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Title: Some Roundabout Papers
Author: Thackeray, William Makepeace, 1811-1863
Language: English
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Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

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Transcribed from the 1908 T. N. Foulis edition by Stephen Rice, email
srice01@ibm.net and David Price, email ccx074@pglaf.org



                               SOME ROUND-
                               ABOUT PAPERS


                                    BY
                            WILLIAM MAKEPEACE
                                THACKERAY

                      [Picture: Decorative graphic]

                               T. N. FOULIS
                          13–15 FREDERICK STREET
                         EDINBURGH: & 23 BEDFORD
                           STREET, LONDON, W.C.

                                   1908



ON SOME CARP AT SANS SOUCI


WE have lately made the acquaintance of an old lady of ninety, who has
passed the last twenty-five years of her old life in a great metropolitan
establishment, the workhouse, namely, of the parish of Saint Lazarus.
Stay—twenty-three or four years ago, she came out once, and thought to
earn a little money by hop-picking; but being overworked, and having to
lie out at night, she got a palsy which has incapacitated her from all
further labour, and has caused her poor old limbs to shake ever since.

An illustration of that dismal proverb which tells us how poverty makes
us acquainted with strange bed-fellows, this poor old shaking body has to
lay herself down every night in her workhouse bed by the side of some
other old woman with whom she may or may not agree.  She herself can’t be
a very pleasant bed-fellow, poor thing! with her shaking old limbs and
cold feet.  She lies awake a deal of the night, to be sure, not thinking
of happy old times, for hers never were happy; but sleepless with aches,
and agues, and rheumatism of old age.  “The gentleman gave me
brandy-and-water,” she said, her old voice shaking with rapture at the
thought.  I never had a great love for Queen Charlotte, but I like her
better now from what this old lady told me.  The Queen, who loved snuff
herself, has left a legacy of snuff to certain poorhouses; and, in her
watchful nights, this old woman takes a pinch of Queen Charlotte’s snuff,
“and it do comfort me, sir, that it do!”  _Pulveris exigui munus_.  Here
is a forlorn aged creature, shaking with palsy, with no soul among the
great struggling multitude of mankind to care for her, not quite trampled
out of life, but past and forgotten in the rush, made a little happy, and
soothed in her hours of unrest by this penny legacy.  Let me think as I
write.  (The next month’s sermon, thank goodness! is safe to press.)
This discourse will appear at the season when I have read that
wassail-bowls make their appearance; at the season of pantomime, turkey
and sausages, plum-puddings, jollifications for schoolboys; Christmas
bills, and reminiscences more or less sad and sweet for elders.  If we
oldsters are not merry, we shall be having a semblance of merriment.  We
shall see the young folks laughing round the holly-bush.  We shall pass
the bottle round cosily as we sit by the fire.  That old thing will have
a sort of festival too.  Beef, beer, and pudding will be served to her
for that day also.  Christmas falls on a Thursday.  Friday is the
workhouse day for coming out.  Mary, remember that old Goody Twoshoes has
her invitation for Friday, 26th December!  Ninety is she, poor old soul?
Ah! what a bonny face to catch under a mistletoe!  “Yes, ninety, sir,”
she says, “and my mother was a hundred, and my grandmother was a hundred
and two.”

Herself ninety, her mother a hundred, her grandmother a hundred and two?
What a queer calculation!

Ninety!  Very good, granny: you were born, then, in 1772.

Your mother, we will say, was twenty-seven when you were born, and was
born therefore in 1745.

Your grandmother was thirty-five when her daughter was born, and was born
therefore in 1710.

We will begin with the present granny first.  My good old creature, you
can’t of course remember, but that little gentleman for whom you mother
was laundress in the Temple was the ingenious Mr Goldsmith, author of a
“History of England,” the “Vicar of Wakefield,” and many diverting
pieces.  You were brought almost an infant to his chambers in Brick
Court, and he gave you some sugar-candy, for the doctor was always good
to children.  That gentleman who well-nigh smothered you by sitting down
on you as you lay in a chair asleep was the learned Mr S. Johnson, whose
history of “Rasselas” you have never read, my pour soul; and whose
tragedy of “Irene” I don’t believe any man in these kingdoms ever
perused.  That tipsy Scotch gentleman who used to come to the chambers
sometimes, and at whom everybody laughed, wrote a more amusing book than
any of the scholars, your Mr Burke and your Mr Johnson, and your Dr
Goldsmith.  Your father often took him home in a chair to his lodgings;
and has done as much for Parson Sterne in Bond Street, the famous wit.
Of course, my good creature, you remember the Gordon Riots, and crying No
Popery before Mr Langdale’s house, the Popish distiller’s, and that bonny
fire of my Lord Mansfield’s books in Bloomsbury Square?  Bless us, what a
heap of illuminations you have seen! For the glorious victory over the
Americans at Breed’s Hill; for the peace in 1814, and the beautiful
Chinese bridge in St James’s Park; for the coronation of his Majesty,
whom you recollect as Prince of Wales, Goody, don’t you?  Yes; and you
went in a procession of laundresses to pay your respects to his good
lady, the injured Queen of England, at Brandenburg House; and you
remember your mother told you how she was taken to see the Scotch lords
executed at the Tower.  And as for your grandmother, she was born five
months after the battle of Malplaquet, she was; where her poor father was
killed, fighting like a bold Briton for the Queen.  With the help of a
“Wade’s Chronology,” I can make out ever so queer a history for you, my
poor old body, and a pedigree as authentic as many in the peerage-books.

Peerage-books and pedigrees?  What does she know about them? Battles and
victories, treasons, kings, and beheadings, literary gentlemen, and the
like, what have they ever been to her? Granny, did you ever hear of
General Wolfe?  Your mother may have seen him embark, and your father may
have carried a musket under him.  Your grandmother may have cried huzza
for Marlborough; but what is the Prince Duke to you, and did you ever so
much as hear tell of his name?  How many hundred or thousand of years had
that toad lived who was in the coal at the defunct exhibition?—and yet he
was not a bit better informed than toads seven or eight hundred years
younger.

“Don’t talk to me your nonsense about Exhibitions, and Prince Dukes, and
toads in coals, or coals in toads, or what is it?” says granny.  “I know
there was a good Queen Charlotte, for she left me snuff; and it comforts
me of a night when I lie awake.”

