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Title: Under Three Flags - A Story of Mystery
Author: Thoits, Alvin T., Taylor, Bert Leston
Language: English
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_UNDER THREE FLAGS_
—A Story of Mystery
------------------------------------------------------------------------
UNDER THREE FLAGS
A Story of Mystery
BY
B. L. TAYLOR AND A. T. THOITS.
[Illustration]
CHICAGO AND NEW YORK:
RAND, McNALLY & COMPANY.
MDCCCXCVI.
------------------------------------------------------------------------
_A PRIZE STORY_
In THE CHICAGO RECORD’S series of “Stories of Mystery.”
_UNDER THREE FLAGS_
BY
B. L. TAYLOR AND A. T. THOITS.
(This story—out of 816 competing—was awarded the THIRD PRIZE in THE
CHICAGO RECORD’S “$30,000 to Authors” competition.)
──────────────────
Copyright, 1896, by B. L. Taylor and A. T. Thoits.
------------------------------------------------------------------------
UNDER THREE FLAGS.
----------
CHAPTER I.
“OVER THE HILLS AND FAR AWAY.”
“No; I am not tired of life. Who could be on such a day? I am weary
simply of this way of living. I want to get away—away from this stagnant
hole. It is the same dull story over and over again, day after day,
world without end, amen!”
“Would you be a bit more contented in any other spot?”
“I think so. I cannot believe that mankind in general is so selfish, so
hypocritical, and, worst crime of all, so hopelessly stupid as it is
here. The world is 25,000 miles in circumference. Why spend all one’s
days in this split in the mountains?”
“But, tell me, what is your ambition, then? Have you one?”
“You would smile pityingly if I told it you.”
“No; I’ll be as serious as—as you.”
“Then incline thine ear. I would I were the ruler of a savage tribe, in
the heart of far-away New Zealand, shut in by towering mountains from
the outer world.”
“But why spend all one’s days in a valley?”
“Oh, well, if you’re going in for a valley, why not have a good one?”
She throws herself down beside him on the grass and clasps her arms
about his neck. “You foolish boy; you don’t know what you want.”
“Don’t I?” He draws the glowing face to his and kisses it.
The two are idling in a grassy nook on the slope of one of Vermont’s
green hills, sheltered by a clump of spruce from observation and the
slanting rays of the sun.
There is an infinite calm in the late spring air, and the golden
afternoon drifts by on lazy pinions. Away in the west, across the vale,
the main spur of the Green Mountain range awaits the last pencilings of
the low-descending sun. Southward Wild River sings its way through
buttercup and daisy flecked meadows; to the north the smoke from the
chimneys of Raymond blurs the lines of as fair a landscape as earth can
boast.
Derrick Ames pulls his hat over his eyes, stretches himself on the
greensward and gazes long and lovingly at his companion. The fair face,
browned by many rambles among the hills; the rippling hair, tumbled in
confusion about mischievous and laughter-laden brown eyes; the rounded
arms; the slim, girlish figure, about which even the coarse dress donned
for mountain climbing falls in graceful lines; the dainty feet and the
perfectly turned ankles, make a picture for an artist.
She picked up the book which lies open upon the grass and glances over
its pages, dreamily.
The sun goes down in a golden haze, and still the lovers tarry in their
sylvan trysting-place.
“It is getting late and damp; we had better be moving,” he says,
finally.
They arise and take their way across the pasture, their arms clasped
about each other’s waist. Derrick is talking in low, earnest tones, with
an infrequent interruption by his companion.
“It’s no use,” he exclaims, impatiently, in reply to a protest on her
part. “Twice I have spoken to your father, with the same result. I have
been refused and insulted. He is selfish, overbearing—”
She places one hand upon his lips. “But will you not make a third
trial—for my sake,” she pleads.
“For your sake I would do anything,” he answers, pressing the soft hand
to his lips. “There is no time like the present. Will you wait for me
here?” She nods. “Where will I find your father?”
“At the bank. I think he said he would be there all the evening.”
“I will return shortly, for I know what the answer will be.”
She watches the erect form of her lover as he strides down the road
leading into the village.
The shadows deepen in the valley. The opalescent light that hangs over
the range fades into the darkening gray. The moon rises in full, round
splendor and transforms the river into a silver torrent.
The clanging of the Raymond town clock, as it hammers out the hour of 8,
rouses the girl. “Derrick should be here soon,” she murmurs. Then she
clutches her heart with an exclamation of pain and terror.
It is a swift, sharp spasm, that passes away as quickly as it came, and
which leaves the girl for several minutes afterward somewhat dazed.
Footsteps echo in the road.
“The result?” eagerly, anxiously queries the girl as Derrick reaches her
side.
He must have walked swiftly. He is breathing hard and his face is pale
as the moonlight. Or is it the reflection of that light?
“Come away from here, for God’s sake!” he exclaims in a harsh, unnatural
voice, half-dragging her into the road. “I beg your pardon; I did not
mean to be rough,” he adds, as the astonished eyes of the girl look into
his. “Will you come for a walk, dear?” And as she follows, mechanically,
wonderingly, he walks swiftly away from the village.
“I am all out of breath,” she protests, after a few moments of the
fierce pace he has set. And they stop to rest at a spring beside the
road.
“You have quarreled with father,” asserts the girl, half questioningly;
but Derrick remains silent.
He stops suddenly, and, holding her in his arms, smooths back the dark
ringlets from her moist brow. “Helen, darling, do not press me for an
answer to-night. Let us be happy in the present. God knows it may not be
for long.” He presses a passionate kiss upon the girl’s unresisting and
unresponsive lips, and then lifts to the moonlight a face as troubled as
the tossing river behind the dusky willows. As he releases her he
extends his arm toward the ball of silver that is wheeling up the
heavens. “See!” he cries. “The moon is up and it is a glorious night.
Shall we follow that pathway of silver over the hills and far away?”
A loving look is her willing assent.
The witchery that the moon is said to exert o’er mortals must be more
than a poet’s myth. A strange peace has come upon the girl. Her senses
are exalted. She seems to be walking on air. Nor does she now break upon
the silence of her companion, whose agitation has been replaced by a
singular calm.
What a stillness, yet what a busy world claims the woods they are
crossing to-night! The crawling of a beetle through the dead leaves is
distinctly heard, and a thousand small noises that the day never hears
fill the forest with a strange music.
A short distance farther and the wanderers emerge into the open and
pause to marvel at the picture spread before them.
It is a wondrous night. Bathed in a radiance that tips with silver every
dew-laden spear of grass, the pasture slopes down to a highway, and the
brawling of the brook beside it comes to their ears as a strain of
music.
Silently the lovers take their way through this fairyland, clamber over
the wall into the road, and continue on.
“I am cold,” complains the girl, with a little shiver. Derrick wraps his
light overcoat about her shoulders.
* * * * *
The striking of a town clock causes them both to start.
“Where are we?” asks the girl, looking about her in bewilderment. The
moon passes behind a cloud. The spell is over.
“Why, this is Ashfield, isn’t it? There is the station, and the church
and the—Derrick! Derrick, where have we been wandering? Five miles from
home and midnight! What will Louise and father say? We must go home at
once.”
“Home,” he repeats, bitterly, pointing to the north. “There is no home
yonder for me. Listen, Helen!” He draws her to him fiercely. “If we part
now it must be forever. I shall never go back. I cannot go back! Will
you not come away with me—somewhere—anywhere? Hark!”
The whistle of the Montreal express sounds from the north.
The girl seems not to hear him. The long whistle of the express again
echoes through the night.
“Helen, darling!” There is a world of yearning and entreaty in his
voice.
She throws her arms about him and kisses him. “Yes, Derrick; I will go
with you—to the end of the world.”
The station agent regards the pair suspiciously. In the dim light of the
kerosene lamps of the waiting-room their features are only partially
discernible.
“Sorry,” he says, “but this train don’t stop except for through
passengers to New York.”
“But we are going to New York,” almost shouts Derrick. “Quick, man!” The
train has swept around the curve above the village and is thundering
down the stretch.
“Wall, I guess I kin accommerdate ye,” drawls the station master. He
seizes his lantern and swings it about his head and No. 51 draws up
panting in the station.
“Elopement, I guess,” confides the station agent to the conductor, as
Derrick and the girl clamber aboard the train.
The latter growls something about being twenty minutes late out of St.
Albans, swings his lantern and No. 51 rumbles away in the mist and
moonlight.
------------------------------------------------------------------------
CHAPTER II.
THE PRISONER OF WINDSOR—THE TRAGEDY OF A NIGHT.
“Stanley, I have good news for you.”
“All news is alike to me, sir.”
Warden Chase of the Vermont state prison regards the young man before
him with a kindly eye.
“Your sentence of three years has been shortened by a year, as the
governor has granted you an unconditional pardon,” he announces.
“His excellency is kind,” replied the young man in a voice that
expresses no gratitude and may contain a faint shade of irony.
He is a striking-looking young fellow, even in his prison garb, his dark
hair cropped close and his eyes cast down in the passive manner enjoined
by the prison regulations. His height is about five feet ten inches and
his figure is rather slender and graceful. His face is singularly
handsome. His eyes are dark brown, almost black, and the two long years
of prison life have dimmed but little of the fire that flashes from
their depths. A square jaw bespeaks a strong will. The rather hard lines
about the firm mouth were not there two years before. He has suffered
mentally since then. There are too many gray hairs for a man of 28.
Warden Chase touches a bell. “Get Stanley’s things,” he orders the
attendant, who responds.
“Sit down, Stanley.” The young man obeys and the warden wheels about to
his desk.
“I am authorized to purchase you a railroad ticket to any station you
may designate—within reason, of course,” amends Mr. Chase. “Which shall
it be?” A bitter smile flits across Stanley’s face and he remains
silent.
“North, east, south or west?” questions Mr. Chase, poising his pen in
air.
“I have no home to go to,” finally responds Stanley, lifting his eyes
for the first time since his entrance to the room.
“No home?” repeats the warden, sympathetically. “But surely you must
want to go somewhere. You can’t stay in Windsor.”
Stanley is thoughtful. “Perhaps you had better make the station
Raymond,” he decides, and he meets squarely the surprised and
questioning look of the warden.
“But that is the place you were sent from.”
“Yes.”
“It is not your home? No; I believe you just stated that you had no
home.”
“I have none.”
“And you wish to revisit the scene of your—your trouble?”
Stanley’s gaze wanders to the open window and across the valley.
“Well, it’s your own affair,” says the warden, turning to his desk. “The
fare to Raymond is $2.50. I am also authorized to give you $5 cash, to
which I have added $10. You have assisted me about the books of the
institution and have been in every respect a model prisoner. In fact,”
supplements Mr. Chase, with a smile, “under different circumstances I
should be sorry to part with you.”
“Thank you,” acknowledges Stanley, in the same impassive tones.
“And now, my boy,” counsels the warden, laying one hand kindly on the
young man’s shoulder, “try to make your future life such that you will
never be compelled to see the inside of another house of this kind. I am
something of a judge of character. I am confident that you have the
making of a man in you. Here are your things,” as the attendant arrives
with Stanley’s effects.
Mr. Chase resumes his writing and Stanley withdraws. Once within the
familiar cell, which is soon to know him no more, his whole mood
changes.
“Free!” he breathes, exultingly, raising his clasped hands to heaven.
“What matter it if my freedom be of a few days only, of a few hours? It
will be enough for my purpose. Heavens! Two years in this hole, caged
like a wild beast, the companion of worse than beasts—a life wrecked at
28. But I’ll be revenged! As surely as there is a heaven above me, I’ll
be repaid for my months of misery. An eye for an eye, and a tooth for a
tooth!”
He throws his prison suit from him with loathing. Then he sinks back
into his apathy and the simple toilet is completed in silence.
A suit of light gray, of stylish cut, a pair of well-made boots, a
negligee shirt and a straw hat, make considerable change in his
appearance. He smiles faintly as he dons them.
He ties his personal effects in a small package. They are few—half a
dozen letters, all with long-ago post-marks, a couple of photographs,
and a small volume of Shakespeare given him by the warden, who is an
admirer of Avon’s bard.
“Off?” asks Mr. Chase, as he shakes hands. “Well, you look about the
same as when I received you. A little older, perhaps”—surveying him
critically—“and minus what I remember to have been a handsome mustache.
Good-by, my boy, and good luck. And, I say,” as Stanley strides toward
the door, “take my advice and the afternoon train for New York. Get some
honest employment and make a name for yourself. You’ve got the right
stuff in you. By the way, do you know what day it is?”
“I have not followed the calendar with reference to any particular
days.”
“The 30th day of May—Memorial day,” says Mr. Chase.
“It will be a memorial day for me,” responds Stanley. “Good-by, Mr.
Chase, and thank you for your many kindnesses.”
“I’m rather sorry to have him go,” soliloquizes the warden, as his late
charge walks slowly away from the institution. “Bright fellow, but
peculiar—very peculiar.”
Stanley proceeds leisurely along the road leading to the station. His
eyes are bent down, and he seemingly takes no note of the glories of the
May day, of the throbbings of the busy life about him. A procession of
Grand Army men, headed by a brass band that makes music more mournful
than the occasion seems to call for, passes by on the dusty highway.
“Homage for the dead; contumely for the living,” he murmurs, bitterly.
The train for the north leaves at 4:30. Stanley spends the time between
in making some small purchases at the village.
“At what hour do we arrive at Raymond?” he asks the conductor, as the
train pulls out.
“Seven forty-five, if we are on time.”
“Thank you,” returns the young man. He draws his hat over his eyes, and
turns his face to the window.
* * * * *
At 7:45 o’clock in the evening Sarah, the pretty housemaid at the
residence of Cyrus Felton, answers a sharp ring at the door bell. In the
semi-darkness of the vine-shaded porch she distinguishes only the
outlines of a man who stands well back from the door. The gas has not
yet been lighted in the hall.
“Is Mr. Felton at home?” inquires the visitor.
“The young or the old Mr. Felton?”
“The young or the old?” repeats the man to himself.
Sarah twists the door-knob impatiently. “Well?” she says.
“I beg your pardon; I was not aware that there were two Mr. Feltons. I
believe the elder is the person I wish to see.”
“He is not at home.”
“He is in town?”
“Oh, yes. He went down-street about 7 o’clock, but we expect him back
before long.”
“Would he be likely to be at his office?”
Sarah does not know. Mr. Felton rarely goes to the office evenings.
Still, he may be there.
“And the office is where?”
“In the bank block.” Sarah peers out at her questioner, but, with a
“thank you,” he has already stepped from the porch. As he strides away
in the dusk and the house door slams behind him, a second figure leaves
the shadow of the trellis, moves across the lawn and pauses at the gate.
“In the bank building,” he muses. “One visitor ahead of me. Well, there
is no need of my hurrying,” and he saunters toward the village, the
electric lamps of which have begun to flash.
At 8:05, as Sarah afterwards remembers, Cyrus Felton arrives home. Sarah
comes into the hall to receive him.
“A gentleman called to see you, sir, about ten minutes ago. Did you meet
him on your way?”
“Probably not. I have been over to Mr. Goodenough’s. Did he leave any
name?”
“No, sir. Oh, and here is a letter that a boy brought a little while
ago.” Sarah produces a note from the hall table and disappears upstairs.
Mr. Felton opens the note, glances at its contents and utters an
exclamation of impatience. He crumples the paper in his hand, seizes his
hat and hurries from the house and down the street.
In the brightly lighted room of Prof. George Black, directly over the
quarters of the Raymond National Bank, a party of young men are whiling
away a few pleasant hours. The professor is lounging in an easy-chair,
his feet in another, and is lost in a “meditation” for violin, to which
Ed Knapp is furnishing a piano accompaniment. Suddenly the professor
rests his violin across his knees.
“Hark!” he exclaims and bends his head toward the open window. “Wasn’t
that a shot downstairs?”
“Probably,” assents one of the group. “The boys in the bank have been
plugging water rats in the river all the afternoon.”
“But it’s too dark to shoot rats.”
“Oh, one can aim pretty straight by electric light. Go ahead with your
fiddling, George. Get away from that piano, Knapp, and let the professor
give us the cavatina. That’s my favorite, and your accompaniment would
ruin it. Let ’er go, professor.”
As the strains of the Raff cavatina die away, a man comes out of the
entrance of the Raymond National Bank. He glances swiftly up, then down
the street. Then he crosses the road in the shadow of a tall building
and hurries toward the station.
“There is no train, north or south, before 11:50,” says the telegraph
operator, in response to a query at the window. He is clicking off a
message and does not turn his head. His questioner vanishes.
* * * * *
“Jim, Mr. Felton wants to see you,” the clerk of the Raymond Hotel
informs the sheriff of Mansfield County, who is playing cards in a room
off the office. Sheriff Wilson is a man with a game leg, a war record,
and a wild mania for the diversion of sancho pedro. When he sits in for
an evening of that fascinating pastime he dislikes to be disturbed.
“What’s he want?” he asks absent-mindedly, for he has only two more
points to make to win the game.
“Dunno. He seems to be worked up about something.”
“High, low, pede!” announces the sheriff triumphantly. “Gentlemen, make
mine a cigar.” He throws his cards down and goes out into the office.
Cyrus Felton is pacing up and down excitedly. He grasps the officer by
the arm and half drags him from the hotel. When they are out of hearing
of the loungers he exclaims, in a voice that trembles with every
syllable:
“Mr. Wilson, a fearful crime has been committed. Mr. Hathaway has been
murdered!”
“Murdered!” The sheriff’s excitement transcends that of his companion,
who is making a desperate effort to regain his composure.
“He is at the bank. I discovered him only a few moments ago. Come, see
for yourself.”
They soon reach the bank, which is only a stone’s throw from the hotel.
After passing the threshold of the cashier’s office in the rear of the
banking-room the two men stop and look silently upon the grewsome sight
before them.
Lying upon the floor, one arm extended toward and almost touching the
wide-open doors of the vault, is the body of Cashier Roger Hathaway. His
life has ebbed in the crimson pool that stains the polished floor.
------------------------------------------------------------------------
CHAPTER III.
JACK ASHLEY, JOURNALIST.
A loud pounding on the door of his room in the tavern at South Ashfield
awakens Mr. Jack Ashley from a dream of piscatorial conquest.
“Four o’clock!” announces the disturber of his slumbers, with a parting
thump. Ashley rolls out of bed and plunges his face into a brimming bowl
of spring water.
It is early dawn. A cool breeze, laden with the scent of apple blossoms,
drifts through the window.
“God made the country and man made the town,” quotes the young man, as
he descends to the hotel office.
“Ain’t used to gittin’ up at this hour, be ye?” grins the proprietary
genius of the tavern.
“The habit, worthy host, has not fastened upon me seriously. This is
usually my hour for going to bed. Hast aught to eat?”
“Breakfas’ all ready,” with a nod toward what is known as the
dining-room.
Ashley shudders as he gazes at the spread. It is the usual Vermont
breakfast—weak coffee, two kinds of pie on one plate, and a tier of
doughnuts.
“Gad! This country is a howling wilderness of pie!” he mutters,
surveying the repast in comical despair. “And to flash it on a man at 4
a.m.! It is simply barbarous!”
During his short vacation sojourn Mr. Ashley’s epicurean tastes have
suffered a number of distinct shocks. But the ozone of the Green
Mountains has contributed toward the generation of an appetite that
needs little tempting to expend its energies. He makes a hearty
breakfast on this particular morning, drowns the memories of the menu in
a bowl of milk, and announces to Landlord Howe that he is ready to be
directed to the best trout brook in central Vermont.
Mr. Howe surveys the eight-ounce bamboo with mild disdain. “Them fancy
rigs ain’t much good on our brooks,” he declares. “Ketch more with a
75-cent rod.”
“I am rather inclined to agree with you on that point, most genial
boniface; but it’s the only rod I happen to have with me, and I expect
to return with some fish unless the myriad denizens of the brook which
you enthusiastically described last night exist only in your
imagination. By the way, what do you think of the bait?” passing over a
flask.
Mr. Howe’s faded blue eyes moisten and a kindly smile plays over a
countenance browned by many summers in the hay field.
“Didn’t buy that in Vermont,” he ventures.
“Hardly. I’m not lined with asbestos.”
The landlord grins. It is a habit he has.
“I keeps a little suthin’ on hand myself,” he confides in a cautious
undertone, although only the cattle are listening. “But fact is, there
ain’t no use er keepin’ better’n dollar’n a half a gallon liquor. The
boys want suthin’ that’ll scratch when it goes down. Now that, I opine,”
with an affectionate glance at the flask which Ashley files away for
future reference, “must a cost nigh onter $3 a gallon.”
“As much as that,” smiles Ashley. “That, most appreciative of bonifaces,
is the best whisky to be found on Fulton street, New York. Well, I must
be ‘driving along.’ Where’s this wonderful brook of yours?”
“Follow that road round through the barnyard and ‘cross the basin to the
woods. Good fishin’ for four miles. And mind,” as Ashley saunters away,
“don’t bring back any trouts that ain’t six inches long, or the fish
warden will light on ye.”
“Thanks. If I should run across the warden—” and Ashley holds up the
flask.
“That’d fetch him, I reckon,” chuckles Mr. Howe. Ashley vaults over the
bars and strides across the meadows.
Ashley is in high feather. “This air rather discounts an absinthe frappe
for stimulative purposes,” he soliloquizes. “Ah, here’s the wood,
there’s the brook, and if I mistake not, yonder pool hides a whopper
just aching for a go at the early worm.” But it doesn’t and Ashley
enters the forest.
The farther he plunges into the spice-laden wilderness the more is he
enchanted with his surroundings. Picture a cleft in the mountain whose
sides drop almost sheer to a gorge barely wide enough to accommodate a
wood road and a brook that parallels and often encroaches upon it. Tall
pines interlace and shut out the direct rays of the sun and every now
and then a cascade comes tumbling somewhere aloft and plunges into a
broad, pebble-lined basin.
As Ashley sits by one of these pools, his wading boots plunged deep in
the crystal liquid, and pulls lazily on a briar pipe, the reader is
offered the opportunity of becoming better acquainted with him.
He is a prepossessing young fellow of something like 27, medium height
and rather well built. Blue eyes and an aggressive nose, on which
gold-bowed eyeglasses are airily perched, are characteristics of a face
which has always been a passport for its owner into all society worth
cultivating. A well-shaped head is adorned with a profusion of blond
curls, supplemented by a mustache of silken texture and golden hue,
which its possessor is fond of twisting when he is in a blithesome
humor, which is often, and of tugging at savagely when in a reflective
mood, which is infrequent.
Ashley is noted among his friends for chronic good humor and unbounded
confidence in his own abilities. He is one of the brightest all-round
writers on the New York Hemisphere, and he knows it. The best of it is,
City Editor Ricker also knows it. All the office sings of his exploits
and “beats” and does their author reverence. Jack always calls himself a
newspaper man. That is the sensible title. Yet he might wear the name of
journalist much more worthily.
Ashley is in Vermont for his health. Five years of continuous hustling
on a big New York daily has necessitated a breathing spell. He was
telling Mr. Ricker that his “wheels were all run down and needed
repairing,” and that he believed he would take his vacation early this
year.
“I’ll tell you where you want to go,” volunteered the city editor, who
was “raised” among the Green Mountains and served his apprenticeship
gathering locals on a Burlington weekly.
“All right; let’s have it.”
“Take three weeks off and go up into Vermont.”
“Vermont—Vermont—where’s Vermont? O, yes, that green daub on the map of
New England. Railroad run through there?”
“Now, see here, Jack,” retorted Ricker, “you’re not so confoundedly
ignorant as you imply. That’s the trouble with you New Yorkers who were
born and bred here. You consider everything above the Harlem River a jay
community. You’re a sight more provincial than half the inhabitants of
rural New England.”
Jack laughed. “Come to think of it, you hailed from there.”
“Yes, and it’s a mighty good State to hail from. Now, you run up to
Raymond—it’s a little town about in the Y of the Green Mountain range.
You’ll not have Broadway, with its theaters, and restaurants, and bars,
but you’ll get a big room, with a clean, airy bed to sleep in—none of
your narrow hall-chamber cots—and good, plain, wholesome food to eat.
Those necessities of life which Vermont does not supply, good tobacco
and good whisky, you can take with you. You’ll come back feeling like a
fighting cock.” And before his chief finished painting the attractions
of the Green Mountain State, with incidental references to John Stark
and Ethan Allen, Ashley was willing to compromise and two days later
found him en route for Raymond.
Jack fishes the brook as he does everything else—without any waste of
mental or physical exertion.
Landlord Howe did not deceive him. It is an excellent trout brook, and
by the time the sun is well up he has acquired a well-filled creel. He
is sauntering along to what he has decided shall be the last pool, when,
as he turns a bend in the road, he runs upon a man lying beside the
path, with one arm shading his face and clutching in the other hand a
package.
“Hello!” sings out Ashley, stopping short in surprise. The man arises
and passes his hand over his eyes in bewilderment.
“Off the main road, aren’t you?” queries Ashley. The stranger makes no
reply. He bestows upon Ashley a single searching glance and hurries down
the road in the direction of the village.
“He’ll be likely to know me again,” is Jack’s comment. “Gad! What eyes!
They went through me like a stiletto. What the deuce is he prowling
around here for at this time o’ day? He isn’t a fisherman and he can’t
be farming it with those store clothes on. Well, here goes for the last
trout.”
The last trout is not forthcoming, however, so the fisherman unjoints
his rod, reloads and fires his pipe and strolls slowly back to the
hotel. Landlord Howe sees him as he comes swinging across the basin and
waits with some impatience until the young man gets within hailing
distance, when he informs him dramatically:
“Big murder at Raymond last night.”
“How big?” asks Ashley, with lazy interest. Murders are frequent
episodes in his line of business.
Well, it is the largest affair that Mr. Howe has known of “round these
parts since dad was a kid.” Roger Hathaway, cashier of the Raymond
National bank, has been found murdered and the bank robbed of a large
sum of money, and there is no clew to the murderer. The details of the
tragedy have come over the telephone wires early this morning, and the
whole county is in a fever of excitement.
“No clew?” muses Ashley, and his interest in the affair grows. Then he
thinks of the man he encountered on the brook an hour ago. “Seen any
strangers around here?” he inquires of Mr. Howe.
“No one ’cept you,” replies that worthy, contributing a broad grin.
“Oh, but I can prove an alibi,” laughs Jack. “I came down from Raymond
on the early evening train, and everyone was alive in the town then, I
guess. Are the police of this village on the lookout?”
“Well, rather. The local deputy sheriff is on the alert as never before
in his life.”
“It is not impossible that my early morning friend on the brook was
mixed up in last night’s affair,” thinks Ashley. But he says nothing of
the meeting. What is the use? If the unknown was fleeing he must be
pretty well into the next county by this time. But in what direction?
The Raymond murder is the one topic of the day at South Ashfield. The
villagers are gathered in force about the hotel veranda and Ashley
fancies that they regard him a trifle askance as he hunts up a chair and
kills an hour while waiting for the up-train, in listening to the rural
persiflage of the group and the ingenious theories of the local oracle.
“At what time did the killing occur?” he inquires of one of the
loungers. Somewhere around 8 o’clock the night before, he is informed.
“And no clew to the murderer,” he meditates. “Now, if this was New York
I’d take hold of the affair and work it for all it was worth.”
He little dreams what effect the “affair” is to have on his future. Yet
as the train bears him to Raymond the instinct of the newspaper man
tells him that it is a cast possessing phases of peculiar interest. And
he is not wholly unprepared for the telegram that is thrust into his
hands when he leaves the train.
“One of the disadvantages of telling your paper where you intend
spending your vacation,” he remarks as he glances at the dispatch. Then
to the telegraph operator: “I’ll have a story for you after supper.”
------------------------------------------------------------------------
CHAPTER IV.
THE STORY OF A CRIME.
The following dispatch appeared in the columns of the New York
Hemisphere, under the usual sensational headlines:
“Raymond, Vt., May 31.—This quiet town among the Green Mountains
had cause indeed to mourn upon this year’s occurrence of the
nation’s Memorial Day. Last evening, at the close of the most
general observance of the solemn holiday yet undertaken in
Raymond, the community was horror-stricken by the discovery of
the foulest crime ever committed within the limits of the state.
“Roger Hathaway, cashier of the Raymond National Bank and
treasurer of the Wild River Savings Bank, was found murdered at
the entrance of the joint vault of the two institutions, which
had been rifled of money and securities aggregating, it is
thought, not less than $75,000. The crime had apparently been
most carefully planned and evidenced not only thorough
familiarity with the town and the interior arrangements of the
banks, but also the possession of the fact that the national
bank had on hand at the time an unusual amount of ready money.
The position of the murdered cashier and the conditions of the
rooms indicated also that the official had met his death while
endeavoring to protect the funds entrusted to his care, his
lifeless body, in fact, barring the entrance to the rifled
vault, a mute witness to his faithfulness even unto death.
“The Raymond National and Wild River Savings Banks occupy
commodious quarters on the ground floor of Bank Block, a
three-story brick structure on Main Street, the principal
business thoroughfare of the town. The banking rooms are in the
northern portion of the block, occupying the entire depth of the
building, the only entrance being from Main Street. The north
wall of the block is parallel with a tributary of the Wild
River, which joins that stream, about 300 yards distant. The
interiors of the banking-rooms are plainly but conveniently
arranged. A steel wire cage extends east and west, separating
the officials of the institutions from the public, with the
customary counter and two windows for the savings and national
bank, respectively. At the rear of the room is the private
office of the cashier, separated from the main room in part by
the vault, an old-fashioned brick affair, built into the
partition in such a manner as to be partly in both rooms. The
iron doors to the vault open into the cashier’s private office,
although originally designed to be entirely within the main
office. Some years prior the office of the cashier was enlarged
to accommodate the meetings of the directors, and the partition
was moved east, bringing the major portion of the vault within
the enlarged room. Two doors communicate with the cashier’s
room, one opening from the public office, the other from the
interior of the main banking-room. Two large windows, looking
respectively west and north, afford light for the cashier’s
office. Both these windows are heavily barred, as indeed are the
two windows on the north side of the main office. A dark closet,
four by six feet, in the southwest corner of the cashier’s room,
serves in part as a storage-room for old ledgers, account-books
and supplies, and as a wardrobe for employes.
“It was in the cashier’s room that the tragedy that has so sadly
marred the evening of Memorial Day took place, that witnessed
the awful struggle between the assassin and the white-haired
custodian of the bank’s funds. The details of that struggle may
never be known, but the circumstances tell plainly that Cashier
Hathaway either surprised the assassin in the dark closet, where
he had perhaps concealed himself to await an opportunity to work
upon the combination of the safe, or had himself been surprised
while about to close the door of the vault.
“The crime was committed in the vicinity of 8 p.m., and its
early discovery—within less than half an hour thereafter,
indeed—singularly enough was due to a letter which the murdered
cashier had previously sent to the president of the bank,
requesting his immediate presence to confer on a business
matter. The president, the Hon. Cyrus Felton, upon returning to
his residence shortly after 8 o’clock, found a note from Cashier
Hathaway asking him to call at the bank at once. The note had
been left by a messenger, the servant stated, about fifteen
minutes before. Mr. Felton hastily repaired to the bank, about
ten minutes’ walk. He found the outer door ajar, but the door to
the cashier’s private office was locked. This was not unusual,
and, presuming that the cashier was busy within, Mr. Felton used
his own key and opened the door without knocking. Then the awful
discovery of the murder was made.
“Cashier Hathaway lay face downward in front of the open safe
door, his right arm partially drawn up beneath the body and his
heavy oaken desk chair overturned near by. His first thought
being that the cashier had fallen in a shock, Mr. Felton
hastened to raise the recumbent form. As he turned the body
over, the soft rays from the argand lamp on the cashier’s desk
revealed an ominous pool upon the polished floor, even now
augmented by the slight moving of the body. Roger Hathaway lay
weltering in his own blood, slowly oozing from a bullet hole
directly over the heart.
“It was several moments before Mr. Felton could pull himself
together to take cognizance of the circumstances. He then noted
the unmistakable evidences of a desperate struggle. As stated,
the cashier’s own chair lay overturned near the body; one of the
side drawers in the desk was partially drawn out, and the
orderly row of directors’ chairs were now disarranged as if a
heavy body had been flung violently against them. The door of
the dark closet was wide open and a lot of old ledgers that had
been piled upon its floor were toppled over into the room. The
doors of the safe were open, and a glance within revealed the
principal money drawer half-withdrawn, and empty save of two
canvas bags of specie and nickels; a goodly bunch of keys with
chain attached hanging in the lock. The story was told. Cashier
Hathaway had been murdered and the bank robbed.
“Mr. Felton immediately notified Sheriff Wilson, and the legal
machinery of the town was at once set in motion to encompass the
capture of the murderer and robber. It was thought that with the
short start obtained the feat would be a comparatively easy
matter.
“Nearly $50,000 in available cash, and half as much more in
securities, part negotiable and part worthless to the robber,
were secured by the murderer. The presence of this unusually
large amount of ready money was due to the fact that $50,000 of
Mansfield County bonds matured to-day and were payable at the
Raymond National Bank.
“The presence of Cashier Hathaway in the bank at that particular
time was by the merest chance, and the conclusion is therefore
irresistible that the murder was not premeditated. The savings
and national banks, though both among the most prosperous and
stable fiduciary institutions in the state, are comparatively
small, the capital of the national bank being $50,000 and
employing but a small clerical force. The latter comprise,
besides the cashier, the teller of the bank, Frederick Sibley;
the bookkeeper of the savings bank, Ralph Felton, son of the
president, and one clerk, a youth named Edward Maxwell. For the
last two weeks the teller, Mr. Sibley, has been confined to his
residence by illness, and considerable extra labor has
necessarily devolved upon the cashier. Memorial Day, a legal
holiday in Vermont, the bank had been closed, and on returning
from the services at the cemetery, in which he had taken
part—for Mr. Hathaway had been a gallant soldier in the famous
Vermont brigade—the cashier had dropped into the bank,
apparently to complete some work upon the books. It is possible
that the robber—the opinion is general that there was but one
engaged in the enterprise—had previously entered the bank, and
upon the entrance of the cashier concealed himself in the only
place available, the dark closet. He may have remained an
unobserved spectator of the cashier through the partly opened
door and as the latter finished his work and prepared to close
the safe, the robber may have concluded, by a coup de main, to
save himself the trouble of attempting to solve the combination,
and, noiselessly stepping from the closet, have sought to
surprise the cashier. On this hypothesis the presumption is that
Mr. Hathaway became aware of his danger, and turning sought to
ward off the blow, when the struggle ensued that was ended with
his death. Or the cashier may have discovered the presence of
some intruder in the closet, and seizing his revolver, which he
kept in a drawer of his desk, he may have approached the closet,
when the robber sprung upon him and, wresting the weapon from
the feeble hands of the old banker, turned it against the
latter’s breast.
“The fatal shot was fired at so close range that the clothing of
the victim was scorched by the explosion. No weapon was found in
the room; the revolver which, as noted above, the cashier was
known to have kept in his desk, is also missing. The wound was
made, the physicians state, by a 32-caliber bullet, which
penetrated the breast directly above the vital organ, and death
must have been instantaneous. The shot was fired at about 8
o’clock. Prof. Black, who occupies rooms directly over the
cashier’s office, heard a shot at that time, as did several
friends who were in the room with him, but they attributed it to
boys shooting water rats from the bridge beneath the professor’s
window.
“Thus far the tragedy possesses few extraordinary features. But
what has become of the murderer? Raymond is not so populous that
the presence of a stranger would be unnoted. Yet no one has
volunteered information of any suspicious characters in town.
Within fifty minutes of the commission of a daring crime the
perpetrator disappeared, leaving not a trace for the local
sleuths. The last seen of Mr. Hathaway alive, so far as known,
was about 7:45 o’clock, when he stepped to the door of the bank,
and, calling a boy who was standing on the bridge, throwing
stones into the stream, asked him to take a letter to President
Felton at his house. Half an hour later he was found shot
through the heart in his office.
“President Felton was seen by the Hemisphere representative
to-day, and told the story of the finding of the dead cashier
substantially as outlined above. He was terribly affected by the
tragedy and could hardly be induced to converse regarding it.
“Roger Hathaway was one of the best known and highly esteemed
residents of Raymond. He was 63 years of age and had been
identified with the national and savings banks ever since their
organization, the last twenty years as cashier and treasurer
respectively. He was prominent in Grand Army and church circles;
a deacon in the Congregational Church. Of a severely stern but
eminently just disposition, it was not known that Deacon
Hathaway possessed an enemy in the world. He lived in a plain
but substantial mansion, the family homestead of several
generations of Hathaways, with his two daughters, his wife
having died some ten years before. He was one of the founders of
both the savings and national banks, which under his management
had prospered to an unusual degree and stood high among the
banking institutions of the state. He had held several important
positions in the gift of his townspeople, and as town treasurer
his rugged honesty, economic conservatism and strict observance
of the letter of the law in the handling of the town’s funds,
had earned for him the sobriquet of ‘watchdog of the treasury,’
a title which he sealed even with his life blood.
“Up to a late hour this evening no clew to the murderer has been
discovered. The theory is held by the local police that the deed
was clearly that of an expert bank robber, and they are inclined
to think that he may be a member of the same gang that has
broken into numerous postoffices in New Hampshire and Vermont
within the last few months. The officials cite the fact that the
local papers had advertised that $50,000 in Mansfield County
bonds were to be redeemed at the Raymond National Bank upon this
particular date, and the natural presumption that the bank would
have on hand a large amount of currency, with the knowledge that
yesterday was a holiday, when the bank would be closed and
afford an unusual opportunity to work upon the safe, would form
a strong inducement to a daring burglar.”
------------------------------------------------------------------------
CHAPTER V.
A STRANGE DISAPPEARANCE.
(By telegraph to the New York Hemisphere.)
“Raymond, Vt., June 1.—A startling sequel to the murder of
Cashier Hathaway and the robbery of the Raymond National and
Wild River Savings Banks was developed to-day in the mysterious
disappearance of Miss Helen Hathaway, the younger daughter of
the dead banker, and Derrick Ames, a well-known young man of
Raymond.
“Ames is about 27 years old, and occupied a responsible and
lucrative position in the local office of the Vermont Life
Insurance Company. While not possessing a positive reputation
for evil, Ames was regarded askance by the more staid and
conservative residents of the town, and his position socially
was somewhat anomalous. He had resided in Raymond some five or
six years and was known to have been a warm admirer of Miss
Hathaway. But it was equally apparent to the gossip-loving
townspeople that Deacon Hathaway regarded the young insurance
clerk with distinct disfavor, and had forbidden his daughter’s
continuing the intimacy. It was likewise well known that the
missing girl had frequently met Ames clandestinely.
“Neither Miss Hathaway nor Derrick Ames was seen after the
discovery of the bank tragedy. Ames was at his boarding house at
noon on the day of the murder, but did not return to supper. His
room, with all his effects, was left as usual and gave no
indication that he contemplated a hasty departure. Even at the
office where he was employed he left some personal effects and
half a month’s salary was to his credit.
“In the case of Miss Hathaway, also, there are absolutely no
indications of premeditated departure. Her sister states that
she has taken not even a wrap, only the clothes she wore that
afternoon as she left the house. Neither man nor maiden was seen
by any person to leave Raymond. No vehicle was secured for
either of them, and no one answering their description boarded
the train at the Raymond Station. They have disappeared as
completely, as suddenly and as mysteriously as did the murderer
of Cashier Hathaway.
“The knowledge of these circumstances has intensified the
excitement occasioned by the murder and robbery. The
coincidence, if it be but a coincidence, of the unpremeditated
elopement of Helen Hathaway upon the very day, nay, perhaps the
very hour, that her aged father was stricken by the bullet of
the assassin, is sufficiently startling of itself to cause the
most intense excitement.
“Is there any connection between the disappearance of Derrick
Ames and Helen Hathaway and the shooting of Cashier Hathaway and
the subsequent looting of the bank vault? Why did the couple, if
they simply ran away to get married without the parental
sanction, do so manifestly on the spur of the moment, without
any prearranged plans, without notification to even their
intimate friends? And why, if they went innocently away, have
they failed to acquaint any one with their present whereabouts,
when they must be aware of the cruel murder of Miss Hathaway’s
good father, the details of which have been published far and
wide, not only in the provincial newspapers, but throughout the
metropolitan press?
“There is not a resident of Raymond who will hint at even the
possibility of any guilty knowledge of the taking-off of her
father by Helen Hathaway, before or during her hurried flight.
For although regarded as unusually high-spirited and impetuous,
she was loving and lovable to a degree and the idol of her
sister. The only indiscretion that can be attributed to the
missing girl was her occasional meetings with Derrick Ames
without the sanction of her father.
“Her companion in flight, on the other hand, was not especially
favorably known in Raymond. While he came to the town with
excellent credentials, he was not a favorite in any particular
set or society. Handsome in face and figure, an athlete of
considerable local repute, with alternate moods of extreme
depression and satirical good humor, he was such a one as might
be expected to turn the head of a romantic young girl like the
absent Miss Hathaway. Ames was free with his money, and while
not a drinking man, in the sense of the term in this part of the
country, he occasionally wooed the wine cup with great energy
and originality. He had enemies in plenty and but a week before
the tragedy had abruptly resigned the lieutenancy of the Raymond
Rifles because of a trifling disagreement with the captain. It
must be stated, however, that no mean or ignoble act or petty
crime had ever been attributed to him, the chief cause of his
unpopularity proceeding from his reserve, the sharpness of his
tongue and the irascibility of his temper.
“Had Derrick Ames disappeared alone, on the evening of the
murder, there would have been but one opinion as to his guilt or
innocence. But the unaccountable flight of Miss Hathaway—this is
the one flaw in the chain of circumstantial evidence. Some
people will explain this away on the universal theory for every
inexplicable action of the human mind—hypnotism. It is said that
Ames placed Miss Hathaway within the spell of his own powerful
will, and unknowingly, unwittingly, blindly obedient, beautiful
Helen Hathaway accompanied the cold-blooded slayer of her own
father in his flight from the scene of his crime.
“Did Ames and Miss Hathaway leave Raymond together? While there
is no evidence that they did, the presumption is so strong as to
compel the inference. In any event Raymond has practically
convicted Derrick Ames of complicity, if not actual
participation, in the murder of Roger Hathaway.
“It is possible that the murder was not premeditated, as was
intimated in these dispatches yesterday. Ames may have called
upon the cashier at the bank, to plead again his suit for the
hand of Helen Hathaway. A blunt refusal, hasty words, a bitter
quarrel, Ames’ temper, quick and ungovernable, a brief struggle,
the fatal shot and the older man lay dead upon the floor. What
more natural than that the young murderer, fully appreciating
his terrible situation, and cognizant of the large amount of
ready money in the safe, should wrench the familiar bunch of
keys from the pocket of the dead cashier and possess himself of
the treasure? It requires something of a stretch of the
imagination to fancy the assassin, his hand yet reeking with the
blood of her father, inducing the young girl to accompany him in
his flight for life and liberty, yet it is not impossible—and in
the belief of many it is just what Derrick Ames did do.
“There is but the faintest possible clew as yet to connect any
one else with the crime. Besides a few hotel arrivals—commercial
men comparatively well known—one stranger, and one only, is
believed to have been in Raymond on the day of the murder. No
one saw him come, no one saw him leave the town. Inquiry was
made at the depot, the telegraph operator states, shortly after
8 o’clock, as to the time of departure of the next train south.
The operator did not notice the questioner particularly,
although he is positive he was a stranger in Raymond.
“The theory of a prearranged plot to rob the bank on the night
the cashier was shot has been assiduously worked by the local
authorities. It was known that there would be a large amount of
money in the bank on the night preceding the paying off of the
matured county bonds. Was it not worth while for an organized
gang of bank robbers to plan a descent on the Raymond
institution? Was it not possible that they did so plan; that
they had already secured access to the banking-room while the
populace was watching the parade in the afternoon; that they
were awaiting the cover of darkness to begin work upon the safe,
when all unexpectedly the cashier arrived and entered the bank;
that the robbers retreated to the dark closet; that here they
remained hidden while Mr. Hathaway performed some pressing work
upon the books, meanwhile sending the note requesting the
presence of the president; that while he stepped to the front
door to secure a messenger for the letter the robbers may have
conceived the daring scheme of seizing the cash drawer from the
vault; that the cashier returned while they were in the very act
of executing their design; that he rushed to his desk and had
already possessed himself of his revolver, when he was seized by
the robbers and shot dead before he could succeed in making use
of his own weapon, which was subsequently picked up and carried
off by the robbers?
“More careful investigations of the scene of the murder
developed the fact that the struggle between the cashier and his
assailant, or assailants, must have been not only a severe one,
but of several minutes’ duration. There were marks of violence
on the body of the dead banker, the physicians report, which
must have been made by an exceptionally strong man. The right
wrist showed quite severe abrasions, as if it had been grasped
fiercely by a strong hand, and on the other side of the wrist
was a purple mark that was evidently made by a seal ring pressed
into the flesh by the tremendous force with which the hand had
been seized. The snow-white and abundant hair of Mr. Hathaway
was also disheveled, when the body was first discovered, and the
chain to which his bunch of keys had been attached was snapped
off, only about two inches remaining upon his person. No signs
of a weapon or any burglarious tools were discovered in or about
the bank premises, but evidence of the extreme coolness and
sang-froid of the murderer is afforded by the fact that,
apparently in searching for suitable paper in which to wrap the
big package of bills two or three full pages of the big bank
ledger were torn out and used for the purpose.
“Nothing was missing from the person of the dead man, except,
singularly enough, a curiously fashioned locket which Mr.
Hathaway wore as a watch charm. It contained miniatures of his
two daughters, Louise and Helen. No reason for its being carried
off is apparent. The link which held it to the watch-chain was
broken as if the locket had been violently removed.
“The exact amount of money stolen cannot as yet be stated.
President Felton alleges that, until the trial balance is drawn
off, it will be impossible to give figures. Certainly not less
than $40,000 in greenbacks was secured, and probably half as
much more in securities, which, however, are not negotiable and
are therefore worthless to the robbers. The bank is perfectly
solvent, President Felton states, and will resume business at an
early date.
“Mr. Felton is well-nigh prostrated by the shock of his awful
discovery on the evening of Memorial Day and has aged visibly in
the last two days. He does not attach so much importance to the
dual disappearance of Derrick Ames and Helen Hathaway as do most
of the citizens, and expresses the opinion that it is a simple
elopement and that the couple will return shortly.
“The directors of the savings and national banks, at a meeting
this morning, authorized the offer of a reward of $4,000 for the
capture and conviction of the murderer or murderers, in addition
to the purse of $1,000 ‘hung up’ by the town.
“The coroner’s inquest will be begun to-morrow.”
------------------------------------------------------------------------
CHAPTER VI.
THE CORONER’S INQUEST.
For a town the size of Raymond, 3,000-odd inhabitants, the Mansfield
County court house is an unusually large and commodious structure. But
the spacious room is not nearly adequate to the demands of the pushing
crowd that seeks admittance to the inquest that has been summoned by
Coroner Lord to sit upon the body of the dead cashier, Roger Hathaway.
George Demeritt, the town’s sole day police force, is literally swept
off his feet by the surging assemblage, and in less than five minutes
after the throwing open of the doors the room is a solid mass of
perspiring humanity.
With much difficulty Sheriff Wilson makes a passage for the dozen
witnesses under his charge, the crowd gazing, with the sympathetic
impudence of an inquest audience, at the statuesque form of Miss
Hathaway, heavily veiled, and the bowed figure of President Felton of
the Raymond Bank.
The jury selected by Coroner Lord files in from the judges’ room, and
after the customary preliminaries the autopsy performed by Drs. Robinson
and Dodge is read by the latter. The document, stripped of its verbiage
and medical terms, alleges that Roger Hathaway died from a bullet wound,
the leaden missile having entered the left breast almost directly over
the heart, and that death must have been instantaneous. There were signs
of violence on the person of the dead man, a severe contusion on the
forehead that might have been inflicted by a blow or might have been
caused by the fall to the floor. There were also slight abrasions on the
right wrist.
Dr. Dodge states, in reply to an inquiry from the coroner, that Mr.
Hathaway had probably been dead an hour when he reached his side. Rigor
mortis had not begun.
“Mr. Cyrus Felton.”
There is a craning of necks in the court room as the coroner calls to
his feet the aged bank president. Jack Ashley, who is sitting at the
lawyers’ table, jotting down a few notes, begins to take a lively
interest in the case.
Mr. Felton slowly walks to the witness stand. That he is greatly moved
even the least observant in the throng can but notice, and his hand
trembles visibly as he replaces his pince-nez and turns to face Coroner
Lord.
The usual formal questions as to his acquaintance with the dead man, his
connection with the bank, etc., are asked and answered.
“I visited the bank in response to a note which I found when I returned
home from my—from the postoffice,” Mr. Felton states.
“The note was from Mr. Hathaway?”
“It was.”
“And its contents?”
“The note merely said: ‘Come to the bank immediately.’”
“Have you the note with you?”
“No; I tore it up,” replies Mr. Felton, and the expression which
accompanies his words is noted by Ashley, who is scanning narrowly the
countenance of the banker.
“The note had been left at my house a short while before I returned
home, my servant tells me,” proceeds Mr. Felton. “I went at once to the
bank.” The witness has grown so agitated that he is obliged to seat
himself, and his voice is hardly audible in the stilled room.
“The front door was slightly ajar and I walked through the bank to the
directors’ room. The door to this apartment was locked; I unlocked it
and entered. Mr. Hathaway lay face downward in the middle of the floor,
I should think. I thought he might have fallen in a shock and went to
lift him up, when I saw the blood. I felt for his pulse, but there was
no motion.” The voice of the witness breaks as he utters these words and
he covers his face with his handkerchief.
“Were there any evidences of a struggle?” the coroner asks, after a
moment.
“Yes. Mr. Hathaway’s office chair was overturned and the directors’
chairs were disarranged. One of the drawers in Mr. Hathaway’s desk had
been pulled so far out that it had dropped to the floor and the contents
were spilled. A lot of old ledgers that had been piled in the closet
were toppled over into the room. I glanced into the closet and then
turned my attention to the open vault. I found the cash drawer in the
safe withdrawn and empty except for a couple of canvas bags of silver
and nickels. I then hastened to find Sheriff Wilson.”
“What hour was it when you entered the bank?” asks Coroner Lord.
“About 8:20 o’clock.”
“And at what time did you notify Sheriff Wilson?”
Mr. Felton hesitates a moment and glances inquiringly at that official.
“It did not seem more than a minute that I spent in the bank. But I was
so shocked—and I—and I stopped to gather up the papers on the
floor—perhaps it was five minutes before I got to the hotel.”
“Did you notice any weapons on the floor of the cashier’s room?”
“No, sir.”
“What amount of money do you estimate was stolen from the safe?”
President Felton debates a moment, as if making a mental calculation,
and replies: “At least $37,000 in currency and gold, and some
securities. The exact amount of the latter we cannot tell until we have
listed our papers.”
“That is all, Mr. Felton.”
A suppressed murmur of intense interest runs around the crowded room as
Louise Hathaway takes the witness stand. As she raises the veil that has
concealed her features the townspeople marveled at the composure her
marble countenance evinces. Ashley glances at her with interest and
draws a long breath. “Gad! she’s a beauty,” he decides, and then drops
his eyes as they encounter the calm gaze of the witness.
Her father left the house to go to the bank about 6:30 o’clock, Miss
Hathaway testifies. Tea was served at 6 o’clock. Her sister Helen had
not returned at that time, but at her father’s request they had not
waited the tea, because he said he had some work to do at the bank. It
was an unusual thing for him to go to the bank evenings, but the illness
of the teller had necessitated extra work.
“Miss Hathaway, do you know where your sister is?” The silence in the
court room is intense as the coroner asks the question.
“My sister did not return that afternoon,” declares Miss Hathaway, after
a brief pause. “I have reason to think that she has gone with Mr. Ames
to be married.”
“And you do not know where they now are?”
Miss Hathaway shakes her head, as her fingers clasp and unclasp
nervously in her lap. The ordeal is a trying one.
“When did you last see your sister?”
“About 2 o’clock in the afternoon.”
“And when did you last see Mr. Ames?”
A slight flush replaces the pallor for a moment; then as suddenly
recedes, leaving her paler than before.
“I have not seen Mr. Ames for a fortnight,” she replies in a tone barely
audible.
“Did your sister indicate to you her intention of eloping?” is the next
question.
“I had no reason to think that she contemplated a clandestine marriage.
But I should prefer not to discuss the matter further, Mr. Lord,” says
the witness, in evident agitation. “I am sure Helen’s departure can have
no possible connection with—with that awful deed. It was only an
unfortunate coincidence that they went away on that afternoon. I—I am
sure they will return in due time.”
Coroner Lord glances irresolutely at the state’s attorney, and after a
moment’s deliberation permits Miss Hathaway to retire.
Sheriff Wilson, the next witness, describes minutely the appearance of
the bank and vault and of the body of the dead cashier.
Sarah Johnson, the maid at Mr. Felton’s residence, testifies that the
note referred to by Mr. Felton was left at the house shortly before 8
o’clock by a lad named Jimmie Howe. A few minutes later a stranger
inquired for Mr. Felton at the house. There is a slight buzz of
excitement among the audience at this first mention of the presence of a
stranger in the village on the evening of the tragedy.
“How do you know he was a stranger?” sharply inquires the coroner.
“For the reason that when I asked him which Mr. Felton he wished to see
he replied that he did not know there were two Mr. Feltons.” That
evidence is conclusive. It is, so far as the audience is concerned.
“He asked where he could find Mr. Felton, and I told him perhaps at his
office in the bank building,” continues Sarah.
Miss Johnson is closely questioned as to the demeanor of the stranger,
but she knows little of importance, as she had not seen the visitor’s
face. He was of medium height, she says, and his voice was pleasant.
Sheriff Wilson, who has first learned of this clew, smiles patronizingly
upon Ashley and the other newspaper men.
A bright-faced lad of 12 is Jimmie Howe, whom Coroner Lord next calls to
the stand. Jimmie was playing on the bridge when Mr. Hathaway called to
him from the bank door and asked him to take a note to Mr. Felton and to
hurry about it. After he delivered the note he went home.
Prof. George Black, Edward Knapp and three others, who were in Prof.
Black’s room in the bank building, testify to hearing a shot about 8
o’clock, but whether before or after that hour they cannot agree.
Alden Heath, the telegraph operator at the depot, stated that some
one—he was busy at his key at the time—asked somewhere around 8 o’clock
when the next train left. He answered without looking up, and when he
did glance at the window the inquirer was gone. It was a strange voice;
of that he was positive.
George Kenney, who states that he is the station agent at Ashfield, is
next sworn. His testimony establishes the probable fact that Derrick
Ames and Helen Hathaway boarded the midnight train for New York.
There is an involuntary but quickly suppressed exclamation from the
witnesses. Miss Hathaway is trembling and Ralph Felton, who is sitting
near her, is savagely biting his mustache.
As Coroner Lord calls the name of Richard Chase and the stalwart warden
of the State prison at Windsor appears on the witness stand there is a
hush of expectancy.
“Ernest Stanley, a convict in the Vermont State prison, was released at
noon of Memorial Day,” Warden Chase says succinctly. “He asked for and
was given a ticket to Raymond, and left on the north-bound afternoon
train. He was five feet ten inches in height, of medium build, dark
complexion, smooth face, and had closely cropped dark hair. He wore a
light tweed suit and a straw hat.”
As Mr. Chase concludes his testimony the coroner consults for a few
moments with the state’s attorney and then summons Ralph Felton, son of
President Felton, and the bookkeeper of the Wild River Savings Bank.
As the young man steps to the stand Ashley glances at him interestedly,
and after a good look decides that he does not like him. There is a
certain shiftiness of eye that the New Yorker does not fancy, and the
notes which he takes of the witness’ testimony are nearly verbatim.
Young Felton answers in the briefest phrases the questions of the
coroner. He had seen no strangers in the bank in the last few days. He
had last seen Mr. Hathaway the afternoon before the tragedy, when the
bank closed for the day. On the afternoon of Memorial Day—
The witness stops abruptly and a flush overspreads his features as he
nervously bites his tawny mustache.
“On the afternoon of Memorial Day,” invites the coroner.
“I was around town as usual,” finishes Felton.
For some reason the momentary hesitation of the witness apparently
impresses Mr. Lord, and he seems disposed to make minute inquiry.
“Where did you say you were on the afternoon of Memorial Day?” he again
interrogates.
Ralph Felton looks straight at the coroner an instant, and then his gaze
wanders over the stilled room and finally rests upon his father, who,
roused from the impassive attitude in which he has sunk after completing
his own testimony, casts a startled look upon his son.
The sudden hush that has involuntarily accompanied Mr. Lord’s question
is intensified, as father and son gaze at each other, apparently
oblivious of the unanswered coroner.
------------------------------------------------------------------------
CHAPTER VII.
FATHER AND SON.
An almost imperceptible raising of the eyebrows by the elder man, and
Ralph Felton turns quickly to the coroner.
“Really, Mr. Lord, I cannot furnish a detailed statement of my every
movement during the last week,” he says, nonchalantly. “I witnessed the
procession, or at least the local post, on its way to the depot to meet
the Ruggbury contingent, and later went to the Exchange for dinner. In
the afternoon I was in the billiard room of the hotel, and I believe I
visited the postoffice in the evening.”
“What time did you last see Mr. Hathaway?” The persistence of the
coroner in questioning the bookkeeper is inexplicable to the audience,
who have not observed the little slips of paper that State’s Attorney
Brown has passed along the table to Mr. Lord.
“About noon on the day of the murder.”
“Where?”
Ralph Felton is for the first time manifesting signs of impatience. “He
was in the bank. I went to get something which I had left there, and
while I was there Mr. Hathaway came in. I left him there and a short
time afterward saw him in the procession.”
“Mr. Felton, where were you between 7:45 and 8:30 o’clock the evening of
Tuesday?”
A dull red replaces the slight pallor on the face of the young man.
“Mr. Lord, I cannot say where I was during that particular time. I have
my own personal reasons—not connected with this case, I assure you—for
not desiring to answer your question.”
The murmur which has begun to overspread the room is quickly but only
temporarily hushed as the coroner announces:
“The inquest is adjourned until to-morrow morning at 9 o’clock.”
* * * * *
“You know why I did not answer Coroner Lord’s question. I am tired of
this hypocrisy. I simply will not go on the stand again—and that settles
it!”
Within the richly furnished library of Cyrus Felton’s home the
inquisition so abruptly broken off by Coroner Lord has been resumed.
The president of the Raymond National Bank now bears little resemblance
to the bowed old man who, with trembling lips and pallid brow, testified
regarding the murder of Cashier Hathaway a few hours before. There is an
angry flush upon his face and a stern setting of the chin that causes
one straight line to mark the location of his lips.
At the last defiant words of his son a spasm as of sudden pain for a
moment distorts his patriarchal face, and his hand involuntarily presses
his heart.
“I am going to leave Raymond—at once—to-night. Leave as Derrick Ames
left,” continued Ralph Felton, with an imprecation. “It’s no use
talking. My mind is made up and you should be the last man to urge me to
remain. You know—”
“Ralph, this is madness,” interrupts his father. “There can be no
necessity for your leaving town, least of all while matters are as they
are. The bank—”
“The bank needs both of us—I don’t think,” rejoins the younger man
flippantly. “As the boodle is gone I guess you can get along without a
bookkeeper for a time—maybe forever. But go I shall, and money I must
have. Oh, I know what you are going to say,” as Mr. Felton opens his
lips. “It doesn’t make any difference where it has gone. Suffice it to
say, it is planted. If you have ever had any experience with—but here it
is getting on toward 11 o’clock, and at 12:10 I must take the Montreal
express. I don’t propose to board it here. I shall drive to South
Ashfield. Now, understand me, father,” as Cyrus Felton again seeks to
interrupt him, “it is just as much for your interest for me to be a
couple of thousand miles from Raymond as it is mine. It is bound to come
out—why, what’s the matter?”
Once again that ashen pallor accompanies a spasm of severest pain, and
this time Cyrus Felton emits a slight groan as his fingers sink into the
heavily upholstered arms of the sleepy-hollow chair into which he has
sunk.
“Nothing—nothing but a pleurisy attack,” he faintly replies.
There is silence for a moment, broken only by the sonorous ticking of
the mantel clock.
“Well, the money?”
“Ralph, you know that I can ill afford to spare any considerable amount
just now. But your safety must, of course, be considered, and I will
endeavor to send you funds later. What I can spare now ought to be
sufficient to start life anew in some western city.”
Ralph Felton smiles sardonically as his father steps to the little safe
set in the wall, and, moving the screen from the front, turns the
combination. He lounges toward the receptacle, and, leaning on the
screen, gazes down at his father, who has withdrawn one of the two
drawers which the safe boasts and is running over a package of bills.
The contents of the lower drawer are exposed by the withdrawal of the
upper one, and the light from the chandelier is reflected back from some
shining substance in the till. It catches young Felton’s eye and his
long arm passes over the stooping figure of his father and picks the
gleaming metal from the drawer. It is a loaded revolver of the bull-dog
variety, 32 caliber, and one chamber has been discharged.
Cyrus Felton raises his head. The shining little engine of destruction
in the clasp of his son is almost before and on a level with his eyes.
With a shudder the elder man turns his head and slowly and laboriously
rises to his feet. He seems to have suddenly aged even in the last few
moments.
Ralph Felton examines the revolver critically, looks at his father’s
averted face, and, without speaking, lays the weapon in the drawer.
There is silence in the room, broken at last by the almost apologetic
tones of the father. “How will you reach South Ashfield?” he asked.
“Oh, Sam must drive me over with the mare. I will start him up now.”
As his son leaves the room Cyrus Felton sinks into an easy-chair and his
head drops upon his bosom. Who can tell the thoughts that surge through
his troubled mind at the moment? The clatter of hoofs on the concrete
driveway beside the window arouses him from his reverie, and a moment
later Ralph Felton enters, a satchel in his hand.
“Well, father, Sam is ready and I must go. We shall have little more
than an hour to make the ten miles and catch the express. Good-by; it is
all right, sir; believe me, father,” the younger man drops his
disengaged hand not unkindly on the other’s shoulder, “my sudden
departure will do nobody here any harm, and least of all will it affect
you. One thing I will say; I will find the scoundrel who took Helen
Hathaway from Raymond, if he is above ground, and when we meet he will
have occasion to remember that time.” Ralph Felton’s face is darkened by
a savage scowl as he speaks, and he raises a clenched fist with a
gesture so suggestive that his father involuntarily steps back. “Yes, I
have two objects in cutting the town. One reason you know, the other is
to seek and find the hound who has stolen Helen Hathaway from me. I
cared for her as I shall never love another woman, and I meant to have
her. Now—”
The musical chime of the clock begins to strike the hour. Ralph Felton
seizes the package of bills that lies upon the table and places it in an
inner pocket.
“I will return sometime, father, when this bank affair has ceased to be
a subject of investigation,” he says, with his hand on the door-knob.
“Good-by. Just keep a stiff upper lip and you’ll be all right. I’m off.”
The outer door closes with a sharp click and a moment later the
impatient stamping of hoofs is succeeded by the even footfalls of the
fastest mare in Mansfield County.
As the sound grows fainter and fainter Cyrus Felton suddenly starts as
if aroused from a stupor.
“Why did I let him go? Idiot that I am! It is madness—worse than
madness. It is confession. Am I losing my senses, that I did not insist
upon his remaining and completing his testimony? At the worst it could
never be proved. The wages of sin! The wages of sin!” he groans, as he
sinks back in his chair and buries his face in his hands.
* * * * *
“Mr. Ralph Felton to the stand,” orders Coroner Lord.
As on the preceding day, the court room is packed with the people of
Raymond. There is a craning of necks toward the settees reserved for
witnesses. Ralph Felton is not there, and there is a death-like
stillness as Coroner Lord again calls this now most interesting of
witnesses.
“Mr. Coroner!” The lank figure of the station agent at South Ashfield
elevates itself above the crowd. “If it please your honor, Ralph Felton
boarded the Montreal express at South Ashfield last night.”
Of course there is a sensation, a murmur of voices that the coroner
quickly checks. The few remaining witnesses are unimportant and the
inquest is adjourned until afternoon.
------------------------------------------------------------------------
CHAPTER VIII.
A PROPOSITION OF PARTNERSHIP.
The usual congress of village gossips is in session to-night at the
Exchange hotel. It is the fourth day since the Raymond Bank affair, and
the details of the tragedy are discussed with an animation and a wealth
of clew that brings a smile to the face of John Barker, the New York
detective, who retreats to a quiet corner of the hotel veranda to finish
his cigar and muse upon the affair with the calm contemplation
characteristic of men in his calling.
The detective’s face expresses a shade of annoyance as Jack Ashley
ascends the steps to the veranda, draws a chair opposite his, lights a
cigar and tilts his seat back at a comfortable angle.
“You are John Barker, the detective,” began Ashley. Barker assents with
a nod.
“I haven’t a card with me, but my name is Jack Ashley, and I am attached
to the staff of the New York Hemisphere.” Barker looks duly impressed.
“You are an ordinary detective, I presume?” Barker stares. “What I mean
is, if you will pardon my frankness, you are not a Sherlock Holmes or a
M. Lecocq?” It is apparent from his face that the detective is in doubt
whether to laugh or express his displeasure. He compromises with a faint
smile and accepts the proffered cigar.
“My reason for asking,” goes on Ashley, “is that I have a proposition to
offer you.”
Barker strikes a match to touch off his weed. “That proposition is—”
“That we work this bank case together.” Barker drops the lighted match
and gazes at his new acquaintance in astonishment.
“Have another match,” remarks the other, passing it over.
The detective lights his cigar and puffs away on it for some moments in
silence. “I am not in the habit of taking in partners,” he observes
finally.
“I always take a deep interest in an affair like the Hathaway case,”
resumes Ashley, without reference to the other’s remark. “In fact, my
special line on the Hemisphere has been the running down of mysterious
crimes. I have trailed quite a number of them, and you will pardon my
egotism when I say I have been quite successful in my dual capacity of
sleuth and newspaper man.” Barker looks a trifle bored.
“To be candid, however, this case is a bit too big for me to handle
alone. It spreads out too much. It is too much of a job for one man to
look after.”
“Indeed?” The irony in the detective’s voice is thinly veiled. He says:
“Then on the strength of your intimation that you are a devilish clever
fellow—you will pardon my frankness this time—I am asked to take in an
assistant who will gladly share with me the $5,000 reward in the event
of the murderer being apprehended.”
“No; I sha’n’t bother about the reward. I am simply looking for glory.”
“You are young in the newspaper business?”
“About twelve years.”
“And looking for glory?”
Ashley laughs. “For my paper; not for myself.” He passes over a telegram
received that day. It read as follows:
=“Jack Ashley, Raymond, Vt.: Work up case at any expense, and
discover murderer if possible. Chambers.”=
“Now,” says Ashley, as he replaces the dispatch in his pocket, “I will
tell you why I think it would be to your advantage to join forces with
me.” Barker evinces some interest.
“I am in possession of some facts which you not only do not know, but
are not likely to get hold of unless I enlighten you.”
“Ah!” The detective draws his chair nearer his companion and glances
about to make sure there are no outside listeners.
“When I finish, if you consider my information as valuable as I appraise
it, you can do as you please about the partnership idea. At any rate you
will be so much ahead. Come up to my room. We will not be disturbed
there.” When they are comfortably seated and fresh cigars lighted Ashley
begins his story.
“I have run onto two clews. One of them I consider important; the other
less so. By the way, how long have you been in town? Come in on the
after-dinner train?”
“Yes, I have acquainted myself with the known facts in the case and the
result of the coroner’s inquest. Deceased came to his death at the hands
of some person unknown.”
“But who will be known ere long. But to resume. As you know, a man
called at the house of Cyrus Felton shortly before 8 o’clock of the
night of the killing. To the inquiry of the housemaid as to which Mr.
Felton was wanted the man replied that he ‘did not know there were two.’
Not long after 8 o’clock that same evening a man appeared at the ticket
office of the railroad station and inquired when the next train left.
These incidents, while not startling in themselves, seem to prove that
in each case the questioner was a stranger to Raymond. Every one around
these parts knows that there are two Feltons, father and son, and the
natives are also presumed to know that there is no night train through
the town before 11:50.”
“Very well reasoned,” remarks Barker.
“As you also know, on the afternoon of Memorial Day a chap named Ernest
Stanley was liberated from the State prison at Windsor, after serving
two of a three years’ sentence for forgery. Despite the fact that
Raymond was not his home and that he had not, so far as known, a friend
or acquaintance in the place, and contrary to the advice of the warden,
who took an interest in the fellow, he bought a ticket to this town and
started north on the afternoon train. That latter fact was proved by the
ticket agent at Windsor, who sold him the ticket and saw him board the
train. I went to Windsor this forenoon, after the inquest, saw a
photograph of this Stanley, and secured a pretty accurate description of
him.”
“But there is no evidence that he left the train at this station. Or if
he did—”
“He could have been, as I believe he was, the visitor at Felton’s
house.”
