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Title: Perfect Behavior: A Guide for Ladies and Gentlemen in All Social Crises
Author: Stewart, Donald Ogden
Language: English
As this book started as an ASCII text book there are no pictures available.


*** Start of this LibraryBlog Digital Book "Perfect Behavior: A Guide for Ladies and Gentlemen in All Social Crises" ***


Perfect Behavior

by Donald Ogden Stewart

Illustrated by Ralph Barton

A Guide for Ladies and Gentlemen in all Social Crises

[Illustration]

Those who are not self-possessed obtrude
and pain us.—EMERSON

A parody outline of etiquette by the Author of “A Parody
Outline of History”

The perfect gentleman is he who never unintentionally causes
pain.—OLD PROVERB


               TO THE BRIDEGROOM WHOSE WEDDING WAS RUINED
               BECAUSE THE BRIDE CAME DOWN THE AISLE
               ON THE RIGHT INSTEAD OF THE LEFT
               ARM OF HER FATHER
               _With Deepest Sympathy_

Contents

 CHAPTER ONE: THE ETIQUETTE OF COURTSHIP
 CHAPTER TWO: THE ETIQUETTE OF ENGAGEMENTS AND WEDDINGS
 CHAPTER THREE: THE ETIQUETTE OF TRAVEL
 CHAPTER FOUR: AT THE CONCERT AND THE OPERA
 CHAPTER FIVE: ETIQUETTE FOR DRY AGENTS
 CHAPTER SIX: A CHAPTER FOR SCHOOLGIRLS
 CHAPTER SEVEN: THE ETIQUETTE OF GAMES AND SPORTS
 CHAPTER EIGHT: CORRESPONDENCE AND INVITATIONS
 CHAPTER NINE: THE ETIQUETTE OF DINNERS AND BALLS


      CONTENTS

I. THE ETIQUETTE OF COURTSHIP A Few Words about Love—Curious Incident
in a Yellow Taxicab—A Silly Girl—Correct Introductions and how to Make
Them—A Well Known Congressman’s Ludicrous Mistake in a Turkish
Bath—Cards and Flowers—Flowers and their Message in Courtship—“A Clean
Tooth Never Decays”—Receiving an Invitation to Call—The Etiquette of
Telephoning-A Telephone Girl’s Horrible End—Making the First
Call—Conversation and Some of its Uses—A Proper Call—The Proposal
Proper-The Proposal Improper—What Henry Wadsworth Longfellow Said to
the ex-Clergyman’s Niece.

II. THE ETIQUETTE OF ENGAGEMENTS AND WEDDINGS The Historic
Aspect—Announcing the Engagement—A Breton Fisher Girl’s Experience with
a Traveling Salesman—The Bride-to-Be—The Engagement Luncheon—Selecting
the Bridal Party—Invitations and Wedding Presents—A Good Joke on the
Groom—“Madam, those are my trousers”—Duties of the Best Man—A Demented
Taxidermist’s Strange Gift—The Bride’s Tea—The Maid of Honor—What Aunt
Edna Saw on the Club Porch-The Bachelor Dinner and After-Some Practical
Uses for Bi-Carbonate of Soda—The Rehearsal—The Bridal Dinner—A Church
Wedding.

III. THE ETIQUETTE OF TRAVEL Hints for the Correct
Pedestrianism—Description of a Walk around Philadelphia with a Pueblo
Indian in 1837—Travelling by Rail— Good Form on a Street Car—In the
Subway—Fun with an Old Gentleman’s Whiskers—A Honeymoon in a
Subway—Travelling under Steam-A Correct Night in a Pullman-What Burton
Holmes Found in His Lower Berth.

IV. AT THE CONCERT AND THE OPERA Listening to a Symphony
Orchestra—Curious Effect of Debussy’s “Apres-midi d’un Faune” and four
gin fizzes on Uncle Frederick—“No, fool like an old fool”—Correct
Behavior at a Piano Recital—Choosing One’s Nearest Exit—In a Box at the
Opera—What a Kansas City Society Leader Did with Her Old Victrola
Records.

V. ETIQUETTE FOR DRY AGENTS Some Broader Aspects of
Prohibition—Interesting Effect of Whisky on Goldfish—The College
Graduate as Dry Agent—Aunt Emily’s Amusing Experiences with a Quart of
Gin Planning a Dry Raid on a Masquerade Ball A Word About Correct
Costumes—A California Motion Picture Actress’s Bad Taste—Good Form for
Dry Agents During a Raid-What the New York Clubman Said About Mr.
Volstead.

VI. A CHAPTER FOR SCHOOLGIRLS Selecting a Proper School—Account of an
Interesting Trip Down the Eric Canal with Miss Spence—Correct Equipment
for the Schoolgirl—En Route—ln New York—A journey Around the
City—Description of the Visit of Ed. Pinaud to the Aquarium in 1858—The
First Days in the New School—“After Lights” in a Dormitory—An “Old
Schoolgirl’s” Confessions—Becoming Acclimatized—A Visitor from
Princeton-Strange Pets.

VII. THE ETIQUETTE OF GAMES AND SPORTS Golf as a Pastime—What Henry
Ward Beecher Said When He Broke His Niblic—An Afternoon at the Old Farm
with the Dice—“Shoot you for your ear trumpet, grandfather!”—Correct
Behavior on a Picnic—A Swedish Nobleman’s Curious Method of Eating
Potato Chips—Boxing in American Society—A Good Joke on an Amateur
Boxer—“He didn’t know it was Jack Dempsey!”—Bridge Whist—Formal and
Informal Drinking—A jolly Hallowe’en Party—Invitations—Receiving the
Guests—How to Mystify—Games.

VIII. CORRESPONDENCE AND INVITATIONS Correspondence for Young
Ladies—College Boys How to Order a Full Dress Suit by Mail—Letters to
Parents—A Prominent Retired Bank President’s Advice to
Correspondents—Letters from Parents—Peculiarities of the Divorce Laws
of New York—Letters to Prospective Fathers-in-Law—A Correct Form of
Letter to a Society Matron Asking Her How About that Grocery Bill for
Eighty-Two Dollars and Sixty-Seven Cents—Love Letters—Correspondence of
Public Officials—-Letters to Strangers—Letters to Newspapers,
Magazines, etc.—Invitations, Acceptances and Regrets.

IX. THE ETIQUETTE OF DINNERS AND BALLS Formal Dinners in America-Table
Manners for Children—Removing Stains from Gray Silk—A Child’s Garden of
Etiquette—Etiquette in the School—Conversation at Dinner—What a New
Jersey Lady Did with Her Olive Seeds—Stewart’s Lightning Calculator of
Dinner Table Conversation—“It Seems that Pat and Mike”—Balls and
Dances—-Artificial Respiration—Mixed Dancing—Hints for Stags. A Word of
Warning and Encouragement



CHAPTER ONE: THE ETIQUETTE OF COURTSHIP


      A FEW WORDS ABOUT LOVE

      Courtship is one of the oldest of social customs, even antedating
      in some countries such long-established usages as marriage, or
      the wearing of white neckties with full evening dress. The
      beginnings of the etiquette of courtship were apparently
      connected in some way with the custom of “love” between the
      sexes, and many of the old amatory forms still survive in the
      modern courtship. It is generally agreed among students of the
      history of etiquette that when “love” first began to become
      popular among the better class of younger people they took to it
      with such avidity that it was necessary to devise some sort of
      rules for the conduct of formal or informal love-making. These
      rules, together with various amendments, now constitute the
      etiquette of courtship.

      Suppose, for example, that you are a young gentleman named
      Richard Roe desirous of entering upon a formal courtship with
      some refined young girl of fashion. You are also, being a college
      graduate, engaged in the bond business. One morning there comes
      into your financial institution a young lady, named Dorothy Doe,
      who at once attracts your attention by her genteel manners, as
      exemplified by the fact that she calls the president of your
      company “father.” So many young people seem to think it “smart”
      to refer to their parents as “dad” or “my old man”; you are
      certain, as soon as you hear her say “Hello, father” to your
      employer, that she is undoubtedly a worthy object of courtship.

      CORRECT INTRODUCTIONS; HOW TO MAKE THEM

      Your first step should be, of course, the securing of an
      introduction. Introductions still play an important part in
      social intercourse, and many errors are often perpetrated by
      those ignorant of _savoir faire_ (correct form). When introducing
      a young lady to a stranger for example, it is not _au fait_
      (correct form) to simply say, “Mr. Roe, I want you to shake hands
      with my friend Dorothy.” Under the rules of the _beau monde_
      (correct form) this would probably be done as follows: “Dorothy
      (or Miss Doe), shake hands with Mr. Roe.” Always give the name of
      the lady first, unless you are introducing some one to the
      President of the United States, the Archbishop of Canterbury, a
      member of the nobility above a baron, or a customer. The person
      who is being “introduced” then extends his (or her) right
      ungloved hand and says, “Shake.” You “shake,” saying at the same
      time, “It’s warm (cool) for November (May),” to which the other
      replies, “I’ll say it is.”

      This brings up the interesting question of introducing two people
      to each other, neither of whose names you can remember. This is
      generally done by saying very quickly to one of the parties, “Of
      course you know Miss Unkunkunk.” Say the last “unk” very quickly,
      so that it sounds like any name from Ab to Zinc. You might even
      sneeze violently. Of course, in nine cases out of ten, one of the
      two people will at once say, “I didn’t get the name,” at which
      you laugh, “Ha! Ha! Ha!” in a carefree manner several times,
      saying at the same time, “Well, well—so you didn’t get the
      name—you didn’t get the name—well, well.” If the man still
      persists in wishing to know who it is to whom he is being
      introduced, the best procedure consists in simply braining him on
      the spot with a club or convenient slab of paving stone.

      The “introduction,” in cases where you have no mutual friend to
      do the introducing, is somewhat more difficult but can generally
      be arranged as follows:

      Procure a few feet of stout manila rope or clothes-line, from any
      of the better-class hardware stores. Ascertain (from the Social
      Register, preferably) the location of the young lady’s residence,
      and go there on some dark evening about nine o’clock. Fasten the
      rope across the sidewalk in front of the residence about six
      inches or a foot from the ground. Then, with the aid of a match
      and some kerosene, set fire to the young lady’s house in several
      places and retire behind a convenient tree. After some time, if
      she is at home, she will probably be forced to run out of her
      house to avoid being burned to death. In her excitement she will
      fail to notice the rope which you have stretched across the
      sidewalk and will fall. This is your opportunity to obtain an
      introduction. Stepping up to her and touching your hat politely,
      you say, in a well modulated voice, “I beg your pardon, Miss Doe,
      but I cannot help noticing that you are lying prone on the
      sidewalk.” If she is well bred, she will not at first speak to
      you, as you are a perfect stranger. This silence, however, should
      be your cue to once more tip your hat and remark, “I realize,
      Miss Doe, that I have not had the honor of an introduction, but
      you will admit that you are lying prone on the sidewalk. Here is
      my card—and here is one for Mrs. Doe, your mother.” At that you
      should hand her two plain engraved calling cards, each containing
      your name and address. If there are any other ladies in her
      family—aunts, grandmothers, et cetera—it is correct to leave
      cards for them also. Be sure that the cards are clean, as the
      name on the calling card is generally sufficient for
      identification purposes without the addition of the thumbprint.

      When she has accepted your cards, she will give you one of hers,
      after which it will be perfectly correct for you to assist her to
      rise from the sidewalk. Do not, however, press your attentions
      further upon her at this time, but after expressing the proper
      regret over her misfortune it would be well to bow and retire.

[Illustration]

Table Manners Betray One’s Bringing-Up _Every one knows that table
manners betray one’s bringing-up mercilessly. The young man in the
picture has good reason to wish a meteorite would fall on him. His
perpendicularity has just been restored by a deft upward movement of
Aunt Harriet’s shoulder, upon which he had inadvertently rested his
head during a quiet snooze while Cousin Edna was making her little
speech at the Bridal Dinner._ PERFECT BEHAVIOR _would have Pasteurized
him against even Bridal Dinners_.

[Illustration]

Hat? Toupee? or Book? _When a woman recognizes and nods to a man to
whom she has been formally introduced several times, or to whom she has
been married, is the man expected to accept the greeting and politely
lift his hat or should he lift both his hat and his toupee? Street
etiquette is disposed authoritatively and finally in_ PERFECT BEHAVIOR.

[Illustration]

Park Benches and Their Uses _You are, let us pretend, walking in the
park. You come upon two benches arranged as shown in the above diagram.
Would you know which bench it would be proper to sit on if you are (1)
a young man just out of college—(2) a rather homely young woman? To
avoid embarrassment look this up in_ PERFECT BEHAVIOR.

[Illustration]

Travelling with a Player Piano _A jolly crowd is boarding the 4:56 for
a house-party in the suburbs. The gentleman at the right, having been
educated abroad, has never learned to play the ukelele, the banjo, the
jew’s harp or the saxophone, and is, with the best intentions in the
world, attempting to contribute his share to the gaiety of the coming
evenings by bringing along his player-piano. Would you—be honest!—have
recognized his action as a serious social blunder without having
referred to_ PERFECT BEHAVIOR?

[Illustration]

A Child, a Banana, A Hard-Boiled Egg _The young mother in the picture
is traveling from one point to another in a Pullman. In the effort to
commit as great a nuisance as possible, she has provided her child with
a banana and a hard boiled egg. Not having dipped into the chapter on
travel in_ PERFECT BEHAVIOR, _she is ignorant of the fact that a peach
would have produced quite as much mess and far more permanent stains
and a folding cup for the water cooler would have spread the
disturbance over a wider area_.

      CARDS AND FLOWERS

      The next day, however, you should send flowers, enclosing another
      of your cards. It might be well to write some message on the card
      recalling the events of the preceding evening—nothing intimate,
      but simply a reminder of your first meeting and a suggestion that
      you might possibly desire to continue the acquaintanceship.
      Quotations from poetry of the better sort are always appropriate;
      thus, on this occasion, it might be nice to write on the card
      accompanying the flowers—“‘This is the forest primeval’—H. W.
      Longfellow,” or “‘Take, oh take, those lips away’—W.
      Shakespeare.” You will find there are hundreds of lines equally
      appropriate for this and other occasions, and in this connection
      it might be well to display a little originality at times by
      substituting pertinent verses of your own in place of the
      conventional quotations. For example—“This is the forest
      primeval, I regret your last evening’s upheaval,” shows the young
      lady in question that not only are you well-read in classic
      poetry, but also you have no mean talent of your own. Too much
      originality, however, is dangerous, especially in polite social
      intercourse, and I need hardly remind you that the floors of the
      social ocean are watered with the tears of those who seek to walk
      on their own hook.

      Within a week after you have sent the young lady the flowers, you
      should receive a polite note of thanks, somewhat as follows: “My
      dear Mr. Roe: Those lovely flowers came quite as a surprise. They
      are lovely, and I cannot thank you enough for your
      thoughtfulness. Their lovely fragrance fills my room as I write,
      and I wish to thank you again. It was lovely of you.”

      FLOWERS AND THEIR MESSAGE IN COURTSHIP

      It is now time to settle down to the more serious business of
      courtship. Her letter shows beyond the shadow of a figurative
      doubt that she is “interested,” and the next move is “up to you.”
      Probably she will soon come into the office to see her father, in
      which case you should have ready at hand some appropriate gift,
      such as, for example, a nice potted geranium. Great care should
      be taken, however, that it is a plant of the correct species, for
      in the etiquette of courtship all flowers have different meanings
      and many a promising affair has been ruined because a suitor sent
      his lady a buttercup, meaning “That’s the last dance I’ll ever
      take you to, you big cow,” instead of a plant with a more tender
      significance. Some of the commoner flowers and their meaning in
      courtship are as follows:

      Fringed Gentian—“I am going out to get a shave. Back at 3:30.”

      Poppy—“I would be proud to be the father of your children.”

      Golden-rod—“I hear that you have hay-fever.”

      Tuberose—“Meet me Saturday at the Fourteenth Street subway
      station.”

      Blood-root—“Aunt Kitty murdered Uncle Fred Thursday.”

      Dutchman’s Breeches—“That case of Holland gin and Old Tailor has
      arrived. Come on over.”

      Iris—“Could you learn to love an optician?”

      Aster—“Who was that stout Jewish-looking party I saw you with in
      the hotel lobby Friday?”

      Deadly Nightshade—“Pull down those blinds, quick!”

      Passion Flower—“Phone Main 1249—ask for Eddie.”

      Raspberry—“I am announcing my engagement to Charlie O’Keefe
      Tuesday.”

      Wild Thyme—“I have seats for the Hippodrome Saturday afternoon.”

      The above flowers can also be combined to make different
      meanings, as, for example, a bouquet composed of three tuberoses
      and some Virginia creeper generally signifies the following, “The
      reason I didn’t call for you yesterday was that I had three inner
      tube punctures, besides a lot of engine trouble in that old car I
      bought in Virginia last year. Gosh, I’m sorry!”

      But to return to the etiquette of our present courtship. As Miss
      Doe leaves the office you follow her, holding the potted plant in
      your left hand. After she has gone a few paces you step up to
      her, remove your hat (or cap) with your right hand, and offer her
      the geranium, remarking, “I beg your pardon, miss, but didn’t you
      drop this?” A great deal depends upon the manner in which you
      offer the plant and the way she receives it. If you hand it to
      her with the flower pointing upward it means, “Dare I hope?”
      Reversed, it signifies, “Your petticoat shows about an inch, or
      an inch and a half.” If she receives the plant in her right hand,
      it means, “I am”; left hand, “You are”; both hands—“He, she or it
      is.” If, however, she takes the pot firmly in both hands and
      breaks it with great force on your head, the meaning is usually
      negative and your only correct course of procedure is a hasty bow
      and a brief apology.

      RECEIVING AN INVITATION TO CALL

      Let us suppose, however, that she accepts the geranium in such a
      manner that you are encouraged to continue the acquaintance. Your
      next move should be a request for an invitation to call upon her
      at her home. This should, above all things, not be done crudely.
      It is better merely to suggest your wish by some indirect method
      such as, “Oh—so you live on William Street. Well, well! I often
      walk on William Street in the evening, but I have never called on
      any girl there—_yet_.” The “yet” may be accompanied by a slight
      raising of your eyebrows, a wink, or a friendly nudge with your
      elbow. Unless she is unusually “dense” she will probably “take
      the hint” and invite you to come and see her some evening. At
      once you should say, “_What_ evening? How about _to-night_?” If
      she says that she is already engaged for that evening, take a
      calendar out of your pocket and remark, “Tomorrow? Wednesday?
      Thursday? Friday? I really have no engagements between now and
      October. Saturday? Sunday?” This will show her that you are
      really desirous of calling upon her and she will probably say,
      “Well, I think I am free Thursday night, but you had better
      telephone me first.”

      THE ETIQUETTE OF TELEPHONING

      On Thursday morning, therefore, you should go to a public
      telephone-booth in order to call the young lady’s house. The
      etiquette of telephoning is quite important and many otherwise
      perfectly well-bred people often make themselves conspicuous
      because they do not know the correct procedure in using this
      modern but almost indispensable invention. Upon entering the
      telephone-booth, which is located, say, in some drug store, you
      remove the receiver from the hook and deposit the requisite coin
      in the coin box. After an interval of some minutes a young lady
      (referred to as “Central”) will ask for your “Number, please.”
      Suppose, for example, that you wish to get Bryant 4310. Remove
      your hat politely and speak that number into the mouthpiece.
      “Central” will then say, “Rhinelander 4310.” To which you reply,
      “NO, Central—_Bryant_ 4310.” Central then says, “I beg your
      pardon—Bryant 4310,” to which you reply, “Yes, please.” In a few
      minutes a voice at the other end of the line says, “Hello,” to
      which you answer, “Is Miss Doe at home?” The voice then says,
      “Who?” You say, “Miss Doe, please—Miss Dorothy Doe.” You then
      hear the following, “Wait a minute. Say, Charlie, is they anybody
      works around here by the name of Doe? There’s a guy wants to talk
      to a Miss Doe. Here—you answer it.” Another voice then says,
      “Hello.” You reply “Hello.” He says, “What do you want?” You
      reply, “I wish to speak to Miss Dorothy Doe.” He says, “What
      department does she work in?” You reply, “Is this the residence
      of J. Franklin Doe, President of the First National Bank?” He
      says, “Wait a minute.” You wait a minute. You wait several.
      Another voice—a new voice says-“Hello.” You reply “Hello.” He
      says, “Give me Stuyvesant 8864.” You say, “But I’m trying to get
      Miss Doe—Miss Dorothy Doe.” He says, “Who?” You say, “Is this the
      residence of—” He says, “Naw—this is Goebel Brothers, Wholesale
      Grocers—what number do you want?” You say, “Bryant 4310.” He
      says, “Well, this is Rhinelander 4310.” You then hang up the
      receiver and count twenty. The telephone bell then rings, and
      inasmuch as you are the only person near the phone you take up
      the receiver and say, “Hello.” A female voice, says, “Hello,
      dearie—don’t you know who this is?” You say, politely but firmly,
      “No.” She says, “Guess!” You guess “Mrs. Warren G. Harding.” She
      says, “No. This is Ethel. Is Walter there?” You reply, “Walter?”
      She says, “Ask him to come to the phone, will you? He lives
      up-stairs over the drug store. Just yell ‘Walter’ at the third
      door down the hall. Tell him Ethyl wants to speak to him—no,
      wait—tell him it’s Madge.” Being a gentleman, you comply with the
      lady’s request. After bringing Walter to the phone, you
      obligingly wait for some twenty minutes while he converses with
      Ethel—no, Madge. When he has finished, you once more enter the
      booth and tell “Central” you want Bryant 4310. After a few
      minutes “Central” says, “What number did you call?” You say
      patiently, “Bryant 4310.” She replies, “Bryant 4310 has been
      changed to Schuyler 6372.” You ask for Schuyler 6372. Finally a
      woman’s voice says, “Yass.” You say, “Is Miss Doe in?” She
      replies, “Yass.” You say, “May I speak to her?” She says, “Who?”
      You reply, “You said Miss Doe was at home, didn’t you?” She
      replies, “Yass.” You say, “Well, may I speak to her?” The voice
      says, “Who?” You shout, “Miss Doe.” The voice says, “She ban
      out.” You shriek, “Oh, go to hell!” and assuming a graceful, easy
      position in the booth, you proceed to tear the telephone from the
      wall. Later on in the day, when you have two or three hours of
      spare time, you can telephone Miss Doe again and arrange for the
      evening’s visit.

[Illustration]

A Crude Bridegroom _Not realizing his mistake, the Groom stands waiting
for the Bridal Procession, apparently in high spirits and the best of
health. Such an attitude toward a wedding is in the worst possible
taste._ PERFECT BEHAVIOR _tells all about the correct appearance and
conduct of Bridegrooms_.

[Illustration]

A Best Man’s Blunder _The Best Man has just been introduced to the Maid
of Honor. Instead of waiting for her to extend her hand and make the
acknowledgment, he has turned on his heel and bolted from the room.
This constitutes a social blunder, after the commission of which he
could never again, in polite society, be considered quite a gentleman_.
PERFECT BEHAVIOR _would have told him how the man of birth and breeding
learns to face anything with perfect “Sang froid.”_

[Illustration]

The Pun “De Rigueur” _The Groom has just presented his Best Man to his
sister, who, though she is more than eager to make every one feel at
home, has failed to make at once the pun “de rigueur” on the words
“best man.” An awkward silence has ensued. What is to be done? Should
one of the gentlemen fill the breach by making the pun for her? If so,
which?_ PERFECT BEHAVIOR _covers the whole subject of making the “best
man” pun authoritatively._

[Illustration]

The Young Man Doesn’t Know How to Drink _The young man at the right
does not know how to drink. Nevertheless, he has been selected by a
friend to act as Best Man at his wedding and has attended the Bachelor
Dinner. Instead of doing what he should do under the circumstances, he
is making himself conspicuous by remaining coherent while the others
sing “Mademoiselle from Alabam’.” Had the Bridegroom provided himself
with a copy of_ PERFECT BEHAVIOR _he would have known better than to
have selected him._

      MAKING THE FIRST CALL

      The custom of social “calls” between young men and young women is
      one of the prettiest of etiquette’s older conventions, and one
      around which clusters a romantic group of delightful traditions.
      In this day and generation, what with horseless carriages,
      electric telephones and telegraphs, and dirigible gas bags, a
      great many of the older forms have been allowed to die out,
      greatly, I believe, to our discredit. “Speed, not manners,” seems
      to be the motto of this century. I hope that there still exist a
      few young men who care enough about “good form” to study
      carefully to perfect themselves in the art of “calling.” Come,
      Tom, Dick and Harry—drop your bicycles for an afternoon and fill
      your minds with something besides steam engines and pneumatic
      tires!