To me there is something very touching in the notion of that little pinch
of comfort doled out to granny, and gratefully inhaled by her in the
darkness.  Don’t you remember what traditions there used to be of chests
of plate, bulses of diamonds, laces of inestimable value, sent out of the
country privately by the old Queen, to enrich certain relatives in
M-ckl-nb-rg Str-l-tz?  Not all the treasure went.  _Non omnis moritur_.
A poor old palsied thing at midnight is made happy sometimes as she lifts
her shaking old hand to her nose.  Gliding noiselessly among the beds
where lie the poor creatures huddled in their cheerless dormitory, I
fancy an old ghost with a snuff-box that does not creak.  “There, Goody,
take of my rappee.  You will not sneeze, and I shall not say ‘God bless
you.’  But you will think kindly of old Queen Charlotte, won’t you?  Ah!
I had a many troubles, a many troubles.  I was a prisoner almost so much
as you are.  I had to eat boiled mutton every day: _entre nous_, I
abominated it.  But I never complained.  I swallowed it.  I made the best
of a hard life.  We have all our burdens to bear.  But hark!  I hear the
cock-crow, and snuff the morning air.”  And with this the royal ghost
vanishes up the chimney—if there be a chimney in that dismal harem, where
poor old Twoshoes and her companions pass their nights—their dreary
nights, their restless nights, their cold long nights, shared in what
glum companionship, illumined by what a feeble taper!

“Did I understand you, my good Twoshoes, to say that your mother was
seven-and-twenty years old when you were born, and that she married your
esteemed father when she herself was twenty-five? 1745, then, was the
date of your dear mother’s birth.  I daresay her father was absent in the
Low Countries, with his Royal Highness the Duke of Cumberland, under whom
he had the honour of carrying a halberd at the famous engagement of
Fontenoy—or if not there, he may have been at Preston Pans, under General
Sir John Cope, when the wild Highlanders broke through all the laws of
discipline and the English lines; and, being on the spot, did he see the
famous ghost which didn’t appear to Colonel Gardner of the Dragoons?  My
good creature, is it possible you don’t remember that Doctor Swift, Sir
Robert Walpole (my Lord Orford, as you justly say), old Sarah
Marlborough, and little Mr Pope, of Twitnam, died in the year of your
birth?  What a wretched memory you have!  What? haven’t they a library,
and the commonest books of reference at the old convent of Saint Lazarus,
where you dwell?”

“Convent of Saint Lazarus, Prince William, Dr Swift, Atossa, and Mr Pope,
of Twitnam!  What is the gentleman talking about?” says old goody, with a
“Ho! ho!” and a laugh like a old parrot—you know they live to be as old
as Methuselah, parrots do, and a parrot of a hundred is comparatively
young (ho! ho! ho!).  Yes, and likewise carps live to an immense old age.
Some which Frederick the Great fed at Sans Souci are there now, with
great humps of blue mould on their old backs; and they could tell all
sorts of queer stories, if they chose to speak—but they are very silent,
carps are—of their nature _peu communicatives_.  Oh! what has been thy
long life, old goody, but a dole of bread and water and a perch on a
cage; a dreary swim round and round a Lethe of a pond?  What are Rossbach
or Jena to those mouldy ones, and do they know it is a grandchild of
England who brings bread to feed them?

No!  Those Sans Souci carps may live to be a thousand years old and have
nothing to tell but that one day is like another; and the history of
friend Goody Twoshoes has not much more variety than theirs.  Hard
labour, hard fare, hard bed, numbing cold all night, and gnawing hunger
most days.  That is her lot.  Is it lawful in my prayers to say, “Thank
heaven, I am not as one of these”?  If I were eighty, would I like to
feel the hunger always gnawing, gnawing? to have to get up and make a bow
when Mr Bumble the beadle entered the common room? to have to listen to
Miss Prim, who came to give me her ideas of the next world?  If I were
eighty, I own I should not like to have to sleep with another gentleman
of my own age, gouty, a bad sleeper, kicking in his old dreams, and
snoring; to march down my vale of years at word of command, accommodating
my tottering old steps to those of the other prisoners in my dingy,
hopeless old gang; to hold out a trembling hand for a sickly pittance of
gruel, and say, “Thank you, ma’am,” to Miss Prim, when she has done
reading her sermon.  John! when Goody Twoshoes comes next Friday, I
desire she may not be disturbed by theological controversies.  You have a
fair voice, and I heard you and the maids singing a hymn very sweetly the
other night, and was thankful that our humble household should be in such
harmony.  Poor old Twoshoes is so old and toothless and quaky, that she
can’t sing a bit; but don’t be giving yourself airs over her, because she
can’t sing and you can.  Make her comfortable at our kitchen hearth.  Set
that old kettle to sing by our hob.  Warm her old stomach with nut-brown
ale and a toast laid in the fire.  Be kind to the poor old school-girl of
ninety, who has had leave to come out for a day of Christmas holiday.
Shall there be many more Christmases for thee?  Think of the ninety she
has seen already; the four-score and ten cold, cheerless, nipping New
Years!

If you were in her place, would you like to have a remembrance of better
early days, when you were young and happy, and loving, perhaps; or would
you prefer to have no past on which your mind could rest?  About the year
1788, Goody, were your cheeks rosy, and your eyes bright, and did some
young fellow in powder and a pigtail look in them?  We may grow old, but
to us some stories never are old.  On a sudden they rise up, not dead,
but living—not forgotten, but freshly remembered.  The eyes gleam on us
as they used to do.  The dear voice thrills in our hearts.  The rapture
of the meeting, the terrible, terrible parting, again and again the
tragedy is acted over.  Yesterday, in the street, I saw a pair of eyes so
like two which used to brighten at my coming once, that the whole past
came back as I walked lonely, in the rush of the Strand, and I was young
again in the midst of joys and sorrows, alike sweet and sad, alike sacred
and fondly remembered.