“I am not so sure of that,” contends the detective. “On the evening of
Memorial Day the agent of a granite manufacturers’ journal, published at
Chicago, stopped at this hotel. He arrived on the afternoon train from
the north, and after supper, the clerk told me when I quizzed him, he
inquired where Cyrus Felton lived. Felton, you know, is the principal
owner in the Wild River Granite Quarries. It is more than likely, is it
not, that he was the visitor at the Felton residence?”
“Still he may not have called that night.”
“True. Admitting the caller to have been Stanley, what then? A motive
must be assigned.”
“We will discuss that later. For the present suffice it to be known that
Stanley was sentenced to State prison for forging the name of Cyrus
Felton two years ago.”
“Well, what of it? If Stanley’s thoughts were of revenge they were
apparently directed against Felton, not the man who was murdered.”
“That is precisely the point that is not clear to me,” confesses Ashley.
“Now, listen. Here’s a proposition for you: If Stanley was not concerned
in the bank affair, what was he doing at 6 o’clock next morning asleep
in the bushes in a lonely gorge near South Ashfield village?”
“The devil!”
“With a package of papers clutched fast in his hands, about the size
that a bundle of treasury notes and securities would make.”
“You know he was there?”
“I met him.”
Barker is thoughtful. “You said nothing to the authorities or in your
dispatches about the incident?”
“No. I didn’t consider it worth while. The authorities were already
scouring the country round about, and I did not exploit it in my
dispatches because I concluded to save it for a longer and better story
when we run down the criminal—beg pardon, when the criminal is run down.
But,” continues Ashley, as Barker remains silent, “that is the clew to
which I attach the less importance.
“I had heard from some source that Ralph Felton had been seen at this
hotel a good share of Memorial Day, and I started in on a pumping
expedition, beginning with John Thayer, the clerk. Thayer was noticeably
uncommunicative; I thought I’d bluff him a bit, so I remarked: ‘Well,
you’ve concluded to tell me what you know, eh?’ The bluff appeared to
work, for he flushed a little and replied: ‘I’ll tell you all about it
if you will agree to keep it out of the paper.’ As I had suspended all
dispatches to the Hemisphere pending the discovery of a story worth
filing, I readily enough agreed to refrain from publishing his secret to
the world. Then he extracted a promise that I should not divulge a word
to any one in the village.
“‘Ralph Felton is as innocent of that crime as you or I,’ asserted
Thayer when all the conditions for secrecy had been satisfactorily
arranged.
“‘That is possible, but why did he refuse to answer the coroner and why
did he cut the town?’ said I.
“‘He had a good reason for wanting to keep dark, and I suppose he ran
away to prevent being compelled to testify where he was Memorial Day
afternoon and evening.’
“‘You know where he was, then?’
“‘Yes; he was here at the hotel. I tell you this because I want you to
know that he is innocent. Felton is a good friend of mine, and I thought
perhaps if you knew how the facts were you might see your way clear to
letting him down as easy as possible in the paper.’ I assured him that
my specialty was setting folks right and then Thayer told off the
following story:
“About 2 o’clock on the afternoon of Memorial Day a woman arrived at
Raymond on the afternoon train from the south, came to this hotel and
registered as ‘Isabel Winthrop.’ She was superbly dressed and displayed
an abundance of jewels. According to Thayer, whose head was completely
turned by her appearance, she was magnificently, phenomenally beautiful.
You can take that for what it is worth. Thayer assigned her a room and
showed her to it. As she passed in she requested him to send a messenger
to acquaint Ralph Felton that a lady desired to see him. Finding him was
an easy task, as he was at that moment playing poker in a room in the
hotel. Felton appeared somewhat surprised when called out, but threw up
the game and went to the woman’s room. That was the last Thayer saw of
him for an hour, when Felton left the hotel. His face was flushed and he
seemed to be laboring under strong excitement. Before he left he called
Thayer to one side. ‘John,’ said he, ‘if you are a friend of mine say
nothing about my caller to-day. You understand?’
“I remarked casually: ‘Then he returned to the hotel that afternoon?’
“‘Oh, yes,’ said he.
“‘And was there during the evening?’
“‘Yes, I noticed him in the office at the time the alarm over the bank
affair was sounded. He left the hotel then and I did not see him again
that night.’
“‘Well,’ I asked pointedly, ‘can you swear that Felton was in the hotel
between 7:45 and 8:30 the evening of Memorial Day?’ I never saw a chap
so taken back as was Thayer. He could not locate Felton at any
particular time during the evening; moreover, he could not say
positively that the Winthrop woman spent the evening in her room. He
supposed she did. The only point that Thayer was sure of was that the
woman left for the south on the first train the next morning.
“‘Thayer,’ said I, consolingly, ‘the only way I see to clear your absent
friend is to find this Winthrop woman. Describe her to me as accurately
as you can.’ He did so and I have a pretty good pen portrait of the
unknown in my memorandum-book, marked ‘Exhibit A.’
“‘Oh, by the way,’ said Thayer, ‘she left a handkerchief in the room.’
“‘The deuce she did! I must have that,’ said I. And here it is,” said
Ashley, passing over a dainty lace creation for Barker’s inspection. In
one corner is the letter “I” curiously embroidered in silk.
“There are thousands of such handkerchiefs,” comments the detective.
“Yes, but not scented with that variety of perfume.” The detective
sniffs it. “Did you ever smell anything just like that?” queries Ashley.
Barker allows that he never did and his acquaintance with scents is an
extended one.
“If Isabel Winthrop is found,” declares Ashley, “that handkerchief, and
especially that perfume, may play an important part in her discovery.”
Barker smiles.
“Truth is stranger than fiction, my boy,” retorts Ashley. “Well, what do
you think of my clews?”
The detective wraps himself in cigar smoke and thought for several
minutes. Then he extends his hand.
“I believe I’ll accept your proposition.” Ashley returns the pressure
warmly.
“I think we’ll make a strong pair to draw to,” he says.
“But,” adds Barker, “you will see that I am more or less disinterested
when I tell you that I incline to the belief that neither of your clews,
good as they are, is the correct one.”
“No? Whom do you suspect?”
Barker rises. “Ashley,” says he, “you are young, enthusiastic and
clever. How are you fixed for patience?”
“Job was a chronic kicker in comparison,” is the prompt reply.
“Well, then, about to-morrow evening I shall be ready to talk with you
and lay out the campaign. Satisfactory?”
“Perfectly. Let’s go down to the billiard room and knock the balls
around for an hour.”
------------------------------------------------------------------------
CHAPTER IX.
LOUISE HATHAWAY.
“Good afternoon. Will you walk in?”
“Thank you. I will detain you but a short time.” Jack Ashley follows
Miss Hathaway into the half-lighted drawing room, accepts the offered
chair and seats himself beside the big bay window. She sinks quietly
into a chair opposite him and glances at the bit of pasteboard in her
hand.
Ashley has seen Louise Hathaway at the inquest and has remarked that she
is an unusually attractive woman. And now, as his glance for an instant
sweeps over her, he votes her superb.
Brief as is his admiring gaze, it is critical. It rests upon the twined
mass of golden hair, drifts over the face to the long white throat and
the strong shoulders, thence to the faultless figure and sweep of limb.
She is as different from her sister Helen as the placid morning is
unlike the beauteous night. Louise is the morning. There is a strong
sunlight in her glorious blue eyes, but now they are shadowed by the
grief of the last few days.
She lifts her eyes from the visiting card. “You are a reporter,” she
says, with a shade of weariness in her voice.
“I have the honor of representing the New York Hemisphere. I do not
desire to cause you any annoyance, but there were some matters not
brought out in the inquest which I wish to investigate.”
“And you have come all the way from New York for this?”
“No; I have been spending my vacation in Raymond, and, of course, when
the news of the tragedy reached our paper I was instructed to look after
it. I know that the errand on which I have come must be a painful one
for you to discuss, but I assure you that I have more than a reportorial
interest in the case.”
“Yes?” She looks at him inquiringly.
“You must be aware that the case is an unusual one,” he goes on. “My
interest in it has grown into a determination to run down and bring to
justice the slayer of your father.”
He tries to read in the glance she gives him a trace of gratitude, of
approval. Failing, he decides that Louise Hathaway is an extraordinary
young woman.
“Have you discovered anything—anything that the local authorities—they
are so stupid—have overlooked?” she asks, and he fancies there is
something of anxiety in the calm, slow tones of a very musical voice.
“Yes,” he replies. “We, the detective and myself, are engaged on several
clews. But it is necessary that we should be in possession of every bit
of knowledge obtainable concerning all the persons who have any bearing,
near or remote, upon the case.”
Miss Hathaway turns upon Ashley a pair of blue eyes in whose depths he
can read naught but purity and honesty. “I fear I can tell you little,”
she says.
“Derrick Ames—”
“Is innocent,” she interrupts.
“I am of the same opinion. Derrick Ames and your sister were lovers?”
She nods.
“Your father, I am told, strongly opposed the young man’s attentions.
There was a more favored suitor.”
Miss Hathaway regards him with mild surprise. “You knew then—”
“What I have come to ask you about more particularly,” finishes Ashley,
unblushingly, regarding his digression from the truth as a bit of
diplomacy.
“I was not very well acquainted with him,” avers Miss Hathaway,
“although we have lived in the same town nearly all our lives. But
father regarded him as a model young man, and until lately encouraged
his attentions to Helen in every way.”
“Now, who the deuce is she talking about?” wonders Ashley, who has
simply chanced it in his assertion that there was a more favored suitor
than Derrick Ames.
“I never fancied him, and Helen disliked him exceedingly,” continues
Miss Hathaway. “But the more she discouraged him the more persistent he
became. One night Helen came to my room in tears. They had had a fearful
scene, she stated. She should marry him or none, he had declared, and
had made all sorts of wild threats.”
“I did not know he was such a desperate character,” remarks Ashley
tentatively.
“I do not believe the people of this town knew what his true character
was. Helen said he seemed to have torn off the mask that night and that
his face was that of a demon. He was wild with rage and left the house
with curses. I sometimes think—” Miss Hathaway pauses and her face wears
a troubled expression.
“What on earth does she think?” meditates Ashley, who is becoming a
trifle bewildered.
“I sometimes think it was his hand that struck down our poor father. But
then he could have had no motive, and there was in my eyes a reason for
his action which other people could not surmise.”
“And yet that action seemed unexplainable?” hazards Ashley.
“To others, yes. It seemed perhaps a confession of guilt. But after what
Helen told me I firmly believe that he has gone to search for her. And
when he and Derrick Ames meet, I shudder to think of what may happen.”
Ashley sees the light at last. So Ralph Felton was the favored
suitor—Ralph Felton, whom nearly every one in Raymond regarded as a
model young man, and who, despite his unaccountable flight, found plenty
of people willing to explain it in a dozen charitable ways.
“You say that until lately Mr. Hathaway regarded Felton’s attentions to
your sister with favor. Had he any reason for suspending his approval?”
“I imagine so. During the last month or so he rarely spoke of him, and
once, when his name was mentioned at table, he frowned.”
“I suppose you know that the case looks black against Ames; that not
half a dozen people in the town have a good word to say for him?”
“I do not care what is said against Derrick Ames. I am sure that he is
innocent of any connection with my father’s death. What he was to others
I cannot say, but in the eyes of Helen and myself he was a noble-hearted
young man, incapable of an unworthy thought or act.”
“She pleads for him as if for a lover,” thinks Ashley, regarding with
admiration the girl before him. The flash in the blue eyes and the flush
in the cheeks tell of warm sympathies and a loyal heart.
“Your sister never intimated to you the likelihood of an elopement?”
Ashley inquires.
“Never. Had she a thought of such a thing I should have known it. We
kept nothing from each other.”
“You knew that they met clandestinely?”
“I did.”
Ashley shifts the line of questioning to return to it at a more
favorable opportunity. It is apparent that it is becoming painful to the
girl.
“What were the relations between your father and Mr. Felton—the elder
Felton?”
“Almost wholly of a business nature.”
“They were friends?”
“Yes. I had noticed, however, that during the last few weeks they did
not meet as often as before.”
“Was Mr. Felton at your house within a short time previous to the
murder?”
“He was here the evening before it.”
“Anything out of the ordinary in the visit?”
“Nothing, except that Mr. Felton appeared to be angry.”
“Will you make an effort to recall what happened on that particular
evening?” Louise is thoughtful for a few moments.
“I fear I can recall but little,” she replies slowly. “I was passing
through the hall on my way upstairs, and as I stepped by the library
door I glanced in. Father was sitting in his desk chair and Mr. Felton
was standing near the door, with his hat in his hand.”
“Did you hear any of the conversation?” queries Ashley, with the keenest
interest in the new scent.
“Let me see—yes; I remember Mr. Felton said: ‘I can’t and I won’t!’ I
think those were his words.”
“Did he appear to be excited?”
“Perhaps so. He spoke very loudly.”
“And your father’s reply—did you hear that?”
“Yes; I remember I paused an instant from curiosity. Father said, and I
recall that his voice sounded rather harsh: ‘Then there is but one
alternative.’ Then I went upstairs to my room. A few minutes afterward I
heard the front door slam. Father did not retire until several hours
afterward.”
“It was not his practice to do so?”
“No; he usually retired early. I don’t see what this has to do with the
mystery—but then I am not a detective or a newspaper man.”
“It may have much to do with it,” murmurs Ashley. Miss Hathaway looks at
him inquiringly.
“What do you think?” she asks.
“Candidly, I don’t know what to think,” he confesses.
“Will you permit me to turn inquisitor for a few moments?” Miss Hathaway
requests. “There are one or two questions I should like to have
answered.”
“I will answer a thousand,” replies Ashley cheerfully, as he meets the
direct gaze of the young lady.
“Is there any evidence against Derrick Ames, other than was brought out
at the coroner’s inquest?”
Ashley notes the anxiety in the voice and hesitates. It may be cruel,
but it also may be profitable, so he replies slowly to Miss Hathaway:
“I regret to say that there are a great many things about Ames’
movements that will have to be explained away.”
Miss Hathaway covers her face with her hands. A less keen observer than
Ashley could note the hopelessness in the face that she finally lifts.
“But you said that you believe him innocent,” she exclaims, almost
eagerly.
“I said so, surely,” admits Ashley. “But in order to prove his innocence
it will be necessary to produce him.”
A silence. Miss Hathaway’s troubled gaze is fixed upon him. His quick
brain has been working and he has arrived at a conclusion. “This woman
believes in the possibility of Ames’ guilt and she has some reason other
than the evidence that has been produced. Ah, why didn’t I think of that
before?”
“Miss Hathaway,” says Ashley, speaking deliberately, “you said a moment
ago that you would do anything to assist me in tracing the slayer of
your father.” She nods.
“Then will you show me the letter which you received from your sister
upon her arrival in New York?”
If Ashley expects any result from this haphazard question he is
assuredly not prepared for what really happens. Miss Hathaway’s face
turns ashen and a great fear springs into her eyes. She rises to her
feet, her hands clenched.
“Who told you I received a letter?” she demands in a trembling voice.
“We newspaper men have many means of obtaining information,” replies
Ashley.
“Mr. Ashley,” the girl says—she is quite calm now—“I appreciate your
efforts fully and thank you for them. God grant that they may be crowned
with success. As for my sister’s letter, I cannot show it to you, as I
have destroyed it. Its contents I shall never reveal.”
“I shall hope to see you again before I leave Raymond,” remarks Ashley,
as he rises to take his leave; for the interview has reached its natural
limits.
“I am at home to you at any time,” responds Miss Hathaway, acknowledging
gravely his pleasant adieu.
As Ashley saunters back to the hotel his mind is in a more bewildered
condition than at any other time since he has begun work on the Hathaway
case.
“Now that I am in it, I shall stay, if it occupies the rest of my
natural life,” he determines. “What a magnificent young woman! Fortunate
that I am not susceptible, else I should already be idiotically in love
with this queen of the morning, whose sad blue eyes haunt me still, in
the words of the old song.”
Oh, the self-sufficiency of youth!
------------------------------------------------------------------------
CHAPTER X.
MR. BARKER’S DISCOVERIES.
After supper Ashley retreats to the most secluded corner of the veranda
and amuses himself blowing smoke rings over the railing. Barker has been
gone ever since morning. He must have struck a warm trail. Twilight
gathers ere Ashley beholds the familiar figure swinging down the street
toward the hotel.
The detective draws a chair beside that of Ashley, and, after making
certain that no listeners are about, remarks complacently: “My boy, I
believe we are on the trail of Roger Hathaway’s murderer.”
“Indeed! I confess that I am deeper in the woods of speculation than
ever.”
“Ah, but when I give you the result of my day’s work I think you will
find yourself out of the forest and on the broad highway of conviction.”
“Then you must have put in a more profitable afternoon than I spent, and
I accomplished considerable. Had your supper?”
“No. Guess I’ll run in and have supper and then we’ll adjourn to my room
for a smoke talk.”
Half an hour later finds the New Yorkers comfortably settled in Barker’s
second-floor.
“I may as well state at the outset that, as you intimated when you
introduced yourself last evening, I am not a Sherlock Holmes,” begins
Barker. “But I have had considerable experience in ferreting out
criminals. A good memory for faces, an extensive acquaintance with the
brilliants and lesser lights of the crook world, a knack of putting two
and two together with a view to obtaining four as a result, more or less
analytical abilities, an excellent physique, a fair amount of sand and
an unlimited stock of patience are my qualifications for the profession
upon which I have thus far brought no discredit.”
“Pretty good stock in trade, I should say,” comments Ashley.
“Thank you. Now, every detective waits patiently for what he regards as
his big case. I think this Hathaway affair is mine—or ours, as we are
working together. Now, I’ll get down to business and tell you what I
have discovered to-day. We may as well begin with a comprehensive study
of the cast of characters. Unfortunately, three of the leading ones are
beyond our reach.”
“Then you figure Derrick Ames extensively in the case?”
“Rather. We will begin with him and consider his probable relation to
what is destined to be a celebrated case.
“It is unfortunate that the people in the world whose photographs one is
likely to want at some time or another are the very people who seldom
run to pictures,” resumes Barker. “There isn’t a picture of Ames in
existence. So far as known he never had one taken. Nor are there any
photos of Helen Hathaway to be had. The only portraits of her in
existence are the miniature in the locket missing from the dead
cashier’s watch-chain and a crayon portrait which, I am informed, hangs
in a room at her late home.
“I find that Ames was regarded as an odd stick by the discriminating
inhabitants of Raymond—principally because he did not associate with
them more than was absolutely necessary. He is said to be well educated
and is of a high-strung, poetic temperament. Heaven knows how he came to
locate in such a prosy town as Raymond, but the explanation of his
remaining here as long as he did is simpler; he was apparently devoted
to Helen Hathaway. I say apparently for want of knowledge of what his
exact sentiments were. Of his early history I learned little, save that
he came here some three years ago from New York State, studied law with
a local counsellor, and finally took an excellent position with the
Vermont Life Insurance Company.
“Oddly enough, the one male companion that Ames chose was a chap about
as opposite in temperament and every other way as one can imagine. Sam
Brockway is the name of the fellow, and he is employed as a cutter in
the sheds of the Wild River Granite Company. And Ames hunted him up only
when he got into one of his periodical fits of the blues, and the two
would start off on a racket that would last several days. It was this
habit of drinking, combined with a cynical skepticism upon matters and
things dear to the heart of a deacon, that made Ames objectionable to
Mr. Hathaway, and the antipathy was cordially returned. Helen, however,
was a loyal little woman, and despite her father’s commands she
continued her intimacy with Ames. An elopement was a logical sequence of
such a companionship, and were it not for certain damning evidence that
I extracted from this Brockway and discovered myself, I should dismiss
Ames, temporarily at least, as having no connection with the bank case.”
“Yet you say Brockway is a friend of Ames’,” remarks Ashley.
“He is. But while a good-hearted chap and loyalty itself, he is not
especially astute and by shrewd questioning and judicious bluffing I
discovered that he was probably the last man who saw Ames before he
disappeared from Raymond, Roger Hathaway excepted.”
“You mean—”
“I mean that Derrick Ames was seen to enter the Raymond National Bank
about 8 o’clock on the evening of Memorial Day.”
“H’m! That is serious. Yet his mission may have been an innocent one.”
“True. But to continue. This forenoon I visited the station at Ashfield,
where Ames and the girl—there can be no question that they were the
pair—boarded the night express south. While I was lounging about the
station, waiting for the train back to Raymond, my eye caught the
glitter of an object lying between the inside rail of the track and the
south end of the platform, and partly under the latter. It was a
revolver, 32 caliber, and one chamber was empty. With that for a basis,
I questioned the station agent on another tack, and he finally succeeded
in remembering that just as the train pulled into the station that
memorable night the girl handed Ames his coat, and as he threw it over
his arm an object dropped from one of the pockets, which Ames quickly
recovered and replaced in the coat as he and his companion clambered
aboard the train. Might not this revolver have been the object dropped
by Ames, and might he not when he put it back in his coat have slipped
it into the sleeve, through which it dropped as he stepped upon the
train?”
“Well, the theory is ingenious, even if wrong,” muses Ashley.
“I clinched it a bit more,” continues Barker. “Where had Ames and the
girl boarded the train? The station agent remembered that it was at the
south end of the platform, as the New York sleeper was made up next
behind the engine and baggage car.”
“I beg to remark,” puts in Ashley, “that the fact of one chamber in a
revolver being empty is not at all unusual. I have in my pocket a gun in
that condition, but as it is a 38 caliber, that lets me out of any
connection with the tragedy.”
“Of course,” smiles Barker, “I take all these bits of evidence for what
they are worth. While waiting for my train I argued in this wise:
Derrick Ames was in love with Helen Hathaway, and the attachment
resulted in an elopement. Neither was seen after 2 o’clock of Memorial
Day, and the inference is that they were together somewhere all the
afternoon and evening. The elopement was apparently unpremeditated, as
they took nothing with them, so far as known, except the clothes they
wore. There must have been some cause for such an impromptu exit. People
do not elope that way no matter how love-mad they may be. Where was
Helen when Ames was seen going into the bank? Waiting for him somewhere.
What was his errand? To make a final appeal for the girl’s hand, with an
elopement in mind as the last resort, perhaps. But even failing in that,
why elope that particular night? There must have been a cause for
hurrying him away. But if you assume that Ames committed the crime, even
as the upshot of a fierce quarrel, even perhaps in self-defense, you
must figure him a moral monstrosity, for only such could strike down a
father and elope subsequently with the daughter. And then there is the
missing money. You see it argues a villainy more despicable than a man
like Ames could have been guilty of.”
“Yet pathology records even more singular instances of moral
distortion.”
“Even so. But is it not more reasonable to believe that Ames may have
been only a witness to the murder, or a spectator on the scene of the
tragedy after it had occurred, and that he was hurried away by the
horror of the affair? But in either event would he not have argued that
to fly would be the worst possible thing he could do? I confess that
when I arrived at Raymond I was in doubt as to Ames’ possible guilt, but
my afternoon’s investigations have about convinced me that Derrick Ames
had nothing to do with the death of Cashier Hathaway.”
“Then you must have substituted some other person as the object of your
suspicion.”
“Yes; but the substitution is not especially recent. Before I give you
the result of my afternoon labors let me tell you of a discovery that I
made yesterday, not three hours after my arrival in town.
“After I had posted myself from the stenographic notes of the inquest I
dropped into the bank to have a talk with the officials. President
Felton took me into the directors’ room, where the tragedy occurred, and
I sat in the cashier’s chair and glanced around to get a few bearings.
While Felton was retelling his story of the finding of Hathaway’s body I
toyed with a blotter on the desk. It was the ordinary blotter, larger
than the average, with the advertisement of an insurance company on one
side. As I glanced carelessly at it I noticed that it had taken up the
ink of some unusually plain characters.
“Felton was called out of the room for a moment and I slipped the
blotter in my pocket to examine it at my leisure. When I returned to the
hotel I made an investigation, and I discovered—but I will let you see
for yourself. Hand me that small mirror on the wall.”
Ashley does so. The detective takes his prize from a bundle of papers in
his pocket, smooths it flat on the table, and places the mirror
perpendicularly before it. Then he draws the lamp over and remarks
complacently: “Look here upon this picture!”
And this is what Ashley sees as he gazes upon the reflecting surface.
There are three groups of characters. The first group reads:
=“Come to the bank immediately—”=
The second:
=“Your personal account overdrawn—”=
And the third:
=“These things I charge you fail not, Cyrus Felton, at the peril
of your good name. Roger Hathaway.”=
“Jove! It reads like an accusation!” cries Ashley, dropping back into
his chair.
“It is an accusation!” declares the detective, with the ring of triumph
in his voice.
------------------------------------------------------------------------
CHAPTER XI.
A SIFTING OF EVIDENCE.
Both men smoke on in a brief silence that Ashley breaks with an
inquiring “Well?”
“Much,” is Barker’s smiling response. “Now, my boy,” he adds briskly, as
he extracts a bunch of writing paper from his grip and sharpens his
pencil, “tell me everything you know concerning the dramatis personae in
this drama. We will get our facts together, and then I’ll give you my
theories—for I have more than one. Go ahead.”
When Ashley has exhausted his stock of information and has hazarded one
or two ingenious theories, the detective leans back in his chair and for
the space of five minutes says not a word. Finally he turns to Ashley.
“This Hathaway mystery,” he begins, “is either simplicity itself or it
is shrouded in a veil that only the patient search and unceasing effort
of months will lift. My first glance at the case led me to believe that
the murder was the work of a professional, so swiftly had it been
accomplished and so completely had the work of the operator been covered
up. But the most earnest search has failed to discover the presence in
town on Memorial Day of any person who could possibly be regarded as a
suspicious character, except Ernest Stanley, of whom more anon.
“Then the deed must have been committed by some one in Raymond. Thus far
we have evidence affecting four men—Derrick Ames, Cyrus Felton, Ralph
Felton, and Ernest Stanley. If two of the four were implicated it could
have been only the Feltons, father and son. I do not say that any of the
four is the guilty man. But a chain of evidence must be forged about the
slayer of Roger Hathaway, and in order that this chain shall be
complete, minus not a single link, it becomes necessary for us to
establish the innocence of these four men, if they are innocent, as well
as the presumptive guilt of a fifth party, if a fifth party committed
the crime.”
“In other words, we are hampered by a superabundance of clews.”
“Exactly. I will pardon your interruption, but no more of them, unless
they are good ones. Now, your attention.
“Roger Hathaway was killed in his office in the bank on the evening of
Memorial Day, some time between 7:45 and 8:30 o’clock. No definite
minute or five minutes can be fixed. Two of our characters were, we
know, and the other two may have been, at the bank between 7:45 and
8:30. To begin with Ames. Sam Brockway tells me that he saw Ames enter
the bank after Hathaway had handed a note to the boy, Jimmie Howe.
Brockway did not stay to see Ames come out; when the latter did emerge
he was unseen. It is not unreasonable to assume that Ames killed
Hathaway as the climax of a bitter quarrel over the latter’s daughter,
and that, to facilitate his escape, he helped himself to the bank’s
funds. But it is unreasonable to assume that subsequently he induced the
daughter to elope with him. That is the weak link in that chain.”
“But suppose that the elopement was already under way; that everything
had been arranged for, hour of departure, route and conveyance,” debates
Ashley. “Would not Ames argue that solitary flight, and a failure to
carry out the prearranged plans must weigh heavily against him? An
elopement is an excellent excuse for leaving town hurriedly, you know.”
“Possible,” returns the detective. “Now, the letter which you say Louise
Hathaway received from her sister, but the contents of which she refuses
to reveal, must have contained some reference to Ames which Miss
Hathaway has reasons for concealing. At any rate, there is good ground
for suspecting that Ames knows something of the murder of Roger
Hathaway, whether or no his own hand was stained with the cashier’s
blood. Now,” says Barker, turning to the blotter and the mirror on the
table, and propping up the reflector with the water pitcher, “look that
over carefully, Ashley, and tell me what you find.”
Ashley draws his chair up to the table and examines critically the
characters on the blotter as reflected in the mirror.
“All of the words which are distinguishable were not, when blotted, on
the same sheet of paper,” he asserts. “At least two and perhaps three
sheets of paper were used. The words, ‘your personal account overdrawn,’
must have been at the bottom of one sheet and those with the signature
attached upon another, but whether top, middle, or bottom of the page is
of no consequence.”
“Very good,” approves Barker. “That was the first conclusion I arrived
at when I examined the blotter. Now, how about those words, ‘Come to the
bank immediately’?”
“Their position is not so clear to me. Their nature would indicate that
they began the letter, but if so I cannot see why they should blot and
the words following them should not appear.”
“But if they were part of another letter—what then?”
“Ah,” remarks Ashley, thoughtfully.
“I am assuming, and I think reasonably, that the blotter was first used
upon the letter or letters whose contents we are attempting to guess,”
says Barker. “There are many faint marks around the legible words, but
naturally only the words concluding each page would be distinguishable.
Those above would be either dry or in process of drying. But what else
do you deduce, Ashley?”
“Well, the writing does not display, in my opinion, undue haste or
agitation. I am not an expert in handwriting, but I should say that this
letter was written at a normal speed and by a man in a comparatively
calm condition of mind. The signature is bold and firm, as are all the
legible characters. I should also say that this letter was the one which
Roger Hathaway sent to Cyrus Felton half an hour or so before he was
found dead in his office.”
“You remember Felton’s testimony at the inquest?”
“Perfectly. He stated that the note he received contained the simple
request: ‘Come to the bank immediately.’”
“Then you think he lied to the coroner?”
“It would seem so. Unless—”
“Unless the note he received at his house on the evening of Memorial Day
did contain only that brief summons, which is contained in the five
words at the top of the blotter.”
“Precisely,” agrees Ashley. “That brings us to the question, when was
the other letter written? It must have been previous to the note
referred to at the inquest, but how many hours or days before? Let me
have your theory, Barker. My mind is already shaping a shadowy one.”
The detective chews his cigar reflectively. “Suppose that Roger Hathaway
discovered, some time ago—within a few weeks, we will say—that the
affairs of the bank were not in the condition that they should be?” he
hazards. “An examination of the books showed not only that the
president’s personal account was overdrawn, but that certain operations
of the latter had jeopardized the soundness of the institution. The
knowledge might have been expected or unexpected. In either case the
cashier realized that something had to be done, and at once. So on the
day before Memorial Day, or even earlier, he wrote a letter to the
president and couched it in plain English. He instanced the overdrawal
of the president’s personal account and a number of other unpleasant
conditions, and urged upon that gentleman the necessity for an immediate
adjustment of the critical affairs, closing with the admonition, ‘Fail
not, Cyrus Felton, at the peril of your good name.’
“Having dispatched his letter to the president, the cashier waited
anxiously for a reply. It came in the form of a call by Felton at the
residence of Hathaway the evening before Memorial Day. The interview was
a stormy one. At least we know it was not harmonious. The cashier again
set forth the necessity for immediate action. Ways and means were
discussed, but no way out of the tangle seemed clear. In desperation the
cashier suggested some unpleasant but safe method of salvation. The
president responded angrily, ‘I can’t and I won’t!’ and the cashier
answered decisively, ‘Then there is only one alternative.’ Without
waiting to discuss this alternative, the president left the house in a
temper and the cashier sat up in his library for hours afterward,
meditating on the crisis.
“Now, what was this ‘one alternative’ indicated by the cashier? Clearly
publicity of the bank’s condition and its subsequent wreck. The next day
was Memorial Day. The cashier took part in the solemn services and in
the evening he went to the bank to perform some necessary work upon the
books, the teller being ill. No word had come from the president, no
intimation that he was prepared to follow out the course pointed out the
night before, and avoid the disgrace which the wreck of the bank would
entail. Again the desperation of the situation flashed upon the cashier.
The president must act, and at once. So the cashier indited a brief but
peremptory note to the president: ‘Come to the bank immediately.’ This
he delivered to Jimmy Howe, whom he found on the bridge tossing pebbles
into the stream.
“The president answered the summons. Within the cashier’s office the
accusation, apparently so plainly indicated on this blotter, was
repeated verbally. A sharp dispute followed. Hot words led to blows. The
drawer of the cashier’s desk was open and his revolver lay in view. Can
you supply the rest?”
“But the open vault and the missing money and securities?” contends
Ashley.
“The vault may have been, probably was, already open. The missing
funds—had been missing for some little time,” replies Barker, with a
significant smile. Then he resumes:
“Felton testified that on the night of the tragedy he reached the bank
about 8:20. As he left his house about 8:05 he must have got to the bank
not far from 8:15. It is not more than ten minutes’ walk, even at an
ordinary pace. He told Sheriff Wilson, when he found the latter at the
hotel, that he discovered Hathaway ‘only a few moments ago.’ Yet the
sheriff stated to me that he was positive it was 8:35 when he was
informed of the affair. He looked at his watch when he was accompanying
Felton to the bank. Again, Felton told the coroner that ‘it did not seem
more than a minute that I spent in the bank,’ so that here we have a
hiatus of fully a quarter of an hour. Now, where was Felton during that
fifteen minutes if not in the company of Roger Hathaway? If Hathaway was
dead when Felton reached the bank, why was not the sheriff informed
earlier? You see there is an apparent discrepancy that might be
explained on the theory that Hathaway was alive when Felton entered the
bank, and that an interview of ten or fifteen minutes was ended by the
death of the cashier.”
------------------------------------------------------------------------
CHAPTER XII.
FURTHER CONSIDERATION OF CLEWS.
Having allowed Ashley to digest the food for thought furnished by the
detective, the latter resumes his story:
“Upon my return from Ashfield I called upon Cyrus Felton, found him at
his residence and interviewed him in his library for fully an hour. When
I introduced myself as a detective he started visibly. In place of the
extreme agitation which characterized his testimony at the inquest, he
betrayed a nervousness rather peculiar, to say the least, in one whose
knowledge of the crime embraced only what he related to the coroner.
“I questioned him minutely, avoiding any direct query that would be
likely to arouse his suspicions. To my question, ‘When did you last see
Mr. Hathaway?’ he replied that it was on the afternoon of Memorial Day,
when the Grand Army post marched to the cemetery.
“‘And before that—when?’
“He hesitated a few moments and answered that he had last talked with
the cashier several days, probably a week, before the tragedy.
“‘Your relations with Mr. Hathaway were always of a friendly nature?’
“‘Eminently so.’
“The answer was straightforward and the look that accompanied it was
open and direct, the only one, by the way, during the entire interview.
Of course I was not at the time aware of the unharmonious interview
which, as Miss Hathaway reported to you, occurred at her father’s house
on the evening preceding Memorial Day. Lie No. 1, conceding that he told
the truth about the note which he received from the cashier on the
evening of the tragedy.
“‘Now, this revolver of Mr. Hathaway’s, what sort of a weapon was it,
Mr. Felton?’ I asked. He gave me a half-startled look and I fancied that
his gaze strayed for an instant to the safe set in the wall of his
library. It flashed upon me that the lost gun was concealed behind the
steel door of that same safe.
“‘The revolver,’ he said, in an absent sort of way; ‘oh, it was an
ordinary affair, 32 caliber, I believe they called it, nickeled and with
a pearl handle. I had often seen it lying in Mr. Hathaway’s drawer, but
so far as I know it was never used.’
“‘Would you recognize that revolver if you should see it again, Mr.
Felton?’
“‘I don’t know as I could positively identify it. Revolvers are so much
alike, are they not?’ I nodded, and again his eyes shifted toward the
door of his safe.
“Well, as I say, I talked with him for about an hour, most of the
interview dealing with the forgery case of two years ago, in which our
mysterious friend, Ernest Stanley, figured as the principal. But of that
more later.
“It was about 5 o’clock when I called at Felton’s house, and the supper
bells of the neighborhood were ringing when I left. Instead of going to
the hotel I struck down a side street to the river road, for a smoke and
a stroll, and a chance to run the Hathaway case over in my mind.
“Half a mile below the village there is quite a stretch of road without
any houses along it. The cemetery is on one side, the river on the
other. I was sprawling on the stone wall that skirts the city of the
dead and looking toward the village, when I saw a figure rapidly
approaching. ‘Cyrus Felton or I’m a goat!’ I exclaimed, and rolled out
of sight behind the wall. My eyesight is keen and I could not mistake
the tall, lank form of the bank president. ‘What the deuce is he doing
down this road at an hour when he should be peacefully eating his
supper?’ I wondered.
“When Felton passed around the bend in the road I sprung over the wall
and followed at a cautious distance. He looked around once or twice, and
I had to dodge behind a tree each time. Suddenly he stopped and walked
out upon the bank of the river, while I again took up a position behind
my friendly stone wall.
“Our banker walked to the edge of the river, and, with his hands clasped
behind him, stared at the water, now and then casting a look up and down
the road.
“‘Heavens! Is he going to commit suicide?’ I thought. Surely my mild
catechism had not driven him to such an extremity. My fears were shortly
allayed. He suddenly thrust his hand into his coat pocket, and,
withdrawing some object, hurled it into the stream. It sunk with a small
splash. I was too far away to more than guess what the object was.
Felton remained on the bank for several minutes, gazing at the surface
of the river, then suddenly wheeled and started toward the village. As
he passed me I fancied he looked a bit more relieved in mind.
“After he was out of sight I walked over to the river and marked as near
as possible the spot where he had stood. The river at that point is
deep, and I fear that the bottom is muddy, as the stream makes a sharp
bend and spreads into a broad lagoon, with little or no current.”
“You intend to go a-fishing?” queries Ashley.
“At daylight, if we can get a boat of some sort.”
“And if our search is rewarded by the finding of a revolver—the
revolver—what then?”
“Then I think we shall have a case against Cyrus Felton stronger than we
shall make out against any one else. I can see by your face that you are
only half convinced of that fact,” continues Barker. “You are more
inclined to suspect the younger Felton than the elder, eh?”
“Well,” argues the newspaper man, “in the case of Ralph Felton there is
a motive, an evil temper, and what is usually regarded as confession of
guilt—flight.”
“Good. Let us look over young Felton’s case,” says the detective. “Ralph
Felton, we know, is possessed of an evil temper and a disposition to
bullyrag a young lady who is sensible enough not to love him. We know
also that he gambles with traveling men who put up here, and drinks more
or less. As the good people of this town regard Ralph as a model young
man, his indulgence in cards and wine on the quiet shows a broad streak
of deception in his character.
“His inclinations toward gayety were not cultivated in his native town.
Previous to a twelvemonth ago four or five years of his life were spent
in New York, Chicago and other cities. His occupation during a share of
that time was that of representative and selling agent for the granite
company in which his father is the principal stock owner. He was
apparently wild and reckless, for a year ago he returned to Raymond and
through the efforts of his father was given the position of bookkeeper
in the bank, a position which does not usually pay much. It would appear
that the elder Felton had enacted the role of the prodigal’s father.
“While Ralph Felton was ‘down country’ he fell in love with a pretty
face, and upon its possessor he squandered all his means and more. When
Ralph returned to Raymond the woman wrote to him demanding money and a
fulfillment of pledges. The former he had not; of the latter he had no
thought, as he had become desperately enamored of Helen Hathaway. Unable
to obtain satisfaction by a correspondence, the woman visited Raymond
the afternoon of Memorial Day, registered as ‘Isabel Winthrop,’ and sent
word to Ralph that a lady desired to see him. He went to her. The
interview between the pair was not harmonious. Sounds of a quarrel came
from the room, and once or twice the word ‘money’ was used. Half an hour
or so from the time he entered the hotel Ralph left with a flushed
countenance, first pledging the clerk to say nothing of his feminine
caller.
“He has essayed promises with her, but something substantial is demanded
to back them up. He must have money, but where is it to be secured? No
use to apply to his father, that he well knows. The more he racks his
brain the more desperate becomes the situation. Then a wild thought
comes to him. The bank! There must be a large amount of money in the
safe. The county bonds mature the next day. He knows, we will
assume—perhaps the knowledge is accidental—the combination of the safe.
“Ralph returns to the hotel, and, with a calmness born of a desperate
resolve, informs ‘Isabel Winthrop’ that he has arranged for the needed
funds, and reiterates his promises for the future. As dusk comes on he
leaves the hotel unobserved by the clerk, goes to the bank, opens the
front door and locks it behind him, and proceeds to the cashier’s office
in the rear, wherein open the doors to the vault.
“As with a trembling hand he twists the combination of the vault he
hears the sound of a key in the outer door. He springs to his feet and
casts a startled glance about him. There is no egress from the room save
by the way he came. Ah! The closet! He secretes himself in the dark
closet at the farther end of the room, and at that instant Roger
Hathaway enters.
“‘The cashier,’ murmurs the prisoner in the closet, as through the
partially open door he watches Hathaway light his desk lamp. ‘He has
dropped in to get some papers and will soon be gone,’ thinks Ralph. But
to the latter’s despair the cashier opens the vault, takes out the big
ledger, and settles down apparently to an evening’s work.
“Here is a nice predicament, but there is nothing to be done except wait
until the cashier finishes his evening’s work and goes home. Half an
hour or more goes by. The closet is dusty and Ralph is seized with an
irresistible desire to sneeze. The explosion, a half-smothered one,
occurs, and the cashier looks about him in surprise and wonder. But he
continues his work. Suddenly Felton sees him seize a pad of writing
paper, scratch off a brief note and leave the room to find a messenger.
Has the cashier suspected the presence of some person in the bank
besides himself and has he taken this means to summon assistance? As
this thought flashes upon him young Felton becomes desperate, but as he
watches the face of the cashier, who returns calmly to his writing, he
convinces himself that he is mistaken.
“Again that cursed inclination to sneeze, which in vain he attempts to
smother. This time there is no mistake. The cashier rises to his feet
and glances about the room in alarm. His eyes finally rest on the partly
opened door of the dark closet. Hathaway is a man of nerve. He opens the
right-hand drawer of his desk, takes out and cocks his revolver and
walks deliberately toward the closet.
“All this is seen by Ralph, and his plan to rob the bank is succeeded by
a desire to escape from the building unrecognized. To accomplish this
the cashier must be overpowered. So when the latter flings open the
closet door the man within reaches out, grasps the revolver arm and
draws the cashier into the darkness of the closet. Then ensues a fierce
struggle, for Roger Hathaway, though old, is still a powerful man. This
would account for the old ledgers that were toppled over into the
office, and for the marks on the body of the murdered man.
“During the struggle the revolver is discharged and the bullet enters
the cashier’s heart. The doctors in the case tell me that the course of
the bullet was such that the leaden missile might have come from a
pistol discharged during such a struggle as I have described. But to
continue:
“Ralph Felton draws the limp form of the cashier out into the office and
lays it upon the floor. A moment’s examination shows him that the man is
dead, and he realizes his frightful position. Then the thought occurs to
him that, if he carries out his original plan of robbing the bank, the
crime will be ascribed to burglars. So he fills his pockets with what
money and securities are in the safe, closes the door to the cashier’s
office behind him and leaves the bank, with the front door unlocked or
ajar.”
“Unless—” interrupts Ashley.
“Unless what?”
“Unless,” says the newspaper man, leaning back in his chair and blowing
a cloud of smoke ceilingward—“unless Ralph Felton, when he rose from his
examination of the body, was suddenly confronted by his father, who had
come to the bank in response to the summons sent by the cashier!”
------------------------------------------------------------------------
CHAPTER XIII.
THE KEY TO THE MYSTERY.
“Following along the lines of your theory,” continues Ashley, “if Ralph
Felton rose from the corpse of Roger Hathaway and confronted his father
upon the threshold of the cashier’s office, that dramatic meeting would
explain many things. It would explain the startled glance that Cyrus
Felton shot at his son—I was studying the faces of both—when the latter
refused to state at the inquest where he had spent the time between 7:45
and 8:30 on the evening of Memorial Day. It would account for the
carrying off of the cashier’s revolver and its subsequent burial among
the waters of Wild River; for young Felton’s flight, and for the extreme
agitation of the elder Felton ever since the night of the killing.”
“And,” adds Barker, “it would satisfactorily clear up the interim of
fifteen minutes between the time Cyrus Felton should have reached the
bank and the moment when the sheriff was notified. In fact, if the
Felton family is responsible for the death of Roger Hathaway there must
be some understanding between father and son. But we will now proceed to
the consideration of an important character in our tragedy—Ernest
Stanley.
“Two years ago, while the directors of the Raymond National Bank were
holding their annual meeting, the teller stepped into the room and
announced that a stranger had presented at the bank for payment a check
for $1,000, signed by Cyrus Felton.
“‘Impossible!’ exclaimed that individual, who was presiding over the
directors’ meeting. ‘Let me see the check.’ The teller produced it, and
Felton at once declared it a forgery, and a bungling one at that. An
officer was quickly summoned and Ernest Stanley, who had presented the
check, was arrested.
“His trial in the Mansfield County Court was short. The forgery was
proved and the young man was sentenced to three years in the state
prison at Windsor. In his own defense—he had no money with which to
employ a lawyer—Stanley stated that the check had been given to him two
days before he presented it, by a casual acquaintance who claimed the
name signed to the bit of paper. It was in payment of a gambling debt
and the transaction occurred in Phil Clark’s well-known lair of the
tiger on Fifth Avenue, New York.”
“Which, by the way, is no more,” puts in Ashley. “The place was closed
out six months ago and Phil is now in ’Frisco.”
“It was in existence during Stanley’s trial,” resumes Barker, “and the
trial was adjourned a couple of days while his improbable story was
looked up. As was expected, neither Phil nor any of the habitues of his
place knew of such a person as Ernest Stanley, much less such a
transaction as he alleged to have occurred there.
“Stanley received his sentence calmly. Beyond stating that his age was
26 and his occupation that of a bookmaker he refused to furnish any
details of his birth, early life or present residence. He served two
years of his sentence and was pardoned by the governor this last
Memorial Day. Strangely enough, the pardon was secured by the man whose
name he was alleged to have forged—Cyrus Felton. Now, what feelings do
you suppose actuated Felton in securing a remission of a year in the
prisoner’s sentence? Compassion?”
“What should you say were I to suggest the word ‘remorse’?” replies
Ashley.
“I should say,” declares the detective, with a smile of approval, “that
you had hit upon the very word. It is plain that you foresee what I am
leading up to.”
“To the theory that Stanley was innocent of the forgery and that the
check was given to him by Ralph Felton?”
“Exactly. It will be difficult to prove, but if it can be proved it will
have an important bearing on the Hathaway mystery. It will show Ralph
Felton’s capacity for wrongdoing and will enable us to surmise to what
extent Cyrus Felton would shield his son from conviction of a crime. At
the time the check was presented Ralph Felton was supposed to be in New
York, and as he had been for some time more or less of a trial to the
old man the latter doubtless suspected in an instant what we are
assuming to have been the truth. He had to decide between his son and a
stranger, and, as usual, the stranger suffered.”
“What led Stanley to attempt to cash the check in Raymond?” debates
Ashley.
“Well, if he was a stranger in New York he would find it impossible to
cash it at any of the banks in that city. Why not run up to Raymond and
cash it at the bank on which it was drawn? I forgot to say that at the
trial Stanley alleged that his acquaintance of the gambling rooms
claimed to be a Vermonter and appeared to have plenty of money.”
“And he did not hazard the suggestion that this acquaintance was the son
of the man whose name was forged?”
“He did not know that there was a son. To prove this, if the visitor at
Cyrus Felton’s house on the evening of Memorial Day was the released
prisoner of Windsor, note his surprised reply to the housemaid, ‘I did
not know there were two Feltons.’”
“True,” admits Ashley. “Keep along, old man.”
“If Stanley was that visitor,” pursues the detective, “his object in
revisiting Raymond was to obtain revenge for the wrong that had been
done him.
“When he arrived at Raymond, at 7:45, he went directly to Felton’s
house. Failing to find the bank president at home, he obtained
directions as to where Felton’s office was and proceeded to the bank
block. The office, which is on the second story, at the south end of the
block, was dark and Stanley returned to the street. As he stood in front
of the bank and thought of the day, two long years before, when he
stepped from its portals with a constable gripping his arm, he noticed a
light in the rear. Perhaps Felton was within. So he pushed open the door
and—”
“Hold on a bit. How does the bank door come to be open? You are assuming
a great deal this time, Barker,” laughs Ashley.
“I am assuming that he got into the bank some way or other,” retorts the
detective. “If not—and here I will quote your own words when you
imparted to me your valuable discovery—‘What was Stanley doing at 6
o’clock the next morning asleep in the bushes in a lonely gorge near
South Ashfield village?’
Ashley laughs merrily. “I was expecting that,” he says. “But I’ll be
hanged if I will believe that an Edmond Dantes sort of a chap like
Ernest Stanley is capable of—”
“Permit me to suggest that Ernest Stanley may be a cheap criminal
instead of an Edmond Dantes,” interrupts Barker, with a withering
sarcasm that only increases Ashley’s good humor. “We have given him a
good character simply to suit our present theory. He may have really
forged old Felton’s name, and his visit to Raymond may have been
actuated by a base desire for revenge upon a stern justice meted out to
him. Alone in the bank with Roger Hathaway and the open vault, murder
and robbery may have come natural to him. We know nothing that should
lead us to decide that he was a much-abused young man.”
“Yet you believe he is, I’ll wager,” asserts Ashley.
“I confess that I do. A man would be half a dozen kinds of a fool to
forge the name of the president of a bank and present the check for
payment at the latter’s own bank. Still what evidence we have against
Stanley is strong. We can account for the flight of Derrick Ames on the
simple elopement theory. We can explain the levanting of Ralph Felton on
the theory that he refused to establish an alibi because it would
necessitate the confession of an acquaintance with ‘Isabel Winthrop,’
when he was an ardent suitor for the hand of Helen Hathaway, and on the
further supposition that he has gone to hunt for the woman he insanely
loved. We can explain the nervous condition of Cyrus Felton on the
assumption that he fears his son was implicated in the bank robbery and
trembles for his safety. But we cannot explain why Ernest Stanley fled
from Raymond the night of Memorial Day and hurried over mountain and
stream and through forest, chased like a wild beast, until he found a
haven of refuge. The open bank door is the break in the chain of
evidence against him, and that may be mended by assuming that the
cashier forgot to lock the door behind him when he entered the bank.
“We must find Stanley,” Ashley promptly declares.
“And there are others to be found,” the detective rejoins dryly. “But
especially must we run down Stanley. I am convinced that he is the key
to the mystery, and when we have located his position in this puzzling
case I believe that the rest of the race will be plain sailing.”
“I fear it will be a long, stern chase.”
“Such chases usually are,” remarks Barker, composedly. “I have already
set the machinery in motion, and the police of the entire country are on
the lookout for a chap answering Stanley’s description. What makes our
task the harder is the probable fact that Stanley is not a member of the
criminal class, and so a comparatively easy channel of pursuit is
closed. He presumably made for New York, and somewhere in that busy
human hive we may run across him.”
“Then our labors at this end of the road are about completed?”
“Nearly so. To-morrow morning, before the village is astir, we will go
a-fishing. If we find what we expect the case may be precipitated a bit.
Otherwise we will shift the scene of our operations to New York, after I
have pumped the servants in the Felton family and inquired as far as is
possible into the affairs of the bank. Is your vacation about wound up?”
“It will be in a day or so. I have nothing to keep me here longer except
a pleasant duty that I owe to myself.”
“And that is—”
“To make an unprofessional call upon Miss Louise Hathaway.”
“Ho! Sits the wind in that quarter?” laughs the detective.
“Don’t be absurd, my friend,” smiles Ashley. “Miss Hathaway interests me
only as would a statue of the Venus de Milo.”
“Indeed? Still, men have lost their hearts to a statue.”
“In books and plays. If we are to arise at daybreak I would suggest the
advisability of retiring.”
------------------------------------------------------------------------
CHAPTER XIV.
A CHANGE OF BASE.
“I believe this is the exact spot; yes, I am sure it is. Drop your
anchor, Ashley, so that the bow will point up-stream,” says Barker, as
he grasps a long pole with a hook at one end, and prepares to explore
the bed of Wild River.
Ashley lets go the rock that does duty as an anchor and remarks
ruefully, when all but a yard of the rope is run out: “This is deep-sea
fishing. There is over twelve feet of water here.”
“Thunder! And mud enough to bury a man-of-war,” grunts the detective.
After fifteen minutes of earnest but ineffectual groping in the slimy
bed of the stream Barker throws the pole from him and remarks: “No use.”
“Can’t the river be dredged?”
“Yes; with a force of men and a steam dredger, and the whole township
looking on and asking questions. We can do nothing this morning. Up
anchor and away! I could use a little breakfast.”
“By the way,” observes Ashley, as the two men walk back to the hotel,
“in all your talk last night you said nothing of that locket, with the
miniatures of the Hathaway sisters, which was stolen from the
watch-chain of the murdered cashier the night of the killing.”
“Do you know it was stolen on that night?” asks the detective.
“We must assume that it was until we know otherwise, I suppose,” returns
Ashley. “If the missing locket is found in the possession of any one of
our suspects it would be a strong link, would it not?”
“Very likely, but we must find our man first. Shall you be ready to
leave for New York to-night?”
“Sure thing.”
“Good. We must strike the trail there and follow it, if need be, to the
end of the world.”
Ashley has been in Raymond only two weeks, but already he begins to sigh
for the pleasures and palaces of gay, crowded and babel-voiced New York.
“Hang it!” he growls to Barker, as he packs his valise, “this Vermont
country is all right, but the natives are atrocious. They know no
literature except those provincial Boston dailies and the current
paper-covered rot; no music except Sousa’s marches, no art except the
colored supplements to the Sunday newspapers and no conversation higher
than horse, hay and village gossip.”
“Your criticism is too sweeping,” replies the detective. “There is more
culture in Raymond, in proportion to its population, than there is in
New York, I’ll wager. And where in that politics-ridden city will you
find another woman rivaling your fervid description of Miss Louise
Hathaway?”
“Ah, she is a rose in a wilderness. And that reminds me that I have
promised myself the pleasure of a farewell call upon her,” says Ashley.
“Farewell?” repeats the detective, skeptically. “You will not see the
last of Miss Hathaway to-day unless I am much mistaken. I have known of
more than one lover of statuary who failed to be content with the marble
and warmed it into living, breathing womanhood.”
“Nonsense!” laughs Ashley. “I shall live and die a bachelor.”
But he spends fully ten minutes in tying his cravat, brushes his hair
with unusual care, gives his mustache an extra twist, and saunters up to
the Hathaway homestead in an expectant frame of mind. Foolish Jack
Ashley! In after years he will smile at the recollection of the thoughts
that flit through his busy mind to-day.
Just as he turns into the path leading to the Hathaway residence Miss
Hathaway is stepping out upon the veranda. She sees him and smiles in
her grave way.
“Good afternoon,” she says to her visitor. He answers, uncovering his
head.
“I called to say au revoir. I leave for New York to-night.”
She leads the way to the reception room. After they have taken their
seats near the open window she answers:
“You will return? Your work here on—on the case is not yet finished?”
“No; we shall have occasion to visit Raymond more than once before the
mystery which shrouds the bank case is dispelled. It is going to be a
long chase, I fear, Miss Hathaway. But I hope to come to you some day
and tell you of its successful end.”
“I hope so,” she replies dreamily, her thoughts far away.
“You have heard nothing more from your sister?”
“Nothing.” Her look is frank.
“I can tell you nothing of our plans,” says Ashley, “further than that
our principal endeavor will be to discover Ernest Stanley.”
“Ernest Stanley?” repeats Miss Hathaway. “Oh, the young man who was
pardoned from State prison on Memorial Day. Do you think he committed
the crime?”
“Frankly, no. But we believe that he knows something of its
perpetration. In other words, we regard him as the key to the mystery.”
“And Derrick Ames?” questions Miss Hathaway, with the anxious expression
of yesterday in her gaze.
“Derrick Ames must be found, also. If you could give me any
information—”
“I can tell you nothing,” she replies hurriedly.
“Ralph Felton is another absentee whose presence is earnestly desired,”
he resumes.
“You say you do not believe that Stanley is the guilty man. Does it,
then, lie between Ralph Felton and—”
“And Derrick Ames?” finishes Ashley. “Not necessarily. There is another,
but for excellent reasons I should prefer not to mention the name. Have
you any plans for the future?”
“No definite plans. Mr. Cyrus Felton has been appointed executor of the
estate and after that has been settled I shall probably make my home at
his house.”
“At Cyrus Felton’s?” murmurs Ashley, in such a peculiar voice that Miss
Hathaway looks at him in surprise.
“Yes; that is the only place I can go to at present. He has long been a
friend of the family.”
“Have you no relatives—in Boston, New York, or elsewhere?”
“No near relatives. It will not be very long ere I shall have to make a
home for myself. I am told that the estate will settle for very little,”
confesses Miss Hathaway, with a red spot in each pale cheek. Ashley
understands and regards her sympathetically.
There is a short, somewhat embarrassing silence. Then Ashley rises
regretfully. He says:
“I am afraid it must be good-bye—or, perhaps, au revoir. I shall hope to
see you again before the summer is gone.”
“I trust so,” Miss Hathaway responds, this time quite cordially, as she
gives him her hand at parting, and Ashley holds it an instant longer
than ordinary courtesy calls for. And as he walks slowly away from the
house he carries with him the vision of a tall girl, with a pure white
face and sad blue eyes, into which the sunlight will some day come
again.
At night he and Barker take the Montreal express for New York.
* * * * *
Summer drifts into autumn and autumn into winter. Life goes on much the
same in Raymond. The Hathaway mystery gradually fades from public
interest, and it is set down as a crime that will never be explained.
The Raymond National Bank has closed its doors. The robbery of its vault
was a blow from which it found it impossible to recover.
No tidings are received of Derrick Ames and Helen Hathaway or of Ralph
Felton. None, unless they are in the keeping of the silent, stern-faced
Cyrus Felton or the beautiful girl with the sad blue eyes who abides
under his roof.
Every Sunday, in rain or in sunshine, mid heat or cold, Louise Hathaway
may be seen ascending the hill in the little cemetery by which Wild
River sings its way, her mission of love to deposit a basket of flowers
upon a grave at the head of which stands a plain white shaft bearing,
besides the name and dates, the simple inscription, “Faithful Unto
Death.”
------------------------------------------------------------------------
CHAPTER XV.
SHADOWS OF COMING EVENTS.
It is early in the evening. Jack Ashley is seated at his desk in the
Hemisphere office enjoying his pipe preliminary to setting forth on an
assignment.
The month is March. Nearly a year has elapsed since Ashley’s first visit
to the Vermont town which, for a brief space, came into the world’s eye
as the scene of the mysterious death of Cashier Roger Hathaway in the
Raymond National Bank. During this time no further light has been shed
on the mystery, which has gradually dropped from the thoughts of all
save a few persons, two of whom are Ashley and John Barker, the
detective.
Jack hears from Barker occasionally. The latter is busy on other work,
but he still keeps a live interest in what he regards as the case of his
life, and both he and his newspaper colaborer hope some day to astonish
Vermont, and incidentally the country, by solving the Hathaway mystery,
one of the most remarkable in the criminal annals of New England.
But as the months slipped by Ashley’s stock of confidence decreased
slightly and to-night finds him wondering whether he will ever have the
privilege of handing the news editor a bundle of “copy,” with the remark
“There is an exclusive that is worth while.”
“I have helped run down a number of crimes and fasten them upon the
guilty persons,” he soliloquizes, “and have flattered myself that I was
something of a detective. But in each of those cases the trembling
villain was on or about the scene of his crime and when you had your
case made out all there was to do was to clap a heavy hand upon his
shoulder. But in this Hathaway drama about all of the leading characters
have disappeared, and the man whom we regard as the key to the mystery,
Ernest Stanley, is the very man we are least likely to find.
“But is Stanley the key?” continues Jack, stretching himself in his
chair. “I don’t think Barker and I have attached sufficient importance
to that blotter found on Hathaway’s desk. These fragments of sentences
keep haunting me, even amid my daily duties. Something tells me that if
we had the imprint of an entire page of that letter to Felton we could
solve the mystery without finding our men. ‘These things I charge you,
Cyrus Felton, fail not at the peril of your good name.’ ‘These things—’”
Ashley is slowly scratching a match to relight his pipe, when he
suddenly stops and his thought-wrinkled forehead smooths.
“Hello! Here’s an idea, perhaps a valuable one. It is possible that
Barker and I have been all wrong in regarding that letter as an
accusation. The English language is elastic. ‘I charge you, Cyrus
Felton,’—‘I charge you, I charge you, I charge you.’ Now, instead of ‘I
accuse you,’ read ‘I adjure you.’ But ‘I adjure you,’ what? To ‘fail
not.’ To ‘fail not’ in what? Ay, there’s the rub. I am as much in the
dark as before. Still the idea is worth considering, and I’ll spring it
on Barker.”
Ashley finishes his smoke in silence and when the last flake of tobacco
has yielded its solace he draws on his coat and boards an uptown car.
In that brilliantly lighted section of Broadway where stands the Hoffman
House, Jack stops a moment to chat with an acquaintance.
“Say,” remarks the latter, “there’s a chap yonder staring hard at you.
Know him?”
At his friend’s suggestion Ashley turns suddenly and catches the
searching gaze of a tall, handsome man with a dark-brown beard trimmed
to a point. He is richly but simply attired, and his appearance is
unmistakably that of a gentleman. As Ashley returns his stare with
interest the stranger turns and enters the hotel.
The incident is trivial, but it awakens curious emotions in Ashley, and
absently overlooking his acquaintance’s suggestion of a visit to the
cafe, he says an au revoir and continues up Broadway.
“I have seen those eyes somewhere,” he muses, “but hang me if I can
recall where.”
As, late in the evening, his assignment covered, Ashley is sauntering
down Broadway, he is haunted by the vision of a bearded face surrounding
a pair of piercing eyes. He even drops in at the Hoffman House and looks
through the bar room, cafe and reading rooms, but the handsome stranger
is not in view.
Ashley has been in Raymond once since he left it, the spring before, and
he was kindly received by Miss Hathaway. But that was all. Not all his
engaging manners and clever conversation could penetrate the reserve
with which she surrounded herself, and he almost decided that she was
indeed the marble which he professed to Barker to have solely interested
him. Still, that pure white face, with its matchless blue eyes and the
sad smile that occasionally lighted it, lingers vividly in his memory
and will continue to linger until—
He is at the Hemisphere office now. A very short time suffices to write
and hand in his “copy” and then he lounges into the cable editor’s room,
with the inquiry: “What news from over the sea, Chance?”
“Nothing special except the insurrection in Cuba,” Chance tells him.
“Affairs are getting hot down there. You can judge of the magnitude of
to-day’s battle at Cienfuegos when you read that thirty Spaniards were
killed and fifty captured.”
“I should say so,” laughs Ashley. “The average mortality per battle is
three men killed and four wounded, is it not?”
The cable editor throws a handful of “copy” from him with a sniff of
disgust. “One can never tell how far to trust this rot we are getting
from Madrid and Key West,” he says. “I wish the Hemisphere had a live
man such as you down in Cuba to give us some straight information on the
conflict.”
“Thank you. I have no desire to run up against Yellow Jack.”
“Hang Yellow Jack! He is only dangerous to those half-fed raw recruits
that the government is sending over from Spain. I have talked with Mr.
Hone about the advantage of sending a representative to Havana or
Santiago, and he is seriously considering it. Hold on! Here’s something
coming now,” and Chance turns to his table.
Ashley waits until the dispatch has been received, and then reads with
interest the following special from Madrid:
“Ten thousand additional troops will be dispatched to Cuba
within a week, in response to the demand of Gen. Martinez de
Truenos, the new captain-general of the island. Gen. Truenos has
had experience in fighting Cuban insurgents, and a speedy
termination of the uprising is looked for.”
“Same old bluff,” comments Ashley, and then, awakened to an interest in
Cuban affairs by the words of the cable editor, he visits the
night-editor’s den in search of further information.
The longest story is from Key West, and a portion of it runs in this
wise:
“The insurgents are winning victories every day. The Cuban
patriots do not need more men. All they want is arms and
ammunition.
“It is whispered that the greatest difficulty with which the
present captain-general has to contend is the conspiring among
his own alleged supporters and advisers. One or two Spanish
generals and a number of influential residents and land-owners
at Havana, Santiago and other important points are suspected of
active sympathy with the insurgents, but no proof of such
complicity can be obtained. It is even said that the chosen
president of the provisional republic is at present in Cuba, and
that under the very nose of the hated oppressor he directs the
movements of the patriot armies. It is thought that this
condition of affairs is responsible for the change in
captain-generals, as Truenos is reputed to be a clever diplomat
as well as a tried soldier. The next few months will probably
decide the fate of the republic. The Cubans must win this year
or never.”
“What do you think?” Ashley asks the night editor. “Has the island any
chance of liberty?”
“The prospects were never rosier,” is Chambers’ reply. “It is evident
that the Castilian has an enormous job on his hands in the present
insurrection. We received a dispatch a short while ago which has a local
reference. I sent it up to Hone, and perhaps Ricker has it by this time.
It states that the insurgents count upon valuable assistance from New
York and that an expedition is being fitted out here. This wire came
from Washington and the Spanish minister there has asked our government
to prohibit the assistance I speak of. Hello!” as a bunch of copy is
thrown upon his table, “the president has issued a proclamation bearing
on the matter.”
The proclamation is brief but significant. It sets forth that, without a
violation of the friendly relations existing between Spain and the
United States, this government cannot countenance the fitting out of
expeditions designed to assist the insurrectionists in Cuba. A number of
United States vessels have been ordered to patrol duty, and a rigid
surveillance of the coast will be maintained.
“That may be good government, but it is confoundedly un-American in
sentiment,” remarks Ashley, scornfully, for he is an American through
and through.
“The government’s course was clear,” Chambers mildly observes. “The
President could do nothing less. I do not imagine, however, that the
patrol will be much more than perfunctory.”
When Ashley reports at the Hemisphere office the next day he finds in
his letter box two yellow envelopes. One is from the city editor and
contains an assignment to interview Senor Rafael Manada of the Cuban
revolutionary society in the United States. The senor is stopping at the
Fifth Avenue and a full story on Cuban affairs from the New York end is
wanted.
“Well this is something new, at any rate,” thinks Jack, and he tears
open the second envelope. This contains a dispatch dated from Raymond,
Vt., the night before, and Ashley whistles softly as he comprehends the
concise but thoroughly interesting contents:
“See you to-morrow afternoon at your office. I have found
Hathaway’s revolver. Barker.”
------------------------------------------------------------------------
CHAPTER XVI.
THE BEGINNING OF THE TRAIL.
“Don Rafael Manada? Yes, sir! Front, show the gentleman to No. 48.”
A few minutes later Ashley is ushered into one of the most sumptuous and
expensive suites in the big hotel.
He bows gracefully to the tall gentleman who advances to meet his
visitor, bearing in his hand the card that has preceded him. Don Rafael
is a man at whom even the least observant would be likely to take a
second glance. Of perhaps 40 years of age, his hair of raven hue and
unusual abundance is still unflecked by gray. The face is of olive hue,
cleanly shaven save as to heavy mustachios, which by an odd freak of
nature are snow white; heavy eyebrows of the same hue as the hair
surmount eyes of piercing brilliancy; a long, aquiline nose, lips and
mouth a trifle too sensuous for the rest of the features, complete a
singularly interesting countenance.
“You came from the Hemisphere?” queries Don Manada, in melodious tones,
with hardly a trace of the Castilian accent. “I am pleased to greet a
representative of that great journal, whose influence is always cast on
the side of right and justice. I read with the deepest emotions of
gratitude this morning an editorial in your journal protesting against
the proclamation which the administration has issued against the fitting
out of expeditions designed to aid the insurrection in Cuba. Your paper
properly urged that the United States government should recognize the
Cubans as belligerents. Ah, my dear sir, could that be done, Cuba would
be a free republic within the twelvemonth,” finishes Manada,
enthusiastically.
“It was to secure an expression of opinion from you on the outlook in
Cuba and the preparations being made in this country that I have been
commissioned to interview you, Don Rafael,” says Jack Ashley.
“Anything that it would be proper for me to say, as the agent of the
Cuban revolutionary party, I shall be glad to give,” continues Manada,
smilingly.
And now the Cuban patriot becomes imbued with nervous energy as he
reverts to the absorbing hope and ambition of his life—the freedom of
Cuba. He paces the floor with erect, military tread, as he speaks
rapidly:
“This war is not a capricious attempt to found an independence more to
be feared than useful. It is the cordial congregation of Cubans of
various origin, who are convinced that, in the conquest of liberty,
rather than abject abasement, are acquired the virtues necessary to
maintain our freedom. This is no race war.
“In the Spanish inhabitants of Cuba the revolutionists expect to find
such affectionate neutrality or material aid, that through them the war
will be shorter, its disasters less and the subsequent peace more easy
and friendly. We Cubans began the war; the Cubans and Spanish together
will terminate it. If they do not ill-treat us, we will not ill-treat
them. Let them respect and they will be respected. Steel will answer to
steel and friendship to friendship. In the bosom of the son of the
Antilles there is no hatred, and the Cuban salutes in death the Spaniard
whom the cruelty of a conscript army tore from his home and hearth and
brought over to assassinate in many bosoms the freedom to which he
himself aspires. But rather than salute him in death the revolutionists
would like to welcome him in life.”
