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Title: Three Stories & Ten Poems
Author: Hemingway, Ernest
Language: English
As this book started as an ASCII text book there are no pictures available.


*** Start of this LibraryBlog Digital Book "Three Stories & Ten Poems" ***


  Copyright, 1923, by the author


  Published by
  Contact Publishing Co.



THREE STORIES


Up In Michigan

Out of Season

My Old Man


& TEN POEMS


Mitraigliatrice

Oklahoma

Oily Weather

Roosevelt

Captives

Champs d’Honneur

Riparto d’Assalto

Montparnasse

Along With Youth

Chapter Heading


ERNEST HEMINGWAY



This Book
Is For Hadley



CONTENTS


Three Stories


Up In Michigan
Out Of Season
My Old Man


Ten Poems


Mitraigliatrice
Oklahoma
Oily Weather
Roosevelt
Captives
Champs D’Honneur
Riparto D’Assalto
Montparnasse
Along With Youth
Chapter Heading



Five of these poems were
first printed in _Poetry_
A Magazine of Verse.



UP IN MICHIGAN


UP IN MICHIGAN


Jim Gilmore came to Hortons Bay from Canada. He bought the blacksmith
shop from old man Horton. Jim was short and dark with big mustaches
and big hands. He was a good horseshoer and did not look much like a
blacksmith even with his leather apron on. He lived upstairs above
the blacksmith shop and took his meals at A. J. Smith’s.

Liz Coates worked for Smith’s. Mrs. Smith, who was a very large clean
woman, said Liz Coates was the neatest girl she’d ever seen. Liz had
good legs and always wore clean gingham aprons and Jim noticed that
her hair was always neat behind. He liked her face because it was so
jolly but he never thought about her.

Liz liked Jim very much. She liked it the way he walked over from the
shop and often went to the kitchen door to watch for him to start
down the road. She liked it about his mustache. She liked it about
how white his teeth were when he smiled. She liked it very much that
he didn’t look like a blacksmith. She liked it how much A. J. Smith
and Mrs. Smith liked Jim. One day she found that she liked it the way
the hair was black on his arms and how white they were above the
tanned line when he washed up in the washbasin outside the house.
Liking that made her feel funny.

Hortons Bay, the town, was only five houses on the main road between
Boyne City and Charlevoix. There was the general store and postoffice
with a high false front and maybe a wagon hitched out in front,
Smith’s house, Stroud’s house, Fox’s house, Horton’s house and Van
Hoosen’s house. The houses were in a big grove of elm trees and the
road was very sandy. There was farming country and timber each way up
the road. Up the road a ways was the Methodist church and down the
road the other direction was the township school. The blacksmith shop
was painted red and faced the school.

A steep sandy road ran down the hill to the bay through the timber.
From Smith’s back door you could look out across the woods that ran
down to the lake and across the bay. It was very beautiful in the
spring and summer, the bay blue and bright and usually whitecaps on
the lake out beyond the point from the breeze blowing from Charlevoix
and Lake Michigan. From Smith’s back door Liz could see ore barges
way out in the lake going toward Boyne City. When she looked at them
they didn’t seem to be moving at all but if she went in and dried
some more dishes and then came out again they would be out of sight
beyond the point.

All the time now Liz was thinking about Jim Gilmore. He didn’t seem
to notice her much. He talked about the shop to A. J. Smith and about
the Republican Party and about James G. Blaine. In the evenings he
read the Toledo Blade and the Grand Rapids paper by the lamp in the
front room or went out spearing fish in the bay with a jacklight with
A. J. Smith. In the fall he and Smith and Charley Wyman took a wagon
and tent, grub, axes, their rifles and two dogs and went on a trip to
the pine plains beyond Vanderbilt deer hunting. Liz and Mrs. Smith
were cooking for four days for them before they started. Liz wanted
to make something special for Jim to take but she didn’t finally
because she was afraid to ask Mrs. Smith for the eggs and flour and
afraid if she bought them Mrs. Smith would catch her cooking. It
would have been all right with Mrs. Smith but Liz was afraid.

All the time Jim was gone on the deer hunting trip Liz thought about
him. It was awful while he was gone. She couldn’t sleep well from
thinking about him but she discovered it was fun to think about him
too. If she let herself go it was better. The night before they were
to come back she didn’t sleep at all, that is she didn’t think she
slept because it was all mixed up in a dream about not sleeping and
really not sleeping. When she saw the wagon coming down the road she
felt weak and sick sort of inside. She couldn’t wait till she saw Jim
and it seemed as though everything would be all right when he came.
The wagon stopped outside under the big elm and Mrs. Smith and Liz
went out. All the men had beards and there were three deer in the
back of the wagon, their thin legs sticking stiff over the edge of
the wagon box. Mrs. Smith kissed Alonzo and he hugged her. Jim said
“Hello Liz.” and grinned. Liz hadn’t known just what would happen
when Jim got back but she was sure it would be something. Nothing had
happened. The men were just home that was all. Jim pulled the burlap
sacks off the deer and Liz looked at them. One was a big buck. It was
stiff and hard to lift out of the wagon.

“Did you shoot it Jim?” Liz asked.

“Yeah. Aint it a beauty?” Jim got it onto his back to carry to the
smokehouse.

That night Charley Wyman stayed to supper at Smith’s. It was too late
to get back to Charlevoix. The men washed up and waited in the front
room for supper.

“Aint there something left in that crock Jimmy?” A. J. Smith asked
and Jim went out to the wagon in the barn and fetched in the jug of
whiskey the men had taken hunting with them. It was a four gallon jug
and there was quite a little slopped back and forth in the bottom.
Jim took a long pull on his way back to the house. It was hard to
lift such a big jug up to drink out of it. Some of the whiskey ran
down on his shirt front. The two men smiled when Jim came in with the
jug. A. J. Smith sent for glasses and Liz brought them. A. J. poured
out three big shots.

“Well here’s looking at you A. J.” said Charley Wyman.

“That damn big buck Jimmy.” said A. J.

“Here’s all the ones we missed A. J.” said Jim and downed his liquor.

“Tastes good to a man.”

“Nothing like it this time of year for what ails you.”

“How about another boys?”

