Title: Ptomaine Street: The Tale of Warble Petticoat
Author: Wells, Carolyn, 1862-1942
Language: English
As this book started as an ASCII text book there are no pictures available.


*** Start of this LibraryBlog Digital Book "Ptomaine Street: The Tale of Warble Petticoat" ***


PTOMAINE STREET

THE TALE OF WARBLE PETTICOAT


By Carolyn Wells


To Roberta Wolf Buehler My Beloved Friend



FOREWORD TO A FOOLISH BOOK

  A certain Poet once opined
  That life is earnest, life is real;
  But some are of a different mind,
  And turn to hear the Cap-bells peal.
  Oft in this Vale of Smiles I've found
  Foolishness makes the world go round.

  Ecclesiastes, Solomon,
  And lots of those who've passed before us,
  Denounced all foolishness and fun,
  Not so the gay and blithesome Horace;
  And Shakespeare's Jaques, somewhat hotly,
  Declared the only wear is Motley!

  We mortals, fools are said to be;
  And doesn't this seem rather nice?
  I learn, on good authority,
  That Fools inhabit Paradise!
  Honored by kings they've always been;
  And--you know where Fools may rush in.

  And so, with confidence unshaken,
  In Cap and Bells, I strike the trail.
  I know just how, because I've taken
  A Correspondence Course by mail.
  I find the Foolish life's less trouble
  Than Higher, Strenuous or Double.
  Dear Reader, small the boon I ask,--
  Your gentle smile, to egg my wit on;
  Lest people deem my earnest task
  Not worth the paper it is writ on.
  Well, at white paper's present worth,
  That _would_ be rather high-priced mirth!

  I hope you think my lines are bright,
  I hope you trow my jests are clever;
  If you approve of what I write
  Then you and I are friends forever.
  But if you say my stuff is rotten,
  You are forgiven and forgotten.

  Though, as the old hymn runs, I may not
  Sing like the angels, speak like Paul;
  Though on a golden lyre I play not,
  As David played before King Saul;
  Yet I consider this production
  A gem of verbalesque construction.

  So, what your calling, or your bent,
  If clergy or if laity,
  Fall into line. I'll be content
  And plume me on my gayety,
  If of the human file and rank
  I can make nine-tenths smile,--and thank.



PTOMAINE STREET



CHAPTER I

On a Pittsburgh block, where three generations ago might have been heard
Indian war-whoops--yes, and the next generation wore hoops, too--a
girl child stood, in evident relief, far below the murky gray of the
Pittsburgh sky.

She couldn't see an Indian, not even a cigar store one, and she wouldn't
have noticed him anyway, for she was shaking with laughter.

A breeze, which had hurried across from New York for the purpose, blew
her hat off, but she recked not, and only tautened her hair ribbon with
an involuntary jerk just in time to prevent that going too.

A girl on a Pittsburgh block; bibulous, plastic, young; drinking the air
in great gulps, as she would later drink life.

It is Warble Mildew, expelled from Public School, and carolling with
laughter.

She had only attended for four weeks and they had been altogether
wasted. In her class there were several better girls, many brighter, one
prettier, but none fatter. The schoolgirls marveled at the fatness of
her legs when, skirts well tucked up, they all waded in the brook. Every
cell of her body was plump and she had dimples in her wrists.

And cheeks, like:

  A satin pincushion pink,
  Before rude pins have touched it.

Her eyes were of the lagoon blue found in picture postcards of Venice
and her hair was a curly yellow brush-heap. Sunning over with curls--you
know, sort of ringolets.

In fact, Warble was not unlike one of those Kewpie things, only she was
more dressed.

       *       *       *       *       *

Expelled!

That's the way things were to come to Warble all her life. Fate laid on
in broad strokes--in great splashes--in slathers.

Expelled! And she had scarce dared hope for such a thing.

       *       *       *       *       *

To sound the humor of Warble.

She hated school. Books, restraint, routine, scratching slate pencils,
gum under desks, smells--all the set up palette of the schoolroom was
not to her a happy vehicle of self-expression.

Often, in hope of being sent home, she had let a rosy tongue-tip
protrude from screwed up red lips at teacher, but it had gone
unpunished.

And now--

Now, rocking in triumphant, glorious mirth, her plump shoulders hunched
in very ecstasy, the child was on the peak!

Expelled! Oh, gee!

And all because she had put a caterpillar down Pearl Jane Tuttle's back.
One little, measly caterpillar.

Pearl Jane had sat right in front of her.

A loose neckband round a scrawny neck.

And when Pearl Jane wiggled, a space of neck between two thin, tight
black pigtails--a consequent safe-deposit that was fairly crying out to
have something dropped down it.

A caterpillar mooching along the schoolroom aisle--clearly sent by
Providence.

Helpless in the grip of an irresistible subconscious complex, Warble
scoops up the caterpillar and in an instant has fed him into the gaping
maw at the back of that loose gingham neckband.

Gr-r-r-r-rh!

       *       *       *       *       *

That, then, is why Warble stood in such evident relief on the Pittsburgh
block.

Expelled! The world was hers!

It had always been hers, to be sure, but it was now getting bigger and
more hers every minute.

The very first day she went to school, a little boy said to her:

"Do you like me?"

"No," said Warble.

The little boy gave her all his candy and his red balloon.

So you see, she had a way--and got away with it.

       *       *       *       *       *

Warble was an orphan. She had a paprika-seasoned sister, married to a
chiropodist, in Oshkosh. But for all that, she planned to earn her own
living.

And she had an ambition. At present beyond her grasp, yet so sure
was she of its ultimate attainment, that she shaped her entire cosmic
consciousness toward that end. Her ambition was not unique, perhaps
not unattainable. It had been achieved by others with seemingly little
effort and less skill; and though as yet, merely a radiant hope, Warble
was determined that some day she would gain her goal.

Her ambition was to get married. Her sister had; her mother had; she
politely assumed her grandmother had.

She would.

Often she imagined herself the heroine of delightful scenes she watched
at the cinema. She loved the slow unwinding of the story on the screen,
but when engaged with her imagination she hurried it on in haste to
reach the final close-up.

       *       *       *       *       *

It was at no one's advice, but because of her own inner yearnings that
Warble took a job as waitress in a Bairns' Restaurant.

She reveled in the white tiles, the white gloss paint, the eternal
clearing-up and the clatter of flatware. She loved the flatware--it
always made her think of a wedding--sometimes of her own.

She adored the white-capped King Alfred baking his cakes in the window,
but merely as a fixture, as she adored the mute stacks of clean plates
and the piles of pathetic little serviettes.

In a more intimate and personal way she adored the pork and beans, the
ham and eggs, the corned beef and cabbage, and--importantly--the gentle,
easy-going puddings and cup custards. These things delighted her soul
and dimpled her body.

She was proud of her fellow-waitresses, proud of their aspirations (the
same as her own).

Having exceptional opportunity, Warble learned much of culinary art
and architecture, at least she became grounded in elementary alimentary
science.

She had little notebooks filled with rules for Parisian pastry, Hindu
recipes for curry; foreign dishes with modern American improvements.

Joyously she learned to make custard pie. This, as the tumultous future
proved, was indicative.

Only the little smiling gods of circumstance, wickedly winking at one
another, knew that when Warble whipped cream and beat eggs, she laid
the corner stone of a waiting Destiny, known as yet but to the blinking
stars above the murky Pittsburgh sky.

She was extravagant as to shoes and diet; and, on the whole, she felt
that she was living.

She was not mistaken.

She went to dances, but though sometimes she toddled a bit, mostly she
sat out or tucked in.

During her three years as a waitress several customers looked at her
with interest though without much principle.

The president of a well-known bank, the proprietor of a folding-bed
concern, a retired plumber, a Divinity student and a ticket-chopper.

None of these made her bat an eyelash.

For months no male came up for air. Then, the restaurant door swung back
on its noiseless check and spring, and in walked Big Bill Petticoat.



CHAPTER II

The Petticoats were one of the oldest and pride-fullest of New England
families. So that settles the status of the Petticoats. A couple of them
came over in the _Mayflower_, with the highboys and cradles and things,
and they founded the branch of Connecticut Petticoats--than which, of
course, there is nothing more so.

Of course, the Petticoats were not in the very upper circles of society,
not in the Dress Circle, so to speak, but they formed a very necessary
foundation, they stood for propriety and decency, and the Petticoats
were stiff enough to stand alone.

Another fine old New England family, the Cottons.

Intermarriage linked the two, and the Cotton-Petticoats crowded all
other ancient and honorable names off the map of Connecticut and nodded
condescendingly to the Saltonwells and Hallistalls. Abbotts and Cabots
tried to patronize them, but the plain unruffled Cotton-Petticoats held
their peace and their position.

The present scion, Dr. Petticoat, was called Big Bill, not because of
his name or stature, but because of the size of his bills. He presented
them quarterly, and though his medicine was optional--the patient could
take it or leave it--the bills had to be paid.

Wherefore Dr. Petticoat was at the head of his profession financially.
Also by reputation and achievement, for he had the big idea.

He was a specialist, and, better yet, a specialist in Ptomaine
Poisoning.

Rigidly did he adhere to his chosen line, never swerving to right or
left. People might die on one side of him from water on the brain and on
the other side from water on the palate, not a prescription could they
get out of Big Bill Petticoat unless they could put up unmistakable
symptoms of ptomaine poisoning.

And he was famous. People brought their ptomaines to him from the
far places, his patients included the idlest rich, the bloatedest
aristocrats, the most profitable of the profiteers. His Big Bill system
worked well, and he was rich beyond the most Freudian dreams of avarice.

As to appearance, Petticoat was very pretty, with that fresh rosy
beauty that is so attractive. His walnut hair was fine and silky, but
a permanent wave made it fuzz forth in a bushy crinkle that was
distractingly lovely. His tweezed eyebrows were arched to a perfect span
and his finger nails showed a piano polish.

His features were cold-chiseled and his coloring was exquisite. In fact,
his coloring was too good to be true, and no wonder, for it came out of
a very modern and up-to-date six-cylinder makeup box.

His lips looked as if they were used to giving orders in restaurants,
and he wore clothes which you could never quite forget.

Warble edged toward the stranger, and murmured nothing in particular,
but somehow he drifted into the last and only vacant seat at her table.

She whisked him a 2 x 2 napkin, dumped a clatter of flatware at him, and
stood, awaiting his order.

The pause becoming lengthy, she murmured with her engaging smile,
"Whatcha want to eat?"

"Pleased to eat you," he responded, looking at her as though she was an
agreeable discovery.

Small wonder, for Warble was so peachy and creamy, so sweet and
delectable that she was a far more appetizing sight than most viands
are. She smiled again--engagingly this time, too.

Thus in the Painted Vale of Huneker, Vamp and Victim beguiled the hours.
Thus, and not in treacled cadences, intrigued Mariar and Sir Thomas in
the back alley.

"Do you like it here?" asked the doctor.

"Yop. But sometimes I feel wasted--"

"You don't look wasted--"

"No--" after a hasty glance in the wall mirror.

"Don't you get sick of the sight of food?"

"Here, oh, no! I don't know any lovelier sight than our kitchens--yes,
yes, sir, I'll get your pied frotatoes at oneth."

When Warble was a bit frustrated or embarrassed, she often inverted her
initials and lisped. It was one of her ways.

The other clients at her table had no intention of being neglected while
their Pickfordian waitress smiled engagingly on a newcomer.

It was the iceman who had hollered. He seemed to be merely a red-faced
inanimate object, that worked by strange and compound levers.

Next him was a hat-check girl, a queenly person who communed with
something set in the lid of her vanity case, and fed on chicken à la
king.

Then there was a newsboy, whose all-observant eyes darted about
everywhere, the while he absorbed baked beans and ketchup.

An old maid shopper. She merely brooded over her worn and pencil-scored
memorandum, and muttered of fringe and buttons as she spilled tea on her
samples of Navy blue foulard.

A blind man. Of no interest save that he had a calm and gentle demeanor
and was the only one who didn't spill things. His face wore a grieved
but resigned look, as if something had died in his scrambled eggs. The
iceman, who had the hard, set jaw of a prize fighter was successfully
eating steak, and he welcomed the incoming fried potatoes, as one greets
a new instalment of a serial.

It was a fat and pink and lovely Warble who at last trotted back with
Petticoat's order.

The great specialist had an unbridled passion for pie, and throwing
restraint to the winds he had ordered three kinds. The wedges
Warble brought were the very widest she could wheedle from the head
pie-cutter--and Warble was some wheedler, especially when she coaxed
prettily for a big pieth of cuthtard.

Petticoat looked at her again as she came, pie-laden.

Her cap was a bit askew, but her eyes weren't. In her white linen dress
and apron and white cap, her little pink face looked to Petticoat's
appraising glance like a postage stamp on an expanse of white linen
envelope.

Little did he think, as he took his custard pie that he was about to put
his foot in it. Yet he did.

"May I see you again sometime?" he said, ignoring the hat-check girl's
ogling and the iceman's cold stare.

Warble made a face at him. It was one of her ways.

"What's your address?" he asked. "You can ask the Boss--if you really
want to know."

"Want to know! Say, you waitress!"

Of the love-making of Warble and Big Bill Petticoat there is nothing to
be reported which may not be read in any Satevepost serial, which may
not be heard at any summer resort, in any winter garden. They were
zoology and history. Their speech was free silver and their silence was
golden.

It was a non-stop courtship. All the plump beauty of youth and all the
assured complacence of a well-to-do married man kept them up in the air.

Petticoat wasn't a married man, but he had their technique.

They took a walk, and followed a roundabout way. Then they sat on a
bank, and his arm followed a roundabout way.

She seemed more young and tender than ever, in a simple white muslin
frock and blue sash. Her broad-leafed hat was decked with a few pink
roses, and roll-top white socks added a good deal to the picture.

Petticoat was charmed.

"Golly, but I love you, Warble!" he cried.

She did not answer, but she touched the upper edge of the wallet in his
breast pocket with an exploring gesture.

"You think I'm too darn aesthetic! Well, you're not, and so we ought to
mate. We're complementary to one another, like air and sunshine or light
and shade."

"Or pork and beans, or pie and cheese."

"Yes, or like stout and porter--I'll be the porter, oh--what's the use
of talking? Let my lips talk to you!"

He kissed her cheek, imprinting thereon a Cupid's bow, by reason of his
own addiction to the lipstick.

Warble rubbed it off with the back of her hand, and said, "Oh,
pleathe--pleathe."