“Very good, indeed, Don Manada,” comments Ashley as he hastily jots down
a skeleton of the impassioned words of the Cuban.
“Now, to leave generalities,” says Jack, “upon what specific elements of
strength, or of weakness on your opponents’ part do you base your hopes
of ultimate success?”
Manada smiles. “All our elements of strength, nor all the Spanish
sources of weakness, we may not divulge yet. First, and of this I
believe you newspaper men need not be assured, the information that
comes from Cuba or from Madrid is entirely untrustworthy, distorted,
colored and manufactured to suit Spanish ideas and hopes. It tells you
that the insurrection is limited to three or four provinces. Yet you
will notice to-day’s dispatches from Madrid state that a blockade of
every port of Cuba is imminent, large and small, and an additional
squadron of ten Spanish gunboats has been dispatched from Cadiz to aid
the big fleet now patrolling Cuban waters. Think you that the Madrid
government would declare that blockade if the insurrection were limited
to three or four paltry provinces? Bah! I can assure you, while they may
not now be ready or willing to declare themselves, yet touch every Cuban
in the heart, let him whisper to you his sentiments, and you will find
them to a man praying for the success of the revolution. You Americans,
in the full enjoyment of true liberty, can form but a faint idea of the
real situation in Cuba. Imagine a land where no one is free to write or
say anything except what the government judges deem proper! Imagine a
government ever ready to throw you into prison, confiscate your
property, bring ruin to everything that is dear to you on earth, and to
set over you a Spaniard to watch your acts, almost your thoughts! That
is the way we live in Cuba. Of late the number of these spies has been
increased by hordes. They are not all men. Some of them—and the
shrewdest and most harmful to our cause—are women, who ingratiate
themselves with prominent revolutionists, sometimes becoming possessed
of invaluable plans, which they promptly reveal to the Spanish
government. It is believed that some of these women are located in
cities in the United States, where it is thought their presence may be
useful to spy upon the movements of the friends of Cuba in this country.
But of course that is a game two can play at, and we ourselves are not
wholly unaware of the secret plans of the enemy.”
“Reference has been made in some of the dispatches from Key West, Don
Manada, to the fact that the revolutionists have become possessed of a
steamer which has been remarkably successful in evading the Spanish
cruisers and landing men and ammunition from the Dominican and Florida
coasts?”
Manada’s lip curls scornfully at Ashley’s use of the word “evading.”
Then he smiles.
“Did you happen to read in any of the press dispatches an account of the
loss of the Spanish man-of-war Mercedes?”
Ashley has seen a casual reference to the disaster. “She ran on a reef
near the Great Exuma, while pursuing a suspected filibustering steamer,
did she not?”
“The Mercedes was sunk in forty fathoms of water in fair and open fight
with the Cuban cruiser Pearl of the Antilles,” in slow and measured
tones responds Manada, his black eyes glittering. “The Spanish
government has strenuously sought to conceal that fact, but it has
leaked out, and only yesterday I received from Le Director de la Guerra
a copy of El Terredo’s report of the battle. Ah, that was glorious! The
Mercedes went down in less than seven minutes, while the Pearl was
unharmed. Senor Ashley, we have to thank the inventive genius of your
countrymen for the success of our gallant cruiser, for El Terredo states
that it was the wonderful effectiveness of the new dynamite cannon and
the Yankee gunner that accomplished the feat.”
Ashley’s unfailing scent for news assures him that this interview is
good for at least a two-column leader in the Hemisphere. Here is
information that will make a sensation in the morning. The American
public has been wholly in the dark as to this new element in the
insurrection, this Cuban cruiser, with her patent dynamite gun and
Yankee gunner, that has destroyed one of the most powerful of Spain’s
cruisers.
“El Terredo? Is he the captain of the Pearl of the Antilles, Don
Manada?”
“He is, and one of the bravest and most successful of our commanders on
land as well as sea. Why, there is not a cruiser of the Spanish navy now
in Cuban waters that alone would dare engage the Pearl! They are well
aware of her prowess and the skill and bravery of her commander, whom
they have rightly named ‘El Terredo,’ ‘the terror.’
“Then we have other plans the details of which cannot be revealed. Do
you remember how the sinking of De Gama’s Brazilian ironclad was
effected in the revolution in that country? It did not require another
man-of-war to destroy her. Only a little instrument less than five feet
in length—whish! boom!—and the resistless water is gushing in a torrent
through the sides of the ironclad. Ah, warfare is different in these
modern days, Senor Ashley, and victory does not always rest on the side
of the heaviest guns.”
“It is said in a Washington dispatch, Don Manada, that the Spanish
minister has received information that a formidable filibustering
expedition is about to leave this city for Cuba. Have you any knowledge
of the fact?”
Manada shrugs his shoulders. “Quien sabe? Are not all vessels clearing
for any port obliged to obtain papers stating their destination? And
does not the President’s proclamation warn against the shipping of arms
and ammunition to Cuba from American ports? But of this be assured—Cuban
patriots will not be without arms and ammunition to bring this war to a
successful conclusion. It is true that is what we most need now.
Ammunition especially is not as plentiful as we could wish, but had we
none at all, with his trusty machete a Cuban patriot is more than a
match for a brace of the puny, boyish conscripts Spain is sending to
find early graves on Cuban soil. In the battle of Siguanoa, of which
also I have just received an authentic account, our comrades finally
charged with their machetes, which they handle with wonderful skill, and
completely routed the Spanish troops. The actual fighting masses of the
revolutionists, senor, the soldados raso, are no mean soldiers, even
from a northerner’s point of view. And they are not all Cuban born or
Spanish born who have settled in Cuba and become identified with the
island. You would be surprised, I doubt not, to learn that not a few of
your own nationality are fighting for human liberty on the side of the
revolutionists.”
“And the character of the Spanish officers?” inquires Ashley, getting
more and more interested.
Manada frowns. “Gen. Truenos, the new captain-general, we know as yet
only by reputation. His chief of staff, the Madrid papers state, is to
be Gen. Murillo, who is now in this country—in this city, if I mistake
not. He poses as a diplomat and is the head of the spy bureau. Of the
other leading Spanish officers in Cuba, they are of the usual
foreign-service character. Some veterans, some young and inexperienced,
seeking to win laurels in this war, a few Spanish noblemen, whom the
exigencies of the family purse have forced into the army. By the way,
attached to the new captain-general’s staff, I learn there is a young
American, a sugar planter. His name, I am told, was Felton, but he
changed it to Alvarez. More Spanish, you see.”
Felton! A question is on Ashley’s tongue, when the utter absurdity of
connecting Ralph Felton’s identity with that of a young Cuban planter
occurs to him and he refrains.
“Well, Don Manada, I am obliged to you for the half-hour you have
accorded me, and I only hope your words will have as convincing an
effect on the readers of the Hemisphere as they have had on me.”
“Thank you, Senor Ashley. I shall ever be pleased to meet you when your
duties may oblige you to seek one of the Cuban revolutionary party.
Adios.”
“Well,” remarks the interviewer to himself, as he stops a moment to
strengthen his memory by a fresh Havana, “if my friend of the bleached
mustachios is not a rainbow chaser of the latest approved political
character, Gen. Truenos and the Spanish army—and navy, too—have
considerable work cut out for them in the vicinity of the Caribbean Sea.
Hello!” he exclaims, staring at a graceful figure that is crossing
Twenty-third Street in his direction. “If that isn’t Miss Louise
Hathaway of Raymond, Vt., my memory for faces is entirely destroyed.”
------------------------------------------------------------------------
CHAPTER XVII.
A CUP OF CHOCOLATE AT MAILLARD’S.
“It is Miss Hathaway!”
“Why, Mr. Ashley!”
“Then I am not quite forgotten,” smiles Jack, as he takes the little
black-gloved hand.
“Forgotten? Ah, no, indeed. I was only startled to meet one familiar
face amid this never-ending procession of strangers. But this, I
presume, is your native heath, Mr. Ashley? How do you carry the memory
of so many faces?” as Ashley bows for the dozenth time toward the stream
of pedestrians.
“That is a part of our business, Miss Hathaway. A newspaper man acquires
a passing acquaintance with all classes of society. But to drop shop
talk, tell me of Raymond and of yourself. I feel quite an interest in
the quaint old town. Here is Maillard’s close by. Suppose we drop in and
have a cup of chocolate. Oh, it is quite the thing,” smiles Jack, as
Miss Hathaway hesitates a moment. “Everybody goes to Maillard’s after a
shopping tour.”
“Then, as we are in Rome, we must imitate the Romans,” she acquiesces.
“For surely these bundles must be quite sufficient to convict me of
having been shopping.”
When she is snugly ensconced in an alcove, with a steaming cup of the
beverage so dear to the feminine heart before her, Jack studies her face
across the tiny table.
More beautiful if that were possible, than ever, he decides, watching
the shifting color in the rounded cheek; with more animation—yes,
decidedly more animation; quite a different being from the doubly
bereaved daughter of the dead cashier of nearly a year ago. But what is
she doing in New York? thinks Jack, with a sudden twinge in the cardiac
region that astonishes even himself. It cannot be that she has heard
from Derrick Ames, and besides, her sister—What rot, he mentally
concludes, as the subject of his thoughts suddenly looks up and catches
his puzzled expression.
Miss Hathaway’s eyes twinkle. “Has it just occurred to you that you have
left your pocketbook at home?” she asks. “Your expression was just such
as the humorous artists attach to the subjects of such unfortunate
contretemps.”
“Ah, but that seldom does happen in real life, Miss Hathaway. No; my
sole earthly possessions are at this moment resting securely in the
bottom of one small pocket. But what lucky chance brought you within
range of my defective vision on Broadway this afternoon?”
“Oh, I have been a dweller in the metropolis since last Saturday. We,
that is Mr. Felton and myself, are en route to Cuba.”
“To Cuba! Pardon me, but why to that war-racked isle? You see, I have
just returned from interviewing a native of Cuba on the situation there,
and his description hardly makes it out as a desirable watering-place
just at present.”
Miss Hathaway laughs, a trifle nervously. “Perhaps it is rather an odd
place to go this spring, and while I had a great desire to visit the
country I really had no serious idea of gratifying the wish. But one
evening while I was thinking of the matter, Mr. Felton suddenly asked me
how I would like to go to Cuba. I said I would be delighted to go to
escape the chill winds of March, and to my great surprise he suggested
that we make preparations and start at once for New York. So here we
are, and on Saturday we sail for tropic climes. But do you think there
is any danger to Americans traveling in Cuba? I thought—I had read—that
the disturbances were limited to some of the far inland districts and
that there was no trouble in Havana and the larger cities.”
Ashley pulls his mustache thoughtfully. “No, I do not see how there can
be possible danger for you,” he says at last. “Be sure, to avoid any
possible annoyance, to get your passports before leaving New York. By
Jove,” he murmurs under his breath, “if the Hemisphere should send a man
to Cuba, and I that man—well, that wouldn’t be half-bad.”
“But why should Mr. Felton desire to go to Cuba?” Ashley asks. “I
fancied all his interests were in Vermont.”
“He says that he has some property that requires his attention there, a
sugar plantation, I fancy, or something of the sort. Anyway, he is quite
anxious to go.”
A sugar plantation in Cuba! Jack draws a long breath and his active mind
reverts to his interview with Don Manada. Felton-Alvarez of the
captain-general’s staff, a young American planter! The son has evidently
forsworn his country and by joining the Spanish army has become a
Spanish citizen. Therefore he undoubtedly cannot be extradited. But the
father?
“How long does Mr. Felton contemplate remaining in Cuba?” Ashley asks,
carelessly.
“That will depend upon his inclinations and the condition of his
business affairs.”
“That means indefinitely,” Jack thinks. “Cyrus Felton must not go to
Cuba!” Then aloud: “Miss Hathaway, pardon me if I revive unpleasant
memories, but the deep personal interest I took in the case must be my
apology. Have you heard from your sister—since—since the tragedy?”
For a moment Miss Hathaway is silent, her face clouding with the sad
thoughts of that last fateful Memorial Day. “Mr. Ashley,” she says at
last, looking him full in the face, “I have received two letters from my
sister Helen. She is well, and I trust happy. She was married in this
city the day after they—she—left Raymond.”
“To Derrick Ames?”
Louise nods.
“Are they now residing in the city?”
“No; they are not now in this country—I should say this part of the
country,” she adds, hastily.
For a moment a silence falls and both absently sip their chocolate, busy
with their thoughts. Then Ashley remarks, smilingly:
“Apropos of nothing, Miss Hathaway, did you ever hear of the great
French ball, the annual terpsichorean revel of Gotham?”
“Certainly, I have read about it. I gather that it is not always
strictly—well, not exactly in the same category with the patriarchs’
ball.”
“No—not precisely,” admits Ashley. “What I was leading up to is this: I
suppose I shall be assigned to do the ball for the Hemisphere to-morrow
evening—I have done it for the last two years—and a friend of mine
kindly presented to me a pocketful of tickets. Now, I know you would
enjoy looking in on the brilliant scene for an hour or two in the early
part of the evening.”
“Why, Mr. Ashley, I really do not see how we could. It would hardly be
proper.”
“Not perhaps to mingle with the rush, but as a casual looker-on in
Verona the propriety could scarcely be questioned. A mask, a box where
you could sit and listen to the really good music and watch the glitter
and gayety, I believe you would recall the hour whiled away as one of
thorough enjoyment. Besides—and here is the selfish part of my
proposition—it would render the affair less of an old story to me. You
must really say ‘yes,’” persists Ashley, as Miss Hathaway hesitates,
with the inevitable result.
“Well, if Mr. Felton is willing to pose as a ‘chaperon’ for a brief
space, perhaps I may consent to assist the Hemisphere.”
“I assure you that that appreciative journal will be deeply grateful.
Where shall I call for your ultimatum?”
“We are stopping at the St. James. And now I must hurry home to examine
my purchases. Thank you so much for your kindness, Mr. Ashley. I am so
glad to have met you again. Good-by.”
“Au revoir—until the morrow,” Jack responds, as Miss Hathaway’s elegant
figure threads its way through the throng. “I wonder what the
straight-laced Vermont maiden would say if she could look into the
wine-room of the garden about an hour before the French ball makes its
last kick. But she won’t, though. The first hour or two of the function
is as decorous as an afternoon tea on Fifth Avenue—rather more so, I
fancy. And now to the office to fire the Cuban heart with Don Manada’s
screed.”
But seated at his desk at the Hemisphere office, Ashley’s thoughts
persist in straying away from the yellow sheets he is rapidly covering
with the Manada interview.
The Raymond tragedy mingles with thoughts of Cuba. His previously
conceived ideas are undergoing a decided metamorphosis. The knowledge
that the elder Felton is going to Cuba, where his son, according to the
description of Manada, is apparently settled, and for a long period, if
not forever, suggests to the newspaper man the conclusion that Mr.
Felton must have been aware of his son’s movements since the sudden
departure from Raymond; may even have counseled that flight. Nay, more,
that father and son are jointly implicated in the death of Cashier
Hathaway. The theory just evolved grows stronger the more Jack considers
the circumstances. On Cyrus Felton, then, depends the unraveling of the
mystery. And he left Raymond suddenly, according to Miss Hathaway’s
admission. Barker, judging from his message on the finding of the
revolver, must have been in Raymond before or during the departure of
Cyrus Felton. Is it not possible, then, that the ex-bank president
became possessed of the knowledge that Barker is again actively at work
on the case; that he further became aware that Barker had, or was likely
to get, some important clew, such as the discovery of the revolver, for
instance; that he considered discretion the better part of valor and
determined to flee the country and join his son in Cuba?
Ashley’s busy pen ceases to skim over the paper for a moment, as he
rears this dazzling edifice.
“I believe I have struck the bull’s-eye,” he reflects. “If only Barker
has a little more evidence to back up the finding of the revolver, Miss
Hathaway may not take that trip to Cuba after all—at least, not with her
present amiable traveling companion.”
A few moments later the big batch of copy, the result of Ashley’s visit
to Don Manada, is tossed upon the desk of the city editor. Then, still
preoccupied and unusually untalkative for jovial Jack Ashley, the
interviewer has again drawn on overcoat and gloves and is leaving the
entrance to the Hemisphere office when a hand is dropped on his
shoulder, as Detective Barker earnestly greets him:
“You’re just the man I want to see. Where can we indulge in a quiet talk
for half an hour?”
“Come right up to the cable editor’s room. He won’t be in for an hour or
two.”
------------------------------------------------------------------------
CHAPTER XVIII.
BARKER DECIDES TO STRIKE.
“Well, my boy,” begins Barker, “it’s a long lane that has no turn, and I
think we have reached the beginning of the end of this Hathaway mystery.
There is the weapon that sent Roger Hathaway to eternity Memorial Day of
last year,” handing it to Ashley, with a complacent air. “I am not a
betting man, or I would wager a reasonable sum that, ere the anniversary
of the crime rolls around, the murderer will be safely incarcerated in
the Mansfield County jail in Vermont.”
Ashley examines curiously the weapon Barker has produced. It is an
ordinary 32-caliber Smith & Wesson revolver, of the bull-dog variety,
covered with rust, and all of the five chambers, with possibly one
exception, contain unused cartridges.
“Yes, there is one empty chamber,” responds Barker, as Ashley attempts
ineffectually to turn the rusty cylinder, “and that sent poor old
Hathaway out of the world. And now I will tell you of some important
clews that I have succeeded in running down since I saw you last.
“You know I subscribed for the Raymond local newspaper, and a mighty
good investment that $1.25 proved. Week before last the paper contained
a local item about a boy’s finding a revolver on the bank of Wild River.
It was only a ten-to-one shot that the revolver picked up by the river
bank was Hathaway’s missing gun, but I took the short end and posted off
to Raymond. The result of my trip you now hold in your hand.
“The little chap who found the revolver had picked it up close to the
opposite bank from which it had been thrown. It was quite a stretch
beyond the deep pool that we explored. You see I was fully a hundred
yards from Felton when he hurled the revolver into the stream, and I
miscalculated the force he put into the throw. His feeling of loathing
for the hateful weapon was such that he hurled it nearly across the
river. Even then, it would have been covered by two or three feet of
water had not the river been dammed last fall, a few rods above the
place, to furnish power for a sawmill. That left only an inch or two of
water over the revolver, and little Jimmy Jones, or whatever his name
was, found it there while prowling about the river bank. It is Roger
Hathaway’s revolver, too, beyond a doubt. I had Sibley, who was teller
of the bank, and who has seen it in Hathaway’s desk a thousand times,
examine it, and he positively identifies it.
“So far, so good. That revolver rivets a mighty strong link, I take it,
to the chain we have already forged about Cyrus Felton. But the
situation had become somewhat complicated, I found after I secured
possession of the revolver. Felton has skipped from Raymond, taking the
Hathaway girl with him, and evidently does not intend to return for some
time, if indeed at all. Consequently our next and most imperative duty
is to find where he now is and see that he does not get beyond our
reach.”
“I can do that in five minutes,” Ashley quietly assures the detective.
“Cyrus Felton and Miss Louise Hathaway are now at the St. James hotel in
this city. They sail for Cuba next Saturday.”
“Good,” remarks the phlegmatic Barker. “That is luck on a par with
finding the revolver. But when Cyrus Felton leaves New York it will be
to go back to Vermont. Bound for Cuba, eh? Why did he select that
country instead of Europe, I wonder?”
“Because his son is in Cuba. Barker, I opine that it will be necessary
for both of us to revise our theories of the murder,” continues Ashley.
“In the judgment of the undersigned, both Feltons, father and son, are
equally implicated in that crime. As to which actually fired the fatal
shot, I am not prepared to say. But I am confident that both were in the
bank when Hathaway was shot. I learned to-day that there is a young
American, a planter, in Cuba who has joined the Spanish army as an
officer on the staff of the captain-general. His name is, or was,
Felton. Now comes the senior Felton, en route to Cuba. Why should he go
to Cuba just at this time while the island is in the throes of
insurrection? He tells Miss Hathaway that he has business interests
there—a sugar plantation. Isn’t it clear that he is going to join his
son?”
Barker taps his forehead reflectively. “The idea is plausible,” he
admits. “But what in the name of the great hornspoon is he taking Miss
Hathaway there for? It isn’t possible that he is so cold-blooded, so
absolutely devoid of conscience, that he would wed the daughter of the
man he had slain?”
“Decidedly not,” returns Ashley, with very like a snort of disgust at
the suggestion of the possibility of Louise Hathaway becoming Cyrus
Felton’s wife. “Miss Hathaway is Felton’s ward, and of course he is
obliged to take her with him. Besides she herself is anxious to go to
Cuba. She told me so this afternoon.”
“Anxious to go herself, eh?” repeats Barker. “Well, there is no
accounting for tastes. I think if I were going on a pleasure trip,
however, I should select some other spot than that home of Yellow Jack
and the machete. But”—the detective’s forehead is wrinkled in
thought—“you don’t suppose she has any friends in Cuba whom she is
anxious to see—her sister or Derrick Ames?”
Ashley considers this possibility a moment. “It is possible,” he
exclaims. “She admitted she had received letters from her sister, who
was well and happy—but not in this country, she said at first, and then
changed it to ‘not in this section of the country.’ Ames and her sister
may be in Cuba, as well as Ralph Felton; but not, I will wager a good
deal, in the same vicinity—not, at least, if Ames knows it. Barker, it
seems to me that instead of this matter becoming simplified it is daily
growing more complicated. The thing for us to do is to cut the Gordian
knot at once and bring matters to a climax.”
“There is only one way to do it.”
“Exactly. Arrest Cyrus Felton, and charge him with being the murderer of
Roger Hathaway, or an accomplice before or after the act.”
Barker picks up the revolver again.
“We have got a good deal of strong evidence against him,” he says,
slowly; “yet I should like to get the son in the same net. With the two
of them jointly accused and jointly tried I am certain we could unravel
the mystery. I have evidence against the elder Felton that I have not
yet told you; in fact, what I consider as a sufficient motive for the
crime. The absence of a good, healthy motive, you know, was the weak
link in our chain.
“The president of those two banks, I am convinced, was short in his
accounts with both institutions. In other words, he had used the bank’s
securities to tide over his own financial affairs, which I have
discovered, were not in the flourishing condition supposed. Although he
was aware that Felton’s accounts were overdrawn, as was evidenced by the
writing on the blotter, Hathaway was apparently ignorant of the fact
that the president had taken many of the bank’s securities and
hypothecated them for his own account. That was done by the president
through the connivance of his son, the bookkeeper. Get the idea?”
Ashley nods.
“Now then: You will recall that Cyrus Felton told you, after the murder,
that nearly $50,000 in available cash and about half as much more in
securities had been stolen. He testified at the inquest that some
securities had been taken. My theory is that not one single one of those
securities was taken from the bank that night. ’Cause why? Because they
had previously been extracted by Cyrus Felton and his son. And the cash?
That, I believe was Ralph Felton’s share for his part in the tragedy.
Perhaps father and son had planned for the latter to rob the bank that
night—the former anxious for the covering up of the loss of the
securities, the latter covetous of the money. The time was drawing near
when the annual examination of the savings bank was due. It was to have
taken place in June. Then the discovery that many of the ‘jackets’ that
should contain securities were empty was inevitable. But Cashier
Hathaway was at the bank that night. The son may have been concealed in
that closet, awaiting his opportunity. The cashier, no longer willing to
permit the president’s overdrafts, wrote that imperative note to Cyrus
Felton. The latter visited the bank. An altercation ensued. Heated words
were uttered. Hathaway may have discovered the loss of the securities.
The president and cashier, old men both, engaged in a scuffle. Perhaps
the president sought to wrest the key to the vault from the cashier’s
hands. At any rate, a struggle. Ralph Felton leaped from his
hiding-place, and seizing the cashier’s revolver, which he knew was kept
in the desk, rushed to the assistance of his father. The fatal shot,
and—father and son gazed in dismay at each other across the dead body of
the faithful cashier. The rest is simple of explanation—the rifling of
the vault and the subsequent flight of the son. Ashley, that is my
revised theory of the murder of Roger Hathaway. What do you think of
it?”
“It is worthy of your perspecuity, Barker, and in some respects it
appears flawless. Yet—well, sometimes I have a sort of intuition that we
are off the right track altogether. Ah, Barker, if we could but find
that chap I saw in the bushes that morning, Ernest Stanley. Now that you
have revised your theory, and in the light of recent developments, I
feel more than ever that Stanley possesses the key that will unlock the
inner doors of the mystery.
“However, that is neither here nor there, for Ernest Stanley has as
completely vanished as though the earth had opened and swallowed him up.
It is almost inexplicable.”
“No stranger than the fading away of Derrick Ames and Helen Hathaway.
You know we traced them to this city, and the most searching
investigation by both the metropolitan police and our own men could not
find them or ascertain for a certainty whether they went west or east.
“But to return to the Feltons. Those two missing leaves from the bank
ledger could a tale unfold, I fancy, in relation to Cyrus Felton’s
precise relations with the bank. Yes, on the whole, I believe we have
sufficient evidence to strike. He is at the St. James, you say? I guess
I had better arrest him at once, and then, if he declines to go back to
Vermont without extradition papers, I can proceed to Montpelier
to-morrow and get the necessary documents in season to start back to
Raymond by Friday—unlucky day for him, I fancy. Well, old man, you will
have to spill a whole bottle of ink on this, I suppose. Will you spring
the full story in the morning?”
Jack starts suddenly. “By Jove!” he exclaims, looking at the detective,
with a rueful glance, “it seems like a brutally cold-blooded thing to
say, but do you know, I have invited Felton and Miss Hathaway to look in
on the French ball to-morrow evening, and now—if the deed wasn’t an
apparent refinement of cruelty, I would ask you to postpone the arrest
of Felton till day after to-morrow.”
“You are positive he does not contemplate sailing for Cuba till
Saturday?” inquires Barker.
“So Miss Hathaway said. And, yes.” Jack’s eye has run hastily down the
advertised dates of sailings in the Hemisphere. “The Mallory Line
steamer, City of Callao, sails for Havana and the West Indies on
Saturday. That is the steamer they are evidently booked for. But to make
assurance doubly sure I will telephone to the office of the steamship
line and ascertain if staterooms have been secured for them.”
Barker nods approvingly at the precaution.
“Yes,” the reply comes over the wire, “Mr. Cyrus Felton and Miss
Hathaway are booked for the Callao.”
“For Havana?”
“Yes; for Havana.”
“That settles that, then,” observes Barker, cheerfully. “Felton can
enjoy his little fling at the garden, and subsequently have something to
think about while he awaits the action of the grand jury.”
Inured as he is to tragic scenes and happenings, Jack winces slightly at
thought of the part he expects to play in acting as the “guide,
philosopher and friend” of Cyrus Felton on probably his last night of
liberty.
“By the way,” he remarks, “you said Felton had made preparations for an
extended absence from Raymond. Did he cause that to become generally
known in the town?”
“Per contra, as the lawyers say, no one in Raymond had any idea that he
contemplated a trip to Cuba, understanding that he is off on a business
trip to New York. A little judicious investigation revealed the fact
that he had quietly severed every business tie that should connect him
with Raymond. Even his house, I found, he has mortgaged to the chimneys,
and then leased for a period of ten years to a western man, to whom, by
the way, he has disposed of his interest in the quarries. His share in
the bank block he sold two months ago, taking a mortgage for two-thirds
the purchase price, but this mortgage he last week transferred to the
Vermont Life Insurance Company, receiving cash therefor. Even his horses
have been shipped to Boston and sold. All this Felton has accomplished
so quietly that, as I said before, no one in Raymond suspects that he is
not as deeply interested financially in the town as ever.
“Well, on the whole,” finishes Barker, “I am glad we have concluded to
postpone the arrest a couple of days, for I have some personal matters I
must attend to. What have you on hand to-night?”
“Just an hour or so at the Madison Square Garden. Come to dinner with me
and we’ll go to the Garden together. I want to talk this matter over
further,” says Ashley.
Barker acquiesces, and as the newspaper man leads the way to the street
he murmurs to himself:
“So the blow falls on Wednesday. Well, it will make one of the most
interesting ‘beats’ in the history of the Hemisphere and I guess I had
better begin on the story to-night.”
------------------------------------------------------------------------
CHAPTER XIX.
PHILLIP VAN ZANDT.
“What are they playing now, Phillip?” Isabel Harding draws the program
to her and scans the musical numbers listed thereon.
“Is it possible that you do not recognize the immortal unfinished
Schubert symphony?” her companion asks, with good-natured sarcasm.
“You know I cannot tell one symphony from another,” Mrs. Harding
remarks, pettishly. “I wish you would pay less attention to the music
and more to me.”
Phillip Van Zandt smiles, but makes no reply to this reproach. And while
he listens intently to the divine music which the orchestra is making,
his companion sips her claret punch with a pretty frown upon her face.
The place is Madison Square Garden; the occasion, one of a series of
classical concerts which Mr. Walter Damrosch and his orchestra are
furnishing New York.
The two—Mrs. Harding and Mr. Van Zandt—are sitting by the wall in a
comparatively uncrowded section of the Garden and more than one person
who glances at them remarks that they are a handsome couple.
Phillip Van Zandt is not far from 30 years of age. There is nothing
effeminate about his singularly handsome face; the closely trimmed brown
beard does not conceal the firm, almost hard lines about the mouth. A
mass of dark-brown curls cluster about a noble forehead that fronts a
well-shaped head. But the striking features of the face are the eyes.
Something inscrutable lurks in their dark-brown depths, now dreamy and
tender, and again cold and glittering.
Who he is and what he is are points upon which his nearest
acquaintances—he has no intimate friends—have never succeeded in
satisfying themselves. He came somewhere out of the West less than a
year ago. He occupies luxurious quarters at the Wyoming apartment house,
spends money freely, and seems to be drifting through existence with the
insouciance of a man who has lived his life and who looks forward to
nothing this side of Charon’s ferry—or perhaps beyond.
He plays at cards and plunges at the track and wins or loses with the
inevitable composure which characterizes his every action. To men he is
cold, often insolent; to women he is indifferent, although infinitely
courteous. Handsome, distingue, wealthy, witty in a dry, cynical sort of
way, he is a man who could be immensely popular with his fellows and
fascinating to the other sex. That he is neither one nor the other is
his peculiarity.
His companion of this evening, Isabel Harding, is a personage, who would
attract instant attention in a crowd of attractive women. She is
magnificently proportioned—a splendid animal, as Van Zandt remarked when
first his careless gaze rested upon her. Her hair is black as midnight;
her eyes, large and lustrous, can either flash with the fury of the
tiger or beam with the softness of the dove. Her mouth is somewhat
large, but it is firm, and between full, scarlet lips gleam two arcs of
strong, milk-white teeth.
She has known occasions when propriety was not finically insisted upon,
but on this night she is as demure as innocence at 16. For she knows Van
Zandt well enough to understand that, while virtue and worth may not
interest him, viciousness and unworthiness decidedly do not. And the
least discerning student of human nature can see that she loves
him—loves him blindly, madly, and—hopelessly.
Van Zandt cares nothing for her, save in his indifferent way, and she
knows it. But she does not despair. She is a woman.
Somewhere in Bohemia, Van Zandt met Isabel Harding. She interested him,
she was so unlike the other women at the little French restaurant where
he had dropped in to get lunch and a bottle of really good wine. Some
small service by him rendered sufficed to establish between the two a
camaraderie that continued until the present. It witnessed no alteration
of sentiment on the part of Van Zandt. But Isabel—she began by admiring
and finished by worshiping.
He never asked who or what she was, although she was obviously a woman
with a story to tell. She was a widow, she said. Widows are many in
Bohemia.
“Some day I will give you my history,” she told him. But Van Zandt only
laughed and asked, “Shall we go to the play to-night?”
“He cares no more for me than for the glass he is holding,” Mrs. Harding
now thinks, as she watches his face, turned again toward the orchestra.
“Don’t you ever think of anything except music?” she demands, a little
impatiently.
“Oh, yes; of a great many other things. For instance, I was this minute
thinking of you.”
“Oh, indeed?” ironically. “Something vastly complimentary, no doubt.”
Van Zandt smiles emphatically. “I was thinking that I should like to set
you to music, if I possessed the faculty,” he says, as he glances
humorously at his companion’s pouting face.
“What should you write, a waltz refrain or a dancehall ditty?” asks Mrs.
Harding.
“Neither; I should write a symphony, a wild sort of affair,” he smiles.
“It would begin quietly and run along for bars and bars in a theme that
would suggest days when the heart was young and life seemed a pathway of
roses. This would give place to scherzo and the whole movement would be
light and playful and singing. Then the music would begin to grow
troublous, anon turbulent, and would finally burst into uncontrollable
tumult. This would gradually pass away, and the third movement would be
capriccio, the music now flashing fire, again singing on like a mountain
brook, on and on, and on.”
“You are very discerning, Mr. Van Zandt,” says Isabel, biting her lip.
“What name should you bestow on this remarkable symphony?”
“I should call it ‘Isabel.’”
“And the last movement, what would that be?”
“Oh, that would be unfinished, like Schubert’s,” Van Zandt replies, with
a provoking smile.
“Fortunately. For if you design to complete it you will have to do so
from memory. I am going away,” declares Isabel, with a flush in each
cheek.
“Going away? Where?”
“Ah, mon ami, that is for you to find out. Besides, what do you care? I
have had an offer—diplomatic service, I believe it is politely called. I
leave in two days.”
“By Jove! You would do well in diplomatic circles,” exclaims Van Zandt,
glancing at her in frank admiration. “You said nothing of this before.”
“I have only just made up my mind. Your symphony decided me,” Isabel
avers with some bitterness.
“The Garden is filling up,” Van Zandt remarks abruptly. About all the
tables around them are beginning to be taken. “Hello! There’s that chap
again,” he adds, as two men seat themselves at an adjoining table and
fall to chatting.
“Didn’t know I was a musical critic, did you, Barker? Well, you see our
regular music expert is off duty sick to-night, so they put me on the
job. It’s a short one.”
“Your duties, friend Ashley, appear to be beautifully diversified.”
“They are that. Anything from a murder to a concert. I suppose Raymond
is about the same as when we left it, about a year ago?”
“To a dot. Same crowd on the hotel veranda. Same symposium of hay, horse
and village gossip.”
“Just the same it is a great country. I’d give several good iron dollars
to be back for one morning in that gorge near South Ashfield, on the old
wood road where I ran upon Ernest Stanley.”
“Push over a bit. Here’s another party,” says Barker, as a jolly quartet
approach.
“Plenty of room,” they declare, as they find chairs and seat themselves
close by. The man nearest to the detective and the newspaper man is a
stout, florid-faced party, whose clean-cut visage and smooth bearing
betoken the sporting man. His companions are well-dressed young men
about town.
“Hold on, major,” remarks one of the latter, interrupting the stout
party in the act of giving an order to the waiter. “I’ll buy this round,
gentlemen, and we will make it wine. I played in luck to-day.”
“So? Cards run well, eh?”
“Never saw them come easier. I had a bit of luck, major, which does not
materialize often enough to render poker a continuously profitable
employment. I sat between two men who raised the pot four times before
the draw, and I filled up a straight flush.”
“You stood the raises on a bob flush?”
“I had to. It was open at both ends. Basket of wine, waiter, and fetch
it in a hurry,” adds the young man, whom his friends call Chauncey, and
he gives the waiter a tip that sends him a-flying.
The major smiles as the reminiscences of innumerable interesting
jack-pots are stirred up by the story of his young friend’s good luck.
“Speaking of straight flushes,” he observes, “I never saw a hand fill
more neatly or appropriately than during a little game in which I was
sitting three or four years ago.”
“Story by the major, gentlemen,” cries Chauncey, rapping the table to
order and receiving the angry glances of a number of people about him
who are trying to hear the music. “Here comes the wine. We will drink a
toast to all straight flushes, high or low, and then the major shall
have the floor.”
------------------------------------------------------------------------
CHAPTER XX.
A SUPPOSITION BECOMES A FACT.
“You remember when Phil Clark was running up on Fifth Avenue,” begins
the major, after the wine has been brought and pronounced only
half-iced.
“Rather,” responds Chauncey, dryly. “I dropped five hundred there one
night and it wasn’t much of a game at that.”
“Well, I drifted into Phil’s one night three years ago, more or less,
and found the place as quiet as a country village. There was no big game
going on, and mighty few small ones. In one of the rooms I found Col.
Dunnett. You remember Dunnett. We were chatting and commenting on the
dullness of the evening, when two young men came into the room and,
after a glance at us, one of them suggested a hand at poker.
“I knew one of the young men slightly. His name was Stanley, I believe.
Quiet, reserved sort of a chap. He hadn’t been in New York long, he
said. Made books out at the Sheepshead races. I did not fancy his
friend, who had been drinking some and was inclined to be a bit noisy.
His name—let me see—Fenton, or Fallon; no, Felton, that was what Stanley
called him.
“We began the game and it broke up after the hand I started in to tell
you about. The betting simmered down to Felton and Stanley. Felton held
four aces and bet all the cash he had. ‘I ought to raise you,’ said
Stanley; ‘still,’ he added, ‘if that is all the cash you have—’
“‘You needn’t worry about me,’ sneered Felton, as he took a check-book
from his pocket. ‘I said that was all the change I had with me, but my
check is good.’ He scratched off a check and threw it on the table. ‘You
can see that, or call my previous bet, as you please.’
“Stanley was as calm as I am now. He leaned over to me, and, spreading
his cards, asked: ‘Major, will you loan me a thousand a moment to bet
this hand?’ I glanced at it and had a trifle of difficulty in
restraining my surprise. He had filled, as he told me afterward, the
middle of a straight flush, king up!
“‘Cert, my boy,’ I replied, cheerfully, to his request, and I passed
over two $500 bills. Stanley tossed them on the table, and looked
inquiringly at Felton. The latter, with a smile of sublime confidence,
spread out four aces. ‘No good,’ was Stanley’s calm announcement. He
exhibited his hand, and then pocketing the stakes, after returning me my
thousand, he remarked: ‘Thank you, gentlemen, for your entertainment. I
don’t believe I’ll play any more to-night.’ And putting on his coat and
hat, he left the room.
“Felton sat like one dazed for some moments. Then he walked to the bar
and after a stiff drink hurried off. I never saw either of them after
that night.”
Ashley and Barker have been silent and interested listeners to this yarn
by the major. As the latter and his friends rise Ashley rises also and
taps the major on the shoulder. “Pardon the intrusion,” he says, with an
engaging smile. “I have been vastly interested in your poker story, sir,
for the reason that I think I know one of the players—Felton, I believe
you called him. Do you happen to recall what sort of a looking chap he
was?”
“Hanged if I remember,” replies the major, wondering at the other’s
earnestness.
“Was he a rather tall, good-looking young fellow, with light-brown hair
and eyes and a tawny mustache?” persists Ashley.
“Now that you speak of the mustache, I believe that your description
fits him. He had a heavy, yellowish mustache, which he was in the habit
of biting, as though his dinner did not suit him.”
“Thank you,” says Ashley. “Will you have something more to drink,
gentlemen?”
But the major and his party take themselves off and Ashley resumes his
seat with a satisfied smile.
“So, Barker, we hit it about right after all, eh?”
“It would appear so,” returns the detective complacently. “We now know
what we have assumed to have been the case—that Ernest Stanley suffered
imprisonment two years for another’s crime, and that the real criminal,
the man who forged Cyrus Felton’s name, was none other than his son,
Ralph Felton.”
As Barker pronounces these words Ashley hears a smothered exclamation
behind him and turns quickly. But all he sees is a gentleman and lady
gathering their wraps preparatory to taking their departure. The man’s
back is toward Ashley, but the latter waits until the party faces his
way and then for the space of a second their eyes meet.
“There is only one more selection, and it does not amount to much,” Van
Zandt tells Mrs. Harding, and they join the crowd that is leaving the
garden.
“Do you know those two men who sat at the next table to us? The younger
looked at you as though he knew you and was waiting to be recognized.”
“Your imagination, cara mia. I know neither of them,” replies Van Zandt,
lightly. Then, as he hands her into a carriage at the corner and says
“Kensington” to the driver, he holds Isabel’s hand a moment at parting
and inquires gravely: “So you are really going away then?”
“In two days,” she answers, and searches his face for some evidence of
regret. It is as impassive as the sphinx.
“Well, I suppose I shall see you at the French ball to-morrow evening?”
“You may, if you care to look for a Russian court lady, attired wholly
in black.”
“Rest assured that the festivities will be robed in sables until I find
her. Good-night.” Van Zandt closes the carriage door, watches it a
moment as it rattles up the avenue and then saunters toward Broadway.
Ashley and Barker have remained at their table in the garden and Jack is
telling the detective that for the second time within twenty-four hours
he has caught the stare of the man with the brown beard and piercing
eyes. “I have seen that face somewhere,” he mutters, as he wrinkles his
brow in a desperate effort to burst the memory cell that prisons the
secret. Suddenly he smites the table a blow that sets the glasses
jingling and invites the disapprobation of the waiter. “Oh, memory!
Memory, thou sleepy, shiftless warder of the brain!” he cries.
“What is the matter now?” asks Barker.
“Keep calm, old chap,” returns Ashley, gripping the detective’s wrist.
“Keep calm while I confess to you that we have let slip through our
hands the key to the Hathaway mystery!”
“What!” almost shouts the detective, starting to his feet. “You mean—”
“I mean that the man with the brown beard and stiletto optics who just
left us is my friend of the mountain gorge. He is Ernest Stanley!”
“Well, he has slipped us this time,” says the detective, disconsolately,
as they stand outside the garden and sweep the street with anxious gaze.
“Not yet,” Ashley rejoins cheerfully. “See! There he is beyond that
third light, handing his magnificent companion into a carriage.”
“Call a cab and follow them,” says the detective, starting toward the
line of conveyances pulled up at the curb.
“No need of that,” Ashley interrupts. “He is not going to ride.” At that
moment it was that Van Zandt closed the door to the carriage which bore
Mrs. Harding to the Kensington, and as he starts toward Broadway the
detective and the newspaper man follow at a cautious distance.
Unconscious of the espionage Van Zandt starts uptown at a swinging gait.
At Thirty-second Street he branches into Sixth Avenue, and the two men
behind him wonder that he does not ride. At the park he turns down
Fifty-ninth Street and finally enters the Wyoming apartment house,
leaving Ashley and Barker staring up at the brownstone elevation.
The former waits five minutes and then pulls the bell. “The name of the
gentleman who has just gone upstairs?” he asks the colored attendant who
responds.
“Mr. Phillip Van Zandt,” replies the sable youth, as he slips a
half-dollar into his pocket.
“Van Zandt—is that his name?” queries Ashley, a trifle disappointed,
although he might have expected a strange name. Then the porter tells
him that the gentleman with the brown beard has been a resident of the
Wyoming for several months; that he is a wealthy bachelor, and a variety
of other equally important information.
“Well, what do you think now?” asks Barker, as they walk over to the
elevated road.
“I haven’t changed my opinion,” is Ashley’s response. “I believe that
Phillip Van Zandt is or was Ernest Stanley.”
“Well, we have him located, at any rate,” remarks the detective. “See
you at the French ball to-morrow night? I am on the lookout for a couple
of gentry whom I expect to be there. This is my station. Good-night.”
------------------------------------------------------------------------
CHAPTER XXI.
“DON CAESAR DE BAZAN.”
The big French ball, that annual revel at the metropolis, brings
together a motley assemblage of the devotees of folly. The scene at the
entrance to Madison Square Garden to-night is the same scene witnessed
at this function the year preceding, and the year before that. A mass of
cabs and carriages in apparently inextricable confusion fill the street.
They struggle up and deposit their fares and escorts and chaperons fight
their way through the mob that blocks the brilliantly lighted entrance,
and not always without an unpleasant encounter.
Upon the threshold of the gay interior Louise Hathaway pauses
diffidently and thanks fortune that a mask hides her face from the
inquisitive stares around her. But led by Jack Ashley, Louise and Mr.
Felton proceed to a box and once within its shelter the young girl gives
herself up to an unmixed enjoyment of the brilliant spectacle before
her.
The scene is decorous, even sedate. Few acquaintances have been made,
and when the strains of “Loin du Bal” arise in voluptuous swell only a
small number of dancers respond.
“Why this is as proper as one of our country dances, and far less
noisy,” Louise whispers to Ashley, but that knowing young man winks
mysteriously behind his mask and remarks: “Wait!”
“Oh, but I shan’t wait,” is the young lady’s response. “You remember
what I emphatically declared—only an hour or two and then we return to
the hotel.”
“Then you need fear nothing that would shock you in the least degree,”
Ashley assures her. “The rioting does not begin until after midnight,
and does not amount to much then. But see. The floor is filling up, the
reserve is wearing off, and it would need only the eruption of some
reckless spirit to bring on a pandemonium.”
It is apparent that only a desire to humor the wishes of Miss Hathaway
has led Cyrus Felton to the garden. And yet it is all so novel, all so
bright and full of color, that he becomes interested in spite of
himself, and when Ashley proposes a tour of the floor with a peep at the
wine-room, Mr. Felton glances irresolutely at Louise. The young lady
nods an assent.
“Do not be gone long,” she enjoins, “although I could listen to the
music and watch the picture half the night.”
When they are gone she leans back in her chair, partly draws the box
draperies, and watches dreamily the ever-changing panorama on the vast
floor. Suddenly there is borne to her ears a melody strangely sweet, yet
filled with a subtle melancholy. Louise catches her breath and listens.
It is the andante of the Beethoven Sonata Pathetique she played so often
in her old Raymond home. It has always been her favorite, and she is
really an artist in soul and execution. Some one is whistling softly the
divine first theme, and with a tenderness she has often felt yet could
not satisfactorily express through the medium of an unsympathetic
pianoforte.
She leans over the box and her eyes rest upon the figure of a man
attired in the costume of Don Caesar de Bazan. He is leaning carelessly
against the pillar of the box in which she is sitting, not a dozen feet
from her. So closely does his costume fit him and so bravely does he
bear it that he looks a veritable Don Caesar who has stepped for an hour
from a bygone century. A brown beard covers the lower part of his face;
all above is hidden by a black silk mask.
While Louise is taking note of this interesting personality she hears
the door open behind her, and turns expecting to greet Mr. Felton or
Ashley. Instead a stranger steps rather shakily into the box and closes
the door with an affable “Good-evening, mademoiselle.” Louise makes no
reply, and her unwelcome visitor drops into a seat with easy
familiarity.
“I have been more enthusiastically received to-night, but I will let
that pass,” he remarks, with cheerful impudence.
“I do not know you, sir,” says Louise frigidly, as she rises and casts a
wildly anxious look over the ball-room.
“Oh, well, I am not so hard to get acquainted with,” offers the insolent
mask. “Will you drink a bottle of wine with me?”
“Leave me at once!” commands Louise, pointing to the door with trembling
finger.
“By George! That’s an attitude worthy of Lady Macbeth,” remarks his
insolence, in frank admiration. “I will go,” he adds, in mock humility,
“but I must at least have a kiss to solace me for the loss of your
society.”
“You would not dare!” gasps Louise, retreating to the box rail.
“Dare?” laughs his insolence; “I would dare anything for such a prize,”
and he approaches her unsteadily.
Louise’s frightened gaze is turned toward the ball-room and again rests
upon Don Caesar de Bazan, who, attracted by the colloquy, has stepped a
pace out upon the floor and is an interested spectator of the encounter.
“Save me!” she whispers, and sinks upon one knee.
But the entreaty is superfluous. Already Don Caesar’s hands are on the
rail and with a vault he is in the box. His arm shoots out and his
insolence goes down with a crash. He struggles to his feet with an oath
and makes for Don Caesar; but the latter’s threatening attitude,
clenched fist and eyes that flash fire through the black mask, cause him
to stop, and muttering, “You will hear from me again,” he leaves the
box.
Don Caesar lifts his cap and is about to follow, when Louise interrupts
him. “Do not go,” she says gratefully, “until I have thanked you a
thousand times for the service you have rendered me.”
Don Caesar bows. “As for the service,” he remarks lightly, “it was
nothing. The fellow has been drinking, and seeing you alone—”
“My friends have left me only for a few moments,” Louise hastens to
explain, as she glances over the floor and bites her lips in vexation.
“Then I may remain until they return?” Don Caesar observes inquiringly,
dropping into a chair. “Some other graceless scamp may blunder in here.”
Louise’s eyes express a timid assent to the proposition.
“This is the first of these balls that you have attended?” asks Don
Caesar, noting that she is ill at ease.
“Yes; and it will be the last. I had read much of them, how brilliant
they were, and all that, and I naturally acquiesced when I was tempted
with an invitation. For I was told that if one went masked there was no
harm in looking on for an hour.”
“Nor is there. The wickedness will not begin for some time, and it is at
best, or worst, a cheap, tawdry wickedness, wholly unattractive to saint
or sinner. It is all inexpressibly stupid. A lot of tinsel-decked people
rushing hither and thither in the dance, with little regard for the
rhythm of the music and less for the etiquette of the ball-room, and a
line of weary clubmen, bankers, men-about-town, butchers and bakers and
candlestick-makers looking on.”
“Yet you attend, though your remark indicates familiarity with the
function.”
“Oh, yes, I attend. For in spite of it all there are flowers and music,
light and color and a certain brilliancy that enables one to forget for
the nonce the even deadlier stupidity of the outside world.”
“Don Caesar de Bazan of old was not a cynic,” remarks Louise, smilingly.
“Had he been he would not have maintained our evergreen regard. When we
sit down to a book or a play we like to leave our cynicism behind us; to
live with men who have not a care beyond the morrow; men who mount horse
and ride away from their troubles; whose swords leap from their sheaths
at the breath of an insult; good, hearty, whole-souled fellows whose
fortunes one delights to follow, but whom, alas, we seldom meet in the
flesh.”
“Perhaps it is as well. You might grow awfully tired of them.”
“Perhaps. I sometimes think that, outside of the lasting friendships
with the people in books and plays, the only satisfactory acquaintances
are the chance ones.”
“True,” murmurs Louise, dreamily. She wonders whether the face behind
the black mask matches the melody of the voice. A similar thought flits
through Don Caesar’s mind, as his eyes take in the graceful figure of
the girl, clad all in black, a single ornament fastened at the long
white throat.
“I, too, have few friends,” says Louise. “But there is one friend who
never fails me, through joy or sadness—my music.”
“Ah, there is naught like it to drive away that enemy to life, dull
care,” put in the Don. “It is my one passion. And I have cultivated it
only lately. But now I give myself up to it entirely, attending every
concert of any repute, and bewailing fate a thousand times that I cannot
play, or sing, or write.”
“I think I can guess your favorite melody—one of them, at least.”
“Can you, indeed?” asked Don Caesar, in interested surprise.
“The Sonata Pathetique.”
“Ah, is it not beautiful? You have guessed correctly, but how?”
“You were whistling it softly as you stood near yonder pillar, a moment
before the occasion for your presence here arose.”
“Very probably. It is continually running through my head. Do you know,
the melody has two meanings to me. When I am out of patience with the
world and myself it seems tinged with an inexpressible melancholy. And
when I am in good spirits the refrain becomes singing, joyous,
triumphant. Has it ever seemed so to you?”
“I do not know. It has always seemed beautiful. It is my favorite.”
“And mine. You are not a New Yorker,” ventures Don Caesar.
“So? It is now my turn, Don Caesar, to marvel at your guessing powers.”
Don Caesar laughs softly. “It does not demand an extraordinary acute
discernment. Your accent and manner betoken the New Englander.”
“Are we then so provincial that we so easily betray ourselves? But you
are right. I am a Vermonter.”
“I thought so. Odd, is it not, how dominos conduce to confidences, even
among strangers?”
“Yes. And yet I think they would prove unsatisfactory for conversational
purposes among people who—” Louise pauses.
“People who have been formally introduced, eh?” finishes Don Caesar.
“Are you in the city for any length of time?”
“Only until Saturday. We sail for Cuba then.”
“Cuba? That is a long way off,” muses Don Caesar. “I came very near
forgetting that I had not been formally introduced and expressing the
regret that I should not see you again before you sail.”
“You said a moment ago that the only satisfactory acquaintances were the
transitory ones,” Louise reminds him.
“True. But that rule has its exceptions, like all others.”
“Consistency is no more a man’s attribute than a woman’s,” moralizes
Miss Hathaway. “My friends approach, Don Caesar,” she adds, as she
catches a glimpse of Mr. Felton and Ashley threading their way over the
crowded floor.
“That is the signal for my departure, then,” says Don Caesar. “Before I
go I would crave one small boon.”
“I owe you some return for your timely assistance. Speak, Don Caesar.”
“Just a glimpse of the face that your mask so jealously veils.”
“Oh!” cries Louise, somewhat disturbed.
“Remember,” urges Don Caesar, “we shall never meet again—But ’twould be
ungenerous to press my request,” he adds, rising. “I must say farewell,
then, with only the memory of a sweet voice to recall one of the few
pleasant quarter-hours that I have known.”
Some impulse, she can hardly explain what, seizes Louise. With trembling
fingers she detaches her mask and uncovers a face suffused with blushes.
“I thought so!” murmurs Don Caesar, as his eyes take in the glory of
that face, which is almost immediately veiled again.
“Thank you,” he says, simply, and presses to his lips for an instant the
hand she timidly gives him in parting.
He is gone, and Louise sinks back into her chair with beating heart,
wondering whether she has been foolish, or unmaidenly, or indiscreet.
She forgets to administer to Ashley the scolding he deserves for his
long absence and receives abstractedly his explanation of a row in the
wine-room and their detention by the crowd. Her gaze wanders about the
ball-room in search of the graceful figure of Don Caesar de Bazan, but
he has vanished.
------------------------------------------------------------------------
CHAPTER XXII.
A FAIRY TALE THAT CAME TRUE.
Toward 10 o’clock Louise Hathaway decides that she has witnessed enough
of the brilliant panorama to warrant her in returning to the hotel, and
as Cyrus Felton is plainly bored by a scene not attuned to his
temperament, Ashley hunts up their wraps, hails a carriage and they are
driven to the St. James.
“You will make a night of it, I suppose,” Miss Hathaway remarks, as
Ashley prepares to say good-night.
“No; I shall remain only long enough to finish my story for the paper. I
wrote the introduction this afternoon. One year’s ball is much the same
as another’s. Have you any plans for the morrow?”
“None, except mild sight-seeing. Will you not lunch with us?”
“I shall be delighted,” murmurs Ashley. To be near Miss Hathaway is
pleasure unalloyed; incidentally he desires an opportunity to quietly
study Cyrus Felton. “At 1 o’clock, say?” he asks.
“At 1 o’clock. We must thank you again, Mr. Ashley, for your escort this
evening.”
“Don’t mention it—again,” smiles Ashley. “I am sorry I cannot ask you to
assist in my work to-morrow. It would be fully as interesting and more
to your taste, likely, than the French ball.”
“Then it cannot be a political meeting.”
“Hardly. It is the trial trip of the new United States cruiser America,
probably the fastest vessel of any size afloat in the world to-day.”
“That will be delightful. You must tell me all about it when you return.
Your description will be much more interesting, I am sure, than the
newspaper accounts.”
“Fully as interesting as the Hemisphere’s story, perhaps. Good-night,
Miss Hathaway. Oh, by the way, Mr. Felton,” as Louise trips upstairs,
“did you know that Roger Hathaway’s revolver has been found?”
Ashley asks the question in the most casual of tones, but his keen eyes
are riveted on the elder man’s face. The result is not wholly what the
questioner expected. Mr. Felton simply stares at Ashley and repeats:
“Hathaway’s revolver found? Where? When?”
“It was fished out of Wild River about opposite the cemetery a day or
two ago. But perhaps it was after you had started for New York. Odd, is
it not, that the weapon with which the crime was perhaps committed
should be brought to light within a stone’s throw of the grave of the
murdered man? But pardon me. Perhaps, I have awakened painful
reflections; so I will say no more. Good-night.”
Cyrus Felton stands like a stone upon the threshold to the reading-room
for fully a minute after Ashley has left the hotel. Then he turns and
goes slowly upstairs to his room.
When Ashley reaches the Garden he hunts up Barker and rescues that
amiable gentleman from the importunities of a brace of masks who are
gayly informing him that they are “just beginning to like him.” Ashley
drags him away and asks: “Have you located the gentry for whom you were
looking to-night?”
“No, but I have chanced upon one or two choice incidents in society life
which the chief may find useful some day.”
“Good. Let me in early when they materialize. Now, old chap, if you will
kill time here for half an hour or so, until I finish my story, I’ll
join you.”
Ashley hunts up an out-of-the-way corner and the work is soon finished
and dispatched by a district messenger boy. Then the newspaper man
returns to the wine-room, but Barker has strayed.
While Jack is lounging about the edges of the ball-room, his cheek is
brushed by a Jack rose tossed from a near-by box. He looks around and
sees leaning over the box rail a woman attired in the costume of a lady
of the Russian court. The eyes behind the mask twinkle invitingly, and
as she is alone Ashley fastens the rose in his coat, tosses a kiss to
the donor and proceeds to look for the door leading to that particular
box.
“May I enter, lady fair?” he asks, as he stands upon the threshold.
“On one condition,” the lady in black informs him.
“Name it,” he smiles.
“That you do not ask me to drink a bottle of wine with you; that you
talk of something interesting; and that you do not make love to me.”
“And you call that one condition? But I accept,” says Ashley, closing
the door behind him. The next instant he suppresses an exclamation and a
tendency toward mild protestation. For in closing the door he has caught
one finger on a nail which some careless carpenter omitted to drive
home, and the digit gets a painful tear.
The lady in black extends sympathy and lends her own dainty lace
handkerchief to bind up his wound. As he bends to tie the knot with his
teeth the perfume on the lace almost startles him.
“Your first condition, madam, was easily accepted,” he smiles, as he
throws himself into a chair and toys with the handkerchief about his
finger. “The second is more difficult to live up to, and the third is
cruel.” He is carelessly unwrapping the handkerchief as though to rebind
it, and is looking for some initial.
“Oh, tell me a story—something I haven’t heard,” yawns the lady in
black. “At the first sign of stupidity I shall send you away.”
“A story?” drawls Ashley. Ah, he has found what he sought. In one corner
of the handkerchief is the letter “I,” curiously embroidered in silk.
“Very well,” he says, in rare good humor, “I promise you a story that,
while it may not be entirely new to you, will hold your interest to the
end. But first, madam, I must beg of you to lay aside your domino, that
I may know whether my tale is interesting you or I am courting the
unhappy fate which you threatened should be meted out to stupidity.”
The lady in black laughs musically and, partially drawing the box
draperies, she tosses off her mask, and, to Ashley’s intense amaze,
reveals the face of the handsome woman whom he remembers to have seen
with Phillip Van Zandt the preceding night at the Damrosch concert.
But Jack Ashley is not a young man who permits his face or voice to
betray his emotions. So he knots the lace once more about his injured
digit, settles himself comfortably in his chair and begins:
“Once upon a time—”
“Is this a fairy tale?” interrupts his handsome auditor.
“A fairy tale? Perhaps. But a fairy tale that came true. Once upon a
time there lived in a small New England community a youth to whom the
simple amusements and rustic pleasures of his native town became as
tedious as a twice-told tale. As his father was engaged in a business
whose interests extended over the country, the youth was given a roving
commission, and soon after he was tasting the sweets of an existence in
the great city. Metropolitan life suited him to a T. His only regret was
that his means were not sufficient to keep pace with his luxurious
tastes.
“In the course of time he met and loved a very pretty girl. She had hair
of midnight, eyes like black diamonds, a superb figure and a thousand
charms. Whether her heart was as true as her face was fair, I know not.
The torrent which bore these two hearts was more or less turbulent. In
the trouble which came between them I am charitable enough to believe
that the man was to blame. The youth found that living beyond his means
has an inevitable and unpleasant result, and it was not long ere his
father, after palliating innumerable offenses, summoned him home. He was
given a position in a bank in the town which he still despised, and he
soon forgot his city love, being assisted in this forgetfulness by a
passion which he had conceived for the beautiful daughter of the cashier
of the bank in which he was employed.
“The neglected one wrote many letters, but could obtain no satisfaction
of her faithless swain. Finally she decided to visit him in his New
England home; so on a memorable afternoon she arrived in his town, went
to a hotel and sent word to the youth that she desired to see him at
once.”
“Well?” demands the lady in black, as Ashley pauses. The flash in her
eyes and the nervous fingers tell him that, while his story may not be
enjoyed, it is being listened to with intense interest.
“The youth obeyed the summons,” he resumes, “and there was a scene.
Money was demanded, and money he had none. But perhaps it was to be had
somewhere. That night a murder was committed in the town. It was an
extremely mysterious affair, and the excitement which it caused was
intensified a day or two later, when the young man of our story suddenly
disappeared and was never after heard from. The detective employed on
the case assumed that if he could find the mysterious woman who
registered at the hotel the day of the tragedy some light might be
thrown upon the affair and the whereabouts of the absent young man
ascertained.”
“Have you any object in telling me this story?” asks the lady in black,
in a voice which she strives to render calm and unconcerned.
“Only your entertainment.”
“Then you have not succeeded.”
“I have succeeded in one thing,” returns Ashley, in quiet triumph. “I
have found the woman.”
“Indeed? That is more interesting. But perhaps you are mistaken.”
“Impossible. The beautiful unknown left in the hotel room a lace
handkerchief scented with a most peculiar perfume.” Ashley is slowly
unwrapping the lace creation about his finger, and he sniffs it as he
speaks. “A perfume which the finder of the handkerchief had never known
before,” he goes on, as he spreads the lace upon his knee. “Besides the
perfume, which distinguished this from thousands of other handkerchiefs,
there was in one corner the letter ‘I,’ curiously embroidered in silk.”
As if he were alone and talking to himself, Ashley takes from a wallet
in his pocket the handkerchief which for months he had carefully
treasured, and spreading it upon his knee compares it with the one which
lately wrapped his finger. They are identical. Then he looks up and
catches the half-scornful, half-startled gaze of the lady in black.
“Is that all?” she inquires.
“No. But I expect you to furnish the last chapter.”
The lady in black again adjusts her mask. “Not to-night,” she says.
“Come to my hotel to-morrow and I will endeavor to gratify your
curiosity.”
“Whom shall I inquire for?”
“I believe you have my name.”
“Ah, yes. And the hotel, madam?”
“The Kensington.”
“And the hour?”
“Ten in the morning.”
“Thank you. I will be prompt.”
Ashley leaves the box humming a lively air and proceeds to look up his
friend Barker.
“Busy, old man?” he asks, when he has finally located the detective.
“Not especially? Why?”
“Do you see that woman in black in yonder box, talking with a
swarthy-looking gentleman?”
“I do.”
“That is ‘Isabel Winthrop.’”
“The devil!”
“No; but perhaps one of his satanic highness’ amiable representatives. I
have an interview arranged with her for to-morrow at 10; place the
Kensington. I want you to follow her when she leaves the Garden and keep
an eye on her until 10 o’clock to-morrow morning. If I do not hear from
you before that hour I shall consider that she has made the engagement
in good faith. I have a big day’s work to-morrow, and I believe I will
go home and turn in.”
“All right, Jack, my boy. I will keep her ladyship in view if she leads
me to China. So long.”
------------------------------------------------------------------------
CHAPTER XXIII.
A REPRISAL OF TREACHERY.
“Don’t be absurd, Don Manada.”
“Absurd? Dios! I was never more thoroughly in earnest in my life.”
“Nevertheless, you are absurd,” Isabel Harding smiles tantalizingly over
her champagne glass at the flushed face and glistening eyes of her
companion.
This conversation occurs shortly after midnight at an out-of-the-way
table in the arcade at the east end of the Garden.
For all it began so decorously, this year’s ball is a particularly
riotous affair and already the fantastic orgee is well under way. Masks
have been scattered to the patchouli-laden winds. Yet there are a few
discreet folks who, though they mingle with the mad crowd, have retained
their masks. As Don Manada and his companion are comparatively removed
from observation, they have laid aside their dominos for the moment and
are conversing in earnest whispers.
Isabel Harding is so radiantly, magnificently, dangerously beautiful
that it is a terrific strain for the gentleman at her side to maintain
the least semblance of composure.
“In what does my absurdity consist?” he demands in a passionate whisper.
“Can you ask? You tell me that you love me—which I already know—and urge
a suit which I have twice before told you is hopeless. You profess to
believe that I could learn in time to honestly return your undoubtedly
sincere affection. It is impossible. I will be honest with you. I am not
one to whom love comes slowly. I love only one man, and he—don’t look so
murderous, Don Manada—he cares nothing for me,” she finishes, bitterly.
“Come, a truce to lovemaking!” rallies Isabel. “Don’t look so fiercely
downcast, Don Manada. Fill up the glasses and we will drink a melancholy
toast to unrequited love. We are alike unsuccessful lovers. But we will
continue to be good friends.”
“Impossible,” replies Don Manada, as he gloomily pours out the wine. “I
go to Cuba to-morrow.”
“Indeed? I trust that I am not responsible for the loss of your society
to your New York friends.”
“No, senora. I go because duty calls me, but I had expected to wear a
lighter heart than that which will accompany me.”
Don Manada is too much occupied with his despair to note the peculiar
look which Isabel darts at him from between her half-dropped eyelids.
“Cuba?” she repeats, dreamily. “Ah, I should like to visit that country
some day.”
Don Manada looks up with swift hope. “You would, senora? Then you
shall!” he cries. “We will leave to-morrow on my vessel. I will be your
slave. You have but to speak and every wish will be gratified. You will
do me this favor,” he urges, and then, with the fervor and descriptive
powers of a Claude Melnotte, he proceeds to paint a fascinating picture
with a tropical background, his enthusiasm fired by ravishing glances
from his companion.
“Quite an escapade you have outlined,” smiled Isabel. “But it is too
prosy. If the voyage promised a dash of adventure, if it were spiced
with an element of danger, I—” she pauses and lifts the wineglass slowly
to her lips.
“Danger?” echoes Don Manada, with a curious smile. “Dios! The voyage
might not be without all the adventure your heart could desire, senora.”
He takes from his pocket a newspaper clipping and hands it to Isabel,
after a glance about him to make certain that they are unobserved. The
clipping is from the current edition of the Hemisphere. It is a dispatch
from Key West, and a portion of it reads as follows:
“This city has been in a fever of excitement all day over the
report that an important filibustering expedition is to leave
New York this week to aid the Cuban insurgents. The report is
backed by excellent authority, and there is no doubt that an
effort will be made to send valuable assistance to the patriots
of the Antilles some time during the week. In some way the
United States authorities and the Spanish government have got
wind of the proposed expedition and they are striving to nip it
in the bud. The Spanish warship Infanta Isabel this morning
steamed from this harbor for the purpose, one of her officers
said, of intercepting the filibusters on the high seas.
“It is also stated that a prominent and gallant member of the
Cuban revolutionary society will head the expedition, but his
identity has not been disclosed.”
Mrs. Harding glances through the clipping and hands it back with a
quizzical smile.
“So you are the prominent and gallant member of the Cuban revolutionary
society referred to?” she infers.
“Not so loud!” cautions Don Manada. “We may be overheard. What think you
of the voyage now, senora?”
“I fear it is a bit too dangerous,” replies Isabel, with a yawn. “We
should never reach Cuba.”
“Trust me,” assents Don Manada, complacently. “Once on the high seas,
the Isabel will lead the Spanish warships a pretty chase.”
“Ah, the name of your schooner is the Isabel?”
“Of our yacht—yes. Is it not happily named?”
“Perhaps so,” answers Mrs. Harding, with an enigmatic expression in her
lustrous eyes. “And where should I find your yacht in case I should at
the last moment decide to accept your offer of a merry voyage to the
tropics?”
“My yacht? I should conduct you to it,” says Don Manada in some
surprise.
“Oh, no; that would not do,” objects Isabel. “I should be driven to it
veiled just preceding its departure.”
Don Manada looks around the arcade, but there is no one within twenty
feet of their table.
“North river, foot of 23d street,” he whispers. “You will go?” as Isabel
appears to be hesitating mid conflicting emotions.
“You will promise not to make love to me during the entire voyage?”
“I will promise anything, senora, though you have imposed an unhappy
obligation.”
“Then I think I will say—yes.”
“Bueno!” cries the delighted Don Manada, and, seizing Isabel’s hand, he
covers it with passionate kisses.
“Oh, by the way, what time do you sail?”
“At 5 o’clock.”
“Very well. I will send final word to your hotel in the morning. Now,
leave me to dream over my folly,” says Mrs. Harding, disengaging the
hand which Don Manada still tenderly holds.
Then, as the latter goes off to the wine-room to submerge his happiness
in champagne, Isabel leans back in her chair and laughs softly. “The
fool,” she sneers. “Well, all men are fools—all but one.”
“And that one?” inquires a voice behind her. She looks up startled, to
meet the calm gaze of a man of perhaps 50, with dark hair and mustache
slightly tinged with gray and the distinct air of a soldier.
