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Title: Graham's Magazine, Vol. XLI, No. 6, December 1852
Author: Various
Language: English
As this book started as an ASCII text book there are no pictures available.
Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

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                           GRAHAM’S MAGAZINE.
               Vol. XLI.      December, 1852.      No. 6.


                           Table of Contents

               Pale Concluding Winter
               A History of the Art of Wood-Engraving
               Rivers
               Were I But With Thee
               Sonnet.--Iron.
               Nineveh, and Assyrian Art
               Fragment of a Poem
               Monde Hedelquiver
               Wellington
               Sonnet.--Homer.
               Grace Bartlett
               Sonnet
               Ups and Downs
               Father Bromley’s Tale
               Hours in August
               Annie
               The Useful Arts in Other Nations and Times
               Blind Sight-Seeing
               The Lucky Penny
               The Topmost City of the Earth
               Better Days
               Review of New Books
               Sips of Punch

       Transcriber’s Notes can be found at the end of this eBook.



[Illustration: PAINTED BY F. ROCHARD         ENG’D BY EZEKIEL TEEL

=THE FAIREST FLOWER.=

Engraved Expressly for Graham’s Magazine]

                 *        *        *        *        *

[Illustration: =MARY QUEEN OF SCOTS ON HER WAY TO EXECUTION.=]

                 *        *        *        *        *

[Illustration: =THE INUNDATION.=]

                           GRAHAM’S MAGAZINE.

                 *        *        *        *        *

         Vol. XLI.     PHILADELPHIA, December, 1852.     No. 6.

                 *        *        *        *        *

[Illustration]



                      =“PALE CONCLUDING WINTER.”=


          With howling fury Winter makes his bound
          Upon us, freezing Nature at a look.
          He dashes out the sweet and dreamy hues
          Of Indian Summer, so that where the eye
          The golden softness and the purple haze
          Beheld at noon, at sunset sees the mist
          Darken around the landscape, and the ear,
          Nestling upon its pillow, hears the sleet
          Ticking against the casement, whilst within
          The silvery cracking of the kindling coal
          Keeps merry chime. The morning rises up,
          And lo! the dazzling picture! Every tree
          Seems carved from steel, the silent hills are helm’d,
          And the broad fields have breastplates. Over all
          The sunshine flashes in a keen white blaze
          Of splendor, searing eyesight. Go abroad!
          The branches yield crisp cracklings, now and then
          Sending a shower of rattling diamonds down
          On the mailed earth, as freshens the light wind.
          The hemlock is a stooping bower of ice,
          And the oak seems as though a fairy’s wand
          Had, the past night, transformed its skeleton frame
          To a rich structure, trembling o’er with tints
          Of rainbow beauty. . . . . . . A. B. Street.

                 *        *        *        *        *



               =A HISTORY OF THE ART OF WOOD-ENGRAVING.=


                        =BY AN AMATEUR ARTIST.=


[Illustration]

With regard to the antiquity and origin of this most beautiful and most
important of the early Christian arts--most important, because to it can
be traced directly the invention of typography, as it now exists,
bringing knowledge and truth within the reach of all who desire to
attain them--there has been much difference and dispute among the
literati. After the second restoration of letters--I mean after the dull
and dreary interregnum between the era of the Stuarts and the Georgian
era of literature, dating from the commencement of the present
century--there seems to have arisen a strange habit of referring every
thing, the origin of which was not distinctly known, to eras the most
remote. Not to be able to say such a discovery was made by such a
learned German or Venetian, by such a celebrated Gaul or Briton, in such
a town, in such a year, of such a century, was sufficient cause for the
drivelers of the time--the best scholars of whom knew, like Shakspeare,
little Latin and less Greek, assuming, nevertheless, the possession of
the deepest classic lore--to assert point-blank that it was made by such
a wonderful Chinese philosopher during the reign of Wu-wang, emperor of
China, or such a remarkable Egyptian sage, in the reign of Tathrak or
Amenophis; or, that it was in common use in the days of Pericles, or
perhaps even of the later Roman emperors.

The general knowledge of the classic languages was then so rare even
among the authors of those days, that the _dictum_ of any dunce who
grossly misconstrued a Greek or Latin text, or of any rogue, who chose
to forge one in support of his theory--in those days a matter of daily
occurrence--was, so far from being questioned, detected, refuted, and
exposed, as would now be the case, within a week of its publication,
quoted and requoted by successive schools of dunces, until it was
received as a truth, and sent down as a grave authority to future
generations.

Though no author of this day, thanks to the number and acumen of the
literary and critical journals--we do not mean newspapers, which
promulgate, not correct falsehoods--could _originate_ a blunder, much
less a forgery, with a possibility of escaping detection; still,
careless and hasty compilers following what they deem authorities,
without themselves referring to the original authority cited, are
constantly reproducing falsehood, promulgating it, and giving to it
weight as truth, when nothing is more averse from their intention than
to do so.

In nothing is this more the case than in the very class of works in
which of all others accuracy and truth are most requisite--are, indeed,
indispensable--we mean what are now called juvenile books, school-books
for the use of the young. These works are, unfortunately, rarely or
never composed by men of science, men of historical knowledge, men of
high general information, or literary standing, although--embracing, as
they pretend to do, the whole range of human knowledge from astronomy
and the direct sciences, through universal history to political economy,
physical and moral philosophy, and philology--they, above all beside,
should be the work of men of unerring accuracy in the statement of
facts. Since it is easier to teach three new ideas to a mind
unimpressed, than to eradicate from it one preconceived opinion, false
or true.

It is enough to say in this connection, that out of all the modern
“histories for the young” we have ever seen--and we have seen scores, if
not hundreds--we never read six successive pages which did not contain
either a disgraceful blunder as to fact, or a more disgraceful
perversion of facts to meet popular prejudices or popular passions. In
the pseudoscientific text-books, sheer stupidity and ignorance produce
the same effects.

All this class of books, as a rule, are worse than worthless; and we had
far rather see the rising generation return to “Mother Goose,” “Little
Red Riding Hood,” and “Cinderella,” and thence to “Sandford and Merton,”
Mrs. Barbauld, Miss Edgeworth, and works and writers of the like
calibre, until fit to commence the real study of real history and real
science, than have them stuffed with such farragoes of imbecility,
reckless assertion, and plausible falsehood--under the plea of knowledge
made popular--as, for instance, most of “The Histories for the Young,”
which afford a perfect type of the class of works, to which we have just
alluded.

To this train of thought we have been led, by observing the pertinacious
and absurd folly, on the part of all the writers on the subject before
us, of ascribing the art of wood-engraving and printing, to every nation
which never possessed it, and the invention of it to none knows who.

It really seems that to these worthies it is quite argument enough to
say, because the Chinese, Egyptians, Phœnicians, Greeks, or Romans did
_not_ possess such an art, but _did_ possess such another, therefore
they _must_ have possessed that which they did not possess.

Thus--because the Egyptians made wooden moulds with reversed characters
or figures, wherein to make fictile bricks, jars, or other
implements--they possessed the art of wood-engraving and printing.

Because the Greeks and Romans used to engrave their laws and decrees on
stone or metal, both in intaglio and relief, and even colored the
depressed or prominent characters with various pigments, therefore the
Greeks and Romans made use of printing and wood or metallic
engraving--as understood in the present sense; that is to say, for the
purpose of taking reversed impressions on paper, parchment, or the like,
with ink or other pigments, from prepared blocks, or forms of movable
types--the impressions, not the blocks or forms, being legible in the
usual mode, from left to right, or the reverse, according to the nature
of the character or language.

It is, perhaps, scarcely necessary now to state, not only that there is
no reason for believing that any ancient nation was acquainted at all
with any thing in the least degree approaching to the modern art of
printing, but that there is a positive certainty that no people of
antiquity was so acquainted.

In the same manner may be dismissed the Chinese claim to originality in
this invention. So early as the 12th century, stamps, engraved with
monograms, or fanciful figures, assumed by individuals as their signs
manuals, wrought on them in relief, were in common use. They were made
of wood or metal, dipped in ink or paint, and impressed on any document
requiring signature; and they seem to have continued occasionally in use
so late as to the reign of King Henry VIII. of England, whose warrant
for the execution of the poet Surrey was signed by this method, and not
by royal sign manual; the king being then in _articulo mortis_, and
unable to sign his name.

At a much earlier period than this--so early, indeed, as the sixth
century--the Emperor Justin I., in signing documents, made use of what
is now called a stencil, a thin plate of wood or metal perforated with
figures, characters, or other designs, which, when applied to a surface
of blank paper or parchment, leaves the design on the exposed surface of
the paper, all else being covered, open to the operation of a brush or
pencil, which necessarily leaves the impress of the form invariably the
same on all occasions.

From this practice of stenciling, perhaps, or more probably from the
dipping of the signet-ring, which had been used for ages in impressing
wax and the like, into ink, and impressing it on paper, was derived the
idea of stamps engraved with monograms, and used as signatures--an
invention of vast practical utility in an age when not one man of five
hundred, even of kings and nobles, unless he were in holy orders, was
capable of signing, or even reading, his own name. One of the earliest
of these stamps is that of Gundisalvo Tellez, one of the Gothic invaders
of Spain, affixed to a charter bearing date A. D. 840; and the same
sign, after his death, was appended, by his widow, Flamula, to a grant
for the good of her husband’s soul.

Now it has never been asserted or pretended that the Chinese, even at a
much later period than this, had advanced beyond the use of monogram
stamps impinged by hand.

In lack, therefore, of more direct evidence, this is enough to justify
us in rejecting the claim put forward in behalf of the Chinese, to the
invention of the art of wood-engraving or typography, and the idea of
its having been imported from them into Europe.

But there is no lack of more direct evidence. For in the year of the
Christian era 1271, Marco Polo, a Venetian trader, voyaged from Venice
to Tartary and China, in the reign of the Emperor Rublai Khan, his uncle
and father having visited the same countries some quarter of a century
before. On his return, he published an account of his travels, very
copious and very full of marvelous truths and marvelous errors--most of
the latter having been since shown to be misconceptions of real truths,
not falsehoods. In this work, Marco Polo makes no mention of the use of
printing-blocks, or of cannon, or of the mariner’s compass by the
Chinese. Hence it is morally certain, either that the Chinese did not at
that period possess any one of these inventions-- all of which have been
attributed to them--at all, or that the people for whom Marco Polo
wrote, the Venetians in particular, and Europeans in general, possessed
them in the same degree of perfection with the Chinese, at the same or
at an earlier period.

It is, indeed, probable, that the Chinese claim was only put in by
favorers of the Venetian claim to the European invention or introduction
of this art, in order to account reasonably for their priority.

And it would be curious, were it not almost invariably the case, that
the forged legend introduced to support a false claim, when analyzed and
searched by a clear head, not only confutes itself, but that which it
was intended to establish.

It is very satisfactorily proved that previous to the fourteenth
century, although stencils and stamps had been in use for some time,
perhaps for some centuries, as means for securing the invariability of
monogram signatures, and of giving the power of signing papers to those
who could not write, no use whatever had been made or attempted of
either, for the purpose of reproduction from a single type and
indefinite multiplication of copies.

This is what we mean by printing and engraving; and until it be shown
that some nation of antiquity did invent and use such instruments for
such purposes, all discussion is absurd.

It were just as rational to argue, that, because the Chinese, Egyptians,
Greeks and Romans possessed boilers, and boiling water, and steam, with
which they might have propelled steamboats, had they known how,
therefore they _had_ steamboats--as to assert, that, because they
possessed reversed moulds and stamps, in relief or intaglio, for the
making of pottery, with which they might have produced colored
impressions on papyrus or linen, had they conceived the idea of doing
so, therefore they _did_ reproduce works of art from plates or types.

It appears most probable that the first direct approach to this art was
the practice, when playing cards were first introduced in Europe, of the
German card-makers, to use stencils in order to draw, accurately and
invariably, the outlines of the figures on their cards, which were then
filled in with color by the hand. This, though not originally intended
to facilitate multiplication so much as accuracy, would naturally
suggest that idea.

The next known step, in progress, was the use of monogrammatic stamps,
some of them of most elaborate and exquisite design and execution, for
the impression on illuminated manuscripts, such as missals, breviaries,
bibles and other religious works, of the large, beautiful and often
many-colored initial letters.

And these, there is much reason to believe, were more or less in use so
early as A. D. 1400.

The history of the first known wood-cut is as follows. From a convent
within fifty miles of Augsburgh, where in 1418 the first mention of a
kartenmacher, card-engraver, occurs, the earliest wood-cut known--the
St. Christopher, now in the collection of the Earl of Spencer--was
obtained. The outlines are engraved on wood, and thence taken off in
dark coloring matter, resembling printer’s ink, on the paper; after
which the impression appears to have been colored by means of a stencil.

This cut is extremely well-designed, as regards the principal figures,
which, with the exception of the extremities, are executed in such style
as would not disgrace Albert Durer himself. The perspective is--as
usual, in old wood-cuts even of a later date than this, and executed by
artists of high grade, such as Hans Burgmair and Hans Schaufflein,
nearly a century afterward--utterly disregarded. It was, indeed, scarce
understood.

The second and third cuts in existence, also in Lord Spencer’s
collection, are an “Annunciation” and “St. Bridget,” both similarly
printed in outline, and colored by stenciling, the last of these is
curious, as showing, on examination of the back of the plate--for it is
not, like the others, pasted into a book--that the impression was not
taken by means of a press, but by friction on the paper superimposed to
the block, by means of a burnisher or similar instrument, just as proofs
are now taken by engravers.

From this period, the succession and progress of the art is clearly to
be traced. First, through figure blocks, with letterings sculptured on
them in relief, to solid blocks carved in wood and printing off entire
pages, as is done by modern stereotypes, with or without pictures
attached. At this stage of the work the idea of reproduction and
multiplication had obtained as the primary objects of the art.

The next step was the invention of movable types capable of being
combined at will into words and sentences, braced into the form of
pages, and, the work completed, distributed, and combined anew for the
composition of other and different works. From this period,
wood-engraving proper, and type-cutting in wood, became separate arts;
and ere long--metallic types engraved at first, and afterward cast,
replacing the wooden letters--the latter passed into oblivion, while the
former has increased gradually and steadily, though with occasional
pauses and interruptions, until the present day; when it has attained
its highest known perfection, while it is still so far progressive, that
it is not easy to predict what may be expected of its future improvement
and excellence.

And here it may be well, since few persons comparatively speaking, even
of those who are admirers and more or less judges of the art, have a
distinct idea of its precise character and nature, to explain briefly in
what it consists and wherein it differs from engraving on copper or
steel.

All engraving consists of cutting with a sharp instrument into a hard
surface, whether of wood or metal, so that when the picture is perfected
on the wood or metal, ink may be applied to the surface, from which
fac-similies may be taken off by the impression of moistened paper on
the block or plate by means either of friction or pressure.

The practice thus far is identical whether steel, copper or wood is to
be the material engraved.

But with this all similarity ends.

In steel or copperplate-engravings the ink, when applied, is received
into the engraved lines, and is wiped off from the prominent portions;
so that, in the impressions taken on paper, the lines cut into the plate
communicate the shades, the portions left in relief on the plate remain
colorless and blank.

In wood-engravings, on the contrary, the ink, when applied, is taken up
by the parts left prominent, and never penetrates into the engraved
lines; so that, in the impressions taken on paper, the portions of the
wood less prominent communicate the shades, the portions cut away, on
the block, remain colorless and blank.

Thus the same process, pursued on the metallic plate, and on the
wood-block, produces effects diametrically opposite, and to produce the
same effects from the two materials converse processes must be pursued.

Thus we will engrave the word

[Illustration: =Printing=]

on a plate of metal, and on a block of wood, and let these two
engravings be perfect fac-similies, line for line alike, in form,
length, width and depth; then, the impression taken from the engraved
plate of metal, being derived from the depressed lines, filled with ink,
_into_ which the paper is forced by the action of the press, will
present the appearance shown above.

But, the impression taken from the engraved block of wood, being derived
from the elevated portions of the block, covered with ink, _upon_ which
the paper is impinged by the action of the press, will give the
appearance presented below.

[Illustration: =Printing=]

Observe, therefore, that as on the two engravings, the same work
produces results exactly the reverse, one of the other; so to produce
the same effect from each of the two engravings, we must have recourse
to two different processes.

The former of the above two cuts, is the effect produced on paper from a
metallic plate, into the surface of which the lines producing the shades
are engraved or cut in.

The same effects precisely may be produced on paper from a wood-block;
but, in order to produce it, all the portions of the wood-block, which
now give solid black upon the paper, must be cut out of the wood;
leaving the lines, which now give white on the paper, prominent, so as
to receive the ink and make their impression on the surface to be
printed.

The same end could be attained on the other side--that is to say, a
light lettering on a dark ground--by cutting away all the metal, except
the lines now producing dark impressions on a light ground, which would
then give light lines on a dark ground; but the labor of doing this
would be interminable, and the advantage gained, nothing.

This principle once understood, the whole system becomes comprehensible
at a glance. If, in an engraving on metal, all the lines cut into the
plate were of equal depth and capacity, all the impressions would be
equal as to shade, and the print would display an impression in pure
black and pure white only, without intermediate tints.

So, in cutting a wood block, if all the prominent parts be left equally
prominent, the quantity of ink deposited by each and all will be
identical, and the impression will be, as before, in simple black and
white.

To produce greater depth of shadow in one part of a metallic engraving
than in others, the lines must be cut deepest where the shadow is to be
the blackest, and thence graduated, less and less deep, to the plain
surface, which gives pure white.

To produce greater depth of shadows in one part of a wood-cut than in
others, the prominent lines must be left most prominent where the shadow
is to be the blackest; and thence shaved away more and more, as the
shadows are to be less intense, until no lines at all are left on which
the paper can impinge, and _there_ will be pure white.

The superiority of wood-blocks to metallic-plates consists in their
superior capacity for impressing broad, solid masses of pure black, as
contrasted with pure white. An effect which cannot be readily or
effectually given on metal. Since in intaglio engraving the nearest
approach to absolute blackness, extending over spaces, is obtained by
the continual crossing and recrossing of slender black lines, until the
white interstices become infinitesimal, and their effect is more or less
swallowed up and lost. The superiority of metal to wood, on the other
hand, consists in the greater readiness and facility with which it
transfers to paper the finest and most delicate hair-strokes, such as
could hardly be left to sustain themselves in wood when all surrounding
lights are cut away.

This leads to a different mode of _handling_ in the two materials.
Shadows in metallic engraving are produced, mainly, by what is called
cross-hatching, or cutting lines, intersecting each other diagonally,
with white, lozenge-shaped intersections between them. This method
cannot be resorted to with any facility on wood, as any one may
comprehend, who will consider, that in one case, on metal, the engraver
has only to cut long, continuous lines intersecting each other, each
line by a single stroke; leaving the interstices to take care of
themselves; while in the other, on wood, every separate lozenge-shaped
interstice has to be cut out in precise and regular form, and with such
nicety as to leave the intersections, often no wider than a hair, in
continuous and accurate lines.

The labor and waste of time in this method is enormous; and, although it
is adhered to by some artists, the better and, in our opinion, more
effective way of giving shadow is by leaving greater _breadth_ to the
prominent lines where the heavier shadows are required, and so
diminishing the size of the light spaces left, though in a different
direction, and by a different method.

The finest cross-hatched wood-cut in existence, probably the finest ever
executed, is a large cut of the death of Dentatus, engraved by Mr.
Harvey from the design of Mr. R. B. Haydon. But, though it is
unquestionably the most elaborately engraved large wood-cut that ever
has appeared, and though parts of it are better than any thing earlier
or later, in the same style, it cannot be regarded as a successful
specimen of the art. It is, in fact, an attempt to rival a
copperplate-engraving on wood; and, as such, has transcended the powers
of the art, and the capabilities of the material.

That Mr. Harvey has effected with wood all that could be effected on
wood in this manner, is undeniable; but that he could have produced much
more with wood, in a different manner, is equally certain.

If the _ne plus ultra_ of wood-engraving were to produce imitations of
metal-engraving of inferior effect, and with much greater labor, then
Mr. Harvey’s Dentatus were the _ne plus ultra_ of wood-engraving.

But wood, within its own legitimate bounds, is greater and more
effective, in some peculiarities, than copper. Just as copper, in other
peculiarities, is greater than wood. Neither was ever intended to clash
or contend with the other. Each in its own empire is supreme.

It should be added here, before quitting the technical portion of the
subject, that one advantage possessed by wood-cuts is this--that giving
their impression from the elevated surfaces precisely as metallic types,
the wood-blocks can be inserted in the same forms among the types; so
that the impressions can be worked by the same press, and printed on the
same pages, while the reverse sides can also be printed, either with
letter-press or other wood-cuts, so as to form part and parcel of one
continuous narrative. Metallic-plates, on the contrary, must be worked
by an entirely different press, and on separate pages, apart from the
letter-press, and on one side of the paper only.

This gives a great superiority for purposes of illustration, whether by
anagrams or slight sketches of things described in the body of the work,
to the wood-cut, above the copper-plate. And, indeed, this admitted
advantage, with the extreme comparative cheapness of wood-engraving, and
the rare delicacy and beauty which has been attained by the more modern
artists of the day, has led to the very general adoption of this style
of illustration for ornamented volumes.

It is, in fact, rapidly gaining the preference over metallic engraving;
the great expense and very inferior durability of copper, and the
coldness, hardness, and absence of richness which seem to be inherent to
steel, having gone far to banish both from general use as ornaments or
additions to printed books.

As the finest of all methods of reproducing large pictures and fine
productions of art; as affording exquisite adornments for the walls of
ornamented apartments--vastly superior, would people but believe it, to
second-rate oil-paintings--as the legitimate treasures of hoarded
portfolios, fine copperplate-engravings will and _must_ ever hold their
place. But for the illustration of books--as books must now
be--accessible to the million, we fully believe that wood is the best,
and soon to be almost the sole material.

The day of steel,[1] we think and hope, is already past, for though we
have seen good things executed on that most thankless and intractable of
substances, we never saw such that we did not regret the time, the
talent, and the toil, so comparatively wasted.

Now, to return to the history of wood-cutting proper, we find that but
little improvement was effected in the mechanical part, little filling
in, very slight efforts at representing texture, and scarcely any
chiaro-scuro having been attempted, previous to the invention of movable
types and the use of the press.

It is probable that Gutenberg first conceived the idea of movable types,
at Strasburg, in or about 1436; and that “with the aid of Faust’s money,
and Sheffer’s ingenuity,”[2] the art was perfected at Mentz in or about
1452. “In the first book which appeared with a date and the printer’s
name,” continues the author I have quoted above--“The Psalter printed by
Faust and Scheffer at Mentz, in 1457--the large initial letters,
engraved on wood, and printed in red and blue ink, are the most
beautiful specimens of this kind of ornament which the united efforts of
the wood-engraver and the pressman have produced. They have been
imitated in modern times but not excelled. As they are the first
letters, in point of time, printed with two colors, so are they likely
to continue the first in point of excellence.”

From this time the art made rapid progress, as connected with the press,
which in a very rude and primitive state now came generally into vogue,
though the machine of 1460 was as far different from one of Hoe’s
marvelous power-presses as is an Indian’s bark canoe from an Atlantic
steamer.

Between this date and the conclusion of the century, we find one
wood-engraving by an unknown author, the frontispiece of Breydenbach’s
Travels, so infinitely superior to every thing that succeeded it for
many years as to deserve special notice. It contains the first specimen
of cross-hatching known to exist, and attempts both shade and color, not
without considerable effect. It is said, by the author above quoted,
“not to be only the finest wood-engraving up to that date, but to be in
point of design and execution as far superior to the best cuts in the
Nuremberg Chronicle, as Albert Durer’s designs are to the cuts in the
oldest edition of the ”Poor Preacher’s Bible.“ The engraved
frontispiece, in question, bears the date 1486, the Nuremberg Chronicle
of 1493; and the _Biblia Pauperum_, as it is--probably
erroneously--called, in various editions from 1462 to 1475.”

The following cut is a representation of the press in use at this
period, and for some considerable time afterward. It is a fac-simile of
an engraving of “the press of Jodocus Badius Ascensianus, from the title
page of a book printed by him in 1498.”

[Illustration]

The above engraving, although it is not inserted here as a specimen of
the style of engraving at this date, but merely as a representation of
the machinery in use at the time, may be regarded, on the whole, as
about on an average with the ordinary work of the period, both as to
design and execution; it is vastly superior to the cuts of the “_Biblia
Pauperum_,” and “_Speculum Humanæ Salvationis_,” and yet more so to that
of the Nuremberg Chronicles; it is inferior to the frontispiece of
Breydenbach’s Travels, which, it has been stated above, is the
_chef-d’œuvre_ of this epoch; but, although slight and sketchy, it is in
all respects superior to the hideous monstrosities which disgrace, in
lieu of ornamenting, four-fifths of the cheap publications of the day.

We have now, however, arrived at a period when wood-engraving became not
merely a calling, but an art; when painters of the highest degree,
higher than ever before or since, were proud and pleased, and, what is
more, _able_ to be designers on wood for the engravers. From this date,
until the troubles of the civil war and commonwealth in England, and
religious conflicts on the continent of Europe, annihilated the arts,
put the muses to flight--with one sublime exception--and almost
overthrew society itself, such painters as Wolgemuth, and Pleydenwurth,
Cranach, and Burgmair, and more famous yet, Albert Durer and Hans
Holbein, became the chief patrons and promulgators of the art,
constantly themselves designing and completing drawings on wood, for the
engraver, although there is no reason for believing--but on the contrary
every reason for denying--that these illustrious men ever employed
themselves in actual cutting; which was then a process purely
mechanical, practiced by persons utterly devoid of all knowledge either
of composition or correct drawing. At this time, all the merit of the
wood-cut rested with the designer and artist, none with the wood-cutter.
Now it is shared by both alike, and to produce an excellent
wood-engraving, excellence both in the artist and the engraver is
indispensable. Of a bad or indifferent[3][3a] composition and design,
the best engraver that ever lived cannot make a good picture. And in no
smaller degree will the best picture ever composed and drawn by the best
artist be ruined, and prove an utter failure, if intrusted to the hands
of an ignorant, incompetent, or reckless engraver.

Albert Durer--of whom the following cut is a fac-simile likeness, from a
wood-engraving designed by himself--was born at Nuremburg, May 20, 1471,
the son of Albert Durer, a goldsmith by profession, a Hungarian by
birth.

In those days goldsmiths were artists of the highest order; necessarily
sculptors, designers and engravers--witness Benevenuto, Cellini, and
others, such as Bandinelli, and various great Italians, whom it would be
too long to note, scarcely inferior.

[Illustration]

Ambitious of greater things, Durer became apprentice to Michael
Wolgemuth, the principal painter of his age and country; and, after
having served his time, traveled, married unhappily, and died ere he
reached old age, but not before he obtained world-wide, and time-defying
renown, as a great painter, as more than a great
copperplate-engraver--for it is only the greatest of the present day who
are capable of producing fac-similes of his works--and, what most
concerns us, as a great patron and promoter of wood-engraving.

That he was no wood-engraver himself, is we consider certainly proved,
although by proofs negative.

They are briefly these.

The designs of the wood-cuts ascribed to Albert are in all respects
equal to the designs of copper-engravings, known to be both designed and
engraved by himself.

The execution and handling on his copperplates is superior to those of
any other artist of his day.

Of his wood-cuts, while the designs are transcendent, the execution is
ordinary; nor is there any perceptible variation between the execution
of the cuts attributed to him, and those known to have been cut by
Resch, from his designs.

The style of Durer’s drawing on wood shows the hand of a man used to
copper; and is not that the best calculated for producing effects on
wood.

Now it is scarcely credible, or even to be imagined, that an artist, who
should have attained, himself almost untaught--for whoever they were, he
manifestly surpasses all his teachers--such wonderful power and facility
in _engraving_ on one substance, should not, with equal practice on a
different substance, have evinced the same--or at least
_some_--superiority in handling it.

“There are about two hundred subjects, engraved on wood,” we quote, as
before, from Jackson’s History of Wood-Engraving, “which are marked with
the initials of Albert Durer’s name, and the greater part of them,
though evidently designed by the hand of a master, are engraved in a
manner which certainly denotes no very great excellence. Of the
remainder, which are better engraved, it would be difficult to point out
one which displays execution so decidedly superior as to enable any
person to say positively that it must have been cut by Durer. The
earliest engravings on wood with Durer’s mark are sixteen cuts
illustrative of the Apocalypse, first published in 1498; and between
that and 1528, the year of his death, it is likely that nearly all the
others were executed. The cuts of the Apocalypse generally are much
superior to all wood-engravings that had previously appeared, both in
design and execution; but if they be examined by any person conversant
with the practice of the art, it will be perceived that their
superiority is not owing to any delicacy in the lines, which would
render them difficult to engrave, but from the ability of the person by
whom they were drawn, and from his knowledge of the capabilities of the
art. Looking at the state of wood-engraving at the period when those
cuts were published, I cannot think that the artist who made the
drawings would experience any difficulty in finding persons capable of
engraving them.”

It matters not, however, to the history of the art, whether Durer
engraved, or did not engrave, with his own hand; it is sufficient for us
to know, that it was he, and his friends and successors, who raised it
to the position which it in their time occupied, and which, after a dark
interregnum, it now occupies again, how high to soar hereafter we know
not.

The works of Durer, “The Triumphal Procession of Maximilian,” in which
he was a collaborateur with Hans Burgmair, The “Dance Macaber,” ascribed
improperly to Hans Holbein, all executed nearly at this period, if they
did not attain the highest attainable pitch of perfection, fell not at
least far short of it. If, in after days, the skill of the manual
workman has increased, the excellence of the designer is less
marked--or, what amounts to the same thing, the best designers have not,
until within the last half century, applied their talents to this art.
At all events, and all things considered, we may assume with Mr.
Jackson, that “at no time does the art appear to have been more
flourishing, or more highly esteemed, than in the reign of its great
patron the Emperor Maximilian.”

From the date of the appearance of the Dance Macaber, which is
considered by good judges equal at least to any wood-cuts ever executed,
the art began to decline. In England--later, perhaps, to receive it than
the more early refined nations of the continent--it lingered through the
reign of Elizabeth; but during the reign of the bestial Scottish despot
who succeeded her, and his unhappy race, went out, like an exhausted
lamp, for want of nutriment. The Italian school yet for awhile clung to
existence, distinguished by inferior vigor, but by superior finish and
neatness both of drawing and workmanship, and then perished, effete
before mature, and never, we believe, has again revived.

How low the art of wood-engraving sunk after the commencement of the
seventeenth century, and how small appeared the chance of its ever
rising again from its ashes, may be seen at a glance; by comparing the
specimens above, none of them pretending to be exemplars of the _finest_
work of their several epochs, with the following miserable abortion,
than which, it needs not now to say, no tolerable apprentice, of one
year’s standing in a respectable office, could, unless he tried to do
so, produce any thing worse either in design or execution.

[Illustration]

And yet this is a very fair example of the style of wood-engraving from
the reign of Charles II. to that of George III., with few exceptions. In
a word, for some unaccountable reason, this noble art, as an art, had
fallen every where--though nowhere, as some persons have fancied, either
disused or forgotten--into desuetude, neglect, and contempt, from about
the year 1700, until near the close of the eighteenth century. This,
too, occurred at a period when, in many other sister branches, art stood
as high, perhaps higher than ever, when Antony Vandyke, and Peter Joly,
and Godfrey Kneller, and Joshua Reynolds painted, and copper-engraving
had shown no decadence, but the reverse, either on the Continent or in
England.

On the 10th of August, 1753, at Cherryburn, near Newcastle on Tyne, in
Northumberland, was born, the son of a poor owner of a small landsale
colliery, Thomas Bewick, who, by his own almost unassisted talents,
raised this art, single-handed, from utter disgrace, and all but
oblivion, to its very highest pitch of excellence--for in generic
drawing and engraving especially, he never has found, and probably never
will find, an equal. Designer, draughtsman, engraver, three in one, he
has produced wood-cuts which never have been approached, and of which it
has been said by competent authority, that “every line that is to be
perceived in this, is the best that could have been desired to express
the engraver’s perfect idea of his subject.”

It is said that as a boy this great man was employed as a laborer at his
father’s coal-pit; but this may be dismissed as improbable at least,
since he was early sent to school by his father at the Parsonage House
of Ovingham, in an adjoining parish, and was subsequently, in compliance
with his own desire, apprenticed to Mr. Beilly, an engraver at
Newcastle, where, having by a mere accident of the office been employed
to cut some mathematical diagrams on wood, he acquired a taste for the
art sufficient to urge him on, without much encouragement, to its
prosecution. Shortly after the expiration of his apprenticeship, he
returned to his father’s house, and there applied himself earnestly to
the study of the art in which he was ultimately to gain so much renown.

[Illustration]

In 1775, when he was twenty-two years old, he received a premium from
the Society for the Encouragement of Arts and Manufactures for a cut of
“the Huntsman and the Old Hound,” which was first printed in an edition
of Gay’s Fables, published by T. Saint, Newcastle, 1779--a fac-simile of
which is given below.

[Illustration]

Although this juvenile engraving of the great master in no respect
approaches the greatest, or even the average, of his mature works, it
yet exhibits great talent and greater promise. The whole later tendency
of wood-engraving, such as it was, had been toward conventional method,
not toward the study and imitation of nature; and here at once, in his
earliest success, we find the learner leaving all rules and precepts
behind him, and dashing at once into the bold, free, and irregular
imitations of nature, by which he was thereafter to achieve a
reputation, create a school, and redeem a noble art from the disrepute
into which it had fallen; not--as some foolishly have asserted--to
revive a lost or forgotten art; for wood-cutting never had been, even in
the worst times, _disused_, but only degraded from its high estate and
abused to base purposes.

It must be evident that within the limits of an article, such as this,
it must be impossible to enter fully into the merits and peculiarities
of all the wood-engravers of four centuries; when at the present day
alone there are living more than twenty, to each of whom more than an
equal space were fairly due, if we but had the space to bestow in
proportion to their deserts. As it is, even on Bewick, greatest, in our
opinion, most original, most truthful to nature, and least a mannerist
of all who have succeeded or preceded him, we can dwell long enough only
to speak of him generally as the founder of the modern school, superior
in delineation of texture, in force, in spirit, and in the true feeling
and genius of the art of wood-cutting, to all the world beside. To those
who are acquainted with his “British Birds,” we need only refer to his
“woodcock” and his “partridge,” more especially, in justification of our
unqualified praise and admiration; to those who are not, we can only
give our earnest advice to become acquainted with them as soon as may
be. Bewick had many scholars and pupils, who have brought down his
reputation and much of his skill to the present day. Mr. Harvey, one of
his most eminent successors, long considered his best pupil, has given
up engraving for designing, still maintaining high character for
ability; but, though a man of unquestioned talent, he is rather too much
of a mannerist greatly to delight ourselves. The delicious foliage of
Linton, king of all modern artists, is known to all our readers from the
fine wood-cuts in the illustrated London papers; as are the traits and
characteristics of Thompson, Foster, and half a dozen others, although
their names may not be so familiar as their works. Beyond all doubt, the
English school of wood-cutting, whether for loose, sketchy, landscape,
or elaborate portraiture, is now the finest, freest, simplest, and most
natural in the world; the French excel in a sort of bold pen and inky
style of character and caste delineation--but it is national, not
universal--tricky, not artistical, and lacking the “touch of nature
which makes the whole world kin.”

No country has, however, made such wonderful strides in this art as
America; for twenty years ago scarce twenty wood-engravings were
published annually in America; now we should be afraid to say how many
times twenty thousand.

Then, there were, to the best of our memory, but two wood-cutters of any
great note or merit--certainly in New York, we believe in America. Dr.
Alex’r. Anderson, supposed to be the first who produced any thing worthy
of note in this profession, commenced the business, which he still
pursues, in 1798 or 1799. Mr. J. A. Adams was the next, who applied
himself to the art in 1826. He has now retired, it is understood, on a
handsome competency earned by his talent and industry; chiefly, it is
said, through his engagement on Harper’s illustrated Bible, a work which
owes its celebrity to its prestige, as being the first thing of the kind
issued in the United States, and by no means to its merits as a work of
art. When issued, in the opinions of those who knew, it was barely
tolerable for this country, in which the art was nearly unknown; were it
to appear now, it would be merely contemptible.

Not to be over boastful of our own columns, we do not fear to challenge
comparison between the generic cuts of game, which have appeared in
Graham, within the last two years, from the gravers of Devereux and
Brightly, against any thing of their character since the days of Bewick.
The cuts of Orr--to whom we had intended to allude more fully--in this
paper, as well as those of Devereux generally, prove what we shall do
hereafter. But want of space, in this number, circumscribes much
complimentary mention of these and many other artists.

[Illustration]

Note.--The head and tail-pieces of this article, without assuming to be
splendid or unusual specimens of art, are given as characteristic
examples of the modern style in the treatment of foliage and
architecture.

-----

[1] It may not probably be known to ordinary readers that while a
copperplate-engraving begins to fail after two or three thousand copies
have been taken from it, and is worthless after six or eight thousand,
fifty or sixty thousand can be taken from wood-blocks, and yet more from
steel, without detriment.

[2] History Wood Engraving. Jackson. London.

[3] As an exemplication of the above statement, two wood-cuts are here
submitted, with the view of proving the absolute necessity of a good
artist-like drawing to enable the engraver to produce a handsome or even
creditable wood-cut. Both the following cuts are from one sketch, by the
great landscape-painter Morland--the one meagre, tame, unfilled, and
presenting nothing beyond a bare, cold outline; the other a remarkably
spirited and flowing sketch, not one of the extra or additional lines
being supernumerary, but each tending to give both effect and support to
the outline.

[Illustration]

[3a] And here it is well to point out to those seeking to obtain good
wood-engravings, for the illustration of works which they propose to
write or publish, that there are two absurdities, about equally great,
usually committed by persons in their position. The one of which is the
ordering and paying liberally for the work of a clever artist and
designer, and then mulcting the engraver one half the price he ought to
receive, if he do his duty and spend the requisite time on the work, and
wondering why the product is a wretched botch and not a fine work of
art. The other is the converse of this, paying an engraver well to cut,
and grudging the extra expense of a good artist. For it must be
remembered, that in wood-engraving the artist and designer, where they
are not one, as in the case of Bewick and a few others--and this is a
rare case--must work in unity of intent, with a perfect comprehension
of, and a full sympathy in, the meaning and genius each of the other.

                 *        *        *        *        *



                               =RIVERS.=


                       =BY THOMAS MILNER, M. A.=


                      (_Concluded from page 463._)

Many rivers are subject to a considerable elevation of the level of
their waters. This is periodical or irregular in its occurrence,
according to the nature of the producing cause. Casual temporary
floodings, as the effect of extraordinary rains, are common to the
streams of most countries, and sometimes occasion great changes of the
surface, and destruction of life and property. One of the most
remarkable instances of this kind in modern times, occurred on the 4th
of August, 1829, in Scotland, when the Nairn, Spey, and Findhorn rose
above their natural boundaries, and spread a devastating deluge over the
surrounding country. The rain which produced this flood fell chiefly on
the Monadhleadh Mountains, where the rivers in question have their
feeders, situated between the south of Loch Ness and the group of the
Cairngorums. Sir Thomas Dick Lauder, in his interesting account of this
inundation, considers the westerly winds, which prevailed for some time
previously, after a season of unusual heat, to have produced a gradual
accumulation of vapor, somewhere north of our island; and the column
being suddenly impelled by a strong north-easterly blast, it was driven
toward the south-west, till arrested in its course by the lofty
mountains upon which it discharged itself in torrents perfectly
unexampled. The rain fell occasionally in heavy drops, but was for the
most part broken by the blast into extremely minute particles, so thick
that the very air itself seemed to be descending in one mass of water
upon the earth. It deluged every house whose windows were exposed to the
south-east. The lesser animals, the birds, and especially game of all
kinds, were destroyed in great numbers, by the rain alone; and the
mother partridge, with her progeny and mate, were found chilled to death
amidst the drenching wet. At Huntly Lodge, according to an accurate
observation, between five o’clock of the morning of the 3d of August and
the same hour of the succeeding day there fell 3¾ inches of rain, or
about one-sixth of our annual allowance of rain descended there in
twenty-four hours. This was at a considerable distance from the
mountains--the central scene of the rain--where its quantity must have
been prodigiously greater, sufficient to account for the tremendous
flood that followed, far exceeding in its rise, duration, and havoc, any
other that ever affected the same locality. The Findhorn and Spey
assumed the appearance of inland seas; and, when the former began to
ebb, a fine salmon was driven ashore and captured at an elevation of
fifty feet above its ordinary level. Most of the rivers of the temperate
zones are subject to these irregular floodings from the same cause,
especially those which take their rise in high mountain regions, the St.
Lawrence being the most remarkable exception, the level of which is not
affected by either rains or drought. The vast lakes from which this
river issues furnish its channel with an inexhaustible supply of water,
and present a surface too extensive to be sensibly elevated by any
extraordinary rains. A strong westerly wind, however, will affect the
level of the St. Lawrence, and occasion a rise of six feet in the waters
to the eastern extremity of Lake Erie. An easterly wind also upon the
Orinoco will check its current, elevate the upper part of the stream,
and force its waters into the channels of its tributaries, giving them a
backward flow, and causing them to be flooded; and a northerly wind will
drive the Baltic up the mouths of the Oder, and raise its level for a
considerable distance. In a similar manner, the Neva rises when a strong
wind blows from the Gulf of Finland; and that occurrence--taking place
coincidently with high water and the breaking up of the ice, would
create an inundation sufficient to drown the whole population of St.
Petersburg, and convert that brilliant capital, with all its sumptuous
palaces, into a chaotic mass of ruins. We have the materials of this
statement from M. Kohl. The Gulf of Finland runs to a point as it
approaches the mouth of the Neva, where the most violent gales are
always those from the west; so that the mass of waters on such occasions
is always forcibly impelled toward the city. The islands forming the
delta of the Neva, on which St. Petersburg stands, are extremely low and
flat; and the highest point in the city is probably not more than twelve
or fourteen feet above the average level of the sea. A rise of fifteen
feet is therefore enough to place all St. Petersburg under water, and a
rise of thirty feet is enough to drown almost every human being in the
place. Hence the inhabitants of the capital are in constant danger of
destruction at the period referred to, and can never be certain that the
500,000 of them may not, within the next twenty-four hours, be driven
out of their houses to find, in multitudes of instances, a watery grave.
This is not a chimerical danger; for, during its short continuance, the
city of the Czar has experienced some formidable inundations. The only
hope of this apparently doomed city is that the three circumstances may
never be coincident, namely, high water, the breaking up of the ice, and
a gale of wind from the west. It is nevertheless true, that the wind is
very often westerly during spring, and the ice floating in the Neva and
the Gulf of Finland is of a bulk amply sufficient to oppose a formidable
obstacle to the egress of the water; so that it will not be surprising
if St. Petersburg, after suddenly rising like a meteor from the swamps
of Finland, should still more suddenly be extinguished in them.

[Illustration: =Valley of the Concon, Chili.=]

The periodical rise of rivers is either diurnal, semi-annual, or annual,
and proceeds from a variety of causes. Where streams descend immediately
from mountains covered with snow, the heat of the sun melting the snow
produces high water every day, the increase being the greatest in the
hottest days. In Peru and Chili there are small rivers which flow only
during the day, because they are fed entirely by the melting of the snow
upon the summit of the Andes, which takes place only when the solar
influence is in action. In Hindûstan, and some parts of Africa, rivers
exist, which, though they flow night and day, are, from the accession of
snow-water, the greatest by day. Those rivers also which fall into the
sea have their level daily varied by the tidal wave for some distance
from their mouths, the extent through which the influence of the tides
is felt being modified by the breadth and shape of their channels and
the force of their current. The wider and more direct the bed of a
stream communicating with the ocean, and the slower its motion the
farther the tide will penetrate; whereas a narrow and sinuous course,
and a great velocity, offer obstructions to its progress. The tide of
the Atlantic is perceived four hundred miles along the course of the
Amazon, and that of the German Ocean extends about seventy miles up the
Thames. Important facilities are afforded to the navigation of many
rivers by this circumstance, for they are only accessible to vessels of
large burden at high water. The rapid of Richelieu, on the St. Lawrence,
where the river contracts, and has its course obstructed by rocks,
impedes the navigation between Montreal and Quebec, except at high tide,
when the water rises fifteen or eighteen feet, and the rapid entirely
disappears. A semi-annual or annual rise alone distinguishes the rivers
of inter-tropical regions, and of countries bordering on the torrid
zone. The semi-annual rise is a feature of those rivers which drain high
mountain ranges, and proceeds from the two independent causes, of the
melting of the snows in spring or summer, and the great seasonal rains
to which such districts are subject. The rivers which have only one
annual rise are influenced by the latter cause alone, or by the two
acting coincidently, and producing a grand periodical flood. The Tigris
rises twice in the year--first, and most remarkably, in April, in
consequence of the melting of the snows in the mountains of Armenia; and
secondly, in November, through an accession from the periodical rains.
The Mississippi likewise is subject to two rises in the year--one about
January, occasioned by the periodical rains that fall toward the lower
part of its course; but the grand flood commences in March, and
continues till June, proceeding from the melting of the ice in the upper
part of the continent, where the Missouri and other tributary streams
have their origin. A very striking spectacle is exhibited by this river
in the season of inundation. It rises from forty to fifty feet in some
parts of its course, and is from thirty to a hundred miles wide, all
overshaded with forest, except the interior stripe consisting of its
bed. The water stands among the trees from ten to fifteen feet in
height, and the appearance is exactly that of a forest rising from a
lake, with its waters in rapid motion. For the protection of the
cultivated lands, and to prevent their conversion into permanent swamps,
an embankment, called the Levee, has been raised, which extends two
hundred miles on the eastern shore of the river, and three hundred on
the western. In Asia, the Ganges, Indus, and Euphrates exhibit
inundations upon a similarly great scale. The Euphrates slightly
increases in January, but the grand flood begins soon after the middle
of March. It attains its height about the 20th of May, after which it
falls rapidly till June. The decrease then proceeds gradually until the
middle of November, when the stream is at its lowest. The rise of the
water at Anah, above the site of ancient Babylon, occasionally amounts
to eighteen feet, sometimes entering that town, running with a velocity
exceeding five miles an hour. The moment that the waters of the river
recede, the rice and grain crops are sown in the marshes, and villages
of slightly made reed cottages are reared in their neighborhood. These
last, in consequence of being suffered to remain too long, are often
surprised by the returning inundation, and it is no uncommon spectacle
for their occupants to be seen following the floating villages in
canoes, for the purpose of recovering their property. But of all
inundations that of the Nile, if not the most extensive, is the most
regular, and has become the most celebrated, from the knowledge of it
going back to the earliest periods to which history recurs. The rise of
the river commences about the time of the summer solstice, attains its
maximum height at the autumnal equinox, remains stationary for some
days, and then gradually diminishes till the time of the winter
solstice. The ancients, unacquainted with the climate of the interior
country from which it descends, and not caring in general to inquire for
physical causes, possessing also a very limited knowledge of terrestrial
phenomena, deemed the annual overflow of the Nile a unique event, and
attributed it to the special interference of a supernatural power.
Lucretius, however, who soared in many respects above the prejudices of
his age concerning the natural world, assigned it to a proper cause;
though he ascribes too much influence to the Etesian wind, and shows his
imperfect acquaintance with the geography of the globe, by supposing the
occurrence without a parallel.

           “The Nile now calls us, pride of Egypt’s plains:
          Sole stream on earth its boundaries that o’erflows
          Punctual, and scatters plenty. When the year
          Now glows with perfect summer, leaps its tide
          Proud o’er the champaign; for the north wind, now
          Th’ Etesian breeze, against its mouth direct
          Blows with perpetual winnow; every surge
          Hence loiters slow, the total current swells,
          And wave o’er wave its loftiest bank surmounts.
          For that the fixed monsoon that now prevails
          Flows from the cold stars of the northern pole
          None e’er can doubt; while rolls the Nile adverse
          Full from the south, from realms of torrid heat,
          Haunts of the Ethiop tribes; yet far beyond
          First bubbling, distant, o’er the burning line.

            Then ocean, haply, by th’ undevious breeze
          Blown up the channel, heaves with every wave
          Heaps of high sand, and dams its wonted course;
          Whence, narrower, too, its exit to the main,
          And with less force the tardy stream descends.

            Or, towards its fountain, ampler rains, perchance,
          Fall, as th’ Etesian fans, now wide unfurled,
          Ply the big clouds perpetual from the north
          Full o’er the red equator; where condensed,
          Ponderous and low, against the hills they strike,
          And shed their treasures o’er the rising flood.
          Or, from the Ethiop mountains, the bright sun
          Now full matured with deep-dissolving ray
          May melt th’ agglomerate snows, and down the plains
          Drive them, augmenting hence th’ incipient stream.”

[Illustration: =The Nile at the Pyramids.=]

The annual overflow of the Nile is now well known to proceed from the
heavy periodical rains within the tropics. They fall in copious torrents
upon the great plateau of Abyssinia, which rises, like a fortress, 6000
feet above the burning plains with which it is surrounded on every side,
attracting the clouds, cold fogs, and tremendous showers, enveloping An
Rober, the capital, while, whenever the curtain of mist is withdrawn,
the strange contrast is presented of the sulphureous plains, visible
below, where the heat is 90°, and the drought excessive. A peculiar
character has been given to this district by the violence of the
periodical rains. Bruce speaks of the mountains of this table-land, not
remarkable for their height, but for their number and uncommon forms.
“Some of them are flat, thin, and square, in shape of a hearth-stone or
slab, that scarce would seem to have base sufficient to resist the
winds. Some are like pyramids, others like obelisks or prisms, and some,
the most extraordinary of all, pyramids pitched upon their points, with
their base uppermost.” Mr. Salt confirms this delineation in the main.
The peculiar shapes referred to have been formed by the action of the
torrents discharged from the clouds, which have, for ages, been
skeletonizing the country, dismantling the granite with its kindred
masses of the softer deposits, gradually wearing away also these harder
rocks, and carrying along the soil of Ethiopia, strewing it upon the
valley of the Nile, to the shores of the Mediterranean. When Bruce was
ascending Taranta, a sudden noise was heard on the heights louder than
the loudest thunder, and, almost directly afterward, a river, the
channel of which had been dry, came down in a stream several feet in
depth, and as broad as the whole bed. Hence the steeple and obelisk form
of the rocks, with their naked aspect--which has, not unaptly, been
compared to bones stripped of their flesh.

In the tropical countries of South America, the seasonal rains are,
perhaps, more intensely copious than in any other part of the torrid
zone, and the floods of its rivers are of corresponding magnitude. At
the mission of San Antonio de Javita, on the Orinoco, during the wet
season, the sun and stars are seldom visible, and Humboldt was told by
the padre, that it sometimes rained for four or five months without
intermission. The traveler collected there, in five hours, 21 lines of
water in height on the first of May, and 14 lines on the 3d, in three
hours; whereas at Paris there fall only 28 or 30 lines in as many weeks.
Humboldt traces the transition from the one great season of drought to
that of rain, which divides the year, in an interesting manner, with the
atmospheric phenomena which accompany the change. About the middle of
February in the valleys of Araqua, he observed clouds forming in the
evening, and in the beginning of March the accumulation of vesicular
vapors became visible. “Nothing,” he remarks, in beautifully graphic
style, “can equal the purity of the atmosphere from December to
February. The sky is then constantly without clouds, and should one
appear, it is a phenomenon that occupies all the attention of the
inhabitants. The breeze from the east and north-east blows with
violence. As it always carries with it air of the same temperature, the
vapors cannot become visible by refrigeration. Toward the end of
February and the beginning of March, the blue of the sky is less
intense; the hygrometer gradually indicates greater humidity; the stars
are sometimes veiled by a thin stratum of vapors; their light ceases to
be tranquil and planetary; and they are seen to sparkle from time to
time at the height of 20° above the horizon. At this period the breeze
diminishes in strength, and becomes less regular, being more frequently
interrupted by dead calms. Clouds accumulate toward the south-east,
appearing like distant mountains with distinct outlines. From time to
time they are seen to separate from the horizon, and traverse the
celestial vault with a rapidity which has no correspondence with the
feebleness of the wind that prevails in the lower strata of the air. At
the end of March the southern region of the atmosphere is illuminated by
small electric explosions, like phosphorescent gleams, confined to a
single group of vapors. From this period the breeze shifts at intervals,
and for several hours, to the west and south-west, affording a sure
indication of the approach of the rainy season, which, on the Orinoco,
commences about the end of April. The sky begins to be overcast, its
azure color disappears, and a gray tint is uniformly diffused over it.
At the same time the heat of the atmosphere gradually increases, and,
instead of scattered clouds, the whole vault of the heavens is
overspread with condensed vapors. The howling monkeys begin to utter
their plaintive cries long before sunrise. The atmospheric electricity,
which, during the period of the greatest drought, from December to
March, had been almost constantly in the day-time from 1·7 to 2 lines to
Volta’s electrometer, becomes extremely variable after March. During
whole days it appears null, and again for some hours the pith-balls of
the electrometer diverge from three to four lines. The atmosphere, which
in the torrid as in the temperate zone is generally in a state of
positive electricity, passes alternately, in the course of eight or ten
minutes, to a negative state. The rainy season is that of
thunder-storms. The storm rises in the plains two hours after the sun
passes through the meridian, and therefore shortly after the period of
the maximum of the diurnal heat in the tropics. In the inland districts
it is exceedingly rare to hear thunder at night or in the
morning--nocturnal thunder-storms being peculiar to certain valleys of
rivers which have a particular climate.” The substance of the
explanation of the preceding phenomena, by the philosophic writer of the
statement, may be briefly given:

The season of rains and thunder in the northern equinoctial zone
coincides with the passage of the sun through the zenith of the place,
the cessation of the breezes or north-east winds, and the frequency of
calms and furious currents of the atmosphere from the south-east and
south-west, accompanied with a cloudy sky. While the breeze from the
north-east blows, it prevents the atmosphere from being saturated with
moisture. The hot and loaded air of the torrid zone rises, and flows off
again toward the poles, while inferior currents from these last,
bringing drier and colder strata, take the place of the ascending
columns. In this manner, the humidity--being prevented from
accumulating--passes off toward the temperate and colder regions, so
that the sky is always clear. When the sun, entering the northern signs,
rises toward the zenith, the breeze from the north-east softens, and at
length ceases; this being the season at which the difference of
temperature between the tropics and the contiguous zone is least. The
column of air resting on the equinoctial zone becomes replete with
vapors, because it is no longer renewed by the current from the pole:
clouds form in this atmosphere, saturated and cooled by the effects of
radiation and the dilatation of the ascending air, which increases its
capacity for heat in proportion as it is rarefied. Electricity
accumulates in the higher regions, in consequence of the formation of
the vesicular vapors, the precipitation of which is constant during the
day, but generally ceases at night. The showers are more violent and
accompanied with electrical explosions, shortly after the maximum of the
diurnal heat. These phenomena continue until the sun enters the southern
signs, when the polar current is reëstablished, because the difference
between the heat at the equinoctial and temperate regions is daily
increasing. The air of the tropics being thus renewed, the rains cease,
the vapors are dissolved, and the sky resumes its azure tint.

The Orinoco, when in flood, inundates a vast extent of country, six
hundred miles in length, and from sixty to ninety in width. Its waters
cover the savannas along its banks to the depth of twelve or fourteen
feet, giving to them a lake-like appearance, in the midst of which
farm-houses and villages are seen rising on islands but little elevated
above the surface. The wild cattle perish in great numbers, and fall an
easy prey to the carrion-vultures and alligators. In one part of the
river Humboldt found marks of recent inundation at 45 feet above the
ordinary level; but above the greatest height to which its waters are
now elevated, he traced its ancient action at 106 or even 138 feet. “Is
this river, then,” inquires he, “the Orinoco, which appears to us so
imposing and majestic, merely the feeble remnant of those immense
currents of fresh water which, swelled by Alpine snows or by more
abundant rains, every where shaded by dense forests, and destitute of
those beaches that favor evaporation, formerly traversed the regions to
the east of the Andes, like arms of inland seas? What must then have
been the state of those low countries of Guiana, which now experience
the effects of annual inundations! What a prodigious number of
crocodiles, lamartines, and boas must have inhabited these vast regions,
alternately converted into pools of stagnant water and arid plains! The
more peaceful world in which we live has succeeded to a tumultuous
world. Bones of mastadons and real American elephants are found
dispersed over the platforms of the Andes. The megatherium inhabited the
plains of Uruguay. By digging the earth more deeply in high valleys,
which at the present day are unable to nourish palms or tree-ferns, we
discover strata of coal, containing gigantic remains of monocotyledonous
plants. There was therefore a remote period when the tribes of
vegetables were differently distributed, when the animals were larger,
the rivers wider and deeper. There stop the monuments of nature which we
can consult.”

The bifurcation of flowing waters is sufficiently illustrative of the
physics of the earth to justify a few words:--Europe presents two
instances of bifurcation--one in Italy, between the Arno and the Chiana;
the other in Germany, between the Haase and the Else, in Westphalia.
Asia also possesses, on the peninsula lying beyond India, two grand
examples. What we know about them is principally founded upon the
information gathered by Dr. Buchanan Hamilton, during his stay in Ava,
the capital of the Birman empire. But it is to be observed, that the
communications of these Indian rivers, at least as regards those in the
country of the Jun-Shan, appear doubtful. British travelers have
succeeded in penetrating, from Maulmain, at the mouth of the river
Saluan, into the interior of the country of the Shan, which has been so
long shut up; but Lieutenant M’Leod, who reached the river of Kambodja,
says nothing to confirm the information Dr. Buchanan gives us. The most
important of all known divisions in the form of a fork, however, is the
bifurcation of the Orinoco, which communicates through the Cassiquiare
with the Rio Negro, and through this river with the Amazon. It has
already been remarked, that the observations of A. von Humboldt have put
this bifurcation beyond a doubt; but the subject deserves a recurrence
to it, as presenting to our attention a singular physical feature, and
illustrating the energy of the great traveler of modern times.

