Home
  By Author [ A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z |  Other Symbols ]
  By Title [ A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z |  Other Symbols ]
  By Language
all Classics books content using ISYS

Download this book: [ ASCII | HTML | PDF ]

Look for this book on Amazon


We have new books nearly every day.
If you would like a news letter once a week or once a month
fill out this form and we will give you a summary of the books for that week or month by email.

Title: A Servant of the Public
Author: Hope, Anthony
Language: English
As this book started as an ASCII text book there are no pictures available.
Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

*** Start of this Doctrine Publishing Corporation Digital Book "A Servant of the Public" ***

This book is indexed by ISYS Web Indexing system to allow the reader find any word or number within the document.



generously made available by Internet Archive/American Libraries
(https://archive.org/details/americana)



      Images of the original pages are available through
      Internet Archive/American Libraries. See
      https://archive.org/details/servantofpublic00hope



A SERVANT OF THE PUBLIC


      *      *      *      *      *      *

BY THE SAME AUTHOR

  A MAN OF MARK
  MR. WITT'S WIDOW
  FATHER STAFFORD
  A CHANGE OF AIR
  HALF A HERO
  THE PRISONER OF ZENDA
  THE GOD IN THE CAR
  THE DOLLY DIALOGUES
  COMEDIES OF COURTSHIP
  THE CHRONICLES OF COUNT ANTONIO
  THE HEART OF PRINCESS OSRA
  PHROSO
  SIMON DALE
  RUPERT OF HENTZAU
  THE KING'S MIRROR
  QUISANTÉ

      *      *      *      *      *      *


[Illustration: "I SHOULD BE RATHER AFRAID NEVER TO CHANGE TO A PERSON.
IT WOULD MAKE HIM MEAN SO TERRIBLY MUCH TO ONE, WOULDN'T IT?" PAGE 62]


A SERVANT OF THE PUBLIC

by

ANTHONY HOPE

With Four Illustrations by Harold Percival, A.R.E.



Methuen & Co.
36 Essex Street W.C.
London

First Published in 1905



CONTENTS


  CHAPTER                                             PAGE

      I. MUDDOCK AND MEAD                                1

     II. FIRST IMPRESSIONS                              15

    III. AN ARRANGEMENT FOR SUNDAY                      29

     IV. BY WAY OF PRECAUTION                           43

      V. A DAY IN THE COUNTRY                           55

     VI. AWAY WITH THE RIBBONS!                         70

    VII. UNDER THE NOSEGAY                              86

   VIII. THE LEGITIMATE CLAIMANT                       102

     IX. RENUNCIATION: A DRAMA                         118

      X. THE LICENCE OF VIRTUE                         133

     XI. WHAT IS TRUTH?                                149

    XII. AT CLOSE QUARTERS                             164

   XIII. THE HEROINE FAILS                             179

    XIV. AS MR. FLINT SAID                             194

     XV. THE MAN UPSTAIRS                              210

    XVI. MORALITY SMILES                               227

   XVII. AT SEA AND IN PORT                            243

  XVIII. THE PLAY AND THE PART                         257

    XIX. COLLATERAL EFFECTS                            270

     XX. THE WAYS DIVIDE                               286

    XXI. WHAT DOES IT MEAN?                            301

   XXII. OTHER WORLDS                                  316

  XXIII. THE MOST NATURAL THING                        332

   XXIV. "A GOOD SIGHT"                                348



LIST OF ILLUSTRATIONS


                                                      PAGE
  "I SHOULD BE RATHER AFRAID NEVER TO CHANGE TO A
    PERSON. IT WOULD MAKE HIM MEAN SO TERRIBLY MUCH
    TO ME, WOULDN'T IT?"                    _Frontispiece_

  "SOMEBODY'LL BE GLAD TO SEE ME, ANYHOW," HE ENDED,
    WITH A LAUGH                                       224

  THE CONTRACT PUNCTILIOUSLY SIGNED BY ALL THE
    PARTIES AND WITNESSED BY JANET THE MAID ... THEY
    HAD OPENED A BOTTLE OF CHAMPAGNE                   301

  WALKED IN SILENCE SIDE BY SIDE                       360



A Servant of the Public



CHAPTER I

MUDDOCK AND MEAD


The social birth of a family, united by a chain of parallel events with
the commercial development of a business, is a spectacle strange to no
country but most common among the nation of shopkeepers; it presents,
however, interesting points and is likely to produce a group of persons
rather diverse in character. Some of the family breathe the new air
readily enough; with some the straw of the omnibus (there was straw in
omnibuses during the formative period) follows on silken skirts into the
landau. It takes, they say, three generations to make a gentleman; the
schools ticket them--National or Board, Commercial or Grammar, Eton or
Harrow. Three generations, not perhaps of human flesh, but of mercantile
growth, it takes to make a great Concern. The humble parent-tree in the
Commercial Road puts forth branches in Brixton, Camberwell, Stoke
Newington, wherever buyers are many and "turnover" quick: here is the
second period, when the business is already large and lucrative, but not
yet imposing. Then a new ambition stirs and works in the creator's mind;
there is still a world to conquer. Appearance is added to reality, show
to substance. A splendid block rises somewhere within the ken of
fashion; it is red, with white facings, a tower or two, perhaps a
clock. First and last, a good deal is said about it in talk and in
print. Possibly a luncheon is given. Now there are points of policy to
be practised, not directly productive of hard money, but powerful in the
long run. For example, the young ladies and gentlemen who serve the
counters should be well treated, and carefully looked after in regard to
their morals. And if this be done, there is no reason against having the
fact stated with the utmost available publicity. For this service,
sections of an all-embracing Press are ready and willing. In the eye of
the polite world this big block is now the business: the branches are
still profitable, but the ledgers alone sing their virtues; men cease to
judge the position or the purse of the family by their humble fronts.
For the family too has been on the move; it has passed, in orderly
progression, in an ascent of gentility, from Putney to Maida Vale, from
Maida Vale to Paddington, from Paddington to Kensington Palace Gardens.
At each stopping-place it may acquire members, at some it will lose
them; the graves where those lie who have dropped from the ranks are
themselves milestones on the march. The survivors have each some scent,
some trace, of their place of origin. To the architect of fortune the
Commercial Road is native and familiar; he lost his first love there and
buried her down East. His second wife dates from the latter end of the
Maida Vale time and is in all essentials of the Middle, or Paddington,
Period. The children recollect Paddington as childhood's home, have
extorted information about Maida Vale, talk of Putney with a laugh, and
seem almost of true Kensington Palace Gardens' blood. Yet even in them
there is an element which they are hardly conscious of, an element not
to be refined away till the third generation of human flesh has run.
Then comes the perfect product; a baronetcy is often supposed to mark,
but sometimes may be considered to precede, its appearance. Indeed--for
it is time to descend to the particular--Sir James Muddock was hardly
the perfect product; nay, he still strove valiantly to plume himself on
not being such. But with a wife and children it is hard to go on
exulting in a lowly origin. It is also rather selfish, and was certainly
so in Sir James' case, since Lady Muddock was very sensitive on the
subject. It would seem that being of the Middle Period is apt to produce
a sensitiveness of this sort; the pride of achievement is not there, the
pride of position is still new and uneasy.

Somewhat in this vein, but with a more malicious and humorous turn of
speech, Ashley Mead ran through the history of the firm of Muddock and
Mead for Lady Kilnorton's pleasure and information. She was interested
in them as phenomena and as neighbours; they were hardly more than
across the road from her house in Queen's Gate. Ashley spoke with full
knowledge; both business and family were familiar to him; he himself
represented an episode in the career of the concern which survived only
in its name. He used to say that he had just missed being a fit figure
for romance; his father had not been a scatter-brained genius bought out
of a splendid certainty of wealth for fifty pounds, but a lazy man who
very contentedly and with open eyes accepted fifteen thousand pounds and
leisure in preference to hard work and an off-chance of riches. This
elder Mead had come into the business with three thousand pounds when
capital was wanted for the Stoke Newington branch, and had gone out when
ambition began to whisper the name of Buckingham Palace Road. He had not
felt aggrieved at losing opulence, but had lived on his spoil--after
all, a good return for his investment--and died with it in cheerfulness.
But then he had not been born a trader. He came of the professions;
money-making was not in his blood nor bone of his bone, as it must be in
the frame of one who is to grow gradually by his own labour to the
status of a millionaire. The instinct of gain was not in his son either;
Ashley laughed with unreserved good-nature as he said:

"If my father hadn't gone out, I should have had half the business, I
suppose, instead of starving along on four hundred a year."

"You've your profession," observed Lady Kilnorton, hardly seriously.
"The Bar, you know."

"My profession?" he laughed, as he leant against the mantel-piece and
looked down at her. "I'm one of five thousand names on five hundred
doors, if that's a profession!"

"You might make it one," she suggested, but not as though the subject
interested her or were likely to interest him. The little rebuke had all
the perfunctoriness of duty and convention.

"The funny thing is," he went on, "that old Sir James would like to get
me back now; he's always hinting about it. Shall I go and sell the
ribbons?"

"Why can't Mr. Robert sell the ribbons?"

"Well, in the family we don't think Bob very bright, you see."

"Oh! Alice is bright, though; at least she's very clear-headed."

"More brains than any of them. And what did you think of My lady?"

"Of My lady?" Irene Kilnorton laughed a little, raised her brows a
little, and paused before she said: "Well, her hair's too fluffy, isn't
it? They don't beat her, do they? She looks rather like it."

"No, they don't beat her; but she's not quite sure that she's got the
grand manner."

"Isn't she?" said Lady Kilnorton, laughing again.

"And then Sir James insists on referring to Putney, especially by way of
acknowledging the goodness of God in family prayers. The servants are
there, of course, and--you understand?"

"Perfectly, Mr. Mead. In such a case I shouldn't like it myself."

"Lady Muddock has no objection to being thankful privately, but she
doesn't like it talked about."

"You go there a great deal?" she asked, with a glance at him.

"Yes, a good deal."

"And the girl--Alice--is very fond of you?"

"Not the least, I believe."

"Oh, you're bound to say that! Would she go with--with selling the
ribbons?" But she went on without waiting for an answer, perhaps because
she had risked a snub. "I was received with immense _empressement_."

"You're a bit of a swell, aren't you?"

"A poverty-stricken Irish widow! No, but I took some swells with me."

"Lord Bowdon, for instance?"

"Yes, Lord Bowdon. And a greater swell still--Miss Ora Pinsent."

A pause followed. Ashley looked over his hostess' head out of the
window. Then Lady Kilnorton added, "Lord Bowdon drove Miss Pinsent to
her house afterwards."

Another pause followed; each was wondering what the other's point of
view might be.

"Fancy Ora Pinsent at the Muddocks'!" reflected Ashley presently. "She
went to please you?"

"How do I know why she went? I don't suppose she knew herself."

"You're great friends, though?"

"I admire and despise, love and most bitterly hate, Ora Pinsent," said
Lady Kilnorton.

"All at once?" asked Ashley with a smile, and brows raised in protest.

"Yes, all at once, and successively, and alternately, and in all sorts
of various combinations."

"And Lord Bowdon drove her home?" His tone begged for a comment from his
companion.

"I told you so," she answered with a touch of irritation, which was as
significant as any comment.

The servant came in, bringing tea; they were silent while the
preparations were made. Ashley, however, covertly regarded his friend's
trim figure and pretty, small features. He often felt rather surprised
that he had no inclination to fall in love with, or even to make love
to, Irene Kilnorton. Many men had such an inclination, he knew; among
them he ranked this same Lord Bowdon who had driven Miss Pinsent to her
house. Lady Kilnorton was young, she was pretty, she had, if not wit, at
least the readiness of reply which is the common substitute provided by
the habit of conversing with wideawake people. It was, though, very
pleasant to have so charming a friend and to be in no danger of
transforming her into the doubtful and dangerous character of a woman he
loved; so he told himself, having no disposition to love her.

"She's got a husband, hasn't she?" he asked, as the door closed behind
the footman.

"Ora? Oh, yes, somewhere. He's a scamp, I think. He's called--oh, I
forget! But his name doesn't matter."

"They've always got a husband, he's always a scamp, and his name never
matters," remarked Ashley between mouthfuls of toast.

"Fenning! That's it! Fenning."

"Just as you like, Lady Kilnorton. It's the fact, not what you call it,
that's the thing, you know."

As he spoke the door was opened again and Lord Bowdon was announced. He
came in almost eagerly, like a man who has something to say, shook hands
hastily, and, the instant that he dropped into a chair, exclaimed, "What
a glorious creature!"

"I knew exactly what you were going to say before you opened your lips,"
remarked Lady Kilnorton. "You haven't been long, though." There was a
touch of malice in her tone.

"It wasn't left to me to fix the length of the interview. And she said
she liked driving fast. Well, Ashley, my boy, how are you?"

"I'm all right, Lord Bowdon."

"I've got a job for you. I'll write to you about it presently. It's a
Commission they've put me on, and I thought you might like to be
secretary."

"Anything with a stipend," agreed Ashley cheerfully.

"What a lot men think of money!" said Lady Kilnorton.

"I don't think I ever met a more fascinating creature," Lord Bowdon
mused.

"It's awfully good of you," continued Ashley. "I'm uncommonly hard-up
just now."

"Do you know her?" asked Bowdon.

"Met her once or twice," Ashley answered very carelessly. Bowdon seemed
to fall into a reverie, as he gently stirred his tea round and round.
Lady Kilnorton leant back and looked at the mantel-piece. But presently
he glanced at her, smiled pleasantly, and began to discuss the Muddocks.
Ashley left them thus engaged when he took his leave ten minutes later.

Lord Bowdon had lived a full and active life which now stretched over
forty-three years. In spite of much sport and amusement he had found
time for some soldiering, for the duties of his station, and for proving
himself an unexpectedly useful and sensible Member of Parliament. But he
had not found time to be married; that event he used to think of in his
earlier days as somehow connected with his father's death; when he
became Earl of Daresbury, he would marry. However, about a year back, he
had made Lady Kilnorton's acquaintance, had liked her, and had begun to
draw lazy and leisurely plans about her. He had not fallen in love with
her, any more than Ashley Mead had, but he had drifted into a
considerable affection for her. His father had lived to be old; he
himself had already grown more middle-aged than was desirable in a
bridegroom. During the last few weeks he had considered the project
seriously; and that he had assumed this attitude of mind could hardly
have escaped the lady's notice. He had detected, with some pleasure, her
hidden consciousness of his purpose and commended her for a gracefully
easy treatment of the position. She did not make at him, nor yet run
away from him, she neither hurried nor repulsed him. Thus by degrees the
thing had become very pleasant and satisfactory in imagination. It was
not quite what in by-gone years he had meant by being in love--he
thanked heaven for that, after reflection--but it was pleasant and
satisfactory. "Let it go on to the end," he would have said, with a
contentment hardly conscious of an element of resignation.

To-day there was a check, a set-back in his thoughts, and he was
uncomfortable lest it might shew in his manner. He talked too long about
the Muddocks, then too long about Ashley Mead, then about something
quite uninteresting. There was an unexplained check; it vexed and
puzzled him. Lady Kilnorton, with her usual directness, told him what it
was before they parted.

"You've been thinking about Ora Pinsent all the time," she said. "It
would have been better to have the courage of your ingratitude and go on
talking about her." The gay, good-humoured words were accompanied by a
rather nervous little smile.

"Who is she?" asked Bowdon bluntly and with undisguised curiosity.

"She's Mrs. Jack Fenning. I don't know and I don't care who Jack Fenning
is, only--"

"Only what?"

"Only he's not dead. I know you think that's the one thing he ought to
be."

"I'm not sure about that," he answered, looking in her face. The face
had suddenly become charming to him in its now apparent mixture of
annoyance and merriment. "Well, I must be going," he added with a sigh.
Then he laughed; Lady Kilnorton, after an instant's hesitation, joined
in his laugh.

"She liked me to drive as fast as I could, and straight home!" said he.
"Good-bye, Lady Kilnorton."

"Good-bye. I wonder you aren't a little more sensible at your age."

"She carries you off your feet, somehow," he murmured apologetically, as
he made for the door. He was feeling both rude and foolish, confessing
thereby the special relation towards his hostess which he had come to
occupy.

Left alone, Irene Kilnorton sat down and attempted a dispassionate
appraisement of herself. She was twenty-nine, a widow of four years'
standing. The world, which had seemed ended when her young husband died,
had revived for her; such is the world's persistent way. She was pretty,
not beautiful, bright, not brilliant, pleasant, but hardly fascinating.
She was pleased with the impartiality which conducted her so far. But at
this point the judgment of herself began to drift into a judgment of Ora
Pinsent, who seemed to be all that she herself had just missed being; in
assessing Ora the negatives fell out and the limitations had to be
discarded. Yet her mood was not one of envy for Ora Pinsent. She would
not be Ora Pinsent. Among those various feelings which she had for Ora,
there was one which she had described by saying "I despise her." The
mood, in truth, hung doubtful between pity and contempt; but it was
enough to save her from wishing to be Ora Pinsent. She would sooner put
up with the negatives and the limitations. But she might wish, and did
wish, that other people could take her own discerning view of her
friend. She did not call herself a jealous woman; but after all Lord
Bowdon had become in a rather special sense her property; now he was, as
he put it graphically enough, carried off his feet. That condition would
not last; he would find his feet and his feet would find the ground
again soon. Meanwhile, however, she could hardly be expected exactly to
like it. Men did such strange things--or so she had been told--just in
those brief spaces of time when the feet were off the ground; perhaps
women too did things rather strange in a similar case.

"And poor Ora's feet," she said to herself, "are never really on the
ground."

She was vaguely conscious that her mingled admiration and contempt
reflected in a rather commonplace fashion the habitual attitude of
good-sense towards genius. Not being in love with commonplace good-sense
as an intellectual ideal, she grew impatient with her thoughts, flung
the window open, and sought distraction in the sight of the people who
passed up and down the hill through the cool kindliness of the June
evening. The wayfarers caught her idle interest, and she had almost lost
herself in wondering whether the boy and girl at the corner would kiss
before they parted when she was recalled to her own sphere by seeing two
people whom she knew breasting the slope on bicycles. A dark young man
inclining to stoutness, very elaborately arrayed for the exercise on
which he was engaged, rode side by side with a dark young woman
inclining to leanness, plainly clad, with a face that a man might learn
to think attractive by much looking, but would not give a second thought
to in a London drawing-room. "The young Muddocks," said Irene, drawing
back and peering at them from behind her curtains. "Recovering
themselves after the party, I suppose."

She watched them till they were out of sight; why, she did not ask
herself. Of course there was the interest of wealth, perhaps a vulgar,
but seemingly an unavoidable, sensation which pounds much multiplied
enable their possessors to create. There was more; the Muddocks had come
somehow into her orbit. They were in the orbit of her friend Ashley
Mead; the girl might become the most important satellite there. Irene's
own act had perhaps brought them into Ora Pinsent's orbit--where storms
were apt to rage. Curiosity mingled with an absurd sense of
responsibility in her. "It's such a risk introducing Ora to anybody,"
she murmured, and with this her thoughts flew back to Bowdon and the
condition of men who are carried off their feet.

"It's simply that I'm jealous," she declared petulantly, as she shut the
window. But she was not yet to escape from Ora Pinsent. There on the
mantel-piece was a full-length photograph, representing Ora in her
latest part and signed with her autograph, a big O followed by a short
sprawl of letters, and a big P followed by a longer sprawl. Though not a
professed believer in the revelation of character by handwriting, Irene
found something significant in this signature, in the impulse which
seemed to die away to a fatigued perfunctory ending, in the bold
beginning that lagged on to a conclusion already wearisome. Her eyes
rose to the face of the portrait. It shewed a woman in a mood of
audacity, still merry and triumphant, but distantly apprehensive of some
new and yet unrealised danger. Exultation, barely yet most surely
touched with fear, filled the eyes and shaped the smile. It seemed to
Irene Kilnorton that, if Ora knew herself and her own temper, such
reasonably might be her disposition towards the world and her own life
as well as her pose in the play to which she now drew all the town; for
her power of enjoying greatly in all likelihood carried with it its old
companion, the power greatly to suffer. Yet to Irene a sort of
triviality affected both capacities, as though neither could be exactly
taken seriously, as though the enjoyment would always be childish, the
suffering none too genuine. Good-sense judged genius again; and again
the possessor of good-sense turned impatiently away, not knowing whether
her contempt should be for herself or for her friend.

Then she began to laugh, suddenly but heartily, at the recollection of
Lady Muddock. When Ora had passed on after the introduction, and Irene
was lingering in talk with her hostess, Lady Muddock had raised her
timid pale-blue eyes, nervously fingered that growth of hair which was
too fluffy for her years, and asked whether Miss Pinsent were "nice."
This adjective, maid-of-all-work on women's lips, had come with such
ludicrous inadequacy and pitiful inappropriateness that even at the
moment Irene had smiled. Now she laughed. Yet she was aware that Lady
Muddock had no more than this one epithet with which to achieve a
classification of humanity. You were nice or you were not nice; it was
simple dichotomy; there was the beginning, there the end of the matter.
So viewed, the question lost its artlessness and became a singularly
difficult and searching interrogation. For if the little adjective were
given its rich fulness of meaning, its widely representative character
(it had to sum up half a world!), if it were asked whether, on the
whole, Ora Pinsent were likely to be a good element in the world, or (if
it might be so put) a profitable speculation on the part of Nature,
Irene Kilnorton would have been quite at a loss to answer. In fact--she
asked, with a laugh still but now a puzzled laugh--was she nice or
wasn't she? The mixture of feelings which she had described to Ashley
Mead forbade any clear and definite response on her own behalf. On Lady
Muddock's, however, she owned that the verdict must be in the negative.
By the Muddock standards, nice Ora was not.

And what was this absent Jack Fenning like? There seemed no materials
for a judgment, except that he had married Ora Pinsent and was no longer
with Ora Pinsent. Here was a combination of facts about him remarkable
enough to invest him with a certain interest. The rest was blank
ignorance.

"And," said Irene with another slight laugh, "I suppose I'm the only
person who ever took the trouble to think about him. I'm sure Ora never
does!"



CHAPTER II

FIRST IMPRESSIONS


It was an indication of the changed character of the business that the
big block in Buckingham Palace Road closed early on Saturdays,
surrendering the hours in which the branches continued to do their most
roaring trade. The day after the party was a Saturday; Sir James and his
son were making their way back through the Park, timed to arrive at home
for a two o'clock luncheon. The custom was that Lady Muddock and Alice
should meet them at or about the entrance of Kensington Gardens, and the
four walk together to the house. There existed in the family close
union, modified by special adorations. Sir James walked with his
daughter, Bob with his stepmother; this order never varied, being
the natural outcome of the old man's clinging to Alice, and of
Lady Muddock's pathetic fidelity to Bob. She had no child of her
own; she looked up to Alice, but was conscious of an almost cruel
clear-sightedness in her which made demonstrations of affection seem
like the proffer of excuses. There are people so sensible that one
caresses them with an apology. Bob, on the other hand, was easy to
please; you had to look after his tastes, admire his wardrobe, and not
bother about the business out of hours; he asked no more, his stepmother
did no less. Thus while they crossed the Gardens Lady Muddock talked of
yesterday's party, while Sir James consulted his daughter as to the
affairs of the firm. Alice detected here and there in what he said an
undercurrent of discontent with Bob, on the score of a lack not of
diligence but of power, not of the willingness to buckle to, but of that
instinct for the true game--the right move, the best purchase, the
moment to stand for your price, the moment to throw all on the
market--whence spring riches. Sir James expressed his meaning clumsily,
but he ended clearly enough by wishing that there were another head in
the business; for he grew old, and, although he was now relieved from
Parliament, found the work heavy on him. Nothing of all this was new to
the listener; the tale was an old one and led always to the same climax,
the desire to get Ashley Mead back into the business. If Alice objected
that he was ignorant and untrained in commercial pursuits, Sir James
pushed the difficulty aside. "He's got the stuff in him," he would
persist, and then look at his daughter in a questioning way. With this
look also she was familiar; the question which the glance put was
whether she would be willing to do what Lady Kilnorton called "going
with selling the ribbons."

Such was the suggestion; Alice's mood (she treated herself with the
candour which she bestowed on others) towards it was that she would be
willing to go--to go to Ashley Mead, but not to go with selling the
ribbons. The point was not one of pride; it was partly that she seemed
to herself to be weary of the ribbons, not ashamed (she was free from
that little weakness, which beset Bob and made him sensitive to jokes
about his waistcoats being acquired at cost price), but secretly and
rather urgently desirous of a new setting and background for her life,
and of an escape from surroundings grown too habitual. But it was more
perhaps that she did not wish Ashley to sell ribbons or to make money.
She was touched with a culture of which Sir James did not dream; the
culture was in danger of producing fastidiousness. Ashley was precious
in her life because he did not sell ribbons, because he thought nothing
or too little of money, because he was poor. The children of the
amassers are often squanderers. Alice was no squanderer, but she felt
that enough money had been made, enough ribbons sold. With a new aim and
a new outlook life would turn sweet again. And she hated the thought
that to Ashley she meant ribbons. She did not fear that he would make
love to her merely for her money's sake; but the money would chink in
her pocket and the ribbons festoon about her gown; if she went to him,
she would like to leave all that behind and start a new existence. Yet
the instinct in her made the business sacred; a reverence of habit hung
about it, causing these dreams to seem unholy rebels which must not shew
their heads, and certainly could not be mentioned in answer to her
father's look. Moreover she wished Ashley to shew himself a man who, if
he took to ribbon-selling, would sell ribbons well; the qualities
remained great in her eyes though the pursuit had lost its charms.

At lunch they talked of their guests. Lady Kilnorton had pleased them
all; Lord Bowdon's presence was flattering to Lady Muddock and seemed
very friendly to her husband. Minna Soames, who had come to sing to the
party, was declared charming: hard if she had not been, since she spent
her life trying after that verdict! Lady Muddock added that she was very
nice, and sang only at concerts because of the atmosphere of the stage.
Ora Pinsent excited more discussion and difference of opinion, but here
also there was a solid foundation of agreement. They had all felt the
gulf between them and her; she might not be bad--Bob pretended that he
would have heard all about any scandal had there been one--but she was
hopelessly alien from them. They were not sorry that Lady Kilnorton had
brought her, for she had added to the _éclat_, but they could not feel
sure (nor perhaps eager to be sure) that they had secured a permanent
acquaintance, much less a possible friend. And then she had told her
hostess, quite casually, that Lord Bowdon (whom she had never met
before) was going to drive her home. Lord Bowdon was not an old man,
Miss Pinsent was quite a young woman; he was a lord and she was an
actress; of suspected classes, both of them. Every tenet and
preconception of the Middle Period combined to raise grave apprehension
in Lady Muddock's mind. Sir James nodded assent over his rice pudding.
The son and daughter shared the feeling, but with self-questioning; was
it not narrow, asked Alice, was it not unbecoming to a man of the world,
asked Bob. But there it was--in brother and sister both.

"Ashley knows her, I think," Alice remarked.

"That doesn't prove anything," said Bob with a laugh. Lady Muddock
looked a little frightened. "I mean, Ashley knows everybody," he added
rather enviously.

"Ashley can take care of himself," the old man decided, as he pushed his
plate away.

"Anyhow I don't suppose we shall see much of her," said Alice. Her tone
had some regret in it; Ora Pinsent was at least far removed from the
making of money and the selling of ribbons; she was of another world.

With this the subject passed; nobody made mention of Mr. Jack Fenning
because nobody (not even well-informed Bob) had heard of him, and gloves
had hidden the unobtrusive wedding ring on Miss Pinsent's finger. Indeed
at all times it lay in the shadow of a very fine sapphire; the fanciful
might be pardoned for finding an allegory here.

The still recent fatigues of entertaining made Lady Muddock disinclined
to drive, and Alice went alone to the Park in the afternoon. The place
was very full, and motion slow and interrupted. Getting fast-set in a
block, she leant back resignedly, wondering why in the world she had
chosen this mode of spending a summer afternoon. Suddenly she heard her
name called and, turning round, found a small and unpretentious victoria
wedged close to the carriage. A lady sat in the victoria; Alice was
conscious of little more than a large hat, eyes, and a smile; when she
thought of the meeting later on, she was surprised to find herself
ignorant of what Ora Pinsent was wearing. But the smile she remembered;
it was so cordial and radiant, a smile quite without reserve, seeming to
express what was, for the instant at least, the whole and unclouded
happiness of a human being. Thus to smile is in itself a talent.

"Miss Pinsent!" she exclaimed in a flutter for which she had not time to
rebuke herself.

"I wasn't quite sure it was you," Ora explained. "But I thought I'd risk
it. Isn't it dull?" Her eloquent hands accused the whole surroundings.

"This block's so tiresome," observed Alice; she felt the obviousness of
the remark.

"Oh, I don't mind whether we move or not. I mean driving alone. But
perhaps you do it from choice. I don't. But he didn't come."

Alice looked at her and laughed.

"I should have thought he would," she said. She began to be amused.

"Yes, wouldn't you?" asked Ora. "But he didn't."

"I'm very sorry."

"Oh, I've stopped wanting him now. It's quite unsafe not to keep
appointments with me. You miss the time when you're wanted! Have you
seen Irene Kilnorton anywhere?"

"Not since yesterday."

There was a pause. Some way ahead a carriage crawled a few paces on; the
pack was going to break up. Ora's victoria got a start first; as it
moved she turned her head over her shoulder, saying:

"I suppose you wouldn't like to come and see me some day?"

Alice said that she would be delighted, but she felt that her expression
of pleasure in the prospect sounded purely conventional. In reality she
was amazed, inclined to be apprehensively gratified, and certainly
interested.

"Then do," smiled Miss Pinsent as she was borne away.

"I wonder who didn't come!" said Alice to herself, smiling; but the next
moment criticism revived. "How curious she should tell me about it!" she
reflected. "She doesn't know me a bit." Frown and smile stood on her
face together.

The way was cleared. Alice accomplished another round at a fairly quick
trot. Then she saw Miss Pinsent's victoria again. This time Miss Pinsent
was not alone; the victoria stood by the path and Lord Bowdon's foot was
on the step. He was talking to Ora; Ora leant back, looking past him
with an expression of utter inattention. Was he the man who didn't come?
Or was she inattentive because he was not? Alice gave up the riddle;
she had a sudden consciousness that generalisations which had hitherto
seemed tolerably trustworthy might prove most fallacious if applied to
Ora Pinsent. But there was a distinct regret in her mind when she lost
sight of the little victoria with the big man by its step. She had her
invitation; but in retrospect her invitation seemed woefully vague.

Ashley dropped in to dinner that evening, pleasant and talkative as
usual, but rather less alert and a trifle absent in manner. However he
had good news; he was to be secretary to Lord Bowdon's Commission; it
would last a long while, was probably meant to last as long as the
Government did (the grounds for this impression would be tedious to
relate, and open to controversy), and would enable him to pay bills.

"I suppose," he said to Alice, "you don't know what it is not to be able
to pay a bill?"

"I hardly ever have one," she said; "they're just sent in to father."

"It must be rather slow never to be hard-up," he remarked; he hardly
meant what he said, and was quite unaware how true his remark seemed to
Alice Muddock. "Then you never write cheques?" he went on.

"For charity I do."

"Good heavens, what a base use of a cheque book!"

Lady Muddock happened to hear this observation. She had failed to
accustom herself to remarks not meant for literal acceptance; the Middle
Period treats language seriously.

"We all ought to give a certain proportion," she remarked. "Oughtn't we,
James?" But Sir James had gone to sleep.

As Ashley sat and talked lightly about the secretaryship, his shifts to
live comfortably beyond his means, and the welcome help Lord Bowdon had
afforded, Alice felt a surprise at him growing in her. Had she been
placed as he was, she might not have married for money, but she would
inevitably have thought of such a step, probably have had a severe
struggle about it, and certainly have enjoyed a sense of victory in
putting it on one side. The money-taint had bitten so far into her; she
could disregard wealth but could not forget it. She hardly understood
Ashley; she felt curious to know what he would say if she stood before
him and offered herself and her thousands freely, unconditionally, the
money without the ribbons. Did he know that she was ready to do it? Did
he want her? There was an only half-occupied look in his eyes. She never
expected to see admiration gleam in the eyes of men, but she often,
indeed generally, excited interest and chained attention. To-night there
was hardly attention, certainly not whole-hearted engrossed interest.
All at once, for the first time in her simple sincere life, there came
over her a bitter regret that she was not pretty. It was a small thing
to be; small in itself, very small in the little changes of shape and
colour that made it. But how rich in consequences! Yes, she meditated,
how unfairly rich!

Pressed by thought, she found herself lapsing into long silences. She
started another line of talk, but the new topic sprang from the previous
meditation.

"I met Miss Pinsent in the Park to-day," she said. "She was looking so
beautiful. And what do you think, she asked me to go and see her! I was
very flattered."

Ashley smiled as he observed:

"She's asked me to go and see her too."

"Shall you go?" asked Alice, with a grave interest.

She was puzzled at the heartiness of his laugh over her question.

"Great heavens, of course I shall go," he said, laughing still.

"What are you laughing at?"

"Why, my dear Alice, there isn't a man in London who wouldn't go."

"Oh, I see," she said in a disappointed, almost irritable tone. She had
somehow expected a better explanation than lay in that, something that
might apply to herself, to a girl. She was even sure that there ought to
be something more about Miss Pinsent, that it was a man's fault if he
saw only what all men must see. Her tone did not escape the quick wit of
her companion.

"You must see that she's tremendously interesting?" he said. "Lady
Kilnorton says that Ora Pinsent's the most interesting person in the
world--except one."

"Except who?"

"Her husband," he answered, laughing again. "You look surprised. Oh,
yes, he exists. His name's Fenning."

"She--she's married?" Alice was leaning forward now; here was another
problem.

"Incredible, but true. You may let Bob meet her without the least danger
of spoiling that great match he's going to make."

"I'd no idea she was married."

Ashley was obviously amused at her wonder, perhaps at the importance she
attached to the circumstance which he had brought to her knowledge.

"Lady Kilnorton will have it that he must be a remarkable man," he went
on. "But it doesn't follow in the least, you know, rather the contrary.
Some women have unimpeachable taste in everything except marriage; or
perhaps we must all have our share of the ordinary, and they take theirs
out in their husbands. Anyhow, he's at the other end of the world
somewhere."

They talked a little while longer about Ora, Alice incidentally
mentioning Bowdon's appearance by the step of the victoria. Then Ashley
said good-night, and started to walk home to his rooms in one of the
streets which run down from the Strand to the Thames Embankment. Here he
dwelt humbly, commanding modest comforts and, if he craned his neck, a
sidelong view of a bit of the river by Charing Cross bridge. As he
walked, he was pleasantly and discursively thoughtful. His evening had
disposed him to reflexion on the very various types of people who
inhabited the world and flocked, one and all, to London. He knew many
sorts; yet within the limits of his acquaintance the Muddocks were
peculiar. And now, right at the other end of the scale, came this Miss
Pinsent. He thought about Miss Pinsent for a little while, and then
drifted idly into a trivial classification of women according to their
external advantages. Perhaps he had dimly discerned and caught something
of Alice Muddock's train of ideas. There were those beautiful to all,
those pretty to some, those plain to most. Miss Pinsent, Lady Kilnorton,
Alice Muddock, were the instances on which his generalities depended.
Superficial as the dividing principle was, he gained a hint of what had
come home to Alice while he talked to her, of the immense difference it
made to the persons divided. (That it made an immense difference to him
was in no way such a discovery as needed midnight meditation.) To them
the difference would surely become more than a source of greater or
less homage, attention, pleasure, or excitement. These immediate
results must so influence and affect life as to make the woman in the
end really a different being, a different inner as well as a different
outer creature, from what she would have been had she occupied a place
in another class than her own. It would be curious to take twin souls
(he allowed himself the hypothesis of souls), put them into diverse
kinds of bodies, leave them there ten years, from eighteen to
twenty-eight, say, then take them out and record the observed
variations. But that was hopeless; the experimental method, admirable
for all sorts of dull subjects, broke down just where it would become of
absorbing interest.

In Pall Mall he met Lord Bowdon coming out of the Reform Club. Bowdon's
family had always been Whigs; people might argue that historical parties
had changed their policies and their principles; Bowdon was not to be
caught by any such specious reasoning. The Liberals were heirs to the
Whigs; he was heir to his fathers; his conservative temperament
preserved his Liberal principles. But he did not seem to be occupied by
such matters to-night. He caught Ashley by the arm, turned him round the
Athenæum corner, and began to stroll gently along towards the steps.
Ashley thanked him again for procuring him the Secretaryship; Bowdon's
only answer was to nod absently. What Alice Muddock had told him
recurred to Ashley's mind.

"I hear you had an audience in the Park to-day," he said, laughing. "Her
Majesty distinguished you?"

"I did a most curious thing," said Bowdon slowly. "I had an appointment
to drive with her. I didn't go. Half-an-hour later I walked up to the
Park and looked for her till I found her. Doesn't that strike you as a
very silly proceeding?"

"Very," said Ashley with a laugh.

"In a man of forty-three?" pursued Bowdon with a whimsical gravity.

"Worse and worse. But where do you put the folly, in missing the
appointment or--?"

"Oh, in the combination! The combination makes it hopeless. You said you
knew her, didn't you?"

"Yes. I shouldn't miss the appointment."

Ashley had long been aware of his companion's kindness for him, one of
those partialities that arise without much apparent reason but are of
unquestionable genuineness. But Bowdon was considered reserved, and this
little outbreak of self-exposure was a surprise. It shewed that the man
was at least playing with a new emotion; if the emotion grew strong the
play might turn to earnest. Moreover Bowdon must know that his confidant
was a frequent visitor at Lady Kilnorton's. Bowdon stopped suddenly,
standing still on the pavement, and looking full in Ashley's face.

"Don't think I'm going to make a fool of myself, my boy," he said with
remarkable emphasis and energy. "Good-night;" and, hailing a cab, he was
off in an instant.

Ashley properly considered his friend's last remark an indication that
he was feeling rather inclined to, and just possibly might, make or try
to make (for often failure is salvation) a fool of himself. The man of
unshaken sobriety of purpose needs no such protests. Ashley strolled on
to his rooms, decidedly amused, somehow also a little vexed. Nothing had
happened except a further and needless proof that he had been right in
putting Ora in the first division of his classification. The vexation,
then, remained unaccounted for, and it was not until he had reached
home, lit his pipe, mixed his whiskey and water, and settled in his
arm-chair, that he discovered that he was a little annoyed just because
Lord Bowdon was apparently afraid of making a fool of himself. It was a
thing that Bowdon or any other man had a perfect right to do, so far as
the rest of the world was concerned. This sounded like a platitude;
Ashley was surprised to find in his own soul an indefinite but not weak
opposition to it. The instinct of exclusive possession was stirring in
him, that resentment of intrusion which is the forerunner of a claim to
property. Well, he was not forty-three but just thirty. His theory of
life did not forbid a certain amount of making a fool of himself; his
practice had included a rather larger quantity. Perturbation had been
the ruling factor in Bowdon, in Ashley a pleasurable anticipation was
predominant. In his case there were no very obvious reasons why he
should not make a fool of himself again, if he were so disposed; for,
dealing dispassionately with the situation and with his own standards,
he could not treat this Jack Fenning as a very obvious reason. He went
to bed with a vague sense of satisfaction; the last few days had brought
to birth a new element in life, or at least a new feature of this
season. It was altogether too soon to set about measuring the dimensions
of the fresh arrival or settling to what it might or might not grow.

His anticipation would have been much heightened and the development of
his interest quickened had he been able to see what was at this time
happening to the lady who had made so abrupt and resolute an entry into
his thoughts as well as into Lord Bowdon's. Her distress would have been
sun and water to the growth of his feelings. For Mr. Sidney Hazlewood,
an accomplished comedian and Ora Pinsent's Manager, had urged that she
should try, and indeed must force herself, to regard a certain business
arrangement from a purely business point of view. To Ora, still charged
with the emotions of her performance in addition to her own natural and
large stock of emotions, this suggestion seemed mere brutality,
oblivious of humanity, and dictated solely by a ruthless and unhallowed
pursuit of gain. So she burst into tears, and a weary wrinkle knitted
itself on Mr. Hazlewood's brow. Lady Kilnorton had been blaming herself
for judging genius from the stand of common-sense; Mr. Hazlewood did not
theorise about the matter; that eloquent wrinkle was his sole protest
against the existence and the ways of genius. The wrinkle having failed
of effect, he observed that an agreement was an agreement and spoke, as
a man who contemplates regrettable necessities, of his solicitor. Ora
defied Mr. Hazlewood, the law, and the world, and went home still in
tears. She was not really happy again until she had got into her
dressing-gown, when quite suddenly she chanced on the idea that Mr.
Hazlewood had a good deal to say for himself. Then she began to laugh
merrily at the scene which had passed between them.

"He's very stupid, but he likes me and he's a good old creature," she
ended in a charitable way.



CHAPTER III

AN ARRANGEMENT FOR SUNDAY


"Elizabeth Aurora Pinsent; that's it. But Elizabeth was too solemn, and
Betty was too familiar, and Aurora too absurd. So I'm just Ora."

Lord Bowdon nodded gravely.

"And I think," she went on, lying back on the sofa, "that the world's
rather dull, and that you're rather like the world this afternoon."

He did not dispute the point. A man who wants to make love, but is
withheld by the sense that he ought not, is at his dullest. Bowdon's
state was this or even worse. Ora was a friend of Irene Kilnorton's; how
much had she guessed, observed, or been told? Would she think loyalty a
duty in herself and disloyalty in him a reproach? That would almost
certainly be her mood unless she liked him very much; and she gave no
sign of such a liking. On all grounds he was clear that he had better go
away at once and not come back again. He thought first of Irene
Kilnorton, then of his own peace and interest, lastly of Mr. Jack
Fenning; but it must be stated to his credit that he did think quite
perceptibly of Jack Fenning. Yet he did not go away immediately.

"You live all alone here?" he asked, looking round the bright little
room.

"Yes, I can, you see. That's the advantage of being married."

"I never looked at marriage in that light before."

"No," she laughed. "You've not looked at it in any light, you know; only
from the outer darkness."

As his eyes rested on her lying there in graceful repose, he felt a
grudge against the way fate was treating him. He wished he were ten or
fifteen years younger; he wished he had nothing to lose; he wished he
had no conscience. Given these desirable things, he believed that he
could break down this indifference and banish this repose. Ora had done
nothing to create such a belief; it grew out of his own sturdy and
usually justifiable self-confidence.

"Have you a conscience?" he asked her suddenly.

"Oh, yes," she answered, "afterwards."

"That's a harmless variety," he said wistfully.

"Tiresome, though," she murmured with her eyes upturned to the ceiling
as though she had forgotten his presence. "Only, you see, something else
happens soon and then you don't think any more about it." Ora seemed
glad that the cold wind of morality was thus tempered.

Such a remedy was not for the solid-minded man: he did think more about
it, notwithstanding that many things happened; and his was not merely
the harmless variety of conscience. Ora nestled lower on her cushions,
sighed and closed her eyes; she did not treat him with ceremony, if any
comfort lay in that. He rose, walked to the window, and looked out. He
felt intolerably absurd, but the perception of his absurdity did not
help him much. Again he complained of fate. This thing had come just
when such things should cease to come, just also when another thing had
begun to seem so pleasant, so satisfactory, so almost settled. He was
ashamed of himself; as he stood there he regretted his midnight
confidence to Ashley Mead a fortnight before. Since then he had made no
confidences to Ashley; he had not told him how often he came to this
house, nor how often he wished to come. Ora Pinsent's name had not been
mentioned between them, although they had met several times over the
initial business of launching their Commission.

He turned round and found her eyes on him. She began to laugh, sprang
up, ran across the room, laid a hand lightly on his sleeve, and looked
in his face, shaking her head with an air of determination.

"You must either go, or be a little more amusing," she said. "What's the
matter? Oh, I know! You're in love!"

"I suppose so," he admitted with a grim smile.

"Not with me, though!"

"You're sure of that? Nothing would make you doubt it?"

"Well, I thought it was Irene Kilnorton," she answered; her eyes
expressed interest and a little surprise.

"So it was; at least I thought so too," said Bowdon.

"Well, if you think so enough, it's all right," said Ora with a laugh.

"But I'm inclined to think differently now."

"Oh, I shouldn't think differently, if I were you," she murmured.
"Irene's so charming and clever. She'd just suit you."

"You're absolutely right," said Bowdon.

"Then why don't you?" She looked at him for a moment and he met her
gaze; a slight tint of colour came on her cheeks, and her lips curved in
amusement. "Oh, what nonsense!" she cried a moment later and drew back
from him till she leant against the opposite shutter and stood there,
smiling at him. The next moment she went on: "It is quite nonsense, you
know."

Lord Bowdon thought for a moment before he answered her.

"Nonsense is not the same as nothing," he said at last.

"You're not serious about it?" she asked with a passing appearance of
alarm. "But of course you aren't." She began to laugh again.

He was relieved to find that he had betrayed nothing more decisive than
an inclination to flirt. It would be an excellent thing to sail off
under cover of that; she would not be offended, he would be safe.

"Tragically serious," he answered, smiling.

"Oh, yes, I know!" she said. Then she grew grave, frowned a little and
looked down into the street. "You talk rather like Jack used to. You
reminded me of him for an instant," she remarked. "Though you're not
like him really, of course."

"Your husband?" His tone had surprise in it; she had never mentioned
Jack before; both the moment and the manner of her present reference to
him seemed strange.

"Yes. You never met him, did you? He used to be about London five or six
years ago."

"No, I never saw him. Where is he now?"

A shrug of her shoulders and a slight smile gave her answer.

"Why did he go away?"

"Oh, a thousand reasons! It doesn't matter. I liked him, though, once."

"Do you like him now?"

A moment more of gravity was followed by a sudden smile; her eyes
sparkled again and she laughed, as she answered,

"No, not just now, thank you, Lord Bowdon. What queer questions you ask,
don't you?"

"The answers interest me."

"I don't see why they should."

"Don't you?"

"I mean I don't see how they ought."

"Quite so."

"You're really getting a little bit more amusing," said Ora with a
grateful look.

He felt an impulse to be brutal with her, to do, in another sphere of
action, very much what Mr. Hazlewood had done when he insisted that a
business arrangement must be regarded in a business-like way. Suppose he
told her that questions of morals, with their cognate problems, ought to
be regarded in a moral way? He would perhaps be a strange preacher, but
surely she would forget that in amazement at the novelty of his
doctrine!

"How old are you?" he asked her, aghast this time at his question but
quite unable to resist it.

She glanced at him for a moment, smiled, and answered simply,

"Twenty-seven last December."

He was remorseful at having extracted an answer, but he bowed to her as
he said,

"You've paid me a high compliment. You're right, though; it wasn't
impertinence."

"Oh, no, you're all right in that way," she murmured with a careless
cordiality. "But why did you want to know?"

"I want to know all about you," he said in a low voice.

Again she looked at him for a moment, growing grave as she looked. Then
she laid her hand on his arm again and looked up in his face with a
pleading coaxing smile.

"Don't," she said.

There was silence for a moment. Then Lord Bowdon took her hand, kissed
it, smiled at her, and asked a prosaic question.

"Where's my hat?" said he.

But that prosaic question made it impossible to sail off under cover of
an inclination to flirt; it was not at all in that manner; it lacked the
colour, the flourish and the show. As he walked away, Bowdon was
conscious that whatever happened to the affair, good or evil, whether it
went on or stopped, it must be stamped with a certain genuineness. It
could not pass at once from his thoughts; he could not suppose that it
would be dismissed immediately from hers.

That he occupied her attention for a little while after he went away
happened to be the case, although it was by no means the certain result
he imagined. A mind for the moment vacant of new impressions allowed her
to wonder, rather idly, why she had said "Don't" so soon; he had done
nothing to elicit so direct a prohibition; it had put a stop to a
conversation only just becoming interesting, still far from threatening
inconvenience. Perhaps she was surprised to find her injunction so
effective. She had said the word, she supposed, because she was not much
taken with him; or rather because she liked him very definitely in one
way, and very definitely not in another, and so had been impelled to
deal fairly with him. Besides he had for a moment reminded her of Jack
Fenning; that also might have something to do with it. The remembrance
of her husband's love-making was not pleasant to her. It recalled the
greatest of all the blunders into which her trick of sudden likings had
led her, the one apparently irrevocable blunder. It brought back also
the memory of old delusions which had made the blunder seem something so
very different at the time it was committed. She walked about the room
for a few minutes with a doleful look, her lips dragged down and her
eyes woeful. It was only five; she did not dine till six. She was
supposed to rest this hour; if resting meant thinking of Jack Fenning
and Lord Bowdon and of the general harshness of the world, she would
have none of it. It occurred to her, almost as an insult, that here was
an hour in which she was at leisure and yet nobody seemed to desire her
society; such treatment was strange and uncomplimentary.

A ring at the bell scattered her gloom.

"That must be somebody amusing!" she cried, clasping her hands in the
joyful confidence that fate had taken a turn. "I wonder who it is!"

The visitor thus favoured by a prejudice of approbation proved to be
Ashley Mead. He had come once before, a week ago; three days back Ora
had in her own mind accused him of neglect and then charitably
congratulated him on indifference. Now she ran to him as though he were
the one person in the world she wished to see.

"How charming of you!" she cried. "I was bored to death. I do like
people who come at the right time!"

Ashley held her hand for a moment in sheer pleasure at the feel of it;
they sat down, she again on her sofa, he in a low chair close by.

"Tea?" she said.

"Goodness, no. Don't move from where you are, Miss Pinsent. I met Lord
Bowdon walking away."

"I sent him away."

"What delightful presentiments you have!"

"Indeed I'd no idea that you'd come. I don't think he wanted to stay,
though." She smiled meditatively. Lord Bowdon's prompt acceptance of her
"Don't" seemed now to take on a humorous air; his hesitation contrasted
so sharply with the confident readiness of her new visitor.

"I've come on business," said Ashley.

"Business?" she echoed, with an unpleasant reminiscence of Mr. Sidney
Hazlewood and his views as to the nature of an agreement.

"I want you to help me to organise something."

"Oh, I couldn't. I hate all that sort of thing. It's not a bazaar, is
it?"

"No. Perhaps we might call it a _fête_. It's a day in the country, Miss
Pinsent."

"Oh, I know! Children! You mean those children?"

He leant back in his chair and looked at her before he replied. She
seemed a little hurt and regretful, as though his visit were not proving
so pleasant as she had expected; a visit should be paid, as virtue
should be practised, for its own sake.

"No," he said. "Not those children. These children."

She took an instant to grasp the proposal; then her eyes signified her
understanding of it; but she did not answer it.

"Why not?" he urged, leaning forward.

She broke into a light laugh.

"There's no reason why not--"

"Ah, that's right!"

"Except that I'm not sure I want to," continued Ora. She put her head a
little on one side, with a critical air. "I wonder if you'd amuse me for
a whole day," she said.

"You quite mistake my point of view," he replied, smiling. "I never
expected to amuse you. I want you to amuse me. I'm quite selfish about
it."

"That's just making use of me," she objected. "I don't think I was
created only to amuse you, you know."

"Perhaps not; but let me have the amusement first. The trouble'll come
soon enough."

"Will it? Then why--"

"Oh, you understand that well enough really, Miss Pinsent."

"What would that nice serious girl you're going to marry say if she
heard of our outing?"

"I haven't received the news of my engagement yet."

"Irene says you're certain to marry her."

"Well, at any rate she doesn't say I've done it yet, does she?"

"No," admitted Ora, smiling.

"And that's the point, isn't it? Will you come on Sunday?"

Sunday had looked rather grey; there was nothing but a lunch party, to
meet a Dean who thought that the stage might be made an engine for good,
and therefore wished to be introduced to Miss Pinsent. Oh, and there was
a dinner to celebrate somebody's birthday--she had forgotten whose. Yes,
Sunday was quite a free day. The sun shone here; it would shine merrily
in the country. In short she wanted to go.

"Oh, well, I don't mind trying to prevent you being bored for just one
day," she said, with her eyes merry and mocking.

"That's very kind of you," observed Ashley in a composed tone. "I'll
call for you at eleven and carry you off."

"Where to?"

"I shall settle that. It's entirely for my sake we're going, you know,
so I shall have my choice."

"It sounds as if you might enjoy yourself, Mr. Mead."

"Yes, quite, doesn't it?" he answered, laughing. Ora joined in his
laugh; the world was no longer harsh; Lord Bowdon was nothing; there
were no more reminiscences of the way Jack Fenning used to talk. There
was frolic, there was a touch of adventure, a savour of mischief.

"It'll be rather fun," she mused softly, clasping her hands on her knee.

Behind the man's restrained bearing lay a sense of triumph. He had
carried out his little campaign well. He did not look ahead, the success
of the hour served. No doubt after that Sunday other things would happen
again, and might even be of importance; meanwhile except that Sunday
there was nothing. Merely that she came was not all--with her was not
even very much. But he knew that her heart was eager to come, and that
the Sunday was a joy to her also.

"It's dinner-time," she said, springing up. "Go away, Mr. Mead."

He was as obedient as Bowdon had been; enough had been done for to-day.
But a farewell may be said in many ways.

"Sunday, then," he said, taking both her hands which she had held out to
him in her cordial fashion. Lady Kilnorton said that Ora always seemed
to expect to be kissed. "Just manner, of course," she would add, since
Ora was her friend.

"Yes, Sunday--unless I change my mind. I often do."

"You won't this time." The assertion had not a shred of question about
it; it was positive and confident.

She looked up in his face, laughing.

"Good-bye," she said.

Bowdon had kissed her hand, but Ashley did not follow that example. They
enjoyed another laugh together, and he was laughing still as he left her
and took his way downstairs.

"Oh, dear!" she said, passing her hand over her eyes, as she went to get
ready for dinner. She felt a reaction from some kind of excitement; yet
what reason for excitement had there been?

With regard to the theatre the Muddock family displayed a variety of
practice. Sir James never went; Bob frequented with assiduity those
houses where the lighter forms of the drama were presented; Lady Muddock
and Alice were occasional visitors at the highest class of
entertainment. Neither cared much about evenings so spent as a rule; but
Lady Muddock, having entertained Miss Pinsent, was eager to see her act.
Ora was the only member of her profession whom Lady Muddock had met; to
be acquainted with one of the performers added a new flavour. Lady
Muddock felt an increased importance in herself as she looked round the
house; there must be a great many people there who knew nobody on the
stage; she knew Miss Pinsent; she would have liked the fact mentioned,
or at any rate to have it get about in some unobtrusive way. Before the
first act was over she had fully persuaded herself that Ora had noticed
her presence; she had looked twice quite directly at the box! The
little woman, flattered by this wholly fictitious recognition, decided
audaciously that Sir James' attitude towards the stage was old-fashioned
and rather uncharitable; everybody was not bad on the stage; she felt
sure that there were exceptions. Anyhow it was nice to know somebody; it
gave one a feeling of what Bob called--she smiled shyly to
herself--"being in it." She was very careful never to talk slang
herself, but sometimes it expressed just what she wanted to say. She
pulled out her pink silk sleeves to their fullest volume (sleeves were
large then) and leant forward in the box.

Between the acts Babba Flint came in. He was a club acquaintance of
Bob's, and had met the ladies of the family at a charity bazaar. It was
a slender basis for friendship, but Babba was not ceremonious. Nobody
knew why he was called Babba (which was not his name), but he always
was. He was a small fair man, very smartly dressed; he seldom stopped
talking and was generally considered agreeable. He talked now, and,
seeing the bent of Lady Muddock's interest, he made Ora his theme. Lady
Muddock was a little vexed to find that Babba also knew Ora, and most of
her colleagues besides; but there was recompense in his string of
anecdotes. Alice was silent, looking and wondering at Babba--strange to
be such a person!--and yet listening to what he was saying. Babba lisped
a little; at least when he said "Miss Pinsent," the S's were blurred and
indistinct. He had met her husband once a long while ago; "a fellow
named Denning, no, Fenning; a good-looking fellow." "A gentleman?" Babba
supposed so, but deuced hard-up and not very fond of work. She led him
no end of a life, Babba had heard; so at last he bolted to America or
somewhere. Babba expressed some surprise that Mr. Fenning did not now
return--he knew the amount of Ora's salary and mentioned it by way of
enforcing this point--and declared that he himself would put up with a
good deal at the hands of a lady so prepossessing as Miss Pinsent. Then
Lady Muddock asked whether Miss Pinsent were really nice, and Babba said
that she wasn't a bad sort to meet about the place but (Here he broke
into a quotation from a song popular in its day), "You never know what
happens downstairs." Lady Muddock tried to look as though she had
received information, and Babba withdrew, in order to refresh himself
before the rise of the curtain.

Ora played well that night, indeed played Mr. Hazlewood off the stage,
according to his own confession and phraseology. There was a ring in her
laugh, a rush in her passion, a triumph in her very walk. Alice found
herself wondering whether what happened to the woman herself had much
effect on her acting, how complete or incomplete the duality of person
was, how much was put on and put off with the stage dresses and the
stage paint. But, after all, the woman herself must be there before
them, the real creature, full of life and yet straining her great gift
of it to the full. Alice had heard men described as "living hard." That
phrase generally meant something foolish or disreputable; but you could
live hard without dissipation or folly, at least in the ordinary sense
of those words. You could take all there was in every hour out of it,
put all there was of you into every hour, taste everything, try
everything, feel everything, always be doing or suffering, blot out the
uneventful stretches of flat country so wide in most lives, for ever be
going up or down, breasting hills or rattling over the slopes. It must
be strange to be like that and to live like that. Was it also sweet? Or
very sweet when not too bitter? And when it was very bitter, what came
of it? Surely the mightiest temptation to lay it all aside and go to
sleep? Alice drew back with a sudden sense of repulsion, as though there
were no health or sanity in such lives and such people. Then she looked
again at the beautiful face, now strained in sorrow, with hands
stretched out in such marvellous appeal, the whole body a prayer. Her
heart went out in pity, and, with a sudden impulse, cried to go out in
love. But she could come to no final conclusion about Ora Pinsent, and,
vexed at her failure, was thinking when the curtain fell, "What does it
matter to me?"

The arrangement for a Sunday in the country, had she known of it, might
have made the question seem less simple to answer.



CHAPTER IV

BY WAY OF PRECAUTION


For some days back Irene Kilnorton had been finding it difficult to have
amiable thoughts about Ora. That they are attractive, that they make a
change where they come, that they are apt to upset what seemed to be
settling itself very comfortably before their arrival, are not things
which can reasonably be imputed as faults to the persons to whom they
are attached as incidents; but neither do they at all times commend
them. It could not be denied--at this moment Irene at least could not
deny--that there was a wantonness about Ora's intrusions; she went where
she might have known it was better that she should stay away, and
pursued acquaintances which were clearly safer left in an undeveloped
state. She was irresponsible, Lady Kilnorton complained; the grievance
was not unnatural in her since she felt that she was paying part of the
bill; it was Ora's debt really, but Ora was morally insolvent, and made
her friends unwilling guarantors. The pleasant confidence with which she
had awaited Bowdon's approaches and received his attentions was shaken;
she found that she had wanted him more than she had thought, that she
was less sure of getting him than she had supposed. He had been to see
her two or three times; there was no falling off in his courtesies, no
abrupt break in his assiduity. But a cloud hung about him. Being there,
he seemed half somewhere else; she suspected where the absent half of
his thoughts might be found. He wore an air almost remorseful and
certainly rather apologetic; Lady Kilnorton did not wish to be courted
by way of apology. She knew it was all Ora Pinsent, and, although she
was quite aware that there was a good deal to be pleaded on Ora's side
of the question, she itched to say something--no matter what, provided
it were pointed and unpleasant--about Jack Fenning. Babba Flint, with
whom she was acquainted, had once described some young lady to her as
his "second-best girl." Babba was deplorable, most deplorable; yet her
anger borrowed from his strange vocabulary. She did not want to be
anybody's "second-best girl." "Not," she added, "that I'm a girl at all.
No more is Ora, for that matter." The pleasure of the hit at Ora
outweighed the regret in her admission about herself.

