to my heart.

    WID. False traitor to thy master and to me,
    Thou liest, there's no such thing within thee.

    SPEND. May I be burn'd to ugliness, to that
    Which you and all men hate, but I speak truth.

    WID. May I be turn'd a monster, and the shame
    Of all my sex, and if I not believe thee.
    Take me unto thee: these and all that's mine.
    Were it thrice trebled, thou wert worthy all.
    And do not blame this trial, 'cause it shows
    I give myself unto thee, am not forc'd,
    And with it love, that ne'er shall be divorc'd.

    SPEND. I am glad 'tis come to this; yet, by this light,
    Thou putt'st me into a horrible fear.
    But this is my excuse: know that my thoughts
    Were not so desperate as my action seem'd;
    For, 'fore my dagger should ha' drawn one drop
    Of thy chaste blood, it should have sluic'd out mine,
    And the cold point stuck deep into my heart.
    Nor better be my fate, if I shall move
    To any other pleasure but thy love.

    WID. It shall be in my creed: but let's away.
    For night with her black steeds draws up the day.   [_Exeunt._

_Enter_ WILL RASH, STAINES, GERALDINE, GERTRUDE, JOYCE, _and a boy with
a lanthorn_.

W. RASH. Softly, boy, softly; you think you are upon firm ground; but it
is dangerous. You'll never make a good thief, you rogue, till you learn
to creep upon all four. If I do not sweat with going this pace!
everything I see, methinks, should be my father in his white beard.

    STAINES. It is the property of that passion; for fear
    Still shapes all things we see to that we fear.

W. RASH. Well said, logic: sister, I pray, lay hold of him; for the man,
I see, is able to give the watch an answer if they should come upon him
with interrogatories.

_Enter_ SPENDALL, WIDOW, _and_ PHILLIS.

Zounds, we are discovered! boy, come up close, and use the property of
your lanthorn. What dumb show should this be?

GERA. They take their way directly, [and] intend nothing against us.

STAINES. Can you not discern who they are?

JOYCE. One is Spendall.

GERT. The other is the widow, as I take it.

STAINES. 'Tis true, and that's her maid before her.

W. RASH. What a night of conspiracy is here! more villany? there's
another goodly mutton going: my father is fleeced of all; grief will
give him a box, i' faith--but 'tis no great matter; I shall inherit the
sooner. Nay, soft, sir; you shall not pass so current with the matter,
I'll shake you a little. Who goes there?

SPEND. Out with the candle [_Aside._]: who's that asks the question?

W. RASH. One that has some reason for't.

SPEND. It should be, by the voice, young Rash. Why, we are honest folks.

W. RASH. Pray, where do you dwell? Not in town, I hope?

SPEND. Why, we dwell--zounds! where do we dwell? I know not where.

W. RASH. And you'll be married, you know not when--zounds, it were a
Christian deed to stop thee in thy journey: hast thou no more spirit in
thee, but to let thy tongue betray thee? Suppose I had been a constable,
you had been in a fine taking, had you not?

    SPEND. But, my still worthy friend,
    Is there no worse face of ill bent towards me
    Than that thou merrily putt'st on?

W. RASH. Yes, here's four or five faces more, but ne'er an ill one,
though never an excellent good one. Boy, up with your lanthorn of light,
and show him his associates, all running away with the flesh, as thou
art. Go, yoke together, you may be oxen one day, and draw altogether in
a plough; go, march together, the parson stays for you; pay him royally.
Come, give me the lanthorns, for you have light sufficient, for night
has put off his black cap, and salutes the morn. Now farewell, my little
children of Cupid, that walk by two and two, as if you went a-feasting:
let me hear no more words, but be gone.

SPEND. _and_ STAINES. Farewell.

GERT. _and_ JOYCE. Farewell, brother.

                                       [_Exeunt. Manet_ WILL RASH.

W. RASH. Ay, you may cry farewell; but if my father should know of my
villany, how should I fare then? But all's one, I ha' done my sisters
good, my friends good, and myself good; and a general good is always to
be respected before a particular. There's eightscore pounds a year saved
by the conveyance of this widow. I hear footsteps: now, darkness, take
me into thy arms, and deliver me from discovery. [_Exit._

_Enter_ SIR LIONEL.

SIR LIONEL. Lord, Lord, what a careless world is this! neither bride nor
bridegroom ready; time to go to church, and not a man unroosted: this
age has not seen a young gallant rise with a candle; we live drowned in
feather-beds, and dream of no other felicity. This was not the life when
I was a young man. What makes us so weak as we are now? A feather-bed.
What so unapt for exercise? A feather-bed. What breeds such pains and
aches in our bones? why, a feather-bed or a wench--or at least a wench
in a feather-bed. Is it not a shame that an old man as I am should be up
first, and in a wedding-day? I think, in my conscience, there's more
mettle in lads of threescore than in boys of one-and-twenty.

_Enter_ BASKETHILT.

    Why, Baskethilt!

    BAS. Here, sir.

    SIR LIONEL. Shall I not be trussed to-day?

    BAS. Yes, sir; but I went for water.

    SIR LIONEL. Is Will Rash up yet?

    BAS. I think not, sir; for I heard nobody stirring in the house.

    SIR LIONEL. Knock, sirrah, at his chamber.    [_Knock within._

    The house might be pluck'd down and builded again
    Before he'd wake with the noise.           [WILL RASH _aloft_.

    W. RASH. Who's that keeps such a knocking; are you mad?

    SIR LIONEL. Rather thou art drunk, thou lazy slouch,
    That mak'st thy bed thy grave, and in it buryest
    All thy youth and vigour: up, for shame.

W. RASH. Why, 'tis not two a-clock yet.

SIR LIONEL. Out, sluggish knave; 'tis nearer unto five: The whole house
has outslept themselves, as if they had drunk wild poppy. Sirrah, go you
and raise the maids, and let them call upon their mistresses.

    BAS. Well, sir, I shall.                              [_Exit._

_Enter_ SCATTERGOOD _and_ BUBBLE.

SCAT. Did I eat any lettuce to supper last night, that I am so sleepy? I
think it be daylight, brother Bubble.

    BUB. What sayest thou, brother? heigh-ho!

    SIR LIONEL. Fie, fie! not ready yet? what sluggishness
    Hath seiz'd upon you? why, thine eyes are close still.

BUB. As fast as a Kentish oyster. Surely I was begotten in a plum-tree,
I ha' such a deal of gum about mine eyes.

    SIR LIONEL. Lord, how you stand! I am asham'd to see
    The sun should be a witness of your sloth.

[_Enter_ BASKETHILT.]

    Now, sir, your haste?

    BAS. Marry, sir, there are guests coming to accompany you to church.

    SIR LIONEL. Why, this is excellent; men, whom it not concerns,
    Are more respective than we, that are main actors.

    BUB. Father Rash, be not so outrageous: we
    will go in and buckle ourselves all in good time.
    How now! what's this about my shins?

_Enter_ OLD GERALDINE _and_ LONGFIELD.

SCAT. Methought our shanks were not fellows: we have metamorphosed our
stockings for want of splendour.

    BUB. Pray, what's that _splendour_?

    SCAT. Why, 'tis the Latin word for a Christmas candle.  [_Exeunt._

SIR LIONEL. O gentlemen, you love, you honour me. Welcome, welcome, good
Master Geraldine; you have taken pains to accompany an undeserving
friend.

_Enter_ PHILLIS.

    OLD GERA. You put us to a needless labour, sir,
    To run and wind about for circumstance;[216]
    When the plain word, "I thank you," would have serv'd.

    SIR LIONEL. How now, wench; are the females ready yet?
    The time comes on upon us, and we run backward:
    We are so untoward in our business,
    We think not what we have to do, nor what we do.

PHIL. I know not, sir, whether they know what to do; but I am sure they
have been at church well-nigh an hour. They were afraid you had got the
start of them, which made them make such haste.

    SIR LIONEL. Is't possible? what think you, gentlemen,
    Are not these wenches forward? is there not virtue in a man
    Can make young virgins leave their beds so soon?
    But is the widow gone along with them?

    PHIL. Yes, sir; why, she was the ringleader.

    SIR LIONEL. I thought as much, for she knows what belongs to't.
    Come, gentlemen; methinks 'tis sport to see
    Young wenches run to church before their husbands.

_Enter_ WILL RASH.

    Faith, we shall make them blush for this ere night.
    Ah, sirrah, are you come? why, that's well-said:
    I marl'd indeed that all things were so quiet,
    Which made me think th' had not unwrapp'd their sheets;

_Enter Servant, with a cloak._

    And then were they at church, I hold my life:
    Maids think it long, till each be made a wife.
    Hast thou my cloak, knave? well-said, put it on;
    We'll after them: let me go, hasten both,
    Both the bridegrooms forward; we'll walk a little
    Softly on afore. But see, see, if they be not come
    To fetch us now! We come, we come.
    Bid them return, and save themselves this labour.

_Enter_ SPENDALL, STAINES, GERALDINE, WIDOW, GERTRUDE, _and_ JOYCE.

W. RASH. Now have I a quartan ague upon me.

SIR LIONEL. Why, how now! why come you from church to kneel thus
publicly? what's the matter?

GERA. We kneel, sir, for your blessing.

SIR LIONEL. How! my blessing? Master Geraldine, is not that your son?

OLD GERA. Yes, sir; and that, I take it, is your daughter.

SIR LIONEL. I suspect knavery. What are you? Why do you kneel
hand-in-hand with her?

STAINES. For a fatherly blessing too, sir.

SIR LIONEL. Heyday! 'tis palpable, I am gull'd, and my sons Scattergood
and Bubble fooled. You are married.

    SPEND. Yes, sir, we are married.

    SIR LIONEL. More villany! everything goes the wrong way.

    SPEND. We shall go the right way anon, I hope.

    SIR LIONEL. Yes, marry shall you; you shall e'en to the
    Compter again, and that's the right way for you.

    WID. O, you are wrong;
    The prison that shall hold him are these arms.

SIR LIONEL. I do fear that I shall turn stinkard, I do smell such a
matter. You are married then?

_Enter_ SCATTERGOOD _and_ BUBBLE.

    SPEND. _Ecce signum!_ here's the wedding-ring t' affirm it.

    SIR LIONEL. I believe the knave has drunk ipocras,
    He is so pleasant.

    SCAT. Good-morrow, gentlemen.

    BUB. _Tu quoque_ to all: what, shall we go to church?
    Come, I long to be about this gear.

SIR LIONEL. Do you hear me; will you two go sleep again I take out the
t'other nap; for you are both made coxcombs, and so am I.

    SCAT. How! coxcombs?

    SIR LIONEL. Yes, coxcombs.

    SCAT. Father, that word coxcomb goes against my stomach.

    BUB. And against mine; a man might ha' digested a woodcock better.

    SIR LIONEL. You two come now to go to church to be married;
    And they two come from church, and are married.

    BUB. How! married? I would see that man durst marry her.

    GERA. Why, sir, what would you do?

    BUB. Why, sir, I would forbid the banns.

    SCAT. And so would I.

SIR LIONEL. Do you know that youth in satin? he's the pen that belongs
to that inkhorn.

    BUB. How! let me see; are not you my man Gervase?

    STAINES. Yes, sir.

    _Enter a_ SERJEANT.

    BUB. And have you married her?

    STAINES. Yes, sir.

    BUB. And do you think you have us'd me well?

    STAINES. Yes, sir.

BUB. O intolerable rascal! I will presently be made a justice of peace,
and have thee whipped. Go, fetch a constable.

STAINES. Come, y' are a flourishing ass: serjeant, take him to thee, he
has had a long time of his pageantry.

SIR LIONEL. Sirrah, let him go; I'll be his bail for all debts which
come against him.

    STAINES. Reverend sir, to whom I owe the duty of a son,
    Which I shall ever pay in my obedience;
    Know, that which made him gracious in your eyes,
    And gilded over his imperfections,
    Is wasted and consumed even like ice,
    Which by the vehemence of heat dissolves,
    And glides to many rivers: so his wealth,
    That felt a prodigal hand, hot in expense,
    Melted within his gripe, and from his coffers
    Ran like a violent stream to other men's.
    What was my own, I catch'd at.

    SIR LIONEL. Have you your mortgage in?

    STAINES. Yes, sir.

    SIR LIONEL. Stand up: the matter is well amended.
    Master Geraldine, give you sufferance to this match?

    OLD GERA. Yes, marry do I, sir; for, since they love,
    I'll not have the crime lie on my head,
    To divide man and wife.

    SIR LIONEL. Why, you say well: my blessing fall upon you.

    WID. And upon us that love, Sir Lionel.

    SIR LIONEL. By my troth, since thou hast ta'en the young knave,
    God give thee joy of him, and may he prove
    A wiser man than his master.

    STAINES. Serjeant, why dost not carry him to prison?

    SER. Sir Lionel Rash will bail him.

    SIR LIONEL. I bail him, knave! wherefore should I bail him?
    No, carry him away, I'll relieve no prodigals.

BUB. Good Sir Lionel, I beseech you, sir! gentlemen, I pray, make a
purse for me.

SER. Come, sir, come, are you begging?

BUB. Why, that does you no harm. Gervase--master, I should say--some
compassion.

    STAINES. Serjeants, come back with him. Look, sir, here is
    Your livery;
    If you can put off all your former pride,
    And put on this with that humility
    That you first wore it, I will pay your debts,
    Free you of all encumbrances,
    And take you again into my service.

BUB. Tenterhook, let me go. I will take his worship's offer without
wages, rather than come into your clutches again: a man in a blue coat
may have some colour for his knavery; in the Compter he can have none.

SIR LIONEL. But now, Master Scattergood, what say you to this?

SCAT. Marry, I say, 'tis scarce honest dealing, for any man to
coneycatch another man's wife: I protest we'll not put it up.

    STAINES. No! which _we_?

    SCAT. Why, Gertrude and I.

    STAINES. Gertrude! why, she'll put it up.

    SCAT. Will she?

    GERA. Ay, that she will, and so must you.

    SCAT. Must I?

    GERA. Yes, that you must.

    SCAT. Well, if I must, I must; but I protest I would not,
    But that I must: so _vale, vale: et tu quoque_.       [_Exit._

    SIR LIONEL. Why, that's well said:
    Then I perceive we shall wind up all wrong.
    Come, gentlemen, and all our other guests,
    Let our well-temper'd bloods taste Bacchus' feasts;
    But let us know first how these sports delight,
    And to these gentlemen each bid good night.[217]

    W. RASH. Gentles, I hope, that well my labour ends;
    All that I did was but to please my friends.

    GERA. A kind enamoret I did strive to prove,
    But now I leave that and pursue your love.

    GERT. My part I have performed with the rest,
    And, though I have not, yet I would do best.

    STAINES. That I have cheated through the play, 'tis true:
    But yet I hope I have not cheated you.

    JOYCE. If with my clamours I have done you wrong,
    Ever hereafter I will hold my tongue.

    SPEND. If through my riot I have offensive been,
    Henceforth I'll play the civil citizen.

    WID. Faith, all that I say is, howe'er it hap,
    Widows, like maids, sometimes may catch a clap.

    BUB. To mirth and laughter henceforth I'll provoke ye,
    If you but please to like of Green's _Tu quoque_.[218]


FOOTNOTES:

  [153]: See note 76 to "The Ordinary," [vol. xii.]

  [154] [_i.e._, shillings. See the next page.]

  [155] At the time this play was written, the same endeavours were
  used, and the same lures thrown out, to tempt adventurers to migrate
  to each of these places.

  [156] Pirates are always hanged at Execution Dock, Wapping; and at the
  moment when the tide is at the [ebb].--_Steevens_.

  The following passage is from Stow's "Survey," vol. ii. b. 4, p. 37,
  edit. 1720: "From this Precinct of St Katharine to Wappin in the Wose,
  and Wappin it self, the usual Place of Execution for hanging of
  Pirates and Sea-Rovers _at the low-Water Mark_, there to remain till
  three Tides had overflowed them, was never a House standing within
  these Forty Years (_i.e._, from the year 1598), but (since the Gallows
  being after removed further off) is now a continual Street, or rather
  a filthy straight Passage, with Lanes and Alleys of small Tenements or
  Cottages, inhabited by Saylors and Victuallers along by the River of
  Thames almost to Radcliff, a good Mile from the Tower."

  [157] The old copies give it--

      "_We_ suck'd a white leaf from my black-lipp'd pen."

  --_Collier._

  [158] The story here alluded to (for the notice of which I am obliged
  to the kindness of Mr Steevens) is to be found in Stubbes's "Anatomie
  of Abuses," 1595, p. 43. The reader will excuse the length of the
  quotation. "But amongst many other fearful examples of Gods wrath
  against pride, I would wish them to set before their eies the fearful
  judgment of God showed upon a gentlewoman of Antwerpe of late, even
  the 27 of Maie, 1582, the fearful sound whereof is blowne through all
  the world, and is yet fresh in every mans memory. This gentlewoman,
  being a very rich merchantmans daughter, upon a time was invited to a
  bridal or wedding, which was solemnised in that towne, against which
  day she made great preparation for the pluming of herself in gorgeous
  aray: that as her body was most beautiful, faire, and proper, so her
  attire in every respect might be answerable to the same. For the
  accomplishment whereof, she curled her haire, she died her lockes, and
  laid them out after the best manner: she colloured her face with
  waters and ointments; but in no case could she get any (so curious and
  dainty she was) that could startch and set her ruffes and neckerchers
  to her minde: wherefore she sent for a couple of laundresses, who did
  the best they could to please her humors, but in any wise they could
  not: then fell she to sweare and teare, to curse and ban, casting the
  ruffes under feete, and wishing that the devill might take her when
  shee did weare any neckerchers againe. In the meane time (through the
  sufferance of God) the devill transforming himselfe into the shape of
  a young man, as brave and proper as she in every point, in outward
  appearance, came in, faining himself to be a woer or sutor unto her:
  and seeing her thus agonized, and in such a pelting chafe, he
  demaunded of her the cause thereof, who straight way told him (as
  women can conceal nothing that lieth upon their stomacks) how she was
  abused in the setting of her ruffes; which thing being heard of him,
  he promissed to please her mind, and so tooke in hande the setting of
  her ruffes, which he performed to her great contentation and liking;
  insomuch as she, looking herselfe in a glasse (as the devill bad her)
  became greatly inamoured with him. This done, the young man kissed
  her, in the doing whereof, hee writh her neck in sunder, so she dyed
  miserably; her body being straight waies changed into blew and black
  colours, most ugglesome to beholde, and her face (which before was so
  amorous) became most deformed and fearfull to looke upon. This being
  knowne in the cittie, great preparation was made for her buriall, and
  a rich coffin was provided, and her fearfull body was laid therein,
  and covered very sumptuously. Foure men immediately assayed to lift up
  the corpes, but could not moove it; then sixe attempted the like, but
  could not once stirre it from the place where it stood. Whereat the
  standers by marvelling, caused the coffin to be opened to see the
  cause thereof: where they found the body to be taken away, and a
  blacke catte, very leane and deformed, sitting in the coffin, setting
  of great ruffes, and frizling of haire, to the greate feare and
  woonder of all the beholders."--_Reed._ [Stubbes was fond of these
  examples. Compare "Shakespeare Society's Papers," iv. 71-88.]

  [159] _i.e._, During the Court's progress, when the king or queen
  visited the different counties.--_Steevens._

  [160] _i.e._, Licentiously.

  [161] A wine mentioned in the metrical romance of the "Squyr of Low
  Degre"--

                                  "Malmesyne,
      Both _ypocrasse_ and vernage wine."

  --_Steevens._ [See Hazlitt's "Popular Poetry," ii. 51.]

  [162] _Shrove Tuesday_ was formerly a holiday for apprentices. So in
  Ben Jonson's "Epicæne," act i. sc. 1, it is said of Morose, "he would
  have hanged a pewterer's _'prentice_ on a _Shrove Tuesday's_ riot, for
  being o' that trade, when the rest were quit."

  On _Shrove Tuesday_ in the County of Sussex (and I suppose in many
  others) apprentices are always permitted to visit their families or
  friends, to eat pancakes, &c. This practice is called _shroving_.
  "Apollo Shroving" is the name of an old comedy, written by a
  schoolmaster in Suffolk [William Hawkins], to be performed by his
  scholars on _Shrove Tuesday_, Feb. 6, 1626-7.

  See note 6 to "The Hog hath lost his Pearl," _post_. The custom in
  London, I believe, is almost abolished; it is, however, still retained
  in many parts of the kingdom. [See "Popular Antiquities of Great
  Britain," by Hazlitt, i. 47, where it is said] that "at Newcastle upon
  Tyne the great bell of St Nicholas' Church is tolled at twelve o'clock
  at noon on this day; shops are immediately shut up, offices closed,
  and all kinds of business ceases; a sort of little carnival ensuing
  for the remaining part of the day." Again: the custom of frying
  pancakes (in turning of which in the pan there is usually a good deal
  of pleasantry in the kitchen) is still retained in many families in
  the north, but seems, if the present fashionable contempt of old
  custom continues, not likely to last another century. The apprentices
  whose particular holiday this day is now called, and who are on
  several accounts so much interested in the observation of it, ought,
  with that watchful jealousy of their ancient rights and liberties
  (typified here by pudding and play) which becomes young Englishmen, to
  guard against every infringement of its ceremonies, and transmit them
  entire and unadulterated to posterity!" [A copious account of this
  subject will be found in "Popular Antiquities of Great Britain," i.
  37-54.]

  [163] [Edits., here and below, _Mal go_.]

  [164] [Clotted].

  [165] A term of vulgar abuse. So Falstaff says, "Away, you scullion!
  you _rampallian_! you fustilarian!"--"2d Part of Henry IV." act ii.
  sc. i. See also Mr Steevens's note on the passage.

  [166] _i.e._, Cupid. "_The bird-bolt_," Mr Steevens observes (note on
  "Much Ado about Nothing," act i. sc. 1), "is a short, thick arrow,
  without point, and spreading at the extremity so much as to leave a
  flat surface, about the breadth of a shilling. Such are to this day in
  use to kill rooks with, and are shot from a cross-bow."

  [167] A _passion_ was formerly a name given to love-poems of the
  plaintive species. Many of them are preserved in the miscellanies of
  the times. See in "England's Helicon," 1600, "The Shepherd Damon's
  _Passion_," and others.

  [168] [A common form of _Walter_ in old plays and poetry. Joyce
  intends, of course, a _jeu-de-mot_.]

  [169] [This passage seems to fix with tolerable clearness the meaning
  of the word _caroch_ and the kind of vehicle which was intended.
  Compare Nares, 1859, in _v._]

  [170] [_i.e._, This business succeed.]

  [171] This street, Stow observes, in his time, was inhabited by
  wealthy drapers, retailers of woollen cloths, both broad and narrow,
  of all sorts, more than any one of the city.

  [172] "_Dole_ was the term for the allowance of provision given to the
  poor in great families" (Mr Steevens's note to "The Winter's Tale,"
  act i. sc. 1). See also the notes of Sir John Hawkins and Mr Steevens
  to "The First Part of King Henry IV.," act ii. sc. 2. Of this kind of
  charily we have yet some remains, particularly, as Dr Ducarel
  observes, "at Lambeth Palace, where thirty poor persons are relieved
  by an alms called the DOLE, which is given three times a week to ten
  persons at a time, alternately; each person then receiving upwards of
  two pounds weight of beef, a pitcher of broth, a half quartern loaf,
  and twopence in money. Besides this _dole_, there are always, on the
  days it is given at least thirty other pitchers, called by-pitchers,
  brought by other neighbouring poor, who partake of the remaining
  broth, and the broken victuals that is at that time distributed.
  Likewise at Queen's College in Oxford, provisions are to this day
  frequently distributed to the poor at the door of their hall, under
  the denomination of a DOLE."--[_Ducarel's_] "_Anglo-Norman
  Antiquities, considered in a Tour through part of Normandy_," p. 81.

  [173] Fine.

  [174] So in Ben Jonson's "Epicæne," act i. sc. 2, one of the negative
  qualities which Morose approved in Cutbeard was _that he had not the
  knack with his shears or his fingers_, which, says Clerimont, "in a
  barber, he (Morose) thinks so eminent a virtue, as it has made him
  chief of his council."

  [175] The spirit of enterprise which had been raised and encouraged in
  the reign of Elizabeth was extremely favourable to the reputation of
  those adventurers who sought to mend their fortunes by encountering
  difficulties of any kind in a foreign country. Stukeley and the
  Sherleys appear to have been held in great estimation by the people in
  general. The former was a dissolute wretch, born in Devonshire, who
  squandered away his property in riot and debauchery; then left the
  kingdom, and signalised his valour at the battle fought at Alcazar in
  Barbary, in August 1578, where he was killed. See an account of him in
  a ballad, published in Evans's "Collection," 1777, ii. 103; also the
  old play [by Peele] entitled, "The Battle of Alcazar, with the death
  of Captain Stukeley," 4º, 1594. Of the Sherleys there were three
  brothers, Sir Anthony, Sir Robert, and Mr. Robert; Sir Anthony was one
  of those gallant spirits who went to annoy the Spaniards in their West
  Indian settlements during the reign of Queen Elizabeth. He afterwards
  travelled to Persia, and returned to England in the quality of
  ambassador from the Sophy, in 1612. The next year he published an
  account of his travels. He was by the emperor of Germany raised to the
  dignity of a count; and the king of Spain made him admiral of the
  Levant Sea. He died in Spain after the year 1630. Sir Robert was
  introduced to the Persian court by his brother Sir Anthony; and was
  also sent ambassador from the Sophy to James I., but did not arrive
  until the accession of his successor; when, on his first audience with
  the king (February, 1626), the Persian ambassador, then resident in
  England, in the king's presence, snatched the letters which were
  brought by him out of his hands, tore them to pieces, and struck him a
  blow on the face; at the same time declaring him an impostor and the
  letters forgeries. Charles, being unable to discover the truth of
  these charges, sent both the ambassadors back to Persia, with another
  from himself; but all three died in the course of the voyage. The
  eldest brother was unfortunate.

  [176] [In the edits, this passage is thus exhibited--

      "SPEND. For your pains.

      SER. I'll take my leave of you.

      SPEND. What, must you be gone too, Master Blank?"

  [177] Alluding to Stukeley's desperate condition when he quitted
  England. [I think it alludes to nothing of the kind, but to the
  numerous pamphlets which were printed about this time on the state of
  Barbary, and Staines's idea of emigrating there and enlisting as a
  soldier. A MS. note in former edit, says, in fact: "_i.e._, suggested
  to me the necessity of making my fortune in Barbary, being no longer
  able to stay here."]

  [178] [A hit. Scattergood thought it was some superior tobacco brought
  by Longfield from home.]

  [179] [See Dyce's "Shakespeare Glossary," 1868, _v._ Novum, and
  "Popular Antiquities of Great Britain," ii. 323. Edits., _Novum_ (a
  common corruption).]

  [180] A _bale of dice_ is the same as a _pair of dice_. So in Ben
  Jonson's "New Inn," act i. sc. 3--

      "For exercise of arms a _bale of dice_,
      Or two or three packs of cards, to show the cheat,
      And nimbleness of hand."

  And in Marston's "What You Will," act iii. sc. 1--

        "Marquesse of Mumchance, and sole regent over a _bale of false
         dice_."

  [181] Thus we learn from Melvil's Memoirs, p. 165, edit. 1735, that
  the Laird of Grange offered to fight Bothwell, who answered that he
  was neither earl nor lord, but a baron, and so was not his equal. The
  like answer made he to Tullibardine. Then my Lord Lindsey offered to
  fight him, which he could not well refuse. But his heart failed him,
  and he grew cold on the business.--_Reed._

  [182] _i.e._, Tothill Fields.--_Steevens._

  [183] A _cue_, in stage cant, is the last words of the preceding
  speech, and serves as a hint to him who is to speak next. See Mr
  Steevens's note on "A Midsummer's Night's Dream," act iii. sc. 1. [But
  here it means the plot which has been concerted between Geraldine and
  the others (including Joyce), for inducing Gertrude to relent.

  [184] [Edits., _his_.]

  [185] Query, _Tax_.--_Gilchrist._

  [186] [Old copy, _that_.]

  [187] [Rash must be supposed to have conferred with Geraldine, and to
  have arranged with him the device, which they here proceed to
  execute.]

  [188] [Geraldine is to feign death.]

  [189] So Otway, in "The Orphan"--

      "'Tis heaven to have thee, and without thee hell.

  --_Steevens._

  [190] At Hoxton. There is a tract entitled, "Pimlyco, or, Runne Red
  Cap. 'Tis a Mad World at Hogsdon," 1609.

  By the following passage in "The Alchemist," act v. sc. 2, it seems as
  though _Pimlico_ had been the name of a person famous as the seller of
  ale--

                    "Gallants, men and women,
      And of all sorts tag rag, been seen to flock here
      In threaves these ten weeks as to a _second Hogsden_
      In days of _Pimlico_ and Eye-bright."

  --[Gifford's edit., 1816, v. 164.]

  Pimlico, near Westminster, was formerly resorted to on the same
  account as the former at Hoxton.

  [191] Derby ale has ever been celebrated for its excellence. Camden,
  speaking of the town of Derby, observes that "its present reputation
  is for the assizes for the county, which are held here, and from the
  _excellent ale brewed in it_." In 1698 Ned Ward published a poem
  entitled, "Sots' Paradise, or the Humours of a Derby Alehouse; with a
  Satire upon Ale."

  [192] _i.e._, Pleases me. See note to "Cornelia" [v. 188.]

  [193] Henslowe, in his Diary, mentions a play [by Martin Slaughter]
  called "Alexander and Lodwicke," under date of 14th Jan. 1597, and in
  Evans's "Collection of Old Ballads," 1810, there is a ballad with the
  same title, and no doubt upon the same story.--_Collier._ [It is the
  same tale as "Amis and Amiloun." See Hazlitt's "Shakespeare's
  Library," 1875, introd. to "Pericles."]

  [194] So in "King Richard III."--

      "Thou troublest me: I am not in the vein."

  --_Steevens._

  [195] [Compare pp. 230-1.]

  [196] [Compare p. 206.]

  [197] [Compare p 206.]

  [198] [The author had a well-known passage in Shakespeare in his
  recollection when he wrote this. The edits, read--

      "His hell, his habitation; nor has he
      Any other local place."]

  [199] [Edits., _men_.]

  [200] [_i.e._, The pox.]

  [201] Reed observes: "A parody on a line from 'The Spanish Tragedy'--

      "'O eyes! no eyes; but fountains fraught with tears,'"

  on which Mr Collier writes: "If a parody be intended, it is not a very
  close one. The probability is, that the line is quoted by Rash from
  some popular poem of the day."

  It would be just as reasonable to call the following opening of a
  sonnet by Sir P. Sidney a parody upon a line in the "Spanish
  Tragedy"--

      "O tears! no tears; but rain from beauty's skies."

  In fact, it was a common mode of expression at the time. Thus in
  "Albumazar," we have this exclamation--

      "O lips! no lips; but leaves besmeared with dew."

  [202] See note to "Cornelia," [_v._ 225.]

  [203] These lines are taken from Marlowe's "Hero and Leander," 4º
  1600, sig. B 3, [or Dyce's Marlowe, iii. 15.]

  [204] Again, in "Cynthia's Revels," act v. sc. 3: "From _stabbing of
  arms_, flapdragons, healths, whiffs, and all such swaggering humours,
  good Mercury defend us," [edit. 1816, ii. 380.

  This custom continued long after the writing of this play. The writer
  of "The Character of England" [Evelyn], 1659, p. 37, speaking of the
  excessive drinking then in use, adds, "Several encounters confirmed me
  that they were but too frequent, and that there was a sort of perfect
  debauchees, who style themselves Hectors; that, in their mad and
  unheard-of revels, _pierce their own veins, to quaff their own blood_,
  which some of them have drunk to that excess that they have died of
  the intemperance."--_Reed._

  [205] Alluding to the story of Friar Bacon's brazen head.--_Collier._

  [206] The colour of servants' clothes.

  [207] ["This is a most spirited and clever scene, and would act
  capitally."--_MS. note in one of the former edits._]

  [208] [Edits., _are_.]

  [209] [Edits., _and_.]

  [210] A Jack o' Lent was a puppet which was thrown at in _Lent_, like
  Shrovetide cocks. See Mr Steevens's notes on "The Merry Wives of
  Windsor," act iii. sc. 3, and act v. sc. 5.

  [211] The whole of this scene seems levelled at Coriat.--_Gilchrist._

  [212] Opportunely.--_Steevens._

  [213] Meeting. So in "Hamlet," act iii. sc. 1--

      "That he, as 'twere by accident, may here
      _Affront_ Ophelia."

  [214] An allusion, probably, to some old ballad. "Hamlet," act iii.
  sc. 2, refers to the same, and appears to repeat the identical line,
  which is also introduced in "Love's Labour's Lost," act iii. sc. 1.
  Bishop Warburton observes that "amongst the country May-games there
  was an hobby-horse which, when the puritanical humour of those times
  opposed and discredited these games, was brought by the poets and
  ballad-makers, as an instance of the ridiculous zeal of the sectaries"
  (Note to "Hamlet.") See also Mr Steevens's note on the same passage.

  Again, in Massinger's "Very Woman," act iii. sc. 1--

      "How like an everlasting Morris dance it looks;
      Nothing but _hobby-horse_ and Maid Marian."

  The _hobby-horse_ was also introduced into the Christmas diversions,
  as well as the May-games. In "A True Relation of the Faction begun at
  Wisbich, by Fa. Edmonds, alias Weston, a Jesuite," 1595, &c., 4º,
  1601, p. 7, is the following passage: "He lifted up his countenance,
  as if a new spirit had bin put into him, and tooke upon him to
  controll and finde fault with this and that (_as the comming into the
  hall of a hobby-horse in Christmas_), affirming that he would no
  longer tolerate these and those so grosse abuses, but would have them
  reformed."

  Whatever the allusion in the text be, the same is also probably made
  in Drue's "Dutchess of Suffolk," 1631--

        "CLUNIE. Answer me, _hobbihorse;_
      Which way cross'd he you saw now?

      JENKIN. Who do you speake to, sir?
      _We have forgot the hobbihorse_."

  --Sig. C 4.--_Gilchrist._

  [215] See Dyce's Middleton, ii. 169.

  [216] This line very strongly resembles another in "The Merchant of
  Venice:"

                                "You spend but time,
      _To wind about_ my love with _circumstance_."

  --_Steevens._

  [217] "Is this the origin of epilogues by the characters?"--_MS. note
  in former edit._

  [218] "This is a very lively and pleasant comedy; crude and careless,
  but full of life, humour, &c."--_MS. note in former edit._



ALBUMAZAR.



_EDITIONS._


(1.) _Albumazar. A Comedy presented before the Kings Maiestie at
Cambridge, the ninth of March, 1614. By the Gentlemen of Trinitie
Colledge. London, Printed by Nicholas Okes for Walter Burre, and are to
be sold at his Shop, in Pauls Church-yard._ 1615. 4º.

(2.) _Albumazar. A Comedy presented before the Kings Maiesty at
Cambridge. By the Gentlemen of Trinity Colledge. Newly revised and
corrected by a speciall Hand. London, Printed by Nicholas Okes_ 1634.
4º.

[There is a third 4º printed in 1668, with an epilogue by Dryden.]


[REEDS PREFACE.]

[John] Tomkis,[219] [or Tomkins, son of Thomas Tomkins, a celebrated
musician of the reign of James I.], the author of this play, was of
Trinity College, Cambridge.

In what part of the kingdom he was born, and what became of him after he
quitted the University, are all circumstances alike unknown. That no
memorials should remain of a person to whom the world is obliged for a
performance of so much merit as "Albumazar" is allowed to possess,
cannot but create surprise, and at the same time will demonstrate that
genius is not always sufficient to excite the attention of
contemporaries or the curiosity of posterity. Dryden [whose ignorance of
our earlier literature is well known] not only seems to have been
unaware to whom the world owed this piece, but also the time in which it
was first represented. He has without any authority asserted that Ben
Jonson--

                                 "Chose this
    As the best model of his masterpiece.
    _Subtle_ was got by our _Albumazar_,
    That _Alchymist_ by this _Astrologer;_
    Here he was fashion'd, and, we may suppose,
    He lik'd the fashion well who wore the cloaths."

But in this particular he was certainly mistaken. The "Alchemist" was
printed in 1612, and "Albumazar" was not performed until the year 1614,
as will appear from the following particulars:--

"King James," says a writer in the _Gentleman's Magazine_ for May 1756,
p. 224, "made a progress to Cambridge and other parts in the winter of
the year 1614, as is particularly taken notice of by Rapin, vol. ii. p.
156, who observes that the play called 'Ignoramus' was then acted before
his Majesty at Cambridge, and gave him infinite pleasure. I found in the
library of Sir Edward Deering a minute in manuscript of what passed at
Cambridge for the five days the king stayed there, which I shall here
transcribe, for it accords perfectly with the account given by the
historian, both of the king's progress and the play entitled
"Ignoramus," and at the same time will afford us the best light to the
matter in hand:--

"On Tuesday the 7th of March 1614, was acted before the King, in Trinity
College Hall--

"1. Æmilia: A Latin Comedy, made by Mr Cecill Johannis.

"On Wednesday night--

"2. Ignoramus the Lawyer[220]: Latine and part English. Composed by Mr
Ruggle Clarensis.

"On Thursday--

"3. Albumazar the Astronomer, in English. By Mr Tomkis, Trinit.

"On Friday--

"4. Melanthe[221]: A Latin Pastoral. Made by Mr [S.] Brookes (mox
doctor) Trinitatis.

"On the next Monday--

"5. The Piscatory, an English Comedy, was acted before the University,
in King's College, which Master Fletcher[222] of that College had
provided, if the King should have tarried another night."

Part of the above account is confirmed in a letter from John Chamberlain
to Sir Dudley Carlton, at Turin, dated 16th March 1614, lately printed
in "Miscellaneous State Papers, from 1501 to 1726," i. 395: "The King
and Prince lay at Trinity College, where the plays were represented; and
the hall so well ordered for room, that above 2000 persons were
conveniently placed. The first night's entertainment was a comedy, and
acted by St John's men, the chief part consisting of a counterfeit Sir
Edward Ratcliffe, a foolish tutor of physic, which proved but a lean
argument; and, though it were larded with pretty shows at the beginning
and end, and with somewhat too broad speech for such a presence, yet it
was still dry. The second night was a comedy of Clare Hall, with the
help of two or three good actors from other houses, wherein David
Drummond, in a hobby-horse, and Brakin the recorder of the town, under
the name of Ignoramus,[223] a common lawyer, bare great parts. The thing
was full of mirth and variety, with many excellent actors (among whom
the Lord Compton's son,[224] though least, was not worst), but more than
half marred with extreme length. The third night was an English comedy
called ALBUMAZAR, of Trinity College's action and invention; but there
was no great matter in it, more than one good clown's part. The last
night was a Latin Pastoral, of the same house, excellently written, and
as well acted, which gave great contentment, as well to the King as to
the rest."

After the Restoration, "Albumazar" was revived, and Mr Dryden wrote a
prologue to it, which is printed in every edition of his works.

Although it does not appear to have been upon the list of acting plays,
yet the reputation which it had obtained induced Mr Ralph to build upon
it a comedy which, after ten years' application, was performed at Drury
Lane in 1744, under the title of "The Astrologer." It was acted,
however, only one night, when the receipts of the house amounted but to
twenty-one pounds. On the second night, the manager was obliged to shut
up his doors for want of an audience. (See advertisement prefixed to the
play.)

It cannot be denied that "Albumazar" has not been a favourite play with
the people in general. About the year 1748, soon after Mr Garrick became
manager of Drury Lane Theatre, he caused it to be revived, and gave it
every advantage which could be derived from the assistance of the best
performers; but though admirably acted, it does not appear to have met
with much success. It was again revived at the same theatre in 1773,
with some alterations, and was again coldly received, though supported
by the best comic performers of the times. The piece, on this revival,
received some alterations from the pen of Mr Garrick, and was published
in 8º, 1773.


FOOTNOTES:

  [219] This is the name given to the author of "Albumazar" in the MS.
  of Sir Edward Deering. I am, however, of opinion that it should be
  written TOMKINS, and that he is the same person who is addressed by
  Phineas Fletcher by the names of Mr _Jo. Tomkins_, in a copy of
  verses, wherein he says--

      "To thee I here bequeath the courtly joyes,
     _Seeing to court my Thomalin is bent:_
      Take from thy Thirsil these his idle toyes;
      Here I will end my looser merriment."

  --"Poetical Miscellanies," printed at the end of "The Purple Island,"
  1633, p. 69.

  If this conjecture is allowed to be founded in probability, the author
  of "Albumazar" may have been John Tomkins, bachelor of music, who,
  Wood says, "was one of the organists of St Paul's Cathedral, and
  _afterwards gentleman of the Chapel Royal_, then in high esteem for
  his admirable knowledge in the theoretical and practical part of his
  faculty. At length, being translated to the celestial choir of angels,
  on the 27th Sept. an. 1626, aged 52, was buried in the said
  cathedral." It may be added that Phineas Fletcher, who wrote a play to
  be exhibited in the same week with "Albumazar," celebrates his friend
  Tomkins's skill in music as well as poetry.

  [220] I have seen no earlier edition of this play than one in 12º,
  1630--"Ignoramus Comoedia coram Regia Majestate Jacobi Regis Angliæ,
  &c. Londini Impensis, I.S. 1630." The names of the original actors are
  preserved in the Supplement to Granger's "Biographical History of
  England," p. 146.

  [221] "Melanthe, fabula pastoralis, acta cum Jacobus, Magnæ Brit.
  Franc. et Hiberniæ Rex, Cantabrigiam suam nuper inviserat, ibidemque
  musarum atque animi gratia dies quinque commoraretur. Egerunt Alumni
  Coll. San. et individuæ Trinitatis Cantabrigiæ, 1615."

  [222] This was Phineas Fletcher, son of Dr Giles Fletcher, and author
  of "The Purple Island," an allegorical poem, 4º, 1633; "Locustæ vel
  Pietas Jesuitica," 4º, 1627; "Piscatory Eclogues;" and other pieces.
  The play above-mentioned was, I believe, not published until 1631,
  when it appeared under the title of "Sicelides, a Piscatory, as it
  hath beene acted in King's College, in Cambridge."

  [223] The list printed by Mr Granger assigns this part to Mr
  Perkinson, of Clare Hall.

  [224] Mr Compton of Queen's College performed the part of _Vince_. See
  Granger.



DRAMATIS PERSONÆ.


    ALBUMAZAR,[225] _an astrologer_.
    RONCA,   }
    HARPAX,  }  _thieves_.
    FURBO,   }
    PANDOLFO, _an old gentleman_.
    CRICCA, _his servant_.
    TRINCALO, _Pandolfo's farmer_.
    ARMELLINA, _Antonio's Maid_.
    LELIO, _Antonio's son_.
    EUGENIO, _Pandolfo's son_.
    FLAVIA, _Antonio's daughter_.
    SULPITIA, _Pandolfo's daughter_.
    BEVILONA, _a courtesan_.
    ANTONIO, _an old gentleman_.

  [225] "Albumazar" is the name of a famous Persian astrologer viz., Abu
  ma shar.--"Universal History," v. 413; Collier's "Dictionary," _in
  voce_.--_Pegge._



THE PROLOGUE.


    The brightness of so great and fair a presence,
    They say, strikes cold amazement. But I feel
    Contrary effects. For from the gracious centre
    O' the honourable assembly some secret power
    Inflames my courage; and methinks I am grown
    Taller by th' virtue of this audience.
    And yet, thus rais'd, I fear there's no retiring.
    Ladies, whose beauties glad the whole assembly,
    Upon your favours I impose my business.
    If't be a fault to speak this foreign language,
    (For Latin is our mother tongue)[226] I must entreat you
    To frame excuses for us; for whose sake
    We now speak English. All the rest we hope
    Come purposely to grace our poor endeavours,
    As we to please. In whose fair courtesy
    We trust, not in our weak ability.

  [226] It is observed by the writer in the _Gentleman's Magazine_,
  1756, p. 225, that "the exercises of the University were not only
  performed in Latin; but the plays, written in this and the former
  reign, for the entertainment of the Court, whenever it removed, either
  to Oxford or Cambridge, were generally composed in that language. Thus
  'Æmilia,' 'Ignoramus,' and 'Melanthe,' all acted at the same time with
  'Albumazar,' were in Latin. Both King James and Queen Elizabeth were
  Latinists."



ALBUMAZAR.[227]



ACT I, SCENE 1.


_Enter_ ALBUMAZAR, HARPAX, RONCA.

    ALB. Come, brave mercurials, sublim'd in cheating;
    My dear companions, fellow-soldiers
    I' th' watchful exercise of thievery:
    Shame not at your so large profession,
    No more than I at deep astrology;
    For in the days of old, _Good morrow, thief_,
    As welcome was received, as now _your worship_.
    The Spartans held it lawful,[228] and the Arabians;[229]
    So grew Arabia felix, Sparta valiant.


    RON. Read on this lecture, wise Albumazar.

    ALB. Your patron, Mercury, in his mysterious character
    Holds all the marks of the other wanderers,[230]
    And with his subtle influence works in all,
    Filling their stories full of robberies.
    Most trades and callings must participate
    Of yours, though smoothly gilt with th' honest title
    Of merchant, lawyer, or such like--the learned
    Only excepted, and he's therefore poor.

    HAR. And yet he steals, one author from another.
    This poet is that poet's plagiary.
    And he a third's, till they end all in Homer.

    ALB. And Homer filch'd all from an Egyptian priestess,[231]
    The world's a theatre of theft. Great rivers[232]
    Rob smaller brooks, and them the ocean;
    And in this world of ours, this microcosm,
    Guts from the stomach steal, and what they spare,
    The meseraics filch, and lay't i' the liver:
    Where, lest it should be found, turn'd to red nectar,
    'Tis by a thousand thievish veins convey'd,
    And hid in flesh, nerves, bones, muscles, and sinews:
    In tendons, skin, and hair; so that, the property
    Thus alter'd, the theft can never be discover'd.
    Now all these pilf'ries, couch'd and compos'd in order,
    Frame thee and me. Man's a quick mass of thievery.

    RON. Most philosophical Albumazar!

    HAR. I thought these parts had lent and borrowed mutual.

    ALB. Say, they do so: 'tis done with full intention
    Ne'er to restore, and that's flat robbery.
    Therefore go on: follow your virtuous laws,
    Your cardinal virtue, _great necessity;_
    Wait on her close with all occasions;
    Be watchful, have as many eyes as heaven,
    And ears as harvest: be resolv'd and impudent:
    Believe none, trust none; for in this city
    (As in a fought field, crows and carcases)
    No dwellers are but cheaters and cheatees.

    RON. If all the houses in the town were prisons,
    The chambers cages, all the settles[233] stocks,
    The broad-gates, gallowses, and the whole people
    Justices, juries, constables, keepers, and hangmen,
    I'd practise, spite of all; and leave behind me
    A fruitful seminary of our profession,
    And call them by the name of Albumazarians.

    HAR. And I no less, were all the city thieves
    As cunning as thyself.

    ALB. Why, bravely spoken:
    Fitting such generous spirits! I'll make way
    To your great virtue with a deep resemblance
    Of high astrology. Harpax and Ronca,
    List to our project:[234] I have new-lodg'd a prey
    Hard by, that (taken) is, so fat and rich,
    'Twill make us leave off trading, and fall to purchase.

    HAR. Who is't? speak quickly.

    RON. Where, good Albumazar?

    ALB. 'Tis a rich gentleman, as old as foolish;
    The poor remnant of whose brain, that age had left him,
    The doting love of a young girl hath dried:
    And, which concerns us most, he gives firm credit
    To necromancy and astrology.

_Enter_ FURBO.

    Sending to me, as one, that promise both.
    Pandolfo is the man.

    HAR. What, old Pandolfo?

    ALB. The same: but stay, yon's Furbo, whose smooth[235] brow
    Shines with good news, and's visage promises
    Triumphs and trophies to's.                    [FURBO _plays_.

    RON. On my life
    He has learnt out all; I know it by his music.[236]

_Then_ FURBO _sings this song_.

    _Bear up thy learned brow, Albumazar;_
    _Live long, of all the world admir'd,_
    _For art profound and skill retir'd,_
    _To cheating by the height of star:[237]_
    _Hence, gipsies, hence; hence, rogues of baser strain,_
    _That hazard life for little gain:_
    _Stand off and, wonder, gape and gaze afar_
    _At the rare skill of great Albumazar._

    FUR. Albumazar,
    Spread out thy nets at large, here's fowl abundance:
    Pandolfo's ours; I understand his business,
    Which I filch'd closely[238] from him, while he reveal'd
    T' his man his purposes and projects.

    ALB. Excellent!

    FUR. Thanks to this instrument: for, in pretence
    Of teaching young Sulpitia, th' old man's daughter,
    I got access to th' house, and while I waited
    Till she was ready, overheard Pandolfo
    Open his secrets to his servant. Thus 'tis:
    Antonio, Pandolfo's friend and neighbour,
    Before he went to Barbary, agreed
    To give in marriage----

    ALB. Furbo, this is no place
    Fit to consider curious points of business:
    Come, let's away, I'll hear't at large above.
    Ronca, stay you below, and entertain him
    With a loud noise, of my deep skill in art;
    Thou know'st my rosy[239] modesty cannot do it.
    Harpax, up you, and from my bedchamber,
    Where all things for our purposes are ready,
    Second each beck and nod, and word of ours.
    You know my meaning?

    HAR. Yes, yes.

    FUR. Yes, sir.

             [FURBO _goes out singing, Fa la la, Pandolfo's ours_.


SCENE II.

RONCA, PANDOLFO, CRICCA.

    RON. There's old Pandolfo, amorous as youthful May,
    And grey as January: I'll attend him here.

    PAN. Cricca, I seek thy aid, not thy cross counsel;
    I am mad in love with Flavia, and must have her:
    Thou spend'st thy reasons to the contrary,
    Like arrows 'gainst an anvil: I love Flavia,
    And must have Flavia.

    CRI. Sir, you have no reason;
    She's a young girl of sixteen, you of sixty.

    PAN. I have no reason, nor spare room for any.
    Love's harbinger hath chalk'd upon my heart,
    And with a coal writ on my brain, for Flavia;[240]
    This house is wholly taken up for Flavia.
    Let reason get a lodging with her wit:
    Vex me no more, I must have Flavia.

    CRI. But, sir, her brother Lelio, under whose charge
    She's now after her father's death, sware boldly,
    Pandolfo never shall have Flavia.

    PAN. His father, ere he went to Barbary,
    Promis'd her me: who, be he live or dead,
    Spite of a list[241] of Lelios, Pandolfo
    Shall enjoy Flavia.

    CRI. Sir, y' are too old.

    PAN. I must confess, in years about threescore,
    But in tough strength of body four-and-twenty,
    Or few[242] months less. Love of Young Flavia,
    More powerful than Medea's drugs, renews
    All decay'd parts of man: my arteries,
    Blown full with youthful spirits, move the blood
    To a new business: my wither'd nerves grow plump
    And strong, longing for action. Hence, thou poor prop
    Of feebleness and age! walk with such sires,
    [_Throws away his staff._]
    As with cold palsies shake away their strength,
    And lose their legs with cureless gouts. Pandolfo
    New-moulded is for revels, masques and music. Cricca,
    String my neglected lute, and from my armoury
    Scour my best sword, companion of my youth,
    Without which I seem naked.

    CRI. Your love, sir, like strong water
    To a deplor'd sick man, quicks your feeble limbs
    For a poor moment; but, after one night's lodging,
    You'll fall so dull and cold, that Flavia
    Will shriek, and leap from bed as from a sepulchre.
    Shall I speak plainer, sir? she'll cuckold you--
    Alas! she'll cuckold you.

    PAN. What, me! a man of known discretion;
    Of riches, years, and this grey gravity?
    I'll satisfy'r with gold, rich clothes, and jewels.

    CRI. Were't not far fitter urge your son Eugenio
    To woo her for himself?

    PAN. Cricca, begone!
    Touch no more there: I will and must have Flavia.
    Tell Lelio, if he grant m' his sister Flavia,
    I'll give my daughter to him in exchange.
    Begone, and find me here within this half-hour.


SCENE III

RONCA, PANDOLFO.

    RON. 'Tis well that servant's gone: I shall the easier
    Wind up his master to my purposes.

    PAN. Sure, this some novice of th' artillery,
    That winks and shoots: sir, prime your piece anew,
    The powder's wet.                       [_Knocks at the door._

    RON. A good ascendant:[243] bless me, sir, are you frantic?

    PAN. Why frantic? are not two knocks the lawful courses
    To open doors and ears?


    RON. Of vulgar men and houses.

    PAN. Whose lodging's this? is't not the astrologer's?

    RON. His lodging! no: 'tis the learn'd frontisterion[244]
    Of most divine Albumazar.

    PAN. Good sir,
    If the door break, a better shall redeem it.

    RON. How! all your land, sold at a hundred years' purchase,
    Cannot repair the damage of one poor rap:
    To thunder at the frontisterion
    Of great Albumazar!

    PAN. Why, man, what harm?

    RON. Sir, you must know my master's heavenly brain,
    Pregnant with mysteries of metaphysics,
    Grows to an embryo of rare contemplation
    Which, at full time brought forth, excels by far
    The armed fruit of Vulcan's midwif'ry,
    That leap'd from Jupiter's mighty cranium.

    PAN. What of all this?

    RON. Thus: one of your bold thunders may abortive,
    And cause that birth miscarry, that might have prov'd
    An instrument of wonders, greater and rarer
    Than Apollonius the magician wrought.[245]

    PAN. Are you your master's countryman?

    RON. Yes; why ask you?

    PAN. Then must I get an interpreter for your language.

    RON. You need not;
    With a wind-instrument my master made,
    In five days you may breathe ten languages,
    As perfect as the devil or himself.

    PAN. When may I speak with him?

    RON. When't please the stars.
    He pulls you not a hair, nor pares a nail,
    Nor stirs a foot, without due figuring
    The horoscope.  Sit down awhile, and't please you,
    I see the heavens incline to his approach.

    PAN. What's this, I pray you?

    RON. An engine to catch stars,
    A mace to arrest such planets as have lurk'd
    Four thousand years under protection
    Of Jupiter and Sol.

    PAN. Pray you, speak English.

    RON. Sir, 'tis a perspicil,[246] the best under heaven:
    With this I'll read a leaf of that small Iliad
    That in a walnut-shell was desk'd, as plainly
    Twelve long miles off, as you see Paul's from Highgate.

    PAN. Wonderful workman of so rare an instrument!

