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Title: A Lear of the Steppes, etc. - A Lear of the Steppes—Faust—Acia
Author: Turgenev, Ivan Sergeevich
Language: English
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Copyright Status: Not copyrighted in the United States. If you live elsewhere check the laws of your country before downloading this ebook. See comments about copyright issues at end of book.

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The Novels of Ivan Turgenev


      *      *      *      *      *      *

               THE NOVELS OF
               IVAN TURGENEV

              I. RUDIN.
             II. A HOUSE OF GENTLEFOLK.
            III. ON THE EVE.
             IV. FATHERS AND CHILDREN.
              V. SMOKE.
      VI. & VII. VIRGIN SOIL. 2 vols.
     VIII. & IX. A SPORTSMAN'S SKETCHES. 2 vols.
              X. DREAM TALES AND PROSE POEMS.
             XI. THE TORRENTS OF SPRING, ETC.
            XII. A LEAR OF THE STEPPES.
           XIII. THE DIARY OF A SUPERFLUOUS MAN, ETC.
            XIV. A DESPERATE CHARACTER, ETC.
             XV. THE JEW, ETC.

       NEW YORK: THE MACMILLAN COMPANY
          LONDON: WILLIAM HEINEMANN

      *      *      *      *      *      *



The Novels of Ivan Turgenev

Illustrated Edition

A LEAR OF THE STEPPES ETC.

Translated from the Russian by Constance Garnett



New York: The Macmillan Company
London: William Heinemann
MCMVI

Printed in England

All rights reserved



INTRODUCTION


I

An examination of _A Lear of the Steppes_ is of especial interest to
authors, as the story is so exquisite in its structure, so overwhelming
in its effects, that it exposes the artificiality of the great majority
of the clever works of art in fiction. _A Lear of the Steppes_ is
great in art because it is a living organic whole, springing from the
deep roots of life itself; and the innumerable works of art that are
fabricated and pasted together from an ingenious plan--works that do
not grow from the inevitability of things--appear at once insignificant
or false in comparison.

In examining the art, the artist will note that Turgenev’s method of
introducing his story is a lesson in sincerity. Harlov, the Lear of
the story, is brought forward with such force on the threshold that
all eyes resting on his figure cannot but follow his after movements.
And absolute conviction gained, all the artist’s artful after-devices
and subtle presentations and side-lights on the story are not apparent
under the straightforward ease and the seeming carelessness with
which the narrator describes his boyish memories. Then, Harlov’s
household, his two daughters, and a crowd of minor characters, are
brought before us as persons in the tragedy, and we see that all these
people are living each from the innate laws of his being, _apparently
independently of the author’s scheme_. This conviction, that the author
has no pre-arranged plan, convinces us that in the story we are living
a piece of life: here we are verily plunging into life itself.

And the story goes on flowing easily and naturally till the people
of the neighbourhood, the peasants, the woods and fields around, are
known by us as intimately as is any neighbourhood in life. Suddenly
a break--the tragedy is upon us. Suddenly the terrific forces that
underlie human life, even the meanest of human lives, burst on us
astonished and breathless, precisely as a tragedy comes up to the
surface and bursts on us in real life: everybody runs about dazed,
annoyed, futile; we watch the other people sustaining their own
individuality inadequately in the face of the monstrous new events
which go their fatal way logically, events which leave the people
huddled and useless and gasping. And destruction having burst out of
life, life slowly returns to its old grooves--with a difference to us,
the difference in the relation of people one to another that a death or
a tragedy always leaves to the survivors. Marvellous in its truth is
Turgenev’s analysis of the situation after Harlov’s death, marvellous
is the simple description of the neighbourhood’s attitude to the Harlov
family, and marvellous is the lifting of the scene on the after-life
of Harlov’s daughters. In the pages (pages 140, 141, 146, 147) on
these women, Turgenev flashes into the reader’s mind an extraordinary
sense of the inevitability of these women’s natures, of their innate
growth fashioning their after-lives as logically as a beech puts out
beech-leaves and an oak oak-leaves. Through Turgenev’s single glimpse
at their fortunes one knows the whole intervening fifteen years; he
has carried us into a new world: yet it is the old world; one needs to
know no more. It is life arbitrary but inevitable, life so clarified by
art that it is absolutely interpreted; but life with all the sense of
mystery that nature breathes around it in its ceaseless growth.


II

This sense of inevitability and of the mystery of life which Turgenev
gives us in _A Lear of the Steppes_ is the highest demand we can make
from art. _Acia_, the last story in the present volume, though it gives
us a sense of mystery, is not inevitable: the end is _faked_ to suit
the artist’s purpose, and thus, as in other ways, it is far inferior
to _Lear_. _Faust_, the second story, has consummate charm in its
strange atmosphere of the supernatural mingling with things earthly,
but it is not, as is _Lear_, life seen from the surface to the revealed
depths; it is a revelation of the strange forces in life, presented
beautifully; but it is rather an idea, a problem to be worked out by
certain characters, than a piece of life inevitable and growing. When
an artist creates in us the sense of inevitability, then his work
is at its highest, and is obeying nature’s law of growth, unfolding
from out itself as inevitably as a tree or a flower or a human being
unfolds from out itself. Turgenev at his highest never quits nature,
yet he always uses the surface, and what is apparent, to disclose her
most secret principles, her deepest potentialities, her inmost laws
of being, and whatever he presents he presents clearly and simply.
This combination of powers marks only the few supreme artists. Even
great masters often fail in perfect _naturalness_: Tolstoi’s _The Death
of Ivan Ilytch_, for example, one of the most powerful stories ever
written, has too little that is typical of the whole of life, too much
that is strained towards the general purpose of the story, to be really
_natural_. Turgenev’s special feat in fiction is that his characters
reveal themselves by the most ordinary details of their every-day life;
and while these details are always giving us the whole life of the
people, and their inner life as well, the novel’s significance is being
built up simply out of these details, built up by the same process,
in fact, as nature creates for us a single strong impression out of a
multitude of little details. The Impressionists, it is true, often give
us amazingly clever pictures of life, seen subtly and drawn naturally;
but, in general, their able pictures of the way men think and act do
not reveal more than the actual thinking and acting that men betray to
one another,--they do not betray the whole significance of their lives
more than does the daily life itself. And so the Impressionists give
pictures of life’s surface, and not interpretations of its eternal
depths: they pass away as portraits of the time, amazingly felicitous
artistic portraits. But Turgenev’s power as a poet comes in, whenever
he draws a commonplace figure, to make it bring with it a sense of the
mystery of its existence. In _Lear_ the steward Kvitsinsky plays a
subsidiary part; he has apparently no significance in the story, and
very little is told about him. But who does not perceive that Turgenev
looks at and presents the figure of this man in a manner totally
different from the way any clever novelist of the second rank would
look at and use him? Kvitsinsky, in Turgenev’s hands, is an individual
with all the individual’s mystery in his glance, his coming and going,
his way of taking things; but he is a part of the household’s breath,
of its very existence; he breathes the atmosphere naturally and creates
an atmosphere of his own. If Hugo had created him he would have been
out of focus immediately; Balzac would have described the household
minutely, and then let Kvitsinsky appear as a separate entity in it;
the Impressionists would sketch him as a living picture, a part of
the household, but he would remain as first created, he would always
repeat the first impression he makes on us, a certain man in a certain
aspect; and they would not give us the steward revealing his character
imperceptibly from day to day in his minute actions, naturally, and
little by little, as this man reveals his.

It is then in his marvellous sense of the growth of life that Turgenev
is superior to most of his rivals. Not only did he observe life
minutely and comprehensively, but he reproduces it as a constantly
growing phenomenon, growing naturally, not accidentally or arbitrarily.
For example, in _A House of Gentlefolk_, take Lavretsky’s and Liza’s
changes of mood when they are falling in love one with another: it is
nature herself in them changing very delicately and insensibly; we
feel that the whole picture is alive, not an effect cut out from life,
and cut off from it at the same time, like a bunch of cut flowers, an
effect which many clever novelists often give us. And in _Lear_ we feel
that the life in Harlov’s village is still going on, growing yonder,
still growing with all its mysterious sameness and changes, when, in
Turgenev’s last words, ‘The story-teller ceased, and we talked a little
longer, and then parted, each to his home.’


III

Turgenev’s sympathy with women and his unequalled power of drawing
them, not merely as they appear to men, but as they appear to each
other, has been dwelt on by many writers. And in truth, of the three
leading qualities into which his artistic powers may be arbitrarily
analysed, the most apparent is precisely that delicate feminine
intuition and sensitive emotional consciousness into all the nuances
of personal relations that women possess in life and are never able
to put into books. This fluid sympathetic perception is instinctive
in Turgenev: it is his temperament to be sympathetic or receptive to
all types, except, perhaps, to purely masculine men of action, whom
he never draws with success. His temperament is bathed in a delicate
emotional atmosphere quivering with light, which discloses all the
infinite riches of the created world, the relation of each character to
its particular universe, and the significance of its human fate. And
this state of soul or flow of mood in Turgenev is creative, as when
music floats from a distance to the listener, immediately the darkening
fields, the rough coarse earth of cheap human life, with all the grind
and petty monotony of existence, melt into harmony, and life is seen
as a mysterious whole, not merely as a puzzling discrepancy of gaps
and contradictions and days of little import. This fluid emotional
consciousness of Turgenev is feminine, inasmuch as it is a receptive,
sympathising, and harmonising attitude; but just where the woman’s
faculty of receptiveness ends, where her perception fails to go beyond
the facts she is alive to, Turgenev’s consciousness flashes out into
the great poet’s creative world, with its immense breadth of vision,
force, and imagination. Thus in laying down _A Lear of the Steppes_
the reader is conscious that he is seeing past the human life of the
tragedy on to the limitless seas of existence beyond,--he is looking
beyond the heads of the moving human figures out on to the infinite
horizon. Just where the woman’s interest would stop and rest satisfied
with the near personal elements in the drama, Turgenev’s constructive
poetic force sees the universal, and in turn interprets these figures
in relation to the far wider field of the race, the age, and makes them
symbolical of the deep forces of all human existence.

And thus Turgenev becomes a creator, originating a world greater than
he received. His creation of Bazarov in _Fathers and Children_ from
a three hours’ accidental meeting with a man while on a journey, is
an extraordinary instance of how unerringly his vision created in
fore-thought a world that was to come. He accepted the man, he was
penetrated with the new and strange conceptions of life offered, and
as a poet he saw in a flash the immense significance to society of
this man’s appearance in the age. He saw a new and formidable type
had arisen in the nation, negating its traditions, its beliefs, its
conceptions; and from this solitary meeting with an individual,
Turgenev laid bare and predicted the progress of the most formidable
social and political movement in modern Russia, predicted it and set it
forth in art, a decade before its birth.


IV

In truth, Turgenev’s art at its highest may well be the despair of
artists who have sufficient insight to understand wherein he excels.
He is rich in all the gifts, so he penetrates into everything; but
it is the perfect harmony existing between his gifts that makes him
see everything in proportion. Thus he never caricatures; he is never
too forcible, and never too clever. He is a great realist, and his
realism carries along with it the natural breath of poetry. His art is
highly complex, but its expression is so pellucid, so simple, that we
can see only its body, never the mechanism of its body. His thought
and his emotion are blended in one; he interprets life, but always
preserves the atmosphere, the glamour, the mystery of the living thing
in his interpretation. His creative world arises spontaneously from his
own depths--the mark of the world’s great masters. Never thinking of
himself, he inspires his readers with a secret delight for the beauty
that he found everywhere in life. And he never shuts his eyes against
the true.

                                                        EDWARD GARNETT.

_October 1898._



CONTENTS


                             PAGE

    A LEAR OF THE STEPPES,      3

    FAUST,                    151

    ACIA,                     227



ILLUSTRATIONS


    SHAKESPEARE,                            _Frontispiece_

    GOETHE,                                 _to face page_ 158

    RAPHAEL’S ‘GALATEA’ IN THE FARNESINO,         ”        252



A LEAR OF THE STEPPES

[Illustration: _Shakespeare_]



A LEAR OF THE STEPPES


We were a party of six, gathered together one winter evening at the
house of an old college friend. The conversation turned on Shakespeare,
on his types, and how profoundly and truly they were taken from the
very heart of humanity. We admired particularly their truth to life,
their actuality. Each of us spoke of the Hamlets, the Othellos, the
Falstaffs, even the Richard the Thirds and Macbeths--the two last only
potentially, it is true, resembling their prototypes--whom he had
happened to come across.

‘And I, gentlemen,’ cried our host, a man well past middle age, ‘used
to know a King Lear!’

‘How was that?’ we questioned him.

‘Oh, would you like me to tell you about him?’

‘Please do.’

And our friend promptly began his narrative.



I


‘All my childhood,’ he began, ‘and early youth, up to the age of
fifteen, I spent in the country, on the estate of my mother, a wealthy
landowner in X---- province. Almost the most vivid impression, that
has remained in my memory of that far-off time, is the figure of
our nearest neighbour, Martin Petrovitch Harlov. Indeed it would be
difficult for such an impression to be obliterated: I never in my
life afterwards met anything in the least like Harlov. Picture to
yourselves a man of gigantic stature. On his huge carcase was set, a
little askew, and without the least trace of a neck, a prodigious head.
A perfect haystack of tangled yellowish-grey hair stood up all over
it, growing almost down to the bushy eyebrows. On the broad expanse
of his purple face, that looked as though it had been peeled, there
protruded a sturdy knobby nose; diminutive little blue eyes stared out
haughtily, and a mouth gaped open that was diminutive too, but crooked,
chapped, and of the same colour as the rest of the face. The voice
that proceeded from this mouth, though hoarse, was exceedingly strong
and resonant.… Its sound recalled the clank of iron bars, carried in a
cart over a badly paved road; and when Harlov spoke, it was as though
some one were shouting in a high wind across a wide ravine. It was
difficult to tell just what Harlov’s face expressed, it was such an
expanse.… One felt one could hardly take it all in at one glance. But
it was not disagreeable--a certain grandeur indeed could be discerned
in it, only it was exceedingly astounding and unusual. And what hands
he had--positive cushions! What fingers, what feet! I remember I could
never gaze without a certain respectful awe at the four-foot span of
Martin Petrovitch’s back, at his shoulders, like millstones. But what
especially struck me was his ears! They were just like great twists of
bread, full of bends and curves; his cheeks seemed to support them on
both sides. Martin Petrovitch used to wear--winter and summer alike--a
Cossack dress of green cloth, girt about with a small Tcherkess strap,
and tarred boots. I never saw a cravat on him; and indeed what could
he have tied a cravat round? He breathed slowly and heavily, like a
bull, but walked without a sound. One might have imagined that having
got into a room, he was in constant fear of upsetting and overturning
everything, and so moved cautiously from place to place, sideways for
the most part, as though slinking by. He was possessed of a strength
truly Herculean, and in consequence enjoyed great renown in the
neighbourhood. Our common people retain to this day their reverence for
Titanic heroes. Legends were invented about him. They used to recount
that he had one day met a bear in the forest and had almost vanquished
him; that having once caught a thief in his beehouse, he had flung him,
horse and cart and all, over the hedge, and so on. Harlov himself never
boasted of his strength. ‘If my right hand is blessed,’ he used to say,
‘so it is God’s will it should be!’ He was proud, only he did not take
pride in his strength, but in his rank, his descent, his common sense.

‘Our family’s descended from the Swede Harlus,’ he used to maintain.
‘In the princely reign of Ivan Vassilievitch the Dark (fancy how long
ago!) he came to Russia, and that Swede Harlus did not wish to be a
Finnish count--but he wished to be a Russian nobleman, and he was
inscribed in the golden book. It’s from him we Harlovs are sprung!… And
by the same token, all of us Harlovs are born flaxen-haired, with light
eyes and clean faces, because we’re children of the snow!’

‘But, Martin Petrovitch,’ I once tried to object, ‘there never was
an Ivan Vassilievitch the Dark. Then was an Ivan Vassilievitch the
Terrible. The Dark was the name given to the great prince Vassily
Vassilievitch.’

‘What nonsense will you talk next!’ Harlov answered serenely; ‘since I
say so, so it was!’

One day my mother took it into her head to commend him to his face for
his really remarkable incorruptibility.

‘Ah, Natalia Nikolaevna!’ he protested almost angrily; ‘what a thing
to praise me for, really! We gentlefolk can’t be otherwise; so that no
churl, no low-born, servile creature dare even imagine evil of us! I am
a Harlov, my family has come down from’--here he pointed up somewhere
very high aloft in the ceiling--‘and me not be honest! How is it
possible?’

Another time a high official, who had come into the neighbourhood
and was staying with my mother, fancied he could make fun of Martin
Petrovitch. The latter had again referred to the Swede Harlus, who came
to Russia.…

‘In the days of King Solomon?’ the official interrupted.

‘No, not of King Solomon, but of the great Prince Ivan Vassilievitch
the Dark.’

‘But I imagine,’ the official pursued, ‘that your family is much more
ancient, and goes back to antediluvian days, when there were still
mastodons and megatheriums about.’

These scientific names were absolutely meaningless to Martin
Petrovitch; but he realised that the dignitary was laughing at him.

‘May be so,’ he boomed, ‘our family is, no doubt, very ancient; in
those days when my ancestor was in Moscow, they do say there was as
great a fool as your excellency living there, and such fools are not
seen twice in a thousand years.’

The high official was in a furious rage, while Harlov threw his head
back, stuck out his chin, snorted and disappeared. Two days later, he
came in again. My mother began reproaching him. ‘It’s a lesson for him,
ma’am,’ interposed Harlov, ‘not to fly off without knowing what he’s
about, to find out whom he has to deal with first. He’s young yet, he
must be taught.’ The dignitary was almost of the same age as Harlov;
but this Titan was in the habit of regarding every one as not fully
grown up. He had the greatest confidence in himself and was afraid of
absolutely no one. ‘Can they do anything to me? Where on earth is the
man that can?’ he would ask, and suddenly he would go off into a short
but deafening guffaw.



II


My mother was exceedingly particular in her choice of acquaintances,
but she made Harlov welcome with special cordiality and allowed him
many privileges. Twenty-five years before, he had saved her life by
holding up her carriage on the edge of a deep precipice, down which
the horses had already fallen. The traces and straps of the harness
broke, but Martin Petrovitch did not let go his hold of the wheel he
had grasped, though the blood spurted out under his nails. My mother
had arranged his marriage. She chose for his wife an orphan girl of
seventeen, who had been brought up in her house; he was over forty at
the time. Martin Petrovitch’s wife was a frail creature--they said he
carried her into his house in the palms of his hands--and she did not
live long with him. She bore him two daughters, however. After her
death, my mother continued her good offices to Martin Petrovitch. She
placed his elder daughter in the district school, and afterwards found
her a husband, and already had another in her eye for the second.
Harlov was a fairly good manager. He had a little estate of nearly
eight hundred acres, and had built on to his place a little, and the
way the peasants obeyed him is indescribable. Owing to his stoutness,
Harlov scarcely ever went anywhere on foot: the earth did not bear
him. He used to go everywhere in a low racing droshky, himself driving
a rawboned mare, thirty years old, with a scar on her shoulder, from
a wound which she had received in the battle of Borodino, under the
quartermaster of a cavalry regiment. This mare was always somehow
lame in all four legs; she could not go at a walking pace, but could
only change from a trot to a canter. She used to eat mugwort and
wormwood along the hedges, which I have never noticed any other
horse do. I remember I always used to wonder how such a broken-down
nag could draw such a fearful weight. I won’t venture to repeat how
many hundred-weight were attributed to our neighbour. In the droshky
behind Martin Petrovitch’s back perched his swarthy page, Maximka.
With his face and whole person squeezed close up to his master, and
his bare feet propped on the hind axle bar of the droshky, he looked
like a little leaf or worm which had clung by chance to the gigantic
carcase before him. This same page boy used once a week to shave Martin
Petrovitch. He used, so they said, to stand on a table to perform this
operation. Some jocose persons averred that he had to run round his
master’s chin. Harlov did not like staying long at home, and so one
might often see him driving about in his invariable equipage, with
the reins in one hand (the other he held smartly on his knee with the
elbow crooked upwards), with a diminutive old cap on the very top of
his head. He looked boldly about him with his little bear-like eyes,
shouted in a voice of thunder to all the peasants, artisans, and
tradespeople he met. Priests he greatly disliked, and he would send
vigorous abjurations after them when he met them. One day on overtaking
me (I was out for a stroll with my gun), he hallooed at a hare that lay
near the road in such a way that I could not get the roar and ring of
it out of my ears all day.



III


My mother, as I have already stated, made Martin Petrovitch very
welcome. She knew what a profound respect he entertained for her
person. ‘She is a real gentlewoman, one of our sort,’ was the way he
used to refer to her. He used to style her his benefactress, while she
saw in him a devoted giant, who would not have hesitated to face a
whole mob of peasants in defence of her; and although no one foresaw
the barest possibility of such a contingency, still, to my mother’s
notions, in the absence of a husband--she had early been left a
widow--such a champion as Martin Petrovitch was not to be despised.
And besides, he was a man of upright character, who curried favour
with no one, never borrowed money or drank spirits; and no fool
either, though he had received no sort of education. My mother trusted
Martin Petrovitch: when she took it into her head to make her will,
she asked him to witness it, and he drove home expressly to fetch his
round iron-rimmed spectacles, without which he could not write. And
with spectacles on nose, he succeeded, in a quarter of an hour, with
many gasps and groans and great effort, in inscribing his Christian
name, father’s name, and surname and his rank and designation, tracing
enormous quadrangular letters, with tails and flourishes. Having
completed this task, he declared he was tired out, and that writing for
him was as hard work as catching fleas. Yes, my mother had a respect
for him … he was not, however, admitted beyond the dining-room in our
house. He carried a very strong odour about with him; there was a
smell of the earth, of decaying forest, of marsh mud about him. ‘He’s
a forest-demon!’ my old nurse would declare. At dinner a special table
used to be laid apart in a corner for Martin Petrovitch, and he was not
offended at that, he knew other people were ill at ease sitting beside
him, and he too had greater freedom in eating. And he did eat too, as
no one, I imagine, has eaten since the days of Polyphemus. At the very
beginning of dinner, by way of a precautionary measure, they always
served him a pot of some four pounds of porridge, ‘else you’d eat me
out of house and home,’ my mother used to say. ‘That I should, ma’am,’
Martin Petrovitch would respond, grinning.

My mother liked to hear his reflections on any topic connected with
the land. But she could not support the sound of his voice for long
together. ‘What’s the meaning of it, my good sir!’ she would exclaim;
‘you might take something to cure yourself of it, really! You simply
deafen me. Such a trumpet-blast!’

‘Natalia Nikolaevna! benefactress!’ Martin Petrovitch would rejoin, as
a rule, ‘I’m not responsible for my throat. And what medicine could
have any effect on me--kindly tell me that? I’d better hold my tongue
for a bit.’

In reality, I imagine, no medicine could have affected Martin
Petrovitch. He was never ill.

He was not good at telling stories, and did not care for it. ‘Much
talking gives me asthma,’ he used to remark reproachfully. It was only
when one got him on to the year 1812--he had served in the militia, and
had received a bronze medal, which he used to wear on festive occasions
attached to a Vladimir ribbon--when one questioned him about the
French, that he would relate some few anecdotes. He used, however, to
maintain stoutly all the while that there never had been any Frenchmen,
real ones, in Russia, only some poor marauders, who had straggled over
from hunger, and that he had given many a good drubbing to such rabble
in the forests.



IV


And yet even this self-confident, unflinching giant had his moments of
melancholy and depression. Without any visible cause he would suddenly
begin to be sad; he would lock himself up alone in his room, and
hum--positively hum--like a whole hive of bees; or he would call his
page Maximka, and tell him to read aloud to him out of the solitary
book which had somehow found its way into his house, an odd volume
of Novikovsky’s _The Worker at Leisure_, or else to sing to him. And
Maximka, who by some strange freak of chance, could spell out print,
syllable by syllable, would set to work with the usual chopping up of
the words and transference of the accent, bawling out phrases of the
following description: ‘but man in his wilfulness draws from this empty
hypothesis, which he applies to the animal kingdom, utterly opposite
conclusions. Every animal separately,’ he says, ‘is not capable of
making me happy!’ and so on. Or he would chant in a shrill little
voice a mournful song, of which nothing could be distinguished but:
‘Ee … eee … ee … a … ee … a … ee … Aaa … ska! O … oo … oo … bee … ee
… ee … ee … la!’ While Martin Petrovitch would shake his head, make
allusions to the mutability of life, how all things turn to ashes,
fade away like grass, pass--and will return no more! A picture had
somehow come into his hands, representing a burning candle, which
the winds, with puffed-out cheeks, were blowing upon from all sides;
below was the inscription: ‘Such is the life of man.’ He was very fond
of this picture; he had hung it up in his own room, but at ordinary,
not melancholy, times he used to keep it turned face to the wall, so
that it might not depress him. Harlov, that colossus, was afraid of
death! To the consolations of religion, to prayer, however, he rarely
had recourse in his fits of melancholy. Even then he chiefly relied
on his own intelligence. He had no particular religious feeling; he
was not often seen in church; he used to say, it is true, that he did
not go on the ground that, owing to his corporeal dimensions, he was
afraid of squeezing other people out. The fit of depression commonly
ended in Martin Petrovitch’s beginning to whistle, and suddenly, in a
voice of thunder, ordering out his droshky, and dashing off about the
neighbourhood, vigorously brandishing his disengaged hand over the
peak of his cap, as though he would say, ‘For all that, I don’t care a
straw!’ He was a regular Russian.



V


Strong men, like Martin Petrovitch, are for the most part of a
phlegmatic disposition; but he, on the contrary, was rather easily
irritated. He was specially short-tempered with a certain Bitchkov,
who had found a refuge in our house, where he occupied a position
between that of a buffoon and a dependant. He was the brother of
Harlov’s deceased wife, had been nicknamed Souvenir as a little boy,
and Souvenir he had remained for every one, even the servants, who
addressed him, it is true, as Souvenir Timofeitch. His real name he
seemed hardly to know himself. He was a pitiful creature, looked
down upon by every one; a toady, in fact. He had no teeth on one
side of his mouth, which gave his little wrinkled face a crooked
appearance. He was in a perpetual fuss and fidget; he used to poke
himself into the maids’ room, or into the counting-house, or into the
priest’s quarters, or else into the bailiff’s hut. He was repelled
from everywhere, but he only shrugged himself up, and screwed up his
little eyes, and laughed a pitiful mawkish laugh, like the sound of
rinsing a bottle. It always seemed to me that had Souvenir had money,
he would have turned into the basest person, unprincipled, spiteful,
even cruel. Poverty kept him within bounds. He was only allowed drink
on holidays. He was decently dressed, by my mother’s orders, since in
the evenings he took a hand in her game of picquet or boston. Souvenir
was constantly repeating, ‘Certainly, d’rectly, d’rectly.’ ‘D’rectly
what?’ my mother would ask, with annoyance. He instantly drew back his
hands, in a scare, and lisped, ‘At your service, ma’am!’ Listening at
doors, backbiting, and, above all, quizzing, teasing, were his sole
interest, and he used to quiz as though he had a right to, as though he
were avenging himself for something. He used to call Martin Petrovitch
brother, and tormented him beyond endurance. ‘What made you kill my
sister, Margarita Timofeevna?’ he used to persist, wriggling about
before him and sniggering. One day Martin Petrovitch was sitting in the
billiard-room, a cool apartment, in which no one had ever seen a single
fly, and which our neighbour, disliking heat and sunshine, greatly
favoured on this account. He was sitting between the wall and the
billiard-table. Souvenir was fidgeting before his bulky person, mocking
him, grimacing.… Martin Petrovitch wanted to get rid of him, and thrust
both hands out in front of him. Luckily for Souvenir he managed to get
away, his brother-in-law’s open hands came into collision with the edge
of the billiard-table, and the billiard-board went flying off all its
six screws.… What a mass of batter Souvenir would have been turned into
under those mighty hands!



VI


I had long been curious to see how Martin Petrovitch arranged his
household, what sort of a home he had. One day I invited myself to
accompany him on horseback as far as Eskovo (that was the name of his
estate). ‘Upon my word, you want to have a look at my dominion,’ was
Martin Petrovitch’s comment. ‘By all means! I’ll show you the garden,
and the house, and the threshing-floor, and everything. I have plenty
of everything.’ We set off. It was reckoned hardly more than a couple
of miles from our place to Eskovo. ‘Here it is--my dominion!’ Martin
Petrovitch roared suddenly, trying to turn his immovable neck, and
waving his arm to right and left. ‘It’s all mine!’ Harlov’s homestead
lay on the top of a sloping hill. At the bottom, a few wretched-looking
peasants’ huts clustered close to a small pond. At the pond, on a
washing platform, an old peasant woman in a check petticoat was beating
some soaked linen with a bat.

‘Axinia!’ boomed Martin Petrovitch, but in such a note that the rooks
flew up in a flock from an oat-field near.… ‘Washing your husband’s
breeches?’

The peasant woman turned at once and bowed very low.

‘Yes, sir,’ sounded her weak voice.

‘Ay, ay! Yonder, look,’ Martin Petrovitch continued, proceeding at a
trot alongside a half-rotting wattle fence, ‘that is my hemp-patch; and
that yonder’s the peasants’; see the difference? And this here is my
garden; the apple-trees I planted, and the willows I planted too. Else
there was no timber of any sort here. Look at that, and learn a lesson!’

We turned into the courtyard, shut in by a fence; right opposite the
gate, rose an old tumbledown lodge, with a thatch roof, and steps up to
it, raised on posts. On one side stood another, rather newer, and with
a tiny attic; but it too was a ramshackly affair. ‘Here you may learn
a lesson again,’ observed Harlov; ‘see what a little manor-house our
fathers lived in; but now see what a mansion I have built myself.’ This
‘mansion’ was like a house of cards. Five or six dogs, one more ragged
and hideous than another, welcomed us with barking. ‘Sheep-dogs!’
observed Martin Petrovitch. ‘Pure-bred Crimeans! Sh, damned brutes!
I’ll come and strangle you one after another!’ On the steps of the new
building, there came out a young man, in a long full nankeen overall,
the husband of Martin Petrovitch’s elder daughter. Skipping quickly up
to the droshky, he respectfully supported his father-in-law under the
elbow as he got up, and even made as though he would hold the gigantic
feet, which the latter, bending his bulky person forward, lifted with a
sweeping movement across the seat; then he assisted me to dismount from
my horse.

‘Anna!’ cried Harlov, ‘Natalia Nikolaevna’s son has come to pay us a
visit; you must find some good cheer for him. But where’s Evlampia?’
(Anna was the name of the elder daughter, Evlampia of the younger.)

‘She’s not at home; she’s gone into the fields to get cornflowers,’
responded Anna, appearing at a little window near the door.

‘Is there any junket?’ queried Harlov.

‘Yes.’

‘And cream too?’

‘Yes.’

‘Well, set them on the table, and I’ll show the young gentleman my own
room meanwhile. This way, please, this way,’ he added, addressing me,
and beckoning with his forefinger. In his own house he treated me less
familiarly; as a host he felt obliged to be more formally respectful.
He led me along a corridor. ‘Here is where I abide,’ he observed,
stepping sideways over the threshold of a wide doorway, ‘this is my
room. Pray walk in!’

His room turned out to be a big unplastered apartment, almost empty;
on the walls, on nails driven in askew, hung two riding-whips, a
three-cornered hat, reddish with wear, a single-barrelled gun, a sabre,
a sort of curious horse-collar inlaid with metal plates, and the
picture representing a burning candle blown on by the winds. In one
corner stood a wooden settle covered with a particoloured rug. Hundreds
of flies swarmed thickly about the ceiling; yet the room was cool. But
there was a very strong smell of that peculiar odour of the forest
which always accompanied Martin Petrovitch.

‘Well, is it a nice room?’ Harlov questioned me.

‘Very nice.’

‘Look-ye, there hangs my Dutch horse-collar,’ Harlov went on, dropping
into his familiar tone again. ‘A splendid horse-collar! got it by
barter off a Jew. Just you look at it!’

‘It’s a good horse-collar.’

‘It’s most practical. And just sniff it … what leather!’ I smelt the
horse-collar. It smelt of rancid oil and nothing else.

‘Now, be seated,--there on the stool; make yourself at home,’ observed
Harlov, while he himself sank on to the settle, and seemed to fall
into a doze, shutting his eyes and even beginning to snore. I gazed
at him without speaking, with ever fresh wonder; he was a perfect
mountain--there was no other word! Suddenly he started.

‘Anna!’ he shouted, while his huge stomach rose and fell like a wave on
the sea; ‘what are you about? Look sharp! Didn’t you hear me?’

‘Everything’s ready, father; come in,’ I heard his daughter’s voice.

I inwardly marvelled at the rapidity with which Martin Petrovitch’s
behests had been carried out; and followed him into the drawing-room,
where, on a table covered with a red cloth with white flowers on
it, lunch was already prepared: junket, cream, wheaten bread, even
powdered sugar and ginger. While I set to work on the junket, Martin
Petrovitch growled affectionately, ‘Eat, my friend, eat, my dear boy;
don’t despise our country cheer,’ and sitting down again in a corner,
again seemed to fall into a doze. Before me, perfectly motionless, with
downcast eyes, stood Anna Martinovna, while I saw through the window
her husband walking my cob up and down the yard, and rubbing the chain
of the snaffle with his own hands.



VII


My mother did not like Harlov’s elder daughter; she called her a
stuck-up thing. Anna Martinovna scarcely ever came to pay us her
respects, and behaved with chilly decorum in my mother’s presence,
though it was by her good offices she had been well educated at a
boarding-school, and had been married, and on her wedding-day had
received a thousand roubles and a yellow Turkish shawl, the latter,
it is true, a trifle the worse for wear. She was a woman of medium
height, thin, very brisk and rapid in her movements, with thick fair
hair and a handsome dark face, on which the pale-blue narrow eyes
showed up in a rather strange but pleasing way. She had a straight
thin nose, her lips were thin too, and her chin was like the loop-end
of a hair-pin. No one looking at her could fail to think: ‘Well, you
are a clever creature--and a spiteful one, too!’ And for all that,
there was something attractive about her too. Even the dark moles,
scattered ‘like buck-wheat’ over her face, suited her and increased
the feeling she inspired. Her hands thrust into her kerchief, she
was slily watching me, looking downwards (I was seated, while she was
standing). A wicked little smile strayed about her lips and her cheeks
and in the shadow of her long eyelashes. ‘Ugh, you pampered little fine
gentleman!’ this smile seemed to express. Every time she drew a breath,
her nostrils slightly distended--this, too, was rather strange. But all
the same, it seemed to me that were Anna Martinovna to love me, or even
to care to kiss me with her thin cruel lips, I should simply bound up
to the ceiling with delight. I knew she was very severe and exacting,
that the peasant women and girls went in terror of her--but what of
that? Anna Martinovna secretly excited my imagination … though after
all, I was only fifteen then,--and at that age!…

Martin Petrovitch roused himself again, ‘Anna!’ he shouted, ‘you ought
to strum something on the pianoforte … young gentlemen are fond of
that.’

I looked round; there was a pitiful semblance of a piano in the room.

‘Yes, father,’ responded Anna Martinovna. ‘Only what am I to play the
young gentleman? He won’t find it interesting.’

‘Why, what did they teach you at your young ladies’ seminary?’

‘I’ve forgotten everything--besides, the notes are broken.’

Anna Martinovna’s voice was very pleasant, resonant and rather
plaintive--like the note of some birds of prey.

‘Very well,’ said Martin Petrovitch, and he lapsed into dreaminess
again. ‘Well,’ he began once more, ‘wouldn’t you like, then, to see
the threshing-floor, and have a look round? Volodka will escort
you.--Hi, Volodka!’ he shouted to his son-in-law, who was still pacing
up and down the yard with my horse, ‘take the young gentleman to the
threshing-floor … and show him my farming generally. But I must have a
nap! So! good-bye!’

He went out and I after him. Anna Martinovna at once set to work
rapidly, and, as it were, angrily, clearing the table. In the doorway,
I turned and bowed to her. But she seemed not to notice my bow, and
only smiled again, more maliciously than before.

I took my horse from Harlov’s son-in-law and led him by the bridle. We
went together to the threshing-floor, but as we discovered nothing very
remarkable about it, and as he could not suppose any great interest in
farming in a young lad like me, we returned through the garden to the
main road.



VIII


I was well acquainted with Harlov’s son-in-law. His name was Vladimir
Vassilievitch Sletkin. He was an orphan, brought up by my mother,
and the son of a petty official, to whom she had intrusted some
business. He had first been placed in the district school, then he had
entered the ‘seignorial counting-house,’ then he had been put into
the service of the government stores, and, finally, married to the
daughter of Martin Petrovitch. My mother used to call him a little
Jew, and certainly, with his curly hair, his black eyes always moist,
like damson jam, his hook nose, and wide red mouth, he did suggest
the Jewish type. But the colour of his skin was white and he was
altogether very good-looking. He was of a most obliging temper, so long
as his personal advantage was not involved. Then he promptly lost all
self-control from greediness, and was moved even to tears. He was ready
to whine the whole day long to gain the paltriest trifle; he would
remind one a hundred times over of a promise, and be hurt and complain
if it were not carried out at once. He liked sauntering about the
fields with a gun; and when he happened to get a hare or a wild duck,
he would thrust his booty into his game-bag with peculiar zest, saying,
‘Now, you may be as tricky as you like, you won’t escape me! Now you’re
_mine_!’

‘You’ve a good horse,’ he began in his lisping voice, as he assisted me
to get into the saddle; ‘I ought to have a horse like that! But where
can I get one? I’ve no such luck. If you’d ask your mamma, now--remind
her.’

‘Why, has she promised you one?’

‘Promised? No; but I thought that in her great kindness----’

‘You should apply to Martin Petrovitch.’

‘To Martin Petrovitch?’ Sletkin repeated, dwelling on each syllable.
‘To him I’m no better than a worthless page, like Maximka. He keeps a
tight hand on us, that he does, and you get nothing from him for all
your toil.’

‘Really?’

‘Yes, by God. He’ll say, “My word’s sacred!”--and there, it’s as though
he’s chopped it off with an axe. You may beg or not, it’s all one.
Besides, Anna Martinovna, my wife, is not in such favour with him as
Evlampia Martinovna. O merciful God, bless us and save us!’ he suddenly
interrupted himself, flinging up his hands in despair. ‘Look! what’s
that? A whole half-rood of oats, our oats, some wretch has gone and
cut. The villain! Just see! Thieves! thieves! It’s a true saying, to
be sure, don’t trust Eskovo, Beskovo, Erino, and Byelino! (these were
the names of four villages near). Ah, ah, what a thing! A rouble and a
half’s worth, or, maybe, two roubles’ loss!’

In Sletkin’s voice, one could almost hear sobs. I gave my horse a poke
in the ribs and rode away from him.

Sletkin’s ejaculations still reached my hearing, when suddenly at a
turn in the road, I came upon the second daughter of Harlov, Evlampia,
who had, in the words of Anna Martinovna, gone into the fields to get
cornflowers. A thick wreath of those flowers was twined about her head.
We exchanged bows in silence. Evlampia, too, was very good-looking;
as much so as her sister, though in a different style. She was tall
and stoutly built; everything about her was on a large scale: her
head, and her feet and hands, and her snow-white teeth, and especially
her eyes, prominent, languishing eyes, of the dark blue of glass
beads. Everything about her, while still beautiful, had positively a
monumental character (she was a true daughter of Martin Petrovitch).
She did not, it seemed, know what to do with her massive fair mane,
and she had twisted it in three plaits round her head. Her mouth was
charming, crimson and fresh as a rose, and as she talked her upper
lip was lifted in the middle in a very fascinating way. But there was
something wild and almost fierce in the glance of her huge eyes. ‘A
free bird, wild Cossack breed,’ so Martin Petrovitch used to speak of
her. I was in awe of her.… This stately beauty reminded one of her
father.