If I tell a tale out of school, will any harm come to my old school-girl?
Once, a lady gave her a half-sovereign, which was a source of great pain
and anxiety to Goody Twoshoes.  She sewed it away in her old stays
somewhere, thinking here at least was a safe investment—(vestis—a vest—an
investment,—pardon me, thou poor old thing, but I cannot help the
pleasantry).  And what do you think?  Another pensionnaire of the
establishment cut the coin out of Goody’s stays—_an old woman who went
upon two crutches_!  Faugh, the old witch!  What?  Violence amongst these
toothless, tottering, trembling, feeble ones?  Robbery amongst the
penniless?  Dogs coming and snatching Lazarus’s crumbs out of his lap?
Ah, how indignant Goody was as she told the story!  To that pond at
Potsdam where the carps live for hundreds of hundreds of years, with
hunches of blue mould on their back, I daresay the little Prince and
Princess of Preussen-Britannien come sometimes with crumbs and cakes to
feed the mouldy ones.  Those eyes may have goggled from beneath the weeds
at Napoleon’s jack-boots: they have seen Frederick’s lean shanks
reflected in their pool; and perhaps Monsieur de Voltaire has fed them,
and now for a crumb of biscuit they will fight, push, hustle, rob,
squabble, gobble, relapsing into their tranquillity when the ignoble
struggle is over.  Sans souci, indeed!  It is mighty well writing “Sans
souci” over the gate; but where is the gate through which Care has not
slipped?  She perches on the shoulders of the sentry in the sentry-box:
she whispers the porter sleeping in his arm-chair: she glides up the
staircase, and lies down between the king and queen in their bed-royal:
this very night I daresay she will perch upon poor old Goody Twoshoes’
meagre bolster, and whisper, “Will the gentleman and those ladies ask me
again!  No, no; they will forget poor old Twoshoes.” Goody!  For shame of
yourself!  Do not be cynical.  Do not mistrust your fellow-creatures.
What?  Has the Christmas morning dawned upon thee ninety times?  For
four-score and ten years has it been thy lot to totter on this earth,
hungry and obscure? Peace and goodwill to thee, let us say at this
Christmas season.  Come, drink, eat, rest awhile at our hearth, thou poor
old pilgrim!  And of the bread which God’s bounty gives us, I pray,
brother reader, we may not forget to set aside a part for those noble and
silent poor, from whose innocent hands war has torn the means of labour.
Enough!  As I hope for beef at Christmas, I vow a note shall be sent to
Saint Lazarus Union House, in which Mr Roundabout requests the honour of
Mrs Twoshoes’ company on Friday, 26th December.



DE JUVENTUTE


WE who lived before railways, and survive out of the ancient world, are
like Father Noah and his family out of the Ark.  The children will gather
round and say to us patriarchs, “Tell us, grandpapa, about the old
world.”  And we shall mumble our old stories; and we shall drop off one
by one; and there will be fewer and fewer of us, and these very old and
feeble.  There will be but ten præ-railroadites left: then three—then
two—then one—then 0!  If the hippopotamus had the least sensibility (of
which I cannot trace any signs either in his hide or his face), I think
he would go down to the bottom of his tank, and never come up again.
Does he not see that he belongs to bygone ages, and that his great
hulking barrel of a body is out of place in these times?  What has he in
common with the brisk young life surrounding him?  In the watches of the
night, when the keepers are asleep, when the birds are on one leg, when
even the little armadillo is quiet, and the monkeys have ceased their
chatter, he—I mean the hippopotamus—and the elephant, and the long-necked
giraffe, perhaps may lay their heads together and have a colloquy about
the great silent antediluvian world which they remember, where mighty
monsters floundered through the ooze, crocodiles basked on the banks, and
dragons darted out of the caves and waters before men were made to slay
them.  We who lived before railways are antediluvians—we must pass away.
We are growing scarcer every day; and old—old—very old relicts of the
times when George was still fighting the Dragon.

Not long since, a company of horseriders paid a visit to our
watering-place.  We went to see them, and I bethought me that young
Walter Juvenis, who was in the place, might like also to witness the
performance.  A pantomime is not always amusing to persons who have
attained a certain age; but a boy at a pantomime is always amused and
amusing, and to see his pleasure is good for most hypochondriacs.

We sent to Walter’s mother, requesting that he might join us, and the
kind lady replied that the boy had already been at the morning
performance of the equestrians, but was most eager to go in the evening
likewise.  And go he did; and laughed at all Mr Merryman’s remarks,
though he remembered them with remarkable accuracy, and insisted upon
waiting to the very end of the fun, and was only induced to retire just
before its conclusion by representations that the ladies of the party
would be incommoded if they were to wait and undergo the rush and trample
of the crowd round about.  When this fact was pointed out to him, he
yielded at once, though with a heavy heart, his eyes looking longingly
towards the ring as we retreated out of the booth.  We were scarcely
clear of the place, when we heard “God save the Queen,” played by the
equestrian band, the signal that all was over.  Our companion entertained
us with scraps of the dialogue on our way home—precious crumbs of wit
which he had brought away from that feast.  He laughed over them again as
he walked under the stars.  He has them now, and takes them out of the
pocket of his memory, and crunches a bit, and relishes it with a
sentimental tenderness, too, for he is, no doubt, back at school by this
time; the holidays are over; and Doctor Birch’s young friends have
reassembled.

Queer jokes, which caused a thousand simple mouths to grin!  As the jaded
Merryman uttered them to the old gentleman with the whip, some of the old
folks in the audience, I daresay, indulged in reflections of their own.
There was one joke—I utterly forget it—but it began with Merryman saying
what he had for dinner.  He had mutton for dinner, at one o’clock, after
which “he had to _come to business_.”  And then came the point.  Walter
Juvenis, Esq., Rev. Doctor Birch’s, Market Rodborough, if you read this,
will you please send me a line, and let me know what was the joke Mr
Merryman made about having his dinner?  _You_ remember well enough.  But
do I want to know?  Suppose a boy takes a favourite, long-cherished lump
of cake out of his pocket, and offers you a bit?  _Merci_!  The fact is,
I _don’t_ care much about knowing that joke of Mr Merryman’s.

