Title: The Rising of the Court
Author: Lawson, Henry, 1867-1922
Language: English
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THE RISING OF THE COURT


By Henry Lawson


Note: Only the prose stories are reproduced here, not the poetry.



THE RISING OF THE COURT

  Oh, then tell us, Sings and Judges, where our meeting is to be,
  when the laws of men are nothing, and our spirits all are free
  when the laws of men are nothing, and no wealth can hold the fort,
  There'll be thirst for mighty brewers at the Rising of the Court.


The same dingy court room, deep and dim, like a well, with the clock
high up on the wall, and the doors low down in it; with the bench,
which, with some gilding, might be likened to a gingerbread imitation
of a throne; the royal arms above it and the little witness box to one
side, where so many honest poor people are bullied, insulted and laughed
at by third-rate blackguardly little "lawyers," and so many pitiful,
pathetic and noble lies are told by pitiful sinners and disreputable
heroes for a little liberty for a lost self, or for the sake of a
friend--of a "pal" or a "cobber." The same overworked and underpaid
magistrate trying to keep his attention fixed on the same old miserable
scene before him; as a weary, overworked and underpaid journalist or
author strives to keep his attention fixed on his proofs. The same row
of big, strong, healthy, good-natured policemen trying not to grin at
times; and the police-court solicitors ("the place stinks with 'em," a
sergeant told me) wrangling over some miserable case for a crust, and
the "reporters," shabby some of them, eager to get a brutal joke for
their papers out of the accumulated mass of misery before them, whether
it be at the expense of the deaf, blind, or crippled man, or the alien.

And opposite the bench, the dock, divided by a partition, with the women
to the left and the men to the right, as it is on the stairs or the
block in polite society. They bring children here no longer. The
same shaking, wild-eyed, blood-shot-eyed and blear-eyed drunks and
disorderlies, though some of the women have nerves yet; and the same
decently dressed, but trembling and conscience-stricken little wretch
up for petty larceny or something, whose motor car bosses of a big
firm have sent a solicitor, "manager," or some understrapper here to
prosecute and give evidence.

But, over there, on a form to one side of the bench-opposite the witness
box--and as the one bright spot in this dark, and shameful, and useless
scene--and in a patch of sunlight from the skylight as it happens--sit
representatives of the Prisoners' Aid Society, Prison Gate and Rescue
Brigades, etc. (one or two of the ladies in nurses' uniforms), who are
come to help us and to fight for us against the Law of their Land and of
ours, God help us!

Mrs Johnson, of Red Rock Lane, is here, and her rival in revolution,
One-Eyed Kate, and Cock-Eyed Sal, and one or two of the other
aristocrats of the alley. And the weeping bedraggled remains of what was
once, and not so long ago, a pretty, slight, fair-haired and blue-eyed
Australian girl. She is up for inciting One-Eyed Kate to resist
the police. Also, Three-Pea Ginger, Stousher, and Wingy, for some
participation in the row amongst the aforementioned ladies. (Wingy,
by the way, is a ratty little one-armed man, whose case is usually
described in the head-line, as "A 'Armless Case," by one of our great
dailies.) And their pals are waiting outside in the vestibule--Frowsy
Kate (The Red Streak), Boko Bill, Pincher and his "piece," etc., getting
together the stuff for the possible fines, and the ten-bob fee for the
lawyer, in one case, and ready to swear to anything, if called upon. And
I myself--though I have not yet entered Red Rock Lane Society--on bail,
on a charge of "plain drunk." It was "drunk and disorderly" by the way,
but a kindly sergeant changed it to plain drunk (though I always thought
my drunk was ornamental).

Yet I am not ashamed--only comfortably dulled and a little tired--dully
interested and observant, and hopeful for the sunlight presently. We low
persons get too great a contempt for things to feel much ashamed at any
time; and this very contempt keeps many of us from "reforming." We hear
too many lies sworn that we know to be lies, and see too many unjust and
brutal things done that we know to be brutal and unjust.

But let us go back a bit, and suppose we are still waiting for the
magistrate, and think of Last Night. "Silence!"--but from no human
voice this time. The whispering, shuffling, and clicking of the court
typewriter ceases, the scene darkens, and the court is blotted out as a
scene is blotted out from the sight of a man who has thrown himself into
a mesmeric trance. And:

Drink--lurid recollection of being "searched"--clang of iron cell
door, and I grope for and crawl on to the slanting plank. Period of
oblivion--or the soul is away in some other world. Clang of cell
door again, and soul returns in a hurry to take heed of another soul,
belonging to a belated drunk on the plank by my side. Other soul says:

"Gotta match?"

So we're not in hell yet.

We fumble and light up. They leave us our pipes, tobacco and matches;
presently, one knocks with his pipe on the iron trap of the door
and asks for water, which is brought in a tin pint-pot. Then follow
intervals of smoking, incoherent mutterings that pass for conversation,
borrowings of matches, knockings with the pannikin on the cell door
wicket or trap for more water, matches, and bail; false and fitful
starts into slumber perhaps--or wild attempts at flight on the part of
our souls into that other world that the sober and sane know nothing of;
and, gradually, suddenly it seems, reason (if this world is reasonable)
comes back.

"What's your trouble!"

"Don't know. Bomb outrage, perhaps."

"Drunk?"

"Yes."

"What's yours!"

"Same boat."

But presently he is plainly uneasy (and I am getting that way, too, to
tell the truth), and, after moving about, and walking up and down in
the narrow space as well as we can, he "rings up" another policeman, who
happens to be the fat one who is to be in charge all night.

"Wot's up here?"

"What have I been up to?"

"Killin' a Chinaman. Go to sleep."

Policeman peers in at me inquiringly, but I forbear to ask questions.

Blankets are thrown in by a friend of mine in the force, though we are
not entitled to them until we are bailed or removed to the "paddock"
(the big drunks' dormitory and dining cell at the Central), and we
proceed to make ourselves comfortable. My mate wonders whether he asked
them to send to his wife to get bail, and hopes he didn't.

They have left our wicket open, seeing, or rather hearing, that we are
quiet. But they have seemingly left some other wickets open also, for
from a neighbouring cell comes the voice of Mrs Johnson holding forth.
The locomotive has apparently just been run into the cleaning sheds,
and her fires have not had time to cool. They say that Mrs Johnson was a
"lady once," like many of her kind; that she is not a "bad woman"--that
is, not a woman of loose character--but gets money sent to her from
somewhere--from her "family," or her husband, perhaps. But when she
lets herself loose--or, rather, when the beer lets her loose--she is
a tornado and a terror in Red Rock Lane, and it is only her fierce,
practical kindness to her unfortunate or poverty-stricken sisters in her
sober moments that keeps her forgiven in that classic thoroughfare.
She can certainly speak "like a lady" when she likes, and like an
intelligent, even a clever, woman--not like a "woman of the world," but
as a woman who knew and knows the world, and is in hell. But now her
language is the language of a rough shearer in a "rough shed" on a
blazing hot day.

After a while my mate calls out to her:

"Oh! for God's sake give it a rest!"

Whereupon Mrs Johnson straightway opens on him and his ancestry, and
his mental, moral, and physical condition--especially the latter. She
accuses him of every crime known to Christian countries and some Asiatic
and ancient ones. She wants to know how long he has been out of jail
for kicking his wife to pieces that time when she was up as a witness
against him, and whether he is in for the same thing again? (She has
never set eyes on him, by the way, nor he on her.)

He calls back that she is not a respectable woman, and he knows all
about her.

Thereupon she shrieks at him and bangs and kicks at her door, and
demands his name and address. It would appear that she is a respectable
woman, and hundreds can prove it, and she is going to make him prove it
in open court.

He calls back that his name is Percy Reginald Grainger, and his town
residence is "The Mansions," Macleay Street, next to Mr Isaacs, the
magistrate, and he also gives her the address of his solicitor.

She bangs and shrieks again, and states that she will get his name from
the charge sheet in the morning and have him up for criminal libel,
and have his cell mate up as a witness--and hers, too. But just here
a policeman comes along and closes her wicket with a bang and cuts her
off, so that her statements become indistinct, or come only as shrieks
from a lost soul in an underground dungeon. He also threatens to cut us
off and smother us if we don't shut up. I wonder whether they've got her
in the padded cell.

We settle down again, but presently my fellow captive nudges me
and says: "Listen!" From another cell comes the voice of a woman
singing--the girl who is in for "inciting to resist, your worship," in
fact. "Listen!" he says, "that woman could sing once." Her voice is low
and sweet and plaintive, as of a woman who had been a singer but had
lost her voice. And what do you think it is?

  The crowd in accents hushed reply--
  "Jesus of Nazareth passeth by."

Mrs Johnson's cell is suddenly silent. Then, not mimickingly, mockingly,
or scornfully, but as if the girl is a champion of Jesus of Nazareth,
and is hurt at the ignorance of the multitude, and pities _Him_:

  Now who is this Jesus of Nazareth, say?

The policeman, coming along the passage, closes the wicket in her door,
but softly this time, and not before we catch the plaintive words again.

  The crowd in accents hushed reply
  "Jesus of Nazareth passeth by."

My fellow felon throws the blanket off him impatiently, sits up with a
jerk, and gropes for his pipe.

"God!" he says. "But this is red hot! Have you got another match?"

I wonder what the Nazarene would have to say about it.

Sleep for a while. I wonder whether they'll give us time, or we'll be
able to sleep some of our sins off in the end, as we sleep our drink off
here? Then "The Paddock" and day light; but there's little time for the
Paddock here, for we must soon be back in court. The men borrow and lend
and divide tobacco, lend even pipes, while some break up hard tobacco
and roll cigarettes with bits of newspaper. If it is Sunday morning,
even those who have no hope for bail, and have long horrible day and
night before them, will sometimes join in a cheer as the more fortunate
are bailed. But the others have tea and bread and butter brought to
them by one of the Prisoners' Aid Societies, who ask for no religion
in return. They come to save bodies, and not to fish for souls. The men
walk up and down and to and fro, and cross and recross incessantly, as
caged men and animals always do--and as some uncaged men do too.

"Any of you gentlemen want breakfast?" Those who have money and
appetites order; some order for the sake of the tea alone; and some
"shout" two or three extra breakfasts for those who had nothing on them
when they were run in. We low people can be very kind to each other in
trouble. But now it's time to call us out by the lists, marshal us up in
the passage and draft us into court. Ladies first. But I forgot that I
am out on bail, and that the foregoing belongs to another occasion. Or
was it only imagination, or hearsay? Journalists have got themselves
run in before now, in order to see and hear and feel and smell for
themselves--and write.


"Silence! Order in the Court." I come like a shot out of my nightmare,
or trance, or what you will, and we all rise as the magistrate takes his
seat. None of us noticed him come in, but he's there, and I've a quaint
idea that he bowed to his audience. Kindly, humorous Mr Isaacs, whom
we have lost, always gave me that idea. And, while he looks over his
papers, the women seem to group themselves, unconsciously as it were,
with Mrs Johnson as front centre, as though they depended on her in some
vague way. She has slept it off and tidied, or been tidied, up, and
is as clear-headed as she ever will be. Crouching directly behind her,
supported and comforted on one side by One-Eyed Kate, and on the other
by Cock-Eyed Sal, is the poor bedraggled little resister of the Law,
sobbing convulsively, her breasts and thin shoulders heaving and shaking
under her openwork blouse--the girl who seemed to pity Jesus of Nazareth
last night in her cell. There's very little inciting to resist about her
now. Most women can cry when they like, I know, and many have cried men
to jail and the gallows; but here in this place, if a woman's tears
can avail her anything, who, save perhaps a police-court solicitor and
gentleman-by-Act-of-Parliament, would, or dare, raise a sneer.

I wonder what the Nazarene would have to say about it if He came in to
speak for her. But probably they'd send Him to the receiving house as a
person of unsound mind, or give Him worse punishment for drunkenness and
contempt of court.

His Worship looks up.

Mrs Johnson (from the dock): "Good morning, Mr Isaacs. How do you do?
You're looking very well this morning, Mr Isaacs."

His Worship (from the Bench): "Thank you, Mrs Johnson. I'm feeling very
well this, morning."

There's a pause, but there is no "laughter." The would-be satellites
don't know whom the laugh might be against. His Worship bends over the
papers again, and I can see that he is having trouble with that quaintly
humorous and kindly smile, or grin, of his. He has as hard a job to
control his smile and get it off his face as some magistrates have to
get a smile on to theirs. And there's a case coming by and by that he'll
have to look a bit serious over. However--

"Jane Johnson!"

Mrs Johnson is here present, and reminds the Sergeant that she is.

Then begins, or does begin in most courts, the same dreary old drone,
like the giving out of a hymn, of the same dreary old charge:


"You--Are--Charged--With--Being--Drunk--And--Disorderly--In--Such--And--
Such--A--Street--How--Do--You--Plead--Guilty--Or--Not--Guilty?" But they
are less orthodox here. The "disorderly" has dropped out of Mrs
Johnson's charge somehow, on the way from the charge room. I don't know
what has been going on behind the scenes, but, anyway, it is Christmas-
time, and the Sergeant seems anxious to let Mrs Johnson off lightly. It
means anything from twenty-four hours or five shillings to three months
on the Island for her. The lawyers and the police--especially the
lawyers--are secretly afraid of Mrs Johnson.

However, again--

The Sergeant: "This woman has not been here for six weeks, your
Worship."

Mrs Johnson (who has him set and has been waiting for him for a year or
so): "It's a damned lie, Mr Isaacs. I was here last Wednesday!" Then,
after a horrified pause in the Court: "But I beg _your_ pardon, Mr
Isaacs."

His Worship's head goes down again. The "laughter" doesn't come here,
either. There is a whispered consultation, and (it being Christmas-time)
they compromise with Mrs Johnson for "five shillings or the risin'," and
she thanks his Worship and is escorted out, rather more hurriedly than
is comportable with her dignity, for she remarks about it.

The members of the Johnsonian sisterhood have reason to be thankful for
the "lift" she has given them, for they all get off lightly, and even
the awful resister of Law-an'-order is forgiven. Mrs Johnson has money
and is waiting outside to stand beers for them; she always shouts for
the boys when she has it. And--what good does it all do?

It is very hard to touch the heart of a woman who is down, though they
are intensely sympathetic amongst themselves. It is nearly as hard as it
is to combat the pride of a hard-working woman in poverty. It was such
women as Mrs Johnson, One-Eyed Kate, and their sisters who led Paris to
Versailles; and a King and a Queen died for it. It is such women as
Mrs Johnson and One-Eyed Kate and their sisters who will lead a greater
Paris to a greater Versailles some day, and many "Trust" kings and
queens, and their princes and princesses shall die for it. And that
reminds me of two reports in a recent great daily:

  Miss Angelina De Tapps, the youngest daughter of the well-known
  great family of brewers, was united in the holy bonds of matrimony
  to Mr Reginald Wells--(here follows a long account of the smart
  society wedding).  The happy pair leave en route for Europe per the
  --next Friday.

  Jane Johnson, an old offender, again faced the music before Mr
  Isaacs, S.M., at the Central yesterday morning--(here follows a
  "humorous" report of the case).

Next time poor Mrs Johnson will leave _en route_ for "Th' Island" and
stay there three months.

The sisters join Mrs Johnson, who has some money and takes them to a
favourite haunt and shouts for them--as she does for the boys sometimes.
Their opinions on civilization are not to be printed.

Ginger and Wingy get off with the option, and, though the fine is heavy,
it is paid. They adjourn with Boko Bill, and their politics are lurid.

Squinny Peters (plain drunk--five bob or the risin'), who is peculiar
for always paying his fine, elects to take it out this time. It appears
that the last time Squinny got five bob or the risin' he ante'd up the
splosh like a man, and the court rose immediately, to Squinny's intense
disgust. He isn't taking any chances this time.

Wild-Flowers-Charley, who recently did a fortnight, and has been out
on bail, has had a few this morning, and, in spite of warnings from and
promises to friends, insists on making a statement, though by simply
pleading guilty he might get off easily. The statement lasts some ten
minutes. Mr Isaacs listens patiently and politely and remarks:

"Fourteen days."

Charley saw the humour of it afterwards, he says.

But what good does it all do?

I had no wish to treat drunkenness frivolously in beginning this sketch;
I have seen women in the horrors--that ought to be enough.



"ROLL UP AT TALBRAGAR"

  Jack Denver died at Talbragar when Christmas Eve began,
  And there was sorrow round the place, for Denver was a man;
  Jack Denver's wife bowed down her head--her daughter's grief was wild,
  And big Ben Duggan by the bed stood sobbing like a child.
  But big Ben Duggan saddled up, and galloped fast and far,
  To raise the longest funeral ever seen on Talbragar.

                                              -_Ben Duggan_.


Both funerals belonged to Big Ben Duggan in a way, though Jack Denver
was indirectly the cause of both.