I rode on a little farther and heard her singing in a strong, even,
rather harsh voice, a regular peasant voice; suddenly she ceased.
I looked round and from the crest of the hill saw her standing
beside Harlov’s son-in-law, facing the rood of oats. The latter was
gesticulating and pointing, but she stood without stirring. The sun
lighted up her tall figure, and the wreath of cornflowers shone
brilliantly blue on her head.



IX


I believe I have already mentioned that, for this second daughter of
Harlov’s too, my mother had already prepared a match. This was one of
the poorest of our neighbours, a retired army major, Gavrila Fedulitch
Zhitkov, a man no longer young, and, as he himself expressed it, not
without a certain complacency, however, as though recommending himself,
‘battered and broken down.’ He could barely read and write, and was
exceedingly stupid but secretly aspired to become my mother’s steward,
as he felt himself to be a ‘man of action.’ ‘I can warm the peasant’s
hides for them, if I can do anything,’ he used to say, almost gnashing
his own teeth, ‘because I was used to it,’ he used to explain, ‘in my
former duties, I mean.’ Had Zhitkov been less of a fool, he would have
realised that he had not the slightest chance of being steward to my
mother, seeing that, for that, it would have been necessary to get rid
of the present steward, one Kvitsinsky, a very capable Pole of great
character, in whom my mother had the fullest confidence. Zhitkov
had a long face, like a horse’s; it was all overgrown with hair of
a dusty whitish colour; his cheeks were covered with it right up to
the eyes; and even in the severest frosts, it was sprinkled with an
abundant sweat, like drops of dew. At the sight of my mother, he drew
himself upright as a post, his head positively quivered with zeal, his
huge hands slapped a little against his thighs, and his whole person
seemed to express: ‘Command!… and I will strive my utmost!’ My mother
was under no illusion on the score of his abilities, which did not,
however, hinder her from taking steps to marry him to Evlampia.

‘Only, will you be able to manage her, my good sir?’ she asked him one
day.

Zhitkov smiled complacently.

‘Upon my word, Natalia Nikolaevna! I used to keep a whole regiment in
order; they were tame enough in my hands; and what’s this? A trumpery
business!’

‘A regiment’s one thing, sir, but a well-bred girl, a wife, is a very
different matter,’ my mother observed with displeasure.

‘Upon my word, ma’am! Natalia Nikolaevna!’ Zhitkov cried again, ‘that
we’re quite able to understand. In one word: a young lady, a delicate
person!’

‘Well!’ my mother decided at length, ‘Evlampia won’t let herself be
trampled upon.’



X


One day--it was the month of June, and evening was coming on--a servant
announced the arrival of Martin Petrovitch. My mother was surprised: we
had not seen him for over a week, but he had never visited us so late
before. ‘Something has happened!’ she exclaimed in an undertone. The
face of Martin Petrovitch, when he rolled into the room and at once
sank into a chair near the door, wore such an unusual expression, it
was so preoccupied and positively pale, that my mother involuntarily
repeated her exclamation aloud. Martin Petrovitch fixed his little eyes
upon her, was silent for a space, sighed heavily, was silent again, and
articulated at last that he had come about something … which … was of a
kind, that on account of.…

Muttering these disconnected words, he suddenly got up and went out.

My mother rang, ordered the footman, who appeared, to overtake Martin
Petrovitch at once and bring him back without fail, but the latter had
already had time to get into his droshky and drive away.

Next morning my mother, who was astonished and even alarmed, as much
by Martin Petrovitch’s strange behaviour as by the extraordinary
expression of his face, was on the point of sending a special messenger
to him, when he made his appearance. This time he seemed more composed.

‘Tell me, my good friend, tell me,’ cried my mother, directly she saw
him, ‘what ever has happened to you? I thought yesterday, upon my word
I did.… “Mercy on us!” I thought, “Hasn’t our old friend gone right off
his head?”’

‘I’ve not gone off my head, madam,’ answered Martin Petrovitch; ‘I’m
not that sort of man. But I want to consult with you.’

‘What about?’

‘I’m only in doubt, whether it will be agreeable to you in this same
contingency----’

‘Speak away, speak away, my good sir, but more simply. Don’t alarm
me! What’s this same contingency? Speak more plainly. Or is it your
melancholy come upon you again?’

Harlov scowled. ‘No, it’s not melancholy--that comes upon me in the new
moon; but allow me to ask you, madam, what do you think about death?’

My mother was taken aback. ‘About what?’

‘About death. Can death spare any one whatever in this world?’

‘What have you got in your head, my good friend? Who of us is immortal?
For all you’re born a giant, even to you there’ll be an end in time.’

‘There will! oh, there will!’ Harlov assented and he looked downcast.
‘I’ve had a vision come to me in my dreams,’ he brought out at last.

‘What are you saying?’ my mother interrupted him.

‘A vision in my dreams,’ he repeated--‘I’m a seer of visions, you know!’

‘You!’

‘I. Didn’t you know it?’ Harlov sighed. ‘Well, so.… Over a week ago,
madam, I lay down, on the very last day of eating meat before St.
Peter’s fast-day; I lay down after dinner to rest a bit, well, and so I
fell asleep, and dreamed a raven colt ran into the room to me. And this
colt began sporting about and grinning. Black as a beetle was the raven
colt.’ Harlov ceased.

‘Well?’ said my mother.

‘And all of a sudden this same colt turns round, and gives me a kick
in the left elbow, right in the funny bone.… I waked up; my arm would
not move nor my leg either. Well, thinks I, it’s paralysis; however, I
worked them up and down, and got them to move again; only there were
shooting pains in the joints a long time, and there are still. When I
open my hand, the pains shoot through the joints.’

‘Why, Martin Petrovitch, you must have lain upon your arm somehow and
crushed it.’

‘No, madam; pray, don’t talk like that! It was an intimation …
referring to my death, I mean.’

‘Well, upon my word,’ my mother was beginning.

‘An intimation. Prepare thyself, man, as ’twere to say. And therefore,
madam, here is what I have to announce to you, without a moment’s
delay. Not wishing,’ Harlov suddenly began shouting, ‘that the same
death should come upon me, the servant of God, unawares, I have planned
in my own mind this: to divide--now during my lifetime--my estate
between my two daughters, Anna and Evlampia, according as God Almighty
directs me--’ Martin Petrovitch stopped, groaned, and added, ‘without a
moment’s delay.’

‘Well, that would be a good idea,’ observed my mother; ‘though I think
you have no need to be in a hurry.’

‘And seeing that herein I desire,’ Harlov continued, raising his voice
still higher, ‘to be observant of all due order and legality, so I
humbly beg your young son, Dmitri Semyonovitch--I would not venture,
madam, to trouble you--I beg the said Dmitri Semyonovitch, your son,
and I claim of my kinsman, Bitchkov, as a plain duty, to assist at the
ratification of the formal act and transference of possession to my two
daughters--Anna, married, and Evlampia, spinster. Which act will be
drawn up in readiness the day after to-morrow at twelve o’clock, at my
own place, Eskovo, also called Kozulkino, in the presence of the ruling
authorities and functionaries, who are thereto invited.’

Martin Petrovitch with difficulty reached the end of this speech, which
he had obviously learnt by heart, and which was interspersed with
frequent sighs.… He seemed to have no breath left in his chest; his
pale face was crimson again, and he several times wiped the sweat off
it.

‘So you’ve already composed the deed dividing your property?’ my mother
queried. ‘When did you manage that?’

‘I managed it … oh! Neither eating, nor drinking----’

‘Did you write it yourself?’

‘Volodka … oh! helped.’

‘And have you forwarded a petition?’

‘I have, and the chamber has sanctioned it, and notice has been given
to the district court, and the temporary division of the local court
has … oh!… been notified to be present.’

My mother laughed. ‘I see, Martin Petrovitch, you’ve made every
arrangement already--and how quickly. You’ve not spared money, I should
say?’

‘No, indeed, madam.’

‘Well, well. And you say you want to consult with me. Well, my
little Dmitri can go; and I’ll send Souvenir with him, and speak to
Kvitsinsky.… But you haven’t invited Gavrila Fedulitch?’

‘Gavrila Fedulitch--Mr. Zhitkov--has had notice … from me also. As a
betrothed, it was only fitting.’

Martin Petrovitch had obviously exhausted all the resources of his
eloquence. Besides, it always seemed to me that he did not look
altogether favourably on the match my mother had made for his daughter;
possibly, he had expected a more advantageous marriage for his darling
Evlampia.

He got up from his chair, and made a scrape with his foot. ‘Thank you
for your consent.’

‘Where are you off to?’ asked my mother. ‘Stay a bit; I’ll order some
lunch to be served you.’

‘Much obliged,’ responded Harlov. ‘But I cannot.… Oh! I must get home.’

He backed and was about to move sideways, as his habit was, through the
door.

‘Stop, stop a minute,’ my mother went on, ‘can you possibly mean to
make over the whole of your property without reserve to your daughters?’

‘Certainly, without reserve.’

‘Well, but how about yourself--where are you going to live?’

Harlov positively flung up his hands in amazement. ‘You ask where? In
my house, at home, as I’ve lived hitherto … so henceforward. Whatever
difference could there be?’

‘You have such confidence in your daughters and your son-in-law, then?’

‘Were you pleased to speak of Volodka? A poor stick like him? Why, I
can do as I like with him, whatever it is … what authority has he? As
for them, my daughters, that is, to care for me till I’m in the grave,
to give me meat and drink, and clothe me.… Merciful heavens! it’s their
first duty. I shall not long be an eyesore to them. Death’s not over
the hills--it’s upon my shoulders.’

‘Death is in God’s hands,’ observed my mother; ‘though that is their
duty, to be sure. Only pardon me, Martin Petrovitch; your elder girl,
Anna, is well known to be proud and imperious, and--well--the second
has a fierce look.…’

‘Natalia Nikolaevna!’ Harlov broke in, ‘why do you say that?… Why,
as though they … My daughters … Why, as though I … Forget their duty?
Never in their wildest dreams.… Offer opposition? To whom? Their parent
… Dare to do such a thing? Have they not my curse to fear? They’ve
passed their life long in fear and in submission--and all of a sudden …
Good Lord!’

Harlov choked, there was a rattle in his throat.

‘Very well, very well,’ my mother made haste to soothe him; ‘only I
don’t understand all the same what has put it into your head to divide
the property up now. It would have come to them afterwards, in any
case. I imagine it’s your melancholy that’s at the bottom of it all.’

‘Eh, ma’am,’ Harlov rejoined, not without vexation, ‘you will keep
coming back to that. There is, maybe, a higher power at work in this,
and you talk of melancholy. I thought to do this, madam, because in my
own person, while still in life, I wish to decide in my presence, who
is to possess what, and with what I will reward each, so that they may
possess, and feel thankfulness, and carry out my wishes, and what their
father and benefactor has resolved upon, they may accept as a bountiful
gift.’

Harlov’s voice broke again.

‘Come, that’s enough, that’s enough, my good friend,’ my mother cut him
short; ‘or your raven colt will be putting in an appearance in earnest.’

‘O Natalia Nikolaevna, don’t talk to me of it,’ groaned Harlov. ‘That’s
my death come after me. Forgive my intrusion. And you, my little sir, I
shall have the honour of expecting you the day after to-morrow.’

Martin Petrovitch went out; my mother looked after him, and shook her
head significantly. ‘This is a bad business,’ she murmured, ‘a bad
business. You noticed’--she addressed herself to me--‘he talked, and
all the while seemed blinking, as though the sun were in his eyes;
that’s a bad sign. When a man’s like that, his heart’s sure to be
heavy, and misfortune threatens him. You must go over the day after
to-morrow with Vikenty Osipovitch and Souvenir.’



XI


On the day appointed, our big family coach, with seats for four,
harnessed with six bay horses, and with the head coachman, the
grey-bearded and portly Alexeitch, on the box, rolled smoothly up to
the steps of our house. The importance of the act upon which Harlov
was about to enter, and the solemnity with which he had invited us,
had had their effect on my mother. She had herself given orders for
this extraordinary state equipage to be brought out, and had directed
Souvenir and me to put on our best clothes. She obviously wished to
show respect to her protégé. As for Kvitsinsky, he always wore a
frock-coat and white tie. Souvenir chattered like a magpie all the way,
giggled, wondered whether his brother would apportion him anything, and
thereupon called him a dummy and an old fogey. Kvitsinsky, a man of
severe and bilious temperament, could not put up with it at last ‘What
can induce you,’ he observed, in his distinct Polish accent, ‘to keep
up such a continual unseemly chatter? Can you really be incapable of
sitting quiet without these “wholly superfluous” (his favourite phrase)
inanities?’ ‘All right, d’rectly,’ Souvenir muttered discontentedly,
and he fixed his squinting eyes on the carriage window. A quarter of an
hour had not passed, the smoothly trotting horses had scarcely begun to
get warm under the straps of their new harness, when Harlov’s homestead
came into sight. Through the widely open gate, our coach rolled
into the yard. The diminutive postillion, whose legs hardly reached
half-way down his horses’ body, for the last time leaped up with a
babyish shriek into the soft saddle, old Alexeitch at once spread out
and raised his elbows, a slight ‘wo-o’ was heard, and we stopped.
The dogs did not bark to greet us, and the serf boys, in long smocks
that gaped open over their big stomachs, had all hidden themselves.
Harlov’s son-in-law was awaiting us in the doorway. I remember I was
particularly struck by the birch boughs stuck in on both sides of the
steps, as though it were Trinity Sunday. ‘Grandeur upon grandeur,’
Souvenir, who was the first to alight, squeaked through his nose. And
certainly there was a solemn air about everything. Harlov’s son-in-law
was wearing a plush cravat with a satin bow, and an extraordinarily
tight tail-coat; while Maximka, who popped out behind his back, had
his hair so saturated with kvas, that it positively dripped. We went
into the parlour, and saw Martin Petrovitch towering--yes, positively
towering--motionless, in the middle of the room. I don’t know what
Souvenir’s and Kvitsinsky’s feelings were at the sight of his colossal
figure; but I felt something akin to awe. Martin Petrovitch was attired
in a grey Cossack coat--his militia uniform of 1812 it must have
been--with a black stand-up collar. A bronze medal was to be seen on
his breast, a sabre hung at his side; he laid his left hand on the
hilt, with his right he was leaning on the table, which was covered
with a red cloth. Two sheets of paper, full of writing, lay on the
table. Harlov stood motionless, not even gasping; and what dignity was
expressed in his attitude, what confidence in himself, in his unlimited
and unquestionable power! He barely greeted us with a motion of the
head, and barely articulating ‘Be seated!’ pointed the forefinger of
his left hand in the direction of some chairs set in a row. Against
the right-hand wall of the parlour were standing Harlov’s daughters
wearing their Sunday clothes: Anna, in a shot lilac-green dress, with
a yellow silk sash; Evlampia, in pink, with crimson ribbons. Near them
stood Zhitkov, in a new uniform, with the habitual expression of dull
and greedy expectation in his eyes, and with a greater profusion of
sweat than usual over his hirsute countenance. On the left side of
the room sat the priest, in a threadbare snuff-coloured cassock, an
old man, with rough brown hair. This head of hair, and the dejected
lack-lustre eyes, and the big wrinkled hands, which seemed a burden
even to himself, and lay like two rocks on his knees, and the tarred
boots which peeped out beneath his cassock, all seemed to tell of a
joyless laborious life. His parish was a very poor one. Beside him
was the local police captain, a fattish, palish, dirty-looking little
gentleman, with soft puffy little hands and feet, black eyes, black
short-clipped moustaches, a continual cheerful but yet sickly little
smile on his face. He had the reputation of being a great taker of
bribes, and even a tyrant, as the expression was in those days. But
not only the gentry, even the peasants were used to him, and liked
him. He bent very free and easy and rather ironical looks around
him; it was clear that all this ‘procedure’ amused him. In reality,
the only part that had any interest for him was the light lunch and
spirits in store for us. But the attorney sitting near him, a lean man
with a long face, narrow whiskers from his ears to his nose, as they
were worn in the days of Alexander the First, was absorbed with his
whole soul in Martin Petrovitch’s proceedings, and never took his big
serious eyes off him. In his concentrated attention and sympathy, he
kept moving and twisting his lips, though without opening his mouth.
Souvenir stationed himself next him, and began talking to him in a
whisper, after first informing me that he was the chief freemason in
the province. The temporary division of the local court consists, as
every one knows, of the police captain, the attorney, and the rural
police commissioner; but the latter was either absent or kept himself
in the background, so that I did not notice him. He bore, however, the
nickname ‘the non-existent’ among us in the district, just as there are
tramps called ‘the non-identified.’ I sat next Souvenir, Kvitsinsky
next me. The face of the practical Pole showed unmistakeable annoyance
at our ‘wholly superfluous’ expedition, and unnecessary waste of time.…
‘A grand lady’s caprices! these Russian grandees’ fancies!’ he seemed
to be murmuring to himself.… ‘Ugh, these Russians!’



XII


When we were all seated, Martin Petrovitch hunched his shoulders,
cleared his throat, scanned us all with his bear-like little eyes, and
with a noisy sigh began as follows:

‘Gentlemen, I have called you together for the following purpose. I am
grown old, gentlemen, and overcome by infirmities.… Already I have had
an intimation, the hour of death steals on, like a thief in the night.…
Isn’t that so, father?’ he addressed the priest.

The priest started. ‘Quite so, quite so,’ he mumbled, his beard shaking.

‘And therefore,’ continued Martin Petrovitch, suddenly raising his
voice, ‘not wishing the said death to come upon me unawares, I purposed
…’ Martin Petrovitch proceeded to repeat, word for word, the speech
he had made to my mother two days before. ‘In accordance with this my
determination,’ he shouted louder than ever, ‘this deed’ (he struck his
hand on the papers lying on the table) ‘has been drawn up by me, and
the presiding authorities have been invited by me, and wherein my will
consists the following points will treat. I have ruled, my day is over!’

Martin Petrovitch put his round iron spectacles on his nose, took one
of the written sheets from the table, and began:

‘Deed of partition of the estate of the retired non-commissioned
officer and nobleman, Martin Harlov, drawn up by himself in his full
and right understanding, and by his own good judgment, and wherein is
precisely defined what benefits are assigned to his two daughters, Anna
and Evlampia--bow!’--(they bowed), ‘and in what way the serfs and other
property, and live stock, be apportioned between the said daughters!
Under my hand!’

‘This is their document!’ the police captain whispered to Kvitsinsky,
with his invariable smile, ‘they want to read it for the beauty of
the style, but the legal deed is made out formally, without all these
flourishes.’

Souvenir was beginning to snigger.…

‘In accordance with my will,’ put in Harlov, who had caught the police
captain’s remark.

‘In accordance in every point,’ the latter hastened to respond
cheerfully; ‘only, as you’re aware, Martin Petrovitch, there’s no
dispensing with formality. And unnecessary details have been removed.
For the chamber can’t enter into the question of spotted cows and fancy
drakes.’

‘Come here!’ boomed Harlov to his son-in-law, who had come into the
room behind us, and remained standing with an obsequious air near the
door. He skipped up to his father-in-law at once.

‘There, take it and read! It’s hard for me. Only mind and don’t mumble
it! Let all the gentlemen present be able to understand it.’

Sletkin took the paper in both hands, and began timidly, but
distinctly, and with taste and feeling, to read the deed of partition.
There was set forth in it with the greatest accuracy just what was
assigned to Anna and what to Evlampia, and how the division was to be
made. Harlov from time to time interspersed the reading with phrases.
‘Do you hear, that’s for you, Anna, for your zeal!’ or, ‘That I give
you, Evlampia!’ and both the sisters bowed, Anna from the waist,
Evlampia simply with a motion of the head. Harlov looked at them with
stern dignity. ‘The farm house’ (the little new building) was assigned
by him to Evlampia, as the younger daughter, ‘by the well-known
custom.’ The reader’s voice quivered and resounded at these words,
unfavourable for himself; while Zhitkov licked his lips. Evlampia gave
him a sidelong glance; had I been in Zhitkov’s shoes, I should not
have liked that glance. The scornful expression, characteristic of
Evlampia, as of every genuine Russian beauty, had a peculiar shade at
that moment. For himself, Martin Petrovitch reserved the right to go
on living in the rooms he occupied, and assigned to himself, under the
name of ‘rations,’ a full allowance ‘of normal provisions,’ and ten
roubles a month for clothes. The last phrase of the deed Harlov wished
to read himself. ‘And this my parental will,’ it ran, ‘to carry out
and observe is a sacred and binding duty on my daughters, seeing it is
a command; seeing that I am, after God, their father and head, and am
not bounden to render an account to any, nor have so rendered. And do
they carry out my will, so will my fatherly blessing be with them, but
should they not so do, which God forbid, then will they be overtaken
by my paternal curse that cannot be averted, now and for ever, amen!’
Harlov raised the deed high above his head. Anna at once dropped on
her knees and touched the ground with her forehead; her husband, too,
doubled up after her. ‘Well, and you?’ Harlov turned to Evlampia. She
crimsoned all over, and she too bowed to the earth; Zhitkov bent his
whole carcase forward.

‘Sign!’ cried Harlov, pointing his forefinger to the bottom of the
deed. ‘Here: “I thank and accept, Anna. I thank and accept, Evlampia!”’

Both daughters rose, and signed one after another. Sletkin rose too,
and was feeling after the pen, but Harlov moved him aside, sticking
his middle finger into his cravat, so that he gasped. The silence
lasted a moment. Suddenly Martin Petrovitch gave a sort of sob, and
muttering, ‘Well, now it’s all yours!’ moved away. His daughters and
son-in-law looked at one another, went up to him and began kissing him
just above his elbow. His shoulder they could not reach.



XIII


The police captain read the real formal document, the deed of gift,
drawn up by Martin Petrovitch. Then he went out on to the steps
with the attorney and explained what had taken place to the crowd
assembled at the gates, consisting of the witnesses required by law
and other people from the neighbourhood, Harlov’s peasants, and a few
house-serfs. Then began the ceremony of the new owners entering into
possession. They came out, too, upon the steps, and the police captain
pointed to them when, slightly scowling with one eyebrow, while his
careless face assumed for an instant a threatening air, he exhorted
the crowd to ‘subordination.’ He might well have dispensed with these
exhortations: a less unruly set of countenances than those of the
Harlov peasants, I imagine, have never existed in creation. Clothed
in thin smocks and torn sheepskins, but very tightly girt round their
waists, as is always the peasants’ way on solemn occasions, they
stood motionless as though cut out of stone, and whenever the police
captain uttered any exclamation such as, ‘D’ye hear, you brutes? d’ye
understand, you devils?’ they suddenly bowed all at once, as though at
the word of command. Each of these ‘brutes and devils’ held his cap
tight in both hands, and never took his eyes off the window, where
Martin Petrovitch’s figure was visible. The witnesses themselves were
hardly less awed. ‘Is any impediment known to you,’ the police captain
roared at them, ‘against the entrance into possession of these the sole
and legitimate heirs and daughters of Martin Petrovitch Harlov?’

All the witnesses seemed to huddle together at once.

‘Do you know any, you devils?’ the police captain shouted again.

‘We know nothing, your excellency,’ responded sturdily a little old
man, marked with small-pox, with a clipped beard and whiskers, an old
soldier.

‘I say! Eremeitch’s a bold fellow!’ the witnesses said of him as they
dispersed.

In spite of the police captain’s entreaties, Harlov would not come out
with his daughters on to the steps. ‘My subjects will obey my will
without that!’ he answered. Something like sadness had come over him
on the completion of the conveyance. His face had grown pale. This new
unprecedented expression of sadness looked so out of place on Martin
Petrovitch’s broad and kindly features that I positively was at a
loss what to think. Was an attack of melancholy coming over him? The
peasants, on their side, too, were obviously puzzled. And no wonder!
‘The master’s alive,--there he stands, and such a master, too; Martin
Petrovitch! And all of a sudden he won’t be their owner.… A queer
thing!’ I don’t know whether Harlov had an inkling of the notions
that were straying through his ‘subjects’ heads, or whether he wanted
to display his power for the last time, but he suddenly opened the
little window, stuck his head out, and shouted in a voice of thunder,
‘obedience!’ Then he slammed-to the window. The peasants’ bewilderment
was certainly not dispelled nor decreased by this proceeding. They
became stonier than ever, and even seemed to cease looking at anything.
The group of house-serfs (among them were two sturdy wenches, in short
chintz gowns, with muscles such as one might perhaps match in Michael
Angelo’s ‘Last Judgment,’ and one utterly decrepit old man, hoary with
age and half blind, in a threadbare frieze cloak, rumoured to have been
‘cornet-player’ in the days of Potemkin,--the page Maximka, Harlov had
reserved for himself) this group showed more life than the peasants;
at least, it moved restlessly about. The new mistresses themselves
were very dignified in their attitude, especially Anna. Her thin lips
tightly compressed, she looked obstinately down … her stern figure
augured little good to the house-serfs. Evlampia, too, did not raise
her eyes; only once she turned round and deliberately, as it were
with surprise, scanned her betrothed, Zhitkov, who had thought fit,
following Sletkin, to come out, too, on to the steps. ‘What business
have you here?’ those handsome prominent eyes seemed to demand. Sletkin
was the most changed of all. A bustling cheeriness showed itself in his
whole bearing, as though he were overtaken by hunger; the movements of
his head and his legs were as obsequious as ever, but how gleefully he
kept working his arms, how fussily he twitched his shoulder-blades.
‘Arrived at last!’ he seemed to say. Having finished the ceremony of
the entrance into possession, the police captain, whose mouth was
literally watering at the prospect of lunch, rubbed his hands in that
peculiar manner which usually precedes the tossing-off of the first
glass of spirits. But it appeared that Martin Petrovitch wished first
to have a service performed with sprinklings of holy water. The priest
put on an ancient and decrepit chasuble; a decrepit deacon came out
of the kitchen, with difficulty kindling the incense in an old brazen
church-vessel. The service began. Harlov sighed continually; he was
unable, owing to his corpulence, to bow to the ground, but crossing
himself with his right hand and bending his head, he pointed with the
forefinger of his left hand to the floor. Sletkin positively beamed and
even shed tears. Zhitkov, with dignity, in martial fashion, flourished
his fingers only slightly between the third and fourth button of his
uniform. Kvitsinsky, as a Catholic, remained in the next room. But
the attorney prayed so fervently, sighed so sympathetically after
Martin Petrovitch, and so persistently muttered and chewed his lips,
turning his eyes upwards, that I felt moved, as I looked at him, and
began to pray fervently too. At the conclusion of the service and the
sprinkling with holy water, during which every one present, even the
blind cornet-player, the contemporary of Potemkin, even Kvitsinsky,
moistened their eyes with holy water, Anna and Evlampia once more, at
Martin Petrovitch’s bidding, prostrated themselves to the ground to
thank him. Then at last came the moment of lunch. There were a great
many dishes and all very nice; we all ate terribly much. The inevitable
bottle of Don wine made its appearance. The police captain, who was of
all of us the most familiar with the usages of the world, and besides,
the representative of government, was the first to propose the toast
to the health ‘of the fair proprietresses!’ Then he proposed we should
drink to the health of our most honoured and most generous-hearted
friend, Martin Petrovitch. At the words ‘most generous-hearted,’
Sletkin uttered a shrill little cry and ran to kiss his benefactor.…
‘There, that’ll do, that’ll do,’ muttered Harlov, as it were with
annoyance, keeping him off with his elbow.… But at this point a not
quite pleasant, as they say, incident took place.



XIV


Souvenir, who had been drinking continuously ever since the beginning
of luncheon, suddenly got up from his chair as red as a beetroot, and
pointing his finger at Martin Petrovitch, went off into his mawkish,
paltry laugh.

‘Generous-hearted! Generous-hearted!’ he began croaking; ‘but we
shall see whether this generosity will be much to his taste when he’s
stripped naked, the servant of God … and out in the snow, too!’

‘What rot are you talking, fool?’ said Harlov contemptuously.

‘Fool! fool!’ repeated Souvenir. ‘God Almighty alone knows which of us
is the real fool. But you, brother, did my sister, your wife, to her
death, and now you’ve done for yourself … ha-ha-ha!’

‘How dare you insult our honoured benefactor?’ Sletkin began shrilly,
and, tearing himself away from Martin Petrovitch, whose shoulder he had
clutched, he flew at Souvenir. ‘But let me tell you, if our benefactor
desires it, we can cancel the deed this very minute!’

‘And yet, you’ll strip him naked, and turn him out into the snow …’
returned Souvenir, retreating behind Kvitsinsky.

‘Silence!’ thundered Harlov. ‘I’ll pound you into a jelly! And you hold
your tongue too, puppy!’ he turned to Sletkin; ‘don’t put in your word
where you’re not wanted! If I, Martin Petrovitch Harlov, have decided
to make a deed of partition, who can cancel the same act against my
will? Why, in the whole world there is no power.…’

‘Martin Petrovitch!’ the attorney began in a mellow bass--he too had
drunk a good deal, but his dignity was only increased thereby--‘but how
if the gentleman has spoken the truth? You have done a generous action;
to be sure, but how if--God forbid--in reality in place of fitting
gratitude, some affront come of it?’

I stole a glance at both Martin Petrovitch’s daughters. Anna’s eyes
were simply pinned upon the speaker, and a face more spiteful, more
snake-like, and more beautiful in its very spite I had certainly never
seen! Evlampia sat turned away, with her arms folded. A smile more
scornful than ever curved her full, rosy lips.

Harlov got up from his chair, opened his mouth, but apparently his
tongue failed him.… He suddenly brought his fist down on the table, so
that everything in the room danced and rang.

‘Father,’ Anna said hurriedly, ‘they do not know us, and that is why
they judge of us so. But don’t, please, make yourself ill. You are
angered for nothing, indeed; see, your face is, as it were, twisted
awry.’

Harlov looked towards Evlampia; she did not stir, though Zhitkov,
sitting beside her, gave her a poke in the side.

‘Thank you, my daughter Anna,’ said Harlov huskily; ‘you are a sensible
girl; I rely upon you and on your husband too.’ Sletkin once more gave
vent to a shrill little sound; Zhitkov expanded his chest and gave a
little scrape with his foot; but Harlov did not observe his efforts.
‘This dolt,’ he went on, with a motion of his chin in the direction of
Souvenir, ‘is pleased to get a chance to teaze me; but you, my dear
sir,’ he addressed himself to the attorney, ‘it is not for you to pass
judgment on Martin Harlov; that is something beyond you. Though you are
a man in official position, your words are most foolish. Besides, the
deed is done, there will be no going back from my determination.… Now,
I will wish you good-day, I am going away. I am no longer the master of
this house, but a guest in it. Anna, do you do your best; but I will go
to my own room. Enough!’

Martin Petrovitch turned his back on us, and, without adding another
word, walked deliberately out of the room.

This sudden withdrawal on the part of our host could not but break
up the party, especially as the two hostesses also vanished not long
after. Sletkin vainly tried to keep us. The police captain did not fail
to blame the attorney for his uncalled-for candour. ‘Couldn’t help it!’
the latter responded.… ‘My conscience spoke.’

‘There, you see that he’s a mason,’ Souvenir whispered to me.

‘Conscience!’ retorted the police captain. ‘We know all about your
conscience! I suppose it’s in your pocket, just the same as it is with
us sinners!’

The priest, meanwhile, even though already on his feet, foreseeing the
speedy termination of the repast, lifted mouthful after mouthful to his
mouth without a pause.

‘You’ve got a fine appetite, I see,’ Sletkin observed to him sharply.

‘Storing up for the future,’ the priest responded with a meek grimace;
years of hunger were expressed in that reply.

The carriages rattled up … and we separated. On the way home, no
one hindered Souvenir’s chatter and silly tricks, as Kvitsinsky
had announced that he was sick of all this ‘wholly superfluous’
unpleasantness, and had set off home before us on foot. In his place,
Zhitkov took a seat in our coach. The retired major wore a most
dissatisfied expression, and kept twitching his moustaches like a
spider.

‘Well, your noble Excellency,’ lisped Souvenir, ‘is subordination
exploded, eh? Wait a bit and see what will happen! They’ll give you the
sack too. Ah, a poor bridegroom you are, a poor bridegroom, an unlucky
bridegroom!’

Souvenir was positively beside himself; while poor Zhitkov could do
nothing but twitch his moustaches.

When I got home I told my mother all I had seen. She heard me to the
end, and shook her head several times. ‘It’s a bad business,’ was her
comment. ‘I don’t like all these innovations!’



XV


Next day Martin Petrovitch came to dinner. My mother congratulated him
on the successful conclusion of his project. ‘You are now a free man,’
she said, ‘and ought to feel more at ease.’

‘More at ease, to be sure, madam,’ answered Martin Petrovitch, by no
means, however, showing in the expression of his face that he really
was more at ease. ‘Now I can meditate upon my soul, and make ready for
my last hour, as I ought.’

‘Well,’ queried my mother, ‘and do the shooting pains still tingle in
your arms?’

Harlov twice clenched and unclenched his left arm. ‘They do, madam; and
I’ve something else to tell you. As I begin to drop asleep, some one
cries in my head, “Take care!” “Take care!”’

‘That’s nerves,’ observed my mother, and she began speaking of the
previous day, and referred to certain circumstances which had attended
the completion of the deed of partition.…

‘To be sure, to be sure,’ Harlov interrupted her, ‘there was something
of the sort … of no consequence. Only there’s something I would
tell you,’ he added, hesitating--‘I was not disturbed yesterday by
Souvenir’s silly words--even Mr. Attorney, though he’s no fool--even he
did not trouble me; no, it was quite another person disturbed me----’
Here Harlov faltered.

‘Who?’ asked my mother.

Harlov fastened his eyes upon her: ‘Evlampia!’

‘Evlampia? Your daughter? How was that?’

‘Upon my word, madam, she was like a stone! nothing but a statue! Can
it be she has no feeling? Her sister, Anna--well, she was all she
should be. She’s a keen-witted creature! But Evlampia--why, I’d shown
her--I must own--so much partiality! Can it be she’s no feeling for
me! It’s clear I’m in a bad way; it’s clear I’ve a feeling that I’m
not long for this world, since I make over everything to them; and yet
she’s like a stone! she might at least utter a sound! Bows--yes, she
bows, but there’s no thankfulness to be seen.’

‘There, give over,’ observed my mother, ‘we’ll marry her to Gavrila
Fedulitch … she’ll soon get softer in his hands.’

Martin Petrovitch once more looked from under his brows at my mother.
‘Well, there’s Gavrila Fedulitch, to be sure! You have confidence in
him, then, madam?’

‘I’ve confidence in him.’

‘Very well; you should know best, to be sure. But Evlampia, let me
tell you, is like me. The character is just the same. She has the wild
Cossack blood, and her heart’s like a burning coal!’

‘Why, do you mean to tell me you’ve a heart like that, my dear sir?’

Harlov made no answer. A brief silence followed.

‘What are you going to do, Martin Petrovitch,’ my mother began, ‘in
what way do you mean to set about saving your soul now? Will you set
off to Mitrophan or to Kiev, or may be you’ll go to the Optin desert,
as it’s in the neighbourhood? There, they do say, there’s a holy monk
appeared … Father Makary they call him, no one remembers any one like
him! He sees right through all sins.’

‘If she really turns out an ungrateful daughter,’ Harlov enunciated in
a husky voice, ‘then it would be better for me, I believe, to kill her
with my own hands!’

‘What are you saying! Lord, have mercy on you!’ cried my mother.
‘Think what you’re saying! There, see, what a pretty pass it’s come to.
You should have listened to me the other day when you came to consult
me! Now, here, you’ll go tormenting yourself, instead of thinking of
your soul! You’ll be tormenting yourself, and all to no purpose! Yes!
Here you’re complaining now, and faint-hearted.…’

This reproach seemed to stab Harlov to the heart. All his old pride
came back to him with a rush. He shook himself, and thrust out his
chin. ‘I am not a man, madam, Natalia Nikolaevna, to complain or be
faint-hearted,’ he began sullenly. ‘I simply wished to reveal my
feelings to you as my benefactress and a person I respect. But the Lord
God knows (here he raised his hand high above his head) that this globe
of earth may crumble to pieces before I will go back from my word, or …
(here he positively snorted) show a faint heart, or regret what I have
done! I had good reasons, be sure! My daughters will never forget their
duty, for ever and ever, amen!’

My mother stopped her ears. ‘What’s this for, my good sir, like a
trumpet-blast! If you really have such faith in your family, well,
praise the Lord for it! You’ve quite put my brains in a whirl!’

Martin Petrovitch begged pardon, sighed twice, and was silent. My
mother once more referred to Kiev, the Optin desert, and Father
Makary.… Harlov assented, said that ‘he must … he must … he would have
to … his soul …’ and that was all. He did not regain his cheerfulness
before he went away. From time to time he clenched and unclenched
his fist, looked at his open hand, said that what he feared above
everything was dying without repentance, from a stroke, and that he had
made a vow to himself not to get angry, as anger vitiated his blood and
drove it to his head.… Besides, he had now withdrawn from everything.
What grounds could he have for getting angry? Let other people trouble
themselves now and vitiate their blood!

As he took leave of my mother he looked at her in a strange way,
mournfully and questioningly … and suddenly, with a rapid movement,
drew out of his pocket the volume of _The Worker’s Leisure-Hour_, and
thrust it into my mother’s hand.

‘What’s that?’ she inquired.

‘Read … here,’ he said hurriedly, ‘where the corner’s turned down,
about death. It seems to me, it’s terribly well said, but I can’t make
it out at all. Can’t you explain it to me, my benefactress? I’ll come
back again and you explain it me.’

With these words Martin Petrovitch went away.

‘He’s in a bad way, he’s in a bad way,’ observed my mother, directly
he had disappeared through the doorway, and she set to work upon the
_Leisure-Hour_. On the page turned down by Harlov were the following
words:

‘Death is a grand and solemn work of nature. It is nothing else than
that the spirit, inasmuch as it is lighter, finer, and infinitely more
penetrating than those elements under whose sway it has been subject,
nay, even than the force of electricity itself, so is chemically
purified and striveth upward till what time it attaineth an equally
spiritual abiding-place for itself …’ and so on.

My mother read this passage through twice, and exclaiming, ‘Pooh!’ she
flung the book away.

Three days later, she received the news that her sister’s husband was
dead, and set off to her sister’s country-seat, taking me with her. My
mother proposed to spend a month with her, but she stayed on till late
in the autumn, and it was only at the end of September that we returned
to our own estate.



XVI


The first news with which my valet, Prokofy, greeted me (he regarded
himself as the seignorial huntsman) was that there was an immense
number of wild snipe on the wing, and that in the birch-copse near
Eskovo (Harlov’s property), especially, they were simply swarming. I
had three hours before me till dinner-time. I promptly seized my gun
and my game-bag, and with Prokofy and a setter-dog, hastened to the
Eskovo copse. We certainly did find a great many wild snipe there,
and, firing about thirty charges, killed five. As I hurried homewards
with my booty, I saw a peasant ploughing near the roadside. His horse
had stopped, and with tearful and angry abuse he was mercilessly
tugging with the cord reins at the animal’s head, which was bent on
one side. I looked attentively at the luckless beast, whose ribs were
all but through its skin, and, bathed in sweat, heaved up and down
with convulsive, irregular movements like a blacksmith’s bellows. I
recognised it at once as the decrepit old mare, with the scar on her
shoulder, who had served Martin Petrovitch so many years.

