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Title: The Underworld of Oregon Caves National Monument
Author: Cantor, Roger Jacob
Language: English
As this book started as an ASCII text book there are no pictures available.


*** Start of this LibraryBlog Digital Book "The Underworld of Oregon Caves National Monument" ***


                             The Underworld
                            of Oregon Caves
                           National Monument


                                  _by_
                            ROGER J. CONTOR


                              Published by
                Crater Lake Natural History Association

    [Illustration: NATIONAL PARK SERVICE · Department of the Interior]

                    Produced in cooperation with the
                         National Park Service

                           Copyright 1963 by
                Crater Lake Natural History Association
                           Printed in U.S.A.

                         © _CRAFT PRINTERS, INC
                          1205 Klamath Avenue
                      Klamath Falls, Oregon 97601_



                            About the Author


Roger J. Contor attended the University of Idaho and Montana State
College, concentrating in the fields of zoology, botany, forestry, and
big game management. His association with the National Park Service
began as a seasonal employee in 1949 in Yellowstone where he served
intermittently in various capacities into 1955. Later that year, he
joined the permanent staff of the National Park Service as a park
ranger, serving in Yellowstone, Rocky Mountain, and Bryce Canyon
National Parks.

In 1960, Mr. Contor became management assistant for Oregon Caves
National Monument, where he remained until early 1962. He then returned
to Rocky Mountain National Park, also as a management assistant. He is a
member of The Wildlife Society and Phi Beta Kappa and has authored
wildlife articles for _National Parks Magazine_, _Field and Stream_,
_Outdoor Life_, _Wyoming Wildlife_ and _Denver Post_.

    [Illustration: _CAVE TOUR_]

  _ENTRANCE_
  _TREE ROOT_
  _RIVER STYX BRIDGE_
  _WHALE_
  _DRY ROOM_
  _WIGWAM_
  _110 ft. EXIT_
  _BANANA ROOM_
  _NIAGARA_
  _KINGS PALACE_
  _GRAND COLUMN_
  _CHAPEL_
  _RIMSTONE_
  _PARADISE LOST_
  _GHOST ROOM_
  _EXIT TUNNEL_



                                CONTENTS


  INTRODUCTION                                                         1
  HOW OREGON CAVES WERE FORMED                                         3
      The Raw Material—Rock                                            3
      Underground Erosion                                              7
      Decoration                                                      14
      The Cave’s Age                                                  24
      Other Cave Features                                             25
  LIFE IN THE CAVES                                                   27
      Plant Life                                                      29
  THE FUTURE                                                          30
  HUMAN HISTORY                                                       30
  CONSERVATION AND PRESERVATION                                       31
  GLOSSARY OF CAVE TERMS                                              34
  SUGGESTED READINGS                                                  36
  RULES & REGULATIONS                                                 37
  ADMINISTRATION                                                      37

    [Illustration: Paradise Lost]



                              INTRODUCTION


Three tired men unsaddled their horses where the mountain stream
disappeared into the ground. They had fought their way 15 miles over
wild, rugged mountains since leaving Williams Valley at dawn. Yet rest
was far from their minds. Hurriedly they stuck tallow candles into
lanterns made from tin cans, untied a lariat from a saddle, then walked
down the valley. They stopped where the stream, now larger, reappeared
from a shadowy crevice under a cliff.

“This must be it,” said one of them eagerly, “just like Davidson said.”
And with mixed feelings of excitement, fear, and the overwhelming grip
of adventure, they followed flickering candlelight into the dark
opening. Tales of persons lost for days in other caves were fresh in
their minds, so they uncoiled a ball of string as they went. Later they
could follow it back out.

Soon they knew the Davidson story was true, more than true. Crawling
from one chamber to another, they found a fairyland of weird grottoes
and exquisite stone formations—pillars and spires, drapes, frozen
waterfalls and grotesque forms—in shapes and sizes beyond their
imaginations. Some they named from resemblance to familiar objects. At
others they could only stare in awe and wonder _how can it be?_ Using
the rope in steep places, they probed upward into another level of
caverns where they were thrilled to find even more elaborate formations.
At one place they wrote their names and the date, July 11, 1879. Here
and there they saw evidence left by the few others who had entered the
cave in the five years since it was discovered by their neighbor, Elijah
Davidson. On and on they explored, returning to the entrance only when
their last candle was growing short. Outside, stars lighted a midnight
sky. Exhausted, happy, they vowed to return, then fell into bedrolls.

Thus early visitors responded to the lure of Oregon Caves: to see the
unseen and to know the unknown. Today, thousands of people enjoy the
caves under less demanding circumstances. Yet the joy of personal
discovery endures. For each visitor about to enter the cave, the thrill
of learning something new and interesting about the earth beneath us is
born anew.

Throughout the world, caves loom large in the scope of history. Early
man used them as dwelling and fortifications. Fugitives hid in them and
thieves used them to cache their loot. Others have found them fine
places to grow mushrooms. During the War of 1812 and the Civil War,
Americans mined certain caves for saltpetre which was desperately needed
to make gunpowder. Much of our knowledge of long extinct mammals has
been gleaned from perfectly preserved remains, and even prehistoric
drawings, uncovered by cave-probing scientists.

To most of us, however, the greatest value of caves is the delight of
seeing the strange beauties wrought by nature through countless
centuries. And from this comes the challenge to understand the
imperceptibly slow, relentless forces which produce them. This booklet
sketches the processes which form, alter and eventually destroy caves.
It is an attempt to share present knowledge with those who visit Oregon
Caves National Monument.