Jack Denver was reckoned the most popular man in the district (outside
the principal township)--a white man and a straight man--a white boss
and a straight sportsman. He was a squatter, though a small one; a real
squatter who lived on his run and worked with his men--no dummy, super,
manager for a bank, or swollen cockatoo about Jack Denver. He was on
the committees at agricultural shows and sports, great at picnics and
dances, beloved by school children at school feasts (I wonder if they
call them feasts still), giver of extra or special prizes, mostly sovs.
and half-sovs., for foot races, etc.; leading spirit for the scrub
district in electioneering campaigns--they went as right as men could go
in the politics of those days who watched and went the way Jack Denver
went; header of subscription lists for burnt-out, flooded-out, sick,
hurt, dead or killed or otherwise knocked-out selectors and others,
or their families; barracker and agitator for new provisional schools,
assister of his Reverence and little bush chapels, friend of all manner
of wanderers--careless, good-hearted scamps in trouble, broken-hearted
new chums, wrecks and failures and outcasts of any colour or creed, and
especially of old King Jimmy and the swiftly vanishing remnant of his
tribe. His big slab-and-shingle and brick-floored kitchen, with its
skillions, built on more generous plans and specifications than even the
house itself, was the wanderer's goal and home in bad weather. And--yes,
owner, on a small scale, of racehorses, and a keen sportsman.

Jack Denver and Big Ben Duggan were boys together on the old selections,
and at the new provisional bark school at Pipeclay; they went into the
Great North-West together "where all the rovers go"--stock-riding and
droving and overlanding, and came back after a few years bronzed and
seasoned and with wild yarns.

Jack married and settled down on a small run his father had bought near
Talbragar, and his generous family of tall, straight bush boys and tall,
straight bush girls grew up and had their sweethearts. But, when Jack
married, Big Ben Duggan went back again, up into Queensland and the
Great North-West, with a makeshift mate who had also lost his mate
through marriage. Ever and again, after one, and two, and three
years--the periods of absence lengthening as the years went on--Big Ben
Duggan would come back home, and stay a while (till the Great North-West
began to call insistently) at Denver's, where he would be welcomed
jubilantly by all--even the baby who had never seen him--for there was
"something about the man." And, until late on the night of his return,
he and Jack would sit by the fire in winter, or outside on the woodheap
in summer, and yarn long and fondly about the Wide Places, and strange
things they knew and understood.

How sudden things are! Ben was back (just in time for the holidays and
the Mudgee races) out of the level lands, where distance dwells in her
halls of shimmering haze, after following her for five years.

They were riding home from the races, the women and children in carts
and buggies, the men and boys on horseback--of course. They raced each
other along the road, across short cuts, through scrub and timber, and
back to the slow-coming overloaded vehicles again, some riding wildly
and recklessly. Jack Denver was amongst them, his heart warmed with
good luck at the races, good whisky to wet it, and the return of his old
mate. "We're as good as the best of the young 'uns yet, Ben!" he cried,
as they swung through the trees. "Ain't we, you old--?"

And then and there it happened.

A new chum suggested that Jack had more than he thought aboard and was
thrown from his horse; but the new chum was repudiated with scorn and
bad words and indignation by bushmen and bushwomen alike--as indeed he
would be by any bushman who had seen a drunken rider ride.

"I learnt him to ride when he was a kiddy about so high," said old
Break-the-News Fosbery, resentfully gasping and gulping, "and Jack
wasn't thrown." It was thought at first that his horse had shied and run
him against a tree, or under an overhanging branch; but Ben Duggan
had seen it, and explained the thing to the doctor with that strange
calmness or quietness that comes to men in the midst of a life's grief.
Jack was riding loosely, and swung forward just as the filly, a fresh
young thing, threw back her head; and it struck him with sledge-hammer
force, full in the face.

He was dead, even before they got him to Anderson's Halfway Inn. There
was wild racing back to town for doctors, and some accidents; one horse
was killed and another ridden to death. Others went as a forlorn hope in
search of Doc. Wild, eccentric Yankee bush "quack," who had once saved
one of Denver's little girls from diphtheria; others, again, for Peter
M'Laughlan, bush missionary, to face the women--for they couldn't.

Big Ben Duggan, blubbering unashamed by the bedside, put his hand on
Mrs Denver's shoulder, as she crouched there, wild-eyed, like a hunted
thing. "Nev--never mind, Mrs Denver!" he blurted out, with a note as of
indignation and defiance--just for all the world as if Jack Denver had
done a wrong thing and the district was down on him--"he'll have the
longest funeral ever seen in these parts! Leave that to me." Then some
of the women took her out to her daughter's. Big Ben Duggan gave terse
instructions to some of the young riders about, and then, taking the
best and freshest horse, the cross-country scrub swallowed him--west.
The young men jumped on their horses and rode, fan-like, east.

They took Jack Denver home. They always took their dead home first,
whenever possible, and no matter the distance, before taking them to
their last long home; and they do it yet, I suppose. They are not always
so particular about it in cities, from what I've seen.

But this was a strange funeral. They had arranged mattress and sheet in
the bottom of a four-wheeler, and covered him with sheet, blanket, and
quilt, though the weather was warm; and over the body, from side to
side of the trap, they had stretched the big dark-green table-cloth from
Anderson's dining-room. The long, ghostly, white, cleared government
road between the dark walls of timber in the moonlight. The buggies and
carts behind, and the dead-white faces and glistening or despairingly
staring eyes of the women--wife, daughters, and nieces, and those who
had come to help and comfort. The men--sons and brothers, and few mates
and chums and sweethearts--riding to right and left like a bodyguard, to
comfort and be comforted who needed comfort.

Now and again a brother or son--mostly a brother--riding close to the
wheel, would suddenly throw out his arm on the mud splasher, of buggy or
cart, and, laying his head on it, sob as he rode, careless of tyre and
spokes, till a woman pushed him off gently:

"Take care of the wheel, Jim--mind the wheel."

The eldest son held the most painful position, by his mother's side in
the first buggy, supported by an aunt on the other side, while somebody
led his horse. In the next buggy, between two daughters, sat a young
fellow who was engaged to one of them--they were to be married after the
holidays. The poor girls were white and worn out; he had an arm round
each, and now and again they rested their heads on his shoulders. The
younger girl would sleep by fits and starts, the sleep of exhaustion,
and start up half laughing and happy, to be stricken wild-eyed the next
moment by terrible reality. Some couldn't realize it at all--and to most
of them all things were very dreamy, unreal and far away on that lonely,
silent road in the moonlight--silent save for the slow, stumbling hoofs
of tired horses, and the deliberate, half-hesitating clack-clack of
wheel-boxes on the axles.

Ben Duggan rode hard, as grief-stricken men ride--and walk. At Cooyal he
woke up the solitary storekeeper and told him the news; then along that
little-used old road for some miles both ways, and back again, rousing
prospectors and fossickers, the butcher of the neighbourhood, clearers,
fencers, and timber-getters, in hut and tent.

"Who's that?"

"What's up?"

"What's the matter?"

"Ben Duggan! Jack Denver's dead! Killed ridin' home from the races!
Funeral's to-morrow. Roll up at Talbragar or the nearest point you can
get to on the government road. Tell the neighbours and folks."

"Good God! How did it happen?"

But the hoofs of Ben's horse would be clattering or thudding away into
the distance.

He struck through to Dunne's selection--his brother-in-law, who had not
been to the races; then to Ross's farm--Old Ross was against racing, but
struck a match at once and said something to his auld wife about them
black trousers that belonged to the black coat and vest.

Then Ben swung to the left and round behind the spurs to the school
at Old Pipeclay, where he told the schoolmaster. Then west again to
Morris's and Schneider's lonely farms in the deep estuary of Long Gully,
and through the gully to the Mudgee-Gulgong road at New Pipeclay. The
long, dark, sullenly-brooding gully through which he had gone to school
in the glorious bush sunshine with Jack Denver, and his sweetheart--now
but three hours his hopelessly-stricken widow; Bertha Lambert, Ben's
sweetheart--married now, and newly a grandmother; Harry Dale--drowned
in the Lachlan; Lucy Brown--Harry's school-day and boy-and-girl
sweetheart--dead; and--and all the rest of them. Far away, far away--and
near away: up in Queensland and out on the wastes of the Never-Never.
Riding and camping, hardship and comfort, monotony and adventure,
drought, flood, blacks, and fire; sprees and--the rest of it. Long dry
stretches on Dead Man's Track. Cutting across the country in No Man's
Land where there were no tracks into the Unknown. Chancing it and
damning it. Ill luck and good luck. Laughing at it afterwards and joking
at it always; he and Jack--always he and Jack--till Jack got married.
The children used to say Long Gully was haunted, and always hurried
through it after sunset. It was haunted enough now all right.

But, raising the gap at the head of the gully, he woke suddenly and came
back from the hazy, lazy plains; the

  Level lands where Distance hides in her halls of shimmering haze,
  And where her toiling dreamers ride towards her all their days;

where "these things" are ever far away, and Distance ever near--and
whither he had drifted, the last hour, with Jack Denver, from the old
Slab School.

"I wonder whether old Fosbery's got through yet?" he muttered, with
nervous anxiety, as he looked down on the cluster of farms and scattered
fringe of selections in the broad moonlight. "I wonder if he's got there
yet?" Then, as if to reassure himself: "He must have started an hour
before me, and the old man can ride yet." He rode down towards a farm on
Pipeclay Creek, about the centre of the cluster of farms, vineyards, and
orchards.

Old Fosbery--otherwise Break-the-News--was a character round there. If
he was handy and no woman to be had, he was always sent to break the
news to the wife of a digger or bushman who had met with an accident.
He was old, and world-wise, and had great tact--also great experience in
such matters. Bad news had been broken to him so many times that he had
become hardened to it, and he had broken bad news so often that he had
come to take a decided sort of pleasure in it--just as some bushman are
great at funerals and will often travel miles to advise, and organize,
and comfort, and potter round a burying and are welcomed. They had
broken the news to old Fosbery when his boy went wrong and was "taken"
("when they took Jim"). They had broken the news to old Fosbery when his
daughter, Rose, went wrong, and bolted with Flash Jack Redmond. They had
broken the news to the old man when young Ted was thrown from his horse
and killed. They had broken the news to the old man when the unexpected
child of his old age and hopes was accidentally burnt to death. So the
old man knew how it felt.


The farm was the home of one of Jack Denver's married sisters, and, as
there was no woman to go so far in the night they had sent old Fosbery
to tell her. Folks were most uneasy and anxious, by the way, when they
saw old Fosbery coming unexpectedly, and sometimes some of them got a
bad start--but it helped break the news.

"Well, if he ain't there, I suppose I'll have to do it," thought Ben as
he passed quietly through the upper sliprails and neared the house. "The
old man might have knocked up or got drunk after all. Anyway, no one
might come in the morning till it's too late--it always happens that
way--and--besides, the women'll want time to look up their black
things."

But, turning the corner of the cow-yard, he gave a sigh of relief as
he saw old Fosbery's horse tied up. They were up, and the big kitchen
lighted; he caught a glimpse of a shock of white hair and bushy white
eyebrows that could have belonged to no one except old Break-the-News.
They were sitting at the table, the tearful wife pouring out tea, and by
the tokens Ben knew that old Fosbery had been very successful. He rode
quietly to the lower sliprails, let them down softly, led his horse
carefully over them, put them up cautiously, and stood in a main road
again. He paused to think, leaning one arm on his saddle and tickling
the nape of his neck with his little finger; his jaw dropped, reflecting
and grief forgotten in the business on hand, and the horse "gave" to
him, thinking he was about to mount. He was tired--weary with that
strange energetic weariness that cannot rest. It was five miles from
Mudgee and the news was known there and must have spread a bit already;
but the bulk of the Gulgong and Gulgong Road race-goers had passed here
before the accident. Anyway, he thought he might as well go over and
tell old Buckolts, of the big vineyard, across the creek, who was a
great admirer of Jack Denver and had been drinking with him at the races
that day. Old Buckolts was a man of weight in the district, and was
always referred to by all from his old wife down, as "der boss," and by
no other term. The old slab farmhouse and skillions and out-houses,
and the new square brick house built in front, were all asleep in the
moonlight. The dogs woke the old man first (as was generally the
case), as Ben opened the big white home gate and passed through without
dismounting.

"Who's dat? Who voss die [there]?" shouted the old man as the horse's
hoofs crunched on the white creek-bed gravel between the two houses.

"Ben Duggan!"

"Vot voss der matter?"

"Jack Denver's dead--killed riding home from the races."

"Vot dat you say?"

Ben repeated.

"Go avay! Go home and go to sleep! You voss shoking--and trunk. Vat for
you gum by my house mit a seely cock mit der bull shtory at dis hour of
der night?"

"It's only too true, Mr Buckolts," said Ben. "I wish to God it wasn't."

"You've got der yoomps, Pen. Go to der poomp and poomp on your head and
den turn in someveers till ter morning. I tells von of der pot's to gif
you a nip and show you a poonk. Vy! I trink mit Shack Denver not twelf
hour ago!"

But Ben persisted: "I'm not drunk, Mr Buckolts, and I ain't got
the horrors--I wish to God I was an' had. Poor Jack was killed near
Anderson's, riding home, about six o'clock."

Though Ben couldn't see him, he could feel and hear by his tones, that
old Buckolts sat up in bed suddenly.

"_Mein Gott_! How did it happen, Pen?"

Ben told him.

"Ven and veer voss der funeral?"

Ben told him.

"Frett! Shonny! Villie! Sharley!" shouted the old man at the top of his
voice to the boys sleeping in the old house. "Get up and pring all der
light horses in from der patticks, and gif dem a goot feet mit plenty
corn; and get der double-parrelled puggy ant der sinkle puggy and der
three spring carts retty. Dere vill pe peoples vanting lifts to-morrow.
Ant get der harnesses and sattles retty. Vake up, olt vomans!" (Mrs
Buckolts must have been awake by this time.) "Call der girls ant see to
dere plack tresses. Py Gott, ve _moost_ do dis thing in style. Does his
poor sister know over dere across the creeks, Pen? Durn out! you lazy,
goot-for-noddings, or I will chain you up on an ants' bed mit a rope
like a tog; do you not hear that Shack Denver voss dett?"

"I vill sent some of der girls over dere first thing in der morning.
Holt on, Pen, ant I vill sent you out some vine."

Ben rode with the news to Lee's farm where Maurice Lee--at feud with
Buckolts and a silent man--was, for he had known Denver all his life,
and had gone, in his young days, on a long droving trip with him and Ben
Duggan.

A little later Ben returned to the main road on a fresh horse. He turned
towards Gulgong, and rode hard; past the new bark provisional school
and along the sidings. He left the news at Con O'Donnell's lonely tin
grocery and sly-grog shop, perched on the hillside--("God forgive
us all!" said Con O'Donnell). He left the news at the tumble-down
public-house, among the huts and thistles and goats that were left of
the Log Paddock Rush. There were goats on the veranda and the place
seemed dead; but there were startled replies and inquiries and matches
struck. He left the news at Newton's selection, and Old Bones Farm, and
at Foley's at the foot of Lowe's Peak, close under the gap between Peak
and Granite Ridge. Then he turned west, at right angles to the main
road, and took a track that was deserted except for one farm and on
every alternate Sunday. He passed the lonely little slab bush "chapel"
of the locality, that broke startlingly out of the scrub by the track
side as he reached it; and left the news at Southwick's farm at the
end of the blind track. At more than one farm he left the bushwoman
hurriedly looking up her "black things;" and at more than one, one of
the boys getting his bridle to catch his horse and ride elsewhere with
the news.

Ben rode back, through the moonlight and the moon-shadow haunted
paddocks, and the naked, white, ringbarked trees, along Snakes Creek,
parallel with the main road he had recently travelled till he struck
Pipeclay Creek again lower down. He turned down the track towards
the river, and at the junction left word at Lowe's--one of the old
land-grant families. The dogs woke an old handy man (who had been "sent
out" in past ages for "knocking a donkey off a hen-roost"-as most of
them were) and Ben told him to tell the family.

At Belinfante's Bridge across the Cudgegong Ben struck a big camp of
bullock-drivers, some going down with wool and some going back for more.

"Hold on, Ben," cried Jimmy Nowlett, from his hammock under his wagon as
Ben was riding off--"Hold on a minute! I want to look at yer."

Jimmy got his head out of his bunk very cautiously and carefully, and
his body after it--there were nut ends of bolts, a heavy axle, and
extremely hard projections, points, and corners within a very few short
inches of his chaff-filled sugar-bag pillow. Slipping cannily on to
his hands and knees, he crawled out under the tail-board, dragging his
"moles" after him, and stood outside in the moonlight shaking himself
into his trousers.

Jimmy was a little man who always wore a large size in moleskins--for
some reason best known to himself--or more probably for no reason at
all; or because of a habit he'd got into accidentally years ago--or
because of the motherly trousers his mother used to build for him when
he was a boy. And he always shook himself into his pants after the
manner of a woman shaking a pillow into a clean slip; his chin down on
his chest and his jaw dropped, as if he'd take himself in his teeth,
after the manner of the woman with a pillow, were he not prevented by
sound anatomical reasons.

"You look reg'lerly tuckered out, Ben," he said, "an' yer horse could do
with a spell too. Git down, man, and have a pint er tea and a bite."

Ben got down wearily and knew at once how knocked up he was. He sat
right down on the hard ground, embracing and drawing up his knees, and
felt as if he'd like never to get up again: while Jimmy shook some chaff
and corn that he carried for his riding hack into a box for the horse,
and his travelling mate, Billy Grimshaw, lifted his big namesake half
full of cold tea, on to the glowing coals by the burning log--looking
just like an orang-outang in a Crimean shirt.

Ben got a fresh horse at Alfred Gentle's farm under the shadow of
Granite Ridge, and then on to Canadian (th' Canadian Lead of the roaring
days), which had been saved from the usual fate by becoming a farming
township. Here he roused and told the storekeeper. Then up the creek to
Home Rule, dreariest of deserted diggings.