He and Bonpland left Carracas in the year 1800, crossed the valleys of
Aragua, and the Llanos of Calabozo--excellent pastures, which separate
the cultivated part of Venezula from the region of the forests and
missions--and embarked at San Fernando, on the Rio Apure, to follow its
course downward to its discharge into the principal branch of Orinoco.
They then ascended the Orinoco, passing its two great cataracts of
Apures and Maypures, and reached the village of San Fernando de Atabapo,
situated at the junction of the Guaviare and Atabapo, and near lat. 4°
N. Here they left the river, and sailed up the Atabapo to the mouth of
the Rio Temi, which latter they followed as far as its confluence with
the Tuamini, and arrived at the village of San Antonio de Javita,
formerly mentioned as remarkable for its amount of rain. From this point
the Indians carried their boat across the isthmus which separates the
Tuamini from the Rio Pimichin, the travelers following on foot, passing
through dense forests, often in danger from the number of snakes that
infested the marshes. Embarking on the Pimichin, they came in four hours
and a half into the Rio Negro. “The morning,” says Humboldt, “was cool
and beautiful. We had been confined thirty-six days in a narrow canoe,
so unsteady that it would have been upset by any one rising imprudently
from his seat, without warning the rowers to preserve its balance by
leaning to the opposite side. We had suffered severely from the stings
of insects, but had withstood the insalubrity of the climate; we had
passed without accident the numerous falls and bars that impede the
navigation of the rivers, and often render it more dangerous than long
voyages by sea. After all we had endured, I may be allowed to mention
the satisfaction which we felt in having reached the tributaries of the
Amazon.” The Rio Negro, which flows into that river, was navigated
downward as far as San Carlos, then supposed to lie under the equator,
but actually about 2° N. From thence the travelers retraced the river,
passed from it into the Cassiquiare, and again entered the main channel
of the Orinoco, three leagues below the mission of Esmeralda; thus
demonstrating a junction between the two great floods of the Amazon and
Orinoco, which had been, in the year 1798, declared by Bauche to be a
geographical monstrosity. The bifurcation of the Orinoco takes place in
the following manner:--The river, issuing from among the mountains,
reaches the opening of a valley or depression which terminates at the
Rio Negro. Here it divides into two branches, the smaller, or the
Cassiquiare, turning off to the south, while the main stream continues
its original direction--west-north-west. A reference to Humboldt’s map,
of which we give a translated copy, will render further explanation
unnecessary.

The preceding notices refer to what have been appropriately styled the
“might rivers,” and the “great rivers,” none of which are to be found in
Europe. Its noblest running waters belong to a third grade. “These,”
says Inglis, “I would designate the large rivers; for great and large
are not entirely synonymous; and, to most minds, the term great river
and large river, will present a distinct image. The lower we descend in
the scale, the more numerous do we find the species. The continent of
Europe abounds with examples of the third class--such as the Rhine, the
Danube, the Rhone, the Elbe, the Tagus, the Ebro, and the Guadalquivir.
The fourth class is still more numerous; and of this class, which I
would call considerable rivers, we may find examples at home. Father
Thames takes the lead; and the Severn, and perhaps the Trent, the Clyde,
the Tweed, the Tyne, and the Tay, may be entitled to the same
distinction. On the continent, it would be easy to name a hundred such;
let me content myself with naming the Loire, the Meuse, the Soane, the
Garonne, the Adige, and the Maine. Fifthly, come the small rivers.
Multitudinous they are; but as examples, I may name the Wye, the Dart,
the Derwent, the Dee, the Aire, the Spey, the Ex, and a thousand such;
while on the continent, of the same class, may be mentioned the Gare,
the Seine, the Reass, or the Sombre. The word river can no longer be
employed, for now come the family of streams--nameless, except to those
who live upon their banks: the rivulets follow; and, lastly, we close
the enumeration with rills.” The small rivers, with the streams
subordinate to them, are especially rife in countries where there is the
vicinage of the sea, and high elevations on the land. This renders them
so abundant in such districts as the Greek peninsula. There, Alpine
tracts of territory collect from the atmosphere the vapors of the
contiguous sea, arrest the castellated glories of cloudland, and awaken
in the valleys and plains the refreshing music “of the voice of many
waters.” The commerce of kingdoms distinguishes not the rivers of this
classic soil, but they are familiar with the charms of nature, add
effect to the sublime and wild in its scenery, and clothe with
heightened grace the soft and pastoral. Following the course of the
Angitas up to its source, we come to one of the most picturesque sites
in Macedonia, supposed to be the nymphæum or grotto of Onocaris. Blocks
of marble, rudely piled, as if tossed together by an earthquake,
obstruct its entrance, which can only be passed in a crawling posture;
but these difficulties being overcome, a cave like a temple appears,
from the farther end of which runs the limpid stream, flowing silently
over a sand bed, but rippling when it escapes from the grotto. In a
recess, there are some remains of ancient masonry below an aperture,
through which a mysterious light finds its way.

            “Pure element of waters! wheresoe’er
           Thou dost forsake thy subterranean haunts,
           Green herbs, bright flowers, and berry-bearing plants,
           Rise into life, and in thy train appear.”

Upon the large circular valley-plain of Bœotia, the heights of Parnassus
on the west, Helicon on the south, and Cithæron on the east, send down
streams, covering the undulating surface of this Classic Land with a
life-sustaining vegetation.

The same physical causes--high lands and the contiguous sea--operate, in
Judea as in Greece, to render it a well-watered country--a “land of
brooks,” according to its Scripture designation. There are no
considerable rivers, owing to the scanty extent of its hydrographical
basins; but the melting of the snow on the high mountains of Syria, and
the periodical sound of an “abundance of rain,” contribute to furnish an
ample irrigation. Its principal stream--the Jordan--though only one of
the fifth class, and not remarkable for picturesque beauty except in the
upper part of its course, has a sacred and historic interest, which will
always strongly attract attention to it, while it exhibits a singular
physical peculiarity. This is the depression of the valley, in which it
flows, below the level of the Mediterranean, through the whole distance
between the Sea of Tiberias and the Dead Sea; and the great inclination
of its descent from the one to the other, amounting at a mean to very
nearly eighteen feet per mile. Hence the force of its current,
notwithstanding a comparatively small volume of water, and the few
windings that mark its channel. Speaking of its appearance near the site
of Jericho, Dr. Robinson states: “There was a still though very rapid
current. We estimated the breadth of the stream to be from eighty to one
hundred feet. The guides supposed it now to be ten or twelve feet deep.
The current was so strong, that even Komeh, a stout swimmer of the Nile,
was carried down several yards in crossing.” Upon the authority of some
phrases in the English version of the Scriptures, which, perhaps, do not
express the sense of the original Hebrew, it has been generally supposed
that the Jordan periodically inundated the country in its neighborhood,
at, and for some time after, the Israelitish conquest of it. If this
were so, either the river must have worn for itself a deeper bed, or the
quantity of rain in Palestine must have largely diminished, for there is
now no overflow of its banks. At present, the “swellings of Jordan”--one
of the phrases alluded to--amount only to a slight annual rise. Copious
rains descend upon the mountains round its sources, and the melting of
the snows of Lebanon supply numerous temporary torrents; but these
contributions are received into the capacious basins of the lakes Merom
and Tiberias, and are there spread over an extensive surface, so as to
prevent the level of the river from rising into inundation.

[Illustration: =Natural Bridge of Ain el Leban.=]

In exactly the same manner, the great Canadian lakes, prevent any rise
to the St. Lawrence, by the immense floods that rush into them in the
spring spreading over their vast beds, and producing only an almost
inappreciable elevation of their level. Lebanon, the feeder of the
Jordan from its internal reservoirs, along with “Abana and Pharpar,
rivers of Damascus,” and the Orontes, gives birth to many rapid and
brawling streams, and a thousand cascades, when its snows melt, which
strikingly display the erosive power of running water. Deep passages
have been cut in the rocks, bestrided by natural arches, like the
rock-bridge of Virginia. Of this description is the natural bridge over
the Ain el Leban, rising nearly two hundred feet above the torrent which
has gradually dug the excavation, as annually the spring has renewed its
strength. The brook flows into the Beyrout river, and its channel would
be quite dry in summer, were it not for the impediments its mountain
course presents. It was the spring season, the time of the melting of
the snow, when the monarch of Israel, during his temporary exile from
the throne, retreated for a refuge toward the fastnesses of Lebanon. He
saw the torrents falling from height to height into the valleys. He
heard the voices of the waters as they leaped from rock to rock. His
imagination converted this external scenery into a picture of the force
of his adversities; and hence the allusion, in the plaintive elegiac,
commemorative of his condition, to the “noise of cataracts,” and to
“deep calling unto deep.”

In advancing toward their termination, and at their embouchure, the
great rivers present several striking peculiarities. It has already been
remarked, that a junction of two large streams often occurs without any
expansion of the surface of their waters being the consequence, but a
greater velocity of current and depth of channel. In some cases, instead
of a wider course being created by increased volume of water, there is
actually a narrower bed. Thus the Mississippi is a mile and a half wide,
and the Missouri half a mile wide, at their confluence, yet from that
point to the mouth of the Ohio, the medium width of the united rivers is
but three-quarters of a mile, and through the lower parts of its course
the main stream has, if any thing, a less surface-breadth, though vast
accessions are made to it by the Arkansas, Red River, and others of
great depth and body of water. Most of the tributaries of the
Mississippi also, are wider a thousand miles apart from it than at the
point of junction, and the same feature is characteristic of other great
streams, that as they increase their volume of water and approach their
termination, they flow in narrower though deeper channels. The Nile is
not so broad at Cairo as at Siout, nor so broad at Siout as at Thebes.
At Assouan, high up the stream, it is 3900 feet wide; at Oudi, 36 miles
above Cairo, it is 2900; and at Rosetta, near its mouth, but 1800. This
is one of the many examples of benign adjustment with which the realms
of nature teem; for hereby a rich legacy of fertile soil, usually found
at the mouths of rivers, is saved from submergence, and becomes the
inheritance of man. In their junction with the sea, rivers display the
diversity of sometimes pouring forth their waters through a single
mouth, and distributing them into a variety of channels; circumstances
mainly dependent upon the country through which they flow being easily
susceptible of excavation or not, and upon the power of the stream. The
Ganges pours its flood through the many channels here represented.

[Illustration]

The Volga is celebrated for its seventy mouths; and the Ganges, the
Nile, Mississippi, and Orinoco pour out their current through several
branches. The space inclosed within these various channels is called a
delta, from its triangular form, and general resemblance to the shape of
the Greek letter Δ. So powerfully do many of the great rivers rush into
the ocean, that their waters are distinct from those of the briny deep,
when out of sight of the land. A British fleet lying opposite to the
mouth of the Rhone occasionally took up fresh water at a considerable
distance from the shore; and Columbus found his vessel in the fresh
water of the Orinoco before he discovered the continent of South
America. The collision of a great river current and the opposing tide of
the sea is sometimes so violent as to occasion an elevated ridge of
waters, heaving and tossing in a tremendous manner, shattering to pieces
the ill-fated vessel that comes into contact with it. The passage of the
Garonne into the Bay of Biscay, and of the Ganges into the Bay of
Bengal, exhibit this phenomenon.

In treating of the magnitude of rivers, some writers refer to the
elevation of the range of mountains from which they descend; and it is
obviously true, that the greater the height of the mountains, the more
extensive are their snows and glaciers, and the larger the supply of
water furnished by springs and torrents. But the magnitude of a stream
is more especially regulated by the extent of country which forms the
declivities of its basin, though there is no invariable proportion here,
for a small basin in a humid region will yield a greater quantity of
water than one much more considerable in a different situation. High
mountains, a humid climate, and a wide superficial drainage, are the
three physical circumstances which lead to the accumulation of vast
bodies of water, the magnitude of which will be proportionate to the
degree in which these causes are in combined operation. Upon the surface
of the New World, we have these causes acting with greater intensity
than upon that of the Old, which explains the superior character of the
streams of the western continent. The following exhibits the extent of
the hydrographical regions of the principal rivers of the globe, with
the proportionate quantity of their waters:

    ─────────────────┬───────────────┬───────────────┬───────────────
    = Rivers.=       │   = Area of   │ =Proportional │ =Proportional
                     │   Basin in    │size of Basin.=│  Quantity of
                     │English Miles.=│               │     Water
                     │               │               │  discharged
                     │               │               │  Annually.=
    ─────────────────┴───────────────┴───────────────┴───────────────
    =Europe=:
    ─────────────────┬───────────────┬───────────────┬───────────────
    Thames           │     5,500     │       1       │       1
    ─────────────────┼───────────────┼───────────────┼───────────────
    Rhine            │    70,000     │      12½      │      13
    ─────────────────┼───────────────┼───────────────┼───────────────
    Loire            │    48,000     │      8½       │      10
    ─────────────────┼───────────────┼───────────────┼───────────────
    Po               │    27,000     │       5       │       6
    ─────────────────┼───────────────┼───────────────┼───────────────
    Elbe             │    50,000     │       9       │       8
    ─────────────────┼───────────────┼───────────────┼───────────────
    Vistula          │    76,000     │      13½      │      12
    ─────────────────┼───────────────┼───────────────┼───────────────
    Danube           │    310,000    │      56       │      65
    ─────────────────┼───────────────┼───────────────┼───────────────
    Dnieper          │    200,000    │      36       │      36
    ─────────────────┼───────────────┼───────────────┼───────────────
    Don              │    205,000    │      37       │      38
    ─────────────────┼───────────────┼───────────────┼───────────────
    Volga            │    520,000    │      94       │      80
    ─────────────────┴───────────────┴───────────────┴───────────────
    =Asia=:
    ─────────────────┬───────────────┬───────────────┬───────────────
    Euphrates        │    230,000    │      42       │      60
    ─────────────────┼───────────────┼───────────────┼───────────────
    Indus            │    400,000    │      72½      │      133
    ─────────────────┼───────────────┼───────────────┼───────────────
    Ganges           │    420,000    │      76       │      148
    ─────────────────┼───────────────┼───────────────┼───────────────
    Yang-tse-kiang   │    760,000    │      138      │      258
    ─────────────────┼───────────────┼───────────────┼───────────────
    Amour            │    900,000    │      164      │      166
    ─────────────────┼───────────────┼───────────────┼───────────────
    Lena             │    960,000    │      174      │      125
    ─────────────────┼───────────────┼───────────────┼───────────────
    Obi              │   1,300,000   │      236      │      179
    ─────────────────┴───────────────┴───────────────┴───────────────
    =Africa=:
    ─────────────────┬───────────────┬───────────────┬───────────────
    Nile             │    500,000    │      90       │      250
    ─────────────────┴───────────────┴───────────────┴───────────────
    =America=:
    ─────────────────┬───────────────┬───────────────┬───────────────
    St. Lawrence     │    600,000    │      109      │      112
    ─────────────────┼───────────────┼───────────────┼───────────────
    Mississippi      │   1,368,000   │      249      │      338
    ─────────────────┼───────────────┼───────────────┼───────────────
    Rio de la Plata  │   1,240,000   │      225      │      490
    ─────────────────┼───────────────┼───────────────┼───────────────
    Amazon, not      │   2,177,000   │      395      │     1280
    including Araguay│               │               │
    ─────────────────┴───────────────┴───────────────┴───────────────

Malte Brun estimates that, representing all the waters discharged by the
European rivers by unity, the Black Sea receives 0·273; the Caspian,
0·165; the Mediterranean, Sea of Marmora, and Archipelago, 0·144; the
Atlantic Ocean, 0·131; the Baltic, 0·129; the North Sea, 0·110; the
Arctic Frozen Ocean, 0·048. The annexed table has a character of
universal interest, and naturally finds a place here.

  ─────────────────┬────────────┬─────────────────┬──────────────┬─────
  =RIVERS.=        │=LOCALITY.= │=RISE.=          │=DISCHARGE.=  │=L’GTH=
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Amazon.          │Brazil.     │Andes.           │Atlantic.     │ 3200
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Amour.           │Mongolia.   │Khan Ola         │Sea of Okotsk.│ 2240
                   │            │Mountains.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Brahmapootra.    │Thibet.     │Himalaya         │Bay of Bengal.│ 1500
                   │            │Mountains.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Bravo del Norte. │Mexico.     │Sierra Verde.    │Gulf of       │ 1250
                   │            │                 │Mexico.       │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Colorado.        │North       │Unknown.         │Gulf of       │  700
                   │America.    │                 │California.   │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Columbia.        │North       │Rocky Mountains. │Pacific Ocean.│ 1090
                   │America.    │                 │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Congo.           │Africa.     │Lake Aquilunda.  │Atlantic      │ 1400
                   │            │                 │Ocean.        │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Danube.          │Germany.    │Black Forest.    │Black Sea.    │ 1630
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Dnieper.         │Russia.     │Heights of       │Black Sea.    │ 1050
                   │            │Smolensk.        │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Dniester.        │Russia.     │Carpathian       │Black Sea.    │  480
                   │            │Mountains.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Don.             │Russia.     │Lake Ivanhof.    │Sea of Azof.  │  860
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Douro.           │Spain and   │Mountains of     │Atlantic      │  455
                   │Portugal.   │Sovia.           │Ocean.        │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Dwina.           │Russia.     │Heights of       │White Sea.    │  490
                   │            │Vologda.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Ebro.            │Spain.      │Mountains of     │Mediterranean.│  410
                   │            │Asturias.        │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  El Asi, the      │Syria.      │East side of     │Mediterranean │  225
  ancient Orontes. │            │Anti Libanus.    │Sea.          │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Elbe.            │Germany.    │Elb-brunnen, in  │German Ocean. │  770
                   │            │Bohemia.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Euphrates.       │Asiatic     │Mountains of     │Persian Gulf. │ 1360
                   │Turkey.     │Armenia.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Forth.           │Scotland.   │East side of Ben │German Ocean. │  110
                   │            │Lomond.          │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Gambia.          │Senegambia. │Plateau of Fouta │Atlantic      │  700
                   │            │Toro.            │Ocean.        │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Ganges.          │Hindustan.  │Bed of snow      │Bay of Bengal.│ 1350
                   │            │above            │              │
                   │            │Gangoutri, in    │              │
                   │            │the Himalaya.    │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Garonne.         │France.     │Valley of Aran,  │Bay of Biscay.│  400
                   │            │in Spain.        │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Glomman.         │Norway.     │Mountains        │Baltic Sea.   │  400
                   │            │south-east of    │              │
                   │            │Trondheim.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Godavery.        │Hindustan.  │Western Ghauts.  │Bay of Bengal.│  850
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Guadalquivir.    │Spain.      │Mountains on the │Gulf of Cadiz.│  280
                   │            │frontiers of     │              │
                   │            │Murcia and       │              │
                   │            │Granada.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Guadiana.        │Spain.      │Pools of Ruideva │Gulf of Cadiz.│  460
                   │            │in La Mancha.    │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Hoang-Ho.        │China.      │Koulkoun         │Yellow Sea.   │ 3000
                   │            │Mountains.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Hudson.          │United      │Marsh near Lake  │Bay of New    │  325
                   │States.     │Champlain.       │York.         │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Humber (Trent    │England.    │Moorlands of     │German Ocean. │  230
  Branch.)         │            │Staffordshire.   │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Indus.           │Hindustan.  │Little Thibet,   │Arabian Sea.  │ 1700
                   │            │north of the     │              │
                   │            │Himalaya         │              │
                   │            │Mountains.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Irawady.         │Birman      │Mountains east   │Bay of Bengal.│ 1200
                   │Empire.     │of Assam.        │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Jaxartes, or     │Turkestan.  │Country of the   │Sea of Aral.  │ 1200
  Sihoun.          │            │Highland         │              │
                   │            │Kirghiz.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  James River.     │United      │Alleghany        │Chesapeake    │  500
                   │States.     │Mountains.       │Bay.          │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Jordan.          │Palestine.  │Mount Hermon.    │Dead Sea.     │  100
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Jumnah.          │Hindustan.  │Himalaya         │Ganges.       │ 1600
                   │            │Mountains.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Kizil-Irmak, the │Asia Minor. │Frontiers of     │Black Sea.    │  570
  ancient Halys.   │            │Sisas.           │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Krishna, or      │Hindustan.  │Western Ghauts.  │Bay of Bengal.│  650
  Kistna.          │            │                 │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Kodos, or        │Asia Minor. │Murad-tagh.      │Gulf of       │  190
  Sarahat, the     │            │                 │Smyrna.       │
  ancient Hermus.  │            │                 │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Kouban.          │Russian     │Valley near      │Black Sea.    │  480
                   │Asia.       │Mount Elburz.    │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Lawrence, St.    │Canada.     │River St. Louis, │Atlantic      │ 1960
                   │            │east of Lake     │Ocean.        │
                   │            │Superior.        │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Lena.            │Siberia.    │Heights of       │Arctic Ocean. │ 2500
                   │            │Irkutsk.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Loire.           │France.     │Mount Gerbier,   │Bay of Biscay.│  620
                   │            │in the  Cevennes.│              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Mackenzie.       │North       │River Athabasca, │Arctic Ocean. │ 1600
                   │America.    │in the Rocky     │              │
                   │            │Mountains.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Mæander.         │Asia Minor. │West side of     │Archipelago.  │  180
                   │            │Central Plateau. │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Magdalena.       │South       │Andes.           │Caribbean Sea.│  840
                   │America.    │                 │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  May-kuang.       │Birman      │Thibet.          │Chinese Sea.  │ 1700
                   │Empire.     │                 │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Meinam.          │Birman      │Yunnaw.          │Gulf of Siam. │  850
                   │Empire.     │                 │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Meuse, or Maas.  │Holland.    │Limburg.         │German Ocean. │  520
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Mississippi.     │North       │Lake Itaska.     │Gulf of       │ 3200
                   │America.    │                 │Mexico.       │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Missouri.        │North       │Rocky Mountains. │Gulf of       │ 4500
                   │America.    │                 │Mexico.       │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Murray.          │Australasia.│Australian Alps. │Encounter Bay.│ 3000
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Niger.           │Soudan.     │Base of Mount    │Gulf of       │ 2300
                   │            │Loma.            │Guinea.       │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Nile.            │Egypt and   │Blue Nile, in    │Mediterranean │ 2750
                   │Nubia.      │the Plateau of   │Sea.          │
                   │            │Abyssinia;       │              │
                   │            │source of the    │              │
                   │            │White Nile       │              │
                   │            │unknown.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Obi.             │Siberia.    │Altaian          │Arctic Ocean. │ 2800
                   │            │Mountains.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Oder.            │Germany.    │Mountains of     │Baltic Sea.   │  460
                   │            │Moravia.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Orange, or       │South       │Mountains N. W.  │Atlantic      │ 1050
  Gareep.          │Africa.     │of Port Natal.   │Ocean.        │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Orinoco.         │South       │Mountains of     │Atlantic      │ 1150
                   │America.    │Spanish Guiana.  │Ocean.        │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Oxus, or Jihoun. │Turkestan.  │Siri-kol, a lake │Sea of Aral.  │ 1300
                   │            │in Khunduz.      │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Plata, Paraguay  │South       │South-west of    │Atlantic      │ 2130
  branch.          │America.    │Brazil.          │Ocean.        │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Po.              │Italy.      │Crottian Alps.   │Adriatic Sea. │  500
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Potomac.         │United      │Great Back-bone  │Chesapeake    │  400
                   │States.     │Mountain.        │Bay.          │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Rhine.           │Germany.    │Rhetian Alps.    │German Ocean. │  830
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Rhone.           │France.     │Glacier of Mount │Mediterranean │  540
                   │            │Furca.           │Sea.          │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Seine.           │France.     │Plateau of       │British       │  480
                   │            │Langres.         │Channel.      │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Senegal.         │Africa.     │Heights near     │Atlantic      │  950
                   │            │Teembo.          │Ocean.        │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Severn.          │England.    │East side of     │Bristol       │  210
                   │            │Plinlimmon.      │Channel.      │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Shannon.         │Ireland.    │Loch Allen.      │Atlantic.     │  220
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Susquehanna.     │United      │Lake to the      │Chesapeake    │  500
                   │States.     │South  of        │Bay.          │
                   │            │Ontario.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Tagus.           │Spain and   │Mountains of New │Atlantic      │  520
                   │Portugal.   │Castile.         │Ocean.        │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Terek.           │Russian     │Foot of Mount    │Caspian Sea.  │  300
                   │Asia.       │Kasibec.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Thames.          │England.    │Cotswold Hills.  │German Ocean. │  240
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Tiber.           │Italy.      │East border of   │Mediterranean │  210
                   │            │Tuscany.         │Sea.          │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Tigris.          │Turkey in   │Mountains of     │Persian Gulf. │  920
                   │Asia.       │Armenia.         │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Vistula.         │Poland.     │Austrian Silesia.│Baltic Sea.   │  650
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Volga.           │Russia.     │Lake in the      │Caspian Sea.  │ 1900
                   │            │forest of        │              │
                   │            │Volhonsky.       │              │
  ─────────────────┼────────────┼─────────────────┼──────────────┼─────
  Yang-tse-Kiang.  │China.      │Thibet.          │Chinese Sea.  │ 2700
  ─────────────────┴────────────┴─────────────────┴──────────────┴─────

The first place among the rivers of the globe is due to the Amazon, if
not for the length of its course, yet for the volume of its waters. It
traverses the equatorial regions of South America, chiefly in a
direction from west to east, and has its embouchure nearly under the
equator. Its mouth was discovered in the year 1500 by Pinzon, one of the
captains who sailed with Columbus on his first voyage; and thirty nine
years afterward, the stream was traced downward from Peru by Francisco
Orellana, whose name was given to the river by his countrymen, to
preserve the memory of his bold enterprise. But the Spaniard’s report of
having met with armed women on its banks, deprived him of the honor, for
it originated the common title of the river of the Amazon. Its principal
affluents rival the largest rivers of the Eastern continent, as appears
from the following statement of their supposed lengths--

                                      Miles.
                         Ucayali        1350
                         Yutai           750
                         Jaura           750
                         Madeira        1800
                         Topayos        1000
                         Xingu          1080
                         Napo            800
                         Rio Negro      1400

The width of the Amazon averages from one to two miles in the upper
parts of its course, but toward its termination its opposite banks are
seen with difficulty, and it widens to between twenty and thirty miles,
which is about its breadth upon joining the Atlantic. For two thousand
miles in a direct line from the ocean, the river is navigable by vessels
of any burden; for, at the confluence of the Tunguragua and Ucayali,
where the Amazon--properly so called--commences, no bottom was found in
March, 1836, with a line of 35 fathoms, or 210 feet. The tide rushes up
its channel with immense violence at the period of the full moon, in
two, three and sometimes four successive waves, each presenting a
perpendicular front of from ten to fifteen feet. When the tide ebbs in
the rainy season, the liberated waters of the river rush out of their
channel with tremendous force, and create a current in the ocean, which
is perceptible five hundred miles from its mouth. It is difficult to
sound the river, owing to the rapidity of its current, which runs
commonly at the rate of from three to four miles an hour--a momentum not
arising from the inclination of its bed, the fall of which is very
gradual, but from the immense quantity of water which descends in it.
The climate of its basin is, perhaps, the most humid to which any
country is subject. The quantity of rain which annually descends upon
this region, has not been ascertained with precision; but taking that at
the town of Maranhão as a sample, which is not less than two hundred
inches, the amount of rain poured upon the district of the Amazon every
year must be prodigious. The heat also is excessive through the whole
year, the thermometer in the shade frequently rising to 106° when the
sun is near the line, a degree of heat not much inferior to that
experienced in the Sahara; and as moisture and heat are the most
efficient agents in promoting vegetation, hence the luxuriance and
energy of vegetable life in the fertile soil on the banks of the river,
where the noblest woodland scenery in the world is to be found.
Notwithstanding the rapid current of the Amazon, its navigation is easy
to vessels both descending and ascending its course, the ascent being
facilitated by the far-penetrating tide of the Atlantic, assisted by the
wind, which is always blowing from the east, a direction contrary to
that of the stream. But the effect of the presence and absence of
civilization is nowhere more strikingly exhibited than on the waters of
the South American river, and those of its rivals, the Mississippi, and
the Yang-tse-Kiang of the Chinese empire. The vessels that annually
appear upon the surface of the Amazon are, probably, not more than those
which monthly navigate the Mississippi, or daily pass along the course
of the Yang-tse-Kiang.

At the head of rivers, classed according to their length, the
Mississippi is to be placed, taking the Missouri branch, which ought to
be the name of the united stream, not only on account of its longer
course, but because it brings down a greater body of water, and imparts
its turbid character to its rival. Geographers have, however, given the
former name to the joint rivers, the “Father of Waters,” according to
its Indian signification, which may be aptly applied to the great
central valley of North America, furnishing the following streams, which
unite in the channel of the Lower Mississippi, and pour down through it
into the Gulf of Mexico--

                                           Miles.
                    St. Peter’s               500
                    Penaca, or Turkey         200
                    Iowa                      350
                    Chacaguar                 200
                    Des-moines                600
                    St. Croix                 300
                    Chippewa                  300
                    Wisconsin                 600
                    Rock River                450
                    Illinois                  500
                    Salt                      250
                    Missouri                 3300
                      Yellow-stone           1000
                      Little Missouri         300
                      Shienne                 300
                      Quicourt                500
                      Platte                 1200
                      Kansas                  800
                      Osage                   500
                      Gasconade               300
                      Jacques                 600
                      Sioux                   500
                      Grand                   500
                      Chariton                200
                    Kaskaskia                 300
                    Maramec                   200
                    St. Francis               450
                    White                     600
                    Arkansas                 2500
                      Canadian               1000
                      Neosho                  800
                    Red River                2000
                      Washita                 800
                    Ohio                     1250
                      Alleghany               350
                      Monongahela             300
                      Kanawha                 450
                      Kentucky                360
                      Green                   300
                      Cumberland              600
                      Tennessee              1500
                      Muskingum               200
                      Scioto                  200
                      Wabash                  550
                      White River             200
                    Hatchy                    200
                    Yazoo                     300
                    Big Black                 200

The most beautiful tributary of the Mississippi is the Ohio, the _Belle
rivière_ of the early French settlers, the only large river it receives
from the east. No stream rolls for the same distance so uniformly and
peacefully; its banks are adorned with the largest sycamores, its waters
clear, and studded with islands covered with the finest trees. All the
other great tributaries flow from the west: its confluence with the
Missouri, which enters it like a conqueror, and carries its white waves
to the opposite shore, presenting one of the most extraordinary views in
the world. The country around these vast watercourses is of the most
varied description, alternately exhibiting wild rice-lakes and swamps,
lime-stone bluffs and craggy hills, deep pine forests and beautiful
prairies, the prairies showing an almost perfect level, in summer
covered with a luxuriant growth of grass and flowers, without a tree or
a bush, the only tenants of which are elks and buffaloes, bears and
deer, and the savages that pursue them. The bluffs of the Mississippi
are for the most part perpendicular masses of limestone, often shooting
up into towers and pinnacles, presenting at a distance the aspect of the
battlements and turrets of an ancient city. In the season of inundation,
below the mouth of the Ohio, the river presents a very striking
spectacle. It sweeps along in curves or sections of circles, from six to
twelve miles in extent, measured from point to point, and not far from
the medial width of a mile. On a calm spring morning, and under a bright
sun, this sheet of water shines like a mass of burnished silver, its
edges being distinctly marked by a magnificent outline of cotton-wood
trees, at this time of the year of the brightest verdure, among which
those brilliant birds of the country, the black and red bird, and the
blue jay, flit to and fro, or wheel their flight over them, forming a
scene which has all of grandeur or beauty that nature can furnish, to
soothe or enrapture the beholder. The curvilinear course of the
Mississippi is one of its most striking peculiarities. It meanders in
uniform bends, which, in many instances, are described with a precision
equal to that obtained by the point of a compass. The river sweeps round
the half of a circle, and is then precipitated in a diagonal direction
across its own channel, to another curve of the same regularity upon the
opposite shore. Instead of calculating distances by miles or leagues,
the boatmen and Indians estimate their progress by the number of bends
which they have passed. This conformation, which distinguishes most of
the streams of the Mississippi valley, must have transpired under the
operation of some law; but hitherto no solution of the problem has been
given which is quite satisfactory. Geological appearances indicate that
this stream, like the Orinoco, had in former ages a much broader volume,
though a shorter course; that, in fact, it once found its estuary not
far below the present mouth of the Ohio; the alluvial country now
stretching from thence to the south, near a thousand miles, being then
an arm of the sea. “No thinking mind,” says Flint, “can contemplate this
mighty and resistless wave, sweeping its proud course from point to
point, curving round its bends through the dark forests, without a
feeling of sublimity. The hundred shores, laved by its waters; the long
course of its tributaries, some of which are already the abodes of
cultivation, and others pursuing an immense course without a solitary
dwelling of civilized man on their banks; the numerous tribes of savages
that now roam on its borders; the affecting and imperishable traces of
generations that are gone, leaving no other memorial of their existence,
or materials for their history than their tombs, that rise at frequent
intervals along its banks; the dim, but glorious anticipations of the
future--these are subjects of contemplation that cannot but associate
themselves with a view of this river.”

Though far inferior to these streams of the western world in point of
length and volume, the Nile of the ancient continent may be placed at
the head of remarkable rivers. One of its chief peculiarities is the
solitary grandeur of its flow; for not a single affluent enters it from
the junction of the Tacazze to the sea, a distance of 1500 miles--a
circumstance without a parallel in the physical condition of rivers.
Another of its striking features is its long course through a desert,
dry, barren, and hideous, depositing by its annual inundation the
richest soil on those portions of it which lie contiguous to its banks;
and hence has originated the apt comparison of its career to the path of
a good man amidst an evil generation. Egypt would be completely sterile
were it not for the periodical overflow of its only stream, which both
covers a large part of its surface with a layer of alluvion, and imparts
to it the requisite moisture.

          “Rich king of floods! o’erflows the swelling Nile--
                                       ----glad to quit
           The joyless desert, down the Nubian rocks
           From thund’ring steep to steep he pours his urn,
           And Egypt joys beneath the spreading wave.”

It requires the river to attain a medium rise in order to benefit the
country: too little, involving scarcity and famine; too much,
compromising the safety of the people and their dwellings. Wilkinson
calls a rise of 19 cubits, tolerable; 20, good; 21, sufficient; while a
rise of 22 cubits is abundant enough to fill every canal, and a rise of
24 cubits would overwhelm and ruin the villages. A cubit is rather more
than 21 inches; so that, in order fully to meet the wants of the
country, a perpendicular rise of 38 feet is necessary. The Nile is also
distinguished among rivers for the pleasant taste and salubrity of its
waters when not in flood; properties highly extolled by the ancients,
and acknowledged to belong to it by modern travelers. It is a common
saying with the Egyptians, that if Mahomet had tasted of its stream, he
would have sought a terrestrial immortality in order to enjoy it
forever. The physical circumstances of the river easily account for the
possession of this attribute. The air above is pure and serene. But
little rain falls upon the country through which the greater part of its
course is prosecuted, and no snow or hail. Hence there is little
drainage into it from the surrounding land, and its waters are kept free
from any noxious taint derived from earths and minerals, except from
those in its immediate channel. The same property of being remarkably
pure and salutary is ascribed by Herodotus to one of the Susianic
rivers, of which alone, according to tradition, none but the kings of
Persia drank.

          “There Susa, by Choaspes’ amber stream,
           The drink of none but kings.”

The Susianic streams, along with the Nile, may not improperly be styled
the oldest rivers of the globe, because of their place in its most
ancient traditions and histories; and however subordinate to the
gigantic currents of the western hemisphere, those of the eastern, in
general, present higher points of interest, in their long-known
identification with the destinies of mankind. If not the actual
birthplace of man, the great plains on the banks of the Tigris and the
Euphrates were the abode of the founders of the diluvian race. There,
the two greatest cities of the ancient world--Nineveh and Babylon--rose
into magnificence. There, a supernatural finger traced the doom of the
latter upon the palace wall of its trembling monarch, while an exiled
Jew, in the majesty of inspiration, gave him the interpretation of the
mystic writing. There, too, the splendid empire of the Medes and
Persians fell a prey to the Macedonian on the field of Arbela, while, in
later ages, the same neighborhood witnessed the catastrophe of Cunaxa,
and the bold bearing of the indomitable ten thousand--the defeat and
death of Crassus--the retreat of Mark Antony--the fall of the apostate
Julian--and the short-lived glory of Bagdad. How different the
associations connected with the Arkansas and the Osage to those of the
Euphrates and Tigris!

                 *        *        *        *        *



                        =WERE I BUT WITH THEE.=


                         =BY CAROLINE F. ORNE.=


                     Hours of lonely musing
                       Sometimes thou must have,
                     When, of toil a-weary,
                       Rest thy soul doth crave.
                     Then, if I were near thee,
                       Care would be forgot,
                     And obtrusive sorrows
                       Be as they were not.
                     Thoughts and themes of beauty,
                       Rising wild and free,
                     Would our converse gladden
                       Were I but with thee!
                     Thou wouldst bear my spirit
                       To thy shadow-land,
                     Where bright shapes of beauty
                       Spring, a glorious band.
                     Their harmonious motions,
                       As the wild waves free,
                     Would enchain our spirits
                       Were I but with thee!
                     I would bear thee onward
                       To my realms of life,
                     Where with joy transcendent
                       All the scenes are rife,
                     In that glorious dream-land,
                       On that magic sea,
                     It were nearer heaven
                       Were I but with thee!

                 *        *        *        *        *



                            =SONNET.--IRON.=


                          =BY WM. ALEXANDER.=


        Thy worth, O Iron! can be never told!
          Thou art the richest treasure of the mine!
          By thee great nations polished are and shine,
        And using thee contemn, may glittering gold--
        Hail! ever useful one! Art were now dead
          If wanting thee. Thou in our life-blood flowest;
          Where run streams, fountains, there thou likewise goest;
        War claims thee, for thy presence makes him red;
        The mariner his needle forms of thee,
          To guide him pilot-like across the main;
          From thee old oaks solidity, too, gain;
        In cinders, clay thou art found continually--
        Earth’s mineral strata yield to thee the palm;
        Thou canst make war--and mak’st the nations calm.

                 *        *        *        *        *



                      =NINEVEH, AND ASSYRIAN ART.=


                        =[WITH ILLUSTRATIONS.]=


Among the recent developments of the remains of ancient art, by far the
most important and interesting are those of Mr. Layard at the site of
Nineveh, a full account of which is given in the volumes recently
published by George P. Putnam, of New York, entitled “Nineveh and its
Remains; with an account of a visit to the Chaldean Christians of
Kurdiston, and the Yezidis, or Devil-Worshipers; and an inquiry into the
Manners and Arts of the Ancient Assyrians.”

Mr. Layard’s work contains an account of the labors carried on by him at
Nimroud, from November 1845 until April 1847; and also of the less
extensive excavations which he caused to be made at Kalah Sherghat and
Kouyunjik. The narrative has all the liveliness and glow of a romance;
the incidents are highly characteristic of oriental life; and many of
them are of tragic and thrilling interest. His account of the
difficulties which he had to overcome with the Arabs, Turks and
Chaldeans, in securing their aid toward the accomplishment of his grand
design, is very curious, and evinces a wonderful amount of coolness,
ability and tact. Not less remarkable are the energy and perseverence
which he exerted in conducting his noble enterprise to a successful
termination.

Toward the close of his book, Mr. Layard gives a summary of the result
of his investigations and of their bearing on the history of the
Assyrians. They add an immense amount of information, to that which was
already in possession of the learned world, respecting the progress of
art and civilization among this ancient people and dissipate many
errors. The discovery of the _arch_, of glass, and of the pulley, among
the mines, evince the high antiquity of these inventions, which have
been supposed to be of comparatively modern origin; and the very
remarkable fact that the most ancient among the Assyrian works of art
are by far the best executed, lead to the conviction that there is an
unwritten ancient history of far greater extent and interest than that
which has been preserved. All that portion of history which relates to
the origin and rise of Assyrian art of course remains unknown. This is
probably the case, too, with reference to Babylon and the other ancient
empires of Asia.

We proceed to give some extracts from Mr. Layard’s work, which, by the
courtesy of the publisher, we are permitted to illustrate with
engravings. We commence where he records some of his earliest operations
at the great mound of Nimroud:

“No sculptures had hitherto been discovered in a perfect state of
preservation, and only one or two could bear removal. I determined,
therefore, to abandon this corner, and to resume excavations near the
chamber first opened, where the slabs had in no way been injured. The
workmen were directed to dig behind the small lions, which appeared to
form an entrance, and to be connected with other walls. After removing
much earth, a few unsculptured slabs were discovered, fallen from their
places, and broken in many pieces. The sides of the room of which they
had originally formed a part could not be traced.

“As these ruins occurred on the edge of the mound, it was probable that
they had been more exposed than the rest, and consequently had sustained
more injury than other parts of the building. As there was a ravine
running far into the mound, apparently formed by the winter rains, I
determined to open a trench in the centre of it. In two days the workmen
reached the top of a slab, which appeared to be both well preserved, and
to be still standing in its original position. On the south side I
discovered, to my great satisfaction, two human figures, considerably
above the natural size, sculptured in low relief, and still exhibiting
all the freshness of a recent work. This was No. 30 of chamber B in the
third plan. In a few hours the earth and rubbish had been completely
removed from the face of the slab, no part of which had been injured.
The ornaments delicately graven on the robes, the tassels and fringes,
the bracelets and armlets, the elaborate curls of the hair and beard,
were all entire. The figures were back to back, and furnished with
wings. They appeared to represent divinities, presiding over the
seasons, or over particular religious ceremonies. The one, whose face
was turned to the East, carried a fallow deer on his right arm, and in
his left hand a branch bearing five flowers. Around his temples was a
fillet, adorned in front with a rosette. The other held a square vessel,
or basket, in the left hand, and an object resembling a fir cone in the
right. On his head he wore a rounded cap, at the base of which was a
horn. The garments of both, consisting of a stole falling from the
shoulders to the ankles, and a short tunic underneath, descending to the
knee, were richly and tastefully decorated with embroideries and
fringes, whilst the hair and beard were arranged with study and art.
Although the relief was lower, yet the outline was perhaps more careful,
and true, than that of the Assyrian sculptures of Khorsabad. The limbs
were delineated with peculiar accuracy, and the muscles and bones
faithfully, though somewhat too strongly, marked. An inscription ran
across the sculpture.

“To the west of this slab, and fitting to it, was a corner-stone
ornamented with flowers and scrollwork, tastefully arranged, and
resembling in detail those graven on the injured tablet, near entrance
_d_ of the S. W. building. I recognized at once from whence many of the
sculptures, employed in the construction of that edifice, had been
brought; and it was evident that I had at length discovered the earliest
palace of Nimroud.

“The corner-stone led me to a figure of singular form. A human body,
clothed in robes similar to those of the winged men on the previous
slab, was surmounted by the head of an eagle or of a vulture. The curved
beak, of considerable length, was half open, and displayed a narrow,
pointed tongue, which was still covered with red paint. On the shoulders
fell the usual curled and bushy hair of the Assyrian mages, and a comb
of feathers rose on the top of the head. Two wings sprang from the back,
and in either hand was the square vessel and fir cone.

“On all these figures paint could be faintly distinguished, particularly
on the hair, beard, eyes, and sandals. The slabs on which they were
sculptured had sustained no injury, and could be without difficulty
packed and moved to any distance. There could no longer be any doubt
that they formed part of a chamber, and that, to explore it completely,
I had only to continue along the wall, now partly uncovered.

[Illustration: =Eagle-Headed Figure. (N. W. Palace. Nimroud.)=]

“On the morning following these discoveries, I rode to the encampment of
Sheikh Abd-ur-rahman, and was returning to the mound, when I saw two
Arabs of his tribe urging their mares to the top of their speed. On
approaching me they stopped. ‘Hasten, O Bey,’ exclaimed one of
them--‘hasten to the diggers, for they have found Nimrod himself.
Wallah, it is wonderful, but it is true! we have seen him with our eyes.
There is no God but God;’ and both joining in this pious exclamation,
they galloped off, without further words, in the direction of their
tents.

“On reaching the ruins I descended into the new trench, and found the
workmen, who had already seen me, as I approached, standing near a heap
of baskets and cloaks. Whilst Awad advanced, and asked for a present to
celebrate the occasion, the Arabs withdrew the screen they had hastily
constructed, and disclosed an enormous human head sculptured in full out
of the alabaster of the country. They had uncovered the upper part of
the figure, the remainder of which was still buried in the earth. I saw
at once that the head must belong to a winged lion or bull, similar to
those of Khorsabad and Persepolis. It was in admirable preservation. The
expression was calm, yet majestic, and the outline of the features
showed a freedom and knowledge of art, scarcely to be looked for in the
works of so remote a period. The cap had three horns, and, unlike that
of the human-headed bulls hitherto found in Assyria, was rounded and
without ornament at the top.

“I was not surprised that the Arabs had been amazed and terrified at
this apparition. It required no stretch of imagination to conjure up the
most strange fancies. This gigantic head, blanched with age, thus rising
from the bowels of the earth, might well have belonged to one of those
fearful beings which are pictured in the traditions of the country, as
appearing to mortals, slowly ascending from the regions below. One of
the workmen, on catching the first glimpse of the monster, had thrown
down his basket and ran off toward Mosul as fast as his legs could carry
him. I learnt this with regret, as I anticipated the consequences.

“Whilst I was superintending the removal of the earth, which still clung
to the sculpture, and giving directions for the continuation of the
work, a noise of horsemen was heard, and presently Abd-ur-rahman,
followed by half his tribe, appeared on the edge of the trench. As soon
as the two Arabs had reached the tents, and published the wonders they
had seen, every one mounted his mare and rode to the mound, to satisfy
himself of the truth of these inconceivable reports. When they beheld
the head they all cried out together, ‘There is no God but God, and
Mohammed is his Prophet!’ It was some time before the sheikh could be
prevailed upon to descend into the pit, and convince himself that the
image he saw was of stone. ‘This is not the work of men’s hands,’
exclaimed he, ‘but of those infidel giants of whom the Prophet, peace be
with him! has said, that they were higher than the tallest date tree;
this is one of the idols which Noah, peace be with him! cursed before
the flood.’ In this opinion, the result of a careful examination, all
the bystanders concurred.

“I now ordered a trench to be dug due south from the head, in the
expectation of finding a corresponding figure, and before night-fall
reached the object of my search about twelve feet distant. Engaging two
or three men to sleep near the sculptures, I returned to the village,
and celebrated the day’s discovery by a slaughter of sheep, of which all
the Arabs near partook. As some wandering musicians chanced to be at
Selamiyah, I sent for them, and dances were kept up during the greater
part of the night. On the following morning Arabs from the other side of
the Tigris, and the inhabitants of the surrounding villages congregated
on the mound. Even the women could not repress their curiosity, and came
in crowds, with their children, from afar. My cawass was stationed
during the day in the trench, into which I would not allow the multitude
to descend.

“As I had expected, the report of the discovery of the gigantic head,
carried by the terrified Arab to Mosul, had thrown the town into
commotion. He had scarcely checked his speed before reaching the bridge.
Entering breathless into the bazars, he announced to every one he met
that Nimrod had appeared. The news soon got to the ears of the cadi,
who, anxious for a fresh opportunity to annoy me, called the mufti and
the elema together, to consult upon this unexpected occurrence. Their
deliberations ended in a procession to the governor, and a formal
protest, on the part of the Musulmans of the town, against proceedings
so directly contrary to the laws of the Koran. The cadi had no distinct
idea whether the bones of the mighty hunter had been uncovered, or only
his image; nor did Ismail Pasha very clearly remember whether Nimrod was
a true-believing prophet or an infidel. I consequently received a
somewhat unintelligible message from his excellency, to the effect that
the remains should be treated with respect, and be by no means further
disturbed, and that he wished the excavations to be stopped at once, and
desired to confer with me on the subject.

“I called upon him accordingly, and had some difficulty in making him
understand the nature of my discovery. As he requested me to discontinue
my operations until the sensation in the town had somewhat subsided, I
returned to Nimroud and dismissed the workmen, retaining only two men to
dig leisurely along the walls without giving cause for further
interference. I ascertained by the end of March the existence of a
second pair of winged human-headed lions,[4] differing from those
previously discovered in form, the human shape being continued to the
waist and furnished with arms. In one hand each figure carried a goat or
stag, and in the other, which hung down by the side, a branch with three
flowers. They formed a northern entrance into the chamber of which the
lions previously described were the southern portal. I completely
uncovered the latter, and found them to be entire. They were about
twelve feet in height, and the same number in length. The body and limbs
were admirably portrayed; the muscles and bones, although strongly
developed to display the strength of the animal, showed at the same time
a correct knowledge of its anatomy and form. Expanded wings sprung from
the shoulder and spread over the back; a knotted girdle, ending in
tassels, encircled the loins. These sculptures, forming an entrance,
were partly in full and partly in relief. The head and fore-part, facing
the chamber, were in full; but only one side of the rest of the slab was
sculptured, the back being placed against the wall of sun-dried bricks.
That the spectator might have both a perfect front and side view of the
figures, they were furnished with five legs; two were carved on the end
of the slab to face the chamber, and three on the side. The relief of
the body and three limbs was high and bold, and the slab was covered, in
all parts not occupied by the image, with inscriptions in the cuneiform
character. These magnificent specimens of Assyrian art were in perfect
preservation; the most minute lines in the details of the wings and in
the ornaments had been retained with their original freshness. Not a
character was wanting in the inscriptions.

“I used to contemplate for hours these mysterious emblems, and muse over
their intent and history. What more noble forms could have ushered the
people into the temple of their gods! What more sublime images could
have been borrowed from nature, by men who sought, unaided by the light
of revealed religion, to embody their conception of the wisdom, power,
and ubiquity of a Supreme Being? They could find no better type of
intellect and knowledge than the head of the man; of strength, than the
body of the lion; of rapidity of motion, than the wings of the bird.
These winged human-headed lions were not idle creations, the offspring
of mere fancy; their meaning was written upon them. They had awed and
instructed races which flourished 3000 years ago. Through the portals
which they guarded, kings, priests, and warriors had borne sacrifices to
their altars, long before the wisdom of the East had penetrated to
Greece, and had furnished its mythology with symbols long recognized by
the Assyrian votaries. They may have been buried, and their existence
may have been unknown, before the foundation of the eternal city. For
twenty-five centuries they had been hidden from the eye of man, and they
now stood forth once more in their ancient majesty. But how changed was
the scene around them! The luxury and civilization of a mighty nation
had given place to the wretchedness and ignorance of a few
half-barbarous tribes. The wealth of temples, and the riches of great
cities, had been succeeded by ruins and shapeless heaps of earth. Above
the spacious hall in which they stood, the plough had passed and the
corn now waved. Egypt has monuments no less ancient and no less
wonderful; but they have stood forth for ages to testify her early power
and renown; whilst those before me had but now appeared to bear witness
in the words of the prophet, that once ‘the Assyrian was a cedar in
Lebanon, with fair branches and with a shadowing shroud of a high
stature; and his top was among the thick boughs . . . . his height was
exalted above all the trees of the field, and his boughs were
multiplied, and his branches became long, because of the multitude of
waters when he shot forth. All the fowls of heaven made their nests in
his boughs, and under his branches did all the beasts of the field bring
forth their young, and under his shadow dwelt all great nations;’ for
now is ‘Nineveh a desolation and dry like a wilderness, and flocks lie
down in the midst of her; all the beasts of the nations, both the
cormorant and bittern, lodge in the upper lintels of it; their voice
sings in the windows; and desolation is in the thresholds.’[5]

[Illustration: =Winged Human-Headed Lion. (N. W. Palace, Nimroud.)=]

“Behind the lions was another chamber.[6] I uncovered about fifty feet
of its northern wall. On each slab was carved the winged figure with the
horned cap, fir cone, and square vessel or basket. They were in pairs
facing one another, and divided by an emblematic tree, similar to that
on the corner-stone in chamber B. All these bas-reliefs were inferior in
execution, and finish, to those previously discovered.”

The following extract shows the great variety of objects which present
themselves among the buried ruins of Nimroud, and the large scale on
which the Assyrian works of art were projected and executed.

“The change to summer had been as rapid as that which ushered in the
spring. The verdure of the plain had perished almost in a day. Hot
winds, coming from the desert, had burnt up and carried away the shrubs;
flights of locusts, darkening the air, had destroyed a few patches of
cultivation, and had completed the havoc commenced by the heat of the
sun. The Abou-Salman Arabs, having struck their black tents, were now
living in ozailis, or sheds, constructed of reeds and grass along the
banks of the river. The Shemutti and Jehesh had returned to their
villages, and the plain presented the same naked and desolate aspect
that it wore in the month of November. The heat, however, was now almost
intolerable. Violent whirlwinds occasionally swept over the face of the
country. They could be seen as they advanced from the desert, carrying
along with them clouds of sand and dust. Almost utter darkness prevailed
during their passage, which lasted generally about an hour, and nothing
could resist their fury. On returning home one afternoon after a tempest
of this kind, I found no traces of my dwellings; they had been
completely carried away. Ponderous wooden frameworks had been borne over
the bank, and hurled some hundred yards distant; the tents had
disappeared, and my furniture was scattered over the plain. When on the
mound, my only secure place of refuge was beneath the fallen lion, where
I could defy the fury of the whirlwind; the Arabs ceased from their work
and crouched in the trenches, almost suffocated and blinded by the dense
cloud of fine dust and sand which nothing could exclude.[7]

“Although the number of my workmen was small, the excavations were
carried on as actively as possible. The two human-headed lions, forming
the entrance _d_,[8] led into another chamber, or to sculptured walls,
which, as it will hereafter be explained, may have formed an outward
facing to the building. The slabs to the right and left, on issuing from
this portal, had fallen from their original position, and all of them,
except one, were broken. I had some difficulty in raising the pieces
from the ground. As the face of the slabs was downward, the sculpture
had been well preserved.

“On the slabs Nos. 2 and 3 was represented the king holding a bow in one
hand and two arrows in the other. He was followed by his attendant
eunuch, who carried a mace, a second bow and a quiver for his use.
Facing him was his vizir, his hands crossed before him, also followed by
an eunuch. These figures were about eight feet high; the relief very
low, and the ornaments rich and elaborately carved. The bracelets,
armlets, and weapons, were all adorned with the heads of bulls and rams;
color still remained on the hair, beard, and sandals.

“No. 1, forming a corner wall, was a slab of enormous dimensions; it had
been broken in two: the upper part was on the floor, the lower was still
standing in its place. It was only after many ineffectual attempts that
I succeeded in raising the fallen part sufficiently to ascertain the
nature of the sculpture. It was a winged figure, with a three-horned
cap, carrying the fir cone and square utensil; in other respects,
similar to those already described, except that it had two wings rising
from both sides of the back and inclosing the person. Its dimensions
were gigantic, the height being about sixteen feet and a half, but the
relief was low.

“The first slab on the other side of the entrance contained a vizir and
his attendant, similar to No. 3. The succeeding slabs were occupied by
figures, differing altogether in costume from those previously
discovered, and apparently representing people of another race; some
carrying presents or offerings, consisting of armlets, bracelets, and
ear-rings, on trays; others elevating their clinched hands, either in
token of submission, or in the attitude still peculiar to Easterns when
they dance. One figure was accompanied by two monkeys, held by ropes;
the one raising itself on its hind legs in front, the other sitting on
the shoulders of the man, and supporting itself by placing its fore-paws
on his head.[9] The dresses of all these figures are singular. They have
high boots turned up at the toes, somewhat resembling those still in use
in Turkey and Persia. Their caps, although conical, appear to have been
made up of bands, or folds of felt or linen. Their tunics vary in shape,
and in the fringes, from those of the high-capped warriors and
attendants represented in other bas-reliefs. The figure with the monkeys
wears a tunic descending to the calf of the leg. His hair is simply
fastened by a fillet. There were traces of black color all over the
face, and it is not improbable that it was painted to represent a negro:
it is, however, possible that the paint of the hair has been washed down
by water over other parts of the sculpture. These peculiarities of dress
suggest that the persons represented were captives from some distant
country, bringing tribute to the conquerors.

“In chamber B the wall was continued to the south, or to the left facing
the great lion,[10] by an eagle-headed figure resembling that already
described; adjoining it was a corner-stone, occupied by the sacred tree;
beyond, the wall ceased altogether. On digging downward, it was found
that the slabs had fallen in; and although they were broken, the
sculptures, representing battles, sieges, and other historical subjects,
were, as far as it could be ascertained by the examination of one or
two, in admirable preservation. The sun-dried brick wall, against which
they were placed, was still distinctly visible to the height of twelve
or fourteen feet; and I could trace, by the accumulation of ashes, the
places where beams had been inserted to support the roof, or for other
purposes. This wall served as my guide in digging onward, as, to the
distance of 100 feet, the slabs had all fallen in. I was unwilling to
raise them at present, as I had neither the means of packing nor moving
them.

“The first sculpture, still standing in its original position, which was
uncovered after following this wall, was a winged human-headed bull of
yellow limestone. On the previous day the detached head, now in the
British Museum, had been found. The bull, to which it belonged, had
fallen against the opposite sculpture, and had been broken by the fall
into several pieces. I lifted the body with difficulty; and, to my
surprise, discovered under it sixteen copper lions, admirably designed,
and forming a regular series, diminishing in size from the largest,
which was above one foot in length, to the smallest, which scarcely
exceeded an inch. To their backs was affixed a ring, giving them the
appearance of weights. Here I also discovered a broken earthen vase, on
which were represented two Priapean human figures, with the wings and
claws of a bird, the breast of a woman, and the tail of a scorpion, or
some similar reptile. I carefully collected and packed the fragments.

[Illustration: =Winged Human-Headed Bull. (N. W. Palace, Nimroud.)=]

“Beyond the winged bull the slabs were still entire, and occupied their
original positions. On the first was sculptured a winged human figure,
carrying a branch with five flowers in the raised right hand, and the
usual square vessel in the left. Around his temples was a fillet adorned
with three rosettes. On each of the four adjoining slabs were two
bas-reliefs, separated by a band of inscriptions. The upper, on the
first slab, represented a castle built by the side of a river, or on an
island. One tower is defended by an armed man, two others are occupied
by females. Three warriors, probably escaping from the enemy, are
swimming across the stream; two of them on inflated skins, in the mode
practiced to this day by the Arabs inhabiting the banks of the rivers of
Assyria and Mesopotamia; except that, in the bas-relief, the swimmers
are pictured as retaining the aperture, through which the air is forced,
in their mouths. The third, pierced by arrows discharged from the bows
of two high-capped warriors kneeling on the bank, is struggling, without
the support of a skin, against the current. Three rudely designed trees
complete the background.

“In the upper compartment of the next slab was the siege of the city,
with the battering-ram and moveable tower, now in the British Museum.
The lower part of the two slabs was occupied by one subject, a king
receiving prisoners brought before him by his vizir. The sculpture,
representing the king followed by his attendants and chariot, is already
in the national collection. The prisoners were on the adjoining slab.
Above their heads are vases and various objects, amongst which appear to
be shawls and elephants’ tusks, probably representing the spoil carried
away from the conquered nation.

“Upon the third slab were, in the upper compartment, the king hunting,
and in the lower, the king standing over the lion, both deposited in the
British Museum; and on the fourth the bull hunt, now also in England,
and the king standing over the prostrate bull.

“The most remarkable of the sculptures hitherto discovered was the lion
hunt; which, from the knowledge of art displayed in the treatment and
composition, the correct and effective delineation of the men and
animals, the spirit of the grouping, and its extraordinary preservation,
is probably the finest specimen of Assyrian art in existence.