But whilst he was talking about his dinner, and his mutton, and his
landlord, and his business, I felt a great interest about Mr M. in
private life—about his wife, lodgings, earnings, and general history, and
I daresay was forming a picture of those in my mind:—wife cooking the
mutton; children waiting for it; Merryman in his plain clothes, and so
forth; during which contemplation the joke was uttered and laughed at,
and Mr M., resuming his professional duties, was tumbling over head and
heels.  Do not suppose I am going, _sicut est mos_, to indulge in
moralities about buffoons, paint, motley, and mountebanking.  Nay, Prime
Ministers rehearse their jokes; Opposition leaders prepare and polish
them: Tabernacle preachers must arrange them in their minds before they
utter them.  All I mean is, that I would like to know any one of these
performers thoroughly, and out of his uniform: that preacher, and why in
his travels this and that point struck him; wherein lies his power of
pathos, humour, eloquence;—that Minister of State, and what moves him,
and how his private heart is working;—I would only say that, at a certain
time of life certain things cease to interest: but about _some_ things
when we cease to care, what will be the use of life, sight, hearing?
Poems are written, and we cease to admire.  Lady Jones invites us, and we
yawn; she ceases to invite us, and we are resigned.  The last time I saw
a ballet at the opera—oh! it is many years ago—I fell asleep in the
stalls, wagging my head in insane dreams, and I hope affording amusement
to the company, while the feet of five hundred nymphs were cutting
flicflacs on the stage at a few paces distant.  Ah, I remember a
different state of things!  _Credite posteri_.  To see these
nymphs—gracious powers, how beautiful they were!  That leering, painted,
shrivelled, thin-armed, thick-ankled old thing, cutting dreary capers,
coming thumping down on her board out of time—_that_ an opera-dancer?
Pooh!  My dear Walter, the great difference between my time and yours,
who will enter life some two or three years hence, is that, now, the
dancing women and singing women are ludicrously old, out of time, and out
of tune; the paint is so visible, and the dinge and wrinkles of their
wretched old cotton stockings, that I am surprised how anybody can like
to look at them.  And as for laughing at me for falling asleep, I can’t
understand a man of sense doing otherwise.  In my time, _à la bonne
heure_.  In the reign of George IV., I give you my honour, all the
dancers at the opera were as beautiful as Houris.  Even in William IV.’s
time, when I think of Duvernay prancing in as the Bayadère,—I say it was
a vision of loveliness such as mortal eyes can’t see nowadays.  How well
I remember the tune to which she used to appear!  Kaled used to say to
the Sultan, “My lord, a troop of those dancing and singing gurls called
Bayaderes approaches,” and, to the clash of cymbals, and the thumping of
my heart, in she used to dance!  There has never been anything like
it—never.  There never will be—I laugh to scorn old people who tell me
about your Noblet, your Montessu, your Vistris, your Parisot—pshaw, the
senile twaddlers!  And the impudence of the young men, with their music
and their dancers of to-day!  I tell you the women are dreary old
creatures.  I tell you one air in an opera is just like another, and they
send all rational creatures to sleep.  Ah, Ronzi de Begnis, thou lovely
one!  Ah, Caradori, thou smiling angel!  Ah, Malibran!  Nay, I will come
to modern times, and acknowledge that Lablache was a very good singer
thirty years ago (though Porto was the boy for me): and they we had
Ambrogetti, and Curioni, and Donzelli, a rising young singer.

But what is most certain and lamentable is the decay of stage beauty
since the days of George IV.  Think of Sontag!  I remember her in
_Otello_ and the _Donna del Lago_ in ’28.  I remember being behind the
scenes at the opera (where numbers of us young fellows of fashion used to
go), and seeing Sontag let her hair fall down over her shoulders previous
to her murder by Donzelli.  Young fellows have never seen beauty like
_that_, heard such a voice, seen such hair, such eyes.  Don’t tell _me_!
A man who has been about town since the reign of George IV., ought he not
to know better than you young lads who have seen nothing?  The
deterioration of women is lamentable; and the conceit of the young
fellows more lamentable still, that they won’t see this fact, but persist
in thinking their time as good as ours.

Bless me! when I was a lad, the stage was covered with angels, who sang,
acted, and danced.  When I remember the Adelphi, and the actresses there:
when I think of Miss Chester, and Miss Love, and Mrs Serle at Sadler’s
Wells, and her forty glorious pupils—of the Opera and Noblet, and the
exquisite young Taglioni, and Pauline Leroux, and a host more!  One
much-admired being of those days I confess I never cared for, and that
was the chief _male_ dancer—a very important personage then, with a bare
neck, bare arms, a tunic, and a hat and feathers, who used to divide the
applause with the ladies, and who has now sunk down a trap-door for ever.
And this frank admission ought to show that I am not your mere twaddling
_laudator temporis acti_—your old fogey who can see no good except in his
own time.

They say that claret is better nowadays, and cookery much improved since
the days of _my_ monarch—of George IV.  _Pastry Cookery_ is certainly not
so good.  I have often eaten half-a-crown’s worth (including, I trust,
ginger-beer) at our school pastrycook’s, and that is a proof that the
pastry must have been very good, for could I do as much now?  I passed by
the pastrycook’s shop lately, having occasion to visit my old school.  It
looked a very dingy old baker’s; misfortunes may have come over him—those
penny tarts certainly did not look so nice as I remember them: but he may
have grown careless as he has grown old (I should judge him to be now
about ninety-six years of age), and his hand may have lost its cunning.

Not that we were not great epicures.  I remember how we constantly
grumbled at the quantity of the food in our master’s house—which on my
conscience I believe was excellent and plentiful—and how we tried once or
twice to eat him out of house and home.  At the pastrycook’s we may have
over-eaten ourselves (I have admitted half-a-crown’s worth for my own
part, but I don’t like to mention the _real_ figure for fear of
perverting the present generation of boys by my monstrous confession)—we
may have eaten too much, I say.  We did; but what then?  The school
apothecary was sent for: a couple of small globules at night, a trifling
preparation of senna in the morning, and we had not to go to school, so
that the draught was an actual pleasure.

For our amusements, besides the games in vogue, which were pretty much in
old times as they are now (except cricket _par exemple_—and I wish the
present youth joy of their bowling, and suppose Armstrong and Whitworth
will bowl at them with light field-pieces next), there were novels—ah! I
trouble you to find such novels in the present day!  O Scottish Chiefs,
didn’t we weep over you! O Mysteries of Udolpho, didn’t I and Briggs
Minor draw pictures out of you, as I have said?  Efforts, feeble indeed,
but still giving pleasure to us and our friends.  “I say, old boy, draw
us Vivaldi tortured in the Inquisition,” or, “Draw us Don Quixote and the
windmills, you know,” amateurs would say, to boys who had a love of
drawing.  “Peregrine Pickle” we liked, our fathers admiring it, and
telling us (the sly old boys) it was capital fun; but I think I was
rather bewildered by it, though “Roderick Random” was and remains
delightful.  I don’t remember having Sterne in the school library, no
doubt because the works of that divine were not considered decent for
young people.  Ah! not against thy genius, O father of Uncle Toby and
Trim, would I say a word in disrespect.  But I am thankful to live in
times when men no longer have the temptation to write so as to call
blushes on women’s cheeks, and would shame to whisper wicked allusions to
honest boys.  Then, above all, we had WALTER SCOTT, the kindly, the
generous, the pure—the companion of what countless delightful hours; the
purveyor of how much happiness; the friend whom we recall as the constant
benefactor of our youth! How well I remember the type and the brownish
paper of the old duodecimo “Tales of My Landlord!”  I have never dared to
read the “Pirate,” and the “Bride of Lammermoor,” or “Kenilworth,” from
that day to this, because the finale is unhappy, and people die, and are
murdered at the end.  But “Ivanhoe,” and “Quentin Durward”!  Oh! for a
half-holiday, and a quiet corner, and one of those books again!  Those
books, and perhaps those eyes with which we read them; and, it may be,
the brains behind the eyes! It may be the tart was good; but how fresh
the appetite was!  If the gods would give me the desire of my heart, I
should be able to write a story which boys would relish for the next few
dozen of centuries.  The boy-critic loves the story: grown up, he loves
the author who wrote the story.  Hence the kindly tie is established
between writer and reader, and lasts pretty nearly for life.  I meet
people now who don’t care of Walter Scott, or the “Arabian Nights”; I am
sorry for them, unless they in their time have found _their_
romancer—their charming Scheherazade.  By the way, Walter, when you are
writing, tell me who is the favourite novelist in the fourth form now?
Have you got anything so good and kindly as dear Miss Edgeworth’s
_Frank_?  It used to belong to a fellow’s sisters generally; but though
he pretended to despise it, and said, “Oh, stuff for girls!” he read it;
and I think there were one or two passages which would try my eyes now,
were I to meet with the little book.