He struck across the ages-haunted bush, and up Chinaman's Creek, past
"the Chinamen's Graves," and through the scrub and over the ridges for
the Talbragar Road. For he had to see Jack Denver home from start to
finish.

Glaring, hot and dusty, lay the long, white road; coated with dust that
felt greasy to the touch and taste. The coffin was in a four-wheeled
trap, for the solitary hearse that Mudgee boasted then was to meet them
some three miles out of town--at the racecourse, as it happened, by
one of those eternal ironies of fate. (Jones, the undertaker, had had
another job that morning.) The long string of buggies and carts and
horsemen; other buggies and carts and horsemen drawn respectfully back
amongst the trees here and there along the route; male hats off and
held rigidly vertical with right ears as the coffin passed; and drivers
waiting for a chance to draw into the line.

Think of it; up early on the first morning, a long day at the races, a
long journey home, awake and up all night with grief and sympathy. Some
of the men had ridden till daylight; the women, worn out and exhausted,
had perhaps an hour or so of sleep towards morning--yet they were all
there, except Ben Duggan, on the long, hot, dusty road back, heads
swimming in the heat and faces and hands coated with perspiration and
dust--and never, never once breaking out of a slow walk. It would
have been the same had it been pouring with rain. I have seen funerals
trotting fast in London, and they are trotting more and more in
Australian cities, with only "the time" for an excuse. But in the bush I
have never seen a funeral faster than the slowest of walks no matter who
or what might wait, or what might happen or be lost. They stood by their
dead well out there. Maybe some of the big, simple souls had a sort of
vague idea that the departed would stand a better show if
accompanied as far as possible by the greatest possible number of
friends--"barrackers," so to speak.

Here all the shallow and involuntary sham of it, the shirking of a dull
and irksome duty--a bore, though the route be only a mile or so. The
satisfied undertaker, and the hard-up professional mutes and mourners
in seedy, mouldy, greeny-black, and with boozers' faces and noses and a
constant craving for beer to help them bear up against their grief and
keep their mock solemn faces. Out there you were carried to the hearse
or trap from your home, and from the hearse or trap to your grave--and
with infinite carefulness and gentleness--on the shoulders of men, and
of men who had known and loved you.

There had been wonder and waiting in the morning for Ben Duggan; and
the women especially, on the way home, when free from restraint, were
greatly indignant against him. To think that he should break out and go
on the drunk on this day of all days, when his oldest mate and friend
was being carried to his grave. The men, knowing how he had ridden all
night, found great excuses; but later on some grew anxious and wondered
what could have become of him.

Some, returning home by a short cut, passed over Dead Man's Gap beyond
Lowe's Peak.

"Wonder what could have become of Ben Duggan." mused one, as they rode
down.

There and then their wonders ceased.

A party of road-clearers had been at work along the bottom, and there
was much smoke from the burning-off, which must have made the track dim
and vague and uncertain at night. Just at the foot of the gap, clear
of the rough going, a newly-fallen tree lay across the track. It was
stripped--had been stripped late the previous afternoon, in fact; and,
well, you won't know, what a log like that is when the sap is well
up until you have stepped casually on to it to take a look round. A
confident skip, with your boot soles well greased, on to the ice in a
glaciarium for the first time would be nothing to it in its results, I
fancy. (I remember we children used to scrape the sap off, and eat
it with satisfaction, if not with relish--white box I think the trees
were.)

Ben must have broken into a canter as he reached the level, as indeed
his horse's tracks showed he did, and the horse must have blundered in
the smoke, or jumped too long or too short; anyway, his long slithering
shoe marks were in the sap on the log, and he lay there with a broken
leg and shoulder. He had struck it near the stump and the sharp edge of
an outcrop of rock.

There was more breakneck riding, and they got a cart and some bedding
and carried Ben to Anderson's, which was handiest, if not nearest, and
there was more wild and reckless riding for the doctor.

One got a gun, and rode back to shoot the horse.

Ben's case was hopeless from the first. He was hurt close to that big
heart of his, as well as having a fractured skull. He talked a lot of
the selections and old John Tierney, of the old bark school; and the
Never-Never country with Jack--and, later on, of the present. "What's
Ben sayin' now, Jim?" asked one young bushman as another came out of the
room with an awestruck face.

"He's sayin' that Jack Denver's dead, killed ridin' home from the races,
an' that the funeral's to-morrow, an' we're to roll up at Talbragar!"
answered the other, with wide eyes, a blank face and in an awed voice.
"He's thinkin' to-day's yisterday."

But towards the end, under the ministrations of the doctor, Ben became
conscious. He rolled his head a little on the pillow after he woke, and
then, seeming to remember all that happened up to his stunning fall, he
asked quietly:

"What sort of a funeral did Jack have?"

They told him it was the biggest ever seen in the district.

"Muster bin more'n a mile long," said one.

"Watcher talkin' about, Jim?" put in another. "Yer talkin' through yer
socks. It was more'n a mile an' a half, Ben, if it was er inch. Some of
the chaps timed it an' measured it an' compared notes as well as they
could. Why, the head was at the Racecourse when the tail was at Old--"

Ben sank back satisfied and a little later took the track that Jack
Denver had taken.



WANTED BY THE POLICE



Could it have been the Soul of Man and none higher that gave spoken and
written word to the noblest precepts of human nature? For the deeper you
sound it the more noble it seems, in spite of all the wrong, injustice,
sin, sorrow, pain, religion, atheism, and cynics in the world. We
make (or are supposed to make, or allow others to make) laws for the
protection of society, or property, or religion, or what you will; and
we pay thousands of men like ourselves to protect those laws and see
them carried out; and we build and maintain expensive offices, police
stations, court-houses and jails for the protecting and carrying out of
those laws, and the punishing of men--like ourselves--who break them.
Yet, in our heart of hearts we are antagonistic to most of the laws,
and to the Law as a whole (which we regard as an ass), and to the police
magistrates and the judges. And we hate lawyers and loathe spies, pimps,
and informers of all descriptions and the hangman with all our soul. For
the Soul of Man says: Thou shalt not refuse refuge to the outcast, and
thou shalt not betray the wanderer.

And those who do it we make outcast.

So we form Prisoners' Aid Societies, and Prisoners' Defence Societies,
and subscribe to them and praise them and love them and encourage them
to protect or defend men from the very laws that we pay so dearly
to maintain. And how many of us, in the case of a crime against
property--and though the property be public and ours--would refuse
tucker to the hunted man, and a night's shelter from the pouring rain
and the scowling, haunting, threatening, and terrifying darkness? Or
show the police in the morning the track the poor wretch had taken? I
know I couldn't.

The Heart of Man says: Thou shalt not.

At country railway stations, where the trains stop for refreshments,
when a prisoner goes up or down in charge of a policeman, a native
delicacy prevents the local loafers from seeming to notice him; but at
the last moment there is always some hand to thrust in a clay pipe and
cake of tobacco, and maybe a bag of sandwiches to the policeman.

And, when a prisoner escapes, in the country at least--unless he be a
criminal maniac in for a serious offence, and therefore a real danger
to society--we all honestly hope that they won't catch him, and we don't
hide it. And, if put in a corner, most of us would help them not to
catch him.

The thing came down through the ages and survived through the dark
Middle Ages, as all good things come down through the ages and survive
through the blackest ages. The hunted man in the tree, or cave, or hole,
and strangers creeping to him with food in the darkness, and in fear and
trembling; though he was, as often happened, an enemy to their creed,
country, or party. For he was outcast, and hungry, and a wanderer whom
men sought to kill.

These were mostly poor people or peasants; but it was so with the rich
and well-to-do in the bloody Middle Ages. The Catholic country gentleman
helping the Protestant refugee to escape disguised as a manservant (or
a maidservant), and the Protestant country gentleman doing likewise by
a hunted Catholic in his turn, as the battles went. Rebel helping
royalist, and royalist helping rebel. And always, here and there, down
through those ages, the delicate girl standing with her back to a door
and her arms outstretched across it, and facing, with flashing eyes, the
soldiers of the king or of the church--or entertaining and bluffing
them with beautiful lies--to give some poor hunted devil time to hide
or escape, though she a daughter of royalists and the church, and he a
rebel to his king and a traitor to his creed. For they sought to kill
him.

There was sanctuary in those times, in the monkeries--and the churches,
where the soldiers of the king dared not go, for fear of God. There
has been sanctuary since, in London and other places, where His or Her
Majesty's police dared not go because of the fear of man. The "Rocks"
was really sanctuary, even in my time--also Woollomooloo. Now the only
sanctuary is the jail.

And, not so far away, my masters! Down close to us in history, and in
Merrie England, during Judge Jeffreys's "Bloody Assize," which followed
on the Monmouth rebellion and formed the blackest page in English
history, "a worthy widow named Elizabeth Gaunt was burned alive at
Tyburn, for having sheltered a wretch who himself gave evidence against
her. She settled the fuel about herself with her own hands, so that the
flames should reach her quickly; and nobly said, with her last breath,
that she had obeyed the sacred command of God, to give refuge to the
outcast and not to betray the wanderer." (Charles Dickens's _History of
England._)

Note, I am not speaking of rebel to rebel, or loyalist to loyalist,
or comrade to comrade, or clansman to clansman in trouble--that goes
without saying--but of man and woman to man and woman in trouble, the
highest form of clannishness, the clannishness that embraces the whole
of this wicked world--the Clan of Mankind!

French people often helped English prisoners of war to escape to the
coast and across the water, and English people did likewise by the
French; and none dared raise the cry of "traitors." It was the highest
form of patriotism on both sides. And, by the way, it was, is, and shall
always be the women who are first to pity and help the rebel refugee or
the fallen enemy.

Succour thine enemy.


There must have been a lot of human kindness under the smothering,
stifling cloud of the "System" and behind the iron clank and swishing
"cat" strokes of brutality--a lot of soul light in the darkness of our
dark past--a page that has long since been closed down--when innocent
men and women were transported to shame, misery, and horror; when mere
boys were sent out on suspicion of stealing a hare from the squire's
preserves, and mere girls on suspicion of lifting a riband from the
merchant's counter. But the many kindly and self-sacrificing and
even noble things that free and honest settlers did, in those days of
loneliness and hardship, for wretched runaway convicts and others,
are closed down with the pages too. My old grandmother used to tell me
tales, but--well, I don't suppose a wanted man (or a man that wasn't
wanted, for that matter) ever turned away from her huts, far back in
the wild bush, without a quart of coffee and a "feed" inside his hunted
carcass, or went short of a bit of bread and meat to see him on, and a
gruff but friendly hint, maybe, from the old man himself. And they were
a type of the early settlers, she an English lady and the daughter of a
clergyman. Ah! well--

Do you ever seem to remember things that you could not possibly
remember? Something that happened in your mother's life, maybe, if you
are a girl, or your father's, if you are a boy--that happened to your
mother or father some years, perhaps, before you were born. I have many
such haunting memories--as of having once witnessed a murder, or an
attempt at murder, for instance, and once seeing a tree fall on a
man--and as a child I had a memory of having been a man myself once
before. But here is one of the pictures.

A hut in a dark gully; slab and stringy-bark, two rooms and a detached
kitchen with the boys' room roughly partitioned off it. Big clay
fire-place with a big log fire in it. The settler, or selector, and his
wife; another man who might have been "uncle," and a younger woman who
might have been "aunt;" two little boys and the baby. It was raining
heavens hard outside, and the night was as black as pitch. The uncle was
reading a report in a paper (that seemed to have come, somehow, a
long way from somewhere) about two men who were wanted for sheep- and
cattle-stealing in the district. I decidedly remember it was during the
reign of the squatters in the nearer west. There came a great gust that
shook the kitchen and caused the mother to take up the baby out of the
rough gin-case cradle. The father took his pipe from his mouth and said:
"Ah, well! poor devils." "I hope they're not out in a night like this,
poor fellows," said the mother, rocking the child in her arms. "And I
hope they'll never catch 'em," snapped her sister. "The squatters has
enough."

"I wonder where poor Jim is?" the mother moaned, rocking the baby, and
with two of those great, silent tears starting from her haggard eyes.

"Oh don't start about Jim again, Ellen," said her sister impatiently.
"He can take care of himself. You were always rushing off to meet
trouble half-way--time enough when they come, God knows."

"Now, look here, Ellen," put in Uncle Abe, soothingly, "he was up in
Queensland doing well when we last heerd of him. Ain't yer never goin'
to be satisfied?"

Jim was evidently another and a younger uncle, whose temperament from
boyhood had given his family constant cause for anxiety.

The father sat smoking, resting his elbow on his knee, bunching up his
brush of red whiskers, and looking into the fire--and back into his own
foreign past in his own foreign land perhaps: and, it may be, thinking
in his own language.

Silence and smoke for a while; then the mother suddenly straightened up
and lifted a finger:

"Hush! What's that? I thought I heard someone outside."

"Old Poley coughin'," said Uncle Abe, after they'd listened a space.
"She must be pretty bad--oughter give her a hot bran mash." (Poley was
the best milker.)

"But I fancied I heard horses at the sliprails," said the mother.

"Old Prince," said Uncle Abe. "Oughter let him into the shed."`

"Hush!" said the mother, "there's someone outside." There _was_ a step,
as of someone retreating after peeping through a crack in the door, but
it was not old Poley's step; then, from farther off, a cough that was
like old Poley's cough, but had a rack in it.

"See who it is, Peter," said the mother. Uncle Abe, who was dramatic and
an ass, slipped the old double-barrelled muzzle-loader from its leathers
on the wall and stood it in the far corner and sat down by it. The
mother, who didn't seem to realize anything, frowned at him impatiently.
The coughing fit started again. It was a man.

"Who's there? Anyone outside there?" said the settler in a loud voice.

"It's all right. Is the boss there? I want to speak to him," replied a
voice with no cough in it. The tone was reassuring, yet rather strained,
as if there had been an accident--or it might be a cautious policeman or
bushranger reconnoitring.

"Better see what he wants, Peter," said his sister-in-law quietly.
"Something's the matter--it may be the police."

Peter threw an empty bag over his shoulders, took the peg from the
door, opened it and stepped out. The racking fit of coughing burst forth
again, nearer. "That's a church-yarder!" commented Uncle Abe.

The settler came inside and whispered to the others, who started up,
interested. The coughing started again outside. When the fit was over
the mother said:

"Wait a minute till I get the boys out of the road and then bring them
in." The boys were bundled into the end room and told to go to bed
at once. They knelt up on the rough bed of slabs and straw mattress,
instead, and applied eyes and ears to the cracks in the partition.

The mother called to the father, who had gone outside again.

"Tell them to come inside, Peter."

"Better bring the horses into the yard first and put them under the
shed," said the father to the unknown outside in the rain and darkness.
Clatter of sliprails let down and tired hoofs over them, and sliprails
put up again; then they came in.

Wringing wet and apparently knocked up, a tall man with black curly hair
and beard, black eyes and eyebrows that made his face seem the whiter;
dressed in tweed coat, too small for him and short at the sleeves,
strapped riding-pants, leggings, and lace-up boots, all sodden. The
other a mere boy, beardless or clean shaven, figure and face of a
native, but lacking in something; dressed like his mate--like drovers
or stockmen. Arms and legs of riders, both of them; cabbage-tree hats in
left hands--as though the right ones had to be kept ready for something
(and looking like it)--pistol butts probably. The young man had a
racking cough that seemed to wrench and twist his frame as the settler
steered him to a seat on a stool by the fire. (In the intervals of
coughing he glared round like a watched and hunted sneak-thief--as if
the cough was something serious against the law, and he must try to stop
it.)

"Take that wet coat off him at once, Peter," said the settler's wife,
"and let me dry it." Then, on second thoughts: "Take this candle and
take him into the house and get some dry things on him."

The dark man, who was still standing in the doorway, swung aside to let
them pass as the settler steered the young man into the "house;" then
swung back again. He stood, drooping rather, with one hand on the
door-post; his big, wild, dark eyes kept glancing round and round the
room and even at the ceiling, seeming to overlook or be unconscious of
the faces after the first keen glance, but always coming back to rest on
the door in the partition of the boys' room opposite.

"Won't you sit down by the fire and rest and dry yourself?" asked the
settler's wife, rather timidly, after watching him for a moment.

He looked at the door again, abstractedly it seemed, or as if he had not
heard her.

Then Uncle Abe (who, by the way, was supposed to know more than he
should have been supposed to know) spoke out.

"Set down, man! Set down and dry yerself. There's no one there except
the boys--that's the boys' room. Would yer like to look through?"

The man seemed to rouse himself from a reverie. He let his arm and
hand fall from the doorpost to his side like dead things. "Thank you,
missus," he said, apparently unconscious of Uncle Abe, and went and sat
down in front of the fire.

"Hadn't you better take your wet coat off and let me dry it?"

"Thank you." He took off his coat, and, turning the sleeve, inside
out, hung it from his knees with the lining to the fire then he leaned
forward, with his hands on his knees, and stared at the burning logs
and steam. He was unarmed, or, if not, had left his pistols in the
saddle-bag outside.

Andy Page, general handy-man (who was there all the time, but has not
been mentioned yet, because he didn't mention anything himself which
seemed necessary to this dark picture), now remarked to the stranger,
with a wooden-face expression but a soft heart, that the rain would be
a good thing for the grass, mister, and make it grow; a safe remark
to make under the present, or, for the matter of that, under any
circumstances.

The stranger said, "Yes; it would."

"It will make it spring up like anything," said Andy.

The stranger admitted that it would.