“On the flooring, below the sculptures, were discovered considerable
remains of painted plaster still adhering to the sun-dried bricks, which
had fallen in masses from the upper part of the wall. The colors,
particularly the blues and reds, were as brilliant and vivid when the
earth was removed from them, as they could have been when first used. On
exposure to the air they faded rapidly. The designs were elegant and
elaborate. It was found almost impossible to preserve any portion of
these ornaments, the earth crumbling to pieces when an attempt was made
to raise it.”

Our next extract describes, in Mr. Layard’s graphic style, the discovery
of the beautiful obelisk, now in the British Museum.

[Illustration: =The Obelisk.=]

“It was in the centre of the mound, however, that one of the most
remarkable discoveries awaited me. I have already mentioned the pair of
gigantic winged bulls, first found there. They appeared to form an
entrance and to be only part of a large building. The inscriptions upon
them contained a name, differing from that of the king, who had built
the palace in the north-west corner. On digging further I found a brick,
on which was a genealogy, the new name occurring first, and as that of
the son of the founder of the earlier edifice. This was, to a certain
extent, a clue to the comparative date of the newly discovered building.

“I now sought for the wall, which must have been connected with the
bulls. I dug round these sculptures, and found no other traces of
building, except a few squared stones, fallen from their original
places. As the backs of the bulls were completely covered with
inscriptions, in large and well-formed cuneiform characters, I was led
to believe that they might originally have stood alone. Still there must
have been other slabs near them. I directed a deep trench to be carried,
at right angles, behind the northern bull. After digging about ten feet,
the workmen found a slab lying flat on the brick pavement, and having a
gigantic winged figure sculptured in relief upon it. It resembled some
already described; and carried the fir-cone, and the square basket or
utensil, but there was no inscription across it. Beyond was a similar
figure, still more gigantic in its proportions, being about fourteen
feet in height. The relief was low, and the execution inferior to that
of the sculptures discovered in the other palaces. The beard and part of
the legs of a winged bull, in yellow limestone, were next found. These
remains, imperfect as they were, promised better things. The trench was
carried on in the same direction for several days; but nothing more
appeared. It had reached about fifty feet in length, and still without
any new discovery. I had business in Mosul, and was giving directions to
the workmen to guide them during my absence. Standing on the edge of the
hitherto unprofitable trench, I doubted whether I should carry it any
farther; but made up my mind at last, not to abandon it until my return,
which would be on the following day. I mounted my horse, but had
scarcely left the mound when a corner of black marble was uncovered,
lying on the very edge of the trench. This attracted the notice of the
superintendent of the party digging, who ordered the place to be further
examined. The corner was part of an obelisk, about seven feet high,
lying on its side, ten feet below the surface.

“An Arab was sent after me without delay, to announce the discovery, and
on my return I found the obelisk completely exposed to view. I descended
eagerly into the trench, and was immediately struck by the singular
appearance, and evident antiquity, of the remarkable monument before me.
We raised it from its recumbent position, and, with the aid of ropes,
speedily dragged it out of the ruins. Although its shape was that of an
obelisk, yet it was flat at the top and cut into three gradines. It was
sculptured on the four sides; there were in all twenty small
bas-reliefs, and above, below, and between them was carved an
inscription 210 lines in length. The whole was in the best preservation;
scarcely a character of the inscription was wanting; and the figures
were as sharp and well defined as if they had been carved but a few days
before. The king is twice represented, followed by his attendants; a
prisoner is at his feet, and his vizir and eunuchs are introducing men
leading various animals, and carrying vases and other objects of tribute
on their shoulders, or in their hands. The animals are the elephant, the
rhinoceros, the Bactrian, or two-humped camel, the wild bull, the lion,
a stag, and various kinds of monkeys. Amongst the objects carried by the
tribute-bearers, may perhaps be distinguished the tusks of the elephant,
shawls, and some bundles of precious wood. From the nature, therefore,
of the bas-reliefs, it is natural to conjecture that the monument was
erected to commemorate the conquest of India, or of some country far to
the east of Assyria, and on the confines of the Indian peninsula. The
name of the king, whose deeds it appears to record, is the same as that
on the centre bulls; and it is introduced by a genealogical list
containing many other royal names.

“I lost no time in copying the inscriptions, and drawing the
bas-reliefs, upon this precious relic. It was then carefully packed, to
be transported at once to Baghdad. A party of trustworthy Arabs were
chosen to sleep near it at night; and I took every precaution that the
superstitions and prejudices of the natives of the country, and the
jealousy of rival antiquaries, could suggest.”

[Illustration: =The King. (N. W. Palace, Nimroud.)=]

Among the numerous other sculptures which Mr. Layard, with great trouble
and expense, succeeded in forwarding to England, was the figure of a
king, one of the most carefully executed and best preserved in the
palace. He is represented with one hand on the hilt of his sword, the
other being supported by a long wand or sword. It was found in the
north-west palace at Nimroud.

When Mr. Layard had expended the funds appropriated by the Trustees of
the British Museum for the excavations, and sent a large number of
sculptures down the Tigris to Busrah, to be shipped to England, he
caused the excavations to be carefully filled up, and leaving for a
season the scene of his labors, returned to England. Another expedition
has since been sent to Nimroud, further excavations have been made, and
Mr. Putnam will ere long publish their results. In the meantime, we feel
that we cannot too cordially commend to the reading public, the first
work of Mr. Layard, as affording the most interesting and important
revelations concerning the actual state of the ancient world, which have
been made public since the Egyptian discoveries of Champollion.

-----

[4] Entrance of chamber B, plan 3.

[5] Ezekiel, xxxi. 3, _etc._; Zephaniah, ii. 13 and 14.

[6] Chamber C.

[7] Storms of this nature are frequent during the early part of summer
throughout Mesopotamia, Babylonia, and Susiana. It is difficult to
convey an idea of their violence. They appear suddenly and without any
previous sign, and seldom last above an hour. It was during one of them
that the Tigris steamer, under the command of Colonel Chesney, was
wrecked in the Euphrates; and so darkened was the atmosphere, that,
although the vessel was within a short distance of the bank of the
river, several persons who were in her are supposed to have lost their
lives from not knowing in what direction to swim.

[8] Chamber B, plan 3.

[9] This bas-relief will be placed in the British Museum.

[10] Entrance A, chamber B, plan 3.

                 *        *        *        *        *



                         =FRAGMENT OF A POEM.=


                       =BY WM. ALBERT SUTLIFFE.=


           It was the twilight, and we sat alone.
           We sat alone beside the winter fire--
           My friend and I--a fire that crackled well,
           And sounded through the stillness as a flame
           Shoots through the dark. The embers of the sun
           Had died to ashes. While it sunk we talked
           Of Love, of Beauty, Poetry and Hope,
           Which are religion. For, is Beauty loved,
           Then God is loved, and in our loving we
           Do emulate his noblest attribute.
           But all our words had failed to silentness,
           And memories clustered in the heart’s twilight,
           As shadows in a wood; and all was still.
           But in the quietness there seemed to grow
           A sympathetic mood, and we to look,
           As through glass, into each other’s mind,
           Calm reading, while our thoughts and feelings verged
           In a soft sadness to one common point.
           Then low I spoke:--“Were it not sweet and well
           To die from out this chaos of a life
           Into the waiting dark, and leave our toil
           To stronger minds and hands? To spurn the clay,
           And mount the crystal air in spiral gyre,
           Glad-voiced, and angel-winged, like bird uncaged?
           I think it sweet! or so it seemeth now,
           When I look back, as down a charnel-vault,
           Into the retrospect, and see it all;--
           See every should-be that was never done,
           And every would-be that has died its death,
           And my hot dreams, and my distempered hopes,
           Pictured in light and dark as on a wall.”
           Then in the dusk I ceased, and so we sat,
           With hearthward faces, but with upward thought.
           I saw my words drop, pebble-like, down deep
           Into his inmost mind, and there they lay,
           While he, with careful quiet, shaped response,
           And then, abstract, as to himself, replied:--
           “’Tis speaking well, and yet not speaking well!
           For in the web of life are golden threads--
           And in the sky of life are brilliant stars--
           And on the sea of life are favoring gales--
           Or we should wither all as flowers in drought.
           He who doth pilot the great universe,
           Doth mete and parcel out the light and dark,
           Strange, varicolored, like a wanderer’s dream;--
           And He that made the man hath made his work.
           And in the bark of life hath given the oar
           At which to tug and toil until the death;
           Nor yet all toil; for oft the summer sea
           Ripples on bloomy shores, whence balmy winds
           Bring a rich, spicy life to make one glad.
           We thrid wild mazes not without a clue--
           We sink again to soar as eagles do--
           We deeply quaff at the rare desert founts,
           And so plod on to fair oases green,
           Where rustling palms nod to the welcome wind--
           While with the sun of our own minds we shine
           On planetary minds, and light, and cheer,
           And lead then to a loftier, brighter end.
           All this is well: So let the creature’s wish
           Circle its scanty orbit round and round
           With borrowed light from the Creator’s will.”
           Then I again:--“We are but merest drops
           That swell a deathward torrent, or as grains
           Of sand, which make up a conglobéd sphere,
           And he that is fore’er undoes the work
           Of him that has been, through the whirl of time.
           What profits it to weave a golden web
           Which all our heirs may rend above our grave!
           To pile our treasuries with yellow dust
           That every reckless future wind may blow!
           To think to be unthought in coming years!
           To write to be the jest of fresher times!
           All this is emptiness! I wish the end.”

           What he had said I know not, for the wind,
           Which had blown fitful since the red sun sunk,
           Came in fierce gusts against the window now--
           Bringing large drops that pattered chill and loud.
           Then our talk changed to what might be afar--
           To the rude ocean, and the mariners
           Driven by windy war on unknown coasts,
           To sin and sorrow in this poor, poor world,
           And all those dreary themes akin to tears.

           So mused we in the dusk a gentle space,
           A cloudy dreamer I--my friend, that trod
           The green hills of his own complacency
           Like any king.

                 *        *        *        *        *



                          =MONDE HEDELQUIVER.=


                =A TALE OF WINTER-LIFE IN NEW ENGLAND.=


                 =BY THE AUTHOR OF “SUSY L----’S DIARY.”=


                               CHAPTER I.

                ROSAMONDE HEDELQUIVER TO EDITH MANNERS.

                                         _Danville, December 2, 1851._

At last, I have found a spot where, for myself, there can be no want;
where I can sit and write in peace letters to you, my friend, and
stories for the magazines. By the last, I shall win money, and, perhaps,
laurels; although, I confess, I care little now for them--that is, for
the laurels--if I can earn money. If I have genius, this may truly seem
a poor aim; but, if I have genius, so have I along with it such a dread
of what is heavy, and sordid, and perpetually toilsome--of extreme
poverty; in short, so have I a longing for beauty, for ease, for a still
home of plenty, so that sometimes I could stretch out my hands and cry,
with an imploring voice--not as good Agar did, but--“Give me riches, oh!
give me riches.” Yet, Heaven knows that it is not to be greatly rich
that I desire; but to be so far supplied, that there need be no
forebodings whenever it is seen that my parents’ steps begin already to
be slow, and their eyes dull; so that there may be beautiful things in
our home, and land about it which is ours, on which we may tread with
independence, on which we may see the trees and the plants growing, on
which God’s sunshine shall fall, and His rain, and His dews, so that we
may feel him near, and know that our mother Earth is to us a good
mother.

This is what I long for, when shut up in our close rooms in the city,
morning, noon, and night. In the night, tears of yearning--mingled with
the fear that it is never to be satisfied--go drop, drop on my pillow,
until my head is ready to burst. Then I brush them away, and say--“God
forgive me, his poor child, if, in my longing for what I have not, I
forget the gratitude due for what I have.” Then come penitential
feelings and, again weeping, I say--“Father, do with me as seemeth good
in thy sight!” I would be able to say this at all seasons, working still
with cheerfulness and trust in God’s ways: but He knows I cannot; that
often when I would praise Him I can only pray, and beg Him to do that
for me which I _feel_ to be my great need.

But hear! I complain, I sigh. I sit here, buried in my own egotism,
while the bright sunshine lies on the pure white fields, hills, and
mountains, and the troops of merriest birds play with the new-fallen
snow. I shall go and see them, and feed them with crumbs, as once a
brown-haired boy, who now is gray-headed--my father--used to do.

                 *        *        *        *        *

                                                            _Evening._

Uncle Hedelquiver said this morning, as he folded his paper, after
breakfast was over--

“You had better ride this morning, Monde. Take Kate, she is hard on the
bit; but all the better. I like this grappling with tough-bitted
circumstances. It is exactly what you need to do. You have the name your
old grandmother Hedelquiver had in her day. You can see yourself that
you are like that portrait up there; and I want you to get hold of her
energy--her kind of life. You have been an idle child compared with her,
I fancy.”

“No doubt of it, uncle,” said I, with tears choking me. “But, because I
have been so penned up there in the city, and by our bad circumstances,
I could not do any thing but fold my hands and sigh, and long for better
things to come to me.”

“Well, well, there is room here you see,” tossing his hand a little
toward the window, through which we see the pine-covered Green Mountains
that are near, and the snowy White Hills that are far, but gigantic and
splendid to see. “You had better go the road we went yesterday,”
preparing to leave the room, “over the hills. It is stinging cold up
there, but all the better for that.”

Aunt dreaded the hills--

“I would let her go down the other way,” begged she.

“No--if she is wise, she will face the cold and wind--see the snow-birds
out there!--and you are a little bit wise aint you, Monde?” with a smile
the sweetest and most beaming one ever sees on mortal face. It is the
more enlivening to see, because his brow when he is grave is so dark,
heavy, and over-arching. It is pleasant therefore that he smiles often,
when he is talking--that is, if he talks of the things that he values.

“O, I don’t know, uncle,” I replied. “I fear I have little wisdom or
little any thing worth having. But I would like the bracing wind and
this gleaming sunshine on the hills, at any rate. It must be
glorious!--Is Kate fond of being mounted? Has any one ever rode her?”

“Many times. As I said before, she is hard-bited, but kind.” This is all
uncle would have said; for he looks forward, leaving the dead to bury
their dead. But aunt said, with drooping figure and dreamy voice--

“Poor Alice used to ride her very often when Alfred was here--at any
other time she was afraid. But, then, he used to ride John, and urge her
out. He was always anxious that she should ride often, although I am
sure I don’t know why.” No, aunt seldom knows why things are thus and
so, which is something of an annoyance to uncle, to whom most things in
physics and metaphysics are merest transparencies. “John was such a
headstrong horse,” resumed aunt, looking dreamily down on the crumb of
bread she was rolling along the table-cover; “he was so headstrong, and
Alfred not accustomed to the saddle--living in the city, as he has, for
so many years. I was never easy when they were gone. I was always
expecting that something bad would happen to them in some way.”

“There was never the least danger--not the least danger!” said uncle.
“They were much too cautious for this. It was laughable, seeing the
jog-trot they kept. Monde, your aunt will make a coward of you, if she
can. She, for her own part, gets ten thousand needless hurts as she goes
along in dread of their coming upon herself, or some of the rest of us.
Isn’t this true, Alice?”

“I don’t know, I am sure. Perhaps I do,” replied aunt.

“You certainly do. Say, Monde, will you ride?” with an impatient jerk of
his fine shaggy head.

“Yes, sir,” said I, springing promptly to my feet; for I felt, as I
often do when he speaks to me, as if the current of his own electrical
force ran through my brain and limbs--“over the hills, uncle mine, or
anywhere!”

“That’s sensible,” replied he, with a look of hearty approbation. “Put
on your things--I will have Kate at the door in five minutes.”

Heavens! how gorgeous is the winter landscape, when our sky is as blue
as Italy’s, when the sun is on hills and mountains, and the blue shadows
are in all the valleys and beside all the little knolls; when the dark
firs, and pines, and hemlocks, and the black-hazel-blossoms are fringed
and tufted with the new-fallen snow, and the crows and jays go
screaming, and the blood in all one’s veins is astir with the new life
that comes on every breath.

“Father,” I said, lifting reverently upward the eyes that had been
wandering over the beautified scene, “Father, accept Thou the love of
Thy child. Help her to be always thankful to Thee.”

But, directly, between me and the Father, between me and His glorious
earth came dark visions of my poor home, and of my parents, held back
from a clear strong life, by their shame-faced poverty and pride. For
you must be told, friend of mine, that we are much poorer than even you,
who have seen us all and our home many and many a time, believe; and
that we grow really poorer every day, because, with all our pains-taking
and studiously-contrived appearances of competency, my father makes no
head-way in engrossing popularity, and, therewith, the business that
pays liberally. We brush and brush--or papa and mamma do--to move the
dust and bring back the old polish and prime, and then go forth with
lofty heads and independent feet; and papa talks in a brisk way of “My
client A--; my clients, Messrs. B-- and C--;” of the case of D--
_versus_ E--, and F-- _versus_ G--. Meanwhile, you have seen what mamma
does--with what care she preserves her fine complexion, her natural
graceful curls, into which the threads of silver are already coming; her
cashmere long shawl and black silk gown, that were hers at her
marriage--they look no older than most shawls and gowns do after five
years’ service, and they have seen twenty-five. In these she goes out to
the shops, and looks at carpets and mirrors and _tête-à-têtes_, as if
she were a duchess. And she lets it be known, if it will come in
gracefully in any way, that she is Mrs. Hedelquiver, and that her
husband is Jerome Hedelquiver, Attorney at Law, V-- Street. My father
really did get a case, worth a hundred dollars to him, of a dealer, who
hoped that, in compliment thereto, my mother would spend all the fee and
other additional fees for his upholstery.

We laughed over it. My father called it “capital;” but he and my mother
both sighed after it. I presume their souls--so deep within them, so
gentle toned as seldom to be heard above the clamor that “the strong
circumstances” make in controlling the hands, the lips, and the
brain--spake then so as to be heeded, though not long. The hands, the
lips, and the brain soon took up again their worldly, time-serving ways.
My father talked again of his clients, my mother priced velvets and
Axminsters. I would not say this to you, dear Edith, but that you have
already seen the same when visiting us; and but that you are the friend
of my soul, to whom I must speak of that which is so poor and so
sorrowful to me, especially now that I have looked attentively upon
uncle’s sincere, manly life.

Uncle’s circumstances are very different to my father’s--this is true.
He is a very wealthy and distinguished man. Yet if he were as poor as my
father--he would never mind this--he would keep Truth close beside him
wherever he went, in whatever action he performed, in whatever words he
spake. This would make him free and strong, indeed; and the freedom and
strength would lay hold on success. Thus, in seeking first the kingdom
of heaven, all these things for which the poor man seeks now first, and
last, and at all times, would without pains-taking on his part, be added
unto him. Would that he could see it--would that he were more
quiet--happier! for I pity him so!

And I have seen men poorer than he, and less distinguished in learning
and in an agreeable exterior, whom I cannot, by any view of their
condition, bring myself to commiserate, any more than I can commiserate
Christ. And you know, dear Edith, we may look at his life on earth as we
will, at the hunger, the dusty journeyings, the thorns, the spear, the
bitter cup, the blind revilings that came with them all, and the death
of shame and lengthened agony, still it fills our hearts with praise--it
is the sublimest destiny ever fulfilled on the earth! I will tell you
what I desire more and more; what I desire now, at this still hour,
above every other thing--and this is, to be so much like Christ, as to
attain a _perfect_ mastery of myself, so that none of the outward things
shall move me. Christ’s excellence lay in this--did you ever think of
it? Proffered crowns and kingdoms, the trammels of time-honored usages,
threats at his side and a cross before him, all fell short of moving his
soul. This never swerved a hair’s breadth from its high purpose, from
beginning to end. And I would be able to look out from a quiet, inward
life, and say to the world--“Poor world! enslaved and enslaving!
Struggling, vain world; we love thee, we pity thee--poor world! We would
die for thee, if the time might come when our blood would have the
efficacy of a good martyr’s in healing thee. But we bow to thee, we
follow thee, take up thy mummeries no more. For within us, the life
breathed into us of God, the life that is divine and glorious--far
beyond all that thou hast to offer, comes gently forward for its
development into our daily thought and action. Poor world! _dear_ world!
after this, the God of the true life helping us, while with thee we are
above thee!”

But, my dear child Edith, I remember that you like short sermons, while,
on the other hand, tales may be ever so long, ever so often told. I have
no tale for you yet. We will wait and see what will come hereafter.
Thine, dear,

                                                   Monde Hedelquiver.


                              CHAPTER II.

                  MONDE HEDELQUIVER TO EDITH MANNERS.

                                            _Danville, Dec. 15, 1851._

“Rosamonde,” said Aunt Alice one morning, as she sat stitching a
wristband; and her voice had an ominous cadence.

“What would you say to me, aunt?”

I looked up from my paper, but she had turned her face from me a little,
and bent it low over her work, as if what she was going to say had a
certain sort of wickedness in it that made her ashamed. “What would you
say, aunt?” I repeated.

“Why it isn’t much; but I was thinking that if Alfred Cullen comes up
while you are here--and I have an idea that he will--I hope you will try
to like him.”

“Or rather, aunt, you hope I will like him without trying, don’t you?”

By the way, I wonder if you remember that Alfred Cullen was the
betrothed of Cousin Alice. He still wears his weeds for her; still comes
up here every few months, and sits at her piano playing the airs that
she used to play most. Uncle and aunt say that he is very pale and very
noble, with the air of one who follows Christ close at his feet; that he
is gentle and loving like a child; always forgetful of himself, never
forgetful of others. You see he is quite a miracle of goodness. If he
comes, I fear I shall have a panic as long as he stays.

“That _would_ be better,” aunt replied; “I didn’t think of that. Yes, I
hope you will like him with ease--if poor Alice had lived, he would have
been her husband. As it is, I can’t wish him to be single always on her
account; and, somehow, when I think of his marrying another, I want it
to be one who would be a sort of daughter to me and your uncle as well
as a wife to Alfred.”

“Yes, that would be pleasant for you,” answered I, feeling something of
a panic beforehand. I feel the more of it, because aunt never sees
through things that go on clearly, or understands how they go, or how
they had best go. So she is always lending a word here and a word there
for their adjustment, according to her idea. I thought this all
over--covering a piece of waste paper with dashes, dots, and
initials--while she considered what must next be said.

She said next, that Alfred is attentive to every body, especially--as
she has sometimes thought--to Paulina Monroe, aunt’s niece, who lives in
the neighborhood, who was Cousin Alice’s dearest companion, and who is
now, as it were, a daughter in the house. Aunt’s “ideas,” of which she
has so much to say, are not clear on this head. She has thought that it
would not be strange if Alfred were to transfer his affections to
Paulina; but she is sure she don’t know how it will terminate. He
certainly sits by her a great deal; and when he is here, in summer,
walks with her a great deal in the roads and paths she and Alice used to
frequent--such as down the hill, through the back lane and the pasture
to the old, deserted Fifield house, by the brook, where, as aunt says,
the pinks and the roses still bloom, and the apples ripen, albeit the
old couple that used to look on their growth have been mouldering this
many a year under a hedge close by.

“If he does come while you are here,” again said aunt. “But you are done
thinking about it, Rosamonde, and going on with your writing.” She
looked as if she were deprecating some hurt I had given her.

“Oh, well, aunt, I am only writing a letter, and can write and talk at
the same time.”

“This is strange; but your uncle can do just so, while I can never think
of but one thing at a time. What I was going to say was, that you ought
to stay longer than you say. Alfred will surely be up in the spring, if
he don’t come this winter; and you ought to see our New England scenery
in the summer, now that you are old enough to appreciate it. ‘The
Switzerland of America’ you know our state has been called, although
your uncle says ‘Poh!’ to this. He and Alfred both seem to think New
England as good as Switzerland; or, at any rate, good enough without
borrowing names for it.”

“As it certainly is, aunt.”

Finding that this was all I had to say, that I had no remark to make
respecting Alfred Cullen, she added, hesitatingly--

“Paulina is, to be sure, my own niece--she and Alice were like twins,
almost. She is a good little girl as ever was; but, somehow, it seems to
me, ever since you came, that Alfred would like you best.” Again aunt’s
voice became a little husky, and again a little panic ran along my
nerves. “Still, I do think,” added aunt, “that he grows more particular
in his attentions to Paulina every time he comes up. And, lately, they
correspond occasionally, although Paulina keeps a close mouth about it,
so that neither her mother nor I know what it amounts to. Paulina is
reckoned very pretty.”

“She is very pretty, indeed, aunt, with a beautiful complexion.”

“Yes, this is true; but, somehow, her beauty is of a very common kind.
Alice’s wasn’t; yours isn’t. You and Alice are alike, or were, only you
have a better form for those who like dignity. And you have more
courage: you are all Hedelquiver; she was half Monroe.”

“You estimate me very kindly, dear aunt,” said I, grateful for the
cordial words and tones.

“Well, I like you, somehow, better and better every day. You are calm
and strong, like your uncle. I always like to have such people with me,
I suppose because I am so nervous and weak myself. Alfred is nervous,
too, I think, although he commands himself perfectly.”

Thus it was Alfred, Alfred, all day, and for, many days, until I was
quite tired of it; until I wished that there was no Alfred Cullen in the
universe. She said to me this morning, in a way as if she were doubtful
whether it would recommend him to me--“Alfred writes beautiful poetry,
they say. I saw a piece he wrote on ‘Night,’ and it was very beautiful I
thought.”

“Writes poetry, does he!” said I, determined to exorcise him and his
praises. “I am sorry! I can never bear a man to be always scribbling
poetry, whenever the moon shines, or any thing happens.”

Dismayed now, in her turn, aunt put in numberless disclaimers, which
amounted to this--Why, she has heard, to be sure, that he does sometimes
write very pretty poetry, and that some of it comes out in the
“Tribune;” that, in fact, she has seen one piece with her own
eyes--Paulina had it, she cut it out of the Tribune. But, for all that,
he has as much energy and manliness as those have who never touch a pen
but in keeping their accounts. She wouldn’t have me think, for a
thousand worlds, that he is an effeminate, moon-struck young man. She
hopes he will come up: she has no doubt he will while I am here, and
then I shall see with my own eyes!

Yes, then I shall see, Edith mine, and then you shall hear about it. One
thing troubles me--I fear aunt will be bumping our heads together every
five minutes, in the way of making us like each other; that is, if he
comes, as I presume he will by some device of aunt’s. If she does
manœuvre in a way the least bit gross, I foresee--that I can live
through it, to be sure, as one can live through every sort of vexation
and grievance if one will. But I shall be very still, and very tall;
and, moreover, so repulsive in various ways, that he will be propelled
with something of a shock to the far corners of the room, as often as he
meditates approach to me.

You should see how I thrive. The hardiest imp out at the red
school-house on the corner, who does not once cease to turn sommersets,
snow-ball, make pyramids and snow-images, and beat the snow from his
iron-like boots, is hardly stronger, browner, hungrier than I am. For
you see, I ride out often with uncle and aunt to call on substantial
families, where are warm fires in two or three rooms, where great red
and green apples and snapped-corn go round, if we can stay no more than
fifteen minutes, and where, at any rate, a few lively jokes fly right
and left, and a few earnest, friendly things are spoken, and promises of
an early “visit” interchanged. We meet other sleighs, we pass them; they
pass us, like lightning, with young village gents in them, and I am
ready to go over the moon at the sound of the merry bells. Kate and I go
up hill and down, let the weather be as it will. Yesterday, as if we
were one feature of the storm, we went on and on, chasing the
snow-clouds that were trooping over the fields and roads, and the
snow-clouds that were trooping, chasing us. This morning it was still
and splendid for a feathery hoar-frost clung to every branch and spray,
and glittered in the early sun. It was stinging cold, as aunt forwarned
me, the air “cut like a knife.” But I liked it--I felt it invigorate me
every moment and prepare me for the rest of the day--for the rest of
life; for I see it plainer and plainer, that every wholesome pleasure,
and every wholesome sorrow, not the less, is such a preparation.
Therefore, welcome all experiences, I will accept them as the loving
child of Him who metes them out.

I am up early. This is easy for me here, for kitchen, dining-room and
back-parlor are warm before six o’clock, and all in the house are
moving. So that I write a great deal, and write well, as I believe you
will say when you read what I have written. The publishers’ praise me
and--pay me. Twenty-five dollars came from Philadelphia yesterday. Every
cent of this (for I can have no wants of my own here) I shall send to my
dear father. If he has only a few bits of silver in his purse, and no
business, twenty-five dollars will go quite a long way in purchasing
comforts. I am thine, dearest,

                                                                Rosa.


                              CHAPTER III.

                            MONDE TO EDITH.

                                               _Wednesday, Dec. 24th._

Blessed Edith! Guess who said this to-day, after I had been reading
aloud in the Westminster Review--“I don’t understand a word, hardly,
about this constructive policy and conservative elements, or what sort
of difference there is between them. It indeed, seems to me that they
must mean really the same thing. Don’t it to you?”

“Oh no, aunt.”

“No, I suppose not; for you are like your uncle. He talks about these
things a great deal, and about the political economists, too, as if they
were something like gods--or very mischievous men, for I am sure, now I
think about it, I can’t tell which it is--whether he approves them or
not. At any rate, if they are wise and good men, I think he is as good
as the best of them can be, I am sure”--with a long sigh, and listlessly
drawing the point of her needle along the hem she was making--“there
isn’t an hour, hardly, that I am not wondering at all he knows, and
wishing that I were a hundredth part as wise.”

“I wouldn’t mind this, aunt. You are good and kind, and everybody loves
you. Aunt! aunt! see! Ponto has upset your basket; he is eating your
spools, isn’t he? What a naughty dog.”

Ponto took the reproof for so much coaxing, and came scrambling over me.
Aunt half-sighed, half-laughed, and said--

“This is the way Ponto serves me, if I don’t see to him. And I never do
see to him, or any thing else, when I am talking or trying to think
closely, never; I am discouraged sometimes, especially when I think how
different you and your uncle are; and Mother Hedelquiver would see to
twenty things, as if they were but one--I would give all the world that
I could do the same. Ponto, Ponto, be still, or I will box your ears!”

But he didn’t be still, nor did aunt box his ears. He slipped off from
beneath her hand and ran over the carpet like a bewitched thing, with a
sleeve of the dress aunt was making in his mouth. He is a splendid
little spaniel, the pet of all in the house, and I believe the fellow
knows it.

I have had letters from home since I wrote before, and see what my
mother says--“You are right, my good Rosamonde, truth is best for us;
not only for its own great sake, but, as you, say, we feel so much
better and nobler every way when speaking and acting it; and, besides,
it serves us best in the end. It has been serving us a good turn, as you
shall hear presently.

“Mrs. Hayden called here the day that we got your last. You know I have
always tried to keep up appearances before her more than almost any
other, she has things in such style at home. If she has ever called when
I was feeling discouraged about our affairs I brushed the depression all
away, you know, and was as lively and full of this and that thing that
was going on, as if I hadn’t a care in the world. I was, in fact, never
myself for one minute in her company until that day. Well, when she came
in I was alone, your father was going here and there in the city, to
make it appear that he had a great deal on his hands I have no doubt,
and I was in tears over your letter--I brushed the tears off a little,
but they ran again as soon as she began to speak kindly to me; and she
was really as kind as a woman could be, Rose--so I told her all about
our discouragements, how long they have lasted, how they were growing
deeper, and all; and read her your letter and showed her the bank-bills.
She was very sober, and as I had never seen her so before, it didn’t
seem to me that it could be the same Mrs. Hayden that usually comes in
once in six months, and after sitting fifteen minutes, talking of the
weather, crotchet-work, her domestics and the like, goes out again as
cold and stately as she came. She sat close beside me, and threw off her
bonnet when she found the strings troublesome. She said she wished I had
spoken of these things before, for that your father might have been
helped to a good business in the first of it, as well as not. She told
me to be of good courage, to be thankful that I have such a daughter.
Here her tears started and mine ran again--she said she would speak to
her husband, his brother, and hers, and all would soon be right.

“And all _is_ right. Two retainers have already come in, one of fifty
dollars, another of twenty. Old Judge Bailey sent for your father the
other day--the judge is uncle to Mrs. Hayden; your father read with him
six months, but never had put himself in his way, and so the judge had
quite lost sight of him. He told your father that he would be in need of
him often, and that if he--the judge, I mean--does sometimes scold and
send the chairs against the wall when the gout is on him, your father
must let it go as if it were a little rain and hail; he will give him,
at the same time that he scolds, good work and good pay. I hope he wont
scold, for I think your father is too proud to bear much--he would
sooner sacrifice the work and the pay. I am afraid that nearly all these
energetic patrons are either cross or whimsical, or have some
troublesome fault. Your father says that, according to your Uncle
Frederick’s philosophy of compensation, they are likely to have. Well,
we must wait and see.

“P. S. I left this for your father to write a little, if he could find
time; but he can’t, as true as you live. He is busy early and late with
great books, and pens, and sheets of paper, and parcels of documents
tied up with red tape. You don’t know how good this seems. He is as
happy with it as a child, and proud of being all fagged out. You would
be delighted to see him; he looks younger by ten years than he did a
fortnight ago. He wants you to come home now. He says he couldn’t have
consented to your going to stay so long but that he thought it might be
pleasanter for you there. I couldn’t certainly. _I_ hope you will try to
come sooner, for, guess who comes in to inquire about you--Esquire
Charles Hayden; _our_ Mr. Hayden’s youngest brother, you know, just home
from California when you went away. He has established himself here; has
his office close by your father’s; was in last evening, and didn’t want
to talk of anybody but you. Mrs. Hayden had been telling him about you.

“Good-bye, dear. Mrs. Hayden has just sent me word that she will call in
an hour, with Charles, to take me out to ride with them. I believe it
more and more, that truth is best. Don’t you, Rose?”

No, my mother! I should believe it all the same, if, in following after
it, you had been led into countless difficulties and tribulations, I
should still believe it altogether best, because best for the soul, let
what will come--come to the body.

Mr. Marsden, one of the village merchants, went to Boston yesterday, and
aunt commissioned him to tell Alfred Cullen, with whom he deals largely,
to come up and spend New Year with her and uncle. Now heaven forbid!

Uncle says--“Come, Monde, come and hear what that rascally Louis
Napoleon is doing.” I go, for France is, as it were, our next door
neighbor in these days.


                              CHAPTER IV.

                            MONDE TO EDITH.

                                            _Danville, Dec. 29, 1851._

Isn’t this outrageous bad, Edith? Mr. Marsden brought along, when he
came back, a note from Alfred Cullen, saying that he will come to D----;
a box of oysters from him for uncle, another of figs for aunt, (and she
wants to see me eat them every five minutes; I think it is much the same
as if she saw me eating the giver.)

Aunt is so glad to have him come that she hardly knows her head from her
feet. She is in danger of stumbling over Ponto, or a foot-cushion, at
every turn. She gives more directions to Bessy and Hamlet than ten
Bessys and Hamlets could follow. It is well for them that she revokes
half of them on the spot; that she modifies the rest according to their
liking, and ends with telling them both to go on and do just what they
see needs to be done, and to do it in the way they think best. She has
no doubt, she says, that it will be done better than she can advise. And
so it will assuredly. Bessy has been in the family ten years, Hamlet
three; they both have clear brains and strong hands, and, as Bessy says,
“have got the hang of every thing from garret to cellar.” This is no
light achievement, for one does not often see so large a house, or such
overflowing abundance. By the by, do you know that uncle has paid our
house rent for the last ten years, and given us money and other things
beside? I am thinking that, if you do not, you may be calling him “a
miserly old fellow.” He has offered my father land, but my mother dreads
leaving the city where she was reared. Now I hope you think, as Aunt
Alice and I do, that uncle is the best man on earth, except Kossuth--I
must say, except Kossuth always; for I believe he is the best man that
breathes, or that has breathed, since the days of Christ. Uncle and I
talk about him, we read his speeches, and I keep saying in my
heart--“the Christ of the nations! the Christ of the nations!” And often
a great fear comes over me, that, in another sense than his truth, his
self-immolating goodness, his destiny is to be like that of the Christ.
My heart is aching for him now--still I can put back the pain, and say,
“Father, let it be as seemeth good in Thy sight; for, whether he lives
or dies, in him the great cause of freedom and human progress shall be
glorified; and he is strong and patient to drink of the cup that Thou
givest him.”

                 *        *        *        *        *

                                                      _Tuesday, 30th._

I think this Alfred Cullen, who will come to D---- to-morrow or next
day, must be altogether precious. Even uncle is moved a little. He gives
Hamlet orders touching John, and John’s harness, and the oats John must
have, that he and his trappings may be in good condition for Alfred’s
use. Aunt looks at me and adds some suggestions about Kate. Kate must be
fed well and made sleek as can be; for--perhaps--. Aunt goes no further
than this “perhaps” of hers, lately--she has seen, I presume, that her
plans which embrace Alfred Cullen and me jointly, annoy me. Indeed, I
was quite savage over them before she gave them up. Bessy bakes pies,
and loaves of all sorts of cake and ginger-bread, without number, and
wipes the dust out of every corner. Aunt praises all that she does and
all that Hamlet does, puts her caps in order and sponges her dresses.
Paulina Monroe, meanwhile, comes in often to look at my collars,
under-sleeves and cuffs, that she may make her some like them. Her
dress-maker hurries her sewing on a brown Thibet like mine, made like
mine, that it may be finished before to-morrow night. Paulina smiles
incessantly, has flutter in her manner, and a red spot on each cheek; so
that Ponto and I are the only two who go our ways precisely in the usual
mode. In truth, I am not sure that Ponto and I are entirely unaffected;
we are out of doors more than heretofore, and when in the house are a
little less sedate; I can’t bring my mind to my writing as usual, and I
shall be glad when his face is set again toward Boston.

Good-night! I shall finish my letter after he comes. I shall tell you
now, however, what a beautiful gift I had yesterday from uncle--a plumed
Kossuth hat. This is for me to wear when riding. I wore it to-day, and
uncle walked round it and me, saying with kindling eyes--“That is
splendid! You never looked half so well, Monde, in any thing!” And
according to the revelations of the long mirror, I think I never did.
But it is a fact, Edith, my fair one, that I am as brown as a berry.
Good-bye.

                 *        *        *        *        *

                                                    _Wednesday, 31st._

Well! Alfred Cullen came this morning while I was gone to ride. We did
not expect him until evening, because it is a day’s journey from Boston.
But he stopped last evening at St. C----, where he had friends and
business, and this morning was brought over.

“Guess who’s in the sitting-room with your uncle and aunt,” said Hamlet,
with a broad smile, as he came to help me out of the saddle.

“Paulina, I dare say, Hamlet.”

“No. You go in an’ see who ’t is. Come, Katy.”

I came in straightway, expecting to see Hamlet’s pretty sister, Fanny;
but saw, instead, a man of about thirty years; by no means tall, (for a
man, that is; he is a little above me,) by no means large, but noble and
graceful, and with a look in the highest degree animated and gentle. He
and uncle stood face to face, talking energetically and laughing.

“Here she is!” said uncle, as soon as he saw me. “Here’s Monde. Monde,
our friend, Mr. Cullen. Our niece, Miss Hedelquiver, Alfred. Ponto, be
still; behave yourself, Ponto.”

Ponto wouldn’t behave himself at all, in the way uncle proposed; he was
quite too glad to see me. When I would have stepped forward a little to
meet Mr. Cullen, he was jumping on my long skirts and catching them in
his teeth; and when I would have shaken hands with him, he sprang up
between us, and was so unmanageable, that we were forced to dispense
with the hand’s-shaking altogether. We called him a vicious puppy and
boxed his soft ears a little; but, as we laughed all the while, he only
dragged my skirts the more pertinaciously and jumped the higher. And
judge you whether I was not glad that he did; glad that I must be busy
scolding him and getting my skirts and gloves and riding-stick away from
him; for uncle said, turning to Mr. Cullen--

“How do you like Monde’s hat, Alfred?”

“I was just thinking that it is the most becoming thing I ever saw,”
replied he.

“I think so,” said uncle.

I can’t very well bear having any thing about my person commended, you
know; especially if it brings such eyes as uncle’s and Mr. Cullen’s to
bear upon my figure; and so I was glad enough to have aunt come into the
room, and forward into our midst, that the survey might be broken.

But it was not long, for aunt looked down on my long train, and then
said:

“Paulina has been trying to persuade Rosamonde to put on a Bloomer with
her, she didn’t like to adopt it alone. But I think Rosamonde is wise in
clinging to the long skirts, especially for riding. Do you like the
Bloomers, Alfred?”

“Not at all! not at all!” and his eye ran over my figure again.

“Nor I,” said uncle. “To tell the truth,”--with his eyes on my
face--“Monde wrote us spirited letters; I remembered a certain sort of
dash and courage in her character, and I was more than half afraid that
she would come amongst us looking up out of a Bloomer, and that the
first thing she began to talk about would be Women’s Rights. Not, as
Heaven knows,” added uncle, with increasing seriousness, “because there
is not need of changes here, as every where else; but because the
changes proposed are, as it appears to me, poor, one-sided things. I
would not, therefore, like to hear so thoroughly sensible a girl as
Monde, clamoring for them.”

“You will make Monde blush,” said aunt.

“Not at all,” Aunt Alice, replied I, doffing my hat, “I can bear very
well having my brain praised, you know, at any time. Ponto--Ponto, bring
me my glove.”

“Yes, that is true,” said aunt. And added, after a moment’s pause--“_I_
can never make much out of this Woman’s Rights business. With sister
Eunice it is ‘equal rights, equal privileges, equal pantaloons,’ and
some more, I don’t know what else. I never pretend to understand a word
of it.”

This was cunning in aunt. We all had a hearty laugh over it. But
good-night, dearest; I will finish in the morning.

                 *        *        *        *        *

                                                            _Morning._

When I returned to the parlor, after changing my dress, yesterday, uncle
and Mr. Cullen sat in their arm-chairs, face to face, talking with
thoughtful eyes of Congress and Hungary. If Congress would do thus and
so, then Hungary could do so and thus, so and thus. If Congress would
not, then God help Hungary. They had their eyes on each other’s face;
they appeared as if they two could sit there and talk forever, never
once lacking themes of interest, never once tiring of each other’s
discourse. And uncle--dear, good man that he is!--let me have a part now
and then, by saying--“Yes, this is what I was saying to you yesterday,
you remember, Monde.” And then again--“And Monde, I see, thinks the
same.” So that he and Mr. Cullen soon came to speak as much to me as to
each other.

Aunt came in, in a jet black dress, and rich black lace cap, with
scarlet trimmings. She looked happy, and was as fresh and graceful as a
girl--only her cap and collar were both awry, and a lock of hair
straggled. Her eyes sought Mr. Cullen’s directly.

“Mother,” said he, answering her smile with one as genial, “I am as
hungry as a wolf. What are you going to have for dinner, I wonder.”

“Guess.”

“A chicken-pie.”

“Yes! as true as you live. I remembered how you liked them, and we made
this on purpose for you.”

“Thank you! you are always kind. What else have you? I am so hungry!”

“Pumpkin pies and toasted brown bread; it will be ready in less than
five minutes.”

“Ah, this is good! there is nothing I love so well. But, Ponto, let this
paper alone. Here, you little rascal!” (For Ponto was running off with
the “Era;” going sideways in a highly comical way, that he might not
step on it.) “Ponto grows more roguish: I am afraid you help to spoil
him, Miss Hedelquiver.”

And in all that he said and did--I mean Mr. Cullen, of course--he was
like a good son, running over with delight and sociability at finding
himself beneath the home-roof once more.

“The handsomest pie I ever saw,” said he, as uncle was beginning to
carve it.

I looked at aunt, but she would not look at me. She would say--“I think
so too. Rosamonde put on the cross and border. Neither Bessy nor I
should ever have thought of such a thing.”

Mr. Cullen looked up to me, I know, and uncle, too; but I was drinking,
and kept my eyes down in my tumbler of water. “I am vexed,” thought I,
for one moment, “for this is what she will keep doing.” But the next
moment I looked about me undauntedly, and thought--“Yet, if she does, I
wont be vexed. I will only do those things that I do in such a way that
she can’t hold me up for admiration. Good! I fancy Mr. Cullen will see
something not quite so pretty as that chicken-pie, before many days.”
And I was full of mirth at thought of the hodge-podge I will perpetrate
if I am troubled.

Mr. Cullen went over to Mr. Monroe’s after dinner, and brought Paulina
back with him to take her supper with us and spend the evening. She was
in the new Thibet, the new collar and under-sleeves, so that she was
rather stiff, rather careful about her ways, but pretty as a rose and
lily tied together, and Mr. Cullen evidently thought the same. He ate a
part of her Baldwin apple, when she complained of its being so large
that she could neither hold it with both her hands (and she spread them
before him to let him see how much too small they were for that) nor eat
it if she could hold it. She didn’t allow Ponto to come very near her
new Thibet, or new under-sleeves, and so Mr. Cullen let the little
fellow run over himself and me. He played backgammon with her, game
after game, as he talked with the rest, and allowed her to beat him in
every game; whereupon she patted his shoulder with her dice-box and
called him a careless goose.

“Rosamonde Hedelquiver,” said she to me, as she was putting on her furs
to go, “what made you keep on this common-looking dress, and these plain
duds,” touching her finger to my linen cuffs and collar. “I thought you
would be all dressed up in your best, and so I put these on. I was mad
with myself for my pains when I saw you.”

“Ah, this is nothing, any way, Paulina. Here is your hood; it is a
beauty.”

“Yes, I like it pretty well. I suppose you’ll ride every day on
horseback, just as you have done?”

“I presume so. Let me tie your hood for you. You can’t find the strings,
can you?”

“No, my fingers are all thumbs to-night. I suppose Alfred will ride with
you. Aunt will teaze him to. He used to ride with Alice; but he never
liked it so well as walking, or going in a carriage. But he is one of
those who will do every thing that is required of him.”

She was putting on her over-shoes, so that I could not see what sort of
expression accompanied these words.

“You needn’t expect to see him here again to-night, Aunt Alice,” said
she, hanging on his arm, at the parlor door. “I shall keep him. We’re
going to have something for breakfast that he likes best of any thing;
and I know he’ll stay for this, if not for any thing else. Wont you,
Alfred?”

“No, no, Paulina. Let him come back,” said aunt. “We want him here
to-night. Don’t stay, Alfred.”

“No, I will not, mother,” bowing to go.

“Then I will call you an obstinate and real cross pig, if you don’t,” I
heard Paulina say, in tones half-laughing, half-pouting, in the hall.

Uncle took up the Tribune; aunt and I drew near the stove to toast our
feet a little.

“I think he attends to her and humors her more and more,” said aunt at
length, in a dreamy tone. She had been watching a chink in the stove
where the flickering blaze was seen. “Don’t you think he does, Frederic?
Frederic, don’t you think Alfred really means to make a wife of
Paulina?”

“I think likely he does,” replied uncle, at the same time that he went
on with his reading, as if he had not spoken, or aunt either.

Aunt kept her eyes on the stove after this until I rose to leave the
room. “Good-night dear,” said she then, kissing me lovingly. She looked
as if the last of ever so many cherished hopes was on its flight.

I write in a little library that opens out of the back-parlor, and is
warmed by the book-parlor stove. Mr. Cullen has just entered the parlor;
where he talks softly to Ponto, and rummages the newspapers. Now aunt
comes in, and after the morning greetings, she says, clearing her
throat--“So you think Paulina improves?”

“In some respects; don’t you?”

“Yes, I suppose she does. But breakfast is quite ready, Alfred. Monde,
dear--” coming this way.

“Yes, dear aunt, I come.”

                 *        *        *        *        *

                                                            _Evening._

This has been the busiest day! I couldn’t even find time to get this
already longest of all letters ready for the mail. I will therefore sit
here, now that it is all over, now that all have gone to rest but me,
and tell you about it; and let me do it in little skirmishing scenes
like this.

                    Scene 1. _The Breakfast Table._

_Judge Hedelquiver._ “So Burchard & Bean are lending their interests to
the Nicaragua route?”

_Mr. Cullen._ “Yes; and so are Cornish & Brothers. They are much more
substantial.”

_Mrs. Hedelquiver._ “The Nicaragua route, the Panama rail-road, free
trade, and so on--Frederic and Rosamonde think that these are going to
do not a little toward making this world all over new. They think they
are going to do their part in putting down wars and every sort of thing
that isn’t brotherly and according to what the gospel enjoins. Monde,
have you water? Oh yes, I see. Now I’ve tried again and again to see
what connection there can possibly be between peace and the Panama
rail-road, for instance; and I can’t. I don’t half believe there is
any--do you, Alfred?”

_Mr. Cullen, laughing._ “Oh yes, mother?”

_Mrs. Hedelquiver._ “Yes, I suppose you do. You and Frederic, and Monde
think just alike about every thing, I see. Have some more chocolate,
Alfred.”

                          Scene 2. _The Hall._

_Mrs. Hedelquiver._ “What do you want to say to me, dear?”

_Monde._ “I want to tell you--why, aunt, you see I want to write
mornings, and then ride when I am tired of it--just as I have done all
along. And I have been thinking that Mr. Cullen may feel that it belongs
to him to--why, to see to me some, perhaps sometimes to ride with me.
But it don’t, you know. I would rather attend to myself, and go alone,
as I have done. So you wont let him think, will you, dear aunt, that it
is necessary for him on any account, or at any time, to go with me any
where.”

_Mrs. Hedelquiver._ “Why?”

_Monde._ “Because, if you do, aunt, it will put a disagreeable restraint
upon him, and make me very unhappy. I have always been used, you know,
to depending upon myself. I have never been a favorite of the gentlemen,
or of anybody, except a few kind people who would see that there was
something in me somewhere that deserved to be loved.”

_Mrs. Hedelquiver._ “And this has been a grief to you, dear, Monde? and
is at this minute, as I know by the sound of your voice.”

_Monde._ “Sometimes it grieves me; and then again I am thankful. For it
has made me self-reliant, and very loving toward Him who will always be
near His child, and love her. Aunt, dear, you will promise not to hint
it to him, in the remotest way, that he ought to ride with me, or wait
on me at any time?”

_Mrs. Hedelquiver, dreamily, and as if again hopes were flying._ “Yes, I
will promise. But I can’t see what objections you can have to his riding
with you. There’s John almost always, you know, in the stable. There is
nothing to hinder his going.”

_Monde._ “Nothing to hinder, if it is his own spontaneous will and wish;
otherwise, every thing, in my way of thinking. Come, aunt, you are
freezing.”

                      Scene 3. _Outside the Gate._

_Judge Hedelquiver._ “Ready, Monde?”

_Monde._ “Ready, uncle.”

_Judge Hedelquiver._ “Wait a moment. I want to tell you, Monde, that I
overheard what you said to your aunt in the hall, this morning.”

_Monde._ “Did you, uncle?”

_Judge Hedelquiver._ “Yes; but never mind it: It was only a new proof
that you are the most sensible girl in creation. It is just the way you
ought to feel about it. What he will do of his own accord, let him do;
but I will help you in this. I will take care that he don’t do any thing
for you because he sees you in need of him.”

_Monde._ “You are the dearest, best uncle that any poor child ever had!
Now, if you will help me.”

_Judge Hedelquiver._ “There you are! You mount as if you had some little
wings up there among the plumes of your hat. I will bet you have.”

_Mr. Cullen, appearing at the door with a book in his hand._ “What, are
you going to ride this morning, Miss Hedelquiver?”

_Monde._ “Yes, Mr. Cullen.”

_Mr. Cullen._ “And alone?”

_Monde._ “Yes, sir. Uncle, my stick, if you please.”

_Mr. Cullen, springing forward to pick up the stick._ “Now I protest
against this! I have been thinking that I wanted to ride--and (laughing
a little) that I wanted to ride with you. Let me help you off, now, for
a few minutes. I will have John ready in--John is in the stable, isn’t
he, judge?”

_Judge Hedelquiver._ “Yes, and at your service, if Monde will wait--if
she wants you to go. You haven’t asked her.”

_Mr. Cullen._ “No! presuming blockhead that I am! Do you want me to go
with you, Monde?”

_Monde._ “If you want to.”

_Mr. Cullen._ “As I most certainly do. Let me help you. Only I am sorry
to give you so much trouble. I am sorry I didn’t know, in the first of
it, that you were going. You will tell me next time, wont you?” (opening
the gate for Monde to pass in.)

_Monde._ “I--I believe I sha’n’t promise you.”

_Mr. Cullen._ “Promise at any rate to let me know it, whenever you are
willing to have me with you.”

_Monde, with the door half shut between her and him._ “I believe I
sha’n’t promise that either.”

_Mr. Cullen, on his way, with the Judge, to the stable._ “Then I will
always make you wait for me like this.”

Well, well! I see I might write all night, with my scenes first to
twentieth, inclusive. But I sha’n’t. I shall go to bed, after I have
told you that the morning ride was altogether delightful. I never knew
such a splendid morning. I never had so agreeable a companion in ride,
or ramble, or--I shall say it, Edith, for it is the truth--or any where.
And I fancy that he found me--quite tolerable. One could not well be
otherwise with him about.

We found company here when we returned--two of the professors from
Woodstock, together with Judge Brentwood, and his wife and daughter,
from Craftsburg. They all dined here; and things never went off so
strongly. I sat by aunt, and helped her serve the guests. When I do
this, and she can now and then look over the table into uncle’s always
clear, calm face, and listen to his manly expression, she can know
pretty well what she is doing, even if she does sometimes venture upon a
little conversation.

While we were giving them our adieus at the door, two other sleighs came
up with high-headed horses and loud-jingling bells, taking along fresh
visitors to spend the rest of the day and the evening with us. They were
wealthy farmers, who wanted to talk of horses and oxen, and different
breeds of sheep, with uncle; and farmers’ wives, who talked with most
interest with aunt, when it was upon butter and cheese, and preserves
and bread-making. This, as you must see, left Mr. Cullen and me pretty
much to ourselves. But we were at no loss. I can’t see how one can ever
be at a loss with him; for his vigorous and fresh thought readily
comprehends all the philosophy of nature, of morals, and of life; and he
communicates himself, as it were, and all that is in him, so magically
that--

But, see if I am going to write all night! A happy New Year, dearest.
Extend the greetings of the season to all in your house.

                                                    Thy Loving Monde.


                               CHAPTER V.

                            MONDE TO EDITH.

                                            _Danville, Jan. 12, 1852._

Edith, dear, how often I write to you. But it relieves me to throw my
story by, and gossip in this careless way. And, moreover, I must be
telling somebody how happy I am; and how the days go, day after day, as
if on the wings of the morning. I would not have believed that there was
any thing like it on this earth; that I, or any one, could ever be so
thoroughly comfortable. I suppose it is because uncle and Mr. Cullen
talk so much of those excellent things that keep us close by Heaven. I
don’t suppose it is any thing else. Only it is pleasant riding every
day, sometimes twice a day; sometimes on Kate’s back, sometimes in a
sleigh; oftenest, of late, in a sleigh. It is good seeing aunt so kind,
so attentive to all our wishes, and so happy--and so facetious, too, in
her way. Hear what a curious thing she said to-day, when uncle and Dr.
Ponchard were discussing the medical systems. Uncle, by the by, is a
homoeopathist. “Husband seems to think, as you see, Dr. Ponchard, that
the practice of medicine must needs change with all other practices;
that the great pills, for instance, as large as bullets, belong to the
almost by-gone age of bullets. I don’t know, I am sure, but he believes
that people will be so refined by the time the transition state is
fairly over, that nothing but rarefied air will be thought of for
remedies. And if he does, I shall think he is right, doctor.”

“Ha! no doubt whatever of that,” said the doctor, who is a sort of witty
bear. “No doubt you will have implicit faith in the rarefied-air system,
if the judge ever comes to preach it. You’ll be found with a tube in
your mouth, breathing it whenever you have a little indigestion or
headache.”

Aunt laughed, and filled the huge pockets of the doctor’s fur overcoat
with apples for his wife and children.

Hear how diligent I am. I have been writing since five o’clock. I began
an hour earlier than usual, because we are to have visitors from Barnet
to spend the day, so that I must be hindered.

Mr. Cullen has been reading in the parlor since six; now it is almost
seven. He yawns, he moves about; I fancy he is tired of his books. I do
not allow him to come into the library in the morning, because then it
disturbs me having him near. After they are stirring in all the rest of
the rooms, I don’t mind it; and he sits here by the hour. He yawns
again, says, “Heigho!” and sees to the fire. “Monde!” he says, as if
there were something that he will no longer try to bear.

“What say, sir?”

“It is so hot and stupid here, a fellow can have no comfort.” (Shutting
the stove door.) “I am coming into your cool room. May I?”

“Yes.”

“Shall I disturb you?”--coming.

“No, sir.”

“‘No, sir!’ so I see. You can write, and talk, and have me about--it
isn’t so much as if Ponto had come into the room instead of me. I have a
good mind to try whether there is a way of disturbing you a little. I
shall sit here close by you, and keep scolding. Yes, I see. You only
smile quietly at this, and go on writing. I am provoked! I want you to
talk with me; want you to care more about me than about this old
‘commercial pen’ of yours. Will you?”

“I can’t,” laughing.

“Then I will steal your pen. I will hold your hand--thus--”

                 *        *        *        *        *

                                                            _Evening._

He stole my pen, and threw it to the other side of the table. He held my
hand, and called me “an obstinate thing! but a dear good girl--a _dear_
good girl, for all that.” He would keep my hand; and soon I ceased
trying to regain it--for he was telling me, in the dearest voice, what
he had been reading and thinking; so that I forgot every thing but that
I was happy enough to go straight away to Heaven. And I wish at this
moment, Edith, that I might die--for I cannot believe that such
happiness as this can last; and I would rather die than have it broken.

I know what you will say. You will say that I love Mr. Cullen; and I
expect that I do. I expect that I have loved him since the day that he
came. And I shall never regret this, even if I find that it is only
friendliness he feels for me, if I find that he loves and marries
another--for my life is enriched and beautified by the new emotions, by
the love of one so noble, so pure!

For the present, aunt looks smilingly on, takes Mr. Cullen’s part when
he and uncle are both going to ride, and both lay claims to my company.
She adjusts the matter by saying, “Frederic, let her go with Alfred! He
isn’t going to stay long, you know. And, besides, I want to go with you
myself. So just bring my hood and cloak in from the hall, while I am
finding the rest of my things.”

“Yes, ‘finding the rest of your things!’ this takes a week; and this is
why I like it best having Monde go with me.” But, notwithstanding uncle
contends I can see that he likes best seeing me go and come with Mr.
Cullen. Notwithstanding he and aunt send Mr. Cullen or me in every
morning to see how it is with Paulina’s neuralgia, they are neither of
them much sorry to be told that her face is still swelled out of all
comeliness of shape with it, so that she will not see either of us. Her
mother, by the way, says she took cold wearing such thin stockings over
here the day that Mr. Cullen came. She would wear them, she says,
because she wanted to pinch her feet up in her tight summer boots.

“A silly puss!” said uncle, when aunt told him about it. “I wonder how a
woman can imagine that any person of sense cares a fig whether her foot
is like an elephant or a mouse.”

