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Title: The Glebe 1914/01 (Vol. 1, No. 4): Love of One's Neighbor
Author: Andreyev, Leonid
Language: English
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                         Love of One's Neighbor

                                  THE
                                 GLEBE

                                VOLUME 1
                                NUMBER 4

                                JANUARY
                                  1914

                              SUBSCRIPTION
                          Three Dollars Yearly
                          THIS ISSUE 35 CENTS

                           By Leonid Andreyev


The only editorial policy of THE GLEBE is that embodied in its
declaration of absolute freedom of expression, which makes for a range
broad enough to include every temperament from the most radical to the
most conservative, the only requisite being that the work should have
unmistakable merit. Each issue will be devoted exclusively to one
individual, thereby giving him an opportunity to present his work in
sufficient bulk to make it possible for the reader to obtain a much more
comprehensive grasp of his personality than is afforded him in the
restricted space allotted by the other magazines. Published monthly, or
more frequently if possible, THE GLEBE will issue twelve to twenty books
per year, chosen on their merits alone, since the subscription list does
away with the need of catering to the popular demand that confronts
every publisher. Thus, THE GLEBE can promise the best work of American
and foreign authors, known and unknown.

The price of each issue of THE GLEBE will vary with the cost of
publication, but the yearly subscription, including special numbers, is
three dollars.

                                 Editor
                            ALFRED KREYMBORG


                         LOVE OF ONE'S NEIGHBOR



                         LOVE OF ONE'S NEIGHBOR


                                   BY
                            LEONID ANDREYEV

                       AUTHORIZED TRANSLATION BY
                             THOMAS SELTZER


                                NEW YORK
                        ALBERT AND CHARLES BONI
                            96 FIFTH AVENUE
                                  1914


                            Copyright, 1914
                                   By
                        Albert and Charles Boni



                         LOVE OF ONE'S NEIGHBOR


SCENE. A wild place in the mountains.

(A man in an attitude of despair is standing on a tiny projection of a
rock that rises almost sheer from the ground. How he got there it is not
easy to say, but he cannot be reached either from above or below. Short
ladders, ropes and sticks show that attempts have been made to save the
unknown person, but without success.

It seems that the unhappy man has been in that desperate position a long
time. A considerable crowd has already collected, extremely varied in
composition. There are venders of cold drinks; there is a whole little
bar behind which the bartender skips about out of breath and
perspiring--he has more on his hands than he can attend to; there are
peddlers selling picture postal cards, coral beads, souvenirs, and all
sorts of trash. One fellow is stubbornly trying to dispose of a
tortoise-shell comb, which is really not tortoise-shell. Tourists keep
pouring in from all sides, attracted by the report that a catastrophe is
impending--Englishmen, Americans, Germans, Russians, Frenchmen,
Italians, etc., with all their peculiar national traits of character,
manner and dress. Nearly all carry alpenstocks, field-glasses and
cameras. The conversation is in different languages, all of which, for
the convenience of the reader, we shall translate into English.

At the foot of the rock where the unknown man is to fall, two policemen
are chasing the children away and partitioning off a space, drawing a
rope around short stakes stuck in the ground. It is noisy and jolly.)

POLICEMAN. Get away, you loafer! The man'll fall on your head and then
your mother and father will be making a hullabaloo about it.

BOY. Will he fall here?

POLICEMAN. Yes, here.

BOY. Suppose he drops farther?

SECOND POLICEMAN. The boy is right. He may get desperate and jump, land
beyond the rope and hit some people in the crowd. I guess he weighs at
least about two hundred pounds.

FIRST POLICEMAN. Move on, move on, you! Where are you going? Is that
your daughter, lady? Please take her away! The young man will soon fall.

LADY. Soon? Did you say he is going to fall soon? Oh, heavens, and my
husband's not here!

LITTLE GIRL. He's in the café, mamma.

LADY (desperately). Yes, of course. He's always in the café. Go call
him, Nellie. Tell him the man will soon drop. Hurry! Hurry!

VOICES. Waiter!--Garçon--Kellner--Three beers out here!--No
beer?--What?--Say, that's a fine bar--We'll have some in a moment--Hurry
up--Waiter!--Waiter!--Garçon!

FIRST POLICEMAN. Say, boy, you're here again?

BOY. I wanted to take the stone away.

POLICEMAN. What for?

BOY. So he shouldn't get hurt so badly when he falls.

SECOND POLICEMAN. The boy is right. We ought to remove the stone. We
ought to clear the place altogether. Isn't there any sawdust or sand
about?

(Two English tourists enter. They look at the unknown man through
field-glasses and exchange remarks.)

FIRST TOURIST. He's young.

SECOND TOURIST. How old?

FIRST TOURIST. Twenty-eight.

SECOND TOURIST. Twenty-six. Fright has made him look older.

FIRST TOURIST. How much will you bet?

SECOND TOURIST. Ten to a hundred. Put it down.

FIRST TOURIST (writing in his note-book. To the policeman). How did he
got up there? Why don't they take him off?