    RON. 'Twill draw the moon so near, that you would swear
    The bush of thorns in't pricks your eyes: the crystal
    Of a large arch multiplies millions,
    Works more than by point-blank, and by refractions
    Optic and strange searcheth, like the eye of truth,
    All closets that have windows. Have at Rome!
    I see the pope, his cardinals and his mule,
    The English college and the Jesuits,
    And what they write and do.

    PAN. Let me see, too.

    RON. So far you cannot: for this glass is fram'd
    For eyes of thirty; you are nigh threescore.
    But for some fifty miles 'twill serve you,
    With help of a refractive glass that's yonder.
    For trial, sir; where are you now?

    PAN. In London.

    RON. Ha' you found the glass within that chamber?

    PAN. Yes.

    RON. What see you?

    PAN. Wonders! wonders! I see, as in a landscape,
    An honourable throng of noble persons,
    As clear as I were under the same roof:
    Seems by their gracious brows and courteous looks
    Something they see, which if it be indifferent,
    They'll fav'rably accept: if otherwise,
    They'll pardon: who or what they be, I know not.

    RON. Why, that's the court at Cambridge, forty miles hence.
    What else?

    PAN. A hall thrust full of bare heads, some bald, some bush'd,
    Some bravely branch'd.[247]

    RON. That's the university,
    Larded with townsmen.  Look you there, what now?

    PAN. Who? I see Dover Pier, a man now landing.
    Attended by two porters, that seem to groan
    Under the burden of two loads of paper.

    RON. That's Coriatus Persicus[248] and's observations
    Of Asia and Afric.

    PAN. The price?

    RON. I dare not sell't;
    But here's another of a stranger virtue.
    The great Albumazar, by wondrous art,
    In imitation of this perspicil,
    Hath fram'd an instrument that magnifies
    Objects of hearing, as this doth of seeing;
    That you may know each whisper from Prester John
    Against the wind, as fresh as 'twere delivered
    Through a trunk or Gloucester's list'ning wall.[249]

    PAN. And may I see it, sir? Bless me once more.

    RON. 'Tis something ceremonious; but you shall try't.
    Stand thus. What hear you?

    PAN. Nothing.

    RON. Set your hands thus,
    That the vertex of the organ may perpendicularly
    Point at our zenith. What hear you now?    [_Laughing within._

    PAN. A humming noise of laughter.

    RON. Why, that's the court
    And university, that now are merry
    With an old gentlemen in a comedy. What now?

    PAN. Celestial music; but it seems far off.
    List, list! 'tis nearer now.

    RON. Tis music 'twixt the acts. What now?

    PAN. Nothing.

    RON. And now?

    PAN. Music again, and strangely delicate, O, most angelical!

    RON. And now?                       [_They sing[250] within._]
    _Sing sweetly, that our notes may cause_
    _The heavenly orbs themselves to pause:_
    _And at our music stand as still_
    _As at Jove's amorous will.[251]_
    _So now release them as before,_
    _Th' have waited long enough; no more._

    PAN. 'Tis gone, give me't again. O, do not so.

    RON. What hear you now?

    PAN. No more than a dead oyster.
    O, let me see this wond'rous instrument.

    RON. Sir, this is called an autocousticon.[252]

    PAN. Autocousticon![253]
    Why, 'tis a pair of ass's ears, and large ones.

    RON. True; for in such a form the great Albumazar
    Hath fram'd it purposely, as fitt'st receivers
    Of sounds, as spectacles like eyes for sight.

    PAN. What gold will buy't?

    RON. I'll sell't you when 'tis finish'd.
    As yet the epiglottis[254] is unperfect.

    PAN. Soon as you can; and here's ten crowns in earnest.
    For when 'tis done, and I have purchas'd it,
    I mean t' entail it on my heirs-male for ever,
    Spite of the ruptures of the common law.

    RON. Nay, rather giv't to Flavia for her jointure:
    For she that marries you deserves it richly.


SCENE IV.

CRICCA, PANDOLFO, RONCA.

    CRI. Sir, I have spoke with Lelio, and he answers----

    PAN. Hang Lelio and his answers. Come hither, Cricca,
    Wonder for me, admire, and be astonish'd;
    Marvel thyself to marble at these engines,
    These strange Gorgonian instruments.

    CRI. At what?

    PAN. At this rare perspicil and autocousticon:
    For with these two I'll hear and see all secrets;
    Undo intelligencers. Pray, let my man see
    What's done in Rome; his eyes are just as yours are.

    RON. Pandolfo, are you mad? be wise and secret;
    See you the steep danger you are tumbling in?
    Know you not that these instruments have power
    To unlock the hidden'st closets of whole states?
    And you reveal such mysteries to a servant?
    Sir, be advis'd, or else you learn no more
    Of our unknown philosophy.

    PAN.                                    Enough.
    What news from Lelio? Shall I have his sister?

    CRI. He swears and vows he never will consent.
    She shall not play with worn antiquities,
    Nor lie with snow and statues; and such replies
    That I omit for reverence of your worship.

    PAN. Not have his sister! Cricca, I will have Flavia,
    Maugre his head:[255] by means of this astrologer,
    I'll enjoy Flavia. Are the stars yet inclin'd
    To his divine approach?

    RON. One minute brings him.

    CRI. What 'strologer?

    PAN. The learned man I told thee,
    The high Almanac of Germany; an Indian
    Far beyond Trebisond and Tripoli,
    Close by the world's end: a rare conjuror
    And great astrologer. His name, pray, sir?

    RON. Albumazarro Meteoroscopico.

    CRI. A name of force to hang him without trial.

    PAN. As he excels in science, so in title.
    He tells of lost plate, horses, and stray'd cattle
    Directly, as he had stol'n them all himself.

    CRI. Or he or some of his confederates.

    PAN. As thou respect'st thy life, look to thy tongue;
    Albumazar has an autocousticon.
    Be silent, reverent, and admire his skill.
    See what a promising countenance appears!
    Stand still and wonder--wonder and stand still.


SCENE V.

ALBUMAZAR, RONCA, PANDOLFO, CRICCA.

    ALB. Ronca, the bunch of planets new found out,
    Hanging at the end of my best perspicil,
    Send them to Galileo at Padua:[256]
    Let him bestow them where he please. But the stars,
    Lately discover'd 'twixt the horns of Aries,
    Are as a present for Pandolfo's marriage,
    And hence styl'd Sidera Pandolfaea.

    PAN. My marriage, Cricca! he foresees my marriage:
    O most celestial Albumazar!

    CRI. And sends y' a present from the head of Aries.[257]

    ALB. My almanac, made for the meridian
    And height of Japan, give't th' East India Company;
    There may they smell the price of cloves and pepper,
    Monkeys and china dishes, five years ensuing.
    And know the success of the voyage of Magores;[258]
    For, in the volume of the firmament,
    We children of the stars read things to come,
    As clearly as poor mortals stories pass'd
    In Speed or Holinshed. The perpetual motion[259]
    With a true 'larum in't, to run twelve hours
    'Fore Mahomet's return,[260] deliver it safe
    To a Turkey factor: bid him with care present it
    From me to the house of Ottoman.

    RON. I will, sir.

    CRI. Pray you, stand here, and wonder now for me;
    Be astonish'd at his jargon,[261] for I cannot.
    I'll pawn[262] my life he proves a mere impostor.    [_Aside._

    PAN. Peace, not a word, be silent and admire.

    ALB. As for the issue of the next summer's wars.
    Reveal't to none, keep it to thyself in secret,
    As touchstone of my skill in prophecy. Begone.

    RON. I go, sir.                                       [_Exit._

    ALB. Signior Pandolfo, I pray you, pardon me,
    Exotical despatches of great consequence
    Stay'd me; and casting the nativity
    O' th' Cham of Tartary, and a private conference
    With a mercurial intelligence.
    Y' are welcome in a good hour, better minute,
    Best second, happiest third, fourth, fifth, and scruple.
    Let the twelve houses of the horoscope
    Be lodg'd with fortitudes and fortunates,[263]
    To make you bless'd in your designs, Pandolfo.

    PAN. Were't not much trouble to your starry employments,
    I, a poor mortal, would entreat your furtherance
    In a terrestrial business.

    ALB. My ephemeris[264] lies,
    Or I foresee your errand. Thus, 'tis thus.
    You had a neighbour call'd Antonio,
    A widower like yourself, whose only daughter,
    Flavia, you love, and he as much admir'd
    Your child Sulpitia. Is not this right?

    PAN. Yes, sir: O strange! Cricca, admire in silence.

    ALB. You two decreed a countermatch betwixt you,
    And purposed to truck daughters. Is't not so?

    PAN. Just as you say't. Cricca, admire and wonder.

    CRI. This is no such secret: look to yourself; he'll cheat you.
                                                        [_Aside._]

    ALB. Antonio, after this match concluded,
    Having great sums of gold in Barbary,
    Desires of you, before he consummate
    The rites of matrimony, he might go thither
    For three months; but as now 'tis three and three,
    Since he embark'd, and is not yet return'd;
    Now, sir, your business is to me to know
    Whether Antonio be dead or living.
    I'll tell you instantly.

    PAN. Hast thou reveal'd it?
    I told it none but thee.

    CRI. Not I.

    PAN. Why stare you?
    Are you not well?

    ALB. I wander 'twixt the poles
    And heavenly hinges, 'mongst excentricals,
    Centres, concentrics, circles, and epicycles,
    To hunt out an aspect fit for your business.

    CRI. Mean ostentation! For shame, awake yourself.    [_Aside._

    ALB. And, since the lamp of heaven is newly enter'd
    To Cancer, old Antonio is stark dead,
    Drown'd in the sea, stone dead; for _radius directorius_
    In the sixth house, and the waning moon by Capricorn;
    He's dead, he's dead.

    CRI. 'Tis an ill time to marry.
    The moon grows fork'd, and walks with Capricorn.

    PAN. Peace, fool! these words are full of mysteries.

    ALB. What ominous face and dismal countenance,
    Mark'd for disasters, hated of all the heavens,
    Is this that follows you?

    PAN. He is my servant;
    A plain and honest speaker, but no harm in him.

    CRI. What see you in my face?

    ALB. Horror and darkness, death and gallowses:
    I'd swear thou'rt hang'd, stood'st thou but two foot higher;
    But now thy stars threaten a nearer death.
    Sir, send to toll his knell.

    PAN. What, is he dead?

    ALB. He shall be by the dint of many stabs;
    Only I spy a little hope of 'scaping
    Thorough the clouds and foul aspects of death.

    CRI. Sir, pray give no credit to this cheater;
    Or with his words of art he'll make you doat
    As much on his feign'd skill, as on fair Flavia.


SCENE VI.

_Enter_ HARPAX _and_ FURBO.

    HAR. Stay, villain, stay! though safety 'tself defend thee,
    Thou diest.

    FUR. Come, do thy worst; thrust sure, or die.

    CRI. For heaven's sake, gentlemen, stay your hands: help, help!
    Help, Albumazar!

    HAR. Thus to the hinderer
    Of my revenge.

    CRI. Save me, Albumazar.

    FUR. And thus, and thus, and thus.

    CRI. Master, I die, I die.

    HAR.                              Fliest thou,
    Base coward?  Tis not thy heels can save thee.      [_Exeunt._


SCENE VII.

ALBUMAZAR, PANDOLFO, CRICCA.

    CRI. O, O!

    PAN. What ails thee, Cricca?

    CRI. I am dead, I am dead.
    Trouble yourself no more.

    PAN. What! dead, and speak'st?

    CRI. Only there's left a little breath to tell you.

    PAN. Why, where art hurt?

    CRI. Stabb'd with a thousand daggers;
    My heart, my lights, my liver, aud my skin,
    Pierc'd like a sieve.

    PAN. Here's not a wound: stand up,
    'Tis but thy fear.

    CRI. 'Tis but one wound all over:
    Softly, O, softly! You have lost the truest servant.--
    Farewell, I die.

    ALB. Live by my courtesy; stand up and breathe.
    The dangerous and malignant influence is pass'd:
    But thank my charity, that put by the blows,
    The least of which threaten'd a dozen graves.
    Now learn to scoff [no more] divine astrology,
    And slight her servants!

    CRI. A surgeon, good sir, a surgeon.

    ALB. Stand up, man, th' hast no harm; my life for thine.

    PAN. Th' art well, th' art well.

    CRI. Now I perceive I am:
    I pray you pardon me, divine astrologer.

    ALB. I do: but henceforth laugh [not] at astrology,
    And call her servants cheaters.

    PAN. Now to our business. On, good Albumazar.

    ALB. Now, since the moon passeth from Capricorn,
    Through Aquarius, to the wat'ry sign of Pisces,
    Antonio's drown'd, and is devour'd by fishes.

    PAN. Is't certain?

    ALB. Certain.

    PAN. Then let my earnestness
    Entreat your skill a favour.

    ALB. It shall; but first
    I'll tell you what you mean to ask me.

    PAN. Strange!

    ALB. Antonio dead, that promis'd you his daughter:
    Your business is to entreat me raise his ghost,
    And force it stay at home, till it have perform'd
    The promise pass'd, and so return to rest.

    PAN. That, that; ye have hit it, most divine Albumazar.

    ALB. 'Tis a hard thing; for _de privatione ad habitum non datur
           regressus_.
    O, what a business, what a masterpiece
    'Tis to raise up his ghost whose body's eaten
    By fish! This work desires a planetary intelligence
    Of Jupiter and Sol; and these great spirits
    Are proud, fantastical. It asks much charges,
    To entice them from the guiding of their spheres
    To wait on mortals.

    PAN. So I may have my purpose, spare for no cost.

    ALB. Sir, spare your purse; I'll do it an easier way;
    The work shall cost you nothing.
    We have an art is call'd præstigiatory,[265]
    That deals with spirits and intelligences
    Of meaner office and condition,
    Whose service craves small charges: with one of these
    I'll change some servant[266] or good friend of yours
    To the perfect shape of this Antonio:
    So like in face, behaviour, speech, and action,
    That all the town shall swear Antonio lives.

    PAN. Most necromantical astrologer!
    Do this, and take me for your servant ever.
    And, for your pains, after the transformation,
    This chain is yours:[267] it cost two hundred pound,
    Beside the jewel.

    ALB. After the work is finish'd, then--how now?
    What lines are these, that look sanguineous,
    As if the stars conjur'd to do you mischief?

    PAN. How! mean you me?

    ALB. They're dusky marks of Saturn:
    It seems some stone shall fall upon your head,
    Threat'ning a fracture of the pericranium.

    PAN. Cricca, come hither; fetch me my staff again;
    Threescore and ten's return'd: a general palsy
    Shakes out the love of Flavia with a fear.
    Is there no remedy?

    ALB. Nothing but patience.
    The planet threatens so, whose prey you are.
    The stars and planets daily war together;
    For, should they stand at truce but one half-hour,
    This wond'rous machine of the world would ruin:
    Who can withstand their powerful influence?

    PAN. You with your wisdom, good Albumazar.

    ALB. Indeed, th' Egyptian, Ptolemy the  Wise,
    Pronounc'd it as an oracle of truth,
    _Sapiens dominabitur astris_.
    Who's above there? Ronca, bring down the cap,
    Made in the point of Mercury being ascendant.
    Here, put it on; and in your hand this image,
    Fram'd on a Tuesday, when the fierce god of war
    Mounted th' horizon in the sign of Aries.
    With these walk as unwounded as Achilles,
    Dipp'd by his mother Thetis.

    PAN. You bind me to your service.

    ALB. Next get the man you purpose to transform,
    And meet me here.

    PAN. I will not fail to find you.

    ALB. Meanwhile, with sciotherical[268] instrument,
    By way of azimuth[269] and almicantarath,[270]
    I'll seek some happy point in heaven for you.

    PAN. I rest your servant, sir.

    ALB. Let all the stars
    Guide you with most propitious influence.


SCENE VIII.

PANDOLFO, CRICCA.

    PAN. Here's a strange man indeed, of skill profound!
    How right he knew my business, 'fore he saw me!
    And how thou scoff'st him, when we talk'd in private!
    'Tis a brave instrument, his autocousticon.

    CRI. In earnest, sir, I took him for a cheater;
    As many, under name of cunning men,
    With promise of astrology much abuse
    The gaping vulgar, wronging that sacred skill,
    That in the stars reads all our actions.

    PAN. Are there no arches o'er our heads? Look, Cricca.

    CRI. None but the arch of heaven, that cannot fall.

    PAN. Is not that made of marble? I have read
    A stone dropp'd from the moon;[271] and much I fear
    The fit should take her now, and void another.

    CRI. Fear nothing, sir; this charm'd mercurial cap
    Shields from the fall of mountains: 'tis not a stone
    Can check his art: walk boldly.

    PAN. I do. Let's in.                                [_Exeunt._


FOOTNOTES:

  [227] This play seems to have been planned on "L'Astrologo" of Giam
  Battista della Porta.--_Pegge._

  Battista Porta was the famous physiognomist of Naples. His play was
  printed at Venice in 1606. See Mr Steevens's note on "Timon of
  Athens," act iv. sc. 3.

  [228] The Spartans held stealing lawful, and encouraged it as a piece
  of military exercise; but punished it very severely if it was
  discovered. See Stanyan's "Grecian History," i. 80.

  [229] Mr Sale (p. 30 of "Preliminary Discourse to his Translation of
  the Koran," 4º edit.) says, "The frequent robberies committed by these
  people on merchants and travellers have rendered the name of an Arab
  almost infamous in Europe: this they are sensible of, and endeavour to
  excuse themselves by alleging the hard usage of their father Ishmael
  who, being turned out of doors by Abraham, had the open plains and
  deserts given him by God for his patrimony, with permission to take
  whatever he could find there; and, on this account, they think they
  may, with a safe conscience, indemnify themselves as well as they can,
  not only on the posterity of Isaac, but also on everybody else; always
  supposing a sort of kindred between themselves and those they plunder.
  And in relating their adventures of this kind, they think it
  sufficient to change the expression, and, instead of _I robbed a man
  of such or such a thing_, to say, _I gained it_. We must not, however,
  imagine that they are the less honest for this among themselves, or
  towards those whom they receive as friends; on the contrary, the
  strictest probity is observed in their camp, where everything is open,
  and nothing ever known to be stolen."

  [230] The _wanderers_ are the _planets_, called by the Greeks
  _planetæ_, from their moving or wandering, and by the Latins,
  from the same notion, _stellæ errantes;_ as on the contrary the
  fixed stars are termed by them _stellæ inerrantes_. The
  character appropriated by astronomers and astrologers to the
  planet Mercury, is this [Symb. of Mercury], which may be
  imagined to contain in it something of the characters of all
  the other planets [Symb. of Saturn] [Symb. of Jupiter] [Symb.
  of Mars] [Symb. of Sun] [Symb. of Venus] [Symb. of First
  Quarter Moon]. The history of the heathen deities, whose names
  were assigned to the several planets, is full of tricks and
  robberies, to say no worse, as is remarked by the apologetical
  fathers, who are perpetually inveighing against them on that
  account; and to this mythological history the poet here
  alludes.--_Pegge._

  [231] Phantasia of Memphis, as Ptolemeus Hephestion tells us, in
  Photius, Cod. 190. See Fabricius "Biblioth," gr. i. p. 152. This comes
  excellently well out of the mouth of such a consummate villain as
  Albumazar.--_Pegge._

  See also Blackwell's "Inquiry into the Life and Writings of Homer,"
  1736, p. 135.

  [232] So Shakespeare, in "Timon of Athens," act iv. sc. 3--

                        "I'll example you with thievery.
      The sun's a thief, and with his great attraction
      Robs the vast sea: the moon's an arrant thief,
      And her pale fire she snatches from the sun;
      The sea's a thief, whose liquid surge resolves
      The moon into salt tears; the earth's a thief.
      That feeds and breeds, by a composture stolen
      From general excrement: each thing's a thief;
      The laws, your curb and whip, in their rough power
      Have uncheck'd theft."

  See also the 19th Ode of Anacreon.

  [233] A _settle_ is a wooden bench with a back to it, and capable of
  holding several people. These kind of seats are only to be found in
  ancient halls, or the common drinking-rooms in the
  country.--_Steevens._

  [234] [Edits., _profit_.]

  [235] Edits., _smoothest_. The versification of this play in general
  is regular and without hemistiches, were the measure properly attended
  to.

  [236] [Steevens's emendation. Edits, have--

      "My life h'as learnt out all, I know't by's music."

  [237] The quartos read, _by the height of stars_, but the rhyme
  requires the alteration.--_Collier._

  [238] _Closely_ is _privately_, as in act iii. sc. 1--

      "I'll entertain him here, meanwhile steal you
      _Closely_ into the room."

  Again, in "The Spanish Tragedy"--

      "Boy, go, convoy this purse to Pedringano;
      Thou knowest the prison, _closely_ give it him."

  And again, _ibid._--

      "Wise men will take their opportunity
      _Closely_ and safely, fitting things to time."

  --_Pegge._

  [239] [Blushing.]

  [240] Alluding to the custom of the harbingers, who in the royal
  progresses were wont to mark the lodgings of the several officers of
  the Court. _For Flavia_ should therefore be in italics. We now
  commonly write harbinger with the first vowel; but the ancients
  applied the second, which is more agreeable to the etymology. See
  Junius _v._ Harbour.--_Pegge._

  To this explanation I shall only add that the office of harbinger
  remains to this day, and that the part of his duty above alluded to
  was performed in the latter part of the 17th century. Serjeant
  Hawkins, in his life of Bishop Ken, observes that when, on the removal
  of the Court to pass the summer at Winchester, that prelate's house,
  which he held in the right of his prebend, _was marked by the
  harbinger_ for the use of Mrs Eleanor Gwyn, he refused to grant her
  admittance; and she was forced to seek for lodgings in another
  place.--_Reed._

  [241] The 4º of 1615 reads--

      "Spight of a _last_ of Lelios."

  [242] [Edits., _two_.]

  [243] A term of astrology.--_Pegge._

  "_Ascendant_ in astrology denotes the horoscope, or the degree of the
  ecliptic which rises upon the horizon at the time of the birth of any
  one. This is supposed to have an influence on his life and fortune, by
  giving him a bent to one thing more than another."--_Chambers's
  Dictionary._

  [244] [Entrance to a house.]

  [245] Cornelius Agrippa, on "The Vanitie and Uncertaintie of Artes and
  Sciences," 4º, 1569, p. 55, mentions _Apollonius:_ "They saie that
  Hierome made mention thereof, writinge to Paulinus, where he saithe,
  that _Apollonius Tianeus_ was a magitien, or a philosopher, as the
  Pithagoreans were." He is also noticed among those who have written on
  the subject of magic. Apollonius was born at Tyana about the time our
  Saviour appeared in the world. He died at the age of near or quite 100
  years, in the reign of Nerva. By the enemies of Christianity he was
  reported to have worked miracles in the same manner as the Founder of
  our religion, and in the works of Dr Henry More is inserted a parallel
  between them. The degree of credit which the pagan miracles are
  entitled to is very clearly shown in Dr Douglas's learned work,
  entitled, "The Criterion, or Miracles Examined," 8º, 1757, p. 53. See
  a further account of Apollonius in Blount's translation of "The Two
  First Books of Philostratus, concerning the Life of Apollonius
  Tyaneus," fol., 1680, and Tillemont's "Account of the Life of
  Apollonius Tyaneus," translated by Dr Jenkin, 8º, 1702.

  [246] Telescope.

  [247] A stroke of satire in regard to cuckoldom: there are others
  afterwards in this act.--_Pegge._

  [248] Coriat the traveller.

  [249] Before the rebuilding of St Paul's Cathedral, the wall at
  Gloucester, here alluded to, was much more celebrated than it is at
  present. Camden, in his "Britannia," i. 275, edit. 1722, speaking of
  it, says: "Beyond the quire, in an arch of the church, there is a
  _wall_, built with so great artifice, in the form of a semicircle with
  corners, that if any one whisper very low at one end, and another lay
  his ear to the other end, he may easily hear every syllable distinct."

  [250] [In the edits, this direction is made part of the text.]

  [251] Alluding to the following passage in the Amphitruo of Plautus,
  where the night is lengthened, that Jupiter may continue the longer
  with Alcmena. Mercury says--

      "Et meus pater nunc intus hie cum ilia cubat;
      Et haec ob eam rem nox est facta longior,
      Dum ille, quaquam volt, voluptatem capit."

  --"Prolog. Amphitr." 112.--_Pegge._

  [252] An instrument to aid and improve the sense of hearing.

  [253] [Edits., _A cousticon. Autocousticon_ is] a repetition, by way
  of admiration, of the word in the preceding line; for it is plain it
  was not intended by the poet that Pandolfo should blunder through
  ignorance, because he has it right in the next scene, and Ronca has
  never repeated the word in the interim.--_Pegge._

  [254] The flap or cover of the windpipe.--_Steevens._ Ronca here
  blunders _comicé_, and on purpose; for the _epiglottis_ is the cover
  or lid of the larynx, and has no connection with the ear.--_Pegge._

  [255] _i.e._, In spite of his head.--_Steevens._

  [256] Galileo, the inventor of the telescope, was born February 19,
  1564, according to some writers, at Pisa, but more probably at
  Florence. While professor of mathematics at Padua, he was invited by
  Cosmo the Second, Duke of Tuscany, to Pisa, and afterwards removed to
  Florence. During his residence at the latter place, he ventured to
  assert the truth of the Copernican system; which gave so much offence
  to the Jesuits that, by their procurement, he was ever after harassed
  by the Inquisition. He suffered very frequent and long imprisonments
  on account of his adherence to the opinions he had formed, and never
  obtained his liberty without renouncing his sentiments, and
  undertaking not to defend them either by word or writing. His
  assiduity in making discoveries at length proved fatal to him. It
  first impaired his sight, and at length totally deprived him of it. He
  died at Arcetre, near Florence, January 8, 1642, N.S., in the 78th
  year of his age, having been for the last three years of his life
  quite blind. See a comparison between him and Bacon in Hume's "History
  of England," vi. 133, 8º, edit. 1763.

  [257] [A horn.]

  [258] To the great Mogul's country, who was then called
  _Maghoore_.--Howes' "Continuation of Stowe's Chronicle," p. 1003,
  where he esteems it a corruption to call him _Mogul_.

  [259] [Edits, give this and next two lines, down to _return_, to
  Ronca.]

  [260: There was an opinion pretty current among Christians that the
  Mahometans were in expectation of their prophet's return; and what
  gave occasion to that was the 16th sign of the resurrection, the
  coming of the Mohdi or director; concerning whom Mahomet prophesied
  that the world should not have an end till one of his own family
  should govern the Arabians, whose name should be the same with his own
  name, and whose father's name should also be the same with his
  father's name, and who should fill the earth with righteousness.
  Sale's "Preliminary Discourse to the Koran," 4º, edit. 82.

  [261] [Edits., _gorgon_.]

  [262] [Edits., _Upon_.]

  [263] Terms of astrology meaning, be they inhabited by the best and
  most fortunate planets.--_Pegge._

  [264] A book of astronomy, in use among such as erect figures to cast
  men's nativities, by which is shown how all the planets are placed
  every day and hour of the year.

  [265] _i.e._, Juggling or deceiving.

  [266] So in Jeffrey of Monmouth's History, 1718, p. 264, Merlin
  changes _Uther, Ulfin_, and _himself_, into the shapes of _Gorlois_,
  _Jordan of Tintagel_, and _Bricet_, by which means _Uther_ obtains the
  possession of _Igerna_, the wife of Gorlois.--_Pegge._

  [267] People of rank and condition generally wore chains of gold at
  this time. Hence Trincalo says that, when he was a gentleman, he would

      "Wear a gold chain at every quarter sessions."

  --_Pegge._ Many instances of this fashion are to be met with in these
  volumes. The Lord Mayor and Aldermen of London wear chains of gold on
  public days at this time.

  [268] Belonging to a sundial.--_Johnson's Dictionary._

  [269] Azimuths, called also vertical circles, are great circles
  intersecting each other in the zenith and nadir, and cutting the
  horizon at right angles, in all the points thereof.--_Chambers's
  Dictionary._

  [270] An Arabic word, written variously by various authors, and
  signifies a circle drawn parallel to the horizon. It is generally used
  in the plural, and means a series of parallel circles, drawn through
  the several degrees of the meridian.--_Johnson's Dictionary._

  [271] See Bishop Wilkins's "Voyage to the Moon," p. 110.--_Pegge._



ACT II., SCENE I.

TRINCALO, ARMELLINA.


TRIN. He that saith I am not in love, he lies _de cap-a-pie;_ for I am
idle, choicely neat in my clothes, valiant, and extreme witty. My
meditations are loaded with metaphors, songs, and sonnets; not a cur
shakes his tail but I sigh out a passion:[272] thus do I to my mistress;
but, alas! I kiss the dog, and she kicks me. I never see a young wanton
filly, but say I, there goes Armellina; nor a lusty strong ass, but I
remember myself, and sit down to consider what a goodly race of mules
would inherit, if she were willing: only I want utterance--and that's a
main mark of love too.

ARM. Trincalo, Trincalo!

TRIN. O, 'tis Armellina! Now, if she have the wit to begin, as I mean
she should, then will I confound her with compliments drawn from the
plays I see at the Fortune and Red Bull,[273] where I learn all the
words I speak and understand not.

ARM. Trincalo, what price bears wheat and saffron, that your band's so
stiff and yellow?[274]--not a word? Why, Trincalo, what business in
town? how do all at Totnam? grown mute? What do you bring from the
country?

TRIN. There 'tis. Now are my floodgates drawn, and I'll surround her.
[_Aside._] What have I brought? sweet bit of beauty, a hundred thousand
salutations o' th' elder-house to your most illustrious honour and
worship.

ARM. To me these titles! Is your basket full of nothing else?

TRIN. Full of the fruits of love, most resplendent lady: a present to
your worthiness from your worship's poor vassal Trincalo.

ARM. My life on't, he scrap'd these compliments from his cart the last
load he carried for the progress.[275] What ha' you read, that makes you
grow so eloquent?

TRIN. Sweet madam, I read nothing but the lines of your ladyship's
countenance; and desire only to kiss the skirts of your garment, if you
vouchsafe me not the happiness of your white hands.

ARM. Come, give's your basket, and take it.

TRIN. O, sweet! now will I never wash my mouth after, nor breathe but at
my nostrils, lest I lose the taste of her finger. Armellina, I must tell
you a secret, if you'll make much on't.

ARM. As it deserves. What is't?

TRIN. I love you, dear morsel of modesty, I love; and so truly, that
I'll make you mistress of my thoughts, lady of my revenues, and commit
all my movables into your hands; that is, I'll give you an earnest kiss
in the highway of matrimony.

ARM. Is this the end of all this business?

TRIN. This is the end of all business, most beautiful, and
most-worthy-to-be-most beautiful, lady.

ARM. Hence, fool, hence!

                                                         [_Exit._

TRIN. Why, now she knows my meaning, let it work She put up the fruit in
her lap, and threw away the basket: 'tis a plain sign she abhors the
words, and embraces the meaning.

    O lips, no lips,[276] but leaves besmear'd' with mildew!
    O dew, no dew, but drops of honey-combs!
    O combs, no combs, but fountains full of tears!
    O tears, no tears, but----


SCENE II.

PANDOLFO, TRINCALO.

    PAN. Cricca denies me: no persuasions,
    Proffers, rewards, can work him to transform.
    Yonder's my country farmer Trincalo.
    Never in fitter time, good Trincalo.

    TRIN. Like a lean horse t' a fresh and lusty pasture.

    PAN. What rent dost pay me for thy farm at Totnam?

    TRIN. Ten pound, and find it too dear a penny-worth.

    PAN. My hand here. Take it rent-free for three lives,
    To serve me in a business I'll employ thee.

    TRIN. Serve you! I'll serve, reserve, conserve, preserve,
    Deserve, you for th' one half. O Armellina;
    A jointure, ha, a jointure! [_Aside._] What's your employment?

    PAN. Here's an astrologer has a wondrous secret,
    To transform men to other shapes and persons.

    TRIN. How! transform things to men? I'll bring nine tailors,
    Refus'd last muster, shall give five marks apiece
    To shape three men of service out of all,
    And grant him th' remnant shreds above the bargain.

    PAN. Now, if thou'lt let him change thee, take this lease,
    Drawn ready; put what lives thou pleasest.

    TRIN. Stay, sir.
    Say I am transform'd--who shall enjoy the lease,
    I or the person I must turn to?

    PAN.                       Thou,
    Thou. The resemblance lasts but one whole day:
    Then home true farmer, as thou wert before.

    TRIN. Where shall poor Trincalo be? How's this! transform'd!
    Transmuted, how? not I. I love myself
    Better than so: there's your lease.
    I'd not venture For th' whole fee-simple.

    PAN. Tell me the difference
    Betwixt a fool and a wise man.

    TRIN. Faith, as much
    As 'twixt your worship and myself.

    PAN. A wise man
    Accepts all fair occasions of advancement;
    Flies no commodity for fear of danger,
    Ventures and gains, lives easily, drinks good wine,
    Fares neatly, is richly cloth'd, in worthiest company;
    While your poor fool and clown, for fear of peril,
    Sweats hourly for a dry brown crust to bedward,[277]
    And wakes all night for want of moisture.

    TRIN. Well, sir,
    I'd rather starve in this my loved image,
    Than hazard thus my life for others' looks.
    Change is a kind of death; I dare not try it.

    PAN. Tis not so dangerous as thou tak'st it; we'll only
    Alter thy count'nance for a day. Imagine
    Thy face mask'd only; or that thou dream'st all night
    Thou wert apparell'd in Antonio's form;
    And (waking) find'st thyself true Trincalo.

    TRIN. T' Antonio's form! Was not Antonio a gentleman?

    PAN. Yes, and my neighbour; that's his house.

    TRIN. O, O!
    Now do I smell th' astrologer's trick: he'll steep me
    In soldier's blood, or boil me in a caldron
    Of barbarous law French; or anoint me over
    With supple oil of great men's services;
    For these three means raise yeomen to the gentry.
    Pardon me, sir: I hate those medicines. Fie!
    All my posterity will smell and taste on't,
    Long as the house of Trincalo endures.

    PAN. There's no such business; thou shalt only seem so,
    And thus deceive Antonio's family.

    TRIN. Are you assur'd? 'Twould grieve me to be bray'd[278]
    In a huge mortar, wrought to paste, and moulded
    To this Antonio's mould. Grant, I be turn'd; what then?

    PAN. Enter his house, be reverenc'd by his servants,
    And give his daughter Flavia to me in marriage.
    The circumstances I'll instruct thee after.

    TRIN. Pray, give me leave: this side says do't; this, do not.
    Before I leave you, Tom Trincalo, take my counsel:
    Thy mistress Armellina is Antonio's maid,
    And thou, in his shape, may'st possess her: turn.
    But if I be Antonio, then Antonio
    Enjoys that happiness, not Trincalo.
    A pretty trick, to make myself a cuckold!
    No, no; there, take your lease. I'll hang first. Soft,
    Be not so choleric, Thomas. If I become Antonio,
    Then all his riches follow. This fair occasion
    Once vanish'd, hope not the like; of a stark clown,
    I shall appear a speck-and-span new gentleman.[279]
    A pox of ploughs and carts, and whips and horses.
    Then Armellina shall be given to Trincalo,
    Three hundred crowns her portion. We'll get a boy,
    And call him Transformation Trincalo.
    I'll do't, sir.

    PAN. Art resolv'd?

    TRIN. Resolv'd! 'Tis done--
    With this condition: after I have given your worship
    My daughter Flavia, you shall then move my worship,
    And much entreat me, to bestow my maid
    Upon myself--I should say Trincalo.

    PAN. Content; and for thy sake will make her portion
    Two hundred crowns.

    TRIN. Now are you much deceiv'd:
    I never meant it.

    PAN. How!

    TRIN. I did but jest;
    And yet, my hand, I'll do't: for I am mutable,
    And therefore apt to change. Come, come, sir, quickly,
    Let's to the astrologer, and there transform,
    Reform, conform, deform me at your pleasure.
    I loathe this country countenance. Despatch: my skin
    Itches like a snake's in April to be stripp'd off.
    Quickly, O, quickly! as you love Flavia, quickly.


SCENE III.

ALBUMAZAR, PANDOLFO, RONCA, TRINCALO.

    ALB. Signior Pandolfo, y' arrive in happiest hour:
    If the seven planets were your nearest kindred,
    And all the constellations your allies;
    Were the twelve houses and the inns o' th' zodiac
    Your own fee-simple, they could ne'er ha' chosen
    A fitter place to favour your designs.
    For the great luminaries look from Helic[280]
    And midst of heaven, in angles, conjunctions,
    And fortunate aspects of trine and sextile,
    Ready to pour propitious influences.

    PAN. Thanks to your pow'r and court'sy, that so plac'd them.
    This is the man that's ready for the business.

    ALB. Of a most happy count'nance and timber fit
    To square to th' gentry: his looks as apt for changing,
    As he were cover'd with chameleons' skins.

    TRIN. Except my hands; and 'twill be troublesome
    To fit these fingers to Antonio's gloves:           [_Aside._]

    PAN. Pray let's about the work as soon as may be.

    ALB. First, choose a large low room, whose door's full east,
    Or near inclining: for the oriental quarter's
    Most bountiful of favours.

    PAN. I have a parlour
    Of a great square, and height as you desire it.

    ALB. Southward must look a wide and spacious window:
    For howsoever Omar, Alchabitius,
    Hali, Abenezra, seem something to dissent;
    Yet Zoroastres, son of Oromasus,
    Hiarcha, Brachman, Thespion, Gymnosophist,
    Gebir, and Budda Babylonicus,[281]
    With all the subtle Cabalists and Chaldees,
    Swear the best influence for our metamorphosis,
    Stoops from the south, or, as some say, southeast.

    PAN. This room's as fit as you had made it of purpose.

    TRIN. Now do I feel the calf of my right leg
    Twingle and dwindle to th' smallness of a bed-staff:
    Such a speech more turns my high shoes strait boots.[282]

    RON. Ne'er were those authors cited to better purpose,
    For through that window all Pandolfo's treasures
    Must take their flight, and fall upon my shoulders.

    ALB. Now if this light meridional had a large casement,
    That overlook'd some unfrequented alley,
    'Twere much more proper; for th' Intelligences
    Are nice and coy, scorning to mix their essence
    With throng'd disturbance of cross multitudes.

    RON. Spoken by art, Albumazar; a provident setter;
    For so shall we receive what thou hand'st out,
    Free from discovery. But, in my conscience,
    All windows point full south for such a business.

    PAN. Go to my house, satisfy your curious choice:
    But, credit me, this parlour's fit; it neighbours
    To a blind alley, that in busiest term-time
    Feels not the footing of one passenger.

    ALB. Now, then, declining from Theourgia,
    Artenosaria[283] Pharmacia rejecting
    Necro-puro-geo-hydro-cheiro-coscinomancy,[284]
    With other vain and superstitious sciences,
    We'll anchor at the art prestigiatory,
    That represents one figure for another,
    With smooth deceit abusing th' eyes of mortals.

    TRIN. O my right arm! 'tis alter'd, and, methinks,
    Longs for a sword. These words have slain a ploughman.

    ALB. And, since the moon's the only planet changing,[285]
    For from the Neomenia in seven days
    To the Dicotima, in seven more to the Panselinum,[286]
    And in as much from Plenilunium
    Thorough Dicotima to Neomenia,
    'Tis she must help us in this operation.

    TRIN. What towns are these? The strangeness of these names
    Hath scal'd the marks of many a painful harvest,
    And made my new-pil'd finger itch for dice.

    PAN. Deeply consider'd, wondrous Albumazar!
    O, let me kiss those lips that flow with science.

    ALB. For by her various looks she intimates
    To understanding souls, that only she
    Hath power t' effect a true formation.
    Cause then your parlour to be swept carefully
    Wash'd, rubb'd, perfum'd, hang'd round, from top to bottom,
    With pure white lunary tap'stry or needlework;
    But if 'twere cloth of silver, 'twere much better.

    RON. Good, good! a rich beginning: good!--what's next?

    ALB. Spread all the floor with finest Holland sheets,
    And over them, fair damask tablecloths;
    Above all these draw me chaste virgins' aprons:
    The room, the work, and workman must be pure.

    TRIN. With virgins' aprons! the whole compass of this city
    Cannot afford a dozen.                               [_Aside._

    RON. So: there's shirts
    And bands[287] to furnish all on's for a twelvemonth.

    ALB. An altar in the midst, loaded with plate
    Of silver basins, ewers, cups, [and] candlesticks,
    Flagons and beakers; salts, chargers, casting-bottles.[288]
    'Twere not amiss to mix some bowls of gold,
    So they be massy, the better to resemble
    The lovely brotherhood of Sol and Luna:
    Also some diamonds for Jupiter.
    For by the whiteness and bright sparkling lustres
    We allure the intelligence to descend.

    RON. Furbo and I are those intelligences
    That must attend upon the magistery.                 [_Aside._

    ALB. Now, for the ceremonious sacrifice,
    Provide such creatures as the moon delights in:
    Two sucking lambs, white as the Alpine snow;
    Yet if they have a mole or two, 'twill pass;
    The moon herself wants not her spots.

    PAN. 'Tis true.

    RON. Were they hell-black, we'd make a shift to eat them.
                                                         [_Aside._

    ALB. White capons, pheasants, pigeons; one little blackbird
    Would stain and spoil the work. Get several wines
    To quench the holy embers: Rhenish, Greek wine,
    White muscadel, sherry, and rich canary,
    So't be not grown too yellow; for the quicker,
    Brisker and older, the better for these ceremonies:
    The more abundance, sooner shall we finish.
    For 'tis our rule in suchlike businesses,
    Who spares most, spends most. Either this day must do't,
    Or th' revolution of five hundred years
    Cannot: so fit are all the heavens to help us.

    RON. A thousand thanks! thou'lt make a complete cheat.
    Thus, loaded with this treasure, cheer'd with wine,
    Strengthen'd with meat, we'll carry thee in triumph,
    As the great General of our atchievement.

    PAN. Sir, for rich plate and jewels I have store;
    But know not how to furnish you with hangings.

    ALB. Cannot you borrow from the shops? four hours
    Shall render all as fair as you receiv'd it.

    PAN. That can I easily do.

    ALB. And hear you, sir:
    If you chance meet with boxes of white comfits,
    Marchpane, dry sucket, macaroons, and diet-bread,
    'Twill help on well----

    RON. To furnish out our banquet.

    ALB. I had clean forgot; we must have ambergris,[289]
    The greyest can be found, some dozen ounces:
    I'll use but half a drachm; but 'tis our fashion
    T' offer a little from a greater lump.

    PAN. All shall be done with expedition.

    ALB. And when your man's transform'd, the chain you promis'd.

    PAN. My hand: my deeds shall wait upon my promise.

    ALB. Lead then with happy foot to view the chamber.

    PAN. I go, sir. Trincalo, attend us here,
    And not a word, on peril of thy life.

    TRIN. Sir, if they kill me, I'll not stir a foot;
    And if my tongue's pull'd out, not speak a word.


SCENE IV.

TRINCALO, CRICCA.

    TRIN. O, what a business 'tis to be transform'd!
    My master talks of four-and-twenty hours:
    But, if I mew these flags[290] of yeomanry,
    Gild in the sear,[291] and shine in bloom of gentry,
    'Tis not their 'strology nor sacrifice
    Shall force me cast that coat. I'll ne'er part with't,
    Till I be sheriff of th' county, and in commission
    Of peace and quorum. Then will I get m' a clerk,
    A practis'd fellow, wiser than my worship,
    And domineer amongst my fearful neighbours.
    And feast them bountifully with their own bribes.

    CRI. Trincalo!

    TRIN. Wear a gold chain at every quarter sessions,
    Look big and grave, and speak not one wise word.

    CRI. Trincalo!

    TRIN. Examine wenches got with child, and curiously
    Search all the circumstances: have blank mitti-muses
    Printed in readiness; breathe nought but, _Sirrah_,
    _Rogue, ha? ho? hum? Constable, look to your charge;_
    Then vouch a statute and a Latin sentence,
    Wide from the matter.

    CRI. Trincalo!

    TRIN. License all ale-houses;
    Match my son Transformation t' a knight's daughter,
    And buy a bouncing pedigree of a Welsh herald:
    And then----

    CRI. What! In such serious meditations?

    TRIN. Faith, no; but building castles in the air
    While th' weather's fit: O Cricca, such a business!

    CRI. What is't?

    TRIN. Nay, soft; they're secrets of my master,
    Lock'd in my breast: he has the key at's purse-strings.[292]

    CRI. My master's secret! keep it, good farmer, keep it;
    I would not lend an ear to't, if thou'dst hire me.
    Farewell.

    TRIN. O, how it boils and swells! if I keep't longer,
    'Twill grow t' impostume in my breast, and choke me. Cricca!

    CRI. Adieu, good Trincalo; the secrets of our betters
    Are dangerous: I dare not know't.

    TRIN. But, hear'st thou!
    Say, I should tell, can'st keep as close as I do?

    CRI. Yes: but I had rather want it. Adieu.

    TRIN. Albumazar----

    CRI. Farewell.

    TRIN. Albumazar----

    CRI. Prythee.

    TRIN. Albumazar,
    Th' astrologer, hath undertook to change me
    T' Antonio's shape: this done, must I give Flavia
    To my old master, and his maid to Trincalo.

    CRI. But where's Pandolfo and Albumazar?

    TRIN. Gone newly home to choose a chamber fitting
    For transmutation. So: now my heart's at ease.

    CRI. I fear the skill and cunning of Albumazar
    With his black art, by whom Pandolfo seeks
    To compass Flavia, spite of her brother Lelio
    And his own son Eugenio, that loves her dearly.
    I'll lose no time, but find them, and reveal
    The plot, and work to cross this accident.          [_Aside._]
    But, Trincalo, art thou so rash and vent'rous
    To be transform'd with hazard of thy life?

    TRIN. What care I for a life, that have a lease
    For three: but I am certain there's no danger in't.

    CRI. No danger! cut thy finger, and that pains thee;
    Then what will't do to shred and mince thy carcase,
    Bury't in horse-dung, mould it new, and turn it
    T' Antonio? and, when th' art chang'd, if Lelio
    Smell out your plot, what worlds of punishment
    Thou must endure! Poor Trincalo! the desire
    Of gains abuses thee: be not transform'd.

    TRIN. Cricca, thou understand'st not: for Antonio,
    Whom I resemble, suffers all, not I.

    CRI. Yonder they come; I'll hence, and haste to Lelio.  [_Exit._


SCENE V.

ALBUMAZAR, PANDOLFO, TRINCALO.[293]

    ALB. The chamber's fit: provide the plate and hangings,
    And other necessaries: give strict order
    The room be cleans'd, perfum'd, and hang'd; meanwhile,
    With astrolabe[294] and meteoroscope,[295]
    I'll find the cusp[296] and alfridaria,[297]
    And know what planet is in cazimi.[298]

    PAN. All shall be ready, sir, as you command it.

    TRIN. Doctor Albumazar, I have a vein of drinking;
    An[299] artery of lechery runs through my body:
    Pray, when you turn me, gentlemen, preserve
    Those two, if't may be done with reputation.

    ALB. Fear not; I'll only call the first good fellowship,[300]
    And th' other civil recreation.

    TRIN. And when you come
    To th' heart, spoil not the love of Armellina;
    And in my brain leave as much discretion
    As may spy falsehood in a tavern reckoning;
    And let me alone for bounty to wink and pay't;
    And if you change me perfectly,
    I'll bring y' a dozen knights for customers.

    ALB. I warrant thee. Sir, are you well instructed
    In all these necessaries?

    PAN. They're in my table-book.

    ALB. Forget not clothes for th' new transform'd, and robes
    For me to sacrifice--you know the fashion.
    I'll rather change five, than apparel one:
    For men have living souls--clothes are unanimate.

    PAN. Here, take this ring, deliver it to my brother,
    An officer in the Wardrobe; he'll furnish you
    With robes and clothes of any stuff or fashion.

    ALB. Almuten Alchochoden[301] of the stars attend you.

    PAN. I kiss your hands, divine astrologer.


SCENE VI.

PANDOLFO, TRINCALO.

    PAN. Up quickly, Trincalo, to my child Sulpitia;
    Bid her lay out my fairest damask tablecloths,
    The fairest Holland sheets, all the silver plate,
    Two gossip's cups of gold, my greatest diamonds:
    Make haste.

    TRIN. As fast as Alchochoden and Almuten
    Can carry me; for (sure) these two are devils.

    PAN. This is that blessed day I so much long'd for.
    Four hours' attendance, till my man be chang'd,
    Fast locks me in the lovely arms of Flavia.
    Away, Trincalo! how slow the day
    Slides on! when we desire time's haste,
    It seems to lose a match with lobsters;
    And when we wish him stay, he imps his wings
    With feathers plum'd with thought.[302] Why, Trincalo!

    TRIN. Here, sir.

    PAN. Come, let's away for cloth of silver,
    Wine, and materials for the sacrifice.              [_Exeunt._


SCENE VII.

LELIO, EUGENIO, CRICCA.

    LEL. Eugenio, these words are wonders past belief.
    Is your old father of so poor a judgment,
    To think it in the power of man to turn
    One person to another?

    EUG. Lelio, his desire
    T' enjoy your sister Flavia begets hope,
    Which, like a waking dream, makes false appearance
    Lively as truth itself.

    LEL. But who's the man
    That works these miracles?

    EUG. An astrologer.

    LEL. How deals astrology with transmutation?

    CRI. Under the veil and colour of astrology,
    He clouds his hellish skill in necromancy.
    Believe it, by some art or false imposture,
    He'll much disturb your love, and yours, Eugenio.

    LEL. Eugenio, 'tis high time for us t' awake;
    And, as you love our Flavia, and I
    Your sister, fair Sulpitia, let's do something
    Worthy their beauties. Who falls into a sea
    Swoll'n big with tempest, but he boldly beats
    The waves with arms and legs to save his life?
    So let us strive 'gainst troublous storms of love
    With our best power, lest after we ascribe
    The loss to our dull negligence, not fortune.

    EUG. Lelio, had I no interest in your sister,
    The holy league of friendship should command me,
    Besides the seconding Sulpitia's love,
    Who to your nobleness commends her life.

    LEL. She cannot outlove me,[303] nor you outfriend me;
    For th' sacred name whereof I have rejected
    Your father's offers, importunities,
    Letters, conditions, servants, friends, and, lastly,
    His tender of Sulpitia in exchange
    For Flavia. But though I love your sister
    Like mine own soul, yet did the laws of friendship
    Master that strong affection, and deni'd him.

    EUG. Thanks ever, and as long shall my best service
    Wait on your will. Cricca, our hope's in thee;
    Thou must instruct us.

    CRI. You must trust in fortune,
    That makes or mars the wisest purposes.

    LEL. What say'st? what think'st?

    CRI. Here's no great need of thinking
    Nor speech; the oil of scorpions cures their poison.
    The thing itself that's bent to hurt and hinder you,
    Offers a remedy: 'tis no sooner known,
    But th' worst on't is prevented.

    EUG. How, good Cricca?

    CRI. Soon as you see this false Antonio
    Come near your doors, with speeches made of purpose,
    Full of humility and compassion;
    With long narrations, how he 'scap'd from shipwreck,
    And other feign'd inventions of his dangers,
    Bid him begone; and if he press to enter,
    Fear not the reverence of your father's looks;
    Cudgel him thence.

    LEL. But were't not better, Cricca,
    Keep him fast lock'd, till his own shape return;
    And so by open course of law correct him.

    CRI. No. For my master would conceive that counsel
    Sprung from my brains, and so should I repent it.
    Advise no more, but home, and charge your people
    That, if Antonio come, they drive him thence
    With threat'ning words--and blows, if need be.

    LEL. 'Tis done.
    I kiss your hands, Eugenio.

    EUG. Your servant, sir.                         [_Exit_ LELIO.


SCENE VIII.

EUGENIO, CRICCA, FLAVIA.

    EUG. Cricca, commend my service to my mistress.

    CRI. Commend it to her yourself. Mark'd you not, while
    We talk'd, how through the window she attended,
    And fed her eyes on you? there she is.

    EUG. 'Tis true:
    And, as from nights of storms the glorious sun
    Breaks from the east, and chaseth thence the clouds
    That chok'd the air with horror, so her beauty
    Dispels sad darkness from my troubled thoughts,
    And clears my heart.

    FLA. Life of my soul, well met.

    EUG. How is't, my dearest Flavia?

    FLA. Eugenio,
    As best becomes a woman most unfortunate--
    That, having lov'd so long, and been persuaded
    Her chaste affection was by yours requited,
    Have by delays been famish'd. Had I conceal'd
    Those flames your virtue kindled, then y' had sued,
    Entreated, sworn, and vow'd, and, long ere this,
    Wrought all means possible to effect our marriage.
    But now----

    EUG. Sweet soul, despair not; weep not thus,
    Unless you wish my heart should lifeblood drop,
    Fast as your eyes do tears. What is't you fear?

    FLA. First, that you love me not.

    EUG. Not love my Flavia!
    Wrong not your judgment: rip up this amorous breast,
    And in that temple see a heart that burns
    I' th' vestal sacrifice of chastest love
    Before your beauty's deity.

    FLA. If so,
    Whence grows this coldness in soliciting
    My brother to the match?

    EUG. Consider, sweetest,
    I have a father, rival in my love;
    And though no duty, reverence, nor respect,
    Have power to change my thoughts; yet 'tis not comely
    With open violence to withstand his will;
    But by fair courses try to divert his mind[304]
    From disproportioned affections.
    And if I cannot, then nor fear of anger,
    Nor life, nor lands, shall cross our purposes.
    Comfort yourself, sweet Flavia; for your brother
    Seconds our hopes with his best services.

    FLA. But other fears oppress me: methinks I see
    Antonio, my old father, new-return'd,
    Whom all intelligence gave drown'd this three months,[305]
    Enforcing me to marry th' fool Pandolfo,
    Thus to obtain Sulpitia for himself;
    And so last night I dream'd, and ever since
    Have been so scar'd, that, if you haste[n] not,
    Expect my death.

    EUG. Dreams flow from thoughts of things we most desire
    Or fear; and seldom prove true prophets; would they did!
    Then were I now in full possession
    Of my best Flavia, as I hope I shall be.

    CRI. Sir, pray take your leave: this is to no end,
    'Twill but increase your grief and hers.

    EUG. Farewell,
    Sweet Flavia; rest contented with assurance
    Of my best love and service.

    FLA. Farewell, Eugenio.        [_Exeunt_ EUGENIO _and_ CRICCA.


SCENE IX.

SULPITIA, FLAVIA.

    SUL. Flavia, I kiss your hands.

    FLA. Sulpitia,
    I pray you pardon me; I saw you not.

    SUL. I' faith, you have
    Some fixed thoughts draw your eyes inward,
    When you see not your friends before you.