With regard to Ashley Mead her mood was much lighter, and, as a
consequence, much less repressed. Since she did not care greatly whether
he came or not, she reproached him bitterly for not coming; being
tolerably indifferent as to how he managed his life, she exhorted him
not to be silly; having no concern in the disposal of his affections,
she gave him the best possible advice as to where he should bestow them.
This conversation happened at Mrs. Pocklington's, where everybody was,
and it seemed to amuse Ashley Mead very much. But it was Friday night
and Sunday was near, so that everything seemed to amuse and please him.
She told him that Alice Muddock was somewhere in the rooms; he said that
he had already paid his respects to Alice. Irene's glance charged him
with the blindest folly. "How women are always trying to give one
another away!" he exclaimed. "Oh, if you won't see, you won't," she
answered huffishly and leant back in her chair. The baffled mentor
harboured a grievance! He looked at her for a moment, smiled, and passed
on.

Presently Minna Soames came and sat down by her. Minna was one of those
girls to whom it is impossible to deny prettiness and impossible to
ascribe beauty; she sang very well and lived very comfortably by her
concerts; she might, of course (or so she said), have made more on the
stage, but then there was the atmosphere. Irene did not like her much
and was inclined to think her silly. What matter? She began to exercise
a circumscribed power of sarcasm on Ora Pinsent; in spite of a secret
sense of shame, Irene became more and more gracious. Praise be to those
who abuse whom we would abuse but cannot with propriety!

"I was quite surprised to see her at Lady Muddock's," observed Miss
Soames with prim maliciousness.

Irene cast a glance at her companion; the remark was evidently innocent,
so far as she was concerned; the malice was purely for Ora, not for her.
Miss Soames was not aware how Ora had come to be at the Muddocks'! Irene
reached the depths of self-contempt when, after ten minutes, Minna
Soames went away still in ignorance of this simple fact. "I'm a mean
wretch," Irene Kilnorton thought; and so at the moment she was--as the
best of us at certain moments are.

These same moments, in which we see ourselves as we are most careful
that others shall not see us, are not so pleasant that we seek to
prolong them. Irene plunged into the moving throng with the idea of
finding somebody to talk to her and take her to supper. With some
surprise, some pleasure, and more excitement than she was willing to
admit, she chanced to meet Bowdon almost immediately. Her temper rose
to the encounter as though to a challenge. She suggested supper. She
began to find herself in high spirits. The idea was in her that she
would not surrender, would not give up the game, would not make Ora
irresistible by shirking a fight with her. When they had secured a
little table and sat down she began to talk her best; in this she was
helped by the consciousness of looking her best; she did not fear to pin
his eyes to her with keenest attention. But the expression of the
watching eyes puzzled and annoyed her; they were eager and yet doubtful,
appreciative but wistful. Was he trying to think her all he had been on
the point of thinking her, still to see in her all that he wanted? Was
he unhappy because he could not so think and so see? He almost gave her
that impression. She was very gay and felt herself now almost brilliant;
her contest was with that most gay and brilliant shape which came
between his eyes and what she offered for their allurement. People
passing by, in the usual ignorance and the usual confidence of
passers-by, summed up the situation in a moment; Bowdon was only waiting
for her leave to speak, she was absolutely confident of him. They envied
her and said that she should not parade her captive quite so openly. She
guessed what they thought; she was glad and was fired to new efforts.
She alone would know how incomplete was the victory; for all the world
she would be triumphant. Even Ora might think herself defeated! But why
was he changed, why was she less charming to him, why must she strive
and toil and force? In the midst of her raillery and gaiety she could
have put her hands before her face, and hidden tears.

He was almost persuaded, he was eager to be persuaded. At this moment
she seemed all he wanted; he told himself angrily and persistently that
she was all that any man could or ought to want, that she stood for the
best and most reasonable thing, for sure happiness and stable content.
If he left her, for what would he leave her? For utter folly and worse.
She would be a wife to be proud of; there would be no need to apologise
for her. Even had there been no Jack Fenning, he knew that a marriage
with Ora Pinsent would seem even to himself to need some apology, that
he would fear to see smiles mingled with the congratulations, and to
hear a sunken murmur of sneers and laughter among the polite applause.
He cursed himself for a fool because he did not on that very instant
claim her for his. Why, the other woman would not even let him make love
to her! He smiled bitterly as he recollected that it was not open to him
to make a fool of himself, even if he would. He wanted the bad and could
not have it, but because he wanted it vainly, now he was refusing the
good. No raw boy could have sailed further in folly. Coming to that
conclusion he declared he would take a firm hold on himself. Failing
that, his danger was imminent.

They went up together from the supper-room. Now she was set to win or
for ever to lose; she could not play such a game twice. "Don't leave
me," she said, boldly and directly. "Everybody here is so tiresome.
Let's go to the little room at the end, it's generally empty." He
appeared to obey her readily, even eagerly, indeed to be grateful for
her invitation; it shewed that he had not betrayed himself. The little
room was empty and they sat down together. Now he was inclined to
silence and seemed thoughtful. Irene, in inward tumult, was outwardly no
more than excited to an unusual brightness. After one swift searching
glance at him, she faced the guns and hazarded her assault against the
full force of the enemy. She began to speak of Ora, dragging her name
into the conversation and keeping it there, in spite of his evident
desire to avoid the topic. Of Ora her friend she said nothing untrue,
nothing scandalous, nothing malicious; she watched her tongue with a
jealous care; conscience was awake in her; she would have no backbiting
to charge herself with. But she did not see why she should not speak the
truth; so she told herself; both the general truths that everybody knew
and the special truths which intimacy with Ora Pinsent had revealed to
her. Ora spoke plainly, even recklessly, of others; why should she not
be spoken about plainly, not recklessly, in her turn? And, no, she said
nothing untrue, nothing that she would not have said to Ora's face, in
the very, or almost the very, same words.

"Yes, she's a strange creature," assented Bowdon.

"Now Ashley Mead's mad about her! But of course he's only one of a
dozen."

Here was dangerous ground; she might have stirred a jealousy which would
have undone all that was begun; with many men this result would have
been almost certain. But with Bowdon there was wisdom in her line of
attack; she roused pride in him, the haughtiness which was in his heart
though never in his bearing, the instinct of exclusiveness, the quiet
feeling of born superiority to the crowd, the innate dislike of being
one of a dozen, of scrambling for a prize instead of reaching out to
accept a proffered gift. Ashley Mead, the secretary of his Commission,
his _protégé_--and a dozen more! The memory of his confidence to Ashley
became very bitter; if Ashley were favoured, he would laugh over the
recollection of that talk! He felt eager to shew Ashley that it was all
no more than a whim, hardly more than a joke. Well, there was a ready
way to shew Ashley that--and, he told himself, to shew it to himself
too, to convince himself of it, at least to put it out of his own power
henceforth to question it by word or deed. The great and the little, the
conviction of his mind and the prick of his vanity, worked together in
him.

He was persuaded now that to go forward on this path would be wise,
would make for the worthiness and dignity of his life, save him from
unbecoming follies, and intrench him from dangers. If only he could
again come to feel the thing sweet as well as wise! There was much to
help him--his old impulses which now revived, her unusual brilliancy,
the way in which she seemed to draw to him, to delight in talking to
him, to make of him a friend more intimate than she had allowed him to
consider himself before. He had meant the thing so definitely a few
weeks ago; it seemed absurd not to mean it now, not to suppose it would
be as pleasant and satisfactory now as it had seemed then. He had been
in a delusion of feeling; here was sanity coming back again. He caught
at it with an eager, detaining hand.

Suddenly Irene felt that the battle was won; she knew it clearly in an
instant. There was a change in his manner, his tones, his eyes, his
smile. Now he was making love to her and no longer thinking whether he
should make love to her; and to her he could make love thus plainly with
one purpose only, and only to one end. She had what she had striven for,
in a very little while now it would be offered to her explicitly. For an
instant she shrank back from plucking the fruit, now that she had bent
the bough down within her reach. There was a revulsion to shame because
she had tried, had fought, had set her teeth and struggled till she
won. What she had said of Ora Pinsent rose up against her, declaring
that its truth was no honest truth since it was not spoken honestly.
Babba Flint and his horrible phrase wormed their way back into her mind.
But she rose above these falterings; she would not go back now that she
had won--had won that triumph which all the world would suppose to be so
complete, and had avoided that defeat the thought of whose bitterness
had armed her for battle and sustained her in the conflict. In view of
Bowdon's former readiness it would be grossly unfair, surely, to speak
of hers as the common case of a woman leading a man on; his implied
offer had never been withdrawn; she chose now to accept it; that was the
whole truth about the matter.

He asked her to be his wife with the fire and spirit of a passion
seemingly sincere; she turned to him in a temporary fit of joy, which
made her forget the road by which she had travelled to her end. Her
low-voiced confession of love made him very glad that he had spoken,
very glad for her sake as well as for his own; it was a great thing to
make her so happy. If he had refrained, and then found out the
anticipations he had raised in her and how he had taught her to build on
him, he must have acknowledged a grave infraction of his code. She was,
after the first outburst of fearful delight, very gentle and seemed to
plead with him; he answered the pleading, half unconsciously, by telling
her that he had been so long in finding words because she had encouraged
him so little and kept him in such uncertainty. When she heard this she
turned her face up to his again with a curiously timid deprecatory
affection.

He was for announcing the engagement then and there, as publicly as
possible. His avowed motive was his pride; a desire to commit himself
beyond recall, to establish the fact and make it impregnable, was the
secret spring. Irene would not face the whole assembly, but agreed that
the news should be whispered to chosen friends.

"It'll come to the same thing in a very little while," he said with a
relieved laugh.

Before the evening ended, the tidings thus disseminated reached Ashley
Mead, and he hastened to Irene. Bowdon had left her for the moment, and
he detached her easily from the grasp of a casual bore. His
felicitations lacked nothing in heartiness.

"But it's no surprise," he laughed. "I was only wondering how long you'd
put it off. I mean 'you' in the singular number."

That was pleasant to hear, just what she wanted to hear, just what she
wished all the world to say. But she burned to ask him whether he had
continued in the same state of anticipation during the last week or two.
Suddenly he smiled in a meditative way.

"What's amusing you?" she demanded rather sharply.

"Nothing," he answered. He had been thinking of Bowdon's midnight
confidence. He reflected how very different men were. Some day, no
doubt, he himself would make a proper and reasonable choice; but he
could not have gone so straight from the idea (however foolish the idea)
of Ora Pinsent to the fact of Irene Kilnorton. It was to lay aside a
rapturous lyric and take up a pleasantly written tale. He found several
other such similes for it, the shadow of Sunday being over his mind. He
was in great spirits and began to talk merrily and volubly, making fun
of his companion, of love, of engaged folk, and so on. She listened very
contentedly for awhile, but then began to wonder why Bowdon did not
come back to her; she would have risked absurdity to be sure that he
could not keep away. She knew men hated that risk above all; but surely
he could come back now and talk to her again? She looked round and saw
him standing alone; then he wanted to come. With her eyes she gave him a
glad invitation; but as he approached there was a sort of embarrassment
in his manner, a shamefacedness; he was too much a man of the world to
wear that look simply because he had become a declared lover. And
although Ashley was both cordial and sufficiently respectful there was a
distant twinkle in his eye, as if he were enjoying some joke. Her
apprehensions and her knowledge of the nature of her triumph made her
almost unnaturally acute to detect the slightest shade of manner in
either of the men. Men knew things about one another which were kept
from women; had Ashley a knowledge which she lacked? Did it make her
triumph seem to him not incomplete perhaps, but very strange? The glow
of victory even so soon began to give place to discomfort and
restlessness.

Ashley looked at his watch.

"I shall go," he announced. "I've been betrayed." He spoke with a
burlesque despair. "A certain lady--you can't monopolise the tender
affections, Lady Kilnorton--told me she would be here--late. It's late,
in fact very late, and she's not here."

"Who was she?" asked Irene.

"Can you doubt? But I suppose she felt lazy after the theatre."

"Oh, Ora?"

"Of course," said Ashley.

"How silly you are! Isn't he?" She turned to Bowdon.

"He's very young," said Bowdon, with a smile. "When he comes to my
age--"

"You can't say much to-night anyhow, can you?" laughed Ashley.

"Ora never comes when she says she will."

"Oh, yes, she does sometimes," Ashley insisted, thinking of his Sunday.

"You have to go and drag her!"

"That's just what I should do."

No doubt Bowdon took as small a part in the conversation as he decently
could. Still it seemed possible to talk about Ora; that to Irene's
present mood was something gained. Nobody turned round on her and said,
"He'd rather have had Ora, really," a fantastic occurrence which had
become conceivable to her.

"Your Muddocks have gone, haven't they?" she asked Ashley.

"Yes, my Muddocks have gone," said Ashley, laughing. "But why 'my'
Muddocks? Am I responsible for them?"

"They ought to be your Muddocks. I try to get him to be sensible." The
last sentence she addressed to Bowdon with a smile. "But men won't be."

"None of them?" asked Bowdon, returning her smile.

"Oh, don't say you're being sensible," she cried, half-laughing,
half-petulantly. "I don't want you to be; but I think Mr. Mead might."

"Marriage as a precautionary method doesn't recommend itself to me,"
said Ashley lightly, as he held out his hand in farewell. They both
laughed and watched him as he went.

"Silly young man!" she said. "You'll take me to my carriage, won't
you?"

Ashley might be silly; they were wise. But Wisdom often goes home
troubled, Folly with a light heart. The hand of the future is needed to
vindicate the one and to confound the other. No doubt it does. The
future, however, is a vague and indefinite period of time.



CHAPTER V

A DAY IN THE COUNTRY


When Ashley Mead called for her at eleven o'clock on Sunday morning Miss
Pinsent was not dressed. When she made her appearance at a quarter to
twelve she was rather peevish; her repertory embraced some moods quite
unamiable in a light way. She did not want to go, she said, and she
would not go; she wondered how she had come to say she would go; was he
sure she had said so?

"Oh, you must go now," said Ashley cheerfully and decisively.

"Why must I, if I don't want to?"

"Honour, justice, kindness, pity; take your choice of motives.
Besides--" he paused, smiling at her.

"Well, what besides?"

"You mean to go." The stroke was bold, bold as that of Lady Kilnorton's
about Ashley being one of a dozen.

"Are you a thought-reader, Mr. Mead?"

"A gown-reader on this occasion. If that frock means anything it means
the country."

Ora smiled reluctantly, with a glance down the front of her gown.

"It's quite true I didn't mean to go," she said. "Besides I didn't think
you'd come."

"A very doubtful truth, and a quite unnecessary fiction," said he. "Come
along."

She came, obedient but still not gay; he did not force the talk. They
went to Waterloo and took tickets for a quiet village. He gave her all
the Sunday papers and for a time she read them, while he leant back,
steadily and curiously regarding the white smooth brow which shewed
itself over the top of the sheet. He was wondering how she kept the
traces of her various emotions (she was credited with so many) off her
face. For lines she might have been a child; for eyes too, it seemed to
him sometimes, while at other moments all possibilities of feeling, if
not of knowledge, spoke in her glance. After this, it seemed a poor
conclusion to repeat that she was interesting.

Presently she threw away her paper and looked out of the window with a
grave, almost bored, expression. Still Ashley bided his time; he took up
the discarded journal and read; its pleasant, discursive, unimportant
talk was content with half his mind.

"I suppose," she said absently, "that Irene and Lord Bowdon are spending
the day together somewhere."

"I suppose so; they ought to be, anyhow."

A long pause followed, Ashley still reading his column of gossip with an
appearance of sufficient attention. Ora glanced at him, her brows raised
a little in protest. At last she seemed to understand the position.

"I'm ready to be agreeable as soon as you are," she announced.

"Why, then, it's most delightful of you to come," was his answer, as he
leant forward to her; the paper fell on the floor and he pushed it away
with his foot. "Will they enjoy themselves, that couple?"

"She wrote to me about it yesterday, quite a long letter."

"Giving reasons?"

"Yes; reasons of a sort, you know."

"I thought so," he nodded. "Somehow both of them seemed anxious to have
reasons, good sound reasons."

"Oh, well, but she's in love with him," said Ora. "I suppose that's a
reason."

"And he with her?"

"Of course."

It had been Ora's firm intention not to refer in the most distant manner
to what had passed between Bowdon and herself. But our lips and eyes are
traitors to our careful tongues; and there are people who draw out a
joke from any hiding-place.

"He's done a very wise thing," said Ashley, looking straight into her
eyes. She blushed and laughed. "I admire wise things," he added,
laughing in his turn.

"But don't do them?"

"Oh, sometimes. To-day for example! What can be wiser than to refresh
myself with a day in the country, to spend a few hours in fresh air
and--and pleasant surroundings?"

She looked at him for a moment, then settled herself more luxuriously on
the seat as she murmured, "I like being wise too."

The one porter at the little station eyed Ora with grave appreciation;
the landlady of the little inn where they procured a plain lunch seemed
divided between distrust of the lady and admiration of her garments.
Ashley ordered an early dinner and then invited his friend to come out
of doors.

He had brought her to no show view, no famous prospect. There was only a
low slow stream dawdling along through the meadows, a belt of trees a
quarter of a mile away behind them, in front a stretch of flat land
beyond the river, and on the water's edge, here and there, a few
willows. She found a convenient slope in the bank and sat down, he lying
beside her, smoking a cigar. The sun shone, but the breeze was fresh.
Ora had been merry at lunch but now she became silent again. When Ashley
Mead threw the stump of his cigar into the stream, she seemed to rouse
herself from a reverie and watched it bob lazily away.

"Sleepy after lunch?" he asked.

"No, I'm not sleepy," she answered. "I was letting things pass through
my head." She turned to him rather abruptly. "Why did you bring me here
to-day?" she asked, with a touch of protest in her voice.

"Purely a desire for pleasure; I wanted to enjoy myself."

"Are you like that too? Because I am." She seemed to search his face.
"But there's something else in you."

"Yes, at other times," he admitted. "But just then there wasn't, so I
brought you. And just now there isn't."

She laughed, rather nervously as it seemed to him.

"And what do the other things, when they're there, say to it?" she
asked.

"Oh, they're sure of their innings in the end!" His tone was careless,
but his eyes did not leave her face. He had meant not to make love to
her; he would not have admitted that he was making love to her. But to
have her face there and not look at it had become impossible; it chained
him with its power of exciting that curiosity mingled with attraction
which is roughly dubbed fascination. He felt that he must not only see
more of her but know more of her; there was a demand of the brain as
well as a craving of the emotions. She seemed moved to tell him nothing;
she made no disclosures of her past life, where she had been born or
bred, how she had fared, how come where she was, how become Mrs. Jack
Fenning, or how now again turned to Ora Pinsent. She left him to find
out anything he wanted to know. Her assumption that there was nothing to
tell, or no reason to tell anything, spurred him to further study of
her. That he studied at his peril he knew well and had known from the
first; it was but another prick of the spur to him.

She had been gazing across the stream, at the meadows and the cattle.
Now her eyes returned to him and, meeting his glance, she laughed again
in that half-amused, half-embarrassed way.

"Shall I make up a life for you?" he asked. "Listen now. You weren't
pretty as a young girl; you were considered very naughty, rather
good-for-nothing; I think they were a bit down on you, tried to drill
you into being like other people, to--what's the word?--eradicate your
faults, to give you the virtues. All that made you rather unhappy; you'd
a good deal rather have been petted. But you weren't drilled, your
faults weren't eradicated, you never got the virtues."

She was listening with a smile and amused eyes.

"The training broke down because you began to grow beautiful and
coaxing; they couldn't drill you any more; it wasn't in their hearts.
They began to see that they'd got something uncommon; or perhaps they
just despaired. They said it was Ora's way.--"

"Lizzie's way," she corrected with a merry nod.

"Oh, no. Hang Lizzie! They said it was Ora's way, and that it was no use
bullying the girl. Your father said it first and had some trouble in
convincing your mother. But he did at last. Then you grew up, and
everybody made love to you. And I expect somebody died and home wasn't
so comfortable. So some time or other you took a flight away, and the
stage became a reality. I suppose it had been a dream. And at some time
or other you took a certain step. Then I don't know anything more except
what's written in the Chronicles of Queen Ora Pinsent." He ended the
story, which had been punctuated by pauses in which he gathered fresh
information from her face.

"You've done well to find out so much. It wasn't very unlike that. Now
tell me the future. What's going to happen to me?"

"You're going to be young and beautiful for ever and ever."

She laughed joyfully.

"Oh, yes!" she cried. "Let me see. I shall be young--young enough--for
ten years more, and with the proper appliances beautiful for twenty."

His laugh was reluctant; the mention of the proper appliances jarred on
him a little. She saw it in an instant and answered with a defiance: "I
rouge now when I want it."

"Are you rouged to-day?"

"You can look and see."

"I can look, but perhaps I can't see."

She rubbed her cheek hard with her hand and then showed him the palm.

"I hope that's proof," he said, "but these contrivances are so cunning
now-a-days."

"Men think them even more cunning than they are," laughed Ora. "And what
have you done?" she went on. "What's your life been?"

"The deplorably usual--preparatory school, public school, Oxford, Bar.
I'm a full-blown specimen of the ordinary Englishman of the professional
classes."

"And what are you going to do?"

"Oh, I'm sure I don't know. As little work as I must and as little harm
as I can, I suppose."

She laughed as she said: "At any rate you aren't doing much work to-day,
are you? And no harm at all! But you've left out what you put in for
me--a certain step."

"Well, you've taken it, and I haven't."

"You will. Oh, Irene Kilnorton has told me all about it. It seems you
can't help it, Mr. Mead. I liked her; I asked her to come and see me,
but she's never been."

He made a little grimace, wrinkling brow and nose. Ora laughed again.
"You won't be able to help it," she declared, nodding her head. "And
then no more Sundays out with actresses!"

"Even as matters stand, it's not a habit of mine," he protested.

She smoked a cigarette of his, investing the act of luxury with a grace
which made it meritorious; as she blew out the last of the smoke, she
sighed, saying,

"I wish to-day would last for ever."

"Do you?" he asked in a low voice. The tone startled her to a sudden
quick glance at his face. Her words had given expression to his longing
that this simple perfection of existence should never pass.

"Just the meadows, and the river, and the sunshine."

"You leave me out?"

"No," she said, "you may be somewhere in it, if you like. Because if
nothing was going to change, I shouldn't change either; and I like you
being here now, so I should like you being here always."

"Do you always expect to change to people?"

"It's not altogether me. They change to me, I think."

"If I don't change to you, will you promise not to change to me?" He
laughed as he spoke, but he looked at her intently. She turned away,
saying,

"I should be rather afraid never to change to a person. It would make
him mean so terribly much to one, wouldn't it?"

"But you married?" he whispered, whether in seriousness or in mockery he
himself could hardly tell.

"Yes," she said. She seemed to agree that there was a puzzle, but to be
unable to give any explanation of it. The fact was there, not to be
mended by theorising about it.

In long intimate talk the hours were wearing away. His impulse was
delicately to press her to reveal herself, to shew her mind, her way of
thought, her disposition towards him. But side by side with his interest
came the growing charm of her; he hardly knew whether to talk to her or
to be silent with her, to elicit and trace the changes animation made,
or to admire the dainty beauty of her features in repose. Movement and
rest alike became her so well that to drive out either for the other
seemed a gain burdened with an equal loss; her quick transitions from
expression to expression were ruthless as well as bountiful. She
appeared very happy, forgetful now of the puzzle that he had called to
her mind, of the distrust that had afflicted her, entirely given over to
the pleasure of living and of being there. Then she liked him; he was no
jar, no unwelcome element. But there was still a distance between them,
marked by her occasional nervousness, her ignoring of a remark that
pressed her too closely, her skirting round topics which threatened to
prove too serious. She seemed to ask him not to compel her to any
issue, not to make her face any questions or attempt any determination,
to let her go on being happy as long as might be possible without
driving her to ask why she was happy or how long she would be. Happy she
was; as they rose reluctantly to go back to the inn she turned to him,
saying:

"I shall never forget the day you've given me."

But, arrived at the inn, she forgot her love of the meadows. Now she was
glad to be in the snug parlour, glad dinner was near, glad to sit in a
chair again. She went upstairs under the escort of the questioning
admiring landlady, and came down fresh and radiant. In passing she gave
him her hand, still cool and moist from water. "Isn't that nice?" she
asked, and laughed merrily when he answered, "Oh, well, nice enough."
The window opened on a little garden; she flung it wide. "There's nobody
to spy on how much we eat," she said, "and the evening smells sweet. Oh,
do let's begin!" And she clapped her hands when the meal came. Ashley
found a sort of pity mingling with his other feelings for her,
compassion for the simplicity and readiness of emotion which expose
their possessor to so many chances of sorrow as well as to a certainty
of recurrent joys. But he fell in with her mood and they joined in a
childish pretence that they were at a great banquet, dignifying the
simple chicken with titles they recollected from _menu_ or constructed
from imagination, while the claret, which could make no great claims on
intrinsic merit, became a succession of costly vintages, and the
fictitious bill, by which she declared she would measure his devotion to
her, grew by leaps and bounds. It was strange to realise that in
twenty-four hours she would be back in her theatre, a great, at least a
notorious, personage, talked of, stared at, canvassed, blamed, admired,
the life she herself made so simple a thing given over to a thousand
others for their pleasure and curiosity. A touch of jealousy made itself
felt in his reflexions.

"I'm beginning rather to hate your audiences," he said.

A shrug and a smile sent the audiences to a limbo of inexpressible
unimportance.

"You'll think differently about that to-morrow," he warned her.

"Be content with what I feel to-night; I am."

They had finished dinner; both again had smoked cigarettes.

"How long before the train?" she asked.

"An hour and a half," he answered with a hint of triumph in his voice;
the end was not yet; even after the time for the train there was the
journey.

Evening fell slowly, as it seemed with a sympathetic unwillingness to
end their day. She moved to an arm-chair by the side of the window and
he sat near her. Talk died away unmissed and silence came unnoticed. She
looked a little tired and leant back in her seat; her face shewed pale
in the frame of dark hair that clustered round it; her eyes were larger
and more eloquent. The fate that he had braved, or in truth invited, was
come; he loved her, he so loved her that he must needs touch her. Yet
there was that about her which made his touch timid and light; a
delicacy, an innocence which he was inclined to call paradoxical, the
appeal of helplessness, a sort of unsubstantiality that made her seem
the love for a man's soul only. One of her hands lay on the arm of her
chair; he laid his lightly on it and when she turned smiled at her. She
smiled back at him with deprecation but with perfect understanding. She
knew why he did that; she did not resent it. She turned her hand over
and very lightly grasped his fingers in a friendly tender pressure; she
gazed again into the little garden while their hands were thus distantly
clasped. She seemed to yield what she must and to beg him to ask no
more. He longed to be able to do her will as it was and not to seek to
change it, to offer her no violence of entreaty and to bring her into no
distress. But the sweetness of love's gradual venturing allured him; it
might be still that she only tolerated, that she gave a return for her
day's happiness, and allowed this much lest she should wound a man she
liked. With that he was not content, he was hotly and keenly discontent.
She had become everything to him; he must be everything to her; if it
must be, everything in sorrow and renunciation, but everything; if not
for always, at least for now, for the end of this golden day,
everything. He could not go home without the memory of her lips. He
leant forward towards her; she turned to him. For a moment she smiled,
then grew grave again; she let him draw her nearer to him, and with
averted face and averted eyes suffered his kiss on her cheek. In the
very midst of his emotion he smiled; she preserved so wonderfully the
air of not being responsible for the thing, of neither accepting nor
rejecting, of being quite passive, of just having it happen to her. He
kissed her again; after much entreaty, once she kissed him lightly,
shyly, under protest as it were, yet with a sincerity and gladness which
called out a new tenderness in him; they seemed to say that she had
wanted to do it very much long before she did it, and would want to do
it again, and yet would not do it again. The kiss, which from many women
would have levelled all barriers, seemed to raise new ones round her.
He was ashamed of himself when his love drove him to besiege her more.
Even now she was not resentful, she did not upbraid or repel him; she
broke into that little nervous laugh of hers, as she lay back passive in
the chair, and murmured so low that he hardly caught the words, "Don't.
Don't make love to me any more now."

Her prohibition or request had availed with Bowdon's hesitating
conscience-ridden impulse; perhaps there was small cause to wonder at
that. It availed now no less with Ashley Mead's impetuous passion. Her
low whisper protected her absolutely; the confession it hinted disarmed
him; he caught both her hands and held them in a long clasp, looking the
while into her appealing eyes. But he entreated her no more and he
kissed her no more. A moment later he rose, went and sat on the
window-sill, and lit a cigarette; the glow seemed a tiny beacon of fire
to shew the harbour, that danger was past, that her orders were
understood and accepted. She lay very quiet, looking at him with steady,
grateful, loving eyes, acknowledging a kindness that she had not doubted
and yet found fine in him. His transgression--perhaps she hardly counted
it one--was forgiven because he stayed his steps at her bidding. He knew
that she trusted him; and in spite of her prohibition he believed that
she loved him.

Now one of the riddles about her seemed to find an explanation. He
understood how she had passed through the dangers and the ordeal, and
had come out still with her freshness and her innocence; how her taste
had saved her from those who would have been deaf to the appeal that had
arrested him, how powerful and sufficing a shield that appeal was to any
man whom her taste would allow to come close to her in comradeship. You
could not be false to a confidence like that; if you were a man who
could, you would never have the chance. Thus Ashley summed up a case
which a little while ago had seemed to him very strange. It seemed
strange and unusual still, with a peculiar charm of its own. It was
weakness breeding strength, surrender made security. It put a man on his
honour; it took away the resistance which might make honour forget
itself in the passion of victory. It was like being made guardian of
another's treasure; you were careful of it, however heedless you were of
your own.

As they journeyed home, she was mirthful and joyous. This day was done,
but she did not despair of the world; there should be other days, and
the work of this day should endure. She made plans by which they were to
meet, to be much together, to unite their lives by many ties. She let
him see how much he had entered into her schemes; she told him plainly
again and again that he had become to her quite different from all other
men. She revealed to him her little habits, her tempers, her ways, her
manoeuvres, her tricks; she had plenty of all of them. She shewed an
open delight in the love which she had won from him and made no pretence
of concealing anything of what he was to her. Of Jack Fenning she said
not a word; of caution in the externals of her own behaviour, of what
people might think or say, of any possible difficulties in their
relation to one another, not a word. She was happy and she was grateful.
He took her to the door of her own house; she was not hurt but seemed a
little surprised that he would not go in. He did not offer to kiss her
again, but could not avoid thinking that she would have been neither
angry nor grieved if he had. His last memory was of her looking round
her door, smiling delightedly and nodding to him, her eyes full of a
thousand confidences. "Come soon," she called at last before she hid
herself from his sight.

When he reached his own rooms, he found awaiting him a note from Sir
James Muddock, begging him to come to the office at Buckingham Palace
Road at eleven the next morning. "I have had an interview with my
doctor," the old man wrote, "which makes it necessary for me to consider
very seriously certain immediate steps. I hope that I shall be able to
rely on your assistance." The note was sent by hand and marked
"Immediate." Its meaning was plain enough. The long-expected verdict had
come; Sir James must be relieved; another head was wanted in the firm of
Muddock and Mead. With his brain still full of Ora Pinsent the matter of
the message seemed remote to Ashley, but he forced himself to descend to
it. He was to have the offer of a partnership, the offer of great
wealth, the opportunity of a career limited only by his own talents and
no longer clogged by poverty. Would the offer be free, or hampered by a
tacit unacknowledged understanding? He knew well enough Sir James' mind
about his future. How strange that future looked in the after-glow of
this day! Yet what future had this day? Here was a question that he
could not bring himself to discuss patiently. Future or no future, this
day had altered his life, seemed at this moment to have altered it so
completely that on it and on what had happened in it would turn his
answer to the offer of great wealth and the prospect of a career. Even
in his own thoughts he observed that reticence about Alice Muddock which
would have governed his tongue in speaking of her to another; but,
affect as he would, or thought himself obliged to, he knew that she
formed a factor in the situation, that she was in her father's mind when
he wrote, no less than that other object of the old man's love, the
great firm in Buckingham Palace Road.

"It's strange," he thought, "that the thing, after dragging on so long,
should come to a head now, to-night, just when--." He broke off his
reflexions and, going to the window, looked out on the lights of the
bridge and listened to the lessening noise of the town. He was dimly
conscious that in this day of long idleness, by the slow low river and
in the little inn, he had done more to draw the lines and map the course
of his life than in any hour of labour, however successful and however
strenuous. Fate had surprised him with a point-blank question, the
Stand-and-deliver of a direct choice. Saying he would think it all over,
he sat late that night. But thoughts will not always be compelled and
disciplined; his vigil was but a pictured repetition of the day that he
had lived. The day had been Ora's day. Hers also was the night.



CHAPTER VI

AWAY WITH THE RIBBONS!


Few things make the natural man, a being who still occupies a large
apartment in the soul of each of us, more impatient than to find people
refusing to conform to his idea of the way in which they ought to seek
and find happiness. So far as sane and sensible folk are
concerned--there is no need to bring the Asylums into the argument--his
way is the way; deviations from it, whether perversely deliberate or
instinctive and unreasoned, are so many wanderings from the only right
track. He likes money--then only fools omit to strive for it. Stability
of mind is his ideal--what more wretched than to be tossed from mood to
mood? A regular life is the sole means of preserving health in stomach
and brain--it is melancholy to see persons preferring haphazard and
ill-regulated existences. Nay, it makes this natural man rather vexed if
we do not like his furniture, his favourite vegetable, his dentist, and
so forth; his murmured "_De gustibus_" has a touch of scorn in it. He
conceives a grudge against us for upsetting established standards of
excellence in matters of life, conduct, upholstery, and the table. Our
likings for people in whom he sees nothing puzzle and annoy him equally;
the shrug with which he says, of a newly married couple for instance,
"They seem very happy," adds quite clearly, "But on no reasonable
grounds have they a right to be, and in my heart I can't quite believe
they are."

Sir James Muddock--once again the occasion of generalisations--had never
been able to understand why Ashley Mead did not jump at the chance of
Alice Muddock's hand and a share in Buckingham Palace Road. The lad was
poor, his prospects were uncertain, at the best they could not yield
wealth as Sir James had learnt to count it; the prejudice against trade
is only against trade on a small scale; any ambitions, social or
political, would be promoted, not thwarted, by his entry into the firm.
As for Alice, she was the best girl in the world, clever, kind,
trustworthy; she was very fond of him; he was fond of her and
appreciated her company. Ashley was turned thirty; he was not asked to
surrender the liberty of early youth. He had had his fling, and to
sensible men this fling was a temporary episode, to be enjoyed and done
with. It was time for him to get into harness; the harness offered was
very handsome, the manger well filled, the treatment all that could be
desired. When Sir James summed up the case thus, he had no suspicion of
what had passed during one Sunday in the country; it is fair to add that
it would have made no difference in his ideas, if he had known of it.
The day in the country with Ora Pinsent would have been ticketed as part
of the fling and thus relegated to after-dinner memories. Sir James did
not understand people to whom the fling was more than an episode, to
whom all life went on being a series of flings of ever-changing dice,
till at last and only in old age the box fell from paralysed fingers.
Therefore he did not understand all that was in the nature of Ashley
Mead; he would have understood nothing at all of what was in Ora
Pinsent's.

Ashley's decision had taken itself, as it seemed, without any help or
effort on his part. Here was the warrant of its inevitability. He
thought, when he first read the old man's summons, that he was in for a
great struggle and faced with a hard problem, with an anxious weighing
of facts and a curious forecast of possibilities, that he must sit down
to the scrutiny in idleness and solemnity. But somehow, as he slept or
dressed or breakfasted, between glances at his paper and whiffs of his
pipe, he decided to refuse many thousands a year and to ignore the
implied offer of Alice Muddock's hand. In themselves thousands were
good, there was nothing to be said against them; and of Alice he had
been so fond and to her so accustomed that for several years back he had
considered her as his most likely wife. She and the thousands were now
dismissed from his life--both good things, but not good for him. He
sighed once with a passing wish that he could be different; but being
what he was he felt himself hopelessly at war with Sir James' scheme as
a whole, and with every part of it. Contrast it with the moods, the
thoughts, the atmosphere of life which had filled his yesterday! And
yesterday's was his native air; thus it seemed to him, and he was so
infected with this air that he did not ask whether but for yesterday his
decision would have been as easy and unfaltering.

The old man was hurt, grieved, and, in spite of previous less direct
rebuffs, bitterly disappointed; he had not thought that his offer would
be refused when expressly made; he had not looked to see his hints about
his daughter more openly ignored the more open they themselves became.
His anger expressed itself in an ultimatum; he flung himself back in his
elbow chair, saying,

"Well, my lad, for the last time, take it or leave it. If you take it,
we'll soon put you through your facings, and then you'll be the best
head in the business. But if you won't have it, I must take in somebody
else."

"I know, Sir James. Don't think I expect you to go on giving me
chances."

"If it's not you, it's got to be Bertie Jewett." Bertie Jewett was
Herbert, son of Peter Jewett who had served through all the changes and
lately died as Manager in Buckingham Palace Road. "He won't refuse,
anyhow." The tone added, "He's not such a fool."

"No, he's not such an ass as I am," said Ashley, answering the tone and
smiling at poor Sir James with an appealing friendliness.

"That's your word, not mine; but I'm not going to quarrel with it," said
Sir James without a sign of softening. "What you're after I can't see.
What do you want?"

Ashley found himself unable to tell the Head of the Firm what he wanted.

"I can get along," he said lamely. "I make a bit writing for the papers,
and there's a brief once in a blue moon; and of course I've got a
little; and this secretaryship helps for the time."

This beggarly catalogue of inadequate means increased Sir James' scorn
and bewilderment.

"Are you above it?" he asked with sudden heat.

"Good God, sir, don't think me a snob as well as an ass," prayed Ashley.

"Then I don't know what you do want."

Matters seemed to have reached a standstill. But Sir James had a last
shot in his locker.

"Go up and lunch in Kensington Palace Gardens," he said. "Talk it over
with the ladies, talk it over with Alice."

Ashley wanted to refuse; on this day he had no desire to see Alice. But
refusal seemed impossible.

"All right, Sir James, I will," he said.

"Take a week, take a week more. If you say no then, it's Bertie
Jewett--and your chance is gone for ever. For Heaven's sake don't make a
fool of yourself." Affection mingling with wrath in the entreaty made it
harder to resist.

Ashley walked off with the last words ringing in his ears; they recalled
Lord Bowdon and the Athenæum corner. After reflexion and against
inclination Bowdon had determined not to make a fool of himself, and had
intrenched his resolution with apparent security against the possibility
of a relapse into a less sensible course. Here was Ashley's example; but
he shied at it.

"And how the devil am I to talk to Alice about it?" he exclaimed
petulantly, as he struck across the front of Buckingham Palace and
headed up Constitution Hill. There had been a general impression that he
would marry Alice Muddock, and a general impression about us assumes to
ourselves a vaguely obligatory force. We may not justify it, but we feel
the need for some apology if we refuse. Besides Ashley had, up to a
certain point, shared the impression, although in a faint far-off way,
regarding the suggested alliance not as the aim of his life but as a
possible and not unacceptable bourn of his youth. His entrance into the
firm was a topic so closely connected that he felt much awkwardness in
discussing it with Alice Muddock. Of her feelings he thought less than
of his own; he was not by nature a selfish man, but he had now fallen
into the selfishness of a great pre-occupation. The smallest joy or the
lightest sorrow for Ora Pinsent would have filled his mind. It is
difficult to feel in anything like this way towards more than one person
at a time. His sympathy for Alice Muddock was blunted and he excused its
want of acuteness by an affected modesty which questioned her concern in
him.

It chanced that Lady Kilnorton was at lunch. She seemed in high spirits
and talked vigorously. Her theme was the artistic temperament; she
blamed its slavishness to the moment. Lady Muddock showed an anxiety to
be furnished with details for purposes of increased disapproval; Alice
was judicial. One man among three women, Ashley would have been content
to listen, but, when appealed to, he defended the aspersed disposition.
He felt the conversation approaching Ora Pinsent, step by step; she was
in all their minds; the only case in point known to Lady Muddock, the
instance most interesting to Alice, an unwelcome persistent presence to
Irene, to him a subject to be neither encouraged nor avoided without
risk of self-betrayal. It was curious how she had come into the circle
of their lives, and having entered seemed to dominate it. But presently
he grew sure of his face and, for the rest, preferred that they should
abuse her rather than not speak of her; he grudged every abstraction of
his thoughts which banished her image.

The discussion brought its trials. Irene's well-restrained jealousy and
Lady Muddock's inquisitive disapproval were merely amusing; it was
Alice's judicial attitude which stirred him to resentment. To assess and
assay with this cold-blooded scientific accuracy seemed inhuman, almost
from its excess of science unscientific, since it was a method so
unsuited to the subject.

"Now take Ora," said Irene, at last grasping the nettle. "There's
nothing she wouldn't do for you at one moment, the next she wouldn't do
anything at all for you."

"For her acquaintances, you mean?" Alice asked.

"Oh, no, my dear. For anybody, for her best friend. You can't call her
either good or bad. She's just fluke, pure fluke."

"Well, I know it's the thing to pretend not to like flukes--" Ashley
began. The thin jocularity served for a shield.

"Oh, what's the use of asking a man? He just sees her face, that's all.
Nobody's denying her looks." Lady Kilnorton seemed petulant.

"Of course a life like hers," observed Lady Muddock, "is very
demoralising."

"My dear Lady Muddock, why?" asked Ashley, growing exasperated.

"Well, I only know what Minna Soames says, and--"

"Mother dear, Minna Soames is a goose," Alice remarked. Ashley was
grateful, but still with reservations as to the judicial tone.

Irene Kilnorton, engaged in her secret task of justifying herself and
taking a rosy view of Bowdon's feelings, talked more for her own ends
than for those of the company.

"That sort of people suit one another very well," she went on. "They
know what to expect of each other. Harm comes only when people of a
different sort get entangled with them."

"You're vague," said Ashley. "What different sort?" He had partly
fathomed her mood now, and his eyes were mischievous as he looked at
her.

"Sensible people, Mr. Mead." There was a touch of asperity in the brief
retort, which made a thrust from him seem excusable.

"Suppose Lord Bowdon had never seen you," he said with plausible
gravity, "and, being in that state of darkness, had fallen in love with
Miss Pinsent; would it have been so very surprising?"

"Very," said Irene Kilnorton.

"And dreadful?"

"Well, bad for him. He'd never have got on with her and--"

"There's Mr. Fenning," interposed Alice with a quiet laugh. A moment's
pause ensued. Ashley had been startled at the introduction of the name,
but he recovered himself directly.

"Oh, well," he said, "of course there's Mr. Fenning. I'd forgotten him.
But he's quite accidental. Leave him out. He's not part of the case."

"But there's so often a Mr. Fenning," Alice persisted. "Can he be
considered quite accidental?"

Ashley had made much the same remark in different words to Irene
Kilnorton a few weeks before; but remarks do not bear transplanting.

"Isn't that rather a traditional view?" he asked.

"You mean a prejudiced one?"

"Well, yes."

"I suppose so. But prejudices start somehow, don't they?" Her smile was
very gentle, but still, to his mind, horribly aloof and judicial. Could
she not understand how a woman might be carried away, and blunder into a
Mr. Fenning, _per incuriam_ and all in a minute (so to speak)? In such a
case was it to be expected that the Mr. Fenning in question should be
all in all to her? In some ways perhaps she must acknowledge his
existence; but at any rate she needn't Darby-and-Joan it with him!

"Poor dear Ora!" said Irene Kilnorton after a pause. Yet she was not
naturally malicious any more than Ashley Mead was naturally selfish. If
we are responsible for the moods we raise in others Miss Pinsent's
account was mounting up. Ashley allowed himself the retort of a laugh
as Lady Muddock rose from the table.

"I came to talk to you," he said to Alice, as she passed him.

"Then drink your coffee quick, and come into the garden," she answered
with her usual frank kindness. When she looked at him her aspect and air
became less judicial.

In the garden he opened the subject of Sir James' proposal; his eyes
were set straight in front of him, hers on the ground. Her answer would
have dismayed Sir James, and it surprised Ashley. She was energetically,
almost passionately, opposed to his entering the business.

"It's not your line, or your taste, or your proper work," she said.
"What's the good of being rich if you're doing what you hate all the
time?"

"I felt just like that," he said gratefully, "but I was afraid that I
felt like it because I was a fool."

"You can make your own way. Don't sell yourself to the business."

He glanced at her stealthily; her colour had risen and her lip trembled.
Did she think of anything besides the business when she bade him not
sell himself? A moment later she laughed uneasily, as, with a reference
to the conversation at lunch, she said,

"You've too much of the artistic temperament for Buckingham Palace
Road."

"I? I the artistic temperament?" He accepted the trite phrase as a
useful enough symbol of what they both meant.

"Yes," she answered steadily. "A good deal of it."

"Then I come under Irene Kilnorton's censures?"

"Under a good many of them, yes."

Something in her manner again annoyed and piqued him. She was judging
again, and judging him. But she was interesting him also. She spoke of
him; she knew him well: and just now he was in some doubt about himself.

"I don't know what you mean," he said, seeking to draw her out.

"Oh, things carry you away; and you like it. You don't want to get to a
comfortable place and stay there. I'm not saying anything you mind?"

"No. I don't think so, at least."

She glanced at him full for a moment as she said,

"I never think anything you'd mind, Ashley." Then she went on hastily.
"But you must be prepared to see Bertie Jewett in great prosperity--a
big house and so on--and to know it might all have been yours."

"I'm prepared for that," he said absently. He did not at all realise the
things he was abandoning.

"But of course you'll get on. You'll be something better than rich."

"Perhaps, if I don't--don't play the fool."

"You keep calling yourself a fool to-day. Why do you? You're not a
fool."

"It's only a way of speaking and not quite my own way, really," he
laughed. "It means if I don't enjoy life a little instead of spoiling it
all by trying to get something that isn't particularly well worth
having; it means, in fact, if I don't allow scope to my artistic
temperament." It meant also if he did not spend more days in the country
with Ora Pinsent; for though he did not (as he had hinted) call that
folly to himself, he was now on his defence against a world which would
call it folly with no doubtful voice, and would exhort him earnestly to
imitate Lord Bowdon's decisive measures of self-protection. It was in
the power of this clear-sighted girl thus to put him on his defence,
even in the full swing of his attraction towards Ora Pinsent; better
than anyone, she could shew him the other side of the picture. He fell
into a silence occupied with puzzled thoughts. She grew grave, except
for a sober little smile; she was thinking that it was easy to be wise
for others, for all the world except herself; while she was playing the
judicial prudent friend to him, the idea of another part was in her
head. There may be hope without expectation; it would not have been
human in her to hope nothing from this talk in the garden, to build no
fancies on it. But she rebuked her imagination; whatever it was that
filled his mind--and his occasional air of distraction had caught her
notice--she had little share in it, she knew that well.

"The talk at lunch was _à propos_," she said presently. "I'm going to
call on Miss Pinsent this afternoon."

"You're going to call--?" The surprise was plain in his voice. This
sudden throwing of the two together seemed an odd trick of
circumstances! His tone brought her eyes quickly round to him and she
looked at him steadily.

"Why not? She asked me. I told you so," she said. Ashley could not deny
it; he shrugged his shoulders. "Shan't I like her?"

"Everybody must like her, I think," he answered, awkward, almost
abashed. But then there came on him a desire to talk about Ora, not so
much to justify himself as to tell another what she was, to exhibit her
charm, to infect a hearer with his own fever. He contrived to preserve a
cool tone, aiming at what might seem a dispassionate analysis of a
fascination which everybody admitted to exist; but he was at once too
copious and too happy in his description and his images. The girl beside
him listened with that little smile; it could not be merry, she would
not let it grow bitter, but schooled it to the neutrality of polite
attention. She soon saw the state of his mind and the discovery was hard
for her to bear. Yet it was not so hard as if he had come to tell her of
an ordinary attachment, of a decorous engagement to some young lady of
their common acquaintance, and of a decorous marriage to follow in due
course. Then she would have asked, "Why her and not me?" With Ora
Pinsent no such question was possible. Neither for good nor for evil
could any comparison be drawn. And another thought crept in, although
she did not give it willing admittance. Ora was not only exceptional;
she was impossible. Impossibility might be nothing to him now, but it
could not remain nothing forever. The pain was there, but the disaster
not irrevocable. Among the somewhat strange chances which had marked the
life of Mr. Fenning there was now to be reckoned a certain shamefaced
comfort which he all unwittingly afforded to Alice Muddock. But Alice
was not proud of the alliance.

Ashley broke off in a mixture of remorse and embarrassment. His
description could not be very grateful to its hearer; it must have come
very near to betraying its utterer. Alice did not pretend that it left
her quite in the dark; she laughed a little and said jokingly:

"One would think you were in love with her. I suppose it's that artistic
temperament again. Well, this afternoon I'll look and see whether she's
really all you say. The male judgment needs correction."

As their talk went on he perceived in her a brightening of spirits, a
partial revival of serenity, a sort of relief; they came as a surprise
to him. The lightness with which she now spoke of Ora appeared, to a
large degree at least, genuine. He did not understand that she
attributed to him, in more sincerity than her manner had suggested, the
temper which had formed the subject of their half-serious half-jesting
talk. Her impression of him did not make him less attractive to her; he
was not all of the temper she blamed and feared; he had, she persuaded
herself, just enough of it to save him from the purely ribbon-selling
nature and (here came the point to which she fondly conducted herself)
to give her both hope and patience in regard to her own relations with
him. She could not help picturing herself as the fixed point to which he
would, after his veerings, return in the end; meanwhile his share of the
temperament excused the veerings. Lady Kilnorton had forced the game
with entire apparent success, but Alice's quick eyes questioned the real
completeness of that victory. She would play a waiting game. There was
no question of an orthodox marriage with the young lady from over the
way or round the corner, an arrangement which would have been odious in
its commonplace humiliation and heart-breaking in its orderly finality.
But Ora Pinsent was not a finality, any more than she was the embodiment
of an orderly arrangement. That fortunate impossibility which attached
to her, by virtue of Jack Fenning's existence, forbade despair, just as
her fascination and her irresistibility seemed to prevent humiliation
and lessen jealousy. The thing was a transient craze, such as men fell
into; it would pass. If she joined her life to Ashley Mead's she was
prepared (so she assured herself) for such brief wanderings of
allegiance, now and then; as time went on, they would grow fewer and
fewer, until at last she conquered altogether the tendency towards them.
"And she must be ten years older than I am," her reflections ended; that
the real interval was but seven did not destroy the importance of the
point.

Having offered Ashley a lift to Piccadilly, she went off to get ready,
and presently Bowdon, who had called to pick up Irene, strolled into the
garden for a cigarette.

"Hullo, what are you doing here? You ought to be making your living," he
cried good-humouredly.

"I've been throwing it away instead," said Ashley. "Should you like to
be a partner in Muddock and Mead?"

"A sleeping one," said Bowdon with a meditative pull at his moustache.

Ashley explained that he would have been expected to take an active
part. Bowdon evidently thought that he ought to have been glad to take
any part, and rebuked him for his refusal.

"Take the offer and marry the girl," he counselled. "She'd have you all
right, and she seems a very good sort."

"I don't feel like settling down all of a sudden," said Ashley with a
smile.

They walked side by side for a few paces; then Bowdon remarked,

"Depend upon it, it's a good thing to do, though."

"It's a question of the best date," said Ashley, much amused at his
companion. "Now at your age, Lord Bowdon--"

"Confound you, Ashley, I'm not a hundred! I say it's a good thing to do.
And, by Jove, when it means a lump of money too!"

A pause followed; they walked and smoked in silence.

"Good creatures, women," remarked Bowdon.

Ashley did not find the remark abrupt; he traced its birth. Alice had
left much the same impression behind her in his mind.

"Awfully," he answered; there was in his voice also a note of remorse,
of the feeling that comes when we cannot respond to a kindness so
liberally as it deserves.

"Of course they aren't all alike, though," pursued Bowdon, as though he
were reasoning out an intricate subject and coming on unexpected
conclusions. "In fact they differ curiously, wonderfully."

His thoughts had passed, or were passing, from Irene Kilnorton to Ora
Pinsent; obedient to this guidance Ashley's followed in a parallel track
from Alice Muddock to Ora Pinsent.

"They're charming in different ways," said he with a slight laugh.
Bowdon shewed no signs of mirth; he was frowning a little and smoked
rather fast.

"And men are often great asses," he observed a few moments later. Again
Ashley had kept pace, but his face was more doubtful than his
companion's and there was hesitation in his voice as he replied,

"Yes, I suppose they are."

This subterranean conversation, shewing above ground only faint
indications of what it really meant to each of the talkers, had carried
them to the end of the garden. Turning round at the fence, they saw
Irene and Alice walking towards them, side by side. Both ladies were
well dressed, Irene rather brilliantly, Alice with quiet, subdued good
taste; both seemed attractive, Irene for her bright vivacity and merry
kindness, Alice for her strength of regard and a fine steady
friendliness. A man who was fortunate enough to gain either of them
would win a wife of whom he might justly be proud when he talked with
the enemy in the gate, and moreover would enjoy an unusually good
prospect of being happy in his own house. The man who had won one, and
the man who could, if he would, win the other, approached them in a slow
leisurely stroll.

"Yes, great asses," repeated Bowdon in a reflective tone.

"I didn't say we weren't," protested Ashley Mead with an irritated
laugh.

They would have found a most heartfelt endorsement of the view which
they reluctantly adopted, had Sir James Muddock known how small a share
of Ashley's visit had been honestly devoted to a consideration of the
advantages of a partnership in Muddock and Mead, and how much larger a
part had been given to a subject concerning which Sir James could have
only one opinion.



CHAPTER VII

UNDER THE NOSEGAY


When Alice Muddock reached Ora's little house in Chelsea and was shewn
into the drawing-room, she found herself enjoying an introduction to Mr.
Sidney Hazlewood and forced to shake hands with Babba Flint. Hazlewood
struck her favourably; there was a repressed resolution about him, a
suggestion of being able to get most of what he might happen to want; no
doubt, though, his desires would be limited and mainly professional.
Babba was, as usual, quite inexplicable to her and almost intolerable.
The pair had, it seemed, come on business, and, after an apology, Ora
went on talking business to them for fully a quarter of an hour. She was
in a businesslike, even a commercial money-grubbing mood; so were the
men; amid a number of technical terms which fell on Alice's ignorant
ears the question of what they would make was always coming uppermost.
There was indeed a touch of insincerity in Ora's graspingness; it did
not seem exactly affectation, but rather like a part for which she was
cast on this occasion and into which she threw herself with artistic
zeal. She had to play up to her companions. There was in her neither the
quiet absorption in the pecuniary aspect which marked Mr. Hazlewood, nor
the tremulous eagerness with which Babba counted imaginary thousands,
the fruit of presupposed successes. Hazlewood, a clean-shaven hard-lined
man of close on fifty, and Babba with his long moustache, his smooth
cheeks, his dandiness, and his youth, treated Ora exactly in the same
way--first as a possible partner, then as a possible property. They told
her what she would make if she became a partner and how much they could
afford to pay her as a property if she would hire herself out to them.
Ora had her alternative capacities clearly grasped and weighed their
relative advantages with a knowing hand. Alice thought it a strange
scene by which to make her first more intimate study of the irresistible
impossible Miss Pinsent, the Miss Pinsent of uncontrollable emotions and
unknowable whims. What images the world made of people! Yet somehow, in
the end, had not the world a way of being just right enough to save its
credit?

At last the conference appeared to be about to break up. Alice was
almost sorry; she could have gone on learning from it.

"Only remember," said Mr. Hazlewood, "that if we do make a deal, why, it
is a deal!"

Ora began to laugh; an agreement was an agreement, she remembered, and a
deal, by parity of reasoning, a deal. Hazlewood's wrinkle clamoured for
seriousness; hard money was at stake, and over that surely even genius
could look grave.

"Oh, she won't want to cry off this," said Babba with a sagacious nod.

Alice had never known how Babba lived (any more than she knew why). It
appeared now that he supported himself by speculations of this
description; she fancied that he asserted himself so much because the
other two seemed to consider him, in the end, rather superfluous; more
than once he had to remind them that he was indispensable; they yielded
the point good-naturedly. She was interrupted in her thoughts by
Hazlewood, who made a suave remark to her and held out his hand with a
low bow. Ora was chaffing Babba about a very large flower in his
buttonhole.

"Is Miss Pinsent a good woman of business?" Alice asked in an impulse of
curiosity.

Hazlewood glanced at Ora; she was entirely occupied with Babba.

"Miss Pinsent," said he, with his overworked but still expressive smile,
"is just exactly what you happen to find her. But if you call often
enough, there'll come a time when you'll find her with a good head on
her shoulders."

Alice felt vaguely sorry for Mr. Hazlewood; it must be wearing to deal
with such unstable quantities. She could imagine herself exchanging
sympathy with him on the vagaries of the artistic temperament; would she
grow a wrinkle, of brow or of heart, over Ashley Mead? Or had she grown
one?

"Well, you've had a lot of experience of her, haven't you?" she asked,
laughing, and wondering what he thought of Ora. His answer expressed no
great affection.

"Good Lord, yes," he sighed, furrowing his brow again.

Ora darted up to him, put an arm through his, and clasped her hands over
his sleeve.

"Abusing me?" she said, turning her face round to his. For a moment
Alice thought that she was going to kiss him and hoped vaguely she would
not; but she felt that she did not know the etiquette; it might be
usual.

"Telling the truth," said Mr. Hazlewood with stout courage; then with
pronounced gallantry he raised his arm with Ora's hands on it and
kissed one of the hands; his manner now was quite different from his
business manner of a few moments ago; his eyes were different too,
hardly affectionate, but very indulgent.

"He likes me really, you know, though I worry him dreadfully," said Ora
to Alice.

Babba came up; he had been arranging the big flower before a mirror.

"Seen Lady Kilnorton lately? She's brought it off with Bowdon, I hear,"
he said to Alice.

"She's engaged to Lord Bowdon," said Alice stiffly.

"Deuced lucky woman," observed Babba, blind to the rebuke which lay in
Alice's formality of phrase.

"Take him away," Ora commanded Mr. Hazlewood. "We've done with him and
we don't want him any more. We aren't sure we like him."

"Oh, come now, I ain't a bad chap, Miss Pinsent," pleaded Babba
piteously.

"We're not at all sure we like him," said Ora inexorably. "Take him away
at once, please, Mr. Hazlewood." And Hazlewood led him out, protesting
bitterly.

For a moment or two Ora moved about, touching the furniture into the
places in which she wanted it, and fingering the flowers in the vases.
Then she came quickly to Alice, sat down by her side, and cried
expansively,

"It's really charming of you to come. And you're like--you're like
something--Oh, I don't know! I mean you're a lovely change from those
men and their business and their money."

"I like Mr. Hazlewood."

"Oh, so do I. But my life's so much Mr. Hazlewood. Why did you come?"

"You asked me," said Alice.

"Yes, I know, but I hardly thought you'd come." She darted back to the
previous conversation. "I'm going to make a lot of money, though, and
then I'm going to have a long holiday, and a villa somewhere in Italy."

"Oh, they won't let you rest long."

"It won't be very long really, because I shall spend all the money," Ora
explained with a smile. "Let's have some tea."

She rang, and tea was brought by a very respectable middle-aged woman.
Ora addressed her maid as Janet and gave her a series of orders; Janet
listened to them with a non-committal air, as though she would consider
whether they were reasonable or not, and act according to her
conclusion. Alice noticed that she called her mistress "Ma'am;" the
reference to Mr. Fenning was very indirect, but it was the first that
Alice had ever heard made in Ora's presence. It seemed to her also that
Janet laid some slight emphasis on the designation, as though it served,
or might be made to serve, some purpose besides that of indicating the
proper respect of a servant. She found herself wondering whether Janet
dated from the time when Mr. Fenning was still a present fact and formed
a member of the united Fenning household (which, by the way, was an odd
entity to contemplate). If that were the case, a conversation with Janet
might be very interesting; knowledge might be gained about the bulwark;
Alice had begun to look on Mr. Fenning as a bulwark--and to tell herself
that she did no such thing.