Uncle Abe joined in, or, rather, slid in, and they talked about the
drought and the rain and the state of the country, in monosyllables
mostly, with "Jesso," and "So it is," and "You're right there," till the
settler came back with the young man dressed in rough and patched, but
dry, clothes. He took another stool by his mate's side at the fire,
and had another fit of coughing. When it was over, Uncle Abe remarked
"That's a regular church-yarder yer got, young feller."

The young fellow, too exhausted to speak, even had he intended doing
so, turned his head in a quick, half-terrified way and gave it two short
jerky nods.

The settler had brought a bottle out--it was gin they kept for medicine.
They gave him some hot, and he took it in his sudden, frightened,
half-animal way, like a dog that was used to ill-usage.

"He ought to be in the hospital," said the mother.

"He ought to be in bed right now at once," snapped the sister. "Couldn't
you stay till morning, or at least till the rain clears up?" she said
to the elder man. "No one ain't likely to come near this place in this
weather."

"If we did he'd stand a good chance to get both hospital and a bed
pretty soon, and for a long stretch, too," said the dark man grimly.
"No, thank you all the same, miss--and missus--I'll get him fixed up all
right and safe before morning."

The father came into the end room with a couple of small feed boxes and
both boys tumbled under the blankets. The father emptied some chaff,
from a bag in the corner, into the boxes, and then dished some corn from
another bag into the chaff and mixed it well with his hands. Then he
went out with the boxes under his arms, and the boys got up again.

The mother had brought two chairs from the front room (I remember the
kind well: black painted hardwood that were always coming to pieces and
with apples painted on the backs). She stood them with their backs to
the fire and, taking up the young man's wet clothes, which the settler
had brought out under his arm and thrown on a stool, arranged them
over the backs of chairs and the stool to dry. He lost some of his
nervousness or seared manner under the influence of the gin, and
answered one or two questions with reference to his complaint.

The baby was in the cradle asleep. The sister drew boiling water from
the old-fashioned fountain over one side of the fire and made coffee.
The mother laid the coarse brownish cloth and set out the camp-oven
bread, salt beef, tin plates, and pintpots. This was always called
"setting the table" in the bush. "You'd better have it by the fire,"
said the bush-wife to the dark man.

"Thank you, missus," he said, as he moved to a bench by the table, "but
it's plenty warm enough here. Come on, Jack."

Jack, under the influence of another tot, was in a fit state to sit down
to a table something like a Christian, instead of coming to his food
like a beaten dog.

The hum of bush common-places went on. One of the boys fell across the
bed and into deep slumber; the other watched on awhile, but must have
dozed.

When he was next aware, he saw, through the cracks, the taller man
putting on his dried coat by the fire; then he went to a rough "sofa" at
the side of the kitchen, where the young man was sleeping--with his head
and shoulders curled in to the wall and his arm over his face, like a
possum hiding from the light--and touched him on the shoulder.

"Come on, Jack," he said, "wake up."

Jack sprang to his feet with a blundering rush, grappled with his mate,
and made a break for the door.

"It's all right, Jack," said the other, gently yet firmly, holding and
shaking him. "Go in with the boss and get into your own clothes--we've
got to make a start." The other came to himself and went inside quietly
with the settler. The dark man stretched himself, crossed the kitchen
and looked down at the sleeping child; he returned to the fire without
comment. The wildness had left his eyes. The bushwoman was busy putting
some tucker in a sugar-bag. "There's tea and sugar and salt in these
mustard tins, and they won't get wet," she said, "and there's some
butter too; but I don't know how you'll manage about the bread--I've
wrapped it up, but you'll have to keep it dry as well as you can."

"Thank you, missus, but that'll be all right. I've got a bit of
oil-cloth," he said.

They spoke lamely for a while, against time; then the bushwoman touched
the spring, and their voices became suddenly low and earnest as they
drew together. The stranger spoke as at a funeral, but the funeral was
his own.

"I don't care about myself so much," he said, "for I'm tired of it,
and--and--for the matter of that I'm tired of everything; but I'd like
to see poor Jack right, and I'll try to get clear myself, for his sake.
You've seen him. I can't blame myself, for I took him from a life that
was worse than jail. You know how much worse than animals some brutes
treat their children in the bush. And he was an 'adopted.' You know what
that means. He was idiotic with ill-treatment when I got hold of him.
He's sensible enough when away with me, and true as steel. He's about
the only living human thing I've got to care for, or to care for me, and
I want to win out of this hell for his sake."

He paused, and they were all silent. He was measuring time, as his next
words proved: "Jack must be nearly ready now." Then he took a packet
from some inside pocket of his blue dungaree shirt. It was wrapped in
oil-cloth, and he opened it and laid it on the table; there was a small
Bible and a packet of letters--and portraits, maybe.

"Now, missus," he said, "you mustn't think me soft, and I'm neither
a religious man nor a hypocrite. But that Bible was given to me by my
mother, and her hand-writing is in it, so I couldn't chuck it away. Some
of the letters are hers and some--someone else's. You can read them if
you like. Now, I want you to take care of them for me and dry them if
they are a little damp. If I get clear I'll send for them some day, and,
if I don't--well, I don't want them to be taken with me. I don't want
the police to know who I was, and what I was, and who my relatives are
and where they are. You wouldn't have known, if you do know now, only
your husband knew me on the diggings, and happened to be in the court
when I got off on that first cattle-stealing charge, and recognized me
again to-night. I can't thank you enough, but I want you to remember
that I'll never forget. Even if I'm taken and have to serve my time I'll
never forget it, and I'll live to prove it."

"We--we don't want no thanks, an' we don't want no proofs," said the
bushwoman, her voice breaking.

The sister, her eyes suspiciously bright, took up the packet in her
sharp, practical way, and put it in a work-box she had in the kitchen.

The settler brought the young fellow out dressed in his own clothes. The
elder shook hands quietly all round, or, rather, they shook hands with
him. "Now, Jack!" he said. They had fastened an oilskin cape round
Jack's shoulders.

Jack came forward and shook hands with a nervous grip that he seemed to
have trouble to take off. "I won't forget it," he said; "that's all I
can say--I won't forget it." Then they went out with the settler. The
rain had held up a little. Clatter of sliprails down and up, but the
settler didn't come back.

"Wonder what Peter's doing?" said the wife.

"Showin' 'em down the short cut," said Uncle Abe.

But, presently, clatter of sliprails down again, and cattle driven over
them.

"Wonder what he's doing with the cows," said the wife.

They waited in wonder, and with growing anxiety, for some quarter of an
hour; then Abe and Andy, going out to see, met the settler coming back.

"What in thunder are you doing with the cows, Peter?" asked Uncle Abe.

"Oh, just driving them out and along a bit over those horse tracks; we
might get into trouble," said Peter.

When the boys woke it was morning, and the mother stood by the bed. "You
needn't get up yet, and don't say anyone was here last night if you're
asked," she whispered, and went out. They were up on their knees at once
with their eyes to the cracks, and got the scare of their young lives.
Three mounted troopers were steaming their legs at the fire--their
bodies had been protected by oilskin capes. The mother was busy about
the table and the sister changing the baby. Presently the two younger
policemen sat down to bread and bacon and coffee, but their senior (the
sergeant) stood with his back to the fire, with a pint-pot of coffee in
his hand, eating nothing, but frowning suspiciously round the room.

Said one of the young troopers to Aunt Annie, to break the lowering
silence, "You don't remember me?"

"Oh yes, I do; you were at Brown's School at Old Pipeclay--but I was
only there a few months."

"You look as if you didn't get much sleep," said the senior-sergeant,
bluntly, to the settler's wife, "and your sister too."

"And so would you," said Aunt Annie, sharply, "if you were up with a
sick baby all night."

"Sad affair that, about Brown the schoolmaster," said the younger
trooper to Aunt Annie.

"Yes," said Aunt Annie, "it was indeed."

The senior-sergeant stood glowering. Presently he said brutally--"The
baby don't seem to be very sick; what's the matter with it?"

The young troopers move uneasily, and one impatiently.

"You should have seen her" (the baby) "about twelve o'clock last night,"
said Aunt Annie, "we never thought she would live till the morning."

"Oh, didn't you?" said the senior-sergeant, in a half-and-half tone.

The mother took the baby and held it so that its face was hidden from
the elder policeman.

"What became of Brown's family, miss?" asked the young trooper. "Do you
remember Lucy Brown?"

"I really don't know," answered Aunt Annie, "all I know is that they
went to Sydney. But I think I heard that Lucy was married."

Just then Uncle Abe and Andy came in to breakfast. Andy sat down in the
corner with a wooden face, and Uncle Abe, who was a tall man, took up a
position, with his back to the fire, by the side of the senior trooper,
and seemed perfectly at home and at ease. He lifted up his coat behind,
and his face was a study in bucolic unconsciousness. The settler passed
through to the boys' room (which was harness room, feed room, tool
house, and several other things), and as he passed out with a shovel the
sergeant said, "So you haven't seen anyone along here for three days?"

"No," said the settler.

"Except Jimmy Marshfield that took over Barker's selection in Long
Gully," put in Aunt Annie. "He was here yesterday. Do you want him?"

"An' them three fellers on horseback as rode past the corner of the
lower paddock the day afore yesterday," mumbled Uncle Abe, "but one of
'em was one of the Coxes' boys, I think."

At the sound of Uncle Abe's voice both women started and paled, and
looked as if they'd like to gag him, but he was safe.

"What were they like?" asked the constable.

The women paled again, but Uncle Abe described them. He had imagination,
and was only slow where the truth was concerned.

"Which way were they going?" asked the constable. "Towards Mudgee" (the
police-station township), said Uncle Abe.

The constable gave his arm an impatient jerk and dropped Uncle Abe.

Uncle Abe looked as if he wanted badly to wink hard at someone, but
there was no friendly eye in the line of wink that would be safe.

"Well, it's strange," said the sergeant, "that the men we're after
didn't look up an out-of-the-way place like this for tucker, or
horse-feed, or news, or something."

"Now, look here," said Aunt Annie, "we're neither cattle duffers nor
sympathizers; we're honest, hard-working people, and God knows we're
glad enough to see a strange face when it comes to this lonely hole; and
if you only want to insult us, you'd better stop it at once. I tell you
there's nobody been here but old Jimmy Marshfield for three days, and
we haven't seen a stranger for over a fortnight, and that's enough. My
sister's delicate and worried enough without you." She had a masculine
habit of putting her hand up on something when holding forth, and as
it happened it rested on the work-box on the shelf that contained the
cattle-stealer's mother's Bible; but if put to it, Aunt Annie would have
sworn on the Bible itself.

"Oh well, no offence, no offence," said the constable. "Come on, men, if
you've finished, it's no use wasting time round here."

The two young troopers thanked the mother for their breakfast, and
strange to say, the one who had spoken to her went up to Aunt Annie and
shook hands warmly with her. Then they went out, and mounting, rode back
in the direction of Mudgee. Uncle Abe winked long and hard and solemnly
at Andy Page, and Andy winked back like a mechanical wooden image.
The two women nudged and smiled and seemed quite girlish, not to
say skittish, all the morning. Something had come to break the cruel
hopeless monotony of their lives. And even the settler became foolishly
cheerful.


Five years later: same hut, same yard, and a not much wider clearing in
the gully, and a little more fencing--the women rather more haggard
and tired looking, the settler rather more horny-handed and silent, and
Uncle Abe rather more philosophical. The men had had to go out and work
on the stations. With the settler and his wife it was, "If we only had
a few pounds to get the farm cleared and fenced, and another good plough
horse, and a few more cows." That had been the burden of their song for
the five years and more.

Then, one evening, the mail boy left a parcel. It was a small parcel, in
cloth-paper, carefully tied and sealed. What could it be? It couldn't be
the Christmas number of a weekly they subscribed to, for it never came
like that. Aunt Annie cut the discussion short by cutting the string
with a table knife and breaking the wax.

And behold, a clean sugar-bag tightly folded and rolled.

And inside a strong whitey-brown envelope.

And on the envelope written or rather printed the words:

"For horse-feed, stabling, and supper."

And underneath, in smaller letters, "Send Bible and portraits to----."
(Here a name and address.)

And inside the envelope a roll of notes.

"Count them," said Aunt Annie.

But the settler's horny and knotty hands trembled too much, and so did
his wife's withered ones; so Aunt Annie counted them.

"Fifty pounds!" she said.

"Fifty pounds!" mused the settler, scratching his head in a perplexed
way.

"Fifty pounds!" gasped his wife.

"Yes," said Aunt Annie sharply, "fifty pounds!"

"Well, you'll get it settled between yer some day!" drawled Uncle Abe.

Later, after thinking comfortably over the matter, he observed:

"Cast yer coffee an' bread an' bacon upon the waters--"

Uncle Abe never hurried himself or anybody else.



THE BATH



The moral should be revived. Therefore, this is a story with a moral.
The lower end of Bill Street--otherwise William--overlooks Blue's Point
Road, with a vacant wedge-shaped allotment running down from a Scottish
church between Bill Street the aforesaid and the road, and a terrace
on the other side of the road. A cheap, mean-looking terrace of houses,
flush with the pavement, each with two windows upstairs and a large
one in the middle downstairs, with a slit on one side of it called a
door--looking remarkably skully in ghastly dawns, afterglows, and rainy
afternoons and evenings. The slits look as if the owners of the skulls
got it there from an upward blow of a sharp tomahawk, from a shorter
man--who was no friend of theirs--just about the time they died. The
slits open occasionally, and mothers of the nation, mostly holding
their garments together at neck or bosom, lean out--at right angles
almost--and peer up and down the road, as if they are casually curious
as to what is keeping the rent collector so late this morning. Then they
shut up till late in the day, when a boy or two comes home from
work. The terrace should be called "Jim's Terrace" if the road is not
"James's" Road, because no bills ever seem to be paid there as they are
in our street--and for other reasons. There are four houses, but seldom
more than two of them occupied at one time--often only one. Tenants
never shift in, or at least are never seen to, but they get there. The
sign is a furtive candle light behind an old table cloth, a skirt, or
any rag of dark stuff tacked across the front bedroom window, upstairs,
and a shadow suggestive of a woman making up a bed on the floor.

If more than two of the houses are occupied there is almost certain to
be an old granny with ragged grey hair, who folded her arms tight under
her ragged old breasts, and bends her tough old body, and sticks her
ragged grey old head out of the slit called a door, and squints up and
down the road, but not in the interests of mischief-making--they are
never here long enough--only out of mild, ragged, grey-headed curiosity
regarding the health or affairs of the rent collector.

Perhaps there are no bills to be collected in Skull Terrace because no
credit is given. No jugs are put out, because there is no place to put
them, except on the pavement, or on the narrow window ledges, where
they would be in great and constant danger from the feet or elbows of
passers-by. There are no tradesmen's entrances to the houses in Skull
Terrace.

Tenants and sub-tenants often leave on Friday morning in the full glare
of the day. Granny throws down garments from the top window to hurry
things, and the wife below ties up much in an old allegedly green or red
table-cloth, on the pavement, at the last moment. Van of the "bottle ho"
variety. It is all done very quickly, and nobody takes any notice--they
are never there long enough. Landlord, landlady, or rent collector--or
whatever it is--calls later on; maybe, knocks in a tired, even bored,
way; makes inquiries next door, and goes away, leaving the problem to
take care of itself--all kind of casual. The business people of North
Sydney, especially removers and labourers, are very casual. Down old
Blue's Point Road the folk get so casual that they just exist, but don't
seem to do so.

One thing I never could make out about Skull Terrace is that when one
house becomes vacant from a house agent's point of view--there is a
permanent atmosphere of vacancy about the whole terrace--the people of
another move into it. And there's not the slightest difference between
the houses. It is because the removal is such a small affair, I suppose,
and the change is, the main thing. I always do better for awhile in a
new house--but then I always did seem to get on better somewhere else.

There are many points, or absence of points, about Skull Terrace that
fit in with Jim's casualness as against Bill's character, therefore
Blue's Point Road ought to be James's Street.

But just now, in the heat of summer, the terrace happens to be full,
and all the blinds are decent--the two new-comers are newly come down to
Skull Terrace, and the other blinds are looked up, washed, and fixed up
by force of example or from very shame's sake.

All of which seems to have nothing whatever to do with the story, except
that the scene is down opposite my balcony as I think and smoke, and it
is a blur on one of the most beautiful harbour views in the world.


I had been working hard all day, mending the fence, putting up a
fowl-house and some lattice work and wire netting, and limewashing and
painting. Labours of love. I'd rather build a fowl-house than a "pome"
or story, any day. And when finished--the fowl-house, I mean--I sit and
contemplate my handiwork with pure and unadulterated joy. And I take a
candle out several times, after dark, to look at it again. I never got
such pleasure out of rhyme, story, or first-class London Academy notice.
I find it difficult to drag myself from the fowl-house, or whatever it
is, to meals, and harder to this work, and I lie awake planning next
day's work until I fall asleep in the sleep of utter happy weariness.
And I'm up and at it, before washing, at daylight. But I was a carpenter
and housepainter first.

Well, it had been a long, close day, and I was very dirty and tired, but
with the energy and restlessness of healthy, happy tiredness when work
is unfinished. But I was out of two-inch nails, and the shops were shut.