      The first call at the home of any young lady of fashion is an
      extremely important social function, and too great care can not
      be taken that you prepare yourself thoroughly in advance. It
      would be well to leave your work an hour or two earlier in the
      afternoon, so that you can go home and practice such necessary
      things as entering or leaving a room correctly. Most young men
      are extremely careless in this particular, and unless you
      rehearse yourself thoroughly in the proper procedure you are apt
      to find later on to your dismay that you have made your exit
      through a window onto the fire-escape instead of through the
      proper door.

      CONVERSATION AND SOME OF ITS USES

      Your conversation should also be planned more or less in advance.
      Select some topic in which you think your lady friend will be
      interested, such as, for example, the removal of tonsils and
      adenoids, and “read up” on the subject so that you can discuss it
      in an intelligent manner. Find out, for example, how many people
      had tonsils removed in February, March, April. Contrast this with
      the same figures for 1880, 1890, 1900. Learn two or three amusing
      anecdotes about adenoids. Consult Bartlett’s “Familiar
      Quotations” for appropriate verses dealing with tonsils and
      throat troubles. Finally, and above all, take time to glance
      through four or five volumes of Dr. Eliot’s Five Foot Shelf, for
      nothing so completely marks the cultivated man as the ability to
      refer familiarly to the various volumes of the Harvard classics.

      A PROPER CALL

      Promptly at the time appointed you should arrive at the house
      where the young lady is staying. In answer to your ring a German
      police dog will begin to bark furiously inside the house, and a
      maid will finally come to the door. Removing your hat and one
      glove, you say, “Is Miss Doe home?” The maid replies, “Yass, ay
      tank so.” You give her your card and the dog rushes out and bites
      you on either the right or left leg. You are then ushered into a
      room in which is seated an old man with a long white beard. He is
      fast asleep. “Dot’s grampaw,” says the maid, to which you reply,
      “Oh.” She retires, leaving you alone with grampaw. After a while
      he opens his eyes and stares at you for a few minutes. He then
      says, “Did the dog bite you?” You answer, “Yes, sir.” Grampaw
      then says, “He bites everybody,” and goes back to sleep.
      Reassured, you light a cigaret. A little boy and girl then come
      to the door, and, after examining you carefully for several
      minutes, they burst into giggling laughter and run away. You feel
      to see if you have forgotten to put on a necktie. A severe
      looking old lady then enters the room. You rise and bow. “I am
      Miss Doe’s grandmother. Some one has been smoking in here,” she
      says, and sits down opposite you. Her remark is not, however, a
      hint for a cigaret and you should not make the mistake of saying,
      “I’ve only got Fatimas, but if you care to try one—” It should be
      your aim to seek to impress yourself favorably upon every member
      of the young lady’s family. Try to engage the grandmother in
      conversation, taking care to select subjects in which you feel
      she would be interested. Conversation is largely the art of
      “playing up” to the other person’s favorite subject. In this
      particular case, for example, it would be a mistake to say to
      Miss Doe’s grandmother, “Have you ever tried making synthetic
      gin?” or “Do you think any one will _ever_ lick Dempsey?” A more
      experienced person, and some one who had studied the hobbies of
      old people, would probably begin by remarking, “Well, I see that
      Jeremiah Smith died of cancer Thursday,” or “That was a lovely
      burial they gave Mrs. Watts, wasn’t it?” If you are tactful, you
      should soon win the old lady’s favor completely, so that before
      long she will tell you all about her rheumatism and what grampaw
      can and can’t eat.

      Finally Miss Doe arrives. Her first words are, “Have you been
      waiting long? Hilda didn’t tell me you were here,” to which you
      reply, “No—I just arrived.” She then says, “Shall we go in the
      drawing-room?” The answer to this is, “For God’s sake, yes!” In a
      few minutes you find yourself alone in the drawing-room with the
      lady of your choice and the courtship proper can then begin.

      The best way to proceed is gradually to bring the conversation
      around to the subject of the “modern girl.” After your
      preliminary remarks about tonsils and adenoids have been
      thoroughly exhausted, you should suddenly say, “Well I don’t
      think girls—nice girls—are really that way.” She replies, of
      course, “_What_ way?” You answer, “Oh, the way they are in these
      modern novels. This ‘petting,’ for instance.” She says, “_What_
      petting’?” You walk over and sit down on the sofa beside her.
      “Oh,” you say, “these novelists make me sick—they seem to think
      that in our generation every time a young man and woman are left
      alone on a lounge together, they haven’t a thing better to do
      than put out the light and ‘pet.’ It’s disgusting, isn’t it?”
      “Isn’t it?” she agrees and reaching over she accidentally pulls
      the lamp cord, which puts out the light.

      On your first visit you should not stay after 12:30.

      THE PROPOSAL PROPER

      About the second or third month of a formal courtship it is
      customary for the man to propose matrimony, and if the girl has
      been “out” for three or four years and has several younger
      sisters coming along, it is customary for her to accept him. They
      then become “engaged,” and the courtship is concluded.



CHAPTER TWO: THE ETIQUETTE OF ENGAGEMENTS AND WEDDINGS


      THE HISTORIC ASPECT

      “Matrimony,” sings Homer, the poet, “is a holy estate and not
      lightly to be entered into.” The “old Roman” is right.

      A modern wedding is one of the most intricate and exhausting of
      social customs. Young men and women of our better classes are now
      forced to devote a large part of their lives to acting as brides,
      grooms, ushers and bridesmaids at various elaborate nuptials.
      Weeks are generally required in preparation for an up-to-date
      wedding; months are necessary in recovering from such an affair.
      Indeed, some of the participants, notably the bride and groom,
      never quite get over the effects of a marriage.

      It was not “always thus.” Time was when the wedding was a
      comparatively simple affair. In the Paleolithic Age, for example,
      (as Mr. H. G. Wells of England points out in his able “Outline of
      History”), there is no evidence of any particular ceremony
      conjunctive with the marriage of “a male and a female.” Even with
      the advent of Neolithic man, a wedding seems to have been
      consummated by the rather simple process of having the bridegroom
      crack the bride over the head with a plain, unornamented stone
      ax. There were no ushers—no bridesmaids. But shortly after that
      (c- 10,329—30 B.C. to be exact) two young Neoliths named Haig,
      living in what is now supposed to be Scotland, discovered that
      the prolonged distillation of common barley resulted in the
      creation of an amber-colored liquid which, when taken internally,
      produced a curious and not unpleasant effect.

      This discovery had—and still has—a remarkable effect upon the
      celebration of the marriage rite. Gradually there grew up around
      the wedding a number of customs. With the Haig brothers’
      discovery of Scotch whiskey began, as a matter of course, the
      institution of the “bachelor dinner.” “Necessity is the mother of
      invention,” and exactly twelve years after the first “bachelor
      dinner” came the discovery of bicarbonate of soda. From that time
      down to the present day the history of the etiquette of weddings
      has been that of an increasing number of intricate forms and
      ceremonies, each age having added its particular bit of ritual.
      The modern wedding may be said to be, therefore, almost an
      “Outline of History” itself.

      ANNOUNCING THE ENGAGEMENT

      Let us begin, first of all, with the duties of one of the minor
      characters at a wedding—the Groom. Suppose that you are an
      eligible young man named Richard Roe, who has just become
      “engaged” to a young lady named Dorothy Doe. If you really intend
      to “marry the girl,” it is customary that some formal
      announcement of the engagement be made, for which you must have
      the permission of Miss Dorothy and her father. It is not
      generally difficult to become engaged to most girls, but it will
      surprise you to discover how hard it is to get the young lady
      whom you believe to be your fiancée to consent to a public
      announcement of the fact. The reason for this probably is that an
      engagement which has been “announced” often leads to matrimony,
      and matrimony, in polite society, often lasts for several years.
      After you have secured the girl’s permission, it is next
      necessary that you notify her father of the engagement. In this
      particular case, as he happens to be your employer, the
      notification can take place in his office. First of all, however,
      it would be advisable to prepare some sort of speech in advance.
      Aim to put him as far as possible at his ease, lead up to the
      subject gradually and tactfully. Abruptness is never “good form.”
      The following is suggested as a possible model. “Good morning,
      Mr. Doe, say, I heard a good story from a traveling salesman last
      night. It seems that there was a young married couple—(here
      insert a good story about a young married couple). Wasn’t that
      _rich_? Yes, sir, marriage is a great thing—a great institution.
      Every young man ought to get married, don’t you think? You do?
      Well, Mr. Doe, I’ve got a surprise for you, (here move toward the
      door). I’m going to (here open the door) marry (step out of the
      room) your daughter” (close the door quickly).

      THE BRIDE-TO-BE

      Before the public announcement of the engagement it is customary
      for the bride-to-be to write personal letters to all other young
      men to whom she happens to be engaged at the time. These notes
      should be kindly, sympathetic and tactful. The same note can be
      written to all, provided there is no chance of their comparing
      notes. The following is suggested:

      “Dear Bob—

      Bob, I want you to be the very first to know that I am engaged to
      Richard Roe. I want you to like him, Bob, because he is a fine
      fellow and I would rather have you like him than any one I know.
      I feel that he and I shall be very happy together, and I want you
      to be the first to know about it. Your friendship will always
      remain one of the brightest things in my life, Bob, but, of
      course, I probably won’t be able to go to the Aiken dance with
      you now. Please don’t tell anybody about it yet. I shall never
      forget the happy times you and I had together, Bob, and will you
      please return those silly letters of mine. I am sending you
      yours.”

[Illustration]

Ignorance of Sporting Terms Betrays the “Cockney” _Nothing so
completely betrays the “Cockney” as a faulty knowledge of sporting
terms. The young lady at the left has just returned from the hunting
field hand-in-hand with the dashing “lead,” who happens to be an
eligible billionaire. Her hostess, the mother of the sub-deb at the
right, has greeted her by hissing, “S—o—o! I see you’ve had a good
day’s hunting!” The use of this unsportsmanlike expression—in stead of
the correct “Hope you had a good run,” or “Where did you find?”—at once
discloses the hostess’s mean origin and the young lady will almost
certainly never accept another invitation to her house._

[Illustration]

Proper Attitude Towards the Hostess’ Furniture _In this work-a-day
world, one is likely to forget that there is an etiquette of pleasure,
just as there is an etiquette of dancing or the opera. One often hears
a charming hostess refuse to invite this or that person to her home for
a game of billiards on the ground that he or she is a “bum sport” or a
“rotten loser.” The above scene illustrates one of the little, but
conspicuous, blunders that people make. The gentleman, having missed
his fifth consecutive shot, has broken his cue over his knee and is
ripping the baize off the table with the sharp end. This display is not
in the best taste._

[Illustration]

Correct Bathing Costumes for Ladies _Good form at the beach is still a
question of debate. Some authorities on the subject insist that the
Rubenesque type is preferable, while others claim that the Byzantine is
more fashionable. One thing is certain—it is absolutely incorrect for
ladies who weigh less than 75 or more than 275 pounds (avoirdupois) to
appear in costumes that would offend against modesty. It is also
considered rude to hold one’s swimming partner under water for more
then the formal quarter of an hour._

      THE ENGAGEMENT LUNCHEON

      The engagement is generally announced at a luncheon given by the
      parents of the prospective bride. This is usually a small affair,
      only fifteen or twenty of the most intimate friends of the
      engaged “couple” being invited. It is one of the customs of
      engagement luncheons that all the guests shall be tremendously
      surprised at the news, and great care should be taken to aid them
      in carrying out this tradition. On the invitations, for example,
      should be written some misleading phrase, such as “To meet
      General Pershing” or “Not to Announce the Engagement of our
      Daughter.”

      The announcement itself which should be made soon after the
      guests are seated, offers a splendid opportunity for the display
      of originality and should aim to afford the guest a surprise and
      perhaps a laugh, for laughter of a certain quiet kind is often
      welcome at social functions. One of the most favored methods of
      announcing an engagement is by the use of symbolic figures
      embodying the names of the affianced pair. Thus, for example, in
      the case of the present engagement of Richard Roe to Dorothy Doe
      it would be “unique” to have the first course at luncheon consist
      of a diminutive candy or paper-mache doe seated amorously upon a
      heart shaped order of a shad roe. The guests will at first be
      mystified, but soon cries of “Oh, how sweet!” will arise and
      congratulations are then in order. Great care should be taken,
      however, that the symbolic figures are not misunderstood; it
      would be extremely embarrassing, for example, if in the above
      instance, a young man named “Shad” or “Aquarium” were to receive
      the congratulations instead of the proper person. Other
      suggestions for symbolistic announcements of some of the more
      common names are as follows:

      “_Cohan-O’Brien_”—ice cream cones on a plate of O’Brien potatoes.

      “_Ames-Green_—green ice cream in the shape of a man aiming at
      something.

      “_Thorne-Hoyt_—figure of a man from Brooklyn pulling a thorn from
      foot with expression on his face signifying “This hoits.”

      “_Bullitt-Bartlett_—bartlett pears full of small 22 or 33 calibre
      bullets.

      “_Tweed-Ellis_”—frosted cake in the shape of Ellis Island with a
      solitary figure of a man in a nice fitting tweed suit.

      “_Gordon-Fuller_”—two paper-mache figures—one representing a
      young man full of Gordon gin, the other representing a young man
      fuller.

      “_Hatch-Gillette_”—figure of a chicken surprised at having
      hatched a safety razor.

      “_Graves-Colgate_”—figure of a man brushing his teeth in a
      cemetery.

      “_Heinz-Fish_”—57 assorted small fish tastily arranged on one
      plate.

      SELECTING THE BRIDAL PARTY

      AS soon as the engagement has been announced it is the duty of
      the prospective bride to select a maid-of-honor and eight or ten
      bridesmaids, while the groom must choose his best man and ushers.
      In making these selections it should be carefully borne in mind
      that no wedding party is complete without the following:

1 bridesmaid who danced twice with the Prince of Wales.
2 Bridesmaids who never danced more than once with anybody.
1 bridesmaid who doesn’t “Pet.”
1 bridesmaid who was expelled from Miss Spence’s.
1 bridesmaid who talks “Southern.”
1 bridesmaid who met Douglas Fairbanks once.
1 bridesmaid who rowed on the crew at Wellesley.
1 usher who doesn’t drink anything.
9 ushers who drink anything.

      In some localities, following the announcement, it is customary
      for the bride’s friends, to give for her a number of “showers.”
      These are for the purpose of providing her with various
      necessities for her wedded household life. These affairs should
      be informal and only her dearest or wealthiest friends should be
      invited. A clever bride will generally arrange secretly for
      several of these “showers” by promising a certain percentage
      (usually 15% of the gross up to $500.00 and 25% bonus on all over
      that amount) to the friend who gives the party. Some of the more
      customary “showers” of common household articles for the new
      bride are toothpaste, milk of magnesia, screen doors, copies of
      Service’s poems, Cape Cod lighters, pictures of “Age of
      Innocence” and back numbers of the “Atlantic Monthly.”

      INVITATIONS AND WEDDING PRESENTS

      The proper time to send out invitations to a wedding is between
      two and three weeks before the day set for the ceremony, although
      the out-of-town invitations should be mailed in plenty of time to
      allow the recipient to purchase and forward a suitable present.
      As the gifts are received, a check mark should be placed after
      the name of the donor, together with a short description of the
      present and an estimate as to its probable cost. This list is to
      be used later, at the wedding reception, in determining the
      manner in which the bride is to greet the various guests. It has
      been found helpful by many brides to devise some sort of memory
      system whereby certain names immediately suggest certain
      responses, thus:

      “Mr. Snodgrass—copy of ‘Highways and Byways in Old France’”—c.
      $6.50—“how do you do, Mr. Snodgrass, have you met my mother?”

      “Mr. Brackett—Solid silver candlesticks—$68.50”—“hello, Bob, you
      old peach. How about a kiss?”

      The real festivities of a wedding start about three days before
      the ceremony, with the arrival of the “wedding party,” in which
      party the most responsible position is that of best man. Let us
      suppose that you are to be the best man at the Roe-Doe nuptials.
      What are your duties?

      In the first place, you must prepare yourself for the wedding by
      a course of training extending for over a month or more prior to
      the actual event. It should be your aim to work yourself into
      such a condition that you can go for three nights without sleep,
      talk for hours to the most impossibly stupid of young women, and
      consume an unending amount of alcohol. You are then prepared for
      the bachelor dinner, the bridal dinner, the bridesmaids, the
      wedding, and the wedding reception.

      DUTIES OF THE BEST MAN

      Upon your arrival in the city where the wedding is to take place
      you will be met by the bridegroom, who will take you to the home
      of the bride where you are to stay. There you are met by the
      bride’s father. “This is my best man,” says the groom. “The best
      man?” replies her father. “Well, may the best man win.” At once
      you reply, “Ha! Ha! Ha!” He then says, “Is this your first visit
      to Chicago?” to which the correct answer is, “Yes, sir, but I
      hope it isn’t my last.”

      The bride’s mother then appears. “This is my best man,” says the
      groom. “Well,” says she, “remember—the best man doesn’t always
      win.” “Ha! Ha! Ha!” you at once reply. “Is this your first visit
      to Chicago?” says she, to which you answer, “Yes—but I hope it
      isn’t my last.”

      You are then conducted to your room, where you are left alone to
      unpack. In a few minutes the door will open and a small boy
      enter. This is the brother of the bride. You smile at him
      pleasantly and remark, “Is this your first visit to Chicago?”
      “What are you doing?” is his answer. “Unpacking,” you reply.
      “What’s that?” says he. “A cutaway,” you reply. “What’s that?”
      says he. “A collar bag.” “What’s that?” “A dress shirt.” “What’s
      that?” says he. “Another dress shirt.” “What’s that?” says he.
      “Say, listen,” you reply, “don’t I hear some one calling you?”
      “No,” says he, “what’s that?” “That,” you reply, with a sigh of
      relief, “is a razor. Here—take it and play with it.” In three
      minutes, if you have any luck at all, the bride’s brother will
      have cut himself severely in several places which will cause him
      to run crying from the room. You can then finish unpacking.

      THE BRIDE’S TEA

      The first function of the pre-nuptial festivities is generally a
      tea at the bride’s home, where the ushers and bridesmaids meet to
      become “acquainted.” It is your duty, as best man, to go to the
      hotel where the ushers are stopping and bring them to this tea.
      Just as you will leave on this mission the groom will whisper in
      your ear, “For God’s sake, remember to tell them that her father
      and mother are terribly opposed to drinking in any form.” This is
      an awfully good joke on her father and mother.

      As you step out of the hotel elevator you hear at the end of the
      hall a chorus shouting, “Mademoiselle from Armentières—_parlez
      vous!_” Those are your ushers.

      Opening the door of the room you step forward and announce,
      “Fellows, we have got to go to a tea right away. Come on—let’s
      go.” At this, ten young men in cutaways will stand up and shout,
      “Yeaaa—the best man—give the best man a drink!” From then on, at
      twelve minute intervals, it is your duty to say, “Fellows, we
      have got to go to a tea right away. Come on—let’s go.” Each time
      you will be handed another drink, which you may take with either
      your right or left hand.

      After an hour the telephone will ring. It will be the groom. He
      will say, “Everybody is waiting for you and the ushers,” to which
      you reply, “We are just leaving.” He then says, “And don’t forget
      to tell them what I told you about her father and mother.”

      You then hang up the receiver, take a drink in one hand and say,
      “Fellows, I have a very solemn message for you. It’s a message
      which is of deep importance to each one of us. Fellows—her father
      and mother object to the use of alcohol in any form.”

      This statement will be greeted with applause and cheers. You will
      all then take one more drink, put on your silk hats and gray
      gloves, and leave the room singing, “Her father and mother object
      to drink—_parlez vous_.”

      The tea given by the bride’s parents is generally a small affair
      to which only the members of the wedding party are invited. When
      you and the ushers arrive, you will find the bride, the maid of
      honor and the bridesmaids waiting for you. As you enter the room,
      make a polite bow to the bride’s father and mother, and be sure
      to apologize for your lateness. Nothing so betrays the social
      “oil can” as a failure to make a plausible excuse for tardiness.
      Whenever you are late for a party you must always have ready some
      good reason for your fault, such as, “Excuse me, Mrs. Doe, I’m
      afraid I am a little late, but you see, just as I was dressing,
      this filling dropped out of my tooth and I had to have it put
      back in.” If the host and hostess seem to doubt your statement,
      it would be well to show them the recalcitrant filling in
      question, although if they are “well-bred” they will probably in
      most cases take you at your word.

      THE MAID OF HONOR

      You and the ushers will then be introduced to the bridesmaids and
      the maid of honor. As you meet this latter young lady, who is the
      bride’s older sister and, of course, your partner for the
      remainder of the wedding festivities, she will say, “The best
      man? Well, they say that the best man wins... Ha! Ha! Ha!” This
      puts her in class G 6 without further examination, and your only
      hope of prolonging your life throughout the next two days lies in
      the frequent and periodic administration of stimulants.

      THE BACHELOR DINNER AND AFTER

      That evening the groom gives for the best man and the ushers what
      is known as a “bachelor dinner.” It is his farewell to his men
      friends as he passes out of the state of bachelorhood. The formal
      passing out generally occurs toward the end of the dinner, and is
      a quaint ceremony participated in by most of those present.

      It is customary for the best man to wake up about noon of the
      following day. You will not have the slightest idea as to where
      you are or how you got there. You will be wearing your dress
      trousers, your stiff or pleated bosom dress shirt, black socks
      and pumps, and the coat of your pajamas. In one hand you will be
      clutching a chrysanthemum. After a few minutes there will come a
      low moan from the next bed. That is usually the groom, also in
      evening dress with the exception that he has tried to put on the
      trousers of your pajamas over his dress trousers. You then say,
      “What happened?” to which he replies, “Oh, Judas.” You wait
      several minutes. In the next room you hear the sound of a shower
      bath and some one whistling. The bath stops; the whistling
      continues. The door then opens and there enters one of the
      ushers. He is the usher who always “feels great” the next day
      after the bachelor dinner. He says to you, “Well, boys, you look
      all in.” You do not reply. He continues, “Gosh, I feel fine.” You
      make no response. He then begins to chuckle, “I don’t suppose you
      remember,” he says, “what you said to the bride’s mother when I
      brought you home last night.” You sit quickly up in bed. “What
      did I say?” you ask. “Was I tight?” “Were you tight?” he replies,
      still chuckling. “Don’t you remember what you said? And don’t you
      remember trying to get the bride’s father to slide down the
      banisters with you? Were you tight—Oh, my gosh!” He then exits,
      chuckling. Statistics of several important life insurance
      companies show that that type of man generally dies a violent
      death before the age of thirty.

      THE REHEARSAL

      The rehearsal for the wedding is usually held in the church on
      the afternoon preceding the day of the nuptials. The ushers, of
      course, are an hour late, which gives the bridegroom (Bap.) an
      opportunity to meet the minister (Epis.) and have a nice, long
      chat about religion, while the best man (Atheist) talks to the
      eighty-three year old sexton who buried the bride’s grandpa and
      grandma and has knowed little Miss Dorothy come twenty years next
      Michaelmas. The best man’s offer of twenty-five dollars, if the
      sexton will at once bury the maid of honor, is generally refused
      as a matter of courtesy.