‘Is Mr. Harlov living?’ I asked Prokofy. The chase had so completely
absorbed us, that up to that instant we had not talked of anything.

‘Yes, he’s alive. Why?’

‘But that’s his mare, isn’t it? Do you mean to say he’s sold her?’

‘His mare it is, to be sure; but as to selling, he never sold her. But
they took her away from him, and handed her over to that peasant.’

‘How, took it? And he consented?’

‘They never asked his consent. Things have changed here in your
absence,’ Prokofy observed. With a faint smile in response to my look
of amazement; ‘worse luck! My goodness, yes! Now Sletkin’s master, and
orders every one about.’

‘But Martin Petrovitch?’

‘Why, Martin Petrovitch has become the very last person here, you may
say. He’s on bread and water,--what more can one say? They’ve crushed
him altogether. Mark my words; they’ll drive him out of the house.’

The idea that it was possible to _drive_ such a giant had never entered
my head. ‘And what does Zhitkov say to it?’ I asked at last. ‘I suppose
he’s married to the second daughter?’

‘Married?’ repeated Prokofy, and this time he grinned all over his
face. ‘They won’t let him into the house. “We don’t want you,” they
say; “get along home with you.” It’s as I said; Sletkin directs every
one.’

‘But what does the young lady say?’

‘Evlampia Martinovna? Ah, master, I could tell you … but you’re
young--one must think of that. Things are going on here that are … oh!…
oh!… oh! Hey! why Dianka’s setting, I do believe!’

My dog actually had stopped short, before a thick oak bush which
bordered a narrow ravine by the roadside. Prokofy and I ran up to the
dog; a snipe flew up out of the bush, we both fired at it and missed;
the snipe settled in another place; we followed it.

The soup was already on the table when I got back. My mother scolded
me. ‘What’s the meaning of it?’ she said with displeasure; ‘the very
first day, and you keep us waiting for dinner.’ I brought her the wild
snipe I had killed; she did not even look at them. There were also
in the room Souvenir, Kvitsinsky, and Zhitkov. The retired major was
huddled in a corner, for all the world like a schoolboy in disgrace.
His face wore an expression of mingled confusion and annoyance; his
eyes were red.… One might positively have imagined he had recently been
in tears. My mother remained in an ill humour. I was at no great pains
to surmise that my late arrival did not count for much in it. During
dinner-time she hardly talked at all. The major turned beseeching
glances upon her from time to time, but ate a good dinner nevertheless.
Souvenir was all of a shake. Kvitsinsky preserved his habitual
self-confidence of demeanour.

‘Vikenty Osipitch,’ my mother addressed him, ‘I beg you to send a
carriage to-morrow for Martin Petrovitch, since it has come to my
knowledge that he has none of his own. And bid them tell him to come
without fail, that I desire to see him.’

Kvitsinsky was about to make some rejoinder, but he restrained himself.

‘And let Sletkin know,’ continued my mother, ‘that I command him to
present himself before me.… Do you hear? I com … mand!’

‘Yes, just so … that scoundrel ought----’ Zhitkov was beginning in a
subdued voice; but my mother gave him such a contemptuous look, that he
promptly turned away and was silent.

‘Do you hear? I command!’ repeated my mother.

‘Certainly, madam,’ Kvitsinsky replied submissively but with dignity.

‘Martin Petrovitch won’t come!’ Souvenir whispered to me, as he came
out of the dining-room with me after dinner. ‘You should just see
what’s happened to him! It’s past comprehension! It’s come to this,
that whatever they say to him, he doesn’t understand a word! Yes!
They’ve got the snake under the pitch-fork!’

And Souvenir went off into his revolting laugh.



XVII


Souvenir’s prediction turned out correct. Martin Petrovitch would not
come to my mother. She was not at all pleased with this, and despatched
a letter to him. He sent her a square bit of paper, on which the
following words were written in big letters: ‘Indeed I can’t. I should
die of shame. Let me go to my ruin. Thanks. Don’t torture me.--Martin
Harlov.’ Sletkin did come, but not on the day on which my mother had
‘commanded’ his attendance, but twenty-four hours later. My mother
gave orders that he should be shown into her boudoir.… God knows what
their interview was about, but it did not last long; a quarter of an
hour, not more. Sletkin came out of my mother’s room, crimson all over,
and with such a viciously spiteful and insolent expression of face,
that, meeting him in the drawing-room, I was simply petrified, while
Souvenir, who was hanging about there, stopped short in the middle of
a snigger. My mother came out of her boudoir, also very red in the
face, and announced, in the hearing of all, that Mr. Sletkin was never,
upon any pretext, to be admitted to her presence again, and that if
Martin Petrovitch’s daughters were to make bold--they’ve impudence
enough, said she--to present themselves, they, too, were to be refused
admittance. At dinner-time she suddenly exclaimed, ‘The vile little
Jew! I picked him out of the gutter, I made him a career, he owes
everything, everything to me,--and he dares to tell me I’ve no business
to meddle in their affairs! that Martin Petrovitch is full of whims and
fancies, and it’s impossible to humour him! Humour him, indeed! What a
thing to say! Ah, he’s an ungrateful wretch! An insolent little Jew!’

Major Zhitkov, who happened to be one of the company at dinner,
imagined that now it was no less than the will of the Almighty for him
to seize the opportunity and put in his word … but my mother promptly
settled him. ‘Well, and you’re a fine one, too, my man!’ she commented.
‘Couldn’t get the upper hand of a girl, and he an officer! In command
of a squadron! I can fancy how it obeyed you! He take a steward’s place
indeed! a fine steward he’d make!’

Kvitsinsky, who was sitting at the end of the table, smiled to himself
a little malignantly, while poor Zhitkov could do nothing but twitch
his moustaches, lift his eyebrows, and bury the whole of his hirsute
countenance in his napkin.

After dinner, he went out on to the steps to smoke his pipe as usual,
and he struck me as so miserable and forlorn, that, although I had
never liked him, I joined myself on to him at once.

‘How was it, Gavrila Fedulitch,’ I began without further beating about
the bush, ‘that your affair with Evlampia Martinovna was broken off?
I’d expected you to be married long ago.’

The retired major looked at me dejectedly.

‘A snake in the grass,’ he began, uttering each letter of each
syllable with bitter distinctness, ‘has poisoned me with his fang, and
turned all my hopes in life to ashes. And I could tell you, Dmitri
Semyonovitch, all his hellish wiles, but I’m afraid of angering your
mamma.’ (‘You’re young yet’--Prokofy’s expression flashed across my
mind.) ‘Even as it is’----Zhitkov groaned.

‘Patience … patience … nothing else is left me. (He struck his fist
upon his chest.) Patience, old soldier, patience. I served the Tsar
faithfully … honourably … yes. I spared neither blood nor sweat, and
now see what I am brought to. Had it been in the regiment--and the
matter depending upon me,’ he continued after a short silence, spent
in convulsively sucking at his cherrywood pipe, ‘I’d have … I’d have
given it him with the flat side of my sword … three times over … till
he’d had enough.…’

Zhitkov took the pipe out of his mouth, and fixed his eyes on vacancy,
as though admiring the picture he had conjured up.

Souvenir ran up, and began quizzing the major. I turned away from them,
and determined, come what may, I would see Martin Petrovitch with my
own eyes.… My boyish curiosity was greatly stirred.



XVIII


Next day I set out with my gun and dog, but without Prokofy, to the
Eskovo copse. It was an exquisite day; I fancy there are no days like
that in September anywhere but in Russia. The stillness was such that
one could hear, a hundred paces off, the squirrel hopping over the dry
leaves, and the broken twig just feebly catching at the other branches,
and falling, at last, on the soft grass--to lie there for ever, not to
stir again till it rotted away. The air, neither warm nor chill, but
only fragrant, and as it were keen, was faintly, deliciously stinging
in my eyes and on my cheeks. A long spider-web, delicate as a silken
thread, with a white ball in the middle, floated smoothly in the
air, and sticking to the butt-end of my gun, stretched straight out
in the air--a sign of settled and warm weather. The sun shone with a
brightness as soft as moonlight. Wild snipe were to be met with pretty
often; but I did not pay special attention to them. I knew that the
copse went on almost to Harlov’s homestead, right up to the hedge of
his garden, and I turned my steps in that direction, though I could
not even imagine how I should get into the place itself, and was even
doubtful whether I ought to try to do so, as my mother was so angry
with its new owners. Sounds of life and humanity reached me from no
great distance. I listened.… Some one was coming through the copse …
straight towards me.

‘You should have said so straight out, dear,’ I heard a woman’s voice.

‘Be reasonable,’ another voice broke in, the voice of a man. ‘Can one
do it all at once?’

I knew the voices. There was the gleam of a woman’s blue gown through
the reddening nut bushes. Beside it stood a dark full coat. Another
instant--and there stepped out into the glade, five paces from me,
Sletkin and Evlampia.

They were disconcerted at once. Evlampia promptly stepped back, away
into the bushes. Sletkin thought a little, and came up to me. There was
not a trace to be seen in his face of the obsequious meekness, with
which he had paced up and down Harlov’s courtyard, four months before,
rubbing up my horse’s snaffle. But neither could I perceive in it the
insolent defiance, which had so struck me on the previous day, on the
threshold of my mother’s boudoir. It was still as white and pretty as
ever, but seemed broader and more solid.

‘Well, have you shot many snipe?’ he asked me, raising his cap,
smiling, and passing his hand over his black curls; ‘you are shooting
in our copse.… You are very welcome. We would not hinder you.… Quite
the contrary.’

‘I have killed nothing to-day,’ I rejoined, answering his first
question; ‘and I will go out of your copse this instant.’

Sletkin hurriedly put on his cap. ‘Indeed, why so? We would not drive
you out--indeed, we’re delighted.… Here’s Evlampia Martinovna will
say the same. Evlampia Martinovna, come here. Where have you hidden
yourself?’ Evlampia’s head appeared behind the bushes. But she did not
come up to us. She had grown prettier, and seemed taller and bigger
than ever.

‘I’m very glad, to tell the truth,’ Sletkin went on, ‘that I have
met you. Though you are still young in years, you have plenty of
good sense already. Your mother was pleased to be very angry with me
yesterday--she would not listen to reason of any sort from me, but I
declare, as before God, so before you now, I am not to blame in any
way. We can’t treat Martin Petrovitch otherwise than we do; he’s fallen
into complete dotage. One can’t humour all his whims, really. But we
show him all due respect. Only ask Evlampia Martinovna.’

Evlampia did not stir; her habitual scornful smile flickered about her
lips, and her large eyes watched us with no friendly expression.

‘But why, Vladimir Vassilievitch, have you sold Martin Petrovitch’s
mare?’ (I was particularly impressed by that mare being in the
possession of a peasant.)

‘His mare, why did we sell it? Why, Lord have mercy on us--what use
was she? She was simply eating her head off. But with the peasant she
can work at the plough anyway. As for Martin Petrovitch, if he takes a
fancy to drive out anywhere, he’s only to ask us. We wouldn’t refuse
him a conveyance. On a holiday, we should be pleased.’

‘Vladimir Vassilievitch,’ said Evlampia huskily, as though calling him
away, and she still did not stir from her place. She was twisting some
stalks of ripple grass round her fingers and snapping off their heads,
slapping them against each other.

‘About the page Maximka again,’ Sletkin went on, ‘Martin Petrovitch
complains because we’ve taken him away and apprenticed him. But kindly
consider the matter for yourself. Why, what had he to do waiting on
Martin Petrovitch? Kick up his heels; nothing more. And he couldn’t
even wait on him properly; on account of his stupidity and his youth.
Now we have sent him away to a harness-maker’s. He’ll be turned into a
first-rate handicraftsman--and make a good thing of it for himself--and
pay us ransom-money too. And, living in a small way as we do, that’s a
matter of importance. On a little farm like ours, one can’t afford to
let anything slip.’

‘And this is the man Martin Petrovitch called a “poor stick,”’ I
thought. ‘But who reads to Martin Petrovitch now?’ I asked.

‘Why, what is there to read? He had one book--but, luckily, that’s been
mislaid somewhere.… And what use is reading at his age.’

‘And who shaves him?’ I asked again.

Sletkin gave an approving laugh, as though in response to an amusing
joke. ‘Why, nobody. At first he used to singe his beard in the
candle--but now he lets it be altogether. And it’s lovely!’

‘Vladimir Vassilievitch!’ Evlampia repeated insistently: ‘Vladimir
Vassilievitch!’

Sletkin made her a sign with his hand.

‘Martin Petrovitch is clothed and cared for, and eats what we do. What
more does he want? He declared himself that he wanted nothing more in
this world but to think of his soul. If only he would realise that
everything now, however you look at it, is ours. He says too that we
don’t pay him his allowance. But we’ve not always got money ourselves;
and what does he want with it, when he has everything provided him?
And we treat him as one of the family too. I’m telling you the truth.
The rooms, for instance, which he occupies--how we need them! there’s
simply not room to turn round without them; but we don’t say a word--we
put up with it. We even think how to provide amusement for him. There,
on St. Peter’s Day, I bought him some excellent hooks in the town--real
English ones, expensive hooks, to catch fish. There are lots of carp in
our pond. Let him sit and fish; in an hour or two, there’d be a nice
little fish soup provided. The most suitable occupation for old men.’

‘Vladimir Vassilitch!’ Evlampia called for the third time in an
incisive tone, and she flung far away from her the grass she had been
twisting in her fingers, ‘I am going!’ Her eyes met mine. ‘I am going,
Vladimir Vassilievitch!’ she repeated, and vanished behind a bush.

‘I’m coming, Evlampia Martinovna, directly!’ shouted Sletkin. ‘Martin
Petrovitch himself agrees with us now,’ he went on, turning again to
me. ‘At first he was offended, certainly, and even grumbled, until,
you know, he realised; he was, you remember, a hot-tempered violent
man--more’s the pity! but there, he’s grown quite meek now. Because
he sees his own interest. Your mamma--mercy on us! how she pitched
into me!… To be sure: she’s a lady that sets as much store by her own
authority as Martin Petrovitch used to do. But you come in and see for
yourself. And you might put in a word when there’s an opportunity. I
feel Natalia Nikolaevna’s bounty to me deeply. But we’ve got to live
too.’

‘And how was it Zhitkov was refused?’ I asked.

‘Fedulitch? That dolt?’ Sletkin shrugged his shoulders. ‘Why, upon
my word, what use could he have been? His whole life spent among
soldiers--and now he has a fancy to take up farming. He can keep the
peasants up to the mark, says he, because he’s been used to knocking
men about. He can do nothing; even knocking men about wants some sense.
Evlampia Martinovna refused him herself. He was a quite unsuitable
person. All our farming would have gone to ruin with him!’

‘Coo--y!’ sounded Evlampia’s musical voice.

‘Coming! coming!’ Sletkin called back. He held out his hand to me.
Though unwillingly, I took it.

‘I beg to take leave, Dmitri Semyonovitch,’ said Sletkin, showing all
his white teeth. ‘Shoot wild snipe as much as you like. It’s wild game,
belonging to no one. But if you come across a hare--you spare it; that
game is ours. Oh, and something else! won’t you be having pups from
your bitch? I should be obliged for one!’

‘Coo--y!’ Evlampia’s voice rang out again.

‘Coo--y!’ Sletkin responded, and rushed into the bushes.



XIX


I remember, when I was left alone, I was absorbed in wondering how it
was Harlov had not pounded Sletkin ‘into a jelly,’ as he said, and
how it was Sletkin had not been afraid of such a fate. It was clear
Martin Petrovitch really had grown ‘meek,’ I thought, and I had a
still stronger desire to make my way into Eskovo, and get at least a
glance at that colossus, whom I could never picture to myself subdued
and tractable. I had reached the edge of the copse, when suddenly a
big snipe, with a great rush of wings, darted up at my very feet, and
flew off into the depths of the wood. I took aim; my gun missed fire.
I was greatly annoyed; it had been such a fine bird, and I made up
my mind to try if I couldn’t make it rise a second time. I set off
in the direction of its flight, and going some two hundred paces off
into the wood I caught sight--in a little glade, under an overhanging
birch-tree--not of the snipe, but of the same Sletkin once more. He was
lying on his back, with both hands under his head, and with smile of
contentment gazing upwards at the sky, swinging his left leg, which was
crossed over his right knee. He did not notice my approach. A few paces
from him, Evlampia was walking slowly up and down the little glade,
with downcast eyes. It seemed as though she were looking for something
in the grass--mushrooms or something; now and then, she stooped and
stretched out her hand. She was singing in a low voice. I stopped at
once, and fell to listening. At first I could not make out what it was
she was singing, but afterwards I recognised clearly the following
well-known lines of the old ballad:

    ‘Hither, hither, threatening storm-cloud,
    Slay for me the father-in-law,
    Strike for me the mother-in-law,
    The young wife I will kill myself!’

Evlampia sang louder and louder; the last words she delivered with
peculiar energy. Sletkin still lay on his back and laughed to himself,
while she seemed all the time to be moving round and round him.

‘Oh, indeed!’ he commented at last. ‘The things that come into some
people’s heads!’

‘What?’ queried Evlampia.

Sletkin raised his head a little. ‘What? Why, what words were those you
were uttering?’

‘Why, you know, Volodya, one can’t leave the words out of a song,’
answered Evlampia, and she turned and saw me. We both cried out aloud
at once, and both rushed away in opposite directions.

I made my way hurriedly out of the copse, and crossing a narrow
clearing, found myself facing Harlov’s garden.



XX


I had no time, nor would it have been of any use, to deliberate
over what I had seen. Only an expression kept recurring to my mind,
‘love spell,’ which I had lately heard, and over the signification
of which I had pondered a good deal. I walked alongside the garden
fence, and in a few moments, behind the silver poplars (they had not
yet lost a single leaf, and the foliage was luxuriantly thick and
brilliantly glistening), I saw the yard and two little lodges of Martin
Petrovitch’s homestead. The whole place struck me as having been tidied
up and pulled into shape. On every side one could perceive traces of
unflagging and severe supervision. Anna Martinovna came out on to the
steps, and screwing up her blue-grey eyes, gazed for a long while in
the direction of the copse.

‘Have you seen the master?’ she asked a peasant, who was walking across
the yard.

‘Vladimir Vassilitch?’ responded the latter, taking his cap off. ‘He
went into the copse, surely.’

‘I know, he went to the copse. Hasn’t he come back? Haven’t you seen
him?’

‘I’ve not seen him … nay.’

The peasant continued standing bareheaded before Anna Martinovna.

‘Well, you can go,’ she said. ‘Or no----wait a bit----where’s Martin
Petrovitch? Do you know?’

‘Oh, Martin Petrovitch,’ answered the peasant, in a sing-song voice,
alternately lifting his right and then his left hand, as though
pointing away somewhere, ‘is sitting yonder, at the pond, with a
fishing-rod. He’s sitting in the reeds, with a rod. Catching fish,
maybe, God knows.’

‘Very well … you can go,’ repeated Anna Martinovna; ‘and put away that
wheel, it’s lying about.’

The peasant ran to carry out her command, while she remained standing a
few minutes longer on the steps, still gazing in the direction of the
copse. Then she clenched one fist menacingly, and went slowly back into
the house. ‘Axiutka!’ I heard her imperious voice calling within.

Anna Martinovna looked angry, and tightened her lips, thin enough at
all times, with a sort of special energy. She was carelessly dressed,
and a coil of loose hair had fallen down on to her shoulder. But in
spite of the negligence of her attire, and her irritable humour,
she struck me, just as before, as attractive, and I should have been
delighted to kiss the narrow hand which looked malignant too, as she
twice irritably pushed back the loose tress.



XXI


‘Can Martin Petrovitch have really taken to fishing?’ I asked myself,
as I turned towards the pond, which was on one side of the garden. I
got on to the dam, looked in all directions.… Martin Petrovitch was
nowhere to be seen. I bent my steps along one of the banks of the
pond, and at last, at the very top of it, in a little creek, in the
midst of flat broken-down stalks of reddish reed, I caught sight of
a huge greyish mass.… I looked intently: it was Harlov. Bareheaded,
unkempt, in a cotton smock torn at the seams, with his legs crossed
under him, he was sitting motionless on the bare earth. So motionless
was he that a sandpiper, at my approach, darted up from the dry mud a
couple of paces from him, and flew with a flash of its little wings
and a whistle over the surface of the water, showing that no one had
moved to frighten him for a long while. Harlov’s whole appearance was
so extraordinary that my dog stopped short directly it saw him, lifted
its tail, and growled. He turned his head a very little, and fixed
his wild-looking eyes on me and my dog. He was greatly changed by his
beard, though it was short, but thick and curly, in white tufts, like
Astrachan fur. In his right hand lay the end of a rod, while the other
end hovered feebly over the water. I felt an involuntary pang at my
heart. I plucked up my spirits, however, went up to him, and wished him
good morning. He slowly blinked as though just awake.

‘What are you doing, Martin Petrovitch,’ I began, ‘catching fish here?’

‘Yes … fish,’ he answered huskily, and pulled up the rod, on which
there fluttered a piece of line, a fathom length, with no hook on it.

‘Your tackle is broken off,’ I observed, and noticed the same moment
that there was no sign of bait-tin nor worms near Martin Petrovitch.…
And what sort of fishing could there be in September?

‘Broken off?’ he said, and he passed his hand over his face. ‘But it’s
all the same!’

He dropped the rod in again.

‘Natalia Nikolaevna’s son?’ he asked me, after the lapse of
two minutes, during which I had been gazing at him with secret
bewilderment. Though he had grown terribly thinner, still he seemed a
giant. But what rags he was dressed in, and how utterly he had gone to
pieces altogether!

‘Yes,’ I answered, ‘I’m the son of Natalia Nikolaevna B.’

‘Is she well?’

‘My mother is quite well. She was very much hurt at your refusal,’ I
added; ‘she did not at all expect you would not wish to come and see
her.’

Martin Petrovitch’s head sank on his breast. ‘Have you been there?’ he
asked, with a motion of his head.

‘Where?’

‘There, at the house. Haven’t you? Go! What is there for you to do
here? Go! It’s useless talking to me. I don’t like it.’

He was silent for a while.

‘You’d like to be always idling about with a gun! In my young days
I used to be inclined the same way too. Only my father was strict
and made me respect him too. Mind you, very different from fathers
nowadays. My father flogged me with a horsewhip, and that was the end
of it! I’d to give up idling about! And so I respected him.… Oo!… Yes!…’

Harlov paused again.

‘Don’t you stop here,’ he began again. ‘You go along to the house.
Things are managed there now--it’s first-rate. Volodka’.… Here he
faltered for a second. ‘Our Volodka’s a good hand at everything. He’s
a fine fellow! yes, indeed, and a fine scoundrel too!’

I did not know what to say; Martin Petrovitch spoke very tranquilly.

‘And you go and see my daughters. You remember, I daresay, I had
daughters. They’re managers too … clever ones. But I’m growing old, my
lad; I’m on the shelf. Time to repose, you know.…’

‘Nice sort of repose!’ I thought, glancing round. ‘Martin Petrovitch!’
I uttered aloud, ‘you really must come and see us.’

Harlov looked at me. ‘Go along, my lad, I tell you.’

‘Don’t hurt mamma’s feelings; come and see us.’

‘Go away, my lad, go away,’ persisted Harlov. ‘What do you want to talk
to me for?’

‘If you have no carriage, mamma will send you hers.’

‘Go along!’

‘But, really and truly, Martin Petrovitch!’

Harlov looked down again, and I fancied that his cheeks, dingy as
though covered with earth, faintly flushed.

‘Really, do come,’ I went on. ‘What’s the use of your sitting here? of
your making yourself miserable?’

‘Making myself miserable?’ he commented hesitatingly.

‘Yes, to be sure--making yourself miserable!’ I repeated.

Harlov said nothing, and seemed lost in musing. Emboldened by his
silence, I determined to be open, to act straightforwardly, bluntly.
(Do not forget, I was only fifteen then.)

‘Martin Petrovitch!’ I began, seating myself beside him. ‘I know
everything, you see, positively everything. I know how your son-in-law
is treating you--doubtless with the consent of your daughters. And now
you are in such a position.… But why lose heart?’

Harlov still remained silent, and simply dropped in his line; while
I--what a sensible fellow, what a sage I felt!

‘Doubtless,’ I began again, ‘you acted imprudently in giving up
everything to your daughters. It was most generous on your part, and
I am not going to blame you. In our days it is a quality only too
rare! But since your daughters are so ungrateful, you ought to show a
contempt--yes, a contempt--for them … and not fret----’

‘Stop!’ muttered Harlov suddenly, gnashing his teeth, and his eyes,
staring at the pond, glittered wrathfully.… ‘Go away!’

‘But, Martin Petrovitch----’

‘Go away, I tell you, … or I’ll kill you!’

I had come quite close to him; but at the last words I instinctively
jumped up. ‘What did you say, Martin Petrovitch?’

‘I’ll kill you, I tell you; go away!’ With a wild moan, a roar, the
words broke from Harlov’s breast, but he did not turn his head, and
still stared wrathfully straight in front of him. ‘I’ll take you and
fling you and your fool’s counsel into the water. You shall learn to
pester the old, little milksop!’

‘He’s gone mad!’ flashed through my mind.

I looked at him more attentively, and was completely petrified; Martin
Petrovitch was weeping!! Tear after tear rolled from his eyelashes down
his cheeks … while his face had assumed an expression utterly savage.…

‘Go away!’ he roared once more, ‘or I’ll kill you, by God! for an
example to others!’

He was shaking all over from side to side, and showing his teeth like a
wild boar. I snatched up my gun and took to my heels. My dog flew after
me, barking. He, too, was frightened.

When I got home, I naturally did not, by so much as a word, to my
mother, hint at what I had seen; but coming across Souvenir, I told
him--the devil knows why--all about it. That loathsome person was so
delighted at my story, shrieking with laughter, and even dancing with
pleasure, that I could hardly forbear striking him.

‘Ah! I should like,’ he kept repeating breathless with laughter, ‘to
see that fiend, the Swede, Harlov, crawling into the mud and sitting in
it.…’

‘Go over to the pond if you’re so curious.’

‘Yes; but how if he kills me?’

I felt horribly sick at Souvenir, and regretted my ill-timed
confidence.… Zhitkov, to whom he repeated my tale, looked at the matter
somewhat differently.

‘We shall have to call in the police,’ he concluded, ‘or, may be, we
may have to send for a battalion of military.’

His forebodings with regard to the military battalion did not come
true; but something extraordinary really did happen.



XXII


In the middle of October, three weeks after my interview with Martin
Petrovitch, I was standing at the window of my own room in the
second storey of our house, and thinking of nothing at all, I looked
disconsolately into the yard and the road that lay beyond it. The
weather had been disgusting for the last five days. Shooting was not
even to be thought of. All things living had hidden themselves; even
the sparrows made no sound, and the rooks had long ago disappeared
from sight. The wind howled drearily, then whistled spasmodically.
The low-hanging sky, unbroken by one streak of light, had changed
from an unpleasant whitish to a leaden and still more sinister hue;
and the rain, which had been pouring and pouring, mercilessly and
unceasingly, had suddenly become still more violent and more driving,
and streamed with a rushing sound over the panes. The trees had been
stripped utterly bare, and turned a sort of grey. It seemed they had
nothing left to plunder; yet the wind would not be denied, but set to
harassing them once more. Puddles, clogged with dead leaves, stood
everywhere. Big bubbles, continually bursting and rising up again,
leaped and glided over them. Along the roads, the mud lay thick and
impassable. The cold pierced its way indoors through one’s clothes to
the very bones. An involuntary shiver passed over the body, and how
sick one felt at heart! Sick, precisely, not sad. It seemed there would
never again in the world be sunshine, nor brightness, nor colour, but
this rain and mire and grey damp, and raw fog would last for ever, and
for ever would the wind whine and moan! Well, I was standing moodily
at my window, and I remember a sudden darkness came on--a bluish
darkness--though the clock only pointed to twelve. Suddenly I fancied
I saw a bear dash across our yard from the gates to the steps! Not on
all-fours, certainly, but as he is depicted when he gets up on his
hind-paws. I could not believe my eyes. If it were not a bear I had
seen, it was, any way, something enormous, black shaggy.… I was still
lost in wonder as to what it could be, when suddenly I heard below a
furious knocking. It seemed something utterly unlooked for, something
terrible was stumbling headlong into our house. Then began a commotion,
a hurrying to and fro.…

I quickly went down the stairs, ran into the dining-room.…

At the drawing-room door facing me stood my mother, as though rooted to
the spot. Behind her, peered several scared female faces. The butler,
two footmen, and a page, with his mouth wide open with astonishment,
were packed together in the doorway of the hall. In the middle of the
dining-room, covered with mire, dishevelled, tattered, and soaking
wet--so wet that steam rose all round and water was running in little
streams over the floor--knelt, shaking ponderously, as it were, at the
last gasp … the very monster I had seen dashing across the yard! And
who was this monster? Harlov! I came up on one side, and saw, not his
face, but his head, which he was clutching, with both hands in the
hair that blinded him with filth. He was breathing heavily, brokenly;
something positively rattled in his throat--and in all the bespattered
dark mass, the only thing that could be clearly distinguished was the
tiny whites of the eyes, straying wildly about. He was awful! The
dignitary came into my mind whom he had once crushed for comparing him
to a mastodon. Truly, so might have looked some antediluvian creature
that had just escaped another more powerful monster, attacking it in
the eternal slime of the primeval swamps.

‘Martin Petrovitch!’ my mother cried at last, and she clasped her
hands. ‘Is that you? Good God! Merciful heavens!’

‘I … I …’ we heard a broken voice, which seemed with effort and
painfully to dwell on each sound. ‘Alas! It is I!’

‘But what has happened to you? Mercy upon us!’

‘Natalia Nikolaev … na … I have … run straight … to you … from home …
on foot.…’

‘Through such mud! But you don’t look like a man. Get up; sit down,
anyway.… And you,’ she turned to the maid-servants, ‘run quick for
cloths. And haven’t you some dry clothes?’ she asked the butler.

The butler gesticulated as though to say, Is it likely for such a
size?… ‘But we could get a coverlet,’ he replied, ‘or, there’s a new
horse-rug.’

‘But get up, get up, Martin Petrovitch, sit down,’ repeated my mother.

‘They’ve turned me out, madam,’ Harlov moaned suddenly, and he flung
his head back and stretched his hands out before him. ‘They’ve turned
me out, Natalia Nikolaevna! My own daughters, out of my own home.…’

My mother sighed and groaned.

‘What are you saying? Turned you out! What wickedness! what
wickedness!’ (She crossed herself.) ‘But do get up, Martin Petrovitch,
I beg you!’

Two maid-servants came in with cloths and stood still before Harlov.
It was clear they did not know how to attack this mountain of filth.
‘They have turned me out, madam, they have turned me out!’ Harlov kept
repeating meanwhile. The butler returned with a large woollen coverlet,
and he, too, stood still in perplexity. Souvenir’s little head was
thrust in at a door and vanished again.

‘Martin Petrovitch! get up! Sit down! and tell me everything properly,’
my mother commanded in a tone of determination.

Harlov rose.… The butler tried to assist him but only dirtied his
hand, and, shaking his fingers, retreated to the door. Staggering
and faltering, Harlov got to a chair and sat down. The maids again
approached him with their cloths, but he waved them off with his hand,
and refused the coverlet. My mother did not herself, indeed, insist; to
dry Harlov was obviously out of the question; they contented themselves
with hastily wiping up his traces on the floor.



XXIII


‘How have they turned you out?’ my mother asked, as soon as he had a
little time to recover himself.

‘Madam! Natalia Nikolaevna!’ he began, in a strained voice,--and again
I was struck by the uneasy straying of his eyes; ‘I will tell you the
truth; I am myself most of all to blame.’

‘Ay, to be sure; you would not listen to me at the time,’ assented
my mother, sinking into an arm-chair and slightly moving a scented
handkerchief before her nose; very strong was the smell that came from
Harlov … the odour in a forest bog is not so strong.

‘Alas! that’s not where I erred, madam, but through pride. Pride has
been my ruin, as it ruined the Tsar Navuhodonosor. I fancied God had
given me my full share of sense, and if I resolved on anything, it
followed it was right; so … and then the fear of death came … I was
utterly confounded! “I’ll show,” said I, “to the last, my power and my
strength! I’ll bestow all on them,--and they must feel it all their
lives.…”’ (Harlov suddenly was shaking all over.…) ‘Like a mangy dog
they have driven me out of the house! This is their gratitude!’

‘In what way----,’ my mother was beginning.…

‘They took my page, Maximka, from me,’ Harlov interrupted her (his eyes
were still wandering, he held both hands--the fingers interlaced--under
his chin), ‘my carriage they took away, my monthly allowance they cut
down, did not pay me the sum specified, cut me short all round, in
fact; still I said nothing, bore it all! And I bore it by reason …
alas! of my pride again. That my cruel enemies might not say, “See, the
old fool’s sorry for it now”; and you too, do you remember, madam, had
warned me; “mind you, it’s all to no purpose,” you said! and so I bore
it.… Only, to-day I came into my room, and it was occupied already, and
my bed they’d thrown out into the lumber-room! “You can sleep there; we
put up with you there even only out of charity; we’ve need of your room
for the household.” And this was said to me by whom? Volodka Sletkin!
the vile hound, the base cur!’

Harlov’s voice broke.

‘But your daughters? What did they do?’ asked my mother.

‘But I bore it all,’ Harlov went on again; ‘bitterness, bitterness
was in my heart, let me tell you, and shame.… I could not bear to look
upon the light of day! That was why I was unwilling to come and see
you, ma’am, from this same feeling, from shame for my disgrace! I have
tried everything, my good friend; kindness, affection, and threats,
and I reasoned with them, and more besides! I bowed down before them …
like this.’ (Harlov showed how he had bowed down.) ‘And all in vain.
And all of it I bore! At the beginning, at first, I’d very different
thoughts; I’ll up, I thought, and kill them. I’ll crush them all, so
that not a trace remains of them!… I’ll let them know! Well, but after,
I submitted! It’s a cross, I thought, laid upon me; it’s to bid me make
ready for death. And all at once, to-day, driven out, like a cur! And
by whom? Volodka! And you asked about my daughters; they’ve no will of
their own at all. They’re Volodka’s slaves! Yes!’

My mother wondered. ‘In Anna’s case I can understand that; she’s a
wife.… But how comes it your second.…’

‘Evlampia? She’s worse than Anna! She’s altogether given herself up
into Volodka’s hands. That’s the reason she refused your soldier, too.
At his, at Volodka’s bidding. Anna, to be sure, ought to resent it, and
she can’t bear her sister, but she submits! He’s bewitched them, the
cursed scoundrel! Though she, Anna, I daresay, is pleased to think that
Evlampia, who was always so proud,--and now see what she’s come to!… O
… alas … alas! God, my God!’

My mother looked uneasily towards me. I moved a little away as a
precautionary measure, for fear I should be sent away altogether.…

‘I am very sorry indeed, Martin Petrovitch,’ she began, ‘that my former
protégé has caused you so much sorrow, and has turned out so badly. But
I, too, was mistaken in him.… Who could have expected this of him?’

‘Madam,’ Harlov moaned out, and he struck himself a blow on the chest,
‘I cannot bear the ingratitude of my daughters! I cannot, madam! You
know I gave them everything, everything! And besides, my conscience
has been tormenting me. Many things … alas! many things I have thought
over, sitting by the pond, fishing. “If you’d only done good to any
one in your life!” was what I pondered upon, “succoured the poor, set
the peasants free, or something, to atone for having wrung their lives
out of them. You must answer for them before God! Now their tears are
revenged.” And what sort of life have they now? It was a deep pit
even in my time--why disguise my sins?--but now there’s no seeing the
bottom! All these sins I have taken upon my soul; I have sacrificed my
conscience for my children, and for this I’m laughed to scorn! Kicked
out of the house, like a cur!’

‘Don’t think about that, Martin Petrovitch,’ observed my mother.

‘And when he told me, your Volodka,’ Harlov went on with fresh force,
‘when he told me I was not to live in my room any more,--I laid every
plank in that room with my own hands,--when he said that to me,--God
only knows what passed within me! It was all confusion in my head, and
like a knife in my heart.… Either to cut his throat or get away out of
the house!… So, I have run to you, my benefactress, Natalia Nikolaevna
… where had I to lay my head? And then the rain, the filth … I fell
down twenty times, maybe! And now … in such unseemly.…’

Harlov scanned himself and moved restlessly in his chair, as though
intending to get up.

‘Say no more, Martin Petrovitch,’ my mother interposed hurriedly; ‘what
does that signify? That you’ve made the floor dirty? That’s no great
matter! Come, I want to make you a proposition. Listen! They shall take
you now to a special room, and make you up a clean bed,--you undress,
wash, and lie down and sleep a little.…’

‘Natalia Nikolaevna! There’s no sleeping for me!’ Harlov responded
drearily. ‘It’s as though there were hammers beating in my brain! Me!
like some good-for-nothing beast!…’

‘Lie down and sleep,’ my mother repeated insistently. ‘And then we’ll
give you some tea,--yes, and we’ll have a talk. Don’t lose heart, old
friend! If they’ve driven you out of _your_ house, in _my_ house you
will always find a home.… I have not forgotten, you know, that you
saved my life.’

‘Benefactress!’ moaned Harlov, and he covered his face with his hand.
‘_You_ must save me now!’

This appeal touched my mother almost to tears. ‘I am ready and eager
to help you, Martin Petrovitch, in everything I am able. But you must
promise me that you will listen to me in future and dismiss every evil
thought from you.’

Harlov took his hands from his face. ‘If need be,’ he said, ‘I can
forgive them, even!’

My mother nodded her head approvingly. ‘I am very glad to see you in
such a truly Christian frame of mind, Martin Petrovitch; but we will
talk of that later. Meanwhile, you put yourself to rights, and, most of
all, sleep. Take Martin Petrovitch to what was the master’s room, the
green room,’ said my mother, addressing the butler, ‘and whatever he
asks for, let him have it on the spot! Give orders for his clothes to
be dried and washed, and ask the housekeeper for what linen is needed.
Do you hear?’

‘Yes, madam,’ responded the butler.

‘And as soon as he’s asleep, tell the tailor to take his measure; and
his beard will have to be shaved. Not at once, but after.’

‘Yes, madam,’ repeated the butler. ‘Martin Petrovitch, kindly come.’
Harlov got up, looked at my mother, was about to go up to her, but
stopped, swinging a bow from the waist, crossed himself three times to
the image, and followed the steward. Behind him, I, too, slipped out of
the room.



XXIV


The butler conducted Harlov to the green room, and at once ran off for
the wardroom maid, as it turned out there were no sheets on the bed.
Souvenir, who met us in the passage, and popped into the green room
with us, promptly proceeded to dance, grinning and chuckling, round
Harlov, who stood, his arms held a little away from him, and his legs
apart, in the middle of the room, seeming lost in thought. The water
was still dripping from him.

‘The Swede! The Swede, Harlus!’ piped Souvenir, doubling up and holding
his sides. ‘Mighty founder of the illustrious race of Harlovs, look
down on thy descendant! What does he look like? Dost thou recognise
him? Ha, ha, ha! Your excellency, your hand, I beg; why, have you got
on black gloves?’