“Here’s how A. J.”

“Down the creek boys.”

“Here’s to next year.”

Jim began to feel great. He loved the taste and the feel of whisky.
He was glad to be back to a comfortable bed and warm food and the
shop. He had another drink. The men came in to supper feeling
hilarious but acting very respectable. Liz sat at the table after she
put on the food and ate with the family. It was a good dinner. The
men ate seriously. After supper they went into the front room again
and Liz cleaned off with Mrs. Smith. Then Mrs. Smith went up stairs
and pretty soon Smith came out and went up stairs too. Jim and
Charley were still in the front room. Liz was sitting in the kitchen
next to the stove pretending to read a book and thinking about Jim.
She didn’t want to go to bed yet because she knew Jim would be coming
out and she wanted to see him as he went out so she could take the
way he looked up to bed with her.

She was thinking about him hard and then Jim came out. His eyes were
shining and his hair was a little rumpled. Liz looked down at her
book. Jim came over back of her chair and stood there and she could
feel him breathing and then he put his arms around her. Her breasts
felt plump and firm and the nipples were erect under his hands. Liz
was terribly frightened, no one had ever touched her, but she
thought, “He’s come to me finally. He’s really come.”

She held herself stiff because she was so frightened and did not know
anything else to do and then Jim held her tight against the chair and
kissed her. It was such a sharp, aching, hurting feeling that she
thought she couldn’t stand it. She felt Jim right through the back of
the chair and she couldn’t stand it and then something clicked inside
of her and the feeling was warmer and softer. Jim held her tight hard
against the chair and she wanted it now and Jim whispered, “Come on
for a walk.”

Liz took her coat off the peg on the kitchen wall and they went out
the door. Jim had his arm around her and every little way they
stopped and pressed against each other and Jim kissed her. There was
no moon and they walked ankle deep in the sandy road through the
trees down to the dock and the warehouse on the bay. The water was
lapping in the piles and the point was dark across the bay. It was
cold but Liz was hot all over from being with Jim. They sat down in
the shelter of the warehouse and Jim pulled Liz close to him. She was
frightened. One of Jim’s hands went inside her dress and stroked over
her breast and the other hand was in her lap. She was very frightened
and didn’t know how he was going to go about things but she snuggled
close to him. Then the hand that felt so big in her lap went away and
was on her leg and started to move up it.

“Don’t Jim”. Liz said. Jim slid the hand further up.

“You musn’t Jim. You musn’t”. Neither Jim nor Jim’s big hand paid any
attention to her.

The boards were hard. Jim had her dress up and was trying to do
something to her. She was frightened but she wanted it. She had to
have it but it frightened her.

“You musn’t do it Jim. You musn’t.”

“I got to. I’m going to. You know we got to.”

“No we haven’t Jim. We aint got to. Oh it isn’t right. Oh it’s so big
and it hurts so. You can’t. Oh Jim. Jim. Oh.”

The hemlock planks of the dock were hard and splintery and cold and
Jim was heavy on her and he had hurt her. Liz pushed him, she was so
uncomfortable and cramped. Jim was asleep. He wouldn’t move. She
worked out from under him and sat up and straightened her skirt and
coat and tried to do something with her hair. Jim was sleeping with
his mouth a little open. Liz leaned over and kissed him on the cheek.
He was still asleep. She lifted his head a little and shook it. He
rolled his head over and swallowed. Liz started to cry. She walked
over to the edge of the dock and looked down to the water. There was
a mist coming up from the bay. She was cold and miserable and
everything felt gone. She walked back to where Jim was lying and
shook him once more to make sure. She was crying.

“Jim” she said, “Jim. Please Jim”.

Jim stirred and curled a little tighter. Liz took off her coat and
leaned over and covered him with it. She tucked it around him neatly
and carefully. Then she walked across the dock and up the steep sandy
road to go to bed. A cold mist was coming up through the woods from
the bay.



OUT OF SEASON


OUT OF SEASON


On the four lira he had earned by spading the hotel garden he got
quite drunk. He saw the young gentleman coming down the path and
spoke to him mysteriously. The young gentleman said he had not eaten
yet but would be ready to go as soon as lunch was finished. Forty
minutes or an hour.

At the cantina near the bridge they trusted him for three more
grappas because he was so confident and mysterious about his job for
the afternoon. It was a windy day with the sun coming out from behind
clouds and then going under in sprinkles of rain. A wonderful day for
trout fishing.

The young gentleman came out of the hotel and asked him about the
rods. Should his wife come behind with the rods? Yes, said Peduzzi,
let her follow us. The young gentleman went back into the hotel and
spoke to his wife. He and Peduzzi started down the road. The young
gentleman had a musette over his shoulder. Peduzzi saw the wife, who
looked as young as the young gentleman and was wearing mountain boots
and a blue beret, start out to follow them down the road carrying the
fishing rods unjointed one in each hand. Peduzzi didn’t like her to
be way back there. Signorina, he called, winking at the young
gentleman, come up here and walk with us. Signora come up here. Let
us all walk together. Peduzzi wanted them all three to walk down the
street of Cortina together.

The wife stayed behind, following rather sullenly. Signorina, Peduzzi
called tenderly, come up here with us. The young gentleman looked
back and shouted something. The wife stopped lagging behind, and
walked up.

Everyone they met walking through the main street of the town Peduzzi
greeted elaborately. _Buon’ di Arturo!_ Tipping his hat. The bank
clerk stared at him from the door of the Fascist café. Groups of
three and four people standing in front of the shops stared at the
three. The workmen in their stone-powdered jackets working on the
foundations of the new hotel looked up as they passed. Nobody spoke
or gave any sign to them except the town beggar, lean and old with a
spittle thickened beard, who lifted his hat as they passed.

Peduzzi stopped in front of a store with the window full of bottles
and brought his empty grappa bottle from an inside pocket of his old
military coat. A little to drink, some marsala for the Signora,
something, something to drink. He gestured with the bottle. It was a
wonderful day. Marsala, you like marsala, Signorina? A little
marsala?

The wife stood sullenly. You’ll have to play up to this, she said. I
can’t understand a word he says. He’s drunk isn’t he?