      THE BRIDAL DINNER

      In the evening, the parents of the bride give the bridal dinner,
      to which all the relatives and close friends of the family are
      invited. Toasts are drunk in orange juice and rare old Virginia
      Dare wine, and much good-natured fun is indulged in by all.
      Speeches are usually made by the bride and groom, their parents,
      the best man, the maid of honor, the minister and Aunt Harriet.

      Just a word about the speeches at a bridal dinner. Terrible!

      A CHURCH WEDDING

      On the day of the wedding the ushers should arrange to be at the
      church an hour or so in advance of the time set for the ceremony.
      They should be dressed in cutaways, with ties, gloves and
      gardenias provided by the groom.

      It is the duty of the best man to dress the bridegroom for the
      wedding. As you enter his room you see, lying half-dressed on the
      bed, a pale, wan, emaciated creature, who is staring fixedly at
      the ceiling. It is the happy bridegroom. His lips open. He speaks
      feebly. “What time is it?” he says. You reply, “Two-thirty, old
      man. Time to start getting dressed.” “Oh, my God!” says the
      groom. Ten minutes pass. “What time is it?” says the groom.
      “Twenty of three,” you reply. “Here’s your shirt.” “Oh, my God!”
      says the groom.

      He takes the shirt and tries to put it on. You help him. “Better
      have a little Scotch, old man,” you say. “What time is it?” he
      replies. “Five of three,” you say. “Oh, my God!” says the groom.

      At three-thirty you and he are dressed in cutaways and promptly
      at three-forty-two you arrive at the church. You are ushered into
      a little side room where it is your duty to sit with the corpse
      for the few brief hours which elapse between three-forty-five and
      four o’clock. Occasionally he stirs and a faint spark of life
      seems to struggle in his sunken eyes. His lips move feebly. You
      bend over to catch his dying words. “Have—you—got—the ring?” he
      whispers. “Yes,” you reply. “Everything’s fine. You look great,
      too, old man.” The sound of the organ reaches your ears. The
      groom groans. “Have you got the ring?” he says.

      Meanwhile the ushers have been performing their duty of showing
      the invited guests to the various pews. A correctly trained usher
      will always have ready some cheery word or sprightly bit of
      conversation to make the guests feel perfectly at home as he
      conducts them to their seats. “It’s a nice day, isn’t it?” is
      suggested as a perfectly safe and yet not too unusual topic of
      conversation. This can be varied by remarking, “Isn’t it a nice
      day?” or in some cases, where you do not wish to appear too
      forward, “Is it a nice day, or isn’t it?” An usher should also
      remember that although he has on a cutaway, he is neither a
      floor-walker nor a bond salesman, and remarks such as “Something
      in a dotted Swiss?” or “Third aisle over—second pew—next the
      ribbon goods,” are decidedly _non au fait_.

      The first two pews on each side of the center aisle are always
      reserved for members of the immediate family, but it is a firmly
      established custom that the ushers shall seat in these “family
      pews” at least three people with whom the family are barely on
      speaking terms. This slight error always causes Aunt Nellie and
      Uncle Fred to sit up in the gallery with the family cook.

      With the arrival of the bride, the signal is given to the
      organist to start the wedding march, usually either Mendelssohn’s
      or Wagner’s. About this time the mother of the bride generally
      discovers that the third candle from the left on the rear altar
      has not been lighted, which causes a delay of some fifteen
      minutes during which time the organist improvises one hundred and
      seventy-three variations on the opening strains of the march.

      Finally all is adjusted and the procession starts down the aisle
      led by the ushers swaying slowly side by side. It is always
      customary for three or four of the eight ushers to have
      absolutely no conception of time or rhythm, which adds a quaint
      touch of uncertainty and often a little humor to the performance.

      After the Scotch mist left by the passing ushers has cleared,
      there come the bridesmaids, the maid of honor, and then, leaning
      on her father’s arm (unless, of course, her father is dead), the
      bride.

      In the meantime, the bridegroom has been carried in by the best
      man and awaits the procession at the foot of the aisle, which is
      usually four hundred and forty yards long. The ushers and
      bridesmaids step awkwardly to one side; the groom advances and a
      hush falls over the congregation which is the signal for the
      bride’s little niece to ask loudly, “What’s that funny looking
      man going to do, Aunt Dotty?”

      Then follows the religious ceremony.

      Immediately after the church service, a reception is held at the
      bride’s home, where refreshments are served and two hundred and
      forty-two invited guests make the same joke about kissing the
      bride. At the reception it is customary for the ushers and the
      best man to crawl off in separate corners and die.

      The wedding “festivities” are generally concluded with the
      disappearance of the bride, the bridegroom, one of the uninvited
      guests and four of the most valuable presents.

[Illustration]

The Man of Refinement Controls His Emotions _The man of culture and
refinement, while always considerate to those beneath him in station,
never, under any circumstances, loses control of his emotions for an
instant. Though the gentleman-rider in the picture may be touchingly
fond of his steeplechase horse, it is unpardonably bad form for him to
make an exhibition of his affection while going over the brush in plain
view of numbers of total strangers. In doing so he simply is making a
“guy” of himself, and it is no more than he deserves if those in the
gallery raise their eyebrows at each other and smile knowingly._

[Illustration]

Comparative Advantages of the Pen—the Phone _The Romans had a proverb,
“Litera scripta manet,” which means “The written letter remains.” The
subtle wisdom of these words was no doubt well known to the men of the
later Paleolithic Age before them, but evidently the gentleman in the
engraving never heard of it. If he had kept this simple little rule of
social correspondence in mind he would have avoided the painful
experience of hearing his obsolete emotions exposed to the eager ears
of twelve perfect strangers. It is customary nowadays for unmarried
elder sons of our most aristocratic families to express their
appreciation of the qualities of fascinating bachelor girls over the
sensible, though plebeian, telephone._



CHAPTER THREE: THE ETIQUETTE OF TRAVEL


      The etiquette of travel, like that of courtship and marriage, has
      undergone several important changes with the advent of
      “democracy” and the “mechanical age.” Time was when travel was
      indulged in only by the better classes of society and the rules
      of travellers’ etiquette were well defined and acknowledged by
      all. But Yankee ingenuity has indeed brought the “mountain to
      Mahomet”; the “iron horse” and the “Pullman coach” have, I
      believe, come to stay, bringing with them many new customs and
      manners for the well-bred gentleman or lady who would travel
      correctly. Truly, the “old order changeth” and it is, perhaps,
      only proper that one should keep (if you will pardon the use of
      the word), “abreast” of the times.

      HINTS FOR THE CORRECT PEDESTRIAN

      Let us suppose, for example, that you are a young gentleman of
      established social position in one of the many cities of our
      great middle west, and it is your desire to travel from your home
      to New York City for the purpose of viewing the many attractions
      of that metropolis of which I need perhaps only mention the
      Aquarium or Grant’s Tomb or the Eden Musee. Now there are many
      ways of getting to New York, such as (a) on foot, (b) via “rail”;
      it should be your first duty to select one of these methods of
      transportation. Walking to New York (“a” above) is often rejected
      because of the time and effort involved and it is undoubtedly
      true that if one attempted to journey afoot from the middle west
      one would probably be quite fatigued at the end of one’s journey.
      The etiquette of walking, however, is the same for short as for
      long distances, and I shall at this point give a few of the many
      rules for correct behavior among pedestrians.

      In the first place, it is always customary in a city for a young
      lady, either accompanied or unaccompanied, to walk on the
      sidewalk. A young “miss” who persists in walking in the gutters
      is more apt to lose than to make friends among the socially
      “worth while.”

      Gentlemen, either with or without ladies, are never seen walking
      after dark in the sewers or along the elevated, tracks.

      It is not _au fait_ for gentlemen or ladies wearing evening dress
      to “catch on behind” passing ice wagons, trucks, etc.; the time
      and energy saved are doubtfully repaid should one happen to be
      driven thus past other members of one’s particular social “set.”

      Ladies walking alone on the street after dark do not speak to
      gentlemen unless they have been previously introduced or are out
      of work with winter coming on.

      A gentleman walking alone at night, when accosted by a young
      woman whom he has not met socially, removes his hat politely,
      bows and passes on, unless she looks awfully good.

      Débutantes meeting traffic policemen always bow first in America;
      in the Continental countries, with their age-old flavor of
      aristocratic court life, this custom is reversed.

      A bachelor, accompanied by a young unmarried woman, when stepping
      accidentally into an open coal or sewer hole in the sidewalk,
      removes his hat and gloves as inconspicuously as possible.

      It is never correct for young people of either “sex” to push
      older ladies in front of swiftly approaching motor vehicles or
      street cars.

      A young man, if run over by an automobile driven by a strange
      lady, should lie perfectly still (unless dead) until an
      introduction can be arranged; the person driving the car usually
      speaks first.

      An unmarried woman, if run into and knocked down by a taxicab
      driven by someone in her own “set,” usually says “Why the hell
      don’t you look where you’re going?” to which the taxi driver,
      removing his hat, replies “Why the hell don’t _you?_”

      A correct costume for gentlemen walking in the parks or streets
      of a city, either before or after dark, consists of shoes (2),
      socks (2), undergarments, trousers, shirt, necktie, collar, vest,
      coat and hat. For pedestrians of the “opposite” sex the costume
      is practically the same with the exception of the socks,
      trousers, shirt, necktie, collar, vest and coat. However, many
      women now affect “knickerbockers” and _vice versa_.

      A young lady of good breeding, when walking alone, should not
      talk or laugh in a loud boisterous manner. “Capers” (e. g.
      climbing trees, etc.), while good exercise and undoubtedly
      fashionable in certain “speedy” circles, are of questionable
      taste for ladies, especially if indulged in to excess or while
      walking with young gentlemen on the Sabbath. Sport is sport, and
      no one loves a stiff game of “fives” or “rounders” more than I,
      but the spectacle of a young unmarried lady and her escort
      hanging by their limbs on the Lord’s Day from the second or third
      cross arm of an electric telegraph pole is certainly carrying
      things a bit too far, in my opinion, even in this age of “golf”
      and lawn “tennis.”

      A young gentleman escorting a young lady on foot to a formal ball
      or the opera should walk on the outside, especially if they are
      both in evening dress and have a long distance to go. It is never
      incorrect to suggest the use of a street car, or as one gets near
      the Opera House, a carriage or a “taxicab.”

      A young man walking with a young lady, when accosted by a beggar,
      always gives the beggar something unless the young lady is his
      wife or his sister.

      So much for pedestrians. I can not, of course, pretend to give
      here all the rules for those who “go afoot” and I can only say
      that the safest principle for correct behavior in this, as in
      many social matters, is the now famous reply Thomas Edison once
      made to the stranger who asked him with what he mixed his paints
      in order to get such marvellous effects. “One part inspiration,”
      replied the great inventor, “and NINE parts perspiration.” In
      other words, etiquette is not so much a matter of “genius” as of
      steady application to small details.

      TRAVELLING BY RAIL

      In America much of the travelling is done by “rail.” The
      etiquette of railroad behavior is extremely complicated,
      especially if one is forced to spend the night _en route_ (on the
      way) and many and ludicrous are the mistakes made by those whose
      social training has apparently fitted them more for a freight car
      than for an up-to-date “parlor” or “Pullman” coach.

      GOOD FORM ON A STREET CAR

      Let us, first of all, however, take up some of the simpler forms
      of rail transportation, such as, for example, the electric street
      or “tram” car now to be seen on the main highways and byways of
      all our larger cities. The rules governing behavior on these
      vehicles often appear at first quite complicated, but when one
      has learned the “ropes,” as they say in the Navy, one should have
      no difficulty.

      An elderly lady with a closed umbrella, for example, desiring to
      take a street car, should always stand directly under a large
      sign marked “Street Cars Do Not Stop On This Corner.” As the car
      approaches she should run quickly out to the car tracks and
      signal violently to the motorman with the umbrella. As the car
      whizzes past without stopping she should cease signalling, remark
      “Well I’ll be God damned!” and return to the curbstone. After
      this performance has been repeated with three successive cars she
      should then walk slowly out and lie down, in a dignified manner,
      across the car tracks. In nine cases out of ten the motorman of
      the next “tram” will see her lying there and will be gentleman
      enough to stop his car.

      When this happens the elderly lady should get quietly up from the
      street and stand outside the door marked “Exit Only” until the
      motorman opens it for her. She should then enter with the remark,
      “I signalled to three cars and not one of them stopped,” to which
      the motorman will reply, “But, lady, that sign there says they
      don’t stop on this corner.” The lady should then say “What’s your
      number—I’m going to report you.”

      After taking his number she should enter the car. At the opposite
      end of the vehicle there will undoubtedly be three or four vacant
      seats; instead of taking one of these she should stand up in
      front of some young man and glare at him until he gets up and
      gives her his place.

      It is not customary in American cities for ladies to thank
      gentlemen who provide them with seats.

      After a few minutes she should turn to the man at her right and
      ask “Does this car go to Madison Heights?” He will answer “No.”
      She should then turn to the man on her left and ask “Does this
      car go to Madison Heights?” He will answer “No.” Her next
      question—“Does this car go to Madison Heights?”—should be
      addressed to a man across the aisle, and the answer will be “No.”
      She should then listen attentively while the conductor calls out
      the names of the streets and as he shouts “Blawmnoo!” she should
      ask the man at her right “Did he say Madison Heights?” He will
      reply “No.” At the next street the conductor will shout
      “Blawmnoo!” at which she should ask “Did he say Madison Heights?”
      Once more the answer will be in the negative. The car will
      proceed, the conductor will now call “Blawmnoo!” and as the
      elderly lady once more says “Did he say Madison Heights?” the man
      at her left, the man at her right, the man across the aisle and
      eight other male passengers will shout “YES!”

      It is then correct for her to pickup her umbrella and, carefully
      waiting until the conductor has pulled the “go ahead” signal, she
      should cry “Wait a minute, conductor—I want to get off here.” The
      car will then be stopped and she should say “Is this Madison
      Heights?” to which the conductor will reply “This ain’t the
      Madison Heights car, lady.” She should then say “But you called
      out Madison Heights,” to which he will answer “No, lady—that’s
      eight miles in the opposite direction.” She should then leave the
      street car, not forgetting, however, to take the conductor’s
      number again.

      The above hints for “tram” car etiquette apply, of course, only
      to elderly ladies. For young men and women the procedure would be
      in many cases quite different. A young married woman, for
      example, on entering a street car, should always have her ticket
      or small “change” so securely buried in the fourth inside
      pocketbook of her handbag that she cannot possibly find it inside
      of twelve minutes. Three or more middle-aged ladies, riding
      together, should never decide as to who is to pay the fare until
      the conductor has gone stark raving mad.

[Illustration]

Hints on Homely Young Ladies at a Dance _Her conduct has stamped the
young lady as a provincial and it is not to be wondered at if
suppressed titters and half audible chuckles follow her about the
room._ PERFECT BEHAVIOR _would have taught her that it is not the
prerogative of a muddy-complexioned dud—even if she has had only one
dance and her costume is very expensive—to cut in on a gentleman (by
grabbing his neck or any other method) when he is dancing with the
wide-eyed beauty from the South who leaves in five minutes to catch a
train. He will be within his rights when, at the end of five minutes,
after three unsuccessful attempts to loosen her grip, he will carry her
into the garden under false pretences and there play the hose on her
until she drowns._

[Illustration]

The Law of Reprisal in Etiquette _They are leaving the home of an
intimate friend of several weeks’ standing, after having witnessed a
Private Theatrical. Both feel that some return should be made for their
hostess’s kindness but neither is certain as to just what form the
return should take. The Book of_ PERFECT BEHAVIOR _would have pointed
out to them that the only adequate and satisfactory revenge for this
sort of thing is to invite the lady, as soon as possible without
exciting her suspicion, to attend an Italian opera or a drawing-room
musicale._

      IN THE SUBWAY

      The rules governing correct behavior in the underground “subway”
      systems of our great cities (particularly the New York subways)
      are, however, much more simple and elemental than the etiquette
      for surface cars. In the subway, for example, if you are a
      married man and living with your wife, or head of a family, i.
      e., a person who actually supports one or more persons living in
      (or under) his (or her) household on the last day of the
      preceding calendar year, provided that such person or persons
      shall not on or before July 1 or if July 1 shall fall on a Sunday
      then on the day nearest preceding July 1, himself (or themselves)
      have filed a separate report as provided in paragraph (g), you
      should precede a lady when entering, and follow a lady when
      leaving, the train.

      A HONEYMOON IN A SUBWAY

      On the other hand, a wedding or a “honeymoon” trip in a subway
      brings up certain problems of etiquette which are entirely
      different from the above. Let us suppose, for example, that the
      wedding takes place at high noon in exclusive old “Trinity”
      church, New York. The nearest subway is of course the
      “Interborough” (West Side) and immediately after the ceremony the
      lucky couple can run poste haste to the “Battery” and board a
      Lenox Ave. Local. Arriving at romantic Chambers St. they should
      change at once to a Bronx Park Express which will speedily whizz
      them past 18th St., 23rd St. and 28th St. to the Pennsylvania
      Station where they can again transfer, this time to a Broadway
      Local. In a jiffy and two winks of an eye they will be at Times
      Square, the heart of the “Great White Way” (that Mecca of
      pleasure seekers and excitement lovers) where they can either
      change to a Broadway Express, journeying under Broadway to
      historic Columbia University and Harlem, or they can take the
      busy little “shuttle” which will hurry them over to the Grand
      Central Station. There they can board the aristocratic East Side
      Subway, either “up” or “down” town. The trip “up town” (Lexington
      Ave. Express) passes under some of the better class residential
      districts, but the journey in the other direction is perhaps more
      interesting, including as it does such stops as 14th St.,
      Brooklyn Bridge, Fulton Street, Wall Street (the financial
      center) etc., not to mention a delightful passage under the East
      River to Brooklyn, the city of homes and churches. Thus without
      getting out of their seats the happy pair can be transported from
      one fascinating end of the great city to the other and when they
      have exhausted the possibilities of a honeymoon in the
      Interborough they can change, with the additional cost of only a
      few cents apiece, to the B. R. T. or the Hudson Tubes which will
      gladly carry them to a thousand new and interesting places—a
      veritable Aladdin’s lamp on rails.

      TRAVELLING UNDER STEAM

      And now we come to that most complex form of travel—the railroad
      journey. Let us suppose that instead of attempting to walk to New
      York you have elected to go on the “train.” On the day of your
      departure you should carefully pack your bag or suitcase, taking
      care to strap and lock it securely. You can then immediately
      unstrap and unlock it in order to put in the tooth paste and
      shaving brush which you forgot to bring from the bathroom.

      Arriving at the station promptly on the time scheduled for the
      train to depart you will find that because of “daylight saving
      time” you have exactly an hour to wait. The time, however, can be
      amusingly and economically spent in the station as follows: 11
      weighing machines @.01 =.11; 3 weighing machines @.05 =.15; 1
      weighing machine (out of order).09; 17 slot machines (chocolate
      and gum) @.01 =.17. Total cost—.50, unless, of course, you eat
      the chocolate.

      Upon the arrival of the train you consult your ticket to find
      that you have “lower 9” in car 43. Walking back to the end of the
      train and entering car 43 you will find, in berth number 9, a
      tired woman and two small children. You will also find a hat box,
      a bird cage, a bag of oranges, a bag of orange peelings, a
      shoe-box of lunch, a rag doll, a toy balloon, half a “cookie” and
      8,000,000 crumbs. The tired woman will then say to you “Are you
      the gentleman who has the lower berth?” to which you answer
      “Yes.” She will then say “Well say—we’ve got the upper—and I
      wonder if you would mind—” “Not at, all,” you reply, “I should be
      only too glad to give you my lower.” This is always done.

      After you have seated yourself and the train has started the
      lady’s little boy will announce, “I want a drink, Mama.” After he
      has repeated this eleven times his mother will say to you “I
      wonder if you would mind holding the baby while I take Elmer to
      get a drink?”

      The etiquette of holding babies is somewhat difficult for
      bachelors to master at first as there are no hard and fast rules
      governing conduct under these circumstances. An easy “hold” for
      beginners and one which is difficult for the ordinary baby to
      break consists in wrapping the left and right arms firmly around
      the center of the child, at the same time clutching the clothing
      with the right hand and the toes with the left and praying to God
      that the damn thing won’t drop.

      In this particular case, after Elmer and his mother have gone
      down the aisle after a drink, the baby which you are holding will
      at once begin to cry. Now as every mother knows, and especially
      those mothers who have had children, a baby does not cry without
      some specific reason and all that is necessary in the present
      instance is to discover this reason. First of all, the child may
      be merely hungry, in which case you should at once ask the porter
      to bring you the a la carte menu. You should then carefully go
      over the list of dishes with the infant, taking care to spell out
      and explain such names as he may not understand. “How would you
      like some nice assorted hors d’œuvres?” you say. “Waaaaa!” says
      the baby. “No hors d’œuvres,” you say to the waiter. “Some blue
      points, perhaps—you know, o-y-s-t-e-r-s?” You might even act out
      a blue point or two, as in charades, so that the child will
      understand what you mean. In case, however, the baby does not
      cease crying after having eaten the first three or four courses,
      you should not insist on a salad and a dessert, for probably it
      is not hunger which is occasioning the outcry. Perhaps it is a
      pin, in which case you should at once bend every effort to the
      discovery and removal of the irritant. The most generally
      accepted modern way of effecting this consists in passing a large
      electro-magnet over every portion of the child’s anatomy and the
      pin (if pin there be) will of course at once come to light. Then,
      too, many small children cry merely because they have swallowed
      something which does not agree with them, such as, for example, a
      gold tooth or a shoe horn; the remedy in this case consists in
      _immediately_ feeding the child the proper counter irritant.
      There is, really, no great mystery about the successful raising
      of children and with a few common sense principles, such as
      presented above, any mother may relieve herself of a great deal
      of useless anxiety. I hope I may be pardoned for a digression
      here, but I feel very strongly that “today’s babies are
      tomorrow’s citizens” and I do want to see them brought up in the
      proper way.

      But to return to our train. Perhaps by this time the mother and
      Elmer will have returned and you will be relieved of further
      investigation as to the cause of the infant’s discomfort. A few
      minutes later, however, little Elmer will say “Mama, I want the
      window open.” This request will be duly referred to you via the
      line of authority. It is then your duty to assume a firm upright
      stance, with the weight evenly distributed on both feet, and work
      for twelve minutes and thirty-nine seconds in a terrific struggle
      to raise the windows. At the end of twelve minutes and forty
      seconds you will succeed, the window will slowly go up, and the
      train will at once enter a tunnel, filling the car and you with
      coal smoke. In the resulting darkness and confusion you should
      seize little Elmer, throw him quickly out of the open window and
      make your escape to the gentlemen’s smoking compartment in the
      rear of your car.

      In the “smoker” you will find three men. The first of these will
      be saying “and he told me that a bootlegger he knew had cleaned
      up a thousand dollars a week since January.” The second will say
      “Well down where I come from there’s men who never took a drink
      before prohibition who get drunk all the time now.” The third
      will say “Well, I tell you, men—the saloon had to go.”

      Provision for satisfying the “inner man” is now a regular part of
      the equipment of all modern trains, and about 6:30 or 7 you
      should leave your companions in the “smoker” and walk through the
      train until you reach the “diner.” Here you will seat yourself at
      a table with three other gentlemen, the first of whom will be
      remarking, as you sit down, “and I know for a fact that this
      bootlegger is making over fifty thousand dollars a year.”