    FLA. True; and, I think, the same that trouble you.

    SUL. Then 'tis the love of a young gentleman,
    And bitter hatred of an old dotard.

FLA. 'Tis so. Witness your brother Eugenio, and the rotten carcase of
Pandolfo. Had I a hundred hearts, I should want room to entertain his
love and the other's hate.

SUL. I could say as much, were't not sin to slander the dead. Miserable
wenches! How have we offended our fathers, that they should make us the
price of their dotage, the medicines of their griefs, that have more
need of physic ourselves? I must be frostbitten with the cold of your
dad's winter, that mine may thaw his old ice with the spring of your
sixteen. I thank my dead mother, that left me a woman's will in her last
testament. That's all the weapons we poor girls can use, and with that
will I fight 'gainst father, friends, and kindred, and either enjoy
Lelio, or die in the field in his quarrel.

FLA. Sulpitia, you are happy that can withstand your fortune with so
merry a resolution.

SUL. Why should I twine mine arms to cables,[306] and sigh my soul to
air? Sit up all night like a watching-candle,[307] and distil my brains
through my eyelids. Your brother loves me, and I love your brother; and
where these two consent, I would fain see a third to hinder us.

FLA. Alas! our sex is most wretched, nursed up from infancy in continual
slavery. No sooner able to prey for ourselves, but they brail and hud
us[308] so with sour awe of parents, that we dare not offer to bate[309]
at our own desires. And whereas it becomes men to vent their amorous
passions at their pleasure, we (poor souls) must rake up our affections
in the ashes of a burnt heart, not daring to sigh without excuse of the
spleen or fit of the mother.

SUL. I plainly will profess my love of Lelio. 'Tis honest, chaste, and
stains not modesty. Shall I be married to Antonio, that hath been a
soused sea-fish these three months? And if he be alive, comes home with
as many impairs as a hunting gelding or a fallen pack-horse. No, no;
I'll see him freeze to crystal first. In other things, good father, I am
your most obedient daughter, but in this a pure woman. 'Tis your part to
offer--mine to refuse, if I like not. Lelio's a handsome gentleman,
young, fresh, rich, and well-fashioned; and him will Sulpitia have, or
die a maid. And, i' faith, the temper of my blood tells me I never was
born to so cold a misfortune. Fie, Flavia! fie, wench! [labour] no more
with tears and sighs; cheer up. Eugenio, to my knowledge, loves you, and
you shall have him; I say, you shall have him.

FLA. I doubt not of his love, but know no means how he dares work
against so great a rival. Your father, in a spleen, may disinherit him.

SUL. And give't to whom? H' has none but him and me. What though he doat
awhile upon your beauty, he will not prove unnatural to his son. Go to
your chamber. My genius whispers in my ear, and swears this night we
shall enjoy our loves, and with that hope farewell.

    FLA. Farewell, Sulpitia.                            [_Exeunt._


FOOTNOTES:

  [272] See note to "Green's Tu quoque," p. 200.

  [273] Two playhouses. The _Fortune_ belonged to the celebrated Edward
  Alleyn, and stood in Whitecross Street. The _Red Bull_ was situated in
  St John Street.

  [274] This alludes to the fashion then much followed, of wearing bands
  washed and dyed with _yellow starch_. The inventress of them was Mrs
  Turner, a woman of an infamous character; who, being concerned in the
  murder of Sir Thomas Overbury, was executed at Tyburn in a lawn ruff
  of her favourite colour. "With her," says Howell, in his "Letters," p.
  19, edit. 1754, "I believe that yellow starch, which so much
  disfigured our nation, and rendered them so ridiculous and fantastic,
  will receive its funeral." And of the same opinion was Sir Simonds
  D'Ewes who, in [his "Autobiography," edit. Halliwell, p. 79], says,
  "Mrs Turner had first brought upp that vaine and foolish use of
  _yellow starch_, ... and therefore, when shee was afterwards executed
  at Tiburne, the hangman had his _bande_ and cuffs of the same couler,
  which made many, after that day, of either sex, to forbeare the use of
  that _coulered starch_, till at last it grew generallie to bee
  detested and disused." This execution happened in the year 1615; but
  the reformation predicted by Howell, and partly asserted by D'Ewes to
  have happened, was not the consequence, as will appear from the
  following passage, extracted from a pamphlet called "The Irish Hubbub,
  or the English Hue and Crie," by Barnaby Rich, 4º, 1622, p. 40: "Yet
  the open exclamation that was made by Turner's wife at the houre of
  her death, in the place where shee was executed, cannot be hidden,
  when, before the whole multitude that were there present, she so
  bitterly protested against the vanitie of those _yellow starcht
  bands_, that her outcries (as it was thought) had taken such
  impression in the hearts of her hearers, that _yellow starcht bands_
  would have been ashamed (for ever after to have shewed themselves
  about the neckes, either of men that were wise, or women that were
  honest) but we see our expectations have failed us, for _they beganne
  even then to be more generall than they were before_." Again, p. 41:
  "You knowe tobacco is in great trading, but you shall be merchants,
  and onely for egges: for whereas one pipe of tobacco will suffice
  three or four men at once; now ten or twenty eggs will hardly suffice
  to starch one of these _yellow bands:_ a fashion that I thinke shortly
  will be as conversant amongst taylors, tapsters, and tinkers, as now
  they have brought tobacco. But a great magistrate, to disgrace it,
  enjoyned the hangman of London to become one of that fraternitie, and
  to follow the fashion; and, the better to enable him, he bestowed of
  him some benevolence to pay for his laundry: and who was now so
  briske, with a yellow feather in his hat, and a _yellow starcht band_
  about his necke, walking in the streets of London, as was master
  hangman? so that my young masters, that have sithence fallen into that
  trimme, they doe but imitate the hangman's president, the which, how
  ridiculous a matter it is, I will leave to themselves to thinke on."
  And that the fashion prevailed some years after Mrs Turner's death may
  be proved from Sir Simon D'Ewes's relation of the procession of King
  James from Whitehall to the Parliament House, Westminster, 30th
  January 1620 [_i.e._, 1621]: "In the king's short progresse from
  Whitehall to Westminster, these passages following were accounted
  somewhat remarkable--And fourthlie, that, looking upp to one window,
  as he passed, full of gentlewomen or ladies, all in _yellow bandes_,
  he cried out aloud, 'A pox take yee, are yee ther?' at which, being
  much ashamed, they all withdrew themselves suddenlie from the window."

  [275] When the king visited the different parts of the country.

  When the court made those excursions, which were called Progresses, to
  the seats of the nobility and gentry, waggons and other carriages were
  impressed for the purpose of conveying the king's baggage,
  &c.--_Pegge._

  This privilege in the crown was continued until the civil wars in the
  reign of Charles the First, and had been exercised in a manner very
  oppressive to the subject, insomuch that it frequently became the
  object of Parliamentary complaint and regulation. During the
  suspension of monarchy it fell into disuse, and King Charles II at the
  Restoration consented, for a consideration, to relinquish this as well
  as all other powers of purveyance and pre-emption. Accordingly, by
  stat. 12, Car. II. c. xxiv. s. 12, it was declared that no officer
  should in future take any cart, carriage, or other thing, nor summon
  or require any person to furnish any horses, oxen, or other cattle,
  carts, ploughs, wains, or other carriages, for any of the royal
  family, without the full consent of the owner. An alteration of this
  act was made the next year, wherein the rates were fixed which should
  be paid on these occasions, and other regulations were made for
  preventing the abuse of this prerogative.

  [276] A burlesque on the speech of Hieronimo in "The Spanish Tragedy."
  See also note to "Green's Tu quoque," and the addition to it [xi.
  248.]

  [277] _i.e._, Towards bedtime. So in "Coriolanus"--

      "And tapers burn'd to _bedward_."

  --_Steevens._

  [278] Pounded. See note to "The Ordinary," act v. sc. 4, [vol. xii.]

  [279] [Edits., _appear speck and span gentlemen_.] _Speck and span
  new_ is a phrase not yet out of use; _span new_ occurs in Chaucer's
  "Troilus and Creseide," bk. iii. l. 1671--

      "This tale was aie _span newe_ to beginne,
      Til that the night departed 'hem at winne."

  This is thought a phrase of some difficulty. It occurs in Fuller's
  "Worthies," Herefordshire, p. 40, where we read of _spick and span new
  money_. A late friend of mine was willing to deduce it from spinning,
  as if it were a phrase borrowed from the clothing art, _quasi_ new
  spun from the spike or brooche. It is here written _speck and span_,
  and in all cases means _entire_. I deem it tantamount to every _speck
  and every span, i.e._, all over.--_Pegge._

  In "Hudibras," Part I. c. 3, l. 397, are these lines--

      "Then, while the honour thou hast got
      Is _spick and span new_, piping hot," &c.

  Upon which Dr Grey has this note: "Mr Ray observes ('English
  Proverbs,' 2d edit. p. 270), that this proverbial phrase, according to
  Mr Howel, comes from _spica_, an ear of corn: but rather, says he, as
  I am informed from a better author, _spike_ is a sort of _nail_, and
  _spawn_ the _chip_ of a boat; so that it is all one as to say, every
  _chip_ and _nail_ is new. But I am humbly of opinion that it rather
  comes from _spike_, which signifies a _nail_, and a _nail_ in measure
  is the 16th part of a yard; and _span_, which is in measure a quarter
  of a yard, or nine inches; and all that is meant by it, when applied
  to a new suit of clothes, is that it has been just measured from the
  piece by the _nail_ and _span_." See the expression in Ben Jonson's
  "Bartholomew Fair," act iii. sc. 5. [See Nares, edit. 1859; Hazlitt's
  "Proverbs," 1869; and Wedgwood's "Dictionary of English Etymology,"
  all in _v._]

  [280] [Edits., _Hilech_.] The name of Ursa Major in Greek.--_Pegge._

  [281] A famous Indian philosopher (Fabricius, p. 281); but why he
  terms him a Babylonian I cannot conceive.--_Pegge._

  [282] See [Suckling's Works, by Hazlitt, ii. 4.]

  [283] I believe this word should be Artenosoria, the doctrine of
  Antidotes; unless we should read Artenasoria in allusion to
  Tallicotius and his method of making supplemental noses, referred to
  by Butler in "Hudibras."--_Pegge._

  [284] Coskinomancy is the art of divining by a sieve.--_Pegge._

  [285] It was not known then, I presume, that Venus had her increase
  and decrease.--_Pegge._

  [286] The Greek word for _Plenilunium_.--_Pegge._

  [287] All people then wore bands.--_Pegge._

  [288] i.e., Bottles out of which liquid perfumes were anciently cast
  or thrown.--_Steevens._ They are mentioned in "Lingua," [ix. 419.]

  [289] See note to the "Antiquary," [act iv. sc. 1, vol. xiii.]

  [290] These, and what follows are terms of falconry; _flags_, in
  particular, are the second and baser order of feathers in the hawk's
  wing (Chambers's "Dictionary").--_Pegge._

  [291] The _sear_ is the yellow part between the beak and the eyes of
  the hawk.--_Pegge._

  [292] They usually carried the keys of their cabinets there.--_Pegge._

  [293] The first 4º inserts the name of _Cricca_ for that of Trincalo,
  which is decidedly wrong.--_Collier._

  [294] An instrument chiefly used for taking the altitude of the pole,
  the sun, or stars, at sea.

  [295] A name given to such instruments as are used for observing and
  determining the distances, magnitudes, and places of the heavenly
  bodies.

  [296] A term to express the points or horns of the moon, or other
  luminary.

  [297] With astrologers, is a temporary power they imagine the planets
  have over the life of any person.

  [298] The centre of the sun. A planet is said to be in _cazimi_ when
  it is not above 70 degrees distant from the body of the sun.

  [299] [Old copy, _And_.]

  [300] Sir Thomas Wyat, in his celebrated letter to John Poines, has a
  passage much in point--

      "To ioyne the meane with ech extremitie,
      With nearest vertue ay to cloke the vice.
      And as to purpose likewise it shall fall
      To presse the vertue that it may not rise,
      As _dronkennesse good-felowship to call_."

  --_Collier._

  [301] _Almuten,_ with astronomers, is the lord of a figure, or the
  strongest planet in a nativity. _Alchochoden_ is the giver of life or
  years, the planet which bears rule in the principal places of an
  astrological figure when a person is born; so that his life may be
  expected longer or shorter, according to the station, &c., of this
  planet.

  [302] "To _impe_," says Blount, "is a term most usual among falconers,
  and is when a feather in a hawkes wing is broken, and another piece
  imped or graffed on the stump of the old." "_Himp_ or _imp,_ in the
  British language, is _surculus_ a young graffe or twig; thence
  _impio_, the verb to innoculate or graff. Hence the word to _imp_ is
  borrowed by the English; first, surely, to graff trees, and thence
  translated to _imping_ feathers." See also Mr Steevens's note on "King
  Richard II.," act ii. sc. 1.

  [303] _Me_ is omitted in the two quartos.--_Collier._

  [304] _To_, the sign of the infinitive, is often omitted, and the
  verse requires it should be expunged here.--_Pegge._ Both the quartos
  read as in the text.--_Reed._

  [305] Mr Reed allowed this line to stand--

      "Whom all intelligence _have_ drown'd this three months."

  The restoration of the true reading also restores the grammar of the
  passage.--_Collier._

  [306] The same thought occurs in Shakespeare's "Love's Labour's Lost,"
  act iv. sc. 3--

      "O me! with what strict patience have I sat,
      To see a king transformed _to a knot_!"

  [307] Mr Steevens, in his note to "King Richard III.," act v. sc. 3,
  observes there was anciently a particular kind of candle, called a
  _watch_ because, being marked out into sections, each of which was a
  certain portion of time in burning, it supplied the place of the more
  modern instrument by which we measure the hours. He also says these
  candles are represented with great nicety in some of the pictures of
  Albert Durer.

  [308] These words, as here printed, may be the pure language of
  falconry, like _bate_, which follows, and signifies to _flutter_. Yet
  I suspect that for _brail_ we should read _berail_, and for _hud_ us,
  _hood_ us.

  [309] Latham calls it _bat_, and explains it to be "when a hawke
  fluttereth with her wings, either from the pearch, or the man's fist,
  striving, as it were, to flie away or get libertie."



ACT III, SCENE 1.

PANDOLFO, CRICCA.


    PAN. While the astrologer hews out Trincalo,
    Squaring and framing him t' Antonio,
    Cricca, I'll make thee partner of a thought,
    That something troubles me.

    CRI. Say, sir, what is't?

    PAN. I have no heart to give Albumazar
    The chain I promis'd him.

    CRI. Deliver it me,
    And I'll present it to him in your name.

    PAN. 'T has been an heirloom[310] to our house four hundred years,
    And, should I leave it now, I fear good fortune
    Would fly from us, and follow it.

    CRI. Then give him
    The price in gold.

    PAN. It comes to a hundred pounds;[311]

    And how would that, well-husbanded, grow in time?
    I was a fool to promise, I confess it;
    I was too hot and forward in the business.

    CRI. Indeed I wonder'd that your wary thriftiness,
    Not wont to drop one penny in a quarter
    Idly, would part with such a sum so easily.

    PAN. My covetous thrift aims at no other mark
    Than in fit time and place to show my bounty.
    Who gives continually may want at length
    Wherewith to feed his liberality.
    But, for the love of my dear Flavia,
    I would not spare my life, much less my treasure.
    Yet if with honour I can win her cheaper,
    Why should I cast away so great a sum?

    CRI. True: I have a trick now hatching in my brain,
    How you may handsomely preserve your credit,
    And save the chain.

    PAN. I would gladly do it,
    But fear he understands us what we say.

    CRI. What can you lose to try't? If it take,
    There's so much sav'd, if otherwise, nothing lost.

    PAN. What is't, good Cricca?

    CRI. Soon as Albumazar comes, loaded with news
    Of th' transmutation of your servant Trincalo,
    I'll entertain him here; meanwhile, steal you
    Closely into the room, and quickly hide
    Some special piece of plate: then run out amaz'd,
    Roaring, that all the street may know y' are robb'd.
    Next threaten to attach him, and accuse him
    Before a justice; and in th' end agree,
    If he restore the plate, you'll give the chain,
    Otherwise not.

    PAN. But if we be discover'd!
    For by his instruments and familiars
    He can do much.

    CRI. Lay all the fault on Trincalo.
    But here's the main point. If you can dissemble
    Cunningly, and frame your countenance to express
    Pity and anger, that so learn'd a man
    Should use his friend so basely--if you can call
    An outcry well, roar high and terrible.

    PAN. I'll fetch a cry from th' bottom of my heels,
    But I'll roar loud enough; and thou must second me
    With wonder at the sudden accident.

    CRI. But yours is the main part; for, as you play't,
    You win or lose the chain.

    PAN. No more, no more; he comes.


SCENE II.

ALBUMAZAR, PANDOLFO, CRICCA.

    ALB. Signior Pandolfo, three-quarters of an hour
    Renders your servant perfectly transform'd.
                                              [PANDOLFO _retires_.

    CRI. Is he not wholly chang'd? What parts are wanting?

    ALB. Antonio's shape hath cloth'd his bulk[312] and visage;
    Only his hands and feet, so large and callous,
    Require more time to supple.

    CRI. Pray you, sir,
    How long shall he retain this metamorphosis?

    ALB. The complete circle of a natural day.

    CRI. A natural day! are any days unnatural?

    ALB. I mean the revolution of th' first mover,
    Just twice twelve hours, in which period the rap'd motion
    Rolls all the orbs from east to occident.

PAN. [_Returning._] Help, help! thieves, thieves! neighbours, I am
robb'd: thieves, thieves!

    CRI. What a noise make you, sir.

    PAN. Have I not reason,
    That thus am robb'd? Thieves, thieves! call constables,
    The watch and serjeants, friends and constables;
    Neighbours, I am undone.

    CRI. This is well begun,
    So he hold out still with a higher strain.           [_Aside._
    What ails you, sir?

    PAN. Cricca, my chamber's spoil'd
    Of all my hangings, clothes, and silver plate.
                                                [_Exit_ ALBUMAZAR.

    CRI. Why, this is bravely feign'd; continue, sir.

    PAN. Lay all the goldsmiths, keepers, marshals, bailiffs.

    CRI. Fie, sir, your passion falls; cry louder--roar,
    That all the street may hear.

    PAN. Thieves, thieves, thieves!
    All that I had is gone, and more than all.

    CRI. Ha, ha, ha! hold out; lay out a lion's throat;
    A little louder.

    PAN. I can cry no longer,
    My throat's sore; I am robb'd, I am robb'd, all's gone,
    Both my own treasure, and the things I borrow'd.
    Make thou an outcry, I have lost my voice:
    Cry fire, and then they'll hear thee.

    CRI. Good, good: thieves!
    What have you lost?

    PAN. Wine, jewels, tablecloths,
    A cupboard of rich plate.

    CRI. Fie! you'll spoil all.
    Now you outdo it. Say but a bowl or two.

    PAN. Villain, I say all's gone; the room's as clean
    As a wip'd looking-glass: O me, O me!

    CRI. What, in good earnest?

    PAN. Fool, in accursed earnest.

    CRI. You gull me, sure.

    PAN. The window towards the south stands ope, from whence
    Went all my treasure. Where's the astrologer?

    ALB. Here, sir;
    And hardly can abstain from laughing, to see you vex
    Yourself in vain.

    PAN. In vain, Albumazar?
    I left my plate with you, and 'tis all vanish'd;
    And you shall answer it.

    ALB. O, were it possible
    By power of art to check what art hath done,
    Your man should ne'er be chang'd: to wrong me thus
    With foul suspicion of flat felony!
    Your plate, your cloth of silver, wine and jewels,
    Linen, and all the rest, I gave to Trincalo,
    And for more safety lock'd them in the lobby.
    He'll keep them carefully. But, as you love your mistress,
    Disturb him not this half-hour, lest you'll have him
    Like to a centaur, half-clown, half-gentleman.
    Suffer his foot and hand, that's yet untouch'd,
    To be ennobled like his other members.

    PAN. Albumazar, I pray you pardon me,
    Th' unlooked-for bareness of the room amaz'd me.

    ALB. How! think you me so negligent, to commit
    So rich a mass of treasure to th' open danger
    Of a large casement and suspicious alley?
    No, sir; my sacrifice no sooner done,
    But I wrapp'd all up safe, and gave it Trincalo.
    I could be angry, but that your sudden fear
    Excuses you. Fie! such a noise as this,
    Half an hour pass'd, had scar'd the intelligences,
    And spoil'd the work: but no harm done. Go walk
    Westward, directly westward, one half-hour;
    Then turn back, and take your servant turn'd t' Antonio,
    And, as you like my skill, perform your promise,
    I mean the chain.

    PAN. Content, let's still go westward----
    Westward, good Cricca, still directly westward.
                                  [_Exeunt_ PANDOLFO _and_ CRICCA.


SCENE III.

ALBUMAZAR, RONCA, HARPAX, FURBO.

    ALB. Harpax, Furbo, and Ronca, come out: all's clear.
    Why, here's a noble prize, worth vent'ring for.
    Is not this braver than sneak all night in danger,
    Picking of locks, or hooking clothes at windows?
    Here's plate, and gold, and cloth, and meat, and wine,
    All rich and eas'ly got. Ronca, stay hereabout.
    And wait till Trincalo come forth; then call him
    With a low reverence Antonio;
    Give him this gold with thanks; tell him he lent it,
    Before he went to Barbary.

    RON. How! lose ten pieces?

    ALB. There's a necessity in't: devise some course
    To get't again; if not, our gain's sufficient
    To bear that loss. Furbo, find out Bevilona
    The courtesan; let her feign herself a gentlewoman
    Enamour'd of Antonio; bid her invite him
    To banquet with her, and by all means possible
    Force him stay there two hours.

    HAR. Why two hours?

    ALB. That in that time thou mayest convey
    Our treasure to the inn, and speak a boat
    Ready for Gravesend, and provide a supper,
    Where with those precious liquors and good meats
    We'll cheer ourselves; and thus, well fed and merry,
    Take boat by night.

    FUR. And what will you do?

    ALB. First in, and usher out our changeling, Trincalo.
    Then finish up a business of great profit,
    Begun with a rich merchant, that admires
    My skill in alchemy. I must not lose it.

    RON. Harpax, bestow the plate: Furbo, our beards,
    Black patches for our eyes, and other properties,[313]
    And at the time and place meet all at supper.       [_Exeunt._


SCENE IV.

ALBUMAZAR, TRINCALO.

    ALB. Stand forth, transformed Antonio, fully mued
    From brown soar feathers[314] of dull yeomanry,
    To th' glorious bloom of gentry: prune yourself sleek;[315]
    Swear boldly y' are the man you represent
    To all that dare deny it.

    TRIN. I find my thoughts
    Most strangely alter'd; but methinks my face
    Feels still like Trincalo.

    ALB. You imagine so.
    Senses are oft deceiv'd. As an attentive angler,
    Fixing his steady eyes on the swift streams
    Of a steep tumbling torrent, no sooner turns
    His sight to land, but (giddy) thinks the firm banks
    And constant trees more like the running water;
    So you, that thirty years have liv'd in Trincalo.
    Chang'd suddenly, think y' are so still; but instantly
    These thoughts will vanish.

    TRIN. Give me a looking-glass
    To read your skill in these new lineaments.

    ALB. I'd rather give you poison; for a glass,
    By secret power of cross reflections
    And optic virtue, spoils the wond'rous work
    Of transformation; and in a moment turns you,
    Spite of my skill, to Trincalo as before.
    We read that Apuleius[316] was[317] by a rose
    Chang'd from an ass to man: so by a mirror
    You'll lose this noble lustre, and turn ass.
    I humbly take my leave; but still remember
    T' avoid the devil and a looking-glass.
    Newborn Antonio, I kiss your hands.

    TRIN. Divine Albumazar, I kiss your hands.  [_Exit_ ALBUMAZAR.


SCENE V.

TRINCALO, RONCA.

    TRIN. Now am I grown a gentleman and a fine one,
    I know't by th' kissing of my hands so courtly.
    My courteous knees bend in so true a distance,
    As if my foot walk'd in a frame on purpose.
    Thus I accost you; or thus, sweet sir, your servant:
    Nay, more, your servant's servant: that's your grandservant.
    I could descend from the top of Paul's to th' bottom,
    And on each step strew parting compliments;
    Strive for a door, while a good carpenter
    Might make a new one. I am your shadow, sir,
    And bound to wait upon you; i' faith, I will not:
    Pray, sir, &c. O brave Albumazar!

    RON. Just Æsop's crow, trink'd up in borrow'd feathers.

    TRIN. My veins are fill'd with newness: O, for a chirurgeon
    To ope this arm, and view my gentle blood,
    To try if't run two thousand pounds a year.
    I feel my understanding is enlarg'd
    With the rare knowledge of this latter age:
    A sacred fury oversways me. Prime!
    Deal quickly, play, discard, I set ten shillings and sixpence.
    You see't? my rest, five-and-fifty.[318] Boy, more cards!
    And, as thou go'st, lay out some roaring oaths
    For me; I'll pay thee again with interest.
    O brave Albumazar!

    RON. How his imagination
    Boils, and works in all things he ever saw or heard!

    TRIN. At gleek? content.
    A murnival of aces, gleek of knaves:
    Just nine apiece. Sir, my grey Barbary
    'Gainst your dun cow, three train cents and th' course,
    For fifty pound. As I am a gentleman,
    I'll meet next cocking, and bring a haggard[319] with me,
    That stoops as free as lightning,[320] strikes like thunder.
    I lie? my reputation, you shall hear on't.
    O brave Albumazar!

    RON. He'll grow stark mad, I fear me.

    TRIN. Now I know
    I am perfectly transform'd; my mind incites me
    To challenge some brave fellow for my credit;
    And, for more safety, get some friend in private
    To take the business up in peace and quiet.

    RON. Signior Antonio!

    TRIN. There's not a crumb of Trincalo
    In all this frame but the love of
    Armellina: Were't not for thee, I'd travel, and [come] home again,
    As wise as I went over.

    RON. Signior Antonio! welcome ten thousand times:
    Bless'd be the heavens and seas for your return.

    TRIN. I thank you, sir: Antonio is your servant,
    I am glad to see you well--
    Fie! I kiss your hands, and thus accost you.

    RON. This three months all your kindred, friends, and children,
    Mourn'd for your death.

    TRIN. And so they well might do,
    For five days I was under water; and, at length,
    Got up and spread myself upon a chest,
    Rowing with arms, and steering with my feet;
    And thus, in five days more, got land. Believe it,
    I made a most incredible escape
    And safe return from Barbary. At your service.

    RON. Welcome ten thousand times from Barbary;
    No friend more glad to see Antonio
    Than I: nor am I thus for hope of gain;
    But that I find occasion to be grateful
    By your return. Do you remember, sir,
    Before you went, as I was once arrested,
    And could not put in bail, you, passing by,
    Lent me ten pound, and so discharg'd the debt?

    TRIN. Yes, yes, as well as 'twere but yesterday.

    RON. Oft have I waited at your house with money
    And many thanks; but you were still beyond seas.
    Now am I happy of this fair occasion
    To testify my honest care to you;
    For you may need it.

    TRIN. Sir, I do indeed,
    Witness my treasure cast away by shipwreck.

    RON. Here, sir.

    TRIN. Is the gold good? for mine was good I lent you.

    RON. It was, and so is this. Signior Antonio, for this courtesy
    Call me your servant.                                 [_Exit._

TRIN. Farewell, good servant; ha, ha, ha, ha, ha! I know not so much as
his name! Ten pound! This change is better than my birth; for, in all
the years of my yeomanry, I could never yoke two crowns, and now I
have herded ten fair twenty-shilling pieces. Now will I go to this
astrologer, and hire him to turn my cart to a caroch, my four jades to
two pair of Dutch mares, my Mistress Armellina to a lady, my ploughboy
Dick to two garded footmen[321]. Then will I hurry myself to the
mercer's books, wear rich clothes, be called Tony by a great man, sell
my lands, pay no debts, hate citizens, and beat Serjeants: and when all
fails, sneak out of Antonio with a twopenny looking-glass, and turn as
true Trincalo as ever.


SCENE VI.

HARPAX, TRINCALO.

    HAR. Signior Antonio, welcome.

    TRIN. My life, here's ten pound more,
    I thank you heartily.

    HAR. Never in fitter season could I find you.
    If you remember, sir, before you went
    To Barbary, I lent you ten pound in gold.

    TRIN. Faith, I remember no such thing, excuse me.
    What may I call your name?

    HAR. My name is Harpax,
    Your friend and neighbour, of your old acquaintance.

    TRIN. What, Harpax! I am your servant; I kiss your hands.
    You must excuse me; you never lent me money.

    HAR. Sir, as I live, ten twenty-shilling pieces.

    TRIN. Dangers at sea, I find, have hurt my memory.

    HAR. Why, here's your own handwriting, seal'd and sign'd
    In presence of your cousin Julio.

    TRIN. 'Tis true, 'tis true; but I sustain'd great losses
    By reason of the shipwreck. Here's five pieces;
    Will that content you? and to-morrow morning
    Come to my house and take the rest.

    HAR. Well, sir,
    Though my necessity would importune you
    For all, yet, on your worship's word, the rest
    I'll call for in the morning. Farewell, Antonio.      [_Exit._

    TRIN. I see we gentlemen can sometimes borrow
    As well as lend; and are as loth to pay
    As meaner men. I'll home, lest other creditors
    Call for the rest.


SCENE VII.

RONCA, TRINCALO.

    RON. Signior Antonio! I saw you as you landed,
    And in great haste follow'd, to congratulate
    Your safe return with these most wish'd embraces.

    TRIN. And I accept your joy with like affection.
    How do you call yourself?

    RON. Have you forgot
    Your dear friend Ronca, whom you lov'd so well?

    TRIN. O, I remember now, my dear friend Ronca.

    RON. Thanks to the fortune of the seas, that sav'd you.

    TRIN. I fear I owe him money.
    How shall I shift him?                              [_Aside._]
    How does your body, Ronca?

    RON. My dear Antonio,
    Never so well as now I have the power
    Thus to embrace my friend, whom all th' Exchange
    Gave drown'd for three whole months. My dear Antonio!

    TRIN. I thank you, sir.

    RON. I thank you.

    TRIN. While my dear Ronca
    Clipp'd me,[322] my purse shook dangerously; yet both his arms
    And hands embrac'd my neck. Here's none behind me.
    How can this be?

    RON. Most dear Antonio,
    Was not your passage dangerous from Barbary?
    We had great winds and tempests; and, I fear me,
    You felt the force at sea.

    TRIN. Yes, dearest Ronca.
    How's this? I see his hands, and yet my purse is gone!

    RON. Signior Antonio, I see your mind's much troubl'd
    About affairs of worth; I take my leave,
    And kiss your hands of liberality.

    TRIN. And kiss my hands of liberality!
    I gave him nothing. O, my purse, my purse!
    Dear Master Ronca.

    RON. What's your pleasure, sir?

    TRIN. Show me your hand.

    RON. Here 'tis.

    TRIN. But where's th' other?

    RON. Why, here.

    TRIN. But I mean, where's your other hand?

    RON. Think you me the giant with a hundred hands?

    TRIN. Give me your right.

    RON. My right?

    TRIN. Your left.

    RON. My left?

    TRIN. Now both.

    RON. There's both, my dear Antonio.
    Keep yourself dark; eat broth. Your fearful passage
    And want of natural rest hath made you frantic.       [_Exit._

    TRIN. Villain, rogue, cutpurse, thief! [_Aside._] Dear Ronca, stay.
    He's gone--
    I' th' devil's name, how could this fellow do it?
    I felt his hands fast lock'd about my neck;
    And still he spoke. It could not be his mouth:
    For that was full of dear Antonio.
    My life! he stole't with his feet. Such a trick more
    Will work worse with me than a looking-glass:
    To lose five pounds in court'sy, and the rest
    In salutation!

_Re-enter_ RONCA, _disguised_.

    RON. Signior Antonio,
    What ails you?

    TRIN. Ronca, a rogue, a cutpurse,
    Hath robb'd me of five twenty-shilling pieces.

    RON. What kind of man was he--something like me?

    TRIN. H' had such a thievish countenance as your own,
    But that he wore a black patch o'er his eye.

    RON. Met you with Ronca? 'Tis the cunning'st nimmer
    Of the whole company of Cut-purse Hall:
    I am sorry I was not here to warn you of him.         [_Exit._


SCENE VIII.

FURBO, BEVILONA, TRINCALO.

    BEV. Furbo, no more, unless thy words were charms
    Of power to revive him. Antonio's dead;
    He's dead, and in his death hath buried
    All my delights: my ears are deaf to music
    That sounds of pleasure. Sing, then, the dolfull'st notes
    That e'er were set by melancholy: O Antonio!

FURBO _sings this song_.

    _Flow, streams of liquid salt from my sad eyes,
    To celebrate his mournful exequies.
    Antonio's dead; he's dead, and I remain
    To draw my poor life in continual pain,
    Till it have paid to his sad memory
    Duty of love: O, then most willingly
    Drown'd with my tears, as he with waves, I die._

    BEV. Break thy sad strings, sad[323] instrument--
       O, strange, he's here!
    Signior Antonio! my heart's sweet content!
    My life and better portion of my soul!
    Are you return'd, and safe? for whose sad death
    I spent such streams of tears and gusts of sighs?
    Or is't my love, that to my longing fancy
    Frames your desired shape, and mocks my senses?

    TRIN. Whom do you talk withal, fair gentlewoman?

    BEV. With my best friend, commander of my life,
    My most belov'd Antonio.

    TRIN. With me!
    What's your desire with me, sweet lady?

    BEV. Sir, to command me, as you have done ever,
    To what you please: for all my liberty
    Lies in your service.

    TRIN. Now I smell the business.
    This is some gentlewoman enamour'd
    With him whose shape I bear. Fie, what an ass
    Was I to strange myself, and lose the occasion
    Of a good banquet and her company.
    I'll mend it as I can. [_Aside._] Madam, I did but jest,
    To try if absence caus'd you to forget
    A friend that lov'd you ever.

    BEV. Forget Antonio,
    Whose dear remembrance doth inform the soul
    Of your poor servant, Bevilona! No,
    No; had you died, it had not quench'd one spark
    Of th' sweet affection which your love hath kindl'd
    In this warm breast.

    TRIN. Madam, the waves had drown'd me,
    But that your love held up my chin.

    BEV. Will't please you
    Enter, and rest yourself, refresh the weariness
    Of your hard travel; I have good wine and fruits:
    My husband's out of town; you shall command
    My house, and all that's in't.

    TRIN. Why, are you married?

    BEV. Have you forgot my husband, an angry roarer?

    TRIN. O, I remember him: but if he come?

    BEV. Whence grows this fear? how come you so respectful?
    You were not wont be numb'd with such a coldness.
    Go in, sweet life, go in.

    TRIN. I remember while I liv'd in Barbary,
    A pretty song the Moors sing to a gridiron:
    Sweet, madam, by your favour, I'll sing to this.

      _Alcoch dolash_, &c. Thus 'tis in English--
        _My heart in flames doth fry
        Of thy beauty,
        While I Die.
        Fie!
        And why
        Shouldst thou deny
        Me thy sweet company?
        My brains to tears do flow,
        While all below
        Doth glow.
        O!
        Foe,
        If so,
        How canst thou go
        About to say me no?_

    This the Moors call two wings[324] upon a gridiron;
    But it goes sweeter far o' th' iron instrument.

    RON. There's one within my kitchen, ready-strung: go in.

    TRIN. Sweet lady, pardon me, I'll follow you.
    Happy Antonio in so rare a mistress!
    But happier I, that in his place enjoy her:
    I say still, there's no pleasure like transforming.


SCENE IX.

BEVILONA _and_ TRINCALO; _to them_ RONCA.

    RON. Now is the ass expecting of a banquet,
    Ready to court, embrace, and kiss his mistress.
    But I'll soon stave him. What ho!       [_Knocks at the door._

    BEV. Who's that so boldly knocks? I am not within--
    Or busy. Why so importunate? who is't?

    RON. 'Tis I.

    BEV. Your name?

    RON. Thomas ap William ap Morgan ap Davy ap Roger, &c.

    TRIN. Spinola's camp's broke loose: a troop of soldiers!

    BEV. O me! my husband! O me, wretch! 'tis my husband.

    TRIN. One man, and wear so many names!

    BEV. O sir,
    H' has more outrageous devils in his rage
    Than names. As you respect your life, avoid him:
    Down at that window----

    TRIN. 'Tis as high as Paul's;
    Open the garden door.

    BEV. He has the keys.
    Down at some window, as you love your life,
    Tender my honour, and your safety.

    RON. Bevilona!
    Down, or I'll break the doors, and with the splinters
    Beat all thy bones to pieces: down, you whore.

    BEV. Be patient but a little; I come instantly.

    TRIN. Ha' you no trunk nor chest to hide me?

    BEV. None, sir.
    Alas, I am clean undone! it is my husband.

    RON. Doubtless this whore hath some of her companions,
    That wrong me thus. But if I catch the villain,
    I'll bathe my hungry sword and sharp revenge
    In his heart-blood. Come down!

    BEV. I cannot. [_To_ TRINCALO.] Stay;
    There stands an empty hogshead with a false bottom
    To ope and shut at pleasure; come hither; in,
    In, as you love your life.

    TRIN. But hear you, madam,
    Is there no looking-glass within't? for I hate glasses
    As naturally as some do cats or cheese.

    BEV. In, in, there's none.

    RON. Who now? is the ass pass'd?

    BEV. I tunn'd him up, ha, ha, ha! I fear he'll fall aworking.

    RON. Second me handsomely, we'll entertain him
    An hour or two, and laugh, and get his clothes
    To make our sport up. [_Aside._] Wife, where's the empty hogshead,
    That wont to stand under the stairs?

    BEV. There still.

    RON. Out with it quickly: I must have it fill'd.

    BEV. Not to-day, good sir; to-morrow will serve as well.

    RON. Out with it quickly: I must have it fill'd.

    BEV. Not to-day, good sir; to-morrow will serve as well.

    RON. I must ha't now.

    BEV. 'Tis more than I can carry.

    RON. I'll help thee: so, so. Foh! this vessel's musty.
    Fetch out some water.

    BEV. Fetch't out yourself.

    TRIN. Pox of all transmutation, I am smother'd.
    Lady, as you love me, give the hogshead vent,
    The beer that's in't will work and break the vessel.

    BEV. Signior Antonio, as you love your life,
    Lie still and close, for, if you stir, you die.

    RON. So, so; now shake it; so, so.

    TRIN. O! I am drown'd! I drown!

    RON. When comes this hollow sound?

    TRIN. I drown! I smother!

    RON. My life, 'tis Trincalo; for I have heard that coxcomb,
    That ass, that clown, seeks to corrupt my wife,
    Sending her[325] fruit and dainties from the country.
    O, that 'twere he! how would I use the villain!
    First crop his ears, then slit his nose, and geld him.
    And with a red-hot iron sear his raw wounds;
    Then barrel him again, and send the eunuch
    To the great Turk to keep his concubines.
    Tick, tock, who is within here?          [_Knocks on the tub._

    BEV. One that you dare not touch.

    RON. One that I dare not?               [TRINCALO _comes out_.

    Out, villain, out--Signior Antonio!
    Had it been any but yourself, he had died,
    But, as you sav'd my life, before you went,
    So now command mine in your services.
    I would have sworn y' had drown'd in Barbary.

    TRIN. 'Twas a hard pass;[326] but not so dangerous
    As was this vessel. Pray you, conceive no ill;
    I meant no harm, but call'd of your wife to know
    How my son Lelio did, and daughter Flavia.

    RON. Sir, I believe you.

    TRIN. But I must tell you one thing:
    You must not be so jealous; on my honour,
    She's very honest.

    RON. For you I make no question;
    But there's a rogue called Trincalo, whom if I catch,
    I'll teach him.

    TRIN. Who? you mean Pandolfo's farmer.
    Alas, poor fool, he's a stark ass, but harmless.
    And though she talk with him, 'tis but to laugh,
    As all the world does at him. Come, be friends
    At my entreaty.

    RON. Sir, for your sake.

    BEV. I thank you.

    TRIN. Let's have a fire; and, while I dry myself,
    Provide good wine and meat. I'll dine with you.
    I must not home thus wet. I am something bold with you.

    RON. My house and self are at your service.

    TRIN. Lead in.
    Alas, poor Trincalo, hadst thou been taken,
    Thou hadst been tunn'd for Turkey.
    Ha, ha, ha, ha! fair fall Antonio's shape.
    What a notorious wittol's this! ha, ha, ha!         [_Exeunt._


FOOTNOTES:

  [310] "_Heirlooms_ are such goods and personal chattels as, contrary
  to the nature of chattels, shall go by special custom to the heir,
  along with the inheritance, and not to the executor of the last
  proprietor. The termination, _loom_, is of Saxon original, in which
  language it signifies a limb or member of the
  inheritance."--Blackstone's "Commentaries," ii. 427.

  [311] In act i. sc. 7, he says that _it cost two hundred pounds_.

  [312] _i.e._, Body.

  [313] Properties are whatever little articles are wanted for the
  actors, according to their respective parts, dresses and scenes
  excepted. The person who delivers them out is to this day called the
  _property man_. See Mr Steevens's note to "Midsummer Night's Dream,"
  act i. sc. 2.

  [314] The late ingenious Mr Robert Dodsley, whose modest merit is well
  known to those who were acquainted with him, had little skill in our
  ancient language, and therefore permitted many uncommon terms to be
  exchanged for others, to the no small detriment of the scenes which he
  undertook to publish. We had here a proof of the unpardonable licence,
  where a word of no meaning, _soak_, was given instead of a technical
  term belonging to falconry, in the language of which the present
  metaphor is carried on. A young hawk, like a young deer, was called a
  _soar_ or _soare:_ so that the brown _soar_ feathers are the remains
  of its first plumage, or such feathers as resemble it in colour. These
  birds are always mewed while they were moulting, to facilitate the
  growth of fresh plumes, more strong and beautiful than those which
  dropped off. Without this restoration and explanation, the passage
  before us is unintelligible.--_Steevens._

  Latham, in his book of falconry, says: "A _sore hawke_, is from the
  first taking of her from the eiry, till she have mewed her feathers."
  The error introduced into the play by Mr Dodsley is continued by Mr
  Garrick who, in his alteration, reads brown _soak_ feathers.

  Trincalo has already used a phrase that seems to be equivalent, in act
  ii. sc. 4, where he says--

      "But if I _mew_ these _flags of yeomanry_
      Gild in the _sear_," &c.

  See the explanatory notes, where _flags_ are called "the baser order
  of feathers," and _sear_, we are told, is "the yellow part between the
  beak and the eyes of the hawk." After all, _sear_ may be a misprint
  for _soar_, and this would make the resemblance in the two passages
  the stronger.--_Collier._

  [315] The metaphor is taken from a cock, who in his pride _prunes
  himself_, that is, picks off the loose feathers to smooth the rest.
  See notes by Dr Johnson and Mr Steevens to "First Part of King Henry
  IV.," act i. sc. 1.

  The previous metaphors and phrases are from _falconry_, and probably
  the allusion is meant to be continued here: a _hawk_ may be said to
  _prune itself sleek_ just as well as a _cock_.--_Collier._

  [316] See a translation of Apuleius's "Golden Asse," by William
  Adlington, 4º, 1566.

  [317] The 4º of 1615 omits _was_.--_Collier._

  [318] This appears to be the same as if, in modern language, he had
  said, _I stand_ at so many, a term still used at the game of
  _commerce_, and once perhaps current at many others; for it is not
  very certain at what particular game the deluded Trincalo supposes
  himself to be playing.--_Steevens._

  The terms in the text appear to have been used at primero. I believe,
  therefore, Trincalo imagines himself to be playing at that game. It
  appears from a passage in "Nugæ Antiquæ," that fifty-five was esteemed
  a number which might safely be relied on. See note to "Lingua," [ix.
  387, 388.]

  [319] See note to "The City Nightcap," [act iv. sc. 4, vol. xiii.; and
  Dyce's "Shakespeare Glossary," _v._ Haggard.]

  [320] "_Stooping_," says Latham, "is when a hawke, being upon her
  wings at the height of her pitch, bendeth violently down to strike the
  fowle, or any other prey." So in "The Alchymist," act v. sc. 5--

      "Here stands my dove: _stoop_ at her if you dare."

  "Again, Milton, in "Paradise Lost," bk. xi. 1. 185.

      "The bird of Jove, _stoop'd_ from his aery tour,
      Two birds of gayest plume before him drove."

  [321] _i.e._, Two footmen in _garded_ or _laced_ liveries. So
  in "The Merchant of Venice," act ii. sc. 2--

              "Give him a livery
      More _garded_ than his fellows."

  --_Steevens._

  [322] _i.e._, Embraced me.

  [323] [Old copy, _and_.]

  [324] The two stanzas decrease and then increase, after the manner of
  wings. See the Greek poet Simmias Rhodius.--_Pegge._

  [325] [Old copy, _his_.]

  [326] Hitherto the reading has been--

      "'Twas a hard passage; but not so dangerous
      As was this vessel."

  The true word and the measure have been restored from the old
  copy.--_Collier._



ACT IV., SCENE I.

[ANTONIO _solus_.]


    ANT. Thus, by great favour of propitious stars,
    From fearful storms, shipwreck and raging billows,
    [And] merciless jaws of death, am I return'd
    To th' safe and quiet bosom of my country
    And wish'd embracements of my friends and kindred.
    The memory of these misfortunes pass'd
    Seasons the welcome, and augments the pleasure
    I shall receive of my son Lelio
    And daughter Flavia. So doth alloy
    Make gold, that else were useless, serviceable;
    So the rugg'd forehead of a threat'ning mountain
    Heightens[327] the smoothness of a smiling valley.


SCENE II.

_Enter_ CRICCA.

    CRI. What do I see? Is not this Trincalo,
    Transform'd t' Antonio? 'tis: and so perfectly
    That, did the right Antonio now confront him,
    I'd swear they both were true, or both were false.

    ANT. This man admires the unexpectedness
    Of my return.

    CRI. O wondrous power of stars,
    And skill of art t' apply't! You that are married
    May justly fear, lest this astrologer
    Clothe your wives' servants in your shape, and use you
    As Jupiter did Amphitryo. You, that are rich,
    In your own form may lose your gold.

    ANT. 'Tis Cricca.

    CRI. He seems so just the man he represents,
    That I dare hardly use him as I purpos'd.

    ANT. Cricca, well-met; how fares my friend Pandolfo?

    CRI. Your friend Pandolfo! how are your means improv'd,
    To style familiarly your master friend?

    ANT. What say'st thou?

    CRI. That I rejoice your worship's safe return

    From your late drowning. Th' Exchange hath giv'n you lost,
    And all your friends worn mourning three months past.

    ANT. The danger of the shipwreck I escap'd
    So desperate was, that I may truly say
    I am new-born, not sav'd.

    CRI. Ha, ha, ha! through what a grace
    And goodly countenance the rascal speaks!
    What a grave portance! could Antonio
    Himself outdo him? O you notorious villain!
    Who would have thought thou couldst have thus dissembled?

    ANT. How now! a servant thus familiar? Sirrah,
    Use your companions so: more reverence
    Becomes you better.

    CRI. As though I understood not
    The end of all this plot and goodly business.
    Come, I know all. See! this untill'd clod of earth
    Conceits his mind transform'd as well as body.
    He wrings and bites his lips for fear of laughing.
    Ha, ha, ha!

    ANT. Why laugh you, sirrah?

    CRI. Sirrah, to see thee chang'd
    So strangely, that I cannot spy an inch
    Of thy old clownish carcase: ha, ha!

    ANT. Laughter proceeds
    From absurd actions that are harmless.

    CRI. Ha, ha, ha!
    Sententious blockhead!

    ANT. And y' are ill-advis'd
    To jest instead of pity. Alas! my miseries,
    Dangers of death, slav'ry of cruel Moors
    And tedious journeys, might have easily alter'd
    A stronger body, much more this decay'd vessel,
    Out-worn with age, and broken by misfortunes.

    CRI. Leave your set speeches. Go to Antonio's house,
    Effect your business; for, upon my credit,
    Th' art so well-turn'd, they dare not but accept thee.

    ANT. Where should I hope for welcome, if not there--
    From my own house, children, and family?

    CRI. Is't possible this coxcomb should conceive
    His mind transform'd? How gravely he continues
    The countenance he began! ha, ha! Why, blockhead,
    Think'st to deceive me too? Why, Trincalo!

    ANT. I understand you not. Hands off.

    CRI. Art not thou Trincalo,
    Pandolfo's man?

    ANT. I not so much as know him.

    CRI. Dar'st thou deny't to me?

    ANT. I dare, and must
    To all the world, long as Antonio lives.

    CRI. You arrant ass! have I not known thee serve
    My master in his farm this thirteen years?

    ANT. By all the oaths that bind men's consciences
    To truth, I am Antonio, and no other.


SCENE III.

_Enter_ PANDOLFO.

    PAN. What means this noise? O Cricca! what's the matter?

    CRI. Sir, here's your farmer Trincalo, transform'd
    So just, as he were melted, and new-cast
    In the true mould of old Antonio.

    PAN. Th' right eye's no liker to the left, than he
    To my good neighbour. Divine Albumazar!
    How I admire thy skill! Just so he look'd,
    And thus he walk'd: this is his face, his hair:
    His eyes and countenance. If his voice be like,
    Then is th' astrologer a wonder-worker.

    ANT. Signior Pandolfo, I thank the heavens as much
    To find you well, as for my own return.
    How does your daughter and my love Sulpitia?

    PAN. Well, well, sir.

    CRI. This is a good beginning:
    How naturally the rogue dissembles it!
    With what a gentle garb and civil grace
    He speaks and looks! How cunningly Albumazar
    Hath for our purpose suited him in Barbary clothes!
    I'll try him further, sir; we heard
    You were drown'd; pray you, how 'scap'd you shipwreck?

    ANT. No sooner was I shipp'd for Barbary,
    But fair wind follow'd, and fair weather led us.
    When, enter'd in the straits of Gibraltar,
    The heavens, and seas, and earth conspir'd against us;
    The tempest tore our helm, and rent our tackles,
    Broke the mainmast, while all the sea about us
    Stood up in wat'ry mountains to o'erwhelm us,
    And struck's against a rock, splitting the vessel
    T' a thousand splinters. I, with two mariners,
    Swam to the coast, where by the barbarous Moors
    We were surpris'd, fetter'd, and sold for slaves.

    CRI. This tale th' astrologer penn'd, and he hath conn'd it.

    ANT. But by a gentleman of Italy,
    Whom I had known before----

    PAN. No more; this taste
    Proves thou canst play the rest. For this fair story,
    My hand; I make thy ten pounds twenty marks,
    Thou look'st and speak'st so like Antonio.

    ANT. Whom should I look and speak like, but myself?

    CRI. Good still!

    PAN. But now, my honest Trincalo,
    Tell me where's all the plate, the gold, and jewels,
    That the astrologer, when he had transform'd thee,
    Committed to thy charge? are they safe-lock'd?

    ANT. I understand you not.

    PAN. The jewels, man;
    The plate and gold th' astrologer that chang'd thee
    Bad thee lay up.

    ANT. What plate? What gold? What jewels?
    What transformation? What astrologer?

    CRI. Leave off Antonio now, and speak like Trincalo.

    ANT. Leave off your jesting. It neither fits your place
    Nor age, Pandolfo, to scoff your ancient friend.
    I know not what you mean by gold and jewels,
    Nor by th' astrologer, nor Trincalo.

    CRI. Better and better still. Believe me, sir,
    He thinks himself Antonio, and ever shall be,
    And so possess your plate. Art thou not Trincalo,
    My master's farmer?

    ANT. I am Antonio,
    Your master's friend, if he teach you more manners.

    PAN. Humour of wiving's gone. Farewell, good Flavia.
    Three thousand pound must not be lost so slightly.
    Come, sir; we'll drag you to th' astrologer,
    And turn you to your ragged bark of yeomanry.

    ANT. To me these terms?

    PAN. Come, I'll not lose my plate.

    CRI. Stay, sir, and take my counsel. Let him still
    Firmly conceit himself the man he seems:
    Thus he, himself deceiv'd, will far more earnestly
    Effect your business, and deceive the rest.
    There's a main difference 'twixt a self-bred action
    And a forc'd carriage. Suffer him, then, to enter
    Antonio's house, and wait th' event: for him,
    He cannot 'scape: what you intend to do,
    Do't, when he has serv'd your turn. I see the maid;
    Let's hence, lest they suspect our consultations.

    PAN. Thy counsel's good: away.

    CRI. Look, Trincalo,
    Yonder's your beauteous mistress Armellina,
    And, [sir, your] daughter Flavia. Courage, I warrant thee.
                                  [_Exeunt_ PANDOLFO _and_ CRICCA.

    ANT. Bless'd be the heav'ns that rid me of this trouble;
    For with their farmer and astrologer,
    Plate and gold, they have almost madded me.


SCENE IV.

FLAVIA, ARMELLINA, ANTONIO.

    FLA. Armellina.

    ARM. Mistress.

    FLA. Is the door fast?

    ARM. Yes, as an usurer's purse.

    FLA. Come hither, wench.
    Look here; there's Trincalo, Pandolfo's farmer,
    Wrapp'd in my father's shape: prythee, come quickly,
    And help me to abuse him.

    ARM. Notorious clown!

    ANT. These are my gates, and that's the cabinet,
    That keeps my jewels, Lelio and his sister.

    FLA. Never was villainy so personate
    In seemly properties of gravity.            [ANTONIO _knocks_.

    FLA. Who's he that knocks so boldly?

    ARM. What want you, sir?

    ANT. O my fair daughter Flavia! let all the stars
    Pour down full blessings on thee. Ope the doors.

    FLA. Mark! his fair daughter Flavia, ha, ha, ha!
    Most shameless villain, how he counterfeits!

    ANT. Know'st not thy father, old Antonio?
    Is all the world grown frantic?

    FLA. What, Antonio?

    ANT. Thy loving father, Flavia.

    FLA. My father!
    Would thou wert in his place. Antonio's dead,
    Dead, under water drown'd.

    ANT. That dead and drown'd
    Am I.

    FLA. I love not to converse with dead men.

    ANT. Ope the door, sweet Flavia.

    FLA. Sir, I am afeard;
    Horror incloses me, my hairs stand up,
    I sweat to hear a dead man speak: you smell
    Of putrefaction; fie! I feel't hither.

    ANT. Th' art much abus'd; I live. Come down, and know me.

    ARM. Mistress, let me have some sport too.
    Who's there?

    ANT. Let me come in.

    ARM. Soft, soft, sir; y' are too hasty.