Before going on, let us define the word _cave_ as we consider it here.
True caves are formed in soluble rock—limestone, marble, gypsum or
dolomite. They usually contain some redeposited mineral in the form of
stalactites, etc. As most caves occur in limestone, the term _limestone
cave_ is often used to describe any true cave, even though it may
actually occur in dolomite or marble. The cave-forming process will be
basically the same for either type of soluble rock. We exclude from this
definition mines, lava tubes, ice caves, and sandstone depressions such
as those used by cliff-dwellers in the Southwest. While they are “holes
in the ground,” they are formed in different ways than are the limestone
type caves, and therefore are not usually referred to in geological
discussions of caves.



                      HOW OREGON CAVES WERE FORMED


_The Raw Material—Rock_

If we could turn back some 180 million years into geologic time, we
would find the North American continent a much different place. This was
the Triassic Period. Early dinosaurs thrived in primitive forests over
much of the United States. The area around southwestern Oregon was not
yet part of the continent; it was a shallow arm of the sea. Smoldering
volcanoes jutted out as cone-shaped islands or poured forth fumes and
lava from the distant mainland.

During quieter centuries the age-old process of life and death went on
within the sea waters. Fish, clams, coral—even tiny one-celled creatures
too small to be seen—extracted a mineral called calcium carbonate from
the water. With it they built bones, shells and skeletons. When these
animals died, their hard parts settled to the ocean bottom. Gradually,
layers of calcium carbonate were built up.

At the same time certain chemical functions of ocean plants extracted
carbon dioxide from the water and caused still more calcium carbonate to
precipitate and add to the sediments. The layers deepened. Eventually
the weight of overlying sediments and the ocean above compressed them
into a rock called limestone.

In different parts of the sea, and under varied conditions, other ocean
sediments were deposited. Near the shore, wave-swept sand accumulated
and eventually became sandstone. Fine silt and clay carried to the sea
by rivers settled in bluish layers which were to become shale. Near
rocky headlands, course gravel deposits became cemented into a hard mass
called conglomerate.

This steady formation of sedimentary layers was periodically interrupted
by volcanic activity. Heavy clouds of volcanic ash and fragments settled
into the sea. Molten lava poured into shallow bays or welled up from
subsurface volcanoes to mix with calcium carbonate muds. When volcanism
subsided, the seas went back to the quiet deposition of limestone. Today
at Oregon Caves we find evidence of this interbedding of sedimentary and
volcanic materials. An example of such interbedding can be seen above
the parking area near the Chateau.

    [Illustration: Marble outcrop]

Thus mixed deposits of volcanic and ocean sediments continued to collect
for several million years. Apparently this steady transfer of material
from one part of the earth’s crust to another created a crustal
imbalance. The edge of the continent was under a strain. Then, like an
accordion, a tremendous folding of the lands along the Pacific Coast
occurred.

The floor of the sea was lifted above the ocean’s surface to form a new
coast line in this vicinity. Violent stresses in the earth’s crust
created intense heat and pressure which changed, or metamorphosed, the
rocks. Shales were altered to slate. Sandstone became quartzite.
Limestone became the marble so important to Oregon Caves. Even the
volcanic materials were altered considerably from their original form.
The resultant geological belt composed of inter-bedded layers of slate,
quartzite, marble, and metamorphosed volcanics is known as the Applegate
Group.

After the uplift, there was a long period of crustal stability. The
folded mountains were eroded away and the area became a flattened plain
near sea level. As a result, its streams were sluggish and meandered
slowly to the ocean. Then, in various stages, the plain was uplifted in
another period of crustal adjustments which produced a flat-topped
plateau, so to speak, known as the ancient Klamath Peneplane. This
restored the vigor of the stream erosion, which helped at times by
glacier sculpture, dissected the plateau into the mountains we know
today. The Siskiyou Range surrounding Oregon Caves National Monument is
part of the Klamath Mountain System.

Let us focus on one of the ancient marble layers of the Applegate Group,
for this is the rock strata in which Oregon Caves were formed. It is
actually a narrow, tilted belt, varying in thickness up to 400 feet. It
dips eastward into the earth at an angle of about 60° and can be
followed in a southwest-northeast direction for about 4 miles along the
west shoulder of Mt. Elijah (see illustrations on page 4). Examination
of the marble layers inside the exit tunnel or the outcrop at the
beginning of Cliff Nature Trail reveals many fractures caused by the
stresses of upheaval. Some are vertical cracks, but there are also many
cross fractures at varying angles.

    [Illustration: Oregon Caves marble—8 inches wide]

When tested for chemical composition, Oregon Caves marble samples have
averaged 93 percent pure calcium carbonate (CaCO₃). Its bluish color is
derived from the remaining percentage of impurities. Without these, it
would be white. A good example of nearly pure calcium carbonate is the
white chalk used on blackboards.

Without this belt of soluble marble, and without the fractures within
it, natural processes could not have produced the “Marble Halls of
Oregon.” It is the foundation, the framework, and the raw material of
the caves.


_Underground Erosion_

The first requirement in the genesis of Oregon Caves—the right kind of
rock—was met. Next came the erosive agent which was to carve it into
caverns. This was the flow of underground water.

The present rainfall in this area averages 50 inches a year. During the
many thousands of years the caves were forming, the climate may have
varied from wetter to drier many times, but it is safe to assume this
has always been an area of relatively heavy precipitation. The steep,
mountainous terrain and deep-cut valleys of southwestern Oregon are
characteristic of aggressive stream erosion that goes hand-in-hand with
a healthy supply of rainfall.

Some of the rain evaporates and returns to the air. Some of it soon runs
into streams and is carried rapidly to the ocean. The rest of it seeps
into the ground where it is delayed for a time in its inevitable return
to the sea. Under the force of gravity, it trickles downward rather
steeply through joints and cracks in the rocks, or seeps between
particles of sand, gravel, or clay. Below the ground surface it joins a
zone of saturation, or _phreatic zone_.