      A CORRECT NIGHT IN A PULLMAN

      Before the days of modern railroads one could not very well
      travel over night but now, thanks to Mr. Pullman, it is possible
      for the traveller to go to bed en route and be every bit as snug
      and comfortable as the proverbial insect in a rug. Shortly after
      dinner the porter will “make up” the berths in the car and when
      you desire to retire for the night you should ask him to bring
      you the ladder in order that you may ascend to upper 9. While you
      are waiting you should stand in the aisle and remove your coat,
      vest and shoes, and then begin to search for your suitcase which
      you will finally locate by crawling on your chin and stomach
      under berth number 11. When you again resume an upright position
      the train will give a sudden lurch, precipitating you into berth
      number 12. A woman’s voice will then say “Alice?” to which you
      should of course answer “No” and climb quickly up the ladder into
      your proper berth.

      A great deal of “to do” is often made of the difficulty involved
      in undressing in an upper berth but most of this is quite
      uncalled for. Experienced travellers now generally wait until the
      lights of the car have been dimmed or extinguished when the
      disrobing can be done quite simply in five counts, as follows:
      _One_—unloosen all clothing and lie flat on the back. The
      respiration should be natural, easy and through the lungs. The
      muscles should be relaxed; _Two_—pivoting on the back of the head
      and neck, inhale quickly, at the same time drawing the muscles of
      the legs and arms sharply under the body, as for a spring;
      _Three_—spring suddenly upward and to the right (or left),
      catching the bell cord (which extends along the roof of the
      train) with the teeth, hands and feet; _Four_—holding firmly to
      the cord with the knees, describe a sudden arc downward with the
      head and body, returning to position as soon as the shirt and
      undershirt have dropped off into the aisle; _Five_—taking a firm
      hold on the cord with the teeth, let go sharply with the knees.
      The trousers, etc., should at once slide off, and you can (and,
      in fact, should) then swing yourself quickly back into your berth
      and pajamas.

      Once inside your “bunk” you should drift quickly off to
      slumberland, and when you wake up it will be five minutes later
      and the————engineer will be trying to see what he can do with an
      air brake and a few steel sleeping cars.

      In the morning you will be in New York.



CHAPTER FOUR: AT THE CONCERT AND THE OPERA


      In order to listen to music intelligently—or what is really much
      more important—in order to give the appearance of listening to
      music intelligently, it is necessary for the novice to master
      thoroughly two fundamental facts.

      The first, and most important of these, is that the letter “w” in
      Russian is pronounced like “v”; the second, that Rachmaninoff has
      a daughter at Vassar.

      Not very difficult, surely—but it is remarkable how much
      enjoyment one can get out of music by the simple use of these two
      formulas. With a little practise in their use, the veriest tyro
      can bewilder her escort even though she be herself so musically
      uninformed as to think that the celeste is only used in
      connection with _Aïda_, or that a minor triad is perhaps a young
      wood nymph.

      One other important fundamental is that enthusiasm should never
      be expressed for any music written after 1870; by a careful
      observance of this rule one will constantly experience that
      delightful satisfaction which comes with finding one’s opinions
      shared by the music critics in the daily press.

[Illustration]

Chivalry or the Instinct of Self-Preservation? A Fine Point _The young
lady in the picture has just laid out a perfect drive. She had,
unfortunately, neglected to wait until the gentleman playing ahead of
her had progressed more than fifteen yards down the fairway, and her
ball, traveling at a velocity of 1675 f.s., has caught the gentleman
squarely in the half-pint bottle. What mistake, if any, is the
gentleman making in chasing her off the course with his niblick, if we
assume that she called “Fore!” when the ball had attained to within
three feet of the gentleman?_

[Illustration]

An Inexperienced “Gun” _You will exclaim, no doubt, on looking at the
scene depicted above, “Cherchez la femme.” It is, however, nothing so
serious as you will pardonably suppose. The gentleman is merely an
inexperienced “gun” at a shooting-party, who has begun following his
bird before it has risen above the head of his loader. This very clumsy
violation of the etiquette of sport proves, beyond the shadow of a
doubt, that he has learned to shoot from the comic papers, and that his
coat-of-arms can never again be looked upon as anything but bogus._

      LISTENING TO A SYMPHONY ORCHESTRA

      The first thing to do on arriving at a symphony concert is to
      express the wish that the orchestra will play Beethoven’s Fifth.
      If your companion then says “Fifth what?” you are safe with him
      for the rest of the evening; no metal can touch you. If, however,
      he says “So do I”—this is a danger signal and he may require
      careful handling.

      The next step is a glance at the program. If your escort is quite
      good looking and worth cultivating, the obvious remark is “Oh
      dear—not a very interesting program, to-night. But George—_look_
      at what they are playing next Thursday! My, I wish—.” If George
      shies at this, it can be tried again later—say during an
      “appassionato” passage for the violins and cellos.

      As soon as the music starts, all your attention should be
      directed toward discovering someone who is making a
      noise—whispering or coughing; having once located such a
      creature, you should immediately “sh-sh” him. Should he continue
      the offence, a severe frown must accompany the next “sh-sh,” a
      lorgnette—if available—adding great effectiveness to the rebuke.
      This will win you the gratitude of your neighbors and serve to
      establish your position socially, as well as musically—for
      perfect “sh-shers” do not come from the lower classes.

      At the conclusion of the first number the proper remark is
      “hmmm,” accompanied by a slow shake of the head. After this you
      may use any one of a number of remarks, as for example, “Well, I
      suppose Mendelssohn appeals to a great many people,” or “That was
      meaningless enough to have been written by a Russian.” This
      latter is to be preferred, for it leads your companion to say,
      “But don’t you like TschaiKOWsky?”, pronouncing the second
      syllable as if the composer were a female bull. You can then
      reply, “Why, yes, TschaiKOFFsky _did_ write some rather good
      music—although it’s all neurotic and obviously Teutonic.” Don’t
      fail to stress the “v.”

      The next number on the program will probably be the soloist—say,
      a coloratura soprano. Your first remark should be that you don’t
      really care for the human voice—the reason being, of course, that
      symphonic Music, ABSOLUTE music, has spoiled you for things like
      vocal gymnastics. This leads your bewildered friend to ask you
      what sort of soloist you prefer.

      Ans.—Why, a piano concerto, of course.

      Ques.—And who is your favorite pianist?

      Ans.—Rachmaninoff. And then, before the boy has time to breathe
      —SHOOT! _“Did you knoow that he has a daughter at Vassar?”_

      Although not necessary, it might be well to finish off the poor
      fellow at the end of the concert with one or two well placed
      depth bombs. My own particular favorite for this is the
      following, accompanied by a low sigh: “After all—Beethoven IS
      Beethoven.”

      CORRECT BEHAVIOR AT A PIANO RECITAL

      The same procedure is recommended for the piano or violin
      recital, with the possible addition of certain phrases such as
      “Yes—of course, she has technique—but, my dear, so has an
      electric piano.” This remark gives you a splendid opportunity for
      sarcasm at the expense of Mr. Duo-Art and other manufacturers of
      mere mechanical perfection; the word “soul”—pronounced with deep
      feeling, as when repeating a fish order to a stupid waiter—may be
      introduced effectively several times.

      The program at these recitals is likely to be more complex than
      that at a symphony concert. This is a distinct advantage, for it
      gives you a splendid opportunity to catch some wretch applauding
      before the music is really finished. Nothing is quite comparable
      to the satisfaction of smiling knowingly at your neighbors when
      this _faux pas_ is committed, unless it be the joy of being the
      first to applaud at the _real_ conclusion. This latter course,
      however, is fraught with danger for the beginner; the chances for
      errors in judgment are many, and the only sure way to avoid
      anachronistic applause is to play the safe game and refrain
      altogether from any expression of approval—a procedure which is
      heartily recommended for the musically ignorant, it being also
      the practise among the majority of the critics.

      IN A BOX AT THE OPERA

      The opera differs from the symphony concert, or piano recital, in
      the same way that the army drill command of “At Ease!” differs
      from “Rest!” When one of these orders (I never could remember
      which is given to a battalion in formation), it signifies that
      talking is permitted; opera, of course, corresponds to that
      command.

      Before the invention of the phonograph it was often necessary for
      the opera goer to pay some attention to the performance—at least
      while certain favorite arias were being sung; this handicap to
      the enjoyment of opera has now fortunately been overcome and one
      can devote one’s entire attention to other more important things,
      safe in one’s knowledge that one has Galli-Curci at home on the
      Vic.

      In order really to get the most out of an opera a great deal of
      study and preparation is required in advance; I have not space at
      this time to cover these preliminaries thoroughly, but would
      recommend to the earnest student such supplemental information as
      can be obtained from Lady Duff-Gordon, or Messrs. Tiffany, Técla
      and Pinaud.

      Upon entering one’s box the true opera lover at once assumes a
      musical attitude; this should be practised at home, by my lady,
      before a mirror until she is absolutely sure that the shoulders
      and back can be seen from any part of the house. Then, with the
      aid of a pair of strong opera glasses, she may proceed to
      scrutinize carefully the occupants of the boxes—noting carefully
      any irregular features. Technical phraseology, useful in this
      connection, includes “unearthly creature,” “stray leopard” or,
      simply, “that person.”

      Your two magical formulas—the Russian “w” and the sad story about
      Rachmaninoff’s daughter—may, of course, be held in reserve—but
      the chances are that you will be unable to use them, for during
      an evening at the opera there will probably be no mention of
      music.



CHAPTER FIVE: ETIQUETTE FOR DRY AGENTS


      SOME BROADER ASPECTS OF PROHIBITION

      In spite of the great pride and joy which we Americans feel over
      the success of National Prohibition; in spite of the universal
      popularity of the act and the method of its enforcement; in spite
      of the fact that it is now almost impossible to obtain in any of
      our ex-saloons anything in the least resembling whiskey or
      gin,—there still remains the distressing suspicion that quite
      possibly, at some of the dinner parties and dances of our more
      socially prominent people, liquor—or its equivalent—is openly
      being served. Dry agents have, of course, tried on several
      occasions to verify this suspicion; their praiseworthy efforts
      have met, for the most part, with scant success.

      The main difficulty has been, I believe, that the average dry
      agent is too little versed in the customs and manners of polite
      society. It is lamentably true that, too often, has a carefully
      planned society dry raid been spoiled because the host noticed
      that one of his guests was wearing white socks with a black tie,
      or that the intruder was using his dessert spoon on the hors
      d’œuvres.

      The solution of this difficulty lies, of course, in the gradual
      procuring of a better class of dry agent. There are signs
      (though, unfortunately, in the wrong direction) that some of our
      younger college generation are already casting envious eyes
      toward the rich rewards, the social opportunities and the
      exciting life of the professional bootlegger.

      It might be well to interest some of these promising youngsters
      in the no less exciting occupation of National Prohibition
      Enforcement Officer. At present the chief difficulty seems to lie
      in the fact that, in our preparatory schools and colleges, a
      young man acquires a certain code of honor which causes him to
      look with distaste on what he calls pussyfooting and sneaking.

      People too often forget that, in order to make effective such a
      universally beneficent law, any means are justified. It will be,
      I hope, only a matter of years before this distrust of the
      “sneak” will have died out, and the Dry Agent will come to be
      regarded with the reverence and respect due to one who devotes
      his life to the altruistic investigation of his neighbor’s
      affairs.

      THE COLLEGE GRADUATE AS DRY AGENT

      Then, too, many young college men are deterred from becoming Dry
      Agents by thinking of the comparative scantiness of the monetary
      rewards. This difficulty is only an imaginary one—for, luckily,
      as soon as a man’s code of honor has been elevated to the extent
      that it permits him to take up a career of pussy-footing there is
      generally eliminated at the same time any objection he might have
      to what is often called bribery. Thus, by a fortunate combination
      of circumstances, a Dry Agent is enabled to serve mankind and, at
      the same time, greatly increase his own personal fortune.

      But we cannot wait until our college graduates come to regard
      pussyfooting as a career. We must do what we can with the
      material at our disposal. We must in some way educate our present
      Dry Agents so that they can go to any function in polite society
      and remain as inconspicuous and as completely disregarded as the
      host. As a first step in such a social training I offer the
      following suggestions, in the hope that before long no function
      will be complete without the presence of four or five correctly
      dressed National Prohibition Enforcement Officers, ready and
      eager to arrest the host and hostess and all the guests on the
      slightest provocation.

      PLANNING A DRY RAID ON A MASQUERADE BALL

      Let us suppose, for example, that you are a Dry Agent and that
      your name is Isador Eisenberg, and, one day, you and your chief
      are sitting around the Dry Agent’s Club and he says to you,
      “Izzy—I see by the paper that there’s a swell society masquerade
      ball to be given by the younger married set tomorrow night at the
      Glen Cove Country Club. Take your squad to cover it.” At this
      point you doubtless say, “Chief, I’m afraid I can’t use my squad.
      My men have been disguised as trained seals all this week, and
      tomorrow night, they are to raid all the actresses’ dressing
      rooms at the Hippodrome” and then the Chief says, “Well, Izzy,
      you’ll have to rent a costume and pull off the raid all by
      yourself.”

      A WORD ABOUT CORRECT COSTUMES

      Your first concern should be, of course, your costume. If you
      have a high voice (although really there is no reason for
      supposing that all Dry Agents have high voices), you might well
      attend the masquerade disguised as a lady. One of the neatest
      and, on the whole, most satisfactory of ladies’ disguises is that
      of Cleopatra. Cleopatra, as you know, was once Queen of Egypt and
      the costume is quite simple and attractive. It may be, however,
      that you would prefer to appear as a modern rather than an
      ancient queen. A modern Queen (if one may judge from the
      illustrated foreign periodicals) always wears a plain suit and
      carries a tightly rolled umbrella. Should you care to attend the
      masquerade as an allegorical figure—say “2000 Years of
      Progress”—you might wear the Cleopatra costume and carry the
      umbrella. Or you might go attired as some other less prominent
      member of the nobility—for instance, Lady Dartmouth, whose
      delightful costume is more or less featured in the advertising on
      our better class subways and street cars, and can be obtained at
      a comparatively small cost at any reliable dry goods store.

      Should you, however, feel that you would be more at ease in a
      male costume, there are several suggestions which might cleverly
      conceal your real identity. You might, for example, attend the
      ball as Jurgen—a costume which would assure you a pleasurable
      evening and many pleasing acquaintances. You might, with equal
      satisfaction, go as an Indian.

      It occurs to me that it might even be a clever move to attend the
      party dressed as a Dry Agent. All suspicion would be instantly
      lost in the uproar of laughter which would greet your
      announcement of your disguise; many men would probably so far
      enter into the spirit of the joke as to offer you drinks from
      their flasks, and much valuable evidence could be obtained in
      this way. And the costume is quite easy—simply wear a pleated
      soft-bosom dress shirt with your evening dress, and tuck the ends
      of your black tie under your collar.

[Illustration]

Packets of Old Letters Make Acceptable Wedding Gifts _Packets of old
letters, bits of verse, locks of hair, pressed flowers, inscribed
books, photographs, etc., all make acceptable wedding gifts. By telling
you whether they should be presented to the Bride or to the Groom_
PERFECT BEHAVIOR _has, we feel, settled the question of future
happiness in many a new-made home._

[Illustration]

Correct Methods of Using Table Hardware _You are, let us say, one of
the Ushers attending the Bachelor Dinner. You are handed a bottle of
Chateau Lafitte ’69. Can you select, from the diagram above, the proper
implement to use in getting at its contents? The correct methods of
choosing and using table hardware are explained in_ PERFECT BEHAVIOR.

[Illustration]

It Is Sometimes Best to Be Frank _The young couple in the picture are
trying to word a plausible letter of regret in answer to an invitation
to a house-party. Had they consulted their_ PERFECT BEHAVIOR _they
would have known that there is no plausible excuse for not accepting
any invitation whatever, and that the simplest and most dignified,
method is to write the attached model letter._

      GOOD FORM FOR DRY AGENTS DURING A RAID

      After the costume, you should arrange to obtain a mask and a
      breath. The former is, of course, for the purpose of hiding your
      identity; the latter is essential at any party where you wish to
      remain inconspicuous. A good whisky breath can usually be
      obtained from a bottle of any of the better known brands of
      Scotch or Rye whisky by holding a small quantity of the liquor in
      the mouth for a short period of time. It is not, of course,
      necessary to swallow the liquor and in this connection I would
      suggest that you use only the best grade whisky, for there are at
      present being manufactured for domestic consumption several
      brands which, if held in the mouth for a longer interval than,
      say, three seconds, are apt to eat away the tongue or dissolve
      several of your more important teeth.

      On the night of the party, therefore, having donned your Dry
      Agent costume, having put on your mask, having secured a good
      breath—you jump into a taxicab and drive to the Glen Cove Country
      Club. And, as you enter the door of the club, some girl, dressed,
      probably, as Martha Washington, will run up and kiss you. This is
      not because she thinks you are George Washington; it is because
      she drank that eighth Bronx cocktail at dinner.

      And right at this point is where most Dry Agents have displayed
      their ignorance of the usages of polite society, for most of them
      are wofully ignorant of the correct way to handle such a
      situation. Your average Dry Agent, not being accustomed to the
      ways of Younger Marrieds, is often confused upon being
      unexpectedly kissed, and in his confusion betrays his unfortunate
      lack of social training.

      The correct way to meet the above situation is based on the
      fundamental rule of all social etiquette—common sense. Return the
      lady’s kiss in an easy, natural manner and pass on. If she
      follows you, lead her at once to a quiet unoccupied corner of the
      club and knock her over the head with a chair or some other
      convenient implement. It has been found that this is the only
      effective way to deal with this type of woman and it is really
      only a kindness to her and her husband to keep her from
      embarrassing you with her attentions during the rest of the
      evening.

      After you have removed your coat, you should go to the ball room
      where you will find the dance in full swing—full being of course
      used in its common or alcoholic sense. Take your place in the
      stag line and don’t, under any circumstances, allow anyone to
      induce you to cut in on any of the dancers. In the first place,
      you won’t be able to dance because Dry Agents, like Englishmen,
      never can; secondly, if you _try_ to dance, you are taking the
      enormous chance, especially at a masquerade, that the man who
      introduced you to your partner will disappear for the rest of the
      evening, leaving you with Somebody’s Albatross hanging around
      your neck. And, of all Albatrosses, the married one is perhaps
      farthest South—especially if she happens to be a little tight and
      wants to talk about her husband and children.

      Your policy, therefore, should be one of complete
      non-partisanship. If you do not dance, do not let yourself be
      drawn into conversation, and do not, above all things, show any
      consideration for the host or hostess. By closely observing the
      actions of the men and women about you, by wandering down into
      the club bar, by peeking into the automobiles parked outside the
      club, you will probably be able to obtain sufficient evidence of
      the presence of alcohol to justify a raid. And then, when you
      have raided the Glen Cove Country Club, you can turn your
      attention to the 12,635,439 other clubs and private houses where
      the same thing is going on. And, if Mr. Volstead has a dress
      suit, you might take him with you, and show him just how
      beautifully Prohibition is working and how enthusiastic the
      better classes of American society are about it.



CHAPTER SIX: A CHAPTER FOR SCHOOLGIRLS


      Every Fall a larger number of young girls leave home to come East
      to the various Finishing Schools in this section of the country.
      For the benefit of those who are making this trip for the first
      time, we outline a few of the more important points in connection
      with the preliminaries to the trip East, together with minute
      instructions as to the journey itself.

      SELECTING A PROPER SCHOOL

      This is, of course, mainly a parent’s problem and is best solved
      by resorting to the following formula: Let A and B represent two
      young girls’ finishing schools in the East. Mrs. Raleigh-Jones
      (X), from the West, sends her daughter to A; Mrs. Borax (Y), from
      the same city, sends her daughter to B. Upon consulting the local
      social register, it is found that Mr. Raleigh-Jones is a member
      of the Union, Colonial, Town and Country, and Valley Hunt Clubs;
      upon consulting the telephone directory it is found that the
      Boraxes live at 1217 S. Main Street, and that Mr. Borax is an
      undertaker. Shall Mrs. F. B. Gerald (Z) send her daughter Annette
      to A or to B, and why?

      Answer: A, because life is real, life is earnest, and the grave
      is not its goal.

      CORRECT EQUIPMENT FOR THE SCHOOLGIRL

      Having selected an educational institution, the next requisite is
      a suitable equipment. Girls who live in other parts of the United
      States are often surprised to discover that the clothes which
      they have purchased at the best store in their home town are
      totally unsuited for the rough climate of the East. I would,
      therefore, recommend the following list, subject, of course, to
      variation in individual cases.

     1 Dress, chine, crepe de, pink, for dancing.
     1 Dress, chine, crepe de, pink, for petting.
     1 Dress, Swiss, Dotted, blue, or
     1 Dress, Swiss, undotted, white.
     15 yards Tulle, best quality, pink.
     4 bottles perfume, domestic, or
     1 bottle, perfume, French.
     12 Dozen Dorine, men’s pocket size.
     6 Soles, cami, assorted.
     1 Brassiere, or riding habit.
     100 boxes aspirin, for dances and house-parties.
     1 wave, permanent, for conversation.
     24 waves, temporary.
     10,000 nets, hair.
     100,000 pins, hair.
     1 bottle Quelques Fleurs, for knockout.

      EN ROUTE

      After the purchase of a complete outfit, it will be necessary to
      say goodbye to one’s local friends. Partings are always somewhat
      sad, but it will be found that much simple pleasure may be
      derived from the last nights with the various boys to whom one is
      engaged.

      In this connection, however, it would be well to avoid making any
      rash statements regarding undying friendship and affection,
      because, when you next see Eddie or Walter, at Christmas time,
      you will have been three months in the East, while they have been
      at the State University, and really, after one starts dancing
      with Yale men—well, it’s a funny world.

      In case you do not happen to meet any friends on the train, the
      surest way to protect yourself from any unwelcome advances is to
      buy a copy of the _Atlantic Monthly_ and carry it, in plain view.
      Next to a hare lip, this is the safest protection for a
      travelling young girl that I know of; it has, however, the one
      objection that all the old ladies on the train are likely to tell
      you what they think of Katherine Fullerton Gerould, or their
      rheumatism.

      If you are compelled to go to the dining car alone, you will
      probably sit beside an Elk with white socks, who will call the
      waiter “George.” Along about the second course he will say to
      you, “It’s warm for September, isn’t it?” to which you should
      answer “No.” That will dispose of the Elk.

      Across the table from you will be a Grand Army man and his wife,
      going to visit their boy Elmer’s wife’s folks in Schenectady.
      When the fish is served, the Grand Army man will choke on a bone.
      Let him choke, but do not be too hopeful, as the chances are that
      he will dislodge the bone. All will go well until the dessert,
      when his wife will begin telling how raspberry sherbet always
      disagrees with her. Offer her your raspberry sherbet.

      After dinner you may wish to read for a while, but the porter
      will probably have made up all the berths for the night. It will
      also be found that the light in your berth does not work, so you
      will be awake for a long time; finally, just as you are leaving
      Buffalo, you will at last get to sleep, and when you open your
      eyes again, you will be—in Buffalo.

      There will be two more awakenings that night—once at Batavia,
      where a merry wedding party with horns and cow bells will follow
      the lucky bride and groom into your car, and once at Schenectady,
      where the Pullman car shock-absorbing tests are held. The next
      morning, tired but unhappy, you will reach New York.

      A JOURNEY AROUND NEW YORK

      _The Aquarium_. Take Fifth Avenue Bus to Times Square. Transfer
      to 42nd Street Crosstown. Get off at 44th Street, and walk one
      block south to the Biltmore. The most interesting fish will be
      found underneath the hanging clock, near the telephone booths.

      _Grant’s Tomb_. Take Fifth Avenue bus, and a light lunch. Change
      at Washington Square to a blue serge or dotted Swiss. Ride to the
      end of the line, and walk three blocks east. Then return the same
      way you came, followed by three fast sets of tennis, a light
      supper and early to bed. If you do not feel better in the
      morning, cut out milk, fresh fruit and uncooked foods for a
      while.