    ANT. Quickly, or else----

    ARM. Good words, good words, I pray, sir,
    In strangers' houses! were the doors your own,
    You might be bolder.

    ANT. I'll beat the doors and windows
    About your ears.

    ARM. Are you so hot? We'll cool you.
    Since your late drowning, your grey and reverend head
    Is smear'd with ooze, and stuck with cockle-shells:
    This is to wash it.                    [_Throws water on him._

    ANT. Impudent whore!

    ARM. Out, carter:
    Hence, dirty whipstock,[328] hence,
    You foul clown; begone, or all the water
    I can make or borrow shall once more drown you.


SCENE V.

LELIO, ANTONIO, ARMELLINA.

    LEL. Armellina, whom do you draw your tongue upon so sharply?

    ARM. Sir, 'tis your father's ghost, that strives by force
    To break the doors, and enter.

    LEL. This! his grave looks!
    In every lineament himself no liker.
    Had I not happily been advertised,
    What could have forc'd me think 'twere Trincalo?
    Doubtless th' astrologer hath rais'd a ghost,
    That walks in th' reverend shape of my dead father.

    ANT. These ghosts, these Trincalos, and astrologers,
    Strike me beside myself. Who will receive me,
    When mine own son refuseth? O Antonio!

    LEL. Infinite power of art! who would believe
    The planets' influence could transform a man
    To several shapes? I could now beat him soundly,
    But that he wears the awful countenance
    Of my dead father, whose memory I reverence.

    ANT. If I be chang'd beyond thy knowledge, son,

    Consider that th' excess of heat in Barbary,
    The fear of shipwreck, and long tedious journeys,
    Have tann'd my skin, and shrunk my eyes and cheeks;
    Yet still this face, though alter'd, may be known:
    This scar bears witness; 'twas the wound thou cur'dst
    With thine own hands.

    LEL. He that chang'd Trincalo
    T' Antonio's figure omitted not the scar
    As a main character.

    ANT. I have no other marks
    Or reasons to persuade thee: methinks these words,[329]
    _I am thy father_, were argument sufficient
    To bend thy knees, and creep to my embracement.

    LEL. A sudden coldness strikes me: my tender heart[330]
    Beats with compassion of I know not what.
    Sirrah, begone; truss up your goodly speeches,
    Sad shipwrecks and strange transformations;
    Your plot's discover'd, 'twill not take: thy impudence
    For once I pardon. The pious reverence
    I owe to th' grave resemblance of my father
    Holds back my angry hands. Hence! if I catch you
    Haunting my doors again, I'll bastinado you
    Out of Antonio's skin. Away.

    ANT. I go, sir;
    And yield to such cross fortune as thus drives me.  [_Exeunt._


SCENE VI.

TRINCALO, _and_ BEVILONA _dressing him_.

    TRIN. When this transformed substance[331] of my carcase
    Did live imprison'd in a wanton hogshead,
    My name was Don Antonio, and that title
    Preserv'd my life, and chang'd my suit of clothes.
    How kindly the good gentlewoman used me!
    With what respect and careful tenderness!

[BEV.] Your worship, sir, had ever a sickly constitution, and I fear
much more now, since your long travel. As you love me, off with these
wet things, and put on the suit you left with me, before you went to
Barbary. Good sir, neglect not your health; for, upon my experience,
there is nothing worse for the rheum than to be drenched in a musty
hogshead.

[TRIN.] Pretty soul! such another speech would have drawn off my legs
and arms, as easily as hose and doublet. Had I been Trincalo, I'd have
sworn th' had cheated: but, fie! 'tis base and clownish to suspect, and
['tis] a gentleman's freeness to part with a cast suit. Now to the
business: I'll into my own house, and first bestow Armellina upon
Trincalo; then try what can be done for Pandolfo: for 'tis a rule I want
t' observe, first do your own affairs, and next your master's. This word
master makes me doubt I am not changed as I should be. But all's one:
I'll venture, and do something worthy Antonio's name while I have it.


SCENE VII.

ANTONIO, TRINCALO.

    ANT. Wretched Antonio! hast been preserv'd so strangely
    From foreign miseries, to be wrong'd at home?
    Barr'd from thy house by the scorn of thine own children?
                                               [TRINCALO _knocks_.
    But stay, there's one knocks boldly; 't may be some friend.
                                         [TRINCALO _knocks again_.
    Dwell you here, gentleman?

    TRIN. He calls me gentleman:
    See th' virtue of good clothes! All men salute,
    Honour, respect, and reverence us.

    ANT. Young gentleman,
    Let me without offence entreat your name,
    And why you knock?

    TRIN. How, sirrah saucebox, my name!
    Or thou some stranger art or grossly ignorant,
    That know'st not me. Ha! what art thou that ask'st it?

    ANT. Be not in choler, sir.

    TRIN. Befits it me,
    A gentleman of public reputation,
    To stoop so low as satisfy the questions
    Of base and earthly pieces like thyself?
    What art thou? ha?

    ANT. Th' unfortunate possessor of this house.

    TRIN. Thou liest, base sycophant, my worship owes[332] it.

    ANT. May be, my son hath sold it in my absence,
    Thinking me dead. How long has't call'd you master?

    TRIN. 'Long as Antonio possess'd it

    ANT. Which Antonio?

    TRIN. Antonio Anastasio.

    ANT. That Anastasio,
    That was drown'd in Barbary?

    TRIN. That Anastasio,
    That selfsame man, am I: I 'scap'd by swimming,
    And now return to keep my former promise
    Of Flavia to Pandolfo; and, in exchange,
    To take Sulpitia to my wife.

    ANT. All this
    I intended 'fore I went: but, sir, if I
    Can be no other than myself, and you
    Are that Antonio, you and I are one.

    TRIN. How? one with thee? speak such another syllable, [_Draws._
    And, by the terror of this deadly steel,
    That ne'er saw light, but sent to endless darkness
    All that durst stand before't, thou diest.

    ANT. Alas! My weakness, grown by age and pains of travel,
    Disarms my courage to defend myself;
    I have no strength, but patience.

    TRIN. What art now?                          [_Threatens him._

    ANT. Peter and Thomas, William, what you please.

    TRIN. What boldness madded thee to steal my name?

    ANT. Sir, heat of wine.

    TRIN. And, sirrah, when y' are drunk,
    Is there no person to put on but mine,
    To cover your intended villanies?

    ANT. But, good sir, if I be not I, who am I?

    TRIN. An ox, an ass, a dog.

    ANT. Strange negligence
    To lose myself! methinks I live and move--
    Remember. Could the fearful apprehension
    Or[333] th' ugly fear of drowning so transform me?
    Or did I die, and by Pythagoras' rule,
    My soul's provided of another lodging?

    TRIN. Be what thou wilt, except Antonio:
    'Tis death to touch that name.

    ANT. Dangers at sea
    Are pleasures, weigh'd with these home-injuries.
    Was ever man thus scar'd beside himself?
    0 most unfortunate Antonio!
    At sea thou suffer'dst shipwreck of thy goods,
    At land of thine own self. Antonio--
    Or what name else they please--fly, fly to Barbary!
    And rather there endure the foreign cruelty
    Of fetters, whips, and Moors, than here at home
    Be wrong'd and baffled by thy friends and children.

    TRIN. How! prating still? why, Timothy, begone,
    Or draw, and lay Antonio down betwixt us?
    Let fortune of the fight decide the question.
    Here's a brave rogue, that in the king's highway
    Offers to rob me of my good name. Draw!

    ANT. These wrongs recall my strength, I am resolv'd:
    Better die once, than suffer always. Draw!

    TRIN. Stay: understand'st thou well nice points of duel?
    Art born of gentle blood and pure descent?[334]
    Was none of all thy lineage hang'd or cuckold,
    Bastard or bastinado'd? Is thy pedigree
    As long, as wide, as mine? for otherwise
    Thou wert most unworthy; and 'twere loss of honour
    In me to fight. More, I have drawn five teeth:[335]
    If thine stand sound, the terms are much unequal.
    And, by strict laws of duel, I am excus'd
    To fight on disadvantage.

    ANT. This is some ass!

    TRIN. If we concur in all, write a formal challenge,
    And bring thy second: meanwhile, I make provision
    Of Calais sand,[336] to fight upon securely. Ha!
                                                  [_Exit_ ANTONIO.


SCENE VIII.

LELIO, CRICCA, TRINCALO.

    LEL. Am I awake? or do deceitful dreams
    Present to my wild fancy things I see not?

    CRI. Sir, what amazement's this? Why wonder you?

    LEL. See'st thou not Trincalo and Antonio?

    CRI. O, strange! they're both here.

    LEL. Didst not thou inform me
    That Trincalo was turn'd to Antonio?
    Which I believing, like a cursed son,
    With most reproachful threats drove mine old father
    From his own doors; and yet rest doubtful whether
    This be the true Antonio: maybe, th' astrologer
    Hath chang'd some other, and not Trincalo.

    CRI. No, fear it not, 'tis plain: Albumazar
    Hath cheated my old master of his plate.
    For here's the farmer, as like himself as ever;
    Only his clothes excepted. Trincalo.

    TRIN. Cricca, where's Trincalo? Dost see him here?

    CRI. Yes, and as rank an ass as e'er he was.

    TRIN. Thou'rt much deceiv'd: thou neither see'st nor know'st me.
    I am transform'd, transform'd.

    CRI. Th' art still thyself.
    Lelio, this farmer's half a fool, half knave;
    And as Pandolfo did with much entreaty
    Persuade him to transform, so, as much labour
    Will hardly bring the coxcomb to himself,
    That ne'er was out on't. Who art, if not he?

    TRIN. My name is Don Antonio: I am now going
    To my own house, to give Pandolfo Flavia,
    And Armellina to his farmer Trincalo.
    How dar'st thou, Cricca (but a meaner servant),
    Resemble me (a man of worth and worship),
    To such a clown as Trincalo, a branded fool,
    An ass, a laughing-stock to town and country?
    Art not asham'd to name him with Antonio?

    LEL. Do not thy actions, with thy rude behaviour,
    Proclaim thee what thou art?

    CRI. Notorious clown!                            [_Beats him._

    TRIN. Villain! th' hast broke my shoulders.

    LEL. O, didst feel him?

    TRIN. Ay, with a pox.

    LEL. Then th' art still Trincalo,
    For, hadst thou been Antonio, he had smarted.

    TRIN. I feel it, as I am Antonio.

    CRI. Fool! who loves Armellina?

    TRIN. 'Tis I, 'tis I.

    CRI. Antonio never lov'd his kitchen-maid.

    TRIN. Well, I was taken for Antonio,
    And in his name receiv'd ten pound in gold,
    Was by his mistress entertain'd; but thou
    Envy'st my happiness: if thou hast th' ambition
    To rise as I have done, go to Albumazar,
    And let him change thee to a knight or lord.

    CRI. Note the strange power of strong imagination.

    TRIN. A world of engines cannot wrest my thoughts
    From being a gentleman: I am one, and will be:
    And, though I be not, yet will think myself so,
    And scorn thee, Cricca, as a slave and servant.       [_Exit._


SCENE IX.

CRICCA, LELIO, ANTONIO.

    CRI. 'Tis but lost labour to dissuade his dulness.
    Believe me, that's your father.

    LEL. When I drove him hence,
    Spite of my blood, his reverend countenance
    Struck me t' a deep compassion. To clear all,
    I'll ask one question. Signior Antonio,
    What money took you when you went your voyage?

    ANT. As I remember, fourscore and fifteen pound
    In Barbary gold. Had Lucio kept his word,
    I had carried just a hundred.

    LEL. Pardon me, father;
    'Twas my blind ignorance, not want of duty,
    That wrong'd you; all was intended for a farmer,
    Whom an astrologer, they said, transform'd.

    ANT. How, an astrologer?

    LEL. When you parted hence,
    It seems you promis'd Flavia to Pandolfo.
    News of your death arriving, th' old gentleman
    Importunes me to second what you purpos'd.
    Consulting therefore with my friends and kindred:
    Loth my young sister should be buried quick
    I' th' grave of threescore years; by their advice
    I fully did deny him. He chafes and storms,
    And finds at length a cunning man, that promis'd
    To turn his farmer to your shape, and thus
    Possess your house, and give him Flavia:
    Whereof I, warn'd, wrong'd you instead of Trincalo.

    ANT. Then hence it came they call'd me Trincalo,
    And talk'd of an astrologer; which names
    Almost enrag'd me past myself and senses.
    'Tis true I promis'd, but have oft repented it;
    And much more since he goes about to cheat me.
    He must not have her, sir.

    LEL. I am glad y' are so resolv'd.
    And since with us you find that match unequal,
    Let's all entreat you to bestow your daughter
    Upon his son Eugenio.

    ANT. Son, at your pleasure,
    Dispose of Flavia with my full consent.

    LEL. And as you judge him worthy your daughter Flavia,
    Think me no less of his Sulpitia.

    ANT. I do, and ever had desire to match
    Into that family; and now I find myself
    Old, weak, unfit for marriage, you shall enjoy her,
    If I can work Pandolfo by entreaty.

    CRI. To deal with him with reason and entreaties,
    Is to persuade a madman: for his love
    Makes him no less. All speeches opposite
    T' his fix'd desire and love-corrupted judgment
    Seem extreme fooleries. Will he consent
    To give his daughter to your son, and you
    Deny him Flavia? Shall Eugenio
    Expect or land or love from old Pandolfo,
    Being his open rival? 'Tis impossible.
    He sought to cosen you; therefore resolve
    To pay him in's own money. Be but advis'd
    By my poor counsel, and one stroke shall cut
    The root of his designs, and with his arrows
    Strike his own plot so dead, that ev'n Albumazar,
    With all his stars and instruments, shall never
    Give it fresh motion.

    ANT. Cricca, to thy direction
    We yield ourselves; manage us at thy pleasure.

    LEL. Speak quickly, Cricca.

    CRI. The ground of all this business
    Is to catch Trincalo, and lock him fast,
    Till I release him: next, that no man whisper
    Th' least word of your return. Then will I home,
    And with a cheerful look tell my old master,
    That Trincalo--but stay, look where he comes!
    Let's in, and there at leisure I'll inform you
    From point to point. Lelio, detain him here,
    Till I send Armellina down to second you.
    Cross him in nothing; call him Antonio,
    And good enough.

    LEL. Fear not: let me alone.   [_Exeunt_ CRICCA _and_ ANTONIO.


SCENE X.

TRINCALO, LELIO.

    TRIN. This rascal Cricca, with his arguments
    Of malice, so disturbs my gentle thoughts,
    That I half doubt I am not what I seem:
    But that will soon be clear'd; if they receive me
    In at Antonio's house, I am Antonio.

    LEL. Signior Antonio, my most loving father!
    Bless'd be the day and hour of your return.

    TRIN. Son Lelio! a blessing on my child; I pray thee, tell me
    How fares my servant Armellina? well?

    LEL. Have you forgot my sister Flavia?

    TRIN. What, my dear daughter Flavia? No: but first
    Call Armellina; for this day we'll celebrate
    A gleek of marriages:[337] Pandolfo and Flavia,
    Sulpitia and myself, and Trincalo
    With Armellina. Call her, good Lelio, quickly.         [_Exit._

    TRIN. So: this is well, that Lelio
    Confesses me his father. Now I am perfect--
    Perfect Antonio.


SCENE XI.

ARMELLINA, TRINCALO.

    ARM. Signior Antonio!
    My long-expected master!

    TRIN. O Armellina!
    Come, let me kiss thy brow[338] like my own daughter.

    ARM. Sir, 'tis too great a favour. I kiss your foot.
    What, fall'n? alas! how feeble you are grown
    With your long travel!

    TRIN. True, and being drown'd,
    Nothing so griev'd me as to lose thy company:
    But, since I am safe return'd, for thy good service
    I'll help thee to a husband.

    ARM. A husband, sir?
    Some young and lusty youth, or else I'll none.

    TRIN. To one that loves thee dearly, dearly, wench:
    A goodly man, like me in limbs and fashion.

    ARM. Fie, an old man! how! cast myself away,
    And be no nurse but his?

    TRIN. He's not like me
    In years and gravity, but fair proportion;
    A handsome, well-set man as I.

    ARM. His name?

    TRIN. 'Tis Tom Trincalo of Totnam.

    ARM. Signior Pandolfo's lusty farmer?

    TRIN. That's he.

    ARM. Most unexpected happiness! 'tis the man
    I more esteem than my own life: sweet master,
    Procure that match, and think me satisfied
    For all my former service without wages.
    But, ah! I fear you jest. My poor unworthiness
    Hopes not so great a fortune as sweet Trincalo.
    No, wretched Armellina, in and despair:
    Back to thy mournful dresser; there lament
    Thy flesh to kitchen-stuff, and bones to ashes,
    For love of thy sweet farmer.

    TRIN. Alas! poor soul,
    How prettily she weeps for me! Wilt see him?

    ARM. My soul waits in my eyes, and leaves my body
    Senseless.

    TRIN. Then swear to keep my counsel.

    ARM. I swear
    By th' beauteous eyes of Trincalo.

    TRIN. Why, I am Trincalo.

    ARM. Your worship, sir! why do you flout your servant,
    Right worshipful Antonio, my reverend master?

    TRIN. Pox of Antonio! I am Tom Trincalo.
    Why laugh'st thou?

    ARM. 'Tis desire and joy
    To see my sweetest.

    TRIN. Look upon me, and see him.

    ARM. I say I see Antonio, and none other.

    TRIN. I am within, thy love; without, thy master.
    Th' astrologer transform'd me for a day.

    ARM. Mock not your poor maid, pray you, sir.

    TRIN. I do not.
    Now would I break this head against the stones,
    To be unchang'd; fie on this gentry! it sticks
    Like birdlime or the pox. I cannot part with't:
    Within I am still thy farmer Trincalo.

    ARM. Then must I wait, till old Antonio
    Be brought to bed of a young[339] Trincalo;
    Or flay you, and strip you to yourself again.

    TRIN. Carry me to your chamber. Try me there.

    ARM. O, sir, by no means; but with my lovely farmer
    I'd stay all night, and thank him.

    TRIN. Cross misfortune!
    Accurs'd Albumazar and mad Pandolfo!
    To change me thus, that, when I most desire
    To be myself, I cannot. Armellina,
    Fetch me a looking-glass.

    ARM. To what end?

    TRIN. Fetch one.
    Let my old master's business sink or swim,
    This sweet occasion must not be neglected.
    Now shall I know th' astrologer's skill.[340] O wonderful!
    Admir'd Albumazar in two transmutations!
    Here's my old farmer's face. How in an instant
    I am unchang'd, that was so long a-changing!
    Here's my flat nose again, &c.
    Now, Armellina, take thy lov'd Trincalo
    To thy desired embracements; use thy pleasure,
    Kiss him thy bellyful.

    ARM. Not here in public.
    T' enjoy too soon what pleaseth, is unpleasant:
    The world would envy that my happiness.
    Go in, I'll follow you, and in my bedchamber
    We'll consummate the match in privacy.

    TRIN. Was not the face I wore far worse than this?
    But for thy comfort, wench, Albumazar
    Hath dyed my thoughts so deep i' th' grain of gentry,
    'Tis not a glass can rob me of my good fashions
    And gentleman-like garb. Follow, my dear.

    ARM. I'll follow you. So, now y' are fast enough.

    TRIN. Help, Armellina, help! I am fall'n i' th' cellar:
    Bring a fresh plantain leaf,[341] I have broke my shin.

    ARM. Thus have I caught m' a husband in a trap,
    And in good earnest mean to marry him.
    'Tis a tough clown, and lusty: he works day and night;
    And rich enough for me, that have no portion
    But my poor service. Well, he's something foolish;
    The better can I domineer, and rule him
    At pleasure. That's the mark and utmost height
    We women aim at. I am resolv'd I'll have him.


SCENE XII.

LELIO, CRICCA.

    LEL. In, Armellina; lock up Trincalo.

    ARM. I will, sir.                                     [_Exit._

    LEL. Cricca, for this thy counsel, if't succeed,
    Fear not thy master's anger: I'll prefer thee,
    And count thee as my genius or good fortune.

    CRI. It cannot choose but take. I know his humour;
    And can at pleasure feather him with hopes,
    Making him fly what pitch I wish, and stoop,[342]
    When I show fowl.

    LEL. But for the suit of clothes?

    CRI. I'll throw them o'er your garden-wall. Away.
    Haste to Eugenio and Sulpitia,
    Acquaint them with the business.

    LEL.                  I go.


SCENE XIII.

LELIO, SULPITIA.

    LEL. The hopeful issue of thy counsel, Cricca,
    Brightens this ev'ning, and makes it more excel
    The clearest day, than a grey morning doth
    The blindest midnight, raising my amorous thoughts
    To such a pitch of joy, that riches, honour,
    And other pleasures, to Sulpitia's love
    Appear like mole-hills to the moon.

    SUL. Lelio!

    LEL. O, there's the voice that in one note contains
    All chords of music: how gladly she'll embrace
    The news I give her and the messenger!

    SUL. Soft, soft, y' are much mistaken; for in earnest,
    I am angry, Lelio, and with you.

    LEL. Sweetest, those flames
    Rise from the fire of love, and soon will quench
    I' th' welcome news I bring you.

    SUL. Stand still, I charge you
    By th' virtue of my lips; speak not a syllable,
    As you expect a kiss should close my choler;
    For I must chide you.

    LEL. O my Sulpitia!
    Were every speech a pistol charg'd with death,
    I'd stand them all in hope of that condition.

    SUL. First, sir, I hear you teach Eugenio
    Too grave a wariness in your sister's love,
    And kill his honest forwardness of affection
    With your far-fet[343] respects, suspicions, fears:
    You have your maybes--"This is dangerous:
    That course were better; for if so, and yet
    Who knows? the event is doubtful; be advis'd,
    'Tis a young rashness: your father is your father;
    Take leisure to consider." Thus y' have consider'd
    Poor Flavia almost to her grave. Fie, Lelio!
    Had this my smallness undertook the business,
    And done no more in four short winter's days
    Than you in four months, I'd have vowed my maidenhead
    To th' living tomb of a sad nunnery;
    Which for your sake I loathe.

    LEL. Sweet, by your favour----

    SUL. Peace, peace: now y' are so wise, as if ye had eaten
    Nothing but brains and marrow of Machiavel:
    You tip your speeches with Italian _motti_,[344]
    Spanish _refranes_,[345] and English _quoth he's_. Believe me,
    There's not a proverb salts your tongue, but plants
    Whole colonies of white hairs. O, what a business
    These hands must have when you have married me,
    To pick out sentences that over-year you!

    LEL. Give me but leave.

    SUL. Have I a lip? and you
    Made sonnets on't? 'tis your fault, for otherwise
    Your sister and Eugenio had been sure
    Long time ere this.

    LEL. But----

    SUL. Stay, your cue's not come yet.
    I hate as perfectly this grey-green of yours,
    As Old Antonio's green-grey. Fie! wise lovers
    Are most absurd. Were I not full resolved,
    I should begin to cool mine own affection.
    For shame, consider well your sister's temper.
    Her melancholy may much hurt her. Respect her,
    Or, spite of mine own love, I'll make you stay
    Six months before you marry me.             [LELIO _whispers_.
    This your so happy news? return'd, and safe?
    Antonio yet alive?                          [LELIO _whispers_.
    And what then?                              [LELIO _whispers_.
    Well; all your business must be compassed
    With winding plots and cunning stratagems.
    Look to't; for if we be not married ere next morning,
    By the great love that's hid in this small compass,
    Flavia and myself will steal you both away,
    To your eternal shame and foul discredit.             [_Exit._

    LEL. How prettily this lovely littleness
    In one breath pleads her own cause and my sister's!
    Chides me, and loves. This is that pleasing temper
    I more admire than a continued sweetness
    That over-satisfies: 'tis salt I love, not sugar.     [_Exit._


FOOTNOTES:

  [327] _Threatens_ in both the editions. Pegge suggested _sweetens_.

  [328] See note to "The Spanish Tragedy," [v. 95.]

  [329] The quartos read _this word_.

  [330] The whole of what follows, to the word _away_, is given in the
  4º of 1615 as part of the speech of Antonio.--_Collier._

  [331] A parody on the speech of the Ghost of Andrea, in "The Spanish
  Tragedy."

  [332] _i.e._, Owns. See note to "Cornelia," [v. 232.]

  [333] [Edits., _Of_.]

  [334] It appears from Segar ("Honour, Military and Civil," fol. 1602,
  p. 122), that a person of superior birth might not be challenged by an
  inferior, or, if challenged, might refuse the combat. Alluding to this
  circumstance, Cleopatra says--

      "These hands do lack nobility, that they strike
      A meaner than myself."

  --Act ii. sc. 5.

  [335] This seems intended to ridicule some of the punctilios of
  duelling, and probably the author had in his mind the following
  passage in Ferne's "Blazon of Gentrie," 1586, p. 319: "But if it so
  happen that the defendour is lame of a legge, or of an arme, or that
  hee bee blinde of an eye, he may take such armes and weapons, as be
  most fitte for his owne bodye; and he shall offer such to the
  approover as shall impeache the like member, or part of the approovers
  bodye from his dutye and office in the combate, so that he shall be
  deprived of the use of that member in the combate, even as wel as the
  defender is through his infirmity of lamenes, or other defect of
  nature."

  [336] Duellists being punished by law in England, it has been usual
  for them to go over to _Calais_, as one of the nearest ports of
  France, to decide their quarrel out of the reach of justice. Trincalo
  is pleasant on this subject.--_Steevens._

  This custom is mentioned in an epigram in Samuel Rowlands's "Good
  Newes and Bad Newes," 1622, sig. F 2--

      "Gilbert, this glove I send thee from my hand,
      And challenge thee to meet on _Callis sand:_
      On this day moneth resolve I will be there,
      Where thou shalt finde my flesh I will not feare.
      My cutler is at work," &c.

  [337] _i.e._, Three. A metaphor taken from the game at cards called
  _Gleek_, where a _gleek_ of knaves is three.--_Pegge._

  [338] It is observed by Mr Steevens, that "it was formerly the fashion
  to kiss the eyes, as a mark of extraordinary tenderness." See note to
  "The Winter's Tale," act iv. sc. 3, where several instances are
  produced.

  Again, in Marston's "Dutch Courtesan," act ii. sc. 1--

                         "Your onely voice
      Shall cast a slumber on my listning sense
      _You with soft lip shall only ope mine eyes,
      And suck their lids asunder_, only you
      Shall make me wish to live, and not feare death."

  [339] Hitherto printed by Mr Reed--

      "Be brought to bed of a _fair_ Trincalo;"

  a reading not supported by the old copies, which have it
  _young_.--_Collier._

  [340] It must be supposed that Armellina brings a looking-glass, as
  desired.--_Collier._

  [341] Dr Grey observes from Tackius, that a toad, before she engages
  with a spider, will fortify herself with some of this plant; and that
  if she comes off wounded, she cures herself afterwards with it. Mr
  Steevens says it is a blood-stauncher, and was formerly applied to
  green wounds. See note on "Romeo and Juliet," act i. sc. 2.

  [342] See note [at p. 364 _suprâ_.]

  [343] _i.e._, Far-fetched. See note to "Gammer Gurton's Needle," [iii.
    223.]

  [344] Shrewd or witty sayings. See Florio's "Dictionary."

  [345] _i.e._, Proverbs; a _referendo_, because it is often repeated.
  See Stevens's "Spanish Dictionary," 1705.



ACT V., SCENE I.

ALBUMAZAR, RONCA, FURBO, HARPAX.


    ALB. How? not a single share of this great prize,
    That have deserv'd the whole? was't not my plot
    And pains, and you mere instruments and porters?
    Shall I have nothing?

    RON. No, not a silver spoon.

    FUR. Nor cover of a trencher-salt.[346]

    HAR. Nor table-napkin.

    ALB. Friends, we have kept an honest truth and faith
    Long time amongst us: break not the sacred league,
    By raising civil theft: turn not your fury
    'Gainst your own bowels. Rob your careful master!
    Are you not asham'd?

    RON. 'Tis our profession,
    As yours astrology. "And in the days of old,
    _Good morrow, thief_, as welcome was receiv'd,
    As now _Your worship_." 'Tis your own instruction.[347]

    FUR. "The Spartans held it lawful, and th' Arabians,
    So grew Arabia happy, Sparta valiant."

    HAR. "The world's a theatre of theft: great rivers
    Rob smaller brooks; and them the ocean."

    ALB. Have not I wean'd you up from petty larceny,
    Dangerous and poor, and nurs'd you to full strength
    Of safe and gainful theft? by rules of art
    And principles of cheating made you as free
    From taking as you went invisible;
    And do ye thus requite me? this the reward
    For all my watchful care?

    RON. We are your scholars,
    Made by your help and our own aptness able
    To instruct others. 'Tis the trade we live by.
    You that are servant to divine astrology,
    Do something worth her livery: cast figures,
    Make almanacs for all meridians.

    FUR. Sell perspicils and instruments of hearing:
    Turn clowns to gentlemen; buzzards to falcons,
      'ur-dogs to greyhounds; kitchen-maids to ladies.

    HAR. Discover more new stars and unknown planets:
    Vent them by dozens, style them by the names
    Of men that buy such ware. Take lawful courses,
    Rather than beg.

    ALB. Not keep your honest promise?

    RON. "Believe none, credit none: for in this city
    No dwellers are but cheaters and cheatees."

    ALB. You promis'd me the greatest share.

    RON. Our promise!
    If honest men by obligations
    And instruments of law are hardly constrain'd
    T' observe their word, can we, that make profession
    Of lawless courses, do't?

    ALB. Amongst ourselves!
    Falcons, that tyrannise o'er weaker fowl,
    Hold peace with their own feathers.

    HAR. But when they counter
    Upon one quarry,[348] break that league, as we do.

    ALB. At least restore the ten pound in gold I lent you.

    RON. "'Twas lent in an ill second, worser third,
    And luckless fourth:" 'tis lost, Albumazar.

    FUR. Saturn was in ascension, Mercury
    Was then combust, when you delivered it.
    'Twill never be restor'd.

    RON. "Hali, Abenezra,
    Hiarcha, Brachman, Budda Babylonicus,"
    And all the Chaldees and the Cabalists,
    Affirm that sad aspect threats loss of debts.

    HAR. Frame by your azimuth Almicantarath,
    An engine like a mace, whose quality
    Of strange retractive virtue may recall
    Desperate debts, and with that undo serjeants.

    ALB. Was ever man thus baited by's own whelps?
    Give me a slender portion, for a stock
    To begin trade again.

    RON. 'Tis an ill course,
    And full of fears. This treasure hath enrich'd us,
    And given us means to purchase and live quiet
    Of th' fruit of dangers past. When I us'd robbing,
    All blocks before me look'd like constables,
    And posts appear'd in shape of gallowses;
    Therefore, good tutor, take your pupil's counsel:
    'Tis better beg than steal; live in poor clothes
    Than hang in satin.

    ALB. Villains, I'll be reveng'd,
    And reveal all the business to a justice!

    RON. Do, if thou long'st to see thy own anatomy.

    ALB. This treachery persuades me to turn honest.

    FUR. Search your nativity; see if the Fortunates
    And Luminaries be in a good aspect,
    And thank us for thy life. Had we done well,
    We had cut thy throat ere this.

    ALB. Albumazar,
    Trust not these rogues: hence, and revenge.

    RON. Fellows, away; here's company. Let's hence.    [_Exeunt._


SCENE II.

CRICCA, PANDOLFO.

    CRI. Now, Cricca, mask thy countenance in joy;
    Speak welcome language of good news, and move
    Thy master, whose desires are credulous,
    To believe what thou giv'st him. If thy design
    Land at the haven 'tis bound for, then Lelio,
    Eugenio, and their mistresses, are oblig'd
    By oath t' assure a state of forty pounds
    Upon thee for thy life.

    PAN. I long to know
    How my good farmer speeds; how Trincalo
    Hath been receiv'd by Lelio.

    CRI. Where shall I find him?
    What we most seek still flies us; what's avoided,
    Follows or meets us full. I am emboss'd[349]
    With trotting all the streets to find Pandolfo,
    And bless him with good news.

    PAN. This haste of Cricca
    Abodes some good: doubtless my Trincalo,
    Receiv'd for Antonio, hath given me Flavia.
    Cricca!

    CRI. Neither in Paul's,[350] at home, nor in the Exchange,
    Nor where he uses to converse! he's lost,
    And must be cried.

    PAN. Turn hither, Cricca; Cricca,
    Seest me not?

    CRI. Sir, the news, and haste to tell it,
    Had almost blinded me. 'Tis so fortunate,
    I dare not pour it all at once upon you,
    Lest you should faint, and swoon away with joy:
    Your transform'd Trincalo----

    PAN. What news of him?

    CRI. Enter'd as owner in Antonio's house----

    PAN. On.

    CRI. Is acknowledg'd by his daughter Flavia
    And Lelio for their father.

    PAN. Quickly, good Cricca!

    CRI. And hath sent me in haste to bid you----

    PAN. What?

    CRI. Come with your son Eugenio----

    PAN. And then?

    CRI. That he may be a witness of your marriage.
    But, sir, I see no signs of so large gladness
    As I expected and this news deserv'd.

    PAN. 'Tis here, 'tis here, within: all outward symptoms
    And characters of joy are poor expressions
    Of my great inward happiness. My heart's full,
    And cannot vent the passions. Run, Cricca, run:
    Run, as thou lov'st me; call Eugenio,
    And work him to my purpose: thou canst do it.
    Haste, call him instantly.

    CRI. I fly, sir.                                      [_Exit._


SCENE III.[351]

PANDOLFO.

    How shall I recompense this astrologer,
    This great Albumazar, through whose learned hands
    Fortune hath prov'd[352] th' effect of my best wishes,
    And crown'd my hopes? Give him this chain?
        Alas!
    'Tis a poor thanks, short by a thousand links
    Of his large merit. No, he must live with me
    And my sweet Flavia at his ease and pleasure,
    Wanting for nothing: and this very night
    I'll get a boy, and he erect a figure
    To calculate his fortunes. So, there's Trincalo
    Antoniated, or Antonio Intrinculate.


SCENE IV.

ANTONIO, PANDOLFO, LELIO, EUGENIO.

    ANT. Signior Pandolfo! welcome.

    LEL. Your servant, sir.

    PAN. Well-met, Antonio; my prayers and wishes
    Have waited on you ever.

    ANT. Thanks, dearest friend.
    To speak my danger pass'd were to discourse
    Of dead men at a feast. Such sad relations
    Become not marriages. Sir, I am here
    Return'd to do you service. Where's your son?

    PAN. He'll wait upon you presently.

    EUG. Signior Antonio!
    Happily welcome.

    ANT. Thanks, Eugenio.
    How think you, gentlemen: were it amiss
    To call down Flavia and Sulpitia,
    That what we do may with a full consent
    Be entertain'd of all?

    PAN. 'Tis well-remember'd.
    Eugenio, call your sister.

    ANT. Lelio, call my daughter.   [_Exeunt_ LELIO _and_ EUGENIO.


SCENE V.

PANDOLFO, ANTONIO.

    PAN. Wisely consider'd, Trincalo; 'tis a fair prologue
    To the comedy ensuing. Now I confess
    Albumazar had equal power to change
    And mend thy understanding with thy body.
    Let me embrace and hug thee for this service:
    'Tis a brave onset: O my sweet Trincalo!

    ANT. How like you the beginning?

    PAN. 'Tis o' th' further side
    All expectation.

    ANT. Was't not right, and spoken
    Like old Antonio?

    PAN.[353] 'Tis most admirable!
    Were't he himself that spoke, he could not better't.
    And for thy sake I wish Antonio's shape
    May ever be thy house, and's wit thy inmate.
    But where's my plate and cloth of silver?

    ANT. Safe.

    PAN. They come. Keep state, keep state, or all's discover'd.


SCENE VI.

ANTONIO, PANDOLFO, EUGENIO, LELIO, FLAVIA, SULPITIA.

    ANT. Eugenio, Flavia, Lelio, and Sulpitia,
    Marriages, once confirm'd and consummate,
    Admit of no repentance. Therefore 'tis fitting
    All parties with full freedom speak their pleasure,
    Before it be too late.

    PAN. Good! excellent!

    ANT. Speak boldly, therefore. Do you willingly
    Give full authority, that what I decree
    Touching these businesses, you'll all perform?

    EUG. I rest as you dispose: what you determine,
    With my best power I ratify; and Sulpitia,
    I dare be bold to promise, says no less.

    SUL. Whate'er my father, brother, and yourself
    Shall think convenient, pleaseth me.

    LEL. In this,
    As in all other service, I commit myself
    To your commands; and so, I hope, my sister.

    FLA. With all obedience: sir, dispose of me
    As of a child that judgeth nothing good,
    But what you shall approve.

    ANT. And you, Pandolfo?

    PAN. I, most of all. And for you know[354] the minds
    Of youth are apt to promise, and as prone
    To repent after, 'tis my advice they swear
    T' observe, without exception, your decree.

    FLA. Content.

    SUL. Content.

    PAN. By all the powers that hear
    Oaths, and rain vengeance upon broken faith,
    I promise to confirm and ratify
    Your sentence.

    LEL. Sir, I swear no less.

    EUG. Nor I.

    FLA. The selfsame oath binds me.

    SUL. And me the same.

    PAN. Now, dear Antonio, all our expectation

    Hangs at your mouth. None of us can appeal
    From you to higher courts.

    ANT. First, for preparative
    Or slight præludium to the greater matches,
    I must entreat you, that my Armellina
    Be match'd with Trincalo. Two hundred crowns
    I give her for her portion.

    PAN. 'Tis done. Some relics
    Of his old clownery and dregs o' th' country
    Dwell in him still. How careful he provides
    For himself first. [_Aside._] Content: and more, I grant him
    A lease for twenty pounds a year.

    ANT. I thank you.
    Gentlemen, since I feel myself much broken
    With age and my late miseries, and too cold
    To entertain new heat, I freely yield
    Sulpitia, whom I lov'd, to my son Lelio.

    PAN. How cunningly hath the farmer provided
    T' observe the 'semblance of Antonio's person,
    And keep himself still free for Armellina!

    ANT. Signior Pandolfo, y' are wise, and understand
    How ill hot appetites of unbridled youth
    Become grey hairs. How grave and honourable
    Were't for your age to be enamour'd
    With the fair shape of virtue and the glory
    Of our forefathers! Then would you blush to think
    How by this dotage and unequal love
    You stain their honour and your own. Awake!
    Banish those wild affections, and by my example
    Turn t' your reposed self.

    PAN. To what purpose, pray you,
    Serves this long proem? on to th' sentence.

    ANT. Sir,
    Conformity of years, likeness of manners,
    Are Gordian knots that bind up matrimony:
    Now, betwixt seventy winters and sixteen
    There's no proportion, nor least hope of love.
    Fie! that a gentleman of your discretion,
    Crown'd with such reputation in your youth,
    Should in your western days[355] lose th' good opinion
    Of all your friends, and run to th' open danger
    Of closing the weak remnant of your days
    With discontentment[356] unrecoverable.

    PAN. Rack me no more; pray you, let's hear the sentence.
    Note how the ass would fright me, and endear
    His service: intimating that his pow'r
    May overthrow my hopes. [_Aside._] Proceed to th' sentence.

    ANT. These things consider'd, I bestow my daughter
    Upon your son Eugenio, whose constant love,
    With his so modest carriage, hath deserv'd her;
    And, that you freeze not for a bed-fellow,
    I marry you with patience.

    PAN. Treacherous villain!
    Accursed Trincalo! [_Aside._] I'll---- But this no place;
    He's too well back'd; but shortly, when the date
    Of his Antonioship's expir'd, revenge
    Shall sweeten this disgrace.

    ANT. Signior Pandolfo,
    When you recover yourself, lost desperately
    In disproportion'd dotage, then you'll thank me
    For this great favour. Be not obstinate:
    Disquiet not yourself.

    PAN. I thank you, sir.             [_Exeunt all but_ PANDOLFO.


SCENE VII.

PANDOLFO.

    _And that you freeze not for a bed-fellow,
    I marry you with patience!_ Traitorous villain!
    Is't not enough to wrong me and betray me,
    But 't must be done with scoffs? accursed Trincalo!
    And me most miserable that, when I thought
    T' embrace young Flavia, see her before my face
    Bestow'd upon my son! my son--my rival!
    This is Eugenio's plot and his friend Lelio's;
    Who, with my servant Cricca, have conspir'd,
    And suborn'd Trincalo to betray his master.
    Why do I rage 'gainst any but myself,
    That have committed such a serious business
    To th' hands of a base clown and ignorant?
    I see mine error, but no means to help it.
    Only the sweetness of revenge is left me,
    Which I must execute: th' hours of's gentry
    Are now clean spent. I'll home, and there attend him.   [_Exit._


SCENE VIII.

TRINCALO _drunk, but something recovered_.

TRIN. Welcome, old trusty Trincalo; good farmer, welcome! Give me thy
hand; we must not part hereafter. Fie, what a trouble 'tis to be out of
a man's self! If gentlemen have no pleasure but what I felt to-day, a
team of horses shall not drag me out of my profession. There's nothing
amongst them but borrowing, compounding for half their debts, and have
their purse cut for the rest; cozened by whores, frighted with husbands,
washed in wet hogsheads, cheated of their clothes, and falling in
cellars for conclusion.


SCENE IX.

PANDOLFO _at the window_, TRINCALO.

    PAN. O precious piece of villany! are you unchang'd?
    How confident the rogue dares walk the streets!

TRIN. And then such quarrelling! never a suit I wore to-day but hath
been soundly basted: only this faithful country-case 'scaped fist-free;
and, be it spoken in a good hour, was never beaten yet, since it came
from fulling.

    PAN. Base, treacherous villain!                  [_Beats him._

    TRIN. Is this the recompense of my day's work?

    PAN. You marry me to patience! there's patience,
    And that you freeze not, there's warm patience,
    She's a good bed-fellow: have patience.

    TRIN. You'll beat me out on't, sir. How have
    I wrong'd you?

    PAN. So as deserves th' expression of my fury,
    With th' cruel'st tortures I can execute.

    TRIN. You kill me, sir.

    PAN. Have patience.

    TRIN. Pray you, sir!

    PAN. Seek not by humble penitence t' appease me:
    Nothing can satisfy.

    TRIN. Farewell, humility;
    Now am I beaten sober.       [_Takes away_ PANDOLFO's _staff_.
    Shall age and weakness master my youth and strength?
    Now speak your pleasure: what's my fault?

    PAN. Dar'st deny
    Thy own act, done before so many witnesses,
    Suborn'd by others, and betray my confidence
    With such a stony impudence?

    TRIN. I have been faithful
    In all you trusted me.

    PAN. To them, not me.
    O, what a proem, stuff'd with grave advice
    And learned counsel, you could show'r upon me
    Before the thunder of your deadly sentence!
    And give away my mistress with a scoff!

    TRIN. I give your mistress?

    PAN. Didst not thou decree,
    Contrary t' our compact, against my marriage?

    TRIN. Why, when was I your judge?

    PAN. Just now here.

    TRIN. See your error!
    Then was I fast lock'd in Antonio's cellar:
    Where, making virtue of necessity,
    I drank stark drunk, and waking, found myself
    Cloth'd in this farmer's suit, as in the morning.

    PAN. Didst not thou swear to enter Antonio's house,
    And give me Flavia for my wife, and after,
    Before my own face, gav'st her to my son?

    TRIN. Ha, ha, ha!
              [_Whilst_ TRINCALO _laughs and lets fall the staff_,
                PANDOLFO _recovers it, and beats him_.

    PAN. Canst thou deny it?

    TRIN. Ha, ha, ha!
    Have you got Mistress Patience? Ha, ha, ha!

    PAN. Is not this true?

    TRIN. Ha, ha, ha!

    PAN. Answer me.

    TRIN. Ha, ha, ha wan!

    PAN. Was't not thus?

    TRIN. I answer: first,
    I never was transform'd,
    But gull'd, as you were, by th' astrologer,
    And those that called me Antonio. To prove
    This true, the gentleman you spoke with was Antonio--
    The right Antonio, safely return'd from Barbary.

    PAN. O me, what's this?

    TRIN. Truth itself.

    PAN. Was't not thou that gav'st the sentence?

    TRIN. Believe me, no such matter:
    I ne'er was gentleman, nor otherwise
    Than what I am, unless 'twere when I was drunk.

    PAN. How have I been deceiv'd! good Trincalo,
    Pardon me, I have wrong'd thee.

    TRIN. Pardon you?
    When you have beaten me to paste, _Good Trincalo,
    Pardon me!_

    PAN. I am sorry for't; excuse me.

    TRIN. I am sorry I can't[357] excuse you. But I pardon you.

    PAN. Now tell me, where's the plate and cloth of silver,
    The gold and jewels, that the astrologer
    Committed to thy keeping?

    TRIN. What plate, what jewels?
    He gave me none. But, when he went to change me,
    After a thousand circles and ceremonies,
    He binds me fast upon a form, and blinds me
    With a thick table-napkin. Not long after
    Unbinds my head and feet, and gives me light;
    And then I plainly saw that I saw nothing:
    The parlour was clean swept of all was in't.

    PAN. O me! O me!

    TRIN. What ails you, sir? what ails you?

    PAN. I am undone! I have lost my love, my plate,
    My whole estate, and with the rest myself.

    TRIN. Lose not your patience too. Leave this lamenting,
    And lay the town; you may recover it.

    PAN. 'Tis to small purpose. In, and hold thy peace.
                                                 [_Exit_ TRINCALO.


SCENE X.

CRICCA, PANDOLFO.

    CRI. Where shall I find my master, to content him
    With welcome news? he's here. News, news?
    News of good fortune, joy, and happiness!

    PAN. Cricca, my sadness is uncapable
    Of better tidings: I am undone! most miserable!

    CRI. Offend not your good luck, y' are now more fortunate
    Than when you rose this morning: be merry, sir,
    Cheer up yourself; y' have what you wish'd, fear nothing.

    PAN. Maybe, Antonio newly repents himself,
    With purpose to restore my Flavia.
    Cricca, what is't? where's all this happiness?

    CRI. Lock'd in Antonio's closet.

    PAN. All alone?
    Sure, that's my Flavia. Is not Eugenio
    Suffer'd to enter?

    CRI. Antonio keeps the key:
    No creature enters but himself: all's safe,
    And shall be so restor'd.

    PAN. O my sweet Cricca!

    CRI. And they that wrong'd you most extremely sorry,
    Ready to yield you any satisfaction.

    PAN. Is't possible they should so soon repent them,
    That injur'd me so lately? tell me the manner
    That caus'd them see their error.

    CRI. I'll tell you, sir:
    Being just now at old Antonio's house,
    One thunders at the back-door, enters, presses
    To speak in private with young Lelio;
    Was instantly admitted: and think you, who?
    'Twas your astrologer Albumazar.
    When he had spoke awhile, Lelio and Antonio
    In haste command me fetch a constable.

    PAN. How can this story touch my happiness?

    CRI. I up and down, through slimy ale-houses,
    Cloudy tobacco-shops and vapouring taverns,
    My mouth full of inquiry, at last found one.

    PAN. What of all this? Is't possible a constable
    Concerns my good?

    CRI. And, following my directions,
    Went to a tippling-house, where we took drinking
    Three handsome fellows with a great chest, attach'd them,
    And brought all to Antonio.

    PAN. Well, what then?

    CRI. These were the astrologer's intelligences that
    Robb'd you through the south window.

    PAN. I thought thou hadst spoke
    Of Flavia's restoring.

    CRI. I mean your plate
    And treasure. Pray you, sir, is't not great happiness
    To reobtain three thousand pounds in value,
    Desperately lost? and you still doat and dream
    Of Flavia who, by your own consent
    And oath, is promised to your son Eugenio.

    PAN. Forward.

    CRI. Within this chest Antonio found your plate,
    Gold jewels, cloth of silver, nothing perish'd,
    But all safe lock'd, till you acknowledge it.
    And since Albumazar of his own accord
    Freely confess'd, and safe restor'd your treasure;
    Since 'tis a day of jubilee and marriage,
    Antonio would entreat you to release
    And pardon the astrologer: thanking your fortune,
    That hath restor'd you to your wealth and self.
    Both which were lost i' th' foolish love of Flavia.

    PAN. Reason hath clear'd my sight, and drawn the veil,
    Of dotage, that so dark'd my understanding.
    I clearly see the slavery of affections;
    And how unsuitable my declining years
    Are for the dawning youth of Flavia.
    Let the best joys of Hymen compass her
    And her young husband (my Eugenio),
    With full content. And since Albumazar
    By accident caus'd all this happiness,
    I freely pardon him and his companions;
    And haste to assist the marriages and feasts.

    CRI. Why, now you show yourself a worthy gentleman.
                                                 [_Exit_ PANDOLFO.


SCENE XI.

TRINCALO, CRICCA.

    TRI. Cricca, I overheard your news: all parts are pleas'd
    Except myself. Is there no news for Trincalo?

    CRI. Know'st it not? in and see: Antonio
    Hath given thee Armellina with a portion--
    Two hundred crowns; and old Pandolfo bound
    By oath t' assure thee twenty pounds a year
    For three lives.

    TRIN. Ha!

    CRI. Come in.

    TRIN. I'll follow.


FOOTNOTES:

  [346] The salt-cellar which used to be set on tables was generally
  large. Sometimes, however, a smaller sort would be used, and then
  several were employed, which were set nearer the trenchers, and
  therefore called _trencher-salts_, as here.--_Pegge._

  [347] [Compare p. 302.]

  [348] A term of falconry. Latham says, "It is taken for the fowle
  which is flowne at and slaine at any time."

  [349] This is a term of the chase. Gascoigne, in his book of hunting,
  1575, p. 242, enumerates it among "other generall termes of the hart
  and his properties. When he (the hart) is foamy at the mouth, we saye
  that _he is embost_." So in "The Shoemakers' Holiday; or, The Gentle
  Craft," 1610, sig. C 3--

      "Besides, the miller's boy told me even now,
      He saw him take soile, and he hallowed him,
      Affirming him so _embost_,
      That long he could not hold."

  See also Mr Steevens's note to "All's Well that Ends Well," act iii.
  sc. 6.

  [350] St Paul's, at this time, was constantly open, and the resort
  equally of the busy and the idle. A contemporary writer thus describes
  _Paul's Walke:_ It "is the land's epitome, or you may call it the
  lesser ile of Great Brittaine. It is more than this, the whole world's
  map, which you may here discerne in it's perfect'st motion, justling
  and turning. It is a heape of stones and men, with a vast confusion of
  languages; and, were the steeple not sanctified, nothing liker Babel.
  The noyse in it is like that of bees, a strange humming or buzze, mixt
  of walking, tongues, and feet. It is a kind of still roare, or loud
  whisper. It is the great exchange of all discourse, and no busines
  whatsoever but is here stirring and afoot. It is the synod of all
  pates politicke, joynted and laid together in the most serious
  posture; and they are not halfe so busie at the Parliament. It is the
  anticke of tailes to tailes, and backes to backes, and for vizards,
  you need goe no further than faces. It is the market of young
  lecturers, whom you may cheapen here at all rates and sizes. It is the
  generall mint of all famous lies, which are here, like the legends
  popery first coyned and stampt in the church. All inventions are
  emptyed here, and not few pockets. The best signe of a temple in it
  is, that it is the theeves sanctuary, which robbe more safely in the
  croud then a wildernesse, whilst every searcher is a bush to hide
  them. It is the other expence of the day, after playes, taverne, and a
  baudy house, and men have still some oathes left to sweare here. It is
  the eares brothell, and satisfies their lust and ytch. The visitants
  are all men, without exceptions; but the principall inhabitants and
  possessors are stale knights, and captaines out of service; men of
  long rapiers and breeches, which after all turne merchants here, and
  trafficke for newes. Some make it a preface to their dinner, and
  travell for a stomacke: but thriftier men make it their ordinarie, and
  boord here verie cheape. Of all such places it is least haunted with
  hobgoblins, for if a ghost would walke more, he could not."--_Earle's
  "Microcosmographie_," 1628.

  [351] The division of this scene is not marked in the old copies, but
  it is decidedly right, and the numbers of the scenes in the quartos
  are from two to four, omitting three.--_Collier._

  [352] [Old copy, _powr'd._]

  [353] Pandolfo's name is omitted in the quartos before the following
  lines, which are certainly meant to be spoken by him.--_Collier._

  [354] _i.e._, Because you know--a very common mode of expression.

  [355] _i.e._, When you are declining like the sun, which sets in the
  west.--_Steevens._

  [356] The instances are very numerous throughout this play where Mr
  Dodsley, and after him Mr Reed, omitted syllables, and thereby spoiled
  the measure: thus this line ran till now--

      "With discontent unrecoverable,"

  instead, of _discontentment_.

  [357] Old copy, _must_.



EPILOGUE


[_Spoken by Trincalo_].

    Two hundred crowns? and twenty pound a year
    For three good lives? Cargo[358] hai, Trincalo!
    My wife's extremely busy, dressing the supper
    For these great marriages, and I not idle,
    So that I cannot entertain you here,
    As I would elsewhere. But if you come to Totnam
    Some four days hence, and ask for Trincalo,
    At th' sign o' th' Hogshead, I'll mortgage all my lives
    To bid you welcome. You that love Trincalo,
    And mean to meet, clap hands, and make 't a bargain.[359]

  [358] A corruption of _corragio!_ Ital. courage! a hortatory
  exclamation.--_Steevens._

  A cant word, meaning a good round sum of money. "Canting Dictionary,"
  _in voce_.--_Pegge._

  [359] Thus in "A Woman Kill'd with Kindness," 1607, the first scene we
  have, on a wager being laid--

          "What, _clap ye hands_,
      Or is't no bargain?"

  --_Collier._



THE HOG HATH LOST HIS PEARL.



_EDITION._


    _The Hogge hath lost his Pearle. A Comedy. Divers times
    Publicely acted, by certaine London Prentices. By Robert Tailor.
    London, Printed for Richard Redmer, and are to be solde at the
    West-dore of Paules at the of the Starre._ 1614. 4º.



INTRODUCTION.