A large number of photographs stood on the mantel-piece and about the
room, most of them signed by their originals. Many were of men; one
might be of Mr. Fenning. A silver frame stood on a little table just by
the sofa. Alice's intuitive perception told her that here was Ora's
favourite place; her traditions caused her to conclude that the frame
(its back was towards her) held Mr. Fenning's portrait. She was not
undiplomatic, only less diplomatic than many other women; she took a
tour of inspection, saying how pretty the room was and declaring that
she must look closer at the photograph of an eminent tragedian on the
opposite wall. Her return movement shewed her the face of the portrait
which she had guessed to be Mr. Fenning's; it was that of her friend
Ashley Mead.

"Yes," said Ora, "he sent me that yesterday. I was so glad to have it."

"You gave him a return?" asked Alice with a careless laugh, the laugh
appropriate to the moment.

"He chose one and I wrote on it. Sugar, Miss Muddock?"

Alice took sugar.

"You've known him ever so long, haven't you?" asked Ora, handing the
cup.

"Ages, ever since we were children. He's very nice and very clever."

"I've only known him quite a little while." Ora paused and laughed.
"Some people would say that's why his picture's in the place of honour."

"You like change?" asked Alice. Ashley liked change also. But Ora made
her old defence.

"People change, so of course I change to them." The explanation did not
quite satisfy herself. "Oh, I don't know," she said impatiently. "Anyhow
I haven't left off liking Ashley yet. I may, you know."

Alice, conscious that she herself in her hostess' position would have
said "Mr. Mead," tried to make the obvious allowances; it was just like
that clasping of the hands round Hazlewood's arm, just like the air of
expecting to be kissed. Fully aware of insurgent prejudices, she beat
them down with a despotic judgment; she would not follow in the wake of
her stepmother nor adopt the formulas of Minna Soames. Curiously enough
Ora was in somewhat the same or a parallel state of mind, although she
did not realise it so clearly. She too was struggling to understand and
to appreciate. She was sure she would be friends with Miss Muddock, if
she could get within her guard; but why did people have guards, or why
not drop them when other people shewed themselves friendly? You might
have to keep the Babba Flints at their distance, no doubt, but even that
was better done by ridicule than by stiffness.

"We still see a good deal of him," said Alice, "although he has an
immense lot of engagements. He generally comes to lunch on Sunday."

Ora reflected that he had not followed his usual practice on one Sunday.
Alice went on to give a brief description of Ashley's general relation
to the Muddock family, and referred to her father's wish that he should
enter the business.

"He came to talk to me about it to-day," she said, "but it wouldn't suit
him in the least, and I told him so."

"Oh, no, it wouldn't," cried Ora. "I'm so glad you told him right."

Their eyes met in a sudden glance. Did they both know so much of Ashley
Mead, of his tastes, his temper, and what would suit him? An
embarrassment arrested their talk. Alice was conscious that her hostess'
eyes rested on her with an inquisitive glance; it had just occurred to
Ora that in meeting this girl she had encountered a part of the life of
Ashley Mead hitherto unknown to her. "What part? How much?" her eyes
seemed to ask. She was not jealous of Alice Muddock, but she was
inclined to be jealous of all that life of Ashley's of which she knew
nothing, which her visitor had shared. With a sudden longing she yearned
for the inn parlour where he had no other life than a life with her; the
sudden force of the feeling took her unawares and set her heart beating.

She came again to Alice and sat down by her; silence had somehow become
significant and impossible.

"I like your frock," she said, gently fingering the stuff. "At least I
like it for you. I shouldn't like it for me."

The relativity of frocks, being, like that of morals, an extensive and
curious subject, detained them for a few moments and left them with a
rather better opinion of one another. Incidentally it revealed a common
scorn of Minna Soames, who dressed as though she were stately when she
was only pretty; this also knit them together. But they progressed
nearer to liking than to understanding one another. Small points of
agreement, such as the unsuitability of the business to Ashley and the
inappropriateness of her gowns to Minna Soames, made intercourse
pleasant but could not bridge the gulf between them; they were no more
than hands stretched out from distant banks.

Alice began to talk of Irene Kilnorton and Bowdon. While attributing to
them all proper happiness and the finality of attachment incidental to
their present position, she told Ora, with a laugh, that they had all
seen how much Bowdon had been struck with her.

"I think he did like me," said Ora with a ruminative smile. "He's safe
now, isn't he?" she added a moment later. The thought had been Alice's
own, but it needed an effort for her to look at it from Ora's point of
view. To be a danger and to know yourself to be a danger, to be aware of
your perilousness in a matter-of-fact way, without either exultation or
remorse, was a thing quite outside Alice's experience. On the whole to
expect men to fall in love with you and to be justified in this
anticipation by events would create a life so alien from hers that she
could not realise its incidents or the state of mind it would create.

"I like Lord Bowdon," said Ora. "But--" she paused and went on,
laughing, "He's rather too sensible for me. He'll just suit Irene
Kilnorton. But really I must write and tell him to come and see me. I
haven't seen him since the engagement."

"You'd much better not," was on the tip of Alice's tongue, but she
suspected that the impulse to say it was born of her still struggling
prejudices. "Ask them together," she suggested instead.

"Oh, no," said Ora pathetically. "He'd hate it."

Alice did not see exactly why he should hate it. Engaged people always
went about together; surely always?

"Were you ever engaged?" Ora went on.

"Never," said Alice with a laugh.

"I've been--well, of course I have--and I hated it."

With curiosity and pleasure Alice found herself on the threshold of the
subject of Mr. Fenning. But Ora turned aside without entering the hidden
precincts.

"And I'm sure I should hate it worse now. You wouldn't like it, would
you?"

"I should like it very much, if I cared for the man."

"Well," Ora conceded, "he might make it endurable, if he treated it
properly. Most men look so solemn over it. As soon as they've got you,
they set to work to make you think what a tremendous thing you've done.
As if that was the way to enjoy yourself!" She paused, seemed to think,
smiled out of the window, and then, turning to Alice, said with an
innocence evidently genuine, "Ashley Mead would make it rather pleasant,
I think."

The trial was sudden; Alice had no time to put on her armour; she felt
that her face flushed. Again their eyes met, as they had when it was
agreed that the business would not suit Ashley. The glance was longer
this time, and after Alice turned away Ora went on looking at her for
several moments. That was it, then; Irene Kilnorton had not spoken idly
or in ignorant gossip. What she had said fell short of truth, for she
had spoken of an alliance only, not of love. Now Ora knew why the girl
talked so much of Ashley; now she knew also why the girl shewed such
interest in herself. Yes, the rich Miss Muddock would be Ashley's wife
if she were wooed; besides being rich she was pleasant and clever, and
knew how to dress herself. (This last moral quality ranked high in Ora's
list.) Such an arrangement would be in all ways very beneficial to
Ashley. She wondered whether Ashley knew how entirely the game was in
his own hands. She felt a sudden and sore pity for Alice, who had been
so cordial and so pleasant and whose secret she had heedlessly
surprised. The cordiality seemed very generous; there was in it a
challenge to counter-generosity. In an instant the heroic idea of giving
him up to Alice flashed through her brain. This fine conception was
hardly born before she found herself asking wrathfully whether he would
consent to leave her.

Alice was herself again; she said that she thought Mr. Mead might make
an engagement very pleasant, but that such a relation to him would
perhaps not be very exciting to her, since she had known him all her
life. This suppression of emotion was not to Ora's taste; it burked a
scene to which her instinct had begun to look forward. But as generosity
would be at this point premature (even if it should ever become
tolerable) she was forced to acquiesce. A little later Alice took her
leave with increased friendliness and a pressing invitation to Ora to
come and see her at Kensington Palace Gardens when there was no party
and they could have another quiet talk together.

Surrender--or the inn parlour? Generosity or joy? As an incidental
accompaniment, correctness or incorrectness of conduct? These
alternatives presented themselves to Ora when she was left alone. The
_rôle_ of renunciation had not only obvious recommendations but also
secret attractions. How well she could play it! She did not exactly tell
herself that she could play it well--the temperament has its decent
reticences--but she pictured herself playing it well and wished for an
opportunity to play it. She would have played it beautifully for Irene
Kilnorton's benefit, had that lady asked her assistance instead of
taking the matter into her own resolute hands. She would have sent
Bowdon away with an exhortation to see his own good and to forget her,
with a fully adequate, nay, a more than ample, confession of the pain
the step was causing her, but yet with a determination which made the
parting final and Irene's happiness secure. All this vaguely rehearsed
itself in her brain as she lay on the sofa beside Ashley Mead's portrait
in its silver frame. And her subsequent relations both with Irene and
with Bowdon would have been touched with an underlying tenderness and
sweetened by the common recollection of her conduct; even when he had
become quite happy with Irene, even when he had learnt to thank herself,
he would not quite forget what might have been.

Having arrived at this point, Ora burst into a laugh at her own folly.
All that went very well, so very smoothly and effectively, grouped
itself so admirably, and made such a pretty picture. But she took up the
photograph in the silver frame and looked at it. It was not Bowdon's
likeness but Ashley Mead's; the question, the real question, was not
whether she should give up Bowdon; fate was not complaisant enough to
present her with a part at once so telling and so easy. It was not
Bowdon with whom she had spent a day in the country, not Bowdon who had
been with her in the inn parlour, not Bowdon who, Alice Muddock thought,
might make an engagement very pleasant. The grace of self-knowledge came
to her and told her the plain truth about her pretty picture.

"What a humbug I am!" she cried, as she set down the photograph.

For the actual opportunity was very different from the imagined, as rich
in effect perhaps, but by no means so attractive. She still liked her
part, but the rest of the cast was not to her taste; she could still
think of the final interview with a melancholy pleasure, but, with this
distribution of characters, how dull and sad and empty and intolerable
life would be when the final interview was done! The subsequent
relations lost all their subdued charm; underlying tenderness and common
recollections became flat and unprofitable.

"An awful humbug!" sighed Ora with a plaintive smile.

Why were good things so difficult? Because this thing would be very
good--for him, for poor Alice, for herself. A reaction from the joy of
Sunday came over her, bringing a sense of fear, almost of guilt. She
recollected with a flash of memory what she had said to Jack Fenning
when they parted in hot anger. "You needn't be afraid to leave me
alone," she had cried defiantly, and up to now she had justified the
boast. She had been weary and lonely, she had been courted and tempted,
but she had held fast to what she had said. Her anger and her
determination that Jack should not be in a position to triumph over her
had helped to keep her steps straight. Now these motives seemed less
strong, now the loneliness was greater. If she sent Ashley away the
loneliness would be terrible; but this meant that the danger in not
sending him away was terrible too, both for him and for her. As she sank
deeper and deeper in depression she told herself that she was born to
unhappiness, but that she might at least try not to make other people as
unhappy as she herself was doomed to be.

While she still lay on the sofa, in turns pitying, reproaching, and
exhorting herself, Janet came in.

"A letter, ma'am," said Janet. "Your dinner will be ready in ten
minutes, ma'am."

"Thanks, Janet," said Ora, and took the letter. The handwriting was not
known to her; the stamp and postmark were American; Bridgeport, Conn.,
the legend ran. "I don't know anybody in Bridgeport, or in
Conn.--Conn.?--Oh, yes, Connecticut," said Ora.

The silver frame stood crooked on the table. Ora set it straight, looked
at the face in it, smiled at some thought, sighed at the same or some
other thought, and lazily opened the letter from Bridgeport, Conn.; she
supposed it was a communication of a business kind, or perhaps a request
for a photograph or autograph.

"My dear Ora, I have had an accident to my hand, so get a friend to
write this for me. I am here in a merchant's office, but have had a bit
of luck on Wall Street and am in funds to a modest extent. So I am going
to take a holiday. I shall not come to England unless you give me leave;
but I should like to come and see you again and pay you a visit. How
long I stayed would depend on circumstances and on what we decided after
we had met. A letter will find me here for the next month. I hope you
will send one inviting me to come. I would write more if I could write
myself; as it is I will only add that I am very anxious to see you and
am sure I can set right any mistakes that there have been in the past.
Write as soon as you can. Yours affectionately, Jack."

She turned back to the envelope:--"Miss Ora Pinsent." The friend who
wrote Jack's letter probably did not know that he was writing to Jack's
wife. Janet knew Jack's writing, but not the writing of Jack's friend.
In secrecy and privacy Jack's letter had come. She laid it down beside
the portrait in the silver frame, and lay back again quietly with
wide-opened eyes. The clock ticked away ten minutes; dinner was ready;
she lay still.

Had people a right to rise from the dead like this? Were they justified,
having gone out of life, in coming back into it under cover of a
friend's handwriting and a postage stamp? They had parted for ever, Jack
and she, most irrevocably, most eagerly, most angrily. A few lines on a
sheet of note paper could not change all that. He had been dead and
gone; at least he had existed only as a memory and as--she hardly liked
to say an encumbrance--as a check, as a limiting fact, as a difficulty
which of necessity barred her from ordering her doings just as she might
have liked to order them. Now he proposed suddenly to become a fact, a
presence, a part of her again, and stole a hearing for this proposal in
the insidious disguise of a friend's handwriting. How he chose his time
too! In wild fancy she imputed to him a knowledge of the curious
appositeness of his letter's arrival. It came just when she was unhappy,
torn with doubts, feeling low, yes, and feeling guilty; just after the
revelation of Alice Muddock's feelings, just after the day in the
country, just while she was saying that, for weal or woe, she could not
send Ashley Mead away. At such a moment she would not have opened the
letter had she known it for his; but he had had an accident to his hand
and the unknown writing had gained him access.

Janet came in again.

"Your dinner is ready, ma'am," she said, and went on, "These have come
for you, ma'am," laying a nosegay of roses on the little table beside
the portrait in the silver frame, and the letter from Bridgeport, Conn.

Ora nodded; there was no need to ask whence the roses came; they were of
the colour she had declared her favourite by the river bank on Sunday.
"I'll come to dinner directly," she said, and seeing Janet's eye on the
letter, she forgot that it was in a friend's handwriting and pushed it
under the nosegay till the roses hid it. There was nothing to be seen on
the table now but the roses of the colour she loved, and the picture in
its silver frame.

To toy with material symbols of immaterial realities is pretty enough
work for the fancy or the pen. The symbols are docile and amenable; the
letter can be pushed under the roses till their blooms utterly conceal
it, and neither you nor anybody else can see that it is there. The
picture you do not care about can be locked away in the drawer, the one
you love placed on the little table by your elbow as you sit in your
favourite seat. Unhappily this artistic arrangement of the symbols makes
no difference at all to the obstinate realities. They go on existing;
they insist on remaining visible or even obtrusive; audible and even
clamorous. The whole thing is a profitless trick of the fancy or the
pen. Although the letter was pushed under the roses, Jack Fenning was
alive in Bridgeport, Conn., with a desire to see his wife in his heart,
and his passage money across the Atlantic in his pocket.

As Ora drove down to the theatre that night, she moaned, "How am I to
play with all this worrying me?" But she played very well indeed. And
she was sorry when the acting was over and she had to go back to her
little house in Chelsea, to the society of the letter and the roses. But
now there was another letter: "I am coming to-morrow at 3. Be at home.
A. M."

"What in the world am I to do?" she asked with woeful eyes and quivering
lip. It seemed to her that much was being laid on the shoulders of a
poor young woman who asked nothing but to be allowed to perfect her art
and to enjoy her life. It did not occur to her that the first of these
aims is accomplished by few people, that at any rate a considerable
minority fail in the second, and that the fingers of two hands may count
those who in any generation succeed in both. The apparent modesty of
what she asked of fortune entirely deceived her. She sat in her
dressing-gown and cried a little before she got into bed.



CHAPTER VIII

THE LEGITIMATE CLAIMANT


Ashley Mead did not take the week's consideration which Sir James had
pressed on him. The same evening he wrote a letter decisively declining
to assume a place at the helm in Buckingham Palace Road. Sir James,
receiving the letter and handing it to Alice, was disappointed to meet
with no sympathy in his expressed views of its folly. He was nearly
angry with his daughter and frankly furious against Ashley. He was proud
of his daughter and proud of his business; the refusal left him very
sore for both. As soon as he reached his office he gave vent to his
feelings by summoning Bertie Jewett to his presence and offering him the
position to whose attractions Ashley had been so culpably blind.

Here there was no refusal. A slim, close-built, dapper little fellow,
with a small fair moustache and small keen blue eyes, full of
self-confidence, perfectly self-controlled, almost sublimely
industrious, patiently ambitious, Bertie turned away from no
responsibilities and let slip no opportunities. He knew himself Bob
Muddock's superior in brains; he had known of, and secretly chafed
against, the proposed intrusion of Ashley Mead. Now he was safe, and
fortune in his hands. But to Bertie the beauty of firm ground was not
that you can stand still on it and be comfortable, but that it affords a
good "take-off" when you want to clear an obstacle which lies between
you and a place even more desirable in your eyes. Sir James explained
the arrangements he proposed to make, his big share, Bob's moderate
share, Bertie's small share; the work, as is not unusual, was to be in
an inverse ratio to the share. Then the old man approached the future.
When he was gone there was a sum of money and a big annuity for Lady
Muddock; subject to that, Bob was to have two-fifths of his father's
share to add to his own; the rest was to be Alice's. In that future time
Alice's share would be nearly as big as Bob's; the addition of another
small share would give it preponderance. Bertie's blue eye was very keen
as he examined the nature of the ground he had reached and its
capacities in the way of "take-off." But on going forth from Sir James'
office, he could at first do little but marvel at the madness of Ashley
Mead; for he knew that Ashley might have taken what he had just
received, and he suspected that the great jump he had begun to meditate
would have been easy to Ashley. For incontestably Alice had shown favour
to Ashley--and had not shown favour to Bertie Jewett.

Bob and Bertie lunched together at Bob's club that day, the occasion
allowing a little feasting and relaxation from toil. The new project
touching Alice was not even distantly approached, but Bertie detected in
Bob a profound dissatisfaction with Ashley Mead. Ashley's refusal seemed
to Bob a slur on the business, and concerning the business he was very
sensitive. He remarked with mingled asperity and satisfaction that
Ashley had "dished himself all round." The "all round" indicated
something besides the big block in Buckingham Palace Road, and so was
significant and precious to Bertie Jewett.

"Naturally we aren't pleased," Bob said, assuming to express the
collective views of the family. "Fact is, Ashley's got a bit too much
side on, you know."

Bertie Jewett laughed cautiously.

"He doesn't like the shop, I suppose!" Bob pursued sarcastically.

"I'm sorry Sir James is so much annoyed about it," remarked Bertie with
apparent concern.

"He'll see what a fool he's made of himself some day," said Bob. Alice
was in his mind, but went unmentioned.

Bob's opinion was shared in its entirety by Irene Kilnorton, who came
over to express it to Alice as soon as the news reached her through
Bowdon. Bowdon had heard it from Ashley himself, they being together on
the business of the Commission. Irene was amazed to find Alice on
Ashley's side and would allow no merit to her point of view.

"Oh, no, it's all wrong," she declared. "It would have been good for him
in every way; it would have settled him."

"I don't want him settled," said Alice. "Oh, if you knew how tired I get
of the business sometimes! Besides it will make Mr. Jewett so happy. He
takes Ashley's place, you know, though father won't give him as big a
share as he'd have given Ashley."

"Well, I shall tell Mr. Mead what I think of him." She paused,
hesitating a moment as to whether she should say a disagreeable thing or
not. But she was annoyed by Alice's attitude and decided to say it. "Not
that he'll care what I say or what anybody says, except Ora Pinsent,"
she ended.

"Won't he?" asked Alice. She felt bound to interject something.

"What a creature she is!" cried Irene. "When I went to see her this
morning, I found her in tears. What about? Oh, I don't know. But I spoke
to her sensibly."

"Poor Miss Pinsent!"

"I said, 'My dear Ora, I suppose you've done something silly and now
you're sorry for yourself. For goodness' sake, though, don't ask me to
be sorry for you.'"

"Had she asked you?" said Alice with a smile. Lady Kilnorton took no
notice of the question.

"I suppose," she went on scornfully, "that she wanted to be petted. I
wasn't going to pet her."

"I think I should have petted her. She'd be nice to pet," Alice remarked
thoughtfully.

Irene seemed to lose patience.

"You don't mean to say that you and she are going to make friends?" she
exclaimed. "It would be too absurd."

"Why shouldn't we? I liked her rather; at least I think so."

"I wish to goodness that husband of hers would come back and look after
her. What's more, I said so to her; but she only went on crying more and
more."

"You don't seem to have been very pleasant," Alice observed.

"I suppose I wasn't," Irene admitted, half in remorse. "But that sort of
person does annoy me so. As I was saying to Frank, you never know where
to have them. Oh, but Ora doesn't mind it from me."

"Then why did she cry more and more?"

"I don't know--unless it was because I reminded her of Mr. Fenning's
existence. I think it's a good thing to do sometimes."

"Perhaps. I'm not sure, though, that I shouldn't leave it to Mr. Fenning
himself."

"My dear, respectability goes for something. The man's alive, after
all."

Alice knew that he was alive and in her heart knew that she was glad he
was alive; but she was sorry that Ora should be made to cry by being
invited to remember that he was alive. Irene was, presumably, happy with
the man she had chosen; it was a good work leaning towards
supererogation (if such were possible) when she took Ora's domestic
relations under her wing. She hinted something of this sort.

"Oh, that's what Ashley Mead says; we all know why he says it," was
Irene's mode of receiving the good advice.

A pause followed; Irene put her arm through Alice's and they began to
walk about the garden. Lady Muddock was working at her embroidery at the
open window; she was pronouncedly anti-Ashleyan, taking the colour of
her opinions from her husband and even more from Bob.

"Where's Lord Bowdon?"

"Oh, at his tiresome Commission. He's coming to tea afterwards. I asked
Mr. Mead, but he won't come."

"You'll be happier alone together."

Irene Kilnorton made no answer. She looked faintly doubtful and a trifle
distressed. Presently she made a general remark.

"It's an awful thing," she said, "to undertake--to back yourself, you
know--to live all your life with a man and never bore him."

"I'm sure you couldn't bore anybody."

"Frank's rather easily bored, I'm afraid."

"What nonsense! Why, you're making yourself unhappy just in the same way
that Miss Pinsent--"

"Oh, do stop talking about Ora Pinsent!" cried Irene fervently. Then she
gave a sudden apprehensive glance at her companion and blushed a little.
"I simply meant that men wanted such a lot of amusing," she ended.

In recording her interview with Ora, Irene had somewhat exaggerated her
brutality, just as in her reflexions about her friend she exaggerated
her own common-sense. Ora drove her into protective measures; she found
them in declaring herself as unlike to Ora as possible. In reality
common-sense held no disproportionate or disagreeable sway in her soul;
if it had, she would have been entirely content with the position which
now existed, and with her relations towards Bowdon. There was nothing
lacking which this vaunted common-sense could demand; it was stark
sentimentality, and by consequence such folly as Ora herself might
harbour and drop tears about, which whispered in her heart, saying that
all was nothing so long as she was not for her lover the first and only
woman in the world, so long as she still felt that she had seized him,
not won him, so long as the mention of Ora's name still brought a look
to his face and a check to his talk. It was against herself more than
against Ora that she had railed in the garden; Ora had exasperated her
because she knew in herself a temper as unreasonable as Ora's; she
harped on Ora's husband ill-naturedly--as she went home, she confessed
she had been ill-natured--because he who was to be her husband had
dreamt of being Ora's lover. Even now he dared not speak her name, he
dared not see her, he could not trust himself. The pledge his promised
bride had wrung from him was safe so long as he did not see or let
himself think of Ora. It was thus that Irene read his mind.

She read it rightly--to his own sorrow and remorse--rightly. He was
surprised too. About taking the decisive step he had hesitated; except
for circumstances rather accidentally provocative, perhaps he would not
have taken it. But its virtue and power, if and when taken, he had not
doubted. He had thought that by binding his actions with the chain of
honour he would bind his feelings with the chain of love, that when his
steps could not wander his fancy also would be tethered, that he could
escape longing by abstinence, and smother a craving for one by
committing himself to seem to crave for another. The maxims of that
common-sense alternately lauded and reviled by Irene had told him that
he would be successful in all this; he found himself successful in none
of it. Ora would not go; her lure still drew him; as he sat at his
Commission opposite to his secretary at the bottom of the table, he was
jealous of his secretary. Thus he was restless, uncomfortable,
contemptuous of himself. But he was resolute too. He was not a man who
broke faith or took back his plighted word. Irene was to be his wife,
was as good as his wife since his pledge was hers; he set himself to an
obstinate fulfilment of his bargain, resolved that she should see in him
nothing but a devoted lover, ignorant that she saw in him the thing
which above all he wished to hide. Such of Ora's tears as might be
apportioned to the unhappiness she caused to others were just now
tolerably well justified, whatever must be thought of those which she
shed on her own account. Here was Bowdon restless and contemptuous of
himself, Irene bitter and ashamed, Alice with no surer, no more honest,
comfort than the precarious existence of Mr. Fenning, Sir James Muddock
(Ora was no doubt partly responsible here also) grievously disappointed
and hurt; while the one person who might be considered to owe her
something, Mr. Bertie Jewett, was as unconscious of his debt as she of
his existence; both would have been surprised to learn that they had
anything in the world to do with one another. But after all most of
Ora's tears were for herself. Small wonder in face of that letter from
Bridgeport, Connecticut!

Bowdon wished to be married very soon; why wait, he asked; he was not as
young as he had been; it would be pleasant to go to the country in
August man and wife. In fine the chain of honour gave signs of being
strained, and he proposed to tie up the other leg with the fetters of
law; he wanted to make it more and more impossible that he should give
another thought to anybody except his affianced wife. In marriage
attachment becomes a habit, daily companionship strengthens it; surely
that was so? And in the country, or, better still, on a yacht in
mid-ocean, how could anything remind him of anybody else? But Irene
would not hasten the day; she gave many reasons to countervail his; the
one she did not give was a wild desire that he should be her lover
before he became her husband. So on their feigned issues they discussed
the matter.

"The end of July?" he suggested. It was now mid-June.

"Impossible, Frank!" she cried. "Perhaps November."

In September and October Ora would be away. Two months with Ora away,
absolutely away, perhaps forgotten! Irene built hopes high on these two
months.

"Not till November!" he groaned. The groan sounded well; but it meant
"Don't leave me free all that time. Tie me up before then!"

"Ashley Mead seems obstinate in his silly refusal of Sir James Muddock's
offer," she said, anxious to get rid of the conflict.

"Why should he take it?" asked Bowdon. "He can get along very well
without it; I don't fancy him at the counter."

"Oh, it's so evidently the sensible thing."

"I've heard you tell him yourself not to go and sell ribbons."

How exasperating are these reminders!

"I've grown wiser in ever so many ways lately," she retorted with a
smile.

There was an opening for a lover here. She gave it him with a forlorn
hope of its acceptance.

"Yes; but I'm not sure it's a good thing to grow so very wise," he said.
Then he came and sat by her.

"You mustn't be sentimental," she warned him. "Remember we're elderly
people."

He insisted on being rather sentimental; with a keen jealousy she
assessed his sincerity. Sometimes he almost persuaded her; she prayed so
hard to be convinced; but the wish begot no true conviction. Then she
was within an ace of throwing his pledge back in his face; but still she
clung to her triumph with all its alloy and all its incompleteness. She
had brought him to say he loved her; could she not bring him in very
truth to love? Why had Ora but to lift a finger while she put out all
her strength in vain? It would not have consoled her a whit had she been
reminded of Ora's tears. Like most of us, she would have chosen to win
and weep.

As Bowdon strolled slowly back through the Park, repeating how charming
Irene was and how wise and fortunate he himself was, he met Ashley Mead.
Ashley was swinging along at a good pace, his coat-tails flying in the
wind behind him. When Bowdon first saw him he was smiling and his lips
were moving, as though he were talking to himself in a pleasant vein. In
response to his friend's hail, he stopped, looked at his watch, and
announced that he had ten minutes to spare.

"Where are you off to in such a hurry?" asked Bowdon. Ashley looked
openly happy; he had an air of being content with life, of being sure
that he could make something satisfactory out of it, and of having
forgotten, for the time being at all events, any incidental drawbacks
which might attend on it. Bowdon was smitten with an affectionate envy,
and regarded the young man with a grim smile.

"Going to see a lady," said Ashley.

"You seem to be making a day of it," observed Bowdon. "In the morning
you refuse a fortune, in the afternoon--"

"Oh, you've heard about the fortune, have you? I've just been down to
Buckingham Palace Road, to congratulate young Jewett on being in--and
myself on being out. Now, as I mentioned, Lord Bowdon--"

"Now you're on your way to see Miss Pinsent?"

"Right; you've guessed it, my lord," laughed Ashley.

"You don't seem to be ashamed of yourself."

"No, I'm not."

"You know all about Mr. Fenning?"

"Well, as much as most of us know about him. But I don't see why I
shouldn't take tea with Miss Ora Pinsent."

Bowdon turned and began to walk slowly along beside Ashley; Ashley
looked at his watch again and resigned himself to another five minutes.
He owed something to Bowdon; he could spare him five of Ora's minutes;
to confess the truth, moreover, he was a little early, although he had
made up his mind not to be.

"Jewett's the ablest little cad, I know," said Ashley. "At least I think
he's a cad, though I can't exactly tell you why."

"Of course he's a cad," said Bowdon, who had dined with Bob Muddock to
meet him.

"There's no salient point you can lay hold of," mused Ashley; "it's
pervasive; you can tell it when you see him with women, you know; that
brings it out. But he's got a head on his shoulders."

"That's more than can be said for you at this moment, my friend."

"I'm enjoying myself very much, thank you," said Ashley with a radiant
smile.

"You won't be for long," retorted Bowdon, half in sorrow, half in the
involuntary malice so often aroused by the sight of gay happiness.

"Look here, you ought to be idiotic yourself just now," Ashley
remonstrated. Then out came his watch again. The sight of it relieved
Bowdon from the fear that he had betrayed himself; evidently he occupied
no place at all in his companion's thoughts.

"Be off," he said with rueful good-nature. "Only don't say I didn't tell
you."

Ashley laughed, nodded carelessly, and set off again at his round pace.
But presently the round pace became intolerably slow, and he hailed a
hansom. He was by way of being economical about hansoms, often pointing
out how fares mounted up; but he took a good many. He was soon landed at
the little house in Chelsea.

Ora was not in the room when Janet ushered him in. "I'll tell my
mistress, sir," said Janet gravely, taking up a smelling-bottle which
stood on Ora's little table and carrying it off with her. Blind to this
subtle indication that all was not well in the house, Ashley roamed
about the room. He noticed with much satisfaction his portrait in the
silver frame and his roses in a vase; then he looked at the photographs
on the mantel-piece; falling from these, his eyes rested for a moment in
idleness on a letter which bore the postmark "Bridgeport, Conn."

"Ah, here she is!" he cried, as a step sounded and the door-handle was
turned. Ora entered and closed the door; but she did not advance towards
him; the smelling-bottle was in her hand.

"I wrote you a note telling you not to come," she said.

"Thank heaven I didn't get it," he answered cheerfully. "I haven't been
home since the morning. You can't send me away now, can you?"

Ora walked slowly towards the sofa; he met her half-way and held out
both his hands; she gave him one of hers in a listless despairing
fashion.

"Oh, I know!" said he. "You've been making yourself unhappy?"

She waved him away gently, and sat down.

"What was in the note you wrote me?" he asked, standing opposite to her.

"That I could never see you again," she said.

"Oh, come!" Ashley expostulated with a laugh. "That's rather summary,
isn't it? What have I done?"

"Irene Kilnorton has been here."

"Ah! And was she disagreeable? She is sometimes--from a sense of duty or
what she takes for it."

"Yes, she was disagreeable."

"If that's all--" he began, taking a step forward.

"That's not all," Ora interrupted. "Are my eyes red?"

"You've not been crying?"

"Yes, I have," she retorted, almost angrily. "Oh, why did I go with you
on Sunday? Why did you make me go?"

She seemed to be conscience-stricken; he drew up a chair and sat down by
her. She did not send him away now but looked at him appealingly. She
had something of the air that she had worn in the inn parlour, but there
joy had been mingled with her appeal; there was no joy in her eyes now.

"We didn't do much harm on Sunday," he said.

"I believe I'm preventing you doing what you ought to do, what all your
friends wish for you, what would be best for you. It's just like me. I
can't help it."

"What are you preventing me from doing?"

"Oh, you know. Irene says you are quite getting to like her. And she's
so nice."

"But Lady Kilnorton's engaged already."

"You know I don't mean Lady Kilnorton. Don't make fun now, Ashley,
don't."

Ashley leant forward suddenly and kissed her cheek.

"Oh, that's not the least use," she moaned disconsolately. "If that was
all that's wanted, I know you'd do it." A mournful smile appeared on her
lips. "But it only makes it worse. I've made up my mind to something."

"So have I. I've made up my mind that you're the most charming woman in
the world, and that I don't care a hang about anything else."

"But you must, you know. We must be reasonable."

"Oh, I see Irene Kilnorton's been very disagreeable!"

"It's not Irene Kilnorton."

"Is it my true happiness, then?"

"No," said Ora, with another fugitive smile. "It's not exactly your true
happiness."

"Well, then, I don't know what it is."

Ora was silent for a moment, her dark eyes filled with woe.

"There's a letter on the mantel-piece," she said. "Will you give it to
me?"

He rose and took the letter. "This one from America?" he asked. "I say,
you're not going off there, starring, are you? Because I shall have to
come too, you know."

"No, I'm not going there." She took the letter out of its envelope.
"Read it," she said, and handed it to him.

Somehow, before he read a word of it, the truth flashed into his mind.
He looked at her and said one word: "Fenning?"

She nodded and then let her head fall back on the sofa. He read the
letter carefully and jealously; that it was written by a friend's hand
no doubt prevented Jack Fenning from saying more, as he himself hinted;
yet the colourlessness and restraint of what he wrote were a comfort to
Ashley.

He laid the letter down on the table and looked for a moment at his own
picture. Ora's eyes were on him; he leant forward, took her hand, and
raised it to his lips.

"Poor dear!" said he. Then he folded the letter, put it in its envelope,
laid the envelope on the mantel-piece, read Bridgeport, Conn., again on
the postmark, and, turning, stood looking down on her. He had not got
quite home to the heart of the situation. All that day long, as it
seemed to him, there had been ineffectual efforts to stop him, to turn
him from his path, and to rescue him from the impulses which were
carrying him along. The Buckingham Palace Road proposal, Irene
Kilnorton's hints, Alice Muddock's presence, had all been as it were
suggestions to him; he had not heeded the suggestions. Now came
something more categorical, something which must receive attention and
insisted on being heeded. Mr. Fenning had suddenly stepped out of
vagueness into definiteness, out of a sort of hypothetical into a very
real and pressing form of existence. He was now located in space at
Bridgeport, Connecticut; he was palpable in his written message; he
became urgent for consideration by virtue of his proposal. Ashley had,
in his heart, not taken Mr. Fenning very seriously; now Mr. Fenning
chose to upset his attitude in that respect in a most decisive fashion.
For whatever Ora decided to do, there must from now be a difference;
Ashley could not doubt that. She might accept her husband's proposal; in
that case her whole life was changed and his with it. She might refuse
to have anything to do with it; but then would not the discarded but
legitimate claimant on her affections and her society force her and him
out of the compromise under which they now sheltered themselves? Either
way, Jack Fenning must now be reckoned with; but which was to be the
way?

With a curious sense of surviving ignorance, with an uncomfortable
recognition that he was only at the beginning of the study and on the
outskirts of a knowledge of the woman whom he already loved and held
nearest to him of anybody in the world, Ashley discovered that he had no
idea in which way Ora would face the situation, what would be her
temper, or what her decision. For the first time in their acquaintance a
flash of discomfort, almost of apprehension, shot across his mind. Was
she as alien, as foreign, as diverse from him as that? But he would not
admit the feeling, would not have it or recognise it; it was absurd, he
told himself, to expect to foresee her choice, when he knew so little of
the factors which must decide it. Did he know Fenning, had he been privy
to their married life? Not in her but in the nature of the case lay the
puzzle. He dismissed his doubt and leant down towards the sad beautiful
face beside him.

"Well, dear?" he asked, very gently.

"I'm going to tell him to come," said she.



CHAPTER IX

RENUNCIATION: A DRAMA


The words in which Ora declared her intention of recalling Jack Fenning
to her side and of taking up again the burden of married life sounded
like the statement of a firm, unalterable, and independent resolution;
after them it seemed as though Ashley had only to bow his head and go
his ways; his task would be, if not easy, yet plain and simple. But with
the brave sound came the appealing glance; the words were uttered more
like a prayer than a decree. She had thrown herself on his mercy in the
inn parlour on the Sunday; she appeared to throw herself on his mercy
again now, and in reality to await his determination rather than
announce her own. But she was eager to win from him the verdict that she
suggested; she was not hoping for a refusal while she satisfied
appearances by asking. The appeal was full of fear and doubt, but it was
genuine and sincere. Her eyes followed him as he walked to the window
and as he came back and stood again before her; she watched the struggle
in him with anxiety. Once she smiled faintly as though to show her
understanding and her sympathy with what was passing in his mind. "I
feel all that too," she seemed to say.

"Have you quite made up your mind?" he asked her at last. "You've
realised what it means? I don't know him, of course, and you do. Well,
can you do it?"

"I must do it. I ought to do it," she said pathetically. "You know I
ought to do it."

He shrugged his shoulders; probably she was right there, unless Jack
Fenning were a much worse calamity than he had any good reason for
supposing; certainly everybody would hold her right, everybody who had
not queer theories, at least.

"You must help me," she said. He was silent. She rose and came to stand
by him, speaking to him in a low whisper. "Yes, you must help me, you
must make me able to do it. I can do it if you help me, Ashley. It is
right, you know."

A hint of amusement shewed itself in his face.

"Perhaps, but I shouldn't have thought I could help you much," he said.
"Unless you mean by going away and staying away?"

"Oh, no, no," she cried in terror. "You mustn't go away, you mustn't
leave me alone, I should die if you did that now. It's a thing for both
of us to do; we must help one another. We shall make one another
stronger. Don't you see what I mean? You won't go?"

He had not fathomed her mood yet, but only one answer to her prayer was
possible.

"I won't go as long as you want me," he said.

"You promise? You promise me that?" she insisted.

"Yes, I promise," he assured her with another smile.

"And you'll make it easy for me?" She, in her turn, smiled a moment. "I
mean you won't make it too difficult? I must be good, you must let me be
good. Some people say you're happy when you're good. I wonder! I shall
be very miserable, I know."

The tears were standing in her eyes; she looked indeed very miserable;
he kissed her.

"Yes," she murmured, as though he had told her in words that he pitied
her very much; she preserved that childlike sort of attitude towards
caresses; to Ashley it seemed to make kissing her almost meritorious.
She saw no inconsistency between accepting his kisses and holding to her
heroic resolution; it seemed almost as though she must be kissed to
enable her to hold to her resolution; it was the sympathy, or even the
commendation, without which her virtue could not stand.

"I can do it," she said plaintively. Then she drew herself up a little.
"Yes, I can," she repeated proudly, "I'm sure I can. We can do what we
ought, if we try. Oh, but how I shall hate it! If only it had come a
little sooner--before--before our Sunday! It wouldn't have been so bad,
then."

"No, it wouldn't," he said.

"Poor Ashley!" she said, pressing his hand. "Will it be very hard for
you?"

He answered with the shamefaced brevity and reserve with which men,
trained as he had been, confess to emotion.

"I shan't like it, naturally."

"But you must be strong too," she urged. "We must make each other
strong." She returned with evident comfort to this idea of their helping
one another; they were to fight as allies, in a joint battle, not each
to support a solitary unaided struggle. To most people it would have
seemed that they would make one another weak. Ora was sure of the
contrary; they would make one another strong, support one another
against temptation, and applaud one another's successes. She could be
good, could be even heroic, could perform miracles of duty and
resignation, if she had the help of Ashley's sympathy and the comfort of
his presence. And he would feel the same, she thought; she could soften
the trial to which she was obliged to subject him; she could console
him; her tender grief and her love, ardent while renouncing, would
inspire him to the task of duty. She grew eager as this idea took shape
in her mind; she pressed it on him, anxious to make him see it in the
aspect in which she saw it, to understand the truth and to appreciate
the beauty that lay in it. She was sure it was true. It surprised her to
find this beauty also in it. But if they separated now, cut themselves
adrift from one another, and went off their different ways, all that
drew her in the picture would be destroyed, and she would be left
without the balm of its melancholy sweetness. She tried by every means
in her power to enlist him on her side and make him look at the question
as she looked at it.

Always obedient to her pleading orders, never able openly to reject what
she prayed him to accept, Ashley feigned to fall in with an idea which
his clearsightedness shewed very much in its real colours and traced to
its true origin. It had begun in the instinctive desire not to lose him
yet, to put off the day of sacrifice, to reconcile, so far as might be
possible, two inconsistent courses, to pay duty its lawful tribute and
yet keep a secret dole for the rebel emotion which she loved. Up to this
point she was on ground common enough, and did only what many men and
women seek and strive to do. Her individual nature shewed itself in the
next step, when the idea that she had made began to attract her, to grow
beautiful, to shape itself into a picture of renunciatory passion,
moving and appealing in her eyes. But there must be other eyes; he too
must see; by interchange of glances they must share and heighten their
appreciation of what they were engaged on. Her morality, her effort to
be, as she put it, good, must not only be liberally touched by emotion;
it must be supported and stimulated by sympathetic applause. Reluctantly
and almost with a sense of ungenerousness, as though he were
criticising her ill-naturedly, he found himself applying to her the
terms of her own art, beginning to see her in effective scenes, to
detect an element of the theatrical in her mood. This notion came to him
without bringing with it any repugnance and without making him impute to
her any insincerity. She was sincere enough, indeed absolutely engrossed
in her emotion and in the picture her emotion made. But the sincerity
was more of emotion than of purpose, and the emotion demanded applause
for the splendid feat of self-abnegation which it was to enable her and
him to achieve. He was quite incapable of casting this glamour round his
own share in the matter, but he strove to feel and perceive it in hers
as she pleaded softly with him that he should not leave her to struggle
in grim solitude. And he was glad of any excuse for not leaving her.

"I can't think yet of what it will be like when he's come," she said. "I
mustn't think of that, or--or I couldn't go on. I must just do it now;
that's what we've got to do, isn't it? We must get it done, Ashley, and
leave all the rest. We must just do what's right without looking beyond
it."

"There's no particular good in looking forward," he admitted ruefully.
"You're quite clear about it?"

"Oh, yes, aren't you? I'm sure you are." She looked at him
apprehensively. "You mustn't turn against me. I can be strong with you
to help me; I couldn't be strong against you." Her voice fell even
lower. "Not for an hour," she ended in a whisper.

Again she threw herself on his mercy; again he could not fail her or be
deaf to her prayer.

"If you think it right, I can say nothing against it," he said.

"No. You wouldn't be happy if you did; I mean if you did persuade me to
anything else. I know there aren't many men like you, capable of doing
what you're going to do for me. But you can do it."

He perceived the glamour encircling him now as well as her; quarrelling
with his own words, still he said to himself that his part also was to
be an effective one; she was liberal to him and shewed no desire to
occupy all the stage; her eyes would be as much for him as for herself.

"And because you're strong, I can be strong," she went on. "We shall
both be glad afterwards, shan't we?"

"Let's rest in the consciousness of virtue, and never mind the
gladness," he suggested.

Ora discarded the gladness almost eagerly.

"Yes," she said. "Because we shall both be terribly unhappy. We've got
to face that. We aren't doing it blindly. We know what it means."

He doubted greatly whether she knew what it meant; she could not realise
its meaning so long as she refused to look forward or to consider the
actual state of things when Jack Fenning had arrived, so long as she
preferred to concentrate all her gaze on the drama of renunciation which
was to precede and bring about his coming. But in all this there was
only an added pathos to him, a stronger appeal to his compassion, and an
insuperable difficulty in the way of even trying to make her understand;
such an attempt seemed brutal in his eyes. He could comfort her now; he
could not tell her that when the moving scene ended with the entrance of
Jack Fenning he would be able to comfort her no more.

The same mood which prevented her from looking forward made her
reluctant to talk of her husband as he actually was. Under pressure of
Ashley's questions she told him that she had begun by loving Jack and
had gone on liking him for some little while; but that he bore poverty
badly and yet was indolent; that he often neglected her and sometimes
had been unkind; that he was very extravagant, got into terrible money
difficulties, and had been known to turn to the bottle for relief from
his self-created troubles. But she became very distressed with the
subject and obviously preferred to leave Jack Fenning vague, to keep him
to the part of a husband in the abstract. This was all the drama
needed--a husband accepted in duty but no longer loved or desired; the
personal characteristics or peculiarities of the particular husband were
unessential and unimportant. Ashley was surprised to find how little he
had learnt about Mr. Fenning. But he was learning more about Mr.
Fenning's wife.

"It's not what he is," urged Ora, "it's what we've got to do."

By now Ashley felt irrevocably coupled with her in a common task; and to
him at least the precise character of the husband was not important.
They were to act on the high plane of duty; Jack's past misdeeds or
present defects were to be of no moment except in so far as they might
intensify the struggle and enhance the beauty of renunciation. Ashley
was so far infected with her spirit that he was glad to be left with a
number of impressions of Jack Fenning all vaguely unfavourable.

"Nothing will ever alter or spoil the memory of our Sunday," she said.
"It'll be there always, the one sweet and perfect thing in life. I think
we shall find it even more perfect because of what we're going to do. I
shall think about it every day as long as I live. I think it helps to
have been happy just once, don't you? It'll never be as if we hadn't
known we loved one another."

With the dismissal of the topic of Jack Fenning's character and the
acceptance of the position that they were not to look forward beyond the
act of renunciation, Ora had grown composed, cheerful, and at moments
almost gay. Already she seemed to have triumphed in her struggle, or
their struggle as she always called it; already she was minded to
exchange congratulations with her ally. Her mere presence was such a
charm to him as to win him to happiness, even while they were agreeing
that happiness was impossible; the sense of loss, of deprivation, and of
emptiness was postponed and could not assert itself while she moved
before his eyes in the variety of her beauty and grace. Though he could
accord but a very half-hearted adhesion to the scheme she had planned,
again he welcomed it, because for the time at least it left her to him;
nor could he be altogether sorrowful when she made her great and
confessed love for him the basis on which the whole plan rested, the
postulate that gave to the drama all its point and to the sacrifice all
its merit. If she were triumphing in renunciation, he triumphed in a
victory no less great, and hardly less sweet because the fruits of it
were denied to him, because it was to rank as a memory, and not to
become a perpetual joy. At least she loved him, trusted him, depended on
him; he was to her more than any man; he was her choice. He would not
have changed parts with Jack Fenning although he had to go out of her
life and Jack was coming into it again. Surely to be desired is more
than to possess?

"I suppose people suspect about us," she said. "I'm sure Irene does, and
I think Miss Muddock does. But we've nothing to be ashamed of; we can't
help loving one another and we're going to do right." She paused a
moment, and then, looking at him with a timid smile, added, "How
awfully surprised everybody will be when they hear that Jack's coming
back! I think a lot of them hardly believed in him."

No doubt she divined accurately the nature of a considerable body of
opinion.

"I daresay not," said Ashley. "You'll tell people what's going to
happen?"

"Just my friends. It would look so odd if he came without any warning."

It could not be denied that she was interested in thinking of the effect
which her news would create. She saw herself telling it to people.

"Of course I shall announce it as if it was the most ordinary thing,"
she went on. "You must do the same; say I told you about it. They'll be
rather puzzled, won't they?"

"Oh, my dear!" said he, half laughing, half groaning, as he took her
hand for a moment and pressed it lightly. "Yes, I daresay they'll be
puzzled," he added with a rueful smile.

"We mustn't shew we notice anything of that sort," pursued Ora. "Nobody
must see what it is we're really doing. They won't know anything about
it." Her eyes fixed themselves on his. "I daresay they'll suspect," she
ended. "We can't help that, can we?"

"We must keep our own counsel."

"Yes. If they like to talk, they must, that's all."

She had more to say of this secret of theirs, talked about, guessed at,
canvassed, but not fully understood and never betrayed; it was to be
something exclusively their own, hidden and sacred, a memory for ever
between them, a puzzle to all the rest of the world.

"I daresay they'll guess that we care for one another," she said, "but
they'll never know the whole truth. I expect they wouldn't believe in
it if they did. They wouldn't think we could do what we're going to."

Not till he prepared to go did her sorrow and desolation again become
acutely felt. She held his arms and prayed him not to leave her.

"You must rest a little while and eat something before you go to the
theatre," he reminded her.

"No, no, don't leave me. Stay with me, do stay with me. Why can't I
always have you with me? Why shouldn't I? How cruel it is!" She was
almost sobbing. "Ashley, don't go," she whispered.

"Well, I won't go," he said. "I'll stay and dine with you and take you
to the theatre."

"And fetch me home afterwards?"

"No, I don't think I'll do that as well."

"Why not?" she asked resentfully. Ashley shook his head. After a long
look at him Ora sighed deeply. "I suppose you'd better not," she
admitted. "But you'll stay now, won't you?" She ran across to the bell
and rang it; her tone was gay as she told Janet that Mr. Mead would dine
with her; between being left now and being left two hours hence a gulf
of difference yawned.

"I'm afraid there's not much dinner, ma'am," said Janet in a
discouraging, perhaps a disapproving, way.

"Oh, you won't mind that, will you?" she cried to Ashley, and when Janet
went out she sighed, "It's so nice to have you." His smile had mockery
in it as well as love. "It's for such a little while too," she went on.
"Presently I shan't have you at all."

The little meal that they took together--Ashley ignoring an engagement
to dine with friends, Ora seeming unmindful of things much harder to
forget--was not a sorrowful feast. The shadow of the great renunciation
did not eclipse Ora's gaiety, but tempered it with a soft tenderness.
None of her many phases had charmed her friend more; never had she
seemed stronger in her claim on his service, more irresistible in the
weakness with which she rested her life on his. His taste, his
theoretical taste, had not been for women of this type, but rather, as
he used to put it, for a woman with a backbone, a woman like Alice
Muddock; theoretical preferences exist to be overthrown.

The unpretentious "jobbed" victoria was waiting at the door, and at last
Ora made up her mind to start. It was but a little after seven, the
streets were still light and full. The beginning of the renunciation
might have seemed a strange one to the passer-by who recognised the
occupants of the victoria. Many looked at Ora, thinking they had seen
her before; some certainly knew her, some also knew Ashley. In reply to
a not very serious expostulation from her companion Ora declared that it
did not matter if people gossipped a little, because her announcement
would put an end to it all directly; meanwhile shouldn't they enjoy
themselves while they could? "If you hadn't taken me to the theatre
to-night, I could never have got there," she declared with conviction.
Ashley knew quite well that this was not literal truth and that she
would have gone anyhow; whatever had happened to her, her instinct would
have taken her; but the untruth had a truth in it and she thought it all
true. It was an instance of the way in which she had put herself in his
hands, had told him what she wanted him to do with her, and was now
leaving him to do it. He had, in a slang phrase which came into his
mind, "to see her through;" he had to ensure that the great renunciation
should be properly carried out. It was consoling, although no doubt
somewhat whimsical, that the renunciation should seem to excuse what
but for it would have been condemned as an imprudence, and, while
dooming them to ultimate separation, should excuse or justify them in
being as much together as they could in the present. It was "only for a
little while;" the coming of Jack Fenning would end their pleasant hours
and silence those who cavilled at them. The consciousness of their
approaching virtue bred in Ora, and even in Ashley to some degree, both
a sense of security and a tendency to recklessness; it seemed as though
they had had no reason to fear either themselves or other people.

"You might come and fetch me afterwards," she said coaxingly.

But here he stood firm and repeated his refusal. She seemed surprised
and a little hurt. But at the moment Babba Flint lifted his hat and
bowed from the pavement with much _empressement_.

"The story of our drive will be half over London by midnight," said
Ashley.

"It doesn't matter now," she assured him, lightly touching his hand.

"Shall you write soon?" he asked.

"Yes, to-morrow," she said. An idea seemed to strike her. "Hadn't I
better telegraph?" she asked.

"Wouldn't that look unnecessarily eager?" he suggested. The notion of a
telegram stirred a jealousy, not of any real fact, but of the impression
that it might convey to Mr. Fenning. He did not wish Jack Fenning to
suppose that his home-coming was joyously awaited. Ora had been caught
with the attraction of a telegram; it would emphasise the renunciation;
but she understood the objection.

"No," she said, "I'd better write. Because I shall have to explain the
reasons for what I'm doing and tell him how--how we're to be to one
another." She glanced at Ashley. He was looking straight in front of
him. "I'll shew you the letter," she said in a low voice.

"I don't want to see the letter; I won't see it," he returned.

"Oh, it is hard for both of us!" she sighed. "But you know, dear, you
know so well what you are to me; nobody ever has been or ever will be
what you are. Won't you see the letter?"

"No, I won't see the letter."

Ora was disappointed; she would have liked sympathy and appreciation for
the letter. Since these were not to be had, she determined to send quite
a short business-like letter.

"No," she said. "I won't enter on any sort of discussion. I shall just
tell him that I don't feel justified in refusing him leave to come.
That'll be best; afterwards we must be guided by circumstances."

The "we" amused Ashley, for undoubtedly it served to couple Ora and
himself, not Ora and her husband; from time to time he awoke for a
moment to the queer humour of the situation.

"We must see how he behaves himself," he said,--smiling.

"Yes," she assented gravely, but a moment later, seeing his amusement,
she broke into a responsive laugh, "I know why you're smiling," she said
with a little nod, "but it is like that, isn't it?"

Perhaps for the time it was, but it was very clear to him that it could
not go on being. Professing to think of nothing but the renunciation,
she had begun to construct an entirely impossible fabric of life on the
basis of it. In this fabric Ashley played a large part; but no fabric
could stand in which both he and Jack Fenning played large parts; and
Jack's part was necessarily large in any fabric built with the
renunciation for its cornerstone. Else where was the renunciation, where
its virtue and its beauty?

To see the impossibility of a situation and its necessary tendency to
run into an _impasse_ is logically the forerunner to taking some step to
end it. Since, however, logic is but one of several equal combatants in
human hearts, men often do not act in accordance with its rules. They
wait to have the situation ended for them from without; a sort of
fatalism gains sway over them and is intensified by every growth of the
difficulty in which they find themselves. Unconvinced by Ora's scheme
and not thoroughly in harmony with her mood, Ashley acted as though the
one satisfied and the other entirely dominated him. When they parted at
the theatre door there were two understandings arrived at between them,
both suggested by her, both accepted obediently by him. One was that he
should not fail to come and see her next day, and the day after, and the
day following on that; to this he pledged himself under sanction of his
promise to be her ally in the struggle and not to forsake her. The other
arrangement was that the letter of recall should be written and
despatched to Jack Fenning within twenty-four hours. Ora reluctantly
agreed that Ashley should not have any hand in its composition or even
see it before it was sent, but she was sure that she not only must but
also ought to render to him a very clear and full account of all that it
did and did not contain.

"Because," she said, as she gave him her hand in unwilling farewell,
"we're going to fight this battle together, aren't we?" He nodded. "I
couldn't fight it without you, indeed I couldn't," were the last words
she spoke to him; they came with all the added force of the last
imploring look from her eyes and the last pleading smile on her lips.

Then the theatre swallowed her up, and he was left to walk home, to
remember his neglected engagement, to telegraph excuses in regard to it,
then speedily again to forget it, and to spend an evening in which
despair, wonder, tenderness, and amusement each had their turn with him.
He had not lost her yet, but he must lose her; this idea of hers was
absurd, ludicrous, impossible, yet it was also sweet, persuasive, above
all expressive of her in her mingled power and weakness. It was herself;
and from it, therefore, he could no more escape than he could from her.



CHAPTER X

THE LICENCE OF VIRTUE


Irene Kilnorton was in a state of pardonable irritation; just now she
often inclined to irritation, but the immediate cause of this fit and
its sufficient excuse lay in Babba Flint's behaviour. If only he could
have believed it, he always annoyed her; but it was outrageous beyond
the common to come on her "At Home" day, and openly scout her most
interesting, most exciting, most comforting piece of news. He stuck his
glass in his eye, stared through it an instant, and dropped it with an
air of contemptuous incredulity.

"She told me herself," said Irene angrily. "I suppose that's pretty good
authority."

"The very worst," retorted Babba calmly. "She's just the person who has
an interest in spreading the idea. Mind you, I don't say he doesn't
exist; I reserve judgment as to that because I'm aware that he used to.
But I do say he won't turn up, and I'm willing to take any reasonable
bet on the subject. In fact the whole thing is as plain as a pikestaff."

"What whole thing?" She spoke low, she did not want the rest to hear.

Babba spread his hands in a deprecating toleration for his hostess'
density.

"She's everywhere with Mead," he said. "Drives to the theatre with him,
you know, walks with him, talks about him."

"That doesn't explain anything, even if it's true."

"Doesn't it? When you're being indiscreet, lay emphasis on your husband.
That's the standing rule, Lady Kilnorton. You'll see; when she gets
tired of Mead, we shall hear no more of Jack Fenning."

Irene looked at him resentfully; he was abominably confident. And after
all Ora was a strange being; in spite of their friendship, still outside
her comprehension and not reducible to her formulas.

"But she's full of his coming," she expostulated. "She's--well, not
exactly glad, I suppose--"

"I should suppose not," smiled Babba.

"But quite excited about it. And Mr. Mead knows he's coming too."

"No doubt Mead says he knows he's coming." Babba had once served his
articles to a solicitor, and reminiscences of the rules of evidence and
the value of testimony hung about him.

"Well, I believe he'll come," Irene declared with external firmness and
an internal faintness.

"He won't, you'll see," returned Babba placidly.

Desiring an end to this vexatious conversation, Irene cast her eyes
round her guests who were engaged in drinking tea and making talk to one
another. Her glance detached Bowdon from his attendance on Minna Soames
and brought him to her side; Babba, however, did not move away.

"The whole thing is very likely a despairing effort of Miss Pinsent's
conscience," he said. "How are you, Lord Bowdon?"

"Ah, Babba, you here? Gossipping as usual, I see."

"He says Ora's husband won't come."

"Well, he doesn't know anything about it."

"I'll take six to four," said Babba eagerly.

"I don't think I care to bet about it," said Bowdon.

"Ah, I expect not!" For Babba the only possible reason against making
any bet in the world was the fear of losing it.

"Do go and talk to Minna Soames," Irene implored him. "She'll be ready
enough to disbelieve anything creditable about poor Ora." Babba smiled
knowingly and began to edge away. Bowdon sat down by his _fiancée_. "I
do believe it, you know," she said, turning to him. Babba looked back
with a derisive smile.

"Why should she say it, if it's not true?" asked Irene, addressing
Bowdon and pointedly ignoring Babba.

"Oh, no doubt it's true," said Bowdon. "Why shouldn't it be true?"

Babba had put forward the constant companionship of Ora and Ashley Mead
at once as evidence that the report was not true and as the explanation
of its being circulated; Irene was inclined to attribute to it only the
first of these functions.

"She goes on very oddly, if it is," she murmured. "But then she is odd."

"It's true, depend upon it," said Bowdon.

His solid persistence both comforted and exasperated her. She desired to
think the report true, but she did not wish him to accept it merely in
the unquestioning loyalty to Ora Pinsent which his tone implied. A thing
was not true simply because Ora chose to say it; men lose all their
common-sense where a woman is concerned; so say women themselves; so
said Irene Kilnorton.

"What impresses me," she went on, "is that Ashley Mead told me."

"I suppose he got his information from her."

"Of course; but he can judge." She paused and added, "It's a very good
thing, if it is true."