POLICEMAN. They tried, but they couldn't. Our ladders are too short.

SECOND TOURIST. Has he been here long?

POLICEMAN. Two days.

FIRST TOURIST. Aha! He'll drop at night.

SECOND TOURIST. In two hours. A hundred to a hundred.

FIRST TOURIST. Put it down. (He shouts to the man on the rock.) How are
you feeling? What? I can't hear you.

UNKNOWN MAN (in a scarcely audible voice). Bad, very bad.

LADY. Oh, heavens, and my husband is not here!

LITTLE GIRL (running in). Papa said he'll get here in plenty of time.
He's playing chess.

LADY. Oh, heavens! Nellie, tell him he must come. I insist. But perhaps
I had rather-- Will he fall soon, Mr. Policeman? No? Nellie, you go.
I'll stay here and keep the place for papa.

(A tall, lanky woman of unusually independent and military appearance
and a tourist dispute for the same place. The tourist, a short, quiet,
rather weak man, feebly defends his rights; the woman is resolute and
aggressive.)

TOURIST. But, lady, it is my place. I have been standing here for two
hours.

MILITARY WOMAN. What do I care how long you have been standing here. I
want this place. Do you understand? It offers a good view, and that's
just what I want. Do you understand?

TOURIST (weakly). It's what I want, too.

MILITARY WOMAN. I beg your pardon, what do you know about these things
anyway?

TOURIST. What knowledge is required? A man will fall. That's all.

MILITARY WOMAN (mimicking). "A man will fall. That's all." Won't you
have the goodness to tell me whether you have ever seen a man fall? No?
Well, I did. Not one, but three. Two acrobats, one rope-walker and three
aeronauts.

TOURIST. That makes six.

MILITARY WOMAN (mimicking). "That makes six." Say, you are a
mathematical prodigy. And did you ever see a tiger tear a woman to
pieces in a zoo, right before your eyes? Eh? What? Yes, exactly. Now, I
did-- Please! Please!

(The tourist steps aside, shrugging his shoulders with an air of injury,
and the tall woman triumphantly takes possession of the stone she has
won by her prowess. She sits down, spreading out around her her bag,
handkerchiefs, peppermints, and medicine bottle, takes off her gloves
and wipes her field-glass, glancing pleasantly on all around. Finally
she turns to the lady who is waiting for her husband in the café.)

MILITARY WOMAN (amiably). You will tire yourself out, dear. Why don't
you sit down?

LADY. Oh, my, don't talk about it. My legs are as stiff as that rock
there.

MILITARY WOMAN. Men are so rude nowadays. They will never give their
place to a woman. Have you brought peppermints with you?

LADY (frightened). No. Why? Is it necessary?

MILITARY WOMAN. When you keep looking up a long time you are bound to
get sick. Sure thing. Have you spirits of ammonia? No? Good gracious,
how thoughtless! How will they bring you back to consciousness when he
falls? You haven't any smelling salts either, I dare say. Of course not.
Have you anybody to take care of you, seeing that you are so helpless
yourself?

LADY (frightened). I will tell my husband. He is in the café.

MILITARY WOMAN. Your husband is a brute.

POLICEMAN. Whose coat is this? Who threw this rag here?

BOY. It's mine. I spread my coat there so that he doesn't hurt himself
so badly when he falls.

POLICEMAN. Take it away.

(Two tourists armed with cameras contending for the same position.)

FIRST TOURIST. I wanted this place.

SECOND TOURIST. You wanted it, but I got it.

FIRST TOURIST. You just came here. I have had this place for two days.

SECOND TOURIST. Then why did you go without even leaving your shadow?

FIRST TOURIST. I wasn't going to starve myself to death.

COMB-VENDER (mysteriously). Tortoise-shell.

TOURIST (savagely). Well?

VENDER. Genuine tortoise-shell.

TOURIST. Go to the devil.

THIRD TOURIST, PHOTOGRAPHER. For heaven's sake, lady, you're sitting on
my camera!

LITTLE LADY. Oh! Where is it?

TOURIST. Under you, under you, lady.

LITTLE LADY. I am so tired. What a wretched camera you have. I thought
it felt uncomfortable and I was wondering why. Now I know; I am sitting
on your camera.

TOURIST (agonized). Lady!

LITTLE LADY. I thought it was a stone. I saw something lying there and I
thought: A queer-looking stone; I wonder why it's so black. So that's
what it was; it was your camera. I see.

TOURIST (agonized). Lady, for heaven's sake!

LITTLE LADY. Why is it so large, tell me. Cameras are small, but this
one is so large. I swear I never had the faintest suspicion it was a
camera. Can you take my picture? I would so much like to have my picture
taken with the mountains here for a background, in this wonderful
setting.

TOURIST. How can I take your picture if you are sitting on my camera?

LITTLE LADY (jumping up, frightened). Is it possible? You don't say so.
Why didn't you tell me so? Does it take pictures?

VOICES. Waiter, one beer!--What did you bring wine for?--I gave you my
order long ago.--What will you have, sir?--One minute.--In a second.
Waiter!--Waiter--Toothpicks!--

(A fat tourist enters in haste, panting, surrounded by a numerous
family.)