Robert Tailor, the author of this play, is entirely unknown[360]. The
title-page of it says it was divers times publicly acted by certain
London Prentices; and Sir Henry Wotton[361], in a letter to Sir Edmund
Bacon, dated 1612-13, gives the following account of its first
performance: "On Sunday last at night, and no longer, some sixteen
Apprentices (of what sort you shall guess by the rest of the Story),
having secretly learnt a new play without book, intituled, _The Hog hath
lost His Pearl;_ took up the _White Fryers_ for their Theater: and
having invited thither (as it should seem) rather their Mistresses than
their Masters, who were all to enter _per buletini_ for a note of
distinction from ordinary Comedians. Towards the end of the Play, the
sheriffs (who by chance had heard of it) came in (as they say) and
carried some six or seven of them to perform the last Act at _Bridewel;_
the rest are fled. Now it is strange to hear how sharp-witted the City
is, for they will needs have Sir _John Swinerton_, the Lord Major, be
meant by the _Hog_, and the late Lord Treasurer by the _Pearl_." [362]


FOOTNOTES:

  [360] In addition to this play, Robert Tailor was author of "Sacred
  Hymns," 4º, 1615.--_Gilchrist._ [No. This was a different person. But
  the author of the present play has some complimentary lines before
  Taylor the Water-poet's "Whipping and Snipping of Abuses," 1614.]

  [361] "Reliquiæ Wottonianæ," fourth edit., 1685, p. 402.

  [362] [A story perhaps originating in Swinnerton's name.

  W. Smith dedicates his "Hector of Germaine; or, The Palsgrave Prince
  Elector," 1615, "To the right worshipfull the great Favourer of the
  Muses, Syr John Swinnerton, Knight, sometimes Lord Mayor of this
  honourable Cittie of London." He adds that the play was expressly
  written for citizens.--_Collier._



THE ACTORS' NAMES.


    OLD LORD WEALTHY.
    YOUNG LORD, _his son_.
    MARIA, _his daughter_.
    CARRACUS, }
                       } _two gentlemen, near friends_.
    ALBERT,   }
    LIGHTFOOT, _a country gentleman_.
    HADDIT, _a youthful gallant_.
    HOG, _an usurer_.
    REBECCA, _his daughter_.
    PETER SERVITUDE, _his man_.
    ATLAS, _a porter_.
    _A Priest._
    _A Player._
    _A Serving-man._
    _A Nurse._



PROLOGUE


    Our long-time-rumour'd Hog, so often cross'd
    By unexpected accidents, and toss'd
    From one house to another: still deceiving
    Many men's expectations, and bequeathing
    To some lost labour: is at length got loose,
    Leaving his servile yoke-stick to the goose;
    Hath a knight's license, and may range at pleasure,
    Spite of all those that envy our Hog's treasure.
    And thus much let me tell you, that our swine
    Is not, as divers critics did define,
    Grunting at state-affairs, or invecting
    Much at our city vices; no, nor detecting
    The pride or fraud in it; but, were it now
    He had his first birth, wit should teach him how
    To tax these times' abuses, and tell some
    How ill they did in running oft from home;
    For to prevent (O men more hard than flint!)
    A matter, that shall laugh at them in print.
    Once to proceed in this play we were mindless,
    Thinking we liv'd 'mongst Jews, that lov'd no swine's flesh:
    But now that trouble's past, if it deserve a hiss
    (As questionless it will through our amiss),
    Let it be favour'd by your gentle sufferance:
    Wise men are still indu'd with patience:
    We are not half so skill'd as strolling players,
    Who could not please here, as at country fairs:
    We may be pelted off, for aught we know,
    With apples, eggs, or stones, from thence below;
    In which we'll crave your friendship, if we may,
    And you shall have a dance worth all the play:
    And if it prove so happy as to please,
    We'll say 'tis fortunate, like Pericles.[363]

  [363] _i.e._, The play of that name attributed to Shakespeare.
  Perhaps a sneer was designed. To say that a dramatic piece was
  _fortunate_, is not to say that it was _deserving;_ and why of all the
  pieces supposed to be written by our great author was this
  particularised?--_Steevens._

  There is good reason to dispute this interpretation of the word
  _fortunate_, but Mr Steevens seems to have discovered many sneers at
  Shakespeare that were never intended. Mr Malone, quoting the two last
  lines from the above prologue, observes: "By _fortunate_ I understand
  _highly successful_," and he is warranted in this understanding by the
  following passage directly in point, which he might have quoted from
  lines prefixed by Richard Woolfall to Lewis Sharpe's "Noble Stranger,"
  1640--

                "Yet do not feare the danger
      Of critick readers, since thy 'Noble Stranger,'
      With pleasing strains has smooth'd the rugged fate
      Of oft cram'd Theatres, and prov'd _fortunate_."

  --_Collier._

  Malone, after quoting a passage from "Pymlico or Runne Red-cap," 1609,
  disputes the notion that a sneer at "Pericles" was intended by Tailor.
  It appears that "Pericles" drew crowds, and that it was as successful
  as a play called "Shore." See Malone's Shakespeare, xxi. p. 4, edit.
  1821.--_Idem_ (_additional notes to Dodsley_).



THE HOG HATH LOST HIS PEARL.



ACTUS PRIMI, SCENA PRIMA.


_Enter_ LIGHTFOOT, _a country gentleman, passing over the stage, and
knocks at the other door_.

LIGHT. Ho! who's within here?

_Enter_ ATLAS, _a porter_.

ATLAS. Ha' ye any money to pay, you knock with such authority, sir?

LIGHT. What if I have not? may not a man knock without money, sir?

ATLAS. Seldom; women and servants will not put it up so, sir.

LIGHT. How say you by that, sir? but, I prythee, is not this one Atlas's
house, a porter?

ATLAS. I am the rent-payer thereof.

LIGHT. In good time, sir.

ATLAS. Not in good time neither, sir, for I am behind with my landlord a
year and three-quarters at least.

LIGHT. Now, if a man would give but observance to this fellow's prating,
he would weary his ears sooner than a barber. Do y' hear, sir? lies
there not one Haddit, a gentleman, at this house?

ATLAS. Here lies such a gentleman, sir, whose clothes (were they not
greasy) would bespeak him so.

LIGHT. Then I pray, sir, when your leisure shall permit, that you would
vouchsafe to help me to the speech of him.

ATLAS. We must first crave your oath, sir, that you come not with intent
to molest, perturb, or endanger him; for he is a gentleman, whom it hath
pleased fortune to make her tennis-ball of, and therefore subject to be
struck by every fool into hazard.

LIGHT. In that I commend thy care of him, for which friendship here's a
slight reward; tell him a countryman of his, one Lightfoot, is here,
and[364] [he] will not any way despair of his safety.

ATLAS. With all respect, sir; pray, command my house. [_Exit_ ATLAS.

LIGHT. So now I shall have a sight of my cousin gallant: he that hath
consumed £800 a year in as few years as he hath ears on his head: he
that was wont never to be found without three or four pair of red
breeches running before his horse or coach: he that at a meal hath had
more several kinds than, I think, the ark contained: he that was admired
by niters[365] for his robes of gallantry, and was indeed all that an
elder brother might be--prodigal; yet he, whose unthriftiness kept many
a house, is now glad to keep house in a house that keeps him, the poor
tenant of a porter. And see his appearance! I'll seem strange to him.

_Enter_ HADDIT, _in poor array_.

HAD. Cousin Lightfoot, how dost? welcome to the city.

LIGHT. Who calls me cousin? where's my cousin Haddit? he's surely
putting on some rich apparel for me to see him in. I ha' been thinking
all the way I came up, how much his company will credit me.

HAD. My name is Haddit, sir, and your kinsman, if parents may be
trusted; and therefore you may please to know me better when you see me
next.

LIGHT. I prythee, fellow, stay: is it possible thou shouldst be he? why,
he was the generous spark of men's admiration.

    HAD. I am that spark, sir, though now raked up in ashes;
    Yet when it pleaseth fortune's chaps to blow
    Some gentler gale upon me, I may then
    From forth of embers rise and shine again.

LIGHT. O, by your versifying I know you now, sir: how dost? I knew thee
not at first, thou'rt very much altered.

HAD. Faith, and so I am, exceeding much since you saw me last--about
£800 a year; but let it pass, for passage[366] carried away the most
part of it: a plague of fortune.

LIGHT. Thou'st more need to pray to Fortune than curse her: she may be
kind to thee when thou art penitent: but that, I fear, will be never.

HAD. O, no, if she be a woman, she'll ever love those that hate her.
But, cousin, thou art thy father's firstborn; help me but to some means,
and I'll redeem my mortgag'd lands, with a wench to boot.

LIGHT. As how, I pray thee?

HAD. Marry thus: Hog the usurer hath one only daughter.

LIGHT. Is his name Hog? It fits him exceeding well; for as a hog in his
lifetime is always devouring, and never commodious in aught till his
death; even so is he, whose goods at that time may be put to many good
uses.

HAD. And so I hope they shall before his death. This daughter of his
did, and I think doth, love me; but I, then thinking myself worthy of an
empress, gave but slight respect unto her favour, for that her parentage
seemed not to equal my high thoughts, puffed up----

LIGHT. With tobacco, surely.

HAD. No; but with as bad a weed--vainglory.

LIGHT. And you could now be content to put your lofty spirits into the
lowest pit of her favour. Why, what means will serve, man? 'Sfoot, if
all I have will repair thy fortune, it shall fly at thy command.

HAD. Thanks, good coz, the means shall not be great, only that I may
first be clad in a generous outside, for that is the chief attraction
that draws female affection. Good parts, without habiliments of
gallantry, are no more set by in these times than a good leg in a
woollen stocking. No, 'tis a glistering presence and audacity brings
women into fool's felicity.

LIGHT. You've a good confidence, coz; but what do ye think your brave
outside shall effect?

HAD. That being had, we'll to the usurer, where you shall offer some
slight piece of land to mortgage, and if you do it to bring ourselves
into cash, it shall be ne'er the farther from you, for here's a project
will not be frustrate of this purpose.

LIGHT. That shall be shortly tried. I'll instantly go seek for a habit
for thee, and that of the richest too; that which shall not be subject
to the scoff of any gallant, though to the accomplishing thereof all my
means go. Alas! what's a man unless he wear good clothes?

                                                [_Exit_ LIGHTFOOT.

HAD. Good speed attend my suit! Here's a never-seen nephew kind in
distress; this gives me more cause of admiration than the loss of
thirty-five settings together at passage. Ay, when 'tis performed--but
words and deeds are now more different than puritans and players.

_Enter_ ATLAS.

ATLAS. Here's the player would speak with you.

HAD. About the jig I promised him. My pen and ink! I prythee, let him
in, there may be some cash rhymed out of him.

_Enter_ PLAYER.

PLAYER. The Muses assist you, sir: what, at your study so early?

HAD. O, chiefly now, sir: for _Aurora Musis amica_.

PLAYER. Indeed, I understand not Latin, sir.

HAD. You must then pardon me, good Master Change-coat; for I protest
unto you, it is so much my often converse that, if there be none but
women in my company, yet cannot I forbear it.

PLAYER. That shows your more learning, sir; but, I pray you, is that
small matter done I entreated for?

HAD. A small matter! you'll find it worth Meg of Westminster,[367]
although it be but a bare jig.

PLAYER. O Lord, sir, I would it had but half the taste of garlic.[368]

HAD. Garlic stinks to this; if it prove that you have not more whores
than e'er garlic had, say I am a boaster of my own works, disgrace me on
the open stage, and bob me off with ne'er a penny.

PLAYER. O Lord, sir, far be it from us to debar any worthy writer of his
merit; but I pray you, sir, what is the title you bestow upon it?

HAD. Marry, that which is full as forcible as garlic: the name of it is,
_Who buys my four ropes of hard onions?_ by which four ropes is meant,
four several kind of livers; by the onions, hangers-on--as at some
convenient time I will more particularly inform you in so rare a hidden
and obscure mystery.

PLAYER. I pray, let me see the beginning of it. I hope you have made no
dark sentence in't; for, I'll assure you, our audience commonly are very
simple, idle-headed[369] people, and if they should hear what they
understand not, they would quite forsake our house.

HAD. O, ne'er fear it; for what I have writ is both witty to the wise,
and pleasing to the ignorant: for you shall have those laugh at it far
more heartily that understand it not, than those that do.

PLAYER. Methinks the end of this stave is a foot too long.

HAD. O no, sing it but in tune, and I dare warrant you.

    PLAYER. Why, hear ye.                             [_He sings._
    _And you that delight in trulls and minions,
    Come buy my four ropes of hard St Thomas's onions_.[370]

Look ye there, _St Thomas_ might very well have been left out; besides,
_hard_ should have come next the _onions_.

HAD. Fie! no; the dismembering of a rhyme to bring in reason shows the
more efficacy in the writer.

PLAYER. Well, as you please; I pray you, sir, what will the gratuity be?
I would content you as near hand as I could.

HAD. So I believe. [_Aside._] Why, Master Change-coat, I do not suppose
we shall differ many pounds; pray, make your offer: if you give me too
much, I will, most doctor-of-physic-like, restore.

PLAYER. You say well; look you, sir, there's a brace of angels, besides
much drink of free-cost, if it be liked.

HAD. How, Master Change-coat! a brace of angels, besides much drink of
free-cost, if it be liked! I fear you have learned it by heart; if you
have powdered up my plot in your sconce, you may home, sir, and instruct
your poet over a pot of ale the whole method on't. But if you do so
juggle, look to't. Shrove-Tuesday[371] is at hand, and I have some
acquaintance with bricklayers and plasterers.

PLAYER. Nay, I pray, sir, be not angry; for as I am a true
stage-trotter, I mean honestly; and look ye, more for your love than
otherwise, I give you a brace more.

HAD. Well, good words do much; I cannot now be angry with you, but see
henceforward you do like him that would please a new-married wife, show
your most at first, lest some other come between you and your desires;
for I protest, had you not suddenly shown your good-nature, another
should have had it, though it had been for nothing.

PLAYER. Troth, I'm sorry I gave you such cause of impatiency; but you
shall see hereafter, if your invention take, I will not stand off for a
brace more or less, desiring I may see your works before another.

HAD. Nay, before all others; and shortly expect a notable piece of
matter, such a jig whose tune, with the natural whistle of a carman,
shall be more ravishing to the ears of shopkeepers than a whole consort
of barbers at midnight.

PLAYER. I am your man for't; I pray you, command all the kindness
belongs to my function, as a box for your friend at a new play, although
I procure the hate of all my company.

HAD. No, I'll pay for it rather; that may breed a mutiny in your whole
house.

PLAYER. I care not, I ha' played a king's part any time these ten years;
and if I cannot command such a matter, 'twere poor, faith.

HAD. Well, Master Change-coat, you shall now leave me, for I'll to my
study; the morning hours are precious, and my Muse meditates most upon
an empty stomach.

PLAYER. I pray, sir, when this new invention is produced, let me not be
forgotten.

HAD. I'll sooner forget to be a jig-maker. [_Exit_ PLAYER.] So, here's
four angels I little dreamt of. Nay, and there be money to be gotten by
foolery, I hope fortune will not see me want. Atlas, Atlas!

_Enter_ ATLAS.

What, was my country coz here since?

ATLAS. Why, did he promise to come again, seeing how the case stood wi'
ye?

HAD. Yea, and to advance my downfallen fortunes, Atlas.

ATLAS. But ye are not sure he meant it ye, when he spake it.

HAD. No, nor is it in man to conjecture rightly the thought by the
tongue.

ATLAS. Why, then, I'll believe it when I see it. If you had been in
prosperity when he had promised you this kindness----

HAD. I had not needed it.

ATLAS. But being now you do, I fear you must go without it.

HAD. If I do, Atlas, be it so: I'll e'en go write this rhyme over my
bed's head--

    _Undone by folly; fortune, lend me more.
    Canst thou, and wilt not? pox on such a whore!_

and so I'll set up my rest. But see, Atlas, here's a little of that that
damns lawyers; take it in part of a further recompense.

ATLAS. No, pray keep it; I am conceited of your better fortunes, and
therefore will stay out that expectation.

HAD. Why, if you will, you may; but the surmounting of my fortunes is as
much to be doubted as he whose estate lies in the lottery--desperate.

ATLAS. But ne'er despair. 'Sfoot, why should not you live as well as a
thousand others that wear change of taffata, whose means were never
anything?

HAD. Yes, cheating, theft and panderising, or, maybe, flattery: I have
maintained some of them myself. But come, hast aught to breakfast?

ATLAS. Yes, there's the fag-end of a leg of mutton.

HAD. There cannot be a sweeter dish; it has cost money the dressing.

    ATLAS. At the barber's, you mean.                   [_Exeunt._

_Enter_ ALBERT _solus_.

    ALB. This is the green, and this the chamber-window:
    And see, the appointed light stands in the casement,
    The ladder of ropes set orderly; yet he
    That should ascend, slow in his haste, is not
    As yet come hither.
    Were't any friend that lives but Carracus,
    I'd try the bliss which this fine time presents.
    Appoint to carry hence so rare an heir,
    And be so slack! 'sfoot, it doth move my patience.
    Would any man, that is not void of sense,
    Not have watch'd night by night for such a prize?
    Her beauty's so attractive that, by heav'n,
    My heart half grants to do my friend a wrong.
    Forego these thoughts; for,[372] Albert, be not slave
    To thy affection; do not falsify
    Thy faith to him, whose only friendship's worth
    A world of women. He is such a one,
    Thou canst not live without his good:
    A' is and was ever as thine own heart's blood.
                               [MARIA _beckons him in the window_.
    'Sfoot, see, she beckons me for Carracus:
    Shall my base purity cause me neglect
    This present happiness? I will obtain it,
    Spite of my timorous conscience. I am in person,
    Habit, and all so like to Carracus,
    It may be acted, and ne'er call'd in question.

    MARIA _calls_. Hist! Carracus, ascend:
    All is as clear as in our hearts we wish'd.

    ALB. Nay, if I go not now, I might be gelded, i' faith!
            [ALBERT _ascends; and, being on the top of the ladder,
             puts out the candle_.

    MAR. O love, why do you so?

    ALB. I heard the steps of some coming this way.
    Did you not hear Albert pass by as yet?

    MAR. [No;] nor any creature pass this way this hour.

    ALB. Then he intends, just at the break of day,
    To lend his trusty help to our departure.
    'Tis yet two hours' time thither, till when, let's rest.
    For that our speedy flight will not yield any.

    MAR. But I fear,
    We, possessing of each other's presence,
    Shall overslip the time. Will your friend call?

    ALB. Just at the instant: fear not of his care.

    MAR. Come then, dear Carracus, thou now shalt rest
    Upon that bed, where fancy oft hath thought thee;
    Which kindness until now I ne'er did grant thee,
    Nor would I now, but that thy loyal faith
    I have so often tried; even now
    Seeing thee come to that most honour'd end,
    Through all the dangers which black night presents,
    For to convey me hence and marry me.

    ALB. If I do not do so, then hate me ever.

    MAR. I do believe thee, and will hate thee never.   [_Exeunt._

_Enter_ CARRACUS.

    How pleasing are the steps we lovers make,
    When in the paths of our content we pace,
    To meet our longings! What happiness it is
    For man to love! But O, what greater bliss
    To love and be belov'd! O, what one virtue
    E'er reign'd in me, that I should be enrich'd
    With all earth's good at once! I have a friend,
    Selected by the heavens as a gift
    To make me happy, whilst I live on earth:
    A man so rare of goodness, firm of faith,
    That earth's content must vanish in his death.
    Then for my love and mistress of my soul,
    A maid of rich endowments, beautifi'd[373]
    With all the virtues nature could bestow
    Upon mortality, who this happy night
    Will make me gainer of her heav'nly self.
    And see, how suddenly I have attain'd
    To the abode of my desired wishes!
    This is the green; how dark the night appears!
    I cannot hear the tread of my true friend.
    Albert! hist, Albert!--he's not come as yet,
    Nor is th' appointed light set in the window.
    What, if I call Maria? it may be
    She fear'd to set a light, and only hark'neth
    To hear my steps; and yet I dare not call,
    Lest I betray myself, and that my voice,
    Thinking to enter in the ears of her,
    Be of some other heard: no, I will stay,
    Until the coming of my dear friend Albert.
    But now think, Carracus, what the end will be
    Of this thou dost determine: thou art come
    Hither to rob a father of that wealth,
    That solely lengthens his now drooping years,
    His virtuous daughter, and all of that sex left,
    To make him happy in his aged days:
    The loss of her may cause him to despair,
    Transport his near-decaying sense to frenzy,
    Or to some such abhorred inconveniency,
    Whereto frail age is subject. I do too ill in this,
    And must not think, but that a father's plaint
    Will move the heavens to pour forth misery
    Upon the head of disobediency.
    Yet reason tells us, parents are o'erseen,
    When with too strict a rein they do hold in
    Their child's affections, and control that love,
    Which the high pow'rs divine inspire them with,
    When in their shallowest judgments they may know,
    Affection cross'd brings misery and woe.
    But whilst I run contemplating on this,
    I softly pace to my desired bliss.
    I'll go into the next field, where my friend
    Told me the horses were in readiness.                 [_Exit._

    ALBERT _descending from_ MARIA.

    MARIA. But do not stay. What, if you find not Albert?

    ALB. I'll then return alone to fetch you hence.

    MARIA. If you should now deceive me, having gain'd
    What you men seek for----

    ALB. Sooner I'll deceive
    My soul--and so, I fear, I have.                     [_Aside._

    MARIA. At your first call, I will descend.

    ALB. Till when this touch of lips be the true pledge
    Of Carracus' constant true devoted love.

    MARIA. Be sure you stay not long; farewell;
    I cannot lend an ear to hear you part.          [_Exit_ MARIA.

    ALB. But you did lend a hand unto my entrance. [_He descends._
    How have I wrong'd my friend, my faithful friend!
    Robb'd him of what's more precious than his blood,
    His earthly heaven, the unspotted honour
    Of his soul-joying mistress! the fruition of whose bed
    I yet am warm of; whilst dear Carracus
    Wanders this cold night through th' unshelt'ring field,
    Seeking me, treacherous man; yet no man neither,
    Though in an outward show of such appearance,
    But am a devil indeed; for so this deed
    Of wronged love and friendship rightly makes me.
    I may compare my friend to one that's sick,
    Who, lying on his deathbed, calls to him
    His dearest-thought friend, and bids him go
    To some rare-gifted man, that can restore
    His former health: this his friend sadly hears,
    And vows with protestations to fulfil
    His wish'd desires with his best performance;
    But then, no sooner seeing that the death
    Of his sick friend would add to him some gain,
    Goes not to seek a remedy to save,
    But, like a wretch, hies[374] him to dig his grave;
    As I have done for virtuous Carracus.
    Yet, Albert, be not reasonless, to endanger
    What thou may'st yet secure; who can detect
    The crime of thy licentious appetite?--
    I hear one's pace! 'tis surely Carracus.

_Enter_ CARRACUS.

    CAR. Not find my friend! sure, some malignant planet
    Rules o'er this night, and, envying the content
    Which I in thought possess, debars me thus
    From what is more than happy, the lov'd presence
    Of a dear friend and love.

    ALB. 'Tis wronged Carracus by Albert's baseness:
    I have no power now to reveal myself.

    CAR. The horses stand at the appointed place,
    And night's dark coverture makes firm our safety.
    My friend is surely fall'n into a slumber
    On some bank hereabouts; I will call him.
    Friend Albert, Albert!

    ALB. Whate'er you are that call, you know my name.

    CAR. Ay, and thy heart, dear friend.

    ALB. O Carracus, you are a slow-pac'd lover!
    Your credit had been touch'd, had I not been.

    CAR. As how, I prythee, Albert?

    ALB. Why, I excus'd you to the fair Maria;
    Who would have thought you else a slack performer.
    For coming first under her chamber-window,
    She heard me tread, and call'd upon your name;
    To which I answer'd with a tongue like yours,
    And told her I would go to seek for Albert,
    And straight return.

    CAR. Whom I have found; thanks to thy faith and heav'n.
    But had not she a light when you came first?

    ALB. Yes, but hearing of some company,
    She at my warning was forc'd to put it out.
    And had I been so too, you and I too
    Had still been happy.                                [_Aside._

    CAR. See, we are now come to the chamber-window.

    ALB. Then you must call, for so I said I would.

    CAR. Maria.

    MARIA. My Carracus, are you so soon return'd?
    I see you'll keep your promise.

    CAR. Who would not do so, having pass'd it thee,
    Cannot be fram'd of aught but treachery:
    Fairest, descend, that by our hence departing
    We may make firm the bliss of our content.

    MARIA. Is your friend Albert with you?

    ALB. Yes, and your servant, honoured lady.

    MARIA. Hold me from falling, Carracus.        [_She descends._

    CAR. I will do now so, but not at other times.

    MARIA. You are merry, sir:
    But what d' y' intend with this your scaling-ladder,
    To leave it thus, or put it forth of sight?

    CAR. Faith, 'tis no great matter which:
    Yet we will take it hence, that it may breed
    Many confus'd opinions in the house
    Of your escape. Here, Albert, you shall bear it;
    It may be you may chance to practise that way;
    Which when you do, may your attempts so prove,
    As mine have done--most fortunate in love.

    ALB. May you continue ever so!
    But it's time now to make some haste to horse;
    Night soon will vanish. O, that it had power
    For ever to exclude day from our eyes,
    For my looks, then, will show my villany.            [_Aside._

    CAR. Come, fair Maria, the troubles of this night
    Are as forerunners to ensuing pleasures.
    And, noble friend, although now Carracus
    Seems, in the gaining of this beauteous prize,
    To keep from you so much of his lov'd treasure,
    Which ought not to be mixed; yet this heart
    Shall so far strive in your wish'd happiness,
    That if the loss and ruin of itself
    Can but avail your good----

    ALB. O friend! no more; come, you are slow in haste;
    Friendship ought never be discuss'd in words,
    Till all her deeds be finish'd. Who, looking in a book,
    And reads but some part only, cannot judge
    What praise the whole deserves, because his knowledge
    Is grounded but on part. As thine, friend, is
    Ignorant of that black mischief I have done thee.    [_Aside._

    MAR. Carracus, I am weary; are the horses far?

    CAR. No, fairest, we are now even at them:
    Come, do you follow, Albert?

    ALB. Yes, I do follow; would I had done so ever,
    And ne'er had gone before.                 [_Aside. Exeunt._


FOOTNOTES:

  [364] The pronoun _he_ seems wanting here, but the old 4º omits
  it.--_Collier._

  [365] If this be not a corrupted, it must be an affected, word, coined
  from the Latin word _niteo_, to shine or be splendid. He was admired
  by those who _shone_ most in the article of dress.--_Steevens._

  So in Marston's "Satires," printed with "Pygmalion," 1598--

      "O dapper, rare, compleat, sweet _nittie_ youth!
      Jesu Maria! how his clothes appeare
      Crost and re-crost with lace," &c.

  _Niters_, however, may be a corruption of _niflers_. Chaucer uses
  _nifles_ for _trifles_. See "Sompnour's Tale," Tyrwhitt's edit. v.
  7342--

      "He served him with _nifles_ and with fables."

  [_Knights_ would be a bold emendation, and perhaps not very
  successful.]

  [366] "Passage is a game at dice to be played at but by two, and it is
  performed with three dice. The caster throws continually till he hath
  thrown dubblets under ten, and then he is out and loseth; or dubblets
  above ten, and then he _passeth_ and wins."--_Compleat Gamester_,
  1680, p. 119.

  [367] A play called "Long Meg of Westminster," according to Henslowe,
  was performed at Newington by the Lord Admiral's and Lord
  Chamberlain's men, the 14th February 1594; and a ballad on the same
  subject was entered on the Stationers' books in the same year. Meg of
  Westminster is mentioned in "The Roaring Girl."--_Gilchrist._

  The play of "Long Meg" is mentioned in Field's "Amends for Ladies,"
  1618, with another called "The Ship," as being played at the Fortune
  theatre. Feesimple says, "Faith, I have a great mind to see 'Long Meg'
  and 'The Ship' at the Fortune," which would seem to show in opposition
  to Mr Malone's opinion (see Malone's Shakespeare by Boswell, iii.
  304), that more than one piece was played on the same occasion. Long
  Meg of Westminster's "pranks" were detailed in a tract published in
  [1582], and reprinted in the "Miscellanea Antiqua Anglicana." The
  introduction contains some further notices of this conspicuous
  damsel.--_Collier._

  [368] Perhaps this was the title of some play or ballad that was very
  successful, though it is not easy to explain the allusion. Dekker, in
  his "If it be not good, the Devil is in it," seems to refer to the
  same piece to nearly the same purpose. Scumbroth observes, "No, no, if
  fortune favoured me, I should be full; but fortune favours nobody but
  garlick, nor garlick neither now, yet she hath strong reason to love
  it; for though garlick made her smell abominably in the nostrils of
  the gallants, yet she had smelt and stunk worse but for garlick." It
  may be, that such a play was produced at the Fortune theatre, and met
  with general approbation.

  This conjecture is supported by the following passage from "The
  World's Folly; or, A Warning-Peece Discharged upon the Wickedness
  thereof," by I.H., 1615: "I will not particularize those _blitea
  dramata_, (as Laberius tearmes another sort), those _Fortune_-fatted
  fooles and Times Ideots, whose garbe is the Tootheache of witte, the
  Plague-sore of Judgement, the Common-sewer of Obscoenities, and the
  very Traine-powder that dischargeth the roaring _Meg_ (not _Mol_) of
  all scurrile villainies upon the Cities face; who are faine to produce
  blinde * _Impudence_ ['Garlicke' inserted in the margin, against the
  asterisk] to personate himselfe upon their stage, behung with chaynes
  of garlicke, as an antidote against their owne infectious breaths,
  lest it should kill their Oyster-crying Audience."--_Collier._

  [369] [So in old copy, but query, _addle-headed_.]

  [370] This was one of the cries of London at the time: "_Buy my rope
  of onions--white Sir Thomas's onions_." It was also liable to the
  hypercriticism of the player. What St Thomas had to do with onions
  does not appear; but the saint here meant was perhaps St Thomas of
  Trunnions--

      "Nay, softe, my maisters, by _Saincte Thomas of Trunions_,
      I am not disposed to buy of your _onions_."

  --"Apius and Virginia," 1575, sig. E 2. These lines are spoken by
  Haphazard, the Vice, and are used as if the expression were
  proverbial.

  [371] Shrove-Tuesday was a holiday for apprentices and working people,
  as appears by several contemporary writers. So in Dekker's "Seven
  Deadly Sinnes of London," 1606, p. 35: "They presently (like prentises
  upon _Shrove-Tuesday_) take the lawe into their owne handes, and doe
  what they list."

  [372] The omission of the preposition by Mr Reed spoiled the metre of
  the line.--_Collier._

  [373] So in "Hamlet," act ii. sc. 2: "To the celestial, and my soul's
  idol, the most _beautified_ Ophelia." See the notes of Mr Theobald, Dr
  Johnson, and Mr Steevens, thereon. [See also Dyce's "Shakespeare
  Glossary," 1868, _in voce_.]

  [374] [Old copy, _hides_.]



ACTUS SECUNDUS.


_Enter_ HOG _the usurer; with_ PETER SERVITUDE, _trussing his points_.

HOG. What, hath not my young Lord Wealthy been here this morning?

P. SER. No, in very deed, sir; he is a towardly young gentleman; shall
he have my young mistress, your daughter, I pray you, sir?

HOG. Ay, that he shall, Peter; she cannot be matched to greater honour
and riches in all this country: yet the peevish girl makes coy of it,
she had rather affect a prodigal; as there was Haddit, one that by this
time cannot be otherwise than hanged, or in some worse estate; yet she
would have had him: but I praise my stars she went without him, though I
did not without his lands. 'Twas a rare mortgage, Peter.

P. SER. As e'er came in parchment: but see, here comes my young lord.

_Enter_ YOUNG LORD WEALTHY.

Y. LORD W. Morrow, father Hog; I come to tell you strange news; my
sister is stol'n away to-night, 'tis thought by necromancy. What
necromancy is, I leave to the readers of the "Seven Champions of
Christendom."[375]

HOG. But is it possible your sister should be stolen? sure, some of the
household servants were confederates in't.

Y. LORD W. Faith, I think they would have confessed, then; for I am sure
my lord and father hath put them all to the bastinado twice this morning
already: not a waiting-woman, but has been stowed, i' faith.

P. SER. Trust me, he says well for the most part.

HOG. Then, my lord, your father is far impatient.

Y. LORD W. Impatient! I ha' seen the picture of Hector[376] in a
haberdasher's shop not look half so furious; he appears more terrible
than wildfire at a play. But, father Hog, when is the time your daughter
and I shall to this wedlock-drudgery?

HOG. Troth, my lord, when you please; she's at your disposure, and I
rest much thankful that your lordship will so highly honour me. She
shall have a good portion, my lord, though nothing in respect of your
large revenues. Call her in, Peter; tell her my most respected Lord
Wealthy is here, to whose presence I will now commit her [_Exit_ PETER];
and I pray you, my lord, prosecute the gain of her affection with the
best affecting words you may, and so I bid good morrow to your lordship.

                                                      [_Exit_ HOG.

Y. LORD W. Morrow,[377] father Hog. To prosecute the gain of her
affection with the best affecting words; as I am a lord, a most rare
phrase! well, I perceive age is not altogether ignorant, though many an
old justice is so.

_Enter_ PETER SERVITUDE.

How now, Peter, is thy young mistress up yet?

P. SER. Yes, indeed, she's an early stirrer; and I doubt not hereafter
but that your lordship may say, she's abroad before you can rise.

Y. LORD W. Faith, and so she may, for 'tis long ere I can get up, when I
go foxed to bed. But, Peter, has she no other suitors besides myself?

P. SER. No, and it like your lordship; nor is it fit she should.

Y. LORD W. Not fit she should? I tell thee, Peter, I would give away as
much as some knights are worth, and that's not much, only to wipe the
noses of some dozen or two of gallants, and to see how pitifully those
parcels of men's flesh would look, when I had caught the bird which they
had beaten the bush for.

P. SER. Indeed, your lordship's conquest would have seemed the greater.

Y. LORD W. Foot, as I am a lord, it angers me to the guts, that nobody
hath been about her.

P. SER. For anything I know, your lordship may go without her.

Y. LORD W. An' I could have enjoyed her to some pale-faced lover's
distraction, or been envied for my happiness, it had been somewhat.

_Enter_ REBECCA, HOG'S _daughter_.

But see where she comes! I knew she had not power enough to stay another
sending for. O lords! what are we? our names enforce beauty to fly,
being sent for. [_Aside._] Morrow, pretty Beck: how dost?

REB. I rather should enquire your lordship's health, seeing you up at
such an early hour. Was it the toothache, or else fleas disturbed you?

Y. LORD W. Do you think I am subject to such common infirmities? Nay,
were I diseased, I'd scorn but to be diseased like a lord, i' faith. But
I can tell you news, your fellow virgin-hole player,[378] my sister, is
stolen away to-night.

REB. In truth. I am glad on't; she is now free from the jealous eye of a
father. Do not ye suspect, my lord, who it should be that has carried
her away?

Y. LORD W. No, nor care not; as she brews, so let her bake; so said the
ancient proverb. But, lady, mine that shall be, your father hath
wished[379] me to appoint the day with you.

REB. What day, my lord?

Y. LORD W. Why, of marriage; or as the learned historiographer[380]
writes, Hymen's holidays, or nuptial ceremonious rites.

REB. Why, when would you appoint that, my lord?

Y. LORD W. Why, let me see, I think the tailor may despatch all our
vestures in a week: therefore, it shall be directly this day se'ennight.

P. SER. God give you joy!

REB. Of what, I pray, you impudence? This fellow will go near to take
his oath that he hath seen us plight faiths together; my father keeps
him for no other cause than to outswear the truth. My lord, not to hold
you any longer in a fool's paradise, nor to blind you with the hopes I
never intend to accomplish, know, I neither do, can, or will love you.

Y. LORD W. How! not love a lord? O indiscreet young woman! Indeed, your
father told me how unripe I should find you: but all's one, unripe fruit
will ask more shaking before they fall than those that are; and my
conquest will seem the greater still. [_Aside._]

P. SER. Afore God, he is a most unanswerable lord, and holds her to't,
i' faith.

Y. LORD W. Nay, you could not have pleased me better, than seeing you so
invincible, and of such difficult attaining to. I would not give a pin
for the society of a female that should seem willing; but give me a
wench that hath disdainful looks;

    For 'tis denial whets an appetite,
    When proffer'd service doth allay delight.

REB. The fool's well-read in vice. [_Aside._] My lord, I hope you
hereafter will no farther insinuate in the course of your affections;
and, for the better withdrawing from them, you may please to know, I
have irrevocably decreed never to marry.

Y. LORD W. Never to marry! Peter, I pray bear witness of her words that,
when I have attained her, it may add to my fame and conquest.

REB. Yes, indeed, an't like your lordship.

Y. LORD W. Nay, ye must think, Beck, I know how to woo; ye shall find no
bashful university-man of me.

REB. Indeed, I think y' had ne'er that bringing up. Did you ever study,
my lord?

Y. LORD W. Yes, faith, that I have, and, the last week too, three days
and a night together.

REB. About what, I pray?

Y. LORD W. Only to find out why a woman, going on the right side of her
husband in the daytime, should lie on his left side at night; and, as I
am a lord, I never knew the meaning on't till yesterday. Malapert, my
father's butler, being a witty jackanapes, told me why it was.

REB. By'r Lady, my lord, 'twas a shrewd study, and I fear hath altered
the property of your good parts; for, I'll assure you, I loved you a
fortnight ago far better.

Y. LORD W. Nay, 'tis all one, whether you do or no: 'tis but a little
more trouble to bring ye about again; and no question, but a man may
do't, I am he. 'Tis true, as your father said, the black ox hath not
trod upon that foot of yours.

REB. No, but the white calf hath; and so I leave your lordship.

                                                  [_Exit_ REBECCA.

Y. LORD W. Well, go thy ways, th' art as witty a marmalade-eater as ever
I conversed with. Now, as I am a lord, I love her better and better;
I'll home and poetise upon her good parts presently. Peter, here's a
preparative to my farther applications; and, Peter, be circumspect in
giving me diligent notice what suitors seem to be peeping.

P. SER. I'll warrant you, my lord, she's your own; for I'll give out to
all that come near her that she is betrothed to you; and if the worst
come to the worst, I'll swear it.

    Y. LORD W. Why, godamercy;
    And if ever I do gain my request,
    Thou shalt in braver clothes be shortly dress'd.    [_Exeunt._

_Enter_ OLD LORD WEALTHY, _solus_.

    Have the fates then conspir'd, and quite bereft
    My drooping years of all the bless'd content
    That age partakes of, by the sweet aspect
    Of their well-nurtur'd issue; whose obedience,
    Discreet and duteous 'haviour, only lengthens
    The thread of age; when on the contrary,
    By rude demeanour and their headstrong wills,
    That thread's soon ravell'd out. O, why, Maria,
    Couldst thou abandon me now at this time,
    When my grey head's declining to the grave?
    Could any masculine flatterer on earth
    So far bewitch thee to forget thyself,
    As now to leave me? did nature solely give thee me,
    As my chief, inestimable treasure,
    Whereby my age might pass in quiet to rest;
    And art thou prov'd to be the only curse,
    Which heav'n could throw upon mortality?
    Yet I'll not curse thee, though I fear the fates
    Will on thy head inflict some punishment,
    Which I will daily pray they may withhold.
    Although thy disobediency deserves
    Extremest rigour, yet I wish to thee
    Content in love, full of tranquillity.

_Enter_ YOUNG LORD WEALTHY.

    But see where stands my shame, whose indiscretion
    Doth seem to bury all the living honours
    Of all our ancestors; but 'tis the fates' decree,
    That men might know their weak mortality.

    Y. LORD W. Sir, I cannot find my sister.

    O. LORD W. I know thou canst not: 'twere too rare to see
    Wisdom found out by ignorance.

Y. LORD W. How, father! is it not possible that wisdom should be found
out by ignorance? I pray, then, how do many magnificoes come by it?

    O. LORD W. They buy it, son, as you had need to do.
    Yet wealth without that may live more content
    Than wit's enjoyers can, debarr'd of wealth.
    All pray for wealth, but I never heard yet
    Of any but one that e'er pray'd for wit.
    He's counted wise enough in these vain times,
    That hath but means enough to wear gay clothes,
    And be an outside of humanity. What matters it a pin,
    How indiscreet soe'er a natural be,
    So that his wealth be great? that's it doth cause
    Wisdom in these days to give fools applause.
    And when gay folly speaks, how vain soe'er,
    Wisdom must silent sit, and speech forbear.

Y. LORD W. Then wisdom must sit as mute as learning among many
courtiers. But, father, I partly suspect that Carracus hath got my
sister.

O. LORD W. With child, I fear, ere this.

Y. LORD W. By'r Lady, and that may be true. But, whether he has or no,
it's all one: if you please, I'll take her from under his nose, in spite
on's teeth, and ask him no leave.

    O. LORD W. That were too headstrong, son;
    We'll rather leave them to the will of heaven,
    To fall or prosper; and though young Carracus
    Be but a gentleman of small revenues,
    Yet he deserves my daughter for his virtues:
    And, had I thought she could not be withdrawn
    From th' affecting of him, I had, ere this,
    Made them both happy by my free consent;
    Which now I wish I had granted, and still pray,
    If any have her, it may be Carracus.

Y. LORD W. Troth, and I wish so too; for, in my mind, he's a gentleman
of a good house, and speaks true Latin.

    O. LORD W. To-morrow, son, you shall ride to his house,
    And there inquire of your sister's being.
    But, as you tender me and your own good,
    Use no rough language savouring of distaste,
    Or any uncivil terms.

    Y. LORD W. Why, do you take me for a midwife?

    O. LORD W. But tell young Carracus these words from me,
    That if he hath, with safeguard of her honour,
    Espons'd my daughter, that I then forgive
    His rash offence, and will accept of him
    In all the fatherly love I owe a child.

Y. LORD W. I am sure my sister will be glad to hear it, and I cannot
blame her; for she'll then enjoy that with quietness which many a wench
in these days does scratch for.

    O. LORD W. Come, son, I'll write
    To Carracus, that my own hand may witness,
    How much I stand affected to his worth.             [_Exeunt._

_Enter_ HADDIT, _in his gay apparel, making him ready, and with him_
LIGHTFOOT.

HAD. By this light, coz, this suit does rarely! The tailor that made it
may hap to be saved, an't be but for his good works: I think I shall be
proud of 'em, and so I was never yet of any clothes.

LIGHT. How! not of your clothes? why then you were never proud of
anything, for therein chiefly consisteth pride; for you never saw pride
pictured but in gay attire.

HAD. True; but, in my opinion, pride might as well be portrayed in any
other shape, as to seem to be an affecter of gallantry, being the causes
thereof are so several and divers. As, some are proud of their strength,
although that pride cost them the loss of a limb or two by over-daring;
likewise, some are proud of their humour, although in that humour they
be often knocked for being so; some are proud of their drink, although
that liquid operation cause them to wear a nightcap three weeks after;
some are proud of their good parts, although they never put them to
better uses than the enjoying of a common strumpet's company, and are
only made proud by the favour of a waiting-woman; others are proud----

LIGHT. Nay, I prythee, coz, enough of pride; but when do you intend to
go yonder to Covetousness the usurer, that we may see how near your plot
will take for the releasing of your mortgaged lands?

HAD. Why, now presently; and, if I do not accomplish my projects to a
wished end, I wish my fortunes may be like some scraping tradesman, that
never embraceth true pleasure till he be threescore and ten.

LIGHT. But say Hog's daughter, on whom all your hopes depend, by this be
betrothed to some other.

HAD. Why, say she were; nay more, married to another, I would be ne'er
the farther from effecting my intents. No, coz, I partly know her inward
disposition; and, did I but only know her to be womankind, I think it
were sufficient.

LIGHT. Sufficient for what?

HAD. Why, to obtain a grant of the best thing she had, chastity. Man,
'tis not here as 'tis with you in the country, not to be had without
father's and mother's goodwill; no, the city is a place of more
traffic, where each one learns by example of their elders to make the
most of their own, either for profit or pleasure.

LIGHT. 'Tis but your misbelieving thoughts make you surmise so: if women
were so kind, how haps you had not by their favours kept yourself out of
the claws of poverty?

HAD. O, but, coz, can a ship sail without water? had I had but such a
suit as this to set myself afloat, I would not have feared sinking. But
come, no more of need; now to the usurer: and though

    All hopes do fail, a man can want no living,
    So long as sweet desire reigns in women.

    LIGHT. But then yourself must able be in giving.    [_Exeunt._

_Enter_ ALBERT, _solus_.

    Conscience, thou horror unto wicked men,
    When wilt thou cease thy all-afflicting wrath,[381]
    And set my soul free from the labyrinth
    Of thy tormenting terror? O, but it fits not!
    Should I desire redress, or wish for comfort,
    That have committed an act so inhumane,
    Able to fill shame's spacious chronicle?
    Who but a damn'd one could have done like me?
    Robb'd my dear friend, in a short moment's time,
    Of his love's high-priz'd gem of chastity:
    That which so many years himself hath stay'd for?
    How often hath he, as he lay in bed,
    Sweetly discours'd to me of his Maria?
    And with what pleasing passions did he suffer
    Love's gentle war-siege? Then he would relate,
    How he first came unto her fair eyes' view;
    How long it was ere she could brook affection;
    And then how constant she did still abide.
    I then, at this, would joy, as if my breast
    Had sympathis'd in equal happiness
    With my true friend: but now, when joy should be,
    Who but a damn'd one would have done like me?
    He hath been married now, at least, a month;
    In all which time I have not once beheld him.
    This is his house--
    I'll call to know his health, but will not see him,
    My looks would then betray me; for, should he ask
    My cause of seeming sadness or the like,
    I could not but reveal, and so pour'd on
    Worse unto ill, which breeds confusion.          [_He knocks._

_Enter_ SERVINGMAN.

SER. To what intent d'ye knock, sir?

ALB. Because I would be heard, sir: is the master of this house within?

    SER. Yes, marry is he, sir: would you speak with him?

    ALB. My business is not so troublesome:
    Is he in health, with his late espoused wife?

    SER. Both are exceeding well, sir.

    ALB. I'm truly glad on't: farewell, good friend.

    SER. I pray you, let's crave your name, sir; I may else have anger.

ALB. You may say one Albert, riding by this way, only inquired their
health.

    SER. I will acquaint so much.              [_Exit_ SERVINGMAN.

    ALB. How like a poisonous doctor have I come,
    To inquire their welfare, knowing that myself
    Have given the potion[382] of their ne'er recovery;
    For which I will afflict myself with torture ever.
    And, since the earth yields not a remedy
    Able to salve the sores my lust hath made,
    I'll now take farewell of society
    And th' abode of men, to entertain a life
    Fitting my fellowship in desert woods,
    Where beasts like me consort; there may I live
    Far off from wronging virtuous Carracus.
    There's no Maria that shall satisfy
    My hateful lust: the trees shall shelter
    This wretched trunk of mine, upon whose barks
    I will engrave the story of my sin.
    And there this short breath of mortality
    I'll finish up in that repentant state,
    Where not th' allurements of earth's vanities
    Can e'er o'ertake me: there's no baits for lust,
    No friend to ruin; I shall then be free
    From practising the art of treachery:
    Thither then, steps, where such content abides,
    Where penitency, not disturb'd, may grieve,
    Where on each tree and springing plant I'll carve
    This heavy motto of my misery,
    _Who but a damn'd one could have done like me?_
    Carracus, farewell, if e'er thou see'st me more,
    Shalt find me curing of a soul-sick sore.             [_Exit._


FOOTNOTES:

  [375] A very popular book, which is still reprinted.

  [376] Hector is one of the Seven Worthies. He appears as such in
  "Love's Labour's Lost." Nothing was once more common than the
  portraits of these heroes; and therefore they might have found their
  way occasionally into shops which we know to have been anciently
  decorated with pictures for the amusement of some customers whilst
  others were served. Of the Seven Worthies, the Ten Sibyls, and the
  Twelve Cæsars, I have seen many complete sets in old halls and on old
  staircases.--_Steevens._

  [377] The 4º reads _Moreover_. The alteration was made by Mr
  Reed.--_Collier._

  [378] A designed play on the word _virginal_, a spinnet.--_Steevens._

  [379] Desired or recommended.

  [380] This was Samuel Daniel, who was an historian as well as a poet.
  The work above alluded to is probably "Hymen's Triumph," a pastoral
  tragi-comedy, acted at the Queen's Court in the Strand, at the
  nuptials of Lord Roxburgh.

  [381] The 4º has it _all-afflicted wrath_.--_Collier._

  [382] The old copy has it _portion_, which is most likely
  wrong.--_Collier._



ACTUS TERTIUS.


_Enter_ CARRACUS, _driving his man before him_.

    CAR. Why, thou base villain! was my dearest
    Friend here, and couldst not make him stay?

    SER. 'Sfoot, sir, I could not force him 'gainst his will:
    An' he had been a woman----

    CAR. Hence, thou untutor'd slave!             [_Exit_ SERVANT.

    But couldst thou, Albert, come so near my door,
    And not vouchsafe the comfort of thy presence?
    Hath my good fortune caus'd thee to repine?
    And, seeing my state so full replete with good,
    Canst thou withdraw thy love to lessen it?
    What could so move thee? was't because I married?
    Didst thou imagine I infring'd my faith,
    For that a woman did participate
    In equal share with thee? cannot my friendship
    Be firm to thee because 'tis dear to her?
    Yet no more dear to her than firm to thee.
    Believe me, Albert, thou dost little think
    How much thy absence gives cause of discontent.
    But I'll impute it only to neglect:
    It is neglect indeed when friends neglect
    The sight of friends, and say 'tis troublesome:
    Only ask how they do, and so farewell,
    Showing an outward kind of seeming duty,
    Which in the rules of manhood is observ'd,
    And think full well they have perform'd their task,
    When of their friend's health they do only ask;
    Not caring how they are, or how distress'd--
    It is enough they have their loves express'd
    In bare inquiry; and, in these times, too,
    Friendship's so cold, that few so much will do.
    And am not I beholden then to Albert?
    He, after knowledge of our being well,
    Said he was truly glad on't: O rare friend!
    If he be unkind, how many more may mend?
    But whither am I carried by unkindness?
    Why should not I as well set light by friendship,
    Since I have seen a man, whom I late thought
    Had been compos'd of nothing but of faith,
    Prove so regardless of his friend's content?

_Enter_ MARIA.

    MARIA. Come, Carracus, I have sought you all about:
    Your servant told me you were much disquieted
    Prythee, love, be not so; come, [come,] walk in;
    I'll charm thee with my lute from forth disturbance.

    CAR. I am not angry, sweet; though, if I were,
    Thy bright aspect would soon allay my rage.
    But, my Maria, it doth something move me
    That our friend Albert so forgets himself.

    MARIA. It may be, 'tis nothing else; and there's no doubt
    He'll soon remember his accustom'd friendship.
    He thinks as yet, peradventure, that his presence
    Will but offend, for that our marriage rites
    Are but so newly pass'd.

    CAR. I will surmise so too, and only think
    Some serious business hinders Albert's presence.
    But what ring's that, Maria, on your finger?

    MARIA. 'Tis one you lost, love, when I did bestow
    A jewel of far greater worth on you.

    CAR. At what time, fairest?

    MARIA. As if you knew not! why d'ye make't so strange?

    CAR. You are dispos'd to riddle; pray, let's see't.
    I partly know it: where was't you found it?

    MARIA. Why, in my chamber, that most gladsome night,
    When you enrich'd your love by my escape.

    CAR. How! in your chamber?

    MARIA. Sure, Carracus, I will be angry with you,
    If you seem so forgetful. I took it up,
    Then when you left my lodge, and went away,
    Glad of your conquest, for to seek your friend,
    Why stand you so amaz'd, sir? I hope that kindness,
    Which then you reap'd, doth not prevail
    So in your thoughts, as that you think me light.

    CAR. O, think thyself, Maria, what thou art!
    This is the ring of Albert, treacherous man!
    He that enjoy'd thy virgin chastity.
    I never did ascend into thy chamber.
    But all that cold night, through the frozen field,
    Went seeking of that wretch, who ne'er sought me;
    But found what his lust sought for, dearest thee.

    MARIA. I have heard enough, my Carracus, to bereave
    Me of this little breath.                       [_She swoons._

    CAR. All breath be first
    Extinguished. Within there, ho!

_Enter_ NURSE _and_ SERVANTS.

O nurse! see here, Maria says she'll die.

NURSE. Marry, God forbid! O mistress, mistress, mistress! she has breath
yet; she's but in a trance: good sir, take comfort, she'll recover by
and by.

CAR. No, no, she'll die, nurse, for she said she would, an' she had not
said so, 't had been another matter; but you know, nurse, she ne'er told
a lie: I will believe her, for she speaks all truth.

    NURSE. His memory begin's to fail him. Come, let's bear
    This heavy spectacle from forth his presence;
    The heavens will lend a hand, I hope, of comfort.   [_Exeunt._

CARRACUS _manet_.

    CAR. See, how they steal away my fair Maria!
    But I will follow after her, as far
    As Orpheus did to gain his soul's delight;
    And Pluto's self shall know, although I am not
    Skilful in music, yet I can be mad,
    And force my love's enjoyment, in despite
    Of hell's black fury. But stay, stay, Carracus.
    Where is thy knowledge and that rational sense,
    Which heaven's great architect endued thee with?
    All sunk beneath the weight of lumpish nature?
    Are our diviner parts no noblier free,
    Than to be tortur'd by the weak assailments
    Of earthsprung griefs? Why is man, then, accounted
    The head commander of this universe,
    Next the Creator, when a little storm
    Of nature's fury straight o'erwhelms his judgment?
    But mine's no little storm, it is a tempest
    So full of raging, self-consuming woe,
    That nought but ruin follows expectation.
    O my Maria, what unheard-of sin
    Have any of thine ancestors enacted,
    That all their shame should be pour'd thus on thee?
    Or what incestuous spirit, cruel Albert,
    Left hell's vast womb for to enter thee,
    And do a mischief of such treachery?

_Enter_ NURSE, _weeping_.

    O nurse, how is it with Maria?
    If e'er thy tongue did utter pleasing words,
    Let it now do so, or hereafter e'er
    Be dumb in sorrow.

    NURSE. Good sir, take comfort; I am forced to speak
    What will not please: your chaste wife, sir, is dead.

    CAR. 'Tis dead, indeed! how did you know 'twas so, nurse?

    NURSE. What, sir?

    CAR. That my heart was dead: sure, thou hast serv'd
    Dame Nature's self, and know'st the inward secrets
    Of all our hidden powers: I'll love thee for't;
    And, if thou wilt teach me that unknown skill,
    Shalt see what wonders Carracus will do:
    I'll dive into the breast of hateful Albert,
    And see how his black soul is round encompass'd
    By fearful fiends. O, I would do strange things!
    I'd know to whose cause lawyers will incline
    When they have[383] fees on both sides; view the thoughts
    Of forlorn widows, when their knights have left them;
    Search through the guts of greatness, and behold
    What several sin best pleased them: thence I'd descend
    Into the bowels of some pocky sir,
    And tell to lechers all the pains he felt,
    That they thereby might warned be from lust.
    Troth, 'twill be rare! I'll study it presently.