She wondered if she ought to have said thank you, but it was only a
drifting thought and she turned the other cheek. Then she smiled her
engaging smile and they were engaged.

Later in the game, she said, with pretty diffidence, "I would like to
thee Butterfly Thenter." And she blushed like the inside of those pink
meat melons.

"I knew it!" and Petticoat produced a pile of Sunday Picture
Supplements.

Her cheek nested in his permanent wave, Warble studied the pictures.

They were the last word in artistic architecture. Truly, Butterfly
Center, where Petticoat lived, was a veritable Utopia, Arcadia, Spotless
Town and Happy Valley all rolled into one. Broad streets, arching
trees, sublimated houses, glorified shops--it seemed to Warble like a
flitter-work Christmas card from the drug-store.

"How'd you like to scoot up there with me in a fast aeroplane?" he
jollied her.

"It might be--a lark--" she dubioused.

"But here's the picture!" and proudly he exhibited a full length view of
his own home.

"Ptomaine Haul," he exploited, proudly. "Built every inch of it from the
busy little ptomaines. Coral insects nothing on that, eh? And here's
the sort of people I practice on. Old Leathersham, now--he has a corking
château--French Renaissance. And Mrs. Charity Givens--she has a Georgian
shack. And, oh, yes, here's Iva Payne. She's one of my most profitable
patients--sick all the time."

Warble studied the pictures.

"What expensive people," she said, "dear--so dear."

"Yes, great people. You'd love 'em. They're just layin' for you. Come
on, Warble, will you?"

"Yop," she murmured, from his coat pocket, "Sweet, so sweet."



CHAPTER III

Among the rolling stock of a great railroad, a moving mass of steel.
A soft sludge as it came noiselessly to rest beneath the glazed chintz
awnings of the Butterfly Center station.

A faint scent of chypre from Petticoat's cigarette as he alit.

From his private train, which had slithered across the intervening
spaces and slid into its moorings as butter slides from a hot plate.

It is September, cool, green and well-sprinkled.

The obviously important man was followed by a yellow-topped,
rose-cheeked girl, whose eyes were all blue and a yard wide as she
looked about.

About what?

About eighteen.

They were Dr. Big Bill Petticoat and his bride, Warble.

They had been married and had spent their honeymoon in riotous loving.

It had been transforming. Warble had been frightened to discover how
hungry she could be even on a wedding trip.

Bill had mused to himself; what's the difference between an optimist and
a pessimist? One honeymoon. And now they had reached their home town.
People were not altogether new to Warble. She had seen them before. But
these were her own people, to bathe and encourage and adorn--and, they
didn't seem to need it.

They distressed her. They were so smart. She had always held that there
is no style in America, no chic effects out of Paris.

But here on the terrace of the simple little hewn stone station
were hordes of men and women who seemed to be, mentally, morally and
physically, literally butterflies.

"Isn't there any way of waking them up?" she begged of Petticoat,
grabbing his arm and shaking him.

"These guys? Wake 'em up? What for? They're happy."

"But they're so smug--no, that isn't what I mean. They're so
stick-in-the-mud."

"Look here, Warble, you want to get over your fool idea that because a
woman is slender she isn't adorable. These folks are up to date, snuff
and mischief."

"I know, that's what's biting me. Life seems so hard for them."

"Oh, they don't mind it. Now you must meet the bunch. They're all down
here to meet their husbands or something just as good. Now you behave
yourself."

"Yop."

She had a grip on herself. She was ready to kiss and be friends with
them all. But she was scared at the rackety pack who ballyhooed like
Coney Island and surged down upon her like a Niagara Falls.

She had the impression that all the men had soft voices, large,
embracing arms, gimlet eyes and bored, impersonal smiles. She knew they
were taking her in. Their pleasant hoots and yells of greeting overcame
her.

"Oh, pleathe--pleathe," she lisped.

In her fresh frilled dimity and soft sash of baby-blue Surah, her rolled
white socks disclosing but a few tantalizing inches of seashell-pink
calf, Warble stood, eyes cast down, a pretty, foolish thing,

  As soft as young,
  As gay as soft,

and, to a man, the male population of Butterfly Center fell for her.

Not so the remainder of the citizens.

One of the men was yelling at Petticoat:

"Hop into my car, Bill, Don't see yours--I'll tote the bride-person
you've got there--with joy and gladness." Warble looked at the yeller.

"Can't quite place me, chick, can you?" he grinned at her. "Well I'm
only old Goldwin Leathersham--no use for me in the world but to spend
money. Want me to spend some on you? Here's my old thing--step up here,
Marigold, and be introduced. She's really nicer than she looks, Mrs.
Petticoat."

"Indeed I'm not," Marigold Leathersham cried gaily, "I couldn't
be--nobody could be!"

She came running--a beautiful, slim young woman, with a wealth of
expensive looking gold hair, white and gold teeth that broke into a
lavish smile. Her voice was rich and though she looked above, away from
and through Warble, yet she saw her.

"So glad to welcome you, you pretty baby," she chirruped. "You're going
to love us all, aren't you?"

"Yop," said Warble, and smiled her engaging smile.

"You bet she'll love us," declared Leathersham, "she'll make the
world go round! Hello, Little One," he turned to pat the cheek of a
white-haired, red-faced old lady, who hawk-eyed and hawk-nosed, stood
by, listening in. "This, Mrs. Petticoat, is our Lady Bountiful, Mrs.
Charity Givens--noted for her generosity. She ostentatiously heads
all Donation Lists, and she's going to start a rest cure where your
husband's unsuccessful cases may die in peace. And here's one of the
cases. Hello, Iva Payne!"

"Hello," languidly responded a girl like a long pale lily--a Burne-Jones
type, who sometimes carried around a small stained-glass window to rest
her head against.

"Are you really Bill's wife?" she asked, a little disinterestedly, of
Warble.

"Yop," said Warble, and made a face at her.

"How quaint," said Iva.

"Whoopee, Baby! Here we are," and Petticoat rescued his bride from the
middle of a crowd and yanked her toward his car.

The car was a museum piece, and as Warble caromed into its cushions she
felt that her lines had fallen in pleasant places.

That was the way Fate came to Warble. In big fat chunks, in slathers.
Unexpected, sudden, inescapable--that's Fate all over.

"I shall like Mr. Leathersham--I shall call him Goldie. They're all
nice and friendly--the men. But this town! Oh, my Heavens! This Jewel
Casket--this Treasure Table! I can't live through it! This Floating
Island of a Tipsy Charlotte!" Her husband nudged her. "You look like you
had a pain," he said; "Scared? I don't expect you to fit in at first.
You have to get eased into things. It's different from Pittsburgh. But
you'll come to like it--love is so free here, and the smartest people on
earth."

She winked at him. "I love you for your misunderstanding. I'm just
dog-tired. And too many chocolates. Give me a rest, dear. I'm all in
from wear sheeriness."

She laid her feet in his lap and snuggled into the corner of the
pearl-colored upholstery.

She was ready for her new home, beautiful, celebrated Ptomaine Haul.
Petticoat told her that his mother had been living with him, but had
fled incontinently on hearing a description of Warble.

The bride chuckled and smiled engagingly as the car slithered round a
corner and stopped under the _porte cochère_ of a great house set in the
midst of a landscape.

Neo-Colonial, of a purity unsurpassed by the Colonists themselves.

A park stretching in front; gardens at the back; steps up to a great
porch, and a front door copied from the Frary house in Old Deerfield.

A great hall--at its back twin halves of a perfect staircase. To the
right, a charming morning room, where Petticoat led his bride.

"You like it? It's not inharmonious. I left it as it is--in case you
care to rebuild or redecorate."

"It's a sweet home--" she was touched by his indifference. "So
artistic."

Petticoat winced, but he was a polite chap, and he only said,
carelessly, "Yes, home is where the art is," and let it go at that.

In the hall and the great library she was conscious of vastness and
magnificent distances, but, she thought, if necessary, I can use roller
skates.

As she followed Petticoat and the current shift of servants upstairs,
she quavered to herself like the fat little gods of the hearth.

She took her husband into her arms, and felt that at last she had
realized her one time dreams of the moving pictures, ay, even to the
final close-up.

What mattered, so long as she could paw at the satin back of his shirt,
and admire his rich and expensive clothing.

"Dear--so dear--" she murmured.



CHAPTER IV

"The Leathershams are giving a ball for us to-night," Petticoat said,
casually, as he powdered his nose in the recesses of his triplicate
mirror.

"A ball?"

"Oh, I don't mean a dance--I mean--er--well, what you'd call a sociable,
I suppose."

"Oh, ain't we got fun!"

"And, I say, Warble, I've got to chase a patient now; can you hike about
a bit by yourself?"

"Course I can. Who's your patient?"

"Avery Goodman--the rector of St. Judas' church. He will eat terrapin
made out of--you know what. And so, he's all tied up in knots with
ptomaine poisoning and I've got to straighten him out. It means a lot to
us, you know."

"I know; skittle."

Left alone, Warble proceeded systematically to examine the interior of
Ptomaine Haul. She gazed about her own bedroom and a small part of
its exquisite beauty dawned upon her. It was an exact copy of Marie
Antoinette's and the delicately carved furniture and pale blue
upholstery and hangings harmonized with the painted domed ceiling and
paneled walls.

The dressing table bore beautiful appointments of ivory, as solid as
Warble's own dome and from the Cupid-held canopy over the bed to the
embroidered satin foot-cushions, it was top hole.

The scent was of French powders, perfumes and essences and sachets, such
as Warble had not smelled since before the war.

"Can you beat it," she groaned. "How can I live with doodads like this?"
She saw the furniture as a circle of hungry restaurant customers ready
to eat her up. She kicked the dozen lace pillows off the head of the
bed.

"No utility anywhere," she cried. "Everything futile, inutile, brutal! I
hate it! I hate it! Why did I ever--"

And then she remembered she was a Petticoat now, a lace, frilled
Petticoat--not one of those that Oliver Herford so pathetically dubbed
"the short and simple flannels of the poor."

Yes, she was now a Petticoat--one of the aristocratic Cotton-Petticoats,
washable, to be sure, but a dressy Frenchy Petticoat, and as such she
must take her place on the family clothesline.

She drifted from oriel window to casement, and on to a great becurtained
and becushioned bay, and looked out on the outlook.

She saw gardens like the Tuileries and Tuilerums, soft, shining pools,
little skittering fountains, marble Cupids and gay-tinted flowers. This
was the scene for her to look down upon and live up to.

"I mustn't! I mustn't! I'm nervous this afternoon! Am I sick?...
Good Lord, I hope it isn't that! Not now! I'd hate it--I'd be scared
to death! Some day--but, please, kind Fate, not now! I don't want to go
down now with ptomaine poisoning! Not till after I've had my dinner! I'm
going out for a walk."

When Warble had plodded along for six hours, she had pretty well done up
the town.

Ptomaine Street, which took its name from her husband's own residence,
was a wide, leafy avenue with a double row of fine old trees on each
side. They were Lebbek trees, and the whole arrangement was patterned
after the avenue which Josephine built for Napoleon, out to the Mena
House.

She passed the homes of the most respectable citizens. Often they were
set back from the road, and the box hedges or tall iron fences prevented
her from seeing the houses. But she saw enough and sped on to the more
interesting business and shopping section of Butterfly Center.

She passed Ariel Inn, the hotel being like a Swiss Chalet, perched on
some convenient rocks that rose to a height above street level. A few
fairly nimble chamois were leaping over these rocks and Warble heard a
fairy-like chime of bells as afternoon tea was announced.

A man in an artist's smock sauntered across the street. A palette on
one thumb, he scratched his chin with the other. A hearse, its long
box filled with somebody, crawled down the block. A dainty Sedan with a
woman's idle face at its window wafted by. From a Greek Temple came the
sound of Interpretative Dancing, and the applause of perfunctory hands.

She wanted to elope. Her own ideas of utility, efficiency, and economy
were being shattered--broken in pieces like a potter's vessel. Her sense
of proportion, her instinct for relative values, her abhorrence of waste
motion, her inborn system and method, all were swept away as a thief in
the night. Could she reform this giddy whirl? Could she bring chaos out
of cosmos? Was her own ego sufficient to egg her on in her chosen work?

She haed her doots.

She maundered down the street on one side--back on the other.

Dudie's Drug-store was like unto a Turkish Mosque. Minaret and pinnaret,
battlement and shuttle-door, it was a perfect drug-store, nobly planned.
The long flight of steps leading up to its ptortal was a masterpiece in
the step line.

Inside, the Soda Pagoda was a joy of temple bells and soft, sweet
drinks, while at the prescription counter, the line formed on the right,
to get Dr. Petticoat's prescriptions filled for their ptomaines.

A Moldavian Incense Shop was the barber's; a half-timbered house
sold English-built clothes; a brick affair of Georgian influences and
splendid lines, housed the hardware needed by the Butterflies, and the
milliner's was a replica of the pyramid of Cestus.

The bank was the Vatican, with Swiss guards in the doorway.

Perpetual waste motion! In all the town not one building that connoted
to Warble the apotheosis of efficiency shown by the King Alfred tossing
cakes in the window of Bairns' Restaurant. Not a dozen buildings that
even suggested use in addition to their beauty.

And the street was cluttered with trees in tubs, window boxes,
sudden little fountains or statues; gilded wicker birdcages on tall
poles--songs issuing therefrom.

Arbors, covered with pink Dorothy Perkinses, here and there by the
curbside. And, worst of all, people sitting idle in the arbors. Idle!

She wouldn't have cared so much, if the people had been busy--even one
of them. She fought herself. "I must be wrong. It can't be as silly as
it looks! It can't!"

She went home and found Petticoat waiting for her.

"Like the burg, eh? Great stuff, what? Not an eyesore inside the city
wall. Good work, I'll megaphone."

Warble sat down in an easy-going chair--so easy, it slid across the room
with her, and collided with a life-sized Chinese lady of yellow stone.

"Yes," Warble responded, "it's very uninteresting."



CHAPTER V

Goldwin Leathersham was a great Captain of Industry. In fact, he put the
dust in industry, or, at least, he took it out of it. He got it, anyway.

His home was an Aladdin's Palace, with a slight influence of Solomon's
Temple. Gold was his keynote, and he was never off the key.

When our Petticoats arrived at the party, they were met by gold-laced
footmen, who whisked them into shape and passed them along.

Warble found herself in a white and gold salon, so vast, that she felt
like a goldfish out of water. The place looked as if Joseph Urban had
designed it after he had died and gone to Golconda. Whatever wasn't
white was gold, and the other way round. The gold piano had only white
keys, and the draperies were cloth of gold with bullion fringe. All
real, too--no rolled or plated stuff.