As for Thomas and Jeremiah (it is only my witty way of calling Tom and
Jerry), I went to the British Museum the other day on purpose to get it;
but somehow, if you will press the question so closely, on reperusal, Tom
and Jerry is not so brilliant as I had supposed it to be.  The pictures
are just as fine as ever; and I shook hands with broad-backed Jerry
Hawthorn and Corinthian Tom with delight, after many year’s absence.  But
the style of the writing, I own, was not pleasing to me; I even thought
it a little vulgar—well! well! other writers have been considered
vulgar—and as a description of the sports and amusements of London in the
ancient times, more curious than amusing.

But the pictures!—oh! the pictures are noble still!  First, there is
Jerry arriving from the country, in a green coat and leather gaiters, and
being measured for a fashionable suit at Corinthian House, by Corinthian
Tom’s tailor.  Then away for the career of pleasure and fashion.  The
park! delicious excitement! The theatre! the saloon!! the green-room!!!
Rapturous bliss—the opera itself! and then perhaps to Temple Bar, to
_knock down a Charley_ there!  There are Jerry and Tom, with their tights
and little cocked hats, coming from the opera—very much as gentlemen in
waiting on royalty are habited now.  There they are at Almack’s itself,
amidst a crowd of high-bred personages, with the Duke of Clarence himself
looking at them dancing.  Now, strange change, they are in Tom Cribb’s
parlour, where they don’t seem to be a whit less at home than in
fashion’s gilded halls; and now they are at Newgate, seeing the irons
knocked off the malefactors’ legs previous to execution.  What hardened
ferocity in the countenance of the desperado in yellow breeches!  What
compunction in the face of the gentleman in black (who, I suppose, has
been forging), and who clasps his hands, and listens to the chaplain!
Now we haste away to merrier scenes: to Tattersall’s (ah gracious powers!
what a funny fellow that actor was who performed Dicky Green in that
scene in the play!); and now we are at a private party, at which
Corinthian Tom is waltzing (and very gracefully too, as you must confess)
with Corinthian Kate, whilst Bob Logic, the Oxonian, is playing on the
piano!

“After,” the text says, “_the Oxonian_ had played several pieces of
lively music, he requested as a favour that Kate and his friend Tom would
perform a waltz.  Kate without any hesitation immediately stood up.  Tom
offered his hand to his fascinating partner, and the dance took place.
The plate conveys a correct representation of the ‘gay scene’ at that
precise moment.  The anxiety of the _Oxonian_ to witness the attitudes of
the elegant pair had nearly put a stop to their movements.  On turning
round from the pianoforte and presenting his comical _mug_, Kate could
scarcely suppress a laugh.”

And no wonder; just look at it now (as I have copied it to the best of my
humble ability), and compare Master Logic’s countenance and attitude with
the splendid elegance of Tom!  Now every London man is weary and _blasé_.
There is an enjoyment of life in these young bucks of 1823 which
contrasts strangely with our feelings of 1860.  Here, for instance, is a
specimen of their talk and walk, “If,’ says LOGIC—‘if _enjoyment_ is your
_motto_, you may make the most of an evening at Vauxhall, more than at
any other place in the metropolis.  It is all free and easy.  Stay as
long as you like, and depart when you think proper.’—‘Your description is
so flattering,’ replied JERRY, ‘that I do not care how soon the time
arrives for us to start.’  LOGIC proposed a ‘_bit of a stroll_’ in order
to get rid of an hour or two, which was immediately accepted by Tom and
Jerry.  A _turn_ or two in Bond Street, a _stroll_ through Piccadilly, a
_look in_ at TATTERSALL’s, a _ramble_ through Pall Mall, and a _strut_ on
the Corinthian path, fully occupied the time of our heroes until the hour
for dinner arrived, when a few glasses of TOM’s rich wines soon put them
on the _qui vive_.  VAUXHALL was then the object in view, and the TRIO
started, bent upon enjoying the pleasures which this place so amply
affords.”

How nobly those inverted commas, those italics, those capitals, bring out
the writer’s wit and relieve the eye!  They are as good as jokes, though
you mayn’t quite preceive the point.  Mark the varieties of lounge in
which the young men indulge—now a _stroll_, then a _look in_, then a
_ramble_, and presently a _strut_.  When George, Prince of Wales, was
twenty, I have read in an old Magazine, “the Prince’s lounge” was a
peculiar manner of walking which the young bucks imitated.  At Windsor
George III. had a _cat’s path_—a sly early walk which the good old king
took in the grey morning before his household was astir.  What was the
Corinthian path here recorded?  Does any antiquary know?  And what were
the rich wines which our friends took, and which enable them to enjoy
Vauxhall?  Vauxhall is gone, but the wines which could occasion such a
delightful perversion of the intellect as to enable it to enjoy ample
pleasures there, what were they?

So the game of life proceeds, until Jerry Hawthorn, the rustic, is fairly
knocked up by all this excitement and is forced to go home, and the last
picture represents him getting into the coach at the “White Horse
Cellar,” he being one of six inside; whilst his friends shake him by the
hand; whilst the sailor mounts on the roof; whilst the Jews hang round
with oranges, knives, and sealing-wax: whilst the guard is closing the
door.  Where are they now, those sealing-wax vendors? where are the
guards? where are the jolly teams? where are the coaches? and where the
youth that climbed inside and out of them; that heard the merry horn
which sounds no more; that saw the sun rise over Stonehenge; that rubbed
away the bitter tears at night after parting as the coach sped on the
journey to school and London; that looked out with beating heart as the
milestones flew by, for the welcome corner where began home and holidays.