TOURIST (crying). Mary! Aleck! Jimmie!--Where is Mary? For God's sake!
Where is Mary?

STUDENT (dismally). Here she is, papa.

TOURIST. Where is she? Mary!

GIRL. Here I am, papa.

TOURIST. Where in the world are you? (He turns around.) Ah, there! What
are you standing back of me for? Look, look! For goodness sake, where
are you looking?

GIRL (dismally). I don't know, papa.

TOURIST. No, that's impossible. Imagine! She never once saw a lightning
flash. She always keeps her eyes open as wide as onions, but the instant
it flashes she closes them. So she never saw lightning, not once. Mary,
you are missing it again. There it is! You see!

STUDENT. She sees, papa.

TOURIST. Keep an eye on her. (Suddenly dropping into tone of profound
pity.) Ah, poor young man. Imagine! He'll fall from that high rock.
Look, children, see how pale he is! That should be a lesson to you how
dangerous climbing is.

STUDENT (dismally). He won't fall to-day, papa!

SECOND GIRL. Papa, Mary has closed her eyes again.

FIRST STUDENT. Let us sit down, papa! Upon my word, he won't fall
to-day. The porter told me so. I can't stand it any more. You've been
dragging us about every day from morning till night visiting art
galleries.

TOURIST. What's that? For whose benefit am I doing this? Do you think I
enjoy spending my time with a dunce?

SECOND GIRL. Papa, Mary is blinking her eyes again.

SECOND STUDENT. I can't stand it either. I have terrible dreams.
Yesterday I dreamed of garçons the whole night long.

TOURIST. Jimmie.

FIRST STUDENT. I have gotten so thin I am nothing but skin and bones. I
can't stand it any more, father. I'd rather be a farmer, or tend pigs.

TOURIST. Aleck.

FIRST STUDENT. If he were really to fall--but it's a fake. You believe
every lie told you! They all lie. Baedecker lies, too. Yes, your
Baedecker lies!

MARY (dismally). Papa, children, he's beginning to fall.

(The man on the rock shouts something down into the crowd. There is
general commotion. Voices, "Look, he's falling." Field-glasses are
raised; the photographers, violently agitated, click their cameras; the
policemen diligently clean the place where he is to fall.)

PHOTOGRAPHER. Oh, hang it! What is the matter with me? The devil! When a
man's in a hurry--

SECOND PHOTOGRAPHER. Brother, your camera is closed.

PHOTOGRAPHER. The devil take it.

VOICES. Hush! He's getting ready to fall.-- No, he's saying
something.--No, he's falling.--Hush!

UNKNOWN MAN ON THE ROCK (faintly). Save me! Save me!

TOURIST. Ah, poor young man. Mary, Jimmie, there's a tragedy for you.
The sky is clear, the weather is beautiful, and has he to fall and be
shattered to death? Can you realize how dreadful that is, Aleck?

STUDENT (wearily). Yes, I can realize it.

TOURIST. Mary, can you realize it? Imagine. There is the sky. There are
people enjoying themselves and partaking of refreshments. Everything is
so nice and pleasant, and he has to fall. What a tragedy! Do you
remember Hamlet?

SECOND GIRL (prompting). Hamlet, Prince of Denmark, of Alsinore.

JAMES. Of Helsingfors, I know. Don't bother me, father!

MARY (dismally). He dreamed about garçons all night long.

ALECK. Why don't you order sandwiches, father.

COMB-VENDER (mysteriously). Tortoise-shell. Genuine tortoise-shell.

TOURIST (credulously). Stolen?

VENDER. Why, sir, the idea!

TOURIST (angrily). Do you mean to tell me it's genuine if it isn't
stolen? Go on. Not much.

MILITARY WOMAN (amiably). Are all these your children?

TOURIST. Yes, madam. A father's duty. You see, they are protesting. It
is the eternal conflict between fathers and children. Here is such a
tragedy going on, such a heart-rending tragedy--Mary, you are blinking
your eyes again.

MILITARY WOMAN. You are quite right. Children must be hardened to
things. But why do you call this a terrible tragedy? Every roofer, when
he falls, falls from a great height. But this here--what is it? A
hundred, two hundred feet. I saw a man fall plumb from the sky.

TOURIST (overwhelmed). You don't say?

ALECK. Children, listen. Plumb from the sky.

MILITARY WOMAN. Yes, yes. I saw an aeronaut drop from the clouds and go
crash upon an iron roof.

TOURIST. How terrible!

MILITARY WOMAN. That's what I call a tragedy. It took two hours to bring
me back to consciousness, and all that time they pumped water on me, the
scoundrels. I was nearly drowned. From that day on I never step out of
the door without taking spirits of ammonia with me.