      _Metropolitan Museum of Art_. Take Subway to Brooklyn.
      (Flatbush.) Then ask the subway guard where to go; he will tell
      you.

      _The Bronx_. Take three oranges, a lemon, three of gin, to one of
      vermouth, with a dash of bitters. Serve cold.

      _The Ritz_. Take taxicab and fifty dollars. If you have only
      fifty dollars the filet of sole Marguéry is very good.

      _Brooklyn Bridge_. Terrible. And their auction is worse.

      When you have visited all these places, it will probably be time
      to take the train to your school.

      THE FIRST DAYS IN THE NEW SCHOOL

      The first week of school life is apt to be quite discouraging,
      and we can not too emphatically warn the young girl not to do
      anything rash under the influence of homesickness. It is in this
      initial period that many girls, feeling utterly alone and
      friendless, write those letters to boys back home which are later
      so difficult to pass off with a laugh. It is during this first
      attack of homesickness also that many girls, in their loneliness,
      recklessly accept the friendship of other strange girls, only to
      find out later that their new acquaintance’s mother was a Miss
      Gundlefinger of Council Bluffs, or that she lives on the south
      side of Chicago. We advise: Go slow at first.

      BECOMING ACCLIMATIZED

      In your first day at school you will be shown your room; in your
      room you will find a sad-eyed fat girl. You will be told that
      this will be your room mate for the year. You will find that you
      have drawn a blank, that she comes from Topeka, Kan., that her
      paw made his money in oil, and that she is religious. You will be
      nice to her for the first week, because you aren’t taking any
      chances at the start; you will tolerate her for the rest of the
      year, because she will do your lessons for you every night.

      Across the hall from you there will be two older girls who are
      back for their second year. One of them will remind you of the
      angel painted on the ceiling of the Victory Theatre back home,
      until she starts telling about her summer at Narragansett; from
      the other you will learn how to inhale.

      A VISITOR FROM PRINCETON

      About the middle of the first term your cousin Charley Waldron,
      that freshman at Princeton, will write and say that he would like
      to come up and see you. You go to Miss French and ask her if you
      can have your cousin visit you. She sniffs at the “cousin” and
      tell’s you that she must have a letter from Charley’s father, one
      from Charley’s minister, one from the governor of your state, and
      one from some disinterested party certifying that Charley has
      never been in the penitentiary, has never committed arson, and is
      a legitimate child. After you have secured these letters, Miss
      French will tell you that Charley will be allowed to see you next
      Saturday from four till five.

      Charley will come and will be ushered into the reception room.
      While he is sitting there alone, the entire school will walk
      slowly, one by one, past the open door and look in at him. This
      will cause Charley to perspire freely and to wish to God he had
      worn his dark suit.

      It is not at all likely that you will be allowed to go to New
      Haven during your first year, which is quite a pity, as this
      city, founded in 1638, is rich in historical interest. It was
      here, for example, in 1893, that Yale defeated Harvard at
      football, and the historic Pigskin which was used that day is
      still preserved intact. Many other quaint relics are to be seen
      in and around the city of elms, mementos of the past which bring
      to the younger generation a knowledge and respect for things
      gone. In the month of June, for example, there is really nothing
      which quite conjures up for the college youth of today a sense of
      the mutability and impermanence of this mortal life so much as
      the sight of a member of the class of 1875 after three days’
      intensive drinking. _Eheu fugaces!_

[Illustration]

“Who Shall Write First?” _“Who shall write first?” is a question that
has perplexed many a lady or gentleman who is anxious to do the correct
thing under any circumstances. A lady who has left town may send a
brief note or a “P. P. C.” (“pour prendre congé,” i.e., “to take
leave”) card to a gentleman who remains at home, if the gentleman is
her husband and if she has left town with his business partner. Neither
the note nor the card requires an acknowledgment, but many a husband
takes pleasure in penning his congratulations to the lady, concluding
with an expression of gratitude to his friend._



CHAPTER SEVEN: THE ETIQUETTE OF GAMES AND SPORTS


      GOLF AS A PASTIME

      “Golf” (from an old Scottish word meaning “golf”) is becoming
      increasingly popular in the United States, and almost every city
      now has at least one private club devoted to the pursuit of this
      stylish pastime. Indeed, in many of our larger metropolises, the
      popular enthusiasm has reached such heights that free “public”
      courses have been provided for the citizens with, I may say,
      somewhat laughable results, as witness the fact that I myself
      have often seen persons playing on these “public” courses in
      ordinary shirts and trousers, tennis shoes, and _suspenders_.

      The influence of this “democratization” on the etiquette of what
      was once an exclusive sport has been, in many instances,
      deplorable, and I am sure that our golf-playing forefathers would
      turn over in their graves were they to “play around” today on one
      of the “public” courses. In no pastime are the customs and
      unwritten laws more clearly defined, and it is essential that the
      young lady or gentleman of fashion who contemplates an afternoon
      on the “links” devote considerable time and attention to the
      various niceties of the etiquette of this ancient and honorable
      game.

      A young man, for example, when playing with his employer, should
      always take pains to let his employer win. This is sometimes
      extremely difficult, but with practice even the most stubborn of
      obstacles can be overcome. On the first tee, for instance, after
      the employer, having swung and missed the ball completely one or
      two times, has managed to drive a distance of some forty-nine
      yards to the extreme right, the young man should take care to
      miss the ball completely _three_ times, and then drive
      forty-eight yards to the extreme left. This is generally done by
      closing the eyes tightly and rising up sharply on both toes just
      before hitting the ball.

      On the “greens” it is customary for a young man to “concede” his
      employer every “putt” which is within twenty feet of the hole. If
      the employer insists on “putting” [Ed. note:—He won’t] and
      misses, the young man should take care to miss his own “putt.”
      After both have “holed out,” the young man should ask, “how many
      strokes, sir?” The employer will reply, “Let me see—I think I
      took seven for this hole, didn’t I?” A well-bred young man will
      not under any circumstances remind his employer that he saw him
      use at least three strokes for the drive, three strokes for his
      second shot, four strokes in the “rough,” seven strokes in the
      “bunker,” and three “putts” on the “green,” but will at once
      reply, “No, sir, I think you only took six, altogether.” The
      employer will then say, “Well, well, call it six. I generally get
      five on this hole. What did you take?” The young man should then
      laugh cheerily and reply, “Oh, I took my customary seven.” To
      which the employer will sympathetically say, “Too bad!”

      After the employer has thus won his first three holes he will
      begin to offer the young man advice on how to improve his game.
      This is perhaps the most trying part of the afternoon’s sport,
      but a young man of correct breeding and good taste will always
      remember the respect due an older man, and will not make the
      vulgar error of telling his employer for God’s sake shut up
      before he gets a brassie in his———— ear.

      A wife playing with her husband should do everything in her power
      to make the game enjoyable for the latter. She should encourage
      him, when possible, with little cheering proverbs, such as, “If
      at first you don’t succeed, try, try again,” and she should aid
      him with her advice when she thinks he is in need of it. Thus,
      when he drives into the sycamore tree on number eleven, she
      should say, “Don’t you think, dear, that if you aimed a little
      bit more to the right....” et cetera. When they come to number
      fourteen, and his second shot lands in the middle of the lake,
      she should remark, “Perhaps you didn’t hit it hard enough, dear.”
      And when, on the eighteenth, his approach goes through the
      second-story window of the club-house, she should say, “Dear, I
      wonder if you didn’t hit that too hard?” Such a wife is a true
      helpmate, and not merely a pretty ornament on which a silly
      husband can hang expensive clothes, and if he is the right sort
      of man, he will appreciate this, and refrain from striking her
      with a niblick after this last remark.

      A young wife who does not play the game herself can,
      nevertheless, be of great help to her husband by listening
      patiently, night after night, while he tells her how he drove the
      green on number three, and took a four on number eight (Par
      five), and came up to the fourteenth one under fours. Caddies
      should be treated at all times with the respect and pity due
      one’s fellow creatures who are “unfortunate.” The sins of the
      fathers are visited upon the children, and one should always
      remember that it is not, after all, the poor caddy’s fault that
      he was born blind.

      AN AFTERNOON AT THE OLD FARM WITH THE DICE

      “Craps” is a game played with dice, which is often popular in the
      men’s coat and smoking-rooms before and during formal receptions,
      balls, recitals, etcetera. It should not be imagined, however,
      that “craps” is a sport for men only; on the contrary, smart
      women are enthusiastically taking up this sport in numerous
      localities, and many an affair which started as a dinner party or
      a musicale has ended in a crap game, with all the guests seated
      in an excited circle on the floor, contributing to the host’s
      efforts to make expenses for the evening.

      It is in connection with these “mixed” games, however, that most
      of the more serious questions of “craps” etiquette arise. If, for
      example, you are a young man desirous of “shooting craps” with
      your grandmother, the correct way of indicating your desire when
      you meet the old lady in a public place is for you to remove your
      hat deferentially and say “Shoot a nickel, Grandmother?” If she
      wishes to play she will reply “Shoot, boy!” and you should then
      select some spot suitable for the game and assist her, if she
      wishes your aid, to kneel on the ground. It might be an added
      mark of gentility to offer her your handkerchief or coat upon
      which to rest her knees.

      You should then take out the dice and “shoot.” Your grandmother
      will look at your “throw” and say, “Oh, boy! He fives—he fives—a
      three and a two—never make a five—come on, you baby seven!” You
      should then take up the dice again and shake them in your right
      hand while your grandmother chants, “A four and a three—a four
      and a two—dicety dice, and an old black joe—come on, you SEVEN!”
      You should then again “shoot.” This time, as you have thrown a
      six and a one, your grandmother will then exclaim, “He sevens—the
      boy sevens—come on to grandmother, dice—talk to the nice old
      lady—Phoebe for grandma, dice, for grandpa needs a new pair of
      shoes—shoot a dime!”

      She will then “throw,” and so the game will go on until the old
      lady evidences a desire to stop, or, possibly, until either you
      or she are “cleaned out.” In this latter case, however, it would
      be a customary act of courtesy towards an older person for you to
      offer to shoot your grandmother for her shawl or her side combs,
      thus giving her several more chances to win back the money she
      has lost. It should be recommended that young men never make a
      mistake in going a little out of their way on occasion to make
      life more pleasant and agreeable for the aged.

      CORRECT BEHAVIOR ON A PICNIC

      There often comes a time in the life of the members of “society”
      when they grow a little weary of the ceaseless round of teas,
      balls and dinners, and for such I would not hesitate to recommend
      a “picnic.”

      A day spent in the “open,” with the blue sky over one’s head, is
      indeed a splendid tonic for jaded nerves. But one should not make
      the mistake of thinking that because he (or she) is “roughing it”
      for a day, he (or she) can therefore leave behind his (or her)
      “manners,” for such is not the case. There is a distinct
      etiquette for picnics, and any one who disregards this fact is
      apt to find to his (or her) sorrow that the “shoe” in this case
      is decidedly “on the other foot.”

      A young man, for example, is often asked by a young lady to
      accompany her on a “family picnic.” To this invitation he should,
      after some consideration, reply either “Yes” or “No,” and if the
      former, he should present himself at the young lady’s house
      promptly on the day set for the affair (usually Sunday).

      A “family picnic” generally consists of a Buick, a father, a
      mother, a daughter, a small son, beef loaf, lettuce sandwiches, a
      young man (you), two blow-outs, one spare tire, and Aunt
      Florence.

      The father drives with his small boy beside him; in the rear are
      the mother, the daughter, Aunt Florence, the thermos bottles, the
      lunch baskets and you. As you take your seat you must remember
      that it is a distinct evidence of bad breeding to show in any way
      that you are conscious of the fact that the car has been standing
      for the last hour and forty-four minutes in the hot July sun.

      “We’re off!” cries father, pressing his foot on the self-starting
      pedal. Thirty minutes later you roll away from the curb and the
      picnic has begun. The intervening time has, of course, been
      profitably spent by you in walking to the nearest garage for two
      new sparkplugs.

      It should be your duty, as guest, to see that the conversation in
      the rear seat is not allowed to lag. “It’s a great day,” you
      remark, as the car speeds along. “I think it’s going to rain,”
      replies Aunt Florence. “Not too fast, Will!” says mother.
      “Mother!” says the daughter.

      Ten minutes later you should again remark, “My, what a wonderful
      day!” “Those clouds are gathering in the west,” says Aunt
      Florence, “I think we had better put the top up.” “I think this
      is the wrong road,” says mother.

      “Dear, I know what I’m doing,” replies father.

      The secret of good conversation lies in discovering the “hobby”
      of the person with whom one is conversing, and a good talker
      always throws out several “feelers” in order to find out the
      things in which his partner is most interested. You should,
      therefore, next say to mother, “Don’t you think this is a
      glorious day for a picnic?” to which she will reply, “Well, I’m
      sure this is the wrong road. Hadn’t you better ask?” The husband
      will answer nothing, but Aunt Florence will murmur, “I think I
      felt a drop of rain, Will. If you don’t put the top up now, we’ll
      all be drenched.”

      The husband will then stop the car, and you and he will proceed
      to put up the top. In doing this, it is customary for the guest
      to get the second and third fingers of his right hand so severely
      pinched that he can not use the hand for several days. As soon as
      the top is up and the rain curtains are in place the sun will
      come out and you can at once get out and put the top down, taking
      care this time to ruin two fingers of the _left_ hand.

      No good conversationalist confines himself exclusively to one
      subject, and when you are once more “under way” you should remark
      to the mother, “I think that motoring is great fun, don’t you,
      Mrs. Caldwell?” Her answer will be, “I wish you wouldn’t drive so
      fast!” You should then smile and say to Aunt Florence, “Don’t
      _you_ think that motoring is great fun, Mrs. Lockwood?” As she is
      about to reply, the left rear tire will blow out with a loud
      noise and the car will come to a bumping stop.

      The etiquette of changing a tire is fairly simple. As soon as the
      “puncture” occurs one should at once remark, “Is there anything I
      can do?” This request should be repeated from time to time,
      always taking care, however, that no one takes it at all
      seriously. The real duty of a young man who is a “guest” on a
      motor trip on which a “blow-out” occurs is, of course, to keep
      the ladies of the party amused during the delay. This can be
      accomplished by any of the conventional methods, such as card
      tricks, handsprings, and other feats of athletic agility, or
      making funny jokes about the host who is at work on the tire.

      When the damage has been repaired and the car is once more
      speeding along, leaving behind it mile after mile of dusty road
      as well as father’s best “jack” and set of tire tools, the small
      boy will suddenly remark, “I’m hungry.” His father will then
      reply, “We’ll be at a fine place to eat in ten minutes.” Thirty
      minutes later mother will remark, “Will, that looks like a good
      place for a picnic over there.” The father will reply, “No—we’re
      coming to a wonderful place—just trust me, Mary!” Twenty minutes
      later Aunt Florence will say, “Will, I think that grove over
      there would be fine for our lunch,” to which the husband will
      reply, “We’re almost at the place I know about—it’s ideal for a
      picnic.” Forty minutes after this, father will stop the car and
      point to a clump of trees. “There,” he will say, “what do you
      think of that?” “Oh, we can’t eat _there!_” will be the answer of
      mother, daughter and Aunt Florence. “Drive on a bit further—I
      think I know a place.”

      Three hours and thirty minutes later (i. e. four hours past your
      normal lunch hour) there will be another puncture and as the car
      stops beside a wheat field it will begin to rain, and the
      daughter will sigh, “Well, we might as well eat here.” The
      “picnic” will then be held in the car, and nothing really quite
      carries one back to nature and primeval man as does warm lemonade
      and a lettuce sandwich in a Buick with the top up and side
      curtains on.

      After lunch it will be time to return home, and after you and
      father have ruined your clothes in repairing the punctures, the
      merry party will proceed on its way. The next morning, if you
      have not caught pneumonia, you will be able to go to your work
      greatly refreshed by your day’s outing in the lap of old Mother
      Nature.

[Illustration]

Correct Negotiations for a Seat in the Subway _Nowhere is the etiquette
of travel more abused than our subways. The gentleman shown above is en
route to his fiancée’s flat in the Bronx. He has neglected to purchase
the customary bouquet for his intended and has offered his seat to the
lady, who is standing, in exchange for her corsage bouquet. Should she
accept the proposition without further ado, or should she request the
guard to introduce the gentleman first?_

[Illustration]

Old Fashioned Letter and Writers vs. Perfect Behavior _The young lady
has received an invitation to a quilting-bee from a Mrs. Steenwyck and,
anxious to make a correct reply, she has bought a Complete Letter
Writer to aid her to this end. To her surprise and dismay, she finds
that it contains three model replies to such an invitation beginning
“Dear Mrs. Peartree,” “Dear Mrs. Rombouts,” and “Dear Mrs. Bevy,” and
one invitation to a christening beginning, “Dear Mrs. Steenwyck,” but
no reply to an invitation to a quilting-bee beginning “Dear Mrs.
Steenwyck.”_ PERFECT BEHAVIOR _settles such perplexities._

[Illustration]

What to Avoid in Crests _Crests or other armorial bearings on notepaper
are no longer considered absolutely necessary to establish one’s social
position. Nevertheless, if one feels that note-paper that does not bear
the family escutcheon is not quite all that note-paper should be, it is
permissible to have it stamped neatly at the top of the first sheet.
Care should be exercised to avoid selecting coats-of-arms that might be
recognized, such as that of the United States or Great Britain. Rather
solicit the taste of a good stationer than commit the blunders depicted
above._

      BOXING IN AMERICAN SOCIETY

      Although many of America’s foremost boxers have been persons whom
      one would not care to know socially, yet much fun and pleasure
      can be had out of the “manly art” if practised in a gentlemanly
      manner.

      “Boxing parties” are generally held in the evening. The ballroom
      of one’s home can be pleasantly decorated for the occasion, with
      a square ring roped off in the centre surrounded by seats for the
      ladies and gentlemen who come as invited guests. Evening dress is
      usually worn.

      The contests should be between various members of one’s social
      “set” who are fond of the sport and can be counted on to remember
      at all times that they are gentlemen.

      The matches should be arranged in tournament form, so that the
      winner of one bout meets the winner of the next bout, et cetera,
      until all but two have been eliminated. The boxer who wins this
      final contest shall be proclaimed the “champion.”

      Great fun can then be had by announcing that the “champion” will
      be permitted to box three rounds with a “masked marvel.” The
      identity of this “unknown” (who is usually Jack Dempsey or some
      other noted professional pugilist) should be kept carefully
      secret, so that all the guests are in a glow of mystified
      excitement when the contest begins, and you can imagine their
      delight and happy enthusiasm when the “masked marvel” cleverly
      knocks the “champion” for a double loop through the ropes into
      the lap of some tittering “dowager.”

      Refreshments should then be served and the “champion” can be
      carried home in a car or ambulance provided by the thoughtful
      host.

      BRIDGE WHIST

      “Bridge whist,” or “Bridge,” as it is often called by the younger
      generation, is rapidly replacing whist as the favorite card game
      of good society, and “bridge” parties are much _en vogue_ for
      both afternoon and evening entertainments. In order to become an
      expert “bridge” player one must, of course, spend many months and
      even years in a study of the game, but any gentleman or lady of
      average intelligence can, I believe, pick up the fundamentals of
      “bridge” in a short while.

      Let us suppose, for example, that you, as a “young man about
      town,” are invited to play “bridge” on the evening of Friday,
      November seventeenth, at the home of Mrs. Franklin Gregory. Now,
      although you may have played the game only once or twice in your
      life, it would never do to admit the fact, for in good society
      one is supposed to play “bridge” just as one is supposed to hate
      newspaper publicity, and on the evening of Friday, November
      seventeenth, you should present yourself in suitable attire at
      Mrs. Gregory’s home.

      There you will find fifteen or twenty other guests, and after a
      few minutes of light social banter a bell will ring and the
      players will take their places. At your table will be Mrs. F.
      Jamison Dollings (your partner) and Mr. and Mrs. Theodore Watts.
      Mrs. Dollings (Sept. 6, 1880) is considered one of the most
      expert “bridge” players in the city, while Mr. Watts has one of
      the largest retail clothing stores in the central part of the
      State. Mrs. Watts was one of the Van Cortlandt girls (the plain
      one).

      As you are probably (next to Mr. and Mrs. Watts) the worst
      “bridge” player in the room it should be your duty to make up for
      this deficiency by keeping the other three players
      conversationally stimulated, for nothing so enlivens a game of
      “bridge” as a young man or woman with a pleasing personality and
      a gift for “small talk.” Thus, at the very beginning, after you
      have finished dealing the cards, you should fill in what seems to
      you an embarrassing pause by telling one of your cleverest
      stories, at the conclusion of which Mrs. Dollings will remark,
      “We are waiting for your bid, Mr. S——.”

      The etiquette of “bidding,” as far as you are concerned, should
      resolve itself into a consistent effort on your part to become
      “dummy” for each and every game. The minute your partner (Mrs.
      Dollings) bids anything, it should be your duty as a gentleman to
      see that she gets it, no matter what the cost.

      Thus, on the first hand, you “pass.” Mr. Watts then says, “Wait a
      minute, till I get these cards fixed”; to which Mrs. Watts
      replies, “Theodore, for Heaven’s sake, how long do you want?” Mr.
      Watts then says, “Which is higher—clubs or hearts?” to which Mrs.
      Watts replies, “Clubs.” Mrs. Dollings then says, “I beg your
      pardon, but hearts have always been considered higher than
      clubs.” Mrs. Watts says, “Oh, yes, of course,” and gives Mr.
      Watts a mean look. Mr. Watts then says, “I bid—let’s see—I bid
      two spades—no, two diamonds.” Mrs. Dollings quickly says, “Two
      lilies,” Mr. Watts says, “What’s a lily?” to which Mrs. Watts
      replies, “Theodore!” and then bids “Two spades,” at which Mrs.
      Dollings says, “I beg your pardon, but I have just bid two
      spades.” Mr. Watts then chuckles, and Mrs. Watts says (but not to
      Mr. Watts), “I beg your pardon.” Mrs. Watts then bids “Three
      spades,” at which you quickly say, “Four spades.”

      This bid is not “raised.” Mrs. Dollings then says to you, “I am
      counting on your spades to help me out,” at which you look at the
      only spade in your hand (the three) and answer, “Ha! Ha! Ha!”
      There is then a wait of four minutes, at the end of which Mrs.
      Dollings wearily says, “It is your first lead, is it not, Mrs.
      Watts?” Mrs. Watts then blushes, says, “Oh, I beg your pardon!”
      and leads the four of hearts. You then lay down your “dummy”
      hand. Before Mrs. Dollings has had time to discover just what you
      have done to her, you should rise quickly and say, “Excuse me,
      but I want to use the telephone a minute.” You should then go
      into the next room and wait ten or fifteen minutes. When you
      return Mrs. Dollings will have disappeared, Mrs. Watts will be
      looking fixedly at Mr. Watts, and Mr. Watts will be saying,
      “Well, it’s a silly game, anyway.”

      You and Mr. and Mrs. Watts can then have a nice game of
      twenty-five cent limit stud poker for the rest of the evening,
      and it would certainly be considered a thoughtful and gracious
      “gesture” if, during the next two or three weeks, you should call
      occasionally at the hospital to see how Mrs. Dollings is “getting
      on,” or you might even send some flowers or a nice potted plant.

      FORMAL AND INFORMAL DRINKING

      “Drinking” has, of course, always been a popular sport among the
      members of the better classes of society, but never has the
      enthusiasm for this pastime been so great in America as since the
      advent of “prohibition.” Gentlemen and ladies who never before
      cared much for “drinking” have now given up almost all other
      amusements in favor of this fascinating sport; young men and
      debutantes have become, in the last few years, fully as expert in
      the game as their parents. In many cities “drinking” has become
      more popular than “bridge” or dancing and it is predicted that,
      with a few more years of “prohibition,” “drinking” will supersede
      golf and baseball as the great American pastime.