A huge coat-of-arms in a gold frame announced that Mr. Leathersham was
descended from the Gold Digger Indians, a noble ancestry indeed; and it
was no secret that his wife had played in "The Gold-diggers," during its
second decade run.

Marigold Leathersham was a charming hostess, and greeted Warble with a
shriek of welcome. "You duck," she cried; "how heavenly of you to dress
so well."

Warble was simply attired in a white pussy-willow silk underslip. In her
haste and excitement she had forgotten to add the gown meant to go over
it, and as she wore no jewels save the chased gold lingerie clasps
at her shoulders, the result was a simplicity as charming as it was
unintentional.

And so she made a hit.

That was the way things came to Warble; a hit--a social success--and all
because she forgot to put on her frock.

She mingled with the glittering throng of gilded youth, of golden lads
and girls, of gilt-edged married people, and found herself in the arms
of Goldwin Leathersham, her host.

"Here comes the bride," he shouted, as he piloted her about and
introduced everybody to her.

"This demure little beauty," he said, "is Daisy Snow. Note her sweet,
pure face and wide-eyed, innocent gaze."

"It is all so new--so wonderful--" Miss Snow breathed, "I'm a débutante,
you know, and I have scarcely butterflied out of my chrysalis yet. How
splendid the Leathershams are. He has a heart of gold. Oh, he is such
a good man, he says his life motto is the Golden Rule."

"And Mrs. Leathersham?" asked Warble.

"Marigold? Oh, yes, she's as good as gold, too. We're firm friends."

Warble was agog to mingle, so she moved on.

Le Grand Paynter, a celebrated Cubic artist, fascinated her with his
flowing locks, flowing tie and marvelous flow of conversation. He asked
to paint her as a Semi-nude Descending a Ladder, but she only said she
must refer him to her Petticoat.

Freeman Scattergood, the well-known philanthropist was chatting with
Mrs. Charity Givens, who was the champion Subscription List Header. Many
had tried to oust her from this enviable position but without success.
Near them stood Avery Goodman, the rector, and he was deeply engaged in
a flirtation with Miss May Young, one of his choir girls.

Manley Knight, a returned soldier, was resplendent with a Croix de
Guerre, a Hot Cross Bun and many other Noughts and Crosses.

Warble fingered them in her light way.

"Isn't he splendid!" babbled Daisy Snow the _ingénue_; "Oh, how
wonderful to offer one's life for glory! You can fairly see the heroism
bubble out of his eyes!"

"How you admire him!" said Warble.

"Yes, but he doesn't care for me."

"Not specially," admitted Manley Knight. "Yes," Daisy said. "He thinks
me too ignorant and unsophisticated--and I am. Now, there's Lotta Munn,
the heiress--she's more in his line. But Ernest Swayne is devoted to
Lotta. I think it will be a real love match--like the Trues."

"The Trues?" asked Warble, politely.

"Yes," and she glanced toward a very devoted looking pair sitting apart
from the rest, on a small divan. "They're wonderful! Herman True is the
most marvelous husband you ever saw. He never speaks to anyone but his
wife. And she's just the same. She was Faith Loveman, you know. And
they've been married two years and are still honeymoon lovers! Ah, what
a fate!"

Daisy sighed, a sweet little-girly sigh, and blushed like a slice of
cold boiled ham.

But this Who's Whosing was interrupted by a footman with a tray of
cocktails.

Daisy Snow refused, of course, as became a débutante so did Judge
Drinkwater, who stood near by, frowning upon the scene, he being a
Prohibitionist.

A sickly looking lady next to him achieved several, and Warble asked
Daisy who she might be.

"Oh, that's Iva Payne--you met her, you know. She's very delicate,
a semi-invalid, under the care of specialists all the time. I don't
exactly know what her malady is, but it's something very interesting to
the doctors. There's scarcely anything she can eat--I believe she brings
her own specially prepared food to parties.

"She seems to relish the cock-a-whoops all right," Warble commented.

"I understand the doctors prescribe stimulants for her--she is not at
all strong. They give her artificial strength, she says."

"Yes, she seems to be strong for 'em. Don't you take any?"

"Oh no! I'm a débutante. And mother says she wants to be with me when I
take my first cocktail and smoke my first cigarette."

"Dear girl, Daisy, so fresh and unspoiled! Her mother is one of a
thousand."

This from Manley Knight, who constituted himself Daisy's proxy in the
matter of cocktails and drank all that would have been Daisy's had her
mother permitted.

Goldwin Leathersham seemed to be acting as proxy for some débutante
also, for he seemed to feel pretty bobbish, but Warble was only slightly
interested in the whole matter.

She rolled her Wedgwooden eyes about, hoping the horde would be herded
toward the dining-room. But no such luck.

Instead they drifted in the opposite direction and, swept along with the
crowd, Warble found herself in one of a serried series of gilt chairs,
facing a platform as large as a theater stage.

An erudite looking man who appeared on the platform received tumultous
applause.

"Who is he?" Warble whispered to her neighbor, who chanced to be Avery
Goodman, "an impersonator?"

"Lord, no; it's Wunstone, the great scientist--rants on Fourth Avenue
dimensions, or something like that."

In a tone of forceful mildness the speaker began: "It must be conceded
that, other things being equal, and granting the investiture of all
insensate communication, that a psychic moment may or may not, in
accordance with what under no circumstances could be termed irrelevancy,
become warily regarded as a coherent symbol by one obviously of a
trenchant humor. But, however, in proof of a smouldering discretion,
no feature is entitled to less exorbitant honor than the unquenchable
demand of endurance.

"Though, of course, other things being equal, and granting the
investiture of all insensate communication, no feature is entitled, in
accordance with what under no circumstances could be termed irrelevancy,
to become warily regarded as a coherent symbol. And doubtless in proof
of a smouldering discretion, and in accordance with one obviously of a
trenchant humor, it may or may not be warily regarded.

"Though it cannot be denied that the true relevancy of thought to
psychic action is largely dependent on the ever increasing forces of
disregarded symbolisms. And this again proves the pantheistic power
of doubt, considered for the moment and for the subtle purposes of our
argument as faith. For, granting that two and two are six, the
corollary reasoning must be that no premise is or may be capable of such
conclusion as will render it sublunary to its agreed parallel.

"But this view is ultra and should be adopted with caution.

"We are therefore forced to the conclusion that pure altruism is
impossible in connection with neo-psychology."

There was more, but it was at that point that Warble went to sleep.

She was awakened later by the high notes of a celebrated Metropolitan
soprano, who had consented to exchange a few of her liquid notes for
Goldwin Leathersham's yellow-backed ones.

Tired, hungry and sleepy, Warble fidgeted in her little gilt chair, but
the music went inexorably on.

It was followed by the appearance of a Neo Poet.

This man wore eccentric dress of some sort, and as he waited for the
applause to melt away, he stood, absent-mindedly picking crumbs out of
his beard.

By subtle hint of auto-suggestion this made Warble hungrier than ever
and she looked around for Petticoat. But he was busy flirting with Daisy
Snow, and it was not Warble's way to cut in.

In hollow tones the performer read extracts, excerpts and exceptions
from the works of Amy Lynn, Carl Sandpiper and Padriac, the Colyumist,
and Warble went back to sleep.

There was more, but no merrier, and when at last the platform was
cleared for the last time, the guests were refreshed by the passing of a
small glass of punch and a wafer to each.

Then they went, with a flutter of silk stockings and twinkling slipper
buckles, and a medley of shrieked goodbys.

Warble and Petticoat reached home.

"Howja like 'em?" he asked.

"I'm so hungry," she wailed.

"Oh, Warble, you ought to be more careful about eating in public. It
isn't done. Watch Iva Payne--she doesn't."

"Oh, Bill--" Warble began to cry. "I want to go back to the
restaurant--"

"No, no--now, Cream Puff, I didn't mean to lambaste you. But they're a
smart crowd--"

Warble let two tears rest, glistening, in her lower eyelashes, rolled
up her eyes, pulled down the corners of her hibiscus flower mouth, and
waited to be kissed.

She was.

* * * * *

Up in Bill's bedroom. Gray silken walls, smoked pearl furniture, a
built-in English bed, with gray draperies.

Through a cloth of silver portiére, a bathroom done in gray rough stone.
Oxidized silver plumbing exposure.

No pictures on the walls, save one--a barbaric Russian panel by
Larrovitch.

At the windows, layers of gauze, chiffon, silk--all gray.

A great circular divan was somewhere about, and as he sank down upon
it and drew her with him into its engulfing down, he patched up the
quarrel.

"They took to you," he said, "you went like hot cakes!"

It was an unfortunate allusion, and Warble, smiling with an engaging
smile, wheedled, "Pleathe, pleathe--"

"No," Petticoat said, inexorably, "if you eat all the time you'll get to
look like that soprano. Howja like that?"

"Do you care if I'm fat, Bill?"

"Me? Why, I wouldn't care if you were as big as a house. You're
my--well, you're my soulmate."

"Oh, I'm so had and glappy! It's sweet to be yours. You must excuse my
appetite--you're the only husband I have. My own Pill Betticoat!"

He kissed her in his eccentric fashion, and with her plump arms about
his neck, she forgot all about Ptomaine Street.



CHAPTER VI


Warble's own maid was named Beer.

A French thing--so slim she seemed nothing but a spine, but supplied
with slender, talkative arms and a pair of delicate silk legs that
displayed more or less of themselves as the daily hint from Paris
reported skirts going up or down as the case might be.

A scant black costume and a touch of white apron completed the picture,
and Warble played with her as a child with a new doll.

Beer wanted to patronize Warble, tried to do so, but found it
impossible. Her patronage rolled off of Mrs. Bill Petticoat like hard
sauce off a hot apple dumpling.

"Do you get enough to eat, Beer?" her mistress asked her.

"Wee, maddum," the maid replied, in her pretty War French. "I eat but a
small."

"Well, don't drop to pieces, that's all," warned Warble. As to personal
care and adornment the hitherto neglected education of Warble Petticoat
was in Beer's hands. And she handed it out with unstinted lavishness.

That was the way things came to Warble; in slathers--in big fat chunks.
In avalanches and rushing torrents.

Beer engineered all her new wardrobe, and received sealed proposals for
its construction.

Beer taught her the mysteries of the toilette table, and once initiated
into this entrancing art, Warble let herself go in the matter of
cosmetics and make-ups, and could scarce wait for Beer's afternoon out,
to dabble about by herself.

Beer taught her how to wear jewelry, and directed what pieces she should
ask Petticoat for next.

Altogether, Warble was trying out things--but carefully, as a good
housewife tries out lard.

And she was not yet certain as to the results. Environment has to
reckon, now and then with heredity.

Warble, at soul, all for utility, economy, diligence and efficiency,
transplated to Butterfly Center, with its keynote of careless idleness,
waste motion and extravagance.

One must win out. Had she a Dempsey of a heredity against a Carpentier
of an environment? Or was it the other way round?

She planned to reform Butterfly Center, to do away with the street
statues, the useless patches of flowers; tear down and rebuild the
ridiculous classic architecture of many of the shops and substitute
good solid livable houses for the castles and châteaux, the barracks and
bungalows that adorned the residence section.

These reforms she meant to bring about shortly, but first, she must
begin with her home.

In her pride of being a Petticoat she loved every detail of Ptomaine
Haul. Yet she knew it did not express herself, it was not the keynote of
her own Warbling personality.

What to do.

She sat in her boudoir, its mauve walls and gold Japanese screens
backgrounding her plump prettiness, as she lolled on a gold brocade
_chaise longue_.

She glanced out at the peacocks strutting in the Italian garden and
listened to the rooks cawing in the cypresses between the marble urns on
the terrace steps.

It was a big proposition to change all that. To turn the bird sticks
into pruning hooks and the bird baths into plowshares.

Could she do it?

Doubtful.

She went out into the hall and looked over the rail of the great
rotunda. Rugs hung from the rail, as it might be a Turkish Monday.

Below, she could see the lake in the front hall, also she could glimpse
the armored bronze Petticoats guarding the entrance that led to the
corridor that led to the hall leading into the dining-room.

It was well nigh hopeless.

Warble sighed. Then she rang for Beer and ordered some French pastry and
a cup of chocolate.

Revived and revivified, Warble decided on a mad dash for reform.

Ordering Beer to dress her quickly, she did all she could to help, and
soon, in a daring combination of canary, black and coral, she was on her
way to the shops.

She achieved what is known as a utility box, and which is compounded of
matting and a few bamboo strips.

This she caused to be set up in her boudoir.

Came Petticoat.

No oral observations, but the next day an antique Florentine chest,
carved by Dante, replaced the box.

"Just as utile," Bill remarked, "and a lot more expensive. Kiss me."

That is the way the Petticoats of this world decree, and that is the way
the Warbles submit.

That Thursday afternoon she was in love with her husband. She toddled
into his room to talk to him. She was in pastel chiffon boudoir
jambiéres picked out with rosebuds. She sat, cross-legged, on one of his
gray satin floor pillows and looked up at him.

Petticoat was just going out and he sat before the mirror, earnestly
adjusting a hair net over his permanent.

"Hello, _Fruit Mousse_," he said, half absent-mindedly, as he went on
adjusting.

Big Bill Petticoat was far from being effeminate. He was found of
aesthetics and anaesthetics, and his chief interests in life were beauty
and his big bills.

"What's the use of beauty, if a thing isn't useful?" Warble would ask,
and Petticoat would reply, "What's the use of use, anyway? There's no
use in having anything that isn't beautiful."

And as the house was under Petticoat rule, Big Bill won out.

"You must have a party, Warble," Petticoat said, as he fitted a long,
slim cigarette into a long, slim holder.

"I'd rather have a baby," and she looked up at him inquiringly.

"Honest, Warbie, I can't afford it. I've lots of money, but we take a
lot of keeping ourselves, and to keep a baby means almost a whole
extra establishment. Let's wait till I've saved up a bit, or we have a
windfall. Leathersham owes me a small fortune for his cook's ptomaine
cases--she's always getting poisoned with her imported canned
things--but Goldie's slow pay, and too, I want to make a few
improvements on the place. I'm thinking of bringing over a Moorish
Courtyard intact--nice, eh?"

"What's it good for?" demanded Warble. "We've done our courting, and
anyway--look here, Bill, there's only three things I can do. Have a
baby--"

"Cut it out, Warb; I haven't the means just now. And it might be twins."