It is night now: and here is home.  Gathered under the quiet roof elders
and children lie alike at rest.  In the midst of a great peace and calm,
the stars look out from the heavens.  The silence is peopled with the
past; sorrowful remorses for sins and shortcomings—memories of passionate
joys and griefs rise out of their graves, both now alike calm and sad.
Eyes, as I shut mine, look at me, that have long ceased to shine.  The
town and the fair landscape sleep under the starlight, wreathed in the
autumn mists.  Twinkling among the houses a light keeps watch here and
there, in what may be a sick chamber or two.  The clock tolls sweetly in
the silent air.  Here is night and rest.  An awful sense of thanks makes
the heart swell, and the head bow, as I pass to my room through the
sleeping house, and feel as though a hushed blessing were upon it.



ROUND ABOUT THE CHRISTMAS TREE


THE kindly Christmas tree, from which I trust every gentle reader has
pulled out a bonbon or two, is yet all aflame whilst I am writing, and
sparkles with the sweet fruits of its season.  You young ladies, may you
have plucked pretty giftlings from it; and out of the cracker sugar-plum
which you have split with the captain or the sweet young curate may you
have read one of those delicious conundrums which the confectioners
introduce into the sweetmeats, and which apply to the cunning passion of
love.  Those riddles are to be read at _your_ age, when I daresay they
are amusing.  As for Dolly, Merry, and Bell, who are standing at the
tree, they don’t care about the love-riddle part, but understand the
sweet-almoned portion very well.  They are four, five, six years old.
Patience, little people!  A dozen merry Christmases more, and you will be
reading those wonderful love-conundrums, too.  As for us elderly folks,
we watch the babies at their sport, and the young people pulling at the
branches: and instead of finding bonbons or sweeties in the packets which
we pluck off the boughs, we find enclosed Mr Carnifex’s review of the
quarter’s meat; Mr Sartor’s compliments, and little statement for self
and the young gentlemen; and Madame de Sainte-Crinoline’s respects to the
young ladies, who encloses her account, and will sent on Saturday,
please; or we stretch our hand out to the educational branch of the
Christmas tree, and there find a lively and amusing article from the Rev.
Henry Holyshade, containing our dear Tommy’s exceedingly moderate account
for the last term’s school expenses.

The tree yet sparkles, I say.  I am writing on the day before Twelfth
Day, if you must know; but already ever so many of the fruits have been
pulled, and the Christmas lights have gone out.  Bobby Miseltow, who has
been staying with us for a week (and who has been sleeping mysteriously
in the bath-room), comes to say he is going away to spend the rest of the
holidays with his grandmother—and I brush away the manly tear of regret
as I part with the dear child.  “Well, Bob, good-bye, since you _will_
go.  Compliments to grandmamma.  Thank her for the turkey.  Here’s —”
(_A slight pecuniary transaction takes place at this juncture_, _and Bob
nods and winks_, _and puts his hand in his waistcoat pocket_.)  “You have
had a pleasant week?”

BOB.—“Haven’t I!”  (_And exit_, _anxious to know the amount of the coin
which has just changed hands_.)

He is gone, and as the dear boy vanishes through the door (behind which I
see him perfectly), I too cast up a little account of our past Christmas
week.  When Bob’s holidays are over, and the printer has sent me back
this manuscript, I know Christmas will be an old story.  All the fruit
will be off the Christmas tree then; the crackers will have cracked off;
the almonds will have been crunched; and the sweet-bitter riddles will
have been read; the lights will have perished off the dark green boughs;
the toys growing on them will have been distributed, fought for,
cherished, neglected, broken.  Ferdinand and Fidelia will each keep out
of it (be still, my gushing heart!) the remembrance of a riddle read
together, of a double almond munched together, and of the moiety of an
exploded cracker. . . .  The maids, I say, will have taken down all that
holly stuff and nonsense about the clocks, lamps, and looking-glasses,
the dear boys will be back at school, fondly thinking of the pantomime
fairies whom they have seen; whose gaudy gossamer wings are battered by
this time; and whose pink cotton (or silk is it?) lower extremities are
all dingy and dusty.  Yet but a few days, Bob, and flakes of paint will
have cracked off the fairy flower-bowers, and the revolving temples of
adamantine lustre will be as shabby as the city of Pekin.  When you read
this, will Clown still be going on lolling his tongue out of his mouth,
and saying, “How are you to-morrow?”  To-morrow, indeed!  He must be
almost ashamed of himself (if that cheek is still capable of the blush of
shame) for asking the absurd question.  To-morrow, indeed!  To-morrow the
diffugient snows will give place to spring; the snowdrops will lift their
heads; Ladyday may be expected, and the pecuniary duties peculiar to that
feast; in place of bonbons, trees will have an eruption of light green
knobs; the whitebait season will bloom . . . as if one need go on
describing these vernal phenomena, when Christmas is still here, though
ending, and the subject of my discourse!

We have all admired the illustrated papers, and noted how boisterously
jolly they become at Christmas time.  What wassail-bowls,
robin-redbreasts, waits, snow landscapes, bursts of Christmas song!  And
then to think that these festivities are prepared months before—that
these Christmas pieces are prophetic!  How kind of artists and poets to
devise the festivities beforehand, and serve them pat at the proper time!
We ought to be grateful to them, as to the cook who gets up at midnight
and sets the pudding a-boiling, which is to feast us at six o’clock.  I
often think with gratitude of the famous Mr Nelson Lee—the author of I
don’t know how many hundred glorious pantomimes—walking by the summer
wave at Margate, or Brighton perhaps, revolving in his mind the idea of
some new gorgeous spectacle of faëry, which the winter shall see
complete.  He is like cook at midnight (_si parva licet_).  He watches
and thinks.  He pounds the sparkling sugar of benevolence, the plums of
fancy, the sweetmeats of fun, the figs of—well, the figs of fairy
fiction, let us say, and pops the whole in the seething cauldron of
imagination, and at due season serves up the PANTOMIME.

Very few men in the course of nature can expect to see _all_ the
pantomimes in one season, but I hope to the end of my life I shall never
forego reading about them in that delicious sheet of _The Times_ which
appears on the morning after Boxing-day.  Perhaps reading is even better
than seeing.  The best way, I think, is to say you are ill, lie in bed,
and have the paper for two hours, reading all the way down from Drury
Lane to the Britannia at Hoxton.  Bob and I went to two pantomimes.  One
was at the Theatre of Fancy, and the other at the Fairy Opera, and I
don’t know which we liked the best.