“Ah, who but yourself?” returns Isabel composedly. “Sit down, Gen.
Murillo. I have much to tell you.”
The intelligence is plainly of a pleasing nature. Gen. Murillo murmurs
“Bueno!” more than once as he listens, and when she finishes he remarks
approvingly: “You have done well and may count on my gratitude.”
“Gracias,” responds Isabel. “That is about the extent of my Spanish,
General.”
“Ah, but you will learn readily. It is simple. Hist! a gentleman
approaches. It were well if we be seen little together to-night. Until
the morrow then, adios.”
Gen. Murillo moves off toward the swirl of dancers and Isabel surveys
with an air of recognition a gentleman in the costume of Don Caesar de
Bazan, who has descended to the arcade by the north stairway and is
coming slowly toward her. Don Caesar looks curiously after the departing
form of the Spaniard; then, dropping into a chair beside Isabel, he
tosses off his mask and asks carelessly: “Well, my dear Isabel, when do
you leave for Cuba?”
“For Cuba?” repeats Mrs. Harding in simulated surprise.
“Exactly. After a glance at the gentleman who just left you I do not
need to be enlightened as to the diplomatic duties to which you alluded
last night.”
“Well, Phillip, I have few secrets that you do not share,” Isabel says
sweetly; “I leave for Cuba to-morrow.”
“So soon,” he murmurs courteously.
“The sooner the better. Every day I am near you makes eventual
separation the harder. I know that you care nothing for me,” she goes
on, her cheeks flushed crimson. “Don’t interrupt me,” as Van Zandt seeks
to interpose a protest. “I know that you care nothing for me, not in the
way I would have you feel. I have your friendship, yes, beyond that I am
nothing to you. And I—I love you, Phillip—love you as I never expected
to love a man. I make the avowal without shame, for I know there is no
possibility of a change in your sentiments toward me. And I am going
away—to-morrow,” half sobs the woman, as she covers her face with her
hands.
Van Zandt lays his hand upon Isabel’s head and smooths the dark tresses
sympathetically. She pushes the hand away.
“Courage! Tears ill become a diplomat,” declares Van Zandt. “This is a
dreary world. We seldom attain our heart’s desire, even though the
object we seek be a lowly one. Will you have some wine?” Isabel shakes
her head. She has dried her eyes and has relapsed into an apathetic
melancholy.
Van Zandt signals to a waiter. “A little wine will help lighten our
hearts,” he tells Mrs. Harding; “for believe me, mine is not less heavy
than yours. Cheer up and we will drink a toast to all unrequited love.”
Isabel gives him a swift look of surprise. “You heard?” she demands.
“I heard nothing,” he replies, smilingly. “What has given rise to your
question?”
“’Tis less than an hour since I offered that very toast. I have had a
proposal to-night.”
“Indeed? And you rejected it?”
“Can you ask such a question. The world is full of Don Manadas, but
there is only one—”
“So? The swarthy gentleman, with the curious white mustachios?”
interrupts Van Zandt. “I noticed you talking with him.”
“I had rejected him twice before, but his persistence is worthy of a
better cause. To-night I promised to accompany him on a filibustering
expedition to Cuba. Think of it! The fool!” sneers Isabel.
“And you will not go.”
“Most certainly not. I only half-promised. To-morrow I shall send word
that I have changed my mind.”
“And meanwhile you have accomplished something toward your new duties,
eh?” remarks Van Zandt. If Isabel Harding could read the dark, handsome
face that she loves so well, she would know that she has lost forever
the esteem of Phillip Van Zandt.
“You have betrayed the man who trusted you,” continues Van Zandt in the
same quiet and impassive voice.
“Betrayed him? And what if I did?” flashes Isabel passionately. “Call it
treachery if you will. I say it is only a reprisal of treachery. Take me
out of here, Phillip. I am sick of these lights and the music and the
scent of the flowers.”
“I will see you to a carriage,” says Van Zandt, quietly.
Ten minutes later he says good-by to her, as he prepares to close the
carriage door.
“Some day, Phillip, you will realize how much I love you,” Isabel
whispers, as she presses to her lips the hand he mechanically gives her.
Words, words, words; but destined to have a tragic fulfillment!
Van Zandt looks after the retreating carriage with a darkening brow.
“Call it treachery if you will,” he repeats, grimly. “By George! I’ll
spike her ladyship’s guns! The cause of liberty shall not be jeopardized
by the indiscretion of its friends or the machinations of its enemies!”
As he turns and re-enters the garden a man steps to a waiting cab, and,
indicating the carriage which is bearing off Isabel Harding, he whispers
to his driver: “Keep that rig in view till it stops. Understand?”
------------------------------------------------------------------------
CHAPTER XXIV.
FOR THE CAUSE OF LIBERTY.
“You proposed to a lady to-night.”
“What is that to you, sir?” Don Manada turns fiercely upon the gentleman
who has tapped him upon the shoulder and requested the pleasure of a few
moments’ conversation with him.
“Nothing to me, perhaps,” returns Phillip Van Zandt, quietly; “to you
much, possibly. Sit down. Or better, suppose we adjourn to the arcade.
We shall be freer from interruption there.”
“I must decline to accompany you, sir, until I have reason to believe
that the matter on which you desire to talk is of more importance than
your opening remark would indicate.”
Van Zandt surveys the Cuban with a trifle of impatience. “As you
please,” he observes. “But permit me to say that upon your disposition
to listen to what I have to impart depends the success or failure of the
expedition which is to start for Cuba to-morrow—or, rather, to-day.”
Manada starts violently and bends a searching look upon the other’s
face. “Nothing could be of greater importance to me, sir,” he says, and
without further remark he follows Van Zandt to the little table where an
hour ago he for the third time offered Isabel Harding his hand and
heart.
“Now, to business,” remarks Van Zandt, glancing at his watch. “It is
1:30. Thirty minutes for talk, the rest of the night for action. You are
Don Manada of the Cuban revolutionary society.” That gentleman bows. “I
am Phillip Van Zandt. That is all you need know concerning myself. Mrs.
Isabel Harding, the lady to whom you made violent love to-night”—the
Cuban scowls, but Van Zandt goes on relentlessly—“I have known for some
months. She has honored me—shall I say?—with her deep regard. Perhaps
she hinted as much to you.”
Manada leans back in his chair and looks his new acquaintance over
critically. This, then, was his rival; a negative one, to be sure, but a
rival that any man might fear.
“If it will flatter your vanity to know that the lady in question
confessed to me that she loved only one man in the world and that that
happy individual was not myself, you are welcome to the information,”
Manada offers, sarcastically.
“Thank you. But I was already aware of the fact, and it is not to the
point. You proposed to Mrs. Harding and were rejected. Stay,” as the
other colors and is about to make an angry retort: “I did not bring you
here, sir, to refresh your mind one instance in which the usually
discriminating Isabel displayed poor taste. But I repeat, she rejected
you; hence subsequently something must have occurred between you to lead
up to a rather peculiar agreement—Mrs. Harding’s consent to accompany
you on a filibustering expedition?”
“Caramba! She told you—you overheard—”
“I overheard nothing. Eavesdropping is not in my line. And she told me
little more; but enough to warrant me in stating that you have been
indiscreet, sir, to use no harsher term, and have jeopardized not only
your own welfare but that of your fellow-countrymen.”
“You seem to be pretty familiar with my affairs, senor.”
“Not so familiar with them as the Spanish government and the United
States authorities may be,” responds Van Zandt, dryly. “All I know of
your plans I have told you. What I do not know you will tell me now.”
An angry rejoinder trembles on Manada’s lips, but something in the
stern, quiet air of the man before him checks his wrath.
“Mrs. Harding,” resumes Van Zandt, “consented to go to Cuba with you,
did she not?”
“Practically, yes.”
“And you were to receive her final decision on the morrow?”
“Well, senor?”
“She will not go.”
“Then you persuaded her—you interfered,” cries Manada hotly.
“I did nothing of the sort. Still, I repeat, she will not go. But, stay,
perhaps she will,” murmurs Van Zandt, thoughtfully. “Perhaps her
ladyship’s plans lie deeper than I have supposed,” he thinks. “But even
if she does go, I tell you, my friend, it were far better that you
burned your vessel where it now lies than that Isabel Harding sets foot
upon its deck.”
“Your meaning?” demands Manada in a hoarse whisper.
“Your face tells me that you have guessed the truth,” Van Zandt says
more kindly. “The woman has betrayed you. She is a spy—diplomat is the
polite word—in the employ of the Spanish government.”
“Caramba!” hisses Manada, sinking back into his chair with colorless
cheeks. “But you can furnish proof of what you assert?” he cries almost
eagerly.
Van Zandt’s lip curls. “Had you watched the fair Isabel after you left
her you would have seen join her a gentleman whose presence in itself
would have been proof sufficient—Gen. Murillo. You know him?”
“Of the Spanish service,” murmurs Manada in crushed tones.
“Precisely. I met him at the club the other day. And if I mistake not he
has done an excellent bit of work for his government to-night.”
“But I will find the woman,” bursts out Manada, leaping to his feet.
“Por Dios! I will search her out and—”
“You will do nothing of the kind,” interrupts Van Zandt, drawing the
excited man back into his chair. “Mrs. Harding left for her hotel half
an hour ago. Even were she here it would avail you nothing to confront
her with her—diplomacy. Gen. Murillo is already in possession of your
plans. No, my friend; the mischief is done, but happily it is not
irremediable.”
“Ah!” cries Manada, with a flash of hope.
“Now, listen to me. We have wasted too much time already. What is the
name of your vessel?”
“The Isabel.”
“So? Pretty name, but have it changed at the first opportunity. Where
does she now lie?”
“North River, foot of Twenty-third Street.”
“Excellent,” comments Van Zandt, his eyes lighting with satisfaction.
“And at what time did you intend to sail?”
“At five in the afternoon.”
“You are of course aware that both the Spanish and United States
governments are on the keen lookout for filibustering craft?”
“Certainly,” Manada replies, grimly. “But we were confident of slipping
through unmolested. We had arranged to clear for the Bermudas, and once
on the high seas we felt sure of running away from any warships that
might lie in our course.”
“Ah, your vessel is a yacht. And the cargo—of what does that consist?”
“Two thousand rifles and 200,000 rounds of cartridges.”
“How is it loaded?”
“The ammunition is packed in kegs, ostensibly containing salt fish; the
rifles are in bags and are hidden at the bottom of bins of potatoes in
the hold.”
“The cargo could be shifted before daybreak, do you think?”
“Two or three hours should suffice.”
“Good. You must have noticed, lying in the neighborhood of your vessel,
a rather trim article in the yacht line.”
“The Semiramis? Yes. A magnificent vessel!” exclaims Manada.
Van Zandt nods. “She is my property and I believe her to be the fastest
vessel afloat in the world to-day. Now here is my plan—I consider it the
only one that will extricate you from the dilemma in which you are
placed: I will place the Semiramis at the service of the struggling
patriots of the Antilles. We will shift the Isabel’s cargo before the
night is gone, and before the sun goes down on another day the Semiramis
will be on her way to Cuba. Once without New York bay I defy anything
short of a cannon ball to overhaul her. What say you, Don Manada?”
The Cuban’s face expresses the astonishment and joy that he feels. To be
raised suddenly from the depths of despair to the pinnacle of hope
effects a remarkable change in one of his temperament.
“Santa Maria!” he cries, as he presses warmly Van Zandt’s hands. “You
have done me as great a service as one man can do another. Por Dios! We
shall outwit them cleverly.”
“Then let us be off,” says Van Zandt. “It is after 2 o’clock and we have
little time to spare.”
The men secure their coats and hats and ten minutes later board a
cross-town car.
“Senor Van Zandt, I owe you a debt of gratitude,” declares Manada; “yet
I find myself marveling that you, a stranger, and the one man to win
Isabel Harding’s affection, should interest yourself in me and the cause
I represent.”
“Oh, it promised an adventure; something I have long been in need of to
stir my blood to action,” replies Van Zandt, lightly. “Besides, am I not
an American, and is not the cause of liberty a cause that appeals to
every American with a spark of manhood in his soul? Only those who know
what liberty is realize its priceless worth.”
They are now walking along West Street. Manada silently reproaching
himself with his recent folly, wraps his greatcoat more tightly about
him, and breathes a shivering malediction on the cutting winds that
sweep adown the Hudson.
The sky is overcast and a slight snow is falling. It is a good night for
the work in hand.
The river front is black and silent and the outlines of the vessels
about the pier are barely distinguishable through the driving storm.
West Street, though dimly lighted, is not deserted. From the grog-shops
come echoes of many a brawl, and every now and then a drunken
longshoreman reels or is thrown into the street and staggers off, heaven
knows where. Every half-hour or so a ferry boat lumbers in and out of
the slip, and there is a temporary bustle in the vicinage.
“A miserable night, senor,” remarks Van Zandt, as they cross West Street
and pick their way toward the pier where lies the vessel in which are
centered now all of Don Manada’s hopes. The latter has forgotten for the
nonce his recent humiliation and is keenly alive to the adventurous
undertaking in hand.
The men plunge through the gloom, muffled to the eyes and with heads
bent before the biting blasts from the river, when their ears are
suddenly assailed by the sound of a scuffle ahead of them and a
half-choked cry for help. Quickening their steps, they run upon two men.
One of them is prone upon the pier; the other, clearly his assailant,
bends over him.
Before the scamp can rise Van Zandt deals him a blow with his heavy cane
that stretches him beside his victim. He is not a courageous rogue, or
if he is realizes that his chance for an argument is not especially
good. So when he struggles to his feet he makes off without a word,
without even an imprecation.
Van Zandt and Manada raise the prostrate form and bear it back to the
street. As the lamplight falls upon the face of the unconscious man Van
Zandt utters an ejaculation of astonishment.
“By heaven! it is Gen. Murillo! You see, my friend, that I was not
mistaken. He probably came down here to have a look at the Isabel, and
was set upon by one of the scum of the river front.”
Manada nods a silent assent. “He must not see us,” he mutters, uneasily.
“Don’t be alarmed. He is not likely to recognize any one for a few
minutes. I hope he is not badly hurt. Off with him to yonder saloon; or,
better, to the ferryhouse. The man will be safer there, though we are
more likely to find a policeman at the saloon.”
A policeman is at the ferryhouse, however, and assistance is summoned.
Van Zandt and Manada wait until Gen. Murillo is laid in the ambulance
and the surgeon in charge has assured them that the man is not fatally
hurt; then they tell their story to the policeman and go about their
business.
“A peculiar episode,” remarks Van Zandt. “Our friend will never know to
whom he owes his rescue and perhaps his life. Our affair must be
hurried, nevertheless, for we know what his first effort will be when he
recovers consciousness.”
“Yet some day, when Cuba is free, I shall have the pleasure of recalling
the incident to his mind.”
“When Cuba is free,” repeats Van Zandt. “Well, luck favoring us, we
shall fire a shot to-day that will ring in the ears of the government at
Madrid. Here we are at the Semiramis. Where is the Isabel?”
“Just beyond. Not twenty feet away.”
Van Zandt hails his yacht and ten minutes later he and Manada are in the
luxurious cabin, in consultation with Capt. Beals, a bluff old Maine sea
dog, who is prepared for any caprice on the part of his employer and
expresses not the least surprise when informed that arrangements for a
cruise to Cuba must be instantly set afoot.
And that morning, while the wind howls around Manhattan Island, and
drives the sleet into the eyes of belated pedestrians; while Murillo
awakens to consciousness in Bellevue Hospital and tells the attending
surgeon that, head or no head, he leaves for Cuba within half a dozen
hours; and while the last carriage load of half-drunken sports dashes
away from the Madison Square Garden, a work is in progress aboard the
Semiramis that means more to its owner than he dreams of as he stands
with folded arms in the dim light of the ship lanterns, watching
silently the transshipment of the insurgent’s arms.
------------------------------------------------------------------------
CHAPTER XXV.
TWO KINDS OF BLOCKADE.
About 9:30 of the morning following the French ball Phillip Van Zandt
drops into his favorite seat in the dining-room of the St. James hotel
and picks up the morning paper.
Scarcely had he unfolded it when his attention was attracted by two
persons seated at the table beyond him. They are Cyrus Felton and Louise
Hathaway, and the latter never looked fairer than on this bright March
morning.
“Ah, my divinity of the ball,” he murmurs. “By Eros! She is superb.
Hair, a mass of gold and the sunlight gives it just the right effect.
Purity and innocence are in those blue eyes and in every line of the
face. Knowing no evil and fearing none, and yet with the self-poise of a
queen. It almost restores one’s confidence in humanity to look upon such
a face.
“I would be glad indeed to know her, but the opportunity for an
introduction is not likely to arise. I could scarcely presume on last
night’s meeting, and besides, she would hold me to my word. What impulse
possessed her to remove her mask at my request? I’ll wager she regretted
it an instant later. Well, she did not see my face, so I may devour her
visually in perfect safety.
“And her companion?” Van Zandt goes on meditatively. “Not her husband,
assuredly. Too old for that. More likely her father, or perhaps her
guardian. They are going to Cuba, so she told me. Well, I am going to
Cuba, too. I may meet her there. Friendships are easily cultivated in a
foreign land. My dear Van Zandt, is it possible that you are becoming
interested in a woman? Careful; you forget who you are,” he concludes
bitterly, and stares moodily out upon the crowded street.
Mr. Felton and Miss Hathaway are breakfasting leisurely, unconscious of
the interest they have aroused in the gentleman at the next table. Mr.
Felton is scanning the columns of the Hemisphere, with particular
reference to the full dispatches from Cuba and Madrid. Suddenly he drops
the paper with the exclamation: “This is very unfortunate!”
“What is unfortunate?” inquires Miss Hathaway, sipping her coffee.
“Here is a dispatch from Havana, stating that the government has ordered
a complete blockade of the island and that all steamship engagements to
and from Cuba have been canceled for an indefinite period.”
Miss Hathaway looks up in mild dismay. “Then we cannot leave Saturday,”
she says.
“It would seem not. Ah, here is something more. The newspaper has looked
up the report at the New York end and finds it to be true. The steamer
City of Havana of the Red Star line, this paper says, will probably be
the last passenger vessel to leave New York for Cuba until the blockade
is raised.”
“But can we not go on that?”
Mr. Felton reads on: “The City of Havana sails to-day at 11 o’clock.”
Then he glances at his watch. “It is now nearly 10. Perhaps we can make
it. Wait, I will ascertain from the clerk.”
Mr. Felton rises, and as he turns to leave the dining-room Van Zandt
gets a view of his face, and he starts as if from a nightmare.
“That face again!” he breathes. “That face, which has haunted my dreams
and has been before me in my waking hours! And her father! Merciful
heaven, it cannot be. There is a limit to fate’s grotesquerie.”
Miss Hathaway glances in Van Zandt’s direction and their eyes meet. It
is only an instant, but it leaves the girl somewhat confused and
accentuates the young man’s disorder.
At this juncture Mr. Felton returns with the information that they have
little more than an hour to reach Barclay Street and the North River,
from which point the steamer leaves.
“Then let us go at once. I am ready,” Louise says, “after I have
scribbled a note of explanation to Mr. Ashley. He was to have lunched
with us at 1 o’clock, you know.”
After they have gone Van Zandt drops his head upon his hand, and for the
space of ten minutes remains plunged in thought. Then, to the waiter’s
surprise, he leaves his breakfast untouched and quits the dining-room.
In the office he sees Mr. Felton settling his bill. Outside the hotel a
line of “cabbies” are drawn up and these Van Zandt looks over
critically, finally signaling to one of them, a jovial, red visaged
Irishman.
“Riley, a lady and gentleman are going from this hotel to Barclay Street
and North River within a few minutes. I want you to have the job of
carrying them,” says Van Zandt.
“I’m agreeable, sor.”
“After you have secured the job, I want you to miss the steamer which
sails for Cuba at 11 o’clock. Understand?”
Riley puckers up his mouth for a whistle which he decides to suppress.
“Sure that would not be hard, sor. It’s tin o’clock now.”
“Here they come now. Look to your job,” says Van Zandt.
Mr. Felton and Miss Hathaway emerge from the hotel, followed by a porter
with their trunks. Amid a chorus of “Keb, sir!” “Keb!” “Keb!” in which
Riley sings a heavy bass, Mr. Felton looks about him in perplexity, and
finally, as though annoyed by the importunities of Riley, who is rather
overdoing his part, he selects a rival “cabbie.”
Riley turns somewhat sheepishly to Van Zandt, who looks after the
disappearing carriage in vexation.
“Shall I run them down, sor?” asks the Irishman, with a wink which means
volumes.
“Can you prevent them reaching the pier?”
“Sure, I think so, your honor.”
“I’ll give you $50 if you do it.”
“Be hivens! I’d murdther thim for that,” exclaims Riley, as he leaps to
his box.
The two cabs proceeded at a smart pace down Fifth Avenue, but as the
congested trucking district is reached progress becomes slower.
“Can you make the pier in time?” Mr. Felton asks the driver anxiously,
consulting his watch for the dozenth time.
“Sure thing,” is the confident response.
Neither the driver nor his passengers see the cab behind them. Riley has
his reins grasped tightly in one hand, his whip in the other, and the
expression on his round red face indicates that he is preparing for
something out of the ordinary.
They have now reached lower West Broadway, and before Mr. Felton’s
driver knows it he has become entangled in a rapidly created blockade.
Progress now is snail-like. Mr. Felton becomes nervous, while Miss
Hathaway finds much to interest her in the seemingly inextricable tangle
of trucks, drays, horse cars, cabs, etc. Suddenly a space of a dozen
feet or so opens before them, and the driver is about to take advantage
of it when Riley gives his horse a cut with the whip and bumps by,
nearly taking a wheel off the other cab.
Then ensues a duel of that picturesque profanity without which no truck
blockade could possibly be disentangled.
Riley, who is ordinarily one of the most good-natured of mortals,
becomes suddenly sensitive under the abuse heaped upon him and dragging
the rival cabman from his box he proceeds to handle him in a manner that
affords keen delight to the onlookers.
It is a snappy morning and Riley rather enjoys the exercise he is
taking. But it is suddenly ended by a brace of policemen, who struggle
upon the scene and pounce upon the combatants. Explanations are then in
order and peace is restored. No one is arrested.
Riley is willing to break away, for as he looks around he notes with
satisfaction that the blockade has increased to unusual proportions and
he awaits serenely its slow unraveling.
Meanwhile Mr. Felton is invoking the vials of wrath upon all cabmen,
past, present and to come. It is nearly 11:30 when they reach the pier
and, as they expect, the steamer has gone.
“’Tain’t my fault, mum,” the “cabbie” explains apologetically. “Him’s
the chap what done it,” indicating Riley, who has driven up to the pier
with the triumphant flourish of a winner in a great race.
Mr. Felton casts a withering look upon the jolly Irishman. “We may as
well return to the hotel,” he tells Louise.
At this moment Van Zandt steps from his cab, and, raising his hat,
remarks:
“I trust that the carelessness of my driver has not caused you serious
annoyance.”
“He has prevented our catching the last steamer that will sail for Cuba
in probably some months,” replies Mr. Felton, tartly.
“You blockhead!” cries Van Zandt sternly, turning to Riley, who averts
his face.
“My dear sir, it is needless for me to assure you of my profound regret.
It will not help matters. The mischief is done—and yet I think I can
repair it.”
“Repair it?” repeats Mr. Felton. “In what possible way, sir?”
“Very easily, if you desire. You were going to Havana, I presume?”
“Yes, sir.”
“My yacht sails for Santiago this afternoon at 1 o’clock. I shall be
happy to land you at that port, and you may thence proceed by rail to
Havana.”
Mr. Felton and Louise look at each other in surprise. “Really, sir,”
says the former, “you are very good, but I do not see how we can put you
to such trouble.”
“I assure you that you will not inconvenience me in the slightest. The
yacht is large and you will be the only passengers, with one exception.”
Mr. Felton hesitates. “How badly does he want to go to Cuba?” wonders
Van Zandt and he remarks: “This will probably be your only chance to
reach Havana in some little time, if, as you say, there are no more
steamers. Really, I almost feel like insisting on your accepting my
offer, as some sort of reparation for the annoyance to which you have
been put and for which I feel partly responsible.”
“But a blockade has been declared about the island. Your yacht—”
“My yacht will land you at Santiago,” supplies Van Zandt, with a
peculiar smile. “We sail in about an hour, and we may as well proceed to
the yacht at once. For I assume that you have decided to permit me to
atone for the blackguardly behavior of my driver.”
Mr. Felton consults Miss Hathaway and the matter is decided in the
affirmative, and as Van Zandt hands them into their coupe, he tells the
driver: “North River, foot of Twenty-third Street.”
An hour later Miss Hathaway is expressing her admiration for the
beautiful yacht that is soon to bear her to the tropics, and Capt. Beals
is giving the last orders preparatory to getting under way.
As Van Zandt watches Mr. Felton cross from the pier to the deck of the
Semiramis into his dark eyes comes a glitter of almost savage
satisfaction, and he murmurs:
“I have you safe now, and by George! You will not soon escape me!”
------------------------------------------------------------------------
CHAPTER XXVI.
THE PENALTY OF PROCRASTINATION.
A pencil of sunlight has struggled through the heavy draperies at the
windows and laid a tiny straight line across the carpet in the
comfortable apartments of Jack Ashley on West Thirty-fourth Street. The
oriole timepiece on the mantel chimes the hour of 9 when that individual
awakens with a series of prodigious yawns.
Fifteen minutes more and Ashley’s toilet is complete, and with heels
elevated to a comfortable angle, he proceeds to scan the pages of his
morning paper. His own story of the French ball first claims his
attention, and with a comment of satisfaction on the size of the
headlines with which it is introduced, he runs his eye approvingly over
the dozen or so illustrations with which the article is embellished.
A scare head of the largest size catches his eye, and with awakening
interest he reads the sensational headlines. “Gaining Ground—Cuban
Revolutionists Driving Spaniards before Them—Hemisphere’s Exclusive
Interview with Senor Manada Creates Excitement in Washington—United
States Man-of-War to Be Sent to Cuba to protect American Interests,” and
much more of the same tenor. As Jack skims over the voluminous
dispatches that follow the head, he reads with interest one brief item,
dated Santiago de Cuba, via Nassau, N. P. It is as follows:
“The Government is redoubling its efforts to suppress the news,
and is apparently determined that the press of the United States
and elsewhere shall not learn the exact state of affairs on the
island. Nine-tenths of the local newspaper men have been fined
by the press censor. Several editions of the leading papers have
been seized, and telegrams for transmission abroad from eastern
Cuba are now absolutely forbidden. It is also a fact that
foreign correspondents have been threatened with expulsion. The
Spanish authorities allege that the mysterious steamer fired
upon by the warship Galicia was not the American ward liner
Santiago, but a rebel vessel which the insurrectionists have
purchased in the United States and fitted up as a gunboat. A
blockade of all the ports of the island, as previously
intimated, has been formally announced.”
“It looks as if the paper would be obliged to send a man down there,”
Ashley reflects, as he struggles into his topcoat. “What a superb day
for the trial trip,” as he opens the street door and steps into the
sunlight. “And this is the day, too, that Barker is to arrest Felton. He
didn’t specify any time, probably not till afternoon, anyway. I almost
wish I wasn’t assigned to that trial trip. I should like to interview
him after the arrest. However, my story is all written up and I can get
the details of the arrest from Barker after I return from the America. I
wonder how Miss Hathaway will take the affair,” a softer light shining
in his eyes as his thoughts revert to the beautiful ward of Cyrus
Felton. “She treats him with the utmost deference and respect, but I
cannot think that she cares especially for him. Heigho! Now for a cup of
coffee and then for another tete-a-tete with the beautiful unknown of
the Raymond hotel.”
It is on the stroke of 10 as Ashley saunters up to the clerk’s desk in
the Kensington and requests that his card, upon which he has penciled a
few lines explaining his identity, be taken to Mrs. Winthrop.
“Mrs. Winthrop?” the urbane clerk repeats. “There is no such lady
stopping here, to my knowledge.”
Ashley is nonplused. So he has been duped, he thinks, by the fair
unknown. But why has not Barker kept his agreement? A nice sort of a
shadow if he cannot follow as striking-looking a woman as “Mrs.
Winthrop.” But stay! Perhaps she has given a fictitious name, but is
actually stopping at the Kensington after all. Barker could not have
slipped upon a simple matter like that.
Abstractedly twirling his glove, Jack leans over the desk and says in a
low tone to the clerk, an old acquaintance: “Is there a rather
striking-looking young woman, with dark eyes and midnight hair, stopping
at the house?”
The clerk smiles.
“Sorry, Jack, but you are too late, I’m afraid. The beautiful Mrs.
Harding left at 9 o’clock, bag and baggage.”
Ashley turns thoughtfully away and repairs to the reading-room for a
quiet think. So her name—for the present at least—is Mrs. Harding. But
where is Barker? The detective is probably shadowing Mrs. Harding now.
Ashley concludes that there is nothing for him to do but await Barker’s
return. He has been on the watch barely half an hour when the detective
swings himself from a cable car in front of the hotel.
“Well?” is Jack’s impatient salutation as he leads the way to a retired
corner of the reading-room.
Barker is not in exuberant spirits; his brows are knitted in a frown and
he is nervously biting his mustache.
“Well, she has gone—left town, and is apparently en route from the
country—for Cuba, I believe.”
“For Cuba!” and Jack stares at the detective in mild amaze. Verily,
either a most remarkable series of coincidences or the tangled threads
of the Raymond mystery are pointing unmistakably to the fair isle of the
Antilles.
“Yes, for Cuba. Let me impress it upon your mind in the beginning that
Mrs. Isabel Harding—that’s the name she is sailing under—is no ordinary
woman. Why—but to begin at the beginning. According to our understanding
last night, I followed her to this hotel, where I found she was actually
stopping. I naturally concluded that she made the engagement with you in
good faith, else she would have given another hotel.”
“She did give me a fictitious name,” breaks in Jack. “Or, rather, she
led me to believe that her name was still Winthrop.”
“Did she? Well, that was useless. Anyhow, I decided to stop here last
night, to be on guard early this morning. I found that my lady had
breakfasted early. This made me suspicious and I kept close watch of
her. Shortly after 9 o’clock she settled her bill at the hotel and with
her trunks was driven to the Jersey City ferry. Of course I followed. At
the Pennsylvania depot she was joined by a foreign-looking
chap—Spaniard. Quite a distinguished-looking duffer. If you should ever
run across him you will know him by a small, crescent-shaped scar on his
left cheek. I was successful in getting close enough to them to hear
some of the conversation. It appeared from their talk, Ashley, that your
Mrs. Harding is, in addition to her other accomplishments, a spy in the
pay of the Spanish Government, and that she has been successful in
learning some of the secret plans and plots of the Cuban filibusters in
this city. She is now on her way to Port Tampa aboard the Florida
limited, and I should judge it is their intention to proceed from Key
West at once to Havana.”
“Their intention? Did the Spanish officer accompany her?”
Barker nods. “He looked as if he was right out of the hospital; his head
was bandaged. Perhaps some of the Cuban sympathizers had it out with
him. However, that episode is closed, for the present at least. And now
for Cyrus Felton. I shall take him directly to the Tombs, and according
to our compact he will be invisible to any of the newspaper fraternity.
Will you come with me to the St. James while I nab the bird?”
Ashley starts. He has for a moment forgotten the catastrophe that is
about to overcome Cyrus Felton. He looks at his watch. “I am overdue at
the office,” he says. “But say, Barker, I had an engagement to lunch
with Felton and Miss Hathaway at 1 o’clock. Can’t you put off the arrest
until to-morrow?”
Barker shakes his head. “Not a minute,” he replies, emphatically. “I
have delayed long enough. If you intended to lunch with the fair Miss
Hathaway you will have an opportunity to do so just the same and your
presence will doubtless be appreciated in her tremendous confusion. If
you can’t come with me I will drop round at the office and see you
later.”
“All right, then. Do the job in as gentlemanly a manner as possible,”
grins Ashley.
Barker nods and walks rapidly toward the St. James, while Ashley boards
a Broadway car and rolls downtown.
The detective saunters up to the hotel office desk, writes the name
“Cyrus Felton” on a bit of cardboard, and, passing it to the clerk,
inquires: “Is that gentleman in?”
“No, sir; gone. Left an hour ago.”
“When will he return?”
“Well, that’s rather beyond me,” smiles the clerk. “Mr. Felton and a
lady sailed this morning for Cuba, on the City of Havana. I assume that
they did. They were driven from here to the pier.”
“What time does the steamer sail?” asks Barker, taking out his watch.
“Eleven o’clock.”
“Too late!” grits the detective. It is even now five minutes past the
hour.
For a moment Barker permits his emotions to master his self-possession,
and he startles even the debonair clerk, accustomed as the latter is to
the strong terms sometimes employed by irritable guests.
His feelings relieved in a measure by this unusual outbreak, the
detective sits down for a moment to consider the situation. Cyrus
Felton, then, is on his way to Cuba, doubtless to join his son. Mrs.
Harding, a valuable quantity in the mystery, is also headed for the
Antilles. Everything seems to point to Cuba. Barker picks up a railroad
timetable.
“Twelve m.; Florida express for Savannah, Jacksonville and Port Tampa,”
he reads.
“By the gods, I’ll do it!” he exclaims, as he starts for the street.
“First to the pier and make sure that the steamer has gone, and, if so,
then to Key West. I shall be only two hours behind the woman, and I may
reach Havana ahead of Felton. Hi, there, cabby!”
------------------------------------------------------------------------
CHAPTER XXVII.
THE CRUISER AMERICA.
“Jack, Mr. Ricker wants to see you,” is the information extended to
Ashley when he reaches the office. He reports at the room of the city
editor, and that gentleman informs him that he has not arrived any too
soon.
“I know that I am an hour or so behind, but I have been working up a
story that will make interesting reading,” Ashley explains. “What’s up?
My trial-trip assignment isn’t until 3, is it?”
“The start was set for 3, but it has been pushed forward to 1 o’clock,”
says Ricker.
“It is about noon now. I may as well start for Brooklyn at once. Good,
snappy day for a run down the bay.
“Thunder!” says Ashley, when he reaches the street. “I had forgotten
that I was booked for a consolatory lunch with Miss Hathaway at 1. I
must send my regrets. Hang it, that will look as if I was on to the
arrest and was afraid to show up.”
But he sends the note, nevertheless, and feels better in mind. “If that
cold-blooded Barker only handles the matter properly,” he thinks.
Even as he reaches the Government dock Jack sees the pennant of Capt.
Meade run up to the main truck of the cruiser whose initial trial in
commission he is to report; he is none too soon for the gang-plank is
being withdrawn by half a score of blue-clad sailors as he makes a
flying leap and lands upon the deck of the newest and fastest
acquisition to Uncle Sam’s navy, the cruiser America.
Ere Jack has fully recovered his footing a youthful-appearing midshipman
brusquely demands his business.
It takes sometime before Jack is permitted to tread the sacred precincts
of the quarter-deck.
Capt. Meade is for the time being on the bridge, and, before making the
acquaintance of the commander, Jack proceeds to look about the vessel.
The America has an air of being a ship made for getting there; an
up-to-date cruiser, without frills and furbelows, but distinctively with
an aspect of power. In the bright sunlight her snowy hull gleams like
polished marble. Her four great smokestacks relieve in a measure the
glaring effect of her big white bulk, while the polished brass and steel
with which all the decks are gird-ironed suggest, without the presence
of the murderous rapid-fire and revolving cannon stationed about the
decks, that the vessel is designed for war.
Ashley is soon engaged in the collection of information regarding the
America for the benefit of Hemisphere readers. The cruiser is, the
second officer informs him, of over 7,000 tons displacement. Her battery
comprises two six-inch, 40-caliber rapid-fire guns, one on each side,
forward of the superstructure; one eight-inch, 40-caliber on the center
line, abaft the superstructure; eight four-inch rapid-fire guns in
armored sponsons on the gundeck, four on each side; six-pounder
rapid-fire guns, four-pounders, one-pounders, Gatlings and torpedo tubes
galore.
“There are three vertical, triple-expansion engines, each set driving a
separate screw. The propellers are of manganese bronze and the—”
“Thank you, that is sufficient, I guess,” interrupts Jack. “The
Hemisphere readers will have a very good idea of the offensive and
defensive power of the America now, I am sure.”
The cruiser is slowly backing out into the stream. There is a big throng
on the pier to watch her departure, and a whole battery of cameras are
leveled as she finally swings around.
Now the ship becomes indeed instinct with life and is pointing down the
bay with a speed that augurs well for the shattering of records. The
whistles of all the craft in sight screech a salute and the America’s
hoarse whistle bellows responsively. Past the Battery and Governor’s
Island she speeds and then, fairly by quarantine, the patent log is cast
into the foamy wake and Capt. Meade rings “full speed.”
The speed trial of the America has actually begun.
Jack is idly watching the rapidly receding island, when he becomes aware
by the slight bustle on the quarterdeck that the commander of the
America has returned from the bridge.
Capt. Meade, or “Fighting Dave,” as he is affectionately designated in
naval circles, is a man of about 60 years, but forty-five years of his
eventful career have been spent in the navy. He has worked himself up,
without political or social influence, from apprentice boy to commander
of the newest and best cruiser in the United States.
Jack has heard of “Fighting Dave,” and he scans the famous naval officer
with much interest. A figure slightly below the average, but stockily
built; a cheerful visage, face weather-beaten and innocent of beard,
surmounted by a shock of grizzly hair; eyes whose keen expression might
well belie the jovial look upon the face—this is Capt. David Meade,
U.S.N.
“Good face,” thinks Ashley, as he completes his scrutiny. “I should like
to know Capt. Meade personally, and I will.”
With his customary assurance and easy grace Ashley approaches the
autocrat of the quarterdeck and tenders his card.
Capt. Meade glances at the pasteboard and then his keen eyes wander to
the newspaper man. Apparently the scrutiny is satisfactory, for the
bronzed face wrinkles into the most benign of smiles and a tremendous
fist grasps Jack’s right hand with a grip which causes him to mentally
question his ability to write up the trial trip, or anything else, for a
week at least.
“So you are from the Hemisphere?” Capt. Meade observes. “Well, I like
that paper and one of its representatives is heartily welcome to my
ship. In these days of sentiment and gush and peace and good-will and
brotherly love, and so forth, and so forth, it does my heart good to get
hold of a paper which isn’t afraid nor ashamed to speak right out in
meetin’ for the land we live in and the flag that floats above it. But
come below, Mr. Ashley, and we’ll clinch the sentiment with a toast.”
And the captain leads the way to his sumptuous quarters, where the
“splicing of the main brace” is accomplished with alacrity and vigor by
commander and newspaper man.
“Well, what do you think of the America?” asks the captain. “Did you
ever see anything like that on a vessel going over twenty knots an
hour?” setting his glass, filled to the brim, on the table. The surface
of the liquid is scarce more ruffled than that of a mirror. “No sign of
vibration, eh? She stands up as steady as a house.”
Jack is really surprised as he considers the circumstances. “From what
little I have seen of her I should say she is a remarkable craft and one
that Uncle Sam should feel proud of,” he replies.
“Remarkable? She’s a wonder! Why, she can walk away from anything that
floats—anything, big or little, torpedo catchers or stilettos. I was on
her when her first trial trip with the builders aboard took place, and
while she made twenty-five knots then, she can do better. And she is
going to do it to-day. Before we reach Sandy Hook, young man, you can
just put it down in your log-book that the American flag is being borne
over the water faster than any other flag is likely to be carried for
some time. One more splice and then we’ll show you how the trick is
done.”
As the captain and his guest return to the quarterdeck of the cruiser it
is apparent that something unusual is attracting the attention of
officers and crew. Those who are not actively engaged in the
manipulation of the cruiser are gathered at the port rail watching
intently a steamer that is running parallel with the America, about an
eighth of a mile distant and about three lengths astern.
“What is it, Mr. Jones?” inquires Capt. Meade of the third officer, who
has just removed the binocular glasses from his eyes.
“A strange craft, sir, evidently a yacht which is apparently using the
America as a pacemaker. She pulled up astern of us fifteen minutes ago,
and has since been steadily gaining. Very fast, sir, I should say, but
she bears no ensign or pennant of any kind.”
Capt. Meade takes the glasses from the hands of his subaltern and looks
long and critically at the strange vessel. She is nearly the same length
as the America, though manifestly of considerable less tonnage. And she
is painted black, without a bit of gay color from stem to stern to
relieve the somberness of her hull.
Two black smokestacks, that appear unusually large and are set at a
decidedly rakish angle, are relieved by two narrow bands of white. Capt.
Meade with a seaman’s appreciative eye admires the shapely lines of the
yacht, but as his practiced vision notices the comparative ease with
which she is creeping up on the America his jovial face becomes slightly
troubled.
“Mr. Jones, have the log taken and work out our speed at once,” he
orders.
“Twenty-four and a quarter knots,” is the report.
For the next ten minutes the captain watches intently the strange yacht.
Her course is apparently shaped precisely parallel with that of the
America, and she still continues to gain, inch by inch, upon the white
cruiser. Now she is amidships, and now the two vessels are on even
terms.
A puff of white steam rises abaft the stranger’s big smokestacks, and a
long shrill whistle salutes the cruiser.
’Tis a challenge for a race and it stirs Capt. Meade’s blood to fever
heat. He sends for the chief engineer.
“How is the machinery working?” he inquires.
“Finely, sir; not the sign of the slightest trouble anywhere.”
“Very well, sir; we will begin now to push her for a record. Put on
every ounce of steam she will stand, first with natural and afterward
with forced draught.”
The chief engineer salutes, and returns to his domain, and a second
later the hoarse whistle of the America sounds a defiant acceptance of
the challenge of the black yacht.
------------------------------------------------------------------------
CHAPTER XXVIII.
GREAT RACE TO THE OCEAN.
“By Jove! I had no idea the captain had so much sporting blood in his
veins,” murmurs Jack Ashley to himself, as he watches alternately the
challenging craft and the America. “It is a race fit for a king’s
delectation. I wonder whose yacht that is. I don’t remember seeing her
described in any of the papers, as she certainly would have been if she
were owned in New York. She is a big one, and a beauty, too. And swift
as the wind! But she doesn’t seem to be gaining now. No, by Jupiter! We
are gaining on her! The America has struck her gait at last! But that’s
a game craft there. She sticks to us like a leech and refuses to be
shaken off. Ah!”
The impromptu race has been in progress nearly half an hour, and the two
vessels, still less than an eighth of a mile apart, are gradually
drawing nearer each other. It is apparent that the yacht is determined
to continue the race at closer range, and has changed her course for
that purpose. Meanwhile the big cruiser has held to her original course,
and as the yacht straightens away for another parallel run she has lost
her former advantage and the two vessels are practically on even terms.
It is a battle royal!
The white cruiser is cleaving the water with tremendous speed, her bow
sending the spray curling nearly as high as her armored top, while the
waves astern are churned by her triple screws into a foam that extends
as far as the eye can reach. The roaring of her furnaces is audible
above the whir of the machinery and the whistling of the wind through
the rigging. From her three great smokestacks steadily increasing masses
of inky smoke trail out above the snowy wake.
All eyes on the deck of the cruiser are riveted on the yacht. For a
short space of time it looks as if both vessels might be propelled by
the same power, so even are their relative positions. Then, to the
practical eyes aboard the cruiser, it is apparent that the America is
drawing ahead, slowly to be sure, and imperceptibly to the untrained
eye, but still gaining.
A dozen yards, a quarter length, a half, a clear length ahead!
A hearty cheer is trembling on the lips of the crew of the cruiser, but
it is not uttered. The race is still unfinished, the victory still hangs
in the balance.
Like a thoroughbred that has been feeling her antagonist, the yacht now
seems to respond to some undeveloped power. The cruiser gains no
more—she is losing her advantage. The watchers on the quarterdeck of the
America can see the black prow lessening the open water that separates
the two craft. Now her bow laps the stern of the America, but not for
long. She is overhauling the cruiser faster now, and in a few
minutes—seconds, it seems to the anxious spectators on the latter
vessel—she is abeam of the America.
Out beyond Sandy Hook, where the billows flash into curving crests like
the manes of wild horses, a great fleet has gathered to watch the race
against time of the famous warship. Instead it is their privilege to
witness a race between two of the swiftest sea hounds ever unleashed on
the trail of the wind.
Through the impromptu armada the racers speed over the toppling seas. A
thousand glasses are upon them. What does it mean? The white cruiser all
may recognize, but her sable-hulled consort, what is she? Straight out
from staff and halyards the wind whips the flag and ensigns of the
America, but neither ensign nor flag does the strange steamship show,
and except for the great white wake that trails behind her she might be
a phantom ship, another Flying Dutchman.
But ere the “reviewing stand” recovers from its first surprise, both
craft are miles away, black bow and white bow piling over hills of foam
like sleighs over snowdrifts and the surge that goes sobbing along the
glistening sides of the cruiser, inaudible above the roar of her mighty
engines, sounds like the weeping for a lost race.
For the black hull is bow and bow with the white, as, after a long and
critical survey of the yacht from the bridge, Capt. Meade descends to
the deck and summons the chief engineer.
“Everything is working finely, sir,” that official reports. “We are
steaming the extreme limit under natural draught. Shall we try the
forced now, sir?”
Capt. Meade hesitates and again gazes long at the yacht. The latter has
now a clear length of open water to the good and her stern is presented
squarely in view for the first time. The single word Semiramis is
inscribed thereon in gold letters. But no port is designated.
“The Semiramis,” murmurs the commander of the America. “I never heard of
the craft before, but her name will be on every man’s lips before long,
I’ll wager.” Then to the chief engineer: “Yes, put on the forced
draught.”
Jack Ashley wipes the marine glasses with which the thoughtfulness of
the second officer has provided him, and turns them again toward the
afterdeck of the yacht.
“Well, may I be keelhauled, or some other equally condign nautical
punishment,” he mutters, after a long look. “If that isn’t Louise
Hathaway, seated in a steamer chair, then do my optics play me strange
pranks. But what is she doing on the deck of that yacht? She appears to
be alone; at least there is no other lady passenger on deck. Ah, there
is Mr. Felton. So Barker was too late. Felton and Miss Hathaway must be
the guests of the gay yachtsman who is making ducks and drakes of the
America on her trial trip.
“Thunder and Mars!” cries the newspaper man, nearly dropping the glasses
to the deck. “Phillip Van Zandt! He is apparently the owner of the
yacht. Good heavens! What irony of fate brings together those two
participants in the Raymond tragedy. For Van Zandt is Ernest Stanley, I
will swear it.
“Well, as the novelists say, the plot thickens. How did Van Zandt
ingratiate himself into the good graces of Cyrus Felton? It must have
been recently, for Miss Hathaway spoke as if they had no friends in the
city. Hang it all! I don’t just fancy the situation. How assiduously he
is waiting upon her now! Heigho, Jack! I think I would as soon have
reported this trial trip from the deck of the Semiramis.” At which
thought Ashley impatiently pitches over the rail the remains of one of
Capt. Meade’s favorite brand of cigars.
The black plumes of smoke that pour from the chimneys of the America are
becoming denser and larger. The forced draught is now fully in
operation, and in the boiler-rooms the half-naked stokers ceaselessly
feed the greedy fires.
The cruiser has reached the limit of her speed.
How is it with the Semiramis?
For a time the America seems to hold her own and even to gain slightly.
But the advantage is transitory. The yacht still apparently has speed in
reserve. Once more she leaps forward and not again is opportunity
afforded the America’s people to view her gleaming sides.
For another hour both vessels are driven at their highest speed. The
Semiramis continues to gain upon the America, and is now nearly a
quarter of a mile ahead.
Half an hour later Capt. Meade sees a flag run up to the masthead of the
vanishing yacht. He gives an order and the cruiser’s forward gun booms a
salute.
“What do you make of that ensign, Mr. Smith?” inquires the commander,
turning to the second officer.
“A strange flag, sir, not the flag of any nation that I recall,” is the
reply.
“Ah, I have it,” suddenly exclaims the captain. “Well, she is a great
craft and magnificently handled. The America made a gallant fight
against odds and lost; but you can say, Mr. Ashley,” as that individual
ascends the steps to the bridge, “that the America has broken all
records in the navies of the world, and for two consecutive hours has
exceeded twenty-seven knots an hour. Yonder craft has beaten that time,
but she has not the heavy armament of the America.”
“What was the ensign she ran up a moment ago, captain?” Ashley asks.
“That, sir,” replies Capt. Meade, “was the flag of Cuba Libre, the
emblem of the sometime republic of the Antilles!”
------------------------------------------------------------------------
CHAPTER XXIX.
ASHLEY LAGS SUPERFLUOUS.
“If she is the property of the revolutionists, gentlemen, with her
phenomenal speed she can run the strictest blockade the Spaniards can
institute, can land arms, ammunition and re-enforcements at will, and
practically snap her fingers at the whole Spanish navy.”
The speaker is Capt. Meade and the place the officers’ mess table on
board the America. Naturally the one topic of conversation is the
strange yacht and her remarkable performance.
“Yes,” continues the captain, impressively, “I believe that the result
of the insurrection may hang on the fate of that steamer. My sympathies
as an individual, I do not hesitate to say, are with the rebels. But my
duty as an officer impels me to notify the War Department of the
departure of the Semiramis and the flaunting of the Cuban flag. However,
I hardly think the warning will harm her, even if it should set the
entire Spanish navy in pursuit.”
“Do you think the yacht is bound for Cuba now?” inquires Ashley, with an
unpleasant sensation in the vicinity of the fifth rib.
“Certainly. She is apparently coaled and equipped for a long voyage. She
set low enough in the water to carry quite a cargo, too. Oh, yes; she is
off for the West Indies sure enough.”
Ashley relapses into a reverie and the burden of his thoughts is
something like this: “Louise Hathaway, Cyrus Felton and this mysterious
Van Zandt on the same steamer and bound for Cuba! How and why?” He
mechanically pulls at his cigar. Finally, as the signal for breaking up
of the dinner party is given by the commander, he murmurs: “What will
John Barker say?”
The America has completed her run; and now, her officers and the naval
experts aboard having expressed their satisfaction with her performance,
the cruiser is steaming back to her dock. The shrill salutes of the many
steam craft in the harbor greet the ears of Ashley as he accompanies the
officers to the deck. The sun is shining in a haze of cold gray. The
March air, a few hours ago so clear and warm, is dull and
marrow-piercing. Ashley shivers and buttons his coat more closely about
him.
A few moments more, and the cruiser is slowing down preparatory to
making her pier, and Jack seeks Capt. Meade to express his thanks. The
latter shakes his hand cordially and remarks: “Better come on our next
cruise, my boy; we may have another try at the black yacht. The navy
expert says it was rumored in official circles that if this trial was
satisfactory the America is to be ordered immediately to Cuba to protect
American interests. Good news, if true, eh?”
Ashley allows that if the captain says it is good news, good news it
certainly must be; and a half-defined hope is forming in his mind as he
steps once more on terra firma.
“After I turn in my story on the trial trip I shall proceed to hunt up
some possible light on the latest twist in the Hathaway tangle,” he
meditates, as he sets his face toward the lights of Gotham town. “Felton
and Miss Hathaway were booked to sail on the City of Callao on Saturday;
yet I discover them to-day headed southward on the Semiramis. Miss
Hathaway must have left some explanation, and it is barely possible that
Barker may know something about the sudden departure. I should not be a
particle surprised if John, too, were aboard the Semiramis. Nothing will
ever surprise me again. But if Barker got left I shall probably find him
sitting on the steps of the Hemisphere office, in a state of mind
bordering on the profane.”
But fate decrees that many days shall elapse ere the detective and his
newspaper friend again clasp each other by the hand; days big with
exciting events that the serene Ashley dreams not of as he saunters down
Newspaper Row.
From his box in the office Ashley extracts a letter, evidently hastily
written and sealed. The address is in Barker’s handwriting, and Ashley
tears it open. He reads:
“My Dear Ashley: I start for Cuba at 12 o’clock via Key West.
Write this just before the train starts. Felton has eluded
me—thanks to your infernal French ball—and sailed for Cuba on
City of Havana at 11 o’clock. Don’t know whether he got wind of
contemplated arrest or not. If I have good luck at Key West will
be in H. as soon as he. May trail him to the son and bag both at
once. In any event, do not intend to lose sight of him again
till he is safely landed in Vermont. I may run across your Mrs.
Harding, and if I do will try my luck at making her tell what
she knows of young Felton, on threat of exposing her as a
Spanish spy. Good scheme, eh? Must close, train starting; will
write from Cuba. Hastily,
“Barker.”
“So Cuba is to be the scene of the next act of the Raymond tragedy,”
Jack thinks. “How suddenly all the characters have betaken themselves to
the southern isle, and how events have crowded on each other the last
day or two! First, news that young Felton is in Cuba; then appear Cyrus
Felton and Louise Hathaway in the city; then the mysterious woman of the
Raymond hotel, and the stranger of the mountain gorge—and all of these
are at this moment en route to Cuba. Only Derrick Ames and Helen
Hathaway remain to be accounted for, and if Barker’s theory is correct,
and they, too, are in Cuba, what a situation and what a complication! I
must be there at the finish. The paper really needs a war correspondent
in the ever-faithful isle, and I’ve half a mind to ask for the
assignment.”
From his desk Ashley takes a bulky package of manuscript, glances
through it, and with a sigh replaces it within an inner compartment.
“The Raymond mystery story, the newspaper beat of the year,” is not to
be used yet.
But the account of the trial trip of the America must be written, and
soon the sheaves of yellow paper are being rapidly covered by Jack’s
flying pen.
At last it is finished, and with a grunt of satisfaction Jack arranges
the scattered sheets and proceeds to the desk of the city editor.
“Ah, Ashley,” remarks that dignitary, glancing at the manuscript and
without raising his eyes; “trial trip was a success, wasn’t it? Yes;
well, I have a little something here that I wish you would look up. You
have done so much Cuban stuff lately that you are more familiar with the
ground than any other man on the staff. The Washington wire states that
a vessel, the Isabel, that was to have sailed from here to-day, has been
detained at her moorings, foot of Twenty-third Street. She is suspected
of having arms and ammunition for the Cuban rebels on board. The
information was filed by the Spanish minister. Just look up the local
end of the story, find out who fitted out the steamer, where she was
ostensibly to clear for, etc. You had better see your filibuster friend,
Manada. He might give you something on it.”
“Blast Cuba!” mutters Jack, as he leaves the office. “Everything is Cuba
now. Talk about Tantalus! His case wasn’t a marker to mine. Here are all
the characters in a drama in which I am interested gone to Cuba, while I
lag superfluous on the stage, doomed to write up stuff about the
confounded island and its affairs at long range. Besides, I haven’t
fairly got back my land legs, and now I must jaunt up the North River
two or three miles. Well, there is no use kicking, I suppose. Guess I
will look up Don Manada first, though.”
Ashley’s annoyance dissipates rapidly, however, and he has recovered his
customary serenity when he tenders his card to the clerk at the Fifth
Avenue Hotel, to be taken to Don Manada’s rooms.
“Don Manada has left, sir” the clerk tells him. “He had his effects
removed early this morning and stated that he might not return for some
months.”
“Where has he gone, do you know?”
“To Cuba, I think.”
Jack turns away. “To Cuba, of course. Everybody with whom I have
business to-day has gone to Cuba. If that filibustering vessel, the
Isabel, has not eluded the officers and sailed for Cuba by the time I
reach her wharf, I shall be mightily surprised. No; I have decided to be
surprised at nothing hereafter. The Isabel! There’s another
coincidence—the first name of Mrs. Harding or Mrs. Winthrop or whatever
it is—the woman of the Raymond Hotel. Well, here goes for the Isabel.”
It is cold, foggy, dark and altogether disagreeable as Jack alights from
the car at the foot of Twenty-third Street and picks his way down the
long wharf to where he is informed the detained steamer is docked. She
is still there; he sees her smokestacks and masts outlined against the
sky. A single lantern is alight on the vessel, but the gang-plank has
been hauled in.
“Steamer ahoy!” Ashley calls, and after several repetitions of the hail
a gruff voice sounds from the gloom in the vicinity of the lantern.
“Ashore, there! What do you want?”
“Is this the Isabel?”
“Yes,” is the brief reply.
“Well, I want to talk with you a moment. Can’t you run out a plank and
hold that lantern nearer, so I can see to come aboard? I am from the
Hemisphere.”
There is a moment’s hesitation and then the lantern approaches the
steamer’s side and a plank is extended to the pier.
“Now, all I want to find out is about the alleged seizure of the
vessel,” begins Jack, thrusting a cigar into the fist that releases the
lantern.
“There ain’t much to say,” is the reply. “I am a United States deputy
marshal and was placed in charge of the vessel this noon. Whether her
cargo contains arms and ammunition I can’t say for sure, as she is not
to be searched till to-morrow, but from the remarks dropped by some of
the crew I’ll bet a hat the cargo has been taken off. One of the crew
was considerably under the weather when I came aboard and I gathered
from his talk that some of the Isabel’s cargo was shifted to another
steamer, a long, black craft, some time after midnight or early this
morning.”
“What was the name of the other steamer?” inquires Ashley, a sudden
suspicion entering his mind.
“Blessed if I know,” replies the deputy marshal.
“The Semiramis, I’ll wager $4 to a nickel,” mutters Ashley, as he thanks
the marshal and goes ashore.
------------------------------------------------------------------------
CHAPTER XXX.
ON TO FAIR CUBA.
“There are only two bits of evidence needed to complete my moral
conviction that I am the only person connected with the Raymond tragedy
who is not in Cuba or on his way thither,” remarks Ashley, loquitur, as
he boards a cross-town car. “One is the assurance that Cyrus Felton and
Miss Hathaway have left the St. James Hotel with no intention of an
immediate return; the other, the knowledge that Phillip Van Zandt has
closed his quarters in the Wyoming flats for an indefinite period. I
believe I will try the St. James first.”
He does. The clerk smiles benignly upon him when he inquires for the
Vermonters. “Gone, Jack; but you were not forgotten,” he says. “The day
clerk turned this over to me,” extracting a note from the letter rack.
“Thank you, Ed,” acknowledges Ashley. He tears open the note and reads:
“Dear Mr. Ashley: I regret very much that circumstances have
made it necessary to postpone indefinitely the luncheon for this
afternoon at 1, to which I had looked forward with much
pleasure. We have just learned that in order to reach Cuba we
must sail on the City of Havana, which leaves New York at 11
o’clock to-day. With many thanks for your kindnesses, believe
me, sincerely yours,
Louise Hathaway.”
“Far from enlightening me, this note only plunges me deeper in the fog,”
thinks Ashley, sniffing the faint odor of violet that clings to the
dainty stationery. “She asserts here that she is going to Cuba on the
City of Havana, yet I discover her aboard the Semiramis. At any rate
they have gone to Cuba, and there is no particular reason for my
visiting Van Zandt’s apartments. It is getting late, anyway, and I
believe I will return to the office. If Ricker is in a good-humored mood
I will attempt to convince him that the only feature which the paper at
present lacks is a live man at Havana who can tell the difference
between an overwhelming Spanish or Cuban victory and a fifth-rate
scrimmage that a dozen New York policemen could quell in ten minutes.”
Ashley swings himself upon a Broadway car and lapses into a meditation.
“How the deuce do Miss Hathaway and Cyrus Felton come to be aboard the
Semiramis? And if Ernest Stanley is Phillip Van Zandt, where did he get
the money to own such a yacht? Forty or fifty thousand dollars of
Raymond National Bank funds wouldn’t pay for one side of the Semiramis.
But it may not be his yacht. I have simply assumed so because he looked
as if he owned the ocean as well. Good gracious, I should be inclined to
regard Miss Hathaway’s disappearance as a clear case of abduction but
for the fact that the fair Louise appeared entirely satisfied with her
surroundings when I focused the America’s glasses upon her graceful
self. I am beginning to believe that I am clear off my reckoning on Van
Zandt. The Semiramis may be owned by the Cubans and he may simply be one
of the leaders of the expedition. And he may not be Ernest Stanley at
all, although I think—hang it! I don’t know what I think. I shall quit
thinking from now on. It is too hard work.”
Much relieved by this determination, Ashley sits at his desk, lights his
briar and dashes off a short sketch of the detained filibustering
vessel. This he tosses over to the night-desk men, and strolls into the
city editor’s den.
“When you are at leisure, Mr. Ricker, I should like to bore you for five
or ten minutes,” he announces.
“I am at leisure now, Jack. Sit down. It has been a rather light night
and there is an unusual lull just at present. What is on your mind?”
“It is something like half a dozen years since I began work on the
paper, is it not?”
“Just about, my son.”
“And during that time I have never kicked on an assignment or asked for
any particular job.”
“Yes; if I recollect rightly, that is about the size of it,” remarks
Ricker dryly. “Now, what can I do for you?”
“I should like the assignment of war correspondent at Havana.”
The city editor is silent for a moment.
“I am sorry you did not speak of this Havana business before,” he says,
encircling the pastepot with a ring of smoke. “Unfortunately I have
mapped out two or three months’ work for you at a place a good many
miles from the capital of Cuba.”
Ashley’s face does not reveal the disappointment he feels.
“All right, Mr. Ricker, I have no kick coming. I will break another one
of my rules and ask what the assignment is before I have been notified
of it.”
“It is an important mission, my son, and the selection of the man to
fill the place does not come within my department. But as a good man was
needed I urged the desirability of putting you on the job.”
“You are very kind,” murmurs Ashley.
“I intended to communicate to you his wishes to-night,” resumes Ricker.
“In fact, I received the assignment for you an hour ago and you would
have found it in your box in the morning.” The city editor tosses over a
yellow envelope and Ashley finds therein the brief notification:
“Beginning March 18, Mr. Ashley will enter upon the duties as war
correspondent at Santiago de Cuba.”
Ashley looks up and catches the indulgent smile of his chief.
“Ricker, you’re a jewel,” he says, warmly, extending his hand. The
friendship between the two men has long since leveled the wall of
official dignity.
“I had no idea you wanted the job,” smiles the city editor.
“Until to-day I had no desire to visit Cuba,” replies Ashley. “But at
present I want to go the worst way—or the best way. And my wish to reach
Cuban soil is not greatly influenced by personal reasons, either. I
expect some day to turn over to you a story that will cover a good share
of the first page and just now the trail is winding under the flags of
three nations—Spain, Cuba and the United States. But why Santiago,
instead of Havana?”
“For the reason that, as you may see by a look over to-night’s
telegrams, the eastern province of Cuba is likely to be the principal
theater of the struggle for independence. You know the sort of stuff we
want. Statements of fact, above all. You may have some difficulty in
getting us the facts by wire, as the government controls the cables; but
there are the mails, and in addition to the usual grind you might send a
two or three column chatty letter every fortnight or so that would be
interesting reading. Spend all the money that is necessary. Get right
out into the fighting; there isn’t one chance in a million of your being
hurt. Above all, send us facts. We cannot pay too much for facts.”
“Have you considered how I am to reach Santiago? You know there are no
steamer lines running to the island.”
“That has been arranged. The bulletin was received early this evening
that the new cruiser America had been ordered to Santiago. The managing
editor used his influence, and permission to send a representative on
the vessel has kindly been granted. There is some value in being on the
right side of an administration. The cruiser sails the day after
to-morrow, the 18th.”
Ashley and Ricker soon complete their talk and Jack starts for home in a
complacent condition of mind. Arriving at his rooms he slips into a
dressing-gown and stretches himself in an easy-chair for a smoke-lined
night-cap, and as the rings curl upward he sees in fancy the various
actors in the Raymond drama passing in review before a tropical
background of hazy blue hills and palm-shaded groves.
Suddenly he utters an exclamation: “Jupiter! How is Barker to get to
Cuba? He must have shot off to Key West without reading the morning
paper, and he probably was not aware that there are no steamers running
from Key West any more than from New York or other ports. When he does
learn that fact his remarks will not be fit for publication. Well, I
suppose, he will get there somehow, even if he has to swim. But in all
probability I shall reach the island before him.
“The trail is plain. It leads to Cuba, and somewhere in the gem of the
Antilles the threads of the Raymond murder mystery will touch and cross
and interweave.”
------------------------------------------------------------------------
CHAPTER XXXI.
THE FLAG OF CUBA.
“We shall have a race, Don Manada—a battle royal. The new United States
cruiser America has just steamed out of the bay ahead of us and we shall
soon be abreast of her.”
“A race, Senor Van Zandt? Santissimo! We shall have racing enough before
we get to Cuba without challenging unsuspicious warships and courting
investigation.”
Van Zandt laughs at the Cuban gentleman’s anxious tones. “I told you, my
friend, that once on the high seas nothing short of a cannon ball can
overhaul the Semiramis. Come on deck in an hour, senor, and I will prove
to you what may now seem an idle boast.”
For excellent reasons Manada is keeping in the background as much as
possible. But he finds the luxurious cabin of the Semiramis much to his
liking, and he smokes and dreams of “Cuba Libre” while the Semiramis
steams down the bay and out upon the bosom of the Atlantic, and when he
goes on deck, wrapped in the long semi-military cloak which effectually
conceals his person, the sight which greets his eyes fills him with
apprehension, though challenging his liveliest interest.
The battle of steam is well under way. The America is less than a dozen
lengths astern and presents a beautiful sight to the people on the
Semiramis. The glistening white hull plows the water at a speed which
dashes the spray high in air from the delicately carved cut-water, and
the triple funnels vomit great clouds of inky smoke. Manada’s eyes rove
to the United States flag whipping out in the breeze and he mutters a
favorite malediction as he thinks of the insurgent arms stored in the
hold of the Semiramis.
But as he grows aware that the yacht of his strange friend is drawing
away from the American man-of-war he becomes the incarnation of
suppressed excitement. And when Van Zandt claps him on the shoulder and
shouts in his ear, “Well, senor, what do you think of the Semiramis?”
the Cuban shouts back enthusiastically: “El Semiramis es un diablo
verdadero!”
Without the change of a muscle in his weather-beaten face, Capt. Sam
Beals paces the bridge of the Semiramis, while the exciting duel of
steam and steel continues, not a gesture or ejaculation indicating that
the beautiful yacht is literally steaming away from the cruiser—a vessel
heralded far and wide as the speediest craft among all the navies of the
world.
But if the chief officer is apparently undisturbed, the same cannot be
said of any other person on board. The excitement of the race has roused
the owner of the yacht from his cold reserve, and as with sparkling eye
and eager step he hurries from the engine-room to the quarterdeck,
noting with each return the slowly but steadily lengthening space of
open water that separates the two vessels, Louise Hathaway mentally
retracts her decision that Phillip Van Zandt is cold and unsympathetic.
As for Miss Hathaway herself, she is thoroughly imbued with the spirit
of the race. Securely sheltered from the fierce rush of wind which the
tremendous speed of the Semiramis causes to sweep over the deck, she
makes an attractive picture as she watches the race. The svelte form is
outlined in a gown of navy blue; the beautiful face is framed in a
golden aureole of wavy locks; the matchless blue eyes glisten with
unwonted excitement, and a delicate color tints her cheek. It is not
strange that Van Zandt divides his time between the race and his fair
passenger.
Even pale, stern-faced Cyrus Felton has for the nonce became stirred by
the infectious excitement, and with a zest that he has not manifested
for years he watches the unavailing efforts of the warship to overhaul
the pleasure craft.
“Isn’t there more and blacker smoke pouring from the America’s stacks?”
inquires Miss Hathaway, as the owner of the Semiramis returns from a
brief interview with the engineer, with the cheery assurance that the
engines are running as smoothly as if the yacht were moving at
quarter-speed.
“She is surely making more smoke and, if I mistake not, more speed,”
answers Van Zandt, a shade of anxiety replacing his almost boyish
enthusiasm. “Mr. Beals, what think you of it?” turning to the executive
officer; “is she gaining on us?”
“She has just put on her forced draught, sir, and is now running at her
top speed. She is gaining, now, but—”
Without finishing the sentence the captain presses the electric bells
which communicate with the engine-room. It is soon apparent that the
yacht has not until now reached the limit of her speed. The regular
vibrations that mark the revolutions of the twin shafts become one
prolonged shiver, and the black hull is hurled through the water at
incredible speed.
The effect becomes noticeable in short order. The white mass astern
grows “fine by degrees and beautifully less,” and as Capt. Beals closes
his glass with a snap he remarks, complacently: “She’ll be hull down in
an hour or two if she doesn’t blow out a cylinder head before that
time.”
Just about this time Van Zandt and Manada go below and reappear a few
moments later with a closely rolled silken flag, which Van Zandt hands
to the captain with the command that it be hoisted to the breeze.
Without even examining the emblem, the imperturbable executive officer
bends the silken roll upon the halyards. A few hearty pulls by a
stalwart blue-jacket and the ensign reaches the masthead, where the
stiff breeze quickly breaks it out.
As a singular flag, with a solitary star in a triangular field of blue,
is revealed to the wondering gaze of passengers and crew, Don Manada
reverently bares his head and his lips frame the words “Viva Cuba
Libre!”