"That's so. Well, the second thing is to reform this town. It's going
to the dogs--to little, silly Pekes and Poms. I can save it, and correct
its ways and put it on a sound utilitarian basis."

"Don't believe you could do that."

"Can do. But the third trick is to flop over to their side and be like
the town people myself."

Petticoat laughed outright.

"Nixy on that, Warble, my duck. You'd have to reduce."

"I speck I should. Well, then the reform act for mine. I've got to do
something, Pet, to keep amused and interested."

"That's what I said. Have a party."

"I will. And it will be part of the reform. These people are too
highbrow. Too soulful. Too artistic--"

"Warble! How many times have I told you _never_ to use that word! Now,
look here, if you want to play at reforming, go ahead, nobody will
interfere with you. But where'll you get time? You spend most of your
waking hours in slumber, and the rest, eating. You're a sweet, lovely,
cuddly thing, but if you keep on, some day you'll find you can't get
your kimono together."

"Then I'll wear two. But, Bill, I'm not so big, you know."

Warble up, and parading the room with a martial air.

"You're a perfect Bellona!" Petticoat said, smiling at her.

"A Bologna! Oh, you horrid thing! But that reminds me I haven't had
sausage lately. I must speak to cook. Now, about my party."

"Have a good one while you're about it. I might import a Spanish
Ballet--"

"You might do nothing of the sort! This is to be my party, and I shall
run it to suit myself."

"All right, Tutti Frutti; you have no subtlety or poetry in your
soul--indeed, I doubt if you have a soul--but you're a dear and a
sweet--"

"Bill, I've an idea! Build bureaus right down to the floor and then
collar buttons can't roll under them!"

"Fine idea! Better patent it. Must go. Goodby."

"Wait a minute. Mrs. Holm Boddy is coming to see me to-day. What's she
like?"

"Oh, she's a hen-minded Hetty with cabriole legs. Don't bother with her
much. They're lower case people--tin pergola and pebble garden sort. And
early Victorian bathrooms. You won't like her--freeze her out."

"All righty. Say--Billy dear--has you any choclums?"

"Not for little gourmands," he took her in his arms. "I say, Warbie, you
promised to cut out sweets. Look here."

He led her to the picture gallery where his simpering or frowning
ancestors looked down in painted disapproval.

They were all slender--wasp-waisted ladies, long lean men. Not a fatty
in the bunch.

Big Bill said nothing, his painted morals adorned their own tale.

"I don't care!" Warble exploded, angrily. "If you don't give me enough
to eat, I'll leave your bed and board and put a notice in the paper. And
you needn't flaunt your Petticoats in my face! I don't care _that_ for
them!"

She snapped a dimpled pink thumb and forefinger at the whole exhibit,
made a face at the skinniest one of all, and then sneaked casually into
Bill's arms.

"Nice, nice," she cooed, patting his mastoid process. "Run along now,
and I'll plan my party."

* * * * *

"That Boddy woman," remarked Beer, as she dressed Warble; "she is a
pest--a pill! Wait, Maddum, I beg you! I've only rouged one of your
cheeks!"

"That's enough," said Warble, inattentively, and she danced down stairs
to freeze out her caller.

"I've been meaning to come for some time," Mrs. Holm Boddy said, "but I
thought I'd give you a chance to get a little used to your new grandeur.
Quite a change for you, isn't it?"

"No," said Warble, "it's rather a come down. I've always been very
grand. Tell me about yourself."

"Oh, I'm the old-fashioned wife and mother. Devoted to my home, and my
family. I deplore the modern tendency to neglect one's own fireside."

"Yes, I should think you'd be happier there than anywhere else."

Warble gazed at her guest. She was a tall, angular woman, so gaunt that
her bones rattled. Warble wondered if Bill would really like her to be
like that.

"Oh, I am. My dear husband, my darling children--you ought to have a lot
of children, Mrs. Petticoat."

"Yes, I shall, when we can afford it. My husband isn't very well off
just now, you see."

"You live very extravagantly. Look at those rugs, now. Rugs cost
fearfully."

"Don't you have any?"

"Oh, no. We don't waste money that way."

"Bare floors?"

"No, carpets. More homey, you know. Nice Brussels in the parlor--real
Body Brussels--Bigelow--and in the bedrooms, Ingrain. Oh, the hominess
of a new-laid Ingrain carpet, with lots of fresh straw under it! You
acquainted with Avery Goodman, the Rector?"

"I've met him."

"Splendid man-spiritual-minded and all that. Fine preacher, too. Very
soulful. I often sob right through his sermons. Better go hear him."

"My husband is a busy man--we haven't time for church."

"No, spose not. Doctors are kept on the jump. Specially specialists. And
I know your husband is busy. Say, is there any truth in the report that
he pays the grocers and delicatessen men to get--you know--doubtful
canned goods, and not too fresh sea foods and all that--so there'll be
more ptomaine cases?"

"What a good idea!" Warble cried. "I had not heard of it, but if Bill
does that he's more efficient than I thought him!"

"I spose he's terribly in love with you?"

"Bill? Oh, yes. We adore each other."

"I didn't know. The Petticoats are all so thin--"

"Yes, a change is always pleasant." Warble gave her engaging smile.

"Maybe. That Daisy Snow now--she's so pretty _and_ slender. Dr.
Petticoat seems mighty fond of her."

"Well, you know what doctors are. Nice to everybody, of course. There's
no telling who'll have ptomaine poisoning next."

"Oh, yes, you can always tell that. It's sure to be Iva Payne. She's
awful attractive, too. You must be worried about your man, Mrs.
Petticoat."

"I do worry a lot. It keeps my flesh down. Tell me more to worry about."

"Well, there's Lotta Munn, of course. I suppose you haven't a fortune of
your own?"

"Oh, yes; I'm enormously rich in my own right."

"You are! Why, where did your husband get you?"

"He got me out of a mail catalogue." Warble made a face at her. "Must
you go, Mrs. Boddy?" she rose. "I won't ask you to come again, as I know
how you love your own home and fireside. Goodby."

Though Mrs. Holm Boddy put up a strong resistance, Warble pushed her out
of the front door and slammed it after her.

"That woman has left finger marks on my nice clean soul," she said, as
she went down to see the cook about the sausage.



CHAPTER VII

She had reached the peak of excitement in a confident decision that her
party should be a success.

In the morning she interviewed the cook.

"You can spread yourself on the feast, François," she said, "have
any old menu you like so long as it's edible and enough of it. But
especially I want you to make for me one hundred custard pies."

The French chef looked puzzled. He was an expensive chef and part of his
duty was to look puzzled at any plain-named dish.

"But, Madame, I do not know ze custard pie. Is it a crême paté?"

"No, it isn't a krame puttay, nor creamed potatoes, but cus-tard
pie--see? _Pie_! Oh, don't stand there looking like a whitewashed clown!
Get out of my way, I'll make them myself!"

Flinging on one of the chef's jackets and aprons, Warble flew at the job
and with a battalion of helpers breaking eggs and skimming cream, she
herself tossed the flour and shortening together for the crust.

Efficiency scored and in an incredibly short space of time eight dozen
custard pies were cooling their heels in the pantry windows.

"Not to be served with the supper," Warble warned the butler, "when I
want them brought in I'll tell you."

Beer dressed Warble for the party, Petticoat standing by and advising.

The gown was a few wisps of henna-colored chiffon which fitfully blew,
half concealed, half disclosed a scant slip of jade green satin.

Flesh-colored stockings, Petticoat decreed, and henna slippers with
carved jade buckles.

"Now, her hair--" he mused, leaning on his folded arms over the back of
a chair.

He walked slowly round Warble.

"Oh, wopse it up anyway," he said, "and tangle some jade beads in it.
She'll stand that."

His orders were carried out and Beer clasped her hands in silent ecstasy
at the result of the combined efforts of herself and her master.

"Some day, Warble," Bill said, "I'll teach you how to dress becomingly."

"And I'll teach you how to undress becomingly," said Beer, not wanting
to be outclassed in her own game.

Warble waved Petticoat out of the room, dismissed Beer with a simple
"Get out!" and then quickly flung off the clothes she wore and hopped
into a little frock of white organdie and cherries.

She wadded some hair over each ear, piled up the rest in a moppy coil
and crowned it with a wreath of cherries.

The party came.

"Good Heavens!" Warble thought, as she looked at the smart, bored crowd,
"have I got to bring these hifalutin creatures down to earth? I don't
know that I can make them laugh, but I'll give them a jolt!"

She did.

Her cherries bobbing, two long-stemmed ones held between her teeth, she
flew around like a hen with its head off.

"You see," she explained, "it's a Mack Sennett party, everybody puts
things down everybody's back. Like this--and here are the things."

From a tray brought by a footman, Warble selected a fuzzy caterpillar
and turning quickly dropped it down inside the soft collar of Trymie
Icanspoon, a poet, who _would_ dress as he pleased.

He went into amusing spasms and everybody took something from the tray.
There were cold raw oysters, bits of ice, thistles, cooked spaghetti and
plain granulated sugar. They had to put them down the backs of the men
only, because the fashionably dressed ladies hadn't any backs to put
them down. You can't put an oyster down two crossed strings of pearls.

It caused great hilarity to see the Reverend Goodman standing on his
head, trying to lose a red-hot silver dollar; and Daisy Snow, whose
débutante frock was available for the purpose, wriggled beneath the
tickling crawling of a large but harmless spider.

Warble was almost in hysterics over the funny antics of Goldwin
Leathersham down whose loose and ample collar she had herself poured a
glass of water on two seidlitz powders.

"Next," she cried, clapping her hands, "we'll have an artistic game.
Here it comes."

Lackeys and minions brought in pails of kalsomine, of various tints,
some of pale pastel shades, others of deep rich hues. One was given to
each guest, and each was provided with a beautiful new whitewash brush.

"Now," Warble explained, her blue eyes dimpling with delight, "you each
make a splash on the wall--a big, hit-or-miss splash. Then we each try
to evolve a lovely picture by few bold strokes."

This was great fun.

Manley Knight, with a mighty splash of color that landed on a Fragonard
panel, had quite a good start for a "Storm at Sea." He worked it up with
fine technique and you would have been surprised at the result.

Iva Payne took a splash from several different pails thereby achieving a
Cubist landscape. It was entitled "High Tide off the Three-mile Limit,"
and was a startling success.

Daisy Snow, timid little dear, made but a tiny daub and worked it up
carefully.

"That," she said, "is a miniature of Big Bill."

All in all, it was gay sport, and even Mrs. Charity Givens took part,
though she protested she was no artist and couldn't even draw a straight
line.

The next performance was a contest between Adam Goodsport and Avery
Goodman.

Bets were made on the two contestants before the betters knew what the
scrap was to be.

"It's a character sketch," Warble explained. "Mr. Goodsport tries to
blacken Mr. Goodman's character, while the Rector tries to whiten Mr.
Goodsport's character."

Avery Goodman was then presented with a bag of flour and Adam Goodsport
was handed a bag of soot.

They went at it hand over fist, and in a few moments the blacking
and whiting process was so complete that both were pronounced perfect
transformations and all bets were off.

Faces, hands and clothes were alike befloured and besooted, until
Goodman was a veritable Blackamoor while Adam Goodsport looked like a
Marcelline.

A few eyebrows indicated a suspicion that Big Bill Petticoat's bride was
a Little Mischief, but nobody said anything about it.

"If I can only reform them," Warble thought to herself, "if I can only
make them like and enjoy this innocent fun instead of wearing their poor
brains out over capitalled Art and Literature."

"Now," she said, briskly, "we're going to play a game I learned in
Shanghai. All take off your shoes and stockings. No one excused--come
on--off with them."

Beer and a few other maids came in to assist the ladies, the men were
properly valeted, and the barefooted crowd sat waiting further orders.

Daisy Snow made a remark about being a maiden with reluctant feet, but
nobody noticed it.

Several seemed rather relieved than otherwise at the condition imposed
upon them.

"Now," said Warble, but before she could go further, Adam Goodsport
butted in with:

"Oh, please, Mrs. Petticoat--oh, please! Such an opportunity! May never
occur again! Oh, can't I--may I not--oh, dear lady, do say yes--"

"Lordy, what do you want to do? Speak out, man!"

"Why, you see, I am a solist--like a palmist you know--but as to feet.
I studied solistry in Asia Minor and I know it from the ground up. Oh,
please, Mrs. Petticoat, let me read your sole!"

"Do," cried Warble, "love to have you."

She plumped herself into a pillowed divan, and held her little pink feet
straight out in front of her.

Goodsport, sitting on a cushion at her feet, took one and scrutinized
the sole.

"The Solar system," he began, "is interesting in the extreme. It was
invented by Solon, though Platoe also theorized on the immortality of
the sole. His ideas, however have been discarded by modern footmen.

"Locke, is his treatise On the Human Understanding, discusses the
subject fully and with many footnotes, and old Samuel Foote himself cast
footlights on the subject."

"Now, looky here," Warble objected, "I won't have a lecture in my house!
I object to anything of an intellectural nature."

"This has nothing to do with the intellect," Adam assured her. "Quite
the reverse, now, you listen. It's really interesting. The palmist may
claim to read the true character from the lines of the hand, but it is
only by solistry that the real sole is laid bare and the character of
a subject in any walk of life is exposed. The lines of the sole are
greatly indicative of character, for all traits must draw the line
somewhere. Now, Mrs. Petticoat, this line extending from the Mount of
Trilby to the outer side of the sole is the life line. If that appears
to be broken it indicates future death. If more pronounced on one sole
than the other, it implies that the subject has one foot in the grave.
You haven't, don't be alarmed. Here is the headline, straight and
continuous, showing a long and level head."

"Ouch," remarked Warble, "you tickle. Try somebody else," and she drew
her feet under her.

"Me," exclaimed Daisy Snow, coming over and holding out her dainty right
foot.

"H'm," said Goodsport. "This line running from the Mount of Cinderella
to the heel is the clothes line and denotes love of dress. This line
crossing it is the fish line and shows you are incapable of telling the
truth."

Daisy flounced away, mad, and Mrs. Charity Givens, with some
trepidation, offered her ample and generous foot for dissection.

"A thorough, broad understanding and a friendly footing toward all,"
declared the solist, "and no danger of misunderstanding. However, your
broken headline indicates pugnacity."

"Nothing of the sort!" she snapped at him, and waddled away.

Goldwin Leathersham, greatly interested, insisted on having his pedal
interpreted.

"Mount of Atalanta highly prominent," said Goodsport, "that means
you are a runner, either for office or for pleasure. Here is a line
meeting--that indicates a railroad man. H'm. A well-developed football
shows you have been to college. You seem to be inclined to solemates--"

But Leathersham had taken to his heels.