Then it struck me to start up the copper and have a real warm bath after
my own heart and ideas. The bathroom is outside, next the wash-house and
copper. There were plenty of splinters and ends of softwood that were
mine by right of purchase and labour. My landlady is, and always has
been, sensitive on the subject of firewood. She'll buy anything else to
make the house comfortable and beautiful. She has been known to buy a
piano for one of her nieces and burn rubbish in the stove the same day.
I knew she was uneasy about the softwood odds and ends, but I couldn't
help that--she'd still be sentimental about them if she had a stack of
firewood as big as the house. There's at least one thing that most folk
hate to buy--mine's boot-laces or bone studs, so long as I can make pins
or inked string do.

I put a bucket of water in the copper, started a fire under that sent
sparks out of the wash-house flue at an alarming rate, filled the copper
to the brim, and, in the absence of a lid, covered it with a piece of
flattened galvanized iron I had.

I tacked the side edge of a strip of canvas to the matchboard wall along
over the inner edge of the bath, fastened a short piece of gas-pipe to
the outer edge, with pieces of string through holes made in it, and let
it hang down over the bath, leaving a hole at the head for my head and
shoulders. I was going to have a long, comfortable, and utterly lazy and
drowsy hot water and steam bath, you know.

I fastened a piece of clothes-line round and over the head of the bath,
and twisted an old toilet-table cover and a towel round it where it
sagged into the bath, for a head rest-also to be soaped for where I
couldn't get at my back with my hands.

I went up to my room for some things, and it struck me to arrange two
chairs by the bed--candle and matches and tobacco on one side, and a
pile of Jack London, Kipling, and Yankee magazines on the other, with
the last _Lone Hand_ and _Bulletin_ on top.

Going down with pyjamas, towel, and soap, it struck me to have a kettle
and a saucepan full of water on the stove to use as the water from the
copper cooled.

I took a roomy, hard-bottomed kitchen chair into the bathroom; on it
I placed a carefully scraped, cleared, and filled pipe, matches, more
tobacco, tooth-brush, saucer with a lump of whiting and salt, piece of
looking-glass--to see progress of the teeth--and knife for finger and
toe nails. And I knocked up a few three-inch iron nails in the wall to
hang things on. I placed a clean suit of pyjamas over the back of the
chair, and over them the towels.

I arranged with the landlady to have a good cup of coffee made, as she
knows how to make it, ready to hand in round the edge of the door when
I should be in the bath. There's nothing in that. I've been with her for
years, and on account of the canvas it would be just the same as if I
were in bed. On second thought I asked her to hand in some toast--or
bread and butter and bloater paste--at the same time. I fed the fire
with judgment, and the copper boiled just as the last blaze died down. I
got a pail and carried the water to the bath, pouring it in through the
opening at the head. The last few pints I dipped into the pail with a
cup. I covered the opening with a towel to keep the steam and heat in
until I was ready. I got the boiling water from the kitchen into the
bucket, covered it with another towel, and stood it in a handy corner in
the bathroom.

I made an opening, turned on the cold water, and commenced to undress. I
hung my clothes on the wall, till morning, for I intended to go straight
from the bath to bed in my pyjamas and to lie there reading.

I turned off the cold water tap to be sure, lifted the towel off, and
put my good right foot in to feel the temperature--into about three
inches of cold water, and that was vanishing.

I'd forgotten to put in the plug.

I'm deaf, you know, and the landlady, hearing the water run, thought I
was flushing out the bath (we were new tenants) and wondered vaguely why
I was so long at it.

I dressed rather hurriedly in my working clothes, went inside, and
spread myself dramatically on the old cane lounge and covered my face
with my oldest hat, to show that it was comic and I took it that way.
But my landlady was so full of sympathy, condolence, and self-reproach
(because she failed to draw my attention to the gurgling) that she let
the coffee and toast burn.

I went up and lay on my bed, and was so tired and misty and far away
that I went to sleep without undressing, or even washing my face and
hands.

How many, in this life, forget the plug!

And how many, ah! how many, who passed through, and are passing through
Skull Terrace, commenced life as confidently, carefree, and clear
headed, and with such easily exercised, careful, intelligent, practised,
and methodical attention to details as I did the bath business
arrangements--and forgot to put in the plug.

And many because they were handicapped physically.



INSTINCT GONE WRONG



Old Mac used to sleep in his wagon in fine weather, when he had no load,
on his blankets spread out on the feed-bags; but one time he struck
Croydon, flush from a lucky and good back trip, and looked in at the
(say) Royal Hotel to wet his luck--as some men do with their sorrow--and
he "got there all right." Next morning he had breakfast in the
dining-room, was waited on as a star boarder, and became thoroughly
demoralized; and his mind was made up (independent of himself, as it
were) to be a gentleman for once in his life. He went over to the store
and bought the sloppiest suit of reach-me-downs of glossiest black, and
the stiffest and stickiest white shirt they had to show--also four bone
studs, two for the collar and two for the cuffs. Then he gave his
worn "larstins" to the stable-boy (with half a crown) to clean,
and--proceeded. He put the boots on during the day, one at a time
between drinks, gassing all the time, and continued. He concluded about
midnight, after a very noisy time and interviews with everyone on sight
(slightly interrupted by drinks) concerning "his room." It was show
time, you see, and all the rooms were as full as he was--he was too full
even to share the parlour or billiard room with others; but he consented
at last to a shake-down on the balcony, the barmaid volunteering to
spread the couch with her own fair hands.

Towards daylight he woke, for one of the reasons why men do wake. It is
well known, to people who know, that old campers-out (and young men new
to it, too) will wake _once_--if in a party, each at different times--to
tend to their cattle, or listen for the hobbles of their horses, or
simply to rise on their elbows and have a look round--the last, I
suppose, from an instinct born in old dangerous times. Mac woke up, and
it was dark. He reached out and his hand fell, instinctively, on the
rail of the balcony, which was to him (instinctively--and that shows
how instinct errs) the rail of the side of his wagon, in which as I have
said, he was wont to sleep. So he drew himself up on his knees and to
his feet, with the instinctive intention of getting down to (say) put
some chaff and corn in the feed-bags stretched across the shafts for
the horses; for he intended, by instinct, to make an early start. Which
shows how instinct can never be trusted to travel with memory, but
will get ahead of it--or behind it. (Say it was instinct mixed with
or adulterated by drink.) He got a long, hairy leg over and felt
(instinctively) for the hub of the wheel; his foot found and rested on
the projecting ledge of the balcony floor outside, and that, to him,
was the hub all right. He swung his other leg over and expected to drop
lightly on to the grass or dust of the camp; but, being instinctively
rigid, he fell heavily some fifteen feet into a kerbed gutter.

As a result of his howls lights soon flickered in windows and fanlights;
and with prompt, eager, anxious, and awed bush first-aid and assistance,
they carried a very sober, battered and blasphemous driver inside and
spread mattresses on the floor. And, some six weeks afterwards, an
image, mostly of plaster-of-Paris and bandages, reclined, much against
its will, on a be-cushioned cane lounge on the hospital veranda; and,
from the only free and workable corner of its mouth, when
the pipe was removed, came shockingly expressed opinions of
them--newfangled--two-story--! "night houses" (as it called them).
And, thereafter, when he had a load on, or the weather was too bad for
sleeping in or under his wagon, the veranda of a one-storied shanty (if
he could get to it) was good enough for MacSomething, the carrier.



THE HYPNOTIZED TOWNSHIP



They said that Harry Chatswood, the mail contractor would do anything
for Cobb & Co., even to stretching fencing-wire across the road in a
likely place: but I don't believe that--Harry was too good-hearted
to risk injuring innocent passengers, and he had a fellow feeling for
drivers, being an old coach driver on rough out-back tracks himself. But
he did rig up fencing-wire for old Mac, the carrier, one night, though
not across the road. Harry, by the way, was a city-born bushman, who
had been everything for some years. Anything from six-foot-six to
six-foot-nine, fourteen stone, and a hard case. He is a very successful
coach-builder now, for he knows the wood, the roads, and the weak parts
in a coach.

It was in the good seasons when competition was keen and men's
hearts were hard--not as it is in times of drought, when there is no
competition, and men's hearts are soft, and there is all kindness and
goodwill between them. He had had much opposition in fighting Cobb &
Co., and his coaches had won through on the outer tracks. There was
little malice in his composition, but when old Mac, the teamster, turned
his teams over to his sons and started a light van for parcels and
passengers from Cunnamulla--that place which always sounds to me
suggestive of pumpkin pies--out in seeming opposition to Harry
Chatswood, Harry was annoyed.

Perhaps Mac only wished to end his days on the road with parcels that
were light and easy to handle (not like loads of fencing wire) and
passengers that were sociable; but he had been doing well with his
teams, and, besides, Harry thought he was after the mail contract: so
Harry was annoyed more than he was injured. Mac was mean with the money
he had not because of the money he had a chance of getting; and he
mostly slept in his van, in all weathers, when away from home which was
kept by his wife about half-way between the half-way house and the next
"township."

One dark, gusty evening, Harry Chatswood's coach dragged, heavily though
passengerless, into Cunnamulla, and, as he turned into the yard of the
local "Royal," he saw Mac's tilted four-wheeler (which he called his
"van") drawn up opposite by the kerbing round the post office. Mac
always chose a central position--with a vague idea of advertisement
perhaps. But the nearness to the P.O. reminded Harry of the mail
contracts, and he knew that Mac had taken up a passenger or two and some
parcels in front of him (Harry) on the trip in. And something told Harry
that Mac was asleep inside his van. It was a windy night, with signs of
rain, and the curtains were drawn close.

Old Mac was there all right, and sleeping the sleep of a tired driver
after a long drowsy day on a hard box-seat, with little or no back
railing to it. But there was a lecture on, or an exhibition of hypnotism
or mesmerism--"a blanky spirit rappin' fake," they called it, run by
"some blanker" in "the hall;" and when old Mac had seen to his horses,
he thought he might as well drop in for half an hour and see what was
going on. Being a Mac, he was, of course, theological, scientific, and
argumentative. He saw some things which woke him up, challenged the
performer to hypnotize him, was "operated" on or "fooled with" a bit,
had a "numb sorter light-headed feelin'," and was told by a voice
from the back of the hall that his "leg was being pulled, Mac," and by
another buzzin' far-away kind of "ventrillick" voice that he would make
a good subject, and that, if he only had the will power and knew how
(which he would learn from a book the professor had to sell for five
shillings) he would be able to drive his van without horses or any
thing, save the pole sticking straight out in front. These weren't the
professor's exact words--But, anyway, Mae came to himself with a sudden
jerk, left with a great Scottish snort of disgust and the sound of heavy
boots along the floor; and after a resentful whisky at the Royal, where
they laughed at his scrooging bushy eyebrows, fierce black eyes and his
deadly-in-earnest denunciation of all humbugs and imposters, he returned
to the aforesaid van, let down the flaps, buttoned the daft and "feekle"
world out, and himself in, and then retired some more and slept, as I
have said, rolled in his blankets and overcoats on a bed of cushions,
and chaff-bag.

Harry Chatswood got down from his empty coach, and was helping the yard
boy take out the horses, when his eye fell on the remnant of a roll of
fencing wire standing by the stable wall in the light of the lantern.
Then an idea struck him unexpectedly, and his mind became luminous. He
unhooked the swinglebar, swung it up over his "leader's" rump (he was
driving only three horses that trip), and hooked it on to the horns
of the hames. Then he went inside (there was another light there) and
brought out a bridle and an old pair of spurs that were hanging on the
wall. He buckled on the spurs at the chopping block, slipped the winkers
off the leader and the bridle on, and took up the fencing-wire, and
started out the gate with the horse. The boy gaped after him once, and
then hurried to put up the other two horses. He knew Harry Chatswood,
and was in a hurry to see what he would be up to.

There was a good crowd in town for the show, or the races, or a stock
sale, or land ballot, or something; but most of them were tired, or at
tea--or in the pubs--and the corners were deserted. Observe how fate
makes time and things fit when she wants to do a good turn--or play
a practical joke. Harry Chatswood, for instance, didn't know anything
about the hypnotic business.

It was the corners of the main street or road and the principal short
cross street, and the van was opposite the pub stables in the main
street. Harry crossed the streets diagonally to the opposite corner,
in a line with the van. There he slipped the bar down over the horse's
rump, and fastened one end of the wire on to the ring of it. Then he
walked back to the van, carrying the wire and letting the coils go
wide, and, as noiselessly as possible, made a loop in the loose end and
slipped it over the hooks on the end of the pole. ("Unnecessary detail!"
my contemporaries will moan, "Overloaded with uninteresting details!"
But that's because they haven't got the details--and it's the details
that go.) Then Harry skipped back to his horse, jumped on, gathered up
the bridle reins, and used his spurs. There was a swish and a clang, a
scrunch and a clock-clock and rattle of wheels, and a surprised human
sound; then a bump and a shout--for there was no underground drainage,
and the gutters belonged to the Stone Age. There was a swift clocking
and rattle, more shouts, another bump, and a yell. And so on down the
longish main street. The stable-boy, who had left the horses in his
excitement, burst into the bar, shouting, "The Hypnertism's on, the
Mesmerism's on! Ole Mae's van's runnin' away with him without no horses
all right!" The crowd scuffled out into the street; there were some
unfortunate horses hanging up of course at the panel by the pub trough,
and the first to get to them jumped on and rode; the rest ran. The
hall--where they were clearing the willing professor out in favour of a
"darnce"--and the other pubs decanted their contents, and chance souls
skipped for the verandas of weather-board shanties out of which other
souls popped to see the runaway. They saw a weird horseman, or rather,
something like a camel (for Harry rode low, like Tod Sloan with his long
back humped--for effect)--apparently fleeing for its life in a veil
of dust, along the long white road, and some forty rods behind, an
unaccountable tilted coach careered in its own separate cloud of dust.
And from it came the shouts and yells. Men shouted and swore, women
screamed for their children, and kids whimpered. Some of the men turned
with an oath and stayed the panic with:

"It's only one of them flamin' motor-cars, you fools."

It might have been, and the yells the warning howls of a motorist who
had burst or lost his honk-kook and his head.

"It's runnin' away!" or "The toff's mad or drunk!" shouted others.
"It'll break its crimson back over the bridge."

"Let it!" was the verdict of some. "It's all the crimson carnal things
are good for."

But the riders still rode and the footmen ran. There was a clatter of
hoofs on the short white bridge looming ghostly ahead, and then, at
a weird interval, the rattle and rumble of wheels, with no hoof-beats
accompanying. The yells grew fainter. Harry's leader was a good horse,
of the rather heavy coachhorse breed, with a little of the racing blood
in her, but she was tired to start with, and only excitement and fright
at the feel of the "pull" of the twisting wire kept her up to that
speed; and now she was getting winded, so half a mile or so beyond the
bridge Harry thought it had gone far enough, and he stopped and got
down. The van ran on a bit, of course, and the loop of the wire slipped
off the hooks of the pole. The wire recoiled itself roughly along the
dust nearly to the heels of Harry's horse. Harry grabbed up as much of
the wire as he could claw for, took the mare by the neck with the other
hand, and vanished through the dense fringe of scrub off the road, till
the wire caught and pulled him up; he stood still for a moment, in
the black shadow on the edge of a little clearing, to listen. Then he
fumbled with the wire until he got it untwisted, cast it off, and moved
off silently with the mare across the soft rotten ground, and left her
in a handy bush stockyard, to be brought back to the stables at a late
hour that night--or rather an early hour next morning--by a jackaroo
stable-boy who would have two half-crowns in his pocket and afterthought
instructions to look out for that wire and hide it if possible.

Then Harry Chatswood got back quickly, by a roundabout way, and walked
into the bar of the Royal, through the back entrance from the stables,
and stared, and wanted to know where all the chaps had gone to, and what
the noise was about, and whose trap had run away, and if anybody was
hurt.

The growing crowd gathered round the van, silent and awestruck, and some
of them threw off their hats, and lost them, in their anxiety to show
respect for the dead, or render assistance to the hurt, as men do, round
a bad accident in the bush. They got the old man out, and two of them
helped him back along the road, with great solicitude, while some walked
round the van, and swore beneath their breaths, or stared at it with
open mouths, or examined it curiously, with their eyes only, and in
breathless silence. They muttered, and agreed, in the pale moonlight
now showing, that the sounds of the horses' hoofs had only been
"spirit-rappin' sounds;" and, after some more muttering, two of the
stoutest, with subdued oaths, laid hold of the pole and drew the van to
the side of the road, where it would be out of the way of chance night
traffic. But they stretched and rubbed their arms afterwards, and then,
and on the way back, they swore to admiring acquaintances that they felt
the "blanky 'lectricity" runnin' all up their arms and "elbers" while
they were holding the pole, which, doubtless, they did--in imagination.