Suddenly there is borne to their ears, above the whistling of the wind
and the mighty pulsations of the machinery, the sullen boom of cannon.
All eyes instinctively seek the America. A puff of white issues from her
forward barbette, and as Capt. Beals returns his glass to its socket, he
tells Van Zandt:
“She has saluted the Semiramis and dipped her ensign. She is bearing off
to windward and gives up the race.”
“She saw the flag, do you think?”
“Doubtless,” Mr. Beals replies, with a grim smile. “Shall we slacken
speed, sir?”
“Only to natural draught. I wish to make our destination as soon as
possible. And by the way, Mr. Beals, you may haul down the flag. It has
served its purpose for the present,” pointing to the enraptured Don
Manada.
Then Van Zandt conducts his passengers below and is prepared for Miss
Hathaway’s question:
“Is that your personal emblem, Mr. Van Zandt?”
“No, Miss Hathaway,” is the calm response. “That is the flag of the
Cuban Republic. You are now under the protection of the provisional
government of the gem of the Antilles. Permit me to introduce to you Don
Rafael Manada, minister of war of the infant republic. Long may she
wave!”
Manada bows low and looks vastly gratified by the official title
jestingly conferred upon him. Cyrus Felton’s face, however, is darkened
by a frown and Miss Hathaway is not at all pleased.
“Will you not take seats and make yourselves entirely easy?” Van Zandt
proceeds, unruffled by the cold demeanor of his passengers.
“Perhaps I should have told you before you embarked,” explains Van
Zandt, with a glance at Miss Hathaway that does much toward reassuring
her, “that although we are bound for Cuba, our primary destination is
not Santiago. The Semiramis has a cargo of arms and ammunition which I
have undertaken to deliver to the Cuban revolutionists. Senor Manada is
the supercargo. Believe me,” he adds, as Miss Hathaway pales at the word
“revolutionists,” “there is absolutely no danger, not the slightest—and
least of all to you. Even if my yacht were apprehended—though I do not
believe there is a vessel on the waters of the globe that can overtake
her—you would be subject to no annoyance and but little inconvenience.
After we have discharged our cargo we will proceed at once to Santiago,
and you will be landed much earlier than if you had gone by a regular
steamer. And I am sure this vessel is fully as comfortable as any of
those stuffy, crowded craft.”
“Then we are aboard a filibustering expedition,” declares Mr. Felton,
harshly.
“Hardly that. You are on board an American yacht, manned by American
seamen, with just one Cuban patriot, a man as honorable and true as
yourself, Mr. Felton.” Van Zandt’s voice is stern and dignified. “I am
not a Cuban partisan, but liberty to me is as precious as the air of
heaven. Until a few hours ago there was no thought of the cargo now
beneath us. The arms were designed to go by another vessel. But at the
last moment the plans of the patriots were betrayed. Then it was that I
stepped in and offered the services of my yacht to convey the
much-needed aid to the down-trodden men of the Antilles.”
“And meanwhile you have jeopardized the safety of Miss Hathaway and
myself,” Mr. Felton sneers. “Suppose we are intercepted by a Spanish
warship? Think you that they will not regard us—myself at least—as
members of this expedition? What then, Mr. Van Zandt?”
The latter’s lip curls slightly. “Again I assure you that there is
absolutely no danger. I will answer for your safety on this voyage with
my life.” Then to Louise, with a look that brings a flush to her fair
face: “Have you no faith in the yacht, if not in her owner, Miss
Hathaway?”
“I think that Mr. Felton is needlessly alarmed,” is that young lady’s
composed reply. “As for the yacht, I am quite carried away with it,
figuratively as well as literally. This is my first voyage, Mr. Van
Zandt, and if you will insure me against mal de mer, that dread bugbear
of the voyageur, I will try to brave, with becoming equanimity, the
perils of the Spanish main.”
Cyrus Felton, however, is decidedly alarmed by Van Zandt’s admission of
the incidental errand of the Semiramis. A strong distrust of her owner
begins to grow in his mind; this added to the qualms of seasickness,
which have begun to make themselves felt, renders him thoroughly
miserable in spirit and body, and without raising another objection he
asks to be shown to his stateroom.
It must be confessed that Van Zandt does not manifest heartfelt regret
at Mr. Felton’s unhappy condition, and even Miss Hathaway is somewhat
perfunctory in her expressions of sympathy. An unaccountable confidence
in the handsome owner of the Semiramis has replaced her early distrust,
and, happily exempt from the “dread bugbear of the voyageur,” she
accepts with pleasure Van Zandt’s proposition that they explore the
yacht.
The Semiramis is fair to look upon, from capstan to rudder, and from
keelson to main truck. The Vermont maiden marvels at the comfort,
convenience and luxury on every hand. The palatial saloon, with its
unusually high ceiling, furnished in oriental magnificence and including
a superb upright piano, Miss Hathaway’s eye notes approvingly; the
commodious staterooms, arranged en suite, with the respectable appearing
stewardess in charge; the plain but ample and scrupulously neat quarters
of the crew; the engine-room, with its masses of highly polished steel
and brass—all possess elements of interest to the girl.
That night, as she lays her head on her pillow, “rocked in the cradle of
the deep,” she suddenly starts as if from a dream. For there comes to
her ears again, from somewhere, that melody strangely sweet, yet filled
with subtle melancholy, the andante of her beloved sonata.
Then a light goes up, as the Germans have the saying, and Miss Hathaway
understands now her blindly placed confidence in the master of the
Semiramis. For Don Caesar de Bazan is Phillip Van Zandt and—and—
But what Miss Hathaway thinks about as Atlantic’s waves lull her to
slumber would certainly interest the young man who sits up far into the
night, chatting and smoking with the “minister of war of the Cuban
republic” while the Semiramis rushes on her eventful voyage to the
tropics.
------------------------------------------------------------------------
CHAPTER XXXII.
THE FLAG OF CASTILE.
“Twelve hours from now, Miss Hathaway, you will have your first glimpse
of Cuba. Then, our business transacted, a quick and uninterrupted run to
Santiago, and to-morrow you will be on terra firma.”
“It has been a remarkably short voyage, Mr. Van Zandt.”
“Deplorably so. I never before regretted the speed of the Semiramis, but
now—would that she were as snail-like as the old West Indian tub we
overhauled yesterday. Can I prevail upon you, Miss Hathaway, to again
favor me with my pet Chopin nocturne? The electric fans render the
saloon as comfortable as the deck.”
“My poor playing is always at your service, Mr. Van Zandt. I assure you
that I never expected to enjoy a voyage, to Cuba or elsewhere, as I have
this. Your kindness in granting us—”
“My kindness was purely selfish,” interposes Van Zandt.
It is easy to see that for two people on board the yacht the last few
days have swiftly sped. Van Zandt and Miss Hathaway have been much in
each other’s company. Confidences have been neither asked nor given, but
a mutual sympathy has taken root that might prove destructive to the
reserve of one and the “marble” of the other were the voyage to the
tropics to last many days longer.
Cyrus Felton is restricted to his stateroom most of the time, a victim
of the malady of the sea and a gnawing, indefinable distrust of the
owner of the yacht. As for Don Manada, he divides his attention between
the huge cigars from which his fingers or teeth are never free, and a
careful outlook for any of the Spanish squadron that is supposed to
blockade the coast of the isle of Cuba.
But the sensuous indolence of the tropic day and the glories of the
tropic night lure Van Zandt and Miss Hathaway into dreams of peace and
hope and fulfillment. The days spent on the quarterdeck, sheltered by an
awning from the rays of the sun, the speed of the yacht providing a
delightful breeze, glide gently into the brief twilight. The great stars
shoot out of the blue with quivering points of fire, and the wind sighs
musically through the rigging as the tireless steam drives the boat
through the phosphorescent waves.
“Consider what the voyage would have been to me without your presence,”
continues Van Zandt, as he leads the way to the saloon. “With Don Manada
there, engrossed in Quixotic schemes for achieving the independence of
his beloved country, and Capt. Beals as communicative as a sphinx, your
society has saved me from myself—a synonym for dreariness. And now for
the nocturne.”
While Van Zandt is telling Miss Hathaway that she is the only woman he
has ever heard play Chopin intelligently, and the latter is modestly
disclaiming such ability, the musical echo of the lookout’s call is
passed to the saloon:
“Sail ho!”
“Where away?” is the challenge.
“On the weather bow. A large steamer, judging from her smoke!”
Don Manada casts his cherished cigar to the waves and glues his eyes to
the telescope.
As announced, the unknown vessel is directly on the weather bow and will
pass within half a mile of the Semiramis, if the two craft hold to their
present courses.
The captain intently watches the approaching vessel. The Semiramis is
far beyond the five-mile limit of the Cuban coast, but if the unknown is
a Spanish cruiser she may become suspicious of the trim yacht.
It therefore behooves the American steamer to insure the stranger a wide
berth if the latter displays the arms of Castile; to show a clean pair
of heels, in the vernacular of the sailor, if flight is necessary.
Again are preparations made to force the Semiramis to her highest speed.
The awnings are removed, the boats once more unswung from the davits,
the force of stokers in the engine-room augmented by half a score of
sturdy seamen, and soon the roaring of the forced draught in the funnels
again drowns the hum of the engines.
At rail or in rigging, from bridge or quarterdeck the people of the
Semiramis watch intently the approaching vessel, whose funnels and upper
works are now visible through the glass.
The Semiramis bears gradually to the westward, to afford the stranger at
least three miles leeway. Suddenly Capt. Beals lays aside his glasses
and rubs his chin thoughtfully.
“Do you care to show your papers to the Don?” he asks Van Zandt.
“To the Don? Is she a Spaniard, sure? But we shall pass a comfortable
distance to windward of her and she will not attempt to interrupt us.”
“She has already changed her course and is bearing directly across our
bows. See!”
The unknown, now less than ten miles distant, seems to be steaming at
full speed for a point directly in the course of the Semiramis. Her
broadside is now visible to the anxious watchers on the yacht. She is
apparently an armored cruiser of perhaps 5,000 tons, her hull painted a
dull and featureless gray. No flag or emblem is as yet displayed from
her taut and business-like rigging.
“She is painted and cleared for action. She is—ah! I thought so!”
A flag is broken from the cruiser’s masthead, and Capt. Beals, as he
focuses his binocular upon the streaming emblem, mutters between his
teeth: “The flag of Castile!”
“’Tis a Spanish warship, Senor Van Zandt!” exclaims Manada, who has been
studying the stranger. “Can your beautiful craft bear us from harm’s
way? I fear that yonder ship is the Infanta Isabel, the latest and most
formidable accession to the navy of our hated oppressors. She has been
detailed to intercept vessels supposed to bear arms and re-enforcements
to our friends, and especially to watch for and destroy our gallant
Pearl of the Antilles.”
“Have no fears, Don Manada. Your cargo is safe. We will show the
Spaniard a trick or two; eh, Beals?”
Capt. Beals does not reply in words to his employer’s confident
assertion, but an observant man might distinguish a slight relaxation of
the muscles about his mouth.
The Semiramis holds steadily on her course. Only the increasing clouds
of smoke that pour from her funnels indicate that anything out of the
ordinary is expected of the yacht.
Only six miles distant! Five! Four!
A puff of white that rolls lazily from the forward deck of the cruiser
is succeeded by a dull roar.
“Show the Don our colors,” Capt. Beals orders the second officer.
While the smoke from the cannon yet lingers above the Spaniard’s deck
the glorious stars and stripes unfurl from the mainmast of the
Semiramis, and snap gayly, defiantly, upon the breeze. And still the
American yacht continues to steadily lessen the distance that separates
the two craft.
Boom!
Another puff of white, followed a few seconds later by the report; and
this time the watchers on the yacht can see the flash of the gun.
Only two miles distant now, and the Spanish warship, apparently
convinced that the American understands and designs to obey the
peremptory summons to heave to, has slowed her engines until the cruiser
has barely headway on the long swells.
Calmly pacing the bridge, as if a thousand miles separated the
vessels—nearly equal in size, but how dissimilar in destructive
power!—Capt. Beals has not indicated a slowing of the yacht’s engines,
although the bow of the Semiramis points at the steep side of the
Spaniard, directly amidship.
Not half a dozen lengths away!
The officers and men on the man-of-war are clearly visible to those on
the yacht. The captain and his subalterns are grouped on the
quarterdeck, the marines amidship, the blue-jackets crowding the rail
and adjacent rigging. The cruiser is stationary on the water.
But with no sensible diminution of speed the Semiramis bears upon the
Spaniard, the white foam dashing high on either side of her bow. Capt.
Beals is fingering the electric buttons that regulate the speed and
course of the yacht.
The Spanish captain nearly drops his speaking trumpet. What is El
Americano thinking of? He cannot stop in five times his own length at
such a frightful speed! Is he mad? Ah! Dios! Caramba! And a dozen more
Castilian expletives poured forth in a torrent of astonishment, rage and
chagrin.
For with a sudden turn to the windward that causes the yacht to careen
until her white sides below the water line gleam for an instant in the
sunlight, with an accession of speed that sends her forward as a whip
would a nervous horse, the Semiramis darts by the stern of the Spanish
man-of-war, the smoke from her furnaces enveloping for a moment the
cruiser’s afterdeck.
Two minutes later she is a mile astern of the warship, her long white
trail sparkling in the sunlight, and the red, white and blue still
snapping defiantly at the masthead.
“I wonder if the Don can turn in five times his own length,” observes
the sententious Mr. Beals, as he watches the warship slowly getting
under way.
Whether he can or cannot is not at this time to be demonstrated. The
cruiser makes no attempt to about ship, but another report booms from
the forward gun, followed a second or two later by one from the aft
barbette, and a solid shot ricochets along the waves astern of the
Semiramis and plunges beneath the water an eighth of a mile distant.
Van Zandt grows grave as he realizes the significance of this last shot,
but a glance at the receding cruiser convinces him of the futility of
the cannonade. The Spaniard, too, appears convinced, and the cruiser is
soon lost to view in the expanse of ocean.
The rest of the day the Semiramis holds unmolested her course for the
mountain-girth shores of Cuba. As night draws on the engines are slowed,
and, with fires banked and double watch posted, the yacht quietly rocks
on the bosom of the deep. A wavy outline on the horizon indicates the
southern coast of the revolution-racked isle and somewhere on that
outline is the sequestered little harbor of Cantero.
It is a weary, an unnerving vigil, for Don Manada at least. For hours
his anxious gaze sweeps the horizon, while the Semiramis rides the
breasting waves as gracefully as a summer bird soars into the blue.
As the first shafts of light radiate from the emerging disk, Louise
Hathaway, whom the unwonted excitement of the preceding day has driven
early from her pillow, cries out with a girlish enthusiasm that brings a
smile to the face of Capt. Beals: “Sail ho! Sail ho!”
Every one springs to rail or rigging. “Where away?” is the quick
challenge of Mr. Beals.
“Right there, sir,” is the unnautical response of Miss Hathaway, and she
indicates a point not five degrees north of the rising orb of day.
With the glass at his eyes, the taciturn commander of the Semiramis
watches intently the speck on the glowing horizon that means much to the
excited Manada at his elbow and to the latter’s struggling
fellow-patriots on the isle whose outlines are now bathed in the flood
of sunlight.
Is it another Spanish warship, or is it the looked-for Cuban cruiser,
the doughty Pearl of the Antilles?
------------------------------------------------------------------------
CHAPTER XXXIII.
AN AFFRONT AND AN APOLOGY.
The Semiramis rests stationary upon the surface of the water, but there
are scenes of activity in the engine-room. The columns of smoke from her
stacks grow into thick black volumes, and the roar of escaping steam
drowns ordinary conversation.
On deck, officers, passengers and crew are watching the rapidly growing
spot upon the horizon. That the approaching vessel is steaming very fast
is apparent. Her upper works are visible as Capt. Beals signals for the
Semiramis to steam ahead at full speed. The course of the latter is laid
to pass the stranger a mile or two to windward, if she does not change
her present course.
Don Manada has possessed himself of the captain’s glasses and is
earnestly scanning the distant steamer. Suddenly, in a very paroxyism of
joy he embraces the owner of the yacht.
“It is the Pearl!” he cries; “the Pearl of the Antilles! Santisima! Now
will you display the flag of Cuba Libre?” The English language fails to
express the sentiments of the Cuban patriot at this juncture, and he
launches a flood of Castilian that bewilders Van Zandt.
At a nod from the latter, however, Capt. Beals causes the fateful emblem
of Cuba to be run up to the masthead. The silken banner is barely
unfurled by the wind ere there are signs of excitement on board the
strange steamship. A duplicate of the Semiramis’ ensign is displayed,
and then the course of the vessel is changed and she steams rapidly
toward the yacht. Don Manada is not mistaken. The steamship is the
famous Pearl of the Antilles.
The Semiramis has slowed down her engines, and awaits the approach of
the insurgent cruiser. As the latter nears the yacht the resemblance of
the two steamships becomes more striking. The Pearl is almost precisely
the length of the Semiramis, and like her is rigged with two masts. Her
two smokestacks are set at the same angle as those of the yacht and like
the latter she is equipped with twin propellers. On deck, however, there
is a decided difference. The engines of the Pearl are protected by heavy
plates of steel, while on her forward deck a sort of turret has been
improvised, within which, the people on the Semiramis can readily guess,
is the famous “Yankee gun,” the dynamite cannon whose well-aimed
projectile sent the Spanish Mercedes to the bottom.
Five lengths away the Pearl becomes stationary on the waves, while
through a speaking tube, the voluble Manada acquaints her commander with
the character and mission of the yacht. A boat is lowered from the
insurgent craft and is rowed to the side of the Semiramis, and a moment
later a distinguished-looking man in the undress uniform of an officer
of the Spanish navy is clasped in the arms of Don Manada.
“Senor Van Zandt,” the latter says, “permit me to present to you Capt.
Gerardo Nunez, the commander of yonder vessel. Senor Van Zandt,” he
explains extravagantly to Capt. Nunez, “is the good angel who rendered
it possible for us to convey the much-needed arms and ammunition in our
hold to our struggling compatriots.”
Capt. Nunez cordially grasps the hand of Van Zandt. “Senor,” he says, “I
am more than pleased to meet you, and join with Don Manada in expressing
the gratitude of our people for your services in the cause of liberty.”
Van Zandt waves his hand. “’Tis nothing. My sympathies are with the
insurgents and being in position to help Don Manada out of a box”—the
Cuban flushes at the recollection of his last conversation with Mrs.
Harding—“I was only too glad to do it. But what is the latest news from
the seat of war?”
Capt. Nunez’ eyes light up with enthusiasm. “Glorious!” he says. “Gen.
Masso has just achieved a victory over 3,000 Spanish troops in the
Puerto Principe District. El Terredo is receiving constant additions to
his forces and the outlook was never brighter. It is to equip El
Terredo’s army that these arms and ammunition will be used.”
“El Terredo?” inquires Van Zandt. “Is he not attached to the Pearl of
the Antilles?”
“He has been up to within a week, but is now on shore duty. By the way,
senor,” remarks the Cuban commander, casting a glance over the deck of
the Semiramis, “you have a magnificent yacht, and I doubt not she is as
speedy as she is handsome.”
“Speedy!” breaks in Don Manada. “She is as swift as the wind! She sailed
away from the America, the fastest cruiser in the United States Navy,
and as for the Infanta Isabel—poof! She snaps her fingers at her!”
Capt. Beals approaches the group at this moment and is introduced to the
Cuban captain.
“I think, sir,” he says to Van Zandt, “if we are to transfer our cargo
it would be advisable to waste no time. There is no knowing when a
Spanish gunboat will show up.”
This advice is manifestly so timely that no time is lost in following
it. The two hulls are laid side by side, the smoothness of the water
permitting the operation in safety and hundreds of brawny arms are
quickly at work transferring the cargo from the Semiramis to the Pearl.
At last the work is completed and Van Zandt looks inquiringly at Don
Manada.
“Will you continue with the yacht or accompany the cargo on board the
Pearl?” he asks.
The Cuban emissary hesitates. “If I might add to the already heavy debt
of gratitude I owe you—”
“Oh, that’s all right,” interrupts Van Zandt. “So you will remain with
us. I am glad of your company. We sail for Santiago and afterward”—he
hesitates a moment, his eyes wandering to Miss Hathaway, who is watching
curiously the motley crew of the Pearl—“well, eventually back to New
York.”
Manada nods gratefully. “I am of more service to the cause in America
than I could possibly be in Cuba,” he says, apologetically.
The adieus are said, the lines cast off, and the Semiramis and Pearl
move slowly apart. The latter shapes her coarse for the little harbor of
Cantero, where the arms and ammunition are to be landed.
“We are but ten hours’ sail from Santiago, Miss Hathaway,” Van Zandt
remarks, as Louise idly watches the rapidly disappearing Pearl. “Then
you will bid adieu to the Semiramis.”
“Regretfully, indeed, Mr. Van Zandt. The last few days have sped all too
quickly.”
“‘We take no heed of time but by its flight,’” quotes Van Zandt. “How
long do you expect to remain in Cuba?”
Louise turns a troubled face toward the owner of the yacht. “That I
cannot say. It depends upon Mr. Felton. He has business interests to
look after, and if the climate agrees with him we may remain several
months.”
There is a silence for a little, the thoughts of both dwelling on the
coming parting at even.
“Miss Hathaway,” says Van Zandt, suddenly. “I am but an idle fellow,
with nothing to call me hence but my own inclinations. Would it be
distasteful to you if I should attach myself to your party while in
Cuba? The country is necessarily unsettled during the war and perhaps I
might be of service. I am familiar with the Spanish language, which I
believe Mr. Felton is not, and I should like to see something of the
country. Please tell me frankly if for any reason I would be de trop?”
Van Zandt’s luminous orbs are fixed on the fair face of Louise as he
awaits the answer to his question. For a moment her blue eyes return his
gaze. Then the golden-fringed lids fall and a soft blush mantles her
face.
“I certainly should not be averse to your joining our party,” she
murmurs softly, “if—if it be your pleasure.”
“Thank you,” Van Zandt returns, simply, and a moment after Miss Hathaway
retires to her stateroom.
“Well, Manada,” remarks Van Zandt, slapping the Cuban upon the back,
“your first engagement as supercargo must be rated a success, eh? The
arms and ammunition—the biggest single consignment ever sent from the
States, I think you said—have been safely delivered into the hands of
the insurgents, without the loss of a single Winchester or cartridge.
Why this pensive look?”
“Only thoughts of the past, senor. I was—”
What were Don Manada’s thoughts will never be known, for the people on
the yacht are electrified by the hail from the bridge, “Ship ahoy!”
followed a second later by the additional information, “Dead ahead and
bearing this way!”
“There is no special necessity for evading her now, whoever she is, I
presume, sir?” inquires Capt. Beals, removing his glasses from his eyes.
“None whatever,” is Van Zandt’s prompt reply. “Our papers are straight
and we have nothing contraband, unless it be the Don there. Let them
look us over if they wish.”
“She’s not a very large craft,” comments the taciturn executive officer
of the yacht, as the two vessels continue to lessen the distance between
them.
“Probably one of the blockading fleet,” is Van Zandt’s surmise.
He is evidently right, for the stranger at this point displays the
Spanish flag and at the same time the report of a cannon echoes across
the water.
“Show our colors,” orders Van Zandt, and the flag of the great republic
is caressed by the soft southern breeze. Another shot is fired from the
Spaniard, and as the Semiramis slows up a third cloud of white floats
from the side of the war vessel, followed by the sudden boom of a
heavier gun.
As the Semiramis steams slowly toward the Spaniard, now distant less
than a mile, a fourth report is heard.
“Shotted, by heaven!” ejaculates Capt. Beals, his eyes glued to the
glass; “and the Don has changed her course and is standing off to pepper
us. He is one of those tin-clad gunboats, only half our tonnage, and
pays no attention to our flag.” Still another shot is fired, and a solid
shot skips over the waves, barely two lengths astern of the yacht.
“Shall we ram him, sir? We can send him to Davy Jones’ locker in ten
minutes, and not harm the yacht, either.”
Van Zandt’s eyes glance aloft at the Stars and Stripes standing out
clear and free from the maintop, and then his eyes turn to the Spanish
gunboat.
“Steam toward him full speed,” he says at length, “and if he fires on
the American flag again”—the white teeth shut with an ominous click—“ram
him full amidship, let the consequences be what they may.”
But the flag is not fired upon again. The Spaniard has once more laid a
new course and is now bearing down full on the yacht. The two craft are
quickly within hailing distance, and from the gunboat comes the inquiry
in Spanish as to the name and character of the yacht.
“The Semiramis, pleasure craft, New York for Santiago,” is Capt. Beals’
reply.
The Spanish captain is profuse in apologies for firing on the yacht. She
closely resembles a rebel craft, he explains, and the gunboat was sure
she was that vessel, even if she did fly the American flag. Would the
Semiramis accept his most humble apologies? His gunboat, La Pinta, was
about to proceed to Santiago for orders; and if it please los Americanos
they might sail thither in company, which would insure the stranger
against the annoyance of being overhauled by some of the other numerous
Spanish vessels blockading the ports.
Van Zandt consults with Capt. Beals.
“He wants to make sure we don’t land anything,” remarks the latter. “It
might save some trouble to accompany him to Santiago.”
Yes, the Spaniard is informed, the American accepts the apology and the
escort of the gunboat to Santiago.
Before the brief southern twilight has drifted into night the Semiramis
is lying at anchor in the harbor of Santiago, under the guns of the
Spanish gunboat La Pinta.
------------------------------------------------------------------------
CHAPTER XXXIV.
A SPANISH BILL OF FARE.
“I want some soft-boiled eggs, but I don’t suppose you know a
soft-boiled egg from a gas stove, eh?”
The waiter at the hotel Royal, in Santiago, regards Jack Ashley with an
expression as blank as a brick wall.
“Don’t get the idea, I see,” remarks Ashley. “Well, let me think.
‘Huevos’ means eggs, I know that much, but what the deuce is
soft-boiled? I believe ‘blondo’ is soft, and soft eggs might express the
idea. ‘Blondo huevos,’” he tells the waiter, and the latter, though
apparently puzzled, disappears.
For the next ten minutes Jack is occupied in receiving and sending back
orders of eggs—eggs cooked in every conceivable style except
soft-boiled. Finally in despair he selects a dish nearest to his wants,
and gets along all right until he decides to have some chicken. An
examination of the bill of fare fails to discover anything that looks
like chicken, and the case appears hopeless.
“If I only had my phrase book with me I might do some business,” he
reflects. “As it is, I don’t see any way out of it except to draw a
picture of a chicken. Hold on; ‘gallina’ means hen, unless I have
forgotten my studies, and if there is anything consistent in the
linguistic diminutives of the Spanish language, ‘gallinoso’ must be the
equivalent for chicken.” So he orders “gallinoso” with a complacence
born of a problem happily solved.
The waiter simply stares and waits patiently.
“‘Gallinoso’ doesn’t go, then.” Ashley looks the bill of fare over
again. The most attractive item is “salchichas con aroz,” but he does
not dare risk that. Finally a happy thought occurs to him.
“Todos!” he orders. “Todos! Todos!” The waiter, with a grin of
intelligence, hurries away and Ashley heaves a sigh of relief. “Great
word, ‘todos,’” he soliloquizes. “Most significant word in the
language.”
It is effective, at least, for the waiter arrives with a little of
everything that the kitchen affords and Ashley manages to make out a
meal.
Meanwhile he has noticed that his efforts at Spanish have vastly
entertained a gentleman who sits at the table beyond and facing him.
Particularly broad was his smile when the order for “gallinoso” was
given. As Jack leisurely sorts out the most appetizing-looking of the
array of greasy viands, he remarks: “If you were as hungry as I, senor,
my attempts to secure a breakfast might strike you as being more tragic
than humorous.”
“I meant no offense,” replies the senor. “You would yourself smile if
you knew what ‘gallinoso’ is.”
“So? What may it be, an octopus or a mule?”
“Almost as bad as either. It is a turkey buzzard.”
“Ah, yes; they were probably just out of turkey buzzards. Oh, well, I’ll
get the hang of the language before I leave Cuba.”
“Undoubtedly. It is easy of acquisition. You have, I assume, provided
yourself with a phrase-book.”
“A magnificent affair. It contains every possible phrase except the ones
I have occasion to use.”
The two finish their repast about the same time, and as they stroll out
upon the veranda to enjoy the long, strong cigar that inevitably follows
a Cuban breakfast the senor remarks:
“You are an American, I judge.”
“New York,” is the terse response.
“Have you been in Cuba long?”
“About two hours.”
“Indeed? I was not aware that any steamers arrived to-day.”
“Because of the blockade, eh? But I dropped in on the cruiser America.”
“You are of the service?”
“No; I am just a plain American citizen.”
“Well, senor, this is hardly a desirable time for Americans or others to
visit Cuba.”
“An eminently proper time for one in my line of business,” replies
Ashley. “I am a newspaper correspondent.”
The senor looks the young man over critically. “Your profession is not
regarded with especial favor at present by the Spanish Government,” he
says.
“I understand so,” drawls Ashley. “Newspaper men have an unpleasant
habit of stating facts, something the government is not particularly
anxious to have abroad.”
A flush of annoyance mounts the senor’s face, and on the left cheek
Ashley for the first time notices a small, crescent-shaped scar.
“Aha!” he thinks. “This gentleman rather answers my friend Barker’s
description of the party who left New York with the fair Mrs. Harding.”
“The Government has no desire to conceal facts,” asserts the senor, with
some warmth, “but it naturally seeks to prevent the dissemination of
false, exaggerated or malicious reports. What journal do you represent,
senor?”
Ashley tenders his card. The senor glances at it and smiles
half-derisively. “The Hemisphere! I had that very journal in mind,” he
says.
“My paper must be excused from feeling flattered, then.”
“It was only a week or so ago,” continues the senor, “that I read in
your paper a sensational interview with a visionary enthusiast, which
was a little more exaggerated and absurd than the average.”
“That was before you left New York, probably,” ventures Ashley, and the
senor shoots a glance at him from a pair of keen black eyes. “You refer
to the interview with Don Manada,” goes on Ashley. “I had the pleasure
of placing the distinguished Cuban’s views before the public.”
“I am not surprised,” comments the senor, with quiet sarcasm.
“In other words you consider me a man who would deliberately put forth
false, exaggerated or malicious reports.”
“I did not say so, senor. I presume you are typical of your profession.”
“And I believe I am. Our journal, like every other decent paper, prints
the news. If it were to investigate every dispatch that comes to it day
by day there would be precious little information for the reader who
turns to it each morning. If an injustice is occasionally done, the
paper is ever willing to rectify its error and make all proper amends.
You must naturally expect the American newspapers to favor the
dispatches received from insurgent sources.”
“Why, pray?”
“For the reason that little dependence can be placed upon the statements
of the opposition. In fact,” smiles Ashley, “the situation approximates
somewhat the condition intimated in a joke now going the rounds of the
press. A Spanish captain in surrendering to superior numbers or prowess,
craves one boon at the hands of his conqueror. ‘What is it?’ asks the
latter. ‘Please announce the fact,’ requests the Spanish captain, ‘that
I have won an overwhelming victory.’”
The senor fails to see anything amusing in the jest. “Do you intend to
remain at Santiago?” he asks.
“For the present. The fighting appears to be principally at this end of
the island. Later I may push on to Havana.”
“There has been more than one instance of expulsion of foreign
correspondents, senor.”
“So I am told. Well, I shall do my duty, as well as I know how. I
naturally sympathize with the Cubans, but I shall not permit my
sympathies to lead me to color any reports of the war’s progress. If a
battle occurs to-morrow and the government forces are victorious, the
simple facts in the case will be forwarded, without further comment than
is required to make the story interesting. And if the Cubans win, the
same impartiality will characterize my dispatch. I expect the same fair
play that I extend. Is that not reasonable?”
“Well, at any rate, I like your frankness,” says the senor, with
something approaching good humor. “I also like America and admire its
people. Do your duty as you understand it, Senor Ashley, and should your
zeal as a correspondent lead you into difficulty perhaps I may be of
service to you.”
“Thank you,” acknowledges Jack. “But with my present limited means of
identifying you, I should be more likely to be garroted or shot before I
could send you word.”
The senor smiles. “I am Gen. Murillo,” he says. “Adios, Senor Ashley.”
And with a courtly bow the Spanish gentleman takes himself off.
“So,” muses Ashley, looking after the retreating figure. “Gen. Juan
Murillo, the chief of staff attached to the captain-general, is the
patron of the beautiful Harding. I remember the Hemisphere noted his
presence in New York. My lady’s services must be booked for something
out of the ordinary spy business. Murillo is in Santiago; so probably is
she, but if this city is her base of operations she is likely to sail
pretty close to the wind.
“Now, where on earth is Barker?” wonders Ashley. “Probably at the other
end of the island, while the objects of his quest are at this end. The
Semiramis rests serenely on the bosom of the bay, and Miss Hathaway and
Messrs. Felton and Van Zandt are either aboard of her or are somewhere
about the city. I believe I’ll go out to the yacht and settle the
question in my mind.”
And he does. He is rowed out over the blazing sea by a sun-cured
barquero and climbs to the deck of the Semiramis.
“Mr. Van Zandt?” repeats Capt. Beals, in response to Ashley’s inquiry.
“Left yesterday, sir: Where? Havana, I believe the destination was.”
“And his passengers?” ventures Ashley. “I am a friend of theirs,” he
explains to Mr. Beals.
“His passengers went with him,” the latter tells him.
Ashley is about to return to shore when he hears an exclamation and he
sees coming toward him Don Rafael Manada, the distinguished member of
the Cuban revolutionary society.
“Dios mio! Senor Ashley, I am delighted to see you,” exclaims the
volatile Manada, embracing him warmly. “What brings you here?”
“Business, my dear Don Manada, I am at present officiating as a war
correspondent. Will you not come ashore and take dinner with me?”
“A thousand thanks, Senor Ashley; but,” with a smile intended to be
significant, “I believe it would be wise for me to remain here for the
present.”
“By the way,” says Ashley, “you recollect that interview at the Fifth
Avenue hotel a week or so ago?” Manada nods smilingly. “Well, I met a
gentleman to-day who spoke rather slightingly of the views which you
therein expressed. Perhaps you know him. Gen. Murillo.”
“Murillo!” cries the Cuban. “Ha! Is he in Santiago?”
“He was half an hour ago.”
“Was he alone? That is, was he not accompanied—”
“By the fair Mrs. Harding?” supplies Ashley.
Manada’s face flushes. “Ah, you know her?” he says.
“Slightly,” returns Jack. “No; Mrs. Harding was not with the general,
though she may be in the neighborhood. They left New York together. Now,
Don Manada, having imparted some information to you, I should esteem it
a great favor if you would reciprocate.” Ashley glances about and
notices that they are out of hearing. “I will not ask you why you happen
to be on the Semiramis, as I have no disposition to pry into your
affairs, but I should like to know how Mr. Felton and Miss Hathaway came
to be aboard of the yacht?”
Manada shrugs his shoulders. “I have not an idea,” he says. “An hour
before the Semiramis sailed they were driven to the pier in company with
the owner of the yacht. Where they came from I cannot say.”
“Did they appear to be well acquainted with one another?”
“Very nearly strangers, I should say. Senor Felton kept his stateroom
during nearly all the voyage and seemed to avoid Senor Van Zandt.”
Ashley is now getting some information of decided interest. “And Miss
Hathaway? Did she appear to share the distrust or dislike?”
“Quite the contrary. They were together about all the time.”
“Now, Don Manada, there is one query I should like to put to you.”
“Come,” smiles Manada, “I can guess what your question is to be.”
“I will save you the trouble and ask it. As a man of years and
experience, of keen discernment and calm conclusions, what should you
say were the precise relations existing between Phillip Van Zandt and
Louise Hathaway?”
Manada appears to reflect deeply. Then he says, with a gravity belied by
the twinkle in his eyes: “Serious, my dear Senor Ashley; very serious.”
“Thank you,” responds Ashley. “Well, I believe I’ll go ashore and get
better acquainted with the natives. I hope to see you again, Don
Manada.”
“I shall probably be here until the yacht leaves, senor. Adios.”
As Ashley is borne shoreward he digests the information extracted from
his Cuban friend.
“So far as Miss Hathaway’s tender regard is concerned, I appear to be a
rank outsider,” he soliloquizes. “But I have the consolation of knowing
that I did not permit myself to fall in love with her. Rather a
melancholy consolation, but philosophy was invented for just such cases
as this.
“And Van Zandt. Well, Barker can doubt as much as he pleases, but I will
stake my reputation as a soothsayer that Van Zandt and Ernest Stanley
are one and the same man. And if Phillip Van Zandt is not a Nemesis,
stalking on the trail of his prospective victim or victims, then I am
indeed a prophet unworthy of honor in ‘mine ain countree’ or in the
world at large.”
------------------------------------------------------------------------
CHAPTER XXXV.
A CAFE QUARREL.
“I suppose this is the Madison Square of Santiago,” remarks Jack Ashley,
as he notes approvingly the brilliant spectacle which the plaza affords,
now that the tropic night is atoning for the enervating heat of the
tropic afternoon. Santiago, like all Cuban cities, wakes up measurably
early, bustles about for three hours or so, and then dozes or fans
itself until the sun drops into the sea and night comes with scarcely a
shadow of twilight.
And then Santiago wakes again with a start, and for a few more hours
laughs and chatters, promenades and flirts until about 10 o’clock, when
the curtain falls, not to rise again until the sun is well up the
morning sky.
The nightly gathering on the plaza has been tersely described as “a
scene of shoulders, arms, trains, jewels and cascarilla.”
The women monopolize the plaza and the men the cafe, the latter a simple
interior, a mere loafing-place for the Cuban, whose capacities as an
idler are the result of many years’ practice in the gentle art of doing
nothing.
Into one of the cafés that border the panorama of gayety strolls Ashley.
The place is crowded, but over in the farthest corner he sees a table at
which only one person is seated. Toward this he threads his way, but
when almost there his progress is impeded by a party of four who are
taking up more space than the law of equality allows.
“Pardon me,” remarks Jack, as he brushes past the chair of an
unamiable-appearing individual in undress military attire. The latter
moves reluctantly and growls something which Ashley suspects is not
complimentary, and as he drops into a seat he asks the gentleman across
the table: “Do you speak English, sir?”
“Occasionally,” is the brief rejoinder.
“Then would you oblige me by translating the remark of the chap whose
repose I just disturbed?”
“It’s of no consequence,” replies the other. “An impertinence upon
Americans. The feeling against that people is very bitter in Santiago
just now. The United States is suspected of encouraging practically as
well as morally the present insurrection.”
“Perhaps I had better go over and punch his head,” observes Ashley. “His
suspicions might be better grounded.”
“It would be a waste of time and perhaps lead to a general row. He is
only a Spanish captain who has invested his title with more importance
than would suffice for the entire service. Spanish captains are as
plentiful as Kentucky colonels.”
“You speak by the card,” laughs Ashley, as he orders a glass of jerez
and a cigar. “Your English, too, is as pure as a New Yorker’s—or perhaps
I should say as un-foreign. Pure English is not a drug in the New York
market.”
“I have resided in New York, as well as other parts of the United
States. But after a short residence on this island a man drifts into the
indolence and shiftlessness of the natives and loses much of his
identity.”
“He does not lose his Americanism, I hope.”
“No; the same thrill comes over him when he sees the most beautiful of
all flags streaming out on the breeze, and with it is increased his
sense of the outrageous wrongs which the Cuban has suffered from
generation to generation.”
Ashley has been looking his acquaintance over with much interest, and
the result of his “sizing up” is as follows:
Age, about Ashley’s own; above the medium height, athletic of build, and
straight as the proverbial arrow; general air denoting decision, dash,
and a bit of recklessness. His garments are dark and somewhat
travel-worn, and on his head, pulled down well over his eyes, he wears a
soft hat that borders on the sombrero.
Just now he is scowling at the party of four near by, who are making
merry apparently at the expense of the two young men.
“As I said before,” observes Ashley, “if you will kindly translate the
remarks of yonder chaps it will afford me considerable satisfaction to
call them to order. Ah, if I could only tell them in Spanish what I
think of them in English,” he adds, recollecting an old opera-bouffe
jest.
Ashley’s acquaintance is evidently making an effort to keep his temper,
but his resentment is apparent in the flash of his eyes and the red spot
in each cheek.
“By Jove!” suddenly reflects Ashley, “perhaps our military friend
understands English. I’ll try him.” Then to the apparent leading spirit
of the quartet, who has just delivered himself of a sally that vastly
amuses his companions, Ashley leans over and drawls: “Pardon me, senor,
am I the subject of your mirth?”
The Spaniard may understand, but he makes no sign. The quartet set down
their glasses and stare at the self-possessed young man who has risen
and walked to their table and whose mild blue eyes run over the party in
calm inquiry. And the young man notes that the time-killers for many
tables around have ceased their chatter for the moment and are watching
curiously the progress of the colloquy.
“I have reason to suspect,” goes on Ashley, “that you are making a
beastly nuisance of yourself, and unless you are anxious for a good
American thrashing I would advise you to keep a civil tongue from now
on. If you don’t understand that I’ll knock it through your head in
short order.”
The reply is a volley of red-hot Castilian, but Ashley is saved the
trouble of attempting to comprehend it. For at this moment a long arm
reaches by him and the Spanish captain is dealt a slap across the mouth
that transforms his teeth for an instant into castanets.
Then there is confusion. The quartet spring to their feet and one of
them seizes a bottle. But Ashley grips the uplifted arm with a wrist of
steel and remarks in tones that carry conviction: “Easy, my friend, or
I’ll throw you through the side of the house.”
The idlers in the cafe crowd about the combatants and the proprietor
rushes up and protests against the disorder.
The Spanish captain and Ashley’s friend glare at each other, and the
latter, after pronouncing the words “Hotel Royal” with a significance
appreciated by his antagonist, slips his arm through Ashley’s and draws
him from the cafe.
“Whither?” queries Jack, as they proceed down the street.
“To the Hotel Royal. I am stopping there for the night. And you?”
“Same cheerful hostelry. Is it the worst in Cuba?”
“The worst and the best. They are all off the same piece.”
“Will you come up to my room?” asks he of the black eyes, when the hotel
is reached. “We shall doubtless be waited upon presently.”
“By our Spanish friend?”
“By his representative, more likely.”
“But how is he to locate you?” questions Ashley. “No pasteboards were
exchanged.”
His companion smiles sardonically. “Capt. Raymon Huerta and I are not
strangers,” he says.
Even as he speaks there is a rap at the door and as it is thrown open in
strides one of the Spanish quartet.
“Well, Senor Cardena,” says the young man with the black eyes, glancing
at the bit of pasteboard in his hand, “what is your pleasure?”
“What, Senor Navarro, you may expect,” replies Cardena, declining
stiffly the proffered chair. “Capt. Huerta demands satisfaction for the
insult offered to him.”
“Not only offered, but delivered,” mutters Ashley, and he returns in
kind Cardena’s impertinent glance. “So my unknown friend’s name is
Navarro,” he thinks.
“You may convey to Capt. Huerta my willingness to afford him the desired
redress,” says Navarro. “How will sunrise, on the beach below the city,
answer?”
“I am authorized to make the necessary arrangements. What you have
proposed will be satisfactory. And the weapons?”
“Pistols, I suppose; I am provided with one.”
“Hold on,” puts in Ashley. “I have just the article. Excuse me a moment,
gentlemen.” Repairing to his room he extracts from his trunk two superb
Smith & Wesson 38-caliber revolvers, and these he submits to Cardena and
Navarro. Senor Cardena professes himself to be satisfied with the
weapons and, with a perfunctory “Adios,” he withdraws.
When he has gone Navarro tosses his arms impatiently and murmurs: “What
a fool I am.”
“All men are or have been at some period,” Ashley assures him. “But what
gives rise to your present self-accusation?”
“The thought that I permitted my temper to play the mischief with my
judgment,” is the gloomy reply. “A man has the right to risk his own
life, but not the life, or what is dearer than life, of those whose
interests he is intrusted with.”
“See here,” Ashley gently protests, “if there is any fighting to be done
why not let me have the job? I began the row—”
“And I finished it. No, my friend, this affair must go on to the bitter
end. Although, as you rightly suspected, you were the ostensible object
of the remarks of the party at the cafe, they were in reality directed
toward me. It was inevitable that Capt. Huerta and I should cross,
though I might have to-night avoided a meeting which would better be
left to the future. May I request you to second me in the meeting?”
“Assuredly, Senor Navarro. That is your name, I judge?”
“Yes; Emilio Navarro—quite Spanish, you see,” with a peculiar smile.
“And your name?”
“Jack Ashley; residence, New York; occupation, newspaper man; paper, the
Hemisphere; ever heard of it?”
“The newspaper is not a stranger to me. Pardon me a few minutes,” says
Navarro, and he occupies himself in writing a somewhat lengthy letter,
which he seals, without addressing, and hands to Ashley.
“Ashley, you are a man of honor,” he says, laying one hand upon the
newspaper man’s shoulder. “Promise me that if anything happens to me
to-morrow you will deliver that letter to a name I will whisper to you.”
“I shall do so with profound regret, sir. The name?”
“Don Manuel de Quesada. He resides in the Pueblo de Olivet, on the edge
of Santos, four miles west of Santiago.”
Ashley places the letter in his pocket. “I will not fail you, if the
occasion for my services should arise. But unless Huerta is more
familiar with the American revolver than I believe him to be, I shall
have the happiness of returning this document to you after you have
filled him full of leaden satisfaction. How are you on the shoot,
anyway?”
Navarro smiles grimly. “I have hit a playing card at fifty yards,” he
says.
“Oh, well; that’s close enough marksmanship. I am beginning to feel
sorry for Huerta.”
“Save your sympathy. I shall not kill him. And now, friend Ashley, I
believe I’ll go to bed. I have been riding all day and I am as tired as
a dog. At daylight we start.”
“At daylight it is. It is not too late to accept my offer to exchange
places with you. I can’t hit a playing card at fifty yards, but at least
I am alone in the world, and, barring a few excellent friends, would not
be especially missed. It is as much my quarrel as yours, you know.”
“My dear Ashley,” says Navarro, with much emotion, “I am deeply sensible
of the goodness of heart that prompts your offer, but, I repeat, this
affair must proceed as it has begun.”
“Well, good-night to you, then,” says Ashley, and he goes off to bed,
wondering what manner of man is he who speaks of a thrill at the sight
of the most beautiful of all flags streaming out upon the breeze, and
yet claims the distinctly Spanish name of Emilio Navarro.
------------------------------------------------------------------------
CHAPTER XXXVI.
JUANITA.
The sun is creeping up the range of hills when Ashley and Navarro leave
the Hotel Royal and set forth at a smart pace for the meeting with Capt.
Raymon Huerta. Ashley is in his usual good spirits, and the enlivening
influence of his society is appreciated by Navarro, whose thoughts are
plainly of a dejected nature.
Half a mile or more down the beach that stretches east of the city three
men are in waiting. Two of them are Capt. Huerta and Senor Cardena; the
third is evidently a surgeon.
The preliminaries for the exchange of shots are quickly arranged.
Ashley, with the fifty-yards range in mind, proposes the comfortable
distance of twenty-five paces, and Cardena assents. Then the revolvers
are handed out and carefully scrutinized, and Huerta and Navarro face
each other on the sands.
“How’s your nerve, old man?” Ashley asks Navarro, as he gives the
latter’s hand an encouraging squeeze.
“Steady,” is the response, in low tones.
“Good.”
“Remember the letter,” admonishes Navarro, and as Ashley nods and steps
back the duelists signal that they are ready.
A minute later two shots startle into flight a flock of sea gulls that
have been hovering along the shore.
With the echoes Capt. Huerta staggers and is immediately taken in charge
by the watchful Cardena and the medico.
“Not scratched, eh?” Ashley inquires of Navarro.
“No; but the lead passed close enough for comfort. Unless my aim was
poor, Huerta is not seriously hurt. To have killed him would have been
to invite serious entanglement.”
Nor is the Spanish captain in any immediate danger of parting with
existence. The bullet has plowed through the right shoulder, causing a
ragged wound and a great flow of blood, but a few days will put him on
his feet again, the surgeon reports to Cardena. Wounded honor is
satisfied by the physical wound, and after a brief announcement of this
fact and a stiff “Adios” the Spaniards drive away, and Navarro and his
American friend are left upon the beach.
“Any trouble with the authorities likely?” Ashley queries, as the two
turn cityward.
“I think not. Huerta is a thorough-paced scoundrel, but he has never
been accused of being a coward or an informer.”
A great change has come over Navarro. His eye is bright and his step
elastic and he tells Ashley, as they stride along in the cool air of the
morning, that he is terribly hungry and would appreciate a good
breakfast.
As good a meal as Cuba affords is forthcoming, and as Ashley suddenly
recollects the now happily unnecessary letter to Don Quesada, Navarro
tears it into fragments and says abruptly:
“Ashley, amigo, have you ever seen the Pearl of the Antilles?”
“No; I haven’t been in Santiago quite twenty-four hours yet. You mean
the insurgent cruiser?”
“Ah, no; I mean the most beautiful girl in Cuba. She is the daughter of
Don Manuel de Quesada, and is at once the joy and the despair of half
the unmarried jeunesse doree of Santiago. Would you like to meet her?”
“By all means. Next to a good horse and a trim yacht, I know of nothing
that interests me more than a beautiful woman.”
“Good. I am going out to La Quinta de Quesada. Hunt up a horse and
accompany me.”
Navarro is already provided with a steed, a magnificent black animal
that interests Ashley far more than the prospects of the acquaintance of
the Pearl of the Antilles. “Came into my possession yesterday,” Navarro
tells him. “Isn’t he a beauty?”
“He is that,” is Jack’s appreciative reply. “If you run across his mate
put me in the way of acquiring him and I will do my war correspondence
in the saddle.”
Ashley succeeds in chartering a fairly presentable beast for the day,
and the two young men set out for Santos in the best of spirits. They
are in no hurry and the ride of something over four miles through El
Valle de Bosque Cillos, the wooded valley, occupies an hour.
Passing through Santos, which is one of the smallest of villages,
embracing only a jail, a church and a score of dwellings, the travelers
take the road to La Quinta de Quesada, which is located in the center of
the Pueblo de Olivet.
The Quinta is a square, two-storied affair and the principal material in
its construction is coral stone. The inevitable and grateful veranda
stretches around three sides and an air of quiet luxury is evident in
the spacious house and its attractive surroundings.
As Navarro and Ashley ride slowly up the shaded carriage way and turn
suddenly in sight of the quinta, the first objects that greet Jack’s
vision are two young people in one of the hammocks on the veranda. A
young man’s arm encircles a young lady’s waist and the attitude of the
pair suggests either the relations of lovers or of brother and sister.
They start up in some confusion upon the advent of a stranger and come
forward to greet Navarro. When the latter dismounts the young man
embraces him warmly and Navarro, as he rests one arm affectionately
about the youth’s shoulders, says to Ashley: “My younger brother, Don
Carlos.” Then he turns to the young lady:
“Juanita, I want you to know my friend, Senor Jack Ashley of New York.
Senor Ashley, La Senorita de Quesada.”
Ashley has slid from his horse and his acknowledgment of the
introduction is rather less debonair than usual; because, as he
confesses afterward to himself, he is somewhat confused by the beauty of
the young woman, who gives him her hand and tells him that the quinta
has no friends more welcome than Don Emilio.
And here is an outline of Juanita de Quesada, the Pearl of the Antilles,
as sketched rapidly but indelibly upon the tablets of Jack Ashley’s
memory:
She is 20 or thereabouts, and is considerably below the medium height.
The proportions of her slender yet full form are as perfect as nature
ever molds. Her face is oval, and her complexion a soft, creamy olive.
Evidences of her race are in the lead-black hair, the dark, dreamy eyes
of liquid fire, the rather large, tremulous mouth, with its scarlet
lips, and the completing perfection of Cuban loveliness, the dainty
little feet with the incomparable arches. All Cuban women are not
beautiful, but as Ashley looks upon the present picture he decides that
the imperfections of her sisters are amply compensated for by the
dazzling loveliness of the Senorita de Quesada. “She is glorious,” he
thinks; and then: “I wonder if she knows anything.”
Hardly less striking, though dissimilar in character, is the beauty of
Don Carlos Navarro. He is a slender youth, with dark-brown eyes and
curly hair, and if it were not for the effeminacy of his regular
features he would receive the critical approval of the New Yorker. As it
is, Ashley confesses that Juanita and Don Carlos are the handsomest
young pair he ever set eyes upon, and he wonders what may be the
relationship existing between them. For Carlos is no more Spanish in
appearance than his brother Emilio.
“Where is Don Quesada?” asks Navarro, when the party have disposed
themselves upon the veranda.
“With his books and papers, as usual,” replies Carlos, with a
significant glance at his brother. “Come, I will take you to him. He
will be overjoyed to greet you. It is nearly two weeks, Emilio, since we
last saw you.”
“And it may be much longer than two weeks ere you see me again,” says
Navarro, as he follows Carlos into the house.
Ashley finds himself vastly interested in the young lady with whom he
has been left tete-a-tete. He learns that she has not a near relative
save her father (Carlos must then be her lover); that she is no stranger
to the United States, having resided in New York two years; that she
loves America and everything American; that, were it not that her
father’s interests necessitated a residence in Cuba, she would like to
live always in America; and much more information, imparted in a quiet,
dignified manner which Jack is positive was acquired by her short stay
in the land of the free and the home of the enterprising.
All too soon comes the interruption of luncheon, and Ashley is presented
to Don Manuel de Quesada. Jack takes a good, square look at the tall,
spare, elderly man who grasps his hand warmly and tells him that he is
always proud and happy to meet an American.
Don Quesada is a typical Cuban in appearance; his bearing is
distinguished and his manner partakes of the dignity and repose of his
daughter. But there is a certain weakness about the mouth that Ashley at
once notes.
However, Don Quesada is cordiality itself, and after lunch the three men
adjourn to the library for a smoke, Carlos and Juanita taking themselves
off for a ramble through the park.
The conversation drifts naturally to a discussion of the patriotic
uprising which has almost attained the proportions of a revolution that
promises to be as successful as the struggle for independence of the
American colonists. The talk is general, and Ashley surprises his
companions by remarking abruptly:
“By the way, Don Quesada, before I left America it was hinted to me by
an influential member of the Cuban revolutionary society that the
President of the Provisional Republic of Cuba is a resident of
Santiago.”
“Ah?” says Quesada, inquiringly.
“That is, I suppose Santos may be considered a part of Santiago.”
Quesada and Navarro look at each other meaningly.
“In other words, that this President is none other than yourself, Don
Quesada,” continues Ashley; and without waiting for a reply to this
direct speech he goes on:
“I tell you only what, as I say, was intimated to me in the strictest
confidence. I shall not ask for a confirmation or a contradiction; I am
not thinking of interviewing you. I am an American and the
representative of an American newspaper. As such, I am supposed, while
in Cuba, to maintain a neutrality. I had intended, before I met Don
Navarro, to call upon you in a professional capacity, but now I find
myself your guest. It is for you to say what is your pleasure in the
matter.”
Don Quesada studies keenly the face of the war correspondent, but reads
only sincerity in the frank blue eyes. Then he looks at Navarro and the
latter extends his hand to Jack.
“Ashley, I believe we understand one another,” he says. “There is no
need of further explanations. If there is any interviewing to be done,
you can operate on me. I believe Don Quesada will willingly allow me to
submit to the ordeal.”
“I will be merciful,” smiles Ashley. “But before I proceed further,
permit me to present the vouchers for my discretion and reliability,”
and he passes over a letter which relieves Don Quesada of any possible
distrust of his acquaintance of a few hours.
It is late in the afternoon when Navarro announces that he must depart.
Ashley is courteously invited to enjoy for as long a time as he may care
to the hospitality of the quinta, but duty demands his presence at
Santiago until he gets his affairs into shape. However, he promises to
call frequently while he is in this part of the country, a pledge he
anticipates much pleasure in fulfilling. And as he rides away with
Navarro his usually cool head is disturbed by speculations as to the
probable relations between Don Carlos Navarro and Juanita de Quesada.
“By the way, Navarro,” he says, suddenly to his companion, “is there any
likelihood of my ever chancing upon El Terredo, the mysterious
revolutionary leader whom we were discussing this afternoon?”
“Possibly,” is the reply. The travelers have reached a fork in the road,
about half-way between Santos and Santiago.
“My path lies yonder,” says Navarro, pointing to the north. “We must
part here.”
“Well, take care of yourself,” remarks Ashley, gripping the extended
hand.
Navarro rides slowly away, but he has not gone five yards when he checks
his horse and turns in his saddle.
“Would you like to see El Terredo?” he asks, with a smile.
“It would satisfy my curiosity,” is Ashley’s prompt response.
“Then, my friend, take your first look, and the last for many days, if
not forever. For I am El Terredo!”
Waving his hat with a graceful sweep Navarro rides away to the
mountains.
------------------------------------------------------------------------
CHAPTER XXXVII.
ONE WAY TO GET TO CUBA.
“Whew!” For the nineteenth time John Barker gives utterance to the
expressive exclamation, as he mops his perspiring forehead.
The detective is seated in the parlor car of the Florida express, which
has just left Jacksonville, and is being whirled along toward Tampa Bay.
He soon indulges in a nap, while the train rumbles on, by the scattered
negro huts, with their ebon-hued occupants drawn up in solemn array to
watch the flying cars, through the dense forests of moss-entwined trees,
across the trestle-spanned marshes and mud-colored rivers.
Barker is dreaming of a hand-to-hand encounter with Cyrus Felton,
wherein the latter has succeeded in clasping the handcuffs about his
(Barker’s) neck and is slowly but surely rendering futile his breathing
apparatus, when the porter’s voice calling out “Tampa Bay” recalls him
to his senses.
The single hotel at Tampa Bay, Barker subsequently finds, is not a
half-bad institution, judged by the midnight inspection, and
ascertaining from the clerk that the steamer for Key West does not sail
until 3 o’clock the following afternoon, the detective retires in the
confident belief that he has overtaken Mrs. Harding at least.
Barker is right in his surmise. He has nearly finished his breakfast the
next morning, when the striking figure of Mrs. Harding enters the
dining-room and is escorted by the obsequious waiter to the table at
which the detective is seated. The latter lingers long over his coffee
and muffins, while he improves the opportunity of studying his
vis-a-vis.
“Handsome as a queen,” is his conclusion, as the glorious black eyes
glance idly into his. But there is a tinge of melancholy in her face, a
preoccupation in her manner, that does not escape the observation of the
detective, and at which he wonders.
“It cannot be that the military chap has given her the go-by,” he
thinks.
He has not, for at this moment the soldierly form of the Spaniard enters
the room and he is directed to a seat beside Mrs. Harding.
“Nothing very lover-like in their greeting,” ruminates Barker, as the
two exchange salutations. “Since they are to be fellow-passengers on the
boat to Key West and Havana I will postpone my interview until then.”
Barker strolls out upon the hotel veranda.
“How long does it take to run to Havana?” he inquires, casually, of the
porter.
“About a ten hours’ sail from Key West, when the steamers are running,”
he is told.
“When the steamers are running? Are they not running now?”
“No, sir; they run only as far as Key West now, since the blockade was
declared.”
Barker paces slowly up and down the veranda.
“Well, I must be hoodooed,” he mutters; “that does settle it. Here I’ve
raced 1,700 miles to head off my game, only to be foiled by a measly
blockade. I can’t stand it to charter a ship, and it looks mightily as
if Cyrus Felton was going to slip through my hands. But how are my lady
and the Spanish-looking chap to get there? I will go to Key West at any
rate. There may be some way to cross the channel from there.”
The detective is not in cheerful spirits as he boards the steamer, but
he feels a shade of satisfaction while noting Mrs. Harding and her
cavalier ascend the gang-plank just before the signal for departure is
given.
“We will have a little tete-a-tete by and by, my lady,” he murmurs. But,
greatly to the detective’s disappointment, Mrs. Harding does not emerge
from her stateroom until the steamer has sighted the yellow stretch of
sand that marks the entrance to the harbor of Key West.
“Well, we shall either be fellow-voyagers again, or ‘on a tropical isle
we’ll sit and smile,’” reflects Barker, philosophically.
Determined that he will not lose sight of the charming Mrs. Harding
again, Barker loiters about the steamer until she trips across the
gang-plank, the last passenger to disembark. Her traveling companion has
preceded her nearly half an hour, and Barker wonders again if they have
parted company. Their baggage, he observes, is still on the pier, and
even as Mrs. Harding steps ashore Barker sees the Spaniard coming
rapidly toward her. He conducts her to the opposite side of the wharf,
where is moored a neat little steam launch, manned by a number of
sailors in the uniform of the Spanish navy. The baggage upon which
Barker’s watchful eyes are fixed is quickly conveyed aboard the launch,
Mrs. Harding follows, still escorted by the military-appearing stranger,
and a moment later the little craft shoots out from the dock and makes
for a man-of-war lying at anchor in the harbor and flying the Spanish
colors.
Mr. Barker’s last opportunity for a tete-a-tete with “my lady” has
vanished.
The detective watches the launch until it vanishes behind the bow of the
warship, but words fail utterly to express his feelings. He mechanically
picks up his grip and suffers himself to be conducted by an enterprising
Bahaman to the American hotel, picturesquely surrounded by tropical
shrubs and plants.
“Well, Barker,” the detective communes with himself, “it looks decidedly
as if my lady possessed a slight advantage in having a man-of-war at her
call. But with all that fleet of boats in the harbor it does seem that
there should be one bound for Cuba. How to hit that particular one is
the question.”
He strolls down the broad street to the harbor front, and from a wharf
wistfully gazes at the Spanish man-of-war now nearly hull down on the
horizon bearing away his fair fellow-voyager. A tanned and
weather-beaten son of Neptune is making fast a small sloop, whose name
Barker notes with idle curiosity is emblazoned in generous letters on
her stern, “Cayo Hueso.”
“Say, my good fellow,” he says, “you don’t happen to know of any way to
reach Havana, do you? Are any of these vessels likely to sail for that
port within a day or two?”
He of the weather-beaten face finishes making fast the little sloop
without answering, and then slowly turns and looks at Barker. The gaze
is a long and searching one, but apparently it is satisfactory.
“There’s one way to reach Cuba, I reckon,” he says, with a pronounced
nasal twang. “That is, if you are sailor enough to stand that sloop and
wise enough to keep your mouth shut on occasions.”
Barker surveys the little craft doubtfully. She is of perhaps five tons’
burden, and looks old and risky.
“I could stand the sail if the boat is seaworthy, and I am anxious to
reach Havana,” he finally says. “When do you sail?”
“At 6 o’clock. The Cayo don’t go clear to Cuba, only about half-way
across the channel. But we can put you aboard another craft that will
land you in Havana. Got any baggage?”
Barker meditates a moment. “How long will it take to make the passage?”
he inquires.
“Wall, if this wind holds you ought to be in Havana by to-morrow night.
It will cost you—say, $25.”
Barker’s decision is made. “I’ll chance it,” he says. “I’ll be here at 6
o’clock.”
On his return to the Cayo Hueso, the detective finds the crew of three
already aboard and his sailor friend preparing to cast off. He ruefully
surveys the small craft and thinks of the 120-mile trip, but there is no
alternative and he clambers aboard.
As the sails are hoisted Barker is amazed by the rate at which the
little craft speeds out of the harbor. There is always a breeze on the
keys, the captain of the Cayo tells him.
Soon the sea begins to growl a bit and Barker does not like it. As the
breeze freshens, the commotion beneath his vest increases.
“Just the kind of a breeze for a run across, eh?” remarks the man at the
tiller, with a voice that sounds to Barker like the rasp of a new saw.
“I dunno,” replies the detective, whose face is rapidly becoming
“sicklied o’er with the pale cast of thought.”
But the little vessel continues to spin over the waters, as darkness
settles upon the sea.
The stars are paling in the heavens and the gray dawn is creeping
athwart the sloop, when Barker awakens from a troubled nap and struggles
into a sitting posture. He sees only the bare horizon, the ocean lying
black and leaden and wrinkled like an old man’s face. There is no boat
in sight, he thinks; they are not yet half-way to the Cuban shore.
But there is a boat in sight. Hull down to the east, imperceptible to
his untrained eye, a delicate pearl shaft hangs like a pendant just on
the horizon. For a time it seems dim and visionary; then even Barker,
did he possess sufficient ambition to lift his head again, could see a
duplicate of the sloop lazily crawling toward her, and, within half an
hour, come alongside the Cayo Hueso.
At once certain mysterious boxes and casks, chiefly the latter, are
transferred from one boat to the other. Then Barker laboriously and
disconsolately steps from the Cayo Hueso to the strange boat, while his
weather-beaten friend communes with the captain of the latter. His
destination is a matter of supremest indifference to the detective. He
manfully strives to hold up his head while the exchange of salutations
is made, fails and sinks passively into the bottom of the boat.
The sun is gilding Maro castle as the little craft enters the harbor of
Havana.
“A remarkably quick passage,” says the captain in Spanish, as the sloop
is being moored to a dilapidated wharf in an obscure portion of the
water front.
Barker struggles to his feet. “Are we in Havana?” he inquires in
Spanish, a trifle rusty, but still intelligible.
“Si, senor.”
“Thank heaven!” is the pious ejaculation of the detective. “I’ll live
and die in Cuba before I’ll every trust myself in a cockleshell like
that again.”
------------------------------------------------------------------------
CHAPTER XXXVIII.
A SOLDIER OF CASTILE.
“Heavens! They have just sized up my condition and sent an ambulance,”
Barker grunts, as his eyes rest for the first time on that marvel of
vehicular construction, a Cuban volante, which the good-natured captain
of the sloop has secured for his late passenger.
But before he clambers into the conveyance the detective, whose
professional instincts are now awakening, ascertains from the driver
that the American steamer City of Havana has not yet arrived, although
due that morning.
Barker begins to feel better. “Things seem to be coming my way at last,”
he thinks complacently. “I’ll take no chances this time. John Barker,
detective, will be the first to greet Cyrus Felton when that gentleman
steps on Cuban soil. Now for the hotel and a bath, a visit to the
American consul and then to the wharf of the Red Star Line, wherever
that is.”
It is a very different individual from the woebegone passenger on the
little smuggler that three hours later lounges about the dimly lighted
freight sheds of the American Steamship Line, awaiting the arrival of
the overdue vessel. “Richard’s himself again,” he remarks; “or will be
when his long-neglected appetite is appeased. I hope the City of Havana
will not keep me up all night.”
The night wears on—the longest, Barker assures himself, with one
exception, that he ever knew, and the sun is well above the horizon ere
his heart is cheered by the boom of a cannon on Moro castle, announcing
the arrival of a foreign vessel. It is the American liner, and by the
time the various custom officers, summoned by the signal gun, have
arrived on the wharf, the steamer is being moored to the pier.
Barker has taken a position where he can command a view of the
gang-plank, and with a grim smile he awaits the disembarking of the
passengers. There are not many. A few Havana business men, a score or
two of Cubans, three or four Spanish officers and half a dozen Americans
cross the plank, and then there is a lull in the procession.
Barker’s smile fades and there is a suspicion of anxiety in his
expression as the tall, slim form of Cyrus Felton does not appear.
“Perhaps he is sick,” the detective thinks. “I will go aboard and
inquire of the purser.”
No; there was no passenger on this trip named Felton, that officer
states, running his eye down the rather abbreviated passenger list.
Barker stares vacantly at the purser. Rapidly there passes through his
mind the circumstances preceding his interesting journey to Havana—the
departure of Felton and Miss Hathaway from the St. James; his (Barker’s)
hurried trip to Key West; the unavailing effort to interview Mrs.
Harding; the voyage in the smuggler to Havana; last night’s long and
weary vigil.
And Felton did not sail on the City of Havana after all!
Without a word of thanks to the courteous purser, the detective slowly
turns and retraces his steps. He walks aimlessly from the wharf, his
disappointment for the time being too bitter for expression.
But John Barker, whatever his errors of judgment, is a clear-minded,
persistent man, and after a half-hour’s walk in the enervating
atmosphere of a Havana midday he pulls himself up with a start.
“Well,” he says as he wipes the perspiration from his face, “I’m euchred
this time, it appears, and must make the best of it. But this is the
deciding trick, and by heaven,” the detective grinds his teeth, “I will
track Cyrus Felton down if it takes the rest of my life! I have it! I’ll
see if the son, Ralph Felton, is actually here, as Ashley believes. If
he is, I will at least have something to show for my trip to this
awfully hot hole. Now for something to eat at the grand hotel Pasaje, if
I can find the way. It’s mighty lucky I know some Spanish.”
The shadows are lengthening toward night when Barker awakens from the
sound slumber into which his “siesta” after a comfortable meal has
developed. He is feeling greatly refreshed and ready to pick up again
the tangled threads of the trail that he has followed so far.
“Now for a little stroll about the city, to see what the place is like,”
he thinks, as he lights a cigar and saunters down the broad street.