(Enter a strolling troop of Italian singers and musicians: a short, fat
tenor, with a reddish beard and large, watery, stupidly dreamy eyes,
singing with extraordinary sweetness; a skinny humpback with a jockey
cap, and a screeching baritone; a bass who is also a mandolinist,
looking like a bandit; a girl with a violin, closing her eyes when she
plays, so that only the whites are seen. They take their stand and begin
to sing: "Sul mare luccica--Santa Lucia, Santa Lucia--")

MARY (dismally). Papa, children, look. He is beginning to wave his
hands.

TOURIST. Is that the effect the music has upon him?

MILITARY WOMAN. Quite possible. Music usually goes with such things. But
that'll make him fall sooner than he should. Musicians, go away from
here! Go!

(A tall tourist, with up-curled mustache, violently gesticulating,
enters, followed by a small group attracted by curiosity.)

TALL TOURIST. It's scandalous. Why don't they save him? Ladies and
gentlemen, you all heard him shout: "Save me." Didn't you?

THE CURIOUS (in chorus). Yes, yes, we heard him.

TALL TOURIST. There you are. I distinctly heard these words: "Save me!
Why don't they save me?" It's scandalous. Policemen, policemen! Why
don't you save him? What are you doing there?

POLICEMEN. We are cleaning up the place for him to fall.

TALL TOURIST. That's a sensible thing to do, too. But why don't you save
him? You ought to save him. If a man asks you to save him, it is
absolutely essential to save him. Isn't it so, ladies and gentlemen?

THE CURIOUS (in chorus). True, absolutely true. It is essential to save
him.

TALL TOURIST (with heat). We are not heathens, we are Christians. We
should love our neighbors. When a man asks to be saved every measure
which the government has at its command should be taken to save him.
Policeman, have you taken every measure?

POLICEMAN. Every one!

TALL TOURIST. Every one without exception? Gentleman, every measure has
been taken. Listen, young man, every measure has been taken to save you.
Did you hear?

UNKNOWN MAN (in a scarcely audible voice). Save me!

TALL TOURIST (excitedly). Gentlemen, did you hear? He again asked to be
saved. Policeman, did you hear?

ONE OF THE CURIOUS (timidly). It is my opinion that it is absolutely
necessary to save him.

TALL TOURIST. That's right. Exactly. Why, that's what I have been saying
for the last two hours. Policeman, do you hear? It is scandalous.

ONE OF THE CURIOUS (a little bolder). It is my opinion that an appeal
should be made to the highest authority.

THE REST (in chorus). Yes, yes, a complaint should be made. It is
scandalous. The government ought not to leave any of its citizens in
danger. We all pay taxes. He must be saved.

TALL TOURIST. Didn't I say so? Of course we must put up a complaint.
Young man! Listen, young man. Do you pay taxes? What? I can't hear.

TOURIST. Jimmie, Katie, listen! What a tragedy! Ah, the poor young man!
He is soon to fall and they ask him to pay a domiciliary tax.

KATE (the girl with glasses, pedantically). That can hardly be called a
domicile, father. The meaning of domicile is--

JAMES (pinching her). Lickspittle.

MARY (wearily). Papa, children, look! He's again beginning to fall.

(There is excitement in the crowd, and again a bustling and shouting
among the photographers.)

TALL TOURIST. We must hurry, ladies and gentlemen. He must be saved at
any cost. Who's going with me?

THE CURIOUS (in chorus). We are all going! We are all going?

TALL TOURIST. Policeman, did you hear? Come, ladies and gentlemen!

(They depart, fiercely gesticulating. The café grows more lively. The
sound of clinking beer glasses and the clatter of steins is heard, and
the beginning of a loud German song. The bartender, who has forgotten
himself while talking to somebody, starts suddenly and runs off, looks
up to the sky with a hopeless air and wipes the perspiration from his
face with his napkin. Angry calls of Waiter! Waiter!)

UNKNOWN MAN (rather loudly). Can you let me have some soda water?

(The waiter is startled, looks at the sky, glances at the man on the
rock, and pretending not to have heard him, walks away.)

MANY VOICES. Waiter! Beer!

WAITER. One moment, one moment!

(Two drunken men come out from the café.)

LADY. Ah, there is my husband. Come here quick.

MILITARY WOMAN. A downright brute.

DRUNKEN MAN (waving his hand to the unknown man). Say, is it very bad up
there? Hey?

UNKNOWN MAN (rather loudly). Yes, it's bad. I am sick and tired of it.

DRUNKEN MAN. Can't you get a drink?

UNKNOWN MAN. No, how can I?

SECOND DRUNKEN MAN. Say, what are you talking about? How can he get a
drink? The man is about to die and you tempt him and try to get him
excited. Listen, up there, we have been drinking your health right
along. It won't hurt you, will it?

FIRST DRUNKEN MAN. Ah, go on! What are you talking about? How can it
hurt him? Why, it will only do him good. It will encourage him. Listen,
honest to God, we are very sorry for you, but don't mind us. We are
going to the café to have another drink. Good-bye.

SECOND DRUNKEN MAN. Look, what a crowd.

FIRST DRUNKEN MAN. Come, or he'll fall and then they'll close the café.