"Please," said Iva Payne, gracefully offering her long psychic foot for
perusal.

"Ah, the poetic foot!" the soloist exclaimed. "There are two kinds
of poetic feet--the Iambic and the Trochaic. You have one of each. In
poetic feet the heels are often found in French forms. But poets are
a footloose class and are often found with lame and halting feet. You
don't seem to be a poet."

"Never said I was," retorted Iva, shortly, and Warble said, "Stop this
nonsense, it makes too much kicking. Now we're going to play the game I
learned in Buda Pesth."

She led them to the picture gallery which had been prepared for the game
by having many sheets of fly-paper placed on the floor, sticky side up.

"It's Fly-paper Tag," she said.

It _was_ Fly-paper Tag--she was quite right.

"You're it!" screamed Mrs. Givens as she pushed the minister over onto a
sheet of fly-paper.

"It yourself," shrieked Leathersham adroitly shoving a sheet where he
saw Mrs. Givens would light next.

* * * * *

Warble was certain she was a great reformer.

Yet would these reformed people stay reformed?

True, they were now in the spirit of her party, Mack Sennett himself
couldn't have asked a better interpretation of his own vital principles.
But had they come to realize that this after all was the real thing, the
true ideal?

Warble feared.

* * * * *

They were a stuck-up lot. The fly-paper had intrigued them all. Not only
were they all half-soled with it but the merry wags had decorated the
ladies' bare backs and the men's coated backs, until all looked like
sandwich men or peripatetic ragpickers.

Trymie Icanspoon crowned Mrs. Charity Givens with a fresh sheet of
tanglefoot and Warble hilariously made a foolscap of another for the
Rector's bald head. Judge Drinkwater folded Daisy Snow's two little
hands together, then wrapped them tightly in fly-paper, and shook with
laughter to see her futile attempts to get free.

"Naughty man!" she cried, "to make poor little me so helpless!" With
a spring she flung her entangled hands over the Judge's head, and hung
round his neck like a pretty little millstone.

Warble relaxed, and found that she was shockingly tired and very hungry.

But she was the stuff of which true reformers are made and Martin Luther
had nothing on her.

Then Beer came tripping in with a pile of varicolored garments which she
held up to view.

"These," Warble announced, "are the real Mack Sennett costumes. They
are one-piece bathing suits, I got them from an importer of contraband
goods. You are to put them on in place of your clothes. And please
forget that you are Butterflies and turn into bathing beauties and
champion swimmers."

While they were shyly getting into the suits, she donned her own, a
little scalloped apron effect, with cross-strapped sandals, and a silk
bandanna knotted round her head.

She glanced about and saw Big Bill Petticoat beaming with proud glee at
his wife's social success, and looking lovely himself in a black satin
one-piece, with jet shoulder straps.

For a second Warble could see only Petticoat's pink cheeks and perfected
eyebrows. Then she shook off the spell and keyed up.

"We're going to have an obstacle race," she announced, "all over the
house. You must follow me, wherever I go. I shall lead you a dance! And
then I shall come last to the lake in the front hall, and whoever is
nearest me there, will be rewarded."

Yet even as she spoke, she overheard Trymie whispering to Iva Payne,
"Yes, I believe that the new art era into which we are now slipping,
will worship beauty for itself alone, and that art, sublimated by--"

She turned away, sick at heart.

Why bother, her tortured soul cried out. Yet the irrepressible impulse
of reform egged her on and it was a perfectly good egg.

She flew past Petticoat, only pausing to shout, "Like it all, my tramp?
Yes, it _is_ an expensive party."

Then she led her followers a mad race. Sliding down banisters, squeezing
into dumb waiters; crawling under beds and out the other side; jumping
in and out again of bathtubs full of perfumed water. Out of windows, in
at scuttles. Through booby-traps of half-open doors, on the lintel of
which were perched pans full of live crabs or little boxes of mice.

On rushed the horde, Mrs. Givens panting from over exertion, Goldie
Leathersham limping because of a crab hanging to his great toe.

On they went, and at last, as Warble drew up at the lake in the hall,
she was closely followed by Trymie Icanspoon, and true to her promise
she rewarded him by pushing him into the lake. It was but a shallow
pool, he couldn't drown, but the fun of it was, Warble had caused the
water to be drained off and the tank filled with mayonnaise.

Wherefore Trymie's soft plop into the oily depths was of a ludicrous
nature.

Then the guests were allowed to resume their own clothes and supper was
announced.

Conversation turned to art matters, and Leathersham who was a collector
of many various rarities asked Petticoat how his new collection was
progressing. The collection was one of early American Pieplates.

"Doing well," Big Bill answered. "I have just achieved a yellow earthen
John Adams, that is authentic and very rare. Except for my Barbara
Frietchie tin one, it is perhaps the gem of my collection."

"Good!" Leathersham exclaimed, interestedly, "may I see it?" Petticoat
summoned a lackey and two minions and sent them to his curio room to
fetch the plates. But they returned with the startling announcement that
all the pieplate collection had disappeared!

"Heavens and earth!" Petticoat cried. "Lock the doors, search the
pockets! Why, that collection is worth millions!"

"What's the matter?" Warble inquired, seeing the hullaballoo. "Oh," as
she was told, "I used those plates, dear. I was making a lot of pies and
our pieplates gave out."

"Making a lot of pies?" Petticoat repeated, wonderingly, while Marigold
Leathersharn murmured, "How quaint!" in a supercilious way.

"Yes," went on Warble, unperturbed. "Want to see 'em?"

They did, and all went to look at the eight dozen custard pies in the
pantry windows.

"Whoopee!" shouted Petticoat, "here's where I take the helm! Cut out the
rest of the formal supper, and let's have a pie eating contest."

It warmed the cockles of Warble's heart to see how they all fell in with
this suggestion. Could it be? Was she really having some effect on their
terrible aestheticism at last?

Absorbed in her thoughts, she ate her pies and when the contest was over
the prize was awarded to Warble Petticoat. "Oh," she cried, astounded.
"I wasn't in the game at all! The hostess never should be. I was just
eating what I wanted."

"You're a dear," Marigold Leathersham said to her. "I'm going to love
you. How your husband must adore you, you pretty thing."

"Yes, he does." Warble stated. "At least, he says so."

"He's a truthful man," Marigold declared, "you'd know that just to look
at him. There's something in his face just now--"

"It's pie," said Warble, "he's very fond of it."

To Warble's great delight there were enough pies left for her final
entertainment.

"Folks," she said, "this is a Mack Sennett party, and it wouldn't be
complete without throwing custard pies. So we will choose sides."

Judge Drinkwater and Goldwin Leathersham were made captains and they
chose sides.

The party being thus divided, they bombarded each other with custard
pies after the manner of certain comedians, till there wasn't a round of
ammunition left.

Then Iva Payne said she felt sick and wanted to go home and of course
just for that they all had to go.

"The nicest party ever!" they chorused at parting. "So novel and
_naïve_--so quite entirely out of the ordinary."

As the last pied guest disappeared she turned wearily to her Petticoat.

"I tell you, Warb," he said, "you are sure one corker! You put 'em to
sleep all right! Now you've shown 'em how, you bet they won't go on
having their stupid highbrow intellectural old gatherings. Hop along to
bed, little tired Lollipop."

His long lithe arms gathered her forcefully to him, and her irritation
at his strength was lost in her admiration of his grace and skill in
imparting affection.

* * * * *

From _The Butterfly Centerpiece_:

The Mack Sennett party at the home of Dr. Bill Petticoat was a hundred
per cent success. Little Lady Petticoat is nobody's fool. She knows that
a lucky punch is her only chance. A short, swift hook, straight from the
shoulder. The pretty Warble is a perpetual promise of joy, yet she shows
symptoms of curvature of the soul--and it is, so far, a toss-up whether
she will have her passport _viséd_ or be given the gate.

* * * * *

The week after, the Leathershams gave a party. The gilt-chaired audience
listened to Sable Caviaro the new Russian violinist and Slubber D.
Gullion, who discoursed on the Current Trend of Current Bolshe Vikings.

The refreshing episode consisted of champagne and Saratoga chips.



CHAPTER VIII


The Restless Sexteen was the record altitude of Butterfly Center. It was
the elect and select of the intellect; it was the whole show--the very
Wholly of Whollies. To belong to it was canonization. Though some of its
members also belonged to the Toddletopsis Club, it meant their leading a
double life.

The Restless Sexteen were mostly young married women with their husbands
as nonresident members.

They studied higher psychology and broader psychopathy. The wrestled
with and threw Einstein and let themselves dream again with Freud.
Psychoanalysis was their washpot, and over the fourth dimension did they
cast their shoes.

Their afternoon digest was held at Faith Loveman's and Warble went.

The Loveman home was an abstract bungalow, which showed rather plainly
the iron hand in the velvet glove influence of the Japanese.

The large light hall had a built-in abstract table, and on this was an
enormous bronze plaque which held a thin layer of water on which rested
one pansy.

Faith's devotion to the Doctrine of Elimination allowed nothing else
in the hall, but in the living room there were three whole pieces of
furniture besides, of course, the caterer's gilt chairs brought in to
hold the restless sex as they tried to rest from their restlessness.

Faith Loveman looked curiously at Warble.

"You can't be very restless," she observed, "you'd be thinner."

Warble smiled engagingly.

"I do want to be thinner," she conciliated, "how can I?"

And, somehow, that started them all off. They restlessly gave advice,
recommended certain exercises, uncertain drugs and most unattractive
diets.

They told their own experiences, extolled or berated their masseuses,
scribbled addresses of corsetieres for one another, and in their
interest and restless excitement they forgot all about Warble and she
wanted to go home.

But she had her mission to perform, and she waited until they restlessly
changed the subject.

They discussed current plays and seemed to get out of them far more than
the author ever put in. They talked of a picture exhibit at the Gauguin
Galleries, but this was as Choctaw to Warble; not a word could she
understand.

"Are you of the cognoscenti?" asked Faith Loveman of Warble. "I know
all about art but I don't know what I like," she returned, blushing
prettily.

"Oh, we'll teach you that. That's what this club is for, to help us to
find ourselves, to give our restlessness an outlet to express the ego in
our cosmos and illumine the dark patches of our souls. We're riding the
pace that kills, living at the tension that snaps, blowing the bubble
that breaks. We need an outlet--a vent--you understand?"

"Yop," said Warble, "your soul pressure is too high."

"But we want it high--we love it high--we're restless--we're keyed up,
taut-strung, and hungry for soul food."

"I s'pose that's the only kind you have at these meetings."

Faith Loveman stared so hard that Warble made a face at her and went
home.

* * * * *

She reflected.

"It was my fault. I might have known restless people wouldn't eat. And I
knew I couldn't bite on their restless sex problems. A big one seems to
be how to get thin and how to stay so. They were all ready to drop the
high sign babble for that! But all women are. They took it up again.

"Can I reform them? Or shall I be sucked in, like Italians eat
spaghetti, and my personality absorbed by the Butterflies, till I
forswear all I stand for--all my utilitarian ideals shattered, all my
prosaic hopes dashed, all my common sense wrenched from me, and my
poor little brain-pan filled with the soul-mash of these high-strung
sexaphones?"

She ignored Beer's offer to undress her, she ran upstairs to an
unfrequented bathroom, and flinging off her clothes, she got into the
tub and wept in terror, her body a round pink blob in the briny water.

But, thought the poor child, it's the most sensible place to cry.

When Petticoat came home she said:

"Honeybunch, let me in on your professional secrets. Tell me more about
your most interesting cases. It might make me restless."

"Nothing much to tell. Life just one ptomaine after another. Cases all
alike except for the primal cause."

"Well, tell me something. Where've you been just now?"

"Over to Iva's. She had 'em again. Ripe olives. Getting better. Where
you been?"

"To the Restless Sexteen Club."

"Like it?"

"I don't get it. They talk about things that aren't there. But I think I
could make them see--"

"Oh, cut it out, Warble. You'd dust books so hard, you'd dust off the
gilt edges. They're deep-sea thinkers, that bunch--let 'em alone. What'd
they talk about?"

"About a book called 'Painted Shawls' or something, and about
Thyco-Serapy, and about a play called 'The Housebroke Heart.' Take me to
see it, will you, Bill?"

"You wouldn't like it. You'd prefer the movies."

* * * * *

Four days later, Daisy Snow called and gave Warble a jolt or two.

"Huh, sizing me up, are they?" Warble sniffed. "Looking at me through
the footle, distorted little microscope of their own silly scrubby
little souls! Pooh, they couldn't, one of them, make a decent puff
paste!"

"But we can get cooks to do that. The Intelligentsia seek for the rare
essence of thought, for colored words and perfumed cadences--"

"There, there, Daisy, don't try me too far! What did Lotta Munn say
about me?"

"Oh, she didn't say much. Just that you're too stout and you haven't
any ideals and you don't know a picture from a hole in the wall, and she
thinks a man like Dr. Petticoat is wasted on you."

"Huh, she used to like Bill herself, didn't she?"

"Does yet. She's poisoned nearly as often as Iva Payne is."

"H'm; anybody else after Bill?"

"Only May Young."

"And you."

"Oh, me! I'm just a débutante. I'm not after anybody yet."

"Well, you keep off my Petticoat preserves! That Big Bill person is
mine--and I won't stand for any nonsense about that."

"My goodness, Warble, I didn't know you had so much spunk. Lotta says
you haven't any."

"She'll find out! Go on, what else did the cats say?"

"They made fun of your party--"

"Oh, my party! That I tried to make so nice and gay and festive!"

"They thought those bathing suits were--er--rather bizarre--"

"I _didn't_ get them out of the Bazar! I thought it all up myself. And
they made fun of it! Go home, Daisy Snow, I've got to reflect."

* * * * *

Like a very small, very spanked child, she crawled upstairs on her hands
and knees.

It was not her father she wanted now, but an old Petticoat ancestor,
dead these two hundred years. Petticoat was dawdling on a _chaise
longue_, absorbed in a small mirror, and wondering whether one more
hair out of each eyebrow would strengthen the arch from a purely
architectural viewpoint.

"What's the trouble?" Warble asked, "broken down arches?"

"Nope, guess they're all right."

"Say, Bill," and she crept into the hollow of his chest, "are folks
talking about me?"

"They sure are."

"What do they say?"

"Well, I hate to stir up trouble, but since you began it, I may as
well own up they think you're just about as lowbrow as they come. And I
s'pose you are."

"Oh, well. And what about the girls? Are they jealous of me?"