    [Illustration: _GROUND WATER_]

  RAIN FALL
  } _Vadose zone: water moves from surface to water table (vertically)_
  —_Water table_
  } _Phreatic zone: total saturation, water moves slowly and nearly
          (horizontally)_

Here cracks, pores, and all spaces within the rock are completely filled
with water. There are no airspaces. Water movement within the phreatic
zone is comparatively slow, varying from a few inches a year to a few
feet a day, depending upon the permeability of the rock structure. And
the movement is usually horizontal, following the contours of the land
in the same direction as surface streams. Eventually this water will
find its way back to the surface at a lower elevation where it usually
emerges as a spring. It is phreatic water which feeds the mountain
streams and rivers many weeks or months after the last rainfall. It
might also be pumped from a well for human use. A large portion of the
earth’s population depends upon well water from these great underground
reservoirs.

How deep does phreatic water exist? This depends upon the porosity of
the rock, or its ability to contain water. Most mines that penetrate
many hundreds of feet encounter little water at great depths. Pressure
of the overlying rocks is so great that open spaces capable of holding
water cannot exist. So the earth’s crust contains available well water
only in restricted zones not far from the surface. The top of the zone
of saturation is called the _water table_. It is here that the most
rapid flow of phreatic water occurs, for the joints and interspaces are
wider nearest the surface. Between the water table and the surface is
the _vadose zone_, in which the spaces are partly filled with water and
partly filled with air. (See illustrations on page 7). Vadose water
content varies greatly with weather conditions. As rainfall is scant in
southwest Oregon during the summer, visitors find the caves relatively
dry at that time. In the winter, however, the passages will be veritably
“raining” vadose water within a few days after snow or rain.

The water table itself is more stable, but varies somewhat from winter
to summer, or during extended periods of unusually wet or dry seasons.
Its lowest possible level is ultimately controlled by the elevation of
the largest nearby surface stream or lake, which acts as a base level.
When the streams and lakes are lowered by erosion, the water table of a
given locality keeps pace by slowly sinking until eventually it lies
scarcely above sea level.

    [Illustration: Solution Rills in Ghost Room ceiling]

    [Illustration: Crack widened by solution—Watson’s Grotto]

Rain falling on the mountains above the cave seeps into the surface
cover of vegetation and humus. Here it absorbs carbon dioxide released
from the process of organic decay. Seeping further through the vadose
zone and down to the water table, this water carries many times the
normal amount of carbon dioxide found in the atmosphere. In fact, it
becomes acid. For water (H₂O) and carbon dioxide (CO₂) unite to form a
mild solution of _carbonic acid_ (H₂CO₃). In this manner, phreatic water
is constantly charged with mild acids. Not the kind that harm us, of
course. The fountain water by the chalet, and probably that in your
home, is actually mild carbonic acid. So is bottled pop.

    [Illustration: ]

                               _SOLUTION_

      RAIN      +  CARBON DIOXIDE   =        MILD CARBONIC ACID
                      MOLECULES
      (H₂O)             (CO₂)                     (H₂CO₃)
  CARBONIC ACID +      CALCIUM      =   CALCIUM BICARBONATE SOLUTION
                      CARBONATE
                   MOLECULES FROM
                    MARBLE STRATA
     (H₂CO₃)           (CaCO₃)                  (CaH₂(CO₃)₂)

                              _DEPOSITION_

      CALCIUM      CARBON DIOXIDE,   FOR EACH CARBON DIOXIDE MOLECULE
    BICARBONATE   CALCIUM CARBONATE     ESCAPING INTO CAVE AIR, AN
   REACHING CAVE                      EQUIVALENT MOLECULE OF CALCIUM
        AIR                          CARBONATE MUST BE REDEPOSITED AS
                                     SOLID DRIPSTONE, FLOWSTONE, ETC.

It was thus that phreatic water, charged with soil acids, percolated
century after century through cracks in the marble. The acids ate away
at all exposed rock surfaces—sideward, downward, and upward. (The
solution rills in the original Ghost Room ceiling reveal the upward
dissolving of water-filled cavities, see illustration page 9). To fully
understand this, we must recall that the marble is 93 percent _calcium
carbonate_ (CaCO₃). To dissolve it, carbonic acid mixes with the calcium
carbonate to form an unstable liquid compound called _calcium
bicarbonate_, (CaH₂(CO₃)₂). The removal of solid calcium carbonate in a
liquid is the key cave forming process and is called _solution_ (see
illustration page 10). In Watson’s Grotto we find several examples of
early crack-widening by phreatic solution (see illustration page 9).

The enlarged cracks allowed faster movement of water against an
increased surface area, and a subsequent increase in solution activity.
Partitions between them fell apart and were dissolved. A series of
water-filled passages evolved deep underground. Their pattern and
orientation followed the pre-cave network of joints and cracks in the
original strata. Gradually the openings were further enlarged into the
cave system we know today.

There is more to it than that, of course. You may ask, “Why aren’t there
caves continuously throughout the belt of marble? The joints and cracks
are everywhere. And certainly all the marble near the surface has been
subjected to ground water action at some time or another. Why are Oregon
Caves limited to one particular part of the marble belt?”

The answer to this involves several considerations. To begin with, we do
find small cavities and solution cracks throughout the exposed marble.
So there has been varying degrees of solution activity nearly
everywhere, although not sufficient to produce caverns comparable to
Oregon Caves.

Secondly, we must reconsider the mineralized water, calcium bicarbonate.
We called it an _unstable_ compound, meaning it will alter readily with
slight changes in conditions. Once the amount of carbon dioxide
dissolved in the water has united with an equivalent amount of calcium
carbonate (marble), the solution is saturated. No more marble can be
dissolved until additional carbon dioxide is absorbed by the water. If
the solution loses some of its carbon dioxide into the air, then an
equivalent amount of calcium carbonate must be redeposited as solid
stone. The balance can be delicate. In an underground pool of
mineralized water, _solution_ may be going on at one end of the pool and
_deposition_ at the other.