We rode a long way to-day, for our visitors were old people, who cared
more for talking with uncle and aunt about their fathers and
grandfathers and great-uncles, than for all Mr. Cullen and I had to say
to them. And the day and the scenery were magnificent. I wonder if you
know, Edith, mine, that one never needs go to Italy because one is
longing to look upon deep blue skies, sunsets, and moonlights splendid
enough to bewitch one; and upon mountains, great and small, ranging off
like troops of living monsters. One needs only come to New England;
here, to this hilly town, Danville. And one should come, at least once
in one’s life, in the winter of the year; for the so much bepraised
summer glory must yield to the winter, if many mountains are in the
scene, and such noble ones as Mount Washington and its kindred. Their
snowy lights are softened by the distance, and their shades deepened, so
that, at midday, it is as if they were all of pearl. They lie along the
whole eastern horizon; and when the sun takes a golden setting, there
can hardly be any thing much finer of its kind in all Italy, in all
Switzerland, I imagine; for a reflected glory is upon the mountains as
varied nearly, nearly as intense as that which immediately surrounds the
sun.

We talked of Alice to-day as we rode; and Mr. Cullen had serious eyes
and hushed tones, as if he had infinite tenderness for her memory.

“I think as your uncle and aunt do, that you are like Alice in many
respects, dear Monde,” said he, leaning a little toward me, as if he
felt tenderness for me, in that he felt it for the dead Alice. “Only,”
he added, “as the judge says, you have much the superior character. You
have, I see, the pliancy of the reed, when you need to bend, and the
consistency of the oak, when you need to stand erect. I like the way you
bear praise,” added he, after a little pause. “I suppose you would bear
the same amount of fault-finding as quietly.”

“Try me, and see.”

“Yes; for instance, if I tell you that you have a certain obstinate
self-reliance, piquant to see.”

“Well?”

“And then if I were to tell you that I like the little wickedness, like
to close hands with it, and master it.”

“Then I would tell you that you are downright vicious! But you don’t
master it; you never can!”

“Yes; you ride with me when you have just been saying that you certainly
will stay at home. I throw away your pen and hold you fast, when you
have just been saying that you will write, that you care less for me
than for your old pen. Don’t you remember it?”

“Yes.”

“So do I. I like to remember it, because, for some reason, it is better
mastering you once, than any other woman that I know ten times.”

I turned the conversation by showing him the beautiful little brook that
went leaping and tinkling amongst the rocks, and icicles, and fairy-like
frost-work close by the road. One finds such little brooks at every turn
among the hills here at Danville. He looked at the brook, calling it
“beautiful!” He took my hand into his, and kept it until we reached
home.

He must go home in a few days; he has stayed already twice as long as he
intended when he came. I wonder how I can get along without him. I
foresee that I shall want him as a child wants its mother.

I will write again soon after he goes. Heigho! says

                                                   Your Loving Monde.


                              CHAPTER VI.

                            MONDE TO EDITH.

                                            _Danville, Jan. 20, 1852._

He went yesterday morning early; and since that time I go from one chair
to another, or from one window to another, sighing, and with untold
quantities of lead in my heart. I am disposed not to write, not to talk,
or do any thing, but turn my eyes Boston-ward, and think of him.

But I shall not be so stupid! I shall put a little stiff barrier--my own
flinty will, of course--between me and him, so that he shall be there at
Boston, and I here, following diligently my duty. I shall lay this
letter by, and finish my story for Mr. S----. Then I shall ask uncle to
ride with me over to see Bessy’s feeble sister, Mrs. Thornton, who has a
whole roomfull of little children to see to; and to whom an hour’s
service, now and then, at making or mending, is a blessed godsend. Then
I will take my sewing in, and sit a few hours with Paulina, whose
neuralgia still afflicts her. I will stay and take supper with her; and
if she is cross, as she is often of late, it shall not hurt me, since I
will be good-natured.

In the long evening I will be here; I will snap corn, pass round apples;
sit now at aunt’s feet, help her in her sewing-plans, and then at
uncle’s, talking with him of Kossuth, Clay, Cass, and Webster.

When they go, if I am in wakeful mood, I will write here until I am in a
drowsy one, and then go to my rest, humbly commending myself to God as
his servant, his follower; not the servant, not the follower of any
mortal idol whatever. Thus shall my soul be kept loyal unto itself and
unto Him--and not the less loyal unto the good one who has chosen me.

                 *        *        *        *        *

                                               _Ten o’clock, evening._

Uncle set us and our great basket, full of good things, down at the door
of the Thorntons, and himself rode on to Hardwick, where he had business
that must keep him until after dinner, as he believed. The pale mother
was “glad and thankful to see us,” but a little flurried to have us find
her children in such disorderly array; and her house, too--it is a bit
of a house to hold ten people, and made of logs. But we took the
children to us, gave them apples and doughnuts, and soon had Mrs.
Thornton’s great work-basket between us. We finished off three little
garments that were on the way, and put on ten patches here and there;
Alice, aunt’s bright-eyed namesake, counted them. We cut off the long
hair of the girl’s, and made the short hair of the boys shorter; and
then, when they had all been washed and combed, saw that there is
nowhere a prettier, brighter family of children. Aunt, meantime, was
like a bee, dipping into this and into that; dragging roll after roll of
pieces from her basket, whenever a patch was needed; and helping Mrs.
Thornton warm up the pudding and the pies we had brought, and fry the
sausages and broil the steak.

Mr. Thornton and his eldest boy came in from the woods just at the right
moment--just as all the steaming dishes were ready to go to the table.
Uncle, too, came in the right time; in fact there was never so lucky a
day; every thing happened at the right time, and in the right way. There
was never so good a dinner; or, at any rate, this was what we all said,
smacking our lips a little, and holding out our plates for more.

“This will do us all a great deal of good,” said Mrs. Thornton, when we
were putting on our things.

“And us, too, Mrs. Thornton!” said aunt; in a hearty way. “I havn’t had
a pleasanter time for many a day. And I don’t believe Monde has.”

“No, aunt, I havn’t.”

And it was the truth, Edith. Happy as I have been with Alfred Cullen, I
was as happy without him--just thinking of him now and then, as I sat
there putting on patches, and doing with right good will whatever came
into my way to do.

Let me tell you a little story, dear Edith, and then I am done. Two or
three days ago, at about this time of the evening, there sat on this
spot, a gentleman of fine features, of easy, manly bearing, and a lady.
The lady was not beautiful. The best that could be said of her on the
score of beauty, her sincere friend, Edith Manners, had said to her one
day; “You are not so homely as you think, Miss Monde. You have beautiful
hair, beautiful teeth--and I think a great deal of one’s having pretty
teeth. Your form is excellent; and your ways have an abundance of grace
and ease in them.”

This was all Edith Manners could say to her friend; and more than many
others would have said, who knew her less familiarly; for she had, in
truth, grace and ease in her manners only when she had grace and
quietness in her soul; that it was sometimes said of her by those she
would gladly have pleased, “I don’t fancy her; she has a hard manner.”

Well, they sat here, those two, in their easy-chairs, and rocked and
talked, with their eyes steadily on each other’s face. He held her hand
in his, and kissed the fingers ever and anon as he talked and listened.
At length he folded her close to his heart, and, with his lips on hers,
called her--his “beloved!”

The next morning, when they met here, on the spot so sacred and dear to
them both now, he took her to him once more, and said, “When will my
Monde be _all_ my own?”

She, “pliant as a reed,” and with her arms clinging to him, answered,
“Any time, dear Alfred--any time!” because, you see, she felt then,
Edith, that she could not well live without him a day.

But it seems to have been demonstrated that she can--for he left her the
following morning, after it had been agreed that they will both write
immediately to her parents; that, their replies being propitious, he
will accompany her to them in one month, and, in six months more, he
will receive her at their hands; that, after two or three weeks spent
there, he will bring her to his own home, to pass the rest of her happy
life by his side.

And here ends my story. Only I must tell you how good uncle and aunt
are. Aunt wept for joy, as if she would suffocate, when Alfred, standing
close before me, with my hand in his, told her and uncle our resolves.
Uncle, also, had moist eyes. He stood one moment near us, the next he
walked the floor. I presume he thought of the dear Alice. I did; and
longed that the blessings of her glorified spirit might be upon our
union.

“You shall be as a daughter to me in all respects, Monde,” said uncle,
speaking with difficulty. “I have loved you as if you were my daughter,
ever since you came. Whatever you need to have done, I shall attend
to--if you will come to me always, as though I were your father. And you
will, Monde?”

I answered the imploring voice, the imploring eyes, by catching the hand
extended to me in both my own, and covering it with grateful tears and
kisses.

I have had letters from home within a few days. And mother wrote--“You
will feel quite lost when you come. We’ve moved into a large and
beautiful tenement on B. street, close by the Haydens, and fitted the
front parlor all up new, taking the old parlor furniture for the
sitting-room. I hope you’ll like these changes better than poor Kit
does. Your father brought her over here in a basket, covered, that she
might not see the way and be running back. But we missed her, and your
father went over to see if he could find her at the old rooms, and there
the poor creature was, prowling about the open cellar window, as lean
and hungry-looking as a wolf. Your father worries half of his time about
her, when he is in the house. I really think he wishes he had stayed
there too. Now that it is becoming an old thing, I see that he is often
tired of so much to do. He gets the best of business, I mean business
that pays the best; but his responsibilities wear him, and he has
trouble with some of his clients. When he has been working day and night
for them, they are as likely as any way to think that he hasn’t done
enough.

“I have my troubles, too. I ought to be ashamed to complain, I suppose,
now we are doing so well, but when you come you will see, as I do, that
there are vexations for those who have enough of every thing, as well as
for the poor. Perhaps you will think, as your father and I are sometimes
inclined to, that it isn’t worth while to look for much real, lasting
happiness in this world, or for any benefit that hasn’t its tax.”

Yes, one sees how it is with my poor parents; poor in their adversity,
poor now in their prosperity. They look to the _outward_ conditions of
their lot for a great good that shall be final; for a life serene and
well-satisfied that shall make its way into them, from without; from the
new friends, the fast-filling purse, the freshly adorned home. Would
that they and all the world could know that every good, every real
enjoyment of life, is born of God _in the soul_. There Love, the Divine
Life, the Artist-Life, the Blessed Life, whatever we call it, has its
genial, its beloved home. Ah, Heaven! to have this love within us, so
that we must burst forth into singing; to have it beaming thence upon
our friends, our home, upon the earth, crowning them all with glory and
light!--this is to know how good God is, in that He made and endowed us
specially for this kind of life. Only we have sought out many
inventions; have picked up one thing and another on our right hand and
on our left, calling the laborious, unseemly patch-work we have in this
way made up, Life. That we _must_ pay a tax grievous to be borne on
this, is one of the merciful dispensations, for it brings us to look for
that to come, which will come without price, which will surely come, if
we will accept nothing else, if we will wait for it, and receive it like
little children.

                                                  Thine, dear,
                                                   Monde Hedelquiver.

                 *        *        *        *        *



                             =WELLINGTON.=


                        =A MILITARY BIOGRAPHY.=


                           =BY WILLIAM DOWE.=


   Le tambour d’en Haut a bat le rappel.    Soult, Duke of Dalmatia.

   There’s a lean fellow beats all conquerors.    Dekkar.

The last survivor of those celebrated chieftains who flashed their
swords and waved their crests on the great battle-field of Europe in the
Napoleonic war, has gone to his place. Half a pound of indigestible
venison has done what the hostile bayonets and bullets of the French and
the Mahrattas failed to do, in a military career of twenty years.
Arthur, Duke of Wellington, born in the same year with the greater
Corsican, outlived him over thirty years, and died at Walmer Castle, on
the 14th of September last. He witnessed a great many of the most
extraordinary doings of the last half century, and was, himself--a great
portion of them--_quorum pars magna fuit_. He hurried on the current of
events which led to the fall of the great Mongol throne of Tamerlane and
Arungzebe; and his hand gave the last bloody stroke which overthrew that
of Napoleon.

Arthur Wesley or Wellesley--for the name seems to have been elongated,
as a matter of dignity, like that of Abram of old--was born at Dangan,
in Ireland, on the first of May, 1769--a fortnight before Bonaparte saw
the light upon the sheet of Gobelin tapestry which represented “the tale
of Troy divine.” His grandfather was Garret Wesley, an Irish gentleman
of good family, made Baron of Mornington by George II., in 1747. The
Wesley family has given the world another great man. It is stated that
John Wesley, the preacher, belonged to it; a man whose evangelical
renown is as immortal as that of the soldier. The earldom of Mornington
was not a wealthy one; and, after the death of her husband, the
countess--mother of the British Gracchi (for the Marquis Wellesley was
also famous)--brought up her four children, of whom Arthur was the
youngest, in very narrow circumstances.

At an early age the latter, not having benefited much from his
education, said he would be a soldier, and was sent to Angiers in
France, where he studied the science of military engineering, under the
famous Pignerol, about the time Napoleon was doing the same at Brienne.
Great elements of future storms were at that moment fomenting in the
kingdom of France! At the age of eighteen, Arthur Wellesley having
returned home, got his ensigncy. By purchase and quick promotion, he was
lieutenant-colonel in his twenty-fourth year. The first campaign he
engaged in was as disastrous as his last was fortunate. The enemy was
the same. In 1794 he joined the army of the Duke of York, then striving
to drive the French republicans out of the Netherlands. But his royal
highness was driven out himself in 1795. The soft young bishop of
Osnaburg was not the man to cope with the fiery generals of the
Convention. Thus ended Arthur Wellesley’s first campaign.

The scene now changes to India. From a mere foothold and factory, on the
shore, the English had in half a century won, thanks to Lord Clive, a
vast extent of territory round the three Presidencies of Bombay, Madras
and Calcutta. A company of merchants had done all this--the East India
Company--whose chartered monopoly existed up to 1814. At the close of
the last century the empire of the Mongols had dwindled away, and the
Mahrattas, a wild people who rose fifty years before, possessed a large
portion of the appanage of the Great Mogul. This last was dozing out his
life in the palace of his renowned ancestors at Delhi. His empire in
falling had broken into pieces. The Mahrattas formed one of these, and
another, was the kingdom of Mysore, made so famous by the usurpation and
bravery of Hyder Alee and his son, the Sultaun Tippoo Saib.

In 1798 the Earl of Mornington went out to India as governor-general,
and his brother, the colonel, accompanied him. Their earliest attention
was given to Tippoo, who, from the table-land of Mysore made the
Carnatic tremble at the name of his formidable cavalry. He was also in
close connection with the French, and had given them repeated assurances
that he would join his forces with theirs and annihilate the British
power in India. Therefore, in March 1799, the Anglo-Indian army under
General Harris, 37,000 strong, marched toward Tippoo, fully determined
to put him out of the way. The advance was fiercely obstructed by the
spahis of Mysore till, manœuvring and skirmishing repeatedly, the
invading army had reached the walls of Tippoo’s capital, Seringapatam.
Between the British camp and the city lay some ruined villages, an
aqueduct and a grove of cocoas and bamboos, which were desperately
defended, and taken with great difficulty and loss. After a month’s
delay outside the city, the besiegers prepared to get into it, by storm,
through a breach made in the wall. French troops and engineers in the
pay of Tippoo made the siege of Seringapatam a formidable undertaking.
But a forlorn hope, crossing a ditch under fire, scrambled into the
breach, and, other troops following, Seringapatam was taken, resisting
furiously. Tippoo had gone out early in the morning to the outer
rampart, to look at the camp. While there, he was surprised to hear that
the English were entering the breach. Calling for his carbine, he
hurried with his guard to the place, and on the rampart met his soldiers
running before the stormers. He bid them stop, with a loud voice, and
ordered them to rush back again; at the same time he fired his carbine
repeatedly on the English. But the fugitives went by, and left him with
a small body of officers and attendants, still firing on the assaulters.
At last he turned to fly from the rampart to the gate of the inner fort.
Hurrying through this he saw the English within and received two balls
in the breast. He fell from his horse, and was then dragged from the
crowd and put upon a palanquin. The Europeans soon rushed in, and a
soldier laying hold of the diamond-studded sword-belt worn by the
sultaun, attempted to drag it off. A servant, as he was making his
escape, turned and saw Tippoo make a sweep of his sword at the man and
cut him on the knee, whereupon the latter put his piece to his shoulder
and shot the sultaun dead through the temple. More carnage followed in
this spot till at last the fort was won. When Tippoo’s palace and his
sons were taken, the conquerors sought the chief himself; the cry went
that he was dead; and that night, by torchlight, General Baird and his
officers proceeded to search for the body in the gateway. About three
hundred dead bodies were dragged away, and then the _killedar_ of the
palace recognized the half-stripped body of Tippoo. His splendid turban,
jacket and sword-belt were gone. When dragged out, the body was so warm,
and the open eyes looked so life-like, that Colonel Wellesley laid his
hands on the heart and the wrist before he could believe it was a
corpse. An officer present cut off from the right arm a _talisman_ in
fine flowered silk--inclosing an amulet of a silvery substance, and a
piece of parchment with Persian and Arabic words. Napoleon also wore an
amulet, said to be that of Charlemagne.

After the fall of Tippoo, the little grandson of the rajah whom Hyder
Alee had deposed, forty years before, was put in his place, and held his
throne in subserviency to the English. A Mysore chief named Doondhia
still attempted to hold out, but Colonel Wellesley defeated and killed
him.

Next came the Mahratta war. The chief of the Mahratta confederacy--the
Peishwa--resided at Poonah, his capital; acknowledging, in a shadowy and
nominal way the supremacy of the shadowy Mogul emperor, Shah Allum, who
dozed away his life at Delhi. But the peishwa’s authority was
over-shadowed by his powerful subject, Ras Scindiah, who wielded the
military power of the Mahrattas to make war or peace with the English.
The latter, now, either thought he had been assisting Tippoo, or feared
he might be a troublesome neighbor in connection with the French; so
they prepared to take advantage of events. Holkar, another Mahratta
chief, having gone to war against Scindiah and thrown the kingdom into
confusion, the poor peishwa ran away from Poonah and put himself under
British protection. The case was therefore a clear one. In 1803 General
Wellesley proceeded, at the head of an army, into the Mahratta territory
and restored the peishwa. In the same year, Lord Lake marched northward
to Delhi, drove out the French, who had there exercised a certain
influence over Shah Allum and bringing forth that poor, blind monarch
(one of his Mahratta rebels had scooped out his eyes with a dagger!)
placed him on the imperial _musnud_ of India, under British protection!
Meantime, the Mahratta chiefs who would not submit to the Anglified fled
pieshwa, were to be punished. Wellesley marched against Scindiah and the
Rajah of Berar, and overthrew them at Assaye; and Lord Lake demolished
the armies of Holkar. The whole peninsula of India was now virtually
subject to the British.

The East India Company gave Wellesley a sword worth one thousand
guineas, for his services, and William Pitt made him a knight. In 1805
he returned to England with his brother, now _Marquis_ Wellesley. In
that year he became a member of the House of Commons. In 1806 he was
again engaged in hot work. He married Elisabeth Pakenham, daughter of
Lord Longford and sister of the general who fell at New Orleans; and was
then sent on the Copenhagen expedition. England, dreading that Napoleon,
who now bestrode Europe like a colossus, would lay hands on the fleet of
Denmark for the purposes of invasion, resolved, with the promptness and
decision which distinguish her in difficult emergencies, to lay hands on
it first. An armament under Lord Cathcart and Admiral Gambier went for
the ships, and receiving a refusal bombarded Copenhagen in the most
terrible manner; while Sir Arthur Wellesley manœuvred and beat the Danes
on shore. In the midst of a general conflagration of the city the fleet
was surrendered and carried away. All Europe--Napoleon and the French
particularly--cried out against this high-handed business. It is still a
great theme of discussion at historical societies in England, where it
is not yet decided.

We have now come to the Peninsular War. Napoleon had declared all Europe
in a state of blockade and forbade the nations to trade with England.
But they would trade. He then resolved to take the coast kingdoms of
Spain and Portugal into his own power; and seized his opportunity. In
1807, in consequence of the household quarrels of the imbecile Spanish
Bourbons, he marched his troops into Spain under pretence of assisting
Charles IV. against his son Ferdinand. Charles was induced to abdicate.
Napoleon sent for Ferdinand; and in April 1808, Charles, his queen,
Ferdinand, Don Carlos and Godoy were together, in a room at Bayonne, in
presence of Napoleon; all the family in his clutches! The queen abused
Ferdinand in the most shocking manner for his conduct to his father,
who, she said, was not his father, after all! The interview was a
terrible one--the calm, imperturbable face of Napoleon looking sternly
on. Modern annals do not furnish the painter with a finer historic
subject. Napoleon took the father and son, sent them to separate prisons
in France, and put his brother Joseph on the throne. But, as Delavigne
says:

          “The hope was vain: stoled priests and belted chiefs
            Roused each the other up, and proudly woke
          To loftier thought the popular beliefs,
            And fired a nation’s spirit as they spoke.”

The haughty people of Spain ran to arms to expel the foreign garrisons.
England loudly cheered on the furies of insurrection in the Peninsula,
and sent Sir Arthur Wellesley, in 1808, with an army of 9000 men to
coöperate with the Spaniards. When he reached Corunna he found that the
Junta, relying upon the strength of the patriots, were not desirous to
receive the troops. But they advised the general to proceed to Portugal
and attempt to drive the French from that country, which they had
likewise occupied. Sir Arthur proceeded to Mondego Bay, a little to the
north of Lisbon, then garrisoned by the French. It was of this landing
that Sir Walter Scott sung, in his “Vision of Don Roderick:”

            “It was a dread, yet spirit-stirring sight:
            The billows foamed beneath a thousand oars,
            Fast as they land, the red-cross ranks unite,
            Legions on legions brightening all the shores.
            Then banners rise, the cannon-signal roars,
            Then peels the warlike thunder of the drum,
            Thrills the loud fife, the trumpet’s flourish pours,
            And patriot hopes awake and doubts are dumb,
          For, bold in Freedom’s name, the bands of ocean come.”

Sir Arthur repulsed the French in the engagement of Rolica. He also beat
them at the battle of Vimiera, during which Sir Harry Burrard, his
superior in command, arrived on the ground; but left the honor of the
day to Wellesley. Junot, Duke of Abrantes, then sent a flag of truce and
offered to evacuate Portugal. The convention of Cintra followed, signed
by Sir Hew Dalrymple, Sir H. Burrard and Wellesley, on the part of
England; and the French army was sent home in British vessels. This
treaty was vehemently denounced in England, and public opinion pelted
the three generals. Byron alludes to the matter in Childe Harold:

          “Convention is the dwarfish demon styled
            That foiled the knights in Marialva’s dome
          Of brains, if brains they had he them beguiled
            And turned a nation’s shallow joy to gloom.”

Byron was mistaken in supposing the treaty was signed in the house of
the Marquis of Marialva. Another and a greater disaster was mourned,
soon after, in England. Sir John Moore who had marched, at the close of
1808, at the head of a small army into the heart of Spain, where he was
disappointed in the Spanish assistance he expected, and threatened with
destruction by the victorious French armies who had taken Madrid, began
his disastrous retreat of 250 miles toward the sea, and arrived, at
last, at Corunna, where his harassed and tormented spirit found rest.

          “Slowly and sadly they laid him down
            From the field of his fame fresh and gory;
          They carved not a line, they raised not a stone,
            But they left him alone with his glory.”

A couple of months after this event--in April 1809--Sir Arthur Wellesley
was at Lisbon, in command of the British and Portuguese armies. Marching
rapidly northward he made the passage of the Douro in face of the
enemy--one of the most remarkable achievements of the war--and entered
the city of Oporto. The French fled away in such a hurry that Sir Arthur
ate the dinner cooked for Marshal Soult. Following up his success
immediately, he drove the marshal precipitately out of Portugal. In
July, he crossed the frontier into Spain; where, having formed a
junction with Cuesta--a respectable old general who always moved about
in a carriage--he marched to Talavera. Here the allied armies met the
French, under King Joseph, Jourdain, Victor and Sabastiani. The latter
were the assailants in a series of brilliant and desperate movements;
but they were boldly confronted and baffled by the admirable strategy of
the English commander. The French fell back on the night of the battle.
But Sir Arthur fell back in a week, and left all his wounded to the care
of Mortier, at Talavera. Dreading that the junction of Soult and Ney
might cut off his communication with Portugal, he retired to the
frontiers of Spain by the Tagus.

Byron has celebrated or satirised Talavera in Childe Harold:

            “Three hosts combine to offer sacrifice;
            Three tongues prefer strange orisons on high;
            Three gaudy standards flout the pale blue skies;
            The shouts are, France, Spain, Albion, Victory!
            The foe, the victim, and the fond ally
            That fights for all, but ever fights in vain,
            Are met, as if at home they could not die,
            To feed the crow on Talavera plain
          And fertilize the field that each pretends to gain!”

Sir Arthur was now created Lord Wellington--though the English did not
like to hear of the retreating movements. The French generals were
victorious in Spain, and the year 1809 closed darkly on the hopes of the
junta.

In the beginning of 1810, they were almost driven into the sea. Upon the
shore of it the enemy besieged them in Cadiz. Lord Wellington was with
the allied army on the frontiers of Portugal; and when Massena, having
taken Ciudad Rodrigo and Almeida, advanced upon the latter kingdom, the
English general retired, but with his face to the marshal. In this
attitude, he hurled back the French, in the brilliant affair of Busaco;
and so continued to retire till he reached the sea, which, every where
seems to wear a friendly face for the English. Here Wellington fortified
himself within the impregnable mountain lines of Torres
Vedras--extending thirty miles along the coast, from the Tagus to the
mouth of the Sissandro. In this position he had the English fleet at his
back. During his retreat he had laid waste Portugal--cleared the country
of every thing that could support or assist Massena. The sufferings of
the poor Portuguese--burghers and peasantry--were pitiable. But the
French army suffered most. At the close of the year, weakened by want of
provisions and desertion, Massena struck his camp and retired. In the
beginning of March, Wellington quitted his mountain fortress and
followed him. The country was extensively wasted by Massena in his
retreat, and in April, 1811, the French were forced out of Portugal.

This year was consumed in a series of bloody and fruitless movements.

In the beginning of 1812, Wellington besieged and took Ciudad Rodrigo,
and, on the 6th of April, he stormed Badajos--one of the most sanguinary
affairs of the kind in modern warfare. Soult, who was advancing to
relieve that fortress, retired on hearing of its fall, and, being
followed by the allies, the great battle of Salamanca was fought in
July. Marmont was defeated and lost his right arm; his dispatches to the
minister at war were signed with his left hand. The blockade of Cadiz
was now raised, at the end of twenty-one months, and the junta felt more
at ease. Lord Wellington made a splendid entry into Madrid, and was
hailed as the deliverer of the Peninsula. But it was not yet delivered.
He pursued the French northward as far as Burgos, which place he
besieged and tried to take by assault. But hearing that the French were
greatly reinforced and fearing his communication with Portugal might be
cut off, he raised the siege and retraced his steps in October, pursued
in turn by Soult.

Then began the English retreat to the Douro; disgraceful as well as
disastrous. The confusion, bad conduct, and insubordination of the army
were extraordinary; it seemed completely demoralized by the reverse. The
soldiers thought they were advancing to the French frontiers; instead of
which, they were carried back again across Spain and Portugal. Thousands
of the men deserted; and Wellington said his troops were “more
ill-behaved and undisciplined than any army he ever read or heard of.”
At the same time the Spanish general, Ballasteros, refused to listen to
or obey him--a heretic foreigner--for which, on Wellington’s complaint,
the Cortes cashiered and imprisoned him. The English general, leaving
his army in Portuguese cantonments, went down to the junta at Cadiz, and
there made such representations of the evils of a divided command, and
told them so plainly his determination not to act without receiving the
plenary powers he needed, that he was made generalissimo of the united
armies of England and the Peninsula.

In 1813 the terrible effects of the Russian campaign began to be felt in
Spain. French armies were withdrawn to fill the place of “those veteran
hearts that were wasted” beside the Berezina. Wellington, the supreme
chief, again advanced, and for the last time, from his base of
operations in Portugal. But for this sea-washed position, he would have
been driven out of the Peninsula long before. The giant Antreus, when
overthrown, instantly recovered when he touched mother earth.
Wellington, in his defeats, recovered whenever he touched the sea. He
now turned his back upon it, and marched for the Pyrenees. From the
frontiers of Portugal he followed the French, who retreated on Burgos.
In June he beat King Joseph at Vittoria, and following the French to
Pamplona, forced them to enter France by the Bidassoa and other points.
But France was not to be invaded without a bloody struggle. Soult, who
had received reinforcements from those terrific conscriptions with which
Napoleon was decimating France, once more turned upon Wellington. He
attacked and beat the English generals in several desperate engagements
in the defile of Puerto Maya, and the pass of Roncesvalles.

          Where Charlemagne with all his peerage fell,
          By Fontarrabia.

The French fought desperately--as they were doing at the same moment, to
protect the German frontiers of France against the Russians and
Austrians. At the close of 1813, San Sebastian was besieged and taken;
and the English soldiery rioted over the fallen city, with the most
horrible brutality and license.

Napoleon now seeing his affairs desperate, took Ferdinand of Spain out
of prison, and made a treaty of peace and friendship with him. But the
Cortes refused to sanction it. In the beginning of 1814 Lord Wellington
entered France, and dispatched General Beresford to Bourdeaux, which
city he entered in triumph, accompanied by the Duc d’Angouleme. On the
14th of April was fought the battle of Thoulouse, in which Soult
endeavored to oppose the progress of Wellington.

In the meantime, Napoleon, who had fought like a wild animal at bay,
against the advance of the allies, was forced to abdicate at
Fontainbleau, and go away to Elba. Returning thence to Paris, in the
beginning of 1815, by one of the most daring and brilliant marches ever
made by any soldier, he reached the Thuilleries, while the French
princes hurried in consternation along the road to Ghent. At the end of
three months the French emperor proceeded into Belgium to annihilate the
nearest of his enemies--the Anglo-Belgian and Prussian armies, before
the others should come up. It has been said Wellington was taken by
surprise. This might have been so--as regarded the exact hour of
Napoleon’s coming; but he was not disconcerted. He and many of his
officers were at the Duchess of Richmond’s ball, in Brussels, when they
heard of the sudden advance of the French.

          And then was mounting in hot haste; the steed,
          The mustering squadron, and the clattering car,
          Went pouring forward with impetuous speed,
          And swiftly forming in the ranks of war;
          As the deep thunder, peal on peal afar,
          And near, the beat of the alarming drum
          Roused up the soldier ere the morning star;
          While thronged the citizens, with terror dumb,
          Or whispering with white lips, the foe, they come, they come!

Meantime, the emperor, moving rapidly on Brussels, drove in the English
at the battle of Quatre Bras, on the 10th, and the Prussians, at Ligny,
on the 17th of June. But, on the 18th, he was checked by the memorable
hollow squares of Waterloo. On that day was fought one of the most
renowned battles of the world--the most decisive of modern times. In
antiquity, the battles most resembling it seem to have been Platæa,
where Mardonius and the Persians were overthrown, and the fight of
Cannæ, in Italy, where the Napoleon of the Punic War prostrated the
military strength, but not the republican courage of Rome. For nearly
the entire day the British squares withstood the vehement cavalry
charges of the French, and so rough-handled and weakened them, that
when, toward evening, the Prussians came up in great force, the
emperor’s army was wearied, and ready for a repulse. He ordered one more
charge in column--that of his Young Guard--(the Old Guard was asleep in
Russia)--headed by Ney. But it was broken by the firmness of the English
guards. Wellington himself was with these last, and doubtless his
presence gave them increased spirit and steadiness. The column--the last
forlorn hope of empire--was struck and scattered by the musketry in
front, and the flank charges of cavalry; and then the career of Napoleon
was at an end. And, for one great tyrant beaten down, a dozen others,
great and small, reigned in his stead--their unholy alliance sitting
like an incubus on the rights and hopes of exhausted Europe.

After the return of the Bourbons, the Duke of Wellington remained for
three years in France, at the head of the Army of Occupation. His
residence in Paris was the Elysee Bourbon--that lately occupied by Louis
Napoleon. He has been blamed for not saving the life of Marshal Ney, who
had in 1814 sworn fidelity to the Bourbons, and, in 1815, gone back to
the emperor. Byron, who was always fierce on the duke, says, addressing
him,

          Glory like yours, should any dare gainsay,
          Humanity would rise and thunder, _Nay_!

Wellington, when speaking to his intimate friends concerning the
execution of Marshal Ney--which he undoubtedly could have
prevented--merely said, “It was no concern of his.” It never was part of
Wellington’s character to give way to any sentimental feeling. In 1818
his army left Paris; which occasion Beranger has signalised in one of
the finest of his lyrics: _La Sainte Alliance des Peuples_:

          O peoples! forgetting all by-gone defiance,
          Join hands, for yourselves, in a Holy Alliance!

The renown of Wellington was now only inferior to that of the late
emperor: He was a prince, a noble, or a knight, in almost all the
European codes of honor;

                    His honorable titles
          Would crack an elephant’s back,

as Shirley says. Thenceforward he sat in the English House of Peers--a
moderate politician, and a wealthy man. He had got a dukedom, and nearly
a million and a half pounds sterling from parliament, and his pensions
and other emoluments from successive offices he held were not less than
£15,000 a year. In 1819, being First Lord of the Treasury, in Peel’s
ministry, he advised that the Catholics should be emancipated--as they
were insisting on it so furiously. For this a good many Tory missiles
were sent rattling about his laureled head. But he did not mind them; he
had heard the rattling of more deadly things. During the agitation for
reform, to which he had opposed himself, the London mob, in 1831, pelted
Apsley House, situated at the corner of Hyde Park, and broke several of
his windows. Instead of mending them he got iron shutters to them, and
they have remained closed ever since--a tacit reproach to the
commonality of the capital. But that gust soon blew over, and, latterly,
Englishmen of all classes were proud of the old duke--such a
distinguished champion and evidence of their military glory. Wherever he
went, he was stared at or cheered. Riding along the streets of the West
End, followed by a single groom, his stooping figure and white head were
well known. Hats would fly off as he passed, and he always raised his
finger to the rim of his own in return. He was one of the most regular
attendants on his duties in Parliament, and mingled in all the
amusements and ceremonies of the aristocracy, as if he was no more than
one of themselves. His growing years seemed to trouble his mind very
little. Like Frederick the Great, he appeared to put aside all thoughts
of senility and death, by the closeness of his attention to his daily
duties and occupations of all sorts. He did not ponder on that “fell
sergeant;” or, if he did, he probably thought of him as an old
acquaintance he had seen somewhere in either of the two peninsulas--the
Indian or the Iberian; a sergeant, in fact, who did duty under himself,
along with the rest of the sergeants! Latterly, his son, Lord Charles,
and his daughter-in-law, kept house for him in Piccadilly; and thus left
the _insouciant_ old militaire at liberty to attend all the galas of the
court, and all the balls and reunions of Belgravia. On great court
occasions, the stooping old Warrior would be seen--something like
Achilles in the disguise--dressed in the showy ceremonial costume of his
rank or office, in the midst of all the pageantries of royalty. At
festive parties he would generally remain among the latest guests, enjoy
himself with as much apparent cheerfulness as any body present, and go
home to bed, like an old rake, in the small hours of the morning. He
liked the gayeties of fashionable life. He would stand godfather for
noble infants at the font, and give away noble brides at the altar. He
would also go to christenings, and eat caudle with infinite good nature;
gratified, doubtless, by the homage that awaited him everywhere.

On the 18th of June, he gave yearly, at Apsley House, a grand
entertainment to all those officers who had been at Waterloo. People
said he should have discontinued it--seeing it tended to keep up
ill-feeling between England and France. But the feelings of the French
were not worth respecting. They have as much levity and slavishness as
their ancestry in the time of Louis Quatorze; a sad thing to say. The
duke would interest himself in every thing considered important to
society; and from his high character and his supposed influence with the
ruling powers, at all times, he had crowds of volunteer correspondents
in his time, asking all sorts of questions, and begging all sorts of
interferences and favors. The first general sensation created by the
Irish starvations at Skibbereen, in 1847, was produced by a letter
addressed to the duke, and printed in the London _Times_. He almost
invariably sent an autograph answer to his correspondents, beginning:
“F. M. the Duke of Wellington presents, etc.” His replies were succinct
and _ad rem_; some very trenchant, and some, which we have seen, very
courteous.

Wellington was a man of cold thought and calculation. There was very
little generous impulse or fine feeling in his character. Any thing like
sentimental talk of glory he would smile at as stuff and nonsense. He
knew that all the British glories of the Peninsula were won by the
greatest scamps and blackguards in the three kingdoms, who composed the
strength of the regiments. He was simple and matter-of-fact; his
thoughts were subdued and hardened by the drilling of a lifetime. His
style of writing was as disciplined and calm as his mind. He could never
have written any of those bulletins with which Napoleon used to fire the
blood of his soldiers, and in which he could show himself as impassioned
as Mirabeau, as condensed as Tacitus. It is said Wellington cried out:
“Up, guards, and at them!” when Ney had climbed the ridge at Waterloo.
But on being asked about it, by a painter to whom he sat for his
portrait, the duke smiled, and said he did not remember saying any such
thing. He did not understand any melo-dramatic un-British balderdash! He
loved the simple vernacular, and even slang of old England. At
Salamanca, he turned to General Leith, and pointing to a height, said,
“Push on, and drive them to the devil!” O Sallust, Tacitus, Polybius,
how should you have got over the battle-speeches of such a man! After
the battle of Salamanca, he said: “Marmont has forced me to lick him.”
At Waterloo, with his watch in his hand, and his keen, cold glance bent
through the rolling smoke, in the direction of Warre, he said: “This is
hard pounding, gentlemen; we must only see who will pound the longest!”
using, in that sublime and trying moment, the language of a London prize
ring! Thus, cool and courageous as a steel blade, he never exhibited any
of that glowing, impressible temperament, so characteristic of his
native isle. He had, in fact, very little sympathy with Ireland in any
thing, and seemed to forget he was ever born there. He never came
forward in Parliament, or out of it, with any motion respecting its
distress, or the relief of it, and, indeed, showed himself undeserving
of any attachment on the part of Irishmen. Ireland had no sympathy with
him, nor prided herself in him; which, seeing how forgivingly grateful
she always was for the slightest show of kindness, speaks very
unfavorably for the heart of the Duke of Wellington.

Wellington was a great general--not a great man. His was far inferior to
the comprehensive, imperial genius of Napoleon, who, though a
thorough-paced homicide, yet possessed the broad vision and faculty
which distinguish the mightier rulers of men. In the latter years of his
life, the emperor exchanged his soldierly statesmanship for
fatalism--goaded to this by the fierce opposition of legitimacy--and
that renounced and falsified the glorious _prestige_ of his early
career. But, take him all in all,--looking at the astonishing picture of
his life, in all its breadth and all its magnificent effects of light
and shadow--we feel that the Corsican was of a higher order of spirit
than the renowned and admirable soldier whose obituary we write.

The duke’s decease was caused by apoplectic fits; and took place at
Walmer Castle, where he was attending his duty as Warden of the Cinque
Ports. On Sunday, 12th September, he felt very well, and dined heartily
on venison. On Tuesday morning he seemed to feel the effects of
indigestion, and had an apothecary sent for. He spoke to the latter on
his arrival; but afterward lost the power of speech, and died
imperceptibly at three o’clock. Wellington was of low stature, like
Napoleon; as for his aspect, there is as little need to describe it as
that of the emperor. He was simple in his habits, and economic in his
household, and usually slept on a little hard camp bed. A friend of his
once complained that he had not room to turn in his bed. “Sir,” said the
duke, “when a man begins to think of turning in his bed, it is high time
for him to turn out of it.” He survived his duchess about twenty years.

He has been succeeded by Arthur, Marquis of Douro, born in 1807, and
married in 1839 to the lady Elisabeth Hay, daughter of the Marquis of
Tweedale. He has no children. We believe Lord Charles Wellesley has a
son. But the English apprehend a failure of the heirs male, and wish to
have the dukedom entailed on the issue of the females of the family.

                 *        *        *        *        *



                            =SONNET.--HOMER.=


                          =BY WM. ALEXANDER.=


            Great Melesigenes! erst, poor and blind,
              A wanderer didst thou sing thy Epic verse,
              Which peasants, princes equally rehearse,
            And act thy characters of lofty mind--
            War’s trump Calliope aloud doth blow,
              When telling of fair Ilium’s famous towers,
              Which Greece beleaguered with her mighty powers,
            Led by Pelides, Hector’s sternest foe--
            Fair Helen’s beauty thou dost there portray,
              Whom gallant, bold old generals admire;
              Speaking, too, of his rovings wild and ire,
            Whose bended bow doth the wild suitors slay--
            The story of thy heroes; scenes of old,
            Demands, by right, a shining case of gold.

                 *        *        *        *        *



                           =GRACE BARTLETT.=


                        =AN AMERICAN TRADITION.=


                          =BY MARY J. WINDLE.=


                               CHAPTER I.

                  Light of the new-born verdure!
                    Glory of the jocund May!
                  What gladness is out in leafy lanes!
                    What joy in the fields to-day!
                                         W. C. Bennet.

             Sunshine and storm--the alternate checker-work
             Of human fortune!     Shelley.

A lover of the picturesque, whether poet, painter, or simply an enjoyer
of Nature’s works, may be justified, perhaps, in extending his quest
after the sublime and beautiful beyond the rich and varied landscapes of
New England. Yet it is in this unpretending region that we are about to
lay the opening incidents of our tale, rather than amid the cloud-capt
rocks of Niagara, or upon the indented shores of our romantic lakes.

In the early days of our pilgrim forefathers, ere luxury and fashion had
tarnished with their deceptive but defacing touch the primitive customs
of the land--and, at the crisis referred to, neat but unpretending
villages were beginning to dot at intervals the surface of the adopted
country.

It is to the heart of one of these models of rural beauty that we now
invite the attention of the reader. The immediate location of the
village was in a sort of valley, close within the verge of an immense
forest, and surrounded by an intervening underwood, which Nature had
fashioned as a sort of defensive barrier. The cottages were without the
underwood, and thickly distributed on that side of the forest which
skirted the open country, forming, as it were, a slight chain of
protection against the inroads of the Indians. So much in the light of a
defensive fortress had these indeed come to be regarded by the dusky
tribes, that latterly their invasions in the place had been few and far
between. Even these occasional attacks had at length seemed completely
repressed through the energetic measures of one of the colonists, who
had acted on each occasion of surprise with a firmness and
self-possession that at once overpowered and dispelled the savages.

This man, Deacon Winthrop, had, however, by the strenuous efforts
referred to, incurred the revengeful feelings of the adjacent tribes,
and an impending evil at this moment hung over him, unsuspected by
himself or any of the villagers.

The beautiful English custom of celebrating the first of May, by a
festival of roses, had been preserved in the colonies. To the morning of
as lovely a day as ever ushered in that month of flowers, we now revert.
It was a day of days--not a cloud to alarm even the most fearful, and
holyday dresses were donned without the slightest dread lest they should
be spoiled. The weather was neither too hot nor too cold; the old failed
to anticipate coughs, and the young anticipated pleasures innumerable. A
poetic fancy might have deemed that the trees, the flowers, the grass,
were endowed with a brighter beauty in honor of the day. This festival,
though nominally and by custom given to children, was witnessed and
enjoyed, we may say fairly participated in, by those of older growth. At
almost every cottage door might be seen some grandmother singing to the
crowing infant in her lap, and old men leaning on their sticks peering
out to catch a share of the general joy.

Opposite the pastor’s dwelling was reared the May-pole, gay with flowers
and streaming with ribbons, while around it was collecting the limited
juvenile population of the little place.

The lively ceremonies of the occasion formed no pompous pageant nor idle
mockery--the smiles of the children alone shed a glow over the spot, and
their merry peals of laughter rendered their sports hilarious and
exhilarating to the more sober and advanced inhabitants, who acted only
as spectators of this portion of the festivities.

Several hours passed thus in sportive amusements and in the crowning of
the May Queen, Grace Bartlett, the pastor’s only child, who was elected
by the unanimous voice of her companions to the honors of the occasion.

A banquet followed, spread upon the grass, and composed of contributions
from every cottage matron. When this was ended, the long train of
youthful forms, each garlanded with a trimming of flowers, swept up a
vast avenue of beech to the village church. There the oration of the day
was pronounced by one of their number robed in white. It was a simple
and heart-touching sentence that last came from those childish lips--a
word of faith to be preserved when all the bright twisted garlands of
the day should be withered; when that last tribute, a chaplet bound by
cypress leaves, should be laid upon each bier.

Hark! now from the young circle before the low pulpit arise the simple
tones of a psalm, swelling on the air in rich gradations, interrupted
only by the throbbing of those tender hearts, in the fullness of their
innocent joy. Their rosy cheeks and glistening eyes at that moment, what
need have these of record? Are they not written still in the memories of
the surviving throng? The gushing melody from those infantile voices at
length ceased, and the assemblage dispersed from the building.

Again out in the open air, again on the broad common, again scattered
hitherward and thitherward, the children sought their homes, many of
them possibly regretting that the festival of roses had not to begin
again, but all solaced by the thought that it had become for once more
an event in their personal history. And so to all intents the events of
the day seemed ended. Several of the children had lingered in the
meeting-house, after the general crowd had left it. By degrees, however,
these few loiterers all departed, either singly or by pairs, excepting
young Frank Winthrop and Grace Bartlett, who lingered to collect and
garner up a few of those perishable wreaths that garlanded and adorned
the modest sanctuary.

The platform in front of the pulpit, erected for the accommodation of
the children, was completely hidden in leaves and flowers. Laurel
branches as graceful as stooping seraphims swept over the surface of the
clerk’s desk; the supporters of the pulpit lifted to its floor long,
slender lines of jessamine; while from the rafters of the roof hung rich
festoons of daffodil--making altogether a completely new interior; the
high-backed chair of the clerk beneath was so richly adorned with roses
that one kneeling before it might, without any great effort of
imagination, have been mistaken for a votary of Flora.

For some time our young pair amused themselves tripping from spot to
spot, their sweet, childish voices waking the echoes of the humble
building. At length, tired of the day’s exertion, little Grace Bartlett
threw herself into the huge arm-chair behind the desk. She was a lovely
child, with large, soft eyes, and fair hair, which fell in light waves,
rather than curls, nearly to her waist. Although the special pet of the
whole settlement, she was not spoiled, owing to the remarkable sweetness
of her disposition, which caused her to receive indulgence as the flower
drinks dew, only to become more light and fragrant from the rich
overflow of nutriment. Oh! if you could have seen her sitting in that
old chair, raised some three feet above the floor, her petite figure
vainly endeavoring to accommodate itself to the stiff, high back, one
bare arm dimpling its dark covering, as if like some pleasant old
gentleman, it could not help laughing at so dainty a thing, and the tips
of her tiny fingers finding themselves an agreeable resting-place upon
the soft coloring of her cheek.

Her male companion, Frank Winthrop, was a laughing boy, who was two
years her senior. He was a plump urchin, welcome to the hearts and arms
of all. His life was one long holyday of fun and frolick. He was ever
fain to chat with the old, laugh with the young, nor was there even a
dog in the village that did not wag its ears knowingly as the pretty
fellow drew near.

From under a rude, arched porch outside, the clear laugh and ringing
shout of a troop of happy children, who still loitered near, might be
heard. One was romping in baby-frock and pinafore among the trees, now
thrusting his arm in the leaves to grasp the bared shoulder of a little
sister, then, creeping away under the green shadows, as a hare will hide
itself, and raising his ringing voice to challenge pursuit, clapping his
hands and laughing--scampering off finally on his chubby little feet, to
plunge headlong in the fragrant grass, with a happy joyousness truly
refreshing. At the farthest extremity of this rustic shed, three or four
were playing, with noise enough for Christmas holydays; two boys at
football, while the rest were testifying their feelings by sporting
around them with the extremest merriment. One of the girls, at a little
distance, was going through the A, B, C-dom of a mimic school, now
kissing one, patting another, coaxing a third, crying “Oh, for shame!”
to a fourth, and then dismissing with gravity the geography and history
classes. Although some of the young rebels were larger than she was, and
though they did mischievously contrive to loosen the comb with which she
had tucked up her tresses, until the whole glittering mass came sweeping
round her dimpled shoulders; and though some of the lesser girls would
pelt her with clover tops, yet for all that she was as demure as a
kitten--not a muscle moved. Ah, childhood! beautiful spring-time of the
heart, when deception and suspicion are alike unknown, while yet the
flowers of trustfulness bloom side by side with budding hope and
fancy--ere the germs of envy and selfishness have come to shadow this
bright little Eden of life’s imaginings--how lovely thou art in thy
freshness and purity!

Little dreamed the guileless young gambolers at this moment that a
savage eye was peering upon them from behind the eves of the
meeting-house. An enemy was lurking near, unknown to those innocent
hearts, who, ere the village clock should have pointed to the hour of
nightly repose succeeding that day of glee, was destined to shed a gloom
over the late happy region.

The pretty May Queen, Grace Bartlett, tired at length of her seat in the
tall chair under the pulpit and jumping down with a bound and a run, was
soon out upon the green amidst the merry group we have described. Frank
Winthrop, the other little loiterer, had fallen asleep in one of the
high pews, with a large Psalm-book for his pillow, and consequently he
took no heed of her departure. There he lay in the calm, beautiful sleep
of his young time of life, a model fit for the painter’s or the
sculptor’s hand. How beautiful that boyish dreamer looked!--the round,
fair outline, the fresh bloom of the features--his dark hair falling
aside from his forehead, leaving its surface visible, and bland and
fair.

Meantime, the shades of evening drew on, and the pennon of the hour
began to bestar the heavens. A signal from the parents now brought the
truant children to their homes--all but this reposing boy. It was the
moment looked for by the lurking foe. Stealthily emerging from his
retreat, he gazed around a moment to convince himself that his way was
clear, and then advanced softly to the door of the meeting-house. From
his late place of secretion he had caught a glimpse, through the window,
of the sleeper, thus opportunely for his purpose, left alone in the
building, and he deemed that his moment of revenge had come.

An instant he stood at the threshold--then advanced with measured tread
along the aisles. So light were his footsteps, that the very scattered
garlands and stray flowers of the late pageant rebounded unharmed
beneath his moccason tread.

The space which divided him from the slumberer was soon past, and he
stood before the child’s smiling and outstretched form. For a moment a
compunctious feeling stole over the warrior. He held his breath as he
gazed, and his heart swelled with love and pity. It was an evanescent
feeling, however, for in another instant he had raised the boy in his
arms, and bearing him gently away, he retraced his steps to the green
sward. Another moment, and his retreating feet pressed an opening in the
underwood bordering the forest, and in a moment more he was lost in the
densely-wooded scenery.


                              CHAPTER II.

            Alas! my noble boy, that thou shouldst die!
              Thou wert made so beautifully fair!
            That death should settle in that glorious eye,
              And leave his stillness in that clustering hair.
                                                       Willis.

                                Cursed be my tribe
                        If I forgive him.
                                          Shylock.

We must now use an author’s privilege and transport the reader to a
lofty room in a spacious mansion attached to a fortress. It was far more
commodious and gorgeously furnished than might have been looked for in
such an isolated spot, though it was now silent and imperfectly lighted
by a single wax-taper. The air was fraught with the fine exotics
adorning the flower-stands, and the light, dim as it was, fell upon a
hundred objects of splendid luxury.

The solitary occupant of this apartment had the air of one accustomed to
action, and yet not a stranger to habits of thought. He was of no more
than middle height, but in his air and gesture there was a tone of
decision and command which no advantage of stature could bestow. The
features were graceful, the color, that which exposure to the air
increases in a skin originally soft and fresh. There was altogether a
military appearance in the full and fiery eye which plainly showed the
character of his adventurous life.

General Lincoln had been sent by the government of England to occupy a
fortress on the borders of Canada. Whatever might be the stern
peculiarities of his disposition, he was a man well calculated for the
important trust reposed in him--for, combining experience with judgment
in all matters relating to diplomacy, and being fully conversant with
the character and habits of both Indians and settlers, he possessed
singular aptitude to seize whatever advantages might present themselves.
His policy was to conciliate the adjacent tribes of savages, and through
them to destroy the few colonial settlements yet formed. His first
object was now in the full tide of successful accomplishment, and when
it should be fully ripe, the last would naturally follow.

It was midnight, and General Lincoln was pacing the floor of his
luxurious apartment, seemingly insensible of the downy softness of the
rich carpets under his feet, or the glitter of the splendid lustres over
his head. At length, as he turned at the extreme end of the room, his
eyes fell on the frame of a large painting, and for some minutes they
were riveted to the picture it contained as by a master-spell. It was a
portrait--a full-length portrait representing a female at the climax of
youthful loveliness, with a charming infant boy resting upon her knees.
Well did the gazer remember how fondly he had assisted in keeping the
child quiet during the tedious task of sitting, by holding before his
little laughing eyes the very toy now figuring in the hands of the
mother in the picture before him.

The power of association brought back with life-like force to the
father’s mind the soft, warm grasp of those dimpled, baby hands. Alas!
they were now cold in death. The past arose before him--his early
ambition--his happy marriage--his rapid and flattering success--his hope
for higher honors--his wish for a son to transmit the pride of his
name--his gratified desire. Before its fulfillment, the strongest
principle of his mind was the longing for a son. Afterward, he had
coveted worldly honors--he had garnered wealth that he might transmit to
him the one and the other. Often, after the duties of the day, had he
repaired to that child’s chamber and watched his slumber. How often for
hours had he nursed it in his arms with all a woman’s tenderness and
gushing joy. All his softer feelings--all his holier and better
ones--such as even in the proudest bosom find root, turned toward this
child.

From the soft and sinuous outline of the half-naked babe in the picture,
his eye wandered to the face of the angel-like mother. Those clustering
curls, those sparkling eyes, those blooming cheeks--for a moment they
appeared before him, joyous, brilliant, beautiful and beloved. He
pressed his hand hard with the clinch of suppressed emotion over his
eyes, as the heavy tears fell upon the rich carpet, evidencing that
under the crust of worldly intrigues was a heart that beat strongly. The
grave had claimed both the dear ones whose likeness he looked upon--and
now only a daughter was left to him. This daughter he loved, it is true,
but she could not inherit his name, and every new acquisition of fortune
or fame rendered him only the more anxious to perpetuate those empty
distinctions to his race.

“My son, my son!” murmured the worldly man, “would to God that I could
have died for thee.”

At that instant the great hall bell sounded, and an attendant shortly
afterward entered the apartment, saying, “The Indian chief Tuscalameetah
is below, and would speak with Gen. Lincoln on business of private
import.”

“Let him come up,” was the reply.

In a few moments, a man entered in the wild accoutrements of a native of
the woods. His closely-shaven head was without ornament of any kind,
with the exception of a solitary plume that crossed his crown and hung
over his shoulders. A tomahawk and scalping-knife were in his belt. He
wore a hunting suit of forest green, with moccasons gayly ornamented,
and his buckskin leggings laced at the side were gartered above the
knee. His eye was quick and restless, roaming on every side of him, as
from the habit of mistrusting the sudden approach of an enemy.

Notwithstanding these symptoms of suspicion at the moment of his
entrance, his countenance was not only without guile, but wore an
expression of honesty. He passed from the door, and approached Gen.
Lincoln with the dignified tread of his race.

“What bringeth thee here?” asked the proud man of the savage. “Hast thou
accomplished the errand I entrusted thee with?”

“Tuscalameetah hath done thy bidding, and with the same arrow he has
made sure his own revenge,” answered the other.

“I trust thou hast not committed butchery in this work,” said his
employer. “The moment of extermination has not yet come, and I pray God
it never may be our last resource. I but desired you to find me an
orphan boy among the settlements whom I could make the heir of my name
and wealth.”

“The red man acteth as he will, and cometh back as he sees fit,” replied
the chief, haughtily. “But the son of the clearings shall bless thy
hearth; yet the tomahawk and scalping-knife have not left their
resting-place.”

“It is well,” responded Lincoln, “that thou hast shed no blood. And the
child, is he fair? and wherefore doth he linger?”

“He shall be in thy wigwam ere the sun setteth again,” said
Tuscalameetah. “The lily of the valley cannot compare with him in
whiteness.”

“See that thou bringest him hither by the time thou hast specified,”
rejoined the general, as opening an escritoir which stood on one side of
the room, he handed the Indian a purse of gold. In a few moments he was
again alone.


                              CHAPTER III.

                   The child?--
                 Ay, that strikes home--my child--my child.
                                  Love and Hatred. By ----.

                                   ----Lose I not
                With him what fortune could in life allot?
                Lose I not hope, life’s cordial.
                                                   Crabbe.

The morning following the mysterious disappearance of little Frank
Winthrop, unusual symptoms of gloom might have been discerned in the
village. The may-pole still stood trimmed with ribbons, but no children
gamboled around it. There was a party of lads and a group of girls
standing talking to each other--not merrily, but earnestly, on what
appeared to be a subject of grave import. There were neither shouts nor
laughs to be heard. And at almost every cottage door mothers might be
seen with their infants in their arms, or old men and women shaking
their heads sadly, and whispering to one another.

One called to mind how he had seen the child at the festival on the day
previous, and what a pensive, half-ominous air his childish features
wore. Another told that he had wondered much that one so young as he,
should be bold enough to remain alone in the meeting-house with his baby
companion. And the children went thither in little knots, and with
half-fearful steps entered the pew where Ruth had left the lost boy
sleeping.

As to the bereft mother, for many hours they had little expectation of
her surviving, but grief is strong and she recovered. Some faint hope of
his ultimate discovery seemed to animate her heart in this season of
agony. The father took an active and energetic part in the search that
was made by the villagers. It was a trait in his character to conceal
deep grief, which with him, in this case, seemed to lead to action, not
despair or despondency.

For weeks an investigation and search, led by himself, was followed up;
but it proved without success. Those who have known the blank that
follows the death of an idolized child--the uneasy void, the sense of
desolation that will come when something beloved is missed at every
turn--they can faintly guess how those unhappy parents pined as their
faint and shadowy hope deferred from day to day till their hearts grew
sick. With the mother, a removal from the scene of her late bereavement
was tried, in order to discover whether change of place would rouse or
cheer her. But alas! she was henceforth the same--a broken-hearted
woman. The sympathy felt for her in the village was profound. As she
appeared among them those who met her drew back to make way for her, and
give her a softened greeting. Some shook her kindly by the hand, some
stood uncovered as she glided by, and many cried, “God help you!” as she
passed along.

Months passed on, and still no tidings of Frank Winthrop cheered the
ears of the villagers. Years, too, in their course, gradually rolled on,
and many changes were witnessed in the settlement--the old died and were
buried--new children were added to the colonists--the young began to
approach the season of maturity--yet still the vanished one was seen
not, and tidings of him were heard in that place no more.


                              CHAPTER IV.

          I struck in a pathway half-worn o’er the sod
          By the feet that went up to the worship of God.