"Sort of. Lotta says if you cut her out with Trymie Icanspoon, she'll
elope with me."

"And will she?"

"Not if I reach the ticket office first. Besides, I like Iva better."

"Oh, Bill, don't you love me any more?"

"Course I do, Little Fudge Sundae. But a popular doctor has
responsibilities."

"I know. I don't mean to be unreasonable. But let's keep peace in the
family as long as it's convenient--see what I mean?"

"I see. Do you think I'd like my new pajims better trimmed with frilled
malines, or just decorated with a conventional pattern of gold soutache
braid?"

Warble, sitting on the other end of the now separated _chaise longue_
made no reply, except to scratch her leg a little.

Petticoat yawned, took a stroll round the room, tried on a new dressing
gown, mixed himself a highball, smoked three cigarettes, glanced through
"What the Swell-dressed Man can Spare," wound his watch, put out his
Angora cat, yawned again, sneezed twice, stomped out in the hall and
back, and then went and stood in front of the fireplace, teetering on
his heels.

But until he bawled, "Aren't you ever going to clear out?" she sat,
unmoving.



CHAPTER IX

Lotta Munn ran in occasionally. She was of the anecdotal type. The
stories she told made one gasp. They were always prefaced by an "Oh, my
dear, I can't tell you _that_ one--it's _too_ awful!"

Warble didn't care much for these tales, indeed, frequently missed the
point, and laughed purely from a sense of duty.

As she observed to Petticoat, one day, in exasperation, "There are only
two classes of women in this world--women who tell naughty stories, and
women I have never met!"

Also Lotta Munn was by way of being complimentary. She told Warble that
old Leathersham thought her a peach, and that Trymie Icanspoon declared
he was going to make love to her.

That Mrs. Charity Givens had heard she was a great heiress, and meant
to stick her for a new hospital. That Le Grand Paynter wanted to do her
portrait, life size and full width, and that the Reverend Avery Goodman
said she was very light on her feet for a fat woman.

The last made Warble mad and she made a face at Lotta and sent her home.

* * * * *

A rose-colored June day. Meringues of cloud floating on a sky of
cerulean custard.

She crawled out for a walk. It was ninety-eight in the shade, too hot to
run much.

She walked down Ptomaine Street, her nose shining, and pearly drops
chasing each other down her back like rain on a car window pane.

In her tucked white dimity and ankle-ties, her pink sunbonnet and her
tiny, frilled parasol, she was as much out of place in the aesthetic
town as whipped cream on a grapefruit.

She circled the outskirts of the town, and noted the massive and
imposing gateways to the great estates. She knew the grandeur inside,
she had been there. Cubist landscapes, some of them, others were Russian
steppes, and in one instance a magnate was having the ruins of an
Egyptian temple excavated on his grounds, which he had previously with
difficulty and at great expense had buried there.

She did not know what to do about it.

She felt, intuitively, that these men would resent her criticism of
their homes. Yet she couldn't let it go on--this gigantic inutility,
this mammoth lack of practical, efficient management.

Why, the ground sunk in a sunken garden would raise crops enough to feed
an army--and Lord knew how soon they might be needed.

And then she happened to think that reform, like charity should begin at
home, and she decided to start in on Petticoat.

She did.

* * * * *

They were sitting in their home-like Tower of Jewels, and, a bit
timidly, Warble said, "Let's pote quoetry to each other."

Poor child, nervousness or emotion always made her reverse her initial
letters.

"All right," Petticoat returned, good naturedly, "you begin."

Just what Warble wanted! Fate was always good to her.

"I will, because I hope to reform your tastes, dear, and teach you to
see the beauty of simple beautiful poetry. Listen to this:

  "Weep and the world weeps with you,
  Laugh and you laugh alone--"

"That'll do, Warb. Don't go too far. Now it's my turn. But, you know,
dear, quoting isn't everything. You must learn to dissect, to interpret,
and above all to trace the influences that swayed the poet.

"Now I'll read you a poem picked at random, and then I'll trace the
influences for you."

Petticoat reached out a languid arm, picked up a current magazine and
read:

  "'FULFILMENT

  'Here, at your delicate bosom, let death
  Come to me
  Where night has made a warm Elysium,
  Lulled by a soft, invisible sea.

  'Now in the porches of your soul I stand
  Where once I stood;
  Fed and forgiven by a liberal hand,
  My broken boyhood is renewed.

  'You are my bread and honey, set among
  A grove of spice;
  An ever brimming cup; a lyric sung
  After the thundering battle-cries.

  'You are my well-loved earth, forever fresh,
  Forever prodigal, forever fond,
  As, from the sweet fulfilment of the flesh,
  I reach beyond.'"

Noting that Warble was still awake, Petticoat discoursed:

"In the first line, we note the influence of Swinburne. There could be
no better start out. The Swinburne collocation of delicate bosom and
death is both arrestive and interesting. The third and fourth lines
denote the influence of Poe. To be sure, 'a warm Elysium' sounds like
a new and appetizing soft drink, but that is not what is meant; and the
sea is indubitably the one that sounded around the tomb of Miss Annabel
Lee.

"The second stanza opens under pure Tennysonian influences. This may
not be clear at first to the beginner in influence tracing, but it
is unmistakably so to the expert. The recurring sibilants, the sound
without sense, the fine architectural imagery, all point to the great
Lady Alfred. The latter half of this stanza is due entirely to the
strong influence of D. W. Griffith. The poem was, without doubt, written
after the poet had been to see 'Broken Blossoms,' and the liberal
hand from which that production was flung to a waiting world left its
ineffaceable finger-prints on his polished mind.

"Now we come to stanza three. The first line shows the influence of
Mother Goose; the second is an unconscious echo of Solomon's Song; the
ever-brimming cup owes itself to Omar; and the rest of the stanza to
Rupert Brooke.

"Thus we see the importance of widespread reading, and a catholicity of
influences.

"Influence is wonderful! To invent a new simile, it is like a pebble
dropped into a placid lake; the ripples form ever-widening circles, and
the influence of an influence is never wholly lost.

"Perhaps--and this is quite as it should be--the final stanza is the
finest of all. It starts out under the influences of Walt Whitman. Had
Walt been omitted, the whole structure would have tumbled to the ground!
No self-respecting poet now-a-days writes without being influenced by
Whitman. It isn't done. It would be as indiscreet as to appear in one's
shirt-sleeves. The influence of the good, gray Poet _must_ be felt, must
be _shown_, or the budding bard is out of the running. Only a dash
of Whitman is needed--'my well-loved earth' and 'prodigal' are quite
sufficient.

"'The sweet fulfilment of the flesh' is a final roundup that gracefully
blends Whitman's and Ella Wheeler Wilcox's influential powers--and,
incidentally, justifies the magnificent title of the poem.

"Then, as a crowning triumph, note the splendid last line, a masterpiece
brought about by the influence of Sir Oliver Lodge and his spiritistic
ilk! Could anything be finer? What imagery for a last line! What a
break-off, leaving the gasping reader in a state of choking suspense,
of avid, ungratified curiosity! A great poem indeed, and influenced by a
noble army of writers.

"Nor is the manner of the thing all that matters. The theme--the great
idea of the whole affair--is a marvelous example of influence. The New
York State Legislature recently passed a bill making attempted suicide
no longer a punishable offense. If successful, it is, like virtue,
its own reward. Indeed, it has to be, for as the Penal Code distinctly
states, owing to the impossibility of reaching the successful
perpetrator no forfeiture is imposed. But the new law lifts the ban from
futile efforts in the matter of self-destruction, and one need not pay
the hitherto exacted fine of a thousand dollars by way of a luxury tax
on such diversion.

"Can it be doubted, then, that our Poet read of this new law, and--it
may be unconsciously--was so influenced by it that he devoted sixteen
lines of his precious verse to the expression of his willingness to let
death come to him?"

"I don't blame him for being willing, and I wouldn't put a straw in
Death's way," said Warble, earnestly. "I'm glad you read me that, Bill,
for that is just the sort of thing I mean to eradicate from your system.
It's like a disease, this aestheticism of yours--it's the Culture
Ptomaine."

"Now, hold on, Dumpling Dear, do you know a culture from a ptomaine?"

"Oh, I don't mean the cultures you take, I mean Culture with a big C.
It's a poison, and as you cure ptomaine poisoning, I'm going to cure
this town of its deadly art poisoning. I'm in revolt."

"That's right, everybody who is anybody is in revolt against something
nowadays, because our knowledge of the truth is too great for our
existing conditions, and it bursts--"

  "Like poor Betsy Binn, who was so very pure within,
  She burst this outer shell of sin,
  And hatched herself a cherubim!"

Warble interrupted.

"Yes, or as Gertrude Stein puts it: 'It is a gnarled division, that
which is not any obstruction, and the forgotten swelling is certainly
attracting. It is attracting the whiter division, it is not sinking to
be growing, it is not darkening to be disappearing, it is not aged to
be annoying. There cannot be sighing. This, is bliss.' There you see how
art is greater than life--how--"

"Do you think I'm too fat?" Warble again interrupted him.

"I do, my dear. You weren't, I think you are, I know you will be."

"Would you love me more if I were--didn't weigh so much?"

"Yes, in exact inverse ratio."

Warble made an awful face at him, and then she went quietly around
behind him, and dropped down his back a little fuzzy caterpillar, which
she had tied in her handkerchief for that very purpose.

       *       *       *       *       *

It was her last effort to cure her husband of culture poisoning, but she
was not yet ready to give up her big idea of reforming Butterfly Center.

Warble was a determined little person, and, too, fate often gave her a
good boost, and she thought one was about due.

       *       *       *       *       *

She went to the Toddletopsis Club, at Lotta Munn's.

Lotta had inherited eight or ten town and country houses, and for the
moment was perched like a bird of passage, on her Roman villa, called
Seven Hills.

Warble's little electric Palanquin rolled through the arch of
Constantine and she ascended the dazzling flight of marble steps to the
entrance patio.

"Hello, Pot Pie," screamed Lotta, by way of greeting, "come on in, the
firewater's fine."

It was, and there was lots of it, and a group of long silk-legged
Butterflies were sprawled on the Roman couches, smoking and chatting as
they spun the Toddletops.

Warble was unfamiliar with the teetotum-like things, but the others
kindly instructed her. Moreover, there was a roulette wheel and some
other devices of which our litle heroine didn't even know the name.

Also, there were tables, where those who chose played high-staked
bridge, poker or rum.

Warble wasn't a born gambler. Games of chance had no appeal for her. She
wanted to make faces at everybody and run away. But she scolded herself
for being too superior and forced herself to stay with the bunch.

In a way, she was rewarded, for she won all the money from the others.
Her luck was monumental. Every different game she tried she took all the
stakes, and at last having broken the bank, she was forced to go home
for lack of occupation.

       *       *       *       *       *

She was a proud and stuck-up chit all the evening.

Trymie Icanspoon called and flirted something fierce. But it didn't mean
a thing to Warble, for the man was so saturated with art that it oozed
forth in his conversation and she had no idea what he was driving at.

He went home thinking she was the most deliciously tempting morsel he
had ever seen and the biggest fool.

       *       *       *       *       *

"No, I couldn't fall in love with him. I like him, as a gift-book, but
he's no man. Could I kiss him? Not with a real movie kiss.

"They say marriage is a lottery. I haven't drawn much. I mean in the
matter of love. I wish I had a Prince Charming. Bill would do, all
right, but he thinks I'm too fat. I wish I could get thinner--all of
them are. Lotta's like a golf club and Daisy's like a breadstick.

"I s'pose they were born that way.

"I wasn't.

"I wonder when we'll begin to keep a family.

"I'm crazy about Bill--I am--I am--

"Am I?

"All the girls are, too.

"Does he care for them? For any of them? For all of them?

"For that detestable Daisy? That disgusting Iva? That rotten Lotta!

"Oh, I may as well admit it--I just adore Bill!

"This frock is too tight--I must have it stretched.

"Yes, I'm mad over my husband--but--"

       *       *       *       *       *

She sought Petticoat in his rooms.

She tumbled into his lap, and he pushed her out until he could set aside
the Angora cat and the Airedale and his pet guinea pig, then he said
politely, "Is this your seat?" and she perched on his knee.

"Do you love me, dear?" she asked, her voice full of a dumb pathos.

"Ooooooooooooooooooo! I'm sleepy," he said, with a cavernous yawn and a
Herculean stretch that threw her out on the floor. "Want any money?" She
looked at him. He was not unlike John Barrymore in The Jest, and Warble
fell for him afresh.

"You are so beautiful--" she wailed. "I wish you loved me--"

"I wish I did," he returned, honestly, "but you are such a butter-ball."

"Oh, Butterfly Thenter calls anybody Butter-ball who weights over
ninety-five! If you're so cut up about it I won't live under this roof
another minute! I can earn my own living, and all I want, too! You can
get a divorce and marry some thread of a woman who has ptomaines all the
time!"

"Pish, tush, Warb, don't be a damfool! Lay off the melodrama. I do love
you--at least, I love ninety-five pounds of you. Now, will you be good?"

"Yeth."

"And will you try to think of me as a devoted and loving husband, even
if I'm not one?"

"Oh, my dear, I am unjust to you! I will take what you give me--what you
can spare from the little dog and the cat and the guinea pig. And I will
be your own little Petty Warblecoat. And I won't give you over to Iva
Payne--I hate her!"



CHAPTER X

The mail.

The Petticoats rarely received mail. It wasn't done much in Butterfly
Center. So unaesthetic.

On a tray, a lacquered lackey brought a letter to Warble.

A white letter. Large and square--ominously square.

Warble took tray and all and went with it to Petticoat's rooms--the
letter was addressed to him.

She tapped but there was no answer. Listening at the door, she could
hear him splashing in his rock-hewn bath and leaping, chamois-like, from
crag to crag of his quarried bathroom.

She sat down on the floor and waited. Petticoat's toilets were like
linked sweetness, long drawn out.

It was late afternon, before he emerged, fresh, roseate and smiling,
and imprinted a kiss on Warble's cheek that left the red stamp of a
lip-sticked mouth. Warble sometimes thought if it could be arranged as a
dating stamp, she could keep a record of when he had last kissed her.

Poor little Warble--she loved her Big Bill so fondly, and he only looked
on her as something fatter than his dog, a little bigger than his cat.
Timidly she proffered the trayed letter.

"Oh, my Heavens!" and Petticoat smote himself, hip and thigh. "Where
did you get this? Why was I not told sooner of its arrival? To me! And
postmarked Lake Skoodoow-abskoosis! Home of my ancestors! Woman! Why
this delay? _Why_?"