At the Fancy, we saw “Harlequin Hamlet, or Daddy’s Ghost and Nunky’s
Pison,” which is all very well—but, gentlemen, if you don’t respect
Shakspeare, to whom will you be civil?  The palace and ramparts of
Elsinore by moon and snowlight is one of Loutherbourg’s finest efforts.
The banqueting hall of the palace is illuminated: the peaks and gables
glitter with the snow: the sentinels march blowing their fingers with the
cold—the freezing of the nose of one of them is very neatly and
dexterously arranged: the snow storm rises: the winds howl awfully along
the battlements: the waves come curling, leaping, foaming to shore.
Hamlet’s umbrella is whirled away in the storm.  He and his two friends
stamp on each other’s toes to keep them warm.  The storm-spirits rise in
the air, and are whirled howling round the palace and the rocks.  My
eyes! what tiles and chimney-pots fly hurtling through the air!  As the
storm reaches its height (here the wind instruments come in with
prodigious effect, and I compliment Mr Brumby and the violoncellos)—as
the snow storm rises (queek, queek, queek, go the fiddles, and then
thrumpty thrump comes a pizzicato movement in Bob Major, which sends a
shiver into your very boot-soles), the thunder-clouds deepen (bong, bong,
bong, from the violoncellos).  The forked lightning quivers through the
clouds in a zig-zag scream of violins—and look, look, look! as the
frothing, roaring waves come rushing up the battlements, and over the
reeling parapet, each hissing wave becomes a ghost, sends the
gun-carriages rolling over the platform, and plunges into the water
again.

Hamlet’s mother comes on to the battlements to look for her son.  The
storm whips her umbrella out of her hands, and she retires screaming in
pattens.

The cabs on the stand in the great market-place at Elsinore are seen to
drive off, and several people are drowned.  The gas-lamps along the
street are wrenched from their foundations, and shoot through the
troubled air.  Whist, rush, hish! how the rain roars and pours!  The
darkness becomes awful, always deepened by the power of the music—and
see—in the midst of a rush, and whirl, and scream of spirits of air and
wave—what is that ghastly figure moving hither?  It becomes bigger,
bigger, as it advances down the platform—more ghastly, more horrible,
enormous!  It is as tall as the whole stage.  It seems to be advancing on
the stalls and pit, and the whole house screams with terror, as the Ghost
of THE LATE HAMLET comes in, and begins to speak.  Several people faint,
and the light-fingered gentry pick pockets furiously in the darkness.

In the pitchy darkness, this awful figure throwing his eyes about, the
gas in the boxes shuddering out of sight, and the wind-instruments
bugling the most horrible wails, the boldest spectator must have felt
frightened.  But hark! what is that silver shimmer of the fiddles?  Is
it—can it be—the grey dawn peeping in the stormy east?  The ghost’s eyes
look blankly towards it, and roll a ghastly agony.  Quicker, quicker ply
the violins of Phoebus Apollo.  Redder, redder grow the orient clouds.
Cockadoodledoo! crows that great cock which has just come out on the roof
of the palace.  And now the round sun himself pops up from behind the
waves of night.  Where is the ghost?  He is gone!  Purple shadows of morn
“slant o’er the snowy sward,” the city wakes up in life and sunshine, and
we confess we are very much relieved at the disappearance of the ghost.
We don’t like those dark scenes in pantomimes.

After the usual business, that Ophelia should be turned into Columbine
was to be expected; but I confess I was a little shocked when Hamlet’s
mother became Pantaloon, and was instantly knocked down by Clown
Claudius.  Grimaldi is getting a little old now, but for real humour
there are few clowns like him.  Mr Shuter, as the gravedigger, was chaste
and comic, as he always is, and the scene-painters surpassed themselves.

“Harlequin Conqueror and the Field of Hastings,” at the other house, is
very pleasant too.  The irascible William is acted with great vigour by
Snoxall, and the battle of Hastings is a good piece of burlesque.  Some
trifling liberties are taken with history, but what liberties will not
the merry genius of pantomime permit himself?  At the battle of Hastings,
William is on the point of being defeated by the Sussex volunteers, very
elegantly led by the always pretty Miss Waddy (as Haco Sharpshooter),
when a shot from the Normans kills Harold.  The Fairy Edith hereupon
comes forward, and finds his body, which straightway leaps up a live
harlequin, whilst the Conqueror makes an excellent clown, and the
Archbishop of Bayeux a diverting pantaloon, &c. &c. &c.

Perhaps these are not the pantomimes we really saw; but one description
will do as well as another.  The plots, you see, are a little intricate
and difficult to understand in pantomimes; and I may have mixed up one
with another.  That I was at the theatre on Boxing-night is certain—but
the pit was so full that I could only see fairy legs glittering in the
distance, as I stood at the door.  And if I was badly off, I think there
was a young gentleman behind me worse off still.  I own that he has good
reason (though others have not) to speak ill of me behind my back, and
hereby beg his pardon.

Likewise to the gentleman who picked up a party in Piccadilly, who had
slipped and fallen in the snow, and was there on his back, uttering
energetic expressions: that party begs to offer thanks, and compliments
of the season.

Bob’s behaviour on New Year’s day, I can assure Dr Holyshade, was highly
creditable to the boy.  He had expressed a determination to partake of
every dish which was put on the table; but after soup, fish, roast-beef,
and roast-goose, he retired from active business until the pudding and
mince-pies made their appearance, of which he partook liberally, but not
too freely.  And he greatly advanced in my good opinion by praising the
punch, which was of my own manufacture, and which some gentlemen present
(Mr O’M—g—n, amongst others) pronounced to be too weak.  Too weak! A
bottle of rum, a bottle of Madeira, half a bottle of brandy, and two
bottles and a half of water—_can_ this mixture be said to be too weak for
any mortal?  Our young friend amused the company during the evening, by
exhibiting a two-shilling magic-lantern, which he had purchased, and
likewise by singing “Sally, come up!” a quaint, but rather monotonous
melody, which I am told is sung by the poor negro on the banks of the
broad Mississippi.

What other enjoyments did we proffer for the child’s amusement during the
Christmas week?  A great philosopher was giving a lecture to young folks
at the British Institution.  But when this diversion was proposed to our
young friend Bob, he said, “Lecture?  No, thank you.  Not as I knows on,”
and made sarcastic signals on his nose.  Perhaps he is of Dr Johnson’s
opinion about lectures: “Lectures, sir! what man would go to hear that
imperfectly at a lecture, which he can read at leisure in a book?”  _I_
never went, of my own choice, to a lecture; that I can vow.  As for
sermons, they are different; I delight in them, and they cannot, of
course, be too long.