So a state of chemical balance tends to develop in normal phreatic drift
through the marble. Water saturated with minerals might easily move
through many hundreds of feet of marble strata without further enlarging
the openings. Instead, it might even deposit some of the dissolved
minerals, filling small cracks and veins, possibly even blocking its own
passage during dry cycles when phreatic flow is at a low ebb. The “dry”
room in the cave is an example of vein filling. Clay, gravel, and other
surface sediments can also be washed into the openings, plugging them up
and halting further solution for a time. All these factors lead toward a
stabilization of the solution process. Openings and small passages
continue to be formed, yet normal phreatic movement at Oregon Caves
seems to lack the force for large scale cave sculpture.

This opens the door to our third consideration; we know the greatest
amount of solution occurs in the water table zone. Therefore, to gain
the impetus needed to carve out a cave system, some local condition must
have _increased the water table flow_ in the immediate vicinity of
Oregon Caves. The solution process was magnified as larger quantities of
freshly acidic phreatic waters were channeled into a restricted zone.
Surging on, they scoured through the marble, dissolving larger volumes
of calcium carbonate and sweeping it away. The early solution pattern of
enlarged cracks had set the stage for the onset of this swift phreatic
erosion. But some geologically sudden event was necessary to trigger the
forces which completed the act.

We do not know exactly what the triggering action was. We know that the
water table either received a _sudden increase in supply_ from surface
drainage, or found a _larger or lower outlet_ downslope which tapped
phreatic water over a widespread zone and channeled it through a
localized area. There are several possibilities.

  1. A perched water table may have been held in the cave zone by a
  lower and impervious layer of rock. This barrier may have been
  suddenly cut through by erosion, as if the plug were pulled in a
  bathtub. The perched water would now pass _through_ the barrier,
  rather than over it, evacuating parts of the former phreatic zone, and
  inducing surface streams to channel underground through the same
  route. With such a subterranean diversion of water from a higher to a
  lower drainage pattern, the water table flow would increase
  considerably. A cave-forming condition would exist.

  Several small streams lose their identity and sink into the ground a
  few hundred yards above the caves. Doubtless, they join the water
  table inside the caverns to emerge at the entrance as the River Styx
  (called Cave Creek outside). Possibly they aided in the early stages
  of cave formation in a manner described above.

  2. It is difficult to imagine what the surface topography was like
  when the cave was forming, yet we know it hasn’t always been the same.
  The mountains were higher. The streams occupied higher positions in
  the valleys. The ridges lay in a somewhat different pattern. Now and
  then stream piracy, or drainage rearrangement, took place when a
  rapidly eroding stream cut away the ridge separating it from a less
  active stream. Suddenly the slower stream was diverted into the
  drainage system of its captor. Both surface and phreatic waters of the
  aggressive drainage were increased. The flow at the water table
  speeded up in response.

  If stream piracy occurred in the drainage overlying the caves, it
  might have played an important part in cave carving.

  3. Nor can we omit the conditions that occurred here during periods of
  glaciation. Shifting masses of ice and glacial debris
  characteristically cause damming and rechanneling of water in minor
  stream valleys. The temporary results are similar to stream piracy.
  Coupled with this is the great volume of water which drains from
  melting glaciers. Evidence of partial glaciation in the Siskiyou
  Mountains lends serious consideration to its effect on early cave
  development.

The whole process might have involved all three of the above situations
in varying degrees, for a “geologically sudden” event may take several
thousand years. Several distinct levels of cave erosion indicate that
the water table moved along at a certain level for a time, then rapidly
dropped to a lower course where it was stable for another extended
period. This was repeated until it now stands near the level of the
River Styx.

Successively, the caverns at higher levels were drained and left empty.
So as your tour climbs from the cave entrance to the highly developed
sections near the Ghost Room, you encounter galleries that are
progressively older. The first room inside the entrance, Watson’s
Grotto, is the best example we have of a cavern “recently” drained.

A word about the River Styx. Above it in several places you can see very
smooth walls left by the familiar erosive action of a stream. (See
illustration page 14). Most of the cave walls show the more pitted,
concave surface left by the acidic dissolving action of phreatic water.
The water which produced the main cave system moved much slower than the
River Styx, and over a wider area. The stream as we see it did not
produce the cave. Rather, the caverns, when drained, left a free flowing
course for ground water to channel into. The only true underground
streams occur in caves. They are a by-product of the cave-forming
process.

    [Illustration: Smooth-walled erosion of River Styx]


_Decoration_

Surface erosion continued to tear away at the mountains. Streams cut
their valleys deeper. In response, the water table gradually sank below
the level of the caverns and they, in turn, were drained. Air entered
the rooms. The basic excavation process was completed except for a few
minor changes: In some places, vadose water continued to dissolve away
portions of the cave ceilings into dome shapes. In other rooms
previously drained, water re-flooded certain portions during wet cycles.
And some rooms were filled with clay and gravel brought in from the
surface, then washed clean again in later stages.

Most important is the entrance of air, which ushered in the second major
stage in cave formation. The unadorned grottoes were now to be
decorated. Nature, through the process of _deposition_, next created the
eerie beauty which delights today’s cave visitors. In fact the process
continues even now, for Oregon Caves are “live” caves, meaning they are
still being decorated by natural deposition.

The weak carbonic acid in vadose water kept eating away the roof marble
above the caves. Reaching the caverns, drops of vadose water evaporated
into the air and left their load of calcium carbonate as thin layers of
solid mineral. The amount left by each drop was infinitesimal, yet
millions of drops eventually left thick deposits coated on the walls,
ceilings and floors of the cave. The crusty white deposits in the
Beehive Room are fine examples of deposition by _evaporation_. They were
left there in much the same way as the coating in the bottom of a
teakettle or steam iron.