"It came this morning," said Warble, apologetically, "but you were in
your bath, and the door was locked."

"But this is a most important letter. Why didn't you slip it under the
door?"

"I couldn't," said Warble, simply, "it was on a tray."

"As I hoped--I mean, feared--" exclaimed Petticoat, tearing the envelope
from the sheet, "he is dead!"

It made Warble writhe to see the devastated envelope--she always slit
them neatly with a paper-knife--but she was thrilled by Petticoat's
excitement.

"A fortune!" he exclaimed. "My revered ancestor, the oldest of the
Cotton-Petticoats, has died and left all his wealth to me! A windfall!
Now we can afford to have a baby and get over the Moorish Courtyard,
too! Oh, Warble, ain't we got fun!"

He danced about the room, in his blue burnous and red tarbush, looking
more like a howling dervish than a tempestuous Petticoat.

Warble thought a minute. A baby would be nice--and perhaps she could
reform that more easily than she could older people.

"All right," she said, "and I'll have beautiful gaternity mowns
of shuffy fliffon--I mean, fliffy shuffon, no--shiffy fluffon--oh,
pleathe--pleathe--"

Warble's tongue always misbehaved when she was excited or embarrassed,
but Petticoat didn't notice her.

"I can send Roscoe Rococo after that Courtyard," he mused, "he'll know.
The last man I sent to Spain for a casemented façade, brought home a
temple! But Roscie knows, and he'll do it proper. I don't want to run
over just now--"

       *       *       *       *       *

The baby was coming.

Warble reveled in infant layettes and her own layouts for lying in. She
sank deeper and deeper in a sea of baby-clothes, down pillows and orris
powder. Nursery quarters were added to the house, influenced by Lucca
Delia Robbia and Fra Angelico.

Also a few influential Madonnas.

       *       *       *       *       *

The Butterflies came in with advice. Marigold Leathersham was dubious
about the wisdom of the plan, but brought a pillow of antique rose
point, filled with ostrich plumes.

Mrs. Holm Boddy rushed over with a copy of _Poems Every Expectant Mother
Ought to Know_, and Lotta Munn sent a card of diamond safety pins.

Iva Payne, the hateful thing, sent a Cubist picture of an infant falling
downstairs, but Warble couldn't make it out so its pre-natal influence
didn't amount to much.

Daisy Snow, innocent child, sent a beautiful edition of _How to Tell
Your Young_, a treatise of the bird-and-bee-seed-and-pollen school, and
Faith Loveman sent her own marked copy of _Cooks that Have Helped Me_.

But Warble made a face at them all, and gave their books to the
Salvation Army and read the Diary of Maggot Somebody.

       *       *       *       *       *

Another fate slather.

The baby was twins.

That was the way things came to Warble--fate in big chunks--destiny in
cloudbursts.

Two little red Petticoats all at once to hang on the ancestral tree.

But Warble was not caught napping. In her efficient way, she had
provided two bassinets, two nurseries--in fact, she had really provided
three of everything, but the third wasn't needed, and she thriftily
ordered it put aside for the present and for the future.

Dr. Petticoat was enchanted.

He saw the children first, asleep in their downy nests, tucked in by
the skilled hands of the staff of trained nurses, and as he gazed on
his offspring, his little tucked and quilted Petticoats, he named them
Guelph and Ghibelline, after two of his illustrious ancestors and ran
off at once to put up their names at various select and inaccessible
clubs.



CHAPTER XI


Petticoat had five hobbies. Ptomaines, his collection of pieplates,
Warble, his personal appearance and his Aunt Dressie.

The last was one of the old Cotton-Petticoats, and in her younger
days had been a flibbertigibbet. Was still, for that matter, but she
flibbered differently now.

She appeared unannounced, took up her favorite quarters in the N.N.W.
wing, and permeated the household.

Tall. Slender. Smart. Sport suits. Bobbed hair. Smoked cigars.

About fifty-five, looked forty, acted thirty.

Fond of boxing and immediately on her arrival hunted up the butler to
spar with him, being a bit off condition.

"I've no use for Bill," she would say, "with his custard pie ideals, his
soft-bosomed rooms and his purple and fine _lingerie_."

Then she'd embrace her nephew wildly, and promise to make him her heir.

She looked at Warble appraisingly.

"You're a tuppenny, ha'penny chit, with eyes like two holes burnt in a
blanket, and a nose Mr. Micawber might have waited for, but you'll do.
You get everything you want, without effort, and that's a rare trait.
What do you think of me?"

Warble made a face at her. "Corking!" screamed Aunt Dressie, "you come
straight from heaven and you've slid into my soul. Does Bill love you?"

"Not adequately."

"H'm. You love him?"

"Oh, yeth!"

"All right--love and grow thin, and then he'll come round. Or get a
case of ptomaine poisoning--that'd help. But don't take the matter too
lightly. If you want your husband, get him, if you don't, then let him
go.

"I've just let mine go. You see we had a place--a sort of Vegetarian and
Free Love Community proposition, but it didn't work out so we sold it."

"And your husband?"

"Oh, he's on his own for a while. I'm deciding what to fly at next. I
always ask nephew Bill's advice so as to know what not to do."

"Forgot to mention it," said Petticoat, strolling in, "but a few people
are coming to-night to help me plan for my new Color Organ."

"What's that?" asked Warble, gazing at Petticoat in azure-eyed
adoration.

"Oh, Lord, don't you know _anything_? Tell her, Aunt Dressie!" and
turning on his French heel, Petticoat walked delicately out of the room.

"Treat him rough, Warble, you're an awful fool," commented the older
woman. "Why, a Color Organ is that marvelous new invention that plays
color instead of sound."

"Color--instead of--sound--"

"Yes--now don't try to understand, for you can't possibly. Go and play
with the children."

"I won't. Tell me more about this thing."

"I won't. You can hear it to-night, when they all talk about it."

"What use is it?"

Aunt Dressie stared at her. "What use are you?" she said.

Warble's brain stopped beating.

Bump.

       *       *       *       *       *

What use was she--she, the utilitarian, the efficient, the practical!
What use? Grrrhhh!

She'd show 'em! The silly bunch! Not one of them could put together the
dissected beef picture in the cook-book if the cuts were separated!

"I don't care! I won't endure it!

"What's Aunt Dressie anyhow? A military blonde, with glazed chintz
undies! What's Marigold Leathersham? A smart party who wears a hat!

"What's Iva Payne? Nothing but a backbone--a shad! She's about the shape
of a single rose vase! Damn her! Damn Lotta Munn and Daisy Snow, yes and
May Young! They think they can charm my Bill off his perch with their
revolting artistic propaganda, and their schools and non-schools and
neo-schools! Rubbish!"

       *       *       *       *       *

And when they came--came and talked wise and technical jargon about
being endlessly enveloped in a toneless sound, about being drowned in an
overwhelming sea of blue, pure and singing, and a moment later dropped
into pale amethyst which in turn deepens to a threatening purple then
plunges you into a turmoil of passionate red, always and constantly
swirling and whirling and twisting and untwisting, gliding, approaching
and retreating in that haunted and inexplicable color space--

There was more--much more--but at this point Warble rose, made a
comprehensive, all-embracing and very outspoken face at them and went
down to the pantry.

"It's no use--" she groaned, "perpetual waste motion--and now waste
color! What to do--what to do!

"Yet I must reform them somehow. That Iva Payne! Like a pure, pale
lily--but I bet her soul has got its rubbers on! Lotta Munn--spinster
in name only--with her foolish pleasures and palaces--Daisy Snow, little
innocent-making saucer eyes at my husband--oh, Bill, dear, I love you
so--I wish I was pale and peakéd and wise and--yes, and artistic! So
there now!

"Well, there's only two alternatives. I must reform this toy town, or be
dragged down to their terrible depths myself!

"Aunt Dressie says, love and grow thin. I surely love Bill enough, but
if he doesn't love me--maybe I'd better try somebody else. It's done
here.

"But not Trymie Icanspoon! No, he makes me sick. I guess I'll eat
pickles."

       *       *       *       *       *

In the pantry she found the under scullery maid screaming with an
earache.

"You poor child," she said, sympathetically, "I'll run and get my
husband and he'll cure it."

She flew back to the room where the eager group had their heads together
over the blue prints and wash drawing of the new color organ. Pushing
in between Iva and Lotta she seized Bill by the arm and said, "hurry up
now--matter of life or death--Polly, the maid--dying--urgent case--"

By that time they were down in the servant's pantry where Polly was
moaning and groaning and wailing like a banshee.

"What is it, my dear?" Big Bill asked, gently, for Polly was a very
pretty girl. "Oh, my ear! It aches and stings and burns and smarts
and--"

"That'll do for a beginning," Dr. Petticoat said, rolling up his sleeves
and calling for basins of sterilized water and various antiseptics and
disinfectants.

"Can you do anything, Bill?" Warble asked anxiously, "it isn't
ptomaines, you know."

"That's the devil of it! Why couldn't the silly thing have had a decent
bit of ptomaine poisoning instead of this foolish earache. But,
it's more than an earache! The bally ear has been stung--or
something--anything bite you, Polly?"

"Yes, sir, a wasp."

"She says a wathp!" exclaimed Warble. "Oh, Bill, it may mean blood
poisoning!"

"Yes, that's true--it is--the ear will have to come off. Guess I'd
better call in old Grandberry to operate--he's an ear specialist--"

"Oh, no, there won't be time! She may die!"

Warble was dancing about in her excitement. "You can do it, Bill."

"All right. Get her up on the pastry table--there--that's all right.
Now we'll take her blood pressure--here, Warb, you be taking her
temperature, and send somebody for my stethoscope, and my case of
instruments--and my X-ray apparatus. Now, my girl, don't cry. We'll
fix you up." Petticoat lighted a cigarette and sat down to take Polly's
pulse.

"That's right," he said to the men who brought the things he had sent
for, "scuttle back for my rubber gloves, and the chloroform outfit. Tell
my man and his helpers to come down--I may need them--and bring me a
clean handkerchief."

"Now for an X-ray," he said, a little later, as he adjusted his portable
X-razor.

"Oh, it's all done," said Warble, "While you were taking her plood
bressure, I cut off her ear--"

"What with?"

"Oh, I had a boning knife and the sardine scissors. It's all right. And
I've fixed her hair lovely--in a big curly earmuff, so it will never
show at all. Be quiet for a day or so, Polly, and then you'll be all
right. The only trouble is, after this, orders will probably go in one
ear and out the other--"

"You're a hummer, Warble," Petticoat said, as they went back up stairs.

"Yes, it had to be done quickly, you see. And it was out of your line,
so I duffed in. But one thing bothered me a little. You see, the fire
was out, and the cook lighted it with kerosene, and she used such a
lot--something might of blew up."

"And you knew that! You knew that two Petticoats might have been blown
up--"

"Sure. Didn't you? Don't faint, pleathe!"



CHAPTER XII

Porgie Sproggins.

Cave man. Brute.

Hulking, enormous, shaggy-haired, prognathous jawed, a veritable
Cro-magnard type. Bluely unshaven and scowling.

Warble saw him first across the room at a picture exhibition in Manley
Knight's gallery.

His nose startled her. It was like an alligator pear--and his complexion
was like those cactus fruits that likewise infest fancy grocers' shops.
A visitor from the South Sea Islands? No, he wasn't that sort. He was a
Fossil. Vikings were in his face, and Beef Eaters and Tarzan.

Warble flew at him.

"Do you like me?" she whispered.

"No," he growled, and she kissed his hand which was like a hand by
Rodin.

Thus does the law of compensation get in its fine work. Warble
remembered the little boy at the public school, and she wished she could
give Sproggins a red balloon.

"What is he?" she asked of Trymie.

"A miniature painter," Icanspoon replied, "and a wonder! He does
portraits that fairly make the eyes pop out of your head! He's got the
world agog."

Warble drifted back to the attraction.

"_Do_ like me," she said, and shot him a glance that was a bolt from the
blue.

Warble was of the appealing sex, and hardly a man was yet alive who
could resist her.

Sproggins turned on her fiercely. He grasped her by the shoulders,
pressing them back as if he would tear her apart.

"Let me see your soul!" he demanded, and his great face came near to
peer down through her eyes.

"Ugh, merely blocked in," and he flung her from him.

"It isn't block tin!" she retorted, angrily, "it's pure gold--as you
will find out!"

He gave her another glance and two more grunts and turned away to devote
himself to Daisy Snow.

Bing! That was the way things came to Warble.

Fate, Kismet, Predestination--whatever it was, it came zip! boom!
hell-for-leather!

"It's not only his strength but his crudeness--like petroleum or
Egyptian art.

"He can control--

"Amazingly impertinent!

"He wasn't--

"But I wish he had been--

"He will be!"

       *       *       *       *       *

She went to see him--in his studio.

A bijou studio, fitted for a painter of miniatures. French gilt
gimcracks. Garlands of fresh pink roses, tied with blue ribbons.

"Get out," he said, staring at her a second and then returning to his
niggling at a miniature.

Warble made a face at him.

"Do that again," he commanded, reaching for a clean slice of ivory.

A few tiny brushmarks.

A wonder picture of Warble--made face, and all.

"Pleathe--Pleathe--" she held out her hand, and he dropped the miniature
into it.

"Why don't you hit it off better with your husband?" he demanded.

"Don't ask me things when you know everything yourself."

"I do. I paint a miniature of a face, and I get a soul laid bare."

"Your name? Your silly first name--"

"It's a nickname."

"For what?"

"Areopagitica."

"Sweet--sweet--" cooed Warble, dimpling.

"Oh, you popinjay! I wish you and I were ragpickers--"

"What!"

"It's my ambition. I don't want to be a miniature painter all my
life. But to be a ragpicker--ah, there's something to strive for! A
rattlebanging cart, with jangling bells on a string across the back, a
galled jade of a horse, broken traces, mismated lines--whoa!--giddap,
there! oh--Warble, come with me!"

He swooped her up in one gigantic arm, but she slipped through and
running around, faced him impishly.

"Would you really like me to go ridy-by in your wagon, and curl up in
the rags and watch the stars shoot around overhead?"

"No, better stay here--" he patted her shoulder gently, leaving a deep
purple bruise.

"Why?"

"Better not stay here--better go home."

"Why?"

"Goodby."

He took her up--it seemed to her between his thumb and forefinger--and
set her outside his door, promptly closing and locking it.

       *       *       *       *       *

She heard him return to his work. She trotted home. Her husband, as she
paused to look in at his door, greeted her:

"Had a good time?"