"Is it?" asked Bowdon. The question was an almost naked dissent.

Irene looked at him severely.

"It seems to me," she observed, "that men ought to pretend to approve of
respectability. One doesn't ask them to be respectable."

"The man's a scamp, according to all accounts."

"He's her husband."

"He'll make her miserable, and take her money, and so on."

"No doubt his arrival will be inconvenient in a good many ways," Irene
allowed herself to remark with significant emphasis. She had, she
declared, no patience with the way men looked at such things; the man
was the woman's husband after all. She found growing in her a strong
disposition to champion Mr. Fenning's cause through thick and thin. "We
don't know his version of the case," she reminded Bowdon after a pause.

"Oh, that's true, of course," he conceded with what she felt was an
empty show of fairness. In reality he had prejudged the case and
condemned the absent and unheard defendant. That was because he was a
man and Ora Pinsent good-looking; a habit regrettable in men generally
becomes exasperating, almost insulting, in one's own lover, especially
with circumstances of a peculiar nature existing in the past and still
very vivid in memory.

One way in which the news affected Bowdon he had allowed Irene to
perceive; he was not at his ease as to how Ora would fare, and there was
a touch of jealousy in his picture of Mr. Fenning's probable conduct.
But he was conscious also of thankfulness that he had escaped from the
sort of position in which he might have been placed had he yielded to
his impulse, and in which, so far as he saw, Ashley Mead was now
involved. His dignity would not have suffered him to enter into any
rivalry with Fenning, while to leave the field clear to Fenning would
have been a sacrifice hard to make. From this evil fortune the woman by
him had rescued him, or enabled him to rescue himself, and he was full
of gratitude to her; while she was still resenting the jealousy which he
had betrayed with regard to Ora Pinsent, he surprised her by some
whispered words of more tenderness than he commonly used and by a look
which sent new hope through her. Suddenly she grasped that this event
might do what she had not been able to do, might reconcile him to what
was, gradually wean him wholly from the thought of what might have been,
and in the end render him to her entirely her own in heart and soul. She
would be very grateful to Jack Fenning if he accomplished that for her;
he would have remade her life.

"You're quite gallant to-day," she whispered with a blush and a glad
sparkle in her eyes. "We were very nearly quarrelling just now, weren't
we?" she asked with a bright smile.

"We'll never be nearer, my dear," he answered; he had the most intense
desire to please her.

"And about this Fenning man! Imagine!" she whispered in scornful
amusement.

Bowdon went off to the House and the other guests took their leave. When
all had gone Alice Muddock arrived; the two ladies had arranged to dine
and spend a quiet hour together before they went to the parties for
which they were engaged. When they were left alone Alice, with a sigh,
told her friend that Queen's Gate seemed like a refuge.

"We've been so uncomfortable at home the last few days," she explained.
"At least I've found it very uncomfortable. You know about Ashley and
the business? Well, father's furious with him about it, so's Bob, so's
my stepmother, of course. And then--" She paused as though in
hesitation.

"Well, and then?" asked Irene Kilnorton.

"Bob's brought home a lot of gossip about him from the club. Has Mr.
Flint been here?" Lady Kilnorton nodded tragically. "He told Bob
something, and father's furious about that too. So he won't hear
Ashley's name mentioned, and takes his revenge by having Bertie Jewett
always in the house. And I don't think I much like Bertie Jewett, not
every day anyhow."

"I've only just made his acquaintance--through your brother."

"Oh, he's just what he would be; it's not his fault, you know." She
began to laugh. "He pays me marked attentions."

"The Industrious Apprentice!" said Irene with a nod. "Ashley's the idle
one."

"It's all very absurd and very tiresome." She had risen and walked
across the room. From the other end of it she asked abruptly, "What do
they say about him and Miss Pinsent?"

"Oh, my dear, what don't they say about everybody?"

"I don't believe it. I like her; and of course I like him."

"And I expect they like one another, so it's all harmonious," said
Irene; but she repented the next moment. "I don't believe anything bad.
But he's very silly about her. It'll all pass." After a moment, thanks
to the new hope in her, she added a courageous generalisation. "Such
nonsense never lasts long," she said. Then she looked at Alice, and it
struck her suddenly that Alice would have referred to the news about
Jack Fenning, had she known it; it seemed odd that everybody should not
have heard of a subject so rich in interest.

"You know about Mr. Fenning?" she asked.

"Mr--? Oh, yes! You mean Miss Pinsent's husband? I know she has a
husband, of course."

Then she did not know the new development.

"I've got a bit of news for you," said Irene luxuriously. "Guess."

"I won't guess even to please you. I hate guessing."

"Well, Mr. Fenning's coming home. I'll tell you all about it."

Beyond the bare fact there was in reality very little to tell, but the
fact was capable of being clothed with so much meaning, of being
invested with so many attendant possibilities, of taking on such various
colours, that it seemed in itself a budget of news. Alice did justice to
its claims; she was undeniably interested; the two found themselves
talking it over in a vein which prevented them from pretending to one
another that they were not both excited about it. They felt like allies
who rejoiced together at the coming of a reinforcement. Irene's
satisfaction was open and declared; Alice was more reticent and inclined
to thoughtfulness. But even as an abstract existence on the other side
of the world Mr. Fenning had comforted her; his virtue as a balm was
endlessly multiplied by the prospect of his arrival in concrete form and
flesh.

"The men amuse me," said Irene loftily. "They're all pitying Ora; they
don't seem to give a thought to poor Mr. Fenning."

"Have you seen Ashley since--since the news came?"

"Yes, but only for a minute. He mentioned it as certain, but quite
indifferently. Of course he'd pretend to be indifferent."

"I suppose so," said Alice. "Perhaps he is really."

"How can he be?"

"Perhaps he means to take no notice of Mr. Fenning."

"My dearest Alice!" cried Irene. "You absolutely shock me. Besides it
isn't like that at all. Ora's most excited about his coming. I can't
make them out, though."

They fell to debating the constant companionship; the drive to the
theatre, improved by Babba Flint's tongue into an invariable habit, was
a puzzle, fitting very badly with an excited interest in Mr. Fenning's
return. From these unprofitable enquiries they agreed to retreat to the
solid basis of hope which the reappearance of the husband gave; on that
they congratulated one another.

Common danger breeds candour; common good fortune breeds candour;
finally, a _tête-à-tête_ dinner breeds candour. By the time they reached
the sweets Irene Kilnorton, in the course of a demonstration that Ashley
must and would get over his infatuation, that such nonsense never
lasted, and that Mr. Fenning's return would put a summary end to
anything of the sort, had confided to her friend that just for a little
while Lord Bowdon had shewn signs of an inclination to hover round the
same perilous flame. She was able to reveal the secret now, because she
was so full of hope that it was all a thing of the past; she found her
confidence itself strengthened by a bold assertion of it.

"Frank's got over it pretty quickly, anyhow," she ended with a secure
laugh.

Alice was not so expansive, she had not victory to justify her; she said
nothing in words, but when Irene accompanied her "It'll all come right,
dear, you'll see," with a squeeze of the hand, she blushed and smiled,
returned the squeeze, and kissed her friend on the first convenient
opportunity. For all practical purposes the confession was complete, and
the alliance sealed anew,--with the addition of a third, involuntary,
and unconscious member in the person of Mr. Jack Fenning of Bridgeport,
Connecticut.

At Alice's party Ashley Mead appeared. Lady Muddock made timid efforts
to avoid him and ludicrously timid attempts to snub him. He laughed at
both, and insisted on talking to her with great cordiality for ten
minutes before he carried Alice off to supper. Her he treated with even
more than his usual friendly intimacy; he surprised her by displaying
very high spirits. All went well with him, it seemed; he had been paid
fine compliments on his work as secretary to the Commission; his
acceptance of the post promised to help rather than hinder him at the
Bar; he had received a suggestion that he should try his hand at a
couple of articles a week for an important journal.

"It's all quite wrong, of course," he said, laughing. "After refusing
Buckingham Palace Road, I ought to be reduced to starvation and have to
crawl back like the Prodigal Son. But the course of events is terribly
unregenerate; it's always missing the moral. The world isn't very moral,
left to itself."

Alice loved him in this mood of gaiety; her own serious and sober
disposition found relief in it. But she liked it more as a flower of
talk than as a living rule of action.

"I'm so glad," she said, with full sincerity. "Of course I knew that
your getting on was only a matter of time."

"I really believe," he said, "that I've at last just got the knife
between the outside edges of the oyster shell. I hope it's a good oyster
inside, though!"

"It's sure to be a good one for you," was her answer. She could not help
giving him that sort of answer; if it betrayed her, she must bear the
betrayal. She gave him the answer even now, when he was under the ban of
heavy disapproval on account of Ora Pinsent. But she wondered to find
him so gay, in a state of such contentment with the world, and of such
interest in it. Bearing in mind what she now knew, she would not have
marvelled to find him in deepest depression or even in a hardly
controlled despair. He looked down in her face with a merry laugh and
some trifling joke which was only an excuse for it; his eyes dwelt on
her face, apparently in a frank enjoyment of what he found there. But
what could he, who looked daily on the face of Ora Pinsent, find there?
His pleasure was absurd, she told herself, but it won upon her; at least
she was not boring him; for the moment anyhow he was not wishing himself
somewhere else. Here was a transient triumph over the lady with whom the
gossips linked his name; to Alice's modesty it was much to make
forgotten in absence one in whose presence she herself must have been at
once forgotten.

He began to flirt with her; he had done the same thing before, now and
then, by way of a change she supposed, perhaps lest their friendship
should sink too far into the brotherly-sisterly state. She desired this
state less than he, but his deviations from it brought her pleasure
alloyed with pain. Indeed she could not, as she admitted, quite
understand flirtation; had it been all pretence she could have judged
and would have condemned, but a thing so largely made up of pretence,
and yet redeemed from mere pretence by a genuineness of the moment's
mood, puzzled her. Fretfully aware of a serious bent in herself, of a
temper perilously near to a dull literalness, she always tried to answer
in kind when he, or indeed anybody else, offered to engage in the game
with her. When it was Ashley she used to abandon herself, so far as her
nature allowed her, to the present pleasure, but never got rid of the
twofold feeling that he did not mean what he said and that he ought to
mean more than he said. That he should flirt with her now was especially
strange. She did not do him the injustice of supposing that he was
employing her merely in order to throw the critics of his relations with
Ora off the scent. She came nearer to the truth in concluding that the
flirtation, like the rest of his bearing, was merely an outcome of
general good-humour. The puzzle was postponed only one stage; how could
he be in good-humour, how did he contrive to rejoice in his life and
exult in it? He was in love with Ora Pinsent; such a love was hopeless
if not disastrous, disastrous if not hopeless; in any aspect that she
could perceive it was irremediably tragic. But Ashley Mead was radiant.

The idea which Irene Kilnorton said absolutely shocked her recurred as a
possible explanation; did he mean to take no notice of Mr. Fenning? An
alarmed horror filled her; her love and her moral code joined in an
urgent protest. Such a thing would mean degradation for him, it might
mean ruin or something like it for his career; besides that, it must
mean an end of him so far as she was concerned; it would set an
impenetrable insurmountable barrier between them. But how did men
approach a determination like that? Surely through sorrow, gloom, and
despair? Ah, but there was sometimes a mad desperate gaiety that went
with and covered such a resolve. She looked at him with a sudden
distress that showed itself in her eyes and parted lips. The change in
her caught his notice, but she was too engrossed with her fear to feel
embarrassment or false shame. He broke off what he was saying to ask,
"Why, what's the matter, Alice? Have you seen a ghost drinking
champagne?"

"They say you're being very foolish," she answered in a low steady
voice, not moving her eyes from his face. "Oh, Ashley, you're not going
to--to do anything mad?"

A pause followed; presently he looked at her and said, with seeming
surprise,

"Have you been thinking of that all the time?"

"No, only just now."

"Why? I mean, what made you think of it?"

"I've heard things. And you were so--I can't say what I mean! When
people are very gay and in great spirits, and so on, don't the Scotch
say they're fey, and that something will happen to them?"

"Most nations have said so," he answered lightly; but a slight frown
came on his brow, as he added, "So I'm fey, am I?" His laugh was a
little bitter.

"I've no right to speak to you."

"Every right." Whatever was in his face, there was neither offence nor
resentment. "Only it's not worth your while to bother," he went on.

"You know I think it is," she answered with simple directness.

He looked at her wistfully; for a moment there came to him such a mood
as had arrested Bowdon's steps and availed to turn his feet into a new
path. But Ashley's temper was not the same. He did not say that because
this path was the best it should be his, be the other ever so
attractive; he admitted with a sigh that the other was more attractive,
nay, was irresistible, and held on his way straight to it.

"You're one of the best people in the world, Alice," he said. And he
added, smiling, "Don't believe all you hear. Everybody is behaving very
properly."

"That's not the Kensington Palace Gardens' opinion."

"I'm afraid I'm damned for ever in Sir James' eyes. Bertie Jewett reigns
in my stead."

"Yes, that's it exactly," she agreed.

He shrugged his shoulders petulantly. "So be it," said he, with
contemptuous resignation. "Oh, I don't mean that I think you look at it
like that," he added an instant later.

She wanted to speak to him about what Irene Kilnorton had told her; her
desire was to hear from his own lips that he did not mean to take no
notice of Mr. Fenning. The subject was difficult of approach,
embarrassed by conventionalities and forbidden by her consciousness of a
personal interest. Before she could find any way of attacking it
indirectly, Ashley began to talk again fluently and merrily, and this
mood lasted until she parted from him; she had no further chance of
getting inside his guard, and went home, wondering still at his high
spirits. On the whole she had drawn comfort from the evening. She
decided to reject that far-fetched idea which called him fey because he
was merry, and to repose on two solid facts: the first being that Ashley
did not seem heart-broken, the second that Mr. Fenning was coming back
to his wife. Among any people whom she could measure or understand,
these two facts would have been of high importance, enough in themselves
to determine the issue. But she felt about Ashley something of the same
ignorance which paralysed all her efforts to understand Ora Pinsent or
to forecast the actions of that gifted but bewildering lady. Certainly
she would have been no more in her intellectual depth had she understood
that the doings which were setting Babba Flint's tongue and all the
other tongues a-wagging were simply a natural outcome and almost an
integral part of a great scheme of renunciation.

She could not be blamed. Ashley Mead himself was hardly less at a loss
on the occasions when he allowed himself to take thought concerning the
matter. But they were few; he could despair of the situation, and this
he did often when he was alone; he could accept it, as he came to do
when with Ora; he could abandon himself to the gaiety of the moment, as
in the mood in which Alice had found him. But he could not think out the
course of events. He had now only one clear purpose, to make things as
easy as he could to Ora, to obey her commands, to fall in with her idea,
to say nothing which would disturb the artificial tranquillity which she
seemed to have achieved. The letter had started on its way to Jack
Fenning, the renunciation was set on foot. The few days, the week or
two, that still remained to them seemed to make little difference. To
scandal he had become indifferent, the arrival was to confute it; of
pain he had become reckless since it was everywhere and in every course;
the opinions of his friends he gathered merely as a source of bitter
amusement; the good fortune on which he had allowed himself to descant
to Alice Muddock had a very ironical flavour about it, since it chose
to come at the time when it could afford him no real gratification, when
he was engrossed with another interest, when he had room only for one
sorrow and only for one triumph.

At supper at one of his clubs that night he chanced to find Mr. Sidney
Hazlewood, who was a member. Ashley sat down beside him at the table,
exchanging a careless nod. Mr. Hazlewood ate his supper with steady
silent persistence; Ashley made rather poor work of a kidney; he had not
really wanted supper, but preferred it to going home to bed.

"You're not conversational," he observed at last to Hazlewood.

"Afraid of interrupting your reverie," Hazlewood explained with a grim
smile.

"I shouldn't have sat down by you unless I'd wanted to talk. How's the
piece going?"

"First-rate. Thought you'd have known; you're about pretty often."

"Yes, but I generally omit to enquire at the box office," said Ashley
with an air of apology.

Mr. Hazlewood pushed back his chair and threw down his napkin. Then he
lit a cigar with great care and took several whiffs. At last he spoke.

"Mind you, Mead," said he with a cautious air, "I don't say it's wrong
of a man at your time of life to be a fool, and I don't say I haven't
been just as great a fool myself, and I don't say that you haven't a
better excuse for it than I ever had, and I don't say that half the men
in town wouldn't be just as great fools as you if they had the chance."

"I'm glad you're not going to say any of those absurd things," remarked
Ashley with gravity.

"But all I say is that you are a fool."

"Is that quite all?" asked Ashley.

Hazlewood's smile broadened a little.

"Not quite," said he. "I left out one word. An epithet."

Ashley surveyed him with a kindly and good-tempered smile.

"Well, old chap, I don't see how you could say anything else," he
observed.

It was merely one, no doubt a typical one, of the opinions that had for
the present to be disregarded. In due time the renunciation would
confound them all. Of this Mr. Hazlewood and his like foresaw nothing;
had it been shewn to them in a vision they would not have believed; if,
_per impossibile_, they believed--Ashley's lips set tight and stern as
imagination's ears listened to their cackling laughter. From of old
virtue in man is by men praised with a sneer.



CHAPTER XI

WHAT IS TRUTH?


There was one aspect of the renunciation on which Ora had the tact not
to dwell in conversation with her faithful ally; it was, however, an
added source of comfort to herself, and proved very useful at moments
when her resolve needed reinforcement. As an incidental result of its
main object, as a kind of byproduct of beneficence, the renunciation was
to make Alice Muddock happy. Ora had always given a corner to this idea.
To use the metaphor which insisted on occurring to Ashley, Alice had a
part--not a big part, but a pretty part; in the last act her faithful
love was to be rewarded. She would not (and could not consistently with
the plan of the whole piece) look to receive a passionate attachment,
but a reasonable and sober affection, such as her modest wisdom must
incline her to accept, would in the end be hers; from it was to spring,
not rapturous joy, but a temperate happiness, and a permanent union with
Ashley Mead. Ashley was to be led to regard this as the best solution,
to fall in with it at first in a kind of resignation, and later on to
come to see that it had been the best thing under the circumstances of
the case. Ora could bring him to perceive this (though perhaps nobody
else could); to her Alice would owe the temperate happiness, and Ashley
a settlement in life from all points of view most advantageous. Ora
herself continued to have a good deal to do with this hypothetical
wedded life; she pictured herself making appearances in it from time to
time, assuaging difficulties, removing misunderstandings, perhaps
renewing to Ashley her proof of its desirability, and shewing him once
again that, sweet as her life with him and his with her must have
proved, yet the renunciation had been and remained true wisdom, as well
as the only right course. These postnuptial scenes with Ashley were very
attractive to Ora in her moods of gentle melancholy. The picture of the
married life in the considerable intervals during which she made no
appearance in it, but was somewhere with Mr. Fenning, was left vague and
undefined.

Ora caught at a visit from Lord Bowdon as the first fruit of the
renunciation and a promise of all that was to follow after. He had not
come near her since the day when she dismissed him with her "Don't;"
within a week from the announcement of Mr. Fenning's approaching return
he paid a call on her. The inference was easy, and to a large extent it
was correct. Ora could not resist drawing her visitor and Irene
Kilnorton into the play; quite small parts were theirs, but they
furnished the stage and heightened the general impression. Their married
life also was to be tinged and coloured by the past; they also were to
owe something to the renunciation; it had restored to them complete
tranquillity, removed from him a wayward impulse, from her a jealous
pang, and set them both on the straight path of unclouded happiness. She
could not say any of this to Bowdon, but she hinted it to Ashley, who
laughed, and when Bowdon came she hinted to him her hopes concerning
Alice Muddock. He laughed like Ashley, but with a very doubtful
expression in his eyes. By now the world was talking rather loudly about
Miss Pinsent and Mr. Ashley Mead. Bowdon was inclined to think that his
hostess was "humbugging" him in a somewhat transparent fashion. He did
not resent it; he found, with an appreciable recrudescence of alarm,
that he minded very little what she talked about so that she sat there
and talked to him. His inward "Thank God, the fellow's coming!" was a
triumphant vindication of part, at least, of Ora's faith in the
renunciation. He pulled his moustache thoughtfully as he observed,

"I suppose a match between Miss Muddock and Ashley was always an idea.
Irene says old Sir James has been set on it for years."

Sir James made a quiet and unobtrusive entry on the stage, bringing (by
a legitimate stretch of fancy) his sympathetic wife with him; even Ora
could not make anything of Bob for scenic purposes.

"But Ashley's not a fellow to be forced into what he doesn't care
about."

"Not forced, no," murmured Ora. The method was not so crude as that.

"And we've no right to take the lady's feelings for granted."

"Oh, no," said Ora earnestly.

"There are certainly no signs of anything of the sort at present."

"At present! No!" she cried almost indignantly. Then she detected a hint
of amusement in Bowdon's eye and began to laugh. In spite of all the
sorrow and pain involved in the renunciation, its spice of secrecy and
mystification sometimes extorted a smile from her; people were so
hopelessly puzzled about it, so very far from guessing the truth, and so
wide of the mark in their conjectures. Bowdon evidently shared the
general bewilderment and felt a difficulty in talking to her about
Ashley Mead. She presented him with another topic.

"The news about you and Irene made me so happy," she said. "Irene's such
a dear."

"You're very kind," he muttered. This topic was not much less awkward
than the other, and Ora's enthusiasm had imparted to her manner the
intense cordiality and sympathy which made Irene say that she conveyed
the idea of expecting to be kissed; he preferred that she should not
suggest that idea to him.

"It's such a lovely arrangement in every way," she pursued. "Isn't it?"
Her eyes were raised to his; she had meant to be quite serious, but her
look betrayed the sense of fun with which she offered her
congratulations. She could not behave quite as though nothing had ever
passed between them; she was willing to minimise but declined to
annihilate a certain memory common to them. "I'm going to come and see
you very often when you're married," she went on. Bowdon was willing
enough to meet her subtly hinted mockery.

"I hope you'll be very discreet," he said with a smile.

"Oh, I'll be discreet. There isn't much to be discreet about, is there?"

"That's not my fault," he allowed himself to remark as he rose to take
leave.

"Oh, you're not going yet?" she cried. "If you do I shall think it was
simply a duty call. And it's so long since I've seen you." Her innate
desire--it was almost an instinct--to have every man leave her with as
much difficulty as possible imparted a pathetic earnestness to her tone.
"Perhaps I shan't have many more chances of seeing you."

"Many--after I'm married," he reminded her, smiling.

"No, I'm serious now," she declared. "You--you know what's going to
happen, Lord Bowdon?"

"Yes, I know."

"Of course when Jack comes home I shan't be so free. Besides--!" She did
not end the sentence; the suppressed words would obviously have raised
the question of Jack Fenning's acceptability to her friends. For his
part Bowdon immediately became certain that Jack was a ruffian. He held
out his hand, ostensibly in farewell; Ora took it and pressed it hard,
her eyes the while demanding much sympathy. Bowdon found himself giving
her intense sympathy; he had not before realised what this thing meant
to her, he had been too much occupied with what it meant to him. He
could not openly condole with her on her husband's return, but he came
very near that point in his good-bye.

"Your friends will always want to see you, and--and be eager to do
anything in the world they can for you," he said. The pressure of her
hand thanked him, and then he departed. As he walked out of the
hall-door, he put his hat very firmly on his head and drew a long
breath. He was conscious of having escaped a danger; and he could not
deny, in spite of poor Ora's hard fortune, that the return of Mr.
Fenning was a good thing.

Good or bad, the coming was near now. The brief and business-like letter
had reached Bridgeport, Connecticut, and had elicited a reply by cable.
In eight days Mr. Fenning might be expected at Southampton. As the event
approached, it seemed to become less and less real to Ashley; he found
himself wondering whether a man who is to be hanged on Monday has more
than the barest intellectual belief in the fact, whether it really sinks
into his consciousness until the rope is absolutely round his neck.
Accidents by sea and land suggested themselves to an irresponsible and
non-indictable fancy; or Jack had merely meant to extort a gift of
money; or his unstable purpose would change. The world that held himself
and Ora seemed incapable of opening to receive Jack Fenning; something
would happen. Nothing did happen except that the last days went on
accomplishing themselves in their unmoved way, and when Ashley went to
bed each night Jack Fenning was twenty-four hours nearer. Ora's conduct
increased the sense of unreality. She wanted him always with her; she
dissipated his scruples with radiant raillery or drowned them in
threatened tears. On the other hand, she was full of Jack Fenning now;
often talking about him, oftener still about how she would receive him.
She sketched his career for Ashley's information; the son of a poor
clergyman, he had obtained a berth in a shipowner's office at Hamburg;
he had lost it and come home; he had made the acquaintance of a Jewish
gentleman and been his clerk on the Stock Exchange; he had written a
play and induced the Jewish gentleman to furnish money for its
production; disaster followed; Jack became an auctioneer's clerk; the
Jewish gentleman, with commendable forgivingness, had put him in the way
of a successful gold mine (that is, a successfully floated gold mine);
he had made two thousand pounds. "Then he married me," Ora interpolated
into her summary narrative. The money was soon spent. Then came darker
times, debts, queer expedients for avoiding, and queerer for contriving,
payment, and at last a conviction that the air of America would suit him
better for a time. The picture of a worthless, weak, idle, plausible
rascal emerged tolerably complete from these scattered touches. One
thing she added, new to her hearer and in a way unwelcome: Jack was--had
been, she put it, still treating him as belonging to the past--extremely
handsome. "Handsomer than you, much," she said, laughing, with her face
very near his over his shoulder as he sat moodily by the window. He did
not look round at her, until, by accident as it seemed and just possibly
was, a curl of her dark hair touched his cheek; then he forgave her the
handsomeness of Jack Fenning.

Irene Kilnorton had been with her that day and had told her that, since
she chose to have the man back, she must treat him properly and look as
though she were glad to see him; that she must, in fact, give a fair
trial to the experiment which she had decided to allow. Being thoroughly
in harmony with the theory of renunciation, this advice made a great
impression on Ora. She professed her joy that Jack was to arrive on a
Sunday, because she would thus be free from the theatre and able to meet
him at Southampton. To meet him at Southampton was an admirable way of
treating him properly and of giving a fair trial to the experiment.
Ashley's raised brows hinted that this excess of welcome was hardly due
to the Prodigal. Ora insisted on it. He was past surprise by now, or he
would have wondered when she went on:

"But of course I can't go alone; I hate travelling alone; and I don't
know anything about how the boats come in or anything. You must come
with me, you know."

"Oh, I'm to go with you, am I?"

"Yes; and you'll go and find him and bring him to me. Somebody'll tell
you which is him."

"And then I'm to leave you with him and come back to town alone?"

Ora's smile suddenly vanished. "Don't, dear," she said, laying her hand
on his arm. That was her way always when he touched on the black side of
the situation. Her plans and pictures still stopped short with the
arrival of the boat. "It'll be our last time quite alone and
uninterrupted together," she reminded him, as though he could forget the
object of the expedition and be happy in the thought that it meant two
hours with her.

"I don't see why you shouldn't travel back with us," she added a moment
later. "Oh, of course you will!"

He chafed at her use of the word "us," for now it meant herself and
Jack, and had the true matrimonial ring, asserting for Mr. Fenning a
position which the law only, and not Ashley's habit of thought, accorded
him. But he would have to accustom himself to this "us" and all that it
conveyed. He forced himself to smile as he observed, "Perhaps Fenning'll
want to smoke!"

Ora laughed merrily and said that she hoped he would. Even to Ashley it
seemed odd that the notion appeared to her rather as a happy possibility
than as a _reductio ad absurdum_ of her attitude; she really thought it
conceivable that Jack might go and smoke, while she and Ashley had
another "last time quite alone together." But she had such an
extraordinary power of commending absurdities to serious consideration
that he caught himself rehearsing the best terms in which to make the
suggestion to Mr. Fenning.

In those days he had it always in mind to tell her a thing on which he
was resolutely determined, which even she could not make him falter
about. With the entry of Jack Fenning must come his own exit. He did
not deceive himself as to his grounds for this resolve, or deck in any
gorgeous colours of high principle what was at best no more than a
dictate of self-respect and more probably in the main an instinct of
pride. But from the hour of the arrival of the boat he meant to be no
more an intimate friend of hers. Had his business engagements allowed he
would have arranged to leave London. Absence from town was impossible to
him without a loss which he could not encounter, but London is a large
place, where people need not be met unless they are sought. He would
deliver her over to her husband and go his way. But he did not tell her;
she would either be very woeful, and that calamity he could not face, or
she would give a thoughtless assent and go on making her pictures just
the same. The resolution abode in his own heart as the one fixed point,
as the one definite end to all this strange period of provisional
indiscretion and unreal imaginings. When he thought of it, he rose to
the wish that Jack might be still handsome and might prove more
reputable and kinder than he had been in the old days. Ora herself was
beginning to have hopes of Jack, or hopes of what she might make of him
by her zealous care and dutiful fidelity; Ashley encouraged these hopes
and they throve under his watering. In the course of the last week there
was added to the great idea of a renunciation of Ashley the hardly less
seductive and fascinating project of a reformation of Jack Fenning. This
conception broadened and enriched the plot of the fanciful drama, added
a fine scene or two, and supplied a new motive for the heroine. In the
end Ora had great hopes of Jack in the future and a very much more
charitable opinion of him in the past.

She paid her promised visit to Alice Muddock on the Wednesday, Jack
Fenning being due on the following Sunday. In these last days Ora
devoted herself entirely to people who were, in some way or other,
within the four corners of the scheme of renunciation. Alice was amazed
to find in her a feeling about her husband's arrival hardly
distinguishable from pleasure; at least she was sure that a cable
message that he was not coming would have inflicted a serious
disappointment on her visitor. But at the same time this strange
creature was obviously, openly--a few weeks ago Alice would not have
hesitated to say shamelessly--in love with Ashley Mead. The two men's
names alternated on her lips; it seemed moral polyandry or little
better. Alice's formulas were indeed at fault. And through it all ran
the implied assertion that Alice was interested in the affair for a
stronger reason than the friendship which she was so good as to offer to
Ora. Here again, according to Ora's method, Irene Kilnorton's share in
the scheme was hinted at, while Alice was left to infer her own. She did
so readily enough, having drawn the inference on her own account
beforehand, but her wonder at finding it in Ora's mind was not
diminished. To be passionately in love with a man and to give him up was
conceivable; any heights of self-sacrifice were within the purview of
Alice's mind. To find a luxury in giving him up was beyond her. To
return to a husband from a sense of duty would have been to Alice almost
a matter of course, however bad the man might be; to set to work to make
out that the man was not bad clashed directly with the honest
perspicacity of her intellect. And, to crown all, in the interval, as a
preparation for resuming the path of duty, to set all the town talking
scandal and greet the scandal with a defiance terribly near to
enjoyment! Alice, utterly at fault, grew impatient; her hard-won
toleration was hard tried.

"I'm sure you understand all I feel," said Ora, taking her friend's hand
between hers.

"Indeed I don't," replied Alice bluntly.

"Anyhow you're sorry for me?" Ora pleaded. Here Alice could give the
desired assurance. Ora was content; sympathy was what she wanted;
whether it came from brain or heart was of small moment.

By a coincidence, which at first sight looked perverse, Bob brought
Babba Flint into Alice's room at tea-time. Alice did not like Babba, and
feared that his coming would interrupt the revelation of herself which
Ora in innocent unconsciousness was employed in giving. The result
proved quite different. Babba had declared to Irene Kilnorton that the
coming of Mr. Fenning was a figment concocted from caprice or perhaps
with an indirect motive; he advanced the same view to Ora herself with
unabashed impudence, yet with a seriousness which forbade the opinion
that he merely jested.

"Of course I can't tell whether you expect him, Miss Pinsent. All I know
is he won't come." Babba's eye-glass fell from his eye in its most
conclusive manner.

"Oh, yes, he will," cried Ora triumphantly. "I know all about it; the
boat, and the time, and everything else."

"You'll see, he won't be there," Babba persisted. "I wonder if you'll be
awfully surprised!"

"Why should I say he's coming if he isn't?" asked Ora, but rather with
amusement than indignation.

"Oh, for an advertisement, or just because it came into your head, or as
the homage liberty pays to matrimony; any reason you like, you know."

Their debate filled Alice with wonder. It was strange that Ora should
lend an ear to Babba's suggestions, that she should not at once silence
him; yet she listened with apparent interest, although, of course, she
repudiated the motives imputed to her and declared that in all sincerity
she expected her husband. Babba fell back on blank assertion. "He won't
come, you'll see," he repeated.

The extreme impertinence of the little man moved Alice to resentment; in
whatever sense his remarks were taken, they must bear an offensive
meaning. But Ora did not seem resentful; strangely enough she began to
shew signs of disturbance, she brought forward serious arguments to
prove that Jack Fenning would come, and appealed to Babba to alter his
opinion with pathetic eyes. Babba was inexorable.

"Really you must allow Miss Pinsent to know," Alice expostulated.

"It's a matter of experience," Babba observed. "They're always going to
turn up, but they never do."

"Why do you say he won't come?" asked Ora anxiously.

"I've told you the reason. They never do," repeated Babba obstinately.
Bob Muddock burst into a laugh, Alice frowned severely, Ora's brows were
knit in puzzled wrinkles. This suggestion of an impediment in the way of
the renunciation and reformation was quite new to her; but she did not
appear to be struck at all by what seemed to Alice the indecency of
discussing it.

"Suppose he didn't!" Ora murmured audibly; a smile came slowly to her
lips and her eyes seemed to grow full of half-imaged possibilities.
Babba made no comment; his smile was enough for all who knew the facts
of the present situation; for example, for all who knew in what company
Miss Pinsent drove to the theatre. "If he didn't--" Ora began. Babba's
mocking eye was on her. She began to laugh. "I know what you're
thinking!" she cried with a menacing wave of her hand.

The scene had become distasteful, almost unendurable, to Alice Muddock.
Here was the side of Ora that she detested; it raised all the old
prejudices in her and argued that they were well justified. She also
knew what Babba Flint's look meant, and wanted to turn him out of the
room for it. Such punishment would be only proper; it would also have
propitiated in some degree the jealousy which made her unwilling to
admit that possibly Mr. Fenning might not come.

The young men went; she and Ora were alone together; Alice's feeling of
hostility persisted and became manifest to Ora's quick perception. In an
instant she implored pity and forgiveness by abandoning herself to
condemnation.

"Now you see what I am! And you might have been my friend!" she
murmured. "But you don't know how unhappy I am."

"I don't believe you're unhappy at all," said Alice with blunt
barbarity.

"Not unhappy!" exclaimed Ora in dismay. If she were not unhappy, the
whole structure tumbled.

"You will be, though," Alice pursued relentlessly. "You'll be very
unhappy when Mr. Fenning comes, and I think you'd be unhappy if by any
chance he didn't come." She paused and looked at her visitor. "I
shouldn't like to be like you," she said thoughtfully.

Ora sat quiet; there was a scared look on her face; she turned her eyes
up to Alice who sat on a higher chair.

"Why do you say that sort of thing to me?" she asked in a low voice.

"It's quite true. I shouldn't. And all the rest is true too." Her voice
grew harder and harder in opposition to an inner pleading for mercy.
This woman should not wheedle her into lies; she would tell the truth
for once, although Ora did sit there--looking like a child condemned to
rigorous punishment.

"It's not decent the way you talk about it, and let people talk about
it," she broke out in a burst of indignation. "Have you no self-respect?
Don't you know how people talk about you? Oh, I wouldn't be famous at
the price of that!"

Ora did not cry; the hurt was beyond tears; she grew white, her eyes
were wide and her lips parted; she watched Alice as a dog seems to watch
for the next fall of the whip.

"You say you're unhappy. Lots of us are unhappy, but we don't tell all
the world about it. And we don't hug our unhappiness either and make a
play out of it." What Ashley had reluctantly and secretly thought came
in stern and cutting plainness from Alice's lips; but Ashley would have
died sooner than breathe a word of it to Ora.

"I suppose," said Alice, "you think I'm angry because--because of
something that concerns myself. I'm not, I'm just telling you the
truth." She was sure that it was the truth, however it might be
inspired, however it was that she had come to utter it. "What does that
man say about you when you aren't there? He says almost everything to
your face! And you laugh! What does he say after dinner, what does he
say at his club?"

"Please let me go home," said Ora. "Please let me go home." She seemed
almost to stagger as she rose. "I must go home," she said, "Or--or I
shan't have time for dinner."

"I suppose you like--" Alice began, but she stopped herself. She had
said enough; the face before her seemed older, thinner, drawn into lines
that impaired its beauty, as it were scarred with a new knowledge; the
eyes that met hers were terrified. "It's all true," she said to herself
again. "Quite true. Only nobody has ever told her the truth."

She rang the bell, but did not go with Ora to the door; neither of them
thought of shaking hands; a quarter of an hour before Ora would have
offered one of her ready kisses. Now she went quietly and silently to
the door and opened it with timid noiselessness. As she went out, she
looked back over her shoulder; a movement from Alice, the holding out of
a hand, would have brought her back in a flood of tears and a burst of
pitiful protests at once against herself and against the accusations
laid to her charge. No sign came; Alice stood stern and immovable.

"I'm late as it is. Good-bye," whispered Ora.

She went out. Alice stood still where she was for a moment before she
flung herself into a chair, exclaiming again, and this time aloud,

"It's true, it's true; every word of it's the truth!" She was very
anxious to convince herself that every word of it was true.



CHAPTER XII

AT CLOSE QUARTERS


The next few days were critical for the renunciation, and consequently
for the reformation which was to accompany it. In the first place, Jack
Fenning was now very near; secondly, Ashley Mead's behaviour was so
perfect as to suggest almost irresistibly an alternative course;
finally, thanks to Alice Muddock's outspokenness, Ora was inclined to
call virtue thankless and to decide that one whom all the world held
wicked might just as well for all the world be wicked. She had appealed
from Alice to Irene Kilnorton, hinting at the cruelty to which she had
been subjected. She found no comfort; there was an ominous tightening of
Irene's lips. Ora flew home and threw herself--the metaphorical just
avoids passing into the literal--on Ashley's bosom. There were tears and
protests against universal injustice; she cried to him, "Take me away
from all of them!" What answer did she expect or desire? He could not
tell. Mr. Fenning was due on Sunday, and Ora's piece was running still.
Yet at the moment it seemed as though she would fly into space with him
and a hand-bag, leaving renunciations, reformations, virtues, careers,
and livelihoods to look after themselves, surrendering herself to the
rare sweetness of unhindered impulse. For himself, he was ready; he had
come to that state of mind in regard to her. His ordinary outlook on
life was blocked by her image, his plan of existence, with all its lines
of reason, of hope, of ambition, blurred by the touch of her finger.
Only very far behind, somewhere remote in the background, lay the
haunting conviction that these last, and not his present madness, would
prove in the end the abiding reality. What made him refuse, or rather
evade, the embracing of her request was that same helplessness in her
which had restrained his kisses in the inn parlour. If she turned on him
later, crying, "You could do what you liked with me, why did you do this
with me?" what would he have to answer? "We'll settle it to-morrow; you
must start for the theatre now," he said. "So I must. Am I awfully
late?" cried Ora.

That evening he dined with Bob Muddock. Bertie Jewett and Babba Flint
were his fellow-guests. All three seemed to regard him with
interest--Bob's, admiring; Bertie's, scornful; Babba's, amused. Bob
envied the achievement of such a conquest; Bertie despised the man who
wasted time on it; Babba was sympathetic and hinted confidential
surprise that anybody made any bones about it. But they none of them
doubted it; and of the renunciation none knew or took account. A course
of action which fails to suggest itself to anybody incurs the suspicion
of being mad, or at least wrong-headed and quixotic. Ashley told himself
that his conduct was all these things, and had no countervailing grace
of virtue. It was no virtue to fear a reproach in Ora's eyes; it was the
merest cowardice; yet that fear was all that held him back.

After dinner Bob drew him to a sofa apart from their companions and
began to discuss the dramatic profession. Ashley suffered patiently, but
his endurance changed to amusement when Bob passed to the neighbouring
art of music, found in it a marked superiority, and observed that he had
been talking over the subject with Minna Soames.

"I don't see how anybody can object to singing at concerts," said Bob,
with a shake of the head for inconceivable narrow-mindedness, "not even
the governor."

"Sits the wind in that quarter?" asked Ashley, laughing.

"I've got my eye on her, if that's what you mean," answered Bob. "She's
ripping, isn't she?"

The vague and violent charms which the epithet seemed to imply were not
Minna's. Ashley replied that she was undoubtedly pretty and charming.
Bob eyed him with a questioning air; it was as though a man who had been
on a merry-go-round were consulted by one who thought of venturing on
the trip.

"People talk a great deal of rot," Bob reflected. "A girl isn't
degraded, or unsexed, or anything of that sort, just because she sings
for her living."

"Surely not," smiled Ashley.

The prejudices were crying out in pain as Bob's newborn idea crushed and
mangled them.

"But the governor's so against all that sort of thing," Bob complained.
Then he looked up at his friend. "That's mostly your fault," he added,
with an awkward laugh.

"My dear Bob, the cases are not parallel."

"Well, Miss Soames hasn't got a husband, of course."

There was no use in being angry, or even in representing that the remark
which had seemed so obvious to Bob was a considerable liberty.

"Imagine her with a thousand husbands, and still the cases couldn't be
parallel."

"She's not on the stage."

"And if she were, the distinctions run by people, not by professions,"
said Ashley.

"Well, I'm thinking of it," Bob announced. And he added, with a
ludicrous air of desiring the suspicion, while he repudiated the fact,
of dishonourable intentions, "All on the square, of course."

"Good heavens, I should think so!" said Ashley. The imagination of man
could attribute no crooked dealings or irregular positions to Miss
Soames.

"Still, I don't know about the governor," Bob ended, with a relapse into
gloom.

"She'd retire from her work, of course?" Ashley suggested, smiling.

"If she married me? Oh, of course," said Bob decisively. "She wouldn't
want the money, would she?" Any other end of a profession had not
occurred to him, and his opinion that active and public avocations were
not "unsexing" to women was limited by the proviso that such employments
must be necessary for bread-and-butter.

An eye for the variety of the human mind may make almost any society
endurable. Here was Bob struggling with conscious daring against
convention, as a prelude to paying his court to a lady who worshipped
the god whom he persuaded himself to brave; here was Babba Flint
drifting vulgarly, cheerfully, irresponsibly, through all his life and
what money he happened from time to time to possess; here was Bertie
Jewett, his feet set resolutely on the upward track, scorning diversion,
crying "Excelsior" with exalted fervour as he pictured the gold he would
gather and pocket on the summit of the hill; here, finally, was Ashley
himself, who had once set out to climb another hill, and now eagerly
turned his head to listen to a sweet voice that cried to him from the
valley. Such differences may lie behind four precisely similar and
equally spotless white shirt-fronts on the next sofa any evening that we
drop into the club. Therefore it needs discrimination, and perhaps also
some prepossessions, to assign degrees of merit to the different ideas
of how time in this world had best be passed.

"The fact is," Babba was saying to Bertie Jewett, as he nodded a knowing
head towards Ashley, "he was getting restive, so she made up this yarn
about her husband." He yawned, as if the matter were plain to dulness.

"What an ass he is!" mused Bertie. "Don't you know the chance he had? He
might have been where I am!"

Babba turned a rather supercilious look on his companion.

"The shop? Must be a damned grind, isn't it?"

Bertie was nettled; he revealed a little of what he had begun to learn
that he ought to conceal.

"I bet you I earn a sovereign quicker than you earn a shilling," he
remarked.

"Daresay you do," murmured Babba, regarding the end of his cigar. Babba
was vulgar, but not with this sort of vulgarity.

"And more of 'em," pursued Bertie.

"But you have an infernally slow life of it," Babba assured him. Babba
was ignorant of the engrossing charms that sparkle in the eyes of
wealth, forbidding weariness in its courtship, making all else dull and
void of allurement to its votaries. To each man his own hunger.

Back to his hunger went Ashley Mead, no less ravenous, yet seeing his
craving in the new light of desires revealed to him, but still alien
from him. All his world seemed now united in crying out to him to mind
his steps, in pointing imploringly or mockingly to the abyss before his
feet, in weeping, wondering, or laughing at him. That some of the
protests were conscious, some unwitting, made no difference; the feeling
of standing aloof from all the rest gave him a sense of doom, as though
he were set apart for his work, and amidst condemnation, pity, and
ridicule must go through with it. For to-morrow he thought that she
would come with him, leaving Mr. Fenning desolate, Sidney Hazlewood
groaning over agreements misunderstood as to their nature, friends
heart-broken, and the world agape.

But the next day she would not come, or, rather, prayed not to be taken.

"You mustn't, you mustn't," she sobbed. "Alice Muddock had made me
angry, oh, and hurt me so. I was ready to do anything. But don't, Ashley
dear, don't! Do let me be good. That'll be the best way of answering
her, won't it? I couldn't answer her then."

"Alice? What's Alice been saying?" he asked, for he had not been told
the details of that particular case of cruelty.

"I can't tell you. Oh, it was horrible! Was it true? Say it wasn't
true!"

"You haven't told me what it was," he objected.

"Oh dear me, neither I have!" cried Ora, drawing back from him; her eyes
swam in tears, but her lips bent in smiles. "How awfully absurd of me!"
she exclaimed, and broke into the low luxurious laughter that he loved.
"Well, it was something bad of me; so it couldn't be true, could it?"

He pressed her to tell him what it was and she told him, becoming again
sorrowful and wounded as she rehearsed the story; the point of view
surprised her so. To Ashley it was no surprise, nothing more than a
sharp unsparing utterance of the doubts of his own mind. His quarrel
with Alice was that she said it, not that she thought it; she was bound
to think it when he in all his infatuation could not stifle the thought.
Was he in love then with a bundle of emotions and ready to give away his
life in exchange for a handful of poses? In self-defence he embraced the
conclusion and twisted it to serve his purpose. What more is anybody, he
asked--what more than the sheet on which slide after slide is
momentarily shewn?

"But still she was wrong," said Ora. "Oh, I can forgive her. Of course I
forgive her. It's only because she's fond of you. I know I'm not really
like that. It's not the true me, Ashley."

The idea of the "true me" delighted Ora, and the "true me" required that
Mr. Fenning should be met punctually on Sunday next. The renunciation
raised its head again.

"The 'true me,' then, is really a very sober and correct person?" asked
Ashley.

"Yes," she answered, enjoying the paradox she asserted. Her interest in
herself was frank and almost might be called artistic. "Do you think me
strange?" she asked. "I believe you're laughing at me half the time."

"And the other half?"

"We weep together, don't we? Poor Ashley!"

On the Saturday he came to see her again in order to make final
arrangements for their expedition of the next day. There was also a
point on which they had never touched, to which, as he believed, Ora had
given no consideration. Was Mr. Fenning to settle down in the little
house at Chelsea? At present the establishment was in all its appearance
and fittings so exclusively feminine that it seemed an impossible
residence for a man. Ora was not in the room when Janet ushered him in;
that respectable servant lingered near the door and, after a moment's
apparent hesitation, spoke to him.

"I beg pardon, sir," she said, "but could you tell me where I can get
some good whiskey?"

"Whiskey?" Ashley exclaimed in surprise.

"Mr. Fenning, sir, used to be particular about his whiskey, and as
he's--"

"Oh, yes, of course, Janet." He thought for a moment and mentioned the
wine merchant with whom Lord Bowdon dealt. "I think you'll be safe
there," he ended with a nod.

Janet thanked him and went out.

"This really brings it home," said Ashley, dropping into a chair and
laughing weakly to himself. "Tomorrow night Jack Fenning'll sit here and
drink that whiskey, while I--"

He rose abruptly and walked about the room. His portrait in the silver
frame was still on the little table by Ora's favourite seat; not even a
letter from Bridgeport, Connecticut, was there to hint of Mr. Fenning.
The demand for a good whiskey seemed the sole forerunner of the
wanderer's return.

"She doesn't know in the least what she's doing," Ashley muttered as he
flung himself into his seat again.

That afternoon she was in the mood hardest for him to bear. She was
sanguine about her husband; she recalled the short time they had
contrived to be happy together, dwelt on the amiable points in his
character, ascribed his weaknesses more to circumstances than to
nature, and took on her own shoulders a generous share of blame for the
household's shipwreck. All this is to say that the reformation for the
instant took precedence of the renunciation, and a belief in the
possibility, not perhaps of being happy with Jack, but at least of
making Jack happy, was bedecked in the robes of a virtuous aspiration.
"It would be no use having him back if I couldn't make him happy, would
it?" she asked. She shewed sometimes this strange forgetfulness of her
friend's feelings.

"I know I've got a photograph of him somewhere," she said with a
troubled little frown. "I wonder where it is!" Then a lucky thought
brought a smile. "I expect he'd like to see it on the mantel-piece,
wouldn't he?" she cried, turning to Ashley.

"I should think he'd be very touched. He might even believe it had been
there all the time."

"Don't be sarcastic," said Ora good-humouredly. "I'll ask Janet where
I've put it."

Janet, being summoned and questioned, knew where Miss Pinsent had put
the photograph, or anyhow where it was to be found. In a few minutes she
produced it.

"It is handsome, you see," said Ora, handing it across to Ashley. She
appeared anxious for a favourable opinion from him.

The face was certainly handsome. The features were straight, the eyes
large, the brow well formed; there was no great appearance of intellect
or resolution, but the smile was amiable. Ashley handed it back with a
nod of assent, and Ora set it on the mantel-piece. Ashley's bitterness
overflowed.

"Put it in the frame instead of mine," he said, stretching out his hand
to take his own portrait.

In an instant Ora was across to the table and snatched up the picture.
She held it close to her with both hands and stood fronting him
defiantly.

"No," she said, "no. You shan't touch it. Nobody shall touch it."

He leant back with a smile of despairing amusement. She put down the
portrait and came close to him, looking at him intently; then she
dropped on her knees beside him and took his hand between hers.

"Fancy you daring to think that!" she said. A look of terror came into
her eyes. "You're not going to be like that?" she moaned. "I can't go on
if you're going to be like that."

He meant far more than he had hinted in his bitter speech; this
afternoon he had intended to tell her his resolution; this was his last
visit to the little house; from to-morrow afternoon he would be an
acquaintance to whom she bowed in the streets, whom she met now and then
by chance. He might tell her that now--now while she held his hands
between hers. And if he told her that and convinced her of it, she would
not go to meet Jack Fenning. He sat silent as she looked up in his eyes.
His struggle was short; it lacked the dramatic presentment of Ora's
mental conflicts, it had no heroic poses; but there emerged again
clearly from the fight the old feeling that to use her love and his
power in this fashion would not be playing fair; he must let her have
her chance with her husband.

"I was a brute, Ora," he said. "I'll do just what you like, dear."

With a bound she was back to merriment and her sanguine view of
favourable possibilities in Mr. Fenning. She built more and more on
these last, growing excited as she pictured how recent years might, nay
must, have improved him, how the faults of youth might, indeed would,
have fallen away, and how the true man should be revealed. "And if he
wants a friend, you'll always be one to him," she ended. Ashley,
surrendering at discretion, promised to be a friend to Jack Fenning.

The next day found her in the same temper. She was eager and
high-strung, merry and full of laughs, thoughtfully kind, and again
thoughtlessly most cruel. When he called for her in the morning she was
ready, waiting for him; from her air they might have been starting again
for a day in the country by themselves, going to sit again in the meadow
by the river, going to dine again in the inn parlour whose window opened
on the sweet old garden. No such reminiscences, so sharp in pain for
him, seemed to rise in her or to mar her triumph. For triumphant she
was; her great purpose was being carried out; renunciation accomplished,
reformation on the point of beginning. Prosperously the play had run up
to its last great scene; soon must the wondering applause of friends
fall on her ear; soon would Alice Muddock own that her virtue had been
too cruel, and Babba Flint confess his worldly sagacity at fault. To
herself now she was a heroine, and she rejoiced in her achievements with
the innocent vanity of a child who displays her accomplishments to
friendly eyes. How much she had suffered, how much forgone, how much
resisted! Now she was to reap her reward.

Their train was late; if the boat had made a good passage it would be in
before them; the passengers who had friends to meet them would be in
waiting. They might find Jack Fenning on the platform as their engine
steamed into the station. They had talked over this half way through the
journey, and Ora seemed rather pleased at the prospect; Ashley took
advantage of her happy mood to point out that it would be better for
him to leave her alone with Jack; he would get a plate of cold meat
somewhere, and go back to town by himself later on. She acquiesced
reluctantly but without much resistance. "We can tell you about our
journey afterwards," she said. Then had come more rosy pictures of the
future. At last they were finished. There was a few minutes' silence.
Ashley looked out of the window and then at his watch.

"We ought to be there in ten minutes," he said.

Her eyes grew wide; her hands dropped in her lap; she looked at him.

"In ten minutes, Ashley?" she said in a low voice. It had come at last,
the thing, not pictures, not imaginings of the thing. "Ten minutes?" she
whispered.

He could hardly speak to her. As her unnatural excitement, so his
unnatural calm fell away; he lost composure and was not master of his
voice. He took her hands and said, "Good-bye, my dear, good-bye. I'm
going to lose you now, Ora."

"Ashley, Ashley!" she cried.

"I'm not going to be unkind, but there must be a difference."

"Yes," she said in a wondering tone. "There must, I suppose. But you'll
come often?"

He meant never to come.

"Now and then, dear," he said. Then he kissed her; that he had not meant
to do; and she kissed him.

"Ashley," she whispered, "perhaps he won't be kind to me; perhaps--oh, I
never thought of that! Perhaps he'll be cruel, or--or not what I've
fancied him. Ashley, my love, my love, don't leave me altogether! I
can't bear it, indeed I can't. I shall die if you leave me."

She was terrified now at the thought of the unknown man waiting for her
and the loss of the man whom she knew so well. Her dramatic scenes
helped her no more; her tears and terror now were unrehearsed; she clung
to his hand as though it held life for her.

"Oh, how did I ever think I could do it?" she moaned. "Are we going
slower? Is the train stopping? Oh, are we there, are we there?"

"We've not begun to go slower yet," he said. In five minutes they must
arrive.

"Stay with me till I see him; you must stay; you must stay till I've
seen what--what he's going to be to me. I shall kill myself if you leave
me."

"I'll stay till you've found him," Ashley answered in a hard restrained
voice. "Then I must go away."

The train rumbled on; they were among the houses now; the ships in the
harbour could be seen; the people in the next carriage were moving
about, chattering loudly and merrily. The woman he loved sat with
despairing eyes, clinging to his hand. "It's slower," she whispered,
with lips just parted. "It's slower now, isn't it?" The train went
slower; he nodded assent. The girl next door laughed gaily; perhaps she
went to meet her lover. Suddenly the brake creaked, they stopped, there
was something in the way. "How tiresome!" came loudly and impatiently
from next door. Ora's grasp fixed itself tighter on his hand; she
welcomed the brief reprieve. Her eyes drew him to her; the last embrace
seemed to leave her half animate; she sank back in her seat with closed
eyes. With a groan and a grumble the wheels began to move again. Ora
gave a little shiver but made no other sign. Ashley let down the window
with a jerk, and turned his face to the cool air that rushed in. He
could not look more at Ora; he had a thing to do now, the last thing,
and it was not good for the doing of it that he should look at her. She
might cry again to him, "Take me away!" and now he might forget that to
obey was not fair play. Besides, here came the platform, and on the
platform he would find Jack Fenning. There may be passions but there
must not be scenes; he could not tell Jack that he had decided to take
Ora back to town on his own account. He and she between them had spun a
web of the irrevocable; they had followed virtue, here was the reward.
But where were the trappings which had so gorgeously ornamented it?
Ora's eyes were closed and she saw them no more.

Slowly they crept into the station; the platform was full of people and
of luggage; it seemed as though the boat were already in. At last the
train came to a stand; he laid his hand lightly on Ora's.

"Here we are," he said. "Will you wait by the carriage till I find out
where he is?"

She opened her eyes and slowly rose to her feet.

"Yes; I'll do what you tell me," she said.

He opened the door and helped her to get out. She shivered and drew her
cloak closer round her. There was a bench near. He led her to it and
told her to sit there. "I shall know him and I'll bring him to you.
Promise not to move," he said.

Just as he turned to leave her she put out her hand and laid it on his
arm.

"Ashley!" he heard her whisper. He bent down to catch what she said, but
it was a moment before she went on. It seemed as though words came hard
to her and she would like to tell him all with her eyes. She raised her
other hand and pointed to the arm that rested on his.

"What is it, dear?" he asked.

"Did I ever tell you? I forget what I've told you and what I haven't."

"What is it? What do you want to tell me?"

"He struck me once; on the arm, just there, with his fist." She touched
her arm above the elbow, near the shoulder.

She had never told him that; nothing less than this moment's agony,
wherein sympathy must be had at every cost, could have brought it to her
lips. Ashley pressed her hand and turned away to look for Jack Fenning.



CHAPTER XIII

THE HEROINE FAILS


The fast train, by which they ought to travel, left for London in a
quarter of an hour; a slow train would follow twenty minutes later.
Ashley procured this information before undertaking his search; since
the platform was still crowded it seemed possible that Mr. Fenning would
not be found in time for the fast train. He proved hard to find; yet he
might have been expected to be on the look-out. Ashley sought him
conscientiously and diligently, but before long a vague hope began to
rise in him that the man had not come after all. What then? He did not
answer the question. It was enough to picture Ora freed from her fears,
restored to the thoughtless joyousness of their early days together. If
by wild chance he had found the man dead or heard that he was dead, he
would have been glad with a natural heathen exultation. People die on
voyages across the Atlantic sometimes; there is an average of deaths in
mid-ocean; averages must be maintained; how maintain one with more
beneficial incidental results than by killing Mr. Fenning? Ashley smiled
grimly; his temper did not allow the humour of any situation to escape
him; he felt it even in the midst of the strongest feelings. His search
for Jack Fenning, while Jack Fenning's wife sat in terror, while he
loved Jack Fenning's wife, had its comic side; he wondered how matters
would strike Jack, supposing him to be alive, and to have come; or,
again, if he were dead and fluttering invisible but open-eyed over the
platform.

He saw the girl who had been in the next carriage, hanging on a young
man's arm, radiant and half in tears; but the young man was not like
Jack's photograph. There were many young men, but none of them Jack
Fenning. He scoured the platform in vain. A whistle sounded loud, and
there were cries of "Take your seats!" Ashley looked at his watch; that
was the express starting; they would be doomed to crawl to town. Where
the plague was Jack Fenning? This suspense would be terrible for Ora.
How soon could he be safe in going back and telling her that Jack had
not come? What a light would leap to her face! How she would murmur,
"Ashley!" in her low rich voice! She seemed able to say anything and
everything in the world to him with that one word, "Ashley!" to help the
eloquence of her eyes.

A rush of people scurrying out of the refreshment-room and running to
catch the express encountered and buffeted him. Here was a place he had
not ransacked; perhaps Jack Fenning was in the refreshment-room; a
remembrance of Janet's anxiety about a good whiskey gave colour to the
idea. Ashley waited till the exodus was done and then strolled in; the
place was almost empty; the barmaids were reaching their arms over the
counter to gather up the used glasses or wipe the marble surface with
cloths. But at the far end of the room there was a man standing at the
bar, with a tumbler before him; he was smoking and in conversation with
the girl who served him. Ashley stood still on the threshold for a
moment or two, watching this man. "This is my man," he said to himself;
he seemed to have an intuitive knowledge of the fact and not to rely on
any pose or air which he had noticed in the photograph; he knew that he
was looking at Ora's husband, and stood and looked at him. The man had
come; he was not dead; he was here, drinking at the bar. "How much would
he take to go away again?" That was Ashley's thought. Then he shook his
head and walked towards the man, who had just set his glass down empty.

"You'll have missed the express," said the girl behind the counter.

"I was bound to have a drink," protested the customer in a rather
injured tone.

He turned away, stooped, lifted a hand-bag, and came down the room.
Ashley noticed that his right hand was bandaged; he thought he noticed
also a slight uncertainty in his walk; he did not lurch or stagger, but
he swayed a little. "Just sixpenn'orth too much," was Ashley's summary.
Then he walked up to the stranger and asked if he had the honour of
addressing Mr. Fenning.