                       *     *     *     *     *

          Such language as his I may never recall,
          But his theme was salvation, salvation to all--
          And the souls of his hearers in ecstacy hung
          On the manna-like sweetness that fell from his tongue
          Not alone on the ear his wild eloquence stole;
          Enforced by each gesture, it sunk to the soul,
          Till it seemed that an angel had brightened the sod,
          And brought to each bosom a message from God.
                                             Mrs. Amelia Welby.

                   Seem’st thou dimly to remember
                     Some sweet spot ne’er seen before,
                   To have visited or known it,
                     Or in dreams or times of yore?
                   Doth a word send waking fancies,
                     Ringing thought’s familiar brain,
                   Faint and distant, yet familiar,
                     Where and when we seek in vain.
                                     Mrs. Acton Tindal.

We must allow an interval of sixteen years to pass away ere we again
appear before our readers. To the quiet meeting-house mentioned in our
opening chapter, we now revert. The chaplets and flowers we described
previously, had long since withered away and returned to their parent
dust, and with them, except in faint tradition and in the hearts of the
bereaved parents, the name of the lost boy.

The humble building was now half-covered with ivy, and the small,
secluded grave-yard was studded with simple stones and heaped with
grassy mounds; showing that Time had not been idle in his allotted work.
On one side lay the garden of the little house belonging to the
pastor--a quiet dwelling shaded with sycamores, which threw large
branches over the wall, and heavily shaded that side of the grave-yard.

The low bell had done ringing some time, and the congregation had all
assembled. The small house overflowed with numbers, and what cannot be
said of many such assemblies, contained but one class of human
beings--all meeting on equal terms--none striving after the highest
seat--difference of station having never been so much as named among
them. These consisted chiefly of old men dressed in the respectable garb
of the colonists, and women of different ages.

Opposite the reading-desk was Pastor Bartlett’s pew. The only occupants
were his wife and daughter. The latter would have attracted attention in
any assembly, for her beauty was of an uncommon cast. Her face was of
that kind which is our ideal of a cherub’s--rounded, pure, innocent and
happy. The long, golden hair absolutely sparkled in the light, while her
skin realized the old poet’s exquisite description:

          “Fair as the snow whose fleeces clothe
           Our Alpine hills;--sweet the rose’s spirit
           Or violet’s cheek, on which the morning leaves
           A tear at parting.”

Altogether nothing could be more peaceful and soothing than the effect
produced by the congregation assembled in that little, unadorned place
of worship, set off alone by the deep and expressive tones which
proceeded from the reading-desk. The venerable Pastor Bartlett was a
thin, pale, reverend looking person, with his locks thickly sprinkled
with gray. He was reading a psalm from David, in the most beautiful and
deeply earnest manner. His voice and pronunciation were those of a man
of education, and his countenance refined and intellectual. But that
which struck the beholder particularly about him, was the deep and
unaffected seriousness with which he performed the holy office he was
engaged in.

Whether it was the peaceful quiet and seclusion of the scene--whether it
was their frame of mind, or whether it was the teaching voice of the
reader we know not, but all paid the most devout attention. On the
conclusion of the psalm, the preacher went up into his little,
worm-eaten pulpit, and began. His text was, “Why will ye labor for that
which is not bread?” There was something so seriously in earnest in his
manner that the words seemed to go to the hearts of his hearers. He
spoke of the emptiness, the insufficiency of pleasures which terminated
here to satisfy a spirit created for an hereafter. He represented the
powerlessness of those aids to support and tranquilize the heart in its
sufferings and its dangers. He drew a living picture of the human
heart--its secret restlessness and disquiet, its sense of the hollowness
of all things. He then told them of that which was the true bread--of
fountains whence flowed living waters--their immortal relations--their
high destiny--their sonship and communion with the infinite God.

The clergyman was in the midst of his solemn discourse, when the
attention of his hearers was attracted by loud and unusual sounds in the
churchyard. There were the galloping of a horse, the clang of spurs, and
the crack of a whip. The suspense was brief, for in a few moments a
stranger entered the sanctuary.

The intruder was a young man of some twenty years of age. He had that
air which, if not embodied in the words _high bred_, is beyond the reach
of words; and his whole countenance was one to rivet attention in a
crowd--the whole marking him no common person.

He paused at the entrance, for the crowded state of the little building
rendered it somewhat difficult for him to perceive a vacant seat.
Another moment, and the stalwort form of Deacon Winthrop was seen to
arise and beckon the embarrassed stranger to a place by his side.

The slight interruption to which the intrusion of the young man had
given rise subsided, and in another moment he was listening with the
most respectful attention to the resumed discourse. At its close,
supposing the services ended, he arose to withdraw. He had turned slowly
to the door, when a doxology arose, led by a voice in the pastor’s pew
in front of him, that arrested his steps. He listened, charmed and
spell-bound--words came o’er his ear, words long unfamiliar to him, and
but imperfectly remembered--words connected with his early and childish
years--words that seemed as the ghosts of the past. He lingered after
these had ended to catch a glimpse of the singer. Grace Bartlett was,
indeed, a beautiful vision, as she thus stood among the now erect
congregation, with her delicate bloom and rounded form, a picture of
youth and hope. Her thoughts seemed turned from earth to heaven, and her
eyes took the same direction. There was a something so pure, so
spiritual about her at that moment, that an enthusiast might have
thought her an inhabitant of upper air.

The stranger stood rooted to the spot as she turned. It was a face whose
expression had long unconsciously haunted his young dreams. It was one
that he had seen before, though where, he could not recall. Her eyes
encountered his, and she blushed to her temples, an enchanting picture
of bashful confusion.

Turning away embarrassed, the young man said to Deacon Winthrop, “I am
to blame for having trespassed upon the hospitalities of your place of
worship.”

“Nay, not so, young man,” replied the excellent deacon, “the word of God
is free to all. But if you will allow me to offer you those of my house,
we will be glad if thou wilt accompany us home, and dine with myself and
my wife.”

The youth accepted the offer--and they left the place together.

Much conjecture was afloat that day at the various dinner-tables of the
village, respecting the young stranger who was sharing Deacon Winthrop’s
hospitality. The sudden appearance of any stranger in this primitive
spot was sure to produce a sensation; and in this case, where the
intruder was young and handsome, that sensation was proportionably
increased.

Deacon Winthrop was beset by questions, to which he replied with a
benign affability, “We must show this young man every attention. His
religion is not ours, it is true, but he has a right to his own
opinion.”

Many more of the villagers, through this advice, had soon an opportunity
of judging of the stranger for themselves, for he remained for some time
among them; and the curiosity respecting him at first evinced, if it
continued any longer, ceased to be expressed in the admiration his
courteous manners and agreeable conversation excited in the minds of
all.


                               CHAPTER V.

             _Viola._ And dost thou love me?

             _Lysander._ . . . Love thee, Viola?
           Do I not fly thee when my being drinks
           Light from thine eyes?--that flight is all my answer!
                                              The Bride, Act 2.

It was one of the loveliest evenings in the loveliest month of a New
England autumn. One of those delicious _pet days_, as they are fondly
called, which, perhaps, from the uncertainty of their continuance,
sometimes elevate the spirits more than the “long, sunny lapse of a
summer day’s light.” Birds had been clamorous in melody, rare flowers
had confidingly expanded their delicate petals to the genial glow that
was abroad, and there seemed to be more light in the world than we are
accustomed to enjoy. Yet that day had passed away--the warmer beams were
gone, but their delightful influence still was felt in the soft, balmy
temperature that remained. The birds had all vanished; yet even of them
one would have said some soft charm still lingered in the dreamy hum
which, though gradually becoming fainter, was still afloat; and if some
delicate flowers had closed their bosoms from the breath of evening,
others there were which gave out their fragrance.

On this delightful and balmy evening we introduce our readers to the
cottage of Pastor Bartlett, adjoining the village church. It was remote
from the main village, and shut out from its bustle and occupation--in
this suiting the character and taste of its occupants. From its porch,
where they were sitting, the pious man and his wife feasted their eyes
with the refreshing green of the woods, whose boughs bent gracefully
down to kiss the beautiful verdure that grew beneath, while the whole
was softly bathed in a rich, warm flood of purple light.

The sunset hung lingering over the village, as if to contrast its own
chamelion-like and gorgeous beauty with the fixed and placid scenery
below. Many of the settlers might have been seen seated at the vine-clad
doors of their simple dwellings, watching its fading splendor as it sunk
behind the tall trees which almost hid from view the pastor’s cottage at
the considerable distance we have described.

The excellent clergyman and his partner were sitting on a bench on the
left of the porch, screened from observation by the cool boughs of a
sycamore, the shadows of which half covered the little lawn that
separated the precincts of the cottage from those of silent death. Above
the white-washed pailings rose the village church. The old man and his
wife were, as we have said before, calmly enjoying the beauty of the
evening, the freshness of the air, and not least, perhaps, their own
peaceful thoughts--the spontaneous children of a contemplative spirit,
and a quiet conscience. Theirs was the age in which we most sensitively
enjoy the mere sense of existence, when the face of nature, and a
passive conviction of the benevolence of our Great Father, suffice to
create a serene and ineffable happiness which rarely visits us till we
have done with the passions; till memories, if more alive than
heretofore, are yet mellowed in the hues of time, and Faith softens into
harmony all their asperity and harshness; till nothing within us remains
to cast a shadow over the things without; and on the verge of life, the
angels are nearer to us than of yore. There is an old age which has more
youth of heart than youth itself!

At length the pair simultaneously arose, and withdrew into the cottage,
for sunset was their appointed season for evening devotion. The old man
seated himself in his large arm-chair, but his wife lingered standing
near the open lattice, until the gloom of twilight was gathering over
the sky, and continued to gaze down the path leading to the village with
intentness and eagerness. At last, as though weary of her employment,
she turned away with a smothered sigh, saying, “Husband, what can detain
Grace?”

“I know not,” was the disturbed reply of the venerable man at this
suggestion. “There is no fear that bodily harm can have come to her, for
it is now a long time since we have had any incursions from the Indians.
But I am inclined to fear for her soul’s happiness. Has it not occurred
to you, wife,” he continued, “that Grace’s relaxed interest in the
duties of religion, together with her repeated absences from home,
originate in some cause not purely accidental. For myself, my suspicions
have been attracted toward the stranger who in the last few weeks has
appeared among us. She has already informed us of their having had more
than one interview at the dwellings of some of my people in the village.
We must see to it that they meet no more. He must have no further
opportunity of awakening an interest in the unsuspecting bosom of our
daughter.”

There was a tone of deep despondency in the voice which spoke these
words--for recently the change in their child had become marked. Unusual
absences from her home--a sadness foreign to her natural cheerfulness of
manner--a sudden and frequent outbreaking of tenderness toward her
mother and himself--tears often springing overflowingly to her eyes--all
these circumstances could do no more than excite uneasiness and anxiety
in the minds of her parents.

A low murmuring sound was presently heard at the little wicket-gate
outside, and immediately after the door was softly unlatched, and Grace
Bartlett glided into the room.

The anxious glances of the pastor and his wife at once discovered by the
light of the fire, which blazed brightly upon the hearth-stone, that the
young girl’s eyes were dimmed with a slight expression of sorrow, and
that her lovely cheek was a shade paler than its wont. She moved gently
forward, knelt down at her father’s side, and kissed his brow.

“Grace,” said the old man, sadly, as he laid his hand among her
beautiful tresses, “we have awaited your return, my child; it is past
our customary hour for prayer. Do you tire of the happiness of home,
that you seek for enjoyment elsewhere?” he added, as he gazed down on
the face of the lovely being so emphatically the light of his home.

The girl’s countenance betrayed a confused consciousness as her
beautiful “forget-me-not” eyes encountered those of her parent; but she
made no reply, and a moment after arose from her knees. Untying her
bonnet and hanging it against the wall, while her golden hair,
disobedient to previous arrangement in modest bands by its owner, fell
luxuriantly around her neck, she took a seat to signify that she was now
prepared to join her parents in the devotions of the evening.

At that moment the little low-roofed apartment, so unostentatious in its
old-fashioned furniture, so exact in its modest neatness--its bare walls
unornamented with ought save a piece of faded tapestry, or an occasional
nail whereon was hung sundry bunches of dried herbs and bags of
rose-leaves--this, with the girl in her youthful simplicity and grace,
kneeling by the side of her venerable parents, the eyes of all closed,
and their hands clasped in devotion, while the old man’s lips were
parted in the act of prayer, formed altogether as complete a picture as
possible of colonial economy and piety.

The aspect of the room was homely but pleasant, with its low casement,
beneath which stood the dark shining table that supported the large
Bible in its green-baize cover, the Concordance, and the last Sunday’s
sermon in its ebon case. By the fire-place stood the elbow-chair, before
which the minister was kneeling, with its needle-work cushion at the
back. Fifty or sixty volumes ranged in neat shelves on one end of the
wall, and a half-a-dozen chairs, and a table, completed the furniture of
the apartment. But it was the occupants who made the effect of the
scene, in their pious act of evening devotion.

When the prayer was ended, Grace hastily withdrew, as if to avoid all
further questions. But her anxious mother was not long in following her.
She entered the little chamber of the young girl softly. Her daughter
heard her, and started from the chair she had taken.

The gentle matron drew her affectionately to her side as she seated
herself on the low bedstead, saying, “Grace, thou wast not educated to
have any secrets from thy fond parents. Tell me, then, my child, who
accompanied thee to the gate this evening?”

The girl hesitated for some moments, during which a momentary blush
suffused her face and neck. Then, hiding her face in her mother’s bosom,
she timidly replied, “It was the young stranger; he met me on the path
leading from the village, and attended me home.”

The mother’s face evinced a troubled expression. “Oh, Grace, my
daughter,” she said, “thou shouldst not have permitted him to do so. Thy
father hath ever said since that young man’s arrival in the village,
that it did not become any of our sect to hold ungodly converse with the
sons of Baal.”

“But, mother,” urged the fair transgressor, “the stranger belongs not to
that impious race. Every Sabbath, since his sojourn in the settlement,
his attendance at the place of weekly worship has been regular and
respectful.”

“My child!” ejaculated her mother, in a voice tremulous with sorrow,
“thou hast yet to learn to beware of the wolf in sheep’s clothing. Satan
sometimes transformeth himself into an angel of light to steal away the
affections of the innocent. But,” added the pious matron, “I will chide
thee no more for the present. Thy father and I will henceforth be more
watchful of thee. Commend thyself to God, and seek thy pillow for the
night.” So saying, she kissed her daughter and withdrew.

On the present evening, Grace had agreed to meet her lover, after the
family worship in her father’s cottage, for the young man was about to
depart from the village on the following day. The moment she was alone
in the room, the struggle in her mind, increased by the words of her
mother, depicted itself on her sweet face in an expression of doubtful
agony, such as never had sat upon her countenance before--for its
ordinary expression was that of the most seraphic serenity. She took up
her little Bible to find some word of excuse for her contemplated act of
disobedience, but it was only to turn over the leaves with a throbbing
heart and wandering brain, that would not permit her attention to be
arrested by the words before her. Laying the holy book down again, she
sunk upon her knees to pray. The ordinary words of her devotions were
not urged, but she asked God to forgive her for the sin she was about to
commit, and rose confirmed and strengthened in her purpose.

Sitting down by her lattice, she listened for every sound within the
cottage to die away. At length, when all was still and dark, she lifted
the latch of her door and stole to the threshold of her father’s room.
Finding all quiet, she retraced her steps, and raised the sash of her
low window with the caution of one who fears danger in the beating of
her own heart. Jumping through this, she alighted on the garden plot
below. She proceeded to steal along under the shadow until she reached a
rustic arbor, which she hurried into, and was welcomed in the arms of
her lover.

“So you have come at last!” he said, joyfully. But as he spoke, he saw
her eyes were filled with tears.

She buried her face in his bosom, and her sobs became audible. Raising
her head gently and kissing her through her tears, he smoothed the
golden hair back from her forehead. “What aileth thee, my beloved?” he
asked, after he had soothed the first outburst of her emotion.

“Charles,” she sighed, as she looked up at him eagerly and endearingly,
“I fear I do wrong to meet you here against my parents’ wishes.”

“Your conscience is too tender, sweet innocence,” was his reply. “God is
more lenient in his judgment than thou deemest him. He hath implanted in
thy bosom the very love for me and inclination to meet me here which
thou art now afraid he will condemn; and thine own immaculate virtue and
purity are thy sure safeguards from greater harm than he who now speaks
could ever bring upon thee. Dearest, I would not hurt a hair of your
beloved head, still less bring upon thee the judgments of Heaven. Dost
thou not believe it, Grace?”

“Nay, but your religion?” she urged timidly--

“Is easily changed,” replied the lover. “Why, Grace, I will turn Puritan
in garb, habits, worship, every thing, to win thee. At present I am on
an embassy of diplomacy; but, in a few weeks, when I return, I shall
have nothing to do but to court you in the guise that shall most please
your scrupulous parents. You know how from the first moment I saw
you”--and he lowered his voice to the soft, musical key of impassioned
devotion--“you became dearer to me than aught in this world besides. I
love you, Grace, better than all words can tell, and shall live until we
meet but in the hope of coming to reclaim you, with arguments fitted to
disarm all the objections of your father and mother. You will not forget
me, will you?” he asked.

She laid her hand trustingly in his, and in a look of unalterable love
gave him her reply.

The stolen interview did not last much longer, and in another half hour
Grace Bartlett slept sweetly on her pillow, and the stranger was at his
quarters in the village.


                              CHAPTER VI.

                            They linger yet.
                      Avengers of their native land.
                                               Gray.

A month passed away, the stranger had departed, and whatever had been
the original object of his visit, it never was made known to the
villagers. Grace had as yet received no letter or token from her lover.
The suspense had paled her cheek, and dimmed the soft light of her eyes.
It gave also a sad plaintiveness to her voice, and a languor and
debility to her movements, which awoke the anxiety of her parents to a
painful degree.

They also, in common with the rest of the villagers, were, however,
suffering during this time apprehensions from another cause.

At this period in the progress of the American colonies, Britain had one
or two powerful emissaries on the borders, whom she had sent to crush
the settlements. To disguise their purpose, or perhaps to embrace
another equally important, these emissaries were officers of the army,
sent with a military force to establish forts on the borders, for
defense against the encroachments of the Indian tribes. As the reader
has received some intimation in the course of our tale, it became the
policy of these men to direct their chief efforts against the settlers,
and for this end, when it was practicable, they won by bribery the
co-exertion of the savages.

Very recently, the little settlement in which a portion of our tale is
laid, had received intimations of an intended attack from the Indians.
Considerable alarm had been felt, and the fire-arms long in disuse, were
burnished and prepared for operation in every family.

Things were in this state when, one calm and cloudless night, when the
moon shone with her brightest effulgence, quenching the stars in their
radiance, and bringing out into clear and softened perspective the
scenery below. Within the peaceful village of our story reigned the most
profound repose. Its inhabitants, unconscious of impending danger, had
long since offered up the nightly incense of their pious hearts, and
resigned themselves to sleep--sleep in the old, deep, undisturbed and
dreamless; in the young, light, peaceful and visionary--in all, the
unfeverish, refreshing rest which was the natural reward of their simple
habits, and the rectitude of their lives.

The silence was suddenly broken by sounds that curdled the blood of
those who heard them, and made them spring to their feet as if a
lightning flash had stricken them. Before any one could find words, the
appalling war-cry of the savages burst from every quarter, startling the
very air through which it passed, and falling like a blight upon the
spirit. The devoted villagers beheld throughout the settlement lines of
streaming torches moved by dusky forms. These torch-lights carried high
above their heads showed not only the grim faces of those who bore them,
but also those of others who were partly concealed by the foliage of the
forest in which they stood. With that forethought and cunning so
remarkable in their race, they had conveyed firebrands and straw to the
doors of each dwelling in the early part of the evening. The yell
already noticed was the signal for firing their previous preparations,
and, ere many moments had elapsed, a number of the cottages were in
flames. Glancing instinctively toward their pastor’s home, the terrified
settlers found that it shared in the general fate. To hold a short
conclave, and then dispatch a few of the more fearless and active of
their number to the assistance of its helpless inmates was the work of a
moment.

Hurrying along the little path, the heroic men reached the spot as the
high and agonizing scream of a woman arose far above the discordant yell
even of the savages. It came from Grace Bartlett. Scarcely conscious of
what she did, the unhappy girl, leaving her chamber, gained the top of
the stair-case, and loudly as she could, called upon the name of her
parents.

Her piteous accents were responded to only by a shout from the crowd.
Bounding footsteps mingled with shouts reached her, approaching momently
nearer, and ascending the stair-case.

With all the instinct of self-preservation, the affrighted Grace rushed
back again into her own apartment. There, sinking on her knees, she
reposed her forehead against the side of the windowsill, and nearly
suffocated with smoke, and in a state of indescribable agony, awaited
the consummation of her fate.

The ascending feet had now reached the passage without, and in another
instant a man rushed fearlessly into the room. The blood of the young
girl curdled in her veins. She mechanically caught the ledge of the
casement on which her aching head rested, and closing her eyes awaited
in trembling the blow which should put an end at once to her misery and
her life. But in another moment she felt herself firmly secured in the
grasp of an encircling arm, and speedily carried through the chamber.
Instinctively, a sense of something more dreadful even than death now
flashed across her mind, as the unhappy girl opened her eyes wildly upon
her captor.

A heart-rending shriek escaped her as she did so. She was in the arms of
a gigantic savage. His long, raven hair was matted with blood, and hung
loosely and disfiguringly over his eyes, while his face and brow were
marked with crimson spots--doubtless spatterings from the wounds of
others--and a slight stream that trickled from his cheek gave evidence
that he himself had been hurt in the affray.

“Oh, my God, save me!” exclaimed the shuddering girl, raising her eyes
imploringly to heaven. From that moment she was insensible to all that
was passing.


                              CHAPTER VII.

            And was this, then, the end of those sweet dreams
            Of home, and happiness, and quiet years?
                                                 Miss Landon.

Darkness was about to throw her veil over the earth, when a lofty tent
might have been seen pitched on the extreme summit of a ridge beyond
which lay the horizon in golden beauty. Buffalo skins formed a floor to
the inclosure, and upon these reposed the forms of three human beings.
One was an Indian, evidently of the rank of a chief. He lay on one of
the skins at his lazy length, his feet reaching beyond the opening of
the tent, and his head reposing on a rude pillow, formed of the furry
hides of other wild animals. He smoked a pipe, while his roving eye
often rested upon the farthest of his companions.

At a little distance from the savage we have described sat a female,
whose hair, complexion, and whole looks bespoke her Indian birth. Her
dress, likewise, was that of her tribe, and was of the quality and
texture to mark her as the probable wife of the chief whose company she
bore. A wooden bowl was at her side, and from this she was now in the
act of feeding herself with a spoon of the same material, but with a
slovenly negligence indicative of her origin.

The farthest extremity of the tent revealed another woman, whose
appearance denoted her to be of European extraction. She was blue-eyed,
and of surpassing fairness of skin. Her attitude indicated a mind too
powerfully absorbed in grief to be heedful of appearances, for she sat
with her limbs contracted, and rocking her body to and fro with a motion
that seemed to have its origin in no efforts of her own. Her long,
golden hair hung negligently over a neck of dazzling whiteness; and a
blanket drawn over the top of her head like a veil, and extending partly
around her person, disclosed here and there portions of an apparel which
was strictly American, though much torn. A bowl similar to that of the
Indian female, and filled with the same food, was at her side, but this
was untasted.

“Why does the pale-face refuse to eat?” asked the warrior of her next to
him, as he rolled a volume of smoke from his lips. “Make her eat, for I
would speak to her afterward.”

“Why does she refuse to eat?” echoed the woman, dropping her spoon as
she spoke, and turning to the object of remark, “It is good,” she
continued, as she touched the arm of the heedless sufferer. “Daughter of
the pale-faces, eat.”

A cry of distress burst from the lips of the unhappy girl, as apparently
roused from her abstraction, she suffered the blanket to fall from her
head, and stared wildly at her questioner.

“Is the air of the tent not pleasant to the blossom of the clearings?”
asked the warrior, evidently touched by her seeming misery.

Seeing that she made no answer, he continued, “What is written is
written. The Red-man cannot lie. We must bear thee to the great white
father at a distance. But perchance the door may one day be left open,
and the bird can escape from its nest.”

“Ah! whither can I fly?” exclaimed Grace Bartlett, at length bursting
into tears. “My native village is destroyed, my home is burned, and my
parents and neighbors have fallen victims to the general ruin.” She wept
for some moments bitter tears, which seemed to relieve her overcharged
heart--the chief and his squaw looking on her with more of pity than is
usual in their race.

The next morning their march commenced again through the interminable
forest. The Indian traveled on foot, while the two females were mounted
on mules. The wretchedness of the unfortunate prisoner seemed to
increase throughout the whole route, her companions wearing the stolid
indifference of the North American tribes, except when momently touched
by her situation: For the most part, during the slow ride, Grace
Bartlett was left to her own miserable reflections, receiving only at
rare intervals some rude attentions from the female, who accompanied
her.

The slow pace of the travelers, with various other causes of delay which
it is needless to mention, detained them three nights upon their road.
As soon as darkness approached the tent was again spread, and a halt was
made until the morning. On the fourth evening, instead of encamping as
before, they continued their journey until a late hour, when the eyes of
the captive maiden, wearied with a succession of wild wood scenery,
gazed with something like pleasure upon the scene that now opened before
her.

The object that thus met the gaze of Grace Bartlett as they emerged from
the forest, was one of those stern fortresses of which so many, in our
early history, seemed to accuse England of designs against the Indians.
It had external pretensions to the name by which we call it, for it
looked strong enough to bid defiance to any attempts against it by siege
or storm. A deep moat surrounded the lofty stone turrets on all sides,
and a drawbridge was the only means of crossing to the entrance of the
fort. To Grace, the sight of the fortification, though she gazed on it
at first with pleasure, immediately after brought feelings of pain and
apprehension; and however confident she might be in the good providence
and protection of God, it cannot be denied that she felt deeply and with
an anxious and sickening heart her entrance in a place which might prove
to her a final prison.

After assisting his companions to dismount, the Indian blew a loud,
shrill whistle. He was answered by a sentinel, who carried on a brief
conversation with him, and withdrew to an inner lodge for the key of the
great gate. He soon returned, it creaked upon its hinges, and the heavy
drawbridge swung slowly up with a jarring sound of chains and huge
iron-work--sadly harmonious with the uses of the building which they
shut out. The bell, communicating with the mansion connected with the
fortress, rung, and the chief, with his prisoner, passed slowly in to an
inner court, leaving the squaw standing without.

The glare of light, the sound of music, mingled with the tones of the
human voice in merry laughter and light conversation reached her ear,
and startled the wretched girl with wonder. The Indian, with the utmost
tranquillity and with slow and important steps, led the way toward this
portion of the large and heavy mass of gloomy masonry, which, with its
tall chimneys, loomed up before them. An immense doorway opened upon a
broad staircase that seemed formed to make the head dizzy with its many
windings. Up this the savage proceeded with his prisoner, whom he held
by the arm, half-supporting her weight as she moved passively and like a
piece of mechanism in his fingers. On the first landing they passed a
drawing-room, splendidly illuminated and filled with revelers, from
whence the noise that had reached the court-yard proceeded. Continuing
up the various turnings until they had accomplished another flight, the
savage paused, and opened a door communicating with a single chamber
handsomely furnished.

Its solitary occupant was a man past the prime of life. He seemed
immersed in business, examining documents and reading letters which were
strewn on a table before him. He arose as our party entered, held out
his hand to the Indian, and asked, “Any prisoners?”

“We have taken a daughter of the pale-faces, a blossom of the
clearings,” was the reply of the savage as he pointed to his captive.
“But the air of the woods is not pleasant to her: she pines after the
wigwam of her fathers.”

Grace Bartlett had no sooner entered the apartment than her whole frame
trembled violently, and the color leaving her cheeks, she sank down on
the floor, resting her elbows on her knees and pressing her hands to her
forehead.

The appearance and attitude, indicative at once of extreme fatigue and
the abandonment of despair, did not fail to move the compassionate
feelings of General Lincoln, who raised her gently and seated her in a
large arm-chair.

“Alas!” said he to the warrior, when he had performed this act, “why did
you bring so frail a creature? It were a pity to have made her a
sacrifice to my courtly intrigues and ambitious plans: she is only fit
to be the darling of her parents.”

“My parents!” exclaimed the unhappy girl at this mention of them, “would
to God that I knew their fate!”

“You shall be treated kindly,” said the general to her with much
considerateness of manner, and in a gentle tone. “Every thing shall be
done to make your residence here pleasant. You are fatigued,” he
continued, “sweet maiden,” as he turned to a bell that was suspended
near.

A servant in livery appeared, and after a few brief words from his
master again vanished. He returned presently, followed by a neat
maid-servant.

“Go now,” said Lincoln to Grace, in tones of encouragement, as he gently
assisted her from the chair whereon he had placed her, “to the chamber
provided for you. Susette will perform the offices of your toilet for
you, and furnish you with nourishment suited to your weak condition.”

When left alone with the Indian he paced the room with a disturbed air
and gigantic strides. Suddenly he paused short, and glanced his eye
toward his dusky companion. He beheld the savage regarding him with the
calm but sullen attention which marks the expression of this subtle
people. Instantly recollecting himself, he asked in a friendly tone--

“Tuscalameetah, is the settlement wholly exterminated?”

“It is,” replied the chief. “The pale-faced daughter of her people is
left to mourn over the ashes of her wigwam. In the morning the sun rose
upon the white men as they trod the grass happy and strong, and when the
night came, only their bones were left among the ashes. Tuscalameetah
has done thy bidding.”

“And the youth, called Charles Lincoln, what of him?” inquired the
other. “It is some months since he went to scour the settlements as a
spy. Have any of the tribes met with him?”

“Before the moon go her course,” answered Tuscalameetah, “the stolen
bird will tread the halls of the great white man who is to him as a
father. He is now left with no kindred and no people. The man that drove
back the tribe of Tuscalameetah’s brethren,” continued the Indian, and
his eyes flashed with successful revenge, “is brought to have his tent
destroyed, and his own dust scattered by the whirlwinds.”

Again General Lincoln paced the room, and there was a silence. “You can
depart,” he said at length to the savage.

“It is hard,” muttered he, as he was left alone, “to be stretched on the
rack of a responsibility such as this. But things prosper, and my royal
master is gliding through life enjoying the fruits of my joyless days,
and sleepless nights, and periled salvation, while I am wearing myself
down to the grave. He has none of the remorse which haunts me, making
the dying looks of these massacred people pursue me to my fireside, and
molest the joys of my home.”

“And the poor boy’s parents are dead,” he continued, after a pause.
“Since blood had to be shed, better theirs than that of others, for
there is now naught to come between him and his heirship to my titles
and estates. God be thanked for this, for I love him as if he were the
son whose place I have given him and whose name he bears.”


                             CHAPTER VIII.

             Tear follows tear where long no tear hath been;
             I see the present on a distant goal,
             The past, revived, is present to my soul.
                                            Blackie’s Faust.

                Supported by the very power of sorrow,
                And faith, that comes a solemn comforter.
                                                  Wilson.

Our poor heroine made the necessary effort, and languidly followed her
conductor into a long passage which led to a lofty chamber, carefully
furnished with a luxurious bed and every appliance of elegance and
comfort. Throwing herself on a sofa, Grace heeded nothing around her,
different as every minute article was in its adaptation to the
refinements of life from the simple arrangements of her former home.

Her attendant was assiduous in her cares. She wiped her face and hands
with a damp towel, bathed her feet, and held a bottle of perfume to her
nostrils to revive her failing strength. Then, bringing a salver
containing wine and light nutriment, she put the glass and spoon
alternately to the lips of the sufferer, who mechanically tasted again
and again of their contents, seemingly having at length lost all power
of resistance. Then, assisting her to the bed, Susette departed, at a
faint request from her lips to be left alone.

Passive and immovable she lay for some moments after the departure of
the hand-maiden. With revived strength, she at length arose and locked
the door of her apartment. There are cases in which the necessity for
calm contemplation forces itself upon us, and she now nerved herself to
a view of her situation. Her prospects were gloomy and sad. She was cut
off from her family and friends at a moment when their lives were
endangered, and doubtless they lived no more. The sentiment of love,
too, had touched her bosom for the young stranger who had appeared for a
time in their little village, and who might return thither only to find
it an ashy ruin, and supposing her to have perished with the rest of the
inhabitants, forget her memory and devote himself to another. Oh! had
she had one only friend to whom she could have appealed for sympathy in
this moment of agony! Alone--alone--the unutterable anguish of that
word!

But at this moment the child-like faith and trust of her girlhood stole
over her, leading her to the one unfailing friend who could aid and
guide her. The power of prayer had heretofore since her affliction
seemed denied to her, but now an inward voice called her to her Father’s
throne.

She knelt, and pushing her hair from her throbbing temples, as if its
weight were insupportable, she prayed for resignation to her situation.
The anguish she suffered was deep and terrible, known only to the Reader
of all hearts: but at length the heavy weight on her spirit gave way,
and though her tears fell fast and unrestrainedly, her gentle heart was
comforted. There was a holy hush in that lone chamber, as if the late
anguish she had felt was soothed by the soft fluttering of an angel’s
wing, as it wafted her petitions above on its heavenward flight. That
help which to all who seek it is given was granted, and her yearning
heart was lifted to Heaven. In after years, she looked back upon the
speedy answer which had been vouchsafed to her prayer in that hour,
almost with awe.

Inexpressibly comforted, she rose from her knees, extinguished the
light, and lay down to seek repose. Weariness soon overcame her, and she
fell asleep to dream of one whose image was impressed on her young
heart. Again in her visions she was pressed to his breast, and words and
protestations poured like a strain of rich and soothing music on her
ear. Oh, gladly would she have died in that blissful dream.

But through the window of her apartment the sun streamed, announcing
that the morning was far advanced, and she opened her eyes to behold the
appearance of a young female, of high rank, attired in a rich
morning-dress. She made an effort to rise, but her strength had been
overtasked by the intense emotions of her mind. In the exertion, she
fell forward fainting and powerless at the intruder’s feet.

When Grace Bartlett recovered, she found herself on the bed partially
undressed, the young lady holding a bottle of smelling-salts, which had
evidently been used, and the attendant, Susette, bathing her temples and
hands with cold water. For nearly an hour she hovered between sense and
consciousness. Her head felt as if bound to the pillow by weights of
lead, and she had an incessant burning and throbbing of all her pulses,
accompanied by sharp pain. Her eyes closed upon the light, and she was
in dreamland again. Still her consciousness was not lost, but there
were, for a few passing moments, sounds in her ear like those of which
she had dreamed.

It seemed almost as if an angel’s voice now roused her, for the strange
lady, bending over her, said in accents of almost unearthly tenderness,
“You are ill, sweet maiden, speak to me.”

She paused, and her tones fell musically on the senses of the unhappy
guest, for those notes of sympathy had reached even to her apathetic
ear. Grace attempted to reply, but utter exhaustion followed, and tears
alone attested all she felt. These proved no relief, however, and before
night Georgiana Lincoln watched over her in the strong paroxysms of a
brain fever.


                              CHAPTER IX.

                    A cloud of darkest gloom has wrapt
                    The remnant of my brief career.
                                    Margaret Davidson.

It would be equally needless and painful to linger over the sufferings
of the sick maiden. The fever, which the terrible and agitating scenes
she had passed through had excited, was so long in being subdued that
those who watched her trembled lest the loss of either life or reason
should ensue. When this was overcome it seemed as if she must sink under
the exhaustion which followed. Her constitution, however, though
delicate was good, and after weeks of unconscious agony, she did indeed
appear sensible of the fond cares of the young, high-bred lady who was
continually by her side.

Georgiana Lincoln was exactly opposite in appearance to the Puritan
girl. A high polish and elegance of tone and manner marked her at once
as the English lady of rank. Her style of beauty was one uncommon in
America. A bright, sunny brunette, the soft brown of her skin was warmed
with a rich crimson--the dewy coral has its freshness but not its
brightness. Her tall figure was almost concealed by a white robe which
still revealed the most exquisite proportions of her figure.

Grace Bartlett gazed on her with admiration, and endeavored to prove her
gratitude by some expressions of thankfulness; but the touching
mournfulness of her sweet face too painfully revealed that the causes
she had for sorrow were not forgotten with her returning consciousness.

A settled melancholy followed her recovery. Every thing was done to
arouse her from this. Among other resources that were adopted, she was
taken to the boudoir of her hostess and companion, where birds and
flowers formed the ornaments. But not the singing of the one, nor the
odor of the other brought delight to her heart. What were music and
perfume to her but agony?

To all Georgiana Lincoln’s attempts at consolation she listened with a
calm look of hopeless misery which plainly told how incapable she was of
receiving condolence. But despite all her causes for grief, and the deep
melancholy that consumed her, Grace could not but be touched with the
kindness lavished on her by the wealthy lady. Insensibly the poor girl
wound her feelings around her, and bestowed on her all that she had of
affection that was left from the grave of her parents, and the memory of
her lover.

One evening, when the unhappy maiden was unusually depressed, she was
seated in the boudoir of her new acquaintance.

“Thou art sadder than thy wont, sweet one,” said the latter, kissing the
brow of the young Puritan. “But if naught in thy own situation can add
to thy happiness, gladly as any change should be made in it at thy
slightest bidding, I feel sure at least that one shadow will pass from
thy sympathetic nature at hearing of thy friend’s prospect of happiness.
Rejoice with me, Grace, my brother is expected home.”

“It doth, indeed, please me that thou art about to have any contribution
to thy fullness of joy,” replied the poor girl, with a faint smile, and
a pressure of her companion’s hand.

“We will have a series of festivities in honor of his arrival,” resumed
the other; “and if you will not participate, dear Grace, in the dancing
and merriment, you can at any rate be present to observe the company,
and listen to the music. No wonder that thou weariest without other
society than that of thy tedious friend.”

Our heroine smiled again, but more faintly than before, as if the
tidings of the expected fêtes had little or no interest for her.

At that moment Gen. Lincoln appeared on the balcony upon which the
window opened, exclaiming, “Georgiana, my love, I have brought you a
visitor--a truant; yet one you will be glad to see. Come in, my
son--what do you remain there for?” he added, turning to his companion.

But the latter hesitated. His glance rested on the figure of Grace, so
graceful and almost spiritual, as it was brought forward in the shadowy
moonlight.

“My brother, my own dear brother! What joy!” cried Georgiana, springing
out eagerly to meet him; while Grace, startled and terrified at the idea
of a stranger, hastily withdrew. General Lincoln at the same instant
received a summons from below.

“Dearest Georgiana,” said the young man, “I am glad to see you again;
looking, too, as lovely as ever, or else this evening hour deceives me.
I fear me, though, you will deem yourself but little fortunate in my
return, for I come back in no agreeable mood, I assure you.” So saying
he entered, and threw himself listlessly on a lounge in the room.

“But I do rejoice to see you, dear Charles,” replied his sister, seating
herself by his side, and gently stroking back the dark hair from his
brow. “You will remain with us for a time, and we will be so happy.”

“Happy!” he exclaimed, with bitterness, “I see little prospect of my
ever being happy in this life; or at least whilst our father continues
this unjust persecution of the unpretending and religious settlers on
the borders.”

He then proceeded to pour out to Georgiana the miserable intrigues in
which Gen. Lincoln was engaged, and the embassy on which he had himself
been absent. “But, my sister,” he continued, “I have resolved to take no
further part in this accursed policy toward a defenseless and religious
people. I have long enough worked out the will of others--a mere machine
in the hands of my ambitious parent, who is striving by the course of
heartless persecution I have described, to please a jealous monarch and
a scheming court. The instigating of the Indians to massacre the
Puritans, and exterminate their settlements, will cry aloud for
vengeance.”

“Yes,” continued Charles, in an excited tone, “their death-shrieks are
ever in my ears--in the dark night their massacre is ever before my
eyes, in the day, heavy and dark upon my spirits--never away from me can
it be in the future, but will haunt me throughout my desolate life, and
seem to be calling on me to take vengeance against my father.”

“You talk wildly, dearest brother,” said Georgiana, looking at him in
some alarm. “How canst thou be desolate with thy sister to love thee.
And speak not of taking vengeance against our father, for that is God’s,
even toward the humblest adversary, and not to be named by a son against
his father.”

“Nay,” he answered, “hear me. I have just come from one of their
exterminated villages, where, in the character of a spy, I resided among
them some months ago, unsuspected by their guileless simplicity, and
receiving their humble hospitalities. On my return thither recently, to
visit one to whom I had become dearly attached, I found the place in
ruins, and the hapless villagers destroyed by the firebrands of Gen.
Lincoln’s emissaries.” He seemed overcome with his emotions, and rested
his head on his hand for some moments in deep reflection.

His sister appeared not less affected with sadness, and held his hand
silently.

By an effort, at length, arousing himself, he asked suddenly, “Who was
that graceful figure that I saw sitting at your side, when papa would
have hurried me so unceremoniously through the window. She could not
have thrown herself into a more becoming attitude for effect as the
moonlight streamed upon her.”

“Effect! poor maiden!” was the reply. “It was the last thing in her mind
at that moment. She is a prisoner, brought hither by the Indians, for
what purpose, originally, I know not. But whatever were his first
intentions with regard to her, our father has abandoned them, and
permitted me to treat her with the consideration due to her loveliness
and her unhappy situation.” The announcement of company in the
drawing-room here interrupted the conversation between the brother and
sister.


                               CHAPTER X.

                   Lo! they muster--lord and lady--
                     Brow of pride and cheek of bloom,
                   Pointed beard and tresses shady--
                     Velvet robe and waving plume.
                                Henry William Herbert.

Weeks passed on, and a round of festive entertainments took place in the
mansion of Gen. Lincoln. In all these Charles Lincoln mingled with a
discontented and gloomy air of abstraction.

Georgiana’s natural gayety seemed somewhat dimmed by this change in her
brother. Their society consisted of the officers of the fort, but it was
nevertheless of a kind to be grateful and pleasing to one of her
temperament; and her predilections had furthermore been awakened in
favor of a gallant young general in the service--so that there was still
a source of interest to her unconnected with the brother, whose strange
moodiness still gave her pain.

The fair colonist continued to decline mingling with the family, though
with a gentle steadfastness that her friend might not at any time have
found it difficult to disarm; but she did not insist, lest she should
give pain to the sensitive nature of the timid and heart-sick stranger.

It was on a pleasant evening in June that, by the open window of
Georgiana Lincoln’s apartment, Grace Bartlett was sitting languidly. Her
thoughts were evidently of the past--for at intervals the faint color
would fade from her cheeks, and an expression of deep mental pain pass
over her countenance--her soft eyes assuming a fixed look, as if her
remembrances were fraught with agony. As she sat in the dim twilight in
that state, her thoughts broke forth into pensive song, and she almost
unconsciously chanted the words,

          Oh, the home of my childhood! my desolate heart!
          Its merciless loss bids the warm tears to start.

Her voice gradually died away, and by degrees she closed her eyes and
slumbered. And now naught was heard save the gentle breeze waving the
branches outside the window near which she reclined. But ere her tones
ceased, they had reached other ears.

Charles Lincoln had stretched his lazy length on one of the couches in
the balcony below; and those musical tones came to him laden with
associations of other days--of a brief but transient period of bliss.
With a magic power they arrested his attention, and he continued to
ponder on them long after they had ceased, until he was filled with an
ardent curiosity to behold once more the young stranger of whom he had
caught a glimpse on the evening of his return, and whose position in his
father’s house had afterward been described to him by his sister.

Whilst his curiosity was thus at work, his sister approached him,
accompanied by the young officer above referred to, with whom she had
been enjoying an evening stroll.

“Georgiana,” said her brother, starting up to meet her, and drawing her
aside, “can you not prevail on your fair colonial guest to appear at the
masquerade this evening? I am dying to see her, for the melody of her
voice, just now wafted to my ears on the air, has reminded me of one who
was dear to me, and is lost forever. I would fain hear its tones in
conversation.”

“I have heretofore refrained from urging it on poor Grace to appear in
the drawing-room,” replied the young lady; “she seemed so averse to the
mention of such a thing. But I have do doubt that I could bring her
yielding nature to comply, if I were to put the effort in the light of a
favor toward me, whom she loves as a sister. It might do her good, too,
poor thing, if she could only be induced to make the exertion. It shall
be as you wish, dear brother; you may depend upon me.”

A few hours afterward more than ordinary excitement was passing in the
mansion. A masquerade was given to the officers--and the scene was gay
and picturesque. The main wing was lighted up, and gay with the
festivities. The sounds of merriment and laughter were heard.

Grace Bartlett had at length yielded to the request of her hostess that
she would be present, and had quietly submitted to be attired in a
graceful robe of India Muslin, so transparent in its texture as to look
like gauze. Her beautiful hair received a new grace from the single
white camellia with its drooping bud, which gleamed like a star amid
those golden tresses, so purely, so freshly beautiful, that it seemed a
fit emblem of her it adorned.

Georgiana Lincoln appeared a fairy vision of beauty and brightness; the
diamonds sparkling among her shining braids, and the graceful folds of
her lace robe falling around her like drapery around a Grecian statue.

The masqueraders were intent on their amusement as the two females
entered. Then, for a few moments, all merriment ceased, and murmurs of
undisguised admiration went round. The Puritan was seated at once by her
friend in a recess upon a couch raised a little above the floor, and
immediately after Miss Lincoln proceeded to mix among the company. In a
moment, a gentleman of elegant figure and handsome face pressed forward,
and saluted her with marked _empressement_. “My dear Miss Lincoln,
to-night carries me back to London refinement and fashion--dress--
scenery--company--beauty--fascination. This evening will be impressed on
our English hearts indelibly, to the utter forgetfulness of our
rusticated state in these American forests.”

“Do be grateful, then,” the lady answered, “to me for giving you some
taste of London and its fashion. Papa is much too solemn for any thing
but those great, pompous dinners, which I detest.”

“But tell me,” rejoined her companion, “how did you induce that lovely
flower” (and he turned his masked visage toward Grace Bartlett) “to shed
its perfume on our scentless hearts?”

“By exhausting all that irresistible eloquence of which you speak so
highly,” she replied; “for I recognize my complimentary acquaintance,
Lieut. R----.”

“Indeed! Well, she is perfectly lovely, and with a touch of sadness so
interesting,” said the gentleman. “I’ll exert myself to flirt with her.”

“I am not quite sure you will find that task so easy as you imagine,”
was the laughing rejoinder.

“Very likely,” responded Lieut. R. “But in a good cause I am prepared to
go great lengths, and as she is very pretty I’ll take my chance at any
rate.”

At that moment, another individual approached, and after the ordinary
civilities of the evening, said to her gently, “Miss Lincoln, will you
not walk on the gallery by moonlight?”

The words, as they were pronounced in a somewhat tremulous tone, sounded
musically in her ear, and taking the arm of the speaker she proceeded
with him to the place alluded to.

For one or two turns they promenaded in silence. The gentleman seemed
strangely agitated. He tried to say something indifferent, but it would
not do, and he plunged at once into the subject near his heart.

“I thought,” he said, hurriedly and timidly, “that I could have waited
calmly the answer which I requested in the early part of this evening;
but I overrated my own powers of endurance, and I come now to hear my
doom from your lips. Speak to me, Georgiana; I have dared to hope that
the regard I feel for you is not wholly unreturned, and that you prefer
me above some others around you. Is this so, dear girl, or must I teach
my heart to forego all its hopes of happiness, all those blissful
feelings of which, until I knew you, I was ignorant. Oh! do not condemn
me to disappointment,” he exclaimed, passionately. “Give me at least
hope. Georgiana, dearest Georgiana, am I too presumptuous?”

He spoke with strong emotion, and his was a voice, when in deep
persuasion, difficult to resist: his arm was still encircling his
companion, and she had not removed it, as she heard that the happiness
or misery of a life depended on her decision.

“Speak, dearest, but one little word,” urged her lover, in a whispered
voice of intense suspense.

Georgiana did not speak that word, little as it was, but she lifted up
her truthful face, and fixed her clear, dark orbs for one brief moment
fully upon his, and the next instant that lovely head was bent down, and
the rich, mantling blushes hidden on his bosom.

“It is enough, my own one,” murmured the enraptured suitor, in all the
ecstasy of that instant of first accepted love.

At length, remembering that they had deserted the drawing-room very
unceremoniously, they returned to find the company in some surprise at
their absence, but their excuses soon proved satisfactory, and they at
once mingled separately amongst the various guests.

Shortly after, Charles Lincoln sauntered languidly into the apartment,
closely masked. On first entering, he had for a moment fixed an almost
startled gaze of admiration upon the Puritan. To a close observer, deep
emotion would have been discernible beneath that mask. But a powerful
will struggled against the display of it, as, half concealed behind a
pillar, he retreated to look more intently, and without being observed.
He wished to discover whether or no his sense of vision had deceived
him. But no--it must be she whom he beheld--the same grace in the
drooping form, but how fragile did it appear; how painfully changed in
the character of its loveliness were the faultless features of that
face--when the hair, combed carelessly back from her brow, displayed
their delicate outlines. Her countenance spoke with truth of the ravages
sorrow had occasioned.

Lincoln gazed until he had convinced himself, rushed forward and reached
the astonished girl: then tearing off his mask, he exclaimed, “Grace!
dearest Grace, you live yet, and I find you in my father’s halls!”

The astonished and bewildered girl gave one cry, and fell fainting at
his feet.


                              CHAPTER XI.

                  Weave we the woof. The thread is spun.
                  The web is wove. The work is done.
                                                   Gray.

It was on a lovely summer’s evening, rather more than ten years after
the events last recorded, that two persons were sitting in the spacious
drawing-room of a noble mansion in Canada, opening on a park. They had,
it appeared by the lady’s attire, been walking, but as their
conversation deepened in interest, the repose of home had again been
unconsciously sought. She had thrown aside her bonnet, and as she sat,
her face upturned to her male companion, her features disclosed a
loveliness that would have irresistibly attracted attention. The repose
of her features was so soft and gentle that the eye would have fallen
there with the same delight, and turned away with the same regret which
it experiences in regard to other things which are found to harmonize
with its vision. In her the period of girlhood had merged into the epoch
of woman’s maturity, when, nearer her prime than her bloom, she unites
all the truth and freshness of early youth with those calm and more
finished graces which come not to pass away, but to deepen and endure.

But one glance at the sweet Madonna countenance, the unequaled
expression of the placid features, the golden hair, shaded now to
something of a chestnut, will suffice for her recognition by all those
whose interest in Grace Bartlett has sketched her image in their minds.

To the Grace Bartlett of our opening chapter, she bore indeed only the
outward resemblance that the opening flower does to the early bud. But
even as the full blown rose reveals the luscious scent and glowing
beauty which the blossom contained, so did her character, as it now
shone forth beneath the bright and dazzling sun of affluence, confirm
and strengthen the promise of its dawn.

The gay, playful child of our first chapter, the timid, shrinking
Puritan girl of our after history, was now the modestly dignified,
though still retiring, wife of the Governor General of Canada. The pure
and holy sentiments of religion which had formerly been spoken timidly,
as hardly daring to find expression lest the high-born should mock or
pity, were now avowed calmly, unostentatiously as they had been acted
upon in the deep trials of her girlhood.

Her love for her husband was intense and absorbing, but it came not
between herself and heaven. The fruits of her holy life were gentleness
and self-denial, meekness and charity--plainly showing at whose feet she
laid the offering of her heart.

In the polished circle in which she now moved, she had preserved within
her that pure light which, when the sun is growing dim and waxing faint,
alone can guide through the dark valley of the shadow of death. The
heart of that lovely flower of a Puritan village--a heart that had
throbbed and quivered at the faintest touch of kindness, and which a
silken thread could lead in all other matters, had stood firm where her
religion was concerned, and this very firmness had won her husband to
her faith.

The importance which Frank Winthrop had acquired as the son of Gen.
Lincoln, added to his personal merit--under the name of his adopted
father, which he always retained, ignorant of his real origin, had
attracted the attention of the government. He was soon employed in
various situations of responsibility and importance. By the same
progression in fortune which first elevated him, another and a later
change had brought him in Canada to the rank of Governor General.

The conversation between the two had been continued for some time, when
the voice of a young child was heard on the stair-case.

“Oh, there is my little bird singing,” exclaimed Grace Lincoln. She
sprang to the door and returned, bearing in her arms a lovely boy,
exquisitely fair, with deep blue eyes, and clustering curls of gold. The
bright complexion and golden hair were hers, but his features were the
miniature likeness of his handsome father at her side.

Over them we now drop the curtain, and in so doing, let them take their
farewell of the reader.

                 *        *        *        *        *



                               =SONNET.=


                         =BY CAROLINE F. ORNE.=


          Hid in the bosom of life-giving earth,
            In darkness and in silence deep and still,
          The buried seed to springing roots gives birth,
            That fix them in the mold with firmest will;
          Strong hold have they below there in the soil
            Before the leaves upshoot them to the light,
          And beauty crowns the deep and hidden toil
            With blossomed boughs that charm the gazer’s sight.
          So thou, oh soul, obscure and hidden long,
            Uncared for and unknown must bide thy time,
          And like the aspiring seed strike, deep and strong,
            Roots that shall bear thee upward in thy prime,
          So firm sustained, thou shalt the worthier be
          For life’s fair flower that all men honor thee.

                 *        *        *        *        *



                            =UPS AND DOWNS.=


                               CHAPTER I.

“I trust Mrs. Davidson is at last satisfied.”

“In what?”

“Why, have you not heard the news of the engagement of Maria with Henry
Dawson?”

“No, I have not before. But when did it occur, and are you positive it
is so?”

“As to the when, sometime within a day or two; and as to the positive,
the lady herself is my authority.”

“She is certainly very fortunate with her daughters.”

“So she thinks, at least this time. But I am not clear that the three
former connections with Law, Physic and Divinity were exactly to her
mind.”

“Certainly no three men occupy more respectable positions for their age
in the community than her three sons-in-law, and as she had no fortune
to give with her daughters, she should be thankful.”

“I imagine few will be inclined to differ from you; but that very want
of fortune causes her to be peculiarly alive to its advantages, and
hence her delight at her daughter’s engagement to young Dawson.”

“Is he so very rich?”

“Not having any marriageable daughters of my own to dispose of, I never
asked him for a schedule of his effects. But I supposed you to have been
well posted on that point.”

“Me! Bless you, my dear--I never trouble myself about such matters. Why
should you think so?”

“Oh, I know not. A mere random remark of mine. I thought I had some
faint recollection of his flirtation with Laura last winter, and knowing
your prudence, supposed you had made the necessary inquiries.”

“You are much mistaken. There never was any thing between them. He is
music-mad, and used frequently to come to listen to Laura’s harp. I
suppose he thought it but right therefore to show her some attention in
public, and hence the world interpreted it into something else. But, I
assure you, there was never any thing in it.”

“I never supposed there was. I always thought Laura was merely amusing
herself. But how remarkably well she is looking to-night. Who is that
distinguished looking man who is paying her such marked attention?”

“That is a Mr. Ernest, who has recently returned from abroad, and has
come home a perfect virtuoso, and you know that Laura’s taste lies in
the same way.”

“Yes, she certainly admires a mustache, for I notice that of late she
encourages no one without that fashionable appendage.”

Whilst Miss Laura Bridgeman was listening complacently to the remarks of
the mustached beau by her side, and her mother and Mrs. Grayson, a
fashionable widow of no particular age, and childless, were discussing
things as above, in another part of the room, where lights and music
added to the witchery which bright eyes and lovely forms make, young
Dawson was hanging over his newly betrothed.

In the meantime her mother was receiving the congratulations of troops
of friends, for Henry Dawson was, in the phrase matrimonial, “the catch
of the season.” He had long been an orphan--his fortune was large, his
intellect fair and well cultivated, his person and address good, and his
whole appearance decidedly gentlemanly and prepossessing. That he should
have “fallen in love,” as the phrase goes, with his lively fiancée, none
wondered, and save a few anxious mothers, who, like Mrs. Bridgeman, had
marriageable daughters, all heartily congratulated him.

The family connection of Mrs. Davidson was most respectable; but left a
widow, with limited means and a family of young daughters, she had been
condemned to much and close economy to maintain appearances and give her
daughters an education to fit them for their proper positions in the
world. The three eldest were, as we have seen above, respectably
married, and now it is not to be wondered that she rejoiced that her
youngest was to be transferred from the narrow economy of her house to
the comforts and luxuries which a wealthy husband could bestow.

Did our fair heroine entertain like views? They may have crossed her
mind in some of her reveries, but they were but shadows. She had given a
young, pure heart with all its rich, unworked mine of virgin gold,
without one thought of earthly dross about it. She loved with all the
ardent devotion of young love, the handsome, intelligent youth who wooed
her with soft words and pleading looks. She loved him for what he was,
or what she thought he was, and not for what he had. She knew that his
love for her must be most disinterested, for she had naught but herself
to give, and she was happy in the feeling of loving and of being
beloved.

Oh, this love! what a strange power it exercises over the actions and
the minds of the human race. What blindness it produces in our mental
visions--how it changes defects into beauties, and magnifies
ant-hillocks to mountains--what floods of blood and floods of ink it has
shed in this world, and is doomed still to shed--how it makes virtue
vice and vice virtue--how it lights the torch of discord, and yet throws
around the soft and beaming light of harmony--how it makes wise men
idiots, and converts brave men into cowards. In a word, how it agitates,
distracts, soothes, but generally succeeds best in causing men to
stultify themselves, at any rate for a given time.

The evening sped joyously on. Few envied, more rejoiced in the apparent
future happiness, and, as it was termed, rare good fortune of the bride
elect, whose cheeks maintained a constant rivalry with the rich roses of
the fragrant boquet, as time and again some sly inuendo or more open
remark reached her ear. Her mother received the more direct
congratulations which were lavished upon her, with a quiet ease, in
which she endeavored to veil the entire satisfaction which the
prospective nuptials afforded her. Thus almost all were pleased. The
mother, that her maternal cares were so soon to cease, and the gay
pleasure-seekers were satisfied that a new and splendid establishment
would in another season be opened to them, and if a feeling of any kind
crossed the heart of Laura Bridgeman, that the prize which she once
thought within her grasp had fallen to another, she turned to her new
admirer, and in the contemplation of his superb mustache forgot, or
tried to do so, the vision of the beautiful establishment which had once
flitted through her imagination.

                 *        *        *        *        *

Shift we the scene. A few months have passed--the gay festivities of the
winter are over--summer now usurps her sway, and nature, decked in her
holiday attire, woos to contemplation and quiet enjoyment. The magic
words which were to fix for life the destinies of the fair Maria had
been spoken; the nuptial benediction pronounced, and in a beautiful
villa, a few miles removed from the city, she was passing the first
weeks of her bridal life, a loved and loving wife. There are few things
in the world more touching than the love of a young, pure wife. The
feelings which she entertained for the lover were constrained by a sense
of propriety, but now they may pour themselves forth unchecked, in one
o’ergushing flood of tenderness. Then she must await his approach, now
she may go forth to meet him--then she must check her feelings as they
rose, lest, forsooth, she might be thought forward, indelicate. Now she
may take the initiative, and her soft hand may push back the locks from
the brow on which she may implant a kiss of pure, almost unearthly love.
Now she may watch to gratify those little tastes or fancies which then
were passed unnoticed.