They got old Mac back to the Royal, with sundry hasty whiskies on
the way. He was badly shaken, both physically, mentally, and in his
convictions, and, when he'd pulled himself together, he had little to
add to what they already knew. But he confessed that, when he got under
his possum rug in the van, he couldn't help thinking of the professor
and his creepy (it was "creepy," or "uncanny," or "awful," or "rum" with
'em now)--his blanky creepy hypnotism; and he (old Mac) had just laid on
his back comfortable, and stretched his legs out straight, and his arms
down straight by his sides, and drew long, slow breaths; and tried
to fix his mind on nothing--as the professor had told him when he was
"operatin' on him" in the hall. Then he began to feel a strange sort
of numbness coming over him, and his limbs went heavy as lead, and
he seemed to be gettin' light-headed. Then, all on a sudden, his arms
seemed to begin to lift, and just when he was goin' to pull 'em down the
van started as they had heard and seen it. After a while he got on to
his knees and managed to wrench a corner; of the front curtain clear
of the button and get his head out. And there was the van going
helter-skelter, and feeling like Tam o'Shanter's mare (the old man
said), and he on her barebacked. And there was no horses, but a cloud of
dust--or a spook--on ahead, and the bare pole steering straight for it,
just as the professor had said it would be. The old man thought he was
going to be taken clear across the Never-Never country and left to roast
on a sandhill, hundreds of miles from anywhere, for his sins, and he
said he was trying to think of a prayer or two all the time he was
yelling. They handed him more whisky from the publican's own bottle.
Hushed and cautious inquiries for the Professor (with a big P now)
elicited the hushed and cautious fact that he had gone to bed. But old
Mac caught the awesome name and glared round, so they hurriedly filled
out another for him, from the boss's bottle. Then there was a slight
commotion. The housemaid hurried scaredly in to the bar behind and
whispered to the boss. She had been startled nearly out of her wits by
the Professor suddenly appearing at his bedroom door and calling upon
her to have a stiff nobbler of whisky hot sent up to his room. The
jackaroo yard-boy, aforesaid, volunteered to take it up, and while he
was gone there were hints of hysterics from the kitchen, and the boss
whispered in his turn to the crowd over the bar. The jackaroo just
handed the tray and glass in through the partly opened door, had a
glimpse of pyjamas, and, after what seemed an interminable wait, he came
tiptoeing into the bar amongst its awe-struck haunters with an air of
great mystery, and no news whatever.

They fixed old Mac on a shake-down in the Commercial Room, where he'd
have light and some overflow guests on the sofas for company. With a
last whisky in the bar, and a stiff whisky by his side on the floor, he
was understood to chuckle to the effect that he knew he was all right
when he'd won "the keystone o' the brig." Though how a wooden bridge
with a level plank floor could have a keystone I don't know--and they
were too much impressed by the event of the evening to inquire. And so,
with a few cases of hysterics to occupy the attention of the younger
women, some whimpering of frightened children and comforting or
chastened nagging by mothers, some unwonted prayers muttered secretly
and forgettingly, and a good deal of subdued blasphemy, Cunnamulla sank
to its troubled slumbers--some of the sleepers in the commercial and
billiard-rooms and parlours at the Royal, to start up in a cold sweat,
out of their beery and hypnotic nightmares, to find Harry Chatswood
making elaborate and fearsome passes over them with his long, gaunt arms
and hands, and a flaming red table-cloth tied round his neck.

To be done with old Mac, for the present. He made one or two more trips,
but always by daylight, taking care to pick up a swagman or a tramp
when he had no passenger; but his "conveections" had had too much of a
shaking, so he sold his turnout (privately and at a distance, for it
was beginning to be called "the haunted van") and returned to his
teams--always keeping one of the lads with him for company. He reckoned
it would take the devil's own hypnotism to move a load of fencingwire,
or pull a wool-team of bullocks out of a bog; and before he invoked the
ungodly power, which he let them believe he could--he'd stick there and
starve till he and his bullocks died a "natural" death. (He was a bit
Irish--as all Scots are--back on one side.)

But the strangest is to come. The Professor, next morning, proved
uncomfortably unsociable, and though he could have done a roaring
business that night--and for a week of nights after, for that
matter--and though he was approached several times, he, for some
mysterious reason known only to himself, flatly refused to give one more
performance, and said he was leaving the town that day. He couldn't get
a vehicle of any kind, for fear, love, or money, until Harry Chatswood,
who took a day off, volunteered, for a stiff consideration, to borrow
a buggy and drive him (the Professor) to the next town towards the then
railway terminus, in which town the Professor's fame was not so awesome,
and where he might get a lift to the railway. Harry ventured to remark
to the Professor once or twice during the drive that "there was a rum
business with old Mac's van last night," but he could get nothing out of
him, so gave it best, and finished the journey in contemplative silence.

Now, the fact was that the Professor had been the most surprised and
startled man in Cunnamulla that night; and he brooded over the thing
till he came to the conclusion that hypnotism was a dangerous power
to meddle with unless a man was physically and financially strong and
carefree--which he wasn't. So he threw it up.

He learnt the truth, some years later, from a brother of Harry
Chatswood, in a Home or Retreat for Geniuses, where "friends were
paying," and his recovery was so sudden that it surprised and
disappointed the doctor and his friend, the manager of the home. As it
was, the Professor had some difficulty in getting out of it.



THE EXCISEMAN



Harry Chatswood, mail contractor (and several other things), was driving
out from, say, Georgeville to Croydon, with mails, parcels, and only one
passenger--a commercial traveller, who had shown himself unsociable,
and close in several other ways. Nearly half-way to a place that was
half-way between the halfway house and the town, Harry overhauled "Old
Jack," a local character (there are many well-known characters named
"Old Jack") and gave him a lift as a matter of course.

"Hello! Is that you, Jack?" in the gathering dusk.


"Yes, Harry."

"Then jump up here."

Harry was good-natured and would give anybody a lift if he could.

Old Jack climbed up on the box-seat, between Harry and the traveller,
who grew rather more stand--(or rather _sit_) offish, wrapped himself
closer in his overcoat, and buttoned his cloak of silence and general
disgust to the chin button. Old Jack got his pipe to work and grunted,
and chatted, and exchanged bush compliments with Harry comfortably. And
so on to where they saw the light of a fire outside a hut ahead.

"Let me down here, Harry," said Old Jack uneasily, "I owe Mother Mac
fourteen shillings for drinks, and I haven't got it on me, and I've been
on the spree back yonder, and she'll know it, an' I don't want to face
her. I'll cut across through the paddock and you can pick me up on the
other side."

Harry thought a moment.

"Sit still, Jack," he said. "I'll fix that all right."

He twisted and went down into his trouser-pocket, the reins in one hand,
and brought up a handful of silver. He held his hand down to the coach
lamp, separated some of the silver from the rest by a sort of sleight
of hand--or rather sleight of fingers--and handed the fourteen shillings
over to Old Jack.

"Here y'are, Jack. Pay me some other time."

"Thanks, Harry!" grunted Old Jack, as he twisted for his pocket.

It was a cold night, the hint of a possible shanty thawed the traveller
a bit, and he relaxed with a couple of grunts about the weather and the
road, which were received in a brotherly spirit. Harry's horses
stopped of their own accord in front of the house, an old bark-and-slab
whitewashed humpy of the early settlers' farmhouse type, with a plank
door in the middle, one bleary-lighted window on one side, and one
forbiddingly blind one, as if death were there, on the other. It might
have been. The door opened, letting out a flood of lamp-light and
firelight which blindly showed the sides of the coach and the near pole
horse and threw the coach lamps and the rest into the outer darkness of
the opposing bush.

"Is that you, Harry?" called a voice and tone like Mrs Warren's of the
Profession.

"It's me."

A stoutly aggressive woman appeared. She was rather florid, and looked,
moved and spoke as if she had been something in the city in other years,
and had been dumped down in the bush to make money in mysterious ways;
had married, mated--or got herself to be supposed to be married--for
convenience, and continued to make money by mysterious means. Anyway,
she was "Mother Mac" to the bush, but, in the bank in the "town," and
in the stores where she dealt, she was _Mrs_ Mac, and there was always a
promptly propped chair for her. She was, indeed, the missus of no other
than old Mac, the teamster of hypnotic fame, and late opposition to
Harry Chatswood. Hence, perhaps, part of Harry's hesitation to pull up,
farther back, and his generosity to Old Jack.

Mrs or Mother Mac sold refreshments, from a rough bush dinner at
eighteenpence a head to passengers, to a fly-blown bottle of ginger-ale
or lemonade, hot in hot weather from a sunny fly-specked window. In
between there was cold corned beef, bread and butter, and tea, and (best
of all if they only knew it) a good bush billy of coffee on the coals
before the fire on cold wet nights. And outside of it all, there was
cold tea, which, when confidence was established, or they knew one of
the party, she served hushedly in cups without saucers; for which she
sometimes apologized, and which she took into her murderous bedroom
to fill, and replenish, in its darkest and most felonious corner from
homicidal-looking pots, by candle-light. You'd think you were in a cheap
place, where you shouldn't be, in the city.

Harry and his passengers got down and stretched their legs, and while
Old Jack was guardedly answering a hurriedly whispered inquiry of the
traveller, Harry took the opportunity to nudge Mrs Mac, and whisper in
her ear:

"Look out, Mrs Mac!--Exciseman!"

"The devil he is!" whispered she.

"Ye-e-es!" whispered Harry.

"All right, Harry!" she whispered. "Never a word! I'll take care of him,
bless his soul."

After a warm at the wide wood fire, a gulp of coffee and a bite or two
at the bread and meat, the traveller, now thoroughly thawed, stretched
himself and said:

"Ah, well, Mrs Mac, haven't you got anything else to offer us?"

"And what more would you be wanting?" she snapped. "Isn't the bread and
meat good enough for you?"

"But--but--you know--" he suggested lamely.

"Know?--I know!--What do _I_ know?" A pause, then, with startling
suddenness, "Phwat d'y' mean?"

"No offence, Mrs Mac--no offence; but haven't you got something in the
way of--of a drink to offer us?"

"Dhrink! Isn't the coffee good enough for ye? I paid two and six a pound
for ut, and the milk new from the cow this very evenin'--an' th' water
rain-water."

"But--but--you know what I mean, Mrs Mac."

"An' I doan't know what ye mean. _Phwat do ye mean_? I've asked ye that
before. What are ye dhrivin' at, man--out with it!"

"Well, I mean a little drop of the right stuff," he said, nettled. Then
he added: "No offence--no harm done."

"O-o-oh!" she said, illumination bursting in upon her brain. "It's the
dirrty drink ye're afther, is it? Well, I'll tell ye, first for last,
that we doan't keep a little drop of the right stuff nor a little drop
of the wrong stuff in this house. It's a honest house, an' me husband's
a honest harrd-worrkin' carrier, as he'd soon let ye know if he was at
home this cold night, poor man. No dirrty drink comes into this house,
nor goes out of it, I'd have ye know."

"Now, now, Mrs Mac, between friends, I meant no offence; but it's a cold
night, and I thought you might keep a bottle for medicine--or in case of
accident--or snake-bite, you know--they mostly do in the bush."

"Medicine! And phwat should we want with medicine? This isn't a
five-guinea private hospital. We're clean, healthy people, I'd have
ye know. There's a bottle of painkiller, if that's what ye want, and
a packet of salts left--maybe they'd do ye some good. An' a bottle of
eye-water, an' something to put in your ear for th' earache--maybe ye'll
want 'em both before ye go much farther."

"But, Mrs Mac--"

"No, no more of it!" she said. "I tell ye that if it's a nip ye're
afther, ye'll have to go on fourteen miles to the pub in the town. Ye're
coffee's gittin' cowld, an' it's eighteenpence each to passengers I
charge on a night like this; Harry Chatswood's the driver an' welcome,
an' Ould Jack's an ould friend." And she flounced round to clatter her
feelings amongst the crockery on the dresser--just as men make a great
show of filling and lighting their pipes in the middle of a barney. The
table, by the way, was set on a brown holland cloth, with the brightest
of tin plates for cold meals, and the brightest of tin pint-pots for
the coffee (the crockery was in reserve for hot meals and special local
occasions) and at one side of the wide fire-place hung an old-fashioned
fountain, while in the other stood a camp-oven; and billies and a black
kerosene-tin hung evermore over the fire from sooty chains. These, and
a big bucket-handled frying-pan and a few rusty convict-time arms on the
slab walls, were mostly to amuse jackaroos and jackarooesses, and let
them think they were getting into the Australian-dontcherknow at last.

Harry Chatswood took the opportunity (he had a habit of taking
opportunities of this sort) to whisper to Old Jack:

"Pay her the fourteen bob, Jack, and have done with it. She's got the
needle to-night all right, and damfiknow what for. But the sight of
your fourteen bob might bring her round." And Old Jack--as was his
way--blundered obediently and promptly right into the hole that was
shown him.

"Well, Mrs Mae," he said, getting up from the table and slipping his
hand into his pocket. "I don't know what's come over yer to-night, but,
anyway--" Here he put the money down on the table. "There's the money I
owe yer for--for--"

"For what?" she demanded, turning on him with surprising swiftness for
such a stout woman.

"The--the fourteen bob I owed for them drinks when Bill Hogan and me--"

"You don't owe me no fourteen bob for dhrinks, you dirty blaggard! Are
ye mad? You got no drink off of me. Phwat d'ye mean?"

"Beg--beg pardin, Mrs Mac," stammered Old Jack, very much taken aback;
"but the--yer know--the fourteen bob, anyway, I owed you when--that
night when me an' Bill Hogan an' yer sister-in-law, Mary Don--"

"What? Well, I--Git out of me house, ye low blaggard! I'm a honest,
respictable married woman, and so is me sister-in-law, Mary Donelly; and
to think!--Git out of me door!" and she caught up the billy of coffee.
"Git outside me door, or I'll let ye have it in ye'r ugly face, ye low
woolscourer--an' it's nearly bilin'."

Old Jack stumbled dazedly out, and blind instinct got him on to the
coach as the safest place. Harry Chatswood had stood with his long,
gaunt figure hung by an elbow to the high mantelshelf, all the time,
taking alternate gulps from his pint of coffee and puffs from his pipe,
and very calmly and restfully regarding the scene.

"An' now," she said, "if the _gentleman's_ done, I'd thank him to
pay--it's eighteenpence--an' git his overcoat on. I've had enough dirty
insults this night to last me a lifetime. To think of it--the blaggard!"
she said to the table, "an' me a woman alone in a place like this on a
night like this!"

The traveller calmly put down a two-shilling piece, as if the whole
affair was the most ordinary thing in the world (for he was used to many
bush things) and comfortably got into his overcoat.

"Well, Mrs Mae, I never thought Old Jack was mad before," said Harry
Chatswood. "And I hinted to him," he added in a whisper. "Anyway" (out
loudly), "you'll lend me a light, Mrs Mac, to have a look at that there
swingle-bar of mine?"

"With pleasure, Harry," she said, "for you're a white man, anyway. I'll
bring ye a light. An' all the lights in heaven if I could, an'--an' in
the other place if they'd help ye."

When he'd looked to the swingle-bar, and had mounted to his place and
untwisted the reins from a side-bar, she cried:

"An' as for them two, Harry, shpill them in the first creek you come to,
an' God be good to you! It's all they're fit for, the low blaggards, to
insult an honest woman alone in the bush in a place like this."

"All right, Mrs Mac," said Harry, cheerfully. "Good night, Mrs Mac."

"Good night, Harry, an' God go with ye, for the creeks are risen after
last night's storm." And Harry drove on and left her to think over it.

She thought over it in a way that would have been unexpected to Harry,
and would have made him uneasy, for he was really good-natured. She sat
down on a stool by the fire, and presently, after thinking over it a
bit, two big, lonely tears rolled down the lonely woman's fair, fat,
blonde cheeks in the firelight.

"An' to think of Old Jack," she said. "The very last man in the world
I'd dreamed of turning on me. But--but I always thought Old Jack was
goin' a bit ratty, an' maybe I was a bit hard on him. God forgive us
all!"

Had Harry Chatswood seen her then he would have been sorry he did it.
Swagmen and broken-hearted new chums had met worse women than Mother
Mac.

But she pulled herself together, got up and bustled round. She put
on more wood, swept the hearth, put a parcel of fresh steak and
sausages--brought by the coach--on to a clean plate on the table, and
got some potatoes into a dish; for Chatswood had told her that her
first and longest and favourite stepson was not far behind him with
the bullock team. Before she had finished the potatoes she heard the
clock-clock of heavy wheels and the crack of the bullock whip coming
along the dark bush track.

But the very next morning a man riding back from Croydon called, and
stuck his head under the veranda eaves with a bush greeting, and she
told him all about it.

He straightened up, and tickled the back of his head with his little
finger, and gaped at her for a minute.

"Why," he said, "that wasn't no excise officer. I know him well--I was
drinking with him at the Royal last night afore we went to bed, an' had
a nip with him this morning afore we started. Why! that's Bobby Howell,
Burns and Bridges' traveller, an' a good sort when he wakes up, an'
willin' with the money when he does good biz, especially when there's a
chanst of a drink on a long road on a dark night."

"That Harry Chatswood again! The infernal villain," she cried, with a
jerk of her arm. "But I'll be even with him, the dirrty blaggard. An'
to think--I always knew Old Jack was a white man an'--to think! There's
fourteen shillin's gone that Old Jack would have paid me, an' the
traveller was good for three shillin's f'r the nips, an'--but Old Jack
will pay me next time, and I'll be even with Harry Chatswood, the dirrty
mail carter. I'll take it out of him in parcels--I'll be even with him."

She never saw Old Jack again with fourteen shillings, but she got even
with Harry Chatswood, and--But I'll tell you about that some other time.
Time for a last smoke before we turn in.



MATESHIP IN SHAKESPEARE'S ROME



How we do misquote sayings, or misunderstand them when quoted rightly!
For instance, we "wait for something to turn up, like Micawber,"
careless or ignorant of the fact that Micawber worked harder than all
the rest put together for the leading characters' sakes; he was the
chief or only instrument in straightening out of the sadly mixed state
of things--and he held his tongue till the time came. Moreover--and
"_Put a pin in that spot, young man_," as Dr "Yark" used to say--when
there came a turn in the tide of the affairs of Micawber, he took it at
the flood, and it led on to fortune. He became a hardworking settler, a
pioneer--a respected early citizen and magistrate in this bright young
Commonwealth of ours, my masters!