There remained always in Ashley Mead's mind a memory of Jack Fenning as
he was that day, of his soft blurred voice, his abashed eyes, his slight
swayings, and the exaggerated apologetic firmness (or even aggression)
of gait that followed them, of his uneasy deference towards the man who
met him, of his obvious and unfeigned nervousness on being told that
Miss Pinsent was waiting for him. Had child married child? The question
leapt to Ashley's thoughts. Here was no burly ruffian, full of drink and
violence. He had been drinking, but surely as a boy who takes his second
glass of birthday port, not knowing the snake which lurks among that
pleasant, green grass? He had struck Ora; the ugly fact was there; yet
now Ashley found himself asking whether children had not their tempers,
whether they are to be judged as men are judged, as gentlemen claim to
be judged. Jack Fenning came neither in a truculent resentment against
his wife, nor in a masterful assertion of his rights, nor (which would
have been worst of all) in a passion for her. He did not question
Ashley's position, he did not ask how he came to be there; nor did he
demand to be taken to his wife, nor did he fly to seek her.

"She's here, is she?" he said with an unmistakable accent of alarm.

"Yes, she's here. Come along. I'll take you to her," said Ashley curtly.
He was angry to find his resentment oozing away. "Didn't you know she
was coming to meet you?"

"She said she might," murmured Jack. "But I didn't think she would."

"I thought there'd be a crowd and so on, so I ran down with her," Ashley
explained, despising himself for explaining at all.

"Awfully kind of you," said Mr. Fenning. "Where--where did you leave
her?"

"Oh, on a seat on the platform. Where's your luggage?"

"Here." He held up the hand-bag.

"That all?"

"Yes, that's all," said Jack with a propitiatory smile. "I didn't see
the good of bringing much." He paused and then added, "I haven't got
much, you know." Another pause followed. "I hope that--that Miss
Pinsent's all right?" he ended.

"Yes, she's all right. Come along." Then he asked abruptly, "Hurt your
hand?"

Jack raised his hand and looked at it. "I got it burnt," he said. "We
were making a night of it, and some fool made the poker hot--we had an
open fire--and I didn't see it was hot and laid hold of it." He looked
at his companion's face, which wore a grim smile. "Of course I shouldn't
have done it if I hadn't had a drop too much," he added, smiling.

"Good God!" groaned Ashley to himself as he led the way. Wouldn't
anything, the burly ruffian, the crafty schemer, or even the coarse
lover, have been better than this? Any of them might have ranked as a
man, any of them might have laid a grasp on Ora and ruled her life to
some pattern. But what could or should this poor creature do? Why, he
had come at her bidding, and now was afraid to meet her!

"Has she talked about me?" Jack asked timidly.

"Yes, a lot," said Ashley. He looked over his shoulder and sent a very
direct glance into his companion's eyes. "She's told me all about it, or
nearly all," he added. Jack looked ashamed and acutely distressed.
Ashley felt sorry for him and cursed himself for the feeling. "You'll
get along better now, I hope," he said, looking away. Then he smiled; it
had occurred to him to wonder what all the folk who were so interested
in the coming of Mr. Fenning would make of this Mr. Fenning who had
come. For an embodiment of respectability, of regularity of life, and of
the stability of the conjugal relation, this creature was so--there
seemed but one word--so flabby.

"Is Janet still with Miss Pinsent?" asked Jack. It was evident that he
hesitated as to what he ought to call his wife. There was a little pause
before he pronounced her name.

"Yes," said Ashley. "Janet's there. She's ordered some whiskey you'll
like." Jack, unobservant of sarcasm, smiled gratefully; he reminded
Ashley of a child rather afraid of its parents and finding comfort in
the presence of a kind familiar nurse. "It was about here I left Miss
Pinsent," Ashley went on, glancing round.

There was the seat on which Ora had sat; but Ora was not on the seat.
Ashley looked about, scanning the platform, seeking the graceful figure
and gait that he knew so well. Jack put his bag down on the seat and
stared at the roof of the station.

"I don't see her," said Ashley. "She must have moved." He glanced at
Jack and added with a sudden burst of laughter, "Now you must stay here
while I look for her!"

"You're very kind," said Jack Fenning, sinking down on the seat.

"I might be the father of twins," said Ashley, as he walked off. Jack,
left alone, furtively unclasped the bag, sought a small bottle, and took
a small mouthful from it; he wanted all his nerve to meet his wife.

Again Ashley Mead searched the station and ransacked the waiting-rooms;
again in whimsical despair he explored the refreshment saloon; all were
empty. What had become of Ora? He returned to the seat where Jack
Fenning was. A tall burly guard stood by Jack, regarding him with a
rather contemptuous smile. When Ashley approached he turned round.

"Perhaps you're the gentleman, sir?" he said. "Mr. Mead, sir?"

"I'm Mr. Mead," said Ashley.

"The lady who went by the express left this note for you, sir. I thought
it was for this gentleman but he says it isn't."

"Thanks, I expect it's for me," said Ashley, exchanging a shilling for
a scrap of twisted paper addressed to him in Ora's familiar scrawl. The
guard looked at the pair with a faint curiosity, spun his shilling in
the air, and turned away. They were, after all, a very unimportant
episode in the life of the guard.

"I have gone. As you love me, don't let him follow me. I am
heart-broken:--Ora."

Thus ran the note which Ashley read. At the last moment, then, the great
drama had broken down, renunciation and reformation had refused to run
in couples, the fine scenes would not be played and--the heroine had
fled from the theatre! An agreement was an agreement, as Mr. Hazlewood
insisted; but Ora had broken hers. Here was Ashley Mead with a stray
husband on his hands! He laughed again as he re-read the note. Where had
she gone, poor dear, she and her broken heart? She was crying somewhere
with the picturesqueness that she could impart even to the violent forms
of grief. His laugh made friends with a groan as he looked down on the
flabby figure of Jack Fenning. That such a creature should make such a
coil! The world is oddly ordered.

"What the devil are we to do now?" he exclaimed aloud, glancing from the
note to Jack, and back from Jack to the note. The note gave no help;
Jack's bewildered questioning eyes were equally useless. "She's gone,"
Ashley explained with a short laugh.

"Gone? Where to?" Helplessness still, not indignation, not even
surprise, marked the tone.

"I don't know. You're not to follow her, she says."

Jack seemed to sink into a smaller size as he muttered forlornly,

"She told me to come, you know." His uninjured hand moved longingly but
indecisively towards his bag. "Will you have a dram?" he asked.

"No, I won't," said Ashley. "Well, we can't stay here all night. What
are you going to do?"

"I don't understand what you mean by saying she's gone," moaned Jack.

"It's all she says--and that you're not to follow. What are you going
to do?"

His look now was severe and almost cruel; Jack seemed to cringe under
it.

"I don't know," he muttered. "You see I--I've got no money."

"No money?"

"No. I had a little, but I had infernally bad luck at poker, coming
over. You wouldn't believe how the luck ran against me."

Ashley put his hands in his pockets and regarded his companion.

"So you've no money?"

"About five shillings."

"And now you've no wife!"

Jack twisted in his seat. "I wish I hadn't come," he said fretfully.

"So do I," said Ashley. "But here you are!" He took a turn along the
platform. The burly guard saw him and touched his hat.

"Train for London in five minutes, sir. The last to-night, sir. Going
on?"

"Damn it, yes, we'll go on," said Ashley Mead. At least there was
nothing to be gained by staying there. "Your ticket takes you through to
London, I suppose?" he asked Jack.

"Yes, it does; but what am I to do there?" asked Jack forlornly.

Something restrained Ashley from the obvious retort, "What the devil do
I care?" If he abandoned Jack, Jack must seek out Ora; he must track her
by public and miscellaneous inquiries; he must storm the small house at
Chelsea, braving Ora for the sake of Janet and the whiskey. Or if he did
not do that, he would spend his five shillings as he had best not,
and--visions of police-court proceedings and consequential newspaper
broad-sheets rose before Ashley's eyes.

He took Jack to London with him. The return journey alone with Mr.
Fenning was an unconsidered case, an unrehearsed effect. Mr. and Mrs.
Fenning were to have gone together; in one mad pleasant dream he and Ora
were to have gone together, with Jack smoking elsewhere. Reality may
fail in everything except surprises. Ora was heaven knew where,
heart-broken in Chelsea or elsewhere, and Ashley was in charge of Mr.
Fenning.

"Good God, how everybody would laugh!" thought Ashley, himself hovering
between mirth and ruefulness. The pencil of Babba Flint would draw a
fine caricature of this journey; the circumstances might wring wonder
even from Mr. Hazlewood's intimate and fatigued acquaintance with the
ways of genius; as for Kensington Palace Gardens--Ashley suddenly
laughed aloud.

"What's the matter?" asked Jack.

"It's all so damned absurd," said Ashley, laughing still. An absurd
tragedy--and after all that Jack should come as he did, be what he was,
and go on existing, was in essentials pure tragedy--seemed set on foot.
"What am I to do with the fellow?" asked Ashley of himself. "I can't let
him go to Chelsea." Nor, on reflection, could he let him go either to
the workhouse or to the police-court. In fact, by an impulsive
extension of the very habit which had appealed so strongly to his
chivalry, Ora had thrown not herself only but her husband also on his
hands!

London drew near, even for the slow train, and with London came the
problem. Ashley solved it in a flash, with a resolve that preserved the
mixture of despair and humour which had become his attitude towards the
situation of affairs. Above him in his house by Charing Cross there
lived a clerk; the clerk had gone for a month's holiday, and had given
liberty to the housekeeper to let his bed-sitting-room (so the compound
was termed) to any solvent applicant. Jack Fenning should occupy the
room for this night at least; he would be safe from danger, from
observation, from causing trouble at Chelsea or wherever his wife might
be. Thus to provide for him seemed mere humanity; he had but five
shillings and a weakness for strong drink; and although he had struck
Ora (the violence grew more and more inconceivable), yet in a sense he
belonged to her. "And something must happen to clear it all up soon,"
Ashley reflected in an obstinate conviction that things in the end went
reasonably.

A short interview with the housekeeper was enough to arrange for Jack
Fenning's immediate comfort; then Ashley took him into his own room and
gave him an improvised supper, and some whiskey and water mixed very
weak; Jack regarded it disconsolately but made no protest; he lugged out
a pipe and began to smoke, staring the while into the empty grate. "I
wonder where she's gone!" he said once, but Ashley was putting on his
slippers and took no notice of the question. There lay on the table a
note and a telegram; Jack's eyes wandered to them. "Perhaps the wire's
from her," he suggested timidly.

"Perhaps," said Ashley, taking it up. But the message was from Alice
Muddock and ran, "Father had a paralytic stroke to-day. Afraid serious.
Will you come to-morrow?"

"It's not from Miss Pinsent," said Ashley, as he turned to the note.
This was from Bowdon, sent by hand: "I'm glad to say that I've persuaded
Irene to be married in a month from now. As you're such a friend of hers
as well as of mine, I hope you'll be my best man on the occasion."

"And the note's not from her either," said Ashley, walking up to the
mantel-piece and filling his pipe.

Jack leant back in his chair and gulped down his weak mixture; he looked
up in Ashley's face and smiled feebly. Ashley's brows were knit, but his
lips curved in a smile. The mixed colours held the field; here was poor
old Sir James come to the end of his work, to the end of new blocks and
the making of sovereigns; here was Bowdon triumphantly setting the last
brick on the high wall behind which he had entrenched himself against
the assault of wayward inclinations. Was Irene then at peace? Would Bob
hold his own or would Bertie Jewett grasp the reins? Was Bowdon resigned
or only fearful? What a break-up in Kensington Palace Gardens! What the
deuce should he do with this man? And where in heaven's name was Ora
Pinsent? Ashley's eyes fell on a couple of briefs which had been sent
after him from the Temple; it seemed as though the ordinary work of life
were in danger of neglect.

"We can't do anything to-night, you know," he said to Jack in an
irritated tone. "You don't want to knock her up to-night, I suppose,
even if she's at her house?"

"No," said Jack meekly.

"Are you ready for bed then?"

Jack cast one longing glance at the whiskey bottle, and said that he
was. Ashley led him upstairs, turned on the gas, and shewed him the room
he was to occupy. Desiring to appear friendly, he lingered a few moments
in desultory and forced conversation, and, seeing that Jack's wounded
hand crippled him a little, began to help him to take his things out of
the bag and lay them in handy places. Jack accepted his services with
regard to the bag, and set about emptying his own pockets on the
mantel-piece. Presently Ashley, his task done, turned round to see his
companion standing with back turned, under the gas jet; he seemed to be
regarding something which he held in his hand.

"I think you'll be all right now," said Ashley, preparing to make his
escape.

Jack faced round with a slight start and an embarrassed air. He still
held in his hand the object which he had been regarding; Ashley now
perceived it to be a photograph. Was it Ora's--Ora's, treasured through
years of separation, of quarrel, of desertion and apparent neglect? Had
the man then grace in him so to love Ora Pinsent? A flash of kindliness
lit up Ashley's feelings towards him; a pang of sympathy went near to
making him sorry that Ora had fled from welcoming the home-comer. His
eyes rested on Jack with a friendly look; Jack responded with a doubtful
wavering smile; he seemed to ask whether he could in truth rely on the
new benevolence which he saw in his host's eyes. Ashley smiled, half at
his own queer thoughts, half to encourage the poor man. The smile
nourished Jack's growing confidence; with a roguish air which had not
been visible before he held out the picture to Ashley, saying,

"Pretty girl, isn't she?"

With a stare Ashley took the portrait. It could not be Ora's, if he
spoke of it like that; so it seemed to the lover who translated
another's feelings into his own. In an instant he retracted; that was
how Jack Fenning would speak of Ora; short-lived kindliness died away;
the man was frankly intolerable. But the sight of the picture sent his
mind off in another direction. The picture was not Ora's, unless in
previous days Ora had been of large figure, of bold feature, of
self-assertive aspect, given to hats outrageous, and to signing herself,
"Yours ever, Daisy." For such were the salient characteristics of the
picture which Mr. Jack Fenning had brought home with him. A perverse
freak of malicious memory carried Ashley back to the room in the little
house at Chelsea, where his own portrait stood in its silver frame on
the small table by Ora's favourite seat. _Mutato nomine, de te!_ But,
lord, what a difference the name makes!

"Very pretty," he remarked, handing back the image which had occasioned
his thought. "Some one you know on the other side?"

"Yes," said Jack, standing the picture up against the wall.

Ashley was absurdly desirous of questioning him, of learning more about
Daisy, of discovering whether Mr. Fenning had his romance or merely
meditated in tranquillity on a pleasant friendship. But he held himself
back; he would not be more mixed up with the man than fate and Ora
Pinsent had commanded. There was something squalid about the man, so
that he seemed to infect what he touched with his own flabby meanness.
How in the world had Ora come to make him her husband? No doubt five
years of whiskey, in society of which Daisy was probably too favourable
a specimen to be typical, would account for much. He need not have been
repulsive always; he might even have had a fawning attractiveness; it
hung oddly about him still. But how could he ever have commanded love?
Love asks more, some material out of which to fashion an ideal, some
nobility actual or potential. At this point his reflections were very
much in harmony with the views of Alice Muddock. He hated to think what
Ora had been to this man; now he thanked God that she had run away. He
would have liked himself to run away somewhere, never to see Jack
Fenning, to forget that he had ever seen him, to rid Ora of every
association with him. It was odious that the thought of her must bring
the thought of Fenning; how soon would he be able to think of her again
without this man shouldering his way into recollection by her side?
Until he could achieve that, she herself, suffering an indignity, almost
seemed to suffer a taint.

"Good-night," said he. "We'll have a talk in the morning about what's to
be done."

"Good-night, Mr. Mead. I'm--I'm awfully obliged to you for everything."

"Not at all," said Ashley. He moved towards the door. As he passed the
table his eye fell on Jack's flask, which lay there. For an instant he
thought of cautioning Jack against an excessive use of it; but where was
the good and why was it his business? Without more he left his unwelcome
guest to himself.

And Jack, being thus left alone, had some more whiskey, another look at
his picture, and another smoke of his pipe. After that he began to
consider how very hardly his wife had used him. Or, rather, he tried to
take up and maintain this position, but he failed. He was so genuinely
relieved that Ora had not been there; he did not want to meet Ora; he
knew that he would be terribly uncomfortable. Why had he come? He
wandered up to the mantel-piece again and looked with pathetic reproach
at the picture and the signature below it.

"I wish she hadn't made me!" he groaned as he turned away and began to
undress himself.

Ora had allowed him to come, but it could hardly be said that she had
made him. Moreover his protest seemed to be addressed to the picture on
the mantel-piece.



CHAPTER XIV

AS MR. FLINT SAID


Irene Kilnorton looked, as she had been bidden, out of the window in
Queen's Gate and perceived a four-wheeled cab laden with three large
boxes; from that sight she turned her eyes again to Ora Pinsent, who sat
in a straight-backed chair with an expression of unusual resolution on
her face. It was eleven o'clock on Monday morning.

"I lay awake all night, trembling," said Ora. "Imagine if he'd come to
the house!"

"But, good gracious, you told him to come, Ora! You must see him now."

"I won't. I thought you'd be kind and come with me; but I'm going
anyhow."

"Where is he?"

"I don't know. I suppose Ashley has done something with him; only I
wonder I haven't had a letter."

"Ashley!" Lady Kilnorton's tone fully explained her brief remark, but
Ora only nodded her head and repeated, "Yes, Ashley."

"And where do you propose to go?"

"Devonshire."

"And what about your theatre?"

"Oh, I've sent a wire. The understudy must do it. I couldn't possibly."

"And are you going alone to Devonshire?"

"Yes. At least I suppose Ashley couldn't go with me, could he?"

"He would if you asked him, I should think," said Irene most
impatiently.

"He can run down and see me, though," observed Ora in a slightly more
cheerful tone. "I shall wire my address and ask him to let me know
what--what happened. Only--only I'm rather afraid to know. I should like
just to leave it all to Ashley."

"I think you're quite mad."

"I was nearly, at the thought of meeting him. I wonder what Ashley did
with him." A faint and timid smile appeared on her lips as she looked at
her friend. "Their meeting must have been rather funny," she added, with
obvious fear, but yet unable to resist confiding her amusement.

"Did anybody ever beat you, Ora?" demanded Lady Kilnorton.

"Yes, dear," confessed Ora plaintively.

"Then they didn't do it enough, that's all."

Ora sat silent for a moment still, smiling a little.

"It's no good being unkind to me," she remarked then. "I don't see how I
could have done anything else. I did my very best to--to let him come;
but I couldn't."

"It's not very likely you could, when you'd been spending every hour of
the day with Ashley Mead! Actually took him to meet your husband!"

"I suppose it was that, partly; but I couldn't have got even as far as I
did without Ashley. Why won't you come to Devonshire?"

"Among other things, I'm going to be married."

"Oh! Soon?"

"In a month."

"Really? How splendid! I should think Lord Bowdon's a lovely lover. I'm
sure he would be." Ora was now smiling very happily.

Irene seemed to consider something seriously for a moment or two; then
she gave it utterance.

"I'm afraid you're disreputable, after all," she said.

"No, I'm not," protested Ora. "Oh, but, my dear, how I should like to
be! It would simplify everything so. But then Ashley--" She broke off
and frowned pensively.

"Oh, I don't mean exactly what you've done, but what you are." She came
suddenly across the room, bent down, and kissed Ora's cheek. Then, as
she straightened herself again, she said, "I don't think we can be
friends."

At first Ora laughed, but, seeing Irene very grave, she looked at her
with scared eyes. Irene met her gaze fully and directly.

"You didn't tell me all Alice Muddock said to you," said Irene.

"No, not quite," Ora murmured; "it was horrid."

"She's told me since. Well, she only said what you've made us all think
of you."

"You?" asked Ora, her eyes still set on her friend.

"Yes," said Irene Kilnorton, and, turning away, she sat down by the
window. A silence followed, broken only by a stamp of the hoof from the
cab-horse at the door. Then Irene spoke again. "Don't you see that you
can't go on as you've been going on, that it's impossible, that it ruins
everybody's life who has anything to do with you? Don't you see how
you're treating your husband? Don't you see what you're doing to Ashley
Mead?"

Ora had turned rather white, as she had when Alice Muddock told her
that not for the sake of fame would she pay Ora's price. They were both
against her.

"How hard people are!" she cried, rising and walking about the room.
"Women, I mean," she added a moment later.

"Oh, I know you make men think what you like," said Irene scornfully.
"We women see what's true. I'm sure I don't want to distress you, Ora."

Ora was looking at her in despair tempered by curiosity. Bitterly as she
had felt Alice's onslaught, she had ended in explaining it to herself by
saying that Alice was an exceptionally cold and severe person, and also
rather jealous concerning Ashley Mead. Irene Kilnorton was neither cold
nor severe, and Ora had no reason to think her jealous. The agreement of
the two seemed a token and an expression of a hostile world in arms
against her, finding all sins in her, hopelessly blind to her excuses
and deaf to the cries of her heart which to her own ears were so
convincing. Irene thought that she ought to have been beaten more; if
she told of Mr. Fenning's isolated act of violence, Irene would probably
disapprove of nothing in it except its isolation.

"I thought you'd sympathise with me," she said at last.

"Then you must have thought me a goose," retorted Irene crossly. Her
real feelings would have led her to substitute "very wicked" for "a
goose," but she had an idea that an ultra-moral attitude was
_bourgeois_. "Goose" gave her all she wanted and preserved the
intellectual point of view.

But to Ora the moral and the intellectual were the Scylla and Charybdis
between which her frail bark of emotions steered a perilous, bumping,
grazing way, lucky if it escaped entire destruction on one or the
other, or (_pace_ the metaphor) on both at once. She felt that the world
was harsh and most ill-adapted to any reasonable being; for Ora also
seemed to herself very reasonable; reason follows the habit of the
chameleon and takes colour from the tree of emotions on which it lies.
From her meditations there emerged a sudden terrible dread that
swallowed up every other feeling, every other anxiety. All the world
(must not the world be judged by these two ladies?) was against her. Her
action was to it beyond understanding, her temperament beyond excuse.
Would Ashley feel the same? "Have I tired him out?" she cried to
herself. All else she could surrender, though the surrender were with
tears; but not his love, his sympathy, her hold over him. He must see,
he must understand, he must approve. She could not have him also
rebelling against her in weariness or puzzled disgust. Then indeed there
would be nothing to live for; even the refuge in Devonshire must become
an arid tormenting desert. For the times when he could run down and see
her had gone near to obliterating all the other times in her imaginary
picture of the refuge in Devonshire: just as her occasional appearances
had filled the whole of that picture of Ashley's married life drawn in
the days of the renunciation.

She rose and bade Irene good-bye with marked abruptness; it passed as
the sign of natural offence, and kindness mingled with reproach in
Irene's parting kiss. But Irene asked no more questions and invited no
more confidences. Ora ran downstairs and jumped into her cab. A new fear
and a new excitement possessed her; she thought no more of Irene's
censure; she asked no more what had become of Jack Fenning.

"What station, miss?" asked the driver, taking a look at her. He had
seen her from the gallery and was haunted by a recollection.

"Oh, I'm not going to the station!" exclaimed Ora impatiently; why did
people draw unwarranted inferences from the mere presence of three boxes
on the roof of a cab? She gave him Ashley's address with the coolest and
most matter-of-fact air she could muster. But for the terror she was in,
it would have been pleasant to her to be going for the first time to
those rooms of his to which she had sent so many letters, so many
telegrams, so many boy-messengers, so many commissionaires, but which in
actual palpable reality she had never seen yet. Reflecting that she had
never seen them yet, she declared that the reproaches levelled at her
were absurdly wide of the mark and horribly uncharitable. They didn't
give her credit for her real self-control. But what was Ashley feeling?
Again she cried, "Have I tired him out?" Now she pictured no longer from
her own but from his standpoint the scene at the station, and saw how
she had left him to do the thing which it had been hers to do. For the
first time that day a dim half-recollected vision of the renunciation
and reformation took shape in her brain; she dubbed it at once an
impossible and grotesque fantasy. Ashley must have known it for that all
the time; who but Ashley would have been so generous and so tactful as
never to let her see his opinion of it? Who but Ashley would have
respected the shelter that she made for herself out of its tattered
folds? And now had she lost Ashley, even Ashley? By this time Jack
Fenning, his doings, and his whereabouts, had vanished from her mind.
Ashley was everything.

The laden cab reached the door; Ora was out in a moment. "Wait," she
cried, as she darted in; the driver shifted the three boxes, so as to
make room for additional luggage; he understood the situation now; his
fare had come to pick up somebody; they would go to the station next.

Mr. A. Mead dwelt on the first floor; on the second floor lived Mr. J.
Metcalfe Brown. Having gleaned this knowledge from names in white
letters on a black board, Ora mounted the stairs. The servant-girl
caught a glimpse of her and admired without criticising; charity reigned
here; a lady's gown was scrutinised, not her motives. Ora reached the
first floor; here again the door was labelled with Ashley's name. The
sight of it brought a rebound to hopefulness; the spirit of the
adventure caught on her, her self-confidence revived, her fears seemed
exaggerated. At any rate she would atone now by facing the problem of
her husband in a business-like way; she would talk the matter over
reasonably and come to some practical conclusion. She pulled her hat
straight, laughed timidly, and knocked at the door. How surprised he'd
be! And if he were disposed to be unkind--well, would he be unkind long?
He had never been unkind long. Why, he didn't answer! Again she knocked,
and again. He must be out. This check in the plan of campaign almost
brought tears to Ora's eyes.

She must enquire. She was about to go downstairs again and ring the bell
when she heard a door opened on the landing above, and a man's step. She
paused; this man might give her news of Ashley; that he might be
surprised to see her did not occur to her. A moment later a voice she
knew well exclaimed in soliloquy, "Good heavens, what a creature!" and
round the bend of the stairs came Ashley himself, in a flannel jacket,
smoking a pipe, with his hair much disordered.

Ora wore a plain travelling frock suitable for a dusty journey to
Devonshire; her jacket was fawn colour, her hat was black; yet even by
these sober hues the landing seemed illuminated to Ashley Mead. "Well!"
he cried, taking his pipe from his mouth and standing still.

"Open this door," Ora commanded, in a little tumult of gladness; in an
instant his eyes told her that she had not tired him out. "And who's a
creature?"

"A creature?" he asked, coming down.

"Yes. You said somebody was. Oh, I know! The man above? Mr. J. Metcalfe
Brown?"

"Exactly," said Ashley. "Metcalfe Brown." He took a key out of his
pocket, unlocked the door, and held it open for her. He was laughing.

"So this is your den!" she cried. "What are those papers?" The desk was
strewn with white sheets.

"Our Commission. I've been having a morning at it."

"Between it and Metcalfe Brown?"

"Well, yes, he does need some of my attention."

"What a noise he makes!" said Ora, for a dragging tread sounded on the
ceiling of the room. "He must be rather a bore?"

"Yes, he is," said Ashley, with a short laugh and a quick amused glance
at her.

"Where's my picture?" Ora demanded, looking round.

"Strictly concealed," Ashley assured her.

"I wonder I've never come here before," she reflected, sitting down in
his arm-chair.

"Well, on the whole, so do I," said Ashley, laughing still.

She was taking a careful and interested view of the room. The steps
overhead went on.

"I think it would be very nice," she said at last, "except for Metcalfe
Brown."

"There's always something one could do without," observed Ashley Mead.

"I like you in that coat. Oh, well, I like you in any coat. But I never
saw you ready for work before. Ashley, who is Metcalfe Brown? And how I
wish he'd sit still!"

"He's a clerk," said Ashley; his smile persisted, but his brows were
knit in a humorous puzzle.

A pause followed. Ora looked at him, smiled, looked away, looked at him
again. Ashley said nothing.

"You might ask me something," she murmured reproachfully. He shook his
head. She rose and came behind him; laying a hand on his shoulder she
looked round in his face; mirth and appeal mingled as of old in the
depths of her eyes. "Am I very dreadful?" she whispered. "Are you quite
tired of me, Ashley?"

There was a sound from above as though a man had thrown himself heavily
on a sofa or a bed.

"Bother Metcalfe Brown," whispered Ora. "Ashley, I couldn't help it. I
was afraid."

"You needn't have been afraid with me," he said in a low voice.

"But--but you wouldn't have stayed. I was so frightened. You know what I
told you; I remembered it all. He'd had too much to drink; he wasn't
generally cruel, but that made him. Ashley dear, say you forgive me?"

The dim sound of a quavering voice reached them through the ceiling. For
an instant Ora raised her head, then she bent down again to Ashley.

"Because I'm going away, to Devonshire," she went on. "And I mayn't see
you for ever so long, unless you'll come and see me; and Irene Kilnorton
says you oughtn't to. But you must. But still it will be days! Oh, how
shall I pass days without you? So do forgive me before I go."

"Forgive you!" said he with a little laugh.

"Ah, you do," she sighed. "How good you are, Ashley." She pressed his
shoulder with her hand. "I couldn't go on living if it wasn't for you,"
she said. "Everybody else is so hard to me. I ran away last night
because I couldn't bear to lose you!" She paused and moved her face
nearer his, as she whispered, "Could you bear to lose me?"

Mr. Metcalfe Brown tumbled off the bed and seemed to stagger across the
room towards the mantel-piece.

"No," said Ashley Mead.

"But I'm going away; my boxes are on the cab outside. I daren't stop now
he's come; I might meet him; he might--no, I daren't stay." Her voice
fell yet lower as she asked, "What did he say? Where is he? What have
you done with him?"

Ashley gently raised her hand from his arm, rose, and walked to the
fireplace. He looked at her as she bent forward towards him in the
tremulous eagerness of her questioning, with fear and love fighting in
her eyes, as though she looked to him alone both for safety and for joy.
And, as it chanced, Mr. Metcalfe Brown made no sound in the room above;
it was possible altogether to forget him.

Ora took the chair that Ashley had left and sat looking at him. For a
moment or two he said nothing; it was the pause before the plunge, the
last hasty reckoning of possibilities and resources before a great
stake. Then he set all on the hazard.

"You needn't have run away," he said in a cool, almost bantering tone.
"Fenning didn't turn up at all."

Mr. Metcalfe Brown walked across the room and threw himself into a
chair; at least the sounds from above indicated some such actions on his
part.

"I don't know why, but he didn't," said Ashley with a momentary glance
at the ceiling--rather as though he feared it would fall on him.

"Not come?" she whispered. "Oh, Ashley!" She seemed for a moment to hold
herself in the chair by the grasp of her hands on its arms. Then she
rose and moved slowly towards him. "He didn't come?"

"Not a sign of him."

"And--and he won't, will he?"

"I don't expect so," said Ashley, smiling.

Ora seemed to accept his answer as final. She stood still, for a moment
grave, then breaking into a gurgle of amused delighted laughter. Ashley
glanced again at the ceiling; surely a man who had ever heard that laugh
must remember it! But had the man upstairs? Was not that laugh made and
kept for him himself from the beginning of the world? So his madness
persuaded him.

"Rather funny, wasn't it? So I came back alone by the slow train--a very
slow train it was, without you."

Ora's mood was plain enough. She was delighted, and she was hardly
surprised. No instability of purpose and no change of intention were out
of harmony with her idea of her husband. There was no telling why he had
not come, but there was nothing wonderful in his not coming. She spread
her arms out with a gesture of candid self-approval.

"Well, I've done my duty," said she.

"Yes," said Ashley, smiling. He was relieved to find his word taken so
readily. "But do you think you're doing it by staying here?"

"How rude you are! Why shouldn't I?"

"It's irregular. And somebody might come." He paused and added, "Suppose
Metcalfe Brown dropped in?"

"What would he think?" cried Ora with sparkling eyes. "Is he a very
steady young man?"

"I don't know; he's got a picture signed 'Yours ever, Daisy,' on his
mantel-piece."

Ora's eyes shewed no recognition of "Daisy."

"The girl he's engaged to, I suppose," she said rather scornfully; high
and unhappy passion is a little contemptuous of a humdrum engagement.

"Perhaps," said Ashley cautiously.

"Oh, he's moving about again; and he's singing! I wish we could hear
better!" For the sound of the voice was very muffled. "I know that tune
though. Where have I heard it before?"

"Everybody used to torture one with it a few years ago; somebody sang it
at the Alhambra."

"Oh, yes, I went with--I went once and heard it."

The voice died down in a gentle grumble. The little puzzled frown with
which Ora had listened also passed away.

"Going to Devonshire?" asked Ashley Mead.

"To Devonshire? No," said Ora decisively. "Why should I go away now?"

"You must go away from here."

"Must I, Ashley?"

"Yes, you must. Consider if Metcalfe Brown--"

"Oh, bother your Metcalfe Brown! There's always somebody like that!"

"Yes, generally. Come, I'll take you to your cab--"

"But you'll come and see me to-morrow?"

"Yes, I'll come to-morrow."

"Oh, isn't everything perfect? What's that? He must be throwing the fire
irons about!"

"Never mind him. Come along."

"I don't mind him. I don't mind anybody now. How could I ever have
thought of bringing--of doing what I did? Why did you let me, Ashley?
But it's all right now, isn't it?"

"Come down quietly; Metcalfe Brown'll hear us."

"I don't care."

"Oh, but you must. Consider my reputation!"

"Very well, I'll be quiet," said Ora with another low and joyous laugh.

They stole downstairs together. Metcalfe Brown was quiet; he did not
open his door, look out, glance down the well of the stairs and see who
was Ashley Mead's companion; he sat with his pipe in his mouth and his
glass by his side, while Ora escaped in safety from the house.

The cabman had employed his leisure first in recollecting how his fare's
face came to be familiar to him, secondly (since he had thus become
interested in her), in examining the luggage labels on the three large
boxes. There was a friendliness, and also a confidence, in his manner as
he leant down from his box and said,

"Paddington, Miss Pinsent?"

"Paddington! No," said Ora. Ashley began to laugh. Ora laughed too, as
she gave her address in Chelsea.

"Where I took you up, miss?" asked the cabman.

"Yes," said Ora, bright with amusement. "It really must seem rather
funny to him," she said in an aside to Ashley, as she got in. The cabman
himself was calling the affair "a rum start," as he whipped up his
horse. To Ashley Mead it seemed very much the same.

There were, however, two people who were not very seriously surprised,
Janet the respectable servant and Mr. Sidney Hazlewood the accomplished
comedian. They received Ora, at the house in Chelsea and at the theatre
respectively, with a very similar wrinkling of the forehead and a very
similar sarcastic curving of the lips; to both of them the ways of
genius were well known. "Mr. Fenning hasn't come after all," said Ora to
Janet, while to Mr. Hazlewood she observed "I felt so much better that
I've come after all." Janet said, "Indeed, ma'am." Mr. Hazlewood said,
"All right," and sent word to the understudy that she was not wanted. On
the whole her sudden change of plan seemed to Ora to cause less than its
appropriate sensation--except to the cabman, whose demeanour had been
quite satisfactory.

As Mr. Hazlewood was dressing for his part, it chanced that Babba Flint
came in, intent on carrying through an arrangement rich, as were all
Babba's, in prospective thousands. When the scheme had been discussed,
Hazlewood mentioned Ora's wire of the morning and Ora's appearance in
the evening. Babba nodded comprehendingly.

"Something to do with the husband perhaps," Hazlewood hazarded. "Not
that it needs any particular explanation," he added, hiding his wrinkle
with some paint.

"Husband, husband?" said Babba in a puzzle. "Oh, yes! By Jove, he was to
come yesterday! Hasn't turned up, of course?"

"Haven't seen or heard anything of him."

"Of course not," said Babba placidly. "I knew he wouldn't. I told
Bowdon he wouldn't, but Bowdon wouldn't bet. Give me a wire, though."

Hazlewood's dresser was ready with a telegraph-form and Babba, in the
wantonness of exuberant triumph, sent a message to Bowdon's house
asserting positively that Mr. Fenning had not come. That evening Bowdon
dined with Irene, and the telegram, forwarded by messenger, reached him
there. After dinner Alice ran in to give news of a rather better
character concerning her father. She also heard the contents of Babba
Flint's message. Ora's underlying desire for a sensation would have been
satisfied. They were all amazed.

"This morning she thought he had come," Irene persisted. "I wonder if
Ashley Mead knows anything about it. Have you seen him, Alice?"

"No; he telegraphed that he couldn't possibly come to Kensington Palace
Gardens to-day, but would early to-morrow."

Alice's tone was cold; Ashley ought to have gone to Kensington Palace
Gardens that day, she thought.

"It's very odd, isn't it, Frank?" asked Irene.

"It's not our affair," said Bowdon; he was rather uncomfortable.

"Except," said Irene with a glance at Alice and an air of reserved
determination, "that we have to consider a little what sort of person
she really is. I don't know what to make of it, do you, Alice?"

No less puzzled was Ashley Mead as he kept guard on the man to whom he
had transferred the name of Metcalfe Brown, and wondered how he was to
persevere in his assertion that the man had not come. For here the man
was, and, alas, by now the man was peevishly anxious to see his wife;
from no affection, Ashley was ready to swear, but, as it seemed, in a
sort of fretful excitement. No doubt even to such a creature the
present position was uncomfortable; possibly it appeared even degrading.

"We'll settle about that to-morrow," said Ashley Mead; and in spite of a
pang of self-reproach he added, "Have a little drop more whiskey?"

For to-night must be tided over; and whiskey was the only tide that
served.



CHAPTER XV

THE MAN UPSTAIRS


Kensington Palace Gardens, whither Ashley Mead hastened early on Tuesday
morning, was not the same place to him as it had been. The change went
deeper than any mere shadow of illness or atmosphere of affliction.
There was alienation, a sense of difference, the feeling of a suppressed
quarrel. The old man knew him, but greeted him with a feeble
fretfulness, Lady Muddock was distantly and elaborately polite, even in
Bob a constraint appeared. Alice received him kindly, but there was no
such gladness at his coming as had seemed to be foreshadowed by her
summons of him. Was she resentful that he had not come the day before?
That was likely enough, for his excuses of pressing business did not
sound very convincing even to himself. But here again he sought a
further explanation and found it in a state of things curiously
unwelcome to him. It may be easy to abdicate; it is probably harder to
stand by patiently while the new monarch asserts his sway and receives
homage. Bertie Jewett was in command at Kensington Palace Gardens; when
Sir James could talk he called Bertie and conferred with him; on him now
Lady Muddock leaned, to him Bob abandoned the position by birth his own;
it was his advice which Alice repeated, his opinions which she quoted to
Ashley Mead as they took a turn together in the garden. Both business
and family, the big house and the big block, owned a new master;
Bertie's star rose steadily.

Ashley was prepared with infinite scorn. He watched the upstart with an
eye acute to mark his lapses of breeding, of taste, and of tact, to
discern the vulgarity through affected ease, the coarseness of mind
beneath the superficial helpfulness. Something of all these he contrived
to see or to persuade himself that he saw, but a whole-hearted confident
contempt denied itself to him. There is a sort of man intolerable while
he is making his way, while he pushes and disputes and shoulders for
place; the change which comes over him when his position is won, and
what he deems his rights acknowledged, is often little less than
marvellous. It is as though the objectionable qualities, which had
seemed so ingrained in him and so part of him that they must be his from
cradle to grave and perhaps beyond, were after all only armour he has
put on or weapons he has taken into his hand of his own motion, to do
his work; the work done they are laid aside, or at least so hidden as
merely to suggest what before they displayed offensively. So concealed,
they are no longer arrogant or domineering, but only imply a power in
reserve; they do no more than remind the rash of what has been and may
be again. In part this great transformation had passed over Bertie
Jewett; the neat compact figure, the resolute eye, the determined mouth,
the brief confident directions, wrung even from Ashley admiration and an
admission that, if (as poor old Sir James used to say) the "stuff" was
in himself, it was in Bertie also, and probably in fuller measure.
Neither business nor family would lack a good counsellor and a bold
leader; neither family nor business would suffer by the substitution of
Bertie for himself. Watching his successor, he seemed to himself to have
become superfluous, suddenly to have lost his place in the inmost hearts
of these people, and to have fallen back to the status of a mere
ordinary friendship.

Was that in truth Alice's mood towards him? It was not, but his jealous
acuteness warned him that it soon might be. She did not tell him now
that she disliked Bertie Jewett; she praised Bertie with repentant
generosity, seeking opportunities to retract without too much
obtrusiveness the hard things she had said, and fastening with eager
hand on all that could be commended. Ashley walked by her, listening.

"Where we should be without him now I don't know," she said. "I can't do
much, and Bob--well, Bob wants somebody to guide him."

"I hope you'll let me be of any use I can," he said; in spite of himself
the words sounded idle and empty.

"You're most kind, Ashley, always, but I don't think there's anything we
need trouble you about for the present. We don't expect any immediate
change in father."

"When I said I wouldn't have anything to do with the business, I didn't
include Kensington Palace Gardens in the word."

"Oh, I know you didn't. Indeed I'll ask you for help when I want it."

He was silent for a moment or two. Then he said, "You agreed with me
about the business. Do you still think I was right?"

"I'm more than ever sure of it," she answered with a direct gaze at him.
"I grow surer of it every day. It wasn't the least suited to you; nor
you to it, you know." She smiled as she spoke the last words.

"And Jewett's in his element?"

"I hear he's wonderfully able, and he's very nice and considerate about
everything too. Oh, no, you'd never have done for it."

What she said was what she had always said; she had always been against
his selling the ribbons, had thought that he was too good to sell
ribbons and loved him for this very thing. But the same words may carry
most different implications; was not the idea in her head now that, if
it would not have been good for him to sell the ribbons, neither would
it have been good for the ribbons nor for the family whose prosperity
depended on them? Her smile had been indulgent rather than admiring; he
accused her of reverting to the commercial view of life and of suffering
a revival of the family prejudices and of the instinct for getting and
reverencing wealth. He felt further from her and detected a
corresponding feeling in her. He studied her in the light of that
unreasonable resentment with which Bertie Jewett inspired him; he saw
that she read him in the light of her judgment of Ora Pinsent; and he
knew tolerably well what she thought and said of Ora Pinsent. They were
further apart. Yet at the end old kindliness revived and he clasped her
hand very heartily.

"I'm always at your orders," he said. "Always."

She smiled; did she intend to remind him that the day before he had
neglected her summons? His conscience gave her smile that meaning, and
he could not tell her that he had been obliged to play jailer to Mr.
Fenning--for Mr. Fenning had not come! But her smile was not
reproachful; it was still indulgent. She seemed to expect him to say
such things, to know he would, to accept them as his sincere meaning at
the time, but not to expect too much from them, not to take them quite
literally, not to rely on them with the simple ample faith that the
words of a solid trustworthy man receive. The love that has lived on
admiration may live with indulgence; she seemed still to love him
although now with opened eyes. And when he was gone, she turned back to
the business of life with a sigh, to business and Bertie Jewett. Back
she went to work, and in her work Ashley Mead had no longer a place.

At this time, among his conquests--and they were over himself as well as
others--Bertie Jewett achieved a complete victory over Irene Kilnorton's
old dislike of him. He was so helpful, so unobtrusive, so strong, so
different from feather-headed people who were here one moment and
elsewhere the next, whom you never knew where to have. She had what was
nearly a quarrel with Bowdon because he observed that, when all was said
and done, Bertie was not a gentleman.

"Nonsense, Frank," she said tartly. "He only wants to go into society a
little more. In all essentials he's a perfect gentleman."

Bowdon shook his head in impenetrable, silent, male obstinacy. He was
not apt at reasons or definitions, but he knew when he did and when he
did not see a gentleman before him; he and his ancestors had spent
generations in acquiring this luxury of knowledge. His shake of the head
exasperated Irene.

"I like him very much," she said. "He has just the qualities that made
me like you. One can depend on him; he's not harum-scarum and full of
whims. You can trust yourself with men like that."

"I hope I'm not as dull as I sound, my dear," said Bowdon patiently.

"Dull! Who said you were dull? I said I could trust you, and I said I
could trust Bertie Jewett. Oh, I don't mean to say he's fascinating like
Ashley Mead. At least I suppose Ashley is fascinating to most people."

"Most women anyhow," murmured Bowdon.

"I consider," said Irene solemnly, "that Ora Pinsent has done him
infinite harm."

"Poor Miss Pinsent!"

"Oh, yes, of course it's 'Poor Miss Pinsent'! If you'd been in the
Garden of Eden you'd have said nothing but 'Poor Eve'! But, Frank--"

"Yes, dear."

"I believe Alice is getting tired of him at last."

Here was a useful conquest--and a valuable ally--for Bertie Jewett.
Bowdon perceived the bent of Irene's thoughts.

"Good God!" he muttered gently, between half-opened lips. Then he smiled
to himself a little ruefully. Was Alice also to seek a refuge? Remorse
came hard on the heels of this ungracious thought, and he kissed Irene
gallantly.

"Suppose," he suggested, "that you were to be content with looking after
your own wedding for the present and leave Miss Muddock to look after
hers."

Irene, well pleased, returned his kiss, but she also nodded sagaciously,
and said that if he waited he would see.

Bowdon was now so near his marriage, so near inviolable safety, that he
allowed himself the liberty of thinking about Ora Pinsent and
consequently of Ashley Mead. That the husband had not come--Babba's
triumphant telegram was still in his pocket--surprised as much as it
annoyed him. In absence from Ora he was able to condemn her with a
heartiness which his _fiancée_ herself need not have despised; that his
condemnation could not be warranted to outlast a single interview with
its object was now no matter to him, but merely served to explain the
doings of Ashley. Ashley was hopelessly in the toils, this was clear
enough. Strangely hovering between self-congratulation on his own escape
and envy of the man who had not run away, Bowdon asked what was to be
the end, and, as a man of the world, saw but one end. Ashley would pay
dear and would feel every penny of the payment. His was a nature midway
between Ora's and Irene's, perhaps it had something even of Alice
Muddock's; he had a foot in either camp. Reason struggled with impulse
in him, and when he yielded he was still conscious of what he lost. He
could not then be happy, and he would hardly find contentment in not
being very unhappy. He must be tossed about and torn in two. Whither
would he go in the end? "Anyhow I'm safe," was Bowdon's unexpressed
thought, given new life and energy by the news that Ora Pinsent's
husband had not come. For now the tongues would be altogether unchained,
and defence of her hopeless. Had she ever meant him to come, ever
believed that he was coming, ever done more than fling a little
unavailing dust in the world's keen eyes? The memory of her, strong even
in its decay, rose before him, and forbade him to embrace heartily what
was Irene's and would be everybody's theory. But what other theory was
there?

Bowdon was living in his father's house in Park Lane, and these
meditations brought him to the door. A servant awaited him with the news
that Ashley was in the library and wanted to see him. The business of
their Commission brought Ashley often, and it was with only a faint
sense of coincidence that Bowdon went in to meet him. Ashley was
sitting on a sofa, staring at the ceiling. He sprang up as Bowdon
entered; there was a curious nervousness in his air.

"Here you are, Bowdon!" he cried. Bowdon noticed, without resenting, the
omission of his title; hitherto, in deference to seniority and Bowdon's
public position, Ashley had insisted on saying "Lord Bowdon." He
inferred that Ashley's mind was busy.

"Here I am, Ashley. What do you want? More witnesses, more reports, what
is it?"

"It's not the Commission at all."

"Take a cigar and tell me what it is."

Ashley obeyed and began to smoke quickly; he stood now, while Bowdon
dropped into a chair.

"In about a month I shall have seven hundred pounds coming in," said
Ashley. "Just now I've only a hundred at the bank."

"Present economy and the prospect of future recompense," said Bowdon,
smiling.

"I want five hundred now, to-day. They'll give it me at the bank if I
get another name. Will you--?"

"I won't give you my name, but I'll lend you five hundred."

Ashley looked down at him. "Thank you," he said. "Do you trust your
servant?"

"More than you, Ashley, and I'm lending you five hundred."

"Then send him round to the bank."

"My good fellow, I can write a cheque."

"No, I want five hundred-pound notes--new ones," said Ashley, with his
first glimmer of a smile.

"Very well," said Bowdon. He went to the table, wrote a cheque, rang the
bell, and, when his personal servant had been summoned, repeated
Ashley's request. "Very good, my lord," said the man, and vanished.
Bowdon lit a cigarette and resumed his seat.

"It's for--," Ashley began.

"As you like about that," said Bowdon. "Only why were they to be new
hundred-pound notes?"

"In order to appeal to the imagination. I'm going to tell you about it."

"As long as it's because you want and not because I want, all right."

"I believe I'm going to do a damned rascally thing."

"Can't you keep it to yourself then?" asked Bowdon, with a plaintive
intonation and a friendly look. "At present I've lent you five hundred.
That's all! They can't hit me."

"I want somebody to know besides me, and I've chosen you."

"Oh, all right," muttered Bowdon resignedly.

Ashley walked twice across the room and came to a stand again opposite
his friend.

"The notes are for Miss Pinsent's husband," said he.

Bowdon looked up quickly.

"Hullo!" said he, with lifted brows.

"I mean what I say; for Fenning."

"As the price of not coming?"

"Who told you he hadn't come?"

"Babba Flint; but it's all over the place by now."

"Babba's wrong," said Ashley. "He came on Sunday night. The notes are to
bribe him to go away again."

There was a pause; then Bowdon said slowly:

"I should like to hear a bit more about this, if you don't mind, Ashley.
The money's yours. I promised it. But still--since you've begun, you
know!"

"Yes, I know," said Ashley quickly. "Look here, I'll tell you all about
it."

The hands ticked the best part of the way round the clock while Ashley
talked without pause and uninterrupted, save once when the notes were
brought in and laid on the table. He told how the man had come, what the
man was, how Ora had fled from him, and how, while the man moved about
in the room above, he himself had told her that the man had not come. He
broke off here for an instant to say, "You can understand how I came to
tell her that?" On receiving Bowdon's assenting nod he went on to
describe how for two days he had kept his prisoner quiet; but now he
must take some step. "I must take him to her, or I must murder him, or I
must bribe him," he ended, with the laugh that accompanies what is an
exaggeration in sound but in reality not beyond truth.

"I don't like it," said Bowdon at the end.

"You haven't seen him as I have," was Ashley's quick retort. To him it
seemed all sufficient.

"Used to beat her, did he?" Bowdon was instinctively bolstering up the
case. Ashley hesitated a little in his answer.

"She said he struck her once. I'm bound to say he doesn't seem violent.
Drink, I suppose. And she--well, it might seem worse than it was. Why
the devil are we to consider him? He's impossible anyhow."

"I wasn't considering him. I was considering ourselves."

"I'm considering her."

"Oh, I know your state of mind. Well, and if he takes the money and
goes?"

"She'll be quit of him. It'll be as it was before."

"Will it?" asked Bowdon quietly. The two men regarded one another with
a long and steady gaze. Ashley's eyes did not shirk the encounter.

"I mean that," he said at last. "But--." He shrugged his shoulders
slightly. He would do his best, but he could answer for nothing. He
invited Bowdon to take his stand by him, to fix his attention only on
saving her the ordeal which had proved beyond her strength, just to
spare her pain, to ask nothing of what lay beyond, not to look too
anxiously at the tools they were using or the dirt that the tools might
leave on their hands. Bowdon gained a sudden understanding of what Irene
Kilnorton had meant by saying that Ora did Ashley infinite harm; but
above this recognition and in spite of it rose his old cry so scorned by
Irene, "Poor Ora Pinsent!" To him as to Ashley Mead the thought of
carrying this man to Ora Pinsent and saying, "You sent for him, here he
is," was well nigh intolerable.

They were both men who had lived, as men like them mostly live, without
active religious feelings, without any sense of obligation to do good,
but bound in the strictest code of honour, Pharisees in the doctrine and
canons of that law, fierce to resent the most shamefaced prompting of
any passion which violated it. A rebel rose against it--was it not
rebellion?--drawing strength from nowhere save from the pictured woe in
Ora Pinsent's eyes. They sat smoking in silence, and now looked no more
at one another.

"It's got nothing to do with me," Bowdon broke out once.

"Then take back your money," said Ashley with a wave of his hand towards
the notes on the table.

"You're on the square with me, anyhow," said Bowdon with a reluctant
passing smile. He wished that Ashley had been less scrupulous and had
taken his money without telling him what use he meant to put it to.

"I tell you what, you'd better come and see the fellow," said Ashley.
"That'll persuade you I'm right, if anything will."

Bowdon had become anxious to be persuaded that the thing was right, or
at least so excusable as to be near enough to the right, as to involve
no indefensible breach of his code, no crying protest from his honour;
if the sight of the man would convince him, he was ready and eager to
see the man. Besides, he had a curiosity. Ora had married the man; this
adventitious interest hung about Jack Fenning still.

"Pocket the notes, and come along," he said, rising.

They were very silent as they drove down to Ashley's rooms. The affair
did not need, and perhaps would not bear, much talking about; if one of
them happened to put it in the wrong way they would both feel very
uncomfortable; it could be put in a right way, they said to themselves,
but so much care was needed for this that silence seemed safer. Bowdon
was left in Ashley's rooms while Ashley went upstairs to fetch Mr.
Fenning, whom he found smoking his pipe and staring out of the window.
Ashley had made up his mind to carry matters with a high hand.

"I want you downstairs a minute or two," he said curtly.

"All right; I shall be jolly glad of a change," said Jack, with his
feeble smile. "It's pretty slow here, I can tell you."

"Hope you won't have much more of it," Ashley remarked, as he led the
way downstairs.

To suggest to a man that he is of such a disposition as to be ready to
surrender his claim to his wife's society, take himself off for good,
and leave her fate in the hands of gentlemen who are not related to her
in consideration of five hundred pounds, is to intimate that you hold a
very peculiar opinion of him. Even with Jack Fenning Ashley felt the
difficulties of the position. Bowdon gave him no help, but sat by,
watching attentively. The high-handed way was the only way; but it
seemed rather brutal to bully the creature.

Ashley began. In a pitiless fashion he hinted to Jack what he was, and
hazarded the surmise that he set out to rejoin his wife for much the
same reason which Babba Flint had thought would appeal to him. Bowdon
waited for the outbreak of anger and the flame of resentment. Jack
smiled apologetically and rubbed his hands against one another.

The other two exchanged a glance; their work grew easier; it seemed also
to grow more disgusting. The man was passive in their hands; they had it
all to do; the responsibility was all theirs.

"We propose, Mr. Fenning, that you should return to America at once,
without seeing Miss Pinsent or informing her of your arrival. You have
lost time and incurred expense--and--er--no doubt you're disappointed.
We shall consider all this in a liberal spirit." Ashley's speech ended
here; he was inclined to add, "I'll deal with you as one scoundrel with
another."

"Go back now, without seeing her?" Was there actually a sparkle of
pleasure, or relief, or thankfulness in his eye? Ashley nodded, took out
the notes, and laid them on the table. Bowdon shifted his feet, lit a
cigarette, and looked away from his companions out of the window.

"I have here five hundred pounds. If you'll take the first boat and slip
away without letting your--er--visit be known to anybody, I'll hand them
over to you, when you step on board."

Jack shook his head thoughtfully. "You see I'm out of a place," he said.
"I threw up my position to come."

He was haggling about the price, nothing else; Bowdon got up and opened
the window.

"I made a sacrifice for the sake of returning to Miss Pinsent; my
expenses have been--"

"For God's sake, how much do you want?" said Bowdon, turning round on
him.

"There's a little spec I know of--" began Jack, with a confidential
smile.

"How much?" said Ashley.

"I think you ought to run to a thousand, Mr. Mead. A thousand's not much
for--"

"Doing what you're doing? No, it's damned little," said Ashley Mead.

"Give him the money, Ashley," said Bowdon from the window.

"All right, I'll give it you when I see you on board. Mind you hold your
tongue while you're here!"

Jack was smiling happily; he seemed like a man who has brought off a
great _coup_ which was almost beyond his hopes, in which, at least, he
had never expected to succeed so readily and easily. Looking at him,
Ashley could not doubt that if he and Bowdon had not furnished means for
the "little spec" Ora Pinsent would have been asked to supply them.

"I shall be very glad to go back. I never wanted to come. I didn't want
to bother Miss Pinsent. I've my own friends." There was a sort of
bravado about him now. "Somebody'll be glad to see me, anyhow," he
ended with a laugh.

"No doubt," said Ashley Mead; his tone was civil; he loathed Mr. Fenning
more and more, but it was not the moment for him to get on moral stilts.
Bowdon was as though he had become unconscious of Jack's proximity.

"There's a boat to-morrow; I'll try for a passage on that."

"The sooner the better," Ashley said.

"Yes, the sooner the better," said Fenning. He looked doubtfully at the
two men and glanced across to a decanter of whiskey which stood on a
side table.

"Then we needn't say any more," Ashley remarked, hastily gathering the
crisp notes in his hand; Jack eyed them longingly. "I'll see you again
to-night. Good-bye." He nodded slightly. Bowdon sat motionless. Again
Jack looked at both, and his face fell a little. Then he brightened up;
there was whiskey upstairs also. "Good afternoon," he said, and moved
towards the door; he did not offer to shake hands with Bowdon; he knew
that Bowdon would not wish to shake hands with him; and the knowledge
did not trouble him.

"Oh, Ashley, my boy, Ashley!" groaned Bowdon when the door closed behind
Mr. Fenning.

"He came to blackmail her."

"Evidently. But--I say, Ashley, was he always like that?"

"Of course not," said Ashley Mead almost fiercely. "He must have been
going down hill for years. Good God, Bowdon, you know the change liquor
and a life like his make in a man."

"Yes, yes, of course," muttered Bowdon.

[Illustration: "SOMEBODY'LL BE GLAD TO SEE ME ANYHOW," HE ENDED WITH A
LAUGH]

"Thank heaven we've saved her from seeing him as he is now!"

"I'm glad of that too." Bowdon rose and flung the window open more
widely. "Tell you what, Ashley," he said, "it seems to me the room
stinks."

Ashley made no answer; he smiled, but not in mirth.

There was a knock at the door. Ashley went to open it. Jack Fenning was
there.

"I beg pardon, Mr. Mead," he said, "but if you'll give me a sheet of
paper, I'll write for the passage; and I may have to pay something extra
for going back by this boat."

"I'll look after that. Here's paper." And he hustled Mr. Fenning out.

At the moment a tread became audible on the stairs. Ashley stood where
he was. "Somebody coming," he said to Bowdon. "Hope he won't catch
Fenning!" Then came voices. The two men listened; the door was good
thick oak, and the voices were dim. "I know that voice," said Ashley.
"Who the deuce is it?"

"It's a man, anyhow," said Bowdon. He had entertained a wild fear that
the visitor might be Ora herself; the scheme of things had a way of
playing tricks such as that.

"Well, good-bye," said the voice, not Jack Fenning's. They heard Jack
going upstairs; at the same moment came the shutting of his door and a
knock at Ashley's. With a glance at Bowdon, warning him to be discreet,
Ashley opened it. Mr. Sidney Hazlewood stood on the threshold.

"Glad to find you in," he said, entering. "How are you, Bowdon? I want
your advice, Mead. Somebody's stealing a piece of mine and I thought
you'd be able to tell me what to do. You're a lawyer, you see."

"Yes, in my spare time," said Ashley. "Sit down."

Hazlewood sat and began to take off his gloves.

"You've got a queer neighbour upstairs, that fellow Foster," he said.
"He told me he'd made your acquaintance too."

"He's only here for a day or two, and I had to be civil."

"Funny my meeting him. I used to come across him in the States. Don't
you be too civil."

"I know he's no great catch," said Ashley.

"He lived by his wits out there, and very badly at that. In fact he'd
have gone under altogether if he'd been left to himself."

Ashley felt that Bowdon's eyes were on him, but Bowdon took no share in
the talk.

"Who looked after him then?" he asked.

"His wife," said Hazlewood. "She used to walk on, or get a small part,
or sing at the low-class halls, or anything you like. Handsome girl in a
coarse style. Daisy Macpherson, that's what they called her. She kept
him more or less going; he always did what she told him." He paused, and
added with a reflective smile, "I mean she said she was his wife, and
liked to be called Mrs. Foster in private life."