However, evaporation is important only near the surface. Deeper inside
Oregon Caves the relative humidity averages 98 percent. Evaporation here
is almost non-existent. Instead, _loss of carbon dioxide_ becomes the
chief agent of deposition. We have learned that vadose water contains 25
to 90 times the normal amount of carbon dioxide found in the atmosphere.
Much of it, of course, unites with calcium carbonate to form calcium
bicarbonate solution. When this mineralized water reaches the caverns,
large quantities of carbon dioxide are able to escape into the air due
to the difference in carbon dioxide amounts in the water and air. The
chemical balance is upset. For each molecule of escaping carbon dioxide,
an equivalent molecule of solid mineral is deposited (see illustrations
page 10).

An interesting side effect of the loss of carbon dioxide is experienced
by the cave visitor. Although cave air is constantly replenished by
outside air through natural exchange, it has a rather high carbon
dioxide content due to release of this gas by vadose waters. This partly
explains the heavy breathing you find necessary inside the cave, because
the nerve centers which control our breathing are stimulated by a high
percentage of carbon dioxide in the air we breathe. It also explains the
odd “peroxide” odor many people notice when they reach the exit. The
odor is oxygen. We notice it because our senses have become adjusted to
slightly lower oxygen percentages inside the cave.

    [Illustration: Cave deposits in Joaquin Miller’s Chapel]

    [Illustration: Drapery in Ghost Room]

Cave deposits are collectively termed _speleothems_. Their variety is
infinite: Those left by dripping water are called _dripstone_, and take
on two basic forms—if they hang down from the ceiling they are called
_Stalactites_, if they grow up from the floor they are _stalagmites_.
The two may join together to form a column. Where the water drips
rapidly and the loss of carbon dioxide is slow, stalagmite growth is
favored because little deposition can take place on the ceiling. If the
drip rate is slow and loss of carbon dioxide is rapid, stalactite
formation is favored.

    [Illustration: Formations on page 16]

Contrasted with dripstone is _flowstone_—smooth layered deposits left
along walls and floors by flowing water. In Joaquin Miller’s Chapel,
flowstone deposits are many inches thick. (See illustration on page 16).
A close look at the structure of dripstone and flowstone reveals
six-sided crystals called _calcite_, which is merely the crystalline
form of calcium carbonate. (See illustration on page 19). Banded crystal
layers in cave deposits are often called alabaster, or cave onyx. These
can be easily seen at the “wishing post.”

Other shapes and forms accrue. Flowstone forming on backsloping walls
tends to produce graceful sheets called _drapery_. (See illustration on
page 17). Reddish bands may develop in drapery where iron oxide is
imbedded with the calcite. Contrasted with the pure white layers of
calcium carbonate, this gives the appearance of _bacon_. Good examples
of “bacon” can be seen in the Ghost Room.

Most shapes and forms of dripstone and flowstone are occasionally
duplicated by freezing water. Stalactites form on the edges of roofs,
stalagmites form on the sidewalk beneath them, etc. But one of several
cave formations which can’t be thus copied is the _soda straw_ (see
illustration page 20). Deposition begins as a ring of calcium carbonate
around a water drop. The ring has the unique feature of being a single
crystal. As more drops leave their deposits, the ringed crystals form
one on the other to create a tube. The water continues to seep through
the inside of the tube, eventually producing the fragile, crystalline
pipe with the obvious name.

The diameter of a soda straw is apparently determined by the specific
gravity and surface tension of water, for they are all nearly the same
diameter, about one-quarter inch. In a cave in western Australia one
soda straw has reached a length of 20 feet, 6 inches, yet is still only
one-quarter inch in diameter. If the drip rate decreases, the tip of the
soda straw may sometimes seal itself closed.

    [Illustration: Calcite crystals in layer of flowstone, 8 inches
    high.]

    [Illustration: ]

Some speleothems apparently defy gravity. Now and then internal
hydrostatic pressure causes secondary formations to project out from
others in unusual directions. These are _helictites_ (see illustration
on page 21). A related form is _popcorn_ (see illustration on page 22),
the mat of small nodules which coat the “beehive” and other objects in
the cave. Also called “cave coral,” popcorn can form under water or
along wet walls in response to air currents.

    [Illustration: Helictite formed on soda straw]

Soft, fibrous mats of calcium carbonate deposited near the surface at
Oregon Caves are termed _moonmilk_. In time moonmilk may harden into
popcorn mats. Its manner of formation is not fully understood.

    [Illustration: Popcorn in Adam’s Tomb]

    [Illustration: Rimstone]

At the “Devil’s Washboard,” and at the foot of Paradise Lost, we find
still another type of speleothem—_rimstone_—which forms in pools of
water. Agitated by dripping or flowing water, some of the carbon dioxide
in the pool escapes. The resultant deposition of mineral takes place on
irregularities in the bottom of the pool, or creates stone wavelets
where the pool spills over. Ridges and dams subsequently build up, often
constricting the pool surface (see illustration on page 22). Another
type of rimstone, or _cave ice_, develops when flowstone builds up
around the edge of a pool and gradually closes across it. The pool may
be completely sealed over, just like a pond in winter, except that “cave
ice” can never melt.

Cave students are often confused by another deposition found in the form
of thin _blades_ jutting out of the wall (see illustration below). They
have a woven, crystalline texture. Prior to removal by solution, some of
the marble cracks were filled with calcium carbonate. Being less soluble
than marble, the sheets of calcite crystals remain for a time after the
surrounding rock is dissolved away.