She could not answer.

He yawned, delicately. He was seated at his mirror, arranging his
wringing wet permanent in serried rows by means of tiny combs.

"Gooooo--oooo--oo--d night," he said.

That was all. Yet she was kinda mad.

       *       *       *       *       *

A footle, twaddly love affair! No art. A silly little dumpling
smattering with a brute beast.

"No, he is not! He has noble impulses--ragpicking--inspired! His eyes
were misty when he spoke of it--

"A way out of Butterfly Thenter!

"A ragpicker's cart--

"A way out--"

Petticoat held her up.

"You seem a bit gone on that tin-type fellow, Sproggins."

"Yop. Maybe I'd better go to Atlantic Thity for a while."

"Oh, no, you stay here. A lady's place is in the home."

       *       *       *       *       *

So she was fairly thrown at Porgie.

Another downpour of fate. And Warble, caught without an umbrella or
rubbers.

The night came unheralded.

Petticoat had gone to Iva Payne's on an urgent summons--over-ripe
sardines--and Warble had wandered out into the moonlight.

Petticoat, out of his new wealth, had, like Kubla Khan in Xanadu, a
stately pleasure dome decreed, and in this new architectural triumph,
where water lilies and swans floated on the surface of a deep black
pool, Warble restlessly tossed in a welter of golden cushions, changing
her position every ten seconds.

A giant lumbered in.

"Porgie!"

"Saw your husband speeding away--couldn't stand it, dropped in. Take me
upstairs--I want to see your shoe cabinet."

"Oh, don't spoil everything. Be my gentleman friend. Tell me about your
dreams and ideals--your rags--"

"Ah--rags--you do love me!"

"I don't know--but I love rags--sweet--so sweet--"

"You're a misfit here--as who isn't. All misfits,
frauds--fakes--liars--"

"All?" Warble looked interested.

"Yes, you little simpleton. I know!" He growled angrily. "Shall I tell
you--tell you the truth about the Butterflies?"

"Pleathe--pleathe--"

"I will! You ought to know--you gullible little fool. Well, to start
with, Avery Goodman--in his true nature, he's a worldly, carnal man. His
religion is a cloak, a raincoat, a mere disguise. Mrs. Charity Givens,
now, she's no more truly charitable than I am! She's shrewd and stingy,
her lavish gifts to the poor are merely made for the sake of the praise
and eulogy heaped upon her by her admiring friends. Manley Knight,
renowed for his bravery in the war, is an arrant coward. His soul is
a thing of whining terror, his heroism but a mask. Oh, I know--I read
these people truly, when they sit to me--off guard and unconsciously
betraying themselves.

"Mrs. Holm Boddy! Pah! She's far from domestic! She yearns for the halls
of dazzling light, for gayety and even debauchery. Her devotion to home
and children is the blackest of lies! And Iva Payne! She's no invalid!
It's a pose to seem interesting and delicately fragile. You should see
her stuff when no one's looking!

"Judge Drinkwater is a secret drunkard. Lotta Munn is a pauper--an
adventuress, pretending to wealth she doesn't possess. Herman True and
his wife! Zounds, if you could hear those two quarrel! Yet they pose as
lovers yet, and folks fall for it!"

"May Young?" Warble asked, breathlessly.

"An old maid. Well preserved, but no chicken. And Daisy Snow!
Angel-faced débutante! Huh, she knows more than her mother ever dreamed
of! You should see her in my studio, at her sittings! Cocktails,
cigarettes, snatches of wild cabaret songs and dances--oh, Daisy Snow is
a caution!"

"The Leathershams?"

"He's a profiteer--she--well, she was a cook--"

"Marigold! No!"

"Marigold, yes! You are a little numskull, you know. You can't see
through these people's masks."

"Can I reform them?"

"No, Baby Doll, you can't do that. They're dyed in the wool
hypocrites--joined to their idols--let 'em alone. And as to that husband
of yours--"

"Stop! Stop! I can't stand any more! Pleathe go--pleathe--"

       *       *       *       *       *

"What're you going to do about that Tertium Quid you've annexed?" Aunt
Dressie inquired, casually.

"I don't know," Warble uncertained. "He has wonderful ambitions and
aspirations. He wants to be a ragpicker--a real one."

"Ambitions are queer things," Aunt Dressie thoughtfuled. "Now, you
mightn't think it, but I want to be a steeple climber."

"You take Porgie off my hands, and he'll help you--"

"Oh, no, child, every lassie has her laddie--and you saw him first."

       *       *       *       *       *

Warble sighed. Thus was she always thrown at Porgie's head.

Fate, like a sluicing torrent carried her ever on. Beware, beware, the
rapids are below you!

Thus Conscience, Prudence, Wisdom, Policy, Safety First--all the deadly
virtues called her.

Did she heed?

As the sea's self should heed a pebble-cast.

       *       *       *       *       *

On a June evening, when Petticoat was called to Iva Payne's, Porgie
came.

Bowed in by a thin red line of footmen, he found Warble in the
moon-parlor. She wore a picture frock of _point d'esprit_ and tiny pink
rosebuds, and little pink socks and sandals.

"Come out on the Carp Pond," he muttered, picking her up and stuffing
her in his pocket. "Nobody will see us."

He seated her in the stern of a shallop and took the golden oars. Three
of his long sweeping strokes took them a mile up stream and they drifted
back. Porgie talked steadily and uninterruptedly. He told her in detail
of his ragpicking plans and how perfectly she would fit in.

"Think of it!" he boomed. "No fetters of fashion, no gyves of
convention. Free--free as air--free verse, free love, free lunch--ah,
goroo--goroo!"

"Goroo--" agreed Warble, "sweet--sweet--"

"Sweet yourself!" roared Porgie, and grabbed her all up in his
gorilla-like arms just as a ringing, musical, "Ship ahoy!" sounded on
their ears.

"Hello there, Warbie!"

She knew then it was Petticoat.

"Having a walk?" he inquired, casually.

"Yop," she casualed back.

He pulled his skiff up alongside, threw Porgie into the deep pool and
snatched Warble in beside himself.

"Time to go home," he said, cheerfully. "Good night, Sproggins."

He took her into the house through the conservatory, paused to pluck and
twine a wreath of tiny pink rosebuds for her, adjusted it on her rather
touseled curls, and took her out to the Moorish Courtyard.

"Now, Warb, what about the baboon?"

"I want to go ragpick with him and be pag-rickers together. Can I?
Pleathe--"

"Nixy. Now, you hark at me. I'm the real thing--a good old
Cotton-Petticoat--birth, breeding and boodle. Your Porgie person has
none of these--"

"But he loves me!" Warble wailed.

"Yes, 'cause he can't get you. Go along with him, and then see where
you'll be! No, my Soufflée, you hear me! Can the Porgie and stick to
your own Big Bill--your own legit."

"But you don't love me--"

"Oh, I do--in my quaint married-man fashion. And--ahem--I hate to
mention it--but--"

"I know--and I _am_ banting--and exercising, and rolling downstairs and
all that."

"Well, we're married, and divorces are not the novelty they once
were--so let's stay put."

"Kiss me, then--"

He brushed a butterfly kiss across her left eyebrow, and together they
strolled back into the house, and as he went up to bed, Warble went down
to the pantry to see about something.



CHAPTER XIII

"I d-don't belong to Butterfly Thenter," Warble sobbed, "I don't
b-belong--and I-m g-going away--"

"All right," Petticoat said, cheerfully, "how long'll you be gone?"

"It may be four yearth and it may be eleven--"

"Oh, come, now, not all that time! It isn't done."

"You d-don't underthtand--I'm going to find my plathe in the world--I
don't belong here."

"All right. Can I go 'long?"

"No; you stay here. I'm--oh, don't you thee--I'm leaving you!"

"Oh, that's it?"

"You'll have the girls to amuse you--"

"What girls?"

"Iva and Lotta and Daisy and May Young--"

"They're not girls--they're married women--"

"What!"

"Sure they are. They don't live with their husbands all the
time--they're pretty modern, you know. They have separate
establishments, but they're friendly, pally, and even a heap in love
with each other."

"I don't believe it--"

"Fact, all the same. Where you going Warble--that is, if you care to
tell."

"I'm going where I can live a busy, useful life--not a Butterfly
existence, with nothing to occupy my mind but art and hifalutin lingo! I
can't express myself with long candles and Oriental junk! I'm going--oh,
I don't know where I'm going, but I'm taking the next train out of
Butterfly Thenter!"

"Warble--haven't I treated you right? Haven't you had enough to eat? The
Cotton-Petticoats have always been called good providers--"

"It isn't that, Bill, dear--it's that--you don't love me very much--"

Petticoat looked at her. His eyes traveled up and down from her golden
curls to her golden slippers, and then crossways, from one plump
shoulder to the other.

"Goodby, Warble," he said.

       *       *       *       *       *

That's the way things came to Warble. Freedom! All at once, in unlimited
measure--freedom!

Baffled in her attempts to reform Butterfly Center, having fallen
down on the job of replacing Art by Utility, she went, undaunted and
indomitable, on her way.

       *       *       *       *       *

Hoboken.

Work in a pickle foundry. Cucumbers, small onions, green tomatoes,
cauliflower, tiny string beans, red peppers, mustard, vinegar,
cauldrons, boiling, seething fumes, spicy mists, pungent odors, bottles,
jars, labels, chow-chow, picalilli, smarting tongue, burning palate,
inflamed oesophagus, disordered stomach, enteritis.

That was the way things came to Warble. And she made good. Her position
was that of a pickle taster.

At first, only of the little gherkins, then promoted through medium
cucumbers, to the glory of full-fledged Dills.

A conscientious taster--faithful, diligent, she reached the amazing
speed of forty pickles a minute, and all done well.

Of course it told on her. Also, her heartaches told on her.

Lonely. Homesick for Bill, for Ptomaine Haul, for the gallery of
Petticoats.

       *       *       *       *       *

Yet: A glorious soft summer afternoon.

Warble alone in a room with a big, forceful looking man.

The door is closed, and the gentle breeze scarce stirs the opaque white
curtains.

In the depths of a great arm-chair, Warble, her lovely head upturned
sees the eager, earnest face of the man. Closer he draws and a faint
pink flush dyes Warble's cheek. His arm is round her soft neck, his hand
holds her dimpled chin.

With a little sigh, Warble's blue eyes close, her scarlet lips part and
though she wants to struggle she dare not, for he is a determined man,
and a dentist will have his fill.

Petticoat came to see her in Hoboken after she had been there a year.
Unexpected and unannounced, he strode in to the pickle foundry and
grasped the fat arm of the girl who worked next to Warble.

"Come along," he said, not unkindly, but the girl screamed.

"Beg pardon," Petticoat said, nonchalantly, "sorry. Thought you were my
wife. Know where I can find her?"

A slim, fairy-like Warble turned to greet him.

Petticoat couldn't believe his eyes. That sylph, that thread, that
wisp--his Warble--his one time plump wife!

"Gee, you're great!" he cried, "I'm for you!"

She got leave from the factory for a couple of years, with privilege of
extension.

"I don't want to impose on your kindness," he said, "but I'd like
to chase around Hoboken and take in the sights, I've never been here
before."

"There's a Bairns' Restaurant," said Warble, shyly, "we might go there."

       *       *       *       *       *

They did. In a taxicab. He held her in his lap and told her the news.

He had had his own rooms done over. Mediaeval setting. Romanesque
arches. Stained-glass windows. Sculptured cloisters. Good work.

"How are the twins?" she asked, timidly. "Pleathe."

"Fine. Miss you terribly--we all do. Butterfly Center mourns your loss.
Spring a come-back, won't you, Warble?"

"You want me?"

"More than anything in the world! I'm mad about you! You beauty! You
raving beauty! You'll be the talk of the world this winter. Gee, Warble,
how I can dress you, now you're thin! Won't Beer be astounded!"

       *       *       *       *       *

That's the way things came to Warble.

The only thing she wanted, her husband's love, now flung at her feet
in unstinted measure, pressed down and running over--love, slathers of
it--all for her! It was sweet--a pleasant change from pickles.

"How's everybody?"

"Here and there. Iva's gone."

"Thank Heaven! Where'd she go?"

"Dunno. Her husband took her off. Jealous of me."

"H'm. And Daisy Snow?"

"Gone into the movies. She grew too heavy for society. May Young's in
the Old Ladies' Home."

"And Lotta Munn?"

"Murdered by her husband. He had to kill her--she wouldn't support
him. The Leathershams are in the poorhouse, and Mrs. Charity Givens has
bought their place. Want to go on a second honeymoon? Round the world?"

"Yop."

       *       *       *       *       *

They went. One night, sitting on top of the Taj Mahal, 'neath the Blue
Moon of Persia, Warble cried,

"Shall I go back to Butterfly Thenter--or shall I not?"

"Spin a toddletop," said Petticoat, taking one from his pocket.

She spun it and it came up pickle foundry.

So Warble said, "All right, dear, I'll go home with you whenever you're
ready," and she kissed him slenderly.

       *       *       *       *       *

Ptomaine Haul.

Two Petticoats arriving. A happy Warble sprang from the car and seemed
fairly to skim up the steps. She passed, unnoticing, the pantry door,
and flew up to her own rooms which had been done over to suit her new
slenderness.

"Beer," she cried, "look at me!"

"Maddum!" cried the astounded Beer. "What done it?"

"Unrequited love and pickles. I can wear sport clothes now!"

"Maddum can wear anything or nothing!" declared Beer triumphantly.

That night, Warble, her hands behind her, wafted into Petticoat's room.

He sat on the edge of his bed, running lingerie ribbons in his
underwear.

"I'll stay, always," Warble said, sidling up to him. "And I'm happy.
But..."

"Look out! Don't let the cat get that bolt of ribbon to play with!"

She smoothed his pillows and patted his sheets, while Petticoat glanced
at her a little suspiciously, from under his gabled eyebrows.

"But I don't say that Butterfly Center is worth the ground it's built
on. I don't admit that Ptomaine Street is as useful as a Hoboken alley.
I don't admit that Art is any good at all. I've fought like a tiger
and I didn't make a dent on the Butterflies--but, I _have_ grown thin!"
"Sure, you bet you have!" said Petticoat, threading ribbon into his gold
bodkin. "Well, kiss me good night--here you--I see you! Don't you put
those caterpillars in my bed!"

THE END





*** End of this LibraryBlog Digital Book "Ptomaine Street: The Tale of Warble Petticoat" ***

Copyright 2023 LibraryBlog. All rights reserved.