(Enter a new crowd of tourists, a very elegant gentleman, the chief
correspondent of European newspapers at their head. He is followed by an
ecstatic whisper of respect and admiration. Many leave the café to look
at him, and even the waiter turns slightly around, glances at him
quickly, smiles happily and continues on his way, spilling something
from his tray.)

VOICES. The correspondent! The correspondent! Look!

LADY. Oh, my, and my husband is gone again!

TOURIST. Jimmie, Mary, Aleck, Katie, Charlie, look! This is the chief
correspondent. Do you realize it? The very highest of all. Whatever he
writes goes.

KATE. Mary, dear, again you are not looking.

ALECK. I wish you would order some sandwiches for us. I can't stand it
any longer. A human being has to eat.

TOURIST (ecstatically). What a tragedy! Katie dear, can you realize it?
Consider how awful. The weather is so beautiful, and the chief
correspondent. Take out your note-book, Jimmie.

JAMES. I lost it, father.

CORRESPONDENT. Where is he?

VOICES (obligingly). There, there he is. There! A little higher. Still
higher! A little lower! No, higher!

CORRESPONDENT. If you please, if you please, ladies and gentlemen, I
will find him myself. Oh, yes, there he is. Hm! What a situation!

TOURIST. Won't you have a chair?

CORRESPONDENT. Thank you. (Sits down.) Hm! What a situation! Very
interesting. Very interesting, indeed. (Whisks out his note-book;
amiably to the photographers.) Have you taken any pictures yet,
gentlemen?

FIRST PHOTOGRAPHER. Yes, sir, certainly, certainly. We have photographed
the place showing the general character of the locality--

SECOND PHOTOGRAPHER. The tragic situation of the young man--

CORRESPONDENT. Ye-es, very, very interesting.

TOURIST. Did you hear, Aleck? This smart man, the chief correspondent,
says it's interesting, and you keep bothering about sandwiches. Dunce!

ALECK. May be he has had his dinner already.

CORRESPONDENT. Ladies and gentlemen, I beg you to be quiet.

OBLIGING VOICES. It is quieter in the café.

CORRESPONDENT (shouts to the unknown man). Permit me to introduce
myself. I am the chief correspondent of the European press. I have been
sent here at the special request of the editors. I should like to ask
you several questions concerning your situation. What is your name? What
is your general position? How old are you? (The unknown man mumbles
something.)

CORRESPONDENT (a little puzzled). I can't hear a thing. Has he been that
way all the time?

VOICES. Yes, it's impossible to hear a word he says.

CORRESPONDENT (jotting down something in his note-book). Fine! Are you a
bachelor? (The unknown man mumbles.)

CORRESPONDENT. I can't hear you. Are you married? Yes?

TOURIST. He said he was a bachelor.

SECOND TOURIST. No, he didn't. Of course, he's married.

CORRESPONDENT (carelessly). You think so? All right. We'll put down,
married. How many children have you? Can't hear! It seems to me he said
three. Hm! Anyway, we'll put down five.

TOURIST. Oh, my, what a tragedy. Five children! Imagine!

MILITARY WOMAN. He is lying.

CORRESPONDENT (shouting). How did you get into this position? What? I
can't hear? Louder! Repeat. What did you say? (Perplexed, to the crowd.)
What did he say? The fellow has a devilishly weak voice.

FIRST TOURIST. It seems to me he said that he lost his way.

SECOND TOURIST. No, he doesn't know himself how he got there.

VOICES. He was out hunting.--He was climbing up the rocks.--No, no! He
is simply a lunatic!

CORRESPONDENT. I beg your pardon, I beg your pardon, ladies and
gentlemen! Anyway, he didn't drop from the sky. However-- (He quickly
jots down in his note-book.) Unhappy young man--suffering from childhood
with attacks of lunacy.--The bright light of the full moon--the wild
rocks.--Sleepy janitor--didn't notice--

FIRST TOURIST (to the second, in a whisper). But it's new moon now.

SECOND TOURIST. Go, what does a layman know about astronomy.

TOURIST (ecstatically). Mary, pay attention to this! You have before you
an ocular demonstration of the influence of the moon on living
organisms. What a terrible tragedy to go out walking on a moonlit night
and find suddenly that you have climbed to a place whence it is
impossible to climb down or be taken down.

CORRESPONDENT (shouting). What feelings are you experiencing? I can't
hear. Louder! Ah, so? Well, well! What a situation!

CROWD (interested). Listen, listen! Let's hear what his feelings are.
How terrible!

CORRESPONDENT (writes in his note-book, tossing out detached remarks).
Mortal terror numbs his limbs.--A cold shiver goes down his spinal
column.--No hope.--Before his mental vision rises a picture of family
bliss: Wife making sandwiches; his five children innocently lisping
their love.--Grandma in the arm-chair with a tube to her ear, that is,
grandpa in the arm-chair, with a tube to _his_ ear and grandma.--Deeply
moved by the sympathy of the public.--His last wish before his death
that the words he uttered with his last breath should be published in
our newspapers--

MILITARY WOMAN (indignantly). My! He lies like a salesman.