This time neither Bowdon nor Ashley spoke. Hazlewood glanced at them and
seemed to be struck with the idea that they were not much interested in
Foster and the lady who was, or said she was, his wife.

"But I didn't come to talk about that," he went on rather
apologetically. "Only it was odd my meeting the fellow."

"Oh, I don't know," said Ashley carelessly. "What's the play, Hazlewood,
and who's the thief?"



CHAPTER XVI

MORALITY SMILES


For Ora Pinsent the clouds were scattered, the heavens were bright
again, the sun shone. The dread which had grown so acute was removed,
the necessity for losing what had come to be so much to her had passed
away. And all this had fallen to her without blame, without calling for
abasement or self-reproach. Nay, in the end, on a view of the whole
case, she was meritorious. She had summoned her husband back; true, at
the last moment she had run away from him and shirked her great scenes;
but if he had really come (she told herself now) she would have
conquered that momentarily uncontrollable impulse and done her duty.
After a few days' quiet in the country she would have gained strength
and resolution to carry out her programme of renunciation and
reformation. But he had not come and now he would not come; not even a
message came. He refused to be reformed; there was no need for anybody
to be renounced. She had done the right thing and by marvellous good
fortune had escaped all the disagreeable incidents which usually attend
on correct conduct. None could blame her; and she herself could rejoice.
She had offered her husband his due; yet there was nothing to separate
her from Ashley or to break the sweet companionship. At last fate had
shewn her a little kindness; the world unbent towards her with a smile,
and she, swiftly responsive, held out both her hands to it in welcome
for its new benevolence. Trouble was over, the account was closed; she
was even as she had been before the hateful letter came from Bridgeport,
Connecticut. In very truth now she could hide the letter among the roses
and let it lie there forgotten; the realities had fallen into line with
the symbols. As for the people who were to have been edified by the
reformation and comforted by the renunciation, why, Irene and Alice
Muddock had both been so inexplicably harsh and unkind and unsympathetic
that Ora did not feel bound to make herself miserable on their account.
Irene had got her husband, Alice did not deserve the man whom Ora
understood her to want. It happened that she herself was made for Ashley
and Ashley for her; you could not alter these things; there they were.
She lay back on the sofa with her eyes on the portrait in the silver
frame, and declared that she was happier than she had been for years. If
only Ashley would come! For she was rather hurt at Ashley's conduct.
Here was Thursday morning and he had not been to see her. He had written
very pretty notes, pleading pressing engagements, but he had not come.
She was a little vexed, but not uneasy; no doubt he had been busy. She
would, of course, have excused him altogether had she known that it was
only on Wednesday evening that he was free from his burden and back in
town, after seeing his passenger safely embarked on the boat which was
to carry him and his thousand pounds back to Bridgeport, Connecticut, or
somewhere equally far from the town where she was.

Although Ashley did not come, she had a visitor, and although the
visitor was Babba Flint, he came not merely in curiosity. His primary
business was connected with a play. He had the handling (such was his
expression) of a masterpiece; the heroine's part was made for Ora, the
piece would do great things here, but, Babba asserted, even greater in
America. The author wanted Ora to play in it--authors have these
whims--and, if she consented, would offer his work to Mr. Hazlewood; but
Hazlewood without Ora would not serve the turn.

"So I ran round to nobble you," said Babba. "You know Sidney wants to go
to the States, if he can get plays. Well, mine (he had not actually
written it) is a scorcher."

"Should I have to go to America?" asked Ora apprehensively.

"It's absurd you haven't been before." He proceeded to describe Ora's
American triumph and the stream of gold which would flow in. "You take a
share," he said. "I can offer you a share. Sidney would rather have you
on a salary, but take my advice and have a share."

The conversation became financial and Ora grew apparently greedy. As
Alice Muddock had noticed, she had the art of seeming quite grasping and
calculating. But about going to America she gave no answer. The matter
was not urgent; the thing would not become pressing for months. On being
cross-questioned Babba admitted that the masterpiece was not yet
written; the idea was there and had been confided to Babba; he was
thunderstruck with it and advised an immediate payment of two hundred
pounds. Then the masterpiece would get itself written; all wheels must
be oiled if they are to run.

"And if you take half, you'll make a fortune," said Babba.

Making a fortune for a hundred pounds was the kind of operation which
attracted Ora.

"I'll write you a cheque now," she said.

Babba smiled in a superior manner.

"There isn't all that hurry, as long as you're on," he observed. "Won't
you give me a kiss for putting you on?"

"If it goes as you say, I'll give you a kiss--a kiss for every thousand
I make," said Ora, laughing.

"There won't be any of me left," groaned Babba, with a humorous
assumption of apprehension. He paused for a moment, glanced at her out
of the corner of his eye, and added, "But what would Mr. Fenning say?"

Ora sat on her sofa and regarded him. She said nothing; she was trying
to look grave, resentful, dignified--just as Alice Muddock would look;
she knew so well how vulgar Babba was and how impertinent. Alas that he
amused her! Alas that just now anybody could amuse and delight her! Her
lips narrowly preserved their severity, but her eyes were smiling.
Babba, having taken a survey of her, fell into an appearance of
sympathetic dejection.

"Awfully sorry he didn't come!" he murmured; "I say, don't mind me if
you want to cry."

"You're really atrocious," said Ora, and began to laugh. "Nobody but you
would dare," she went on.

"Oh, I believe in him all right, you know," said Babba, "because I've
seen him. But most people don't, you know. I say, Miss Pinsent, it'd
have a good effect if you advertised; look _bonâ fide_, you know."

"You mustn't talk about it, really you mustn't," said Ora, with
twitching lips. It was all wrong (Oh, what would Alice Muddock say?),
but she was very much amused. If her tragedy of renunciation would turn
to a comedy, she must laugh at the comedy.

"Keep it up," said Babba, with a grave and sincere air of encouragement.
"Postpone him, don't give him up. Let him be coming in three months. It
keeps us all interested, you know. And if you positively can't do
anything else with him, divorce him."

Ora's eyes turned suddenly away.

"Anyhow don't waste him," Babba exhorted her. "I tell you there's money
in him."

"Now you must stop," she said with a new note of earnestness. It caught
Babba's attention.

"Kick me, if you like," said he. "I didn't know you minded, though."

"I don't think I did, much," said Ora. Then she sat up straight and
looked past Babba with an absent air. She had an idea of asking him what
he thought of her in his heart. He was shrewd under his absurdities,
kind under his vulgarity; he had never made love to her; in passing she
wondered why. But after all nobody thought Babba's opinion worth
anything.

"Do you remember meeting Miss Muddock here?" she enquired.

"Rather," said Babba. "I know her very well. Now she's a good
sort--reminds you of your mother grown young."

"Well, she thought you detestable," said Ora. The praise of Alice was
not grateful to her, although she acknowledged the aptness of Babba's
phrase.

"Yes, she would," said he cheerfully. "I've got to shoulder that, you
know. So have we all, if it comes to that."

"We all! What do you mean?" Ora did not seem amused now.

"Oh, our sort," said Babba. "I'll leave you out, if you particularly
wish it."

"Just tell me what you mean."

"Can't, for the life of me," said Babba. "Have a cigarette?" He held out
his case; Ora took a cigarette. They both began to smoke. "But we give
her fits," he went on in a meditative tone, as of a man who recognised
facts, although he disclaimed all power of explaining them. "I tell you
what, though--" he resumed; but again he paused.

"Well?" said Ora irritably.

"That's the sort to marry," said Babba, and put his cigarette in his
mouth with a final air.

"Ask her, then," said Ora, with an uncomfortable laugh.

"I think I see myself!" smiled Babba. "How should we mix?"

Ora rose from the sofa and walked restlessly to the window. Her
satisfaction with the world was shadowed. She decided to tell Babba
nothing of what Alice Muddock, nothing of what Irene Kilnorton, had said
to her. For, strange as it seemed, Babba would understand, not ridicule,
appreciate, not deride, be nearer endorsing than resenting. He would not
see narrow, ignorant, uncharitable prejudice; it appeared that he would
recognise some natural inevitable difference, having its outcome in
disapproval and aloofness. Was there this gulf? Was Babba right in
sitting down resignedly on the other side of it? Her thoughts flew off
to Ashley Mead. On which side of the gulf was he? And if on the other
than that occupied by "our sort," would he cross the gulf? How would he
cross it?

"Well, you'll bear the matter of the play in mind," said Babba, rising
and flinging away his cigarette.

"Oh, don't bother me about plays now," cried Ora impatiently.

Babba stood hat in hand, regarding her critically. He saw that she was
disturbed; he did not perceive why she should be. The change of mood was
a vagary to be put up with, not accounted for; there was need of Mr.
Hazlewood's philosophy. He fell back on raillery.

"Cheer up," he said. "He'll turn up some day."

"Stop!" said Ora, with a stamp of her foot. "Go away."

"Not unpardoned?" implored Babba tragically. Ora could not help
laughing, as she stretched out her hand in burlesque grandeur, and
allowed him to kiss it.

"Anyhow, we'll see you through," he assured her as he went out, casting
a glance back at the slim still figure in the middle of the room.

Partly because he had not come sooner, more from the shadow left by this
conversation, she received Ashley Mead when he arrived in the afternoon
with a distance of manner and a petulance which she was not wont to show
towards him. She had now neither thanks for his labours in going to meet
Mr. Fenning nor apologies for her desertion of him; she gave no voice to
the joy for freedom which possessed her. Babba Flint had roused an
uneasiness which demanded new and ample evidence of her power, a fresh
assurance that she was everything to Ashley, a proof that though she
might be all those women said she was, yet she was irresistible,
conquering and to conquer. And her triumph should not be won by
borrowing weapons or tactics from the enemy. She would win with her own
sword, in her own way, as herself; she had rather exaggerate than
soften what they blamed in her; still she would achieve her proof and
win her battle.

There seemed indeed no battle to fight, for Ashley was very tender and
friendly to her; he appeared, however, a little depressed. Pushing her
experiment, she began to talk about Irene and Alice, and, as she put it,
"that sort of woman."

"But they aren't at all the same sort of woman," he objected, smiling.

"Oh, yes, they are, if you compare them with me," she insisted, pursuing
the path which Babba's reflections had shewn her.

"Well, they've certain common points as compared with you, perhaps," he
admitted.

"They're good and I'm not."

"You aren't alarmingly bad," said Ashley, looking at her. He was
wondering how she had come to marry Fenning.

"Look at my life and theirs!"

"Very different, of course." They had never been joined in bonds of
union with Fenning.

She leant forward and began to finger the flowers in her vase.

"It would have been better," she said, "if Jack had come. Then you could
have gone back. I know you think you're bound not to go back now."

He took no notice of her last words, and asked no explanation of what
"going back" meant.

"I'd sooner see you dead than with your husband," he said quietly.

Forgetting the flowers, she bent forward with clasped hands. "Would you,
Ashley?" she whispered. The calm gravity of his speech was sweet incense
to her. Speaking like that, he surely meant what he said! "How could
you help me to bring him back, then?"

"I hadn't quite realised the sort of man he must be."

"Oh!" This was not just what she wanted to hear. "There's nothing
particular the matter with him," she said.

"The things you told me--"

"I daresay I was unjust. I expect I exasperated him terribly. I used
rather to like him--really, you know."

"You wouldn't now," said Ashley with a frown. The remark seemed to shew
too much knowledge. He added, "I mean, would you?"

"Now? Oh, now--things are different. I should hate it now." She rose and
stood opposite to him. "What's the matter?" she asked. "You're not happy
to-day. Is anything wrong?"

He could not tell her what was wrong, how this man whom she had so
unaccountably brought into her life seemed first to have degraded her
and now to degrade him. To tell her that was to disclose all the story.
He could throw off neither his disgust with himself nor his discontent
with her. She had not asked him to borrow money and bribe Jack Fenning
to go away; it was by no will of hers that he had become a party to the
sordid little drama which Hazlewood's information enabled him to piece
together. All she saw was that he was gloomy and that he did not make
love to her. He should have come in a triumph of exultation that their
companionship need not be broken. Her fears were ready with an
explanation. Was Babba Flint right? Was the companionship unnatural,
incapable of lasting, bound to be broken? She looked down on him, anger
and entreaty fighting in her eyes.

"I believe you're sorry he didn't come," she said, in a low voice. "Do
you want to get rid of me? You've only to say so, if that's what you
want."

"I'm not sorry he didn't come," said Ashley, with a smile.

"Now you're amused. What at?"

"Oh, the way things happen! Among all the things I thought you might say
to me, I never thought of your telling me that I was sorry he hadn't
come." He raised his eyes to hers suddenly. "Do you know anything about
what he does out there?" he asked.

"No; he never wrote, except that once. I don't want to know; it doesn't
matter to me."

"One letter in five years--isn't it five?--isn't much."

"Oh, why should he write? We separated for ever."

"But then he proposed to come."

"Dear me, don't be logical, Ashley. You see he didn't come. I suppose he
had a fit of something and wrote then." She paused, and added with a
smile, "Perhaps it occurred to him that I used to be attractive."

"And then he forgot again?"

"I suppose so. Why do you talk about him? He's gone!" She waved her hand
as though to scatter the last mist of remembrance of Jack Fenning.

"Perhaps he wanted to get some money out of you," said Ashley.

"You aren't flattering, Ashley."

"Ah, my dear, a man who does what I do may say what I say."

Something in his words or tone appealed to her. She knelt down by his
chair and looked up in his face.

"You do all sorts of things for me, don't you?"

"All sorts."

"And you hate a good many of them?"

"Some."

"And your friends hate all of them for your sake! I mean Irene, and Miss
Muddock, and so on. Ashley, would you do anything really bad for me?"

"I expect so."

"I don't care; I should like it. And when you'd done it I should like to
go and tell Alice Muddock all about it."

"She wouldn't care." His voice sounded sincere, not merely as though it
gave utterance to the proper formal disclaimer of an unloved lady's
interest in him. Ora did not miss the ring of truth.

"Has she begun not to care?" she asked.

"If you choose to put it in that way, yes," he answered, with a shrug of
his shoulders. "You see, we go different ways."

The talk seemed all of different ways and different sorts to-day.

"Yes, I know," she answered, drawing a little back from him, but not
rising from her knees. Ashley was not looking at her, but, resting his
head on his hands, gazed straight in front of him; he was frowning
again. "What are they saying about Jack not coming?" she asked suddenly.

"What they would," said Ashley, without turning his head. "You know; I
needn't tell you."

"Oh, yes, I know. Well, what does it matter?"

"Not a ha'penny," said Ashley Mead. It was not what they said that
troubled him; what they said had nothing to do with what he had done.

"Ashley," she said, with an imperative note in her voice, "I know
exactly what I ought to do; I've read it in a lot of books." Her smile
broke out for a moment. "Most books are stupid--at least the women in
them are. I was stupid before--before Jack didn't come, and I thought
I'd do it. Well, I won't. I don't believe you'd be happier. I won't give
you up, I won't let you go."

Ashley turned on her with a smile.

"Nothing equals the conceit of women," he said. "They always think they
can settle the thing. Whatever you say, I've not the least intention of
being given up." It crossed his mind that to allow himself to be given
up now would be a remarkable piece of ineptitude, when he had sacrificed
a thousand pounds, and one or two other things, in order to free himself
and her from the necessity of their renunciation.

"Wouldn't you go if I told you?"

"Not I!"

"Well then, I've half a mind to tell you!" Her tone was gay; Babba
Flint's inexplicable convictions and voiceless philosophy were
forgotten. The man she loved loved her; what more was there to ask? She
began to wonder how she had strayed from this simple and satisfactory
point of view; didn't it exhaust the world? It was not hers to take
thought for him, but to render herself into his hands. Not ashamed of
this weakness, still she failed to discern that in it lay her
overwhelming strength. She stretched out her hands and put them in his
with her old air of ample self-surrender, of a capitulation that was
without condition because the conqueror's generosity was known of all.
"What are we worrying about?" she cried with a low merry laugh. "Here
are you, Ashley, and here am I!" And now she recollected no more that
this kind of conduct was exactly what seemed horrible to Alice Muddock
and wantonly wicked to Irene Kilnorton. In this mood her fascination
was strongest; she had the power of making others forget what she
forgot. Ashley Mead sat silent, looking at her, well content if he might
have rested thus for an indefinite time, with no need of calculating, of
deciding, or of acting. As for her, so for him now, it was enough. With
a light laugh she drew her hands away and sprang to her feet. "I wish I
hadn't got to go to the theatre," she exclaimed. "We'd dine somewhere
together. Oh, of course you're engaged, but of course you'd break it.
You'd just wire, 'Going to dine with Ora Pinsent,' and they'd all
understand. They couldn't expect you to refuse that for any engagement;
you see, they know you're rather fond of me. Besides they'd all do just
the same themselves, if they had the chance." So she gave rein to her
vanity and her triumph; they could not but please him since they were
her pæan over his love for her.

Till the last possible moment he stayed with her, driving with her to
the theatre again as in the days when the near prospect of the
renunciation made indiscretion provisional and unimportant. He would not
see her act; it was being alone with her, having her to himself, which
was so sweet that he could hardly bring himself to surrender it. To see
her as one of a crowd had not the virtue that being alone with her had;
it brought back, instead of banishing, what she had made him forget--the
view of the world, what she was to others, and what she was to himself
so soon as the charm of her presence was removed. He left her at the
door of the theatre and went off to keep his dinner engagement. With her
went the shield that protected him from reflexion and saved him from
summing up the facts of the situation.

Morality has curious and unexpected ways of justifying itself, even
that somewhat specialised form of morality which may be called the code
of worldly honour. This was Ashley Mead's first reflexion. A very stern
character is generally imputed to morality; people hardly do justice
nowadays to its sense of humour; they understood that better in the old
days. "The Lord shall have them in derision." Morality is fond of its
laugh. Here was his second thought, which came while a vivacious young
lady gave him her opinion of the last popular philosophical treatise. To
take advantage of Mr. Hazlewood's carelessly dropped information, to
follow up the clue of the good-for-nothing Foster and the masterful
Daisy Macpherson, to set spies afoot, to trace the local habitation of
the "little spec," and to find out who formed the establishment that
carried it on--all this would be no doubt possible, and seemed in itself
sordid enough, with its sequel of a divorce suit, and the notoriety of
the proceedings which Miss Pinsent's fame would ensure. Yet all this
might possibly have been endured with set teeth and ultimately lived
down, if only it had chanced that Mr. Hazlewood had been to hand with
his very significant reminiscences before Lord Bowdon and Ashley Mead
had made up their minds that Jack Fenning must be got out of the way,
and that a thousand pounds should buy his departure and bribe him not to
obtrude his society upon the lady who was his wife. That Mr. Hazlewood
came after the arrangement was made and after the bargain struck was the
satiric touch by which morality lightened its grave task of
business-like retribution. What, if any, might be the legal effect of
such a transaction in the eyes of the tribunal to which Miss Pinsent
must be persuaded to appeal, Ashley did not pretend to know and could
not bring himself seriously to care. The impression which it would
create on the world when fully set forth (and he knew Jack Fenning too
well to suppose that it would not be declared if it suited that
gentleman's interest) was only too plain. The world perhaps might not
understand Bowdon's part in the affair; probably it would content itself
with surmises about something lying in the past and with accompanying
sympathetic references to poor Irene Kilnorton; but its judgment of
himself, of Jack Fenning, and of Ora Pinsent was not doubtful. Would the
world believe that Ora knew nothing about the manner of Jack's coming
and the manner of Jack's going? The world was not born yesterday! And
about Ashley Mead the world would, after a perfunctory pretence of
seeking a charitable explanation, confess itself really unable to come
to any other than one conclusion. The world would say that the whole
thing was very deplorable but would not attempt to discriminate between
the parties. "Six of one and half-a-dozen of the other." That would be
the world's verdict, and, having arrived at it, it would await the
infinitely less important judgment of the Court with a quiet
determination not to be shaken in its view of the case.

To pursue a path that ended thus was to incur penalties more degrading
and necessities more repugnant than could lie in an open defiance of
this same world with its sounding censures and malicious smiles. To defy
was in a way respectable; this would be to grovel, and to grovel with no
better chance than that of receiving at last a most contemptuous pardon.
"Six of one and half-a-dozen of the other." He would be paired off with
Jack Fenning, Ora coupled with the masterful Daisy Macpherson. Let them
fight it out among themselves--while decent people stood aloof with
their noses in the air, their ears open, and their lips as grave as
might be. Such was the offer of peace which morality, certainly not
serious beyond suspicion, made to Ashley Mead; if he would submit to
this, his offence touching that matter of the thousand pounds and the
burking of Mr. Fenning's visit should be forgotten. Better war to the
death, thought Ashley Mead.

But what would Bowdon say? And what would be the cry that echoed in the
depths of Ora's eyes?

He asked the question as he looked at her picture. Suddenly with an oath
he turned away; there had come into his mind the recollection of Jack
Fenning's ardent study of Miss Macpherson's face.

_Mutato nomine de te_:--and does the name make such a difference?



CHAPTER XVII

AT SEA AND IN PORT


To Irene Kilnorton, occupied with the matter against her will and in
face of self-contempt, the non-appearance of Jack Fenning was a source
of renewed irritation and uneasiness. She could not smile with the world
nor agree to dispose of the subject with the cynical and contented
observation that she had never supposed the man would come and had her
doubts about there being such a man at all. Her consideration of it was
bound to be more elaborate, her view more individual. Hence came the
self-contempt and anger which afflicted her without affecting facts. For
the present indeed Ora was infatuated with Ashley Mead, a position of
affairs deplorable on general grounds but reassuring on personal; but
then where was her safety, what security had she? She let injustice
trick her into panic--with such as Ora the infatuation of Monday
afternoon might be followed by a new passion on Tuesday morning. The
mixture of jealousy with her moral condemnation caused Irene to suffer
an unhealthy attraction to the subject; she could not help talking about
it; she talked about it with Bowdon to his great discomfort. He was not
a good dissembler; he could respect a secret, but his manner was apt to
betray that there was a secret; he was restless, impatient, now and then
almost rude, when Irene harped on the string of Jack Fenning's strange
behaviour. Or was it not Ora's? Had Ora at the last moment, for reasons
unquestionably sufficient, countermanded her husband? Bowdon was
pathetic in his plea of ignorance, but the plea did not ring true. Thus
she was sore with her _fiancé_, vexed with Ashley Mead, and furious
against Ora Pinsent. Yet, being a woman of the world, she was polite to
Ora when they met, friendly if severe to Ashley, and, as has been said,
interested in both of them with a reluctant intensity.

Any strangeness there might be in her own attitude was suggested to her
for the first time by the very different behaviour of her friend Alice
Muddock. Here she found a definiteness of mind, a resolution, and a
relentlessness which she hardly knew whether to laugh at, to shudder at,
or to admire. She knew what Ashley had been to Alice; she remembered how
in the beginning Alice had taken a liking to Ora Pinsent. Yet now her
own anger could hardly seem deep or serious beside Alice's silent
condemnation; her moral disapproval, with its copious discussion and its
lively interest, was mere frippery compared with her friend's eloquent
ignoring of the very existence of the culprits. Having dropped in to
talk the whole thing over, Irene was amazed to find that she was ashamed
to introduce the subject. "I suppose I'm not really moral at all,"
thought Irene with a moment's insight into the radical differences
between her friend and herself, between the talkative shockedness of
society and the genuine grieved concern which finds in silence its only
possible expression. "And I brought Ora here!" Irene reflected in
mingled awe and amusement; her deed seemed now like throwing a lighted
squib into a chapelfull of worshippers. "It's a little bit absurd," was
suggested by her usual way of looking at things. "Quite proper, though,"
added her jealousy of Ora Pinsent. But the habitual had the last word
with her. "I suppose the Muddocks were brought up in that way," she
ended.

Alice had been brought up in that way; from that way she had struggled
to escape with the help of some uncertain intellectual lights; but the
lights had drawn their flickering radiance from the flame of her love
for Ashley Mead. So long as she could she had believed the best, or had
at least refused to believe the worst. But the lights did not now burn
brightly, their oil gave out, and the prejudices (if they were
prejudices) began to gather round, thick and darkening. A lax judgment
on a matter of morals seldom survives defeat suffered at the hands of
the sinner. This fortuitous buttressing of righteousness is all to the
good. Yet because she did not see how her own feelings joined forces
with her idea of right, how the fact of the argosy being laden with her
own hopes intensified in her eyes the crime of the pirate, Alice Muddock
became hard to the sinners as well as justly severe on their censurable
doings; and, from having once tried to understand and excuse them, grew
more certain that they could put forward no mitigating plea. Weeks
passed and Ashley Mead was not asked to Kensington Palace Gardens.

"It's a little inhuman; she was fond of him," thought Irene. Then came a
flash of light. "Bertie Jewett!" she cried inwardly, and her lips set in
the stoniness of a new disapproval. Much as Bertie had conciliated her,
the reaction went too far for Lady Kilnorton's taste. It is very well to
be estimable, but it is very ill to be estimable and nothing else; and
she thought that Bertie was nothing else, unless it were that he was
also a little vulgar; to Bowdon she had denied this; to herself she
admitted it.

Yet she was very wrong. He might be vulgar; he was estimable; but he was
much besides; hence it happened that the thing which seemed to her so
impossible was in a fair way to come about. Old Sir James was dying, and
stayed his last tottering steps on Bertie Jewett's arm; Bob came home
day by day to tell how all the business hung on Bertie Jewett; Bob's
echo, Lady Muddock, was of course in the same cry; the potent influence
of the household, which so encircles the individual, ringed Alice round
with the praises of Bertie Jewett. She had no passion for him, but now
it seemed to her that passions were of doubtful advantage and that she
at least was not meant for them; the idea of having one had been part of
her great mistake. Bertie lay right on the true lines of her life, as
training and fate--as God, she said to herself--had planned them for
her; if she followed them, would she not come to Bertie? All this was
much, yet not enough had he been only estimable. He was strong also,
strong to advance and strong to wait; the keenness of his pale blue eyes
saved him here as it saved him in the bargains that he made. It shewed
him his hour and the plan of his attack. With cautious audacity he laid
his siege, letting his deeds not his words speak for him, trusting not
to his words but to his deeds to disparage his rival. The man had the
instinct for success--or seemed to have it, because his desires and
capabilities were so nicely adjusted and of such equal range. He could
not have written a poem, but he never wanted to. Ora Pinsent would have
suffered under him as under a long church service; but then he would
never have tried to please that lady.

"Do you really like him?" Irene asked Alice as they walked in the
garden.

"Yes," said Alice thoughtfully. "I really like him now."

"Oh, because he's helpful and handy, and looks after you all!"

"No, there's something more than that." She frowned a little. "You can
rely on him; I don't mean to do things so much as to be things--the
things you expect, you know. I think the one terrible thing would be to
have to do with a person who was all fits and starts; it would seem as
though there was no real person there at all."

"That's what I always feel about Ora Pinsent." Irene took courage and
introduced the name deliberately.

"Yes," Alice assented briefly. Irene had no doubt that she was thinking
of Miss Pinsent's friend also, and when she came to report the
conversation to Bowdon this aspect of it took the foremost place.

"If she marries Mr. Jewett," said Irene, "it'll be just in a recoil from
Ashley Mead."

Bowdon did not look at her but at the end of the cigarette which he was
smoking by the window in Queen's Gate. He had no difficulty in
understanding how a recoil might land one in a marriage; this was to him
trodden ground.

"She'll be happier with him," Irene continued. "Ora has quite spoilt
Ashley for any other woman."

Bowdon agreed that Miss Pinsent might very likely have some such effect,
but he expressed the view quite carelessly.

"Besides, really, how could any self-respecting woman think of him now,
any more than any man could of her?"

Bowdon made no answer to this question, which was, after all, purely
rhetorical.

"But, hang it, Jewett!" he remarked after a pause.

"I know," said Irene, forgetting her former dialectical championship of
Bertie. The matter was serious now. "She needn't have taken quite such
an extreme remedy; but he was on the spot, you see; and--and it's the
business. She's falling right back into the business, over head and ears
and all. It's rather sad, but--" It seemed as though she meant that it
was better than linking fortunes with a being all fits and starts. She
rose and came near him. "I think we're just about right, you and I,
Frank," she said. "We aren't Jewetts and we aren't Oras. I think we're
the happy compromise."

"You are, no doubt, my dear. I'm a dull dog," said Bowdon.

She looked at him for a moment and turned away with a little sigh. The
marriage was very near; was the work yet fully done, or had fits and
starts still their power over him and their attraction for him? He made
a remark the next moment which vexed her intensely.

"Well, you know," he said with a thoughtful smile, "I expect we seem to
Miss Pinsent just what Jewett seems to us."

Irene walked away and sat down in a chair on the other side of the room.

"I'm sure I don't care what I seem to Ora Pinsent," she said very
coldly; but Bowdon smoked on in pensive silence.

At this time both the triumph and the activity of Babba Flint were
great. He was divided between the masterpiece of dramatic writing at
whose birth he was assisting, and the masterpiece of prescience which
he had himself displayed touching the matter of Mr. Fenning's return.
When he contemplated these two achievements (and he took almost as much
personal credit for the first as for the second) he said openly that he
ought to find excuse for being "a bit above himself." It was no use to
tell him that he was not writing the play, and neither of the men who
knew chose to tell him that he had been wrong in regard to Jack Fenning.
Thus left to a blessed self-conceit, he obtruded on Ashley Mead certain
advice which was received with a curious bitter amusement.

"If I were you, I'd find out something about the fellow," he said. "I
mean--why didn't he come?" He looked very sly. "_Cherchez la femme_," he
added.

"And if I found her?" asked Ashley.

"Oh, well, you know best about that," said Babba. He conceded that it
was entirely for Ashley to say whether he would greet a chance of
establishing his relations with Ora on a regular and respectable basis.
"But, depend on it, she's there," he added, waving his hand in the
supposed direction of the United States.

"I shouldn't wonder at all," Ashley remarked, his recollection fixed on
Miss Macpherson's portrait.

"Now if we all go over in the winter--" began Babba.

"You all? Who do you mean?"

"Why, if we take the play. Have I told you about--?"

"Oh, Lord, yes, Babba, twenty times. But I'd forgotten."

"Well, if Hazlewood and Miss Pinsent and I go--we can't ask you, I'm
afraid, you know--we can nose about a bit."

Ashley looked at him with a helpless smile; the picture conjured up by
his expression lacked no repulsive feature. Here was a hideously apt
summary of the prospect which had been in his own thoughts; if he
followed the clue, he must nose about or get somebody to nose about for
him.

"Shut up, Babba," he commanded, rudely enough; but Babba smiled and told
him to think it over. Babba did not recognise any defect in the manner
of offering his services or anything objectionable in the substance of
them. He had flung open a door; he could not be expected to guarantee
the cleanliness of the threshold, since he had not a very fine eye with
which to guide the broom.

Whatever Ashley might think about the opportunities supposed to be
afforded by the suggested excursion to America, he could not avoid
giving consideration to the tour itself. The London season drew to a
close; Mr. Hazlewood wanted to make his plans; Babba and his associates
were urgent for a Yes or a No. If Ora said Yes, after a brief rest she
would set to work at rehearsals and in a few weeks cross the seas; if
she said No, she had the prospect of a long holiday, to be spent how she
would, where she would, with whom she would. This position of affairs
raised the great question in a concrete and urgent form; it pressed
itself on Ashley Mead; he began to wonder when it would make an
impression on Ora. For up to the present time she did not seem to have
looked ahead; she had fallen back into the state of irresponsible
happiness from which her husband's letter had roused her. She considered
the tour with interest and even eagerness, but without bringing it into
relation with Ashley Mead; in other moments she talked rapturously about
the delights of a holiday, but either ignored or tacitly presupposed
the manner and the company in which she was to spend it. She never
referred to her husband; she had, and apparently expected to have, no
letter from him. He was gone; Ora seemed as unconscious of the problem
to which his disappearance gave rise as she was ignorant of the means by
which the disappearance had been brought about. She had left to Ashley
the decision as to whether she should or should not undertake the
renunciation and reformation; so she appeared to leave it to him now to
make up his mind what must be done since the reformation had become
impossible and the renunciation of no effect. Meanwhile she was
delightfully happy.

It was this unmeditated joy in her which made it at once impossible for
Ashley to leave her and impossible to shape plans by which he should be
enabled to stay with her. To do either was to spoil what he had, was to
soil a simple perfection, was to run up against the world, against the
world's severe cold Alice Muddocks with their scorn of emotions, and its
Babba Flints with their intolerable manoeuvres and hints of profitable
nosings. That a choice of courses should be forced on him became
irksome. Things were very well as they were; she was happy, he was
happy, Jack Fenning was gone, and--well, some day he would pay Lord
Bowdon a thousand pounds.

He was in this mood when the American tour faced him with its peremptory
summons, with its business-like calculations of profit, its romantic
involving of despair, its abominable possibilities of nosing. Babba
spoke of it to him, so did Mr. Hazlewood, both with an air of curiosity;
Ora herself speculated about it more and more, sometimes in her
artistic, sometimes in her financial, sometimes in her fatalistic mood.
She was strange about it; now she would talk as though he were to be
with her, again as if he were to be at work here at home and his letters
her only comfort. She never faced facts; she did not even look at them
from the corner of an eye, over the shoulder.

"Shall I go or not?" she would ask him, as though it were a question
between keeping some trivial engagement and breaking it for a
pleasanter. "Now, shall I go, Ashley dear?"

Had she no notion of what things meant? Away from her he often asked
this question; when he was with her, it died away on his lips. Then he
declared that, if he could so cheat necessity and beguile the inevitable
from its path, she should never know what things meant, never take a
hard reckoning with the world, never be forced to assess herself. She
had forgotten what Irene and what Alice had said to her, or had
persuaded herself that they spoke for form's sake, or in jealousy, or in
ignorance, or because their clergyman had such influence over them, or
for some such cause. She was now as simply unreasoning as she was simply
happy; she was altogether at his disposal, ready to go or stay, to do
what he ordered, even (as he knew) to leave him in tears and sorrow, if
that were his will. She left it all to him; and, having it all left to
him, he left it to Mr. Hazlewood, to Babba Flint, or to any other
superficially inadequate embodiment in which the Necessary chose to
clothe itself.

But Bowdon's thousand pounds? Such a man as Ashley--or as his
creditor--will be careless of all things in earth or heaven save a
woman's secret, his given word, the etiquette of his profession, and a
debt of honour. The thousand pounds was in the fullest sense a debt of
honour. He had not a thousand pounds. To save was impossible while Ora
went everywhere with him. Money to her was like manna and seemed to
entail the same obligation that none of the day's bounty should be left
to the next morning. Ashley was hard-up; the prosaic fact shot across
his mental embarrassments in a humorous streak. He laughed at it, at
himself when he bought Ora bouquets or the last fancy in blotting-pads,
at her when she asked him for a sovereign, because she had no place
convenient for the carrying of a purse. At a word she would have repaid,
and besides flung all she had into his hands. But that word he would not
speak. The Commission drew near to its close; brief bred brief but
slowly; and as long as he owed Bowdon a thousand pounds he seemed to
himself more than criminal. But did he owe it? Yes, a thousand times.
For if he did not, then Bowdon was something more to Ora Pinsent than a
chance acquaintance or a friend's _fiancé_. He acknowledged the hearty
good comradeship which had shewn itself in the loan; but it had been a
loan; only by repaying it could he appropriate the service to himself
and remove another's offering from the shrine at which he worshipped.

Matters standing in this position, time, with its usual disregard of the
state of our private affairs, brought on the wedding of Irene Kilnorton
and Lord Bowdon. Irene had found no sufficient reason for objecting to
Ashley's presence. Logic then demanded that an invitation should be sent
to Miss Pinsent. As it chanced, it pleased Ora to come in conspicuous
fashion, in a gown which the papers were bound to notice, in a hat of
mark, rather late, full of exuberant sympathy with the performance. She
arrived only a minute before the bride, while Bowdon and Ashley Mead
stood side by side close to the altar-rails. Both saw her the moment
she came in, both looked at her, neither made any comment on her
appearance. As soon as the procession entered she made an effort to
relapse into decorous obscurity, but, willy-nilly, she halved attention
with the proper heroine of the day. A wedding affected Ora; the ready
tears stood in her eyes as the solemn confident vows were spoken. Ashley
almost laughed as he listened to Bowdon's; he had a sudden sense that it
would be rather absurd if Ora and he took such vows; he had a distinct
knowledge that the woman of whom he himself thought was in the minds of
bride and bridegroom also. He glanced at her, she smiled at him with her
innocent disregard of appearances. He looked the other way and found
Alice Muddock with eyes firm set on her prayer-book. The officiating
minister delivered a little discourse, one of his own writing, in lieu
of the homily. Looking again, Ashley found Alice's eyes on the minister
with a grave meditative gaze, as though she weighed his words and
assessed the duties and the difficulties they set forth; but Ora was
glancing round the church, finding acquaintances. When the ceremony
ended and they had come out of the vestry, he walked past Ora in the
wake of the procession. Ora smiled in a comprehending, rather
compassionate way; her emotion was quite gone. Now she seemed to bid him
take the ceremony for what it was worth. He had watched to see whether
Bowdon looked at her; Bowdon had not looked. That was because the
ceremony had seemed of importance to him. Ashley broke into a smile; it
would have been more encouraging, if also more commonplace, had Ora's
tears not been so obviously merely a tribute to the literary gifts of
the composers of the service.

At the reception afterwards--it was quiet and small--one thing happened
which seemed to have a queer significance. He found Ora, and took her
round the rooms. As they made their circuit they came on Alice Muddock;
she was talking to Bertie Jewett. She looked up, bowed to Ashley, and
smiled; she took no notice at all of Ora Pinsent. Ashley felt himself
turn red, and his lips shaped themselves into angry words; he turned to
Ora. Ora was looking the other way. She had been cut; but she had not
seen it; she had not noticed Alice Muddock. But Ashley understood that
the two women had parted asunder, that to be the friend of one was in
future not to be a friend to the other.

It was a queer moment also when Ora, full again of overflowing emotions,
flung herself on Irene's breast, kissed her, blessed her, praised her,
prayed for her, laughed at her, lauded her gown, and told her that she
had never looked better in her life. Irene laughed and returned the
kiss; then she looked at her husband, next at Ashley, lastly at Ora
Pinsent. There was a moment of silent embarrassment in all the three;
Ora glanced round at them and broke into her low laugh.

"Why, what have I done to you all?" she cried. "Have I hypnotised you
all?"

Bowdon raised his eyes, let them rest on her a moment, then turned to
Ashley Mead. The two women began to talk again. For a moment the two men
stood looking at one another. They had their secret. Each telegraphed to
the other, "Not a word about the thousand!" Then they shook hands
heartily. Ora and Ashley passed on. For a moment Bowdon looked after
them. Then he turned to his bride and found her eyes on him. He took her
hand and pressed it. Her eyes were bright as she looked at him for an
instant before a new friend claimed her notice. As she greeted the
friend, Bowdon gave a little sigh.

He was in port! But the laughing, dancing, buffeting, dangerous waves
are also sweet.

"I'm glad I went," said Ora, as Ashley handed her into her victoria. She
laughed as she lay back on the cushions.

"It was so funny at my wedding," she said. "Jack lost the ring." She
waved her hand merrily as she was driven away.

"Come soon," she cried over her shoulder.

He waved his hand in response and turned to go back into the house. In
his path stood Bertie Jewett. For an instant Ashley stood still.

"I suppose it's about over," he said carelessly.

"Just about. I must get back to the shop," said Bertie, looking at his
watch. But he did not move. Ashley, glancing beyond him, saw Alice
Muddock coming towards the door.

"So must I," he said, clapping on his hat and hailing a hansom. He
jumped in and was carried away.

One of Bowdon's servants brought his walking-stick to his rooms the next
day. He had forgotten it in a passing recollection of old days, when
Alice and he used to laugh together over the manoeuvres by which they
got rid of Bertie Jewett.



CHAPTER XVIII

THE PLAY AND THE PART


Babba Flint's dramatic masterpiece progressed and took shape rapidly.
"The beggar's got at it at last," Babba said, in one of his infrequent
references to the author. Mr. Hazlewood did not talk much, but was
plainly of opinion that there might be a great deal of money made. Ora
was enthusiastic. She had seen the scenario and had read the first draft
of the great scene in the third act. The author had declared his
conviction that no woman save Ora could play this scene; Ora was certain
that it would be intolerable to her that any other woman should. She did
not then and there make up her mind to play it, but it began to be
certain that she would play it and would accept such arrangements of her
life and her time as made her playing of it possible. In this way
things, when suggested or proposed, slid into actual facts with her;
they grew insensibly, as acquaintances grow; she found herself committed
to them without any conscious act of decision. "Let her alone, she'll do
it," said Hazlewood to Babba, and Babba did no more than throw out, on
the one side, conjectures as to the talent which certain ladies whom he
named might display in the _rôle_, and, on the other, forecasts of the
sure triumph which would await Ora herself. Finally he added that Ora
had better see the whole piece before she arrived at a conclusion.
Hazlewood approved and seconded these indirect but skilful tactics. With
every such discussion the play and the part made their footing more and
more secure in Ora's mind. She began to talk as though, in the absence
of unforeseen circumstances, she would be "opening" in New York with the
play and the part in October; when she spoke thus to Ashley Mead, the
old look of vague questioning was in her eyes; it seemed to him as
though the old look of apprehension or appeal were there also, as though
she were a little afraid that he would forbid her to go and prevent her
from playing the part. But in this look lay the only reference that she
made to her present position, and her only admission that it held any
difficulties. His answer to it was to talk to her about the play and the
part; this he could not do without the implied assumption that she would
act the part in the play, would act it with Sidney Hazlewood, and would
act it in America in October.

What these things that were gradually insinuating themselves into the
status of established facts meant to him he began to see. For the play
was nothing to him, he had no share in the venture, and certainly he
could not tour about the United States of America as a superfluous
appendage to Mr. Hazlewood's theatrical company. The result was that she
would go away from him, and that the interval before she went grew
short. Up to the present time there was no change in their relations; as
they had been before the coming and going of Jack Fenning, they were
still. But such relations must in the end go forward or backward; had he
chosen, he knew that they would have gone forward; more plainly than in
words she had left that to him; but he had left the decision to the
course of events, and that arbiter was deciding that the relations
should go backward. She loved him still, tenderly always, sometimes
passionately; but the phase of feeling in which her love had been the
only thing in the world for her was passing away, as the
counter-attraction of the play and the part increased in strength. The
rest of her life, which love's lullaby had put to sleep, was awaking
again. In him a resignation mingled with the misery brought by his
recognition of this; unless he could resort to the "nosings" which Babba
Flint suggested, he would lose her, she would drift away from him; he
felt deadened at the prospect but was not nerved to resist it. He was
paralysed by an underlying consciousness that this process was
inevitable; the look in her eyes confirmed the feeling in him; now she
seemed to look at him, even while she caressed him, from across a
distance which lay between them. His encounter with Bertie Jewett after
the wedding had been the incident which made him understand how he had
passed out of Alice Muddock's life, and she out of his, his place in
hers being filled by another, hers in his left empty. The fatalism of
his resignation accepted a like ending for himself and Ora Pinsent.
Presently she would be gone; there was no use in trying to weld into one
lives irrevocably disassociated by the tendency of things. This was the
conclusion which forced itself upon him, when he perceived that she
would certainly act in the play and certainly go to America in the
autumn.

The mists of love conceal life's landscape, wrapping all its features in
a glowing haze. Presently the soft clouds lift, and little by little the
scene comes back again; once more the old long roads stretch out, the
quiet valleys spread, the peaks raise their heads; the traveller
shoulders his knapsack and starts again on his path. He has lingered;
here now are the roads to traverse and the peaks to climb; here is
reality; where is that which was the sole reality? But at first the way
seems very long, the sack is very heavy, and the peaks--are they worth
the climbing?

"What's the matter, Ashley? You're glum," she said one day, after she
had been describing to him the finest situation in the finest part in
the finest play that had ever been written. It was a week before her
theatre was to close and before a decision as to plans for the future
must be wrung from her by the pressure of necessity.

The thought of how he stood had been so much with him that suddenly,
almost without intention, he gave voice to it. She charmed him that day
and he felt as though the inevitable must not and somehow could not
happen, as though some paradox in the realm of fact would rescue him, as
a witty saying redeems a conversation which has become to all appearance
dull beyond hope of revival.

"I'm losing you, Ora," he said slowly and deliberately, fixing his eyes
on her. "You'll take this play; you'll go to America; you're thinking
more about that than anything else now."

A great change came on her face; he rose quickly and went to her.

"My dear, my dear, I didn't mean to say anything of that sort to you,"
he whispered as he bent over her. "It's quite natural, it's all as it
should be. Good God, you don't think I'm reproaching you?" He bent lower
still, meaning to kiss her. She caught him by the arms and held him
there, so that he could come no nearer and yet could not draw back; she
searched his face, then dropped her hands and lay back, looking up at
him with quivering lips and eyes already full of tears. Blind to his
feelings as she had been, yet her quickness shewed them all to her at
his first hint, and she magnified his accusation till it grew into the
bitterest condemnation of her.

"You've given simply everything for me," she said, speaking slowly as he
had. "I don't know all you've done for me, but I know it's a great deal.
I told you what Alice Muddock said I was; you remember?" She sprang to
her feet suddenly and threw her arms round his neck; "I love you," she
whispered to him; it was apology, protest, consolation, all in one.
"Ashley, what do I care about the wretched play? Only I--I thought you
were interested in it too. How lovely it would be if we could act it
together!" Her smile dawned on her lips. "Only you'd be rather funny
acting, wouldn't you?" she ended with a joyous little laugh.

Ashley laughed too; he thought that he would certainly be funny acting;
yet he was sure that if he could have acted with her he need not have
lost her.

"But I think I liked you first because you were so different from all of
them at the theatre," she went on, knitting her brows in a puzzled
frown. He might have recollected that Alice Muddock had liked him
because he was so different from all of them in Buckingham Palace Road.
Well, Alice had turned again to Buckingham Palace Road, and Bertie
Jewett's star was in the ascendant. "I should hate to have you act," she
said, darting her hand out and clasping his.

They sat silent for some moments; Ora's fingers pressed his in a
friendly understanding fashion.

"There's nobody in the world like you," she said. He smiled at the
praise, since his reward was to be to lose her. Things would have their
way, and he would lose her. As Alice back to the business, as Bowdon
back to a suitable alliance, so she back to her theatre. As for himself,
he happened to have nothing to go back to; somewhat absurdly, he was
glad of it.

"All sorts of stupid people are quite happy," Ora reflected dolefully.
"Everything seems to be arranged so comfortably for them. It's not only
that I married Jack, you know."

She was right there, although she rather underrated the importance of
the action she mentioned. Even without Jack there would have been
difficulties. But her remark brought Jack, his associations and his
associates, back into Ashley Mead's mind. "Perhaps I shall run across
Jack in America," she added a moment later.

It was indeed not only Jack, but it was largely Jack. Jack, although he
was not all, seemed to embody and personify all. Ashley's love for her
was again faced and confronted with his distaste for everything about
her. Herself he could see only with his own eyes, but her surroundings
he saw clearly enough through the eyes of a world which did not truly
know her--the world of Irene Bowdon, almost the world of Alice Muddock.
Could he then take her from her surroundings? That could be done at a
price to him definite though high; but what would be the price to her?
The answer came in unhesitating tones; he would be taking from her the
only life that was hers to live. Then he must tell her that? He almost
laughed at the idea; he knew that he would not be able to endure for a
second the pain there would be in her eyes. To wrench himself away from
her would torture her too sorely; let her grow away from him and awake
some day to find herself content without him.

"And what a fool all my friends would think me!" he reflected. But the
reflexion did not weigh with him; he had protected her life from the
incursion of Jack Fenning, he would protect it from his own tyranny. He
leant forward towards her and spoke to her softly.

"Take the play, Ora," he said; "take the part, go to America, and become
still more famous. That's what you can do and what you ought to do."

"And you? Will you come with me?"

"Why no," he said, smiling. "I must stay and roll my little stone here.
Yours is a big stone and mine only a little one, but still I must roll
my own."

"But I shall be away months."

"Yes, I know, long months. But I won't forget you."

"You won't really? I should die if you forgot me, Ashley. If I go I
shall think of you every hour. Oh, but I'm afraid to go! I know you'll
forget me."

He had but little doubt that the forgetfulness would come, and that it
would not come first from him. She had no inkling of the idea that she
could herself cease to feel for him all that she felt now. She extracted
from him vows of constancy and revelled in the amplitude of his
promises. Presently her mind overleapt the months of absence, saw in
them nothing but a series of triumphs which would make him more proud of
her, and a prospect of meeting him again growing ever nearer and nearer
and sweetening her success with the approaching joy of sharing it all
with him and telling him all about it. Anything became sweet, shared
with him; witness the renunciation!

"If I hadn't you, I shouldn't care a bit about the rest of it," she
said. "But somehow having you makes me want all the rest more. I wonder
if all women are like that when they're as much in love as I am."

Ashley knew that all women were by no means like that, but he said that
he suspected they were, and assured Ora that the state of feeling she
described was entirely consistent with a great and permanent love. As,
before, his one object had been to support her through the renunciation,
to make it easy and possible for her, so now he found himself bending
his energies and exerting his ingenuity to persuading her that there was
no incompatibility between her love and her life, between her ambition
and her passion, between him and the masterpiece for whose sake she was
to leave him. He had seen her once in despair about herself and dared
not encounter a second time the pain which that sight of her had given
him; he himself might know the truth of what she was and the outcome of
what she did; he determined that, so far as he could contrive and
control the matter, she should not know it. She should go and win her
triumph, she should go in the sure hope that he would not change, in the
confidence that she would not, that their friendship would not, that
nothing would. Then she would dry her tears, or weep only in natural
sorrow and with no bitterness of self-accusation. It seemed worth while
to him to embark again on oceans of pretence for her sake, just as it
had seemed worth while to pretend to believe in the renunciation, and
worth while to break his code by bribing Jack Fenning with a borrowed
thousand pounds.

At this time a second stroke fell on old Sir James Muddock; worn out
with work and money-making, he had no power to resist. The end came
swiftly. It was announced to Ashley in a letter from Bertie Jewett. Lady
Muddock was prostrate, Bob and Alice overwhelmed with duties. Bertie
begged that his letter might be regarded as coming from the family; he
shewed consideration in the way he put this request and assumed his
position with delicacy. Ashley read with a wry smile, not blaming the
writer but wondering scornfully at the turn of affairs. The old man had
once been almost a father to him, the children near as brother and
sister; now Bertie announced the old man's death and the children
pleaded that they were too occupied to find time to write to him. He
went to the funeral; through it all his sense of being outside, of
having been put outside, persisted, sharing his mind with genuine grief.
From whatever cause it comes that a man has been put outside, even
although he may have much to say for himself and the expulsion be of
very questionable justice, it is hard for him to avoid a sense of
ignominy. Ashley felt humiliation even while he protested that all was
done of his own choice. He spoke to the Muddocks no more than a few kind
but ordinary words; he did not go to the house. Bertie invited him there
and pressed the invitation with the subdued cordiality which was all
that the occasion allowed; but he would not go on Bertie's invitation.
The resentment which he could not altogether stifle settled on Bob. Bob
was the true head of family and business now. Why did Bob abdicate? But
he had himself been next in succession; Bob's abdication would have left
the place open for him; he had refused and renounced; he could not,
after all, be very hard on poor Bob.

Again a few days later came a letter from Bertie Jewett. This time he
made no apology for writing; he wrote in his official capacity as one of
Sir James's executors. By a will executed a month before death Sir James
left to Ashley Mead, son of his late partner, the sum of one thousand
pounds to be paid free of legacy duty. Ashley had no anger against the
old man and accepted this acknowledgment of his father's position
without contempt; it was not left to him but to his father's son; before
the will was made he had been put outside.

"He might have left you more than that," said Ora.

"You see, I wouldn't go into the business," Ashley explained.

"No, and you wouldn't do anything he wanted," she added with a smile.

"It's really very good of him to leave me anything."

"I don't call a thousand pounds anything."

"That's all very well for you, with your wonderful play up your sleeve,"
said Ashley, smiling. "But, as it happens, a thousand pounds is
particularly convenient to me, and I'm very much obliged to poor old Sir
James."

For armed with Bertie Jewett's letter he had no difficulty in obtaining
an overdraft at his bank and that same evening he wrote a cheque for a
thousand pounds to the order of Lord Bowdon. In allotting old Sir
James's money to this particular purpose he found a curious pleasure.
The Muddock family had been hard on Ora and hard on him because of Ora;
it seemed turning the tables on them a little to take a small fraction
of their great hoard and by its means to make them benefactors to Ora,
to make them _ex post facto_ responsible for Jack Fenning's departure,
and to connect them in this way with Ora's life. His action seemed to
forge another link in the chain which bound together the destinies of
the group among which he had moved. Sir James would have given the
thousand for no such purpose; he had not laboured with any idea of
benefiting Ora Pinsent. Bowdon would not like taking the thousand
pounds; he had desired to lay his own gift at Ora's feet. But Sir James
being dead should give, and Lord Bowdon being his lady's husband should
take. So Ashley determined and wrote his cheque with a smile on his
lips. Things turned out so very oddly.

"What have you done with your legacy?" asked Ora. When money came in to
her, she always "did something" with at least a large proportion of it;
in other words she got rid of it in some remarkable, salient,
imagination-striking manner, obtaining by this means a sense of wealth
and good fortune which a mere balance at the bank, whether large or
small, could never give.

Ashley looked up at her as she stood before him.

"I've paid an old debt with it," he said. "I was very glad to be able
to. I'm quite free now."

"Were you in debt? Oh, why didn't you tell me? I've got a lot of money.
How unkind of you, Ashley!"

"I couldn't take your money," said Ashley. "And I wasn't pressed. My
creditor wouldn't have minded waiting for ever."

"What an angel!" said Ora. She was a little surprised that under the
circumstances Ashley had felt called upon to pay.

"Exactly," he laughed. "It was Bowdon."

"He's got lots of money. I wonder he takes it."

"I shall make him take it. I borrowed it to get something I wanted, and
I don't feel the thing's mine till I've paid him off."

"Oh, I understand that," said Ora.

"Don't tell him I told you."

"All right, I won't. I don't suppose I shall get a chance of telling
Lord Bowdon anything. Irene was like ice to me at the wedding." In
reality Irene had not failed to meet with a decent cordiality the
outpouring of Ora's enthusiasm.

"Confound you, I didn't want it," was Lord Bowdon's form of receipt for
the cheque; he scribbled it on half a sheet of note paper and signed it
"B." This was just what Ashley had expected, and he found new pleasure
in the constraint which he had placed on his friend's inclination. He
shewed the document to Ora when he next went to see her.

"You were quite right," he said. "Bowdon didn't want the money. Look
here."

Ora read the scrawl and sat turning it over and over in her fingers.

"But he had to take it," said Ashley with a laugh of triumph, almost of
defiance.

"I should think he'd be a very good friend," said Ora. "If Irene would
let him, I mean," she added with a smile. "Do you think he'd lend me a
thousand pounds and not want it paid back?" she asked.

"From my knowledge of him," said Ashley, "I'm quite sure he would."

"People do an awful lot of things for me," said Ora with a reflective
smile. She paused, and added, "But then other people are often very
horrid to me. I suppose it works out, doesn't it?"

Ashley was engaged in a strenuous attempt to make it work out, but he
had little idea in what way the balance of profit and loss, good and
evil, pleasure and pain, was to be arrived at.

"You'd do simply anything for me, wouldn't you?" she went on.

Although he had certainly done much for her, yet he felt himself an
impostor when she looked in his face and asked him that question. There
seemed to him nothing that he would not suffer for her, no advantages,
no prospects, and no friendships that he would not forgo and sacrifice
for her. But he would not "do simply anything for her." There was much
that he would not, as it appeared to him could not, do for her. Else
what easier than to say, "We know so-and-so about your husband, and we
can find out so-and-so by using the appropriate methods"? What easier
than to say, "I'll go in your train to America, and while you win the
triumphs I'll do the nosing"? For if he said that to her, if he opened
to her the prospect of being rid, once and for all, of Jack Fenning, of
levelling the only fence between him and her of which she was conscious,
of enabling her to keep her masterpiece and her triumphs and yet not
lose her lover, her joy would know no bounds and the world be
transfigured for her into a vision of delight. But yet he could not. All
was hers short of negativing himself, of ceasing to be what he was, of
gulfing his life, his standards, his mind in hers. She judged by what
she saw, and set no bounds to a devotion that seemed boundless. But to
him her praise was accusation, and he charged himself with giving
nothing because he could not give all.

Ora understood very little why he suddenly caught her in his arms and
kissed her. But she thought it a charming way of answering her question.

"Poor Ashley!" she sighed, as she escaped from his embrace. She had
occasional glimpses of the imperfection of his happiness, just as she
had occasional pathetic intuitions of what her own nature was.



CHAPTER XIX

COLLATERAL EFFECTS


On the whole Irene Bowdon felt that she ought to thank heaven, not
perhaps in any rapturous outpouring of tremulous joy, but in a sober
give-and-take spirit which set possible evil against actual good, struck
the balance, and made an entry of a reasonably large figure on the
credit side of the sheet. Surely it was in this spirit that sensible
people dealt with heaven? If once or twice in her life she had not been
sensible, to repeat such aberrations would little become an experienced
and twice-married woman. You could not have everything; and Lord
Bowdon's conduct had been extremely satisfactory. Only for two days of
one week had he relapsed into that apparent moodiness, that alternation
of absent-mindedness with uncomfortable apologies, which had immediately
succeeded the offer of his hand. On this occasion something in a letter
from Ashley Mead seemed to upset him. The letter had a cheque in it, and
Irene believed that the letter and cheque vexed her husband. She had too
much tact to ask questions, and contented herself, so far as outward
behaviour went, with Bowdon's remark that Ashley was a young fool. But
her instinct, sharpened by the old jealousy, had loudly cried, "Ora
Pinsent!" She was glad to read in the papers that Ora was to go to
America. Yes, on the whole she would thank heaven, and assure herself
that Lord Bowdon would have made her his wife anyhow; that is, in any
case, and without--She never finished the phrase which began with this
"without."

So Ora Pinsent was going to America. Surely madness stopped somewhere?
Surely Ashley Mead would not go with her? Irene had never given up hopes
of Ashley, and at this first glimmer of a chance she was prepared to do
battle for him. She had never quite reconciled herself to Bertie Jewett;
her old dislike of the ribbon-selling man and the ribbon-selling
atmosphere so far persisted that she had accepted, rather than welcomed,
the prospect of Bertie. She wrote and begged Alice Muddock to come
across to tea. She and Bowdon were in her house in Queen's Gate, his not
being yet prepared to receive her. She fancied that she saw her way to
putting everything right, to restoring the _status quo ante_, and to
obliterating altogether the effect of Ora Pinsent's incursion; she still
felt a responsibility for the incursion. Of course she was aware that
just now matrimonial projects must be in the background at Kensington
Palace Gardens; but the way might be felt and the country explored.

"Mr. Jewett, Mr. Jewett, Mr. Jewett;" this seemed the burden of Alice's
conversation. The name was not mentioned in a romantic way, nor in
connexion with romantic subjects; it cropped up when they talked of the
death, of the funeral, of the business, of money matters, future
arrangements, everything that goes to make up the ordinary round of
life. Alice was quite free from embarrassment and shewed no
self-consciousness about the name; but its ubiquity was in the highest
degree significant in Irene's eyes. She knew well that the man who has
made himself indispensable has gone more than half-way towards making
any other man superfluous, and she seemed to be faced with the
established fact of Bertie Jewett's indispensability. The time would
come when he would ask his reward; either he must receive it or he must
vanish, carrying off with him all the comfort his presence had given and
breaking the habit of looking to him and leaning on him which had become
so strong and constant. If Irene meant to enter the lists against
Bertie, she would be challenging an opponent who knew how to fight.

"Have you seen anything of Ashley Mead?" she asked, as she lifted the
teapot and poured out the tea.