The young gentleman appeared not to hear Peduzzi. He was thinking
what in hell makes him say Marsala. That’s what Max Beerbohm drinks.

_Geld,_ Peduzzi said finally, taking hold of the young gentleman’s
sleeve. _Lire._ He smiled reluctant to press the subject but needing
to bring the young gentleman into action.

The young gentleman took out his pocket book and gave him a ten lire
note. Peduzzi went up the steps to the door of the Speciality of
Domestic and Foreign Wines shop. It was locked.

It is closed until two, someone passing in the street said
scornfully. Peduzzi came down the steps. He felt hurt. Never mind, he
said, we can get it at the Concordia.

They walked down the road to the Concordia three abreast. On the
porch of the Concordia where the rusty bobsleds were stacked the
young gentleman said, _Was wollen sie?_ Peduzzi handed him the ten
lira note folded over and over. Nothing, he said, Anything. He was
embarrassed. Marsala maybe. I don’t know. Marsala?

The door of the Concordia shut on the young gentleman and the wife.
Three marsalas, said the y. g. to the girl behind the pastry counter.
Two you mean? she asked. No, he said, one for a _vecchio._ Oh, she
said, a _vecchio,_ and laughed getting down the bottle. She poured
out the three muddy looking drinks into three glasses. The wife was
sitting at a table under the line of newspapers on sticks. The y. g.
put one of the marsalas in front of her. You might as well drink it,
he said. Maybe it’ll make you feel better. She sat and looked at the
glass. The y. g. went outside the door with a glass for Peduzzi but
could not see him.

I don’t know where he is, he said coming back into the pastry room
carrying the glass.

He wanted a quart of it, said the wife.

How much is a quarter litre, the y. g. asked the girl.

Of the bianco? One lira.

No, of the marsala. Put these two in too, he said giving her his own
glass and the one poured for Peduzzi. She filled the quarter litre
wine measure with a funnel. A bottle to carry it, said the y. g.

She went to hunt for a bottle. It all amused her.

I’m sorry you feel so rotten Tiny, he said, I’m sorry I talked the
way I did at lunch. We were both getting at the same thing from
different angles.

It doesn’t make any difference, she said. None of it makes any
difference.

Are you too cold, he asked. I wish you’d worn another sweater.

I’ve got on three sweaters.

The girl came in with a very slim brown bottle and poured the marsala
into it. The y. g. paid five lira more. They went out of the door.
The girl was amused. Peduzzi was walking up and down at the other end
out of the wind and holding the rods.

Come on, he said, I will carry the rods. What difference does it make
if anybody sees them. No one will trouble us. No one will make any
trouble for me in Cortina. I know them at the _municipio._ I have
been a soldier. Everybody in this town likes me. I sell frogs. What
if it is forbidden to fish? Not a thing. Nothing. No trouble. Big
trout I tell you. Lots of them.

They were walking down the hill toward the river. The town was in
back of them. The sun had gone under and it was sprinkling rain.
There, said Peduzzi, pointing to a girl in the doorway of a house
they passed. My daughter.

His doctor, the wife said, has he got to show us his doctor?

He said his daughter, said the y. g.

The girl went into the house as Peduzzi pointed.

They walked down the hill across the fields and then turned to follow
the river bank. Peduzzi talked rapidly with much winking and
knowingness. As they walked three abreast the wife caught his breath
across the wind. Once he nudged her in the ribs. Part of the time he
talked in D’Ampezzo dialect and sometimes in Tyroler German dialect.
He could not make out which the young gentleman and his wife
understood the best so he was being bi-lingual. But as the young
gentleman said _Ja Ja_ Peduzzi decided to talk altogether in Tyroler.
The young gentleman and the wife understood nothing.

Everybody in the town saw us going through with these rods. We’re
probably being followed by the game police now. I wish we weren’t in
on this damn thing. This damned old fool is so drunk too.

Of course you haven’t got the guts to just go back, said the wife. Of
course you have to go on.

Why don’t you go back? Go on back Tiny.

I’m going to stay with you. If you go to jail we might as well both
go.

They turned sharp down the bank and Peduzzi stood his coat blowing in
the wind gesturing at the river. It was brown and muddy. Off on the
right there was a dump heap.

Say it to me in Italian, said the young gentleman

_Un’ mezz’ ora. Piu d’ un’ mezz’ ora._

He says it’s at least a half an hour more. Go on back Tiny. You’re
cold in this wind anyway. It’s a rotten day and we aren’t going to
have any fun anyway.

All right, she said, and climbed up the grassy bank.

Peduzzi was down at the river and did not notice her till she was
almost out of sight over the crest. Frau! he shouted. Frau! Fraulein!
You’re not going? She went on over the crest of the hill.

She’s gone! said Peduzzi. It shocked him.

He took off the rubber bands that held the rod segments together and
commenced to joint up one of the rods.

But you said it was half an hour further.

Oh yes. It is good half an hour down. It is good here too.

Really?

Of course. It is good here and good there too.

The y. g. sat down on the bank and jointed up a rod, put on the reel
and threaded the line through the guides. He felt uncomfortable and
afraid that any minute a gamekeeper or a posse of citizens would come
over the bank from the town. He could see the houses of the town and
the campanile over the edge of the hill. He opened his leader box.
Peduzzi leaned over and dug his flat hard thumb and forefinger in and
tangled the moistened leaders.

Have you some lead?

No.

You must have some lead. Peduzzi was excited. You must have _piombo.
Piombo._ A little _piombo._ Just here. Just above the hook or your
bait will float on the water. You must have it. Just a little
_piombo._

Have you got some?

No. He looked through all his pockets desperately. Sifting through
the cloth dirt in the linings of his inside military pockets. I
haven’t any. We must have _piombo._

We can’t fish then, said the y. g. and unjointed the rod, reeling the
line back through the guides. We’ll get some _piombo_ and fish
tomorrow.

But listen _caro,_ you must have _piombo._ The line will lie flat on
the water. Peduzzi’s day was going to pieces before his eyes. You
must have _piombo._ A little is enough. Your stuff is all clean and
new but you have no lead. I would have brought some. You said you had
everything.