      The effect of this has been to change radically many of the
      fundamental rules of the sport, and the influence on the
      etiquette of the game has been no less marked. What was
      considered “good form” in this pastime among our forefathers now
      decidedly _démodé_, and the correct drinker of 1910 is as
      obsolete and out of date in the present decade as the
      “frock-coat.”

      The game today is divided into (a) formal and (b) informal
      drinking. “Formal drinking” is usually played after dinner and is
      more and more coming to take the place of charades,
      sleight-of-hand performances, magic lantern shows, “dumb crambo,”
      et cetera, as the parlor amusement _par excellence_. “Formal
      drinking” can be played by from one to fifteen people in a house
      of ordinary dimensions; for a larger number it is generally
      better to provide a garage, a large yard, and special police,
      fire and plate glass insurance. The game is played with glasses,
      ice, and a dozen bottles of either whisky or gin.

      The sport is begun by the host’s wife, who says, “How would you
      all like to play a little bridge?” This is followed by silence.
      Another wife then says, “I think it would be awfully nice to play
      a little bridge.” One of the men players then steps forward and
      says “I think it would be awfully nice to have a little drink.”

      An “It” is then selected—always, by courtesy, the host. The “It”
      then says, “How would you all like to have a little drink?” The
      men players then answer in the affirmative and the “It’s” wife
      says, “Now Henry dear, please—remember what happened last time.”
      The “It” replies, “Yes, dear,” and goes into the cellar, while
      the “It’s” wife, after providing each guest with a glass, puts
      away the Dresden china clock, the porcelain parrot. and the gold
      fish globe.

      Sides are chosen—usually with the husbands on one “team” and the
      wives on the other. The purpose of the game is for the
      “husbands’, team” to try to drink up all the “It’s” liquor before
      the “wives’ team” can get them to go home.

      When the “It” returns with the liquor he pours out a portion for
      each player and at a given signal all drink steadily for several
      minutes. The “It’s” wife then says, “Now—how about a few rubbers
      of bridge?” She is immediately elected “team captain” for the
      rest of the evening. It is the duty of the “team captain” to
      provide cracked ice and water, to get ready the two spare
      bedrooms, to hold Wallie Spencer’s hand, to keep Eddie Armstrong
      from putting his lighted cigaret ends on the piano, and to break
      up the party as soon as possible. The game generally ends when
      (1) the liquor is all gone, (2) the “It” (or three guests) have
      passed “out,” (3) Wallie Spencer starts telling about his war
      experiences. “Informal” drinking needs, of course, no such
      elaborate preparations and can be played anywhere and any time
      there is anything to drink. The person who is caught with the
      liquor is “It,” and the object of the game is to take all the
      liquor away from the “It” as soon as possible. In order to avoid
      being “It,” many players sometimes resort to various low
      subterfuges, such as sneaking down alone to the club locker-room
      during a dance, but this practise is generally looked upon with
      great disfavor—especially by that increasingly large group of
      citizens who are unselfishly devoting their lives to the cause of
      a “dry America” by consuming all of the present rapidly
      diminishing visible supply.

      A JOLLY HALLOWE’EN PARTY

      The problem of providing suitable entertainment for one’s
      informal parties is something which has perplexed many a host and
      hostess in recent years. How often has it happened that just when
      you had gotten your guests nicely seated around the parlor
      listening to the Caruso record, some ill-mannered fellow would
      remark, “Oh, Lord—let’s go over to the Tom Phillips’ and get
      something to drink.” How many times in the past have you prepared
      original little “get-together” games, such as Carol Kennicott did
      in _Main Street_, only to find that, when you again turned the
      lights on, half the company had disappeared for the evening.

      Of course we cannot all be as startlingly clever as Carol, but
      Hallowe’en, which comes this year on October 31st, offers a
      splendid opportunity for originality and “peppy” fun. The
      following suggestions are presented to ambitious hostesses with
      the absolute guaranty that no matter what other reactions her
      guests may have, they will certainly not be bored.

[Illustration]

Care Should Be Exercised in the Choice of Post-Cards _Few people
realize the value of picture post-cards as indicators of the birth,
breeding, and character of the sender, yet nothing so definitely
“places” a person socially as his choice of these souvenirs. Could you
have selected the senders of the above cards?_

[Illustration]

Cards Concealed about the Person Betray the Boor _In spite of his
haughty airs and fine clothes, the gentleman betrays that he is not
much accustomed to good society when, having been asked by his hostess
if he would care to remove his coat and waistcoat during the warm
evening of bridge, he, in doing so, reveals the presence of several
useful cards hidden about his person. This sort of thing, while often
tolerated at less formal “stag” poker-parties, is seldom, ever,
permissible when ladies are present. The young man was simply ignorant
of the fact that Hoyle and not Herman the Great is the generally
accepted authority on cards in the “beau monde.”_

      INVITATIONS

      The whole spirit of Hallowe’en is, of course, one of “spooky”
      gayety and light-hearted ghastliness. Witches and ghosts run
      riot; corpses dance and black cats howl. “More work for the
      undertaker” should be the leitmotif of the evening’s fun.

      The moribund spirit can be delightfully observed, first of all,
      in the preparation of the invitations. I know of one hostess, for
      instance, who gained a great reputation for originality by
      enclosing a dead fish with each bidding to the evening’s
      gayeties. It is, of course, not at all necessary to follow her
      example to the letter; the enclosure of anything dead will
      suffice, providing, of course, that it is not TOO dead. There is
      such a thing as carrying a joke beyond the limits of propriety,
      and the canons of good taste should always be respectfully
      observed.

      Another amusing way of preparing invitations is to cut out
      colored paper in the shape of cats, witches, etc., upon which
      appropriate verses are inscribed. Such as:

 “Next Monday night is Hallowe’en,
 You big stiff.”
                    or
 “On Monday next comes All-Hallows-Even,
 My grandmother’s maiden name was Stephens.”
                    or
 “On Hallowe’en you may see a witch
 If you don’t look out, you funny fellow.”
                    or
 “Harry and I are giving a Hallowe’en party;
 Harry says you owe him four dollars; please be prompt.
                    or
 “Monday night the ghosts do dance;
 Why didn’t you enlist and go to France,
 You slacker?”

      Another novel invitation is made by cutting a piece of yellow
      paper thirteen inches long and four inches wide, and writing on
      each inch one of the lines given below. Then begin at the bottom
      and fold the paper up, inch by inch. Fasten the last turn down
      with a “spooky” gummed sticker, and slip into a small envelope.
      When the recipient unfolds the invitation, he will be surprised
      to read the following:

 Now what on earth
 do you suppose
 is in this
 little folder
 keep turning
 ha ha ha
 further
 ha ha ha
 further
 ha ha ha,
 further
 ha ha ha
 further

      It would perhaps be best to telephone the next day to those
      guests whom you really want, and give them further details as to
      the date and time of the party. Additional fun can be gotten out
      of this invitation by failing to put postage stamps on the
      envelopes when you mail them; the two cents which each guest will
      have to pay for postage due can be returned in a novel manner on
      the night of the party by inserting them in sandwiches or stuffed
      tomatoes.

      For those who may wish to send out more elaborate invitations,
      the following distinctly original plan is suggested: Procure a
      number of small alarm clocks and a quantity of nitroglycerine or
      other high explosive. Insert in each clock a small amount of the
      nitroglycerine, being careful not to put too much; a quantity
      sufficient to wreck a room 20 X 30 Will generally suffice. Then
      arrange the alarm mechanism so that the explosion will occur at
      12 midnight. Attach to the clock a card, neatly decorated with
      witches, goblins, etc., on which is written

 “Midnight is the mystic hour
 Of yawning graves and coffins dour.
 Beneath your bed this clock please hide
 And when it strikes—you’ll be surprised.”

      These clocks should then be delivered in the afternoon to those
      of the guests whom you are merely inviting because they are your
      husband’s business associates, or because they were nice to your
      mother when she did her own work. Later on, in order to avoid
      hard feelings on the part of relatives and friends of the
      deceased, it might be well to explain to them that you sent the
      clocks only in the spirit of Hallowe’en fun; it might even help
      to invite them to one of your next parties.

      RECEIVING THE GUESTS

      On Hallowe’en night great care should be taken in the
      preparations for receiving the guests in a mystic manner; no
      pains should be spared in the effort to start the evening off
      with a “bang.”

      Several novel ideas are offered for starting the guests off on
      the right informal spirit. Before they arrive, it is a good plan
      to take the street number off your house and fasten it to the
      porch of your next door neighbors, who will, of course, be at
      home because they are perfectly impossible people whom no one
      would invite anywhere. Extinguish all the lights in your own
      house; your neighbor, as he comes downstairs twenty-five or
      thirty times in the next hour, will obligingly tell your
      bewildered friends specifically where to go.

      When the guest finally learns from the neighborhood policeman
      which house on the block is really yours he will discover on your
      door a sign reading:

 “If you would be my Valentine,
 Follow please the bright green line.”

      Leading from the door is a green cord which the mystified guest
      proceeds to follow, according to directions. This cord should
      guide the way to the coal cellar of your other neighbor who has
      recently purchased an automatic revolver under the delusion that
      burglars are operating in the neighborhood. As your bewildered
      guest gropes his way about the cellar, it is quite likely that he
      will be shot at several times and by the time he emerges (if he
      does emerge) he will be quite delightfully full of the informal
      spirit of Hallowe’en and ready for anything.

      HOW TO MYSTIFY

      At this point, your wife, dressed as a witch, should unexpectedly
      rush out at him; there is always the delightful possibility that
      he will pick up a convenient rock and brain her on the spot—an
      event which often adds an unexpected touch of gayety to the
      evening’s fun. If, however, no such event occurs, the guest
      should be blindfolded and led into the house. Once inside he is
      conducted upstairs to the attic, where he will find three or four
      earlier arrivals also blindfolded.

      The hands and feet of these four are then securely tied and they
      are told that they are to be left there all evening. This is
      really a great joke, because they do not, of course, at the time,
      believe what you say, and when you come up to untie them the next
      morning, their shame-faced discomposure is truly laughable.

      The green-cord-into-neighbor’s-coal-cellar joke can be cleverly
      varied by taking the lid off your cistern and making the green
      line lead in that direction. Great care should be taken, however,
      to keep an exact account of the number of guests who succumb to
      this trick, for although an unexpected “ducking” is
      excruciatingly humorous, drowning often results fatally.

      Great fun can be added to the evening’s entertainment by dressing
      several of the guests as ghosts, witches, corpses, etc; these
      costumes can be quite simply and economically made in the home,
      or can be procured from some reliable department store.

      An “old-fashioned” witch’s costume consists of a union suit
      (Munsing or any other standard brand), corset, brassiere,
      chemise, underpetticoat, overpetticoat, long black skirt, long
      black stockings, shoes, black waist and shawl, with a pointed
      witch’s hat and a broomstick. The “modern” witch’s costume is
      much simpler and inexpensive in many details.

      A particularly novel and “hair raising” effect may be produced by
      painting the entire body of one of the male guests with
      phosphorus. As this glowing nude stalks uncannily through the
      darkened rooms you may easily imagine the ghastly
      effect—especially upon his wife.

      GAMES

      After the guests have sufficiently amused themselves with the
      ghosts and witches it will be time to commence some of the many
      games which are always associated with Hallowe’en. “Bobbing for
      apples” is, of course, the most common of these games and great
      sport it is, too, to watch the awkward efforts of the guests as
      they try to pick up with their teeth the apples floating in a
      large tub. I know of one hostess who added greatly to the
      evening’s fun by pouring twelve quarts of gin into the tub; the
      effect on the bobbers was, of course, extremely comical, except
      for the unfortunate conduct of two gentlemen, one of whom went to
      sleep in the tub, the other so far forgetting himself as
      playfully to throw all the floating fruit at the hostess’ pet
      Pomeranian.

      Most Hallowe’en games concern themselves with delving into the
      future in the hopes that one may there discover one’s husband or
      bride-to-be. In one of these games the men stand at one end of
      the room, facing the girls, with their hands behind their backs
      and eyes tightly closed. The girls are blindfolded and one by one
      they are led to within six feet of the expectant men and given a
      soft pin cushion which they hurl forward. The tradition is that
      whichever man the girl hits, him will she marry. Great fun can be
      added to the game by occasionally substituting a rock or iron
      dumb-bell in place of the romantic pin cushion.

      Another game based on a delightful old Hallowe’en tradition is as
      follows: A girl is given a lighted candle and told to walk
      upstairs into the room at the end of the hall where, by looking
      in a mirror, she will see her future husband. Have it arranged so
      that you are concealed alone in the room. When the girl arrives,
      look over her shoulder into the mirror. She had better go
      downstairs after ten minutes, though, so that another girl can
      come up. This tradition dates from before William the Conqueror.

      No Hallowe’en is complete, of course, without fortune telling.
      Dress yourself as a wizard and have the guests led in one by one
      to hear their fortune told. Hanging in front of you should be a
      caldron, from which you extract the slip of paper containing the
      particular fortune. These slips of paper should be prepared
      beforehand. The following are suggested:

      “You will meet a well dressed, good looking man who understands
      you better than your husband. How about Thursday at the Plaza?”

      “You are about to receive a shipment of Scotch whisky that you
      ordered last month. And it’s about time you kicked across with
      some of your own.”

      “You will have much trouble in your life if you lie about your
      golf score as you did last Sunday on Number 12.”

      Still another pleasing Hallowe’en game, based on the revelation
      of one’s matrimonial future, is played as follows: Seven lighted
      candles are placed in a row on a table. The men are then
      blindfolded, whirled around three times and commanded to blow out
      the candles. The number extinguished at a blow tells the number
      of years before they meet their bride. This game only grows
      interesting, of course, when some old goat with long whiskers can
      be induced to take a blind shot at blowing out the candles. Have
      Pyrene convenient—but not too convenient to spoil the fun.

      For the older members of the party, the host should provide
      various games of cards and dice. In keeping with the ghastly
      spirit of the occasion, it would be well to have the dice
      carefully loaded. Many hosts have thus been able to make all
      expenses and often a handsome profit out of the evening’s
      entertainment.

      If the crap game goes particularly well, many hosts do not
      hesitate to provide elaborate refreshments for the guests. Here,
      too, the spirit of fun and jollity should prevail, and great
      merriment is always provoked by the ludicrous expression of the
      guest who has broken two teeth on the cast-iron olive. Other
      delightful surprises should be arranged, and a little Sloan’s
      liniment in the punch or ground glass in the ice cream will go a
      long way toward making the supper amusing. And finally, when the
      guests are ready to depart and just before they discover that you
      have cut cute little black cats and witches out of the backs of
      their evening wraps and over coats, it would perhaps be well to
      run up stairs and lock yourself securely in your room.



CHAPTER EIGHT: CORRESPONDENCE AND INVITATIONS


      CORRESPONDENCE

      It is narrated of a well-known English lady (who is noted on the
      other side of the Atlantic for the sharpness of her wit) that on
      one occasion, when a vainglorious American was boasting of his
      country’s prowess in digging the Panama Canal, she calmly waited
      until he had finished and then replied, with an indescribable
      smile, “Ah—but you Americans do not know how to write letters.”
      Needless to say the discomfited young man took himself off at the
      earliest opportunity.

      There is much truth, alas, in the English lady’s clever retort,
      for the automatic typewriter, the telegraph, and the penny postal
      card have done much to cause a gradual decline in the gentle art
      of correspondence. As one American woman recently remarked to a
      visitor (with more wit, however, than good taste), “Yes, we do
      have correspondents here—but they are all in the divorce courts.”

      CORRESPONDENCE FOR YOUNG LADIES

      There are certain rules in regard to correct letter-writing which
      must be followed by all who would “take their pen in hand.” Young
      people are the most apt to offend in this respect against the
      accepted canons of good taste and it is to these that I would
      first address the contents of this chapter. A young girl often
      lets her high spirits run away with her _amour propre_, with the
      result that her letters, especially those addressed to strangers,
      are often lacking in that dignity which is the _sine qua non_ of
      correct correspondence.

      Consider, for example, the following two letters composed by Miss
      Florence ......, a debutante of New York City, who is writing to
      a taxidermist thanking him for his neat work in having recently
      stuffed her deceased pet Alice. The first of these letters
      illustrates the evil to which I have just referred, viz., the
      complete absence of proper dignity. The second, written with the
      aid of her mama, whose experience in social affairs has been
      considerable, shows the correct method of corresponding with
      comparative strangers.

      An Incorrect Letter from a Débutante to a Taxidermist Thanking
      Him for Having Stuffed Her Pet Alice

  DEAR MR. Epps:

  Aren’t you an old _peach_ to have gone and stuffed Alice so prettily!
  Really, Mr. Epps, I never saw such a knockout piece of taxidermy,
  even in Europe, and I simply adore it. Mother gave a dinner party
  last night and _everybody_ was just wild about it and wanted to know
  who had done it. How on _earth_ did you manage to get the wings to
  stay like that? And the eyes are just too priceless for words.
  Honestly, every time I look at it, it’s so _darned_ natural that I
  can’t believe Alice is really dead. I guess you must be pretty
  dog-goned crazy about birds yourself to have done such a lovely job
  on Alice, and I guess you know how perfectly sick I was over her
  death. Honestly, Mr. Epps, she was such a _peach_ of an owl. But I
  suppose it had to be, and anyway, thanks just heaps for having done
  such a really perfectly gorgeous bit of taxidermy.

                 Gratefully,
                      FLORENCE CHASE.
  _593 Fifth Avenue,
  New York City._

      The above is, you observe, quite lacking in that reserve with
      which young ladies should always treat strange gentlemen and
      especially those who are not in their own social “set.” Slang may
      be excusable in shop girls or baseball players, but never in the
      mouth of a young lady with any pretensions to breeding. And the
      use of “darned” and “dog-goned” is simply unpardonable. Notice,
      now, the way in which Miss Florence writes the letter after, her
      mama has given her the proper instruction.

      A Correct Letter from a Débutante to a Taxidermist Thanking Him
      for Having Stuffed Her Pet Alice

  Mr. Lloyd Epps, Taxidermist,
  New York City.
  DEAR SIR:

  It is with sincere pleasure that I take my pen in hand to compliment
  you upon the successful manner in which you have rendered your
  services as taxidermist upon my late owl Alice. Death in the animal
  kingdom is all too often regarded with an unbecoming levity or, at
  least, a careless lack of sympathetic appreciation, and it is with
  genuine feelings of gratitude that I pen these lines upon the
  occasion of the receipt of the sample of the excellent manner in
  which you have performed your task. Of the same opinion is my father,
  a vice-president of the Guaranty Trust Co., and himself a taxidermist
  of no inconsiderable merit, who joins me in expressing to you our
  most grateful appreciation.

                 Sincerely yours,
                      FLORENCE ELIOT CHASE.
  _December_ 11, 1922.

[Illustration]

It Is Not the Custom to Comment on the Quantity of Soup Consumed by a
Guest _The young man is leaving the home of his host in “high dudgeon.”
He is of the type rather slangily known among the members of our
younger set as “finale hopper” which means, in the “King’s English,”
one who is very fond of dancing. His indignation is well founded, since
it is not the custom among members of the socially elite to comment in
the presence of the guest on either the quantity of soup consumed or
the method of consumption adopted. These things should be left for the
privacy of the boudoir or smoking den where they will afford much
innocent amusement. Nor is the host mending matters by his kindly meant
but perhaps tactless offer of a nickel for carfare._

[Illustration]

False Teeth Should Remain in the Mouth throughout any Given Dinner _The
gentleman with the excellent teeth has just been guilty of a gross
social error. Wrongly supposing that the secret of popularity lies in a
helpful spirit and having discovered that the son of his hostess is
about to enter a dental school, he has removed the excellent teeth
(false) from his mouth and passed them around for inspection. The fact
that the teeth are of the latest mode does not in any way condone the
breach. Leniency in such matters is not recommended. “Facilis descensus
Averni” as one of the great poets of the Middle Ages so aptly put it._

      COLLEGE BOYS

      It is the tendency of the age to excuse many social errors in
      young people, and especially is this true of the mischievous
      pranks of college boys. If Harvard football heroes and their
      “rooters,” for example, wish to let their hair grow long and wear
      high turtle-necked red “sweaters,” corduroy trousers and huge
      “frat” pins, I, for one, can see no grave objection, for “boys
      will be boys” and I am, I hope, no “old fogy” in such matters.
      But I also see no reason why these same young fellows should not
      be interested in the graces of the salon and the arts of the
      drawing-room. Consider, for example, the following two letters,
      illustrating the correct and incorrect method in which two young
      college men should correspond, and tell me if there is not some
      place in our college curriculum for a Professor of Deportment:

      An Incorrect Letter from a Princeton Student to a Yale Student
      Congratulating the Latter on His Football Victory

  DEAR MIKE:
  Here’s your damn money. I was a fool to give you odds. ED. P. S. What
  happened at the Nass? I woke up Sunday with a terrific welt on my
  forehead and somebody’s hat with the initials L. G. T., also a Brooks
  coat. Do you know whose they are? P. P. S. Please for God’s sake
  don’t cash this check until the fifteenth or I’m ruined.

      And here is the way in which I would suggest that this same
      letter be indited.

      A Correct Letter from a Princeton Student to a Yale Student
      Congratulating the Latter on His Football Victory

  MY DEAR “FRIENDLY ENEMY”:
  Well, well, it was a jolly game, wasn’t it, and it was so good to see
  you in “Old Nassau.” I am sorry that you could not have come earlier
  in the fall, when the trees were still bronze and gold. I also regret
  exceedingly that you did not stay over until Sunday, for it would
  have been such a treat to have taken you to see the Graduate School
  buildings and the Cleveland Memorial Tower. However, “better luck
  next time.”
  The enclosed check is, as you may well guess, in payment of our wager
  on the result of the gridiron-contest. Truly, I am almost glad that I
  lost, for I can not but think that gambling in any form is at best an
  unprofitable diversion, and this has taught me, I hope, a lesson from
  which I may well benefit. Do not think me a “prig,” dear Harry, I beg
  of you, for I am sure that you will agree with me that even a
  seemingly innocent wager on a football match may lead in later life
  to a taste for gambling with dice and cards or even worse. Shall we
  not agree to make this our last wager—or at least, next time, let us
  not lend it the appearance of professional gambling by giving “odds,”
  such as I gave you this year.
  You must have thought it frightfully rude of me not to have seen you
  to the train after that enjoyable evening at the Nassau Inn, but to
  tell you the truth, Harry, the nervous excitement of the day proved
  too much for me and I was forced to retire. My indisposition was
  further accentuated by a slight mishap which befell me outside the
  Inn but which need cause you no alarm as a scalp wound was the only
  result and a few days’ rest in my cozy dormitory room will soon set
  matters to rights. I trust, however, that you will explain to your
  friends the cause of my sudden departure and my seeming
  inhospitality. Such jolly fellows they were—and I am only too glad to
  find that the “bulldogs” are as thoroughly nice as the chaps we have
  down here. Incidentally, I discovered, somewhat to my dismay, as you
  may well imagine, that in taking my departure I inadvertently “walked
  off” with the hat and overcoat of one of your friends whose initials
  are L. G. T. I am mortified beyond words and shall send the garments
  to you by the next post with my deepest apologies to the unlucky
  owner.
  Rest assured, Harry my friend, that I am looking forward to visiting
  you some time in the near future, for I have always been curious to
  observe the many interesting sights of “Eli land.” Particularly
  anxious am I to see the beautiful trees which have given New Haven
  its name of “the City of Elms,” and the collection of primitive
  paintings for which your college is justly celebrated. And in closing
  may I make the slight request that you postpone the cashing of my
  enclosed check until the fifteenth of this month, as, due to some
  slight misunderstanding, I find that my account is in the unfortunate
  condition of being “overdrawn.”
  Believe me, Harry, with kindest regards to your nice friends and
  yourself and with congratulations on the well deserved victory of
  your “eleven,” Your devoted friend and well wisher, EDWARD ELLIS
  COCHRAN.