And, by the way, and strictly between you and me, I have a shrewd
suspicion that Uriah Heep wasn't the only cad in David Copperfield.

Brutus, the originator of the saying, took the tide at the flood, and
it led him and his friends on to death, or--well, perhaps, under the
circumstances, it was all the same to Brutus and his old mate, Cassius.

    And this, my masters, brings me home,
    Bush-born bard, to Ancient Rome.

And there's little difference in the climate, or the men--save in the
little matter of ironmongery--and no difference at all in the women.

We'll pass over the accident that happened to Caesar. Such accidents had
happened to great and little Caesars hundreds of times before, and have
happened many times since, and will happen until the end of time, both
in "sport" (in plays) and in earnest:

    Cassius:  ....How many ages hence
            Shall this our lofty scene be acted over
            In states unborn and accents yet unknown?

    Brutus: How many times shall Caesar bleed in sport,
            That now at Pompey's basis lies along
            No worthier than the dust!

Shakespeare hadn't Australia and George Rignold in his mind's eye when
he wrote that.

    Cassius: So oft as that shall be,
             So often shall the knot of us be call'd
             The men that gave their country liberty.

Well, be that as it will, I'm with Brutus too, irrespective of the
merits of the case. Antony spoke at the funeral, with free and generous
permission, and see what he made of it. And why shouldn't I? and see
what I'll make of it.

Antony, after sending abject and uncalled-for surrender, and grovelling
unasked in the dust to Brutus and his friends as no straight mate should
do for another, dead or alive--and after taking the blood-stained hands
of his alleged friend's murderers--got permission to speak. To speak for
his own ends or that paltry, selfish thing called "revenge," be it for
one's self or one's friend.

"Brutus, I want a word with you," whispered Cassius. "Don't let him
speak! You don't know how he might stir up the mob with what he says."

But Brutus had already given his word:

    Antony: That's all I seek:
            And am moreover suitor that I may
            Produce his body to the market place,
            And in the pulpit, as becomes a friend,
            Speak in the order of his funeral.

    Brutus: You shall, Mark Antony.

And now, strong in his right, as he thinks, and trusting to the honour
of Antony, he only stipulates that he (Brutus) shall go on to the
platform first and explain things; and that Antony shall speak all the
good he can of Caesar, but not abuse Brutus and his friends.

And Antony (mark you) agrees and promises and breaks his promise
immediately afterwards. Maybe he was only gaining time for his good
friend Octavius Caesar, but time gained by such foul means is time lost
through all eternity. Did Mark think of these things years afterwards in
Egypt when he was doubly ruined and doubly betrayed to his good friend
Octavius by that hot, jealous, selfish, shallow, shifty, strumpet,
Cleopatra, and Octavius was after his scalp with a certainty of getting
it? He did--and he spoke of it, too.

Brutus made his speech, a straightforward, manly speech in prose, and
the gist of the matter was that he did what he did (killed Caesar),
not because he loved Caesar less, but because he loved Rome more. And I
believe he told the simple honest truth.

Then he acts as Antony's chairman, or introducer, in a manly
straightforward manner, and then he goes off and leaves the stage to
him, which is another generous act; though it was lucky for Brutus, as
it happened afterwards, that he was out of the way.

Mark Antony gets all the limelight and blank verse. He had the "gift of
the gab" all right. Old Cassius referred to it later on in one of those
"words-before-blows" barneys they had on the battlefield where they hurt
each other a damned sight more with their tongues than they did with
their swords afterwards.

We've all heard of Antony's speech:

       I come to bury Caesar, not to praise him.

Which was a lie to start with.

       The evil that men do lives after them,
       The good is oft interred with their bones.

Which is not so true in these days of newspapers and magazines. And so
on. He says that Brutus and his friends are honourable men about nine
times in his short speech. Now, was Mark Antony an honourable man?

And then the flap-doodle about dead Caesar's wounds, and their poor dumb
mouths, and the people kissing them, and dipping their handkerchiefs in
his sacred blood. All worthy of our Purves trying to pump tears out of a
jury.

But it fetched the crowd; it always did, it always has done, it always
does, and it always will do. And the hint of Caesar's will, and the
open abuse of Brutus and Co. when he saw that he was safe, and the cheap
anti-climax of the reading of the will. Nothing in this line can be too
cheap for the crowd, as witness the melodramas of our own civilized and
enlightened times.

Antony was a noble Purves.

And the mob rushed off to burn houses, as it has always done, and will
always do when it gets a chance--it tried to burn mine more than once.

The quarrel scene between Brutus and Cassius is one of the best scenes
in Shakespeare. It is great from the sublime to the ridiculous--you must
read it for yourself. It seems that Brutus objected to Cassius's, or one
of his off-side friends' methods of raising the wind--he reckoned it
was one of the very things they killed Julius Caesar for; and Cassius,
loving Brutus more than a brother, is very much hurt about it. I can't
make out what the trouble really was about and I don't suppose either
Cassius or Brutus was clear as to what it was all about either. It's
generally the way when friends fall out. It seems also that Brutus
thinks that Cassius refused to lend him a few quid to pay his legions,
and, you know, it's an unpardonable crime for one mate to refuse another
a few quid when he's in a hole; but it seems that the messenger was but
a fool who brought Cassius's answer back. It is generally the messenger
who is to blame, when friends make it up after a quarrel that was all
their own fault. Messengers had an uncomfortable time in those days, as
witness the case of the base slave who had to bring Cleopatra the news
of Antony's marriage with Octavia.

But the quarrel scene is great for its deep knowledge of the hearts of
men in matters of man to man--of man friend to man friend--and it is as
humanly simple as a barney between two old bush mates that threatens to
end in a bloody fist-fight and separation for life, but chances to end
in a beer. This quarrel threatened to end in the death of either Brutus
or Cassius or a set-to between their two armies, just at the moment
when they all should have been knit together against the forces of Mark
Antony and Octavius Caesar; but it ended in a beer, or its equivalent, a
bowl of wine.

Earlier in the quarrel, where Brutus asks why, after striking down the
foremost man in all the world for supporting land agents and others,
should they do the same thing and contaminate their fingers with base
bribes?

             I'd rather be a dog and bay the moon,
             Than such a Roman.

Cassius says:

             Brutus, bait not me
             I'll not endure it: you forget yourself,
             To hedge me in; I am a soldier, I,
             Older in practice, abler than yourself
             To make conditions.

    Brutus:  Go to, you are not, Cassius.

    Cassius: I am.

    Brutus:  I say you are not.

And so they get to it again until:

    Cassius: Is it come to this?

    Brutus:  You say you are a better soldier:
             Let it appear so; make your vaunting true,
             And it shall please me well: for mine own part,
             I shall be glad to learn of noble men.

    Cassius: You wrong me every way; you wrong me, Brutus;
             I said, an elder soldier, not a better.
             Did I say better?

(What big boys they were--and what big boys we all are!)

    Brutus:  If you did, I care not.

    Cassius: When Caesar lived he durst not thus have moved me.

    Brutus:  Peace, peace! you durst not thus have tempted him.

    Cassius: I durst not!

    Brutus:  No.

    Cassius: What! Durst not tempt him!

    Brutus:  For your life you durst not.

    Cassius: Do not presume too much upon my love;
             I may do that I shall be sorry for.

    Brutus:  You have done that you should be sorry for.


And so on till he gets to the matter of the refused quids, which is
cleared up at the expense of the messenger.

    Cassius:  .... Brutus hath rived my heart
             A friend should bear his friend's infirmities,
             But Brutus makes mine greater than they are.

    Brutus:  I do not, till you practise them on me.

    Cassius: You love me not.

    Brutus:  I do not like your faults.

    Cassius: A friendly eye could never see such faults.

    Brutus:  A flatterer's would not, though they do appear
             As huge as high Olympus.

Then Cassius lets himself go. He calls on Antony and young Octavius and
all the rest of 'em to come and be revenged on him alone, for he's tired
of the world ("Cassius is aweary of the world," he says). He's hated
by one he loves (that's Brutus). He's braved by his "brother" (Brutus),
checked like a bondman, and Brutus keeps an eye on all his faults and
puts 'em down in a note-book, and learns 'em over and gets 'em off by
memory to cast in his teeth. He offers Brutus his dagger and bare breast
and wants Brutus to take out his heart, which, he says, is richer than
all the quids--or rather gold--which Brutus said he wouldn't lend him.
He wants Brutus to strike him as he did Caesar, for he reckons that when
Brutus hated Caesar worst he loved him far better than ever he loved
Cassius.

Remember these men were Southerners, like ourselves, not cold-blooded
Northerners--and, in spite of the seemingly effeminate Italian
temperament, as brave as our men were at Elands River. The reason of
Brutus's seeming coldness and hardness during the quarrel is set forth
in a startling manner later on, as only the greatest poet in this world
could do it.

Brutus tells him kindly to put up his pig-sticker (and button his shirt)
and he could be just as mad or good-tempered as he liked, and do what he
liked, Brutus wouldn't mind him:

          .... Dishonour shall be humour.
             O Cassius, you are yoked with a lamb
             That carries anger as the flint bears fire,
             Who, much enforced, shows a hasty spark
             And straight is cold again.

Whereupon Cassius weeps because he thinks Brutus is laughing at him.

             Hath Cassius lived
             To be but mirth and laughter to his Brutus,
             When grief and blood ill-temper'd vexeth him.

    Brutus:  When I spoke that, I was ill-temper'd too.

    Cassius: Do you confess so much?  Give me your hand.

    Brutus:  And my heart too.

Then Cassius explains that he got his temper from his mother (as I did
mine).

    Cassius: O Brutus!

    Brutus:  What's the matter? [Shakespeare should have added `now.']

    Cassius: Have not you love enough to bear with me,
             When that rash humour which my mother gave me
             Makes me forgetful?

    Brutus:  Yes, Cassius, and from henceforth,
             When you are over-earnest with your Brutus,
             He'll think your mother chides, and leave you so.

And all this on the brink of disaster and death.

But here comes a rare touch, and we might as well quote it in full.

Mind you, I am following Shakespeare, and not history, which is mostly
lies.

A great poet's instinct might be nearer the truth; after all. Of course
scholars know that Macbeth (or Macbethad) reigned for upwards of twenty
years in Scotland a wise and a generous king--so much so that he was
called "Macbathad the Liberal," and it was Duncan who found his way to
the throne by way of murder; but it didn't fit in with Shakespeare's
plans, and--anyway that's only a little matter between the ghosts of
Bill and Mac which was doubtless fixed up long ago. More likely they
thought it such a one-millionth part of a trifle that they never dreamed
of thinking of mentioning it.

                               (Noise within.)

    Poet (within): Let me go in to see the generals; There is some
                   grudge between 'em--'tis not meet
                   They be alone.

    Lucilius (within): You shall not come to them.

    Poet (within): Nothing but death shall stay me.

("Within" in this case is, of course, without--outside the tent where
Lucilius and Titinius are on guard.)

                        Enter POET.

    Cassius: How now!  What's the matter?

    Poet:    For shame, you generals!  What do you mean?
             Love, and be friends, as two such men should be:
             For I have seen more years, I'm sure, than ye.

    Cassius: Ha, ha! how vilely doth this cynic rhyme!

    Brutus:  Get you hence, sirrah; saucy fellow, hence!

    Cassius:  Bear with him, Brutus; 'tis his fashion.

    Brutus:  I'll know his humour when he knows his time:
             What should the wars do with these jingling fools?
             Companion, hence!

    Cassius: Away, away, be gone!

                                (Exit POET.)


Blessed are the peacemakers, for they shall inherit a black eye
(_Lawson_). Shakespeare was ever rough on poets--but stay! Consider that
this great world of Rome and all the men and women in it were created by
a "jingling fool" and a master of bad--not to say execrable--rhymes, and
his name was William Shakespeare. You need to sit down and think awhile
after that.

Brutus sends Lucilius and Titinius to bid the commanders lodge their
companies for the night, and then all come to him. Then he gives Cassius
a shock and strikes him to the heart for his share in the quarrel. It is
almost directly after the row, when they have kicked out the "jingling
fool" of a poet. Cassius does not know that Brutus has to-day received
news of the death, in Rome, of his good and true wife Portia, who,
during a fit of insanity, brought on by her grief and anxiety for
Brutus, and in the absence of her attendant, has poisoned herself--or
"swallowed fire," as Shakespeare has it.

    Brutus (to Lucius, his servant): Lucius, a bowl of wine!
    Cassius: I did not think you could have been so angry.
    Brutus:  O Cassius, I am sick of many griefs.

    Cassius: Of your philosophy you make no use,
             If you give place to accidental evils.

    Brutus:  No man bears sorrow better:--Portia is dead.

    Cassius: Ha! Portia!

    Brutus:  She is dead.

    Cassius: How 'scaped I killing when I cross'd you so!
             O insupportable and touching loss!
             Upon what sickness?

    Brutus:  Impatient of my absence,
             And grief that young Octavius with Mark Antony
             Have made themselves so strong: for with her death
             That tidings came; with this she fell distract,
             And, her attendants absent, swallowed fire.

    Cassius: And died so?

    Brutus:  Even so.

    Cassius: O, ye immortal gods!

(Enter Lucius, with a jar of wine, a goblet, and a taper.)

    Brutus:  Speak no more of her.  Give me a bowl of wine:
             In this I bury all unkindness, Cassius.
                                  (Drinks.)

    Cassius: My heart is thirsty for that noble pledge.
             Fill, Lucius, till the wine o'erswell the cup;
             I cannot drink too much of Brutus' love.
                                   (Drinks.)

You ought to read that scene carefully. It will do no one any harm. It
did me a lot of good one time, when I was about to quarrel with a friend
whose heart was sick with many griefs that I knew nothing of at the
time. You never know what's behind.

Titinius and Messala come in, and proceed to discuss the situation.

    Brutus:  Come in, Titinius!!  Welcome, good Messala.
             Now sit we close about this taper here,
             And call in question our necessities.

    Cassius (on whom the wine seems to have taken some effect):
             Portia, art thou gone?

    Brutus:  No more, I pray you.
             Messala, I have here received letters,
             That young Octavius and Mark Antony
             Come down upon us with a mighty power,
             Bending their expedition towards Philippi.

Messala has also letters to the same purpose, and they have likewise
news of the murder, or execution, of upwards of a hundred senators in
Rome.

    Cassius: Cicero one!
    Messala: Cicero is dead.

Poor Brutus! His heart had cause to be sick of many griefs that day.
Messala thinks he has news to break, and Brutus draws him out. How many
and many a man and woman, with a lump in the throat, have broken sad and
bad news since that day, and started out to do it in the same old gentle
way:

    Messala: Had you your letters from your wife, my lord?

    Brutus:  No, Messala.

    Messala: Nor nothing in your letters writ of her?

    Brutus:  Nothing, Messala.

    Messala: That, methinks, is strange.

    Brutus:  Why ask you?  Hear you aught of her in yours?

Maybe it strikes Messala like a flash that Brutus is in no need of any
more bad news just now, and it had better be postponed till after the
battle:

    Messala: No, my lord.

    Brutus:  Now, as you are a Roman, tell me true.

    Messala: Then like a Roman bear the truth I tell:
             For certain she is dead, and by strange manner.

    Brutus:  Why, farewell, Portia.  We must die, Messala:
             With meditating that she must die once
             I have the patience to endure it now.

Poor Messala comes to the scratch again rather lamely with a little weak
flattery: "Even so great men great losses should endure;" and Cassius
says, rather mixedly--it might have been the wine--that he has as much
strength in bearing trouble as Brutus has, and yet he couldn't bear it
so.

             I have as much of this in art as you,
             But yet my nature could not bear it so.

    Brutus:  Well, to our work alive.  What do you think
             Of marching on Philippi presently?

Brutus was a strong man. Portia's spirit must bide a while. They discuss
a plan of campaign. Cassius is for waiting for the enemy to seek them
and so get through his tucker and knock his men up, while they rest in
a good position; but Brutus argues that the enemy will gather up the
country people between Philippi and their camp and come on refreshed
with added numbers and courage, and it would be better for them to
meet him at Philippi with these people at their back. The politics or
inclination of the said country people didn't matter in those days.
"There is a tide in the affairs of men"--and so they decide to take it
at the flood and float high on to the rocks at Philippi. Ah well, it led
on to immortality, if it didn't to fortune.

Well, there's no more to say. Brutus thinks that the main thing now is
a little rest--in which you'll agree with him; and he sends for his
night-shirt.

             Good night, Titinius:  noble, noble Cassius,
             Good night, and good repose!

That old fool of a Cassius--remorseful old smooth-bore--is still a bit
maudlin--maybe he had another swig at the wine when Shakespeare wasn't
looking.

    Cassius: O my dear brother!
             This was an ill beginning of the night
             Never come such division 'tween our souls!
             Let it not, Brutus.

    Brutus:  Everything is well.

    Cassius: Good night, my lord.

    Brutus:  Good sight, good brother.

Titinius and Messala: Good night, Lord Brutus.

    Brutus:  Farewell, every one.

And Cassius is the man whom Caesar denounced as having a lean and hungry
look: "Let me have men about me that are fat... such men are dangerous."
(Mr Archibald held with that--and he had a lean, if not a hungry, look
too.) When Antony put in a word for Cassius, Caesar said that he wished
he was fatter anyhow. "He thinks too much," Caesar said to Antony. He
read a lot; he could look through men; he never went to the theatre, and
heard no music; he never smiled except as if grinning sarcastically at
himself for "being moved to smile at anything." Caesar said that such
men were never at heart's ease while they could see a bigger man than
themselves, and therefore such men were dangerous. "Come on my right
hand, for this ear is deaf, and tell me truly what thou think'st of
him." (That's a touch, for deafness in people affected that way is
usually greater in the left ear.)