"He came to the funeral, but of course we had no talk, and he's not been
since."

"You haven't been asking people, I suppose?"

"We haven't asked him," said Alice calmly. She took her tea and looked
at her hostess with perfect composure.

"He couldn't come just now without being invited, you know," Irene
suggested.

"Perhaps not," said Alice, rather doubtfully. "I don't think he wants to
come." She paused, and then added deliberately, "And I don't want him to
come." Now she flushed a very little, although her face remained steady
and calm. She did not seem to shrink from the discussion to which her
friend opened the way. "It would be nonsense to pretend that he's what
he used to be to us," she went on. "You know that as well as I do,
Irene."

"I don't know anything about it," declared Irene pettishly. "I think
you're hard on him; all men are foolish sometimes; it doesn't last
long." Had not Lord Bowdon soon returned to grace, soon and entirely?

"Oh, it's just that you see what they are," said Alice. She set down
her cup and gazed absently out of the window. Irene was irritated; her
view had been that momentary weaknesses in a man were to be combated,
and were not to be accepted as final indications of what the man was;
she had acted on that view in regard to her husband, and, as has been
stated, on the whole she thanked heaven. She thought that Alice also
might, if she chose, bring herself to a position in which she could
thank heaven moderately; but it was not to be done by slamming the door
in the face of a prodigal possibly repentant. She cast about for a
delicate method of remarking that Ora Pinsent was going to America.

"It was quite inevitable that he should drift away from us," Alice
continued. "I see that now. I don't think we're any of us bitter about
it."

"He needn't go on drifting away unless you like."

"It isn't very likely that I should make any efforts to call him back,"
said Alice, with a faint smile.

"Why not?" asked Irene crossly.

"Well, do women do that sort of thing?"

"Why, of course they do, my dear."

Alice's smile expressed a very clear opinion of such conduct, supposing
it to exist. Irene grew red for an instant and pushed her chair back
from the table. Anger makes delicate methods of remarking on important
facts seem unnecessary.

"You know Ora Pinsent's off to America?" she asked.

"No, I know nothing of Miss Pinsent's movements," said Alice haughtily.
"I don't read theatrical gossip."

Irene looked at her, rose, and came near. She stood looking down at
Alice. Alice looked up with a smile; the irritation in both seemed to
vanish.

"Oh, my dear girl, why must you be so proud?" asked Irene, with a
nervous little laugh. "You cared for him, Alice."

"Yes; all the world knew that. I didn't realise, though, quite how well
they knew it."

"And now you don't?"

Alice's eyes did not leave her friend's face as she paused in
consideration.

"I don't suppose I shall ever be so happy as I used to think I should be
with Ashley Mead," she said at last. "But I couldn't now. I should
always be thinking of--of what's been happening lately. Irene, I loathe
that sort of thing, don't you?"

"Oh, with men it's just--" Irene began.

"With some sort of men, I suppose so," Alice interrupted. "I tried to
think it didn't matter, but--Could you care for a man if you knew he had
done what Ashley has?"

In ninety hours out of a hundred, in ninety moods out of a hundred,
Irene would have been ready with the "No" that Alice expected so
confidently from her; with that denial she would instinctively have
shielded herself from a breath of suspicion. But now, looking into the
grave eyes upturned to hers, she answered with a break in her voice,

"Yes, dear; we must take what we can get, you know." Then she turned
away and walked back to her tea-table; her own face was in shadow there,
and thence she watched Alice's, which seemed to rise very firm and very
white out of the high black collar of her mourning gown. She loved
Alice, but, as she watched, she knew why Ashley Mead had left her and
given himself over to Ora Pinsent; she had not often seen so nearly in
the way men saw. Then she thought of what Bertie Jewett was; he could
not love as this girl deserved to be loved. "And we don't always get
what we deserve," she added, forcing another nervous laugh. "Most women
have to put up with something like what you mean, only they're sensible
and don't think about it."

"I'm considered sensible," said Alice, smiling.

"Sensible people are only silly in different ways from silly people,"
Irene declared, with a touch of fresh irritation in her voice. "Well
then, it's no use?" she asked.

"It's no use trying to undo what's done." Alice got up and came and
kissed her friend. "It was like you to try, though," she said.

"And I suppose it's to be--?"

"It's not to be anybody," Alice interrupted. "Fancy talking about it
now!"

"Oh, that's conventional. You needn't mind that with me."

"Really I'm not thinking about it." But even as she spoke her face grew
thoughtful. "Our life's arranged for us, really," she said. "We haven't
much to do with it. Look how I was born to the business!"

"And you'll go on in the business?"

"Yes. I used to think I should like to get away from it. Perhaps I
should like still; but I never shall. There are terribly few things one
gets a choice about."

"Marriage is one," Irene persisted, almost imploringly.

"Do you think it is, as a rule?" asked Alice doubtfully.

Their talk had drawn them closer together and renewed the bonds of
sympathy, but herein lay its only comfort for Irene Bowdon. The
disposition that Alice shewed seemed clearly to presage Bertie Jewett's
success and to prove how far he had already progressed. She wondered to
find so much done and to see how Ashley had lost his place in the
girl's conception of what her life must be. "I should have fought more,"
Irene reflected, and went on to ask whether that were not because she
also felt more than her friend, or at least differently; did not the
temperament which occasioned defeat also soften it? Yet the girl was not
happy; she was rather making the best of an apparently necessary lack of
happiness; life was a niggard of joy, but by good management the small
supply might be so disposed as to make a good show and so spread out as
to cover a handsome space. Against the acceptance of such a view Irene's
soul protested. It was dressing the shop-window finely when there was no
stock inside.

"I shouldn't mind what a man had thought," she said, "if I could make
him think as I wanted him to now."

"No, but you'd know him too well to imagine that you ever could," said
Alice.

A little inhuman, wasn't it? The old question rose again in Irene's
mind, even while she was feeling full of sympathy and of love. It was
all too cold, too clear-sighted, too ruthless; if you were very fond of
people, you did not let yourself know too well what you did not wish to
think about them; you ought to be able to forget, to select, to
idealise; else how could two people ever love one another? There must be
a partiality of view; love must pretend. She could fancy Ashley's
humorously alarmed look at the idea of living in company with perfect
clear-sightedness. As for Ora--but surely the objection here would come
even sooner and more clamorously from clear-sightedness itself?

"I daresay you're right, dear, but it doesn't sound very encouraging,"
she said. "I declare it's a good thing I'm married already, or I should
never have dared after this!"

"If it is like that, we may just as well admit it," said Alice, with a
smile and a sigh. "I must go back," she added. "Mr. Jewett's coming to
dinner to talk over some business with me."

Business and Mr. Jewett! That indeed seemed now the way of it. Irene
kissed her friend with rueful emphasis.

At this time Lady Muddock, while conceiving herself prostrate and
crushed under the blow which had fallen on her, was in reality very
placid and rather happy. As a dog loves his master she had loved her
husband; the dog whines at the master's loss, but after a time will
perceive that there is nobody to prevent him from having a hunt in the
coverts. A repressive force was removed, and Lady Muddock enjoyed the
novel feeling of being a free agent. And everything went very well
according to her ideas. Minna Soames, whose father had been a clergyman,
and who had sung only at concerts, would become her daughter-in-law, and
Bertie Jewett her son-in-law; Minna would cease to sing, and Bertie
would carry on the business; Bob would be perfectly happy, and Alice
would act with true wisdom and presently find her reward. She had a
sense of being at home in all things, of there being nothing that
puzzled or shocked or upset her. She disliked the unfamiliar; she had
therefore disliked Ora Pinsent, even while she was flattered by knowing
her; but it was just as flattering and at the same time more comfortable
to have known and voluntarily to have ceased to know her. As for Ashley
Mead, he had never let her feel quite at ease with him; and the society
which he had been the means of bringing to the house was not the sort
which suited her. She made preparations for taking a handsome villa at
Wimbledon; to that she would retire when Bob brought his bride to
Kensington Palace Gardens. In a word, the world seemed to be fitting
itself to her size most admirably.

Bowdon had been paying a visit of condolence to her while Alice was with
his wife--so Irene had contrived to distribute the quartette--and
discovered her state of mind with an amusement largely infected with
envy. His own life was of course laid on broader lines than hers; there
was a wider social side to it and a public side; but he also had come to
a time of life and a state of things when he must fit himself to his
world and his world to him, much in Lady Muddock's fashion--when things
became definite, vistas shortened, and the actual became the only
possible. The return of his thousand pounds typified this change to him;
it closed an incident which had once seemed likely to prevent or retard
the process of settling down to which he was now adapting and resigning
himself; he admitted with a sigh that he had put it off as long as most
men, and that, now it was come, it had more alleviations for him than
for most. Well, the ground had to be cleared for the next generation;
theirs would be the open playing-fields; it was time for him to go into
the house and sit down by the fire. What was there to quarrel with in
that? Did not _placens uxor_ sit on the other side of the hearth? And
though tempests were well enough in youth, in advanced years they were
neither pleasant nor becoming. But he wished that it was all as grateful
to him as it was to Lady Muddock.

Alice came in before he left and took him to walk with her in the
garden. The burden of her talk chimed in with his mood; again she dwelt
on the view that one's place was somewhere in the world, that by most
people at all events it had only to be found, not made, but that sorrow
and a fiasco waited on any mistake about it. She spoke only for herself,
but she seemed to speak for him also, expressing by her subdued
acquiescence in giving up what was not hers, and her resolute facing of
what was, the temper which he must breed in himself if he were to travel
the rest of the way contentedly.

"But it's a bit of a bore, isn't it?" he asked, suddenly standing still
and looking at her with a smile.

"Yes, I suppose it's a bit of a bore," said she. Then she went on rather
abruptly, "Have you seen Ashley since you came back?"

"Only once, for a moment at the club."

"Is he getting on well? Will he do well?"

"If he likes," said Bowdon, shrugging his shoulders. "But he's a queer
fellow."

"I don't think he quite agrees with us in what we've been saying."

"I don't know about that. At any rate I fancy he won't act on it."

"There's no use talking about it," she said with an impatience only half
suppressed. "He's so different from what he used to be."

"Not so very, a little perhaps. Then you're a little different from what
you used to be, aren't you?"

She looked at him with interest.

"Yes?" she said questioningly.

"Add the two little differences together and they make a big one."

"A big difference between us?"

"That's what I mean. I feel the same thing about him myself. He's not
for settling down, Miss Muddock."

"Oh, I suppose we both know why that is," she said. "We needn't mention
names, but--"

"Well, we know how it is even if we don't know why it is; but it isn't
all Miss Pinsent, or--" He paused an instant and ended with a question.
"Or why doesn't he settle down there?"

She seemed to consider his question, but shook her head as though she
found no answer. To adduce the obvious objection, the Fenning objection,
seemed inconsistent with the sincerity into which their talk had
drifted.

"I tell you what," said Bowdon, "I'm beginning to think that it doesn't
much matter what sort a man is, but he ought to be one sort or the
other. Don't you know what I mean?"

She walked by his side in silence again for a few minutes, then she
turned to him.

"Are we contemptuous, or are we envious, or what are we, we people of
one sort?" she asked.

"On my honour I don't know," answered Bowdon, shaking his head and
laughing a little.

"I think I'm contemptuous," she said, and looked in his face to find an
equal candour. But he did not give his decision; he would not admit that
he inclined still a little towards the mood of envy. "Anyhow it must be
strange to be like that," she said; she had thought the same thing
before when she sat in the theatre, watching Ora Pinsent act. Then she
had watched with an outside disinterested curiosity in the study of a
being from another world who could not, as it had seemed, make any
difference to her world or to her; but Ora had made differences for her,
or at least had brought differences to light. So the various lines of
life run in and out, now meeting and now parting, each following its own
curve, lead where it may.

"I must run away," said Bowdon, "or I shall keep my wife waiting for
dinner."

"And I must go and dress, or I shall keep Mr. Jewett waiting for
dinner."

They parted with no more exchange of confidence than lay in the hint of
a half-bitter smile. Lord Bowdon walked home to Queen's Gate, meditating
on the Developments and Manifestations of the Modern Spirit. He yielded
to fashion so far as to shape his phrase in this way and to affix mental
capital letters to the dignified words. But in truth he was conscious
that the affair was a very old one, that there had been always a Modern
Spirit. In the state of innocency Adam fell, and in the days of villainy
poor Jack Falstaff; the case would seem to be much the same with the
Modern Spirit. Still there is good in a label, to comfort the
consciences of sinners and to ornament the eloquence of saints.

The eloquence of saints was on the lips of his wife that evening when
they dined together, and Bowdon listened to it with complete
intellectual assent. He could not deny the force of her strictures on
Ashley Mead nor the justness of her analysis of Ora Pinsent. But he did
not love her in this mood; we do not always love people best when they
convince us most. Ashley was terribly foolish, Ora seemed utterly devoid
of the instinct of morality, intimated Irene.

"No," said Bowdon, with a sudden undeliberated decisiveness, "that's
just what she's got. She hasn't anything else, but she has that."

The flow of Irene's talk was stemmed; she looked across at him with a
vexed enquiring air.

"You've not seen anything like so much of her as I have," she objected.
"Really I don't see what you can know about it, Frank. Besides men
never understand women as women do."

"Sometimes better, and I'm quite right here," he persisted. "Why did she
send for her husband?"

"I don't think there was ever any real question of his coming." This
remark was not quite sincere.

"Oh, yes, there was," said Bowdon with a smile. The smile hinted
knowledge and thereby caused annoyance to his wife. How did he come to
know, or to think he knew, so much of Ora? But it was no great thing
that had inspired his protest; it was only the memory of how she once
said, "Don't."

"I'm going to see her," Irene announced in resolute tones. "I used to
have some influence over her, and I'm going to try and use it. I may do
some good."

"In what direction, dear?" There was a touch of scepticism in Bowdon's
voice.

"About Ashley Mead. I do believe everything could be made happy again.
Frank, I'm not reconciled to Bertie Jewett yet."

Bowdon shook his head; he was reconciled to Bertie Jewett and to the
tendency of events which involved the success of Bertie Jewett.

"And she ought to go back to her husband," Irene pursued.

The Modern Spirit had not, it must be presumed, left Lord Bowdon
entirely untouched, else he could not have dissented from this dictum;
or was it only that a very vivid remembrance of Mr. Fenning rose in his
mind?

"I'm hanged if she ought," he said emphatically. "And if you only knew
what the fellow's like--" He came to a sharp stop; his wife's surprised
eyes were set on his face.

"You don't know what he's like, you've never seen him; you told me so,
long ago, when I first got to know her." Lord Bowdon appeared
embarrassed. "Wasn't it true?" asked Irene severely.

"Yes, it was true," he answered, and truly, for, at the time he said it,
it had been true.

"Then how do you know what he's like?" she persisted. The servants had
left them to their coffee. Irene came round and sat down close to her
husband. "You know something, something you didn't mean me to know. What
is it, Frank?"

Bowdon looked at her steadily. He had meant to tell nothing; but he had
already told too much. A sudden gleam of understanding came into her
eyes; her quick intuition discerned a connection between this thing and
the other incident which had puzzled her.

"I believe it's something to do with that cheque Ashley Mead sent you,"
she said. She would not move her eyes from his face.

"I'm not at liberty to tell you anything about it. Of course I'm not
going to deny that there's a secret. But I can't tell you about it,
Irene."

"You would be quite safe in telling me." She rose and stood looking down
on him. "You ought to tell me," she said. "You ought to tell me anything
that concerns both you and Ora Pinsent."

She was amazed to say this, and he to hear it. The one point of silence,
of careful silence, the one thing which neither had dared to speak of to
the other, the one hidden spring which had moved the conduct of both,
suddenly became a matter of speech on her lips to him. Suddenly she
faced the question and demanded that he also should face it. She
admitted and she claimed that what touched him and Ora Pinsent must
touch her also. And he did not contest the claim.

"I must know, if--if we're to go on, Frank," she said.

"There's much less than you think," said he. "But I'll tell you. I tell
you in confidence, you know. Fenning came. That's all."

Irene made no comment. That was not all; the cheque from Ashley Mead was
not explained. Bowdon proceeded with his story. He told what he had to
tell in short sharp sentences. "The fellow was impossible." "It was
impossible to let her see him." "He was a rascal." "He drank." Pauses of
silence were interspersed. "It would have killed her." "He only wanted
money of her." "The idea of his going near her was intolerable." "She
had forgotten what he was, or he had gone down-hill terribly."

"And the money?" asked Irene, in a low whisper. She had seated herself
again, and was looking before her into the fireplace.

"He came for money; he had to have it if he was to go. Ashley asked me
for it. I gave it him."

"As a loan? He sent it back."

"I didn't mean it as a loan. But, as you say, he's sent it back."

"Why?"

"Because he didn't want her to be indebted to me for it." His bitterness
cropped out in his tone; he had desired a share in the work which Ashley
would not give him. He must have forgotten his wife for the moment, or
he would have kept that bitterness out of his voice; indeed for the
moment he seemed to have forgotten her, as he leant his head on his hand
and stared gloomily at the floor.

"So we gave him the money, and he went away again." She was silent. "You
wouldn't wonder so much if you'd seen him."

"I don't wonder," she said. "I haven't seen him, but I don't wonder. And
you never told her?"

"No, I never told her."

"Nor Ashley Mead?"

"No, he's never told her, either. And you mustn't." For an instant his
tone was rigidly imperative.

In spite of the tone she seemed to pay no heed to the last words.

"You kept it all from her?" she asked again.

"Yes," he said. "Does that seem very wrong to you?"

"Oh, I don't know," she groaned.

"Or very strange?" he asked, turning his head and looking towards her.

She rose to her feet suddenly, walked to the mantel-piece, and stood
there with her back towards him.

"No," she said, "not very strange. It's only what I knew before. It's
not strange." She turned round and faced him; she was rather pale, but
she smiled a little.

"I knew all the time that you were in love with her too," she said. "Of
course you wouldn't let the man go near her!"

Bowdon raised his eyes to his wife's face. She turned away again.

"I knew it when I made you propose to me," she said.



CHAPTER XX

THE WAYS DIVIDE


It may safely be said that, had Bowdon's wife been such as Ora Pinsent,
or Bowdon himself of the clay of which Ora was made, the foregoing
conversation would not have stopped where it did, nor with the finality
which in fact marked its close. It would have been lengthened, resumed,
and elaborated; its dramatic possibilities in the way of tragedy and
comedy (it was deficient in neither line) would have been developed;
properly and artistically handled, it must have led to something. But
ordinary folk, especially perhaps ordinary English folk, make of their
lives one grand waste of dramatic possibilities, and as things fell out
the talk seemed to lead to nothing. When Irene had made her remark about
knowing that her husband was in love with Ora even when she induced him
to propose to herself, she stood a moment longer by the mantel-piece and
then went upstairs, as her custom was; he held the door open for her, as
his custom was; sat down again, drank a small glass of cognac, and
smoked a cigar, all as his custom was; in about half an hour he joined
her in the drawing-room and they talked about the house they were going
to take in Scotland for the autumn. Neither then nor in the days that
followed was any reference made to this after-dinner conversation, nor
to the startling way in which the hidden had become open, the veil been
for a moment lifted, and the thing which was between them declared and
recognised. The dramatic possibilities were, in fact, absolutely
neglected and thrown away; to all appearance the conversation might
never have taken place, so little effect did it seem to have, so
absolutely devoid of result it seemed to be. It was merely that for ever
there it was, never to be forgotten, always to form part of their
consciousness, to define permanently the origin of their relations to
one another, to make it quite plain how it was that they came to be
passing their lives together. That it did all these not unimportant
things and yet never led to another acute situation or striking scene
shews how completely the dramatic possibilities were thrown away.

It did not even alter Irene's resolve of going to see Ora Pinsent. To
acquiesce in existing facts appeared the only thing left to do so far as
she herself was concerned: but the facts might still be modified for
others; this was what she told herself. Besides this feeling, she was
impelled by an increased curiosity, a new desire to see again and to
study the woman who had been the occasion of this conversation, who had
united her husband and her friend in a plot and made them both sacrifice
more than money because they would not have Jack Fenning come near her.
We are curious when we are jealous; where lies the power, what is the
secret of the strength which conquers us?

The scene in the little house at Chelsea was very much the same as Alice
Muddock had once chanced on there. Sidney Hazlewood and Babba Flint were
with Ora; after a swift embrace Ora resumed her talk with them. The talk
was of tours, triumphs, and thousands; the masterpiece was finished; it
bulged nobly in Babba's pocket, type-written, in brown covers, with
pink ribbons to set off its virgin beauty. On the table lay a large
foolscap sheet, fairly written; this was an agreement, ready for Ora's
signature; when it had received that, it would be, as Hazlewood was
reminding Ora, an agreement. Ora was struck anew with the unexpectedness
of this result of merely writing one's name, and shewed a disinclination
to take the decisive step. She preferred to consider tour, triumphs, and
thousands as hypothetical delights; she got nearly as much enjoyment out
of them and was bound to nothing. Babba smoked cigarettes with restless
frequency and nervous haste; a horse and cart could almost have been
driven along the wrinkle on Mr. Hazlewood's brow. He looked sixty, if he
looked a day, that afternoon. Irene sat unnoticed, undisturbed, with the
expression in her eyes which a woman wears when she is saying, "Yes, I
suppose it would be so; I suppose men would. I don't feel it myself, but
I understand how it would be." The expression is neither of liking nor
of dislike; it is of unwilling acquiescence in a fact recognised but
imperfectly comprehended. The presence of the power is admitted, the
source but half discovered; the analysis of a drug need not be complete
before we are able to discern its action.

"I won't sign to-day," said Ora. "I might change my mind."

"Good Lord, don't!" cried Babba, seizing another cigarette.

"That's just why we want you to sign to-day," said Hazlewood, passing
his hand over his forehead in a vain effort to obliterate the wrinkle.

"Then you'd bring an action against me!" exclaimed Ora indignantly.

"Without a doubt--and win it," said Hazlewood.

"I hate agreements. I hate being committed to things. Oh, do give me a
cigarette!"

After all, was it not strange that both the men should have done what
they had for her? Was there not a touch of vulgarity in her? To the
jealous eyes of a woman, perhaps. "But men don't see that," thought
Irene Bowdon as she sat on the sofa; she was in that favourite seat of
her hostess', by the little table, the portrait in its silver frame, and
the flower-vase that once had hidden the letter from Bridgeport,
Connecticut.

There was more in Ora's mood than her natural indecision, or her
congenital dislike of being bound, or her ingrained dread of agreements
which were agreements. The men did not see this; what do men see? But
the observant woman on the sofa saw it. The power of the tour, the
triumphs, and the thousands was fought by another power; the battle
raged in the heart of the woman who would not sign, who chaffed and
laughed and protested petulantly, who put off her persuaders by any art
or device her beauty excused or her waywardness furnished, who would say
neither yes nor no. The conflict declared itself in her nervous laughs,
in her ridiculous puffings at an ill-used cigarette, in the air of
attention which seemed to expect or hope for a new arrival, perhaps
somebody to rescue her, to decide for her, to take the burden of choice
from the shoulders that she shrugged so deprecatingly.

"It's awful to go wandering about over there for months," she said. "I
hate you both, oh, how I hate you both!"

"The part--" began Babba.

"Do be quiet. I know it's a lovely part," cried Ora. Then she turned
suddenly to Irene and began to laugh. "Don't tell anybody how silly I
am, Irene," she said, and she looked at the clock again with that
expectant hopeful air.

"It's now or never," declared Mr. Hazlewood, with much solemnity.

"Oh, nonsense!" said Ora peevishly. "It's now or to-morrow; and
to-morrow will do just as well."

Hazlewood and Babba exchanged glances. After all, to-morrow would be
just in time; they had wrestled long with her to-day.

"If you'll take your Bible oath to settle one way or the other
to-morrow--" Babba began.

"I will, I will, oh, of course I will," Ora interrupted, infinite joy
and relief lighting up her face. "I shall know quite well by to-morrow.
Do go now, there's good men. I'll settle it all in five minutes
to-morrow."

"Mind you do," said Babba, looking round for his hat. Hazlewood had his
and was staring at the crown of it; a coach and four might have hazarded
passage along the wrinkle now.

"You'll be just the same to-morrow," he observed, hardly reproachfully,
but with an air of sad knowledge.

"I shan't," said Ora indignantly. "If you think that of me, I wonder you
have anything to do with me. Oh, but I suppose I'm useful! Nobody cares
for me--only just for the use I am to them!"

Both men smiled broadly; greatly to her surprise and disgust Irene found
herself exchanging what she was obliged to call a grin with Babba Flint;
she had not expected to live to do that.

"That's just it, Miss Pinsent," said Babba. "You ain't clever, and you
ain't pleasant, and you ain't pretty; but the fool of a public happens
to like you, so we've all got to pretend you are; and we mean to work
you to the last tanner, don't you know?"

Mr. Hazlewood smiled sardonically; he did not admire Babba's wit.

"This time to-morrow then," said Ora, ringing the bell. "Oh, and take
your agreement with you; I won't have the odious thing here." She flung
it at Babba, who caught it cleverly. "I couldn't live in the room with
it," she said.

Ora waited till she heard the house door shut upon her visitors. "Thank
goodness!" she cried then, as she sank into a chair opposite Irene. "How
good of you to come and see me," she went on.

Irene was hard on her search; she did not allow herself to be turned
aside by mere civilities, however charming might be the cordiality with
which they were uttered.

"Are you really going to America?" she asked.

Ora's face grew plaintive again; she thought that she had got rid of
that question till the next day.

"Oh, I suppose so. Yes. I don't know, I'm sure." She leant forward
towards her friend. "I suppose you're awfully happy, aren't you, Irene?"

Irene smiled; she had no intention of casting doubts on her bliss in her
present company.

"Then do be kind to me, because I'm awfully miserable. Now you're
looking as if you were going to tell me it was my own fault. Please
don't, dear. That doesn't do any good at all."

"Not the least I'm sure, to you," said Irene Bowdon.

Ora scanned her friend's face anxiously and timidly. She was speculating
on the amount of sympathy to be expected; she knew that on occasion
Irene could be almost as unjust as Alice Muddock. She was afraid that
Irene would break out on her. Irene was in no such mood; coldly,
critically, jealously observant, she waited for this woman to throw new
lights on herself, to exhibit the kind of creature she was, to betray
her weakness and to explain her power.

"Can't you make up your mind whether to go or not?" she asked with a
smile.

"If you only knew what going means to me!" cried Ora. Suddenly she rose
and flung herself on her knees beside her friend. Irene had an impulse
to push her away; but she sat quite still and suffered Ora to take her
hand. "You see, he can't come with me," Ora went on, with a pathetic air
which seemed to bemoan the wanton impossibility of what might, had it
been so disposed, have been quite possible.

"Who can't go with you? Mr. Mead?"

"Yes, Ashley; who else could I mean?"

"Well, I don't suppose he can." Irene gave a short laugh.

"No," said Ora resentfully. "He can't, you see." She looked up in
Irene's face. "At least I suppose he can't?" she said in a coaxing
voice; then dreariness conquered and reigned in her whole air as she
added mournfully, "Anyhow, I'm sure he won't."

"I hope to goodness he won't," said Irene Bowdon.

Ora drew a little away, as though surprised; then she nodded and smiled
faintly.

"I knew you'd say that," she remarked.

"What in the world else should I say?" Irene demanded.

"Nothing, I suppose," sighed Ora. "It would be quite out of the
question, wouldn't it?"

"Quite," said Irene, and shut her lips close as the one word left them.
Her patience was failing. There were two possible things, to be
respectable, and not to be respectable; but there was no such third
course as Ora seemed to expect to have found for her.

"Of course if I give up the tour," said Ora, in a meditative tone,
"things could go on as they are."

"Could they?" cried Irene. "Oh, I don't know how they are, and I don't
want to ask. Well, then, I suppose I don't believe the worst or I
shouldn't be here; but almost everybody does, and if you go on much
longer quite everybody will."

"I don't mind a bit about that," remarked Ora. Her tone was simple and
matter-of-fact; she was neither making a confession nor claiming a
merit. "How can I be expected to? I lost all feeling of that sort when
Jack didn't come. He was the person who ought to have cared, and he
didn't care enough to come when I said he might."

The reference to Mr. Fenning touched Irene's wound, and it smarted
again. But she was loyal to her husband's injunction and gave no hint
which might disturb Ora's certainty that Jack Fenning had not come.

"I think you'd better go away before you've quite ruined Ashley Mead's
life," she said in cold and deliberate tones; "and before you've ruined
yourself too, if you care about that."

She expected to be met by one of Ora's old pitiful protests against
harsh and unsympathetic judgments; the look in Ora's eyes a little while
ago had foreshadowed such an appeal. But it did not come now. Ora
regarded her with a faint smile and brows slightly raised.

"I don't see," she said, "how all sorts of different people can be
expected all to behave in exactly the same way."

"What's that got to do with it?" asked Irene irritably.

"Well, that's what it comes to, if you listen to what people say."

"Do you mean if you listen to what I say?"

"Yes," said Ora, with a smile, "you and Miss Muddock and all the rest of
them. And I suppose you've made Lord Bowdon as bad by now? I'm not going
to think about it any more." She shook her head as though to clear away
these mists of conventional propriety. "If people can be happy anyhow,
why shouldn't they?" she added.

"I believe," said Irene, "that you really think you're coming to a new
resolution. As if you'd ever thought of anything except what you liked!"

Ora shook her head again, this time in gentle denial; memories of
infinite sacrifices to the Ideal rose before her; for example, there was
the recalling of her husband. But she would not argue as to her own
merits; she had ceased to expect justice or to hope for approbation.

"It's all no use," she said despondently. "I may say what I like, but he
won't come." Again she spoke as though she would not give up the tour
and would sign the agreement on the morrow, and would do this although
she knew that Ashley would not come. Then they would separate! To her
own sheer amazement and downright shame Irene Bowdon felt a sharp pang
of sorrow; for Ora looked puzzled and forlorn, as though she did what
she could not help and suffered keenly at the price she had to pay.
Their eyes met, and Ora divined the newly born sympathy. "You are sorry
for me, aren't you?" she murmured, stretching her hands out towards her
friend.

"Yes," said Irene, with a laugh. "I actually am." She was beginning to
understand the transaction which had sent Jack Fenning away richer by a
thousand pounds.

"I know you'd help me if you could," Ora went on, "but nobody can;
that's the worst of it." She paused for a moment, and then remarked with
a mournful smile, "And suppose Babba's wrong and the play does no good
after all!"

Irene's warmth of feeling was chilled; she did not understand the
glamour of the play so well as she appreciated the pathos of the
parting. The strength of the tie came home to her, the power which
fought against it was beyond her experience or imagination.

"I wonder you can think about the play at all," she said.

"Oh, you've no idea what a part it is for me!" cried Ora. But her plea
sounded weak, even flippant, to Irene; she condemned it as the fruit of
vanity and the sign of shallowness. Ora caused in others changes of mood
almost as quick as those she herself suffered.

"Well, if you go because you like the part, you can't expect me to be
very sorry for you. It's a very good thing you should go; and your part
will console you for--for what you leave behind."

Ora made no answer; her look of indecision and puzzle had returned; it
was useless to try to make another understand what she herself failed to
analyse. But as the business drew Alice Muddock, so the play drew her;
and the business had helped to turn Alice's heart from Ashley Mead. He
had not been able there to conquer what was in the blood and mingled its
roots with the roots of life. No thought of a parallel came to Irene
Bowdon; any point of likeness between the two women or their
circumstances would have seemed to her impossible and the idea of it
absurd; they were wide asunder as the poles. What she did dimly feel was
the fashion in which Ashley seemed to stand midway between them, within
hearing of both and yet divided from each; she approached the conclusion
that he was not really made for either, because he had points which
likened him to both. But this was little more than a passing gleam of
insight; she fell back on the simpler notion that after all Ashley and
Ora could not be so very much in love with one another. If they were
victims of the desperate passion she had supposed, one or other or both
would give up everything else in the world. They were both shallow then;
and probably they would do nothing very outrageous. Relief,
disappointment, almost scorn, mingled together in her as she arrived at
this conclusion.

"I'm sure you and Mr. Mead will end by being sensible," she said to Ora,
with a smile which was less friendly than she wished it to appear.
"You've been very foolish, but you both seem to see that it can't go
on." She leant forward and looked keenly at Ora.

"Well?" said Ora, put on her defence by this scrutiny.

"Do you really care much about him? I wonder if you could really care
much about anybody!" She was rather surprised to find herself speaking
so openly about an attachment which her traditions taught her should be
sternly ignored; but she was there to learn what the woman was like.

"I don't love people often, but I love Ashley," was Ora's answer; it was
given with her own blend of intensity and innocence. To Irene Bowdon,
even armoured as she was in prejudice, it carried conviction. "It'll
almost kill me to go away from him."

"You'll forget all about him."

"Should I be any happier if I believed that? Should you be happier for
thinking that you'd stop loving your husband?"

"If I had to lose him--" Irene began.

"No, no, no," insisted Ora; her eyes were full of tears. "Oh, you don't
understand, how can you understand? I suppose you think it's Jack? I
tell you it would be the same if Jack had never existed. No, I don't
know. But anyhow it would be the same if he didn't exist now." She began
to walk about the room, her hands clasped tight on one another.

As she spoke the door opened and Ashley came in. Irene started, but did
not move: she had not wished to see them together; the sight of their
meeting revived her disapprobation; the thing, being made palpable,
became again offensive to her. But escape was impossible. Ora seemed
entirely forgetful of the presence of any onlooker; she ran straight to
Ashley, crying his name, and caught him by both his hands. He looked
across at Irene, then raised Ora's hands in his and kissed each of them.
He seemed tired.

"I'm late," he said. "I've had a busy day." He released Ora and came
towards Irene. "They've actually taken to sending me briefs! How are
you, Lady Bowdon?"

"And the briefs keep him from me," said Ora; she was standing now in the
middle of the room.

"Yes," he said with a smile at her. "The world's a very selfish thing;
it wants a big share." He paused a moment, and went on, "I smell much
tobacco; who's been here?"

"Sidney Hazlewood and Babba," Ora answered. "They came about the play.
They want me to sign the agreement to-morrow."

"Ah, yes," he said wearily. "They're very persistent gentlemen. Your
husband all right, Lady Bowdon?"

"Quite, thanks." Irene rose. She had a desire to get away. She did not
follow the lines of the play nor understand the point of the tragedy;
but the sight of them together made her sure that there was a tragedy,
and she did not wish to see it played. In the first place, that there
should be a tragedy was all wrong, and her presence must not sanction
it; in the second place, the tragedy looked as if it might be
intolerably distressing and must be utterly hopeless. They would find no
way out; his weariness declared that as plainly as the helplessness of
Ora's puzzled distress. Irene decided to go home; she would be better
there; for although she had her own little tragedy, she could keep it
safely under lock and key. The secret purpose of her visit stood
accomplished; if she had realised Ora in distress, she would have
sorrowed to send Jack Fenning back to her. The difference between doing
it with sorrow and refusing to do it altogether was no greater than
might be expected between a woman and men in such a case. To have got
thus far without having seen Mr. Fenning must stand for an achievement
to Lady Bowdon's credit.

Ora let her go without resistance. At the last Irene was full of
friendly feeling, but of feeling that here was the end of a friendship.
By one way or another Ora was drifting from her; they would not see much
more of one another. Perhaps it had never been natural that they should
see much of one another; atoms from different worlds, they had met
fortuitously; the chance union yielded now before the dissolving force
of their permanent connexions. But even such meetings leave results, and
Ora, passing out of her friend's life as a presence, would not be
forgotten; she left behind her the effect that she had had, the
difference that she had made. She could never be forgotten; she would
only be unmentioned and ignored; there must be many minutes in which
Irene would think of her and know that she was in Bowdon's thoughts
also. The way of things seemed to be that people should come into one's
life, do something to it, and then go away again; the coming was not
their fault, what they did seemed hardly their own doing. She was no
longer angry with Ora; she was sorry for Ora, and she was sorry for
herself. Was there not some wantonness somewhere? Else why had Ora's
raid on her little treasure-house come about? It had done harm to her,
and no good to Ora. But she kissed Ora with fondness as she left her.

"I'm glad to find you here," said Ashley, as he escorted her downstairs.
"It shews you don't believe the gossip about her--about her and me."

Irene turned to him, but made no comment.

"Oh, I don't know that there's any particular credit to anybody in the
gossip not being true; still as a fact it isn't true. She hasn't got you
here on false pretences."

Irene seemed now not to care whether the gossip were true or not. She
did not get into her carriage, but detained Ashley on the doorstep.

"What are you going to do?" she asked.

"Haven't you talked about it to Ora?" he enquired.

"Yes, but Ora doesn't know what to do." She was possessed with a longing
to tell him that she knew about Jack Fenning, but her loyalty to Bowdon
still restrained her.

Ashley looked at her; his face struck her again as being very tired and
fretted, but it wore his old friendly smile; he seemed to take her into
his confidence and to appeal to a common knowledge as he answered her.

"Oh, you know, she'll go to America," he said. "It'll end in that."

"Does she want to go?" asked Irene.

His eyes dwelt steadily on hers and he nodded his head. "Yes, she wants
to go," he said, smiling still. "She doesn't know it, poor dear, but she
wants to go."

"She'd stop if you told her!" exclaimed Irene impulsively. How came she
to make such a suggestion? She spent half the evening trying to
discover.

"Yes, that's so too," he said.

"And--and of course you can't go with her?"

"I shan't go with her," said Ashley. "I can't, if you like to put it
that way."

She pressed him; her curiosity would not be satisfied.

"You don't want to go?" she asked.

His answer was very slow in coming this time, but he faced the question
at last.

"No," he said, "I don't want to go." He paused, glanced at her again,
and again smiled. "So, you see, we shall both have what we really like,
and there's no reason to pity us, is there, Lady Bowdon?"

Then she got into her carriage, and, as she shook hands with him, she
said,

"Well, I don't know that you're worse off than a good many other
people."

"I don't know that we are," said Ashley.

And, as she went home, she added that they had themselves to thank for
their troubles, whereas the greater part of hers could not fairly be
laid at her own door. "If that makes it any better, you know," she
murmured, half aloud.

But perhaps one minded to deal with her as faithfully as she thought
that Ora should be dealt with, might have observed that not to become
Lady Bowdon had once been a thing in her power.



CHAPTER XXI

WHAT DOES IT MEAN?


[Illustration: THE CONTRACT PUNCTILIOUSLY SIGNED BY ALL THE PARTIES,
AND WITNESSED BY JANET THE MAID ... THEY HAD OPENED A BOTTLE OF
CHAMPAGNE]

The bargain was struck, the agreement made, the contract punctiliously
signed by all the parties, and witnessed by Janet the maid. There were
two copies; Mr. Hazlewood had one, Ora the other; Babba possessed
himself of a memorandum. They had opened a bottle of champagne and drunk
success to the enterprise; prospective triumphs, thousands, fame,
bubbled out into the glasses. Babba was wildly hilarious, and vulgar
with a profusion of debased phrases beyond even his wont. Mr. Hazlewood
smoothed his brow provisionally; he knew that it must wrinkle again many
times ere the tour was done and the thousands pocketed. Ora talked very
fast, smoked two cigarettes, and darted to and fro about the room,
restless as quicksilver, utterly refusing to take her seat on the sofa.
The arrangements suspended during her days of indecision could now
swiftly be put in working order; men waited for the word at the end of
cables and telephones across the Atlantic. The announcements needed only
the final touches of Babba's practised pen; the berths on the boat would
be booked before to-morrow's sun rose. The thing was settled; beyond all
other agreements, this agreement was an agreement; beyond all other
undertakings, this undertaking bound them all. For they were launched on
a great venture and none could now draw back. It had ended in Ora's
consenting to go, as Ashley Mead had said it would.

Babba Flint and Sidney Hazlewood were gone; Janet, who also had drunk a
glass of champagne, had withdrawn below again; it was very quiet in the
drawing-room of the little house in Chelsea. Ora was in her seat now, by
the small table, the portrait, and the vase of fresh roses which from
day to day were never wanting. She lay back there, looking at the
ceiling with wide-opened eyes; she did not move except when her fingers
plucked fretfully at a trimming of lace on her gown; she was thinking
what she had done, what it came to, what it would end in. She remembered
her uncomfortable talk with Ashley the day before, after Irene had gone,
when he would not say "Sign," nor yet, "For God's sake, darling, don't
sign, don't go, don't leave me;" but would only smile and say, "You want
to go, don't you, Ora?" She had been able to say neither, "Yes, I want
to go," nor yet, "For all the world I wouldn't leave you;" but had been
perverse and peevish, and at last had sent him away with a petulant
dismissal. But all the time they both had known that she would sign and
that she would go, because things were setting irresistibly in that
direction and it was impossible to say No to fate. Fate does not take
denials; its invitations are courteously but persistently renewed. So
now she had signed and she was going.

Of course it meant much more than appeared on the surface; she had felt
that even at the moment, in spite of Babba's jokes and Hazlewood's
business-like attitude. When she was left alone, the feeling came on her
in tenfold strength; the drama of her action started to light, its
suppressed meaning became manifest, all its effects unrolled themselves
before her. Yet how shortly all could be put; she was going away from
Ashley Mead; the sweet companionship was to be broken. Did such things
come twice, could threads so dropped ever be picked up again? But all
this happened by her own act. She faced the charge with a denial that
there was more than the most superficial of truths in it. She had not
been able to help her action; it was hers in a sense, no doubt, but it
was the action of a self over which not she as she knew herself, but
this mysterious irresistible bent of things, held control. And the
control was very tyrannous. Ashley was bound too; for in all the
uncomfortable talk there had been never a suggestion that he should come
with her; for both of them that had become an impossibility not to be
taken into account. As things would have it, he could not go and she
could not stay. There assailed her such a storm of fear and horror as
had beset her once before, when her fine scheme of renunciation and
reformation was shattered by the little hard fact that the train drew
near to the station and in ten minutes Ashley would be gone and Jack
Fenning come. She caught Ashley's picture and kissed it passionately;
then she laid her head down on the cushions and began to sob. She knew
now what she had done; she had driven Ashley out of her life, and life
without him was not worth having. How had she been so mad as to sign, to
deliver herself bound hand and foot to these men who only wanted to make
money out of her, to think that any triumph could console her for the
loss of her love? Was it too late, would not a telegram undo all that
had been done? She sat up with a sudden abrupt movement; should she
write one? They might send her to prison, she supposed, or anyhow make
her pay a lot of money. They would think she used them very badly. Oh,
what was all that? They could get somebody else to play her part--

Why, so they could! Anybody would be glad to play that part; it might
bring new treasure of glory to the great--sweet strange fame to one yet
unknown. Ora's sobs were for a moment stayed; she sat looking straight
in front of her.

Ah, how hard things were! How they harassed, how they tortured, how they
tore one asunder! She lay back and sobbed again, now not so
passionately, but more gently, yet despairingly. So tragic a guise may
sometimes be assumed by such homely truths as that you cannot blow both
hot and cold, that you can't eat your cake and have it, and that you
must in the end decide whether you will go out by the door or by the
window.

She had told Ashley to come to her again that day to hear her decision.
It was the appointed hour, and she began to listen for his tread with
fear. For he would think that she did not love him, and she did love
him; he would say that she wanted to go, and she loathed going; he would
tell her all her going meant, and she knew all it meant. It would be
between them as it had been yesterday, and worse. Alas, that she should
have to fear the sound of Ashley's foot! Ah, that she could throw
herself into his arms, saying, "Ashley, I won't go!" Then the sweet
companionship and days in the country could come again, all could be
forgotten in joy, and the existence of to-morrow be blotted out.

And Mr. Hazlewood and Babba would get somebody else to play the
part--the great, great part.

There was the tread. She heard and knew it, and sat up to listen to it,
her lips parted and her eyes wide; marked it till it reached the very
door, but did not rise to meet it. She would sit there and listen to
all that he said to her.

He came in smiling; that seemed strange; he walked up to her and greeted
her cheerily; she glanced at him in frightened questioning.

"So you've arranged it?" he said, sitting down opposite to her.

"How do you know, Ashley?"

"Oh, I should know, anyhow," he answered, laughing; "but I met Babba
singing a song in Piccadilly--rather loud it sounded--and he stopped to
tell me."

"Oh," she murmured nervously. That he had come to know in this way
seemed an anti-climax, a note which jarred the tragic harmony; she would
have told him in a tempest of tears and self-reproach.

"You've done quite right," he went on. "It wasn't a chance to miss. I
should have been a selfish brute if I'd wanted you to give it up.
Besides--" He smiled and shrugged his shoulders. "Come, Ora," he went
on, "don't look so sorrowful about it."

He was not as he had been the day before; the touch of mockery which she
had seemed to see then was quite gone. He took her hand and caressed it
gently.

"Poor dear," he said, "making up your mind always upsets you so
terribly, doesn't it?"

"It's going away from you," she whispered, and her grasp fixed tightly
on his hand.

"For a few months," he said.

"Don't you think that long?" she cried, her eyes growing reproachful;
she had made up her mind that it was eternity.

"I don't mean to think it long, and you mustn't think it long," he said.
"The time'll go like lightning. Get an almanac and ink out the days, as
homesick boys do at school; it's quite consoling. And you'll have so
much to do, so much to fill your thoughts."

"And you?"

"Oh, I shall jog along till you come back. I shall be there to meet you
then. We'll come up to town together."

Was this really all? Was there no great, no final tragedy, after all? So
it might seem from his quiet cheerful manner. Ora was bewildered, in a
way disappointed, almost inclined to be resentful.

"It looks as if you didn't care so very much," she murmured; she tried
to draw her hand away from his, but he held it fast. He shut his lips
close for a moment, and then said, still very quietly,

"You mustn't think it means that, dear." On the last word his voice
quivered, but he went on again. "It means a very long night; the sun
won't rise again for ever so many months. But some day it will." She had
turned her head away, and, as he made this confident declaration, a
smile bent his lips for a moment, a smile not of amusement.

"Will it?" she asked, leaning towards him again, praying him to repeat
his comforting words.

"Of course it will."

"And you won't forget me? Ashley, don't forget me!"

"Not likely, my dear," said he. "I think Miss Pinsent makes herself
remembered."

"Because I shan't forget you, not for a moment," she said, fixing her
eyes on his. "Oh, it's hard to leave you!"

She took up her handkerchief from the small table and dried her eyes.
"Your picture will go with me everywhere," she said, lightly touching
it. "But I shan't be able to have your roses, shall I? Would you like
some tea, Ashley?"

"Very much indeed," said he.

After all, why not tea? There is nothing in tea necessarily inconsistent
with tragedy; still her vague forecasts of this conversation had not
included the taking of tea.

"Now show me your agreement," he said. "I must see that they've not done
you."

As they had tea, they looked through the contract, clause by clause. On
the whole Ashley was very well satisfied, although he suggested that one
or two points might be modified in Ora's favour; she quite grasped what
he put forward and thought that she would be able to obtain the
concessions from her partners.

"I ought to make all I can, oughtn't I?" she asked. "I'm giving up so
much to go."

"You ought to be as greedy as you possibly can," he assured her with a
laugh. He wanted to prevent her from beginning to talk again of what she
was giving up; what she would gain was a better topic; just as she must
not think how long she would be away, but on the other hand how soon she
would be back. We cannot control facts, but there is a limited choice of
aspects in which we may regard them and present them for the
consideration of our friends. In this little free field optimism and
pessimism are allowed to play.

"You can always make me happy!" she sighed, leaning back.

"I know the way to do it, you see," he answered. He had decided that in
this case the best way to do it was to let her go and play her part.

"Even when you're gone, I shan't be as miserable as I was before. You've
made it all seem less--less big and less awful, you know. Every day
will really be bringing me nearer to you again; even the first day!
It'll begin directly, won't it? Oh, I shall cry, but now I shall be able
to think of that too."

He was not deceiving her in anything like the grave manner in which he
had deceived her concerning Jack Fenning, but he felt something of the
same qualms. He did not yield an inch to them externally; he had made up
his mind to cheat her into going happily; when once that was done, he
thought she would soon grow happy; and if it were to be done, it should
be done thoroughly. A few tears were inevitable, but they must be
alleviated with smiles of hope.

"Directly you go away, you'll begin coming back, won't you? Really I
almost wish you were gone already, Ora!"

She laughed at this whimsical idea, but agreed that the actual going
would be the one irremediably black spot. Then she grew grave suddenly,
as though an unwelcome thought had flashed into her mind.

"Ashley," she said, "suppose I--I meet Jack! He's over there, you know.
What shall I do?"

"Oh, he won't bother you, I expect," Ashley assured her.

"But if he does? I shan't have you to take care of me, you know."

"If he does, you go straight to Hazlewood. He's a good fellow and knows
his way about the world. He'll see you come to no harm and aren't
victimised."

"Will he keep Jack away from me?"

"Yes, I think so. Take him into your confidence." Ashley smiled for a
moment. "He'll know the sort of man Fenning is."

Ora seemed a good deal comforted.

"Yes, I like Sidney Hazlewood," she said. "He's awfully tiresome
sometimes, but you feel that you can rely on him. He gives you an idea
of strength, as if you could put yourself in his hands. Oh, but not so
much as you do, of course! But then you won't be there."

"He'll look after you just as well as I should."

"Perhaps he will, as far as the actual thing goes," she admitted. Then
she began to smile. "But--but I shan't like it so much from him."

"You never know that till you try," said Ashley, answering her smile
with a cheerful smile.

"Oh, that's absurd," said Ora. "But I do think he'll stand by me." She
leant forward and put her hand on his knee. "If I were in very, very
great trouble and sent for you, would you come?"

"Yes," said Ashley, "I'd come then."

"Whatever you had to do? Whatever time it took? However far off I was?"

"Yes," he answered. "Anyhow I'd come. But you won't--" He hesitated for
a moment. "You won't have any cause to send for me," he ended.

"Oh, but I should rather like one," she whispered, almost merrily.

He shook his head. "I shall come only if you're in very, very great
trouble; otherwise you must depend on Hazlewood. But you won't be in
trouble, and I don't think you'll have any bother about Fenning." For
would not Mr. Fenning have the best of reasons for avoiding observation
while Hazlewood was about? To Hazlewood he was Foster, and Miss
Macpherson, by the dictates of politeness, Mrs. Foster.

It was in entire accord with the line of conduct which Ashley had laid
down for himself that even now he said no more of Jack Fenning, and
nothing of what he had done about him or heard about him. He stood
aside; he had determined not to take her life into his hands; he could
not put his into hers; he would not, then, seek to shape events either
for her or for himself; he would give her no information and urge on her
no course. If she came across her husband, something would very likely
happen; or again it was quite probable that nothing would occur except
an unpleasant interview and the transference of some of Ora's earnings
to Jack's pocket. Miss Macpherson might appear or she might not. Ashley
had gone as far as he meant to go when he told Ora to look to Mr.
Hazlewood if she were in any trouble. And if she should chance to want,
or assent to, "nosings" being carried on, why, was not Babba Flint to be
of the party? He dismissed all this from his mind, so far as he could.
It was not part of Ora, but yet it hung about Ora; he hated it all
because it hung about her, and would intrude sometimes into his thoughts
of her. Why had such sordid things ever come near her? But they had, and
they, as well as the play and the part, were a fence between her and
him. The bitterness of this conclusion was nothing new; he had endured
it before; he endured it again as he talked to her and coaxed her into
going happily.

But amid all the complexities of reasons, of feelings, and of choices in
which men live, there are moments when simplicity reasserts itself, and
one thing swallows all others; joy or sorrow brings them. Then the
meeting is everything; or again, there is nothing save the parting, and
it matters nothing why we must part, or should part, or are parting. Not
to be together overwhelms all the causes which forbid us to be together;
the pain seems almost physical; people cannot sit still when it is on
them any more than when they have a toothache. Such a moment was not to
be altogether evaded by any clever cheating of Ora into going happily.
There were the inevitable tears from her; in him there was the fierce
impulse after all to hold her, not to let her go, to do all that he was
set not to do, by any and every means to keep her in hearing and sight
and touch. For when she was gone what were touch and hearing and sight
to do? They would all be useless and he, their owner, useless too. But
of this in him she must see only so much as would assure her of his love
and yet leave her to go happy. That she should go happy and still not
doubt his love was the object at which he had to aim; the cost was
present emptiness of his own life. But things have to be paid for,
whether we are furnishing our own needs or making presents to our
friends; the ultimate destination of the goods does not change a
farthing in the bill.

His last hour with her seemed to set itself, whether in indulgence or in
irony he could not decide, to focus and sum up all that she had been to
him, to shew all the moods he knew, the ways he loved, the changes that
he had traced with so many smiles. She wept, she laughed, she hummed a
tune; she took offence and offered it; she flirted and she prayed for
love; she held him at arm's length, only to fall an instant later into
his arms; she said she should never see him again, and then decided at
what restaurant they would dine together on the evening of reunion; she
waxed enthusiastic about the part, and then cried that all parts were
the same to her since he would not be in the theatre. To be never the
same was to be most herself. Yet out of all this variety, in spite of
her relapses into tragedy, the clear conclusion formed itself in his
mind that she was going happy, at least excited, interested, eager, and
not frightened nor utterly desolate. Yet at the last she hung about him
as though she could not go; and at the last--he had prayed that this
might be avoided--there came back into her eyes the puzzled, alarmed,
doubtful look, and with it the reproach which seemed to ask him what he
was doing with her, to say that after all it was his act, that he was
master, and that when she gave herself into his hands no profession of
abdication could free him from his responsibility. If it were so, the
burden must be borne; the delusion under which she went must not be
impaired.

The last scene came on a misty morning at Waterloo Station; it had been
decided that he should part from her there, should hand her over to the
men who wanted to make money out of her, and so go his ways. The place
was full of people; Babba chattered volubly in the intervals of rushing
hither and thither after luggage, porters, friends, provisions,
playing-cards, remembering all the things he had forgotten, finding that
he had forgotten all that he meant to remember. Hazlewood, a seasoned
traveller, smoked a cigar and read the morning paper, waiting patiently
till his man should put him in the reserved corner of his reserved
carriage; certainly he looked a calm man to whom one might trust in a
crisis. Ora and Ashley got a few minutes together in the booking-office,
while her maid looked to her trunks and Babba flew to buy her flowers.
Nobody came near them. Then it was that it seemed as though the success
of his pretence failed in some degree, as though she also felt something
of the sense which pressed so remorselessly on him, the sense of an end,
that thus they were now together, alone, all in all to one another, and
that thus they would never be again. The tears ran down Ora's cheeks;
she held both his wrists in her hands with the old grip that said, "You
mustn't go." She could not speak to him, he found nothing to say to her;
but her tears cried to him, "Are you right?" Their reproach was bitter
indeed, their appeal might seem irresistible. What now beside them were
parts and plays, lives and their lines, Hazlewoods, Babba Flints, aye,
or Jack Fennings either? They pleaded for the parlour in the little inn,
reminding him how there first she had thrown herself on his mercy,
asking him whether now for the first time he meant in very truth to turn
cruel and abuse the trust.

But days had passed, and months, since then; with love had come
knowledge, and the knowledge had to be reckoned with, although it had
not destroyed the love. Was that ungentle? The knowledge was of himself
as well as of her; he dealt no blow that he did not suffer. The
knowledge was, above all, of the way things were and must be. Therefore
in all the stress of parting he could not, desire it as he might, doubt
that he was right.

Hazlewood raised his voice and called from the platform, "Off in five
minutes, Mead! Hadn't you better take Miss Pinsent to her carriage?"

"Come, Ora," he said, "you must get in now."

For a moment longer she held his arms.

"I don't believe I shall ever see you again," she said. Then she dried
her eyes and walked with him on to the platform. Here stood Babba, here
Hazlewood, here all the retinue. Ashley led her up to Hazlewood. "Here
she is," he said; he seemed to be handing her over, resigning charge of
her. The three turned and walked together to the train.

"You'd rather go down just with your maid, I daresay," said Hazlewood.
"It's time to get in, you know." He held out his hand to Ashley and then
walked away.

"Now, dear," said Ashley Mead.

She gave him her hand. For long he remembered that last grasp and the
clinging reluctance with which it left him.

"Good-bye, Ashley," she said.

"You're beginning to come back from this minute," he reminded her,
forcing a smile. "As soon as ever the train moves you're on your way
home!"

"Yes," she smiled. "Yes, Ashley." But the charm of that conceit was
gone; the tone was doubtful, sad, with only a forced recognition of how
he meant to cheer her. Her eyes were more eloquent and more sincere,
more outspoken too in their reproach. "You're sending me away," they
said.

So she went away, looking back out of the window so long as she could
see him; not crying now, but with a curious, wistful, regretful,
bewildered face, as though she did not yet know what he had done to her,
what had happened, what change had befallen her. This was the last
impression that he had of her as she went to encounter the world again
without the aid to which he had let her grow so used, without the arm on
which he had let her learn to lean.

But he seemed to know the meaning she sought for, to grasp the answer to
the riddle that puzzled her. As he walked back through the empty town,
back to the work that must be done and the day that must be lived
through, it was all very clear to him, and seemed as inevitable as it
was clear.

It was an end, that was what it was--an utter end.

For if it were anything but an end, he had done wrong. And he had no
hope that he had done wrong. The chilling sense that he knew only too
well the truth and the right of it was on him; and because he had known
them, he was now alone. Would not blindness then have been better?

"No, no; it's best to see," said he.



CHAPTER XXII

OTHER WORLDS


Elisha wore worthily the mantle of Elijah; nay, there were fresh vigour
and a new genius in the management of Muddock and Mead. The turn-over
grew, the percentage of working expenses decreased, the profits swelled;
the branches were reorganised and made thoroughly up to the needs of the
times; the big block in Buckingham Palace Road advanced steadily in
prestige. For all this the small, compact, trim man with the keen
pale-blue eyes had to be thanked. He had found a big place vacant; he
did not hesitate to jump up to it, and behold, he filled it! Moreover he
knew that he filled it; the time of promotion was over, the time of
command was come. His quieter bearing and a self-possession which no
longer betrayed incompleteness by self-assertion marked the change. He
did not now tell people that he made sovereigns while they were making
shillings. He could not give himself grace or charm, he could not help
being still a little hard, rather too brusque and decisive in his ways;
he could not help people guessing pretty accurately what he was and
whence he came; but the rough edges were filed and the sharpest points
rounded. Even Bowdon, who was for a number of reasons most prejudiced,
admitted that it was no longer out of the question to ask him to
dinner.

The business was to be turned into a company; this step was desirable on
many grounds, among them because it pleased Miss Minna Soames. She was
to marry Bob Muddock, now Sir Robert, and although she liked Bob and
Bob's money she did not care much about Bob's shop. Neither did Bob
himself; he did not want to work very hard, now that his father's hand
was over him no more, and he thought that a directorship would both give
him less to do and mitigate a relationship to the shop hitherto too
close for his taste. So the thing was settled, and Bertie Jewett, as
Managing Director, found himself in the position of a despot under forms
of constitutional government. For Bob did as he was told; and given that
a certain event took place, Bertie would control the larger part of the
ordinary shares in virtue of his own holding, his brother-in-law's, and
his wife's. Preference shares only had been offered to the public.

The event would take place. Nobody in the circle of the Muddocks'
acquaintance doubted that now, although perhaps it might not occur very
soon. For it was not the sort of thing which came with a rush; it
depended on no sudden tempest of feeling, it grew gradually into
inevitability. Union of interest, the necessity of constant meetings,
the tendency to lean one on the other, work slowly, but when they have
reached a certain point of advance their power is great. Bertie Jewett
had not spoken of marriage yet and not for some time would he; but he
had already entered the transaction on the credit side of his life's
ledger. Alice knew that he had; she did not run away. Here was proof
enough.