And never were the gushings of a warm, devoted heart poured forth more
tenderly than they were by Maria Dawson for her husband. Nor on his part
was the devotion less entire. The villa had been fitted up in every way
to gratify her taste and fancy; and between the ride, or the drive, or
the wandering about the grounds or in the garden, or music and reading
and conversation, the summer passed all too rapidly away, and she almost
sighed when the frosts of autumn notified her to prepare to take
possession of her luxurious mansion in the city.

Marriage seems to be necessary, as a general rule, to the full
development of the characters of women. Circumstances of course have a
large share in it, but still it seems almost necessary to the full
development of the perfect character of woman that she should be seen in
her double position of wife and mother. Germs which have lain dormant
are then brought into life; new faculties are called into play; the
disposition is fully unfolded, and she exhibits herself frequently in a
new and entirely different light from what she was regarded in the days
of her girlhood. The timid girl becomes self-reliant; far from being
dependent on the views and wishes of those to whom she has been
accustomed to look for counsel and guidance, she finds herself called
upon to act and decide for others now dependent on her--this gives a
vigor to her mind, a firmness to her views, a decision to her actions,
which, without some such cause for their development, they would in all
probability never have attained.


                              CHAPTER II.

“Things look blue.”

“Yes; never saw such unpromising appearances.”

“The best paper in town was done yesterday at 2 per cent. per month,”
pursued Mr. John Sharp to his brother broker Mr. Growlem, as they
cogitated over their morning’s correspondence. “My letters throw out
some inuendoes about certain houses heretofore considered undoubted,”
pursued that gentleman, as with a keen glance he peered over his
spectacles at his companion.

“Hum--don’t know. In such cases caution is desirable, and so don’t say
much; but if stocks continue to fall as they have done for a few weeks
past, shan’t consider any man undoubted unless I know him to be short of
the whole list, and even then he may be caught.”

“As how, pray?” suggested his companion.

“By buying in before delivery day, and then finding his man smashed,
gone, and he himself likely to be in the same pleasant position.”

“You always look at the bright side of things.”

“Certainly I do; especially when the prospect is so charming all round
as it is now. Thank God I am pretty well up. I haven’t a contract that
has not security up. ‘My man,’ you know, always required it. And as for
any stocks I hold, why they are all paid for and I may as well hold on
for better times, as I don’t see how I can better myself by putting them
in some fellow’s note, who will, in all probability, pay just five cents
in the dollar.”

“I am a good deal of your way of thinking. But if this crash goes on
when will the revival come?”

“Just as soon as the banks break, and not before.”

“But how can their breakage benefit the matter? I confess my ignorance.”

“My dear fellow, considering your name and experience, I consider you
very flat this morning. Are you so green as to think I mean them to
stop, as you and I would if we could not meet our engagements. By no
means. They will do no such vulgar thing as fail--they will merely
suspend; and then, you know, as paper is cheap and engraving not very
expensive, we shall have money as plenty as dirt; that is, as soon as
presidents and cashiers can sign their names to pieces of paper
promising to pay--in what? I don’t know. Do you? Certainly not in the
‘current coin of the realm.’ And yet, by the way, these promises will be
the current coin. Mark what I say. He that can hold on until this time
will get through--plucked, ringed, well battered--but still he will get
through. He that can’t must go to the wall, there to be ground between
the upper and the nether mill-stone.”

The brokers parted. It was a time to make the stoutest heart quail. The
commercial world was then going through one of those dreadful
convulsions which so frequently happen to it, aggravated on this
occasion by the most reckless, improvident and profligate expansion of
the paper currency known for a century. The consequence was, that the
fury of the storm fell upon the heads not of a portion only of the
community, but upon the whole. Persons dependent upon the incomes
arising from stock investments were suddenly cut off; and all classes,
from the laborer deprived of the work which afforded him his daily
pittance for the support of his family, upward, felt the blow. Stocks
were tumbling down at from one to five per cent. a day; money was not to
be had on securities which in ordinary times would have been more than
ample, and universal distrust and dismay abounded.

How fared it in all this commotion with the personages of our story?
They had been several years wedded, and heaven seemed to smile most
benignantly on their union. Three lovely children were grouped around
them. Every comfort, every luxury that wealth could procure were
lavished by Henry Dawson on his young wife, whose loveliness appeared,
in his eyes at least, to increase with each succeeding year. The girlish
beauty had passed away, but the matronly grace and elegance and beauty
which had succeeded, were only as yet the first full developments of the
lovely bud of promise. Nothing had however occurred to test in any way
the young mother’s character, and except when occupied with the young
family in the nursery at home, she was to all outward appearance the
polished, elegant woman of the world, one of fortune’s spoiled children.
The richer qualities of head and heart, if indeed she possessed any, had
never yet seen the light. Her husband was proud of her in every
way--proud of the fine mind which her rich conversational powers showed;
proud of the faultless taste which governed all the arrangements of her
drawing-rooms and her a own personal appearance--but beyond these he
knew nothing of her--nor perhaps did she of herself. The world flocked
in crowds to her splendid balls, and gave her the tribute of admiration
which her personal graces and loveliness demanded as their right. But
this was all that the husband of her choice or the world in which she
dwelt knew of Maria Dawson. Her full character was not yet developed,
the circumstances had not arisen.

It was about the time of the conversation that we have recorded above,
that Henry Dawson one day returned home rather earlier than was his
habit. Maria was in the drawing-room when he entered. She noted that his
brow was clouded, but this had been the case for several days; and when,
on a former occasion, she had spoken to him of it, he had put her off
with what she felt was but a pretext, and she determined to abstain from
questioning until he was ready to give her his confidence. It had
however worried her. Between them, since their marriage, confidence had
been entire. They had no secrets from each other, and hence she argued
this could not concern Henry alone or he would have communicated with
her; the affairs of some friend which he was not at liberty to disclose
even to her must be preying upon him, and she would wait until the cloud
had been removed, or he was ready of his own accord to disclose it to
her.

He had been standing by a table with his back turned to her for a few
minutes, engaged apparently in an attentive examination of something on
it, when he turned suddenly to her--

“Maria,” and his voice was wanting in all the softness with which he
usually addressed her, and was pitched in the key-note of one who has
some desperate communication to make--“Maria, you must nerve yourself
for ill news. I am a ruined man,” he rather jerked out than said, and as
he spoke the strong man sank into a chair by his side.

Not one word did she speak. She sat for a moment as one stunned by a
sudden blow; then rising she passed softly to his side, and resting one
hand on his shoulder, with the other she drew gently from his face the
hands in which he strove to hide it, then stooping down pressed her lips
upon his forehead.

“Cheer up, dear husband,” was her first words. “Poor though we may be in
earth’s substances, yet in one thing are we still rich--our mutual love.
Think not, dearest Henry, that for myself I care for all the glittering
baubles around me, so that I still retain your love.” And again were
those soft lips pressed upon his forehead, and a flood of tears relieved
the anguish of his mind.

Think him not unmanly because he thus wept. This proud man who thus gave
way, was in all probability one who on the field of strife could with
curling lip, and flashing eye, and with sword or bat waving wildly o’er
his head, have led a band of the most reckless and daring who ever trod
a battle-field “to do or die;” could have again, as he had done that
morning, met his fellow men with cheek unblanched and eye unwandering,
and with a ready smile upon his lip, whilst the vulture was gnawing at
his heart. But this conduct of his wife, so pure, so heavenly, so
devoted--it was too much for his manhood--it touched the inmost chords
of deepest sensibility within him, and the strong man wept.

Maria, for a few moments, did not attempt to assuage or interrupt him.
She knew that nature was thus affording a relief to his pent-up and
restrained feelings, but as soon as the paroxysm began to subside again
she leaned over him, and said softly to him--

“Cheer up, dearest Henry. Be not so cast down, love. The worst cannot be
so bad as your imagination paints; or let the worst be as bad as may be,
it is light to me compared with your distress. Cheer up then,
dearest--remember we have others beside ourselves to care for, and if
you allow yourself to be so overcome you will be unable to do aught for
them.”

He raised an arm, passed it round her waist, and drawing her toward him
pressed her to his heart.

“Perhaps, Maria, I should rejoice in my calamities, as it has served to
show me what an angel I posses in you.”

“Oh no,” she replied, anxious to divert his thoughts; “not an angel,
only a loving, trusting wife. Remember, dearest, I took you for worse as
well as better, for poorer as well as richer, and would you have me
break my promise? Fie on you, Henry, I thought you had more confidence
in my veracity.”

“Nay, Maria, speak not thus to me; treat me not thus. Had you met my
avowal with a cold look, or with words of worldly wisdom have arraigned
me for my conduct, I could have borne all like a man; but
now--thus--such conduct has unmanned me--and our children, too, dearest!
When I think of them and of you--and of what my madness--my folly has
deprived them and you--it almost distracts me.”

“But, my dear husband, you still can give to your children the bright
legacy of an untarnished name, and your wife will bear it more proudly
for your sake, than in the days of your greatest prosperity.”

“Yes, Maria, I have, thank Heaven, that consolation. Poor though we are,
our name is untarnished by any act of mine. Madman, fool, I may have
been, but not a knave.”

“Unburthen yourself to me, Henry, and tell me all, I am a child in
matters of business, I know. Your kindness has never let me suspect that
any thing was wrong, or that you were at all embarrassed for money,
since I have been your wife. Nay, I did not even know that you were
engaged in business at all, but thought the income from your property
supported us.”

“So it did for a time, and so it should and would have continued to have
done but for my own folly--I always lived up to the extreme limit of my
income--but extravagance begets extravagance. I was proud of you, your
beauty, your accomplishments, your acquirements, and I determined that
no money should be spared to place you in possession of every thing your
fancy or your taste might dictate. It gratified my vanity to see you
arrayed in the richest robes and glittering in the most costly gems. It
also gratified the same mean passion, for such I now admit it to be,
that your balls and parties should be the most elegant, the dinners and
suppers of the house the most _recherché_ in all respects our society
could boast. You appeared to take pleasure in them, and hence I rushed
madly on until I found my fortune seriously impaired. What should I have
done? Prudence and propriety now tell me, have retrenched at once and
have gone to you and told you all. In fact they told me so then, and the
struggle between them and false pride might have resulted in their favor
and spared us this, but for one thing--I never was a gambler. I mean by
that, I never ventured at games of chance any sum whose loss would have
been worth a passing thought. But whilst I was thus hesitating, I heard
among the men with whom I associated, how much this one and that one had
cleared in a short time by ”operations“ in certain stocks. This was not
gambling. It was the result of an observation of the probable rise and
fall of the stock-market. It is unnecessary to my tale, love, to enter
into the minute particulars, or to explain at length what is meant by
the phrase ‘bulls and bears;’ suffice it to say, I saw the best men in
the community, men esteemed in all the various relations of society,
vestrymen of churches, elders, trustees, church members, all deeply
embarked in these transactions, and of their morality then there could
be no doubt, nor do I now mean to impugn it. I heard of the gains of
different individuals--I _heard nothing of any man’s losses_. I
consulted a broker, a man of keen business habits, and like almost all
the members of the broker’s board, of highly honorable character in his
avocation. I pointed out to him what I wanted. For the first time I
heard of something beside profits. He pointed out to me clearly all the
dangers of the business, and how immeasurably greater they were to one
who, like myself, had been educated to spend money, not to make it. Few,
he told me, were in the long run successful speculators, and they were
usually men of cool, calculating temperament, sagacious and far-seeing
in watching the signs of the times, and of an iron-nerve that nothing
could shake; and yet, he said, such were the uncertainties, that at
times even the most experienced of such men were deceived. I left him
fully intending to avoid the dangerous experiment--come to you, and tell
you all. Unfortunately, I fell in with a friend who had just embarked in
an operation. We had talked the matter over before, we did so again, and
before we parted I had given an order to another broker to operate for
me. I was successful. This was sufficient. Several other small
operations followed, in which I had continued success. I soon formed an
exalted opinion of my own judgment; voted the broker who had advised me
‘an old granny’ and embarked much more deeply. Losses now began to
accrue--the embarrassments of the times thickened; I fancied them only
temporary and that they would soon pass away--I plunged in more deeply
and madly than ever, and the result has been, that having to-day settled
all my contracts, save the furniture of our houses, our plate, and your
jewels, we have not a thousand dollars upon earth.”

He went through his tale firmly, almost calmly. When it was finished, he
looked into his wife’s face with a smile so ghastly, so unnatural, that
an ice chill fell upon her heart. Rallying in a moment, she again bent
to caress him, and then said to him,

“Thank you, dearest Henry, that I now know all. It is a melancholy tale;
and how much pain might you have spared yourself, had you known me
better. Think you that I cared so much for the splendor with which you
have surrounded me or the glittering baubles with which you have decked
me, as to have enjoyed the one or worn the other, had I known all I now
do. Oh! why, Henry, was not confidence in me so entire as to have
advised with me concerning these things. If husbands would only counsel
in such matters freely with their wives; if the situation of their
affairs was always freely and fully laid before them, much might be
spared. I rejoiced in the splendor, I decked myself in costly robes and
rich jewels, more from the pleasure I saw that my doing so gave you,
than from any positive pleasure they afforded me; though,” she added,
with a faint attempt at a smile, “jewels and velvets are things which,
in common with most women, I do not affect to despise. But the jewel
which I value above all others, is my husband’s love--to see him happy,
is to me a source of more exquisite enjoyment than all the splendor
earth can give. But, I repeat, cheer up, dear Henry; the past is gone
beyond recall, leaving behind it but the lessons of experience which it
gives--from them we can derive wisdom. The future is all before us--we
are young--trustful in each other--blessed with those objects which will
call forth all our energies. There must be no more false pride. My
jewels, all, save one or two tokens of your young love, our plate and
rich furniture will give us something on which to start afresh in life.
Our experience of the past must be our beacon for the future. Compose
yourself, dearest. Leave the management of these trifles to me. You must
let me have a beginning,” she continued, seconding her appeal with a
kiss that was irresistible, as she saw a refusal gathering on his brow.
“Keep yourself quiet and contented for a few days, and see how well I
will manage. Add now, dearest, let us go see the children.”

Our heroine had not yet fully developed--the process was but commencing.


                              CHAPTER III.

Pass we by the scenes of the few succeeding days. In them, however,
Maria was all efficiency. Her cheerfulness and the buoyancy of her
spirits seemed never to forsake her, at least in her husband’s presence.
She had determined that no act, nor look, nor word of her’s should add
to the poignancy of the regret, almost remorse, which agitated him. When
alone, the serenity of that young brow might be clouded; but it was more
from anxious thought for the future, than from regret for the past; or a
tear might dim the brightness of her eye, as she bent over her sleeping
children, and thought of their altered prospects.

Fortunately there were no debts, and, best of all, no small debts. No
tradesman, no mechanic suffered from this mishap. There was enough left
to settle all these accounts, and the stock contracts had all been
“met;” but there was nothing left, save the furniture of the two
mansions. How rapid was her decision on this point. All, every thing,
save the most necessary articles, were to go--satin, damask, and velvet,
were to be replaced by chintz; rosewood by pine; lounges, and ottomans,
and presentation chairs were to be as if they never had been; and if a
few good engravings were laid aside with a few cherished family
portraits to humanize their new home, wherever it might be, costly
paintings were parted with without a sigh. The rich China and costly
plate--“Why, certainly, my dear; I am sure things will eat just as well
off of Liverpool ware; and as for all that glass, I shall be glad to be
rid of the constant dread I had of having it broken, and the set
ruined.”

And thus did Maria meet all the objections of her husband as they rose
one by one. Two things, however, she determined to keep to the
last--one, her husband’s books--the other, her own piano. She knew that
be where they might, they would be a constant source of comfort to him;
and in time, when, perhaps, they could not be conveniently replaced,
they would be needed for the children.

But after all these things had been parted with, how were they to live.
To live on the proceeds would be madness, as that would in a short time
exhaust every thing; they neither of them had any expectations of future
fortune, save from their own exertions. Dawson had been educated to no
business, nor any profession; and that he had escaped being a mere
profligate “about town” was regarded almost as a wonder by all. His
refined native taste had alone saved him. Mere dissipation in its
unrefined, undraperied vulgarity, had no charms for him; and he had
sought refuge when very young in female society, and the indulgence of
an unrestrained taste for general literature. He had never been a
student--rather a literary epicure--tasting a mouthful here, and sipping
a few drops there--but nowhere sitting down to that hearty meal of solid
food by which alone true students are made.

It was, however, necessary that a decision of some kind should be made.
On one thing he was resolved, and with a determination which nothing
could shake. It was to leave the place where his former life had been
passed. His pride was yet unbroken; he could not endure the thought of
sinking back from that position in society which he had formerly filled.
He could not endure the thought that his bright, his beautiful wife
should be exposed to mortifications which always fall to the lot of
those from whose side fortune has departed. He knew full well that the
before concealed envy of many would now show itself at her expense--that
she should be an object of affected pity and compassion from those who
had greeted her appearance with applause, and had been followers in her
train. Were they to seek a new home, they would be spared a thousand and
one of those petty annoyances which none but those who have experienced
them can appreciate. In a new sphere, they would start in an humble way,
but then there would be no by-gones connected with their history. Come
what else might, do what else they would, on this point he was
unalterably determined; the what that was to be done, and the where it
was to be, could not, however, be definitely determined upon until the
results of the sale were known. He inclined for the west. To this his
wife, backed by the influence of her own family, opposed a decided
negative. The iron horse did not then course its way over the lofty
mountains and through the dense forests and across the almost boundless
prairies on which it now pursues its daily career. She dreaded the
deadly sickness to which all settlers in new countries are subject--the
isolation from all society, which she knew must fall with such crushing
weight upon one so long accustomed to it as was her husband--the want of
schools, at which her young family could receive proper
instruction--and, we must confess, she shrunk somewhat from the thought
of being her own sole “help.” She did not count upon having about her,
go where she might, a train of servants, but she knew herself physically
incapable of being the sole servant to her family. She would, she knew,
have to work, literally and physically, with her own hands--be, in all
probability, her own nurse, seamstress, chamber-woman, arrange and
manage all within doors--take care of the children, set out the table,
keep the house in order, and superintend the cooking; but beyond this
she knew herself unable to the task, and she was unwilling to undertake
what she felt she could not accomplish. And then, too, should the
dreaded sickness come on--but here the dismal prospect fancy conjured up
before her did not assume so distinct a form--it was a dark, confused
picture, like those of some of the so called “old masters,” in which the
dark shadows are so deep, that they throw into complete obscurity all
the light--if, indeed, there ever was any. And so two things were
determined on. First, they would leave their former place of residence.
And, secondly, that they would not go to the west.

But what was to be the pursuit? That was the rub. As we have said,
Dawson had neither a professional nor a business education. The
universal refuge for man, that of a tiller of the soil, was open to him;
but then what knew he of farming pursuits? It is true he knew the
difference between wheat and rye when he saw them in full head, but it
is doubtful if he could distinguish either of them from grass or oats
before they had reached that state. He could tell a scythe from a
cradle, or a plough from a harrow; but how to use one or the other was
to him a most profound mystery. What kind of a hand could he make at
farming? There seemed, however, no other resource. He must make up his
mind to do something; and no matter at what he went, he must be a
beginner--a student. He was sickened of what is termed business, and he
did not think it would be more difficult to learn to be a farmer, than
it would be to become a lawyer or a doctor. Then, too, whilst the
process of acquiring knowledge was going on, he would be acquiring
something for the support of his family. It was true that whilst
studying the law, the paths of literature were open to him, and he might
do something with his pen. But then he was entirely a novice at writing
for the public, and he had judgment sufficient to know that to succeed
either as a lawyer or a literary man, he must devote himself exclusively
to one or the other. The only resource, or at least the most available,
seemed to be to await the issue of the sale, and invest the proceeds
thereof in purchasing and stocking a moderate farm.

The day at last came; the fashionable world, and the unfashionable, too,
flocked in crowds to those halls where taste and elegance had so long
reigned. The examination of the various articles was over, and the
stentorian lungs of the auctioneer were heard announcing,

“Ladies and gentlemen, the sale is about to commence, and we will begin,
if you please, with the chamber furniture, and finish with the
drawing-rooms and the glass and china.”

His skillful experience had taught him to reserve the more costly and
rarer articles until the excitement of competition had warmed the
bidders up to the necessary pitch. Dawson and Maria were neither of them
present; but the watchful eye of her legal brother-in-law saw to every
thing. There was much competition to obtain many articles; by some, as
mementoes of the pleasant hours passed within those walls; by others, as
anxious to exhibit them in their pretending but less fashionable saloons
as articles of decided taste and elegance, from their having once
belonged to the fashionable leader, Mrs. Dawson.

The sale was over--the sum total footed up--commissions and expenses
deducted, and a very comfortable sum deposited in bank to the credit of
Mr. Dawson. To this was to be added the amount derived from Maria’s
jewels, which she actually succeeded in selling at about one half their
original cost. This he wished her to keep as her own--but she refused; a
common purse must be theirs--all, she said, but just a little, which she
had, and which she intended to keep for “shoe and stocking” money, so
she told him, adding playfully,

“You must let me have one secret from you, dear; and so don’t ask me, I
beseech you, where my shoe and stocking money comes from.”

As she has no secrets with us, courteous reader, we may as well know.
She rightly argued that satins, and brocades, and velvets, and such
like, would be worse than useless to a farmer’s wife--and so she quietly
disposed of them at a considerable sacrifice, but still for a very
comfortable sum. She also argued that a suit of common fur would keep
her quite as warm as her splendid set of marten, the envy of one half
the town, and much more appropriate--and so the martens followed the
brocades, and the velvets, and the jewels. From these resources she was
enabled to realise enough to keep herself and her children not only in
shoes and stockings, but also in all other clothing for a considerable
time after the stock at present on hand was exhausted, without drawing
on the resources of the farm.

The next thing was to purchase the farm. There were certain requisites
which it might perhaps be difficult to find. At last, however, a place
was hit upon. It was not exactly in its appearance what either our hero
or heroine would have selected with an eye to picturesque beauty. There
was no varied hill or dale--no high hill _here_ from which such a
beautiful view of such a lovely valley could be seen _there_. It was in
a flat country, without the slightest claims to beauty; but then it was
healthy, the water good and pure--the fields well fenced and well
watered--the soil of a fair natural character, in a very tolerable state
of cultivation. A landing-place where a steamboat touched daily,
affording ready communication with the city--a village at the landing,
where a store, a good doctor, and a church were to be found. These were
considered as a most excellent substitute for the want of the
picturesque. The house was in the prevailing style of the
neighborhood--without, plain clap-boards, from which the white-wash in
many places had worn or washed off, leaving the dark boards below
visible in their native beauty. The windows of a small size, with close
wooden shutters, which had been, years since, painted of a color
intended to be green, but which now was decidedly nondescript. A low
porch covered the two or three steps that led to the front door. The
court-yard was a small inclosure, through which a path led from a
gateway in the fence by one side of the house, and which opened into a
lane which led into the high-road. Within, a hall ran through the middle
of the house. On either side were doors, leading on one hand into two
rooms, called the front and back parlor; and on the other, into a room
called the dining-room, and also into the kitchen. From the door of the
kitchen the stairs ascended, leading to two or three tolerably
comfortable rooms above, and to as many as intolerably uncomfortable, at
least in the eyes of the new occupants. Beyond the kitchen was a shed,
which was intended to be shut in by large wooden shutters, in which was
the pump, and where the washing and other heavy kitchen-work could be
transacted. This was certainly a change for both from their splendid
town-mansion and luxurious villa.

The interior of the mansion was no more prepossessing than its exterior;
and Maria shrugged her shoulders and looked round with a face of dismay
as she contemplated the dreary prospect before her when she arrived to
take possession of her new home. There was no time, however, to waste in
repining. Boxes were to be opened, trunks unpacked, and places prepared
in which to sit, eat, and sleep for the next few days, until things
could be got somewhat to right. As for Dawson, he muttered some not very
inaudible imprecations on the madness and folly which had brought them
to this.

“Now, Henry, do, dear, just take a hatchet and pry off the top of that
box. It has the matresses in it, and I’ll just get them out and you
shall fix up the children’s bedstead, and let them and the baby have
some place to lie down upon. I do declare,” she added, laughing, “nature
must have intended you for a carpenter, you have gotten it off so
nicely,” as, after some desperate struggles with the nails, he at last
succeeded in prying off the top of the box.

“And there,” she added, “are the bedsteads tied up yonder; no fear of
their being damaged by exposure, which is a great advantage. Do, dear,
just carry them up stairs, whilst I get the bed-linen out of this great
trunk in which it is packed up”--and Dawson, stimulated by the example
of his wife, gave up something which sounded very like an occasional
objurgation of a certain fool, meaning thereby himself, and took to
working. The bedsteads were soon carried to their sleeping chamber and
set up--the matresses laid on them, and the nimble fingers of our
heroine soon covered them with their snowy linen. All was in readiness
for the time when the “Sandman” would come round among the children. In
the meantime, with the aid of the assistants on the farm, the rest of
the things had been unpacked, and chairs and tables stood in a confused
medley about. They were all of the simplest and least costly kind, and
formed a strong contrast to the splendid piano which, in all the glory
of its rich rosewood case, now occupied its destined position in the
front parlor.

Maria looked with a wistful eye on the scene of confusion. To attempt to
reduce it was, she thought, like producing order out of chaos. It was
unnecessary to attempt it to-day; and so she determined to rest for the
residue of it, and take a view of the exterior. As she passed out of the
front door for this purpose, holding little Maria by the hand and
carrying the baby in her arms, she was met by Master Harry, as he was
termed, to distinguish him from his father. His cap was gone, his nicely
combed curls were in a glorious state of dishevelment, his clothes
evinced a most intimate acquaintance with mother earth, as did his face
and hands.

“Oh, mamma!” he exclaimed, his whole face glowing with excitement, “oh,
mamma, do come and see what a nice pond there is out here to sail boats
in. And see, mamma,” holding up a “mud-cake” as he spoke, “see what a
nice cake I have made!” Although vexed that her darling, of whose locks,
and clean complexion, and trim dress she had always been so proud,
should present such an appearance, she yielded to his entreaties, and
followed the child without the gate into the lane, where a mud-puddle of
formidable dimensions at once explained the mystery of the pond and the
beautiful cakes he had been engaged in concocting.

“And see, mamma,” he added, clapping his hand, and pointing to a swarm
of yellow butterflies which were settling round the edge of the puddle,
“see what bootiful birds, and whenever I get close up to them to catch
them, they just fly away.”

“Happy child!” thought his mother; “to you the cares of life are
unknown. Happier, doubtless, will you for some time be here, chasing
your butterflies, careless of all else. But your time, too, must
come”--and our heroine found herself almost sighing.

“But, Harry, my boy, listen to me. Mamma would rather you should not
play out in this lane, and by this dirty puddle. See how dirty your
hands, and face, and clothes all are; and it will give mamma a great
deal of trouble to keep you clean if you do so.”

“But, mamma, I don’t care about being clean. I am sure it’s a great deal
nicer to be dirty and play about this nice pond, than to be dressed up
to go out and walk with Mrs. Harris, and Janey, and Maria, and the
baby.”

“Yes, my dear, but you wont have Mrs. Harris and Janey to dress you, and
keep you clean, and take you to walk any more.”

“Wont I? Oh, I’m so glad! Then I can run out here and get as dirty as I
please--can’t I mamma?”

“I hope you will not--for you have nobody else now to wash you and keep
you clean but mamma; and you don’t want to give her so much trouble, do
you?”

“No, mamma; but I’m so glad you’re going to wash me, for you wont scrub
so hard as Mrs. Harris did--she used to hurt so, sometimes.”

“I am afraid, my dear, I shall have to scrub a great deal harder than
Mrs. Harris did, if you play out here and get so dirty.”

“Well, mamma, I’ll try not to; but say, mamma, I may come out and play
here sometimes; it’s so nice.”

“I will see about it some other time; but come in with me and get ready
for supper.”


                              CHAPTER IV.

The next few days were those of considerable physical toil to our
friends. The care of the younger children had to be resigned to a young
girl who had been taken to assist her maid of all work; and Harry found
himself straying occasionally to his favorite puddle, which, much to his
regret, became gradually smaller, until at last it entirely disappeared.

Those few days had, however, wrought a wonderful change in the
appearance of things within the house; and it is astonishing what
marvels a few dollars will effect in producing these results when
directed by taste. A little paint, some neat but low priced wall-paper,
a little white dimity, chintz, and a few yards of white muslin, with
some matting on the floor, had effected true wonders. The family
portraits and engravings relieved the nakedness of the walls; curtains
of thin white muslin, tied up with some tasteful ribbon, gave an air of
refinement to the otherwise decidedly vulgar windows, whilst the chintz
and dimity covered with graceful folds many an otherwise plain and
homely deal plank.

“I declare,” mused Maria to herself, “we are becoming quite presentable,
almost ready to receive company. Yet something seems wanting--I have it;
there’s enough of that blue and fawn-colored chintz still left; I will
get Henry to saw me off a couple of boxes of the right size--Sam shall
bring me some wool to stuff them with, and I will have a pair of
ottomans.”

No sooner thought than done. The boxes were hunted up, and found to suit
exactly, except that they were a few inches too high.

“Henry, dear,” she said to her husband, when they had finished dinner,
“wont you just take a saw and come and saw me off a piece from each of
these boxes that are lying out there?”

“Yes--but what on earth do you want to do with them, Maria?”

“Never you mind, sir; you shall know all in good time. There now,
dear--there--just saw six inches off from the length of each of them.
Had not you better take a rule to measure them carefully? for I want
them just of a heighth, and sawed off very smoothly.”

He did as he was required--placed the boxes in the designated place, and
went out to superintend his men, and continue his lessons in the
practical details of his new employment. As soon as he was gone, she
brought her chintz, and was soon deep in all the mysteries of measuring
and fitting. The side pieces were soon cut off to the desired sizes--the
ready needle prepared them for fastening on; but she could do nothing
with the seat until she had procured the wool. That was done by the
farm-hand that evening; and as soon as her husband had gone out after
breakfast, she was busily engaged in fitting the top and stuffing it.
The upholstery work was completed to her entire satisfaction, and when
her husband came in to tea, she said quietly to him,

“I want you to come into the parlor and listen to my music for a little
time.”

This was always irresistible--he followed her in and prepared for his
treat, when she said to him, “I have a great notion not to play a note
for you, as you have not taken the slightest notice of my new ottomans.”

He looked his surprise, but following the direction of her eye, the new
articles of furniture met his view.

“I suppose I am now enlightened as to what you wanted with those boxes,
and to be sawed so carefully yesterday. But when, in Heaven’s name,
Maria, do you find time to do all you do! Here are you, a delicately
nurtured woman, attending to most of the details of the dairy--arranging
chambers and sitting-rooms--nursing, making beds, sweeping, dusting,
sewing, and what not; and now, to crown all, you must needs take to
upholstering, as if you had not enough already to do.”

“I am sure,” she said, looking up at her curtaining “that latter is no
new business. Learn, Henry, in regard to the time, the truth of the old
adage, ‘when there’s a will, there’s a way.’ I thought the room did not
look quite furnished, and so I determined on them. They certainly are a
great improvement to the room--and aren’t they sweet, dear?”

“They certainly are very creditable to your taste and handiwork. But,”
stooping over, and pressing a kiss on her rich rosy lips, “you must take
more care of yourself, dearest, or you will overdo the matter.”

“Don’t I look like a tender, delicate creature, that requires careful
nursing? Oh, fie on you! I am afraid you have lost all your gallantry. I
am very certain Maria Davidson’s cheek was never half so blooming when
you used to pay it so many compliments. I am certainly at least five
pounds heavier than I was when I came up here. The sun, too, is giving
my complexion that darker hue you so much admire.”

“I admire brown complexions! When did you ever hear me say so?”

“I don’t know that I ever did. But then, you know, dear, Laura Bridgeman
was a decided brunette.”

“Pshaw!” said Dawson, laughing; “not jealous, I trust, Maria, of the
remembrance of my old flirtation with Laura.”

“Not very, sir,” she added, looking down demurely, “for, you know, when
it happened I was a little girl that had not yet come out.”

“What a fortunate escape Laura, and her mamma would think she had made,
if they could only see me now busily engaged in my shirt-sleeves,
planting, digging, weeding, raking, learning to mow, in fine, learning
to earn my own bread and that of those dearer to me than life.”

“I don’t feel at all sentimental in connection with Laura Bridgeman; and
so,” she added, turning to the piano and striking up a gallope, “here’s
something that lady would prefer at any time to sentiment.”

The piece finished, she at once changed the measure, and in a few
moments her rich, full voice was heard in a song which was a peculiar
favorite of her husband’s. The sound of the music attracted the
children, who now came in, the youngest in his young nurse’s arms, to
kiss papa good-night, whilst Maria prepared her baby for bed.

Whilst our heroine was thus active within doors, it must not be supposed
that her husband was supine without. He was industriously learning the
practical parts of his new vocation. He was engaged, the dandy of the
pavé, the saloons and the clubs, learning, in his shirt-sleeves, to
plough, to harrow, to mow, to dig, and, in fine, to do all that a
hard-working farmer is compelled to do. He was aware that the head as
well as the hand is necessary to direct aright the art of tillage, as
any other art, and that a man may learn every thing concerning the
rotation of crops, and all the rest of the art, and yet be deficient in
the skill of an ordinary hand in the manual operations; but he thought
it best to learn all, in order that in future he might direct all; and
so he worked away under the tuition of one of his hired men, and was
rapidly becoming a proficient. The hands had lost the softness and
whiteness of the city dandy, and had put on that covering of brown which
he condemned on the cheek of his wife, only that the shade was darker,
and the hardening process had been so gone through with that blisters no
longer troubled him.

There was much to do, too, to the exterior of the place, in order to
make it harmonize with the now refined interior; so the garden was
enlarged, and fruit of various kinds set out at the proper time, and in
another year or so they had reason to calculate upon a great improvement
in every thing. Time never flew more rapidly with the subjects of our
story, not even during the ever-memorable first summer after their
wedding. It is true they had but little society, but the active
discharge of their duties required the greater portion of their time,
and the few occasional half hours of idleness in the day-time, were
moments which required no foreign assistance to render them pleasant.
After the children were dispatched for the night, and the supper things
washed up, and the breakfast-table all set out to be ready for the
morning, they would indulge themselves in some music, and then Dawson
would read aloud, whilst Maria’s nimble fingers repaired some rent which
the clothes of the children might have suffered, or prepared some
necessary habiliment.

The neighborhood was thickly settled with a class of comfortable
well-to-do farmers, almost exclusively the owners of the farms they
occupied, whilst the village of Euston was only a little more than a
mile distant. The good people had not, however, called much upon them.
Some were restrained by one cause or another, although since rumors of
their former position in life having got afloat, curiosity was largely
on the tiptoe to see how they could bear their change and get along. The
men formed a good opinion of him, when they saw him take off his coat
and go to work, as they said, “like a man who wasn’t ashamed of his
business;” and they prophesied he would get along. What the females
thought may be judged by the following conversation.

“Well, I do declare this is very nice, comfortable,” said Miss Maggie
Chatterton, as she undid her bonnet-strings and threw off her shawl
amidst a female group of neighbors who were assembled in the best parlor
of a certain Mrs. Holmes.

“Oh, Miss Maggie,” shouted two or three juveniles, starting from their
various posts about the room, “do tell us that story you promised us
last week.”

“Presently, dears, but I want to have a little chat with your mothers
first. Seen the newcomers yet, any of you? I mean those city people the
Dawsons.”

“Yes,” said Miss Susan Bitterly, a staid single lady of no particular
age. “I saw them both as I passed by their place yesterday, and can’t
say I saw any thing particularly desirable about either of them. They
say she has a piano. I wonder what she expects to do with it here?”

“Well, for my part,” said Mrs. Hardmoney, the portly wife of a
well-to-do farmer in the neighborhood, “I don’t see what farmers’ wives
have to do with them there sort of things. When I was a girl, we were
taught another guess matter than to sit thumping pianys all day.”

“I think you’re rather hard on the poor young thing,” said kind,
motherly Mrs. Holmes, as she smoothed down carefully her best dress,
which she wore in honor of the occasion; “it must certainly be a hard
thing for her to come to such a change, after having had every thing so
comfortable about her all her life.”

“Well, for my part,” said Miss Chatterton, “I quite pity her. And they
say she’s such a dear, sweet little thing--yes, children, I’ll be with
you presently--and all the fault of her husband. Not that I ever heard
she complained of him. By the way, Mrs. Holmes, how’s your husband’s
rheumatism to-day? I’ve heard of a new remedy for it. Ah! my dear Mrs.
Brown,” she added, turning to another of the party, “I saw Henry Cole
only yesterday, and he told me they were all well at his father’s. But,
as I was saying, they say it was all his fault--”

“Maggie, are you never going to tell us that story?”

“Yes, dears, presently, when I’ve done here. Yes, she is quite a dear
little thing, and Sally Irish, who lives with them, you know, says she’s
so good and so gentle, and goes about every thing so nicely and so
pleasantly, that she has quite won Sally’s heart already, and that, you
know, is not very easy to do. It was only a day or two after they moved
up, before they had got all fixed to rights, that she came up to Sally,
who was washing out some things, and said to her, as she held out a
bundle of nice muslins--‘Do, Sally, please wash these out for me this
time, and I will stand by whilst you do it and learn how, and then, you
know, another time I can do it myself, and perhaps, in time, I may learn
to do it almost as well as you, Sally.’”

“Well, I am glad to hear she’s not so set up with her piany and such
nicknakeries as to be above being willing to help herself some. When I
heard what a heap of help they had down there, I thought sure as how
they were going to bring all their city notions as well as their piany
down here into the country.”

“Why, what harm can there be in a piano,” said the oldest of the Holmes
girls, before whose eyes visions of a boarding-school, and a piano, and
such like things had been for some time dancing; “I can’t see what harm
there can be in having a piano. For my part I think it must be very
nice, and I mean to go over and see that dear, pretty Mrs. Dawson, and
perhaps she will play on hers for me.”

“No doubt she will, my dear,” said Miss Susan Bitterly; “accomplished
ladies like her when they’re settled down among such barbarians as we,
are glad to find some one as accomplished as yourself with whom to
associate.”

A tart reply arose to Susan Holmes’ tongue, but an opportune look from
her mother arrested it.

“I should think,” resumed Mrs. Hardmoney, “that their help would eat up
all they make at any time. The Gilbert farm was never a very profitable
one, and this man, Dawson, they say, knows nothing about farming. He’s
hired Sara Bromley and Jim Clodpole to work on the place. Sam told my
old man he was to have a kind of management of things, for Dawson hardly
knew the tines of the fork from the handle. We all know that Sam is a
managing fellow, and if he don’t contrive to get more out of the place
than Dawson, I’m mistaken.”

“I think you do Sam injustice,” said Mrs. Holmes. “Mr. Holmes told me
that Mr. Dawson came to see him about hiring Sam, and that he took him
on his recommendation. Dawson is to pay him high wages, but Sam is a
smart hand, and if Dawson will only keep his eyes open, he may learn a
good deal from him.”

“One thing is very certain,” broke in our friend, Miss Chatterton--“I
shall go see her as soon as she’s fixed, and I hope all the neighbors
will. From what Sally Irish told me, I’m sure she is not a bit uppish,
but will be glad to see us all. And you know, Mrs. Holmes, you can give
her some of your nice recipes for country dishes, and teach her so many
things, if you choose, about managing her dairy, and I am certain, from
what Sally says, she will be much obliged to you for doing so.”

“Well, my dear,” said the lady, addressed, “I have been thinking about
it for some time, only I thought perhaps she would not care to have any
visitors until she got quite settled and began to feel quite at home. It
was only to-day Mr. Holmes told me he thought it would be neighborly for
me to go, and he was sure she would take it quite kindly. Mr. Dawson and
he are quite sociable, and he often drops in to see how things are
getting on as he goes by, and Mr. Dawson consults with him a good deal
about things and is quite thankful to him for his advice.”

Mr. Holmes was one of the principal men in that part of the world. In
addition to the very fine farm on which he lived, he was the owner of
two or three others, and had some very comfortable snug sums invested in
mortgages, and some stocks. Mr. Holmes’ opinion on any subject was then
that of a man entitled to be heard, for it is astonishing what an
additional force of wisdom those little things called dollars, when
counted in tens of thousands, and especially in hundreds of thousands,
lend to their possessor. Should it chance that they should mount into
millions, Solomon himself, could he revisit the earth, would not be more
regarded than are their fortunate possessors--their words are cherished
as the very oracles of wisdom, and their breath is as it were the divine
afflatus--men who possess them may pass their lives without contributing
in the slightest degree to the comfort or happiness of their fellow men,
the very incarnation of selfish avarice; but should they after their
death, unable to carry it with them, build and endow an hospital, a
college or a library, their names immediately ascend to heaven in
grateful pæans for their wondrous bounties, and they live in brick and
marble for ages, whilst those whose lives have been past in one constant
act of beneficence to their fellows, sink into their graves and are
forgotten in a month.

Mr. Holmes’ opinions then, were of weight in the circle in which he
moved, and his good lady re-echoing them, they bore down all feeling
which the natural rancor of Miss Bitterly and the contracted views of
Mrs. Hardmoney might have engendered in the breasts of the females
around, against our sweet Maria. None of them had yet seen her; she had
not been a month in their neighborhood, but they all had heard something
good about her, and after wondering why the Dawsons had not yet been
seen in any place of worship, and whether they didn’t mean to go, and if
they did which--the conversation turned into other channels, and Maggie
Chatterton at last yielded to the solicitations of the children to go
over into their corner and tell them “that nice story.”

The village of Euston, though numbering less than a thousand
inhabitants, was well supplied with places of public worship, for, as we
have said, it was surrounded by a populous neighborhood. First, stood
the old and venerable brick building, destitute of any ornament, unless
the glazed ends of the blue-colored bricks scattered profusely through
the walls could be called such, with its small, venerable porch. The
building was, however, becoming too large for the worshipers, or rather
the worshipers were becoming too few for the building, for the great
dissension, some years previous, which rent the society in twain had
reached here, and a large number had gone off to seek another building
other than that in which, in contemplative silence, their sires and
grandsires before them had worshiped. Then came the Baptists and
Methodists, in their almost equally plain buildings but with large
congregations, and the Presbyterians and Episcopalians, with more
pretending buildings but much fewer numbers, brought up the rear.

It was not from want of a chance that the Protestant could not worship,
and the number of emigrants in the neighborhood was so small that the
chapel of the Roman Catholic had not yet appeared. Before removing to
the country Dawson and his wife had been regular attendants on every
Sunday morning, or at least on every not very wet or stormy Sunday
morning, at a church of the Episcopal denomination. They went,
especially the gentleman, more from a feeling that it was a tribute
rendered to propriety than from any other motive. Not that he was an
irreligious man; he was simply a careless one. Of religion in the
abstract, he professed when he spoke of it, which was very seldom, great
respect. He had never been led off either by reading or the influence of
companionship to any thing beyond simple indifference. He saw that those
who were called “religious people”--“church members”--most of them
declined frequenting the opera, or the theatre, or ball-room. He could
not understand this--he could not comprehend why what he considered the
innocent pleasures of life were to be thus given up. It is true he often
met these very persons in the concert-room, or at what he thought very
large parties, provided there was no dancing--he could not understand
those which he considered distinctions without a difference, except that
the music of the concert-room would be improved by scenic
representations in costume, or that the scandal of the tea-party might
be advantageously broken in upon by the music of the dance. This was the
reasoning of one who merely regarded the surface--beyond this he had not
penetrated. Religion itself, as a vital, soul-giving principle, he had
never studied. A large portion of the Bible was familiar to him--he
admired the psalms of David for their exquisite pathos and
simplicity--the sublimity of Isaiah, and the mournful imagery of
Jeremiah had touched his fancy, but his heart had been unmoved, either
by these or the gentle teachings and lofty morality of the New
Testament. He read the Bible as he did the works of other great authors,
to please his fancy, his imagination, but not as the Book in which
choice of life and death, the mode of attaining the one and avoiding the
other, is offered to mankind. Maria, like most women, possessed deeply
religious sensibilities. The Bible was not to her a sealed book, and she
was unconsciously most probably to herself, much influenced in her
actions by its teachings. But her mode of life and that of her husband
had not been such as to allow it to make any very deep impression on
her. Had one charged her with being deficient in religious feeling she
would have shrunk back from it with horror. But, in very truth, though
the germs may have been planted in her heart, the requisite sun and rain
had not yet reached them to mature them. With such views, they had not
hastened their motions churchward, and, since their removal, were under
some feeling of embarrassment at a first meeting with a congregation all
strangers to them.


                               CHAPTER V.

On the Sunday succeeding the tea-party at Mrs. Holmes’, our hero and
heroine solved the problem in regard to their church-going by appearing
in the Episcopal church at Euston. Thus it was settled that they did
intend to go to church, and also where they intended to go; two very
important points for the gossips of the neighborhood. Mr. Dawson had
called on the church-warden to obtain a pew a day or two before; the
fact was duly communicated to his wife, and by her to some of the ladies
of the congregation, so that when the Sunday morning arrived the new
comers were duly expected. She would of course be dressed in her best
silk dress, made in newest fashion; and her hat of the same material,
would also be a glass in which the ladies of Euston could mould their
own. Great was the surprise of sundry good ladies, who cast furtive
glances over their shoulder, when a young lady of graceful mien and
carriage, and who could be no other than the expected one, followed the
warden, who politely pointed out their seats to the strangers, up the
aisle. Attired in a simple, white muslin dress, with a plain straw hat,
slightly trimmed with green ribbon, Maria, holding her little boy by the
hand, disappointed expedition. There was no time for criticism, for
immediately after the clergyman entered the desk, and as there was no
grand preliminary flourish by the organ of some favorite aria from
Rossini or Bellini, the services commenced.

They were conducted with an earnest fervor which chained and held the
attention of all. There was no attempt at display, but the lofty and
sublime beauty of the liturgy was brought out in all its force by the
heartfelt utterance of the speaker. The congregation soon seemed to
enter into the spirit of the rector. The responses were deep and
fervent--the music, plain and unaccompanied by an instrument, seemed to
the new arrivers, joined in as it was by the whole congregation, as more
expressive of deep devotion than the more finished efforts of the choir,
accompanied by a superb instrument, to which they had been accustomed.
The sermon which followed was in keeping with what had passed. It was a
plain, practical discourse on our duties here as connected with our
state hereafter. There was no eloquence, but much earnestness--the
sentences were not rounded and polished to the highest elegance of
finish, but brief and pithy, and the language strong and nervous, went
directly home to the heart and conscience. Although devoid of ornament,
it was entirely free from any thing like commonplace, and proclaimed the
utterer to be no commonplace man. A few months only settled in the
place, he had already made a forcible impression on his people, as was
apparent from their manner both during the prayers and the sermon.

Mr. Stapleton was indeed no ordinary man. His talents were more than
usually fall to the common herd. They had been highly cultivated, and
would fit him to adorn any position to which he might be called. His
ambition was, however, to do good to his fellow man. To this all the
energies of his mind and heart were directed. Holding sincerely to the
distinctive principles of his own denomination, he could yet see in
every man a brother. The road to heaven was not in his opinion over one
narrow plank, which alone must be trodden in conformity with the creeds
and synods of certain men in order to reach it. In his preaching as in
his practice, it was justification by faith in a crucified Redeemer who
died to save all who sincerely trusted in him. Where disease and sorrow
were, there was the rector found--nor were his attentions confined to
those who were called of his own denomination--it was enough for him to
know that pain or suffering existed to draw him to its home. In humble
imitation of his Divine Master, “he went about doing good.” The effects
of this were already apparent in many cases--universal respect and
esteem awaited him whenever he approached--the careless, the
indifferent, the profane, all awarded to him a consistency of life and
conduct in keeping with the doctrines and principles he enforced. The
influence of such a life in a man placed in such a situation could not
but be felt in the surrounding community, and especially among those
whose spiritual guide he was--accordingly, already the fruits of it were
beginning to be shown in a deeper, and more earnest spirit of devotion
in his congregation. Their attendance on the regular services of the
church was more numerous and more regular; increasing attention was
given by them to the spiritual education of their children through the
medium of the Sunday-schools into which he had breathed a renewed
vitality.

Yet with all his energy and devotedness in his sacred calling Mr.
Stapleton was no bigot, no ascetic. In the social circle no one
contributed more largely to the entertainment and amusement of those
around him. He took an active interest in the temporal affairs of those
among whom he lived--he had a keen relish for the innumerable blessings
with which God has strewed our pathway through life, recommending the
use, but strongly deprecating the abuse of them; in a word, inculcating
both by precept and example temperance in all things.

Such was the man upon whose ministrations the hero and heroine of our
tale now for the first time attended. They were unknown to him except by
reputation, their former history being familiar to him, and fear of
intrusion having thus long deterred him from seeking an acquaintance,
which must have been most agreeable to a man of as cultivated a mind and
refined taste as his. Now, however, that they had enrolled themselves
among his parishioners, the case was different, and in the discharge of
his pastoral duties he could seek them out with propriety. This was
accordingly done, and Dawson and his wife felt pleasure that among those
who were likely to be their future life associates there was one so
refined in taste, so cultivated in intellect, so gentlemanly in manner
as their pastor. Nor was the pastor on his side less pleased. The charms
of conversation with persons of refined taste and cultivation were a
source of positive pleasure to him, and of relief to a mind worn by
study and anxiety. The lighter literature in which Dawson delighted was
not unknown to him, and from the shelves of his new friend (the
“back-parlor” had been transformed into the “library”) he could obtain
authors of rare merit which his own library did not afford. Maria’s
piano and voice were always put into requisition at the pastor’s call,
and thus in a comparatively short time an intimacy was established,
which under other circumstances would in all probability have only been
brought about in months, if not in years.

Let it not be supposed, however, that in his intercourse with the
Dawsons, Mr. Stapleton ever lost sight of the great object of his
life--the salvation of the souls of his fellow-men. The greater his
intimacy became, the more he found himself the habitual frequenter of
the house of his new friends, the deeper became his interest, the more
anxious his desire to raise their thoughts from the concerns of time to
those of eternity. Gradually and gently would he lead the conversation
into channels which enabled him to dwell more and more on the thoughts
that were nearest and dearest to himself. He found attentive listeners.
There were no doubts of a sceptical kind to be overcome. Both Dawson and
Maria yielded a belief of the head to all the doctrines of Christianity,
to which they had been accustomed to listen from their childhood. With
her, too, as she had increased in years, had--in her more thoughtful
moments--increased an earnest respect for the precepts which were
familiar to her. In the midst of all her former gaiety and splendor, she
not unfrequently felt that she was created for some higher and nobler
purpose than to pass her life in the frivolities of which she was the
center. An aching void, filled--as she thought--first, by her husband,
and then still fuller by her children, she could not but at times
experience, as who of us has not. Stapleton now showed her that even
these cherished objects of affection were not sufficient. These ties
death might rend asunder--the cherished objects might be wrested from
her, at any rate, for a season; but, that there was one, to whom, if she
gave her affections, He never would part from her. To do this, it was
not necessary for her to abate one iota of her domestic feelings--the
love for those on earth and for Him in heaven were not only compatible
with each other, but would actually increase the purity and devotion of
each.

So sped away the fall and winter. The new comers had become perfectly at
home in their new position. Many and various had been the neighborly
calls upon them, which had been duly returned. Strange was the contrast
between their new and old acquaintances in much of the outward forms of
society, but they both found that beneath these plainer exteriors were
frequently met with hearts as large and pure, and minds as strong and
vigorous, if not as polished and cultivated, as those to which they had
been accustomed. Mr. and Mrs. Holmes had been invaluable adjuncts to
both. The former had conveyed many an useful piece of practical
knowledge to Dawson, who had entered on his new pursuits with a fixed
determination to succeed, and with his mind unfettered by any of those
prejudices arising from the fact that “his father had done so before
him,” or that “it was the practice in their neighborhood,” was enabled
to avail himself of all the improvements which modern skill and the
experience of others now bring to the aid of the tiller of the soil. His
life was passed in an even, quiet tenor. If his meals were not as
luxurious as they once had been, labor of some kind gave to them a most
excellent relish, and no butter was ever so good as that which he now
ate, for the hands of Maria had made it; no pastry so light and
delicious, for the same fair hands had prepared it; no bread so sweet,
for she had kneaded it herself; and her light cakes, a recipe from Mrs.
Holmes, were pronounced equal to those of that thrifty lady, whose
housewifery was the theme of admiration the country round. Thus they
conformed themselves to their circumstances; and, in so doing, enjoyed
the many blessings Heaven still reserved for them. The children had
thriven apace. Harry had learned not only to take care of himself
without the assistance of Mrs. Harris and Jenny, but aspired to take
charge of the cows, also; being never so happy as when permitted to
assist in driving them to and from the pasture-grounds. Little Maria’s
great delight, too, was to feed the “chickes,” and baby, left to roll
about a good deal by itself, was fast attaining that happy period, when
it is its glorious privilege to waddle up and down stairs alone, to the
imminent danger of its own neck, and the perpetual alarm of all careful
mammas.

But had the true seed sown by Mr. Stapleton produced no fruit during
this time?--It had. An increased and more earnest attention to those
things of which he spake was seen on the part of both Dawson and his
wife. The mode of operation on their minds and hearts was different. He
reasoned--she felt. With the almost unerring instinct of the female
character she had reached her conclusions, whilst her husband was
deliberating with slower reason. She felt that here was the something
which was to fill that aching void in her heart, which, despite her
ardent affection for her husband and children, she had long felt there.
With her usual prompt determination she acted. She communicated her
resolves to her husband, whose only reply was a warmer, more fervent
kiss than usual. Thus sanctioned by her husband, in the early spring she
made a public confession of her faith by joining in that communion a
remembrance of a Saviour’s love from which she had before abstained.

Let it not, however, be supposed that this was the result of sudden and
hasty determination. Many and earnest were her communings with her own
mind. Long and earnest had been her conversations with Mr.
Stapleton--attentive and careful her perusal of the sacred volume; and
when, at last, after frequent and fervent prayer to God, for
enlightenment and guidance, she fully determined to pursue the path she
had considered, she felt her heart lightened of a load, and the peace of
mind which the world can neither give nor take away.

One care now oppressed her--one desire actuated her: it was that her
husband should also join with her in her new profession. To obtain this
end was now her constant aim. Fervently did she address her prayers to
God for such a consummation. Earnest and loving were her conversations
with him. His head and his mind were (she knew) right; but his heart had
been untouched. Well she knew, that for her sake he would do almost any
thing--but for his own sake it was that the devoted wife, leaning upon
his arm as they sometimes rambled together, or, at other times, with her
hand resting in his pressed her gentle pleadings upon him. She opened
for him such passages of the sacred volume as she thought most suited
for him, and then, not unfrequently, retiring to the privacy of her own
chamber would throw herself upon her knees, and pour out all her full,
gushing soul to God in earnest prayer, that he would touch the heart of
her husband and bring him to Him. (God answereth prayer.) Nor were hers
in vain; and, oh! who could tell the unutterable joy of that fond heart
when, at last, pressing her fondly to his heart, he avowed his
determination to join her, on the following Sunday, in an open
profession of his Saviour before men, adding--

“To you, my own sweet wife, I owe this change which has come upon me.
Your gentle pleadings, your fond prayers have opened this stubborn
heart, and prepared the way for the reception of those better things
which were hereafter to be his.”

“Not unto me, dearest Henry, not unto me, but unto God above be the
praise. Too happy, indeed, am I, if I have been the feeble instrument in
His hands of your enlightenment.”

Close we the scene. It would indeed be a privilege, had we the ability,
to follow our heroine further. Never had she looked so lovely. A
heavenly radiance and serenity shone from her young brow. Her eyes wore
a subdued and softened expression which rendered them even more
attractive than of old. And how was her care for her children
heightened--not for their bodies only, as formerly, but now for their
souls. Never afterward did either she or Dawson cast a regretful glance
backward, for they felt that, if they had lost the world, they had
gained Heaven.

                                                             T. R. N.

                 *        *        *        *        *



                        =FATHER BROMLEY’S TALE.=


                     =BY WILLIAM ALBERT SUTLIFFE.=


“I will tell you a tale,” said Father Bromley.

Father Bromley sat on the piazza of his cottage, looking over the green
breadth of lawn which stretched down to Willow Brook. The sun had just
gone down, and the western sky, still a-glow, seemed--seen through the
willows--like a splendid tissue--gold and green; and the stream, as it
rolled, might have been supposed to have its rise in that strange El
Dorado which filled our country’s ancestral dreams. On his right sat his
daughter Alice, needing to be but a shade paler to be wrapped in a
shroud, and laid to her dreamless sleep with a white rose-bud pressed
between her slender fingers, and on his left his other daughter,
Margaret, fresh as a June rose at sunrise. The father sat between them;
the very pattern of paternal grace and quiet benignity. His worldly
cares had been slight, so his face had been left smooth, full, and
sunny; so sunny, in fact, that it appeared to have taken and retained
the quintessence of every sunbeam which had fallen upon it. But now,
like external nature, it had a sort of twilight expression, approaching
to spirituality, which would awaken in the beholder an abiding interest,
and lead him to pause and study ere he passed. Various circumstances
conspired to this--the time, the place, and the proximity of his pale
child, propt up with pillows, and almost as ethereal as a moonbeam. For
a long time they had been sitting in a deepening silence, which neither
wished to disturb; and so absorbed were the two daughters with their own
thoughts, that the first words of the gray father fell upon unheeding
ears.

“I will tell you a story,” he repeated, after a little pause, and in a
firmer tone.

Slowly, and with a sigh, like one awakening from a pleasant dream to an
unpleasant reality, Alice lifted the lids, and upturned her eyes, filled
with a gathering dreaminess, to the dawning love-look of her only
parent. Those deep, dark eyes, they must have known many tears.

“Do let us hear it, papa,” she murmured, “but let it be in harmony with
gathering stars and slanting moonbeams, and let it have a true golden
tinge from the sunset which lights up the gloaming.”

“And do let us hear it!” echoed Margaret, turning quite away from the
moon, which was just rising.

“And of what shall it be?” asked Father Bromley, as he looked
inquiringly from one to the other.

“O, something that will please Alice!” returned the sweet girl. “For who
knows how many times we shall have it in our power to please her,” she
thought but did not say, for all of that household knew that sooner or
later death would knock at their door.