      LETTERS TO PARENTS

      Of course, when young people write to the members of their
      immediate family, it is not necessary that they employ such
      reserve as in correspondence with friends. The following letter
      well illustrates the change in tone which is permissible in such
      intimate correspondence:

      A Correct Letter from a Young Lady in Boarding School to Her
      Parents

  DEAR MOTHER:
  Of course I am terribly glad that you and father are thinking of
  coming to visit me here at school next week, but don’t you think it
  would be better if, instead of your coming all the way up here, I
  should come down and stay with you in New York? The railroad trip up
  here will be very hard on you, as the trains are usually late and the
  porters and conductors are notorious for their gruffness and it is
  awfully hard to get parlor-car seats and you know what sitting in a
  day-coach means. I should love to have you come only I wouldn’t want
  you or father to get some terrible sickness on the train and last
  month there were at least three wrecks on that road, with many
  fatalities, and when you get here the accommodations aren’t very good
  for outsiders, many of the guests having been severely poisoned only
  last year by eating ripe olives and the beds, they say, are extremely
  hard. Don’t you really think it would be ever so much nicer if you
  and father stayed in some comfortable hotel in New York with all the
  conveniences in the world and there are some wonderful things at the
  theaters which you really ought to see. I could probably get
  permission from Miss Spencer to come and visit you over Saturday and
  Sunday if you are stopping at one of the five hotels on her
  “permitted” list.
  However, if you do decide to come here, perhaps it would be better to
  leave father in New York because I know he wouldn’t like it at all
  with nothing but women and girls around and I am sure that he
  couldn’t get his glass of hot water in the morning before breakfast
  and he would have a much better time in New York. But if he does come
  please mother don’t let him wear that old gray hat or that brown
  suit, and mother couldn’t you get him to get some gloves and a cane
  in New York before he comes? And please, mother dear, make him put
  those “stogies” of his in an inside pocket and would you mind,
  mother, not wearing that brooch father’s employees gave you last
  Christmas?
  I shall be awfully glad to see you both but as I say it would be
  better if you let me come to New York where you and father will be
  ever so much more comfortable. Your loving daughter, JEANNETTE.

      LETTERS FROM PARENTS

      THE same familiarity may be observed by parents when
      corresponding with their children, with, of course, the addition
      of a certain amount of dignity commensurate with the fact that
      they are, as it were, _in loco parentis_. The following example
      will no doubt be of aid to parents in correctly corresponding
      with their children:

      A Correct Letter from a Mother to Her Son Congratulating Him on
      His Election to the Presidency of the United States

  DEAR FREDERICK:
  I am very glad that you have been elected President of the United
  States, Frederick, and I hope that now you will have sense enough to
  see Dr. Kincaid about your teeth. It would be well to have him give
  you a thorough looking over at this time. And Mrs. Peasely has given
  me the name of a splendid throat specialist in New York whom I wish
  you would see as soon as possible, for it has been almost a year
  since you went to Dr. Ryan. Are you getting good wholesome food? Mrs.
  Dennison stopped in this morning and she told me that Washington is
  very damp in the spring and I think you had better get a new
  overcoat—a heavy warm one. She also told me the name of a place where
  you can buy real woolen socks and pajamas. I hope that you aren’t
  going to be so foolish as to wear those short B. V. D.’s all winter
  because now that you are president you must take care of yourself,
  Edward dear. Are you keeping up those exercises in the morning? I
  found those dumb-bells of yours in the attic yesterday and will send
  them on to you if you wish. And, dear, please keep your throat
  covered when you go out—Mrs. Kennedy says that the subways are always
  cold and full of draughts. I saw a picture of you at the “movies” the
  other evening and you were making a speech in the rain without a hat
  or rubbers. Your uncle Frederick was just such a fool as you are
  about wearing rubbers and he almost died of pneumonia the winter we
  moved to Jefferson Avenue. Be sure and let me know what Dr. Kincaid
  says and tell him _everything_. Your _loving_ mother. P. S. What
  direction does your window face?

      LETTERS TO PROSPECTIVE FATHERS-IN-LAW

      A young man desiring to marry a young girl does not, in polite
      society, “pop the question” to her by mail, unless she happens,
      at the time, to be out of the city or otherwise unable to
      “receive.” It is often advisable, however, after she has said
      “yes,” to write a letter to her father instead of calling on him
      to ask for his permission to the match, as a personal interview
      is often apt to result unsatisfactorily. In writing these letters
      to prospective fathers-in-law, the cardinal point is, of course,
      the creation by the young man of a good impression in the mind of
      the father, and for this purpose he should study to make his
      letter one which will appeal irresistibly to the older
      gentleman’s habits and tastes.

      Thus, in writing to a father who is above everything else a
      “business man,” the following form is suggested:

      A Correct Letter to a Prospective Father-in-Law Who Is a Business
      Man

                                My letter, 10-6-22 Your letter, In
                                reply please refer to: ————
                                File—Love—personal— N. Y.—1922 No. G,
                                16 19 Mr. Harrison Williams, Vice-Pres.
                                Kinnear-Williams Mfg. Co., Buffalo, N.
                                Y.
  DEAR SIR:
  Confirming verbal message of even date re: being in love with your
  daughter, this is to advise that I am in love with your daughter. Any
  favorable action which you would care to take in this matter would be
  greatly appreciated. Yours truly, EDWARD FISH. Copy to your Daughter 
                   per E. F. “  “  “   Wife EF/F

      Or, should the girl’s father be prominent in the advertising
      business, the following would probably create a favorable
      impression, especially if printed on a blotter or other useful
      article:

      A Correct Letter to a Prospective Father-in-Law Who Is in the
      Advertising Business

  JUST A MOMENT!
  Have you ever stopped to consider the problem of grandchildren?
  Do you know, for example, that ONLY 58% of the fathers in America are
  GRANDFATHERS?
  Did it ever occur to you that only 39% of the grandfathers in America
  EVER HAVE GRANDCHILDREN?
  Honestly, now, don’t there come moments, after the day’s work is done
  and you are sitting in your slippers before the fire, when you would
  give any thing in the world for a soft little voice to call you
  GRANDPA?
  _Be fair to your daughter Give her a College educated husband!_
  COMPLIMENTS OF EDWARD FISH

      Perhaps, if the old gentleman is employed in the Credit
      Department of Brooks Brothers, Frank Brothers, or any one of the
      better class stores, the following might prove effective:

      A Correct Letter to a Prospective Father-in-Law Who Is Employed
      in a Credit Department

  MY DEAR MR. ROBERTS:     10-6-22
  I am writing you in regard to a little matter of matrimony which no
  doubt you have overlooked in the press of business elsewhere. This is
  not to be considered as a “dun” but merely as a gentle reminder of
  the fact that it would be extremely agreeable if you could see fit to
  let me marry your daughter before the first of next month. I feel
  sure that you will give this matter your immediate attention. Yours
  truly, ED. FISH.
                                11-2-22 DEAR MR. ROBERTS:
  As you have not as yet replied to my communication of 10-6-22
  regarding marriage to your daughter, I presume that you were not at
  the time disposed to take care of the matter to which I referred. I
  feel sure that upon consideration you will agree that my terms are
  exceedingly liberal and I must therefore request that you let me have
  some word from you before the first of next month. Yours truly,
  EDWARD FISH.
            (Registered Mail)             12-2-22 DEAR SIR:
  You have not as yet replied to my communication of 10-6-22 and
  11-2-22. I should regret exceedingly being forced to place this
  matter in the hands of my attorneys, Messrs. Goldstein and
  Nusselmann, 41 City Nat’l Bank Bldg. E. FISH.

      Of course, it would never do to carry this series to its
      conclusion and if no reply is received to this last letter it
      might be well to call on the gentleman in his place of
      business—or, possibly, it might even be better to call off the
      engagement. “None but the brave deserve the fair”—but there is
      also a line in one of Byron’s poems which goes, I believe, “Here
      sleep the brave.”

      LOVE LETTERS

      A young man corresponding with his fiancée is never, of course,
      as formal as in his letters to other people. This does not mean,
      however, that his correspondence should be full of silly
      meaningless “nothings.” On the contrary, he should aim to
      instruct and benefit his future spouse as well as convey to her
      his tokens of affection. The following letter well illustrates
      the manner in which a young man may write his fiancée a letter
      which, while it is replete with proper expressions of amatory
      good will, yet manages to embody a fund of sensible and useful
      information:

      A Correct Letter from a Young Man Traveling in Europe to His
      Fiancée

  MY DEAREST EDITH:
  How I long to see you—to hold tight your hand—to look into your eyes.
  But alas! you are in Toledo and I am in Paris, which, as you know, is
  situated on the Seine River near the middle of the so-called Paris
  basin at a height above sea-level varying from 85 feet to 419 feet
  and extending 7 1/2 miles from W. to E. and 5 1/2 miles from N. to S.
  But, dearest, I carry your image with me in my heart wherever I go in
  this vast city with its population (1921) of 2,856,986 and its
  average mean rainfall Of 2.6 inches, and I wish—oh, how I wish—that
  you might be here with me. Yesterday, for example, I went to the Père
  Lachaise cemetery which is the largest (106 acres) and most
  fashionable cemetery in Paris, its 90,148 (est.) tombs forming a
  veritable open-air sculpture gallery. And what do you think I found
  there which made me think of you more than ever? Not the tombs of La
  Fontaine (d. 1695) and Molière (d. 1673) whose remains, transferred
  to this cemetery in 1804, constituted the first interments—not the
  last resting place of Rosa Bonheur (d. 1899) or the victims of the
  Opéra Comique fire (1887)—no, dearest, it was the tomb of Abelard and
  Heloïse, those late 11th early 12th century lovers, and you may well
  imagine what thoughts, centering upon a young lady whose first name
  begins with E, filled my heart as I gazed at this impressive tomb,
  the canopy of which is composed of sculptured fragments collected by
  Lenoir from the Abbey of Nogent-sur-Seine (Aube).
  Edith dearest, I am sitting in my room gazing first at your dear
  picture and then out of my window at the Eiffel Tower which is the
  tallest structure in the world, being 984 feet high (Woolworth
  Building 750 feet, Washington Obelisk 555 feet, Great Pyramid 450
  feet). And although it may sound too romantic, yet it seems to me,
  dearest, that our love is as strong and as sturdy as this masterpiece
  of engineering construction which weighs 7,000 tons, being composed
  of 12,000 pieces of metal fastened by 2,500,000 iron rivets.
  Farewell, my dearest one—I must go now to visit the Catacombs, a huge
  charnelhouse which is said to contain the remains of nearly three
  million persons, consisting of a labyrinth of galleries lined with
  bones and rows of skulls through which visitors are escorted on the
  first and third Saturday of each month at 2 P. M. I long to hold you
  in my arms. Devotedly, PAUL.

      CORRESPONDENCE OF PUBLIC OFFICIALS

      Congressmen and other public officials are as a rule more careful
      correspondents than are men whose letters are never to be seen by
      the public at large. There is a certain well-defined form for a
      letter meant for public consumption which distinguishes it from
      correspondence of a more private nature. Thus a Congressman,
      writing a “public letter,” would cast it in the following form:

      A Correct “Public Letter” from a Congressman

  Mr. Ellison Lothrop, Vice-Pres. Washington Co.. “Better Citizenship”
  League,
  MY DEAR MR. LOTHROP:
  You have requested that I give to the Washington County Better
  Citizenship League, of which you are an active vice-president, some
  expression of my views upon the question of Prohibition.
  Sir, can there be any doubt as to the belief of every right thinking
  American citizen in this matter? The Eighteenth Amendment is here and
  here, thank God, to stay! The great benefit which Prohibition has
  done to the poor and the working classes is reason enough for its
  continued existence. It is for the manufacturers, the professional
  class, the capitalists to give up gladly whatever small pleasure they
  may have derived from the use of alcohol, in order that John Jones,
  workingman, may have money in the bank and a happy home, instead of
  his Saturday night debauch. In every democracy the few sacrifice for
  the many—“the greatest good of the greatest number” is the slogan.
  And I, for one, am proud to have been a member of that legislative
  body which passed so truly God-bidden and democratic an act as the
  Eighteenth Amendment.
  I beg to remain, with best wishes to your great organization,
  Sincerely yours, WALTER G. TOWNSLEY.

      A Correct Private Letter of a Congressman

  DEAR BOB:
  Tell that fellow on Mulberry Street that I will pay $135 a case for
  Scotch and $90 for gin _delivered_ and not a cent more. W. G. T.

[Illustration]

Vision and Ingenuity in Courtship _The problem of an introduction when
there is no mutual acquaintance is sometimes perplexing. But the young
man, having had the good taste to purchase a copy of_ PERFECT BEHAVIOR,
_is having no difficulty. He has fastened a rope across the sidewalk in
front of the lady’s house and, with the aid of a match and some
kerosene, has set fire to the house. Driven by the heat, the young lady
will eventually emerge and in her haste will fall over the rope. To a
gentleman of gallantry and ingenuity the rest should be comparatively
simple._

[Illustration]

“Say It with Flowers” _A knowledge of the language of flowers is
essential to a successful courtship and may avoid much unnecessary
pain. With the best intentions in the world the young man is about to
present the young lady with a flower of whose meaning he is in total
ignorance. The young lady, being a faithful student of_ PERFECT
BEHAVIOR, _knows its exact meaning and it will be perfectly correct for
her to turn and, with a frigid bow, break the pot over the young man’s
head. Alas, how differently this romance might have ended if the
so-called “friends” of the young man had tactfully but firmly pointed
out to him the value of a book on etiquette such as_ PERFECT BEHAVIOR.

      LETTERS TO NEWSPAPERS, MAGAZINES, ETC.

      Another type of public correspondence is the letter which is
      intended for publication in some periodical. This is usually
      written by elderly gentlemen with whiskers and should be cast in
      the following form:

      A Correct Letter from an Elderly Gentleman to the Editor of a
      Newspaper or Magazine

  To the Editor: SIR:
  On February next, _Deo volente_, I shall have been a constant reader
  of your worthy publication for forty-one years. I feel, sir, that
  that record gives me the right _ipso facto_ to offer my humble
  criticism of a statement made in your November number by that worthy
  critic of the drama, Mr. Heywood Broun. _Humanum est errare_, and I
  am sure that Mr. Broun (with whom I have unfortunately not the honour
  of an acquaintance) will forgive me for calling his attention to what
  is indeed a serious, and I might say, unbelievable, misstatement. In
  my younger days, now long past, it was not considered _infra dig_ for
  a critic to reply to such letters as this, and I hope that Mr. Broun
  will deem this epistle worthy of consideration, and recognize the
  justice of my complaint.
  I remember well a controversy that raged between critic and public
  for many weeks in the days when Joe Jefferson was playing Rip Van
  Winkle. Ah, sir, do you remember (but, of course, you don’t) that
  entrance of Joe in the first act with his dog Schneider? That was not
  my first play by many years, but I believe that it is still my
  favorite. I think the first time I ever attended a dramatic
  performance was in the winter of ’68 when I was a student at Harvard
  College. Five of us freshmen went into the old Boston Museum to see
  _Our American Cousin_. Joe Chappell was with us that night and the
  two Dawes boys and, I think, Elmer Mitchell. One of the Dawes twins
  was, I believe, afterwards prominent in the Hayes administration.
  There were many men besides Will Dawes in that Harvard class who were
  heard from in later years. Ed Twitchell for one, and “Sam” Caldwell,
  who was one of the nominees for vice president in ’92. I sat next to
  Sam in “Bull” Warren’s Greek class. _There_ was one of the finest
  scholars this country has ever produced—a stern taskmaster, and a
  thorough gentleman. It would be well for this younger generation if
  they could spend a few hours in that old classroom, with “Bull”
  pacing up and down the aisle and all of us trembling in our shoes.
  But _Delenda est Carthago—fuit Ilium—Requiescat in pace_. I last saw
  “Bull” at our fifteenth reunion and we were all just as afraid of him
  as in the old days at Hollis.
  But I digress. _Tempus fugit_,—which reminds me of a story “Billy”
  Hallowell once told at a meeting of the American Bar Association in
  Minneapolis, in 1906. Hallowell was perhaps the most brilliant
  after-dinner speaker I have ever heard—with the possible exception of
  W. D. Evarts. I shall never forget the speech that Evarts made during
  the second Blaine campaign.
  But I digress. Your critic, Mr. Heywood Broun, says on page 33 of the
  November issue of your worthy magazine that _The Easiest Way_ is the
  father of all modern American tragedy. Sir, does Mr. Broun forget
  that there once lived a man named William Shakespeare? Is it possible
  to overlook such immortal tragedies as _Hamlet_ and _Othello?_ I
  think not. _Fiat justitia, ruat cœlum._ Sincerely, SHERWIN G.
  COLLINS.

      A Correct Letter from an Indignant Father to an Editor of Low
      Ideals

  To the Editor: Sir:
  I have a son—a little fourteen-year-old boy who proudly bears my
  name. This lad I have brought up with the greatest care. I have
  spared no pains to make him an upright, moral, God-fearing youth.
  I had succeeded, I thought, in inculcating in him all those worthy
  principles for which our Puritan fathers fought and—aye—died. I do
  not believe that there existed in our neighborhood a more virtuous,
  more righteous boy.
  From his earliest childhood until now Mrs. Pringle and I have kept
  him carefully free from any suggestion of evil. We have put in his
  hands only the best and purest of books; we have not allowed him to
  attend any motion picture performances other than the yearly visit of
  the Burton Holmes travelogues, and, last year, a film called _Snow
  White and Rose Red;_ we have forbidden him to enter a theater. Roland
  (for that is his name) has never in his life exhibited any interest
  in what is known as sex.
  Sir, you may imagine my chagrin when my Roland—my boy who, for
  fourteen years, I have carefully shielded from sin—rushed in last
  night to where Mrs. Pringle and I were enjoying our evening game of
  Bézique, bearing in his hand a copy of your magazine which, I
  presume, he had picked up at some so-called friend’s house. “Papa,
  look,” said my boy to me, pointing to the cover of the magazine.
  “What are these?”
  Sir, I looked. Mrs. Pringle gave a shriek, and well may she have. My
  boy was pointing to a cover on which was what is called—in barroom
  parlance—a “nude.” And not _one_ nude but _twelve!_
  Sir, you have destroyed the parental labors of fourteen years. I
  trust you are satisfied. Yours, etc., EVERETT G. PRINGLE.

      A Letter from a Member of the Lower Classes. Particular pains
      should be taken in answering such letters as it should always be
      our aim to lend a hand to those aspiring toward better things.

  To the Editor: Dear Sir:
  I am a motorman on the Third Ave. South Ferry local, and the other
  day one of the passengers left a copy of your magazine on my car and
  I want to ask you something which maybe you can tell me and anyway it
  don’t do no harm to ask what I want to know is will it be O. K to
  wear a white vest with a dinner coat this coming winter and what
  color socks I enclose stamps for reply. Yrs. ED. WALSH.

      A Correct Letter to the Lost and Found Department of a
      Periodical, inquiring for a Missing Relative. This should be
      referred to the persons mentioned in the letter who will probably
      take prompt and vigorous action.

  Literary Editors: Dear Sirs:
  I have been very much interested in the clever work of Nancy and
  Ernest Boyd which has been appearing in your magazine, and I wonder
  if you could take the time to give me a little piece of information
  about them. You see there was a Nancy Boyd (her mother was Nancy
  Kroomen of Beaver Dam) and her bro. Ernest, who was neighbors to us
  for several years, and when they moved I sort of lost track of them.
  You know how those things are. But it’s a small world after all,
  isn’t it? and I shouldn’t be at all surprised if this was the same
  party and, if it is, will you say hello to Nancy for me, and tell
  Ernest that Ed. Gold still comes down from Akron to see E. W. every
  Saturday. He’ll know who I mean. Ever sincerely, MAY WINTERS.

      LETTERS TO STRANGERS

      In writing to a person with whom you have only a slight
      acquaintance, it is a sign of proper breeding to attempt to show
      the stranger that you are interested in the things in which he is
      interested. Thus, for example, if you were to write a letter to a
      Frenchman who was visiting your city for the first time, you
      would endeavor, as in the following example, to speak to him in
      his own idiom and put him at his ease by referring to the things
      with which he is undoubtedly familiar. It is only a “boor” who
      seeks to impose his own hobbies and interests upon a stranger,
      disregarding entirely the presumable likes and dislikes of the
      latter.

      A CORRECT LETTER TO A FRENCH VISITOR

  Monsieur Jules La Chaise, Hotel Enterprise, City.
  MONSIEUR:
  I hope that you have had a _bon voyage_ on your trip from _la belle
  France_, and my wife and I are looking forward to welcoming you to
  our city. Although I cannot say, as your great king Louis XV. so
  justly remarked, “_L’etat, c’est moi_,” yet I believe that I can
  entertain you _comme il faut_ during your stay here. But all _bon
  mots_ aside, would you care to join us this afternoon in a ride
  around the city? If you say the word, _voila!_ we shall be at your
  hotel in our automobile and I think that you will find here much that
  is interesting to a native of Lafayette’s great country and
  especially to a citizen of Paris. Did you know, for example, that
  this city manufactures 38% of the toilet soap and perfumery _je ne
  sais quoi_ which are used in this state? Of course, our sewers are
  not to be compared to yours, _mon Dieu_, but we have recently
  completed a pumping station on the outskirts of the city which I
  think might almost be denominated an _objet d’art_.
  I am enclosing a visitor’s card to the City Club here, which I wish
  you would use during your stay. I am sure that you will find there
  several _bon vivants_ who will be glad to join you in a game of
  _vingt et un_, and in the large room on the second floor is a
  victrola with splendid instrumental and vocal records of “La
  Marseillaise.”
  _Au revoir_ until I see you this afternoon. Robert C. Crocker.

      And above all, in writing to strangers or comparative strangers,
      seek to avoid the mention of subjects which might be distasteful
      to the recipient of the letter. Many a friendship has been
      utterly ruined because one of the parties, in her correspondence
      or conversation, carelessly referred to some matter—perhaps some
      physical peculiarity—upon which the other was extremely
      sensitive. The following letter well illustrates how the use of a
      little tact may go “a long way.”

      A CORRECT LETTER TO A BEARDED LADY

  My dear Mrs. Lenox:
  I wonder if you would care to go with us to the opera Wednesday
  evening? The Cromwells have offered us their box for that night,
  which accounts for our selection of that particular evening. “Beggars
  cannot be choosers,” and while personally we would all rather go on
  some other night, yet it is perhaps best that we do not refuse the
  Cromwells’ generous offer. Then, too, Wednesday is really the only
  evening that my husband and I are free to go, for the children take
  so much of our time on other nights. I do hope, therefore, that you
  can go with us Wednesday to hear “The Barber of Seville.” Sincerely,
  Esther G. (Mrs. Thomas D.) Franklin.

      INVITATIONS

      The form of the invitation depends a great deal upon the
      character of the function to which one wishes to invite the
      guests to whom one issues the invitation. Or, to put it more
      simply, invitations differ according to the nature of the party
      to which one invites the guests. In other words, when issuing
      invitations to invited guests one must have due regard for the
      fact that these invitations vary with the various types of
      entertainments for which one issues the invitations. That is to
      say, one would obviously not send out the same form of invitation
      to a wedding as to a dinner party, and vice versa. This is an
      iron-clad rule in polite society.

      For example, a gentleman and lady named Mr. and Mrs. Weems,
      respectively, living at 1063 Railroad Ave., wishing to invite a
      gentleman named Mr. Cleek to dinner, would send him the following
      engraved invitation:

          MR. AND MRS. LIONEL THONG WEEMS
          _request the pleasure of_
          MR. WALLACE TILFORD CLEEK’S
          _company at dinner
          on Tuesday January the tenth
          at half after seven o’clock_
          1063 Railroad Avenue.