"It's not the least use your saying you hope it won't happen. It will,"
Lady Bowdon remarked to her husband; and he found it impossible to
argue that she was wrong. For there was no force to oppose the force of
habit, of familiarity, of what her family wanted, of what the quiet keen
little man wanted and meant to have. Alice was not likely to fall into a
sudden, new, romantic passion; her temper was not of the kind that
produces such things. She had no other wooers; men felt themselves
warned off. Was she then to live unmarried? This was a very possible end
of the matter, but under the circumstances not the more likely. Then she
would marry Bertie Jewett, unless the past could be undone and Ashley
Mead come again into her heart. But neither was her temper of the sort
that lets the past be undone; the registers of her mind were written in
an ink which did not fade. Besides he had no thought of coming back to
her.

But there was now, after Ora had gone off with her play and her part, a
revival of friendship between them, started by a chance encounter at the
Bowdons' and confirmed by a talk they had together when Ashley called in
Kensington Palace Gardens. He was not insensible, and thought that she
was not, to an element of rather wry comedy which had crept into their
relations. He was sorry for himself, as he had very good grounds for
being; he perceived that she was sorry for herself and, in view of the
dominance and imminence of Bertie Jewett, fully acknowledged the
soundness of her reasons. The comic side of the matter appeared when he
recognised that, side by side with this self-commiseration, there
existed in each of them an even stronger pity for the other, a pity that
could not claim to be altogether free from contempt, since it was
directed towards what each of them had chosen, as well as towards what
had chanced to befall them from outside. They had both been
unfortunate, but there was no need to dwell on that; the more notable
point was that whereas he had chosen to be of Ora Pinsent's party with
all which that implied, she was choosing to be of Bertie Jewett's party
with all which that implied. It was no slur on their own misfortunes
that each would now refuse to take the others place or to come over to
the others faction. The pity then which each had for the other was not
merely for a state of circumstances accidental and susceptible of
change, but for a habit of mind; they pitied one another as types even
while they came again to like one another as individuals. For naturally
they over-ran the mark of truth, he concluding that because she was
drifting towards Bertie she was in all things like Bertie, she that
because he had been carried off his feet by Ora Pinsent he was entirely
such as Ora was. There was certainly something of the comic in this
reciprocity of compassion; it made Ashley smile as he walked beside
Alice in the garden.

"So Bob's going to cut Buckingham Palace Road?" he asked.

"Hardly that. Oh, well, it'll come to something like that. Minna has
aristocratic instincts."

"I remember she had them about the theatre."

"She doesn't like the shop." Alice had been laughing, but grew grave now
as she added, "Do you know, I get to like the shop more and more. I
often go there and look on while they take stock or something of that
kind. One's in touch with a real life there, there's something being
done."

"I suppose there is," he admitted rather reluctantly. "I don't in the
least object to other people doing it. However you said from the
beginning that it wouldn't suit me."

"Yes, I know I did. I think so still." But whether her reasons were
quite the same was more doubtful than ever. "But I'm quite sure it suits
me admirably. I should like really to work at it."

"Sir James always relied on your opinion about it."

"I suppose he wasn't so wrong as he looked," she said with a little
laugh. "It's in our blood, and I seem to have a larger share of it than
Bob. Why should we try to get away from it? It's made us what we are."

"You didn't use to think that quite."

"No, and you didn't use to--"

"Be quite such a fool as I am? No, I don't think I did," said Ashley.
"Still--"

"Still you can't conceive how I can interest myself so much in the
business?"

"Something like that," he admitted. Her phrase went as near to candour
as it was possible for them to go together. They walked on in silence
for a little way, then Ashley smiled and remarked,

"I believe we get a lot of our opinions simply by disliking what we see
of other people's; we select their opposites."

"Reaction?"

"Yes; and then we feed what we've picked up till it grows quite strong."

They fell into silence again. Friendliness could not banish the sense of
distance between them; they could agree, more or less, as to how they
had come to be so far apart, but the understanding brought them no
nearer. Even agreeing to differ is still differing. Both were rather
sad, yet both were smiling faintly, as they walked side by side; it was
very absurd that they had ever thought of being so much to one another.
Yet it was a rather sorrowful thing that in future they were to be so
very little to one another. Beneath their differences they had just
enough of kinship to make them regret that the differences were so
great, and so imperative in the conditions they imposed. A sudden
impulse made Alice turn to him and say,

"I know you think I'm narrow; I hope you don't think I've been unkind or
unfriendly. I did try to put myself in your place as well as I could; I
never thought unkindly about you."

"How were you to put yourself in my place?" he asked, smiling at her. "I
know you tried. But you'd have had to put yourself in somebody else's
place as well."

"I suppose so," said Alice with a shake of her head; she certainly could
not put herself in Ora Pinsent's place.

"After all, people are best in their own places," he went on. He paused
for a moment, and added, "Supposing they can find out where their places
are. You've found yours?"

"Yes," she answered. "Mine is the shop."

He sighed and smiled, lifting his hands. "I wonder where mine is," he
said a moment later. For if his were not the shop, it had not seemed to
be by Ora Pinsent either. "Perhaps I haven't got one," he went on. "And
after all I don't know that I want one. Isn't it possible to keep moving
about, trying one after another, you know?" He spoke lightly, making a
jest of his question; but she had fallen into seriousness.

"What are you going to do?" she asked.

"Work and labour truly to get mine own living. As for the rest, really I
haven't thought about it."

She wanted to ask him whether he still loved Ora Pinsent, whether he
were waiting for her to come back to him, and still made that the great
thing in his life. But she could find no words for these questions and
no right in herself to ask them. The unuttered thoughts served only to
check her sympathy for him; even if he did not look to Ora as the great
thing in his future life, yet she had been so great in his past as to
leave him not caring about the rest. "I'm hard at work, though," he said
an instant after; it sounded as if he were seeking to defend himself.

Alice said something rather commonplace about the advantages of hard
work; Ashley gave it the perfunctory assent it seemed to demand. Then
came silence, and to both of them a sense that there was no more to be
said between them.

In spite of this, perhaps because she would not acknowledge it, Alice
asked him to dinner the next night, to meet the Bowdons and Bertie
Jewett; he accepted with an odd sort of desire to make one of the family
circle once again. His interest was mainly in Bertie; they sat on either
side of Alice. Ashley's contempt for Bertie was now entirely for the
type, and even there not very severe, for power of any kind extorts
respect; it was in the main supplanted by the curiosity with which we
look on people who are doing what we might have done had we so chosen,
or been allowed by nature so to choose. There was a moment's pang when
he perceived that Alice was more at ease and more comfortable in talking
to Bertie; he was resigned to the change, but it was not very pleasant
to look on at it in full operation. Irene, on his other side, allowed
none of its significance to escape him; her glances pointed the moral;
why she did this he could not understand, not tracing how part of her
grudge against Ora attached to the man who had been so near and so much
to Ora, and now recalled her so vividly to memory. Bowdon was polite to
Lady Muddock, but far from gay. Merriment, animation, sallies of wit or
chaff, a certain amount of what a hostile critic might call noisiness,
had become habitual to Ashley in the society which he had recently
frequented; he found himself declaring this little party very dull,
overdone with good sense and sobriety, wanting in irresponsibility of
spirit. He hinted something of this feeling to Irene Bowdon.

"Oh, we don't go in for being brilliant," she said with a double touch
of malice; she meant to hit at Ora and Ora's friends, and also
perversely to include herself in his hinted depreciation of the company;
this she liked to do because the depreciation came, as she knew, from a
recollection of Ora and Ora's sort of society.

"Being brilliant isn't in itself a crime," pleaded Ashley; "even if it
were, it's so rare that there's no need for an exemplary sentence."

"Why don't you talk to Alice?" she whispered.

"She prefers to talk to Mr. Jewett."

"I'm glad it annoys you."

"Are you? I'm rather surprised it does. I don't know why it should, you
see."

Irene turned her shoulder on him with emphasised impatience. What right
had he to find it dull? Did Bowdon also find it dull? Then came the
worst irritation--the admission that it was dull. She turned back to
Ashley with a sudden twist.

"What right have you to expect to be always amused?" she demanded.

"None; but I suppose I may mention it when I'm not," said he.

"Do you know what you remind me of? You'll be angry if I tell you."

"Then I couldn't deprive you of the pleasure of telling me, Lady
Bowdon."

"You're like a drunkard put on lemonade," she said with a vicious little
laugh.

Ashley made no immediate answer; he looked at her with lifted brows;
then he also laughed.

"The metaphor's rather strong," said he, "but--if you like!"

"Well, you're very good-tempered," she conceded with a remorseful
glance. "I should feel better if you'd hit me back."

"I've no weapon."

"Yes, you have." Her tone was marked and significant; he looked straight
and attentively in her face; her eyes were not on his watching face but
on her husband whose head was bent in courteous attention to Lady
Muddock's doubtfully expounded platitudes.

"Look here, do you know anything?" he asked.

"Yes," said she without turning towards him.

He grew surer of his ground and hazarded his shot with confidence.

"About a thousand pounds?"

"Yes."

"Ah, married men, married men! It wasn't his secret. And why in heaven's
name did he tell you?"

"He was right to tell me. I like the truth."

"Oh, don't talk about truth! I'm fresh from a surfeit of it. I shouldn't
have thought it made you any more--" He paused, in difficulty how to say
enough and not too much.

"Any happier to know?"

"Well--if you like," said Ashley, again accepting her phrase.

"No, it doesn't," she said briefly. Then she added, "I promised not to
tell you; don't let him know I have."

"I'll try to prove a better confidant than he is," said Ashley. "And why
did you tell me?"

"You half guessed. I didn't tell. But--don't you think we might
sympathise a little?"

"We'll sympathise all we can," said Ashley with a laugh.

"We might almost all sympathise; she's made a difference to almost all
of us."

"Who has?"

"She--she--she," said Irene Bowdon, as she rose in answer to her
hostess' signal.

"Well, yes, she has," Ashley admitted, as he drew back the chairs. And
while she was still in earshot he added, "But it's all over now."

"Indeed it isn't, it never will be," said Irene over her shoulder, as
she swept away.

"How ready people are with these eternal negatives," he thought as he
sat down to his glass of wine.

Then he fell to speculating why Bowdon had told her about Jack Fenning
and the thousand pounds, and why she had revealed that Bowdon had told
her. To him the second question seemed the more difficult to answer, but
he found an explanation, partly in her desire to defend or apologise for
a certain bitterness towards Ora which she had betrayed, more perhaps in
the simple fact that she was brimming over with the thing and could not
restrain herself in the presence of one to whom her disclosure would be
so interesting and significant. She had been tempted to show him that
she knew more of the situation than he supposed, and must not be treated
as an outsider when Ora and her affairs came up for discussion. Anyhow
there the disclosure was, with its proof that, even although the eternal
negative might be rashly asserted, for the time at all events Ora had
very materially affected other lives than his own.

"Of course I never expected to be where I am; at any rate not till much
later."

Bertie Jewett was talking to Bowdon about his success and his new
position; he talked unaffectedly enough, although perhaps it could
hardly be said that he talked modestly. Perceiving that his remark had
roused Ashley to attention, he went on, "Among other things, I've got to
thank your dislike of a commercial life, Mead. That let me in, you see."

"Come, Ashley," laughed Bowdon, "here's something to your credit!"

"Really the exact train of circumstances that has resulted in putting me
practically at the head of the concern is rather curious to consider,"
pursued Bertie. Bowdon listened with a tolerant, Ashley with a malicious
smile. "It all seemed to be made so easy for me. I had only to wait, and
all the difficulties cleared out of the way. I can talk of it because I
had nothing to do with it, except taking what I was offered, I mean."

"Well, everybody's not equal to that, by any means," said Bowdon. "But
certainly fortune's treated you well."

It was on Ashley's lips to say "You owe it all to Ora Pinsent." But the
thing would have been absurd and quite inadmissible to say. Perhaps it
was also rather absurd to think; he knew the trick he had of magnifying
and extending his own whimsical view of events until it seemed to cover
the whole field. None the less, an intimate knowledge of the
circumstances, of the exact train of circumstances as Bertie put it,
forbade him to rob Miss Pinsent of all credit for the result on which he
and Bowdon were congratulating Mr. Jewett. Why should not poor Ora,
towards whom so many people were bearing a grudge, have gratitude when
she deserved it?

"The fact is," said Bowdon, tugging his moustache, "things happen very
queerly in this world."

"After that startling observation, let's go into the garden and smoke,"
said Ashley, rising with a laugh.

In the garden Ashley talked to Lady Muddock, and had the opportunity of
observing how a seventh heaven of satisfaction might be constructed
without a single scrap of material which seemed to him heavenly. Such a
spectacle should serve as a useful corrective for a judgment of the way
of the world too personal and relative in character; it had on Ashley
the perverse effect of increasing his discontent. If happiness were so
easy a thing and placidity so simply come by, if nothing extraordinary
were needed for them and nothing dazzling essential, why, what fools
were people who went after the extraordinary and the dazzling, and yet
in the end failed completely in their quest! And that you were a fool by
your very nature was no comfort, but rather increased the hopelessness
of the position.

"I can't help thinking how wonderfully everything has happened for the
best," said Lady Muddock, her eyes resting on Alice and Bertie who were
walking side by side, a few paces behind Bowdon and his wife.

"You're rather too optimistic for me," said Ashley with a laugh. "I
think we do the world rough justice if we admit that most things happen
for the second-best."

"We are taught--" Lady Muddock began.

"Yes, but, my dear Lady Muddock, we're most of us shocking bad pupils."

Lady Muddock made a few efforts to convert him to the creed of the best,
in distinction from that of the second-best; but Ashley would not be
persuaded. The idea of the second-best gained on him. What had happened
to the little circle about him was certainly not ideal, yet it was not
calamity; it could hardly claim to be tragedy, yet you were in danger of
being brought up short by some sudden pang if you tried to laugh at it.
It wanted then a formula to express its peculiar variety, its halting
midway between prosperity and misfortune, between what one would have
wished and what one might have had to take. The formula of the
second-best seemed to suit it very well. Even his own individual
position, of which he had not taken a sanguine view, fitted itself into
the formula with just a little pressing and clipping and management. His
life was not ruined; he found himself left with too many interests and
ambitions, with too keen an appreciation of all that was going on about
him, to yield to the hysteria of such a sentimental conclusion; but it
was not, and now would not be, quite what he had once dreamed and even
lately hoped. He took courage and decided that he need not fall below
the formula of the second-best. And what of Ora? Would she also and her
life fit into the formula? She had never fitted into any formula yet;
here lay her charm, the difficulty and the hopelessness of her. But then
the new formula was very elastic. She might find a second-best for
herself, or accept one if it were offered to her.

In the notion that he has learnt or begun to learn the ways of the world
and how to take it there lies a subtle and powerful appeal to a man's
vanity. There is a delicate flavour in the feeling, surpassing the more
obvious delights which may be gained from the proof of intellectual
superiority or the consciousness of personal charm. It is not only that
the idea makes him seem wiser than his fellows, for the conviction of
greater wisdom would not appear to carry much pleasure; it makes him
feel better-tempered, better-mannered, better-bred--if it may so be put,
more of a gentleman. He is no longer one of the pushing jostling throng,
eager to force a way into the front places, to have the best view of the
show or the largest share of the presents which are to be distributed;
he stands on the outskirts in cool leisureliness, smiling rather
superciliously, not exactly happy, but convinced that any effort would
turn his negative condition into a positive discomfort. Or the old
metaphor of the banquet comes back into his mind; when the dish goes
round he does not snatch at it; if it is long in coming, he feels and
betrays no impatience; if it is finished before it reaches him, he waits
for the next course, and meanwhile engages in polite conversation; he
does not call out, nor make gestures, nor abuse the waiters (they are
great folk in disguise). The rest of the company, who do all these
things, commit gross breaches of taste; and although he may go home
hungry he will be fed and warmed by the satisfaction of his graceful
attitude and the glow of his suavity. Of course graceful attitudes are a
little tiring and suavity is always more or less of a mask, but here it
is that good-breeding finds its field and rewards him who displays it
with its peculiar guerdon. Perhaps he would have liked the presents or
the dishes, and he has not got them; but then his coat is not torn, his
shirt is not crumpled, his collar is not limp. The successful betray all
these unbecoming signs of a triumph in reality disgraceful; how have
they the audacity to exhibit themselves red-faced, puffing, perspiring,
hugging their prizes to their breasts and casting round furtive
suspicious glances, fearful that they may still be robbed? Surely the
vulgarity of the means sticks to the end and soils that also?

Here were very ingenious arguments to prove that the second-best was in
a true view the best; so treated and managed, the formula should surely
assume new attractions?

But if a man be very hungry? The argument is not fairly put. He gets
fed, though not on his favourite delicacy. But if he cannot eat rough
fare? Well, in that case, so much the worse for him; he should not have
a dainty stomach.

It is a long way from Kensington Palace Gardens to Charing Cross; there
is time for many philosophical reflexions as a man walks from one to the
other on a fine night. But at the end, when he has arrived, should his
heart beat and his hand dart out eagerly at the sight of an envelope
bearing an American postage stamp? Does such a paradox impugn his
conclusions or merely accuse his weakness? Human nature will crop out,
and hunger is hunger, however it may be caused. Perhaps these
backslidings must be allowed; they come only now and then; they will not
last, will at least come more seldom. The emptiness will not always vent
angry abuse on the good manners which are the cause of it.

The letter was a long one, or looked long because it covered many
pages--it was understamped, a circumstance prettily characteristic--but
Ora wrote large, and there was not really a great deal in it. What there
was was mostly about the play and the part, the flattering reception,
the killing work, the unreasonableness of everybody else. All this was
just Ora, Ora who was neither to be approved of, nor admired, nor
imitated, but who was on no account to be changed. Ashley read with the
same smile which had shewn itself on his face when he commended the
formula of the second-best to Lady Muddock's candid consideration. He
came near the end. Would there be no touch of the other Ora, of his own
special secret Ora, the one he knew and other people did not? There was
hardly a touch; but just on the last page, just before the "yours, Ora,"
there came, "Oh, my dear, if only you were with me! But I seem to have
got into another world. And I'm lonely, Ashley dear."

The great clock down at Westminster struck one, the hum of the town ran
low, the little room was quiet. Perhaps moments like these are not the
fittest for the formula of the second-best. Does it not, after all, need
an audience to smile pleased and appreciative applause of it? Is it as
independent, as grandly independent, as it sounds? Does it comfort a man
when he is quite alone? Is it equal to fighting the contrasts between
what is and what might have been?

"I seem to have got into another world. And I'm lonely, Ashley dear."

Heavens, how many worlds were there, that all his friends should be
getting into others and leaving him alone in his?



CHAPTER XXIII

THE MOST NATURAL THING


By reason of the Government's blunders or of the Opposition's
factiousness--the point awaits the decision of a candid historian in
case he should deem it worth his attention--Parliament had to assemble
in the autumn of this year; the Bowdons were back in town in November,
the Commission met to wind up its work, and Ashley Mead was in dutiful
attendance. Before this Irene had made up her mind that things were
going tolerably, would go better, and in the end would turn out as well
as could reasonably be expected. The recuperative effect of a vagrant
autumn had produced a healthier state of feeling in her. She had begun
to be less fretful about herself, less nervous and inquisitive about her
husband; she had resigned herself to the course of events in a hopeful
temper. Bowdon's bearing towards her was all that she could desire; it
was losing that touch of exaggerated chivalry which had smacked of
apology and remorse; it was assuming the air of a genuine and contented
comradeship. She was inclined to think that their troubles were over. If
one or two other things were over with the troubles, the principle of
compensation must be accepted manfully. After all, love's alternate joy
and woe is not the stuff to make a permanently happy home or the best
setting for a useful public career; on the other hand, these can
co-exist with a few memories of which one does not speak and a cupboard
or two kept carefully locked.

Having brought herself to this point, and feeling both praiseworthy and
sensible in attaining so much, she allowed herself some astonishment at
Ashley Mead, who seemed to have started in an even worse condition and
yet to have achieved so much more. He appeared to have passed a complete
Act of Oblivion for himself, and to have passed it with a rapidity which
(from one or other of the reasons above referred to) would have been
quite impossible to the Legislature. Surely in him, if in anybody, the
period of convalescence should have been long? Resolution is good, so is
resignation, so are common-sense and strength of will; but there is a
decency in things, and to recover too quickly from a folly confirms the
charge of levity and instability incurred by its original commission.
Ashley should not be behaving just for all the world as though nothing
had happened; such conduct was exasperating to persons who had reason to
know and to feel how much really had happened. To be cheerful, to be
gay, to be prospering greatly, to be dining out frequently, to have
suppressed entirely all hint of emotions lately so acute and even
overpowering, was not creditable to him, and cheated his friends of a
singularly interesting subject for observation and comment, as well as
of a sympathetic melancholy to which they had perhaps allowed themselves
to look forward. It was no defence that Irene herself aimed at what he
appeared to have achieved, as at a far-off ideal; she had not been, to
the knowledge of all London, desperately in love with Ora Pinsent; she
had not thrown up brilliant business prospects, lost an admirable match,
and seriously impaired her reputation in the eyes of all respectable
people. Neither had she bribed Jack Fenning to go away at the cost of a
thousand pounds.

"Surely all men aren't like that?" she cried with marked indignation.

She broke out on Ashley once when he came to tea and they chanced to be
alone; he met her in a way which increased her annoyance.

"Well, what has happened after all?" he asked, leaning back in his chair
and smiling at her. "I don't see that anything has. Ora has gone on a
visit to America; from what I hear, a very successful visit. Presently,
I suppose, she'll come back. A visit to America doesn't in these days
mean a final separation from all one holds dear in the old country. I
believe one almost always finds the man who lives next door in London
dining at the same table in New York; then one makes his acquaintance."

"Do you ever hear from her? I never do."

"I hear from her every now and then. Oh, I admit at once what your look
means; yes, not so often as at first." He laughed at the flush of
vexation on Lady Bowdon's face. "I write seldomer too; I can do anything
for a friend except carry on a correspondence."

"I expect every day to hear of Alice Muddock's engagement."

"Do you really think about it every day?" he asked, raising his brows.
"What an eye you keep on your acquaintances!"

Was he genuine? Or was he only perfectly, coolly, securely on his guard?
Irene felt baffled and puzzled; but it was bad enough that he should be
able even to pretend so well to her; pretending that nothing had
happened was not always easy.

"Do you think Ora will come back?" she asked. "If she's successful she
may stay."

"Oh, she'll come," he nodded. "We shall have her back in Chelsea before
six months are out."

"And when she does?"

Irene's curiosity had overcome her, but Ashley laughed again as he
answered, "Ascribe what emotions you like to me, Lady Bowdon; but I
haven't heard that Jack Fenning's health's failing."

There was some pretence about the attitude so puzzling and exasperating
to Irene Bowdon, but more of reality. The passing of the months had
brought a sense of remoteness; it was intensified by a gradual cessation
of the interchange of letters. Ora had told him that she seemed to have
got into another world and was lonely; she was, without doubt, still in
another world; whether still lonely he could not tell. She was in all
senses a long way off; what he had chosen, or at least accepted as the
lesser evil, was happening; she and her life were diverging from him and
his life. He recognised all this very clearly as he ate his chop at the
club that evening. She had found him living one life; she had given him
another while she was with him; she left him a third different from
either of the other two. That evening, whether from some mood of his own
or because of what Irene had said, she seemed irrevocably departed and
separated from him. But even in that hour she was to come back to him so
as to be very near in feeling though still across the seas in fact.

As he turned into his street about ten o'clock and approached the door
of his house, he perceived a man walking slowly up and down, to and fro.
There was something familiar in the figure and the gait; an indecision,
a looseness, a plaintive weakness. Unconsciously Ashley quickened his
step; he had a conviction which seemed absurd and was against all
probability; a moment would prove or disprove its truth. The man came
under the gas lamp, stopped, and looked up at Ashley's windows. His face
was plain to see now. "By God, it is!" whispered Ashley Mead, with a
frown and a smile. A little more slinking, a little more slouching, a
little more altogether destitute of the air which should mark a
self-respecting man, but unchanged save for these intensifications of
his old characteristics, Jack Fenning stood and looked up at the house
whence he had once come out richer by a thousand pounds than when he
went in. He seemed to regard the dingy old walls with a maudlin
affection.

It was a pretty bit of irony that she should come back in this way; that
this aspect of her, this side of her life, should be thrust before
Ashley's eyes when all that he loved of her and longed for was so far
away. Ashley walked up to Jack Fenning with lips set firm in a stiff
smile.

"Well, Mr. Fenning, what brings you here?" he asked. "I've no more
thousands about me, you know."

"I--I thought you might give me a drink for old friendship," said Jack.
"They said you were out, and wouldn't let me sit in your room. So I said
I'd come back; but I've been waiting all the time."

"If you don't mind what the drink's for, I'll give it you. Come along."
He loathed the man, but because the man in a sense belonged to Ora he
would not turn him away; curiosity, too, urged him to find out the
meaning of an appearance so unexpected. With Ora in America, how could
it profit Jack to make a nuisance of himself in England? There was
nothing to be got by that.

When they were upstairs and Jack had been provided with the evidence of
friendship which he desired, Ashley lit his pipe, sat down by the fire,
and studied his companion in silence for a few moments. Jack grew a
little uncomfortable under the scrutiny; he was quite aware that he did
not and could not stand investigation. But Ashley was thinking less of
him than of what he represented. He had been just one of those stupid
wanton obstacles, in themselves so unimportant, which serve to wreck
fair schemes; he seemed to embody the perversity of things, and to make
mean and sordid the fate that he typified.

"What do you want?" Ashley asked suddenly and abruptly. "I've got no
more money for you, you know."

No doubt Jack was accustomed to this style of reception. It did not
prevent him from telling his story. He lugged out a cheap broken-backed
cigar from his breast-pocket and lit it; it increased the feeble
disreputableness of his appearance.

"I'll tell you all about it, Mr. Mead," he said. "It may be worth your
while to listen." But the sudden confidence of these last words died
away quickly. "I hope to God you'll do something for me!" he ended in a
whining voice.

This man was Ora Pinsent's husband.

"Go on," muttered Ashley, his teeth set hard on the stem of his pipe.

The story began, but proceeded very haltingly; Ashley had to draw it out
by questions. The chief point of obscurity was as regards Jack's own
intentions and motives. Why he had come to England remained in
vagueness; Ashley concluded that the memory of the thousand pounds had
drawn him with a subtle retrospective attraction, although reason must
have told him that no second thousand would come. But on the matter of
his grievances and the sad treatment he had suffered from others Jack
was more eloquent and more lucid. Everybody was against him, even his
wife Ora Pinsent, even his own familiar friend Miss Daisy Macpherson.
For Miss Macpherson had deserted him, had gone over to the enemy, had
turned him out, and for lucre's sake had given information to hostile
emissaries. And his wife ("My own wife, Mr. Mead," said Jack mournfully)
was trying to get rid of him for good and all.

Ashley suddenly sat up straight in his seat as the narrative reached
this point.

"To get rid of you? What do you mean?" he asked.

"There's a fellow named Flint--" said Jack between gulps at his liquor.

Of course there was! A fellow who did not despise nosings! That bygone
talk with Babba leapt lifelike to Ashley's mind.

The fellow named Flint, aided by the basest treachery on the part of
Miss Macpherson--why had she not denied all compromising facts?--had
landed Mr. Fenning in his present predicament.

"What in the world is it you mean?" groaned Ashley.

"They've begun divorce proceedings," said Jack, with a desperate pull at
the broken-backed leaky cigar. "My own wife, Mr. Mead."

"Upon my soul, you're a much-wronged man," said Ashley.

In the next few moments he came near to repenting his sarcastic words.
Repentance would indeed have been absurd; but if every one were kicking
the creature it was hard and needless to add another kick. He found some
sorrow and disapprobation for the conduct of Miss Daisy Macpherson; it
was ungrateful in her who had liked to be known as Mrs. Foster in
private life.

"Babba Flint got round your friend, did he?" he asked. "Well, I suppose
you've no defence?"

"I've got no money, Mr. Mead."

"That's the same thing, you know," said Ashley. "Well, what's the
matter? How does it hurt you to be divorced?"

"I never tried to divorce her," moaned Jack.

"Never mind your conduct to your wife; we can leave that out."

"I was very fond of Miss Pinsent; but she was hard to me."

"I've nothing to do with all that. What do you want to resist the
divorce for?" His tone was savage; how dare this creature tell him that
he had been very fond of Ora Pinsent? Must her memory be still more
defiled? Should he always have to think of this man when he thought of
her? Jack shrank lower and lower in his chair under the flash of
severity; his words died away into confused mutterings; he stretched out
his hand towards the whiskey bottle.

"You're half drunk already," said Ashley. Jack looked at him for an
instant with hazy eyes, and then poured out some liquor; Ashley shrugged
his shoulders; his suggested reason had, he perceived, no validity. Jack
drank his draught and leant forward towards his entertainer with a fresh
flicker of boldness.

"I know what their game is, Mr. Mead," he said. "Daisy let it all out
when we had our row."

"Whose game?"

"Why, Ora's, and that damned Flint's, and Hazlewood's."

"Will you oblige me in one point? If you will, you may have some more
whiskey. Tell the story without mentioning Miss Pinsent."

Jack smiled in wavering bewilderment. Why shouldn't he mention Ora? He
took refuge in an indeterminate "They," which might or might not include
his wife.

"They mean to get rid of me, then their way's clear," he said with a
nod.

"Their way to what?"

"To marrying her to Hazlewood," said Jack with a cunning smile. He
waited an instant; his smile grew a little broader; he took another
gulp. "What do you say to that, Mr. Mead?" he asked.

Several moments passed, Jack still wearing his cunning foolish smile,
Ashley smoking steadily. What did he say to that? Babba had offered him
the service of nosings; would he not, in an equally liberal spirit, put
them at the disposal of Mr. Hazlewood? Hazlewood was a good fellow, but
he would not be squeamish about the nosings. So far there was no
improbability. But Ora? Was she party to the scheme? Well, she would
gladly--great heavens, how gladly!--be rid of this creature; and the
other thing would be held in reserve; it would not be pressed on her too
soon. The same mixture of truth and pretence which had marked his talk
with Irene Bowdon displayed itself in his answer to Jack Fenning.

"The most natural thing in the world," he said, with a shrug of his
shoulders.

Jack's face fell, disappointment and dismay were painted on it. His next
remark threw some light on the hopes which had brought him to England.

"I thought you'd be obliged to me for the tip," he said mournfully.

Tips and nosings--nosings and tips!

"Good God, have you any notion at all of the sort of creature you are?"
asked Ashley.

Jack giggled uncomfortably. "We're none of us perfect," he said. "I
don't see that I'm worse than other people." He paused, and added again,
"I thought you'd be obliged to me, Mr. Mead."

Ashley had fallen to thinking; now he asked one question.

"Does Miss Pinsent know you came here before?"

"Daisy gave away the whole thing," murmured Jack forlornly. "All about
my being here and what you did; and Hazlewood saw me here, you know." He
paused again, and resumed, "It's all pretty rough on me; I don't want to
be troublesome, but they ought to do something for me."

"And they wouldn't, so you came to me?"

Jack wriggled about and finished his glass.

"Well, I won't, either," said Ashley.

"I've only got thirty shillings. There's a cousin of mine in Newcastle
who might do something for me if I had a bit of money, but--"

"What have you done with the thousand?"

"Daisy clawed the lot," moaned Mr. Fenning.

It was surely a delusion which made Ashley feel any responsibility for
the man; he had no doubt prevented Jack from rejoining his wife, but no
good could have come of the reunion. Nevertheless, on the off-chance of
there being a moral debt due, he went to the drawer of his writing-table
and took out two bank-notes. It occurred to him that the proceeding was
unfair to the cousin in Newcastle, but in this world somebody must
suffer. He held out the notes to Jack. "Go," he said. Jack's eyes
glistened as he darted out his hand. "Never come back. By heaven, I'll
throw you downstairs if you ever come back."

Jack laughed weakly as he looked at the notes and thrust them into his
pocket. He rose; he could still stand pretty steadily. "You understand?
Never come back or--the stairs!" said Ashley, standing opposite to him
and smiling at him.

"I won't trouble you again, Mr. Mead," Jack assured him.

"It's a case where the trouble would be a pleasure, but don't come all
the same. You'd be a poor sort of man to be hanged for, you know."

Jack laughed more comfortably; he thought that he was establishing
pleasant relations; but he was suddenly relegated to fright and dismay,
for Ashley caught him by the shoulder and marched him quickly to the
door, saying, "Now, get out." Jack glanced round in his face. "All
right, I'm going, I'm going, Mr. Mead," he muttered. "Don't be angry,
I'm going." He darted hastily through the door and stood for one instant
at the top of the stairs, looking back over his shoulder with a scared
expression. Ashley burst into a laugh and slammed the door; the next
moment he heard Jack's shuffling steps going down.

"I must have looked quite melodramatic," he said as he flung himself
down on his sofa. His heart was beating quick and the sweat stood on his
brow. "Good God, what an ass I am!" he thought. "But I only just kept my
hands off the fellow. How infernally absurd!" He got up again, relit his
pipe, and mixed himself some whiskey-and-water. His self-respect
demanded an immediate and resolute return to the plane of civilised
life; an instinct to throw Jack Fenning downstairs, combined with a
lively hope that his neck would be broken, was not civilised.

And was it grateful? His stiff smile came again as he declared that he
ought to consider himself obliged to Jack and that the bank-notes were
no more than a proper acknowledgment of services rendered. Jack's
reappearance and Jack's news gave the fitting and necessary cap to the
situation; they supplied its demands and filled up its deficiencies,
they forbade any foolish attempt to idealise it, or to shut eyes to it,
or to kick against the pricks. He had elected to have nothing to do with
nosings; then he could not look to enjoy the fruits of nosing. The truth
went deeper than that; he had been right in his calm bitter declaration
that the thing of which Jack came to warn him was the most natural thing
in the world. Ora, being in another world and being lonely, turned to
the companionship her new world gave; like sought like. The thing, while
remaining a little difficult to imagine--because alien memories crossed
the mirror and blurred the image--became more and more easy to explain
on the lines of logic, and to justify out of his knowledge of the world,
of women and of men. It was natural, indeed he caught the word
"inevitable" on the tip of his tongue. The whole affair, the entire
course of events since Ora Pinsent had come on the scene, was of a
piece; the same laws ruled, the same tendencies asserted themselves;
against their sway and their force mere inclinations, fancies, emotions,
passions--call them what you would--seemed very weak and transient,
stealing their moment of noisy play, but soon shrinking away beaten
before the steady permanent strength of these opponents. The problem
worked out to its answer, the pieces fitted into the puzzle, until the
whole scheme became plain. As Bowdon to his suitable wife, as Alice
Muddock to her obvious husband, so now Ora Pinsent to the man who was so
much in her life, so much with her, whose lines ran beside her lines,
converging steadily to a certain point of meeting. Yes, so Ora Pinsent
to Sidney Hazlewood. It would be so; memories of days in the country, of
inn parlours, of sweet companionship, could not hinder the end; the laws
and tendencies would have their way. The sheep had tried to make a rush,
to escape to pleasant new browsing-grounds, the dog was on them in an
instant and barked them back to their proper pens again.

"Only I don't seem to have a pen," said Ashley Mead.

When a thing certainly is, it is perhaps waste of time to think whether
it is for the best, and what there may be to be said for and against it.
But the human mind is obstinately plagued with a desire to understand
and appreciate things; it likes to feel justified in taking up an
amiable and acquiescent attitude towards the world in which it finds
itself, it does not love to live in rebellion nor even in a sullen
obedience. Therefore Ashley tried to vindicate the ways of fate and to
declare that the scheme which was working itself out was very good. Even
for himself probably a pen would be indicated presently, and he would
walk into it. On a broader view the pen-system seemed to answer very
well and to produce the sort of moderate happiness for which moderately
sensible beings might reasonably look. That was the proper point of view
from which to regard the matter; anything else led to an uncivilised
desire to throw Jack Fenning downstairs.

Thus Jack Fenning vanished, but in the next day or two there came the
letter from Ora, the letter which was bound to come in view of the new
things she had learnt. Ora was not exactly angry, but she was evidently
puzzled. She gave him thanks for keeping Jack away from her, out of her
sight and her knowledge. "But," she wrote, "I don't understand about
afterwards; because you found out from Mr. Hazlewood things that might
have made, oh, all the difference, if you'd told them to me and if you'd
wanted them to. I don't understand why you didn't tell me; we could have
done what's being done now and I should have got free. Didn't you want
me free? I can't and won't think that you didn't really love me, that
you wouldn't really have liked to have me for your own. But I don't know
what else I can think. It does look like it. I wish I could see you,
Ashley, because I think I might perhaps understand then why you acted as
you did; I'm sure you had a reason, but I can't see what it was. When we
were together, I used to know how you thought and felt about things, and
so perhaps, if we were together now, you could make me understand why
you treated me like this. But we're such a long way off from one
another. Do you remember saying that I should begin to come back as soon
as ever I went away, and that every day would bring me nearer to you
again? It isn't like that; you get farther away. It's not only that I'm
not with you now, but somehow it comes to seem as if I'd never been with
you--not as we really were, so much together. And so I don't know any
more how you feel, and I can't understand how you did nothing after what
you found out from Mr. Hazlewood. Because it really would have made all
the difference. I don't want to reproach you, but I just don't
understand. I shall be travelling about a lot in the next few weeks and
shan't have time to write many letters. Good-bye."

It was what she must think, less by far than she might seem to have
excuse for saying. He had no answer to it, no answer that he could send
to her, no answer that he could carry to her, without adding a sense of
hurt to the bewilderment that she felt. Of course too she forgot how
large a share the play and the part, with all they stood for, had had in
the separation and distance between them which she deplored as so sore a
barrier to understanding. She saw only that there had been means by
which Jack Fenning might have been cleared out of the way, means by
which he was in fact now being cleared out of the way, and that Ashley
had chosen to conceal them from her and not to use them himself. Hence
her puzzled pain, and her feeling that she had lost her hold on him and
her knowledge of his mind. Reading the letter, he could not stifle some
wonder that her failure to understand was so complete. He would not be
disloyal to her; anything that was against her was wrung from him
reluctantly. But had she no shrinking from what was being done, no
repugnance at it, no sense that she was soiled and a sordid tinge given
to her life? No, she had none of these things; she wanted to be free; he
could have freed her and would not; now Sidney Hazlewood and Babba Flint
were setting her at liberty. He was far off, they were near; he was
puzzling, their conduct was intelligible. She felt herself growing more
and more separated from him; was she not growing nearer and nearer to
them? The law ruled and the tendency worked through such incidents as
these; in them they sprang to light and were fully revealed, their
underlying strength became momentarily open and manifest. They would go
on ruling and working, using the puzzle, the wound, the resentment, the
separation, the ever-growing distance, the impossibility of
understanding. These things blotted out memories, so that his very face
would grow blurred for her, the tones of his voice dim and strange, the
touch of his lips alien and forgotten. She would be travelling a lot in
the next few weeks and would not have time to write many letters. He
knew, as he read, that she would write no more letters at all, that this
was the last to come from her to him, the last that would recall the
intimate and sweet companionship whose ending it deplored with poor
pathetic bewilderment. She did not see how they came to be so far apart
and to be drifting farther and farther apart; she saw only the fact. Was
it any easier for him to bear because he seemed to see the reason and
the necessity?

So, "Good-bye," she ended; and it was the end.

He put the letter away in the drawer whence he had taken the bank-notes
for Jack Fenning, drew a chair up to the table and, sitting down, untied
the red tape round a brief which lay there. He began to read but broke
off when he had read a few lines and sat for a moment or two, looking
straight in front of him.

"Yes," he said, "there's an end of that." And he went on with the brief.
It was indeed the most natural thing in the world.



CHAPTER XXIV

"A GOOD SIGHT"


"One unbroken round of triumph from the hour we landed to the hour we
left," said Babba Flint. He was off duty, had dined well, and come on to
Mrs. Pocklington's rather late; although perfectly master of himself, he
was not inclined at this moment to think less well of the world than it
deserved.

"Including the legal proceedings?" asked Irene Bowdon, studying the
figure on her French fan.

"Well, we put them through all right; pretty sharp too." Babba looked at
his companion with a droll air. "Fact is," he continued, "some of us
thought it as well to fix the thing while we were on the other side;
complications might have arisen here, you know."

"Oh, I know what you mean. It's her own look-out; I daresay Mr.
Hazlewood will make a very good husband."

"He won't make much difference except in business matters," observed
Babba composedly. "We all know that well enough." Babba did not seem to
deplore the state of affairs he indicated.

"Does he--the man himself?" Her curiosity was natural enough.

"Lord love you, yes, Lady Bowdon. It's not like the other affair, you
see. That wasn't business; this is." He eyed Irene's face, which was
rather troubled. "Best thing, after all," he added.

"I suppose so," said Irene, looking up with a faint smile.

"Oh, mind you, I'm sorry in a way. But if you won't pay the price, you
don't acquire the article, that's all. I did it for Hazlewood, I'd have
done it for Mead. But if you don't like being in large letters in the
bills and the headlines, and being cross-examined yourself, and having
her cross-examined, and having everybody--"

"In short, if you don't like going through the mud--"

"You've got to stay on the near side of the ditch. Precisely."

Irene sighed. Babba fixed his eye-glass and took a view of the room.

"I'm not Mead's sort," he continued, his eye roving round the while,
"but I know how it struck him. Well, it didn't strike Sidney that way
and I suppose it didn't strike her. Therefore--" He broke off,
conceiving that his meaning was clear enough. "She's coming here
to-night," he went on a moment later.

"And he's here."

"Situation!" murmured Babba, spreading his hands out.

"Oh dear no," said Irene scornfully. "We don't go in for situations in
society, Mr. Flint. Isn't that Alice Muddock over there?"

"It is; and Jewett with her. Still no situation?" He smiled and twisted
the glass more firmly in his eye. As he spoke Ashley Mead came up to
Alice and Bertie, shook hands with both, talked to them for a moment and
then passed on, leaving them alone together. Alice looked after him for
an instant with a faint smile and then turned her face towards her
companion again.

"Your husband here?" asked Babba of Lady Bowdon.

"Yes, my husband's here," answered Irene. She nearly said, "My husband's
here too," but such emphatic strokes were not needed to define a
situation to Babba's professional eye. "He's somewhere in the crowd,"
she added.

"That's all right," said Babba, whether mirthfully or merely cheerfully
Irene could not determine. Her next question seemed to rise to her lips
inevitably:

"And what's become of Mr. Fenning?"

"Nobody knows and nobody cares," said Babba. "He doesn't count any
longer, you see, Lady Bowdon. We've marked Jack Fenning off. Bless you,
I believe Miss Pinsent's forgotten he ever existed!"

"She seems good at forgetting."

"What? Oh, yes, uncommon," agreed Babba rather absently; a pretty girl
had chanced to pass by at the minute.

Irene was inclined to laugh. With all his eye for the situation Babba
reduced it to absolutely nothing but a situation, a group, a _tableau_,
a pose of figures at which you stopped to look for a moment and passed
on, saying that it was very effective, that it carried such and such an
impression, and would hold the house for this or that number of seconds.
It was no use for life to ask Babba to take it with the tragic
seriousness which Irene had at her disposal.

"I wonder if she'll have forgotten me," she said.

"She always remembers when she sees you again," Babba assured her.

"Ought that to be a comfort to me?"

"Well, it would be good enough for me," said Babba, and he began to hum
a tune softly. "After a year, you know, it's something," he broke off to
add.

"Have you really been away a year?"

"Every hour of it, without including the time I was seasick," said Babba
with a retrospective shudder. "Ah, here she comes!" he went on, and
explained the satisfaction which rang in his tones by saying, "I see her
most days, but she's always a good sight, you know."

As Irene watched Ora Pinsent pass up the room responding gaily to a
hundred greetings, it occurred to her that Babba's was perhaps the
truest point of view from which to regard her old acquaintance, her
friend and enemy. In personal intercourse Ora might be unsatisfactory;
perhaps it was not well to let her become too much to you; it was no
doubt imprudent to rely on becoming or remaining very much to her. But
considered as a "good sight," as an embellishment of the room she was
in, of the society that knew and the world that held her, as an increase
of beauty on the earth, as a fountain of gaiety, both as a mirror to
picture and as a magnet to draw forth fine emotions and great passions,
she seemed to justify herself. This was not to call her "nice" in Lady
Muddock's sense; but it was really the way to take her, the only way in
which she would fit into Irene's conception of an ordered universe.
Ashley Mead had not, it seemed, been content to take her like that. Was
the man who walked a few yards behind her, with his tired smile and his
deep wrinkle, his carefully arranged effective hair, and his fifty years
under decent control--was her new husband content to take her like that
and to accept for himself the accidental character which she had the
knack of imparting to her domestic relations? He was more respectable
and more presentable than Jack Fenning. Jack Fenning counted for
nothing now; in truth did Mr. Hazlewood count for much more? Except, of
course, as Babba had observed, in business matters.

Irene looked up with a little start; there had been a movement by her;
she found Babba Flint gone and Ashley Mead in his place. His eyes left
Ora and turned to her.

"Splendid, isn't she?" he said in a spontaneous unintended outburst.

"Yes; but--" Irene's fan moved almost imperceptibly, but its point was
now towards Sidney Hazlewood. "Would you like it?" she asked in a
half-whisper.

Ashley made no answer; his regard was fixed on Ora Pinsent. Ora was in
conversation and did not perceive the pair who watched her so
attentively. They heard her laugh; her face was upturned to the man she
talked to in the old way, with its old suggestion of expecting to be
kissed. Sidney Hazlewood had disappeared into the throng; yes, he seemed
decidedly accidental, as accidental as Jack Fenning himself.

"There's my husband," said Irene, as Bowdon appeared from among the
crowd and went up to Ora.

After a moment he pointed to where they were, and he and Ora came
towards them together.

"Prepare to receive cavalry," said Irene with a nervous little laugh;
the next instant her hands were caught in Ora's outstretched grasp.
"What an age since I've seen you!" Ora cried, and kissed her very
affectionately. She remembered Irene when she saw her again, as Babba
had foretold.

The two women talked, the two men stood by and listened. Ora's greeting
to Ashley had been friendly but quite ordinary; she did not say that it
was an age since she had seen him, but met him as though they had
parted yesterday. The situation seemed to fade away; the sense that
after all nothing had happened recurred to Irene's mind. Sidney
Hazlewood instead of Jack Fenning--that was all! But a passing glance at
Ashley's face changed her mood; the smile with which he regarded Ora was
not the smile he used to have for her. He was admiring still (how should
he not?), but now he was analysing also; he was looking at her from the
outside; he was no longer absorbed in her.

"Oh, my trip all seems like a dream," said Ora. "A lovely dream! You
must come and see the piece when we play it here."

They all declared that they would come and see the play; it and it alone
seemed to represent her trip to Ora's mind; the legal proceedings and
Mr. Hazlewood were not thought of.

"I had lots of fun and no trouble," said Ora.

Ashley Mead gave a sudden short laugh. It made Irene start and she fell
to fingering her fan in some embarrassment; Bowdon's smile also was
uncomfortable. Ora looked at Ashley with an air of surprise.

"He's laughing at me for something," she said to Irene. "I don't know
what. Will you tell me if I come down to supper with you, Ashley?"

She still called him Ashley; Irene was definitely displeased; she
thought the use of his first name decidedly unseemly under the
circumstances.

"I'll try," said Ashley. Ora took his arm and waved a gay adieu. "Come
and see me very soon," she called, and, as she turned away, she shot a
glance at Bowdon. "You come too; you haven't been for--" She paused and
ended with a laugh. "Well, for almost longer than I can remember."

The supper-room was not very full; they got a little table to themselves
and sat down. It was away in a corner: they were in effect alone.

"What were you laughing at? Me?"

"Yes, of course," answered Ashley.

She looked at him with a rather distrustful and inquisitive glance.

"How funnily everything has turned out," she began rather timidly. It
was just as he had expected her to begin.

"Funnily? Oh, I don't see that. I call it all very natural," he said.

"Natural!" Ora repeated, lifting her brows. Ashley nodded, and drank
some champagne.

Ora seemed disappointed to find him taking that view. The expression of
her face set him smiling again.

"I don't think I like you to laugh," she said. "It seems rather unkind,
I think."

He raised his eyes to hers suddenly. "Then I won't laugh," he said, in a
lower tone. "But I wasn't laughing in that way at all, really." He had,
at all events, grown grave now; he pushed his chair a little back and
leant his elbow on the table, resting his head on his hand.

"If I told you all about how it happened--" she began.

"Your letter told me," he interrupted. "I don't want you to tell me
again."

Her eyes grew affectionate. She laid a hand on his arm.

"Was it hard, dear Ashley?" she whispered.

"I knew how it would be from the moment you went away," was his answer.

"Then why did you let me go?" she asked quickly, and, as he fancied,
rather reproachfully. She seemed to snatch at a chance of excusing
herself.

"You wanted to go."

Ora looked a little troubled; she knit her brows and clasped her hands;
she seemed to be turning what he said over in her mind. She did not deny
its truth, but its truth distressed her vaguely.

"It's no use bothering ourselves trying to explain things," Ashley went
on more lightly. "It's all over now, anyhow." He was conscious of the
old weakness--he could not cause her pain. His impulse even now was to
make her think that she had been in all things right.

"Yes." Her dark eyes rested on his face a moment. "You liked it while it
lasted?"

"Very much," he admitted, smiling again for a moment. "But it's over.
I'm sorry it's over, you know."

"Are you, Ashley? Really sorry?" He nodded. "So am I," she said with a
sigh.

He rose to his feet and she followed his example; but she would not let
him take her back to where the people were, but made him sit down in a
recess in the passage outside the drawing-room. She seemed to have
fallen into a pensive mood; he was content to sit by her in silence
until she spoke again.

"Sidney was very kind, and very helpful to me," she said at last. "I got
to like him very much." She was pleading with Ashley in her praise of
Hazlewood.

"Oh, yes, I know," he murmured. "Good heavens, you don't think I'm
blaming you?"

He had said that to her before; she did not accept it so readily now.

"Yes, you are," she said, with a little temper. "You've set me down for
something--as some sort of person. I know you have. You may say that's
not blaming, but it's just as bad."

He was surprised at her penetration.

"I suppose you always felt like that really, down in your heart," she
added thoughtfully. "But you used to like me."

"I should rather think I did," said Ashley.

"You don't now?"

"Yes, I do."

"Not so much? Not in the same way?" A touch of urgency had come into her
tone.

"Should you expect that? And I'm sure you wouldn't wish it."

"Some people go on caring always--whatever happens."

He leant forward towards her and spoke in a low serious voice.

"I shall never be able to think of my life without thinking of you," he
told her. After a pause he added, "That's the truth of it, but I don't
know exactly how much it comes to. A good deal, I expect; more than
generally happens in such cases."

"You'll marry somebody!" The prospect did not seem to please her.

"Very likely," he answered. "What difference does that make? Whatever
happens, you're there. You put yourself there, and you can't take
yourself away again."

"I don't want to," said Ora, with all her old sincerity in the avowal of
her feelings.

"Of course you don't," he said, with a faint smile. She had spoken
seriously, almost pathetically, as though she were asking to be allowed
to stay with him in some such way as he had hinted at; for the first
time he recognised the look of appeal once so familiar. It brought to
him mingled pain and pleasure; it roused a tenderness which made him
anxious above all to say nothing that would hurt her, and to leave her
happy and content with herself when they parted; this also was quite in
the old fashion.

"Why, you'll stand for the best time and the best thing in my life," he
said. "You'll be my holiday, Ora. But we can't have holidays all the
time."

"We had some lovely days together, hadn't we? I'm not sure the first
wasn't best of all. You remember?"

"Oh, yes, I remember."

"You're laughing again." But now Ora laughed a little herself. The cloud
was passing away; she was regaining the serenity of which too much
self-examination had threatened to rob her, and the view of herself as
the passive subject of occurrences at which she, in common with the rest
of the world, was at liberty to sigh or smile in a detached
irresponsibility.

A man passed by and bowed, saying, "How do you do, Mrs. Hazlewood?"

"Isn't that funny?" asked Ora. "Nobody thinks of calling me Mrs.
Hazlewood."

"I certainly shan't think of calling you anything of the kind," said
Ashley.

She laughed, seemed to hesitate a little, but then risked her shot.

"You wouldn't have expected me to be called Mrs. Mead, would you?" she
asked.

"No, I shouldn't," he answered with a smile. The whole case seemed to be
stated in her question. She not only would not have been called, but she
would not really have been, Mrs. Mead--not in any sense which was of
true importance. Neither had she been Mrs. Fenning; neither was she Mrs.
Hazlewood; she was and would remain Ora Pinsent.

"Of course I don't mind it," Ora went on, with a smile whose
graciousness was for both her actual husband in the drawing-room and her
hypothetical husband in the recess. "But somehow it always sounds odd."
She laughed, adding, "I suppose some people would call that odd--your
friend Alice Muddock, for instance."

"I haven't the least doubt that Alice Muddock would call it very odd."

"She never liked me really, you know."

"Well, perhaps she didn't."

"But she did like you, Ashley."

"She certainly doesn't," he said, shrugging his shoulders.

"Oh, you'd never have got on with her," said Ora scornfully. Then she
jumped up suddenly, crying, "There's Babba, I want to speak to him." But
before she went, she said one word more. "You were the truest finest
friend, Ashley. And I wasn't worthy." She looked at him in appeal. "No,
not worthy," she repeated. "I think Alice Muddock's right about me." She
threw out her hands in the saddest little protest, dumbly accusing the
Power that had made her what she was. "I think you could still break my
heart by being unhappy," said Ashley Mead. She gave him a little wistful
smile, shook her head, and walked quickly away. Her voice rose gaily the
next moment, crying, "Babba, Babba!" And that was all Babba's situation
came to.

There was in fact no situation; there was only a state of things; so
Ashley decided as he sat on alone. Perhaps rather a strange state of
things, but certainly no more than that. Her being here in town, liable
to be met, having to be spoken to, being again a presence as well as a
memory--all this made his position different from what it had been while
she was over seas. But stranger still was the knowledge that, however
often she were met and spoken to, the presence would be and would rest
different from the memory. He had recognised the possibility that all
which had come to him in the months of separation would vanish again at
her living touch and that the old feelings would revive in their
imperious exclusive sway. He had known that this might happen; he had
not known whether he hoped or feared its happening; because, if it
happened, there was no telling what else might happen. Now he became
aware that it would not happen, and (perhaps this was strangest of all)
that the insuperable obstacle came from himself and not from her. She
had not ceased, and could not cease, to attract, amuse, and charm, or
even to be the woman with whom out of all women he would best like to
be. But here the power of her presence stopped; it owned limits; it had
not a boundless empire; that belonged now only to the memory of her. It
was then the memory, not the presence, which he would always think of
when he thought of his life, which would be the great thing to him,
which would abide always with him, unchanged, unweakened, unspoilt
either by what she was now or in the future might be. She was beyond her
own power; herself, as she had been to him, she could neither efface nor
mar. He had idealised her; he was rich in the possession of the image
his idealising had made; but the woman before his eyes was different or
seen with different eyes. As this came home to his mind, a sense of
relief rose for a moment in him; he hailed its appearance with
eagerness; but its appearance was brief; it was drowned in a sense of
loss. He was free; that was the undoubted meaning of what he felt; but
he was free at a great cost. It was as though a man got rid of his
fetters by cutting off the limb that carried them.

He strolled back into the drawing-room. The throng had grown thin. Alice
Muddock and Bertie Jewett were gone; Alice had kept out of Ora's way.
Babba Flint was just saying good-bye; the Bowdons, Ora, and Hazlewood
were standing in a group together in the middle of the room. He noticed
that Hazlewood shifted his position a little so as to present a fullback
view. Really Hazlewood need not feel uncomfortable. Hazlewood as an
individual was of such very small importance. However Ashley did not
thrust his presence on him, but went off and talked for a few moments
with his hostess. Meanwhile the group separated; Ora came towards Mrs.
Pocklington, Hazlewood following. Ashley hastily said his own farewell
and sauntered off; Ora waved her hand to him with her lavish freedom and
airy grace of gesture, calling, "Good-night, Ashley!" Hazlewood
exchanged a nod with him; then the pair passed out.

In the hall Bowdon suggested that they should walk a little way
together, the night being fine. Irene knew well why they wanted to walk
together, but got into her carriage without objection; she had no more
to fear from Ora. As for Ashley, so for her Ora's work lay in the past,
not in the present or the future. The difference in her life, as in his,
had been made once and for all; nothing that came now could either
increase it or take it away. Her fears, her jealousy, her grudge, were
for the memory, not for the presence.

The two men who had wanted to talk to one another walked in silence,
side by side. But presently the silence seemed absurd, and they spoke of
trivial matters. Then came silence again.

[Illustration: WALKED IN SILENCE SIDE BY SIDE]

"I mustn't come much further," said Bowdon at last, "or I shan't get
home to-night."

"Oh, come on a little way; it'll do you good," said Ashley.

So they went on a little way. And at last Bowdon spoke.

"She doesn't look a day older," he said.

"Oh, no. She won't look a day older for ever so long."

"And old Hazlewood's just the same, wrinkle and all."

"She won't smooth that away," said Ashley with a laugh.

Bowdon took his arm and they walked on together for a little way
further. Then Bowdon stopped.

"I'm going home," he said, dropping Ashley's arm. "Good-night."

"Good-night," Ashley answered.

But for a moment Bowdon did not go. With a smile at once confidential
and apologetic he put the question which was in his mind: "It's
infernally impertinent of me, but, I say, Ashley, are you still in love
with her?"

Ashley looked him full in the face for a moment, and then gave his
answer. "No, I'm not, but I wish to God I was!" he said.

For in that love his life had done its uttermost; it would do no such
good thing again. He had called Ora's time his holiday time. It was
over. The rare quality of its pleasure he would taste no more. Bowdon
nodded in understanding. "A wonderful creature!" he said, as he turned
away.

A wonderful creature! Or, as Babba Flint had preferred to put it, "A
good sight." Yes, that must be the way to look at her, the right way to
look at her existence, the truth about it. Only when Ashley remembered
that little gesture of dumb protest, the truth seemed rather hard--and
hard not for himself alone. If she sacrificed others, if her nature were
shaped to that, was she not a sacrifice herself--sacrificed that
beautiful things might be set before the eyes and in the hearts of men?
Let judgment then be gentle, and love unashamed.


  PLYMOUTH
  WILLIAM BRENDON AND SON, LIMITED
  PRINTERS



      *      *      *      *      *      *



Transcriber's note:

Minor punctuation errors have been corrected.

oe-ligatures have been replaced with oe.

This text is otherwise as originally published.





*** End of this Doctrine Publishing Corporation Digital Book "A Servant of the Public" ***

Doctrine Publishing Corporation provides digitized public domain materials.
Public domain books belong to the public and we are merely their custodians.
This effort is time consuming and expensive, so in order to keep providing
this resource, we have taken steps to prevent abuse by commercial parties,
including placing technical restrictions on automated querying.

We also ask that you:

+ Make non-commercial use of the files We designed Doctrine Publishing
Corporation's ISYS search for use by individuals, and we request that you
use these files for personal, non-commercial purposes.

+ Refrain from automated querying Do not send automated queries of any sort
to Doctrine Publishing's system: If you are conducting research on machine
translation, optical character recognition or other areas where access to a
large amount of text is helpful, please contact us. We encourage the use of
public domain materials for these purposes and may be able to help.

+ Keep it legal -  Whatever your use, remember that you are responsible for
ensuring that what you are doing is legal. Do not assume that just because
we believe a book is in the public domain for users in the United States,
that the work is also in the public domain for users in other countries.
Whether a book is still in copyright varies from country to country, and we
can't offer guidance on whether any specific use of any specific book is
allowed. Please do not assume that a book's appearance in Doctrine Publishing
ISYS search  means it can be used in any manner anywhere in the world.
Copyright infringement liability can be quite severe.

About ISYS® Search Software
Established in 1988, ISYS Search Software is a global supplier of enterprise
search solutions for business and government.  The company's award-winning
software suite offers a broad range of search, navigation and discovery
solutions for desktop search, intranet search, SharePoint search and embedded
search applications.  ISYS has been deployed by thousands of organizations
operating in a variety of industries, including government, legal, law
enforcement, financial services, healthcare and recruitment.



Home