Half an hour later, Barker has strayed farther from the hotel than he
realizes and has unwittingly penetrated into the most disreputable
quarter of Havana. For a brief rest he enters a cafe, and seating
himself at a table in a corner of a room orders a light drink,
absent-mindedly speaking in English.
Two dark-browed, yellow-skinned Cubans, who have been conversing
earnestly in low tones at a table adjoining Barker’s, glower at the
newcomer, but as he gives his order to the waiter in English they resume
their interrupted conversation. Barker idly sips his jerez and wonders
what Jack Ashley will say on receiving the letter he left for him in New
York.
Suddenly the word “Americano,” hissed by one of the two Cubans, arrests
his attention and he strains his ears to hear in what connection the
word was used. The pair are talking in low tones, but the detective’s
trained sense is able to comprehend the tenor of the conversation.
The Cubans are discussing the assassination of some person, an American,
and presumably that American is John Barker!
The detective slips his hand around to his hip pocket, and as his
fingers close over the butt of a 38-caliber pistol his pulse resumes its
calm and even beat and he proceeds to make a mental inventory of the
prospective assassins.
“Absolutely the most villainous-looking brace of cutthroats I ever saw,”
he sums up. “But why should they plot to lay me out? Do they take me for
a New York millionaire in disguise, and think I carry a million or two
around in my pocket? Ah, so you were not the distinguished individual
picked out by the precious pair, Barker. It’s some other American. But
who? And how can I manage to warn him of his danger?”
Barker rapidly revolves the situation, while covertly watching the
Cubans. He suddenly starts, as from words uttered by one of them, as
they arise to leave the cafe, he becomes aware that the cold-blooded
crime planned within his hearing is to be carried out within the next
hour or so.
“There’s nothing for me to do but to shadow the pair,” he mutters, as he
steps again into the now moonlit street.
It is a simple matter for the experienced detective to keep the Cubans
in sight, especially as they never once take pains to glance backward.
They have traversed several streets, when the detective observes that
they have halted and are apparently loitering near a larger and rather
more elaborate cafe than the majority.
“So the American is in that cafe,” reflects Barker; “now, which is the
better plan, to go in and endeavor to pick out my fellow-countryman and
warn him, or keep in the rear of these chaps and swoop down on them at
the proper moment? The latter I guess is the safer. We’ll see what we
will see.”
The wait is not a long one. Evidently the Cubans are familiar with the
habits of the person they are seeking, for within fifteen minutes a
rather tall young man emerges from the cafe, stopping a moment to light
a cigar, and then starts down the shadowy street. Barker, after the
first glance, pays little heed to the newcomer, for his quick eye notes
that he wears the undress uniform of a Spanish officer. To his surprise,
however, he perceives that the two Cubans are stealthily following the
man.
“So it is not an American after all,” thinks Barker, as he steals
silently along. “But I can’t stand back and see a human killed in cold
blood, whatever his nationality, and I won’t!”
It is nearly 10 o’clock now and the street is deserted. As the form of
the officer emerges into a clear patch of moonlight, Barker perceives
that the Cubans have narrowed the distance that separates them from
their prey, and he hastens to close up the gap between himself and the
trio.
He is not too soon. When less than two rods from the Cubans he sees the
flash of steel in the hand of the foremost of the pair.
“Look out!” Barker’s voice rings out in English, loud and clear, and
with the words he springs forward with a speed that rivals his sprinting
in his football days.
“Tackle low!” The whimsical thought flashes through his brain as he
clears the intervening space. And he does. The nearest Cuban goes down
with a bone-breaking thud, the moonlight glitters for a second on
something bright in Barker’s hand, there is a sharp click, and the
detective springs to his feet.
But there is no further need for his services. The other Cuban is
speeding like the wind down the street.
“I owe you one for this, my friend,” says the cause of the exciting
episode in excellent English, as he strides up to Barker and warmly
presses his hand. “But for your timely shout I should now be lying face
downward there with the stiletto ornamenting my back. But what have you
done to this scoundrel? He lies like a log.”
“Oh, he’ll be all right in a few moments,” replies Barker, carelessly
glancing down at the prostrate figure. “He went down so hard the wind
was knocked out of him. Then I handcuffed him. Are there any policemen
handy? If so, we can notify them and have him arrested.”
“Never mind the police. The soldiers will take care of this cutthroat,”
returns the other. “But come to my quarters while I endeavor to express
adequate thanks for your service to-night. They are near by and I will
send a detail of men for this rascal.”
“Oh, never mind the thanks,” Barker replies carelessly. “It was nothing.
I happened to overhear the pair planning to knife some one, and I
followed to see the fun. Only I must admit I thought from their talk
that their intended victim was one of my own countrymen, an American.”
“So I am, or was, by birth. But I am now an officer in the Spanish army,
Capt. Alvarez, of the staff of his excellency, the captain-general.”
It is as well that a fleecy cloud at the moment dims the moonlight, for
Barker, trained to control his emotions though he is, cannot avoid a
sudden start.
Alvarez! the man beside him is Ralph Felton!
“Ah, here we are,” continues the self-expatriated American, as he stops
before a large mansion facing the plaza. “Excuse me a moment while I
send a man or two to look after your handcuffed friend.”
Alvarez hurries to the rear of the building and returning shortly
conducts Barker to a comfortably furnished room on the first floor. “My
sleeping-room,” he explains. “Now, tell me how you happened to overhear
that precious pair planning to assassinate me.”
Barker briefly details the events leading up to the attack on Alvarez,
the latter listening with knitted brows, but without comment.
“Well, now of yourself,” he says, when Barker has concluded.
Barker hesitates a moment, the while studying the face before him.
“Cyrus Felton’s son, or his double” he thinks. Then he takes a sudden
resolution. “I am a soldier of fortune,” he laughs. “I came down here to
see the country and a little fighting maybe. My name is Parker;
residence, the world. What are the chances for a commission in the
Spanish army?”
“Hardly good for a commission. But”—Alvarez looks Barker over
shrewdly—“I should like to do you a service, and may. What do you say to
becoming my orderly?”
Barker’s eyes flash. He appears to deliberate for a moment, and finally
says: “I would like nothing better.”
“Good! To-morrow, then, will see you enrolled as a soldier of Spain!”
------------------------------------------------------------------------
CHAPTER XXXIX.
ASHLEY TAKES THE FIELD.
The big, white moon that rolls through “heaven’s ebon vault” and pales
the glow of the southern cross looks down upon two young people on the
veranda of El Quinta de Quesada. They have retired to the shadows for
purely healthful reasons, of course, as a baleful influence is
attributed to the direct rays of the tropic moon.
“You leave Santiago to-morrow?” asks Juanita, in tones of real regret.
“At the first streak of daylight,” Ashley replies, lighting the
inevitable Cuban cigar.
“And when shall we see you again?”
“Ah, quien sabe? I attack Spanish quite boldly now you see. As a matter
of fact, I have no definite idea as to when I shall return. Sniffing the
battle afar off has become monotonous. I am impatient to hear the rattle
of musketry and the swish of the machete.”
“You will not expose yourself!” cries the senorita.
Ashley laughs softly. “I shall not lead any desperate charges,” he says.
“For my position demands a show of neutrality, no matter how much I may
sympathize at heart with the patriots. There is fighting all along the
line between here and Havana, and I want a chance to describe a Cuban
battle from personal observation. Besides, I like a good fight, and I
shall probably itch to sail in and help the under dog, if said dog
happens to be on the same side as my sympathies.”
“But when such a chivalrous feeling seizes you, restrain it; think of
your friends, if not of yourself,” adjures Juanita, gravely.
“Ah, well, they would be the only mourners if I stopped a Spanish
bullet. I haven’t a relative in the world except an amiable aunt in the
western states, who threatens to some day turn over to me the
squandering of her small fortune.”
“No relative except an aunt?” repeats Juanita, sympathetically. “No one
to weep for you?”
“Oh, the boys in the office would wear crepe for a week, and—”
“Don’t talk so lightly on such a dreadful subject,” reproves Juanita. “I
am sure I should feel a great deal more distress than ‘the boys in the
office,’ and I have known you only a fortnight.”
“Thank you, senorita. You may feel sure that I shall studiously avoid
being borne off a Cuban battleground upon my shield.”
“You will keep on through to Havana?”
“Unless circumstances bar my way, I shall follow along the line of the
railroad, stopping wherever night overtakes me, and resuming my journey
whenever I feel like it. I have no definite plans. And, now, senorita, I
believe I will say Adios. It is getting along toward 9 o’clock, and the
proprietary genius of my hotel looks upon belated guests somewhat
askance. I have made my adieus to Don Manuel and Don Carlos, and it only
remains to express my regret at saying farewell to you, senorita.”
Juanita watches him while he untethers his horse, and as he turns,
bridle in hand, to lift his hat, she comes from the veranda and puts her
hand in his.
“You will surely return?” she asks.
“As surely as a bad penny.”
“Then I will not say farewell.”
“Au revoir it is, then,” says Jack. He lifts the little hand to his
lips, and then with rather unnecessary abruptness he mounts his horse
and rides away in the moonlight.
“Hang it!” he mutters, when out of sight of the quinta; “that makes at
least half a dozen times that I have pulled myself together just in
season to avoid making a fool of myself. Perhaps my vigilance would be
relaxed if I could ascertain the precise relations existing between
Juanita and Carlos. I never saw two persons more wrapped up in each
other, and yet Juanita—” He stops and repeats the name, dwelling upon
each syllable. “Pshaw! I believe I am getting soft in my head! G’lang,
old nag, or we won’t get to Santiago before midnight.”
It is the 5th of April. Ashley has been in Santiago two weeks, and
during the fortnight he has, in one way or another, kept his paper well
supplied with news. He has also found many opportunities to run out to
the quinta, and the welcome has always been so warm, and the adios so
sincerely regretful, that he has begun to wonder whether his interest in
the beautiful daughter of Don Manuel de Quesada is not lapping over the
shadowy line that separates friendship from a sentiment which poets
contend to be more powerful and philosophers regard as infinitely
weaker.
Ashley has seen Murillo several times since his arrival, and between the
Spanish general and the newspaper man something of friendship has grown.
Murillo left for Havana two days before, to join the captain-general,
who, it is reported, proposed to transfer his headquarters to Santiago.
When Jack reaches his hotel he is informed that a horse has been left
for him at the stables.
“For me?” he inquires in surprise, as he goes out and looks upon a
magnificent iron-gray beast fit for a king on coronation day.
For Senor Ashley, he is assured. It was brought during the afternoon.
Jack looks the acquisition over, and then, turning to the trappings
which hang near by, he discovers a bit of paper attached to the saddle.
On it is written the single word “Navarro” and the mystery is cleared.
“By Jove! This is generous,” he says. “But I’m blessed if I know where
to send my thanks.”
Dawn finds Ashley in the saddle and he makes quite a brave appearance as
he rides away. He is clad in a suit of dark corduroy, with long riding
boots and white-cloth helmet and as he looks his costume over
complacently he remarks: “If my boots were a bit newer and shinier I’d
make a good running mate for the war correspondent in ‘Michael
Strogoff.’ It is a manifest libel to christen this horse Rozinante,”
patting affectionately the neck of his sleek charger, “but as he is a
Spanish steed he must suffer from recollections of Cervantes. So
Rozinante it is.”
Before the sun has become too aggressive to admit of riding in comfort
Ashley has covered some twenty miles and has passed through two
villages, wretched little settlements that have ever existed in their
present squalor for generation upon generation. At the second of these
he stops for breakfast. The meal is no worse than he expected, and after
he has finished his coffee he hunts up a shady spot on the outskirts of
the town, and, hitching his horse, he smokes and dozes until the late
afternoon breezes from the gulf suggest a resumption of his journey. At
night he tarries at the house of a farmer. They call them “farmers” in
Cuba. They burn charcoal, raise a few vegetables and peddle milk and
eggs.
The next day is very much like the first, except that Ashley introduces
the variation of sleeping all the afternoon and riding the greater part
of the night. And when weariness finally overtakes him he camps on the
edge of a vast canefield.
The third day is equally monotonous. He begins to think that his
expedition is to be utterly devoid of adventure. He has seen no signs of
either insurgents or Spanish soldiery, nor have the natives along his
route. As evening approaches he rides into the decent-sized town of
Jibana, on the line of the railway between Havana and Santiago.
Somewhat to his surprise he learns that the only hotel in the place is
kept by an American. Landlord Carter proves to be a decent sort of chap
and his hostelry is clean and inviting. After a really good supper
Ashley turns in early; he is thoroughly tired, having ridden farther
than on either of the previous days.
He wakes moderately early and has a brief ante-breakfast chat with
Landlord Carter.
“Have I heard of any fighting around here?” repeats Carter, in response
to Ashley’s inquiry. “No, but I expect to see some most any day. There
is a report that a large number of insurgents are encamped in the
mountains within a score of miles of Jibana and the natives hereabout
are becoming restless. A rebel victory or two would send the whole of
this part of the province into the insurgent fold. By the way, a party
of three Americans arrived last evening after you had gone to bed.”
“So? What are they doing here and who are they?”
“They are going out to some sugar plantations near here to-day. I
haven’t learned their names yet, as—”
At this moment the newspaper man hears a familiar feminine voice exclaim
in tones of the utmost astonishment. “Why, Mr. Ashley!” and he turns to
see Louise Hathaway standing in the hotel doorway.
Though somewhat dazed mentally, Jack lifts his hat and remarks, as if he
had seen her but yesterday, “Good-morning, Miss Hathaway. You are an
early riser.”
“You don’t appear a bit surprised to see me,” says the young lady, as
she gives him her hand; “while I am completely bewildered at meeting an
American friend in the midst of this wilderness.”
“Oh, this is a very small world,” remarks Ashley.
“Now, do tell me how you happen to be in Cuba. I am dying with
curiosity,” declares Louise.
“Then I will explain in all haste. You should be able to guess from my
military bearing and the fierce aspect which this helmet gives me that I
am a war correspondent. I have been in Cuba a little over a fortnight. I
arrived at Santiago three days after the Semiramis dropped anchor and
was told that you had gone to Havana.”
“But how did you know we sailed from New York on the Semiramis? My note,
left at the St. James hotel, stated that we were going to Cuba on the
steamship City of Havana.”
“Exactly. And I supposed that you had, until I saw you on the deck of
the Semiramis when the yacht was running away from Uncle Sam’s cruiser
off Sandy Hook.”
And now Miss Hathaway relates the effort which she and Mr. Felton made
to reach the pier before the City of Havana sailed from New York. When
she tells Ashley of the adventure of the blockade on West Broadway and
of the subsequent appearance of Phillip Van Zandt and his offer to place
the Vermonters on Cuban soil, Ashley twists his mustache reflectively.
Miss Hathaway’s story is interrupted by the announcement of breakfast,
and five minutes later Ashley makes one of a party of four at a table in
the cozy dining-room.
Cyrus Felton greets the newspaper man with grave surprise, and Jack’s
keen eyes note that the ex-president of the Raymond national bank is
looking bad. He is paler even than when he saw him last, in New York
about a month ago, and in the gray eyes has settled an expression of
vague unrest.
Phillip Van Zandt acknowledges the introduction with his accustomed
reserve, and for an instant the eyes of the two young men meet in a
searching gaze of mutual inquiry.
From the conversation that ensues, Ashley gathers that most of the time
which the trio have spent in Cuba has been passed in and about Havana,
and that they are now en route to Santiago, stopping off at Jibana to
visit a sugar plantation in which Mr. Felton has an interest. And, what
is more to the point, Ashley learns that the Semiramis is not to leave
Santiago for at least another fortnight. This information comes from Van
Zandt. Mr. Felton and Miss Hathaway do not appear to have any definite
plans.
For his part, Ashley tells them that he intends to push on to Havana,
and knows not when he will return to Santiago, if at all.
But as he watches Mr. Felton, Van Zandt and Miss Hathaway set forth,
after breakfast, for the sugar plantation, which lies east of the town,
he tells himself that he will return to Santiago before many days.
“I must keep my eye on those two gentlemen,” he mutters, “and trust to
Providence to throw Barker in my way, if indeed he has not already
struck the trail. By the stars that shine, but there is a strangely
assorted trio, unless I am clear off my reckoning. Nemesis is trailing
his inevitable victim with said victim’s father, and sooner or later
they must meet. What is the town beyond here?” Ashley asks Landlord
Carter.
“Cadoza,” the innkeeper informs him.
“I believe I’ll jog along to that point, anyhow,” Jack decides; “and if
nothing turns up in the line of excitement within twenty-four hours,
then back to Santiago.”
------------------------------------------------------------------------
CHAPTER XL.
THE APPEARANCE OF THE SERPENT.
Half a dozen hours from the time that Jack Ashley mounts his newly
acquired Rozinante and rides forth from Santiago on his journey into the
west, a visitor arrives at Le Quinta de Quesada.
The Don and his daughter are seated on the veranda, the former dreaming
of the day when Cuba shall be free, the latter of the blue-eyed young
man who at the moment is many miles on his journey toward Havana and is
expressing his opinion of Cuban roads in comical apostrophes, rivaling
the natural extravagance of Spanish conversation.
“A visitor,” remarks Quesada, as the crunching of carriage wheels sounds
in the driveway, and Juanita’s day dreams are abruptly terminated by the
appearance of a vehicle, not a Cuban every-day volante, but a
four-wheeled affair, the best that Santiago can provide.
The carriage draws up before the quinta, the driver opens the door with
a profound obeisance, and out steps a lady whose radiant beauty rather
dazzles the Cuban gentleman, who advances with easy grace to meet her.
For Don Quesada, though well past the meridian of life, is not without
susceptibility to feminine charms.
“I have the pleasure of addressing Don Manuel de Quesada, I believe?”
says the fair visitor in English.
“The pleasure is mine, madam.”
“I am under the embarrassment of introducing myself,” with a smile and a
glance from a pair of liquid black eyes that instantly win for her the
good-will of the master of the quinta. She tenders a bit of cardboard,
and as the Don receives it with a bow, she explains: “When I left New
York I had a letter of introduction from a gentleman who has the honor
of your acquaintance”—she glances at the coachman standing near, and
lowers her voice—“Don Rafael Manada.”
“Ah!” murmurs Quesada, regarding his visitor with new interest.
“But I must have left it among my effects at Santiago. I certainly have
not lost it, as I was too thoroughly instructed as to the importance of
keeping its contents a secret,” the lady finishes, with a meaning smile.
Quesada extends his hand and presses slightly the dainty palm laid
therein. “Any of Don Manada’s friends are welcome here,” he says. “I am
happy to place the quinta at your disposition, and its occupants are
yours to command, madam.”
Quesada leads the way into the house, whither Juanita has retired to add
a few touches to her toilet.
“You are an American, Mrs. Harding,” ventures the Don, as they pass
through the long, wide corridor to the gallery at the rear of the quinta
and the lady is provided with the easiest of chairs.
“My accent told you that immediately,” is the smiling response. “Yes; I
am the widow of an American ship-owner, who left to me, among other
possessions, a sugar plantation somewhere in this fair isle. I had the
pleasure of Don Manada’s acquaintance in New York, and when he heard
that I purposed visiting Cuba to view my possessions, he desired that I
seek you, giving me at the same time the letter of introduction which,
as I have said, I have unfortunately left at my hotel in Santiago. But
perhaps the password which he whispered to me, ‘Cuba Libre,’ will do as
well. For the cause of Cuban liberty has no warmer sympathizer than
myself, Don Quesada,” she adds, earnestly, and the Don’s countenance
lights with pleasure.
“Don Manada could have conferred no greater pleasure,” he replies, “and
I trust that you will honor my daughter and myself by becoming our
guest, for a few days at least.”
Isabel’s dark orbs snap with triumph not easily repressed, but she
answers hesitatingly: “Thank you, but I do not see how I can trespass
upon your kindness. I have not the pleasure of an acquaintance with the
senorita, and—”
“Permit me to remove that objection at once,” interposes Quesada, as
Juanita at the moment stands in the doorway. “Juanita, mi querida, this
is Mrs. Isabel Harding, an American lady and a friend of Don Manada,
whom you met in New York. I have invited her to remain with us for a few
days, or as long as our hospitality may prove attractive. Will you not
add your request to mine?”
The more mature and voluptuous beauty of the older woman attracts the
impulsive Cuban girl, and she seconds her father’s invitation with a
sincerity that would have won even a lady who had not come to the quinta
with the deliberate purpose of securing such a proffer of hospitality.
And so the carriage is sent back to Santiago and Isabel Harding is
installed at the quinta, the surroundings of which she finds much to her
liking. Juanita is much charmed with her American friend, who fascinates
the impressionable Cuban girl with her brilliant beauty, her wit and her
knowledge of the great world amid whose pleasures and palaces Juanita
lived for two years, and which she hopes some day to see again. The two
women quickly become inseparable and naturally Juanita tells Mrs.
Harding of her other recent New York friend, Jack Ashley. But Isabel,
although she enjoys, or otherwise, an acquaintance with that industrious
young man, does not know his name, and the adventuress has not even the
fear of his reappearance to disturb her present serenity.
But if the Don and his daughter are charmed by their guest, not so Don
Carlos, and it is with difficulty that that gentle youth conceals his
dislike. An instinctive distrust of the beautiful American takes
possession of him, and to avoid exhibiting this distrust, which he
admits to himself is unfounded, he spends most of his time in solitary
walks about the vast pueblo or in long rides upon the back of his
favorite pony.
Late in the afternoon of the 7th of April, two days after the arrival of
Mrs. Harding at the quinta, that lady, her elderly host and his daughter
are seated on the veranda, enjoying the light breeze from the gulf which
renders life in Cuba endurable and even attractive for a few hours.
An interruption to the conversation comes in the person of a courier,
who rides up to the quinta, delivers to Quesada a small packet of
papers, and, after a glass of wine, departs as hastily as he came.
The Don excuses himself and retires to his study. A few moments later he
reappears and calls to Carlos, who is coming up the lawn. Young Navarro
bows to Mrs. Harding and follows the Don into the study.
“I have just received important news,” says the latter. “Capt. Guerra
sends word that a big supply train was dispatched by the captain-general
from Havana for Santiago this morning or last night. Is it not to-day or
to-morrow that Navarro was to be at or near Jibana?”
Carlos nods. “He should certainly be there now.”
Quesada paces the room, his brow knitted in thought. “If word could be
got to him at once,” he says, “Dios! The train might be captured. But
how to send him word—there is the obstacle.”
“How far is Jibana from Santiago?” asks Carlos, into whose mind has come
a sudden thought that causes his cheeks to alternately flush and pale.
“A full day’s journey by rail. No; I fear word could not be sent him in
time.”
“But if a courier were to leave on the early morning train, could he not
reach Jibana in season to find Emilio?”
“Perhaps. It will take several days for the supply train to make the
trip, but it will also take us too long to find a trustworthy
messenger.”
“Do you not consider me trustworthy?”
“You!” cries Quesada, looking at the slender youth in astonishment.
“Yes, Don Manuel; I will be the courier.”
“No, no; I cannot permit it. What would Emilio say?”
“He will be too overjoyed to see me to think of scolding you. There is
no danger. Simply the discomfort of the journey. I will start in the
morning.”
Against his better judgment, Quesada consents, and as Carlos throws open
the study door the vision of Mrs. Harding flits by.
Over the teacups half an hour later Isabel tells Don Quesada that, if
there is a conveyance to be easily procured at Santos, she believes she
will run into Santiago for a day’s shopping. And Quesada informs her
smilingly that if she cares to arise with the sun she may find a
conveyance in waiting, as Carlos is going to the city on business and
will undoubtedly be charmed with her society on the short journey.
* * * * *
At Havana on the morning of the 8th of April.
With contracted brows and frowning face, the captain-general of Cuba
scans a mass of official documents that lie upon his desk. Gen. Truenos
is plainly displeased with the condition of affairs on the island. When
he sailed from Cadiz it was to “put down the rebellion in three months,”
as the Spanish press boastfully asserted, but Truenos realizes that it
is not now a matter of weeks or months, but of years, ere the red and
yellow of Spain will wave again unchallenged over the gem of the
Antilles.
In the meantime, Gen. Truenos gathers from the papers before him that
some of the matured plans of the Spanish have been checkmated through
treachery in some quarter, and he is not enchanted with the glimpses he
has obtained of the manner in which his subordinates conduct a campaign.
An officer enters the room with a dispatch and the captain-general
reaches impatiently for the missive.
“Caspita!” he growls, as he glances over the contents. “Murillo at least
is alive to what is transpiring under the very noses of my generals. I
wish that I had more like him.” Then to the officer: “Send Gen.
Velasquez to me at once.”
As the latter answers the summons, Truenos hands him the dispatch, with
the query: “Has the supply train left for Santiago?”
“It left last night, your excellency.”
“It must be stopped. As you will see by Murillo’s dispatch, the rebels
have learned of the train’s departure and a courier is now en route from
Santiago to notify that infernal El Terredo. If that courier is not
intercepted, the supply train must be recalled or held. The dispatch
contains a description of the rebel messenger. Now, then, to action.”
Truenos unfolds a large map of the island, and as he runs his finger
along the line which indicates the railroad, another dispatch is handed
in. The captain-general tears it open and reads:
“Reported that El Terredo is encamped near Jibana, with a large
force of insurgents.
Alvarez.”
“Ah,” remarks Truenos. “This is dated Cadoza. And Cadoza,” he consults
the map, “is less than a dozen miles from Jibana. Bueno! For once
matters are dovetailing to my wishes. The courier cannot reach Jibana
before nightfall, and when he does Alvarez shall arrest him. Let the
supply train proceed, Velasquez, and immediately wire Alvarez to arrest
the rebel messenger at or below Jibana. Send the description of the
young man given in Murillo’s dispatch and have Alvarez wire back that he
understands. Quick! There is no time to be wasted.”
It is to be an exciting night at Jibana.
------------------------------------------------------------------------
CHAPTER XLI.
THE MEETING AT CADOZA.
It is something like ten miles to Cadoza, another and smaller railway
town, and Ashley arrives about noon. There is no American hotel here.
Instead, a lazy Cuban keeps a shiftless hostelry to which only necessity
would drive a man. A party of soldiers are gathered at the inn and the
yard is filled with their horses.
Ashley tethers his horse at a spot which he can overlook, as Rozinante
is an animal that would tempt a man even more upright than a soldier in
time of war. As he gives the bridle an extra hitch, a hand is dropped on
his shoulder and a familiar voice whispers:
“Jack Ashley, by all that’s holy!”
Ashley turns and cries out:
“Hello, Barker, old man! Where’d you get your uniform?” surveying the
detective’s distinctly military attire.
“Hist!” cautions Barker, glancing over his shoulder. “Buy a drink at the
hotel and then ride up the road a piece. I’ll join you there.” Saying
which the detective walks away and Ashley enters the hotel.
The drinking-room is filled with Spanish caballeria, who glance
curiously at the American; after procuring a glass of wine and a cigar,
Ashley mounts and rides leisurely up the road. A quarter of a mile from
the hotel he finds Barker waiting, and he remarks, with a grin: “Barker,
you’re a fashion plate. Where on earth did you get those togs?”
“Hang it! Will you be serious ten minutes,” growls Barker. “Let me tell
you that the commanding officer of the gang at the hotel is Capt. Julio
Alvarez, who is none other than our old friend Ralph Felton.”
“So? And to trail him you turned trooper, eh?”
“Exactly. Through him I expect to find the other Felton, his father.”
“I can tell you a quicker way.”
“Ah!”
“Push along to Jibana, ten miles east of here. I left Cyrus Felton,
Phillip Van Zandt and Louise Hathaway there this morning.”
“Quick! Tell me all you know,” demands the detective, aroused by the
information imparted to him by his co-worker.
Ashley supplies the needed details, and Barker asks: “You are reasonably
sure that Felton and Van Zandt will remain in Santiago for a fortnight?”
“I think you can depend on that.”
“Then affairs are shaping themselves advantageously for our purpose. Our
command will go to Jibana this evening, but I don’t want any collision
there. See the position of the game. Van Zandt, if he is Stanley, is
tracking the son through the father, and I am trailing the father
through the son, intending to bag both of them, as I have an interesting
bit of what may prove strong evidence against Ralph Felton. But I can’t
do anything with them at Jibana, and if Van Zandt runs afoul of young
Felton to-day he is likely to kick over all my plans. Santiago is the
place to play the last hand in this interesting game.”
“I get the idea,” remarks Ashley. “But what is this new evidence against
young Fenton?”
“This: That I believe he is wearing about his neck at the present time
the locket that was removed from Roger Hathaway’s watch-chain the night
of the murder and bank robbery.”
Ashley whistles softly. “That’s interesting,” he says. “But how did you
learn this? And while you are explaining kindly give an account of
yourself from the time you jumped New York.”
The detective complies, and when the interesting tale is completed,
Ashley says earnestly: “Barker, old chap, my confidence in you has been
increased tenfold in the last month.”
“Thank you,” responds the detective, though he suspects some raillery in
the newspaper man’s remark.
“Yes. There was a time when I doubted you a bit. And when you made
arrangements to arrest Cyrus Felton I about concluded that the case was
to prove after all an ordinary affair. But you have redeemed yourself,
Barker. You have proved that the detective I have long admired in the
pages of fiction is not a myth, but has his prototype in real life.”
“Indeed?” grunts Barker. “Go on.”
“Yes; just before you descended upon your victim with a triumphant
swoop, said victim gave you the slip. Undaunted by such a trifling
discouragement, you struck a bee line for Havana, and there—”
“Come, stow your chaff. I’d like to know whose tomfoolery prevented
Felton’s arrest in New York. By thunder, if I could have got your ear a
moment after I discovered Felton’s departure for Cuba, I’d have given
you a dressing-down that would have knocked some of the self-sufficiency
out of you.”
“Well, you can consider yourself forgiven,” says Ashley, soothingly.
“What’s up at Jibana? Anything special?”
“Yes; a rather important bit of work. This morning Capt. Alvarez, to
give him the name he chooses to sail under, learned that a large force
of insurgents under El Terredo were encamped somewhere between Cadoza
and Jibana. He wired the fact to Havana and not ten minutes later
received instructions to intercept a courier for the rebels who was on
his way from Santiago to Jibana, presumably with dispatches to El
Terredo. Although only his orderly, I am pretty close to Alvarez. The
chap has taken quite a fancy to me, and to give him his due he is a
devilishly clever fellow, with more pluck and fighting blood in him than
a dozen Spaniards. American blood will tell, my boy.”
“Well, what’s the plan for the night?”
“This: We are to flag the train about a mile below Jibana and do the
trick quietly, as the feeling about here is pretty strong against the
Spanish; arrest the courier, secure the papers, and wire Havana that the
road is clear, as I understand the dispatches relate to the big supply
train which is on its way from the capital to Santiago. Truenos, you
know, is shifting his headquarters to the latter city.”
“Then the supply train has already left Havana?”
“Presumably. The rebels at the Santiago end of the line got wind of the
shipment, and have sent Don Carlos to put El Terredo onto the fact.”
“Don Carlos!” repeats Ashley, with a start that Barker does not notice;
“and what disposition will you make of the prisoner?”
Barker shrugs his shoulders. “He will probably be honorably shot.”
“Unhappy youth!” murmurs Ashley.
“It is rather tough,” remarks Barker, coolly. “But it is the fortune of
war.”
Ashley’s forehead is wrinkled in thought. “I’d like to take a hand in
the fun to-night,” he remarks carelessly. “I’ve been journeying through
the desert for more than three days, with not a sign of adventure. I
don’t suppose it would do for me to show myself to Alvarez. How many men
has he with him?”
“Twenty, including himself.”
“Does he intend to take the entire command with him to hold up the
train?”
“No; the affair is to be transacted in the quietest manner. Alvarez,
myself and four more men are to leave the hotel about 9 o’clock—the
train is due at Jibana at 10—and proceed down the track a mile or so. A
few swings of the lantern and the train will stop, Don Carlos be removed
and the train signaled to go ahead. If the arrest were made publicly,
word might get to El Terredo, and the government’s plans for a safe
passage of the supply train would be frustrated.”
“Your business completed at Jibana, I suppose you will push directly on
to Santiago?”
“Yes, and you?” queries Barker.
“I shall probably follow at a respectful distance. I have been stopping
at the Hotel Royal in Santiago, and you will probably find me there if I
am in the city.”
“How is Felton looking?” asks the detective.
“Badly; I shouldn’t wonder if he had a presentiment that some sort of
disaster was impending.”
“And Miss Hathaway?”
“Superb as ever. There is apparently a tender regard existing between
her and Van Zandt.”
“Strange, strange are the workings of fate,” philosophizes Barker, and
with a sly grin he adds: “How are your studies in statuary progressing,
Jack?”
“Suspended for the present, most sympathetic Barker. Just now I am
interested in a study of the life.”
“Ah; some dark-eyed Cuban senorita?”
“The most beautiful woman in the world,” is Ashley’s enthusiastic
tribute.
Barker laughs good-humoredly, then suddenly exclaims: “Hello! There’s
the trumpet call. I must be off. By the way, I’ve changed my name to
Parker.”
“Parker! Why don’t you get a name to match your clothes?”
“Go to thunder!” retorts the detective. “So long. I’ll see you at
Santiago.” Barker plunges into the woods beside the road and returns to
the hotel by a circuitous route.
“You’ll see me again before you reach Santiago,” soliloquizes Ashley,
gazing after his friend’s retreating form. “If Navarro is in these
mountains I’ll search him out, and we’ll have a hand in the game at
Jibana to-night that will remind Capt. Alvarez of a certain little
straight flush he ran up against once upon a time. And if Navarro is not
to be found, then, by George, I’ll play the hand alone!”
------------------------------------------------------------------------
CHAPTER XLII.
“EL TERREDO.”
Ashley waits until he believes that Capt. Alvarez and his men have got
fairly on their way toward Jibana; then he mounts Rozinante and rides
back to the hotel.
Half a mile to the eastward, the landlord tells him, a trail leads off
into the mountains. Ashley remembers passing it in the morning.
Fortifying himself with a dinner, he sets forth.
After he strikes the mountain path, his progress is slow and painful. It
is a dreary road, steep and treacherous. About him nothing but rocks,
red clay, cactus and bog and a stunted growth of trees.
Ashley left the hotel in the vicinity of 1 o’clock, and by 3 he has
hardly covered four miles. “If I do not secure reinforcements within the
hour I must ’bout face and ride to Jibana,” he reflects. “A man could
never find his way out of this howling wilderness after nightfall! Jove!
It must have been a matter of urgent importance that necessitated the
dispatching of Don Carlos to Jibana. Poor little chap!” he mutters, and
as he thinks of young Navarro lying under the stars with a bullet
through his heart, he urges Rozinante at a dangerous pace.
Another half-hour goes by. Ashley is now in the mountains, and yet no
living being has he seen to break the depressive solitude. Suddenly
there rings out the command:
“Alto, ahi!”
Ashley checks his horse, looks about him and discovers that he is the
center of a circle of leveled muskets, the owners of which are hidden
from view.
“All right, gentlemen, I’m out,” announces Jack, cheerfully, as he
removes his eye-glasses and wipes the dust and moisture from them.
Forth from the bushes steps a gaunt Cuban, in a tattered uniform and
with feet that have long since parted association with shoes. Throwing
his musket across his arm, he hurls an inquiry at Ashley.
“You’ve got me there,” states the correspondent, and smiling around the
ominous fringe of musket barrels.
Finally, giving up all idea of a conversation with the dark-featured
mountaineers, “El Terredo!” he cries, “El Terredo! Endonde El Terredo? I
don’t know whether that’s right or not, but it’s the best I have in
stock.”
The mountaineer appears to grasp the idea. He shouts something to the
men in the bushes, and a dozen lusty fellows, white and black, come
forth. The leader makes a sign to Ashley to go ahead, and the latter
obeys.
For a mile or more the little cavalcade proceeds, when suddenly the
leader of Ashley’s silent escort emits a shrill whistle. An answering
signal is faintly heard, and then the march is resumed. Five minutes
later Jack rides into a clearing and hears a welcome voice ring out:
“Welcome, Senor Ashley!”
“Glad to see you, Navarro,” says Ashley, heartily, as he drops from his
horse and grips the insurgent leader’s hand. “Is this part of your
army?”
“Yes; hardy fellows, every man of them,” replies Navarro, signalling his
followers to fall back. “What on earth brings you into the mountains?”
“Thought I’d drop round and return thanks for your generous gift.”
“Ah, say nothing of that. I should have been glad to have sent you a
stable of horses.”
“One was enough. But this is incidental. You expect dispatches from
Santiago to-night?”
“No; that is, no special ones.”
“Some are on their way, nevertheless, in the keeping of Don Carlos.”
“Don Carlos!” cries Navarro, turning pale.
“Ay; but that is not all. The errand of Don Carlos has become known at
Havana and orders have been wired to Capt. Alvarez, who is now on his
way from Cadoza to Jibana, if he is not already there, to intercept the
courier, and secure the dispatches.”
Navarro staggers as if dealt a blow. “My God! They will shoot him like a
dog!” he groans, his face white as death. “When—where is Carlos to
arrive?”
“At Jibana, at 10 to-night.”
“Ho! Then all is not lost,” flashes Navarro. “By heaven! I’ll wipe
Jibana and every Spaniard in it from the face of the earth!”
“Easy, my friend,” counsels Ashley, grasping the infuriated man by the
arm. “If Don Carlos is to be saved, and also the dispatches—keep those
in mind—you will need your wits more than a thousand men. Now, listen to
me a moment. There is time enough.
“Yesterday, or the day before, or sometime within the week, a big supply
train left Havana for Santiago. Information of its dispatch must have
been received by Don Quesada, and, knowing your whereabouts—did he know
them?”—Navarro nods—“he has sent Don Carlos to notify you, that the
train may be captured. This morning Capt. Alvarez was at Cadoza. He
heard it rumored that a large force of insurgents were encamped in these
mountains. He wired Havana to that effect, and ten minutes later
received orders to intercept Don Carlos. I learned this while at Cadoza,
and realizing the danger that threatened your brother, I set off for the
mountains, trusting to Providence to run across you or some of your men.
On my way hither I devised a plan by which you can outwit Alvarez and
later capture the ammunition train—and I do not believe in doing things
by halves. But first, how far is it to Jibana?”
“About six miles, as the crow flies.”
“That means eight or ten by these awful bridal-paths, then. You have a
score of men here at least. They will be more than enough. Now, I will
outline my plan and we can perfect it on our way to Jibana.”
Navarro listens without interruption while Ashley talks. When the
programme for the night has been sketched, Navarro’s dark eyes moisten
and he seizes Jack’s hands in a grip that makes the latter wince.
“Ashley, you’re a hero!” he cries.
“Nonsense,” laughs Jack.
“I can never repay the debt of gratitude I owe you.”
“Don’t try. Suppose we push along to Jibana. We can talk matters over on
the way.”
“Good. We will start at once,” says Navarro, and he communicates an
order to his men.
“How many men have you back in the mountains?” Ashley inquires of
Navarro as they ride side by side through the desert of rock and
chaparral.
“Two thousand. Accessions have been coming every day. But they are not
directly under my command. My part in the revolution has been a rather
peculiar one. Up to a fortnight or so ago, when I parted with you on the
Santos road, my identity was as much a mystery as that of the president
of the provisional republic. Unsuspected as a leading factor in the
struggle for independence, I mingled with the Spanish and listened with
a smile to the stories told of the prowess of the cruiser Pearl of the
Antilles and her mysterious commander, El Terredo. At the time the
Mercedes was sunk I did command the Pearl and with my own hand aimed the
dynamite gun that sent the Spanish battleship to the bottom. But most of
my time has been spent on land. I have done more planning than fighting,
and while I rejoice not in a single title except that of El Terredo, in
a land where titles are cheap, my authority is unlimited, my orders are
implicitly obeyed, and I could ruin Cuba Libre with a single command.”
“Are you not fearful of being recognized during some of your trips into
the camp of the enemy?” asked Ashley, looking at the young man with
undisguised admiration.
Navarro smiles. “There will be no further exposure. When I left the
quinta with you it was to take the field, not to leave it until Santiago
falls. After the capture of the ammunition train, if luck favors us, I
leave here for the coast,” pointing westward. “In a harbor yonder rides
the Pearl of the Antilles, and when I take command of her it will be the
opening of a campaign that Spain’s navy will long remember.”
“Until Santiago falls?” repeats Ashley. “You look for the capitulation
of that city?”
“Within a fortnight Gen. Masso will hurl 10,000 men upon it. The troops
back in these mountains will form part of an army against which 20,000
Spanish will not avail. Unless you insist upon reporting the siege for
your paper amid the bursting of shells and the roar of artillery, keep
away from Santiago—at Santos, for instance. The Spanish squadron is
already on its way to Santiago, and when the city falls into the hands
of the patriots the battleships will open fire.”
“Then I believe I will return to Santiago at once—or after our night’s
work is finished. Shall we reach the edge of Jibana before nightfall?”
“Probably not, but in season for the work in hand. It will be a night
that Capt. Alvarez will long remember if memory lasts beyond this
world.”
“By Jove! That will never do,” exclaims Ashley. Navarro looks at him
inquiringly.
“Alvarez must not be injured,” declares Jack. “I have particular reasons
for keeping Alvarez alive for some time to come.”
“Rather awkward,” laughs Navarro. “I don’t see but that you will have to
overlook the job to-night, and sort out your friend, for I expect it
will be necessary to kill one or two of the gang.”
Ashley reflects a moment. “You should be able to identify the leader,”
he says, and he adds to himself: “As for Barker, I shall have to prevent
his taking part in the affair. It’s a ticklish job all round.”
“Well, your wishes shall be respected,” says Navarro. “Capt. Alvarez
shall live. He is fortunate in having so influential a friend at court.”
“Some of the most worthless of men are more valuable alive than dead. I
have no friendship for Alvarez, but his demise just at present would
complicate certain matters in which I have a large interest.”
The moon is creeping up over a crest of the range, when, at a signal
from the guide, Navarro calls a halt. After a whispered consultation, he
tells Ashley that they are some little distance below the Jibana hotel
and railway station.
“Two hundred rods beyond us lies the road,” he says; “and fifty yards
farther is the track. We will hitch here.”
“Very good,” declares Ashley. “Here, then, we separate. It is now nearly
8 o’clock,” consulting his watch by the glow of his cigar. “Good luck,
old man. The signal for my reappearance will be the old rallying cry of
‘Santiago.’”
The men exchanged a hearty handclasp. Then Ashley dismounts, and headed
by the guide, leads Rozinante through the brush to the road. Here he
vaults into the saddle again and canters toward the town.
------------------------------------------------------------------------
CHAPTER XLIII.
THE FIGHT IN THE MOONLIGHT.
“Didn’t expect you back so soon,” declares Landlord Carter, answering
Ashley’s halloa without the Hotel Americano at Jibana.
“I am a little ahead on my own calculations,” is the reply. “Are the
Americans still here?”
“No, sir; left this afternoon for Santiago.”
“Full house, though, I judge,” motioning toward the windows of the
reading-room, from which emanate snatches of song and the clink of
glasses.
“Yes; gang of Spanish troopers. Noisy devils. Stop overnight, I
suppose?”
“Sure. I want some supper in a hurry and a room at your leisure.”
The landlord shouts to the hostler, who leads Rozinante away to his
well-earned grain, and Ashley follows Carter into the hotel, with the
remark: “I do not care to have those chaps in there see me, or know who
I am.”
“All right, sir. This way. The troopers are all in the drinking-room and
they haven’t moved out of their chairs for an hour.”
Supper over, Ashley is shown to his room and the landlord is about to
make his exit with a cheerful “good-night,” when Ashley remarks:
“By the way, have you an old coat and hat of any description?”
Carter scratches his head reflectively. “I have an old Grand Army
uniform that I brought with me from the states. I was a member of the
13th Massachusetts volunteers, and after the war joined the Chelsea
post, when—”
“That will do very nicely,” interrupts Ashley. “I want to borrow the
uniform for a few hours.”
“All right, sir. I’ll get it out in the morning.”
“But I want it to-night.”
“Very good, sir. I’ve been too long in this business to ask questions.
Used to run a small hotel in Boston,” grins Carter, as he vanishes. He
returns shortly with the clothes, and Ashley, after a glance, pronounces
them satisfactory.
“One more request, Carter. You noticed, perhaps, among your guests a
rather short, thick-set party, with a dark, closely cropped mustache.”
“Smokes a short, black pipe and looks like an Englishman?”
“That’s the chap. Send him up, but don’t attract the attention of his
companions.”
Carter nods and disappears, and a few minutes later the good-natured
countenance of John Barker is thrust into the room.
“Buenas tardes, Senor Parker,” is Ashley’s salutation. “Come in and shut
the door.”
“Where the devil did you come from?” demands the detective, dropping
into a chair.
“Up the road a piece. I got tired of journeying through the desert, and
concluded to take the back track. Fill up your pipe and make yourself
sociable.”
“Can’t stop. It is nearly 9 o’clock and we start at that hour.”
“Oh, yes; on the business you were telling me of this noon. You haven’t
changed your plans, then?”
“No; there was no occasion to.”
“Well, it is not absolutely essential that you should accompany Alvarez,
is it?”
“That was his wish. With the exception of Alvarez and myself and the
four men who were to supplement our little party, the command knows
nothing definite of the evening’s work. Alvarez doesn’t fraternize much
with his followers.”
“Why not send a man in your stead?”
“I am afraid it is too late to make any changes in the plans. Most of
the men below are half-shot now.”
Ashley takes a turn about the room and drops his hand on his friend’s
shoulder. “Barker,” he says, “it was only this noon that you requested
me to be serious for at least ten minutes on a stretch. I never was more
serious than I am now, when I say to you, don’t accompany Alvarez on his
errand to-night.”
“What the deuce are you so interested in the affair for all at once?”
queries the detective.
“Well, remain here, and I will enlighten you.”
At this moment the impatient shout, “Ho, Parker!” floats up from the
hotel yard, and with the remark, “I’m off; see you later, Jack,” Barker
bounds from the room.
“Hang it! I ought to have told him at the outset how the land lay,”
mutters Ashley. “Now, I suppose I shall have to direct my undivided
efforts to preventing his slaughter at the hands of Navarro’s men.”
Ashley slips off his coat and gets into the faded uniform of the
landlord, dons the Grand Army hat and pulls it down over his eyes;
examines his revolvers to make certain that they are in proper working
order, and then, blowing out his lamp, seats himself by the open window,
where he can command a view of the road.
Shortly after 9 o’clock he sees six forms cross the band of moonlight
into the shadows beyond. He waits ten minutes and then glides softly
down the stairway and out into the night.
Alvarez and his men leave the hotel afoot and instead of taking the
railroad track, proceed down the highway. Alvarez rode over the ground
during the afternoon and selected a point about a mile and a half below
the village as the place for holding up the train. Here the road crosses
the railway and beyond is a long stretch of straight track.
The six proceed silently to the appointed spot, and then, there being no
further occasion for secrecy, they fall to smoking and chatting. The
train is due at Jibana at 10 and there is yet half an hour to wait.
Twenty minutes of it go by, when Alvarez discovers that his party is
short two men.
“Ho! Sancho! Francisco!” he calls, and repeats the shout, there being no
response. “Whither went they, Parker?” he asks, turning to his orderly.
“They were here a few minutes ago, captain. I last noticed them
strolling toward the road.”
Alvarez utters an impatient growl. “Search them out, Pedro, and thou,
too, Juan. The train will be here in five minutes.”
As the two troopers addressed take themselves off in quest of their
companions Alvarez lights a lantern and hands it to the orderly.
“By the way, what disposition is to be made of the prisoner?” asks the
latter.
“We shall have to shoot him, I expect,” is the cool response. “We can’t
very well take him with us, and we certainly cannot turn him loose.”
“It seems a rather cold-blooded piece of business. It savors of murder.”
At the word Alvarez shivers slightly. The nights in Cuba are damp and
chilly.
“Ten o’clock,” he mutters, holding his watch to the lantern. “Where the
devil are my men? We shall likely have to go in search of the second
pair. Ha, the train!”
The whistle of the Havana express is heard in the distance and the men
leap to their feet.
“Down the track with you,” orders Alvarez. “As for you,” turning to four
forms that are approaching from the shadows of the highway, “el diablo!
What sort of men have I in my command?”
The troopers make no reply to the angry query of their leader.
The orderly swings his lantern and an answering blast comes from the
train, which draws up upon the crossing.
“I have an order for the arrest of one of your passengers,” Alvarez
informs the conductor. “Watch the train and see that no one leaves it,”
he tells the four troopers, and, followed by the orderly, he boards the
first coach.
Within this is the object of their search. Don Carlos Navarro is
reclining wearily in a seat about midway of the car. He starts when the
soldiers enter and the color flows from his cheeks when they stop before
him.
Alvarez consults a paper, and, glancing from it to young Navarro,
remarks: “The very chap. I have a warrant for your arrest, sir.” Then to
the orderly: “Remove the prisoner, Parker.”
“By thunder, he’s fainted,” mutters the orderly, as he bears the limp
form from the car.
“Search him,” commands Alvarez, signaling to the conductor to go ahead.
As the train rumbles away the orderly goes through the coat pockets of
the prisoner, but without finding any sign of papers, rebel dispatches
or otherwise. Then he tears open the unconscious youth’s shirt, and the
next instant utters an exclamation of astonishment.
“By heaven! It’s a woman!” he mutters, as he deposits his burden
tenderly on the ground and straightens up to acquaint his chief of the
surprising bit of intelligence.
* * * * *
The moon swings high above the range when Ashley leaves the hotel and
proceeds down the railroad track, the route he naturally supposes
Alvarez and his party have taken.
As the newspaper man, revolver in hand, moves slowly and cautiously
along, his eyes on the alert for a glimpse of Alvarez’ party, the danger
of his situation suddenly occurs to him. If the Spaniards have already
stationed themselves at some point along the rail he is likely to
stumble upon them at any minute.
At last he sights the party of troopers. Then he remembers that the road
is close by, and stealing through the brush, he proceeds softly along
the highway until the hum of conversation greets his ear.
He crawls at a safe distance to a position beyond the group, not twenty
feet distant from the spot where Alvarez and Barker are seated.
The brush is dense and he has nothing now to do but keep perfectly
still. He has seen or heard nothing of El Torredo or his men, but he
knows that secreted somewhere in the waste of chaparral around him are
stout hearts and strong arms waiting for the cry of “Santiago!” to rouse
them to swift action.
He watches Alvarez light the lantern, and, as the rays fall upon the
orderly’s features Ashley thinks: “If I could only get within whispering
distance of the old man I’d give him a quiet tip to make himself
exceeding scarce.”
But at this instant the whistle of the express is heard and Ashley
raises himself on his elbows. He sees Barker start down the track, and
his impulse is to follow. But to do so he will have to cross a broad
belt of moonlit open, and at this moment the four troopers come up.
The train comes to a standstill, Don Carlos is removed, the cars rumble
away, and Ashley notes with satisfaction that the search for the papers
is being conducted by the orderly. “He will not be harmed should
Navarro’s men open fire, if he keeps close to Carlos,” he thinks.
But where is Navarro? The situation is becoming strained for the young
man in the Grand Army uniform.
Jack is watching Barker. He hears him utter an ejaculation of
astonishment as he lays the unconscious form of Carlos upon the ground.
And then he hears a hoarse bellow of rage and sees one of Alvarez’
troopers whip out his sword and spring upon the orderly.
Less than a dozen feet separate Ashley and Barker. With a cry of
warning, Jack dashes forward and catches the descending arm just in time
to avert the certain destruction of the detective, who is wholly off his
guard. As it is, the edge of the falling blade catches Barker across the
forehead, half-stunning him and cutting a gash that means a scar to
recall this night in years to come. At the same instant Ashley
recognizes El Terredo in the wielder of the sword, and he whispers,
“Easy, Navarro,” in time to check a slash at his own head.
Meanwhile the remaining three troopers have hurled themselves upon
Alvarez and Barker. It all occurs in a flash and before Ashley recovers
from his surprise at the unexpected turn of events a shrill whistle from
Navarro has summoned nearly a score more of men from the surrounding
shadows.
Navarro raises Don Carlos in his arms and the youth, who has recovered
consciousness, clasps his arms about his brother’s neck and bursts into
tears of joy.
“There, be a man,” soothes the latter. “Remain here a few minutes while
I look after your Spanish friends.”
Navarro picks up the lantern and flashes its rays into Alvarez’ face.
“What’s this?” he cries. “By heaven, Captain Alvarez, I think we have
met before.”
As the two men confront each other in the moonlight, there is no need of
the lantern for each to see the other’s countenance.
An exclamation of surprise and rage escapes Alvarez’ lips, and he
struggles in the grasp of the two men who pinion his arms.
“Curse you!” he grits, in a voice choked with passion; “I’d give half my
life for five minutes of fair play now!”
“Fair play?” sneers Navarro. “You do not know the meaning of the phrase.
You are a thief, a blackguard, and a traitor!”
Alvarez wrenches free by a mighty effort and with a fearful oath hurls
himself upon Navarro.
------------------------------------------------------------------------
CHAPTER XLIV.
THE METAMORPHOSIS OF DON CARLOS.
“Stand back!” commands Navarro, as his men start forward to the enraged
Alvarez, whose fingers have twined about the insurgent leader’s neck.
“Back, I say! I can handle this gentleman without assistance.”
Alvarez is as a child in the steely arms of El Terredo. The latter tears
the clutching fingers from his throat, sweeps the Spanish captain off
his feet and dashes him to the ground.
Half-stunned and crazed by passion, Alvarez struggles to his knees and
whips out a pistol. It is knocked from his grasp before his arm
straightens, as half a dozen watchful Cubans pounce upon him.
“Away with them!” orders Navarro, with a sweep of his arm, and as
Alvarez and Barker are hustled off in the darkness he turns to Don
Carlos, who has been a silent and trembling witness of the conflict.
“In heaven’s name, my brother, what brings you on this errand? Don
Manuel must be mad.”
“Ah, Emilio, do not blame Don Manuel,” gently protests Carlos, as he
embraces Navarro. “The matter was urgent, a courier was required, and I
myself suggested that I be that courier. To see you again I would have
dared the perils of the journey, even were nothing more at stake.”
“Brave heart,” murmurs Navarro, brushing back the ringlets from his
brother’s brow. “But let this be your last commission, Carlos. I would
not jeopardize your life for a thousand Cubas. But come, is the news you
bring me verbal or written?”
For answer Carlos places a letter in Navarro’s hands, and the latter
reads it by the light of the lantern. It is brief, and as he thrusts it
into his pocket Jack steps forward.
“Ah, Ashley,” cries Navarro, grasping him by the hand; “the trick was
quickly done, eh? Carlos, it is to our American friend that you owe your
present safety and perhaps your life. It was he who warned me of the
plot for your arrest.”
“Spare me any praise,” protests Ashley, as Carlos is about to express
his gratitude. “By good fortune I became acquainted with Alvarez’
design, and further luck cast me in your brother’s way.”
“After you rode for miles into the mountains in search of me,”
interposes Navarro.
“Yes,” laughs Jack, “for I had a suspicion that, single-handed, I should
not have been a match for the Spanish captain and his men. Now, will you
tell me, my friend, how you circumvented Alvarez so cleverly?”
“It was an accident. The Spaniards came down the road instead of the
railroad track. When they located themselves at the crossing we
established our party about 200 yards from them, to wait the coming of
the train. The watch growing irksome, I and two of my men set forth to
reconnoiter. We had scarcely proceeded fifty yards, when we stood face
to face in the moonlight with two of the troopers.
“Instantly we threw ourselves upon them and stifled their attempts to
sound an alarm. They were dragged back to our ambush, bound hand and
foot, and pistols placed to their heads with orders that they be
instantly shot at the first outcry. I rightly assumed that their
companions would institute search for them, and shortly after two more
troopers came up the road. These we took from the rear and when all four
were safely secured the idea of exchanging our dress for theirs and
rejoining Alvarez naturally suggested itself. The rest you know.”
“Yes, and I also know that only by a fraction of a second did I prevent
your glittering sword blade from carving in twain the head of a very
warm friend of mine.”
“How? The fellow who was holding Carlos?”
“The same. He is an American, like myself, but it suits his purpose for
the present to masquerade as a soldier of Castile. At the moment I
interfered you were about to slaughter the man to whom Carlos primarily
owes his escape to-night, for it was through him that I learned of the
plan to arrest the messenger to El Terredo.”
“San Pedro!” cries the impetuous Navarro, in tones of sincere regret. “I
should never have forgiven myself. But I will at once set him at liberty
and add the poor consolation of an honest apology.”
“That is exactly what I do not wish you to do. It was to avoid
recognition that I rigged out in this uniform, and I am confident that
Alvarez did not recognize me. Barker, that is my friend’s name, may or
may not have discovered my identity when I cried out to you at the
moment I clutched your arm. At any rate, I shall not attempt to
ascertain. The principal point I wish to insist upon, if you will permit
me, is that Alvarez and Barker shall not be separated; further, that
they be permitted to proceed to Santiago within forty-eight hours.”
“Your wishes shall be respected, my dear Ashley,” says Navarro.
“Where have you had the prisoners taken?” asks Jack.
“To the ambush I spoke of, about 200 yards up the road.”
“And your further plans?”
“I intended to have marched the Spaniards back to the mountains as
prisoners of war. Within the hour I shall send a courier to the
revolutionary camp with orders to forward two hundred men with which to
capture the supply train. They should arrive early to-morrow forenoon.”
“Good. That work successfully accomplished, you can then permit Alvarez
and Barker to depart in peace.”
“If you so desire. And now suppose we rejoin my men.”
As the two move away Ashley’s eye is caught by the glitter of a small
object upon the ground. He picks it up and discovers that it is a locket
attached to a broken bit of chain. As he turns it over in his hands and
seeks to examine it in the pale light of the moon, Navarro calls to him
from the road: “Still surveying the battlefield, Ashley?”
“Coming,” says Jack. He drops his find into his hip pocket and proceeds
to forget all about it.
“What is to be done with Carlos, now that he is here?” he inquires as he
rejoins the Navarros.
“Carlos must return to Santiago at once,” declares El Terredo. “If I
might add to the already large debt of gratitude, I would ask that you
accompany him.”
“Gladly, Navarro. My intentions were to make Santiago at all speed. You
will not have Carlos return by rail?”
“No; by horse.”
“There is a possibility of running into trouble upon his arrival at the
city.”
“True; and to obviate that I have conceived a plan, not startlingly
original. Carlos must disguise himself in feminine attire.”
“Ah, then I pose in the role of a knight errant escorting a beautiful
maiden over the desert sands to her ancestral halls.”
Navarro laughs softly. “Is the part distasteful to you?” he asks.
“Nay. My only regret will be that Carlos is not the beauteous maid she
will represent.”
“But he will look the part to perfection, I promise you. Half a dozen of
my men will act as escort and conduct Carlos to the quinta. But I want
the assurance of your active head and arm the greater part of the
journey.”
“Thank you. And the female toggery—where is that to be procured?”
“That is a more difficult matter to adjust. Do you think the same
wardrobe that fitted you out to-night could be called upon in this
emergency?”
“It is possible,” replies Ashley. “There are women folks about the Hotel
Americana, else the house would not present its unusually neat
appearance. And there being women some of them probably have a dress or
two to spare. I will endeavor to negotiate with the landlord for a
suitable costume for your brother.”
“Excellent. I will await you here.”
The village is quiet as a churchyard when Ashley reaches the hotel.
Lights are visible, however, and a few raps upon the portals bring forth
the landlord.
Carter receives back his Grand Army habiliments without comment, but his
face is a study when Ashley broaches the idea of a feminine rig.
“By gum,” he exclaims; “you’re the funniest customer I’ve run up against
in all my Cuban hotel business, and I have met some queer ones, too.”
“My dear Carter,” confides Ashley, “as a matter of fact, I am not
altogether right in my head. I am seized at frequent periods with the
most absurd notions. Fortunately, I always have money enough to gratify
my freakish ideas.”
“I am not so soft as I look,” remarks Carter, dryly. “I’ll see what I
can do for you. How soon do you want the clothes?”
“As usual, at once. And while they are being hunted up I wish you would
have my horse saddled, as I must take the road within the hour. It is
getting along toward midnight. Where are the troopers—drunk or asleep?”
“Both, most of them,” is the laconic response, as the boniface takes
himself off to consult with his wife upon the subject of providing a
costume for a slender young man about five feet in height, as Ashley
describes the prospective wearer of the garments.
Landlord Carter has a daughter who rejoices in the possession of three
dresses. This alone should constitute her the belle of Jibana. For a sum
sufficient to double her wardrobe the young lady is induced to part with
the best of her three outfits and a bargain is consummated.
Miss Carter is not at all pleased at being routed from her slumbers, but
she is a rather pretty young woman, and after five minutes of Ashley’s
persuasive eloquence the landlord’s daughter beams with good nature and
laughingly inquires: “Do you want a complete costume?”
“To the last ribbon,” declares Jack. “By Jove!” he adds, mentally, “if
Carlos proposes to impersonate a young lady, he shall not lack
verisimilitude through any neglect on my part.”
“A thousand thanks, Miss Carter,” says Ashley, when the clothes are
finally tied in a big bundle and given into his possession.
“Isn’t this too much?” demurs the young lady, glancing at the gold coin
which he places in her hands.
“Not a bit,” replies Jack. “If it is”—he glances around, sees that papa
Carter has disappeared, and snatches a kiss from the young lady’s red
lips—“if it is, will you permit me to balance the debt?” he finishes.
Miss Carter blushes furiously, but she does not reprove the audacity.
Good-looking young men, alas, are few in Jibana.
Half an hour later Ashley turns the bundle of apparel over to Navarro
and receives the latter’s warmest thanks. “At what time do we start?”
Jack inquires.
“At daybreak. You will need a few hours’ rest before then.”
“I can use them all right. But suppose Alvarez’ men come nosing around
after their absent leader?”
“They will not find him. Follow me and I will lead you to our camp for
the night. I shall send with you as a guide a man who knows the country
well.”
With the dawn the little party is under way. Ashley stares in
astonishment at the metamorphosis that has been effected in the person
of Carlos. And as Carlos raises his veil and returns Jack’s stare with a
glance in which amusement is mingled with blushing diffidence, the
newspaper man laughs outright.
“I told you he would look the part to perfection,” remarks the elder
Navarro, as he comes forward to say adios. “Take good care of him,
Ashley, mi amigo. He is very dear to me.”
“For your sake I will guard him with jealous care,” replies Ashley.
“Good-by, Navarro. I hope to see you again before many days.”
“Most heartily do I echo the wish. But who can say what the future has
in store?” murmurs the insurgent leader. He watches the little cavalcade
until it disappears down the forest trail and then turns toward the
mountains with a heavy sigh.
Ashley drops to the rear of the little procession, lights a cigar and
relapses into a reverie. Suddenly he bethinks him of the locket which he
picked up on the scene of last night’s struggle.
Although his eyes never before rested upon it, as he looks at it now the
locket has almost a familiar appearance. He is somewhat prepared for the
surprise which follows his pressing of the spring.
The locket formerly contained two miniatures. One has been removed. That
which yet remains is an exquisite portrait of Louise Hathaway.
As Ashley stares at the gold ornament with its broken bit of chain he
realizes that he is looking upon the locket supposed to have been
removed from the watch-chain of Roger Hathaway the night the aged
cashier came to his death in the Raymond National Bank.
------------------------------------------------------------------------
CHAPTER XLV.
THE DOVE AND THE SERPENT.
“Whoa, Rozinante! If thou art as weary of this road as I, good beast, a
rest will not go against thy grain, or grass. What say you to a halt of
half an hour within the shade of this royal palm?”
It is the afternoon of the third day since Ashley’s return to Santiago,
and, having parted with Don Carlos and the escorting party on the edge
of Santos, this is the first opportunity Jack has had to ride out to La
Quinta de Quesada and pay his respects to Don Manuel’s beautiful
daughter; for the last three days have been busy ones for the newspaper
man. Truenos has arrived with his fleet from Havana, and the next week
promises to be big with the fate of Cuba Libre.
Ashley left Santiago an hour ago, and at the rate he has been
traveling—the heat precludes a gait faster than a moderate amble—he
judges that he has covered three of the four miles to Santos.
Hitching the amiable Rozinante, he throws himself upon the turf beneath
the foliage-massed branches of the royal palm, and lights a cigar; as he
smokes he grows thoughtful. And from rumination he drifts into
moralizing, addressing himself to Rozinante.
“Look here, Rozinante; if you have any horse sense that you’re not using
you might assist your master to extricate himself from somewhat of a
quandary. As you know, I came to Cuba principally on business for my
paper, incidentally to trail down a murder mystery and again
incidentally to follow a fair face belonging to the beautiful Louise
Hathaway. A good many chaps in my place would have fallen hopelessly in
love with Miss Hathaway at first sight, but I—well, that is not the
cause of my quandary. If it were, I could easily dismiss it with a
philosophical ‘there is no accounting for the tastes of most women.’ Ah,
no, Rozinante; it is something far more serious; for what I want to ask
you, Rozinante, is whether you believe that I, in my old age, have been
so indiscreet as to fall in love?”
But Rozinante, being a well-bred equine, declines to poke his nose into
young people’s affairs and continues his grass-cropping.
“See how the case stands, Rozinante,” continues Jack, tossing a pebble
at his four-footed companion to enforce attention. “On the one hand is
the Senorita Juanita de Quesada, the acknowledged Pearl of the Antilles,
the adored of all the beaux in Santiago; Juanita, the beautiful, the
accomplished, and the only child of the wealthy and elderly Don Manuel
de Quesada, who is likely to become the president de facto of this
cheerful country if the yellow fever continues to wilt the imported
flower of the chivalry of Spain. On the other hand, Rozinante, look at
me.”
At this moment Rozinante lifts his head and blinks comically at Ashley,
who grins back in the best of humors.
“Oh, I know what you are thinking about, Rozinante. You are saying to
yourself: ‘What a presumptuous fellow! But he is just like all
Americans.’ Well, you are not far from right, Rozzy. We Americans are a
bit fresh. But that is a digression. To return to our subject, which is
the always agreeable one of myself. Now, I am not a bad-looking chap.
You can see that, Roz, with one eye. And I am fairly bright and all
that. But hang it! I haven’t a bank account bigger than three figures,
and it will require nerve, my grass-eating friend, to step up to the
wealthy Don Quesada and say: ‘Don, old boy, I love your daughter. May I
ask your blessing?’ No one ever accused me of lacking in nerve, but have
I enough to supply the demand of such an occasion? Of course, if Don
Quesada becomes president of the republic of Cuba, and makes me his
cabinet-premier, I might buy a sugar plantation and become enormously
wealthy. But that, Rozinante, as you are probably aware, is a
twenty-to-one shot.
“The most perplexing feature of the whole affair is the fact that I have
no good reason to suppose that the dark-eyed Juanita returns in the
slightest degree the deep interest which I feel in her personal welfare.
I know that she likes me—why shouldn’t she?—but her maidenly reserve I
do not seem to be able to successfully penetrate. Again, my equine
friend, I am not so certain that she is not hopelessly in love with that
effeminate, downy-cheeked, pink-and-white and milk-and-water Don Carlos.
And how any woman can—But, pshaw! What is the use in quarreling with the
chap? And what is the use of my lounging longer here, talking at an
unappreciative audience? Ah, Juanita, if you would but encourage me a
bit I would soon solve my perplexity. Just a draught from this spring
back in the bushes, Rozinante, and then we will jog along toward
Santos.”
As Ashley bends over the spring the grating of carriage wheels sounds in
the road.
A volante flashes by at what seems reckless speed; but the Cuban volante
cannot upset. Two ladies are in the vehicle, and as they sweep by they
glance curiously at the tethered horse. An instant later they are gone,
and the young man who emerges hastily from the bushes and looks down the
dust-veiled road emits a long, low whistle.
“Juanita! And unless my usually correct vision is deceived, her
companion is my old friend Isabel Harding. The dove and the serpent!
What the deuce is the meaning of this unholy intimacy? By heaven,
Rozinante,” mutters Ashley, as he untethers his horse and vaults into
the saddle, “the presence of Isabel Harding at Santos augurs no good to
the house of Quesada. Don Manuel must be warned at once.” And kicking
Rozinante’s ample sides Ashley forces that amiable beast into a violent
canter.
The remainder of the journey is quickly covered, and as Jack reins up at
La Quinta de Quesada, Don Manuel comes out and greets him cordially.
“Welcome, Senor Ashley. You are quite a stranger. We had begun to fear
that the Spanish press censors had suppressed you.” Then, dropping his
voice to a cautious undertone: “Any news from the field?”
“Yes, and rather good news. It is reported in Santiago that your yacht,
the Pearl of the Antilles, engaged a Spanish ship of war yesterday, and
that El Terredo, after lying alongside, fought a desperate and winning
battle on the decks of the enemy’s vessel.”
“Bueno!” Don Quesada’s eyes light up with pleasure. “Ah, Senor Ashley,
there is a fighter after your own American heart. If we had a thousand
such men we should drive the Spanish into the sea and off our loved
island forever.”
“I was passed on the road from Santiago by your daughter,” remarks Jack,
as he sits down in front of a brimming glass. “Will she be absent long?”