    NURSE. Alas! he is distracted! what a sin
    Am I partaker of, by telling him
    So curs'd an untruth? But 'twas my mistress' will.
    Who is recovered; though her griefs never
    Can be recover'd. She hath vow'd with tears
    Her own perpetual banishment; therefore to him
    Death were not more displeasing than if I
    Had told her lasting absence.

    CAR. I find my brain's too shallow far for study.
    What need I care for being a 'rithmetician?
    Let citizens' sons stand, an' they will, for cyphers:
    Why should I teach them, and go beat my brains
    To instruct unapt and unconceiving dolts;
    And, when all's done, my art, that should be fam'd,
    Will by gross imitation be but sham'd?
    Your judgment, madam?

    NURSE. Good sir, walk in; we'll send for learned men,
    That can allay your frenzy.

    CAR. But can Maria so forget herself,
    As to debar us thus of her attendance?

    NURSE. She's within, sir, pray you, will you walk to her?

    CAR. O, is she so! Come, then, let's softly steal
    Into her chamber; if she be asleep,
    I'll laugh, shalt see, enough, and thou shalt weep.
    Softly, good long-coat, softly.                     [_Exeunt._

_Enter_ MARIA _in page's apparel_.

    MAR. Cease now thy steps, Maria, and look back
    Upon that place where distress'd Carracus
    Hath his sad being; from whose virtuous bosom
    Shame hath constrained me fly, ne'er to return.
    I will go seek some unfrequented path
    Either in desert woods or wilderness,
    There to bewail my innocent mishaps,
    Which heaven hath justly poured down on me,
    In punishing my disobediency.

_Enter_ YOUNG LORD WEALTHY.

    O, see my brother!                              [_Exit_ MARIA.

Y. LORD W. Ho, you three-foot-and-a-half! Why, page, I say! 'Sfoot, he
is vanished as suddenly as a dumb show.[384] If a lord had lost his way
now, so he had been served. But let me see: as I take it, this is the
house of Carracus. A very fair building, but it looks as if 'twere dead;
I can see no breath come out of the chimneys. But I shall know the
state on't by and by, by the looks of some servingman. What ho, within
here! [_Beats at the door._

_Enter_ SERVANT.

    SER. Good sir, you have your arms at liberty.
    Wilt please you to withdraw your action of battery?

Y. LORD W. Yes, indeed, now you have made your appearance. Is thy
living-giver within, sir?

SER. You mean my master, sir?

Y. LORD W. You have hit it, sir, praised be your understanding. I am to
have conference with him; would you admit my presence?

SER. Indeed, sir, he is at this time not in health, and may not be
disturbed.

Y. LORD W. Sir, if he were in the pangs of childbed, I'd speak with him.

_Enter_ CARRACUS.

CAR. Upon what cause, gay man?

Y. LORD W. 'Sfoot, I think he be disturbed indeed; he speaks more
commanding than a constable at midnight. Sir, my lord and father, by me
(a lord) hath sent these lines enclosed, which show his whole intent.

    CAR. Let me peruse them; if they do portend
    To the state's good, your answer shall be sudden,
    Your entertainment friendly; but if otherwise,
    Our meanest subject shall divide thy greatness.
    You'd best look to't, ambassador.

    Y. LORD W. Is your master a statesman, friend?

    SER. Alas! no, sir; he understands not what he speaks.

Y. LORD W. Ay, but when my father dies, I am to be called in for one
myself, and I hope to bear the place as gravely as my successors have
done before me.

    CAR. Ambassador, I find your master's will
    Treats to the good of somewhat, what it is--
    You have your answer, and may now depart.

    Y. LORD W. I will relate as much, sir; fare ye well.

    CAR. But stay, I had forgotten quite our chief'st affairs:
    Your master father writes, some three lines lower,
    Of one Maria, that is wife to me:
    That she and I should travel now with you
    Unto his presence.

Y. LORD W. Why, now I understand you, sir: that Maria is my sister, by
whose conjunction you are created brother to me a lord.

    CAR. But, brother lord, we cannot go this journey.

    Y. LORD W. Alas! no, sir? We mean to do it.
    My sister shall ride upon my nag.

    CAR. Come, then, we'll in and strive to woo your sister.
    I have not seen her, sir, at least these three days.
    They keep her in a chamber, and tell me
    She's fast asleep still: you and I'll go see.

    Y. LORD W. Content, sir.

    SER. Madmen and fools agree.                  [_Aside Exeunt._

_Enter_ HADDIT _and_ REBECCA.

REB. When you have got this prize, you mean to lose me.

HAD. Nay, prythee, do not think so. If I do not marry thee this instant
night, may I never enjoy breath a minute after! By heaven, I respect not
his pelf thus much, but only that I may have wherewith to maintain thee.

REB. O, but to rob my father, though he be bad, the world will think ill
of me.

HAD. Think ill of thee! Can the world pity him that ne'er pitied any?
besides, since there is no end of his goods nor beginning of his
goodness, had not we as good share his dross in his lifetime, as let
controversy and lawyers devour it at his death?

REB. You have prevailed. At what hour is't you intend to have entrance
into his chamber?

HAD. Why, just at midnight; for then our apparition will seem most
fearful. You'll make a way that we may ascend up like spirits?

REB. I will; but how many have you made instruments herein?

HAD. Faith, none but my cousin Lightfoot and a player.

REB. But may you trust the player?

HAD. O, exceeding well. We'll give him a speech he understands not. But,
now I think on't, what's to be done with your father's man Peter?

REB. Why, the least quantity of drink will lay him dead asleep. But
hark, I hear my father coming. Soon in the evening I'll convey you in.

HAD. Till when, let this outward ceremony be a true pledge of our inward
affections. [_Kisses her. Exit_ REBECCA.] Lo, this goes better forward
than the plantation in Virginia: but see, here comes half the West
Indies, whose rich mines this night I mean to be ransacking.

_Enter_ HOG, LIGHTFOOT, _and_ PETER.

HOG. Then you'll seal for this small lordship, you say? To-morrow your
money shall be rightly told up for you to a penny.

LIGHT. I pray, let it, and that your man may set contents upon every
bag.

HAD. Indeed, by that we may know what we steal, without labour for the
telling on't over. [_Aside._] How now, gentlemen, are ye agreed upon
the price of this earth and clay?

HOG. Yes, faith, Master Haddit, the gentleman your friend here makes me
pay sweetly for't; but let it go, I hope to inherit heaven, if it be but
for doing gentlemen pleasure.

HOG. Peter!

P. SER. Anon, sir.

HOG. I wonder how Haddit came by that gay suit of clothes; all his means
were consumed long since.

P. SER. Why, sir, being undone himself, he lives by the undoing, or (by
Lady!) it may be by the doing, of others--or peradventure both. A
decayed gallant may live by anything, if he keep one thing safe.

HOG. Gentlemen, I'll to the scrivener's, to cause these writings to be
drawn.

LIGHT. Pray do, sir; we'll now leave you till the morning.

HOG. Nay, you shall stay dinner; I'll return presently. Peter, some beer
here for these worshipful gentlemen.

                                        [_Exeunt_ HOG _and_ PETER.

HAD. We shall be bold, no doubt; and that, old penny-father, you'll
confess by to-morrow morning.

LIGHT. Then his daughter is certainly thine, and condescends to all thy
wishes?

HAD. And yet you would not once believe it; as if a female's favour
could not be obtained by any but he that wears the cap of maintenance;

    When 'tis nothing but acquaintance and a bold spirit,
    That may the chiefest prize 'mongst all of them inherit.

LIGHT. Well, thou hast got one deserves the bringing home with trumpets,
and falls to thee as miraculously as the £1000 did to the tailor. Thank
your good fortune. But must Hog's man be made drunk?

HAD. By all means; and thus it shall be effected: when he comes in with
beer, do you upon some slight occasion fall out with him, and if you
give him a cuff or two, it will give him cause to know you are the more
angry, then will I slip in and take up the matter, and, striving to make
you two friends, we'll make him drunk.

LIGHT. It's done in conceit already. See where he comes.

_Enter_ PETER.

P. SER. Wilt please you to taste a cup of September beer, gentlemen?

LIGHT. Pray, begin: we'll pledge you, sir.

P. SER. It's out, sir.

LIGHT. Then my hand is in, sir. [LIGHTFOOT _cuffs him_.] Why goodman
Hobby-horse, if we out of our gentility offered you to begin, must you
out of your rascality needs take it?

HAD. Why, how now, sirs, what's the matter?

P. SER. The gentleman here falls out with me upon nothing in the world
but mere courtesy.

HAD. By this light, but he shall not; why, cousin Lightfoot!

P. SER. Is his name Lightfoot? a plague on him, he has a heavy hand.

_Enter_ YOUNG LORD WEALTHY.

Y. LORD W. Peace be here; for I came late enough from a madman.

HAD. My young lord, God save you.

Y. LORD W. And you also: I could speak it in Latin, but the phrase is
common.[385]

HAD. True, my lord, and what's common ought not much to be dealt withal;
but I must desire your help, my lord, to end a controversy here between
this gentleman my friend and honest Peter who, [_Aside_] I dare be
sworn, is as ignorant as your lordship.

Y. LORD W. That I will; but, my masters, this much I'll say unto you--if
so be this quarrel may be taken up peaceably without the endangering of
my own person, well and good: otherwise I will not meddle therewith, for
I have been vexed late enough already.

HAD. Why then, my lord, if it please you, let me, being your inferior,
decree the cause between them.

Y. LORD W. I do give leave or permit.

HAD. Then thus I will propound a reasonable motion; how many cuffs,
Peter, did this gentleman out of his fury make thee partaker of.

P. SER. Three, at the least, sir.

HAD. All which were bestowed upon you for beginning first, Peter.

P. SER. Yes, indeed, sir.

HAD. Why then, hear the sentence of your suffering. You shall both down
into Master Hog's cellar, Peter; and whereas you began first to him, so
shall he there to you; and as he gave you three cuffs, so shall you
retort off, in defiance of him, three black-jacks, which if he deny to
pledge, then the glory is thine, and he accounted by the wise discretion
of my lord here a flincher.

OMNES. A reasonable motion.

Y. LORD W. Why so; this is better than being among madmen yet.

HAD. Were you so lately with any, my lord?

Y. LORD W. Yes, faith; I'll tell you all in the cellar, how I was taken
for an ambassador; and being no sooner in the house, but the madman
carries me up into the garret for a spy, and very roundly bad me
untruss; and, had not a courteous servingman conveyed me away whilst he
went to fetch whips, I think in my conscience, not respecting my honour,
he would have breech'd me.[386]

HAD. By Lady, and 'twas to be fear'd; but come, my lord, we'll hear the
rest in the cellar.

    And honest Peter, thou that hast been griev'd,
    My lord and I will see thee well-reliev'd.          [_Exeunt._


FOOTNOTES:

  [383] Old copy, _had_.

  [384] _i.e._, One of those _inexplicable dumb shows_ ridiculed by
  "Hamlet." See edition of Shakespeare 1778, x.p. 284.--_Steevens._

  [385] Alluding to the use of it in Cooke's "City Gallant," commonly
  called "Green's Tu quoque," printed in the present volume.

  [386] _i.e._, Whipped me.



ACTUS QUARTUS.


_Enter_ ALBERT _in the woods_.

    How full of sweet content had this life been,
    If it had been embraced but before
    My burthenous conscience was so fraught with sin!
    But now my griefs o'ersway that happiness.
    O, that some lecher or accurs'd betrayer
    Of sacred friendship might but here arrive,
    And read the lines repentant on each tree
    That I have carv'd t' express my misery!
    My admonitions now would sure convert
    The sinful'st creature; I could tell them now,
    How idly vain those humans spend their lives
    That daily grieve, not for offences pass'd,
    But to enjoy some wanton's company;
    Which when obtain'd, what is it but a blot,
    Which their whole life's repentance scarce can clear?
    I could now tell to friend-betraying man,
    How black a sin is hateful treachery,
    How heavy on their wretched souls 'twill sit,
    When fearful death will plant his siege but near them,
    How heavy and affrighted will their end
    Seem to approach them, as if then they knew
    The full beginning of their endless woe
    Were then appointed; which astonishment,
    O blest repentance, keep me Albert from!
    And suffer not despair to overwhelm,
    And make a shipwreck of my heavy soul.

_Enter_ MARIA, _like a page_.

    Who's here? a page? what black disastrous fate
    Can be so cruel to his pleasing youth?

    MARIA. So now, Maria, here thou must forego
    What nature lent thee to repay to death!
    Famine, I thank thee, I have found thee kindest;
    Thou sett'st a period to my misery.                 [_Faints._

    ALB. It is Maria, that fair innocent,
    Whom my abhorred lust hath brought to this;
    I'll go for sustenance: and, O ye powers!
    If ever true repentance wan acceptance,
    O, show it Albert now, and let him save
    This[387] wronged beauty from untimely grave.   [_Exit_ ALBERT.

    MARIA. Sure, something spake, or else my feebled sense
    Hath lost the use of its due property;
    Which is more likely, than that in this place
    The voice of human creature should be heard.
    This is far distant from the paths of men:
    Nothing breathes here but wild and ravening beasts,
    With airy monsters, whose shadowing wings do seem
    To cast a veil of death on wicked livers;[388]
    Which I live dreadless of, and every hour
    Strive to meet death, who still unkind avoids me:
    But that now gentle famine doth begin
    For to give end to my calamities.
    See, here is carv'd upon this tree's smooth bark
    Lines knit in verse, a chance far unexpected!
    Assist me, breath, a little to unfold
    What they include.

                   _The Writing._

    _I that have writ these lines am one, whose sin
    Is more than grievous; for know, that I have been
    A breaker of my faith with one, whose breast
    Was all compos'd of truth: but I digress'd,
    And fled th' embrace[389] of his dear friendship's love,
    Clasping to falsehood, did a villain prove;
    As thus shall be express'd. My worthy friend
    Lov'd a fair beauty, who did condescend
    In dearest affection to his virtuous will;
    He then a night appointed to fulfil
    Hymen's bless'd rites, and to convey away
    His love's fair person, to which peerless prey
    I was acquainted made, and when the hour
    Of her escape drew on, then lust did pour
    Enraged appetite through all my veins,
    And base desires in me let loose the reins
    To my licentious will: and that black night,
    When my friend should have had his chaste delight,
    I feign'd his presence, and (by her thought him),
    Robb'd that fair virgin of her honour's gem:
    For which most heinous crime upon each tree
    I write this story, that men's eyes may see
    None but a damn'd one would have done like me._
    Is Albert then become so penitent,
    As in these deserts to deplore his facts,
    Which his unfeign'd repentance seems to clear?
    How good man is when he laments his ill!
    Who would not pardon now that man's misdeeds,
    Whose griefs bewail them thus? could I now live,
    I would remit thy fault with Carracus:
    But death no longer will afford reprieve
    Of my abundant woes: wrong'd Carracus, farewell;
    Live, and forgive thy wrongs, for the repentance
    Of him that caused them so deserves from thee;
    And since my eyes do witness Albert's grief,
    I pardon Albert, in my wrongs the chief.

_Enter_ ALBERT, _like a hermit_.

    ALB. How! pardon me? O sound angelical!
    But see, she faints. O heavens! now show your power,
    That these distilled waters, made in grief,
    May add some comfort to affliction:
    Look up, fair youth, and see a remedy.

    MAR. O, who disturbs me? I was hand in hand,
    Walking with death unto the house of rest.

    ALB. Let death walk by himself; if he want company,
    There's many thousands, boy, whose aged years
    Have ta'en a surfeit of earth's vanities;
    They will go with him when he please to call.
    Do drink, my boy; thy pleasing, tender youth
    Cannot deserve to die; no, it is for us,
    Whose years are laden by our often sins,
    Singing the last part of our bless'd repentance,
    Are fit for death; and none but such as we
    Death ought to claim; for when a' snatcheth youth,
    It shows him but a tyrant; but when age,
    Then is he just, and not compos'd of rage.
    How fares my lad?

    MAR. Like one embracing death with all his parts,
    Reaching at life but with one little finger;
    His mind so firmly knit unto the first,
    That unto him the latter seems to be,
    What may be pointed at, but not possess'd.

    ALB. O, but thou shalt possess it.
    If thou didst fear thy death but as I do,
    Thou wouldst take pity: though not of thyself,
    Yet of my aged years. Trust me, my boy,
    Thou'st struck such deep compassion in my breast,
    That all the moisture which prolongs my life
    Will from my eyes gush forth, if now thou leav'st me.

    MAR. But can we live here in this desert wood?
    If not, I'll die, for other places seem
    Like tortures to my griefs. May I live here?

    ALB. Ay, thou shalt live with me, and I will tell thee
    Such strange occurrents of my fore-pass'd life,
    That all thy young-sprung griefs shall seem but sparks
    To the great fire of my calamities.

    MAR. Then I'll live only with you for to hear,
    If any human woes can be like mine.
    Yet, since my being in this darksome desert,
    I have read on trees most lamentable stories.[390]

    ALB. 'Tis true indeed, there's one within these woods
    Whose name is Albert; a man so full of sorrow,
    That on each tree he passes by he carves
    Such doleful lines for his rash follies pass'd,
    That whoso reads them, and not drown'd in tears,
    Must have a heart fram'd forth of adamant.

    MAR. And can you help me to the sight of him?

    ALB. Ay, when thou wilt; he'll often come to me,
    And at my cave sit a whole winter's night,
    Recounting of his stories. I tell thee, boy,
    Had he offended more than did that man,
    Who stole the fire from heaven, his contrition
    Would appease all the gods, and quite revert
    Their wrath to mercy. But come, my pretty boy,
    We'll to my cave, and after some repose
    Relate the sequel of each other's woes.             [_Exeunt._

_Enter_ CARRACUS.

    CAR. What a way have I come, yet I know not
    Whither: the air's so cold this winter season,
    I'm sure a fool--would any but an ass
    Leave a warm-matted chamber and a bed,
    To run thus in the cold? and (which is more)
    To seek a woman--a slight thing call'd woman?
    Creatures, which curious nature fram'd, as I suppose,
    For rent-receivers to her treasury.
    And why I think so now, I'll give you instance;
    Most men do know that nature's self hath made them
    Most profitable members; then if so,
    By often trading in the commonwealth
    They needs must be enrich'd; why, very good!
    To whom ought beauty then repay this gain,
    Which she by nature's gift hath profited,
    But unto nature? why, all this I grant.
    Why then they shall no more be called women,
    For I will style them thus, scorning their leave,
    Those that for nature do much rent receive.
    This is a wood, sure; and, as I have read,
    In woods are echoes which will answer men
    To every question which they do propound. Echo.[391]

    ECHO.                                           _Echo._

    CAR. O, are you there? have at ye then, i' faith.
    Echo, canst tell me whether men or women
    Are for the most part damn'd?

    ECHO.                               _Most part damn'd._

    CAR. O,[392] both indeed; how true this echo speaks!
    Echo, now tell me, if amongst a thousand women
    There be one chaste or none?

    ECHO.                                           _None._

    CAR. Why, so I think; better and better still.
    Now farther: Echo, in the world of men,
    Is there one faithful to his friend, or no?

    ECHO.                                             _No._

    CAR. Thou speak'st most true, for I have found it so.
    Who said thou wast a woman, Echo, lies;
    Thou couldst not then answer so much of truth.
    Once more, good Echo;
    Was my Maria false by her own desire,
    Or was't against her will?

    ECHO.                               _Against her will._

    CAR. Troth, it may be so; but canst thou tell,
    Whether she be dead or not?

    ECHO.                                            _Not._

    CAR. Not dead!

    ECHO.                                       _Not dead._

    CAR. Then without question she doth surely live.
    But I do trouble thee too much; therefore,
    Good speak-truth, farewell.

    ECHO.                                       _Farewell._

    CAR. How quick it answers! O, that councillors
    Would thus resolve men's doubts without a fee!
    How many country clients then might rest
    Free from undoing! no plodding pleader then
    Would purchase great possessions with his tongue.
    Were I some demigod, or had that power,
    I would straight make this echo here a judge:
    He'd spend his judgment in the open court,
    As now to me, without being once solicited
    In his private chamber; 'tis not bribes could win
    Him to o'ersway men's right, nor could he be
    Led to damnation for a little pelf;
    He would not harbour malice in his heart,
    Or envious hatred, base despite, or grudge,
    But be an upright, just, and equal judge.
    But now imagine that I should confront
    Treacherous Albert, who hath rais'd my front!
    But I fear this idle prate hath made me
    Quite forget my _cinque pace_.[393]             [_He danceth._

_Enter_ ALBERT.

    ALB. I heard the echo answer unto one,
    That by his speech cannot be far remote
    From off this ground; and see, I have descri'd him:
    O heavens! it's Carracus, whose reason's seat
    Is now usurp'd by madness and distraction;
    Which I, the author of confusion,
    Have planted here by my accursed deeds.

    CAR. O, are you come, sir! I was sending
    The tavern-boy for you; I have been practising
    Here, and can do none of my lofty tricks.

    ALB. Good sir, if any spark do yet remain
    Of your consumed reason, let me strive----

    CAR. To blow it out? troth, I most kindly thank you,
    Here's friendship to the life. But, Father Wheybeard,
    Why should you think me void of reason's fire,
    My youthful days being in the height of knowledge?
    I must confess your old years gain experience;
    But that so much o'errul'd by dotage,
    That what you think experience shall effect,
    Short memory destroys. What say you now, sir?
    Am I mad now, that can answer thus
    To all interrogatories?

    ALB. But though your words do savour, sir, of judgment,
    Yet when they derogate from the due observance
    Of fitting times, they ought to be respected
    No more than if a man should tell a tale
    Of feigned mirth in midst of extreme sorrows.

    CAR. How did you know
    My sorrows, sir? what though I have lost a wife,
    Must I be therefore griev'd? am I not happy
    To be so freed of a continual trouble?
    Had many a man such fortune as I,
    In what a heaven would they think themselves,
    Being releas'd of all those threat'ning clouds,
    Which in the angry skies call'd women's brows
    Sit, ever menacing tempestuous storms?
    But yet I needs must tell you, old December,
    My wife was clear of this; within her brow
    She had not a wrinkle nor a storming frown:
    But, like a smooth well-polish'd ivory,
    It seem'd so pleasant to the looker-on:
    She was so kind, of nature so gentle,
    That if she'd done a fault, she'd straight go die for't:
    Was not she then a rare one?
    What, weep'st thou, aged Nestor?
    Take comfort, man! Troy was ordain'd by fate
    To yield to us, which we will ruinate.

    ALB. Good sir, walk with me but where you [may] see
    The shadowing elms, within whose circling round
    There is a holy spring about encompass'd
    By dandling sycamores and violets,
    Whose waters cure all human maladies.
    Few drops thereof, being sprinkl'd on your temples,
    Revives your fading memory, and restores
    Your senses lost unto their perfect being.

    CAR. Is it clear water, sir, and very fresh?
    For I am thirsty, [which] gives it a better relish
    Than a cup of dead wine with flies in't?

    ALB. Most pleasant to the taste; pray, will you go?

    CAR. Faster than you, I believe, sir.               [_Exeunt._

_Enter_ MARIA.

    MAR. I am walk'd forth from my preserver's cave,
    To search about these woods, only to see
    The penitent Albert, whose repentant mind
    Each tree expresseth. O, that some power divine
    Would hither send my virtuous Carracus!
    Not for my own content, but that he might
    See how his distress'd friend repents the wrong,
    Which his rash folly, most unfortunate,
    Acted 'gainst him and me; which I forgive
    A hundred times a day, for that more often
    My eyes are witness to his sad complaints.
    How the good hermit seems to share his moans,
    Which in the daytime he deplores 'mongst trees,
    And in the night his cave is fill'd with sighs;
    No other bed doth his weak limbs support
    Than the cold earth; no other harmony
    To rock his cares asleep but blustering winds,
    Or some swift current, headlong rushing down
    From a high mountain's top, pouring his force
    Into the ocean's gulf, where being swallow'd,
    Seems to bewail his fall with hideous words:
    No other sustentation to suffice,
    What nature claims, but raw, unsavoury roots
    With troubled waters, where untamed beasts
    Do bathe themselves.

_Enter Satyrs, dance, et exeunt._

    Ah me! what things are these?
    What pretty harmless things they seem to be!
    As if delight had nowhere made abode,
    But in their nimble sport.

_Enter_ ALBERT [_and_ CARRACUS.]

    Yonder's the courteous hermit, and with him
    Albert, it seems. O, see, 'tis Carracus!
    Joy, do not now confound me!

    CAR. Thanks unto heavens and thee, thou holy man,
    I have attain'd what doth adorn man's being,
    That precious gem of reason, by which solely
    We are discern'd from rude and brutish beasts,
    No other difference being 'twixt us and them.
    How to repay this more than earthly kindness
    Lies not within my power, but in his,
    That hath indu'd thee with celestial gifts,
    To whom I'll pray, he may bestow on thee
    What thou deserv'st, bless'd immortality.

    ALB. Which unto you befall, thereof most worthy.
    But, virtuous sir, what I will now request
    From your true generous nature is, that you would
    Be pleas'd to pardon that repentant wight,
    Whose sinful story upon yon tree's bark
    Yourself did read, for that you say, to you
    Those wrongs were done.

    CAR. Indeed they were, and to a dear wife lost;
    Yet I forgive him, as I wish the heavens
    May pardon me.

    MAR. So doth Maria too.              [_She discovers herself._

    CAR. Lives my Maria, then? what gracious planet
    Gave thee safe conduct to these desert woods?

    MAR. My late mishap (repented now by all,
    And therefore pardon'd) compell'd me to fly,
    Where I had perished for want of food,
    Had not this courteous man awak'd my sense,
    In which death's self had partly interest.

    CAR. Alas, Maria! I am so far indebted
    To him already for the late recovery of
    My own weakness, that 'tis impossible
    For us to attribute sufficient thanks
    For such abundant good.

    ALB. I rather ought to thank the heaven's Creator
    That he vouchsaf'd me such especial grace,
    In doing so small a good; which could I hourly
    Bestow on all, yet could I not assuage
    The swelling rancour of my fore-pass'd crimes.

    CAR. O sir, despair not; for your course of life
    (Were your sins far more odious than they be)
    Doth move compassion and pure clemency
    In the all-ruling judge, whose powerful mercy
    O'ersways his justice, and extends itself
    To all repentant minds. He's happier far
    That sins, and can repent him of his sin,
    Than the self-justifier, who doth surmise
    By his own works to gain salvation;
    Seeming to reach at heaven, he clasps damnation.
    You then are happy, and our penitent friend,
    To whose wish'd presence please you now to bring us,
    That in our gladsome arms we may enfold
    His much-esteemed person, and forgive
    The injuries of his rash follies pass'd.

    ALB. Then see false Albert prostrate at your feet,
                                          [_He discovers himself._
    Desiring justice for his heinous ill.

    CAR. Is it you? Albert's self that hath preserv'd us?
    O bless'd bewailer of thy misery!

    MARIA. And wofull'st liver in calamity!

    CAR. From which, right worthy friend, 'tis now high time
    You be releas'd; come then, you shall with us.
    Our first and chiefest welcome, my Maria,
    We shall receive at your good father's house;
    Who, as I do remember, in my frenzy
    Sent a kind letter, which desir'd our presence.

    ALB. So please you, virtuous pair, Albert will stay,
    And spend the remnant of this wearisome life
    In these dark woods.

    CAR. Then you neglect the comforts heav'n doth send
    To your abode on earth. If you stay here,
    Your life may end in torture by the cruelty
    Of some wild ravenous beasts; but if 'mongst men,
    When you depart, the faithful prayers of many
    Will much avail to crown your soul with bliss.

    ALB. Lov'd Carracus, I have found in thy converse
    Comfort so bless'd, that nothing now but death
    Shall cause a separation in our being.

    MARIA. Which heaven confirm!

    CAR. Thus by the breach of faith our friendship's knit
    In stronger bonds of love.

    ALB. Heaven so continue it!                         [_Exeunt._


FOOTNOTES:


  [387] The 4º reads _His_.

  [388] The 4º has it literally thus--

      "To _taste_ a _vale_ of death _in_ wicked livers,"

  which Mr Reed altered to _cast a veil_, &c; but ought we not rather to
  read--

      "To _cast_ a _veil_ of death _on_ wicked livers."

  --_Collier._

  [389] [Old copy, _them brats_.]

  [390] These four lines, which decidedly belong to Maria, in the old
  copy are assigned to Albert, and form a part of what he says
  before.--_Collier._

  [391: The idea of these answers from an echo seems to have been taken
  from Lord Stirling's "Aurora," 4º, 1604, sig. K 4. One of the
  triumvirate, Pope, Gay, or Arbuthnot, but which of them is not known,
  in a piece printed in Swift's "Miscellanies," may have been indebted
  for the same thought to either Lord Stirling or the present writer.

  Since this note was written, I find nothing was more common than these
  answers of echoes in the works of contemporary and earlier writers.
  Many instances might be produced. Amongst others, those who can be
  pleased with such kind of performances may be referred to Sir P.
  Sidney's "Arcadia," or Lodge's "Wounds of Civil War," 1594, act iii.
  The folly of them is admirably ridiculed by the author of
  "Hudibras."--_Reed._

  [392] [Edit., _Of_.]

  [393] A dance.



ACTUS QUINTUS.


_Enter_ HOG _in his chamber, with_ REBECCA _laying down his bed, and,
seeming to put the keys under his bolster, conveyeth them into her
pocket_.

    HOG. So, have you laid the keys of the outward doors
    Under my bolster?

    REB. Yes, forsooth.

    HOG. Go your way to bed then.                 [_Exit_ REBECCA.
    I wonder who did at the first invent
    These beds, the breeders of disease and sloth:
    He was no soldier, sure, nor no scholar,
    And yet he might be very well a courtier;
    For no good husband would have been so idle,
    No usurer neither: yet here the bed affords
                                            [_Discovers his gold._
    Store of sweet golden slumbers unto him.
    Here sleeps command in war; Cæsar by this
    Obtain'd his triumphs; this will fight man's cause,
    When fathers, brethren, and the near'st of friends
    Leave to assist him; all content to this
    Is merely vain; the lovers, whose affections
    Do sympathise together in full pleasure,
    Debarr'd of this, their summer sudden ends;
    And care, the winter to their former joys,
    Breathes such a cold blast on their turtles' bills:
    Having not this, to shroud them[394] forth his storms,
    They straight are forc'd to make a separation,
    And so live under those that rule o'er this.
    The gallant, whose illustrious outside draws
    The eyes of wantons to behold with wonder
    His rare-shap'd parts, for so he thinks they be,
    Deck'd in the robes of glistering gallantry;
    Having not this attendant on his person,
    Walks with a cloudy brow, and seems to all
    A great contemner of society;
    Not for the hate he bears to company,
    But for the want of this ability.
    O silver! thou that art the basest captive
    Kept in this prison, how many pale offenders
    For thee have suffer'd ruin? But, O my gold!
    Thy sight's more pleasing than the seemly locks
    Of yellow-hair'd Apollo; and thy touch
    More smooth and dainty than the down-soft white
    Of lady's tempting breast: thy bright aspect
    Dims the great'st lustre of heaven's waggoner.
    But why go I about to extol thy worth,
    Knowing that poets cannot compass it?
    But now give place, my gold; for here's a power
    Of greater glory and supremacy
    Obscures thy being; here sits enthronis'd
    The sparkling diamond, whose bright reflection
    Casts such a splendour on these other gems,
    'Mongst which he so majestical appears,
    As if---- Now my good angels guard me!
        [_A flash of fire, and_ LIGHTFOOT _ascends like a spirit_.

    LIGHT. _Melior vigilantia somno_.
    Stand not amaz'd, good man, for what appears
    Shall add to thy content; be void of fears:
    I am the shadow of rich kingly Croesus,
    Sent by his greatness from the lower world
    To make thee mighty, and to sway on earth
    By thy abundant store, as he himself doth
    In Elysium; how he reigneth there,
    His shadow will unfold; give thou then ear.
    In under-air, where fair Elysium stands,
    Beyond the river styled Acheron,
    He hath a castle built of adamant;
    Not fram'd by vain enchantment, but there fix'd
    By the all-burning hands of warlike spirits:
    Whose windows are compos'd of purest crystal,
    And deck'd within with oriental pearls:
    There the great spirit of Croesus' royal self
    Keeps his abode in joyous happiness.
    He is not tortur'd there, as poets feign,
    With molten gold and sulphury flames of fire,
    Or any such molesting perturbation;
    But there reputed as a demigod,
    Feasting with Pluto and his Proserpine,
    Night after night with all delicious cates,
    With greater glory than seven kingdoms' states.
    Now farther know the cause of my appearance--
    The kingly Croesus having by fame's trump
    Heard that thy lov'd desires stand affected
    To the obtaining of abundant wealth,
    Sends me, his shade, thus much to signify,
    That if thou wilt become famous on earth,
    He'll give to thee even more than infinite;
    And after death with him thou shalt partake
    The rare delights beyond the Stygian lake.

    HOG. Great Croesus' shadow may dispose of me
    To what he pleaseth.

    LIGHT. So speaks obediency.
    For which I'll raise thy lowly thoughts as high,
    As Croesus's were in his mortality.
    Stand then undaunted, whilst I raise those spirits,
    By whose laborious task and industry
    Thy treasure shall abound and multiply.
    _Ascend, Ascarion, thou that art
    A powerful spirit, and dost convert
    Silver to gold; I say, ascend
    And on me, Croesus' shade, attend,
    To work the pleasure of his will._

_The_ PLAYER _appears_.

    PLAYER. What, would then Croesus list to fill
    Some mortal's coffers up with gold,
    Changing the silver it doth hold?
    By that pure metal, if't be so,
    By the infernal gates I swear,
    Where Rhadamanth doth domineer;
    By Croesus' name and by his castle,
    Where winter nights he keepeth wassail;[395]
    By Demogorgon and the fates,
    And by all these low-country states;
    That after knowledge of thy mind,
    Ascarion, like the swift-pac'd wind,
    Will fly to finish thy command.

    LIGHT. Take, then, this silver out of hand,
    And bear it to the river Tagus,
    Beyond th' abode of Archi-Magus;
    Whose golden sands upon it cast,
    Transform it into gold at last:
    Which being effected straight return,
    And sudden, too, or I will spurn
    This trunk of thine into the pit,
    Where all the hellish furies sit,
    Scratching their eyes out. Quick, begone!

    PLAYER. Swifter in course than doth the sun.   [_Exit_ PLAYER.

    LIGHT. How far'st thou, mortal? be not terrifi'd
    At these infernal motions; know that shortly
    Great Croesus' ghost shall, in the love he bears thee,
    Give thee sufficient power by thy own worth
    To raise such spirits.

    HOG. Croesus is much too liberal in his favour
    To one so far desertless as poor Hog.

    LIGHT. Poor Hog! O, speak not that word poor again,
    Lest the whole apple-tree of Croesus' bounty,
    Crack'd into shivers, overthrow thy fortunes!
    For he abhors the name of poverty,
    And will grow sick to hear it spoke by those
    Whom he intends to raise. But see, the twilight,
    Posting before the chariot of the sun,
    Brings word of his approach:
    We must be sudden, and with speed raise up
    The spirit Bazan, that can straight transform
    Gold into pearl; be still and circumspect.
    _Bazan, ascend up from the treasure
    Of Pluto, where thou dost[396] at pleasure
    Metamorphose all his gold
    Into pearl, which 'bove a thousand-fold
    Exceeds the value: quickly rise
    To Croesus' shade, who hath a prize
    To be performed by thy strength._

[BAZAN _or_] HADDIT _ascends_.

    HAD. I am no fencer, yet at length
    From Pluto's presence and the hall,
    Where Proserpine keeps festival,
    I'm hither come; and now I see,
    To what intent I'm rais'd by thee;
    It is to make that mortal rich,
    That at his fame men's ears may itch,
    When they do hear but of his store.
    He hath one daughter and no more,
    Which all the lower powers decree,
    She to one Wealthy wedded be;
    By which conjunction there shall spring
    Young heirs to Hog, whereon to fling
    His mass of treasure when he dies;
    Thus Bazan truly prophesies.
    But come, my task! I long to rear
    His fame above the hemisphere.

    LIGHT. Take then the gold which here doth lie,
    And quick return it by and by
    All in choice pearl. Whither to go,
    I need not tell you, for you know.

    HAD. Indeed I do, and Hog shall find it so.    [_Exit_ HADDIT.

    LIGHT. Now, mortal, there is nothing doth remain
    'Twixt thee and thine abundance, only this:
    Turn thy eyes eastward, for from thence appears
    Ascarion with thy gold, which having brought
    And at thy foot surrender'd, make obeisance;
    Then turn about, and fix thy tapers westward,
    From whence great Bazan brings thy orient pearl;
    Who'll lay it at thy feet much like the former.

    HOG. Then I must make to him obeisance thus?

    LIGHT. Why, so; in meantime, Croesus' shade will rest
    Upon thy bed: but above all, take heed
    You suffer not your eyes to stray aside
    From the direct point I have set thee at:
    For though the spirit do delay the time,
    And not return your treasure speedily----

    HOG. Let the loss light on me, if I neglect
    Or overslip what Croesus' shade commands.[397]

LIGHT. [_Aside._] So, now practise standing, though it be nothing
agreeable to your Hog's age. Let me see, among these writings is my
nephew Haddit's mortgage; but in taking that it may breed suspect on us;
wherefore this box of jewels will stand far better, and let that alone.
It is now break of day, and near by this the marriage is confirmed
betwixt my cousin and great Croesus's friend's daughter here, whom I
will now leave to his most weighty cogitations.

    So, gentle sir, adieu; time not permits
    To hear those passions and those frantic fits
    You're subject to, when you shall find how true
    Great Croesus' shade hath made an ass of you.         [_Exit._

HOG. Let me now ruminate to myself why Croesus should be so great a
favourer to me. And yet to what end should I desire to know? I think it
is sufficient it is so. And I would he had been so sooner, for he and
his spirits would have saved me much labour in the purchasing of wealth;
but then indeed it would have been the confusion of two or three
scriveners which, by my means, have been properly raised. But now
imagine this only a trick, whereby I may be gulled! But how can that
be? Are not my doors locked? Have I not seen with my own eyes the
ascending of the spirits? Have I not heard with my own ears the
invocation wherewith they were raised? Could any but spirits appear
through so firm a floor as this is? 'Tis impossible. But hark! I hear
the spirit Ascarion coming with my gold. O bountiful Croesus! I'll build
a temple to thy mightiness!

_Enter_ YOUNG LORD WEALTHY _and_ PETER SERVITUDE.

Y. LORD W. O Peter, how long have we slept upon the hogshead?

P. SER. I think a dozen hours, my lord, and 'tis nothing. I'll undertake
to sleep sixteen, upon the receipt of two cups of muskadine.[398]

Y. LORD W. I marvel what's become of Haddit and Lightfoot!

P. SER. Hang 'em, flinchers; they slunk away as soon as they had drank
as much as they were able to carry, which no generous spirit would ha'
done, indeed.

Y. LORD W. Yet I believe Haddit had his part, for, to my thinking, the
cellar went round with him when he left us. But are we come to a bed
yet? I must needs sleep.

P. SER. Come softly by any means, for we are now upon the threshold of
my master's chamber, through which I'll bring you to Mistress Rebecca's
lodging. Give me your hand, and come very nicely.

                                     [PETER _falls into the hole_.

Y. LORD W. Where art, Peter?

P. SER. O, O!

Y. LORD W. Where's this noise, Peter? canst tell?

HOG. I hear the voice of my adopted son-in-law.

Y. LORD W. Why, Peter, wilt not answer me?

P. SER. O, my Lord above, stand still; I'm fallen down at least thirty
fathom deep. If you stand not still till I recover, and have lighted a
candle, you're but a dead man.

HOG. I am robb'd, I am undone, I am deluded! Who's in my chamber?

Y. LORD W. 'Tis I, the lord your son, that shall be; upon my honour, I
came not to rob you.

HOG. I shall run mad! I shall run mad!

Y. LORD W. Why, then, 'tis my fortune to be terrified with madmen.

_Enter_ PETER SERVITUDE, _with a candle_.

P. SER. Where are you, my lord?

HOG. Here, my lady. Where are you, rogue, when thieves break into my
house?

P. SER. Breaking my neck in your service--a plague on't!

Y. LORD W. But are you robbed, indeed, father Hog? Of how much, I pray?

HOG. Of all, of all! See here, they have left me nothing but two or
three rolls of parchment; here they came up like spirits, and took my
silver, gold, and jewels. Where's my daughter?

P. SER. She's not in the house, sir. The street-doors are wide open.

Y. LORD W. Nay, 'tis no matter where she is now. She'll scarce be worth
a thousand pound, and that's but a tailor's prize.[399]

HOG. Then you'll not have her, sir?

Y. LORD W. No, as I hope to live in peace.

HOG. Why, be't so, be't so; confusion cannot come in a fitter time on
all of us. O bountiful Croesus! how fine thy shadow hath devoured my
substance!

P. SER. Good my lord, promise him to marry his daughter, or he will be
mad presently, though you never intend to have her.

Y. LORD W. Well, father Hog, though you are undone, your daughter shall
not be, so long as a lord can stand her in any stead. Come, you shall
with me to my lord and father, whose warrants we will have for the
apprehending of all suspicious livers; and, though the labour be
infinite, you must consider your loss is so.

    HOG. Come, I'll do anything to gain my gold.

    P. SER. Till which be had, my fare will be but cold.
                                                        [_Exeunt._

_Enter_ HADDIT, REBECCA, LIGHTFOOT, _and_ PRIEST.

HAD. Now, Master Parson, we will no further trouble you; and, for the
tying of our true love-knot, here's a small amends.

    PRIEST. 'Tis more than due, sir; yet I'll take it all.
    Should kindness be despis'd, goodwill would fall
    Unto a lower ebb, should we detest
    The grateful giver's gift, _verissimo est_.

    HAD. It's true, indeed; good morrow, honest parson.

    PRIEST. Yet, if you please, sir John will back surrender
    The overplus of what you now did tender.

    HAD. O, by no means; I prythee, friend, good morrow.

    LIGHT. Why. if you please, sir John, to me restore
    The overplus: I'll give it to the poor.

    PRIEST. O, pardon, sir, for, by your worship's leave,
    We ought to give from whence we do receive.

    HAD. Why, then, to me, sir John.

    PRIEST. To all a kind good-morrow.             [_Exit_ PRIEST.

HAD. A most fine vicar; there was no other means to be rid of him. But
why are you so sad, Rebecca?

    REB. To think in what estate my father is,
    When he beholds that he is merely gull'd.

HAD. Nay, be not grieved for that which should rather give you cause of
content; for 'twill be a means to make him abandon his avarice, and save
a soul almost incurable. But now to our own affairs: this marriage of
ours must not yet be known, lest it breed suspicion. We will bring you,
Rebecca, unto Atlas's house, whilst we two go unto the old Lord
Wealthy's, having some acquaintance with his son-in-law Carracus, who I
understand is there; where no question but we shall find your father
proclaiming his loss: thither you shall come somewhat after us, as it
were to seek him; where I doubt not but so to order the matter, that I
will receive you as my wife from his own hands.

REB. May it so happy prove!

LIGHT. Amen, say I; for, should our last trick be known, great Croesus's
shade would have a conjured time on't.

HAD. 'Tis true, his castle of adamant would scarce hold him; but come,
this will be good cause for laughter hereafter.

    Then we'll relate how this great bird was pull'd
    Of his rich feathers, and most finely gull'd.       [_Exeunt._

_Enter_ OLD LORD WEALTHY, _with_ CARRACUS, MARIA, _and_ ALBERT.

    O. LORD W. More welcome, Carracus, than friendly truce
    To a besieged city all distress'd:
    How early this glad morning are you come
    To make me happy? for pardon of your offence
    I've given a blessing, which may heaven confirm
    In treble manner on your virtuous lives!

    CAR. And may our lives and duty daily strive
    To be found worthy of that loving favour,
    Which from your reverend age we now receive
    Without desert or merit!

_Enter_ YOUNG LORD WEALTHY, HOG, _and_ PETER.

    Y. LORD W. Room for a desirer of justice! what, my sister
    Maria! who thought to have met you here.

MARIA. You may see, brother, unlooked-for guests prove often
troublesome.

Y. LORD W. Well, but is your husband there any quieter than he was?

CAR. Sir, I must desire you to forget all injuries, if, in not being
myself, I offered you any.

ALB. I'll see that peace concluded.

    Y. LORD W. Which I agree to;
    For patience is a virtue, father Hog.

O. LORD W. Was it you, son, that cried so loud for justice?

Y. LORD W. Yes, marry was it, and this the party to whom it appertains.

HOG. O, my most honoured lord, I am undone, robbed, this black night, of
all the wealth and treasure which these many years I have hourly
laboured for.

O. LORD W. And who are those have done this outrage to you?

HOG. O, knew I that, I then, my lord, were happy.

O. LORD W. Come you for justice then, not knowing 'gainst whom the
course of justice should extend itself? Nor yet suspect you none?

HOG. None but the devil.

Y. LORD W. I thought he was a cheater, e'er since I heard two or three
Templars[400] swear at dice, the last Christmas, that the devil had got
all.

_Enter_ HADDIT _and_ LIGHTFOOT.

HAD. My kind acquaintance, joy to thy good success.

CAR. Noble and freeborn Haddit, welcome.

LIGHT. Master Hog, good day.

HOG. [Good day], for I have had a bad night on't.

LIGHT. Sickness is incident to age: what, be the writings ready to be
sealed we entreated last day?

HOG. Yes, I think they are; would the scrivener were paid for making
them.

LIGHT. He shall be so, though I do't myself. Is the money put up, as I
appointed?

    HOG. Yes, 'tis put up: confusion seize the receivers!

    LIGHT. Heaven bless us all! what mean you, sir?

    HOG. O sir, I was robb'd this night of all I had;
    My daughter too is lost, and I undone.

    LIGHT. Marry, God forbid! after what manner, I pray?

    HOG. O, to recount, sir, will breed more ruth
    Than did the tale of that high Trojan duke[401]
    To the sad-fated Carthaginian queen.

    HAD. What exclamation's that?

    LIGHT. What you will grieve at, coz;
    Your worshipful friend, Master Hog, is robb'd.

    HAD. Robb'd! by whom, or how?

    LIGHT. O, there's the grief: he knows not whom to suspect.

HAD. The fear of hell o'ertake them, whosoe'er they be. But where's your
daughter? I hope she is safe.

_Enter_ REBECCA.

HOG. Thank heaven, I see she's now so. Where hast thou been, my girl?

REB. Alas! sir, carried by amazement I know not where; pursued by the
robbers, forced to fly amazed, affrighted, through the city streets, to
seek redress; but that lay fast asleep in all men's houses, nor would
lend an ear to the distressed.

    HAD. O heavy accident! but see, you grieve too much,
    Being your daughter's found, for th' other loss,
    Since 'tis the will of heaven to give and take,
    Value it as nothing: you have yet sufficient
    To live in bless'd content, had you no more
    But my small mortgage for your daughter here,
    Whom I have ever lov'd in dear'st affection.
    If so you please so much to favour me,
    I will accept her, spite of poverty,
    And make her jointure of some store of land,
    Which, by the loss of a good aged friend,
    Late fell to me: what, is't a match or no?

    HOG. It is.

    HAD. Then I'll have witness on't: my lord and gentlemen,
    Please you draw near to be here witnesses
    To a wish'd contract 'twixt this maid and I.

    OMNES. We are all willing.

HOG. Then, in the presence of you all, I give my daughter freely to this
gentleman as wife; and to show how much I stand affected to him, for
dowry with her, I do back restore his mortgaged lands; and, for their
loves, I vow ever hereafter to detest, renounce, loathe, and abhor all
slavish avarice,

    Which doth ascend from hell, sent by the devil,
    To be 'mongst men the actor of all evil.

    OMNES. A bless'd conversion.

    O. LORD W. A good far unexpected. And now, gentlemen,
    I do invite you all to feast with me
    This happy day, that we may all together
    Applaud his good success: and let this day be spent
    In sports and shows, with gladsome merriment.
    Come, bless'd converted man,[402] we'll lead the way,
    As unto heaven I hope we shall.

    HOG. Heaven grant we may!

    CAR. Come, my Maria and repentant friend,
    We three have tasted worst of misery,
    Which now adds joy to our felicity.

    HAD. We three are happy we have gain'd much wealth,
    And though we have done it by a trick of stealth,
    Yet all, I trust, are pleased, and will our ills acquit,
    Since it hath sav'd a soul was hell's by right.

    Y. LORD W. To follow after, then, our lot doth fall;
    Now rhyme it, Peter.

    P. SER. A good night to all.                  [_Exeunt omnes._


FOOTNOTES:

  [394] [Old copy, _him_.]

  [395] Verstegan, in his "Restitution of Decayed Intelligence," 1634,
  p. 126, gives the following account of the origin of this term: "As
  this Lady (_i.e._, Rowena) was very beautiful, so was she of a very
  comely deportment, and Hingistus, having invited King Vortiger to a
  supper at his new-builded castle, caused that after supper she came
  foorth of her chamber into the King's presence, with a cup of gold
  filled with wine in her hand, and making in very seemly manner a low
  reverence unto the King, sayd, with a pleasing grace and countenance,
  in our ancient language, _Waes heal hlaford Cyning,_ which is, being
  rightly expounded according to our present speech, _Be of health, Lord
  King_, for as _was_ is our verbe of the preterimperfect tense, or
  preterperfect tense, signifying _have bin_, so _was_ being the same
  verb in the imperative mood, and now pronounced _wax_, is as much as
  to say _grow, be_, or _become;_ and _waes-heal_, by corruption of
  pronunciation, afterwards became to be _wassaile_. The King not
  understanding what shee said, demaunded it of his chamberlaine, who
  was his interpreter, and when he knew what it was, he asked him how he
  might againe answer her in her owne language, whereof being informed,
  he sayd unto her _Drinc heal_, that is to say, _Drink health_."--See
  also a note to "The Ordinary," in vol. xii.

  [396] _Didst_ in the old copy, where these lines are printed as a
  stage direction.

  [397] The 4º reads--

      "I overslip what Croesus _suit_ command."

  --_Collier._

  [398] Or muscadel. A kind of wine so called, because for sweetness and
  smell it resembles musk. "From Bosco Helerno we soon came to
  Montefiascone, standing upon a hill. It's a bishop's seate, and
  _famous for excellent Muscatello wine_," &c.--Lassells' "Voiage of
  Italy," 8º, 1670, 244.--_Gilchrist._

  [399] [Referring to some tale of the day. Compare p. 468.]

  [400] See note to "A Match at Midnight," act i. sc. i. (vol. xiii.)

  [401] Æneas.

  [402] [Meaning Hog.]



EPILOGUE


    Now expectation hath, at full receiv'd,
    What we late promised; if in aught we've pleas'd,
    'Tis all we sought t'accomplish; and much more
    Than our weak merit dares to attribute
    Unto itself, till you vouchsafe to deign,
    In your kind censure, so to gratify
    Our trivial labours.----
    If it hath pleased the judicial ear,
    We have our author's wish; and, void of fear,
    Dare ignorant men to show their worst of hate,
    It not detracts, but adds unto that state
    Where desert flourisheth.
    We'll rest applauded in their derogation,
    Though with a hiss they crown that confirmation.
    For this our author saith, if't prove distasteful,
    He only grieves you spent two hours so wasteful;
    But if it like,[403] and you affect his pen,
    You may command it, when you please, again.

  [403] _If it like_ is a very common old expression for _if it please;_
  but Mr Reed allowed it to be altered to the vulgarism of _if it's
  liked_.



THE HEIR.



_EDITION._


    _The Heire. A Comedie. As it was acted by the Company of the
    Revels. 1620. Written by T.M. London, Printed by Augustine
    Mathewes, for Thomas Iones, and are to be sold at his shop in S.
    Dunstans Church-yard in Fleetstreet._ 1633. 4º.[404]


  [404] There are two title-pages to this comedy in the year 1633, but
  they are both the same edition. The one has the words _the second
  impression_ upon it; the other is without them; but in all other
  respects they are precisely similar. Whether the performance did not
  sell well in the first instance, and the stationer resorted to this
  expedient to get rid of copies remaining on hand, must be matter of
  conjecture only.--_Collier._



INTRODUCTION TO THE FORMER EDITION.


Thomas May was the son of Sir Thomas May, of Mayfield, in the county of
Sussex, Knight, a gentleman of an ancient and honourable family.[405] He
was born in the year 1595, and received his early education in the
neighbourhood of his birthplace; thence he was removed to Sidney-Sussex
College in Cambridge, and took the degree of B.A. in 1612. On the 6th of
August 1615, he was admitted into the society of Gray's-Inn, and soon
after became celebrated for his poetical performances.

Lord Clarendon,[406] with whom he was intimately acquainted, says "that
his father spent the fortune which he was born to, so that he had only
an annuity left him not proportionable to a liberal education; yet,
since his fortune could not raise his mind, he brought his mind down to
his fortune by a great modesty and humility in his nature, which was not
affected, but very well became an imperfection in his speech, which was
a great mortification to him, and kept him from entering upon any
discourse but in the company of his very friends. His parts of nature
and art were very good, as appears by his translation of Lucan (none of
the easiest work of that kind), and more by his Supplement to Lucan
which, being entirely his own, for the learning, the wit and the
language, may be well looked upon as one of the best epic poems in the
English language. He writ some other commendable pieces of the reign of
some of our kings. He was cherished by many persons of honour, and very
acceptable in all places; yet (to show that pride and envy have their
influences upon the narrowest minds, and which have the greatest
semblance of humility) though he had received much countenance, and a
very considerable donative from the king, upon his majesty's refusing to
give him a small pension,[407] which he had designed and promised to
another very ingenious person, whose qualities he thought inferior to
his own, he fell from his duty and all his former friends, and
prostituted himself to the vile office[408] of celebrating the infamous
acts of those who were in rebellion against the king; which he did so
meanly, that he seemed to all men to have lost his wits when he left his
honesty, and shortly after died miserable and neglected, and deserves to
be forgotten."

He died suddenly on the night of the 13th of November 1650, after having
drank his cheerful bottle as usual. The cause of his death is said to
have arisen from the tying of his nightcap too close under his chin,
which occasioned a suffocation when he turned himself about.

He was buried, by appointment of the Parliament, in a splendid manner,
in the south aisle of Westminster Abbey, where a monument to his memory
was erected, with a Latin inscription thereon, composed by Marchemont
Needham, which remained there until the Restoration, when it was
destroyed, and his body dug up, and buried in a large pit belonging to
St Margaret's Church, with many others who had been interred in the
abbey during the Interregnum.