I tried to restrain Souvenir, to put him to shame … but it was too late
for that now.

‘He called me parasite, toady! “You’ve no roof,” said he, “to call your
own.” But now, no doubt about it, he’s become as dependent as poor
little me. Martin Petrovitch and Souvenir, the poor toady, are equal
now. He’ll have to live on charity too. They’ll toss him the stale and
dirty crust, that the dog has sniffed at and refused.… And they’ll tell
him to eat it, too. Ha, ha, ha!’

Harlov still stood motionless, his head drawn in, his legs and arms
held a little apart.

‘Martin Harlov, a nobleman born!’ Souvenir went on shrieking. ‘What
airs he used to give himself. Just look at me! Don’t come near, or I’ll
knock you down!… And when he was so clever as to give away and divide
his property, didn’t he crow! “Gratitude!…” he cackled, “gratitude!”
But why were you so mean to me? Why didn’t you make me a present? May
be, I should have felt it more. And you see I was right when I said
they’d strip you bare, and.…’

‘Souvenir!’ I screamed; but Souvenir was in nowise daunted. Harlov
still did not stir. It seemed as though he were only now beginning to
be aware how soaking wet everything was that he had on, and was waiting
to be helped off with his clothes. But the butler had not come back.

‘And a military man too!’ Souvenir began again. ‘In the year twelve,
he saved his country; he showed proofs of his valour. I see how it is.
Stripping the frozen marauders of their breeches is work he’s quite
equal to, but when the hussies stamp their feet at him he’s frightened
out of his skin.’

‘Souvenir!’ I screamed a second time.

Harlov looked askance at Souvenir. Till that instant he seemed not
to have noticed his presence, and only my exclamation aroused his
attention.

‘Look out, brother,’ he growled huskily, ‘don’t dance yourself into
trouble.’

Souvenir fairly rolled about with laughter. ‘Ah, how you frighten me,
most honoured brother. You’re a formidable person, to be sure. You
must comb your hair, at any rate, or, God forbid, it’ll get dry, and
you’ll never wash it clean again; you’ll have to mow it with a sickle.’
Souvenir all of a sudden got into a fury. ‘And you give yourself airs
still. A poor outcast, and he gives himself airs. Where’s your home
now? you’d better tell me that, you were always boasting of it. “I have
a home of my own,” he used to say, but you’re homeless. “My ancestral
roof,” he would say.’ Souvenir pounced on this phrase as an inspiration.

‘Mr. Bitchkov,’ I protested. ‘What are you about? you forget yourself.’

But he still persisted in chattering, and still danced and pranced up
and down quite close to Harlov. And still the butler and the wardroom
maid did not come.

I felt alarmed. I began to notice that Harlov, who had, during his
conversation with my mother, gradually grown quieter, and even towards
the end apparently resigned himself to his fate, was beginning to get
worked up again. He breathed more hurriedly, it seemed as though his
face were suddenly swollen under his ears, his fingers twitched, his
eyes again began moving restlessly in the dark mask of his grim face.…

‘Souvenir, Souvenir!’ I cried. ‘Stop it, I’ll tell mamma.’

But Souvenir seemed possessed by frenzy. ‘Yes, yes, most honoured
brother,’ he began again, ‘here we find ourselves, you and I, in the
most delicate position. While your daughters, with your son-in-law,
Vladimir Vassilievitch, are having a fine laugh at you under your roof.
And you should at least curse them, as you promised. Even that you’re
not equal to. To be sure, how could you hold your own with Vladimir
Vassilievitch? Why, you used to call him Volodka, too. You call him
Volodka. _He_ is Vladimir Vassilievitch, Mr. Sletkin, a landowner, a
gentleman, while--what are you, pray?’

A furious roar drowned Souvenir’s words.… Harlov was aroused. His fists
were clenched and lifted, his face was purple, there was foam on his
drawn lips, he was shaking with rage. ‘Roof, you say!’ he thundered in
his iron voice, ‘curse, you say.… No! I will not curse them.… They
don’t care for that.… But the roof … I will tear the roof off them, and
they shall have no roof over their heads, like me. They shall learn to
know Martin Harlov. My strength is not all gone yet; they shall learn
to laugh at me!… They shall have no roof over their heads!’

I was stupefied; never in my life had I witnessed such boundless anger.
Not a man--a wild beast--paced to and fro before me. I was stupefied …
as for Souvenir, he had hidden under the table in his fright.

‘They shall not!’ Harlov shouted for the last time, and almost knocking
over the butler and the wardroom maid, he rushed away out of the
house.… He dashed headlong across the yard, and vanished through the
gates.



XXV


My mother was terribly angry when the butler came with an abashed
countenance to report Martin Petrovitch’s sudden and unexpected
retreat. He did not dare to conceal the cause of this retreat; I was
obliged to confirm his story. ‘Then it was all your doing!’ my mother
cried, at the sight of Souvenir, who had run in like a hare, and was
even approaching to kiss her hand: ‘Your vile tongue is to blame for it
all!’ ‘Excuse me, d’rectly, d’rectly …’ faltered Souvenir, stuttering
and drawing back his elbows behind him. ‘D’rectly, … d’rectly … I know
your “d’rectly,”’ my mother repeated reprovingly, and she sent him out
of the room. Then she rang the bell, sent for Kvitsinsky, and gave
him orders to set off on the spot to Eskovo, with a carriage, to find
Martin Petrovitch at all costs, and to bring him back. ‘Do not let me
see you without him,’ she concluded. The gloomy Pole bowed his head
without a word, and went away.

I went back to my own room, sat down again at the window, and I
pondered a long while, I remember, on what had taken place before my
eyes. I was puzzled; I could not understand how it was that Harlov, who
had endured the insults of his own family almost without a murmur, had
lost all self-control, and been unable to put up with the jeers and
pin-pricks of such an abject creature as Souvenir. I did not understand
in those days what insufferable bitterness there may sometimes be in
a foolish taunt, even when it comes from lips one scorns.… The hated
name of Sletkin, uttered by Souvenir, had been like a spark thrown into
powder. The sore spot could not endure this final prick.

About an hour passed by. Our coach drove into the yard; but our steward
sat in it alone. And my mother had said to him--‘don’t let me see you
without him.’ Kvitsinsky jumped hurriedly out of the carriage, and ran
up the steps. His face had a perturbed look--something very unusual
with him. I promptly rushed downstairs, and followed at his heels into
the drawing-room. ‘Well? have you brought him?’ asked my mother.

‘I have not brought him,’ answered Kvitsinsky--‘and I could not bring
him.’

‘How’s that? Have you seen him?’

‘Yes.’

‘What has happened to him? A fit?’

‘No; nothing has happened.’

‘How is it you didn’t bring him?’

‘He’s pulling his house to pieces.’

‘What?’

‘He’s standing on the roof of the new building, and pulling it to
pieces. Forty boards or more, I should guess, must have come down by
now, and some five of the rafters too.’ (‘They shall not have a roof
over their heads.’ Harlov’s words came back to me.)

My mother stared at Kvitsinsky. ‘Alone … he’s standing on the roof, and
pulling the roof down?’

‘Exactly so. He is walking about on the flooring of the garret in the
roof, and smashing right and left of him. His strength, you are aware,
madam, is superhuman. And the roof too, one must say, is a poor affair;
half-inch deal battens, laid wide apart, one inch nails.’

My mother looked at me, as though wishing to make sure whether she had
heard aright. ‘Half-inches wide apart,’ she repeated, obviously not
understanding the meaning of one word. ‘Well, what then?’ she said at
last.

‘I have come for instructions. There’s no doing anything without men to
help. The peasants there are all limp with fright.’

‘And his daughters--what of them?’

‘His daughters are doing nothing. They’re running to and fro, shouting
… this and that … all to no purpose.’

‘And is Sletkin there?’

‘He’s there too. He’s making more outcry than all of them--but he can’t
do anything.’

‘And Martin Petrovitch is standing on the roof?’

‘On the roof … that is, in the garret--and pulling the roof to pieces.’

‘Yes, yes,’ said my mother, ‘half-inches wide apart.’

The position was obviously a serious one. What steps were to be taken?
Send to the town for the police captain? Get together the peasants?
My mother was quite at her wits’ end. Zhitkov, who had come in to
dinner, was nonplussed too. It is true, he made another reference to
a battalion of military; he offered no advice, however, but confined
himself to looking submissive and devoted. Kvitsinsky, seeing he
would not get at any instructions, suggested to my mother--with
the contemptuous respectfulness peculiar to him--that if she would
authorise him to take a few of the stable-boys, gardeners, and other
house-serfs, he would make an effort.…

‘Yes, yes,’ my mother cut him short, ‘do make an effort, dear Vikenty
Osipitch! Only make haste, please, and I will take all responsibility
on myself!’

Kvitsinsky smiled coldly. ‘One thing let me make clear, madam,
beforehand; it’s impossible to reckon on any result, seeing that Mr.
Harlov’s strength is so great, and he is so desperate too; he feels
himself to have been very cruelly wronged!’

‘Yes, yes,’ my mother assented; ‘and it’s all that vile Souvenir’s
fault! Never will I forgive him for it. Go and take the servants and
set off, Vikenty Osipitch!’

‘You’d better take plenty of cord, Mr. Steward, and some fire-escape
tackle,’ Zhitkov brought out in his bass--‘and if there is such a thing
as a net, it would be as well to take that along too. We once had in
our regiment.…’

‘Kindly refrain from instructing me, sir,’ Kvitsinsky cut him short,
with an air of vexation; ‘I know what is needed without your aid.’

Zhitkov was offended, and protested that as he imagined he, too, was
called upon.…

‘No, no!’ interposed my mother; ‘you’d better stop where you are.… Let
Vikenty Osipitch act alone.… Make haste, Vikenty Osipitch!’

Zhitkov was still more offended, while Kvitsinsky bowed and went out.

I rushed off to the stable, hurriedly saddled my horse myself, and set
off at a gallop along the road to Eskovo.



XXVI


The rain had ceased, but the wind was blowing with redoubled
force--straight into my face. Half-way there, the saddle almost slipped
round under me; the girth had got loose; I got off and tried to tighten
the straps with my teeth.… All at once I heard someone calling me by my
name.… Souvenir was running towards me across the green fields. ‘What!’
he shouted to me from some way off, ‘was your curiosity too much for
you? But it’s no use.… I went over there, straight, at Harlov’s heels.…
Such a state of things you never saw in your life!’

‘You want to enjoy what you have done,’ I said indignantly, and,
jumping on my horse, I set off again at a gallop. But the indefatigable
Souvenir did not give me up, and chuckled and grinned, even as he
ran. At last, Eskovo was reached--there was the dam, and there the
long hedge and willow-tree of the homestead.… I rode up to the gate,
dismounted, tied up my horse, and stood still in amazement.

Of one third of the roof of the newer house, of the front part, nothing
was left but the skeleton; boards and litter lay in disorderly heaps on
the ground on both sides of the building. Even supposing the roof to
be, as Kvitsinsky had said, a poor affair, even so, it was something
incredible! On the floor of the garret, in a whirl of dust and rubbish,
a blackish grey mass was moving to and fro with rapid ungainly action,
at one moment shaking the remaining chimney, built of brick, (the
other had fallen already) then tearing up the boarding and flinging
it down below, then clutching at the very rafters. It was Harlov. He
struck me as being exactly like a bear at this moment too; the head,
and back, and shoulders were a bear’s, and he put his feet down wide
apart without bending the insteps--also like a bear. The bitter wind
was blowing upon him from every side, lifting his matted locks. It was
horrible to see, here and there, red patches of bare flesh through the
rents in his tattered clothes; it was horrible to hear his wild husky
muttering. There were a lot of people in the yard; peasant-women,
boys, and servant-girls stood close along the hedge. A few peasants
huddled together in a separate group, a little way off. The old
village priest, whom I knew, was standing, bareheaded, on the steps
of the other house, and holding a brazen cross in both hands, from
time to time, silently and hopelessly, raised it, and, as it were,
showed it to Harlov. Beside the priest, stood Evlampia with her back
against the wall, gazing fixedly at her father. Anna, at one moment,
pushed her head out of the little window, then vanished, then hurried
into the yard, then went back into the house. Sletkin--pale all over,
livid--in an old dressing-gown and smoking-cap, with a single-barrelled
rifle in his hands, kept running to and fro with little steps. He had
completely _gone Jewish_, as it is called. He was gasping, threatening,
shaking, pointing the gun at Harlov, then letting it drop back on his
shoulder--pointing it again, shrieking, weeping.… On seeing Souvenir
and me he simply flew to us.

‘Look, look, what is going on here!’ he wailed--‘look! He’s gone out of
his mind, he’s raving mad … and see what he’s doing! I’ve sent for the
police already--but no one comes! No one comes! If I do fire at him,
the law couldn’t touch me, for every man has a right to defend his own
property! And I will fire!… By God, I’ll fire!’

He ran off toward the house.

‘Martin Petrovitch, look out! If you don’t get down, I’ll fire!’

‘Fire away!’ came a husky voice from the roof. ‘Fire away! And
meanwhile here’s a little present for you!’

A long plank flew up, and, turning over twice in the air, came
violently to the earth, just at Sletkin’s feet. He positively jumped
into the air, while Harlov chuckled.

‘Merciful Jesus!’ faltered some one behind me. I looked round:
Souvenir. ‘Ah!’ I thought, ‘he’s left off laughing now!’

Sletkin clutched a peasant, who was standing near, by the collar.

‘Climb up now, climb up, climb up, all of you, you devils,’ he wailed,
shaking the man with all his force, ‘save my property!’

The peasant took a couple of steps forward, threw his head back, waved
his arms, shouted--‘hi! here! master!’ shifted from one foot to the
other uneasily, and then turned back.

‘A ladder! bring a ladder!’ Sletkin addressed the other peasants.

‘Where are we to get it?’ was heard in answer.

‘And if we had a ladder,’ one voice pronounced deliberately, ‘who’d
care to climb up? Not such fools! He’d wring your neck for you--in a
twinkling!’

‘He’d kill one in no time,’ said one young lad with flaxen hair and a
half-idiotic face.

‘To be sure he would,’ the others confirmed. It struck me that, even
if there had been no obvious danger, the peasants would yet have been
loath to carry out their new owner’s orders. They almost approved of
Harlov, though they were amazed at him.

‘Ugh, you robbers!’ moaned Sletkin; ‘you shall all catch it.…’

But at this moment, with a heavy rumble, the last chimney came crashing
down, and, in the midst of the cloud of yellow dust that flew up
instantly, Harlov--uttering a piercing shriek and lifting his bleeding
hands high in the air--turned facing us. Sletkin pointed the gun at him
again.

Evlampia pulled him back by the elbow.

‘Don’t interfere!’ he snarled savagely at her.

‘And you--don’t you dare!’ she answered; and her blue eyes flashed
menacingly under her scowling brows. ‘Father’s pulling his house down.
It’s his own.’

‘You lie: it’s ours!’

‘You say ours; but I say it’s his.’

Sletkin hissed with fury; Evlampia’s eyes seemed stabbing him in the
face.

‘Ah, how d’ye do! my delightful daughter!’ Harlov thundered from above.
‘How d’ye do! Evlampia Martinovna! How are you getting on with your
sweetheart? Are your kisses sweet, and your fondling?’

‘Father!’ rang out Evlampia’s musical voice.

‘Eh, daughter?’ answered Harlov; and he came down to the very edge
of the wall. His face, as far as I could make it out, wore a strange
smile, a bright, mirthful--and for that very reason peculiarly strange
and evil--smile.… Many years later I saw just the same smile on the
face of a man condemned to death.

‘Stop, father; come down. We are in fault; we give everything back to
you. Come down.’

‘What do you mean by disposing of what’s ours?’ put in Sletkin.
Evlampia merely scowled more angrily.

‘I give you back my share. I give up everything. Give over, come down,
father! Forgive us; forgive me.’

Harlov still went on smiling. ‘It’s too late, my darling,’ he said,
and each of his words rang out like brass. ‘Too late your stony heart
is touched! The rock’s started rolling downhill--there’s no holding it
back now! And don’t look to me now; I’m a doomed man! You’d do better
to look to your Volodka; see what a pretty fellow you’ve picked out!
And look to your hellish sister; there’s her foxy nose yonder thrust
out of the window; she’s peering yonder after that husband of hers! No,
my good friends; you would rob me of a roof over my head, so I will
leave you not one beam upon another! With my own hands I built it, with
my own hands I destroy it,--yes, with my hands alone! See, I’ve taken
no axe to help me!’

He snorted at his two open hands, and clutched at the centre beam
again.

‘Enough, father,’ Evlampia was saying meanwhile, and her voice had
grown marvellously caressing, ‘let bygones be bygones. Come, trust me;
you always trusted me. Come, get down; come to me to my little room, to
my soft bed. I will dry you and warm you; I will bind up your wounds;
see, you have torn your hands. You shall live with me as in Christ’s
bosom; food shall be sweet to you--and sleep sweeter yet. Come, we have
done wrong! yes, we were puffed up, we have sinned; come, forgive!’

Harlov shook his head. ‘Talk away! Me believe you! Never again! You’ve
murdered all trust in my heart! You’ve murdered everything! I was an
eagle, and became a worm for you … and you,--would you even crush the
worm? Have done! I loved you, you know very well,--but now you are no
daughter to me, and I’m no father to you … I’m a doomed man! Don’t
meddle! As for you, fire away, coward, mighty man of valour!’ Harlov
bellowed suddenly at Sletkin. ‘Why is it you keep aiming and don’t
shoot? Are you mindful of the law; if the recipient of a gift commits
an attempt upon the life of the giver,’ Harlov enunciated distinctly,
‘then the giver is empowered to claim everything back again? Ha, ha!
don’t be afraid, law-abiding man! I’d make no claims. I’ll make an end
of everything myself.… Here goes!’

‘Father!’ for the last time Evlampia besought him.

‘Silence!’

‘Martin Petrovitch! brother, be generous and forgive!’ faltered
Souvenir.

‘Father! dear father!’

‘Silence, bitch!’ shouted Harlov. At Souvenir he did not even
glance,--he merely spat in his direction.



XXVII


At that instant, Kvitsinsky, with all his retinue--in three
carts--appeared at the gates. The tired horses panted, the men jumped
out, one after another, into the mud.

‘Aha!’ Harlov shouted at the top of his voice. ‘An army … here it
comes, an army! A whole army they’re sending against me! Capital! Only
I give warning--if any one comes up here to me on the roof, I’ll send
him flying down, head over heels! I’m an inhospitable master; I don’t
like visitors at wrong times! No indeed!’

He was hanging with both hands on to the front rafters of the roof,
the so-called standards of the gable, and beginning to shake them
violently. Balancing on the edge of the garret flooring, he dragged
them, as it were, after him, chanting rhythmically like a bargeman,
‘One more pull! one more! o-oh!’

Sletkin ran up to Kvitsinsky and was beginning to whimper and pour out
complaints.… The latter begged him ‘not to interfere,’ and proceeded to
carry out the plan he had evolved. He took up his position in front of
the house, and began, by way of diversion, to explain to Harlov that
what he was about was unworthy of his rank.…

‘One more pull! one more!’ chanted Harlov.

… ‘That Natalia Nikolaevna was greatly displeased at his proceedings,
and had not expected it of him.…’

‘One more pull! one more! o-oh!’ Harlov chanted … while, meantime,
Kvitsinsky had despatched the four sturdiest and boldest of the
stable-boys to the other side of the house to clamber up the roof from
behind. Harlov, however, detected the plan of attack; he suddenly
left the standards and ran quickly to the back part of the roof. His
appearance was so alarming that the two stable-boys who had already got
up to the garret, dropped instantly back again to the ground by the
water-pipe, to the great glee of the serf boys, who positively roared
with laughter. Harlov shook his fist after them and, going back to the
front part of the house, again clutched at the standards and began once
more loosening them, singing again, like a bargeman.

Suddenly he stopped, stared.…

‘Maximushka, my dear! my friend!’ he cried; ‘is it you?’

I looked round.… There, actually, was Maximka, stepping out from the
crowd of peasants. Grinning and showing his teeth, he walked forward.
His master, the tailor, had probably let him come home for a holiday.

‘Climb up to me, Maximushka, my faithful servant,’ Harlov went on;
‘together let us rid ourselves of evil Tartar folk, of Lithuanian
thieves!’

Maximka, still grinning, promptly began climbing up the roof.… But
they seized him and pulled him back--goodness knows why; possibly as
an example to the rest; he could hardly have been much aid to Martin
Petrovitch.

‘Oh, all right! Good!’ Harlov pronounced, in a voice of menace, and
again he took hold of the standards.

‘Vikenty Osipovitch! with your permission, I’ll shoot,’ Sletkin turned
to Kvitsinsky; ‘more to frighten him, see, than anything; my gun’s only
charged with snipe-shot.’ But Kvitsinsky had not time to answer him,
when the front couple of standards, viciously shaken in Harlov’s iron
hands, heeled over with a loud crack and crashed into the yard; and
with it, not able to stop himself, came Harlov too, and fell with a
heavy thud on the earth. Every one shuddered and drew a deep breath.…
Harlov lay without stirring on his breast, and on his back lay the top
central beam of the roof, which had come down with the falling gable’s
timbers.



XXVIII


They ran up to Harlov, rolled the beam off him, turned him over on his
back. His face was lifeless, there was blood about his mouth; he did
not seem to breathe. ‘The breath is gone out of him,’ muttered the
peasants, standing about him. They ran to the well for water, brought a
whole bucketful, and drenched Harlov’s head. The mud and dust ran off
his face, but he looked as lifeless as ever. They dragged up a bench,
set it in the house itself, and with difficulty raising the huge body
of Martin Petrovitch, laid it there with the head to the wall. The page
Maximka approached, fell on one knee, and, his other leg stretched far
behind him, in a theatrical way, supported his former master’s arm.
Evlampia, pale as death, stood directly facing her father, her great
eyes fastened immovably upon him. Anna and Sletkin did not come near
him. All were silent, all, as it were, waited for something. At last
we heard broken, smacking noises in Harlov’s throat, as though he
were swallowing.… Then he feebly moved one, his right, hand (Maximka
supported the left), opened one, the right eye, and slowly gazing
about him, as though drunken with some fearful drunkenness, groaned,
articulated, stammering, ‘I’m sma-ashed …’ and as though after a
moment’s thought, added, ‘here it is, the ra … aven co … olt!’ The
blood suddenly gushed thickly from his mouth … his whole body began to
quiver.…

‘The end!’ I thought.… But once more Harlov opened the same eye (the
left eyelid lay as motionless as on a dead man’s face), and fixing it
on Evlampia, he articulated, hardly above a breath, ‘Well, daugh … ter
… you, I do not.…’

Kvitsinsky, with a sharp motion of his hand, beckoned to the priest,
who was still standing on the step.… The old man came up, his narrow
cassock clinging about his feeble knees. But suddenly there was a sort
of horrible twitching in Harlov’s legs and in his stomach too; an
irregular contraction passed upwards over his face. Evlampia’s face
seemed quivering and working in the same way. Maximka began crossing
himself.… I was seized with horror; I ran out to the gates, squeezed
myself close to them, not looking round. A minute later a soft murmur
ran through the crowd, behind my back, and I understood that Martin
Petrovitch was no more.

His skull had been fractured by the beam and his ribs injured, as it
appeared at the post-mortem examination.



XXIX


What had he wanted to say to her as he lay dying? I asked myself as
I went home on my cob: ‘I do not … forgive,’ or ‘do not … pardon.’
The rain had come on again, but I rode at a walking pace. I wanted
to be alone as long as possible; I wanted to give myself up to my
reflections, unchecked. Souvenir had gone back in one of the carts
that had come with Kvitsinsky. Young and frivolous as I was at that
time, the sudden sweeping change (not in mere details only) that is
invariably called forth in all hearts by the coming of death--expected
or unexpected, it makes no difference!--its majesty, its gravity, and
its truthfulness could not fail to impress me. I was impressed too,
… but for all that, my troubled, childish eyes noted many things at
once; they noted how Sletkin, hurriedly and furtively, as though it
were something stolen, popped the gun out of sight; how he and his wife
became, both of them, instantly the object of a sort of unspoken but
universal aloofness. To Evlampia, though her fault was probably no less
than her sister’s, this aloofness did not extend. She even aroused a
certain sympathy, when she fell at her dead father’s feet. But that she
too was guilty, that was none the less felt by all. ‘The old man was
wronged,’ said a grey-haired peasant with a big head, leaning, like
some ancient judge, with both hands and his beard on a long staff;
‘on your soul lies the sin! You wronged him!’ That saying was at once
accepted by every one as the final judgment. The peasants’ sense of
justice found expression in it, I felt that at once. I noticed too
that, at the first, Sletkin did not _dare_ to give directions. Without
him, they lifted up the body and carried it into the other house.
Without asking him, the priest went for everything needful to the
church, while the village elder ran to the village to send off a cart
and horse to the town. Even Anna Martinovna did not venture to use her
ordinary imperious tone in ordering the samovar to be brought, ‘for hot
water, to wash the deceased.’ Her orders were more like an entreaty,
and she was answered rudely.…

I was absorbed all the while by the question, What was it exactly he
wanted to say to his daughter? Did he want to forgive her or to curse
her? Finally I decided that it was--forgiveness.

Three days later, the funeral of Martin Petrovitch took place. The cost
of the ceremony was undertaken by my mother, who was deeply grieved at
his death, and gave orders that no expense was to be spared. She did
not herself go to the church, because she was unwilling, as she said,
to set eyes on those two vile hussies and that nasty little Jew. But
she sent Kvitsinsky, me, and Zhitkov, though from that time forward she
always spoke of the latter as a regular old woman. Souvenir she did not
admit to her presence, and was furious with him for long after, saying
that he was the murderer of her friend. He felt his disgrace acutely;
he was continually running, on tiptoe, up and down the room, next to
the one where my mother was; he gave himself up to a sort of scared and
abject melancholy, shuddering and muttering, ‘d’rectly!’

In church, and during the procession, Sletkin struck me as having
recovered his self-possession. He gave directions and bustled about in
his old way, and kept a greedy look-out that not a superfluous farthing
should be spent, though his own pocket was not in question. Maximka, in
a new Cossack dress, also a present from my mother, gave vent to such
tenor notes in the choir, that certainly no one could have any doubts
as to the sincerity of his devotion to the deceased. Both the sisters
were duly attired in mourning, but they seemed more stupefied than
grieved, especially Evlampia. Anna wore a meek, Lenten air, but made no
attempt to weep, and was continually passing her handsome, thin hand
over her hair and cheek. Evlampia seemed deep in thought all the time.
The universal, unbending alienation, condemnation, which I had noticed
on the day of Harlov’s death, I detected now too on the faces of all
the people in the church, in their actions and their glances, but still
more grave and, as it were, impersonal. It seemed as though all those
people felt that the sin into which the Harlov family had fallen--this
great sin--had gone now before the presence of the one righteous Judge,
and that for that reason, there was no need now for them to trouble
themselves and be indignant. They prayed devoutly for the soul of the
dead man, whom in life they had not specially liked, whom they had
feared indeed. Very abruptly had death overtaken him.

‘And it’s not as though he had been drinking heavily, brother,’ said
one peasant to another, in the porch.

‘Nay, without drink he was drunken indeed,’ responded the other.

‘He was cruelly wronged,’ the first peasant repeated the phrase that
summed it up.

‘Cruelly wronged,’ the others murmured after him.

‘The deceased was a hard master to you, wasn’t he?’ I asked a peasant,
whom I recognised as one of Harlov’s serfs.

‘He was a master, certainly,’ answered the peasant, ‘but still … he
was cruelly wronged!’

‘Cruelly wronged.…’ I heard again in the crowd.

At the grave, too, Evlampia stood, as it were, lost. Thoughts were
torturing her … bitter thoughts. I noticed that Sletkin, who several
times addressed some remark to her, she treated as she had once treated
Zhitkov, and worse still.

Some days later, there was a rumour all over our neighbourhood, that
Evlampia Martinovna had left the home of her fathers for ever, leaving
all the property that came to her to her sister and brother-in-law,
and only taking some hundreds of roubles.… ‘So Anna’s bought her
out, it seems!’ remarked my mother; ‘but you and I, certainly,’ she
added, addressing Zhitkov, with whom she was playing picquet--he took
Souvenir’s place, ‘are not skilful hands!’ Zhitkov looked dejectedly
at his mighty palms.… ‘Hands like that! Not skilful!’ he seemed to be
saying to himself.…

Soon after, my mother and I went to live in Moscow, and many years
passed before it was my lot to behold Martin Petrovitch’s daughters
again.



XXX


But I did see them again. Anna Martinovna I came across in the most
ordinary way.

After my mother’s death I paid a visit to our village, where I had
not been for over fifteen years, and there I received an invitation
from the mediator (at that time the process of settling the boundaries
between the peasants and their former owners was taking place over the
whole of Russia with a slowness not yet forgotten) to a meeting of
the other landowners of our neighbourhood, to be held on the estate
of the widow Anna Sletkin. The news that my mother’s ‘nasty little
Jew,’ with the prune-coloured eyes, no longer existed in this world,
caused me, I confess, no regret whatever. But it was interesting to get
a glimpse of his widow. She had the reputation in the neighbourhood
of a first-rate manager. And so it proved; her estate and homestead
and the house itself (I could not help glancing at the roof; it was
an iron one) all turned out to be in excellent order; everything was
neat, clean, tidied-up, where needful--painted, as though its mistress
were a German. Anna Martinovna herself, of course, looked older. But
the peculiar, cold, and, as it were, wicked charm which had once so
fascinated me had not altogether left her. She was dressed in rustic
fashion, but elegantly. She received us, not cordially--that word was
not applicable to her--but courteously, and on seeing me, a witness of
that fearful scene, not an eyelash quivered. She made not the slightest
reference to my mother, nor her father, nor her sister, nor her husband.

She had two daughters, both very pretty, slim young things, with
charming little faces and a bright and friendly expression in their
black eyes. There was a son, too, a little like his father, but still a
boy to be proud of! During the discussions between the landowners, Anna
Martinovna’s attitude was composed and dignified, she showed no sign of
being specially obstinate, nor specially grasping. But none had a truer
perception of their own interests than she of hers; none could more
convincingly expound and defend their rights. All the laws ‘pertinent
to the case,’ even the Minister’s circulars, she had thoroughly
mastered. She spoke little, and in a quiet voice, but every word she
uttered was to the point. It ended in our all signifying our agreement
to all her demands, and making concessions, which we could only marvel
at ourselves. On our way home, some of the worthy landowners even used
harsh words of themselves; they all hummed and hawed, and shook their
heads.

‘Ah, she’s got brains that woman!’ said one.

‘A tricky baggage!’ put in another less delicate proprietor. ‘Smooth in
word, but cruel in deed!’

‘And a screw into the bargain!’ added a third; ‘not a glass of vodka
nor a morsel of caviare for us--what do you think of that?’

‘What can one expect of her?’ suddenly croaked a gentleman who had been
silent till then, ‘every one knows she poisoned her husband!’

To my astonishment, nobody thought fit to controvert this awful and
certainly unfounded charge! I was the more surprised at this, as, in
spite of the slighting expressions I have reported, all of them felt
respect for Anna Martinovna, not excluding the indelicate landowner. As
for the mediator, he waxed positively eloquent.

‘Put her on a throne,’ he exclaimed, ‘she’d be another Semiramis or
Catherine the Second! The discipline among her peasants is a perfect
model.… The education of her children is model! What a head! What
brains!’

Without going into the question of Semiramis and Catherine, there was
no doubt Anna Martinovna was living a very happy life. Ease, inward and
external, the pleasant serenity of spiritual health, seemed the very
atmosphere about herself, her family, all her surroundings. How far she
had deserved such happiness … that is another question. Such questions,
though, are only propounded in youth. Everything in the world, good and
bad, comes to man, not through his deserts, but in consequence of some
as yet unknown but logical laws which I will not take upon myself to
indicate, though I sometimes fancy I have a dim perception of them.



XXXI


I questioned the mediator about Evlampia Martinovna, and learnt that
she had been lost sight of completely ever since she left home, and
probably ‘had departed this life long ago.’

So our worthy mediator expressed himself … but I am convinced that I
_have seen_ Evlampia, that I have come across her. This was how it was.

Four years after my interview with Anna Martinovna, I was spending the
summer at Murino, a little hamlet near Petersburg, a well-known resort
of summer visitors of the middle class. The shooting was pretty decent
about Murino at that time, and I used to go out with my gun almost
every day. I had a companion on my expeditions, a man of the tradesman
class, called Vikulov, a very sensible and good-natured fellow; but,
as he said of himself, of no position whatever. This man had been
simply everywhere, and everything! Nothing could astonish him, he knew
everything--but he cared for nothing but shooting and wine. Well,
one day we were on our way home to Murino, and we chanced to pass a
solitary house, standing at the cross-roads, and enclosed by a high,
close paling. It was not the first time I had seen the house, and every
time it excited my curiosity. There was something about it mysterious,
locked-up, grimly-dumb, something suggestive of a prison or a hospital.
Nothing of it could be seen from the road but its steep, dark,
red-painted roof. There was only one pair of gates in the whole fence;
and these seemed fastened and never opened. No sound came from the
other side of them. For all that, we felt that some one was certainly
living in the house; it had not at all the air of a deserted dwelling.
On the contrary, everything about it was stout, and tight, and strong,
as if it would stand a siege!

‘What is that fortress?’ I asked my companion. ‘Don’t you know?’

Vikulov gave a sly wink. ‘A fine building, eh? The police-captain of
these parts gets a nice little income out of it!’

‘How’s that?’

‘I’ll tell you. You’ve heard, I daresay, of the Flagellant
dissenters--that do without priests, you know?’

‘Yes.’

‘Well, it’s there that their chief mother lives.’

‘A woman?’

‘Yes--the mother; a mother of God, they say.’

‘Nonsense!’

‘I tell you, it is so. She is a strict one, they say.… A regular
commander-in-chief! She rules over thousands! I’d take her, and all
these mothers of God.… But what’s the use of talking?’

He called his Pegashka, a marvellous dog, with an excellent scent, but
with no notion of setting. Vikulov was obliged to tie her hind paws to
keep her from running so furiously.

His words sank into my memory. I sometimes went out of my way to
pass by the mysterious house. One day I had just got up to it, when
suddenly--wonderful to relate!--a bolt grated in the gates, a key
creaked in the lock, then the gates themselves slowly parted, there
appeared a large horse’s head, with a plaited forelock under a
decorated yoke, and slowly there rolled into the road a small cart,
like those driven by horse-dealers, and higglers. On the leather
cushion of the cart, near to me, sat a peasant of about thirty, of a
remarkably handsome and attractive appearance, in a neat black smock,
and a black cap, pulled down low on his forehead. He was carefully
driving the well-fed horse, whose sides were as broad as a stove.
Beside the peasant, on the far side of the cart, sat a tall woman, as
straight as an arrow. Her head was covered by a costly-looking black
shawl. She was dressed in a short jerkin of dove-coloured velvet, and
a dark blue merino skirt; her white hands she held discreetly clasped
on her bosom. The cart turned on the road to the left, and brought
the woman within two paces of me; she turned her head a little, and I
recognised Evlampia Harlov. I knew her at once, I did not doubt for one
instant, and indeed no doubt was possible; eyes like hers, and above
all that cut of the lips--haughty and sensual--I had never seen in any
one else. Her face had grown longer and thinner, the skin was darker,
here and there lines could be discerned; but, above all, the expression
of the face was changed! It is difficult to do justice in words to the
self-confidence, the sternness, the pride it had gained! Not simply the
serenity of power--the satiety of power was visible in every feature.
The careless glance she cast at me told of long years of habitually
meeting nothing but reverent, unquestioning obedience. That woman
clearly lived surrounded, not by worshippers, but by slaves. She had
clearly forgotten even the time when any command, any desire of hers,
was not carried out at the instant! I called her loudly by her name and
her father’s; she gave a faint start, looked at me a second time, not
with alarm, but with contemptuous wrath, as though asking--‘Who dares
to disturb me?’ and barely parting her lips, uttered a word of command.
The peasant sitting beside her started forward, with a wave of his arm
struck the horse with the reins--the horse set off at a strong rapid
trot, and the cart disappeared.

Since then I have not seen Evlampia again. In what way Martin
Petrovitch’s daughter came to be a Holy Virgin in the Flagellant sect
I cannot imagine. But, who knows, very likely she has founded a sect
which will be called--or even now is called--after her name, the
Evlampieshtchin sect? Anything may be, anything may come to pass.

And so this is what I had to tell you of my _Lear of the Steppes_, of
his family and his doings.

The story-teller ceased, and we talked a little longer, and then
parted, each to his home.

WEIMAR, 1870.



FAUST

[Illustration: _Goethe_]



FAUST

A STORY IN NINE LETTERS

_Entbehren sollst du, sollst entbehren_ (FAUST, PART I.)



FIRST LETTER

FROM PAVEL ALEXANDROVITCH B.… TO SEMYON NIKOLAEVITCH V.…


                                        M---- VILLAGE, _6th June 1850_.

I have been here for three days, my dear fellow, and, as I promised, I
take up my pen to write to you. It has been drizzling with fine rain
ever since the morning; I can’t go out; and I want a little chat with
you, too. Here I am again in my old home, where--it’s a dreadful thing
to say--I have not been for nine long years. Really, as you may fancy,
I have become quite a different man. Yes, utterly different, indeed; do
you remember, in the drawing-room, the little tarnished looking-glass
of my great-grandmother’s, with the queer little curly scrolls in
the corners--you always used to be speculating on what it had seen a
hundred years ago--directly I arrived, I went up to it, and I could
not help feeling disconcerted. I suddenly saw how old and changed I
had become in these last years. But I am not alone in that respect. My
little house, which was old and tottering long ago, will hardly hold
together now, it is all on the slant, and seems sunk into the ground.
My dear Vassilievna, the housekeeper (you can’t have forgotten her;
she used to regale you with such capital jam), is quite shrivelled up
and bent; when she saw me, she could not call out, and did not start
crying, but only moaned and choked, sank helplessly into a chair, and
waved her hand. Old Terenty has some spirit left in him still; he holds
himself up as much as ever, and turns out his feet as he walks. He
still wears the same yellow nankeen breeches, and the same creaking
goatskin slippers, with high heels and ribbons, which touched you so
much sometimes, … but, mercy on us!--how the breeches flap about his
thin legs nowadays! how white his hair has grown! and his face has
shrunk up into a sort of little fist. When he speaks to me, when he
begins directing the servants, and giving orders in the next room, it
makes me laugh and feel sorry for him. All his teeth are gone, and he
mumbles with a whistling, hissing sound. On the other hand, the garden
has got on wonderfully. The modest little plants of lilac, acacia, and
honeysuckle (do you remember, we planted them together?) have grown
into splendid, thick bushes. The birches, the maples--all that has
spread out and grown tall; the avenues of lime-trees are particularly
fine. I love those avenues, I love the tender grey, green colour, and
the delicate fragrance of the air under their arching boughs; I love
the changing net-work of rings of light on the dark earth--there is no
sand here, you know. My favourite oak sapling has grown into a young
oak tree. Yesterday I spent more than an hour in the middle of the day
on a garden bench in its shade. I felt very happy. All about me the
grass was deliciously luxuriant; a rich, soft, golden light lay upon
everything; it made its way even into the shade … and the birds one
could hear! You’ve not forgotten, I expect, that birds are a passion
of mine? The turtle-doves cooed unceasingly; from time to time there
came the whistle of the oriole; the chaffinch uttered its sweet little
refrain; the blackbirds quarrelled and twittered; the cuckoo called far
away; suddenly, like a mad thing, the woodpecker uttered its shrill
cry. I listened and listened to this subdued, mingled sound, and did
not want to move, while my heart was full of something between languor
and tenderness.