MARY (wearily). Papa, children, look, he is starting to fall again.

TOURIST (angrily). Don't bother me. Such a tragedy is unfolding itself
right before your very eyes--and you-- What are you making such big eyes
for again?

CORRESPONDENT (shouting). Hold on fast. That's it! My last question:
What message do you wish to leave for your fellow citizens before you
depart for the better world?

UNKNOWN MAN. That they may all go to the devil.

CORRESPONDENT. What? Hm, yes-- (He writes quickly.) Ardent love--is a
stanch opponent of the law granting equal rights to negroes. His last
words: "Let the black niggers--"

PASTOR (out of breath, pushing through the crowd). Where is he? Ah,
there! Poor young man. Has there been no clergyman here yet? No? Thank
you. Am I the first?

CORRESPONDENT (writes). A touching dramatic moment.--A minister has
arrived.--All are trembling on the verge of suspense. Many are shedding
tears--

PASTOR. Excuse me, excuse me! Ladies and gentlemen, a lost soul wishes
to make its peace with God-- (He shouts.) My son, don't you wish to make
your peace with God? Confess your sins to me. I will grant you remission
at once! What? I cannot hear?

CORRESPONDENT (writes). The air is shaken with the people's groans. The
minister of the church exhorts the criminal, that is, the unfortunate
man, in touching language.--The unfortunate creature with tears in his
eyes thanks him in a faint voice--

UNKNOWN MAN (faintly). If you won't go away I will jump on your head. I
weigh three hundred pounds. (All jump away frightened behind each
other.)

VOICES. He is falling! He is falling!

TOURIST (agitatingly). Mary, Aleck, Jimmie.

POLICEMAN (energetically). Clear the place, please! Move on!

LADY. Nellie, go quick and tell your father he is falling.

PHOTOGRAPHER (in despair). Oh my, I am out of films (tosses madly about,
looking pitifully at the unknown man). One minute, I'll go and get them.
I have some in my overcoat pocket over there. (He walks a short
distance, keeping his eyes fixed on the unknown man, and then returns.)
I can't, I am afraid I'll miss it. Good heavens! They are over there in
my overcoat. Just one minute, please. I'll fetch them right away. What a
fix.

PASTOR. Hurry, my friend. Pull yourself together and try to hold out
long enough to tell me at least your principal sins. You needn't mention
the lesser ones.

TOURIST. What a tragedy?

CORRESPONDENT (writes). The criminal, that is, the unhappy man, makes a
public confession and does penance. Terrible secrets revealed. He is a
bank robber--blew up safes.

TOURIST (credulously). The scoundrel.

PASTOR (shouts). In the first place, have you killed? Secondly, have you
stolen? Thirdly, have you committed adultery?

TOURIST. Mary, Jimmie, Katie, Aleck, Charlie, close your ears.

CORRESPONDENT (writing). Tremendous excitement in the crowd.--Shouts of
indignation.

PASTOR (hurriedly). Fourthly, have you blasphemed? Fifthly, have you
coveted your neighbor's ass, his ox, his slave, his wife? Sixthly--

PHOTOGRAPHER (alarmed). Ladies and gentlemen, an ass!

SECOND PHOTOGRAPHER. Where? I can't see it!

PHOTOGRAPHER (calmed). I thought I heard it.

PASTOR. I congratulate you, my son! I congratulate you! You have made
your peace with God. Now you may rest easy--Oh, God, what do I see? The
Salvation Army! Policeman, chase them away!

(Enter a Salvation Army band, men and women in uniforms. There are only
three instruments, a drum, a violin and a piercingly shrill trumpet.)

SALVATION ARMY MAN (frantically beating his drum and shouting in a nasal
voice). Brethren and sisters--

PASTOR (shouting even louder in a still more nasal voice in an effort to
drown the other's). He has already confessed. Bear witness, ladies and
gentlemen, that he has confessed and made his peace with heaven.

SALVATION ARMY WOMAN (climbing on a rock and shrieking). I once wandered
in the dark just as this sinner and I lived a bad life and was a
drunkard, but when the light of truth--

A VOICE. Why, she is drunk now.

PASTOR. Policeman, didn't he confess and make his peace with heaven?

(The Salvation Army man continues to beat his drum frantically; the rest
begin to drawl a song. Shouts, laughter, whistling. Singing in the café,
and calls of "Waiter!" in all languages. The bewildered policemen tear
themselves away from the pastor, who is pulling them somewhere; the
photographers turn and twist about as if the seats were burning under
them. An English lady comes riding in on a donkey, who, stopping
suddenly, sprawls out his legs and refuses to go farther, adding his
noise to the rest. Gradually the noise subsides. The Salvation Army band
solemnly withdraws, and the pastor, waving his hands, follows them.)

FIRST ENGLISH TOURIST (to the other). How impolite! This crowd doesn't
know how to behave itself.

SECOND ENGLISH TOURIST. Come, let's go away from here.

FIRST ENGLISH TOURIST. One minute. (He shouts.) Listen, won't you hurry
up and fall?

SECOND ENGLISH TOURIST. What are you saying, Sir William?