The y. g. looked at the stream discoloured by the melting snow. I
know, he said, we’ll get some _piombo_ and fish tomorrow.

At what hour in the morning? Tell me that.

At seven.

The sun came out. It was warm and pleasant. The young gentleman felt
relieved. He was no longer breaking the law. Sitting on the bank he
took the bottle of marsala out of his pocket and passed it to
Peduzzi. Peduzzi passed it back. The y. g. took a drink of it and
passed it to Peduzzi again. Peduzzi passed it back again. Drink, he
said, drink. It’s your marsala. After another short drink the y. g.
handed the bottle over. Peduzzi had been watching it closely. He took
the bottle very hurriedly and tipped it up. The grey hairs in the
folds of his neck oscillated as he drank his eyes fixed on the end of
the narrow brown bottle. He drank it all. The sun shone while he
drank. It was wonderful. This was a great day after all. A wonderful
day.

_Senta caro!_ In the morning at seven. He had called the young
gentleman _caro_ several times and nothing had happened. It was good
marsala. His eyes glistened. Days like this stretched out ahead. It
would begin again at seven in the morning.

They started to walk up the hill toward the town. The y. g. went on
ahead. He was quite a way up the hill. Peduzzi called to him.

Listen _caro_ can you let me take five lira for a favour?

For today? asked the young gentleman frowning.

No, not today. Give it to me today for tomorrow. I will provide
everything for tomorrow. _Pane, salami, formaggio,_ good stuff for
all of us. You and I and the signora. Bait for fishing, minnows, not
worms only. Perhaps I can get some marsala. All for five lira. Five
lira for a favour.

The young gentleman looked through his pocket book and took out a two
lira note and two ones.

Thank you _caro_. Thank you, said Peduzzi in the tone of one member
of the Carleton Club accepting the Morning Post from another. This
was living. He was through with the hotel garden, breaking up frozen
manure with a dung fork. Life was opening out.

Until seven o’clock then _caro,_ he said, slapping the y. g. on the
back. Promptly at seven.

I may not be going, said the young gentleman putting his purse back
in his pocket.

What, said Peduzzi. I will have minnows Signor. _Salami,_ everything.
You and I and the Signora. The three of us.

I may not be going, said the y. g., very probably not. I will leave
word with the padrone at the hotel office.



MY OLD MAN


MY OLD MAN


I guess looking at it now my old man was cut out for a fat guy, one
of those regular little roly fat guys you see around, but he sure
never got that way, except a little toward the last, and then it
wasn’t his fault, he was riding over the jumps only and he could
afford to carry plenty of weight then. I remember the way he’d pull
on a rubber shirt over a couple of jerseys and a big sweat shirt over
that and get me to run with him in the forenoon in the hot sun. He’d
have maybe taken a trial trip with one of Razzo’s skins early in the
morning after just getting in from Torino at four o’clock in the
morning and beating it out to the stables in a cab and then with the
dew all over everything and the sun just starting to get going I’d
help him pull off his boots and he’d get into a pair of sneakers and
all these sweaters and we’d start out.

“Come on kid” he’d say, stepping up and down on his toes in front of
the jock’s dressing room, “let’s get moving”.

Then we’d start off jogging around the infield once maybe with him
ahead running nice and then turn out the gate and along one of those
roads with all the trees along both sides of them that run out from
San Siro. I’d go ahead of him when we hit the road and I could run
pretty stout and I’d look around and he’d be jogging easy just behind
me and after a little while I’d look around again and he’d begun to
sweat. Sweating heavy and he’d just be dogging it along with his eyes
on my back, but when he’d catch me looking at him he’d grin and say,
“Sweating plenty?” When my old man grinned nobody could help but grin
too. We’d keep right on running out toward the mountains and then my
old man would yell “Hey Joe!” and I’d look back and he’d be sitting
under a tree with a towel he’d had around his waist wrapped around
his neck.

I’d come back and sit down beside him and he’d pull a rope out of his
pocket and start skipping rope out in the sun with the sweat pouring
off his face and him skipping rope out in the white dust with the
rope going cloppetty cloppety clop clop clop and the sun hotter and
him working harder up and down a patch of the road. Say it was a
treat to see my old man skip rope too. He could whirr it fast or lop
it slow and fancy. Say you ought to have seen wops look at us
sometimes when they’d come by going into town walking along with big
white steers hauling the cart. They sure looked as though they
thought the old man was nuts. He’d start the rope whirring till
they’d stop dead still and watch him, then give the steers a cluck
and a poke with the goad and get going again.

When I’d sit watching him working out in the hot sun I sure felt fond
of him. He sure was fun and he done his work so hard and he’d finish
up with a regular whirring that’d drive the sweat out on his face
like water and then sling the rope at the tree and come over and sit
down with me and lean back against the tree with the towel and a
sweater wrapped around his neck.

“Sure is hell keeping it down, Joe” he’d say and lean back and shut
his eyes and breath long and deep, “it aint like when you’re a kid”.
Then he’d get up before he started to cool and we’d jog along back to
the stables. That’s the way it was keeping down to weight. He was
worried all the time. Most jocks can just about ride off all they
want to. A jock loses about a kilo every time he rides, but my old
man was sort of dried out and he couldn’t keep down his kilos without
all that running.

I remember once at San Siro, Regoli, a little wop that was riding for
Buzoni came out across the paddock going to the bar for something
cool and flicking his boots with his whip, after he’d just weighed in
and my old man had just weighed in too and came out with the saddle
under his arm looking red faced and tired and too big for his silks
and he stood there looking at young Regoli standing up to the
outdoors bar cool and kid looking and I says, “What’s the matter
Dad?” cause I thought maybe Regoli had bumped him or something and he
just looked at Regoli and said, “Oh to hell with it” and went on to
the dressing room.

Well it would have been all right maybe if we’d stayed in Milan and
ridden at Milan and Torino cause if there ever were any easy courses
its those two. “Pianola, Joe”. My old man said when he dismounted in
the winning stall after what the wops thought was a hell of a
steeplechase. I asked him once, “This course rides its-self. It’s the
pace you’re going at that makes riding the jumps dangerous Joe. We
aint going any pace here, and they aint any really bad jumps either.
But it’s the pace always—not the jumps that makes the trouble”.