And it’s not only the garden that has grown up: I am continually coming
across sturdy, thick-set lads, whom I cannot recognise as the little
boys I used to know in old days. Your favourite, Timosha, has turned
into a Timofay, such as you could never imagine. You had fears in those
days for his health, and predicted consumption; but now you should just
see his huge, red hands, as they stick out from the narrow sleeves of
his nankeen coat, and the stout rounded muscles that stand out all
over him! He has a neck like a bull’s, and a head all over tight, fair
curls--a regular Farnese Hercules. His face, though, has changed less
than the others’; it is not even much larger in circumference, and
the good-humoured, ‘gaping’--as you used to say--smile has remained
the same. I have taken him to be my valet; I got rid of my Petersburg
fellow at Moscow; he was really too fond of putting me to shame, and
making me feel the superiority of his Petersburg manners. Of my dogs I
have not found one; they have all passed away. Nefka lived longer than
any of them--and she did not live till my return, as Argos lived till
the return of Ulysses; she was not fated to look once more with her
lustreless eyes on her master and companion in the chase. But Shavka
is all right, and barks as hoarsely as ever, and has one ear torn just
the same, and burrs sticking to his tail,--all just as it should be. I
have taken up my abode in what was your room. It is true the sun beats
down upon it, and there are a lot of flies in it; but there is less
of the smell of the old house in it than in the other rooms. It’s a
queer thing; that musty, rather sour, faint smell has a powerful effect
on my imagination; I don’t mean that it’s disagreeable to me, quite
the contrary, but it produces melancholy, and, at last, depression. I
am very fond, just as you are, of podgy old chests with brass plates,
white armchairs with oval backs, and crooked legs, fly-blown glass
lustres, with a big egg of lilac tinsel in the centre--of all sorts
of ancestral furniture, in fact. But I can’t stand seeing it all
continually; a sort of agitated dejection (it is just that) takes
possession of me. In the room where I have established myself, the
furniture is of the most ordinary, home-made description. I have left,
though, in the corner, a long narrow set of shelves, on which there is
an old-fashioned set of blown green and blue glasses, just discernible
through the dust. And I have had hung on the wall that portrait of a
woman--you remember, in the black frame?--that you used to call the
portrait of Manon Lescaut. It has got rather darker in these nine
years; but the eyes have the same pensive, sly, and tender look, the
lips have the same capricious, melancholy smile, and the half-plucked
rose falls as softly as ever from her slender fingers. I am greatly
amused by the blinds in my room. They were once green, but have been
turned yellow by the sun; on them are depicted, in dark colours,
scenes from d’Arlencourt’s _Hermit_. On one curtain the hermit, with
an immense beard, goggle-eyes, and sandals on his feet, is carrying
off a young lady with dishevelled locks to the mountains. On another
one, there is a terrific combat going on between four knights wearing
birettas, and with puffs on their shoulders; one, much foreshortened,
lies slain--in fact, there are pictures of all sorts of horrors, while
all about there is such unbroken peace, and the blinds themselves
throw such soft light on the ceiling.… A sort of inward calm has come
upon me since I have been settled here; one wants to do nothing, one
wants to see no one, one looks forward to nothing, one is too lazy for
thought, but not too lazy for musing; two different things, as you know
well. Memories of childhood, at first, came flooding upon me--wherever
I went, whatever I looked at, they surged up on all sides, distinct,
to the smallest detail, and, as it were, immovable, in their clearly
defined outlines.… Then these memories were succeeded by others, then …
then I gradually turned away from the past, and all that was left was
a sort of drowsy heaviness in my heart. Fancy! as I was sitting on the
dike, under a willow, I suddenly and unexpectedly burst out crying,
and should have gone on crying a long while, in spite of my advanced
years, if I had not been put to shame by a passing peasant woman, who
stared at me with curiosity, then, without turning her face towards me,
gave a low bow from the waist, and passed on. I should be very glad
to remain in the same mood (I shan’t do any more crying, of course)
till I go away from here; that is, till September, and should be very
sorry if any of my neighbours should take it into his head to call
on me. However there is no danger, I fancy, of that; I have no near
neighbours here. You will understand me, I’m sure; you know yourself,
by experience, how often solitude is beneficial … I need it now after
wanderings of all sorts.

But I shan’t be dull. I have brought a few books with me, and I have a
pretty fair library here. Yesterday, I opened all the bookcases, and
was a long while rummaging about among the musty books. I found many
curious things I had not noticed before: _Candide_, in a manuscript
translation of somewhere about 1770; newspapers and magazines of
the same period; _the Triumphant Chameleon_ (that is, Mirabeau),
_le Paysan Perverti_, etc. I came across children’s books, my own,
and my father’s, and my grandmother’s, and even, fancy, my great
grandmother’s; in one dilapidated French grammar in a particoloured
binding, was written in fat letters: ‘Ce livre appartient à Mlle
Eudoxie de Lavrine,’ and it was dated 1741. I saw books I had brought
at different times from abroad, among others, Goethe’s _Faust_. You’re
not aware, perhaps, that there was a time when I knew _Faust_ by heart
(the first part, of course) word for word; I was never tired of
reading it.… But other days, other dreams, and for the last nine years,
it has so happened, that I have scarcely had a Goethe in my hand. It
was with an indescribable emotion that I saw the little book I knew so
well, again (a poor edition of 1828). I brought it away with me, lay
down on the bed, and began to read. How all that splendid first scene
affected me! The entrance of the Spirit of the Earth, the words, you
remember--‘on the tide of life, in the whirl of creation,’ stirred a
long unfamiliar tremor and shiver of ecstasy. I recalled everything:
Berlin, and student days, and Fräulein Clara Stick, and Zeidelmann
in the _rôle_ of Mephistopheles, and the music of Radzivil, and all
and everything.… It was a long while before I could get to sleep: my
youth rose up and stood before me like a phantom; it ran like fire,
like poison through my veins, my heart leaped and would not be still,
something plucked at its chords, and yearnings began surging up.…

You see what fantasies your friend gives himself up to, at almost
forty, when he sits in solitude in his solitary little house! What
if any one could have peeped at me! Well, what? I shouldn’t have
been a bit ashamed of myself. To be ashamed is a sign of youth, too;
and I have begun (do you know how?) to notice that I’m getting old.
I’ll tell you how. I try in these days to make as much as I can of
my happy sensations, and to make little of my sad ones, and in the
days of my youth I did just the opposite. At times, one used to carry
about one’s melancholy as if it were a treasure, and be ashamed of a
cheerful mood.… But for all that, it strikes me, that in spite of all
my experience of life, there is something in the world, friend Horatio,
which I have not experienced, and that ‘something’ almost the most
important.

Oh, what have I worked myself up to! Farewell for the present! What are
you about in Petersburg? By the way; Savely, my country cook, wishes
to send his duty to you. He too is older, but not very much so, he is
grown rather corpulent, stouter all over. He is as good as ever at
chicken-soup, with stewed onions, cheesecakes with goffered edges, and
peagoose--peagoose is the famous dish of the steppes, which makes your
tongue white and rough for twenty-four hours after. On the other hand,
he roasts the meat as he always did, so that you can hammer on the
plate with it--hard as a board. But I must really say, good-bye!
Yours, P. B.



SECOND LETTER

From the SAME to the SAME


                                        M---- VILLAGE, _June 12, 1850_.

I have rather an important piece of news to tell you, my dear friend.
Listen! Yesterday I felt disposed for a walk before dinner--only not in
the garden; I walked along the road towards the town. Walking rapidly,
quite aimlessly, along a straight, long road is very pleasant. You
feel as if you’re doing something, hurrying somewhere. I look up; a
coach is coming towards me. Surely not some one to see me, I wondered
with secret terror.… No: there was a gentleman with moustaches in the
carriage, a stranger to me. I felt reassured. But all of a sudden,
when he got abreast with me, this gentleman told the coachman to stop
the horses, politely raised his cap, and still more politely asked
me, ‘was not I …’ mentioning my name. I too came to a standstill, and
with the fortitude of a prisoner brought up for trial, replied that
I was myself; while I stared like a sheep at the gentleman with the
moustaches and said to myself--‘I do believe I’ve seen him somewhere!’

‘You don’t recognise me?’ he observed, as he got out of the coach.

‘No, I don’t.’

‘But I knew you directly.’

Explanations followed; it appeared that it was Priemkov--do you
remember?--a fellow we used to know at the university. ‘Why, is that an
important piece of news?’ you are asking yourself at this instant, my
dear Semyon Nikolaitch. ‘Priemkov, to the best of my recollection, was
rather a dull chap; no harm in him though, and not a fool.’ Just so, my
dear boy; but hear the rest of our conversation.

‘I was delighted,’ says he, ‘when I heard you had come to your
country-place, into our neighbourhood. But I was not alone in that
feeling.’

‘Allow me to ask,’ I questioned: ‘who was so kind.…’

‘My wife.’

‘Your wife!’

‘Yes, my wife; she is an old acquaintance of yours.’

‘May I ask what was your wife’s name?’

‘Vera Nikolaevna; she was an Eltsov.…’

‘Vera Nikolaevna!’ I could not help exclaiming.…

This it is, which is the important piece of news I spoke of at the
beginning of my letter.

But perhaps you don’t see anything important even in this.… I shall
have to tell you something of my past … long past, life.

When we both left the university in 183-- I was three-and-twenty. You
went into the service; I decided, as you know, to go to Berlin. But
there was nothing to be done in Berlin before October. I wanted to
spend the summer in Russia--in the country--to have a good lazy holiday
for the last time; and then to set to work in earnest. How far this
last project was carried out, there is no need to enlarge upon here …
‘But where am I to spend the summer?’ I asked myself. I did not want to
go to my own place; my father had died not long before, I had no near
relations, I was afraid of the solitude and dreariness.… And so I was
delighted to receive an invitation from a distant cousin to stay at
his country-place in T … province. He was a well-to-do, good-natured,
simple-hearted man; he lived in style as a country magnate, and had a
palatial country house. I went to stay there. My cousin had a large
family; two sons and five daughters. Besides them, there was always a
crowd of people in his house. Guests were for ever arriving; and yet it
wasn’t jolly at all. The days were spent in noisy entertainments, there
was no chance of being by oneself. Everything was done in common, every
one tried to be entertaining, to invent some amusement, and at the
end of the day every one was fearfully exhausted. There was something
vulgar about the way we lived. I was already beginning to look forward
to getting away, and was only waiting till my cousin’s birthday
festivities were over, when on the very day of those festivities, at
the ball, I saw Vera Nikolaevna Eltsov--and I stayed on.

She was at that time sixteen. She was living with her mother on
a little estate four miles from my cousin’s place. Her father--a
remarkable man, I have been told--had risen rapidly to the grade of
colonel, and would have attained further distinctions, but he died
young, accidentally shot by a friend when out shooting. Vera Nikolaevna
was a baby at the time of his death. Her mother too was an exceptional
woman; she spoke several languages, and was very well informed. She
was seven or eight years older than her husband whom she had married
for love; he had run away with her in secret from her father’s house.
She never got over his loss, and, till the day of her death (I heard
from Priemkov that she had died soon after her daughter’s marriage),
she never wore anything but black. I have a vivid recollection of
her face: it was expressive, dark, with thick hair beginning to turn
grey; large, severe, lustreless eyes, and a straight, fine nose. Her
father--his surname was Ladanov--had lived for fifteen years in Italy.
Vera Nikolaevna’s mother was the daughter of a simple Albanian peasant
girl, who, the day after giving birth to her child, was killed by
her betrothed lover--a Transteverino peasant--from whom Ladanov had
enticed her away.… The story made a great sensation at the time. On his
return to Russia, Ladanov never left his house, nor even his study;
he devoted himself to chemistry, anatomy, and magical arts; tried to
discover means to prolong human life, fancied he could hold intercourse
with spirits, and call up the dead.… The neighbours looked upon him
as a sorcerer. He was extremely fond of his daughter, and taught her
everything himself: but he never forgave her elopement with Eltsov,
never allowed either of them to come into his presence, predicted a
life of sorrow for both of them, and died in solitude. When Madame
Eltsov was left a widow, she devoted her whole time to the education
of her daughter, and scarcely saw any friends. When I first met Vera
Nikolaevna, she had--just fancy--never been in a town in her life, not
even in the town of her district.

Vera Nikolaevna was not like the common run of Russian girls; there was
the stamp of something special upon her. I was struck from the first
minute by the extraordinary repose of all her movements and remarks.
She seemed free from any sort of disturbance or agitation; she answered
simply and intelligently, and listened attentively. The expression
of her face was sincere and truthful as a child’s, but a little cold
and immobile, though not dreamy. She was rarely gay, and not in the
way other girls are; the serenity of an innocent heart shone out in
everything about her, and cheered one more than any gaiety. She was not
tall, and had a very good figure, rather slender; she had soft, regular
features, a lovely smooth brow, light golden hair, a straight nose,
like her mother’s, and rather full lips; her dark grey eyes looked
out somewhat too directly from under soft, upward-turned eyelashes.
Her hands were small, and not very pretty; one never sees hands like
hers on people of talent … and, as a fact, Vera Nikolaevna had no
special talents. Her voice rang out clear as a child of seven’s. I was
presented to her mother at my cousin’s ball, and a few days later I
called on them for the first time.

Madame Eltsov was a very strange woman, a woman of character, of
strong will and concentration. She had a great influence on me; I at
once respected her and feared her. Everything with her was done on a
principle, and she had educated her daughter too on a principle, though
she did not interfere with her freedom. Her daughter loved her and
trusted her blindly. Madame Eltsov had only to give her a book, and
say--‘Don’t read that page,’ she would prefer to skip the preceding
page as well, and would certainly never glance at the page interdicted.
But Madame Eltsov too had her _idées fixes_, her fads. She was mortally
afraid, for instance, of anything that might work upon the imagination.
And so her daughter reached the age of seventeen without ever having
read a novel or a poem, while in Geography, History, and even Natural
History, she would often put me to shame, graduate as I was, and a
graduate, as you know, not by any means low down on the list either.
I used to try and argue with Madame Eltsov about her fad, though it
was difficult to draw her into conversation; she was very silent. She
simply shook her head.

‘You tell me,’ she said at last, ‘that reading poetry is _both_ useful
_and_ pleasant.… I consider one must make one’s choice early in life;
_either_ the useful _or_ the pleasant, and abide by it once for all. I,
too, tried at one time to unite the two.… That’s impossible, and leads
to ruin or vulgarity.’

Yes, a wonderful being she was, that woman, an upright, proud nature,
not without a certain fanaticism and superstition of her own. ‘I am
afraid of life,’ she said to me one day. And really she was afraid of
it, afraid of those secret forces on which life rests and which rarely,
but so suddenly, break out. Woe to him who is their sport! These
forces had shown themselves in fearful shape for Madame Eltsov; think
of her mother’s death, her husband’s, her father’s.… Any one would have
been panic-stricken. I never saw her smile. She had, as it were, locked
herself up and thrown the key into the water. She must have suffered
great grief in her time, and had never shared it with any one; she
had hidden it all away within herself. She had so thoroughly trained
herself not to give way to her feelings that she was even ashamed to
express her passionate love for her daughter; she never once kissed
her in my presence, and never used any endearing names, always Vera.
I remember one saying of hers; I happened to say to her that all of
us modern people were half broken by life. ‘It’s no good being half
broken,’ she observed; ‘one must be broken in thoroughly or let it
alone.…’

Very few people visited Madame Eltsov; but I went often to see her. I
was secretly aware that she looked on me with favour; and I liked Vera
Nikolaevna very much indeed. We used to talk and walk together.… Her
mother was no check upon us; the daughter did not like to be away from
her mother, and I, for my part, felt no craving for solitary talks
with her.… Vera Nikolaevna had a strange habit of thinking aloud; she
used at night in her sleep to talk loudly and distinctly about what
had impressed her during the day. One day, looking at me attentively,
leaning softly, as her way was, on her hand, she said, ‘It seems to me
that B. is a good person, but there’s no relying on him.’ The relations
existing between us were of the friendliest and most tranquil; only
once I fancied I detected somewhere far off in the very depths of her
clear eyes something strange, a sort of softness and tenderness.… But
perhaps I was mistaken.

Meanwhile the time was slipping by, and it was already time for me
to prepare for departure. But still I put it off. At times, when I
thought, when I realised that soon I should see no more of this sweet
girl I had grown so fond of, I felt sick at heart.… Berlin began to
lose its attractive force. I had not the courage to acknowledge to
myself what was going on within me, and, indeed, I didn’t understand
what was taking place,--it was as though a cloud were overhanging my
soul. At last one morning everything suddenly became clear to me. ‘Why
seek further, what is there to strive towards? Why, I shall not attain
to truth in any case. Isn’t it better to stay here, to be married?’
And, imagine, the idea of marriage had no terrors for me in those days.
On the contrary, I rejoiced in it. More than that; that day I declared
my intentions; only not to Vera Nikolaevna, as one would naturally
suppose, but to Madame Eltsov. The old lady looked at me.

‘No,’ she said; ‘my dear boy, go to Berlin, get broken in thoroughly.
You’re a good fellow; but it’s not a husband like you that’s needed for
Vera.’

I hung my head, blushed, and, what will very likely surprise you still
more, inwardly agreed with Madame Eltsov on the spot. A week later I
went away, and since then I have not seen her nor Vera Nikolaevna.

I have related this episode briefly because I know you don’t care for
anything ‘meandering.’ When I got to Berlin I very quickly forgot Vera
Nikolaevna.… But I will own that hearing of her so unexpectedly has
excited me. I am impressed by the idea that she is so close, that she
is my neighbour, that I shall see her in a day or two. The past seems
suddenly to have sprung up out of the earth before my eyes, and to have
rushed down upon me. Priemkov informed me that he was coming to call
upon me with the very object of renewing our old acquaintance, and that
he should look forward to seeing me at his house as soon as I could
possibly come. He told me he had been in the cavalry, had retired with
the rank of lieutenant, had bought an estate about six miles from me,
and was intending to devote himself to its management, that he had had
three children, but that two had died, and he had only a little girl
of five surviving.

‘And does your wife remember me?’ I inquired.

‘Yes, she remembers you,’ he replied, with some slight hesitation. ‘Of
course, she was a child, one may say, in those days; but her mother
always spoke very highly of you, and you know how precious every word
of her poor mother’s is to her.’

I recalled Madame Eltsov’s words, that I was not suitable for her
Vera.… ‘I suppose you were suitable,’ I thought, with a sidelong look
at Priemkov. He spent some hours with me. He is a very nice, dear, good
fellow, speaks so modestly, and looks at me so good-naturedly. One
can’t help liking him … but his intellectual powers have not developed
since we used to know him. I shall certainly go and see him, possibly
to-morrow. I am exceedingly curious to see how Vera Nikolaevna has
turned out.

You, spiteful fellow, are most likely laughing at me as you read
this, sitting at your directors’ table. But I shall write and tell
you, all the same, the impression she makes on me. Good-bye--till my
next.--Yours, P. B.



THIRD LETTER

From the SAME to the SAME


                                        M---- VILLAGE, _June 16, 1850_.

Well, my dear boy, I have been to her house; I have seen her. First of
all I must tell you one astonishing fact: you may believe me or not
as you like, but she has scarcely changed at all either in face or in
figure. When she came to meet me, I almost cried out in amazement; it
was simply a little girl of seventeen! Only her eyes are not a little
girl’s; but then her eyes were never like a child’s, even in her young
days,--they were too clear. But the same composure, the same serenity,
the same voice, not one line on her brow, as though she had been laid
in the snow all these years. And she’s twenty-eight now, and has had
three children.… It’s incomprehensible! Don’t imagine, please, that I
had some preconceived preference, and so am exaggerating; quite the
other way; I don’t like this absence of change in her a bit.

A woman of eight-and-twenty, a wife and a mother, ought not to be
like a little girl; she should have gained something from life. She
gave me a very cordial welcome; but Priemkov was simply overjoyed at
my arrival; the dear fellow seems on the look-out for some one to
make much of. Their house is very cosy and clean. Vera Nikolaevna
was dressed, too, like a girl; all in white, with a blue sash, and a
slender gold chain on her neck. Her daughter is very sweet and not at
all like her. She reminds one of her grandmother. In the drawing-room,
just over a sofa, there hangs a portrait of that strange woman, a
striking likeness. It caught my eye directly I went into the room.
It seemed as though she were gazing sternly and earnestly at me. We
sat down, spoke of old times, and by degrees got into conversation. I
could not help continually glancing at the gloomy portrait of Madame
Eltsov. Vera Nikolaevna was sitting just under it; it is her favourite
place. Imagine my amazement: Vera Nikolaevna has never yet read a
single novel, a single poem--in fact, not a single invented work, as
she expresses it! This incomprehensible indifference to the highest
pleasures of the intellect irritated me. In a woman of intelligence,
and as far as I can judge, of sensibility, it’s simply unpardonable.

‘What? do you make it a principle,’ I asked, ‘never to read books of
that sort?’

‘I have never happened to,’ she answered; ‘I haven’t had time!’

‘Not time! You surprise me! I should have thought,’ I went on,
addressing Priemkov, ‘you would have interested your wife in poetry.’

‘I should have been delighted----’ Priemkov was beginning, but Vera
Nikolaevna interrupted him--

‘Don’t pretend; you’ve no great love for poetry yourself.’

‘Poetry; well, no,’ he began; ‘I’m not very fond of it; but novels,
now.…’

‘But what do you do, how do you spend your evenings?’ I queried; ‘do
you play cards?’

‘We sometimes play,’ she answered; ‘but there’s always plenty to do. We
read, too; there are good books to read besides poetry.’

‘Why are you so set against poetry?’

‘I’m not set against it; I have been used to not reading these invented
works from a child. That was my mother’s wish, and the longer I live
the more I am convinced that everything my mother did, everything she
said, was right, sacredly right.’

‘Well, as you will, but I can’t agree with you; I am certain you are
depriving yourself quite needlessly of the purest, the most legitimate
pleasure. Why, you’re not opposed to music and painting, I suppose; why
be opposed to poetry?’

‘I’m not opposed to it; I have never got to know anything of it--that’s
all.’

‘Well, then, I will see to that! Your mother did not, I suppose, wish
to prevent your knowing anything of the works of creative, poetic art
all your life?’

‘No; when I was married, my mother removed every restriction; it never
occurred to me to read--what did you call them?… well, anyway, to read
novels.’

I listened to Vera Nikolaevna in astonishment. I had not expected this.

She looked at me with her serene glance. Birds look so when they are
not frightened.

‘I’ll bring you a book!’ I cried. (I thought of _Faust_, which I had
just been reading.)

Vera Nikolaevna gave a gentle sigh.

‘It----it won’t be Georges--Sand?’ she questioned with some timidity.

‘Ah! then you’ve heard of her? Well, if it were, where’s the harm?… No,
I’ll bring you another author. You’ve not forgotten German, have you?’

‘No.’

‘She speaks it like a German,’ put in Priemkov.

‘Well, that’s splendid! I will bring you--but there, you shall see what
a wonderful thing I will bring you.’

‘Very good, we shall see. But now let us go into the garden, or
there’ll be no keeping Natasha still.’

She put on a round straw hat, a child’s hat, just such a one as her
daughter was wearing, only a little larger, and we went into the
garden. I walked beside her. In the fresh air, in the shade of the tall
limes, I thought her face looked sweeter than ever, especially when she
turned a little and threw back her head so as to look up at me from
under the brim of her hat. If it had not been for Priemkov walking
behind us, and the little girl skipping about in front of us, I could
really have fancied I was three-and-twenty, instead of thirty-five;
and that I was just on the point of starting for Berlin, especially
as the garden we were walking in was very much like the garden in
Madame Eltsov’s estate. I could not help expressing my feelings to Vera
Nikolaevna.

‘Every one tells me that I am very little changed externally,’ she
answered, ‘though indeed I have remained just the same inwardly too.’

We came up to a little Chinese summer-house.

‘We had no summer-house like this at Osinovka,’ she said; ‘but you
mustn’t mind its being so tumbledown and discoloured: it’s very nice
and cool inside.’

We went into the house. I looked round.

‘I tell you what, Vera Nikolaevna,’ I observed, ‘you let them bring a
table and some chairs in here. Here it is really delicious. I will read
you here Goethe’s _Faust_--that’s the thing I am going to read you.’

‘Yes, there are no flies here,’ she observed simply. ‘When will you
come?’

‘The day after to-morrow.’

‘Very well,’ she answered. ‘I will arrange it.’

Natasha, who had come into the summer-house with us, suddenly gave a
shriek and jumped back, quite pale.

‘What is it?’ inquired Vera Nikolaevna.

‘O mammy,’ said the little girl, pointing into the corner, ‘look, what
a dreadful spider!’

Vera Nikolaevna looked into the corner: a fat mottled spider was
crawling slowly along the wall.

‘What is there to fear in that?’ she said. ‘It won’t bite, look.’

And before I had time to stop her, she took up the hideous insect, let
it run over her hand, and threw it away.

‘Well, you are brave!’ I cried.

‘Where is the bravery in that? It wasn’t a venomous spider.’

‘One can see you are as well up in Natural History as ever, but I
couldn’t have held it in my hand.’

‘There’s nothing to be afraid of!’ repeated Vera Nikolaevna.

Natasha looked at us both in silence, and laughed.

‘How like your mother she is!’ I remarked.

‘Yes,’ rejoined Vera Nikolaevna with a smile of pleasure, ‘it is a
great happiness to me. God grant she may be like her, not in face only!’

We were called in to dinner, and after dinner I went away.

_N.B._--The dinner was very good and well-cooked, an observation in
parenthesis for you, you gourmand!

To-morrow I shall take them _Faust_. I’m afraid old Goethe and I may
not come off very well. I will write and tell you all about it most
exactly.

Well, and what do you think of all these proceedings? No doubt, that
she has made a great impression on me, that I’m on the point of falling
in love, and all the rest of it? Rubbish, my dear boy! There’s a limit
to everything. I’ve been fool enough. No more! One can’t begin life
over again at my age. Besides, I never did care for women of that
sort.… Nice sort of women I did care for, if you come to that!!

    ‘I shudder--my heart is sick--
    I am ashamed of my idols.’

Any way, I am very glad of such neighbours, glad of the opportunity of
seeing something of an intelligent, simple, bright creature. And as to
what comes of it later on, you shall hear in due time.--Yours, P. B.



FOURTH LETTER

From the SAME to the SAME


                                        M---- VILLAGE, _June 20, 1850_.

The reading took place yesterday, dear friend, and here follows the
manner thereof. First of all, I hasten to tell you: a success quite
beyond all expectation--success, in fact, is not the word.… Well, I’ll
tell you. I arrived to dinner. We sat down a party of six to dinner:
she, Priemkov, their little girl, the governess (an uninteresting
colourless figure), I, and an old German in a short cinnamon-coloured
frock-coat, very clean, well-shaved and brushed; he had the meekest,
most honest face, and a toothless smile, and smelled of coffee mixed
with chicory … all old Germans have that peculiar odour about them.
I was introduced to him; he was one Schimmel, a German tutor, living
with the princes H., neighbours of the Priemkovs. Vera Nikolaevna,
it appeared, had a liking for him, and had invited him to be present
at the reading. We dined late, and sat a long while at table, and
afterwards went a walk. The weather was exquisite. In the morning
there had been rain and a blustering wind, but towards evening all was
calm again. We came out on to an open meadow. Directly over the meadow
a great rosy cloud poised lightly, high up in the sky; streaks of grey
stretched like smoke over it; on its very edge, continually peeping out
and vanishing again, quivered a little star, while a little further
off the crescent of the moon shone white upon a background of azure,
faintly flushed with red. I drew Vera Nikolaevna’s attention to the
cloud.

‘Yes,’ she said, ‘that is lovely; but look in this direction.’ I looked
round. An immense dark-blue storm-cloud rose up, hiding the setting
sun; it reared a crest like a thick sheaf flung upwards against the
sky; it was surrounded by a bright rim of menacing purple, which in one
place, in the very middle, broke right through its mighty mass, like
fire from a burning crater.…

‘There’ll be a storm,’ remarked Priemkov.

But I am wandering from the main point.

I forgot to tell you in my last letter that when I got home from the
Priemkovs’ I felt sorry I had mentioned _Faust_; Schiller would have
been a great deal better for the first time, if it was to be something
German. I felt especially afraid of the first scenes, before the
meeting with Gretchen. I was not quite easy about Mephistopheles
either. But I was under the spell of _Faust_, and there was nothing
else I could have read with zest. It was quite dark when we went into
the summer-house; it had been made ready for us the day before. Just
opposite the door, before a little sofa, stood a round table covered
with a cloth; easy-chairs and seats were placed round it; there was a
lamp alight on the table. I sat down on the little sofa, and took out
the book. Vera Nikolaevna settled herself in an easy-chair, a little
way off, close to the door. In the darkness, through the door, a green
branch of acacia stood out in the lamplight, swaying lightly; from time
to time a flood of night air flowed into the room. Priemkov sat near
me at the table, the German beside him. The governess had remained in
the house with Natasha. I made a brief, introductory speech. I touched
on the old legend of doctor Faust, the significance of Mephistopheles,
and Goethe himself, and asked them to stop me if anything struck them
as obscure. Then I cleared my throat.… Priemkov asked me if I wouldn’t
have some sugar water, and one could perceive that he was very well
satisfied with himself for having put this question to me. I refused.
Profound silence reigned. I began to read, without raising my eyes.
I felt ill at ease; my heart beat, and my voice shook. The first
exclamation of sympathy came from the German, and he was the only
one to break the silence all the while I was reading.… ‘Wonderful!
sublime!’ he repeated, adding now and then, ‘Ah! that’s profound.’
Priemkov, as far as I could observe, was bored; he did not know German
very well, and had himself admitted he did not care for poetry!… Well,
it was his own doing! I had wanted to hint at dinner that his company
could be dispensed with at the reading, but I felt a delicacy about
saying so. Vera Nikolaevna did not stir; twice I stole a glance at her.
Her eyes were fixed directly and intently upon me; her face struck
me as pale. After the first meeting of Faust with Gretchen she bent
forward in her low chair, clasped her hands, and remained motionless in
that position till the end. I felt that Priemkov was thoroughly sick
of it, and at first that depressed me, but gradually I forgot him,
warmed up, and read with fire, with enthusiasm.… I was reading for Vera
Nikolaevna alone; an inner voice told me that _Faust_ was affecting
her. When I finished (the intermezzo I omitted: that bit belongs in
style to the second part, and I skipped part, too, of the ‘Night on the
Brocken’) … when I finished, when that last ‘Heinrich!’ was heard, the
German with much feeling commented--‘My God! how splendid!’ Priemkov,
apparently overjoyed (poor chap!), leaped up, gave a sigh, and began
thanking me for the treat I had given them.… But I made him no reply;
I looked towards Vera Nikolaevna … I wanted to hear what she would say.
She got up, walked irresolutely towards the door, stood a moment in the
doorway, and softly went out into the garden. I rushed after her. She
was already some paces off; her dress was just visible, a white patch
in the thick shadow.

‘Well?’ I called--‘didn’t you like it?’

She stopped.

‘Can you leave me that book?’ I heard her voice saying.

‘I will present it you, Vera Nikolaevna, if you care to have it.’

‘Thank you!’ she answered, and disappeared.

Priemkov and the German came up to me.

‘How wonderfully warm it is!’ observed Priemkov; ‘it’s positively
stifling. But where has my wife gone?’

‘Home, I think,’ I answered.

‘I suppose it will soon be time for supper,’ he rejoined. ‘You read
splendidly,’ he added, after a short pause.

‘Vera Nikolaevna liked _Faust_, I think,’ said I.

‘No doubt of it!’ cried Priemkov.

‘Oh, of course!’ chimed in Schimmel.

We went into the house.

‘Where’s your mistress?’ Priemkov inquired of a maid who happened to
meet us.

‘She has gone to her bedroom.’

Priemkov went off to her bedroom.

I went out on to the terrace with Schimmel. The old man raised his eyes
towards the sky.

‘How many stars!’ he said slowly, taking a pinch of snuff; ‘and all are
worlds,’ he added, and he took another pinch.

I did not feel it necessary to answer him, and simply gazed upwards
in silence. A secret uncertainty weighed upon my heart.… The stars,
I fancied, looked down seriously at us. Five minutes later Priemkov
appeared and called us into the dining-room. Vera Nikolaevna came in
soon after. We sat down.

‘Look at Verotchka,’ Priemkov said to me.

I glanced at her.

‘Well? don’t you notice anything?’

I certainly did notice a change in her face, but I answered, I don’t
know why--

‘No, nothing.’

‘Her eyes are red,’ Priemkov went on.

I was silent.

‘Only fancy! I went upstairs to her and found her crying. It’s a long
while since such a thing has happened to her. I can tell you the last
time she cried; it was when our Sasha died. You see what you have done
with your _Faust_!’ he added, with a smile.

‘So you see now, Vera Nikolaevna,’ I began, ‘that I was right when----’

‘I did not expect this,’ she interrupted me; ‘but God knows whether
you are right. Perhaps that was the very reason my mother forbade my
reading such books,--she knew----’

Vera Nikolaevna stopped.

‘What did she know?’ I asked. ‘Tell me.’

‘What for? I’m ashamed of myself, as it is; what did I cry for? But
we’ll talk about it another time. There was a great deal I did not
quite understand.’

‘Why didn’t you stop me?’

‘I understood all the words, and the meaning of them, but----’

She did not finish her sentence, and looked away dreamily. At that
instant there came from the garden the sound of rustling leaves,
suddenly fluttering in the rising wind. Vera Nikolaevna started and
looked round towards the open window.

‘I told you there would be a storm!’ cried Priemkov. ‘But what made you
start like that, Verotchka?’

She glanced at him without speaking. A faint, far-off flash of
lightning threw a mysterious light on her motionless face.

‘It’s all due to your _Faust_,’ Priemkov went on. ‘After supper we must
all go to by-by.… Mustn’t we, Herr Schimmel?’

‘After intellectual enjoyment physical repose is as grateful as it
is beneficial,’ responded the kind-hearted German, and he drank a
wine-glass of vodka.

Immediately after supper we separated. As I said good-night to Vera
Nikolaevna I pressed her hand; her hand was cold. I went up to the room
assigned to me, and stood a long while at the window before I undressed
and got into bed. Priemkov’s prediction was fulfilled; the storm came
close, and broke. I listened to the roar of the wind, the patter and
splash of the rain, and watched how the church, built close by, above
the lake, at each flash of lightning stood out, at one moment black
against a background of white, at the next white against a background
of black, and then was swallowed up in the darkness again.… But my
thoughts were far away. I kept thinking of Vera Nikolaevna, of what she
would say to me when she had read _Faust_ herself, I thought of her
tears, remembered how she had listened.…

The storm had long passed away, the stars came out, all was hushed
around. Some bird I did not know sang different notes, several times in
succession repeating the same phrase. Its clear, solitary voice rang
out strangely in the deep stillness; and still I did not go to bed.…

Next morning, earlier than all the rest, I was down in the
drawing-room. I stood before the portrait of Madame Eltsov. ‘Aha,’ I
thought, with a secret feeling of ironical triumph, ‘after all, I have
read your daughter a forbidden book!’ All at once I fancied--you have
most likely noticed that eyes _en face_ always seem fixed straight on
any one looking at a picture--but this time I positively fancied the
old lady moved them with a reproachful look on me.

I turned round, went to the window, and caught sight of Vera
Nikolaevna. With a parasol on her shoulder and a light white kerchief
on her head, she was walking about the garden. I went out at once and
said good-morning to her.

‘I didn’t sleep all night,’ she said; ‘my head aches; I came out into
the air--it may go off.’

‘Can that be the result of yesterday’s reading?’ I asked.

‘Of course; I am not used to it. There are things in your book I can’t
get out of my mind; I feel as though they were simply turning my head,’
she added, putting her hand to her forehead.

‘That’s splendid,’ I commented; ‘but I tell you what I don’t like--I’m
afraid this sleeplessness and headache may turn you against reading
such things.’

‘You think so?’ she responded, and she picked a sprig of wild jasmine
as she passed. ‘God knows! I fancy if one has once entered on that
path, there is no turning back.’

She suddenly flung away the spray.

‘Come, let us sit down in this arbour,’ she went on; ‘and please,
until I talk of it of my own accord, don’t remind me--of that book.’
(She seemed afraid to utter the name _Faust_.)

We went into the arbour and sat down.

‘I won’t talk to you about _Faust_,’ I began; ‘but you will let me
congratulate you and tell you that I envy you.’

‘You envy me?’

‘Yes; you, as I know you now, with your soul, have such delights
awaiting you! There are great poets besides Goethe; Shakespeare,
Schiller--and, indeed, our own Pushkin, and you must get to know him
too.’

She did not speak, and drew in the sand with her parasol.

O, my friend, Semyon Nikolaitch! if you could have seen how sweet she
was at that instant; pale almost to transparency, stooping forward
a little, weary, inwardly perturbed--and yet serene as the sky! I
talked, talked a long while, then ceased, and sat in silence watching
her.… She did not raise her eyes, and went on drawing with her parasol
and rubbing it out again. Suddenly we heard quick, childish steps;
Natasha ran into the arbour. Vera Nikolaevna drew herself up, rose,
and to my surprise she embraced her daughter with a sort of passionate
tenderness.… That was not one of her ways. Then Priemkov made his
appearance. Schimmel, that grey-haired but punctual innocent, had left
before daybreak so as not to miss a lesson. We went in to morning tea.

But I am tired; it’s high time to finish this letter. It’s sure to
strike you as foolish and confused. I feel confused myself. I’m not
myself. I don’t know what’s the matter with me. I am continually
haunted by a little room with bare walls, a lamp, an open door, the
fragrance and freshness of the night, and there, near the door, an
intent youthful face, light white garments.… I understand now why I
wanted to marry her: I was not so stupid, it seems, before my stay in
Berlin as I had hitherto supposed. Yes, Semyon Nikolaitch, your friend
is in a curious frame of mind. All this I know will pass off … and if
it doesn’t pass off,--well, what then? it won’t pass off, and that’s
all. But any way I am well satisfied with myself; in the first place, I
have spent an exquisite evening; and secondly, if I have awakened that
soul, who can blame me? Old Madame Eltsov is nailed up on the wall,
and must hold her peace. The old thing!… I don’t know all the details
of her life; but I know she ran away from her father’s house; she was
not half Italian for nothing, it seems. She wanted to keep her daughter
secure … we shall see.

I must put down my pen. You, jeering person, pray think what you like
of me, only don’t jeer at me in writing. You and I are old friends, and
ought to spare each other. Good-bye!--Yours, P. B.



FIFTH LETTER

From the SAME to the SAME


                                        M---- VILLAGE, _July 26, 1850_.