    [Illustration: Blade formation]

So far we have discussed cave features—_speleothems_—created by
deposition of mineral from the solid to liquid, and back to solid state.
But certain objects in the caves are simply what remains of a piece of
marble after some of it is dissolved away. These are _speleogens_, cave
features created by the dissolving of mineral (see illustration page 24
). They can be striking, but primarily it is the _speleothems_ which
make Oregon Caves a thing of wonder and beauty. The zenith of such
spectacular development as seen at Paradise Lost leaves little doubt of
this.


We have followed the mineral calcium carbonate through many forms: from
sea creatures to ocean mud, to limestone and then marble, next to a
liquid solution called calcium bicarbonate, and lastly as calcite
crystals in cave formations. The size, shape and variety of cave
deposits are determined by many factors which seem to prevent any two
being exactly alike. Changes in temperature, relative humidity,
available carbon dioxide, amounts of vadose water, air circulation,
surface tension, permeability of roof rock, vegetation above the cave,
bacteria action, and the amount and kind of impurities in vadose water
may all combine to vary the nature of cave formations.

    [Illustration: Detail in Paradise Lost]

    [Illustration: Speleogen above River Styx]


_The Cave’s Age_

The many variables make it difficult to accurately estimate the age of
cave deposits. We have no way of determining past conditions which have
influenced the rate of development. Oh, we know the formations are many
thousands of years old, beyond that we can only guess. Some crude
examples of known age are the tiny, one-half-inch stalactites formed in
the exit tunnel since it was completed some 38 years ago (see
illustration below). Bathed in warm, dry air from the outside, they have
probably developed much faster than those inside the main cave. Other
active formations deep in the cave show very little visible depositing
over names written on them by early explorers in the 1880’s. So the true
secret of the age of the formations must rest with the cave itself.
Perhaps this is best.

    [Illustration: Stalactites formed since exit tunnel was completed in
    1933]


_Other Cave Features_

An obvious feature you may see in Neptune’s Grotto is the brown lacework
on the walls. They are lines of clay. Molecular attraction causes the
clay particles to cling together into what we call _clay worms_. (See
illustrations on page 27). Where does the clay come from? Some of it may
be washed in from the ground above. The rest of it is the remnant of
marble solution. Oregon Caves marble is 93 percent calcium carbonate.
The remaining 7 percent is non-soluble clay and remains in the cave
after the calcium carbonate is carried away in fluid state. Clay worms
are temporary features; vadose water or the touch of a careless hand can
easily remove them.

In the Ghost Room we find an interesting object. Projecting from the
ceiling is an 8-inch thick slab of angular brown rock. Its edges have
been broken, rather than dissolved. This is a _clastic dike_. Evidence
is lacking to definitely state its origin or manner of emplacement. But
at some time in the past, there was an extensive crack in the marble
which was filled by a mudlike material made up of bits of quartz,
plagioclase, horneblende, epidote, clay, and other minor ingredients. It
may have been washed in from the surface, or it could have been injected
from below by earthquake shocks which cracked the marble and forced the
pliable material into the cracks.

Eventually it hardened into rock. Due to its non-soluble ingredients,
the dike was not dissolved when the Ghost Room was formed. Like the
“blades” we discussed previously, it remained as a projection into the
room while the marble walls receded under solution activity. Being
brittle, it has apparently been broken off periodically by the jar of
earthquakes or cave collapse.

Another obvious discrepancy in the marble framework of the caves is the
thin layer of slate found in the 65-foot tunnel. This reveals an
interruption in the limestone sedimentation of the Triassic sea. A thin
layer of shale was deposited between limestone layers. Later, when the
limestone became marble, the shale became slate. It should be mentioned
here that limestone and shale vary greatly in their contents and often
interblend with each other. “Pure” limestone is white. Different shades
occur with different amounts of claylike impurities. When the impurities
overshadow the limestone, then the rock may be called shale. The whitest
marble in Oregon Caves came from the purest limestone. The darker,
blue-banded marble is rich in slate impurities.

    [Illustration: The lacework effect of clay “worms”]



                           LIFE IN THE CAVES


If the Indians of southwest Oregon knew of Oregon Caves they left no
evidence of the fact. Possibly its remote and rugged setting was too far
away from their normal haunts near the fertile valleys and salmon-rich
rivers. Or they may have known of the cave, but superstitions forbade
their entering it. To our knowledge, Elijah Davidson was the first
person to penetrate its depths.

Other creatures used it regularly. Bears, mountain lions, coyotes,
bobcats, skunks and other predators found the outer chambers ideal dens
or resting places. Within the “twilight zone”—the galleries near the
surface where some light penetrates—rodents of several kinds entered
freely and even made nests. Today, we find the industrious woodrat still
gathering mounds of sticks, leaves, flashbulbs, and hairpins to store
near the 110-foot exit. Mice and rabbits are frequently seen in the
cave. Occasionally the tracks of the ringtail betray his secretive
hunting trips into the cave. In 1935, even a mountain beaver was found
in the Ghost Room.

However, there is only one mammal truly adjusted to normal living inside
the dark portions of the caves. This is the bat. (See illustration
below). There are eight species of bats that use Oregon Caves. Most
common is the long-eared myotis. None are abundant, and most visitors do
not see them, for this is not a “bat cave” in the same sense as Carlsbad
and other caves. Also, the bats prefer the undisturbed sections of the
caves, where people seldom enter. In spite of this, they attract much
interest and are the subject of much discussion. The only mammal capable
of flight, bats are also unique in their ability to fly in total
darkness deep within caves.

    [Illustration: Hibernating bat in “dry” room]

This latter skill puzzled scientists for many years until, in the
1930’s, it was learned that bats navigate in darkness by echo-location,
a system similar to the Navy’s sonar. The animal emits high-pitched
squeaks, above the threshold of human hearing. The echo of the squeaks
bounces off nearby objects and the bat is able to decipher, from a flood
of up to sixty echoes a second, the size, shape, and distance of objects
before them. So precise is this system that the animal is able to locate
and capture flying insects in pitch darkness. Not only can they navigate
in the dark, they can also remember echo patterns that help them to
return again and again to the same place deep inside a cave.