He was the author of the following dramatic pieces--

1. "The Tragedy of Antigone the Theban princesse." 8º. 1631.

2. "The Heire: a Comedy: acted by the Company of the Revels, 1620." 4º.
1633.

3. "The Tragedy of Julia Agrippina, Empress of Rome." 12º. 1639. 12º.
1654.

4. "The Tragedy of Cleopatra, Queen of Ægypt." 12º. 1639. 12º. 1654.

5. "The Old Couple: a Comedy." 4º. 1658.

He also wrote "The reign of king Henry the Second," and "The victorious
reign of Edward the Third,"[409] both in English verse; and translated,
besides Lucan, the "Georgics" of Virgil, the "Epigrams" of Martial, the
"Icon Animorum" by Barclay, and the verses in the "Argenis" of the same
author. He likewise was the author of "The History of the Parliament of
England, which began November 3, 1640, with a short and necessary view
of some precedent years." Folio. 1647.[410]

The following inscription[411] was made upon him by one of the Cavalier
party, which he had abused--


          Adsta, Viator, et Poetam legas
                  Lucani interpretem,
        Quem ita feliciter Anglicanum fecerat,
      Ut Mayus simul et Lucanus videretur,
          Et sane credas Metempsuchosin:
      Nam uterque ingratus Principis sui Proditor;
    Hic Neronis Tyranni, ille Caroli Regum optimi,
                  At fata planè diversa;
      Lucanum enim ante obitum poenitentem legis,
        Mayus vero repentina morte occubuit,
                  Ne forsan poeniteret.
      Parliamentia Rebellis tam pertinax adstipulator,
       Ut Musarum, quas olim religiose coluerat,
           Sacrilegus Hostis evaserit:
       Attamen fingendi artem non penitus amisit,
       Nam gesta eorum scripsit et typis mandavit
              In prosâ mendax Poeta.
        Inter tot Heroas Poetarum, Nobiliumque,
         Quod tam indigni sepeliantur Cineres,
                  Videntur fiere Marmora.
       Nec tamen mirere cum hic Rebelles posuisse,
          Qui tot sacras Ædes, et Dei delubra,
                  Equis fecere Stabula.

[A MS. note in one of the former editions says: "This
comedy is full of most palpable imitations of Shakespeare and others,
but it is very pleasingly, and even elegantly, written in many parts."]


FOOTNOTES:

  [405] "Thomas May, father of the poet, purchased Mayfield Place, in
  Sussex (formerly an archiepiscopal palace, and afterwards the seat of
  the Greshams), of Henry Neville, of Billingbere, Berks, in 1597. He
  was knighted at Greenwich, July 3, 1603, and died 1616. He was father
  to Thomas May, the celebrated poet and historian, by whom Mayfield was
  aliened from the family in 1617: his mother, Joan May, and cousin,
  Richard May, of Islington, gent. joining with him in the conveyance to
  John Baker, Esq., whose descendants have ever since enjoyed
  it."--Nichols's "Leicestershire," iii. 156, note.--_Gilchrist._]

  [406] Life, edit. 1759, p. 35.]

  [407] Some writers suppose he was disgusted that Sir William Davenant
  was appointed to succeed Ben Jonson as poet laureate, in the year
  1637.]

  [408] He was appointed to the post of Historiographer by the
  Parliament.]

  [409] This poem was dedicated to Charles I. in 1635; hence it appears
  that he wrote it by command of the king. "Those defects," he says,
  "whatsoever they be, can be imputed only to insufficiency, for neither
  was there argument wanting nor yet endeavour, since I had the actions
  of a great king to require my skill, and the command of a greater king
  to oblige my care."--_Collier._]

  [410] Thomas May has a complimentary poem prefixed to Pilkinton's
  "Tournament of Tottenham," &c. 4º. 1631.--_Gilchrist._]

  [411] The subsequent lines are found in "Wit's Recreations," 1641--


                "TO MR. THOMAS MAY.

      "Thou son of Mercury, whose fluent tongue
       Made Lucan finish his Pharsalian song,
       Thy fame is equal, better is thy fate,
       Thou hast got Charles his love, he Nero's hate."

  Of course this was before (as Lord Clarendon expresses it) "he fell
  from his duty."--_Collier._



THE NAMES OF THE ACTORS.


    THE KING.
    VIRRO, _an old rich count._
    POLYMETES, _an old lord_.
    EUGENIO, _his son_.
    LEOCOTHOE, _his daughter_.
    ROSCIO, _his man_.
    EUPHUES, _another lord_.
    PHILOCLES, _his son_.
    CLERIMONT, _a gentleman, friend to Philocles_.
    FRANKLIN, _an old rich gentleman_.
    LUCE,[412] _his daughter_.
    FRANCISCO, _a young man_.
    ALPHONSO.
    SHALLOW, _a foolish gentleman_.
    NICANOR, _a courtier_.
    MATHO, _a lawyer_.
    PSECTAS,[413] _a waiting gentlewoman_.
    _A Parson._
    _A Sumner._
    _A Constable and Watch._
    _Servants._

                      _Scene, Sicily._



TO MY HONOURED FRIEND

MASTER THOMAS MAY,

UPON HIS COMEDY, THE HEIR.


    The Heir being born, was in his tender age
    Rock'd in the cradle of a private stage,
    Where, lifted up by many a willing hand,
    The child did from the first day fairly stand;
    Since having gather'd strength, he dares prefer
    His steps into the public theatre--
    The world: where he despairs not but to find
    A doom from men more able, not less kind.
    I but his usher am; yet, if my word
    May pass, I dare be bound he will afford
    Things must deserve a welcome, if well known,
    Such as best writers would have wish'd their own.
    You shall observe his words in order meet,
    And, softly stealing on with equal feet,
    Slide into even numbers with such grace,
    As each word had been moulded for that place.
    You shall perceive an amorous passion, spun
    Into so smooth a web as, had the Sun,
    When he pursu'd the swiftly-flying maid,
    Courted her in such language, she had stay'd:
    A love so well express'd must be the same
    The author felt himself from his fair flame.
    The whole plot doth alike itself disclose
    Through the five acts, as doth a lock, that goes
    With letters; for, till every one be known,
    The lock's as fast as if you had found none;
    And, where his sportive Muse doth draw a thread
    Of mirth, chaste matrons may not blush to read.
    Thus have I thought it fitter to reveal
    My want of art (dear friend) than to conceal
    My love. It did appear I did not mean
    So to commend thy well-wrought comic scene,
    As men might judge my aim rather to be
    To gain praise to myself than give it thee;
    Though I can give thee none but what thou hast
    Deserv'd, and what must my faint breath outlast.
    Yet was this garment (though I skill-less be
    To take thy measure) only made for thee;
    And, if it prove too scant, 'tis 'cause the stuff
    Nature allow'd me was not large enough.

                                              THOMAS CAREW.[414]


FOOTNOTES:

  [412] The author calls her _Luce_ throughout, which the modern editor
  changed to Lucy. As a matter of taste, _Lucy_ may be preferable to
  _Luce;_ but the author ought to be allowed to judge for himself, and
  sometimes the measure of the lines has been spoiled by the needless
  alteration.--_Collier._

  [413] _i.e., Vituperator_, which answers to her character. Former
  editions read _Psecas_.--_Pegge._

  [414] "Carew was the younger brother of a good family, and of
  excellent parts, and had spent many years of his youth in France and
  Italy; and, returning from travel, followed the court, which the
  modesty of that time disposed men to do sometime, before they
  pretended to be of it; and he was very much esteemed by the most
  eminent persons in the court, and well looked upon by the king
  himself, some years before he could obtain to be sewer to the king;
  and when the king conferred that place upon him, it was not without
  the regret even of the whole Scotch nation, which united themselves in
  recommending another gentleman to it; and of so great value were those
  relations held in that age, when majesty was beheld with the reverence
  it ought to be. He was a person of a pleasant and facetious wit, and
  made many poems, especially in the amorous way, which, for the
  sharpness of the fancy, and the elegancy of the language in which that
  fancy was spread, were at least equal, if not superior, to any of that
  time; but his glory was, that after fifty years of his life, spent
  with less severity or exactness than it ought to have been, he died
  with the greatest remorse for that license, and with the greatest
  manifestation of Christianity, that his best friends could
  desire."--"Life of Clarendon," edit. 1759, i. 36. He died in the year
  1639. [But see Hazlitt's edit. of Carew, Introductory Memoir.]



PROLOGUS.


    Judicious friends, if what shall here be seen
    May taste your sense, or ope your tickled spleen,
    Our author has his wish: he does not mean
    To rub your galls with a satiric scene;
    Nor toil your brains, to find the fustian sense
    Of those poor lines that cannot recompense
    The pains of study: Comedy's soft strain
    Should not perplex, but recreate the brain;
    His strain is such, he hopes it, but refers
    That to the test of your judicious ears.



THE HEIR.



ACT I.


_Enter_ POLYMETES, ROSCIO.

    POL. Roscio.

    ROS. My lord.

    POL. Hast thou divulg'd the news,
    That my son died at Athens?

    ROS. Yes, my lord,
    With every circumstance: the time, the place,
    And manner of his death; that 'tis believed,
    And told for news with as much confidence,
    As if 'twere writ in Gallo-belgicus.[415]

    POL. That's well, that's very well: now, Roscio,
    Follows my part; I must express a grief
    Not usual; not like a well-left heir
    For his dead father, or a lusty widow
    For her old husband, must I counterfeit:
    But in a deeper, a far deeper strain,
    Weep like a father for his only son.
    Is not that hard to do, ha! Roscio?

    ROS. O, no, my lord,
    Not for your skill; has not your lordship seen
    A player personate Hieronimo?[416]

    POL. By th' mass, 'tis true, I have seen the knave paint grief
    In such a lively colour, that for false
    And acted passion he has drawn true tears
    From the spectators. Ladies in the boxes
    Kept time with sighs and tears to his sad accents,
    As he had truly been the man he seem'd.
    Well, then, I'll ne'er despair: but tell me thou--
    Thou that hast still been privy to my bosom,
    How will this project take?

    ROS. Rarely, my lord,
    Even now, methinks, I see your lordship's house
    Haunted with suitors of the noblest rank,
    And my young lady, your supposed heir,
    Tir'd more with wooing than the Grecian queen[417]
    In the long absence of her wandering lord.
    There's not a ruinous nobility
    In all this kingdom, but conceives a hope
    Now to rebuild his fortunes on this match.

    POL. Those are not they I look for: no, my nets
    Are spread for other game; the rich and greedy--
    Those that have wealth enough, yet gape for more--
    They are for me.

    ROS. Others will come, my lord:
    All sorts of fish will press upon your nets;
    Then in your lordship's wisdom it must lie
    To cull the great ones, and reject the fry.

    POL. Nay, fear not that; there's none shall have access
    To see my daughter, or to speak to her,
    But such as I approve, and aim to catch.

    ROS. The jest will be, my lord, when you shall see,
    How your aspiring suitors will put on
    The face of greatness, and belie their fortunes,
    Consume themselves in show, wasting (like merchants)
    Their present wealth in rigging a fair ship
    For some ill-ventur'd voyage that undoes 'em.
    Here comes a youth with letters from the court,
    Bought of some favourite, at such a price
    As will for ever sink him; yet, alas!
    All's to no purpose, he must lose the prize.

    POL. 'Twill feed me fat with sport, that it shall make,
    Besides the large adventures it brings home
    Unto my daughter. How now!

_Enter_ SERVANT.

    SER. My lord, Count Virro is come to see you.

    POL. Conduct him in. So, so, it takes already!
    See, Roscio, see, this is the very man
    My project aim'd at, the rich count that knows
    No end of his large wealth, yet gapes for more.
    There was no other loadstone could attract
    His iron heart; for could beauty have mov'd him,
    Nature has been no niggard to my girl.
    But I must to my grief; here comes the count.

_Enter_ COUNT VIRRO.

    VIR. Is your lord asleep?

    ROS. No, sir, I think not.
    My lord, Count Virro!

    VIR. How do you, sir?

    POL. I do entreat your lordship pardon me:
    Grief and some want of sleep have made me at
    This time unmannerly, not fit to entertain
    Guests of your worth.

    VIR. Alas, sir! I know your grief.

    ROS. 'Twas that that fetch'd you hither.             [_Aside._

    VIR. Y' have lost a worthy and a hopeful son;
    But heaven, that always gives, will sometimes take,
    And that the best. There is no balsam left us
    To cure such wounds as these but patience;
    There is no disputing with the acts of heaven;
    But, if there were, in what could you accuse
    Those powers that else have been so liberal to you,
    And left you yet one comfort in your age,
    A fair and virtuous daughter.

    ROS. Now it begins.                                  [_Aside._

    VIR. Your blood is not extinct, nor your age childless:
    From that fair branch that's left may come much fruit
    To glad posterity: think on that, my lord.

    POL. Nay, heaven forbid I should repine,
    At what the justice of those powers ordain;
    It has pleased them to confine my care
    Only to one; and to see her well bestow'd
    Is all the comfort that I now must look for;
    But if it had pleas'd heaven that my son--
    Ah, my Eugenio!                                   [_He weeps._

    VIR. Alas, good gentleman!

    ROS. 'Fore heaven, he does it rarely!                [_Aside._

VIR. But, sir, remember yourself, remember your daughter; let not your
grief for the dead make you forget the living, whose hopes and fortunes
depend upon your safety.

POL. O my good lord, you never had a son.

ROS. Unless they were bastards, and for them no doubt but he has done as
other lords do. [_Aside._

    POL. And therefore cannot tell what 'tis to lose
    A son, a good son, and an only son.

    VIR. I would, my lord, I could as well redress,
    As I can take compassion of your grief:
    You should soon find an ease.

    POL. Pray pardon me, my lord,
    If I forget myself toward you at this time;
    If it please you to visit my house ofter,
    You shall be welcome.

    VIR. You would fain sleep, my lord, I'll take my leave.
    Heaven send you comfort! I shall make bold shortly
    To visit you.

    POL. You shall be wondrous welcome.
    Wait on my lord, out there.        [_To Attend. Exit_ VIRRO.
    So, now he's gone: how thinkest thou, Roscio,
    Will not this gudgeon bite?

    ROS. No doubt, my lord,
    So fair a bait would catch a cunning fish.

    POL. And such a one is he; he ever lov'd
    The beauty of my girl, but that's not it
    Can draw the earthbred thoughts of his gross soul.
    Gold is the god of his idolatry,
    With hope of which I'll feed him, till at length
    I make him fasten, and, Ixion-like,
    For his lov'd Juno grasp an empty cloud.

    ROS. How stands my young lady affected to him?

POL. There's all the difficulty; we must win her to love him. I doubt
the peevish girl will think him too old; he's well near fifty. In this
business I must leave somewhat to thy wit and care: praise him beyond
all measure.

    ROS. Your lordship ever found me trusty.

    POL. If thou effect it, I will make thee happy.     [_Exeunt._

_Enter_ PHILOCLES, CLERIMONT.

    PHIL. Eugenio's sister, then, is the rich heir
    By his decease?

    CLER. Yes, and the fair one too:
    She needs no gloss that fortune can set on her;
    Her beauty of itself were prize enough
    To make a king turn beggar for.

    PHIL. Heyday!
    What, in love, Clerimont? I lay my life 'tis so;
    Thou couldst not praise her with such passion else.

    CLER. I know not; I slept well enough last night:
    But if thou saw'st her once, I would not give
    A farthing for thy life; I tell thee, Philocles,
    One sight of her would make thee cry, _ah me!_
    Sigh, and look pale: methinks I do imagine
    How like an idolatrous lover thou wouldst look
    Through the eyelids; know nobody.

    PHIL. 'Tis very well.
    But how did your worship 'scape? You have seen her?

    CLER. True, but I have an antidote, and I can teach it thee.

    PHIL. When I have need on't, I'll desire it.

CLER. And 'twill be worth thy learning, when thou shalt see the tyranny
of that same scurvy boy, and what fools he makes of us. Shall I
describe the beast?

PHIL. What beast?

CLER. A lover.

PHIL. Do.

CLER. Then, to be brief, I will pass over the opinion of your ancient
fathers, as likewise those strange loves spoken of in the authentic
histories of chivalry, Amadis de Gaul, Parismus, the Knight of the Sun,
or the witty knight Don Quixote de la Mancha, where those brave men,
whom neither enchantments, giants, windmills, nor flocks of sheep, could
vanquish, are made the trophies of triumphing love.

PHIL. Prythee, come to the matter.

CLER. Neither will I mention the complaints of Sir Guy for the fair
Felice, nor the travels of Parismus for the love of the beauteous
Laurana; nor, lastly, the most sad penance of the ingenious knight Don
Quixote upon the mountains of Sierra Morena,[418] moved by the unjust
disdain of the lady Dulcina del Toboso. As for our modern authors, I
will not so much as name them; no, not that excellent treatise of
Tully's love, written by the master of art.[419]

PHIL. I would thou wouldst pass over this passing over of authors, and
speak thine own judgment.

CLER. Why, then, to be brief, I think a lover looks like an ass.

PHIL. I can describe him better than so myself. He looks like a man
that had sitten up at cards all night, or a stale drunkard wakened in
the midst of his sleep.

CLER. But, Philocles, I would not have thee see this lady; she has a
bewitching look.

PHIL. How darest thou venture, man? What strange medicine hast thou
found? Ovid ne'er taught it thee. I doubt I guess thy remedy for love:
go to a bawdy-house or so, is it not?

CLER. Faith, and that's a good way, I can tell you; we younger brothers
are beholden to it. Alas! we must not fall in love, and choose whom we
like best; we have no jointures for them, as you blessed heirs can have.

PHIL. Well, I have found you, sir. And prythee, tell me how gettest thou
wenches?

CLER. Why, I can want no panders. I lie in the constable's house.

    PHIL. And there you may whore by authority.
    But, Clerimont, I doubt this paragon
    That thou so praisest is some ill-favoured wench
    Whom thou wouldst have me laugh'd at for commending.

    CLER. Believe it, I spoke in earnest: trust your eyes:
    I'll show you her.

    PHIL. How canst thou do it?
    Thou know'st this lady's father is to mine
    A deadly enemy; nor is his house
    Open to any of our kindred.

    CLER. That's no matter:
    My lodging's the next door to this lord's house,
    And my back-window looks into his garden;
    There every morning fair Leucothoë
    (For so I hear her nam'd) walking alone
    To please her senses, makes Aurora blush,
    To see one brighter than herself appear.

    PHIL. Well, I will see her then.                    [_Exeunt._

_Enter_ FRANKLIN, FRANCISCO, _and_ LUCE _gravida_.[420]

    FRANC. Yet for her sake be advis'd better, sir.

    FRANK. Impudent rascal! canst look me i' th' face,
    And know how thou hast wronged me? Thou
    Hast dishonour'd my daughter--made a whore of her.

    FRANC. Gentle sir,
    The wrong my love has made to your fair daughter
    'Tis now too late to wish undone again:
    But, if you please, it may be yet clos'd up
    Without dishonour: I wi

    FRANK. Impudent rascal! canst look me i' th' face,
    And know how thou hast wronged me? Thou
    Hast dishonour'd my daughter--made a whore of her.

    FRANC. Gentle sir,
    The wrong my love has made to your fair daughter
    'Tis now too late to wish undone again:
    But, if you please, it may be yet clos'd up
    Without dishonour: I will marry her.

    FRANK. Marry her! she has a hot catch of that.
    Marry a beggar!
    What jointure canst thou make her?

    FRANC. Sir, I am poor, I must confess;
    Fortune has bless'd you better: but I swear
    By all things that can bind, 'twas not your wealth
    Was the foundation of my true-built love;
    It was her single uncompounded self--
    Herself without addition--that I lov'd,
    Which shall for ever in my sight outweigh
    All other women's fortunes and themselves;
    And were I great, as great as I could wish
    Myself for her advancement, no such bar
    As fortune's inequality should stand
    Betwixt our loves.

    LUCE. Good father, hear me.

    FRANK. Dost thou not blush to call me father, strumpet?
    I'll make thee an example.

    LUCE. But hear me, sir; my shame will be your own.

    FRANK. No more, I say. Francisco, leave my house;
    I charge you, come not here.

    FRANC. I must obey, and will. Dear Luce, be constant.

    LUCE. Till death.                           [_Exit_ FRANCISCO.

FRANK. Here's a fine wedding towards! The bridegroom, when he comes for
his bride, shall find her great with child by another man! Passion-a-me,
minion, how have you hid it so long?

LUCE. Fearing your anger, sir, I strove to hide it.

FRANK. Hide it one day more, then, or be damned. Hide it till Shallow be
married to thee, and then let him do his worst.

LUCE. Sir, I should too much wrong him.

FRANK. Wrong him! there be great ladies have done the like; 'tis no news
to see a bride with child.

LUCE. Good sir.

FRANK. Then be wise; lay the child to him: he's a rich man, t'other's a
beggar.

LUCE. I dare not, sir.

FRANK. Do it, I say, and he shall father it.

LUCE. He knows he never touched me, sir.

FRANK. That's all one; lay it to him, we'll out-face him 'tis his: but
hark! he is coming, I hear the music. Swear thou wilt do thy best to
make him think 'tis his, only for this time; swear quickly.

LUCE. I do.

FRANK. Go, step aside, and come when thy cue is; thou shalt hear us
talk. [LUCE _aside_.

_Enter_ SHALLOW, _with music_.

SHAL. Morrow, father.

FRANK. Son bridegroom, welcome; you have been looked for here.

SHAL. My tailor a little disappointed me; but is my bride ready?

FRANK. Yes, long ago; but you and I will talk a little. Send in your
music.

SHAL. Go, wait within. [_Exit music._] And tell me, father, did she not
think it long till I came?

FRANK. I warrant her, she did; she loves you not a little.

SHAL. Nay, that I dare swear; she has given me many tastes of her
affection.

FRANK. What, before you were married?

SHAL. I mean in the way of honesty, father.

FRANK. Nay, that I doubt; young wits love to be trying, and, to say
truth, I see not how a woman can deny a man of your youth and person
upon those terms: you'll not be known on't now.

SHAL. I have kissed her, or so.

FRANK. Come, come; I know you are no fool, I should think you a very
ass--nay, I tell you plainly, I should be loth to marry my daughter to
you--if I thought you had not tried her in so long acquaintance: but you
have tried her, and she, poor soul, could not deny you.

SHAL. Ha, ha, he!

FRANK. Faith, tell me, son, 'tis but a merry question: she's yours.

SHAL. Upon my virginity, father----

FRANK. Swear not by that, I'll ne'er believe you.

SHAL. Why, then, as I am a gentleman, I never did it, that I remember.

FRAN. That you remember! O, is't thereabouts?

LUCE. He'll take it upon him presently. [_Aside._

FRAN. You have been so familiar with her, you have forgot the times: but
did you never come in half fuddled, and then in a kind humour--_cætera
quis nescit?_

SHAL. Indeed I was wont to serve my mother's maids so, when I came half
foxed, as you said, and then next morning I should laugh to myself.

FRANK. Why, there it goes; I thought to have chid you, son Shallow; I
knew what you had done; 'tis too apparent: I would not have people take
notice of it; pray God she hide her great belly, as she goes to church
to-day.

SHAL. Why, father, is she with child?

FRANK. As if you knew not that! fie, fie! leave your dissembling now.

SHAL. Sure, it cannot be mine.

FRANK. How's this; you would not make my daughter a whore, would you?
This is but to try if you can stir my choler: you wits have strange
tricks, do things over night when you are merry, and then deny 'em. But
stay, here she comes alone; step aside, she shall not see us.

                                               [_They step aside._

    LUCE. Ah, my dear Shallow, thou need'st not have made
    Such haste, my heart thou know'st was firm enough
    To thee; but I may blame my own fond love,
    That could not deny thee.

    SHAL. She's with child indeed; it swells.

FRANK. You would not believe me. 'Tis a good wench: she does it
handsomely. [_Aside._

LUCE. But yet I know, if thou hadst been thyself, thou wouldst ne'er
have offered it; 'twas drink that made thee.

SHAL. Yes, sure, I was drunk when I did it, for I had forgot it. I lay
my life 'twill prove a girl, because 'twas got in drink.

LUCE. I am ashamed to see anybody.

FRANK. Alas, poor wretch! go comfort her. Luce!

SHAL. Sweetheart! nay, never be ashamed. I was a little too hasty, but
I'll make thee amends; we'll be married presently.

FRANK. Be cheery, Luce; you were man and wife before; it wanted but the
ceremony of the church, and that shall be presently done.

SHAL. Ay, ay, sweetheart, as soon as may be.

FRANK. But now I think on't, son Shallow, your wedding must not be
public, as we intended it.

SHAL. Why so?

FRANK. Because I would not have people take notice of this fault: we'll
go to church, only we three, the minister and the clerk--that's
witnesses enough; so, the time being unknown, people will think you were
married before.

SHAL. But will it stand with my worship to be married in private?

FRANK. Yes, yes; the greatest do it, when they have been nibbling
beforehand; there is no other way to save your bride's credit.

SHAL. Come, let's about it presently.

    FRANK. This is closed up beyond our wishes.         [_Exeunt._

_Manet_ LUCE.

    LUCE. I am undone, unless thy wit, Francisco,
    Can find some means to free me from this fool,
    Who would have thought the sot could be so gross
    To take upon him what he never did,
    To his own shame? I'll send to my Francisco,
    And I must lose no time; for I am dead,
    If not delivered from this loathed bed.


FOOTNOTES:

  [415] ["A celebrated political register, as Mr Chalmers aptly terms
  it, which was now much used. Mention of it is made by almost all the
  writers of Jonson's age. As it treated of contemporary events,
  treaties, sieges, &c., in a dead language, it was necessarily driven
  to the use of unknown and unwarranted terms."--_Gifford's Ben Jonson_,
  ii. 530, _note_.

  Cleveland, in the "Character of a London Diurnal," 1644, says: "The
  original sinner of this kind was _Dutch, Gallo-belgicus_ the
  _Protoplast:_ and the _Modern Mercuries_ but Hans en Kelders." Some
  intelligence given by _Mercurius Gallo-belgicus_ is mentioned in
  Carew's "Survey of Cornwall," p. 126, originally published in 1602. Dr
  Donne, in his verses upon Thomas Coryat's "Crudities," 1611, says--

              "To _Gallo Belgicus_ appear
      As deep a statesman as a gazetteer."

  [416] See the "Spanish Tragedy," vol. v.

  [417] Penelope.

  [418] In the 4º, 1633, it stands _Sienna Morenna_, and so Mr Reed
  allowed it to remain.--_Collier._

  [419] The work here mentioned is entitled "Tullies Love, wherein is
  discovered the prime of 'Ciceroes youth,' &c. &c., by Robert Greene.
  In artibus magister." I have seen no earlier edition of it than that
  in 1616.--_Steevens._ [It was first printed in 1589.]

  [420] The situation of Luce is expressed after her name in the old
  copy by the word _gravida_, and there seems no reason for omitting it.
  The conclusion of the play shows the necessity of making her condition
  obvious.--_Collier._



ACT II.


_Enter_ PHILOCLES, _and_ CLERIMONT _at the window_.

    CLER. See, Philocles, yonder's that happy shade,
    That often veils the fair Leucothoë,
    And this her usual hour; she'll not be long:
    Then thou shalt tell me if so rare an object
    E'er bless'd thine eyes before.

    PHIL. Well, I would see her once,
    Were't but to try thy judgment, Clerimont.

    CLER. And when thou dost, remember what I told thee,
    I would not be so sick;[421] but soft, look to thy heart,
    Yonder she comes, and that's her waiting-woman.
                         [LEUCOTHOË _and_ PSECTAS _in the garden_.

    Now gaze thy fill; speak, man, how lik'st thou her?

    LEU. Psectas!

    PSEC. Madam.

    LEU. What flower was that,
    That thou wert telling such a story of
    Last night to me?

    PSEC. 'Tis call'd Narcissus, madam:
    It bears the name of that too beauteous boy
    That lost himself by loving of himself;
    Who, viewing in a fair and crystal stream
    Those lips that only he could never kiss,
    Doats on the shadow, which to reach in vain
    Striving he drowns: thus, scorning all beside,
    For the lov'd shadow the fair substance died.

    LEU. Fie, fie! I like not these impossible tales;
    A man to fall in love with his own shadow,
    And die for love, 'tis most ridiculous!

    PSEC. Madam, I know not; I have often seen
    Both men and women court the looking-glass
    With so much seeming contentation,
    That I could think this true; nay, wear it about 'em,
    As lovers do their mistress' counterfeit.[422]

    LEU. That's not for love, but to correct their beauties,
    And draw from others admiration;
    For all the comfort that our faces give
    Unto ourselves, is but reflection
    Of that fair liking that another takes.

    CLER. I would we were a little nearer 'em,
    We might but hear what talk these wenches have,
    When they are alone; I warrant, some good stuff.

    PHIL. 'Tis happiness enough for me to see
    The motion of her lips.

    CLER. I' faith, is't thereabouts?
    Why, Philocles! what, lost already, man!
    Struck dead with one poor glance! Look up, for shame,
    And tell me how thou lik'st my judgment now--
    Now thou dost see?

    PHIL. Ah, Clerimont! too well;
    Too well I see what I shall never taste,
    Yon lady's beauty: she must needs be cruel
    (Though her fair shape deny it) to the son
    Of him that is her father's enemy.
    That, Clerimont, that fatal difference
    Checks my desire, and sinks my rising hopes;
    But love's a torrent violent, if stopp'd,
    And I am desperately mad: I must--
    I must be hers, or else I must not be.

    CLER. Contain that passion, that will else o'er-whelm
    All virtue in you, all that is call'd man,
    And should be yours; take my advice, my heart,
    My life, to second you: let us consult;
    You may find time to speak to her and woo her.

    PHIL. Nay, nay, I will, in spite of destiny.
    Let women and faint-hearted fools complain
    In languishing despair; a manly love
    Dares show itself, and press to his desires
    Through thickest troops of horrid[423] opposites.
    Were there a thousand waking dragons set
    To keep that golden fruit, I would attempt
    To pluck and taste it; 'tis the danger crowns
    A brave achievement! What if I should go
    And boldly woo her in her father's house
    In spite of enmity, what could they say?

    CLER. 'Twere madness that, not wisdom: rash attempts
    Betray the means, but never work the end.

    PHIL. She would not hate a man for loving her;
    Or if she did, better be once denied
    Than live for ever hapless.

    CLER. But take time;
    The second thoughts, our wise men say, are best.

    PHIL. Delay's a double death; no, I have thought
    A means that straight I'll put in execution:
    I'll write a letter to her presently,
    Take how it will.

    CLER. A letter! who shall carry it?

PHIL. I'll tell thee when I have done: hast thou pen and ink in thy
chamber?

CLER. Yes, there is one upon the table. I'll stay here at the window,
and watch whether she stay or not. What a sudden change is this!

    LEU. Did not Count Virro promise to be here
    To-day at dinner?

    PSEC. Yes, madam, that he did; and I dare swear
    He will not break.

LEU. He needs not, he is rich enough; unless he should break in knavery,
as some of our merchants do nowadays.

PSEC. Break promise, madam, I mean; and that he will not for your sake:
you know his business.

    LEU. I would I did not: he might spare his pains,
    And that unusual cost that he bestows
    In pranking up himself, and please me better.

    PSEC. He would not please his tailor and his barber;
    For they got more for your sake by their lord
    Than they have got this twenty years before.

    LEU. Ah, Psectas, Psectas! can my father think
    That I can love Count Virro? one so old--
    That were enough to make a match unfit--
    But one so base; a man that never lov'd
    For anything call'd good, but dross and pelf.
    One that would never, had my brother liv'd,
    Have mov'd this suit: no, I can never love him:
    But canst thou keep a secret firmly, Psectas?

    PSEC. Doubt me not, madam.

    LEU. Well, I'll tell thee then.
    I love--alas! I dare not say I love him--
    But there's a young and noble gentleman,
    Lord Euphues' son, my father's enemy,
    A man whom Nature's prodigality
    Stretch'd even to envy in the making up.
    Once from a window my pleas'd eye beheld
    This youthful gallant as he rode the street
    On a curvetting courser who, it seem'd
    Knew his fair load, and with a proud disdain
    Check'd the base earth: my father being by,
    I ask'd his name; he told me Philocles,
    The son and heir of his great enemy.
    Judge, Psectas, then, how my divided breast
    Suffer'd between two meeting contraries,
    Hatred and love: but Love's a deity,
    And must prevail 'gainst mortals, whose command
    Not Jove himself could ever yet withstand.

CLER. What, is the letter done already? I see these lovers have nimble
inventions; but how will you send it?

    PHIL. What a question's that! Seest thou this stone?

    CLER. Ah! then I see your drift; this stone must guide
    Your fleeting letter in the air, and carry it
    To that fair mark you aim.

    PHIL. Hard by her.

CLER. I think you would not hit her with such stones as this; lady, look
to yourself, now it comes to proof.

    PHIL. But prythee, tell me, what dost thou think this letter may do?

    CLER. Well, I hope.
    'Tis ten to one this lady oft hath seen you,
    You never liv'd obscure in Syracuse,
    Nor walk'd the streets unknown, and who can tell
    What place you bear in her affections,
    Lov'd or mislik'd? If bad, this letter sent
    Will make her show her scorn: if otherwise,
    Fear not a woman's wit: she'll find a time
    To answer your kind letter, and express
    What you desire she should; then send it boldly,
    You have a fair mark there.

    PHIL. Cupid, guide my arm!
    O, be as just, blind god, as thou art great!
    And with that powerful hand, that golden shaft
    This eye was[424] wounded, wound yon tender breast!
    There is no salve but that, no cure for me.         [_Throws._

CLER. See, what a wonder it strikes 'em in, how it should come.

PHIL. She'll wonder more to see what man it comes from.

CLER. I like her well, she is not afraid to open it. She starts; stay,
mark her action when she has read the letter.

_She reads._

    "Let it not wrong this letter, that it came
    From one that trembled to subscribe his name,
    Fearing your hate: O, let not hate descend,
    Nor make you cruel to so vow'd a friend.
    If you'll not promise love, grant but access,
    And let me know my woes are past redress.
    Be just, then, beauteous judge, and, like the laws,
    Condemn me not till you have heard my cause;
    Which, when you have, from those fair lips return
    Either my life in love, or death in scorn.
                             Yours or not, PHILOCLES."

    Am I awake, or dream I? Is it true,
    Or does my flattering fancy but suggest
    What I most covet?

    PSEC. Madam, the words are there;
    I'll swear it can be no illusion.

    LEU. It is too good for truth.

    PHIL. Mock me not, fortune!
    She kiss'd it; saw'st thou her? O friend, she kiss'd it!

    CLER. And with a look that relish'd love, not scorn.

    LEU. This letter may be forg'd, I much desire
    To know the certainty; Psectas, thy help
    Must further me.

    PSEC. I'll not be wanting.

    LEU. Here comes my father; he must not see this.

    PSEC. No, nor your t'other sweetheart, he is with him yonder.

_Enter_ POLYMETES, VIRRO, ROSCIO.

    POL. Nay, noble count, you are too old a soldier
    To take a maid's first no for a denial;
    They will be nice at first: men must pursue
    That will obtain: woo her, my lord, and take her;
    You have my free consent, if you get hers.
    Yonder she walks alone: go comfort her.

    VIR. I'll do the best I may, but we old men
    Are but cold comfort: I thank your lordship's love.

    POL. I wonder, Roscio, that the peevish girl
    Comes on so slowly; no persuasions
    That I can use do move: the setting forth
    Count Virro's greatness, wealth, and dignity,
    Seems not to affect her, Roscio.

    ROS. I doubt the cause, my lord;
    For were 't but[425] that, I dare engage my life
    She would be won to love him; she has plac'd
    Already her affections on some other.

    POL. How should I find it out?

    Ros. Why thus, my lord.
    There's never man nor woman that e'er lov'd,
    But chose some bosom friend, whose close converse
    Sweeten'd their joys, and eas'd their burden'd minds
    Of such a working secret. Thus, no doubt,
    Has my young lady done; and but her woman,
    Who should it be? 'tis she must out with it:
    Her secrecy, if wit cannot o'erreach,
    Gold shall corrupt; leave that to me, my lord.
    But if her lady's heart do yet stand free
    And unbequeath'd to any, your command
    And father's jurisdiction interpos'd
    Will make her love the count. No kind of means
    Must want to draw her.

    POL. Thou art my oracle,
    My brain, my soul, my very being, Roscio;
    Walk on and speed, while I but second thee.

    CLER. It is even so; Count Virro is your rival;
    See how th' old ape smugs up his mouldy chaps
    To seize the bit?

    PHIL. He must not, if I live;
    But yet her father brings him: he has the means
    That I shall ever want.

    CLER. If he do marry her,
    Revenge it nobly, make him a cuckold, boy.

    PHIL. Thou jest'st, that feel'st it not. Prythee, let's go.

    CLER. Stay, I'll but curse him briefly for thy sake.
    If thou dost marry her, may'st thou be made
    A cuckold without profit, and ne'er get
    An office by it, nor favour at the Court;
    But may thy large ill-gotten treasury
    Be spent in her bought lust, and thine own gold
    Bring thee adulterers; so, farewell, good count.
                              [_Exeunt_ PHILOCLES _and_ CLERIMONT.

_Enter_ SERVANT.

    SER. My lord, there's a messenger within
    Desires access, has business of import,
    Which to no ear but yours he must impart.

_Enter_ EUGENIO, _disguised_.

    POL. Admit him. Now, friend, your business with me.

    SER. If you be the Lord Polymetes.

    POL. The same.

    EUG. My lord, I come from Athens with such news
    As I daresay is welcome, though unlook'd for;
    Your son Eugenio lives, whom you so long
    Thought dead, and mourn'd for.

    POL. How? lives!

    EUG. Upon my life, my lord, I saw him well
    Within these few days.

    POL. Thanks for thy good news.
    Reward him, Roscio. But now, tell me, friend,
    Hast thou reveal'd this news to any man
    In Syracuse but me?

    EUG. To none, my lord:
    At every place where I have stay'd in town,
    Inquiring for your lordship's house, I heard
    These tragic, but false, news; the contrary
    I still conceal'd, though knew, intending first
    Your lordship's ear should drink it.

    POL. Worthy friend,
    I now must thank your wisdom as your love,
    In this well-carried action; I'll requite it:
    Meantime, pray use my house, and still continue
    Your silence in this business. Roscio, make him welcome,
    And part as little from him as you can, for fear----

    ROS. Think it done, my lord.

    POL. Leucothoë,[426] come hither.

    VIR. Be like yourself, let not a cruel doom
    Pass those fair lips, that never were ordain'd
    To kill, but to revive.

    LEU. Neither, my lord, lies in their power to do.

    VIR. Yes, sweet, to me,
    Whom your scorn kills, and pity will revive.

    LEU. Pity is show'd to men in misery.

    VIR. And so am I, if not reliev'd by you.

    LEU. 'Twere pride in me, my lord, to think it so.

    VIR. I am your beauty's captive.

    LEU. Then, my lord,
    What greater gift than freedom can I give?
    'Tis that that captives most desire, and that
    You shall command: y' are free from me, my lord.

    VIR. Your beauty contradicts that freedom, lady.

POL. Come, noble count, I must for this time interrupt you; you'll find
enough within to talk.

    VIR. I'll wait upon your lordship.                  [_Exeunt._

_Manet_ EUGENIO _solus_.

    EUG. Thus in disguise I have discover'd all,
    And found the cause of my reported death,
    Which did at first amaze me; but 'tis well:
    'Tis to draw on the match between my sister
    And this rich count: heaven grant it be content
    As well as fortune to her, but I fear
    She cannot love his age: how it succeeds
    I shall perceive, and, whilst unknown I stay,
    I cannot hurt the project, help I may.                [_Exit._

_Enter_ FRANCISCO, SUMNER.[427]

FRANC. This will make good work for you in the spiritual court; Shallow
is a rich man.

SUM. Those are the men we look for; there's somewhat to be got: the
court has many businesses at this time, but they are little worth; a few
waiting-women got with child by servingmen or so, scarce worth citing.

FRANC. Do not their masters get 'em with child sometimes?

SUM. Yes, no doubt; but they have got a trick to put 'em off upon the
men, and for a little portion save their own credits; besides, these
private marriages are much out of our way, we cannot know when there is
a fault.

FRANC. Well, these are no starters; I warrant you, Shallow shall not
deny it; and for the wench, she need not confess it, she has a mark
that will betray her.

SUM. I thank you, sir, for your good intelligence, I hope 'tis certain.

    FRANC. Fear not that. Is your citation ready?

    SUM. I have it here.

    FRANC. Well, step aside, and come when I call; I hear 'em coming.
                                                   [_Exit_ SUMNER.

_Enter_ FRANKLIN, SHALLOW, LUCE, PARSON.

    FRANK. Set forward there. Francisco, what make you here?

    FRANC. I come to claim my right: parson, take heed.
    Thou art the author of adultery,
    If thou conjoin this couple; she's my wife.

    FRANK. Yours, saucebox?

    SHAL. Father, I thought she had been mine; I hope
    I shall not lose her thus.

    FRANK. Francisco,
    Dare not to interrupt us, for I swear
    Thou shalt endure the law's extremity
    For thy presumption.

    FRANC. Do your worst, I fear not; I was contracted to her.

    FRANK. What witness have you?

    FRAN. Heaven is my witness, whose impartial eye
    Saw our contract.

SHAL. What an ass is this to talk of contracting! He that will get a
wench must make her bigger, as I have done, and not contract.

    FRANC. Sir, you are abus'd.

    SHAL. Why so?

    FRANC. The wife you go to marry is with child,
    And by another.

    SHAL. A good jest, i' faith! make me believe that!

    FRANC. How comes this fool possess'd? he never touch'd her,
    I dare swear.

    FRANK. No more, Francisco, as you will answer it.
    Parson, set forward there.

    FRANC. Stay.
    If this will not suffice, Sumner, come forth.

    FRANK. A sumner! we are all betray'd.

_Enter_ SUMNER.

    SUM. God save you all! I think you guess my business;
    These are to cite to the spiritual court
    You, Master Shallow, and you, Mistress Luce!
    Ask not the cause, for 'tis apparent here,
    A carnal copulation _ante matrimonium_.

    FRANK. This was a bar unlook'd for. Spiteful Francisco!

    FRANC. Injurious Franklin, could the laws divine
    Or humane suffer such an impious act,
    That thou shouldst take my true and lawful wife,
    And great with child by me, to give to another,
    Gulling his poor simplicity?

    SHAL. Do you mean me, sir?

    SUM. Gallants, farewell; my writ shall be obey'd?

    FRANK. Sumner, it shall.                       [_Exit_ SUMNER.

    PAR. I'll take my leave, there's nothing now for me to do.
                                                   [_Exit_ PARSON.

    FRANC. Farewell, good master parson.

    FRANK. Francisco,
    Canst thou say thou ever lov'dst my daughter,
    And wouldst thou thus disgrace her openly?

    FRANC. No, I would win her thus;
    And, did you hold her credit half so dear
    As I, or her content, you would not thus
    Take her from me, and thrust her 'gainst her will
    On this rich fool.

    SHAL. You are very bold with me, sir.

    FRANC. Let me have news what happens, dearest Luce.

    LUCE. Else let me die.                      [_Exit_ FRANCISCO.

FRANK. This was your doing, Luce; it had been impossible he should e'er
have known the time so truly else; but I'll take an order next time for
your blabbing.

SHAL. What's the matter, father?

FRANK. We may thank you for it; this was your haste, that will now shame
us all; you must be doing afore your time!

SHAL. 'Twas but a trick of youth, father.

FRANK. And therefore now you must e'en stand in a white sheet for all to
gaze at.

SHAL. How! I would be loth to wear a surplice now. 'Tis a disgrace the
house of the Shallows never knew.

FRANK. All the hope is, officers may be bribed; and so they will. 'Twere
a hard world for us to live in else.

SHAL. You say true, father; if 'twere not for corruption, every poor
rascal might have justice as well as one of us, and that were a shame.

                                     [_Exeunt_ SHALLOW _and_ LUCE.

    FRANK. This was a cunning stratagem well-laid;
    But yet, Francisco, th' hast not won the prize.
    What should I do? I must not let this cause
    Proceed to trial in the open court,
    For then my daughter's oath will cast the child
    Upon Francisco: no, I have found a better.
    I will before the next court-day provide
    Some needy parson, one whose poverty
    Shall make him fear no canons; he shall marry
    My daughter to rich Shallow: when 'tis done,
    Our gold shall make a silence in the court.           [_Exit._

_Enter_ PHILOCLES, PSECTAS.

    PSEC. I must return your answer to my lady;
    I'll tell her you will come.

    PHIL. Come!
    And such an angel call, I should forget
    All offices of nature, all that men
    Wish in their second thoughts, ere such a duty.
    Commend my service to her, and to you
    My thanks for this kind message.              [_Exit_ PSECTAS.
    I never breath'd till now, never till now
    Did my life relish sweetness. Break not, heart!
    Crack not, ye feeble ministers of nature:
    With inundation of such swelling joy,
    Too great to bear without expression.
    The lady writes that she has known me long
    By sight, and lov'd me; and she seems to thank
    Her stars she loves and is belov'd again.
    She speaks my very thoughts! How strange it is
    And happy, when affections thus can meet!
    She further writes, at such an hour to-day
    Her father's absence, and all household spies
    Fitly remov'd, shall give access to me
    Unmark'd to visit her; where she alone
    Will entertain discourse, and welcome me.
    I hope 'tis truly meant; why should I fear?
    But wisdom bids me fear: fie, fie! 'tis base
    To wrong a creature of that excellence'
    With such suspicion; I should injure her.
    I will as soon suspect an angel false;
    Treason ne'er lodg'd within so fair a breast.
    No, if her hand betray me, I will run
    On any danger: 'tis alike to me
    To die or find her false; for on her truth
    Hangs my chief being. Well, I'll lose no time,
    No, not a minute: dearest love, I come!
    To meet my sweetest wishes I will fly,
    Heaven and my truth shield me from treachery.         [_Exit._


FOOTNOTES:

  [421] The original edition reads _sick_, which Mr Reed changed to
  _fickle_.--_Collier._

  [422] [Portrait, likeness.]

  [423] [Bristling; Lat. _horridus_.]

  [424] [Old copy, _That I was_.]

  [425] [Old copy, were _not_.]

  [426] [Old copy, _Psectas_.]

  [427] Or _Sompner_, now called an _apparitor_. He is an officer, whose
  proper business and employment are to attend the spiritual court, to
  receive such commands as the judge shall please to issue forth; to
  convene and cite the defendants into court; to admonish or cite the
  parties in the production of witnesses, and the like; and to make due
  return of the process by him executed.



ACT III.


_Enter_ POLYMETES, ROSCIO, EUGENIO, _and_ PSECTAS.

    POL. I cannot credit it, nor think that she,
    Of all the noble youth of Sicily,
    Should make so strange a choice; that none but he,
    None but the son of my vow'd enemy,
    Must be her mate: it strikes me to amaze.
    Minion, take heed, do not belie your mistress.

    PSEC. Mercy forsake me if I do, my lord:
    You charg'd me to confess the truth to you,
    Which I have fully done; and presently
    I'll bring you where (conceal'd) you shall both see
    Their privacy, and hear their conference.

    POL. Well, I believe thee, wench, and will reward
    Thy trust[428] in this: go, get thee in again,
    And bring me word when Philocles is come,     [_Exit_ PSECTAS.
    Sir, you'll be secret to our purpose?

    EUG. As your own breast, my lord?

    POL. I shall rest thankful to you:
    This stranger must be sooth'd, lest he mar all.

ROS. This was well found out, my lord: you now have means to take your
enemy.

    POL. Which bless'd occasion I will so pursue,
    As childless Euphues shall for ever rue.
    Rise in thy blackest look, direst Nemesis,
    Assistant to my purpose, help me glut
    My thirsty soul with blood! This bold young man
    To his rash love shall sacrifice his life.

    ROS. What course do you intend to ruin him?

    POL. Why, kill him presently.

    ROS. O no, my lord,
    You'll rue that action: think not that the law
    Will let such murder sleep unpunish'd.

    POL. Should I then let him go, when I have caught him?

    ROS. Yes, sir; to catch him faster, and more safely.

    POL. How should that be? Speak, man.

    ROS. Why thus, my lord?
    You know the law speaks death to any man
    That steals an heir without her friend's consent:
    Thus must he do, his love will prompt him to it.
    For he can never hope by your consent
    To marry her; and she, 'tis like, will give
    Consent, for women's love is violent:
    Then mark their passage, you shall easily find
    How to surprise them at your will, my lord.

    POL. Thou art my oracle, dear Roscio.

_Enter_ PSECTAS.

    Here's Psectas come again. How now, what news?

    PSEC. My lord, they both are coming; please you withdraw,
    You shall both hear and see what you desire.

_Enter_ PHILOCLES _and_ LEUCOTHOË.

    LEU. Y' are welcome, noble sir; and, did my power
    Answer my love, your visitation
    Should be more free, and your deserved welcome
    Express'd in better fashion.

    PHIL. Best of ladies,
    It is so well, so excellently well,
    Coming from your wish'd love, my barren thanks,
    Want language for't! there lies in your fair looks
    More entertainment than in all the pomp
    That the vain Persian ever taught the world.
    Your presence is the welcome I expected,
    That makes it perfect.

    LEU. 'Tis your noble thought
    Makes good what's wanting here; but, gentle friend--
    For so I now dare call you.

    POL. 'Tis well, minion; you are bold enough, I see,
    To choose your friends without my leave.             [_Aside._

    PHIL. 'Tis my ambition ever to be yours.

    LEU. Think me not light, dear Philocles, so soon
    To grant thee love, that others might have sought
    With eagerest pursuit, and not obtain'd.
    But I was yours by fate, and long have been:
    Before you woo'd, Leucothoë was won,
    And yours without resistance.

    PHIL. O my stars!
    'Twas your kind influence that, whilst I slept
    In dullest ignorance, contriv'd for me
    The way to crown me with felicity.

POL. You may be deceived, though; you have no such great reason to thank
your stars, if you knew all. [_Aside._

    PHIL. And know, fair mistress, you have met a love,
    That time, nor fate, nor death can ever change;
    A man that but in you can have no being.
    Let this kiss seal my faith.

    LEU. And this mine.

    POL. Nay, to't again; your sweet meat shall have sour sauce.

    PHIL. But, sweet, 'mongst all these roses there's one thorn
    That pricks and galls me; our parents' enmity
    Will cross our loves. I do assure myself
    Thy father never will give his consent.

    LEU. No, so I think; he moves me still to Virro,
    That old craz'd count, and with such vehemency,
    I dare scarce 'bide his presence, if I deny him;
    Therefore we must be speedy in our course,
    And take without his leave what he denies.

    POL. I thank you for that, good daughter.           [_Aside._]

    ROS. I told you, sir, 'twould come to this at last. [_Aside._]

    PHIL. O, thou hast spoke my wishes, and hast show'd
    Thyself in love as good as beautiful;
    Then let's away, dearest Leucothoë.
    My fortunes are not poor, then fear no want.
    This constant love of ours may prove so happy,
    To reconcile our parents' enmity.

    LEU. Heaven grant it may!

    POL. Never by this means, youngster.                [_Aside._]

    LEU. But soft; now I think better on't, I'll not go.

    PHIL. Why, dearest, is thy love so quickly cold?

    LEU. No, but I'll not venture thee; thine is the danger.
    Thou know'st 'tis death by law to steal an heir,
    And my dear brother's most untimely death
    Hath lately made me one. What, if thou shouldst be taken?

    PHIL. O, fear not that; had I a thousand lives,
    They were too small a venture for such prize.
    I tell thee, sweet, a face not half so fair
    As thine hath arm'd whole nations in the field,
    And brought a thousand ships to Tenedos,
    To sack lamented Troy; and should I fear
    To venture one poor life, and such a life
    As would be lost in not possessing thee?
    Come, come, make that no scruple: when shall we go?

    LEU. This present evening; for to-morrow morning
    My father looks that I should give consent
    To marry with the count.

    PHIL. Best of all, would 'twere this present hour;
    I'll go prepare: but shall I call thee here?

    LEU. O no, we'll meet.

    PHIL. Where, dearest?

    LEU. East from the city, by a river's side,
    Not distant half a mile, there stands a grove,
    Where, often riding by, I have observ'd
    A little hermitage; there will I stay,
    If I be first; if you, do you the like:
    Let th' hour be ten; then shall I best escape.

    PHIL. Ne'er sweeter comfort came from angel's lips!
    I know the place, and will be ready there
    Before the hour. I'll bring a friend with me
    As true as mine own heart, one Clerimont,
    That may do us good if danger happen.

    LEU. Use your pleasure.

    PHIL. Dearest, farewell;
    Hours will seem years, till we are met again.       [_Exeunt._

POL. Ah, sirrah! this gear goes well. God-a-mercy, girl, for thy
intelligence! Why, this is as much as a man could desire--the time,
place, and everything. I warrant 'em, they pass no further. Well, go
thou in and wait upon thy mistress; she's melancholy till she see her
sweetheart again; but when she does, she shall not see him long. Not a
word of what's passed among us, for your life.

    PSEC. I warrant you, my lord.                         [_Exit._

POL. I'll not so much as show an angry look or any token that I know of
any of their proceedings. But, Roscio, we must lay the place strongly.
If they should 'scape us, I were prettily fooled now, after all this.

ROS. Why, 'tis impossible, my lord; we'll go strong enough: besides, I
think it fit we took an officer along with us, to countenance it the
better.

POL. Thou sayest well; go, get one. I'll go myself along with you too; I
love to see sport, though I am old. You'll go along with us too, sir?

EUG. Ay, sir; you shall command my service when you are ready.

    POL. Now, Euphues, what I did but barely act,
    Thy bleeding heart shall feel, loss of a son,
    If law can have his course, as who can let it?[429]
    I know thou think'st mine dead, and in thy heart
    Laugh'st at my falling house; but let them laugh,
    That win the prize: things ne'er are known till ended.
                                 [_Exeunt_ POLYMETES _and_ ROSCIO.

EUGENIO _solus_.

EUG. Well, I like my sister's choice; she has taken a man whose very
looks and carriage speak him worthy: besides, he is noble, his
fortune's sufficient, they both love each other. What can my father
more desire, that he gapes so after this old count, that comes for the
estate, as t'other, upon my soul, does not, but pure, spotless love? But
now his plot is for revenge upon his old enemy. Fie, fie! 'tis bloody
and unchristian; my soul abhors such acts. This match may rather
reconcile our houses, and I desire, where worth is, to have friendship
as, on my soul, 'tis there. Well, Philocles, I hope to call thee
brother. Somewhat I'll do. I'll go persuade Count Virro not to love her.
I know the way, and I'll but tell him truth--her brother lives; that
will cool his love quickly. But soft! here comes the count, as fit as
may be.