It’s a long time since I wrote to you, dear Semyon Nicolaitch; more
than a month, I think. I had enough to write about but I was overcome
by laziness. To tell the truth, I have hardly thought of you all
this time. But from your last letter to me I gather that you are
drawing conclusions in regard to me, which are unjust, that is to
say, not altogether just. You imagine I have fallen in love with Vera
(I feel it awkward, somehow, to call her Vera Nikolaevna); you are
wrong. Of course I see her often, I like her extremely … indeed, who
wouldn’t like her? I should like to see you in my place. She’s an
exquisite creature! Rapid intuition, together with the inexperience
of a child, clear common-sense, and an innate feeling for beauty, a
continual striving towards the true and the lofty, and a comprehension
of everything, even of the vicious, even of the ridiculous, a soft
womanly charm brooding over all this like an angel’s white wings.… But
what’s the use of words! We have read a great deal, we have talked a
great deal together during this month. Reading with her is a delight
such as I had never experienced before. You seem to be discovering
new worlds. She never goes into ecstasies over anything; anything
boisterous is distasteful to her; she is softly radiant all over when
she likes anything, and her face wears such a noble and good--yes, good
expression. From her earliest childhood Vera has not known what deceit
was; she is accustomed to truth, it is the breath of her being, and
so in poetry too, only what is true strikes her as natural; at once,
without effort or difficulty, she recognises it as a familiar face …
a great privilege and happiness. One must give her mother credit for
it. How many times have I thought, as I watched Vera--yes, Goethe was
right, ‘the good even in their obscure striving feel always where the
true path lies.’ There is only one thing annoying--her husband is
always about the place. (Please don’t laugh a senseless guffaw, don’t
sully our pure friendship, even in thought). He is about as capable
of understanding poetry as I am of playing the flute, but he does not
like to lag behind his wife, he wants to improve himself too. Sometimes
she puts me out of patience herself; all of a sudden a mood comes
over her; she won’t read or talk, she works at her embroidery frame,
busies herself with Natasha, or with the housekeeper, runs off all at
once into the kitchen, or simply sits with her hands folded looking
out of the window, or sets to playing ‘fools’ with the nurse.… I have
noticed at these times it doesn’t do to bother her; it’s better to
bide one’s time till she comes up, begins to talk or takes up a book.
She has a great deal of independence, and I am very glad of it. In the
days of our youth, do you remember, young girls would sometimes repeat
one’s own words to one, as they so well knew how, and one would be
in ecstasies over the echo, and possibly quite impressed by it, till
one realised what it meant? but this woman’s … not so; she thinks for
herself. She takes nothing on trust; there’s no overawing her with
authority; she won’t begin arguing; but she won’t give in either. We
have discussed _Faust_ more than once; but, strange to say, Gretchen
she never speaks of, herself, she only listens to what I say of her.
Mephistopheles terrifies her, not as the devil, but as ‘something which
may exist in every man.…’ These are her own words. I began trying to
convince her that this ‘something’ is what we call reflection; but
she does not understand the word reflection in its German sense; she
only knows the French ‘refléxion’, and is accustomed to regarding it
as useful. Our relations are marvellous! From a certain point of
view I can say that I have a great influence over her, and am, as it
were, educating her; but she too, though she is unaware of it herself,
is changing me for the better in many ways. It’s only lately, for
instance--thanks to her--that I have discovered what an immense amount
of conventional, rhetorical stuff there is in many fine and celebrated
poetical works. What leaves her cold is at once suspect in my eyes.
Yes, I have grown better, serener. One can’t be near her, see her, and
remain the man one was.

What will come of all this? you ask. I really believe--nothing. I shall
pass my time very delightfully till September and then go away. Life
will seem dark and dreary to me for the first months … I shall get used
to it. I know how full of danger is any tie whatever between a man and
a young woman, how imperceptibly one feeling passes into another … I
should have had the strength to break it off, if I had not been sure
that we were both perfectly undisturbed. It is true one day something
queer passed between us. I don’t know how or from what--I remember we
had been reading _Oniegin_--I kissed her hand. She turned a little
away, bent her eyes upon me (I have never seen such a look, except in
her; there is dreaminess and intent attention in it, and a sort of
sternness), … suddenly flushed, got up and went away. I did not succeed
in being alone with her that day. She avoided me, and for four mortal
hours she played cards with her husband, the nurse, and the governess!
Next morning she proposed a walk in the garden to me. We walked all
through it, down to the lake. Suddenly without turning towards me, she
softly whispered--‘Please don’t do that again!’ and instantly began
telling me about something else.… I was very much ashamed.

I must admit that her image is never out of my mind, and indeed I may
almost say I have begun writing a letter to you with the object of
having a reason for thinking and talking about her. I hear the tramp
and neighing of horses; it’s my carriage being got ready. I am going to
see them. My coachman has given up asking me where to drive to, when
I get into my carriage--he takes me straight off to the Priemkovs’.
A mile and a half from their village, at an abrupt turn in the road,
their house suddenly peeps out from behind a birch copse.… Each time I
feel a thrill of joy in my heart directly I catch the glimmer of its
windows in the distance. Schimmel (the harmless old man comes to see
them from time to time; the princes H----, thank God, have only called
once) … Schimmel, with the modest solemnity characteristic of him, said
very aptly, pointing to the house where Vera lives: ‘That is the abode
of peace!’ In that house dwells an angel of peace.…

    Cover me with thy wing,
    Still the throbbing of my heart,
    And grateful will be the shade
    To the enraptured soul.…

But enough of this; or you’ll be fancying all sorts of things. Till
next time … What shall I write to you next time, I wonder?--Good-bye!
By the way, she never says ‘Good-bye,’ but always, ‘So, good-bye!’--I
like that tremendously.--Yours, P. B.

_P.S._--I can’t recollect whether I told you that she knows I wanted to
marry her.



SIXTH LETTER

From the SAME to the SAME


                                      M---- VILLAGE, _August 10, 1850_.

Confess you are expecting a letter from me of despair or of rapture!…
Nothing of the sort. My letter will be like any other letter. Nothing
new has happened, and nothing, I imagine, possibly can happen. The
other day we went out in a boat on the lake. I will tell you about this
boating expedition. We were three: she, Schimmel, and I. I don’t know
what induces her to invite the old fellow so often. The H----s, I hear,
are annoyed with him for neglecting his lessons. This time, though, he
was entertaining. Priemkov did not come with us; he had a headache. The
weather was splendid, brilliant; great white clouds that seemed torn
to shreds over a blue sky, everywhere glitter, a rustle in the trees,
the plash and lapping of water on the bank, running coils of gold on
the waves, freshness and sunlight! At first the German and I rowed;
then we hoisted a sail and flew before the wind. The boat’s bow almost
dipped in the water, and a constant hissing and foaming followed the
helm. She sat at the rudder and steered; she tied a kerchief over her
head; she could not have kept a hat on; her curls strayed from under
it and fluttered in the air. She held the rudder firmly in her little
sunburnt hand, and smiled at the spray which flew at times in her face.
I was curled up at the bottom of the boat; not far from her feet. The
German brought out a pipe, smoked his shag, and, only fancy, began
singing in a rather pleasing bass. First he sang the old-fashioned
song: ‘Freut euch des Lebens,’ then an air from the ‘Magic Flute,’
then a song called the ‘A B C of Love.’ In this song all the letters
of the alphabet--with additions of course--are sung through in order,
beginning with ‘A B C D--Wenn ich dich seh!’ and ending with ‘U V W
X--Mach einen Knicks!’ He sang all the couplets with much expression;
but you should have seen how slily he winked with his left eye at the
word ‘Knicks!’ Vera laughed and shook her finger at him. I observed
that, as far as I could judge, Mr. Schimmel had been a redoubtable
fellow in his day. ‘Oh yes, I could take my own part!’ he rejoined
with dignity; and he knocked the ash out of his pipe on to his open
hand, and, with a knowing air, held the mouth-piece on one side in his
teeth, while he felt in the tobacco-pouch. ‘When I was a student,’ he
added, ‘o-oh-oh!’ He said nothing more. But what an o-oh-oh! it was!
Vera begged him to sing some students’ song, and he sang her: ‘Knaster,
den gelben,’ but broke down on the last note. Altogether he was quite
jovial and expansive. Meanwhile the wind had blown up, the waves began
to be rather large, and the boat heeled a little over on one side;
swallows began flitting above the water all about us. We made the sail
loose and began to tack about. The wind suddenly blew a cross squall,
we had not time to right the sail, a wave splashed over the boat’s
edge and flung a lot of water into the boat. And now the German proved
himself a man of spirit; he snatched the cord from me, and set the sail
right, saying as he did so--‘So macht man ins Kuxhaven!’

Vera was most likely frightened, for she turned pale, but as her way
is, she did not utter a word, but picked up her skirt, and put her feet
upon the crosspiece of the boat. I was suddenly reminded of the poem
of Goethe’s (I have been simply steeped in him for some time past) …
you remember?--‘On the waves glitter a thousand dancing stars,’ and I
repeated it aloud. When I reached the line: ‘My eyes, why do you look
down?’ she slightly raised her eyes (I was sitting lower than she; her
gaze had rested on me from above) and looked a long while away into the
distance, screwing up her eyes from the wind.… A light rain came on in
an instant, and pattered, making bubbles on the water. I offered her
my overcoat; she put it over her shoulders. We got to the bank--not at
the landing-place--and walked home. I gave her my arm. I kept feeling
that I wanted to tell her something; but I did not speak. I asked her,
though, I remember, why she always sat, when she was at home, under the
portrait of Madame Eltsov, like a little bird under its mother’s wing.
‘Your comparison is a very true one,’ she responded, ‘I never want to
come out from under her wing.’ ‘Shouldn’t you like to come out into
freedom?’ I asked again. She made no answer.

I don’t know why I have described this expedition--perhaps, because it
has remained in my memory as one of the brightest events of the past
days, though, in reality, how can one call it an event? I had such a
sense of comfort and unspeakable gladness of heart, and tears, light,
happy tears were on the point of bursting from my eyes.

Oh! fancy, the next day, as I was walking in the garden by the arbour,
I suddenly heard a pleasing, musical, woman’s voice singing--‘Freut
euch des Lebens!…’ I glanced into the arbour: it was Vera. ‘Bravo!’ I
cried; ‘I didn’t know you had such a splendid voice.’ She was rather
abashed, and did not speak. Joking apart, she has a fine, strong
soprano. And I do believe she has never even suspected that she has a
good voice. What treasures of untouched wealth lie hid in her! She does
not know herself. But am I not right in saying such a woman is a rarity
in our time?

                                                           _August 12._

We had a very strange conversation yesterday. We touched first upon
apparitions. Fancy, she believes in them, and says she has her
own reasons for it. Priemkov, who was sitting there, dropped his
eyes, and shook his head, as though in confirmation of her words. I
began questioning her, but soon noticed that this conversation was
disagreeable to her. We began talking of imagination, of the power
of imagination. I told them that in my youth I used to dream a great
deal about happiness (the common occupation of people, who have not
had or are not having good luck in life). Among other dreams, I used
to brood over the bliss it would be to spend a few weeks, with the
woman I loved, in Venice. I so often mused over this, especially at
night, that gradually there grew up in my head a whole picture, which
I could call up at will: I had only to close my eyes. This is what I
imagined--night, a moon, the moonlight white and soft, a scent--of
lemon, do you suppose? no, of vanilla, a scent of cactus, a wide
expanse of water, a flat island overgrown with olives; on the island,
at the edge of the shore, a small marble house, with open windows;
music audible, coming from I know not where; in the house trees with
dark leaves, and the light of a half-shaded lamp; from one window, a
heavy velvet cloak, with gold fringe, hangs out with one end falling
in the water; and with their arms on the cloak, sit _he_ and _she_,
gazing into the distance where Venice can be seen. All this rose as
clearly before my mind as though I had seen it all with my own eyes.
She listened to my nonsense, and said that she too often dreamed, but
that her day-dreams were of a different sort: she fancied herself in
the deserts of Africa, with some explorer, or seeking the traces of
Franklin in the frozen Arctic Ocean. She vividly imagined all the
hardships she had to endure, all the difficulties she had to contend
with.…

‘You have read a lot of travels,’ observed her husband.

‘Perhaps,’ she responded; ‘but if one must dream, why need one dream of
the unattainable?’

‘And why not?’ I retorted. ‘Why is the poor unattainable to be
condemned?’

‘I did not say that,’ she said; ‘I meant to say, what need is there
to dream of oneself, of one’s own happiness? It’s useless thinking of
that; it does not come--why pursue it? It is like health; when you
don’t think of it, it means that it’s there.’

These words astonished me. There’s a great soul in this woman, believe
me.… From Venice the conversation passed to Italy, to the Italians.
Priemkov went away, Vera and I were left alone.

‘You have Italian blood in your veins too,’ I observed.

‘Yes,’ she responded; ‘shall I show you the portrait of my grandmother?’

‘Please do.’

She went to her own sitting-room, and brought out a rather large gold
locket. Opening this locket, I saw excellently painted miniature
portraits of Madame Eltsov’s father and his wife--the peasant woman
from Albano. Vera’s grandfather struck me by his likeness to his
daughter. Only his features, set in a white cloud of powder, seemed
even more severe, sharp, and hard, and in his little yellow eyes there
was a gleam of a sort of sullen obstinacy. But what a face the Italian
woman had, voluptuous, open like a full-blown rose, with prominent,
large, liquid eyes, and complacently smiling red lips! Her delicate
sensual nostrils seemed dilating and quivering as after recent kisses.
The dark cheeks seemed fragrant of glowing heat and health, the
luxuriance of youth and womanly power.… That brow had never done any
thinking, and, thank God, she had been depicted in her Albanian dress!
The artist (a master) had put a vine in her hair, which was black
as pitch with bright grey high lights; this Bacchic ornament was in
marvellous keeping with the expression of her face. And do you know of
whom the face reminded me? My Manon Lescaut in the black frame. And
what is most wonderful of all, as I looked at the portrait, I recalled
that in Vera too, in spite of the utter dissimilarity of the features,
there is at times a gleam of something like that smile, that look.…

Yes, I tell you again; neither she herself nor any one else in the
world knows as yet all that is latent in her.…

By the way--Madame Eltsov, before her daughter’s marriage, told her
all her life, her mother’s death, and so on, probably with a view to
her edification. What specially affected Vera was what she heard about
her grandfather, the mysterious Ladanov. Isn’t it owing to that that
she believes in apparitions? It’s strange! She is so pure and bright
herself, and yet is afraid of everything dark and underground, and
believes in it.…

But enough. Why write all this? However, as it is written, it may be
sent off to you.--Yours, P. B.



SEVENTH LETTER

From the SAME to the SAME


                                      M---- VILLAGE, _August 22, 1850_.

I take up my pen ten days after my last letter.… Oh my dear fellow, I
can’t hide my feelings any longer!… How wretched I am! How I love her!
You can imagine with what a thrill of bitterness I write that fatal
word. I am not a boy, not a young man even; I am no longer at that
stage when to deceive another is almost impossible, but to deceive
oneself costs no effort. I know all, and see clearly. I know that I
am just on forty, that she’s another man’s wife, that she loves her
husband; I know very well that the unhappy feeling which has gained
possession of me can lead to nothing but secret torture and an utter
waste of vital energy--I know all that, I expect nothing, and I wish
for nothing; but I am not the better off for that. As long as a month
ago I began to notice that the attraction she has for me was growing
stronger and stronger. This partly troubled me, and partly even
delighted me.… But how could I dream that everything would be repeated
with me, which you would have thought could no more come again than
youth can? What am I saying! I never loved like this, no, never! Manon
Lescauts, Fritilions, these were my idols--such idols can easily be
broken; but now … only now, I have found out what it is to love a
woman. I feel ashamed even to speak of it; but it’s so. I’m ashamed.…
Love is egoism any way; and at my years it’s not permissible to be an
egoist; at thirty-seven one cannot live for oneself; one must live to
some purpose, with the aim of doing one’s duty, one’s work on earth.
And I had begun to set to work.… And here everything is scattered to
the winds again, as by a hurricane! Now I understand what I wrote to
you in my first letter; I understand now what was the experience I had
missed. How suddenly this blow has fallen upon me! I stand and look
senselessly forward; a black veil hangs before my eyes; my heart is
full of heaviness and dread! I can control myself, I am outwardly calm
not only before others, but even in solitude. I can’t really rave like
a boy! But the worm has crept into my heart, and gnaws it night and
day. How will it end? Hitherto I have fretted and suffered when away
from her, and in her presence was at peace again at once--now I have no
rest even when I am with her, that is what alarms me. Oh my friend,
how hard it is to be ashamed of one’s tears, to hide them! Only youth
may weep; tears are only fitting for the young.…

I cannot read over this letter; it has been wrung from me
involuntarily, like a groan. I can add nothing, tell you nothing.… Give
me time; I will come to myself, and possess my soul again; I will talk
to you like a man, but now I am longing to lay my head on your breast
and----

Oh Mephistopheles! you too are no help to me! I stopped short of set
purpose, of set purpose I called up what irony is in me, I told myself
how ludicrous and mawkish these laments, these outbursts will seem to
me in a year, in half a year.… No, Mephistopheles is powerless, his
tooth has lost its edge.… Farewell.--Yours, P. B.



EIGHTH LETTER

From the SAME to the SAME


                                    M---- VILLAGE, _September 8, 1850_.

My dear Semyon Nikolaitch,--You have taken my last letter too much to
heart. You know I have always been given to exaggerating my sensations.
It’s done as it were unconsciously in me; a womanish nature! In the
process of years this will pass away of course; but I admit with a sigh
I have not corrected the failing so far. So set your mind at rest. I am
not going to deny the impression made on me by Vera, but I say again,
in all this there is nothing out of the way. For you to come here, as
you write of doing, would be out of the question, quite. Post over a
thousand versts, God knows with what object--why, it would be madness!
But I am very grateful for this fresh proof of your affection, and
believe me, I shall never forget it. Your journey here would be the
more out of place as I mean to come to Petersburg shortly myself. When
I am sitting on your sofa, I shall have a great deal to tell you, but
now I really don’t want to; what’s the use? I shall only talk nonsense,
I dare say, and muddle things up. I will write to you again before I
start. And so good-bye for a little while. Be well and happy, and don’t
worry yourself too much about the fate of--your devoted, P. B.



NINTH LETTER

From the SAME to the SAME


                                       P---- VILLAGE, _March 10, 1853_.

I have been a long while without answering your letter; I have been all
these days thinking about it. I felt that it was not idle curiosity
but real friendship that prompted you, and yet I hesitated whether to
follow your advice, whether to act on your desire. I have made up my
mind at last; I will tell you everything. Whether my confession will
ease my heart as you suppose, I don’t know; but it seems to me I have
no right to hide from you what has changed my life for ever; it seems
to me, indeed, that I should be wronging--alas! even more wronging--the
dear being ever in my thoughts, if I did not confide our mournful
secret to the one heart still dear to me. You alone, perhaps, on earth,
remember Vera, and you judge of her lightly and falsely; that I cannot
endure. You shall know all. Alas! it can all be told in a couple
of words. All there was between us flashed by in an instant, like
lightning, and like lightning, brought death and ruin.… Over two years
have passed since she died; since I took up my abode in this remote
spot, which I shall not leave till the end of my days, and everything
is still as vivid in my memory, my wounds are still as fresh, my grief
as bitter.… I will not complain. Complaints rouse up sorrow and so ease
it, but not mine. I will begin my story.

Do you remember my last letter--the letter in which I tried to allay
your fears and dissuaded you from coming from Petersburg? You suspected
its assumed lightness of tone, you put no faith in our seeing each
other soon; you were right. On the day before I wrote to you, I had
learnt that I was loved. As I write these words, I realise how hard
it would be for me to tell my story to the end. The ever insistent
thought of her death will torture me with redoubled force, I shall
be consumed by these memories.… But I will try to master myself, and
will either throw aside the pen, or will say not a word more than is
necessary. This is how I learnt that Vera loved me. First of all I must
tell you (and you will believe me) that up to that day I had absolutely
no suspicion. It is true she had grown pensive at times, which had
never been the way with her before; but I did not know why this change
had come upon her. At last, one day, the seventh of September--a day
memorable for me--this is what happened. You know how I loved her
and how wretched I was. I wandered about like an uneasy spirit, and
could find no rest. I tried to keep at home, but I could not control
myself, and went off to her. I found her alone in her own sitting-room.
Priemkov was not at home, he had gone out shooting. When I went in to
Vera, she looked intently at me and did not respond to my bow. She
was sitting at the window; on her knees lay a book I recognised at
once; it was my _Faust_. Her face showed traces of weariness. I sat
down opposite her. She asked me to read aloud the scene of Faust with
Gretchen, when she asks him if he believes in God. I took the book and
began reading. When I had finished, I glanced at her. Her head leaning
on the back of her low chair and her arms crossed on her bosom, she was
still looking as intently at me.

I don’t know why, my heart suddenly began to throb.

‘What have you done to me?’ she said in a slow voice.

‘What?’ I articulated in confusion.

‘Yes, what have you done to me?’ she repeated.

‘You mean to say,’ I began; ‘why did I persuade you to read such
books?’

She rose without speaking, and went out of the room. I looked after her.

On the doorway she stopped and turned to me.

‘I love you,’ she said; ‘that’s what you have done to me.’

The blood rushed to my head.…

‘I love you, I am in love with you,’ repeated Vera.

She went out and shut the door after her. I will not try to describe
what passed within me then. I remember I went out into the garden, made
my way into a thicket, leaned against a tree, and how long I stood
there, I could not say. I felt faint and numb; a feeling of bliss came
over my heart with a rush from time to time.… No, I cannot speak of
that. Priemkov’s voice roused me from my stupor; they had sent to tell
him I had come: he had come home from shooting and was looking for
me. He was surprised at finding me alone in the garden, without a hat
on, and he led me into the house. ‘My wife’s in the drawing-room,’ he
observed; ‘let’s go to her.’ You can imagine my sensations as I stepped
through the doorway of the drawing-room. Vera was sitting in the
corner, at her embroidery frame; I stole a glance at her, and it was a
long while before I raised my eyes again. To my amazement, she seemed
composed; there was no trace of agitation in what she said, nor in the
sound of her voice. At last I brought myself to look at her. Our eyes
met.… She faintly blushed, and bent over her canvas. I began to watch
her. She seemed, as it were, perplexed; a cheerless smile hung about
her lips now and then.

Priemkov went out. She suddenly raised her head and in a rather loud
voice asked me--‘What do you intend to do now?’

I was taken aback, and hurriedly, in a subdued voice, answered, that I
intended to do the duty of an honest man--to go away, ‘for,’ I added,
‘I love you, Vera Nikolaevna, you have probably seen that long ago.’
She bent over her canvas again and seemed to ponder.

‘I must talk with you,’ she said; ‘come this evening after tea to our
little house … you know, where you read _Faust_.’

She said this so distinctly that I can’t to this day conceive how it
was Priemkov, who came into the room at that instant, heard nothing.
Slowly, terribly slowly, passed that day. Vera sometimes looked about
her with an expression as though she were asking herself if she were
not dreaming. And at the same time there was a look of determination
in her face; while I … I could not recover myself. Vera loves me!
These words were continually going round and round in my head; but I
did not understand them--I neither understood myself nor her. I could
not believe in such unhoped-for, such overwhelming happiness; with an
effort I recalled the past, and I too looked and talked as in a dream.…

After evening tea, when I had already begun to think how I could steal
out of the house unobserved, she suddenly announced of her own accord
that she wanted a walk, and asked me to accompany her. I got up, took
my hat, and followed her. I did not dare begin to speak, I could
scarcely breathe, I awaited her first word, I awaited explanations; but
she did not speak. In silence we reached the summer-house, in silence
we went into it, and then--I don’t know to this day, I can’t understand
how it happened--we suddenly found ourselves in each other’s arms. Some
unseen force flung me to her and her to me. In the fading daylight,
her face, with the curls tossed back, lighted up for an instant with a
smile of self-surrender and tenderness, and our lips met in a kiss.…

That kiss was the first and last.

Vera suddenly broke from my arms and with an expression of horror in
her wide open eyes staggered back----

‘Look round,’ she said in a shaking voice; ‘do you see nothing?’

I turned round quickly.

‘Nothing. Why, do you see something?’

‘Not now, but I did.’

She drew deep, gasping breaths.

‘Whom? what?’

‘My mother,’ she said slowly, and she began trembling all over. I
shivered too, as though with cold. I suddenly felt ashamed, as though I
were guilty. And indeed, wasn’t I guilty at that instant?

‘Nonsense!’ I began; ‘what do you mean? Tell me rather----’

‘No, for God’s sake, no!’ she interposed, clutching her head. ‘This
is madness--I’m going out of my mind.… One can’t play with this--it’s
death.… Good-bye.…’

I held out my hands to her.

‘Stay, for God’s sake, for an instant,’ I cried in an involuntary
outburst. I didn’t know what I was saying and could scarcely stand
upright. ‘For God’s sake … it is too cruel!’

She glanced at me.

‘To-morrow, to-morrow evening,’ she said, ‘not to-day, I beseech
you--go away to-day … to-morrow evening come to the garden gate, near
the lake. I will be there, I will come.… I swear to you I will come,’
she added with passion, and her eyes shone; ‘whoever may hinder me, I
swear! I will tell you everything, only let me go to-day.’

And before I could utter a word she was gone. Utterly distraught, I
stayed where I was. My head was in a whirl. Across the mad rapture,
which filled my whole being, there began to steal a feeling of
apprehension.… I looked round. The dim, damp room in which I was
standing oppressed me with its low roof and dark walls.

I went out and walked with dejected steps towards the house. Vera was
waiting for me on the terrace; she went into the house directly I drew
near, and at once retreated to her bedroom.

I went away.

How I spent the night and the next day till the evening I can’t tell
you. I only remember that I lay, my face hid in my hands, I recalled
her smile before our kiss, I whispered--‘At last, she.…’

I recalled, too, Madame Eltsov’s words, which Vera had repeated to me.
She had said to her once, ‘You are like ice; until you melt as strong
as stone, but directly you melt there’s nothing of you left.’

Another thing recurred to my mind; Vera and I had once been talking of
talent, ability.

‘There’s only one thing I can do,’ she said; ‘keep silent till the last
minute.’

I did not understand it in the least at the time.

‘But what is the meaning of her fright?’ I wondered--‘Can she really
have seen Madame Eltsov? Imagination!’ I thought, and again I gave
myself up to the emotions of expectation.

It was on that day I wrote you,--with what thoughts in my head it
hurts me to recall--that deceitful letter.

In the evening--the sun had not yet set--I took up my stand about fifty
paces from the garden gate in a tall thicket on the edge of the lake.
I had come from home on foot. I will confess to my shame; fear, fear
of the most cowardly kind, filled my heart; I was incessantly starting
… but I had no feeling of remorse. Hiding among the twigs, I kept
continual watch on the little gate. It did not open. The sun set, the
evening drew on; then the stars came out, and the sky turned black.
No one appeared. I was in a fever. Night came on. I could bear it no
longer; I came cautiously out of the thicket and stole down to the
gate. Everything was still in the garden. I called Vera, in a whisper,
called a second time, a third.… No voice called back. Half-an-hour
more passed by, and an hour; it became quite dark. I was worn out by
suspense; I drew the gate towards me, opened it at once, and on tiptoe,
like a thief, walked towards the house. I stopped in the shadow of a
lime-tree.

Almost all the windows in the house had lights in them; people were
moving to and fro in the house. This surprised me; my watch, as far as
I could make out in the dim starlight, said half-past eleven. Suddenly
I heard a noise near the house; a carriage drove out of the courtyard.

‘Visitors, it seems,’ I thought. Losing every hope of seeing Vera, I
made my way out of the garden and walked with rapid steps homewards.
It was a dark September night, but warm and windless. The feeling,
not so much of annoyance as of sadness, which had taken possession of
me, gradually disappeared, and I got home, rather tired from my rapid
walk, but soothed by the peacefulness of the night, happy and almost
light-hearted. I went to my room, dismissed Timofay, and without
undressing, flung myself on my bed and plunged into reverie.

At first my day-dreams were sweet, but soon I noticed a curious change
in myself. I began to feel a sort of secret gnawing anxiety, a sort of
deep, inward uneasiness. I could not understand what it arose from,
but I began to feel sick and sad, as though I were menaced by some
approaching trouble, as though some one dear to me were suffering at
that instant and calling on me for help. A wax candle on the table
burnt with a small, steady flame, the pendulum swung with a heavy,
regular tick. I leant my head on my hand and fell to gazing into
the empty half-dark of my lonely room. I thought of Vera, and my
heart failed me; all, at which I had so rejoiced, struck me, as it
ought to have done, as unhappiness, as hopeless ruin. The feeling
of apprehension grew and grew; I could not lie still any longer; I
suddenly fancied again that some one was calling me in a voice of
entreaty.… I raised my head and shuddered; I had not been mistaken; a
pitiful cry floated out of the distance and rang faintly resounding
on the dark window-panes. I was frightened; I jumped off the bed; I
opened the window. A distinct moan broke into the room and, as it
were, hovered about me. Chilled with terror, I drank in its last dying
echoes. It seemed as though some one were being killed in the distance
and the luckless wretch were beseeching in vain for mercy. Whether it
was an owl hooting in the wood or some other creature that uttered this
wail, I did not think to consider at the time, but, like Mazeppa, I
called back in answer to the ill-omened sound.

‘Vera, Vera!’ I cried; ‘is it you calling me?’ Timofay, sleepy and
amazed, appeared before me.

I came to my senses, drank a glass of water, and went into another
room; but sleep did not come to me. My heart throbbed painfully though
not rapidly. I could not abandon myself to dreams of happiness again; I
dared not believe in it.

Next day, before dinner, I went to the Priemkovs’. Priemkov met me with
a care-worn face.

‘My wife is ill,’ he began; ‘she is in bed; I sent for a doctor.’

‘What is the matter with her?’

‘I can’t make out. Yesterday evening she went into the garden and
suddenly came back quite beside herself, panic-stricken. Her maid
ran for me. I went in, and asked my wife what was wrong. She made no
answer, and so she has lain; by night delirium set in. In her delirium
she said all sorts of things; she mentioned you. The maid told me an
extraordinary thing; that Vera’s mother appeared to her in the garden;
she fancied she was coming to meet her with open arms.’

You can imagine what I felt at these words.

‘Of course that’s nonsense,’ Priemkov went on; ‘though I must admit
that extraordinary things have happened to my wife in that way.’

‘And you say Vera Nikolaevna is very unwell?’

‘Yes: she was very bad in the night; now she is wandering.’

‘What did the doctor say?’

‘The doctor said that the disease was undefined as yet.…’

                                                            _March 12._

I cannot go on as I began, dear friend; it costs me too much effort and
re-opens my wounds too cruelly. The disease, to use the doctor’s words,
became defined, and Vera died of it. She did not live a fortnight
after the fatal day of our momentary interview. I saw her once more
before her death. I have no memory more heart-rending. I had already
learned from the doctor that there was no hope. Late in the evening,
when every one in the house was in bed, I stole to the door of her room
and looked in at her. Vera lay in her bed, with closed eyes, thin and
small, with a feverish flush on her cheeks. I gazed at her as though
turned to stone. All at once she opened her eyes, fastened them upon
me, scrutinised me, and stretching out a wasted hand--

    ‘Was will er an dem heiligen Ort
    Der da … der dort …’[1]

    [1] _Faust_, Part I., Last Scene.

she articulated, in a voice so terrible that I rushed headlong away.
Almost all through her illness, she raved about _Faust_ and her mother,
whom she sometimes called Martha, sometimes Gretchen’s mother.

Vera died. I was at her burying. Ever since then I have given up
everything and am settled here for ever.

Think now of what I have told you; think of her, of that being so
quickly brought to destruction. How it came to pass, how explain this
incomprehensible intervention of the dead in the affairs of the living,
I don’t know and never shall know. But you must admit that it is not
a fit of whimsical spleen, as you express it, which has driven me to
retire from the world. I am not what I was, as you knew me; I believe
in a great deal now which I did not believe formerly. All this time I
have thought so much of that unhappy woman (I had almost said, girl),
of her origin, of the secret play of fate, which we in our blindness
call blind chance. Who knows what seeds each man living on earth leaves
behind him, which are only destined to come up after his death? Who
can say by what mysterious bond a man’s fate is bound up with his
children’s, his descendants’; how his yearnings are reflected in them,
and how they are punished for his errors? We must all submit and bow
our heads before the Unknown.

Yes, Vera perished, while I was untouched. I remember, when I was a
child, we had in my home a lovely vase of transparent alabaster. Not
a spot sullied its virgin whiteness. One day when I was left alone,
I began shaking the stand on which it stood … the vase suddenly fell
down and broke to shivers. I was numb with horror, and stood motionless
before the fragments. My father came in, saw me, and said, ‘There, see
what you have done; we shall never have our lovely vase again; now
there is no mending it!’ I sobbed. I felt I had committed a crime.

I grew into a man--and thoughtlessly broke a vessel a thousand times
more precious.…

In vain I tell myself that I could not have dreamed of such a sudden
catastrophe, that it struck me too with its suddenness, that I did not
even suspect what sort of nature Vera was. She certainly knew how to be
silent till the last minute. I ought to have run away directly I felt
that I loved her, that I loved a married woman. But I stayed, and that
fair being was shattered, and with despair I gaze at the work of my own
hands.

Yes, Madame Eltsov took jealous care of her daughter. She guarded her
to the end, and at the first incautious step bore her away with her to
the grave!

It is time to make an end.… I have not told one hundredth part of
what I ought to have; but this has been enough for me. Let all
that has flamed up fall back again into the depths of my heart.…
In conclusion, I say to you--one conviction I have gained from the
experience of the last years--life is not jest and not amusement; life
is not even enjoyment … life is hard labour. Renunciation, continual
renunciation--that is its secret meaning, its solution. Not the
fulfilment of cherished dreams and aspirations, however lofty they
may be--the fulfilment of duty, that is what must be the care of man.
Without laying on himself chains, the iron chains of duty, he cannot
reach without a fall the end of his career. But in youth we think--the
freer the better, the further one will get. Youth may be excused for
thinking so. But it is shameful to delude oneself when the stern face
of truth has looked one in the eyes at last.

Good-bye! In old days I would have added, be happy; now I say to
you, try to live, it is not so easy as it seems. Think of me, not
in hours of sorrow, but in hours of contemplation, and keep in your
heart the image of Vera in all its pure stainlessness.… Once more,
good-bye!--Yours, P. B.

1855.



ACIA

[Illustration: Raphael’s Galatea in the Farnesino.

(Villa Chigi.)]



ACIA



I


At that time I was five-and-twenty, began N. N.,--it was in days long
past, as you perceive. I had only just gained my freedom and gone
abroad, not to ‘finish my education,’ as the phrase was in those days;
I simply wanted to have a look at God’s world. I was young, and in good
health and spirits, and had plenty of money. Troubles had not yet had
time to gather about me. I existed without thought, did as I liked,
lived like the lilies of the field, in fact. It never occurred to me in
those days that man is not a plant, and cannot go on living like one
for long. Youth will eat gilt gingerbread and fancy it’s daily bread
too; but the time comes when you’re in want of dry bread even. There’s
no need to go into that, though.

I travelled without any sort of aim, without a plan; I stopped wherever
I liked the place, and went on again directly I felt a desire to see
new faces--faces, nothing else. I was interested in people exclusively;
I hated famous monuments and museums of curiosities, the very sight
of a guide produced in me a sense of weariness and anger; I was almost
driven crazy in the Dresden ‘Grüne-Gewölbe.’ Nature affected me
extremely, but I did not care for the so-called beauties of nature,
extraordinary mountains, precipices, and waterfalls; I did not like
nature to obtrude, to force itself upon me. But faces, living human
faces--people’s talk, and gesture, and laughter--that was what was
absolutely necessary to me. In a crowd I always had a special feeling
of ease and comfort. I enjoyed going where others went, shouting when
others shouted, and at the same time I liked to look at the others
shouting. It amused me to watch people … though I didn’t even watch
them--I simply stared at them with a sort of delighted, ever-eager
curiosity. But I am diverging again.

And so twenty years ago I was staying in the little German town Z.,
on the left bank of the Rhine. I was seeking solitude; I had just
been stabbed to the heart by a young widow, with whom I had made
acquaintance at a watering-place. She was very pretty and clever, and
flirted with every one--with me, too, poor sinner. At first she had
positively encouraged me, but later on she cruelly wounded my feelings,
sacrificing me for a red-faced Bavarian lieutenant. It must be owned,
the wound to my heart was not a very deep one; but I thought it my
duty to give myself up for a time to gloom and solitude--youth will
find amusement in anything!--and so I settled at Z.

I liked the little town for its situation on the slope of two high
hills, its ruined walls and towers, its ancient lime-trees, its steep
bridge over the little clear stream that falls into the Rhine, and,
most of all, for its excellent wine. In the evening, directly after
sunset (it was June), very pretty flaxen-haired German girls used to
walk about its narrow streets and articulate ‘Guten Abend’ in agreeable
voices on meeting a stranger,--some of them did not go home even when
the moon had risen behind the pointed roofs of the old houses, and
the tiny stones that paved the street could be distinctly seen in its
still beams. I liked wandering about the town at that time; the moon
seemed to keep a steady watch on it from the clear sky; and the town
was aware of this steady gaze, and stood quiet and attentive, bathed
in the moonlight, that peaceful light which is yet softly exciting
to the soul. The cock on the tall Gothic bell-tower gleamed a pale
gold, the same gold sheen glimmered in waves over the black surface of
the stream; slender candles (the German is a thrifty soul!) twinkled
modestly in the narrow windows under the slate roofs; branches of
vine thrust out their twining tendrils mysteriously from behind
stone walls; something flitted into the shade by the old-fashioned
well in the three-cornered market place; the drowsy whistle of the
night watchman broke suddenly on the silence, a good-natured dog
gave a subdued growl, while the air simply caressed the face, and
the lime-trees smelt so sweet that unconsciously the lungs drew in
deeper and deeper breaths of it, and the name ‘Gretchen’ hung, half
exclamation, half question, on the lips.

The little town of Z. lies a mile and a half from the Rhine. I used
often to walk to look at the majestic river, and would spend long
hours on a stone-seat under a huge solitary ash-tree, musing, not
without some mental effort, on the faithless widow. A little statue
of a Madonna, with an almost childish face and a red heart, pierced
with swords, on her bosom, peeped mournfully out of the branches of
the ash-tree. On the opposite bank of the river was the little town
L., somewhat larger than that in which I had taken up my quarters.
One evening I was sitting on my favourite seat, gazing at the sky,
the river, and the vineyards. In front of me flaxen-headed boys were
scrambling up the sides of a boat that had been pulled ashore, and
turned with its tarred bottom upwards. Sailing-boats moved slowly by
with slightly dimpling sails; the greenish waters glided by, swelling
and faintly rumbling. All of a sudden sounds of music drifted across
to me; I listened. A waltz was being played in the town of L. The
double bass boomed spasmodically, the sound of the fiddle floated
across indistinctly now and then, the flute was tootling briskly.

‘What’s that?’ I inquired of an old man who came up to me, in a plush
waistcoat, blue stockings, and shoes with buckles.

‘That,’ he replied, after first shifting his pipe from one corner
of his mouth to the other, ‘is the students come over from B. to a
commersh.’

‘I’ll have a look at this commersh,’ I thought. ‘I’ve never been over
to L. either.’ I sought out a ferryman, and went over to the other
side.



II


Every one, perhaps, may not know what such a commersh is. It is a
solemn festival of a special sort, at which students meet together who
are of one district or brotherhood (Landsmannschaft). Almost all who
take part in the commersh wear the time-honoured costume of German
students: Hungarian jackets, big boots, and little caps, with bands
round them of certain colours. The students generally assemble to a
dinner, presided over by their senior member, and they keep up the
festivities till morning--drinking, singing songs, ‘Landesvater,’
‘Gaudeamus,’ etc., smoking, and reviling the Philistines. Sometimes
they hire an orchestra.