FIRST ENGLISH TOURIST (shouting). Don't you see that's what they are
waiting for? As a gentleman you should grant them this pleasure and so
escape the humiliation of undergoing tortures before this mob.

SECOND ENGLISH TOURIST. Sir William.

TOURIST (ecstatically). See? It's true. Aleck, Jimmie, it's true. What a
tragedy!

SEVERAL TOURISTS (going for the Englishman). How dare you?

FIRST ENGLISH TOURIST (shoving them aside). Hurry up and fall! Do you
hear? If you haven't the backbone I'll help you out with a pistol shot.

VOICES. That red-haired devil has gone clear out of his mind.

POLICEMAN (seizing the Englishman's hand). You have no right to do it,
it's against the law. I'll arrest you.

SOME TOURISTS. A barbarous nation!

(The unknown man shouts something. Excitement below.)

VOICES. Hear, hear, hear!

UNKNOWN MAN (aloud). Take that jackass away to the devil. He wants to
shoot me. And tell the boss that I can't stand it any longer.

VOICES. What's that? What boss? He is losing his mind, the poor man.

TOURIST. Aleck! Mary! This is a mad scene. Jimmie, you remember Hamlet?
Quick.

UNKNOWN MAN (angrily). Tell him my spinal column is broken.

MARY (wearily). Papa, children, he's beginning to kick with his legs.

KATE. Is that what is called convulsions, papa?

TOURIST (rapturously). I don't know. I think it is. What a tragedy?

ALECK (glumly). You fool! You keep cramming and cramming and you don't
know that the right name for that is agony. And you wear eye-glasses,
too. I can't bear it any longer, papa.

TOURIST. Think of it, children. A man is about to fall down to his death
and he is bothering about his spinal column.

(There is a noise. A man in a white vest, very much frightened, enters,
almost dragged by angry tourists. He smiles, bows on all sides,
stretches out his arms, now running forward as he is pushed, now trying
to escape in the crowd, but is seized and pulled again.)

VOICES. A bare-faced deception! It is an outrage. Policeman, policeman,
he must be taught a lesson!

OTHER VOICES. What is it? What deception? What is it all about? They
have caught a thief!

THE MAN IN THE WHITE VEST (bowing and smiling). It's a joke, ladies and
gentlemen, a joke, that's all. The people were bored, so I wanted to
provide a little amusement for them.

UNKNOWN MAN (angrily). Boss!

THE MAN IN THE WHITE VEST. Wait a while, wait a while.

UNKNOWN MAN. Do you expect me to stay here until the Second Advent? The
agreement was till twelve o'clock. What time is it now?

TALL TOURIST (indignantly). Do you hear, ladies and gentlemen? This
scoundrel, this man here in the white vest hired that other scoundrel up
there and just simply tied him to the rock.

VOICES. Is he tied?

TALL TOURIST. Yes, he is tied and he can't fall. We are excited and
worrying, but he couldn't fall even if he tried.

UNKNOWN MAN. What else do you want? Do you think I am going to break my
neck for your measly ten dollars? Boss, I can't stand it any more. One
man wanted to shoot me. The pastor preached me for two hours. This is
not in the agreement.

ALECK. Father, I told you that Baedecker lies. You believe everything
anybody tells you and drag us about without eating.

MAN IN THE WHITE VEST. The people were bored. My only desire was to
amuse the people.

MILITARY WOMAN. What is the matter? I don't understand a thing. Why
isn't he going to fall? Who, then, is going to fall?

TOURIST. I don't understand a thing either. Of course he's got to fall!

JAMES. You never understand anything, father. Weren't you told that he's
tied to the rock?

ALECK. You can't convince him. He loves every Baedecker more than his
own children.

JAMES. A nice father!

TOURIST. Silence!

MILITARY WOMAN. What is the matter? He must fall.

TALL TOURIST. The idea! What a deception. You'll have to explain this.

MAN IN THE WHITE VEST. The people were bored. Excuse me, ladies and
gentlemen, but wishing to accommodate you--give you a few hours of
pleasant excitement--elevate your spirits--inspire you with altruistic
sentiments--

ENGLISHMAN. Is the café yours?

MAN IN THE WHITE VEST. Yes.

ENGLISHMAN. And is the hotel below also yours?

GENTLEMAN. Yes. The people were bored--

CORRESPONDENT (writing). The proprietor of the café, desiring to
increase his profits from the sale of alcoholic beverages, exploits the
best human sentiments.--The people's indignation--

UNKNOWN MAN (angrily). Boss, will you have me taken off at once or won't
you?

HOTEL KEEPER. What do you want up there? Aren't you satisfied? Didn't I
have you taken off at night?

UNKNOWN MAN. Well, I should say so. You think I'd be hanging here
nights, too!