There was a long pause, and then Alice said--

“Let it be of the picture, with the angel-face, which hangs in the green
parlor?” There must have been strange thoughts suggested by it, for her
face in the white moonshine grew a shade paler, and her hands trembled a
little, as if nervously affected, but no one noticed it.

There was another pause, and then she continued, as if to explain the
reason of her wish--

“I have been reading to-day a beautiful poem, in which a lovely lady
died of a broken heart, and her spirit nightly haunted her old home.
Thinking on the sad tale, I paused to weep, and sat for a few moments
with shut eyes. When I opened them, the first thing that I saw was the
portrait, and--will you believe it?--it had acquired a new sadness, such
as I never saw on a mortal face. It seemed to be looking at me with an
incomprehensible intensity of earnestness; and, as I still gazed, a
tear--I saw it as plainly as I see the moon--started in the eyes, and
rolled down the face. And then another, and another,” she went on in
higher tones, as if trying to impress a burning truth on incredulous
listeners, “and all the while it looked at me so sadly--but not with
pity, and seemed so to invite me, that I fancied that I heard the lips
say--‘Come!’ _That_ was _only_ fancy, but, as I live, I saw it weep.”

Father Bromley looked with deep and tender anxiety upon the pale face at
his side. He well knew of a report, formerly current in the house, to
the effect that this same picture was seen to shed tears just before the
death of any member of the family. But this piece of information he
restrained, justly deeming it not pertinent for the occasion. Margaret
looked anxious and perplexed, but said nothing; and the father, after a
little pause, began--in a low voice--his tale. Let us listen, dear
reader, seated attentively on the sward, at the corner of the dim old
mansion. We may be as sceptical as we please, since neither of us ever
saw a strip of painted canvas, in a gilt frame, weep.

“My great grandfather’s second wife--for so far back his story was to
date--was a strange, bad woman. There was no peace in her vicinity. The
estate had become involved, and my great-grandfather, knowing her to be
possessed of some money, married her. But he always had cause to
bitterly rue that day and hour which made her his. He had two
daughters--both sweet girls, and she one son, who had inherited all her
bad qualities, with an additional coarseness and ugliness of manner,
which she--if she possessed it--from superiority of education, seldom
showed. Her son, whose name was Andrew, had that sensual perception of
beauty which always marks vulgar natures, and he had been but a short
time in the family before he gave evidence of the impression which the
beauty of the younger sister made upon him. Lisette, from the first,
rejected his overtures, and withdrew from his society to that of her
elder sister as much as possible; but Andrew, not heeding her contempt,
and abetted moreover by his mother, still pressed his suit with all the
pertinacity and regardlessness of feeling, which characterize such
semi-barbarous beings. The persecuted girl sought her father’s
protection, and he, in giving it, alienated from himself the spark of
affection which the bosom of the step-mother might have known. From that
time she ‘hated him with the hate of hell;’ but, with all the cunning of
her perfidious heart, she covered it with a smile. She softened toward
her step-daughters, and, by her open advice, Andrew discontinued the
attentions which had made him so odious in their sight. All was,
seemingly, about to be harmonious and well again, when the father
suddenly sickened and died. There were strange circumstances attending
his death, which made it to be as much talked of as an eighth wonder.
Sturdy men put their bushy heads together, and whispered mysteriously in
corners, and old dames--stooping over the few last embers on the hearth,
as the hours drew on toward the ghostly midnight--muttered to each other
in underbreath, starting ever and anon if the wind but wailed a little
louder, or flapped a clapboard which chanced to hang loose. Children
whimpered if they were put to bed alone in the dark; and young women, in
broad daylight, would not go ten rods unattended over an unfrequented
road. Dame Burton had had, for a long time before this, an unfavorable
reputation with a few, and the assertions of this few were latterly
gaining believers. It was now currently reported that she was in the
habit of going, nightly, to the Devil’s Crag, under which was a cave,
whose black recesses had never been seen by mortal eye. It was
furthermore reported, that whenever any one approached it, a dark vapor
issued from its mouth, in the midst of which were sometimes seen two
fiery eyes, and ominous voices also added to the fright of whomsoever
might chance to be lost or stray in this vicinity.

“The foundation for all this was the testimony of two superstitious
woodmen; who, in plying their trade, occasionally ventured into the
vicinity, and, besides what has been here told, one of them gave out--as
a piece of definite information--that, being one night belated in the
neighborhood of the cave, and coming toward home in great terror, he
suddenly heard the sound of rapid footsteps, and pausing, he saw Dame
Burton come into an open spot not twelve feet from him. Suddenly there
appeared a man as black as ebony at her side. Whence he came he could
not tell, but his _identity_ was not to be mistaken.

“‘Why are you so late?’ asked the dark personage.

“‘Mercy, mercy!’ cried the cringing dame, piteously.

“But mercy did not seem to be one of his component parts; for, seizing
her roughly by the arm, and rushing off with her like lightning through
the dense underbrush, he made directly for the cave, leaving nothing but
an overpowering smell of brimstone, and a line of blue light, pointing
like a guide-board toward the place of rendezvous.

“How the man ever got home he could not tell: but it was not at all
uncertain that he did get home, and tell the tale here given to a
thousand incredulous hearers.

“Father Burton died and was laid with his fathers, and Esther and
Lisette wept together in their sorrow, and arrayed themselves sadly in
mourning weeds. The suspicions of their neighbors never troubled them.
The thought that their step-mother could be to utterly depraved would
have killed them at once, had it entered their minds. The father had
not, however, been long gone to rest when they perceived a change in the
mother and son. The mother’s face assumed a crafty and hag-like
expression, and the son’s face seemed to have gotten a look of stupid
cunning quite foreign to it. Except this, for some time, nothing was to
be seen; but soon matters took a more overt and decided turn, Andrew
again renewed his odious attentions, but with a confidence which he
formerly lacked. He was met with the same coldness as before, to which
was added an entreaty--coached in the most conciliatory language, to the
effect--that he would desist. But coldness and entreaty were alike vain.
He still persisted, and Dame Burton, at last, seconded his suit by
commanding Lisette, in unequivocal terms, to marry him.

“‘I cannot! I will not!’ said Lisette, with a passionate burst of tears,
at the close of an interview in which the matter had been pressed upon
her with more than ordinary vehemence and fiendish show of malignity.

“‘Cannot? will not?’ muttered the dame, half to herself and half to her
auditor, accompanying the same with an impatient gesture, and a laugh
hissed through her closed teeth--‘we will see! we will see!’

“‘I beg to hear no more of this,’ continued the persecuted girl, ‘or I
shall expect our poor dead father to come in his shroud to defend me
from such cruelty.’

“‘Thy poor dead father in his shroud!’ echoed the step-mother. ‘Ah, ha!
it was a good drug--a friendly drug,’ she muttered on in an undertone,
‘a pleasant potion, for a peevish child!’ and then she laughed at her
devilish wit. ‘Thy father sleeps well, child. Did thy keen wit ever take
exception at the friendly nursing which waited on him to the grave?’

“Lisette started, and looked fearfully at her; but, recovering herself,
she proceeded to state her refusal more definitely.

“‘I will took upon thy son as a brother, but do not think I can ever do
more. Why will he persist in asking what he has so often been told I
cannot give? We are dissimilar, and I cannot love him--but I do not hate
him. I repeat, I will continue to regard him as a brother, but in any
other light I cannot--ay, I _will_ not--look upon him!’

“Rising with the last words she would have passed from the room, but she
was detained.

“‘Dost love another?’ queried the crone, looking her full in the face.

“The blood rushed to the young girl’s cheeks.

“‘Ah! I see! I heard Andrew tell of the young painter, who--’

“Lisette’s face was scarlet.

“‘Let me go!’ she cried impatiently. ‘Have not I told thee that I will
not marry thy son?’

“‘But you will! you shall!--you cannot escape me! I will summon every
fiend in hell to my aid! I will torture thee to submission!--I will melt
thee in the crucible of my wrath!’

“The last words were lost on the object of her anger, and the dame stood
with her arms akimbo, and a peculiar exultation of expression, such as a
fiend, conscious of his diabolical power might be supposed to wear.

“Lisette rushed to her room, and threw herself, half-fainting, into the
arms of her sister.

“‘Strange things at the Burton house, Neighbor Guernsey,’ said Widow
Hamersley, as she lighted her pipe, and, having taken an initiatory
whiff, drew her chair toward the bright wood fire.

“It was now Autumn, and the winds were growing colder day by day, and
the external aspect of Nature more dreary.

“‘Yes, yes,’ returned she who was addressed. ‘Since Mistress Alton lost
her two little children in Marsden Forest, who were no doubt eaten of
the wolves, there has not been the like of it. I pity poor Esther, who
is left all alone with so ungracious a woman as Dame Burton.’

“‘Ay, ay, Neighbor Guernsey. Many a long year have I known this strange
woman, and I have yet to discover if there be any good thing in her. And
the dolt Andrew is no better man a stupid beast. It has been noised
about, that the step-mother has been trying to force the younger girl to
marry him. Heaven knows what might happen if the poor child would not
yield!’

“Here the widow puffed forth a volume of smoke as large as a small
thunder-cloud, and gazed knowingly among the embers.

“‘And the young painter in the village, they say, is going distracted at
her loss,’ continued Mistress Guernsey, not observing the drift of the
other’s remarks. ‘He has been painting a portrait of her, and now he has
left all and gone off to search for her in the woods.’

“‘Small chance of his finding her, Neighbor Guernsey,’ answered the
widow, drily; her remarks still tending in a direction which her
companion did not perceive. ‘It is no wolf of the forest which will have
the pleasure of picking her bones.’

“‘Heaven grant it may be as you say!’ was the reply, referring to the
last clause of the sentence, whose ambiguity was unnoticed.

“‘Hast thou not heard tales about this dame?’ asked the widow, dropping
her disguise and speaking more openly.

“‘Ay, ay, many a time and oft; tales smacking of mystery and mischief,
which boded no good to Dame Burton. They say she has unholy company
o’nights in the wood. But, after all, they were only tales about which I
knew nothing certain.’

“‘Hast thou not,’ continued the widow, ‘noticed a strange twinkle in her
eyes, a shrillness in her voice, and that her hair is becoming coarse
and grizzled? What does this portend?’

“‘Alas! I cannot tell,’ replied Mistress Guernsey. ‘There were strange
hints when her good man died, and now I bethink me that they might have
been true, and the remorse of the inner conscience might thus have
developed itself outwardly.’

“Here there ensued a pause, and the two sat awhile quietly listening to
the hollow moaning of the wind among the trees of the old forest hard
by. Superstition, which always attends ignorance, was a prominent point
in the characters of both; but more especially in that of the widow. No
doubt she heard demon voices in the wind wailing in the crannies, and
fancied the air filled with evil spirits, hurrying like lightning upon
their various errands of mischief. When she spoke again her voice
quivered, and her frame shook as with an ague-fit.

“‘I tell thee, Mistress Guernsey, I have seen--’ said she, at last, her
gaze fixed intently on vacancy.

“‘Seen what?’ asked the other, drawing closer, and looking distrustfully
into every corner of the room.

“‘Seen--’ repeated the widow, still looking into vacancy.

“‘Seen what?’ repeated her auditor, drawing still nearer, and looking
with still greater scrutiny into all the dark nooks of the apartment.

“But the expected speech still hung half-way between conception and
utterance, as if some impalpable auditor were present, who might convey
the tale to the ears of the object of both her aversion and fear.

“The sad moaning of the wind filled up the chasm in the conversation,
and the subtle influences of the place, and their loneliness, seemed to
be rapidly gathering about the two lonely women. The speech was still
unspoken, when the thread of the proceedings was broken short by the
abrupt entrance of Mistress Hamersley’s son. Whether or not the embryo
disclosure might have embodied new and startling developments, or only
old statements re-hashed, we cannot tell; but, certain it is that, the
vein of mystery was explored no further that night. The son piled new
fagots on the fire--the widow refilled and relighted her pipe, and the
conversation took a more cheerful turn, and the place took again that
air of rude pleasantness which belongs particularly to a
farm-house-kitchen, while the weird lady was, for the moment, forgotten.

“As may have been gathered from the remarks in the preceding
conversation, Lisette had disappeared, lost, it was supposed, in the
forest, into which she sometimes strayed alone; for, as to superstition,
she had none of it, and wild animals had mostly retired to a safe
distance before the advance of civilization. Every possible means had
been tried for her recovery, seconded by apparently every effort of Dame
Burton and her son. They seemed inconsolable, and some of those who
looked upon her as a slandered person affirmed that she spent the nights
for a week in weeping. Esther was now alone and friendless, thrown
entirely into the power of these protectors. Surmises and ill-boding
opinions passed occasionally from mouth to mouth, but never reached her
ears. She wept in silent sorrow away from all intercourse. Thus matters
went on for some weeks, until one night, at dusk, Andrew was brought to
his mother a corpse. He had been accidentally shot in a hunting
excursion. Her sorrow at this occurrence was real. Every other tie had
been to her nothing, while this had absorbed all her soul’s capability
of affection. She had indulged him in every thing, and had attempted to
gratify his every wish. Now that he was gone, all that she possessed was
gone, and all her thoughts and deeds glared upon her in all their
malignity. She had nothing now to take from herself those hell-hound
thoughts which bred in her a bitter remorse. One night she lay by his
coffin--another by his grave, and a third she would have spent thus, but
they led her away. She yielded as pliantly as a child. Thenceforth, she
was completely broken down. She could do nothing more, and all day she
sat like a fixture in the chimney-corner, while all the house-affairs
fell into Esther’s hands. But, at dusk, the dame would be gone
mysteriously for an hour. Esther never questioned concerning it, nor
cared; but the ignorant neighbors whispered, wondered, surmised, and
told of strange things that happened at these times, until it became so
much a matter of course, that nothing more could be said. At the end of
a year she married my grandfather Bromley. The portrait of the lost
sister was taken from the painter’s studio, and hung in her room. Each
succeeding year added a new balm to her wounds, until they seemed so far
back in the past, that sometimes she would almost question with herself
whether or not they had had actual existence.

“Thus twenty years of married life passed calmly and pleasantly. Sons
and daughters were growing up around her in full bloom, and all promised
that the afternoon of her life should be peace. Dame Burton had grown
old and decrepit, and bent nearly double. Her hair was white as snow,
and her face had a sort of blank, passive expression, except at times,
when her eyes would glow like half-extinguished coals, and she would
start as if some frightful object looked in upon her visions. Through
all the long day she sat in the chimney-corner, and never stirred until
the bats wheeled in the dusk, and the rude noises of day were displaced
by a stillness, so still that the bark of life might be said to move
down the noiseless river of time with muffled oars.

“One night, in the early autumn, my grandfather was gone, and my
grandmother was left alone with the family. All were quietly at rest
before she retired. That day she had been laboring hard and was
overwearied, and now a strange restlessness and loneliness of feeling
came across her. It was just at the moonrise. The moon came up looking
red and angrily over the ripening fields, glistening with dew, near at
hand, the mill-pond still and large further off, and the black and
massive woods in the distance. Those weird influences were at work,
which incline every mind at times to retrospection. And now, as over a
dim sea, from a dim seen island, came the memories of the past. She saw,
as in a dream, the mother of her childhood, who pressed her childish
hand in hers. A few years past, and she saw her die, and felt the
intense agony of that moment. A few years more were gone, and she saw
the deathbed of her other parent, and felt the keener and more enduring
pain which maturer minds must feel. Still farther, and she saw the
sister-branch, which had grown side by side with her upon the parental
tree, torn rudely away. And now she could think no more. It was too much
pain. Turning from the window, she hastily disrobed herself, and dropped
wearily upon the bed. It was some time before slumber came, and when it
did come it brought a dream. Memory, in the guise of a headless figure
with a lantern, seemed to lead her through all the past, which was
nothing more than a field covered with brambles and underbrush, and
filled with pitfalls into which she continually fell. Her flesh was torn
and bloody; but still she went on, and on, and on, and still there was
no end.

“She might have slept thus nearly an hour, when she became conscious
that there was another presence in the room. She stirred a little, and
the village-clock drowsily clanged to tell the midnight. She opened her
eyes. The moon was far up, and poured a flood of white light through the
casement. A tall, attenuated figure, in a long, loose, and tattered
gown, which showed ghostly white, stooped over her.

“The shape stood between the bed and the window, and yet so ethereal was
it, that she seemed to see the casement, the climbing moon, and the
white church spire, as though nothing intervened. But the face, so
ghastly white, so thin with want and woe--cross-lined and
interlined--and the eyes--so faded and expressionless, she had never
seen any thing like it.

(Here Margaret pressed her father’s arm, and pointed to Alice, whose
fingers were quivering like aspen-leaves--but he did not pause.)

“Like two pictures on a wall, her imagination placed the image of her
lost sister beside this form, so unlike in every particular. The
conclusion was irresistible. It was her sister, or--as her disturbed
fancy would rather indicate--her ghostly representative. Overcome by her
emotions she fainted, and when she recovered, the visitor was gone. She
lay quite still, in her terror, until the approach of dawn, and then
arising, she dressed herself all in a tremor, and prepared to descend.
All was still as death, for it lacked a half-hour yet of sunrise. She
heard Chanticleer’s shrill cry without, just as he emerged from his
dormitory, and she noticed a cricket’s sharp voice within, and even the
tick of a death-watch in the wall fell distinctly on her ears. A chill
crept over her, like the forerunner of some frightful calamity.

(Here Margaret pressed the narrator’s arm again, but with the same
success as before.)

“She crept, rather than walked down the stairs, and peeped through the
kitchen door, which stood ajar. The eastern shutter was swung partially
back, and admitted a streak of the cold, gray light of dawn, which fell
upon the features of the midnight visitor, who sat erect at one side of
the room. She did not stir, though Esther, staggering in her terror,
thrust the door back with considerable noise. Perfectly still she sat,
gazing, as if in fright, at the hideous face of old Dame Burton, who sat
a little more in the dusk, regarding her attentively. The old crone was
inclined a little forward, her shriveled lips separated in a grin, and
one lean finger threateningly raised in a gesture which said more than
words. Neither spoke; but, cold, still, and pale, they gazed at one
another, and then was felt around--

          ‘A smell of clay, a pale and icy glare
           And silence----’”

“See, see!” exclaimed Margaret.

Alice sat motionless, with her head thrown slightly back, and her face
whiter than the moonbeams which fell upon it.

“What is this?” asked Father Bromley.

“It is Death!” shrieked Margaret.

                 *        *        *        *        *



                           =HOURS IN AUGUST.=


                        =BY MRS. J. H. THOMAS.=


                  Softly as the star-beam slideth
                    From its halls of blue;
                  Gently--gently as it glideth
                    Lily bells into--
                  And, with kisses unimpassioned,
                    Greets the vestal dew--
                  Falls this mellow August sunlight,
                    Darling! upon you.

                  Warmly through the bending branches,--
                    Through the slumbrous air--
                  Like a thought of joy it glances
                    On thy forehead fair;
                  Softly wreathing o’er the midnight
                    Of thy shining hair,
                  Till the gleam of starry pinions
                    Seems to linger there.

                  Sweetest eyes of softened splendor
                    On me faintly beam;
                  Lips most proud, and yet most tender,
                    Move as in a dream;
                  While our boat beneath the willows
                    Sleeps upon the stream--
                  Moveless, save its idle rocking
                    In the golden gleam.

                  Hours of faint and drowsy sweetness
                    ’Mid the silence go--
                  Idle hours, that care or fleetness
                    Scarcely seem to know;--
                  Lightly rest! nor dream thou, darling,
                    Of time’s onward flow,
                  Till, upon yon wall of sapphire,
                    Sunset banners glow.

                  Then, from out the brooding silence,
                    Softly will we glide
                  Past the myriad happy islands
                    Sleeping on the tide;
                  Home with joy! though hours as golden
                    Long must be denied,
                  Clasping thus their haunting sweetness
                    Naught we’ll ask beside.

                 *        *        *        *        *



                                =ANNIE.=


                          =BY D. W. BARTLETT.=


                  Her brow is very beautiful--
                    The lily’s spotless hue;
                  Her eyes, which ever follow me,
                    Are heaven’s own blue;
                  Like rose-buds are her little lips,
                    Her motions full of grace,
                  And spiritually clear and fair
                    Her innocent young face.

                  Her smile is sunshine to my heart,
                    Her silver voice a tune
                  I always love to hear--her breath
                    Like that of flowers in June;
                  She is my first, my only child,
                    And has no mother’s love
                  To gather closely round her heart--
                    _She_ is in light above!

                  Her snow-white arms are round my neck.
                    Her lips my own do seek,
                  Her curls of silken, golden hair
                    Fall down upon my cheek;
                  I hear her voice and watch her eyes,
                    And whisper low--“above
                  Such voices fill the air--and there
                    There be such eyes of love!”

                  When trouble fills my aching breast
                    And I am grief’s sad prey,
                  Her prattling lips and gentle glee
                    Drive all the gloom away;
                  She lays her head upon my heart
                    And hushes every sigh:
                  I dare not think how cold the world
                    Would be if _she_ should die!

                 *        *        *        *        *



             =THE USEFUL ARTS IN OTHER NATIONS AND TIMES.=


                         =BY CHARLES WILLIAMS.=


For several centuries after the irruption of the Barbarians and the fall
of Rome, there are scarce any visible traces of the existence of those
manufactures which attained so high a development in the old world. This
remark, of course, applies merely to Europe, for arts and refinement
still continued uninjured in the Eastern empire; and thence, on the
revival of Italian commerce, the knowledge of many inventions and useful
arts flowed westward. In the ninth century, the inhabitants of the
cities in Italy began to rebuild their ancient walls; and the security
conferred by fortified towns, together with the union of their citizens
for mutual defense, soon caused a decided advance in the useful arts.
Their progress was necessarily slow, in consequence of many disturbing
political and social evils. We will give a few examples from an ancient
historian[11] cited by Muratori, to show the condition of the most
civilized country of Europe in the former half of the thirteenth
century.

He mentions the barbarous dress that still prevailed--that a man and his
wife ate from the same plate--that one cup sufficed for the use of a
whole family--that gold or silver were rarely or never seen for ornament
in dress--that war was still the glory of the men. But the more refined
ecclesiastics even then contrived to gather luxuries around them,
brought by reviving commerce from the East. And that at this age
considerable display could be made on grand occasions, will be well
shown by the account given of the French soldiers and the procession on
the entry of Beatrice into Naples, A. D. 1266. The writer above quoted
says, that “all of them were tastefully dressed, and wore beautiful
plumes, while their chiefs were notably adorned with large golden
collars; and the carriage of the queen covered with silken velvet, dyed
sky-blue, and sprinkled with golden lilies.” Carriages, says the
authority cited, were very rare. The “many ladies of rank, glittering
with precious robes, and sitting on their richly caparisoned, ambling
palfreys,” complete the view of a characteristic scene of the times. It
is impossible to read such descriptions without feeling in its full
force the statement of Hallam, that the revival of commerce and arts
must be dated much earlier than the thirteenth century.

One of the earliest movements in this revival is to be seen in the
woolen manufactures of Flanders, which were so flourishing in the
thirteenth century, that a contemporary writer asserts “that all the
world was clothed with English wool wrought in Flanders.” Brabant and
Hainault were also the seat of the same manufacture; and the fabrics
woven in the factories of the Netherlands were, doubtless, extensively
diffused. We need scarcely observe, that the attainment of this
perfection mast have been a work of some time.

Cologne, Bruges, Ghent, and Antwerp became centres of manufactures and
commerce; whilst the origin of the Hanseatic League gave a new impulse
in the north to the progress of the useful arts. In the early part of
the fourteenth century a system of trading commenced between the north
and south of Europe; and the free application to navigation of the
discovery of the magnetic needle--a discovery made in Europe about A. D.
1200, and long unapplied--vastly increased commercial intercourse, and,
as a necessary consequence, the home manufactures of nations. The
Italian towns, especially Venice, Pisa, and Genoa, first raised to
importance by the Crusades, took a leading part in the general movement,
and became the channels through which the East poured her riches and the
knowledge of her arts into Europe. The southern French provinces were
not behindhand. Marseilles--where the spirit at commercial enterprise
had never wholly died away--Narbonne, Nismes, and Montpellier, were all
distinguished for prosperity and growing wealth. The invention of a
system of banking, which we find in operation so early as 1400 A. D.,
deserves to be mentioned, as one of the most influential causes of the
rapid growth which followed. England, indebted to her neighbors for the
origin of so many of her manufactures, entered the lists late, though
destined eventually to outstrip all competitors.

During the unsettled periods at which we have been glancing, agriculture
was, of course, neglected; but toward the end of the thirteenth century
we find that it has shared in the general revival, and that the plains
of Lombardy present the appearance of one vast garden. Indeed, the
prospect of Italy was then far more pleasing than that which there meets
the traveler’s eye in our own times.

A few words on the progress of the art of building. The first Gothic
architecture--correctly so named--appears to have arisen from an
imitation of Roman remains, and the combination therewith of rude
barbaric notions. The round arch still remained the predominant feature
of construction; and the less finished works of this period, with their
undeveloped style, deserve the name of “Gothic,” which is now generally
restricted to the designation of them. In the twelfth century, however,
the introduction of the pointed arch marked a new era in the art of
building, and was the beginning of that skill and taste which produced
the magnificent architectural monuments inherited by us from the middle
ages. Clustered pillars, carved mullions, foliations, and graceful
tracery, quickly followed the introduction of this new element; and the
union of strength with lightness, of which the flying buttress affords a
beautiful example, was carried to as high a point of perfection as the
material would allow. To the introduction of the pointed arch Venice
may, perhaps, lay claim; and the rise of her palaces amid the waters of
the Adriatic, probably marked the origin of many other improvements in
construction. One of these, which lies at the very root of modern skill
in house building--we mean the framing of timber floors--may be assigned
to her artificers. Houses were thenceforward built in stories, and skill
in this respect soon issued in domestic works, which in utility and
outward beauty surpassed the ancient dwellings. These improvements were
soon adopted elsewhere, from the ninth and tenth centuries downward.

The Moorish architecture, introduced into Europe by the Arabian
conquerors of Spain, early attained a high development. One singular
characteristic of this style,--the horse-shoe arch--must be specially
mentioned, as a new feature in construction; and its shape was, perhaps,
suggestive of the dome, universal in the later Mohammedan architecture.
Slender pillars, profuse decorations in painting, mosaic, and stucco,
with elaborate lattice and trellis-work, and perforated battlements, so
intricate as to resemble network, are the other points for remark in
Moorish buildings. The polish and refinement of the Saracens
distinguished them wholly from the rude barbarians of the North. They
did not invade to destroy, but to improve; and so early was the
development of their architecture, that one of their most splendid
remains, the mosque at Cordova, was erected in the beginning of the
ninth century--a period which could show nothing so beautiful elsewhere.
The celebrated Alhambra--the palace of the Moorish kings of Granada--is
some three centuries later, and must be alluded to here as the highest
development of the luxurious Eastern style. The perfect state in which
parts of this celebrated Moorish palace still remain, is elegantly thus
described by a modern writer,[12] in his notice of the “Court of Lions”
and the surrounding halls:--“Here the hand of time has fallen the
lightest, and the traces of Moorish elegance and splendor exist in
almost their original brilliancy. Earthquakes have shaken the
foundations of this pile, and rent its rudest towers; yet, see, not one
of those slender columns has been displaced--not an arch of that light
and fragile colonnade has given way; and all the fairy fretwork of these
domes, apparently as unsubstantial as the crystal fabrics of a morning’s
frost, yet exist, after the lapse of centuries, almost as fresh as if
from the hand of the Moslem artist.”

In following the course of invention and rediscovery during the middle
ages, and in subsequent times, we see two main causes of the superiority
of our own useful arts to those of the ancients--the extended
application of mechanical and chemical science. The discovery of the
various problems in mechanics, which paved the way for the
multiplication of human force, and the introduction of new motor powers,
occupied chiefly the latter half of the sixteenth and the seventeenth
century. The treatises of Stevinus and Galileo, with the first dawnings
of the discovery of the steam-engine, appear to mark a new era, and
prepare the way for those wonderful applications of moving power which
have changed the face of the manufacturing world. The subsequent train
of discovery is far too comprehensive for our limits, and ends at length
in that crowning development of machinery--the Calculating Machine of
Mr. Babbage. We need only mention that, by this extraordinary
instrument, some processes of numeric and algebraic calculation may be
effected, to an extent hitherto unattainable by mathematicians.

A short view of the progress of the art of clockmaking, will well
illustrate a gradual advance made in the application of mechanics to the
uses of daily life. Striking clocks were known in Italy probably as
early as the end of the thirteenth century--one other strong proof that
we must date the revival of arts much earlier than that period. Their
existence becomes certain about the middle of the fourteenth; probably
at that period they were general. These clocks were all moved by the
action of weights; and, though furnished with balance regulators, were
still very inaccurate. Next followed the introduction of a spring as the
moving power, marking a new era in the art. Then came the age of
mechanical discovery, producing Galileo’s observation of the vibration
of the pendulum in nearly equal times, whether the spaces traveled
through were large or small. So valuable a discovery could not long
remain dormant; and we find, accordingly, that it was applied by the
discoverer, or, in a better form, by Huyghens, to the regulation of
time-pieces by means of the pendulum. The advance of chemical science
soon showed a source of error in the unequal size of the pendulum,
caused by alternate expansion and contraction of the metal due to change
of temperature. This was remedied by the use of the jar filled with
mercury as a pendulum; and subsequently by the employment of a pendulum
formed of different metals, so arranged that their different expansions
should mutually balance each other. The mutual connection between the
art of making clocks and the science of astronomy, in which each has
alternately borrowed and lent so much, is an excellent illustration of
the many points in which the useful arts are brought into contact with
higher provinces. The remaining improvements would fill volumes, and we
cannot pretend to enter more fully into them.

In our estimate of causes at work during the middle ages, we must not
forget that the alchemists exercised a very important influence. Their
doctrine, that all the metals are compounds of the constituent parts of
gold mingled with baser matters, which could be separated by the action
of the philosopher’s stone, exercised eventually a powerful influence on
the progress of arts. The long and patient research of the “adept” after
this magic agent for turning all it touched to gold, though prompted by
cupidity, resulted in many chemical discoveries and adaptations, and
brought to light various useful products, for which, perhaps, we might
long have waited, had not this strong motive been rooted in the minds of
philosophers of the middle ages.

The invention of printing will be noticed elsewhere; and the comparative
state of the useful arts in Europe may be estimated from their history
in our own country. It remains for us here to notice, in a supplemental
manner, one or two branches of art which will not be elsewhere included.
By this means we shall better illustrate a subject into which we cannot
pretend to enter fully.

In the preceding pages, the use of silk by the Greeks and Romans has
been merely glanced at, because the tissues which they employed were
strictly of foreign production. We will now shortly notice a
manufacture, the history of which will illustrate many preceding
remarks. Its origin must be assigned to China, where it doubtless
reached a highly perfect state, before any other nations acquired an
acquaintance with the mode of producing or working the raw material. It
is probable that silk-worms were reared in China, and their cocoons
extensively employed, 2700 years before the Christian era. The raw
material subsequently was exported to Persia, Tyre, Berytus, and
elsewhere, till, in our westward progress, we find the island of Cos
receiving and manufacturing it. In the Augustan age silks were still
rare, even in Rome, the centre of all luxuries; and so late as the third
century it was deemed a display of wanton profusion for an emperor to
dress entirely in silk.

In the sixth century, some Persian monks, who had penetrated into China,
gained an acquaintance with the source whence silk is derived--a secret
till then guarded with scrupulous care. They brought back with them to
Constantinople a quantity of eggs enclosed in a hollow cane, which
produced “the progenitors of all the generations of silk-worms which
have since been reared in Europe and the western parts of Asia.” For
nearly six hundred years, Constantinople and the territories of the
Greek empire continued to monopolize the production of silken fabrics;
till, in the twelfth century, the manufacture was introduced into
Sicily, and thence successively into Italy, Spain, and France; until,
finally, it reached England. The culture of the mulberry-tree was
extensively introduced wherever the climate permitted. Bologna, Modena,
Venice, Genoa, and Florence were all noted for their silk manufactures,
and produced silken tissues for the rest of Europe; till, in the
sixteenth century, the rearing of the worm and the weaving of silk were
introduced into Lyons and the south of France, since which period the
French have acquired and maintained a superiority in this branch of the
useful arts. In this historical sketch we may observe many important
points:--First, we see a manufacture in a stationary state of high
perfection for thousands of years in the East; then follows its slow
progress westward during the ages of Greece and Rome; next the loss to
Italy and Europe of the bare knowledge of the material product, on the
fall of the Roman empire; then the revival and cultivation of the
manufacture in the metropolis of the Eastern empire; succeeded by its
introduction thence into Sicily, and a rapid improvement effected by the
enterprise of Italian cities; till, finally, it spread wherever
circumstances were favorable. The account of any such manufacture well
remembered, is a kind of epitome of the history of the time through
which we mark its progress. To make the sketch true in all its parts we
need only add, that a Frenchman invented a loom to make woven silks,
whose patterns rival the slow produce of Eastern patience, while England
has shown her accustomed superiority in the effecting by machinery of
all processes required antecedent to weaving.

We have mentioned the singular manner in which the ancient Greek art of
vase painting died away, without apparent cause. The reappearance of the
same art early in the middle ages is due, probably, to the Moors, but
whence derived by them, or whether reinvented, or how retained in the
world during so many centuries, are all curious questions. But, be this
as it may, the manufacture of porcelain vases, where color and enamel
were carried to high perfection, with their arabesques, heraldic
devices, portraits, or landscapes, and an endless variety of form,
whether grotesque or tasteful, was much pursued in the fourteenth
century. The beautiful Majolica vases, of which one illustration will be
found standing side by side with a characteristic Moorish jar, were part
of a branch of manufacture which again perished in Italy to revive
elsewhere. The two vases tell each an interesting story. No one can
glance for one moment at the Moorish vessel, with its singular shape and
arabesque ornament, without feeling that it is the monument of a people
that stood alone. As little can we regard the vase of Majolica or
Raffaelle ware, without the thought of that singular coincidence in
things, small as well as great, between the Italian republics and their
ancient Grecian counterparts.

A short epitome of the Majolica manufacture is given as follows in a
recent work:--“Small plates for ice and sweetmeats, about a palm in
diameter; children’s plates, with paintings in the style of the Festa di
Ballo; nuptial vases with appropriate subjects; vases for holding
different kinds of wine, poured out from one spout; fiaschini, or small
flasks, in the shape of lemons and apples; cups covered with tendrils
and other quaint devices; small statues of saints; jocose figures; birds
of every kind, colored after nature; painted tiles, used for walls and
floors, many of them admirably executed, show the great variety and
excellence of this ware.”[13] On the decay of the art in Italy, it was
revived in other forms in France and Germany. The singular accidental
discovery of the art of making the hard paste porcelain, which, till the
beginning of the seventeenth century, was confined to the East, will
furnish one instance of the many debts due to the alchemists. A
persecuted German, named Böttcher, whilst prosecuting his forbidden
researches for the philosopher’s stone, unexpectedly found that some of
his crucibles assumed the appearance of Oriental porcelain. Carefully
noting the substances on which he had been experimenting, he worked
incessantly, sometimes spending many days and nights, without a moment’s
intermission, by the side of his furnace, till at length he perfected
his knowledge of processes which originated the beautiful manufactures
of Dresden. The secret spread through Austria and France, giving rise in
the latter country to the celebrated Sèvres china; and the proscribed
research in a forbidden mine terminated in the happy industry of
thousands of workmen.

The progress of maritime discovery, and the new impulse given thereby to
commercial and industrial progress, has been briefly noticed. But while
compelled by our narrow limits to pass by, with a hasty word of mention,
the enterprise which raised the Venetians and Dutch to the rank of
leading powers in Europe, and which conferred the treasures of Africa
and remotest India upon the Portuguese nation, the rise of the Spanish
power in the new world must be noticed more fully, as opening a new and
peculiar phase of civilization to our view. The singular state of
society among the Aztec race at the period of the Spanish conquest of
Mexico is doubly interesting, from the striking contrast which it
presented to any thing in the old world; and from the fact that it shows
us the highest point of a development, the progress of which no traces
remain to illustrate. Suddenly transported from the stirring scenes of
martial enterprise and reviving industry of Europe in the middle ages,
the steel-clad Spaniard found himself among nations where the blindest
and most abject superstition stood side by side with social refinement;
where the prevailing mildness of manners was no bar to the dreadful
orgies of human sacrifice; and where the busy industry of millions had
been for ages raising the pyramid of art and science, in complete
isolation from their brethren of the old world.

Various points of resemblance will be noticed by the reader between the
arts of these American races and those of ancient Egypt. For instance,
the pyramidal temples found by the Spaniards on their first invasion
much resembled the Egyptian structures, in their form, and were
constructed of solid masses of earth encased with stone or brick facing.
They differed from Egyptian pyramids in being higher proportionally to
the size of the base. They were ascended by external stairs, and were
arranged in several stories. The area at the summit was surmounted by
towers;--sanctuaries where the images of their gods were erected, and
where the horrid stone for human sacrifice stood, close by the altars,
on which a never-dying fire was burning.

Another point of close similarity between the Aztecs and the ancient
Egyptians was seen in the employment of hieroglyphic writing, or rather
painting, by both people. Their laws, their annals, their rituals, and
their business documents, were all expressed by this rude representation
of painted figures, often gross caricatures in their execution. “Their
manuscripts were made of different materials--of cotton-cloth or skins
nicely prepared; of a composition of silk and gum; but for the most part
of a fine fabric from the leaves of the aloe.” A sort of paper was made
from this, resembling somewhat the Egyptian papyrus, which, when
properly dressed and polished, is said to have been more soft and
beautiful than parchment. Some of the specimens still existing exhibit
their original freshness, and the paintings on them retain their
brilliancy of colors. “The large leaves were folded square like books,
or done up into a roll in the ancient manner. The arrangement of the
picture letters was horizontal or perpendicular, and the reading in the
former case probably from right to left.”[14]

The cultivation of the soil was skillfully pursued by the Aztec people.
Their irrigation, farm buildings, and agricultural processes, were
excellent; while the large fields of maize, the banana, the cacao or
chocolate plant, the useful aloe, the vanilla, and a crowd of splendid
garden plants, furnished them with all necessaries and many luxuries on
almost too easy terms. A description of the uses of the aloe or agave
plant, from the pen of the eloquent author just cited, is highly
interesting:--“Its bruised leaves afforded a paste from which paper was
manufactured; its juice was fermented into an intoxicating beverage,
_pulque_, of which the natives to this day are excessively fond; its
leaves further supplied an impenetrable thatch for the more humble
dwelling; thread, of which coarse stuffs were made, and strong cords,
were drawn from its tough and twisted fibres; pins and needles were made
of the thorns at the extremity of its leaves; and the root, when
properly cooked, was converted into a palatable and nutritious food. The
_agave_, in short, was meat, drink, clothing, and writing materials for
the Aztec.”[15]

The Mexicans were well acquainted with the usual mining operations for
procuring gold, silver, lead, and tin. Iron was unknown to them, and we
find bronze fulfilling a variety of uses, just as among the ancient
Greeks and Romans. Very perfect tools were made from this compound of
tin and copper; vessels of gold and silver were cast and chased, some of
them of an enormous size; in the working of ornamental jewelry, and in
the cutting of precious stones, their artificers highly excelled. A hard
mineral substance--obsidian, furnished the material for their hardest
tools--their axes, knives, razors, and swords. Their sculpture still
evidences skill in workmanship, though the designs may be barbarous; and
the mechanical skill which could raise and transport so large a monument
as a porphry stone of fifty tons weight, without the aid of beasts of
burden, from a distance of many leagues, cannot have been contemptible.
They employed utensils of lacquered wood or of earthenware, and in the
art of pottery were so advanced, that it was said by a historical writer
of Europe, “There is no fictile vessel among ourselves which in skill of
construction excels the vases formed by them.” And this, too, at a time
when the fictile art was at a high pitch of excellence in Europe. Cotton
was raised abundantly in the suitable localities; was woven into
fabrics, sometimes beautifully fine; and these in turn made into a kind
of armor by thickly quilting. Or it was interwoven with the “delicate
hair of rabbits and other animals, which union produced a cloth of great
warmth as well as beauty, of a kind altogether original; and on this
they often laid a rich embroidery of birds, flowers, or some other
fanciful device.”[16]

The reader will remember the feather tapestry to which allusion has been
made in the account of Greek and Roman art. It is singular to turn after
the lapse of centuries and find this fabric in a more perfect form, and
applied to an infinite variety of purposes, among a newly-discovered
people, whose very existence was undreamt of by the ancient world. The
gaudy plumes of the tropical birds most naturally have suggested their
employment for dress or ornament, and the art of working them made so
great progress as to have become a characteristic of the industry of the
people. Tapestry and mantles of these materials could not be excelled,
in brilliancy of hue and softness to the touch, by the most elaborate
tissues of the loom.

The scenes which everywhere met the eyes of the Spanish invader denoted
a state of refinement and luxury, in some points forcibly reminding us
of counterparts in Eastern life. One main cause of this development was
perhaps the singular contrast which Mexican society offered to that of
Greece, Rome, or modern monarchies, in the fact that trade was not only
honorable in itself, but a pathway to high political dignity.

The list of articles given by Mr. Prescott, as the tributes paid to the
royal revenue, will furnish an epitome of many manufactures and
products. “There were cotton dresses and mantles of featherwork
exquisitely made; ornamented armor; vases and plates of gold; gold dust,
bands, and bracelets; crystal, gilt, and varnished jars and goblets;
bells, arms, and utensils of copper; reams of paper; grain, fruits,
copal, amber, cochineal, cocoa, wild animals and birds, timber, lime,
and mats.”[17]

The regularity of plan in the chief cities, which so forcibly struck the
eye of the Spaniard; the solid structures of stone, often reared amid
the waters of their lakes on a foundation of piles; the vast temples
before described; aqueducts only second, perhaps, to those of Rome or
Peru; vast solid dykes, and roads of masonry which vied in stability
with those of ancient Rome, everywhere attested a high state of
constructive skill; while baths, gardens, canals covered with light
craft, and sculptures in an infinite variety of form, generally
grotesque, may be added to the details already given of the results of
Mexican civilization.

There is nothing in the old world, says Mr. Stephens, like the ruins of
the cities of Central America, which he so completely explored. The
pyramidal structures are not complete in themselves like those of Egypt.
They form parts of a whole, have no cells in their interior, and were
mostly employed as the foundations for other buildings; nor are the
single stones, used for images and ornaments, to be compared in vastness
of proportion to Egyptian obelisks. The conclusion arrived at by the
writer above quoted is, that in these cities we are presented with “the
spectacle of a people skilled in architecture, sculpture, and drawing,
and, beyond doubt, other more perishable arts, and possessing the
cultivation and refinement attendant upon these, not derived from the
old world, but originating and growing up here, without models or
masters, having a distinct, separate, independent existence; like the
plants and fruits of the soil, indigenous.”[18]

These edifices were constructed probably by the people who occupied the
country at the time of the Spanish invasion, not by earlier races; and a
short account of some of the more remarkable remains will be here added,
to complete the picture of civilization in the new world already
presented to the reader.

The remains never reveal the existence of the true arch, and herein are
similar to most primitive architectural structures. The substitute in
use was, to make the stones gradually overlap each other, until they
approached close together in the centre of the doorway or passage to be
roofed, when one more stone was added to complete the pointed arch thus
formed.

Of the various cities described by Mr. Stephens, we shall take Copan as
an example; lying in one of the most fertile valleys in Central America.
This city extended along the river Copan for more than two miles. The
great feature in the remaining ruins is the vast temple, which presents
a line of survey of 2866 feet. “The front or river wall extends on a
right line north and south 624 feet, and is from 60 to 90 feet in
height. It is made of cut stones, from three to six feet in length, and
a foot and a half in breadth. The other three sides consists of ranges
of steps and pyramidal structures, rising from 30 to 140 feet in height
on the slope.”

The numerous idol columns situated among the ruins of Copan, and
elaborately sculptured into rude forms, will be best understood from the
drawing of one of the most celebrated, which may be seen in the
frontispiece to the work of Mr. Stephens. Altars of great variety in
form, covered with sculptures and the mysterious hieroglyphic writing;
rectangular court-yards, with ranges of steps ascending to raised
terraces; and the scattered remains of gigantic sculpture, are the most
striking features in the existing ruins. The carvings in stone display
almost a perfection in the mere manual art, and show that the metallic
substitutes for modern tools must have been excellent; while the
beautiful representations of dresses and ornaments contrast agreeably
with those repulsive forms in which they chose to embody their ideas of
divine beings.

The remains of a palace at Palenque, also of considerable size, built of
stone, faced with stucco, and painted in various bright colors, display
the proficiency of the ancient inhabitants in other branches of
industry. Their cement and mortar are said to equal those found in Roman
remains; stucco ornament was extensively employed; and the
hieroglyphics, bas-reliefs, and other ornamented sculptures are fully as
remarkable as those of Copan. Feather head-dresses; ear-rings,
necklaces, medallions, bracelets, and girdles are beautifully carved in
stone, as ornaments of the sculptured figure. Some bas-reliefs are in
stucco, but this is more common for borders and other minor ornaments.
The area of the building was inclosed by two parallel corridors,
surrounding it on all sides; and the main feature was a large
rectangular court-yard, 80 feet long by 70 broad. Other court-yards of
less size, and a variety of apartments filled up the area. Did our space
permit, there could scarcely be a more pleasing task than to follow the
wanderings of Mr. Stephens among the ruined cities of Yucatan, of which
he has discovered no less than forty-four; but enough has been said to
show the skill of the ancient inhabitants, the monuments of which
excited such lively wonder in the breasts of the Spaniards.

It would, doubtless, be interesting to carry our view southward into the
region of Peru, and to describe the monuments of a civilization on a par
with that of the Aztecs, though apparently unconnected therewith in its
origin. The immense extent of many Peruvian works; their roads,
sometimes nearly 2000 miles in length, and constructed of masonry
equally solid with any remains of antiquity; their subterranean
aqueducts for the irrigation of dry lands, extending for hundreds of
miles; their edifices of porphyry, granite, or brick, all displayed
skill in the useful arts concurrent with that of the ancient Mexicans.
In some points they were even superior, for while the Aztec race passed
to the agricultural mode of life without gaining any acquaintance with
the utility of domestic animals, or the economy of pastoral subsistence;
on the contrary, we find that the Peruvians were masters of immense
flocks of llamas, alpacas, and two other varieties of sheep, which
furnished them with valuable supplies of fine wool for clothing, and
with flesh for food.

A description of the manufactures and arts of the Peruvians would be so
closely similar in its details to that already given of the Aztecs, that
we may here dismiss the subject with this remark--that the former were
superior to their northern neighbors in the designing and construction
of public works of importance, but far inferior to them in the art of
expressing their thoughts by signs, and generally in intellectual
acquirement. The curious arrangement of knotted cords, by which the
Peruvians recorded events, is, perhaps, among the most rude of all
barbarous inventions. Curiously enough, similar knotted cords, in modern
times, have been used as alphabet and books for the blind.

When, from the busy scene of European revival and progress, of which we
have remarked a few features, we turn our view to the nations of the
East, how strikingly contrasted is the prospect! Instead of the turmoil
of change, the hurry after new inventions, the disuse of old customs and
processes, we see the life of art to be one steady, even tenor. It seems
almost as if a law had been laid down in the very nature of the
inhabitant of those climes--“Thus far shalt thou go, and no farther.” He
appears to have reached a point of perfection in many manufactures, in
times so early that their history is fabulous; and to have scarcely
improved his position during the lapse of thousands of years.

This singular want of advance beyond a certain point, together with many
peculiarities in the industrial condition of the Chinese, combine to
render a notice of this curious people indispensable to the present
article.

“Time,” says the writer in the “Encyclopædia Britannica,” “may be said
to stand still in China.” Half-burnt bricks, mud, clay, and wood still
continue to be the ordinary materials of their architecture, as they
were three thousand years ago. The case is precisely the same with the
minor points of dress and fashion. There a young lady may safely wear
the head-dress of her great grandmother, without the imputation of being
singular or old-fashioned.

Their buildings are singularly monotonous in form and plan--the thatched
hut of the meanest peasant, with its walls of mud, is scarcely lower in
point of design than the palace of the viceroy. Their houses are low,
furnished with overhanging roofs, uninterrupted by a single chimney;
their windows are fitted with poor substitutes for glass, in the shape
of oiled paper, gauze, or a transparent shell; the houses of a town are
crowded together, and with the flag-staffs and ornamental streamers
produce quite a camp-like effect. But the gaudy decoration of their
shops--the brilliancy of their painted lanterns--the bustle and
confusion of traffic, and the hilarity of the motley crowd would soon
undeceive the spectator, and convince him that he is anywhere but in the
seat of war. The domestic furniture--the couches, the stoves, the china
vessels, the painted fans, and cabinets, and the beautiful materials for
dress--bespeak a great deal of comfort, though they may display but
little taste. Four points are said to be peculiarly characteristic of
the Chinese, as compared with other Oriental nations--“they sit on
chairs, eat off tables, burn wax candles, and cover the whole body with
clothing.” But many others place them in a position enviable when
compared with that of their neighbors. The internal communication in
their country is admirably provided for by the numerous canals which
everywhere intersect the whole empire, and unite their large navigable
rivers into one vast network for traffic. These canals are crowded by
barges, varying with the size and depth of the channel; some of them
worked by paddle-wheels, moved by machinery, and well fitted up for the
conveyance of passengers or goods. In fact, traveling in China is quite
luxurious, though not very speedy. The voyager makes a home of his boat
for the time being, and lives as comfortably as in his own house. There
is but little road-traveling or land-carriage in the Celestial Empire.

The Chinese, with all their defects, contrive to produce some articles
superior to the counterparts of European manufacture. Their vermilion,
prepared from the same cinnabar which we ourselves employ, is far
brighter than ours; the blue colors on their china are more perfect;
while, in the ingenious carving of ivory into fans, pagodas, or nested
balls, no other artists can vie with them. Their large horn lanterns are
inimitable; their gongs cannot be made in Europe, though we know the
metal; their silver filagree work, lacquered cabinets, engraved stones
and gems, are all works of great skill. In the productions of the loom
they are scarcely equalled by French manufacturers; their silks, satins,
embroidery and tassels are unsurpassed; while in the variety of their
spices and perfumes, and the excellence of their paper, ink and
printing, they may challenge the world. And yet the old customs of
primitive times--the domestic weaving and dyeing, still continue the
same as in those days when the beautiful tissues found their way into
Greek and Roman houses. But, while praising the excellence of their
works, we only allude to the finished product--the process is generally
primitive, the tools are simple, and the artificer almost unassisted by
machinery.

Their agriculture has been over-praised--their plows hardly merit the
name--they have no succession of crops--simple rice is the staff of
life, and their only claim to superior merit appears to be in the
general practice of irrigation. The white mulberry-tree is grown in vast
quantities to supply the silk-worm with food, and in the middle
provinces large fields of cotton and patches of indigo are frequent. The
tea-plant is cultivated extensively, only in particular provinces, but
grows every where in gardens and inclosures. The leaves are gathered
from the middle of April to the middle of May, and are exposed to heat
in iron pans. A high temperature produces the black-teas; while the
leaves exposed to less heat form the green teas. The berry of the
tea-plant affords a fine oil for the table. Tobacco is in universal
cultivation and use.

A curious feature in the Chinese character is visible in their import
trade. So rigidly exclusive are they, that nearly all foreign produce
must be imported in Chinese ships; and further, the great bulk of such
imports is collected by colonies of Chinese, who reside in the countries
furnishing the supply, and retain their utter isolation even in the
midst of foreigners. These imports are considerable, and some of them
curious. They are thus enumerated: “From Java alone they import birds’
nests to the value of half a million dollars annually; the sea-slug
(_Holothuria_) from the coast of New Holland, Timor, and adjoining
islands, to a still greater extent; sharks’ fins from the same quarter;
copper from Japan, and tin from Bantam; pepper, areca-nut, spices of
different kinds, ebony, sandal-wood, red-wood for dyeing,
tortoise-shell, pearl-shell, coral, camphor, wax, and a variety of
articles generally produced or collected by their own countrymen
resident in the islands of the East.”[19]

In returning homeward from the distant regions of the Celestial Empire,
could we but pause for a short time to survey the vast continent of
Hindûstan, we should find ample materials for description and comment.
We should behold a country destined by the bountiful gifts of nature to
be the inexhaustible source of wealth and luxury through all time, yet
still itself in the infancy of development. We should see again the
characteristic Eastern skill and patience, which, without the aid of
machinery and the mighty assistance of the division of labor, can rival,
in the beauty of their products, the most finished works of European
art. And we should look forward with hope and trust to a time when the
universal introduction of our own arts and civilisation shall confer on
India treasures more vast than her richest mines of diamonds or gold.
But we must now close this article with a brief summary of the few
points which it has been our endeavor to illustrate.

We see, then, the arts of the Western Empire trodden down and lost to
view during the ages of northern invasion, but preserved by the feeble
successor of the Queen of Nations in the East. We see during the same
period the mighty torrent of Moslem conquest, bearing with it the
science and arts of the East, and implanting them in the heart of a
conquered nation in Europe; whence, during centuries, they diffused
themselves through various channels, connecting the empire of the
polished Arab with the ruder Gothic nations. Concurrently with this
Arabian influence in its later periods, we see the steady and
ever-increasing tide of knowledge flowing from Constantinople to Italy
and the rest of Europe. Then comes the period of general revival, and
the northern nations wake to life. The progress of science and the union
of nations call into existence numberless fountains of knowledge,
gathering their waters into one mighty stream, that flows on to our own
times--an unbroken, resistless river, ever swelling with new and
innumerable tributaries.

But the new spirit awakened in Europe does not rest there. It carries
her inhabitants forth to the uttermost bounds of the earth. A new world
receives them with its singular picture of manners and arts; and while
the newly-found nations perish under the ruthless cruelty of the
invaders, their country sends back invaluable products to influence the
progress of European arts. The progress of these arts, and the mighty
inventions of modern times, belong, as we have said, to another article;
it has been our care, therefore, to select from the East one example of
the unbroken tenor of her industrial life--the antiquity and stability
of her arts.

-----

[11] Ricobaldus Ferrariensis, Murat. Diss. 23.

[12] Washington Irving, “Tales of the Alhambra.”

[13] Murryat on Pottery, p. 19.

[14] Prescott’s “Conquest of Mexico.”

[15] Ibid. p. 123.

[16] “Conquest of Mexico,” vol. i. p. 130.

[17] Ibid. p. 36.

[18] Stephens’ “Central America,” vol. ii. p. 442.

[19] Encyc. Britann., art. China.

                 *        *        *        *        *



                         =BLIND SIGHT-SEEING.=


                        =FROM HOUSEHOLD WORDS.=


It was traveling on the railroad from Orleans to Amboise, that I first
met Monsieur and Madame Faye, who were returning from Paris to Tours.
There was a little battle, just as the train was starting, in
consequence of late comers. The only wonder is how any Frenchman manages
ever to be ready, considering the immense amount of talk and
leave-taking which seem a part of their existence--and I, amongst
others, put out my hand to help in an apparently infirm man, whose
agitation seemed to prevent him from knowing where to take his seat. I
pointed to that next to me, pulling his coat to force him into it, that
we might not all be inconvenienced by his lingering. He bowed and
smiled, and continued to talk to a female who followed him; and who
began to stow away numerous baskets and bundles which she was tightly
embracing, thanking us, all the time, for our politeness to her husband.
In a few seconds they were stashed, and we then had leisure to remark
the appearance of the new travelers. The gentleman was rather past
middle age, good-looking, neatly dressed. He had a cheerful, pleasant
countenance and soft, mild eyes, which he directed toward those to whom
he spoke, although we afterward found they possessed no speculation. The
lady was any thing but tidy in her style; indeed, so much the reverse as
to be surprising in a Frenchwoman; but her story, when it was told me at
our next meeting at Tours, explained the peculiarities which made her at
first an object of somewhat disrespectful observation.

We soon became good friends. Monsieur Faye was blind, and had been so
from childhood. His cousin, Mathurine, had _proposed for him_ when they
were both about five-and-twenty, and had, from that time, devoted her
whole life to attend on him.

“I should not,” she said, “have asked him; but that my brother, who
required my services because of his lameness, determined just then to
marry; and, therefore, as I had a substitute with him, and poor dear
Hector here was too modest to ask me, what else was to be done?”

I found, on further acquaintance, that Hector was a remarkable
personage, in his way: a bit of a musician, a philosopher, an antiquary,
and a great reader of, or rather listener to, history; for it was his
little, lively, untiring wife, who read to him from morning till night;
and sometimes, when he could not sleep, from night till morning.

I found Mathurine incessantly occupied with the well-being of Hector.
She might have been pretty at the period of their union, probably some
twenty years before; but her small, slight figure was rather awry, in
consequence of having, for so long a time, served as a prop to her tall
husband, who always leant on her shoulder as he walked. She seemed
indeed altogether out of the perpendicular; her bonnet never sat
straight, owning to its being pushed aside by his arm; her shawl had the
end any where but in the middle; her gloves were generally ragged at the
fingers, while I observed that his were carefully repaired--it being
evident that my friends were obliged to practice economy; her shoes were
shabby, with the strings often untied. “What would you have?” she once
remarked laughingly. “I have no time to attend to these trifles; which,
after all, don’t signify; for I am not a _coquette_, and he does not see
me. I catch up the first thing that comes to hand, and he fancies I am
quite a _belle_.”

Hector had the strangest voice I ever heard; it would begin _contralto_
and run up to _alto_ in an incredible manner when he was excited; and
then fall down again to the gruffest bass, his little brisk wife’s
treble accompanying so as, as she imagined, to soften the sharp effects
he produced.

She had managed to learn several languages, in order to read to him the
authors he admired in the original; and odd enough her versions were;
but, as he perfectly comprehended the jargon they had studied together,
her plan succeeded admirably.

Amongst Monsieur Faye’s peculiarities was that of being an inveterate
sight-seer. There was no object of interest near the places he visited
that he had not, as he said, seen; and no sooner did he hear a
description of a castle or a cathedral than he became restless to make
its acquaintance. I happened one day to speak of having, in former
years, gone to the strange old castle of Loches, about thirty miles from
Tours; and struck instantly with his usual desire for exploring, he
proposed a journey to the spot, inviting me to be his guest and guide.

I have always observed that the French, although by no means what we
call rich, are very generous, according to their means, and if they
cannot do a thing in grand style, they do it equally well on a small
scale. Hector had long wished to give a treat to his hostess and her
family, and this he felt was a good opportunity. Our party, therefore,
was formed of Madame Tricot, a black-eyed little widow; her sister
Euphrosine and her young lover the militaire--just arrived on leave to
visit his betrothed--and Achille, the widow’s eldest son; a sharp boy of
thirteen, distinguished by his half-military college uniform, more
perhaps than by the progress he was making in those studies which Madame
Tricot felt sure would lead him to immortality; and which she herself
superintended with unwearied zeal, forcing her refractory pupil to rise
before daybreak every morning, and repeat his Greek and Latin lessons to
her previous to school hours, although, when I questioned her with
surprised awe, she replied by saying with a knowing nod:

“No, no, I do not understand all this; but Achille imagines I do; and,
at all events, he is obliged by this means to learn his lessons. They
are very severe at college, and he is such a _gamin_!”