Just such a commersh was going on in L., in front of a little inn, with
the sign of the Sun, in the garden looking on to the street. Flags were
flying over the inn and over the garden; the students were sitting
at tables under the pollard lime-trees; a huge bull-dog was lying
under one of the tables; on one side, in an ivy-covered arbour, were
the musicians, playing away zealously, and continually invigorating
themselves with beer. A good many people had collected in the street,
before the low garden wall; the worthy citizens of L. could not let
slip a chance of staring at visitors. I too mingled in the crowd of
spectators. I enjoyed watching the students’ faces; their embraces,
exclamations, the innocent affectations of youth, the fiery glances,
the laughter without cause--the sweetest laughter in the world--all
this joyous effervescence of young, fresh life, this eager pushing
forward--anywhere, so long as it’s forward--the simple-hearted freedom
moved me and stirred me.

‘Couldn’t I join them?’ I was wondering.…

‘Acia, have you had enough of it?’ I heard a man’s voice say suddenly,
in Russian, just behind me.

‘Let’s stay a little longer,’ answered another voice, a woman’s, in the
same language.

I turned quickly round.… My eyes fell on a handsome young man in a
peaked cap and a loose short jacket. He had on his arm a young girl,
not very tall, wearing a straw hat, which concealed all the upper part
of her face.

‘You are Russians,’ fell involuntarily from my lips.

The young man smiled and answered--

‘Yes, we are Russians.’

‘I never expected … in such an out of the way place,’ I was beginning--

‘Nor did we,’ he interrupted me. ‘Well, so much the better. Let me
introduce myself. My name’s Gagin, and this is my----’ he hesitated for
an instant, ‘my sister. What is your name, may I ask?’

I told him my name, and we got into conversation. I found out that
Gagin was travelling, like me, for his amusement; that he had arrived a
week before at L., and was staying on there. To tell the truth, I was
not eager to make friends with Russians abroad. I used to recognise
them a long way off by their walk, the cut of their clothes, and, most
of all, by the expression of their faces which was self-complacent and
supercilious, often imperious, but would all of a sudden change, and
give place to an expression of shyness and cautiousness.… The whole man
would suddenly be on his guard, his eyes would shift uneasily.… ‘Mercy
upon us! Haven’t I said something silly; aren’t they laughing at me?’
those restless eyes seem to ask.… An instant later and haughtiness has
regained its sway over the physiognomy, varied at times by a look of
dull blankness. Yes, I avoided Russians; but I liked Gagin at once.
There are faces in the world of that happy sort; every one is glad to
look at them, as though they warmed or soothed one in some way. Gagin
had just such a face--sweet and kind, with large soft eyes and soft
curly hair. He spoke in such a way that even if you did not see his
face, you could tell by the mere sound of his voice that he was smiling!

The girl, whom he had called his sister, struck me at the first glance
as very charming. There was something individual, characteristic in
the lines of her dark, round face, with its small, fine nose, almost
childish cheeks, and clear black eyes. She was gracefully built, but
hardly seemed to have reached her full development yet. She was not in
the least like her brother.

‘Will you come home with us?’ Gagin said to me; ‘I think we’ve stared
enough at the Germans. Our fellows, to be sure, would have broken the
windows, and smashed up the chairs, but these chaps are very sedate.
What do you say, Acia, shall we go home?’

The girl nodded her head in assent.

‘We live outside the town,’ Gagin continued, ‘in a vineyard, in a
lonely little house, high up. It’s delightful there, you’ll see. Our
landlady promised to make us some junket. It will soon be dark now, and
you had much better cross the Rhine by moonlight.’

We set off. Through the low gates of the town (it was enclosed on all
sides by an ancient wall of cobble-stones, even the barbicans had not
all fallen into ruins at that time), we came out into the open country,
and after walking a hundred paces beside a stone wall, we came to a
standstill before a little narrow gate. Gagin opened it, and led us
along a steep path up the mountain-side. On the slopes on both sides
was the vineyard; the sun had just set, and a delicate rosy flush lay
on the green vines, on the tall poles, on the dry earth, which was
dotted with big and little stones, and on the white wall of the little
cottage, with sloping black beams, and four bright little windows,
which stood at the very top of the mountain we had climbed up.

‘Here is our house!’ cried Gagin, directly we began to approach the
cottage, ‘and here’s the landlady bringing in the junket. Guten Abend,
Madame!… We’ll come in to supper directly; but first,’ he added, ‘look
round … isn’t it a view?’

The view certainly was marvellous. The Rhine lay at our feet, all
silvery between its green banks; in one place it glowed with the
purple and gold of the sunset. The little town, nestling close to the
river-bank, displayed all its streets and houses; sloping hills and
meadows ran in wide stretches in all directions. Below it was fine,
but above was finer still; I was specially impressed by the depth and
purity of the sky, the radiant transparency of the atmosphere. The
fresh, light air seemed softly quivering and undulating, as though it
too were more free and at ease on the heights.

‘You have chosen delightful lodgings,’ I observed.

‘It was Acia found it,’ answered Gagin; ‘come, Acia,’ he went on, ‘see
after the supper. Let everything be brought out here. We will have
supper in the open air. We can hear the music better here. Have you
ever noticed,’ he added, turning to me, ‘a waltz is often poor stuff
close by--vulgar, coarse music--but in the distance, it’s exquisite! it
fairly stirs every romantic chord within one.’

Acia (her real name was Anna, but Gagin called her Acia, and you must
let me do the same), went into the house, and soon came back with
the landlady. They were carrying together a big tray, with a bowl of
junket, plates, spoons, sugar, fruit, and bread. We sat down and began
supper. Acia took off her hat; her black hair cropped short and combed,
like a boy’s, fell in thick curls on her neck and ears. At first she
was shy of me; but Gagin said to her--

‘Come, Acia, come out of your shell! he won’t bite.’

She smiled, and a little while after she began talking to me of her
own accord. I had never seen such a restless creature. She did not sit
still for a single instant; she got up, ran off into the house, and
ran back again, hummed in an undertone, often laughed, and in a very
strange way; she seemed to laugh, not at what she heard, but at the
different ideas that crossed her mind. Her big eyes looked out boldly,
brightly, directly, but sometimes her eyelids faintly drooped, and then
their expression instantaneously became deep and tender.

We chatted away for a couple of hours. The daylight had long died
away, and the evening glow, at first fiery, then clear and red, then
pale and dim, had slowly melted away and passed into night, but our
conversation still went on, as quiet and peaceful as the air around us.
Gagin ordered a bottle of Rhine wine; we drank it between us, slowly
and deliberately. The music floated across to us as before, its strains
seemed sweeter and tenderer; lights were burning in the town and on the
river. Acia suddenly let her head fall, so that her curls dropped into
her eyes, ceased speaking, and sighed. Then she said she was sleepy,
and went indoors. I saw, though, that she stood a long while at the
unopened window without lighting a candle. At last the moon rose and
began shining upon the Rhine; everything turned to light and darkness,
everything was transformed, even the wine in our cut-glass tumblers
gleamed with a mysterious light. The wind drooped, as it were, folded
its wings and sank to rest; the fragrant warmth of night rose in whiffs
from the earth.

‘It’s time I was going!’ I cried, ‘or else perhaps, there’ll be no
getting a ferryman.’

‘Yes, it’s time to start,’ Gagin assented.

We went down the path. Suddenly we heard the rolling of the stones
behind us; it was Acia coming after us.

‘Aren’t you asleep?’ asked her brother; but, without answering a word,
she ran by us. The last, smouldering lamps, lighted by the students in
the garden of the inn, threw a light on the leaves of the trees from
below, giving them a fantastic and festive look. We found Acia at the
river’s edge; she was talking to a ferryman. I jumped into the boat,
and said good-bye to my new friends. Gagin promised to pay me a visit
next day; I pressed his hand, and held out my hand to Acia; but she
only looked at me and shook her head. The boat pushed off and floated
on the rapid river. The ferryman, a sturdy old man, buried his oars in
the dark water, and pulled with great effort.

‘You are in the streak of moonlight, you have broken it up,’ Acia
shouted to me.

I dropped my eyes; the waters eddied round the boat, blacker than ever.

‘Good-bye!’ I heard her voice.

‘Till to-morrow,’ Gagin said after her.

The boat reached the other side. I got out and looked about me. No
one could be seen now on the opposite bank. The streak of moonlight
stretched once more like a bridge of gold right across the river.
Like a farewell, the air of the old-fashioned Lanner waltz drifted
across. Gagin was right; I felt every chord in my heart vibrating
in response to its seductive melody. I started homewards across the
darkening fields, drinking in slowly the fragrant air, and reached
my room, deeply stirred by the voluptuous languor of vague, endless
anticipation. I felt happy.… But why was I happy? I desired nothing, I
thought of nothing.… I was happy.

Almost laughing from excess of sweet, light-hearted emotions, I dived
into my bed, and was just closing my eyes, when all at once it struck
me that I had not once all the evening remembered my cruel charmer.…
‘What’s the meaning of it?’ I wondered to myself; ‘is it possible I’m
not in love?’ But though I asked myself this question, I fell asleep, I
think, at once, like a baby in its cradle.



III


Next morning (I was awake, but had not yet begun to get up), I heard
the tap of a stick on my window, and a voice I knew at once for Gagin’s
hummed--

    ‘Art thou asleep? with the guitar
    Will I awaken thee …’

I made haste to open the door to him.

‘Good-morning,’ said Gagin, coming in; ‘I’m disturbing you rather
early, but only see what a morning it is. Fresh, dewy, larks singing.…’

With his curly, shining hair, his open neck and rosy cheeks, he was
fresh as the morning himself.

I dressed; we went out into the garden, sat down on a bench, ordered
coffee, and proceeded to talk. Gagin told me his plans for the future;
he possessed a moderate fortune, was not dependent on any one, and
wanted to devote himself to painting. He only regretted that he had
not had more sense sooner, but had wasted so much time doing nothing.
I too referred to my projects, and incidentally confided to him the
secret of my unhappy love. He listened to me amiably, but, so far as I
could observe, I did not arouse in him any very strong sympathy with
my passion. Sighing once or twice after me, for civility’s sake, Gagin
suggested that I should go home with him and look at his sketches. I
agreed at once.

We did not find Acia. She had, the landlady told us, gone to the
‘ruin.’ A mile and a half from L. were the remains of a feudal castle.
Gagin showed me all his canvases. In his sketches there was a good deal
of life and truth, a certain breadth and freedom; but not one of them
was finished, and the drawing struck me as careless and incorrect. I
gave candid expression to my opinion.

‘Yes, yes,’ he assented, with a sigh; ‘you’re right; it’s all very
poor and crude; what’s to be done? I haven’t had the training I ought
to have had; besides, one’s cursed Slavonic slackness gets the better
of one. While one dreams of work, one soars away in eagle flight; one
fancies one’s going to shake the earth out of its place--but when it
comes to doing anything, one’s weak and weary directly.’

I began trying to cheer him up, but he waved me off, and bundling his
sketches up together, threw them on the sofa.

‘If I’ve patience, something may be made of me,’ he muttered; ‘if I
haven’t, I shall remain a half-baked noble amateur. Come, we’d better
be looking for Acia.’

We went out.



IV


The road to the ruin went twisting down the steep incline into a narrow
wooded valley; at the bottom ran a stream, noisily threading its way
through the pebbles, as though in haste to flow into the great river,
peacefully shining beyond the dark ridge of the deep indented mountain
crest. Gagin called my attention to some places where the light fell
specially finely; one could see in his words that, even if not a
painter, he was undoubtedly an artist. The ruin soon came into sight.
On the very summit of the naked rock rose a square tower, black all
over, still strong, but, as it were, cleft in two by a longitudinal
crack. Mossy walls adjoined the tower; here and there ivy clung about
it; wind-twisted bushes hung down from the grey battlements and
crumbling arches. A stray path led up to the gates, still standing
entire. We had just reached them, when suddenly a girl’s figure darted
up in front of us, ran swiftly over a heap of debris, and stood on the
projecting part of the wall, right over the precipice.

‘Why, it’s Acia!’ cried Gagin; ‘the mad thing.’ We went through the
gates and found ourselves in a small courtyard, half overgrown with
crab-apple trees and nettles. On the projecting ledge, Acia actually
was sitting. She turned and faced us, laughing, but did not move.
Gagin shook his finger at her, while I loudly reproached her for her
recklessness.

‘That’s enough,’ Gagin said to me in a whisper; ‘don’t tease her; you
don’t know what she is; she’d very likely climb right up on to the
tower. Look, you’d better be admiring the intelligence of the people of
these parts!’

I looked round. In a corner, ensconced in a tiny, wooden hut, an
old woman was knitting a stocking, and looking at us through her
spectacles. She sold beer, gingerbread, and seltzer water to tourists.
We seated ourselves on a bench, and began drinking some fairly cold
beer out of heavy pewter pots. Acia still sat without moving, with her
feet tucked under her, and a muslin scarf wrapped round her head; her
graceful figure stood out distinctly and finely against the clear sky;
but I looked at her with a feeling of hostility. The evening before I
had detected something forced, something not quite natural about her.…
‘She’s trying to impress us,’ I thought; ‘whatever for? What a childish
trick.’ As though guessing my thoughts, she suddenly turned a rapid,
searching glance upon me, laughed again, leaped in two bounds from the
wall, and going up to the old woman, asked her for a glass of water.

‘Do you think I am thirsty?’ she said, addressing her brother; ‘no;
there are some flowers on the walls, which must be watered.’

Gagin made her no reply; and with the glass in her hand, she began
scrambling over the ruins, now and then stopping, bending down, and
with comic solemnity pouring a few drops of water, which sparkled
brightly in the sun. Her movements were very charming, but I felt,
as before, angry with her, even while I could not help admiring her
lightness and agility. At one dangerous place she purposely screamed,
and then laughed.… I felt still more annoyed with her.

‘Why, she climbs like a goat,’ the old woman mumbled, turning for an
instant from her stocking.

At last, Acia had emptied the glass, and with a saucy swing she walked
back to us. A queer smile was faintly twitching at her eyebrows,
nostrils, and lips; her dark eyes were screwed up with a half insolent,
half merry look.

‘You consider my behaviour improper,’ her face seemed to say; ‘all the
same, I know you’re admiring me.’

‘Well done, Acia, well done,’ Gagin said in a low voice.

She seemed all at once overcome with shame, she dropped her long
eyelashes, and sat down beside us with a guilty air. At that moment I
got for the first time a good look at her face, the most changeable
face I had ever seen. A few instants later it had turned quite pale,
and wore an intense, almost mournful expression, its very features
seemed larger, sterner, simpler. She completely subsided. We walked
round the ruins (Acia followed us), and admired the views. Meanwhile it
was getting near dinner-time. As he paid the old woman, Gagin asked for
another mug of beer, and turning to me, cried with a sly face--

‘To the health of the lady of your heart.’

‘Why, has he--have you such a lady?’ Acia asked suddenly.

‘Why, who hasn’t?’ retorted Gagin.

Acia seemed pensive for an instant; then her face changed, the
challenging, almost insolent smile came back once more.

On the way home she kept laughing, and was more mischievous again.
She broke off a long branch, put it on her shoulder, like a gun, and
tied her scarf round her head. I remember we met a numerous family of
light-haired affected English people; they all, as though at a word
of command, looked Acia up and down with their glassy eyes in chilly
amazement, while she started singing aloud, as though in defiance of
them. When she reached home, she went straight to her own room, and
only appeared when dinner was on the table. She was dressed in her
best clothes, had carefully arranged her hair, laced herself in at
the waist, and put on gloves. At dinner she behaved very decorously,
almost affectedly, hardly tasting anything, and drinking water out of
a wine-glass. She obviously wanted to show herself in a new character
before me--the character of a well-bred, refined young lady. Gagin did
not check her; one could see that it was his habit to humour her in
everything. He merely glanced at me good-humouredly now and then, and
slightly shrugged his shoulders, as though he would say--‘She’s a baby;
don’t be hard on her.’ Directly dinner was over, Acia got up, made us
a curtsey, and putting on her hat, asked Gagin if she might go to see
Frau Luise.

‘Since when do you ask leave,’ he answered with his invariable smile, a
rather embarrassed smile this time; ‘are you bored with us?’

‘No; but I promised Frau Luise yesterday to go and see her; besides, I
thought you would like better being alone. Mr. N. (she indicated me)
will tell you something more about himself.’

She went out.

‘Frau Luise,’ Gagin began, trying to avoid meeting my eyes, ‘is the
widow of a former burgomaster here, a good-natured, but silly old
woman. She has taken a great fancy to Acia. Acia has a passion for
making friends with people of a lower class; I’ve noticed, it’s always
pride that’s at the root of that. She’s pretty well spoilt with me, as
you see,’ he went on after a brief pause: ‘but what would you have me
do? I can’t be exacting with any one, and with her less than any one
else. I am _bound_ not to be hard on her.’

I was silent. Gagin changed the conversation. The more I saw of him,
the more strongly was I attracted by him. I soon understood him.
His was a typically Russian nature, truthful, honest, simple; but,
unhappily, without energy, lacking tenacity and inward fire. Youth was
not boiling over within him, but shone with a subdued light. He was
very sweet and clever, but I could not picture to myself what he would
become in ripe manhood. An artist … without intense, incessant toil,
there is no being an artist … and as for toil, I mused, watching his
soft features, listening to his slow deliberate talk, ‘no, you’ll never
toil, you don’t know how to put pressure on yourself.’ But not to love
him was an impossibility; one’s heart was simply drawn to him. We spent
four hours together, sometimes sitting on the sofa, sometimes walking
slowly up and down before the house; and in those four hours we became
intimate friends.

The sun was setting, and it was time for me to go home. Acia had not
yet come back.

‘What a reckless thing she is,’ said Gagin. ‘Shall I come along with
you? We’ll turn in at Frau Luise’s on the way. I’ll ask whether she’s
there. It’s not far out of the way.’

We went down into the town, and turning off into a narrow, crooked
little by-street, stopped before a house four storeys high, and with
two windows abreast in each storey. The second storey projected beyond
the first, the third and fourth stood out still further than the
second; the whole house, with its crumbling carving, its two stout
columns below, its pointed brick roof, and the projecting piece on the
attic poking out like a beak, looked like a huge, crouching bird.

‘Acia,’ shouted Gagin, ‘are you here?’

A window, with a light in it in the third storey, rattled and opened,
and we saw Acia’s dark head. Behind her peered out the toothless and
dim-sighted face of an old German woman.

‘I’m here,’ said Acia, leaning roguishly out with her elbows on the
window-sill; ‘I’m quite contented here. Hullo there, catch,’ she added,
flinging Gagin a twig of geranium; ‘imagine I’m the lady of your heart.’

Frau Luise laughed.

‘N. is going,’ said Gagin; ‘he wants to say good-bye to you.’

‘Really,’ said Acia; ‘in that case give him my geranium, and I’ll come
back directly.’

She slammed-to the window and seemed to be kissing Frau Luise. Gagin
offered me the twig without a word. I put it in my pocket in silence,
went on to the ferry, and crossed over to the other side of the river.

I remember I went home thinking of nothing in particular, but with
a strange load at my heart, when I was suddenly struck by a strong
familiar scent, rare in Germany. I stood still, and saw near the road a
small bed of hemp. Its fragrance of the steppes instantaneously brought
my own country to my mind, and stirred a passionate longing for it in
my heart. I longed to breathe Russian air, to tread on Russian soil.
‘What am I doing here, why am I trailing about in foreign countries
among strangers?’ I cried, and the dead weight I had felt at my heart
suddenly passed into a bitter, stinging emotion. I reached home in
quite a different frame of mind from the evening before. I felt almost
enraged, and it was a long while before I could recover my equanimity.
I was beset by a feeling of anger I could not explain. At last I sat
down, and bethinking myself of my faithless widow (I wound up every day
regularly by dreaming, as in duty bound, of this lady), I pulled out
one of her letters. But I did not even open it; my thoughts promptly
took another turn. I began dreaming--dreaming of Acia. I recollected
that Gagin had, in the course of conversation, hinted at certain
difficulties, obstacles in the way of his returning to Russia.… ‘Come,
is she his sister?’ I said aloud.

I undressed, got into bed, and tried to get to sleep; but an hour
later I was sitting up again in bed, propped up with my elbow on the
pillow, and was once more thinking about this ‘whimsical chit of a girl
with the affected laugh.…’ ‘She’s the figure of the little Galatea
of Raphael in the Farnesino,’ I murmured: ‘yes; and she’s not his
sister----’

The widow’s letter lay tranquil and undisturbed on the floor, a white
patch in the moonlight.



V


Next morning I went again to L----. I persuaded myself I wanted to see
Gagin, but secretly I was tempted to go and see what Acia would do,
whether she would be as whimsical as on the previous day. I found them
both in their sitting-room, and strange to say--possibly because I had
been thinking so much that night and morning of Russia--Acia struck me
as a typically Russian girl, and a girl of the humbler class, almost
like a Russian servant-girl. She wore an old gown, she had combed her
hair back behind her ears, and was sitting still as a mouse at the
window, working at some embroidery in a frame, quietly, demurely, as
though she had never done anything else all her life. She said scarcely
anything, looked quietly at her work, and her features wore such an
ordinary, commonplace expression, that I could not help thinking of our
Katias and Mashas at home in Russia. To complete the resemblance she
started singing in a low voice, ‘Little mother, little dove.’ I looked
at her little face, which was rather yellow and listless, I thought
of my dreams of the previous night, and I felt a pang of regret for
something.

It was exquisite weather. Gagin announced that he was going to make a
sketch to-day from nature; I asked him if he would let me go with him,
whether I shouldn’t be in his way.

‘On the contrary,’ he assured me; ‘you may give me some good advice.’

He put on a hat à la Vandyck, and a blouse, took a canvas under his
arm, and set out; I sauntered after him. Acia stayed at home. Gagin,
as he went out, asked her to see that the soup wasn’t too thin; Acia
promised to look into the kitchen. Gagin went as far as the valley I
knew already, sat down on a stone, and began to sketch a hollow oak
with spreading branches. I lay on the grass and took out a book; but
I didn’t read two pages, and he simply spoiled a sheet of paper; we
did little else but talk, and as far as I am competent to judge, we
talked rather cleverly and subtly of the right method of working, of
what we must avoid, and what one must cling to, and wherein lay the
significance of the artist in our age. Gagin, at last, decided that
he was not in the mood to-day, and lay down beside me on the grass.
And then our youthful eloquence flowed freely; fervent, pensive,
enthusiastic by turns, but consisting almost always of those vague
generalities into which a Russian is so ready to expand. When we
had talked to our hearts’ content, and were full of a feeling of
satisfaction as though we had got something done, achieved some sort of
success, we returned home. I found Acia just as I had left her; however
assiduously I watched her I could not detect a shade of coquetry,
nor a sign of an intentionally assumed rôle in her; this time it was
impossible to reproach her for artificiality.

‘Aha!’ said Gagin; ‘she has imposed fasting and penance on herself.’

Towards evening she yawned several times with obvious genuineness,
and went early to her room. I myself soon said good-bye to Gagin,
and as I went home, I had no dreams of any kind; that day was spent
in sober sensations. I remember, however, as I lay down to sleep, I
involuntarily exclaimed aloud--

‘What a chameleon the girl is!’ and after a moment’s thought I added;
‘anyway, she’s not his sister.’



VI


A whole fortnight passed by. I visited the Gagins every day. Acia
seemed to avoid me, but she did not permit herself one of the
mischievous tricks which had so surprised me the first two days of our
acquaintance. She seemed secretly wounded or embarrassed; she even
laughed less than at first. I watched her with curiosity.

She spoke French and German fairly well; but one could easily see,
in everything she did, that she had not from childhood been brought
up under a woman’s care, and that she had had a curious, irregular
education that had nothing in common with Gagin’s bringing up. He was,
in spite of the Vandyck hat and the blouse, so thoroughly every inch
of him the soft, half-effeminate Great Russian nobleman, while she was
not like the young girl of the same class. In all her movements there
was a certain restlessness. The wild stock had not long been grafted,
the new wine was still fermenting. By nature modest and timid, she
was exasperated by her own shyness, and in her exasperation tried
to force herself to be bold and free and easy, in which she was not
always successful. I sometimes began to talk to her about her life in
Russia, about her past; she answered my questions reluctantly. I found
out, however, that before going abroad she had lived a long while in
the country. I came upon her once, intent on a book, alone. With her
head on her hands and her fingers thrust into her hair, she was eagerly
devouring the lines.

‘Bravo!’ I said, going up to her; ‘how studious you are!’ She raised
her head, and looked gravely and severely at me. ‘You think I can do
nothing but laugh,’ she said, and was about to go away.…

I glanced at the title of the book; it was some French novel.

‘I can’t commend your choice, though,’ I observed.

‘What am I to read then?’ she cried; and flinging the book on the
table, she added--‘so I’d better go and play the fool,’ and ran out
into the garden.

That same day, in the evening, I was reading Gagin _Hermann und
Dorothea_. Acia at first kept fidgeting about us, then all at once she
stopped, listened, softly sat down by me, and heard the reading through
to the end. The next day I hardly knew her again, till I guessed it had
suddenly occurred to her to be as domestic and discreet as Dorothea.
In fact I saw her as a half-enigmatic creature. Vain, self-conscious to
the last degree, she attracted me even when I was irritated by her. Of
one thing only I felt more and more convinced; and that was, that she
was not Gagin’s sister. His manner with her was not like a brother’s,
it was too affectionate, too considerate, and at the same time a little
constrained.

A curious incident apparently confirmed my suspicions.

One evening, when I reached the vineyard where the Gagins lived, I
found the gate fastened. Without losing much time in deliberation, I
made my way to a broken-down place I had noticed before in the hedge
and jumped over it. Not far from this spot there was a little arbour
of acacias on one side of the path. I got up to it and was just about
to pass it.… Suddenly I was struck by Acia’s voice passionately and
tearfully uttering the following words:

‘No, I’ll love no one but you, no, no, I will love you only, for ever!’

‘Come, Acia, calm yourself,’ said Gagin; ‘you know I believe you.’

Their voices came from the arbour. I could see them both through the
thin net-work of leaves. They did not notice me.

‘You, you only,’ she repeated, and she flung herself on his neck, and
with broken sobs began kissing him and clinging to his breast.

‘Come, come,’ he repeated, lightly passing his hand over her hair.

For a few instants I stood motionless.… Suddenly I started--should I go
up to them?--‘On no consideration,’ flashed through my head. With rapid
footsteps I turned back to the hedge, leaped over it into the road, and
almost running, went home. I smiled, rubbed my hands, wondered at the
chance which had so suddenly confirmed my surmises (I did not for one
instant doubt their accuracy) and yet there was a great bitterness in
my heart. What accomplished hypocrites they are, though, I thought. And
what for? Why should he try to take me in? I shouldn’t have expected it
of him.… And what a touching scene of reconciliation!



VII


I slept badly, and next morning got up early, fastened a knapsack on
my back, and telling my landlady not to expect me back for the night,
set off walking to the mountains, along the upper part of the stream on
which Z. is situated. These mountains, offsets of the ridge known as
the Hundsrück, are very interesting from a geological point of view.
They are especially remarkable for the purity and regularity of the
strata of basalt; but I was in no mood for geological observations.
I did not take stock of what was passing within me. One feeling was
clear to me; a disinclination to see the Gagins. I assured myself that
the sole reason of my sudden distaste for their society was anger at
their duplicity. Who forced them to pass themselves off as brother
and sister? However, I tried not to think about them; I sauntered in
leisurely fashion about the mountains and valleys, sat in the village
inns, talking peacefully to the innkeepers and people drinking in
them, or lay on a flat stone warmed by the sun, and watched the clouds
floating by. Luckily it was exquisite weather. In such pursuits I
passed three days, and not without pleasure, though my heart did ache
at times. My own mood was in perfect harmony with the peaceful nature
of that quiet countryside.

I gave myself up entirely to the play of circumstances, of fleeting
impressions; in slow succession they flowed through my soul, and left
on it at last one general sensation, in which all I had seen, felt,
and heard in those three days was mingled--all; the delicate fragrance
of resin in the forest, the call and tap of the woodpeckers, the
never-ceasing chatter of the clear brooks, with spotted trout lying
in the sand at the bottom, the somewhat softened outlines of the
mountains, the surly rocks, the little clean villages, with respectable
old churches and trees, the storks in the meadows, the neat mills with
swiftly turning wheels, the beaming faces of the villagers, their blue
smocks and grey stockings, the creaking, deliberately-moving wagons,
drawn by sleek horses, and sometimes cows, the long-haired young men,
wandering on the clean roads, planted with apple and pear trees.…

Even now I like to recall my impressions of those days. Good luck go
with thee, modest nook of Germany, with thy simple plenty, with traces
everywhere of busy hands, of patient though leisurely toil.… Good luck
and peace to thee!

I came home at the end of the third day: I forgot to say that in my
anger with the Gagins I tried to revive the image of my cruel-hearted
widow, but my efforts were fruitless. I remember when I applied myself
to musing upon her, I saw a little peasant girl of five years old, with
a round little face and innocently staring eyes. She gazed with such
childish directness at me.… I felt ashamed before her innocent stare,
I could not lie in her presence, and at once, and once for all, said a
last good-bye to my former flame.

At home I found a note from Gagin. He wondered at the suddenness of
my plan, reproached me, asked why I had not taken him with me, and
pressed me to go and see him directly I was back. I read this note with
dissatisfaction; but the next day I set off to the Gagins.



VIII


Gagin met me in friendly fashion, and overwhelmed me with affectionate
reproaches; but Acia, as though intentionally, burst out laughing for
no reason whatever, directly she saw me, and promptly ran away, as
she so often did. Gagin was disconcerted; he muttered after her that
she must be crazy, and begged me to excuse her. I confess I was very
much annoyed with Acia; already, apart from that, I was not at my
ease; and now again this unnatural laughter, these strange grimaces.
I pretended, however, not to notice anything, and began telling Gagin
some of the incidents of my short tour. He told me what he had been
doing in my absence. But our talk did not flow easily; Acia came into
the room and ran out again; I declared at last that I had urgent work
to do, and must get back home. Gagin at first tried to keep me, then,
looking intently at me, offered to see me on my way. In the passage,
Acia suddenly came up to me and held out her hand; I shook her fingers
very slightly, and barely bowed to her. Gagin and I crossed the
Rhine together, and when we reached my favourite ash-tree with the
statuette of the Madonna, we sat down on the bench to admire the view.
A remarkable conversation took place between us.

At first we exchanged a few words, then we were silent, watching the
clear river.

‘Tell me,’ began Gagin all at once, with his habitual smile, ‘what do
you think of Acia? I suppose she must strike you as rather strange,
doesn’t she?’

‘Yes,’ I answered, in some perplexity. I had not expected he would
begin to speak of her.

‘One has to know her well to judge of her,‘ he observed; ’she has a
very good heart, but she’s wilful. She’s difficult to get on with. But
you couldn’t blame her if you knew her story.…’

‘Her story?’ I broke in.… ‘Why, isn’t she your----’ Gagin glanced at me.

‘Do you really think she isn’t my sister?… No,’ he went on, paying no
attention to my confusion, ‘she really is my sister, she’s my father’s
daughter. Let me tell you about her, I feel I can trust you, and I’ll
tell you all about it.

‘My father was very kind, clever, cultivated, and unhappy. Fate treated
him no worse than others; but he could not get over her first blow. He
married early, for love; his wife, my mother, died very soon after; I
was only six months old then. My father took me away with him to his
country place, and for twelve years he never went out anywhere. He
looked after my education himself, and would never have parted with me,
if his brother, my uncle, had not come to see us in the country. This
uncle always lived in Petersburg, where he held a very important post.
He persuaded my father to put me in his charge, as my father would not
on any consideration agree to leave the country. My uncle represented
to him that it was bad for a boy of my age to live in complete
solitude, that with such a constantly depressed and taciturn instructor
as my father I should infallibly be much behind other boys of my age in
education, and that my character even might very possibly suffer. My
father resisted his brother’s counsels a long while, but he gave way
at last. I cried at parting from my father; I loved him, though I had
never seen a smile on his face … but when I got to Petersburg, I soon
forgot our dark and cheerless home. I entered a cadet’s school, and
from school passed on into a regiment of the Guards. Every year I used
to go home to the country for a few weeks, and every year I found my
father more and more low-spirited, absorbed in himself, depressed, and
even timorous. He used to go to church every day, and had quite got out
of the way of talking. On one of my visits--I was about twenty then--I
saw for the first time in our house a thin, dark-eyed little girl of
ten years old--Acia. My father told me she was an orphan whom he had
kept out of charity--that was his very expression. I paid no particular
attention to her; she was shy, quick in her movements, and silent as
a little wild animal, and directly I went into my father’s favourite
room--an immense gloomy apartment, where my mother had died, and where
candles were kept burning even in the daytime--she would hide at once
behind his big arm-chair, or behind the book-case. It so happened
that for three or four years after that visit the duties of the
service prevented my going home to the country. I used to get a short
letter from my father every month; Acia he rarely mentioned, and only
incidentally. He was over fifty, but he seemed still young. Imagine my
horror; all of a sudden, suspecting nothing, I received a letter from
the steward, in which he informed me my father was dangerously ill,
and begged me to come as soon as possible if I wanted to take leave of
him. I galloped off post-haste, and found my father still alive, but
almost at his last gasp. He was greatly relieved to see me, clasped me
in his wasted arms, and gazed at me with a long, half-scrutinising,
half-imploring look, and making me promise I would carry out his last
request, he told his old valet to bring Acia. The old man brought her
in; she could scarcely stand upright, and was shaking all over.

‘“Here,” said my father with an effort, “I confide to you my
daughter--your sister. You will hear all about her from Yakov,” he
added, pointing to the valet.

‘Acia sobbed, and fell with her face on the bed.… Half-an-hour later my
father died.

‘This was what I learned. Acia was the daughter of my father by a
former maidservant of my mother’s, Tatiana. I have a vivid recollection
of this Tatiana, I remember her tall, slender figure, her handsome,
stern, clever face, with big dark eyes. She had the character of being
a proud, unapproachable girl. As far as I could find out from Yakov’s
respectful, unfinished sentences, my father had become attached to her
some years after my mother’s death. Tatiana was not living then in my
father’s house, but in the hut of a married sister, who had charge
of the cows. My father became exceedingly fond of her, and after my
departure from the country he even wanted to marry her, but she herself
would not consent to be his wife, in spite of his entreaties.

‘“The deceased Tatiana Vassilievna,” Yakov informed me, standing in the
doorway with his hands behind him, “had good sense in everything, and
she didn’t want to do harm to your father. ‘A poor wife I should be for
you, a poor sort of lady I should make,’ so she was pleased to say, she
said so before me.” Tatiana would not even move into the house, and
went on living at her sister’s with Acia. In my childhood I used to see
Tatiana only on saints’ days in church. With her head tied up in a dark
kerchief, and a yellow shawl on her shoulders, she used to stand in
the crowd, near a window--her stern profile used to stand out sharply
against the transparent window-pane--and she used to pray sedately and
gravely, bowing low to the ground in the old-fashioned way. When my
uncle carried me off, Acia was only two years old, and she lost her
mother when she was nine.

‘Directly Tatiana died, my father took Acia into his house. He had
before then expressed a wish to have her with him, but that too Tatiana
had refused him. Imagine what must have passed in Acia’s mind when she
was taken into the master’s house. To this day she cannot forget the
moment when they first put her on a silk dress and kissed her hand.
Her mother, as long as she lived, had brought her up very strictly;
with my father she enjoyed absolute freedom. He was her tutor; she saw
no one except him. He did not spoil her, that is to say, he didn’t
fondle and pet her; but he loved her passionately, and never checked
her in anything; in his heart he considered he had wronged her. Acia
soon realised that she was the chief personage in the house; she knew
the master was her father; but just as quickly she was aware of her
false position; self-consciousness was strongly developed in her,
mistrustfulness too; bad habits took root, simplicity was lost. She
wanted (she confessed this to me once herself), to force _the whole
world_ to forget her origin; she was ashamed of her mother, and at
the same time ashamed of being ashamed, and was proud of her too. You
see she knew and knows a lot that she oughtn’t to have known at her
age.… But was it her fault? The forces of youth were at work in her,
her heart was in a ferment, and not a guiding hand near her. Absolute
independence in everything! And wasn’t it hard for her to put up with?
She wanted to be as good as other young ladies; she flew to books. But
what good could she get from that? Her life went on as irregularly
as it had begun, but her heart was not spoiled, her intellect was
uninjured.

‘And there was I left, a boy of twenty, with a girl of thirteen on my
hands! For the first few days after my father’s death the very sound of
my voice threw her into a fever, my caresses caused her anguish, and it
was only slowly and gradually that she got used to me. It is true that
later, when she fully realised that I really did acknowledge her as my
sister, and cared for her, she became passionately attached to me; she
can feel nothing by halves.

‘I took her to Petersburg. Painful as it was to part with
her, we could not live together. I sent her to one of the best
boarding-schools. Acia knew our separation was inevitable, yet she
began by fretting herself ill over it, and almost died. Later on she
plucked up more spirit, and spent four years at school; but, contrary
to my expectations, she was almost exactly the same as before. The
headmistress of the school often made complaints of her, “And we
can’t punish her,” she used to say to me, “and she’s not amenable to
kindness.” Acia was exceedingly quick-witted, and did better at her
lessons than any one; but she never would put herself on a level with
the rest; she was perverse, and held herself aloof.… I could not blame
her very much for it; in her position she had either to be subservient,
or to hold herself aloof. Of all her school-fellows she only made
friends with one, an ugly girl of poor family, who was sat upon by the
rest. The other girls with whom she was brought up, mostly of good
family, did not like her, teased her and taunted her as far as they
could. Acia would not give way to them an inch. One day at their lesson
on the law of God, the teacher was talking of the vices. ‘Servility and
cowardice are the worst vices,’ Acia said aloud. She would still go her
own way, in fact; only her manners were improved, though even in that
respect I think she did not gain a great deal.

‘At last she reached her seventeenth year. I could not keep her any
longer at school. I found myself in a rather serious difficulty.
Suddenly a blessed idea came to me--to resign my commission and go
abroad for a year or two, taking Acia with me. No sooner thought than
done; and here we are on the banks of the Rhine, where I am trying to
take up painting, and she … is as naughty and troublesome as ever. But
now I hope you will not judge her too harshly; for though she pretends
she doesn’t care, she values the good opinion of every one, and yours
particularly.’

And Gagin smiled again his gentle smile. I pressed his hand warmly.

‘That’s how it is,’ Gagin began again; ‘but I have a trying time with
her. She’s like gun-powder, always ready to go off. So far, she has
never taken a fancy to any one, but woe betide us, if she falls in
love! I sometimes don’t know what to do with her. The other day she
took some notion into her head, and suddenly began declaring I was
colder to her than I used to be, that she loved me and no one else, and
never would love any one else.… And she cried so, as she said it--’

‘So that was it,’--I was beginning, but I bit my tongue.

‘Tell me,’ I questioned Gagin, ‘we have talked so frankly about
everything, is it possible really, she has never cared for any one yet?
Didn’t she see any young men in Petersburg?’