San Siro was the swellest course I’d ever seen but the old man said
it was a dog’s life. Going back and forth between Mirafiore and San
Siro and riding just about every day in the week with a train ride
every other night.

I was nuts about the horses too. There’s something about it when they
come out and go up the track to the post. Sort of dancy and tight
looking with the jock keeping a tight hold on them and maybe easing
off a little and letting them run a little going up. Then once they
were at the barrier it got me worse than anything. Especially at San
Siro with that big green infield and the mountains way off and the
fat wop starter with his big whip and the jocks fiddling them around
and then the barrier snapping up and that bell going off and them all
getting off in a bunch and then commencing to string out. You know
the way a bunch of skins gets off. If you’re up in the stand with a
pair of glasses all you see is them plunging off and then that bell
goes off and it seems like it rings for a thousand years and then
they come sweeping round the turn. There wasn’t ever anything like it
for me.

But my old man said one day in the dressing room when he was getting
into his street clothes, “None of these things are horses Joe. They’d
kill that bunch of skates for their hides and hoofs up at Paris”.
That was the day he’d won the Premio Commercio with Lantorna shooting
her out of the field the last hundred meters like pulling a cork out
of a bottle.

It was right after the Premio Commercio that we pulled out and left
Italy. My old man and Holbrook and a fat wop in a straw hat that kept
wiping his face with a handkerchief were having an argument at a
table in the Galleria. They were all talking French and the two of
them were after my old man about something. Finally he didn’t say
anything any more but just sat there and looked at Holbrook and the
two of them kept after him, first one talking and then the other and
the fat wop always butting in on Holbrook.

“You go out and buy me a Sportsman, will you Joe?” my old man said
and handed me a couple of _soldi_ without looking away from Holbrook.

So I went out of the Galleria and walked over to in front of the
Scala and bought a paper and came back and stood a little way away
because I didn’t want to butt in and my old man was sitting back in
his chair looking down at his coffee and fooling with a spoon and
Holbrook and the big wop were standing and the big wop was wiping his
face and shaking his head. And I came up and my old man acted just as
though the two of them weren’t standing there and said, “Want an ice
Joe?” Holbrook looked down at my old man and said slow and careful,
“You son of a bitch” and he and the fat wop went out through the
tables.

My old man sat there and sort of smiled at me but his face was white
and he looked sick as hell and I was scared and felt sick inside
because I knew something had happened and I didn’t see how anybody
could call my old man a son of a bitch and get away with it. My old
man opened up the Sportsman and studied the handicaps for a while and
then he said, “You got to take a lot of things in this world Joe”.
And three days later we left Milan for good on the Turin train for
Paris after an auction sale out in front of Turner’s stables of
everything we couldn’t get into a trunk and a suit case.

We got into Paris early in the morning in a long dirty station the
old man told me was the Gare de Lyon. Paris was an awful big town
after Milan. Seems like in Milan everybody is going somewhere and all
the trams run somewhere and there aint any sort of a mixup, but Paris
is all balled up and they never do straighten it out. I got to like
it though, part of it anyway, and say it’s got the best race courses
in the world. Seems as though that were the thing that keeps it all
going and about the only thing you can figure on is that every day
the buses will be going out to whatever track they’re running at
going right out through everything to the track. I never really got
to know Paris well because I just came in about once or twice a week
with the old man from Maisons and he always sat at the Cafe de la
Paix on the Opera side with the rest of the gang from Maisons and I
guess that’s one of the busiest parts of the town. But say it is
funny that a big town like Paris wouldn’t have a Galleria isn’t it?

Well, we went out to live at Maisons-Lafitte, where just about
everybody lives except the gang at Chantilly, with a Mrs. Meyers that
runs a boarding house. Maisons is about the swellest place to live
I’ve ever seen in all my life. The town aint so much, but there’s a
lake and a swell forest that we used to go off bumming in all day, a
couple of us kids, and my old man made me a sling shot and we got a
lot of things with it but the best one was a magpie. Young Dick
Atkinson shot a rabbit with it one day and we put it under a tree and
were all sitting around and Dick had some cigarettes and all of a
sudden the rabbit jumped up and beat it into the brush and we chased
it but we couldn’t find it. Gee we had fun at Maisons. Mrs. Meyers
used to give me lunch in the morning and I’d be gone all day. I
learned to talk French quick. It’s an easy language.

As soon as we got to Maisons my old man wrote to Milan for his
license and he was pretty worried till it came. He used to sit around
the Cafe de Paris in Maisons with the gang there, there were lots of
guys he’d known when he rode up at Paris before the war lived at
Maisons, and there’s a lot of time to sit around because the work
around a racing stable for the jocks that is, is all cleaned up by
nine o’clock in the morning. They take the first batch of skins out
to gallop them at 5.30 in the morning and they work the second lot at
8 o’clock. That means getting up early all right and going to bed
early too. If a jock’s riding for somebody too he can’t go boozing
around because the trainer always has an eye on him if he’s a kid and
if he aint a kid he’s always got an eye on himself. So mostly if a
jock aint working he sits around the Café de Paris with the gang and
they can all sit around about two or three hours in front of some
drink like a vermouth and seltz and they talk and tell stories and
shoot pool and it’s sort of like a club or the Galleria in Milan.
Only it aint really like the Galleria because there everybody is
going by all the time and there’s everybody around at the tables.

Well my old man got his license all right. They sent it through to
him without a word and he rode a couple of times. Amiens, up country
and that sort of thing, but he didn’t seem to get any engagement.
Everybody liked him and whenever I’d come in to the Café in the
forenoon I’d find somebody drinking with him because my old man
wasn’t tight like most of these jockey’s that have got the first
dollar they made riding at the World’s Fair in St. Louis in Nineteen
ought four. That’s what my old man would say when he’d kid George
Burns. But it seemed like everybody steered clear of giving my old
man any mounts.

We went out to wherever they were running every day with the car from
Maisons and that was the most fun of all. I was glad when the horses
came back from Deauville and the summer. Even though it meant no more
bumming in the woods, cause then we’d ride to Enghien or Tremblay or
St. Cloud and watch them from the trainers’ and jockeys’ stand. I
sure learned about racing from going out with that gang and the fun
of it was going every day.