As I had seldom seen Achille occupied, in his leisure hours, in the
absence of his mamma, in any other way than teazing a peculiarly
uproarious parrot, whose discordant shrieks regularly awoke me from
early slumber, I could easily believe that some difficulties lay in the
way of the future hero’s advancement, had he been left entirely to his
own plan of pursuing knowledge.

Seven persons, large and small, besides the driver, one fine October
morning, filled the large rumbling vehicle which Madame Faye had engaged
for our expedition to the old ruined castle of Loches; and very merry we
all were as we saw the baskets of eatables stuffed under the seats, and
wedged ourselves inside and out preparatory to setting forth, which we
did at last in the midst of a shower of precautionary words from Madame
Tricot, sent after the two staring, laughing, rosy-cheek maids who stood
helping, and enjoying our prospect of a _fête_, and flirting with our
smart driver up to the very last moment. At length we rattled away along
the leafy avenue of the Boulevard Heurteloup, at Tours, and were soon on
the long level road which conducts to the old town, which we made our
goal.

Situated just at the entrance of the luxuriant garden of Touraine; full
to overflowing of grapes and melons, and plums and peaches, of
incredible size; on the banks of the river Indre, (here spanned by
several pretty bridges,) rises the craggy hill, on the sides of which
was built, at a period too remote to be ascertained even by a hand-book,
the rugged, stony, impassable, confused, fossil-looking town, crowned at
its extreme summit by the grimmest, strangest, oldest, and most
inexplicably constructed castle that exists in France. Probably its like
would be sought in vain in Europe. Such another series of towers, and
spires, and long and high walls, terraces, battlements, stair-cases, and
dungeons, was never brought together by the hand of man. The castle was
constructed by order of a certain Count of Anjou, named Foulques Nera,
to become--long after his valorous fame had passed away, or had merged
into the reputation of an ogre--a ponderous plaything.

The inn where our party stopped at Loches, is very characteristic of the
place; for it is, though modernized and beautified outwardly, a maze of
galleries, and corridors, and turrets, and secret stair-cases, and rooms
with vaulted ceilings, so that the world of the present day seems shut
out the moment the façade is lost sight of. It had an odd effect in such
a place to see smart handmaids flitting about, and a chattering hostess
coming out to welcome guests to her antique dwelling, which has all the
trouble in the world to look young and inviting, in spite of the paint
and frippery in which French taste has striven to disguise its feudal
reality.

We very soon arranged ourselves and our repast (with but little addition
from the larder of our nevertheless civil hostess) on a sort of
platform, on the walls of what is now a terrace, and was once no doubt a
war-like spot, where if people “drank the red wine,” it was probably
“through the helmet barred.” The hostess merrily uncorked our bottles of
Loire wine, observing candidly that it was much better than her cellars
produced; and, addressing herself to me, adroitly began a eulogy on the
character of the English in general, remarking, that it was astonishing
how many of my countrymen made her hotel their home for six months
together.

A ramble through the streets showed us that it was market day at Loches.
From the lower range of rugged walls to the rocky summit where the
castle toppled over--comprising the narrow, high street, which ascends
through the whole length, winding and twisting like a snake pursued--was
one mass of vegetables, fruit, and flowers, whose bright hues, and the
gay colors of the vendors’ dresses, contrasted strangely with the lofty
houses with overhanging roofs, frowning down on the groups that dared to
disturb the solemn gloom which had been theirs for centuries.

Monsieur Faye stopped every moment to talk to the market-women, to
cheapen melons, and to accept bouquets from girls whose bright eyes he
praised. On he went, chuckling that his defective sight had not been
discovered: his little wife winking to us meantime with an air of entire
satisfaction. Madame Tricot endeavored to excite Achille to study the
_guide pittoresque_ and make himself acquainted with the notable objects
of the place. The lovers, who had doubtless much zeal in the same cause,
proposed to him that they should all three mount the hill at a quick
pace, and find out the points of view ready for us on arrival at the
top. By a curious chance we never managed to find the couple again until
our return; and Achille reported that he had not seen them since he
observed them to have “joined their heads” over the tomb of Agnes Sorel,
the chief lion of the spot.

It seems that Charles the Seventh came to Loches to hunt, when he was
visited by the disconsolate wife of the troubadour King René, of Anjou,
who came to solicit his aid in favor of her imprisoned husband. Agnes
was in her train--one of those dangerous maids of honor whose eyes have
done such fatal mischief to the susceptible hearts of incautious
monarchs--but when the duchess quitted Loches, her beautiful companion
accompanied her not, she remained in the service of Mary d’Anjou, the
wife of Charles the Seventh.

It would be curious to know in what chamber of this wild old castle the
love tale was first told which has furnished France with a ceaseless
romance. All that remains of Agnes now is her white marble tomb, on
which she lies with her hands clasped on bare breast, her beautiful,
delicate, and expressive head guarded by two winged kneeling cherubs,
and her draperied feet supported by two lambs. The tomb: is in perfect
preservation, and is one of the most exquisite _morceaux_ in France.
Agnes was the châtelaine of the castle, and loved to live here above all
other places, although the munificence of her lover gave her the choice
of several abodes.

Here, it is said that the ill-nurtured Prince Dauphin, afterward Louis
the Eleventh, performed an act very much in conformity with his usual
brutality. In one of these saloons he struck the beautiful favorite of
his father; but he who could beat his own chosen little effigy of the
Virgin Mary, because she refused some of his requests, might well begin
his career by an outrage like this. Happy, no doubt, were both the angry
beauty and her royal lover, when they saw the last drawbridge of the
castle of Loches fall and shut out forever from their presence the
gloomy prince, who disapproved of their luxuries, and who spurred his
steed onward, nor stopped till he had reached the dominions of the Duke
of Burgundy.

Louis came back eventually, however, to these walls, and either late
repentance or a sense of justice caused him to respect the tomb of
Agnes, which he refused to let the monks of Loches remove.

Monsieur Faye was very anxious to ascertain--for he was rather a
phrenologist--the form of the celebrated beauty’s head, and felt it
through the bars which protect the lovely marble statue to his heart’s
content, discovering bumps which would have disclosed the whole of her
character, had history been silent on the subject. There was, besides,
not a cornice nor a balustrade in the building that he did not feel; his
hand being guided by that of Mathurine. I was amazed at the accuracy of
his notions of the places we inspected; and more so at the unwearied
patience of his guide, who had no enjoyment which he did not feel, and
who had acquired a habit of description so accurate that I felt at last
inclined to let her see for the whole party.

The towers of the castle rise above a hundred and fifty feet from the
gigantic rock upon which they are built. Some of them appear light and
graceful at a distance, although really massive. The castle is divided
into two unequal portions: in one is a huge church, the spires of which
peer up between enclosing turrets in a way quite original; the other is
chiefly composed of a huge tower, which looks like the spiteful ogre of
a fairy tale, bending over a mountain and watching to snap up unwary
knights or merchants who ventured near his stronghold. Century after
century this grim old place has been the abode of personages famous in
the romance of history. Joan of Arc came here on a visit; Anne of
Brittany and her two husbands made it their favorite abode, and her
oratory still exists, covered with ermine spots and _cordelières_ in
stone, which incrust the walls, and were very sensible to the touch of
my blind friend. Mary Stuart here tuned her lute; and here, several ages
before, our John Lackland feasted and reveled; here Philip Augustus came
to receive the castle as a bribe for the assistance he was to render him
against Cœur de Lion, who afterward besieged and took it. Here Jean of
France resided, before the great battle which sent him the prisoner of
the Black Prince to England, and in the fine Lady Chapel--whose delicate
columns Monsieur Faye felt with his hands--was instituted a perpetual
mass for the souls of the identical King John of France, and all the
kings and dukes that had preceded him here. Here Francis the First and
the fair and inappropriately named Diana, lived and loved a great part
of their hours away.

When one sees the dark, dreary, gloomy, rugged walls, it is difficult to
fancy Loches a dwelling for beauty and love; and it would require loads
of bright tapestry and gilt furniture to fill up the black and blank
nooks which yawn on all sides. In these chambers, however, once all was
revel and luxury, as the court of the profligate Medici could testify:
and the be-puffed and be-hooped ladies, and the be-slashed and
be-jeweled lords, danced many a _branle_ and _pavane_ over the dungeons,
where howled and groaned the victims of their tyranny and cruel luxury.

It is said that one of the towers descends as deep into the earth as it
rises above it, and terrible are the approaches to these frightful
spots. A tradition exists that one of the later governors of the castle,
being curious to know the extent of these gloomy places, set forth one
day on an exploring expedition, and found several passages closed by
iron doors: these he had forced open, and found himself in new passages,
cut in the depth of the rock on which the castle is built. Another door
arrested his progress, which was also broken open, and he entered a long
alley, still in the rock, which he followed for a considerable time,
till at length it led him to a subterraneous chamber, where, seated on a
huge block of stone, with his head leaning on his two hands, sat a very
tall man. Monsieur de Pontbrillant, the enterprising governor, was
amazed at this vision; but, scarcely had he looked upon it, when the
current of air striking the figure, it fell away into dust at his feet.
Beside the unfortunate prisoner stood a small wooden coffer, in which
still remained several articles of linen, very fine, and carefully
folded. The skull and bones of this corpse were long shown at the
castle, and were looked upon with awe by those to whom this story was
related: but who the prisoner was was never known. In more than one of
the old castles of France are still to be traced these horrid dungeons,
where captives of all ranks were confined immediately beneath the
pleasure chambers of the lords and ladies.

The governor of Loches was always a very great man, which, perhaps,
accounted for the fact of our having to wait a long time for the keys of
the great tower, which a messenger had gone in search of at the present
governor’s lodgings. While we waited in an outer court, we were civilly
invited by the portress to walk into her parlor, and there we sat some
time talking to her, and hearing the gossip of the place. Beside the
large fire-place, guarded from the draught of the open door by a huge
wooden screen, sat the grandmother of the establishment--generally a
cherished member of the humblest family circle in France--who, old as
she seemed, got up and made us a reverence, resuming her cosy seat by
the fire, which was directly piled with enormous pine cones and sent up
a resinous flame, the perfume of which spread through the room. Monsieur
Faye was placed near her, and as she went on with her ceaseless
knitting, she was soon busy in cheerful converse with her new
acquaintance, while I was listening to a history of a lately escaped
convict from this apparently secure retreat: the castle being the
country prison.

“You see,” said the portress, “you would not have been obliged to wait
so long for the keys but for this: we used, till three days ago, to keep
them here, but since that event they are sent up to the governor’s
house, and my husband, the guide, who shows you over the dungeons, is
obliged to go and get them--but he will soon be back.”

“Do they keep prisoners in the dungeons now-a-days?” I asked.

I was told that the escaped culprit, who had robbed a hen-roost, had
been put in a room above the dungeons--of which there are three stories
beneath the ground level--and had contrived to hook up a plank, by which
means he descended, with intent to rise the easier, having swung himself
down till he could jump across a certain black abyss, which we afterward
shuddered to see, and gain a broken stair-case where a door led to a
corridor conducting to the outer court. With an iron nail he had
displaced a huge stone in the steps, had crept through that, displaced a
second in the same way, and thus arrived at the passage. Here he hid
himself in a dark corner on the chance of the jailor-guide coming that
way with visitors before long. As it happened, that event occurred, and
the jailor was just preparing to light the candle which serves to
illumine the gloom, having left the outer door open till the process was
accomplished, when the ready adventurer lept from his hiding-place,
overturned the guide, and amidst the screams and cries of the affrighted
visitors, rushed out, with them, pell-mell into the outer world. As his
blouse was the same costume as that worn by many of the affrighted
strangers--for all ranks make the dungeons a lion--he passed unnoticed
in the crowd, and excited no surprise as he “ran violently down the
steep hill” with the rest and got fairly off. I could not regret that so
ingenious and fearless a personage had baffled the vigilance of the
guardians of Loches, but I felt a little nervous at the chance of a
similar adventure occurring as we began our exploring expedition in the
same quarter. I was assured, however, that there was no chance of such a
thing, all the prisoners now detained, to the number of four, being at
that moment smoking their pipes in a pleasant, sunny little court which
we had to cross before we reached the low door which gave entrance to
the dungeons.

There was nothing formidable in the aspect of these worthies, whose
crimes were not of a deeper die than that of having got drunk and
committed damage to the citizens in their cups; and we passed amongst
them, returning the salutes they made with their night-caps, quite
without alarm.

In the great court before this enormous and sinister-looking tower, one
of the most splendid and the most worthless of the ancient governors of
Loches paused before he entered, attended by three hundred gentlemen of
high family, all probably “as wicked as himself,” and all bent on
turning the good fortune of their friend and patron to the best account.
This governor was the famous favorite of the infamous Henry the Third of
France, the gorgeous Duke d’Epernon, and during the time he passed in
these walls, the gold of the kingdom was no more spared by him than by
his master. But a change arrived--two reigns had intervened--and a
second time he visited these walls, more as a prisoner than a prince; he
was then a gray-headed, gloomy, morose, miserable man, deserted by all
the former companions of his profligacy whom the axe and the sword had
spared, and here he came to hide himself from a court which his vices
had disgraced.

Marie de Medicis, the prisoner of her son at Blois, also arrived here,
in night and silence, escaped from her captivity, and entreated shelter
of the old favorite, who had been suspected of knowing more than was
honest of the murder of her husband, Henry the Fourth.

It is a strange reflection, and one that might well intrude while one
stands before the door of the great tower of Loches, waiting till its
rusty key turns in the lock, how unequal is the fate of those who have
acted remarkable parts in the drama of the world. In spite of the
mutations of fortune, mortification, neglect, disgrace or discontent, in
spite of the overthrow of ambition, the wreck of hope, the struggles and
turmoils, that d’Epernon had gone through, he could not get rid of the
burden of life till the age of eighty-eight, when he died in the Castle
of Loches, unregretted, and at once forgotten.

A story is told relating to him, which proves that men are not to be
frightened by tyranny and power out of their natural wit and sarcasm.
While this favorite of the contemptible king was in the enjoyment of his
greatest favor, the public criers were accustomed to carry about a huge
book, which they announced as “The high acts and deeds of valor and
virtue of the most noble Duke d’Epernon.” These books, eagerly
purchased, were found to contain blank paper. I fear that these
historical recollections did not occur to Achille as he descended the
rugged steps, green, and slimy, and steep, which led, from stage to
stage, to the hideous dark holes in which these heroes of middle-age
romance were accustomed to place their vassals or equals, as the case
might be, when once in the power of their vengeance. Our guide, the
jailor, was a good deal interrupted in his customary story of the place
by indignation at the devastation committed on his steps and apartments
by the late fugitive. Not attempting to smother the indignation awakened
in his bosom, as he reviewed the ruin caused by the nail of the man of
expedients, he mixed up his historical records with allusions to the
damage in something like the following terms:

“Here you see the dungeon where the great monarch Louis the Eleventh
(confound his impudence!) confined his minister Cardinal Balue in an
iron cage--(I wish there was one here now and Jacques le Pochard was in
it!) This is the place where the Grand Duke Sforza was lodged, and you
may see where he painted the walls all round to amuse himself--here,
where the flame of my candle touches the roof--(it’ll take me a whole
day to mend the bottom of that door--the villain!) This is the dungeon
where criminals were fastened to that iron bar in the middle of the
chamber, and were only able to move from one end to the other by
slipping a link of their chain along--mind the step! it leads through
the dark passage to the next flight. (I had no idea the rascal had done
so much harm to my steps! if ever I catch him again, I’ll flay him!--the
brigand!)”

Nothing could equal the delight of my blind friend, at finding that he
could touch the damp roofs of these horrible boudoirs for the favorites
of princes with his hand, and that he could make out the patterns
sketched by the unlucky Duke of Milan on the walls of the chamber with
three rows of bars to the window, through which the duke found light
enough to pursue his passion for art.

We had seen or felt all at last, and I was glad to return to the last
corridor leading to daylight, when suddenly our guide exclaimed that he
had left the key in the lock outside, and that some miscreant in the
court had shut the door upon us. This was startling intelligence, and we
began to feel any thing but satisfaction in the adventure, while our
guide, placing his lips to the huge, gaping key-hole--through which a
long line of sunlight streamed, as if in mockery--roared lustily to
those without. Presently we heard suppressed tittering, and, after a
minute or two of altercation between the old man’s voice and that of a
young girl on the other side, the key was replaced, turned, and we
hastily emerged to day and freedom.

“I ought to have known,” said the old grandfather, laughing, in spite of
his anger, as a pretty, saucy-looking girl of twelve bounded across the
court and took refuge in the porter’s lodge, “that that young hussy
would never let an opportunity slip of playing me a trick--_brigande_!”

Achille seemed more amused with this last episode than any of our
adventures; and it was with much gayety, and highly satisfied, that we
descended the stony street, no longer filled with sellers and buyers,
for the market was over. We had been four hours exploring! and nothing
interrupted the stillness of the dreary old town but the ringing
laughter of our young companions, and the pleasant exclamations of the
whole party.

It was beyond midnight when we drove merrily up to the Boulevard
Heurteloup, and found the same two watchful maidens on the look-out for
our return. They did not appear to have been dull in our absence, nor
did they seem afraid of solitude, probably feeling secure in the
opportune presence of the sentinels on guard, whose measured tread still
sounded along the avenue leading to the rail-road station hard by.
Monsieur Faye remarked that we were fortunate in a moonlight night, and
observed that he had seldom seen the stars so bright as they had been
all the way from Loches.

                 *        *        *        *        *



                           =THE LUCKY PENNY.=


                         =BY MRS. S. C. HALL.=


                      (_Continued from page 534_.)


                              CHAPTER IV.

Matthew Whitelock, reclining in what he called his “easy chair,” was
musing, rather than thinking, over the inconsistencies of the most
consistent, and pondering as to which was the more beautiful to
contemplate--the love a mother bears her child, or the devotion a child
renders to a parent; thinking how many instances there are of the
former, and how, comparatively, few of the latter; hoping that the widow
would really buy the wine and meat, as he desired; and having, like all
genuine Englishmen, great faith in “creature comforts,” he converted the
worn, attenuated widow into a portly woman. Having arranged this, he
indulged in a vision he had of late enjoyed so frequently, that it had
become almost a reality--that Richard would turn out something like
Whittington: his dreams of the future had gradually taken Richard in,
first as a shadow, then as a substance, until he formed a portion of all
his day dreams--wondering if he could tie up fishing-flies, yet fearing
to ask him, lest Martha might make it another subject of complaint;
varying these fancies with probabilities as to whether he should have
good fishing the first of the following June, when he made his annual
journey to Teddington, and, be the day hot or cold, invariably returned
with a swollen face, wonderfully helping Martha’s sarcasms during the
following summer and autumn months; indeed, she constituted it a red
letter day--every thing occurred “before” or after “master went
bothering after the bits of fish, that the cat wouldn’t eat without
butter, and got the bad face.” Then again his thoughts would dwell upon
Richard, whom he believed--and with fair show of reason--endowed with a
rare capacity for acquiring knowledge, and tuning it to the best
account. He never thought of another power he had--that of attaching to
him those who seldom formed attachments. Some observation made by the
lad, in a careless, off-hand manner, would frequently set his master
calculating what he could do for him. He delighted in lending him books,
and to draw forth his opinions upon them; devising many clever
expedients to overcome Richard’s shyness, and make him “speak out.” As
the lad’s accumulated and accumulating knowledge became better known to
him, he felt almost inclined to apologise when it was necessary he
should take out parcels; but what especially charmed him was the boy’s
unconsciousness of his own book improvement and superiority. Had it not
been for the unaccountable fear Matthew Whitelock entertained of his
housekeeper--which he only overcame by fits and starts--he would have
forbidden Richard the kitchen, and seated him at his own little table in
the dusty back room; but he knew that such a movement must lead to open
rebellion. He had grown positively uncomfortable at the idea of
Richard’s brushing his shoes, and cleaning knives--“a lad capable of
writing the Latin names of his books without a dictionary, and was a
better penman than he was himself!” However difficult it may be of
belief, considering his “calling,” it is a positive fact that Matthew
Whitelock reverenced literary acquirements; and when a clever book did
not “sell,” Matthew would take the part of the author against “the
trade”--a proceeding which caused him to be considered “a fool” by many
who are wise in their own conceits.

These and such like thoughts were passing through Matthew’s mind, in a
half-dreamy way; now lingering, now rushing onward, and then off, while
Peter lay at his feet; and he began to long, as often he did, for
Richard’s return; for he enjoyed a chat with his messenger, as he used
to enjoy a newspaper. Without his perceiving it, Matty entered, and
shutting the door, as she always did when she had any thing particular
to say, placed her back against it, wreathed her bony arms together, and
passing one foot over the instep of the other, stood on one leg,
“shouldering” the door-case.

“It’s my opinion, sir, that you make too much fuss entirely with that
boy, and that he’s forgetting his place.”

“Is it--how?”

“Well, thoughts is thoughts, and it’s hard to put them into words; but
here they are! He’d rayther any time stay fiddling after one bit of dust
or another, or stitching ould tataration books, that’s going to the bad
since the year one, or mending your pen--as if you had not eyesight (the
Lord preserve it) to do it yourself--than sit and rest his young bones
at his supper; and as to rubbing over the knives, he does them in no
time, without a bit of a stop between; so that I never have a word out
of him. And the paper! he reads it shameful! reading polyticks as if
they war dirt; and so ignorant, that when he’s done, he knows no more of
the state of Europe than when he began. His mother says he lives without
sleep, or as good as; there’s a heart-break for a tender mother! I hate
unnatural ways. The truth is, he’s above his business.”

“I quite agree with you.”

“Then,” said the contradictory Matty, “it’s a sin and a shame for you to
say so, sir. You have nothing to complain of: he’s willing enough to do
every hand’s turn for you. I’m nothing in the house--just no-thing! He’s
as civil and smooth as creme--with his good morning, and good evening,
and fine day. Mrs. Cook! but that’s professional--there’s no love with
it. He’s all for learning and books. If he goes on this way, you’ll have
to take him into partnership.”

“Very likely!”

Matty immediately stood erect.

“Then, sir, you must look out for another housekeeper, that’s all: I’m
not going to have two masters, and one of them no better than a dog-boy!
Oh! that I should come to that! He’s bewitched you, so he has--put his
_comether_ over you. I shouldn’t wonder if you made him sit down at your
table, and printed his poems.”

“His what?”

“Poems! Havn’t I heard you say many times that there was no good in
books now, since there’s such a many writers; that a book is no longer a
book, only a rubbish; and that all the half of the writers do is to
spile paper and pens, and waste ink. Them’s your words, master, when you
war in one of your pleasant humors, _discoorsing_ upon the ruin that’s
come into the world. And now this boy goes and writes poems, and you’ll
print them!”

“Go down stairs, Matty, and bring me those poems.”

“And to be made a _paper weight_ in my ould days--just to stand upon
papers.”

“Do as I desire you.”

“I can’t: do you think I’d keep ’em in the kitchen? There they are!” she
continued, throwing a roll of manuscript on the table; “there they are!
As if _he_ had any right to set up for a poet--as if his mother and him
havn’t gone through starvation enough without that. That’s what comes of
his neglecting the state of Europe, and hurrying over the knives: his
mother wanted to tell you about it, but had no courage, and no wonder.
It’s easy to see what’s before him now; and his poor mother blind and
desolate. Poems! Oh! no wonder my hair’s gray! But it’s your fault,
master--informing his mind! I wonder who ever troubled about my mind!”
And out she flounced, while her master, not without some secret
apprehension--more anxiety, in fact, for Richard than he had ever felt
before--unrolled the manuscript, and, after wiping and putting on his
spectacles, commenced its perusal.

                                                  [_To be continued._

                 *        *        *        *        *



                    =THE TOPMOST CITY OF THE EARTH.=


Thirteen thousand, seven hundred and twenty feet above the level of the
sea! At a perpendicular elevation of upwards of two miles and a half,
nearly on the snow line of the Andes, stands the topmost city of the
earth, Ceno de Pasco. It is the capital of the richest silver district
of Peru. At the before-named height, the Andes spread themselves out
into vast plains or table-lands. Such table-lands--Punas, the Indians
call them--sometimes extend hundreds of miles, and, on one of them--that
of Pasco--stands the before-named city of Ceno de Pasco, which I took
care to visit when I was a dweller in Peru.

Through the Palace Square of Lima--not forgetting to look up for the
fortieth time at its magnificent cathedral--over the Rimac by a handsome
bridge, which connects the city with the suburb of San Lazaro, I got out
with my friends into the open country. The plain on which Lima stands
gradually contracts as it approaches the Sierra, until it becomes a
narrow track between great walls of rock. The road then slowly rises to
a height of upwards of six thousand five hundred feet. Having mounted
thus far, and so done more up-hill business than belongs to the ascent
of Snowdon, we are told quietly that we have reached the foot of the
mountains. From this point the ascent is steeper and more dangerous,
winding along narrow paths, and doubling huge projections, yielding,
sometimes, barely room for a mule to pass; whilst, now and then, a heavy
mass comes tumbling down from overhead, and lodges on some ledge that is
wide enough to stop it, with a crash that makes the mountain tremble.

The Sierra is cleft in many places by gorges, that descend, straight as
the plummet, to an immense depth; and, as the road passes along the edge
of these abysses, the view suggests a strong temptation to make one
false step, or cause the same to be made by the mule, since it would be
but a moment’s work to slip into the throat of the old gaping chasm.

As we ascend, the change in the climate and vegetation, of course, soon
attracts attention. We pass from the sugar-cane and banana in the
plains, through every shade of increasing barrenness, to a few mosses
and scrubby bushes on the Puna. A few villages are scattered on the
route, and in the neighborhood of these, maize and potatoes are grown
even at a height of some ten thousand feet. But, by degrees these
disappear, and the monotony of the road is broken only by an occasional
tambo--a most miserable stunted species of road-side inn--which yields a
scanty supply of food and accommodation, and is eaten up almost to the
very walls by fleas. Fleas, I should guess, were, like the potato, first
imported into Europe from Peru. In that country, certainly, the species
must have been multiplying rapidly from the remotest times. The scenery
of the Andes (like that of the Himalayas, and of all vast mountains)
appears, at first sight, to fall short of one’s previous ideas. The view
is often very much confined. The idea of their enormous height is not at
all conveyed by traveling over them; for, the successive valleys and
table-lands present successive starting-points, and the stupendous
mountain chain, supporting countries on its bosom, escapes the
measurement of a mere pair of eyes.

Having crossed the passes of the Alto de Jaquehambo, and the Alto de
Lachaqual--the latter of which is above the snow line, fifteen thousand,
five hundred feet high--we begin to descend, and presently, a sudden
turn in the road reveals a large and apparently well-built town. This
town lies in a basin surrounded by rocks, and the view of it forms a
scene oddly inconsistent with the grand solitude and bleakness of the
scenery around. Closer acquaintance dissipates our notion that the town
is well built. It is a dirty miserable place, in which there are
uncomfortably huddled together fifteen thousand people. It is chiefly
composed of miners’ huts--something like overgrown bee-hives--with a few
tolerable houses that belong to shop-keepers and the proprietors of
mines. As we descend from the pass into the Puna, a scene worthy of the
Andes breaks upon us. We are on the highest and most extensive
table-land in all Peru. Its breadth is about seventy miles; its length
scarcely determinable, as it penetrates into the mountains at various
points, and is not abruptly broken by them, but sweeps gradually upwards
to their summits. In the centre is a large lake, from one side of which
the principal tributary of the Amazon begins its course, whilst, from
the other side, several small streams flow to the western coast, so that
from this lake tribute is sent both to the Atlantic and Pacific oceans.
In the distance rises the great Cordillera stretching towards the
Brazils; whilst the nearer peaks of the Andes, whitened with snow, shine
round about us, cold, rugged, and silent, in vast masses that cause our
hearts to dilate with a half painful sense of the sublime. The clear
blue sky of the plains has deepened almost into black; the dull,
lead-colored sun seems to have lost the power of communicating heat, and
looks like a mere spectre of the tyrant under whose reign for so many
years, men, women, and children have been flayed, or roasted, or marked
with a brand upon the skin.

On first reaching the Puna, we all suffer a good deal from the
rarefaction of the air, which produces sickness, bleeding at the mouth
and nose, and pain in the chest. Horses and mules, on their first visit,
suffer from this cause more acutely than men, and the drivers often slit
the nostrils of these animals, an operation which is said to give
relief. The slitting of our own noses being, of course, out of the
question, we get over our discomfort as we can. The only native animals
found on the Puna belong to the llama tribe; alpacas, guanacas, and
vicunas. The llama works at the mines as the ordinary beast of burden,
and is perfectly efficient; it is more sagacious, steady, and
sure-footed even than the mule. The alpacas are tamed and kept in flocks
for the sake of their wool, an article which has of late become
important to the English manufacturers. The guanacas and vicunas--the
former the largest, and the latter the handsomest members of their
tribe--are seldom to be tamed; they range the mountains, and the pursuit
of them affords sport to the European hunter in Peru.

On entering the city of Pasco from the mountain solitudes, we are in the
first place annoyed at the incessant clatter that surrounds us. The
mines are opened in the streets, the courtyards, and occasionally even
in the houses of the town. We encounter them at every step, and as they
are often very shallow--the depth varying from twenty to a hundred and
fifty feet--the blows of many picks and hammers are distinctly heard.
The mines are generally private property, though some of them, indeed,
belong to English companies. The mode of working is extremely careless.
The descent into them is by a bucket hung on an old chain, or worn-out
rope. The sides and roof of the galleries are frequently left
unsupported, because timber happens to be scarce and dear; accidents
therefore constantly occur, but nobody concerns himself about them. The
rubbish is removed after a fall in; and the work goes on as usual. The
miners are, for the most part, Indians. They earn, on an average, from
four to six reals (two or three shillings) daily; but when a rich vein
has been opened, they are paid in ore, and often earn very high wages,
which they spend in brandy, chicha, and fine clothes. The town abounds
with liquor-shops, eating-houses, and _cafés_ which are generally kept
by foreigners, men of all nations. From these places the Indian miners
buy their food ready cooked. It consists chiefly of maize bread and
charquí--slices of beef dried in the sun--great quantities of which are
imported from the more southern republics, especially the Argentine.
Even before food, however, the chief comfort of the Indian is the coca
leaf. The coca plant is not unlike the vine in its appearance. It is
cultivated by the Indians at the foot and on the sides of the
Cordilleras, and bears a white flower, with a small red fruit. At the
proper season, the leaves are stripped from the plants, carefully dried,
and packed in bags containing each from fifty to a hundred pounds. They
have an aromatic bitter taste. The cholo never is without his little
pouch of coca leaves, and a small calabash containing quick-lime, or the
ashes of a hot root. He first chews a quid of leaves until it is well
moistened, and then thrusts a little lime into the mass on the point of
a small stick; thereupon the mastication is continued till the quid is
dry. This kind of refreshment is taken by the miners three times a day,
about a quarter of an hour being set apart for its enjoyment upon each
occasion; and the men will go through the most arduous toil, or travel
for days over the mountains, with no other support than coca leaf. In
traveling, a quid is kept continually in the mouth. On first using the
coca, there is some excoriation suffered by the lips; this, however,
passes off, and, when mixed with a little quinna, I must say that I have
found the stuff very agreeable. It produces the exhilarating effects of
opium without the drowsiness and stupefaction; it will ward off sleep,
destroy the sense of hunger, and act as a spur upon the strength and
spirit. The cholos who use it regularly are unquestionably healthy and
long-lived; but the coca, like all other stimulants, is liable to
serious abuse. The coquero or coca-chewer, who is never without a ball
of it in his mouth, often passes the night through without sleep; he
becomes debilitated, languid, nervous; his complexion takes a greenish
hue; and, if he will persist in his excess--which soon becomes a vice
beyond the power of his will--he perishes.

In the shops of Pasco are found the products of all countries. Bass’s
pale ale is in high favor here, and knives and forks carry the stamp of
Sheffield cutlers. I remember being pleasantly surprised in a shepherd’s
hut on the Puna, at having placed before me some boiled maize on a plate
ornamented with a picture of John Anderson my joe and his gude wife,
with two verses of the song beneath it. The Indian was delighted with
the pleasure I took in the plate, and was solicitous to have the lines
translated.

The most common contents of dishes at the fondas or eating-houses, are
pucheros and picantes; the former a mixture of every thing--beef, pork,
camotes, frijoles, bananas, potatoes, maize, etc., highly seasoned with
aji--a sort of ground pepper of a peculiar and pleasant flavor. The
latter, the picante, is comprised of jerked beef, chopped small, and
mixed with bread crumbs or crushed maize. The usual liquors are a sweet
unpleasant wine, chicha, and guarapo--the latter made from fermented
sugar and water; still good wines are procurable, and spirits are much
too plentiful. Under the influence of spirit frequent battles occur
among the Indians, in which the long knife is freely used.

As the high table-land is altogether unproductive, provisions and other
necessaries are brought from the valleys on the backs of mules. That is
the only practicable mode of carriage; although it is a curious fact
that, during the War of Independence, cavalry and artillery were
transported to these heights, and two battles were fought close to
Pasco. At the latter of these Bolivar had ten thousand troops besides
artillery in the field, and Canterac, the royalist general, opposed him
with an equal number. They must certainly have had a taste for fighting
under difficulties if they dragged themselves, their guns, and horses up
these mountains for no other purpose.

An English firm at Callao, which has considerable mining property on the
Ceno de Pasco, has recently procured from England a quantity of improved
machinery for the extraction of the silver from its ore. The old method
is still commonly practised, that is to say, the ore is amalgamated with
quicksilver by treading together quicksilver and ore beneath the feet of
mules and horses; this proceeding causes a considerable loss of
quicksilver--ruins the feet of the animals, and does not properly
fulfill its purpose. The quicksilver--nearly all of which it brought
from Europe--is afterward evaporated by the application of heat. Coal is
found on the Puna.

The whole annual produce of the mines of Ceno Pasco once reached the
amount of eight millions of dollars, or one million, six hundred and
fifty thousand pounds; but the returns now do not probably reach half
that sum. There is in the city a government establishment, at which all
the silver is marked before being sent to Lima. It is usually melted
into large oblong flat bars, some of which weigh from sixty to eighty
pounds. These are conveyed to the capital on mules, commonly with no
protection except that of the mule-drivers, although the Sierra may be
swarming with the bandit montoneros. These gentlemen do not consider it
convenient to intercept the silver on its downward passage, they
preferring to wait for the coin that is returned in payment. With this
upward freight a strong escort is always sent, and when it is attacked,
a fierce battle ensues, that often ends in favor of the robbers.

The singular accoutrements of the horsemen are among the first things
that attract the attention of the stranger in Peru. If the rider be a
rich man, the horse is almost hidden by a multitude of straps and
ornaments. The saddle is made very high both on pummel and crupper,
leaving just room for the rider to wedge himself into his seat between
them. Under the saddle is the pillow, an alpaca or goat’s skin, dyed
black, with the wool combed out or twisted with silver wire into short
curls, lengthened sometimes with long fringes of dyed alpaca wool. The
stirrups are heavy and clumsy; each is a solid piece of wood, often
measuring twelve inches square at the bottom, and gradually tapering to
a point where it is attached to the saddle by a silver ring; on one side
an opening is scooped out for the foot; the other three sides are all
highly polished, often carved beautifully and inlaid with silver. The
bit is very heavy; often of silver. The head-band is adorned with a long
fringe of plaited strips of leather; and the reins, which are separate,
pass through a silver ring, one of them being continued in a long lash.
In addition to the bridle, the horse’s head is encumbered with a
leathern halter covered with silver ornaments. The spurs are the most
preposterous part of the whole equipment. They are so formed, that the
wearer can walk only on his toes. The stem of the spur is often twelve
inches long, and the rowel six inches in diameter. Amongst the wealthier
classes, these spurs also, are frequently of silver. Every horseman
wears the poncho; and some ponchos, from their splendid colors and fine
texture, are a costly article of dress. The horses that bear these
encumbrances are small, but they are well made and active; they are not
allowed to trot, but taught a sort of amble which, when the rider
becomes used to it, is an easy kind of motion. It is very rapid. Horses
are but seldom used for draught, as, even in the low country, asses are
the ordinary beasts of burden. These are bred in vast numbers, and
troops of them are constantly passed by the traveler on all the roads:
they have no head-gear, but are driven in the same manner as cattle, the
driver riding behind armed with a long whip. These poor animals are most
cruelly treated. Peru has been called “the heaven of women, the
purgatory of husbands, and the hell of asses.” The last clause of the
proverb cannot be questioned.

The taste for gambling, so prevalent throughout South America, is most
strongly developed at Ceno de Pasco. Public lotteries are drawn every
week, and sometimes every day in the week. The streets are continually
infested by fellows crying, “A thousand dollars to-morrow!” These men
carry books, from which they tear, for each customer, a ticket, price
one shilling, giving him or her a chance in the next lottery. The prize
is sometimes as large as five thousand dollars, with intermediate ones
of smaller amount. I believe that the strictest impartiality and
fairness characterize the drawing. All these lotteries are under
government control.

The billiard and montero tables are in constant request: dominoes is a
favorite game in the _cafés_; but those games at cards which are rapid
in their results, and depend wholly upon chance, have irresistible
attractions for all classes. The shaven priest, decorated with cross and
rosary, may be frequently seen playing with the ragged Indian; and
instances are told of the wealthy mine proprietor losing, in a night,
every dollar he possessed to one of his own ragged men.

The cock-pit is a favorite amusement. The combatants are armed with one
spur only; this is a flat, curved, two-edged blade, very keen, and
finely pointed. The first blow commonly decides the battle, and both
cocks are often killed. Hundreds of dollars change hands every minute:
the excitement of the bettors is intense; and, even here, on the
afternoon of the Sabbath, which is especially appropriated to the
cock-fight, the priest hands round his begging-box, or lays his dollar
on a favorite bird.

Ceno de Pasco, although so high up in the world, and so close to the
region of eternal snow, has, nevertheless, a tolerable warmth during the
day. The nights are all frosty, and a dense fog often envelops the Puna.
Excessively heavy rain falls at certain periods of the year. But the
most sublime spectacle on the Andes is a thunder-storm. It is an event
of frequent occurrence in the table-lands, and I had the good fortune to
witness one of extraordinary grandeur. It is impossible to convey any
idea of the magnificence of the spectacle.

The lightning plays around the summits of the mountains in a constant
succession of brilliant flashes, whilst the thunder is prolonged through
the deep ravines and distant valleys, until the echo of the one peal and
the crash of another blend together in one never-ending roll. Heavy
falls of snow often accompany these storms, and the condition of
travelers crossing the passes during one of them is most distressing.
Unable to advance or to retreat, they halt and wait, in momentary fear
of being hurled over the mountain sides. Blinded by snow, and by the
vivid flashes, they dare not proceed; the ledges also are, perhaps, so
narrow, that if they would they could not turn the mule round to retrace
their steps. In such a position as this, men have been compelled to
remain during many hours in places where the thermometer falls every
night in the year below freezing point, and where the most intense
darkness--whilst it fails to hide the real dangers, conjures up
imaginary ones, which multiply all the horrors of the scene.

There are some portions of Upper Peru which are yet comparatively
unknown to Europeans. This is especially the case with that part of it
which has declared itself an independent republic, under the name of
Bolivia. Though possessing a coast town on the Pacific of considerable
extent, with several good harbors, yet its singular formation precludes
ranch intercourse with other countries. Between the Andes and the sea is
a broad belt of barren desert; a sand plain in continual motion. This is
traversed by a few small rivers; which, though very shallow and often
dry during the summer months, render the strips of soil through which
they pass extremely fruitful. Beyond this desert, the most inaccessible
chain in the Andes rises and forbids approach to the fair country
enclosed within. On the summit of this chain is the celebrated mountain
Potosi, now nearly exhausted of its treasures: the town is situated in a
district wholly destitute of vegetation. Passing from the Ceno de Pasco
through the town of Larma, we enter the valley of Janja, and shortly
find ourselves in a country presenting a strange contrast to the one we
have just left. A succession of the most fertile valleys in the world.
As the ascent of the mountain commences from the low country, the sandy
desert disappears. A rich coat of lucerne spreads over the sheltered
hollows. Vines and olives appear in the vales. The sugar-cane, the
banana, the guava, and numberless tropical fruits flourish. At the
height of eight, and sometimes ten thousand feet, Los Vales of Bolivia
are covered with the most luxurious vegetation. Forest-trees of gigantic
size are thickly spread over the mountains. The cereals, which live a
sickly life down by the sea, appear in these lofty valleys in full
vigor: including maize, quinna, rice, barley, with occasional patches of
wheat, though of this last the chief supply is imported out of Chili.
Rich esculents and fruits unknown in other countries are in abundance.
Amongst the former are yuca, mandive, and camotes; whilst the delicious
cherrimoya reigns supreme over them all.

The valleys of Upper Peru, of Bolivia, and of the province of Salta in
La Plata, are rich in the most valuable products. Exclusive of
minerals--which include gold, silver, copper, and lead--we have coffee,
chocolate, tobacco, cotton, indigo, cochineal, sarsaparilla, logwood,
and an infinity of similar productions. Cattle are numerous: mules and
horses abundant. And, above all, the men are noted for their generosity
and hospitality, and the women for their grace and beauty.

What a contrast between these glorious valleys--in which Rasselas might
well have lived--and the rugged heights of the silver city, Ceno Pasco:
its dirty streets, and half-savage people; its unhealthy mines, and
blackened smelting-furnaces; its bare rocks and scrubby patches of brown
herbage affording a scanty subsistence to its flock of shaggy llamas.

It is a charm to travelers among the Andes, that, within their limits,
these vast mountains enclose every climate. Within the range of one
degree of latitude, we may sit and burn under a palm-tree, or lie down
upon a bed of Alpine moss.

                 *        *        *        *        *



                             =BETTER DAYS.=


                         =BY LYDIA L. A. VERY.=


             Was it a dream that came to me,
             That men’s care-worn faces seemed to be
             Clothed with a calm serenity--
                     A peaceful holiness;
             A spirit’s voice, that said, no more
             Shall the blood of man like water pour,
             Staining the flowers on earth’s green floor,
                     That fain his path would bless?

             Was it a vision of the night,
             Making each child seem an angel bright,
             Free from earth’s mildew, ain’s withering blight
                     That falls upon the young;
             Graceful and winning everywhere,
             Grown like the flowers by God’s own care,
             Like them blooming as fresh and fair,
                     Earth’s hills and vales among?

             Was it a dream, that men did feel
             Themselves as brothers for wo or weal,
             Seeking the wounds of life to heal
                     With soothing words of love;
             Speaking to each as on he wends
             Grasping in every hand a friend’s,
             Smoothing the path of Age that tends
                     So tremblingly above?

             Was it a dream, that woman’s lot
             Was with unkindness never fraught;
             That her affections ne’er were sought
                     To be as worthless spurned?
             No dream! but ’twas a glimpse of years
             Whose coming bright as the man appears,
             Drying the dew of earthly tears
                     From eyes like flowers upturned.

             The aged feel its cheering ray,
             Though, like pale stars at the break of day,
             Its glory comes as they pass away
                     Into a realm untrod!
             But may the young live to behold
             Those golden days so long foretold,
             When each lone wand’rer to the fold
                     Shall be reclaimed by God!

                 *        *        *        *        *



                         =REVIEW OF NEW BOOKS.=


    _Reuben Medlicott, or The Coming Man. By M. W. Savage, Author of
    “The Bachelor of the Albany,” etc. New York: D. Appleton & Co. 1
    vol. 12mo._

“The Bachelor of the Albany” was a novel in which common sense was made
to outshine and outsparkle paradox itself; and “Reuben Medlicott,”
though inferior in sustained brilliancy of execution, is a worthy
successor to the “Bachelor.” The object of the book is to exhibit the
career of a man whose head is stuffed with multifarious information, who
possesses mediocre but varied talents, and who mistakes a fluent use of
words relating to universal ideas and generalized truths for the power
to wield principles. He accordingly fails in every thing he undertakes.
He cannot connect his words with affairs; practical life refuses all
alliance with him. He becomes a lawyer, but despising details, and
aspiring to the philosophy of law, it is soon discovered that he has
neither technical knowledge nor grasp of principles. He is a great
orator at philanthropic meetings, and his friends think he will make a
great impression in Parliament. He is accordingly “put up” as a
candidate, and the description of his election is one of the most
mirth-provoking pieces of satire in the novel. He is elected, but is
remorselessly coughed down in the House. Then, like all men of his
peculiar kind, he makes a voyage to America, to see if he cannot succeed
in the land of talkers. He thinks that he has some words in his wardrobe
of verbiage which will induce the Southern States to abolish slavery. He
fails in this, also, and the author conducts him through various other
experiments to the close of his useless life. The novel is exactly
calculated for the present time, and will exercise a good influence if
generally read. The writer’s own principles are neither very lofty nor
very broad, but he has the merit of resolving all moral bubbles “into
their elemental suds.”

                 *        *        *        *        *

    _The Eclipse of Faith; or a Visit to a Religious Sceptic.
    Boston: Crosby, Nichols & Co. 1 vol. 12mo._

This volume is by professor Henry Rogers, of England, the author of some
of the ablest articles in the late numbers of the Edinburgh Review, and
a most learned, accomplished, and earnest writer on religious subjects.
The work is in the form of a dialogue, which enables the author to
represent peculiarities of character as well as opinion, and give
conversational ease to the statement of the weightiest truths. The
reasoning, also, is more readily followed from its being in the shape of
debate, our interest in the persons stimulating our attention to what
they say. The two sceptical assumptions principally assailed in the
volume are these: “that a revelation from God to men, through the agency
of a book, is an unreasonable tenet of belief; and that it is impossible
that a miracle should occur, and impossible that its occurrence should
be authenticated.” The rationalists of all classes are vigorously
assailed, Mr. Neuman, of England, and Mr. Theodore Parker, of the United
States, being the principal persons against whose theories the author
directs his argument. The style of the work is fluent and animated,
sometimes rising to eloquence, and not without some fine examples of
humor and wit. The chapter on “The Blank Bible,” is a very felicitous
specimen of the author’s power of familiarizing and popularizing his
views by striking illustrations.

                 *        *        *        *        *

    _Ancient Egypt under the Pharaohs. By John Kenrick, A. M. New
    York: Redfield. 2 vols. 12mo._

This is a very valuable work on a country which has, of late years,
increased in interest to Europeans, and been the subject of the most
painstaking and profound research. Its history is to be gathered from a
multitude of hints, which only ingenuity can interpret and follow out.
The object of Mr. Kenrick’s volumes is to give a comprehensive view of
the results of the researches of all travelers, artists, interpretators,
and critics, who have made Egyptian archæology and history their study;
and to describe, from knowledge thus obtained, “the land and the people
of Egypt, their arts and sciences, their civil institutions, and their
religions faith and usages,” and to relate their history from the
earliest records of the monarchy to its final absorption in the empire
of Alexander. The plan is an extensive one, and seems to us successfully
executed. It is the only work which combines the results to which the
many explorers of Egyptian mysteries have arrived, and may therefore be
confidently recommended to the general reader as Ancient Egypt,
“according to the latest dates.”

                 *        *        *        *        *

    _Parisian Sights and French Principles Seen Through American
    Spectacles. New York: Harper & Brothers. 1 vol. 12mo._

Few titles are more descriptive than the present. It is a view of French
society, amusements, morals, manners, and government, by an intelligent
and inquisitive American, who has glanced, with his spectacled eyes into
many nooks and corners of Parisian life, not open to the ordinary
observer. We have some doubts whether the representation is a moral one,
though seen from an American point of view, especially that portion
referring to the peculiar relations between the sexes in Paris. But
there is a great deal of innocent information given in the volume which
we have seen in no other; and the book is invaluable to the traveler as
a sort of piquant guide. The Harpers have issued it, profusely
illustrated by elegant wood-cuts, and excellently printed, for only
eighty-three cents. As it is a copyright volume, this price is low even
for such cheapeners of books as they are.

                 *        *        *        *        *

    _Philosophers and Actresses. By Arsene Houssaye. New York:
    Redfield. 2 vols. 12mo._

These volumes, like those on the “Men and Women of the Eighteenth
Century,” which preceded them, are devoted to a description of the
profligate society of Paris during the reign of Louis XV., and have all
the lightness, brilliancy, and bland un-morality characteristic of their
author. The painters, sculptors, poets and philosophers of the age, are
all exhibited on their soft side, and the book demonstrates how little
the ostentatious professors of reason, who, in their writings, were
lifted so far above the prejudices and passions of mankind, were guided
by reason in their conduct. Voltaire, especially, is shown to be the
mere slave of the caprices of the several women he loved. He was worse
off than many a hen-pecked husband. The volumes are elegantly printed,
and are adorned with fine portraits of Voltaire and Madame de Parabère.

                 *        *        *        *        *

    _Comparative Physiognomy; or Resemblances between Men and
    Animals. By James W. Redfield, M. D. Illustrated by 330
    Engravings. New York: Redfield. 1 vol. 8vo._

This book is exceedingly ingenious, and as brilliant and readable as it
is ingenious. The writer is bold to audacity in his criticism on men and
on classes, and every page is racy with individual peculiarities. We do
not know whether the volume is a scientific joke or not, but the
resemblances the author traces between men and animals are often very
happy, and seem to point to some occult principle of organization and
expression. Hogs, monkeys, cats, hares, foxes, lions, are made to repeat
themselves in human heads and countenances with startling effect. The
author has given us about a hundred portraits of eminent men and women,
with their animal prototypes annexed; and in addition to this he has
generalised the shape and expression of whole classes of men into one
portrait, and then, putting a pig or a fox by its side, says confidently
to the reader, “judge ye.” The book is a very amusing one, even if it
have but a fanciful value as regards the leading idea of the author’s
theory.

                 *        *        *        *        *

    _Palissy the Potter. The Life of Bernard Palissy, of Saintes;
    his Labors and Discoveries in Art and Science, etc. By Henry
    Morley. Boston: Ticknor, Reed & Fields. 2 vols. 16mo._

The subject of this biography is probably but little known in the United
States, though the admirable account of his life and character printed
in these elegant volumes, will doubtless make him familiar to many who
never before heard his name. He lived an eventful life between the years
1507 and 1589, “one of the obscurely great,” says Mr. Morley, “among the
prominently little” of his day. The volumes give an animated picture of
the civil and religious discords of France in the sixteenth century, in
connection with the narrative of the privations, persecutions, and
imprisonments which Palissy underwent on account of his heretical
opinions. As regards both powers of mind and honesty of character he was
undoubtedly one of the foremost men of his time; and truth owes a debt
to his biographer for rescuing his services to art, to science, to
religion, and to France, from the oblivion into which they were fast
falling. The book has the interest of a romance, and may be classed
among the most captivating biographies written during the present
century.

                 *        *        *        *        *

    _Village Life in Egypt. With Sketches of the Saïd. By Bayle St.
    John. Author of “Adventures in the Libyan Desert.” Boston:
    Ticknor, Reed & Fields. 2 vols. 18mo._

A book of travels so rare and strange in its incidents and descriptions,
devoted to scenes and people so different from those coming within the
observation of ordinary travelers, and written with such thorough
knowledge of the subject, as this book of Bayle St. John, is a luxury to
read. It gives a complete insight into the poor laboring population of
Egypt, and palpably exhibits the abysses of degradation and misery into
which tyranny relentlessly plunges the people it pretends to govern. The
manners and customs which St. John describes, have sometimes the strange
effect on the imagination, which might come from reading an account of
things as they are in some other planet. The book is admirably written,
has, in its diction, that air of luxurious repose which tourists seem to
catch from the climate of Egypt, and is a worthy companion to Kinglake’s
“Eothen” and Warburton’s “Crescent and the Cross.” It is published, from
advance sheets, in Ticknor & Co.’s most elegant and tasteful style.

                 *        *        *        *        *

    _A Journal kept during a Summer Tour, for the Children of a
    Village School. By the author of “Amy Herbert,” etc. New York:
    D. Appleton & Co. 1 vol. 12mo._

This delightful volume is divided into three parts--the first giving an
account of a tour from Ostend to the lake of Constance, the second from
the lake to the Simplon, and the third from the Simplon through Tyrol to
Genoa. It is laden with information, of especial interest to the young,
is written in a style of much clearness and simplicity, and is pervaded
by that sweet and genial tone of morality and religion, characteristic
of all the writing of Miss Sewall.

                 *        *        *        *        *

    _Comparative Psychology of Universal Analogy. Vegetable
    Portraits of Character. By M. Edgeworth Lazarus, M. D. New York:
    Fowler & Wells. 1 vol. 12mo._

The ingenious author of this singular volume makes botany speak the
language of Swedenborgianism, Fourierism, mysticism, and many other isms
of the day. It is as curious a theory of symbolism as we have ever read,
and whatever may be thought of the scientific value of the writer’s
statements, they must be submitted to be exceedingly interesting and
entertaining.

                 *        *        *        *        *

    _Men’s Wives. By William M. Thackeray. New York: D. Appleton &
    Co. 1 vol. 16mo._

The articles of which this volume is made up were originally written for
Fraser’s Magazine, under the alias of George Fitz-Boodle. They have all
the unreined heartiness of wit and humor for which that periodical was
once so celebrated, and are as worthy of Thackeray’s genius as the
“Yellowplush Correspondence” itself, which was written for the same
magazine. From sly and searching satire to mirthful caricature, there is
hardly a region of the ludicrous which this little volume does not
occupy and illustrate. It forms one of the series of Appleton’s Popular
Library.

                 *        *        *        *        *

    _The Eagle Pass; or Life on the Border. By Cora Montgomery. New
    York: Geo. P. Putnam. 1 vol. 12mo._

This volume belongs to the original and copy-righted series of Putnam’s
Semi-Monthly Library, and like the other numbers, is placed at the low
price of twenty-five cents. The authoress of the present work has
written a very entertaining narrative of her experiences of Texas
border-life, and, with shrewd powers of observation and a tact for
character peculiarly feminine, she combines manly qualities of thought
and courage. Her description of Peon slavery is worthy the attention of
statesmen.

                 *        *        *        *        *

    _Stories from Blackwood. New York: D. Appleton & Co. 1 vol.
    18mo._ (_Appleton’s Popular Library._)

These stories are entitled “The First and Last Dinner,” “Malavolti,”
“The Iron Shroud,” “The Avenger,” “The Announcements and Three Rooms”,
“Nicholas Dunks,” and “Fortune-hunting Extraordinary.” Few of these are
any better in plot or style than the ordinary run of tales contributed
to American magazines. “The First and Last Dinner” and “Nicholas Dunks,”
are perhaps the best in the collection.

                 *        *        *        *        *

    _The Lives of Wellington and Peel. From the London Times. New
    York: D. Appleton & Co._ (_Appleton’s Popular Library._) _1 vol.
    18mo._

The life of Wellington, in this volume, was published in The Times the
day after his death, and was written, it is said, six years ago, to be
used as soon as needed. It is quite a long and able summary of the
events of the duke’s memorable career, and will be read at present with
great interest. The life of Peel is also well-written and
discriminating.

                 *        *        *        *        *



                            =SIPS OF PUNCH.=


[Illustration: =KENSINGTON GARDENS. A POSER FOR PAPA.=
 “La! Pa, dear! What is the meaning of ‘Koelruteria Paniculata;’
 and why should such a little tree have such a very long name?”]

                 *        *        *        *        *

[Illustration: =Harry (_to Tom._) There’s one great bore
 about a Watering-place--they sell such horrid Cigars.=]

                 *        *        *        *        *

[Illustration: =The Advantage of Sitting next to a Family Pew.=]

                 *        *        *        *        *

[Illustration: =“THAT IS THE QUESTION.”=
  Is Weskets to be generally wore this Season?]

                 *        *        *        *        *

=Transcriber’s Notes:=

Archaic spellings and hyphenation have been retained. Punctuation has
been corrected without note. Other errors have been corrected as noted
below. For illustrations, some caption text may be missing or incomplete
due to condition of the originals available for preparation of the
ebook.

Page 575, the swamps of Findland ==> the swamps of Finland
Page 577, on the heighis louder ==> on the heights louder
Page 583, the thermoneter in the shade ==> the thermometer in the shade
Page 587, Mahommed is his ==> Mohammed is his
Page 590, Gutemburg ==> Gutenberg
Page 595, added missing chapter heading CHAPTER I.
Page 596, the black-hazle-blossoms are fringed ==> the
  black-hazel-blossoms are fringed
Page 597, Paulina Monroe, aunt’s neice ==> Paulina Monroe, aunt’s niece
Page 597, my own neice ==> my own niece
Page 601, Ponto was was running off ==> Ponto was running off
Page 601, I think so to. ==> I think so too.
Page 603, You hav n’t asked her. ==> You haven’t asked her.
Page 604, Straffordshire ==> Staffordshire
Page 605, help- her in her sewing-plans ==> help her in her sewing-plans
Page 606, ones having pretty teeth ==> one’s having pretty teeth
Page 607, French and the Mahratian ==> French and the Mahrattas
Page 608, but Colonel Wellesly defeated ==> but Colonel Wellesley defeated
Page 610, disgracefel as well ==> disgraceful as well
Page 610, daring and and brilliant ==> daring and brilliant
Page 611, execution of Marsal Ney ==> execution of Marshal Ney
Page 611, commonality of the capiatl ==> commonality of the capital
Page 613, memories of the surving ==> memories of the surviving
Page 616, an active an energetic ==> an active and energetic
Page 617, entered the santuary. ==> entered the sanctuary.
Page 624, her trembled least ==> her trembled lest
Page 625, officer’s of the fort ==> officers of the fort
Page 626, the single white camilla ==> the single white camellia
Page 626, which I destest ==> which I detest
Page 631, words of wordly wisdom ==> words of worldly wisdom
Page 634, the children’s beadstead ==> the children’s bedstead
Page 635, quite presentible, almost ==> quite presentable, almost
Page 635, I I thought the room ==> I thought the room
Page 635, and ar n’t they sweet ==> and aren’t they sweet
Page 640, too, was too feed ==> too, was to feed
Page 640, her children heighttened ==> her children heightened
Page 641, of painted canvass, ==> of painted canvas,
Page 648, First, We see ==> First, we see
Page 650, so forciby struck the eye ==> so forcibly struck the eye
Page 653, fo I am not ==> for I am not
Page 654, of a _fêté_, ==> of a _fête_,
Page 656, was listenening to ==> was listening to
Page 656, gold of the kindom ==> gold of the kingdom
Page 658, It’s asy to see ==> It’s easy to see
Page 663, Madame de Parèbere ==> Madame de Parabère





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