Well, we partook of yet other Christmas delights besides pantomime,
pudding, and pie.  One glorious, one delightful, one most unlucky and
pleasant day, we drove in a brougham, with a famous horse, which carried
us more quickly and briskly than any of your vulgar railways, over
Battersea Bridge, on which the horse’s hoofs rung as if it had been iron;
through suburban villages, plum-caked with snow; under a leaden sky, in
which the sun hung like a red-hot warming-pan; by pond after pond, where
not only men and boys, but scores after scores of women and girls, were
sliding, and roaring, and clapping their lean old sides with laughter, as
they tumbled down, and their hobnailed shoes flew up in the air; the air
frosty with a lilac haze, through which villas, and commons, and
churches, and plantations glimmered.  We drive up the hill, Bob and I; we
make the last two miles in eleven minutes; we pass that poor, armless man
who sits there in the cold, following you with his eyes.  I don’t give
anything, and Bob looks disappointed.  We are set down neatly at the
gate, and a horse-holder opens the brougham door.  I don’t give anything;
again disappointment on Bob’s part.  I pay a shilling apiece, and we
enter into the glorious building, which is decorated for Christmas, and
straightway forgetfulness on Bob’s part of everything but that
magnificent scene.  The enormous edifice is all decorated for Bob and
Christmas.  The stalls, the columns, the fountains, courts, statues,
splendours, are all crowned for Christmas.  The delicious negro is
singing his Alabama choruses for Christmas and Bob.  He has scarcely
done, when, Tootarootatoo!  Mr Punch is performing his surprising
actions, and hanging the beadle.  The stalls are decorated.  The
refreshment-tables are piled with good things; at many fountains “MULLED
CLARET” is written up in appetizing capitals.  “Mulled Claret—oh, jolly!
How cold it is!” says Bob; I pass on.  “It’s only three o’clock,” says
Bob.  “No, only three,” I say meekly.  “We dine at seven,” sighs Bob,
“and it’s so-o-o coo-old.”  I still would take no hints.  No claret, no
refreshment, no sandwiches, no sausage-rolls for Bob.  At last I am
obliged to tell him all.  Just before we left home, a little Christmas
bill popped in at the door and emptied my purse at the threshold.  I
forgot all about the transaction, and had to borrow half-a-crown from
John Coachman to pay for our entrance into the palace of delight.  _Now_
you see, Bob, why I could not treat you on that second of January when we
drove to the palace together; when the girls and boys were sliding on the
ponds at Dulwich; when the darkling river was full of floating ice, and
the sun was like a warming-pan in the leaden sky.

One more Christmas sight we had, of course; and that sight I think I like
as well as Bob himself at Christmas, and at all seasons.  We went to a
certain garden of delight, where, whatever your cares are, I think you
can manage to forget some of them, and muse, and be not unhappy; to a
garden beginning with a Z, which is as lively as Noah’s ark; where the
fox has brought his brush, and the cock has brought his comb, and the
elephant has brought his trunk, and the kangaroo has brought his bag, and
the condor his old white wig and black satin hood.  On this day it was so
cold that the white bears winked their pink eyes, as they plapped up and
down by their pool, and seemed to say, “Aha, this weather reminds us of
dear home!”  “Cold! bah!  I have got such a warm coat,” says brother
Bruin, “I don’t mind”; and he laughs on his pole, and clucks down a bun.
The squealing hyænas gnashed their teeth and laughed at us quite
refreshingly at their window; and, cold as it was, Tiger, Tiger, burning
bright, glared at us red-hot through his bars, and snorted blasts of
hell.  The woolly camel leered at us quite kindly as he paced round his
ring on his silent pads.  We went to our favourite places.  Our dear
wambat came up, and had himself scratched very affably.  Our
fellow-creatures in the monkey room held out their little black hands,
and piteously asked us for Christmas alms.  Those darling alligators on
their rock winked at us in the most friendly way.  The solemn eagles sat
alone, and scowled at us from their peaks; whilst little Tom Ratel
tumbled over head and heels for us in his usual diverting manner.  If I
have cares in my mind, I come to the Zoo, and fancy they don’t pass the
gate.  I recognise my friends, my enemies, in countless cages.  I
entertained the eagle, the vulture, the old billy-goat, and the
black-pated, crimson-necked, blear-eyed, baggy, hook-beaked old marabou
stork yesterday at dinner; and when Bob’s aunt came to tea in the
evening, and asked him what he had seen, he stepped up to her gravely,
and said—

    “First I saw the white bear, then I saw the black,
    Then I saw the camel with a hump upon his back.

                            _Chorus of Children_.

    Then I saw the camel with a HUMP upon his back!

    Then I saw the grey wolf, with mutton in his maw;
    Then I saw the wambat waddle in the straw;
    Then I saw the elephant with his waving trunk,
    Then I saw the monkeys—mercy, how unpleasantly they—smelt!”

There.  No one can beat that piece of wit, can he Bob?  And so it is
over; but we had a jolly time, whilst you were with us, hadn’t we?
Present my respects to the doctor; and I hope, my boy, we may spend
another merry Christmas next year.





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this resource, we have taken steps to prevent abuse by commercial parties,
including placing technical restrictions on automated querying.

We also ask that you:

+ Make non-commercial use of the files We designed Doctrine Publishing
Corporation's ISYS search for use by individuals, and we request that you
use these files for personal, non-commercial purposes.

+ Refrain from automated querying Do not send automated queries of any sort
to Doctrine Publishing's system: If you are conducting research on machine
translation, optical character recognition or other areas where access to a
large amount of text is helpful, please contact us. We encourage the use of
public domain materials for these purposes and may be able to help.

+ Keep it legal -  Whatever your use, remember that you are responsible for
ensuring that what you are doing is legal. Do not assume that just because
we believe a book is in the public domain for users in the United States,
that the work is also in the public domain for users in other countries.
Whether a book is still in copyright varies from country to country, and we
can't offer guidance on whether any specific use of any specific book is
allowed. Please do not assume that a book's appearance in Doctrine Publishing
ISYS search  means it can be used in any manner anywhere in the world.
Copyright infringement liability can be quite severe.

About ISYS® Search Software
Established in 1988, ISYS Search Software is a global supplier of enterprise
search solutions for business and government.  The company's award-winning
software suite offers a broad range of search, navigation and discovery
solutions for desktop search, intranet search, SharePoint search and embedded
search applications.  ISYS has been deployed by thousands of organizations
operating in a variety of industries, including government, legal, law
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