I remember once out at St. Cloud. It was a big two hundred thousand
franc race with seven entries and Kzar a big favourite. I went around
to the paddock to see the horses with my old man and you never saw
such horses. This Kzar is a great big yellow horse that looks like
just nothing but run. I never saw such a horse. He was being led
around the paddock with his head down and when he went by me I felt
all hollow inside he was so beautiful. There never was such a
wonderful, lean, running built horse. And he went around the paddock
putting his feet just so and quiet and careful and moving easy like
he knew just what he had to do and not jerking and standing up on his
legs and getting wild eyed like you see these selling platers with a
shot of dope in them. The crowd was so thick I couldn’t see him again
except just his legs going by and some yellow and my old man started
out through the crowd and I followed him over to the jock’s dressing
room back in the trees and there was a big crowd around there too but
the man at the door in a derby nodded to my old man and we got in and
everybody was sitting around and getting dressed and pulling shirts
over their heads and pulling boots on and it all smelled hot and
sweaty and linimenty and outside was the crowd looking in.

The old man went over and sat down beside George Gardner that was
getting into his pants and said, “What’s the dope George?” just in an
ordinary tone of voice cause there aint any use him feeling around
because George either can tell him or he can’t tell him.

“He won’t win” George says very low, leaning over and buttoning the
bottoms of his pants.

“Who will” my old man says leaning over close so nobody can hear.

“Kircubbin” George says, “And if he does, save me a couple of
tickets”.

My old man says something in a regular voice to George and George
says, “Don’t ever bet on anything I tell you” kidding like and we
beat it out and through all the crowd that was looking in over to the
100 franc mutuel machine. But I knew something big was up because
George is Kzar’s jockey. On the way he gets one of the yellow odds
sheets with the starting prices on and Kzar is only paying 5 for 10,
Cefisidote is next at 3 to I and fifth down the list this Kircubbin
at 8 to 1. My old man bets five thousand on Kircubbin to win and puts
on a thousand to place and we went around back of the grandstand to
go up the stairs and get a place to watch the race.

We were jammed in tight and first a man in a long coat with a grey
tall hat and a whip folded up in his hand came out and then one after
another the horses, with the jocks up and a stable boy holding the
bridle on each side and walking along, followed the old guy. That big
yellow horse Kzar came first. He didn’t look so big when you first
looked at him until you saw the length of his legs and the whole way
he’s built and the way he moves. Gosh I never saw such a horse.
George Gardner was riding him and they moved along slow, back of the
old guy in the gray tall hat that walked along like he was the ring
master in a circus. Back of Kzar, moving along smooth and yellow in
the sun, was a good looking black with a nice head with Tommy
Archibald riding him and after the black was a string of five more
horses all moving along slow in a procession past the grandstand and
the pesage. My old man said the black was Kircubbin and I took a good
look at him and he was a nice looking horse all right but nothing
like Kzar.

Everybody cheered Kzar when he went by and he sure was one swell
looking horse. The procession of them went around on the other side
past the pelouse and then back up to the near end of the course and
the circus master had the stable boys turn them loose one after
another so they could gallop by the stands on their way up to the
post and let everybody have a good look at them. They weren’t at the
post hardly any time at all when the gong started and you could see
them way off across the infield all in a bunch starting on the first
swing like a lot of little toy horses. I was watching them through
the glasses and Kzar was running well back with one of the bays
making the pace. They swept down and around and came pounding past
and Kzar was way back when they passed us and this Kircubbin horse in
front and going smooth. Gee it’s awful when they go by you and then
you have to watch them go farther away and get smaller and smaller
and then all bunched up on the turns and then come around towards
into the stretch and you feel like swearing and goddaming worse and
worse. Finally they made the last turn and came into the straightaway
with this Kircubbin horse way out in front. Everybody was looking
funny and saying “Kzar” in sort of a sick way and they pounding
nearer down the stretch, and then something came out of the pack
right into my glasses like a horse-headed yellow streak and everybody
began to yell “Kzar” as though they were crazy. Kzar came on faster
than I’d ever seen anything in my life and pulled up on Kircubbin
that was going fast as any black horse could go with the jock
flogging hell out of him with the gad and they were right dead neck
and neck for a second but Kzar seemed going about twice as fast with
those great jumps and that head out—but it was while they were neck
and neck that they passed the winning post and when the numbers went
up in the slots the first one was 2 and that meant Kircubbin had won.

I felt all trembly and funny inside, and then we were all jammed in
with the people going down stairs to stand in front of the board
where they’d post what Kircubbin paid. Honest watching the race I’d
forgot how much my old man had bet on Kircubbin. I’d wanted Kzar to
win so damned bad. But now it was all over it was swell to know we
had the winner.

“Wasn’t it a swell race Dad?” I said to him.

He looked at me sort of funny with his derby on the back of his head,
“George Gardner’s a swell jockey all right”, he said, “It sure took a
great jock to keep that Kzar horse from winning”.

Of course I knew it was funny all the time. But my old man saying
that right out like that sure took the kick all out of it for me and
I didn’t get the real kick back again ever, even when they posted the
numbers up on the board and the bell rang to pay off and we saw that
Kircubbin paid 67.50 for 10. All around people were saying “Poor
Kzar. Poor Kzar!” And I thought, I wish I were a jockey and could
have rode him instead of that son of a bitch. And that was funny,
thinking of George Gardner as a son of a bitch because I’d always
liked him and besides he’d given us the winner, but I guess that’s
what he is all right.

My old man had a big lot of money after that race and he took to
coming into Paris oftener. If they raced at Tremblay he’d have them
drop him in town on their way back to Maisons and he and I’d sit out
in front of the Café de la Paix and watch the people go by. It’s
funny sitting there. There’s streams of people going by and all sorts
of guys come up and want to sell you things and I loved to sit there
with my old man. That was when we’d have the most fun. Guys would
come by selling funny rabbits that jumped if you squeezed a bulb and
they’d come up to us and my old man would kid with them. He could
talk French just like English and all those kind of guys knew him
cause you can always tell a jockey—and then we always sat at the same
table and they got used to seeing us there. There were guys selling
matrimonial papers and girls selling rubber eggs that when you
squeezed them a rooster came out of them and one old wormy looking
guy that went by with post cards of Paris showing them to everybody,
and of course nobody ever bought any and then he would come back and
show the under side of the pack and they would all be smutty post
cards and lots of people would dig down and buy them.