They feed at night, eating great numbers of insects. In winter a few of
them hibernate in Oregon Caves and may be easily observed clinging head
downward from the walls and ceilings for months at a time. During a
bat-banding study a few years ago, 750 bats were fitted with tiny
aluminum identification bands and released. To date, however, none of
these bats have been found elsewhere, nor have any foreign bands turned
up here. Some bats are migratory, for each year in late August or
September there is an influx of several hundred that may be seen in the
caves for only a few days. Then they are gone again.

Certain arthropods—millepedes, spiders, moths and small wingless insects
called collemboles—are abundant in the “twilight zone” of the caves,
where they feed on organic matter and upon each other. Thus animal life
in the cave is more prominent than many people suspect.


_Plant Life_

When the cave lights were installed in 1932, conditions were established
for the entrance of another type of life—plants. Carried into the cave
by water or air currents, spores of primitive plants could now germinate
and live. Near the light fixtures we find interesting colonies. The
green coating several feet from the lights are clusters of _algae_. They
have no leaves, stems or roots; in fact they are the simplest and most
universal of the earth’s green plants. They require much less light
energy than the _mosses_ which grow only a few inches from the lights.
In one or two places we also find fleshy green _liverworts_ which look
like blobs of spilled paint. And now and then we find the cave’s highest
type of plants, the _sword ferns_. Diminutive in comparison with their
kin outside the cave, these tiny ferns are nevertheless able to survive
near the lights which burn at least part of every day during the year.



                               THE FUTURE


What next? Like lakes and waterfalls, caves are temporary features of
the drainage pattern of an area. The same processes which produce them
will eventually destroy them. At Paradise Lost we see that an
appreciable part of the original room has already been filled with cave
deposits. Many side passages in the caves have similarly been blocked
off by the accumulation of flowstone.

On the outside, surface erosion will wear away the roof rock until the
caverns collapse. The rooms will be filled with sunlight and exposed to
rapid weathering. The calcium carbonate that was laid down in the
Triassic sea, then lifted into mountains, then changed to calcite cave
deposits, will again be dissolved by water and carried back to the sea.
We know this because remnants of other caves reveal the pattern of
creation and destruction common to all caves. The end will not come at
Oregon Caves for thousands or millions of years. But it will come. The
work of water and other erosive forces never ceases.



                              HUMAN STORY


Oregon Caves have been known since a day in 1874 when Elijah J. Davidson
went hunting in the Siskiyou Mountains. The story goes that, after
killing a deer, he followed his dog to a large hole in the mountain.
Here he heard sounds of fighting coming from within. Being undecided as
to what to do, he stood waiting—then his dog gave vent to a weird howl,
as if in great pain. Hesitating no longer, Davidson rushed into the
opening. He soon found the chase difficult to pursue without a light,
whereupon he resorted to a few matches that he had in his shot-pouch.
Striking match after match, he expected that he would soon be at the
scene of the struggle.

Before arriving there, however, his supply of matches gave out, leaving
him in the dark. Davidson finally found his way back to a running stream
of water, and following it, came to the mouth of the cave. Soon after,
the dog came splashing down the creek, unhurt. As it was well on in the
evening, Davidson decided to go back to camp and return the next day.
Before leaving, however, he placed near the entrance to the cave the
buck he had recently killed. He anticipated that a bear would come out
for food, eat all it could and then lie down by the remaining part.
Returning early the next morning, Davidson found a monstrous black bear
lying near the carcass of the deer.

Davidson told others of his discovery, and the cave soon became an
attraction for the adventuresome, portions of it being explored and
opened. Early interest in commercializing the cave were thwarted by its
remote location, far from roads and populous communities.

In 1907, Joaquin Miller, the “Poet of the Sierra,” and Chandler B.
Watson, author of _Prehistoric Siskiyou Island_ and the _Marble Halls of
Oregon_, visited the cave. They were highly impressed and promoted the
cave as the “Marble Halls of Oregon.” Public attention was aroused and
the cave was established as Oregon Caves National Monument on July 12,
1909. (See illustration on page 32).

Appreciable public use was not attained until 1922, when an automobile
road was completed to the caves. The next year, 1923, the Forest Service
granted a concession to the Oregon Caves Company, which has provided
public accommodations and cave guide service since then.

In 1933, the Monument was transferred to the National Park System.
Concurrently, the completion of the 512-foot exit tunnel that same year
greatly improved cave tour circulation. The public use pattern,
relatively unchanged for the next three decades, was established after
the opening of the concessioner’s chateau building in 1934. The chateau
is noted for its charming architecture, complementing the steep,
forested setting.



                     CONSERVATION AND PRESERVATION


Oregon Caves have been set aside as a national monument because of their
outstanding natural features. The National Park Service is charged by
Congress to provide for the public use and enjoyment of the area “in
such manner and by such means as will leave it unimpaired for ... future
generations.”

    [Illustration: A visit to Oregon Caves in 1912]

Natural things and natural processes are paramount. Manmade facilities
such as trails, lights and steps are necessary to allow visitors to
enjoy the cave. But they are kept at a minimum. Your guide will ask you
not to touch any of the cave formations. This is to keep them from being
stained or broken. Prior to the establishment of the National Monument
in 1909, fragile formations were the object of severe vandalism and
thoughtless destruction by souvenir hunters (see illustration page 33).
It is doubly important to preserve the remaining features for the
benefit of those who will come here tomorrow and in later years.

    [Illustration: Vandalism: Nature required many thousands of years to
    create these stalactites. A thoughtless person needed only a few
    moments to destroy them.]