“For the entire evening. Surely you have not overlooked the grand ball
to be given to-night by the new captain-general; a gathering of beauty
and of chivalry, to express his supreme contempt of the insignificance
of the Cuban cause,” says Don Quesada, with faint irony.
“By Jove! I had overlooked it. The senorita was accompanied by another
lady. May I inquire her name?”
“Certainly. She is Mrs. Isabel Harding.”
“I thought so,” mutters Jack. Then:
“What is her business here?”
“Mrs. Harding is my guest,” replies Don Quesada, rather curtly.
“She has been here long?”
“About ten days.”
Jack stares and bites his cigar viciously. “You will pardon my
questioning, Don Quesada. Believe me, I am not actuated by idle
curiosity.”
The Don bows and Jack leans over and asks, earnestly:
“During Mrs. Harding’s stay here has she learned anything that would
lead her to suspect that you are identified with the movement to free
Cuba?”
“Naturally. She is one of us,” replies the Don, dryly.
“One of us!” repeats Jack, in astonishment.
“Yes. An American, like yourself; she is an enthusiastic adherent of the
Cuban cause and is enabled to do us much service.”
“Then you have trusted her with some secrets?”
“She is at this moment the bearer of important dispatches to Captain
Francisco Guerra.”
“Great Scott!” Jack jumps to his feet. Don Quesada rises with him and
demands:
“What do you mean?”
“I mean that I believe Mrs. Harding to be a spy in the employ of the
Spanish government, and that you have signed and given into her hands
your own death warrant and the utter ruin of your friends!”
It is a cruel blow. Don Quesada staggers under it and sinks helplessly
into his chair. Jack pours him out a draught of wine and then paces to
and fro on the veranda, his active mind intent on some path of escape
from the desperate situation.
“At what hour does the ball begin?” he demands.
“At eight, I believe,” replies Don Quesada, faintly. He is completely
crushed.
“It is now nearly six,” muses Jack, glancing at his watch. “And Guerra?
Where was he to receive the dispatches?”
“At the ball.”
“Quick! Pen and paper,” requests Jack. And as Don Quesada hurries away
to comply the young man murmurs: “There is only one chance in a
thousand, but I must take it.”
When the stationery is brought Jack inquires: “In what form were the
dispatches sent?”
“In a plain envelope, such as you have there.”
“Good.” Jack writes hurriedly a few moments, passes what he has written
over to Don Quesada, and commanding simply, “Copy that,” busies himself
over another letter.
Don Quesada follows the directions without question, but as he writes a
little of hope comes into his pale face, and he looks admiringly at
Jack, with the remark: “Can you do it?”
“Quien sabe? It’s a desperate chance.” Jack glances approvingly at the
letter which the Don has sealed, places it in his pocket and then
addresses and seals the second letter, which he gives to the Cuban
president.
“You must leave here at once. Where is Don Carlos?”
“He is here.”
“He must accompany you. You must make your way with all haste as
secretly as possible to Santiago and go aboard the United States cruiser
America. This letter will explain all, and make you welcome. Once under
the stars and stripes you will be safe when the storm breaks.”
“But my daughter!” cries the Don, suddenly recollecting the beautiful
Pearl of the Antilles. Jack’s eyes grow tender, and, gripping the older
man by the hand, he says proudly, as their eyes meet.
“Don Quesada, I love your daughter. I will answer for her safety with my
life. And now, I’m off. Remember—to Santiago at once. Adios!”
And without waiting to ascertain how his declaration of love affects the
father of his loved one, Jack springs into the saddle and clatters away.
------------------------------------------------------------------------
CHAPTER XLVI.
PLAYING FOR HIGH STAKES.
Scarcely has a third of the distance to Santiago been covered when horse
and rider realize that the pace set is no longer compatible with the
Cuban climate. As Rozinante settles into a walk, Ashley pulls vigorously
on a fresh cigar and revolves the situation in his mind.
“Credulous fool!” he grumbles, thinking of the betrayed Don Manuel de
Quesada. “Played right into the enemy’s hands. But wiser and greater men
have been cozened by the smiles of a beautiful woman. Besides, he is
Juanita’s father. That covers a multitude of shortcomings. Ah, Juanita,
I must indeed love thee when I would willingly risk my valuable life in
thy behalf. I am not a hypocrite, and I confess that an absorbing
interest in my personal welfare has ever been one of my glittering
characteristics.
“Those papers must be recovered. But how? But I have a mighty big job on
my hands, even if Truenos is not a Richelieu. Well, it is the pen
against the sword, and may heaven maintain the vaunted mightiness of the
pen.”
It is something after seven o’clock when Ashley arrives at Santiago. The
first acquaintance he meets, after he has put up his horse and proceeded
toward his hotel, is General Murillo.
“Of course you are going to the ball?” remarks Ashley, as they shake
hands.
Most assuredly General Murillo will be there. It will be a grand affair.
Senor Ashley must attend, by all means.
Senor Ashley means to be there, and he thanks General Murillo for an
offer to introduce him to a score of the prettiest maids in Cuba. And
when the general insists upon his American friend dining with him, the
latter quickly accepts. He has no time to waste, he tells himself, but
he is much relieved when, in reply to his query, “And Truenos, is he at
the palace?” General Murillo informs him that the captain-general has
been called to Mentos, ten miles distant, on business of an important
nature, and will probably be late in arriving at the festivities, which
will not, however, be delayed.
The first flash of hope comes to Ashley at this intelligence, and he
dines with a lighter heart. After half an hour of chat on commonplace
topics, he manages to ask with well-played indifference:
“At what time did Truenos leave for Mentos, general?”
“Early this afternoon.”
Ah, then it is not yet too late. Ashley breathes easier.
“Well, general, you are a loyal adherent of Spain and I am an
out-and-out American. There is no chance for an argument between us. Let
me fill your glass and we will drink a toast to all honest men and
women, whether Spaniards or Cubans.”
“With pleasure, Senor Ashley. To all honest men—and women.”
“Which does not include your amiable friend, Mrs. Harding,” thinks
Ashley, as he raises the glass to his lips.
The dinner finished, the two men separate, while Ashley exchanges his
travel-worn garments for an evening dress. Half an hour later he and
General Murillo leave for the palace.
“I have a vague suspicion that I am booked for an exciting evening,”
muses Jack, as he enters the brilliantly lighted sala of the palace and
is duly presented by Murillo.
The dancing has already begun, but Terpsichore is the last goddess he is
desirous of wooing on this particular evening. His gaze wanders
solicitously about the crowded room and rests at last upon her whom he
seeks—Juanita.
“She is simply stunning to-night,” he mutters, nervously tugging at his
mustache.
And indeed Juanita is radiantly beautiful. Her dark loveliness is set
off by a bewitching gown of white; she is fanning herself with that
lazily graceful motion which the Saxon cannot imitate successfully, and
at the moment that Ashley discovers her she is telling Captain Ramon
Huerta, who has requested with Spanish extravagance “the exquisite honor
and incomparable delight of a figure with her,” that she really does not
care to dance this evening. At which Captain Huerta looks disappointed
and scowls a trifle. But he continues to inflict upon her a presence
which is palpably unwelcome.
Juanita’s eyes light up with unfeigned pleasure when Ashley arrives upon
the scene and she greets him with unreserved cordiality. She presents
him to Captain Huerta, who bows as stiffly as he holds his revolver arm.
Ashley returns the salute with a suspicion of exaggeration, and grins
maliciously when the Spaniard takes himself off, after bestowing a
glance of unmistakable enmity upon the American.
Juanita gazes after the retreating form with distinct aversion. “I have
a strange fear of that man,” she confides to Ashley, who smiles
reassuringly and tells her that while she is in his vicinity there
should be no such word as fear in her bright lexicon of youth.
Juanita rewards this gallant speech, which from anyone except Jack
Ashley would sound boastful, with a glance that sets the American’s
blood tingling. But he has no time to-night for love-making, whether his
suit be favored or hopeless, and as he drops into a chair beside the
Pearl of the Antilles he asks casually: “Where is your friend, Mrs.
Harding?”
“Ah, you know Isabel?”
“You passed me this afternoon on the road to Santos, whither I was
proceeding to pay my most humble respects.”
“Then that horse by the big royal palm was yours?”
“Even so. I was close by, but your volante swept past at such a pace
that I hardly recovered from my surprise at seeing you before you were
gone.”
“I am sorry we started away so early,” Juanita says, regretfully.
“So am I,” Ashley thinks, grimly, but he does not tell her why.
“I have seen nothing of Mrs. Harding since I arrived,” he remarks.
Juanita’s glance wanders about the room. “There she is,” she indicates,
“over by the staircase, the object of the devoted attentions of Count
Gonzaga.”
“Who the deuce is Count Gonzaga?” wonders Ashley, and he intimates as
much to his companion.
“Have you not met the count? General Jacinto de Gonzaga is his military
title. He is some sort of an assistant secretary of war and is
representing the home government in Cuba for a short time. He seems
desperately smitten with Isabel. She is very handsome, do you not think
so, Senor Ashley?”
“Yes, very,” replies Jack, absently. He is watching the pair by the
staircase, and wondering what sort of a game Isabel Harding is now
playing.
“She is coming this way,” says Juanita. “Have you met her?”
“I have not had that pleasure,” Ashley replies, unblushingly. “Not
lately,” he mentally adds.
He turns away to admire some flowers and soon he hears Juanita’s voice:
“Isabel, allow me to present Mr. Ashley to you. Mr. Ashley, Mrs.
Harding.”
Ashley turns calmly and the two are face to face. She acknowledges the
introduction with a composure equal to Ashley’s own, and that young man
permits a trace of admiration to mingle with the expression in his eyes
which plainly says to the woman before him: “I know your game, my lady.”
And the answering flash from the midnight orbs is: “You have more than a
match in me, Mr. Ashley. Beware!”
“We shall see,” thinks Ashley, and then, led by Juanita, who sees
nothing of the mutual recognition, the conversation drifts into the
usual chatter of the ball-room.
“You remember, Isabel, that big horse we saw lunching so contentedly by
the road this afternoon?” prattles Juanita.
“Yes, dear, and how we wondered whether its owner was enjoying a siesta
in the bushes.”
“Well, it was Mr. Ashley’s horse.”
“I saw you flit by,” supplements Ashley, “but I was back drinking at a
spring and your volante was out of sight before I had recovered from my
surprise at seeing you.” He is looking directly at Mrs. Harding and that
lady smiles, a bit ironically.
“And I presume that when you saw the principal attraction of El Valle de
Bosque Cillos being borne toward Santiago, you mounted your horse and
sadly followed,” ventures Isabel.
“No; I knew the senorita was in good company,” Jack responds, dryly, “so
I continued on to Santos and spent a profitable hour with Don Quesada.”
“Ah!” Mrs. Harding regards him narrowly from between her half-dropped
eyelids.
“I say profitable,” continues Ashley, “as I did not know, until so
informed, that Don Quesada numbered the charming Mrs. Harding in his
list of acquaintances.”
“Of course you congratulated him.”
“Most assuredly.”
The half-veiled contempt expressed in Isabel’s face exasperates Ashley.
Hidden somewhere in that corsage, against which beats the falsest heart
in Cuba, are papers that mean the ruin of the innocent girl at his side.
He must have time to think, think, think. So he excuses himself and
leaves the crowded ball-room for a walk in the cool air of the garden.
In one corner of the spacious inclosure he finds a little arbor, and in
this nook Ashley sits and smokes and thinks, but no plan for the
confusion of the adventuress suggests itself, unless, as he growls
vindictively, he abducts or chloroforms her.
His meditations are disturbed by voices close at hand. Two gentlemen
have, like himself, forsaken the heated ball-room for the outer air, and
they pause in their stroll within a few feet of Ashley’s retreat.
Jack pays no attention to them until by their voices and conversation he
realizes that one of them is Captain Julio Alvarez and the other is
Count Gonzaga. “That’s a happy combination,” he laughs softly. “They
ought to get a few more of Isabel’s friends and hold a reunion.”
“You are an excellent judge of beauty, Count Gonzaga,” he hears Alvarez
remark, with a faint sneer. “I have been noticing your devotion to the
handsome Mrs. Harding, the widow of the enormously wealthy ship-owner.”
“Ah, amigo, is she not beautiful?” the count replies, enthusiastically.
He appears to be in rare spirits. “I must ask you to congratulate me,
Captain Alvarez.”
“I have—on your excellent taste.”
“On more, amigo. The beautiful American has consented to become the
Countess Gonzaga.”
“The devil!”
“You are surprised.”
“Rather. I am surprised that a gentleman of Count Gonzaga’s position
should think of linking his name with a lady of her character.”
“Por Dios! Your meaning?” cries the count, with a flash of Castilian
wrath that causes Captain Alvarez to curse his hasty words, which must
have emanated from jealousy or something deeper. Ashley wonders what.
“Oh, nothing,” Alvarez replies, carelessly. “You must pardon my
unthinking remark, count. Believe me, I—”
“You will explain yourself to me, and at once, senor,” declares Gonzaga,
with frigid emphasis.
There is a silence, which Alvarez, who sees that he is in for it,
finally breaks with: “Very well, count, but I warn you that you will
regret your insistence. You will have to excuse me now, as I have
promised to dance this next figure. Meet me at this place a quarter of
an hour hence, and I will endeavor to satisfy you.”
“Very good,” grits Gonzaga. “I will be prompt,” and the men separate.
“The fair Isabel is a star, surely,” soliloquizes Ashley. “Who would
have dreamed that she was playing her cards for the role of a countess?
Alas! Gonzaga will be brutally undeceived by Alvarez. The latter has put
his foot in it and there is only one way out. Jupiter!”
Ashley leaps to his feet, for the inspiration of his life has come to
him.
“By George, I have it! But will she do it?” he cries. “She must do it.
It is not her nature, still it’s a chance, and if the fates are on the
side of right Don Quesada and the senorita are saved!”
------------------------------------------------------------------------
CHAPTER XLVII.
THE PEN WINS.
Upon his return to the ball-room Ashley is taken to task by General
Murillo. “I have been searching for you for over half an hour,” the
general assures him. “Come over here while I introduce you to the
prettiest girl in Cuba.”
“Confound his kindness,” grumbles Jack, mentally, who has no time to
squander in talking nonsense with dark-eyed senoritas. There is work to
be done. But he follows Murillo over the floor and is amused to find
himself being introduced to Juanita de Quesada, who is the center of
attraction of a group of young Santiago swells.
“Oh, Senor Ashley and I are old friends,” cries Juanita, smiling at
General Murillo.
“Are you, indeed?” remarks the general, favoring the American with a
keen glance. “Well, I will leave you together with my blessing,” and the
warrior takes himself off.
“I have much to tell you to-night, senorita, but at another moment,”
Ashley says, as he makes his excuses for terminating a conversation that
has hardly begun. “I have work to do, and it means much to you,” he
explains to the pouting young lady, and leaving her somewhat mystified
and not at all pleased, he goes off to hunt up Isabel Harding.
He finds the latter alone. For excellent reasons Count Gonzaga is
holding himself aloof. Captain Alvarez is not in sight.
“Don’t you find the atmosphere of the room close?” he inquires, as he
reaches Isabel’s side.
“Not at all. I am entirely cool,” she responds.
“But it is ever so much pleasanter in the garden,” persists Ashley, as
he twists his mustache and meets her curious glance with a smile that is
amiability itself. Without another word she rises and accepts his
extended arm.
“How delightful it is out here under the stars,” rattles on Jack, as
they emerge into the garden. “These glorious nights almost repay one for
the sweltering days. Ah, here is an ideal summer house. You will find it
as cozy as a society darling’s boudoir. Won’t you take a seat?”
Mrs. Harding laughs, a trifle ironically, as she sinks upon the wooden
bench that runs around the interior.
“Now, Mr. Ashley,” she remarks, “will you be good enough to inform me
what you have brought me out here to tell me?”
“With pleasure, madam,” responds Ashley, dropping back into his old
deliberate self.
“If you will let your thoughts stray back about six weeks, Mrs. Harding,
you will perhaps remember that on a certain evening I had the pleasure
of relating to you a fairy tale, to assist you in dissipating the
monotony of an attendance upon the French ball. The fairy tale lacked
the closing and most interesting chapter, you will recall, and I
requested that you supply it. ‘Not to-night,’ you protested, but you
kindly promised me an interview upon the following forenoon.
“That promise, I regret to say, you broke with as little ceremony as one
would—”
“I presume,” interrupts Mrs. Harding, “that it will be unnecessary for
me to assign my reason for failing to keep my promise.”
“Quite. It would not mend matters. Now, suppose, as the novelists say,
we take up the thread of our narrative, which was broken when I left
your box at the garden.”
“Suppose we do? What do you desire of me?”
“I wish to possess myself of certain information in your keeping.”
“Relative to that Vermont affair?”
“Precisely.”
“I can tell you nothing.”
“Excuse me. Perhaps you mean you will tell me nothing.”
“As you please, sir.”
“I think you will,” Jack says, calmly. “Will you pardon a cigar, Mrs.
Harding? Perhaps the smoke will keep these inquisitive mosquitoes at a
distance.”
Isabel laughs unpleasantly. “Do I understand you to intimate that you
will resort to force?” she inquires, sarcastically.
“Assuredly; although I don’t fancy the word ‘force.’ ‘Induce’ is the
better term.”
“A truce to your euphemism, Mr. Ashley. I am curious to learn what
possible lever you can possess.”
“I shall not delay the information. I have in mind a lever whose potency
you can readily appreciate. I refer to the Count de Gonzaga.”
“Good heavens! What do you mean?” In awed, whispered tones.
“I think you grasp my meaning,” Jack returns, coolly. “Or will it be
necessary for me to relate another fairy tale, concerning a beautiful
woman who posed successfully for a time as the widow of an enormously
wealthy American ship-owner?”
“You would not dare—”
“I would dare do several things, if the occasion for unusual trepidity
seemed to arise. Besides, the vaunted brotherhood of man—”
“The vaunted brotherhood of man would lead you to betray a defenseless
woman—one who never did you aught of harm, would it?” pants Isabel.
“My dear Mrs. Harding, consider how easily you may avert such an
unfortunate denouement. I don’t care a rap about Count Gonzaga.
Conceding your natural charms, which are legion, the count’s affections
are undoubtedly centered in your supposed fortune. That is usually the
principal item in the matrimonial calculations of European nobility that
seeks alliance with American beauty. As a matter of fact, I should
rather enjoy seeing Gonzaga thrown down, if you will excuse the slang.
Come. A bargain is a bargain!”
There is a silence. Isabel is presumably weighing the situation
carefully, and she disappoints Ashley by rising and remarking: “I think
I will return to the ball-room, Mr. Ashley, if you will kindly escort
me.”
“One moment,” detains Jack. Isabel resumes her seat. “Have you carefully
considered the probable result of your silence?”
“Perfectly.”
“You must have some powerful reason for sealing your lips on that
Raymond affair,” comments Jack; and then he growls under his breath:
“Why in thunder don’t they come?”
“We may as well terminate this interview. Do your worst, Mr. Ashley.”
“That is rather theatric, Mrs. Harding,” banters Jack. “Clever woman,
this,” he thinks. “She knows I would not be such a beastly cad as to
tell her story to Gonzaga. Ah!”
Footsteps are heard approaching. They stop just without the summer
house.
“Stay!” Ashley whispers in Isabel’s ear. “The count is here.”
She starts to ask, “how do you know it is he?” but remains mute. An
instant later the new arrival is joined by another.
“Captain Alvarez!” breathes Jack, gripping Isabel’s arm. “Not a word!”
Isabel sinks into a seat. Ashley can feel her tremble. He tosses away
his cigar and remains standing. The silence that broods over the garden
nook is broken by Captain Alvarez, who is so near the listeners that
they could reach out and almost touch him.
“While I can find no objection, Count Gonzaga, to satisfying your
unfortunate demand, I would advise that you drop this matter where it
is. No good can come of wittingly injuring your amour propre. Believe
me—”
“Captain Alvarez,” interrupts the count, frigidly, “you made a distinct
accusation against the character of the lady whom I have honored with an
offer of my hand. I demand that you retract your statement and apologize
for its utterance, or prove its truth.”
“I am willing to recall my hasty words, count.”
“Then you lied?”
There is a short but eloquent silence. “Very well,” says Alvarez. “I
perceive that you are determined to be wholly undeceived as to the
imposition which has been put upon you. Know then that the wealthy
American widow, Isabel Harding, is neither wealthy nor a widow.”
“Not a widow?” repeats Count Gonzaga. “Caramba! What, then, is she?”
“What you will,” replies Alvarez, indifferently. “What usually is an
adventuress?”
“But the proof? Dios! The proof?” demands the count. Perchance Alvarez
is lying to him.
A low, unpleasant laugh from the latter. “I had the honor of being at
one time the very good friend of madam,” he says.
“Scoundrel!” grits Ashley in Mrs. Harding’s ear. The critical moment is
at hand. “Victory!” murmurs Jack, as Mrs. Harding, who has risen and is
twisting her lace handkerchief into shreds, gasps once or twice as
Alvarez finishes his brutal story, and then faints in Ashley’s arms.
“El Diablo!” the latter hears the count ejaculate, and with the
mortification in his voice is mingled much of mental relief.
“Rather indelicate, but when a life is at stake delicacy must go by the
board,” mutters Ashley.
“Ah, the precious papers! Now, my lady, we will part company.”
The fanfare of trumpets in the ball-room announces that the
captain-general has at last arrived to grace the festivities with his
presence.
“Have you quite recovered?” Ashley asks Isabel, with as much solicitude
in his voice as he can command.
“Yes, thank you. You see I am yet a woman,” she says bitterly. And she
adds in tones of intense hatred: “The cur! The coward! But come, let us
return to the ball—”
They have reached the entrance of the ball-room. Mrs. Harding stops and
favors Ashley with the kindest look she has ever bestowed upon him.
“Mr. Ashley, you are no friend of mine. In fact, you are the only man I
have ever feared. But I know you would not have been the coward that
Capt. Alvarez has proved.”
Ashley’s response is an enigmatic smile. He remarks, lightly: “I have
the honor of wishing you a very good-evening, Mrs. Harding.”
He watches her disappear in the crowd and sees her a few moments later
in the long line that is passing the “reviewing stand.” As she pauses an
instant before the captain-general Ashley notes the latter incline his
head slightly. Some words are spoken and Mrs. Harding continues on.
A triumphant smile flits over Ashley’s face; he thinks exultingly:
“The pen wins this time! Now for Juanita!”
------------------------------------------------------------------------
CHAPTER XLVIII.
THE SWORD TRIUMPHANT.
“You are in unusually good spirits this evening, Senor Ashley.”
“I am always happy when I am near you, senorita,” is Jack’s fervent
response. At which speech, the warmest she has ever heard from his lips,
Juanita grows as rosy as the morn and does not appear displeased.
“Is that dreadfully important work which has occupied so much of your
time this evening yet finished?”
“Very nearly.”
“And you can devote a little time to your friends?”
“I am ready to devote the remainder of my existence to one of them,
senorita.”
“Oh, what unselfishness! When do you expect to begin?”
“Whenever I have reason to believe that such devotion will be rewarded
by—”
“Reward? Then it is not a bit unselfish and does not deserve
encouragement,” interrupts the young lady, with a toss of her head.
“You are cruel, senorita,” murmurs Ashley, but his voice does not betray
a great deal of grief.
“I am just,” declares Juanita. “While I have been sitting here at the
mercy of a lot of frightfully stupid men, you have devoted your time to
the entertainment of Mrs. Harding. Perhaps that was the devotion you
alluded to a moment ago,” ventures the young lady, with a pretty frown.
“Hardly,” laughs Jack. “You do not know Mrs. Harding, senorita.”
“Perhaps not as well as you, Senor Ashley. My opportunities have not
been so good. I saw you come in from the garden. One would hardly judge
that you had met her only half an hour ago.”
“Oh, the fair Isabel and I are old friends,” Ashley remarks, serenely.
“Indeed? Yet you told me—”
“I will tell you more, senorita.”
“I don’t want to hear any more,” opposes Juanita crossly. “You have
deceived me once and I—”
“Deceived thee? Ah, Juanita—” Jack checks himself as he notes the flush
of annoyance in her cheeks.
“Hello! There’s the chap I’ve been looking for,” suddenly remarks
Ashley, as he catches a glimpse of Capt. Guerra over by the big
staircase. “Will you pardon me just a moment, senorita? That will
complete my evening work, and then if a lifetime of devotion will—”
“Stop! I shan’t hear another word,” breaks in Juanita, imperiously. “And
you need not hurry back,” she adds irritably, provoked by Ashley’s
serenity.
Meanwhile Ashley is telling himself that he must be progressing in his
wooing, since Juanita has betrayed symptoms of jealousy. “Devotion? She
little knows how much need she has of a clear head and strong arm,” he
thinks. “Ah, Capt. Guerra,” he remarks, pausing before a
distinguished-appearing gentleman who is idling by the staircase, “will
you be good enough to follow me into the garden?”
Ashley passes out and Guerra follows him curiously. When they are alone
and unobserved Ashley takes an envelope from his pocket and presses it
into the captain’s hand.
“Read that and then destroy it,” he directs.
“Your meaning, senor?”
“No explanation is necessary. I am ignorant of the contents of the
documents further than that their publicity would be deuced awkward for
you and incidentally for myself.”
“Wonderful! How came you by them?”
“That is my affair, senor. Had I not rescued them they would now be in
the hands of Truenos. Adios!” And Jack leaves the mystified Spaniard to
his own devices.
Meantime a little scene that would afford Ashley the keenest delight to
witness is taking place in one of the rooms of the palace. Gen. Truenos
is seated at a table littered with maps and papers and Gen. Murillo and
Isabel Harding have just been ushered into the apartment.
“You have succeeded?” Truenos asks as Mrs. Harding approaches.
“Beyond expectation. Quesada may not be the head and front of the
offenders, but he is certainly one in whom there has been placed some
authority.”
“Quesada is now a fugitive,” asserts Truenos.
“Indeed?” This is news to Isabel. “Ashley’s warning,” she thinks. “When
did you learn this, general?”
“To-day. He has taken refuge on board the United States cruiser. I have
strongly suspected Quesada, but have not particularly feared him.
Quesada is a figurehead. What I want is proof of conspiracy on the part
of men any one of whom is more troublesome than a dozen Quesadas—men I
suspect to be conspiring against the government even while pretending to
serve it.”
“Would certain dispatches from Don Quesada addressed to Capt. Francisco
Guerra furnish the necessary evidence?” asks Mrs. Harding.
“Ah! You have intercepted such?”
“Better. I am the bearer of them.”
Truenos regards his spy admiringly. “Bueno! The papers at once!” he
cries.
“And my reward?” suggests Isabel, as she takes from her bosom the
precious envelope.
“Anything that you may ask—in reason,” replies the captain-general,
reaching impatiently for the documents. “Why, how is this? This letter
is addressed to me.”
“To you?” exclaims Isabel in astonishment. “Surely—why—there must be
some mistake.”
“Evidently,” rejoins Truenos, as he breaks the seal.
Isabel watches him anxiously as he scans the document. A pale sickly
light is beginning to break upon her bewilderment.
Ashley! The papers have been tampered with! It was for that he led her
to the garden. How did he know, before they spoke, who were the two men
whose meeting had interrupted their conversation in the summer house?
And, oh, how weak she had been! She sees it all now and she swears she
will be revenged. Aha! She knows where to wound him, to repay him in
awful torture for the trick he has played upon her.
While these dark thoughts are flitting through her mind the
captain-general has finished his brief examination of the letter, which
he tosses over to her. She picks it up mechanically and reads:
“To His Excellency, Honorato de Truenos: Indisposition prevents
my attending the grand ball to-night and offering my
congratulations upon your safe arrival at Santiago. Under the
directions of such a general there should be no difficulty in
quickly subduing the insurrection, which I believe to be nearly
at an end.
Manuel de Quesada.”
“I have been tricked, Gen. Truenos,” says Isabel, crushing the paper in
her hand.
“It would seem so,” remarks the captain-general. It is apparent that he
is vastly disappointed. “Come, tell me of your stay at the quinta, all
you know concerning Quesada and his movements.”
There is much of importance to relate, and when Mrs. Harding has
finished her story Truenos summons Capt. Huerta.
“Take a dozen of your men and repair at once to La Quinta de Quesada.
You know where it is?” Capt. Huerta knows perfectly. “Ransack the house
thoroughly and fetch me every scrap of writing upon the premises. Gen.
Murillo, do you follow in the morning and look over the place. Go!” to
Huerta.
The latter bows and leaves the room. Mrs. Harding follows. “One moment,
Captain Huerta,” she says.
A short but earnest conversation ensues. Isabel talks in rapid whispers,
and the Spanish captain listens eagerly, while surprise, anger, hope and
malicious joy are mirrored in succession upon his swarthy countenance.
“Within ten minutes,” he breathes, and hurries away to execute the
commands of the captain-general.
“I told you it would be better if you delivered the papers to me during
the afternoon,” General Murillo tells Mrs. Harding, after Truenos has
gone. “Who has been the cause of your undoing?”
Isabel tells him of her suspicions, which she has come to regard as
virtual facts, and Murillo is inclined to agree with her.
“The game is not yet played out, general,” flashes Isabel.
“Well, take care, take care,” admonishes Murillo, as they separate.
“Ah, here is the very man now,” frowns the general, as he re-enters the
sala grande and is greeted by Ashley, who has just left Captain Guerra.
“My dear Senor Ashley,” he observes dryly, “let me give you a piece of
advice.”
“With pleasure, general. I am always open to kindly counsel, although I
do not always follow it.”
“Do not let your interest in a young lady lead you into mixing with the
affairs of a country toward which you are expected to maintain a strict
neutrality,” is Murillo’s blunt remark.
“I don’t think I catch your drift, general,” drawls Jack. But he does,
and the gleam of quiet triumph in his blue eyes irritates Murillo.
“I have warned you,” says the latter, and turns on his heel.
“So I am suspected,” thinks Ashley. “I imagined the fair Isabel would
like to know to whom to ascribe her confusion. And now to undeceive
Juanita.”
But Juanita is not to be found. There are few guests remaining in the
sala and she is not among them.
Ashley explores the garden, with like success. Then he questions the
line of volante drivers drawn up before the entrance to the palace
grounds. Have any of them seen Senorita de Quesada? None that he
interrogates have had that pleasure, and the Pearl of the Antilles is
known by sight to nearly all of them. Ashley is in despair.
“The Senorita de Quesada?” queries one of the Cuban jehus, who has just
joined the group. “The senorita and another lady were driven away in a
volante not ten minutes ago.”
“In what direction?” demands Ashley.
“To Santos.”
“To Santos? Heavens, man, they cannot go to Santos at this hour of night
unescorted!”
Unescorted? Is not Captain Huerta and his men all the escort that one
could desire?
This intelligence is a frightful strain upon Ashley’s composure, as he
thinks of Juanita, Isabel, Captain Huerta and the deserted La Quinta de
Quesada.
“Quick! To Santos!” he cries, springing into a volante and tossing a
handful of coin to the driver. “To Santos as fast as your horse will
travel!”
The man leaps to his seat, cracks his whip and they are off.
As they clatter through the streets of Santiago and swing into the road
which Ashley traversed only a few hours before, Jack shouts impatiently,
“Faster! Faster! Great Scott! This is no funeral! Though it may be,
before I’m through with it,” he adds, savagely.
“But senor, we will dash the volante to pieces,” protests his
charioteer.
Inwardly chafing, but realizing the futility of impatience, Ashley
forces himself to be calm. It seems an age before the distance to Santos
is traversed, but finally the outlines of the few buildings which the
hamlet boasts are seen against the starlit sky.
The driver reins up his steed for further directions.
“To La Quinta de Quesada,” orders Ashley, and they rattle on.
Suddenly rings out the command, “Alto!” and the volante stops with a
suddenness that nearly unseats its passenger, directly in front of El
Calabozo de Infierno, the local carcel.
“What in the devil’s name—” begins Ashley, but he is seized and dragged
roughly from the volante, a pistol clapped to his head and the command
hissed in his ear: “Callese!”
Lights appear about the entrance of the carcel, and as Ashley is hustled
toward the gloom beyond he sees, standing near the passageway and
watching the strange proceedings with a troubled face, the aged priest
whom he noted at La Quinta de Quesada a few days before.
Ashley is hurried through the patio and along the ill-smelling corridor
beyond to an open cell. Into this he is pushed and his ungentle captor
tells him:
“En la manana muere V. sobre el garrote!”
“Thank you,” says Ashley. His stock of Spanish is just sufficient to
enable him to comprehend the nature of the cheerful intelligence, which
is to the effect that he is to die by the iron collar to-morrow.
“Will you leave the light?” he requests.
The smoky lantern is set upon the floor. Then the door clangs to, there
is a rattle of chains and the echo of departing footsteps and he is
alone.
------------------------------------------------------------------------
CHAPTER XLIX.
EL CALABOZO DE INFIERNO.
An ordinary man, suddenly placed in the position in which Jack Ashley
finds himself, would perhaps exhaust his strength in useless
imprecations upon his oppressors, and finish by sinking into utter
hopelessness as to his fate.
But, as was intimated when the reader first made his acquaintance, Jack
Ashley is not an ordinary man. The practice of self-restraint has
enabled him to retain to a remarkable degree his self-possession at more
than one exciting moment, and his sublime confidence in himself is never
wanting.
Clearly his arrest has been arbitrary and unofficial. He has not even
been searched. His watch and money, his papers, even his revolver, are
upon his person.
“And best of all, they have not deprived me of this incomparable
solace,” he says, as he draws a cigar from his pocket and lights it at
the smoky little lantern in the cell. Then he throws himself on the
wretched straw couch, to think of some way out of the snare into which
he has stumbled.
Isabel Harding has undoubtedly imparted to Truenos all she knows, all
she suspects. But suspicion is not proof. And the strongest suspicion
would not have warranted, much less likely have caused, such an outrage
upon a citizen of the United States.
Plainly there is some private villainy back of it all. Then a light
flashes through his brain.
Juanita! In his selfish though natural consideration of his own
unpleasant position he has forgotten for the nonce the Pearl of the
Antilles, the one woman who has ever stirred his light heart to a love
that, once given, means all of life to him.
He sees it all now. Don Quesada gone, his daughter unprotected, worse
than unprotected as the companion of Isabel Harding, and at the mercy of
Captain Raymon Huerta, who has haunted her for weeks and forced his
unwelcome attentions upon her! The only man who could lend a defending
arm locked fast in a Cuban jail, with the prospect of being garroted
before another sun goes down!
It is infamous! Ashley leaps to his feet and paces the cell like a
raging lion, and shakes the iron door with impotent energy.
“Pshaw!” he cries, and laughs recklessly. “What is the use in wasting my
strength and nerves in this manner? Courage, Jack. If the senorita is to
be saved, and yourself incidentally, you will need all of your strength
and nerve. Let’s take an account of stock.” And he falls to meditating
again.
How come Captain Huerta and his men to be at Santos at this hour of the
night? Sent by Truenos, who perhaps has ordered Don Quesada’s arrest,
or, if he knows of the latter’s flight, has ordered the quinta to be
searched. How came Juanita to leave for home without bidding him adios?
She could not have been so piqued by jealousy or by his good-natured
banter that she would have left the palace without even a cold farewell.
Isabel’s work, without a doubt. Why has he been set upon by a horde of
ruffians and thrust into a cell? Because his presence at Santos would
interfere with some devilish plans afoot. Again Isabel’s work, assisted
by Captain Huerta.
But what vile plot is maturing outside the walls of El Calabozo de
Infierno while he lies helpless here? As he thinks of Juanita he grits
his teeth in suppressed fury and chews his cigar to a pulp.
As for his captor’s gratuitous information, that he is to be executed in
the morning, nonsense! That is what an American would term a cold bluff.
They would not dare to proceed to such an extremity. They have gone to
dangerous lengths already.
At this moment his meditations are broken in upon by a key being
inserted in the cell door. The door swings open and closes behind Father
Hilario, the venerable padre of the little church of San Pedro. At sight
of the priest, Ashley’s composure returns.
“Good-morning, father,” is his salutation. “I noticed you at the
entrance to my lodgings for the night, and I should have spoken, but my
friends rather insisted on my maintaining a strict silence. I believe
‘callese’ means keep your mouth shut, or something of that sort, does it
not?”
“I have but a short time to remain,” says Father Hilario, surveying with
some wonder the composed face of the young man before him.
“Well, whatever your errand may be, I am indebted to you for this
visit,” remarks Jack. “It’s confoundedly lonesome here. I will not
apologize for my apartment, as it is not of my own selection. Now, what
can I do for you, father, or what can you do for me?”
“My son, you are not of the faith of Rome, but I have called to offer
you the consolation which a clergyman can extend in your last hours.”
“Is it as bad as that? Really, I don’t take any stock in this garroting
business. I believe that is thrown in for theatrical effect.”
Father Hilario shakes his head. “Captain Huerta is a desperate man,” he
avows. “There is nothing to prevent his wreaking his enmity upon you.”
“Oh, is there not? Thank you, father, for the offer of your
ministrations, but really, I do not believe I shall need them. Do not
misunderstand me,” Ashley adds, quickly, as a pained expression passes
over the kindly face of the priest. “What I mean is that I have too
healthy an interest in life, liberty and the pursuit of happiness to
pass many hours in such a stuffy, ill-smelling donjon as this.”
Father Hilario holds up a warning finger. “There are listeners about,”
he says.
“Let them listen. If their stock of English is equal to my collection of
Spanish they will be vastly entertained by my remarks.”
“You will attempt to escape?” queries the priest, in a cautious whisper.
“At the first opportunity.”
“The attempt will fail.”
“It will succeed,” retorts Ashley.
“No; it will fail,” repeats Father Hilario. “The carcelero, always
watchful, will be doubly vigilant to-night. He has probably been
bribed.”
“But a larger bribe—”
“Is out of the question. His life would pay the penalty.”
“I don’t believe it. But enough of that,” says Ashley, impatiently. “Now
tell me, father, of the Senorita de Quesada. Have you seen her
to-night?”
The priest is silent. In his muteness, Ashley finds the confirmation of
his worst fears.
“Speak, man!” he cries impatiently. “Do you know that the life and
happiness of the senorita are more to me than my own existence? Speak!”
“She is in the church of San Pedro.”
“In whose company?”
“She is alone.”
“Alone in the church of San Pedro after midnight? What mean you?”
“She is a prisoner.”
“A prisoner? Ten thousand devils!” rages Ashley, striding to and fro in
his narrow cell.
“Calm yourself, my son,” remonstrates Father Hilario. “Nothing can be
accomplished by such wild outbursts.”
“Oh, yes; I’ll be calm!” grits Ashley. “By heaven, I’d give ten years of
my life for ten minutes of liberty!”
“Come. Time flies, and the carcelero will soon be here,” admonishes
Father Hilario. “Is there aught I can do for thee, my son?”
Ashley forces a tranquillity of mind that he little feels. “How came you
to learn of the senorita’s imprisonment?” he asks.
“I was returning from a midnight summons to a deathbed and had nearly
reached my house when Captain Huerta and his men entered the town,
escorting a volante. Suddenly the party were attacked in the darkness.”
“By Huerta’s own men?”
“That was doubtless part of the plot. The two women in the volante were
separated. The senorita was borne fainting into the church and then
quietness reigned again. I lingered about the scene, and was a witness
of your arrest not many minutes afterward. I begged permission to see
you, and the carcelero, in granting it, bade me roughly to tell you that
you die on the morrow.”
“A merry knave,” remarks Ashley. “Well, father, you can be of great
service to me. Will you not bear a message from me to General Truenos?
Or, no; hang Truenos. To General Murillo, then. You know him. My
detention here is without his knowledge, of that I am assured. It is a
vile outrage that he would not brook.”
The priest shakes his head. “It would be useless,” he says. “From the
instant I leave this place I shall be watched, shadowed every step of
the way to my house. An attempt to leave Santos would be at once
frustrated.”
“You believe so?”
“I am positive of it.”
“But the senorita. Can you communicate with her.”
“Ay; and without the knowledge of Captain Huerta.”
“You can?” cries Ashley, eagerly. “But you said you would be watched.”
“Ah,” says the priest, with a faint smile, “there is an entrance to the
church that Captain Huerta knows not of—an entrance from my house
through the little garden intervening.”
“Good. Excellently good,” remarks Ashley, into whose active brain has
flashed an inspiration. “Father Hilario, I have a plan. You must join
the senorita and myself in marriage.”
“Marry you? Impossible!” exclaims the astonished padre. Have the
American’s troubles driven him insane?
“Impossible nothing. Easiest thing in the world if the lady is willing,”
is Ashley’s cheerful response. “Now, listen to me, father. Don Quesada
is a fugitive, and his daughter, being a Cuban, is amenable to the laws
of this country. From the Spanish government she would not likely
receive much earnest protection or reparation for any wrongs she might
suffer. But when she becomes Mrs. Jack Ashley,” says Jack, dramatically,
working up to a mild enthusiasm, “she is then an American citizen and as
such she will be under the protection of a flag that the Spaniard dare
not affront with impunity. You get the idea, eh?”
“Impossible, impossible, I tell you,” repeats Father Hilario. “You are
not a Catholic, Senor Ashley; the senorita is. Besides, the consent of
her father—”
“This is no time for quibbling over technicalities. Would you see a
woman, your friend’s daughter, insulted, perhaps murdered, when a few
words from your lips would save her?”
“I would do my duty,” replies the priest, calmly. “The idea is madness.
I cannot bring the senorita here, and you cannot reach the church.”
“Oh, I’ll be there in season,” is the cool response. “Just leave the way
from your house to the church open to me.”
“If you have any message to send the senorita, you must make haste,”
adjures the priest. “The carcelero is approaching.”
“It will be brief,” replies Ashley. Then hurriedly: “Go to her at once.
Comfort her. Pray with her. And tell her that I will be with her before
the sun rises. Say nothing about the marriage. I prefer to do my own
proposing. But, above all, remain with her until I come.”
Then, in a different tone, as the cell door is swung open by the
carcelero: “Many thanks, dear father, for your kindly visit and
spiritual solace. I have made my peace with heaven, and to-morrow I will
show these Spanish gentry how an American can die—when he gets ready,”
he adds, under his breath, as the iron door clangs to and he is once
more alone.
------------------------------------------------------------------------
CHAPTER L.
AT BAY IN THE CHURCH OF SAN PEDRO.
As the echo of Father Hilario’s footsteps dies away adown the gloomy
corridor Ashley glances at his watch. It lacks a quarter of two o’clock.
“The trick must be done within two hours, or all is lost,” he mutters.
Then he extinguishes the light and throws himself down upon the pallet
of straw.
Ten, fifteen minutes pass. The tread of the carcelero on his rounds
sounds from the corridor and a light is flashed into the cell. A
counterfeit snore from Ashley greets him and he passes on with a
muttered “Dios! He sleeps as if to-morrow were his wedding day.” In five
minutes, his round of inspection completed, he repasses the cell door
and continues on, until silence again enshrouds the prison.
Then Ashley arises, takes out his jack-knife and opens one of the
blades, a finely tempered steel saw.
“Thank heaven for that much Yankee inventiveness!” he murmurs, as he
sinks on one knee beside the iron door of his cell and applies the saw
blade to the lower end of one of the rusty bars.
As the steel slowly but surely eats its way into the corroded iron and
finally slips entirely through, Ashley again, aided by a match, consults
his watch. It is nearly three o’clock. Scarcely had he extinguished the
lucifer than the approach of the carcelero is heard, and he retreats to
his pallet, to again feign an audible slumber.
All still once more, and he attacks the upper end of the bar. When
almost severed he seizes it with both hands and exerts all his strength.
The iron snaps, and as Ashley falls back the bar slips from his hands
and drops to the floor of the cell with a loud clang.
Jack inwardly curses his carelessness. Such a tremendous noise would
alarm the sleepiest of guards. He must act, and act quickly.
To squeeze through the space made in the door is the work of some
moments, and it is not accomplished an instant too soon. A light
approaches.
Ashley remembers that opposite his cell is another, the door to which is
ajar. With the iron bar in his hand he gropes his way across the
corridor and into the open cell. A moment later the carcelero, lantern
in hand, stands before the now tenantless pen, and stares stupidly at
the wreck of the iron door.
Before he can utter an outcry the bar in Ashley’s hand descends upon his
head with crushing force and he drops like a log.
“I hope I didn’t kill the poor devil,” thinks Jack. He drags the
unconscious man into the open cell, and, tearing and tying his
handkerchief into a gag, he makes assured the silence of the carcelero.
Then he extinguishes the lantern and is soon standing at the entrance of
the prison.
To his left is life and liberty. To his right—ah, something dearer than
life—Juanita de Quesada, locked in the little church of San Pedro, the
outlines of which stand boldly against the star-gemmed heaven.
Within that little sanctuary the altar lamp sheds a soft light over a
strange picture. Juanita is lying upon the steps of the altar, her head
buried in her arms, and near by stands Father Hilario, his arms folded,
gazing compassionately upon her.
“Why does he not come?” moans the girl, lifting her head and looking at
the priest with tear-stained eyes from which hope has not yet fled.
Father Hilario is silent. The American does not come because, forsooth,
he cannot leave his prison. But why undeceive the girl? Let her hope on
to the end.
The opening of a door behind them causes both to start. Jack Ashley
stands upon the threshold, a smile upon his face.
With a glad cry Juanita runs to him and takes both his hands. “I was
expecting you,” she says, simply.
“Thank you. And you?” asks Ashley, turning to Father Hilario.
“I bore your message. I did not expect you,” replies the priest,
regarding the young man with mingled wonder and admiration.
“Then you must have a more flattering opinion of the security of Cuban
jails than I. And now, senorita, tell me how you come to be in this
unhappy position.”
The story is brief, but interesting.
“Five minutes after you left me in the ball-room at the palace,”
narrates Juanita, “Isabel came to me and declared that we should leave
for Santos. She explained that Captain Huerta and his men were going to
Santos at once, and would escort us, and that the ride would be
enjoyable after the heat and excitement of the ball. At the mention of
Captain Huerta I know I looked displeased, and Isabel remarked
disagreeably: ‘Perhaps you would prefer the escort of Mr. Ashley.’ I
replied that I should certainly prefer it to that of Captain Huerta, and
she declared that you would not be likely to offer it, as—”
“As what?” asks Ashley, as Juanita pauses in confusion.
“She gave me to understand that you had proposed to her that night and
that she had refused you.”
“And you believed her?”
“I don’t know what I believed. But I agreed to Isabel’s proposition and
we left for Santos at once. On our arrival there we were set upon by a
party of men. All I remember is being lifted from the volante by Captain
Huerta. Then I fainted, and when I recovered consciousness I was in the
church, alone with Captain Huerta. He told me that he loved me. I
replied that I hated him, and when he attempted to put his arm around me
I struck him in the face. Then he swore frightfully and told me I would
regret the blow. ‘My father—’ I began. ‘Your father is a fugitive,’ he
sneered. ‘You are wholly in my power.’ ‘Then I will kill myself,’ I
cried. ‘Oh, no; you will come to your senses in a few hours,’ he said,
tauntingly. ‘I shall expect to find you in a better humor when I
return.’ Then he went away, locking the church door behind him.
“When he had gone I piled all the furniture of the church against the
door and then threw myself down before the altar and prayed. The opening
of a door aroused me. I lifted my head, expecting to see again the hated
face of Captain Huerta. Instead, to my great joy, I beheld Father
Hilario. When he told me of your arrest I cried out in terror. Then he
gave me your message and hope came to me.”
“And Satan came also,” quotes Ashley. “I fear your barricade would not
withstand a very earnest assault,” surveying the rude defense
critically.
“It was all I could do. But tell me of yourself,” urges Juanita. “What
is the meaning of your violent arrest?”
As Ashley unfolds the black plot, beginning with the first appearance of
the adventuress at La Quinta de Quesada, the Cuban girl grows very pale,
and she realizes how much she owes to the blue-eyed young man who
finishes his story with the smiling quotation: “And now, senorita, if a
lifetime of devotion—”
“There, do not remind me of my folly,” she protests, choking back a sob.
“I will never doubt you again.”
Thus encouraged, Ashley takes both of Juanita’s hands and whispers very
tenderly:
“In this darkest hour before the dawn I have found the courage to tell
you what has been in my heart for—for nearly three weeks,” he finishes
with a smile. Even amid the dangers that surround them, the humor of his
declaration impresses him.
A wave of crimson spreads over the girl’s face, and in the big black
eyes Ashley sees the light of a great love.
The young people’s eyes meet in mutual understanding. He draws her to
him, and the first kiss of love is exchanged. It must be followed by
many others, for Father Hilario, after waiting what he considers a
reasonable length of time, turns to the pair with an uneasy: “Well, what
is all this leading up to?”
“A marriage, I should say,” replies Jack, cheerfully. “That is usually
the logical outcome of such a situation.” Father Hilario bites his lips
impatiently.
“The church and the pastor are here, and I think the bride is willing,”
continues Jack. The young girl gives the priest an anxious look.
“It is useless to argue that matter further,” is the firm reply. “My
duty to the church forbids.” The priest’s face convinces Ashley that the
debate on the matrimonial question is closed.
“Then we must seek elsewhere for a clergyman,” he remarks, coolly.
“Come, Juanita.” And he leads her toward the little door by which he
entered the church.
“This is madness!” cries the priest, barring the way. “The town is
overrun with your enemies. It is nearly day and the place is already
astir. Hark! Do you not hear the tread of feet in the street?”
“Spanish or no Spanish, I don’t propose to remain here and be trapped
like a rat,” declares Ashley. “We can at least make a break for liberty.
I do not—”
The sound of a key being tried in the church door cuts short his words.
“It is Captain Huerta,” whispers Juanita, and she trembles like a leaf
in Jack’s arms.
“Quick, father!” commands the latter. “You reconnoiter and see if the
way through the garden and your house is clear.” The venerable padre
hurries away and Ashley improves the opportunity to shower kisses upon
Juanita’s cold and unresponsive lips.
“What a man you are!” she murmurs. “I believe you would make love on
your way to execution.”
“I should if the opportunity was offered,” laughs Jack, softly. “What
could more brightly illumine the last moments of a condemned man than to
hold in his arms, if but for a few minutes, so much loveliness?”
At that moment Father Hilario reappears. “There is no hope,” he reports.
“Suspecting all was not right, Captain Huerta has surrounded the church
and grounds with his men.”
“Then fasten that door,” says Jack. “An attack at one end is all I care
to look after.”
The bolt is shot into place, and with the click comes the sound of
muttered oaths from without, followed by a savage kick at the barricaded
portal.
“Ho, there, within!” demands an impatient voice.
At the sound of the hateful tones Juanita shudders and throws her arms
about Ashley’s neck. “Save me from that man!” she whispers.
For answer Jack takes another reef in his confidence-restoring arm, and
draws his revolver.
“Don’t move, dear,” he murmurs, solicitously. He rather enjoys the tight
embrace of those soft arms, to which terror has lent a delightful
fervency. “You need not fear Captain Huerta so long as there is light
enough to shoot by.”
It is a strange tableau that the altar lamp dimly shows. The three
figures stand immovable, as if carved in stone. Ashley is calm,
resolute, and his eyes are fixed upon the barricaded door. The
resignation of despair is depicted in the beautiful face of the Cuban
girl; her eyes seek those of her lover, her head upon his breast. They
will at least die together. Near by stands the aged priest, his arms
folded, his eyes turned heavenward and his lips moving as if in prayer.
The tread of soldiery and the rattle of steel sound from the street.
The stillness within the church is broken only by a sharp click as
Ashley’s revolver is brought to half-cock.
The seconds drag by. Every one of them seems an hour.
Then there is the sound of a rush of feet without, followed by a loud
crash, as the church door is hurled from its fastenings and piled upon
the debris of the barricade.
The gap thus made throngs with Spanish soldiery, at their head, sword in
hand, Captain Raymon Huerta. At sight of the picture within the church
he starts back with a cry of surprise and a choice assortment of
Castilian imprecations.
“You here, dog of an Americano? Who opened to thee the doors of the
carcel?” And the Spanish captain glowers around upon his followers.
“I am indebted to no one except myself for my escape from your infernal
den,” replies Ashley; and he adds, sternly:
“Hark ye, Captain Raymon Huerta. I am here to protect this young woman
from your deviltry, to protect her with my life. I warn you that any
violence to her will cost you yours.”
“Your life is already forfeited,” sneers Huerta. Then to his followers:
“Ho, there, men! Seize the Americano and leave the girl to me!”
Ashley’s arm comes up.
“Halt!” he thunders. “This woman is my wife and as such she is an
American citizen. Another step, and, by the stars and stripes, I’ll send
your leader to perdition!”
The streak of dawn that struggles in through the little window above the
altar glints upon the polished barrel of a revolver pointed straight at
the heart of Captain Raymon Huerta.
------------------------------------------------------------------------
CHAPTER LI.
UNDER THE RED, WHITE AND BLUE.
“You lie!” shouts Captain Raymon Huerta, white with rage.
Ashley retorts calmly. “I repeat, Captain Huerta, what I have asserted.
As my wife, this woman is an American citizen. An order from you to your
men to fire upon or seize us, will be the last words you will utter in
this world!”
“The marriage? Impossible! The proof? The proof?” cries Huerta, foaming
with passion.
Ashley points to Father Hilario. “The proof is the word of yonder man of
God, by whom we were wedded not an hour ago!”
Captain Huerta glowers upon the priest. “Speaks the Americano truly?” he
fumes.
Father Hilario is silent. His eyes wander from the lovers to the
rage-distorted countenance of the Spanish captain.
Ashley holds his breath. He has made a superb bluff. Will the priest
fail him at this supreme moment?
“Speak, vile dog of a priest!” snarls Huerta, the padre’s silence adding
fuel to his rage.
At the brutal epithet Father Hilario’s cheek flushes. Then he speaks,
slowly and deliberately:
“It is true. They are man and wife in the sight of God, and around them
are the protecting arms of the church of Rome.” He raises his arms as if
pronouncing a benediction, and murmurs under his breath a pious: “May
God forgive me the deception!”
Captain Huerta bites his lip till the blood comes. One word to his men
would mean the destruction of the heroic trio. But over the shining
barrel of Ashley’s revolver, pointed straight at his heart, the Spanish
captain reads, in a pair of flashing eyes, a grim resolution that means
his death if he but raises his sword.
The situation is critical. The strain is beginning to tell on even
Ashley’s steel nerves.
At this moment a commotion is noted in the throng of soldiery that bars
the entrance to the church.
Pushing them right and left, a tall, distinguished-looking military man
strides into the sanctuary.
Don Huerta dashes his sword back into its sheath and sullenly awaits
developments.
General Murillo, for the arrival is he, glances from one of the party to
the other, and then addresses himself to Ashley:
“Senor, may I ask the meaning of this warlike demonstration?”
Ashley lowers his revolver. “It means, general, that your arrival has
averted an international episode.”
General Murillo turns to Huerta. “Withdraw at once,” he commands. “I
will see you anon.”
When Captain Huerta and his men have left the church Murillo asks:
“And now, Senor Ashley, will you be good enough to explain this peculiar
affair?”
“Willingly. But first, general,” says Jack, with a faint grin, “allow me
to introduce you to the prettiest girl in Cuba.” And for the first time
since the storming of the church door he removes his arm from about the
waist of the Pearl of the Antilles.
Murillo bows with Spanish profundity. “I have the honor of the
acquaintance of the Senorita de Quesada,” he remarks.
“Who is now plain Mrs. Jack Ashley,” corrects the newspaper man. “Pardon
me one moment, general,” and he whispers to Juanita:
“Father Hilario looks very disconsolate; go and comfort him. And now,
general,” to Murillo, “I am at your service.”
Ashley recounts briefly the exciting events that took place from the
hour he left the ball-room until the arrival of his auditor. He says
nothing of Mrs. Harding.
As the recital progresses Murillo’s face darkens.
“I am convinced,” declares Ashley, in conclusion, “that my arrest was
wholly the work of that scoundrel Huerta.”
“And what do you propose to do now?” asks Murillo.
“Well, I have no special plans beyond settling accounts with Captain
Huerta.”
“I will do the settling with Captain Huerta,” observes the general,
dryly. “As for you—you must leave Cuba.”
“My duty to my paper will not permit me to leave at present. And even
were I free, general, I should not desire to be understood as running
away.”
Murillo makes a gesture of impatience. “Just like you Americans. You
would all want to fiddle like Caesar while Rome was burning.”
“Your pardon; but I believe Nero was the soloist on that red-letter
occasion.”
The general frowns. “Come with me,” he says; “I will furnish to you the
necessary papers and you may proceed without interruption to Santiago.
The cruiser America sails for Key West to-morrow. You must take passage
on her. I do you a service, Senor Ashley, and I do it gladly, as I have
a friendship for you. But I warn you that any delay in leaving Cuba may
subject you to much annoyance, to use no harsher term. The government
suspects you of secretly aiding the insurrection.”
“The government is mistaken.”
Murillo glances at Juanita, and smiles ironically. “Senor Ashley,” he
says, “I am not so easily deceived. The instrumentality that saved the
senorita from annoyance is the same instrumentality that placed the
traitor Quesada in his present safe retreat. But what I as a man might
applaud, I cannot as a loyal adherent to Spain condone; nor would the
government take a sentimental view of the matter. You will see the
wisdom of my advice. Come.” And Murillo leads the way from the church.
Before he leaves the scene of his new-found happiness Jack Ashley
presses warmly the wrinkled hands of Father Hilario. “Father, you’re a
brick,” he says, and adds solicitously: “Will not Captain Huerta seek to
revenge himself upon you?”
“I fear him not,” replies the priest, raising his head proudly. Then,
placing the hand of Juanita within Ashley’s, he lays a hand on the head
of each, and in a voice choked with emotion says:
“My children, I have sinned for your sake, but I trust that God will
condone the offense. Heaven bless and keep you and when you are happily
sheltered in your northern home think sometimes of Father Hilario, of
the little church of San Pedro.”
Imprinting a kiss upon the brow of the Cuban girl, the aged priest turns
away and sinks upon his knees before the crucifix over the altar.
It requires but a few minutes for General Murillo to make out the
necessary passports and as he hands them to Ashley, he remarks: “You
will follow my advice?”
“I will follow it to Santiago, at least, general.”
The general shrugs his shoulders. “Do as you please. I have warned you,”
he says, and turns away.
Ten minutes later Ashley and Juanita are en route for Santiago in a
volante.
The young lady is sad. The natural reaction has set in.
“I am thinking of my father,” she replies to Jack’s attempt to rally
her.
“Your father is all right,” he confidently assures her. “In an hour or
two you will be in his arms, and I shall have the pleasure of asking him
for the hand of the dearest girl in the world. Or, stay, I am
progressing too rapidly,” he muses, in mock concern. “It has occurred to
me,” he goes on, “that—oh, well, of course a proposal of marriage must
naturally be regarded more conservatively now than—”
“Jack!”
“Yes, senorita.”
“What are you talking about?”
“Of you, senorita. Ah, something in your eyes tells me that I may be
presumptuous enough to hope.”
“What nonsense! There, I knew you were joking,” declares Juanita, as she
catches a stray twinkle in Jack’s eye. “You foolish boy, you know I love
you. I have loved you ever since—I met you.”
“Three whole weeks ago,” muses Ashley, as he draws the blushing face to
his and kisses it.
“Do you know, I have been insanely jealous of your friend Don Carlos all
along,” confesses Jack, after a long, happy silence, during which the
pair quite forget the volante driver.
“Jealous of Don Carlos? Oh!” cries Juanita, bursting into merry
laughter.
“I admit it is highly humorous, in the light of recent developments,”
says Jack, who sees nothing to laugh at in his remark. “What is there so
amusing in it all?”
“Oh, you dear, foolish Jack,” exclaims the girl, throwing her arms
around his neck. “To be jealous of Don Carlos! Why, Don Carlos is a
girl.”
“I am aware that, to the public gaze, Don Carlos is at present a young
lady,” returns Ashley, loftily, “but you must remember that I knew Don
Carlos before he exchanged his customary attire for his present feminine
toggery.”
“Oh, how superiorily wise you look,” banters Juanita. “But I tell you
that Don Carlos has always been, is now and always will be a girl!”
“What!”
“And you never suspected it—you who are so penetrating?” mocks the young
lady.
But Jack makes no reply. His mind is attempting to digest this
surprising bit of information. Then a light begins to break upon him.
“Her real name—what is it?” he asks, suddenly.
Juanita becomes serious again. “I must not divulge it, Jack, dear. I
should not have told you what I have, but you looked so comical when you
told me you had been jealous of Don Carlos. There, please don’t
catechise me further.”
“I shall not,” replies Ashley. “Besides, it will be unnecessary for you
to betray her identity.”
“Then you know—”
“I think I do. As I more than once remarked, I have an excellent memory
for faces, although I am sometimes a dev—a diablo of a while in
recalling the names that go with them.” And Ashley relapses into
meditation.
“Well, here we are at Santiago,” announces Jack. “In a short time you
can bid a temporary adieu to the soil of Cuba; and the sooner the
better.”
And indeed, the streets of Santiago are in apparent possession of a
riotous mob, swarming in and out of the cafes.
Ashley and Juanita find no obstacles in their path; half an hour later
they are aboard the America, under the red, white and blue, and Juanita
is in her father’s arms, relating breathlessly the thrilling incidents
of the last few hours.
Ashley leaves them to their exchange of confidence and affection, and
goes off to talk with Captain Meade. When he sees Don Quesada again that
gentleman takes his hand and assures him that he is honored by his
prospective entrance into the family.
“As for Cuba,” declares the Don, his eyes lighting with a trace of their
old-time fire, “the cause of the patriots was never brighter. To be
sure, I am a fugitive, and El Terredo yesterday suffered a severe
defeat, the Pearl of the Antilles having been destroyed in an unequal
engagement with three Spanish cruisers and gunboats. But General Masso
is advancing upon Santiago, with 10,000 revolutionists, and the fall of
the city is looked for within forty-eight hours. Already the Spanish
warships are gathering preparatory to shelling the place should it come
into the hands of the patriots, and foreign vessels are preparing to
leave the harbor.”
“I believe I will take Murillo’s advice for the present,” reflects
Ashley, “but I shall return to-morrow with the cruiser and be in at the
death.” Then he goes in search of Juanita.
“Now,” says that young lady, “if you have finished squeezing my hand
before all these officers and seamen, come below and I will introduce
you to—to ‘Miss Carlos’.”
“All right, sweetheart,” replies Jack, gayly. “Let me see. I believe you
remarked early this morning that you would never doubt me again.”
“Yes?” responds the young lady, inquiringly.
“Then, after you have introduced me to ‘Miss Carlos’ will you leave us
alone for a short time?”
“What a strange request! But it is granted.”
“Good. And now let us go below.”
The interview, whatever its nature, has a peculiar effect upon Ashley.
Upon returning from it he is saying to himself, sotto voce.
“By Jove! This case has taken a turn that I little looked for. I’d give
four dollars to see John Barker, detective, at this moment.”
------------------------------------------------------------------------
CHAPTER LII.
THE ENCOUNTER AT THE CAFE DE ALMENDRAS.
“You have settled your business interests in this country
satisfactorily?”
“Perfectly so. Much more profitably, indeed, than I expected.”
“Then there is nothing further to keep you here except sight-seeing?”
“Nothing—except sight-seeing.”
Cyrus Felton, Phillip Van Zandt and Louise Hathaway are seated on the
veranda of the little Cafe de Almendras, on the outskirts of Santiago.
They have returned this morning from a short jaunt to the interior and
are not impressed favorably with rural Cuba. So they gladly return to
the contemplation of that view which is ever welcome, no matter where
one may roam—old ocean.
“And you, Miss Hathaway—have you any Cuban ties that you will sever with
regret?” inquires Van Zandt.
Miss Hathaway is more thoughtful than the occasion would seem to
require. “None,” she replies, slowly. “Unless,” she adds quickly, “the
pleasure of your society for the last month may be regarded as a Cuban
tie.”
“Thank you,” rejoins Van Zandt, with a glance that brings a blush to the
face of the Vermont maiden.
“No; I am utterly, uncompromisingly disappointed with Cuba,” she says.
“And the people! But I have been here but a few days, so I shall not
place my opinion upon record.”
“And yet your brief impression of Cuba, Miss Hathaway, would not be
likely to change much for the better if you were to spend a dozen years
here. The country is uninteresting. The Spaniard cannot be changed. The
Cuban—that is, the Cuban we see about us—does not deserve freedom. He
lets the blacks and his brothers of the chaparral do all the fighting,
and hardly dares, except in private, to express his cordial hatred of
his ancient enemy. Do you know, Mr. Felton, I rather fancied that you
had relatives in Cuba.”
“Relatives in Cuba?” The little color suddenly recedes from Mr. Felton’s
face.
“Yes,” says Van Zandt. “The day before I had the pleasure of meeting you
and Miss Hathaway I was reading in a New York paper an interview with a
member of the Cuban revolutionary society. In speaking of the
diversified character of the Spanish officers in Cuba, the gentleman
mentioned that attached to the staff of General Truenos was a young
American, a former sugar planter. His name was Felton, but he changed it
to Alvarez. When I first discovered your name and learned that you were
en route to Cuba I unconsciously associated you with this young sugar
planter so friendly to the Spanish cause.”
During Van Zandt’s speech, delivered in apparently careless tones, Mr.
Felton succeeds in mastering a strong emotion. Louise is regarding him
somewhat nervously, but Van Zandt quickly refills Miss Hathaway’s glass
with jerez and passes it to her with a smiling comment on the quality of
the wine.
The rather awkward silence is broken by Mr. Felton.
“Mr. Van Zandt, and to you, Louise, I may say that I believe I have a
son in Cuba, and that he is the young man alluded to in that newspaper.
One reason why I have come to Cuba is to find that son. I supposed he
was operating the sugar plantation that we visited last week. I did not
know that he had joined the Spanish service.”
“I regret,” remarks Van Zandt, “that my idle remark should have stirred
you to speak of a matter on which you might have preferred to have
remained silent.”
“The subject is a painful one, it is true, but once started I may as
well go on to the end. It is nearly a year ago—the 1st of June—that
Ralph left home, and since then I have heard from him but twice, and
vaguely each time.”
Both Mr. Felton and Louise are gazing seaward, else they would note the
swift look of surprise that passes across Van Zandt’s face.
“The 1st of June,” he repeats, as if attempting to recall some incident
of the past. “Did not something peculiar occur in Raymond—that is the
name of your town, is it not?—about that time?”
Mr. Felton shoots a quick, inquiring look at Van Zandt’s face, but reads
nothing there except disinterested curiosity.
“Something very peculiar occurred two days before that date,” he
replies, gravely. “On the night of Memorial day Roger Hathaway, Louise’s
father, the cashier of the Raymond National Bank, was found dead in his
office at the bank, and the institution was discovered to have been
robbed of a large amount of money. The murderer has never been
discovered and presumably never will be.”
An expression of self-reproach is visible in Van Zandt’s face as he
turns to Louise.
“Forgive me, Miss Hathaway; I was not aware—”
“There is nothing to forgive, Mr. Van Zandt,” Louise replies. “But I do
not share Mr. Felton’s opinion that the veil of mystery enshrouding the
tragedy will never be lifted. Something within me tells me that one day
the slayer of my father will be brought to justice.”
Miss Hathaway again turns her eyes, now wet with tears, toward the sea.
Mr. Felton is very pale and it is apparent that he would welcome a
change in the conversation. Van Zandt, however, continues:
“Now, that you speak of it,” he says, knitting his brows, “I recall that
I read something about the case in the papers at the time. Was no one
suspected?”
“Three persons were suspected—two of them unjustly. Derrick Ames”—with a
quick glance at Louise, who flushes scarlet and bites her lips—“was one
and my son the other. You may be surprised at my stating this,” in
response to Van Zandt’s questioning gaze, “but you will understand
better why I am so anxious to find Ralph. He had some motive for leaving
Raymond as he did, and until that motive is discovered and his name
cleared I shall be one of the most unhappy of fathers.”
“And the third party suspected? You have mentioned only two,” says Van
Zandt.
“The third? Oh, yes; the third was a young man named Ernest Stanley. He
was the only stranger in Raymond, so far as known, on the day of the
tragedy. This young man had been liberated from state prison on Memorial
day, after serving two years of a three years’ sentence for forgery.”
“Then there was fairly good reason for suspecting him?” comments Van
Zandt, with an enigmatic smile. “Give a dog a bad name, you know. But
tell me about the fellow. I confess I am rather interested in him. Was
his forgery a very serious affair?”
“A matter of $1,000. Mine was the name he forged.”
“Indeed. How did you trace it?”
“That was a peculiar feature of the case. Stanley presented the check at
the bank of which I was president.”
“Rather a blundering piece of business, should you not say? But may he
not have been innocent?”
“The forgery was proved.”
“Ah! Stanley admitted it?”
“No; he told a fanciful story of the check having been given to him in
New York, in payment of a gambling debt.”