Gee I remember the funny people that used to go by. Girls around
supper time looking for somebody to take them out to eat and they’d
speak to my old man and he’d make some joke at them in French and
they’d pat me on the head and go on. Once there was an American woman
sitting with her kid daughter at the next table to us and they were
both eating ices and I kept looking at the girl and she was awfully
good looking and I smiled at her and she smiled at me but that was
all that ever came of it because I looked for her mother and her
every day and I made up ways that I was going to speak to her and I
wondered if I got to know her if her mother would let me take her out
to Auteuil or Tremblay but I never saw either of them again. Anyway I
guess it wouldn’t have been any good anyway because looking back on
it I remember the way I thought out would be best to speak to her was
to say, “Pardon me, but perhaps I can give you a winner at Enghien
today?” and after all maybe she would have thought I was a tout
instead of really trying to give her a winner.

We’d sit at the Café de la Paix, my old man and me, and we had a big
drag with the waiter because my old man drank whisky and it cost five
francs and that meant a good tip when the saucers were counted up. My
old man was drinking more than I’d ever seen him, but he wasn’t
riding at all now and besides he said that whiskey kept his weight
down. But I noticed he was putting it on all right just the same.
He’d busted away from his old gang out at Maisons and seemed to like
just sitting around on the boulevard with me. But he was dropping
money every day at the track. He’d feel sort of doleful after the
last race, if he’d lost on the day, until we’d get to our table and
he’d have his first whiskey and then he’d be fine.

He’d be reading the Paris-Sport and he’d look over at me and say,
“Where’s your girl Joe?” to kid me on account I had told him about
the girl that day at the next table. And I’d get red but I liked
being kidded about her. It gave me a good feeling. “Keep your eye
peeled for her Joe.” he’d say, “She’ll be back.”

He’d ask me questions about things and some of the things I’d say
he’d laugh. And then he’d get started talking about things. About
riding down in Egypt, or at St. Moritz on the ice before my mother
died, and about during the war when they had regular races down in
the south of France without any purses, or betting or crowd or
anything just to keep the breed up. Regular races with the jocks
riding hell out of the horses. Gee I could listen to my old man talk
by the hour, especially when he’d had a couple or so of drinks. He’d
tell me about when he was a boy in Kentucky and going coon hunting
and the old days in the states before everything went on the bum
there. And he’d say, “Joe, when we’ve got a decent stake, you’re
going back there to the States and go to school.”

“What’ve I got to go back there to go to school for when everything’s
on the bum there?” I’d ask him.

“That’s different.” he’d say and get the waiter over and pay the pile
of saucers and we’d get a taxi to the Gare St. Lazare and get on the
train out to Maisons.

One day at Auteuil after a selling steeplechase my old man bought in
the winner for 30.000 francs. He had to bid a little to get him but
the stable let the horse go finally and my old man had his permit and
his colors in a week. Gee I felt proud when my old man was an owner.
He fixed it up for stable space with Charles Drake and cut out coming
in to Paris and started his running and sweating out again and him
and I were the whole stable gang. Our horse’s name was Gillford, he
was Irish bred and a nice sweet jumper. My old man figured that
training him and riding him himself he was a good investment. I was
proud of everything and I thought Gillford was as good a horse as
Kzar. He was a good solid jumper a bay, with plenty of speed on the
flat if you asked him for it and he was a nice looking horse too.

Gee I was fond of him. The first time he started with my old man up
he finished third in a 2.500 meter hurdle race and when my old man
got off him, all sweating and happy in the place stall and went in to
weigh I felt as proud of him as though it was the first race he’d
ever placed in. You see when a guy aint been riding for a long time
you can’t make yourself really believe that he has ever rode. The
whole thing was different now cause down in Milan even big races
never seemed to make any difference to my old man, if he won he
wasn’t ever excited or anything, and now it was so I couldn’t hardly
sleep the night before a race and I knew my old man was excited too
even if he didn’t show it. Riding for yourself makes an awful
difference.

Second time Gillford and my old man started was a rainy Sunday at
Auteuil in the Prix du Marat, a 4.500 meter steeplechase. As soon as
he’d gone out I beat it up in the stand with the new glasses my old
man had bought for me to watch them. They started way over at the far
end of the course and there was some trouble at the barrier.
Something with goggle blinders on was making a great fuss and rearing
around and busted the barrier once but I could see my old man in our
black jacket with a white cross and a black cap sitting up on
Gillford and patting him with his hand. Then they were off in a jump
and out of sight behind the trees and the gong going for dear life
and the pari mutuel wickets rattling down. Gosh I was so excited I
was afraid to look at them but I fixed the glasses on the place where
they would come out back of the trees and then out they came with the
old black jacket going third and they all sailing over the jump like
birds. Then they went out of sight again and then they came pounding
out and down the hill and all going nice and sweet and easy and
taking the fence smooth in a bunch and moving away from us all solid.
Looked as though you could walk across on their backs they were all
so bunched and going so smooth, Then they bellied over the big double
Bullfinch and something came down. I couldn’t see who it was but in a
minute the horse was up an galloping free and the field, all bunched
still, sweeping around the long left turn into the straightaway. They
jumped the stone wall and came jammed down the stretch toward the big
water jump right in front of the stands. I saw them coming and
hollered at my old man as he went by and he was leading by about a
length and riding way out over and light as a monkey and they were
racing for the water jump. They took off over the big hedge of the
water jump in a pack and then there was a crash and two horses pulled
sideways out off it and kept on going and three others were piled up.
I couldn’t see my old man anywhere. One horse knee-ed himself up and
the jock had hold of the bridle and mounted and went slamming on
after the place money. The other horse was up and away by himself,
jerking his head and galloping with the bridle rein hanging and the
jock staggered over to one side of the track against the fence. Then
Gillford rolled over to one side off my old man and got up and
started to run on three legs with his off hoof dangling and there was
my old man lying there on the grass flat out with his face up and
blood all over the side of his head. I ran down the stand and bumped
into a jam of people and got to the rail and a cop grabbed me and
held me and two big stretcher bearers were going out after my old man
and around on the other side of the course I saw three horses, strung
way out, coming out of the trees and taking the jump.