When Lucilius returned from taking a message from Brutus to Cassius _re_
the loan of the fivers aforementioned and other matters--and before
the arrival of Cassius with his horse and foot, and the quarrel--Brutus
asked Lucilius what sort of a reception he had, and being told "With
courtesy and respect enough," he remarked, "Thou hast described a hot
friend cooling," and so on. But Cassius will cool no more until death
cools him to-morrow at Philippi.

The rare gentleness of Brutus's character--and of the characters of
thousands of other bosses in trouble--is splendidly, and ah! so softly,
pictured in the tent with his servants after the departure of the
others. It is a purely domestic scene without a hint of home, women, or
children--save that they themselves are big children. The scene now has
the atmosphere of a soft, sad nightfall, after a long, long, hot and
weary day full of toil and struggle and trouble--though it is really
well on towards morning.

Lucius comes in with the gown. Brutus says, "Give me the gown," and asks
where his (Lucius's) musical instrument is, and Lucius replies that it's
here in the tent. Brutus notices that he speaks drowsily. "Poor knave,
I blame thee not, thou are o'er-watched." He tells him to call Claudius
and some other of his men: "I'd have them sleep on cushions in my tent."
They come. He tells them he might have to send them on business by and
by to his "brother" Cassius, and bids them lie down and sleep, calling
them sirs. They say they'll stand and watch his pleasure. "I will not
have it so; lie down, good sirs." He finds, in the pocket of his gown, a
book he'd been hunting high and low for--and had evidently given Lucius
a warm time about--and he draws Lucius's attention to the fact:

             Look, Lucius, here's the book I sought for so:
             I put it in the pocket of my gown.

     Lucius: I was sure your lordship did not give it to me.

     Brutus: Bear with me, good boy, I am much forgetful, etc.

He asks Lucius if he can hold up his heavy eyes and touch his instrument
a strain or two. But better give it all--it's not long:

     Lucius: Ay, my lord, an't please you.

     Brutus: It does, my boy:
             I trouble thee too much, but thou art willing.

     Lucius: It is my duty, sir.

     Brutus: I should not urge thy duty past thy might;
             I know young bloods look for a time of rest.

     Lucius: I have slept, my lord, already.

     Brutus: It was well done; and thou shalt sleep again;
             I will not hold thee long: if I do live,
             I will be good to thee.  (Music, and a song.)
             This is a sleepy tune.  O murderous slumber,
             Lay'st thou thy leaden mace upon my boy
             That plays thee music?  Gentle knave, good-night;
             I will not do thee so much wrong to wake thee:
             If thou dost nod, thou break'st thy instrument;
             I'll take it from thee; and, good boy, good-night.
             Let me see, let me see; is not the leaf turn'd down
             Where I left reading?  Here it is, I think.
                                                 (He sits down.)

A man for all time! How natural it all reads! You must remember that he
is a tired man after a long, strenuous day such as none of us ever know.
The fate of Rome and his--a much smaller matter--are hanging on
the balance, and tomorrow will decide; but he is so mind-dulled and
shoulder-weary under the tremendous burden of great things and of many
griefs that he is almost apathetic; and over all is the cloud of a loss
that he has not yet had time to realize. He is self-hypnotized, so
to speak, and his mind mercifully dulled for the moment on the Sea of
Fatalism.

                                         Enter GHOST of CAESAR

     Brutus: How ill this taper burns!  Ha! who comes here?
             I think it is the weakness of mine eyes
             That shapes this monstrous apparition.
             It comes upon me.  Art thou any thing?
             Art thou some god, some angel, or some devil
             That makest my blood cold, and my hair to stare?
             Speak to me what thou art!

His very "scare," or rather his cold blood and staring hair are as
things apart, to be analysed and explained quickly and put aside.

     Ghost:  Thy evil spirit, Brutus.

That was frank enough, anyway.

     Brutus: Why comest thou?

     Ghost:  To tell thee thou shalt see me at Philippi.

     Brutus: Well; then I shall see thee again?

     Ghost:  Ay, at Philippi.
                                    (Vanishes.)

That was very satisfactory, so far. But Brutus, having taken heart,
as he says, would hold more talk with the "ill spirit." A ghost always
needs to be taken quietly--it's no use getting excited and threshing
round. But Caesar's, being a new-chum ghost and bashful, was doubtless
embarrassed by his cool, matter-of-fact reception, and left. It didn't
matter much. They were to meet soon, above Philippi, on more level
terms.

But I cannot get away from the idea that Caesar's ghost's visit was made
in a friendly spirit. Who knows? Perhaps Portia's spirit had sent it to
comfort Brutus: her own being prevented from going for some reason only
known to the immortal gods.

Then Brutus wakes them all.

     Lucius: The strings, my lord, are false.

     Brutus: He thinks he is still at his instrument.
             Lucius, awake!

And after questioning them as to whether they cried out in their sleep,
or saw anything, he bids the boy sleep again (it is easy for tired boys
to sleep at will in camp) and sends two of the others to Cassius to bid
him get his forces on the way early and he would follow.

     Brutus: Go and commend me to my brother Cassius;
             Bid him set on his powers betimes before,
             And we will follow.

     Varro and Claudius: It shall be done, my lord.

For, being a wise soldier, as well as a brave and gentle one, he
reckoned, no doubt, that it would be best to have a strong man in the
rear until the field was actually reached, for the benefit of would-be
deserters, and unconsidered trifles of country people-and maybe for
another reason not totally disconnected with his erratic friend Cassius.

Just one more scene, and a very different one, before we hurry on to the
end, as they have done to Philippi. It's the only scene in which those
two unlucky Romans, Cassius and Brutus, seem to score.

It is during the barney, or as Shakespeare calls it, the "parley" before
the battle. Those parleys never seemed to do any good--except to make
matters worse, if I might put it like that: it's the same, under similar
circumstances, right up to to-day. Enter on one side Octavius Caesar,
Mark Antony, and their pals and army; and, on the other, Brutus and
Cassius and the friends and followers of their falling fortunes.

     Brutus: Words before blows: is it so, countrymen?

     Octavius: Not that we love words better, as you do.

You see, Octavius starts it.

Brutus lays himself open:

     Brutus: Good words are better than bad strokes, Octavius.
     Antony: In your bad strokes, Brutus, you give good words:
             Witness the hole you made in Caesar's heart,
             Crying, "Long live! hail, Caesar!"

This is one for Brutus, though it contains a lie. But Cassius comes to
the rescue:

     Cassius: Antony,
              The posture of your blows are yet unknown,
              But, for your words, they rob the Hybla bees
              And leave them honeyless.

     Antony:  Not stingless too.

     Brutus:  O, yes, and soundless too;
              For you have stol'n their buzzing, Antony,
              And very wisely threat before you sting.

That was one for Antony, and he gets mad. "Villains!" he yells, and he
abuses them about their vile daggers hacking one another in the sides
of Caesar (a little matter that ought to be worn threadbare by now),
and calls them apes and hounds and bondmen and curs, and O, flatterers
(which seems to be worst of all in his opinion--for he isn't one, you
know), and damns 'em generally.

Old Cassius remarks, "Flatterers!"

Then Octavius breaks loose, and draws his Roman chopper and waves
it round, and spreads himself out over Caesar's three-and-thirty
wounds--which ought to be given a rest by this time, but only seem to
be growing in number--and swears that he won't put up said chopper till
said wounds are avenged,

              Or till another Caesar
              Have added slaughter to the sword of traitors.

Brutus says quietly that he cannot die by traitors unless he brings 'em
with him. (He sent one to Egypt later on.) Octavius says he hopes he
wasn't born to die on Brutus's sword; and Brutus says, in effect, that
even if he was any good he couldn't die more honourably.

     Brutus:  O, if thou wert the noblest of thy strain,
              Young man, thou couldst not die more honourable.

     Cassius: A peevish schoolboy, worthless of such honour,
              Join'd with a masker and a reveller!

Octavius calls off his dogs, and tells them to come on to-day if they
dare, or if not, when they have stomachs.

     Cassius: Why, now, blow wind, swell billow, and swim bark!
              The storm is up, and all is on the hazard.

Yes, I reckon old Cassius ("old" in an affectionate sense) and Brutus
came out top dogs from that scrap anyway. And, yes, Antony _was_ good
at orating. He was great at orating over dead men--especially dead
"friends" (as he called his rivals) and dead enemies. Brutus was "the
noblest Roman of them all" when Antony came across him stiff later on.
Now when I die--

Octavius, by the way, orated over Antony and his dusky hussy later on
in Egypt, and they were the most "famous pair" in the world. I wonder
whether the grim humour of it struck Octavius _then_: but then that
young man seemed to have but little brains and less humour.

But now they go to see about settling the matter with ironmongery. You
can imagine the fight; the heat and the dust, for it was spring in a
climate like ours. The bullocking, sweating, grunting, slaughter, the
crack and clash and rattle as of fire-irons in a fender. The bad Latin
language; the running away and chasing _en masse_ and by individuals.
The mutual pauses, the truces or spells--"smoke-ho's" we'd call
'em--between masses and individuals. The battered-in, lost, discarded or
stolen helmets; the blood-stained, dinted, and loosened armour with bits
missing, and the bloody and grotesque bandages. The confusion amongst
the soldiers, as it is to-day--the ignorance of one wing as to the
fate of the other, of one party as to the fate of the other, of one
individual as to the fate of another:

     Brutus:  Ride, ride, Messala, ride, and give these bills [directions
                 to officers]
              Unto the legions on the other side:

Poor Cassius, routed and in danger of being surrounded, and thinking
Brutus is in the same plight, or a prisoner or dead--and that Titinius
is taken or killed--gets his bondman, whose life he once saved, to kill
him in return for his freedom.

              Stand not to answer: here, take thou the hilts;
              And when my face is cover 'd, as 'tis now,
              Guide thou the sword.
                       Caesar, thou art revenged,
              Even with the sword that kill'd thee.

Good-bye, Cassius, old chap!

Titinius and Messala, coming too late, find Cassius dead; and Titinius,
being left alone while Messala takes the news to Brutus, kills himself
with Cassius's sword. Titinius, farewell!

Come Brutus and those that are left.

     Brutus:  Where, where, Messala, doth his body lie?

     Messala: Lo, yonder, and Titinius mourning it.

     Brutus:  Titinius' face is upward.

     Cato:    He is slain.

Grim mates in a grim day in a grim hour. Then the cry of Brutus:

              O Julius Caesar, thou art mighty yet!

But if he were, perhaps he only gathered old Cassius and Titinius to
be sure of their company with him and Brutus amongst the gods a little
later.

     Brutus:  Friends, I owe more tears
              To this dead man than you shall see me pay.
              I shall find time, Cassius, I shall find time.

And, after making arrangements for the removal of Cassius's body, they
go to try their fortunes in a second fight. Young Cato is killed and
good Lucilius taken. Comes Brutus beaten, with Dardanius his last
friend, and his three servants, Clitus, Strato, and Volumnius.

     Brutus:  Come, poor remains of friends, rest on this rock.

Strato, exhausted, goes to sleep, as man can sleep during a battle; and
Brutus whispers the others, one after another, to kill him; but they are
shocked and refuse: "I'll rather kill myself," "I do such a deed?" etc.
He begs Volumnius, his old schoolmate, to hold his sword-hilt while he
runs on it, for their love of old.

     Volumnius: That's not the office for a friend, my lord.

There are alarums, and they urge him to fly, for it's no use stopping
there.

     Brutus:  Farewell to you; and you; and you, Volumnius.
              Strato, thou hast been all this while asleep;
              Farewell to thee too, Strato! Countrymen,
              My heart doth joy that yet in all my life
              I found so man but he was true to me.

Ye gods! but it's grand. I wish to our God that I could say as much--or
that man or woman [n]ever found me untrue. Could Antony say as much,
afterwards, in Egypt--or Octavius! with Antony then on his mind? Even
Antony's last man and servant failed him in the end, killing himself
rather than kill his master. But Strato--

There are more alarums and voices calling to them to run. They urge
Brutus again, and he tells them to go and he'll follow. They all run
except Strato, who hesitates.

     Brutus:  I prithee, Strato, stay thou by thy lord:
              Thou art a fellow of a good respect;
              Thy life hath had some snatch of honour in it
              Hold then my sword, and turn away thy face,
              While I do run upon it.  Wilt thou, Strato?

     Strato:  Give me your hand first: fare you well, my lord.

     Brutus:  Farewell, good Strato.  Caesar, now be still:
              I kill'd not thee with half so good a will.

Brutus, good night!

I like Shakespeare's servants. They seem to show that he sprang from
servants or common people rather than from lords and masters, for he
deals with them very gently. It must be understood that servants, bond
and free, were born unto the same house and served it for generations;
and so down to modern England, where the old nurse and the tottering old
gardener often nursed and played with "Master Will," when his father,
the dead and gone old squire, was a young man.

See where Timon's servants stand in the only patch of sunlight in that
black and bitter story:

                    Enter Flavius, with two or three SERVANTS.

     1 Serv.: Hear you, master steward, where's our master?
              Are we undone? cast off? nothing remaining?

     Flav.:   Alack, my fellows, what should I say to you?
              Let me be recorded by the righteous gods,
              I am as poor as you.

     1 Serv.: Such a house broke!
              So noble a master fall'n!  All gone! and not
              One friend to take his fortune by the arm,
              And go along with him!

     2 Serv.: As we do turn our backs
              From our companion thrown into his grave,
              So his familiars to his buried fortunes
              Slink all away; leave their false vows with him,
              Like empty purses pick'd; and his poor self,
              A dedicated beggar to the air,
              With his disease of all-shunn'd poverty,
              Walks, like contempt, alone.  More of our fellows.

                                      Enter other Servants

     Flav.:   All broken implements of a ruin'd house.

     3 Serv.: Yet do our hearts wear Timon's livery;
              That see I by our faces; we are fellows still,
              Serving alike in sorrow: leak'd is our bark,
              And we, poor mates, stand on the dying deck,
              Hearing the surges threat; we must all part
              Into this sea of air.

     Flav.:   Good fellows all,
              The latest of my wealth I'll share amongst you.
              Wherever we shall meet, for Timon's sake
              Let's yet be fellows; let's shake our heads, and say,
              As 'twere a knell unto our master's fortunes,
              "We have seen better days."  Let each take some.
                                             (Giving them money.)
              Nay, put out all your hands.  Not one word more:
              Thus part we rich in sorrow, parting poor.



Notes on Australianisms. Based on my own speech over the years, with
some checking in the dictionaries. Not all of these are peculiar to
Australian slang, but are important in Lawson's stories, and carry
overtones.

  barrackers: people who cheer for a sporting team, etc.
  boko: crazy.
  bushman/bushwoman: someone who lives an isolated existence, far from
    cities, "in the bush", "outback". (today: "bushy".  In New
    Zealand it is a timber getter.  Lawson was sacked from a forestry
    job in New Zealand, "because he wasn't a bushman":-)
  bushranger: an Australian ``highwayman'', who lived in the `bush'--
    scrub--and attacked and robbed, especially gold carrying coaches
    and banks. Romanticised as anti-authoritarian Robin Hood figures--
    cf. Ned Kelly--but usually very violent.
    US use was very different (more = explorer), though some
    lexicographers think the word (along with "bush" in this sense)
    was borrowed from the US...
  churchyarder: Sounding as if dying--ready for the churchyard = cemetery
  cobber: mate, friend. Used to be derived from Hebrew chaver via
   Yiddish.  General opinion now seems to be that it entered the
   language too early for that--and an English etymology is preferred.
  fiver: a five pound (sterling) note (or "bill")
  fossick: pick out gold, in a fairly desultory fashion.  In old
    "mullock" heaps or crvices in rocks.
  jackaroo: (Jack + kangaroo; sometimes jackeroo)--someone, in early
    days a new immigrant from England, learning to work on a
    sheep/cattle station (U.S. "ranch".)
  kiddy: young child. "kid" plus ubiquitous Australia "-y" or "-ie"
  nobbler: a drink, esp. of spirits
  overlanding: driving (or, "droving", cattle from pasture to market
    or railhead.)
  pannikin: a metal mug.
  Pipeclay: or Eurunderee, Where Lawson spent much of his early life
   (including his three years of school...
  Poley: name for s hornless (or dehorned) cow.
  skillion(-room): A "lean-to", a room built up against the back of
    some other building, with separate roof.
  sliprails: portion of a fence where the rails are lossely fitted
    so that they may be removed from one side and animal let through.
  smoke-ho: a short break from, esp., heavy physical work, and those who
    wish to can smoke.
  sov.: sovereign, gold coin worth one pound sterling
  splosh: money
  Sqinny: nickname for someone with a squint.
  Stousher: nickname for someone often in a fight (or "stoush")
  swagman (swaggy):  Generally, anyone who is walking in the "outback"
    with  a swag. (See "The Romance of the Swag".)  Lawson also
    restricts it at times to those whom he considers to be tramps,
    not looking for work but for "handouts" (i.e., "bums" in US.  In view
    of the Great Depression, 1890->,  perhaps unfairly.  In 1892 it was
    reckoned 1/3 men were out of work)

GJC





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