“Nothing impossible in that story, Mr. Felton. I will tell you why. A
night or two before we left New York I was seated in Madison Square
garden, listening to a concert, when a party of sporting men sat down at
the next table, and one of them entertained his companions by relating a
reminiscence of a game of draw poker in which he had played a part two
or three years before. I will not repeat the story, but perhaps you will
understand the point I am trying to make. Four men were playing and
during the course of one hand the betting had narrowed to two of them. A
held what he believed to be a well-nigh invincible hand. Flushed with
confidence, and irritated by his opponent’s insinuation that he had no
more money to wager, A took a check-book from his pocket, wrote a check
for $1,000 or some such sum, and tossed it upon the table. The bet was
covered, the hands shown down, and A lost. Now,” finishes Van Zandt, “A
might not have had a dollar in the bank. He might have put a worthless
check upon the table, knowing, as he thought he knew, that there was not
one chance in a thousand of a necessity for its payment arising. That
being the case, what mattered it whose name was on the check, his own
or—well, say his father’s? I am only theorizing on what might naturally
occur some time, you know.”
Cyrus Felton’s face has become ghastly and he appears to be on the verge
of collapse. Miss Hathaway regards Van Zandt with wonder and
apprehension. The latter seems unconscious of the effect his words have
produced, and he remarks carelessly: “But I will not discuss the matter
further, as I suspect it bores you.”
At this instant the clatter of hoof-beats sounds from the road, as a
detachment of Spanish caballeria ride up, tether their horses and hurry
boisterously into the cafe. The Americans are established on a quiet
veranda at the rear of the building, where they may be free from just
such interruptions.
“Are you ready to depart?” says Van Zandt to his companions.
“I am anxious to return to Santiago as soon as possible,” declares Mr.
Felton.
Van Zandt raps upon the table for the waiter, but no response is made.
Host and helpers are busily occupied with their noisy guests.
“Pardon me a moment. I will step within and settle the account,” says
Van Zandt, as he rises and enters the cafe.
The drinking-room is crowded with the boisterous soldiery, disporting
themselves as if war were an amusement and the curtain nearly down on
the farce of revolution.
The presumptive leader of the troopers is a tall, rather handsome young
fellow, who sits with his back against the wall and a glass in his hand.
There is no one within a dozen or twenty feet of him except one
caballero, with a scar across his forehead, who sits by himself at a
table.
As Van Zandt enters and closes the door behind him the Spanish captain
glances up and their eyes meet.
“Great heavens! Am I dreaming,” mutters Van Zandt. And then he stands
with white face and clenched fists, staring at the man before him.
The latter returns the stare. “I trust you will know me again senor,” he
remarks, ungraciously, as he sets down his glass and strikes a match to
ignite a cigarette.
“I believe I have had the misfortune of meeting you before,” Van Zandt
replies, folding his arms and regarding the other with blazing eyes.
The Spanish captain shrugs his shoulders. “May I ask where?” he inquires
coolly.
“In the United States.”
“The senor is mistaken. I have never been in the states.”
“You lie!”
“Curse you! What d’ye mean?” demands the Spanish captain in the purest
of English, as he drops his hand upon his sword hilt. The man at the
table near by lays down his paper and turns a pair of interested eyes
toward the young men.
“You lie!” repeats Van Zandt, moving not a step. Then he says in a voice
passionate with hatred and ringing with the exultation of a Nemesis
about to strike:
“So, Ralph Felton, I have found you at last!”
------------------------------------------------------------------------
CHAPTER LIII.
A WOMAN’S VENGEANCE.
The cigarette falls from the Spanish captain’s nerveless fingers and his
face turns gray.
“Who are you?” he gasps.
“My name is Phillip Van Zandt. I don’t wonder, Ralph Felton, that you
fail to recognize me by that name, though it is my true one. But you
will understand why I have sought you and why I exult in now standing
face to face with you, when I breathe the name of Ernest Stanley!”
“You are Ernest Stanley?”
“I was Ernest Stanley. Now, I am his avenger. Listen to me,” commands
Van Zandt, as Felton strives to speak. “When the doors of that New
England prison closed upon me, nearly three years ago, I swore that I
would be avenged upon the scoundrel who put me there. Until a month ago
I did not know his name. Until to-day I was not sure that the father was
an accomplice to the villainy of the son. But when I did learn who the
coward was for whom I suffered I told myself that this world, vast as it
is, was too small to hold him and me. Do you understand? You cur! Do you
understand?”
Felton glances about the cafe. The soldier at the table near by has
again picked up his newspaper and is absorbed in its columns. But any
one who might take the pains to investigate would discover that he is
not reading the paper. The score or more of others are occupied in their
drink, jest and song.
Felton has regained his composure and lights a cigarette with a steady
hand.
“Are you aware, Senor Van Zandt, that at one word from me my men would
cut you to pieces?” he sneers.
“I know that one such word will mean your instant death,” is the stern
response.
“Well, I shall not utter it,” says Felton, coolly. “I am competent to
take care of myself. A moment ago you called me a coward. I will prove
to you that I am not. You seek satisfaction?”
A bitter smile flits over Van Zandt’s face. “Satisfaction!” he murmurs.
“Ay, I demand satisfaction for two years of utter misery and, by
heavens, I shall have it!”
“You shall! I swear it!”
“Ah! And when?”
“At once. This is my only opportunity to accommodate you at present, as
I am ordered to Cienfuegos to-morrow. Come, I will wait for you
without.” So saying, Felton turns on his heel.
Van Zandt regards him with a look in which suspicion is mingled with a
trace of admiration for his sang froid.
“You will attempt no treachery?” he says, sternly.
“I tell you, sir, I am not a coward,” answers Felton, haughtily.
“That he is not,” mutters the soldier with the scarred forehead, and he
adds, as if addressing the newspaper in his hand: “This is a devilish
unfortunate affair. I must have a hand in it. Hello! Was not that a
woman’s scream?” He rises and, throwing open the door leading to the
rear of the cafe, steps out upon the veranda. An instant later he dashes
the door shut with an ejaculation of amazement.
Standing at the further end of the veranda, terror depicted in her
colorless cheeks, is Louise Hathaway. A dozen feet from her is one of
the troopers, who has strolled out upon the veranda, and, while much the
worse for liquor, has plainly insulted the American girl. When the
new-comer arrives on the scene, he sees the caballero wiping the blood
from a long, deep scratch across his rage-contorted face. Between
insulter and insulted Cyrus Felton interposes a feeble barrier.
With a muttered malediction the baffled Spaniard turns and re-enters the
cafe, followed by the scarred soldier, whose timely arrival has
doubtless saved Miss Hathaway from further affront.
“Jove! I shall have my hands full for a few minutes,” that individual
soliloquizes. “Ah, one moment,” as Van Zandt attempts to brush by him.
“You have some friends out here, senor.”
“Well?” demands Van Zandt, with a stare.
“Get them away at once, or these devils in here may make it hot for
them.”
“I do not understand.”
“You have no time to listen to a lengthy explanation. Do as I direct.
Send your friends to the consul’s and have them avoid the main road.
There is a path through the garden, and beyond that a trail down the
hillside to the beach. It is but a mile to the consul’s residence by
that route. They’ll be safe at the consul’s.”
All this is delivered in low, rapid tones and as Van Zandt moves away
the soldier turns and sees the drunken cavalier standing within a few
feet of him, a malicious smile upon his evil face. “Hello! What the
devil are you playing the spy for?” cries he of the scar, and passes on
with the muttered thought: “I wonder if the chap understands English.”
When Van Zandt rejoins Mr. Felton and Louise he finds the old man as
white as death and his head sunk upon his breast, while Miss Hathaway is
in a semi-hysterical condition.
“I’m so glad you have returned,” says the latter, as she comes forward
to greet him and she tells him of the encounter with the Spaniard.
“The scoundrel!” grits Van Zandt, starting toward the cafe. But he
remembers that he has more serious business on hand than thrashing a
drunken trooper, and he turns gravely to his companions:
“Miss Hathaway, and you, Mr. Felton, I must ask you to proceed
immediately to the residence of the American consul. I have a little
matter that demands my presence here for another half-hour, and
meanwhile it will not be safe for you to remain. Nor will it be well to
go by the main road. The city is in the hands of a mob. The scoundrel
who insulted you is a fair example. I was warned by one of the men
within—an Englishman, I should judge from his voice and manner.”
Mr. Felton and Miss Hathaway regard Van Zandt apprehensively, and Louise
wonders at the pallor of his face and the strange look in his eyes.
“You know where the residence of the consul is. You must follow yonder
path through the garden, and strike the trail down the hillside to the
sea; it is only a short walk. I will rejoin you there within the hour—if
I live,” says Van Zandt, with a significance not understood by his
auditors.
Without a word Cyrus Felton rises and, followed by Miss Hathaway, starts
off through the garden in the direction indicated by Van Zandt’s
outstretched arm.
While all this has taken place Ralph Felton has been leaning in the
doorway at the front of the cafe. He looks up when Sanchez, the besotted
subaltern, comes in from his encounter with the American girl, and
signals to him.
“Sanchez, I have a little affair of honor to settle within the hour,” he
says. “If I do not return, you are second in command. You understand?”
“Is it ‘a la mort’?” inquires Sanchez.
Felton nods and turns away, and Sanchez goes back into the cafe in
season to hear the last words of the warning extended to Van Zandt by
the soldier with the scar.
Felton lights another cigarette and awaits indifferently the appearance
of his implacable foe.
“I am ready, sir,” says a stern voice at his elbow.
“And I have been ready for some minutes. Come.” And Felton leads the way
across the road and into a path to the woods.
The soldier with the scar walks out into the dooryard and watches the
disappearing figures. “That duel must not take place,” he says. “But how
on earth am I to prevent it? Hello! What’s this?”
His attention is attracted by an ejaculation within the cafe. Two men
are whispering by the window next the entrance.
“What deviltry is this?” he scowls, bending his head. And as he listens
the scowl deepens on his face, and his fingers clutch at his pistol
stock. “By heavens! I must prevent that duel now,” he mutters.
Simultaneous with a command given to the half-intoxicated Sanchez, he of
the scar hears the sound of a shot over in the woods.
“Treachery!” he exclaims, and bounds away in the direction of the
report.
* * * * *
Felton and Van Zandt proceed silently into the thicket. A short distance
from the entrance to the woods is a cleared spot.
“This will probably suit our purpose,” remarks Felton, and, coolly, he
measures off ten paces.
“That will be distance enough, will it not?” he asks. Van Zandt nods.
“Will you give the word, Mr. Van Zandt?”
“As you please. We will fire at the word ‘Three.’” Both men draw their
revolvers.
“One moment,” interrupts Felton. “In the event of a second fire?”
“There will be no second fire,” is the grim rejoinder. “I shall kill you
with the first.”
“And I will endeavor not to waste mine. Well, sir, I am waiting.”
“One!” Two arms are raised, and not a tremor in either.
“Two!” The pistols click.
The word “Three” is trembling on Van Zandt’s lips, when a shot rings out
from the thicket. Felton clasps his hand to his abdomen, with an
exclamation of pain, sways a moment and pitches headlong to the earth.
The bushes part and a woman, heavily veiled, steps forth, smoking pistol
in hand and walks to where Felton lies.
She looks upon the body for a moment in silence, and hisses:
“You cowardly hound! Your end is fitting!” Then, throwing back her veil,
she reveals the face of Isabel Harding.
“I have saved you, Phillip,” she says, with a calmness that is very near
madness.
“You have cheated me of my vengeance,” he replies, looking gloomily upon
the body of her victim.
“My wrongs called for greater vengeance than yours,” cries the woman,
her eyes glittering feverishly and her voice breaking hysterically. “I
followed him here. I saw through the cafe window your meeting with him,
and I exulted that I was in time—in time to save the man I loved!
Phillip! Phillip,” sobs Isabel, sinking on one knee beside him, “I told
you that some day you would realize how much I loved you!”
But Van Zandt, with a shudder and expression of utter aversion, turns
away.
“Ah, I see I am too late,” remarks a quiet voice, and Van Zandt looks up
to see the friendly soldier with the scar.
“To the consul’s if you would save the American girl,” says the latter.
“I’ll look after these obsequies. Come, be off,” as Van Zandt stares at
him in surprise. “A plot is afoot, headed by that precious Lieut.
Sanchez, and you have no time to lose.”
“But the consul—”
“The consul was at his office in the city two hours ago, and is
doubtless there yet. Ah, you are too late.” The clatter of departing
hoof-beats is borne upon their ears. “No; you can reach the consul’s
ahead of them, by the short-cut down the hillside. Here! Take my
revolver! You may need more than one. And mind, don’t waste any
ammunition,” shouts the soldier, as Van Zandt dashes off.
Then he turns to the scene of the tragedy. He kneels beside Felton’s
body and makes a brief examination. Then he straightens up.
“Go!” he says sternly, to Mrs. Harding. “Your work is done!”
She stares at him a moment, with her glittering eyes; then, with a
little shudder, tosses the revolver into the bushes, turns and walks
slowly away.
The caballero watches her out of sight and again turns to the body of
the Spanish captain.
“Humph!” he grunts, as he lifts the limp form from the ground. “He is
worth a dozen dead men, or my name isn’t John Barker.”
------------------------------------------------------------------------
CHAPTER LIV.
AT BAY IN THE CONSUL’S HOUSE.
“There is something very odd in Mr. Van Zandt’s actions,” remarks Miss
Hathaway, as she and Mr. Felton follow the winding trail down the
hillside to the sea. The latter offers no explanation. He has aged
fearfully in the last half-hour, and it is now a bowed, feeble, old man
whom his companion more than once has to assist over the obstacles in
their rough path.
“To the consul’s. To the consul’s,” is all he says, and the journey is
finished in silence.
The residence of William Atwood, United States consul, is situated about
two hundred yards back from the shore, about a half a mile below the
mole at Santiago. The nearest neighbor is a quarter of a mile away,
toward the city. It is a plain, square, two-storied structure. A broad
veranda fronts both stories and ivy very nearly conceals three of the
walls of the building. An innovation, to the Cuban view absurd, is an
electric door bell, put in by the consul himself. It is this bell that
Mr. Felton presses, with the remark: “I begin to feel at home already.”
The summons are answered by a porter who tells them that the consul is
gone.
“Gone? Gone where?” demands Mr. Felton, with a start of uneasiness that
is inexplicable to Miss Hathaway.
The consul is at the city. Where, quien sabe? Probably at his office in
the city.
“We can do nothing except await his return or the arrival of Mr. Van
Zandt,” Louise says, as they step into the hall.
At the right of the entrance is the library. On the desk is pen and
paper, and here Cyrus Felton seats himself and writes, while Louise
stands in the doorway and watches him with troubled eyes.
Suddenly she hears the sound of footsteps hurrying up the walk. The door
is thrown open, and Van Zandt, breathing hard from the exertion of his
run, stands before her.
“Thank God, you are safe!” he cries, fervently.
“What danger threatens?” asks Louise, laying one hand upon Van Zandt’s
arm.
For answer he leads the way out upon the veranda. “Look!” he says; and
Miss Hathaway beholds the Semiramis, resting quietly upon the still
bosom of the bay.
“We must reach that yacht, or I fear we may not leave Cuba alive!” he
tells her.
Louise gazes at him in questioning dismay.
“Ah, there comes the enemy,” says Van Zandt, pointing up the beach
toward the city. A small troop of horsemen is approaching at a lively
canter.
“What is all this mystery? Why do you fear those men?” asks Louise, as
they re-enter the house.
“It is not for myself that I tremble,” replies Van Zandt, who is
critically examining his pistols.
“Then it is I whom they seek. Your silence answers yes,” says Louise
quietly. She is very white, but her voice does not tremble. Like a true
heroine she has grown calm in the face of danger.
“By heaven!” Van Zandt bursts forth; “my life stands between you and
those Spanish devils, and gladly do I place it there. As for you,”
turning to Cyrus Felton, who has risen from the library table and stands
near them, “I would not lift a finger to save your worthless existence.
For the wrongs which I have suffered, for the misery which you and your
son have caused me, I meant to have exacted a bitter reparation, but
fate has otherwise decreed. Ah, you know me!”
“Spare me your reproaches,” says the old man, lifting his hand in
protest. “I know you. You are Ernest Stanley. What I have dreaded, yet
for nearly a year expected, has come at last. My sin has found me out.”
“Ah, that it has. But you are safe from my hands now, and maybe from
that of the law before this day is ended. Out of the way, unless you
wish your miserable life cut short by a Spanish bullet. Miss Hathaway, I
must ask you to step into the library, as our visitors have arrived.”
And, throwing open the door, Van Zandt stands upon the threshold,
waiting.
Lieutenant Sanchez and his men rein their horses within a dozen paces of
the house. The leader dismounts and comes leisurely up the walk,
apparently oblivious of the presence of Van Zandt, whose watchful eyes
are covering every movement of the scoundrelly band.
“One moment,” commands the American, holding up his hand. But the
Spaniard pays not the slightest attention.
“Halt!”
This time Sanchez pauses and strokes his mustachios with exasperating
calmness. “I would advise the senor to make no opposition if he values
his life,” he says.
“What is your errand here?”
“The American senorita, to whom I am indebted for this token.” Sanchez
indicates the long, dull-red scratch upon his unamiable visage. “I have
no time or inclination to parley with you, senor. Out of the way, or I
shall order my men to fire upon you.” The troopers half-raise their
carbines.
Van Zandt tears down a worn edition of the stars and stripes that decks
the wall above his head, and as he throws it across his breast and
shoulder his voice rings out defiantly:
“Fire upon the American flag, if you dare!”
The answer is a volley that splinters the woodwork about him and brings
down the glass above the door in a shower. Van Zandt feels a sharp
twinge in his left arm, and with an exclamation of rage and pain he
lifts his revolver and fires.
Lieutenant Sanchez falls dead in his tracks and there is an instant
scattering out of range on the part of his followers.
As Van Zandt closes the door and slips the bolt he turns to see Cyrus
Felton lying upon the floor, a stream of blood flowing from a wound in
his side.
“Fool! I cautioned him to keep out of range,” he exclaims, as he bends
over the old man.
“Is he badly hurt?” asks the voice of Louise.
“I fear so. We must retreat upstairs, as we may expect an assault at any
instant. Quick!”
As Louise ascends to the floor above, Van Zandt follows with his
unconscious burden. In the rear room is a sofa, and upon this Mr. Felton
is laid.
“I have but a few minutes to live. Forgive me,” he gasps.
“God may forgive you,” replies Van Zandt, turning bitterly away. Louise
takes his hand in hers.
“Surely, Mr. Van Zandt, you can forgive the past in this awful moment,”
she says, softly. “Remember, he was a father and he loved his son.”
At the contact of that little hand Van Zandt feels a thrill creep over
him.
“You know now who I am,” he says, dully. The blue eyes meet the dark
ones unwaveringly.
“I know that I believe in your innocence and that I trust you,” is the
quiet response. “Listen, he is speaking again.” They bend their heads to
catch the sinking man’s last words.
“In my—coat—papers,” gasps Mr. Felton, with his fast-glazing eyes fixed
on Van Zandt. “They—will—clear—your—name,” he finishes and sinks back,
exhausted by his effort.
“Cyrus Felton,” says Van Zandt, gravely, “if any forgiveness of mine
will afford you an iota of comfort on your journey to the other world,
it is yours.”
The dying man acknowledges the absolution with a glance. An instant
later his spirit passes to his Maker, to be judged by his deeds in this
world of sorrow and sin, of hope and happiness.
* * * * *
Again the Cafe de Almendras. The boisterous troopers are gone and in
their place a dozen or so quiet-appearing men in civilian dress are
grouped about the tables, drinking little and talking less.
It has been a noisy day, the patron tells a tall man with black eyes and
fierce mustachios, who lounges in the doorway and sweeps the street with
his keen gaze.
But the tall man heeds not the chatter of the patron; his gaze is fixed
curiously upon an approaching soldier, who bears across his shoulder the
limp form of a man in the uniform of a Spanish captain. The face of the
latter is hidden.
Barker brushes by into the cafe with the body of Ralph Felton, and meets
the contemptuous glance of the tall man with a searching look that the
latter does not fancy.
“Ho, there, patron! A room and a doctor at once!” orders the detective,
and he gives the patron a handful of coin and effectually silences his
grumbling protest about making a hospital of the place.
Having deposited his burden above stairs, Barker returns to the
drinking-room and astonishes the tall man with the black eyes by tapping
him on the shoulder and remarking:
“I think I have met you before.”
“The mischief you have!” is the curt rejoinder.
“Now I am sure of it,” grins Barker. “Your voice has not changed, but
your mustachios do not fit you. Pardon me,” he adds, just in season to
prevent an outbreak, “I am indebted to you for this slash,” indicating
the scar across his forehead, “but I do not lay up any hard feelings.
I’ll call it quits if you will lend some friends of mine a helping hand.
I have got my hands full upstairs. Listen.” Barker briefly recounts the
episodes narrated in the previous chapter.
As the tall man listens his brow grows black as night, and when the tale
is finished his voice rings through the cafe in a sharp command:
“Haste, my comrades! To the American consul’s to save my friends!”
The quiet-appearing civilians about the tables leap to their feet as one
man, and, leaving the unpaid patron standing in hopeless astonishment
amid the ruins of the glassware he has dropped, the little band sweeps
out of the cafe.
“There will be music at the consul’s this afternoon, unless I am greatly
mistaken,” mutters Barker, as he looks down the dust-veiled road. “And
now for my patient. If he dies with his secret unrevealed I’ll never
forgive him!”
------------------------------------------------------------------------
CHAPTER LV.
A SIGNAL FROM MACEDONIA.
Van Zandt and Louise stand, hand in hand, gazing sorrowfully upon all
that is mortal of Cyrus Felton. A crash is heard below, as the front
door is burst from its hinges.
Van Zandt leaps to the head of the staircase just as the feet of a brace
of ruffians are on the lower step. Twice cracks his revolver and his aim
is true. One of the Spaniards falls and the second drops back with a cry
of pain. Then, as Van Zandt throws himself to one side, there is a flash
of fire below, and the bullets whistle harmlessly by.
As he judges, there is no immediate second rush by the attacking party,
so he proceeds to examine his surroundings and the result is far from
satisfactory. There is no serious danger of the besiegers attempting to
carry the staircase by storm. The Spaniard is not lacking in courage,
but it requires a considerable amount of sand to lead the way to certain
death. But the room to which they have retreated was not built for a
fortress and he realizes that the end must come when the enemy will gain
access to the second floor—by the veranda or by the rear entrance to the
building.
Suddenly his eyes rest upon a ladder at the other end of the short
hallway.
“Quick!” he whispers to Louise, as he points the way to temporary
safety.
A minute later and they are on the roof of the building, the ladder
pulled up, and the scuttle fastened down. Over them floats, from the
flagstaff, the glorious banner of their native land, and above that
bends a sky of heaven’s deepest blue.
“Fairly outwitted!” says Van Zandt. Suddenly he feels a weakness come
over him and he sinks upon the sun-baked roof. Then for the first time
Louise notices that he is wounded, and she kneels beside him with a very
white face.
“It is nothing,” he reassures her. With her assistance he removes his
coat, tears open the left sleeve of his shirt and discloses a bullet
hole in the fleshy part of the arm. It looks more serious than it really
is and Louise feels an inclination to faint. But she resists it and
proceeds to bind up the still bleeding wound with strips torn from her
own silken petticoat. The golden head is very close to the brown one,
and as the fair surgeon bends to tie a knot, the soft sweep of her hair
steals away all of Van Zandt’s well-guarded reserve, and his right arm
encircles her in a passionate embrace.
“I love you! I love you!” he whispers.
And Miss Hathaway, being a sensible young woman, who knows what she
wants, does not remark upon the “suddenness” of the declaration of love,
but presses her red lips to his and tells Phillip that she has loved him
ever since she knew him.
But the lovers are brought back to earth by a chorus of yells and
picturesque profanity sufficient to supply the captain of a whaling bark
for an entire voyage.
“They have discovered our retreat,” whispers Van Zandt, as he lifts the
scuttle and listens to the tumult below. But he drops it as a bullet
crashes through a few inches from his head, and moves out of such
dangerous range. Then, as his eyes rest upon the flag above him an idea
seizes him—a veritable inspiration. He steps to the flag-staff, detaches
the halyards and the stars and stripes come fluttering down to his feet.
“What are you doing with the flag?” asks Louise.
“Giving utterance to the old Macedonian cry,” he calls back, and up goes
old glory again, this time with the union jack down. “Pray that my crew
may see the signal,” he adds, fervently. And Providence assists his
effort, for a puff of wind streams the flag straight out upon the
breeze.
Capt. Beals is on the bridge of the Semiramis at this moment, looking
toward the shore, and his curiosity is excited.
He sweeps the roof top with one glance through his powerful glance and
then issues a command that echoes to the farthest corners of the
Semiramis.
A few moments later Van Zandt sees two boats cut shoreward through the
blue waters of the bay as fast as muscle can send them.
“Thank heaven!” he exclaims, as his heart bounds within him, and he
proceeds to hug Louise in a manner that vastly entertains Capt. Beals,
who is still an interested though distant spectator. And if the bluff
old sea dog could have made himself heard he would have shouted a
warning, for he discerns what Van Zandt cannot see—a ladder placed
against the side wall of the consul’s house and three men ascending it,
while back a short distance, with carbines raised, stand the rest of the
scoundrelly horde.
The attack bids fair to be successful, but suddenly rings out the cry of
“Santiago!” and the little band of patriots from the Cafe de Almendras
dashes upon the scene.
The Spaniards now have all the fighting they can attend to. Van Zandt
and Louise watch from the rooftop the progress of the battle royal. The
fight is won. No quarter is given, and those of the Spaniards who have
the ability to flee are in full retreat, and as they disappear down the
beach they shout:
“El Terredo! El Terredo!”
Van Zandt sees a strange transformation in the appearance of the leader
of the rescuing party. During a hand-to-hand struggle with one of the
troopers his fierce mustachios have been knocked off, and it is a
handsome, beardless youth, with flashing black eyes, who looks about him
and remarks: “Well, my merry men, the victory is ours, but where are the
Americans?”
“Coming,” sings out Van Zandt, from the upper air. “We will be with you
in a minute.” And as he turns to Louise that young lady proceeds to
faint in his arms. It is a logical reaction from the strain which she
has borne with wonderful fortitude.
By this time the boats from the Semiramis have arrived, and in them
enough fighting Yankees to handle twice their number of Spanish
soldiery. A ladder is placed against the consul’s house and the besieged
are assisted to earth, one unconscious and the other with an arm tied
up.
While revivifying operations are under way Van Zandt hears a startled
exclamation at his elbow. It comes from El Terredo, who is gazing upon
the marble countenance of Miss Hathaway with astonished and troubled
eyes.
Without replying to Van Zandt’s questioning look, El Terredo picks up
his mustachios from the sand and again affixes them to his face. Then he
turns calmly to Van Zandt.
“The third of your party? I was told there was an old gentleman.”
“He is dead. Killed at the first fire,” Van Zandt tells him, and he
leads the way into the house.
As the two men look upon the body, which has not been disturbed by the
troopers, El Terredo shudders, and murmurs: “My God, what does all this
mean?”
“It means much to me,” replies Van Zandt, gravely, as he takes from the
dead man’s person a packet of papers.
Without speaking El Terredo steps to the sofa and assists Van Zandt to
bear the remains from the house.
The body is laid in the bow of one of the boats, reverently covered, and
preparations are made for the return to the Semiramis. When all but
himself and the rescuing party from the cafe have embarked Van Zandt
turns to El Terredo, who, with folded arms, is gazing abstractedly
toward the law-and-order deserted city. “You are going with us, are you
not?” he asks.
“No; I shall remain here.”
“Your safety lies with yonder yacht.”
“Safety? Ah, senor, somewhere on this isle is one dearer to me than
personal security.” And the young man turns away to hide his emotion.
“But you can gain nothing by remaining here now. The survivors of the
late scrimmage have recognized you and in half an hour the whole town
will be at your heels. Aboard my yacht you will be safe and I will
gladly land you at any point on the island you may designate. Besides,
the papers—”
“Say no more, senor,” exclaims El Terredo, extending his hand. “I accept
your generous offer.”
Dismissing his faithful followers, with the assurance that he will be
with them again ere many days, the revolutionary leader steps into one
of the waiting boats.
As they are about to push off a soldier whose horse is flecked with foam
comes dashing down the beach, and as he leaps from his well-nigh broken
steed, he calls out cheerily:
“Got room for one more?”
“Ah! My friend of the cafe,” cries Van Zandt. “You are very welcome,
senor.”
“And just in time,” remarks John Barker, detective, as with a hearty
thwack he sends his horse riderless down the beach and clambers into the
boat.
------------------------------------------------------------------------
CHAPTER LVI.
THE FATE OF THE SEMIRAMIS.
“And now, what?”
The boats have reached the Semiramis. Louise Hathaway has been tenderly
assisted to the deck by Van Zandt, followed by Navarro and Barker, and
the dead form of Cyrus Felton has been reverently conveyed aboard.
A sort of council of war is being held on the quarter-deck of the yacht,
participated in by Van Zandt, Navarro and Capt. Beals. The master of the
Semiramis looks inquiringly at the insurgent leader as he utters the
words quoted above.
“For me personally there is but one course,” replies Navarro. “I must
land somewhere in the night and make my way to Gen. Masso’s camp. That
will not be a difficult matter. It is your own situation that I am
considering. The American man-of-war, is she still in the harbor?”
Capt. Beals shakes his head. “She sailed an hour ago for Key West, for
supplies and instructions. She will not return for at least two days.”
Navarro’s face grows grave. “Then you are not safe from molestation even
in this vessel and under that flag,” he says, pointing to the red, white
and blue floating from the masthead. “Without a man-of-war to protect
you, the Spaniards, knowing that El Terredo is aboard, will search your
yacht, possibly confiscate her and subject you to no end of annoyance,
even though they should not find El Terredo. They respect no flag, no
emblem, no rules of civilized nations, unless they are absolutely
compelled to by superior force. You saw how they treated the American
flag above the consul’s own residence. There are now three Spanish
gunboats in the harbor. Within the hour I fear your yacht will be
surrounded.”
“Then there is but one thing to do,” promptly replies Van Zandt. “Capt.
Beals, have steam got up at once and weigh anchor. We will follow the
America to Key West.”
There is silence on the quarter-deck for a few moments. Miss Hathaway
has retired to her former stateroom immediately upon setting foot upon
the yacht, and Barker is intently watching the shore from the bridge.
For the time being Van Zandt and Navarro are alone. Suddenly the former
breaks the silence.
“You are not a Cuban,” he says. “Why are you enlisted with the
nondescript army of the insurrectionists?”
Navarro flushes at the word nondescript, but does not reply at once.
Finally he says quietly: “No, I am not a Cuban. I am, like yourself, an
American. But my ancestors were Cuban, back more than six generations.
Until ten months ago,” continues Navarro, in a less-impassioned tone, “I
was a careless, happy-go-lucky American youth, without any specific aim
in life. But when the Cuban insurrection broke out, I was consumed with
an overmastering desire to help free Cuba from the accursed yoke of
Spain. I have sacrificed everything to that end, and now I am known to
the Spaniards as ‘El Terredo,’ the terror. I believe I have been of some
service to the struggling natives, and so I shall continue until Cuba is
free, or–”
Navarro does not complete the sentence. While he was speaking the smoke
has been pouring out of the chimneys of the yacht in steadily increasing
volume, and now the clank of the steam windlass announces that the
vessel is getting under way. Without replying to Navarro’s words, Van
Zandt hastens below to inform Miss Hathaway of the destination of the
yacht. Capt. Beals has taken his station on the bridge and the graceful
vessel steams slowly toward the narrow entrance to the harbor of
Santiago.
Navarro watches intently the three Spanish warships by which the
Semiramis must pass within half a mile. As the yacht draws nearer, the
watcher notes with anxiety a boat hastily putting out from the
government wharf and evidently making for the flagship of the fleet, the
Infanta Isabel. He communicates his discovery to Van Zandt, who has
returned from below, with the comment: “They are evidently notifying the
cruiser to have her stop this vessel. Rather than that she fire on the
yacht and endanger the lives of those on board, including the young
lady, you must surrender me. Then they may permit you to go unmolested.”
“No man leaves this ship for a Spanish prison or the garrote,” replies
Van Zandt, his eyes burning with excitement, “as long as there is a
timber of her afloat. It is less than six miles to the entrance to the
harbor, and once outside we can snap our fingers at a whole fleet of
Spanish cruisers. Besides, with all the various craft scattered about
the harbor, they will not dare to fire on us.”
Navarro shakes his head skeptically, but does not reply. The boat has
reached the side of the war vessel. The Semiramis is now nearly abreast
of the latter and distant less than half a mile. Suddenly a puff of
smoke rises from the forward deck of the Spaniard, followed by the sharp
crack of a rifle.
“There! She has signaled you to heave to,” remarks Navarro. “As I told
you, you must surrender me.”
“This is my answer,” replies the owner of the Semiramis, drawing his
revolver and firing two shots in the air. Then to Capt. Beals on the
bridge he sings out: “Full speed ahead!”
Smoke is now pouring from the stacks of the warship, and it is evident
that she is preparing to pursue the American yacht, but she does not, as
Navarro predicted, fire on the latter. Before the cruiser gets well
under way the Semiramis is within four miles of the channel that marks
the entrance to the harbor.
Van Zandt smiles at Navarro. “We will lead him a merry race if he thinks
to catch the Semiramis,” he remarks. “This yacht can go two miles to his
one. And if he hasn’t improved in his marksmanship I will risk his guns.
Ah, there goes the first one!”
The Spaniard has succeeded in getting within range of the yacht without
endangering any of the other craft, and the roar of his forward gun is
heard as Van Zandt speaks.
“An eighth of a mile to windward,” observes the latter, as he watches
the solid shot skip over the water. “He can’t race and shoot, too.”
Evidently the pursuer has come to the same conclusion, for he fires no
more guns, but doggedly plows the placid waters of the harbor after the
great black yacht.
And now the latter is less than half a mile from the cleft in the
precipitous coast line. Capt. Beals has slowed down the engines and the
yacht is picking her way by the reefs that guard the channel.
“Ship ahoy!” suddenly rings out from the lookout forward. All eyes are
turned ahead. A steamer, inward bound, has just come into view in the
channel.
“Permit me,” Navarro takes the glasses and focuses them upon the
stranger. “It is the Spanish dispatch boat Pizarro,” he says. “When the
cruiser recognizes her she will doubtless signal her to intercept the
yacht, and in the narrow channel she can make serious trouble, I fear.”
The report of another cannon, followed by two more in quick succession,
shows that the man-of-war has indeed recognized her compatriot almost as
soon as the American. An answering gun from the dispatch boat also shows
that she has heard and understands.
Capt. Beals looks inquiringly at Van Zandt. “We must continue straight
on and take our chances in the channel with that craft,” the latter
says. Then to Navarro: “Do you know what her armament is?”
“Oh, she is not a fighting ship. She has no armament, merely one gun for
saluting purposes, and her crew cannot number over fifty.”
“Then we are all right. If she gets in our way she must take the
consequences.”
But the dispatch boat evidently does not intend that the American shall
pass. She has taken a position in the narrowest part of the channel and
lies stationary, presenting her broadside to the oncoming yacht.
“Signal that we propose to pass to port,” Van Zandt says to Capt. Beals,
“and if the Spaniard gets in our course run him down.”
Capt. Beals nods and a second later the hoarse whistle of the Semiramis
echoes over the waters. The signal is answered with a rifle shot from
the Spaniard’s forward deck and the dispatch boat moves forward two
lengths, so that she lies fair and square in the announced course of the
yacht.
But there are no signs of slackening on the part of the latter, and her
black hull looks threatening indeed to the officers of the dispatch
boat.
Caramba! Surely she will not run down the royal vessel! Yet it looks
very like it! But they will not dare! Still—the Spanish commander
hesitates no longer. He signals his vessel to back at full speed.
Too late!
The Pizarro has moved less than half a length when the American yacht
crashes into her. There is a grinding shock that brings Louise Hathaway
in terror to the deck of the Semiramis, and then the yacht continues on
her course, apparently unharmed. Van Zandt catches a glimpse of a great
jagged hole in the bow of the Spaniard, into which the water is pouring
in a cataract; of a panic-stricken crew rushing frantically for the
boats; and then he turns to Miss Hathaway. It is nothing, he assures her
tenderly; a slight collision, but the yacht is all right and perhaps she
had better return to her stateroom for the present. Later on—and Louise
smiles, a little sadly, but permits Van Zandt to conduct her to the
saloon.
Capt. Beals is awaiting Van Zandt as the latter bounds up the steps a
minute later. “We are badly stove forward,” he reports, “and are making
water quite rapidly. With the steam pumps going, we may keep afloat
three or four hours, but the yacht is doomed.”
Van Zandt is so startled at the news that for a moment he is speechless.
His eyes rove back to the Spanish warship, and then at the nearly
perpendicular cliffs by which the Semiramis is steaming.
He looks for the dispatch boat, but it is not in sight. “The Spaniard?”
he inquires, mechanically.
“Gone to the bottom,” laconically replies the captain.
“Then there is no hope for us but to keep on and try to land by the
boats somewhere on the coast,” Van Zandt says. “The Spaniards will treat
us all as enemies, now that we have sunk one of their boats. How long
can we keep up this speed?”
“Perhaps an hour, perhaps more. The water will put out the fires.”
“Well, have the boats quietly prepared and keep within reach of land. Do
you think the Spaniards will continue the pursuit?”
“Undoubtedly. They will stop only to pick up the crew of the Pizarro,
and then will keep on after us. If there was some little bay near here
where we could beach the yacht, but there isn’t.”
The noble craft continues to plow the waves and her injured bow still
tosses the foam on either side, but her speed is sensibly diminishing.
All on board have recognized the fact that the yacht is doomed, but
there is no confusion, no manifest anxiety. The boats have been prepared
and each member of the crew has secured in a little package his most
valued possessions. On the quarter-deck Van Zandt, Navarro, Barker and
Louise Hathaway are silently watching the Spanish warship. The latter is
gaining now, for the Semiramis is steadily settling.
Navarro, his hat drawn over his eyes and his coat wrapped about him so
that his countenance is partially veiled, has carefully avoided Louise.
When she returns to the deck he walks over to where John Barker is
leaning against the rail and remarks in Spanish:
“If you do not desire to be shot as a deserter I should advise you to
borrow a suit of clothes from our friend, the owner of the yacht.”
The detective starts. “I guess you’re right,” he replies in English, and
turns to Van Zandt. Five minutes later he emerges from the cabin attired
in a fashionable suit of gray.
“The water is within two inches of the boilers,” reports the engineer,
and Van Zandt sighs heavily.
“Well,” he says, “we may as well take to the boats. Come.” He leads
Louise to the steamer’s launch.
“And he?” Louise points to where the body of Cyrus Felton lies, covered
by its winding sheet of canvas.
“He will go down with the Semiramis. He could have no nobler tomb.”
Boom! The roar of the Spanish gun is the salute the people of the
Semiramis hear as the boats pull away from the doomed yacht. The cruiser
is within range and though her commander must be aware that the American
vessel is sinking he is firing on her.
“The coward!” grits Van Zandt. “But the Semiramis will not strike her
flag. She sinks with the stars and stripes flying.”
“Pull hard!” shouts Capt. Beals. “Pull hard! She’s going down!”
------------------------------------------------------------------------
CHAPTER LVII.
AN INTERNATIONAL EPISODE.
“Ashley, we will give you something to write about,” remarks Capt.
Meade, as the America steams out of the harbor of Santiago.
“What’s that, captain? A thrilling description of a voyage from Santiago
de Cuba to Key West?”
The commander of the cruiser smiles good-naturedly. “More excitement
than that, and something that will cause the little senorita to cling
frantically to your arm.”
“Ah, then, you may open the ball at once.”
“Not yet; not for an hour. In short, we are going to burn some powder by
and by. A little target practice, and if you have never seen anything of
the sort you will be rather interested.”
“Confound his target practice,” Jack mutters disgustedly, as Capt. Meade
bustles away. “The only powder-burning I want to see is the shelling of
the dingy old city of Santiago by the Spanish fleet.”
But Ashley’s temporary annoyance is soon forgotten in the pleasure of
assisting Juanita up and down the steep ladders, of explaining the
machinery, the guns, the great searchlight and the thousand and one
interesting features of the cruiser.
The target practice, he also finds, is a decidedly interesting affair,
after all, which conclusion may have been influenced by the manifest
delight of his sweetheart over the novel experience.
But the last gun is fired, the buoy mark is demolished, and, within
forty-eight hours, Capt. Meade tells Jack, the America will be lying at
anchor in the harbor of Key West.
“And she will return to Santiago, when?” the correspondent inquires. “I
must be back at the finish, if the insurgents capture the city and it is
shelled by the Spanish fleet.”
Capt. Meade shakes his head. “That depends on instructions received at
Key West. I suppose though, that the cruiser would be ordered directly
back to Santiago after coaling.”
Just then the captain is summoned to the bridge, where it is evident
that some unusual occurrence is engrossing the attention of the
officers.
Jack observes that the captain has his glass turned toward the
northwest, and he also looks in that direction. Trails of black smoke
low down on the horizon, evidently from two steamers, are all that
reward his gaze, but he notices that the course of the America has been
changed and that her speed has been materially accelerated.
“What is in the wind?” he inquires, casually, of the youthful ensign.
“That’s just what we’re going to find out,” is the reply, and Ashley
follows Capt. Meade to the bridge.
“Nothing special that we know of,” is that official’s response to Jack’s
query as to the cause of the change of course. “Some stranger, probably
a Spanish gunboat, is in pursuit of another steamer, and as it is not
much out of our course I concluded to run up nearer the scene.”
The white cruiser is now rushing along at a speed that reminds Jack of
his first memorable trip upon her, and is rapidly reducing the cloud of
smoke on the horizon to the outlines of a formidable man-of-war.
“The Spanish cruiser Infanta Isabel,” is the conclusion of Capt. Meade,
after a long and careful study of the distant steamer. “But the craft
she is in pursuit of I cannot quite make out. She is a large steamship
of some sort and the Don is overhauling her hand over fist. We shall be
there just in time to see the fun.”
The America’s course is converging toward that of pursuer and pursued.
Capt. Meade’s keen eyes are alternately riveted on the Spanish warship
and the unknown vessel.
“If that steamship did not set so low in the water,” he remarks,
thoughtfully, “and was going about two-thirds faster, I should say that
she was our old friend, the big black yacht Semiramis. But—great heaven!
The steamer is sinking! That’s what’s the matter with her! She is
steadily settling!”
All eyes on the cruiser are now directed toward the crippled stranger.
She is, as Capt. Meade says, slowly sinking while yet the waters are
dashing on either side of her bow like mountain streams.
“A game struggle, but all in vain,” is the comment of the captain,
shaking his head. “Probably the Spaniard hulled him below the water line
early in the struggle, and he has been slowly making water ever since.
He can’t last much longer. The water must be near the fires now. Ah! I
thought so!”
For the strange steamer has apparently lost headway. The black smoke
that a moment before poured from her chimneys now mingles with a white
cloud of steam.
“Her fires are out,” Capt. Meade explains to Ashley. “She will go down
in twenty minutes, if she doesn’t blow up before.”
The boom of a heavy cannon startles the watchers and they turn quickly
to the Spanish man-of-war. A curling wreath of smoke from her forward
deck tells the origin of the report, and their eyes return to the
sinking vessel. A puff of wind lifts for a moment the flag hanging limp
at her masthead, as if in mute defiance of the Spanish shot. Capt. Meade
starts as if he had received an electric shock.
“The American flag!” he thunders, “and fired on by the Spaniard!” Then
to the executive officer: “Signal for the forced draught and bear down
on the steamer. We will pick up her boats and then investigate the
outrage on the flag.”
Another shot, and still another, comes echoing over the water from the
Infanta Isabel, her target the fast-filling steamer.
Suddenly Ashley is electrified by the command in the stentorian tones of
Capt. Meade:
“Clear the ship for action!”
A second later the trumpet’s harsh notes and the sharp rattle of drum,
mingling with the shrill whistles and rough voices of the boatswain,
mates and the noisy clanging of the electric gongs, call the sturdy crew
of the America to “general quarters.”
Then, indeed, is the blood of the newspaper man stirred by the scenes
about him. The decks throb with the rush of hurrying feet as the men
hasten to their stations. The gun crews are casting loose the great
guns, the murderous rapid-fire cannon and the secondary batteries. Some
are hastily donning equipments, others filling sponge-buckets and still
others stripping themselves of all superfluous clothing, laying bare
their brawny forms.
Hatches are covered, hose laid and pumps rigged, ladders torn away, and
decks turned topsy-turvy, in the twinkling of an eye. Rifles, cutlasses
and revolvers come out from the armory in quantities that amaze Ashley.
The marine guard falls in and topmen are scrambling nimbly aloft to
secure anything movable there.
Down come the rails, out come davits and awning stanchions—everything
movable is stowed away or secured. The magazines are opened and the
tackle rigged over the ammunition hatches ready to hoist shot and shell
for the guns.
“The grim panoply of war,” Jack thinks, as he hastens to conduct the
wondering Juanita below. Even here, he observes to his great surprise,
the captain’s sacred cabin has been invaded “on the jump” by the crews
of the after guns.
As Ashley returns to the quarter-deck he notes that the America is
bearing hard down almost at right angles on the Spanish warship, now
distant less than a mile.
“Evidently here is an excellent opportunity for an international
episode,” he thinks, as he glances at the stern face of “Fighting Dave”
Meade on the bridge. Then his hand involuntarily goes to his ears and he
catches at the rail for support, as the forward gun of the American
cruiser thunders forth and an eight-pound solid shot skims over the
waves across the bow of the Spanish cruiser.
Before he recovers from the shock of the concussion there is a murmured,
“She’s going!” from the officers on the quarter-deck and Jack looks
quickly in the direction of the sinking steamer. But the black hull has
already disappeared beneath the waves and he sees only the fluttering
red, white and blue ere the whirling eddies reach their eager arms for
the beautiful emblem.
The gun from the America does not have the anticipated effect on the
Spaniard, for he continues full speed toward the spot where the steamer
sunk. But it has evidently had effect in another direction. With the aid
of his marine glasses Ashley observes four boats, which had hitherto
escaped his notice, pulling toward the white cruiser. The purpose of the
Spanish vessel is thus apparent. She designs to cut off the fleeing
boats before they may reach the America.
Again the white cruiser careens to one side and a second deafening
report, this time the gun from amidship, roars out in language not to be
misunderstood by the on-rushing Spanish man-of-war.
It is not misunderstood.
There is a rapid gush of escaping steam, the stacks cease to vomit forth
their black clouds and the Infanta Isabel turns her course and steams
slowly toward the America.
Ashley watches curiously the flashing oars of the coming boats, and when
the forward one is almost within hail he lifts the glasses to his eyes
and scans her passengers.
“Thunder and Mars!” he exclaims, “if there isn’t John Barker in the bow
and—yes, it must be Louise Hathaway, Van Zandt, and—who the devil is
that chap with the ferocious mustachios? El Terredo, or I’m a sinner!”
------------------------------------------------------------------------
CHAPTER LVIII.
THE END OF THE TRAIL.
When the first boat is alongside the America, Barker is the first man to
clamber to the deck, and the first individual he gets his eye on is Jack
Ashley.
“Hello! Well met,” remarks that young man, extending his hand. “I was
expecting you any minute.”
Barker gives Jack’s hand a perfunctory clasp and passes on with a gruff
“Hello!”
“I am not yet forgiven. I see,” thinks Ashley, as he turns to the rest
of the party coming aboard. He greets Miss Hathaway warmly and Van Zandt
genially, and grips Navarro’s hand with a pressure of strong friendship.
There is no present opportunity for mutual explanations, as a serious
interruption is apparent in the shape of a boat that has put out from
the Spanish man-of-war and is rapidly approaching the America.
With a shade of anxiety the people of the Semiramis await the arrival of
the boat. They note the preparations to receive with due honor the
representative of the Infanta Isabel, the marines drawn up in double
file beside the gangway, the officers of the America in position on the
quarter-deck. But there is no time for speculation or conjecture. Eight
pairs of dripping oars are simultaneously raised, the boat glides softly
to the side of the cruiser, and a moment later the Spanish officer is
bowing profoundly to the commander of the America.
His excellency, Admiral Sanchez of his majesty’s man-of-war Infanta
Isabel, presents his compliments to the commander of the United States
cruiser America and begs to say that the passengers, officers and crew
of the steamer just sunk, who have sought asylum on the American vessel,
are rebels, in arms against his majesty the king of Spain; that their
vessel, just sunk, has within the last three hours destroyed the royal
Spanish dispatch boat Pizarro. Wherefore his excellency respectfully
asks that the said officers, passengers and crew of the rebel ship be
delivered to the representative of her majesty’s ship Infanta Isabel as
prisoners of war.
Captain Meade listens patiently while the Spanish officer delivers his
message, his brow knitting slightly at the reference to the destruction
of the dispatch boat. Then he turns to Captain Beals:
“What have you to say to this statement and why were you flying the
American flag, if you were in command of an insurgent vessel?”
“We are not insurgents and we did not destroy the dispatch boat,” is the
reply. “The pleasure yacht Semiramis of New York, Van Zandt owner, was
in collision with the Pizarro in the harbor of Santiago. The Pizarro
stood directly in our course, notwithstanding our signals that we
proposed to pass to port. We should have gone aground if we had not
fouled her. We did not stop, as the Semiramis was badly stove and
subsequently sunk, as you have seen. Further, our officers and crew and
the passengers are without exception American citizens. As such, I
appeal to the commander of an American vessel for protection.”
“And you shall have it,” murmurs Captain Meade under his breath. To the
Spaniard he says: “Present my compliments to his excellency, Admiral
Sanchez, and say that the commander of the America finds upon
investigation that the officers and crew of the late steamer Semiramis
are American citizens, who claim the protection of the American flag;
that her captain and officers maintain that the destruction of the
Pizarro was an accident for which they are in no wise responsible.
Therefore I am constrained to decline to grant the courteous request of
his excellency.”
The Spanish officer bows respectfully and continues: “His excellency
also desired to convey to the commander of the United States cruiser
America the information that among the persons lately on board the
sunken steamer was one Cuban rebel, denominated El Terredo, whom his
excellency has every reason to believe has sought refuge on board this
ship. He respectfully requests that said El Terredo be delivered to the
representative of his majesty’s ship.”
Captain Meade’s eye strays over the little group, but before he can
speak Navarro steps forward and says in English: “I have been designated
as El Terredo, but I am an American citizen.”
“I can testify to that statement,” supplements Ashley.
Captain Meade waves his hand. “That is sufficient. Inform his excellency
that all of the persons picked up in the boats from the lost steamer are
American citizens. As such, I cannot surrender them.”
Again the officer bows, and his errand performed, he salutes and returns
to the boat. What will be the effect of his report? Will Admiral Sanchez
resent with force Captain Meade’s decision, or will he gracefully bow to
the inevitable? The latter apparently, for a few moments after the
officer ascends the side of the man-of-war the Spanish flag is dipped in
salute to the America and the Infanta Isabel steams slowly back in the
direction of Santiago.
“Again is Providence on the side of the heaviest guns,” murmurs Ashley,
as he walks over to where Barker is leaning against the rail, and claps
him on the back. “John, I am powerful glad to see you,” he declares
heartily.
“I don’t know whether I can say the same or not,” rejoins the detective,
sulkily. “For a man whose infernal meddling with affairs that did not
concern him nearly cost me my life, you appear pretty cool and
unconcerned.”
“My dear friend,” says Ashley, “if I had not been at Jibana half a dozen
days ago you would never have forgiven yourself for the part you played
as a soldier of Castile. Do you know who Don Carlos was?”
“I know he, or she, was a woman.”
“Oh, you do?”
“Yes; and if you had shown yourself after the scrimmage, instead of
sneaking off to Santiago, I might have told you of my discovery.”
“Ungrateful wretch!” cries Ashley in mock reproach. “I admit that I got
you into the scrape, but I also got you out of it. The fiery El Terredo
would have strung you to a telegraph pole had I not begged for your life
and liberty. Yes; Don Carlos was a woman, and she was Helen Hathaway.”
“Then El Terredo?” marvels the detective, who is beginning to see
daylight.
“Was Derrick Ames, of course. Anyone except a detective would have
discovered that long ago.”
“Indeed,” retorts Barker. “When did you find it out?”
“Early this morning,” laughs Ashley. “But let us be serious. Where are
the Feltons, father and son?”
“One dead, and the other perhaps so,” replies Barker, and he tells
Ashley the story of an exciting day at Santiago.
“It must be done,” the detective is saying, concluding his narrative.
“Your sympathies naturally stand in the way, so I will relieve you of
all active participation in the affair. All you will have to do is to be
a silent witness. One thing you must do, though. You must see Mrs. Ames
and have her pledge that she will not let her husband know that she has
told you her story. I must handle the affair gently, as Ames is as
flashy as gunpowder. You will see Helen, then?”
“Yes; I will fix it immediately. When do you occupy the center of the
stage?”
“To-morrow. I will let you know in due season.”
“All right, old chap. I will be glad when it is all over. So long.”
There are many happy hearts on the America this night. The meeting
between the sisters, Helen and Louise, was a dramatic one, and after
affectionate confidences had been exchanged each sought the man she
loved best.
But a shadow of sadness hovers about the four as they sit on the
quarter-deck and watch the big white moon rise out of the sea. Now that
all the excitement is over Van Zandt has dropped back into his old
reserve, and the consciousness of his odd relations to Louise Hathaway
reverts to him with unpleasant keenness. Ames is moody and abstracted
and only the incessant flow of spirits of Jack Ashley, who joins the
group with Juanita, keeps the little party alive.
But bedtime comes early, for everyone is thoroughly tired, and the party
disperses with many a fervent “Good-night, and pleasant dreams.”
And as Van Zandt prepares to go below he feels a touch on his arm and
turns to see John Barker. “Mr. Van Zandt, will you grant me a few
minutes before you retire?” requests the detective.
“Certainly,” is the reply. “Come to my stateroom.”
Ashley rises early the next morning and as he smokes his after-breakfast
cigar Barker joins him.
“I shall want you at ten o’clock, promptly,” says the detective. “Meet
me in the private cabin, or whatever it is called on shipboard. I have
secured exclusive use of it for an hour.”
“Very well,” replies Jack, abstractedly.
Promptly at ten, Ashley repairs below, and as he enters the cabin he
finds Ames and Van Zandt there. They look at him questioningly, but
before he has opportunity to say more than “Good-morning,” Barker
enters, closes the door and locks it.
Ames flushes angrily. “So,” he says, “it is at your request that I am
here?”
“It is,” replies the detective, calmly.
“What do you mean, sir, by inviting me to this place and locking the
door upon me?”
“I simply do not wish to be disturbed,” is Barker’s unruffled response.
“The cruiser America is now United States territory. I have business
with you, Mr. Ames. Gentlemen, will you not be seated?”
------------------------------------------------------------------------
CHAPTER LIX.
“WRITTEN BY THE HAND OF FATE.”
“You are a detective,” murmurs Derrick Ames, as he drops back into his
chair.
“I am,” answers Barker. “For nearly a year I have been on the track of
the murderer of Roger Hathaway, being ably seconded in my quest by my
friend Jack Ashley. The trail has been a tangled one, and has wound
under the flags of three countries, but for the past fortnight the end
has been clearly in view. By a remarkable combination of circumstances
affairs have been so precipitated that to-day nearly all the living
characters in the Raymond drama are upon this vessel, the United States
cruiser America. My work is done. I have only my story to tell. I shall
begin, Mr. Ames, by asking you a few questions,” resumes Barker.
“Well?” queries the object of his remarks.
“At what hour did you enter the Raymond National Bank on the evening of
Memorial Day of last year?”
“I cannot say exactly. I judge that it was in the vicinity of 7:45.”
“Will you be good enough to state what took place there between you and
Roger Hathaway?”
Ames scans the detective’s face keenly for a moment, then replies to
Barker in deliberate tones:
“I went to the bank to ask Mr. Hathaway’s consent that his daughter
Helen might become my wife. I was confident that my errand was useless,
as he had twice before scorned my suit. Helen and I had been idling all
the afternoon on the hillside below the town. As evening drew on I left
her at the bars and went to the bank, as she stated that she had
understood her father to say that he should spend the evening at work
upon his books. It being Memorial Day the streets were deserted, and,
barring one acquaintance, a chap named Sam Brockway, I did not meet a
person on my walk up the main thoroughfare. As I crossed the bridge I
saw Mr. Hathaway standing on the steps of the bank, delivering a note to
a boy, and when he re-entered the building I followed him.
“‘What do you want?’ he demanded, almost fiercely. I told him, and he
broke into a torrent of abuse. Naturally hot-tempered, I answered his
railings in kind, and I know not what might have happened had not Mr.
Hathaway suddenly ended the dispute by seizing me by the shoulder and
pushing me through the bank door to the street, threatening, as he did
so, to have the law on me if I continued my attentions to his daughter.
Through the glass panel in the door I watched him walk rapidly away in
the darkness of the interior; saw him as for an instant his form passed
into the lighted office in the rear of the bank. Then the door to that
room closed. I never saw Roger Hathaway again.”
“That is sufficient,” says Barker, as Ames pauses. “Your further
progress up to to-day is known to me.”
“Indeed?”
“Yes. And I may say that from the outset neither Mr. Ashley nor myself
believed you guilty of the murder of Roger Hathaway. At the most, we
considered that you might have been a witness to the tragedy. But your
testimony is the last link in the chain. I am now prepared, gentlemen,
to relate what in all human probability happened in Raymond on the
evening of Memorial Day last year.”
“Pardon me, Mr. Barker,” Van Zandt breaks in, abruptly. “I regret to
tell you that the trail which you have so patiently followed has led you
to what I should judge, from your preliminary remarks, to be a false
conclusion.”
“What!” cries the detective, starting from his chair.
“You think Cyrus Felton killed Roger Hathaway. So did I once. We were
wrong. If Cyrus Felton was responsible for Hathaway’s death it was only
indirectly, and the Raymond tragedy was the cause of more misery to him
than any human being should be compelled to bear.”
Barker is too astounded to reply for an instant, and Ames and Ashley
stare questioningly at Van Zandt.
“Let me relate briefly that much of my story which bears directly upon
the tragic events in Raymond,” says Van Zandt, quietly.
“On the afternoon of Memorial day of last year I was released from the
State prison at Windsor, Vermont, after serving two of a three years’
sentence for forgery, which, in reality, was committed by Ralph Felton.
I took the afternoon train for Raymond, arriving there at 7:45. I went
directly to Cyrus Felton’s residence, and reached it at 7:55. As I was
about to ascend the porch I heard footsteps behind me, and, thinking
they might be those of the man I sought, I stepped into the shadow of
the porch. The new arrival had apparently called to see Felton on
business. I heard the housemaid tell the visitor that Felton was not at
home; that he might be at his office in the bank building. As the man
walked away I followed leisurely.
“When I reached the entrance of the bank building a man, presumably the
caller at Felton’s, came down the stairs and walked down the street.
Then I went up the stairs and proceeded down the corridor until I
reached a door with Felton’s name upon it. But the door was locked and
the office was dark. As I retraced my steps and stood again at the
entrance of the block a man passed by hurriedly, ascended the steps to
the bank, opened the door and went in.
“I remained where I was for five minutes, and then walked to the bank
door and glanced through the glass panel. The interior was dark, save
for a ray of light that issued through the partly opened door to the
cashier’s private office. Perhaps Felton is within, I thought, and
pushing open the front door, which was ajar, I walked softly toward the
shaft of light that slanted across the bank floor.
“What my errand to Felton was, gentlemen, it is not necessary for me to
now state. Enough to say that when I threw open the door to the
cashier’s office I looked upon a sight that froze the blood in my veins.
“Lying upon the polished floor, which was stained with his life-blood,
was the body of Roger Hathaway, and standing over him was Cyrus Felton,
a revolver clenched in his right hand.
“When I made my appearance upon the threshold of the office Felton
turned his head and our eyes met for an instant that must to each have
seemed an age. Then I closed the door, and a moment later stood at the
entrance of the bank, gasping for air. Can you not imagine the horror in
my soul? My one impulse was to flee from the fearful scene. I had
looked, as I thought, into the face of Roger Hathaway’s slayer, and that
was the man to whom, incidentally at least, I owed the two past years of
misery. Falsely imprisoned for one crime, might I not be accused of
another and greater one? All this and more flashed through my brain, and
I hurried to the railway station. There I learned that no train was due
for hours. I staggered away from the station and plunged down the track
into the night.
“How I made my way over mountain and through forest to southeastern
Vermont and rode to New York on the trucks of a freight car; how I read
in a New York paper of the crime that startled Vermont and of my
supposed connection with the affair; how in that same paper I saw a
personal advertising that if Phillip Van Zandt, who left Montana over
two years ago, would communicate with Ezra Smith, lawyer of Butte,
Montana, he would learn of something to his advantage; how I, being the
much wanted Van Zandt, proceeded to Montana and discovered that I was
sole heir to the immense fortune of my uncle, a silver king in that
State, from whom I had foolishly parted in anger two years before—all
this and more I will relate at another time, gentlemen, if you care to
listen.
“Not until late last night,” continues Van Zandt, “did I have the
opportunity of examining the papers given in my possession by Cyrus
Felton just before he died in the consul’s residence at Santiago.”
As he speaks Van Zandt takes from his pocket a packet of papers, selects
one of them and tosses it across the table to Barker. “Read that,” he
says. “Read it aloud.”
The detective unfolds the document and reads:
“Santiago de Cuba, April 15.—This is written by the hand of
fate. I shall not live to see to-morrow’s sun rise. I know it.
The presentiment of my end is so irresistible that no effort of
will can shake it off. And I am glad that it is so. I could not
endure another day such as this has been. I should go mad.
“To-day I saw the detective. I have felt that for months he has
been pursuing me. And I have looked again into the eyes, the
glittering, pitiless eyes, that stared at me nearly a year ago
across the corpse of Roger Hathaway—the eyes of the man whom, to
shield my son, I cruelly wronged. From the hour, a month or more
ago, that I met Phillip Van Zandt I feared him. A nameless dread
took possession of me. To-day I recognized him and I read
hatred, contempt and menace in his eyes. He thinks I killed
Roger Hathaway, and what manner of vengeance he has in store I
know not.
“But Roger Hathaway killed himself. Together we wrecked the
Raymond National Bank. It was the old story of unfortunate
investments, and the blame was chiefly mine. But when the crash
was imminent Hathaway proved the hero and I the coward. He
killed himself and saved both his name and mine. And yet with
that bullet he put an end to all his troubles, while I—I have
suffered for months the tortures of the damned.
“With this I inclose his letter, which he left on his desk for
me the evening of Memorial Day. It has been on my person since
that fatal night, and it has seared my very soul. I have not
dared to destroy it or to leave it where it might be found, for
it is at once the proof of my guilt and of my innocence. If it
becomes necessary to clear—
“Ah, he is coming.
Cyrus Felton.”
Barker mechanically unfolds the inclosure, three sheets of letter paper
crumpled and worn. The stillness within the cabin is deathlike as the
detective reads:
“Before your eyes rest upon these lines the hand that pens them
will be cold in death. I have taken the only alternative. For
myself I care not, but that the finger of scorn should be
pointed at my defenseless children; that their young lives
should be blighted and they shunned and avoided as lepers
because their father betrayed his trust and cruelly wronged his
friends and neighbors, I cannot bear it. The banks, both of
them, are irretrievably involved. The funds deposited by the
county to pay the bonds have been used to meet pressing
obligations. The crash would come to-morrow. It cannot be staved
off another day. I have thought it all out. For the sake of my
children and the name they bear I am about to take my own life.
But they nor any other living person save you must ever know
that I did not die by the hand of the assassin. I have arranged
that it will appear as if the bank has been robbed and the
cashier murdered. As I write this room bears evidence of a
fearful struggle. The vault is open and the securities in
confusion. Thus will our crime be hidden from the eyes of all
save God. Your personal account overdrawn I have fixed by the
removal of pages from the ledger, so that when the examination
of the bank’s affairs is made there may be no suspicion of
irregularity on your part or mine. You will be the first to find
my lifeless body. The weapon by which I die you must secure and
secrete.
“And now, farewell. That the sacrifice I am about to make may
not be in vain I adjure you guard well the secret of my death.
Care for my children. Watch over them, cherish them. By our hope
of heaven and forgiveness, by our life-long friendship, by the
bitter sacrifice to which duty points the way, by all these
things I charge you, Cyrus Felton, fail not at the peril of your
good name.
Roger Hathaway.”
As Barker concludes the reading of the remarkable epistle each of the
four men is busy with his thoughts. No one offers any comment on the
message from the dead. Finally Ames breaks the silence.
“And Ralph Felton?” he queries, turning to Barker.
“He had nothing whatever to do with the death of Roger Hathaway,”
returns the detective. “He refused to answer the coroner’s question at
the inquest as to where he had spent his time between 7:45 o’clock and
8:30 on the evening of Memorial Day because he did not wish his
association with Isabel Winthrop, or Harding, to become known when he
had been a suitor for the hand of Helen Hathaway. But that was not his
principal reason for leaving Raymond as suddenly as he did. As
bookkeeper of the savings bank he had embezzled a portion of the
funds—not a sensational peculation, only sufficient to keep pace with
his expenditures, which were in excess of his income. Fearing that his
offense would be made public when the bank’s affairs were overhauled, he
fled. It was with difficulty that I extracted from him yesterday
afternoon a confession of his reason for leaving Raymond.
“As to the locket supposed to have been removed from Hathaway’s watch
chain the night of the tragedy, and which Mr. Ashley picked up a few
nights ago, I supposed until yesterday that it had been dropped by Ralph
Felton. But it seems that it was torn from Mr. Ames’ neck when Felton
hurled himself upon him on that memorable evening at Jibana. Mr.
Hathaway had detached it from his chain the morning of Memorial Day, as
the spring was broken, and had given it to Helen to convey to the
jeweler’s to be repaired. It left Raymond with her, and when she and her
husband took up their Cuban life the miniature of the younger sister was
removed, for obvious reasons, and Mr. Ames wore the locket about his
neck, attached to a long gold chain.”
Another silence, which this time Van Zandt breaks.
“Now that the facts in the case are in your possession, Mr. Barker, I
presume you will feel it your duty to report them to the proper
authorities.”
The detective does not reply. He glances curiously at Ashley, and the
latter passes over a cigar, which the detective bites in meditative
fashion.
“And you?” Van Zandt queries, turning to Ashley.
“It would make a capital story,” drawls Jack, who has already told
himself that the big bunch of “copy” in the pigeonhole of his desk in
the Hemisphere office will never greet a compositor’s eye.
“No doubt,” says Van Zandt, gravely. “But, like many capital stories, it
would be a source of endless pain to two estimable young ladies. It
would render nil the sacrifice which Roger Hathaway made to preserve his
family name from disgrace, and would make a hollow mockery of the simple
epitaph which you tell me marks the marble shaft above his
grave—‘Faithful Unto Death.’”
The detective lights his cigar.
“Is there any likelihood, Mr. Barker, of the state of Vermont paying the
$1,000 reward which was offered?” continues Van Zandt.
“None,” replies Barker. “The reward was for the arrest and conviction of
Roger Hathaway’s murderer.”
“And the additional $4,000 offered by the bank?”
Barker smiles sardonically.
Van Zandt takes from his pocket a folded slip of paper and passes it
across the table to the detective.
“There is a check for $5,000,” he says. “It is not a bribe. It is only
your just dues for the labors that you have expended on the case.
Personally, I am under deep obligations to you. As to whether the
Raymond mystery shall remain a mystery, I leave it to your own sense of
duty.”
Barker folds the check slowly, and, as he slips it into his vest pocket,
he remarks, with a glance toward Ashley:
“If my partner consents, the Hathaway case may as well remain as now
fixed in the coroner’s records in Raymond, Vermont.”
“Your partner came to that decision some time ago,” is Ashley’s quiet
response.
“Thank you, gentlemen,” says Van Zandt, as he rises. “And now, my
friends, suppose we rejoin the ladies. They will begin to think that we
have deserted them.”
THE END.
------------------------------------------------------------------------
● Transcriber’s Notes:
○ The spelling of some words were corrected if they appeared likely
to be typographic errors; otherwise they were left as written.
○ At the end of Chapter X there was an image of the note Cyrus
received. The the image was almost illegible so only the text was
included.
○ The word “clue” is consistently spelled “clew” throughout the
book. It appears in older dictionaries.
○ Accent marks were omitted in all but one Spanish word (café) that
would normally require them.
○ Missing or obscured punctuation was silently corrected.
○ Typographical errors were silently corrected.
○ Inconsistent spelling and hyphenation were made consistent only
when a predominant form was found in this book.
○ Text that was in italics is enclosed by underscores (_italics_).
Text that was marked bold is enclosed by equal signs (=Now!=).
------------------------------------------------------------------------
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