      This invitation would of course be worded differently for
      different circumstances, such as, for example, if the name of the
      people giving the party wasn’t Weems or if they didn’t live at
      1063 Railroad Ave., or if they didn’t have any intention of
      giving a dinner party on that particular evening.

      Many prospective hostesses prefer to send written notes instead
      of the engraved invitation, especially if the dinner is to be
      fairly informal. This sort of invitation should, however, be
      extremely simple. I think that most well-informed hostesses would
      agree that the following is too verbose:

  DEAR MR. BURPEE.
  It would give us great pleasure if you would dine with us on Monday
  next at seven-thirty. By the way, did you know that Mr. Sheldon died
  yesterday of pneumonia? Cordially, ESTELLE G. BESSERABO.

      For receptions in honor of noted guests, word the invitation in
      this manner:

          MR. AND MRS. CORNELIUS VANDERBILT
          _request the pleasure of your company
          on Friday evening February sixth
          from nine to twelve_
          AT DELMONICO’S
          to meet Asst. Fire-Chief CHARLEY SCHMIDT and
          Mrs. SCHMIDT

      Invitations to graduating exercises are worded thus:

     THE SENIOR CLASS
     of the
     SOUTH ROCHESTER FEMALE DENTAL INSTITUTE
     requests the honor of your presence at the
     Commencement Exercises
     _on Tuesday evening, June the fifth
     at eight o’clock_
     MASONIC OPERA HOUSE
     _“That Six” Orchestra._

      ACCEPTANCES AND REGRETS

      Responses to invitations usually take the form of “acceptances”
      or “regrets.” It is never correct, for example, to write the
      following sort of note:

  DEAR MRS. CRONICK:
  Your invitation for the 12th inst. received and in reply would advise
  that I am not at the present time in a position to signify whether or
  not I can accept. Could you at your convenience furnish me with
  additional particulars re the proposed affair—number of guests,
  character of refreshments, size of orchestra, etc.? Awaiting an early
  reply, I am, Yours truly, ALFRED CASS NAPE.

      If one wishes to attend the party, one “accepts” on a clean sheet
      of note-paper with black ink from a “fountain” pen or inkwell. A
      hostess should not, however, make the mistake of thinking that a
      large number of “acceptances” implies that anybody really wishes
      to attend her party.

      The following is a standard form of acceptance:

  Dr. Tanner accepts with pleasure the kind invitation of Mrs.
  Frederick Cummings Bussey for Thursday evening, December twelfth, at
  half after eight.

      This note need not be signed. The following “acceptance” is
      decidedly demode:

  DEAR MRS. ASTOR:
  Will I be at your ball? Say, can a duck swim? Count on me sure.      
                  FRED.

      It is also incorrect and somewhat boorish to write “accepted”
      across the face of the invitation and return it signed to the
      hostess.

      If one does not care to attend the party, one often sends one’s
      “regrets” although one just as often sends one’s “acceptances,”
      depending largely upon the social position of one’s hostess. The
      proper form of “regret” is generally as follows:

  Alice Ben Bolt regrets that she will be unable to accept the kind
  invitation of Major General and Mrs. Hannafield for Wednesday evening
  at half after eight.

      Sometimes it is better to explain in some manner the cause of the
      “regret,” as for example:

  Alice Ben Bolt regrets that, owing to an ulcerated tooth in the left
  side of her mouth, and severe neuralgic pains all up and down her
  left side, she will be unable to accept the kind invitation of Major
  General and Mrs. Hannafield for Wednesday evening at half after
  eight, at “The Bananas.”

      This is not, however, always necessary.

[Illustration]

Etiquette without Tears, Mother’s Artful Aid _This is an admirable
picture with which to test the “kiddies’” knowledge of good manners at
a dinner table. It will also keep them occupied as a puzzle picture
since the “faux pas” illustrated herewith will probably not be apparent
to the little ones except after careful examination. If, however, they
have been conscientiously trained it will not be long, before the
brighter ones discover that the spoon has been incorrectly left
standing in the cup, that the coffee is being served from the right
instead of the left side, and that the lettering of the motto on the
wall too nearly resembles the German style to be quite “au fait” in the
home of any red-blooded American citizen._

[Illustration]

Illustrating the Inestimable Value of Stewart’s Lightning Calculation
_Dessert has been reached and the gentleman in the picture is
perspiring freely—in itself a deplorable breach of etiquette. He has
been attempting all evening to engage the ladies on either side of him
in conversation on babies, Camp’s Reducing Exercises, politics, Camp’s
Developing Exercises, music or Charlie Chaplin, only to be rebuffed by
a haughty chin on the one hand and a cold shoulder on the other. If he
had taken the precaution to consult Stewart’s Lightning Calculator of
Dinner Table Conversation (one of the many aids to social success to be
found in_ PERFECT BEHAVIOR) _he would have realized the bad taste
characterizing his choice of topics and would not have made himself a
marked figure at this well-appointed dinner table._



CHAPTER NINE: THE ETIQUETTE OF DINNERS AND BALLS


      FORMAL DINNERS IN AMERICA

      Eating is an extremely old custom and has been practiced by the
      better classes of society almost without interruption from
      earliest times. And “society,” like the potentate of the parable
      whose touch transformed every object into gold, has embellished
      and adorned the all-too-common habit of eating, until there has
      been evolved throughout the ages that most charming and exquisite
      product of human culture—the formal dinner party. The gentleman
      of today who delightedly dons his dress suit and escorts into a
      ten-course dinner some lady mountain climber or other celebrity,
      is probably little aware of what he owes to his forefathers for
      having so painstakingly devised for him such a pleasant method of
      spending his time.

      But “before one runs, one must learn to walk”—and the joys of the
      dinner-party are not to be partaken of without a long preliminary
      course of training, as many a young man has learned to his sorrow
      when he discovered that his inelegant use of knife and fork was
      causing humorous comment up and down the “board” and was drawing
      upon himself the haughty glances of an outraged hostess. The
      first requisite of success in dining out is the possession of a
      complete set of correct table manners—and these, like anything
      worth while, can be achieved only by patient study and daily
      practise.

      TABLE MANNERS FOR CHILDREN

      AS a matter of fact, it is never too early to begin to acquire
      the technique of correct eating, and the nursery is the best
      possible place for the first lessons in dining-room behavior.
      Children should be taught at an early age the fundamentals of
      “table” manners in such a way that by the time they have reached
      the years of manhood the correct use of knife, fork, spoon and
      fingerbowl is to them almost second nature. But the parents
      should remember, above everything else, to instruct their
      children in such a way that the pupil takes pleasure in his
      lessons. This is the method which is employed today in every
      successful school or “kindergarten”; this is the method which
      really produces satisfactory results.

      Thus, for example, if you are a father and your boy Edward
      persists in bringing his pet tadpole to the table in a glass jar,
      you should not punish or scold him; a much more effective and
      graphic method of correcting this habit would be for you to
      suddenly pick up the tadpole one day at luncheon and swallow it.
      No whipping or scolding would so impress upon the growing boy the
      importance of the fact that the dinner table is not the place for
      pets.

      Another effective way of teaching table manners to children
      consists in making up attractive games about the various lessons
      to be learned. Thus, whenever you have guests for dinner, the
      children can play “Boner” which consists in watching the visitor
      closely all during the meal in order to catch him in any
      irregularity in table etiquette. As soon as the guest has
      committed a mistake, the first Child to discover it points his
      finger at him and shouts, “Pulled a Boner, Pulled a Boner!” and
      the boy or girl who discovers the greatest number of “Boners”
      during the evening is rewarded with a prize, based on the
      following table of points:

 If the guest has dirty hands, 5 points.
 If the guest uses wrong fork or spoon, 5 points.
 If the guest chokes on bone, 8 points.
 If the guest blows on soup, 5 points.
 If the guest drops fork or spoon, 3 points.
 If the guest spills soup on table, 10 points.
 If the guest spills soup on self, 1 point.

      Of course it is often well to tell the guests about the game in
      advance in order that they may not feel embarrassed but will
      enter thoroughly into the spirit of this helpful sport.

      A CHILD’S GARDEN OF ETIQUETTE

      Children can also acquire knowledge more easily if it is imparted
      to them in the form of verse or easy rhymes, and many valuable
      facts about the dinner table can be embodied in children’s
      verses. A few of these which I can remember from my own happy
      childhood are as follows:

 Oh, wouldn’t it be jolly
 To be a nice _hors d’œuvre_
 And just bring joy to people
 Whom fondest you were of.

 Soup is eaten with a spoon
 But not to any haunting tune.

 Oysters live down in the sea
 In zones both temp. and torrid,
 And when they are good they are very good indeed,
 And when they are bad they are horrid.

 My papa makes a lovely Bronx
 With gin so rare and old,
 And two of them will set you right
 But four will knock you cold.

 The boys with Polly will not frolic
 Because she’s eaten too much garlic.
 Mama said the other day,
 “A little goes a long, long way.”

 A wind came up out of the sea
 And said, “Those dams are not for me.”

 Uncle Frank choked on a bone
 From eating shad _au gratin_
 Aunt Ethel said it served him right
 And went back to her flat in
     NEWARK (spoken)
     Poor Uncle Frank! (chanted)

 I love my little finger bowl
 So full of late filet of sole.

 Cousin George at lunch one day
 Remarked, “That apple looks quite tasty.
 Now George a dentist’s bill must pay
 Because he was so very hasty.
 The proverb’s teachings we must hold
 “All that glitters is not gold.”
 And mama said to George, “Oh, shoot,
 You’ve gone and ruined my glass fruit.”

 Jim broke bread into his soup,
 Jim knocked Mrs. Vanderbilt for a loop.
 Kate drank from her finger bowl,
 Kate knocked Mrs. Vanderbilt for a goal.
 Children who perform such tricks
 Are socially in Class G-6.

      ETIQUETTE IN THE SCHOOL

      Of course, as the children become older, the instruction should
      gradually come to embrace all forms of correct behaviour, and the
      youthful games and rhymes should give way to the more complex and
      intricate problems of mature social etiquette. It is suggested
      that the teachings during this period may be successfully
      combined with the young gentleman’s or lady’s other schoolroom
      studies; in the case of mathematics, for example, the instruction
      might be handled in somewhat the following manner:

      _A Problem in Mathematics (7th grade)_

      _A swimmer starts across a stream which is 450 yards wide. He
      swims for five minutes at the rate of three miles per hour, and
      for three minutes at the rate of four miles per hour. He then
      reaches the other bank, where he sees a young lady five feet ten
      inches tall, walking around a tree, in a circle the circumference
      of which is forty-two yards._

  _A. What is the diameter of the circle?
  B. How fast is the current flowing in the stream?
  C. At what point would the swimmer land if there were no current
  in the stream?
  D. At what point does the swimmer actually land?
  E. But suppose that he has no bathing suit on?_

      And so, when the young person has reached the age for his first
      formal dinner party, he will undoubtedly be able to handle the
      fundamentals of correct etiquette in a satisfactory manner. But,
      as in every sport or profession, there are certain
      refinements—certain niceties which come only after long
      experience—and it is with a view of helping the ambitious
      diner-out to master these more complex details, that I suggest
      that he study carefully the following “unwritten laws” which
      govern every dinner party.

      In the first place, a guest is supposed tacitly to consent to the
      menu which the hostess has arranged, and the diner-out who makes
      a habit of saying “Squab, you know, never agrees with me—I wonder
      if I might have a couple of poached eggs,” is apt to find that
      such squeamishness does not pay in the long run.

      Practical jokes are never countenanced at a formal affair of this
      sort. I do not mean that a certain amount of good-natured fun is
      out of place, but such “stunts” as pulling the hostess’ chair out
      from under her—or gleefully kicking the shins of your neighbor
      under the table and shouting “Guess who?”—are decidedly among the
      “non-ests” of correct modern dinner-table behaviour.

      Then, too, it is now distinctly bad form to practise legerdemain
      or feats of sleight-of-hand at a dinner party. Time was when it
      was considered correct for a young man who could do card or other
      tricks to add to the gayety of the party by displaying his skill,
      but that time is past, and the guest of today, who thinks to make
      a “hit” by pulling a live rabbit or a potted plant from the back
      of the mystified hostess or one of the butlers, is in reality
      only making a “fool” of himself if he only knew it. The same
      “taboo” also holds good as concerns feats of juggling and no
      hostess of today will, I am sure, ever issue a second invitation
      to a young man who has attempted to enliven her evening by
      balancing, on his nose, a knife, a radish, a plate of soup and a
      lighted candle. “Cleverness” is a valuable asset but only up to a
      certain point, and I know of one unfortunately “clever” young
      chap who almost completely ruined a promising social career by
      the unexpected failure of one of his pet juggling tricks and the
      consequent dumping of a large dish of mashed potatoes on the head
      of a vice-president of the Equitable Trust Company. Besides,
      people almost always distrust “clever” persons.

      It does not “do,” either, to “ride your hobby” at a dinner party,
      and the real truth as to the cause of the sudden social ostracism
      of young Freddie H——, a New York clubman of some years ago (now
      happily deceased), is that on one occasion this young fellow, who
      had developed a craze for marksmanship amounting almost to a
      mania, very nearly ruined a dinner party given by a prominent
      Boston society matron by attempting to shoot the whiskers off a
      certain elderly gentleman, who happened to be a direct descendant
      of John Smith and Priscilla Alden.

      It might also be remarked that the possession of certain physical
      gifts—such as the ability to wriggle one’s ears or do the
      “splits”—is in itself no “open sesame” to lasting social success.
      “Slow and sure” is a good rule for the young man to follow, and
      although he may somewhat enviously watch his more brilliant
      colleagues as they gain momentary applause by their ability to
      throw their thumbs out of joint or squirt water through a hole in
      their front teeth, yet he may console himself with the thought
      that “the race is not always to the swift” and that “Rome was not
      built in a day.” The gifts of this world have been distributed
      fairly equally, and you may be sure that the young girl who has
      been born a ventriloquist very likely is totally unable to spell
      difficult words correctly or carry even a simple tune.
      Ventriloquism, by the way, is also passing out as a form of
      dinner party diversion, and it is no longer considered a
      priceless accomplishment to be able to make a dog bark or a baby
      cry under the hostess’s chair.

      CONVERSATION AT DINNER

      Gradually, however, conversation—real conversation—is coming into
      its own as the favorite pastime of dinner guests, and the young
      man or lady who can keep the conversational “ball” rolling is
      coming more and more into demand. Good conversationalists are, I
      fear, born and not made—but by study and practise any ambitious
      young man can probably acquire the technique, and, with time,
      mould himself into the kind of person upon whom hostesses depend
      for the success of their party. As an aid in this direction I
      have prepared the following chart which I would advise all my
      readers to cut out and paste in some convenient place so that at
      their next dinner party it can be readily consulted.

      STEWART’S LIGHTNING CALCULATOR OF DINNER TABLE CONVERSATION

      This chart divides the dinner into its various courses, and under
      each course is given what I call an “opening sentence,” together
      with your partner’s probable reply and the topic which is then
      introduced for discussion. And, most valuable of all, under each
      such topic I have listed certain helpful facts which will enable
      you to prolong the conversation along those lines until the
      arrival of the next course, and the consequent opening of another
      field for discussion. The chart follows:

      I. _Cocktails._

      You say to the partner on your right: “What terrible gin!” She
      (he) replies: “Perfectly ghastly.” This leads to a discussion of:
      Some Aspects of Alcohol. Helpful Facts:

      1. An oyster soaked in alcohol becomes quite rigid in eleven
      minutes.

      2. Senator Volstead was born Sept. 4, 1869.

      3. Alcohol, if taken in too great quantities, often produces
      internal disorders.

      II. _Oysters._

      You say to the partner on your right: “Think of being an oyster!”

      She (he) replies: “How perfectly ghastly.”

      This leads to a discussion of: Home Life of Oysters.

      Helpful Facts:

      1. The average life of an oyster is 38 days, 11 hours.

      2. Polygamy is practised among certain classes of oysters.

      3. The first oyster was eaten by Ossip Gatch, a Pole (d. 1783).

      III. _Fish._

      You say to the partner at your right: “Do you enjoy fish?”

      She (he) replies: “I simply adore fish.”

      This leads to a discussion of: Fish—Then, and Now.

      Helpful Facts:

      1. Fish make notoriously bad pets, whereas seals can be taught to
      do many novel tricks.

      2. Gloucester (Mass.) smells badly in summer.

      3. Gloucester (Mass.) smells badly in winter.

      IV. _Meat._

      You say to the partner at your right: “Have you ever been through
      the Stock-Yards?”

      She (he) replies: “No.” (“Yes.”)

      This leads to a discussion of: “The Meat Industry in America.”

      Helpful Facts:

      1. Every time a street car goes over the Brooklyn Bridge, a steer
      is killed in Chicago—and oftener.

      2. Raw beefsteak in quantities is harmful to children under two
      years of age.

      3. A man died recently in Topeka, Kansas, weighing 312 pounds.

      4. Many prominent people live on the North Side of Chicago.

      V. _Salad._

      You say to the partner at your right: “What is your favorite
      salad?”

      She (he) replies: “I don’t know, what’s yours?”

      This leads to a discussion of: Favorite Things.

      Helpful Facts:

      1. Richard Barthelmess is married.

      2. B. V. D. stands for “Best Value Delivered.”

      3. Amy Lowell is fond of cigars.

      _VI. Dessert._

      You say to the partner at your right: “I love ice cream.”

      She (he) replies: “So do I.”

      This leads to a discussion of: Love.

      Helpful Facts:

      1. New York is the hardest state in which to get a divorce in
      America.

      2. Dr. Sigmund Freud is now living in Vienna, Austria.

      3. D. H. Lawrence has a black beard.

      BALLS AND DANCES

      In order to succeed in the modern ballroom, and especially in the
      ballrooms of our exclusive country clubs, a young gentleman or
      lady of fashion must today be possessed of the following two
      requisites: i. A “Line.” 2. A closed car. The latter of these
      “sine qua nons” is now owned as a matter of course by most
      families and is no longer regarded as a mark of distinction. The
      former requisite, however, is not so common, but it is
      nevertheless true that any young person with ambition and a good
      memory can eventually acquire a quite effective “Line.” It is a
      great aid in this direction if one happens to have spent a year
      or more at one of our leading eastern universities or “finishing
      schools.” These vary, of course, in degree of excellence, but it
      does not pay to be dogmatic on this subject, and to those who
      would insist that the Princeton “Line” is more effective than the
      Harvard ditto, or that the Westover “Line” flows more smoothly
      than that of Farmington or Spence, one can only say “De gustibus
      non disputandum est.” “Lines” vary also in accordance with the
      different types of girls who happen to be using them, and (to
      misquote a rather vulgar proverb) “What is one girl’s food may be
      another girl’s poison.” Thus it happens that the “Line” which is
      most universally and interminably employed by the “beautiful”
      type of girl (consisting, in its entirety, of the three words
      “How perfectly priceless”) would never in the world do for the
      young miss whose chief asset is a kind heart or a love for really
      good books.

[Illustration]

A Word of Warning and Encouragement _The above diagram (one of man),
filling the instructive and refined pages of_ PERFECT BEHAVIOR, _will
serve as a model to any debutante or dancing man who seriously sets out
to achieve social eminence. It is only fair to warn aspirants that
rigid adherence to the formula is essential and that any slight
slackening of the pace is likely to prove fatal. On the other hand, we
confidently guarantee complete success to those who, in reverence and
faith, keep the final goal always in sight. His (or hers) be it to keep
the sacred flame burning and to pass the torch along from father to
son, from mother to daughter till the end of time, or so long as they
do not make any mesalliances, which is just as important in America,
whatever may be said to the contrary, as among our “English cousins.”_

      MIXED DANCING

      Another quality which is often helpful on the dance floor,
      especially to girls, is the ability to dance. This seems to have
      become largely a trick of keeping abreast of the latest “mode”
      and while, personally, I greatly regret the passing of the
      stately lancers and other dignified “round dances,” yet, if
      “mixed dancing” has come to stay, it is the duty of every young
      person to learn to dance as well as possible in the generally
      accepted manner, even though this often involves some
      compromising of one’s _amour propre_.

      But in addition to all these necessary qualifications the really
      great person—the true super man or woman of the ballroom—must be
      possessed of that certain divine something, that _je ne sais
      quoi_ ability to rise superior to all occasions, to overcome the
      most difficult situations, which has distinguished the great men
      and women of all ages. Joan of Arc had it, George Washington had
      it, Napoleon had it—and I venture to say that any of these three,
      had they lived today, Would have been a social success. But
      perhaps this fact can best be illustrated by taking a typical
      instance in the ballroom in which “When duty whispered low ‘Thou
      must,’ the youth replied ‘I can.’”

      HINTS FOR STAGS

      Let us suppose, for example, that you are a young man who has
      been invited to a dance to be given at the East Shore Country
      Club. It is your original intention, let us say, to attend as a
      “stag,” but on the afternoon of the party you receive a note from
      a young lady of your acquaintance asking if you would be so kind
      as to accompany to the ball a guest of hers, a “sweet girl from
      South Orange” who was in her class at college.

      The correct costume for a dance of this sort is usually a dinner
      coat with a black or white vest, and when you have robed yourself
      correctly, you should drive in your car to the young lady’s home.
      There you are presented to the sweet girl from South Orange, who
      is six feet tall and has protruding teeth. After the customary
      words of greeting and a few brief bits of pleasantry, you set off
      with your partner for the dance.

      Arrived at the East Shore Club, you find the party in “full
      swing,” and after shaking hands with your host and hostess, you
      should ask your partner if she would care to dance.

      The first three times that she steps on your left foot, you
      should politely murmur, “My fault.” But when she begins to sing
      in your ear it is proper to steer her over toward the “stag line”
      in order to petition for an injunction or a temporary restraining
      order.

      The “stag line” consists of a group of the wisest, shrewdest and
      most hard-hearted young men ever gathered together under one
      roof. The original purpose of a “stag line” was to provide a
      place where unattached young men might stand while searching for
      a partner, but the institution has now come to be a form of
      Supreme Court, passing life or death sentence upon the various
      debutantes who pass before it.

      After you have piloted your partner five times along the length
      of this line you have a pretty fair idea as to her merits or
      demerits, and, in this particular case, you have a pretty fair
      idea as to just what the evening holds out for you. When the
      music stops you should therefore lead the girl over to a chair
      and ask to be allowed to bring her a glass of punch.

      Instead of going directly to the punch bowl, you should turn your
      steps toward the “stag line.” There you will find several young
      men whom only as late as that afternoon you counted among your
      very best friends, but who do not, at the present, seem to
      remember ever having met you before. Seizing the arm of one of
      these you say, “Tom, I want you to meet——” That is as far as you
      will get, for Tom will suddenly interrupt you by remarking,
      “Excuse me a minute, Ed—, I see a girl over there I’ve simply got
      to speak to. I’ll come right back.”

      He will not come right back. He will not come back at all. And
      after you have met with the same response from four other
      so-called friends, you should return to the South Orange visitor
      and “carry on.”

      At the end of the second hour, however, your mind should begin to
      clear, and if you are at all possessed of the qualifications for
      future ballroom leadership, you should gradually throw off the
      slough of despond and determine to make a fight for life, liberty
      and the pursuit of happiness. And when the music has once more
      ceased, you should ask your partner if she would not care to take
      a jaunt in the open air.

      “I know a lovely walk,” you should say, “across a quaint old
      bridge.”

      The rest is, of course, easy. Arrived in the middle of the quaint
      old bridge, which leads across a cavern some three hundred feet
      deep, you should quickly seize the tall college graduate, and
      push her, not too roughly or ungentlemanly, off the bridge.

      And, if you are really a genius, and not merely “one of the
      crowd” you will return to the ballroom and, going up to the young
      lady who was responsible for your having met the sweet girl from
      South Orange, you will offer her your arm, and smile invitingly.

      “I know a lovely walk,” you will say, “across a quaint old
      bridge.”

[Illustration]





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