‘She didn’t like them at all. No, Acia wants a hero--an exceptional
individual--or a picturesque shepherd on a mountain pass. But I’ve been
chattering away, and keeping you,’ he added, getting up.

‘Do you know----,’ I began; ‘let’s go back to your place, I don’t want
to go home.’

‘What about your work?’

I made no reply. Gagin smiled good-humouredly, and we went back to L.
As I caught sight of the familiar vineyard and little white house, I
felt a certain sweetness--yes, sweetness in my heart, as though honey
was stealthily dropping thence for me. My heart was light after what
Gagin had told me.



IX


Acia met us in the very doorway of the house. I expected a laugh again;
but she came to meet us, pale and silent, with downcast eyes.

‘Here he is again,’ Gagin began, ‘and he wanted to come back of his own
accord, observe.’

Acia looked at me inquiringly. It was my turn now to hold out my
hand, and this time I pressed her chilly fingers warmly. I felt
very sorry for her. I understood now a great deal in her that had
puzzled me before; her inward restlessness, her want of breeding, her
desire to be striking--all became clear to me. I had had a peep into
that soul; a secret scourge was always tormenting her, her ignorant
self-consciousness struggled in confused alarm, but her whole nature
strove towards truth. I understood why this strange little girl
attracted me; it was not only by the half-wild charm of her slender
body that she attracted me; I liked her soul.

Gagin began rummaging among his canvases. I suggested to Acia that
she should take a turn with me in the vineyard. She agreed at once,
with cheerful and almost humble readiness. We went half-way down the
mountain, and sat down on a broad stone.

‘And you weren’t dull without us?’ Acia began.

‘And were you dull without me?’ I queried.

Acia gave me a sidelong look.

‘Yes,’ she answered. ‘Was it nice in the mountains?’ she went on at
once. ‘Were they high ones? Higher than the clouds? Tell me what you
saw. You were telling my brother, but I didn’t hear anything.’

‘It was of your own accord you went away,’ I remarked.

‘I went away … because …--I’m not going away now,’ she added with a
confiding caress in her voice. ‘You were angry to-day.’

‘I?’

‘Yes, you.’

‘Upon my word, whatever for?’

‘I don’t know, but you were angry, and you went away angry. I was very
much vexed that you went away like that, and I’m so glad you came back.’

‘And I’m glad I came back,’ I observed.

Acia gave herself a little shrug, as children often do when they are
very pleased.

‘Oh, I’m good at guessing!’ she went on. ‘Sometimes, simply from the
way papa coughed, I could tell in the next room whether he was pleased
with me or not.’

Till that day Acia had never once spoken to me of her father. I was
struck by it.

‘Were you fond of your father?’ I said, and suddenly, to my intense
annoyance, I felt I was reddening.

She made no answer, and blushed too. We were both silent. In the
distance a smoking steamer was scudding along on the Rhine. We began
watching it.

‘Why don’t you tell me about your tour?’ Acia murmured.

‘Why did you laugh to-day directly you saw me?’ I asked.

‘I don’t know really. Sometimes I want to cry, but I laugh. You mustn’t
judge me--by what I do. Oh, by-the-bye, what a story that is about the
Lorelei! Is that _her_ rock we can see? They say she used to drown
every one, but as soon as she fell in love she threw herself in the
water. I like that story. Frau Luise tells me all sorts of stories.
Frau Luise has a black cat with yellow eyes.…’

Acia raised her head and shook her curls.

‘Ah, I am happy,’ she said.

At that instant there floated across to us broken, monotonous sounds.
Hundreds of voices in unison and at regular intervals were repeating
a chanted litany. The crowd of pilgrims moved slowly along the road
below with crosses and banners.…

‘I should like to go with them,’ said Acia, listening to the sounds of
the voices gradually growing fainter.

‘Are you so religious?’

‘I should like to go far away on a pilgrimage, on some great exploit,’
she went on. ‘As it is, the days pass by, life passes by, and what have
we done?’

‘You are ambitious,’ I observed. ‘You want to live to some purpose, to
leave some trace behind you.…’

‘Is that impossible, then?’

‘Impossible,’ I was on the point of repeating.… But I glanced at her
bright eyes, and only said:

‘You can try.’

‘Tell me,’ began Acia, after a brief silence during which shadows
passed over her face, which had already turned pale, ‘did you care much
for that lady?… You remember my brother drank her health at the ruins
the day after we first knew you.’

I laughed.

‘Your brother was joking. I never cared for any lady; at any rate, I
don’t care for one now.’

‘And what do you like in women?’ she asked, throwing back her head with
innocent curiosity.

‘What a strange question!’ I cried.

Acia was a little disconcerted.

‘I ought not to ask you such a question, ought I? Forgive me, I’m used
to chattering away about anything that comes into my head. That’s why
I’m afraid to speak.’

‘Speak, for God’s sake, don’t be afraid,’ I hastened to intervene; ‘I’m
so glad you’re leaving off being shy at last.’

Acia looked down, and laughed a soft light-hearted laugh; I had never
heard such a laugh from her.

‘Well, tell me about something,’ she went on, stroking out the skirt of
her dress, and arranging the folds over her legs, as though she were
settling herself for a long while; ‘tell me or read me something, just
as you read us, do you remember, from _Oniegin_.…’

She suddenly grew pensive--

    ‘Where now is the cross and the branches’ shade
    Over my poor mother’s grave!’

She murmured in a low voice.

‘That’s not as it is in Pushkin,’ I observed.

‘But I should like to have been Tatiana,’ she went on, in the same
dreamy tone. ‘Tell me a story,’ she suddenly added eagerly.

But I was not in a mood for telling stories. I was watching her, all
bathed in the bright sunshine, all peace and gentleness. Everything was
joyously radiant about us, below, and above us--sky, earth, and waters;
the very air seemed saturated with brilliant light.

‘Look, how beautiful!’ I said, unconsciously sinking my voice.

‘Yes, it is beautiful,’ she answered just as softly, not looking at me.
‘If only you and I were birds--how we would soar, how we would fly.…
We’d simply plunge into that blue.… But we’re not birds.’

‘But we may grow wings,’ I rejoined.

‘How so?’

‘Live a little longer--and you’ll find out. There are feelings that
lift us above the earth. Don’t trouble yourself, you will have wings.’

‘Have you had them?’

‘How shall I say … I think up till now I never have taken flight.’

Acia grew pensive once more. I bent a little towards her.

‘Can you waltz?’ she asked me suddenly.

‘Yes,’ I answered, rather puzzled.

‘Well, come along then, come along.… I’ll ask my brother to play us a
waltz.… We’ll fancy we are flying, that our wings have grown.’

She ran into the house. I ran after her, and in a few minutes, we were
turning round and round the narrow little room, to the sweet strains of
Lanner. Acia waltzed splendidly, with enthusiasm. Something soft and
womanly suddenly peeped through the childish severity of her profile.
Long after, my arm kept the feeling of the contact of her soft waist,
long after I heard her quickened breathing close to my ear, long after
I was haunted by dark, immobile, almost closed eyes in a pale but eager
face, framed in by fluttering curls.



X


All that day passed most delightfully. We were as merry as children.
Acia was very sweet and simple. Gagin was delighted, as he watched her.
I went home late. When I had got out into the middle of the Rhine, I
asked the ferryman to let the boat float down with the current. The
old man pulled up his oars, and the majestic river bore us along.
As I looked about me, listened, brooded over recollections, I was
suddenly aware of a secret restlessness astir in my heart.… I lifted
my eyes skywards, but there was no peace even in the sky; studded with
stars, it seemed all moving, quivering, twinkling; I bent over to the
river--but even there, even in those cold dark depths, the stars were
trembling and glimmering; I seemed to feel an exciting quickening of
life on all sides--and a sense of alarm rose up within me too. I leaned
my elbows on the boat’s edge.… The whispering of the wind in my ears,
the soft gurgling of the water at the rudder worked on my nerves,
and the fresh breath of the river did not cool me; a nightingale
was singing on the bank, and stung me with the sweet poison of its
notes. Tears rose into my eyes, but they were not the tears of aimless
rapture.… What I was feeling was not the vague sense I had known of
late of all-embracing desire when the soul expands, resounds, when
it feels that it grasps all, loves all.… No! it was the thirst for
happiness aflame in me. I did not dare yet to call it by its name--but
happiness, happiness full and overflowing--that was what I wanted, that
was what I pined for.… The boat floated on, and the old ferryman sat
dozing as he leant on his oars.



XI


As I set off next day to the Gagins, I did not ask myself whether I
was in love with Acia, but I thought a great deal about her, her fate
absorbed me, I rejoiced at our unexpected intimacy. I felt that it was
only yesterday I had got to know her; till then she had turned away
from me. And now, when she had at last revealed herself to me, in what
a seductive light her image showed itself, how fresh it was for me,
what secret fascinations were modestly peeping out.…

I walked boldly up the familiar road, gazing continually at the
cottage, a white spot in the distance. I thought not of the future--not
even of the morrow--I was very happy.

Acia flushed directly I came into the room; I noticed that she had
dressed herself in her best again, but the expression of her face was
not in keeping with her finery; it was mournful. And I had come in
such high spirits! I even fancied that she was on the point of running
away as usual, but she controlled herself and remained. Gagin was in
that peculiar condition of artistic heat and intensity which seizes
amateurs all of a sudden, like a fit, when they imagine they are
succeeding in ‘catching nature and pinning her down.’ He was standing
with dishevelled locks, and besmeared with paint, before a stretched
canvas, and flourishing the brush over it; he almost savagely nodded to
me, turned away, screwed up his eyes, and bent again over his picture.
I did not hinder him, but went and sat down by Acia. Slowly her dark
eyes turned to me.

‘You’re not the same to-day as yesterday,’ I observed, after
ineffectual efforts to call up a smile on her lips.

‘No, I’m not,’ she answered, in a slow and dull voice. ‘But that means
nothing. I did not sleep well, I was thinking all night.’

‘What about?’

‘Oh, I thought about so many things. It’s a way I have had from
childhood; ever since I used to live with mother--’

She uttered the word with an effort, and then repeated again--

‘When I used to live with mother.… I used to think why it was no one
could tell what would happen to him; and sometimes one sees trouble
coming--and one can’t escape; and how it is one can never tell all the
truth.… Then I used to think I knew nothing, and that I ought to learn.
I want to be educated over again; I’m very badly educated. I can’t play
the piano, I can’t draw, and even sewing I do very badly. I have no
talent for anything; I must be a very dull person to be with.’

‘You’re unjust to yourself,’ I replied; ‘you’ve read a lot, you’re
cultivated, and with your cleverness--’

‘Why, am I clever?’ she asked with such naïve interest, that I could
not help laughing; but she did not even smile. ‘Brother, am I clever?’
she asked Gagin.

He made her no answer, but went on working, continually changing
brushes and raising his arm.

‘I don’t know myself what is in my head,’ Acia continued, with the same
dreamy air. ‘I am sometimes afraid of myself, really. Ah, I should
like.… Is it true that women ought not to read a great deal?’

‘A great deal’s not wanted, but.…’

‘Tell me what I ought to read? Tell me what I ought to do. I will
do everything you tell me,’ she added, turning to me with innocent
confidence.

I could not at once find a reply.

‘You won’t be dull with me, though?’

‘What nonsense,’ I was beginning.…

‘All right, thanks!’ Acia put in; ‘I was thinking you would be bored.’

And her little hot hand clasped mine warmly.

‘N!’ Gagin cried at that instant; ‘isn’t that background too dark?’

I went up to him. Acia got up and went away.



XII


She came back in an hour, stood in the doorway and beckoned to me.

‘Listen,’ she said; ‘if I were to die, would you be sorry?’

‘What ideas you have to-day!’ I exclaimed.

‘I fancy I shall die soon; it seems to me sometimes as though
everything about me were saying good-bye. It’s better to die than live
like this.… Ah! don’t look at me like that; I’m not pretending, really.
Or else I shall begin to be afraid of you again.’

‘Why, were you afraid of me?’

‘If I am queer, it’s really not my fault,’ she rejoined. ‘You see, I
can’t even laugh now.…’

She remained gloomy and preoccupied till evening. Something was taking
place in her; what, I did not understand. Her eyes often rested upon
me; my heart slowly throbbed under her enigmatic gaze. She appeared
composed, and yet as I watched her I kept wanting to tell her not to
let herself get excited. I admired her, found a touching charm in her
pale face, her hesitating, slow movements, but she for some reason
fancied I was out of humour.

‘Let me tell you something,’ she said to me not long before parting; ‘I
am tortured by the idea that you consider me frivolous.… For the future
believe what I say to you, only do you, too, be open with me; and I
will always tell you the truth, I give you my word of honour.…’

This ‘word of honour’ set me laughing again.

‘Oh, don’t laugh,’ she said earnestly, ‘or I shall say to you to-day
what you said to me yesterday, “why are you laughing?”’ and after
a brief silence she added, ‘Do you remember you spoke yesterday of
“wings”?… My wings have grown, but I have nowhere to fly.’

‘Nonsense,’ I said; ‘all the ways lie open before you.…’

Acia looked at me steadily, straight in the face.

‘You have a bad opinion of me to-day,’ she said, frowning.

‘I? a bad opinion of you!…’

‘Why is it you are both so low-spirited,’ Gagin interrupted me--‘would
you like me to play a waltz, as I did yesterday?’

‘No, no,’ replied Acia, and she clenched her hands; ‘not to-day, not
for anything!’

‘I’m not going to force you to; don’t excite yourself.’

‘Not for anything!’ she repeated, turning pale.

       *       *       *       *       *

‘Can it be she’s in love with me?’ I thought, as I drew near the dark
rushing waters of the Rhine.



XIII


‘Can it be that she loves me?’ I asked myself next morning, directly
I awoke. I did not want to look into myself. I felt that her image,
the image of the ‘girl with the affected laugh,’ had crept close into
my heart, and that I should not easily get rid of it. I went to L----
and stayed there the whole day, but I saw Acia only by glimpses. She
was not well; she had a headache. She came downstairs for a minute,
with a bandage round her forehead, looking white and thin, her eyes
half-closed. With a faint smile she said, ‘It will soon be over, it’s
nothing; everything’s soon over, isn’t it?’ and went away. I felt bored
and, as it were, listlessly sad, yet I could not make up my mind to go
for a long while, and went home late, without seeing her again.

The next morning passed in a sort of half slumber of the consciousness.
I tried to set to work, and could not; I tried to do nothing and not to
think--and that was a failure too. I strolled about the town, returned
home, went out again.

‘Are you Herr N----?’ I heard a childish voice ask suddenly behind me.
I looked round; a little boy was standing before me. ‘This is for you
from Fraülein Annette,’ he said, handing me a note.

I opened it and recognised the irregular rapid handwriting of Acia. ‘I
must see you to-day,’ she wrote to me; ‘come to-day at four o’clock to
the stone chapel on the road near the ruin. I have done a most foolish
thing to-day.… Come, for God’s sake; you shall know all about it.… Tell
the messenger, yes.’

‘Is there an answer?’ the boy asked me.

‘Say, yes,’ I replied. The boy ran off.



XIV


I went home to my own room, sat down, and sank into thought. My heart
was beating violently. I read Acia’s note through several times. I
looked at my watch; it was not yet twelve o’clock.

The door opened, Gagin walked in.

His face was overcast. He seized my hand and pressed it warmly. He
seemed very much agitated.

‘What is the matter?’ I asked.

Gagin took a chair and sat down opposite me. ‘Three days ago,’ he began
with a rather forced smile, and hesitating, ‘I surprised you by what I
told you; to-day I am going to surprise you more. With any other man
I could not, most likely, bring myself … so directly.… But you’re an
honourable man, you’re my friend, aren’t you? Listen--my sister, Acia,
is in love with you.’

I trembled all over and stood up.…

‘Your sister, you say----’

‘Yes, yes,’ Gagin cut me short. ‘I tell you, she’s mad, and she’ll
drive me mad. But happily she can’t tell a lie, and she confides in me.
Ah, what a soul there is in that little girl!… but she’ll be her own
ruin, that’s certain.’

‘But you’re making a mistake,’ I began.

‘No, I’m not making a mistake. Yesterday, you know, she was lying down
almost all day, she ate nothing, but she did not complain.… She never
does complain. I was not anxious, though towards evening she was in a
slight fever. At two o’clock last night I was wakened by our landlady;
“Go to your sister,” she said; “there’s something wrong with her.” I
ran in to Acia, and found her not undressed, feverish, and in tears;
her head was aching, her teeth were chattering. “What’s the matter with
you?” I said, “are you ill?” She threw herself on my neck and began
imploring me to take her away as soon as possible, if I want to keep
her alive.… I could make out nothing, I tried to soothe her.… Her sobs
grew more violent, … and suddenly through her sobs I made out … well,
in fact, I made out that she loves you. I assure you, you and I are
reasonable people, and we can’t imagine how deeply she feels and with
what incredible force her feelings show themselves; it has come upon
her as unexpectedly and irresistibly as a thunderstorm. You’re a very
nice person,’ Gagin pursued, ‘but why she’s so in love with you, I
confess I don’t understand. She says she has been drawn to you from
the first moment she saw you. That’s why she cried the other day when
she declared she would never love any one but me.--She imagines you
despise her, that you most likely know about her birth; she asked me
if I hadn’t told you her story,--I said, of course, that I hadn’t; but
her intuition’s simply terrible. She has one wish,--to get away, to
get away at once. I sat with her till morning; she made me promise we
should not be here to-morrow, and only then, she fell asleep. I have
been thinking and thinking, and at last I made up my mind to speak to
you. To my mind, Acia is right; the best thing is for us both to go
away from here. And I should have taken her away to-day, if I had not
been struck by an idea which made me pause. Perhaps … who knows? do you
like my sister? If so, what’s the object of my taking her away? And
so I decided to cast aside all reserve.… Besides, I noticed something
myself.… I made up my mind … to find out from you …’ Poor Gagin was
completely out of countenance. ‘Excuse me, please,’ he added, ‘I’m not
used to such bothers.’

I took his hand.

‘You want to know,’ I pronounced in a steady voice, ‘whether I like
your sister? Yes, I do like her--’

Gagin glanced at me. ‘But,’ he said, faltering, ‘you’d hardly marry
her, would you?’

‘How would you have me answer such a question? Only think; can I at the
moment----’

‘I know, I know,’ Gagin cut me short; ‘I have no right to expect an
answer from you, and my question was the very acme of impropriety.… But
what am I to do? One can’t play with fire. You don’t know Acia; she’s
quite capable of falling ill, running away, or asking you to see her
alone.… Any other girl might manage to hide it all and wait--but not
she. It is the first time with her, that’s the worst of it! If you had
seen how she sobbed at my feet to-day, you would understand my fears.’

I was pondering. Gagin’s words ‘asking you to see her alone,’ had sent
a twinge to my heart. I felt it was shameful not to meet his honest
frankness with frankness.

‘Yes,’ I said at last; ‘you are right. An hour ago I got a note from
your sister. Here it is.’

Gagin took the note, quickly looked it through, and let his hands
fall on his knees. The expression of perplexity on his face was very
amusing, but I was in no mood for laughter.

‘I tell you again, you’re an honourable man,’ he said; ‘but what’s to
be done now? What? she herself wants to go away, and she writes to you
and blames herself for acting unwisely … and when had she time to write
this? What does she wish of you?’

I pacified him, and we began to discuss as coolly as we could what we
ought to do.

The conclusion we reached at last was that, to avoid worse harm
befalling, I was to go and meet Acia, and to have a straightforward
explanation with her; Gagin pledged himself to stay at home, and not to
give a sign of knowing about her note to me; in the evening we arranged
to see each other again.

‘I have the greatest confidence in you,’ said Gagin, and he pressed my
hand; ‘have mercy on her and on me. But we shall go away to-morrow,
anyway,’ he added getting up, ‘for you won’t marry Acia, I see.’

‘Give me time till the evening,’ I objected.

‘All right, but you won’t marry her.’

He went away, and I threw myself on the sofa, and shut my eyes. My
head was going round; too many impressions had come bursting on it at
once. I was vexed at Gagin’s frankness, I was vexed with Acia, her
love delighted and disconcerted me, I could not comprehend what had
made her reveal it to her brother; the absolute necessity of rapid,
almost instantaneous decision exasperated me. ‘Marry a little girl of
seventeen, with her character, how is it possible?’ I said, getting up.



XV


At the appointed hour I crossed the Rhine, and the first person I
met on the opposite bank was the very boy who had come to me in the
morning. He was obviously waiting for me.

‘From Fraülein Annette,’ he said in a whisper, and he handed me another
note.

Acia informed me she had changed the place of our meeting. I was to go
in an hour and a half, not to the chapel, but to Frau Luise’s house, to
knock below, and go up to the third storey.

‘Is it, yes, again?’ asked the boy.

‘Yes,’ I repeated, and I walked along the bank of the Rhine. There was
not time to go home, I didn’t want to wander about the streets. Beyond
the town wall there was a little garden, with a skittle ground and
tables for beer drinkers. I went in there. A few middle-aged Germans
were playing skittles; the wooden balls rolled along with a sound of
knocking, now and then cries of approval reached me. A pretty waitress,
with her eyes swollen with weeping, brought me a tankard of beer; I
glanced at her face. She turned quickly and walked away.

‘Yes, yes,’ observed a fat, red-cheeked citizen sitting by, ‘our
Hannchen is dreadfully upset to-day; her sweetheart’s gone for a
soldier.’ I looked at her; she was sitting huddled up in a corner, her
face propped on her hand; tears were rolling one by one between her
fingers. Some one called for beer; she took him a pot, and went back
to her place. Her grief affected me; I began musing on the interview
awaiting me, but my dreams were anxious, cheerless dreams. It was with
no light heart I was going to this interview; I had no prospect before
me of giving myself up to the bliss of love returned; what lay before
me was to keep my word, to do a difficult duty. ‘One can’t play with
her.’ These words of Gagin’s had gone through my heart like arrows. And
three days ago, in that boat borne along by the current, had I not been
pining with the thirst for happiness? It had become possible, and I was
hesitating, I was pushing it away, I was bound to push it from me--its
suddenness bewildered me. Acia herself, with her fiery temperament, her
past, her bringing-up, this fascinating, strange creature, I confess
she frightened me. My feelings were long struggling within me. The
appointed hour was drawing near. ‘I can’t marry her,’ I decided at
last; ‘she shall not know I love her.’

I got up, and putting a thaler in the hand of poor Hannchen (she did
not even thank me), I directed my steps towards Frau Luise’s. The air
was already overcast with the shadows of evening, and the narrow strip
of sky, above the dark street, was red with the glow of sunset. I
knocked faintly at the door; it was opened at once. I stepped through
the doorway, and found myself in complete darkness.

‘This way.’ I heard an old woman’s voice. ‘You’re expected.’

I took two steps, groping my way, a long hand took mine.

‘Is that you, Frau Luise?’ I asked.

‘Yes,’ answered the same voice, ‘’Tis I, my fine young man.’ The old
woman led me up a steep staircase, and stopped on the third floor. In
the feeble light from a tiny window, I saw the wrinkled visage of the
burgomaster’s widow. A crafty smile of mawkish sweetness contorted her
sunken lips, and pursed up her dim-sighted eyes. She pointed me to a
little door; with an abrupt movement I opened it and slammed it behind
me.



XVI


In the little room into which I stepped, it was rather dark, and I did
not at once see Acia. Wrapped in a big shawl, she was sitting on a
chair by the window, turning away from me and almost hiding her head
like a frightened bird. She was breathing quickly, and trembling all
over. I felt unutterably sorry for her. I went up to her. She averted
her head still more.…

‘Anna Nikolaevna,’ I said.

She suddenly drew herself up, tried to look at me, and could not. I
took her hand, it was cold, and lay like a dead thing in mine.

‘I wished’--Acia began, trying to smile, but unable to control her pale
lips; ‘I wanted--No, I can’t,’ she said, and ceased. Her voice broke at
every word.

I sat down beside her.

‘Anna Nikolaevna,’ I repeated, and I too could say nothing more.

A silence followed. I still held her hand and looked at her. She sat as
before, shrinking together, breathing with difficulty, and stealthily
biting her lower lip to keep back the rising tears.… I looked at her;
there was something touchingly helpless in her timid passivity; it
seemed as though she had been so exhausted she had hardly reached the
chair, and had simply fallen on it. My heart began to melt.…

‘Acia,’ I said hardly audibly.…

She slowly lifted her eyes to me.… Oh, the eyes of a woman who
loves--who can describe them? They were supplicating, those eyes, they
were confiding, questioning, surrendering … I could not resist their
fascination. A subtle flame passed all through me with tingling shocks;
I bent down and pressed my lips to her hand.…

I heard a quivering sound, like a broken sigh and I felt on my hair the
touch of a feeble hand shaking like a leaf. I raised my head and looked
at her face. How transformed it was all of a sudden. The expression
of terror had vanished from it, her eyes looked far away and drew me
after them, her lips were slightly parted, her forehead was white as
marble, and her curls floated back as though the wind had stirred them.
I forgot everything, I drew her to me, her hand yielded unresistingly,
her whole body followed her hand, the shawl fell from her shoulders,
and her head lay softly on my breast, lay under my burning lips.…

‘Yours …’ she murmured, hardly above a breath.

My arms were slipping round her waist.… But suddenly the thought of
Gagin flashed like lightning before me. ‘What are we doing,’ I cried,
abruptly moving back.… ‘Your brother … why, he knows everything.… He
knows I am with you.’

Acia sank back on her chair.

‘Yes,’ I went on, getting up and walking to the other end of the room.
‘Your brother knows all about it.… I had to tell him.…’

‘You had to?’ she articulated thickly. She could not, it seemed,
recover herself, and hardly understood me.

‘Yes, yes,’ I repeated with a sort of exasperation, ‘and it’s all your
fault, your fault. What did you betray your secret for? Who forced you
to tell your brother? He has been with me to-day, and told me what you
said to him.’ I tried not to look at Acia, and kept walking with long
strides up and down the room. ‘Now everything is over, everything.’

Acia tried to get up from her chair.

‘Stay,’ I cried, ‘stay, I implore you. You have to do with an
honourable man--yes, an honourable man. But, in Heaven’s name, what
upset you? Did you notice any change in me? But I could not hide my
feelings from your brother when he came to me to-day.’

‘Why am I talking like this?’ I was thinking inwardly, and the idea
that I was an immoral liar, that Gagin knew of our interview, that
everything was spoilt, exposed--seemed buzzing persistently in my head.

‘I didn’t call my brother’--I heard a frightened whisper from Acia: ‘he
came of himself.’

‘See what you have done,’ I persisted. ‘Now you want to go away.…’

‘Yes, I must go away,’ she murmured in the same soft voice. ‘I only
asked you to come here to say good-bye.’

‘And do you suppose,’ I retorted, ‘it will be easy for me to part with
you?’

‘But what did you tell my brother for?’ Acia said, in perplexity.

‘I tell you--I could not do otherwise. If you had not yourself betrayed
yourself.…’

‘I locked myself in my room,’ she answered simply. ‘I did not know the
landlady had another key.…’

This innocent apology on her lips at such a moment almost infuriated
me at the time … and now I cannot think of it without emotion. Poor,
honest, truthful child!

‘And now everything’s at an end!’ I began again, ‘everything. Now we
shall have to part.’ I stole a look at Acia.… Her face had quickly
flushed crimson. She was, I felt it, both ashamed and afraid. I went
on walking and talking as though in delirium. ‘You did not let the
feeling develop which had begun to grow; you have broken off our
relations yourself; you had no confidence in me; you doubted me.…’

While I was talking, Acia bent more and more forward, and suddenly slid
on her knees, dropped her head on her arms, and began sobbing. I ran up
to her and tried to lift her up, but she would not let me. I can’t bear
women’s tears; at the sight of them I am at my wits’ end at once.

‘Anna Nikolaevna, Acia,’ I kept repeating, ‘please, I implore you, for
God’s sake, stop.…’ I took her hand again.…

But, to my immense astonishment she suddenly jumped up, rushed with
lightning swiftness to the door, and vanished.…

When, a few minutes later, Frau Luise came into the room I was still
standing in the very middle of it, as it were, thunderstruck. I could
not believe this interview could possibly have come to such a quick,
such a stupid end, when I had not said a hundredth part of what I
wanted to say, and what I ought to have said, when I did not know
myself in what way it would be concluded.…

‘Is Fraülein gone?’ Frau Luise asked me, raising her yellow eyebrows
right up to her false front.

I stared at her like a fool, and went away.



XVII


I made my way out of the town and struck out straight into the open
country. I was devoured by anger, frenzied anger. I hurled reproaches
at myself. How was it I had not seen the reason that had forced Acia
to change the place of our meeting; how was it I did not appreciate
what it must have cost her to go to that old woman; how was it I had
not kept her? Alone with her, in that dim, half-dark room I had had
the force, I had had the heart to repulse her, even to reproach her.…
Now her image simply pursued me. I begged her forgiveness. The thought
of that pale face, those wet and timid eyes, of her loose hair falling
on the drooping neck, the light touch of her head against my breast
maddened me. ‘Yours’--I heard her whisper. ‘I acted from conscientious
motives,’ I assured myself.… Not true! Did I really desire such a
termination? Was I capable of parting from her? Could I really do
without her?

‘Madman! madman!’ I repeated with exasperation.…

Meanwhile night was coming on. I walked with long strides towards the
house where Acia lived.



XVIII


Gagin came out to meet me.

‘Have you seen my sister?’ he shouted to me while I was still some
distance off.

‘Why, isn’t she at home?’ I asked.

‘No.’

‘She hasn’t come back?’

‘No. I was in fault,’ Gagin went on. ‘I couldn’t restrain myself.
Contrary to our agreement, I went to the chapel; she was not there;
didn’t she come, then?’

‘She hasn’t been at the chapel?’

‘And you haven’t seen her?’

I was obliged to admit I had seen her.

‘Where?’

‘At Frau Luise’s. I parted from her an hour ago,’ I added. ‘I felt sure
she had come home.’

‘We will wait a little,’ said Gagin.

We went into the house and sat down near each other. We were silent.
We both felt very uncomfortable. We were continually looking round,
staring at the door, listening. At last Gagin got up.

‘Oh, this is beyond anything!’ he cried. ‘My heart’s in my mouth.
She’ll be the death of me, by God!… Let’s go and look for her.’

We went out. It was quite dark by now, outside.

‘What did you talk about to her?’ Gagin asked me, as he pulled his hat
over his eyes.

‘I only saw her for five minutes,’ I answered. ‘I talked to her as we
agreed.’

‘Do you know what?’ he replied, ‘it’s better for us to separate. In
that way we are more likely to come across her before long. In any case
come back here within an hour.’



XIX


I went hurriedly down from the vineyard and rushed into the town. I
walked rapidly through all the streets, looked in all directions, even
at Frau Luise’s windows, went back to the Rhine, and ran along the
bank.… From time to time I was met by women’s figures, but Acia was
nowhere to be seen. There was no anger gnawing at my heart now. I was
tortured by a secret terror, and it was not only terror that I felt
… no, I felt remorse, the most intense regret, and love,--yes! the
tenderest love. I wrung my hands. I called ‘Acia’ through the falling
darkness of the night, first in a low voice, then louder and louder; I
repeated a hundred times over that I loved her. I vowed I would never
part from her. I would have given everything in the world to hold her
cold hand again, to hear again her soft voice, to see her again before
me.… She had been so near, she had come to me, her mind perfectly made
up, in perfect innocence of heart and feelings, she had offered me her
unsullied youth … and I had not folded her to my breast, I had robbed
myself of the bliss of watching her sweet face blossom with delight and
the peace of rapture.… This thought drove me out of my mind.

‘Where can she have gone? What can she have done with herself?’ I cried
in an agony of helpless despair.… I caught a glimpse of something white
on the very edge of the river. I knew the place; there stood there,
over the tomb of a man who had been drowned seventy years ago, a stone
cross half-buried in the ground, bearing an old inscription. My heart
sank … I ran up to the cross; the white figure vanished. I shouted
‘Acia!’ I felt frightened myself by my uncanny voice, but no one called
back.

I resolved to go and see whether Gagin had found her.



XX


As I climbed swiftly up the vineyard path I caught sight of a light in
Acia’s room.… This reassured me a little.

I went up to the house. The door below was fastened. I knocked. A
window on the ground floor was cautiously opened, and Gagin’s head
appeared.

‘Have you found her?’ I asked.

‘She has come back,’ he answered in a whisper. ‘She is in her own room
undressing. Everything is all right.’

‘Thank God!’ I cried, in an indescribable rush of joy. ‘Thank God! now
everything is right. But you know we must have another talk.’

‘Another time,’ he replied, softly drawing the casement towards him.
‘Another time; but now good-bye.’

‘Till to-morrow,’ I said. ‘To-morrow everything shall be arranged.’

‘Good-bye;’ repeated Gagin. The window was closed. I was on the point
of knocking at the window. I was on the point of telling Gagin there
and then that I wanted to ask him for his sister’s hand. But such a
proposal at such a time.… ‘To-morrow,’ I reflected, ‘to-morrow I shall
be happy.…’

To-morrow I shall be happy! Happiness has no to-morrow, no yesterday;
it thinks not on the past, and dreams not of the future; it has the
present--not a day even--a moment.

I don’t remember how I got to Z. It was not my legs that carried me,
nor a boat that ferried me across; I felt that I was borne along by
great, mighty wings. I passed a bush where a nightingale was singing. I
stopped and listened long; I fancied it sang my love and happiness.



XXI


When next morning I began to approach the little house I knew so well,
I was struck with one circumstance; all the windows in it were open,
and the door too stood open; some bits of paper were lying about in
front of the doorway; a maidservant appeared with a broom at the door.

I went up to her.…

‘They are gone!’ she bawled, before I had time to inquire whether Gagin
was at home.

‘Gone?…’ I repeated. ‘What do you mean by gone? Where?’

‘They went away this morning at six o’clock, and didn’t say where. Wait
a minute, I believe you’re Mr. N----, aren’t you?’

‘I’m Mr. N----, yes.’

‘The mistress has a letter for you.’ The maid went upstairs and
returned with a letter. ‘Here it is, if you please, sir.’

‘But it’s impossible … how can it be?…’ I was beginning. The servant
stared blankly at me, and began sweeping.

I opened the letter. Gagin had written it; there was not one word from
Acia. He began with begging me not to be angry at his sudden departure;
he felt sure that, on mature consideration, I should approve of his
decision. He could find no other way out of a position which might
become difficult and dangerous. ‘Yesterday evening,’ he wrote, ‘while
we were both waiting in silence for Acia, I realised conclusively
the necessity of separation. There are prejudices I respect; I can
understand that it’s impossible for you to marry Acia. She has told me
everything; for the sake of her peace of mind, I was bound to yield
to her reiterated urgent entreaties.’ At the end of the letter he
expressed his regret that our acquaintance had come to such a speedy
termination, wished me every happiness, shook my hand in friendship,
and besought me not to try to seek them out.

‘What prejudices?’ I cried aloud, as though he could hear me; ‘what
rubbish! What right has he to snatch her from me?…’ I clutched at my
head.

The servant began loudly calling for her mistress; her alarm forced me
to control myself. One idea was aflame within me; to find them, to find
them wherever they might be. To accept this blow, to resign myself to
such a calamity was impossible. I learnt from the landlady that they
had got on to a steamer at six o’clock in the morning, and were going
down the Rhine. I went to the ticket-office; there I was told they had
taken tickets for Cologne. I was going home to pack up at once and
follow them. I happened to pass the house of Frau Luise.… Suddenly I
heard some one calling me. I raised my head, and at the window of the
very room where I had met Acia the day before, I saw the burgomaster’s
widow. She smiled her loathsome smile, and called me. I turned away,
and was going on; but she called after me that she had something for
me. These words brought me to a halt, and I went into her house. How
can I describe my feelings when I saw that room again?…

‘By rights,’ began the old woman, showing me a little note; ‘I oughtn’t
to have given you this unless you’d come to me of your own accord, but
you are such a fine young man. Take it.’

I took the note.

On a tiny scrap of paper stood the following words, hurriedly scribbled
in pencil:

‘Good-bye, we shall not see each other again. It is not through pride
that I’m going away--no, I can’t help it. Yesterday when I was crying
before you, if you had said one word to me, only one word--I should
have stayed. You did not say it. It seems it is better so.… Good-bye
for ever!’

One word.… Oh, madman that I was! That word … I had repeated it the
night before with tears, I had flung it to the wind, I had said it
over and over again among the empty fields … but I did not say it to
her, I did not tell her I loved her.… Indeed, I could not have uttered
that word then. When I met her in that fatal room, I had as yet no
clear consciousness of my love; it had not fully awakened even when I
was sitting with her brother in senseless and burdensome silence … it
flamed up with irrepressible force only a few instants later, when,
terrified by the possibility of misfortune, I began to seek and call
her … but then it was already too late. ‘But that’s impossible!’ I
shall be told; I don’t know whether it’s possible, I know that it’s the
truth. Acia would not have gone away if there had been the faintest
shade of coquetry in her, and if her position had not been a false one.
She could not put up with what any other girl would have endured; I
did not realise that. My evil genius had arrested an avowal on my lips
at my last interview with Gagin at the darkened window, and the last
thread I might have caught at, had slipped out of my fingers.

The same day I went back with my portmanteau packed, to L., and started
for Cologne. I remember the steamer was already off, and I was taking a
mental farewell of those streets, all those spots which I was never to
forget--when I caught sight of Hannchen. She was sitting on a seat near
the river. Her face was pale but not sad; a handsome young fellow was
standing beside her, laughing and telling her some story; while on the
other side of the Rhine my little Madonna peeped out of the green of
the old ash-tree as mournfully as ever.



XXII


In Cologne I came upon traces of the Gagins; I found out they had
gone to London; I pushed on in pursuit of them; but in London all my
researches were in vain. It was long before I would resign myself, for
a long while I persevered, but I was obliged, at last, to give up all
hope of coming across them.

And I never saw them again--I never saw Acia. Vague rumours reached
me about him, but she had vanished for ever for me. I don’t even know
whether she is alive. One day, a few years later, in a railway carriage
abroad, I caught a glimpse of a woman, whose face vividly recalled
those features I could never forget … but I was most likely deceived
by a chance resemblance. Acia remained in my memory a little girl such
as I had known her at the best time of my life, as I saw her the last
time, leaning against the back of a low wooden chair.

But I must own I did not grieve over-long for her; I even came to the
conclusion that fate had done all for the best, in not uniting me to
Acia; I consoled myself with the reflection that I should probably not
have been happy with such a wife. I was young then--and the future,
the brief, swiftly-passing future seemed boundless to me then. Could
not what had been be repeated, I thought, and better, fairer still?… I
got to know other women--but the feeling Acia had aroused in me, that
intense, tender, deep feeling has never come again. No! no eyes have
for me taken the place of those that were once turned with love upon
my eyes, to no heart, pressed to my breast, has my heart responded
with such joyous sweet emotion! Condemned as I have been to a solitary
life, without ties or family, I have led a dreary existence; but I keep
as sacred relics, her little notes and the dry geranium, the flower
she threw me once out of the window. It still retains a faint scent,
while the hand that gave it, the hand I only once pressed to my lips,
has perhaps long since decayed in the grave.… And I myself, what has
become of me? What is left of me, of those blissful, heart-stirring
days, of those winged hopes and aspirations? The faint fragrance of an
insignificant plant outlives all man’s joys and sorrows--outlives man
himself.

1857.

Printed by T. and A. CONSTABLE, Printers to His Majesty at the
Edinburgh University Press





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