Outside the cave, the Monument is a place where flowers are enjoyed in
their natural state and not picked, where birds and wild animals are
unmolested by hunters or trappers. The forest is undisturbed. On the
trails away from the cave area, the hiker may see animals and plants
fulfilling their existence as they did centuries ago. It is to this
philosophy that the national parks and monuments are dedicated.



                         GLOSSARY OF CAVE TERMS


Bacon
      A thin sheet of calcite drapery having alternating dark and light
      bands which give it the appearance of a strip of bacon. The dark,
      reddish bands are usually caused by an iron oxide stain.

Bedding plane
      The stratification or meeting place of two different layers of
      sedimentary rock.

Blade
      A calcite sheet originally deposited in a crack, then later
      exposed.

Breakdown
      Heaps of rubble on a cavern floor caused by the collapse of walls
      or ceiling.

Calcium bicarbonate
      An unstable compound occurring when carbonic acid contacts calcium
      carbonate.

Calcium carbonate
      A mineral with the chemical formula CaCO₃.

Calcite
      A crystalline form of calcium carbonate.

Carbonic acid
      A weak acid occurring as a liquid, having the formula H₂CO₃, a
      mixture of carbon dioxide and water.

Clastic dike
      A dike made up of fragments of pre-existing rocks.

Column
      A speleothem formed when a stalactite and a stalagmite meet.

Deposit
      A natural occurrence of mineral material, such as an iron ore
      deposit; or in the vocabulary of the speleologist, any cave
      formation originating from deposition.

Drapery
      Hanging speleothem in the form of a curtain or drape.

Dripstone
      A calcite deposit left by dripping water.

Flowstone
      A calcite deposit left by flowing water along a cave wall or
      floor.

Fracture
      A break in rock.

Gallery
      An underground passage.

Ground water
      Water within the earth, such as feeds wells.

Helictite
      A variant form of stalactite which does not hang vertically or
      which has side growths resembling twisted roots.

Joint
      A crack, which in limestone forms at an angle to a bedding plane.
      A series of joints often intersect each other in a four-sided
      pattern.

Limestone
      A rock consisting chiefly of calcium carbonate, usually an
      accumulation of organic remains such as shells.

Marble
      Limestone crystallized by metamorphism.

Metamorphose
      To change into a different form, such as changing sedimentary rock
      (limestone) into a metamorphic rock (marble).

Moonmilk
      A rare form of hydromagnesite or calcium carbonate which is
      semisolid.

Phreatic zone
      The region, below the water table, in which rock is saturated with
      water.

Popcorn
      Nodules of mineral deposits formed in such a way as to resemble
      popcorn.

Rimstone
      A calcite deposit around the edge of a pool of water.

Sedimentary rock
      Formed from deposits of sediments or from fragments of other
      minerals.

Shale
      A sedimentary rock formed from deposits of clay or silt.

Solution
      The process by which a substance is chemically combined with a
      liquid. Also, the state of being chemically so combined.

Soda straw
      A small, hollow stalactite inside which drops of water descend.

Speleogen
      A cave feature produced by solution of base rock.

Speleologist
      One who makes a scientific study of caves.

Speleology
      The scientific study of caves in all their aspects.

Speleothem
      A cave feature produced by deposition of mineral.

Spelunker
      One who explores caves as a sportsman or amateur speleologist.

Stalactite
      A calcite speleothem which grows downward, icicle-fashion, as a
      result of deposition by dripping water.

Stalagmite
      A calcite speleothem which grows upward from a cave floor as a
      result of deposition by dripping water.

Vadose zone
      The region lying between the surface of the earth and the water
      table. Water which seeps or flows through this region under the
      pull of gravity is called vadose water.

Water table
      The meeting place of the phreatic and vadose zones. Below it, the
      rock is saturated with water; above it, water under the pull of
      gravity is continuously flowing downward.



                           SUGGESTED READING


Davidson, E. J., “History of the Discovery of the Marble Halls of
      Oregon.” _Oregon Historical Quarterly_, Vol. 23, pp. 274-276
      (1922).

Folsom, Franklin, _Exploring American Caves_. New York, Crown
      Publishers, Inc., 1956.

Halliday, William R., _Adventure Is Underground_. New York, Harper and
      Brothers, Publishers, 1959.

Mohr, Charles E., and Howard N. Sloane, _Celebrated American Caves_. New
      Jersey, Rutgers University Press, 1955.

Wells, Francis G., Preliminary geological map of southwest Oregon.
      U.S.G.S. Mineral Investigation Map, MF 38, 1955.



                        _RULES AND REGULATIONS_
                              (_Briefed_)


1. No person shall enter Oregon Caves unless accompanied by an
      authorized guide.

2. Children under 6 years of age are not permitted in the caves. A
      nursery is provided.

3. The destruction, injury, defacement or removal of any of the natural
      features, rocks, plants, or animals in the caves or Monument is
      prohibited.

4. No canes, umbrellas or sticks of any kind may be taken into the
      caves.

5. Dogs and cats must be kept under physical control and are not allowed
      on trails or in the buildings.

6. Careless disposal of trash is prohibited; please use the containers
      placed nearby.


                    THIS IS _YOUR_ NATIONAL MONUMENT
   Please help keep it clean and undamaged for those who follow you.



                             ADMINISTRATION


Oregon Caves National Monument is a unit of the National Park Service.
Inquiries should be addressed to the Park Manager, Oregon Caves National
Monument, P.O. Box 377, Cave Junction, Oregon 97523.

    [Illustration: Cave entrance]



                          Transcriber’s Notes


—Silently corrected a few typos.

—Added links to images mentioned in the text; reworded some references
  to fit a presentation without page facing.

—Retained publication information from the printed edition: this eBook
  is public-domain in the country of publication.

—In the text versions only, text in italics is delimited by
  _underscores_.





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