HOTEL OWNER. Then you can stand it a few minutes longer. The people are
bored--

TALL TOURIST. Say, have you any idea of what you have done? Do you
realize the enormity of it? You are scoundrels, who for your own sordid
personal ends have impiously exploited the finest human sentiment, love
of one's neighbor. You have caused us to undergo fear and suffering. You
have poisoned our hearts with pity. And now, what is the upshot of it
all? The upshot is that this scamp, your vile accomplice, is bound to
the rock and not only will he not fall as everybody expects, but he
_can't_.

MILITARY WOMAN. What is the matter? He has got to fall.

TOURIST. Policeman! Policeman!

(The pastor enters, out of breath.)

PASTOR. What? Is he still living? Oh, there he is! What fakirs those
Salvationists are.

VOICES. Don't you know that he is bound?

PASTOR. Bound! Bound to what? To life? Well, we are all bound to life
until death snaps the cord. But whether he is bound or not bound, I
reconciled him with heaven, and that's enough. But those fakirs--

TOURIST. Policeman! Policeman, you must draw up an official report.
There is no way out of it.

MILITARY WOMAN (going for the hotel owner). I will not allow myself to
be fooled. I saw an aeronaut drop from the clouds and go crash upon a
roof. I saw a tiger tear a woman to pieces--

PHOTOGRAPHER. I spoiled three films photographing that scamp. You will
have to answer for this, sir. I will hold you responsible.

TOURIST. An official report! An official report! Such a bare-faced
deception. Mary, Jimmie, Aleck, Charlie, call a policeman.

HOTEL KEEPER (drawing back, in despair). But, I can't make him fall if
he doesn't want to. I did everything in my power, ladies and gentlemen!

MILITARY WOMAN. I will not allow it.

HOTEL KEEPER. Excuse me. I promise you on my word of honor that the next
time he will fall. But he doesn't want to, to-day.

UNKNOWN MAN. What's that? What did you say about the next time?

HOTEL KEEPER. You shut up there!

UNKNOWN MAN. For ten dollars?

PASTOR. Pray, what impudence! I just made his peace with heaven when he
was in danger of his life. You have heard him threatening to fall on my
head, haven't you? And still he is dissatisfied. Adulterer, thief,
murderer, coveter of your neighbor's ass--

PHOTOGRAPHER. Ladies and gentlemen, an ass!

SECOND PHOTOGRAPHER. Where, where is an ass?

PHOTOGRAPHER (calmed). I thought I heard one.

SECOND PHOTOGRAPHER. It is you who are an ass. I have become cross-eyed
on account of your shouting: "An ass! An ass!"

MARY (wearily). Papa, children, look! A policeman is coming.

(Excitement and noise. On one side a crowd pulling a policeman, on the
other the hotel keeper; both keep crying: "Excuse me! Excuse me!")

TOURIST. Policeman, there he is, the fakir, the swindler.

PASTOR. Policeman, there he is, the adulterer, the murderer, the coveter
of his neighbor's ass--

POLICEMAN. Excuse me, excuse me, ladies and gentlemen. We will bring him
to his senses in short order and make him confess.

HOTEL KEEPER. I can't make him fall if he doesn't want to.

POLICEMAN. Hey, you, young man out there! Can you fall or can't you?
Confess!

UNKNOWN MAN (sullenly). I don't want to fall!

VOICES. Aha, he has confessed. What a scoundrel!

TALL TOURIST. Write down what I dictate, policeman-- "Desiring--for the
sake of gain to exploit the sentiment of love of one's neighbor--the
sacred feeling--a-a-a--"

TOURIST. Listen children, they are drawing up an official report. What
exquisite choice of language!

TALL TOURIST. The sacred feeling which--

POLICEMAN (writing with painful effort, his tongue stuck out). Love of
one's neighbor--the sacred feeling which--

MARY (wearily). Papa, children, look! An advertisement is coming.

(Enter musicians with trumpets and drums, a man at their head carrying
on a long pole a huge placard with the picture of an absolutely bald
head, and printed underneath: "I was bald.")

UNKNOWN MAN. Too late. They are drawing up a report here. You had better
skidoo!

THE MAN CARRYING THE POLE (stopping and speaking in a loud voice). I had
been bald from the day of my birth and for a long time thereafter. That
miserable growth, which in my tenth year covered my scalp was more like
wool than real hair. When I was married my skull was as bare as a pillow
and my young bride--

TOURIST. What a tragedy! Newly married and with such a head! Can you
realize how dreadful that is, children?

(All listen with interest, even the policeman stopping in his arduous
task and inclining his ear with his pen in his hand.)

THE MAN CARRYING THE POLE (solemnly). And the time came when my
matrimonial happiness literally hung by a hair. All the medicines
recommended by quacks to make my hair grow--

TOURIST. Your note-book, Jimmie.

MILITARY WOMAN. But when is he going to fall?

HOTEL KEEPER (amiably). The next time, lady, the next time. I won't tie
him so hard--you understand?

                               (Curtain.)


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                          Transcriber's Notes


The original spelling was mostly preserved. A few obvious typographical
errors were silently corrected. All other changes are listed here
(before/after):

   [p. 15]:
   ... is no nice and pleasant, and he has to fall. What a ...
   ... is so nice and pleasant, and he has to fall. What a ...





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