My old man was dead when they brought him in and while a doctor was
listening to his heart with a thing plugged in his ears I heard a
shot up the track that meant they’d killed Gillford. I lay down
beside my old man when they carried the stretcher into the hospital
room and hung onto the stretcher and cried and cried and he looked so
white and gone and so awfully dead and I couldn’t help feeling that
if my old man was dead maybe they didn’t need to have shot Gillford.
His hoof might have got well. I don’t know. I loved my old man so
much.

Then a couple of guys came in and one of them patted me on the back
and then went over and looked at my old man and then pulled a sheet
off the cot and and spread it over him; and the other was telephoning
in French for them to send the ambulance to take him out to Maisons.
And I couldn’t stop crying, crying and choking, sort of, and George
Gardner came in and sat down beside me on the floor and put his arm
around me and says, “Come on Joe old boy. Get up and we’ll go out and
wait for the ambulance.”

George and I went out to the gate and I was trying to stop bawling
and George wiped off my face with his handkerchief and we were
standing back a little ways while the crowd was going out of the gate
and a couple of guys stopped near us while we were waiting for the
crowd to get through the gate and one of them was counting a bunch of
mutuel tickets and he said, “Well Butler got his all right.”

The other guy said, “I don’t give a good goddam if he did, the crook.
He had it coming to him on the stuff he’s pulled.”

“I’ll say he had,” said the other guy and tore the bunch of tickets
in two.

And George Gardner looked at me to see if I’d heard and I had all
right and he said, “Don’t you listen to what those bums said Joe.
Your old man was one swell guy.”

But I don’t know. Seems like when they get started they dont leave a
guy nothing.



TEN POEMS



  MITRAIGLIATRICE


  The mills of the gods grind slowly;
  But this mill
  Chatters in mechanical staccato.
  Ugly short infantry of the mind,
  Advancing over difficult terrain,
  Make this Corona
  Their mitrailleuse.



  OKLAHOMA


  All of the Indians are dead
  (a good Indian is a dead Indian)
  Or riding in motor cars—
  (the oil lands, you know, they’re all rich)
  Smoke smarts my eyes,
  Cottonwood twigs and buffalo dung
  Smoke grey in the teepee—
  (or is it myopic trachoma)

  The prairies are long,
  The moon rises,
  Ponies
  Drag at their pickets.
  The grass has gone brown in the summer—
  (or is it the hay crop failing)

  Pull an arrow out:
  If you break it
  The wound closes.
  Salt is good too
  And wood ashes.
  Pounding it throbs in the night—
  (or is it the gonorrhea)



OILY WEATHER


  The sea desires deep hulls—
  It swells and rolls.
  The screw churns a throb—
  Driving, throbbing, progressing.
  The sea rolls with love
  Surging, caressing,
  Undulating its great loving belly.
  The sea is big and old—
  Throbbing ships scorn it.



ROOSEVELT


  Workingmen believed
  He busted trusts,
  And put his picture in their windows.
  “What he’d have done in France!”
  They said.
  Perhaps he would—
  He could have died
  Perhaps,
  Though generals rarely die except in bed,
  As he did finally.
  And all the legends that he started in his life
  Live on and prosper,
  Unhampered now by his existence.



CAPTIVES


  Some came in chains
  Unrepentent but tired.
  Too tired but to stumble.
  Thinking and hating were finished
  Thinking and fighting were finished
  Retreating and hoping were finished.
  Cures thus a long campaign,
  Making death easy.



CHAMPS D’HONNEUR


  Soldiers never do die well;
         Crosses mark the places—
  Wooden crosses where they fell,
         Stuck above their faces.
  Soldiers pitch and cough and twitch—
         All the world roars red and black;
  Soldiers smother in a ditch,
         Choking through the whole attack.



RIPARTO D’ASSALTO


  Drummed their boots on the camion floor,
  Hob-nailed boots on the camion floor.
  Sergeants stiff,
  Corporals sore.
  Lieutenant thought of a Mestre whore—
  Warm and soft and sleepy whore,
  Cozy, warm and lovely whore;
  Damned cold, bitter, rotten ride,
  Winding road up the Grappa side.
  Arditi on benches stiff and cold,
  Pride of their country stiff and cold,
  Bristly faces, dirty hides—
  Infantry marches, Arditi rides.
  Grey, cold, bitter, sullen ride—
  To splintered pines on the Grappa side
  At Asalone, where the truck-load died.



MONTPARNASSE


  There are never any suicides in the quarter among people one knows
  No successful suicides.
  A Chinese boy kills himself and is dead.
  (they continue to place his mail in the letter rack at the Dome)
  A Norwegian boy kills himself and is dead.
  (no one knows where the other Norwegian boy has gone)
  They find a model dead
  alone in bed and very dead.
  (it made almost unbearable trouble for the concierge)
  Sweet oil, the white of eggs, mustard and water, soap suds
  and stomach pumps rescue the people one knows.
  Every afternoon the people one knows can be found at the café.



ALONG WITH YOUTH


  A porcupine skin,
  Stiff with bad tanning,
  It must have ended somewhere.
  Stuffed horned owl
  Pompous
  Yellow eyed;
  Chuck-wills-widow on a biassed twig
  Sooted with dust.
  Piles of old magazines,
  Drawers of boy’s letters
  And the line of love
  They must have ended somewhere.
  Yesterday’s Tribune is gone
  Along with youth
  And the canoe that went to pieces on the beach
  The year of the big storm
  When the hotel burned down
  At Seney, Michigan.



CHAPTER HEADING


  For we have thought the longer thoughts
          And gone the shorter way.
  And we have danced to devils’ tunes,
          Shivering home to pray;
  To serve one master in the night,
          Another in the day.



  PRINTED AT DIJON
  BY
  MAURICE DARANTIERE
  M. CM. XXIII





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