_Enter_ VIRRO.

VIR. She loves me not yet, but that's no matter. I shall have her; her
father says I shall, and I dare take his word. Maids are quickly
overruled. Ha, ha! methinks I am grown younger than I was by twenty
years. This fortune cast upon me is better than Medea's charm to make an
old man young again, to have a lord's estate freely bestowed, and with
it such a beauty as would warm Nestor's blood, and make old Priam lusty.
Fortune, I see thou lovest me now. I'll build a temple to thee shortly,
and adore thee as the greatest deity. Now, what are you?

EUG. A poor scholar, my lord; one that am little beholding to fortune.

VIR. So are most of your profession. Thou shouldst take some more
thriving occupation. Be a judge's man; they are the bravest nowadays, or
a cardinal's pander--that were a good profession, and gainful.

EUG. But not lawful, my lord.

VIR. Lawful! that cardinal may come to be pope, and then he could pardon
thee and himself too.

EUG. My lord, I was brought up a scholar, and I thank you for your
counsel, my lord: I have some for you, and therefore I came.

VIR. For me! what, I prythee?

EUG. 'Tis weighty, and concerns you near.

VIR. Speak, what is't?

EUG. My lord, you are to marry old Polymetes's daughter.

VIR. And heir.

EUG. No heir, my lord; her brother is alive.

VIR. How! thou art mad.

EUG. My lord, what I speak is true; and to my knowledge his father gives
it out in policy to marry his daughter the better; to hook in suitors,
and specially aimed at you, thinking you rich and covetous; and now he
has caught you.

VIR. But dost thou mock me?

EUG. Let me be ever miserable if I speak not truth: as sure as I am
here, Eugenio lives; I know it, and know where he is.

VIR. Where, prythee?

EUG. Not a day's journey hence, where his father enjoined him to stay
till your match, and sends word to him of this plot: besides, I
overheard the old lord and his man Roscio laughing at you for being
caught thus.

VIR. Why, wert thou at the house then?

EUG. Yes, but had scurvy entertainment, which I have thus revenged.

VIR. Beshrew my heart, I know not what to think on't. 'Tis like enough:
this lord was always cunning beyond measure, and it amazed me that he
should grow so extreme kind to me on the sudden, to offer me all this.
Besides, this fellow is so confident, and on no ends of cosenage, that
I can see. Well, I would fain enjoy her--the wench is delicate; but I
would have the estate too, and not be gulled. What shall I do? Now,
brains, if ever you will, help your master.

EUG. It stings him. [_Aside._]

VIR. Well, so, sir, what may I call your name?

EUG. Irus,[430] my lord.

VIR. Your name, as well as your attire, speaks you poor.

EUG. I am so.

VIR. And very poor.

EUG. Very poor.

VIR. Would you not gladly take a course to get money, and a great sum of
money?

EUG. Yes, gladly, if your lordship would but show me the way.

VIR. Hark ye.[431]

EUG. O, my lord, conscience!

VIR. Fie! never talk of conscience; and for law, thou art free; for all
men think him dead, and his father will be ashamed to follow it, having
already given him for dead; and then, who can know it? Come, be wise,
five hundred crowns I'll give.

EUG. Well, 'tis poverty that does it, and not I: when shall I be paid?

    VIR. When thou hast done it.

    EUG. Well, give me your hand for it, my lord.

    VIR. Thou shalt.

    EUG. In writing, to be paid when I have poisoned him; and think it
      done.

    VIR. Now thou speak'st like thyself: come in, I'll give it thee.

    EUG. And this shall stop thy mouth for ever, count.   [_Exeunt._

    LEUCOTHOË [_in male attire_] _sola_.

    LEU. There is no creature here; I am the first.
    Methinks this sad and solitary place
    Should strike a terror to such hearts as mine;
    But love has made me bold. The time has been,[432]
    In such a place as this I should have fear'd
    Each rolling leaf, and trembled at a reed
    Stirr'd in the moonshine: my fearful fancy
    Would frame a thousand apparitions,
    And work some fear out of my very shadow.
    I wonder Philocles is tardy thus;
    When last we parted, every hour (he said)
    Would seem a year till we were met again;
    It should not seem so by the haste he makes.
    I'll sit and rest me; come, I know, he will.

_Enter_ PHILOCLES _and_ CLERIMONT.

    PHIL. This, Clerimont, this is the happy place,
    Where I shall meet the sum of all my joys,
    And be possess'd of such a treasury
    As would enrich a monarch.

    LEU. This is his voice! My Philocles!

    PHIL. My life! my soul! what, here before me?
    O, thou dost still outgo me, and dost make
    All my endeavours poor in the requital
    Of thy large favours. But I forget myself;
    Sweet, bid my friend here welcome; this is he,
    That I dare trust next mine own heart with secrets.
    But why art thou disguised thus?

    LEU. I durst not venture else to make escape.

    PHIL. Even now, methinks, I stand as I would wish,
    With all my wealth about me. Such a love
    And such a friend, what can be added more
    To make a man live happy? Thou dark grove,
    That hast been call'd the seat of melancholy,
    And shelter for the discontented spirits,
    Sure, thou art wrong'd; thou seem'st to me a place
    Of solace and content; a paradise,
    That giv'st me more than ever court could do,
    Or richest palace. Bless'd be thy fair shades;
    Let birds of music ever chant it here,
    No croaking raven or ill-boding owl
    Make here their baleful habitation,
    Frighting thy walks; but may'st thou be a grove
    Where love's fair queen may take delight to sport:
    For under thee two faithful lovers meet.
    Why is my fair Leucothoë so sad?

    LEU. I know no cause; but I would fain be gone.

    PHIL. Whither, sweet?

    LEU. Any whither from hence,
    My thoughts divine of treason, whence I know not.
    There is no creature knows our meeting here
    But one, and that's my maid; she has been trusty,
    And will be still, I hope; but yet I would
    She did not know it: prythee, let's away;
    Anywhere else we are secure from danger.
    Then let's remove, but, prythee, be not sad.
    What noise is that?                           [_Noise within._

    LEU. Ah me!

    PHIL. O, fear not, love!                             [_Draws._

_Enter_ POLYMETES, ROSCIO, EUGENIO, _and_ OFFICERS.

    POL. Upon 'em, officers, yonder they are.

    PHIL. Thieves! villains!

    POL. Thou art the thief, and the villain too.
    Give me my daughter, thou ravisher.

    PHIL. First take my life.

    POL. Upon 'em, I say; knock 'em down, officers, if they resist.
                                         [_Fight. They are taken._

    LEU. O, they are lost! ah, wicked, wicked Psectas!

POL. So, keep 'em fast; we'll have 'em faster shortly; and for you,
minion, I'll tie a clog about your neck for running away any more.

    LEU. Yet do but hear me, father.

    POL. Call me not father, thou disobedient wretch,
    Thou runaway; thou art no child of mine;
    My daughter ne'er wore breeches.

    LEU. O sir, my mother would have done as much
    For love of you, if need had so requir'd:
    Think not my mind transformed as my habit.

    POL. Officers, away with him! peace, strumpet!
    You may discharge him:[433] he's but an assistant.

    LEU. O, stay and hear me yet; hear but a word,
    And that my last, it may be: do not spill
    The life of him in whom my life subsists;
    Kill not two lives in one! Remember, sir,
    I was your daughter once, once you did love me:
    And tell me, then, what fault can be so great
    To make a father murderer of his child?
    For so you are in taking of his life.
    O, think not, sir, that I will stay behind him,
    Whilst there be asps and knives, and burning coals.
    No Roman dame shall in her great example
    Outgo my love.

    PHIL. O, where will sorrow stay!
    Is there no end in grief, or in my death
    Not punishment enough for my offence,
    But must her grief be added to afflict me?
    Dry up those pearls, dearest Leucothoë,
    Or thou wilt make me doubly miserable:
    Preserve that life, that I may after death
    Live in my better part. Take comfort, dear:
    People would curse me if such beauty should
    For me miscarry: no, live happy thou,
    And let me suffer what the law inflicts.

    LEU. My offence was as great
    As thine, and why should not my punishment?

    POL. Come, have you done? Officers, away with him.
                                                [_Exit_ PHILOCLES.
    I'll be your keeper, but I'll look better to you.
    But, Roscio, you and I must about the business:
    Sir, let it be your charge to watch my daughter,
    And see she send no message any whither,
    Nor receive any.             [_Exeunt_ POLYMETES _and_ ROSCIO.

EUG. It shall, my lord; I'll be an Argus: none shall come here, I
warrant you. My very heart bleeds to see two such lovers, so faithful,
parted so. I must condemn my father; he's too cruel in this action; and,
did not nature forbid it, I could rail at him--to wreak his
long-fostered malice against Lord Euphues thus upon his son, the
faithful lover of his own daughter, and upon her. For should it come to
pass, as he expects it shall, I think it would kill her too, she takes
it so. See in what strange amazement now she stands! her grief has spent
itself so far, that it has left her senseless. It grieves me thus to see
her; I can scarce forbear revealing of myself to her, but that I keep
it for a better occasion, when things shall answer better to my purpose.
Lady!

    LEU. What are you?

    EUG. One that my lord your father has appointed
    To give attendance on you.

    LEU. On me I alas! I need no attendance:
    He might bestow his care better for me.

    EUG. I came but lately to him, nor do I mean
    Long to stay with him; in the meantime, lady,
    Might I but do you any service?

    LEU. All service is too late, my hopes are desperate.

    EUG. Madam, I have a feeling of your woe,
    A greater your own brother could not have;
    And think not that I come suborn'd by any
    To undermine your secrets: I am true--
    By all the gods, I am! for further trial,
    Command me anything, send me on any message,
    I'll do it faithfully, or anything else
    That my poor power can compass.

    LEU. O strange fate!
    Have I lost pity in a father's heart,
    And shall I find it in a stranger? Sir,
    I shall not live to thank you; but my prayers
    Shall go with you.

    EUG. 'Tis not for thanks or meed,
    But for the service that I owe to virtue,
    I would do this.

    LEU. Surely this man
    Is nobly bred, howe'er his habit give him.
    But, sir, all physic comes to me too late;
    There is no hope my Philocles should live.

    EUG. Unless the king were pleas'd to grant his pardon.
    'Twere good that he were mov'd.

    LEU. Ah! who should do it?
    I fear me, 'tis in vain: Count Virro
    And my father both will cross it; but I would venture,
    If I could but get thither.

    EUG. 'Tis in my power
    To give you liberty: your father left
    Me to be your keeper; but in an act
    So meritorious as this I will not hinder you;
    Nay, I will wait upon you to the Court.

    LEU. A thousand thanks to you; well, I will go.
    Grant, O ye powers above, if [a] virgin's tears--
    If a true lover's prayers--had ever power
    To move compassion, grant it now to me!
    Arm with so strong a vigour my weak words,
    They may pierce deep into his kingly breast,
    And force out mercy in spite of all opposers!

    EUG. Come, let's away.                              [_Exeunt._


FOOTNOTES:

  [428] _i.e._, Trustiness or fidelity, or perhaps we should read
  _truth_.--_Pegge._ [_Trust_ is right, and should not be altered. It is
  a common form of expression.]

  [429] _i.e._, Hinder it.

  [430] [The name of the beggar in the "Odyssey" slain by Ullysses.]

  [431] Virro here whispers the supposed Irus, and makes the proposition
  for killing Eugenio.--_Collier._

  [432] See the "Old Couple," act ii., where May has borrowed from this
  passage the same sentiment--

                  "The time has been,
      In such a solitary place as this,
      I should have trembled at each moving leaf;
      But sorrow, and my miserable state,
      Have made me bold."

  [433] _i.e._, Clerimont.--_Pegge._



ACT IV.


_Enter_ FRANCISCO, _reading a letter_.

    FRANC. My dearest Luce, were thy old sire as just
    As thou art truly constant, our firm love
    Had never met these oppositions.
    All my designs as yet, all practices
    That I have us'd, I see are frustrated;
    For, as my fair intelligencer writes,
    He will before the next court-day provide
    Some careless parson, that in spite of laws
    Shall marry her to Shallow: this being done,
    He means to hold the court's severity
    In by a golden bit, and so he may.
    Alas! it is too true; I must prevent it,
    And that in time, before it grow too far:
    But how? there lies the point of difficulty:
    But what strange sight is this that greets mine eyes?
    Alphonso, my old captain! sure, 'tis he.

_Enter_ ALPHONSO.

    ALPH. Thus once again from twenty years' exile,
    Toss'd by the storms of fortune to and fro,
    Has gracious heaven given me leave to tread
    My native earth of Sicily, and draw
    That air that fed me in my infancy.

    FRANC. 'Tis he! Most noble captain, O, what power
    Has been so gracious as to bless mine eyes
    Once more with sight of my most honour'd master?

    ALPH. Kind youth, the tears of joy that I have spent
    To greet my native country have quite robb'd
    Mine eyes of moisture, and have left me none
    To answer thy affection. But tell me--
    Tell me how thou hast liv'd in Syracuse
    These five years here, since that unlucky storm
    Divided us at sea.

    FRANC. Faith, poorly, sir:
    As one that knows no kindred or alliance,
    Unknown of any have I shifted out.
    But I have heard you say that I was born
    In Syracuse: tell me what stock I come of,
    What parentage; how mean soe'er they be,
    They cannot well be poorer than myself:
    Speak, do you know them, sir?

    ALPH. Yes; very well,
    And I am glad the fates have brought me home,
    For thy dear sake, that I may now disclose
    Thy honourable birth.

    FRANC. Honourable!

    ALPH. Yes, noble youth, thou art the second son
    To old Lord Euphues; a man more worthy
    And truly noble never drew this air.
    Thy name's Lysandro: this discovery
    Will be as welcome to your friends as you.

    FRANC. You do amaze me, sir.

    ALPH. I'll tell you all.
    It was my fortune twenty years ago,
    Upon the Tyrrhene shore, whose sea divides
    This isle from Italy, to keep a fort
    Under your noble father, where yourself,
    Then but a child, was left to my tuition:
    When suddenly the rude assailing force
    Of strong Italian pirates so prevail'd,
    As to surprisal of the fort and us.
    Your name and noble birth I then conceal'd,
    Fearing some outrage from the enmity
    Of those fell pirates; and since from yourself
    I purposely have kept the knowledge of it,
    As loth to grieve your present misery
    With knowledge of what fortunes you had lost.
    That this is true, you straight shall see th' effect:
    I'll go acquaint your father with the tokens.
    And make his o'erjoy'd heart leap to embrace
    Thee his new-found and long-forgotten son.

    FRANC. Worthy captain, your presence was always
    Welcome to me, but this unlook'd-for news
    I cannot suddenly digest.

    ALPH. Well, I'll go to him presently.        [_Exit_ ALPHONSO.

    FRANC. Now, my dear Luce, I shall find means to 'quite
    Thy love, that couldst descend so low as I,
    When I was nothing, and with such affection.
    This was my suit still to the powers above,
    To make me worthy of thy constant love.
    But I'll about the project I intended.      [_Exit_ FRANCISCO.

_Enter_ VIRRO _and_ POLYMETES.

POL. Why, now, my lord, you are nearer to her love than ever you were
yet; your rival by this accident shall be removed out of the way; for
before the scornful girl would never fancy any man else.

VIR. I conceive you, sir.

POL. I laboured it for your sake as much as for my own, to remove your
rival and my enemy: you have your love, and I have my revenge.

VIR. I shall live, my lord, to give you thanks. But 'twill be after a
strange manner, if Irus has despatched what he was hired to: then, my
kind lord, I shall be a little too cunning for you. [_Aside._

POL. My lord, you are gracious with the king.

VIR. I thank his majesty, I have his ear before another man.

POL. Then see no pardon be granted; you may stop anything; I know
Euphues will be soliciting for his son.

VIR. I warrant you, my lord, no pardon passes whilst I am there; I'll be
a bar betwixt him and the king. But hark! the king approaches.

_Enter_ KING, _with Attendants_.

    AMBO. Health to your majesty.

    KING. Count Virro and Lord Polymetes, welcome:
    You have been strangers at the Court of late,
    But I can well excuse you, count; you are about a wife,
    A young one, and a fair one too, they say.
    Get me young soldiers, count: but speak,
    When is the day? I mean to be your guest;
    You shall not steal a marriage.

VIR. I thank your majesty; but the marriage that I intended is stolen
to my hand, and by another.

    KING. Stolen! how, man?

    VIR. My promised wife
    Is lately stol'n away by Philocles,
    Lord Euphues' son, against her father's will;
    Who follow'd 'em, and apprehended them:
    The law may right us, sir, if it may have course.

    KING. No reason but the law should have its course.

_Enter_ EUPHUES.

    EUPH. Pardon, dread sovereign, pardon for my son.

    KING. Your son, Lord Euphues! what is his offence?

    EUPH. No heinous one, my liege, no plot of treason
    Against your royal person or your state:
    These aged cheeks would blush to beg a pardon
    For such a foul offence: no crying murder
    Hath stain'd his innocent hands; his fault was love--
    Love, my dear liege. Unfortunately he took
    The daughter and heir of Lord Polymetes,
    Who follows him, and seeks extremity.

    POL. I seek but law; I am abus'd, my liege,
    Justice is all I beg: my daughter's stol'n,
    Staff of my age; let the law do me right.

    VIR. To his just prayers do I bend my knee.
    My promis'd wife is stol'n, and by the son
    Of that injurious lord: justice I crave.

    EUPH. Be like those powers above, whose place on earth
    You represent; show mercy, gracious king,
    For they are merciful.

    POL. Mercy is but the king's prerogative,
    'Tis justice is his office: doing that,
    He can wrong no man, no man can complain;
    But mercy show'd oft takes away relief
    From the wrong'd party, that the law would give him.

    EUPH. The law is blind, and speaks in general terms;
    She cannot pity where occasion serves:
    The living law can moderate her rigour,
    And that's the king.

    POL. The king, I hope, in this will not do so.

    EUPH. 'Tis malice makes thee speak,
    Hard-hearted lord. Hadst thou no other way
    To wreak thy canker'd and long-foster'd hate
    Upon my head but thus--thus bloodily
    By my son's suffering, and for such a fault,
    As thou shouldst love him rather? Is thy daughter
    Disparag'd by his love? Is his blood base,
    Or are his fortunes sunk? This law was made
    For suchlike cautions to restrain the base
    From wronging noble persons by attempts
    Of such a kind; but where equality
    Meets in the match, the fault is pardonable.

_Enter_ LEUCOTHOË.

    LEU. Mercy, my sovereign! mercy, gracious king!

    POL. Minion, who sent for you? 'twere modesty
    For you to be at home.

    KING. Let her alone. Speak, lady:
    I charge you, no man interrupt her.

    LEU. If ever pity touch'd that princely breast,
    If ever virgin's tears had power to move,
    Or if you ever lov'd, and felt the pangs
    That other lovers do, pity, great king--
    Pity and pardon two unhappy lovers.

    KING. Your life is not in question.

    LEU. Yes, royal sir,
    If law condemn my Philocles, he and I
    Have but one heart, and can have but one fate.

    EUPH. Excellent virtue! thou hadst not this from thy father.

    KING. There's music in her voice, and in her face
    More than a mortal beauty: O my heart!
    I shall be lost in passion if I hear her.           [_Aside._]
    I'll hear no more: convey her from my presence:
    Quickly. I say.

    EUPH. This is strange!

    VIR. I told you what he would do; I knew
    He would not hear of a pardon, and I against it;
    He respects me.

    POL. No doubt he does, my lord:
    I like this passage well.

    KING. But stay:
    Stay, lady, let me hear you. Beshrew my heart,
    My mind was running of another matter.

VIR. Where the devil hath his mind been all this while? Perhaps he heard
none of us neither; we may e'en tell our tales again.

    POL. No, sure, he heard us; but 'tis very strange.

    KING. 'Tis such a tempting poison I draw in,
    I cannot stay my draught. [_Aside._] Rise up, lady.

    LEU. Never, until your grace's pardon raise me.
    There's pity in your eye: O, show it, sir.
    Say pardon, gracious king; 'tis but a word
    And short, but welcome as the breath of life.

    KING. I'll further hear the manner of this fact.
    Avoid the presence--all but the lady;
    And come not, till I send.

    POL. I like not this.                               [_Aside._]

    VIR. Nor I; here is mad dancing.

    EUPH. Heaven bless thy suit, thou mirror of thy sex,
    And best example of true constant love,
    That in the sea of thy transcendent virtues
    Drown'st all thy father's malice, and redeem'st
    More in my thoughts than all thy kin can lose!      [_Exeunt._

    KING. Now, lady,
    What would you do to save the life of him
    You love so dearly?

    LEU. I cannot think that thought I would not do.
    Lay it in my power, and beyond my power
    I would attempt.

    KING. You would be thankful then to me,
    If I should grant his pardon?

    LEU. If ever I were thankful to the gods
    For all that I call mine: my health and being,
    Could I to you be unthankful for a gift
    I value more than those, and without which
    These blessings were but wearisome?

    KING. Those that are thankful study to requite
    A courtesy; would you do so? Would you
    Requite this favour?

    LEU. I cannot, sir;
    For all the service I can do your grace
    Is but my duty; you are my sovereign,
    And all my deeds to you are debts, not merits.
    But to those powers above that can requite,
    That from their wasteless treasures heap rewards
    More out of grace than merits on us mortals,
    To those I'll ever pray, that they would give you
    More blessings than I have skill to ask.

    KING. Nay, but, Leucothoë, this lies
    In thy power to requite: thy love will make requital;
    Wilt thou love me?

    LEU. I ever did, my lord:
    I was instructed from my infancy
    To love and honour you my sovereign.

    KING. But in a nearer bond of love?

    LEU. There is no nearer nor no truer love,
    Than that a loyal subject bears a prince.

    KING. Still thou wilt not conceive me: I must deal
    Plain with you: wilt thou lie with me?
    And I will seal his pardon presently;
    Nay more, I'll heap upon you both all favours,
    All honours that a prince can give.

    LEU. O me unhappy!
    In what a sad dilemma stands my choice,
    Either to lose the man my soul most loves,
    Or save him by a deed of such dishonour,
    As he will ever loathe me for, and hate
    To draw that breath that was so basely kept!        [_Aside._]

    Name anything but that to save his life;
    I know you do but tempt my frailty, sir.
    I know your royal thoughts could never stoop
    To such a foul, dishonourable act.

    KING. Bethink thyself, there is no way but that.
    I swear by heaven never to pardon him
    But upon those conditions.

    LEU. O, I am miserable!

    KING. Thou art not, if not wilful; yield, Leucothoë,
    It shall be secret: Philocles for his life
    Shall thank thy love, but never know the price
    Thou paid'st for it. Be wise; thou heardst me swear:
    I cannot now show mercy, thou may'st save him,
    And if he die, 'tis thou that art the tyrant.

    LEU. I should be so, if I should save him thus.
    Nay, I should be a traitor to your grace,
    Betray your soul to such a foe as lust.
    But since your oath is pass'd, dear Philocles,
    I'll show to thee an honest cruelty,
    And rather follow thee in spotless death,
    Than buy with sinning a dishonour'd life.

    KING. Yet pity me, Leucothoë; cure the wound
    Thine eyes have made: pity a begging king!
    Uncharm the charms of thy bewitching face,
    Or thou wilt leave me dead. Will nothing move thee?
    Thou art a witch, a traitor: thou hast sought
    By unresisted spells thy sovereign's life.
    Who are about us? Call in the lords again.

_Enter_ POLYMETES, VIRRO, EUPHUES, &c.

    Lord Polymetes, take your daughter to you,
    Keep her at home.

    POL. I will, my liege; Roscio, see her there.
    I wonder what is done.                              [_Aside._]

    KING. Euphues, I have ta'en a solemn oath
    Never to grant a pardon to thy son.

    EUPH. O, say not so, my liege; your grace, I know,
    Has mercy for a greater fault than this.

    KING. My oath is pass'd, and cannot be recall'd.

    POL. This is beyond our wishes.                     [_Aside._]

    VIR. What made him swear this, I wonder?

    EUPH. A heavy oath to me, and most unlook'd for.
    Your justice, sir, has set a period
    Unto a loyal house, a family
    That have been props of the Sicilian crown,
    That with their bloods in many an honour'd field,
    'Gainst the hot French and Neapolitan,
    Have serv'd for you and your great ancestors:
    Their children now can never more do so.
    Farewell, my sovereign! whilst I in tears
    Spend the sad remnant of my childless age,
    I'll pray for your long life and happy reign,
    And may your grace and your posterity
    At need find hands as good and hearts as true,
    As ours have ever been!

    KING. Farewell, good old man.

    EUPH. For you, my lord, your cruelty has deserv'd
    A curse from me, but I can utter none:
    Your daughter's goodness has weigh'd down your malice,
    Heaven prosper her!                           [_Exit_ EUPHUES.

    POL. Amen.

    KING. He is an honest man, and truly noble.
    O my rash oath! my lust that was the cause:
    Would any price would buy it in again!

    VIR. Your majesty is just.

    POL. 'Tis a happy land,
    Where the king squares his actions by the law.

    KING. Away! you are base and bloody,
    That feed your malice with pretence of justice.
    'Tis such as you make princes tyrannous,
    And hated of their subjects: but look to't,
    Look your own heads stand fast; for if the law
    Do find a hole in your coats, beg no mercy.

    VIR. Pardon us, my lord, we were wrong'd.

    POL. And sought redress but by a lawful course.

    KING. Well, leave me alone.

    VIR. Farewell, my liege. Now let him chafe alone.

    POL. Now we have our ends.                          [_Exeunt._

    KING. Is there no means to save him, no way
    To get a dispensation for an oath?
    None that I know, except the court of Rome
    Will grant one: that's well thought on;
    I will not spare for gold, and that will do it.
    Nicanor!

_Enter_ NICANOR.

    NIC. Sir!

    KING. What book is that
    Thou hadst from Paris about the price of sins?

    NIC. 'Tis called the Taxes of the Apostolical Chancery.[434]

    KING. Is there a price for any sin set down?

    NIC. Any, sir: how heinous e'er it be,
    Or of what nature, for such a sum of money
    As is set down there, it shall be remitted.

    KING. That's well; go fetch the book presently.

    NIC. I will, my lord.                         [_Exit_ NICANOR.

    KING. Sure, there is perjury
    Among the rest, and I shall know what rate
    It bears, before I have committed it.


_Re-enter_ NICANOR.

    How now, hast brought it?

    NIC. Yes, sir.

    KING. Read; I would know the price of perjury.

NIC. I shall find it quickly; here's an index. [_He reads._]
_Imprimis_. For murder of all kinds, of a clergyman, of a layman, of
father, mother, son, brother, sister, wife----

KING. Read till you come at perjury.

NIC. _Item_, for impoisoning, enchantments, witchcraft, sacrilege,
simony, and their kind and branches.

_Item, pro lapsu carnis_, fornication, adultery, incest without any
exception or distinction; for sodomy, brutality, or any of that kind.

    KING. My heart shakes with horror
    To hear the names of such detested sins.
    Can these be bought for any price of money?
    Or do these merchants but deceive the world
    With their false wares? No more of that foul book;
    I will not now know what I came to know.
    I would not for the world redeem my oath
    By such a course as this. No more, Nicanor,
    Unless thou find a price for atheism.
    Well, this is not the way to help, I see;
    I have thought of another that may prove
    And both discharge my oath, and save his life.
    Nicanor, run presently, call Matho hither--
    Matho the lawyer: command him to make haste;
    I long to be resolv'd.

    NIC. I run, sir.

    KING. He is a subtle lawyer, and may find
    Some point, that in the law's obscurity
    Lies hid from us--some point may do us good.
    I have seen some of his profession
    Out of a case as plain, as clear as day
    To our weak judgments, and no doubt at first
    Meant like our thoughts by those that made the law,
    Pick out such hard, inextricable doubts,
    That they have spun a suit of seven years long,
    And led their hood-wink['d] clients in a wood,
    A most irremeable labyrinth,
    Till they have quite consum'd them. This they can do
    In other cases: why not as well in this?
    I have seen others could extend the law
    Upon the rack, or cut it short again
    To their own private profits, as that thief,
    Cruel Procrustes, serv'd his hapless guests,
    To fit them to his bed. Well, I shall see.
    I would Nicanor were return'd again,
    I would fain ease my conscience of that oath,
    That rash and inconsiderate oath I took.
    But see! here they are coming.

_Enter_ MATHO _and_ NICANOR.

    MATHO. Health to my sovereign!

    KING. Matho, welcome.
    I sent for thee about a business
    I would entreat thy help in.

    MATHO. Your highness may command my service in that,
    Or anything lies in my power.

    KING. 'Tis to decide a case that troubles me.

    MATHO. If it lie within the compass of my knowledge,
    I will resolve your highness presently.

    KING. Then thus it is: Lord Euphues' son,
    Young Philocles, has lately stol'n away
    The daughter and heir of Lord Polymetes,
    Who is his enemy: he, following him hard,
    Has apprehended him, and brings him to his trial
    To-morrow morning. Thou hast heard this news?

    MATHO. I have, my liege, with every circumstance
    That can be thought on in the business.

    KING. And what will be the issue of the law?

    MATHO. He must die for't; the case is plain; unless
    Your grace will grant his pardon.

    KING. But can there be no means thought upon
    To save him by the law?

    MATHO. None, my lord.

    KING. Surely there may; speak, man: I'll give thee double fees.

    MATHO. It cannot be, my liege; the statute is plain.

    KING. Nay, now thou art too honest; thou shouldst do,
    As other lawyers do: first take my money,
    And then tell me thou canst do me no good.

    MATHO. I dare not undertake it; could it be done,
    I'd go as far as any man would do.

    KING. Yes, if it were to cut a poor man's throat, you could;
    For some rich griping landlord you could grind
    The face of his poor tenant, stretch the law
    To serve his turn, and, guided by his angels,
    Speak oracles more than the tongues of men.
    Then you could find exceptions, reservations,
    Stand at a word, a syllable, a letter,
    Go coin some scruples out of your own brains:
    But in a case so full of equity,
    So charitable as this, you can find nothing.
    I shall for ever hate all your profession.

    MATHO. I do beseech your highness to excuse me:
    I cannot do more than your laws will let me;
    Nor falsify my knowledge nor my conscience.

    KING. Then I am miserable. Rise, Matho, rise,
    I do not discommend thy honesty,
    But blame my own hard fate. Ah, Philocles!
    I would redeem thy life at any price;
    But the stars cross it: cruel fate condemns thee.   [_Exeunt._

_Enter_ CONSTABLE _and_ WATCH.[435]

CON. Come, fellow-watchmen, for now you are my fellows.

1ST WATCH. It pleases you to call us so, master constable.

CON. I do it to encourage you in your office--it is a trick that we
commanders have: your great captains call your soldiers fellow-soldiers
to encourage them.

2D WATCH. Indeed, and so they do. I heard master curate reading a
story-book t'other day to that purpose.

CON. Well, I must show now what you have to do, for I myself, before I
came to this prefermity, was as simple as one of you: and, for your
better destruction, I will deride my speech into two parts. First, what
is a watchman? Secondly, what is the office of a watchman? For the
first, if any man ask me what is a watchman, I may answer him, he is a
man, as others are; nay, a tradesman, as a vintner, a tailor, or the
like, for they have long bills.

3D WATCH. He tells us true, neighbour, we have bills[436] indeed.

CON. For the second, what is his office? I answer, he may, by virtue of
his office, reprehend any person or persons that walk the streets too
late at a seasonable hour.

4TH WATCH. May we indeed, master constable?

CON. Nay, if you meet any of those rogues at seasonable hours, you may,
by virtue of your office, commit him to prison, and then ask him whither
he was going.

1ST WATCH. Why, that's as much as my lord mayor does.

CON. True, my lord mayor can do no more than you in that point.

2D WATCH. But, master constable, what, if he should resist us?

CON. Why, if he do resist, you may knock him down, and then bid him
stand, and come before the constable. So now I think you are
sufficiently instructed concerning your office. Take your stands: you
shall hear rogues walking at these seasonable hours, I warrant you:
stand close.

_Enter_ EUGENIO.

EUG. Now do I take as much care to be apprehended as others do to 'scape
the watch: I must speak to be overheard, and plainly too, or else these
dolts will never conceive me.

CON. Hark, who goes by?

EUG. O my conscience, my conscience! the terror of a guilty conscience!

CON. How, conscience talks he of! he's an honest man, I warrant him: let
him pass.

2D WATCH. Ay, ay, let him pass. Good night, honest gentleman.

EUG. These are wise officers, I must be plainer yet. That gold, that
cursed gold, that made me poison him--made me poison Eugenio.

CON. How, made me poison him! he's a knave, I warrant him.

3D WATCH. Master constable has found him already.

CON. I warrant you, a knave cannot pass me. Go, reprehend him; I'll take
his excommunication myself.

1ST WATCH. Come afore the constable.

2D WATCH. Come afore the constable.

CON. Sirrah, sirrah, you would have 'scaped, would you? No, sirrah, you
shall know the king's officers have eyes to hear such rogues as you.
Come, sirrah, confess who it was you poisoned. He looks like a notable
rogue.

1ST WATCH. I do not like his looks.

2D WATCH. Nor I.

CON. You would deny it, would you, sirrah? We shall sift you.

EUG. Alas, master constable! I cannot now deny what I have said: you
overheard me; I poisoned Eugenio, son to Lord Polymetes.

1ST WATCH. O rascal!

2D WATCH. My young landlord!

CON. Let him alone, the law shall punish him; but, sirrah, where did you
poison him?

EUG. About a day's journey hence; as he was coming home from Athens, I
met him, and poisoned him.

CON. But, sirrah, who set you a-work? Confess--I shall find out the
whole nest of these rogues--speak.

EUG. Count Virro hired me to do it.

CON. O lying rascal!

1ST WATCH. Nay, he that will steal will lie.

2D WATCH. I'll believe nothing he says.

3D WATCH. Belie a man of worship!

4TH WATCH. A nobleman!

CON. Away with him, I'll hear no more. Remit him to prison. Sirrah, you
shall hear of these things to-morrow, where you would be loth to hear
them. Come, let's go. [_Exeunt._


FOOTNOTES:

  [434] This book, entitled "The Tax of the Roman Chancery," which has
  been several times translated into English, was first published at
  Rome in the year [1471]. It furnishes the most flagrant instances of
  the abominable profligacy of the Roman court at that time. Among other
  passages in it are the following: "Absolutio a lapsu carnis super
  quocunque actu libidinoso commisso per clericum, etiam cum monialibus,
  intra et extra septa monasterii; aut cum consanguineis vel affinibus,
  aut filia spirituali, aut quibusdam aliis, sive ab unoquoque de per
  se, sive simul ab omnibus absolutio petatur cum dispensatione ad
  ordines et beneficia, cum inhibitione tur. 36. duc. 3. Si vero cum
  illis petatur absolutio etiam a crimine commisso contra naturam, vel
  cum brutis, cum dispensatione ut supra, et cum inhibitione tur. 90.
  duc. 12. car. 16. Si vero petatur tantum absolutio a crimine contra
  naturam, vel cum brutis, cum dispensatione et inhibitione, turon 36.
  duc. 9. Absolutio pro moniali qui se permisit pluries cognosci intra
  vel extra septa monasterii, cum rehabilitate ad dignitates illius
  ordinis etiam abbatialem, turon 36. duc. 9." In the edition of Bois le
  Duc there is "Absolutio pro eo, qui interfecit patrem, matrem,
  sororem, uxorem..... g. 5. vel. 7." See Bayle, art. Banck.

  [435] This Constable and Watch are poor imitations of Shakespeare's
  Dogberry, &c., in "Much Ado about Nothing."--_Steevens._

  [436] A pun upon the word bills is here intended, by confounding the
  _bills_ of tradesmen with the _bills_ or arms formerly carried by
  watchmen. Thus in [Munday's] curious old comedy, obviously translated
  from the Italian, with some adaptations to English customs, called the
  "Two Italian Gentlemen," we meet with the following direction:--"Enter
  Fedele with Pedante, and with them two _watchmen with bills_," act iv.
  sc. 5, sig. F 2.--_Collier._



ACT V.


_Enter_ FRANKLIN, SHALLOW, LUCE, FRANCISCO _in a parson's habit, and a
true_ PARSON _otherwise attired_.

    FRANK. I'll take your counsel, sir, I'll not be seen in't,
    But meet you when 'tis done: you'll marry them?

    FRAN. Fear not that, sir; I'll do the deed.

    FRANK. I shall Rest thankful to you; till then I'll leave you.

SHAL. I pray, father, leave us, we know how to behave ourselves alone;
methinks, Luce, we are too many by two yet.

    LUCE. You are merry, sir.                           [_Exeunt._


_Manet_ FRANKLIN.

    FRANK. Now they are sure, or never! poor Francisco,
    Thou mett'st thy match, when thou durst undertake
    To o'erreach me with tricks. Where's now your sumner?
    'Fore heaven, I cannot but applaud my brain,
    To take my daughter even against her will,
    And great with child by another, her shame publish'd,
    She cited to the court, and yet bestow her
    On such a fortune as rich Shallow is:
    Nay, that which is the masterpiece of all,
    Make him believe 'tis his, though he ne'er touch'd her.
    If men ne'er met with crosses in the world,
    There were no difference 'twixt the wise and fools.
    But I'll go meet them; when 'tis done, I fear not.    [_Exit._

_Enter_ FRANCISCO, PARSON, SHALLOW, LUCE.

    FRANC. Nay, fret not now; you had been worse abus'd,
    If you had married her: she never lov'd you.

LUCE. I ever scorned thy folly, and hated thee; though sometimes afore
my father I would make an ass of thee.

SHAL. O women, monstrous women! little does her father know who has
married her.

LUCE. Yes, he knows the parson married me, and you can witness that.

FRANC. And he shall know the parson will lie with her.

SHAL. Well, parson, I will be revenged on all thy coat: I will not
plough an acre of ground for you to tithe, I'll rather pasture my
neighbour's cattle for nothing.

PAR. O, be more charitable, sir; bid God give them joy.

SHAL. I care not greatly if I do: he is not the first parson that has
taken a gentleman's leavings.

FRANC. How mean you, sir?

SHAL. You guess my meaning. I hope to have good luck to horse flesh, now
she is a parson's wife?

FRANC. You have lain with her, then, sir.

SHAL. I cannot tell you that; but if you saw a woman with child without
lying with a man, then perhaps I have not.

LUCE. Impudent coxcomb! Barest thou say that ever thou layest with me?
Didst thou ever so much as kiss my hand in private?

SHAL. These things must not be spoken of in company.

LUCE. Thou know'st I ever hated thee.

SHAL. But when you were i' th' good humour, you would tell me another
tale.

    LUCE. The fool is mad; by heaven, my Francisco, I am wronged!
                                          [_He discovers himself._

FRANC. Then I must change my note. Sirrah, unsay what you have spoken;
swear here before the parson and myself you never touched her, or I'll
cut thy throat: it is Francisco threatens thee.

SHAL. I am in a sweet case, what should I do now? Her father thinks I
have lain with her: if I deny it, he'll have a bout with me: if I say I
have, this young rogue will cut my throat.

FRANC. Come, will you swear?

SHAL. I would I were fairly off; I would lose my wench with all my
heart. I swear.

FRANC. So now thou art free from any imputation that his tongue can
stick upon thee. [_To_ LUCE.]

_Enter_ FRANKLIN.

FRANK. Well, now I see 'tis done.

SHAL. Here's one shall talk with you.

FRANK. God give you joy, son Shallow.

FRANC. I thank you, father.

FRANK. How's this, Francisco in the parson's habit?

FRANC. I have married her, as you bad me, sir; but this was the truer
parson of the two: he tied the knot, and this gentleman is our witness.

FRANK. I am undone! strumpet, thou hast betrayed thyself to beggary, to
shame besides, and that in open court: but take what thou hast sought:
hang, beg, and starve, I'll never pity thee.

LUCE. Good sir!

SHAL. I told you what would come on't.

FRANK. How did your wisdom lose her?

SHAL. E'en as you see; I was beguiled, and so were you.

FRANK. Francisco, take her; thou seest the portion thou art like to
have.

FRANC. 'Tis such a portion as will ever please me: but for her sake be
not unnatural.

LUCE. Do not reject me, father.

FRANC. But for the fault that she must answer for, or shame she should
endure in court, behold her yet an untouched virgin. Cushion, come
forth; here, Signior Shallow, take your child unto you, make much of it,
it may prove as wise as the father. [_He flings the cushion at him._

    MATHO. None, my lord.

    KING. Surely there may; speak, man: I'll give thee double fees.

    MATHO. It cannot be, my liege; the statute is plain.

FRANK. This is more strange than t'other: ah, Luce! wert thou so subtle
to deceive thyself and me? Well, take thy fortune, 'tis thine own
choice.

FRANC. Sir, we can force no bounty from you, and therefore must rest
content with what your pleasure is.

_Enter_ EUPHUES, ALPHONSO.

ALPH. Yonder he is, my lord; that's he in the parson's habit; he is thus
disguised about the business I told you of. Lysandro, see your noble
father.

    EUPH. Welcome, my long-lost son, from all the storms
    Of frowning fortune that thou hast endur'd,
    Into thy father's arms.

    LUCE. Is my Francisco noble?

    FRANK. Lord Euphues' son! I am amaz'd.

    EUPH. I hear, Lysandro, that you are married.

FRANC. Yes, my lord; this is my bride, the daughter and heir of this
rich gentleman. 'Twas only she that, when my state was nothing, my poor
self and parentage unknown, vouchsafed to know me--nay, grace me with
her love, her constant love.

    EUPH. Such merit must not be forgot, my son.
    Daughter, much joy attend upon your choice.

    FRANC. Now wants but your consent.

    FRANK. Which with a willing heart I do bestow.
    Pardon me, worthy son, I have so long
    Been hard to you: 'twas ignorance
    Of what you were, and care I took for her.

    FRANC. Your care needs no apology.

    EUPH. But now, Lysandro, I must make thee sad
    Upon thy wedding-day, and let thee know
    There is no pure and uncompounded joy
    Lent to mortality: in depth of woe
    Thou mett'st the knowledge of thy parentage;
    Thy elder brother Philocles must die:
    And in his tragedy our name and house
    Had sunk for ever, had not gracious heaven
    Sent, as a comfort to my childless age,
    Thy long-lost self, supporter of the name.

    FRANC. But can there be no means to save his life?

    EUPH. Alas! there's none--the king has taken an oath
    Never to pardon him; but since, they say,
    His majesty repents, and fain would save him.

    FRANC. Then am I wretched: like a man long blind,
    That comes at last to see the wish'd-for sun,
    But finds it in eclipse: such is my case,
    To meet in this dark woe my dearest friends.

    EUPH. Had you not heard this news before, Lysandro?

    FRANC. Yes, sir, and did lament
    As for a worthy stranger, but ne'er knew
    My sorrow stood engag'd by such a tie
    As brotherhood. Where may we see him, sir?

    EUPH. This morning he's arraigned. Put off
    That habit you are in, and go along with me;
    Leave your friends here awhile.

    FRANC. Farewell, father; dear Luce, till soon[437] farewell:
    Nought but so sad a chance could make me cloudy now. [_Exeunt._

FRANK. Well, Luce, thy choice has proved better than we expected; but
this cloud of grief has dimmed our mirth, but will, I hope, blow over.
Heaven grant it may! And, Signior Shallow, though you have missed what
my love meant you once, pray be my guest.

    SHAL. I thank you, sir; I'll not be strange.        [_Exeunt._

_The Court._--_Enter_ KING, NICANOR.

    KING. Nicanor, I would find some privy place,
    Where I might stand unseen, unknown of any,
    To hear th' arraignment of young Philocles.

    NIC. The judges are now entering: please you, sir,
    Here to ascend: you may both hear and see.

    KING. Well, I'll go up;
    And, like a jealous husband, hear and see
    That that will strike me dead. Am I a king,
    And cannot pardon such a small offence?
    I cannot do't, nor am I Cæsar now.
    Lust has uncrown'd me, and my rash-ta'en oath
    Has reft me of a king's prerogative.
    Come, come, Nicanor, help me to ascend,
    And see that fault that I want pow'r to mend.   [_They ascend._

_Enter three_ JUDGES, VIRRO, POLYMETES, EUPHUES, FRANCISCO, LEUCOTHOË,
CLERIMONT, ROSCIO.

1ST JUDGE. Bring forth the prisoner: where are the witnesses?

POL. Here, my lords. I am the wronged party, and the fact my man here,
besides the officers that took them, can justify.

2D JUDGE. That's enough.

_Enter_ PHILOCLES, _with a guard_.

    1ST JUDGE. Philocles, stand to the bar, and answer to such crimes,
    As shall be here objected 'gainst thy life.
    Read the indictment.

    PHIL. Spare that labour;
    I do confess the fact that I am charg'd with,
    And speak as much as my accusers can--
    As much as all the witnesses can prove.
    'Twas I that stole away the daughter and heir
    Of Lord Polymetes, which were't to do again,
    Rather than lose her, I again would venture.
    This was the fact: your sentence, honour'd fathers.

    CLER. 'Tis brave and resolute.

    1ST JUDGE. A heavy sentence, noble Philocles;
    And such a one as I could wish myself
    Off from this place some other might deliver.
    You must die for it: death is your sentence.

    PHIL. Which I embrace with willingness. Now, my lord,
    Is your hate glutted yet, or is my life       [_To_ POLYMETES.
    Too poor a sacrifice to appease the rancour
    Of your inveterate malice? If it be too,[438]
    Invent some scandal, that may after blot
    My reputation. Father, dry your tears,          [_To_ EUPHUES.
    Weep not for me; my death shall leave no stain
    Upon your blood, nor blot on your fair name.
    The honour'd ashes of my ancestors
    May still rest quiet in their tear-wet urns
    For any fact of mine. I might have liv'd,
    If heaven had not prevented it, and found
    Death for some foul dishonourable act.
    Brother, farewell; no sooner have I found     [_To_ FRANCISCO.
    But I must leave thy wish'd-for company.
    Farewell, my dearest love; live thou still happy;
    And may some one of more desert than I
    Be bless'd in the enjoying what I lose!
    I need not wish him happiness that has thee,
    For thou wilt bring it; may he prove as good
    As thou art worthy.

    LEU. Dearest Philocles,
    There is no room for any man but thee
    Within this breast. O good my lords,
    Be merciful, condemn us both together,
    Our faults are both alike; why should the law
    Be partial thus, and lay it all on him?

    1ST JUDGE. Lady, I would we could as lawfully
    Save him as you: he should not die for this.

_Enter_ CONSTABLE, _leading_ EUGENIO.

    How now, who's that you have brought there?

    CON. A benefactor, an it please your lordships;
    I reprehended him in my watch last night.

VIR. Irus is taken.

2D JUDGE. What's his offence?

CON. Murder.

WATCH. No, Master Constable, 'twas but poisoning of a man.

CON. Go, thou art a fool.

VIR. I am undone for ever; all will out.

3D JUDGE. What proofs have you against him?

CON. His own profession, if it please your honour.

3D JUDGE. And that's an ill profession--to be a murderer. Thou meanest
he has confessed the fact.

CON. Yes, my lord, he cannot deny it.

1ST JUDGE. Did he not name the party who it was that he had poisoned?

CON. Marry, with reverence be it spoken, it was Eugenio, my Lord
Polymetes' son.

POL. How's this?

1ST JUDGE. He died long since at Athens.

    POL. I cannot tell what I should think of it:
    This is the man that lately brought me news
    My son was living.

    2D JUDGE. Fellow, stand to the bar;
    Thou hearest thy accusation; what canst thou say?

    EUG. Ah, my good lord!
    I cannot now deny what I have said.
    This man o'erheard me, as my bleeding heart
    Was making a confession of my crime.

    CON. I told him, an't shall please your lordships,
    The king's officers had eyes to hear such rascals.

    1ST JUDGE. You have been careful in your office, constable;
    You may now leave your prisoner.

    CON. I'll leave the felon with your lordship.

    1ST JUDGE. Farewell, good constable: murder, I see, will out.
    Why didst thou poison him?                  [_Exit_ CONSTABLE.

    EUG. I was poor, and want made me be hired.

    2D JUDGE. Hired by whom?

    EUG. By Count Virro; there he stands.

    VIR. I do beseech your lordships not to credit
    What this base fellow speaks. I'm innocent.

    1ST JUDGE. I do believe you are. Sirrah, speak truth;
    You have not long to live.

    EUG. Please it your lordship, I may relate the manner?

    3D JUDGE. Do.

    EUG. Eugenio was alive, when first the news
    Was spread in Syracuse that he was dead;
    Which false report Count Virro crediting,
    Became an earnest suitor to his sister,
    Thinking her [to be's] heir; but finding afterwards
    Her brother liv'd, and [he was] coming home,
    Not a day's journey hence, he sent [for] me to him,
    And with a promise of five hundred crowns
    Hir'd me to poison him. That this is true,
    Here's his own hand to witness it against him:
    Please it your lordships to peruse the writing.

    1ST JUDGE. This is his hand.

3D JUDGE. Sure as I live, I have seen warrants from him with just these
characters.

    3D JUDGE. Besides, methinks this fellow's tale is likely.

    POL. 'Tis too true;
    This fellow's sudden going from my house
    Put me into a fear.

    1ST JUDGE. Count Virro, stand to the bar.
    What can you say to clear you of this murder?

    VIR. Nothing, my lords; I must confess the fact.

    2D JUDGE. Why, then, against you both do I pronounce
    Sentence of death.

    AMBO. The law is just.

    POL. Wretch that I am, is my dissembl'd grief
    Turn'd to true sorrow? Were my acted tears
    But prophecies of my ensuing woe,
    And is he truly dead? O, pardon me,
    Dear ghost of my Eugenio, 'twas my fault
    That called this hasty vengeance from the gods,
    And shorten'd thus thy life; for whilst with tricks
    I sought to fasten wealth upon our house,
    I brought a cannibal to be the grave
    Of me and mine. Base, bloody, murderous count.

    VIR. Vile cosener! cheating lord! dissembler!

    1ST JUDGE. Peace! stop the mouth of malediction, there!
    This is no place to rail in.

    EUPH. Ye just powers,
    That to the quality of man's offence
    Shape your correcting rods, and punish there
    Where he has sinn'd! did not my bleeding heart
    Bear such a heavy share in this day's woe,
    I could with a free soul applaud your justice.

    POL. Lord Euphues and Philocles, forgive me.
    To make amends I know 's impossible,
    For what my malice wrought; but I would fain
    Do somewhat that might testify my grief
    And true repentance.

    EUG. That is that I look'd for.                     [_Aside._]

    EUPH. Y' are kind too late, my lord: had you been thus
    When need requir'd, y' had say'd yourself and me
    Our hapless sons; but if your grief be true,
    I can forgive you heartily.

    PHIL. And I.

    EUG. Now comes my cue. [_Aside._] My Lord Polymetes,
    Under correction, let me ask one question.

    POL. What question? speak.

    EUG. If this young lord
    Should live, would you bestow your daughter willingly
    Upon him? would you, my lord?

    POL. As willingly as I would breathe myself.

    EUG. Then dry [up] all your eyes,
    There's no man here shall have a cause to weep.
    Your life is sav'd; Leucothoë is no heir;     [_To_ PHILOCLES.
    Her brother lives, and that clears you, Count Virro,
    Of your supposed murder.

    ALL. How! lives?

    EUG. Yes, lives to call thee brother, Philocles.
                                          [_He discovers himself._

    LEU. O my dear brother!

    POL. My son, welcome from death.

    EUG. Pardon me, good my lord, that I thus long
    Have from your knowledge kept myself concealed;
    My end was honest.

    POL. I see it was.
    And now, son Philocles, give me thy hand.
    Here take thy wife: she loves thee, I dare swear;
    And for the wrong that I intended thee,
    Her portion shall be double what I meant it.

    PHIL. I thank your lordship.

    POL. Brother Euphues,
    I hope all enmity is now forgot
    Betwixt our houses.

    EUPH. Let it be ever so. I do embrace your love.

    VIR. Well, my life is say'd yet, [al]though my wench
    Be lost. God give you joy.

    PHIL. Thanks, good my lord.

    1ST JUDGE. How suddenly this tragic scene is chang'd,
    And turn'd to comedy!

    2D JUDGE. 'Tis very strange!

    POL. Let us conclude within.

    KING. Stay, and take my joy with you.
                                  [_The_ KING _speaks from above_.

    EUPH. His majesty is coming down: let us attend.

_Enter_ KING.

    KING. These jars are well clos'd up; now, Philocles,
    What my rash oath denied me, this bless'd hour
    And happy accident has brought to pass--
    The saving of thy life.

    PHIL. A life, my liege,
    That shall be ever ready to be spent
    Upon your service.

    KING. Thanks, good Philocles.
    But where's the man whose happy presence brought
    All this unlook'd-for sport? where is Eugenio?

    EUG. Here, my dread liege.

    KING. Welcome to Syracuse,
    Welcome, Eugenio; prythee, ask some boon
    That may requite the good that thou hast done.

    EUG. I thank your majesty; what I have done
    Needs no requital; but I have a suit
    Unto Lord Euphues, please it your majesty
    To be to him an intercessor for me,
    I make no question but I shall obtain.

    KING. What is it? speak; it shall be granted thee.

    EUG. That it would please him to bestow on me
    His niece, the fair and virtuous Lady Leda.

    EUPH. With all my heart: I know 'twill please her well:
    I have often heard her praise Eugenio.
    It shall be done within.

    KING. Then here all strife ends.
    I'll be your guest myself to-day, and help
    To solemnise this double marriage.

    POL. Your royal presence shall much honour us.

    KING. Then lead away: the happy knot you tie,
    Concludes in love two houses' enmity.


FOOTNOTES:

  [437] [An uncommon form of expression, equivalent to the French
  phrase _à bientôt_.]

  [438] I think we should read _go--Pegge_. The syllable _to_ is more
  than is required either for the sense or the measure.--_Collier_. [The
  original has _to_, as stated; but we should read _too, i.e., if_ my
  life be too mean a sacrifice, &c.]


THE EPILOGUE.


    Our heir is fall'n from her inheritance,
    But has obtain'd her love: you may advance
    Her higher yet; and from your pleas'd hands give
    A dowry, that will make her truly live.


FINIS.


------------------------------------------------------------------

Transcriber notes:

  P.21 footnote 19: Taken out the extra 'g' in 'farthinggale'
  P.324 footnote 266: 'Tintagol' needs to be 'Tintagel'. Changed.
    Tintagel is the peninsula on the northern Cornwall coast reference.
  Fixed various punctuation problems.

  Italics is displayed as _Collier_.
  Small caps have been replaced with all caps.

------------------------------------------------------------------





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